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♪ BA DA BA BA DA BA BA DA BA BA

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DA BA ♪

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♪ JIMMY KIMMEL LIVE

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BACK AT HOME!

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>> Jimmy: HI, I'M JIMMY.

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I'M THE HOST OF THE SHOW.

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THANK YOU FOR WATCHING FROM YOUR

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COUCH, OR YOUR BED, OR MAYBE YOU

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SQUEEZED INTO THE CAGE WITH YOUR

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BIRD.

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I DON'T KNOW, EITHER WAY,

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THANKS.

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I BRING YOU SOME GOOD NEWS

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TONIGHT.

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FOR A CHANGE.

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AND THAT GOOD NEWS IS THIS.

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THOSE ARE MOVERS YOU SEE OUTSIDE

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THE WHITE HOUSE, BOXING HIM UP.

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SO THAT'S GOOD.

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BUT THIS SEEMS SUSPICIOUS.

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THIS HAPPENED TODAY.

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AN UNIDENTIFIED TRIO SEEMED TO

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HAVE MADE OFF WITH A BUST OF

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ABRAHAM LINCOLN.

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IS IT POSSIBLE THAT TRUMP IS

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LOOTING THE WHITE HOUSE BEFORE

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HE GOES?

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HE'S GOING TO USE THAT AS A HOOD

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ORNAMENT ON HIS GOLF COURT.

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I WOULD SIGN UP FOR A STREAMING

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SERVICE THAT SHOWED NOTHING BUT

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TRUMP'S STUFF BEING MOVED OUT OF

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THE WHITE HOUSE.

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I DON'T KNOW HOW MUCH I WOULD

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PAY, BUT IT'S A LOT.

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"POUTUS" HIMSELF IS BECOMING

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INCREASINGLY ISOLATED.

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THE WEST WING IS REPORTED TO BE

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SPARSELY STAFFED, THOSE WHO

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REMAIN A PART OF THE

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ADMINISTRATION ARE AVOIDING

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GOING IN.

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THE WHITE HOUSE RIGHT NOW HAS

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THE FEEL OF A RADIO SHACK IN

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2015.

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REMEMBER SIX MONTHS AGO, HE WAS

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HAVING HIS PEOPLE CALL SOUTH

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DAKOTA TO SEE IF HE COULD GET

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HIS FACE CARVED INTO

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MT. RUSHMORE?

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TODAY WE LEARNED MORE ABOUT THAT

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LONG‐OVERDUE AND

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HEAVILY‐SCRIPTED VIDEO TRUMP

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RELEASED LAST NIGHT, FINALLY

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DENOUNCING THE VIOLENCE AND

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ASKING FOR CALM.

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YOU'RE NOT GONNA BELIEVE THIS.

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HE DIDN'T WANT TO MAKE THAT

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VIDEO.

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HE HAD TO BE TALKED INTO

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SHOOTING IT AND HE HAD TO BE

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TALKED OUT OF GOING TO THE HOUSE

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FLOOR TO DEFEND HIMSELF DURING

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THE IMPEACHMENT PROCEEDINGS ON

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WEDNESDAY.

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WHOEVER TALKED HIM OUT OF THAT,

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I WOULD LIKE TO WRING HIS NECK!

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HAVE YOU NO SENSE OF HUMOR, SIR?

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THAT WOULD HAVE BEEN GREAT.

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HE'D PROBABLY BE IN PRISON

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TODAY AS A RESULT OF THAT.

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INSTEAD OF ACTING AS HIS OWN

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LEGAL COUNSEL TRUMP TOOK TIME

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OUT FROM MUTTERING YESTERDAY TO

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GIVE A NATIONAL MEDAL OF ART TO

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TOBY KEITH.

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WELL, THEY TOLD HIM IT WAS TOBY

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KEITH.

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ACTUALLY THEY JUST PUT A COWBOY

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HAT ON A PUMPKIN AND DIMMED THE

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LIGHTS.

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THERE IS A LOT OF GOSSIP COMING

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OUT OF THIS WHITE HOUSE.

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MY FAVORITE BEING THAT, AT ONE

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POINT, TRUMP CONSIDERED

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RESIGNING BUT WAS AFRAID MIKE

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PENCE WOULDN'T PARDON HIM.

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WHICH, HOW GREAT WOULD THAT HAVE

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BEEN?

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OH, I DID SAY PARDON?

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I MEANT GARDEN, I SAID I'D GIVE

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YOU A GARDEN!

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HERE'S A HOE.

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TRUMP'S MOOD HAS BEEN DESCRIBED

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AS “SULLEN AND VENGEFUL.”

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HE'S ANGRY AT HIS INNER CIRCLE

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FOR NOT DOING MORE TO DEFEND

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HIM.

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HE'S EVEN LASHING OUT AT HIS

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NUMBER ONE DIRTY DEEDS DOER,

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RUDY GIULIANI.

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ACCORDING TO THE "WASHINGTON

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POST," TRUMP HAS INSTRUCTED

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AIDES NOT TO PAY RUDY FOR HIS

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LEGAL EFFORTS NOT TO OVERTURN

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THE ELECTION ON HIS BEHALF.

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HE IS AMAZING.

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IMAGINE, HE TURNS ON RUDY?

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WORKING FOR TRUMP AND EXPECTING

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TO GET PAID IS LIKE HAVING

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DINNER WITH CHRIS CHRISTIE AND

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EXPECTING A DOGGIE BAG.

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TRUMP HAS REPORTEDLY INSISTED ON

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PERSONALLY APPROVING

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REIMBURSEMENTS FOR RUDY'S TRAVEL

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EXPENSES.

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AND RUDY'S DAY RATE IS $20,000 A

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DAY.

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MONEY WELL SPENT.

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TRUMP DOESN'T WANT TO PAY THAT.

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HE COULD'VE HIRED GARY BUSEY FOR

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A HUNDRED BUCKS TO DO THE SAME

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THING.

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THAT'S A LOT FOR AN INCOMPETENT

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ATTORNEY.

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AND YOU'D THINK FOR $20,000 A

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DAY, RUDY GIULIANI WOULD BE ABLE

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TO AFFORD SHOES THAT DON'T LOOK

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LIKE HE BOUGHT THEM AT THE

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FRANKENSTEIN STORE.

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APPARENTLY HE CAN'T.

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THEY SAY TRUMP ISN'T EVEN TAKING

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GIULIANI'S CALLS ANYMORE.

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NOW THE ONLY WAY FOR RUDY TO GET

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THROUGH IS IF SOMEONE SAYS HIS

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NAME THREE TIMES IN A MIRROR.

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I WONDER WHO LEAKED THIS STORY?

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MAYBE IT WAS GIULIANI'S HEAD!

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BUT THIS IS WHAT TRUMP DOES.

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EVEN IF YOU DON'T JUMP SHIP,

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SOONER OR LATER HE'LL THROW YOU

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OFF IT.

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RUDY GIULIANI TRAVELED AROUND

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THE WORLD, HE WENT FROM BEING

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AMERICA'S MAYOR TO THE PARKING

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LOT OF A DILDO STORE TRYING TO

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DIG UP DIRT FOR TRUMP.

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THE ONLY DIRT HE COULD FIND WAS

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COMING OUT OF HIS HAIR.

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WHAT DOES HE GET FOR HIS

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TROUBLES?

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NOT PAID FOR THE WORK HE DID.

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MIKE PENCE HAD TO BEND OVER AND

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STUFF HIS “EVANGELICAL CHRISTIAN

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VALUES” IN THE LITTLE HOLE GOD

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TRIES TO FORGET.

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LAST WEEK, HIS BOSS CALLED HIM

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THE P‐WORD AND SENT A MOB OF

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LUNATICS TO KILL HIM.

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AND THEN THERE'S MICHAEL COHEN,

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WHO TOOK OUT A MORTGAGE ON HIS

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HOUSE TO PAY OFF DONALD TRUMP'S

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MISTRESS.

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WHAT DID HE GET?

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PRISON.

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LOOK OUT, ERIC AND JUNIOR, YOU

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TWO ARE NEXT!

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LINDSEY GRAHAM, ON THE OTHER

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HAND, INTERESTING CASE.

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REMEMBER LAST WEEK WHEN LINDSEY

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GRAHAM STOOD UP IN CONGRESS AND

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SAID, TRUMP AND I, WE'VE HAD A

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HELL OF A JOURNEY BUT COUNT ME

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OUT, ENOUGH IS ENOUGH.

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WELL, I GUESS ENOUGH WASN'T

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ENOUGH.

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DONALD TRUMP AND LINDSEY GRAHAM

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HAVE GONE ON MORE BREAKS THAN

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ROSS AND RACHEL.

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THEY TRAVELED TO TEXAS TOGETHER

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ON TUESDAY.

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AND LAST NIGHT, THE GOLDEN

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GRAHAM WAS RIGHT BACK AT IT

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STANDING BY HIS MAN.

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>> THE PRESIDENT OF THE UNITED

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STATES WAS IMPEACHED TODAY

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WITHOUT ONE WITNESS BEING

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CALLED, WITHOUT A LAWYER

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PRESENT, AND IT'S AN ASSAULT ON

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THE PRESIDENCY ITSELF.

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>> Jimmy: SPOKEN LIKE A MAN WHO

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HAS A SECRET HE WOULD LIKE

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DONALD TRUMP TO KEEP.

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AND AS WEAK AND PATHETIC AS THE

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OLD GUARD IS, THE NEW CROP OF

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TRUMPERS IS MUCH WORSE.

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NEW CONGRESSWOMAN MARJORIE

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TAYLOR GREENE HAS A PLAN TO

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IMPEACH JOE BIDEN BEFORE HE'S

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EVEN PRESIDENT.

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>> I WOULD LIKE TO ANNOUNCE ON

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BEHALF OF THE AMERICAN PEOPLE,

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WE HAVE TO MAKE SURE THAT OUR

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LEADERS ARE HELD ACCOUNTABLE.

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WE CANNOT HAVE A PRESIDENT OF

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THE UNITED STATES THAT IS

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WILLING TO ABUSE THE POWER OF

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THE OFFICE OF THE PRESIDENCY AND

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BE EASILY BOUGHT OFF BY FOREIGN

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GOVERNMENTS, FOREIGN ‐‐ CHINESE

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ENERGY COMPANIES, UKRAINIAN

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ENERGY COMPANIES.

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SO ON JANUARY 21st, I WILL BE

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FILING ARTICLES OF IMPEACHMENT

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ON JOE BIDEN.

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>> Jimmy: WOW.

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MARJORIE, IF YOU'RE DOING THAT,

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WHO WILL BE MAKING NAUSEATING

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STEPMOM PORN?

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MARJORIE IS PART OF THE Q‐ANON

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CROWD WHO STILL BLAME THE DEEP

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STATE FOR BETRAYING TRUMP.

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HERE'S THE THING, GUYS.

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SIMPLE QUESTION.

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YOU BELIEVE THIS IS ALL A

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CONSPIRACY.

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I GET THAT.

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BUT WHERE, IF YOU'VE WATCHED ANY

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MOVIE, ABOUT ANYTHING LIKE

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THIS, WHERE DO ALL THE BIGGEST

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CONSPIRACIES GO ALL THE WAY TO?

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DO THEY GO ALL THE WAY TO THE

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MIDDLE?

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DO THEY GO ALL THE WAY TO THE

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PRETTY HIGH?

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NO.

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THEY GO ALL THE WAY TO THE TOP.

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THINK ABOUT IT.

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DOESN'T IT MAKE SENSE?

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DONALD TRUMP.

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LOOK AT WHO HE USED TO HANG OUT

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WITH.

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BLOOD‐DRINKING GLOBALIST

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PEDOPHILES.

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THEY WERE AT HIS WEDDING!

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THINK ABOUT THIS.

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DECEMBER 13th, 2016, A MONTH

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BEFORE TRUMP IS INAUGURATED.

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WHO PAYS HIM A VISIT AT TRUMP

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TOWER?

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BILL GATES!

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THAT'S RIGHT.

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ARE YOU TELLING ME BILL GATES

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DIDN'T PUT A CHIP IN HIM?

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OF COURSE HE DID.

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HE PUT A CLIP IN DONALD TRUMP!

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AND NOT JUST A REGULAR CHIP, A

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POTATO CHIP!

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ALL THAT CRAZY STUFF HE DID?

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THE POTATO CHIP MADE HIM DO IT!

261
00:07:07,761 --> 00:07:15,101
AND WHY?

262
00:07:15,101 --> 00:07:15,468
TO DISCREDIT Q.

263
00:07:15,468 --> 00:07:16,036
BILL GATES HAS BEEN WORKING

264
00:07:16,036 --> 00:07:19,139
PRESIDENT PRINGLES LIKE A PUPPET

265
00:07:19,139 --> 00:07:19,406
FOR YEARS.

266
00:07:19,406 --> 00:07:20,040
AND NOW THAT THEY'RE DONE WITH

267
00:07:20,040 --> 00:07:21,775
HIM THEY'RE TAKING HIS SOCIAL

268
00:07:21,775 --> 00:07:26,713
MEDIA AWAY.

269
00:07:26,713 --> 00:07:27,814
IN ADDITION TO TWITTER, TRUMP

270
00:07:27,814 --> 00:07:31,084
HAS BEEN BANNED FROM SNAPCHAT.

271
00:07:31,084 --> 00:07:32,052
TRUMP DIDN'T KNOW HE HAD A

272
00:07:32,052 --> 00:07:32,686
SNAPCHAT, NOW HE'S BANNED FROM

273
00:07:32,686 --> 00:07:33,987
IT.

274
00:07:33,987 --> 00:07:34,721
ALL HIS SOURCES OF GRATIFICATION

275
00:07:34,721 --> 00:07:36,489
ARE GONE.

276
00:07:36,489 --> 00:07:37,057
NO SNAPCHAT, NO TWITTER, NO

277
00:07:37,057 --> 00:07:37,324
FACEBOOK.

278
00:07:37,324 --> 00:07:40,727
POOR JARED KUSHNER NOW HAS TO

279
00:07:40,727 --> 00:07:41,428
SHOUT “LIKE!” AFTER EVERYTHING

280
00:07:41,428 --> 00:07:44,431
HE SAYS.

281
00:07:44,431 --> 00:07:46,266
A NUMBER OF CORPORATIONS HAVE

282
00:07:46,266 --> 00:07:49,169
BEEN PUTTING OUT STATEMENTS

283
00:07:49,169 --> 00:07:52,539
AFTER A CAN OF AXE BODY SPRAY

284
00:07:52,539 --> 00:07:53,606
WAS FOUND.

285
00:07:53,606 --> 00:07:56,409
THAT MADE THE ROUNDS ONLINE, SO

286
00:07:56,409 --> 00:07:57,410
AXE RESPONDED.

287
00:07:57,410 --> 00:07:59,179
"WE'D RATHER BE LONELY THAN WITH

288
00:07:59,179 --> 00:08:02,349
THAT MOB, AXE CONDEMNS

289
00:08:02,349 --> 00:08:03,416
YESTERDAY'S VIOLENCE AND ACTS AT

290
00:08:03,416 --> 00:08:05,085
THE CAPITOL, WE BELIEVE IN THE

291
00:08:05,085 --> 00:08:06,019
DEMOCRATIC PROCESS AND THE

292
00:08:06,019 --> 00:08:09,789
PEACEFUL TRANSITION OF POWER."

293
00:08:09,789 --> 00:08:10,890
THIS IS COMING FROM A COMPANY

294
00:08:10,890 --> 00:08:12,459
THAT SELLS A PRODUCT CALLED

295
00:08:12,459 --> 00:08:14,194
"ANARCHY BODY WASH."

296
00:08:14,194 --> 00:08:15,261
AXE WASN'T ALONE.

297
00:08:15,261 --> 00:08:17,931
AMAZON, HALLMARK, AIRBNB,

298
00:08:17,931 --> 00:08:19,632
COMCAST, MANY COMPANIES PLEDGED

299
00:08:19,632 --> 00:08:21,668
TO HALT CAMPAIGN DONATIONS TO

300
00:08:21,668 --> 00:08:23,903
POLITICIANS WHO VOTED TO

301
00:08:23,903 --> 00:08:25,305
OVERTURN THE ELECTION RESULTS.

302
00:08:25,305 --> 00:08:27,574
MANY HAVE ISSUED MESSAGES

303
00:08:27,574 --> 00:08:28,942
CONDEMNING THE UPRISING.

304
00:08:28,942 --> 00:08:29,576
THIS IS ONE OF THE MORE POWERFUL

305
00:08:29,576 --> 00:08:30,210
VIDEOS I SAW.

306
00:08:30,210 --> 00:08:38,351
>> TRUTH.

307
00:08:38,351 --> 00:08:38,785
INTEGRITY.

308
00:08:38,785 --> 00:08:39,252
HONESTY.

309
00:08:39,252 --> 00:08:41,588
THESE ARE AMERICAN VALUES.

310
00:08:41,588 --> 00:08:43,957
BUT THE VIOLENT RIOTS AND

311
00:08:43,957 --> 00:08:45,392
LAWLESSNESS WE WITNESS LAST WEEK

312
00:08:45,392 --> 00:08:46,760
IN THE SEDITIOUS ATTACK ON THE

313
00:08:46,760 --> 00:08:48,395
U.S. CAPITOL WERE A DIRECT

314
00:08:48,395 --> 00:08:52,465
ASSAULT ON OUR NATION'S MOST

315
00:08:52,465 --> 00:08:54,334
SACRED TENET, THE PEACEFUL

316
00:08:54,334 --> 00:08:56,069
TRANSITION OF POWER.

317
00:08:56,069 --> 00:08:58,004
WE MUST PRESERVE LIBERTY AT ALL

318
00:08:58,004 --> 00:08:59,606
COSTS, AND TOOTSIE POPS WILL

319
00:08:59,606 --> 00:09:01,341
ALWAYS STAND UP FOR WHAT'S

320
00:09:01,341 --> 00:09:01,608
RIGHT.

321
00:09:01,608 --> 00:09:03,109
TOOTSIE POPS.

322
00:09:03,109 --> 00:09:08,648
HOW MANY LICKS C S CAN DEMOCRAC

323
00:09:08,648 --> 00:09:08,848
TAKE?

324
00:09:08,848 --> 00:09:09,616
LET'S NOT FIND OUT.

325
00:09:09,616 --> 00:09:12,018
>> YOUR MOVE, SKITTLES.

326
00:09:12,018 --> 00:09:12,485
ONE MORE THING.

327
00:09:12,485 --> 00:09:13,253
IT'S THURSDAY NIGHT.

328
00:09:13,253 --> 00:09:15,255
THAT MEANS IT'S TIME TO BLEEP

329
00:09:15,255 --> 00:09:17,424
AND BLUR THE BIG TV MOMENTS OF

330
00:09:17,424 --> 00:09:18,925
THE WEEK WHETHER THEY NEED IT OR

331
00:09:18,925 --> 00:09:19,125
NOT.

332
00:09:19,125 --> 00:09:20,326
IT IS "THIS WEEK IN UNNECESSARY

333
00:09:20,326 --> 00:09:26,466
CENSORSHIP."

334
00:09:26,466 --> 00:09:27,600
>> THE PRESIDENT REMAINS DEFIANT

335
00:09:27,600 --> 00:09:29,569
AS HE FACES HIS SECOND

336
00:09:29,569 --> 00:09:29,869
IMPEACHMENT.

337
00:09:29,869 --> 00:09:31,204
WE'RE TOLD HE IS CONSIDERING

338
00:09:31,204 --> 00:09:32,238
[ BLEEP ]ING HIMSELF AND HIS

339
00:09:32,238 --> 00:09:32,505
CHILDREN.

340
00:09:32,505 --> 00:09:33,640
>> I'VE BEEN HERE ALL OF ONE

341
00:09:33,640 --> 00:09:33,840
WEEK.

342
00:09:33,840 --> 00:09:35,475
AND WHAT I SEE INSTEAD OF

343
00:09:35,475 --> 00:09:38,812
LAWMAKERS WHO ARE TRUTHSEEKERS,

344
00:09:38,812 --> 00:09:40,146
I SEE LAWMAKERS WHO ARE

345
00:09:40,146 --> 00:09:41,281
[ BLEEP ], [ BLEEP ]ERS.

346
00:09:41,281 --> 00:09:44,751
AND THAT'S NEVER GOOD.

347
00:09:44,751 --> 00:09:46,820
>> DAVID REPORTING FROM THE

348
00:09:46,820 --> 00:09:48,154
WHITE HOUSE, [ BLEEP ] YOU.

349
00:09:48,154 --> 00:09:51,724
>> I GRAVITATED TOWARD FRIENDS

350
00:09:51,724 --> 00:09:52,859
WITH BIG [ BLEEP ]S.

351
00:09:52,859 --> 00:09:53,626
THAT'S WHAT I WANT FOR MYSELF.

352
00:09:53,626 --> 00:09:56,729
>> A WOMAN WAS CAUGHT TRYING TO

353
00:09:56,729 --> 00:09:58,565
[ BLEEP ] HER HUSBAND ON A LEASH

354
00:09:58,565 --> 00:09:59,365
AFTER CURFEW.

355
00:09:59,365 --> 00:10:03,403
>> ANY SNOW FOR US?

356
00:10:03,403 --> 00:10:04,571
>> I HAVE A VERY SMALL

357
00:10:04,571 --> 00:10:09,776
[ BLEEP ].

358
00:10:09,776 --> 00:10:11,311
>> IT'S NOT JUST US AT THE

359
00:10:11,311 --> 00:10:11,744
COMMUNITY CENTER.

360
00:10:11,744 --> 00:10:12,245
>> YOU'RE RIGHT.

361
00:10:12,245 --> 00:10:14,481
WHAT IF WE USE THINGS FROM THE

362
00:10:14,481 --> 00:10:15,448
COMMUNITY CENTER TO [ BLEEP ] ME

363
00:10:15,448 --> 00:10:15,648
WITH?

364
00:10:15,648 --> 00:10:22,822
>> YEAH, LET'S TRY!

365
00:10:22,822 --> 00:10:23,690
>> Jimmy: ALL RIGHT, WE'VE GOT A

366
00:10:23,690 --> 00:10:25,225
HECK OF A SHOW FOR YOU TONIGHT.

367
00:10:25,225 --> 00:10:26,993
SHOW FOR YOU TONIGHT.

368
00:10:26,993 --> 00:10:27,594
BATWOMAN HERSELF, JAVEESEEYA

369
00:10:27,594 --> 00:10:28,027
LESLIE, IS WITH US.

370
00:10:28,027 --> 00:10:28,561
WE'VE GOT MUSIC FROM FOO

371
00:10:28,561 --> 00:10:29,062
FIGHTERS.

372
00:10:29,062 --> 00:10:29,662
AND WE'LL BE RIGHT BACK WITH

373
00:10:29,662 --> 00:10:32,599
KATE WINSLET.

374
00:10:43,443 --> 00:10:45,645
TONIGHT, FROM “BATWOMAN” SHE

375
00:10:45,645 --> 00:10:52,585
PLAYS BATWOMAN, JAVICIA LESLIE.

376
00:10:52,585 --> 00:10:53,153
THEN LATER, THEIR NEW ALBUM

377
00:10:53,153 --> 00:10:54,154
COMES OUT FEBRUARY 5th.

378
00:10:54,154 --> 00:10:56,589
IT'S CALLED "MEDICINE AT

379
00:10:56,589 --> 00:10:57,157
MIDNIGHT."

380
00:10:57,157 --> 00:10:58,458
FOO FIGHTERS WILL DEBUT THEIR

381
00:10:58,458 --> 00:10:59,092
BRAND‐NEW SONG ON DAVE GROHL'S

382
00:10:59,092 --> 00:11:01,427
BIRTHDAY.

383
00:11:01,427 --> 00:11:02,428
NEXT WEEK, WE'VE GOT NEW SHOWS

384
00:11:02,428 --> 00:11:03,763
WITH DUA LIPA, JOHN OLIVER,

385
00:11:03,763 --> 00:11:04,931
ALLISON JANNEY, CASEY AFFLECK,

386
00:11:04,931 --> 00:11:07,467
AND CONGRESSMAN ADAM SCHIFF.

387
00:11:07,467 --> 00:11:08,701
HE DIDN'T HAVE TO WORK TOO HARD

388
00:11:08,701 --> 00:11:10,403
ON THIS IMPEACHMENT AT ALL.

389
00:11:10,403 --> 00:11:11,671
WITH MUSIC FROM JACK HARLOW,

390
00:11:11,671 --> 00:11:12,639
BEST COAST, AND LOCAL NATIVES

391
00:11:12,639 --> 00:11:15,842
FEATURING SHARON VAN ETTEN.

392
00:11:15,842 --> 00:11:16,442
SO PLEASE JOIN US NEXT WEEK,

393
00:11:16,442 --> 00:11:17,410
TOO.

394
00:11:17,410 --> 00:11:18,678
OUR FIRST GUEST TONIGHT WAS

395
00:11:18,678 --> 00:11:20,413
APPOINTED COMMANDER OF THE ORDER

396
00:11:20,413 --> 00:11:21,481
OF THE BRITISH EMPIRE BY THE

397
00:11:21,481 --> 00:11:22,382
QUEEN, WHICH MEANS IF THIS

398
00:11:22,382 --> 00:11:23,683
INTERVIEW DOESN'T GO WELL, SHE

399
00:11:23,683 --> 00:11:24,651
COULD DECLARE WAR ON THE UNITED

400
00:11:24,651 --> 00:11:26,953
STATES.

401
00:11:26,953 --> 00:11:35,328
SHE PLAYS A 19th CENTURY

402
00:11:35,328 --> 00:11:37,363
PALEONTOLOGIST ALONGSIDE SAOIRSE

403
00:11:37,363 --> 00:11:41,568
RONAN IN THE ROMANTIC DRAMA

404
00:11:41,568 --> 00:11:42,302
“AMMONITE” IT'S AVAILABLE NOW ON

405
00:11:42,302 --> 00:11:42,535
DEMAND.

406
00:11:42,535 --> 00:11:44,704
PLEASE WELCOME KATE WINSLET.

407
00:11:44,704 --> 00:11:46,739
>> COMMANDER OF THE BRITISH

408
00:11:46,739 --> 00:11:47,106
EMPIRE.

409
00:11:47,106 --> 00:11:48,741
WHEN I HEAR IT SAID, IT'S THE

410
00:11:48,741 --> 00:11:49,776
FUNNIEST THING TO ME.

411
00:11:49,776 --> 00:11:51,811
IT'S THE FUNNIEST, FUNNIEST

412
00:11:51,811 --> 00:11:52,045
THING.

413
00:11:52,045 --> 00:11:53,746
IN PRIVATE I WILL TELL YOU AT

414
00:11:53,746 --> 00:11:55,415
SOME POINT, WHEN I ATTENDED THE

415
00:11:55,415 --> 00:11:56,649
CEREMONY WITH MY HUSBAND, WE HAD

416
00:11:56,649 --> 00:11:58,084
TO DO SOMETHING TO KEEP

417
00:11:58,084 --> 00:12:00,053
OURSELVES PRIVATELY AMUSED.

418
00:12:00,053 --> 00:12:01,187
BECAUSE THERE'S SOMETHING VERY

419
00:12:01,187 --> 00:12:03,122
SORT OF BIG DEAL ABOUT GOING TO

420
00:12:03,122 --> 00:12:04,023
BUCKINGHAM PALACE.

421
00:12:04,023 --> 00:12:05,425
THERE WAS AN ITEM OF CLOTHING HE

422
00:12:05,425 --> 00:12:07,360
WAS WEARING UNDERNEATH HIS

423
00:12:07,360 --> 00:12:08,761
EXTERIOR CLOTHING WHICH I WILL

424
00:12:08,761 --> 00:12:10,096
IN PRIVATE SHARE WITH YOU, BUT

425
00:12:10,096 --> 00:12:11,297
IT WAS VERY FUNNY.

426
00:12:11,297 --> 00:12:13,666
CANNOT BE SHARED RIGHT NOW.

427
00:12:13,666 --> 00:12:14,968
I'LL TELL YOU ANOTHER DAY.

428
00:12:14,968 --> 00:12:15,568
>> Jimmy: REALLY?

429
00:12:15,568 --> 00:12:15,768
WOW.

430
00:12:15,768 --> 00:12:16,536
>> BUT HI.

431
00:12:16,536 --> 00:12:17,103
>> Jimmy: HI, HOW ARE YOU,

432
00:12:17,103 --> 00:12:19,439
COMMANDER?

433
00:12:19,439 --> 00:12:20,440
IT'S GOOD TO SEE YOU.

434
00:12:20,440 --> 00:12:21,441
>> OH MY GOD.

435
00:12:21,441 --> 00:12:22,575
GOOD TO SEE YOU TOO.

436
00:12:22,575 --> 00:12:23,576
>> Jimmy: HOW ARE YOU DOING?

437
00:12:23,576 --> 00:12:24,744
I KNOW IT'S THE MIDDLE OF THE

438
00:12:24,744 --> 00:12:26,346
NIGHT WHERE YOU ARE IN ENGLAND.

439
00:12:26,346 --> 00:12:26,879
>> WE'RE OKAY.

440
00:12:26,879 --> 00:12:28,781
IT'S THE MIDDLE OF THE NIGHT,

441
00:12:28,781 --> 00:12:28,982
YEAH.

442
00:12:28,982 --> 00:12:32,885
IT'S LIKE 12:45, LIKE PAST

443
00:12:32,885 --> 00:12:33,286
MIDNIGHT SOMETIME.

444
00:12:33,286 --> 00:12:34,887
YES, I'M IN ENGLAND, YES.

445
00:12:34,887 --> 00:12:35,722
>> Jimmy: THANK YOU FOR STAYING

446
00:12:35,722 --> 00:12:35,888
UP.

447
00:12:35,888 --> 00:12:37,023
I DON'T KNOW IF YOU'RE AWARE OF

448
00:12:37,023 --> 00:12:38,258
THIS BUT YOUR NAME HAS BEEN

449
00:12:38,258 --> 00:12:39,692
COMING UP A LOT LATELY HERE IN

450
00:12:39,692 --> 00:12:40,627
THE UNITED STATES, BECAUSE MANY

451
00:12:40,627 --> 00:12:42,629
OF US FEEL AS THOUGH OUR COUNTRY

452
00:12:42,629 --> 00:12:44,964
IS THE "TITANIC" AND YOU MANAGED

453
00:12:44,964 --> 00:12:48,835
TO SURVIVE THAT.

454
00:12:48,835 --> 00:12:49,435
WE'RE LOOKING FOR GUIDANCE, I

455
00:12:49,435 --> 00:12:52,138
THINK.

456
00:12:52,138 --> 00:12:54,107
>> WELL, DON'T LOOK TO ME.

457
00:12:54,107 --> 00:12:55,808
ISN'T IT A WEIRD THING, THOUGH,

458
00:12:55,808 --> 00:12:56,276
ISN'T IT?

459
00:12:56,276 --> 00:12:58,177
WHEN YOU'RE A BRITISH ACTOR,

460
00:12:58,177 --> 00:12:59,979
SOMEHOW BECAUSE WE SPEAK WELL OR

461
00:12:59,979 --> 00:13:01,080
SOMETHING, PEOPLE SEEM TO THINK

462
00:13:01,080 --> 00:13:03,283
THAT WE'RE GOING TO HAVE ANSWERS

463
00:13:03,283 --> 00:13:05,118
AND SOLUTIONS TO THINGS AND THAT

464
00:13:05,118 --> 00:13:08,554
SOMEHOW WE'VE GOT A HIGHER POWER

465
00:13:08,554 --> 00:13:09,155
THAT CAN GET PEOPLE OUT OF

466
00:13:09,155 --> 00:13:09,355
STUFF.

467
00:13:09,355 --> 00:13:11,691
I HAVEN'T A CLUE, I'M LIKE THE

468
00:13:11,691 --> 00:13:14,861
REST OF YOU, I'M TRYING NOT TO

469
00:13:14,861 --> 00:13:17,930
KILL MY SOURDOUGH STARTER WHILST

470
00:13:17,930 --> 00:13:18,998
ALSO NOT KILLING THE KIDS FOR

471
00:13:18,998 --> 00:13:20,767
MAKING ME DO ALL THE LAUNDRY.

472
00:13:20,767 --> 00:13:21,434
>> Jimmy: LET'S TALK ABOUT THIS

473
00:13:21,434 --> 00:13:23,770
I HEARD ABOUT YOUR SOURDOUGH

474
00:13:23,770 --> 00:13:24,003
STARTER.

475
00:13:24,003 --> 00:13:25,471
BRYAN CRANSTON WAS ON THE SHOW

476
00:13:25,471 --> 00:13:27,040
LAST NIGHT, HE ALSO SENT

477
00:13:27,040 --> 00:13:28,074
PICTURES OF HIS BREAD, AND HE

478
00:13:28,074 --> 00:13:28,908
WAS VERY EXCITED.

479
00:13:28,908 --> 00:13:30,176
I'M GOING TO BE HONEST WITH YOU,

480
00:13:30,176 --> 00:13:31,878
I HAVE POSTED MANY PICTURES OF

481
00:13:31,878 --> 00:13:32,378
MY BREAD.

482
00:13:32,378 --> 00:13:34,280
I DON'T KNOW WHAT IT IS ABOUT US

483
00:13:34,280 --> 00:13:35,782
AS HUMAN BEINGS THAT WE'RE ALL

484
00:13:35,782 --> 00:13:39,052
SO TICKLED WITH OURSELVES WHEN

485
00:13:39,052 --> 00:13:39,385
WE MAKE BREAD.

486
00:13:39,385 --> 00:13:40,086
BUT IT'S LIKE, I DON'T KNOW,

487
00:13:40,086 --> 00:13:41,554
IT'S GOT TO BE ‐‐

488
00:13:41,554 --> 00:13:43,589
>> I THINK IT'S INSTANT

489
00:13:43,589 --> 00:13:43,923
GRATIFICATION.

490
00:13:43,923 --> 00:13:45,158
YOU KNOW, IF YOU GET IT RIGHT,

491
00:13:45,158 --> 00:13:46,726
YOU EXPERIENCE THIS KIND OF

492
00:13:46,726 --> 00:13:48,461
BREAD NIRVANA, WHERE YOU IMAGINE

493
00:13:48,461 --> 00:13:50,863
YOURSELF IN A FUTURE EXISTENCE

494
00:13:50,863 --> 00:13:52,198
AS SOME SORT OF GREAT, I DON'T

495
00:13:52,198 --> 00:13:52,732
KNOW, EXCITABLE BAKER OR

496
00:13:52,732 --> 00:13:54,834
SOMETHING.

497
00:13:54,834 --> 00:13:55,835
>> Jimmy: IT'S FUNNY, I DON'T

498
00:13:55,835 --> 00:13:57,036
THINK OF IT THAT WAY.

499
00:13:57,036 --> 00:13:58,438
I THINK OF IT IN THE OPPOSITE

500
00:13:58,438 --> 00:13:58,671
WAY.

501
00:13:58,671 --> 00:14:00,640
I THINK OF IT AS ‐‐ I GO

502
00:14:00,640 --> 00:14:02,375
BACKWARDS IN TIME TO WHEN, YOU

503
00:14:02,375 --> 00:14:04,310
KNOW, ALL PEOPLE HAD TO EAT WAS

504
00:14:04,310 --> 00:14:06,379
BREAD AND WHATEVER ANIMAL WAS

505
00:14:06,379 --> 00:14:07,547
UNFORTUNATE ENOUGH TO BE KILLED

506
00:14:07,547 --> 00:14:09,115
IN FRONT OF THEM.

507
00:14:09,115 --> 00:14:11,718
AND I THINK LIKE, OH, YEAH, I

508
00:14:11,718 --> 00:14:13,920
COULD HAVE SURVIVED IN THE CAVE

509
00:14:13,920 --> 00:14:14,954
DAYS BY MAKING BREAD FOR THE

510
00:14:14,954 --> 00:14:16,422
LOCAL VILLAGE, YEAH, YOU

511
00:14:16,422 --> 00:14:16,789
COULDN'T.

512
00:14:16,789 --> 00:14:18,358
YOU COULDN'T HAVE DONE AND

513
00:14:18,358 --> 00:14:19,325
NEITHER COULD I.

514
00:14:19,325 --> 00:14:20,360
>> Jimmy: YOU'RE RIGHT.

515
00:14:20,360 --> 00:14:21,294
LET'S TAKE A LOOK AT YOUR BREAD

516
00:14:21,294 --> 00:14:21,494
HERE.

517
00:14:21,494 --> 00:14:22,662
IT'S BEAUTIFUL, THE BREAD.

518
00:14:22,662 --> 00:14:24,197
>> THAT'S MY BREAD, LOOK AT

519
00:14:24,197 --> 00:14:24,397
THAT.

520
00:14:24,397 --> 00:14:24,831
>> Jimmy: YEAH.

521
00:14:24,831 --> 00:14:27,333
IS THIS THE BEST LOAF?

522
00:14:27,333 --> 00:14:30,570
OH, AND YOU TURNED IT INTO A

523
00:14:30,570 --> 00:14:31,170
SOUP.

524
00:14:31,170 --> 00:14:34,407
>> THAT IS A SPINACH AND LEEK

525
00:14:34,407 --> 00:14:34,707
SOUP.

526
00:14:34,707 --> 00:14:40,346
AND THAT'S HOLUMI PESTO CROUTONS

527
00:14:40,346 --> 00:14:42,014
THAT I MADE IN ATTEMPT NOT TO

528
00:14:42,014 --> 00:14:43,916
EAT ALL THE SOURDOUGH LOAF IN

529
00:14:43,916 --> 00:14:44,150
ONE GO.

530
00:14:44,150 --> 00:14:45,752
>> Jimmy: WHEN IT GOT STALE, YOU

531
00:14:45,752 --> 00:14:47,720
CUT IT UP, TOASTED IT AGAIN,

532
00:14:47,720 --> 00:14:48,654
MADE CROUTONS?

533
00:14:48,654 --> 00:14:50,890
>> OH, WE MAKE CROUTONS ALL THE

534
00:14:50,890 --> 00:14:51,090
TIME.

535
00:14:51,090 --> 00:14:53,359
MY 17‐YEAR‐OLD IS COMPLETELY

536
00:14:53,359 --> 00:14:54,127
OBSESSED WITH ANYTHING TO DO

537
00:14:54,127 --> 00:14:55,027
WITH A CROUTON.

538
00:14:55,027 --> 00:14:56,129
>> Jimmy: THIS IS WHY WE'RE

539
00:14:56,129 --> 00:14:57,864
LOOKING TO YOU FOR GUIDANCE,

540
00:14:57,864 --> 00:15:00,600
KATE, YOU MAKE YOUR OWN

541
00:15:00,600 --> 00:15:00,867
CROUTONS.

542
00:15:00,867 --> 00:15:02,001
THERE THEY ARE FLOATING, JUST AS

543
00:15:02,001 --> 00:15:02,635
YOU WERE IN THE SEA.

544
00:15:02,635 --> 00:15:04,303
>> MY SON HAS BEEN KNOWN TO TAKE

545
00:15:04,303 --> 00:15:05,805
MY CROUTONS INTO SCHOOL AND

546
00:15:05,805 --> 00:15:07,240
SHARE THEM WITH HIS FRIENDS.

547
00:15:07,240 --> 00:15:08,574
ACTUALLY, THAT IS A REAL THING.

548
00:15:08,574 --> 00:15:09,842
>> Jimmy: CROUTONS ARE HUGELY

549
00:15:09,842 --> 00:15:12,044
UNDERRATED.

550
00:15:12,044 --> 00:15:12,779
>> YEAH, YEAH.

551
00:15:12,779 --> 00:15:14,247
>> Jimmy: HOW IS YOUR SON DOING?

552
00:15:14,247 --> 00:15:16,482
A TEENAGER ‐‐ I THINK TEENAGERS

553
00:15:16,482 --> 00:15:18,484
HAVE IT THE WORST AS FAR AS THIS

554
00:15:18,484 --> 00:15:19,685
LOCKDOWN AND COVID GOES.

555
00:15:19,685 --> 00:15:21,354
>> YEAH, IT IS.

556
00:15:21,354 --> 00:15:22,688
I THINK IT'S ROUGH ON THE TEENS.

557
00:15:22,688 --> 00:15:25,625
MY DAUGHTER'S 20, AND MY SON IS

558
00:15:25,625 --> 00:15:25,792
17.

559
00:15:25,792 --> 00:15:27,660
HE JUST TURNED 17 BEFORE

560
00:15:27,660 --> 00:15:27,927
CHRISTMAS.

561
00:15:27,927 --> 00:15:29,262
MY LITTLE GUY IS 7.

562
00:15:29,262 --> 00:15:31,297
BUT YEAH, IT IS ‐‐ I THINK IT'S

563
00:15:31,297 --> 00:15:32,331
HARD ON ALL OF THEM.

564
00:15:32,331 --> 00:15:34,634
BUT YOU KNOW, HE'S VERY MUSICAL.

565
00:15:34,634 --> 00:15:36,402
SO HE'S ABLE TO ZOOM WITH HIS

566
00:15:36,402 --> 00:15:37,937
MATES AND MAKE A LOT OF MUSIC.

567
00:15:37,937 --> 00:15:39,672
IN ENGLAND YOU CAN LEARN TO

568
00:15:39,672 --> 00:15:41,741
DRIVE WHEN YOU'RE 17, SO THAT I

569
00:15:41,741 --> 00:15:43,609
THINK IS GOING TO BECOME PART OF

570
00:15:43,609 --> 00:15:45,278
HIS LOCKDOWN AS WELL IS DRIVING

571
00:15:45,278 --> 00:15:45,511
LESSONS.

572
00:15:45,511 --> 00:15:46,746
THAT'S SOMETHING HE'S REALLY

573
00:15:46,746 --> 00:15:47,914
EXCITED ABOUT.

574
00:15:47,914 --> 00:15:49,415
>> Jimmy: WILL YOU TEACH HIM HOW

575
00:15:49,415 --> 00:15:50,750
TO DRIVE, GET IN THE CAR WITH

576
00:15:50,750 --> 00:15:50,917
HIM?

577
00:15:50,917 --> 00:15:52,618
>> NO, NO, DEFINITELY NOT, I'LL

578
00:15:52,618 --> 00:15:54,454
LEAVE THAT TO MY HUSBAND, YEAH.

579
00:15:54,454 --> 00:15:57,790
NO, I'D GET TOO XRULS TRADED, I

580
00:15:57,790 --> 00:15:57,990
THINK.

581
00:15:57,990 --> 00:15:59,592
I'LL STICK TO THE BAKING.

582
00:15:59,592 --> 00:16:00,393
>> Jimmy: I HAVE A QUESTION

583
00:16:00,393 --> 00:16:01,794
ABOUT YOUR HUSBAND.

584
00:16:01,794 --> 00:16:03,496
YOUR HUSBAND HAS OR HAD, I'M NOT

585
00:16:03,496 --> 00:16:04,697
SURE, THAT'S THE NATURE OF THE

586
00:16:04,697 --> 00:16:06,432
QUESTION, THE GREATEST LAST NAME

587
00:16:06,432 --> 00:16:08,801
OF ANY HUSBAND THE.

588
00:16:08,801 --> 00:16:09,869
>> I KNOW.

589
00:16:09,869 --> 00:16:11,471
>> Jimmy: ROCK AND ROLL, RIGHT?

590
00:16:11,471 --> 00:16:13,773
>> ROCK AND ROLL.

591
00:16:13,773 --> 00:16:15,208
>> Jimmy: THEN HE CHANGED IT TO

592
00:16:15,208 --> 00:16:15,408
SMITH.

593
00:16:15,408 --> 00:16:16,609
IS THAT TRUE?

594
00:16:16,609 --> 00:16:17,777
HE CHANGED IT TO SMITH?

595
00:16:17,777 --> 00:16:19,712
>> SO HIS BIRTH NAME IS "ABEL

596
00:16:19,712 --> 00:16:23,549
SMITH."

597
00:16:23,549 --> 00:16:25,551
AND AS TIME WENT BY AND NED

598
00:16:25,551 --> 00:16:28,054
BECAME NED, WHO IS QUITE AN

599
00:16:28,054 --> 00:16:30,490
ORIGINAL PERSONALITY, HE JUST

600
00:16:30,490 --> 00:16:31,457
DECIDED AT ONE POINT IN HIS LIFE

601
00:16:31,457 --> 00:16:32,492
TO JUST CHANGE HIS NAME TO "ROCK

602
00:16:32,492 --> 00:16:35,094
AND ROLL."

603
00:16:35,094 --> 00:16:35,695
WHEN I MET HIM, HIS NAME WAS

604
00:16:35,695 --> 00:16:38,431
"NED ROCK AND ROLL."

605
00:16:38,431 --> 00:16:40,967
THIS IS COMPLETELY TRUE.

606
00:16:40,967 --> 00:16:41,667
IN AMERICA, OF COURSE, AS YOU

607
00:16:41,667 --> 00:16:43,402
ARE REACTING THUS, IT WAS

608
00:16:43,402 --> 00:16:43,669
FANTASTIC.

609
00:16:43,669 --> 00:16:44,837
IN ENGLAND, NOT SO MUCH.

610
00:16:44,837 --> 00:16:46,105
>> Jimmy: REALLY?

611
00:16:46,105 --> 00:16:47,273
>> YEAH, NO, NO.

612
00:16:47,273 --> 00:16:47,974
NOT SO MUCH.

613
00:16:47,974 --> 00:16:49,041
BUT WHEN HE CHANGED HIS NAME TO

614
00:16:49,041 --> 00:16:51,777
ROCK AND ROLL, I DON'T THINK HE

615
00:16:51,777 --> 00:16:52,945
HAD ANTICIPATED WHAT MIGHT

616
00:16:52,945 --> 00:16:55,081
HAPPEN IF HE SHOULD HAVE A

617
00:16:55,081 --> 00:16:57,183
GIRLFRIEND WHOSE NAME WAS KATE

618
00:16:57,183 --> 00:16:59,318
WINSLET AND WHO WAS QUITE WELL

619
00:16:59,318 --> 00:17:00,353
KNOWN, AND THEREFORE THE PRESS

620
00:17:00,353 --> 00:17:02,154
MIGHT KIND OF NOT REACT SO WELL

621
00:17:02,154 --> 00:17:03,422
TO THE FACT THAT SHE HAD THIS

622
00:17:03,422 --> 00:17:05,925
BOYFRIEND CALLED ROCK AND ROLL.

623
00:17:05,925 --> 00:17:07,026
IT WAS A LITTLE TRICKY.

624
00:17:07,026 --> 00:17:08,761
THEN WE HAD OUR SON, BEAR.

625
00:17:08,761 --> 00:17:10,663
I GOT TO THE POINT WHERE I'M

626
00:17:10,663 --> 00:17:13,866
LIKE ‐‐ I'M FILLING IN DOCTORS'

627
00:17:13,866 --> 00:17:14,300
FORMS.

628
00:17:14,300 --> 00:17:15,234
MOTHER'S NAME, FATHER'S NAME.

629
00:17:15,234 --> 00:17:18,504
I'M LIKE, HONEY?

630
00:17:18,504 --> 00:17:21,541
I JUST ‐‐ ARE WE ‐‐ ARE WE GOING

631
00:17:21,541 --> 00:17:23,009
TO KEEP GOING ‐‐ HE'S LIKE,

632
00:17:23,009 --> 00:17:24,110
YEAH, YOU'RE RIGHT, I'LL JUST

633
00:17:24,110 --> 00:17:25,044
CHANGE IT BACK.

634
00:17:25,044 --> 00:17:26,145
HE CHANGED IT BACK.

635
00:17:26,145 --> 00:17:27,847
>> Jimmy: AND HE PICKED THE MOST

636
00:17:27,847 --> 00:17:29,015
COMMON NAME MAYBE IN THE WORLD,

637
00:17:29,015 --> 00:17:30,483
IN THE ENGLISH LANGUAGE?

638
00:17:30,483 --> 00:17:31,884
>> IT WAS HIS BIRSS NAME, HIS

639
00:17:31,884 --> 00:17:33,286
FATHER WAS PLEASED.

640
00:17:33,286 --> 00:17:34,820
HIS FATHER WAS PLEASED.

641
00:17:34,820 --> 00:17:35,688
STILL IS VERY PLEASED.

642
00:17:35,688 --> 00:17:36,455
>> Jimmy: OKAY, ALL RIGHT.

643
00:17:36,455 --> 00:17:37,757
YOUR SON HAS AN INTERESTING

644
00:17:37,757 --> 00:17:39,425
NAME, TOO.

645
00:17:39,425 --> 00:17:39,625
BEAR.

646
00:17:39,625 --> 00:17:40,993
HIS MIDDLE NAME IS BLAZE?

647
00:17:40,993 --> 00:17:41,527
BEAR BLAZE?

648
00:17:41,527 --> 00:17:42,528
>> CORRECT, YEP.

649
00:17:42,528 --> 00:17:42,995
BEAR BLAZE.

650
00:17:42,995 --> 00:17:45,898
>> Jimmy: I HAVE TO TELL YOU

651
00:17:45,898 --> 00:17:46,232
SOMETHING.

652
00:17:46,232 --> 00:17:47,833
I HAVE A 6‐YEAR‐OLD DAUGHTER,

653
00:17:47,833 --> 00:17:48,968
HER NUMBER ONE STUFFED ANIMAL,

654
00:17:48,968 --> 00:17:50,603
THE ONE THAT WILL BE STILL WITH

655
00:17:50,603 --> 00:17:54,273
HER IN COLLEGE, IS A BEAR NAMED

656
00:17:54,273 --> 00:17:54,473
BLAZE.

657
00:17:54,473 --> 00:17:56,576
SO I FEEL LIKE PERHAPS THEY

658
00:17:56,576 --> 00:17:58,978
MIGHT BE SOUL MATES.

659
00:17:58,978 --> 00:18:01,380
>> WELL, YOU KNOW, MY SON IS

660
00:18:01,380 --> 00:18:03,049
PRETTY FUNNY.

661
00:18:03,049 --> 00:18:04,383
IS YOUR DAUGHTER FUNNY?

662
00:18:04,383 --> 00:18:06,519
>> Jimmy: OH, YES, SHE'S VERY

663
00:18:06,519 --> 00:18:06,852
FUNNY, YEAH.

664
00:18:06,852 --> 00:18:07,920
>> OF COURSE SHE IS.

665
00:18:07,920 --> 00:18:09,121
SHE'S GOT YOU FOR A FATHER, OF

666
00:18:09,121 --> 00:18:10,222
COURSE SHE IS.

667
00:18:10,222 --> 00:18:10,856
>> Jimmy: SHE'S FUNNY ALL ON HER

668
00:18:10,856 --> 00:18:13,659
OWN.

669
00:18:13,659 --> 00:18:15,294
YEAH, SHE LOVES CROUTONS.

670
00:18:15,294 --> 00:18:17,530
>> HILARIOUS THE OTHER DAY ‐‐

671
00:18:17,530 --> 00:18:18,698
GOOD, SHE'LL FIT RIGHT IN.

672
00:18:18,698 --> 00:18:21,434
MY SON TURNED TO ME AND HE SAID,

673
00:18:21,434 --> 00:18:23,269
MOM, I'VE GOT A CONFESSION TO

674
00:18:23,269 --> 00:18:23,569
MAKE.

675
00:18:23,569 --> 00:18:24,203
VERY SERIOUS.

676
00:18:24,203 --> 00:18:27,039
I SAID, OKAY, WOW, OKAY.

677
00:18:27,039 --> 00:18:28,708
HE SAID, OKAY, I'M JUST GOING

678
00:18:28,708 --> 00:18:30,242
TO ‐‐ I'M JUST GOING TO COME OUT

679
00:18:30,242 --> 00:18:30,710
WITH IT.

680
00:18:30,710 --> 00:18:32,378
I'M JUST GOING TO SAY IT.

681
00:18:32,378 --> 00:18:33,479
MY GOD, THE DRAMA.

682
00:18:33,479 --> 00:18:35,314
HE LOOKS AT ME.

683
00:18:35,314 --> 00:18:36,482
HE SAYS, I WANT TO BE AN

684
00:18:36,482 --> 00:18:42,188
ACTRESS.

685
00:18:42,188 --> 00:18:44,457
AND I REACTED EXACTLY AS YOU'RE

686
00:18:44,457 --> 00:18:44,724
REACTING.

687
00:18:44,724 --> 00:18:45,858
HE SAID, IT'S NOT FUNNY, I WANT

688
00:18:45,858 --> 00:18:48,461
TO BE AN ACTRESS.

689
00:18:48,461 --> 00:18:51,797
SIGN ME UP.

690
00:18:51,797 --> 00:18:54,934
JUST ‐‐ JUST ‐‐ JUST DO IT, MOM,

691
00:18:54,934 --> 00:18:55,334
JUST SIGN ME UP!

692
00:18:55,334 --> 00:18:57,670
>> Jimmy: FIRST YOU HAVE TO BE A

693
00:18:57,670 --> 00:18:59,271
WAITRESS, THEN WE'LL TALK ABOUT

694
00:18:59,271 --> 00:18:59,538
ACTRESS.

695
00:18:59,538 --> 00:18:59,972
>> HONESTLY.

696
00:18:59,972 --> 00:19:00,773
>> Jimmy: THAT'S FUNNY.

697
00:19:00,773 --> 00:19:03,042
>> WHAT DO YOU DO WITH THAT?

698
00:19:03,042 --> 00:19:03,309
HONESTLY.

699
00:19:03,309 --> 00:19:04,577
IT'S REALLY ‐‐ IT'S FUNNY.

700
00:19:04,577 --> 00:19:05,544
>> Jimmy: IT'S FUNNY WHEN YOU

701
00:19:05,544 --> 00:19:06,912
LAUGH AT THEM, THEY DON'T

702
00:19:06,912 --> 00:19:08,648
UNDERSTAND HOW CUTE THEY ARE.

703
00:19:08,648 --> 00:19:10,249
AND WHY YOU'RE LAUGHING AT THEM.

704
00:19:10,249 --> 00:19:12,418
AND SOMETIMES THEY'LL GET

705
00:19:12,418 --> 00:19:14,353
INSULTED OR SELF‐CONSCIOUS.

706
00:19:14,353 --> 00:19:14,654
AND ‐‐

707
00:19:14,654 --> 00:19:15,221
>> I KNOW.

708
00:19:15,221 --> 00:19:16,522
>> Jimmy: BUT I FIGURE, WE WENT

709
00:19:16,522 --> 00:19:18,724
THROUGH IT, IT TURNED OUT OKAY,

710
00:19:18,724 --> 00:19:19,058
RIGHT?

711
00:19:19,058 --> 00:19:20,626
>> I KNOW.

712
00:19:20,626 --> 00:19:22,762
I TURNED TO MY PARENTS WHEN I

713
00:19:22,762 --> 00:19:25,231
WAS 5 AND SAID, I WANT TO BE AN

714
00:19:25,231 --> 00:19:25,831
ACTRESS.

715
00:19:25,831 --> 00:19:26,399
>> Jimmy: YEAH.

716
00:19:26,399 --> 00:19:27,066
>> I REALLY TRULY DID.

717
00:19:27,066 --> 00:19:29,368
>> Jimmy: WELL, YEAH.

718
00:19:29,368 --> 00:19:30,469
AND THEY LISTENED.

719
00:19:30,469 --> 00:19:32,238
MAYBE THIS WON'T BE SUCH A FUNNY

720
00:19:32,238 --> 00:19:34,006
STORY WHEN HE'S WINNING AN OSCAR

721
00:19:34,006 --> 00:19:34,640
IN 15 YEARS.

722
00:19:34,640 --> 00:19:36,942
WHEN WE COME BACK, WE ARE GOING

723
00:19:36,942 --> 00:19:39,712
TO SEE A CLIP FROM AND DISCUSS

724
00:19:39,712 --> 00:19:41,714
YOUR NEW MOVIE "AMMONITE."

725
00:19:41,714 --> 00:19:42,314
KATE WINSLET, WE'LL BE RIGHT

726
00:19:42,314 --> 00:19:43,683
BACK.

727
00:19:53,659 --> 00:19:55,561
MIGHT GO OUT ONTO THE BEACH THIS

728
00:19:55,561 --> 00:19:56,362
MORNING, TAKE THE AIR.

729
00:19:56,362 --> 00:19:59,331
IF YOU THINK I'M STRONG ENOUGH.

730
00:19:59,331 --> 00:19:59,932
>> DO YOU THINK YOU'RE STRONG

731
00:19:59,932 --> 00:20:02,468
ENOUGH?

732
00:20:02,468 --> 00:20:06,205
>> I DO, I THINK.

733
00:20:06,205 --> 00:20:17,316
>> GOOD.

734
00:20:17,316 --> 00:20:18,984
>> Jimmy: THAT IS KATE WINSLET

735
00:20:18,984 --> 00:20:21,387
AND SAOIRSE RONAN IN "AMMONITE."

736
00:20:21,387 --> 00:20:24,256
AND KATE, I WANT TO TELL YOU, I

737
00:20:24,256 --> 00:20:30,796
FIRST SAW THE TITLE, WOW, AMMO

738
00:20:30,796 --> 00:20:32,865
INTO IT, WOW, BULLETS FLYING,

739
00:20:32,865 --> 00:20:35,768
WHO KNOWS WHAT'S GOING TO BE

740
00:20:35,768 --> 00:20:37,570
GOING ON?

741
00:20:37,570 --> 00:20:39,004
LITTLE DID I KNOW IT'S A

742
00:20:39,004 --> 00:20:40,272
PALEONTOLOGY LOVE STORY.

743
00:20:40,272 --> 00:20:42,675
I WATCHED THIS MOVIE LAST NIGHT

744
00:20:42,675 --> 00:20:45,578
AND IT IS ‐‐ IT IS LIKE ‐‐ WELL,

745
00:20:45,578 --> 00:20:47,346
JUST ‐‐ THERE'S A SIMMER AND

746
00:20:47,346 --> 00:20:48,848
THEN IT JUST ‐‐ THERE'S NOT A

747
00:20:48,848 --> 00:20:49,448
LOT OF DIALOGUE.

748
00:20:49,448 --> 00:20:52,151
THERE'S A LOT OF BODY LANGUAGE

749
00:20:52,151 --> 00:20:53,619
BETWEEN THE TWO OF YOU.

750
00:20:53,619 --> 00:20:56,455
A LOT OF DOWNTIME, A LOT OF

751
00:20:56,455 --> 00:20:59,725
BRUSHING STONE, AND ‐‐ I DON'T

752
00:20:59,725 --> 00:21:00,893
WANT TO REVEAL TOO MUCH.

753
00:21:00,893 --> 00:21:05,264
I'LL LET YOU TAKE IT FROM THERE.

754
00:21:05,264 --> 00:21:05,998
BUT IT'S REALLY GOOD.

755
00:21:05,998 --> 00:21:09,235
>> YES, SO IT'S ‐‐ WELL, THANK

756
00:21:09,235 --> 00:21:09,401
YOU.

757
00:21:09,401 --> 00:21:11,203
IT'S ‐‐ IT IS A FILM SET IN THE

758
00:21:11,203 --> 00:21:13,706
SOUTH OF ENGLAND, THE JURASSIC

759
00:21:13,706 --> 00:21:15,441
COAST OF ENGLAND, ABOUT 1840.

760
00:21:15,441 --> 00:21:19,979
ILY MARY ANNING, WHO WAS A REAL

761
00:21:19,979 --> 00:21:21,680
FIGURE, A REAL HISTORICAL

762
00:21:21,680 --> 00:21:21,981
FIGURE.

763
00:21:21,981 --> 00:21:23,749
SHE WAS THE UNSUNG HERO OF

764
00:21:23,749 --> 00:21:24,717
FOSSIL DISCOVERY BECAUSE SHE WAS

765
00:21:24,717 --> 00:21:27,119
A WOMAN LIVING IN A VERY

766
00:21:27,119 --> 00:21:28,387
PATRIARCHAL SOCIETY IN THE WORLD

767
00:21:28,387 --> 00:21:30,489
OF GEOLOGY, ENTIRELY DOMINATED

768
00:21:30,489 --> 00:21:31,023
BY MEN.

769
00:21:31,023 --> 00:21:33,392
SO THESE MEN, THESE SCIENTISTS,

770
00:21:33,392 --> 00:21:34,927
WOULD PICK HER BRAIN AND TAKE

771
00:21:34,927 --> 00:21:38,130
HER KNOWLEDGE AND HER WISDOM AND

772
00:21:38,130 --> 00:21:39,331
BUY HER FINDS AND REAPPROPRIATE

773
00:21:39,331 --> 00:21:40,666
THEM AS THEIR OWN.

774
00:21:40,666 --> 00:21:41,600
THEY WOULD ACTUALLY PUT THEIR

775
00:21:41,600 --> 00:21:44,537
OWN NAME ON HER WORK.

776
00:21:44,537 --> 00:21:48,374
AND THIS IS A STORY ABOUT MARY

777
00:21:48,374 --> 00:21:50,876
AND CHARLOTTE MURCHISON, WHO WAS

778
00:21:50,876 --> 00:21:52,244
THE YOUNG WIFE OF A MALE

779
00:21:52,244 --> 00:21:55,247
SCIENTIST WHO COMES TO LYME

780
00:21:55,247 --> 00:21:57,049
REGIS AND FALLS ILL, AND MARY

781
00:21:57,049 --> 00:21:59,151
TAKES CARE OF HER AND HELPS HER

782
00:21:59,151 --> 00:22:00,419
TO GET BETTER.

783
00:22:00,419 --> 00:22:03,455
AND THEN STARTS TO TEACH HER HER

784
00:22:03,455 --> 00:22:03,656
WORK.

785
00:22:03,656 --> 00:22:05,658
AND THE TWO OF THEM FALL IN

786
00:22:05,658 --> 00:22:05,925
LOVE.

787
00:22:05,925 --> 00:22:07,693
AND THEY'RE COMPLETELY DIFFERENT

788
00:22:07,693 --> 00:22:09,461
PEOPLE, FROM TOTALLY OPPOSITE

789
00:22:09,461 --> 00:22:09,762
WORLDS.

790
00:22:09,762 --> 00:22:11,297
AND IT'S VERY MUCH A STORY ABOUT

791
00:22:11,297 --> 00:22:14,200
WHO WE CHOOSE TO LOVE CAN END UP

792
00:22:14,200 --> 00:22:15,501
DEFINING ALSO WHO WE ARE AND HOW

793
00:22:15,501 --> 00:22:17,403
WE LEARN SO MUCH ABOUT OURSELVES

794
00:22:17,403 --> 00:22:19,572
BECAUSE OF THE PEOPLE WE FALL IN

795
00:22:19,572 --> 00:22:19,972
LOVE WITH.

796
00:22:19,972 --> 00:22:21,774
AND YOU'RE RIGHT, IT'S ‐‐

797
00:22:21,774 --> 00:22:22,641
THERE'S VERY SPARSE DIALOGUE.

798
00:22:22,641 --> 00:22:24,076
THERE'S A LOT OF LONGING.

799
00:22:24,076 --> 00:22:29,248
THERE'S A LOT OF SHARED QUIET

800
00:22:29,248 --> 00:22:30,216
AFFECTION THAT REALLY BUILDS AND

801
00:22:30,216 --> 00:22:33,085
BUILDS THROUGHOUT THE STORY.

802
00:22:33,085 --> 00:22:33,552
>> Jimmy: YEAH, YEAH.

803
00:22:33,552 --> 00:22:35,120
>> AND ABWHEN THESE TWO PEOPLE

804
00:22:35,120 --> 00:22:37,957
REALLY DO COME TOGETHER, IT'S ‐‐

805
00:22:37,957 --> 00:22:40,392
IT'S VERY, VERY MOVING.

806
00:22:40,392 --> 00:22:41,861
AND IT WAS VERY DIFFERENT FOR ME

807
00:22:41,861 --> 00:22:43,729
TO BE IN A FILM LIKE THIS ONE

808
00:22:43,729 --> 00:22:46,832
WHERE I'M PLAYING SOMEONE WHO IS

809
00:22:46,832 --> 00:22:50,669
VERY EMOTIONALLY HELD AND QUITE

810
00:22:50,669 --> 00:22:52,571
BOLTED DOWN PHYSICALLY, QUITE

811
00:22:52,571 --> 00:22:53,739
DIFFERENT TO MYSELF.

812
00:22:53,739 --> 00:22:54,440
EMOTIONALLY CERTAINLY VERY

813
00:22:54,440 --> 00:22:55,541
DIFFERENT TO ME.

814
00:22:55,541 --> 00:22:57,443
I'M A REALLY SUPER BUSY PERSON,

815
00:22:57,443 --> 00:22:58,143
AND MARY'S VERY SORT OF STILL

816
00:22:58,143 --> 00:23:00,713
AND RESTRAINED.

817
00:23:00,713 --> 00:23:04,884
AND I HAD TO LEARN A LOT ABOUT

818
00:23:04,884 --> 00:23:06,118
THE WORLD OF PALEONTOLOGY.

819
00:23:06,118 --> 00:23:07,486
>> Jimmy: I WAS WONDERING ABOUT

820
00:23:07,486 --> 00:23:07,686
THAT.

821
00:23:07,686 --> 00:23:10,089
DID YOU GO OUT AND ‐‐ WITH

822
00:23:10,089 --> 00:23:10,456
FOSSIL DIGGERS?

823
00:23:10,456 --> 00:23:13,592
DIG THINGS UP?

824
00:23:13,592 --> 00:23:14,860
>> YEAH, I REALLY DID.

825
00:23:14,860 --> 00:23:16,528
I MEAN, I KNEW NOTHING ABOUT

826
00:23:16,528 --> 00:23:19,265
FOSSILS AT ALL.

827
00:23:19,265 --> 00:23:20,199
AND THAT PART OF THE WORLD IS

828
00:23:20,199 --> 00:23:22,801
NOT FAR FROM WHERE I LIVE.

829
00:23:22,801 --> 00:23:23,702
IT'S ONLY 2 1/2 HOURS AWAY.

830
00:23:23,702 --> 00:23:25,271
BUT I'VE NEVER SPENT PROPER TIME

831
00:23:25,271 --> 00:23:25,471
THERE.

832
00:23:25,471 --> 00:23:27,339
I WORKED WITH A FOSSIL EXPERT

833
00:23:27,339 --> 00:23:30,009
FOR ABOUT THREE WEEKS AND WE

834
00:23:30,009 --> 00:23:31,310
JUST TRAWLED THE BEACHES.

835
00:23:31,310 --> 00:23:32,678
ACTUALLY, THEY WERE THE BEACHES

836
00:23:32,678 --> 00:23:34,113
MARY WOULD HAVE WORKED ON, SO

837
00:23:34,113 --> 00:23:35,581
THAT WAS PRETTY WONDERFUL FOR

838
00:23:35,581 --> 00:23:38,517
ME, I HAVE TO SAY.

839
00:23:38,517 --> 00:23:38,884
>> Jimmy: WOW.

840
00:23:38,884 --> 00:23:40,886
>> I DID LEARN HOW TO FIND

841
00:23:40,886 --> 00:23:42,154
AMMONITES, I HAVE A COLLECTION

842
00:23:42,154 --> 00:23:43,522
OF MY OWN.

843
00:23:43,522 --> 00:23:46,425
I IDENTIFIED VARIOUS DINOSAUR

844
00:23:46,425 --> 00:23:46,759
BONES.

845
00:23:46,759 --> 00:23:50,930
I FOUND A PIECE OF IGTHEUS SKULL

846
00:23:50,930 --> 00:23:51,997
THAT I WAS THRILLED WITH AND WAS

847
00:23:51,997 --> 00:23:53,132
ABLE TO IDENTIFY.

848
00:23:53,132 --> 00:23:53,832
UNDERSTANDING THE RHYTHM OF HER

849
00:23:53,832 --> 00:23:56,201
LIFE AND HER WORLD AND HOW

850
00:23:56,201 --> 00:23:57,670
BRILLIANT SHE WAS, ALSO ISOLATED

851
00:23:57,670 --> 00:23:58,404
SHE WAS.

852
00:23:58,404 --> 00:23:59,905
SHE WAS A VERY PRIVATE PERSON,

853
00:23:59,905 --> 00:24:00,773
SOCIALLY AWKWARD.

854
00:24:00,773 --> 00:24:02,274
I LIVED ALONE WHEN I WAS MAKING

855
00:24:02,274 --> 00:24:04,610
THE FILM, FROM SUNDAY NIGHT TO

856
00:24:04,610 --> 00:24:06,211
FRIDAY NIGHT, I WAS COMPLETELY

857
00:24:06,211 --> 00:24:07,947
SEPARATE TO MY FAMILY, AND THAT

858
00:24:07,947 --> 00:24:10,883
WAS QUITE HARD AND VERY STRANGE.

859
00:24:10,883 --> 00:24:12,418
BUT I WOULDN'T HAVE BEEN ABLE TO

860
00:24:12,418 --> 00:24:13,585
PLAY THIS CHARACTER IF I HAD

861
00:24:13,585 --> 00:24:15,020
DONE IT ANY OTHER WAY.

862
00:24:15,020 --> 00:24:16,555
I HAD TO KIND OF REALLY CREATE A

863
00:24:16,555 --> 00:24:18,390
BUNKER FOR MYSELF IN WHICH TO

864
00:24:18,390 --> 00:24:20,993
SORT OF EXIST AND PLAY THIS

865
00:24:20,993 --> 00:24:21,193
PART.

866
00:24:21,193 --> 00:24:23,595
>> Jimmy: WELL, YOU AND SAOIRSE

867
00:24:23,595 --> 00:24:24,730
ARE GREAT IN IT.

868
00:24:24,730 --> 00:24:28,934
YOU HAVE ‐‐ I MEAN, CHEMISTRY

869
00:24:28,934 --> 00:24:30,502
FROM BEGINNING, THE START, ALL

870
00:24:30,502 --> 00:24:32,071
THE WAY TO THE END FOR SURE.

871
00:24:32,071 --> 00:24:32,972
I HIGHLY RECOMMEND IT.

872
00:24:32,972 --> 00:24:34,573
IT'S CALLED "AMMONITE."

873
00:24:34,573 --> 00:24:36,375
IT IS AVAILABLE NOW ON DEMAND.

874
00:24:36,375 --> 00:24:37,543
KATE WINSLET.

875
00:24:37,543 --> 00:24:38,644
THANK YOU SO MUCH FOR STAYING UP

876
00:24:38,644 --> 00:24:42,014
LATE, KATE, I APPRECIATE IT.

877
00:24:42,014 --> 00:24:42,448
>> YOU'RE WELCOME.

878
00:24:42,448 --> 00:24:43,082
>> Jimmy: STAY SAFE, BEST TO

879
00:24:43,082 --> 00:24:45,551
YOUR FAMILY.

880
00:24:45,551 --> 00:24:45,884
>> THANK YOU.

881
00:24:45,884 --> 00:24:46,518
>> Jimmy: THINK ABOUT ‐‐ WE'LL

882
00:24:46,518 --> 00:24:48,487
GET OUR KIDS ON TINDER OR

883
00:24:48,487 --> 00:24:49,922
SOMETHING LIKE THAT IN A FEW

884
00:24:49,922 --> 00:24:50,122
YEARS.

885
00:24:50,122 --> 00:24:50,756
KATE WINSLET.

886
00:24:50,756 --> 00:24:51,890
WE'LL BE BACK WITH JAVICIA

887
00:24:51,890 --> 00:24:53,459
LESLIE.

888
00:25:04,470 --> 00:25:04,970
>> Jimmy: WELCOME BACK.

889
00:25:04,970 --> 00:25:07,006
MUSIC FROM FOO FIGHTERS IS ON

890
00:25:07,006 --> 00:25:07,239
THE WAY.

891
00:25:07,239 --> 00:25:08,240
THIS WEEK IN 1966, ADAM WEST

892
00:25:08,240 --> 00:25:08,974
SLID DOWN THE BATPOLE FOR THE

893
00:25:08,974 --> 00:25:12,711
FIRST TIME ON TV.

894
00:25:12,711 --> 00:25:13,312
AND NOW, 55 YEARS LATER, OUR

895
00:25:13,312 --> 00:25:13,912
NEXT GUEST IS HERE TO FINISH

896
00:25:13,912 --> 00:25:15,247
WHAT HE STARTED.

897
00:25:15,247 --> 00:25:17,049
“BATWOMAN” PREMIERES SUNDAY

898
00:25:17,049 --> 00:25:17,716
NIGHT ON THE CW, PLEASE WELCOME

899
00:25:17,716 --> 00:25:25,457
JAVICIA LESLIE.

900
00:25:25,457 --> 00:25:26,925
HI, "JAVICIA.

901
00:25:26,925 --> 00:25:28,427
>> HI, HOW ARE YOU?

902
00:25:28,427 --> 00:25:29,428
>> Jimmy: I'M DOING WELL.

903
00:25:29,428 --> 00:25:31,430
I'M NOT BATWOMAN, YOU ARE, SO

904
00:25:31,430 --> 00:25:32,398
I'M NOT DOING AS WELL AS YOU

905
00:25:32,398 --> 00:25:33,065
ARE.

906
00:25:33,065 --> 00:25:33,599
CONGRATULATIONS ON THAT.

907
00:25:33,599 --> 00:25:33,932
>> THANK YOU.

908
00:25:33,932 --> 00:25:35,968
THANK YOU SO MUCH.

909
00:25:35,968 --> 00:25:36,769
I AM SUPER EXCITED FOR SUNDAY.

910
00:25:36,769 --> 00:25:37,770
>> Jimmy: YEAH, I BET.

911
00:25:37,770 --> 00:25:39,805
THIS SORT OF THING, THE

912
00:25:39,805 --> 00:25:43,175
SUPERHEROES, WHO PLAYS THEM, THE

913
00:25:43,175 --> 00:25:44,710
SHOWS, MEANS A LOT TO ‐‐ MAYBE

914
00:25:44,710 --> 00:25:48,180
TOO MUCH TO A LOT OF PEOPLE.

915
00:25:48,180 --> 00:25:50,549
WHO IS ‐‐ IN YOUR LIFE, WHO IS

916
00:25:50,549 --> 00:25:56,188
THE BIGGEST COMIC BOOK FAN SLASH

917
00:25:56,188 --> 00:25:57,656
NERD SLASH WHATEVER YOU WANT TO

918
00:25:57,656 --> 00:25:58,223
CALL IT?

919
00:25:58,223 --> 00:25:59,391
>> DEFINITELY MY BROTHER.

920
00:25:59,391 --> 00:26:02,494
WE GREW UP WATCHING COMICS,

921
00:26:02,494 --> 00:26:05,631
COMIC BOOK MOVIES, COMIC BOOK TV

922
00:26:05,631 --> 00:26:06,231
SHOWS.

923
00:26:06,231 --> 00:26:08,200
WHEN I TOLD HIM I BOOKED

924
00:26:08,200 --> 00:26:09,368
BATWOMAN HE WAS SO NONCHALANT.

925
00:26:09,368 --> 00:26:09,802
>> Jimmy: REALLY?

926
00:26:09,802 --> 00:26:12,571
>> I'M LIKE, I'VE KNOWN YOU YOUR

927
00:26:12,571 --> 00:26:14,173
ENTIRE LIFE, YOU'RE OBSESSED

928
00:26:14,173 --> 00:26:17,042
WITH COMICS, I'M BATWOMAN, YOU

929
00:26:17,042 --> 00:26:18,610
GIVE ME SOMETHING?

930
00:26:18,610 --> 00:26:21,046
FIRST THING HE SAID TO ME, "I'M

931
00:26:21,046 --> 00:26:23,248
SO MAD SUPER GIRL IS COMING TO

932
00:26:23,248 --> 00:26:23,816
AN END."

933
00:26:23,816 --> 00:26:26,819
AND HE'S HYPING "BLACK

934
00:26:26,819 --> 00:26:27,119
LIGHTNING."

935
00:26:27,119 --> 00:26:29,121
HE'S HYPING A LOT OF SHOWS SO

936
00:26:29,121 --> 00:26:31,523
I'LL BRING HIM INTO OUR SHOW,

937
00:26:31,523 --> 00:26:31,723
YEAH.

938
00:26:31,723 --> 00:26:33,325
>> Jimmy: WHEN YOUR SIBLING IS

939
00:26:33,325 --> 00:26:36,562
BATWOMAN, WHERE DO YOU GO FROM

940
00:26:36,562 --> 00:26:36,762
THERE?

941
00:26:36,762 --> 00:26:37,629
>> I THINK THAT'S IT, TRYING TO

942
00:26:37,629 --> 00:26:38,230
PLAY IT COOL.

943
00:26:38,230 --> 00:26:38,997
>> Jimmy: WHO IN YOUR FAMILY WAS

944
00:26:38,997 --> 00:26:42,334
MOST EXCITED?

945
00:26:42,334 --> 00:26:44,536
>> DEFINITELY MY MOM.

946
00:26:44,536 --> 00:26:46,638
>> Jimmy: DEFINITELY MOM.

947
00:26:46,638 --> 00:26:50,576
>> MY MOM WAS LIKE MY BIGGEST

948
00:26:50,576 --> 00:26:51,310
SUPPORT AND LIKE A SUPERFAN.

949
00:26:51,310 --> 00:26:52,744
SHE'S THE TYPE OF PERSON, IF

950
00:26:52,744 --> 00:26:53,846
WE'RE OUT AND SHE'S TRYING TO

951
00:26:53,846 --> 00:26:55,614
INTRODUCE ME, SHE'S GOING TO

952
00:26:55,614 --> 00:26:56,915
INTRODUCE ME AS WHATEVER ROLE

953
00:26:56,915 --> 00:26:58,417
I'M PLAYING AT THE MOMENT.

954
00:26:58,417 --> 00:27:01,854
SO WE JUST GO TO THE GROCERY

955
00:27:01,854 --> 00:27:04,423
STORE, "THIS IS MY DAUGHTER,

956
00:27:04,423 --> 00:27:05,657
SHE'S BATWOMAN."

957
00:27:05,657 --> 00:27:06,625
PEOPLE ARE LOOKING AT ME, BEFORE

958
00:27:06,625 --> 00:27:08,193
THE ANNOUNCEMENT, BEFORE ANYONE

959
00:27:08,193 --> 00:27:09,928
HAD SEEN THE SHOW, SHE EXPECTS

960
00:27:09,928 --> 00:27:11,864
EVERYONE TO KNOW WHO I AM, AND

961
00:27:11,864 --> 00:27:13,432
JUST IN CASE THEY DON'T, SHE

962
00:27:13,432 --> 00:27:14,700
INTRODUCES ME ALL THE TIME.

963
00:27:14,700 --> 00:27:15,701
ALL THE TIME.

964
00:27:15,701 --> 00:27:17,336
>> Jimmy: SHE'S EXCITED.

965
00:27:17,336 --> 00:27:18,537
SHE PROBABLY DOES THAT WHEN

966
00:27:18,537 --> 00:27:20,038
YOU'RE NOT AROUND, TOO.

967
00:27:20,038 --> 00:27:20,405
>> YEAH.

968
00:27:20,405 --> 00:27:22,141
LIKE SHE'S THE TYPE OF PERSON

969
00:27:22,141 --> 00:27:24,109
THAT IF I SEND HER A PICTURE, I

970
00:27:24,109 --> 00:27:26,645
HAVE TO MAKE SURE I TELL HER,

971
00:27:26,645 --> 00:27:28,413
DON'T SEND THIS TO ANYONE.

972
00:27:28,413 --> 00:27:30,249
>> Jimmy: OH, YEAH.

973
00:27:30,249 --> 00:27:33,118
>> YEAH, WE TOOK PICTURES FOR

974
00:27:33,118 --> 00:27:35,621
THE PROMO SHOOT.

975
00:27:35,621 --> 00:27:36,688
AND WB HAVING THE STRICT

976
00:27:36,688 --> 00:27:41,293
POLICY ‐‐ DON'T SEND THIS.

977
00:27:41,293 --> 00:27:42,728
BUT IT'S MY MOM, YOU KNOW.

978
00:27:42,728 --> 00:27:43,362
BUT SHE KNOWS.

979
00:27:43,362 --> 00:27:45,097
I TELL HER, THIS IS THE RULE,

980
00:27:45,097 --> 00:27:46,765
I'M SNEAKING YOU SOME STUFF,

981
00:27:46,765 --> 00:27:48,300
THIS IS BETWEEN ME AND YOU,

982
00:27:48,300 --> 00:27:49,334
DON'T SEND IT TO ANYBODY.

983
00:27:49,334 --> 00:27:51,203
SO I'M IN VANCOUVER RIGHT NOW.

984
00:27:51,203 --> 00:27:53,272
I FLY BACK TO L. A. FOR THE

985
00:27:53,272 --> 00:27:53,539
HOLIDAYS.

986
00:27:53,539 --> 00:27:55,440
SEE MY MOM, MY BROTHER.

987
00:27:55,440 --> 00:27:58,177
I WALK INTO MY HOUSE, AND THERE

988
00:27:58,177 --> 00:28:01,813
IS THIS HUGE SUPER‐SIZED,

989
00:28:01,813 --> 00:28:03,248
MOVIE‐SIZED POSTER WHEN YOU WALK

990
00:28:03,248 --> 00:28:03,515
IN.

991
00:28:03,515 --> 00:28:05,551
IT'S THE PICTURE OF A PICTURE

992
00:28:05,551 --> 00:28:06,919
THAT I TOOK AND SENT TO HER.

993
00:28:06,919 --> 00:28:08,787
IT'S A PICTURE OF A PICTURE, YOU

994
00:28:08,787 --> 00:28:09,988
KNOW IT'S BLURRY.

995
00:28:09,988 --> 00:28:11,690
IT'S JUST THIS HUGE POSTER‐SIZED

996
00:28:11,690 --> 00:28:11,924
PICTURE.

997
00:28:11,924 --> 00:28:14,193
I'M LIKE, MOM.

998
00:28:14,193 --> 00:28:16,328
I TOLD YOU NOT TO SHOW ANYONE.

999
00:28:16,328 --> 00:28:17,829
SHE'S LIKE, I DIDN'T SHOW

1000
00:28:17,829 --> 00:28:18,897
ANYONE, I PRINTED IT OUT.

1001
00:28:18,897 --> 00:28:20,332
WHO PRINTED IT FOR YOU?

1002
00:28:20,332 --> 00:28:21,366
WHO FRAMED IT FOR YOU?

1003
00:28:21,366 --> 00:28:25,971
>> Jimmy: WHO DID, YEAH?

1004
00:28:25,971 --> 00:28:26,672
SHE HAD TO AT LEAST GO TO A

1005
00:28:26,672 --> 00:28:27,172
KIN

1006
00:28:27,172 --> 00:28:27,439
KINKO'S.

1007
00:28:27,439 --> 00:28:28,507
>> SHE HAD TO GO SOMEWHERE

1008
00:28:28,507 --> 00:28:29,508
BECAUSE 87 A PRINTER.

1009
00:28:29,508 --> 00:28:32,077
>> Jimmy: THAT'S FUNNY.

1010
00:28:32,077 --> 00:28:33,712
DOES YOUR MOM COME TO SET AND

1011
00:28:33,712 --> 00:28:34,279
THAT SORT OF THING?

1012
00:28:34,279 --> 00:28:36,481
>> OH, YEAH, SHE MAKES HER

1013
00:28:36,481 --> 00:28:37,816
ROUNDS TO MY SETS.

1014
00:28:37,816 --> 00:28:40,219
MATTER OF FACT, IT'S LIKE

1015
00:28:40,219 --> 00:28:41,486
"WHERE'S WALDO?"

1016
00:28:41,486 --> 00:28:44,056
ON EVERY SHOW I'VE DONE MY MOM

1017
00:28:44,056 --> 00:28:45,324
HAS SNUCK INTO THE BACKGROUND,

1018
00:28:45,324 --> 00:28:48,660
HAS FOUND A WAY TO BE ON THE

1019
00:28:48,660 --> 00:28:48,860
SHOW.

1020
00:28:48,860 --> 00:28:52,197
IN "GOD FRIENDED ME," I'M JOE

1021
00:28:52,197 --> 00:28:54,099
MORTON'S DAUGHTER, PREACHER'S

1022
00:28:54,099 --> 00:28:55,267
DAUGHTER, IN THE FRONT PEW.

1023
00:28:55,267 --> 00:28:56,368
IF YOU LOOK TO THE BACK, MY

1024
00:28:56,368 --> 00:29:00,906
MOM'S BEHIND ME.

1025
00:29:00,906 --> 00:29:05,777
"THE FAMILY BUSINESS" FOR

1026
00:29:05,777 --> 00:29:07,512
B.E.T., IF YOU LOOK THROUGH THE

1027
00:29:07,512 --> 00:29:08,947
AUDIENCE, MY MOM'S RIGHT THERE

1028
00:29:08,947 --> 00:29:10,282
IN THIS BRIGHT, YELLOW DRESS.

1029
00:29:10,282 --> 00:29:13,185
SHE MAKES HER WAY.

1030
00:29:13,185 --> 00:29:14,853
I'M SURE ONCE THE BONDER IS OPEN

1031
00:29:14,853 --> 00:29:16,388
AND PEOPLE ARE ALLOWED TO COME

1032
00:29:16,388 --> 00:29:18,657
TO CANADA, SHE WILL FIND HER WAY

1033
00:29:18,657 --> 00:29:20,726
ON "BATWOMAN."

1034
00:29:20,726 --> 00:29:21,827
>> Jimmy: PERHAPS BEFORE IT

1035
00:29:21,827 --> 00:29:22,961
OPENS UP, SOUNDS LIKE.

1036
00:29:22,961 --> 00:29:26,231
>> SHE'S ARMY, SHE MIGHT FIND

1037
00:29:26,231 --> 00:29:26,498
HER WAY.

1038
00:29:26,498 --> 00:29:28,000
>> Jimmy: YOUR MOM'S ARMY, WOW.

1039
00:29:28,000 --> 00:29:28,734
>> YEAH, YEAH.

1040
00:29:28,734 --> 00:29:29,368
>> Jimmy: TELL ME ABOUT DRIVING

1041
00:29:29,368 --> 00:29:31,970
THE BATMOBILE.

1042
00:29:31,970 --> 00:29:32,537
ARE YOU REALLY DRIVING THE

1043
00:29:32,537 --> 00:29:35,540
BATMOBILE?

1044
00:29:35,540 --> 00:29:37,075
OR DO THEY MAKE IT LOOK LIKE YOU

1045
00:29:37,075 --> 00:29:37,242
ARE?

1046
00:29:37,242 --> 00:29:38,310
>> THERE ARE MOMENTS WHERE

1047
00:29:38,310 --> 00:29:39,811
THEY'RE LIKE, HEY, CAN YOU DRIVE

1048
00:29:39,811 --> 00:29:41,747
IT LIKE FOUR, FIVE FEET?

1049
00:29:41,747 --> 00:29:42,981
I'M SCARED AS HELL BECAUSE THIS

1050
00:29:42,981 --> 00:29:45,017
IS A VERY EXPENSIVE CAR, AND I

1051
00:29:45,017 --> 00:29:46,718
CAN'T AFFORD TO FIX ANYTHING

1052
00:29:46,718 --> 00:29:48,520
THAT MAY GO WRONG.

1053
00:29:48,520 --> 00:29:49,454
BUT IT'S EPIC.

1054
00:29:49,454 --> 00:29:52,824
I GREW UP WATCHING "BATMAN."

1055
00:29:52,824 --> 00:29:54,126
BATMAN IS EVERYTHING TO ME.

1056
00:29:54,126 --> 00:29:55,127
TO SEE THE BATMOBILE, TO BE IN

1057
00:29:55,127 --> 00:29:57,062
THE BATMOBILE, IS SUCH AN HONOR.

1058
00:29:57,062 --> 00:29:58,597
THE ONLY THING IS, I DON'T THINK

1059
00:29:58,597 --> 00:30:00,899
ANYONE ACCOUNTS FOR HOW LOW THE

1060
00:30:00,899 --> 00:30:02,701
BATMOBILE SITS.

1061
00:30:02,701 --> 00:30:04,403
SO I'M SUPPOSED TO BE SMOOTH,

1062
00:30:04,403 --> 00:30:05,570
I'M SUPPOSED TO GET OUT OF THE

1063
00:30:05,570 --> 00:30:08,674
CAR AND HAVE THIS EPIC WALK DOWN

1064
00:30:08,674 --> 00:30:10,342
TO WHATEVER VILLAIN I'M ABOUT TO

1065
00:30:10,342 --> 00:30:10,709
CATCH.

1066
00:30:10,709 --> 00:30:12,944
BUT I CAN'T GET OUT OF THE CAR.

1067
00:30:12,944 --> 00:30:16,281
I'M LIKE DOING EVERYTHING TO

1068
00:30:16,281 --> 00:30:17,649
SUPPORT MYSELF TO GET OUT THE

1069
00:30:17,649 --> 00:30:20,018
CAR, WHEN I SHUT THE DOOR, MY

1070
00:30:20,018 --> 00:30:21,219
CAPE IS SHUT.

1071
00:30:21,219 --> 00:30:22,387
WAIT, HOLD ON WE'VE GOT TO DO

1072
00:30:22,387 --> 00:30:23,055
THIS ALL OVER.

1073
00:30:23,055 --> 00:30:24,022
>> Jimmy: EXCUSE ME, WOULD YOU

1074
00:30:24,022 --> 00:30:26,491
GIVE ME A HAND?

1075
00:30:26,491 --> 00:30:27,559
>> WAIT ONE SECOND, I KNOW

1076
00:30:27,559 --> 00:30:29,361
YOU'RE GETTING READY TO GO KILL

1077
00:30:29,361 --> 00:30:31,196
PEOPLE, BUT GIVE ME A SECOND, MY

1078
00:30:31,196 --> 00:30:32,097
CAPE GOT STUCK.

1079
00:30:32,097 --> 00:30:34,599
>> Jimmy: YOUR COSTUME LOOKS

1080
00:30:34,599 --> 00:30:34,933
PRETTY GREAT.

1081
00:30:34,933 --> 00:30:37,936
TAKE A LOOK AT THE COSTUME HERE.

1082
00:30:37,936 --> 00:30:39,571
IT LOOKS GREAT.

1083
00:30:39,571 --> 00:30:40,105
IS IT UNCOMFORTABLE?

1084
00:30:40,105 --> 00:30:43,475
OR IS IT FINE?

1085
00:30:43,475 --> 00:30:44,609
>> YOU KNOW, DEFINITELY NOT A

1086
00:30:44,609 --> 00:30:45,944
PAIR OF LOUNGEWEAR, YOU KNOW.

1087
00:30:45,944 --> 00:30:46,378
>> Jimmy: RIGHT.

1088
00:30:46,378 --> 00:30:48,246
>> A PAIR OF PAJAMAS.

1089
00:30:48,246 --> 00:30:49,648
BUT I'VE GOTTEN USED TO IT.

1090
00:30:49,648 --> 00:30:52,117
I TECHNICALLY HAVE TWO SUITS, SO

1091
00:30:52,117 --> 00:30:54,419
I WEAR ONE SUIT WHEN I AM JUST

1092
00:30:54,419 --> 00:30:56,822
DOING REGULAR THINGS, I GUESS,

1093
00:30:56,822 --> 00:30:58,857
IF BATWOMAN'S EVER DOING REGULAR

1094
00:30:58,857 --> 00:30:59,424
THINGS, YOU KNOW.

1095
00:30:59,424 --> 00:31:01,026
THEN I WEAR ANOTHER SUIT WHEN I

1096
00:31:01,026 --> 00:31:02,160
DO MY STUNTS.

1097
00:31:02,160 --> 00:31:03,161
SO THAT ONE HAS A LITTLE BIT

1098
00:31:03,161 --> 00:31:04,796
MORE SPACE, WHICH IS LIKE MY

1099
00:31:04,796 --> 00:31:06,064
FAVORITE SUIT TO WEAR.

1100
00:31:06,064 --> 00:31:07,332
USUALLY I FEEL A LITTLE BIT MORE

1101
00:31:07,332 --> 00:31:08,266
COMFORTABLE IN THAT ONE.

1102
00:31:08,266 --> 00:31:09,568
>> Jimmy: WHAT'S THE BEST ITEM

1103
00:31:09,568 --> 00:31:11,670
ON YOUR UTILITY BELT?

1104
00:31:11,670 --> 00:31:13,672
>> DEFINITELY THE GAUNTLET.

1105
00:31:13,672 --> 00:31:14,873
>> Jimmy: THE GAUNTLET?

1106
00:31:14,873 --> 00:31:15,507
>> YES.

1107
00:31:15,507 --> 00:31:17,909
ANY TIME I SEE THE GAUNTLET COME

1108
00:31:17,909 --> 00:31:20,812
OUT, THAT MEANS I GET TO FLY.

1109
00:31:20,812 --> 00:31:22,481
AND SO THEY'LL HARNESS ME UP.

1110
00:31:22,481 --> 00:31:24,549
THEY'LL PUT THE ROPE ON ME.

1111
00:31:24,549 --> 00:31:25,550
I SHOOT THE GAUNTLET.

1112
00:31:25,550 --> 00:31:27,018
I GET TO GO IN THE AIR.

1113
00:31:27,018 --> 00:31:29,187
THE GAUNTLET IS LIKE MY FAVORITE

1114
00:31:29,187 --> 00:31:29,688
TOOL.

1115
00:31:29,688 --> 00:31:30,989
I THOUGHT IT WAS GOING TO BE THE

1116
00:31:30,989 --> 00:31:31,890
BATMOBILE, BUT OBVIOUSLY THAT

1117
00:31:31,890 --> 00:31:32,991
WAS REALLY HARD FOR ME TO GET IN

1118
00:31:32,991 --> 00:31:34,693
AND OUT OF, SO I PREFER TO GO

1119
00:31:34,693 --> 00:31:35,660
FLYING MORE THAN ANYTHING.

1120
00:31:35,660 --> 00:31:36,995
>> Jimmy: YEAH, BUT YOU'RE NOT

1121
00:31:36,995 --> 00:31:40,465
REALLY FLYING, RIGHT?

1122
00:31:40,465 --> 00:31:42,801
YOU'RE KIND OF SHOOTING AND THEN

1123
00:31:42,801 --> 00:31:43,835
BEING PULLED BY IT, RIGHT?

1124
00:31:43,835 --> 00:31:45,270
>> IT'S A MIX OF BOTH.

1125
00:31:45,270 --> 00:31:47,572
BECAUSE I'M SHOOTING IT AT AN

1126
00:31:47,572 --> 00:31:48,340
ANGLE.

1127
00:31:48,340 --> 00:31:50,308
SO WHEN I SHOOT IT, IT PULLS ME

1128
00:31:50,308 --> 00:31:50,942
UP, YEAH.

1129
00:31:50,942 --> 00:31:52,310
THEN THERE'S A FREEFALL AT A

1130
00:31:52,310 --> 00:31:53,111
CERTAIN POINT.

1131
00:31:53,111 --> 00:31:53,845
ESPECIALLY WHEN I'M DROPPING

1132
00:31:53,845 --> 00:31:55,881
INTO THE SCENE.

1133
00:31:55,881 --> 00:31:58,784
WHEN I'M CDROPPING IN, DO MY EPC

1134
00:31:58,784 --> 00:32:00,218
LAND, WHICH IS INTERESTING

1135
00:32:00,218 --> 00:32:02,087
BECAUSE I STOLE MY LAND FROM

1136
00:32:02,087 --> 00:32:04,623
KATE BECKINSALE FROM

1137
00:32:04,623 --> 00:32:04,956
"UNDERWORLD."

1138
00:32:04,956 --> 00:32:05,457
REALLY COOL.

1139
00:32:05,457 --> 00:32:06,658
>> Jimmy: IS THAT RIGHT?

1140
00:32:06,658 --> 00:32:06,858
WOW.

1141
00:32:06,858 --> 00:32:10,061
>> I FELT SHE HAD SO MUCH SWAG

1142
00:32:10,061 --> 00:32:10,729
WHEN SHE LANDED AND I WANTED TO

1143
00:32:10,729 --> 00:32:11,797
CARRY THAT WITH THIS BATWOMAN.

1144
00:32:11,797 --> 00:32:13,865
BUT YEAH, YOU KNOW, WHEN I DO MY

1145
00:32:13,865 --> 00:32:15,100
DROP IN, THAT'S PRETTY MUCH ‐‐

1146
00:32:15,100 --> 00:32:16,468
IT FEELS LIKE A FREEFALL.

1147
00:32:16,468 --> 00:32:17,769
SO IT FEELS LIKE WHEN YOU'RE ON

1148
00:32:17,769 --> 00:32:20,172
A ROLLER COASTER ON ONE OF THOSE

1149
00:32:20,172 --> 00:32:21,740
FREEFALL ROLLER COASTERS THAT

1150
00:32:21,740 --> 00:32:22,374
JUST DROP?

1151
00:32:22,374 --> 00:32:24,943
MY HEART IS DEFINITELY STILL UP

1152
00:32:24,943 --> 00:32:25,877
THERE BY THE TIME I HIT THE

1153
00:32:25,877 --> 00:32:27,579
GROUND, AND I'M TRYING TO GET MY

1154
00:32:27,579 --> 00:32:29,881
SWAG, LIKE OKAY, JAVICIA, YOU'VE

1155
00:32:29,881 --> 00:32:31,316
GOT TO LOOK COOL.

1156
00:32:31,316 --> 00:32:33,285
WHICH IS PRETTY MUCH HALF THE

1157
00:32:33,285 --> 00:32:35,353
BATTLE OF BEING BATWOMAN IS ME

1158
00:32:35,353 --> 00:32:36,188
TRYING TO LOOK COOL.

1159
00:32:36,188 --> 00:32:37,389
>> Jimmy: MORE THAN HALF, I

1160
00:32:37,389 --> 00:32:37,722
THINK.

1161
00:32:37,722 --> 00:32:39,724
BATWOMAN HAS TO LOOK COOL.

1162
00:32:39,724 --> 00:32:40,926
BATWOMAN CAN'T BE CLUMSY.

1163
00:32:40,926 --> 00:32:41,560
THERE'S NO QUESTION ABOUT IT.

1164
00:32:41,560 --> 00:32:43,595
>> SHE CAN'T BE.

1165
00:32:43,595 --> 00:32:44,196
>> Jimmy: CONGRATULATIONS ON

1166
00:32:44,196 --> 00:32:46,631
YOUR BATWOMANHOOD.

1167
00:32:46,631 --> 00:32:49,734
SEASON 2 OF "BATWOMAN" PREMIERES

1168
00:32:49,734 --> 00:32:51,470
SUNDAY NIGHT.

1169
00:32:51,470 --> 00:32:52,904
THANK YOU, YJAVICIA.

1170
00:32:52,904 --> 00:32:55,874
WE'LL BE BACK WITH DAVE GROHL!

1171
00:33:09,588 --> 00:33:10,222
>>> MUSIC FROM FOO FIGHTERS IS

1172
00:33:10,222 --> 00:33:11,590
ON THE WAY.

1173
00:33:11,590 --> 00:33:12,390
AND THAT IS PARTICULARLY SPECIAL

1174
00:33:12,390 --> 00:33:12,924
TODAY, BECAUSE IT JUST SO

1175
00:33:12,924 --> 00:33:13,492
HAPPENS TO BE DAVE GROHL'S

1176
00:33:13,492 --> 00:33:14,092
BIRTHDAY.

1177
00:33:14,092 --> 00:33:15,894
I KNOW HE'S VERY LONELY IN

1178
00:33:15,894 --> 00:33:18,830
QUARANTINE, SO I THOUGHT MAYBE

1179
00:33:18,830 --> 00:33:19,464
WE WOULD CHECK IN WITH DAVE NOW

1180
00:33:19,464 --> 00:33:19,731
AND ‐‐

1181
00:33:19,731 --> 00:33:20,098
OH THERE HE IS.

1182
00:33:20,098 --> 00:33:20,599
HI DAVE!

1183
00:33:20,599 --> 00:33:23,401
HAPPY BIRTHDAY!

1184
00:33:23,401 --> 00:33:25,170
>> HEY, HOW ARE YOU DOING?

1185
00:33:25,170 --> 00:33:26,171
LONG TIME NO SEE.

1186
00:33:26,171 --> 00:33:28,607
>> Jimmy: I'M DOING ALL RIGHT.

1187
00:33:28,607 --> 00:33:29,341
ARE YOU HANGING IN OKAY?

1188
00:33:29,341 --> 00:33:30,242
>> DOING ALL RIGHT.

1189
00:33:30,242 --> 00:33:31,009
GETTING OLD.

1190
00:33:31,009 --> 00:33:32,777
BUT I'M DOING ALL RIGHT.

1191
00:33:32,777 --> 00:33:33,778
>> Jimmy: IT'S BETTER THAN NOT

1192
00:33:33,778 --> 00:33:34,679
GETTING OLD, I GUESS.

1193
00:33:34,679 --> 00:33:36,081
YOU KNOW, I SENT YOU SOMETHING.

1194
00:33:36,081 --> 00:33:37,616
I DON'T KNOW IF YOU GOT IT OR

1195
00:33:37,616 --> 00:33:37,782
NOT.

1196
00:33:37,782 --> 00:33:38,350
DID YOU GET THE GIFT THAT I

1197
00:33:38,350 --> 00:33:40,118
SENT?

1198
00:33:40,118 --> 00:33:40,852
>> YEAH.

1199
00:33:40,852 --> 00:33:41,353
IT'S HERE.

1200
00:33:41,353 --> 00:33:42,354
>> Jimmy: I WOULD LIKE YOU TO

1201
00:33:42,354 --> 00:33:44,055
OPEN IT, IF YOU WOULD, ON

1202
00:33:44,055 --> 00:33:44,322
CAMERA.

1203
00:33:44,322 --> 00:33:45,290
IT'S VERY SPECIAL.

1204
00:33:45,290 --> 00:33:50,495
IT'S SOMETHING I MADE MYSELF.

1205
00:33:50,495 --> 00:33:53,231
WHAT THIS IS IS, IT'S A BOOK OF

1206
00:33:53,231 --> 00:33:54,633
COUPONS, BIRTHDAY COUPONS, FROM

1207
00:33:54,633 --> 00:33:57,636
ME, THAT YOU CAN REDEEM ANY TIME

1208
00:33:57,636 --> 00:33:58,236
YOU LIKE.

1209
00:33:58,236 --> 00:34:00,038
BUT I DO WANT TO SAY, I STARTED

1210
00:34:00,038 --> 00:34:01,873
WORKING ON THESE AFTER YOUR LAST

1211
00:34:01,873 --> 00:34:03,508
BIRTHDAY, BEFORE THE PANDEMIC,

1212
00:34:03,508 --> 00:34:05,777
SO KEEP THAT IN MIND WHEN YOU GO

1213
00:34:05,777 --> 00:34:06,378
THROUGH THEM.

1214
00:34:06,378 --> 00:34:07,279
>> SHOULD I LOOK THROUGH THEM

1215
00:34:07,279 --> 00:34:07,546
RIGHT NOW?

1216
00:34:07,546 --> 00:34:10,315
>> Jimmy: YES.

1217
00:34:10,315 --> 00:34:13,018
>> ONE BACK RUB.

1218
00:34:13,018 --> 00:34:13,585
>> Jimmy: THAT'S RIGHT.

1219
00:34:13,585 --> 00:34:14,519
>> A BACK RUB.

1220
00:34:14,519 --> 00:34:14,953
>> Jimmy: FOR YOU.

1221
00:34:14,953 --> 00:34:17,422
>> LIKE ‐‐ FROM YOU?

1222
00:34:17,422 --> 00:34:17,889
>> Jimmy: YES.

1223
00:34:17,889 --> 00:34:19,658
>> I WOULD IMAGINE THIS IS FROM

1224
00:34:19,658 --> 00:34:19,824
YOU.

1225
00:34:19,824 --> 00:34:20,659
>> Jimmy: OH, YES, THEY'RE ALL

1226
00:34:20,659 --> 00:34:23,395
FROM ME, ABSOLUTELY.

1227
00:34:23,395 --> 00:34:24,930
WHO WOULD GIVE A COUPON ‐‐

1228
00:34:24,930 --> 00:34:25,864
>> HOLD ON A SECOND.

1229
00:34:25,864 --> 00:34:27,165
LOOK AT THE PICTURE.

1230
00:34:27,165 --> 00:34:28,767
I MEAN, OBVIOUSLY THAT'S YOU AND

1231
00:34:28,767 --> 00:34:28,900
I.

1232
00:34:28,900 --> 00:34:29,668
ON MY STOMACH.

1233
00:34:29,668 --> 00:34:31,002
YOU CAN TELL BY THE BEARD.

1234
00:34:31,002 --> 00:34:31,803
>> Jimmy: IT'S EITHER YOU OR

1235
00:34:31,803 --> 00:34:32,003
JESUS.

1236
00:34:32,003 --> 00:34:37,742
WE'RE NOT SURE.

1237
00:34:37,742 --> 00:34:40,478
>> COUPON NUMBER TWO.

1238
00:34:40,478 --> 00:34:41,479
AHH, ONE HUG.

1239
00:34:41,479 --> 00:34:43,315
YES, PLEASE, I WILL TAKE THAT.

1240
00:34:43,315 --> 00:34:45,450
>> Jimmy: I'LL USE BOTH ARMS,

1241
00:34:45,450 --> 00:34:45,750
TOO.

1242
00:34:45,750 --> 00:34:47,552
>> I DON'T KNOW IF MY TEETH HAVE

1243
00:34:47,552 --> 00:34:48,119
EVER BEEN.

1244
00:34:48,119 --> 00:34:49,287
WILL EVER BE THAT WHITE.

1245
00:34:49,287 --> 00:34:50,221
LOOK AT MY SMILE.

1246
00:34:50,221 --> 00:34:50,956
>> Jimmy: THAT WILL BE EXPLAINED

1247
00:34:50,956 --> 00:34:53,725
LATER ON IN THE BOOK, ACTUALLY.

1248
00:34:53,725 --> 00:34:56,695
>> ONE IN‐HOME TEETH CLEANING.

1249
00:34:56,695 --> 00:34:57,529
>> Jimmy: THERE YOU GO, THAT'S

1250
00:34:57,529 --> 00:35:00,865
WHY YOUR TEETH ARE SO WHITE.

1251
00:35:00,865 --> 00:35:02,500
>> I COULD USE THAT FOR SURE.

1252
00:35:02,500 --> 00:35:03,234
>> Jimmy: UH‐HUH.

1253
00:35:03,234 --> 00:35:04,803
>> NEXT UP.

1254
00:35:04,803 --> 00:35:06,171
A LADY AND THE TRAMP‐STYLE

1255
00:35:06,171 --> 00:35:09,507
SPAGHETTI DINNER.

1256
00:35:09,507 --> 00:35:10,408
JIMMY, YOU COOKING?

1257
00:35:10,408 --> 00:35:12,777
>> Jimmy: I'LL COOK, WE'LL HAVE

1258
00:35:12,777 --> 00:35:15,146
ONE LONG STRAND, WE'LL START

1259
00:35:15,146 --> 00:35:18,617
FROM A SOCIAL DISTANCE, THEN ‐‐

1260
00:35:18,617 --> 00:35:21,419
END UP IN EACH OTHER'S TONSILS.

1261
00:35:21,419 --> 00:35:21,953
>> GREAT!

1262
00:35:21,953 --> 00:35:23,154
OH, DINNER FOR TWO AT GOLDEN

1263
00:35:23,154 --> 00:35:25,724
CORRAL.

1264
00:35:25,724 --> 00:35:26,057
>> Jimmy: YES.

1265
00:35:26,057 --> 00:35:26,625
HAVE YOU HAD THE SALAD BAR

1266
00:35:26,625 --> 00:35:28,093
THERE?

1267
00:35:28,093 --> 00:35:29,861
>> YEAH, I GOT TO BE HONEST,

1268
00:35:29,861 --> 00:35:32,197
I'VE BEEN TOURING OVER HALF OF

1269
00:35:32,197 --> 00:35:33,164
MY LIFE.

1270
00:35:33,164 --> 00:35:35,300
AND I'VE NEVER BEEN TO A GOLDEN

1271
00:35:35,300 --> 00:35:35,533
CORRAL.

1272
00:35:35,533 --> 00:35:36,868
>> Jimmy: WELL, WE'RE GOING TO

1273
00:35:36,868 --> 00:35:37,035
GO.

1274
00:35:37,035 --> 00:35:38,136
IT'S GOING TO BE GREAT.

1275
00:35:38,136 --> 00:35:39,304
I WOULD LOVE TO CORRAL YOU FOR

1276
00:35:39,304 --> 00:35:41,072
THE FIRST TIME IN A GOLDEN WAY.

1277
00:35:41,072 --> 00:35:41,373
>> AMAZING.

1278
00:35:41,373 --> 00:35:45,276
OKAY.

1279
00:35:45,276 --> 00:35:45,577
OH!

1280
00:35:45,577 --> 00:35:47,879
ONE CLARINET LESSON.

1281
00:35:47,879 --> 00:35:48,780
>> Jimmy: UH‐HUH.

1282
00:35:48,780 --> 00:35:49,848
>> WE'LL SHARE MINE.

1283
00:35:49,848 --> 00:35:50,949
YOU PLAY CLARINET?

1284
00:35:50,949 --> 00:35:52,183
>> Jimmy: I DO, YEAH.

1285
00:35:52,183 --> 00:35:54,686
AGAIN, THIS WAS SOMETHING I MADE

1286
00:35:54,686 --> 00:35:55,887
BEFORE THE PANDEMIC.

1287
00:35:55,887 --> 00:35:56,388
SO, YOU KNOW.

1288
00:35:56,388 --> 00:35:57,989
WE'LL HAVE TO MAYBE HAVE

1289
00:35:57,989 --> 00:35:59,124
DIFFERENT MOUTHPIECES.

1290
00:35:59,124 --> 00:36:00,058
>> THIS IS TRUE.

1291
00:36:00,058 --> 00:36:01,893
YOU DID A GREAT JOB WITH THESE

1292
00:36:01,893 --> 00:36:03,395
ILLUSTRATIONS, BY THE WAY,

1293
00:36:03,395 --> 00:36:03,595
JIMMY.

1294
00:36:03,595 --> 00:36:04,229
>> Jimmy: HEY, I WORKED ON IT

1295
00:36:04,229 --> 00:36:06,898
FOR A YEAR.

1296
00:36:06,898 --> 00:36:08,667
>> YOU DID GREAT.

1297
00:36:08,667 --> 00:36:10,135
>> Jimmy: DAVE, HAPPY BIRTHDAY.

1298
00:36:10,135 --> 00:36:11,202
THANK YOU FOR BEING WITH US ON

1299
00:36:11,202 --> 00:36:12,871
YOUR BIRTHDAY.

1300
00:36:12,871 --> 00:36:14,072
THAT IS A GIFT TO US.

1301
00:36:14,072 --> 00:36:14,906
AND WE APPRECIATE IT.

1302
00:36:14,906 --> 00:36:16,908
WHEN WE COME BACK, ANOTHER GIFT

1303
00:36:16,908 --> 00:36:17,342
FROM DAVE.

1304
00:36:17,342 --> 00:36:20,245
NEW MUSIC FROM FOO FIGHTERS!

1305
00:36:20,245 --> 00:36:21,179
>> Dicky: THE "JIMMY KIMMEL

1306
00:36:21,179 --> 00:36:22,047
LIVE" CONCERT SERIES IS

1307
00:36:22,047 --> 00:36:22,681
PRESENTED BY MERCEDES‐BENZ.

1308
00:36:22,681 --> 00:36:24,249
THE BEST OR NOTHING.

1309
00:36:34,559 --> 00:36:35,126
>> Dicky: THE "JIMMY KIMMEL

1310
00:36:35,126 --> 00:36:35,694
LIVE" CONCERT SERIES IS

1311
00:36:35,694 --> 00:36:36,394
PRESENTED BY MERCEDES‐BENZ.

1312
00:36:36,394 --> 00:36:37,862
THE BEST OR NOTHING.

1313
00:36:37,862 --> 00:36:38,863
>> Jimmy: I WANT TO THANK KATE

1314
00:36:38,863 --> 00:36:39,664
WINSLET AND JAVICIA LESLIE,

1315
00:36:39,664 --> 00:36:41,966
APOLOGIES TO MATT DAMON.

1316
00:36:41,966 --> 00:36:43,101
WE RAN OUT OF TIME FOR HIM.

1317
00:36:43,101 --> 00:36:47,806
“NIGHTLINE” IS NEXT, BUT FIRST,

1318
00:36:47,806 --> 00:36:48,339
THEIR NEW ALBUM IS CALLED

1319
00:36:48,339 --> 00:36:48,907
“MEDICINE AT MIDNIGHT.”

1320
00:36:48,907 --> 00:36:50,141
IT COMES OUT FEBRUARY 5th.

1321
00:36:50,141 --> 00:36:52,844
WITH THE SONG “WAITING ON A WA”"

1322
00:36:52,844 --> 00:36:55,613
FOO FIGHTERS!

1323
00:36:56,347 --> 00:36:57,882
♪

1324
00:36:57,882 --> 00:36:59,350
♪ I'VE BEEN WAITING

1325
00:36:59,350 --> 00:37:02,654
ON A WAR SINCE I WAS YOUNG

1326
00:37:02,654 --> 00:37:03,621
SINCE I WAS A LITTLE BOY

1327
00:37:03,621 --> 00:37:10,361
WITH A TOY GUN ♪

1328
00:37:10,361 --> 00:37:11,362
♪ NEVER REALLY WANTED

1329
00:37:11,362 --> 00:37:22,073
TO BE NUMBER ONE

1330
00:37:22,073 --> 00:37:23,341
JUST WANTED TO LOVE EVERYONE

1331
00:37:23,341 --> 00:37:25,110
IS THERE MORE ♪

1332
00:37:25,110 --> 00:37:26,344
♪ TO THIS THAN THAT

1333
00:37:26,344 --> 00:37:28,613
IS THERE MORE

1334
00:37:28,613 --> 00:37:31,116
TO THIS THAN THAT

1335
00:37:31,116 --> 00:37:32,817
IS THERE MORE ♪

1336
00:37:32,817 --> 00:37:40,692
♪ TO THIS THAN THAT

1337
00:37:40,692 --> 00:37:41,359
IS THERE MORE TO THIS

1338
00:37:41,359 --> 00:37:42,360
IS THERE MORE TO THIS

1339
00:37:42,360 --> 00:37:45,663
IS THERE MORE TO THIS

1340
00:37:45,663 --> 00:37:52,604
THAN JUST WAITING ON A WAR

1341
00:37:52,604 --> 00:37:58,109
JUST WAITING ON A WAR

1342
00:37:58,109 --> 00:38:00,111
EVERY DAY WAITING ♪

1343
00:38:00,111 --> 00:38:06,117
♪ FOR THE SKY TO FALL

1344
00:38:06,117 --> 00:38:08,887
BIG CRASH ON A WORLD

1345
00:38:08,887 --> 00:38:12,390
THAT'S SO SMALL

1346
00:38:12,390 --> 00:38:14,359
JUST A BOY WITH ♪

1347
00:38:14,359 --> 00:38:19,864
♪ NOWHERE LEFT TO GO

1348
00:38:19,864 --> 00:38:24,302
FELL IN LOVE WITH

1349
00:38:24,302 --> 00:38:25,603
A VOICE ON THE RADIO

1350
00:38:25,603 --> 00:38:27,071
IS THERE MORE ♪

1351
00:38:27,071 --> 00:38:29,841
♪ TO THIS THAN THAT

1352
00:38:29,841 --> 00:38:31,109
IS THERE MORE TO THIS

1353
00:38:31,109 --> 00:38:34,345
THAN THAT

1354
00:38:34,345 --> 00:38:35,079
IS THERE MORE TO THIS

1355
00:38:35,079 --> 00:38:40,385
THAN THAT

1356
00:38:40,385 --> 00:38:46,691
IS THERE MORE TO THIS ♪

1357
00:38:46,691 --> 00:38:51,563
MORE TO THIS MORE TO THIS

1358
00:38:51,563 --> 00:38:53,264
♪ THAN JUST WAITING ON A WAR

1359
00:38:53,264 --> 00:38:58,203
JUST WAITING ON A WAR

1360
00:38:58,203 --> 00:39:00,972
JUST WAITING ON A WAR ♪

1361
00:39:00,972 --> 00:39:02,707
♪ FOR THIS AND THAT

1362
00:39:02,707 --> 00:39:04,742
THERE'S GOT TO BE MORE

1363
00:39:04,742 --> 00:39:06,444
TO THIS THAN THAT

1364
00:39:06,444 --> 00:39:07,946
JUST WAITING ON A WAR ♪

1365
00:39:07,946 --> 00:39:09,480
♪ FOR THIS AND THAT

1366
00:39:09,480 --> 00:39:11,216
THERE'S GOT TO BE MORE

1367
00:39:11,216 --> 00:39:16,888
TO THIS THAN THAT

1368
00:39:16,888 --> 00:39:17,055
♪

1369
00:39:17,055 --> 00:39:31,569
♪

1370
00:39:31,569 --> 00:39:32,537
♪ I'VE BEEN WAITING ON A WAR

1371
00:39:32,537 --> 00:39:38,776
SINCE I WAS YOUNG ♪

1372
00:39:38,776 --> 00:39:40,245
♪ SINCE I WAS A LITTLE BOY WITH

1373
00:39:40,245 --> 00:39:44,582
A TOY GUN ♪

1374
00:39:44,582 --> 00:39:48,887
♪ IS THERE MORE TO THIS MORE TO

1375
00:39:48,887 --> 00:39:50,755
THIS MORE TO THIS THAN JUST

1376
00:39:50,755 --> 00:39:57,595
WAITING ON A WAR ♪

1377
00:39:57,595 --> 00:40:05,069
♪ JUST WAITING ON A WAR

1378
00:40:05,069 --> 00:40:07,071
JUST WAITING ON A WAR

1379
00:40:07,071 --> 00:40:08,873
FOR THIS AND THAT ♪

1380
00:40:08,873 --> 00:40:12,310
♪ THERE'S GOT TO BE MORE

1381
00:40:12,310 --> 00:40:12,710
TO THIS THAN THAT

1382
00:40:12,710 --> 00:40:13,811
JUST WAITING ON A WAR

1383
00:40:13,811 --> 00:40:15,113
FOR THIS AND THAT ♪

1384
00:40:15,113 --> 00:40:16,581
♪ THERE'S GOT TO BE MORE

1385
00:40:16,581 --> 00:40:18,283
TO THIS THAN THAT

1386
00:40:18,283 --> 00:40:19,584
JUST WAITING ON A WAR

1387
00:40:19,584 --> 00:40:21,119
FOR THIS AND THAT ♪

1388
00:40:21,119 --> 00:40:22,620
♪ THERE'S GOT TO BE MORE

1389
00:40:22,620 --> 00:40:24,422
TO THIS THAN THAT

1390
00:40:24,422 --> 00:40:25,623
JUST WAITING ON A WAR

1391
00:40:25,623 --> 00:40:26,624
FOR THIS AND THAT ♪

1392
00:40:26,624 --> 00:40:27,692
♪ THERE'S GOT TO BE MORE

1393
00:40:27,692 --> 00:40:32,964
TO THIS THAN THAT

1394
00:40:32,964 --> 00:40:37,335
BECAUSE I NEED MORE

1395
00:40:37,335 --> 00:40:41,072
YEAH, I NEED MORE ♪

1396
00:40:41,072 --> 00:40:41,572
♪ THAN JUST WAITING

1397
00:40:41,572 --> 00:40:50,548
ON A WAR ♪

1398
00:40:50,548 --> 00:40:52,317
♪ JUST WAITING ON A WAR FOR THIS

1399
00:40:52,317 --> 00:40:53,685
AND THAT ♪

1400
00:40:53,685 --> 00:40:56,387
♪ THERE'S GOT TO BE MORE TO THIS

1401
00:40:56,387 --> 00:40:56,688
THAN THAT ♪

1402
00:40:56,688 --> 00:40:58,456
♪ JUST WAITING ON A WAR ♪