1 00:00:01,134 --> 00:00:04,403 >> Announcer: TODAY ON AN ALL NEW "DR. PHIL"... >> THIS IS WHAT I WANT EVERY 2 00:00:04,405 --> 00:00:06,038 NEW "DR. PHIL"... >> THIS IS WHAT I WANT EVERY PARENT TO SEE. 3 00:00:06,040 --> 00:00:07,806 >> THIS IS WHAT I WANT EVERY PARENT TO SEE. >> DON'T PUSH ME PUSH ME. 4 00:00:07,808 --> 00:00:09,108 PARENT TO SEE. >> DON'T PUSH ME PUSH ME. >> YOU JUST THREW SOMETHING AT 5 00:00:09,110 --> 00:00:10,142 >> DON'T PUSH ME PUSH ME. >> YOU JUST THREW SOMETHING AT ME. 6 00:00:10,144 --> 00:00:11,076 >> YOU JUST THREW SOMETHING AT ME. >> Announcer: PARENTS AND 7 00:00:11,078 --> 00:00:12,344 ME. >> Announcer: PARENTS AND TEENS BUTTING HEADS. 8 00:00:12,346 --> 00:00:13,412 >> Announcer: PARENTS AND TEENS BUTTING HEADS. >> I'M NOT IN THE HEAD SPACE TO 9 00:00:13,414 --> 00:00:14,980 TEENS BUTTING HEADS. >> I'M NOT IN THE HEAD SPACE TO DO JACK [BLEEP] WHEN YOU ASK ME. 10 00:00:14,982 --> 00:00:15,981 >> I'M NOT IN THE HEAD SPACE TO DO JACK [BLEEP] WHEN YOU ASK ME. >> YOU DON'T HAVE A CHOICE IN 11 00:00:15,983 --> 00:00:16,882 DO JACK [BLEEP] WHEN YOU ASK ME. >> YOU DON'T HAVE A CHOICE IN THE MATTER. 12 00:00:16,884 --> 00:00:17,683 >> YOU DON'T HAVE A CHOICE IN THE MATTER. >> WHY DOESN'T HE HAVE A CHOICE 13 00:00:17,685 --> 00:00:18,550 THE MATTER. >> WHY DOESN'T HE HAVE A CHOICE IN THE MATTER? 14 00:00:18,552 --> 00:00:21,520 >> WHY DOESN'T HE HAVE A CHOICE IN THE MATTER? HE'S JUST ASKING YOU TO BACK 15 00:00:21,522 --> 00:00:22,421 IN THE MATTER? HE'S JUST ASKING YOU TO BACK OFF. 16 00:00:22,423 --> 00:00:23,589 HE'S JUST ASKING YOU TO BACK OFF. >> WHY CAN HE TELL ME TO BACK 17 00:00:23,591 --> 00:00:25,391 OFF. >> WHY CAN HE TELL ME TO BACK OFF WHEN I'M PARENTING HIM? 18 00:00:25,393 --> 00:00:26,892 >> WHY CAN HE TELL ME TO BACK OFF WHEN I'M PARENTING HIM? >> YOU CALL THAT "PARENTING"? 19 00:00:26,894 --> 00:00:33,298 OFF WHEN I'M PARENTING HIM? >> YOU CALL THAT "PARENTING"? ♪ ♪ 20 00:00:33,300 --> 00:00:33,999 >> YOU CALL THAT "PARENTING"? ♪ ♪ >> LET'S DO IT. 21 00:00:34,001 --> 00:00:35,100 ♪ ♪ >> LET'S DO IT. >> HAVE A GOOD SHOW, EVERYBODY. 22 00:00:35,102 --> 00:00:35,501 >> LET'S DO IT. >> HAVE A GOOD SHOW, EVERYBODY. HERE WE GO. 23 00:00:35,503 --> 00:00:36,402 >> HAVE A GOOD SHOW, EVERYBODY. HERE WE GO. >> THIS IS A SAFE PLACE TO TALK 24 00:00:36,404 --> 00:00:37,269 HERE WE GO. >> THIS IS A SAFE PLACE TO TALK ABOUT HARD THINGS. 25 00:00:37,271 --> 00:00:38,070 >> THIS IS A SAFE PLACE TO TALK ABOUT HARD THINGS. >> STAND BY, WE'LL COUNT YOU 26 00:00:38,072 --> 00:00:38,771 ABOUT HARD THINGS. >> STAND BY, WE'LL COUNT YOU DOWN. 27 00:00:38,773 --> 00:00:39,738 >> STAND BY, WE'LL COUNT YOU DOWN. >> TODAY IS GOING TO BE A 28 00:00:39,740 --> 00:00:40,739 DOWN. >> TODAY IS GOING TO BE A CHANGING DAY IN YOUR LIFE. 29 00:00:40,741 --> 00:00:41,540 >> TODAY IS GOING TO BE A CHANGING DAY IN YOUR LIFE. >> FIVE, FOUR... 30 00:00:41,542 --> 00:00:42,541 CHANGING DAY IN YOUR LIFE. >> FIVE, FOUR... >> I AM NOT GIVING UP ON YOU. 31 00:00:42,543 --> 00:00:43,809 >> FIVE, FOUR... >> I AM NOT GIVING UP ON YOU. [CHEERS AND APPLAUSE] 32 00:00:43,811 --> 00:00:48,347 >> I AM NOT GIVING UP ON YOU. [CHEERS AND APPLAUSE] ♪ ♪ 33 00:00:48,349 --> 00:01:00,125 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪ 34 00:01:00,127 --> 00:01:04,797 ♪ ♪ ♪ ♪ ♪ ♪ 35 00:01:04,799 --> 00:01:06,698 ♪ ♪ ♪ ♪ >> Dr. Phil: WELL, MY GUEST 36 00:01:06,700 --> 00:01:10,803 ♪ ♪ >> Dr. Phil: WELL, MY GUEST TODAY, TANYA, EMAILED ME ABOUT 37 00:01:10,805 --> 00:01:11,937 >> Dr. Phil: WELL, MY GUEST TODAY, TANYA, EMAILED ME ABOUT HER 17-YEAR-OLD SON, LOGAN, WHO 38 00:01:11,939 --> 00:01:13,839 TODAY, TANYA, EMAILED ME ABOUT HER 17-YEAR-OLD SON, LOGAN, WHO SHE SAYS HAS BLACK OUTRAGES, 39 00:01:13,841 --> 00:01:16,308 HER 17-YEAR-OLD SON, LOGAN, WHO SHE SAYS HAS BLACK OUTRAGES, VIOLENT OUTBURSTS, AND IS 40 00:01:16,310 --> 00:01:17,943 SHE SAYS HAS BLACK OUTRAGES, VIOLENT OUTBURSTS, AND IS ADDICTED TO VIDEO GAMES. 41 00:01:17,945 --> 00:01:19,912 VIOLENT OUTBURSTS, AND IS ADDICTED TO VIDEO GAMES. SHE WAS INITIALLY SCHEDULED TO 42 00:01:19,914 --> 00:01:21,113 ADDICTED TO VIDEO GAMES. SHE WAS INITIALLY SCHEDULED TO FLY FROM CANADA TO L.A. BACK IN 43 00:01:21,115 --> 00:01:24,817 SHE WAS INITIALLY SCHEDULED TO FLY FROM CANADA TO L.A. BACK IN MARCH TO MEET ME, THEN COVID-19 44 00:01:24,819 --> 00:01:26,618 FLY FROM CANADA TO L.A. BACK IN MARCH TO MEET ME, THEN COVID-19 HIT AND COUNTRIES CLOSE THEIR 45 00:01:26,620 --> 00:01:28,554 MARCH TO MEET ME, THEN COVID-19 HIT AND COUNTRIES CLOSE THEIR BORDERS AND DISCOURAGE THEIR 46 00:01:28,556 --> 00:01:30,456 HIT AND COUNTRIES CLOSE THEIR BORDERS AND DISCOURAGE THEIR CITIZENS FROM TRAVELING. 47 00:01:30,458 --> 00:01:32,157 BORDERS AND DISCOURAGE THEIR CITIZENS FROM TRAVELING. WELL, RECENTLY, MY PRODUCER 48 00:01:32,159 --> 00:01:34,626 CITIZENS FROM TRAVELING. WELL, RECENTLY, MY PRODUCER CHECKED IN WITH TANYA, WHO SAID 49 00:01:34,628 --> 00:01:37,162 WELL, RECENTLY, MY PRODUCER CHECKED IN WITH TANYA, WHO SAID QUARANTINE HAS CAUSED LOGAN TO 50 00:01:37,164 --> 00:01:38,063 CHECKED IN WITH TANYA, WHO SAID QUARANTINE HAS CAUSED LOGAN TO BECOME EVEN MORE AGGRESSIVE AND 51 00:01:38,065 --> 00:01:41,333 QUARANTINE HAS CAUSED LOGAN TO BECOME EVEN MORE AGGRESSIVE AND OUT OF CONTROL. 52 00:01:41,335 --> 00:01:44,169 BECOME EVEN MORE AGGRESSIVE AND OUT OF CONTROL. SHE SAYS HE HAS PUNCHED FOUR NEW 53 00:01:44,171 --> 00:01:47,406 OUT OF CONTROL. SHE SAYS HE HAS PUNCHED FOUR NEW HOLES IN HER WALLS, RUNAWAY, AND 54 00:01:47,408 --> 00:01:48,140 SHE SAYS HE HAS PUNCHED FOUR NEW HOLES IN HER WALLS, RUNAWAY, AND PHYSICALLY ATTACKED HER. 55 00:01:48,142 --> 00:01:50,542 HOLES IN HER WALLS, RUNAWAY, AND PHYSICALLY ATTACKED HER. IN THE MATTER OF ONE WEEK, SHE 56 00:01:50,544 --> 00:01:51,977 PHYSICALLY ATTACKED HER. IN THE MATTER OF ONE WEEK, SHE HAS CALLED THE POLICE THREE 57 00:01:51,979 --> 00:01:54,179 IN THE MATTER OF ONE WEEK, SHE HAS CALLED THE POLICE THREE TIMES ON HER SON AND SAID SHE 58 00:01:54,181 --> 00:01:55,681 HAS CALLED THE POLICE THREE TIMES ON HER SON AND SAID SHE HAS TO KEEP RECORDS OF HIS 59 00:01:55,683 --> 00:01:56,782 TIMES ON HER SON AND SAID SHE HAS TO KEEP RECORDS OF HIS VIOLENT OUTBURSTS. 60 00:01:56,784 --> 00:01:57,816 HAS TO KEEP RECORDS OF HIS VIOLENT OUTBURSTS. HE WAS JUST A SAMPLE. 61 00:01:57,818 --> 00:02:00,452 VIOLENT OUTBURSTS. HE WAS JUST A SAMPLE. >> DID YOU JUST SPIT ON ME? 62 00:02:00,454 --> 00:02:01,386 HE WAS JUST A SAMPLE. >> DID YOU JUST SPIT ON ME? GET OUT OF MY HOUSE RIGHT NOW. 63 00:02:01,388 --> 00:02:03,489 >> DID YOU JUST SPIT ON ME? GET OUT OF MY HOUSE RIGHT NOW. GO AHEAD, HIT ME. 64 00:02:03,491 --> 00:02:04,456 GET OUT OF MY HOUSE RIGHT NOW. GO AHEAD, HIT ME. I DARE YOU. 65 00:02:04,458 --> 00:02:05,824 GO AHEAD, HIT ME. I DARE YOU. >> DON'T PUSH ME. 66 00:02:05,826 --> 00:02:07,993 I DARE YOU. >> DON'T PUSH ME. >> YOU JUST THREW SOMETHING AT 67 00:02:07,995 --> 00:02:08,393 >> DON'T PUSH ME. >> YOU JUST THREW SOMETHING AT ME. 68 00:02:08,395 --> 00:02:10,162 >> YOU JUST THREW SOMETHING AT ME. YOU ARE VIOLENT. 69 00:02:10,164 --> 00:02:11,230 ME. YOU ARE VIOLENT. BACK AWAY NOW BEFORE I CALL THE 70 00:02:11,232 --> 00:02:13,031 YOU ARE VIOLENT. BACK AWAY NOW BEFORE I CALL THE POLICE. 71 00:02:13,033 --> 00:02:14,766 BACK AWAY NOW BEFORE I CALL THE POLICE. GET AWAY FROM MY HOUSE! 72 00:02:14,768 --> 00:02:16,268 POLICE. GET AWAY FROM MY HOUSE! >> Dr. Phil: TANYA SAYS LOGAN 73 00:02:16,270 --> 00:02:18,303 GET AWAY FROM MY HOUSE! >> Dr. Phil: TANYA SAYS LOGAN IS MORE DEFIANT AND, BECAUSE 74 00:02:18,305 --> 00:02:20,172 >> Dr. Phil: TANYA SAYS LOGAN IS MORE DEFIANT AND, BECAUSE HE'S OLDER, HE'S GETTING 75 00:02:20,174 --> 00:02:21,673 IS MORE DEFIANT AND, BECAUSE HE'S OLDER, HE'S GETTING STRONGER AND STRONGER. 76 00:02:21,675 --> 00:02:23,275 HE'S OLDER, HE'S GETTING STRONGER AND STRONGER. AND IS REFUSING TO BACK DOWN. 77 00:02:23,277 --> 00:02:27,079 STRONGER AND STRONGER. AND IS REFUSING TO BACK DOWN. SHE FEARS HER ONLY OPTION MAY BE 78 00:02:27,081 --> 00:02:28,313 AND IS REFUSING TO BACK DOWN. SHE FEARS HER ONLY OPTION MAY BE A DECISION NO PARENT WANTS TO 79 00:02:28,315 --> 00:02:28,780 SHE FEARS HER ONLY OPTION MAY BE A DECISION NO PARENT WANTS TO MAKE. 80 00:02:28,782 --> 00:02:31,083 A DECISION NO PARENT WANTS TO MAKE. >> YOU ARE VIOLENT, YOU JUST 81 00:02:31,085 --> 00:02:32,518 MAKE. >> YOU ARE VIOLENT, YOU JUST THREW SOMETHING AT ME, HIT ME 82 00:02:32,520 --> 00:02:35,387 >> YOU ARE VIOLENT, YOU JUST THREW SOMETHING AT ME, HIT ME WITH IT, AND THEN SCARED YOUR 83 00:02:35,389 --> 00:02:35,921 THREW SOMETHING AT ME, HIT ME WITH IT, AND THEN SCARED YOUR BROTHER AGAIN. 84 00:02:35,923 --> 00:02:37,990 WITH IT, AND THEN SCARED YOUR BROTHER AGAIN. >> LOGAN'S BEHAVIOR IS SO OUT OF 85 00:02:37,992 --> 00:02:39,291 BROTHER AGAIN. >> LOGAN'S BEHAVIOR IS SO OUT OF CONTROL, I FEEL LIKE A PRISONER 86 00:02:39,293 --> 00:02:40,893 >> LOGAN'S BEHAVIOR IS SO OUT OF CONTROL, I FEEL LIKE A PRISONER IN MY OWN HOME. 87 00:02:40,895 --> 00:02:42,060 CONTROL, I FEEL LIKE A PRISONER IN MY OWN HOME. IT'S SO BAD I'VE CONSIDERED 88 00:02:42,062 --> 00:02:44,163 IN MY OWN HOME. IT'S SO BAD I'VE CONSIDERED SENDING HIM TO A GROUP HOME 89 00:02:44,165 --> 00:02:46,331 IT'S SO BAD I'VE CONSIDERED SENDING HIM TO A GROUP HOME BECAUSE I CAN'T CONTROL HIM. 90 00:02:46,333 --> 00:02:47,065 SENDING HIM TO A GROUP HOME BECAUSE I CAN'T CONTROL HIM. >> HIT ME, I DARE YOU. 91 00:02:47,067 --> 00:02:49,334 BECAUSE I CAN'T CONTROL HIM. >> HIT ME, I DARE YOU. >> WHEN HE WAS IN GRADE SCHOOL 92 00:02:49,336 --> 00:02:51,236 >> HIT ME, I DARE YOU. >> WHEN HE WAS IN GRADE SCHOOL HE STARTED ACTING OUT AND BEING 93 00:02:51,238 --> 00:02:51,670 >> WHEN HE WAS IN GRADE SCHOOL HE STARTED ACTING OUT AND BEING AGGRESSIVE. 94 00:02:51,672 --> 00:02:53,739 HE STARTED ACTING OUT AND BEING AGGRESSIVE. HE WAS THROWING DESKS, SEWING 95 00:02:53,741 --> 00:02:55,274 AGGRESSIVE. HE WAS THROWING DESKS, SEWING SCISSORS, AND PUNCHING HOLES IN 96 00:02:55,276 --> 00:02:56,108 HE WAS THROWING DESKS, SEWING SCISSORS, AND PUNCHING HOLES IN WALLS. 97 00:02:56,110 --> 00:02:57,009 SCISSORS, AND PUNCHING HOLES IN WALLS. HE WOULD PUNCH OTHER KIDS IN THE 98 00:02:57,011 --> 00:02:58,377 WALLS. HE WOULD PUNCH OTHER KIDS IN THE FACE AND THREATENED TO KILL 99 00:02:58,379 --> 00:02:59,178 HE WOULD PUNCH OTHER KIDS IN THE FACE AND THREATENED TO KILL PEOPLE. 100 00:02:59,180 --> 00:03:00,779 FACE AND THREATENED TO KILL PEOPLE. OVER THE YEARS IS AGGRESSIVE AND 101 00:03:00,781 --> 00:03:02,047 PEOPLE. OVER THE YEARS IS AGGRESSIVE AND VIOLENT BEHAVIORS HAVE GOTTEN 102 00:03:02,049 --> 00:03:03,015 OVER THE YEARS IS AGGRESSIVE AND VIOLENT BEHAVIORS HAVE GOTTEN WORSE. 103 00:03:03,017 --> 00:03:04,216 VIOLENT BEHAVIORS HAVE GOTTEN WORSE. LOGAN STRUGGLES WITH MEDICAL 104 00:03:04,218 --> 00:03:05,150 WORSE. LOGAN STRUGGLES WITH MEDICAL ISSUES. 105 00:03:05,152 --> 00:03:10,255 LOGAN STRUGGLES WITH MEDICAL ISSUES. HE'S BEEN DIAGNOSED WITH ADHD, 106 00:03:10,257 --> 00:03:11,990 ISSUES. HE'S BEEN DIAGNOSED WITH ADHD, GENERALIZED ANXIETY DISORDER, 107 00:03:11,992 --> 00:03:12,791 HE'S BEEN DIAGNOSED WITH ADHD, GENERALIZED ANXIETY DISORDER, OPPOSITIONAL DEFIANCE DISORDER, 108 00:03:12,793 --> 00:03:13,525 GENERALIZED ANXIETY DISORDER, OPPOSITIONAL DEFIANCE DISORDER, AND VIDEO GAME ADDICTION. 109 00:03:13,527 --> 00:03:15,294 OPPOSITIONAL DEFIANCE DISORDER, AND VIDEO GAME ADDICTION. I CALL HIS MENTAL ILLNESSES AND 110 00:03:15,296 --> 00:03:15,894 AND VIDEO GAME ADDICTION. I CALL HIS MENTAL ILLNESSES AND MOLOTOV COCKTAIL. 111 00:03:15,896 --> 00:03:18,130 I CALL HIS MENTAL ILLNESSES AND MOLOTOV COCKTAIL. IT'S LIKE A PERFECT STORM. 112 00:03:18,132 --> 00:03:19,431 MOLOTOV COCKTAIL. IT'S LIKE A PERFECT STORM. LOGAN HAS A LOT OF TRIGGERS. 113 00:03:19,433 --> 00:03:20,999 IT'S LIKE A PERFECT STORM. LOGAN HAS A LOT OF TRIGGERS. IF ASKING TO DO HIS CHORES OR 114 00:03:21,001 --> 00:03:24,002 LOGAN HAS A LOT OF TRIGGERS. IF ASKING TO DO HIS CHORES OR GET OFF THE VIDEO GAMES -- 115 00:03:24,004 --> 00:03:28,073 IF ASKING TO DO HIS CHORES OR GET OFF THE VIDEO GAMES -- HE CAN BECOME PHYSICAL AND 116 00:03:28,075 --> 00:03:28,740 GET OFF THE VIDEO GAMES -- HE CAN BECOME PHYSICAL AND VERBALLY ABUSIVE. 117 00:03:28,742 --> 00:03:29,441 HE CAN BECOME PHYSICAL AND VERBALLY ABUSIVE. >> DON'T PUSH ME. 118 00:03:29,443 --> 00:03:32,177 VERBALLY ABUSIVE. >> DON'T PUSH ME. >> I DIDN'T PUSH YOU, I GOT YOU 119 00:03:32,179 --> 00:03:33,245 >> DON'T PUSH ME. >> I DIDN'T PUSH YOU, I GOT YOU OUT OF MY PERSONAL SPACE. 120 00:03:33,247 --> 00:03:37,316 >> I DIDN'T PUSH YOU, I GOT YOU OUT OF MY PERSONAL SPACE. >> HE BERATES ME, AND HE PLAYS 121 00:03:37,318 --> 00:03:39,818 OUT OF MY PERSONAL SPACE. >> HE BERATES ME, AND HE PLAYS RUGBY NOW, SO HE WILL TAKE HIS 122 00:03:39,820 --> 00:03:42,521 >> HE BERATES ME, AND HE PLAYS RUGBY NOW, SO HE WILL TAKE HIS SHOULDER AND USED HIS FULL BODY 123 00:03:42,523 --> 00:03:43,722 RUGBY NOW, SO HE WILL TAKE HIS SHOULDER AND USED HIS FULL BODY WEIGHT THREW ME BACKWARDS. 124 00:03:43,724 --> 00:03:44,756 SHOULDER AND USED HIS FULL BODY WEIGHT THREW ME BACKWARDS. HE'S PUNCHED MULTIPLE HOLES IN 125 00:03:44,758 --> 00:03:47,392 WEIGHT THREW ME BACKWARDS. HE'S PUNCHED MULTIPLE HOLES IN THE WALLS OF MY HOUSE. 126 00:03:47,394 --> 00:03:49,127 HE'S PUNCHED MULTIPLE HOLES IN THE WALLS OF MY HOUSE. HE'S BROKEN FOUR DOORS IN THE 127 00:03:49,129 --> 00:03:49,795 THE WALLS OF MY HOUSE. HE'S BROKEN FOUR DOORS IN THE LAST SIX MONTHS ALONE. 128 00:03:49,797 --> 00:03:51,430 HE'S BROKEN FOUR DOORS IN THE LAST SIX MONTHS ALONE. HE HAS PUNCHED A DOUBLE PANE 129 00:03:51,432 --> 00:03:51,964 LAST SIX MONTHS ALONE. HE HAS PUNCHED A DOUBLE PANE GLASS WINDOW. 130 00:03:51,966 --> 00:03:53,565 HE HAS PUNCHED A DOUBLE PANE GLASS WINDOW. AS A MOTHER I AM AT THE POINT 131 00:03:53,567 --> 00:03:55,701 GLASS WINDOW. AS A MOTHER I AM AT THE POINT WHERE I RESENT MY SON. 132 00:03:55,703 --> 00:03:57,402 AS A MOTHER I AM AT THE POINT WHERE I RESENT MY SON. A LOT OF THIS IS HIS FAULT AND 133 00:03:57,404 --> 00:03:59,037 WHERE I RESENT MY SON. A LOT OF THIS IS HIS FAULT AND HE NEEDS TO TAKE ACCOUNTABILITY. 134 00:03:59,039 --> 00:04:00,906 A LOT OF THIS IS HIS FAULT AND HE NEEDS TO TAKE ACCOUNTABILITY. >> MOTHER, YOU BETTER [BLEEP] 135 00:04:00,908 --> 00:04:03,842 HE NEEDS TO TAKE ACCOUNTABILITY. >> MOTHER, YOU BETTER [BLEEP] LISTEN TO ME BECAUSE I'M NOT IN 136 00:04:03,844 --> 00:04:04,543 >> MOTHER, YOU BETTER [BLEEP] LISTEN TO ME BECAUSE I'M NOT IN THE [BLEEP] MOVE, PERIOD. 137 00:04:04,545 --> 00:04:06,245 LISTEN TO ME BECAUSE I'M NOT IN THE [BLEEP] MOVE, PERIOD. >> THAN YOU CAN LEAVE WHERE THE 138 00:04:06,247 --> 00:04:08,213 THE [BLEEP] MOVE, PERIOD. >> THAN YOU CAN LEAVE WHERE THE COPS WILL HELP YOU DO SO. 139 00:04:08,215 --> 00:04:09,114 >> THAN YOU CAN LEAVE WHERE THE COPS WILL HELP YOU DO SO. >> I HAVE BEGGED THE POLICE TO 140 00:04:09,116 --> 00:04:11,083 COPS WILL HELP YOU DO SO. >> I HAVE BEGGED THE POLICE TO TAKE HIM AWAY AND THEY WANT 141 00:04:11,085 --> 00:04:12,851 >> I HAVE BEGGED THE POLICE TO TAKE HIM AWAY AND THEY WANT BECAUSE HE'S A MINOR. 142 00:04:12,853 --> 00:04:15,087 TAKE HIM AWAY AND THEY WANT BECAUSE HE'S A MINOR. I'M TERRIFIED EVERY DAY OF WHAT 143 00:04:15,089 --> 00:04:15,654 BECAUSE HE'S A MINOR. I'M TERRIFIED EVERY DAY OF WHAT WILL HAPPEN NEXT. 144 00:04:15,656 --> 00:04:18,290 I'M TERRIFIED EVERY DAY OF WHAT WILL HAPPEN NEXT. I'M AFRAID THAT IN A FIT OF RAGE 145 00:04:18,292 --> 00:04:20,392 WILL HAPPEN NEXT. I'M AFRAID THAT IN A FIT OF RAGE HE COULD KILL ME. 146 00:04:20,394 --> 00:04:21,860 I'M AFRAID THAT IN A FIT OF RAGE HE COULD KILL ME. >> Dr. Phil: JOINING US 147 00:04:21,862 --> 00:04:22,461 HE COULD KILL ME. >> Dr. Phil: JOINING US VIRTUALLY IS TANYA. 148 00:04:22,463 --> 00:04:24,329 >> Dr. Phil: JOINING US VIRTUALLY IS TANYA. I WANT TO TALK TO YOU AND I WANT 149 00:04:24,331 --> 00:04:26,398 VIRTUALLY IS TANYA. I WANT TO TALK TO YOU AND I WANT TO TALK TO THE MILLIONS OF 150 00:04:26,400 --> 00:04:28,066 I WANT TO TALK TO YOU AND I WANT TO TALK TO THE MILLIONS OF MOTHERS THAT ARE OUT THERE THAT 151 00:04:28,068 --> 00:04:30,102 TO TALK TO THE MILLIONS OF MOTHERS THAT ARE OUT THERE THAT I RELATING TO WHAT YOU'RE 152 00:04:30,104 --> 00:04:30,936 MOTHERS THAT ARE OUT THERE THAT I RELATING TO WHAT YOU'RE SAYING, BECAUSE THEY SAY THEY 153 00:04:30,938 --> 00:04:35,407 I RELATING TO WHAT YOU'RE SAYING, BECAUSE THEY SAY THEY HAVE A REALLY DEFIANT TEEN. 154 00:04:35,409 --> 00:04:37,376 SAYING, BECAUSE THEY SAY THEY HAVE A REALLY DEFIANT TEEN. IN THIS SITUATION, TANYA, YOU 155 00:04:37,378 --> 00:04:38,977 HAVE A REALLY DEFIANT TEEN. IN THIS SITUATION, TANYA, YOU SAY THAT YOU'VE BEEN READY TO 156 00:04:38,979 --> 00:04:41,747 IN THIS SITUATION, TANYA, YOU SAY THAT YOU'VE BEEN READY TO SEND LOGAN TO A GROUP HOME, AND 157 00:04:41,749 --> 00:04:42,714 SAY THAT YOU'VE BEEN READY TO SEND LOGAN TO A GROUP HOME, AND THE POLICE TALK YOU OUT OF IT. 158 00:04:42,716 --> 00:04:46,018 SEND LOGAN TO A GROUP HOME, AND THE POLICE TALK YOU OUT OF IT. SO YOU ARE READY TO SAY, "I 159 00:04:46,020 --> 00:04:47,452 THE POLICE TALK YOU OUT OF IT. SO YOU ARE READY TO SAY, "I CAN'T DO THIS ANYMORE." 160 00:04:47,454 --> 00:04:49,855 SO YOU ARE READY TO SAY, "I CAN'T DO THIS ANYMORE." >> YEAH, THIS WEEK I GAVE UP. 161 00:04:49,857 --> 00:04:51,356 CAN'T DO THIS ANYMORE." >> YEAH, THIS WEEK I GAVE UP. I BEGGED THEM TO TAKE IN. 162 00:04:51,358 --> 00:04:53,725 >> YEAH, THIS WEEK I GAVE UP. I BEGGED THEM TO TAKE IN. THERE'S NOTHING TO DO ABOUT IT 163 00:04:53,727 --> 00:04:54,126 I BEGGED THEM TO TAKE IN. THERE'S NOTHING TO DO ABOUT IT ANYMORE. 164 00:04:54,128 --> 00:04:54,926 THERE'S NOTHING TO DO ABOUT IT ANYMORE. AND THEY CONVINCE ME NOT TO 165 00:04:54,928 --> 00:04:57,396 ANYMORE. AND THEY CONVINCE ME NOT TO ENTER LET HIM BACK IN THE HOUSE. 166 00:04:57,398 --> 00:04:59,398 AND THEY CONVINCE ME NOT TO ENTER LET HIM BACK IN THE HOUSE. >> SO YOU WANTED SOMEONE ELSE TO 167 00:04:59,400 --> 00:05:00,766 ENTER LET HIM BACK IN THE HOUSE. >> SO YOU WANTED SOMEONE ELSE TO TAKE OVER FOR YOU? 168 00:05:00,768 --> 00:05:02,934 >> SO YOU WANTED SOMEONE ELSE TO TAKE OVER FOR YOU? >> AT THIS POINT I DON'T KNOW 169 00:05:02,936 --> 00:05:04,670 TAKE OVER FOR YOU? >> AT THIS POINT I DON'T KNOW WHAT ELSE I CAN DO. 170 00:05:04,672 --> 00:05:06,772 >> AT THIS POINT I DON'T KNOW WHAT ELSE I CAN DO. >> Dr. Phil: THIS ISN'T JUST A 171 00:05:06,774 --> 00:05:08,674 WHAT ELSE I CAN DO. >> Dr. Phil: THIS ISN'T JUST A RECENT THING THAT STARTED DURING 172 00:05:08,676 --> 00:05:09,207 >> Dr. Phil: THIS ISN'T JUST A RECENT THING THAT STARTED DURING THE QUARANTINE. 173 00:05:09,209 --> 00:05:10,642 RECENT THING THAT STARTED DURING THE QUARANTINE. IF WE LOOK AT A TIMELINE OF WHAT 174 00:05:10,644 --> 00:05:13,211 THE QUARANTINE. IF WE LOOK AT A TIMELINE OF WHAT HAS GONE ON WITH LOGAN, THIS HAS 175 00:05:13,213 --> 00:05:15,180 IF WE LOOK AT A TIMELINE OF WHAT HAS GONE ON WITH LOGAN, THIS HAS STARTED BACK QUITE SOME TIME 176 00:05:15,182 --> 00:05:16,515 HAS GONE ON WITH LOGAN, THIS HAS STARTED BACK QUITE SOME TIME AGO. 177 00:05:16,517 --> 00:05:18,417 STARTED BACK QUITE SOME TIME AGO. AT AGE 9 HE PUNCHED A CLASSMATE 178 00:05:18,419 --> 00:05:20,218 AGO. AT AGE 9 HE PUNCHED A CLASSMATE AND DESTROYED PROPERTY SO HE HAD 179 00:05:20,220 --> 00:05:21,119 AT AGE 9 HE PUNCHED A CLASSMATE AND DESTROYED PROPERTY SO HE HAD TO BE HOMESCHOOLED. 180 00:05:21,121 --> 00:05:22,688 AND DESTROYED PROPERTY SO HE HAD TO BE HOMESCHOOLED. THIS JUST CONTINUED ON. 181 00:05:22,690 --> 00:05:33,465 TO BE HOMESCHOOLED. THIS JUST CONTINUED ON. AT 13, HE PUNCHED YOU. 182 00:05:33,467 --> 00:05:34,466 THIS JUST CONTINUED ON. AT 13, HE PUNCHED YOU. AT 14, HE PUNCHED ANOTHER FAMILY 183 00:05:34,468 --> 00:05:35,500 AT 13, HE PUNCHED YOU. AT 14, HE PUNCHED ANOTHER FAMILY MEMBER. 184 00:05:35,502 --> 00:05:36,535 AT 14, HE PUNCHED ANOTHER FAMILY MEMBER. HE WAS KICKED OUT OF CAMP, HE 185 00:05:36,537 --> 00:05:37,135 MEMBER. HE WAS KICKED OUT OF CAMP, HE SNUCK ELECTRONICS END. 186 00:05:37,137 --> 00:05:37,803 HE WAS KICKED OUT OF CAMP, HE SNUCK ELECTRONICS END. AT AGE 15, HE PUNCHED TONYA 187 00:05:37,805 --> 00:05:38,570 SNUCK ELECTRONICS END. AT AGE 15, HE PUNCHED TONYA AGAIN, HAD TO GO TO THE POLICE 188 00:05:38,572 --> 00:05:39,204 AT AGE 15, HE PUNCHED TONYA AGAIN, HAD TO GO TO THE POLICE STATION. 189 00:05:39,206 --> 00:05:41,907 AGAIN, HAD TO GO TO THE POLICE STATION. HE BROKE A CLASSMATE'S NOSE, HE 190 00:05:41,909 --> 00:05:42,874 STATION. HE BROKE A CLASSMATE'S NOSE, HE STOLE MONEY. 191 00:05:42,876 --> 00:05:44,309 HE BROKE A CLASSMATE'S NOSE, HE STOLE MONEY. THEN THEY STARTED DIAGNOSING 192 00:05:44,311 --> 00:05:44,843 STOLE MONEY. THEN THEY STARTED DIAGNOSING HIM. 193 00:05:44,845 --> 00:05:48,847 THEN THEY STARTED DIAGNOSING HIM. "LET'S START LABELING THIS KID." 194 00:05:48,849 --> 00:05:50,816 HIM. "LET'S START LABELING THIS KID." GENERALIZED ANXIETY DISORDER, 195 00:05:50,818 --> 00:05:52,284 "LET'S START LABELING THIS KID." GENERALIZED ANXIETY DISORDER, VIDEO GAME ADDICTION, ADHD. 196 00:05:52,286 --> 00:05:55,687 GENERALIZED ANXIETY DISORDER, VIDEO GAME ADDICTION, ADHD. JUST LAST YEAR, HE PUSHED AND 197 00:05:55,689 --> 00:05:58,123 VIDEO GAME ADDICTION, ADHD. JUST LAST YEAR, HE PUSHED AND BODY-CHECK TO YOU, THEN HE RAN 198 00:05:58,125 --> 00:06:02,361 JUST LAST YEAR, HE PUSHED AND BODY-CHECK TO YOU, THEN HE RAN AWAY, AND THIS YEAR HE HAS 199 00:06:02,363 --> 00:06:03,562 BODY-CHECK TO YOU, THEN HE RAN AWAY, AND THIS YEAR HE HAS ATTACKED YOU, DESTROYED 200 00:06:03,564 --> 00:06:03,962 AWAY, AND THIS YEAR HE HAS ATTACKED YOU, DESTROYED PROPERLY. 201 00:06:03,964 --> 00:06:04,696 ATTACKED YOU, DESTROYED PROPERLY. THE POLICE HAVE BEEN CALLED HOW 202 00:06:04,698 --> 00:06:06,131 PROPERLY. THE POLICE HAVE BEEN CALLED HOW MANY TIMES? 203 00:06:06,133 --> 00:06:07,632 THE POLICE HAVE BEEN CALLED HOW MANY TIMES? >> THEY BEEN CALLED ALMOST 20 204 00:06:07,634 --> 00:06:08,133 MANY TIMES? >> THEY BEEN CALLED ALMOST 20 TIMES. 205 00:06:08,135 --> 00:06:10,268 >> THEY BEEN CALLED ALMOST 20 TIMES. >> Dr. Phil: WHY DO YOU THINK 206 00:06:10,270 --> 00:06:10,869 TIMES. >> Dr. Phil: WHY DO YOU THINK THIS IS HAPPENING? 207 00:06:10,871 --> 00:06:13,872 >> Dr. Phil: WHY DO YOU THINK THIS IS HAPPENING? >> I THINK LOGAN HAS A LOT OF 208 00:06:13,874 --> 00:06:15,907 THIS IS HAPPENING? >> I THINK LOGAN HAS A LOT OF ANGER FROM HIS CHILDHOOD, AND I 209 00:06:15,909 --> 00:06:17,476 >> I THINK LOGAN HAS A LOT OF ANGER FROM HIS CHILDHOOD, AND I KIND OF DETACHED AS A PARENT FOR 210 00:06:17,478 --> 00:06:19,177 ANGER FROM HIS CHILDHOOD, AND I KIND OF DETACHED AS A PARENT FOR A FEW YEARS AND LET HIM GET AWAY 211 00:06:19,179 --> 00:06:21,413 KIND OF DETACHED AS A PARENT FOR A FEW YEARS AND LET HIM GET AWAY WITH A LOT, DIDN'T PUNISH A LOT, 212 00:06:21,415 --> 00:06:23,515 A FEW YEARS AND LET HIM GET AWAY WITH A LOT, DIDN'T PUNISH A LOT, SO I THINK HE'S BECOME VERY 213 00:06:23,517 --> 00:06:25,250 WITH A LOT, DIDN'T PUNISH A LOT, SO I THINK HE'S BECOME VERY ENTITLED, SPOILED, AND ANGRY 214 00:06:25,252 --> 00:06:26,084 SO I THINK HE'S BECOME VERY ENTITLED, SPOILED, AND ANGRY TOWARD ME. 215 00:06:26,086 --> 00:06:28,019 ENTITLED, SPOILED, AND ANGRY TOWARD ME. >> Dr. Phil: SO YOU THINK YOU 216 00:06:28,021 --> 00:06:29,521 TOWARD ME. >> Dr. Phil: SO YOU THINK YOU CONTRIBUTED TO A LOT OF THIS, SO 217 00:06:29,523 --> 00:06:31,323 >> Dr. Phil: SO YOU THINK YOU CONTRIBUTED TO A LOT OF THIS, SO WHY ARE YOU ASKING SOMEONE ELSE 218 00:06:31,325 --> 00:06:31,690 CONTRIBUTED TO A LOT OF THIS, SO WHY ARE YOU ASKING SOMEONE ELSE TO FIX IT? 219 00:06:31,692 --> 00:06:33,658 WHY ARE YOU ASKING SOMEONE ELSE TO FIX IT? YOU RAN IT OFF INTO THE DITCH, 220 00:06:33,660 --> 00:06:35,293 TO FIX IT? YOU RAN IT OFF INTO THE DITCH, WHY ARE YOU ASKING SOMEONE TO 221 00:06:35,295 --> 00:06:37,129 YOU RAN IT OFF INTO THE DITCH, WHY ARE YOU ASKING SOMEONE TO GET IT OUT OF THE DITCH? 222 00:06:37,131 --> 00:06:37,529 WHY ARE YOU ASKING SOMEONE TO GET IT OUT OF THE DITCH? ♪ ♪ 223 00:06:37,531 --> 00:06:39,197 GET IT OUT OF THE DITCH? ♪ ♪ >> THE KID IS SITTING ON THE 224 00:06:39,199 --> 00:06:41,466 ♪ ♪ >> THE KID IS SITTING ON THE FLOOR, HIS HEAD IS IN HIS HANDS, 225 00:06:41,468 --> 00:06:44,536 >> THE KID IS SITTING ON THE FLOOR, HIS HEAD IS IN HIS HANDS, AND HE IS SAYING, "WILL YOU JUST 226 00:06:44,538 --> 00:06:45,971 FLOOR, HIS HEAD IS IN HIS HANDS, AND HE IS SAYING, "WILL YOU JUST LEAVE ME ALONE?" 227 00:06:45,973 --> 00:06:47,806 AND HE IS SAYING, "WILL YOU JUST LEAVE ME ALONE?" AND YOU'RE SAYING, "THE ONLY 228 00:06:47,808 --> 00:06:49,007 LEAVE ME ALONE?" AND YOU'RE SAYING, "THE ONLY PLACE IN YOUR HOUSE YOU ARE 229 00:06:49,009 --> 00:06:50,742 AND YOU'RE SAYING, "THE ONLY PLACE IN YOUR HOUSE YOU ARE ALLOWED TO BE ALONE IS IN YOUR 230 00:06:50,744 --> 00:06:51,543 PLACE IN YOUR HOUSE YOU ARE ALLOWED TO BE ALONE IS IN YOUR ROOM." 231 00:06:51,545 --> 00:06:52,010 ALLOWED TO BE ALONE IS IN YOUR ROOM." REALLY? 232 00:06:52,012 --> 00:06:56,214 ROOM." REALLY? WHAT ARE YOU, THE COPS? 233 00:06:56,216 --> 00:06:56,681 REALLY? WHAT ARE YOU, THE COPS? >> AND LATER... 234 00:06:56,683 --> 00:06:59,217 WHAT ARE YOU, THE COPS? >> AND LATER... >> THERE ARE TIMES WHERE I WOULD 235 00:06:59,219 --> 00:07:01,119 >> AND LATER... >> THERE ARE TIMES WHERE I WOULD BECOME THIS STATE WHICH I WOULD 236 00:07:01,121 --> 00:07:04,089 >> THERE ARE TIMES WHERE I WOULD BECOME THIS STATE WHICH I WOULD SEE AS A MONSTER INSIDE OF ME. 237 00:07:04,091 --> 00:07:07,159 BECOME THIS STATE WHICH I WOULD SEE AS A MONSTER INSIDE OF ME. I HAVE PHYSICALLY, VERBALLY, AND 238 00:07:07,161 --> 00:07:08,560 SEE AS A MONSTER INSIDE OF ME. I HAVE PHYSICALLY, VERBALLY, AND EMOTIONALLY ABUSED PRETTY MUCH 239 00:07:08,562 --> 00:07:09,161 I HAVE PHYSICALLY, VERBALLY, AND EMOTIONALLY ABUSED PRETTY MUCH EVERYBODY IN MY FAMILY. 240 00:07:09,163 --> 00:07:11,596 EMOTIONALLY ABUSED PRETTY MUCH EVERYBODY IN MY FAMILY. >> WHAT ARE YOU SO ANGRY ABOUT? 241 00:07:15,034 --> 00:07:20,439 ♪ ♪ >> Dr. Phil: SO YOU THINK YOU CONTRIBUTED TO A LOT OF THIS, SO 242 00:07:20,441 --> 00:07:21,506 >> Dr. Phil: SO YOU THINK YOU CONTRIBUTED TO A LOT OF THIS, SO WHY ARE YOU ASKING SOMEONE ELSE 243 00:07:21,508 --> 00:07:22,340 CONTRIBUTED TO A LOT OF THIS, SO WHY ARE YOU ASKING SOMEONE ELSE TO FIX IT? 244 00:07:22,342 --> 00:07:24,509 WHY ARE YOU ASKING SOMEONE ELSE TO FIX IT? YOU RAN IT OFF IN THE DITCH, WHY 245 00:07:24,511 --> 00:07:26,311 TO FIX IT? YOU RAN IT OFF IN THE DITCH, WHY ARE YOU ASKING SOMEONE ELSE TO 246 00:07:26,313 --> 00:07:27,646 YOU RAN IT OFF IN THE DITCH, WHY ARE YOU ASKING SOMEONE ELSE TO GET IT OUT OF THE DITCH? 247 00:07:27,648 --> 00:07:29,181 ARE YOU ASKING SOMEONE ELSE TO GET IT OUT OF THE DITCH? >> BECAUSE I DON'T KNOW WHAT TO 248 00:07:29,183 --> 00:07:30,515 GET IT OUT OF THE DITCH? >> BECAUSE I DON'T KNOW WHAT TO DO. 249 00:07:30,517 --> 00:07:31,583 >> BECAUSE I DON'T KNOW WHAT TO DO. OBVIOUSLY WHAT I'M DOING ISN'T 250 00:07:31,585 --> 00:07:31,950 DO. OBVIOUSLY WHAT I'M DOING ISN'T WORKING. 251 00:07:31,952 --> 00:07:33,051 OBVIOUSLY WHAT I'M DOING ISN'T WORKING. >> Dr. Phil: YOU CAN DO THE 252 00:07:33,053 --> 00:07:34,753 WORKING. >> Dr. Phil: YOU CAN DO THE EXACT OPPOSITE OF WHAT YOU HAVE 253 00:07:34,755 --> 00:07:35,921 >> Dr. Phil: YOU CAN DO THE EXACT OPPOSITE OF WHAT YOU HAVE BEEN DOING. 254 00:07:35,923 --> 00:07:37,255 EXACT OPPOSITE OF WHAT YOU HAVE BEEN DOING. HAVE YOU TRIED TO CHANGE YOUR 255 00:07:37,257 --> 00:07:37,956 BEEN DOING. HAVE YOU TRIED TO CHANGE YOUR BEHAVIOR? 256 00:07:37,958 --> 00:07:39,558 HAVE YOU TRIED TO CHANGE YOUR BEHAVIOR? >> AT TAKING PARENTING CLASSES. 257 00:07:39,560 --> 00:07:41,426 BEHAVIOR? >> AT TAKING PARENTING CLASSES. NOW WHEN I TRY TO PARENT HE 258 00:07:41,428 --> 00:07:45,130 >> AT TAKING PARENTING CLASSES. NOW WHEN I TRY TO PARENT HE ATTACKS ME, AND THERE HE IS SO 259 00:07:45,132 --> 00:07:46,164 NOW WHEN I TRY TO PARENT HE ATTACKS ME, AND THERE HE IS SO MUCH BIGGER THAN ME. 260 00:07:46,166 --> 00:07:47,766 ATTACKS ME, AND THERE HE IS SO MUCH BIGGER THAN ME. >> Dr. Phil: WHAT DID YOU 261 00:07:47,768 --> 00:07:48,099 MUCH BIGGER THAN ME. >> Dr. Phil: WHAT DID YOU LEARN? 262 00:07:48,101 --> 00:07:50,302 >> Dr. Phil: WHAT DID YOU LEARN? >> TO STOP YELLING, WHICH I 263 00:07:50,304 --> 00:07:51,970 LEARN? >> TO STOP YELLING, WHICH I DON'T DO ANYMORE. 264 00:07:51,972 --> 00:07:52,737 >> TO STOP YELLING, WHICH I DON'T DO ANYMORE. WHICH IS A BIG ONE. 265 00:07:52,739 --> 00:07:54,139 DON'T DO ANYMORE. WHICH IS A BIG ONE. >> Dr. Phil: YOU STOP YELLING? 266 00:07:54,141 --> 00:07:56,541 WHICH IS A BIG ONE. >> Dr. Phil: YOU STOP YELLING? >> YES, FOR THE MOST PART. 267 00:07:56,543 --> 00:07:58,944 >> Dr. Phil: YOU STOP YELLING? >> YES, FOR THE MOST PART. >> Dr. Phil: YOU'VE SENT US A 268 00:07:58,946 --> 00:08:00,045 >> YES, FOR THE MOST PART. >> Dr. Phil: YOU'VE SENT US A LOT OF VIDEOS YOU THOUGHT WERE 269 00:08:00,047 --> 00:08:01,713 >> Dr. Phil: YOU'VE SENT US A LOT OF VIDEOS YOU THOUGHT WERE EVIDENCE OF LOGAN'S BAD 270 00:08:01,715 --> 00:08:04,249 LOT OF VIDEOS YOU THOUGHT WERE EVIDENCE OF LOGAN'S BAD BEHAVIOR, BUT I LOOKED AT BOTH 271 00:08:04,251 --> 00:08:05,150 EVIDENCE OF LOGAN'S BAD BEHAVIOR, BUT I LOOKED AT BOTH OF YOUR BEHAVIORS. 272 00:08:05,152 --> 00:08:07,752 BEHAVIOR, BUT I LOOKED AT BOTH OF YOUR BEHAVIORS. HERE IS A VIDEO OF LOGAN TELLING 273 00:08:07,754 --> 00:08:10,121 OF YOUR BEHAVIORS. HERE IS A VIDEO OF LOGAN TELLING HIS MOTHER, TANYA, THAT HE 274 00:08:10,123 --> 00:08:13,758 HERE IS A VIDEO OF LOGAN TELLING HIS MOTHER, TANYA, THAT HE WISHES TO BE LEFT ALONE. 275 00:08:13,760 --> 00:08:15,994 HIS MOTHER, TANYA, THAT HE WISHES TO BE LEFT ALONE. NOW, WHAT ARE YOUR OPTIONS AT 276 00:08:15,996 --> 00:08:16,528 WISHES TO BE LEFT ALONE. NOW, WHAT ARE YOUR OPTIONS AT THAT POINT, TANYA? 277 00:08:16,530 --> 00:08:19,798 NOW, WHAT ARE YOUR OPTIONS AT THAT POINT, TANYA? >> I CAN WALK AWAY, CONTINUE TO 278 00:08:19,800 --> 00:08:21,766 THAT POINT, TANYA? >> I CAN WALK AWAY, CONTINUE TO ENGAGE THE ARGUMENT, ESCALATE 279 00:08:21,768 --> 00:08:22,701 >> I CAN WALK AWAY, CONTINUE TO ENGAGE THE ARGUMENT, ESCALATE THE ARGUMENT. 280 00:08:22,703 --> 00:08:23,969 ENGAGE THE ARGUMENT, ESCALATE THE ARGUMENT. >> Dr. Phil: YOU CAN BADGER 281 00:08:23,971 --> 00:08:26,938 THE ARGUMENT. >> Dr. Phil: YOU CAN BADGER HIM OR YOU CAN SAY, "LISTEN, I 282 00:08:26,940 --> 00:08:28,273 >> Dr. Phil: YOU CAN BADGER HIM OR YOU CAN SAY, "LISTEN, I RESPECT YOUR RIGHT TO NEED SOME 283 00:08:28,275 --> 00:08:31,543 HIM OR YOU CAN SAY, "LISTEN, I RESPECT YOUR RIGHT TO NEED SOME SPACE RIGHT NOW, AND I'M GOING 284 00:08:31,545 --> 00:08:32,677 RESPECT YOUR RIGHT TO NEED SOME SPACE RIGHT NOW, AND I'M GOING TO ASK THE SAME THING AT TIMES, 285 00:08:32,679 --> 00:08:36,114 SPACE RIGHT NOW, AND I'M GOING TO ASK THE SAME THING AT TIMES, SO I'M GOING TO GIVE IT TO YOU 286 00:08:36,116 --> 00:08:37,182 TO ASK THE SAME THING AT TIMES, SO I'M GOING TO GIVE IT TO YOU AND EXPECT RECIPROCATION." 287 00:08:37,184 --> 00:08:39,518 SO I'M GOING TO GIVE IT TO YOU AND EXPECT RECIPROCATION." OR YOU CAN JUST WALK AWAY AND 288 00:08:39,520 --> 00:08:41,553 AND EXPECT RECIPROCATION." OR YOU CAN JUST WALK AWAY AND SAY, "YOU KNOW WHAT? 289 00:08:41,555 --> 00:08:43,955 OR YOU CAN JUST WALK AWAY AND SAY, "YOU KNOW WHAT? WE BOTH NEED SOME TIME." 290 00:08:43,957 --> 00:08:45,590 SAY, "YOU KNOW WHAT? WE BOTH NEED SOME TIME." LET'S SEE WHAT YOU ACTUALLY 291 00:08:45,592 --> 00:08:46,591 WE BOTH NEED SOME TIME." LET'S SEE WHAT YOU ACTUALLY CHOSE TO DO. 292 00:08:46,593 --> 00:08:49,227 LET'S SEE WHAT YOU ACTUALLY CHOSE TO DO. YOU SAY YOU'VE DONE EVERYTHING, 293 00:08:49,229 --> 00:08:49,861 CHOSE TO DO. YOU SAY YOU'VE DONE EVERYTHING, TO PARENTING CLASSES. 294 00:08:49,863 --> 00:08:52,464 YOU SAY YOU'VE DONE EVERYTHING, TO PARENTING CLASSES. >> I DON'T FEEL SAFE. 295 00:08:52,466 --> 00:08:53,198 TO PARENTING CLASSES. >> I DON'T FEEL SAFE. YOU'VE ALREADY SNAPPED AND 296 00:08:53,200 --> 00:08:53,732 >> I DON'T FEEL SAFE. YOU'VE ALREADY SNAPPED AND PUNCHED THE COUNTER. 297 00:08:53,734 --> 00:08:55,734 YOU'VE ALREADY SNAPPED AND PUNCHED THE COUNTER. I NEED YOU TO TAKE YOUR 298 00:08:55,736 --> 00:08:57,636 PUNCHED THE COUNTER. I NEED YOU TO TAKE YOUR MEDICATION AND GO TO YOUR ROOM 299 00:08:57,638 --> 00:08:57,969 I NEED YOU TO TAKE YOUR MEDICATION AND GO TO YOUR ROOM PLEASE. 300 00:08:57,971 --> 00:08:59,638 MEDICATION AND GO TO YOUR ROOM PLEASE. >> I'M ASKING TO BE LEFT ALONE. 301 00:08:59,640 --> 00:09:02,574 PLEASE. >> I'M ASKING TO BE LEFT ALONE. >> I WILL LEAVE YOU ALONE -- 302 00:09:02,576 --> 00:09:04,276 >> I'M ASKING TO BE LEFT ALONE. >> I WILL LEAVE YOU ALONE -- >> I'M ASKING YOU TO [BLEEP] 303 00:09:04,278 --> 00:09:04,576 >> I WILL LEAVE YOU ALONE -- >> I'M ASKING YOU TO [BLEEP] LEAVE. 304 00:09:04,578 --> 00:09:06,344 >> I'M ASKING YOU TO [BLEEP] LEAVE. >> I WILL LEAVE YOU ALONE IN 305 00:09:06,346 --> 00:09:06,845 LEAVE. >> I WILL LEAVE YOU ALONE IN YOUR ROOM. 306 00:09:06,847 --> 00:09:07,712 >> I WILL LEAVE YOU ALONE IN YOUR ROOM. THAT'S THE ONLY PLACE IN THIS 307 00:09:07,714 --> 00:09:09,614 YOUR ROOM. THAT'S THE ONLY PLACE IN THIS HOUSE YOU'RE ALLOWED TO DO THIS. 308 00:09:09,616 --> 00:09:11,116 THAT'S THE ONLY PLACE IN THIS HOUSE YOU'RE ALLOWED TO DO THIS. SO PLEASE TAKE YOUR MEDICATION 309 00:09:11,118 --> 00:09:11,550 HOUSE YOU'RE ALLOWED TO DO THIS. SO PLEASE TAKE YOUR MEDICATION AND GO THERE. 310 00:09:11,552 --> 00:09:14,386 SO PLEASE TAKE YOUR MEDICATION AND GO THERE. >> I WILL TAKE MY MEDICATION IF 311 00:09:14,388 --> 00:09:14,920 AND GO THERE. >> I WILL TAKE MY MEDICATION IF YOU [BLEEP] LEAVE. 312 00:09:14,922 --> 00:09:17,155 >> I WILL TAKE MY MEDICATION IF YOU [BLEEP] LEAVE. BECAUSE I'M NOT IN THE HEAD 313 00:09:17,157 --> 00:09:19,057 YOU [BLEEP] LEAVE. BECAUSE I'M NOT IN THE HEAD SPACE TO DO JACK [BLEEP] OF WHAT 314 00:09:19,059 --> 00:09:19,457 BECAUSE I'M NOT IN THE HEAD SPACE TO DO JACK [BLEEP] OF WHAT YOU ASK ME. 315 00:09:19,459 --> 00:09:20,959 SPACE TO DO JACK [BLEEP] OF WHAT YOU ASK ME. >> YOU DON'T HAVE A CHOICE IN 316 00:09:20,961 --> 00:09:22,193 YOU ASK ME. >> YOU DON'T HAVE A CHOICE IN THE MATTER PAID THE SAFETY PLAN 317 00:09:22,195 --> 00:09:24,195 >> YOU DON'T HAVE A CHOICE IN THE MATTER PAID THE SAFETY PLAN IS YOU GO TO YOUR ROOM OR LEAVE 318 00:09:24,197 --> 00:09:24,596 THE MATTER PAID THE SAFETY PLAN IS YOU GO TO YOUR ROOM OR LEAVE MY HOME. 319 00:09:24,598 --> 00:09:26,598 IS YOU GO TO YOUR ROOM OR LEAVE MY HOME. >> MOTHER, YOU BETTER [BLEEP] 320 00:09:26,600 --> 00:09:29,401 MY HOME. >> MOTHER, YOU BETTER [BLEEP] LISTEN TO ME, BECAUSE I'M NOT IN 321 00:09:29,403 --> 00:09:30,335 >> MOTHER, YOU BETTER [BLEEP] LISTEN TO ME, BECAUSE I'M NOT IN THE [BLEEP] MOOD, PERIOD. 322 00:09:30,337 --> 00:09:32,571 LISTEN TO ME, BECAUSE I'M NOT IN THE [BLEEP] MOOD, PERIOD. >> SO YOU CAN LEAVE, WHERE THE 323 00:09:32,573 --> 00:09:34,272 THE [BLEEP] MOOD, PERIOD. >> SO YOU CAN LEAVE, WHERE THE COPS CAN HELP YOU DO SO. 324 00:09:34,274 --> 00:09:36,441 >> SO YOU CAN LEAVE, WHERE THE COPS CAN HELP YOU DO SO. YOU DESTROYING MY HOUSE IS NOT 325 00:09:36,443 --> 00:09:37,842 COPS CAN HELP YOU DO SO. YOU DESTROYING MY HOUSE IS NOT AN OPTION, LOGAN. 326 00:09:37,844 --> 00:09:39,244 YOU DESTROYING MY HOUSE IS NOT AN OPTION, LOGAN. I AM BEING, AND MAKING A 327 00:09:39,246 --> 00:09:41,479 AN OPTION, LOGAN. I AM BEING, AND MAKING A REASONABLE REQUEST. 328 00:09:41,481 --> 00:09:42,147 I AM BEING, AND MAKING A REASONABLE REQUEST. YOU NEED TO TAKE YOUR 329 00:09:42,149 --> 00:09:42,547 REASONABLE REQUEST. YOU NEED TO TAKE YOUR MEDICATION. 330 00:09:42,549 --> 00:09:43,381 YOU NEED TO TAKE YOUR MEDICATION. >> Dr. Phil: YOUR VIDEO OF 331 00:09:43,383 --> 00:09:46,184 MEDICATION. >> Dr. Phil: YOUR VIDEO OF THIS, YOU ARE SAYING, "I'M BEING 332 00:09:46,186 --> 00:09:46,851 >> Dr. Phil: YOUR VIDEO OF THIS, YOU ARE SAYING, "I'M BEING CALM." 333 00:09:46,853 --> 00:09:50,221 THIS, YOU ARE SAYING, "I'M BEING CALM." BUT THE KID IS ASKING YOU, HE IS 334 00:09:50,223 --> 00:09:52,524 CALM." BUT THE KID IS ASKING YOU, HE IS SITTING ON THE FLOOR, HIS HEAD 335 00:09:52,526 --> 00:09:56,294 BUT THE KID IS ASKING YOU, HE IS SITTING ON THE FLOOR, HIS HEAD IS IN YOUR HIS HANDS, AND HE IS 336 00:09:56,296 --> 00:09:57,529 SITTING ON THE FLOOR, HIS HEAD IS IN YOUR HIS HANDS, AND HE IS SAYING, "WILL YOU JUST LEAVE ME 337 00:09:57,531 --> 00:09:57,862 IS IN YOUR HIS HANDS, AND HE IS SAYING, "WILL YOU JUST LEAVE ME ALONE? 338 00:09:57,864 --> 00:10:00,165 SAYING, "WILL YOU JUST LEAVE ME ALONE? MY HEAD IS NOT ANY SPACE RIGHT 339 00:10:00,167 --> 00:10:00,465 ALONE? MY HEAD IS NOT ANY SPACE RIGHT NOW." 340 00:10:00,467 --> 00:10:03,335 MY HEAD IS NOT ANY SPACE RIGHT NOW." AND YOU ARE SAYING, "THE ONLY 341 00:10:03,337 --> 00:10:03,969 NOW." AND YOU ARE SAYING, "THE ONLY SPACE IN THIS HOUSE YOU'RE 342 00:10:03,971 --> 00:10:06,404 AND YOU ARE SAYING, "THE ONLY SPACE IN THIS HOUSE YOU'RE ALLOWED TO BE ALONE IS IN YOUR 343 00:10:06,406 --> 00:10:07,672 SPACE IN THIS HOUSE YOU'RE ALLOWED TO BE ALONE IS IN YOUR ROOM." 344 00:10:07,674 --> 00:10:08,006 ALLOWED TO BE ALONE IS IN YOUR ROOM." REALLY? 345 00:10:08,008 --> 00:10:09,407 ROOM." REALLY? >> IT'S BECOME THAT WAY. 346 00:10:09,409 --> 00:10:10,442 REALLY? >> IT'S BECOME THAT WAY. >> Dr. Phil: WHAT IS WRONG 347 00:10:10,444 --> 00:10:12,477 >> IT'S BECOME THAT WAY. >> Dr. Phil: WHAT IS WRONG WITH SIX SQUARE FEET IN THE 348 00:10:12,479 --> 00:10:12,844 >> Dr. Phil: WHAT IS WRONG WITH SIX SQUARE FEET IN THE KITCHEN? 349 00:10:12,846 --> 00:10:14,613 WITH SIX SQUARE FEET IN THE KITCHEN? WHAT IS WRONG WITH SIX SQUARE 350 00:10:14,615 --> 00:10:15,847 KITCHEN? WHAT IS WRONG WITH SIX SQUARE FEET IN THE GARAGE? 351 00:10:15,849 --> 00:10:17,882 WHAT IS WRONG WITH SIX SQUARE FEET IN THE GARAGE? WHAT IS WRONG WITH SIX SQUARE 352 00:10:17,884 --> 00:10:19,351 FEET IN THE GARAGE? WHAT IS WRONG WITH SIX SQUARE FEET IN THE BACKYARD? 353 00:10:19,353 --> 00:10:21,386 WHAT IS WRONG WITH SIX SQUARE FEET IN THE BACKYARD? WHAT ARE YOU, THE COPS? 354 00:10:21,388 --> 00:10:22,220 FEET IN THE BACKYARD? WHAT ARE YOU, THE COPS? >> HE'S WELCOME TO LEAVE THE 355 00:10:22,222 --> 00:10:24,289 WHAT ARE YOU, THE COPS? >> HE'S WELCOME TO LEAVE THE HOUSE AND GO TO THE GARAGE OR 356 00:10:24,291 --> 00:10:25,557 >> HE'S WELCOME TO LEAVE THE HOUSE AND GO TO THE GARAGE OR THE BACKYARD, THAT WHEN HE STAYS 357 00:10:25,559 --> 00:10:28,326 HOUSE AND GO TO THE GARAGE OR THE BACKYARD, THAT WHEN HE STAYS IN THE HOUSE HE DISTRESSED 358 00:10:28,328 --> 00:10:28,693 THE BACKYARD, THAT WHEN HE STAYS IN THE HOUSE HE DISTRESSED PROPERTY. 359 00:10:28,695 --> 00:10:29,160 IN THE HOUSE HE DISTRESSED PROPERTY. HE ESCALATES -- 360 00:10:29,162 --> 00:10:30,895 PROPERTY. HE ESCALATES -- >> Dr. Phil: THAT'S NOT WHAT 361 00:10:30,897 --> 00:10:32,230 HE ESCALATES -- >> Dr. Phil: THAT'S NOT WHAT YOU SAID. 362 00:10:32,232 --> 00:10:33,798 >> Dr. Phil: THAT'S NOT WHAT YOU SAID. HE DIDN'T SAY, "YOU'RE ONLY 363 00:10:33,800 --> 00:10:36,167 YOU SAID. HE DIDN'T SAY, "YOU'RE ONLY ALLOWED TO DESTROY PROPERTY IN 364 00:10:36,169 --> 00:10:37,068 HE DIDN'T SAY, "YOU'RE ONLY ALLOWED TO DESTROY PROPERTY IN YOUR BEDROOM." 365 00:10:37,070 --> 00:10:38,870 ALLOWED TO DESTROY PROPERTY IN YOUR BEDROOM." HE SAID, "YOU'RE ONLY ALLOWED TO 366 00:10:38,872 --> 00:10:41,206 YOUR BEDROOM." HE SAID, "YOU'RE ONLY ALLOWED TO BE ALONE IN YOUR ROOM." 367 00:10:41,208 --> 00:10:42,874 HE SAID, "YOU'RE ONLY ALLOWED TO BE ALONE IN YOUR ROOM." DON'T ROLL YOUR EYES AT ME. 368 00:10:42,876 --> 00:10:44,843 BE ALONE IN YOUR ROOM." DON'T ROLL YOUR EYES AT ME. >> BECAUSE I'M NOT IN THE 369 00:10:44,845 --> 00:10:46,011 DON'T ROLL YOUR EYES AT ME. >> BECAUSE I'M NOT IN THE HEADSPACE TO DO JACK [BLEEP] OF 370 00:10:46,013 --> 00:10:46,911 >> BECAUSE I'M NOT IN THE HEADSPACE TO DO JACK [BLEEP] OF WHAT YOU ASK ME. 371 00:10:46,913 --> 00:10:49,214 HEADSPACE TO DO JACK [BLEEP] OF WHAT YOU ASK ME. >> YOU DON'T HAVE A CHOICE IN 372 00:10:49,216 --> 00:10:49,681 WHAT YOU ASK ME. >> YOU DON'T HAVE A CHOICE IN THE MATTER. 373 00:10:49,683 --> 00:10:50,682 >> YOU DON'T HAVE A CHOICE IN THE MATTER. >> Dr. Phil: WHY IS THAT? 374 00:10:50,684 --> 00:10:52,851 THE MATTER. >> Dr. Phil: WHY IS THAT? WHY DOES HE NOT HAVE A CHOICE IN 375 00:10:52,853 --> 00:10:53,852 >> Dr. Phil: WHY IS THAT? WHY DOES HE NOT HAVE A CHOICE IN THE MATTER? 376 00:10:53,854 --> 00:10:55,720 WHY DOES HE NOT HAVE A CHOICE IN THE MATTER? HE'S 17 YEARS OLD, HE'S A YOUNG 377 00:10:55,722 --> 00:10:55,987 THE MATTER? HE'S 17 YEARS OLD, HE'S A YOUNG MAN. 378 00:10:55,989 --> 00:10:57,122 HE'S 17 YEARS OLD, HE'S A YOUNG MAN. WHY DOES HE NOT HAVE A CHOICE IN 379 00:10:57,124 --> 00:10:59,224 MAN. WHY DOES HE NOT HAVE A CHOICE IN THE MATTER, ARE YOU A PRISON 380 00:10:59,226 --> 00:10:59,557 WHY DOES HE NOT HAVE A CHOICE IN THE MATTER, ARE YOU A PRISON GUARD? 381 00:10:59,559 --> 00:11:00,759 THE MATTER, ARE YOU A PRISON GUARD? >> IT'S BEEN THIS WAY FOR SO 382 00:11:00,761 --> 00:11:02,827 GUARD? >> IT'S BEEN THIS WAY FOR SO LONG THAT WE'VE TAKEN AWAY HIS 383 00:11:02,829 --> 00:11:04,162 >> IT'S BEEN THIS WAY FOR SO LONG THAT WE'VE TAKEN AWAY HIS RIGHT TO HAVE A CHOICE IN THE 384 00:11:04,164 --> 00:11:04,496 LONG THAT WE'VE TAKEN AWAY HIS RIGHT TO HAVE A CHOICE IN THE MATTER. 385 00:11:04,498 --> 00:11:05,296 RIGHT TO HAVE A CHOICE IN THE MATTER. >> Dr. Phil: REALLY? 386 00:11:05,298 --> 00:11:07,098 MATTER. >> Dr. Phil: REALLY? DID THEY TELL YOU IN PARENTING 387 00:11:07,100 --> 00:11:09,300 >> Dr. Phil: REALLY? DID THEY TELL YOU IN PARENTING CLASS TO TELL YOUR 17-YEAR-OLD, 388 00:11:09,302 --> 00:11:11,603 DID THEY TELL YOU IN PARENTING CLASS TO TELL YOUR 17-YEAR-OLD, "YOU DON'T HAVE A CHOICE?" 389 00:11:11,605 --> 00:11:13,371 CLASS TO TELL YOUR 17-YEAR-OLD, "YOU DON'T HAVE A CHOICE?" IS THAT WHAT YOU GOT TOLD IN 390 00:11:13,373 --> 00:11:13,838 "YOU DON'T HAVE A CHOICE?" IS THAT WHAT YOU GOT TOLD IN PARENTING CLASS? 391 00:11:13,840 --> 00:11:15,573 IS THAT WHAT YOU GOT TOLD IN PARENTING CLASS? IF SO, I WANT THE NAME OF THE 392 00:11:15,575 --> 00:11:17,242 PARENTING CLASS? IF SO, I WANT THE NAME OF THE PERSON THAT RAN THAT PARENTING 393 00:11:17,244 --> 00:11:19,411 IF SO, I WANT THE NAME OF THE PERSON THAT RAN THAT PARENTING CLASS, BECAUSE I'M GOING TO RUN 394 00:11:19,413 --> 00:11:19,944 PERSON THAT RAN THAT PARENTING CLASS, BECAUSE I'M GOING TO RUN THEM OUT OF CANADA. 395 00:11:19,946 --> 00:11:23,415 CLASS, BECAUSE I'M GOING TO RUN THEM OUT OF CANADA. DID THEY TELL YOU THAT? 396 00:11:23,417 --> 00:11:28,520 THEM OUT OF CANADA. DID THEY TELL YOU THAT? >> NO, THEY DID NOT. 397 00:11:28,522 --> 00:11:29,988 DID THEY TELL YOU THAT? >> NO, THEY DID NOT. >> YOU CANNOT SIT OUT HERE AND 398 00:11:29,990 --> 00:11:30,388 >> NO, THEY DID NOT. >> YOU CANNOT SIT OUT HERE AND THREATEN ME. 399 00:11:30,390 --> 00:11:36,494 >> YOU CANNOT SIT OUT HERE AND THREATEN ME. THAT IS NOT OKAY. 400 00:11:36,496 --> 00:11:40,765 THREATEN ME. THAT IS NOT OKAY. >> Dr. Phil: NOW, THIS, TO ME, 401 00:11:40,767 --> 00:11:41,833 THAT IS NOT OKAY. >> Dr. Phil: NOW, THIS, TO ME, DOES NOT LOOK THREATENING. 402 00:11:41,835 --> 00:11:44,335 >> Dr. Phil: NOW, THIS, TO ME, DOES NOT LOOK THREATENING. THIS, TO ME, LOOKS LIKE YOU 403 00:11:44,337 --> 00:11:46,571 DOES NOT LOOK THREATENING. THIS, TO ME, LOOKS LIKE YOU STANDING OVER HIM, LORDING OVER 404 00:11:46,573 --> 00:11:48,973 THIS, TO ME, LOOKS LIKE YOU STANDING OVER HIM, LORDING OVER HIM, TELLING HIM HE HAS NO 405 00:11:48,975 --> 00:11:50,375 STANDING OVER HIM, LORDING OVER HIM, TELLING HIM HE HAS NO CHOICES, AND THEN SAYING, "YOU 406 00:11:50,377 --> 00:11:52,544 HIM, TELLING HIM HE HAS NO CHOICES, AND THEN SAYING, "YOU DON'T HAVE THE RIGHT TO THREATEN 407 00:11:52,546 --> 00:11:53,645 CHOICES, AND THEN SAYING, "YOU DON'T HAVE THE RIGHT TO THREATEN ME." 408 00:11:53,647 --> 00:11:57,282 DON'T HAVE THE RIGHT TO THREATEN ME." HE IS JUST ASKING YOU TO BACK 409 00:11:57,284 --> 00:11:58,249 ME." HE IS JUST ASKING YOU TO BACK OFF. 410 00:11:58,251 --> 00:12:00,385 HE IS JUST ASKING YOU TO BACK OFF. HE IS THE ONE BEING AN ADULT 411 00:12:00,387 --> 00:12:01,019 OFF. HE IS THE ONE BEING AN ADULT HERE. 412 00:12:01,021 --> 00:12:04,889 HE IS THE ONE BEING AN ADULT HERE. HE'S ASKING YOU TO BACK OFF. 413 00:12:04,891 --> 00:12:05,957 HERE. HE'S ASKING YOU TO BACK OFF. AND YOU WON'T DO IT. 414 00:12:05,959 --> 00:12:07,525 HE'S ASKING YOU TO BACK OFF. AND YOU WON'T DO IT. >> WHY DOES HE GET THE RIGHT TO 415 00:12:07,527 --> 00:12:10,328 AND YOU WON'T DO IT. >> WHY DOES HE GET THE RIGHT TO TELL ME TO BACK OFF WHEN I'M 416 00:12:10,330 --> 00:12:10,762 >> WHY DOES HE GET THE RIGHT TO TELL ME TO BACK OFF WHEN I'M PARENTING HIM? 417 00:12:10,764 --> 00:12:13,932 TELL ME TO BACK OFF WHEN I'M PARENTING HIM? >> YOU CALL THAT PARENTING? 418 00:12:13,934 --> 00:12:16,367 PARENTING HIM? >> YOU CALL THAT PARENTING? YOU CONTINUED TO TAPE YOUR SON, 419 00:12:16,369 --> 00:12:18,770 >> YOU CALL THAT PARENTING? YOU CONTINUED TO TAPE YOUR SON, LOGAN, AS HE SAT ON THE FLOOR 420 00:12:18,772 --> 00:12:20,972 YOU CONTINUED TO TAPE YOUR SON, LOGAN, AS HE SAT ON THE FLOOR FOR ONE MINUTE AND 21 SECONDS 421 00:12:20,974 --> 00:12:21,272 LOGAN, AS HE SAT ON THE FLOOR FOR ONE MINUTE AND 21 SECONDS TOTAL. 422 00:12:21,274 --> 00:12:23,174 FOR ONE MINUTE AND 21 SECONDS TOTAL. >> SO, BEFORE HE SAT ON THE 423 00:12:23,176 --> 00:12:25,343 TOTAL. >> SO, BEFORE HE SAT ON THE FLOOR, HE WAS DOING DISHES. 424 00:12:25,345 --> 00:12:26,311 >> SO, BEFORE HE SAT ON THE FLOOR, HE WAS DOING DISHES. HE GOT ANGRY AND THREW THE PLATE 425 00:12:26,313 --> 00:12:28,046 FLOOR, HE WAS DOING DISHES. HE GOT ANGRY AND THREW THE PLATE IN THE SINK AND IT SHATTERED AND 426 00:12:28,048 --> 00:12:29,981 HE GOT ANGRY AND THREW THE PLATE IN THE SINK AND IT SHATTERED AND HE PUNCHED THE COUNTY. 427 00:12:29,983 --> 00:12:31,916 IN THE SINK AND IT SHATTERED AND HE PUNCHED THE COUNTY. THAT'S WHEN I STARTED FILMING. 428 00:12:31,918 --> 00:12:34,119 HE PUNCHED THE COUNTY. THAT'S WHEN I STARTED FILMING. >> Dr. Phil: THEN HE WENT AND 429 00:12:34,121 --> 00:12:37,589 THAT'S WHEN I STARTED FILMING. >> Dr. Phil: THEN HE WENT AND SAT DOWN BECAUSE HE CLEARLY WAS 430 00:12:37,591 --> 00:12:38,456 >> Dr. Phil: THEN HE WENT AND SAT DOWN BECAUSE HE CLEARLY WAS OUT OF CONTROL. 431 00:12:38,458 --> 00:12:40,458 SAT DOWN BECAUSE HE CLEARLY WAS OUT OF CONTROL. HE CONTAINED HIMSELF AND SAT 432 00:12:40,460 --> 00:12:42,227 OUT OF CONTROL. HE CONTAINED HIMSELF AND SAT DOWN, AND HE WENT AND STOOD OVER 433 00:12:42,229 --> 00:12:44,729 HE CONTAINED HIMSELF AND SAT DOWN, AND HE WENT AND STOOD OVER HIM WITH A CAMERA AND SAID, "YOU 434 00:12:44,731 --> 00:12:46,431 DOWN, AND HE WENT AND STOOD OVER HIM WITH A CAMERA AND SAID, "YOU HAVE NO CONTROL, YOU DO WHAT I 435 00:12:46,433 --> 00:12:48,466 HIM WITH A CAMERA AND SAID, "YOU HAVE NO CONTROL, YOU DO WHAT I TELL YOU TO DO, YOU DO IT RIGHT 436 00:12:48,468 --> 00:12:48,933 HAVE NO CONTROL, YOU DO WHAT I TELL YOU TO DO, YOU DO IT RIGHT NOW." 437 00:12:48,935 --> 00:12:50,835 TELL YOU TO DO, YOU DO IT RIGHT NOW." WHAT DID YOU THINK WAS GOING TO 438 00:12:50,837 --> 00:12:51,269 NOW." WHAT DID YOU THINK WAS GOING TO HAPPEN? 439 00:12:51,271 --> 00:12:55,774 WHAT DID YOU THINK WAS GOING TO HAPPEN? >> I WOULD HOPE WAS HOPING HE WE 440 00:12:55,776 --> 00:12:57,776 HAPPEN? >> I WOULD HOPE WAS HOPING HE WE HIS MEDICATION AND GO TO HIS ARM 441 00:12:57,778 --> 00:12:59,110 >> I WOULD HOPE WAS HOPING HE WE HIS MEDICATION AND GO TO HIS ARM AND FOLLOWED OUR SAFETY PLAN. 442 00:12:59,112 --> 00:13:00,411 HIS MEDICATION AND GO TO HIS ARM AND FOLLOWED OUR SAFETY PLAN. >> Dr. Phil: YOU THOUGHT, WITH 443 00:13:00,413 --> 00:13:01,746 AND FOLLOWED OUR SAFETY PLAN. >> Dr. Phil: YOU THOUGHT, WITH A HISTORY YOU HAVE WITH HIM, ALL 444 00:13:01,748 --> 00:13:05,850 >> Dr. Phil: YOU THOUGHT, WITH A HISTORY YOU HAVE WITH HIM, ALL THE SUDDEN HE WAS GOING TO SAY, 445 00:13:05,852 --> 00:13:06,684 A HISTORY YOU HAVE WITH HIM, ALL THE SUDDEN HE WAS GOING TO SAY, "OKAY, YOU'RE RIGHT. 446 00:13:06,686 --> 00:13:09,254 THE SUDDEN HE WAS GOING TO SAY, "OKAY, YOU'RE RIGHT. HOW SILLY OF ME. 447 00:13:09,256 --> 00:13:10,989 "OKAY, YOU'RE RIGHT. HOW SILLY OF ME. HAND ME THE PILLS, LET ME TAKE 448 00:13:10,991 --> 00:13:11,389 HOW SILLY OF ME. HAND ME THE PILLS, LET ME TAKE THEM. 449 00:13:11,391 --> 00:13:15,693 HAND ME THE PILLS, LET ME TAKE THEM. COULD I BRUSH HER HAIR?" 450 00:13:15,695 --> 00:13:16,227 THEM. COULD I BRUSH HER HAIR?" [LAUGHTER] 451 00:13:16,229 --> 00:13:18,797 COULD I BRUSH HER HAIR?" [LAUGHTER] SPEAK I GUESS IT WAS STUPID. 452 00:13:18,799 --> 00:13:21,199 [LAUGHTER] SPEAK I GUESS IT WAS STUPID. >> Dr. Phil: COME ON, MOM. 453 00:13:21,201 --> 00:13:22,066 SPEAK I GUESS IT WAS STUPID. >> Dr. Phil: COME ON, MOM. YOU'RE THE ADULT. 454 00:13:22,068 --> 00:13:23,334 >> Dr. Phil: COME ON, MOM. YOU'RE THE ADULT. COMING UP, TANYA SAYS THERE ARE 455 00:13:23,336 --> 00:13:26,104 YOU'RE THE ADULT. COMING UP, TANYA SAYS THERE ARE TWO SIDES TO HER 17-YEAR-OLD, 456 00:13:26,106 --> 00:13:26,571 COMING UP, TANYA SAYS THERE ARE TWO SIDES TO HER 17-YEAR-OLD, LOGAN. 457 00:13:26,573 --> 00:13:27,372 TWO SIDES TO HER 17-YEAR-OLD, LOGAN. ONE IS FILLED WITH 458 00:13:27,374 --> 00:13:29,340 LOGAN. ONE IS FILLED WITH UNCONTROLLABLE RAGE, AND ONE 459 00:13:29,342 --> 00:13:32,043 ONE IS FILLED WITH UNCONTROLLABLE RAGE, AND ONE THAT IS, FRANKLY, ACCORDING TO 460 00:13:32,045 --> 00:13:33,978 UNCONTROLLABLE RAGE, AND ONE THAT IS, FRANKLY, ACCORDING TO HER, SHE TOTALLY ADMITS THIS IS 461 00:13:33,980 --> 00:13:34,946 THAT IS, FRANKLY, ACCORDING TO HER, SHE TOTALLY ADMITS THIS IS A VERY CHARMING YOUNG MAN. 462 00:13:34,948 --> 00:13:37,482 HER, SHE TOTALLY ADMITS THIS IS A VERY CHARMING YOUNG MAN. SO WHICH SIDE WILL I MEET? 463 00:13:37,484 --> 00:13:39,884 A VERY CHARMING YOUNG MAN. SO WHICH SIDE WILL I MEET? WE'LL FIND OUT NEXT. 464 00:13:39,886 --> 00:13:40,251 SO WHICH SIDE WILL I MEET? WE'LL FIND OUT NEXT. [APPLAUSE] 465 00:13:40,253 --> 00:13:44,389 WE'LL FIND OUT NEXT. [APPLAUSE] ♪ ♪ 466 00:13:44,391 --> 00:13:46,057 [APPLAUSE] ♪ ♪ >> THERE HAVE BEEN TIMES WHERE I 467 00:13:46,059 --> 00:13:48,459 ♪ ♪ >> THERE HAVE BEEN TIMES WHERE I HAVE FELT LIKE THERE WAS A 468 00:13:48,461 --> 00:13:49,027 >> THERE HAVE BEEN TIMES WHERE I HAVE FELT LIKE THERE WAS A MONSTER INSIDE OF ME. 469 00:13:49,029 --> 00:13:50,962 HAVE FELT LIKE THERE WAS A MONSTER INSIDE OF ME. >> I'M NOT IN THE HEADSPACE 470 00:13:50,964 --> 00:13:52,497 MONSTER INSIDE OF ME. >> I'M NOT IN THE HEADSPACE RIGHT NOW TO DO JACK [BLEEP] OF 471 00:13:52,499 --> 00:13:54,833 >> I'M NOT IN THE HEADSPACE RIGHT NOW TO DO JACK [BLEEP] OF WHAT YOU ASKED ME. 472 00:13:54,835 --> 00:13:57,001 RIGHT NOW TO DO JACK [BLEEP] OF WHAT YOU ASKED ME. >> YOU HAVEN'T DONE YOUR CHOICE, 473 00:13:57,003 --> 00:13:58,336 WHAT YOU ASKED ME. >> YOU HAVEN'T DONE YOUR CHOICE, YOU HAVEN'T DONE YOUR HOMEWORK. 474 00:13:58,338 --> 00:13:59,771 >> YOU HAVEN'T DONE YOUR CHOICE, YOU HAVEN'T DONE YOUR HOMEWORK. THIS IS THREE DAYS IN THE ROW WE 475 00:13:59,773 --> 00:14:00,471 YOU HAVEN'T DONE YOUR HOMEWORK. THIS IS THREE DAYS IN THE ROW WE ARE FIGHTING ABOUT THE SAME 476 00:14:00,473 --> 00:14:04,008 THIS IS THREE DAYS IN THE ROW WE ARE FIGHTING ABOUT THE SAME THING, AND I'M SICK OF IT. 477 00:14:04,010 --> 00:14:06,611 ARE FIGHTING ABOUT THE SAME THING, AND I'M SICK OF IT. >> AND SHE JUST WON'T SHUT UP. 478 00:14:07,279 --> 00:14:12,784 ♪ ♪ >> WHEN IT COMES TO MY 17-YEAR-OLD SON, LOGAN, I FEEL 479 00:14:12,786 --> 00:14:17,355 >> WHEN IT COMES TO MY 17-YEAR-OLD SON, LOGAN, I FEEL LIKE WE ARE THERE ARE DIFFERENT 480 00:14:17,357 --> 00:14:17,655 17-YEAR-OLD SON, LOGAN, I FEEL LIKE WE ARE THERE ARE DIFFERENT SIDES. 481 00:14:17,657 --> 00:14:19,490 LIKE WE ARE THERE ARE DIFFERENT SIDES. THERE IS THE LOVING LOGAN, AND 482 00:14:19,492 --> 00:14:21,125 SIDES. THERE IS THE LOVING LOGAN, AND THE MONSTER LOGAN WHO IS 483 00:14:21,127 --> 00:14:21,893 THERE IS THE LOVING LOGAN, AND THE MONSTER LOGAN WHO IS UNCONTROLLABLE AND VIOLENT. 484 00:14:21,895 --> 00:14:23,528 THE MONSTER LOGAN WHO IS UNCONTROLLABLE AND VIOLENT. >> YOU JUST THREW SOMETHING AT 485 00:14:23,530 --> 00:14:23,995 UNCONTROLLABLE AND VIOLENT. >> YOU JUST THREW SOMETHING AT ME. 486 00:14:23,997 --> 00:14:25,663 >> YOU JUST THREW SOMETHING AT ME. YOU ARE VIOLENT. 487 00:14:25,665 --> 00:14:26,464 ME. YOU ARE VIOLENT. >> DON'T PUSH ME. 488 00:14:26,466 --> 00:14:28,099 YOU ARE VIOLENT. >> DON'T PUSH ME. >> I DON'T TRUST HIM. 489 00:14:28,101 --> 00:14:29,200 >> DON'T PUSH ME. >> I DON'T TRUST HIM. HE LIES ABOUT EVERYTHING. 490 00:14:29,202 --> 00:14:31,135 >> I DON'T TRUST HIM. HE LIES ABOUT EVERYTHING. HE'S A REAL CHARMER. 491 00:14:31,137 --> 00:14:32,871 HE LIES ABOUT EVERYTHING. HE'S A REAL CHARMER. I HOPE DR. PHIL CAN SEE ALL OF 492 00:14:32,873 --> 00:14:35,540 HE'S A REAL CHARMER. I HOPE DR. PHIL CAN SEE ALL OF THIS AND SEE WHAT'S GOING ON 493 00:14:35,542 --> 00:14:35,907 I HOPE DR. PHIL CAN SEE ALL OF THIS AND SEE WHAT'S GOING ON HERE. 494 00:14:35,909 --> 00:14:37,742 THIS AND SEE WHAT'S GOING ON HERE. >> AND MY GUEST TODAY, TANYA, IS 495 00:14:37,744 --> 00:14:40,211 HERE. >> AND MY GUEST TODAY, TANYA, IS A SINGLE MOM TO TWO BOYS AND 496 00:14:40,213 --> 00:14:42,914 >> AND MY GUEST TODAY, TANYA, IS A SINGLE MOM TO TWO BOYS AND SAYS HER 17-YEAR-OLD SON, LOGAN, 497 00:14:42,916 --> 00:14:44,115 A SINGLE MOM TO TWO BOYS AND SAYS HER 17-YEAR-OLD SON, LOGAN, HAS EXPLOSIVE RAGE AND LASHES 498 00:14:44,117 --> 00:14:44,549 SAYS HER 17-YEAR-OLD SON, LOGAN, HAS EXPLOSIVE RAGE AND LASHES OUT VIOLENTLY. 499 00:14:44,551 --> 00:14:46,584 HAS EXPLOSIVE RAGE AND LASHES OUT VIOLENTLY. LOGAN ADMITS TO HIS EXTREME 500 00:14:46,586 --> 00:14:47,418 OUT VIOLENTLY. LOGAN ADMITS TO HIS EXTREME ANGER. 501 00:14:47,420 --> 00:14:48,186 LOGAN ADMITS TO HIS EXTREME ANGER. HE DOESN'T DENY IT. 502 00:14:48,188 --> 00:14:49,687 ANGER. HE DOESN'T DENY IT. BUT HE SAYS HE CAN'T ANTICIPATE 503 00:14:49,689 --> 00:14:51,589 HE DOESN'T DENY IT. BUT HE SAYS HE CAN'T ANTICIPATE AN OUTBURST UNTIL IT'S TOO LATE. 504 00:14:51,591 --> 00:14:53,024 BUT HE SAYS HE CAN'T ANTICIPATE AN OUTBURST UNTIL IT'S TOO LATE. HE SAYS HE HAS A GENERAL FEAR OF 505 00:14:53,026 --> 00:14:55,793 AN OUTBURST UNTIL IT'S TOO LATE. HE SAYS HE HAS A GENERAL FEAR OF WHAT HE IS BECOMING. 506 00:14:55,795 --> 00:14:56,494 HE SAYS HE HAS A GENERAL FEAR OF WHAT HE IS BECOMING. HE DOESN'T LIKE IT ANY BETTER 507 00:14:56,496 --> 00:14:57,195 WHAT HE IS BECOMING. HE DOESN'T LIKE IT ANY BETTER THAN HIS MOTHER DOES. 508 00:14:57,197 --> 00:15:00,231 HE DOESN'T LIKE IT ANY BETTER THAN HIS MOTHER DOES. HE FEELS I'M THE ONLY ONE THAT 509 00:15:00,233 --> 00:15:00,632 THAN HIS MOTHER DOES. HE FEELS I'M THE ONLY ONE THAT CAN HELP. 510 00:15:00,634 --> 00:15:01,833 HE FEELS I'M THE ONLY ONE THAT CAN HELP. >> DON'T PUSH ME. 511 00:15:01,835 --> 00:15:03,935 CAN HELP. >> DON'T PUSH ME. >> BACK AWAY FROM ME NOW BEFORE 512 00:15:03,937 --> 00:15:04,836 >> DON'T PUSH ME. >> BACK AWAY FROM ME NOW BEFORE I CALL THE POLICE. 513 00:15:04,838 --> 00:15:07,305 >> BACK AWAY FROM ME NOW BEFORE I CALL THE POLICE. >> MY ENTIRE LIFE I'VE HAD A LOT 514 00:15:07,307 --> 00:15:07,672 I CALL THE POLICE. >> MY ENTIRE LIFE I'VE HAD A LOT OF ANGER. 515 00:15:07,674 --> 00:15:08,940 >> MY ENTIRE LIFE I'VE HAD A LOT OF ANGER. >> AND NOT IN THE HEADSPACE 516 00:15:08,942 --> 00:15:10,942 OF ANGER. >> AND NOT IN THE HEADSPACE RIGHT NOW TO DO JACK [BLEEP] OF 517 00:15:10,944 --> 00:15:11,743 >> AND NOT IN THE HEADSPACE RIGHT NOW TO DO JACK [BLEEP] OF WHAT YOU ASK ME. 518 00:15:11,745 --> 00:15:13,411 RIGHT NOW TO DO JACK [BLEEP] OF WHAT YOU ASK ME. >> THERE HAVE BEEN TIMES WHERE I 519 00:15:13,413 --> 00:15:15,346 WHAT YOU ASK ME. >> THERE HAVE BEEN TIMES WHERE I FELT LIKE THERE WAS A MONSTER 520 00:15:15,348 --> 00:15:16,247 >> THERE HAVE BEEN TIMES WHERE I FELT LIKE THERE WAS A MONSTER INSIDE OF ME. 521 00:15:16,249 --> 00:15:19,217 FELT LIKE THERE WAS A MONSTER INSIDE OF ME. >> GET THE [BLEEP] OUT OF MY 522 00:15:19,219 --> 00:15:19,851 INSIDE OF ME. >> GET THE [BLEEP] OUT OF MY ROOM, MOM. 523 00:15:19,853 --> 00:15:21,853 >> GET THE [BLEEP] OUT OF MY ROOM, MOM. GET THE [BLEEP] OUT OF MY ROOM. 524 00:15:21,855 --> 00:15:23,354 ROOM, MOM. GET THE [BLEEP] OUT OF MY ROOM. >> BACK AWAY FROM ME, NOW. 525 00:15:23,356 --> 00:15:26,024 GET THE [BLEEP] OUT OF MY ROOM. >> BACK AWAY FROM ME, NOW. >> I FEEL LIKE I HAVE ANGER 526 00:15:26,026 --> 00:15:27,425 >> BACK AWAY FROM ME, NOW. >> I FEEL LIKE I HAVE ANGER CONSTANTLY FILLING UP INSIDE ME 527 00:15:27,427 --> 00:15:28,092 >> I FEEL LIKE I HAVE ANGER CONSTANTLY FILLING UP INSIDE ME TO THE POINT WHERE I WILL 528 00:15:28,094 --> 00:15:30,094 CONSTANTLY FILLING UP INSIDE ME TO THE POINT WHERE I WILL EXPLODE INTO A FIT OF RAGE. 529 00:15:30,096 --> 00:15:31,796 TO THE POINT WHERE I WILL EXPLODE INTO A FIT OF RAGE. >> WHY ARE YOU SITTING HERE 530 00:15:31,798 --> 00:15:32,130 EXPLODE INTO A FIT OF RAGE. >> WHY ARE YOU SITTING HERE ARGUING? 531 00:15:32,132 --> 00:15:33,431 >> WHY ARE YOU SITTING HERE ARGUING? >> BECAUSE IF I STARTED THE 532 00:15:33,433 --> 00:15:34,465 ARGUING? >> BECAUSE IF I STARTED THE ARGUMENT I WOULD HAVE PUNCHED 533 00:15:34,467 --> 00:15:36,701 >> BECAUSE IF I STARTED THE ARGUMENT I WOULD HAVE PUNCHED YOU IN THE FACE RIGHT NOW. 534 00:15:36,703 --> 00:15:38,736 ARGUMENT I WOULD HAVE PUNCHED YOU IN THE FACE RIGHT NOW. >> AFTER A BIG OUTBURST I FEEL 535 00:15:38,738 --> 00:15:39,704 YOU IN THE FACE RIGHT NOW. >> AFTER A BIG OUTBURST I FEEL EXTREMELY REMORSEFUL. 536 00:15:39,706 --> 00:15:40,438 >> AFTER A BIG OUTBURST I FEEL EXTREMELY REMORSEFUL. THE CYCLE STARTS OVER AGAIN. 537 00:15:40,440 --> 00:15:42,907 EXTREMELY REMORSEFUL. THE CYCLE STARTS OVER AGAIN. MY MOTHER AT THIS POINT HAS 538 00:15:42,909 --> 00:15:43,708 THE CYCLE STARTS OVER AGAIN. MY MOTHER AT THIS POINT HAS BECOME TERRIFIED OF ME. 539 00:15:43,710 --> 00:15:45,977 MY MOTHER AT THIS POINT HAS BECOME TERRIFIED OF ME. I FEEL LIKE MY MOM INSTIGATES A 540 00:15:45,979 --> 00:15:46,511 BECOME TERRIFIED OF ME. I FEEL LIKE MY MOM INSTIGATES A LOT OF SITES. 541 00:15:46,513 --> 00:15:47,679 I FEEL LIKE MY MOM INSTIGATES A LOT OF SITES. WE FIGHT CONSTANTLY. 542 00:15:47,681 --> 00:15:49,914 LOT OF SITES. WE FIGHT CONSTANTLY. MY MOM CAN BE VERY ANNOYING. 543 00:15:49,916 --> 00:15:50,615 WE FIGHT CONSTANTLY. MY MOM CAN BE VERY ANNOYING. >> YOU'RE NOT FOLLOWING MY 544 00:15:50,617 --> 00:15:52,116 MY MOM CAN BE VERY ANNOYING. >> YOU'RE NOT FOLLOWING MY RULES, YOU HAVEN'T DONE YOUR 545 00:15:52,118 --> 00:15:53,651 >> YOU'RE NOT FOLLOWING MY RULES, YOU HAVEN'T DONE YOUR CHOICE, YOU HAVEN'T DONE YOUR 546 00:15:53,653 --> 00:15:54,419 RULES, YOU HAVEN'T DONE YOUR CHOICE, YOU HAVEN'T DONE YOUR HOMEWORK, THIS IS THREE DAYS IN 547 00:15:54,421 --> 00:15:56,587 CHOICE, YOU HAVEN'T DONE YOUR HOMEWORK, THIS IS THREE DAYS IN A ROW WE ARE FIGHTING ABOUT THE 548 00:15:56,589 --> 00:15:58,690 HOMEWORK, THIS IS THREE DAYS IN A ROW WE ARE FIGHTING ABOUT THE SAME THING, AND I'M SICK OF IT. 549 00:15:58,692 --> 00:16:00,792 A ROW WE ARE FIGHTING ABOUT THE SAME THING, AND I'M SICK OF IT. >> AND SHE JUST WON'T SHUT UP. 550 00:16:00,794 --> 00:16:03,027 SAME THING, AND I'M SICK OF IT. >> AND SHE JUST WON'T SHUT UP. IT'S A MASSIVE TRIGGER WHEN MY 551 00:16:03,029 --> 00:16:03,861 >> AND SHE JUST WON'T SHUT UP. IT'S A MASSIVE TRIGGER WHEN MY MOM TAKES MY ELECTRONICS AWAY. 552 00:16:03,863 --> 00:16:06,230 IT'S A MASSIVE TRIGGER WHEN MY MOM TAKES MY ELECTRONICS AWAY. >> CAN YOU COME HELP ME SWITCH 553 00:16:06,232 --> 00:16:07,131 MOM TAKES MY ELECTRONICS AWAY. >> CAN YOU COME HELP ME SWITCH THE DOORS? 554 00:16:07,133 --> 00:16:07,465 >> CAN YOU COME HELP ME SWITCH THE DOORS? >> NO. 555 00:16:07,467 --> 00:16:09,000 THE DOORS? >> NO. >> WHY NOT? 556 00:16:09,002 --> 00:16:10,802 >> NO. >> WHY NOT? >> BECAUSE I'M BUSY. 557 00:16:10,804 --> 00:16:12,804 >> WHY NOT? >> BECAUSE I'M BUSY. >> MY MOM NEEDS TO HOW SHE'S 558 00:16:12,806 --> 00:16:13,471 >> BECAUSE I'M BUSY. >> MY MOM NEEDS TO HOW SHE'S OVERCONTROLLING OF MY LIFE. 559 00:16:13,473 --> 00:16:14,472 >> MY MOM NEEDS TO HOW SHE'S OVERCONTROLLING OF MY LIFE. SHE NEEDS TO BACK OFF. 560 00:16:14,474 --> 00:16:16,474 OVERCONTROLLING OF MY LIFE. SHE NEEDS TO BACK OFF. I KNOW I NEED A LOT OF HELP. 561 00:16:16,476 --> 00:16:18,109 SHE NEEDS TO BACK OFF. I KNOW I NEED A LOT OF HELP. DR. PHIL IS THE ONLY PERSON THAT 562 00:16:18,111 --> 00:16:19,911 I KNOW I NEED A LOT OF HELP. DR. PHIL IS THE ONLY PERSON THAT CAN HELP ME AND MY FAMILY. 563 00:16:19,913 --> 00:16:26,017 DR. PHIL IS THE ONLY PERSON THAT CAN HELP ME AND MY FAMILY. >> HAVE A GOOD [BLEEP] NIGHT. 564 00:16:26,019 --> 00:16:28,820 CAN HELP ME AND MY FAMILY. >> HAVE A GOOD [BLEEP] NIGHT. >> Dr. Phil: JOIN JOINING US 565 00:16:28,822 --> 00:16:29,354 >> HAVE A GOOD [BLEEP] NIGHT. >> Dr. Phil: JOIN JOINING US VIRTUALLY IS LOGAN. 566 00:16:29,356 --> 00:16:30,421 >> Dr. Phil: JOIN JOINING US VIRTUALLY IS LOGAN. HOW ARE YOU? 567 00:16:30,423 --> 00:16:33,024 VIRTUALLY IS LOGAN. HOW ARE YOU? >> IT'S HARD FOR ME RIGHT NOW. 568 00:16:33,026 --> 00:16:34,826 HOW ARE YOU? >> IT'S HARD FOR ME RIGHT NOW. >> Dr. Phil: WHAT IS HARD? 569 00:16:34,828 --> 00:16:36,627 >> IT'S HARD FOR ME RIGHT NOW. >> Dr. Phil: WHAT IS HARD? >> THERE'S ACTUALLY BEEN ONE 570 00:16:36,629 --> 00:16:38,463 >> Dr. Phil: WHAT IS HARD? >> THERE'S ACTUALLY BEEN ONE MAJOR INCIDENT WHERE WE HAVE 571 00:16:38,465 --> 00:16:39,864 >> THERE'S ACTUALLY BEEN ONE MAJOR INCIDENT WHERE WE HAVE GOTTEN INTO AN ARGUMENT AND 572 00:16:39,866 --> 00:16:41,299 MAJOR INCIDENT WHERE WE HAVE GOTTEN INTO AN ARGUMENT AND GOTTEN PHYSICAL, SO I AM STILL 573 00:16:41,301 --> 00:16:43,801 GOTTEN INTO AN ARGUMENT AND GOTTEN PHYSICAL, SO I AM STILL KIND OF RECOVERING FROM THAT. 574 00:16:43,803 --> 00:16:45,036 GOTTEN PHYSICAL, SO I AM STILL KIND OF RECOVERING FROM THAT. >> Dr. Phil: YEAH. 575 00:16:45,038 --> 00:16:49,841 KIND OF RECOVERING FROM THAT. >> Dr. Phil: YEAH. SO, YOU SAY THAT THERE GETS TO A 576 00:16:49,843 --> 00:16:52,643 >> Dr. Phil: YEAH. SO, YOU SAY THAT THERE GETS TO A POINT WHERE YOU BECOME KIND OF A 577 00:16:52,645 --> 00:16:54,345 SO, YOU SAY THAT THERE GETS TO A POINT WHERE YOU BECOME KIND OF A PASSENGER ON THIS RUNAWAY ANGER 578 00:16:54,347 --> 00:16:54,645 POINT WHERE YOU BECOME KIND OF A PASSENGER ON THIS RUNAWAY ANGER TRAIN. 579 00:16:54,647 --> 00:16:57,682 PASSENGER ON THIS RUNAWAY ANGER TRAIN. >> TRUE, THAT IS VERY TRUE, 580 00:16:57,684 --> 00:16:58,116 TRAIN. >> TRUE, THAT IS VERY TRUE, ACTUALLY. 581 00:16:58,118 --> 00:16:59,150 >> TRUE, THAT IS VERY TRUE, ACTUALLY. THERE ARE TIMES WHERE I WOULD 582 00:16:59,152 --> 00:17:03,654 ACTUALLY. THERE ARE TIMES WHERE I WOULD BECOME THIS STATE IN WHICH I 583 00:17:03,656 --> 00:17:05,990 THERE ARE TIMES WHERE I WOULD BECOME THIS STATE IN WHICH I WOULD SEE AS A MONSTER INSIDE OF 584 00:17:05,992 --> 00:17:06,624 BECOME THIS STATE IN WHICH I WOULD SEE AS A MONSTER INSIDE OF ME. 585 00:17:06,626 --> 00:17:08,659 WOULD SEE AS A MONSTER INSIDE OF ME. AND I WOULD, AT THAT POINT, NOT 586 00:17:08,661 --> 00:17:09,694 ME. AND I WOULD, AT THAT POINT, NOT BE IN CONTROL. 587 00:17:09,696 --> 00:17:12,096 AND I WOULD, AT THAT POINT, NOT BE IN CONTROL. I'D BASICALLY GO INTO A BLACKOUT 588 00:17:12,098 --> 00:17:14,732 BE IN CONTROL. I'D BASICALLY GO INTO A BLACKOUT MOMENT WHERE I WOULDN'T REMEMBER 589 00:17:14,734 --> 00:17:17,468 I'D BASICALLY GO INTO A BLACKOUT MOMENT WHERE I WOULDN'T REMEMBER ANYTHING, BUT I HAVE PHYSICALLY, 590 00:17:17,470 --> 00:17:19,404 MOMENT WHERE I WOULDN'T REMEMBER ANYTHING, BUT I HAVE PHYSICALLY, VERBALLY, AND EMOTIONALLY ABUSED 591 00:17:19,406 --> 00:17:20,738 ANYTHING, BUT I HAVE PHYSICALLY, VERBALLY, AND EMOTIONALLY ABUSED PRETTY MUCH EVERYBODY IN MY 592 00:17:20,740 --> 00:17:21,072 VERBALLY, AND EMOTIONALLY ABUSED PRETTY MUCH EVERYBODY IN MY FAMILY. 593 00:17:21,074 --> 00:17:23,241 PRETTY MUCH EVERYBODY IN MY FAMILY. >> Dr. Phil: SO, WHAT ARE YOU 594 00:17:23,243 --> 00:17:24,375 FAMILY. >> Dr. Phil: SO, WHAT ARE YOU SO ANGRY ABOUT? 595 00:17:24,377 --> 00:17:27,879 >> Dr. Phil: SO, WHAT ARE YOU SO ANGRY ABOUT? >> THAT'S KIND OF HARD FOR ME TO 596 00:17:27,881 --> 00:17:28,479 SO ANGRY ABOUT? >> THAT'S KIND OF HARD FOR ME TO EXPLAIN. 597 00:17:28,481 --> 00:17:30,782 >> THAT'S KIND OF HARD FOR ME TO EXPLAIN. I DON'T EXACTLY KNOW WHAT I'M 598 00:17:30,784 --> 00:17:31,215 EXPLAIN. I DON'T EXACTLY KNOW WHAT I'M ANGRY ABOUT. 599 00:17:31,217 --> 00:17:35,486 I DON'T EXACTLY KNOW WHAT I'M ANGRY ABOUT. I'M NOT SURE IF I'M ANGRY ABOUT 600 00:17:35,488 --> 00:17:41,559 ANGRY ABOUT. I'M NOT SURE IF I'M ANGRY ABOUT CHORES, OR SOMETHING WAY BIGGER 601 00:17:41,561 --> 00:17:42,493 I'M NOT SURE IF I'M ANGRY ABOUT CHORES, OR SOMETHING WAY BIGGER THAN THAT. 602 00:17:42,495 --> 00:17:43,428 CHORES, OR SOMETHING WAY BIGGER THAN THAT. >> Dr. Phil: LET'S ASSUME IT'S 603 00:17:43,430 --> 00:17:44,028 THAN THAT. >> Dr. Phil: LET'S ASSUME IT'S NOT CHORES, BECAUSE YOUR 604 00:17:44,030 --> 00:17:44,529 >> Dr. Phil: LET'S ASSUME IT'S NOT CHORES, BECAUSE YOUR REACTION WOULD BE 605 00:17:44,531 --> 00:17:45,029 NOT CHORES, BECAUSE YOUR REACTION WOULD BE DISPROPORTIONATE. 606 00:17:45,031 --> 00:17:46,264 REACTION WOULD BE DISPROPORTIONATE. SO THERE'S GOT TO BE SOMETHING 607 00:17:46,266 --> 00:17:47,565 DISPROPORTIONATE. SO THERE'S GOT TO BE SOMETHING MORE GOING ON. 608 00:17:47,567 --> 00:17:49,434 SO THERE'S GOT TO BE SOMETHING MORE GOING ON. IF IT'S NOT THAT, WHAT COULD IT 609 00:17:49,436 --> 00:17:49,700 MORE GOING ON. IF IT'S NOT THAT, WHAT COULD IT BE? 610 00:17:49,702 --> 00:17:51,702 IF IT'S NOT THAT, WHAT COULD IT BE? >> IF IT'S NOT THAT, IT'S 611 00:17:51,704 --> 00:17:52,470 BE? >> IF IT'S NOT THAT, IT'S PROBABLY THE FACT THAT MY MOTHER 612 00:17:52,472 --> 00:17:56,741 >> IF IT'S NOT THAT, IT'S PROBABLY THE FACT THAT MY MOTHER LIES ABOUT EVERYTHING. 613 00:17:56,743 --> 00:17:59,944 PROBABLY THE FACT THAT MY MOTHER LIES ABOUT EVERYTHING. SHE LIES TO ME, SHE LIES TO MY 614 00:17:59,946 --> 00:18:03,748 LIES ABOUT EVERYTHING. SHE LIES TO ME, SHE LIES TO MY COUNSELORS ABOUT WHAT ACTUALLY 615 00:18:03,750 --> 00:18:04,115 SHE LIES TO ME, SHE LIES TO MY COUNSELORS ABOUT WHAT ACTUALLY HAPPENS. 616 00:18:04,117 --> 00:18:05,750 COUNSELORS ABOUT WHAT ACTUALLY HAPPENS. A LOT OF THE TIME SHE TALKS 617 00:18:05,752 --> 00:18:09,153 HAPPENS. A LOT OF THE TIME SHE TALKS ABOUT WHAT I DO INSTEAD OF 618 00:18:09,155 --> 00:18:12,190 A LOT OF THE TIME SHE TALKS ABOUT WHAT I DO INSTEAD OF TALKING ABOUT HOW SHE WOULD 619 00:18:12,192 --> 00:18:14,058 ABOUT WHAT I DO INSTEAD OF TALKING ABOUT HOW SHE WOULD START MY ARGUMENTS AND SHE WOULD 620 00:18:14,060 --> 00:18:14,659 TALKING ABOUT HOW SHE WOULD START MY ARGUMENTS AND SHE WOULD START MY ANGER. 621 00:18:14,661 --> 00:18:16,694 START MY ARGUMENTS AND SHE WOULD START MY ANGER. >> Dr. Phil: YOUR MOTHER AND I 622 00:18:16,696 --> 00:18:17,795 START MY ANGER. >> Dr. Phil: YOUR MOTHER AND I HAD A CONVERSATION ABOUT THAT 623 00:18:17,797 --> 00:18:18,196 >> Dr. Phil: YOUR MOTHER AND I HAD A CONVERSATION ABOUT THAT VERY THING. 624 00:18:18,198 --> 00:18:21,332 HAD A CONVERSATION ABOUT THAT VERY THING. MY POINT TO YOUR MOTHER WAS THAT 625 00:18:21,334 --> 00:18:24,602 VERY THING. MY POINT TO YOUR MOTHER WAS THAT YOU HAVE TO PICK YOUR BATTLES, 626 00:18:24,604 --> 00:18:26,604 MY POINT TO YOUR MOTHER WAS THAT YOU HAVE TO PICK YOUR BATTLES, AND THAT I THINK SHE IS 627 00:18:26,606 --> 00:18:29,574 YOU HAVE TO PICK YOUR BATTLES, AND THAT I THINK SHE IS ESCALATING THINGS, PICKING THE 628 00:18:29,576 --> 00:18:32,210 AND THAT I THINK SHE IS ESCALATING THINGS, PICKING THE WRONG BATTLES, NOT BEING THE 629 00:18:32,212 --> 00:18:33,478 ESCALATING THINGS, PICKING THE WRONG BATTLES, NOT BEING THE ADULTS IN THE SITUATION, AND 630 00:18:33,480 --> 00:18:37,381 WRONG BATTLES, NOT BEING THE ADULTS IN THE SITUATION, AND EGGING THE SITUATION ON, AND 631 00:18:37,383 --> 00:18:41,152 ADULTS IN THE SITUATION, AND EGGING THE SITUATION ON, AND CAUSING A LOT OF THE CONFLICT BY 632 00:18:41,154 --> 00:18:44,355 EGGING THE SITUATION ON, AND CAUSING A LOT OF THE CONFLICT BY NOT GIVING YOU SOME SPACE AND 633 00:18:44,357 --> 00:18:44,989 CAUSING A LOT OF THE CONFLICT BY NOT GIVING YOU SOME SPACE AND BACKING OFF. 634 00:18:44,991 --> 00:18:46,791 NOT GIVING YOU SOME SPACE AND BACKING OFF. I'M NOT SAYING THIS IS ALL YOUR 635 00:18:46,793 --> 00:18:47,558 BACKING OFF. I'M NOT SAYING THIS IS ALL YOUR FAULT. 636 00:18:47,560 --> 00:18:49,427 I'M NOT SAYING THIS IS ALL YOUR FAULT. YOU'VE GOT THAT, RIGHT? 637 00:18:49,429 --> 00:18:52,363 FAULT. YOU'VE GOT THAT, RIGHT? >> YEAH, I THINK WE ARE BOTH 638 00:18:52,365 --> 00:18:53,164 YOU'VE GOT THAT, RIGHT? >> YEAH, I THINK WE ARE BOTH RESPONSIBLE FOR THIS. 639 00:18:53,166 --> 00:18:53,965 >> YEAH, I THINK WE ARE BOTH RESPONSIBLE FOR THIS. >> Dr. Phil: YEAH. 640 00:18:53,967 --> 00:18:55,500 RESPONSIBLE FOR THIS. >> Dr. Phil: YEAH. I WANT TO TAKE A LOOK AT ANOTHER 641 00:18:55,502 --> 00:18:56,601 >> Dr. Phil: YEAH. I WANT TO TAKE A LOOK AT ANOTHER VIDEO WHEN YOU ARE SIMPLY ASKING 642 00:18:56,603 --> 00:18:58,669 I WANT TO TAKE A LOOK AT ANOTHER VIDEO WHEN YOU ARE SIMPLY ASKING HER TO LEAVE YOUR ROOM. 643 00:18:58,671 --> 00:19:02,507 VIDEO WHEN YOU ARE SIMPLY ASKING HER TO LEAVE YOUR ROOM. I THOUGHT THAT WAS A PRETTY GOOD 644 00:19:02,509 --> 00:19:06,777 HER TO LEAVE YOUR ROOM. I THOUGHT THAT WAS A PRETTY GOOD EXAMPLE OF WHAT'S GOING ON HERE. 645 00:19:06,779 --> 00:19:10,581 I THOUGHT THAT WAS A PRETTY GOOD EXAMPLE OF WHAT'S GOING ON HERE. >> HAVE A GOOD [BLEEP] NIGHT. 646 00:19:10,583 --> 00:19:16,187 EXAMPLE OF WHAT'S GOING ON HERE. >> HAVE A GOOD [BLEEP] NIGHT. >> BYE, LOGAN. 647 00:19:16,189 --> 00:19:17,321 >> HAVE A GOOD [BLEEP] NIGHT. >> BYE, LOGAN. THAT'S ON RECORD. 648 00:19:17,323 --> 00:19:19,357 >> BYE, LOGAN. THAT'S ON RECORD. >> RECORD YOURSELF FOR A [BLEEP] 649 00:19:19,359 --> 00:19:19,857 THAT'S ON RECORD. >> RECORD YOURSELF FOR A [BLEEP] DAY AND LEARN -- 650 00:19:19,859 --> 00:19:21,759 >> RECORD YOURSELF FOR A [BLEEP] DAY AND LEARN -- >> DON'T TOUCH ME, LOGAN. 651 00:19:21,761 --> 00:19:24,061 DAY AND LEARN -- >> DON'T TOUCH ME, LOGAN. I HAVE TO DO SOMETHING IN YOUR 652 00:19:24,063 --> 00:19:24,595 >> DON'T TOUCH ME, LOGAN. I HAVE TO DO SOMETHING IN YOUR ROOM FIRST. 653 00:19:24,597 --> 00:19:26,464 I HAVE TO DO SOMETHING IN YOUR ROOM FIRST. EXCUSE ME. 654 00:19:26,466 --> 00:19:27,698 ROOM FIRST. EXCUSE ME. >> NO, GET THE [BLEEP] OUT OF MY 655 00:19:27,700 --> 00:19:27,999 EXCUSE ME. >> NO, GET THE [BLEEP] OUT OF MY ROOM. 656 00:19:28,001 --> 00:19:30,067 >> NO, GET THE [BLEEP] OUT OF MY ROOM. >> I NEED THE CORD FROM THE TV, 657 00:19:30,069 --> 00:19:32,036 ROOM. >> I NEED THE CORD FROM THE TV, BECAUSE THERE'S NO COURT ON THE 658 00:19:32,038 --> 00:19:34,539 >> I NEED THE CORD FROM THE TV, BECAUSE THERE'S NO COURT ON THE TV FOR A REASON, AND YOU USED 659 00:19:34,541 --> 00:19:36,073 BECAUSE THERE'S NO COURT ON THE TV FOR A REASON, AND YOU USED YOUR CORD TO TURN ON -- 660 00:19:36,075 --> 00:19:37,175 TV FOR A REASON, AND YOU USED YOUR CORD TO TURN ON -- I DON'T TRUST YOU. 661 00:19:37,177 --> 00:19:40,144 YOUR CORD TO TURN ON -- I DON'T TRUST YOU. >> GET THE [BLEEP] OUT OF MY 662 00:19:40,146 --> 00:19:40,545 I DON'T TRUST YOU. >> GET THE [BLEEP] OUT OF MY ROOM, MOM. 663 00:19:40,547 --> 00:19:44,382 >> GET THE [BLEEP] OUT OF MY ROOM, MOM. >> BACK AWAY FROM ME, NOW. 664 00:19:44,384 --> 00:19:45,850 ROOM, MOM. >> BACK AWAY FROM ME, NOW. >> THIS IS MY ROOM. 665 00:19:45,852 --> 00:19:47,318 >> BACK AWAY FROM ME, NOW. >> THIS IS MY ROOM. >> BACK AWAY FROM ME BEFORE I 666 00:19:47,320 --> 00:19:48,019 >> THIS IS MY ROOM. >> BACK AWAY FROM ME BEFORE I CALL THE POLICE. 667 00:19:48,021 --> 00:19:50,555 >> BACK AWAY FROM ME BEFORE I CALL THE POLICE. YOU ARE IN MY PERSONAL SPACE, 668 00:19:50,557 --> 00:19:52,356 CALL THE POLICE. YOU ARE IN MY PERSONAL SPACE, BACK AWAY FROM ME NOW. 669 00:19:52,358 --> 00:19:54,425 YOU ARE IN MY PERSONAL SPACE, BACK AWAY FROM ME NOW. YOU CAN GET YOUR OWN SPACE WHEN 670 00:19:54,427 --> 00:19:56,127 BACK AWAY FROM ME NOW. YOU CAN GET YOUR OWN SPACE WHEN I GET MY ELECTRONICS. 671 00:19:56,129 --> 00:19:57,762 YOU CAN GET YOUR OWN SPACE WHEN I GET MY ELECTRONICS. STEVEN SERIOUSLY, LISTEN TO 672 00:19:57,764 --> 00:19:58,062 I GET MY ELECTRONICS. STEVEN SERIOUSLY, LISTEN TO THAT. 673 00:19:58,064 --> 00:20:00,231 STEVEN SERIOUSLY, LISTEN TO THAT. >> YOU ARE IN MY PERSONAL SPACE, 674 00:20:00,233 --> 00:20:01,032 THAT. >> YOU ARE IN MY PERSONAL SPACE, BACK AWAY FROM ME NOW. 675 00:20:01,034 --> 00:20:03,901 >> YOU ARE IN MY PERSONAL SPACE, BACK AWAY FROM ME NOW. YOU CAN GET YOUR SPACE WHEN I 676 00:20:03,903 --> 00:20:04,902 BACK AWAY FROM ME NOW. YOU CAN GET YOUR SPACE WHEN I GET MY ELECTRONICS. 677 00:20:04,904 --> 00:20:06,304 YOU CAN GET YOUR SPACE WHEN I GET MY ELECTRONICS. >> Dr. Phil: DOES THAT SOUND A 678 00:20:06,306 --> 00:20:09,707 GET MY ELECTRONICS. >> Dr. Phil: DOES THAT SOUND A LOT LIKE, "YES YOU ARE," "NO 679 00:20:09,709 --> 00:20:10,641 >> Dr. Phil: DOES THAT SOUND A LOT LIKE, "YES YOU ARE," "NO YOU'RE NOT." 680 00:20:10,643 --> 00:20:13,778 LOT LIKE, "YES YOU ARE," "NO YOU'RE NOT." THAT'S LIKE TWO KIDS ON THE 681 00:20:13,780 --> 00:20:14,278 YOU'RE NOT." THAT'S LIKE TWO KIDS ON THE PLAYGROUND. 682 00:20:14,280 --> 00:20:16,113 THAT'S LIKE TWO KIDS ON THE PLAYGROUND. "YOU'RE UGLY." 683 00:20:16,115 --> 00:20:18,149 PLAYGROUND. "YOU'RE UGLY." "NO, YOU'RE UGLY." 684 00:20:18,151 --> 00:20:20,117 "YOU'RE UGLY." "NO, YOU'RE UGLY." "NO, YOU ARE UGLY." 685 00:20:20,119 --> 00:20:22,687 "NO, YOU'RE UGLY." "NO, YOU ARE UGLY." I MEAN, SERIOUSLY, GUYS. 686 00:20:22,689 --> 00:20:23,154 "NO, YOU ARE UGLY." I MEAN, SERIOUSLY, GUYS. WHAT THE HELL? 687 00:20:23,156 --> 00:20:24,922 I MEAN, SERIOUSLY, GUYS. WHAT THE HELL? >> Dr. Phil: THAT'S LIKE AN 688 00:20:24,924 --> 00:20:26,924 WHAT THE HELL? >> Dr. Phil: THAT'S LIKE AN EVERYDAY ARGUMENT IN OUR HOUSE, 689 00:20:26,926 --> 00:20:28,859 >> Dr. Phil: THAT'S LIKE AN EVERYDAY ARGUMENT IN OUR HOUSE, BECAUSE LOGAN IS REALLY 690 00:20:28,861 --> 00:20:29,860 EVERYDAY ARGUMENT IN OUR HOUSE, BECAUSE LOGAN IS REALLY RESTRICTED FROM ELECTRONICS, 691 00:20:29,862 --> 00:20:30,194 BECAUSE LOGAN IS REALLY RESTRICTED FROM ELECTRONICS, AND -- 692 00:20:30,196 --> 00:20:30,861 RESTRICTED FROM ELECTRONICS, AND -- >> Dr. Phil: YOU ARE MISSING 693 00:20:30,863 --> 00:20:32,597 AND -- >> Dr. Phil: YOU ARE MISSING UP THE POINT. 694 00:20:32,599 --> 00:20:34,932 >> Dr. Phil: YOU ARE MISSING UP THE POINT. IT'S NOT A LOT ABOUT 695 00:20:34,934 --> 00:20:35,533 UP THE POINT. IT'S NOT A LOT ABOUT ELECTRONICS, IT'S ABOUT 696 00:20:35,535 --> 00:20:36,100 IT'S NOT A LOT ABOUT ELECTRONICS, IT'S ABOUT INTERACTION PATTERNS. 697 00:20:36,102 --> 00:20:37,401 ELECTRONICS, IT'S ABOUT INTERACTION PATTERNS. DO YOU REALLY THINK I'M PLAYING 698 00:20:37,403 --> 00:20:40,071 INTERACTION PATTERNS. DO YOU REALLY THINK I'M PLAYING THIS TO TALK ABOUT A TV CARD? 699 00:20:40,073 --> 00:20:43,074 DO YOU REALLY THINK I'M PLAYING THIS TO TALK ABOUT A TV CARD? TANYA SAYS HER 17-YEAR-OLD SON, 700 00:20:43,076 --> 00:20:44,041 THIS TO TALK ABOUT A TV CARD? TANYA SAYS HER 17-YEAR-OLD SON, LOGAN'S, VIDEO GAME ADDICTION 701 00:20:44,043 --> 00:20:45,910 TANYA SAYS HER 17-YEAR-OLD SON, LOGAN'S, VIDEO GAME ADDICTION HAS FORCED HER TO FILE 702 00:20:45,912 --> 00:20:47,044 LOGAN'S, VIDEO GAME ADDICTION HAS FORCED HER TO FILE BANKRUPTCY, AND IT'S ALL FROM 703 00:20:47,046 --> 00:20:48,713 HAS FORCED HER TO FILE BANKRUPTCY, AND IT'S ALL FROM CHARGES HE MADE ON HER 704 00:20:48,715 --> 00:20:49,113 BANKRUPTCY, AND IT'S ALL FROM CHARGES HE MADE ON HER CREDIT CARD. 705 00:20:49,115 --> 00:20:52,116 CHARGES HE MADE ON HER CREDIT CARD. WE'LL ADD THAT TO THE MIX WHEN 706 00:20:52,118 --> 00:20:52,984 CREDIT CARD. WE'LL ADD THAT TO THE MIX WHEN THEY COME BACK. 707 00:20:52,986 --> 00:20:53,417 WE'LL ADD THAT TO THE MIX WHEN THEY COME BACK. [APPLAUSE] 708 00:20:53,419 --> 00:20:57,388 THEY COME BACK. [APPLAUSE] ♪ ♪ 709 00:20:57,390 --> 00:20:59,190 [APPLAUSE] ♪ ♪ >> YOU PLAYED FOR 41 HOURS ONE 710 00:20:59,192 --> 00:20:59,490 ♪ ♪ >> YOU PLAYED FOR 41 HOURS ONE WEEK. 711 00:20:59,492 --> 00:21:02,293 >> YOU PLAYED FOR 41 HOURS ONE WEEK. THAT'S MORE THAN A FULL-TIME 712 00:21:02,295 --> 00:21:03,294 WEEK. THAT'S MORE THAN A FULL-TIME JOB. 713 00:21:03,296 --> 00:21:07,298 THAT'S MORE THAN A FULL-TIME JOB. IF YOU TOOK THAT 41 HOURS AND 714 00:21:07,300 --> 00:21:09,133 JOB. IF YOU TOOK THAT 41 HOURS AND SPENT IT LEARNING SOME THINGS 715 00:21:09,135 --> 00:21:12,303 IF YOU TOOK THAT 41 HOURS AND SPENT IT LEARNING SOME THINGS ABOUT, I DON'T KNOW, ANGER 716 00:21:12,305 --> 00:21:13,938 SPENT IT LEARNING SOME THINGS ABOUT, I DON'T KNOW, ANGER MANAGEMENT, RELATIONSHIP SKILLS, 717 00:21:13,940 --> 00:21:15,673 ABOUT, I DON'T KNOW, ANGER MANAGEMENT, RELATIONSHIP SKILLS, IT MIGHT SERVE YOU BETTER DOWN 718 00:21:15,675 --> 00:21:17,775 MANAGEMENT, RELATIONSHIP SKILLS, IT MIGHT SERVE YOU BETTER DOWN THE ROAD. 719 00:21:17,777 --> 00:21:21,512 IT MIGHT SERVE YOU BETTER DOWN THE ROAD. ♪ ♪ 720 00:21:21,514 --> 00:21:22,580 THE ROAD. ♪ ♪ >> I'VE BEEN PLAYING VIDEO GAMES 721 00:21:22,582 --> 00:21:24,448 ♪ ♪ >> I'VE BEEN PLAYING VIDEO GAMES SINCE I WAS FIVE YEARS OLD. 722 00:21:24,450 --> 00:21:25,349 >> I'VE BEEN PLAYING VIDEO GAMES SINCE I WAS FIVE YEARS OLD. THEY'VE ALWAYS BEEN MY ESCAPE. 723 00:21:25,351 --> 00:21:28,119 SINCE I WAS FIVE YEARS OLD. THEY'VE ALWAYS BEEN MY ESCAPE. >> LOGAN WILL SPEND UP TO 12 724 00:21:28,121 --> 00:21:29,120 THEY'VE ALWAYS BEEN MY ESCAPE. >> LOGAN WILL SPEND UP TO 12 HOURS A DAY OR MORE PLAYING 725 00:21:29,122 --> 00:21:29,754 >> LOGAN WILL SPEND UP TO 12 HOURS A DAY OR MORE PLAYING VIDEO GAMES. 726 00:21:29,756 --> 00:21:32,857 HOURS A DAY OR MORE PLAYING VIDEO GAMES. >> I WILL ADMIT, I'M ADDICTED TO 727 00:21:32,859 --> 00:21:33,257 VIDEO GAMES. >> I WILL ADMIT, I'M ADDICTED TO VIDEO GAMES. 728 00:21:33,259 --> 00:21:34,225 >> I WILL ADMIT, I'M ADDICTED TO VIDEO GAMES. >> LOGAN ASKED LIKE A DRUG 729 00:21:34,227 --> 00:21:36,093 VIDEO GAMES. >> LOGAN ASKED LIKE A DRUG ADDICT BUT HIS DRUG OF CHOICE IS 730 00:21:36,095 --> 00:21:36,494 >> LOGAN ASKED LIKE A DRUG ADDICT BUT HIS DRUG OF CHOICE IS VIDEO GAMES. 731 00:21:36,496 --> 00:21:39,964 ADDICT BUT HIS DRUG OF CHOICE IS VIDEO GAMES. BUT I'VE NOTICED OVER THE YEAR 732 00:21:39,966 --> 00:21:41,632 VIDEO GAMES. BUT I'VE NOTICED OVER THE YEAR IS THAT THE MORE HE PLAYS SOME 733 00:21:41,634 --> 00:21:42,900 BUT I'VE NOTICED OVER THE YEAR IS THAT THE MORE HE PLAYS SOME OF THEM ARE AGGRESSIVE HE 734 00:21:42,902 --> 00:21:43,534 IS THAT THE MORE HE PLAYS SOME OF THEM ARE AGGRESSIVE HE BECOMES. 735 00:21:43,536 --> 00:21:45,069 OF THEM ARE AGGRESSIVE HE BECOMES. >> ACTION MAKES ME CALM. 736 00:21:45,071 --> 00:21:46,504 BECOMES. >> ACTION MAKES ME CALM. >> VIDEO GAME ADDICTION HAS 737 00:21:46,506 --> 00:21:47,872 >> ACTION MAKES ME CALM. >> VIDEO GAME ADDICTION HAS GOTTEN SO BAD THAT HE HAS STOLEN 738 00:21:47,874 --> 00:21:49,006 >> VIDEO GAME ADDICTION HAS GOTTEN SO BAD THAT HE HAS STOLEN MY CREDIT CARDS AND BUY THINGS 739 00:21:49,008 --> 00:21:49,740 GOTTEN SO BAD THAT HE HAS STOLEN MY CREDIT CARDS AND BUY THINGS ON THE GAME. 740 00:21:49,742 --> 00:21:52,343 MY CREDIT CARDS AND BUY THINGS ON THE GAME. OVER THE YEARS HE'S CHARGE 741 00:21:52,345 --> 00:21:53,744 ON THE GAME. OVER THE YEARS HE'S CHARGE $5,000 ON MY CREDIT CARD WITH 742 00:21:53,746 --> 00:21:54,245 OVER THE YEARS HE'S CHARGE $5,000 ON MY CREDIT CARD WITH VIDEO GAMES. 743 00:21:54,247 --> 00:21:56,147 $5,000 ON MY CREDIT CARD WITH VIDEO GAMES. ALL THAT CREDIT CARD DEBT DID A 744 00:21:56,149 --> 00:21:57,848 VIDEO GAMES. ALL THAT CREDIT CARD DEBT DID A NUMBER ON MY FINANCES AND I WAS 745 00:21:57,850 --> 00:22:00,418 ALL THAT CREDIT CARD DEBT DID A NUMBER ON MY FINANCES AND I WAS FORCED TO FILE BANKRUPTCY THIS 746 00:22:00,420 --> 00:22:01,519 NUMBER ON MY FINANCES AND I WAS FORCED TO FILE BANKRUPTCY THIS YEAR. 747 00:22:01,521 --> 00:22:02,486 FORCED TO FILE BANKRUPTCY THIS YEAR. >> Dr. Phil: I'VE BEEN TALKING 748 00:22:02,488 --> 00:22:04,922 YEAR. >> Dr. Phil: I'VE BEEN TALKING TO TONYA AND HER 17-YEAR-OLD 749 00:22:04,924 --> 00:22:05,556 >> Dr. Phil: I'VE BEEN TALKING TO TONYA AND HER 17-YEAR-OLD SON, LOGAN. 750 00:22:05,558 --> 00:22:08,492 TO TONYA AND HER 17-YEAR-OLD SON, LOGAN. TONYA SAYS NOT ONLY IS HER SON 751 00:22:08,494 --> 00:22:09,794 SON, LOGAN. TONYA SAYS NOT ONLY IS HER SON VIOLENT, ANGRY, AGGRESSIVE, BUT 752 00:22:09,796 --> 00:22:10,961 TONYA SAYS NOT ONLY IS HER SON VIOLENT, ANGRY, AGGRESSIVE, BUT HE'S ALSO ADDICTED TO 753 00:22:10,963 --> 00:22:11,529 VIOLENT, ANGRY, AGGRESSIVE, BUT HE'S ALSO ADDICTED TO VIDEO GAMES. 754 00:22:11,531 --> 00:22:14,332 HE'S ALSO ADDICTED TO VIDEO GAMES. ARE THESE AND ESCAPE FOR YOU, 755 00:22:14,334 --> 00:22:14,865 VIDEO GAMES. ARE THESE AND ESCAPE FOR YOU, LOGAN? 756 00:22:14,867 --> 00:22:17,268 ARE THESE AND ESCAPE FOR YOU, LOGAN? >> A LOT OF THE TIME, 757 00:22:17,270 --> 00:22:18,836 LOGAN? >> A LOT OF THE TIME, VIDEO GAMES ARE AN ESCAPE FOR 758 00:22:18,838 --> 00:22:19,370 >> A LOT OF THE TIME, VIDEO GAMES ARE AN ESCAPE FOR ME. 759 00:22:19,372 --> 00:22:21,739 VIDEO GAMES ARE AN ESCAPE FOR ME. FOR ME, JUST BEING ABLE TO PLAY 760 00:22:21,741 --> 00:22:23,808 ME. FOR ME, JUST BEING ABLE TO PLAY SOMETHING WHERE I CAN DO WHAT I 761 00:22:23,810 --> 00:22:25,443 FOR ME, JUST BEING ABLE TO PLAY SOMETHING WHERE I CAN DO WHAT I WANT IN THE GAME AND NOT HAVE 762 00:22:25,445 --> 00:22:27,478 SOMETHING WHERE I CAN DO WHAT I WANT IN THE GAME AND NOT HAVE ANY CONSEQUENCES TO MY ACTIONS 763 00:22:27,480 --> 00:22:30,681 WANT IN THE GAME AND NOT HAVE ANY CONSEQUENCES TO MY ACTIONS HAS REALLY HELPED ME IN THE PAST 764 00:22:30,683 --> 00:22:34,552 ANY CONSEQUENCES TO MY ACTIONS HAS REALLY HELPED ME IN THE PAST AND IN THE PRESENT. 765 00:22:34,554 --> 00:22:37,021 HAS REALLY HELPED ME IN THE PAST AND IN THE PRESENT. BUT MY MOTHER, SHE LOOKS AT MY 766 00:22:37,023 --> 00:22:38,723 AND IN THE PRESENT. BUT MY MOTHER, SHE LOOKS AT MY ATTITUDE AND SHE LOOKS AT 767 00:22:38,725 --> 00:22:40,257 BUT MY MOTHER, SHE LOOKS AT MY ATTITUDE AND SHE LOOKS AT VIDEO GAMES AS, "THIS IS THE 768 00:22:40,259 --> 00:22:41,826 ATTITUDE AND SHE LOOKS AT VIDEO GAMES AS, "THIS IS THE REASON WHY HE'S LIKE THIS." 769 00:22:41,828 --> 00:22:42,693 VIDEO GAMES AS, "THIS IS THE REASON WHY HE'S LIKE THIS." >> Dr. Phil: I DON'T THINK 770 00:22:42,695 --> 00:22:44,795 REASON WHY HE'S LIKE THIS." >> Dr. Phil: I DON'T THINK IT'S THE REASON YOU ARE LIKE 771 00:22:44,797 --> 00:22:46,397 >> Dr. Phil: I DON'T THINK IT'S THE REASON YOU ARE LIKE THIS, BUT THE PROBLEM WITH 772 00:22:46,399 --> 00:22:47,631 IT'S THE REASON YOU ARE LIKE THIS, BUT THE PROBLEM WITH SPENDING TOO MUCH TIME IN THE IN 773 00:22:47,633 --> 00:22:49,500 THIS, BUT THE PROBLEM WITH SPENDING TOO MUCH TIME IN THE IN VIDEO GAMES IS IT TAKES AWAY 774 00:22:49,502 --> 00:22:50,801 SPENDING TOO MUCH TIME IN THE IN VIDEO GAMES IS IT TAKES AWAY FROM DEVELOPMENT IN THE REAL 775 00:22:50,803 --> 00:22:51,602 VIDEO GAMES IS IT TAKES AWAY FROM DEVELOPMENT IN THE REAL WORLD. 776 00:22:51,604 --> 00:22:52,737 FROM DEVELOPMENT IN THE REAL WORLD. I DON'T THINK THERE'S ANYTHING 777 00:22:52,739 --> 00:22:54,171 WORLD. I DON'T THINK THERE'S ANYTHING WRONG WITH VIDEO GAMES. 778 00:22:54,173 --> 00:22:56,374 I DON'T THINK THERE'S ANYTHING WRONG WITH VIDEO GAMES. ANYTHING IN MODERATION, I 779 00:22:56,376 --> 00:22:58,342 WRONG WITH VIDEO GAMES. ANYTHING IN MODERATION, I SUPPOSE, CAN BE FUN AND 780 00:22:58,344 --> 00:22:59,176 ANYTHING IN MODERATION, I SUPPOSE, CAN BE FUN AND ENTERTAINING. 781 00:22:59,178 --> 00:23:00,745 SUPPOSE, CAN BE FUN AND ENTERTAINING. BUT WE LOOK AT YOUR VIDEO GAME 782 00:23:00,747 --> 00:23:02,613 ENTERTAINING. BUT WE LOOK AT YOUR VIDEO GAME LOG FOR SEPTEMBER, TUESDAY THE 783 00:23:02,615 --> 00:23:06,016 BUT WE LOOK AT YOUR VIDEO GAME LOG FOR SEPTEMBER, TUESDAY THE 24TH, SEVEN HOURS AND 784 00:23:06,018 --> 00:23:07,251 LOG FOR SEPTEMBER, TUESDAY THE 24TH, SEVEN HOURS AND 25 MINUTES, PLAYED FIVE HOURS 785 00:23:07,253 --> 00:23:08,719 24TH, SEVEN HOURS AND 25 MINUTES, PLAYED FIVE HOURS AND 55 MINUTES OVER SOME LIMIT 786 00:23:08,721 --> 00:23:10,821 25 MINUTES, PLAYED FIVE HOURS AND 55 MINUTES OVER SOME LIMIT THAT HAS BEEN SET. 787 00:23:10,823 --> 00:23:13,391 AND 55 MINUTES OVER SOME LIMIT THAT HAS BEEN SET. THE 23RD, NINE HOURS AND 788 00:23:13,393 --> 00:23:13,824 THAT HAS BEEN SET. THE 23RD, NINE HOURS AND 55 MINUTES. 789 00:23:13,826 --> 00:23:15,860 THE 23RD, NINE HOURS AND 55 MINUTES. THEN WE GO TO THE 21ST, TEN 790 00:23:15,862 --> 00:23:19,430 55 MINUTES. THEN WE GO TO THE 21ST, TEN HOURS AND 35 MINUTES. 791 00:23:19,432 --> 00:23:21,465 THEN WE GO TO THE 21ST, TEN HOURS AND 35 MINUTES. THEN IX HOURS AND 20 MINUTES. 792 00:23:21,467 --> 00:23:24,235 HOURS AND 35 MINUTES. THEN IX HOURS AND 20 MINUTES. I MEAN, YOU ARE SPENDING A LOT 793 00:23:24,237 --> 00:23:29,173 THEN IX HOURS AND 20 MINUTES. I MEAN, YOU ARE SPENDING A LOT OF TIME WHERE YOU ARE NOT DOING 794 00:23:29,175 --> 00:23:30,040 I MEAN, YOU ARE SPENDING A LOT OF TIME WHERE YOU ARE NOT DOING THINGS THAT HAVE A CONSEQUENCE 795 00:23:30,042 --> 00:23:33,043 OF TIME WHERE YOU ARE NOT DOING THINGS THAT HAVE A CONSEQUENCE IN THE REAL WORLD. 796 00:23:33,045 --> 00:23:34,178 THINGS THAT HAVE A CONSEQUENCE IN THE REAL WORLD. AGAIN, I DON'T HAVE A PROBLEM 797 00:23:34,180 --> 00:23:35,646 IN THE REAL WORLD. AGAIN, I DON'T HAVE A PROBLEM WITH VIDEO GAMES. 798 00:23:35,648 --> 00:23:37,047 AGAIN, I DON'T HAVE A PROBLEM WITH VIDEO GAMES. I THINK THEY CAN BE FUN. 799 00:23:37,049 --> 00:23:39,116 WITH VIDEO GAMES. I THINK THEY CAN BE FUN. I'M NOT GOOD AT THEM, I DON'T DO 800 00:23:39,118 --> 00:23:40,451 I THINK THEY CAN BE FUN. I'M NOT GOOD AT THEM, I DON'T DO THEM VERY MUCH, I DON'T KNOW 801 00:23:40,453 --> 00:23:42,019 I'M NOT GOOD AT THEM, I DON'T DO THEM VERY MUCH, I DON'T KNOW WHAT TO DO WITH MY THUMBS. 802 00:23:42,021 --> 00:23:42,653 THEM VERY MUCH, I DON'T KNOW WHAT TO DO WITH MY THUMBS. THEY GET IN THE WAY. 803 00:23:42,655 --> 00:23:43,053 WHAT TO DO WITH MY THUMBS. THEY GET IN THE WAY. [LAUGHTER] 804 00:23:43,055 --> 00:23:45,890 THEY GET IN THE WAY. [LAUGHTER] BUT I SEE NO REASON YOU CAN'T 805 00:23:45,892 --> 00:23:46,424 [LAUGHTER] BUT I SEE NO REASON YOU CAN'T ENJOY VIDEO GAMES. 806 00:23:46,426 --> 00:23:48,392 BUT I SEE NO REASON YOU CAN'T ENJOY VIDEO GAMES. BUT YOU PLAYED FOR 41 HOURS ONE 807 00:23:48,394 --> 00:23:49,627 ENJOY VIDEO GAMES. BUT YOU PLAYED FOR 41 HOURS ONE WEEK. 808 00:23:49,629 --> 00:23:52,096 BUT YOU PLAYED FOR 41 HOURS ONE WEEK. THAT'S MORE THAN A FULL-TIME 809 00:23:52,098 --> 00:23:52,830 WEEK. THAT'S MORE THAN A FULL-TIME JOB. 810 00:23:52,832 --> 00:23:57,468 THAT'S MORE THAN A FULL-TIME JOB. IF YOU TOOK THAT 41 HOURS AND 811 00:23:57,470 --> 00:24:00,237 JOB. IF YOU TOOK THAT 41 HOURS AND SPENT IT LEARNING SOME THINGS 812 00:24:00,239 --> 00:24:01,939 IF YOU TOOK THAT 41 HOURS AND SPENT IT LEARNING SOME THINGS ABOUT, I DON'T KNOW, ANGER 813 00:24:01,941 --> 00:24:06,010 SPENT IT LEARNING SOME THINGS ABOUT, I DON'T KNOW, ANGER MANAGEMENT, RELATIONSHIP SKILLS, 814 00:24:06,012 --> 00:24:08,245 ABOUT, I DON'T KNOW, ANGER MANAGEMENT, RELATIONSHIP SKILLS, SOMETHING THAT YOU COULD MARKET 815 00:24:08,247 --> 00:24:10,748 MANAGEMENT, RELATIONSHIP SKILLS, SOMETHING THAT YOU COULD MARKET IN LIFE, IT MIGHT SERVE YOU 816 00:24:10,750 --> 00:24:13,384 SOMETHING THAT YOU COULD MARKET IN LIFE, IT MIGHT SERVE YOU BETTER DOWN THE ROAD. 817 00:24:13,386 --> 00:24:23,627 IN LIFE, IT MIGHT SERVE YOU BETTER DOWN THE ROAD. BUT LOOK, I WANT TO APPEAL TO 818 00:24:23,629 --> 00:24:24,495 BETTER DOWN THE ROAD. BUT LOOK, I WANT TO APPEAL TO Y'ALL'S GREED. 819 00:24:24,497 --> 00:24:25,796 BUT LOOK, I WANT TO APPEAL TO Y'ALL'S GREED. YOUR MOTHER DIDN'T HAVE A NICE 820 00:24:25,798 --> 00:24:28,232 Y'ALL'S GREED. YOUR MOTHER DIDN'T HAVE A NICE RIDE THROUGH LIFE HERSELF. 821 00:24:28,234 --> 00:24:29,366 YOUR MOTHER DIDN'T HAVE A NICE RIDE THROUGH LIFE HERSELF. I DON'T KNOW HOW MUCH YOU KNOW 822 00:24:29,368 --> 00:24:29,767 RIDE THROUGH LIFE HERSELF. I DON'T KNOW HOW MUCH YOU KNOW ABOUT THAT. 823 00:24:29,769 --> 00:24:32,937 I DON'T KNOW HOW MUCH YOU KNOW ABOUT THAT. I DON'T NEED TO GO INTO A LOT OF 824 00:24:32,939 --> 00:24:33,270 ABOUT THAT. I DON'T NEED TO GO INTO A LOT OF DETAIL. 825 00:24:33,272 --> 00:24:35,172 I DON'T NEED TO GO INTO A LOT OF DETAIL. BUT SHE DIDN'T SHOW UP AS YOUR 826 00:24:35,174 --> 00:24:38,742 DETAIL. BUT SHE DIDN'T SHOW UP AS YOUR MOTHER ON A SATIN PILLOW. 827 00:24:38,744 --> 00:24:39,109 BUT SHE DIDN'T SHOW UP AS YOUR MOTHER ON A SATIN PILLOW. >> YEAH. 828 00:24:39,111 --> 00:24:40,878 MOTHER ON A SATIN PILLOW. >> YEAH. IT'S BECAUSE SHE HAD A PRETTY 829 00:24:40,880 --> 00:24:41,645 >> YEAH. IT'S BECAUSE SHE HAD A PRETTY ROUGH RIDE. 830 00:24:41,647 --> 00:24:43,113 IT'S BECAUSE SHE HAD A PRETTY ROUGH RIDE. TANYA, I'M VERY SORRY ABOUT 831 00:24:43,115 --> 00:24:44,014 ROUGH RIDE. TANYA, I'M VERY SORRY ABOUT THAT. 832 00:24:44,016 --> 00:24:46,550 TANYA, I'M VERY SORRY ABOUT THAT. YOU GUYS ARE IN THIS TOGETHER, 833 00:24:46,552 --> 00:24:50,020 THAT. YOU GUYS ARE IN THIS TOGETHER, SO YOU HAVE TO DECIDE, LOOK, 834 00:24:50,022 --> 00:24:50,855 YOU GUYS ARE IN THIS TOGETHER, SO YOU HAVE TO DECIDE, LOOK, WE'RE EITHER GOING TO BLOW 835 00:24:50,857 --> 00:24:52,723 SO YOU HAVE TO DECIDE, LOOK, WE'RE EITHER GOING TO BLOW THINGS UP IN THIS FAMILY IS 836 00:24:52,725 --> 00:24:54,425 WE'RE EITHER GOING TO BLOW THINGS UP IN THIS FAMILY IS GOING TO FRAGMENT, OR WE ARE 837 00:24:54,427 --> 00:24:56,527 THINGS UP IN THIS FAMILY IS GOING TO FRAGMENT, OR WE ARE GOING TO DECIDE, "YOU KNOW WHAT? 838 00:24:56,529 --> 00:24:58,496 GOING TO FRAGMENT, OR WE ARE GOING TO DECIDE, "YOU KNOW WHAT? LETS SIT DOWN AND GET OUT OF 839 00:24:58,498 --> 00:24:59,296 GOING TO DECIDE, "YOU KNOW WHAT? LETS SIT DOWN AND GET OUT OF EACH OTHER'S WAY AND FIGURE OUT 840 00:24:59,298 --> 00:25:03,167 LETS SIT DOWN AND GET OUT OF EACH OTHER'S WAY AND FIGURE OUT HOW WE CAN STAY TOGETHER AND 841 00:25:03,169 --> 00:25:06,403 EACH OTHER'S WAY AND FIGURE OUT HOW WE CAN STAY TOGETHER AND HANG TOGETHER AS A FAMILY. 842 00:25:06,405 --> 00:25:08,973 HOW WE CAN STAY TOGETHER AND HANG TOGETHER AS A FAMILY. "YOU HAVE A CHOICE HERE 843 00:25:08,975 --> 00:25:10,875 HANG TOGETHER AS A FAMILY. "YOU HAVE A CHOICE HERE SOMEONE NEEDS TO STEP UP AND BE 844 00:25:10,877 --> 00:25:14,044 "YOU HAVE A CHOICE HERE SOMEONE NEEDS TO STEP UP AND BE THE HERO IN THIS SITUATION. 845 00:25:14,046 --> 00:25:16,413 SOMEONE NEEDS TO STEP UP AND BE THE HERO IN THIS SITUATION. >> I HAVE MULTIPLE TIMES TOLD MY 846 00:25:16,415 --> 00:25:17,915 THE HERO IN THIS SITUATION. >> I HAVE MULTIPLE TIMES TOLD MY MOM THAT WE NEED TO COME 847 00:25:17,917 --> 00:25:20,985 >> I HAVE MULTIPLE TIMES TOLD MY MOM THAT WE NEED TO COME FACE-TO-FACE AND TALK ABOUT 848 00:25:20,987 --> 00:25:21,285 MOM THAT WE NEED TO COME FACE-TO-FACE AND TALK ABOUT THIS. 849 00:25:21,287 --> 00:25:24,455 FACE-TO-FACE AND TALK ABOUT THIS. EVERY TIME I'VE SAID THAT, 850 00:25:24,457 --> 00:25:26,457 THIS. EVERY TIME I'VE SAID THAT, THOUGH, SHE HAS, LIKE, PUT IT 851 00:25:26,459 --> 00:25:27,057 EVERY TIME I'VE SAID THAT, THOUGH, SHE HAS, LIKE, PUT IT ASIDE MULTIPLE TIMES. 852 00:25:27,059 --> 00:25:29,093 THOUGH, SHE HAS, LIKE, PUT IT ASIDE MULTIPLE TIMES. TO THE POINT WHERE SHE FORGETS 853 00:25:29,095 --> 00:25:30,361 ASIDE MULTIPLE TIMES. TO THE POINT WHERE SHE FORGETS ABOUT IT, AND THEN I TRY AND 854 00:25:30,363 --> 00:25:33,130 TO THE POINT WHERE SHE FORGETS ABOUT IT, AND THEN I TRY AND REMIND HER, AND SHE'S LIKE, "I 855 00:25:33,132 --> 00:25:35,266 ABOUT IT, AND THEN I TRY AND REMIND HER, AND SHE'S LIKE, "I NEVER AGREED TO THAT." 856 00:25:35,268 --> 00:25:36,867 REMIND HER, AND SHE'S LIKE, "I NEVER AGREED TO THAT." >> Dr. Phil: YOU EVEN COME UP 857 00:25:36,869 --> 00:25:38,502 NEVER AGREED TO THAT." >> Dr. Phil: YOU EVEN COME UP WITH STRATEGIES TO HELP CONTROL 858 00:25:38,504 --> 00:25:40,070 >> Dr. Phil: YOU EVEN COME UP WITH STRATEGIES TO HELP CONTROL YOUR ANGER, RIGHT? 859 00:25:40,072 --> 00:25:40,437 WITH STRATEGIES TO HELP CONTROL YOUR ANGER, RIGHT? >> YEAH. 860 00:25:40,439 --> 00:25:42,139 YOUR ANGER, RIGHT? >> YEAH. >> Dr. Phil: YOU HAVE FIVE 861 00:25:42,141 --> 00:25:43,807 >> YEAH. >> Dr. Phil: YOU HAVE FIVE THINGS YOU DO SOMETIMES WHEN YOU 862 00:25:43,809 --> 00:25:44,842 >> Dr. Phil: YOU HAVE FIVE THINGS YOU DO SOMETIMES WHEN YOU FEEL THE ANGER COMING ON. 863 00:25:44,844 --> 00:25:48,012 THINGS YOU DO SOMETIMES WHEN YOU FEEL THE ANGER COMING ON. WHAT ARE THEY, FOR EXAMPLE? 864 00:25:48,014 --> 00:25:49,747 FEEL THE ANGER COMING ON. WHAT ARE THEY, FOR EXAMPLE? >> IT'S THE FIVE SENSES. 865 00:25:49,749 --> 00:25:52,149 WHAT ARE THEY, FOR EXAMPLE? >> IT'S THE FIVE SENSES. FIVE THINGS I CAN SEE, FOR 866 00:25:52,151 --> 00:25:53,551 >> IT'S THE FIVE SENSES. FIVE THINGS I CAN SEE, FOR THINGS I CAN SMELL, THREE THINGS 867 00:25:53,553 --> 00:25:58,122 FIVE THINGS I CAN SEE, FOR THINGS I CAN SMELL, THREE THINGS I CAN TOUCH, TWO THINGS I CAN 868 00:25:58,124 --> 00:26:01,659 THINGS I CAN SMELL, THREE THINGS I CAN TOUCH, TWO THINGS I CAN HEAR, AND ONE THING I CAN TASTE. 869 00:26:01,661 --> 00:26:02,560 I CAN TOUCH, TWO THINGS I CAN HEAR, AND ONE THING I CAN TASTE. >> Dr. Phil: RIGHT. 870 00:26:02,562 --> 00:26:03,794 HEAR, AND ONE THING I CAN TASTE. >> Dr. Phil: RIGHT. MOM, YOU'VE GOT A YOUNG MAN HERE 871 00:26:03,796 --> 00:26:07,598 >> Dr. Phil: RIGHT. MOM, YOU'VE GOT A YOUNG MAN HERE WHO IS OBVIOUSLY INTELLIGENT, 872 00:26:07,600 --> 00:26:08,866 MOM, YOU'VE GOT A YOUNG MAN HERE WHO IS OBVIOUSLY INTELLIGENT, AND HE IS A WILLING SPIRIT. 873 00:26:08,868 --> 00:26:12,403 WHO IS OBVIOUSLY INTELLIGENT, AND HE IS A WILLING SPIRIT. BUT YOU TWO NEED TO WORK AS A 874 00:26:12,405 --> 00:26:14,405 AND HE IS A WILLING SPIRIT. BUT YOU TWO NEED TO WORK AS A UNIT HERE, AND YOU'VE GOT A 875 00:26:14,407 --> 00:26:16,340 BUT YOU TWO NEED TO WORK AS A UNIT HERE, AND YOU'VE GOT A SECOND SON THAT'S INVOLVED, AND 876 00:26:16,342 --> 00:26:17,141 UNIT HERE, AND YOU'VE GOT A SECOND SON THAT'S INVOLVED, AND HE'S PROBABLY THE BIGGEST VICTIM 877 00:26:17,143 --> 00:26:21,312 SECOND SON THAT'S INVOLVED, AND HE'S PROBABLY THE BIGGEST VICTIM IN THIS WHOLE EQUATION. 878 00:26:21,314 --> 00:26:21,912 HE'S PROBABLY THE BIGGEST VICTIM IN THIS WHOLE EQUATION. >> ABSOLUTELY. 879 00:26:21,914 --> 00:26:22,947 IN THIS WHOLE EQUATION. >> ABSOLUTELY. >> Dr. Phil: BECAUSE HE'S 880 00:26:22,949 --> 00:26:24,782 >> ABSOLUTELY. >> Dr. Phil: BECAUSE HE'S GETTING CAUGHT UP IN THE 881 00:26:24,784 --> 00:26:26,717 >> Dr. Phil: BECAUSE HE'S GETTING CAUGHT UP IN THE CROSS FIRE. 882 00:26:26,719 --> 00:26:27,551 GETTING CAUGHT UP IN THE CROSS FIRE. WE'LL TALK ABOUT THAT NEXT. 883 00:26:27,553 --> 00:26:27,985 CROSS FIRE. WE'LL TALK ABOUT THAT NEXT. [APPLAUSE] 884 00:26:27,987 --> 00:26:30,988 WE'LL TALK ABOUT THAT NEXT. [APPLAUSE] ♪ ♪ 885 00:26:30,990 --> 00:26:33,591 [APPLAUSE] ♪ ♪ >> THERE IS NO QUESTION THAT HE 886 00:26:33,593 --> 00:26:35,492 ♪ ♪ >> THERE IS NO QUESTION THAT HE HAS ATTACKED YOU, AND, LOGAN, 887 00:26:35,494 --> 00:26:36,894 >> THERE IS NO QUESTION THAT HE HAS ATTACKED YOU, AND, LOGAN, YOU SHOULD NEVER PUT YOUR HAND 888 00:26:36,896 --> 00:26:39,163 HAS ATTACKED YOU, AND, LOGAN, YOU SHOULD NEVER PUT YOUR HAND ON A WOMAN IN ANGER WHETHER IT'S 889 00:26:39,165 --> 00:26:41,799 YOU SHOULD NEVER PUT YOUR HAND ON A WOMAN IN ANGER WHETHER IT'S YOUR MOTHER, A DATE, A TEACHER, 890 00:26:41,801 --> 00:26:43,267 ON A WOMAN IN ANGER WHETHER IT'S YOUR MOTHER, A DATE, A TEACHER, A WOMAN FOR ANY REASON IN ANY 891 00:26:43,269 --> 00:26:45,002 YOUR MOTHER, A DATE, A TEACHER, A WOMAN FOR ANY REASON IN ANY WAY. 892 00:26:45,004 --> 00:26:46,270 A WOMAN FOR ANY REASON IN ANY WAY. THAT IS A COWARDLY CHICKEN 893 00:26:46,272 --> 00:26:47,237 WAY. THAT IS A COWARDLY CHICKEN [BLEEP] THING TO DO, AND DON'T 894 00:26:47,239 --> 00:26:50,274 THAT IS A COWARDLY CHICKEN [BLEEP] THING TO DO, AND DON'T YOU EVER DO THAT IN YOUR LIFE 895 00:26:50,276 --> 00:26:50,808 [BLEEP] THING TO DO, AND DON'T YOU EVER DO THAT IN YOUR LIFE AGAIN, EVER. 896 00:26:50,810 --> 00:26:51,342 YOU EVER DO THAT IN YOUR LIFE AGAIN, EVER. [APPLAUSE] 897 00:26:51,344 --> 00:26:53,911 AGAIN, EVER. [APPLAUSE] BUT TANYA, I'VE SEEN THE VIDEOS 898 00:26:53,913 --> 00:26:55,846 [APPLAUSE] BUT TANYA, I'VE SEEN THE VIDEOS OF YOU PROVOKING THIS SITUATION. 899 00:26:55,848 --> 00:26:57,848 BUT TANYA, I'VE SEEN THE VIDEOS OF YOU PROVOKING THIS SITUATION. STOP PLAYING THE VICTIM AND OWN 900 00:26:57,850 --> 00:27:00,517 OF YOU PROVOKING THIS SITUATION. STOP PLAYING THE VICTIM AND OWN YOUR ROLE IN THIS. 901 00:27:00,519 --> 00:27:03,120 STOP PLAYING THE VICTIM AND OWN YOUR ROLE IN THIS. ♪ ♪ 902 00:27:03,122 --> 00:27:06,790 YOUR ROLE IN THIS. ♪ ♪ >> LOGAN HAS A YOUNGER BROTHER 903 00:27:06,792 --> 00:27:07,224 ♪ ♪ >> LOGAN HAS A YOUNGER BROTHER NAMED PAXTON. 904 00:27:07,226 --> 00:27:08,859 >> LOGAN HAS A YOUNGER BROTHER NAMED PAXTON. >> I FEEL LIKE I'M A GOOD 905 00:27:08,861 --> 00:27:09,393 NAMED PAXTON. >> I FEEL LIKE I'M A GOOD BROTHER TO PAXTON. 906 00:27:09,395 --> 00:27:11,695 >> I FEEL LIKE I'M A GOOD BROTHER TO PAXTON. I WILL HELP THEM OUT WHENEVER 907 00:27:11,697 --> 00:27:12,329 BROTHER TO PAXTON. I WILL HELP THEM OUT WHENEVER POSSIBLE. 908 00:27:12,331 --> 00:27:13,330 I WILL HELP THEM OUT WHENEVER POSSIBLE. >> HE WORSHIPS LOGAN, HE LOOKS 909 00:27:13,332 --> 00:27:15,099 POSSIBLE. >> HE WORSHIPS LOGAN, HE LOOKS UP TO HIM IN EVERY WAY. 910 00:27:15,101 --> 00:27:17,101 >> HE WORSHIPS LOGAN, HE LOOKS UP TO HIM IN EVERY WAY. HE'S GROWN UP IN THIS CHAOS. 911 00:27:17,103 --> 00:27:18,035 UP TO HIM IN EVERY WAY. HE'S GROWN UP IN THIS CHAOS. >> DON'T PUSH ME. 912 00:27:18,037 --> 00:27:20,971 HE'S GROWN UP IN THIS CHAOS. >> DON'T PUSH ME. >> MY WORST FEAR IS COMING TRUE. 913 00:27:20,973 --> 00:27:22,673 >> DON'T PUSH ME. >> MY WORST FEAR IS COMING TRUE. PAXTON IS STARTING TO BEHAVE 914 00:27:22,675 --> 00:27:23,374 >> MY WORST FEAR IS COMING TRUE. PAXTON IS STARTING TO BEHAVE JUST LIKE LOGAN. 915 00:27:23,376 --> 00:27:24,742 PAXTON IS STARTING TO BEHAVE JUST LIKE LOGAN. >> HE'LL START WITH SWEARING, 916 00:27:24,744 --> 00:27:26,844 JUST LIKE LOGAN. >> HE'LL START WITH SWEARING, HE'LL TELL ME TO [BLEEP] OFF, 917 00:27:26,846 --> 00:27:27,311 >> HE'LL START WITH SWEARING, HE'LL TELL ME TO [BLEEP] OFF, SHUT UP. 918 00:27:27,313 --> 00:27:30,347 HE'LL TELL ME TO [BLEEP] OFF, SHUT UP. >> HE'LL PUSH ME, SCREAM IN MY 919 00:27:30,349 --> 00:27:32,983 SHUT UP. >> HE'LL PUSH ME, SCREAM IN MY FACE, SLAM DOORS. 920 00:27:32,985 --> 00:27:33,617 >> HE'LL PUSH ME, SCREAM IN MY FACE, SLAM DOORS. MIMICKING ALL OF LOGAN'S 921 00:27:33,619 --> 00:27:34,251 FACE, SLAM DOORS. MIMICKING ALL OF LOGAN'S BEHAVIORS. 922 00:27:34,253 --> 00:27:36,053 MIMICKING ALL OF LOGAN'S BEHAVIORS. WHEN I THINK ABOUT WHAT'S GOING 923 00:27:36,055 --> 00:27:37,688 BEHAVIORS. WHEN I THINK ABOUT WHAT'S GOING ON, IT'S COMPLETELY 924 00:27:37,690 --> 00:27:38,155 WHEN I THINK ABOUT WHAT'S GOING ON, IT'S COMPLETELY OVERWHELMING. 925 00:27:38,157 --> 00:27:42,126 ON, IT'S COMPLETELY OVERWHELMING. I CAN'T DO THIS AGAIN. 926 00:27:42,128 --> 00:27:42,960 OVERWHELMING. I CAN'T DO THIS AGAIN. >> Dr. Phil: TANYA SETS HER 927 00:27:42,962 --> 00:27:45,963 I CAN'T DO THIS AGAIN. >> Dr. Phil: TANYA SETS HER 17-YEAR-OLD SON, LOGAN'S, ANGER 928 00:27:45,965 --> 00:27:48,699 >> Dr. Phil: TANYA SETS HER 17-YEAR-OLD SON, LOGAN'S, ANGER IS SO SEVERE IT'S RUBBING OFF ON 929 00:27:48,701 --> 00:27:50,868 17-YEAR-OLD SON, LOGAN'S, ANGER IS SO SEVERE IT'S RUBBING OFF ON HIS YOUNGER BROTHER, PAXTON, WHO 930 00:27:50,870 --> 00:27:52,269 IS SO SEVERE IT'S RUBBING OFF ON HIS YOUNGER BROTHER, PAXTON, WHO STARTED ACTING OUT VIOLENTLY 931 00:27:52,271 --> 00:27:53,404 HIS YOUNGER BROTHER, PAXTON, WHO STARTED ACTING OUT VIOLENTLY HIMSELF. 932 00:27:53,406 --> 00:27:55,839 STARTED ACTING OUT VIOLENTLY HIMSELF. HERE ARE SOME EXCERPTS FROM 933 00:27:55,841 --> 00:27:56,407 HIMSELF. HERE ARE SOME EXCERPTS FROM LOGAN'S BROTHER'S IEP 934 00:27:56,409 --> 00:27:58,542 HERE ARE SOME EXCERPTS FROM LOGAN'S BROTHER'S IEP ASSESSMENT, WHICH IS A SCHOOL 935 00:27:58,544 --> 00:27:59,309 LOGAN'S BROTHER'S IEP ASSESSMENT, WHICH IS A SCHOOL ASSESSMENT. 936 00:27:59,311 --> 00:28:01,178 ASSESSMENT, WHICH IS A SCHOOL ASSESSMENT. ON MARCH 14TH OF 2019, PUNCHED 937 00:28:01,180 --> 00:28:03,580 ASSESSMENT. ON MARCH 14TH OF 2019, PUNCHED ANOTHER STUDENT IN THE CHEST. 938 00:28:03,582 --> 00:28:05,082 ON MARCH 14TH OF 2019, PUNCHED ANOTHER STUDENT IN THE CHEST. MAY 13TH, PUT ANOTHER STUDENT IN 939 00:28:05,084 --> 00:28:06,316 ANOTHER STUDENT IN THE CHEST. MAY 13TH, PUT ANOTHER STUDENT IN THE HEADLOCK. 940 00:28:06,318 --> 00:28:08,185 MAY 13TH, PUT ANOTHER STUDENT IN THE HEADLOCK. THE 16TH, PUSHED ANOTHER STUDENT 941 00:28:08,187 --> 00:28:09,486 THE HEADLOCK. THE 16TH, PUSHED ANOTHER STUDENT OUTSIDE ON THE PLAYGROUND. 942 00:28:09,488 --> 00:28:10,521 THE 16TH, PUSHED ANOTHER STUDENT OUTSIDE ON THE PLAYGROUND. PUSHED ANOTHER STUDENT AGAIN, AT 943 00:28:10,523 --> 00:28:11,255 OUTSIDE ON THE PLAYGROUND. PUSHED ANOTHER STUDENT AGAIN, AT THE WALL IN ANGER. 944 00:28:11,257 --> 00:28:14,324 PUSHED ANOTHER STUDENT AGAIN, AT THE WALL IN ANGER. YOU KNOW WHY THIS IS HAPPENING? 945 00:28:14,326 --> 00:28:16,093 THE WALL IN ANGER. YOU KNOW WHY THIS IS HAPPENING? PEOPLE TURNED TO VIOLENCE WHEN 946 00:28:16,095 --> 00:28:17,728 YOU KNOW WHY THIS IS HAPPENING? PEOPLE TURNED TO VIOLENCE WHEN THEY RUN OUT OF SOCIALLY 947 00:28:17,730 --> 00:28:19,830 PEOPLE TURNED TO VIOLENCE WHEN THEY RUN OUT OF SOCIALLY ACCEPTABLE WAYS TO EXPRESS 948 00:28:19,832 --> 00:28:22,433 THEY RUN OUT OF SOCIALLY ACCEPTABLE WAYS TO EXPRESS THEMSELVES. 949 00:28:22,435 --> 00:28:23,033 ACCEPTABLE WAYS TO EXPRESS THEMSELVES. YOU THINK THIS WOULD BE 950 00:28:23,035 --> 00:28:26,403 THEMSELVES. YOU THINK THIS WOULD BE HAPPENING IF THE MODEL AT HOME 951 00:28:26,405 --> 00:28:27,705 YOU THINK THIS WOULD BE HAPPENING IF THE MODEL AT HOME WAS CALM PROBLEM SOLVING? 952 00:28:27,707 --> 00:28:28,706 HAPPENING IF THE MODEL AT HOME WAS CALM PROBLEM SOLVING? YOU HAVE THE ABILITY AND YOU 953 00:28:28,708 --> 00:28:32,042 WAS CALM PROBLEM SOLVING? YOU HAVE THE ABILITY AND YOU HAVE THE CHOICE TO DO THAT, BUT 954 00:28:32,044 --> 00:28:35,479 YOU HAVE THE ABILITY AND YOU HAVE THE CHOICE TO DO THAT, BUT INSTEAD YOU HAVE GOTTEN INTO A 955 00:28:35,481 --> 00:28:37,715 HAVE THE CHOICE TO DO THAT, BUT INSTEAD YOU HAVE GOTTEN INTO A PATTERN, A RHYTHM, OF BICKERING 956 00:28:37,717 --> 00:28:38,716 INSTEAD YOU HAVE GOTTEN INTO A PATTERN, A RHYTHM, OF BICKERING BACK AND FORTH. 957 00:28:38,718 --> 00:28:41,018 PATTERN, A RHYTHM, OF BICKERING BACK AND FORTH. AND YOU'RE NOT CHOOSING YOUR 958 00:28:41,020 --> 00:28:41,719 BACK AND FORTH. AND YOU'RE NOT CHOOSING YOUR BATTLES. 959 00:28:41,721 --> 00:28:42,953 AND YOU'RE NOT CHOOSING YOUR BATTLES. >> I'M TIRED OF SITTING BACK AND 960 00:28:42,955 --> 00:28:45,389 BATTLES. >> I'M TIRED OF SITTING BACK AND TAKING IT, SO I'M FIGHTING BACK 961 00:28:45,391 --> 00:28:45,689 >> I'M TIRED OF SITTING BACK AND TAKING IT, SO I'M FIGHTING BACK NOW. 962 00:28:45,691 --> 00:28:46,557 TAKING IT, SO I'M FIGHTING BACK NOW. >> Dr. Phil: SO YOU'RE THE 963 00:28:46,559 --> 00:28:47,925 NOW. >> Dr. Phil: SO YOU'RE THE VICTIM IN THIS WHOLE THING? 964 00:28:47,927 --> 00:28:49,793 >> Dr. Phil: SO YOU'RE THE VICTIM IN THIS WHOLE THING? >> I'M NOT THE ONLY VICTIM, BUT 965 00:28:49,795 --> 00:28:51,729 VICTIM IN THIS WHOLE THING? >> I'M NOT THE ONLY VICTIM, BUT I AM ONE OF THE VICTIMS IN THIS 966 00:28:51,731 --> 00:28:52,096 >> I'M NOT THE ONLY VICTIM, BUT I AM ONE OF THE VICTIMS IN THIS PROCESS. 967 00:28:52,098 --> 00:28:54,231 I AM ONE OF THE VICTIMS IN THIS PROCESS. >> Dr. Phil: WHERE IS THE 968 00:28:54,233 --> 00:28:55,399 PROCESS. >> Dr. Phil: WHERE IS THE ADULT IN THIS SITUATION, MOM? 969 00:28:55,401 --> 00:28:57,301 >> Dr. Phil: WHERE IS THE ADULT IN THIS SITUATION, MOM? 'S BECAUSE SHE CHECKED OUT ABOUT 970 00:28:57,303 --> 00:28:59,036 ADULT IN THIS SITUATION, MOM? 'S BECAUSE SHE CHECKED OUT ABOUT A YEAR AGO WHEN SHE GOT TIRED OF 971 00:28:59,038 --> 00:29:01,205 'S BECAUSE SHE CHECKED OUT ABOUT A YEAR AGO WHEN SHE GOT TIRED OF HER SON HITTING HER, SWEARING AT 972 00:29:01,207 --> 00:29:02,439 A YEAR AGO WHEN SHE GOT TIRED OF HER SON HITTING HER, SWEARING AT HER, AND CONTROLLING HER ALLOWS. 973 00:29:02,441 --> 00:29:03,574 HER SON HITTING HER, SWEARING AT HER, AND CONTROLLING HER ALLOWS. >> Dr. Phil: THAT'S NOT AN 974 00:29:03,576 --> 00:29:03,907 HER, AND CONTROLLING HER ALLOWS. >> Dr. Phil: THAT'S NOT AN OPTION. 975 00:29:03,909 --> 00:29:05,442 >> Dr. Phil: THAT'S NOT AN OPTION. YOU HAVE TO DO THIS NOT FOR A 976 00:29:05,444 --> 00:29:08,512 OPTION. YOU HAVE TO DO THIS NOT FOR A MONTH, NOT FOR A YEAR, BUT 977 00:29:08,514 --> 00:29:09,613 YOU HAVE TO DO THIS NOT FOR A MONTH, NOT FOR A YEAR, BUT "UNTIL." 978 00:29:09,615 --> 00:29:10,981 MONTH, NOT FOR A YEAR, BUT "UNTIL." LOGAN, LOOK, YOU ARE OLD ENOUGH 979 00:29:10,983 --> 00:29:14,418 "UNTIL." LOGAN, LOOK, YOU ARE OLD ENOUGH NOW THAT YOU'VE GOT TO START 980 00:29:14,420 --> 00:29:16,587 LOGAN, LOOK, YOU ARE OLD ENOUGH NOW THAT YOU'VE GOT TO START MAKING SOME MORE MATURE 981 00:29:16,589 --> 00:29:16,987 NOW THAT YOU'VE GOT TO START MAKING SOME MORE MATURE DECISIONS. 982 00:29:16,989 --> 00:29:21,492 MAKING SOME MORE MATURE DECISIONS. YOU CAN GET PISSED OFF AT THE 983 00:29:21,494 --> 00:29:23,293 DECISIONS. YOU CAN GET PISSED OFF AT THE WORLD, CAKE HOLES IN THE WALL, 984 00:29:23,295 --> 00:29:24,194 YOU CAN GET PISSED OFF AT THE WORLD, CAKE HOLES IN THE WALL, HIDE IN VIDEO GAMES AND ALL 985 00:29:24,196 --> 00:29:26,997 WORLD, CAKE HOLES IN THE WALL, HIDE IN VIDEO GAMES AND ALL THAT, BUT THIS IS YOUR LIFE. 986 00:29:26,999 --> 00:29:27,998 HIDE IN VIDEO GAMES AND ALL THAT, BUT THIS IS YOUR LIFE. YOU'RE THE ONE WHO'S GOING TO 987 00:29:28,000 --> 00:29:28,999 THAT, BUT THIS IS YOUR LIFE. YOU'RE THE ONE WHO'S GOING TO PAY THE PRICE FOR IT. 988 00:29:29,001 --> 00:29:32,569 YOU'RE THE ONE WHO'S GOING TO PAY THE PRICE FOR IT. IT'S TIME THAT YOU GROW UP AND 989 00:29:32,571 --> 00:29:34,338 PAY THE PRICE FOR IT. IT'S TIME THAT YOU GROW UP AND STOP ACTING LIKE AN INSOLENT 990 00:29:34,340 --> 00:29:34,705 IT'S TIME THAT YOU GROW UP AND STOP ACTING LIKE AN INSOLENT TEENAGER. 991 00:29:34,707 --> 00:29:37,274 STOP ACTING LIKE AN INSOLENT TEENAGER. >> I'VE ACTUALLY BEEN TRYING TO 992 00:29:37,276 --> 00:29:39,143 TEENAGER. >> I'VE ACTUALLY BEEN TRYING TO MATURE A LOT, AND I HAVE MATURED 993 00:29:39,145 --> 00:29:39,610 >> I'VE ACTUALLY BEEN TRYING TO MATURE A LOT, AND I HAVE MATURED A LOT. 994 00:29:39,612 --> 00:29:41,612 MATURE A LOT, AND I HAVE MATURED A LOT. MY MOTHER ALSO POINTS OUT A LOT 995 00:29:41,614 --> 00:29:43,180 A LOT. MY MOTHER ALSO POINTS OUT A LOT OF THE TIME THAT I NEED TO 996 00:29:43,182 --> 00:29:44,014 MY MOTHER ALSO POINTS OUT A LOT OF THE TIME THAT I NEED TO MATURE A LOT. 997 00:29:44,016 --> 00:29:48,051 OF THE TIME THAT I NEED TO MATURE A LOT. AT THE SAME TIME, MAYBE 998 00:29:48,053 --> 00:29:49,620 MATURE A LOT. AT THE SAME TIME, MAYBE 2 MINUTES LATER, SHE WOULD 999 00:29:49,622 --> 00:29:50,721 AT THE SAME TIME, MAYBE 2 MINUTES LATER, SHE WOULD IMMEDIATELY TURN AROUND AND 1000 00:29:50,723 --> 00:29:53,657 2 MINUTES LATER, SHE WOULD IMMEDIATELY TURN AROUND AND START TREATING ME LIKE A CHILD. 1001 00:29:53,659 --> 00:29:56,059 IMMEDIATELY TURN AROUND AND START TREATING ME LIKE A CHILD. >> HE'S PHYSICALLY ATTACKED ME 1002 00:29:56,061 --> 00:29:58,061 START TREATING ME LIKE A CHILD. >> HE'S PHYSICALLY ATTACKED ME THREE TIMES THIS WEEK. 1003 00:29:58,063 --> 00:29:59,830 >> HE'S PHYSICALLY ATTACKED ME THREE TIMES THIS WEEK. HOW IS THAT MATURING IN ANY WAY, 1004 00:29:59,832 --> 00:30:00,297 THREE TIMES THIS WEEK. HOW IS THAT MATURING IN ANY WAY, SHAPE, OR FORM? 1005 00:30:00,299 --> 00:30:02,966 HOW IS THAT MATURING IN ANY WAY, SHAPE, OR FORM? YOU PUT YOUR HANDS ON ME THREE 1006 00:30:02,968 --> 00:30:03,734 SHAPE, OR FORM? YOU PUT YOUR HANDS ON ME THREE TIMES THIS WEEK. 1007 00:30:03,736 --> 00:30:05,636 YOU PUT YOUR HANDS ON ME THREE TIMES THIS WEEK. >> Dr. Phil: TANYA, TANYA, 1008 00:30:05,638 --> 00:30:07,371 TIMES THIS WEEK. >> Dr. Phil: TANYA, TANYA, TANYA PAID HE CAN'T KEEP PLAYING 1009 00:30:07,373 --> 00:30:08,005 >> Dr. Phil: TANYA, TANYA, TANYA PAID HE CAN'T KEEP PLAYING THE VICTIM HERE. 1010 00:30:08,007 --> 00:30:10,641 TANYA PAID HE CAN'T KEEP PLAYING THE VICTIM HERE. THERE IS NO QUESTION THAT HE HAS 1011 00:30:10,643 --> 00:30:11,675 THE VICTIM HERE. THERE IS NO QUESTION THAT HE HAS ATTACKED YOU, AND LOGAN, YOU 1012 00:30:11,677 --> 00:30:12,843 THERE IS NO QUESTION THAT HE HAS ATTACKED YOU, AND LOGAN, YOU SHOULD NEVER PUT YOUR HAND ON A 1013 00:30:12,845 --> 00:30:14,478 ATTACKED YOU, AND LOGAN, YOU SHOULD NEVER PUT YOUR HAND ON A WOMAN IN ANGER, WHETHER IT'S 1014 00:30:14,480 --> 00:30:17,681 SHOULD NEVER PUT YOUR HAND ON A WOMAN IN ANGER, WHETHER IT'S YOUR MOTHER, A DATE, A TEACHER, 1015 00:30:17,683 --> 00:30:20,017 WOMAN IN ANGER, WHETHER IT'S YOUR MOTHER, A DATE, A TEACHER, A WOMAN, FOR ANY REASON, IN ANY 1016 00:30:20,019 --> 00:30:20,884 YOUR MOTHER, A DATE, A TEACHER, A WOMAN, FOR ANY REASON, IN ANY WAY. 1017 00:30:20,886 --> 00:30:22,152 A WOMAN, FOR ANY REASON, IN ANY WAY. THAT IS A COWARDLY CHICKEN 1018 00:30:22,154 --> 00:30:23,453 WAY. THAT IS A COWARDLY CHICKEN [BLEEP] THING TO DO, AND DON'T 1019 00:30:23,455 --> 00:30:26,123 THAT IS A COWARDLY CHICKEN [BLEEP] THING TO DO, AND DON'T YOU EVER DO THAT IN YOUR LIFE 1020 00:30:26,125 --> 00:30:26,890 [BLEEP] THING TO DO, AND DON'T YOU EVER DO THAT IN YOUR LIFE AGAIN, EVER. 1021 00:30:26,892 --> 00:30:29,660 YOU EVER DO THAT IN YOUR LIFE AGAIN, EVER. BUT, TANYA, I'VE SEEN THE VIDEOS 1022 00:30:29,662 --> 00:30:31,295 AGAIN, EVER. BUT, TANYA, I'VE SEEN THE VIDEOS OF YOU PROVOKING THIS SITUATION. 1023 00:30:31,297 --> 00:30:33,463 BUT, TANYA, I'VE SEEN THE VIDEOS OF YOU PROVOKING THIS SITUATION. STOP PLAYING THE VICTIM AND OWN 1024 00:30:33,465 --> 00:30:34,698 OF YOU PROVOKING THIS SITUATION. STOP PLAYING THE VICTIM AND OWN YOUR ROLE IN THIS. 1025 00:30:34,700 --> 00:30:36,166 STOP PLAYING THE VICTIM AND OWN YOUR ROLE IN THIS. THE TWO OF YOU ARE IN THIS 1026 00:30:36,168 --> 00:30:37,868 YOUR ROLE IN THIS. THE TWO OF YOU ARE IN THIS TOGETHER. 1027 00:30:37,870 --> 00:30:40,404 THE TWO OF YOU ARE IN THIS TOGETHER. I'M NOT EXCUSING HIM, I'M JUST 1028 00:30:40,406 --> 00:30:41,538 TOGETHER. I'M NOT EXCUSING HIM, I'M JUST SAYING YOU HAVE TO OWN YOUR PART 1029 00:30:41,540 --> 00:30:41,872 I'M NOT EXCUSING HIM, I'M JUST SAYING YOU HAVE TO OWN YOUR PART OF IT. 1030 00:30:41,874 --> 00:30:44,474 SAYING YOU HAVE TO OWN YOUR PART OF IT. >> IF YOU ASK ME WHAT THE THREE 1031 00:30:44,476 --> 00:30:46,677 OF IT. >> IF YOU ASK ME WHAT THE THREE INCIDENTS ARE THIS WEEK, I 1032 00:30:46,679 --> 00:30:48,712 >> IF YOU ASK ME WHAT THE THREE INCIDENTS ARE THIS WEEK, I WASN'T "COMBATIVE" WITH HIM. 1033 00:30:48,714 --> 00:30:50,147 INCIDENTS ARE THIS WEEK, I WASN'T "COMBATIVE" WITH HIM. ONE TIME I UNPLUGGED THE 1034 00:30:50,149 --> 00:30:52,049 WASN'T "COMBATIVE" WITH HIM. ONE TIME I UNPLUGGED THE INTERNET SO HE COULDN'T USE IT, 1035 00:30:52,051 --> 00:30:53,584 ONE TIME I UNPLUGGED THE INTERNET SO HE COULDN'T USE IT, AND THAT WAS ENOUGH TO CAUSE HIM 1036 00:30:53,586 --> 00:30:55,152 INTERNET SO HE COULDN'T USE IT, AND THAT WAS ENOUGH TO CAUSE HIM TO LICK NEARLY LOCK ME OUT OF MY 1037 00:30:55,154 --> 00:30:56,320 AND THAT WAS ENOUGH TO CAUSE HIM TO LICK NEARLY LOCK ME OUT OF MY HOUSE, CHARGE ME IN THE HALL 1038 00:30:56,322 --> 00:30:58,889 TO LICK NEARLY LOCK ME OUT OF MY HOUSE, CHARGE ME IN THE HALL THEY COME MY HAND WHILE I WAS 1039 00:30:58,891 --> 00:30:59,656 HOUSE, CHARGE ME IN THE HALL THEY COME MY HAND WHILE I WAS DIALING 911. 1040 00:30:59,658 --> 00:31:00,724 THEY COME MY HAND WHILE I WAS DIALING 911. >> YOU MISSED THE OTHER HALF OF 1041 00:31:00,726 --> 00:31:03,227 DIALING 911. >> YOU MISSED THE OTHER HALF OF THAT BEFORE YOU UNPLUG THE 1042 00:31:03,229 --> 00:31:03,660 >> YOU MISSED THE OTHER HALF OF THAT BEFORE YOU UNPLUG THE INTERNET. 1043 00:31:03,662 --> 00:31:06,330 THAT BEFORE YOU UNPLUG THE INTERNET. >> AND ASKED YOU TO GO TO BED? 1044 00:31:06,332 --> 00:31:08,065 INTERNET. >> AND ASKED YOU TO GO TO BED? >> I'M NOT TALKING ABOUT THAT. 1045 00:31:08,067 --> 00:31:11,902 >> AND ASKED YOU TO GO TO BED? >> I'M NOT TALKING ABOUT THAT. I'M TALKING ABOUT YOU LITERALLY 1046 00:31:11,904 --> 00:31:13,737 >> I'M NOT TALKING ABOUT THAT. I'M TALKING ABOUT YOU LITERALLY CONSTANTLY YELLING AT ME, 1047 00:31:13,739 --> 00:31:16,073 I'M TALKING ABOUT YOU LITERALLY CONSTANTLY YELLING AT ME, SAYING, "I NEED TO SEE YOU DOING 1048 00:31:16,075 --> 00:31:16,840 CONSTANTLY YELLING AT ME, SAYING, "I NEED TO SEE YOU DOING YOUR HOMEWORK." 1049 00:31:16,842 --> 00:31:19,276 SAYING, "I NEED TO SEE YOU DOING YOUR HOMEWORK." >> BECAUSE YOU FAIL DOMINIC ARE 1050 00:31:19,278 --> 00:31:19,943 YOUR HOMEWORK." >> BECAUSE YOU FAIL DOMINIC ARE FEELING WHEN YOU TOLD ME YOU 1051 00:31:19,945 --> 00:31:21,645 >> BECAUSE YOU FAIL DOMINIC ARE FEELING WHEN YOU TOLD ME YOU WERE GETTING As AND YOU'RE 1052 00:31:21,647 --> 00:31:22,946 FEELING WHEN YOU TOLD ME YOU WERE GETTING As AND YOU'RE ONLY TAKING TWO CLASSES RIGHT 1053 00:31:22,948 --> 00:31:23,247 WERE GETTING As AND YOU'RE ONLY TAKING TWO CLASSES RIGHT NOW. 1054 00:31:23,249 --> 00:31:24,715 ONLY TAKING TWO CLASSES RIGHT NOW. >> YOU PULLED ME OUT OF SCHOOL, 1055 00:31:24,717 --> 00:31:27,217 NOW. >> YOU PULLED ME OUT OF SCHOOL, THAT WAS THE BIGGEST DROP IN MY 1056 00:31:27,219 --> 00:31:27,551 >> YOU PULLED ME OUT OF SCHOOL, THAT WAS THE BIGGEST DROP IN MY GRADES. 1057 00:31:27,553 --> 00:31:30,153 THAT WAS THE BIGGEST DROP IN MY GRADES. >> THAT'S A LINE YOU KNOW IT. 1058 00:31:30,155 --> 00:31:31,622 GRADES. >> THAT'S A LINE YOU KNOW IT. >> IT'S NOT A LIE. 1059 00:31:31,624 --> 00:31:33,724 >> THAT'S A LINE YOU KNOW IT. >> IT'S NOT A LIE. >> I PULLED YOU OUT OF SCHOOL? 1060 00:31:33,726 --> 00:31:34,725 >> IT'S NOT A LIE. >> I PULLED YOU OUT OF SCHOOL? HE REFUSED TO GET UP IN THE 1061 00:31:34,727 --> 00:31:35,359 >> I PULLED YOU OUT OF SCHOOL? HE REFUSED TO GET UP IN THE MORNING. 1062 00:31:35,361 --> 00:31:37,194 HE REFUSED TO GET UP IN THE MORNING. I CAN'T DRAG YOU OUT OF BED, 1063 00:31:37,196 --> 00:31:38,328 MORNING. I CAN'T DRAG YOU OUT OF BED, THAT'S NOT MY RESPONSIBILITY. 1064 00:31:38,330 --> 00:31:39,963 I CAN'T DRAG YOU OUT OF BED, THAT'S NOT MY RESPONSIBILITY. AND I TOLD YOU ON TUESDAY -- 1065 00:31:39,965 --> 00:31:42,065 THAT'S NOT MY RESPONSIBILITY. AND I TOLD YOU ON TUESDAY -- >> Dr. Phil: THAT'S 5 MINUTES 1066 00:31:42,067 --> 00:31:45,102 AND I TOLD YOU ON TUESDAY -- >> Dr. Phil: THAT'S 5 MINUTES OF MY LIFE I'LL NEVER GET BACK. 1067 00:31:45,104 --> 00:31:47,304 >> Dr. Phil: THAT'S 5 MINUTES OF MY LIFE I'LL NEVER GET BACK. [LAUGHTER] 1068 00:31:47,306 --> 00:31:49,172 OF MY LIFE I'LL NEVER GET BACK. [LAUGHTER] TANYA COME YOU JUST WANT TO BE 1069 00:31:49,174 --> 00:31:50,908 [LAUGHTER] TANYA COME YOU JUST WANT TO BE RIGHT, SO I'LL GIVE IT TO YOU. 1070 00:31:50,910 --> 00:31:53,310 TANYA COME YOU JUST WANT TO BE RIGHT, SO I'LL GIVE IT TO YOU. YOU ARE RIGHT. 1071 00:31:53,312 --> 00:31:54,077 RIGHT, SO I'LL GIVE IT TO YOU. YOU ARE RIGHT. OKAY? 1072 00:31:54,079 --> 00:31:54,578 YOU ARE RIGHT. OKAY? YOU ARE RIGHT -- 1073 00:31:54,580 --> 00:31:56,680 OKAY? YOU ARE RIGHT -- >> I'M NOT SAYING I HAVE NO 1074 00:31:56,682 --> 00:31:57,147 YOU ARE RIGHT -- >> I'M NOT SAYING I HAVE NO RESPONSIBILITY. 1075 00:31:57,149 --> 00:31:58,148 >> I'M NOT SAYING I HAVE NO RESPONSIBILITY. >> Dr. Phil: YOU ARE A RIGHT 1076 00:31:58,150 --> 00:31:59,583 RESPONSIBILITY. >> Dr. Phil: YOU ARE A RIGHT FIGHTER AND YOU WANT TO BE 1077 00:31:59,585 --> 00:32:00,951 >> Dr. Phil: YOU ARE A RIGHT FIGHTER AND YOU WANT TO BE RIGHT, SO YOU'RE RIGHT. 1078 00:32:00,953 --> 00:32:02,819 FIGHTER AND YOU WANT TO BE RIGHT, SO YOU'RE RIGHT. YOU'RE THE VICTIM AND YOUR 1079 00:32:02,821 --> 00:32:07,157 RIGHT, SO YOU'RE RIGHT. YOU'RE THE VICTIM AND YOUR PARENTING IS A-1, YOU'VE DONE 1080 00:32:07,159 --> 00:32:08,158 YOU'RE THE VICTIM AND YOUR PARENTING IS A-1, YOU'VE DONE EVERYTHING YOU CAN DO, THERE'S 1081 00:32:08,160 --> 00:32:09,826 PARENTING IS A-1, YOU'VE DONE EVERYTHING YOU CAN DO, THERE'S NOTHING TO CHANGE, YOUR FAMILY 1082 00:32:09,828 --> 00:32:10,694 EVERYTHING YOU CAN DO, THERE'S NOTHING TO CHANGE, YOUR FAMILY IS DOOMED. 1083 00:32:10,696 --> 00:32:12,329 NOTHING TO CHANGE, YOUR FAMILY IS DOOMED. IS THAT WHAT YOU WANT ME TO TELL 1084 00:32:12,331 --> 00:32:14,064 IS DOOMED. IS THAT WHAT YOU WANT ME TO TELL YOU OR DO YOU WANT TO HEAR WHAT 1085 00:32:14,066 --> 00:32:14,464 IS THAT WHAT YOU WANT ME TO TELL YOU OR DO YOU WANT TO HEAR WHAT I'M SAYING? 1086 00:32:14,466 --> 00:32:17,734 YOU OR DO YOU WANT TO HEAR WHAT I'M SAYING? >> NO, I WANT HIM TO STOP LYING. 1087 00:32:17,736 --> 00:32:18,435 I'M SAYING? >> NO, I WANT HIM TO STOP LYING. >> Dr. Phil: AND HE WANTS YOU 1088 00:32:18,437 --> 00:32:19,202 >> NO, I WANT HIM TO STOP LYING. >> Dr. Phil: AND HE WANTS YOU TO STOP LYING. 1089 00:32:19,204 --> 00:32:20,971 >> Dr. Phil: AND HE WANTS YOU TO STOP LYING. I WANT YOU TO BOTH STOP LYING TO 1090 00:32:20,973 --> 00:32:21,405 TO STOP LYING. I WANT YOU TO BOTH STOP LYING TO YOURSELF. 1091 00:32:21,407 --> 00:32:23,840 I WANT YOU TO BOTH STOP LYING TO YOURSELF. I WANT YOU TO BOTH GROW UP AND 1092 00:32:23,842 --> 00:32:27,744 YOURSELF. I WANT YOU TO BOTH GROW UP AND FUNCTION AT A HIGHER LEVEL OF 1093 00:32:27,746 --> 00:32:29,613 I WANT YOU TO BOTH GROW UP AND FUNCTION AT A HIGHER LEVEL OF INTERACTION THEN WHAT YOU ARE 1094 00:32:29,615 --> 00:32:30,747 FUNCTION AT A HIGHER LEVEL OF INTERACTION THEN WHAT YOU ARE DOING. 1095 00:32:30,749 --> 00:32:32,049 INTERACTION THEN WHAT YOU ARE DOING. HELL, IF NOTHING ELSE, BOND 1096 00:32:32,051 --> 00:32:34,584 DOING. HELL, IF NOTHING ELSE, BOND AGAINST ME. 1097 00:32:34,586 --> 00:32:35,285 HELL, IF NOTHING ELSE, BOND AGAINST ME. THE TWO OF YOU CAN DISCONNECT 1098 00:32:35,287 --> 00:32:42,192 AGAINST ME. THE TWO OF YOU CAN DISCONNECT AND SAY, "WHAT AN ASS HE IS, OH, 1099 00:32:42,194 --> 00:32:42,559 THE TWO OF YOU CAN DISCONNECT AND SAY, "WHAT AN ASS HE IS, OH, MY GOD." 1100 00:32:42,561 --> 00:32:43,593 AND SAY, "WHAT AN ASS HE IS, OH, MY GOD." [LAUGHTER] 1101 00:32:43,595 --> 00:32:45,996 MY GOD." [LAUGHTER] THEN YOU CAN BOND AGAINST ME. 1102 00:32:45,998 --> 00:32:47,030 [LAUGHTER] THEN YOU CAN BOND AGAINST ME. THE TWO OF YOU CAN CHOOSE TO 1103 00:32:47,032 --> 00:32:49,967 THEN YOU CAN BOND AGAINST ME. THE TWO OF YOU CAN CHOOSE TO FUNCTION AT A HIGHER LEVEL. 1104 00:32:49,969 --> 00:32:51,201 THE TWO OF YOU CAN CHOOSE TO FUNCTION AT A HIGHER LEVEL. I HAVE ANOTHER MESSAGE FOR 1105 00:32:51,203 --> 00:32:52,202 FUNCTION AT A HIGHER LEVEL. I HAVE ANOTHER MESSAGE FOR LOGAN, WE'LL BE RIGHT BACK. 1106 00:32:52,204 --> 00:32:52,970 I HAVE ANOTHER MESSAGE FOR LOGAN, WE'LL BE RIGHT BACK. JUST STAND BY. 1107 00:32:52,972 --> 00:32:53,770 LOGAN, WE'LL BE RIGHT BACK. JUST STAND BY. WE'LL BE RIGHT BACK. 1108 00:32:53,772 --> 00:32:54,638 JUST STAND BY. WE'LL BE RIGHT BACK. MAYBE. 1109 00:32:54,640 --> 00:32:56,006 WE'LL BE RIGHT BACK. MAYBE. [APPLAUSE] 1110 00:32:57,842 --> 00:33:02,879 ♪ ♪ >> Dr. Phil: WELL, I'M BACK WITH TANYA AND LOGAN. 1111 00:33:02,881 --> 00:33:06,883 >> Dr. Phil: WELL, I'M BACK WITH TANYA AND LOGAN. I WASN'T SURE I WAS COMING BACK. 1112 00:33:06,885 --> 00:33:09,152 WITH TANYA AND LOGAN. I WASN'T SURE I WAS COMING BACK. BECAUSE I THINK I'M TALKING TO 1113 00:33:09,154 --> 00:33:11,321 I WASN'T SURE I WAS COMING BACK. BECAUSE I THINK I'M TALKING TO MYSELF. 1114 00:33:11,323 --> 00:33:12,089 BECAUSE I THINK I'M TALKING TO MYSELF. SERIOUSLY, GUYS, WHAT I'M ASKING 1115 00:33:12,091 --> 00:33:16,693 MYSELF. SERIOUSLY, GUYS, WHAT I'M ASKING YOU TO HEAR ME SAY IS THE TWO OF 1116 00:33:16,695 --> 00:33:19,096 SERIOUSLY, GUYS, WHAT I'M ASKING YOU TO HEAR ME SAY IS THE TWO OF YOU NEED TO SIT DOWN AND SAY, 1117 00:33:19,098 --> 00:33:19,896 YOU TO HEAR ME SAY IS THE TWO OF YOU NEED TO SIT DOWN AND SAY, "YOU KNOW WHAT? 1118 00:33:19,898 --> 00:33:21,331 YOU NEED TO SIT DOWN AND SAY, "YOU KNOW WHAT? WE ARE BOTH RIGHT FIGHTER'S AND 1119 00:33:21,333 --> 00:33:24,167 "YOU KNOW WHAT? WE ARE BOTH RIGHT FIGHTER'S AND WE ARE GETTING READY TO BE SO 1120 00:33:24,169 --> 00:33:25,469 WE ARE BOTH RIGHT FIGHTER'S AND WE ARE GETTING READY TO BE SO RIGHT THAT WE ARE GETTING READY 1121 00:33:25,471 --> 00:33:27,571 WE ARE GETTING READY TO BE SO RIGHT THAT WE ARE GETTING READY TO BE REALLY LONELY." 1122 00:33:27,573 --> 00:33:29,339 RIGHT THAT WE ARE GETTING READY TO BE REALLY LONELY." BECAUSE THIS WHOLE THING IS 1123 00:33:29,341 --> 00:33:30,741 TO BE REALLY LONELY." BECAUSE THIS WHOLE THING IS GETTING READY TO FRAGMET, IF 1124 00:33:30,743 --> 00:33:33,176 BECAUSE THIS WHOLE THING IS GETTING READY TO FRAGMET, IF YOU DON'T SIT DOWN AND BROKE HER 1125 00:33:33,178 --> 00:33:33,477 GETTING READY TO FRAGMET, IF YOU DON'T SIT DOWN AND BROKE HER A NEW. 1126 00:33:33,479 --> 00:33:36,646 YOU DON'T SIT DOWN AND BROKE HER A NEW. LOGAN, GROW UP. 1127 00:33:36,648 --> 00:33:38,115 A NEW. LOGAN, GROW UP. YOU'RE NOT GOING TO LIVE IN THE 1128 00:33:38,117 --> 00:33:38,882 LOGAN, GROW UP. YOU'RE NOT GOING TO LIVE IN THE VIRTUAL WORLD. 1129 00:33:38,884 --> 00:33:44,521 YOU'RE NOT GOING TO LIVE IN THE VIRTUAL WORLD. IT DOESN'T PAY VERY WELL. 1130 00:33:44,523 --> 00:33:46,156 VIRTUAL WORLD. IT DOESN'T PAY VERY WELL. MOM, THERE IS NO WINDOW WHERE 1131 00:33:46,158 --> 00:33:49,126 IT DOESN'T PAY VERY WELL. MOM, THERE IS NO WINDOW WHERE YOU GO AND SAY, "I QUIT." 1132 00:33:49,128 --> 00:33:51,161 MOM, THERE IS NO WINDOW WHERE YOU GO AND SAY, "I QUIT." HE IS HERE, HE IS A WILLING 1133 00:33:51,163 --> 00:33:51,561 YOU GO AND SAY, "I QUIT." HE IS HERE, HE IS A WILLING YOUNG MAN. 1134 00:33:51,563 --> 00:33:54,031 HE IS HERE, HE IS A WILLING YOUNG MAN. DO YOU NOT GET THAT? 1135 00:33:54,033 --> 00:33:55,699 YOUNG MAN. DO YOU NOT GET THAT? >> THIS IS AN ACT. 1136 00:33:55,701 --> 00:33:57,300 DO YOU NOT GET THAT? >> THIS IS AN ACT. YOU THINK YOU'RE THE FIRST 1137 00:33:57,302 --> 00:33:58,568 >> THIS IS AN ACT. YOU THINK YOU'RE THE FIRST PERSON HE SMILED AND SAID HE'S 1138 00:33:58,570 --> 00:33:59,903 YOU THINK YOU'RE THE FIRST PERSON HE SMILED AND SAID HE'S GOING TO APPLY CHANGE WITH? 1139 00:33:59,905 --> 00:34:01,238 PERSON HE SMILED AND SAID HE'S GOING TO APPLY CHANGE WITH? >> Dr. Phil: I HAVEN'T SEEN 1140 00:34:01,240 --> 00:34:02,472 GOING TO APPLY CHANGE WITH? >> Dr. Phil: I HAVEN'T SEEN HIM SMILE SINCE HE GOT HERE. 1141 00:34:02,474 --> 00:34:04,007 >> Dr. Phil: I HAVEN'T SEEN HIM SMILE SINCE HE GOT HERE. >> THIS IS WHAT HE DOES. 1142 00:34:04,009 --> 00:34:05,842 HIM SMILE SINCE HE GOT HERE. >> THIS IS WHAT HE DOES. THAT THING HE JUST SAID WHAT HE 1143 00:34:05,844 --> 00:34:07,878 >> THIS IS WHAT HE DOES. THAT THING HE JUST SAID WHAT HE USES THOSE "TECHNIQUES," THE 1144 00:34:07,880 --> 00:34:09,446 THAT THING HE JUST SAID WHAT HE USES THOSE "TECHNIQUES," THE FIVE SENSES TO CALM HIMSELF 1145 00:34:09,448 --> 00:34:11,348 USES THOSE "TECHNIQUES," THE FIVE SENSES TO CALM HIMSELF DOWN, HE DOESN'T DO THAT AT 1146 00:34:11,350 --> 00:34:11,648 FIVE SENSES TO CALM HIMSELF DOWN, HE DOESN'T DO THAT AT HOME. 1147 00:34:11,650 --> 00:34:12,582 DOWN, HE DOESN'T DO THAT AT HOME. HE'S LYING. 1148 00:34:12,584 --> 00:34:13,850 HOME. HE'S LYING. >> Dr. Phil: DO YOU THINK HE 1149 00:34:13,852 --> 00:34:15,118 HE'S LYING. >> Dr. Phil: DO YOU THINK HE HAS CHARMED ME WHEN I'M TELLING 1150 00:34:15,120 --> 00:34:18,522 >> Dr. Phil: DO YOU THINK HE HAS CHARMED ME WHEN I'M TELLING HIM TO GROW UP AND STOP ACTING 1151 00:34:18,524 --> 00:34:20,924 HAS CHARMED ME WHEN I'M TELLING HIM TO GROW UP AND STOP ACTING LIKE A CHILD AND HIDING IN 1152 00:34:20,926 --> 00:34:21,792 HIM TO GROW UP AND STOP ACTING LIKE A CHILD AND HIDING IN VIDEO GAMES? 1153 00:34:21,794 --> 00:34:22,993 LIKE A CHILD AND HIDING IN VIDEO GAMES? DO I SEEM CHARMED TO YOU? 1154 00:34:22,995 --> 00:34:25,095 VIDEO GAMES? DO I SEEM CHARMED TO YOU? DOES IT SEEM LIKE HE HAS SWEPT 1155 00:34:25,097 --> 00:34:29,132 DO I SEEM CHARMED TO YOU? DOES IT SEEM LIKE HE HAS SWEPT ME OFF MY FEET? 1156 00:34:29,134 --> 00:34:29,599 DOES IT SEEM LIKE HE HAS SWEPT ME OFF MY FEET? >> NO. 1157 00:34:29,601 --> 00:34:30,901 ME OFF MY FEET? >> NO. >> Dr. Phil: OKAY. 1158 00:34:30,903 --> 00:34:32,636 >> NO. >> Dr. Phil: OKAY. I'LL ADD SOMEONE ELSE INTO THE 1159 00:34:32,638 --> 00:34:34,938 >> Dr. Phil: OKAY. I'LL ADD SOMEONE ELSE INTO THE CONVERSATION FOR JUST A FEW 1160 00:34:34,940 --> 00:34:35,872 I'LL ADD SOMEONE ELSE INTO THE CONVERSATION FOR JUST A FEW MINUTES. 1161 00:34:35,874 --> 00:34:37,707 CONVERSATION FOR JUST A FEW MINUTES. WHO, LIKE LOGAN, HAS FACED A 1162 00:34:37,709 --> 00:34:38,208 MINUTES. WHO, LIKE LOGAN, HAS FACED A GAMING ADDICTION. 1163 00:34:38,210 --> 00:34:39,843 WHO, LIKE LOGAN, HAS FACED A GAMING ADDICTION. AND I DO THINK IT'S AN 1164 00:34:39,845 --> 00:34:40,644 GAMING ADDICTION. AND I DO THINK IT'S AN ADDICTION. 1165 00:34:40,646 --> 00:34:43,080 AND I DO THINK IT'S AN ADDICTION. AS A FULL-TIME JOB, 40 HOURS A 1166 00:34:43,082 --> 00:34:43,480 ADDICTION. AS A FULL-TIME JOB, 40 HOURS A WEEK PLUS. 1167 00:34:43,482 --> 00:34:45,649 AS A FULL-TIME JOB, 40 HOURS A WEEK PLUS. BETWEEN THE AGES OF 13 AND 17 1168 00:34:45,651 --> 00:34:47,684 WEEK PLUS. BETWEEN THE AGES OF 13 AND 17 YEARS OLD, MY NEXT GUEST SAID HE 1169 00:34:47,686 --> 00:34:50,687 BETWEEN THE AGES OF 13 AND 17 YEARS OLD, MY NEXT GUEST SAID HE WOULD SKIP SCHOOL, SELF-ISOLATE, 1170 00:34:50,689 --> 00:34:55,725 YEARS OLD, MY NEXT GUEST SAID HE WOULD SKIP SCHOOL, SELF-ISOLATE, SPEND 16 HOURS A DAY ON HIS 1171 00:34:55,727 --> 00:35:00,697 WOULD SKIP SCHOOL, SELF-ISOLATE, SPEND 16 HOURS A DAY ON HIS COMPUTER. 1172 00:35:00,699 --> 00:35:01,364 SPEND 16 HOURS A DAY ON HIS COMPUTER. AT 17, EXACTLY LOGAN'S AGE. 1173 00:35:01,366 --> 00:35:02,099 COMPUTER. AT 17, EXACTLY LOGAN'S AGE. HE SAID HE HIT ROCK BOTTOM AND 1174 00:35:02,101 --> 00:35:03,333 AT 17, EXACTLY LOGAN'S AGE. HE SAID HE HIT ROCK BOTTOM AND HE TURNED TO SELF-HELP 1175 00:35:03,335 --> 00:35:05,569 HE SAID HE HIT ROCK BOTTOM AND HE TURNED TO SELF-HELP ROLE MODELS, AND HE DECIDED WHAT 1176 00:35:05,571 --> 00:35:08,605 HE TURNED TO SELF-HELP ROLE MODELS, AND HE DECIDED WHAT I'M SAYING TO LOGAN, TO GROW UP 1177 00:35:08,607 --> 00:35:09,606 ROLE MODELS, AND HE DECIDED WHAT I'M SAYING TO LOGAN, TO GROW UP AND MAKE A CHANGE. 1178 00:35:09,608 --> 00:35:12,709 I'M SAYING TO LOGAN, TO GROW UP AND MAKE A CHANGE. HE IS NOW A LIFE COACH, VERY 1179 00:35:12,711 --> 00:35:13,176 AND MAKE A CHANGE. HE IS NOW A LIFE COACH, VERY SUCCESSFUL. 1180 00:35:13,178 --> 00:35:17,314 HE IS NOW A LIFE COACH, VERY SUCCESSFUL. HE'S GOT 60 MILLION VIEWS ON HIS 1181 00:35:17,316 --> 00:35:19,449 SUCCESSFUL. HE'S GOT 60 MILLION VIEWS ON HIS YOUTUBE CHANNEL. 1182 00:35:19,451 --> 00:35:21,451 HE'S GOT 60 MILLION VIEWS ON HIS YOUTUBE CHANNEL. ORIGINALLY FROM CANADA, BUT 1183 00:35:21,453 --> 00:35:22,953 YOUTUBE CHANNEL. ORIGINALLY FROM CANADA, BUT JOINING US FROM HONOLULU, 1184 00:35:22,955 --> 00:35:24,287 ORIGINALLY FROM CANADA, BUT JOINING US FROM HONOLULU, BECAUSE HE IS VERY SUCCESSFUL. 1185 00:35:24,289 --> 00:35:29,025 JOINING US FROM HONOLULU, BECAUSE HE IS VERY SUCCESSFUL. JOINING IS VIRTUALLY, STEFAN. 1186 00:35:29,027 --> 00:35:30,494 BECAUSE HE IS VERY SUCCESSFUL. JOINING IS VIRTUALLY, STEFAN. HOW ARE YOU DOING, MAN? 1187 00:35:30,496 --> 00:35:32,896 JOINING IS VIRTUALLY, STEFAN. HOW ARE YOU DOING, MAN? >> GREAT, THANKS FOR HAVING ME 1188 00:35:32,898 --> 00:35:33,430 HOW ARE YOU DOING, MAN? >> GREAT, THANKS FOR HAVING ME HERE. 1189 00:35:33,432 --> 00:35:34,264 >> GREAT, THANKS FOR HAVING ME HERE. STEALING YOU'VE BEEN THERE. 1190 00:35:34,266 --> 00:35:35,632 HERE. STEALING YOU'VE BEEN THERE. WHAT DO YOU HAVE TO SAY? 1191 00:35:35,634 --> 00:35:37,501 STEALING YOU'VE BEEN THERE. WHAT DO YOU HAVE TO SAY? >> LOGAN, I CAN RELATE TO A LOT 1192 00:35:37,503 --> 00:35:38,835 WHAT DO YOU HAVE TO SAY? >> LOGAN, I CAN RELATE TO A LOT OF YOUR STORY. 1193 00:35:38,837 --> 00:35:40,871 >> LOGAN, I CAN RELATE TO A LOT OF YOUR STORY. FOR ME, VIDEO GAMES WAS A WAY TO 1194 00:35:40,873 --> 00:35:42,038 OF YOUR STORY. FOR ME, VIDEO GAMES WAS A WAY TO ESCAPE, AS WELL. 1195 00:35:42,040 --> 00:35:43,273 FOR ME, VIDEO GAMES WAS A WAY TO ESCAPE, AS WELL. ENTER INTO THIS FANTASY WORLD 1196 00:35:43,275 --> 00:35:44,674 ESCAPE, AS WELL. ENTER INTO THIS FANTASY WORLD BECAUSE I FELT SO INSIGNIFICANT 1197 00:35:44,676 --> 00:35:45,242 ENTER INTO THIS FANTASY WORLD BECAUSE I FELT SO INSIGNIFICANT IN MY LIFE. 1198 00:35:45,244 --> 00:35:47,110 BECAUSE I FELT SO INSIGNIFICANT IN MY LIFE. I DIDN'T FEEL LIKE I HAD 1199 00:35:47,112 --> 00:35:48,545 IN MY LIFE. I DIDN'T FEEL LIKE I HAD CONTROL, ESPECIALLY MY FAMILY 1200 00:35:48,547 --> 00:35:49,412 I DIDN'T FEEL LIKE I HAD CONTROL, ESPECIALLY MY FAMILY LIFE, AS WELL. 1201 00:35:49,414 --> 00:35:51,248 CONTROL, ESPECIALLY MY FAMILY LIFE, AS WELL. I WASN'T GOOD AT SCHOOL, I USED 1202 00:35:51,250 --> 00:35:53,116 LIFE, AS WELL. I WASN'T GOOD AT SCHOOL, I USED TO SKIP SCHOOL A LOT TO AVOID 1203 00:35:53,118 --> 00:35:54,117 I WASN'T GOOD AT SCHOOL, I USED TO SKIP SCHOOL A LOT TO AVOID BEING AROUND PEOPLE. 1204 00:35:54,119 --> 00:35:55,118 TO SKIP SCHOOL A LOT TO AVOID BEING AROUND PEOPLE. I LINKED IN A LOT OF PAIN TO 1205 00:35:55,120 --> 00:35:55,418 BEING AROUND PEOPLE. I LINKED IN A LOT OF PAIN TO THAT. 1206 00:35:55,420 --> 00:35:56,353 I LINKED IN A LOT OF PAIN TO THAT. VIDEO GAMES WAS THAT OUTLET FOR 1207 00:35:56,355 --> 00:36:00,190 THAT. VIDEO GAMES WAS THAT OUTLET FOR ME TO BE SOMEBODY, HAVE A SENSE 1208 00:36:00,192 --> 00:36:01,658 VIDEO GAMES WAS THAT OUTLET FOR ME TO BE SOMEBODY, HAVE A SENSE OF COMPETENCE IN MY LIFE. 1209 00:36:01,660 --> 00:36:03,927 ME TO BE SOMEBODY, HAVE A SENSE OF COMPETENCE IN MY LIFE. ULTIMATELY IT LED ME TO AVOIDING 1210 00:36:03,929 --> 00:36:05,595 OF COMPETENCE IN MY LIFE. ULTIMATELY IT LED ME TO AVOIDING THE ISSUES THAT I HAD GOING ON 1211 00:36:05,597 --> 00:36:06,796 ULTIMATELY IT LED ME TO AVOIDING THE ISSUES THAT I HAD GOING ON IN MY LIFE. 1212 00:36:06,798 --> 00:36:08,932 THE ISSUES THAT I HAD GOING ON IN MY LIFE. FOR ME, IT ALL CHANGED WHEN I 1213 00:36:08,934 --> 00:36:10,667 IN MY LIFE. FOR ME, IT ALL CHANGED WHEN I WAS ABLE TO BE HONEST WITH 1214 00:36:10,669 --> 00:36:11,868 FOR ME, IT ALL CHANGED WHEN I WAS ABLE TO BE HONEST WITH MYSELF, LOOK MYSELF IN THE 1215 00:36:11,870 --> 00:36:13,336 WAS ABLE TO BE HONEST WITH MYSELF, LOOK MYSELF IN THE MIRROR AND SAY, "I DON'T WANT TO 1216 00:36:13,338 --> 00:36:15,272 MYSELF, LOOK MYSELF IN THE MIRROR AND SAY, "I DON'T WANT TO LIVE MY LIFE THIS WAY." 1217 00:36:15,274 --> 00:36:17,007 MIRROR AND SAY, "I DON'T WANT TO LIVE MY LIFE THIS WAY." YOU CAN KIND OF SEE WHERE THIS 1218 00:36:17,009 --> 00:36:17,541 LIVE MY LIFE THIS WAY." YOU CAN KIND OF SEE WHERE THIS IS GOING. 1219 00:36:17,543 --> 00:36:19,209 YOU CAN KIND OF SEE WHERE THIS IS GOING. IF YOU CAN BE HONEST AND REALLY 1220 00:36:19,211 --> 00:36:20,076 IS GOING. IF YOU CAN BE HONEST AND REALLY ASK YOURSELF, WHERE IS MY LIFE 1221 00:36:20,078 --> 00:36:22,379 IF YOU CAN BE HONEST AND REALLY ASK YOURSELF, WHERE IS MY LIFE GOING TO BE A YEAR FROM NOW, 1222 00:36:22,381 --> 00:36:24,014 ASK YOURSELF, WHERE IS MY LIFE GOING TO BE A YEAR FROM NOW, FIVE YEARS FROM NOW? 1223 00:36:24,016 --> 00:36:26,149 GOING TO BE A YEAR FROM NOW, FIVE YEARS FROM NOW? IF I CONTINUE THIS BEHAVIOR, NOT 1224 00:36:26,151 --> 00:36:27,384 FIVE YEARS FROM NOW? IF I CONTINUE THIS BEHAVIOR, NOT ONLY WITH VIDEO GAMES BUT YOUR 1225 00:36:27,386 --> 00:36:28,385 IF I CONTINUE THIS BEHAVIOR, NOT ONLY WITH VIDEO GAMES BUT YOUR ANGER AND THINGS LIKE THAT, 1226 00:36:28,387 --> 00:36:30,220 ONLY WITH VIDEO GAMES BUT YOUR ANGER AND THINGS LIKE THAT, THAT'S GOING TO CONTINUE TO 1227 00:36:30,222 --> 00:36:30,520 ANGER AND THINGS LIKE THAT, THAT'S GOING TO CONTINUE TO GROW. 1228 00:36:30,522 --> 00:36:32,289 THAT'S GOING TO CONTINUE TO GROW. YEARS FROM NOW YOU'LL BE IN A 1229 00:36:32,291 --> 00:36:33,623 GROW. YEARS FROM NOW YOU'LL BE IN A MUCH WORSE OFF POSITION. 1230 00:36:33,625 --> 00:36:34,658 YEARS FROM NOW YOU'LL BE IN A MUCH WORSE OFF POSITION. YOU HAVE AN OPPORTUNITY RIGHT 1231 00:36:34,660 --> 00:36:36,760 MUCH WORSE OFF POSITION. YOU HAVE AN OPPORTUNITY RIGHT NOW, YOU HAVE YOUR WHOLE FUTURE 1232 00:36:36,762 --> 00:36:37,327 YOU HAVE AN OPPORTUNITY RIGHT NOW, YOU HAVE YOUR WHOLE FUTURE AHEAD OF YOU. 1233 00:36:37,329 --> 00:36:38,161 NOW, YOU HAVE YOUR WHOLE FUTURE AHEAD OF YOU. IT'S THE DECISIONS YOU MAKE 1234 00:36:38,163 --> 00:36:39,129 AHEAD OF YOU. IT'S THE DECISIONS YOU MAKE RIGHT NOW TODAY THAT SHAPE WHERE 1235 00:36:39,131 --> 00:36:41,598 IT'S THE DECISIONS YOU MAKE RIGHT NOW TODAY THAT SHAPE WHERE YOU'RE GOING TO BE A YEAR FROM 1236 00:36:41,600 --> 00:36:43,300 RIGHT NOW TODAY THAT SHAPE WHERE YOU'RE GOING TO BE A YEAR FROM NOW, FIVE YEARS FROM NOW, TEN 1237 00:36:43,302 --> 00:36:44,067 YOU'RE GOING TO BE A YEAR FROM NOW, FIVE YEARS FROM NOW, TEN YEARS FROM NOW. 1238 00:36:44,069 --> 00:36:46,369 NOW, FIVE YEARS FROM NOW, TEN YEARS FROM NOW. TAKE ON THAT CHALLENGE OF THAT, 1239 00:36:46,371 --> 00:36:47,938 YEARS FROM NOW. TAKE ON THAT CHALLENGE OF THAT, AND FOR ME THE OUTLET WAS 1240 00:36:47,940 --> 00:36:48,838 TAKE ON THAT CHALLENGE OF THAT, AND FOR ME THE OUTLET WAS SELF-IMPROVEMENT. 1241 00:36:48,840 --> 00:36:50,073 AND FOR ME THE OUTLET WAS SELF-IMPROVEMENT. I DISCOVERED THIS WORLD OF 1242 00:36:50,075 --> 00:36:51,641 SELF-IMPROVEMENT. I DISCOVERED THIS WORLD OF IMPROVING MYSELF, AND IT'S VERY 1243 00:36:51,643 --> 00:36:52,108 I DISCOVERED THIS WORLD OF IMPROVING MYSELF, AND IT'S VERY EXCITING FOR ME. 1244 00:36:52,110 --> 00:36:55,278 IMPROVING MYSELF, AND IT'S VERY EXCITING FOR ME. I KIND OF LOOKED AT MY LIFE LIKE 1245 00:36:55,280 --> 00:36:55,879 EXCITING FOR ME. I KIND OF LOOKED AT MY LIFE LIKE A VIDEO GAME VIDEO GAME. 1246 00:36:55,881 --> 00:36:57,247 I KIND OF LOOKED AT MY LIFE LIKE A VIDEO GAME VIDEO GAME. VIDEO GAMES, YOU HAVE THIS 1247 00:36:57,249 --> 00:36:59,849 A VIDEO GAME VIDEO GAME. VIDEO GAMES, YOU HAVE THIS CHARACTER, YOU LEVEL UP AND GAIN 1248 00:36:59,851 --> 00:37:00,483 VIDEO GAMES, YOU HAVE THIS CHARACTER, YOU LEVEL UP AND GAIN EXPERIENCE, AND YOU GROW. 1249 00:37:00,485 --> 00:37:03,453 CHARACTER, YOU LEVEL UP AND GAIN EXPERIENCE, AND YOU GROW. THE WAY YOU GO WITH THEIR 1250 00:37:03,455 --> 00:37:04,588 EXPERIENCE, AND YOU GROW. THE WAY YOU GO WITH THEIR EXPERIENCES, THROUGH ADVERSITY 1251 00:37:04,590 --> 00:37:05,055 THE WAY YOU GO WITH THEIR EXPERIENCES, THROUGH ADVERSITY AND CHALLENGES. 1252 00:37:05,057 --> 00:37:05,722 EXPERIENCES, THROUGH ADVERSITY AND CHALLENGES. IF YOU REFRAME THE SITUATION 1253 00:37:05,724 --> 00:37:08,091 AND CHALLENGES. IF YOU REFRAME THE SITUATION RIGHT NOW WITH YOUR MOTHER, YOUR 1254 00:37:08,093 --> 00:37:09,993 IF YOU REFRAME THE SITUATION RIGHT NOW WITH YOUR MOTHER, YOUR LIFE, THE CHALLENGES YOU HAVE, 1255 00:37:09,995 --> 00:37:10,727 RIGHT NOW WITH YOUR MOTHER, YOUR LIFE, THE CHALLENGES YOU HAVE, AND EMBRACE THOSE CHALLENGES AS 1256 00:37:10,729 --> 00:37:12,662 LIFE, THE CHALLENGES YOU HAVE, AND EMBRACE THOSE CHALLENGES AS AN OPPORTUNITY FOR YOU TO LEVEL 1257 00:37:12,664 --> 00:37:14,097 AND EMBRACE THOSE CHALLENGES AS AN OPPORTUNITY FOR YOU TO LEVEL UP, THAT'S GOING TO PROVIDE 1258 00:37:14,099 --> 00:37:15,532 AN OPPORTUNITY FOR YOU TO LEVEL UP, THAT'S GOING TO PROVIDE REAL-WORLD BENEFITS YOUR FUTURE 1259 00:37:15,534 --> 00:37:18,568 UP, THAT'S GOING TO PROVIDE REAL-WORLD BENEFITS YOUR FUTURE AND YOUR LIFE, MUCH MORE THAN 1260 00:37:18,570 --> 00:37:21,905 REAL-WORLD BENEFITS YOUR FUTURE AND YOUR LIFE, MUCH MORE THAN THE FANTASY OF VIDEO GAMES. 1261 00:37:21,907 --> 00:37:26,977 AND YOUR LIFE, MUCH MORE THAN THE FANTASY OF VIDEO GAMES. ♪ ♪ 1262 00:37:26,979 --> 00:37:27,711 THE FANTASY OF VIDEO GAMES. ♪ ♪ ♪ ♪ 1263 00:37:27,713 --> 00:37:30,914 ♪ ♪ ♪ ♪ >> Dr. Phil: YOU ALSO HAVE A 1264 00:37:30,916 --> 00:37:31,548 ♪ ♪ >> Dr. Phil: YOU ALSO HAVE A DUTY HERE BECAUSE YOU HAVE 1265 00:37:31,550 --> 00:37:33,683 >> Dr. Phil: YOU ALSO HAVE A DUTY HERE BECAUSE YOU HAVE YOUNGER BROTHER WHO LOOKS UP TO 1266 00:37:33,685 --> 00:37:34,451 DUTY HERE BECAUSE YOU HAVE YOUNGER BROTHER WHO LOOKS UP TO YOU, LOGAN. 1267 00:37:34,453 --> 00:37:36,219 YOUNGER BROTHER WHO LOOKS UP TO YOU, LOGAN. YOU HAVE AN OPPORTUNITY TO 1268 00:37:36,221 --> 00:37:38,722 YOU, LOGAN. YOU HAVE AN OPPORTUNITY TO REFRAME THINGS FOR HIM, AS WELL. 1269 00:37:38,724 --> 00:37:42,092 YOU HAVE AN OPPORTUNITY TO REFRAME THINGS FOR HIM, AS WELL. HE CAN EITHER GO DOWN A PATH OF 1270 00:37:42,094 --> 00:37:43,193 REFRAME THINGS FOR HIM, AS WELL. HE CAN EITHER GO DOWN A PATH OF REALLY BECOMING A PARIAH AT 1271 00:37:43,195 --> 00:37:45,629 HE CAN EITHER GO DOWN A PATH OF REALLY BECOMING A PARIAH AT SCHOOL, WHERE NOBODY WANTS TO BE 1272 00:37:45,631 --> 00:37:47,797 REALLY BECOMING A PARIAH AT SCHOOL, WHERE NOBODY WANTS TO BE HIS FRIEND, NOBODY WANTS HIM IN 1273 00:37:47,799 --> 00:37:50,667 SCHOOL, WHERE NOBODY WANTS TO BE HIS FRIEND, NOBODY WANTS HIM IN CLASS, AND HE BECOMES ISOLATED 1274 00:37:50,669 --> 00:37:52,102 HIS FRIEND, NOBODY WANTS HIM IN CLASS, AND HE BECOMES ISOLATED BECAUSE HE IS VIOLENT, OR YOU 1275 00:37:52,104 --> 00:37:54,704 CLASS, AND HE BECOMES ISOLATED BECAUSE HE IS VIOLENT, OR YOU CAN SIT DOWN AND SAY, "HEY, 1276 00:37:54,706 --> 00:37:56,940 BECAUSE HE IS VIOLENT, OR YOU CAN SIT DOWN AND SAY, "HEY, LISTEN, I HAVEN'T BEEN A VERY 1277 00:37:56,942 --> 00:37:57,907 CAN SIT DOWN AND SAY, "HEY, LISTEN, I HAVEN'T BEEN A VERY GOOD ROLE MODEL FOR YOU, AND I 1278 00:37:57,909 --> 00:37:59,042 LISTEN, I HAVEN'T BEEN A VERY GOOD ROLE MODEL FOR YOU, AND I NEED TO BE A BETTER BROTHER AND 1279 00:37:59,044 --> 00:38:05,215 GOOD ROLE MODEL FOR YOU, AND I NEED TO BE A BETTER BROTHER AND A BETTER FRIEND." 1280 00:38:05,217 --> 00:38:06,449 NEED TO BE A BETTER BROTHER AND A BETTER FRIEND." "LET'S TALK ABOUT THAT." 1281 00:38:06,451 --> 00:38:12,889 A BETTER FRIEND." "LET'S TALK ABOUT THAT." AND SEE IF YOU CAN HELP HIM. 1282 00:38:12,891 --> 00:38:14,457 "LET'S TALK ABOUT THAT." AND SEE IF YOU CAN HELP HIM. STEFAN WAS VERY MUCH IN YOUR 1283 00:38:14,459 --> 00:38:15,592 AND SEE IF YOU CAN HELP HIM. STEFAN WAS VERY MUCH IN YOUR SITUATION, AND HE'S AGREED TO 1284 00:38:15,594 --> 00:38:18,094 STEFAN WAS VERY MUCH IN YOUR SITUATION, AND HE'S AGREED TO STAY IN TOUCH WITH YOU AFTER THE 1285 00:38:18,096 --> 00:38:19,296 SITUATION, AND HE'S AGREED TO STAY IN TOUCH WITH YOU AFTER THE SHOW AND OFFERED TO MENTOR YOU 1286 00:38:19,298 --> 00:38:21,865 STAY IN TOUCH WITH YOU AFTER THE SHOW AND OFFERED TO MENTOR YOU INTO HOW YOU CAN TAKE THESE 1287 00:38:21,867 --> 00:38:23,066 SHOW AND OFFERED TO MENTOR YOU INTO HOW YOU CAN TAKE THESE APPRECIABLE SKILLS YOU HAVE AND 1288 00:38:23,068 --> 00:38:24,834 INTO HOW YOU CAN TAKE THESE APPRECIABLE SKILLS YOU HAVE AND USE THEM IN A WAY THAT CAN 1289 00:38:24,836 --> 00:38:25,935 APPRECIABLE SKILLS YOU HAVE AND USE THEM IN A WAY THAT CAN REALLY PAY OFF FOR YOU. 1290 00:38:25,937 --> 00:38:28,471 USE THEM IN A WAY THAT CAN REALLY PAY OFF FOR YOU. >> THAT WOULD BE EXTREMELY 1291 00:38:28,473 --> 00:38:29,239 REALLY PAY OFF FOR YOU. >> THAT WOULD BE EXTREMELY HELPFUL FOR ME. 1292 00:38:29,241 --> 00:38:30,373 >> THAT WOULD BE EXTREMELY HELPFUL FOR ME. >> Dr. Phil: STEFAN, I 1293 00:38:30,375 --> 00:38:32,742 HELPFUL FOR ME. >> Dr. Phil: STEFAN, I THANK YOU FOR DOING THAT. 1294 00:38:32,744 --> 00:38:34,110 >> Dr. Phil: STEFAN, I THANK YOU FOR DOING THAT. TANYA, I'M TELLING YOU, IF YOU 1295 00:38:34,112 --> 00:38:38,214 THANK YOU FOR DOING THAT. TANYA, I'M TELLING YOU, IF YOU WILL BACK OFF SOME AND LET SOME 1296 00:38:38,216 --> 00:38:39,282 TANYA, I'M TELLING YOU, IF YOU WILL BACK OFF SOME AND LET SOME OF THESE THINGS UNFOLD, I THINK 1297 00:38:39,284 --> 00:38:43,253 WILL BACK OFF SOME AND LET SOME OF THESE THINGS UNFOLD, I THINK YOU MAY FIND THAT THIS IMPROVES 1298 00:38:43,255 --> 00:38:44,220 OF THESE THINGS UNFOLD, I THINK YOU MAY FIND THAT THIS IMPROVES MORE THAN YOU MIGHT GIVE IT 1299 00:38:44,222 --> 00:38:47,424 YOU MAY FIND THAT THIS IMPROVES MORE THAN YOU MIGHT GIVE IT CREDIT FOR. 1300 00:38:47,426 --> 00:38:48,692 MORE THAN YOU MIGHT GIVE IT CREDIT FOR. YOU ARE OVER PARENTING, 1301 00:38:48,694 --> 00:38:49,492 CREDIT FOR. YOU ARE OVER PARENTING, ACTUALLY. 1302 00:38:49,494 --> 00:38:51,061 YOU ARE OVER PARENTING, ACTUALLY. YOU ARE SAYING, "I'M DONE, I'VE 1303 00:38:51,063 --> 00:38:53,997 ACTUALLY. YOU ARE SAYING, "I'M DONE, I'VE GOT NOTHING ELSE TO DO," BUT YOU 1304 00:38:53,999 --> 00:38:54,698 YOU ARE SAYING, "I'M DONE, I'VE GOT NOTHING ELSE TO DO," BUT YOU ARE OVER ENGAGING. 1305 00:38:54,700 --> 00:38:56,399 GOT NOTHING ELSE TO DO," BUT YOU ARE OVER ENGAGING. I WANT YOU TO PICK YOUR BATTLES 1306 00:38:56,401 --> 00:38:57,567 ARE OVER ENGAGING. I WANT YOU TO PICK YOUR BATTLES DIFFERENTLY AND SEE WHERE WE 1307 00:38:57,569 --> 00:38:58,735 I WANT YOU TO PICK YOUR BATTLES DIFFERENTLY AND SEE WHERE WE ARE, UNDERSTANDING THAT I'M 1308 00:38:58,737 --> 00:39:01,538 DIFFERENTLY AND SEE WHERE WE ARE, UNDERSTANDING THAT I'M GOING TO BRING SOME HELP YOUR 1309 00:39:01,540 --> 00:39:01,971 ARE, UNDERSTANDING THAT I'M GOING TO BRING SOME HELP YOUR WAY, AS WELL. 1310 00:39:01,973 --> 00:39:03,973 GOING TO BRING SOME HELP YOUR WAY, AS WELL. >> THAT WOULD BE WONDERFUL. 1311 00:39:03,975 --> 00:39:05,241 WAY, AS WELL. >> THAT WOULD BE WONDERFUL. >> Dr. Phil: GIVE THIS A 1312 00:39:05,243 --> 00:39:05,575 >> THAT WOULD BE WONDERFUL. >> Dr. Phil: GIVE THIS A CHANCE. 1313 00:39:05,577 --> 00:39:07,377 >> Dr. Phil: GIVE THIS A CHANCE. YOU DON'T HAVE TO BE RIGHT, YOU 1314 00:39:07,379 --> 00:39:08,345 CHANCE. YOU DON'T HAVE TO BE RIGHT, YOU WANT TO BE HAPPY. 1315 00:39:08,347 --> 00:39:10,347 YOU DON'T HAVE TO BE RIGHT, YOU WANT TO BE HAPPY. WE WANT TO MAKE SURE THAT LITTLE 1316 00:39:10,349 --> 00:39:12,749 WANT TO BE HAPPY. WE WANT TO MAKE SURE THAT LITTLE BROTHER COMES OUT OF THIS WITH 1317 00:39:12,751 --> 00:39:14,384 WE WANT TO MAKE SURE THAT LITTLE BROTHER COMES OUT OF THIS WITH HIS FUTURE INTACT, NOT A 1318 00:39:14,386 --> 00:39:17,153 BROTHER COMES OUT OF THIS WITH HIS FUTURE INTACT, NOT A CASUALTY OF YOU TWO BEING AT 1319 00:39:17,155 --> 00:39:17,554 HIS FUTURE INTACT, NOT A CASUALTY OF YOU TWO BEING AT WAR. 1320 00:39:17,556 --> 00:39:18,788 CASUALTY OF YOU TWO BEING AT WAR. WE ARE OUT OF TIME. 1321 00:39:18,790 --> 00:39:21,191 WAR. WE ARE OUT OF TIME. I WANT TO THANK ALL MY GUESTS 1322 00:39:21,193 --> 00:39:22,692 WE ARE OUT OF TIME. I WANT TO THANK ALL MY GUESTS TODAY, AND A SPECIAL THANKS TO 1323 00:39:22,694 --> 00:39:23,827 I WANT TO THANK ALL MY GUESTS TODAY, AND A SPECIAL THANKS TO STEFAN JAMES. 1324 00:39:23,829 --> 00:39:25,195 TODAY, AND A SPECIAL THANKS TO STEFAN JAMES. FOR MORE INFORMATION ABOUT 1325 00:39:25,197 --> 00:39:26,696 STEFAN JAMES. FOR MORE INFORMATION ABOUT TODAY'S SHOW, LOG ONTO 1326 00:39:26,698 --> 00:39:27,297 FOR MORE INFORMATION ABOUT TODAY'S SHOW, LOG ONTO DrPhil.com. 1327 00:39:27,299 --> 00:39:29,666 TODAY'S SHOW, LOG ONTO DrPhil.com. YOU CAN FOLLOW ME ON FACEBOOK, 1328 00:39:29,668 --> 00:39:30,967 DrPhil.com. YOU CAN FOLLOW ME ON FACEBOOK, TWITTER, INSTAGRAM, AND I WANT 1329 00:39:30,969 --> 00:39:32,769 YOU CAN FOLLOW ME ON FACEBOOK, TWITTER, INSTAGRAM, AND I WANT TO HEAR WHAT YOU THINK ABOUT 1330 00:39:32,771 --> 00:39:33,770 TWITTER, INSTAGRAM, AND I WANT TO HEAR WHAT YOU THINK ABOUT WHAT WE'VE DISCUSSED TODAY. 1331 00:39:33,772 --> 00:39:36,005 TO HEAR WHAT YOU THINK ABOUT WHAT WE'VE DISCUSSED TODAY. DON'T FORGET TO SUBSCRIBE TO 1332 00:39:36,007 --> 00:39:36,706 WHAT WE'VE DISCUSSED TODAY. DON'T FORGET TO SUBSCRIBE TO ROBIN'S PODCAST, 1333 00:39:36,708 --> 00:39:37,574 DON'T FORGET TO SUBSCRIBE TO ROBIN'S PODCAST, "I'VE GOT A SECRET." 1334 00:39:37,576 --> 00:39:38,441 ROBIN'S PODCAST, "I'VE GOT A SECRET." SHE TALKS ABOUT EVERYTHING 1335 00:39:38,443 --> 00:39:38,775 "I'VE GOT A SECRET." SHE TALKS ABOUT EVERYTHING THERE. 1336 00:39:38,777 --> 00:39:39,909 SHE TALKS ABOUT EVERYTHING THERE. THERE'S NOTHING OFF LIMITS. 1337 00:39:39,911 --> 00:39:41,511 THERE. THERE'S NOTHING OFF LIMITS. I DON'T THINK THERE'S ANYTHING 1338 00:39:41,513 --> 00:39:43,213 THERE'S NOTHING OFF LIMITS. I DON'T THINK THERE'S ANYTHING THEY WON'T TALK ABOUT. 1339 00:39:43,215 --> 00:39:46,516 I DON'T THINK THERE'S ANYTHING THEY WON'T TALK ABOUT. WE'LL SEE YOU NEXT TIME. 1340 00:39:46,518 --> 00:39:46,983 THEY WON'T TALK ABOUT. WE'LL SEE YOU NEXT TIME. STAY SAFE. 1341 00:39:46,985 --> 00:39:47,550 WE'LL SEE YOU NEXT TIME. STAY SAFE. [CHEERS AND APPLAUSE] 1342 00:39:47,552 --> 00:39:51,154 STAY SAFE. [CHEERS AND APPLAUSE] ♪ ♪ 1343 00:39:51,156 --> 00:39:55,758 [CHEERS AND APPLAUSE] ♪ ♪ ♪ ♪