1 00:00:02,306 --> 00:00:07,976 >> Dicky: FROM HOLLYWOOD, IT'S "JIMMY KIMMEL LIVE." 2 00:00:07,976 --> 00:00:10,412 TONIGHT, MICHELLE PFEIFFER, GEORGE LOPEZ, AND MUSIC FROM 3 00:00:10,412 --> 00:36:50,898 ARLO PARKS. AND NOW, JIMMY KIMMEL! 4 00:36:50,898 --> 00:36:53,321 >> Jimmy: HI, EVERYONE. WELL, THANK YOU. I AM JIMMY. 5 00:36:53,321 --> 00:36:55,790 I'M THE HOST. THANKS FOR WATCHING. 6 00:36:55,790 --> 00:36:58,260 THANKS FOR JOINING US. AS WE BARREL INTO THE END OF THE 7 00:36:58,260 --> 00:37:02,998 FIRST MONTH OF 2021. IT OCCURRED TO ME THAT 8 00:37:02,998 --> 00:37:05,734 HINDSIGHT REALLY IS "2020" FOR THE FIRST TIME IN HUMAN HISTORY. 9 00:37:05,734 --> 00:37:06,067 [ LAUGHTER ] 10 00:37:06,067 --> 00:37:08,403 ISN'T THAT SOMETHING, GUILLERMO? 11 00:37:08,403 --> 00:37:11,239 >> Guillermo: YES, JIMMY, YES. 12 00:37:11,239 --> 00:37:13,675 >> Jimmy: HOW ARE YOU DOING? HOW ARE YOU FEELING TODAY? 13 00:37:13,675 --> 00:37:15,844 >> Guillermo: I'M A LITTLE BIT TIRED. 14 00:37:15,844 --> 00:37:18,380 >> Jimmy: YEAH. 15 00:37:18,380 --> 00:37:18,713 [ LAUGHTER ] 16 00:37:18,713 --> 00:37:21,249 IT WAS GUILLERMO'S 50th BIRTHDAY LAST NIGHT. 17 00:37:21,249 --> 00:37:25,153 HE KILLED THREE‐QUARTERS OF A BOTTLE OF DON JULIO. AT WORK. 18 00:37:25,153 --> 00:37:25,654 [ CHEERS AND APPLAUSE ] 19 00:37:25,654 --> 00:37:27,856 DID YOU HAVE MORE AT HOME? 20 00:37:27,856 --> 00:37:29,291 >> Guillermo: NO, JIMMY. 21 00:37:29,291 --> 00:37:30,992 >> Jimmy: WHAT HAPPENED WHEN YOU WENT HOME? 22 00:37:30,992 --> 00:37:35,063 >> Guillermo: WHEN I GOT HOME, THEY WERE WAITING FOR ME, WE CUT 23 00:37:35,063 --> 00:37:36,197 THE CAKE, AND THEN ‐‐ 24 00:37:36,197 --> 00:37:37,432 >> Jimmy: NO FOOD NO DINNER? 25 00:37:37,432 --> 00:37:38,533 >> Guillermo: NO, NO GOOD. 26 00:37:38,533 --> 00:37:40,468 >> Jimmy: WENT RIGHT TO CAKE? 27 00:37:40,468 --> 00:37:42,737 >> Guillermo: YEAH, I COULDN'T EAT ANY MORE. 28 00:37:42,737 --> 00:37:45,774 >> Jimmy: DID YOU AND YOUR WIFE MAKE LOVE OR DID YOU FALL ASLEEP. 29 00:37:45,774 --> 00:37:48,176 [ LAUGHTER ] 30 00:37:48,176 --> 00:37:51,246 >> Guillermo: JIMMY, I FALL ASLEEP, I COULDN'T PERFORM. 31 00:37:51,246 --> 00:37:51,780 >> Jimmy: I PREDICTED IT. 32 00:37:51,780 --> 00:37:54,482 [ LAUGHTER ] 33 00:37:54,482 --> 00:37:59,054 I PREDICTED THAT WAS GOING TO HAPPEN. 34 00:37:59,054 --> 00:38:01,890 >> Guillermo: TONIGHT. 35 00:38:01,890 --> 00:38:02,290 [ LAUGHTER ] 36 00:38:02,290 --> 00:38:05,894 >> Jimmy: GIVE ME AN UPDATE, CALL ME TOMORROW, LET ME KNOW 37 00:38:05,894 --> 00:38:07,028 HOW IT WENT. 38 00:38:07,028 --> 00:38:07,829 >> Guillermo: I'LL FACETIME WITH YOU. 39 00:38:07,829 --> 00:38:08,997 >> Jimmy: THERE IS SNOW ON THE GROUND ACROSS MUCH OF THE 40 00:38:08,997 --> 00:38:13,068 COUNTRY. JUST IN CASE YOU HAVEN'T SEEN 41 00:38:13,068 --> 00:38:15,003 EVERYONE YOU KNOW POSTING THAT ON INSTAGRAM. 42 00:38:15,003 --> 00:38:16,838 THERE'S EVEN BEEN SNOW IN PLACES WHERE IT ALMOST NEVER HAPPENS. 43 00:38:16,838 --> 00:38:18,273 THERE WAS SNOW IN VEGAS, PHOENIX, AND PALM SPRINGS. 44 00:38:18,273 --> 00:38:23,144 WHENEVER I HEAR IT'S SNOWING IN VEGAS, MY FIRST THOUGHT IS "WOW. 45 00:38:23,144 --> 00:38:24,145 CRISS ANGEL HAS DONE IT AGAIN." 46 00:38:24,145 --> 00:38:24,479 [ LAUGHTER ] 47 00:38:24,479 --> 00:38:27,082 IN NORTH CAROLINA, NOT ONLY DO THEY HAVE SNOW ON THE GROUND, 48 00:38:27,082 --> 00:38:30,285 THEY HAVE ALIENS IN THE SKY. OR SOMETHING LIKE THAT. 49 00:38:30,285 --> 00:38:34,556 THIS WAS SEEN JUST OUTSIDE OF CHARLOTTE, A MYSTERIOUS STRING 50 00:38:34,556 --> 00:38:39,527 OF BLUE LIGHTS, A UFO, OR UFOs, NO ONE SEEMS TO KNOW WHAT IT WAS. 51 00:38:39,527 --> 00:38:40,862 WE MAY HAVE TO LURE MIKE PENCE OUT OF RETIREMENT TO BRING IN 52 00:38:40,862 --> 00:38:42,197 THE SPACE FORCE. 53 00:38:42,197 --> 00:38:42,897 [ LAUGHTER ] 54 00:38:42,897 --> 00:38:47,068 I LOVE UFO SIGHTINGS. I KNOW THEY'RE ALMOST ALWAYS 55 00:38:47,068 --> 00:38:50,105 NOTHING, BUT THEY EXCITE ME. IT'S ALSO A GOOD WAY TO FIND OUT 56 00:38:50,105 --> 00:38:51,940 WHEN A STATE FINALLY LEGALIZED WEED. 57 00:38:51,940 --> 00:38:52,273 [ LAUGHTER ] 58 00:38:52,273 --> 00:38:55,009 HERE'S ANOTHER UNEXPLAINED PHENOMENON. 59 00:38:55,009 --> 00:38:57,245 THIS WAS POSTED TO REDDIT WITH THE TITLE "PORCH PIRATE EXPLAINS 60 00:38:57,245 --> 00:39:00,181 HIS JOB." 61 00:39:00,181 --> 00:39:07,222 IT'S VIDEO OF A MAN WHO APPEARS TO BE IN THE ACT OF TAKING A 62 00:39:07,222 --> 00:39:12,394 PACKAGE, AND THIS GUY, I'VE SEEN SOME SMOOTH CRIMINALS IN MY 63 00:39:12,394 --> 00:39:15,363 LIFE, BUT THIS ONE HAS WHAT I BELIEVE WHAT THEY CALL A SILVER 64 00:39:15,363 --> 00:39:21,836 TONGUE. 65 00:39:21,836 --> 00:39:26,941 >> HEY, I WAS JUST ‐‐ I'M WITH U.P.S., UH ‐‐ I'M WITH U. P. S., I 66 00:39:26,941 --> 00:39:28,476 WAS GOING TO BRING TO IT YOUR NEIGHBORS. 67 00:39:28,476 --> 00:39:31,212 WE DO A ROUND EVERY ‐‐ TO EVERYBODY TO MAKE SURE THAT 68 00:39:31,212 --> 00:39:34,082 YOU'RE ‐‐ IF YOU'RE NOT HOME WE'LL TAKE YOUR NEIGHBORS OR 69 00:39:34,082 --> 00:39:36,651 WHATEVER ‐‐ I'M AN AUDITOR FOR U.P.S., SWEAR TO GOD. 70 00:39:36,651 --> 00:39:39,421 [ LAUGHTER ] 71 00:39:39,421 --> 00:39:45,026 >> Jimmy: I ‐‐ I SWEAR TO GOD. ALL THE REAL U. P. S. GUYS SAY 72 00:39:45,026 --> 00:39:47,962 "SWEAR TO GOD" WHEN THEY GO AROUND EVERY PLACE TO MAKE 73 00:39:47,962 --> 00:39:50,567 SURE ‐‐ IF YOU'RE NOT HOME ‐‐ I WATCHED THE VIDEO LIKE 25 TIMES 74 00:39:50,567 --> 00:39:50,932 TODAY. 75 00:39:50,932 --> 00:39:53,501 [ LAUGHTER ] 76 00:39:53,501 --> 00:39:54,669 AND AS UNLIKELY AS IT MIGHT SOUND, WE LOOKED IT UP, AND, 77 00:39:54,669 --> 00:40:00,842 TURNS OUT THIS PACKAGE AUDIT SERVICE IS A REAL U. P. S. THING. 78 00:40:00,842 --> 00:40:04,145 >> AT THE UNITED PARCEL SERVICE, OUR AUDITORS ARE WORKING HARD 79 00:40:04,145 --> 00:40:07,549 FOR YOU. THEY ‐‐ THEY WERE ‐‐ THEY WERE 80 00:40:07,549 --> 00:40:12,287 JUST ‐‐ UGH ‐‐ WITH U. P. S. ‐‐ UH ‐‐ THEY'RE WITH U. P. S. 81 00:40:12,287 --> 00:40:17,358 THEY WERE GOING TO ‐‐ WITH YOUR NEIGHBORS. 82 00:40:17,358 --> 00:40:20,795 THEY GO AROUND EVERY ‐‐ UH ‐‐ TO MAKE SURE THEY'RE NOT HOPE. 83 00:40:20,795 --> 00:40:24,165 THEY'LL TAKE YOUR NEIGHBORS ‐‐ WHATEVER ‐‐ THEY'RE AN AUDITOR 84 00:40:24,165 --> 00:40:26,367 WITH U. P. S., SWEAR TO GOD. 85 00:40:26,367 --> 00:40:29,704 >> I'M AN AUDITOR WITH U. P. S., SWEAR TO GOD. 86 00:40:29,704 --> 00:40:36,945 >> U. P. S. AUDITORS, WE'RE TOTALLY LEGIT. 87 00:40:36,945 --> 00:40:39,447 >> WHAT ARE YOU TRYING TO STEAL? 88 00:40:39,447 --> 00:40:41,549 >> PLEASE DON'T TASE US. 89 00:40:41,549 --> 00:40:41,916 [ LAUGHTER ] 90 00:40:41,916 --> 00:40:45,587 >> Jimmy: IT'S HARD TO BE A PORCH PIRATE NOWADAYS, 91 00:40:45,587 --> 00:40:49,324 EVERYBODY'S AT HOME. PEOPLE ARE HUNKERED DOWN. 92 00:40:49,324 --> 00:40:50,391 AND SMOKING AGAIN. CIGARETTE SALES WERE PLUMMETING 93 00:40:50,391 --> 00:40:51,626 BEFORE THE PANDEMIC, BUT OVER THE PAST YEAR, PEOPLE ARE BACK 94 00:40:51,626 --> 00:40:53,528 UP AND PUFFING. OF COURSE THEY ARE. 95 00:40:53,528 --> 00:40:55,830 YOU GIVE US THIS MUCH TIME TO REWATCH "MAD MEN," WHAT DO YOU 96 00:40:55,830 --> 00:40:56,364 EXPECT IS GOING TO HAPPEN? 97 00:40:56,364 --> 00:40:58,032 [ LAUGHTER ] 98 00:40:58,032 --> 00:41:01,503 THE ONLY THING MORE DANGEROUS THAN SMOKING DURING A PANDEMIC 99 00:41:01,503 --> 00:41:04,639 IS, IT TURNS OUT, SINGING. SINGING. THIS IS INTERESTING. 100 00:41:04,639 --> 00:41:06,674 RESEARCHERS IN JAPAN HAVE DISCOVERED THAT SINGING IN 101 00:41:06,674 --> 00:41:09,878 CERTAIN LANGUAGES SPREADS COVID FASTER THAN OTHERS. 102 00:41:09,878 --> 00:41:12,213 ONE OF THE MOST DANGEROUS LANGUAGES TO SING IN IS GERMAN, 103 00:41:12,213 --> 00:41:13,915 WHICH OF COURSE IT IS. 104 00:41:13,915 --> 00:41:15,350 [ LAUGHTER ] 105 00:41:15,350 --> 00:41:18,253 HAVE YOU EVER HEARD A GERMAN LULLABY? 106 00:41:18,253 --> 00:41:21,890 IT SOUNDS LIKE YOU'RE CALLING IN A BOMB THREAT. 107 00:41:21,890 --> 00:41:24,993 "GUTEN ABEND UND GUTE NACHT!" REMEMBER THAT SONG 108 00:41:24,993 --> 00:41:30,265 "99 LUFT BALLOONS?" BY NENA? EVERYONE WHO HANDLED ONE OF 109 00:41:30,265 --> 00:41:30,765 THOSE BALLOONS IS DEAD. 110 00:41:30,765 --> 00:41:31,900 [ LAUGHTER ] 111 00:41:31,900 --> 00:41:35,003 PEOPLE ARE DEPRESSED. DOCTORS SAY THE PANDEMIC IS 112 00:41:35,003 --> 00:41:38,373 CAUSING A SURGE OF "SEASONAL AFFECTIVE DISORDER." 113 00:41:38,373 --> 00:41:42,110 WHICH IS THE TENDENCY FOR PEOPLE TO FEEL MORE DEPRESSED DURING 114 00:41:42,110 --> 00:41:43,011 WINTER. MAYBE THAT'S HAPPENING BECAUSE 115 00:41:43,011 --> 00:41:50,018 IT'S WINTER. YOU KNOW? IT IS WINTERTIME. 116 00:41:50,018 --> 00:41:51,653 MY NEW PANDEMIC RITUAL, AND I ENCOURAGE YOU TO TRY THIS AT 117 00:41:51,653 --> 00:41:54,289 HOME, EVERY MORNING, I OPEN THE SPICE CABINET, I UNSCREW A JAR 118 00:41:54,289 --> 00:42:02,230 OF NUTMEG AND I TAKE A BIG BREATH, AND THAT'S WHY I'M SO 119 00:42:02,230 --> 00:42:02,730 DELIGHTFUL ALL THE TIME. 120 00:42:02,730 --> 00:42:04,666 [ LAUGHTER ] 121 00:42:04,666 --> 00:42:05,667 THIS MORNING, MY WIFE AND I HAD AN ARGUMENT. 122 00:42:05,667 --> 00:42:07,101 IT'S AN ARGUMENT WE'VE HAD BEFORE. 123 00:42:07,101 --> 00:42:09,003 SHE BELIEVES THAT IF THERE WAS A FIRE, AND I WAS UNCONSCIOUS, SHE 124 00:42:09,003 --> 00:42:12,240 COULD PICK ME UP AND CARRY ME OUT OF THE HOUSE. 125 00:42:12,240 --> 00:42:13,508 [ LAUGHTER ] 126 00:42:13,508 --> 00:42:16,444 AND I KNOW THAT SHE WOULDN'T BE ABLE TO DO THAT, BECAUSE I 127 00:42:16,444 --> 00:42:17,912 WEIGH LIKE 60 MORE POUNDS THAN SHE DOES. 128 00:42:17,912 --> 00:42:23,384 BUT SHE THINKS THE ADRENALINE WOULD KICK IN AND TURN HER INTO 129 00:42:23,384 --> 00:42:27,055 THE HULK OR SOMETHING. SO THIS MORNING I SAID, ALL 130 00:42:27,055 --> 00:42:31,059 RIGHT, LET'S TRY IT. I LAID LIMP ON THE BED. 131 00:42:31,059 --> 00:42:35,063 LIKE GUILLERMO. 132 00:42:35,063 --> 00:42:36,264 [ LAUGHTER AND APPLAUSE ] 133 00:42:36,264 --> 00:42:43,738 I'M LIMP ON THE BED. I LET HER PICK ME UP. 134 00:42:43,738 --> 00:42:44,973 WE BASICALLY HAD A FIRE DRILL. SHE WAS ON TOP OF ME, GRUNTING, 135 00:42:44,973 --> 00:42:49,344 STRAINING, AND TRYING TO SAVE MY LIFE. 136 00:42:49,344 --> 00:42:51,879 FINALLY SHE GETS ME OFF THE BED, ONTO THE GROUND. 137 00:42:51,879 --> 00:42:57,151 DUMPS ME ON THE GROUND. DRAGS ME BY MY PANT LEGS ACROSS 138 00:42:57,151 --> 00:42:58,353 THE WOOD FLOOR. WHILE I PRETENDED TO BE OUT COLD. 139 00:42:58,353 --> 00:43:00,188 THIS WAS AT 9:00 THIS MORNING. 140 00:43:00,188 --> 00:43:00,521 [ LAUGHTER ] 141 00:43:00,521 --> 00:43:06,260 THIS IS WHAT WE WERE DOING. ANYWAY. WHERE WERE WE? 142 00:43:06,260 --> 00:43:06,861 OH, THE MONOLOGUE, YES, OKAY. 143 00:43:06,861 --> 00:43:07,528 [ LAUGHTER ] 144 00:43:07,528 --> 00:43:08,896 ONE OF THE BENEFITS OF A NEW ADMINISTRATION IS THAT WE NOW 145 00:43:08,896 --> 00:43:12,266 HAVE ROOM TO SHINE A LIGHT ON SOME OF THE OTHER BUFFOONS IN 146 00:43:12,266 --> 00:43:16,237 WASHINGTON. MEN LIKE SENATOR LINDSEY GRAHAM, 147 00:43:16,237 --> 00:43:18,740 WHO, DURING AN APPEARANCE ON THE LAURA INGRAHAM SHOW LAST NIGHT, 148 00:43:18,740 --> 00:43:25,413 SEEMED TO GET CAUGHT WITH HIS FINGER IN THE BOOGIE JAR. 149 00:43:25,413 --> 00:43:30,485 >> HERE NOW, SENATOR LINDSEY GRAHAM. 150 00:43:30,485 --> 00:43:35,823 >> Jimmy: WHOA! LET'S TAKE ONE MORE LOOK AT THAT. 151 00:43:35,823 --> 00:43:37,425 YEAH. HE WASN'T PICKING HIS NOSE, HE 152 00:43:37,425 --> 00:43:38,493 WAS JUST IN THERE SEARCHING FOR ELECTION FRAUD. 153 00:43:38,493 --> 00:43:39,093 [ LAUGHTER ] 154 00:43:39,093 --> 00:43:45,400 THIS IS INTERESTING. I'M ACTUALLY SURPRISED BY THIS. 155 00:43:45,400 --> 00:43:50,238 MORE THAN 30,000 REPUBLICAN VOTERS HAVE CHANGED THEIR 156 00:43:50,238 --> 00:43:53,007 REGISTRATION SINCE JANUARY 6th, THE CAPITOL RIOTS. 157 00:43:53,007 --> 00:43:54,776 THEY ACTIVELY EXITED THE PARTY. WHICH MAKES SENSE, BUT THE 158 00:43:54,776 --> 00:43:57,745 UNSETTLING THING IS, DID THEY LEAVE BECAUSE IT'S GETTING TOO 159 00:43:57,745 --> 00:44:01,249 CRAZY, OR BECAUSE IT'S NOT CRAZY ENOUGH? I DON'T KNOW. 160 00:44:01,249 --> 00:44:04,819 IT'S WEIRD THAT THIS WAS THE STRAW THAT BROKE THE CAMEL'S 161 00:44:04,819 --> 00:44:10,391 BACK, AFTER FOUR YEARS OF PRESIDENT RONALD McFONDLE. 162 00:44:10,391 --> 00:44:11,325 BUT IT WAS. 2021 HAS NOT BEEN A GREAT YEAR 163 00:44:11,325 --> 00:44:15,730 FOR DONALD TRUMP SO FAR. THIS IS THE LOBBY OF THE TRUMP 164 00:44:15,730 --> 00:44:19,033 HOTEL IN D. C., SHOT YESTERDAY. TOTALLY VACANT. 165 00:44:19,033 --> 00:44:19,967 LIKE A STROLL THROUGH ERIC'S HEAD. 166 00:44:19,967 --> 00:44:23,738 [ LAUGHTER ] 167 00:44:23,738 --> 00:44:26,541 THERE'S JUST ‐‐ I MEAN, THERE ARE NO CUSTOMERS IN THE HOTEL ‐‐ 168 00:44:26,541 --> 00:44:29,644 OH MY GOODNESS. LOOK. 169 00:44:29,644 --> 00:44:30,278 [ LAUGHTER ] 170 00:44:30,278 --> 00:44:33,081 IS THAT THOSE TWO SWEET LITTLE GIRLS? 171 00:44:33,081 --> 00:44:36,751 OLD DONALD TRUMP HAS BEEN VERY QUIET SINCE TWITTER SAID GO AWAY. 172 00:44:36,751 --> 00:44:41,322 TODAY CONGRESSMAN KEVIN McCARTHY MADE A VISIT TO WHAT APPEARS TO 173 00:44:41,322 --> 00:44:46,394 BE SADDAM HUSSEIN'S WHOREHOUSE ‐‐ OH, NO, WAIT, 174 00:44:46,394 --> 00:44:49,397 THAT'S MAR‐A‐LAGO, TRUMP'S TASTEFULLY DECORATED HOME. 175 00:44:49,397 --> 00:44:55,002 THIS KEVIN McCARTHY, HE MIGHT BE THE WORST McCARTHY EVER. 176 00:44:55,002 --> 00:45:04,779 HE MIGHT BE ON TRUMP'S BAD SIDE 177 00:45:04,779 --> 00:45:08,149 SAYING TRUMP DESERVES SOME OF THE BLAME. 178 00:45:08,149 --> 00:45:14,856 HE SAID, NO, I SAID HE DESERVES A PLANE, NOT THE BLAME. 179 00:45:14,856 --> 00:45:18,893 MATT GAETZ, CONGRESSMAN FROM FLORIDA, WENT TO WYOMING TO LEAD 180 00:45:18,893 --> 00:45:21,963 A RALLY AGAINST LIZ CHENEY, ONE OF THE FEW REPUBLICAN SENATORS 181 00:45:21,963 --> 00:45:25,733 WHO STOOD UP TO TRUMP. HE BROUGHT SERIOUS FIREPOWER 182 00:45:25,733 --> 00:45:31,973 WITH HIM, LIVE SPEAKERPHONE ACTION FROM DJTJ HIMSELF. 183 00:45:31,973 --> 00:45:38,780 >> HOW ABOUT A WORD FROM DONALD TRUMP JR.? THE PEOPLE OF WYOMING. 184 00:45:38,780 --> 00:45:39,680 >> WHAT'S GOING ON, GUYS? 185 00:45:39,680 --> 00:45:46,020 [ CHEERS AND APPLAUSE ] 186 00:45:46,020 --> 00:45:48,890 >> WYOMING, IT SEEMS LIKE BASED ON THE NUMBERS THAT MATT JUST 187 00:45:48,890 --> 00:45:54,362 TALKED ABOUT, IT SEEMS LIKE LIZ CHENEY'S FAVORABLES THERE ARE 188 00:45:54,362 --> 00:45:55,830 ONLY SLIGHTLY WORSE THAN HER FATHER'S SHOOTING SKILLS. 189 00:45:55,830 --> 00:45:58,466 [ CHEERS AND APPLAUSE ] 190 00:45:58,466 --> 00:46:01,435 >> Jimmy: GOOD ONE, JUNIOR. GO TAKE A VICTORY LAP AROUND THE 191 00:46:01,435 --> 00:46:06,240 COUCH. DICK CHENEY WOULD EAT YOU LIKE A 192 00:46:06,240 --> 00:46:08,343 BALLPARK FRANK. 193 00:46:08,343 --> 00:46:08,676 [ LAUGHTER ] 194 00:46:08,676 --> 00:46:10,878 THERE IS A LOT OF INFIGHTING GOING ON THE RIGHT SIDE OF THE 195 00:46:10,878 --> 00:46:14,382 AISLE. THE CHAIR OF THE RNC, RONNA McDANIEL, SAID REPUBLICANS 196 00:46:14,382 --> 00:46:15,616 HAVE TO STOP ATTACKING EACH OTHER, AND GET BACK TO ATTACKING 197 00:46:15,616 --> 00:46:17,619 OUR DEMOCRACY. 198 00:46:17,619 --> 00:46:17,952 [ LAUGHTER ] 199 00:46:17,952 --> 00:46:22,790 SHE ALSO TRIED TO DISTANCE THE PARTY FROM Q‐ANON. 200 00:46:22,790 --> 00:46:25,993 SHE SAID IT'S "BEYOND FRINGE" AND "DANGEROUS." 201 00:46:25,993 --> 00:46:28,896 Q‐ANON IS SO DANGEROUS, IN FACT, REPUBLICANS IN THE HOUSE JUST 202 00:46:28,896 --> 00:46:33,234 PUT THEIR SCREWIEST, Q‐IEST MEMBER ON THE EDUCATION AND 203 00:46:33,234 --> 00:46:34,602 LABOR COMMITTEE, THAT IS, MARJORIE TAYLOR GREENE OF 204 00:46:34,602 --> 00:46:37,738 GEORGIA. IF YOU DON'T KNOW WHO THIS 205 00:46:37,738 --> 00:46:39,607 PERSON IS, I WISH I DIDN'T TOO. SHE IS THE "LADY" WHO, AMONG 206 00:46:39,607 --> 00:46:48,749 OTHER THINGS, CALLED FOR 207 00:46:48,749 --> 00:46:50,284 NANCY PELOSI'S EXECUTION, CALLED FOR JOE BIDEN'S IMPEACHMENT ON 208 00:46:50,284 --> 00:46:52,320 HIS FIRST DAY IN OFFICE, AND BELIEVES OUR FORMER GOVERNOR, 209 00:46:52,320 --> 00:46:55,256 JERRY BROWN, USED SPACE LASERS TO SET THE WILDFIRES HERE. 210 00:46:55,256 --> 00:46:56,390 SHE SAW THE "AUSTIN POWERS" MOVIE AND THOUGHT IT WAS A 211 00:46:56,390 --> 00:46:56,924 DOCUMENTARY. 212 00:46:56,924 --> 00:46:57,658 [ LAUGHTER ] 213 00:46:57,658 --> 00:47:03,898 MARJORIE ALSO CALLED SOME OF THE TERRIBLE SCHOOL SHOOTINGS WE 214 00:47:03,898 --> 00:47:06,400 HAD, "FALSE FLAG" OPERATIONS, MEANING THE PERPETRATORS WEREN'T 215 00:47:06,400 --> 00:47:09,136 WHO WE THINK THEY WERE, AND HERE SHE IS STALKING AND HARASSING A 216 00:47:09,136 --> 00:47:11,606 CHILD, NOT LONG AFTER HE WATCHED HIS FRIENDS GET SLAUGHTERED IN 217 00:47:11,606 --> 00:47:17,511 SCHOOL. 218 00:47:17,511 --> 00:47:23,050 >> YOU WERE PROTECTED BY SECURITY GUARDS WITH GUNS. 219 00:47:23,050 --> 00:47:30,892 YOU KNOW THAT? WHAT PROTECTS A YOU FROM A BAD 220 00:47:30,892 --> 00:47:34,028 GUY WITH A GUN IS A GOOD GUY WITH A GUN. 221 00:47:34,028 --> 00:47:35,062 YOU'RE ATTACKING OUR SECOND AMENDMENT. 222 00:47:35,062 --> 00:47:39,300 YOU HAVE NOTHING TO SAY, NO WORDS. NOTHING TO SAY. SAD. 223 00:47:39,300 --> 00:47:43,871 I'M A GUN OWNER, I'M AN AMERICAN CITIZEN, AND I HAVE NOTHING, BUT 224 00:47:43,871 --> 00:47:48,109 THIS GUY WITH HIS GEORGE SOROS FUNDING AND HIS MAJOR LIBERAL 225 00:47:48,109 --> 00:47:50,478 FUNDING HAS GOT EVERYTHING. I WANT YOU TO THINK ABOUT THAT. 226 00:47:50,478 --> 00:47:52,179 THAT'S WHERE WE ARE. HE'S A COWARD. 227 00:47:52,179 --> 00:47:57,118 >> Jimmy: YEAH, YEAH, THE COWARD SHE'S YELLING AT THERE IS A 228 00:47:57,118 --> 00:48:00,154 TEENAGER, DAVID HOGG, ACTIVIST. SHE REFERRED TO HIM ONLINE AS 229 00:48:00,154 --> 00:48:05,359 LITTLE HITLER. I WONDER HOW IT WOULD GO OVER 230 00:48:05,359 --> 00:48:08,529 WITH FOX NEWS AND TED CRUZ IF NANCY PELOSI CALLED FOR MARJORIE 231 00:48:08,529 --> 00:48:13,801 TAYLOR GREENE TO BE EXECUTED AND CALLED A TEENAGE KID HITLER. 232 00:48:13,801 --> 00:48:15,503 THINK THEY'D HAVE ANYTHING TO SAY? 233 00:48:15,503 --> 00:48:19,006 IT WAS THE OTHER WAY AROUND AND MOST OF THEM HAVE NOTHING TO 234 00:48:19,006 --> 00:48:23,010 SAY, INSTEAD THEY ASSIGNED HER TO THE EDUCATION COMMITTEE. 235 00:48:23,010 --> 00:48:28,883 HOPING SHE WOULD GET ONE? I DON'T KNOW. 236 00:48:28,883 --> 00:48:33,554 THERE ARE A LOT OF MAGA LOONEY TUNES, A LOT OF THEM GOT 237 00:48:33,554 --> 00:48:35,456 ASSIGNED TO COMMITTEES. 238 00:48:35,456 --> 00:48:38,659 >> HAILED AS GROUNDBREAKING, BUT THE CHOICE OF INTERPRETER HAS 239 00:48:38,659 --> 00:48:41,862 MANY PEOPLE SCRATCHING THEIR HEADS TODAY. 240 00:48:41,862 --> 00:48:46,000 >> TODAY'S INTERPRETER, HEATHER, IS JOINING US VIRTUALLY. 241 00:48:46,000 --> 00:48:48,536 >> HEATHER IS A BIG‐TIME TRUMP SUPPORTER. 242 00:48:48,536 --> 00:48:51,372 ♪ YMCA 243 00:48:51,372 --> 00:48:53,908 >> Jimmy: I LIKE THAT. I LIKE THAT SHE HAS TO SAY 244 00:48:53,908 --> 00:48:54,408 WHATEVER JOE BIDEN SAYS. 245 00:48:54,408 --> 00:48:59,347 [ LAUGHTER ] 246 00:48:59,347 --> 00:49:01,282 THEY CREATED A SPECIAL CORNER OF HELL FOR HER. 247 00:49:01,282 --> 00:49:02,883 HAVE YOU BEEN FOLLOWING THIS STORY ABOUT GAMESTOP AND THE 248 00:49:02,883 --> 00:49:09,156 STOCK MARKET? GAMESTOP, IF YOU DON'T KNOW, IS 249 00:49:09,156 --> 00:49:10,424 A VIDEO GAME STORE, AND, LIKE A LOT OF BUSINESSES, THEY'VE BEEN 250 00:49:10,424 --> 00:49:12,560 STRUGGLING BECAUSE OF COVID, BUT ALSO BECAUSE MOST PEOPLE NOW BUY 251 00:49:12,560 --> 00:49:16,897 GAMES ONLINE. AND YET, DESPITE A SHARP DECLINE 252 00:49:16,897 --> 00:49:21,736 IN SALES, OVER THE PAST SIX MONTHS, THEIR STOCK PRICE HAS 253 00:49:21,736 --> 00:49:24,238 GROWN BY 8,000%. BECAUSE A BUNCH OF AMATEUR 254 00:49:24,238 --> 00:49:28,009 INVESTORS, AND MAYBE EVEN SOME RUSSIAN DISRUPTERS, WHO ARE PART 255 00:49:28,009 --> 00:49:32,046 OF A REDDIT COMMUNITY CALLED "WALL STREET BETS" DECIDED TO 256 00:49:32,046 --> 00:49:36,017 BUY A BUNCH OF GAMESTOP STOCK TO DRIVE UP THE PRICE UP, AND SCREW 257 00:49:36,017 --> 00:49:43,057 OVER THE HEDGE FUND GUYS. WHO HAD SHORTED THE STOCK. 258 00:49:43,057 --> 00:49:44,825 NOW THE HEDGE FUND GUYS ARE UPSET AND THEY'RE PUSHING FOR AN 259 00:49:44,825 --> 00:49:46,927 INVESTIGATION. THEY'RE LIKE, "WE CAN'T HAVE A 260 00:49:46,927 --> 00:49:51,265 BUNCH OF RANDOS ON REDDIT MANIPULATING THE MARKET, THAT'S 261 00:49:51,265 --> 00:49:54,035 WHAT WE DO! THEY'RE STEALING OUR THING! 262 00:49:54,035 --> 00:49:55,636 [ LAUGHTER ] 263 00:49:55,636 --> 00:49:57,738 IT'S VERY CONFUSING, BUT I THINK I CAME UP WITH A GOOD ANALOGY. 264 00:49:57,738 --> 00:49:58,973 IT'S BASICALLY LIKE ONE OF THOSE HIGH SCHOOL MOVIES, WHERE ALL 265 00:49:58,973 --> 00:50:00,207 THE POPULAR FOOTBALL PLAYERS BET THAT THE WEIRD GIRL AT SCHOOL 266 00:50:00,207 --> 00:50:05,780 WILL NEVER BECOME PROM QUEEN. AND THEN THE NERDS FIND OUT 267 00:50:05,780 --> 00:50:09,216 AND THEY USE THEIR COMPUTERS TO MAKE THE WEIRD GIRL PROM QUEEN. 268 00:50:09,216 --> 00:50:12,620 THEN THE JOCKS HAVE TO PAY UP. THEN THE GIRL USES HER PSYCHIC 269 00:50:12,620 --> 00:50:14,288 POWERS TO KILL EVERYONE. EXCEPT FREDDIE PRINZE JR. 270 00:50:14,288 --> 00:50:15,056 [ LAUGHTER ] 271 00:50:15,056 --> 00:50:18,526 RIGHT? SOMETHING LIKE THAT. I SAID IT WAS CONFUSING. 272 00:50:18,526 --> 00:50:19,026 [ LAUGHTER ] 273 00:50:19,026 --> 00:50:23,064 FOR MOST PEOPLE IT IS, SO WE GOT IN TOUCH WITH AN EXPERT TO 274 00:50:23,064 --> 00:50:25,533 EXPLAIN IT. AND WE WERE ABLE TO FIND SOMEONE 275 00:50:25,533 --> 00:50:31,839 WHO KNOWS A LOT ABOUT MONEY AND VIDEO GAMES, AND HE'S JOINING US 276 00:50:31,839 --> 00:50:34,775 NOW FROM ‐‐ 277 00:50:34,775 --> 00:50:39,980 >> OH, BUENO SERA! 278 00:50:39,980 --> 00:50:43,784 >> Jimmy: BUENO SERA TO YOU, MARIO. 279 00:50:43,784 --> 00:50:45,286 BY THE WAY, WHAT IS YOUR LAST NAME? 280 00:50:45,286 --> 00:50:45,786 >> LOPEZ. 281 00:50:45,786 --> 00:50:47,221 >> Jimmy: LOPEZ? LIKE MARIO LOPEZ? 282 00:50:47,221 --> 00:50:48,189 >> YES‐A. THAT'S‐A WHY I‐A DON'T‐A USE‐A 283 00:50:48,189 --> 00:50:48,789 LAST NAME. 284 00:50:48,789 --> 00:50:51,292 >> Jimmy: I SEE. MARIO, CAN YOU PLEASE EXPLAIN 285 00:50:51,292 --> 00:50:54,028 THIS GAMESTOP, REDDIT, STOCK MARKET THING TO US? 286 00:50:54,028 --> 00:50:59,433 >> OF‐A COURSE‐A. ISSA LIKE DEES. OKAY? 287 00:50:59,433 --> 00:51:04,371 YOU HAVE‐A A COIN, YES, AND YOU 288 00:51:04,371 --> 00:51:10,177 SAY, HEY, I LIKE‐A THIS COIN, I WANNA MORE‐A COIN. 289 00:51:10,177 --> 00:51:16,016 WHAT YOU DO? YOU JUMP‐A, YOU HOP‐A, YOU HAVE 290 00:51:16,016 --> 00:51:21,655 TWO COINS, HEY? MAYBE WHOLE LOTTA COINS. 291 00:51:21,655 --> 00:51:23,157 MAYBE EVEN‐A HIDDEN‐A COINS. YES? AND YOU LIKE‐A ‐‐ MAMMA MIA, 292 00:51:23,157 --> 00:51:26,694 LOOKIT ALLA DEEZ COINS‐A! 293 00:51:26,694 --> 00:51:29,363 >> Jimmy: YEAH ‐‐ THAT'S NOT REALLY CLEARING IT UP FOR ME. 294 00:51:29,363 --> 00:51:36,003 BUT CAN I ‐‐ IS IT STILL OKAY TO DO AN ITALIAN STEREOTYPE? 295 00:51:36,003 --> 00:51:37,738 IT'S KIND OF INSULTING, NO? 296 00:51:37,738 --> 00:51:40,007 >> INSULTING? NO. I'MA NO INSULTING. 297 00:51:40,007 --> 00:51:44,912 YOU WANT‐A INSULTING, YOU TALK TO MY, BROTHER LUIGI, 298 00:51:44,912 --> 00:51:48,883 HE'S‐A FILTHY. YOU KNOW‐A HOW ITALIA EES ABOOT 299 00:51:48,883 --> 00:51:49,483 SHAPE? 300 00:51:49,483 --> 00:51:51,051 >> Jimmy: YES. 301 00:51:51,051 --> 00:51:53,787 >> HE'S‐A THE DOG‐A POOP‐A THE BOOT‐A A STEPPED IN. 302 00:51:53,787 --> 00:51:55,523 >> Jimmy: THAT SEEMS VERY OFFENSIVE, MARIO. 303 00:51:55,523 --> 00:52:02,329 >> AH. MY DINNER, SHE'S‐A FINISHED. 304 00:52:02,329 --> 00:52:05,900 >> Jimmy: OKAY. 305 00:52:05,900 --> 00:52:08,369 >> BELLISIMA! 306 00:52:08,369 --> 00:52:09,336 >> Jimmy: THAT LOOKS GOOD. WHAT ARE YOU HAVING? 307 00:52:09,336 --> 00:52:10,638 >> EESSA TAGILATELLE CON FUNGHI. EH, MUSHROOM PASTA. 308 00:52:10,638 --> 00:52:15,910 I LOVE‐A MUSHROOMS. MMM. 309 00:52:15,910 --> 00:52:18,913 >> Jimmy: OH, YEAH, YOU'VE GOT TO BE CAREFUL. 310 00:52:18,913 --> 00:52:23,751 >> NO, I FORGET THE MUSHROOMS, THEY MAKE ME GROW BIG! 311 00:52:23,751 --> 00:52:26,587 OH, MY HEAD! 312 00:52:26,587 --> 00:52:31,158 >> Jimmy: YEAH, YOU ARE GETTING BIG, YEAH! 313 00:52:31,158 --> 00:52:33,227 >> MY PASTA, IT'S TINY NOW! 314 00:52:33,227 --> 00:52:39,667 >> Jimmy: OH, OKAY, THANK YOU. 315 00:52:39,667 --> 00:52:43,304 >> BUY BLOCKBUST‐A AT FIVE‐A COINS! TRUST‐A ME! 316 00:52:43,304 --> 00:52:47,374 >> Jimmy: OKAY, THANK YOU, MARIO. ALL RIGHT. THERE YOU GO. 317 00:52:47,374 --> 00:52:51,612 DON'T LISTEN TO LEHMAN BROTHERS OR MARIO BROTHERS. 318 00:52:51,612 --> 00:52:56,917 WE'VE GOT A GOOD SHOW. WE'VE GOT NEW MUSIC FROM ARLO 319 00:52:56,917 --> 00:53:00,521 PARKS AND BE RIGHT BACK WITH MICHELLE CIPHER SO STICK AROUND! 320 00:53:12,166 --> 00:53:12,502 [ CHEERS AND APPLAUSE ] 321 00:53:12,502 --> 00:53:12,866 ♪ 322 00:53:12,866 --> 00:53:16,370 >> Jimmy: WELCOME BACK TO THE SHOW. TONIGHT, FROM THE NEW MOVIE 323 00:53:16,370 --> 00:53:21,475 "NO MAN'S LAND," THE VERY FUNNY GEORGE LOPEZ IS WITH US. 324 00:53:21,475 --> 00:53:24,178 THEN LATER, I BELIEVE YOU WILL LIKE THIS. 325 00:53:24,178 --> 00:53:26,947 SHE IS APPLE MUSIC'S UP NEXT ARTIST, HER DEBUT ALBUM, 326 00:53:26,947 --> 00:53:28,316 "COLLAPSED IN SUNBEAMS," COMES OUT AT MIDNIGHT, MUSIC FROM 327 00:53:28,316 --> 00:53:28,649 ARLO PARKS. 328 00:53:28,649 --> 00:53:31,185 [ CHEERS AND APPLAUSE ] 329 00:53:31,185 --> 00:53:34,989 NEXT WEEK ON THE SHOW, WE'VE GOT NEW SHOWS WITH 330 00:53:34,989 --> 00:53:36,824 MATTHEW McCONAUGHEY, MAGIC JOHNSON, JAMIE DORNAN, 331 00:53:36,824 --> 00:53:43,097 ROBIN WRIGHT, ROBIN ROBERTS, JENNY SLATE, CHEF CHRIS BIANCO, 332 00:53:43,097 --> 00:53:44,331 KATHRYN HAHN, AND WE'LL HAVE MUSIC FROM RYE, ASH‐NEEKO, AND 333 00:53:44,331 --> 00:53:47,901 BAHAMAS FEATURING THE TESKEY BROTHERS. 334 00:53:47,901 --> 00:53:48,469 GOOD STUFF, PLEASE JOIN US. 335 00:53:48,469 --> 00:53:49,203 [ CHEERS AND APPLAUSE ] 336 00:53:49,203 --> 00:53:51,438 YOU KNOW OUR FIRST GUEST FROM MANY EXCELLENT PERFORMANCES IN 337 00:53:51,438 --> 00:53:57,945 MANY EXCELLENT FILMS. SHE IS CURRENTLY RECEIVING RAVE 338 00:53:57,945 --> 00:54:01,181 REVIEWS FOR THIS ONE IN THE MOVIE "FRENCH EXIT." 339 00:54:01,181 --> 00:54:05,919 >> I SPOKE TO YOU ABOUT THIS AS A POSSIBILITY FOR SEVEN YEARS. 340 00:54:05,919 --> 00:54:10,324 AND THEN EVENTUALLITY FOR THREE. WHAT DID YOU THINK WAS GOING TO 341 00:54:10,324 --> 00:54:15,329 HAPPEN, FRANCES? WHAT WAS YOUR PLAN? 342 00:54:15,329 --> 00:54:19,066 >> MY PLAN WAS TO DIE BEFORE THE MONEY RAN OUT. 343 00:54:19,066 --> 00:54:26,674 BUT I KEPT ON KEEPING NOT DYING. AND HERE I AM. 344 00:54:26,674 --> 00:54:28,409 >> Jimmy: "FRENCH EXIT" OPENS IN 345 00:54:28,409 --> 00:54:32,813 THEATERS IN NEW YORK AND L. A. ON FEBRUARY 12th. 346 00:54:32,813 --> 00:54:35,616 PLEASE WELCOME MICHELLE PFEIFFER. 347 00:54:35,616 --> 00:54:36,116 [ CHEERS AND APPLAUSE ] 348 00:54:36,116 --> 00:54:38,419 HELLO, HOW ARE YOU? 349 00:54:38,419 --> 00:54:38,819 >> HI. GOOD. 350 00:54:38,819 --> 00:54:40,054 >> Jimmy: IT'S GREAT TO HAVE YOU ON THE SHOW. 351 00:54:40,054 --> 00:54:43,624 I'VE BEEN WANTING TO TALK TO YOU SINCE "GREASE 2," I THINK. 352 00:54:43,624 --> 00:54:46,994 IT'S LOVELY TO HAVE YOU WITH US. HOW ARE YOU? 353 00:54:46,994 --> 00:54:50,197 >> I'M DOING GREAT. I DON'T UNDERSTAND WHY I HAVEN'T 354 00:54:50,197 --> 00:54:51,965 BEEN ON YOUR SHOW SOONER. 355 00:54:51,965 --> 00:54:53,434 >> Jimmy: I DON'T UNDERSTAND IT EITHER. 356 00:54:53,434 --> 00:54:54,601 I'M ASSUMING YOU DIDN'T WANT TO. 357 00:54:54,601 --> 00:54:56,704 [ LAUGHTER ] 358 00:54:56,704 --> 00:55:00,141 >> NO. I ASSUMED THAT I HADN'T BEEN 359 00:55:00,141 --> 00:55:00,474 INVITED. 360 00:55:00,474 --> 00:55:03,310 >> Jimmy: OH. WELL. BELIEVE ME, HEADS WILL ROLL IF 361 00:55:03,310 --> 00:55:05,079 THAT WAS THE CASE. 362 00:55:05,079 --> 00:55:05,579 [ LAUGHTER ] 363 00:55:05,579 --> 00:55:09,416 ARE YOU HERE IN L. A., OR ARE YOU IN LOCKDOWN WITH EVERYONE ELSE? 364 00:55:09,416 --> 00:55:15,556 >> I'M ‐‐ YEAH I'M IN L. A. I'M HERE IN MY OFFICE. 365 00:55:15,556 --> 00:55:17,626 AND ‐‐ YEAH. I HAVEN'T SEEN THE SUN SINCE 366 00:55:17,626 --> 00:55:17,991 FEBRUARY. 367 00:55:17,991 --> 00:55:21,261 [ LAUGHTER ] 368 00:55:21,261 --> 00:55:25,332 >> Jimmy: YOUR HUSBAND, AND MOST PEOPLE KNOW, IS DAVID E. KELLY, 369 00:55:25,332 --> 00:55:28,502 THE GREAT WRITER, PRODUCER, ET CETERA. 370 00:55:28,502 --> 00:55:32,139 I WAS WONDERING, HAVE YOU AND DAVID EVER BEEN IN A SITUATION 371 00:55:32,139 --> 00:55:34,675 WHERE HE LAID ON THE BED AND PRETENDED TO BE UNCONSCIOUS, 372 00:55:34,675 --> 00:55:40,348 THEN YOU TRIED TO DRAG HIM BY HIS FEET TO SAFETY? 373 00:55:40,348 --> 00:55:40,681 [ LAUGHTER ] 374 00:55:40,681 --> 00:55:41,415 >> UM ‐‐ NO, ACTUALLY. 375 00:55:41,415 --> 00:55:42,249 >> Jimmy: NO? 376 00:55:42,249 --> 00:55:44,518 >> I DON'T THINK WE'VE EVER TRIED THAT. 377 00:55:44,518 --> 00:55:44,852 [ LAUGHTER ] 378 00:55:44,852 --> 00:55:46,653 >> Jimmy: DON'T YOU THINK IT'S TIME? 379 00:55:46,653 --> 00:55:48,655 >> YEAH, AND HOW DID THAT WORK OUT FOR YOU? 380 00:55:48,655 --> 00:55:52,559 >> Jimmy: WELL, I MADE IT. I THINK I ‐‐ I FEEL LIKE, 381 00:55:52,559 --> 00:55:55,562 ACTUALLY, I'LL SUSTAIN MORE INJURIES FROM THE RESCUE EFFORT. 382 00:55:55,562 --> 00:55:56,764 >> EXACTLY. 383 00:55:56,764 --> 00:55:58,499 >> Jimmy: THAN I WILL FROM WHATEVER'S GOING ON. 384 00:55:58,499 --> 00:56:00,868 >> YEAH, I HAD A FEELING, I HAD A FEELING. 385 00:56:00,868 --> 00:56:04,938 >> Jimmy: YEAH. YOU GREW UP IN ORANGE COUNTY NOT 386 00:56:04,938 --> 00:56:06,807 SO FAR FROM DISNEYLAND, RIGHT? 387 00:56:06,807 --> 00:56:07,808 >> CORRECT, YES. 388 00:56:07,808 --> 00:56:10,077 >> Jimmy: WHEN YOU ‐‐ I WONDER THIS. 389 00:56:10,077 --> 00:56:13,247 PEOPLE ALWAYS ASK ME THIS, I GREW UP IN LAS VEGAS, OH DID YOU 390 00:56:13,247 --> 00:56:18,919 GO TO THE CASINOS? DID YOU GO TO DISNEYLAND A LOT, 391 00:56:18,919 --> 00:56:19,920 LIVING NEAR DISNEYLAND? 392 00:56:19,920 --> 00:56:21,555 >> NOT SO MUCH WHEN I WAS LITTLE. 393 00:56:21,555 --> 00:56:24,625 BUT WHEN MY KIDS WHO WERE SMALL, WE WENT QUITE A BIT. 394 00:56:24,625 --> 00:56:27,628 ACTUALLY, I DID GO AS A TEENAGER. 395 00:56:27,628 --> 00:56:30,364 PEOPLE USED TO GO THERE DANCING. YOUR PARENTS ALWAYS FELT LIKE IT 396 00:56:30,364 --> 00:56:36,637 WAS A SAFE PLACE TO LET YOU GO. BECAUSE IT WAS DISNEYLAND. 397 00:56:36,637 --> 00:56:41,008 SO WE DID THAT. AND MY SISTER ACTUALLY WORKED AT 398 00:56:41,008 --> 00:56:42,643 DISNEYLAND. AND ACTUALLY, FOLKLORE IS 399 00:56:42,643 --> 00:56:45,145 ACTUALLY THAT I WORKED AT DISNEYLAND, BUT I DID NOT. 400 00:56:45,145 --> 00:56:47,948 >> Jimmy: YOU DID NOT WORK AT DISNEYLAND, YOUR SISTER WORKED 401 00:56:47,948 --> 00:56:50,350 THERE. WAS SHE ABLE TO LET YOU IN FREE? 402 00:56:50,350 --> 00:56:55,889 >> YES. DEEDEE PFEIFFER. 403 00:56:55,889 --> 00:56:58,626 SHE WAS A GORILLA IN THE PARADE, I BELIEVE. 404 00:56:58,626 --> 00:56:58,959 [ LAUGHTER ] 405 00:56:58,959 --> 00:56:59,359 >> Jimmy: REALLY? 406 00:56:59,359 --> 00:57:02,496 >> UH‐HUH. 407 00:57:02,496 --> 00:57:04,398 >> Jimmy: THERE'S MY SISTER, THE GORILLA! 408 00:57:04,398 --> 00:57:04,798 >> THAT'S RIGHT. 409 00:57:04,798 --> 00:57:08,001 >> Jimmy: WELL, THAT'S FUNNY. AND BY THE WAY, AND SHE IS ON 410 00:57:08,001 --> 00:57:09,937 DAVID'S NEW SHOW HERE ON ABC. 411 00:57:09,937 --> 00:57:15,042 >> SHE IS. AND SHE'S HILARIOUS IN IT, I 412 00:57:15,042 --> 00:57:15,476 LOVE HER CHARACTER. 413 00:57:15,476 --> 00:57:18,512 >> Jimmy: THAT'S SOMETHING. THAT'S GOT TO BE WEIRD, A LITTLE 414 00:57:18,512 --> 00:57:22,549 BIT WEIRD, WHEN YOUR HUSBAND AND YOUR SISTER ARE WORKING 415 00:57:22,549 --> 00:57:24,818 TOGETHER, AND HE COULD POTENTIALLY KILL HER OFF. 416 00:57:24,818 --> 00:57:26,620 >> YEAH. HE COULD POTENTIALLY KILL HER 417 00:57:26,620 --> 00:57:27,754 OFF. HE HAS BEEN KNOWN TO DO THAT. 418 00:57:27,754 --> 00:57:30,090 [ LAUGHTER ] 419 00:57:30,090 --> 00:57:32,726 ON OCCASION. SO SHE'S PREPARED. 420 00:57:32,726 --> 00:57:35,829 >> Jimmy: I HOPE YOU DON'T MIND ME SHOWING THIS, BUT I SAW A 421 00:57:35,829 --> 00:57:41,401 COUPLE OF PAINTINGS THAT YOU DID, OIL PAINTINGS THAT YOU DID 422 00:57:41,401 --> 00:57:43,804 ON INSTAGRAM. I THINK THEY'RE VERY GOOD. 423 00:57:43,804 --> 00:57:44,137 [ APPLAUSE ] 424 00:57:44,137 --> 00:57:47,076 THIS IS A SELF‐PORTRAIT. AND THIS IS A SELF‐PORTRAIT AS 425 00:57:47,076 --> 00:57:47,441 WELL. 426 00:57:47,441 --> 00:57:50,110 [ APPLAUSE ] 427 00:57:50,110 --> 00:57:51,778 PEOPLE ARE CLAPPING FOR PAINTINGS HERE IN THE ROOM. 428 00:57:51,778 --> 00:57:54,248 [ LAUGHTER ] 429 00:57:54,248 --> 00:57:58,118 IS THAT SOMETHING ‐‐ I CAN'T IMAGINE THAT YOU HAVE ALL THIS 430 00:57:58,118 --> 00:58:01,455 TALENT AND JUST DISCOVERED IT. IS THIS SOMETHING THAT YOU HAVE 431 00:58:01,455 --> 00:58:04,424 ALWAYS BEEN GOOD AT? 432 00:58:04,424 --> 00:58:07,828 >> IT'S SOMETHING I'VE BEEN DOING SINCE I WAS IN ABOUT SIXTH 433 00:58:07,828 --> 00:58:12,833 GRADE. BUT REALLY SPORADICALLY. AND THEN PROBABLY FOR THE LAST 434 00:58:12,833 --> 00:58:15,402 20 YEARS, I'VE BEEN MORE CONSISTENT WITH THE PAINTING. 435 00:58:15,402 --> 00:58:19,873 AND I HAVE TO SAY, I HAD NO DESIRE TO DO A SELF‐PORTRAIT. 436 00:58:19,873 --> 00:58:22,743 I MEAN, THAT'S KIND OF TERRIFYING, TO STUDY YOUR FACE 437 00:58:22,743 --> 00:58:25,112 LIKE THAT. BECAUSE WE DON'T REALLY LOOK 438 00:58:25,112 --> 00:58:27,047 LIKE WE THINK WE LOOK, YOU KNOW? 439 00:58:27,047 --> 00:58:28,515 >> Jimmy: RIGHT. 440 00:58:28,515 --> 00:58:31,585 >> AND WE'RE A BIT DELUSIONAL IN THAT WAY. 441 00:58:31,585 --> 00:58:37,791 BUT I WAS TAKING A CLASS. AND IT WAS A PORTRAIT CLASS. 442 00:58:37,791 --> 00:58:40,394 WELL, I DIDN'T REALIZE IT WAS MY PORTRAIT THAT I WAS GOING TO 443 00:58:40,394 --> 00:58:40,994 HAVE TO PAINT. 444 00:58:40,994 --> 00:58:41,662 >> Jimmy: I SEE. 445 00:58:41,662 --> 00:58:46,066 >> ANYWAY, BUT I KIND OF ‐‐ I KIND OF REALLY LIKE IT. 446 00:58:46,066 --> 00:58:50,604 THE SETUP IS CHALLENGING. IT'S REALLY HARD TO GET THE 447 00:58:50,604 --> 00:58:55,042 SETUP RIGHT. BUT IT'S A BIT FRUSTRATING, BUT 448 00:58:55,042 --> 00:58:55,943 IT'S KIND OF FUN. 449 00:58:55,943 --> 00:58:57,878 >> Jimmy: ARE YOU LOOKING AT YOURSELF IN THE MIRROR? 450 00:58:57,878 --> 00:59:00,480 ARE YOU GOING FROM A PHOTOGRAPH, OR WHAT? 451 00:59:00,480 --> 00:59:02,316 >> NO, YOU'RE LOOKING IN THE MIRROR. 452 00:59:02,316 --> 00:59:06,253 YOU CERTAINLY CAN DO IT FROM A PHOTOGRAPH. 453 00:59:06,253 --> 00:59:06,853 BUT ‐‐ THAT WOULD BE TOO EASY. 454 00:59:06,853 --> 00:59:08,455 >> Jimmy: RIGHT. 455 00:59:08,455 --> 00:59:11,692 >> SO YOU HAVE YOUR CANVAS IN FRONT OF YOU, THEN YOU CAN 456 00:59:11,692 --> 00:59:15,562 EITHER HAVE THE MIRROR TO THE SIDE OR THE MIRROR RIGHT ABOVE. 457 00:59:15,562 --> 00:59:18,999 THEN YOU'VE GOT TO STAND IN THE SAME EXACT PLACE, THE LIGHTING 458 00:59:18,999 --> 00:59:19,866 HAS TO BE EXACTLY THE SAME. 459 00:59:19,866 --> 00:59:22,235 >> Jimmy: I SEE, ALL RIGHT, YEAH. WOW, HOW ABOUT THAT. 460 00:59:22,235 --> 00:59:23,937 WHO KNEW YOU COULD DO THIS? 461 00:59:23,937 --> 00:59:25,205 >> WHO KNEW? 462 00:59:25,205 --> 00:59:25,706 >> Jimmy: YEAH. 463 00:59:25,706 --> 00:59:26,740 >> WHO KNEW? 464 00:59:26,740 --> 00:59:29,376 >> Jimmy: IT'S ALMOST AS IF SOMEONE JUST SAID, YOU KNOW, YOU 465 00:59:29,376 --> 00:59:33,147 COULD BE AN ARTIST BUT YOU'RE TOO ATTRACTIVE FOR THAT. 466 00:59:33,147 --> 00:59:33,480 [ LAUGHTER ] 467 00:59:33,480 --> 00:59:35,882 THIS MOVIE IS CALLED "FRENCH EXIT," WHICH SOUNDS LIKE A MAGIC 468 00:59:35,882 --> 00:59:42,522 TRICK. "THE FRENCH EXIT." WHEN YOU READ A CHARACTER LIKE 469 00:59:42,522 --> 00:59:47,594 THE CHARACTER YOU PLAY IN THIS MOVIE, WHO IS FUNNY AND VICIOUS, 470 00:59:47,594 --> 00:59:51,732 IS THAT LIKE ‐‐ DOES THAT GET YOU EXCITED, KNOWING ‐‐ 471 00:59:51,732 --> 00:59:52,065 >> YES. 472 00:59:52,065 --> 00:59:54,935 >> Jimmy: YEAH, THAT IS SOMETHING THAT STILL EXCITES YOU? 473 00:59:54,935 --> 01:00:00,107 >> YEAH, IT'S ALWAYS EXCITING TO PLAY SOMETHING THAT YOU DO NOT 474 01:00:00,107 --> 01:00:04,678 ALLOW YOURSELF TO DO IN REAL LIFE. 475 01:00:04,678 --> 01:00:07,414 >> Jimmy: SPEAKING OF GREAT WRITING, LET'S SHOW THE CLIP 476 01:00:07,414 --> 01:00:09,082 THAT WE HAVE, BECAUSE I WOULD 477 01:00:09,082 --> 01:00:17,724 LIKE TO ASK YOU ABOUT THIS. 478 01:00:17,724 --> 01:00:19,292 ♪ AS I WALK THROUGH THE VALLEY 479 01:00:19,292 --> 01:00:21,261 OF THE SHADOW OF DEATH ♪ 480 01:00:21,261 --> 01:00:22,763 ♪ I TAKE A LOOK AT MY LIFE AND 481 01:00:22,763 --> 01:00:24,331 REALIZE THERE'S MUCH LEFT ♪ 482 01:00:24,331 --> 01:00:26,800 ♪ BECAUSE I BEEN LAUGHING SO 483 01:00:26,800 --> 01:00:31,304 LONG THAT EVEN MY MAMA THINKS MY MIND IS GONE ♪ 484 01:00:31,304 --> 01:00:33,674 [ CHEERS AND APPLAUSE ] 485 01:00:33,674 --> 01:00:36,677 >> Jimmy: THAT'S YOU AND KULIO. 486 01:00:36,677 --> 01:00:37,544 >> I LOVE THAT SONG. 487 01:00:37,544 --> 01:00:38,679 >> Jimmy: IT'S A GREAT SONG. 488 01:00:38,679 --> 01:00:41,014 >> SO GOOD. IT'S SO GOOD. 489 01:00:41,014 --> 01:00:42,983 >> Jimmy: DID YOU KNOW GOING IN IT WAS GOING TO BE GOOD? 490 01:00:42,983 --> 01:00:47,521 OR DID YOU JUST AGREE TO DO IT BECAUSE IT WAS ON THE SOUNDTRACK? 491 01:00:47,521 --> 01:00:51,091 >> I JUST AGREED TO DO IT BECAUSE IT WAS ON THE SOUNDTRACK. 492 01:00:51,091 --> 01:00:51,425 [ LAUGHTER ] 493 01:00:51,425 --> 01:00:51,925 >> Jimmy: REALLY? 494 01:00:51,925 --> 01:00:53,760 >> YEAH. I DON'T KNOW THAT I HAD EVEN 495 01:00:53,760 --> 01:00:55,962 HEARD IT BEFORE THAT. BECAUSE ‐‐ YEAH. 496 01:00:55,962 --> 01:00:58,765 >> Jimmy: HAD YOU HEARD KULIO BEFORE THAT? 497 01:00:58,765 --> 01:01:01,802 I DON'T THINK ANY OF US HAD HEARD OF KULIO BEFORE THAT. 498 01:01:01,802 --> 01:01:04,638 >> NO, NO. I'D NEVER DONE A VIDEO BEFORE. 499 01:01:04,638 --> 01:01:09,009 I WAS LIKE, WHAT, ARE YOU CRAZY? WHO WANTS ME IN A VIDEO? 500 01:01:09,009 --> 01:01:11,511 IT SOUNDED LIKE THE WEIRDEST THING. 501 01:01:11,511 --> 01:01:15,082 >> Jimmy: I WAS WONDERING. BECAUSE TO GET YOU IN THAT 502 01:01:15,082 --> 01:01:17,317 VIDEO, IT SEEMS LIKE IT WAS A HUGE DEAL. 503 01:01:17,317 --> 01:01:22,089 THEN TO HAVE SOMEBODY, AN ARTIST THAT NO ONE HAD EVER HEARD OF 504 01:01:22,089 --> 01:01:25,459 BEFORE. AND HIS NAME IS KULIO, WHICH 505 01:01:25,459 --> 01:01:27,061 COULD GO THE WRONG WAY ALSO. 506 01:01:27,061 --> 01:01:27,394 [ LAUGHTER ] 507 01:01:27,394 --> 01:01:30,297 YOU NEVER KNOW. YOU'RE IN WITH KULIO. 508 01:01:30,297 --> 01:01:31,298 DO YOU KEEP IN TOUCH? 509 01:01:31,298 --> 01:01:32,499 >> NO, WE DON'T, NO. 510 01:01:32,499 --> 01:01:33,400 >> Jimmy: THAT MAKES ME VERY SAD. 511 01:01:33,400 --> 01:01:36,636 [ LAUGHTER ] 512 01:01:36,636 --> 01:01:39,506 YOU KNOW, THERE'S STILL TIME. LIFE IS SO SHORT. 513 01:01:39,506 --> 01:01:44,111 I THINK THIS PERIOD OF COVID HAS MAZE US REALIZE ‐‐ 514 01:01:44,111 --> 01:01:45,278 >> THAT'S TRUE. 515 01:01:45,278 --> 01:01:48,515 >> Jimmy: WE SHOULD REACH OUT TO THOSE WE HAVEN'T SEEN. 516 01:01:48,515 --> 01:01:48,849 [ LAUGHTER ] 517 01:01:48,849 --> 01:01:53,887 >> I KNOW, AND I JUST SAW GEORGE CLOONEY WHO I HADN'T SEEN IN GOD 518 01:01:53,887 --> 01:01:55,355 KNOWS HOW MANY YEARS, WHO KNOWS. 519 01:01:55,355 --> 01:01:57,257 >> Jimmy: HE'S PRACTICALLY THE SAME GUY. 520 01:01:57,257 --> 01:01:57,591 [ LAUGHTER ] 521 01:01:57,591 --> 01:02:00,060 WELL, THANK YOU SO MUCH. I HOPE TO SEE YOU IN PERSON 522 01:02:00,060 --> 01:02:02,262 SOMETIME. "FRENCH EXIT" IS THE NEW MOVIE. 523 01:02:02,262 --> 01:02:05,999 IT OPENS IN NEW YORK AND L. A. ON FEBRUARY 12th. 524 01:02:05,999 --> 01:02:07,801 MICHELLE PFEIFFER. THANK YOU, MICHELLE. 525 01:02:07,801 --> 01:02:08,635 >> THANK YOU! 526 01:02:08,635 --> 01:02:10,003 >> Jimmy: WE'LL BE RIGHT BACK WITH GEORGE LOPEZ. 527 01:02:10,003 --> 01:02:13,473 >> Dicky: PORTIONS OF JIMMY KIMMEL ARE BROUGHT TO YOU BY 528 01:02:13,473 --> 01:02:15,308 MERCARI. YOUR MARKETPLACE FOR BUYING AND 529 01:02:15,308 --> 01:02:17,577 SELLING ALMOST ANYTHING. FIND US AT MERCARI.COM OR ON THE 530 01:02:17,577 --> 01:02:18,411 APP STORES. 531 01:02:28,324 --> 01:02:28,688 ♪ 532 01:02:28,688 --> 01:02:31,158 [ CHEERS AND APPLAUSE ] 533 01:02:31,158 --> 01:02:32,526 >> Jimmy: WELCOME BACK. MUSIC FROM ARLO PARKS IS COMING 534 01:02:32,526 --> 01:02:36,163 UP. OUR NEXT GUEST IS AN OLD PAL WITH A NEW MOVIE, AND EVEN HIS 535 01:02:36,163 --> 01:02:37,898 OWN LINE OF QUALITY SALSAS. "NO MAN'S LAND" IS IN THEATRES, 536 01:02:37,898 --> 01:02:42,269 DIGITAL PLATFORMS, AND V. O. D. 537 01:02:42,269 --> 01:02:48,975 PLEASE WELCOME GEORGE LOPEZ. 538 01:02:48,975 --> 01:02:49,476 [ CHEERS AND APPLAUSE ] 539 01:02:49,476 --> 01:02:49,876 >> Jimmy: GEORGE? 540 01:02:49,876 --> 01:02:50,410 >> HOW ARE YOU, BROTHER? 541 01:02:50,410 --> 01:02:54,181 >> Jimmy: GOOD. I LIKE THE WAY YOUR HAIR LOOKS 542 01:02:54,181 --> 01:02:54,514 RIGHT NOW. 543 01:02:54,514 --> 01:02:55,215 >> OH, THANK YOU. 544 01:02:55,215 --> 01:02:59,319 >> Jimmy: THANK YOU FOR FILLING IN FOR ME OVER THE SUMMER AS 545 01:02:59,319 --> 01:03:00,153 HOST OF THE SHOW. 546 01:03:00,153 --> 01:03:02,155 >> THE NEIGHBORHOOD WAS A LITTLE DICEY, MAN. 547 01:03:02,155 --> 01:03:03,990 >> Jimmy: LET'S LOOK AT YOUR HAIR FROM THAT NIGHT WHEN YOU 548 01:03:03,990 --> 01:03:05,292 WERE ON THE SHOW. 549 01:03:05,292 --> 01:03:05,625 [ LAUGHTER ] 550 01:03:05,625 --> 01:03:10,030 YOU HAD A FULL BLOND, BEAUTIFUL BLOND HEAD OF HAIR. 551 01:03:10,030 --> 01:03:13,633 LIKE ZACH FROM "SAVED BY THE BELL." 552 01:03:13,633 --> 01:03:16,937 >> YOU KNOW, THAT NEIGHBORHOOD, YOU DON'T WANT TO BE A BLOND 553 01:03:16,937 --> 01:03:18,939 CHICANO WALKING AROUND THAT PLACE. 554 01:03:18,939 --> 01:03:19,272 [ LAUGHTER ] 555 01:03:19,272 --> 01:03:21,341 >> Jimmy: DID YOU DO THAT YOURSELF? 556 01:03:21,341 --> 01:03:27,447 >> WELL, YOU KNOW, I HAD ROBERT RAMOS WHO DOES JESSICA ALBA, 557 01:03:27,447 --> 01:03:30,283 KELLY CLARKSON, HE'S A CHICANO DUDE. 558 01:03:30,283 --> 01:03:33,286 HE WAS LIKE, IF IT FEELS LIKE IT'S BURNING, LET ME KNOW. 559 01:03:33,286 --> 01:03:37,324 I'M LIKE, ROBERT, MAN, IT FEELS LIKE MY WHOLE HEAD'S ON FIRE. 560 01:03:37,324 --> 01:03:40,493 HE'S LIKE, OH, GOOD, I DIDN'T THINK IT WAS WORKING, AND HE 561 01:03:40,493 --> 01:03:42,396 WALKS OFF. 562 01:03:42,396 --> 01:03:42,729 [ LAUGHTER ] 563 01:03:42,729 --> 01:03:46,933 ALL MY AUNTS DID IT AND I WAS THE GUY WHO KEPT THE TIME, 564 01:03:46,933 --> 01:03:49,369 BECAUSE THEY WOULD SAY, YOU KNOW, HEY, GEORGIE, IN THREE 565 01:03:49,369 --> 01:03:53,039 MORE SONGS, TELL ME, BECAUSE I GOT TO WASH THIS OFF. 566 01:03:53,039 --> 01:03:58,245 THEN YOU WOULD FORGET. THEY WOULD SAY, IS "JUDGE JUDY" 567 01:03:58,245 --> 01:04:00,413 OVER? YEAH, IT WAS OVER HALF AN HOUR 568 01:04:00,413 --> 01:04:02,249 AGO. THEN THEY'D RUN TO THE YARD AND 569 01:04:02,249 --> 01:04:05,319 DOUSE THEMSELVES WITH THE HOSE. 570 01:04:05,319 --> 01:04:05,652 [ LAUGHTER ] 571 01:04:05,652 --> 01:04:08,121 >> Jimmy: THEY'D MEASURE BY SONGS? 572 01:04:08,121 --> 01:04:14,060 >> YEAH, WHEN "ALWAYS AND FOREVER" IS OVER BECAUSE I'LL 573 01:04:14,060 --> 01:04:15,328 BURN MY HAIR. 574 01:04:15,328 --> 01:04:17,764 >> Jimmy: A LITERAL HEAT WAVE GOING ON IN THEIR HEAD. 575 01:04:17,764 --> 01:04:21,568 WHEN YOU WERE A KID, YOU LOVED FREDDIE PRINZE, RIGHT? 576 01:04:21,568 --> 01:04:24,271 I MENTIONED FREDDIE PRINZE JR. A MINUTE AGO. 577 01:04:24,271 --> 01:04:26,273 YOU LOVED HIM, HE WAS YOUR IDOL? 578 01:04:26,273 --> 01:04:28,742 >> YOU KNOW, IT WAS THE ONLY TIME IN MY LIFE THAT I SAW 579 01:04:28,742 --> 01:04:32,746 SOMEBODY FOR THE FIRST TIME, I THINK I SAW HIM ON "THE TONIGHT 580 01:04:32,746 --> 01:04:34,249 SHOW WITH JOHNNY CARSON," AND I FELL IN LOVE IMMEDIATELY WITH 581 01:04:34,249 --> 01:04:34,614 HIM. 582 01:04:34,614 --> 01:04:37,350 >> Jimmy: YOU DID. AND HE WAS ‐‐ I LOVED HIM TOO. 583 01:04:37,350 --> 01:04:39,619 AND I LOVED CHICO AND THE MAN. I LOVED THAT SHOW. 584 01:04:39,619 --> 01:04:43,857 YOU MUST HAVE BEEN VERY YOUNG WHEN HE ENDED HIS LIFE, RIGHT? 585 01:04:43,857 --> 01:04:44,424 HOW OLD WERE YOU? 586 01:04:44,424 --> 01:04:50,563 >> I WAS ‐‐ I THINK I WAS ‐‐ 17? 16? I WAS IN TENTH GRADE. 587 01:04:50,563 --> 01:04:50,964 >> Jimmy: RIGHT. 588 01:04:50,964 --> 01:04:54,668 >> AND THAT MORNING I WAS PRETTY MUCH IN SHOCK, VERY EMOTIONAL. 589 01:04:54,668 --> 01:04:58,271 MY GRANDMOTHER HAD NEVER SEEN MY EMOTIONAL. WHAT'S THE MATTER? 590 01:04:58,271 --> 01:05:01,908 I'M LIKE, FREDDIE PRINZE DIED. SHE'S LIKE, YOU'RE CRYING FOR 591 01:05:01,908 --> 01:05:05,647 THAT? YOU DON'T EVEN KNOW HIM. I'M LIKE, I DON'T KNOW, I LOVE 592 01:05:05,647 --> 01:05:06,012 HIM. 593 01:05:06,012 --> 01:05:08,748 >> Jimmy: SHE WAS A TOUGH LADY, YOUR GRANDMOTHER, I REMEMBER YOU 594 01:05:08,748 --> 01:05:12,085 TALKING ABOUT HER, VERY TOUGH. YOU LOVED HIM, YOU WERE A 595 01:05:12,085 --> 01:05:14,154 TEENAGER, AND HE WAS GONE. IS IT SOMETHING YOU WOULD GO 596 01:05:14,154 --> 01:05:16,623 BACK AND WATCH VIDEOS? I MEAN, WE DIDN'T EVEN ‐‐ 597 01:05:16,623 --> 01:05:20,193 >> YEAH, I WAS WATCHING CHICO AND THE MAN, THEY TRIED TO 598 01:05:20,193 --> 01:05:25,465 REPLACE HIM WITH A DUDE THEY FOUND ON ALVARO STREET THAT 599 01:05:25,465 --> 01:05:26,266 DIDN'T WORK. 600 01:05:26,266 --> 01:05:26,599 [ LAUGHTER ] 601 01:05:26,599 --> 01:05:28,868 YOU'RE TRAUMATIZED BY THE DEATH OF THIS GUY. 602 01:05:28,868 --> 01:05:32,439 IT'S LIKE SOMETHING YOU CAN'T SHARE WITH YOUR FRIENDS. 603 01:05:32,439 --> 01:05:38,445 WHEN MEXICANS GET DRUNK, 50th BIRTHDAY PARTY, YOU START 604 01:05:38,445 --> 01:05:44,484 DRINKING, YOU START CRYING. WHAT ARE YOU CRYING ABOUT? 605 01:05:44,484 --> 01:05:47,754 GUILLERMO'S 50th BIRTHDAY! IT AFFECTED ME EMOTIONALLY. 606 01:05:47,754 --> 01:05:49,956 I WOULD GO TO FOREST LAWN AND VISIT HIS CRYPT. 607 01:05:49,956 --> 01:05:53,793 AND I WOULD JUST KIND OF GO THERE, I DON'T KNOW, LIKE SOME 608 01:05:53,793 --> 01:05:56,730 WEIRD DUDE GOING TO SEE SOME CRYPT. 609 01:05:56,730 --> 01:06:01,334 >> Jimmy: WOW, YOU'D SIT AT HIS GRAVE? WOULD YOU BRING FLOWERS OR 610 01:06:01,334 --> 01:06:01,835 ANYTHING? 611 01:06:01,835 --> 01:06:03,536 >> I'D TAKE FLOWERS AND TALK TO HIM. 612 01:06:03,536 --> 01:06:05,705 ONE TIME I WAS LEANING INTO THE HEADSTONE THERE. 613 01:06:05,705 --> 01:06:10,110 AND THE HEADSTONE WAS ‐‐ I NOTICED THAT IT WAS A LITTLE BIT 614 01:06:10,110 --> 01:06:14,247 LOOSE, YOU KNOW, A LITTLE BIT ‐‐ LIKE IT SHOOK A LITTLE BIT. 615 01:06:14,247 --> 01:06:16,249 >> Jimmy: OH. 616 01:06:16,249 --> 01:06:21,588 >> SO I WOULD JUST GO, HEY, AND I WOULD JAR IT BACK AND FORTH. 617 01:06:21,588 --> 01:06:26,459 AND THEN I'D LOOK AROUND, GO OVER THERE, SNAP THAT THING OFF. 618 01:06:26,459 --> 01:06:31,531 SO NOW I HAVE THIS FREDDIE PRINZE HEADSTONE THAT SAYS 619 01:06:31,531 --> 01:06:34,434 "PSALMS 23, WE LOVE YOU, FREDDIE PRINZE." 620 01:06:34,434 --> 01:06:35,468 I'M HOLDING IT, WHAT THE 621 01:06:35,468 --> 01:06:35,835 [ BLEEP ]? 622 01:06:35,835 --> 01:06:39,973 I HAVE THIS THING, PUT IT IN THE BACK OF MY PANTS, I TRY TO WALK 623 01:06:39,973 --> 01:06:42,742 OUT OF FOREST LAWN WITH IT. BUT ANY TIME YOU'RE TRYING TO BE 624 01:06:42,742 --> 01:06:46,579 SEEN, NOBODY WALKS COOL. YOU'RE WALKING, YOU KNOW, 625 01:06:46,579 --> 01:06:49,182 PRETEND I WAS WATERING THE GRASS, YOU KNOW, WALKING AROUND. 626 01:06:49,182 --> 01:06:53,753 AND I HAD IT, AND I KEPT IT, AND I PUT IT BETWEEN MY MATTRESSES 627 01:06:53,753 --> 01:06:58,191 FOR LIKE FIVE YEARS. I SLEPT ‐‐ LIKE MAYBE SOME OF 628 01:06:58,191 --> 01:07:00,927 HIS COMEDIC TIMING WOULD GO THROUGH THAT. 629 01:07:00,927 --> 01:07:04,397 >> Jimmy: WHAT? 630 01:07:04,397 --> 01:07:06,299 >> THE MATTRESS INTO MY HEAD WHEN I WAS SLEEPING. 631 01:07:06,299 --> 01:07:06,666 >> Jimmy: WHAT? 632 01:07:06,666 --> 01:07:07,167 [ LAUGHTER ] 633 01:07:07,167 --> 01:07:09,602 YOU STOLE HIS HEADSTONE? 634 01:07:09,602 --> 01:07:14,441 >> I STOLE HIS HEADSTONE, JIMMY. HEY, AND THEN YOU THINK ‐‐ YOU 635 01:07:14,441 --> 01:07:17,777 DON'T THINK ANYTHING OF IT. I GO TO THE STORE, THE 636 01:07:17,777 --> 01:07:20,080 SUPERMARKET. I LOOK DOWN AND "THE GLOBE" HAS 637 01:07:20,080 --> 01:07:23,883 A PICTURE OF HIS MOM AND IT SAYS, "GRAVE ROBBERS ARE TRYING 638 01:07:23,883 --> 01:07:24,451 TO STEAL MY SON." 639 01:07:24,451 --> 01:07:24,784 [ LAUGHTER ] 640 01:07:24,784 --> 01:07:28,021 >> Jimmy: OH, NO! 641 01:07:28,021 --> 01:07:34,060 >> POOR LADY! I'M LIKE, DAMN! 642 01:07:34,060 --> 01:07:36,162 >> Jimmy: ALL RIGHT, I HAVE A COUPLE MORE. 643 01:07:36,162 --> 01:07:37,397 WE'RE GOING TO TAKE A BREAK. BE BACK WITH MORE GEORGE LOPEZ 644 01:07:37,397 --> 01:07:37,864 AFTER THIS. 645 01:07:45,839 --> 01:07:46,339 [ CHEERS AND APPLAUSE ] 646 01:07:46,339 --> 01:07:48,341 ♪ 647 01:07:48,341 --> 01:07:50,710 >> Jimmy: WE ARE BACK WITH GEORGE LOPEZ. 648 01:07:50,710 --> 01:07:54,147 HIS NEW MOVIE IS CALLED "NO MAN'S LAND." 649 01:07:54,147 --> 01:07:56,549 IT'S IN THEATERS AND ON V. O. D. RIGHT NOW. 650 01:07:56,549 --> 01:07:59,419 YOU PLAY A TEXAS RANGER IN THIS ONE? 651 01:07:59,419 --> 01:08:02,288 >> I DO, YEAH. THE MOVIE, THE GUY, THE TEXAS 652 01:08:02,288 --> 01:08:04,257 RANGER, DOESN'T SPEAK A LOT OF SPANISH. 653 01:08:04,257 --> 01:08:06,826 HE GOES INTO ‐‐ IT'S A LITTLE DIFFERENT BECAUSE I CHASE A 654 01:08:06,826 --> 01:08:07,394 WHITE GUY INTO MEXICO. 655 01:08:07,394 --> 01:08:07,727 [ LAUGHTER ] 656 01:08:07,727 --> 01:08:11,998 >> Jimmy: OKAY. 657 01:08:11,998 --> 01:08:15,201 >> HE'S TRYING TO ESCAPE INTO MEXICO, I CHASE HIM IN, I DON'T 658 01:08:15,201 --> 01:08:19,606 SPEAK A LOT OF SPANISH. SO THE MOVIE WAS CALLED FOR A 659 01:08:19,606 --> 01:08:23,843 GUY FROM AMERICA, YOU KNOW, SOCIALLY MEXICAN BUT NOT 660 01:08:23,843 --> 01:08:25,578 COMPLETELY MEXICAN, WHO DOESN'T SPEAK THE LANGUAGE. 661 01:08:25,578 --> 01:08:28,748 I'M LIKE THE PERFECT, THE PERFECT GUY. 662 01:08:28,748 --> 01:08:32,051 I REALIZED, JIMMY, I CAN'T SPEAK SPANISH IF I DON'T START THE 663 01:08:32,051 --> 01:08:32,385 CONVERSATION. 664 01:08:32,385 --> 01:08:34,454 >> Jimmy: HUH, INTERESTING. 665 01:08:34,454 --> 01:08:36,556 >> LIKE IF I SAY ‐‐ 666 01:08:36,556 --> 01:08:38,658 [ SPEAKING SPANISH ] 667 01:08:38,658 --> 01:08:42,028 FINE. IF SOMEBODY SAYS ‐‐ 668 01:08:42,028 --> 01:08:42,495 [ SPEAKING SPANISH ] 669 01:08:42,495 --> 01:08:45,665 ‐‐ NO. 670 01:08:45,665 --> 01:08:47,167 >> Jimmy: ALL RIGHT, LET'S GET BACK TO THIS GRAVE ROBBING. 671 01:08:47,167 --> 01:08:52,472 [ LAUGHTER ] 672 01:08:52,472 --> 01:08:54,607 SO YOU STOLE THE HEADSTONE. YOU KEPT IT FOR FIVE YEARS. 673 01:08:54,607 --> 01:08:57,076 THEN WHAT HAPPENED? 674 01:08:57,076 --> 01:08:58,344 >> KEPT IT FOR FIVE YEARS, I STILL HAVE IT. 675 01:08:58,344 --> 01:09:04,751 [ LAUGHTER ] 676 01:09:04,751 --> 01:09:08,521 SO WE MOVED WHEN I WAS MARRIED. ANN COMES TO THE HOUSE, GUESS 677 01:09:08,521 --> 01:09:10,890 WHO LIVES THREE HOUSES UP? 678 01:09:10,890 --> 01:09:18,831 KATHY PRINZ EE, FREDDIE PRINZE' WIDOW. 679 01:09:18,831 --> 01:09:22,035 DO NOT SAY ANYTHING! I'M NOT GOING TO SAY ANYTHING. 680 01:09:22,035 --> 01:09:25,171 WHATEVER YOU DO, DO NOT SAY ANYTHING! THIS IS 25 YEARS LATER. 681 01:09:25,171 --> 01:09:29,075 I GO OVER, THE FIRST THING SHE SAYS TO ME, I'M SO GLAD YOU 682 01:09:29,075 --> 01:09:33,546 WEREN'T TRYING TO STEAL FREDDIE'S BODY, I LOOK AT ANN, 683 01:09:33,546 --> 01:09:34,814 WHAT THE [ BLEEP ] DID YOU DO? 684 01:09:34,814 --> 01:09:37,750 [ LAUGHTER ] 685 01:09:37,750 --> 01:09:43,590 YEAH, I WOULDN'T TRY TO STEAL HIS BODY, I WAS JUST TO GET SOME 686 01:09:43,590 --> 01:09:44,123 COMEDY TO RUB OFF ON ME. 687 01:09:44,123 --> 01:09:46,492 >> Jimmy: GEORGE, YOU HAD A RUN‐IN WITH THE AUTHORITIES, YOU 688 01:09:46,492 --> 01:09:50,063 PUT A JOKE ON INSTAGRAM ABOUT TRUMP THAT I THOUGHT WAS SUPER 689 01:09:50,063 --> 01:09:52,031 FUNNY. BUT THE SECRET SERVICE DID NOT. 690 01:09:52,031 --> 01:09:54,734 WHAT WAS THE JOKE? REMIND US. 691 01:09:54,734 --> 01:10:01,074 >> OKAY, ALLEGEDLY THERE WAS AN $80 MILLION BOUNTY ON MR. TRUMP. 692 01:10:01,074 --> 01:10:02,542 AND I SAID, WE'LL DO IT FOR HALF. 693 01:10:02,542 --> 01:10:05,144 [ LAUGHTER ] 694 01:10:05,144 --> 01:10:08,381 AND THE WHOLE WORLD ERUPTED. AND THEN THEY'RE CALLING YOU, 695 01:10:08,381 --> 01:10:10,250 WHAT DID YOU SAY? THAT'S A THREAT. 696 01:10:10,250 --> 01:10:15,021 I'M LIKE, I'M A MEXICAN, THAT'S AN ESTIMATE, THAT'S NOT A 697 01:10:15,021 --> 01:10:17,757 THREAT, THAT'S AN ESTIMATE. 698 01:10:17,757 --> 01:10:18,091 [ LAUGHTER ] 699 01:10:18,091 --> 01:10:22,395 YOU CAN FIND SOMEBODY TO DO IT CHEAPER, HIRE THAT GUY, I'M JUST 700 01:10:22,395 --> 01:10:22,729 TELLING YOU. 701 01:10:22,729 --> 01:10:25,399 >> Jimmy: HOW LONG AFTER THAT DID THE SECRET SERVICE COME TO 702 01:10:25,399 --> 01:10:25,732 VISIT? 703 01:10:25,732 --> 01:10:26,766 >> PROBABLY ABOUT FOUR DAYS. 704 01:10:26,766 --> 01:10:27,867 >> Jimmy: FOUR DAYS LATER. 705 01:10:27,867 --> 01:10:32,105 >> FOUR DAYS LATER. THEY TOLD ME THAT 5,000 PEOPLE 706 01:10:32,105 --> 01:10:35,675 HAD CALLED FOR MY ARREST. I REMEMBER I WATERED THE 707 01:10:35,675 --> 01:10:38,678 HOLLYWOOD STAR, AND I HAD SAID SOME THINGS THAT WERE 708 01:10:38,678 --> 01:10:41,147 INSENSITIVE IN SPECIALS. SO THEY CAME TO REALLY DETERMINE 709 01:10:41,147 --> 01:10:45,752 WHETHER I WAS A THREAT OR NOT TO MR. TRUMP AND WHETHER I WOULD BE 710 01:10:45,752 --> 01:10:47,854 GOING TO THE PENITENTIARY OR STAYING HERE IN LOS ANGELES. 711 01:10:47,854 --> 01:10:51,391 >> Jimmy: AND? YOU GOT TO STAY? 712 01:10:51,391 --> 01:10:53,826 >> I'M STILL HERE. BUT I'M NOT THE GUY YOU WANT A 713 01:10:53,826 --> 01:10:59,565 LETTER OF RECOMMENDATION FROM. I TRIED TO GET MASSIMO OUT OF 714 01:10:59,565 --> 01:11:01,401 PRISON. THEY'RE LIKE, LISTEN, YOU'RE A 715 01:11:01,401 --> 01:11:06,506 STEP AWAY FROM GOING TO LOMPOC YOURSELF. 716 01:11:06,506 --> 01:11:06,906 [ LAUGHTER ] 717 01:11:06,906 --> 01:11:10,043 >> Jimmy: DESPITE THE HEINOUS CRIME YOU COMMITTED AS A TEEN, 718 01:11:10,043 --> 01:11:14,647 YOU ACTUALLY ‐‐ I KNOW YOU PAID FOR AND LOBBIED FOR FREDDIE 719 01:11:14,647 --> 01:11:17,817 PRINZE TO GET A STAR ON THE HOL WALK OF FAME. 720 01:11:17,817 --> 01:11:18,318 [ CHEERS AND APPLAUSE ] 721 01:11:18,318 --> 01:11:20,987 WHICH I THINK MAKES UP FOR IT. 722 01:11:20,987 --> 01:11:24,957 >> I LOVE HIM SO MUCH. THAT ‐‐ WHAT ARE THE ODDS I 723 01:11:24,957 --> 01:11:27,093 WOULD EVEN MAKE IT AND THEN BE ABLE TO DO THE STAR? 724 01:11:27,093 --> 01:11:29,095 IT'S JUST A GREAT ‐‐ YOU KNOW, IT'S A GREAT LIFE. 725 01:11:29,095 --> 01:11:32,499 >> Jimmy: IT IS ONE OF THE CRAZIEST STORIES I'VE EVER HEARD. 726 01:11:32,499 --> 01:11:32,832 [ LAUGHTER ] 727 01:11:32,832 --> 01:11:35,335 GEORGE LOPEZ, HIS MOVIE IS CALLED "NO MAN'S LAND." 728 01:11:35,335 --> 01:11:36,636 THANK YOU, GEORGE. BE RIGHT BACK WITH ARLO PARKS. 729 01:11:36,636 --> 01:11:37,303 [ CHEERS AND APPLAUSE ] 730 01:11:42,542 --> 01:11:44,410 >> Jimmy: WELCOME BACK. MUSIC FROM ARLO PARKS IS ON THE 731 01:11:44,410 --> 01:11:49,949 WAY. BUT FIRST, A WORD ABOUT OUR FRIENDS AT MERCARI, THE ONLINE 732 01:11:49,949 --> 01:11:52,719 MARKETPLACE CONNECTING MILLIONS OF AMERICANS TO SHOP FOR ALMOST 733 01:11:52,719 --> 01:11:59,492 ANYTHING, FROM HOME DECOR, LAPTOPS, SPEAKERS, TO THIS, 734 01:11:59,492 --> 01:12:00,793 LOOK AT THIS, YOU'RE GOING TO LOVE THIS. 735 01:12:00,793 --> 01:12:08,034 COWBOY ROOSTER BIRDHOUSE. IT'S A BIRDHOUSE IN THE SHAPE OF 736 01:12:08,034 --> 01:12:09,168 A ROOSTER THAT, FOR REASONS UNKNOWN, IS DRESSED LIKE A 737 01:12:09,168 --> 01:12:13,005 COWBOY. 738 01:12:13,005 --> 01:12:13,773 >> Guillermo: I LOVE IT, JIMMY. 739 01:12:13,773 --> 01:12:14,807 >> Jimmy: YOU DO? THEN I WILL BUY IT FOR YOU, AS A 740 01:12:14,807 --> 01:12:16,676 BELATED BIRTHDAY PRESENT. 741 01:12:16,676 --> 01:12:19,145 >> Guillermo: THANK YOU, JIMMY. I'M GOING TO NAME HIM COWBOY. 742 01:12:19,145 --> 01:12:22,882 >> Jimmy: YOU'RE WELCOME, AND WHAT A CLEVER NAME. 743 01:12:22,882 --> 01:12:26,452 AND TO PAY FOR THE BIRDHOUSE, I AM GOING TO SELL THIS SHIRT WITH 744 01:12:26,452 --> 01:12:32,825 A HUNDRED PICTURES OF MY FACE ON IT. HERE'S HOW IT GOES. 745 01:12:32,825 --> 01:12:40,700 IT'S VERY EASY. JUST TAKE A PHOTO, LIKE SO. 746 01:12:40,700 --> 01:12:45,238 ADD A DESCRIPTION, AND IT'S READY TO SELL AND SHIP. 747 01:12:45,238 --> 01:12:50,643 THERE WE GO. GOOD‐BYE, SHIRT. WOW, IT ALREADY SOLD. 748 01:12:50,643 --> 01:12:54,013 >> Guillermo: JIMMY, I JUST BOUGHT THE PERFECT GIFT FOR YOU 749 01:12:54,013 --> 01:12:56,382 ON MERCARI. DO YOU WANT TO GUESS WHAT IT IS? 750 01:12:56,382 --> 01:13:00,119 >> Jimmy: NO, I WOULDN'T WANT TO SPOIL THE SURPRISE. 751 01:13:00,119 --> 01:13:02,288 >> Dicky: SELL AND BUY ALMOST ANYTHING ON MERCARI. 752 01:13:02,288 --> 01:13:06,726 YOUR MARKETPLACE. 753 01:13:06,726 --> 01:13:10,363 >> Jimmy: WE'LL BE BACK WITH ARLO PARKS! 754 01:13:10,363 --> 01:13:13,132 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 755 01:13:13,132 --> 01:13:14,801 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 756 01:13:22,074 --> 01:13:24,811 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 757 01:13:24,811 --> 01:13:29,015 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 758 01:13:29,015 --> 01:13:32,952 >> Jimmy: THANKS TO MICHELLE PFEIFFER, GEORGE LOPEZ, 759 01:13:32,952 --> 01:13:35,455 APOLOGIES TO MATT DAMON. "NIGHTLINE" IS NEXT, BUT FIRST, 760 01:13:35,455 --> 01:13:37,223 HER ALBUM "COLLAPSED IN SUNBEAMS" IS OUT 761 01:13:37,223 --> 01:13:38,024 NOW. MAKING HER NETWORK TELEVISION 762 01:13:38,024 --> 01:13:40,259 DEBUT WITH THE SONG "HURT," ARLO PARKS. 763 01:13:40,259 --> 01:13:45,131 [ CHEERS AND APPLAUSE ] 764 01:13:47,002 --> 01:13:47,366 ♪ 765 01:13:47,366 --> 01:13:54,407 ♪ 766 01:13:54,407 --> 01:13:57,410 ♪ CHARLIE DRANK IT TILL HIS 767 01:13:57,410 --> 01:14:03,649 EYES BURNED THEN FORGOT TO EAT HIS LUNCH 768 01:14:03,649 --> 01:14:08,955 PAIN WAS BUILT ♪ 769 01:14:08,955 --> 01:14:12,959 ♪ INTO HIS BODY HEART 770 01:14:12,959 --> 01:14:20,900 SO SOFT IT HURT TO BEAT WOULDN'T IT BE LOVELY 771 01:14:20,900 --> 01:14:25,171 TO FEEL SOMETHING FOR ONCE ♪ 772 01:14:25,171 --> 01:14:31,410 ♪ OH WOULDN'T IT BE LOVELY 773 01:14:31,410 --> 01:14:38,217 TO FEEL WORTH SOMETHING HUH I KNOW YOU CAN'T 774 01:14:38,217 --> 01:14:40,953 LET GO OF ANYTHING ♪ 775 01:14:40,953 --> 01:14:43,456 ♪ AT THE MOMENT 776 01:14:43,456 --> 01:14:43,990 JUST KNOW IT WOULD HURT SO 777 01:14:43,990 --> 01:14:53,699 WON'T HURT SO MUCH FOREVER 778 01:14:53,699 --> 01:14:56,202 WON'T HURT SO MUCH FOREVER JUST KNOW IT WOULD HURT SO 779 01:14:56,202 --> 01:14:59,539 WON'T HURT SO MUCH FOREVER CHARLIE MELTS ♪ 780 01:14:59,539 --> 01:15:03,209 ♪ INTO HIS MATTRESS 781 01:15:03,209 --> 01:15:08,915 WATCHING TWIN PEAKS ON HIS ONES THEN HIS FINGERS ♪ 782 01:15:08,915 --> 01:15:10,149 ♪ FIND A BOTTLE 783 01:15:10,149 --> 01:15:17,957 WHEN HE STARTS TO MISS HIS MUM WOULDN'T IT BE LOVELY ♪ 784 01:15:17,957 --> 01:15:28,501 ♪ TO FEEL SOMETHING FOR ONCE 785 01:15:28,501 --> 01:15:35,408 OH WOULDN'T IT BE LOVELY TO FEEL WORTH SOMETHING HUH 786 01:15:35,408 --> 01:15:38,177 I KNOW YOU CAN'T ♪ 787 01:15:38,177 --> 01:15:40,913 ♪ LET GO OF ANYTHING 788 01:15:40,913 --> 01:15:44,984 AT THE MOMENT JUST KNOW IT WOULD HURT SO 789 01:15:44,984 --> 01:15:47,753 WON'T HURT SO MUCH FOREVER ♪ 790 01:15:47,753 --> 01:15:56,729 ♪ CHARLIE STARTED SEEING 791 01:15:56,729 --> 01:15:58,464 WON'T HURT SO MUCH WON'T HURT SO MUCH ♪ 792 01:15:58,464 --> 01:16:00,199 ♪ CHARLIE STARTED SEEING 793 01:16:00,199 --> 01:16:01,267 STARS SO STUCK ON THE NEW JAI PAUL SAID MY CLOTHES 794 01:16:01,267 --> 01:16:08,174 ARE STICKING TO ME AND I ♪ 795 01:16:08,174 --> 01:16:08,908 ♪ CAN'T QUITE SEE MY WALLS 796 01:16:08,908 --> 01:16:10,910 STARTED DREAMING OF A HOUSE WITH RED CARNATIONS 797 01:16:10,910 --> 01:16:11,911 BY THE WINDOWS ♪ 798 01:16:11,911 --> 01:16:12,678 ♪ WHERE HE DIDN'T 799 01:16:12,678 --> 01:16:14,747 FEEL SO SMALL SO OVERWHELMED 800 01:16:14,747 --> 01:16:20,853 BY ALL HIS FLAWS ♪ 801 01:16:20,853 --> 01:16:25,659 ♪ I KNOW YOU CAN'T LET GO AT THE 802 01:16:25,659 --> 01:16:25,992 MOMENT ♪ 803 01:16:25,992 --> 01:16:26,357 ♪ 804 01:16:26,357 --> 01:16:27,927 ♪ JUST KNOW YOU WON'T HURT WON'T 805 01:16:27,927 --> 01:16:34,266 HURT SO MUCH FOREVER ♪ 806 01:16:34,266 --> 01:16:37,803 NOTE WON'T HURT SO MUCH WON'T HURT SO MUCH FOREVER ♪ 807 01:16:37,803 --> 01:16:46,946 ♪ WON'T HURT SO MUCH 808 01:16:46,946 --> 01:16:48,814 ♪ I KNOW YOU CAN'T LET GO OF 809 01:16:48,814 --> 01:16:50,549 ANYTHING AT THE MOMENT ♪ 810 01:16:50,549 --> 01:16:52,918 ♪ JUST KNOW IT WON'T HURT SO 811 01:16:52,918 --> 01:16:55,655 MUCH FOREVER WON'T HURT SO MUCH ♪ 812 01:16:55,655 --> 01:16:57,490 ♪ WON'T HURT SO MUCH WON'T HURT 813 01:16:57,490 --> 01:17:00,292 SO MUCH ♪ 814 01:17:00,292 --> 01:17:02,595 ♪ I KNOW YOU CAN'T LET GO OF 815 01:17:02,595 --> 01:17:07,033 ANYTHING AT THE MOMENT ♪ 816 01:17:07,033 --> 01:17:10,169 ♪ JUST KNOW IT WON'T HURT SO 817 01:17:10,169 --> 01:17:12,672 WON'T HURT SO MUCH FOREVER ♪ 818 01:17:12,672 --> 01:17:14,940 ♪ WON'T HURT SO MUCH WON'T HURT 819 01:17:14,940 --> 01:17:16,542 SO MUCH FOREVER ♪ 820 01:17:16,542 --> 01:17:17,977 ♪ WON'T HURT SO MUCH WON'T HURT 821 01:17:17,977 --> 01:17:21,477 SO MUCH ♪