PREVIOUSLY ON THE L WORD--
I DON'T WANT TO BREAK UP WITH YOU.
DO YOU THINK WE SHOULD GO TO THERAPY?
THERAPY'S FOR PEOPLE WITH PROBLEMS.
TELL ME YOU NEVER WANT TO SEE ME AGAIN.
I NEVER WANT TO SEE YOU AGAIN.
WHAT I WANT TO DO NOW, KIT,
IS JUST TO BE A REALLY GOOD BUSINESS PARTNER TO YOU
IN THIS WHOLE NIGHTCLUB THING.
"THE HIT CLUB!"
HIT! IT'S A HIT.
I'M GOING TO CALL WILLIAM.
DID YOU HEAR WHAT HAPPENED WITH THE MOVIE?
NO.
RESHOOT THE ENDING.
TO WHAT?
JESSE GOES BACK TO JIM
AND DECIDES SHE ISN'T REALLY A LESBIAN AFTER ALL.
I DID NOT CALL YOU AT 2:15 IN THE MORNING
TO ACCUSE YOU OF BEING A SELL-OUT!
[DISCONNECTION TONE]
[GASPS]
OH, MY GOD.
YOU NEED TO FIGHT FOR JENNY.
YOU'RE MY BEST FRIEND I'VE EVER HAD,
AND I AM PROFOUNDLY ASHAMED OF WHAT I'VE DONE.
IT'S JENNY!
SHE'S SAYING, "IF YOU STILL WANT
TO COME OVER AND SEE ME, YOU CAN."
YOU'RE NOTHING BUT A SELF-ABSORBED,
SELF-INDULGENT LITTLE BRAT,
AND OUR LITTLE FLING ON SET WAS A SHOWMANCE.
IT'S TIME FOR YOU TO GO.
OH, BABY, DON'T BE SAD.
IT'S SO BORING.
GET OFF ME.
WHO THE HELL DOES SHE THINK SHE IS?
SHE CALLED ME! SHE WANTED ME!
AND THEN SHE GOES ALL PARIS-AND-BRITNEY ON ME,
AND IT'S, LIKE, "OH, I NEVER REALLY LOVED YOU,
AND IT WAS A SHOWMANCE!"
I MEAN, CAN YOU BELIEVE THAT?
SHE FUCKS ME ALL NIGHT LONG,
AND THEN SHE HAS THE NERVE TO SAY THAT IT WAS A SHOWMANCE!
I MEAN, I DON'T EVEN KNOW WHAT THE FUCK THAT IS!
I'M GOOGLING.
UH, IT'S, UH... IT'S A...
"PHONY ROMANCE
"THAT HAPPENS DURING A MOVIE OR A TV SHOW,
"USUALLY BETWEEN TWO STARS, BUT IT CAN...
ALSO BE BETWEEN THE STAR AND THE DIRECTOR--"
YOU KNOW WHAT? I GOT IT, ALL RIGHT?
DO YOU KNOW HOW MANY TIMES THAT SHE SAID THAT SHE LOVED ME?
SHE IS OFFICIALLY A LIAR AND I OFFICIALLY HATE HER!
YOU KNOW WHAT? FUCK HER! ALL RIGHT?
I GROSSED OVER 60 MILLION ON MY OPENING WEEKEND
AND SHE COULDN'T EVEN GET HIRED AS A P.A. ON MY NEXT MOVIE
IF SHE PAID SOMEONE!
GOD, MAKES YOU WONDER WHO BROKE HER HEART.
I CAN'T BELIEVE SHE TOLD YOU IT WASN'T YOU.
THAT WAS SO HARSH.
YOU MUST FEEL HORRIBLE.
[COOLLY]: YOU KNOW WHAT?
YOU...
ARE OUT OF MY FIVE.
NIKKI, YOU'RE MY BEST FRIEND--
NOW GET OUT!
RIGHT NOW. GET OUT!
EVERYONE, GET OUT!
EVERYONE!
YOU, AND YOU, AND YOU, GET OUT!
GIVE ME THIS.
[SHRIEKS]: GET OUT!
NOW! MOVE!
JENNY SCHECTER IS A LIAR AND A USER,
AND TRUST ME,
YOU ARE NOT GOING TO GET AWAY WITH THIS.
YOU ARE DEAD MEAT, SCHECTER.
DEAD.
[**]
* GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES *
* CHICKS DRIVING FAST INGENUES WITH LONG LASHES *
* WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE *
* THIS IS THE WAY IT'S THE WAY THAT WE LIVE *
* TALKING, LAUGHING LOVING, BREATHING *
* FIGHTING, FUCKING CRYING, DRINKING *
* WRITING, WINNING LOSING, CHEATING *
* KISSING, THINKING, DREAMING
* THIS IS THE WAY...
* IT'S THE WAY THAT WE LIVE *
* IT'S THE WAY THAT WE LIVE
* AND LOVE
AND THIS IS WHERE THEY'RE GOING TO PUT THE NEW DJ BOOTH,
SO, IF YOU NEED ANYTHING, JUST LET US KNOW,
AND WE'LL GET YOU ALL THE RIGHT EQUIPMENT.
OH, I'LL SEND YOU A LIST.
[CHUCKLING]
I LOVE THESE COLORS.
OH, WE LOVE THEM, TOO!
WE'RE GOING MOROCCAN, A SORT OF CASABLANCA THEME.
IT'S OUR FAVORITE FILM.
OH, SAY NO MORE.
I LOVE BITTERSWEET.
MM...
SO, WHAT DO WE HAVE TO DO
TO GET THE FABULOUS SUNSET BOULEVARD
TO COME AND SPIN AT HIT?
KEEP BEING THE FABULOUS KIT PORTER.
YOU KNOW YOU'RE MY ULTIMATE R&B GODDESS?
I DON'T KNOW ABOUT THE "ULTIMATE."
WHOO! OOH-OOH-OOH!
SOMEBODY'S BEEN WORKING OUT!
MM-HMM.
NOT THAT WE'RE INTO IT, YOU KNOW.
WE-WE'VE BOTH SWORN OFF MEN.
OH, AGES AGO.
GOOD FOR YOU.
YOU TWO GOT A GOOD THING GOIN' HERE.
YOU DON'T NEED SOME MAN IN HERE
MESSING IT UP.
YEAH...
SO, LET ME-- LET ME SHOW YOU
ALL OF THE TEXTURES AND PATTERNS...
[**]
OKAY.
OH, I'M GRANOLA AND FRUIT.
BREAKFAST BURRITO.
THANKS.
[**]
EXCUSE ME?
I DIDN'T ORDER THAT.
OH, THEY'RE FROM HER.
[KIT]: JENNY?
SHANE WANTS YOU TO KNOW
THAT SHE MADE THEM ESPECIALLY FOR YOU.
EXCUSE ME, ALICE?
UH, HEY.
DO YOU MIND JUST MENTIONING TO SHANE
THAT I DON'T WANT HER WAFFLES?
YEAH.
HEY...
UM...
SHE DOESN'T WANT YOUR WAFFLES.
HOW MUCH DO YOU LOVE THE NEW VALET SERVICE?
OH, MY GOD, HELENA IS TAKING THIS PLACE
TO A WHOLE NEW LEVEL.
HI. OH, AND WAFFLES!
LOOK. I LOVE IT, I LOVE WAFFLES.
I'M GETTING WAFFLES.
OR... NOT.
JENNY, HAVEN'T YOU HEARD THAT THERE ARE PEOPLE
STARVING IN THIS WORLD?
I'M SURE THEY DON'T WANT WAFFLES, KIT.
ROCK, PAPER, SCISSORS, SHOOT!
OOH...
OKAY, THAT'S ONE-TO-ONE.
OKAY.
ROCK, PAPER, SCISSORS, SHOOT!
FUCK!
WHY DO I ALWAYS LOSE?
BECAUSE YOU'RE ALWAYS ROCK.
IS THAT WHAT IT IS?
MM-HMM.
[SIGHS]
HAVE FUN WITH THE MARTYRS.
HAVE FUN WITH THE CHEATERS.
MM.
WOW, EVERYONE'S SO INDUSTRIOUS.
WHAT ARE YOU DOING?
STUDYING.
I'M WRITING MY NEW TREATMENT.
WHAT ARE YOU WRITING, ALICE?
UM...
A TREATMENT.
HMM?
A TREATMENT FOR A FILM?
I JUST...
I HAD THIS KIND OF KILLER IDEA, SO I THOUGHT,
"I'LL JUST WRITE A GREAT SCREENPLAY"
AND THEN SELL IT FOR MILLIONS,
AND BUY A HOUSE IN MALIBU.
I DON'T LIKE MALIBU.
YOU'VE NEVER BEEN TO MALIBU.
I HAVE BEEN THERE.
I DIDN'T KNOW
YOU WANTED TO BE A SCREENWRITER.
WELL, I MEAN, YOU KNOW, I NEVER REALLY DID, REALLY,
BUT I THOUGHT, "HOW HARD CAN IT BE?"
RIGHT, JENNY?
I MEAN, IT'S, LIKE...
YOU GET PAID BIG-TIME.
[JENNY]: MM-HMM.
UM... UH, WELL, IF YOU--
ACTUALLY, ALICE, IF YOU WERE TO AMORTIZE
THE PAYMENT OF THE 17 DRAFTS THAT I DID OF LEZ GIRLS,
YOU'D SEE THAT YOU ACTUALLY
DON'T GET PAID VERY MUCH, SO...
ALICE IS WRITING A TREATMENT FOR A SCRIPT.
I HOPE WE'RE NOT IN IT.
AMEN TO THAT.
ACTUALLY, WRITING A GOOD SCREENPLAY
IS WHAT'S REALLY HARD,
AND JENNY'S BECOME A VERY GOOD SCREENWRITER.
THANK YOU, TINA.
YOU SHOULD ASK HER TO READ YOUR TREATMENT.
SURE.
SURE, SURE, SURE...
I WOULD LOVE TO GIVE YOU NOTES.
MM-HMM.
WHAT? I NEED THE CARBS FOR TRAINING!
WELL, DO YOU NEED 'EM THAT FAST?
YOU'RE GETTING CRUMBS ALL OVER YOUR SUIT.
WOW, YOU LOOK AMAZING.
THANK YOU.
I DRESSED HER.
[CHUCKLES]
DO A LITTLE SPINSIE, COME ON.
NO.
IT'S HER FIRST DAY AT THE POLICE ACADEMY, SO...
EXCITED?
YEAH, I AM, ACTUALLY,
BUT MY FRIEND SAID THE TRAINING'S REALLY...
IT'S REALLY ROUGH.
I TRIED TO DRESS HER IN MY MARNI,
BUT SHE THOUGHT SHE LOOKED LIKE A GIRL.
[TASHA]: IT WAS INAPPROPRIATE.
YOU LOOKED SO GOOD IN THAT,
YOU KNOW IT.
YOU JUST HATE TO LOOK GOOD OR SOMETHING.
WHAT THE FUCK IS THAT SUPPOSED TO MEAN?
[STAMMERING]
THERE'S, LIKE, A LACK OF EFFORT.
[MESSAGE ALERT CHIMES]
SOMETHING ABOUT FASHION.
"FASHION FAUX-PAS." I DON'T KNOW.
WHEN ARE YOU GUYS GOING TO GO TO THERAPY?
THERE'S A THING CALLED "PRIVACY," ALICE.
[MESSAGE CHIMES]
UH-OH. "PRIVACY."
SO I'LL SEE YOU AT DAN FOXWORTHY'S AT 6:00?
THERE'S PARKING IN THE...
BUILDING.
WOW, LOOK AT YOU!
YOU LOOK A MILLION DOLLARS.
FUCK, YOU KNOW?
BAD VIBES.
YOU AND SHANE
SHOULD WORK YOUR SHIT OUT,
BECAUSE THIS PLACE IS BECOMING
LIKE THE BLACK HOLE OF CALCUTTA.
IT'S SO GOOD
TO SEE WE'RE STILL ASUNDER.
NOTHING LIKE A LITTLE DYKE DRAMA TO CLEAR THE PLACE OUT, HEY?
THAT'S WHAT I'M SAYING!
BAD VIBES, MAN.
[JENNY]: HELENA?
MM-HMM?
WHY DON'T YOU COME AND SIT WITH US?
NO, I'M...
NOT PICKING SIDES, ALL RIGHT?
I... I LOVE YOU BOTH.
GOING FOR A RUN.
GO, SWITZERLAND. MM...
WE HAVE SOME GOOD NEWS!
YEAH, WE HAVE GOOD NEWS.
YEAH, GOOD NEWS.
DO YOU WANT TO TELL THEM?
WHY DON'T YOU TELL THEM?
BETTE AND I ARE REGISTERED WITH THREE DIFFERENT AGENCIES,
AND THEY SAID THE CHANCE OF US
GETTING A BABY WITHIN THE NEXT SIX MONTHS
IS REALLY GOOD.
WHAT? WHOA...
CONGRATULATIONS.
AND THEN WE'RE STARTING CONSTRUCTION ON A SECOND STORY,
YOU KNOW, 'CAUSE WE NEED ANOTHER BEDROOM.
BUT I THOUGHT YOU GUYS WERE TALKING ABOUT SELLING?
WE'RE STAYING.
WE COULDN'T SELL, NOT NOW.
I MEAN, WITH THE PROPERTY VALUES
CRUMBLING AND EVERYTHING, SO...
WHEN WERE YOU GOING TO TELL ME ABOUT CONSTRUCTION?
WE'RE TELLING YOU NOW.
WE HAVE TO.
WE NEED ROOM FOR THE BABY.
HOW AM I SUPPOSED TO WRITE WITH ALL THAT NOISE?
I'M SORRY, JENNY.
WE'LL DO OUR BEST NOT TO DISTURB YOU,
BUT YOU MIGHT WANT TO GET SOME EARPLUGS.
I HAVE TO GET A NEW ROOMMATE.
IT'S GOING TO BE IMPOSSIBLE,
WITH YOUR RACKET.
JENNY, PLEASE, YOU DON'T NEED A NEW ROOMMATE.
YOU HAVE NOT SPOKEN TO ME IN A WEEK.
WILL YOU JUST TALK TO ME?
I KNOW WE CAN WORK THIS OUT.
OH, RIGHT, SO, YOU WANT ME TO FORGIVE YOU
BECAUSE YOU MADE ME WAFFLES?
[SHANE]: WELL, WHY WOULDN'T YOU?
BECAUSE.
YOU CREATE THIS TRAIL OF DESTRUCTION
AND YOU DON'T TAKE ANY RESPONSIBILITY FOR IT.
WHY SHOULD YOU BE THE ONLY ONE THAT DOESN'T PAY?
I AM PAYING.
YOU ARE SO FULL OF SHIT.
THE BLACK HOLE.
HEY.
HOW YOU DOING?
SO YOU'RE PUTTING IN THOSE FLOWER BOXES
JENNY WANTED, HUH?
YEP.
HOW MANY MORE THINGS
ARE YOU GOING TO DO FOR HER?
I DON'T KNOW YET.
MAX...
HEY.
THERE'S SOMETHING WRONG WITH MY COMPUTER
AND I'M WONDERING IF YOU COULD FIX IT?
KNOW WHAT? I CAN'T,
BECAUSE I'M GOING TO MY FINAL CONSULT TODAY.
OH. GREAT.
GOOD LUCK.
THANKS.
BYE.
ALL RIGHT, ARE YOU READY FOR THIS?
DO IT!
I LOVE IT.
LOVE IT.
LOVE IT!
WE THOUGHT YOU WOULD.
THE GIRLS.
SO FUCKIN' HOT.
THIS THING IS GOING TO MAKE SEX AND THE CITY
LOOK LIKE A DISNEY MOVIE.
WHAT'S "THE GIRLS?"
THE MOVIE IS CALLED "LEZ GIRLS."
"LEZ."
I HAVEN'T HAD A CHANCE TO TALK TO TINA
ABOUT THE MARKET RESEARCH.
I'LL FILL YOU IN IN A MINUTE.
AARON--
IN THE MEANTIME,
WHY DON'T JUST GIVE ME A BRIEFING
ON THE RELEASE?
AFTER THE INITIAL TWO WEEKS,
WE'LL GO WIDE.
WE HAVE 2,000 SCREENS NATIONWIDE
AND SELECT CITIES IN EUROPE.
FRANCE IS GOING TO EAT THIS UP--
WHOA, NO.
NO, WHAT?
NO.
NO WAY.
I AM NOT GOING TO LET YOU GET AWAY WITH THIS.
I'M NOT GOING TO LET YOU MARKET THIS
AS SOME BULLSHIT BOY-MEETS-GIRL LOVE STORY!
THAT'S NOT WHAT THIS IS.
IT'S MORE THAN THAT.
IT'S BOY-MEETS-GIRL,
BOY-ALMOST-LOSES-GIRL-TO-GIRL--
BUT IN THE END,
THE AUDIENCE WANTS LOVE TO PREVAIL.
THAT'S THE WINNER HERE.
THE NEW ENDING TESTED THROUGH THE ROOF.
WHAT?
THE NEW...
WHAT DO YOU MEAN THE NEW ENDING TESTED?
WHEN DID YOU HAVE A TEST SCREENING?
GET ON BOARD, TINA.
THE TRAIN'S NOT GOING TO LEZZIE TOWN.
THIS IS AMAZING.
ART JOURNAL USES THE CORRELATION
ABOUT HOW SHE USES HUMAN EMOTIONS
LIKE PIECES OF SCRAP METAL,
WORDS LIKE FOUND MATERIALS.
IT WORKS ON SO MANY LEVELS.
HERE'S THE CURATOR
WHO TOLD PEOPLE THEIR WORK WASN'T WORTHY,
THE GALLERIST WHO WOULDN'T SHOW AN ARTIST,
AND NOW THE DEAN
WHO REJECTS APPLICATIONS.
EXACTLY.
A WOMAN WHO HAS STOOD IN JUDGMENT OF OUR ART
HER ENTIRE CAREER
IS NOW BEING THRUST INTO THE SPOTLIGHT
AS THE ART OBJECT.
IT'S BRILLIANT.
THIS KIND OF PRAISE
IS FANTASTIC FOR OUR PROGRAM.
I CAN GUARANTEE THAT WE'RE GOING TO SEE--
...USE THE SAME MATERIALS THROUGHOUT.
I WANT THE FLOORS TO HAVE THE SAME PATINA.
I'LL CALL YOU RIGHT BACK.
ALL RIGHT.
FORGIVE ME.
I HAD THE CONTRACTOR ON THE PHONE.
YOU KNOW WE'RE DOING THAT SECOND STOREY
ON THE HOUSE, FOR THE BABY--
PHYLLIS, DO YOU MIND JUST FINISHING WHAT YOU WERE SAYING?
WELL, WHAT I WAS SAYING WAS,
THAT BASED ON CU'S ASSOCIATION WITH JODI,
I WOULDN'T BE SURPRISED
IF WE SEE A SIGNIFICANT INCREASE IN APPLICANTS
THIS COMING SEMESTER.
SO MY GOAL IS
TO BE ABLE TO TAKE MY SHIRT OFF AT THE BEACH IN, LIKE, A YEAR.
THAT'S MY GOAL.
FEEL MY PECS.
I'VE BEEN DOING 200 PUSH-UPS A DAY.
I FEEL I'M ALREADY BIGGER THAN TOM.
THAT'S VERY GOOD.
THAT'S IMPRESSIVE, MAX.
YEAH, I THINK I'M DOING GOOD WITH THE CONTOUR.
I JUST, I HOPE I GROW MORE CHEST HAIR
TO COVER UP THE SCARS.
HMM, WELL, I THINK DR. STENHOUSE
IS GOING TO TRY TO DO A KEYHOLE PROCEDURE ON YOU.
YEAH, I'M HOPING SO.
AND YOU'RE SCHEDULED FOR SURGERY ON WEDNESDAY?
YEAH, HE CALLED ME THIS MORNING,
AND HE SAID THAT, UM,
AS SOON AS HE GETS THE LAB REPORTS, WE'RE--
MAX...
YEAH?
I'M AFRAID THERE'S A PROBLEM.
WHAT'S THE PROBLEM?
YOU'RE PREGNANT.
NO, I CAN'T-- I CAN'T BE PREGNANT.
I'VE BEEN TAKING TESTOSTERONE--
HAVE YOU HAD INTERCOURSE?
HAVE YOU AND TOM HAD UNPROTECTED SEX?
YEAH, BUT WE'VE BOTH BEEN TESTED FOR HIV.
WE'VE BEEN MONOGAMOUS.
MAX, IF YOU AND TOM HAVE HAD VAGINAL SEX--
I KNOW YOU MIGHT NOT CALL IT THAT,
BUT, UNFORTUNATELY,
THAT DOESN'T STOP IT FROM WORKING THE SAME WAY.
TAKING TESTOSTERONE
DOESN'T SHUT DOWN THE REPRODUCTIVE SYSTEM.
WELL THEN, WHAT ABOUT MY SURGERY?
WE'RE GOING TO HAVE TO POSTPONE YOUR SURGERY.
WE'RE GOING TO HAVE TO FIND OUT
HOW FAR ALONG YOU ARE,
AND YOU'RE GOING TO HAVE TO DECIDE
WHAT YOU WANT TO DO ABOUT IT.
HAVE YOUR BUDGETS IN BY THE END OF THE WEEK.
WE CANNOT AFFORD TO HAVE THE ART DEPARTMENT
LAST AT THE TROUGH AGAIN.
THANK YOU.
[MESSAGE CHIMES]
CAN I ASK HOW SHE RESPONDED?
OUR DEAN,
HOW DID SHE RESPOND TO THE WORK?
[PATS TABLE FOR ATTENTION]
HE ASKED
HOW I RESPONDED TO YOUR WORK?
OH. I DON'T KNOW.
BETTE...
HOW DID YOU LIKE THE SHOW?
WELL, I CAN'T. I HAVE PLANS.
CAN I TALK TO YOU, PLEASE?
SURE.
LET'S GO TO MY OFFICE.
I HOPE PRESTON DIDN'T BOTHER YOU.
HE'S AN OLD FOOL WITH A PENCHANT FOR GOSSIP.
IT WASN'T REALLY ABOUT PRESTON.
I MEAN, THE TRUTH IS THAT JODI'S BEHAVIOR
WAS COMPLETELY INAPPROPRI...
BABY, WHEN IT COMES DOWN TO IT,
THIS IS ALL I HAVE TO OFFER YOU,
AND IF YOU CAN LOVE THIS--
JOYCE! COVER YOUR JUNK.
SORRY, BETTE.
BETTE...
WE'LL RESCHEDULE?
JOYCE, WHAT ARE YOU DOING?
YOU CAN'T JUST POP OUT FROM BEHIND A PLANT
BUCK NAKED.
WE HAVE RULES HERE.
I CHECKED FIRST
TO MAKE SURE YOU DIDN'T HAVE ANYTHING.
I WAS ACTING WITH MY HEART.
I'M A WOMAN IN LOVE.
PLEASE, TAKE A LOAD OFF.
PHYLLIS ELEANOR VICTORIA KROLL,
YOU ARE ONE HELL OF A WOMAN,
AND WHILE THE LAW IN THE STATE OF CALIFORNIA
CONTINUES TO ACKNOWLEDGE OUR LOVE,
I WOULD LIKE TO ASK YOU TO TAKE MY HAND
IN HOLY MATRIMONY.
JOYCE--
AH, AH, AH...
[GASPS]
I DON'T KNOW WHAT TO SAY.
SAY YES.
HOW MANY CARATS IS THIS?
FOUR.
SAY YES.
HOW MUCH DID YOU SPEND? THIS MUST HAVE COST A FORTUNE.
I HAVE A FRIEND WHO'S GOT A FRIEND.
SAY YES, PHYLLIS, PLEASE.
BUT I SAID I NEVER WANTED TO GET MARRIED AGAIN.
WE'LL GO TO SAN FRANCISCO.
WE'LL GET MARRIED ON THE STEPS OF CITY HALL.
GAVIN SAID HE'D MARRY US.
GAVIN NEWSOM...
THE MAYOR OF SAN FRANCISCO.
THAT'S RIGHT.
I'VE RAISED A LOT OF MONEY FOR THAT GUY.
SAY YES, PHYLLIS.
I'M FREEZING.
YES.
HOT DAMN, LADY!
COME HERE, YOU!
[LAUGHING]
OH, YOU'VE MADE ME ONE HAPPY WOMAN.
[GIGGLING]
WHO WANTS TO TELL ME WHY YOU'RE HERE?
OH, WE'RE JUST HERE FOR A TUNE-UP.
DOES THAT SEEM LIKE AN ACCURATE ASSESSMENT
TO YOU, TASHA?
SHE'S THE ONE WHO CALLED IT THAT.
WE'VE JUST HAD A COUPLE LITTLE...
LITTLE THINGS COME UP LATELY.
WHAT SORTS OF LITTLE THINGS?
MONEY.
I MAKE A LOT MORE THAN SHE DOES.
HOW DOES THAT MAKE YOU FEEL, TASHA?
RESENTFUL.
SHE DOESN'T WANT ME TO SPEND AS MUCH
BECAUSE SHE CAN'T AFFORD IT.
IS THAT TRUE?
ABSOLUTELY.
WE COULDN'T EVEN GET A BIGGER APARTMENT
BECAUSE SHE COULDN'T SHARE THE RENT 50-50,
AND I ALSO THINK THAT SHE RESENTS ME
BECAUSE I DON'T CLEAN AS MUCH AS SHE DOES.
DO YOU?
OH, LOOK, NOW SHE'S MAD.
IS THERE ANYTHING ELSE?
TASHA BROKE UP WITH ME LAST WEEK.
REALLY?
WHY DID YOU BREAK UP WITH ALICE, TASHA?
BECAUSE SHE THOUGHT I CHEATED,
WHEN I DIDN'T EVEN KISS THE GIRL.
DID YOU... THINK ABOUT IT?
YEAH, BUT, I MEAN,
SHE WOULDN'T EVEN HAVE KNOWN
IF I DIDN'T TELL HER,
SO I THINK THE MERE FACT
THAT I DISCLOSED THAT INFORMATION
SHOULD COUNT AS SOMETHING.
RIGHT?
BUT IF YOU KNEW TASHA'S FEELINGS
ABOUT THE SUBJECT OF CHEATING,
WHY DID YOU CHOOSE TO TELL HER?
I THINK WE'RE PAST IT.
UM...
I THINK WHAT WE HAVE TO WORK ON--
ALICE.
THIS IS CALLED "COUPLES THERAPY" FOR A REASON.
NOW, TASHA,
THIS PROCESS WORKS MUCH MORE EFFECTIVELY
IF YOU PARTICIPATE.
WHY DO YOU THINK ALICE TOLD YOU?
SHE DOESN'T EVEN WANT TO BE HERE.
I THINK THAT SHE TOLD ME
BECAUSE SHE WANTED TO BREAK UP WITH ME,
AND BRINGING THIS WOMAN BETWEEN US
WAS THE EASIEST WAY TO DO THAT.
SHE KNEW HOW I FELT.
SHE KNEW THAT I WOULD BREAK UP WITH HER,
AND WHEN I DID, SHE GOT SCARED,
AND THAT'S WHY WE'RE HERE.
CAN I HELP YOU?
HI, YEAH.
UH, I HAVE AN APPOINTMENT.
I CALLED IN EARLIER, AND I WAS TOLD TO COME IN.
[DOOR LOCK BUZZES OPEN]
HI. I'M MAX SWEENEY.
I HAVE AN APPOINTMENT.
FOR YOUR GIRLFRIEND, OR--
NO, IT'S FOR ME.
I NEED AN ABORTION.
WHAT DID HE SAY?
IF THIS IS YOUR IDEA OF A JOKE,
IT'S NOT FUNNY.
I'M NOT JOKING, ALL RIGHT?
I'M PREGNANT.
SIR, IF YOU DON'T LEAVE NOW,
I AM GOING TO HAVE TO CALL SECURITY.
I'M AN F-TO-M TRANSSEXUAL, ALL RIGHT?
[MURMURS FROM WAITING ROOM]
YEAH, THAT'S RIGHT, TAKE A GOOD LOOK.
I'M A MAN, AND I'M PREGNANT.
IT HAPPENS.
DON'T YOU READ THE FUCKING TABLOIDS?
CAN I HAVE MY APPOINTMENT NOW, PLEASE?
[MUSIC BLASTS FROM OUTSIDE]
HEY, SHANE...
I'M TRYING TO WRITE.
[TURNS OFF STEREO]
CAN I HAVE MY KEYS?
I PROMISE
TO MAKE ROOM IN THE APARTMENT
FOR YOUR THINGS.
AND, UM, I PROMISE
TO TRY TO SEE THINGS FROM YOUR POINT OF VIEW,
AND TO NOT TALK TO YOU WITH SO MUCH JUDGMENT,
AND TOMORROW, WHEN I WAKE UP FOR WORK,
I'M GOING TO MAKE YOU BREAKFAST.
[LAUGHS]
I LIKED THAT.
IT WAS GOOD, RIGHT?
YEAH, IT WAS GOOD.
SO, UM, ARE YOU GOING TO GIVE US
MORE EXERCISES, OR...
MAYBE SOME HOMEWORK?
I THINK WE'RE READY FOR SOME HOMEWORK.
YEAH. I'M READY.
BRING IT ON.
I'M NOT GOING TO GIVE YOU HOMEWORK.
I DON'T THINK YOU TWO SHOULD BE IN THERAPY.
THAT'S WHAT I SAID.
SEE?
WE ROCK.
[THEY LAUGH HAPPILY]
YOU TWO HAVE SO LITTLE IN COMMON...
I REALLY DON'T THINK YOU BELONG TOGETHER.
I MEAN, WHAT THE FUCK?
IT'S LIKE, WE SPENT, WHAT,
55 MINUTES WITH THIS GUY?
I MEAN, WHERE DOES HE FUCKING GET OFF?
I TOLD YOU, THERAPY'S BULLSHIT.
IT'S BULLSHIT, YOU'RE RIGHT.
HE KNOWS NOTHING
ABOUT WHAT WE DO AND DON'T HAVE IN COMMON.
I MEAN, WHAT THE HELL'S HE TALKING ABOUT,
WE DON'T HAVE ANYTHING IN COMMON?
I KNOW!
REALLY, DAN?
GIVE ME MY HELMET.
I DON'T KNOW.
THANK YOU.
UPSETTING.
I'LL SEE YOU TONIGHT.
COME HERE.
[**]
[HORN HONKS]
HEY, ARE YOU OKAY?
SORRY, I COULDN'T GET HERE ANY SOONER.
SHOULD YOU BE UP ALREADY?
THEY WOULDN'T DO IT.
I'M TOO FAR ALONG ALREADY.
HOW FAR ALONG?
FOUR MONTHS.
HOW DID THIS HAPPEN?
HOW THE FUCK DO YOU THINK IT HAPPENED?
BUT I DIDN'T THINK YOU COULD.
YOU'VE BEEN...
YEAH, I THOUGHT IF WAS TAKING TESTOSTERONE,
I COULDN'T GET PREGNANT, OKAY?
I WAS WRONG.
WELL, WHY WOULDN'T YOUR DOCTOR TELL YOU
SOMETHING LIKE THAT?
I DON'T KNOW.
MAYBE BECAUSE SHE DIDN'T THINK
I WAS STUPID ENOUGH
TO LET SOME FAGGOT FUCK ME.
HEY, FUCK YOU, DON'T BLAME THIS ON ME.
WHO THE HELL ELSE AM I SUPPOSED TO BLAME, HUH?
WHO THE HELL ELSE'S DICK'S BEEN INSIDE ME?
HOW AM I SUPPOSED TO KNOW?
YOU GOT ME PREGNANT, YOU FAGGOT!
IT WAS YOU!
OH!
[GASPS IN PAIN]
I CAN'T DO THIS, MAX.
I'M NOT READY.
WE'VE GOT TO MAKE A LIST.
UM, CLEAR THE DESK.
WHAT KIND OF A LIST?
A PROS AND CONS LIST.
MY MOTHER USED TO MAKE THESE ALL THE TIME
WHEN SHE WAS TRYING TO DECIDE
WHETHER TO DIVORCE HER EX-HUSBANDS.
AND THAT'S THE MODEL WE'RE GOING TO FOLLOW?
WELL, SHE HAD VERY SUCCESSFUL DIVORCES.
OKAY.
PROS...
OH, HOLD ON.
WHY "CON" GOT TO BE BLACK, THOUGH?
UM, IT'S NOT A RACE THING,
IT'S JUST, UM...
RED IS HAPPY.
RED IS LIKE, "WHOA."
NO, RED REPRESENTS THE DEVIL.
FINE.
I'M WRITING DOWN "COLOR WEIRDNESS."
OKAY.
THE WORK IS REALLY GOOD,
BUT THE SHOW IS UNEVEN.
THIS IS, UH...
THIS IS WEIRD.
I THINK IT'S WEIRD.
HI, DAVID.
HEY.
HEY, SOMEONE SPENT SOME MONEY, HUH?
I WOULD SAY YES.
SHE SPENT A SMALL FORTUNE.
REALLY? I WOULD HAVE KILLED TO HAVE HAD A SPACE LIKE THIS
WHEN I HAD MY OWN GALLERY.
ME TOO.
HEY, JOHN,
DO YOU KNOW WHO KELLY WENTWORTH IS?
A RICH DIVORCEE.
SHE WALKED AWAY WITH $80 MILLION
OF DEKE WENTWORTH'S FORTUNE--
AND DECIDED TO SPEND IT
ON MAKING HERSELF A PRESENCE
IN THE ART WORLD.
DO YOU LIKE MY VANITY PROJECT?
IT'S LOVELY.
THANK YOU.
OH, AND IT WAS 89 MILLION.
BETTE PORTER,
KELLY WENTWORTH.
PLEASED TO MEET YOU.
IT'S REALLY A SPECTACULAR SPACE.
YOU'VE BEEN HERE A LONG TIME?
YOU REALLY DON'T REMEMBER ME?
JUICY FUCKING FREMONT?
JESUS!
OH, MY GOD...
I SWEAR TO FUCKING GOD,
YOU LOOK BETTER THAN YOU DID IN COLLEGE.
BITCH!
BIYATCH, THE BLONDE LOOKS SO GOOD ON YOU.
THANK YOU.
LOOK AT YOUR BODY.
ARE YOU STILL A RUNNER?
UM, I MEAN, SOMETIMES,
NOT-NOT VERY OFTEN, BUT...
GOD, WHAT THE HELL ARE YOU DOING IN L.A.?
I THOUGHT YOU WERE MARRIED TO NEW YORK FOREVER.
WELL, I THOUGHT I WAS MARRIED TO DEKE WENTWORTH FOREVER.
HOLY FUCKING SHIT,
I AM SO HAPPY TO SEE YOU.
[LAUGHING]
OH, MY GOD...
OH, GOD, I'M SORRY.
THIS IS TINA KENNARD, MY PARTNER.
HELLO.
STILL A GAY, EH, PORTER?
YEAH, WELL, I LACK IMAGINATION
IN SOME AREAS.
NOT MANY.
THIS IS KELLY FREMONT.
THE KELLY FREMONT.
OH, KELLY FREMONT!
THE COLLEGE ROOMMATE, RIGHT, YEAH.
WOW... I'VE HEARD A LOT ABOUT YOU?
DID YOU TELL TINA ABOUT YOU AND ME?
UH, WELL, I TOLD HER
THAT YOU LET ME KISS YOU ONCE,
AND THEN YOU WERE SO SEIZED
BY A DEEP AND ABIDING HOMOSEXUAL PANIC,
THAT YOU MOVED OUT OF THE HOUSE IMMEDIATELY.
SHE GOT OVER ME IN TWO MINUTES.
10.
THIS PIECE... IT'S BEAUTIFUL.
I KNOW.
YOU HAVE GREAT TASTE.
I LOVE THE TONALITY.
I JUST ORDERED A MCLAREN ROADSTER IN...
THIS COLOR.
[LAUGHING]
I DID!
WELL, WE'RE GOING TO GO SEE REST OF THE SHOW.
OKAY, BUT DON'T LEAVE
WITHOUT SAYING GOODBYE.
I WON'T.
WE WON'T.
IT WAS NICE TO MEET YOU.
YOU TOO.
THERE'S WAY MORE CONS THAN PROS.
MM-HMM.
OKAY, UM...
LIKE, LET'S SAY THIS,
LIKE, "DOESN'T COOK WITH PEPPER..."
MM-HMM...
"EVER," RIGHT?
IT SHOULDN'T BE...
IT SHOULDN'T COUNT FOR AS MANY POINTS AS,
LIKE, "MAKES ME WANT TO BE A BETTER PERSON."
RIGHT?
THAT'S PRETTY GOOD.
SO WE SHOULD DO IT ON A POINT SYSTEM.
LIKE, "DOESN'T COOK WITH PEPPER" SHOULD GET,
WHAT, TWO POINTS.
LIKE, A POINT SYSTEM.
YEAH, YEAH, A POINT SYSTEM, EXACTLY,
AND THEN "IS SPONTANEOUS--"
I'LL JUST PICK THAT ONE BECAUSE I...
I REALLY APPRECIATE THAT ABOUT YOU.
[GIGGLING]
"LIKES TO GET SPANKED."
[LAUGHS]
NO...
OKAY,
THIS WILL GET, LIKE, EIGHT POINTS.
OKAY, THAT IS SO SMART.
YEAH.
VERY SMART.
I'M GOING TO PUT "SMART."
YOU'RE SMART.
HOW MANY POINTS?
OH, NINE. YOU GET NINE.
OH, YEAH, THE PROS ARE SO WINNING NOW.
YEAH.
SO, CALL ME, AND WE'LL ARRANGE A STUDIO VISIT.
[CHUCKLES]
OH, UH, JUST ONE OF THE MANY THINGS I LOVE
ABOUT THE ART WORLD.
YEAH, WELL, HE'S A TERRIBLE ARTIST.
WELL, LUCKILY, I'M NOT INTERESTED IN HIS WORK.
[LAUGHING]
OH, YOU GUYS AREN'T GOING YET, ARE YOU?
YEAH, WE ARE.
WELL, WE HAVE TO MAKE A PLAN.
LUNCH, DINNER, WHATEVER.
I REALLY WANT TO PICK THAT BRAIN OF YOURS.
YEAH, WELL, THE FIRST THING I WOULD TELL YOU
IS NOT TO SIGN ARTISTS THAT YOU WANT TO FUCK.
THAT COMES FROM FIRST-HAND EXPERIENCE.
I READ YOUR ARTICLE IN THE ART JOURNAL...
IT WAS AMAZING.
OH, THANK YOU.
DO YOU MIND?
NO, I THINK YOU SHOULD.
EXCUSE ME.
THE COVER, INCREDIBLE.
I LOVED YOUR LIPS.
I NEED TO TALK TO YOU.
I'M SORRY.
RUDE.
OKAY, I'LL BE JUST A SECOND.
NOW WHAT?
JAMES HAS BEEN TRYING
TO SCHEDULE AN APPOINTMENT WITH YOU,
AND YOU HAVEN'T GOTTEN BACK TO HIM.
I'VE BEEN BUSY.
DO YOU REALIZE THAT YOU REPORT TO ME?
AND IF I ASK TO SEE YOU,
THEN YOU MAKE IT HAPPEN.
I DON'T REPORT TO YOU, BETTE.
I DON'T REPORT TO ANYBODY.
YOU HAVE UNTIL TOMORROW.
OR WHAT?
I KNEW ABOUT IT BECAUSE SHE WAS MY T.A.
I SAW IT.
IT WAS LIKE ONE AFTER THE NEXT,
LIKE LITTLE MOTHS TO A FLAME.
SHE BURNED EVERY ONE OF THEM.
REALLY?
YOU KNOW, BUT...
WELL...
YOU READY?
YES.
OKAY, WELL, UM,
IT WAS REALLY GREAT TO SEE YOU.
YOU TOO.
GOOD LUCK WITH THE GALLERY.
THANK YOU.
I'LL SEE YOU SOON.
YEAH.
OKAY.
NICE TO MEET YOU.
[**]
YEAH, YOU TWO ARE A GREAT PAIR.
NO ALCOHOL, NO SEX, IT'S...
WELL, THAT'S WHAT YOU'VE GOT TO DO
TO KEEP YOUR SANITY,
AND NOT TO MENTION YOUR SHIRT ON
IN THIS BUSINESS.
BUT, I MEAN, I'M NOT A COMPLETE MONK.
I HAVE THE OCCASIONAL DRINK.
I EVEN HAVE SEX EVERY NOW AND THEN.
RIGHT, JUST NOT WITH PEOPLE YOU LIKE.
YEAH, THAT'S MY NEW M.O.
ALL BUSINESS, NO ATTACHMENTS.
WHAT THE FUCK?
WHAT?
12:00.
THE FILLING IN THE LESBO SANDWICH.
OOH! YOU GOT TO BE KIDDING ME.
DYLAN.
HAS SHE COME OUT OF THE CLOSET?
THAT GIRL USED TO BE STRAIGHT?
WELL, SHE WASN'T GAY
BACK WHEN SHE WAS FUCKING HELENA.
WOW, LOOKS LIKE SOMEONE'S CARPET'S
ABOUT TO GET MUNCHED.
ARE YOU OKAY?
OF COURSE.
WHY WOULDN'T I BE?
YOU'RE NOT FREAKING OUT?
NO.
THERE'S NO REASON TO.
BUT THAT'S THE WOMAN WHO EXTORTED YOU
FOR SEXUALLY HARASSING HER.
ALICE...
WHAT IS WRONG WITH YOU?
I'M JUST SAYING,
OF ALL THE GIN JOINTS IN ALL THE WORLD...
[VIDEO GAME BLARES]
[KNOCKS GENTLY]
I'VE BEEN CALLING YOU.
I KNOW.
MY PHONE BROKE.
[PIECE OF PHONE CRACKLE ON FLOOR]
I WANTED TO SAY I'M SORRY
FOR THE WAY I REACTED.
YOU JUST CAUGHT ME BY SURPRISE.
I...
THEN I STARTED THINKING ABOUT IT.
WHAT DO YOU THINK ABOUT HAVING THE BABY?
FUCK OFF.
DON'T YOU WANT TO BE
A COUPLE OF WEST HOLLYWOOD FAG DADS?
I DON'T KNOW.
I DON'T KNOW IF I CAN HANDLE THIS.
WE CAN HANDLE IT.
WE CAN.
WE BOTH MAKE A DECENT LIVING.
WE LOVE EACH OTHER.
WE SAID WE WANT TO SPEND OUR LIVES TOGETHER.
I'LL HAVE TO THINK ABOUT IT.
I'M SORRY I KICKED YOU IN THE BALLS.
I'M SORRY I KNOCKED YOU UP.
OH, MY GOD, SHE WAS SO IRRITATING.
DID YOU HEAR HER?
"LOOK AT YOUR BODY."
"ARE YOU STILL A RUNNER?"
[CHUCKLES]
WHILE YOU WERE TALKING TO JODI,
SHE ASKED ME IF YOU WERE STILL A PLAYER.
[SCOFFS]: I WAS NEVER A PLAYER.
THAT'S NOT WHAT KELLY SAID.
NO MATTER WHETHER YOU WERE IN A RELATIONSHIP OR NOT,
YOU ALWAYS HAD AT LEAST TWO OTHER WOMEN ON THE SIDE.
KELLY WAS TOO BUSY
FUCKING EVERY MALE PROFESSOR
TO PAY ATTENTION TO WHAT I WAS DOING.
OH, AND ANOTHER THING,
SHE'S SORRY
SHE DIDN'T TAKE YOU UP ON THAT OFFER
20 YEARS AGO.
DID YOU TELL HER WE'RE EXCLUSIVE?
NO, I DIDN'T, BETTE.
I FIGURED IF SOME GORGEOUS WOMAN
FROM YOUR PAST COMES ALONG,
TALKING ABOUT HOW HOT YOU ARE
AND HOW SORRY SHE IS
SHE DIDN'T SLEEP WITH YOU,
I'M NOT GOING TO BE THE ONE TO TELL HER
THAT YOU'RE NOT AVAILABLE FOR A RE-DO.
BUT YOU KNOW THAT I'M NOT.
[SIGHS]
BUT YOU WERE FLIRTING.
I WAS NOT FLIRTING.
YES, YOU WERE.
YOU CAN'T HELP IT.
WHAT, YOU NEVER FLIRT?
OF COURSE, I FLIRT, BUT IT'S DIFFERENT FOR YOU.
IT FEEDS YOU.
YOU FEED OFF PEOPLE WANTING YOU,
AND THEY DO WANT YOU.
IT'S...
IT'S LIKE BLOOD TO A VAMPIRE.
SO NOW I'M A VAMPIRE?
HMM?
I LOVE YOU.
I DON'T WANT TO DEPRIVE YOU OF SOMETHING
THAT'S SO FUNDAMENTAL TO WHO YOU ARE.
YOU NEED TO TRUST
THAT I KNOW WHO I AM...
AND I KNOW WHAT TO DO WITH IT.
I DON'T KNOW WHAT THAT MEANS.
[WHISPERING]: IT MEANS THAT EVERYONE ELSE CAN FUCK OFF.
BECAUSE I ONLY WANT YOU.
YOU'RE THE ONLY ONE I WANT TO BE WANTED BY.
[**]
THANK YOU, GORGEOUS.
HEY, HEY!
THANK YOU, THANK YOU.
GO, GO, GO...
ARE YOU WITH ME?
WHAT? WHAT ARE WE DOING?
GET MY BACK.
WHAT DID SHE DO TO HELENA?
I'LL TELL YOU IN A MINUTE, OKAY?
RIGHT NOW I WANT TO TELL HER
WHERE SHE GETS OFF MESSING WITH MY FRIEND.
I'M GOING TO TELL HER.
THIS IS ME TELLING HER.
OH! WHOA!
ALICE!
HI, DYLAN.
REALLY...
REALLY?
EXCUSE ME?
I DIDN'T COME...
HAIR.
THE HAIR AND THE DOCUMENTARIES?
UM, UH...
IT'S LIKE...
NOT...
GAY!
HELLO, DYLAN.
YEAH. THAT'S A GOOD ONE.
GOOD ONE. I GOT THIS.
ALICE...
SHE'S GOT IT.
HI.
YOU LOOK... YOU LOOK AMAZING.
CAN-CAN WE TALK?
OKAY, SO, BASICALLY,
THAT SKANKBALL DYLAN MORELAND ALMOST RUINED HELENA'S LIFE.
FIRST, SHE PRETENDED TO BE IN LOVE WITH HER, OKAY,
SO SHE AND HER BOYFRIEND COULD SUE HER
FOR SEXUAL HARASSMENT
AND EXTORT MILLIONS OF DOLLARS FROM HER.
HI, WE WERE-- SORRY, WE JUST LEFT.
YEAH...
CAN YOU BELIEVE IT?
GET ME A PELLEGRINO?
SO...
ARE YOU AWARE THAT THIS IS MY CLUB?
NO, I JUST CAME BACK INTO TOWN,
AND, I MEAN, I HEARD
THAT THIS WAS THE BEST GIRL CLUB IN L.A.
AND YOU WERE LOOKING FOR A GIRL CLUB?
A LESBIAN GIRL CLUB?
YES.
I MEAN, YOU KNOW, OBVIOUSLY, YOU...
YOU HELPED ME WITH THAT.
I...
I MEAN, I FINALLY FIGURED IT OUT, RIGHT?
GOOD.
UM...
I-I JUST...
I CAN'T BEGIN TO TELL YOU HOW SORRY I AM
ABOUT EVERYTHING,
ABOUT THE WAY I BEHAVED, THE WAY I TREATED YOU,
AND I DON'T EXPECT FOR YOU TO CARE ABOUT MY LIFE
AT ALL RIGHT NOW. I...
I-I CERTAINLY DON'T EXPECT FOR YOU TO CARE
THAT I'VE...
I'VE NEVER STOPPED THINKING ABOUT YOU,
EVER,
AND WISHING THAT I HAD MET YOU AT A DIFFERENT TIME IN MY LIFE.
I CAN GO IF YOU WANT ME TO GO--
NO.
NO, IT'S FINE.
LOOK, I ONLY CAME OVER
BECAUSE IT WOULD BE AWKWARD FOR ME NOT TO SAY ANYTHING,
ESPECIALLY SINCE IT'S MY CLUB.
JUST STAY, STAY.
HAVE A GOOD TIME, ENJOY IT.
BE WITH YOUR FRIENDS.
SO HER MOTHER GETS SO MAD
SHE CUTS HELENA OFF,
AND SHE HAS TO MOVE IN WITH ME
AND BECOME A COOK.
I WAS A CATERER.
WHICH WAS A DISASTER, AND LET'S FACE IT,
HELENA IS USED TO
A CERTAIN STANDARD OF LIVING.
SO SHE MEETS THIS SHADY HIGH-ROLLER LADY,
THEY HOOK UP,
BUT SHE USES HELENA AND TAKES ALL HER MONEY,
AND WHEN HELENA TAKES IT BACK--
AND WE STILL DON'T KNOW WHERE SHE BURIED IT--
SHE GETS ARRESTED AND HAS TO SHARE A CELL
WITH SOME KILLER!
SHE WAS IN FOR TAX FRAUD.
FINE!
SO HER MOTHER CAN'T TAKE IT ANYMORE,
SHE BAILS HELENA OUT,
BUT SHE DOESN'T WANT TO LIVE
UNDER HER MOTHER'S THUMB ANYMORE,
SO SHE SPRINGS DUSTY FROM JAIL,
THEY GO TO TAHA,
WHICH SHE DOESN'T EVER WANT TO TALK ABOUT,
SO IT COULDN'T HAVE BEEN THAT GREAT, RIGHT?
RIGHT.
AND HER MOTHER GETS STUNG BY A JELLYFISH,
ALL BECAUSE OF THIS WOMAN.
WANT ME TO KICK HER ASS?
NO. THANK YOU.
YOU'RE A BETTER PERSON THAN ME.
I'D HAVE TO BEAT A BITCH DOWN
SHE TRIED TO DO THAT SHIT TO ME.
ARE YOU OKAY?
I'M PERFECT.
AND DON'T GET ME STARTED ON THE KIDS,
'CAUSE WHERE DID THEY COME FROM?
[**]
I DON'T GIVE A FUCK
WHOSE IDEA IT WAS, YOU TOOK PART!
YOU MANIPULATED MY EMOTIONS,
YOU USED ME, AND YOU HUMILIATED ME,
AND YOU MUST BE FUCKING INSANE
TO THINK YOU CAN JUST PRANCE IN HERE,
ACT AS IF NOTHING EVER HAPPENED,
TELL ME THAT YOU'RE HAPPY,
TELL ME THAT YOU'RE OUT OF THE CLOSET,
TELL ME THAT YOU'RE OH, SO SORRY
FOR DESTROYING MY FUCKING LIFE!
FUCK YOU!
THANK YOU!
NOW I KNOW YOU CARE.
I NEED MY STUFF.
OPEN THE DOOR.
THANKS.
SO THAT'S IT?
YOU'RE DONE TRYING?
I'M OUT.
I DON'T SEE THE POINT WITH YOU ANYMORE.
SHANE, YOU KNOW THAT IT WAS YOU, RIGHT?
WHEN I SAID THAT "YOU BROKE MY HEART,"
I WAS TALKING ABOUT YOU.
YOU KNOW, WHEN I SAID IT,
I FELT LIKE MY HEART WAS BREAKING.
[SIGHS]
I TRIED TO TELL YOU ALL WEEK HOW SORRY I AM.
NO.
I'M NOT EVER GOING TO HURT YOU LIKE THAT AGAIN.
I ALSO REALIZED THAT I'M IN LOVE WITH YOU.
NOW I'M LIKE ALL THOSE STUPID GIRLS.
UM...
UH, JENNY?
WHAT?
COME HERE.
[**]