1 00:00:00,706 --> 00:00:03,823 >> Dicky: FROM HOLLYWOOD ‐‐ IT'S "JIMMY KIMMEL LIVE!" TONIGHT ‐‐ 2 00:00:03,823 --> 00:00:08,060 LUKE BRYAN, KATEY SAGAL, AND WWE SUPERSTAR, THE MIZ. 3 00:00:08,060 --> 00:00:09,262 AND NOW, JIMMY KIMMEL! 4 00:00:09,262 --> 00:00:13,299 [ CHEERS AND APPLAUSE ] 5 00:00:13,299 --> 00:00:17,937 >> Jimmy: HI, I'M JIMMY. I'LL ALSO A WW SUPERSTAR. 6 00:00:17,937 --> 00:00:21,674 THANKS FOR WATCHING. YOU KNOW WHAT? 7 00:00:21,674 --> 00:00:22,508 YOU DON'T HAVE TO WATCH, I KNOW THAT. 8 00:00:22,508 --> 00:00:25,148 YOU COULD BE ON TIKTOK WATCHING THE YOUNG PEOPLE DANCE. 9 00:00:25,148 --> 00:00:27,650 BUT HERE WE ARE ON WORLD HEALTH DAY. AND GUESS WHAT? 10 00:00:27,650 --> 00:00:30,020 THE WORLD ISN'T THAT HEALTHY TODAY. 11 00:00:30,020 --> 00:00:32,522 [ LAUGHTER ] 12 00:00:32,522 --> 00:00:33,723 THE WORLD IS ACTUALLY PRETTY SICKLY. 13 00:00:33,723 --> 00:00:37,961 THERE WERE 62,000 NEW CASES OF COVID HERE IN THE UNITED STATES 14 00:00:37,961 --> 00:00:39,629 ALONE YESTERDAY. AND THIS IS INTERESTING. 15 00:00:39,629 --> 00:00:46,403 FIVE STATES ACCOUNT FOR NEARLY HALF OF THE NEW COVID INFECTIONS. 16 00:00:46,403 --> 00:00:48,938 NEW YORK, NEW JERSEY, MICHIGAN, PENNSYLVANIA, AND YES, FLORIDA. 17 00:00:48,938 --> 00:00:50,106 WHAT ARE THE CHANCES IT WOULDN'T BE FLORIDA? 18 00:00:50,106 --> 00:00:51,474 [ LAUGHTER ] 19 00:00:51,474 --> 00:00:54,978 SOME OF THESE STATES MAKE SENSE. JERSEY HAS THE HIGHEST 20 00:00:54,978 --> 00:00:58,148 POPULATION DENSITY, NEW YORK HAS THE BIGGEST CITY. 21 00:00:58,148 --> 00:01:02,052 FLORIDA'S WHOLE ECONOMY IS BASED ON STRANGERS DRINKING JUNGLE 22 00:01:02,052 --> 00:01:02,819 JUICE AND GRINDING ON EACH OTHER. 23 00:01:02,819 --> 00:01:03,920 [ LAUGHTER ] 24 00:01:03,920 --> 00:01:06,890 BUT PENNSYLVANIA AND MICHIGAN, WHAT THE HELL ARE YOU GUYS UP TO? 25 00:01:06,890 --> 00:01:10,126 THERE ARE ONLY 176 PEOPLE PER SQUARE MILE IN MICHIGAN. 26 00:01:10,126 --> 00:01:13,963 GET ON A PONTOON BOAT AND WAIT IT OUT ALREADY, WILL YOU? 27 00:01:13,963 --> 00:01:16,399 [ LAUGHTER ] 28 00:01:16,399 --> 00:01:18,134 THE GOOD NEWS IS, WE'VE BEEN AVERAGING MORE THAN 3 MILLION 29 00:01:18,134 --> 00:01:19,769 SHOTS A DAY. THE WHITE HOUSE SAYS THAT BY THE 30 00:01:19,769 --> 00:01:22,005 END OF THE WEEKEND, ALMOST HALF OF AMERICAN ADULTS WILL HAVE HAD 31 00:01:22,005 --> 00:01:24,774 THEIR FIRST DOSE OF THE VACCINE. THE QUESTION IS, WILL THEY COME 32 00:01:24,774 --> 00:01:28,278 BACK FOR THE SECOND DOSE? HEALTH OFFICIALS HAVE SEEN A 33 00:01:28,278 --> 00:01:31,247 RISE IN WHAT THEY CALL VACCINE HESITANCY, BECAUSE SOME PEOPLE 34 00:01:31,247 --> 00:01:35,685 FEEL SICK AFTER THEIR SECOND SHOT. 35 00:01:35,685 --> 00:01:37,287 THEY TELL PEOPLE, AND PEOPLE GO, I'M NOT GOING TO GET THE SECOND 36 00:01:37,287 --> 00:01:38,288 SHOT. YOU KNOW WHAT ELSE WILL MAKE YOU 37 00:01:38,288 --> 00:01:42,025 FEEL SICK? COVID. 38 00:01:42,025 --> 00:01:42,659 [ LAUGHTER ] 39 00:01:42,659 --> 00:01:45,495 MAKES YOU FEEL VERY SICK, COVID‐19 SPECIFICALLY. 40 00:01:45,495 --> 00:01:46,729 [ APPLAUSE ] 41 00:01:46,729 --> 00:01:48,231 DR. FAUCI IS STRONGLY URGING AMERICANS TO GO IN FOR THEIR 42 00:01:48,231 --> 00:01:52,502 SECOND SHOT. HE REITERATED THAT IT TAKES TWO 43 00:01:52,502 --> 00:01:54,337 TO MAKE THE THING GO RIGHT. 44 00:01:54,337 --> 00:01:56,606 [ LAUGHTER ] 45 00:01:56,606 --> 00:01:59,175 THEN HE BROUGHT UP ROB BASE, AND DID THE WHOLE SONG, IT WAS 46 00:01:59,175 --> 00:02:01,311 AWESOME. WHY WOULD YOU STOP AFTER GETTING 47 00:02:01,311 --> 00:02:06,116 THE FIRST DOSE? IT'S LIKE GETTING HALF A HAIRCUT. 48 00:02:06,116 --> 00:02:07,784 THINK OF IT THIS WAY. IT'S LIKE ADOPTING A PET. 49 00:02:07,784 --> 00:02:09,886 YOU NEED THAT SECOND PET SO THE FIRST ONE HAS SOMEONE TO PLAY 50 00:02:09,886 --> 00:02:11,087 WITH. RIGHT? 51 00:02:11,087 --> 00:02:11,788 [ LAUGHTER ] 52 00:02:11,788 --> 00:02:14,757 WE ARE STILL BEING ENCOURAGED TO WEAR MASKS. 53 00:02:14,757 --> 00:02:20,063 AND WITH THAT IN MIND, WILL.I.AM OF THE BLACK‐EYED PEAS HAS 54 00:02:20,063 --> 00:02:22,699 TEAMED UP WITH HONEYWELL TO OFFER WHAT THEY CALL THE "SUPER 55 00:02:22,699 --> 00:02:30,240 MASK." 56 00:02:30,240 --> 00:02:30,807 SUPERX, X AS IN EXPENSIVE. 57 00:02:30,807 --> 00:02:32,008 [ LAUGHTER ] 58 00:02:32,008 --> 00:02:33,877 STARTING TOMORROW IT WILL BE AVAILABLE FOR $299. 59 00:02:33,877 --> 00:02:38,148 THE MASK COMES WITH VENTILATION FILTERS, L. E. D. LIGHTS, AND 60 00:02:38,148 --> 00:02:39,649 NOISE‐CANCELLING HEADPHONES, WHICH WILL COME IN HANDY WHEN 61 00:02:39,649 --> 00:02:43,853 EVERYONE IS LAUGHING AT YOU FOR SPENDING $300 ON THE MASK. 62 00:02:43,853 --> 00:02:44,754 [ LAUGHTER ] 63 00:02:44,754 --> 00:02:46,022 THAT IS WILL.I.AM WEARING THE MASK. 64 00:02:46,022 --> 00:02:47,924 LOOKS LIKE IF SHREDDER FROM THE NINJA TURTLES MOVED TO BROOKLYN. 65 00:02:47,924 --> 00:02:48,257 [ LAUGHTER ] 66 00:02:48,257 --> 00:02:53,596 I DON'T KNOW. SEEMS TO ME LIKE THIS MASK IS 67 00:02:53,596 --> 00:02:54,864 A LITTLE 2000 AND LATE, AS THEY SAID. 68 00:02:54,864 --> 00:02:56,799 [ APPLAUSE ] 69 00:02:56,799 --> 00:03:00,003 NOT ONLY ARE WE COMING OUT OF THIS, I ALREADY DESIGNED A SUPER 70 00:03:00,003 --> 00:03:01,538 MASK. WE UNVEILED IT ON THE SHOW LAST 71 00:03:01,538 --> 00:03:05,608 NIGHT. IT'S CALLED THE MASK SHIRT. 72 00:03:05,608 --> 00:03:06,109 [ CHEERS AND APPLAUSE ] 73 00:03:06,109 --> 00:03:10,947 THIS THING IS ON FIRE. WE GOT A HUGE OUTPOURING OF 74 00:03:10,947 --> 00:03:13,283 FEEDBACK, INCLUDING A LIKE FROM THE GREAT PETER FRAMPTON, WHO 75 00:03:13,283 --> 00:03:16,553 GAVE IT A THUMBS UP ON TWITTER. 76 00:03:16,553 --> 00:03:17,053 [ CHEERS AND APPLAUSE ] 77 00:03:17,053 --> 00:03:18,855 THAT'S A SOLID ENDORSEMENT. WE GOT THE FRAMP STAMP OF 78 00:03:18,855 --> 00:03:19,589 APPROVAL! 79 00:03:19,589 --> 00:03:20,757 [ LAUGHTER ] 80 00:03:20,757 --> 00:03:22,525 YOU HEAR THAT GUILLERMO? IF WE CAN KEEP THIS COVID GOING, 81 00:03:22,525 --> 00:03:25,461 WE'RE GONNA MAKE MILLIONS! 82 00:03:25,461 --> 00:03:26,496 >> Guillermo: YES, THAT'S RIGHT. A LOT OF MONEY. 83 00:03:26,496 --> 00:03:31,668 [ LAUGHTER ] 84 00:03:31,668 --> 00:03:34,837 >> Jimmy: FLORIDA CONGRESSMAN MATT GAETZ COULD USE ONE OF OUR 85 00:03:34,837 --> 00:03:37,207 MASK SHIRTS TO COVER HIS FACE RIGHT NOW. 86 00:03:37,207 --> 00:03:39,309 "THE NEW YORK TIMES" REPORTED LAST NIGHT, GAETZ ASKED TRUMP 87 00:03:39,309 --> 00:03:41,644 FOR A PARDON ABOUT FOUR MONTHS AGO. 88 00:03:41,644 --> 00:03:44,414 HE IS SAID TO HAVE ASKED FOR A "BLANKET PRE‐EMPTIVE PARDON" 89 00:03:44,414 --> 00:03:47,183 FROM THEN PRESIDENT TRUMP, DURING THE FINAL WEEKS OF HIS 90 00:03:47,183 --> 00:03:48,651 ADMINISTRATION, WHICH, THAT'S NOT THAT SUSPICIOUS. 91 00:03:48,651 --> 00:03:51,120 [ LAUGHTER ] 92 00:03:51,120 --> 00:03:53,289 YOU KNOW YOU HAVEN'T DONE ANYTHING WRONG WHEN YOU CHECK IN 93 00:03:53,289 --> 00:03:56,459 WITH THE PRESIDENT TO ASK FOR A PARDON IN CASE YOU HAPPEN TO GET 94 00:03:56,459 --> 00:03:59,062 ACCUSED OF A SECOND CRIME SOMEWHERE DOWN THE LINE. 95 00:03:59,062 --> 00:03:59,395 [ LAUGHTER ] 96 00:03:59,395 --> 00:04:02,899 THAT'S NOT ABNORMAL. THE PARDON REQUEST WAS 97 00:04:02,899 --> 00:04:07,337 REPORTEDLY SEEN AS A NONSTARTER AT THE WHITE HOUSE. 98 00:04:07,337 --> 00:04:10,240 WHICH THAT'S SAYING A LOT, SINCE DONALD TRUMP ONCE WANTED TO NUKE 99 00:04:10,240 --> 00:04:10,573 A HURRICANE. 100 00:04:10,573 --> 00:04:11,040 [ LAUGHTER ] 101 00:04:11,040 --> 00:04:16,112 THE REASON THE WHITE HOUSE DENIED THE PREEMPTIVE PARDON FOR 102 00:04:16,112 --> 00:04:17,981 MATT GAETZ IS BECAUSE THEY THOUGHT IT WOULD SET A BAD 103 00:04:17,981 --> 00:04:19,349 PRECEDENT. AT THE TIME, THEY WERE ONLY 104 00:04:19,349 --> 00:04:21,050 INTERESTED IN SETTING TERRIBLE PRECEDENTS. 105 00:04:21,050 --> 00:04:22,051 [ LAUGHTER ] 106 00:04:22,051 --> 00:04:24,220 "BAD PRESIDENT" SHOULD BE THE TITLE OF TRUMP'S AUTOBIOGRAPHY. 107 00:04:24,220 --> 00:04:25,922 THAT'S GOT A RING TO IT. TEAM GAETZ IS PUSHING BACK ON 108 00:04:25,922 --> 00:04:29,125 THE REPORT. ACCORDING TO HIS SPOKESPERSON, 109 00:04:29,125 --> 00:04:32,895 GAETZ WASN'T ASKING FOR A PARDON FOR HIMSELF SPECIFICALLY. 110 00:04:32,895 --> 00:04:36,399 HE ASKED TRUMP FOR A BLANKET PARDON FOR "EVERYONE FROM 111 00:04:36,399 --> 00:04:41,104 HIMSELF TO JOE EXOTIC." RIGHT. THAT MAKES SENSE. 112 00:04:41,104 --> 00:04:43,640 TRUMP WEIGHED IN ON THE STORY WITH A TWO‐SENTENCE STATEMENT. 113 00:04:43,640 --> 00:04:45,875 "CONGRESSMAN MATT GAETZ HAS NEVER ASKED ME FOR A PARDON. 114 00:04:45,875 --> 00:04:48,378 IT MUST ALSO BE REMEMBERED THAT HE HAS TOTALLY DENIED THE 115 00:04:48,378 --> 00:04:52,348 ACCUSATIONS AGAINST HIM." YES, IT MUST. 116 00:04:52,348 --> 00:04:52,815 [ LAUGHTER ] 117 00:04:52,815 --> 00:04:56,085 I GUESS THAT WAS THE BEST TRUMP COULD DO FOR GAETZ. 118 00:04:56,085 --> 00:04:59,489 NOW THAT HE DOESN'T HAVE TWITTER ANYMORE. 119 00:04:59,489 --> 00:05:03,660 HIS ADVISERS, ACCORDING TO MAGGIE MAYBER MAN OF "THE 120 00:05:03,660 --> 00:05:07,664 TIMES," TALKED HIM OUT OF A FULL‐THROATED DEFENSE OF GAETZ. 121 00:05:07,664 --> 00:05:09,432 WHICH IS SAD, BECAUSE MATT GAETZ WAS THE SON DONALD TRUMP NEVER 122 00:05:09,432 --> 00:05:14,904 HAD. EVEN THOUGH HE HAD A COUPLE. MEANWHILE, THE SON HE DIDN'T 123 00:05:14,904 --> 00:05:18,374 WANT, DON JR., WAS ON SOMETHING CALLED THE VICTORY CHANNEL LAST 124 00:05:18,374 --> 00:05:21,778 NIGHT CELEBRATING THE THREE‐MONTH ANNIVERSARY OF HIS 125 00:05:21,778 --> 00:05:23,279 FATHER CAUSING A RIOT. 126 00:05:23,279 --> 00:05:28,351 >> IT IS INTERESTING TO ME I SEE THE FBI TWEETING DAILY, HERE'S A 127 00:05:28,351 --> 00:05:31,421 PICTURE OF SOMEONE SEEN NEAR THE CAPITOL ON JANUARY 6th. 128 00:05:31,421 --> 00:05:36,025 YOU NEVER SEE THEM TALKING ABOUT 10 MONTHS OF LOOTING, RIOTING, 129 00:05:36,025 --> 00:05:40,163 ARSON, MURDER THAT WAS DONE BY ANTIFA AND SIMILAR TERRORIST 130 00:05:40,163 --> 00:05:41,764 GROUPS ACROSS THE COUNTRY. 131 00:05:41,764 --> 00:05:43,099 >> Jimmy: "AHN TEEFAH." 132 00:05:43,099 --> 00:05:43,766 [ LAUGHTER ] 133 00:05:43,766 --> 00:05:45,268 WELL, AREN'T YOU FANCY? DOES HE THINK IT'S AN ITALIAN 134 00:05:45,268 --> 00:05:51,574 WORD? THIS IS HIS THING NOW. CHANGING PRONUNCIATIONS. 135 00:05:51,574 --> 00:05:54,877 >> Jimmy: WE'RE FIGHTING FOR THE MAGA MOVEMENT, FIGHTING FOR THE 136 00:05:54,877 --> 00:05:57,513 AMERICAN WORKER. I WANT TO MAKE SURE WE'RE 137 00:05:57,513 --> 00:06:01,084 FIGHTING FOR THOSE MAGA REPUBLICANS AND CONSERVATIVES ‐‐ 138 00:06:01,084 --> 00:06:08,024 >> Jimmy: MAH‐GAH NOW? 139 00:06:08,024 --> 00:06:14,263 AND AN‐TEE‐FAH? WHAT AN AHS‐HOLE. 140 00:06:14,263 --> 00:06:16,065 [ LAUGHTER ] 141 00:06:16,065 --> 00:06:18,401 IN OTHER UNWANTED OFFSPRING NEWS, ANDREW GIULIANI, SON OF 142 00:06:18,401 --> 00:06:19,802 COUNT DRACULA, SAYS HE IS "STRONGLY CONSIDERING" A RUN FOR 143 00:06:19,802 --> 00:06:24,307 GOVERNOR OF NEW YORK. THAT IS ANDREW GIULIANI. HE'S 35. 144 00:06:24,307 --> 00:06:26,042 HIS FATHER IS ALREADY SAID TO BE PLANNING A BIG FUNDRAISER AT THE 145 00:06:26,042 --> 00:06:28,144 RITZ CRACKER FACTORY IN NEW JERSEY. 146 00:06:28,144 --> 00:06:29,312 [ LAUGHTER ] 147 00:06:29,312 --> 00:06:31,547 JUNIOR GIULIANI WORKED IN THE TRUMP WHITE HOUSE AS A "SPECIAL 148 00:06:31,547 --> 00:06:34,317 ASSISTANT TO THE PRESIDENT," WHERE HIS JOB, AND THIS IS FOR 149 00:06:34,317 --> 00:06:38,554 REAL, WAS TO COORDINATE SPORTS TEAMS' VISITS TO THE WHITE HOUSE. 150 00:06:38,554 --> 00:06:42,358 BASICALLY, HE WAS THE GUY WHO CALLED BURGER KING AND SAID, 151 00:06:42,358 --> 00:06:44,527 "I NEED 200 WHOPPERS WITH CHEESE, PLEASE." 152 00:06:44,527 --> 00:06:45,128 [ LAUGHTER ] 153 00:06:45,128 --> 00:06:47,130 AND WHILE HE MAY BE YOUNG, ANDREW GIULIANI GOT AN EARLY 154 00:06:47,130 --> 00:06:53,169 START IN POLITICS AS A HYPE MAN FOR HIS DAD BACK IN 1994 WHEN 155 00:06:53,169 --> 00:06:54,737 RUDY WAS MAYOR OF NEW YORK. 156 00:06:54,737 --> 00:06:55,805 >> TO MY MOTHER, HELEN, WHO IS 157 00:06:55,805 --> 00:07:03,413 84 YEARS OLD. 158 00:07:03,413 --> 00:07:08,484 >> OH, YEAH! OH, YEAH! OH, YEAH! OH, YEAH! 159 00:07:08,484 --> 00:07:08,885 [ LAUGHTER ] 160 00:07:08,885 --> 00:07:10,486 >> Jimmy: HE MUST HAVE GIVEN HIM 10 BUCKS IN HIS BIRTHDAY CARD 161 00:07:10,486 --> 00:07:13,923 THAT YEAR. THAT'S NEW YORK'S NEXT GOVERNOR 162 00:07:13,923 --> 00:07:15,792 RIGHT THERE. IN MAJOR MOTION PICTURE NEWS ‐‐ 163 00:07:15,792 --> 00:07:17,560 REMEMBER THOSE PESKY LITTLE PEEPS THAT WERE ALL OVER YOUR 164 00:07:17,560 --> 00:07:21,531 CARPET LAST WEEK? WELL, NOW THERE'S GOING TO BE A 165 00:07:21,531 --> 00:07:25,468 MOVIE ABOUT THEM. THERE'S A FILM IN THE WORKS 166 00:07:25,468 --> 00:07:27,503 BASED ON PEEPS, WHICH SOUNDS LIKE A TERRIBLE IDEA. 167 00:07:27,503 --> 00:07:30,573 BUT HEY, PEOPLE THOUGHT A MOVIE ABOUT EMOJIS WOULD BE A TERRIBLE 168 00:07:30,573 --> 00:07:30,906 IDEA TOO. 169 00:07:30,906 --> 00:07:32,175 [ LAUGHTER ] 170 00:07:32,175 --> 00:07:34,644 OH, THEY WERE RIGHT? YES, THEY WERE RIGHT. 171 00:07:34,644 --> 00:07:34,977 [ LAUGHTER ] 172 00:07:34,977 --> 00:07:36,412 WELL MAYBE THIS WILL BE DIFFERENT. 173 00:07:36,412 --> 00:07:39,816 THE MOVIE IS SAID TO FOLLOW "A RAGTAG GROUP OF PEEPS CHARACTERS 174 00:07:39,816 --> 00:07:43,419 WHO SET OUT ON A CROSS‐COUNTRY JOURNEY IN ORDER TO ATTEND 175 00:07:43,419 --> 00:07:46,422 PEEPSFEST, AN ANNUAL BRAND CELEBRATION IN PENNSYLVANIA." 176 00:07:46,422 --> 00:07:48,724 SPOILER ALERT, THEY ALL GET KILLED IN A MICROWAVE. 177 00:07:48,724 --> 00:07:50,760 [ LAUGHTER ] 178 00:07:50,760 --> 00:07:53,062 SOME IDEAS, YOU'RE LIKE, "WHY DIDN'T THEY THINK OF IT BEFORE?" 179 00:07:53,062 --> 00:07:56,632 AND OTHERS YOU'RE LIKE, "WHY DID THEY THINK OF THAT?" 180 00:07:56,632 --> 00:08:01,204 [ LAUGHTER ] 181 00:08:01,204 --> 00:08:02,472 ANYWAY, WE DID SOME SPIT‐BALLING AROUND THE OFFICE TODAY AND CAME 182 00:08:02,472 --> 00:08:03,406 UP WITH SOME PEEP MOVIE IDEAS OF OUR OWN. 183 00:08:03,406 --> 00:08:08,211 AND WE EVEN MADE POSTERS TOO. I HEREBY PITCH THE FOLLOWING 184 00:08:08,211 --> 00:08:09,712 PEEP‐RELATED PROJECTS TO HOLLYWOOD. HERE WE GO. 185 00:08:09,712 --> 00:08:12,448 "JAMES AND THE GIANT PEEP." 186 00:08:12,448 --> 00:08:13,850 [ LAUGHTER ] 187 00:08:13,850 --> 00:08:16,586 "PEEP FICTION." "PEEP IMPACT." "NIGHTMARE ON ELM PEEP." 188 00:08:16,586 --> 00:08:17,587 "PEEPING BEAUTY." 189 00:08:17,587 --> 00:08:18,087 [ LAUGHTER ] 190 00:08:18,087 --> 00:08:21,958 "PEEPING WITH THE ENEMY." "PEEPER BY THE DOZEN." 191 00:08:21,958 --> 00:08:25,361 "PEEP THROAT." AND THE SOON‐TO‐BE CLASSIC, 192 00:08:25,361 --> 00:08:29,832 STARRING NONE OTHER THAN TOM HANKS. 193 00:08:29,832 --> 00:08:31,701 >> I HOPE THEY HAVE THE TELESCOPES. 194 00:08:31,701 --> 00:08:40,743 ♪ 195 00:08:40,743 --> 00:08:44,680 ♪ 196 00:08:44,680 --> 00:08:49,452 >> YOU'RE ANNIE? 197 00:08:49,452 --> 00:08:55,491 [ SQUAWK ] 198 00:08:55,491 --> 00:08:57,360 >> Jimmy: YEAH. "PEEPLESS IN SEATTLE." 199 00:08:57,360 --> 00:08:59,562 WE REPLACED MEG RYAN WITH A PEEP. 200 00:08:59,562 --> 00:09:03,332 IT'S A TOUGH BUSINESS, IT REALLY IS. ONE MORE ITEM OF IMPORTANCE. 201 00:09:03,332 --> 00:09:06,068 WRESTLEMANIA 37 IS THIS WEEKEND, STREAMING LIVE SATURDAY AND 202 00:09:06,068 --> 00:09:08,538 SUNDAY AT 8:00 EASTERN ON PEACOCK, AND ONE OF THE MEN YOU 203 00:09:08,538 --> 00:09:12,842 WILL SEE IN THE RING IS WWE SUPERSTAR THE MIZ. 204 00:09:12,842 --> 00:09:15,311 THE MIZ IS A VERY STRAIGHTFORWARD INDIVIDUAL, WHO 205 00:09:15,311 --> 00:09:16,846 NEVER SUGARCOATS ANYTHING, WHICH IS WHAT YOU NEED IN THE 206 00:09:16,846 --> 00:09:19,582 WORKPLACE. SO WE HID CAMERAS IN OUR 207 00:09:19,582 --> 00:09:23,319 CONFERENCE ROOM, SET MEETINGS WITH OUR REAL CO‐WORKERS. 208 00:09:23,319 --> 00:09:27,189 WE TOLD THEM THEY'D BE GETTING A CORPORATE PERFORMANCE REVIEW, 209 00:09:27,189 --> 00:09:29,325 WHICH IS SOMETHING THAT'S NEVER HAPPENED HERE BEFORE. 210 00:09:29,325 --> 00:09:29,658 [ LAUGHTER ] 211 00:09:29,658 --> 00:09:30,426 I DON'T KNOW WHY THEY BELIEVED IT. 212 00:09:30,426 --> 00:09:36,599 AND HERE IS MIZ DEEP UNDERCOVER AS AN AGENT OF ABC HR. 213 00:09:36,599 --> 00:09:39,068 ♪ 214 00:09:39,068 --> 00:09:41,070 >> COME ON IN. 215 00:09:41,070 --> 00:09:42,271 >> HELLO. 216 00:09:42,271 --> 00:09:44,740 >> I'M MIKE. 217 00:09:44,740 --> 00:09:46,108 >> I'M MICKEY. 218 00:09:46,108 --> 00:09:49,245 >> I'VE BEEN ASKED TO COME HERE AND GIVE YOU A JOB PERFORMANCE 219 00:09:49,245 --> 00:09:49,610 REVIEW. 220 00:09:49,610 --> 00:09:52,415 >> OH, I'VE NEVER HAD LIKE AN OFFICIAL ONE BEFORE. 221 00:09:52,415 --> 00:09:53,049 >> VERY UPBEAT. 222 00:09:53,049 --> 00:09:54,317 >> I LOVE MY JOB. 223 00:09:54,317 --> 00:09:59,121 >> YOU'RE KNOWN AS COUSIN MICKEY, WHY IS THAT? 224 00:09:59,121 --> 00:10:02,325 >> I AM A COUSIN TO MANY. 225 00:10:02,325 --> 00:10:02,992 [ LAUGHTER ] 226 00:10:02,992 --> 00:10:06,128 BUT I'M ‐‐ I REALLY DON'T TELL PEOPLE, YOU KNOW. 227 00:10:06,128 --> 00:10:10,900 I DON'T WANT TO SOUND LIKE I'M BRAGGING BUT JIMMY IS MY COUSIN. 228 00:10:10,900 --> 00:10:12,268 >> DO YOU THINK THAT'S SOMETHING YOU SHOULD DISCLOSE TO HUMAN 229 00:10:12,268 --> 00:10:12,601 RESOURCES? 230 00:10:12,601 --> 00:10:18,140 >> WELL ‐‐ UM ‐‐ WELL, I WOULD THINK THAT THEY WOULD KNOW. 231 00:10:18,140 --> 00:10:19,575 >> ALL RIGHT. ARE YOU READY FOR YOUR 232 00:10:19,575 --> 00:10:20,176 PERFORMANCE REVIEW? 233 00:10:20,176 --> 00:10:21,277 >> YES, PLEASE. 234 00:10:21,277 --> 00:10:22,712 >> YES, PLEASE. LOOK AT THOSE, THOSE ARE 235 00:10:22,712 --> 00:10:26,215 MANNERS, THERE WE GO! 236 00:10:26,215 --> 00:10:26,716 ♪ 237 00:10:26,716 --> 00:10:30,820 WELL, LET ME TELL YOU SOMETHING, MICKEY. YOUR CO‐WORKERS FIND YOU 238 00:10:30,820 --> 00:10:34,023 RELENTLESSLY UPBEAT AND POSITIVE, THEY FIND IT 239 00:10:34,023 --> 00:10:34,991 EXHAUSTING. BUT YOU SPREAD CHEER AROUND THE 240 00:10:34,991 --> 00:10:37,126 OFFICE ON A DAILY BASIS, AND THEY APPRECIATE THAT, BECAUSE 241 00:10:37,126 --> 00:10:40,997 THERE'S A LOT OF PEOPLE OUT THERE THAT THINK YOU ONLY GOT 242 00:10:40,997 --> 00:10:44,033 YOUR JOB BECAUSE OF NEPOTISM. YOU KNOW WHAT WE SAY TO THOSE 243 00:10:44,033 --> 00:10:48,571 MORONS? THINK AGAIN, MORONS! PLEASE! 244 00:10:48,571 --> 00:10:50,606 MICKEY, SIT DOWN DURING YOUR PERFORMANCE REVIEW. 245 00:10:50,606 --> 00:10:53,175 OKAY WHAT DO WE SAY? 246 00:10:53,175 --> 00:10:55,044 >> WHAT DO WE SAY? NO! 247 00:10:55,044 --> 00:10:55,409 >> YES! 248 00:10:55,409 --> 00:10:57,279 >> I THINK NOT! 249 00:10:57,279 --> 00:11:02,952 >> THEY THINK THAT YOU'RE GIVING IN, MICKEY. JUST GIVE IN. 250 00:11:02,952 --> 00:11:05,354 >> NO, LOOK AT THINGS DIFFERENTLY. 251 00:11:05,354 --> 00:11:07,957 >> MICKEY, PLEASE, MICKEY, MICKEY! 252 00:11:07,957 --> 00:11:10,726 >> COME ON, NO ‐‐ 253 00:11:10,726 --> 00:11:14,964 >> BECAUSE YOU AREVERY GOOD AT YOUR JOB! 254 00:11:14,964 --> 00:11:18,834 BECAUSE YOU ARE A BEAUTIFUL, SPARKLY, UNICORN GODDESS. 255 00:11:18,834 --> 00:11:22,872 AND DON'T YOU FORGET IT. NOW GET OUT OF HERE AND GO 256 00:11:22,872 --> 00:11:26,542 SMILE, BE HAPPY, AND STOP COMING NEAR ME! 257 00:11:26,542 --> 00:11:29,145 THIS IS AWKWARD, THIS IS REALLY AWKWARD AND WEIRD, THANK YOU 258 00:11:29,145 --> 00:11:29,745 VERY MUCH. 259 00:11:29,745 --> 00:11:30,546 >> THANK YOU! I THINK! 260 00:11:30,546 --> 00:11:34,950 >> BUT ‐‐ BUT ‐‐ BUT ‐‐ 261 00:11:34,950 --> 00:11:35,284 [ APPLAUSE ] 262 00:11:35,284 --> 00:11:41,357 >> COME ON IN. HOW ARE YOU DOING IN YOUR JOB? 263 00:11:41,357 --> 00:11:41,857 >> PRETTY GOOD. 264 00:11:41,857 --> 00:11:42,892 >> WHAT ARE YOU BEST AT? 265 00:11:42,892 --> 00:11:45,728 >> I PAY ATTENTION TO EVERYTHING, ATTENTION TO DETAIL, 266 00:11:45,728 --> 00:11:48,631 ATTENTION TO JIMMY, TRYING TO KEEP EVERYBODY HAPPY. 267 00:11:48,631 --> 00:11:49,465 >> HAVE YOU EVER USED MARIJUANA? 268 00:11:49,465 --> 00:11:51,734 >> YES, I HAVE. YES. OFTEN. 269 00:11:51,734 --> 00:11:52,401 >> YOU'RE OPEN ABOUT THAT? 270 00:11:52,401 --> 00:11:54,070 >> OH, YEAH, YES. 271 00:11:54,070 --> 00:11:54,904 >> EVER ON THE JOB? 272 00:11:54,904 --> 00:11:58,074 >> NOT ON THE JOB. AFTER THE JOB AND BEFORE THE JOB. 273 00:11:58,074 --> 00:11:58,507 BUT NOT ON THE JOB. 274 00:11:58,507 --> 00:12:00,342 [ LAUGHTER ] 275 00:12:00,342 --> 00:12:03,579 HOLD ON ‐‐ I HAVE SMOKED WITH SNOOP ONCE, THAT WAS ON THE JOB. 276 00:12:03,579 --> 00:12:04,046 >> ON THE JOB? 277 00:12:04,046 --> 00:12:04,680 >> YES, SIR. 278 00:12:04,680 --> 00:12:05,848 >> LET ME ASK YOU ONE MORE QUESTION. 279 00:12:05,848 --> 00:12:09,185 >> YES, SIR. 280 00:12:09,185 --> 00:12:11,020 >> DO YOU THINK YOU CAN JUST BOSS PEOPLE AROUND BECAUSE 281 00:12:11,020 --> 00:12:13,255 YOU'RE MANAGING A STAGE? 282 00:12:13,255 --> 00:12:14,023 >> NO. 283 00:12:14,023 --> 00:12:16,892 >> THAT WAS A RHETORICAL QUESTION. BECAUSE YOU CAN! 284 00:12:16,892 --> 00:12:20,930 AND YOU HAVE TO! BECAUSE THESE PEOPLE ARE ANIMALS! 285 00:12:20,930 --> 00:12:25,000 WHEN YOU FIRST GOT HERE, PEOPLE LOOKED AT THIS AND SAID, HEY, 286 00:12:25,000 --> 00:12:28,437 LOOK AT THIS BRITISH BLOKE, LOOK AT ALL THAT NEGATIVE. 287 00:12:28,437 --> 00:12:33,209 AND YOU USED IT TO FUEL YOUR FIRE, TO BECOME THE BEST DAMN 288 00:12:33,209 --> 00:12:35,311 STAGE MANAGER EITHER SIDE OF THE POND! 289 00:12:35,311 --> 00:12:37,646 NOW SURE, YOU HAVE AN OCCASIONAL TOKE HERE AND THERE. 290 00:12:37,646 --> 00:12:42,718 BUT YOU'RE SO GOOD AT YOUR JOB, YOU NEED PERFORMANCE DEHANSING 291 00:12:42,718 --> 00:12:43,652 DRUGS! ARE YOU THIRSTY? 292 00:12:43,652 --> 00:12:44,687 >> YEAH, I AM ‐‐ 293 00:12:44,687 --> 00:12:46,822 >> YOU'RE THIRSTY? HERE'S A GLASS! 294 00:12:46,822 --> 00:12:49,792 YOU DON'T NEED A GLASS, YOU DON'T NEED OF THAT! 295 00:12:49,792 --> 00:12:53,929 YOU KNOW WHAT, STAND UP. STAND UP AND SCREAM, I LOVE 296 00:12:53,929 --> 00:12:54,964 STAGE MANAGING! 297 00:12:54,964 --> 00:12:56,966 >> I LOVE STAGE MANAGING! 298 00:12:56,966 --> 00:13:03,172 >> I WANT MORE GLASS! I LOVE STAGE MANAGING! 299 00:13:03,172 --> 00:13:06,208 >> I LOVE STAGE MANAGING! 300 00:13:06,208 --> 00:13:12,114 >> THAT'S RIGHT, BABY! 301 00:13:12,114 --> 00:13:15,518 >> HEY, HOW ARE YOU? PLEASE HAVE A SEAT. 302 00:13:15,518 --> 00:13:16,252 >> OKAY. 303 00:13:16,252 --> 00:13:19,021 >> HAVE YOU EVER TAKEN ANYTHING OUT OF THE OFFICE THAT WAS THE 304 00:13:19,021 --> 00:13:21,323 SOLE PROPERTY OF THE WALT DISNEY COMPANY? 305 00:13:21,323 --> 00:13:21,657 [ LAUGHTER ] 306 00:13:21,657 --> 00:13:28,230 >> NO. NOTHING. 307 00:13:28,230 --> 00:13:33,035 NOTHING. THEY HAVE FOOD, I EAT IT. 308 00:13:33,035 --> 00:13:36,806 THEY HAVE TEQUILA, YOU KNOW, I JUST GRAB THE BOTTLE ‐‐ 309 00:13:36,806 --> 00:13:39,375 >> HAVE YOU EVER DRANK ON THE JOB? 310 00:13:39,375 --> 00:13:41,710 >> ALL THE TIME. 311 00:13:41,710 --> 00:13:42,044 [ LAUGHTER ] 312 00:13:42,044 --> 00:13:44,847 I WANT TO DRINK THE JOB. I WANT TO DRINK MONDAY THROUGH 313 00:13:44,847 --> 00:13:45,180 THURSDAY. 314 00:13:45,180 --> 00:13:50,820 >> DOES THAT ALCOHOL HELP YOU LAUGH AT JIMMY'S JOKES? 315 00:13:50,820 --> 00:13:53,756 >> HA HA HA! YES, SOMETIMES, YEAH. 316 00:13:53,756 --> 00:14:00,162 >> ALL RIGHT. ARE THOSE LAUGHS PRETTY GENUINE? 317 00:14:00,162 --> 00:14:01,063 >> SOMETIMES. 318 00:14:01,063 --> 00:14:03,566 >> YEAH, SOMETIMES? YOU'RE THE SECURITY GUARD HERE, 319 00:14:03,566 --> 00:14:03,931 RIGHT? 320 00:14:03,931 --> 00:14:04,266 >> UH‐HUH. 321 00:14:04,266 --> 00:14:07,469 >> SO LET ME ASK YOU SOMETHING. AM I SUPPOSED TO BE SCARED OF 322 00:14:07,469 --> 00:14:12,041 YOU? 323 00:14:12,041 --> 00:14:12,675 >> NO. I'M NOT A CRAZY GUY. 324 00:14:12,675 --> 00:14:16,245 >> GUILLERMO! YOU'RE WEARING SLACKS AND THAT 325 00:14:16,245 --> 00:14:19,849 LITTLE TIE. THAT'S A CLIP‐ON! A CLIP‐ON! 326 00:14:19,849 --> 00:14:23,953 JIMMY KIMMEL IS A FAMOUS MAN! HE NEEDS THE TYPE OF PROTECTION 327 00:14:23,953 --> 00:14:29,191 A HERO OF HIS CALIBER DESERVES! STAND UP, GUILLERMO, STAND UP! 328 00:14:29,191 --> 00:14:33,229 SHOW THEM WHAT YOU GOT, SHOW THEM WHAT YOU GOT, SHOW IT OFF, 329 00:14:33,229 --> 00:14:35,965 GUILLERMO, TAKE OFF YOUR SHIRT, SHOW THEM, THAT'S RIGHT, SHOW 330 00:14:35,965 --> 00:14:41,403 THEM YOU'RE A CHAMP! YES, GUILLERMO, THAT'S RIGHT! 331 00:14:41,403 --> 00:14:43,839 SHOW THEM YOUR GUNS! SAY, I'M THE CHAMP. 332 00:14:43,839 --> 00:14:44,640 >> I AM THE CHAMP. 333 00:14:44,640 --> 00:14:45,808 >> SAY, I'M THE CHAMP I AM. 334 00:14:45,808 --> 00:14:46,775 >> I AM ‐‐ 335 00:14:46,775 --> 00:14:50,813 >> SAY, I'M THE CHAMP! 336 00:14:50,813 --> 00:14:52,514 >> I AM THE CHAMP. 337 00:14:52,514 --> 00:14:55,551 >> YOU KNOW WHAT P. A. STANDS FOR? 338 00:14:55,551 --> 00:14:56,452 >> PRODUCTION ASSISTANT? 339 00:14:56,452 --> 00:15:00,890 >> NO, NOT WHAT YOU'RE DOING. IT STANDS FOR "POWER OUTPUT." 340 00:15:00,890 --> 00:15:02,591 >> DO YOU WANT TO WATCH TV ON THIS? 341 00:15:02,591 --> 00:15:05,895 DO YOU WANT TO WATCH TV ON THIS? THERE IS A TV, WE'RE NOT 342 00:15:05,895 --> 00:15:08,697 WATCHING THAT. OH, JUST SLAM THAT CHAIR, SAY 343 00:15:08,697 --> 00:15:11,233 I'M THE CHAMP. SLAM THE CHAIR RIGHT THERE, 344 00:15:11,233 --> 00:15:13,569 GUILLERMO. RIGHT THERE, GUILLERMO! 345 00:15:13,569 --> 00:15:15,738 [ CHEERS AND APPLAUSE ] 346 00:15:15,738 --> 00:15:19,808 >> Jimmy: THANK YOU, MIZ. REALLY STRAIGHTENED EVERYBODY 347 00:15:19,808 --> 00:15:23,012 OUT. WE HAVE A GOOD SHOW FOR YOU TONIGHT. 348 00:15:23,012 --> 00:15:26,315 KATEY SAGAL IS WITH US, AND BE RIGHT BACK WITH LUKE BRYAN, SO 349 00:15:26,315 --> 00:15:27,795 STICK AROUND! 350 00:15:33,044 --> 00:15:34,004 [ CHEERS AND APPLAUSE ] 351 00:15:34,004 --> 00:15:37,210 ♪ 352 00:15:37,210 --> 00:15:38,918 >> Jimmy: HI, THERE. TONIGHT, FROM THE NEW SHOW 353 00:15:38,918 --> 00:15:41,020 "REBEL" WHICH AIRS HERE ON ABC, KATEY SAGAL IS WITH US. 354 00:15:41,020 --> 00:15:43,423 [ CHEERS AND APPLAUSE ] 355 00:15:43,423 --> 00:15:47,094 TOMORROW NIGHT, MARK WAHLBERG AND HUNTER BIDEN ARE HERE WITH 356 00:15:47,094 --> 00:15:50,197 MUSIC FROM THE WALLFLOWERS. OUR FIRST GUEST IS A COUNTRY 357 00:15:50,197 --> 00:15:56,003 STAR WITH MORE THAN 12 MILLION ALBUMS SOLD, 26 NUMBER ONE HITS, 358 00:15:56,003 --> 00:15:58,205 AND TEETH SO WHITE YOU COULD BUILD A PIANO OUT OF THEM. 359 00:15:58,205 --> 00:15:58,873 [ LAUGHTER ] 360 00:15:58,873 --> 00:16:00,274 WATCH HIM LIVE ON "AMERICAN IDOL" SUNDAYS AND MONDAYS HERE 361 00:16:00,274 --> 00:16:08,249 ON ABC, PLEASE WELCOME LUKE BRYAN! 362 00:16:08,249 --> 00:16:08,749 [ CHEERS AND APPLAUSE ] 363 00:16:08,749 --> 00:16:16,557 ♪ 364 00:16:16,557 --> 00:16:17,124 >> Jimmy: HOW'S IT GOING? 365 00:16:17,124 --> 00:16:22,897 >> NICE. THIS FEELS LIKE WORK. 366 00:16:22,897 --> 00:16:23,331 >> Jimmy: YEAH. 367 00:16:23,331 --> 00:16:24,999 >> IS IT WORK? WE'RE BACK TO WORK? 368 00:16:24,999 --> 00:16:26,734 >> Jimmy: THAT IS GOOD IT FEELS LIKE WORK? 369 00:16:26,734 --> 00:16:28,469 IT'S NOT SUPPOSED TO FEEL LIKE WORK. 370 00:16:28,469 --> 00:16:29,737 >> MY WIFE'S ENJOYING IT. 371 00:16:29,737 --> 00:16:31,272 >> Jimmy: I'M ALREADY DOING SOMETHING WRONG. 372 00:16:31,272 --> 00:16:33,341 YOUR WIFE'S ENJOYING IT BECAUSE YOU'RE NOT HOME? 373 00:16:33,341 --> 00:16:36,744 >> BECAUSE I'M OUT AND ABOUT AND OUT OF HER HAIR. 374 00:16:36,744 --> 00:16:37,077 [ LAUGHTER ] 375 00:16:37,077 --> 00:16:37,678 >> Jimmy: 26 NUMBER ONE HITS. 376 00:16:37,678 --> 00:16:40,548 >> I KNOW, WHEN YOU RAMBLED OFF THE SETS ‐‐ 377 00:16:40,548 --> 00:16:40,948 >> Jimmy: CRAZY. 378 00:16:40,948 --> 00:16:42,416 >> KIND OF MAKES ME PROUD. 379 00:16:42,416 --> 00:16:42,917 [ CHEERS AND APPLAUSE ] 380 00:16:42,917 --> 00:16:45,519 >> Jimmy: IT SHOULD MAKE YOU PROUD. 381 00:16:45,519 --> 00:16:49,357 THE LAST TIME I SAW YOU, YOU WERE WITH KATY AND LIONEL. 382 00:16:49,357 --> 00:16:51,626 >> RIGHT BEFORE THE YOU KNOW WHAT HIT THE FAN. 383 00:16:51,626 --> 00:16:53,461 >> Jimmy: YEAH, RIGHT. SO YOU WENT HOME. 384 00:16:53,461 --> 00:16:55,096 WHERE DO YOU LIVE MOST OF THE TIME? 385 00:16:55,096 --> 00:16:58,366 >> WE ACCIDENTALLY GOT QUARANTINED AT THE BEACH. 386 00:16:58,366 --> 00:17:03,137 WHICH SOUNDS AMAZING. UNTIL YOU START TRYING TO 387 00:17:03,137 --> 00:17:04,472 HOMESCHOOL AT THE BEACH. 388 00:17:04,472 --> 00:17:06,941 >> Jimmy: OH. TRYING TO KEEP THE KIDS 389 00:17:06,941 --> 00:17:07,908 UNINTERESTED IN THE BEACH? 390 00:17:07,908 --> 00:17:11,579 >> OH, YEAH. I'M NOT ‐‐ YOU KNOW, MY WIFE ‐‐ 391 00:17:11,579 --> 00:17:14,715 YOU KNOW, SHE TOWED ‐‐ SHE MADE ALL THAT HAPPEN. 392 00:17:14,715 --> 00:17:17,752 I WAS A TERRIBLE HOMESCHOOLER. 393 00:17:17,752 --> 00:17:18,085 [ LAUGHTER ] 394 00:17:18,085 --> 00:17:19,387 >> Jimmy: WERE YOU REALLY HOMESCHOOLING? 395 00:17:19,387 --> 00:17:21,956 A LOT OF PARENTS SAY THEY'RE HOMESCHOOLING THEIR KIDS, BUT 396 00:17:21,956 --> 00:17:24,659 REALLY WHAT THEY'RE DOING IS WALKING AROUND THE KITCHEN WHILE 397 00:17:24,659 --> 00:17:27,194 THE KIDS ARE ON THE COMPUTER WITH THE TEACHER. 398 00:17:27,194 --> 00:17:30,197 >> YES, WE'RE DIGRESSING IN EDUCATION. 399 00:17:30,197 --> 00:17:30,531 [ LAUGHTER ] 400 00:17:30,531 --> 00:17:32,533 >> Jimmy: THE WORD "HOMESCHOOLING" IS BEING USED 401 00:17:32,533 --> 00:17:33,968 VERY LIBERALLY NOW. 402 00:17:33,968 --> 00:17:34,635 >> WHAT A CHALLENGE. 403 00:17:34,635 --> 00:17:39,106 >> Jimmy: I WANT TO ASK YOU ABOUT ‐‐ SPEAKING OF KIDS, YOUR 404 00:17:39,106 --> 00:17:39,540 MOM ‐‐ 405 00:17:39,540 --> 00:17:40,641 >> OH, GOODNESS. 406 00:17:40,641 --> 00:17:43,077 >> Jimmy: WHO IS QUITE A CHARACTER, BASED ON WHAT I CAN 407 00:17:43,077 --> 00:17:49,316 TELL FROM HER INSTAGRAM ACCOUNT. PLAY THE VIDEO OF LUKE'S MOM. 408 00:17:49,316 --> 00:17:51,652 >> HI. YOU LUKE BRYAN FANS, CRASHING 409 00:17:51,652 --> 00:17:56,090 THE PARTY, COME TO MAMA BRYAN'S SPA PARTY. 410 00:17:56,090 --> 00:18:00,661 [ LAUGHTER ] 411 00:18:00,661 --> 00:18:01,162 [ CHEERS AND APPLAUSE ] 412 00:18:01,162 --> 00:18:04,598 >> Jimmy: FIRST, I GUESS DID PEOPLE SHOW UP FOR HER SPA PARTY? 413 00:18:04,598 --> 00:18:07,401 >> WELL, YEAH, THAT'S CALLED HER VERSION OF ART DIRECTION. 414 00:18:07,401 --> 00:18:08,736 >> Jimmy: UH‐HUH. 415 00:18:08,736 --> 00:18:09,069 [ LAUGHTER ] 416 00:18:09,069 --> 00:18:10,204 >> HER VERSION OF ART. 417 00:18:10,204 --> 00:18:13,074 >> Jimmy: SO SHE DIDN'T ACTUALLY POUND ALL THOSE BUDWEISERS? 418 00:18:13,074 --> 00:18:15,776 >> WELL ‐‐ YOU KNOW. IT WAS DAYTIME. 419 00:18:15,776 --> 00:18:20,948 SO SHE DOESN'T START DRINKING HER BEER UNTIL 7:00 CENTRAL. 420 00:18:20,948 --> 00:18:21,415 SHE WILL NOT START ‐‐ 421 00:18:21,415 --> 00:18:24,852 [ LAUGHTER ] 422 00:18:24,852 --> 00:18:26,220 THIS IS A REAL‐LIFE STAT. 423 00:18:26,220 --> 00:18:29,023 >> Jimmy: REALLY? SO IF SHE'S ‐‐ LET'S SAY SHE'S 424 00:18:29,023 --> 00:18:33,461 ON THE WEST COAST. WILL SHE START AT ‐‐ THEN WHAT, 425 00:18:33,461 --> 00:18:33,928 5:00? 426 00:18:33,928 --> 00:18:37,965 >> YES, SHE WILL ‐‐ LIKE, IS JET LAG THE RIGHT TERM FOR BEER 427 00:18:37,965 --> 00:18:39,233 DRINKING OR WHATEVER? 428 00:18:39,233 --> 00:18:39,566 [ LAUGHTER ] 429 00:18:39,566 --> 00:18:42,236 SHE MOVES IT. SHE MOVES IT WITH THE TIME ZONES. 430 00:18:42,236 --> 00:18:43,971 >> Jimmy: THIS IS A DAILY OCCURRENCE? 431 00:18:43,971 --> 00:18:44,304 >> DAILY. 432 00:18:44,304 --> 00:18:49,944 >> Jimmy: DAILY, YEAH, YEAH. AND ARE YOU WORRIED ABOUT THE 433 00:18:49,944 --> 00:18:52,780 FACT THAT SHE'S ON SOCIAL MEDIA? I THINK SHE HAS A LOT OF 434 00:18:52,780 --> 00:18:55,516 FOLLOWERS, A COUPLE HUNDRED THOUSAND. 435 00:18:55,516 --> 00:18:58,619 >> YES ‐‐ YOU KNOW, I WAS ON THE GRAM, YOU KNOW, AND I LOOKED 436 00:18:58,619 --> 00:19:03,157 DOWN, AND MY MOTHER HAD 209,000 INSTAGRAM FOLLOWERS. 437 00:19:03,157 --> 00:19:07,194 AND I'M LIKE, HOW IN THE HELL DID THIS HAPPEN? 438 00:19:07,194 --> 00:19:07,528 [ LAUGHTER ] 439 00:19:07,528 --> 00:19:08,295 >> Jimmy: RIGHT, YEAH. 440 00:19:08,295 --> 00:19:11,532 >> THEN I STARTED WORRYING ABOUT THE POTENTIAL FALLOUT, YOU KNOW. 441 00:19:11,532 --> 00:19:13,968 BECAUSE ‐‐ BECAUSE THERE'S NO TELLING WHAT SHE'S GOING TO WAKE 442 00:19:13,968 --> 00:19:14,335 UP AND DO. 443 00:19:14,335 --> 00:19:14,902 >> Jimmy: RIGHT, YEAH, YEAH. 444 00:19:14,902 --> 00:19:16,871 [ LAUGHTER ] 445 00:19:16,871 --> 00:19:19,507 OBVIOUSLY. 446 00:19:19,507 --> 00:19:23,444 >> WELL, THE SAD PART IS SHE'S IN A SPA WITH ‐‐ I PUT A NEW 447 00:19:23,444 --> 00:19:25,946 BEER OUT. SHE'S IN A SPA WITH BUD LIGHT. 448 00:19:25,946 --> 00:19:29,483 I'M LIKE, MAMA, IF YOU'RE GOING TO POST, AT LEAST HAVE YOUR 449 00:19:29,483 --> 00:19:30,251 SON'S BEER. 450 00:19:30,251 --> 00:19:30,584 [ LAUGHTER ] 451 00:19:30,584 --> 00:19:34,722 >> Jimmy: YOU KNOW WHAT, SOME LOYALTIES GO DEEPER THAN BLOOD. 452 00:19:34,722 --> 00:19:38,125 WHEN YOU GET IN A BUD LIGHT, YOU KNOW, YOU MAKE A LIFE OUT OF IT 453 00:19:38,125 --> 00:19:40,261 AND THAT'S THAT, THAT'S ALL YOU CAN DO. 454 00:19:40,261 --> 00:19:40,594 [ LAUGHTER ] 455 00:19:40,594 --> 00:19:43,831 SHE DID POST SOMETHING THAT I WONDER HOW YOU TOOK IT. 456 00:19:43,831 --> 00:19:48,769 BUT SHE POSTED YOUR REPORT CARD FROM THE THIRD GRADE. 457 00:19:48,769 --> 00:19:51,138 WHAT WAS YOUR THIRD GRADE TEACHER'S NAME? 458 00:19:51,138 --> 00:19:52,807 >> BELINDA CLARK. CAN I SAY THAT? 459 00:19:52,807 --> 00:19:56,644 >> Jimmy: NO, I DON'T KNOW ANY OF MY TEACHERS' FIRST NAMES FROM 460 00:19:56,644 --> 00:19:59,446 ELEMENTARY SCHOOL. MRS. CLARK WROTE, LUKE STILL 461 00:19:59,446 --> 00:20:00,481 CRIES WHEN HE THINKS HE MIGHT HAVE HOMEWORK. 462 00:20:00,481 --> 00:20:02,683 [ LAUGHTER ] 463 00:20:02,683 --> 00:20:07,021 >> HEY, I STILL HAVE THE IMPENDING HOMEWORK DREAM. 464 00:20:07,021 --> 00:20:08,122 >> Jimmy: YOU DO? 465 00:20:08,122 --> 00:20:11,292 >> YOU KNOW, WHERE YOU WAKE UP AT NIGHT WITH A LOT OF ANXIETY 466 00:20:11,292 --> 00:20:12,359 THINKING YOU HAVE HOMEWORK. 467 00:20:12,359 --> 00:20:14,061 >> Jimmy: WHEN YOU WERE IN SCHOOL, WERE YOU A STUDENT THAT 468 00:20:14,061 --> 00:20:16,564 WAS THAT CONCERNED ABOUT GETTING ‐‐ 469 00:20:16,564 --> 00:20:18,899 >> I REALLY ‐‐ I DON'T KNOW WHY I HAVE THE DREAMS, I REALLY 470 00:20:18,899 --> 00:20:19,232 WASN'T. 471 00:20:19,232 --> 00:20:21,569 [ LAUGHTER ] 472 00:20:21,569 --> 00:20:23,470 >> Jimmy: LET'S SEE SOME OF YOUR OTHER MARKS HERE. 473 00:20:23,470 --> 00:20:26,640 LUKE IS SO WORRIED ABOUT NOT FINISHING HIS WORK THAT HE WILL 474 00:20:26,640 --> 00:20:28,676 NOT LISTEN WHEN I GIVE THE DIRECTIONS. 475 00:20:28,676 --> 00:20:30,845 WELL, THAT PLAYS INTO THE DREAMS RIGHT THERE. 476 00:20:30,845 --> 00:20:34,048 >> THAT ALL SOUNDS LIKE JUST PNDERING, TO ME. 477 00:20:34,048 --> 00:20:37,351 >> Jimmy: YOU ALSO GOT IN THE CATEGORY OF ART AND MUSIC, YOU 478 00:20:37,351 --> 00:20:41,255 GOT A "SATISFACTORY." WHICH IS ‐‐ YOU KNOW YOU GOT 479 00:20:41,255 --> 00:20:44,558 SOME Gs, G‐PLUSES. YOU'D THINK IN MUSIC YOU WOULD 480 00:20:44,558 --> 00:20:45,392 HAVE EXCELLED. 481 00:20:45,392 --> 00:20:47,561 >> YEAH, I MEAN ‐‐ I THINK THAT'S STILL TRUE TO THIS DAY, 482 00:20:47,561 --> 00:20:47,926 RIGHT? 483 00:20:47,926 --> 00:20:48,260 [ LAUGHTER ] 484 00:20:48,260 --> 00:20:53,334 >> Jimmy: I DON'T KNOW. I ALSO SAW A LOT OF PICTURES ‐‐ 485 00:20:53,334 --> 00:20:56,570 >> BASED ON MY GRAMMY NOMINATIONS, I GUESS SHE 486 00:20:56,570 --> 00:20:57,004 PREDICTED IT RIGHT. 487 00:20:57,004 --> 00:20:58,639 [ LAUGHTER ] 488 00:20:58,639 --> 00:21:00,875 >> Jimmy: MAYBE THAT'S WHAT THE "G" WAS FOR, GRAMMYS. 489 00:21:00,875 --> 00:21:04,745 >> OR LACK OF. 490 00:21:04,745 --> 00:21:08,115 >> Jimmy: YOUR MOM POSTS A LOT PICTURES WITH FISH. SHE FISHES. 491 00:21:08,115 --> 00:21:08,448 >> YES. 492 00:21:08,448 --> 00:21:09,650 >> Jimmy: YOU ARE A FISHERMAN? 493 00:21:09,650 --> 00:21:11,952 >> YES, I WAS RAISED A FISHERMAN. 494 00:21:11,952 --> 00:21:13,220 >> Jimmy: RAISED A FISHERMAN. 495 00:21:13,220 --> 00:21:14,154 >> VERY SERIOUS. 496 00:21:14,154 --> 00:21:18,959 >> Jimmy: YOU POSTED YOURSELF A VIDEO I'D LOVE FOR YOU TO TAKE 497 00:21:18,959 --> 00:21:21,128 US THROUGH. YOU WENT ON A FISHING TRIP WITH 498 00:21:21,128 --> 00:21:21,862 A FRIEND? 499 00:21:21,862 --> 00:21:27,868 >> SO MY GUITAR TECH, WHO WHEN YOU HAVE A GUITAR TECH, THE 500 00:21:27,868 --> 00:21:29,803 RELATIONSHIP ON THE ROAD ‐‐ I MEAN, HE'S MY GUY. 501 00:21:29,803 --> 00:21:30,704 >> Jimmy: YEAH, RIGHT. 502 00:21:30,704 --> 00:21:33,307 >> I MEAN, WE'RE ‐‐ HE'S RUNNING GUITARS OUT. 503 00:21:33,307 --> 00:21:36,110 I'M LIKE, HOW DO I SOUND? IS THE CROWD INTO IT? 504 00:21:36,110 --> 00:21:40,047 YEAH, BOSS, KEEP GOING, KEEP GOING! WE SWAP GUITARS. 505 00:21:40,047 --> 00:21:44,618 AND RUSS, I'VE ALWAYS PROMISED HIM, HEY, MAN, THE BASS ARE 506 00:21:44,618 --> 00:21:47,454 BITING, THE FISH ARE BITING, COME TO THE HOUSE. 507 00:21:47,454 --> 00:21:48,722 >> Jimmy: YOU HAVE A LAKE AT YOUR HOUSE? 508 00:21:48,722 --> 00:21:53,127 >> I'VE GOT A LAKE AT MY HOUSE. I STOCKED MY LAKE WITH RAINBOW 509 00:21:53,127 --> 00:21:55,696 TROUT SO THE BASS CAN EAT THE TROUT AND GET BIGGER. 510 00:21:55,696 --> 00:21:56,931 >> Jimmy: OH, WOW. 511 00:21:56,931 --> 00:21:58,265 >> SEE? SCIENCE. 512 00:21:58,265 --> 00:21:58,598 [ LAUGHTER ] 513 00:21:58,598 --> 00:22:04,271 >> Jimmy: SCIENCE, YEAH. 514 00:22:04,271 --> 00:22:06,740 >> ACCIDENTALLY I CAUGHT A TROUT, OKAY? YOU KNOW TROUT. 515 00:22:06,740 --> 00:22:07,341 THEY'RE SLIPPERY. 516 00:22:07,341 --> 00:22:08,909 >> Jimmy: YES. 517 00:22:08,909 --> 00:22:11,745 >> I'VE GOT THE TROUT. I'M TAKING THE HOOK OUT. 518 00:22:11,745 --> 00:22:15,049 AND JUST THE TROUT KICKED, SLIPPED, AND THE HOOKS WENT 519 00:22:15,049 --> 00:22:17,318 RIGHT THROUGH MY HAND. AND, YOU KNOW, THE TROUT'S 520 00:22:17,318 --> 00:22:21,355 JUMPING. I'M LIKE ‐‐ WE GOT A PROBLEM, 521 00:22:21,355 --> 00:22:21,989 RULES. 522 00:22:21,989 --> 00:22:23,090 >> Jimmy: YEAH. 523 00:22:23,090 --> 00:22:26,994 >> YEAH, I TOOK TWO HOOKS, ONE TO THE BONE. 524 00:22:26,994 --> 00:22:28,429 >> Jimmy: ARE YOU WORRIED AT THIS POINT? 525 00:22:28,429 --> 00:22:31,665 LIKE, OH, BOY, THIS COULD AFFECT MY GUITAR PLAYING? 526 00:22:31,665 --> 00:22:35,135 >> MY FIRST THOUGHT WAS, I'VE RUINED RUSS' FISHING TRIP. 527 00:22:35,135 --> 00:22:35,469 [ LAUGHTER ] 528 00:22:35,469 --> 00:22:36,170 >> Jimmy: RIGHT, YEAH. 529 00:22:36,170 --> 00:22:39,540 >> AND MY LOSING AN EMPLOYEE OVER THIS ‐‐ 530 00:22:39,540 --> 00:22:40,774 >> Jimmy: THIS IS A BARBED HOOK? 531 00:22:40,774 --> 00:22:41,909 >> TWO BARBED HOOKS. 532 00:22:41,909 --> 00:22:44,912 >> Jimmy: OH, BOY. WELL, HERE'S THE VIDEO. 533 00:22:44,912 --> 00:22:49,116 >> WELL, RUSS? MY GUITAR TECH, I INVITED RUSS 534 00:22:49,116 --> 00:22:52,119 ON A FISHING TRIP. LEAVE IT TO ME. 535 00:22:52,119 --> 00:22:55,990 I RUINED THE FISHING TRIP. WE'LL BE BACK ON THE WATER IN 536 00:22:55,990 --> 00:23:01,161 ABOUT 25 MINUTES. DOES THIS VIOLATE ‐‐ 537 00:23:01,161 --> 00:23:02,429 >> IT VIOLATES SOMETHING. 538 00:23:02,429 --> 00:23:06,834 >> WE'RE VIOLATING HIPAA SOMEHOW. GOT THE HOOK OUT. 539 00:23:06,834 --> 00:23:09,003 WE'RE BACK. 540 00:23:09,003 --> 00:23:09,336 [ LAUGHTER ] 541 00:23:09,336 --> 00:23:14,375 [ CHEERS AND APPLAUSE ] 542 00:23:14,375 --> 00:23:16,143 >> Jimmy: YOU KNOW WHAT I LIKE THE BEST THING ABOUT THAT? 543 00:23:16,143 --> 00:23:18,746 EVEN THOUGH YOU HAD TWO HOOKS IN YOUR THUMB, YOU STILL DIDN'T 544 00:23:18,746 --> 00:23:19,113 LESS RUSS DRIVE. 545 00:23:19,113 --> 00:23:20,647 [ LAUGHTER ] 546 00:23:20,647 --> 00:23:21,849 >> NO, HE WAS DRIVING. 547 00:23:21,849 --> 00:23:22,516 >> Jimmy: HE WAS DRIVING? 548 00:23:22,516 --> 00:23:26,653 >> I GUESS THE WAY WE SHOT IT ‐‐ 549 00:23:26,653 --> 00:23:29,123 >> Jimmy: YOU'RE IN ENGLAND OR SOMETHING, WHAT'S GOING ON? 550 00:23:29,123 --> 00:23:32,893 >> I KNEW BETTER THAN ‐‐ FIRST OF ALL, PUT YOUR SEAT BELT ON TO 551 00:23:32,893 --> 00:23:34,561 SHOOT THE VIDEO. 552 00:23:34,561 --> 00:23:34,895 [ LAUGHTER ] 553 00:23:34,895 --> 00:23:38,265 >> Jimmy: LUKE BRYAN IS WITH US. "AMERICAN IDOL" SUNDAY AND 554 00:23:38,265 --> 00:23:41,902 MONDAY NIGHTS HERE ON ABC. WE'LL BE RIGHT BACK. 555 00:23:50,144 --> 00:23:50,509 ♪ 556 00:23:50,509 --> 00:23:50,844 [ CHEERS AND APPLAUSE ] 557 00:23:50,844 --> 00:23:54,415 >> Jimmy: WE ARE BACK WITH LUKE BRYAN. 558 00:23:54,415 --> 00:23:56,517 BETTER GET YOUR VOICE IN SHAPE, YOU'RE GOING TO BE LIVE ON 559 00:23:56,517 --> 00:23:56,917 "AMERICAN IDOL." 560 00:23:56,917 --> 00:24:00,254 >> THE PANDEMIC HAS BEEN A LITTLE ROUGH ON THE BODY. 561 00:24:00,254 --> 00:24:00,587 [ LAUGHTER ] 562 00:24:00,587 --> 00:24:04,525 AND SO ‐‐ I WENT CYCLING IN L. A. YESTERDAY. 563 00:24:04,525 --> 00:24:07,561 AND I RODE UP A BIG HILL. THEN WHEN YOU GET UP THE HILL 564 00:24:07,561 --> 00:24:10,831 AND YOU LOOK BACK DOWN IN THE VALLEY, AND YOU REALIZE WHAT 565 00:24:10,831 --> 00:24:12,499 YOU'VE BEEN BREATHING IN FOR TWO HOURS? 566 00:24:12,499 --> 00:24:13,167 >> Jimmy: RIGHT, YEAH. 567 00:24:13,167 --> 00:24:18,372 >> AND NOW MY VOICE, I WAS LIKE ‐‐ I JUST PEDALED THROUGH 568 00:24:18,372 --> 00:24:20,207 ALL OF THAT SMOG. BUT ANYWAY. 569 00:24:20,207 --> 00:24:21,809 >> Jimmy: IT MAKES YOU STRONGER, IT'S GOOD FOR YOU, ACTUALLY. 570 00:24:21,809 --> 00:24:25,712 [ LAUGHTER ] 571 00:24:25,712 --> 00:24:29,049 YEAH, YOU HAVE HAD A ROUGH ‐‐ BETWEEN THE TETANUS SHOTS AND 572 00:24:29,049 --> 00:24:31,418 THE SMOG ‐‐ 573 00:24:31,418 --> 00:24:33,178 >> TETANUS SHOTS, ANTIBIOTICS. 574 00:24:33,178 --> 00:24:35,948 >> Jimmy: WHEN KATY PERRY WAS HERE IN FEBRUARY, SHE TOLD ME 575 00:24:35,948 --> 00:24:39,518 YOU GAVE HER AS A BABY GIFT FOR HER DAUGHTER DAISY, YOU GAVE HER 576 00:24:39,518 --> 00:24:40,352 A BB GUN. 577 00:24:40,352 --> 00:24:45,357 >> A DAISY BB GUN? WHICH IS A GREAT IDEA. 578 00:24:45,357 --> 00:24:45,691 [ APPLAUSE ] 579 00:24:45,691 --> 00:24:47,426 >> IT JUST SEEMED TO BE THE RIGHT GIFT. 580 00:24:47,426 --> 00:24:49,395 >> Jimmy: DO YOU THINK SHE WILL EVER GIVE IT TO HER DAUGHTER? 581 00:24:49,395 --> 00:24:51,163 OR WILL THAT GO RIGHT IN THE GARBAGE? 582 00:24:51,163 --> 00:24:54,600 >> NO, IT WILL GO ‐‐ YES, THAT WILL NEVER SEE THE LIGHT OF DAY. 583 00:24:54,600 --> 00:24:54,933 [ LAUGHTER ] 584 00:24:54,933 --> 00:24:58,137 >> Jimmy: THAT WILL NEVER SEE THE LIGHT OF DAY. SO ‐‐ 585 00:24:58,137 --> 00:25:00,739 >> MAYBE UNDER LOCK AND KEY. 586 00:25:00,739 --> 00:25:02,841 >> Jimmy: BY THE WAY, LIONEL WAS HERE TOO. 587 00:25:02,841 --> 00:25:07,746 YOU GUYS HAVE ALL BEEN HERE. HE WAS HERE LIKE TWO WEEKS AGO. 588 00:25:07,746 --> 00:25:10,983 I ASKED, HAVE YOU EVER MADE LOVE TO ONE OF YOUR OWN SONGS? 589 00:25:10,983 --> 00:25:11,316 [ LAUGHTER ] 590 00:25:11,316 --> 00:25:13,752 HE DODGED THE QUESTION A LITTLE BIT. 591 00:25:13,752 --> 00:25:14,486 >> NO WAY HE HASN'T. 592 00:25:14,486 --> 00:25:14,820 [ LAUGHTER ] 593 00:25:14,820 --> 00:25:16,221 >> Jimmy: HE SAID HE DOESN'T REMEMBER. 594 00:25:16,221 --> 00:25:17,456 I KNOW, EVEN I HAVE MADE LOVE TO HIS SONGS. 595 00:25:17,456 --> 00:25:19,658 [ LAUGHTER ] 596 00:25:19,658 --> 00:25:20,859 >> EVERYBODY HAS. 597 00:25:20,859 --> 00:25:23,862 >> Jimmy: I GUESS ‐‐ YEAH. WHAT I WANTED TO ASK YOU IS, DO 598 00:25:23,862 --> 00:25:28,701 YOU THINK LIONEL HAS MADE LOVE TO ONE OF HIS SONGS? 599 00:25:28,701 --> 00:25:31,036 >> 1 MILLION PERCENT. 600 00:25:31,036 --> 00:25:31,403 [ LAUGHTER ] 601 00:25:31,403 --> 00:25:32,838 THAT MAY BE A LOW PERCENTAGE. 602 00:25:32,838 --> 00:25:34,606 >> Jimmy: HAVE YOU MADE HOFF TO ONE OF YOUR SONGS? 603 00:25:34,606 --> 00:25:35,340 >> WELL ‐‐ 604 00:25:35,340 --> 00:25:39,945 [ LAUGHTER ] 605 00:25:39,945 --> 00:25:45,217 JUST LET ME GET BACK HOME, YOU KNOW. 606 00:25:45,217 --> 00:25:49,254 >> Jimmy: OKAY, ALL RIGHT. WHAT SONG ARE YOU GOING TO BE 607 00:25:49,254 --> 00:25:50,289 DOING FOR US LATER ON? 608 00:25:50,289 --> 00:25:52,791 >> "DRINK A LITTLE WHISKEY DOWN." 609 00:25:52,791 --> 00:25:53,292 [ CHEERS AND APPLAUSE ] 610 00:25:53,292 --> 00:25:55,394 >> Jimmy: THAT'S PART OF YOUR ‐‐ THE DELUXE VERSION OF YOUR 611 00:25:55,394 --> 00:25:55,759 ALBUM? 612 00:25:55,759 --> 00:25:59,465 >> YEAH, WE GOT SIX SONGS COMING OUT ON FRIDAY. 613 00:25:59,465 --> 00:26:03,102 >> Jimmy: HOW MANY OF THEM ARE ABOUT ALCOHOL? 614 00:26:03,102 --> 00:26:07,473 >> WELL, THERE WAS ONE MARGARITA, SO THAT PRETTY MUCH 615 00:26:07,473 --> 00:26:10,075 SAYS ITSELF. 616 00:26:10,075 --> 00:26:11,744 >> Jimmy: OKAY, GOT THAT ONE. 617 00:26:11,744 --> 00:26:14,313 >> THAT'S WHAT GETS US THROUGH THE PANDEMIC. 618 00:26:14,313 --> 00:26:18,650 >> Jimmy: ONE MARGARITA, JUST A SIP, DRINK A BEER, BEER IN THE 619 00:26:18,650 --> 00:26:22,521 HEADLIGHTS, DRINKING BEER AND WASTING BULLETS, YOUR MAMA 620 00:26:22,521 --> 00:26:25,390 SHOULD HAVE NAMED YOUR WHISKEY, YOUNG ON YOUTUBE, DRUNK TO 621 00:26:25,390 --> 00:26:28,427 DRIVE, TAKE MY DRUNK ASS HOME, DRINKING AGAIN, AND HUNG OVER IN 622 00:26:28,427 --> 00:26:29,294 A HOTEL ROOM. 623 00:26:29,294 --> 00:26:31,063 [ LAUGHTER ] 624 00:26:31,063 --> 00:26:33,365 >> WELL. IT'S THAT "SATISFACTORY" COMING 625 00:26:33,365 --> 00:26:35,601 UP RIGHT THERE. 626 00:26:35,601 --> 00:26:35,934 [ LAUGHTER ] 627 00:26:35,934 --> 00:26:36,401 [ CHEERS AND APPLAUSE ] 628 00:26:36,401 --> 00:26:38,771 >> Jimmy: I WAS THINKING ABOUT YOU AND THESE SONGS AND WHAT 629 00:26:38,771 --> 00:26:40,873 THIS MIGHT MEAN, WHAT IT MIGHT ADD UP TO. 630 00:26:40,873 --> 00:26:43,008 I THINK I KNOW WHO WE HAVE TO ‐‐ 631 00:26:43,008 --> 00:26:46,612 >> JIMMY, A LARGE BODY OF WORK, A LOT OF MUSIC, AND IT'S NOT 632 00:26:46,612 --> 00:26:50,115 FAIR FOR YOU TO JUST SINGLE OUT ALL THE DRINKING SONGS. 633 00:26:50,115 --> 00:26:53,318 >> Jimmy: I KNOW, IT'S NOT FAIR. AND YET IF THERE'S ONE PERSON WE 634 00:26:53,318 --> 00:26:57,222 CAN BLAME FOR THIS, IT IS THIS WOMAN. 635 00:26:57,222 --> 00:27:01,794 >> HI. LUKE BRYAN FANS HERE, COME TO 636 00:27:01,794 --> 00:27:06,298 LUKE BRYAN'S MAMA'S SPA PARTY. 637 00:27:06,298 --> 00:27:06,631 [ APPLAUSE ] 638 00:27:06,631 --> 00:27:08,333 >> Jimmy: DOES YOUR MOTHER COME ON TOUR WITH YOU? 639 00:27:08,333 --> 00:27:09,134 >> SPORADICALLY. 640 00:27:09,134 --> 00:27:10,302 >> Jimmy: HOW DOES THAT GO? 641 00:27:10,302 --> 00:27:14,239 >> YOU KNOW, WE GET HER OUTFITTED IN A BUNK. 642 00:27:14,239 --> 00:27:15,707 GET HER CPAP ON BECAUSE SHE SNORES. 643 00:27:15,707 --> 00:27:18,844 [ LAUGHTER ] 644 00:27:18,844 --> 00:27:20,913 SHE WAKES UP IN THE MORNING, YOU KNOW. 645 00:27:20,913 --> 00:27:23,582 WE GET HER A LITTLE LAWN CHAIR OUT THERE. 646 00:27:23,582 --> 00:27:26,552 SHE SMOKES CIGARETTES AND TELLS EVERYBODY WHAT TO DO THE WHOLE 647 00:27:26,552 --> 00:27:26,916 DAY. 648 00:27:26,916 --> 00:27:28,821 >> Jimmy: UH‐HUH. 649 00:27:28,821 --> 00:27:29,354 >> JUST WAITS ON 7:00. 650 00:27:29,354 --> 00:27:31,590 [ LAUGHTER ] 651 00:27:31,590 --> 00:27:34,793 >> Jimmy: A VERY GLAMOROUS LIFE. 7:00. 652 00:27:34,793 --> 00:27:38,030 "AMERICAN IDOL," SUNDAYS AND MONDAYS AT 8:00. NOT 7:00. 653 00:27:38,030 --> 00:27:42,167 HERE ON ABC. AND THE DELUXE EDITION OF LUKE'S 654 00:27:42,167 --> 00:27:46,471 ALBUM "BORN HERE, LIVE HERE, DIE HERE" COMES OUT FRIDAY. 655 00:27:46,471 --> 00:27:46,972 [ CHEERS AND APPLAUSE ] 656 00:27:46,972 --> 00:27:48,707 LUKE BRYAN, EVERYBODY. YOU'LL BE BACK WITH US LATER. 657 00:27:48,707 --> 00:27:51,043 WE'LL BE RIGHT BACK WITH KATEY SAGAL! 658 00:27:58,083 --> 00:27:58,817 [ CHEERS AND APPLAUSE ] 659 00:27:58,817 --> 00:27:59,182 ♪ 660 00:28:02,459 --> 00:28:04,895 >> Jimmy: WELL, HELLO AGAIN. MUSIC FROM LUKE BRYAN IS ON THE 661 00:28:04,895 --> 00:28:06,897 WAY. OUR NEXT GUEST IS A GOLDEN GLOBE‐WINNING ACTRESS YOU KNOW 662 00:28:06,897 --> 00:28:10,167 FROM "MARRIED WITH CHILDREN," "SONS OF ANARCHY," AND NOW, THE 663 00:28:10,167 --> 00:28:14,271 NEW LEGAL DRAMA "REBEL." 664 00:28:14,271 --> 00:28:21,045 >> I'M ANNIE FLYNN RAY BELLO. HAD TOO MANY HUSBANDS, PICKED UP 665 00:28:21,045 --> 00:28:23,447 TOO MANY NAMES. MOST FOLKS CALL ME REBEL. 666 00:28:23,447 --> 00:28:25,149 >> HOW DID YOU GET IN HERE? 667 00:28:25,149 --> 00:28:28,953 >> A STOCK LANDED ME AN INVITATION, THEN I SOLD IT. 668 00:28:28,953 --> 00:28:32,189 WE BOTH KNOW WHEN I DO WHAT I DO, IT WILL BE WORTH NEXT TO 669 00:28:32,189 --> 00:28:32,522 NOTHING. 670 00:28:32,522 --> 00:28:35,426 >> HOW DARE YOU? THE AWE DASDY ‐‐ 671 00:28:35,426 --> 00:28:37,461 >> THERE IS A PROBLEM WITH YOUR MECHANICAL HEART VALVE AND YOU 672 00:28:37,461 --> 00:28:39,630 KNOW IT. I'M GIVING YOU ONE LAST CHANCE 673 00:28:39,630 --> 00:28:42,666 TO DO THE RIGHT THING QUIETLY BEFORE I GET AWFULLY LOUD. 674 00:28:42,666 --> 00:28:45,803 >> GET OUT OR I WILL CALL SECURITY. 675 00:28:45,803 --> 00:28:46,303 [ CHEERS AND APPLAUSE ] 676 00:28:46,303 --> 00:28:49,773 >> Jimmy: "REBEL" PREMIERES 10:00 TOMORROW NIGHT ON ABC. 677 00:28:49,773 --> 00:28:53,777 PLEASE SAY HELLO TO KATEY SAGAL. 678 00:28:53,777 --> 00:28:54,411 [ CHEERS AND APPLAUSE ] 679 00:28:54,411 --> 00:28:57,514 HI, KATY, HOW ARE YOU? 680 00:28:57,514 --> 00:28:59,149 >> FINE, HOW ARE YOU? 681 00:28:59,149 --> 00:29:00,751 >> Jimmy: SORRY I CAN'T SEE YOU IN PERSON. 682 00:29:00,751 --> 00:29:04,922 I FEEL WE SHOULD KNOW EACH OTHER BUT WE DON'T. 683 00:29:04,922 --> 00:29:08,058 >> WE DON'T. WE KIND OF CELEBRITY NOD KNOW 684 00:29:08,058 --> 00:29:10,261 EACH OTHER THAT KIND OF THING. 685 00:29:10,261 --> 00:29:12,563 >> Jimmy: I THINK I INTERVIEWED YOU ONCE, MAYBE ONE OF THE FIRST 686 00:29:12,563 --> 00:29:16,734 THINGS I EVER DID ON TELEVISION, LIKE 25 YEARS AGO OR SOMETHING. 687 00:29:16,734 --> 00:29:21,038 IT WAS LIKE "MARRIED WITH CHILDREN'S" 100th EPISODE. 688 00:29:21,038 --> 00:29:23,140 THEY SENT ME TO THE SET, AND NOBODY REALLY WANTED TO TALK TO 689 00:29:23,140 --> 00:29:23,507 ME. 690 00:29:23,507 --> 00:29:23,941 [ LAUGHTER ] 691 00:29:23,941 --> 00:29:25,242 I THINK WE TALKED BRIEFLY. 692 00:29:25,242 --> 00:29:28,946 >> YOU KNOW WHAT, I THINK WE DID. AND WE HAD YOUR PARTNER IN 693 00:29:28,946 --> 00:29:32,549 COMMON, BECAUSE HE HAD WORKED AS A CARPENTER AT MY HOUSE. 694 00:29:32,549 --> 00:29:33,517 NOW IT'S ALL. 695 00:29:33,517 --> 00:29:34,585 >> Jimmy: THAT'S RIGHT. 696 00:29:34,585 --> 00:29:35,452 >> THAT'S RIGHT. 697 00:29:35,452 --> 00:29:38,088 >> Jimmy: THIS WAS WAY EVEN BEFORE "THE MAN SHOW." 698 00:29:38,088 --> 00:29:40,190 ADAM CAROLLA WAS A CARPENTER AT YOUR HOUSE. 699 00:29:40,190 --> 00:29:40,524 [ LAUGHTER ] 700 00:29:40,524 --> 00:29:41,725 >> YES, THAT'S EXACTLY RIGHT. 701 00:29:41,725 --> 00:29:44,395 >> Jimmy: DID YOU WIND UP SUING HIM OR DID HE FINISH THE JOB? 702 00:29:44,395 --> 00:29:47,231 >> NO, HE WAS FINE. HE DID A GOOD JOB. 703 00:29:47,231 --> 00:29:48,565 HE WAS SUCH A CHILL VIBE TO BE AROUND, TOO. 704 00:29:48,565 --> 00:29:51,869 [ LAUGHTER ] 705 00:29:51,869 --> 00:29:53,237 >> Jimmy: WE DO HAVE A MUTUAL FRIEND. 706 00:29:53,237 --> 00:29:56,440 NORMAN LEAR, THE GREAT PRODUCER NORMAN LEAR. 707 00:29:56,440 --> 00:29:56,940 [ CHEERS AND APPLAUSE ] 708 00:29:56,940 --> 00:29:58,742 AND GREAT AMERICAN, NORMAN LEAR. 709 00:29:58,742 --> 00:30:04,014 >> YES. NORMAN ACTUALLY IS MY GODFATHER. 710 00:30:04,014 --> 00:30:07,484 HE INTRODUCED MY PARENTS. AND I WOULDN'T BE HERE IF IT 711 00:30:07,484 --> 00:30:08,919 WASN'T FOR NORMAN LEAR. 712 00:30:08,919 --> 00:30:14,425 >> Jimmy: THAT IS CRAZY. SO HE ‐‐ HOW DID HE ‐‐ HE KNEW 713 00:30:14,425 --> 00:30:15,959 THEM BOTH INDIVIDUALLY THEN SET THEM UP? 714 00:30:15,959 --> 00:30:18,429 >> HE DID. MY MOTHER WAS WORKING FOR HIM AS 715 00:30:18,429 --> 00:30:21,165 A SCRIPT SUPERVISOR. HE DID THAT SHOW WITH DEAN 716 00:30:21,165 --> 00:30:25,769 MARTIN AND JERRY LEWIS CALLED "THE LUX HOUR," I THINK? 717 00:30:25,769 --> 00:30:27,438 >> Jimmy: OH, YES, EARLY ON. 718 00:30:27,438 --> 00:30:30,908 >> HE WAS DOING THAT. MY MOTHER WAS A THE SCRIPT 719 00:30:30,908 --> 00:30:34,044 SUPERVISOR, MY FATHER WAS DIRECTING IN YIDDISH THEATER. 720 00:30:34,044 --> 00:30:36,980 NORMAN HAD ALSO BEEN INVOLVED WITH THE YIDDISH THEATER. 721 00:30:36,980 --> 00:30:40,651 THEN THE LORE IS HE JUST PUT THEM BOTH TOGETHER, AND VOILA. 722 00:30:40,651 --> 00:30:41,218 >> Jimmy: AND YOU CAME OUT. 723 00:30:41,218 --> 00:30:43,520 [ CHEERS AND APPLAUSE ] 724 00:30:43,520 --> 00:30:47,024 >> I DID. I WAS ‐‐ YEAH. 725 00:30:47,024 --> 00:30:49,360 >> Jimmy: THAT'S CRAZY. YOUR PARENTS BOTH WORKING IN 726 00:30:49,360 --> 00:30:53,030 TELEVISION THEATER, THAT SORT OF STUFF, YOU GREW UP, I ASSUME, ON 727 00:30:53,030 --> 00:30:55,999 SETS? ON THESE DIFFERENT SHOWS? 728 00:30:55,999 --> 00:30:57,901 >> YEAH. I MEAN, ONCE I GOT TO MIDDLE 729 00:30:57,901 --> 00:31:01,071 SCHOOL AND FOUND OUT THAT, YOU KNOW, NOBODY LIKED ME AND I WAS 730 00:31:01,071 --> 00:31:06,443 SUCH A QUIET, SHY CHILD, IF I TOOK THEM TO THE SET, MY DAD 731 00:31:06,443 --> 00:31:11,415 DIRECTED "MAN FROM U. N. C. L. E.," "TRY LIGHT ZONE." 732 00:31:11,415 --> 00:31:11,815 >> Jimmy: WOW. 733 00:31:11,815 --> 00:31:14,785 >> I'D SAY TO KIDS, HEY, MAN ‐‐ I DIDN'T SAY HEY, MAN. 734 00:31:14,785 --> 00:31:17,454 I SAID, DO YOU WANT TO MEET RICHARD CHAMBERLAIN? 735 00:31:17,454 --> 00:31:20,057 ALL OF A SUDDEN I WAS POPULAR. SO I DECIDED ‐‐ 736 00:31:20,057 --> 00:31:22,459 >> Jimmy: REALLY? 737 00:31:22,459 --> 00:31:24,995 >> I'D GO TO THE SET ‐‐ YEAH, I HAD A LOT OF FRIENDS THEN. 738 00:31:24,995 --> 00:31:27,765 >> Jimmy: YOU PLAYED THE RICHARD CHAMBERLAIN CARD. 739 00:31:27,765 --> 00:31:29,666 RARELY DOES A CHILD DO WHAT. 740 00:31:29,666 --> 00:31:30,701 [ LAUGHTER ] 741 00:31:30,701 --> 00:31:31,168 >> I DID. 742 00:31:31,168 --> 00:31:35,172 >> Jimmy: "HEY, DO YOU KIDS LIKE THORNBIRDS?" 743 00:31:35,172 --> 00:31:37,574 SO YOU WENT TO CAL ARTS. 744 00:31:37,574 --> 00:31:37,908 >> YEAH. 745 00:31:37,908 --> 00:31:40,411 >> Jimmy: THE FAMOUS ART SCHOOL, THEATER SCHOOL. 746 00:31:40,411 --> 00:31:45,048 I GUESS THEY'RE ALL INTERTWINED. AND THIS I HAD NO IDEA. 747 00:31:45,048 --> 00:31:47,751 AND I FELT LIKE I KNEW A PRETTY GOOD BIT ABOUT YOU. 748 00:31:47,751 --> 00:31:51,755 BUT I DID NOT KNOW THIS. YOU WERE KIND ENOUGH TO SHARE A 749 00:31:51,755 --> 00:31:54,425 PICTURE WITH US. THIS PHOTOGRAPH, TELL US WHO IS 750 00:31:54,425 --> 00:31:56,760 IN ‐‐ THESE ARE YOUR COLLEGE CLASSMATES. 751 00:31:56,760 --> 00:31:57,961 WHO IS THAT IN YOUR GROUP? 752 00:31:57,961 --> 00:32:04,668 >> YES, THIS IS ‐‐ WELL, THAT'S HAIR AND GLASSES, THAT'S PAUL 753 00:32:04,668 --> 00:32:09,506 RUBINS. THE BIG, TALL, HANDSOME MAN IS 754 00:32:09,506 --> 00:32:11,809 DAVID HASSELHOFF. WE WERE ALL IN THE SAME LITTLE 755 00:32:11,809 --> 00:32:16,847 THEATER GROUP. PAUL WAS MY SORT OF SOLACE. 756 00:32:16,847 --> 00:32:19,516 I NEVER WANTED TO GO TO DRAMA SCHOOL, I DIDN'T WANT TO BE AN 757 00:32:19,516 --> 00:32:21,885 ACTOR, I WAS A MUSICIAN, I WANTED TO DO THAT. 758 00:32:21,885 --> 00:32:24,188 MY FATHER WAS LIKE, NO, YOU'RE GOING TO COLLEGE. 759 00:32:24,188 --> 00:32:27,424 IF YOU WANT TO GO TO THAT COLLEGE, YOU HAVE TO BE IN THE 760 00:32:27,424 --> 00:32:33,864 THEATER SKILL. SO I WENT THERE. AND I STAYED ABOUT SIX MONTHS. 761 00:32:33,864 --> 00:32:34,498 >> Jimmy: WOW. 762 00:32:34,498 --> 00:32:38,268 >> PAUL AND I HAVE REMAINED FRIENDS. HE TOLD ME TO SAY HI. 763 00:32:38,268 --> 00:32:41,772 HE JUST TEXTED ME THE PICTURE. I SAID, PAUL, I'M DOING JIMMY, 764 00:32:41,772 --> 00:32:45,142 THEY WANT TO KNOW ‐‐ HE SENT ME THAT PICTURE, AND MADE SURE TO 765 00:32:45,142 --> 00:32:46,577 SAY HI TO YOU. HE'S THE BEST. 766 00:32:46,577 --> 00:32:50,647 >> Jimmy: HE'S GOT A HEAVY JOHN LENNON VIBE GOING ON IN COLLEGE, 767 00:32:50,647 --> 00:32:50,980 HUH? 768 00:32:50,980 --> 00:32:55,085 >> TOTALLY. HIS DORM ROOM WAS LIKE "PEE 769 00:32:55,085 --> 00:32:56,153 WEE'S PLAYHOUSE." 770 00:32:56,153 --> 00:32:56,486 [ LAUGHTER ] 771 00:32:56,486 --> 00:32:59,022 HE WAS THE ONLY ONE WITH A DECORATED DORM ROOM. 772 00:32:59,022 --> 00:33:01,692 EVERYBODY ELSE WAS LIKE POST US WITH SCOTCH TAPE. 773 00:33:01,692 --> 00:33:04,628 AND YOU'D GO TO HIS ROOM, IT WAS CRAZY. 774 00:33:04,628 --> 00:33:09,132 >> Jimmy: WHAT ABOUT HASSELHOFF? WAS HE IN A BATHING SUIT A LOT? 775 00:33:09,132 --> 00:33:09,466 [ LAUGHTER ] 776 00:33:09,466 --> 00:33:14,538 SWIMMING FREQUENTLY? 777 00:33:14,538 --> 00:33:16,974 >> NO, HE WAS THIS NAIVE, VERY SHY GUY FROM WHEREVER HE'S FROM. 778 00:33:16,974 --> 00:33:21,979 THE MIDDLE OF THE COUNTRY. NO SPEEDOS. 779 00:33:21,979 --> 00:33:23,680 >> Jimmy: DO YOU GET TOGETHER? DO YOU HAVE REUNIONS OR ANYTHING 780 00:33:23,680 --> 00:33:29,786 LIKE THAT? TOGETHER ABOUT TWO MONTHS AGO ON 781 00:33:29,786 --> 00:33:32,956 ZOOM. I HAD NOT SEEN THESE PEOPLE IN 782 00:33:32,956 --> 00:33:35,192 45 YEARS OR SOMETHING RIDICULOUS. 783 00:33:35,192 --> 00:33:35,792 >> Jimmy: WOW. 784 00:33:35,792 --> 00:33:38,228 >> AND PAUL LITERALLY GOT US ALL TOGETHER. 785 00:33:38,228 --> 00:33:42,733 PAUL'S LIKE A HISTORIAN. HE JUST KEEPS IN TOUCH WITH 786 00:33:42,733 --> 00:33:45,035 EVERYBODY. HE HAS MEMORABILIA ABOUT 787 00:33:45,035 --> 00:33:46,303 EVERYBODY. HE'S AWESOME LIKE THAT. 788 00:33:46,303 --> 00:33:46,737 >> Jimmy: YEAH. 789 00:33:46,737 --> 00:33:49,306 >> SO WE DID, WE ALL JUST SAW EACH OTHER. 790 00:33:49,306 --> 00:33:51,275 >> Jimmy: THAT'S PRETTY FANTASTIC. 791 00:33:51,275 --> 00:33:55,712 "MARRIED WITH CHILDREN" WAS LIKE THE FIRST HIT FOR FOX, RIGHT? 792 00:33:55,712 --> 00:33:58,348 IT REALLY BUILT THE FOX ‐‐ REALLY, YOU'RE RESPONSIBLE FOR 793 00:33:58,348 --> 00:33:59,216 SEAN HANNITY IS WHAT I'M TRYING TO SAY. 794 00:33:59,216 --> 00:34:02,986 [ LAUGHTER ] 795 00:34:02,986 --> 00:34:04,288 >> OH MY GOSH, PLEASE. 796 00:34:04,288 --> 00:34:06,823 >> Jimmy: IS THAT AN ACCURATE ASSESSMENT? 797 00:34:06,823 --> 00:34:11,995 >> OH MY GOD. GEEZ. NO, THANK YOU. BUT YES. 798 00:34:11,995 --> 00:34:15,132 WHEN I GOT TO THE FOX NETWORK, IT WASN'T REALLY A NETWORK YET. 799 00:34:15,132 --> 00:34:15,699 >> Jimmy: RIGHT. 800 00:34:15,699 --> 00:34:19,970 >> IT WAS, YOU KNOW ‐‐ YOU HAD TO HAVE RABBIT EARS ON YOUR TV. 801 00:34:19,970 --> 00:34:22,339 THIS WAS WHEN THERE WERE ONLY THREE NETWORKS, THEN ALL OF A 802 00:34:22,339 --> 00:34:25,676 SUDDEN THERE WERE FOUR. SORT OF. LIKE 3 1/2. 803 00:34:25,676 --> 00:34:28,612 >> Jimmy: THEY KIND OF DIPPED THEIR TOE IN THE WATER? 804 00:34:28,612 --> 00:34:32,316 A SHORT PRIMETIME, THERE WEREN'T pVERY MANY SHOWS. 805 00:34:32,316 --> 00:34:35,285 GARRY SHANDLING HAD A SHOW THAT I LOVED AT THAT TIME. 806 00:34:35,285 --> 00:34:39,690 "THE SIMPSONS" CAME OUT, "THE TRACEY ULLMAN SHOW." 807 00:34:39,690 --> 00:34:40,791 WHEN DID YOU KNOW THAT YOU HAD A BIG HIT? 808 00:34:40,791 --> 00:34:42,960 THAT SHOW WAS A BIG HIT. 809 00:34:42,960 --> 00:34:45,762 >> YEAH. UNBEKNOWNST TO US ‐‐ I THINK THE 810 00:34:45,762 --> 00:34:49,032 FIRST TIME WE KNEW IS WHEN THEY BOUGHT ME A WIG. 811 00:34:49,032 --> 00:34:52,502 BECAUSE FOR THE FIRST THREE YEARS I WOULD JUST DO MY OWN 812 00:34:52,502 --> 00:34:53,737 HAIR. AND THEN ALL OF A SUDDEN THEY 813 00:34:53,737 --> 00:34:56,974 STARTED DISHING OUT MONEY. LIKE WIGS ARE NOT CHEAP. 814 00:34:56,974 --> 00:35:00,844 GOT ME A WIG. I'LL NEVER FORGET, ED AND I WENT 815 00:35:00,844 --> 00:35:05,115 ON A PROMO TOUR. AND THEY ‐‐ WE WENT INTO SOME 816 00:35:05,115 --> 00:35:07,117 PARADE. AND THERE WE ARE, DRESSED AS PEG 817 00:35:07,117 --> 00:35:09,319 AND AL. I MEAN, IT WAS. 818 00:35:09,319 --> 00:35:11,054 >> Jimmy: OH, WOW, REALLY? 819 00:35:11,054 --> 00:35:12,923 >> THERE WERE SO MANY PEOPLE THERE. 820 00:35:12,923 --> 00:35:16,460 AND ED AND I, I MEAN, WE THOUGHT NOBODY WAS GOING TO REALLY WATCH 821 00:35:16,460 --> 00:35:20,530 IT BECAUSE IT WAS SO IRREVERENT, IT WAS SO NOT LIKE ANYTHING ELSE 822 00:35:20,530 --> 00:35:23,934 ON TV. WHICH IS WHY I THOUGHT I GOT THE 823 00:35:23,934 --> 00:35:27,037 JOB, BECAUSE I WASN'T LIKE ANYTHING ELSE ON TV. 824 00:35:27,037 --> 00:35:30,674 AND YEAH, IT REALLY TOOK OFF. OF COURSE, FOX PLAYED IT THREE 825 00:35:30,674 --> 00:35:31,942 TIMES A NIGHT. 826 00:35:31,942 --> 00:35:32,342 >> Jimmy: RIGHT. 827 00:35:32,342 --> 00:35:35,946 >> RIGHT IN A ROW. IT WAS LIKE ‐‐ YOU COULDN'T MISS 828 00:35:35,946 --> 00:35:36,311 IT. 829 00:35:36,311 --> 00:35:39,416 >> Jimmy: YOUR NEW SHOW "REBEL," WHICH IS AN ABC PROGRAM, IS 830 00:35:39,416 --> 00:35:43,520 BASED LOOSELY ON ERIN BROCKOVICH, ON HER LIFE AND HER 831 00:35:43,520 --> 00:35:43,885 WORK. 832 00:35:43,885 --> 00:35:44,219 >> RIGHT. 833 00:35:44,219 --> 00:35:47,891 >> Jimmy: HOW LOOSELY IS IT BASED ON HER? VERY LOOSELY? 834 00:35:47,891 --> 00:35:50,494 >> YEAH. I MEAN, IT'S INSPIRED BY. 835 00:35:50,494 --> 00:35:56,133 I'M NOT PLAYING ERIN BROCKOVICH. I'M PLAYING A CONSUMER ADVOCATE 836 00:35:56,133 --> 00:36:00,604 WHO FIGHTS FOR SOCIAL JUSTICE AT ANY COST. 837 00:36:00,604 --> 00:36:04,241 AND SORT OF A LOUD AND RUDE KIND OF WAY. 838 00:36:04,241 --> 00:36:06,443 SO IN THOSE ‐‐ SO IT'S LOOSELY BASED. 839 00:36:06,443 --> 00:36:10,647 AND WE HAVE ‐‐ SHE HAS A FAMILY LIFE THAT IS SORT OF LOOSELY 840 00:36:10,647 --> 00:36:15,719 BASED ON HER FAMILY LIFE. BUT NO, IT'S NOT ‐‐ IT'S BROAD 841 00:36:15,719 --> 00:36:19,823 STROKES. BUT IT'S DEFINITELY INSPIRED BY 842 00:36:19,823 --> 00:36:21,625 ERIN BROCKOVICH, WHO'S AMAZING. 843 00:36:21,625 --> 00:36:25,295 >> Jimmy: "REBEL" PREMIERES TOMORROW NIGHT, 10:00 ON ABC. 844 00:36:25,295 --> 00:36:26,129 KATEY SAGAL. 845 00:36:26,129 --> 00:36:26,630 [ CHEERS AND APPLAUSE ] 846 00:36:26,630 --> 00:36:27,230 THANK YOU, KATEY. WE WILL BE RIGHT BACK WITH LUKE 847 00:36:27,230 --> 00:36:28,401 BRYAN! 848 00:36:34,216 --> 00:36:38,387 >> Dicky: THE JLK LIVE CONCERT SERIES IS PRESENTED BY 849 00:36:38,387 --> 00:36:40,256 MERCEDES‐BENZ. THE BEST OR NOTHING. 850 00:36:40,256 --> 00:36:44,994 >> Jimmy: THIS IS THE DELUXE EDITION OF HIS NUMBER ONE ALBUM 851 00:36:44,994 --> 00:36:48,764 "BORN HERE LIVE HERE DIE HERE" COMING OUT FRIDAY. 852 00:36:48,764 --> 00:36:51,901 WITH THE SONG "DRINK A LITTLE WHISKEY DOWN." LUKE BRYAN! 853 00:36:51,901 --> 00:36:53,969 [ CHEERS AND APPLAUSE ] 854 00:36:58,774 --> 00:37:00,576 ♪ 855 00:37:00,576 --> 00:37:03,579 ♪ 856 00:37:03,579 --> 00:37:05,314 ♪ I'M BACK TAKING THE LONG 857 00:37:05,314 --> 00:37:12,088 WAY WHEN I GO HOME AT NIGHT AND YOUR MEMORY ♪ 858 00:37:12,088 --> 00:37:14,590 ♪ DON'T DANCE DOWN THE WHOLE 859 00:37:14,590 --> 00:37:19,795 WAY WHEN I FLIP ON THE LIGHT I'M BACK SPENDING ♪ 860 00:37:19,795 --> 00:37:21,764 ♪ TIME WITH MY BUDDIES 861 00:37:21,764 --> 00:37:23,499 A LITTLE RANDY AIN'T NEVER HURT NOBODY 862 00:37:23,499 --> 00:37:24,500 YEAH I'VE COME A LONG WAY ♪ 863 00:37:24,500 --> 00:37:25,267 ♪ GETTING OVER US 864 00:37:25,267 --> 00:37:28,270 BUT NOW AND THEN WHEN YOUR NAME COMES UP 865 00:37:28,270 --> 00:37:30,005 I DRINK A LITTLE WHISKEY ♪ 866 00:37:30,005 --> 00:37:32,508 ♪ DRINK A LITTLE 867 00:37:32,508 --> 00:37:38,114 WHISKEY DOWN WHEN THE WONDERING IF YOU MISS ME ♪ 868 00:37:38,114 --> 00:37:39,615 ♪ MISSING YOU COMES AROUND 869 00:37:39,615 --> 00:37:43,119 YEAH IT DON'T HAPPEN LIKE IT USED TO HAPPEN 870 00:37:43,119 --> 00:37:45,855 BUT WHEN IT DOES ♪ 871 00:37:45,855 --> 00:37:50,826 ♪ I TWIST OFF THE CAP 872 00:37:50,826 --> 00:37:54,296 AND I DRINK A LITTLE WHISKEY DRINK A LITTLE ♪ 873 00:37:54,296 --> 00:37:56,832 ♪ WHISKEY DOWN 874 00:37:56,832 --> 00:37:59,435 NO MORE 2:00 A. M. PHONE CALLS TO ACT 875 00:37:59,435 --> 00:38:01,303 LIKE I'M CHECKING IN ♪ 876 00:38:01,303 --> 00:38:03,539 ♪ NO MORE RUNNING THE OTHER 877 00:38:03,539 --> 00:38:10,312 WAY WHEN I RUN INTO YOUR FRIENDS 878 00:38:10,312 --> 00:38:14,316 I DON'T NEED YOUR TOUCH ♪ 879 00:38:14,316 --> 00:38:15,584 ♪ I DON'T NEED YOUR SMILE 880 00:38:15,584 --> 00:38:17,820 EXCEPT FOR EVERY LITTLE ONCE IN AWHILE 881 00:38:17,820 --> 00:38:19,321 AND DRINK A LITTLE WHISKEY ♪ 882 00:38:19,321 --> 00:38:23,792 ♪ DRINK A LITTLE 883 00:38:23,792 --> 00:38:27,763 WHISKEY DOWN WHEN THE WONDERING IF YOU MISS ME ♪ 884 00:38:27,763 --> 00:38:28,764 ♪ MISSING YOU COMES AROUND 885 00:38:28,764 --> 00:38:32,835 YEAH IT DON'T HAPPEN LIKE IT USED TO HAPPEN 886 00:38:32,835 --> 00:38:33,502 BUT WHEN IT DOES ♪ 887 00:38:33,502 --> 00:38:35,738 ♪ I TWIST OFF THE CAP 888 00:38:35,738 --> 00:38:39,308 AND I DRINK A LITTLE WHISKEY DRINK A LITTLE ♪ 889 00:38:39,308 --> 00:38:40,609 ♪ WHISKEY DOWN 890 00:38:40,609 --> 00:38:48,350 DRINK A LITTLE WHISKEY DOWN 891 00:38:48,350 --> 00:38:49,351 YEAH JUST ENOUGH ♪ 892 00:38:49,351 --> 00:38:54,857 ♪ TO GET YOU GONE 893 00:38:54,857 --> 00:39:02,298 GRAB A GLASS AND POUR ONE STRONG AND DRINK A ♪ 894 00:39:02,298 --> 00:39:05,801 ♪ LITTLE WHISKEY 895 00:39:05,801 --> 00:39:09,038 DRINK A LITTLE WHISKEY DOWN WHEN THE WONDERING ♪ 896 00:39:09,038 --> 00:39:10,039 ♪ IF YOU MISS ME 897 00:39:10,039 --> 00:39:17,012 MISSING YOU COMES AROUND YEAH IT DON'T HAPPEN 898 00:39:17,012 --> 00:39:18,314 LIKE IT USED TO HAPPEN ♪ 899 00:39:18,314 --> 00:39:21,317 ♪ BUT WHEN IT DOES 900 00:39:21,317 --> 00:39:24,086 I TWIST OFF THE CAP AND I DRINK A LITTLE WHISKEY ♪ 901 00:39:24,086 --> 00:39:25,321 ♪ DRINK A LITTLE 902 00:39:25,321 --> 00:39:31,660 WHISKEY DOWN DRINK A LITTLE 903 00:39:31,660 --> 00:39:36,665 WHISKEY DOWN ♪ 904 00:39:36,665 --> 00:39:37,666 ♪ DRINK A LITTLE 905 00:39:37,666 --> 00:39:44,440 WHISKEY DOWN 906 00:39:44,440 --> 00:39:48,244 DRINK A LITTLE WHISKEY DOWN ♪ 907 00:39:48,244 --> 00:39:48,978 ♪ DRINK A LITTLE 908 00:39:48,978 --> 00:39:56,051 WHISKEY DOWN ♪ 909 00:39:56,051 --> 00:39:57,411 [ CHEERS AND APPLAUSE ] 910 00:39:57,411 --> 00:39:59,346 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 911 00:39:59,346 --> 00:40:04,128 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 912 00:40:06,082 --> 00:40:06,992 [ CHEERS AND APPLAUSE ] 913 00:40:06,992 --> 00:40:10,896 >> Jimmy: THANKS TO LUKE BRYAN, KATEY SAGAL, AND THE MIZ. 914 00:40:10,896 --> 00:40:12,331 APOLOGIES TO MATT DAMON. TOMORROW NIGHT ‐‐ MARK WAHLBERG 915 00:40:12,331 --> 00:40:13,666 AND HUNTER BIDEN, WITH MUSIC FROM THE WALLFLOWERS. 916 00:40:13,666 --> 00:40:14,533 "NIGHTLINE" IS NEXT. THANKS FOR WATCHING. 917 00:40:14,533 --> 00:40:18,033 WE DID IT AGAIN. WHAT A TEAM.