YEAH, COPY THAT.
YEAH, JUST AROUND THE CORNER, TOO.
UH, NO, THEY'RE HERE RIGHT NOW.
SERGEANT...
THE INVESTIGATIVE TEAM IS ON THE WAY.
OKAY, TELL ME WHAT WE KNOW.
WELL, THEY SEEM TO BE HAVING
A PARTY OF SOME KIND.
THERE ARE SEVEN LADIES INSIDE
AND A LITTLE GIRL.
THE LITTLE GIRL WAS ASLEEP
WHEN THEY FOUND THE WOMAN IN THE SWIMMING POOL.
ANY EVIDENCE OF DRUGS OR ALCOHOL?
UH, JUST A FEW DRINKS.
BOTTLE OF WINE, THAT'S ABOUT IT.
WHAT ABOUT THE VICTIM?
[SHARP KNOCK ON DOOR]
GOOD EVENING.
MY NAME IS SERGEANT MARYBETH DUFFY.
WHO'S THE HOMEOWNER, PLEASE?
I AM. I'M BETTE PORTER.
BETTE PORTER?
YES, AND THIS IS MY PARTNER, TINA KENNARD.
HI.
THAT'S A VERY BEAUTIFUL FAMILY YOU HAVE.
THANK YOU.
I, UH...
DON'T PLAN ON KEEPING YOU LONG,
BUT I'M SURE YOU UNDERSTAND, I'VE GOT TO ASK A FEW QUESTIONS.
[**]
* GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES *
* CHICKS DRIVING FAST INGENUES WITH LONG LASHES *
* WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE *
* THIS IS THE WAY IT'S THE WAY THAT WE LIVE *
* TALKING, LAUGHING LOVING, BREATHING *
* FIGHTING, FUCKING CRYING, DRINKING *
* WRITING, WINNING LOSING, CHEATING *
* KISSING, THINKING, DREAMING
* THIS IS THE WAY...
* IT'S THE WAY THAT WE LIVE *
* IT'S THE WAY THAT WE LIVE
* AND LOVE
ALL RIGHT, JENNY!
[APPLAUSE AND CHEERING]
JENNIFER SCHECTER.
WE LOVE YOU, JENNY!
[APPLAUSE AND CHEERING]
THANK YOU.
[APPLAUSE]
I WANT TO THANK MY INCREDIBLE FRIENDS
WHO I...
I REALLY LOVE YOU GUYS.
YOU GUYS HAVE, UH...
HAVE SHOWN ME LOYALTY
AND SO MUCH COMPASSION,
AND...
FRIENDSHIP,
AND I THINK THAT'S WHAT LEZ GIRLS IS ALL ABOUT.
IT MEANS THE WORLD TO ME,
MORE THAN ANY OTHER MOVIE,
OR LOVER.
UM...
IS-IS NIKKI HERE?
I SAW HER OUTSIDE BY THE LITTLE PAGODA.
I WANT TO TELL HER SOMETHING,
'CAUSE I WAS...
I-I REALIZED SOMETHING REALLY IMPORTANT THIS AFTERNOON.
THAT...
I AM MADLY IN LOVE WITH SOMEONE,
AND IT'S CHANGED THE WAY I FEEL
ABOUT ALL OF THIS.
THANK YOU FOR PUTTING UP WITH ME.
[CHEERING] WHOO!
WAY TO GO.
THANK YOU, JENNY.
[CHEERING AND APPLAUSE]
ARE YOU KIDDING ME?
YOU AGREED TO CHANGE THE ENDING?
TINA, IT MAKES TOTAL SENSE
THAT JESSE WOULD GO BACK TO JIM IN THE END.
JESSE NEVER REALLY FELT GAY TO ME
TO BEGIN WITH.
WHAT THE FUCK WOULD YOU KNOW ABOUT IT?
WHAT--
THAT IS SO FUCKED UP!
TINA, COME ON!
SO FUCKING HOLLYWOOD!
SO WILLIAM SPENDS A LITTLE MORE MONEY,
WHAT'S THE BIG DEAL?
THAT'S JUST BULLSHIT.
WE WORKED REALLY HARD ON A MOVIE THAT WE BELIEVED IN,
AND THE MARKETING PEOPLE JUST COME ALONG
AND CHANGE THE WHOLE ENDING?
THE GUY GETS THE GIRL, THE END?
YOU KNOW, THIS WAS THE MOVIE
THAT WAS SUPPOSED TO CHANGE ALL THAT.
LOOK, TINA...
IF THE MOVIE'S TOO GAY,
IT'S GOING TO ALIENATE AUDIENCES.
TOO GAY?
IT'S A MOVIE ABOUT LESBIANS!
AND THE MOVIE IS FULL OF LESBIANS.
IT'S CHOCK FULL OF THEM.
BEV IS A LESBIAN, NINA'S A LESBIAN, SHAWN,
DONNA, WHAT'S-HER-FACE, THE, UH, BISEXUAL?
ELYSSE.
ELYSSE! SHE'S NOT INTERESTED IN MEN.
WE'RE TALKING ABOUT ONE CHARACTER HERE.
IT'S NOT THAT BIG A DEAL--
I JUST WANT TO KNOW ONE THING,
HOW DO YOU DO IT, HOW DO YOU LIVE WITH YOURSELF?
WHAT THE HELL IS GOING ON?
THE STUDIO WANTS TO CHANGE
THE ENDING OF THE MOVIE.
THEY WANT JESSE TO GO BACK TO JIM.
[TOGETHER]: WHAT?
THEY THINK IT'S TOO GAY.
TOO GAY?
YOU WON'T LET THEM GET AWAY WITH THAT?
I'M TELLING YOU, IT'S THE MAN
THAT DOES THIS CRAZY SHIT.
JENNY, WOULD YOU TALK TO ME?
I'M YOUR FRIEND, PLEASE.
NO, SHANE.
[NIKKI]: GUYS, COME ON! CAN'T WE JUST BE FRIENDS?
JENNY, I AM YOUR FRIEND, I SWEAR--
YOU KNOW WHAT, IT'S THE ULTIMATE BETRAYAL.
YOU'VE BROKEN MY HEART.
[TIRES SQUEALING]
GOD DAMMIT, JENNY.
[NIKKI]: FASTER, OKAY? PLEASE DON'T LOSE THEM.
NO, I HAVE TO CALL YOU BACK, OKAY?
I CAN'T TALK RIGHT NOW.
FUCK, FUCK, FUCK, FUCK, FUCK!
[BRAKES SCREECHING]
[BRAKES SQUEAL]
JENNY, PLEASE.
JENNY, WILL YOU PLEASE JUST GIVE ME HALF A CHANCE
JUST TO EXPLAIN TO YOU WHY THE HELL I WOULD--
FUCK OFF!
NO, NO, NO, NO, NO!
WAIT, YOU GUYS!
NO...
FUCK...
HEY, HEY!
YOU WANT TO TALK ABOUT IT?
TALK ABOUT WHAT?
WELL, YOU'RE KICKING MY SHOES
AND YOU'RE KIND OF SHIT-FACED.
I'M NOT SHIT-FACED.
A LITTLE BIT.
[CELL PHONE RINGS]
IT'S HELENA. HOLD ON ONE SECOND.
HEY, HELENA, I CAN'T TALK.
YEAH, NO, IT'S ADELE AND TINA'S CREEPY BOSS,
THEY MET AT THE STUDIO SECRETLY...
[WHISPERING]: JUST ONE SECOND.
AND, UM, THEY WERE JUST GOING TO MAKE IT
INTO A GIRL-BOY LOVE STORY, MAKE THE LESBIANS RANDOM.
YEAH.
I KNOW, THAT DID HAPPEN.
THAT'S WHAT-- HOLD ON.
TASH, JESUS...
I GOT...
UM, YEAH, JENNY MADE THE SPEECH, WENT OUTSIDE, SAW SHANE--
YOU KNOW, I CAN'T TALK.
IT'S A BAD TIME.
OKAY, I'LL TELL YOU LATER.
YEAH.
WHAT ARE YOU DOING?
I'M SAVING YOU THE TROUBLE OF BREAKING UP WITH ME.
WHAT-- OH, MY...
YOU'RE SO WRONG ABOUT...
I CHANGED MY MIND, OKAY?
YOU CHANGED YOUR MIND?
YEAH.
SO YOU DID WANT TO BREAK UP WITH ME,
BUT NOW YOU DON'T?
OKAY, LISTEN, I DON'T WANT YOU
TO JUST START FLYING OFF THE HANDLE
BECAUSE IT'S- IT'S LIKE--
WHEN DID THIS ALL HAPPEN?
YOU KNOW WHAT, I'M NOT GOING TO LET YOU
JUST FUCKING CORNER ME RIGHT NOW AND ACCUSE ME, AND BLAME ME,
WHEN YOU KNOW WE'VE BEEN UNHAPPY!
IT DIDN'T--
[CELL PHONE RINGS]
FUCK, IT'S JENNY.
I JUST THINK...
UM... I MEAN...
OKAY, I DO NOW WANT TO BREAK UP WITH YOU.
I WANT TO WORK THIS OUT.
I THINK WE OWE IT TO EACH OTHER,
WE OWE IT TO OURSELVES--
YOU DON'T OWE ME ANYTHING.
I OWE IT TO MYSELF.
I-I DON'T...
I DON'T WANT TO BREAK UP WITH YOU.
SO, WHAT MADE YOU CHANGE YOUR MIND?
HONESTLY, I THINK IT WAS SHANE TONIGHT.
GOING DOWN ON HER BEST FRIEND'S GIRLFRIEND?
YEAH, LIKE, ON THE RAILING
OUTSIDE THE YAMASHIRO FOR THE WHOLE WORLD TO SEE,
IT JUST KIND OF MADE ME...
THINK TWICE ABOUT TAKING HER ADVICE.
SO SHANE GAVE YOU ADVICE?
OH, COME ON, WE TALK ABOUT EVERYTHING--
AND YOU ACTUALLY THOUGHT ABOUT TAKING IT?
JENNY...
NO!
JENNY, UNDO THE CHAIN.
NO. FUCK OFF.
DON'T WAKE UP THE NEIGHBORHOOD.
UNDO THE FUCKING CHAIN.
I DON'T CARE.
LISTEN, I KNOW WHAT I DID IS COMPLETELY FUCKED UP,
BUT YOU DO MEAN THE WORLD TO ME,
SO PLEASE LET ME JUST TALK TO YOU
AND EXPLAIN TO YOU WHAT HAPPENED--
YOU ARE A SAD, PATHETIC PIECE OF SHIT!
JENNY, OPEN THE DOOR!
[BANGING]
SHE'S SLEEPING.
SHE'S STILL PRETTY CONGESTED.
YOU SAY YOU GAVE HER SOME ADVIL?
YEAH, ABOUT AN HOUR AND A HALF AGO.
YOU KNOW, IN THE FUTURE,
YOU SHOULD JUST CALL US RIGHT AWAY,
AND IF ANGIE'S SICK, WE'LL COME STRAIGHT HOME.
OKAY. YEAH.
THAT WOULD BE GREAT. THANK YOU.
HAVE A GOOD NIGHT.
GOD, SHE'S YOUNG.
YOU KNOW WHAT, I'M JUST SO FUCKING FURIOUS.
YOU KNOW, I KNOW
THAT ADELE AND AARON WORKED HIM OVER.
WILLIAM HAS SOME INTEGRITY.
HE DOES. I MEAN, BELIEVE IT OR NOT.
IF I HAD A CHANCE
TO TALK TO HIM--
YOU SHOULD CALL HIM.
IT'S 1:30 IN THE MORNING.
JUST CALL HIM.
IT'S NOT LIKE HE HASN'T CALLED YOU
ABOUT HALF A DOZEN TIMES IN THE MIDDLE OF THE NIGHT.
YEAH, WELL, HE PAYS MY PAYCHECK.
THAT DOESN'T GIVE HIM MORE RIGHTS THAN YOU.
I MEAN, FROM EVERYTHING YOU'VE TOLD ME,
WILLIAM RESPONDS TO STRENGTH OF CONVICTION.
I THINK THAT YOU NEED TO TELL HIM...
HOW DEEPLY YOU FEEL ABOUT THIS,
WITHOUT ADELE STANDING THERE BATTING HER EYELASHES AT HIM.
HE'LL RESPECT IT.
[INSISTENT POUNDING OUTSIDE]
JENNY!
JENNY, YOU'VE GOT TO LET ME IN!
I'M NOT GOING AWAY! LET ME IN!
[POUNDING ON WINDOW]
JENNY!
HEY, JENNY, I'M NOT GOING AWAY.
YOU'VE GOT TO LET ME IN!
WHEW...
JENNY!
WOW.
OH, POOR SHANE.
FUCK THAT.
I WOULDN'T BLAME JENNY
IF SHE NEVER SPOKE TO SHANE AGAIN.
[LAUGHS IN DISBELIEF]
THAT'S A LITTLE HARSH.
IT WAS UNFORGIVABLE, WHAT SHANE DID.
WELL, MAYBE IT WAS WRONG, BUT--
MAYBE?
OKAY, IT WAS WRONG.
IT WAS DEVASTATING.
AFTER EVERYTHING THAT JENNY'S BEEN THROUGH?
WELL, SHANE'S BEEN THROUGH A LOT, TOO,
AND SHE'S ALWAYS BEEN THERE FOR JENNY.
LET'S NOT TALK ABOUT THIS.
NO...
NO! FUCK OFF.
WHY DON'T YOU JUST LISTEN TO
WHAT SHE HAS TO SAY?
FUCK YOU. GIVE ME MY KEYS.
OPEN THE FUCKING DOOR, COME ON.
NOW YOU'RE GOING TO HAVE TO LISTEN TO
WHAT WE BOTH HAVE TO SAY.
THERE IS-THERE IS ABSOLUTELY NO WAY.
IT'S JUST ME, IT'S JUST ME.
I WANT TO TALK TO YOU.
I WANT YOU BOTH OUT OF MY HOUSE, OKAY?
LISTEN, LET ME JUST SAY WHAT I HAVE TO SAY,
AND IF YOU WANT ME TO GO, THEN I PROMISE I'LL LEAVE.
ME TOO.
OKAY.
OH, MY GOD...
OH, POOR TIFFY.
LISTEN.
I REALIZE I'VE DONE
A LOT OF FUCKED-UP SHIT IN MY LIFE--
I ACKNOWLEDGE THAT--
BUT THIS IS, BY FAR,
THE MOST FUCKED-UP THING I HAVE EVER DONE,
BUT YOU CANNOT FORGET THAT 10 DAYS AGO,
YOU TOLD ME SHE WAS DEAD TO YOU.
I DID SAY THAT.
AND FOR SOME REASON,
IN MY FUCKED UP BRAIN, THAT GAVE ME PERMISSION,
AND-AND I KNOW...
THAT BREAK-UPS TAKE TIME,
AND YOU NEED THAT TIME TO HEAL,
AND I KNOW THAT I HAVE ENCROACHED ON YOUR TIME
TO DO THAT,
AND I AM SORRY.
SO YOU TELL ME--
OH, GOD...
WHAT CAN I DO?
I WILL EAT DIRT, I'LL CRAWL ON GLASS--
ME TOO, JENNY,
I MEAN, I WILL EVEN DRINK THAT SPIRULINA,
DISGUSTING STUFF FOR AN ENTIRE WEEK,
I PROMISE YOU--
I'LL BE YOUR ASSISTANT, I'LL BE YOUR SERVANT
I'LL BE YOUR SLAVE,
I'LL BE WHATEVER IT TAKES,
BUT I WANT YOU TO FORGIVE ME.
I MEAN, JENNY, LISTEN, YOU KNOW ME
MORE THAN ANYBODY ELSE IN THIS WORLD.
I DO.
YOU'RE MY BEST FRIEND I'VE EVER HAD,
AND I AM SO ASHAMED,
I'M PROFOUNDLY ASHAMED OF WHAT I'VE DONE.
I NEED YOU TO KNOW THAT.
MY ONLY EXPLANATION--
AND I PROMISE IT IS AN EXPLANATION,
IT IS NOT AN EXCUSE--
IS THAT I'VE BEEN UPSET ABOUT MOLLY.
MOLLY?
WHY?
SHE...
SHE GAVE ME HOPE.
SHE-SHE INSPIRED ME.
WHAT?
SHE INSPIRED YOU TO FUCK MY GIRLFRIEND
ON THE BALUSTRADE OF YAMASHIRO?
I DIDN'T FUCK YOUR GIRLFRIEND.
JENNY, SHE ONLY ATE ME OUT.
OH, RIGHT, OKAY, OF COURSE...
LISTEN, IF I KNEW FOR A SPLIT SECOND
SHE WAS YOUR GIRLFRIEND,
I WOULDN'T EVER GO NEAR THAT.
LISTEN, I-I UNDERSTAND--
WHOA.
PIECE OF FUCKING SHIT!
HANG ON A SEC.
GO FUCK YOURSELF!
GET THE FUCK OUT OF MY HOUSE!
JESUS...
WHAT THE FUCK?
I THINK YOU'RE RIGHT.
I THINK WE PROBABLY SHOULD BREAK UP.
[MESSAGE ALERT BEEPS]
IT'S MAX.
HE'S BACK-- UH, OKAY.
IT'S OFF.
WE HAVE NOTHING IN COMMON.
I WAS EXCITING AND HOT TO YOU WHEN I WAS A SOLDIER,
BUT WE HAVE NOTHING IN COMMON.
WE DON'T HAVE NOTHING IN COMMON.
COME ON.
EXACTLY, WE DON'T HAVE NOTHING IN COMMON.
THAT'S...
[CHUCKLING]
WHAT?
IT'S TRUE.
[BOTH CHUCKLING]
WE HAVE THINGS IN COMMON.
LIKE WHAT?
WE HAVE THIS.
OKAY, WHAT ELSE?
WE HAVE THIS IN COMMON...
[GROANS] NO...
WHAT?
NO...
I KNOW THAT WE HAVE ALL OF THIS...
BUT IT CAN'T BE THE ONLY THING.
WELL, FUCK IT, RIGHT?
I MEAN, WE TRIED.
SHUT UP, NIKKI.
LOOK, WHY DON'T YOU JUST COME WITH ME?
I'M BUYING A NEW HOUSE
FROM THE MONEY I MADE FROM MY LAST FEATURE,
AND WHILE MY HOUSE IS UNDER CONSTRUCTION,
THEY'RE PUTTING ME UP AT THE CHATEAU.
COME ON, IT'LL BE FUN. SERIOUSLY.
I DON'T THINK SO.
I'LL LET YOU KNOW WHEN'S THERE'S A GOOD TIME
TO COLLECT THE REST OF YOUR SKANKY SHIT.
AND DON'T COME BACK WHEN I'M HERE.
SHE STILL FEELS REALLY WARM TO ME.
AW, YOU HAVE A FEVER, POOKIE,
AND A NASTY COLD.
DO YOU THINK MAYBE WE SHOULD GIVE HER
SOME MORE ADVIL?
[SIGHS]
I DON'T KNOW, IT'S BEEN LESS THAN FOUR HOURS.
YEAH.
[TAPPING ON DOOR]
[WHISPERING]: I'LL GET IT.
THERE WE GO, BABY...
GOD, PHYLLIS CAN BE SUCH AN ASSHOLE.
NO, SHE HAD NO RIGHT, REALLY.
SHE HAD EVERY RIGHT.
COME ON, IT'S HER DAUGHTER. SHE LOVES HER.
IF I LOVED SOMEONE AS MUCH AS SHE LOVES MOLLY,
I'D TELL HER NOT TO WASTE HER TIME WITH ME, TOO.
OH, COME ON. YOU'RE NOT A WASTE OF TIME.
DON'T SAY THAT.
[LAUGHS]
THANKS, BETTE.
WAIT, SO ARE YOU SAYING THAT...
YOU LOVE MOLLY?
YEAH.
YEAH?
WOW...
GOD, I DON'T THINK I'VE HEARD YOU SAY THAT
SINCE CARMEN.
I WAS FAITHFUL TO MOLLY.
[CHUCKLES]: REALLY?
SORRY, I DIDN'T MEAN TO LAUGH.
NO, YOU CAN LAUGH.
NO, IT'S JUST THAT...
THAT'S BIG.
IT MUST HAVE BEEN HARD.
HOW HARD IS IT
TO BE FAITHFUL TO SOMEONE THAT YOU'RE IN LOVE WITH?
SHE'S ASLEEP.
IS SHE OKAY?
YEAH, SHE'S FINE, SHE JUST HAS A REALLY BAD COLD.
LISTEN, I KNOW YOU GUYS HAVE A LOT GOING ON
WITH ANGIE AND EVERYTHING, BUT, UH...
CAN I STAY HERE TONIGHT?
I WANT TO TRY WITH JENNY IN THE MORNING,
BUT I DON'T HAVE A PLACE TO STAY.
I'M GOING TO CALL WILLIAM.
GO FOR IT.
RIGHT NOW. YEAH.
UH, WOW, UM...
NO, NO, NO, JUST STAY, STAY...
[WHISPERING]: IT'S OKAY.
DID YOU HEAR WHAT HAPPENED WITH THE MOVIE?
HUH? NO.
REMEMBER AARON?
HI. THIS IS TINA KENNARD CALLING
FOR MR. HALSEY.
YES. I KNOW.
I KNOW THAT IT IS VERY LATE.
[CLEARS THROAT]
WILLIAM.
WILLIAM, HI, IT'S TINA.
I AM SO SORRY TO CALL YOU IN THE MIDDLE OF THE NIGHT,
BUT I JUST WANTED TO TAKE THE CHANCE
TO TELL YOU HOW, UH,
PASSIONATE I FEEL, AND HOW STRONGLY I FEEL
THAT WE DO NOT SELL OUT TO STUDIO MARKETERS...
...AND THEY GOT THEM TO AGREE TO RESHOOT
THE ENDING OF THE MOVIE.
TO WHAT?
TO SOME HETEROSEXIST, "JESSE GOES BACK TO JIM
AND DECIDES SHE ISN'T REALLY A LESBIAN AFTER ALL"
KIND OF ENDING.
YOU'RE FUCKING KIDDING ME.
...NO, I DID NOT CALL YOU AT 2:15 IN THE MORNING
TO BERATE YOU AND ACCUSE YOU OF BEING A SELL-OUT.
NO...
I'M SORRY.
YES, I...
I SHOULD HAVE USED BETTER JUDGMENT.
I SHOULD HAVE, UH,
COOLED MY JETS,
AND TAKEN MY TIME,
AND CALLED YOU IN THE MORNING TO MAKE AN APPOIN--
OH, MY GOD.
GOD...
WHAT, SO YOU WANT TO SLEEP ON OUR COUCH?
UH... UM...
[**]
OKAY, HOW ABOUT PORTER PEABODY'S!
NO, NO, NO, NO.
SOUNDS LIKE A PORTA POTTY COMPANY.
NO, NO, IT SOUNDS LIKE...
YOU KNOW, NO, NO...
NO, BUT I LIKE THE IDEA
OF COMBINING BOTH OF OUR NAMES.
YOU KNOW, BOTH OF THEM TOGETHER.
OKAY, KIT, HELENA...
KELENA!
KELENA?
NO...
EW...
OKAY, THE ONLY THING THAT'S LEFT IS...
KIT, HELENA... KIT, KAT, HIT...
HIT.
HIT?
HIT.
THE HIT CLUB.
THAT'S A GREAT NAME FOR A NIGHTCLUB.
"IT'S A HIT!"
HIT. IT'S A HIT ME. GIRL--
THAT'S IT!
SHE'S MY BEST FRIEND, TINA.
I DIDN'T MEAN TO HURT HER.
THAT IS ASS BACKWARDS, SHANE.
YOU SHOULD HAVE MEANT NOT TO HURT HER.
YOU SHOULD THINK BEFORE YOU ACT.
YOU'RE RIGHT. I KNOW.
YOU'RE RIGHT.
THE THINGS YOU DO IN THE DARK, THEY HAVE CONSEQUENCES.
YOU'RE RIGHT.
LOOK, NO ONE'S SAYING
THAT WHAT HAPPENED WAS OKAY, TEE, BUT...
I MEAN, I THINK MAYBE YOU...
YOU MIGHT BE BEING A LITTLE BIT JUDGMENTAL.
YOU'RE DAMN RIGHT, I AM.
NO, SHE'S NOT.
YOU KNOW WHAT, I DESERVE EVERYTHING YOU'RE SAYING.
WELL, I THINK THAT WE ALL
HAVE TO TAKE INTO ACCOUNT, YOU KNOW, A LOT OF THINGS
BEFORE WE CAN JUDGE ANYONE ELSE'S BEHAVIOR.
I THINK YOUR UNWILLINGNESS TO JUDGE
HAS A LOT MORE TO DO WITH YOUR OWN HISTORY
THAN WITH ANY ACCOMMODATION THAT YOU MIGHT MAKE FOR SHANE.
WELL, THAT'S...
MAMA!
THAT'S WHAT I WAS SAYING. I MEAN, I WAS ADMITTING--
MOMMY!
MAMA!
LISTEN, YOU KNOW WHAT,
I DON'T WANT TO GET YOU GUYS INTO THIS.
I'M GOING TO GET OUT OF HERE.
DON'T-DON'T GO. STAY, REALLY.
DON'T GO. STAY, OKAY?
I'M SORRY I BUSTED YOUR CHOPS.
I AM.
IT WAS MY OWN STUFF, OKAY?
STAY.
TEE?
MOMMY!
PLEASE? STAY? IT'S FINE.
TEE?
MOMMY!
MAMA!
I SAID "ATTRACTION."
IT'S NOT LIKE IT WAS IN A SEXUAL WAY.
IT WAS LIKE WE HAD THINGS IN COMMON.
LIKE, WE TALKED ABOUT THINGS THAT I LIKE.
LIKE WHAT?
LIKE, WE JUST TALKED EASILY.
WE HAD THINGS TO TALK ABOUT.
YOU HAVE TO UNDERSTAND, NOTHING HAPPENED.
I NEED YOU TO HEAR THAT.
NOTHING HAPPENED.
IN FACT, YOU KNOW,
I THINK I DESERVE A LITTLE CREDIT.
CREDIT FOR WHAT?
FOR NOT DOING WHAT EVERY OTHER LESBIAN WOULD DO
IN THE CIRCUMSTANCES.
I DIDN'T CHEAT.
THAT'S A GIVEN, ALICE.
YOU DON'T GET MEDALS FOR THAT.
I'M NOT SAYING...
[SIGHS]
THIS IS SUCH A FUCKING TRAP.
I KNOW THAT YOU THINK THINKING IS CHEATING, OKAY?
THAT'S THE PERSON I'M DEALING WITH.
SO, I'M TRYING TO SAY, LET'S BE HONEST, OKAY?
I'M TRYING TO GIVE YOU SOME HONESTY.
LIKE, IF WE STAND A FUCKING CHANCE
IN THIS RELATIONSHIP,
WE HAVE BE HONEST, WE HAVE TO COMMUNICATE.
YEAH.
SO THAT'S ALL I'M DOING.
I'M ADMITTING THAT I HAD A MOMENT.
LIKE, A MOMENT.
HOW MUCH OF A MOMENT?
[KNOCK ON DOOR]
LIKE, NOTHING. LIKE, NOT A BIG...
LIKE, A TINY MOMENT. LIKE, A MENTAL...
[KNOCKING PERSISTS]
LET ME JUST GET RID OF THAT, HOLD ON.
[SIGHING IN EXASPERATION]
I MEAN, I DIDN'T EVEN REALLY KISS HER, AT ALL.
HEY...
HI. SHANE.
WHAT?
NO, I JUST... IT'S A BAD TIME.
HI, TASHA! I WAS JUST...
LISTEN, WOULD YOU CARE
IF I SLEPT ON YOUR COUCH TONIGHT?
WHAT THE FUCK DO YOU MEAN,
YOU DIDN'T EVEN REALLY KISS HER?
MAYBE YOU CAN GIVE HER SOME MORE OF THAT GOOD ADVICE.
FUCK. FUCK!
TASHA, HOLD ON!
IT'S A REALLY BAD FIGHT.
YOU CAN'T STAY, NOT TONIGHT. I'M SO SORRY.
I LOVE YOU SO MUCH, BUT IT'S REALLY BAD.
IT'S, LIKE, NOT HELPING MY CASE.
WILL YOU LOCK THE DOOR?
OKAY, I LOVE YOU. SORRY!
SHANE, LOCK THE DOOR!
TASHA!
WHERE ARE YOU GOING?
TO A FRIEND'S HOUSE.
OH, MY GOD...
DO YOU KNOW HOW TO WORK THIS THING?
[BEEPING]
OH, WAIT, NO...
OKAY, I THINK I PUSH IT THREE TIMES...
THIS THING IS SO GODDAMN COMPLICATED.
YES, THIS IS TINA KENNARD.
MOTHER OF ANGELICA PORTER KENNARD.
FOUR AND A HALF.
SHE HAS A REALLY HIGH FEVER
AND SHE'S VERY CONGESTED.
CAN YOU GET A READING?
104?
104.
YEAH, DEFINITELY 104.
OKAY.
I THINK... WE SHOULD JUST GO.
NOW.
HEY.
HI.
I DON'T KNOW WHERE SHANE IS.
I TRIED TO PHONE HER, BUT I DIDN'T...
I DIDN'T WANT TO DO THIS OVER THE PHONE, REALLY.
I DON'T KNOW WHERE SHE IS.
OKAY, I DON'T KNOW
IF YOU KNOW WHAT HAPPENED,
WHAT MY MOTHER SAID,
BUT IT WAS HORRENDOUS,
AND SHANE WAS COMPLETELY JUSTIFIED
IN THE WAY THAT SHE BEHAVED TOWARDS ME THE OTHER NIGHT,
AND I REALLY... I REALLY NEED TO TALK TO HER--
UM...
I THINK PROBABLY WHAT YOUR MOTHER SAID TO SHANE
WAS COMPLETELY JUSTIFIED.
MY MOTHER'S A RAGING BITCH,
AND SHE DESTROYS ANYONE WHO GETS IN HER WAY,
AND I'M NOT GOING TO WATCH HER DO THAT
TO THE WOMAN THAT I LOVE.
[CHAIN RATTLES]
MOLLY, YOU KNOW THAT IT'S SHANE'S M.O.
TO MAKE GIRLS FALL IN LOVE WITH HER, RIGHT?
YEAH, I KNOW THAT,
BUT I ALSO KNOW THAT WHAT WE HAVE IS DIFFERENT.
RIGHT,
AND THEN WHEN GIRLS FALL IN LOVE WITH HER,
THEY WANT SHANE TO BE CONSTRAINED
INTO, LIKE, A HAPPY FAMILY
AND, LIKE, A MARRIAGE-TYPE OF RELATIONSHIP,
AND THAT'S NOT GOING TO HAPPEN.
YEAH, I DON'T WANT TO CONSTRAIN HER.
I LOVE HER FOR WHO SHE IS.
SO IF YOU COULD JUST TELL ME WHERE SHE IS,
OR WHEN SHE'LL BE BACK.
SHE'S AT THE CHATEAU MARMONT,
AND SHE'S FUCKING NIKKI.
I DON'T KNOW WHEN IT STARTED HAPPENING.
I GUESS THEY WERE FUCKING AROUND
ON THE PINK RIDE, OR SOMETHING,
BECAUSE THEY WERE ALWAYS GOING OFF TOGETHER, AND...
I DON'T KNOW.
I REMEMBER THAT NIKKI SAID
SHE RAN INTO SHANE IN THE SHOWER,
AND NIKKI COMES BACK, AND SHE'S STILL DIRTY,
AND SHE'S NOT...
SHE'S NOT WET.
SH-SHANE AND NIKKI HOOKED UP ON THE PINK RIDE?
I DON'T KNOW.
I DON'T KNOW IF THERE'S ANY POINT
IN REHASHING THIS STUFF.
MOLLY, I DO KNOW
THAT NOW THAT NIKKI AND I ARE OVER,
SHANE'S GOING TO LOSE INTEREST AND MOVE ON.
THIS IS HERS.
IF YOU WOULDN'T MIND GIVING IT TO HER,
THERE'S A, UM...
A LETTER IN THE INSIDE POCKET
IN CASE I DIDN'T GET TO SEE HER.
IF YOU COULD MAKE SURE THAT SHE GETS THAT...
MOLLY...
OKAY.
THANKS.
"IN YOUR EYES,
"I SEE THINGS I KNOW I CANNOT TOUCH.
"I KNOW NOT TO REACH FOR THEM.
"I LET THEM TOUCH ME,
"AND I CHERISH THESE MOMENTS
"THAT WE'RE ABLE TO SHARE,
HOWEVER FLEETING THEY MAY BE."
IT'S OKAY...
ONCE WE FILL OUT THE FORMS,
HOW LONG WILL IT TAKE?
WE'LL DO OUR BEST.
DEPENDS WHAT ELSE COMES IN.
SHE'S BURNING UP. IT'S 3:00 IN THE MORNING.
SHE'S REALLY HOT.
WHICH ONE OF YOU IS THE MOTHER?
[TOGETHER]: WE BOTH ARE.
I NEED YOU TO PUT ONE NAME ONLY.
ARE... ARE YOU KIDDING ME?
I CAN'T PROCESS YOUR PAPERWORK.
THIS IS LOS ANGELES.
THERE ARE SAME-SEX FAMILIES ON EVERY FUCKING STREET CORNER.
SHE WAS BORN IN THIS FUCKING HOSPITAL
AND BOTH OF OUR NAMES ARE ON THE FUCKING BIRTH CERTIFICATE,
SO WHY DON'T YOU GIVE US A FUCKING BREAK,
YOU BUREAUCRATIC MAGGOT,
AND GET OUR DAUGHTER IN TO SEE A GODDAMN DOCTOR!
PLEASE.
[GIGGLING]
THIS IS TOO FUNNY.
WHAT ARE YOU DOING HERE?
YOU KNOW, WE, UH, GOT THE MUNCHIES.
[GIGGLES]
WHAT ARE YOU DOING?
I'M LEAVING.
OH, NO, NO, NO, NO.
YOU HAVE NOWHERE TO GO,
SO YOU ARE COMING WITH US.
NIKKI...
COME ON.
SEE, LOOK. TA-DAH!
A WONDERFUL BOOTH WAITING FOR YOU.
AW, POOR SHANE.
JENNY'S SO MAD AT HER.
WHAT? SMILE.
NO...
DON'T WORRY,
I'M GOING TO TAKE CARE OF YOU, OKAY?
I DON'T WANT YOU TO TAKE CARE OF ME.
WHY NOT?
'CAUSE I DON'T.
I CAN TAKE CARE OF YOU.
EVERYONE ELSE IS MAD AT YOU,
AND I'M NOT.
[SCOFFS] FANTASTIC.
COME ON, SMILE A LITTLE THERE.
ISN'T SHE SEXY, YOU GUYS?
[GIGGLING]
COME ON, RELAX.
[CELL PHONE BEEPS]
OH, MY GOD.
IT'S JENNY.
YEAH?
SHE SAID, "IF YOU STILL WANT TO COME OVER
AND SEE ME, YOU CAN."
GREAT.
YOU THINK SHE'S SERIOUS?
[SIGHING]: I DON'T KNOW, NIKKI,
I DON'T.
IF SHE TEXTS YOU, AND SHE SAYS THAT,
THEN, YES, SHE'S SERIOUS.
I KNOW, BUT SHE'S BEEN SO MEAN.
[LAUGHS]
I DON'T KNOW WHAT TO TELL YOU.
JUST GO.
JUST GO, OKAY? GO, GO, GO.
ARE YOU GOING TO BE OKAY?
I'M GOING TO BE FINE. JUST...
SHANE...
DO YOU THINK SHE LOVES ME?
I DON'T KNOW.
SURE.
RIGHT, LET'S GO, YOU GUYS.
I'LL TEXT YOU LATER, OKAY?
OKAY.
COME ON, GUYS.
OH, I'M SORRY.
MY BAD, MY BAD...
I AM MORTIFIED.
I'M JUST RELIEVED.
I JUST, I DON'T KNOW
HOW I GOT THE THERMOMETER TO READ 104
WHEN HER TEMPERATURE'S 99.5.
I'M SURE IT HAPPENS ALL THE TIME
WITH OVER-ANXIOUS L.A. PARENTS.
IT'S ONE OF THE THINGS I LOVE ABOUT YOU.
BECAUSE I DON'T KNOW HOW TO USE A DIGITAL THERMOMETER?
NO.
BECAUSE YOU APPEAR TO MOST OF THE WORLD
TO BE SO ALPHA IN CONTROL,
AND I KNOW HOW HARD IT IS FOR YOU
TO COVER UP THE PANIC THAT YOU FEEL INSIDE.
WHO THE HELL LIVES HERE?
YO.
PAPI?
WHAT THE HELL ARE YOU DOING HERE?
I LIVE HERE.
MAYBE I SHOULD BE ASKING YOU THAT QUESTION?
[STAMMERING]: BUT YOU... I THOUGHT...
YOU DISAPPEARED.
I THOUGHT YOU LEFT TOWN, OR...
GOT ARRESTED BY SOME COP
WHO WAS PISSED OFF YOU SLEPT WITH HIS WIFE.
OKAY, LOOK WHO'S TALKING.
OH, I DIDN'T. I DIDN'T--
DID SHE TELL YOU I DID? BECAUSE I DIDN'T.
THROW ME THE KEYS.
I DIDN'T.
CAN I COME IN?
HELLO? CAN I COME IN?
I'M COMING IN.
SO TRY TO MAKE YOURSELF AT HOME, GIRL,
BUT, UH, KEEP IT DOWN
'CAUSE I'M TRYING TO GET SOME WORK DONE IN HERE.
IT'S 3:00 IN THE MORNING.
AND THAT'S WHEN I DO MY BEST WORK.
OH, MY FUCKING GOD.
WHO'S THAT?
FUCKING GABBY DEVEAUX.
I TAKE IT YOU KNOW HER.
CAN I HAVE A BEER?
IS IT TWIST-OFF?
HI.
COME HERE.
OH, HONEY...
[GASPING]
I SWEAR, I WILL DO ANYTHING
TO MAKE IT UP TO YOU.
WE'LL SEE ABOUT THAT.
I SWEAR, JENNY, I'M SO SORRY.
LOOK, I ONLY DID WHAT SHE...
DID WHAT?
LET HER GO DOWN ME BECAUSE--
SHH, SHH...
BECAUSE I WAS DEVASTATED ABOUT YOU, JENNY.
I'M SO SORRY...
[SIGHING]
I SWEAR, I WOULD NEVER DO ANYTHING
TO HURT YOU, JENNY.
SHH...
[GASPS]
JENNY...
I DON'T WANT TO LOSE YOU.
JENNY...
BEAUTIFUL...
HMM?
YOU GOT A PROBLEM WITH IT?
YOU HAVE TO ADMIT, IT'S A LITTLE TACKY.
IT'S HER CULTURE.
IT'S NOT TACKY.
OH, COME ON.
LOOK AT THE HAT.
THERE YOU GO.
THAT'S OUR PROBLEM.
THERE'S NO PROBLEM.
I'M JUST SAYING...
I'M NOT SAYING YOU WOULD BUY THIS.
YOU DON'T HAVE THESE.
DON'T MIND US. SANDWICH RUN.
YOU'RE A SNOB.
YOU WEREN'T LIKE THIS WHEN I FIRST MET YOU.
ACTUALLY, SHE WAS A WANNABE,
AND NOW SHE'S A WANNABE WITH MONEY.
EVER THINK ABOUT INVESTING IN A STYLIST
WITH ALL THAT MONEY, ALICE?
YOU NEED TO WATCH YOUR MOUTH.
OOH, ALICE HAS A BIG BUTCH DADDY
TO PROTECT HER.
CAN YOU GIVE ME, UH, THE LIVERWURST ONE?
YOU SURE THAT'S LIVERWURST I SMELL?
I WONDER IF YOUR FRIEND KNOWS
THAT HER GIRLFRIEND USED TO BE NICKNAMED "CRASH,"
BECAUSE SHE USED TO SHOW UP AT PARTIES
SHE WASN'T INVITED TO.
[GIGGLING]
[SIGHS HEAVILY]
THAT'S WHAT MY LIFE USED TO BE LIKE.
RIGHT THERE.
YOU'RE THE BEST PERSON I'VE EVER MET.
YOU'RE... STRONG,
YOU'RE HONEST, YOU'RE BEAUTIFUL.
I'M NOT READY TO LOSE YOU.
[**]
GET YOUR HANDS OFF OF HER!
DON'T FUCKING TOUCH ME.
WHAT?
I SAID, DON'T FUCKING TOUCH ME, BITCH!
WHAT ARE YOU GONNA DO, HUH?
I SAID, DON'T FUCKING TOUCH ME.
EVERYBODY KEEPS HER HANDS OFF EVERYBODY ELSE IN HIT CLUB,
UNLESS THEY'RE LOVING HANDS.
HI.
CAN I HAVE A PATRON, PLEASE?
HEY...
HI.
MAKE THAT TWO, ON ME.
THANK YOU.
WOMEN ARE POISON.
ANOTHER?
TWO MORE.
[GROANS]
I JUST WANT TO APOLOGIZE.
YOU ALREADY DID.
NO, I MEAN, FOR DEFENDING SHANE TONIGHT.
I FEEL LIKE IT MIGHT HAVE SENT THE WRONG MESSAGE.
IT DOESN'T MATTER.
WE JUST FALL ON TWO DIFFERENT SIDES OF THIS,
THAT'S ALL.
IT'S FINE.
GIVEN MY HISTORY,
I JUST, I DON'T WANT TO BE...
CASUAL
ABOUT THE PROMISE THAT I MADE TO YOU.
I DIDN'T KNOW YOU MADE ANY PROMISES.
[WHISPERING]: WELL, I'M MAKING A PROMISE TO YOU RIGHT NOW.
[CHUCKLES]
I PROMISE
THAT I SHARE YOUR VALUES
ABOUT FAMILY,
AND FAITHFULNESS,
AND COMMITMENT,
AND THAT I WILL NEVER, EVER, CHEAT ON YOU AGAIN.
WOW.
I LOVE YOU.
[SCREAMING AND MOANING FROM BEDROOM]
[MOANS BECOME ANIMALISTIC, BARKING AND RAGING]
[THEY LAUGH]
OH! OH, PAPI!
[LAUGHING]
[PAPI]: UH-HUH, THAT'S RIGHT...
COME HOME WITH ME.
I PROMISE I WON'T MAKE ANY GROSS NOISES
LIKE THAT.
I'M NOT SLEEPING WITH YOU.
OKAY, FINE, NO SEX TONIGHT.
IT'S OKAY.
NO, I MEAN, I'M NOT EVEN SLEEPING IN YOUR BED,
NOT UNTIL WE FIGURE SOME SHIT OUT.
WHATEVER YOU SAY. FINE.
[WAILING AND MOANING FROM BEDROOM INCREASES]
WHAT WAS THAT?
WHAT?
THAT'S MY HAPPY DANCE.
[BEDROOM SCREAMS ESCALATE FURTHER]
WHO THE HELL MAKES NOISES LIKE THAT?
[GRUNTING AND SCREAMING]
[GASPING AND MOANING]
OH, MY GOD...
[CRYING OUT]
I'M GOING TO COME!
[GASPING AND SHOUTING]
SHANE...
SHANE, BABY GIRL...
SHANE...
* ROCK-A-BYE, BABY...
HEY, SHANE...
SWEETIE, COME ON, IT'S TIME TO GO HOME.
SHANE, SWEETIE...
WE'RE GOING TO TAKE YOU HOME.
I'LL HOLD THE... YEAH.
OKAY.
WHOA, WHOA, WHOA! I GOT IT, I GOT IT.
PUT YOUR ARMS AROUND MY NECK,
I'M GOING TO PULL YOU UP.
[SQUEALING]
OKAY, ALL RIGHT.
PHEW...
OKAY...
ARE YOU OKAY? ARE YOU OKAY?
WHAT TIME IS IT?
IT'S TIME TO GO HOME.
WHAT ARE WE GOING TO DO?
I DON'T KNOW, GIRL.
ONE OF US HAS TO TAKE HER.
OKAY, ALL RIGHT, I'LL TAKE HER.
COME ON, SHANE, YOU'RE GOING WITH ME.
COME ON, PUT YOUR ARM AROUND...
PUT YOUR ARM AROUND AUNTIE KIT.
HANG ON, HANG ON, HANG ON.
I'LL GET YOUR BAG.
IT'S TIME FOR YOU TO GO HOME, GIRL.
WHOA...
I NEED MY BAG.
NO, WE GOT IT, WE GOT IT.
WE GOT YOUR BAG, WE GOT YOUR BAG.
WE GOT YOUR BAG, OKAY?
OKAY, LET'S GO.
SEE YOU TOMORROW. COME ON, SHANE.
COME ON, PUT ONE STEP IN FRONT OF THE OTHER,
AND OFF TO THE SIDE.
COME ON, WE CAN DO IT.
ONE MORE STEP, COME ON.
ALL RIGHT, GOOD NIGHT.
THIS IS STUPID.
WOULD YOU JUST COME TO THE BEDROOM?
OR LET ME SLEEP ON THE SOFA
AND YOU GO TO THE BEDROOM,
'CAUSE IT'S NOT FAIR.
I MEAN, YOU DON'T HAVE TO BE BANISHED TO THE SOFA.
THIS IS FINE.
THIS IS ACTUALLY A HUNDRED TIMES MORE COMFORTABLE
THAN HALF THE PLACES I'VE SLEPT.
REALLY?
YUP.
I'VE NEVER SLEPT ON IT.
DO YOU MIND IF I JUST...
HEY, YEAH, IT'S SOFT.
YEAH, THIS IS NICE.
THIS IS REALLY GOOD.
[LAUGHING]
WHAT ARE YOU DOING?
WHAT?
IT'S A NICE PLACE TO SLEEP,
BUT I DON'T FEEL VERY SLEEPY.
LAY STILL.
WHAT?
STOP IT. JUST--
WHAT?
LAY STILL! LAY STILL!
BUT...
[LAUGHING]
WHAT, AM I TOO SQUIRMY?
YES, YOU ARE!
TURN AROUND.
THAT'S IT.
WE'RE NOT DOING THIS.
[GROANS]
WE'RE NOT DOING THIS.
NOT UNTIL WE'RE SURE THAT WE'RE GOING TO...
THAT WE'RE GOING TO STAY TOGETHER.
HMM...
I'M SERIOUS.
OH, I KNOW YOU'RE SERIOUS, YES.
YOU'RE A VERY SERIOUS PERSON.
YEAH, AND YOU'RE NOT.
ONE MORE THING WE DON'T HAVE IN COMMON.
WAIT A MINUTE, THAT'S NOT TRUE.
IT IS.
NO, I CAN BE VERY SERIOUS.
REALLY?
YEAH, LOOK.
WATCH.
[LAUGHS]
WAIT, YOU MADE ME LAUGH.
HOLD ON.
[LAUGHING]
WHAT'S WITH THE FLARED NOSTRILS, THOUGH?
IS THAT PART OF YOUR SERIOUS LOOK?
[LAUGHING]
OH, MY GOD...
[SIGHS HEAVILY]
WHAT ARE WE GOING TO DO?
SHOULD WE GO TO THERAPY?
OH, HELL, NO, I'M NOT GOING TO THERAPY.
WHY? WHAT'S WRONG WITH THERAPY?
THERAPY'S FOR PEOPLE WITH PROBLEMS.
OH, YES, SO LET'S NOT GO TO THAT.
[LAUGHS]
'CAUSE WE'RE GOOD.
[CHUCKLING]
ALL RIGHT, WELL, MAYBE WE'LL SEE.
[SIGHS]
OH, I KNOW, GIRL. I KNOW...
YOU DID SOME DAMAGE.
MM, MM...
I FUCKED IT, KIT.
I TOTALLY FUCKED IT.
IT WASN'T EVEN WORTH IT,
THAT'S THE WORST PART.
SUCH A WASTE.
YOU KNOW, JENNY,
SHE'S GOING TO GET OVER IT.
NO, SHE'S NOT.
OH, YEAH.
NO, SHE'S NOT.
SHE'S NOT GOING TO GET OVER IT.
THERE'S NO WAY.
SHE'S...
SHE'S TOO DELICATE.
SHE'S WAY TOO DELICATE,
AND I DON'T JUST MEAN, LIKE,
THAT WHOLE MOVIE THING WITH ADELE AND NIKKI.
I JUST MEAN IN GENERAL. SHE'S...
SHE'S FRAGILE,
AND THE WORST PART,
THE PART THAT MAKES ME THE MOST SICK
IS THAT I WAS PROBABLY THE LAST PERSON
SHE WOULD EVER EXPECT
TO DO SOMETHING LIKE THIS,
AND I DID IT.
MM-HMM. YEAH, YOU DID IT.
OH, GOD...
SEEMS LIKE HER LIFE HAS JUST BEEN
ONE BIG ASS-WHOOPIN', YOU KNOW?
IT'S...
I KNOW.
IT'S SO HOT IN HERE.
WHY IS THAT?
COME ON, TAKE YOUR SOCKS OFF.
SHH, SHH, SHH. JUST RELAX.
FUCK...
YOU KNOW...
YOU KNOW WHAT YOU SHOULD DO?
I CAN'T DO ANYTHING.
YEAH, YOU CAN.
YOU NEED TO FIGHT.
YOU NEED TO FIGHT FOR JENNY.
HUH?
YEAH, YOU SEE, YOU...
KIND OF JUST LET ALL YOUR WOMEN GO.
CARMEN, MOLLY--
NO, NO, NO, JENNY'S MY FRIEND.
SHE'S... I MEAN--
THAT'S WHY YOU CAN DO IT.
FIGHT FOR THE FRIENDSHIP.
LET HER KNOW THAT YOU'LL...
YOU'LL FIGHT TO THE DEATH
TO LET HER KNOW
YOU'RE NOT GOING TO LET HER GO.
YOU'RE NOT GOING TO LOSE THIS FRIENDSHIP.
MORNING.
GOOD MORNING.
I'M SO HAPPY EVERYTHING'S OKAY BETWEEN US.
GOD, YOU'RE SO SEXY.
I LOVE YOU SO MUCH...
AND...
LAST NIGHT, YOU KNOW, AFTER...
EVERYTHING THAT HAPPENED WITH SHANE,
IT WAS SO ROMANTIC WHEN YOU SAID...
THAT I BROKE YOUR HEART.
"YOU'VE BROKEN MY HEART."
YOU DIDN'T BREAK MY HEART.
YOU'RE NOTHING BUT A SELF-ABSORBED,
SELF-INDULGENT,
LITTLE BRAT...
AND OUR AFFAIR ON SET
WAS NOTHING BUT A SHOWMANCE,
AND WHEN I SAID THAT YOU BROKE MY HEART...
I WASN'T TALKING ABOUT YOU, DARLING.
IT'S TIME FOR YOU TO GO.
I THINK YOU GUYS SHOULD TALK.
I'M MOVING INTO A HOTEL.
AH, MORNING.
SHANE, WHY DON'T YOU COME AND SIT WITH ME
AT THE COUNTER?
NO, NO, NO, IT'S OKAY. I GOT IT.
[PROTESTING]
IT'S... IT'S OKAY.
SHANE, WHY DON'T YOU HAVE A SEAT?
IF SHE SITS THERE, THEN I'M GOING TO LEAVE.
JENNY, COME ON.
I'D LIKE TO TALK TO YOU.
DO YOU...
DO YOU GUYS WANT TO HAVE A DRINK WITH ME?
SURE.
SORRY.
IT'S OKAY.
HELENA, COULD WE JUST HAVE SOME SERVICE, PLEASE?
THANK YOU.
SIT DOWN.
WHERE'D YOU SLEEP LAST NIGHT?
KIT'S.
IT'S JUST A BIT HOT...
DO ENJOY.
THANKS.
I BROUGHT YOU AN ESPRESSO.
YOU'RE SWEET. THANK YOU.
TEA...
[SIGHING]: OH, MAN...
COME ON, NOW.
Y'ALL GOTTA BE KIDDING, RIGHT?