1
00:00:04,948 --> 00:00:07,584
( theme music playing )

2
00:01:38,409 --> 00:01:41,312
( man speaking Chinese )

3
00:01:50,153 --> 00:01:53,190
Man:
INSEAM-- 31.

4
00:01:53,290 --> 00:01:54,525
Iris:
32 AND A HALF.

5
00:01:54,625 --> 00:01:58,495
- YOU DID
IT INCORRECTLY.
- 31.

6
00:02:16,380 --> 00:02:18,482
32 AND A HALF.

7
00:02:28,392 --> 00:02:30,761
( children laughing )

8
00:02:45,942 --> 00:02:47,344
THERE'S BEEN A MISTAKE.

9
00:02:47,444 --> 00:02:49,413
THE WHOLE BACK OF THE SUIT
IS SPLIT OPEN.

10
00:02:49,513 --> 00:02:52,015
Man:
THAT'S HOW WE
DRESS A CORPSE.

11
00:02:52,115 --> 00:02:54,785
IT'S A FUNERAL SUIT.

12
00:03:20,977 --> 00:03:23,347
( yelling )

13
00:03:24,348 --> 00:03:26,983
( panting )

14
00:03:46,837 --> 00:03:50,307
ARE YOU SURE I CAN'T
GET YOU THE MERCUROCHROME?
I WILL ONLY TAKE A MOMENT.

15
00:03:50,407 --> 00:03:51,708
IT'S NOTHING, MA'AM.

16
00:03:51,808 --> 00:03:54,244
I'LL GET IT LOOKED AT
AFTER WE DROP HER OFF.

17
00:03:54,345 --> 00:03:56,713
IS EVERYTHING
ALL RIGHT, IRIS?

18
00:03:56,813 --> 00:03:58,248
IS IT NORMAN?

19
00:03:58,349 --> 00:04:00,283
- OUR NEW MAID--
BAD CASE OF NERVES.
- AH.

20
00:04:00,384 --> 00:04:02,753
THIS IS A PLEASANT
SURPRISE.

21
00:04:02,853 --> 00:04:04,788
WILL YOU BE JOINING US
FOR BREAKFAST?

22
00:04:04,888 --> 00:04:07,290
DO I SMELL BACON?

23
00:04:38,121 --> 00:04:41,324
( pigs snorting )

24
00:04:43,326 --> 00:04:45,829
( squeals )

25
00:04:47,097 --> 00:04:49,433
( groans )

26
00:04:51,301 --> 00:04:53,236
( screaming )

27
00:04:53,336 --> 00:04:55,539
( brakes squeal )

28
00:04:56,740 --> 00:04:59,710
( pigs continue snorting )

29
00:05:13,089 --> 00:05:14,991
HEY!

30
00:05:43,887 --> 00:05:45,922
( pig squeals )

31
00:05:51,127 --> 00:05:53,163
( screaming )

32
00:05:53,263 --> 00:05:55,866
- ( man grunts )
- ( thuds )

33
00:06:24,895 --> 00:06:27,030
YOU LIKE PORK?

34
00:06:28,699 --> 00:06:32,102
YOUR HOG'S UTENSIL IS
SHAPED LIKE HIS TAIL,

35
00:06:32,202 --> 00:06:34,838
LIKE A... CORKSCREW.

36
00:06:34,938 --> 00:06:36,439
( chuckles )

37
00:06:48,885 --> 00:06:51,588
( softly )
HENRY SCUDDER.

38
00:07:09,706 --> 00:07:12,142
( ragtime music playing
softly )

39
00:07:34,497 --> 00:07:36,633
HEY, JONESY.

40
00:07:38,268 --> 00:07:39,903
TAKE WHATEVER YOU WANT.

41
00:07:40,003 --> 00:07:42,973
THE GIRL HARDLY
HAD ANYTHING ANYWAY.

42
00:07:59,055 --> 00:08:03,226
EVERYONE I TALKED TO
SAID THEY THOUGHT IT WAS
A LONG TIME COMING.

43
00:08:06,930 --> 00:08:09,499
IT'S A MIRACLE
SHE STAYED AROUND
AS LONG AS SHE DID

44
00:08:09,600 --> 00:08:11,802
AFTER SHE LOST HER MAMA.

45
00:08:13,904 --> 00:08:16,472
I THOUGHT YOU WOULD
BE HAPPY FOR HER.

46
00:08:16,573 --> 00:08:19,275
I AM.

47
00:08:19,375 --> 00:08:22,145
SOME PEOPLE ARE
MEANT FOR THIS LIFE,
AND SOME AIN'T.

48
00:08:22,245 --> 00:08:26,516
LOOK AT YOU.
YOU WERE BORN
IN THE CARNIVAL.

49
00:08:26,617 --> 00:08:31,722
COME ON.
LET'S GO WORK
ON THOSE STEPS.

50
00:08:54,745 --> 00:08:57,580
Management:
LIGHT ME A CIGARETTE.

51
00:09:36,519 --> 00:09:40,891
THE BOY WILL BE
BACK SOON.

52
00:09:43,426 --> 00:09:45,929
THEN WHAT?

53
00:09:46,029 --> 00:09:48,098
LEAVE ME.

54
00:09:50,233 --> 00:09:53,136
GOODBYE, SAMSON.

55
00:10:02,779 --> 00:10:05,381
YOU KNOW
WHERE TO FIND ME.

56
00:10:26,469 --> 00:10:30,440
- IS HE STILL UNDER
THAT THING'S THUMB?
- MMM.

57
00:10:30,540 --> 00:10:33,810
YOU EVER SEEN HIM?
MANAGEMENT?

58
00:10:33,910 --> 00:10:36,747
AND HE'S STILL PLAYING
THAT PUNCH AND JUDY ACT?

59
00:10:36,847 --> 00:10:38,782
ALWAYS BEHIND A CURTAIN,

60
00:10:38,882 --> 00:10:40,951
ALWAYS RUNNING OFF
THE GODDAMN CIRCUIT.

61
00:10:41,051 --> 00:10:43,453
WHAT MAKES ME SICK--
WHEN WE SET UP
IN A BURG LIKE THIS,

62
00:10:43,553 --> 00:10:46,489
WHERE YOU KNOW NOBODY'S
GOT TWO NICKELS
TO RUB TOGETHER.

63
00:10:46,589 --> 00:10:47,891
IT WAS THE SAME
BACK THEN.

64
00:10:47,991 --> 00:10:50,861
WE ALL GO BACK
A LONG WAY.

65
00:10:54,097 --> 00:10:56,666
WHAT WAS IT LIKE
WITH SAMSON?

66
00:10:56,767 --> 00:10:59,369
HE WAS ALWAYS SO PICKY
ABOUT HIS SUITS.

67
00:10:59,469 --> 00:11:03,173
NEVER LET ME TOUCH HIM
WHEN HE WAS SLEEPING,

68
00:11:03,273 --> 00:11:04,808
THAT WAS A RULE.

69
00:11:04,908 --> 00:11:07,443
NEVER KISSED ME
IN FRONT OF PEOPLE.

70
00:11:07,543 --> 00:11:10,313
WE USED TO FUCK
LIKE RABBITS.

71
00:11:10,413 --> 00:11:14,317
WHEN I FEEL LIKE I'M GONNA
NOD OFF WITH BERT FLOPPING
AROUND ON TOP OF ME,

72
00:11:14,417 --> 00:11:17,287
I THINK OF HIM SOMETIMES.

73
00:11:18,955 --> 00:11:21,491
NOT EVERYTHING ON HIM
IS SMALL.

74
00:11:26,162 --> 00:11:29,099
Rita Sue:
FIVE, SIX, SEVEN, EIGHT.

75
00:11:30,633 --> 00:11:33,136
AND BACK, STEP,

76
00:11:33,236 --> 00:11:35,205
TURN, AND BACK.

77
00:11:35,305 --> 00:11:38,008
NO! NO, NO.

78
00:11:38,108 --> 00:11:41,011
DO EVERYTHING I DO,
LIKE A MIRROR!

79
00:11:43,814 --> 00:11:45,481
( Stumpy yells )
FUCK!

80
00:11:45,581 --> 00:11:48,852
IT DON'T WORK
IF YOU DON'T DO WHAT I DO.
THEN IT AIN'T A MIRROR, IS IT?

81
00:11:48,952 --> 00:11:50,620
IT AIN'T A MIRROR.
IT'S JUST SHIT!

82
00:11:50,720 --> 00:11:52,388
WELL, IT'S HARD
LOOKING AT YOU

83
00:11:52,488 --> 00:11:54,858
AND IMAGINING
I'M LOOKING
IN A MIRROR, MAMA.

84
00:11:54,958 --> 00:11:58,161
- ( Stumpy shouts )
- WELL, YOU ARE.

85
00:11:58,261 --> 00:12:00,163
STOP!

86
00:12:00,263 --> 00:12:03,233
FELIX, WHAT THE HELL
ARE YOU DOING BACK THERE?

87
00:12:11,707 --> 00:12:15,278
( Stumpy groaning )

88
00:12:15,378 --> 00:12:19,515
HEY, HOW ABOUT SOME MORE
OF THAT LIQUID SUNSHINE
THERE, DOC?

89
00:12:19,615 --> 00:12:21,717
WHAT THE HELL IS THIS?

90
00:12:21,818 --> 00:12:24,254
- WHO IS THIS QUACK?
- HE'S NOT A QUACK!

91
00:12:24,354 --> 00:12:27,757
THIS IS THE RENOWNED
TRAVELING WEIMAR ORALIST

92
00:12:27,858 --> 00:12:29,893
DR. DELICHTER,
FROM OESTERREICH.

93
00:12:29,993 --> 00:12:33,930
HE'S GLUING BACK IN THAT CROWN
JONESY POPPED LOOSE WITH THAT
LUCKY PUNCH OF HIS.

94
00:12:34,030 --> 00:12:36,833
GUTEN MORGEN,
FRAU DREIFUSS.

95
00:12:36,933 --> 00:12:39,903
HE SAYS "GUTEN MORGEN."

96
00:12:40,003 --> 00:12:42,005
JONESY KNOCKED LOOSE
MORE THAN A CROWN.

97
00:12:42,105 --> 00:12:44,474
WE BARELY HAVE
A POT TO PISS IN
BECAUSE OF YOU.

98
00:12:44,574 --> 00:12:47,911
AND NOW
YOU'RE WASTING MONEY
ON YOUR GODDAMN TOOTH?

99
00:12:48,011 --> 00:12:50,847
WE'LL WORK SOMETHING OUT.

100
00:12:50,947 --> 00:12:53,349
( sucking )

101
00:13:00,256 --> 00:13:01,424
( exhales )

102
00:13:01,524 --> 00:13:03,860
McNaughton:
AH, DELICIOUS.

103
00:13:03,960 --> 00:13:07,497
MM, YES.
GOOD FOOD, GOOD COMPANY.

104
00:13:07,597 --> 00:13:10,300
BUT SURELY THERE MUST BE
ANOTHER REASON FOR YOUR VISIT

105
00:13:10,400 --> 00:13:12,802
BESIDES THE TEMPTATION
OF MY SISTER'S BACON.

106
00:13:12,903 --> 00:13:15,605
IT'S THE SUPERVISORY,
JUSTIN.

107
00:13:17,507 --> 00:13:18,875
MEMBERS ARE DISTURBED

108
00:13:18,975 --> 00:13:21,677
BY SOME OF THE THEOLOGY
YOU'VE BEEN EXPOUNDING.

109
00:13:21,777 --> 00:13:24,414
NOW I AM
YOUR GREATEST CHAMPION,

110
00:13:24,514 --> 00:13:26,482
BUT EVEN I HAVE FOUND

111
00:13:26,582 --> 00:13:30,520
SOME OF YOUR MORE RECENT
SPEECHES TO BE DIVISIVE,

112
00:13:30,620 --> 00:13:31,721
CONFRONTATIONAL.

113
00:13:31,821 --> 00:13:34,357
CONFRONTATIONAL?

114
00:13:37,727 --> 00:13:39,795
THAT WAS NEVER
MY INTENTION.

115
00:13:39,896 --> 00:13:41,932
JUST TELL ME
WHAT I NEED TO DO

116
00:13:42,032 --> 00:13:45,468
TO MAKE YOU
AND THE SUPERVISORY
MORE AT EASE.

117
00:13:46,802 --> 00:13:48,071
WELL,

118
00:13:48,171 --> 00:13:50,073
WE'D LIKE YOU
TO SUBMIT YOUR...

119
00:13:50,173 --> 00:13:55,078
RADIO SERMONS
TO US FOR APPROVAL
BEFORE BROADCAST.

120
00:13:56,279 --> 00:13:59,382
THAT WAY WE CAN
MAKE SUGGESTIONS.

121
00:13:59,482 --> 00:14:03,153
YOU MAY EVEN BENEFIT
FROM OUR COLLABORATION.

122
00:14:11,294 --> 00:14:15,731
I THINK
THAT'S A SPLENDID IDEA.

123
00:14:15,831 --> 00:14:18,334
SUCH ATTENTION
WOULD BE AN HONOR.

124
00:14:19,402 --> 00:14:20,870
( laughing )

125
00:14:20,971 --> 00:14:22,405
WELL,

126
00:14:22,505 --> 00:14:23,940
THANK YOU AGAIN, IRIS.

127
00:14:24,040 --> 00:14:25,141
THAT WAS DELICIOUS.

128
00:14:25,241 --> 00:14:27,910
YES, THANK YOU.
DELICIOUS.

129
00:14:29,946 --> 00:14:32,348
( chatting )

130
00:14:34,917 --> 00:14:37,320
( Norman wheezing )

131
00:14:58,841 --> 00:15:01,377
- ( Norman thumps )
- IT'S NORMAN!

132
00:15:01,477 --> 00:15:03,179
DON'T WORRY.
I'LL TAKE CARE OF IT.

133
00:15:03,279 --> 00:15:06,649
HOW IS NORMAN?
IS THERE ANY
IMPROVEMENT?

134
00:15:06,749 --> 00:15:08,284
SADLY, NO.

135
00:15:08,384 --> 00:15:10,753
IF WE ARE
TO BELIEVE DANTE,

136
00:15:10,853 --> 00:15:12,788
THE NINTH CIRCLE
OF HELL,

137
00:15:12,888 --> 00:15:14,424
BEING FROZEN IN ICE
FOR ETERNITY

138
00:15:14,524 --> 00:15:18,328
IS RESERVED
FOR THOSE WHO BETRAY
THEIR BENEFACTORS.

139
00:15:18,428 --> 00:15:20,330
IF THAT'S THE WORST
THAT HELL HAS TO OFFER,

140
00:15:20,430 --> 00:15:22,932
THEN THERE MUST BE
AS SPECIAL A PLACE
IN HEAVEN

141
00:15:23,033 --> 00:15:25,068
RESERVED FOR YOU
AND YOUR SISTER,

142
00:15:25,168 --> 00:15:27,370
THE WAY YOU'VE
TREATED THAT MAN.

143
00:15:27,470 --> 00:15:31,941
HE SAVED US BOTH.
IT'S THE LEAST WE COULD DO.

144
00:15:32,042 --> 00:15:34,710
I JUST CAN'T S HIM
LIKE THIS.

145
00:15:34,810 --> 00:15:37,913
- I KNOW.
- GIVE HIM MY REGARDS?

146
00:15:38,014 --> 00:15:40,216
OF COURSE.

147
00:15:40,316 --> 00:15:42,852
DOES HE UNDERSTAND
WHEN YOU SPEAK?

148
00:15:42,952 --> 00:15:45,155
I PRAY HE DOES.

149
00:15:48,924 --> 00:15:53,563
- I'LL HAVE TONIGHT'S RADIO
ADDRESS RIGHT SENT OVER.
- GOOD.

150
00:15:58,534 --> 00:16:00,370
( horn honks )

151
00:16:05,875 --> 00:16:07,510
GOODNESS,
WHAT HAPPENED HERE?

152
00:16:07,610 --> 00:16:09,145
( scoffs )

153
00:16:09,245 --> 00:16:11,881
IF YOUR SPASMS ARE
GOING TO BE THROWING YOU
OUT OF BED,

154
00:16:11,981 --> 00:16:15,285
WE JUST MIGHT HAVE
TO PUT UP SOME RAILS.

155
00:16:15,385 --> 00:16:20,223
THERE'S A PROVERB IN RUSSIA
THAT OUR MOTHER TAUGHT US.

156
00:16:20,323 --> 00:16:24,627
( speaking in Russian )

157
00:16:28,131 --> 00:16:30,733
( groans )

158
00:16:30,833 --> 00:16:33,836
"IT'S BETTER
TO BE A WOUNDED LION

159
00:16:33,936 --> 00:16:35,605
THAN AN IMPECCABLE FLEA."

160
00:16:35,705 --> 00:16:39,642
( groans )

161
00:16:39,742 --> 00:16:42,645
JUSTIN HAS BEEN UNDER
SO MUCH PRESSURE LATELY.

162
00:16:42,745 --> 00:16:45,215
HE HAS SO MUCH
TO WORRY ABOUT

163
00:16:45,315 --> 00:16:48,017
THAT HE CAN'T REALLY
WORRY ABOUT US ANYMORE.

164
00:16:48,118 --> 00:16:50,320
HIS STRIDE IS SO LONG.

165
00:16:50,420 --> 00:16:52,588
IF WE CAN'T KEEP UP
WITH HIM,

166
00:16:52,688 --> 00:16:55,925
WE'LL LOOK UP ONE DAY,
AND, POOF, HE'LL BE GONE.

167
00:16:56,025 --> 00:17:02,031
NOW I INTEND
TO DO EVERYTHING IT TAKES
NOT TO BE LEFT BEHIND.

168
00:17:02,132 --> 00:17:04,367
I AM NOT A FLEA.

169
00:17:13,843 --> 00:17:16,812
TIME FOR A CHANGE.

170
00:17:22,952 --> 00:17:25,155
( barking )

171
00:17:44,307 --> 00:17:46,209
I'M LOOKING FOR A MAN
NAMED SCUDDER.

172
00:17:46,309 --> 00:17:49,712
HENRY. HANK. HACK.

173
00:17:49,812 --> 00:17:51,281
THAT BASTARD?

174
00:17:51,381 --> 00:17:53,583
IF YOU'RE
A FRIEND OF HIS,
YOU PAY IN ADVANCE.

175
00:17:53,683 --> 00:17:55,818
HE LIVE HERE?

176
00:17:55,918 --> 00:17:57,753
FOR ABOUT A YEAR.

177
00:17:57,853 --> 00:18:02,425
HE SNUCK OUT
ON CHRISTMAS EVE OWING
EIGHT WEEKS' RENT.

178
00:18:02,525 --> 00:18:05,228
LORD. YOU KNOW
WHERE HE WENT TO?

179
00:18:05,328 --> 00:18:08,864
IF HE'S SMART HE'S
A THOUSAND MILES AWAY.

180
00:18:08,964 --> 00:18:12,435
HE WAS A FREAK,
NOTHING BUT A FREAK.

181
00:18:15,971 --> 00:18:17,440
CAN I SEE HIS ROOM?

182
00:18:17,540 --> 00:18:19,975
BEEN RENTED--
TO PAYING TENANTS.

183
00:18:20,075 --> 00:18:22,478
HE DIDN'T LEAVE
ANYTHING BEHIND.

184
00:18:25,448 --> 00:18:29,352
AROUND THE STAIRS
TO THE LEFT.
ROOM TWO.

185
00:18:30,320 --> 00:18:32,488
THE DOOR
IS ALWAYS OPEN.

186
00:18:50,640 --> 00:18:52,808
( growling )

187
00:19:07,122 --> 00:19:09,459
( ragtime music playing )

188
00:19:50,800 --> 00:19:53,603
BUYING OR LOOKING?

189
00:19:55,705 --> 00:19:59,008
YOU EVER HEAR OF A FELLA
NAMED SCUDDER?

190
00:19:59,108 --> 00:20:01,411
NOPE.

191
00:20:03,112 --> 00:20:05,080
WHO ARE YOU?

192
00:20:05,180 --> 00:20:07,517
I'M YOUR MOTHER.

193
00:20:07,617 --> 00:20:10,786
( snickers )
YEAH, I'M YOUR
AUNT CLAUDINE.

194
00:20:10,886 --> 00:20:12,755
( laughing )

195
00:20:21,864 --> 00:20:23,566
( groaning )

196
00:20:25,267 --> 00:20:26,669
HEY.

197
00:20:26,769 --> 00:20:29,972
HEY, IF YOU'RE GONNA PUKE,
YOU TAKE IT OUTSIDE.

198
00:21:19,755 --> 00:21:21,557
( bubbling )

199
00:21:23,058 --> 00:21:25,428
( screaming )

200
00:21:29,264 --> 00:21:31,634
( screaming continues )

201
00:21:43,145 --> 00:21:45,515
( screaming )

202
00:21:58,027 --> 00:22:00,029
I KNOW YOU.

203
00:22:05,367 --> 00:22:07,036
( screams )

204
00:22:07,136 --> 00:22:09,204
GOD DAMN!

205
00:22:09,304 --> 00:22:11,741
YOU GOT TO PAY
FOR THAT.

206
00:22:11,841 --> 00:22:13,909
Clerk:
THIS IS
THE HOTEL ASTORIA.

207
00:22:14,009 --> 00:22:15,911
I WAS WONDERING IF YOU
COULD SEND A CAR TO--

208
00:22:16,011 --> 00:22:19,782
HEY, WHAT ARE YOU DOING?
YOU CAN'T COME BACK HERE!

209
00:22:19,882 --> 00:22:21,451
THIS ISN'T THE FARM,
YOU LITTLE SHIT.

210
00:22:21,551 --> 00:22:24,420
THAT BEHAVIOR
DOESN'T FLY HERE.
THIS IS DAMASCUS!

211
00:22:25,588 --> 00:22:28,290
OPERATOR,
GET ME THE POLICE.

212
00:22:28,390 --> 00:22:30,493
YES. HELLO?

213
00:22:30,593 --> 00:22:33,763
HENRY SCUDDER?

214
00:22:36,231 --> 00:22:38,534
WHO?

215
00:22:48,277 --> 00:22:50,613
YOU'RE HIM.

216
00:22:52,848 --> 00:22:55,451
YOU'RE GONNA HAVE
TO PAY FOR THAT TOO.

217
00:23:02,558 --> 00:23:04,927
YOU KNOW WHY I'M HERE.

218
00:23:05,027 --> 00:23:06,929
I'M TAKING YOU BACK
TO BELYAKOV.

219
00:23:07,029 --> 00:23:09,599
YOU CAN'T COME BACK HERE!
LEAVE THAT MAN ALONE.

220
00:23:09,699 --> 00:23:12,001
DON'T TOUCH HIM,
YOU SON OF A BITCH!

221
00:23:13,202 --> 00:23:15,404
YOU'RE WRONG.

222
00:23:15,505 --> 00:23:17,406
I DON'T KNOW
WHO YOU ARE,

223
00:23:17,507 --> 00:23:20,876
AND I DON'T KNOW
WHO YOU'RE LOOKING FOR.

224
00:23:20,976 --> 00:23:22,277
YOU KNOW WHO I AM.

225
00:23:22,377 --> 00:23:24,814
I'M YOUR SON!

226
00:23:27,883 --> 00:23:30,586
- WHERE DID HE GO?
- ARE YOU THE POLICE?

227
00:23:30,686 --> 00:23:32,287
YEAH, I'M THE POLICE.

228
00:23:32,387 --> 00:23:34,256
HE'S BACK THERE.

229
00:23:34,356 --> 00:23:35,625
HE LOCKED THE DOOR.

230
00:23:35,725 --> 00:23:38,761
WELL, WE'LL SEE WHAT
WE CAN DO ABOUT THAT!

231
00:23:41,030 --> 00:23:43,032
( door thuds )

232
00:23:52,975 --> 00:23:55,244
I HAVE A KEY! NO!

233
00:23:55,344 --> 00:23:58,113
( grunts )

234
00:23:58,213 --> 00:24:00,315
WHAT ARE YOU
DOING?

235
00:24:00,415 --> 00:24:02,918
WH--WHAT ARE YOU--?

236
00:24:24,406 --> 00:24:26,709
( gasping )

237
00:24:50,866 --> 00:24:53,335
Management:
IT IS.

238
00:24:53,435 --> 00:24:56,271
SO IT IS.

239
00:24:57,339 --> 00:25:00,109
( heaving )

240
00:25:02,678 --> 00:25:06,148
JUSTIN,
ARE YOU ALL RIGHT?!

241
00:25:10,485 --> 00:25:12,955
WHAT A DAY
TO LOSE THE MAID.

242
00:25:29,639 --> 00:25:32,141
I'VE SPENT YEARS...

243
00:25:32,241 --> 00:25:34,744
WONDERING
WHERE YOU WAS,

244
00:25:34,844 --> 00:25:37,579
WHAT YOU WAS LIKE.

245
00:25:39,114 --> 00:25:40,515
HERE YOU ARE,

246
00:25:40,616 --> 00:25:43,085
A SHRIVELED UP
OLD COWARD.

247
00:25:44,486 --> 00:25:47,156
WHY DID YOU LEAVE US?

248
00:25:49,524 --> 00:25:52,594
I HAD NO CHOICE.

249
00:25:54,496 --> 00:25:56,531
BELYAKOV WAS GETTING CLOSE,

250
00:25:56,632 --> 00:26:00,202
LODZ WAS IN TOWN
ASKING QUESTIONS.

251
00:26:02,004 --> 00:26:03,906
SO THEN YOU JUST--
YOU TURN TAIL,

252
00:26:04,006 --> 00:26:05,841
YOU LEAVE US THERE
WITH NOTHING?

253
00:26:05,941 --> 00:26:09,278
THE RUSSIAN WOULDN'T HAVE
HESITATED KILLING YOU

254
00:26:09,378 --> 00:26:11,546
AND YOUR MOTHER
TO GET TO ME.

255
00:26:11,647 --> 00:26:14,116
THAT'S A LOAD OF CRAP.
HE AIN'T THAT WAY.

256
00:26:14,216 --> 00:26:18,287
I DON'T HAVE TO JUSTIFY MYSELF
TO YOU OR ANYBODY ELSE.

257
00:26:18,387 --> 00:26:20,322
I JUST DID WHAT I HAD TO DO.

258
00:26:20,422 --> 00:26:25,728
YOU LEFT ME THERE,
ALONE WITH A GODDAMNED
CRAZY WOMAN!

259
00:26:30,666 --> 00:26:34,069
I NEVER WANTED TO BE
A PART OF THIS MADNESS.

260
00:26:37,039 --> 00:26:40,609
I-- I JUST WANTED PEACE
AND A FAMILY,

261
00:26:40,710 --> 00:26:43,412
BUT YOU CAN'T
JUST UP AND QUIT.

262
00:26:44,646 --> 00:26:47,917
YOU CAN'T RUN AWAY
FROM WHO YOU ARE.

263
00:26:49,418 --> 00:26:53,422
BUT THEN--
YOU KNOW THAT.

264
00:26:56,091 --> 00:26:57,993
YEAH.

265
00:26:59,528 --> 00:27:04,366
I WISH TO HELL
THAT YOU DIDN'T HAVE
TO BE PART OF THIS,

266
00:27:04,466 --> 00:27:07,502
THAT I COULD JUST
MAKE IT ALL STOP,

267
00:27:07,602 --> 00:27:09,504
BUT I CAN'T.

268
00:27:09,604 --> 00:27:12,407
NO ONE CAN.

269
00:27:16,545 --> 00:27:19,281
BELYAKOV MEANS
TO KILL ME.

270
00:27:22,217 --> 00:27:25,855
HE'S A BROKEN DOWN,
HALF-DEAD OLD MAN.

271
00:27:27,356 --> 00:27:30,392
UNTIL HIS LAST BREATH,

272
00:27:30,492 --> 00:27:33,095
HE IS EXTREMELY DANGEROUS.

273
00:27:35,931 --> 00:27:38,267
HE AIN'T GONNA HURT YOU,

274
00:27:38,367 --> 00:27:40,169
I PROMISE.

275
00:27:40,269 --> 00:27:42,872
WHAT IF YOU'RE WRONG?

276
00:27:43,806 --> 00:27:47,276
I AIN'T WRONG.

277
00:27:47,376 --> 00:27:52,247
IF YOU'RE WRONG,
WILL YOU PROTECT ME?

278
00:27:57,787 --> 00:28:01,156
YEAH, I WILL.

279
00:28:13,869 --> 00:28:16,171
( knock at door )

280
00:28:17,139 --> 00:28:18,908
COME IN.

281
00:28:19,008 --> 00:28:21,143
I BROUGHT YOU
SOME CHOWDER.

282
00:28:22,544 --> 00:28:24,914
OH, YOU SHOULDN'T HAVE.

283
00:28:34,289 --> 00:28:37,726
SO, UH,
YOU REMEMBER ANYTHING?

284
00:28:37,827 --> 00:28:40,229
ANYTHING AT ALL?

285
00:28:41,964 --> 00:28:46,001
I MUST HAVE
BEEN SLEEPWALKING
IS ALL I CAN THINK.

286
00:28:46,101 --> 00:28:47,970
YEAH.

287
00:28:49,872 --> 00:28:51,173
WHAT DID I SAY TO YOU?

288
00:28:51,273 --> 00:28:55,110
OH-- JUST TALKING
ABOUT THE BOY.

289
00:28:55,210 --> 00:28:57,913
BUT, IT WASN'T SO MUCH
WHAT YOU SAID,

290
00:28:58,013 --> 00:29:02,217
IT WAS YOUR EXPRESSION
OR--

291
00:29:03,052 --> 00:29:04,887
WHAT DO YOU CALL IT?

292
00:29:04,987 --> 00:29:08,623
- THE WAY SOMEONE
HOLDS THEMSELF?
- BEARING?

293
00:29:08,723 --> 00:29:11,827
BEARING.
IT WAS YOUR BEARING.

294
00:29:14,864 --> 00:29:17,967
I MUST HAVE BEEN THE ONE
WHO WAS DREAMING.

295
00:29:25,540 --> 00:29:28,310
SO ARE YOU
FINALLY HAPPY NOW?

296
00:29:28,410 --> 00:29:30,179
ABOUT WHAT?

297
00:29:30,279 --> 00:29:33,782
YOU DON'T HAVE TO WORRY
ABOUT SOFIE WORKING
FOR YOU NO MORE.

298
00:29:33,883 --> 00:29:37,052
I GUESS THAT'S WHAT
YOU WANTED, RIGHT?

299
00:29:37,152 --> 00:29:39,188
WHAT ARE YOU
GETTING AT?

300
00:29:39,288 --> 00:29:41,723
SHE WAS A SWEETHEART,
FOR CHRIST'S SAKE.

301
00:29:41,823 --> 00:29:43,959
SHE WAS FAMILY.

302
00:29:44,059 --> 00:29:46,996
SHE WAS OUR FAMILY,
SIMPOLEON.

303
00:29:47,096 --> 00:29:50,365
TELL ME HOW
TO GET HER BACK,
I'LL GO DO IT.

304
00:29:50,465 --> 00:29:52,434
THIS WAS
HER WHOLE WORLD.

305
00:29:52,534 --> 00:29:55,304
WHAT THE HELL'S
SHE GONNA DO OUT THERE?

306
00:29:55,404 --> 00:29:58,941
A GIRL LIKE THAT
IS PURE PREY.

307
00:29:59,041 --> 00:30:01,076
SHE CAN TAKE CARE
OF HERSELF!

308
00:30:04,914 --> 00:30:06,982
I ONLY WANTED
WHAT'S BEST FOR HER.

309
00:30:07,082 --> 00:30:11,053
YEAH, SURE YOU DO.

310
00:30:41,016 --> 00:30:45,254
- GLENN, YOU RUN IT.
- ALL RIGHT, JONESY.

311
00:30:45,354 --> 00:30:47,923
( bawdy music
playing )

312
00:31:39,441 --> 00:31:41,676
Man:
HOW ABOUT SOMETHING, SUGAR?

313
00:31:43,945 --> 00:31:46,615
( wolf whistles, hooting )

314
00:31:57,059 --> 00:31:59,828
Man:
GO AHEAD, TAKE IT OFF!

315
00:31:59,928 --> 00:32:03,098
( applause, cheering )

316
00:32:08,637 --> 00:32:10,505
( sighs )

317
00:32:32,161 --> 00:32:34,663
Man:
DON'T STOP NOW.

318
00:32:35,564 --> 00:32:37,699
( crowd jeering )

319
00:32:40,702 --> 00:32:42,737
HEY, HEY, GENTLEMEN!

320
00:32:42,837 --> 00:32:44,606
WHERE YOU GOING NOW?

321
00:32:44,706 --> 00:32:46,908
THE BEST IS STILL TO COME.

322
00:32:47,008 --> 00:32:48,543
Stumpy:
GENTLEMEN, HERE.

323
00:32:48,643 --> 00:32:53,148
PLEASE.
IT'S LIKE WATCHING
NATURE UNFOLD.

324
00:32:57,719 --> 00:32:59,388
( hooting, clapping )

325
00:32:59,488 --> 00:33:02,891
Stumpy:
THAT'S IT.
THAT'S IT, GENTLEMEN.

326
00:33:02,991 --> 00:33:04,859
YEAH.

327
00:33:04,959 --> 00:33:06,561
THERE SHE IS.

328
00:33:06,661 --> 00:33:09,331
( cheering )

329
00:33:25,647 --> 00:33:28,049
( feigning laughter )

330
00:33:36,325 --> 00:33:38,727
( crowd murmuring )

331
00:34:14,463 --> 00:34:17,632
GOOD EVENING,
BROTHERS AND SISTERS.

332
00:34:24,606 --> 00:34:26,708
In the garden
of Gethsemane

333
00:34:26,808 --> 00:34:31,012
the Lord struggled
with His own doubts

334
00:34:31,112 --> 00:34:33,248
about His destiny.

335
00:34:33,348 --> 00:34:36,351
McNaughton:
I APPROVED IT
THIS AFTERNOON

336
00:34:36,451 --> 00:34:38,987
AFTER I CALLED JUSTIN
WITH SOME CHANGES.

337
00:34:39,087 --> 00:34:40,989
IN THE FUTURE
WE'LL BE RECEIVING THE TEXT

338
00:34:41,089 --> 00:34:42,991
A WEEK IN ADVANCE
OF AIR-TIME

339
00:34:43,091 --> 00:34:45,194
SO THAT WE CAN ALL
MAKE REVISIONS.

340
00:34:45,294 --> 00:34:47,696
...But He wasn't alone.

341
00:34:48,963 --> 00:34:51,900
LIKEWISE, WE ARE
NEVER ALONE...

342
00:34:54,169 --> 00:34:56,738
( softly )
IN THE GARDEN.

343
00:34:59,274 --> 00:35:01,510
( groans )

344
00:35:15,724 --> 00:35:19,328
That was the sound
of the sermon

345
00:35:19,428 --> 00:35:22,264
other men
would have me deliver.

346
00:35:22,364 --> 00:35:24,599
Brothers and sisters,
I realize now

347
00:35:24,699 --> 00:35:29,304
that you are not here
to listen to the words
of other men.

348
00:35:29,404 --> 00:35:32,307
You are here for me

349
00:35:32,407 --> 00:35:36,177
so that I am not alone
in the garden.

350
00:35:36,278 --> 00:35:37,912
( audience agreeing )

351
00:35:38,012 --> 00:35:42,917
- ( paper tears )
- THIS-- THIS IS
THE SOUND OF OUTRAGE.

352
00:35:43,017 --> 00:35:45,287
OUTRAGE AT DELUDED MEN

353
00:35:45,387 --> 00:35:49,458
WHO WOULD PRESUME
WITH ALL THE ARROGANCE
OF THE PAPACY

354
00:35:49,558 --> 00:35:52,361
TO TELL YOU,
TO DICTATE TO YOU

355
00:35:52,461 --> 00:35:55,930
HOW YOU SHOULD WORSHIP,
WHAT YOU SHOULD THINK!

356
00:35:56,030 --> 00:35:58,767
( jeering )

357
00:36:00,335 --> 00:36:01,936
BUT HAVE PITY
ON THESE MEN,

358
00:36:02,036 --> 00:36:05,474
BECAUSE THEY WERE NOT ALWAYS
WHAT THEY HAVE BECOME.

359
00:36:05,574 --> 00:36:07,709
BEFORE THESE
MODERN DAY PHARISEES

360
00:36:07,809 --> 00:36:13,515
BECAME THE FAT FILTHY PAWNS
OF A GODLESS MERCHANT REGIME,

361
00:36:13,615 --> 00:36:18,520
THEY WERE ALL
RIGHTEOUS AND HOLY MEN.

362
00:36:18,620 --> 00:36:22,991
But what is the devil himself
if not a fallen angel?

363
00:36:23,091 --> 00:36:25,660
( crowd jeering )

364
00:36:25,760 --> 00:36:29,564
THIS IS THE SOUND
OF INDIGNATION

365
00:36:29,664 --> 00:36:32,401
AT MEN WHO WOULD
BETRAY YOU,

366
00:36:32,501 --> 00:36:34,669
MEN PLOTTING AGAINST YOU,

367
00:36:34,769 --> 00:36:39,274
MEN TRYING TO TEAR DOWN
WHAT WE ARE BUILDING HERE,

368
00:36:39,374 --> 00:36:42,544
TURNING THEIR BACKS
AS THE ROMAN CENTURIONS

369
00:36:42,644 --> 00:36:44,813
FORCED THEIR WAY
INTO OUR GARDEN--

370
00:36:44,913 --> 00:36:48,583
DEAF TO THE CLATTER OF THEIR
SPEARS AND THEIR SWORDS.

371
00:36:48,683 --> 00:36:52,186
BUT I AM NOT ALONE
IN THE GARDEN!

372
00:36:52,287 --> 00:36:54,923
WHEN JESUS HAD 12
AT HIS SIDE,

373
00:36:55,023 --> 00:36:58,159
I WILL HAVE 12,000!

374
00:36:58,259 --> 00:37:00,362
( cheering )

375
00:37:02,731 --> 00:37:04,299
SHIT!

376
00:37:04,399 --> 00:37:06,835
AND THEY WILL KNOW THAT
WHEN THEY COME--

377
00:37:06,935 --> 00:37:08,703
AND THEY WILL COME!

378
00:37:08,803 --> 00:37:11,773
THEY WILL COME,
BROTHERS AND SISTERS.

379
00:37:11,873 --> 00:37:14,343
THEY WILL COME.

380
00:37:16,978 --> 00:37:21,716
IN THIS GARDEN...

381
00:37:21,816 --> 00:37:28,357
YOU WILL NEVER HEAR
THE WORDS OF OTHER MEN.

382
00:37:28,457 --> 00:37:33,395
YOU WILL ONLY HEAR
THE WORDS OF ONE MAN.

383
00:37:33,495 --> 00:37:37,666
ONE MAN INSPIRING YOU
TO LIVE!

384
00:37:37,766 --> 00:37:43,872
AND THAT IS THE SOUND
THAT THEY WILL FEAR!

385
00:37:43,972 --> 00:37:46,375
( cheering )

386
00:38:03,024 --> 00:38:06,327
( moaning )

387
00:38:34,423 --> 00:38:36,625
- WAIT.
- WHAT?

388
00:38:42,363 --> 00:38:44,833
- PUT IT BACK THERE.
- WHAT?

389
00:38:44,933 --> 00:38:47,135
PUT IT BACK THERE.

390
00:38:48,369 --> 00:38:50,238
ARE YOU--

391
00:38:50,338 --> 00:38:52,240
ARE YOU GONNA LIKE THAT?

392
00:38:52,340 --> 00:38:54,008
I'VE NEVER TRIED.

393
00:38:54,108 --> 00:38:58,046
I JUST DON'T WANT YOU GOING
WHERE THE JOHNNIES GO.

394
00:38:59,380 --> 00:39:01,816
I WANT IT TO BE SPECIAL.

395
00:39:14,496 --> 00:39:16,364
- Osgood:
YOU SEEN SAMSON?
- NOPE.

396
00:39:16,465 --> 00:39:21,069
- HE TOLD ME TO GET HIM
WHEN THE KID CAME BACK.
- MIGHT BE DOWN THERE.

397
00:39:25,607 --> 00:39:27,642
( stammering )
I GOT TO GO--

398
00:39:27,742 --> 00:39:31,780
NO, YOU DON'T.
YOU'RE STILL TIGHT.

399
00:39:31,880 --> 00:39:36,485
YOU WERE NEVER
THIS WOUND UP WHEN
WE WERE TOGETHER.

400
00:39:36,585 --> 00:39:39,320
- WHAT ABOUT BERT?
- MM, SLEEPING.

401
00:39:39,420 --> 00:39:42,924
NOTHING GETS HIM UP.

402
00:39:43,024 --> 00:39:45,426
- NOTHING?
- HMM.

403
00:40:01,710 --> 00:40:05,113
YOU CAN'T JUST STAND HERE.
COME ON.

404
00:40:10,018 --> 00:40:12,787
I'M GLAD WE HAD
THESE HOURS, SON.

405
00:40:12,887 --> 00:40:17,992
I KNOW IT DOESN'T MAKE UP
FOR ANYTHING, BUT...

406
00:40:18,092 --> 00:40:20,729
THERE'S PLENTY MORE TIME
WE'RE GONNA HAVE.

407
00:40:20,829 --> 00:40:23,932
HE'S JUST GONNA
TALK TO YOU,

408
00:40:24,032 --> 00:40:26,167
THAT'S ALL.

409
00:40:30,605 --> 00:40:32,874
( sighs )

410
00:40:51,192 --> 00:40:52,594
( door closes )

411
00:40:52,694 --> 00:40:56,064
Management:
COME TO ME.

412
00:41:04,205 --> 00:41:06,174
BELYAKOV.

413
00:41:06,274 --> 00:41:08,543
Management:
SCUDDER.

414
00:41:08,643 --> 00:41:11,980
HERE WE ARE.

415
00:41:12,080 --> 00:41:15,416
Scudder:
I'M NOT A PART OF THIS.
I NEVER WAS.

416
00:41:15,516 --> 00:41:17,552
I TOOK MYSELF OUT
A LONG TIME AGO.

417
00:41:17,652 --> 00:41:20,454
I JUST WANT TO LIVE
MY LIFE IN PEACE.

418
00:41:20,555 --> 00:41:22,390
WHY COULDN'T YOU
STOP TOO?

419
00:41:22,490 --> 00:41:26,494
YOU KNOW WHAT
WE NEED TO KNOW.

420
00:41:26,595 --> 00:41:30,364
GIVE US THE NAME
OF BEN'S ENEMY.

421
00:41:30,464 --> 00:41:33,434
- NO.
- GIVE IT TO ME!

422
00:41:33,534 --> 00:41:35,704
- ( groaning )
- Ben: WHAT'S GOING ON?

423
00:41:35,804 --> 00:41:38,573
- OPEN YOUR MIND, SCUDDER.
- Ben: STOP IT!

424
00:41:38,673 --> 00:41:42,076
OPEN YOUR MIND
OR I'LL TEAR IT APART.

425
00:41:42,176 --> 00:41:45,546
- STOP IT, GOD DAMN IT!
- AH-- ALEXSEI!

426
00:41:47,048 --> 00:41:49,584
( panting )

427
00:41:52,887 --> 00:41:54,455
ALEXSEI.

428
00:41:54,555 --> 00:41:56,925
ALEXSEI BELYAKOV.

429
00:41:57,025 --> 00:41:58,927
YOUR SON.

430
00:41:59,027 --> 00:42:00,929
YOU LIE.

431
00:42:01,029 --> 00:42:02,563
MY SON IS DEAD.

432
00:42:02,664 --> 00:42:04,866
HE DIED IN A TRAIN
DERAILMENT.

433
00:42:04,966 --> 00:42:07,568
NO. HE'S THE BOY'S
OPPOSITE.

434
00:42:07,669 --> 00:42:09,503
HE HAS A MAN
LOOKING FOR ME,

435
00:42:09,604 --> 00:42:12,941
AND HE'S NOT DEAD.

436
00:42:14,042 --> 00:42:16,010
( screaming )

437
00:42:19,948 --> 00:42:22,216
- NO!
- Ben: LET HIM GO!

438
00:42:22,316 --> 00:42:25,854
- HELP ME!
- LET HIM GO!

439
00:42:32,493 --> 00:42:34,763
STOP, GOD DAMN IT!

440
00:42:36,464 --> 00:42:38,800
- ( grunting )
- STOP!

441
00:42:38,900 --> 00:42:42,003
- SON!
- YOU'RE KILLING HIM.

442
00:42:59,053 --> 00:43:02,123
( gears grinding
to a stop )

443
00:43:07,896 --> 00:43:10,665
WHAT ARE YOU DOING?

444
00:43:12,767 --> 00:43:15,569
HE DIDN'T WANT YOU
TO INTERFERE.

445
00:43:15,670 --> 00:43:18,139
HE WANTED
TO PROTECT YOU.

446
00:43:18,773 --> 00:43:22,143
HE? WHO'S HE?

447
00:43:23,712 --> 00:43:26,347
IT'S MANAGEMENT!

448
00:43:26,447 --> 00:43:29,083
IT'S MANAGEMENT,
ISN'T IT?!

449
00:43:31,920 --> 00:43:35,656
WHAT HAVE YOU DONE?
( grunts )

450
00:44:13,962 --> 00:44:17,198
( people exclaiming )

451
00:44:28,877 --> 00:44:31,880
( instrumental music playing )