1 00:00:03,303 --> 00:00:07,274 ♪ BA DA BA BA DA BA BA DA BA 2 00:00:07,274 --> 00:00:08,842 ♪ BA DA BA BA DA BA BA DA BA 3 00:00:08,842 --> 00:00:10,677 ♪ JIMMY KIMMEL LIVE 4 00:00:10,677 --> 00:00:13,347 >> BACK AT HOME! 5 00:00:13,347 --> 00:00:16,016 >> Jimmy: HI, I'M JIMMY, I'M THE HOST OF THE SHOW. 6 00:00:16,016 --> 00:00:18,218 THANKS FOR WATCHING. IT IS JANUARY 12th. 7 00:00:18,218 --> 00:00:23,290 WE HAVE EIGHT DAYS LEFT OF OUR HUMAN MISSILE CRISIS. 8 00:00:23,290 --> 00:00:24,491 AND YET, OUR LONG NATIONAL NIGHTMARE APPEARS TO BE FAR FROM 9 00:00:24,491 --> 00:00:29,997 OVER. OUR WHACKJOB PRESIDENT GAVE ANOTHER CRAZY SPEECH TODAY, 10 00:00:29,997 --> 00:00:32,966 COMPLETELY IGNORING THE ELEPHANT IN THE ROOM, SPEWING NONSENSE 11 00:00:32,966 --> 00:00:35,903 ABOUT MEXICANS AND CARAVANS AND EVERY SUBJECT OTHER THAN WHAT HE 12 00:00:35,903 --> 00:00:39,506 SHOULD BE TALKING ABOUT. WHICH IS THAT IT'S TIME FOR 13 00:00:39,506 --> 00:00:43,343 GRANDPA TO PEACEFULLY HAND OVER THE KEYS TO THE CAR. 14 00:00:43,343 --> 00:00:48,348 THE FBI IS WARNING OF SERIOUS THREATS TO OUR COUNTRY. 15 00:00:48,348 --> 00:00:50,951 THE HOUSE VOTED TONIGHT TO ASK MIKE PENCE TO INVOKE THE 25th 16 00:00:50,951 --> 00:00:54,421 AMENDMENT TO REMOVE THE PRESIDENT. 17 00:00:54,421 --> 00:00:55,656 AND OF COURSE, MIKE PENCE ISN'T GOING TO REMOVE DONALD TRUMP. 18 00:00:55,656 --> 00:00:57,157 MIKE PENCE DOESN'T EVEN REMOVE HIS SHIRT. 19 00:00:57,157 --> 00:01:03,330 THAT MEANS TOMORROW, THE HOUSE WILL VOTE TO IMPEACH. AGAIN. 20 00:01:03,330 --> 00:01:05,198 WHICH IS NOT AT ALL COOL WITH DONALD TRUMP, WHO CAME OUT OF 21 00:01:05,198 --> 00:01:08,635 HIDING TO EXPLAIN WHY. 22 00:01:08,635 --> 00:01:12,940 >> IT'S RIDICULOUS. IT'S ABSOLUTELY RIDICULOUS. 23 00:01:12,940 --> 00:01:16,143 THIS IMPEACHMENT IS CAUSING TREMENDOUS ANGER. 24 00:01:16,143 --> 00:01:19,179 AND YOU'RE DOING IT, AND IT'S REALLY A TERRIBLE THING THAT 25 00:01:19,179 --> 00:01:24,718 THEY'RE DOING. FOR NANCY PELOSI AND CHUCK 26 00:01:24,718 --> 00:01:27,988 SCHUMER TO CONTINUE ON THIS PATH, I THINK IT'S CAUSING 27 00:01:27,988 --> 00:01:30,657 TREMENDOUS DANGER TO OUR COUNTRY, AND IT'S CAUSING 28 00:01:30,657 --> 00:01:31,258 TREMENDOUS ANGER. 29 00:01:31,258 --> 00:01:34,528 >> Jimmy: OH, THAT'S WHAT'S CAUSING ALL THE DANGER AND ANGER. 30 00:01:34,528 --> 00:01:36,663 ALL ALONG I THOUGHT IT WAS YOU CAUSING IT. 31 00:01:36,663 --> 00:01:40,367 TURNS OUT IT WAS THEM. THE MORE WE LEARN ABOUT WHAT 32 00:01:40,367 --> 00:01:43,303 WENT DOWN AT THE WHITE HOUSE LAST WEDNESDAY, THE MORE 33 00:01:43,303 --> 00:01:45,872 SINISTER IT SOUNDS. ACCORDING TO THE "WASHINGTON 34 00:01:45,872 --> 00:01:48,141 POST," THE REASON TRUMP TOOK SO LONG TO ANSWER THE MANY CALLS 35 00:01:48,141 --> 00:01:51,144 FOR HELP HE WAS GETTING FROM HIS FRIENDS IN CONGRESS, WHO WERE 36 00:01:51,144 --> 00:01:55,315 FORCED TO HIDE IN THEIR OFFICES, IS HE WAS TOO BUSY WATCHING TV. 37 00:01:55,315 --> 00:01:58,418 FOR REAL. HE WOULDN'T TAKE ANY PHONE 38 00:01:58,418 --> 00:02:03,323 CALLS, BECAUSE HE DIDN'T WANT TO MISS ANY OF THE RIOT. 39 00:02:03,323 --> 00:02:04,524 THE SAME WAY OUR 3‐YEAR‐OLD REACTS WHEN HIS GRANDPARENTS TRY 40 00:02:04,524 --> 00:02:06,360 TO FACETIME DURING "PAW PATROL." THAT'S WHY HE CALLS HIMSELF THE 41 00:02:06,360 --> 00:02:08,528 LAW AND ORDER PRESIDENT, BECAUSE HE SPENDS ALL DAY WATCHING 42 00:02:08,528 --> 00:02:12,065 EPISODES OF IT. AND EVEN THOUGH HIS SUPPORTERS 43 00:02:12,065 --> 00:02:18,305 WERE SCREAMING "HANG MIKE PENCE" TO THE POINT MIKE PENCE 44 00:02:18,305 --> 00:02:21,842 HAD TO BE TAKEN TO A SAFE LOCATION, HE DIDN'T EVEN CALL 45 00:02:21,842 --> 00:02:23,243 THE VICE PRESIDENT TO CHECK ON HIM. ALTHOUGH IN TRUMP'S DEFENSE, 46 00:02:23,243 --> 00:02:26,013 IT'S HARD TO MAKE A PHONE CALL WHEN YOU'RE FONDLING YOURSELF. 47 00:02:26,013 --> 00:02:27,280 THIS IS INTERESTING TOO, YOU KNOW HOW TRUMP TWEETED DURING 48 00:02:27,280 --> 00:02:32,285 THE SIEGE THAT EVERYONE SHOULD "STAY PEACEFUL"? 49 00:02:32,285 --> 00:02:33,854 WELL, HE REPORTEDLY DIDN'T WANT TO ADD THE "STAY PEACEFUL" PART. 50 00:02:33,854 --> 00:02:35,055 AND THAT VIDEO WHERE HE COMMITTED TO A PEACEFUL TRANSFER 51 00:02:35,055 --> 00:02:38,325 OF POWER? ACCORDING TO A SENIOR OFFICIAL, 52 00:02:38,325 --> 00:02:42,162 HE SAID HE WISHED HE HADN'T DONE IT BECAUSE "HE FEARED THAT THE 53 00:02:42,162 --> 00:02:47,234 CALMING WORDS MADE HIM LOOK WEAK." 54 00:02:47,234 --> 00:02:50,504 HE'S WORRIED THAT HIS WORDS MAKE HIM LOOK WEAK, BUT NOT THAT HIS 55 00:02:50,504 --> 00:02:55,308 SUITS MAKE HIM LOOK LIKE HE'S MADE OUT OF COCONUTS AND WAFFLE 56 00:02:55,308 --> 00:02:58,779 BATTER MAKE HIM LOOK WEAK, HE'S WORRIED ABOUT THE WORDS. 57 00:02:58,779 --> 00:02:59,980 BUT MR. TOUGH GUY DID FINALLY WEIGH IN TODAY ON THE VIOLENT 58 00:02:59,980 --> 00:03:05,519 AND MURDEROUS ACTIONS OF HIS EXTREMIST SUPPORTERS. 59 00:03:05,519 --> 00:03:08,555 >> THEY'RE DIVIDING AND DIVISIVE, AND THEY'RE SHOWING 60 00:03:08,555 --> 00:03:10,424 SOMETHING THAT I'VE BEEN PREDICTING FOR A LONG TIME. 61 00:03:10,424 --> 00:03:14,127 >> Jimmy: OKAY. WELL THAT'S A GOOD START. 62 00:03:14,127 --> 00:03:14,461 PLEASE, GO ON. 63 00:03:14,461 --> 00:03:17,064 >> I'VE BEEN PREDICTING IT FOR A LONG TIME, AND PEOPLE DIDN'T ACT 64 00:03:17,064 --> 00:03:19,766 ON IT. BUT I THINK BIG TECH HAS MADE A 65 00:03:19,766 --> 00:03:23,303 TERRIBLE MISTAKE, AND VERY, VERY BAD FOR OUR COUNTRY. 66 00:03:23,303 --> 00:03:27,741 >> Jimmy: OH! BIG TECH IS THE ONE THAT MADE 67 00:03:27,741 --> 00:03:31,144 THE MISTAKE AND IS VERY BAD FOR OUR COUNTRY, NOT YOU AND THE 68 00:03:31,144 --> 00:03:33,914 MURDERERS IN "CALL OF DUTY" COSTUMES. 69 00:03:33,914 --> 00:03:35,282 THIS IS, YOU KNOW, EVEN IN THE MIDDLE OF A NIGHTMARE, YOU FIND 70 00:03:35,282 --> 00:03:36,416 FUNNY MOMENTS. THE GUY WHO WAS DRESSED AS A 71 00:03:36,416 --> 00:03:39,686 VIKING? CODE NAME Q ANON SHAMAN. REAL NAME JACOB CHANSLEY. 72 00:03:39,686 --> 00:03:47,027 THE SHAMAN IS IN CUSTODY, AND HIS MOMMY IS NONE TOO HAPPY WITH 73 00:03:47,027 --> 00:03:48,161 THE ACCOMMODATIONS. 74 00:03:48,161 --> 00:03:51,398 >> CHANCELY'S MOTHER ATTENDED MONDAY'S HEARING AND EXPRESSED 75 00:03:51,398 --> 00:03:52,165 HER CONCERN. 76 00:03:52,165 --> 00:03:56,403 >> HE GETS VERY SICK IF HE DOESN'T EAT ORGANIC FOOD, 77 00:03:56,403 --> 00:03:59,139 LITERALLY WILL GET PHYSICALLY SICK. SO HE NEEDS TO EAT. 78 00:03:59,139 --> 00:04:02,242 >> Jimmy: THEY WON'T EVEN LET HER IN THERE TO BREAST FEED. 79 00:04:02,242 --> 00:04:04,745 WE SPECIFICALLY ASKED FOR A CAGE‐FREE PRISON! 80 00:04:04,745 --> 00:04:09,015 MY LITTLE TRAITOR NEEDS HIS TRADER JOE'S! 81 00:04:09,015 --> 00:04:12,552 HAS TO BE ANTIFA, RIGHT? THAT CAN'T BE THEM. 82 00:04:12,552 --> 00:04:14,521 YOU KNOW, IT'S VERY RICH, THAT TRUMP IS PUSHING BACK ON THE 83 00:04:14,521 --> 00:04:20,460 SOCIAL MEDIA COMPANIES, WHO'VE SHUT DOWN THE ACCOUNTS FOR HIM 84 00:04:20,460 --> 00:04:25,432 AND THESE DOMESTIC TERRORISTS. BECAUSE IN 2017 HE WROTE ON 85 00:04:25,432 --> 00:04:28,668 TWIST, "LOSER TERRORISTS MUST BE DEALT WITH IN A MUCH TOUGHER 86 00:04:28,668 --> 00:04:31,004 MANNER, THE INTERNET IS THEIR MAIN RECRUITMENT TOOL WHICH WE 87 00:04:31,004 --> 00:04:34,875 MUST CUT OFF AND USE BETTER." DONE AND DONE. 88 00:04:34,875 --> 00:04:35,776 TRUMP WAS AS PRESIDEMENTED AS EVER TODAY. 89 00:04:35,776 --> 00:04:38,512 HE CONTINUES TO INSIST THAT HE'S DONE NOTHING WRONG. 90 00:04:38,512 --> 00:04:40,781 NOT ONLY DID HE REFUSE TO DISAVOW HIS INFLAMMATORY AND 91 00:04:40,781 --> 00:04:45,118 SEDITIOUS REMARKS, HE SEEMS TO THINK THEY ARE JUST FINE. 92 00:04:45,118 --> 00:04:49,022 >> PEOPLE THOUGHT THAT WHAT I SAID WAS TOTALLY APPROPRIATE. 93 00:04:49,022 --> 00:04:52,926 AND IF YOU LOOK AT WHAT OTHER PEOPLE HAVE SAID, POLITICIANS AT 94 00:04:52,926 --> 00:04:57,030 A HIGH LEVEL, ABOUT THE RIOTS DURING THE SUMMER, THE HORRIBLE 95 00:04:57,030 --> 00:05:01,568 RIOTS IN PORTLAND AND SEATTLE AND VARIOUS OTHER PLACES, THAT 96 00:05:01,568 --> 00:05:03,770 WAS A REAL PROBLEM, WHAT THEY SAID. 97 00:05:03,770 --> 00:05:05,205 >> Jimmy: RIGHT. WHAT THEY SAID. 98 00:05:05,205 --> 00:05:07,240 THAT WAS A REAL PROBLEM. THIS WAS JUST WHITE PEOPLE 99 00:05:07,240 --> 00:05:09,442 HAVING FUN. 100 00:05:09,442 --> 00:05:14,614 >> BUT THEY VANDIZED MY SPEECH AND MY WORDS AND MY FINAL 101 00:05:14,614 --> 00:05:17,784 PARAGRAPH, MY FINAL SENTENCE, AND EVERYBODY TO THE TEETH 102 00:05:17,784 --> 00:05:19,886 THOUGHT IT WAS TOTALLY APPROPRIATE, THANK YOU. 103 00:05:19,886 --> 00:05:24,724 >> Jimmy: EVERYBODY TO THE TEETH METHOD IT WAS TOTALLY 104 00:05:24,724 --> 00:05:27,761 APPROPRIATE. "THE NEW YORK TIMES" REPORTED 105 00:05:27,761 --> 00:05:30,063 SOON TO BE FORMER SENATE MAJORITY LEADER MITCH McCONNELL 106 00:05:30,063 --> 00:05:34,935 TOLD ASSOCIATES HE WAS GLAD THEY WERE IMPEACHING IMPEACHMENT, AND 107 00:05:34,935 --> 00:05:38,872 LIZ CHENEY SAID THERE'S NEVER BEEN A GREAT BETRAYAL BY A 108 00:05:38,872 --> 00:05:40,874 PRESIDENT OF THE UNITED STATES OF HIS OFFICE AND HIS OATH TO 109 00:05:40,874 --> 00:05:45,145 THE CONSTITUTION. BUT EVERYBODY TO THE "T." 110 00:05:45,145 --> 00:05:49,382 BIG "T" FLEW TO ALAMO, TEXAS, TO BRAG ABOUT HIS WALL AND REMIND 111 00:05:49,382 --> 00:05:52,152 THE AMERICAN PEOPLE HE'S NOT JUST A DANGEROUS MEGALOMANIAC, 112 00:05:52,152 --> 00:05:55,755 HE'S ALSO A RACIST. SHOULD TRUMP EVEN BE ALLOWED 113 00:05:55,755 --> 00:05:58,058 NEAR THE BORDER? ISN'T HE A FLIGHT RISK AT THIS 114 00:05:58,058 --> 00:06:01,561 POINT? THE SCATTERED CROWD IN ALAMO WAS 115 00:06:01,561 --> 00:06:06,700 TREATED TO A DAVEY CROCK OF YOU KNOW WHAT FROM OUR NEARLY 116 00:06:06,700 --> 00:06:07,500 DEPARTED LEADER. 117 00:06:07,500 --> 00:06:09,636 >> WE SEE WHAT'S COMING. THEY'RE COMING BECAUSE THEY 118 00:06:09,636 --> 00:06:11,371 THINK IT'S GRAVY TRAIN AT THE END. 119 00:06:11,371 --> 00:06:15,141 IT'S GOING TO BE A GRAVY TRAIN. CHANGE THE NAME FROM THE 120 00:06:15,141 --> 00:06:18,144 CARAVANS WHICH I THINK WE CAME UP WITH, TO THE GRAVY TRAIN, 121 00:06:18,144 --> 00:06:19,145 BECAUSE THAT'S WHAT THEY'RE LOOKING FOR. 122 00:06:19,145 --> 00:06:21,381 LOOKING FOR THE GRAVY. 123 00:06:21,381 --> 00:06:22,115 >> Jimmy: NOW IF YOU'LL EXCUSE 124 00:06:22,115 --> 00:06:30,056 ME, I'M HUNGRY FOR LUNCH. 125 00:06:30,056 --> 00:06:31,758 IT WAS A BANANAS SPEECH. TOTALLY OFF THE RAILS. 126 00:06:31,758 --> 00:06:32,959 HE BASICALLY CLAIMED HIS WALL KEPT MEXICAN COVID OUT OF THE 127 00:06:32,959 --> 00:06:33,860 UNITED STATES. WHICH IS NEWS TO US HERE IN 128 00:06:33,860 --> 00:06:35,528 CALIFORNIA. AND THEN, AFTER HIS SPEECH, HE 129 00:06:35,528 --> 00:06:39,299 TURNED AND LEFT, AND AFTER RANTING ABOUT MURDER AND ALIENS 130 00:06:39,299 --> 00:06:41,268 AND MEXICANS AND GRAVY, WHAT KIND OF AN EXIT DID HE MAKE? 131 00:06:41,268 --> 00:06:45,340 A MUSICAL ONE. 132 00:06:45,340 --> 00:06:45,705 ♪ 133 00:06:45,705 --> 00:06:53,747 ♪ 134 00:06:53,747 --> 00:06:57,484 ♪ YOUNG MEN 135 00:06:57,484 --> 00:06:59,319 ♪ THERE'S NO NEED TO FEEL DOWN 136 00:06:59,319 --> 00:07:01,688 >> Jimmy: OH, HE DIDN'T EVEN DANCE. THE PEOPLE CAME TO SEE HIM 137 00:07:01,688 --> 00:07:04,357 DANCE! COME ON, DONNY, GIVE US ONE 138 00:07:04,357 --> 00:07:06,226 LITTLE JIGGLE! FOR OLD TIME'S SAKE. 139 00:07:06,226 --> 00:07:12,565 IT WAS VERY WISE OF TRUMP TO TAKE A VICTORY LAP AT THE BORDER. 140 00:07:12,565 --> 00:07:13,800 THE SAME WEEK HIS SUPPORTERS SHOWED THE WORLD THAT WALLS 141 00:07:13,800 --> 00:07:16,236 SERVE ALMOST NO PURPOSE WHATSOEVER WHEN IT COMES TO 142 00:07:16,236 --> 00:07:20,006 KEEPING PEOPLE WHO WANT IN OUT. THE FACT IS DONALD TRUMP ONLY 143 00:07:20,006 --> 00:07:23,677 BUILT 12 MILES OF NEW WALL. THAT'S LIKE, FROM HERE TO SANTA 144 00:07:23,677 --> 00:07:27,314 MONICA. ALLOW ME TO USE THE ONLY PROPS I 145 00:07:27,314 --> 00:07:28,748 HAVE AT MY DISPOSAL TO ILLUSTRATE. 146 00:07:28,748 --> 00:07:35,889 MY DAUGHTER'S LEGOS. THIS IS WHAT DONALD TRUMP 147 00:07:35,889 --> 00:07:42,028 PROMISED. AND THIS IS WHAT DONALD TRUMP 148 00:07:42,028 --> 00:07:42,862 DELIVERED. AND IT COST US $15 BILLION 149 00:07:42,862 --> 00:07:46,833 DOLLARS. WELL DONE. TRUMP IS TAKING ONE LAST TOUR OF 150 00:07:46,833 --> 00:07:47,667 ALL HIS GREATEST FAILURES THIS WEEK. 151 00:07:47,667 --> 00:07:54,140 TOMORROW, HE'S SPENDING THE DAY WITH ERIC. 152 00:07:54,140 --> 00:07:56,710 TENSIONS ARE VERY HIGH IN D. C. THREE DEMOCRATS IN THE HOUSE 153 00:07:56,710 --> 00:08:00,480 HAVE TESTED POSITIVE FOR COVID AFTER BEING HOLED UP DURING THE 154 00:08:00,480 --> 00:08:03,616 CAPITOL LOCKDOWN WITH REPUBLICAN COLLEAGUES WHO REFUSED TO WEAR 155 00:08:03,616 --> 00:08:07,087 MASKS EVEN WHEN THEY WERE OFFERED TO THEM. 156 00:08:07,087 --> 00:08:12,625 AMONG THEM IS Q‐ANON SUPERSPREADER MARJORIE TAYLOR 157 00:08:12,625 --> 00:08:15,628 GREEN. SO MANY IMBECILES, SO MANY IMBECILES. 158 00:08:15,628 --> 00:08:19,432 SOON TO BE SENATE MAJORITY LEADER CHUCK SCHUMER TODAY HAD 159 00:08:19,432 --> 00:08:22,135 HIS PRESS CONFERENCE INTERRUPTED BY THIS VERY FETCHING YOUNG 160 00:08:22,135 --> 00:08:24,070 LADY. 161 00:08:24,070 --> 00:08:27,707 >> SOCIALISTS! THAT'S EXACTLY WHO YOU ARE! 162 00:08:27,707 --> 00:08:31,845 YOU'RE NOTHING BUT A COWARD! YOU HIDE UNDERNEATH YOUR DESK! 163 00:08:31,845 --> 00:08:33,480 I ACTUALLY GOT SEXUALLY EXCITED OVER IT! 164 00:08:33,480 --> 00:08:39,319 THAT'S HOW MUCH I LOATH YOU! THAT'S HOW MUCH I'M GLAD WHAT 165 00:08:39,319 --> 00:08:39,753 THEY DID! 166 00:08:39,753 --> 00:08:43,990 >> Jimmy: MAYBE BANNING PARLER WAS A MISTAKE, NOW THEY'RE OUT 167 00:08:43,990 --> 00:08:46,393 ON THE STREET. SHE GOT SEXUALLY EXCITED SEEING 168 00:08:46,393 --> 00:08:49,195 CHUCK SCHUMER UNDER HIS DESK? WOULDN'T IT BE SOMETHING IF THEY 169 00:08:49,195 --> 00:08:51,698 FELL IN LOVE? WHAT A STORY THAT WOULD BE, LIKE 170 00:08:51,698 --> 00:08:53,967 GEORGE AND KELLYANNE ALL OVER AGAIN. 171 00:08:53,967 --> 00:08:59,539 THERE ARE A LOT OF CRAZIES OUT THERE. 172 00:08:59,539 --> 00:09:01,007 EVEN THOUGH TRUMP RELEASED THAT "CONCESSION" VIDEO PROMISING A 173 00:09:01,007 --> 00:09:02,242 SMOOTH TRANSITION AND TELLING THE RIOTERS TO GO HOME, MANY OF 174 00:09:02,242 --> 00:09:04,778 HIS SUPPORTERS AREN'T BUYING IT. SOME ARE VERY ANGRY WITH HIM FOR 175 00:09:04,778 --> 00:09:07,680 IT FOR GIVING UP, BUT A LOT OF THEM DON'T EVEN BELIEVE HE MADE 176 00:09:07,680 --> 00:09:10,517 THE VIDEO. MANY IN THE Q AND PARLER CROWD 177 00:09:10,517 --> 00:09:14,187 SAY THE VIDEO WAS A DEEP FAKE. LIKE HIS TAN. 178 00:09:14,187 --> 00:09:19,059 AS IF, FIRST OF ALL, AS IF THE TECHNOLOGY IS THAT ADVANCED, BUT 179 00:09:19,059 --> 00:09:20,894 SECONDLY, IF SOMEONE DID MAKE A FAKE VIDEO OF TRUMP AND RELEASED 180 00:09:20,894 --> 00:09:24,197 IT ON HIS TWITTER ACCOUNT, WOULDN'T TRUMP OBJECT TO THAT? 181 00:09:24,197 --> 00:09:26,433 YOU THINK HE'D KEEP QUIET? I DON'T KNOW. 182 00:09:26,433 --> 00:09:31,304 LET'S GIVE IT A TRY. 183 00:09:31,304 --> 00:09:34,941 >> HI. I'M DONALD TRUMP. I'VE GOT A BIG, SMELLY BUTT. 184 00:09:34,941 --> 00:09:41,648 WILL SOMEBODY PLEASE HELP ME WASH MY BUTT? 185 00:09:41,648 --> 00:09:42,816 >> Jimmy: THIS QANONSENSE REMINDS ME IN A LOT OF WAYS OF 186 00:09:42,816 --> 00:09:44,117 SEASONS TWO AND THREE OF "LOST," WHEN EVERYONE WAS COMING UP WITH 187 00:09:44,117 --> 00:09:46,953 CRAZY THEORIES, YOU REMEMBER THAT? IT WAS FUN. 188 00:09:46,953 --> 00:09:49,456 EVERYONE HAD THOUGHTS ABOUT WHAT WAS REALLY GOING ON. 189 00:09:49,456 --> 00:09:50,924 THEY WERE ALL ON A REALITY SHOW AND DIDN'T KNOW IT. 190 00:09:50,924 --> 00:09:55,328 IT WAS PURGATORY. THE SMOKE MONSTER WAS A SWARM OF 191 00:09:55,328 --> 00:09:57,931 TINY ROBOTS. PEOPLE WERE UNCOVERING HIDDEN 192 00:09:57,931 --> 00:10:05,872 MESSAGES THAT WEREN'T EVEN 193 00:10:05,872 --> 00:10:07,006 THERE. SOMETIMES THE GUYS WHO RAN THE 194 00:10:07,006 --> 00:10:08,675 SHOW, DAMON LINDELOF AND CARLTON CUSE WERE LIKE, "UH, THAT'S 195 00:10:08,675 --> 00:10:13,146 INTERESTING, BUT NO, THAT WASN'T A SATANIC PENTAGRAM. 196 00:10:13,146 --> 00:10:15,348 THAT WAS A CARL'S JR. WRAPPER SOMEBODY FORGOT TO CLEAN UP ON 197 00:10:15,348 --> 00:10:21,654 SET." THAT'S WHAT THIS Q‐ANON IS, LIKE 198 00:10:21,654 --> 00:10:24,557 A BUILD YOUR OWN APOCALYPSE. SOMEONE PUTS SOMETHING OUT 199 00:10:24,557 --> 00:10:26,159 THERE, SOMEONE ELSE ADDS TO IT, THROW IN A FEW FAKE DOCUMENTS, 200 00:10:26,159 --> 00:10:27,427 CIRCULATE IT AROUND, AND ALL OF A SUDDEN, YOU HAVE A PIZZA PLACE 201 00:10:27,427 --> 00:10:28,695 WHERE HILLARY CLINTON IS AT THE SODA MACHINE DRINKING CHILDREN'S 202 00:10:28,695 --> 00:10:35,034 BLOOD. I MEAN, IMAGINE LOOKING AT THIS. 203 00:10:35,034 --> 00:10:45,745 "DROP 2903 RIGHT ARROW 204 00:10:45,745 --> 00:10:47,313 2+9=1103. AS IN 11/03 PARENTHESES ZERO 205 00:10:47,313 --> 00:10:48,414 SLASH ELECTION DAY END PARENTHESES 11/03 + 21 DAYS = 206 00:10:48,414 --> 00:10:51,351 11/24," AND THINKING, "WELL, THAT SEEMS SUSPICIOUS!" 207 00:10:51,351 --> 00:10:53,553 AND THEN, EVEN THOUGH THERE ARE BIG BIG BIG HAPPENINGS ABOUT TO 208 00:10:53,553 --> 00:10:58,791 HAPPEN, NOTHING HAPPENS, BUT YOU KEEP RIGHT AT IT. 209 00:10:58,791 --> 00:11:00,560 LIKE THOSE PROPHETS WHO PICK A DATE FOR THE END OF THE WORLD, 210 00:11:00,560 --> 00:11:03,530 AND THEN THE WORLD DOESN'T END, SO THEY PICK ANOTHER DATE? 211 00:11:03,530 --> 00:11:07,300 I GUESS GOING WITH THE FLOW IS EASIER TO SWALLOW THAN ADMITTING 212 00:11:07,300 --> 00:11:09,569 THE GUY FROM "CELEBRITY APPRENTICE" WASN'T SO GOOD AT 213 00:11:09,569 --> 00:11:10,870 BEING PRESIDENT. WHAT DOES SOMEONE DO WHEN THEY 214 00:11:10,870 --> 00:11:16,709 WANT OUT OF THIS? 215 00:11:16,709 --> 00:11:20,446 IS THERE A Q‐ANON‐ANONYMOUS? YOU KNOW, TAKING RANDOM NUMBERS 216 00:11:20,446 --> 00:11:26,519 AND EXTRAPOLATING MADE‐UP STUFF FROM THEM ISN'T DIFFICULT. 217 00:11:26,519 --> 00:11:30,290 EVERYBODY IN Q‐ANON ASSUMES THE MAGIC NUMBER IS 17 BECAUSE "Q" 218 00:11:30,290 --> 00:11:33,993 IS THE 17th LETTER IN THE ALPHABET, AND "Q" FIRST SURFACED 219 00:11:33,993 --> 00:11:37,197 IN THE YEAR 2017. SO WHENEVER DONALD TRUMP SAYS 220 00:11:37,197 --> 00:11:39,666 "17," IT'S A CODED MESSAGE. BUT WHAT THEY'RE NOT TAKING INTO 221 00:11:39,666 --> 00:11:41,868 CONSIDERATION IS THAT THE LETTER "Q" COMES FROM THE ANCIENT GREEK 222 00:11:41,868 --> 00:11:42,869 LETTER "QOPPA." WHICH IS THE GREEK NUMERAL FOR 223 00:11:42,869 --> 00:11:47,140 90. NOT 17. AND WHAT'S SIGNIFICANT ABOUT 90? 224 00:11:47,140 --> 00:11:50,877 WELL, 1990 WAS THE YEAR DONALD TRUMP FIRST PUBLICLY 225 00:11:50,877 --> 00:11:53,012 EXPRESSED AN INTEREST IN RUNNING FOR PRESIDENT IN A PORNOGRAPHIC 226 00:11:53,012 --> 00:11:56,783 MAGAZINE. 1990 WAS ALSO THE SAME YEAR THIS 227 00:11:56,783 --> 00:12:01,421 PHOTO WAS TAKEN. THAT'S PRESIDENT‐ELECT, BUT NOT 228 00:12:01,421 --> 00:12:04,424 REALLY, JOSEPH R. BIDEN JR. WITH THEN U. S. DEPUTY 229 00:12:04,424 --> 00:12:07,927 ATTORNEY GENERAL BILL BARR, WHO ARE SEEN HERE ENTERING INTO A 230 00:12:07,927 --> 00:12:14,200 SECRET AGREEMENT TO BRING DOWN FUTURE PRESIDENTIAL HOPEFUL 231 00:12:14,200 --> 00:12:15,301 DONALD TRUMP AND HIS FRIEND JEFFREY EPSTEIN, WHO BECAME 232 00:12:15,301 --> 00:12:21,140 PALM BEACH NEIGHBORS IN WHAT YEAR? 1990! 233 00:12:21,140 --> 00:12:24,944 AND WHAT WAS THE ADDRESS OF THE PLACE JEFFREY EPSTEIN BOUGHT? 234 00:12:24,944 --> 00:12:30,416 358 EL BRILLO WAY. 358. 235 00:12:30,416 --> 00:12:34,187 THE SECRET CALL SIGN AIR FORCE ONE USED, WHEN TRUMP MADE A 236 00:12:34,187 --> 00:12:39,425 SURPRISE VISIT TO IRAQ OVER CHRISTMAS IN 2018. 237 00:12:39,425 --> 00:12:43,696 Q‐ANON, THE FIRST MISSIVE FROM "Q" WAS POSTED TO AN ONLINE 238 00:12:43,696 --> 00:12:50,870 MESSAGE BOARD CALLED 4CHAN. OVER TIME, "Q" MIGRATED TO 239 00:12:50,870 --> 00:12:53,339 ANOTHER BOARD CALLED 8CHAN. 4CHAN AND THEN 8CHAN LEAD TO 240 00:12:53,339 --> 00:12:54,340 JOHNNY CHAN. THE 10 TIME WORLD SERIES OF 241 00:12:54,340 --> 00:12:57,310 POKER CHAMPION. HERE'S JOHNNY, MAKING A CAMEO IN 242 00:12:57,310 --> 00:13:01,748 THE MOVIE "ROUNDERS." AND WHERE IS HE IN THIS SCENE? 243 00:13:01,748 --> 00:13:04,284 AT DONALD TRUMP'S NOW BANKRUPTED TRUMP TAJ MAHAL CASINO. 244 00:13:04,284 --> 00:13:08,688 AND WHO'S HE SITTING ACROSS FROM IN THIS SCENE? 245 00:13:08,688 --> 00:13:13,192 THAT'S RIGHT, SATAN'S LAMEST AGENT, MATT DAMON. 246 00:13:13,192 --> 00:13:19,265 NOW WE'RE GETTING INTO THE REAL EVIL, MATT DAMON. 247 00:13:19,265 --> 00:13:20,833 SO YOU SEE WHAT WE'RE UP AGAINST HERE. 248 00:13:20,833 --> 00:13:23,536 TO RECAP, Q‐ANON IS "LOST," JUST 249 00:13:23,536 --> 00:13:31,077 LIKE THE PEOPLE WHO FOLLOW IT. WE HAVE A GOOD SHOW FOR YOU 250 00:13:31,077 --> 00:13:33,646 TONIGHT. ALDIS HODGE IS WITH US. WE HAVE MUSIC FROM JP SAX. 251 00:13:33,646 --> 00:13:39,218 AND WE'LL BE RIGHT BACK WITH KYRA SEDGWICK. 252 00:13:49,028 --> 00:13:52,699 >> Jimmy: WELCOME BACK TO THE SHOW. TONIGHT, FROM THE NEW MOVIE 253 00:13:52,699 --> 00:13:54,434 "ONE NIGHT IN MIAMI," ALDIS HODGE IS WITH US. 254 00:13:54,434 --> 00:13:56,235 THEN LATER, HIS SONG IS CALLED "A LITTLE BIT YOURS," MUSIC FROM 255 00:13:56,235 --> 00:14:03,676 JP SAX. TOMORROW NIGHT ON THE SHOW, 256 00:14:03,676 --> 00:14:05,678 BRYAN CRANSTON AND CARRIE COON, WITH MUSIC FROM BEACH BUNNY. 257 00:14:05,678 --> 00:14:13,619 AND THURSDAY, KATE WINSLET, 258 00:14:13,619 --> 00:14:16,823 JAVICIA LESLIE, AND MUSIC FROM FOO FIGHTERS. 259 00:14:16,823 --> 00:14:18,324 OUR FIRST GUEST TONIGHT IS AN EMMY & GOLDEN GLOBE‐WINNING 260 00:14:18,324 --> 00:14:20,860 PERSON WITH A NEW COMEDY SHOW. "CALL YOUR MOTHER" PREMIERES 261 00:14:20,860 --> 00:14:24,497 TOMORROW AT 9:30 ON ABC, PLEASE SAY HELLO TO KYRA SEDGWICK. 262 00:14:24,497 --> 00:14:25,898 HELLO, KYRA. 263 00:14:25,898 --> 00:14:27,500 >> HELLO, HOW ARE YOU? 264 00:14:27,500 --> 00:14:30,370 >> Jimmy: I'M ALL RIGHT, WHERE ARE YOU? 265 00:14:30,370 --> 00:14:33,439 >> I'M IN L. A. I'M IN L. A.? 266 00:14:33,439 --> 00:14:36,342 AND WHERE IS YOUR HUSBAND KEVIN RIGHT NOW? 267 00:14:36,342 --> 00:14:41,649 >> HE IS IN NEW YORK, ACTUALLY, SHOOTING THE TV SHOW WITH ALDIS 268 00:14:41,649 --> 00:14:42,014 HODGE. 269 00:14:42,014 --> 00:14:43,649 >> Jimmy: OH, OH. HOW ABOUT THAT. 270 00:14:43,649 --> 00:14:44,751 WELL, THAT'S SOMETHING ELSE. 271 00:14:44,751 --> 00:14:45,318 >> YEAH. 272 00:14:45,318 --> 00:14:46,621 >> Jimmy: WE'RE ALREADY GETTING INTO THE DEGREES OF SEPARATION 273 00:14:46,621 --> 00:14:46,986 HERE. 274 00:14:46,986 --> 00:14:50,590 >> I KNOW. I'M SO HAPPY. 275 00:14:50,590 --> 00:14:54,160 >> Jimmy: HOW'S THE SEPARATION BEEN? YOUR SEPARATION? 276 00:14:54,160 --> 00:14:57,363 NOT THAT IT'S A SEPARATION SEPARATION. 277 00:14:57,363 --> 00:15:01,234 BUT YOU GUYS WERE ON THE SHOW I THINK IN LIKE MAY TOGETHER? 278 00:15:01,234 --> 00:15:06,239 AND WE WERE TALKING ABOUT YOU HAVE RULES SET UP FOR COVID, 279 00:15:06,239 --> 00:15:09,175 YOU'D COME UP WITH A FRAMEWORK TO LIVE BY? 280 00:15:09,175 --> 00:15:10,643 >> CORONA RULES, YOU KNOW? 281 00:15:10,643 --> 00:15:11,043 >> Jimmy: YEAH. 282 00:15:11,043 --> 00:15:15,148 >> I MEAN, IT KIND OF ‐‐ IT COULD BE OF ANYTHING FROM LIKE 283 00:15:15,148 --> 00:15:20,019 MAKING THE BED TO NOT NECESSARILY GETTING DRESSED TO 284 00:15:20,019 --> 00:15:22,255 CAKE IN THE MORNING. I GOT REALLY INTO MAKING THIS 285 00:15:22,255 --> 00:15:25,291 POUND CAKE EVERY MORNING ‐‐ I MEAN, EVERY DAY. 286 00:15:25,291 --> 00:15:28,094 I WOULD EAT THE POUND CAKE EVERY MORNING FOR BREAKFAST. YOU KNOW. 287 00:15:28,094 --> 00:15:30,830 SO THOSE KIND OF THINGS. YOU HAVE TO ‐‐ I MEAN, THERE'S 288 00:15:30,830 --> 00:15:34,600 SO MANY THINGS THAT YOU HAVE TO LEARN TO DO YOURSELF, RIGHT? 289 00:15:34,600 --> 00:15:35,601 THAT YOU HAVE NO BUSINESS DOING. 290 00:15:35,601 --> 00:15:38,070 >> Jimmy: LIKE WHAT? WHAT ARE THE KINDS OF THINGS 291 00:15:38,070 --> 00:15:39,539 YOU'VE HAD TO DO? 292 00:15:39,539 --> 00:15:45,278 >> WELL, I MEAN, THERE'S LITTLE THINGS LIKE COOKING. YOU KNOW. 293 00:15:45,278 --> 00:15:46,948 24/7. LIKE THREE MEALS A DAY ALL THE 294 00:15:46,948 --> 00:15:47,313 TIME. 295 00:15:47,313 --> 00:15:50,483 >> Jimmy: RIGHT. 296 00:15:50,483 --> 00:15:52,819 >> AND THEN CLEANING. ALL THE THINGS YOU'RE NOT SO 297 00:15:52,819 --> 00:15:56,088 USED TO CLEANING. AND, YOU KNOW, THEN THERE'S LIKE 298 00:15:56,088 --> 00:15:58,191 PERSONAL STUFF THAT STARTS TO HAPPEN. 299 00:15:58,191 --> 00:16:02,161 LIKE YOUR HAIR GETS REALLY LONG, AND LIKE ‐‐ YOU KNOW, YOU'RE 300 00:16:02,161 --> 00:16:06,232 USED TO HAVING THESE PROFESSIONALS TAKING CARE OF 301 00:16:06,232 --> 00:16:11,170 YOUR OUTSIDE, YOU KNOW. HAIRCUTS AND FACIALS AND, YOU 302 00:16:11,170 --> 00:16:17,944 KNOW, ALL THOSE FINE LADIES THAT DO ‐‐ LADIES AND GENTLEMEN THAT 303 00:16:17,944 --> 00:16:20,680 DO THAT KIND OF WORK. WE HAD TO DO FACIALS LIKE, DO 304 00:16:20,680 --> 00:16:25,017 YOUR OWN PANTRY FACIAL. OATMEAL, MAYONNAISE, EGGS. 305 00:16:25,017 --> 00:16:31,123 IT BECAME CLEAR AT ONE POINT TO ME, TO BOTH OF US, THAT, YOU 306 00:16:31,123 --> 00:16:32,825 KNOW, I NEEDED A BIKINI LINE WAX. 307 00:16:32,825 --> 00:16:34,560 >> Jimmy: OH! 308 00:16:34,560 --> 00:16:37,730 >> SO, YOU KNOW. I KIND OF THOUGHT. 309 00:16:37,730 --> 00:16:41,801 >> Jimmy: BREAK OUT THE OATMEAL. 310 00:16:41,801 --> 00:16:47,773 >> YOU KNOW, BIKINI LINE WAXES, YOU KNOW ‐‐ YOU KNOW, I MEAN, I 311 00:16:47,773 --> 00:16:51,878 THINK PART OF ME WAS LIKE, HOW HARD COULD IT BE? YOU KNOW. 312 00:16:51,878 --> 00:16:55,081 I'VE WATCHED THESE AMAZING LADIES DO IT ALL THESE YEARS, 313 00:16:55,081 --> 00:16:57,550 AND I'VE ALWAYS REALLY APPRECIATED THEM AND APPRECIATED 314 00:16:57,550 --> 00:17:00,820 THEIR ATTENTION TO DETAIL. BUT, LIKE, I DIDN'T REALLY 315 00:17:00,820 --> 00:17:05,825 THINK, YOU KNOW, IT WOULD BE THAT HARD. SO ‐‐ YOU KNOW. 316 00:17:05,825 --> 00:17:08,828 KEV, KEVIN IS LIKE INCREDIBLY HANDY. 317 00:17:08,828 --> 00:17:09,662 >> Jimmy: OH, OKAY. 318 00:17:09,662 --> 00:17:12,732 >> HE'S REALLY GOOD. HE'S REALLY GOOD ‐‐ 319 00:17:12,732 --> 00:17:14,166 >> Jimmy: GOOD WITH TOOLS AND STUFF. 320 00:17:14,166 --> 00:17:17,703 >> AT A LOT OF THINGS, YEAH. AT EVERYTHING. LIKE IT'S WEIRD. 321 00:17:17,703 --> 00:17:22,842 LIKE HE'S A GOOD COOK. AND HE KNOWS HOW TO FIX STUFF. 322 00:17:22,842 --> 00:17:26,012 AND IF THINGS BREAK IN THE HOUSE, LIKE HE'S VERY HANDY. 323 00:17:26,012 --> 00:17:28,581 SO WE KIND OF BOTH FIGURED, HOW HARD COULD IT BE? 324 00:17:28,581 --> 00:17:36,155 SO I WENT ONLINE, I GOT THE BEST WAX KIT, WE LOOKED AT THE 325 00:17:36,155 --> 00:17:39,025 DIRECTIONS. PUT THE STUFF IN THE HEATER. 326 00:17:39,025 --> 00:17:42,295 I MEAN, IN THE MICROWAVE. MAKE SURE IT WASN'T TOO HOT. 327 00:17:42,295 --> 00:17:47,567 YOU KNOW, I ASSUMED THE POSITION. AND, YOU KNOW ‐‐ SO WHAT YOU 328 00:17:47,567 --> 00:17:53,839 HAVE TO DO IS YOU HAVE TO, LIKE, BRUSH THE HAIR LIKE AWAY FROM 329 00:17:53,839 --> 00:17:58,144 THE WAY THAT THE GROWS. SO IT'S GROWING THIS WAY BUT YOU 330 00:17:58,144 --> 00:18:03,816 HAVE TO BRUSH THE HAIR THIS WAY WHILE SIMULTANEOUSLY PUTTING THE 331 00:18:03,816 --> 00:18:06,752 WAX ON. AND THEN TAKING A PIECE OF 332 00:18:06,752 --> 00:18:10,222 CLOTH, AND YOU PUT THE CLOTH ON THE WAX. 333 00:18:10,222 --> 00:18:11,290 AND THEN YOU RIP IT REALLY HARD. 334 00:18:11,290 --> 00:18:14,360 >> Jimmy: YEAH. 335 00:18:14,360 --> 00:18:19,799 >> BUT YOU HAVE TO MAKE SURE THAT, "A," THE WAX IS NOT TOO 336 00:18:19,799 --> 00:18:21,100 HOT, WHICH IT WASN'T, IT WAS FINE. 337 00:18:21,100 --> 00:18:23,369 BUT ALSO YOU HAVE TO USE SMALL PIECES OF CLOTH. 338 00:18:23,369 --> 00:18:27,506 BECAUSE IF YOU USE TOO BIG A PIECE OF CLOTH, IT'S JUST TOO 339 00:18:27,506 --> 00:18:29,442 PAINFUL AND TOO HARD. I'M NOT SAYING IT WAS A 340 00:18:29,442 --> 00:18:35,448 DISASTER, BUT ‐‐ LIKE THE FACT THAT WE DID NOT HAVE TO GO TO 341 00:18:35,448 --> 00:18:38,451 THE EMERGENCY ROOM WAS JUST AN ABSOLUTE MIRACLE. 342 00:18:38,451 --> 00:18:42,488 AND THERE WERE MOMENTS WHERE I WAS LIKE, I THOUGHT YOU KNEW HOW 343 00:18:42,488 --> 00:18:44,991 TO DO THIS, MY GOD, WHAT ARE YOU DOING? 344 00:18:44,991 --> 00:18:49,795 HE'S LIKE, I DIDN'T SAY I KNEW HOW TO DO THIS, YOU SAID I KNEW 345 00:18:49,795 --> 00:18:52,698 HOW TO DO THIS. I SAID, YOU'RE GOOD AT 346 00:18:52,698 --> 00:18:54,266 EVERYTHING! HE SAID, I'M NOT GOOD AT THIS! 347 00:18:54,266 --> 00:18:57,069 >> Jimmy: YOU FOUND THE ONE THING KEVIN'S NOT GOOD AT. 348 00:18:57,069 --> 00:19:01,340 WHAT MADE HIM NOT GOOD AT IT, THOUGH? WAS THE HAIR ‐‐ WAS THAT 349 00:19:01,340 --> 00:19:03,275 REMOVED? BOY, THAT'S A BIG GLASS, THE 350 00:19:03,275 --> 00:19:05,611 BIGGEST GLASS I'VE EVER SEEN IN MY LIFE. 351 00:19:05,611 --> 00:19:08,414 >> FIRST OF ALL, IT'S A LONG STORY, BUT ‐‐ 352 00:19:08,414 --> 00:19:08,814 >> Jimmy: YEAH. 353 00:19:08,814 --> 00:19:12,084 >> YOU HAVE TO USE A SMALL PIECE OF CLOTH. IT WAS TOO BIG. 354 00:19:12,084 --> 00:19:15,588 SO YOU'RE RIPPING OFF TOO MUCH HAIR AT ONE TIME AND IT'S 355 00:19:15,588 --> 00:19:17,390 AGONIZING. IT'S AGONIZING, AND ALSO IF 356 00:19:17,390 --> 00:19:21,761 YOU'RE NOT PULLING IT IN THE RIGHT DIRECTIONS, IT WON'T COME 357 00:19:21,761 --> 00:19:25,865 OFF. LITERALLY, YOU ‐‐ YOU CANNOT PULL IT OFF. 358 00:19:25,865 --> 00:19:29,135 WHAT I MEANT, WHEN YOU CAN'T PULL IT OFF, THAT'S WHEN YOU 359 00:19:29,135 --> 00:19:33,339 NEED TO CALL ‐‐ THAT'S WHEN YOU NEED TO CALL 911. 360 00:19:33,339 --> 00:19:35,574 >> Jimmy: THAT WOULD BE A GREAT CALL TO MAKE TO 911. 361 00:19:35,574 --> 00:19:37,309 THEY PROBABLY GET CALLS LIKE THAT. 362 00:19:37,309 --> 00:19:40,112 >> THEY PROBABLY DO. 363 00:19:40,112 --> 00:19:43,916 >> Jimmy: SO IT'S GOOD THAT KEVIN WENT TO ‐‐ BACK EAST AND 364 00:19:43,916 --> 00:19:46,585 YOU'RE IN L. A., I GUESS. 365 00:19:46,585 --> 00:19:50,156 >> ONLY I THINK THE FUNNY THING IS, RIGHT, LIKE I WOULD NEVER 366 00:19:50,156 --> 00:19:53,025 SAY THIS TO ANYBODY EXCEPT FOR YOU, AND YOU KNOW ‐‐ 367 00:19:53,025 --> 00:19:54,260 >> Jimmy: AND EVERYONE WATCHING. 368 00:19:54,260 --> 00:19:57,063 >> YEAH, RIGHT, EXACTLY. AND THE SECRET TO A HAPPY 369 00:19:57,063 --> 00:19:59,365 MARRIAGE IS THAT YOU DON'T SPEND 24/7 TOGETHER, RIGHT? 370 00:19:59,365 --> 00:20:01,834 >> Jimmy: THAT'S RIGHT. 371 00:20:01,834 --> 00:20:05,571 >> BUT, YOU KNOW, THE AMAZING THING IS THAT, I MEAN ‐‐ AND 372 00:20:05,571 --> 00:20:10,576 REALLY, A SURPRISE EVEN TO ME, THAT LIKE AFTER 32 YEARS, LIKE 373 00:20:10,576 --> 00:20:14,313 HE ALWAYS WAKES UP BEFORE I DO IN THE MORNING AND I COME 374 00:20:14,313 --> 00:20:17,483 DOWNSTAIRS DURING THIS COVID TIME AND I'M LIKE, HOW DID YOU 375 00:20:17,483 --> 00:20:19,552 SLEEP? HOW HAS YOUR MORNING BEEN SO FAR? 376 00:20:19,552 --> 00:20:22,655 I REALLY CARE. I REALLY WANT TO KNOW. 377 00:20:22,655 --> 00:20:24,090 WHICH IS, LIKE, REALLY SURPRISING. 378 00:20:24,090 --> 00:20:26,692 USUALLY YOU HAVE TO BRING STUFF IN FROM THE OUTSIDE IN A 379 00:20:26,692 --> 00:20:29,595 RELATIONSHIP, YOU KNOW? BUT YOU'RE NOT BRINGING ANYTHING 380 00:20:29,595 --> 00:20:31,330 FROM THE OUTSIDE INTO THIS RELATIONSHIP. 381 00:20:31,330 --> 00:20:34,133 >> Jimmy: WELL, SPEAKING OF BRINGING SOMETHING IN FROM THE 382 00:20:34,133 --> 00:20:38,504 OUTSIDE, KEVIN DID BRING SOMETHING IN FROM THE OUTSIDE. 383 00:20:38,504 --> 00:20:38,971 >> YES. 384 00:20:38,971 --> 00:20:41,774 >> Jimmy: HE SENT A PHOTOGRAPH. LET'S PUT THAT PHOTOGRAPH ON 385 00:20:41,774 --> 00:20:44,944 SCREEN HERE. BECAUSE THIS WAS AN ANNIVERSARY 386 00:20:44,944 --> 00:20:47,446 GIFT, OR THESE WERE ANNIVERSARY GIFTS. 387 00:20:47,446 --> 00:20:48,013 >> OH MY GOD. 388 00:20:48,013 --> 00:20:50,449 >> Jimmy: THESE ARE VERY CHUBBY LITTLE GOATS. 389 00:20:50,449 --> 00:20:54,420 >> AREN'T THEY AMAZING? AREN'T THEY THE CUTEST THINGS 390 00:20:54,420 --> 00:20:58,023 EVER? THESE ARE PIGMY GOATS. THIS WAS MY ANNIVERSARY PRESENT. 391 00:20:58,023 --> 00:20:59,892 I'M REALLY TERRIBLE AT GIVING PRESENTS. 392 00:20:59,892 --> 00:21:02,361 I DON'T KNOW IF YOU'RE GOOD AT IT BUT I'M TERRIBLE. 393 00:21:02,361 --> 00:21:03,529 >> Jimmy: I'M VERY GOOD AT IT. 394 00:21:03,529 --> 00:21:06,732 >> WE PROMISED EACH OTHER WE WEREN'T GOING TO GET THEM. 395 00:21:06,732 --> 00:21:08,033 ARE YOU GOOD AT IT? 396 00:21:08,033 --> 00:21:08,400 >> Jimmy: YEAH. 397 00:21:08,400 --> 00:21:09,835 >> LIKE WHAT KIND OF THINGS DO YOU GET? 398 00:21:09,835 --> 00:21:13,973 >> Jimmy: GOATS. OWLS. YOU NAME IT. 399 00:21:13,973 --> 00:21:17,510 IF IT LIVES IN A BARN, I'LL SEND IT TO YOUR HOUSE. 400 00:21:17,510 --> 00:21:20,713 >> SO, YOU KNOW, HE'S LIKE, I GOT YOU A PRESENT. 401 00:21:20,713 --> 00:21:23,015 IT WAS A SURPRISE. HE TOOK ME DOWN TO THE BARN, 402 00:21:23,015 --> 00:21:27,119 CLOSED MY EYES, I OPENED MY EYES, THERE WERE THESE TWO 403 00:21:27,119 --> 00:21:29,455 INCREDIBLY ADORABLE PIGMY GOATS. AND THEY'RE SO CUTE. 404 00:21:29,455 --> 00:21:32,858 AND ONE OF THEM HAS HORNS, AND ONE OF THEM DOESN'T. 405 00:21:32,858 --> 00:21:36,095 I DON'T KNOW IF YOU NOTICED. LOUIS HAS HORNS. 406 00:21:36,095 --> 00:21:40,032 HE SAID, YOU HAVE TO NAME THEM. AND I SAID, OH, GREAT, I GET TO 407 00:21:40,032 --> 00:21:44,637 NAME THE GOATS. SO, YOU KNOW, WHEN WE HAD OUR 408 00:21:44,637 --> 00:21:48,874 FIRST CHILD, YOU KNOW, YOU THINK ABOUT NAMES. 409 00:21:48,874 --> 00:21:56,749 THE NAME WE BOTH LOVED IS MACON, MACON FOR A BOY. 410 00:21:56,749 --> 00:21:58,551 YEAH. WE JUST COULDN'T DO IT. 411 00:21:58,551 --> 00:21:58,918 >> Jimmy: NO. 412 00:21:58,918 --> 00:22:00,119 >> WE JUST COULDN'T DO IT. 413 00:22:00,119 --> 00:22:00,686 >> Jimmy: NO. 414 00:22:00,686 --> 00:22:06,058 >> BUT THE GOAT, THE GOAT. SO IT'S MACON BACON. 415 00:22:06,058 --> 00:22:06,759 >> Jimmy: OH. 416 00:22:06,759 --> 00:22:08,160 >> AND LOUIS BACON YEAH. 417 00:22:08,160 --> 00:22:10,796 >> Jimmy: YOU GOT TO USE MACON ON SOMEBODY. 418 00:22:10,796 --> 00:22:11,497 >> YEAH. 419 00:22:11,497 --> 00:22:12,731 >> Jimmy: LUCKILY NOT A HUMAN BEING. 420 00:22:12,731 --> 00:22:13,332 >> NO, NO. 421 00:22:13,332 --> 00:22:14,800 >> Jimmy: I HAVE AN IDEA FOR YOU. 422 00:22:14,800 --> 00:22:16,969 A LOT OF TIMES ‐‐ I DON'T KNOW IF YOU KNOW THIS. 423 00:22:16,969 --> 00:22:19,471 YOU PROBABLY DO. WHEN PEOPLE DON'T WANT TO 424 00:22:19,471 --> 00:22:22,041 HAVE ‐‐ DON'T WANT TO MOW THEIR LAWN, THEY'LL RELEASE A COUPLE 425 00:22:22,041 --> 00:22:26,412 OF GOATS ONTO THE LAND. THEN THE GOATS EAT THE GRASS. 426 00:22:26,412 --> 00:22:30,249 AND IT'S LIKE A NATURAL WAY OF CUTTING THE GRASS. 427 00:22:30,249 --> 00:22:35,087 MAYBE THINK ABOUT THAT FOR THE NEXT BIKINI WAX. JUST A THOUGHT. 428 00:22:35,087 --> 00:22:37,189 WE'RE GOING TO TAKE A BREAK. KYRA SEDGWICK IS WITH US. 429 00:22:37,189 --> 00:22:41,060 BE RIGHT BACK. 430 00:22:48,167 --> 00:22:53,439 >>> IT'S YOUR MOM, CALL ME! FREDDIE, MOM, CALL ME. 431 00:22:53,439 --> 00:22:56,075 FREDDIE, CALL ME BACK. FREDDIE, FREDDIE, FREDDIE, 432 00:22:56,075 --> 00:22:57,843 FREDDIE? FREDDIE, FINALLY. 433 00:22:57,843 --> 00:23:00,479 >> NOPE, IT'S NOT FREDDIE, JACKIE, YOUR GOOD CHILD. 434 00:23:00,479 --> 00:23:01,747 >> OH, SHOOT. 435 00:23:01,747 --> 00:23:05,251 >> Jimmy: KYRA SEDGE RICK IN "CALL YOUR MOTHER." 436 00:23:05,251 --> 00:23:11,457 IT PREMIERES TOMORROW NIGHT 9:30 ON ABC. DID FREDDIE CALL? 437 00:23:11,457 --> 00:23:14,894 >> NO, SHE SHOWS UP AT HIS APARTMENT, WITH HIS FAVORITE 438 00:23:14,894 --> 00:23:15,694 SOCKS AND TOILET PAPER. 439 00:23:15,694 --> 00:23:19,732 >> Jimmy: TELL US WHAT IS THE IDEA OF THE SHOW? 440 00:23:19,732 --> 00:23:22,468 I LOVE THAT YOU'RE DOING A SITCOM. 441 00:23:22,468 --> 00:23:23,736 YOU'VE NOT DONE ANYTHING LIKE THAT BEFORE, RIGHT? 442 00:23:23,736 --> 00:23:27,706 >> NO, NO. IT'S SO FUN. I'M HAVING THE TIME OF MY LIFE. 443 00:23:27,706 --> 00:23:30,509 EVEN IN COVID, WITHOUT AN AUDIENCE. 444 00:23:30,509 --> 00:23:33,512 BUT WE WHEN YOU KNOW, ACTUALLY, I WAS SORT OF INSPIRED BY YOU, 445 00:23:33,512 --> 00:23:39,251 BY GOING TO SEE KEVIN IN THAT "ALL IN THE FAMILY" HE DID, THAT 446 00:23:39,251 --> 00:23:40,152 REBOOT THAT YOU PRODUCED. 447 00:23:40,152 --> 00:23:40,586 >> Jimmy: RIGHT. 448 00:23:40,586 --> 00:23:42,688 >> I JUST HAD SUCH A WONDERFUL ‐‐ HE HAD THE TIME OF 449 00:23:42,688 --> 00:23:45,457 HIS LIFE, AND I WATCHED HIM HAVING A BALL. 450 00:23:45,457 --> 00:23:49,895 THEN I ALSO, YOU KNOW, WAS THERE ON SHOW NIGHT, YOU KNOW, THE 451 00:23:49,895 --> 00:23:53,866 AMAZING PAM FRYMAN DIRECTED IT, AND SHE DIRECTED OUR PILOT. 452 00:23:53,866 --> 00:23:54,600 >> Jimmy: OH, GREAT. 453 00:23:54,600 --> 00:23:58,337 >> YEAH. SO IT'S JUST ‐‐ IT'S SO MUCH FUN. 454 00:23:58,337 --> 00:24:02,107 AND SO THE SHOW IS BASICALLY "CALL YOUR MOTHER," AND IT'S 455 00:24:02,107 --> 00:24:05,711 ABOUT A MOM, AN EMPTY NESTER MOM, WHO MOVES HALFWAY ACROSS 456 00:24:05,711 --> 00:24:10,149 THE COUNTRY BECAUSE SHE'S SURE THAT HER KIDS NEED HER, BUT 457 00:24:10,149 --> 00:24:13,686 SHE'S ACTUALLY ALSO LIKE REALLY WANTING TO BE NEAR THEM. 458 00:24:13,686 --> 00:24:17,056 SO SHE MOVES NEAR THEM, NOT WITH THEM, BUT NEAR THEM, AND IT'S 459 00:24:17,056 --> 00:24:22,294 SORT OF LIKE ALL ABOUT LIKE HOW DO YOU PARENT ADULT CHILDREN? 460 00:24:22,294 --> 00:24:26,832 AND HOW DO YOU ‐‐ HOW DO THEY HAVE YOU IN THEIR LIFE AND 461 00:24:26,832 --> 00:24:30,469 YOU'RE IN THEIR LIFE AND THAT WEIRD DANCE WITH ADULT CHILDREN? 462 00:24:30,469 --> 00:24:33,539 YOU HAVE ONE ADULT CHILD, RIGHT? 463 00:24:33,539 --> 00:24:35,341 >> HAVE TWO ADULT CHILDREN AND TWO LITTLE ONES. 464 00:24:35,341 --> 00:24:37,176 YOU HAVE TWO ADULT CHILDREN? 465 00:24:37,176 --> 00:24:43,082 >> TWO ADULT CHILDREN. 30 AND 28. AND IT'S HARD. 466 00:24:43,082 --> 00:24:46,285 I MEAN, IT'S LIKE SO WEIRD. IT'S LIKE SO WEIRD, RIGHT? 467 00:24:46,285 --> 00:24:50,356 >> Jimmy: IT'S FUNNY CALLING SOMEONE AN ADULT CHILD. BUT YEAH. 468 00:24:50,356 --> 00:24:54,226 MINE, MY CARR KATIE IS 29, MY SON KEVIN IS 27. 469 00:24:54,226 --> 00:24:54,593 >> RIGHT. 470 00:24:54,593 --> 00:24:56,895 >> Jimmy: YEAH, THEY'RE ADULTS, YOU KNOW? 471 00:24:56,895 --> 00:25:00,566 WHAT CAN YOU DO, YOU CAN ONLY TELL THEM TO DO SO MUCH. 472 00:25:00,566 --> 00:25:02,434 >> EXACTLY. AND MOST OF THE TIME YOU JUST 473 00:25:02,434 --> 00:25:08,374 SHUT AND UP SAY NOTHING. THEN THEY WANT YOU TO HANG 474 00:25:08,374 --> 00:25:09,241 AROUND A LITTLE BIT. 475 00:25:09,241 --> 00:25:11,543 >> Jimmy: DO THEY CALL YOU? IS THE TITLE OF THE SHOW 476 00:25:11,543 --> 00:25:13,045 SOMETHING THAT RESONATED WITH YOU? 477 00:25:13,045 --> 00:25:16,615 >> MY SON HARDLY EVER CALLS AMERICA BUT HE PICKS UP WHEN I 478 00:25:16,615 --> 00:25:18,517 CALL, WHICH AS WIN FOR ME. 479 00:25:18,517 --> 00:25:18,917 >> Jimmy: UH‐HUH. 480 00:25:18,917 --> 00:25:23,722 >> SO SEE, YEAH. SOSIE WILL CALL, YEAH, YEAH. 481 00:25:23,722 --> 00:25:25,557 >> Jimmy: THAT'S GOOD, AT LEAST YOU GOT ONE. 482 00:25:25,557 --> 00:25:30,796 HEY, YOU KNOW, I ALSO WANTED TO MENTION THAT YOU AND KEVIN MADE 483 00:25:30,796 --> 00:25:32,498 A SHORT FILM WHILE YOU WERE COOPED UP. 484 00:25:32,498 --> 00:25:32,998 >> THAT'S RIGHT. 485 00:25:32,998 --> 00:25:35,200 >> Jimmy: WHO WROTE THE FILM? YOU WROTE THE FILM? 486 00:25:35,200 --> 00:25:38,270 >> I WROTE THE FILM. I WROTE THE FILM, AND YOU KNOW, 487 00:25:38,270 --> 00:25:41,407 WE DID IT ALL TOGETHER FOR NOTHING, YOU KNOW, BASICALLY. 488 00:25:41,407 --> 00:25:44,777 WE JUST DID IT TO DO SOMETHING. I MEAN, I THINK, YOU KNOW, WE'RE 489 00:25:44,777 --> 00:25:50,416 ALL LOOKING FOR STUFF TO DO. SO YEAH, I WROTE THIS LIKE WEIRD 490 00:25:50,416 --> 00:25:55,421 LITTLE STORY ABOUT TWO PEOPLE, AND YOU KNOW, SHE'S ALONE, HE'S 491 00:25:55,421 --> 00:25:57,756 ALONE, THERE'S JUST A COUPLE SCENES WITH THE TWO OF THEM 492 00:25:57,756 --> 00:26:00,626 TOGETHER. WE SHOT IT ALL ON AN iPHONE. 493 00:26:00,626 --> 00:26:03,796 YOU KNOW, BOUGHT LIKE CRAPPY LIGHTS ONLINE. 494 00:26:03,796 --> 00:26:07,800 DID THE PRODUCTION DESIGN, DID THE COSTUME DESIGN, WE DID 495 00:26:07,800 --> 00:26:10,803 EVERYTHING TOGETHER. AND, YOU KNOW, I SHOT HIS STUFF, 496 00:26:10,803 --> 00:26:13,939 HE SHOT MY STUFF. YOU KNOW, IT'S ‐‐ I MEAN, I KNOW 497 00:26:13,939 --> 00:26:15,507 YOU WORK WITH YOUR WIFE, RIGHT? 498 00:26:15,507 --> 00:26:15,908 >> Jimmy: YEAH. 499 00:26:15,908 --> 00:26:18,911 >> YOU KNOW, IT'S GREAT. I MEAN, IT'S LIKE ‐‐ IT'S PRETTY 500 00:26:18,911 --> 00:26:21,080 AMAZING WHEN YOU CAN DO IT BECAUSE YOU'RE KIND OF LIKE 501 00:26:21,080 --> 00:26:25,918 PATTING YOURSELF ON THE BACK LIKE, GOING, GOD, THIS IS GREAT, 502 00:26:25,918 --> 00:26:30,255 IT'S A MARRIAGE, PROBLEM SOLVING AND FIGURING THINGS OUT TOGETHER 503 00:26:30,255 --> 00:26:31,056 AND COMPROMISING LIKE THAT. 504 00:26:31,056 --> 00:26:33,492 >> Jimmy: HOW DO YOU COMPROMISE, THOUGH? 505 00:26:33,492 --> 00:26:36,228 TYPICALLY YOU'VE GOT A DIRECTOR, AND THAT'S IT, THE DIRECTOR'S IN 506 00:26:36,228 --> 00:26:37,629 CHARGE. WERE YOU THE DIRECTOR? 507 00:26:37,629 --> 00:26:40,165 >> NO, NO. WE WERE BOTH THE DIRECTOR. 508 00:26:40,165 --> 00:26:40,532 >> Jimmy: OH. 509 00:26:40,532 --> 00:26:43,335 >> WHEN HE WAS ON CAMERA, I WAS DIRECTING HIM, AND VICE VERSA. 510 00:26:43,335 --> 00:26:47,372 AND IT WENT GREAT. UNTIL WE GOT TO THE EDIT. 511 00:26:47,372 --> 00:26:47,706 >> Jimmy: OH. 512 00:26:47,706 --> 00:26:51,343 >> AND THE EDIT, YOU KNOW ‐‐ I JUST ‐‐ YOU KNOW, I JUST WANTED 513 00:26:51,343 --> 00:26:54,813 TO CUT STUFF. AND, YOU KNOW, I WANTED TO, YOU 514 00:26:54,813 --> 00:26:57,316 KNOW ‐‐ I'M LIKE A LESS IS MORE KIND OF PERSON. 515 00:26:57,316 --> 00:27:00,319 SO I'D LIKE TO GO IN THERE WITH THE SCISSORS, YOU KNOW. 516 00:27:00,319 --> 00:27:05,190 SO I WANTED TO CUT, LIKE, A LOT OF HIS STUFF. 517 00:27:05,190 --> 00:27:07,025 AND HE DIDN'T REALLY LIKE THAT VERY MUCH. 518 00:27:07,025 --> 00:27:08,393 >> Jimmy: OH, REALLY? 519 00:27:08,393 --> 00:27:11,964 >> HE'S LIKE, WHY ARE YOU CULLING ALL MY GREAT STUFF? 520 00:27:11,964 --> 00:27:15,000 I'M LIKE, YOU WAKE UP IN THE MORNING, YOU RUB YOUR FACE, THEN 521 00:27:15,000 --> 00:27:18,036 YOU KIND OF STRETCH, THEN YOU RUB YOUR FACE THEN, THEN YOU 522 00:27:18,036 --> 00:27:21,707 LOOK OUT THE WINDOW AND YOU LOOK SAD ‐‐ I'M LIKE, WE GOT IT, 523 00:27:21,707 --> 00:27:24,743 YOU'RE SAD AND YOU'RE WAKING UP! 524 00:27:24,743 --> 00:27:27,746 >> Jimmy: IT'S THE LEAST HE COULD ALLOW AFTER THAT HORRIBLE 525 00:27:27,746 --> 00:27:34,386 THING HE DID TO YOU WITH THE WAX. WELL, THEN WHAT IS THE TITLE OF 526 00:27:34,386 --> 00:27:35,220 THE SHORT FILM? 527 00:27:35,220 --> 00:27:38,390 >> IT'S CALLED "UNTIL." 528 00:27:38,390 --> 00:27:39,358 >> Jimmy: "UNTIL," ALL RIGHT. 529 00:27:39,358 --> 00:27:42,227 >> YEAH, IT'S KIND OF LIKE A GHOST STORY. 530 00:27:42,227 --> 00:27:44,930 WE HAVE A LITTLE ‐‐ WE HAVE A CEMETERY NEXT DOOR TO OUR PLACE 531 00:27:44,930 --> 00:27:47,733 IN CONNECTICUT. WE ACTUALLY SHOT IN THE CEMETERY. 532 00:27:47,733 --> 00:27:49,034 IT'S GOOD. YOU KNOW ‐‐ 533 00:27:49,034 --> 00:27:52,171 >> Jimmy: OH MY GOD. WOW. WELL, YOU MUST NOT ‐‐ I GUESS 534 00:27:52,171 --> 00:27:55,407 YOU'RE NOT SCARED OF GHOSTS I GUESS IS THE MESSAGE FROM THE 535 00:27:55,407 --> 00:27:57,743 FACT THAT YOU BOUGHT A PLACE NEXT TO A CEMETERY. 536 00:27:57,743 --> 00:27:58,844 >> THAT'S RIGHT. AND HE'S BARELY IN IT, SO IT'S 537 00:27:58,844 --> 00:28:02,314 REALLY GOOD. 538 00:28:02,314 --> 00:28:06,451 >> Jimmy: "CALL YOUR MOTHER" IS THE NEW SHOW, IT PREMIERES 539 00:28:06,451 --> 00:28:10,689 TOMORROW NIGHT, 9:30 ON ABC. KYRA SEDGWICK, THANKS. 540 00:28:10,689 --> 00:28:16,228 TELL KEVIN I SAID HELLO. WE'LL BE BACK WITH ALDIS HODGE. 541 00:28:24,703 --> 00:28:26,038 >> Jimmy: WELCOME BACK. MUSIC FROM JP SAX IS ON THE WAY. 542 00:28:26,038 --> 00:28:27,272 YOU KNOW OUR NEXT GUEST FROM THE MOVIE "THE INVISIBLE MAN," HE 543 00:28:27,272 --> 00:28:30,475 WAS THE GUY YOU COULD SEE, NOW HE STEPS INTO THE CLEATS OF 544 00:28:30,475 --> 00:28:34,680 FOOTBALL LEGEND JIM BROWN IN "ONE NIGHT IN MIAMI," IN 545 00:28:34,680 --> 00:28:35,914 THEATRES NOW AND COMING TO AMAZON PRIME VIDEO FRIDAY. 546 00:28:35,914 --> 00:28:40,953 PLEASE WELCOME ALDIS HODGE. 547 00:28:40,953 --> 00:28:44,623 HI, ALDIS, HOW ARE YOU? 548 00:28:44,623 --> 00:28:46,658 >> WHAT'S HAPPENING, MAN? I'M FANTASTIC, HOW ARE YOU DOING? 549 00:28:46,658 --> 00:28:49,761 >> Jimmy: YOU ARE FANTASTIC IN THIS MOVIE, I'LL TELL YOU THAT. 550 00:28:49,761 --> 00:28:51,897 THE MOVIE ITSELF WAS FANTASTIC AS WELL. 551 00:28:51,897 --> 00:28:55,968 >> I APPRECIATE THAT, MAN. REGINA DID A WONDER OF A JOB, 552 00:28:55,968 --> 00:28:56,702 MAN, SHE'S INCREDIBLE. 553 00:28:56,702 --> 00:28:59,137 >> Jimmy: I HAVE TO SAY, IT'S INTERESTING TO SEE YOU, TO TALK 554 00:28:59,137 --> 00:29:03,675 TO YOU RIGHT NOW, BECAUSE YOU HAD JUST A TOTALLY DIFFERENT AIR 555 00:29:03,675 --> 00:29:06,612 AS JIM BROWN. WHEN YOU'RE PLAYING THIS. 556 00:29:06,612 --> 00:29:08,847 >> YEAH, MAN. 557 00:29:08,847 --> 00:29:12,584 >> Jimmy: BADASS MAN THAT HE WAS. 558 00:29:12,584 --> 00:29:16,321 >> YEAH, MAN. I MEAN, LIKE HE'S STILL COOL, 559 00:29:16,321 --> 00:29:19,091 YOU KNOW, HE'S STILL GOT THAT VIBE. 560 00:29:19,091 --> 00:29:21,159 IT WAS AWESOME DIGGING INTO THE RESEARCH TO FIGURE OUT WHO HE 561 00:29:21,159 --> 00:29:23,228 WAS IN THIS PARTICULAR ERA BACK IN THE '60s. 562 00:29:23,228 --> 00:29:28,166 THE '60s HAD A DIFFERENT VIBE. AND YOUNG JIM, MAN, HE WAS A 563 00:29:28,166 --> 00:29:32,437 TOTAL FORCE, MAN. THAT BROTHER WAS SMART, 564 00:29:32,437 --> 00:29:34,139 INTELLIGENT. IT WAS FANTASTIC GETTING INTO 565 00:29:34,139 --> 00:29:35,073 HIS MINDSET. 566 00:29:35,073 --> 00:29:39,177 >> Jimmy: AND HE WAS ONE OF THE FIRST ATHLETES TO MAKE THE JUMP 567 00:29:39,177 --> 00:29:43,615 TO DOING MOVIES, REALLY. I MEAN, MAYBE THE FIRST. 568 00:29:43,615 --> 00:29:43,949 I'M NOT SURE. 569 00:29:43,949 --> 00:29:46,518 >> YEAH, HE SET THE TONE. 570 00:29:46,518 --> 00:29:50,289 >> Jimmy: HOW DO YOU PREPARE? I DO WANT TO MENTION, THE MOVIE, 571 00:29:50,289 --> 00:29:52,090 WELL, MOST PEOPLE HAVEN'T SEEN IT YET. 572 00:29:52,090 --> 00:29:58,030 BUT THE MOVIE IS ABOUT A NIGHT, A REAL NIGHT, AFTER AN ALI 573 00:29:58,030 --> 00:30:01,099 FIGHT, HE WON THE HEAVYWEIGHT TITLE. 574 00:30:01,099 --> 00:30:09,074 MUHAMMAD ALI, JIM BROWN, NOT JAMES BROWN, JIM BROWN. 575 00:30:09,074 --> 00:30:12,344 IT WAS CASSIUS CLAY AT THE TIME, HE WASN'T MUHAMMAD ALI YET. 576 00:30:12,344 --> 00:30:13,845 >> YEAH. 577 00:30:13,845 --> 00:30:18,216 >> Jimmy: SAM COOK AND ‐‐ WHO AM I MISSING? OH, MALCOLM X. 578 00:30:18,216 --> 00:30:18,817 >> THAT'S IT. 579 00:30:18,817 --> 00:30:21,720 >> Jimmy: GOT TOGETHER FOR A PARTY THAT WASN'T A WHOLE LOT OF 580 00:30:21,720 --> 00:30:28,160 FUN. BUT IT IS SO INTERESTING TO WATCH. 581 00:30:28,160 --> 00:30:32,164 AND YOU KNOW, I DIDN'T KNOW ANYTHING ABOUT IT WHEN I SAW THE 582 00:30:32,164 --> 00:30:34,666 MOVIE. I JUST KNEW REGINA KING HAD 583 00:30:34,666 --> 00:30:35,167 DIRECTED IT. 584 00:30:35,167 --> 00:30:35,600 >> YEAH. 585 00:30:35,600 --> 00:30:38,904 >> Jimmy: AND I WAS REALLY SHOCKED WHEN I WENT BACK AND 586 00:30:38,904 --> 00:30:42,074 LOOKED IT UP AND SAW THAT THIS REALLY HAPPENED, THESE GUYS 587 00:30:42,074 --> 00:30:44,142 REALLY WERE FRIENDS. 588 00:30:44,142 --> 00:30:48,914 >> YEAH, MAN, YEAH. I THINK ‐‐ I THINK MALCOLM KIND 589 00:30:48,914 --> 00:30:52,551 OF LIKE CATFISHED EVERYBODY. LIKE, COME ON, WE'RE GOING TO 590 00:30:52,551 --> 00:30:54,820 HAVE A FIGHT, LET'S CELEBRATE AFTER. 591 00:30:54,820 --> 00:30:56,922 THEY GET THERE AND HAVE THIS REAL CONVERSATION ABOUT MORALS 592 00:30:56,922 --> 00:31:00,625 AND ETHICS AND PURPOSE AND WHAT THEY'RE SUPPOSED TO DO FOR THEIR 593 00:31:00,625 --> 00:31:05,030 COMMUNITY. NO, IT'S FANTASTIC. BECAUSE IT WASN'T THAT THEY 594 00:31:05,030 --> 00:31:08,867 REALLY HAD ‐‐ DIVING INTO THE IDEA OF HOW IT KIND OF CAME OUT, 595 00:31:08,867 --> 00:31:13,138 WHAT MAY HAVE OCCURRED, WAS ‐‐ TALK ABOUT AN EDUCATION. 596 00:31:13,138 --> 00:31:18,143 AND DOING THE RESEARCH ON JIM, LEARNING WHAT HE DID, YOU KNOW. 597 00:31:18,143 --> 00:31:21,947 WE KNOW ABOUT THE FOOTBALL, WE KNOW ABOUT THE FILM WORK. 598 00:31:21,947 --> 00:31:25,884 THE ACTIVISM, THE BUSINESS ACUMEN, UNDERSTANDING WHERE HE 599 00:31:25,884 --> 00:31:29,254 WAS DURING THIS TRANSITION FROM CAREER TO CAREER, TO TAKE 600 00:31:29,254 --> 00:31:32,924 CONTROL OF HIS OWN VALUE. AND THEN A COUPLE OF YEARS 601 00:31:32,924 --> 00:31:35,961 LATER, HE STARTS A BLACK ECONOMIC UNION BECAUSE HE 602 00:31:35,961 --> 00:31:39,798 UNDERSTANDS HOW IMPORTANT IT IS TO EDUCATE THE COMMUNITY, BLACK 603 00:31:39,798 --> 00:31:42,200 COMMUNITY, ABOUT ECONOMICS AND TAKING CONTROL OF OUR OWN VALUE. 604 00:31:42,200 --> 00:31:46,571 THE BROTHER WAS SMART. HE WAS WAY AHEAD OF HIS TIME. 605 00:31:46,571 --> 00:31:49,674 SO IT WAS REALLY IMPRESS SGLIF HAS HE SEEN THE FILM? 606 00:31:49,674 --> 00:31:52,878 >> I HAVEN'T HAD THE OPPORTUNITY TO MEET HIM IN THE FLESH, TO 607 00:31:52,878 --> 00:31:56,748 MEET HIM YET, BUT I HEARD THAT HE HAS SEEN THE FILM. 608 00:31:56,748 --> 00:32:02,287 AND I HEARD THAT HE DID LIKE THE FILM, HE APPROVES, HE'S HAPPY 609 00:32:02,287 --> 00:32:03,688 WITH THE PERFORMANCE. AND I'M JUST LIKE, COOL, I'M 610 00:32:03,688 --> 00:32:07,592 GOOD, I'M GOOD. YOU KNOW, I AIN'T GOING TO RUN 611 00:32:07,592 --> 00:32:11,029 UP ON HIM, RUN UP PUTTING HANDS ON ME, KNOW WHAT I'M SAYING? 612 00:32:11,029 --> 00:32:12,798 BECAUSE HE'S STILL GOT IT, YOU KNOW. 613 00:32:12,798 --> 00:32:15,934 >> Jimmy: YEAH, OH YEAH. HE'S A BIG MAN. 614 00:32:15,934 --> 00:32:19,471 YOU'RE ALSO, AND THIS IS EXCITING, YOU'RE GOING TO PLAY 615 00:32:19,471 --> 00:32:23,442 HAWKEYE ‐‐ NO, HAWKMAN, NOT HAWKEYE. 616 00:32:23,442 --> 00:32:28,580 >> THAT'S THE OTHER COMPANY, YEAH. NO, HAWKMAN. 617 00:32:28,580 --> 00:32:31,883 >> Jimmy: HAWKEYE IS THE WORST CHARACTER ANYWAY, ALL HE DOES IS 618 00:32:31,883 --> 00:32:35,754 SHOOT A BOW AND ARROW. HAWKMAN GETS TO FLY. 619 00:32:35,754 --> 00:32:40,292 YOU'RE PLAYING HAWKMAN IN THE BLACK ATOM MOVIE THAT DUANE THE 620 00:32:40,292 --> 00:32:41,726 ROCK JOHNSON IS STARRING IN. 621 00:32:41,726 --> 00:32:43,261 >> YEAH. 622 00:32:43,261 --> 00:32:44,496 >> Jimmy: I MEAN PRODUCING THAT TOO, RIGHT? 623 00:32:44,496 --> 00:32:46,465 HE'S KIND OF IN CHARGE OF THAT. 624 00:32:46,465 --> 00:32:47,899 >> YEAH, HE'S PRODUCING. 625 00:32:47,899 --> 00:32:50,904 >> Jimmy: WHO TELLS YOU YOU'RE HAWKMAN, HOW DO YOU GET THAT 626 00:32:50,904 --> 00:32:51,269 NEWS? 627 00:32:51,269 --> 00:32:55,740 >> I GOT THE NEWS FROM "THE ROCK." 628 00:32:55,740 --> 00:32:59,911 IT'S LITERALLY THE DAY AFTER MY BIRTHDAY, AND YOU KNOW, IT WAS 629 00:32:59,911 --> 00:33:02,280 WEIRD FOR ME. AT THIS PARTICULAR TIME, 630 00:33:02,280 --> 00:33:05,116 SOMEBODY HAD BEEN CALLING MY PHONE EARLIER THIS YEAR PLAYING 631 00:33:05,116 --> 00:33:07,786 ON MY PHONE, PRETENDING TO BE DIFFERENT PEOPLE, RIGHT? 632 00:33:07,786 --> 00:33:10,722 >> Jimmy: THAT WAS ME, THAT WAS ME. 633 00:33:10,722 --> 00:33:13,492 >> THAT WAS ME, YEAH. I HAD TO TRACK, I KNEW ‐‐ THEY 634 00:33:13,492 --> 00:33:17,429 SAID IT WAS JIMMY SOMETHING, JIMMY. I KNEW IT WAS YOU. 635 00:33:17,429 --> 00:33:23,368 SO I GET THIS RANDOM CALL, RIGHT? GRANTED, I'M ON DAY 15 OF MY 636 00:33:23,368 --> 00:33:26,471 QUARANTINE OR WHATEVER. LOSING MY MIND. 637 00:33:26,471 --> 00:33:31,243 THIS RANDOM CALL COMES THROUGH. HEY, THIS IS DWAYNE JOHNSON. 638 00:33:31,243 --> 00:33:35,947 FOR ALDIS HODGE. MAN, GET OUT OF HERE WITH THIS 639 00:33:35,947 --> 00:33:38,917 MESS. YOU KNOW? I SAID SOME COLORFUL WORDS. 640 00:33:38,917 --> 00:33:41,653 HE'S LIKE, NO, NO, REALLY, IT'S ME, IT'S D. J. 641 00:33:41,653 --> 00:33:46,725 I SAID, BRO, STOP PLAYING ON MY PHONE, I DON'T HAVE TIME FOR 642 00:33:46,725 --> 00:33:49,728 THIS, AIN'T NOBODY GOT TIME FOR THIS. KNOW WHAT I MEAN? 643 00:33:49,728 --> 00:33:52,230 AFTER A LITTLE BIT OF TALKING I'M LIKE, ALL RIGHT, THIS IS 644 00:33:52,230 --> 00:33:53,765 ACTUALLY HIM. BASICALLY, I PROBABLY WOULD HAVE 645 00:33:53,765 --> 00:33:57,669 LOST MY JOB BECAUSE I ALMOST HUNG UP ON "THE ROCK." 646 00:33:57,669 --> 00:34:01,940 BUT HE KEEPS TALKING. I'M THINKING, ALL RIGHT, HE'S 647 00:34:01,940 --> 00:34:04,743 TELLING ME THAT HE CALLED TO TELL ME THAT I DIDN'T GET THE 648 00:34:04,743 --> 00:34:06,611 JOB. I'M THINKING IT'S ONE OF THOSE, 649 00:34:06,611 --> 00:34:09,781 HEY, GREAT EFFORT, LOVED YOUR TAPE, UNFORTUNATELY WE'RE GOING 650 00:34:09,781 --> 00:34:13,118 A DIFFERENT DIRECTION. I'M LIKE, I'M PREPARED FOR THIS. 651 00:34:13,118 --> 00:34:19,324 BUT THEN ALL OF A SUDDEN HE SAYS, "WELCOME TO BLACK ATOM." 652 00:34:19,324 --> 00:34:25,697 AND I TOOK A MOMENT. I SAID, OH. HOLD ON ONE SECOND, BRUH. 653 00:34:25,697 --> 00:34:32,837 I PUT THE PHONE DOWN, RIGHT? YES! WHOO! PICK THE PHONE BACK UP. 654 00:34:32,837 --> 00:34:36,575 MAN, WOW, THIS IS GREAT, AMAZING, THANK YOU SO MUCH. 655 00:34:36,575 --> 00:34:39,644 I'M PRETTY SURE HE COULD HEAR ME. HE HEARD ME. 656 00:34:39,644 --> 00:34:42,948 >> Jimmy: CELEBRATING, YEAH. THAT'S ALL RIGHT. 657 00:34:42,948 --> 00:34:44,616 >> IT'S COOL. 658 00:34:44,616 --> 00:34:45,951 >> Jimmy: ENTHUSIASM NEVER BOTHER ANYBODY. 659 00:34:45,951 --> 00:34:51,389 >> YEAH, YEAH, HE HEARD ME. 660 00:34:51,389 --> 00:34:53,858 >> Jimmy: WERE ALLOWED TO TELL ANYBODY OR DID YOU HAVE TO KEEP 661 00:34:53,858 --> 00:34:54,426 IT SECRET? 662 00:34:54,426 --> 00:34:57,796 >> I KEPT IT REAL COOL. I HAD TO KEEP IT SECRET BUT I 663 00:34:57,796 --> 00:35:00,498 COULD TELL MY TEAM. I SIT THERE AND I HIT MY FAMILY. 664 00:35:00,498 --> 00:35:03,034 I TOLD IT RIGHT. I'M GOING TO TELL MY MAMA. 665 00:35:03,034 --> 00:35:07,372 YOU KNOW I'M GOING TO TELL MY MAMA. SO, YOU KNOW, I HIT MY FAM, 666 00:35:07,372 --> 00:35:11,743 SISTER, BROTHER, BRIANA, EDWIN. THEN TELL THE NEWS, DROP IT ON 667 00:35:11,743 --> 00:35:14,379 HER. SHE JUST BURST INTO TEARS, MAN. 668 00:35:14,379 --> 00:35:17,148 HER, SHE'S CRYING. MY SISTER, CRYING. 669 00:35:17,148 --> 00:35:19,184 EVERYBODY HAPPY. JUST BECAUSE LIKE MY FAMILY, 670 00:35:19,184 --> 00:35:20,852 WE'VE BEEN IN THIS BUSINESS OVER 30 YEARS. 671 00:35:20,852 --> 00:35:25,690 MY BROTHER, EDWIN, HE'S AN ACTOR, HE'S GOT "TOMORROW WAR" 672 00:35:25,690 --> 00:35:27,726 COMING OUT JULY 23rd. WE'VE BEEN IN THE HUSTLE 673 00:35:27,726 --> 00:35:28,059 TOGETHER. 674 00:35:28,059 --> 00:35:28,460 >> Jimmy: WOW. 675 00:35:28,460 --> 00:35:32,230 >> FOR NEWS LIKE THIS, FOR US, IS INCREDIBLE. 676 00:35:32,230 --> 00:35:32,664 >> Jimmy: YEAH. 677 00:35:32,664 --> 00:35:35,367 >> WE GET TO CELEBRATE IT TOGETHER BECAUSE WE HUSTLED FOR 678 00:35:35,367 --> 00:35:37,602 THIS TOGETHER. IT WAS AMAZING TO REALLY BE ABLE 679 00:35:37,602 --> 00:35:41,406 TO WATCH MY MOM TAKE THAT IN, ENJOY IT, BECAUSE SHE MADE A LOT 680 00:35:41,406 --> 00:35:45,543 OF SACRIFICES AND SHE DESERVES TO TAKE A LITTLE WEIGHT OFF HER 681 00:35:45,543 --> 00:35:47,979 BACK AND RELAX AND ENJOY IT FOR HERSELF, YOU KNOW? 682 00:35:47,979 --> 00:35:52,717 >> Jimmy: WELL DONE, HAWKMAN. SHE CAN BE HAWKMOM NOW. 683 00:35:52,717 --> 00:35:57,689 >> SHE'S HAWKMAMA NOW, SHE'S HAWKMAMA. 684 00:35:57,689 --> 00:35:58,690 >> Jimmy: CONGRATULATIONS ON ALL THIS SUCCESS. 685 00:35:58,690 --> 00:36:03,161 THE MOVIE IS CALLED "ONE NIGHT IN MIAMI," IN THEATERS NOW, ON 686 00:36:03,161 --> 00:36:07,365 AMAZON PRIME VIDEO ON FRIDAY. ALDIS HODGE, EVERYBODY. 687 00:36:07,365 --> 00:36:12,103 THANKS, ALDIS. WE'LL BE BACK WITH JP SAX. 688 00:36:12,103 --> 00:36:14,839 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 689 00:36:14,839 --> 00:36:16,126 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 690 00:36:19,811 --> 00:36:21,746 >> Dicky: THE JIMMY KIMMEL ALREADY CONCERT SERIES IS 691 00:36:21,746 --> 00:36:26,618 PRESENTED BY MERCEDES‐BENZ, THE BEST OR NOTHING. 692 00:36:26,618 --> 00:36:32,857 >> Jimmy: THANKS TO KYRA SEDGWICK AND ALDIS HODGE. 693 00:36:32,857 --> 00:36:34,526 APOLOGIES TO MATT DAMON. "NIGHTLINE" IS NEXT, BUT FIRST, 694 00:36:34,526 --> 00:36:40,133 PLAYING THE SONG "A LITTLE BIT YOURS," JP SAX! 695 00:36:40,133 --> 00:36:40,498 ♪ 696 00:36:40,498 --> 00:36:44,002 ♪ 697 00:36:44,002 --> 00:36:46,004 ♪ YOU FOUND SOMEONE NEW 698 00:36:46,004 --> 00:36:53,511 BEFORE ME AND YOU DIDN'T TRY NEARLY AS HARD ♪ 699 00:36:53,511 --> 00:36:54,512 ♪ AND MAYBE 700 00:36:54,512 --> 00:36:56,781 THAT'S THE PROBLEM I DON'T KNOW HOW TO TAKE IT ♪ 701 00:36:56,781 --> 00:36:58,049 ♪ AWAY FROM YOU 702 00:36:58,049 --> 00:37:04,522 WITHOUT GIVING SOMEONE ELSE MY HEART 703 00:37:04,522 --> 00:37:13,031 ALL I DO ♪ 704 00:37:13,031 --> 00:37:13,531 ♪ IS GET OVER YOU 705 00:37:13,531 --> 00:37:21,239 AND I'M STILL SO BAD AT IT I LET MYSELF WANT YOU ♪ 706 00:37:21,239 --> 00:37:22,006 ♪ I LET MYSELF TRY 707 00:37:22,006 --> 00:37:26,778 I LET MYSELF FALL BACK INTO YOUR EYES 708 00:37:26,778 --> 00:37:33,284 I LET MYSELF WANT YOU ♪ 709 00:37:33,284 --> 00:37:33,718 ♪ I LET MYSELF HOPE 710 00:37:33,718 --> 00:37:38,289 I LET MYSELF FEEL THINGS I KNOW THAT YOU DON'T 711 00:37:38,289 --> 00:37:41,860 YOU'RE NOT MINE ANYMORE ♪ 712 00:37:41,860 --> 00:37:44,129 ♪ BUT I'M STILL 713 00:37:44,129 --> 00:37:51,269 A LITTLE BIT YOURS MAYBE IF I SAID 714 00:37:51,269 --> 00:37:53,004 THE RIGHT THING ♪ 715 00:37:53,004 --> 00:37:54,539 ♪ IT NEVER WOULDA 716 00:37:54,539 --> 00:38:00,512 GONE THIS WAY AND MAYBE THAT'S THE PROBLEM ♪ 717 00:38:00,512 --> 00:38:01,813 ♪ CUZ I STILL KINDA THINK 718 00:38:01,813 --> 00:38:10,054 IT WAS UP TO ME 719 00:38:10,054 --> 00:38:12,791 WHEN I NEVER COULDA MADE YOU STAY ALL I DO ♪ 720 00:38:12,791 --> 00:38:21,566 ♪ IS GET OVER YOU 721 00:38:21,566 --> 00:38:24,035 AND I'M STILL SO BAD AT IT I LET MYSELF WANT YOU 722 00:38:24,035 --> 00:38:27,005 I LET MYSELF TRY ♪ 723 00:38:27,005 --> 00:38:28,006 ♪ I LET MYSELF FALL BACK 724 00:38:28,006 --> 00:38:35,013 INTO YOUR EYES I LET MYSELF WANT YOU 725 00:38:35,013 --> 00:38:38,283 I LET MYSELF HOPE ♪ 726 00:38:38,283 --> 00:38:40,518 ♪ I LET MYSELF FEEL THINGS 727 00:38:40,518 --> 00:38:45,557 I KNOW THAT YOU DON'T YOU'RE NOT MINE ANYMORE 728 00:38:45,557 --> 00:38:50,028 BUT I'M STILL ♪ 729 00:38:50,028 --> 00:38:54,799 ♪ A LITTLE BIT YOURS 730 00:38:54,799 --> 00:39:00,705 YOU'RE NOT MINE ANYMORE BUT I'M STILL 731 00:39:00,705 --> 00:39:06,411 A LITTLE BIT YOURS ♪ 732 00:39:06,411 --> 00:39:07,512 ♪ ALL I DO 733 00:39:07,512 --> 00:39:17,555 IS GET OVER YOU 734 00:39:17,555 --> 00:39:19,290 AND I'M STILL SO BAD AT IT ♪ 735 00:39:19,290 --> 00:39:20,024 ♪ WE OUTGREW 736 00:39:20,024 --> 00:39:24,629 THE LOVE WE KNEW 737 00:39:24,629 --> 00:39:30,001 BUT I STILL WISH I HAD IT I LET MYSELF WANT YOU ♪ 738 00:39:30,001 --> 00:39:33,238 ♪ I LET MYSELF TRY 739 00:39:33,238 --> 00:39:39,010 I LET MYSELF FALL BACK INTO YOUR EYES 740 00:39:39,010 --> 00:39:41,279 I LET MYSELF WANT YOU ♪ 741 00:39:41,279 --> 00:39:44,749 ♪ I LET MYSELF HOPE 742 00:39:44,749 --> 00:39:50,288 I LET MYSELF FEEL THINGS I KNOW THAT YOU DON'T 743 00:39:50,288 --> 00:39:56,794 YOU'RE NOT MINE ANYMORE ♪ 744 00:39:56,794 --> 00:39:58,329 ♪ BUT I'M STILL 745 00:39:58,329 --> 00:40:03,768 A LITTLE BIT YOURS YOU'RE NOT MINE ANYMORE 746 00:40:03,768 --> 00:40:08,539 BUT I'M STILL ♪ 747 00:40:08,539 --> 00:40:19,484 ♪ A LITTLE BIT YOURS