1 00:00:09,810 --> 00:00:11,112 PREVIOUSLY ON THE L WORD-- 2 00:00:11,145 --> 00:00:11,979 I DON'T WANT TO BREAK UP WITH YOU. 3 00:00:12,012 --> 00:00:13,381 DO YOU THINK WE SHOULD GO TO THERAPY? 4 00:00:13,414 --> 00:00:15,083 THERAPY'S FOR PEOPLE WITH PROBLEMS. 5 00:00:17,118 --> 00:00:18,519 TELL ME YOU NEVER WANT TO SEE ME AGAIN. 6 00:00:18,552 --> 00:00:20,754 I NEVER WANT TO SEE YOU AGAIN. 7 00:00:21,822 --> 00:00:22,923 WHAT I WANT TO DO NOW, KIT, 8 00:00:22,956 --> 00:00:26,260 IS JUST TO BE A REALLY GOOD BUSINESS PARTNER TO YOU 9 00:00:26,294 --> 00:00:27,561 IN THIS WHOLE NIGHTCLUB THING. 10 00:00:27,595 --> 00:00:28,662 "THE HIT CLUB!" 11 00:00:28,696 --> 00:00:30,798 HIT! IT'S A HIT. 12 00:00:30,831 --> 00:00:31,765 I'M GOING TO CALL WILLIAM. 13 00:00:31,799 --> 00:00:33,301 DID YOU HEAR WHAT HAPPENED WITH THE MOVIE? 14 00:00:33,334 --> 00:00:34,302 NO. 15 00:00:34,335 --> 00:00:35,303 RESHOOT THE ENDING. 16 00:00:35,336 --> 00:00:36,304 TO WHAT? 17 00:00:36,337 --> 00:00:37,371 JESSE GOES BACK TO JIM 18 00:00:37,405 --> 00:00:39,640 AND DECIDES SHE ISN'T REALLY A LESBIAN AFTER ALL. 19 00:00:39,673 --> 00:00:42,776 I DID NOT CALL YOU AT 2:15 IN THE MORNING 20 00:00:42,810 --> 00:00:44,312 TO ACCUSE YOU OF BEING A SELL-OUT! 21 00:00:44,345 --> 00:00:45,813 [DISCONNECTION TONE] 22 00:00:45,846 --> 00:00:46,847 [GASPS] 23 00:00:46,880 --> 00:00:47,781 OH, MY GOD. 24 00:00:47,815 --> 00:00:49,417 YOU NEED TO FIGHT FOR JENNY. 25 00:00:49,450 --> 00:00:50,818 YOU'RE MY BEST FRIEND I'VE EVER HAD, 26 00:00:50,851 --> 00:00:54,122 AND I AM PROFOUNDLY ASHAMED OF WHAT I'VE DONE. 27 00:00:54,155 --> 00:00:55,223 IT'S JENNY! 28 00:00:55,256 --> 00:00:56,524 SHE'S SAYING, "IF YOU STILL WANT 29 00:00:56,557 --> 00:00:57,725 TO COME OVER AND SEE ME, YOU CAN." 30 00:00:57,758 --> 00:00:59,160 YOU'RE NOTHING BUT A SELF-ABSORBED, 31 00:00:59,193 --> 00:01:01,162 SELF-INDULGENT LITTLE BRAT, 32 00:01:01,195 --> 00:01:05,266 AND OUR LITTLE FLING ON SET WAS A SHOWMANCE. 33 00:01:05,299 --> 00:01:08,469 IT'S TIME FOR YOU TO GO. 34 00:01:15,443 --> 00:01:17,478 OH, BABY, DON'T BE SAD. 35 00:01:17,511 --> 00:01:18,812 IT'S SO BORING. 36 00:01:18,846 --> 00:01:20,581 GET OFF ME. 37 00:01:20,614 --> 00:01:23,351 WHO THE HELL DOES SHE THINK SHE IS? 38 00:01:23,384 --> 00:01:25,553 SHE CALLED ME! SHE WANTED ME! 39 00:01:25,586 --> 00:01:28,189 AND THEN SHE GOES ALL PARIS-AND-BRITNEY ON ME, 40 00:01:28,222 --> 00:01:29,690 AND IT'S, LIKE, "OH, I NEVER REALLY LOVED YOU, 41 00:01:29,723 --> 00:01:31,459 AND IT WAS A SHOWMANCE!" 42 00:01:31,492 --> 00:01:35,129 I MEAN, CAN YOU BELIEVE THAT? 43 00:01:35,163 --> 00:01:36,797 SHE FUCKS ME ALL NIGHT LONG, 44 00:01:36,830 --> 00:01:38,899 AND THEN SHE HAS THE NERVE TO SAY THAT IT WAS A SHOWMANCE! 45 00:01:38,932 --> 00:01:40,868 I MEAN, I DON'T EVEN KNOW WHAT THE FUCK THAT IS! 46 00:01:40,901 --> 00:01:42,170 I'M GOOGLING. 47 00:01:42,203 --> 00:01:45,673 UH, IT'S, UH... IT'S A... 48 00:01:45,706 --> 00:01:47,208 "PHONY ROMANCE 49 00:01:47,241 --> 00:01:49,477 "THAT HAPPENS DURING A MOVIE OR A TV SHOW, 50 00:01:49,510 --> 00:01:51,645 "USUALLY BETWEEN TWO STARS, BUT IT CAN... 51 00:01:51,679 --> 00:01:53,347 ALSO BE BETWEEN THE STAR AND THE DIRECTOR--" 52 00:01:53,381 --> 00:01:56,750 YOU KNOW WHAT? I GOT IT, ALL RIGHT? 53 00:01:56,784 --> 00:01:59,653 DO YOU KNOW HOW MANY TIMES THAT SHE SAID THAT SHE LOVED ME? 54 00:01:59,687 --> 00:02:02,190 SHE IS OFFICIALLY A LIAR AND I OFFICIALLY HATE HER! 55 00:02:02,223 --> 00:02:03,657 YOU KNOW WHAT? FUCK HER! ALL RIGHT? 56 00:02:03,691 --> 00:02:06,394 I GROSSED OVER 60 MILLION ON MY OPENING WEEKEND 57 00:02:06,427 --> 00:02:08,762 AND SHE COULDN'T EVEN GET HIRED AS A P.A. ON MY NEXT MOVIE 58 00:02:08,796 --> 00:02:10,698 IF SHE PAID SOMEONE! 59 00:02:10,731 --> 00:02:13,234 GOD, MAKES YOU WONDER WHO BROKE HER HEART. 60 00:02:13,267 --> 00:02:14,668 I CAN'T BELIEVE SHE TOLD YOU IT WASN'T YOU. 61 00:02:14,702 --> 00:02:16,504 THAT WAS SO HARSH. 62 00:02:16,537 --> 00:02:19,607 YOU MUST FEEL HORRIBLE. 63 00:02:19,640 --> 00:02:20,641 [COOLLY]: YOU KNOW WHAT? 64 00:02:20,674 --> 00:02:21,709 YOU... 65 00:02:21,742 --> 00:02:23,444 ARE OUT OF MY FIVE. 66 00:02:23,477 --> 00:02:25,413 NIKKI, YOU'RE MY BEST FRIEND-- 67 00:02:25,446 --> 00:02:27,781 NOW GET OUT! 68 00:02:27,815 --> 00:02:30,918 RIGHT NOW. GET OUT! 69 00:02:30,951 --> 00:02:33,321 EVERYONE, GET OUT! 70 00:02:33,354 --> 00:02:34,422 EVERYONE! 71 00:02:34,455 --> 00:02:35,889 YOU, AND YOU, AND YOU, GET OUT! 72 00:02:35,923 --> 00:02:37,325 GIVE ME THIS. 73 00:02:37,358 --> 00:02:39,693 [SHRIEKS]: GET OUT! 74 00:02:39,727 --> 00:02:42,830 NOW! MOVE! 75 00:02:46,867 --> 00:02:51,872 JENNY SCHECTER IS A LIAR AND A USER, 76 00:02:51,905 --> 00:02:53,307 AND TRUST ME, 77 00:02:53,341 --> 00:02:56,644 YOU ARE NOT GOING TO GET AWAY WITH THIS. 78 00:02:56,677 --> 00:02:59,680 YOU ARE DEAD MEAT, SCHECTER. 79 00:02:59,713 --> 00:03:00,848 DEAD. 80 00:03:01,849 --> 00:03:04,752 [**] 81 00:03:04,785 --> 00:03:10,791 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 82 00:03:10,824 --> 00:03:17,798 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 83 00:03:17,831 --> 00:03:23,704 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 84 00:03:23,737 --> 00:03:30,744 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 85 00:03:38,051 --> 00:03:39,720 * TALKING, LAUGHING LOVING, BREATHING * 86 00:03:39,753 --> 00:03:41,455 * FIGHTING, FUCKING CRYING, DRINKING * 87 00:03:41,489 --> 00:03:42,890 * WRITING, WINNING LOSING, CHEATING * 88 00:03:42,923 --> 00:03:44,592 * KISSING, THINKING, DREAMING 89 00:03:44,625 --> 00:03:46,727 * THIS IS THE WAY... 90 00:03:46,760 --> 00:03:49,963 * IT'S THE WAY THAT WE LIVE * 91 00:03:49,997 --> 00:03:55,569 * IT'S THE WAY THAT WE LIVE 92 00:03:55,603 --> 00:04:02,009 * AND LOVE 93 00:04:02,042 --> 00:04:04,612 AND THIS IS WHERE THEY'RE GOING TO PUT THE NEW DJ BOOTH, 94 00:04:04,645 --> 00:04:05,979 SO, IF YOU NEED ANYTHING, JUST LET US KNOW, 95 00:04:06,013 --> 00:04:07,047 AND WE'LL GET YOU ALL THE RIGHT EQUIPMENT. 96 00:04:07,080 --> 00:04:08,882 OH, I'LL SEND YOU A LIST. 97 00:04:08,916 --> 00:04:10,318 [CHUCKLING] 98 00:04:10,351 --> 00:04:12,052 I LOVE THESE COLORS. 99 00:04:12,085 --> 00:04:14,888 OH, WE LOVE THEM, TOO! 100 00:04:14,922 --> 00:04:17,291 WE'RE GOING MOROCCAN, A SORT OF CASABLANCA THEME. 101 00:04:17,325 --> 00:04:18,559 IT'S OUR FAVORITE FILM. 102 00:04:18,592 --> 00:04:19,627 OH, SAY NO MORE. 103 00:04:19,660 --> 00:04:21,429 I LOVE BITTERSWEET. 104 00:04:21,462 --> 00:04:22,463 MM... 105 00:04:22,496 --> 00:04:25,499 SO, WHAT DO WE HAVE TO DO 106 00:04:25,533 --> 00:04:27,468 TO GET THE FABULOUS SUNSET BOULEVARD 107 00:04:27,501 --> 00:04:30,371 TO COME AND SPIN AT HIT? 108 00:04:30,404 --> 00:04:31,839 KEEP BEING THE FABULOUS KIT PORTER. 109 00:04:31,872 --> 00:04:33,707 YOU KNOW YOU'RE MY ULTIMATE R&B GODDESS? 110 00:04:33,741 --> 00:04:34,908 I DON'T KNOW ABOUT THE "ULTIMATE." 111 00:04:34,942 --> 00:04:36,810 WHOO! OOH-OOH-OOH! 112 00:04:36,844 --> 00:04:39,079 SOMEBODY'S BEEN WORKING OUT! 113 00:04:39,112 --> 00:04:40,648 MM-HMM. 114 00:04:40,681 --> 00:04:42,049 NOT THAT WE'RE INTO IT, YOU KNOW. 115 00:04:42,082 --> 00:04:44,785 WE-WE'VE BOTH SWORN OFF MEN. 116 00:04:44,818 --> 00:04:46,354 OH, AGES AGO. 117 00:04:46,387 --> 00:04:47,555 GOOD FOR YOU. 118 00:04:47,588 --> 00:04:48,722 YOU TWO GOT A GOOD THING GOIN' HERE. 119 00:04:48,756 --> 00:04:50,591 YOU DON'T NEED SOME MAN IN HERE 120 00:04:50,624 --> 00:04:51,992 MESSING IT UP. 121 00:04:52,025 --> 00:04:53,561 YEAH... 122 00:04:53,594 --> 00:04:54,895 SO, LET ME-- LET ME SHOW YOU 123 00:04:54,928 --> 00:04:56,730 ALL OF THE TEXTURES AND PATTERNS... 124 00:04:56,764 --> 00:04:59,967 [**] 125 00:05:11,078 --> 00:05:13,080 OKAY. 126 00:05:13,113 --> 00:05:15,649 OH, I'M GRANOLA AND FRUIT. 127 00:05:15,683 --> 00:05:17,017 BREAKFAST BURRITO. 128 00:05:17,050 --> 00:05:18,519 THANKS. 129 00:05:18,552 --> 00:05:21,855 [**] 130 00:05:24,458 --> 00:05:26,827 EXCUSE ME? 131 00:05:26,860 --> 00:05:27,961 I DIDN'T ORDER THAT. 132 00:05:27,995 --> 00:05:29,997 OH, THEY'RE FROM HER. 133 00:05:32,466 --> 00:05:33,534 [KIT]: JENNY? 134 00:05:33,567 --> 00:05:35,035 SHANE WANTS YOU TO KNOW 135 00:05:35,068 --> 00:05:37,871 THAT SHE MADE THEM ESPECIALLY FOR YOU. 136 00:05:41,742 --> 00:05:43,677 EXCUSE ME, ALICE? 137 00:05:43,711 --> 00:05:45,546 UH, HEY. 138 00:05:45,579 --> 00:05:46,714 DO YOU MIND JUST MENTIONING TO SHANE 139 00:05:46,747 --> 00:05:48,348 THAT I DON'T WANT HER WAFFLES? 140 00:05:49,450 --> 00:05:50,818 YEAH. 141 00:05:51,819 --> 00:05:52,786 HEY... 142 00:05:52,820 --> 00:05:54,455 UM... 143 00:05:54,488 --> 00:05:56,724 SHE DOESN'T WANT YOUR WAFFLES. 144 00:06:02,496 --> 00:06:05,132 HOW MUCH DO YOU LOVE THE NEW VALET SERVICE? 145 00:06:05,165 --> 00:06:06,600 OH, MY GOD, HELENA IS TAKING THIS PLACE 146 00:06:06,634 --> 00:06:08,936 TO A WHOLE NEW LEVEL. 147 00:06:08,969 --> 00:06:10,838 HI. OH, AND WAFFLES! 148 00:06:10,871 --> 00:06:12,105 LOOK. I LOVE IT, I LOVE WAFFLES. 149 00:06:12,139 --> 00:06:14,007 I'M GETTING WAFFLES. 150 00:06:18,879 --> 00:06:20,648 OR... NOT. 151 00:06:20,681 --> 00:06:22,616 JENNY, HAVEN'T YOU HEARD THAT THERE ARE PEOPLE 152 00:06:22,650 --> 00:06:23,884 STARVING IN THIS WORLD? 153 00:06:23,917 --> 00:06:26,487 I'M SURE THEY DON'T WANT WAFFLES, KIT. 154 00:06:31,224 --> 00:06:32,860 ROCK, PAPER, SCISSORS, SHOOT! 155 00:06:32,893 --> 00:06:34,595 OOH... 156 00:06:34,628 --> 00:06:35,896 OKAY, THAT'S ONE-TO-ONE. 157 00:06:35,929 --> 00:06:37,030 OKAY. 158 00:06:37,064 --> 00:06:38,999 ROCK, PAPER, SCISSORS, SHOOT! 159 00:06:39,032 --> 00:06:40,468 FUCK! 160 00:06:40,501 --> 00:06:41,769 WHY DO I ALWAYS LOSE? 161 00:06:41,802 --> 00:06:42,903 BECAUSE YOU'RE ALWAYS ROCK. 162 00:06:42,936 --> 00:06:43,904 IS THAT WHAT IT IS? 163 00:06:43,937 --> 00:06:44,972 MM-HMM. 164 00:06:45,005 --> 00:06:46,640 [SIGHS] 165 00:06:46,674 --> 00:06:48,141 HAVE FUN WITH THE MARTYRS. 166 00:06:48,175 --> 00:06:49,677 HAVE FUN WITH THE CHEATERS. 167 00:06:49,710 --> 00:06:51,945 MM. 168 00:06:59,086 --> 00:07:01,689 WOW, EVERYONE'S SO INDUSTRIOUS. 169 00:07:01,722 --> 00:07:02,923 WHAT ARE YOU DOING? 170 00:07:02,956 --> 00:07:04,458 STUDYING. 171 00:07:04,492 --> 00:07:05,859 I'M WRITING MY NEW TREATMENT. 172 00:07:05,893 --> 00:07:09,663 WHAT ARE YOU WRITING, ALICE? 173 00:07:09,697 --> 00:07:10,698 UM... 174 00:07:10,731 --> 00:07:12,099 A TREATMENT. 175 00:07:12,132 --> 00:07:13,834 HMM? 176 00:07:13,867 --> 00:07:15,669 A TREATMENT FOR A FILM? 177 00:07:15,703 --> 00:07:16,970 I JUST... 178 00:07:17,004 --> 00:07:19,673 I HAD THIS KIND OF KILLER IDEA, SO I THOUGHT, 179 00:07:19,707 --> 00:07:22,810 "I'LL JUST WRITE A GREAT SCREENPLAY" 180 00:07:22,843 --> 00:07:25,212 AND THEN SELL IT FOR MILLIONS, 181 00:07:25,245 --> 00:07:27,548 AND BUY A HOUSE IN MALIBU. 182 00:07:27,581 --> 00:07:28,682 I DON'T LIKE MALIBU. 183 00:07:28,716 --> 00:07:29,850 YOU'VE NEVER BEEN TO MALIBU. 184 00:07:29,883 --> 00:07:31,819 I HAVE BEEN THERE. 185 00:07:31,852 --> 00:07:33,554 I DIDN'T KNOW 186 00:07:33,587 --> 00:07:35,188 YOU WANTED TO BE A SCREENWRITER. 187 00:07:35,222 --> 00:07:38,526 WELL, I MEAN, YOU KNOW, I NEVER REALLY DID, REALLY, 188 00:07:38,559 --> 00:07:40,828 BUT I THOUGHT, "HOW HARD CAN IT BE?" 189 00:07:40,861 --> 00:07:41,862 RIGHT, JENNY? 190 00:07:41,895 --> 00:07:43,230 I MEAN, IT'S, LIKE... 191 00:07:43,263 --> 00:07:44,698 YOU GET PAID BIG-TIME. 192 00:07:44,732 --> 00:07:46,233 [JENNY]: MM-HMM. 193 00:07:46,266 --> 00:07:48,268 UM... UH, WELL, IF YOU-- 194 00:07:48,301 --> 00:07:50,070 ACTUALLY, ALICE, IF YOU WERE TO AMORTIZE 195 00:07:50,103 --> 00:07:52,640 THE PAYMENT OF THE 17 DRAFTS THAT I DID OF LEZ GIRLS, 196 00:07:52,673 --> 00:07:54,708 YOU'D SEE THAT YOU ACTUALLY 197 00:07:54,742 --> 00:07:57,210 DON'T GET PAID VERY MUCH, SO... 198 00:07:57,244 --> 00:08:00,147 ALICE IS WRITING A TREATMENT FOR A SCRIPT. 199 00:08:00,180 --> 00:08:01,515 I HOPE WE'RE NOT IN IT. 200 00:08:01,549 --> 00:08:02,850 AMEN TO THAT. 201 00:08:02,883 --> 00:08:04,518 ACTUALLY, WRITING A GOOD SCREENPLAY 202 00:08:04,552 --> 00:08:06,119 IS WHAT'S REALLY HARD, 203 00:08:06,153 --> 00:08:08,889 AND JENNY'S BECOME A VERY GOOD SCREENWRITER. 204 00:08:08,922 --> 00:08:09,857 THANK YOU, TINA. 205 00:08:09,890 --> 00:08:11,258 YOU SHOULD ASK HER TO READ YOUR TREATMENT. 206 00:08:12,760 --> 00:08:14,227 SURE. 207 00:08:14,261 --> 00:08:17,130 SURE, SURE, SURE... 208 00:08:17,164 --> 00:08:20,267 I WOULD LOVE TO GIVE YOU NOTES. 209 00:08:20,300 --> 00:08:22,235 MM-HMM. 210 00:08:25,305 --> 00:08:27,875 WHAT? I NEED THE CARBS FOR TRAINING! 211 00:08:27,908 --> 00:08:29,242 WELL, DO YOU NEED 'EM THAT FAST? 212 00:08:29,276 --> 00:08:32,179 YOU'RE GETTING CRUMBS ALL OVER YOUR SUIT. 213 00:08:35,348 --> 00:08:37,885 WOW, YOU LOOK AMAZING. 214 00:08:37,918 --> 00:08:39,119 THANK YOU. 215 00:08:39,152 --> 00:08:40,287 I DRESSED HER. 216 00:08:40,320 --> 00:08:41,288 [CHUCKLES] 217 00:08:41,321 --> 00:08:42,289 DO A LITTLE SPINSIE, COME ON. 218 00:08:42,322 --> 00:08:43,891 NO. 219 00:08:43,924 --> 00:08:46,026 IT'S HER FIRST DAY AT THE POLICE ACADEMY, SO... 220 00:08:46,059 --> 00:08:47,027 EXCITED? 221 00:08:47,060 --> 00:08:49,029 YEAH, I AM, ACTUALLY, 222 00:08:49,062 --> 00:08:50,263 BUT MY FRIEND SAID THE TRAINING'S REALLY... 223 00:08:50,297 --> 00:08:51,699 IT'S REALLY ROUGH. 224 00:08:51,732 --> 00:08:54,167 I TRIED TO DRESS HER IN MY MARNI, 225 00:08:54,201 --> 00:08:55,268 BUT SHE THOUGHT SHE LOOKED LIKE A GIRL. 226 00:08:55,302 --> 00:08:56,269 [TASHA]: IT WAS INAPPROPRIATE. 227 00:08:56,303 --> 00:08:57,270 YOU LOOKED SO GOOD IN THAT, 228 00:08:57,304 --> 00:08:58,138 YOU KNOW IT. 229 00:08:58,171 --> 00:09:00,173 YOU JUST HATE TO LOOK GOOD OR SOMETHING. 230 00:09:00,207 --> 00:09:01,809 WHAT THE FUCK IS THAT SUPPOSED TO MEAN? 231 00:09:01,842 --> 00:09:03,711 [STAMMERING] 232 00:09:03,744 --> 00:09:05,178 THERE'S, LIKE, A LACK OF EFFORT. 233 00:09:05,212 --> 00:09:06,313 [MESSAGE ALERT CHIMES] 234 00:09:06,346 --> 00:09:08,015 SOMETHING ABOUT FASHION. 235 00:09:08,048 --> 00:09:09,983 "FASHION FAUX-PAS." I DON'T KNOW. 236 00:09:12,252 --> 00:09:13,821 WHEN ARE YOU GUYS GOING TO GO TO THERAPY? 237 00:09:21,261 --> 00:09:24,698 THERE'S A THING CALLED "PRIVACY," ALICE. 238 00:09:30,103 --> 00:09:31,605 [MESSAGE CHIMES] 239 00:09:31,639 --> 00:09:33,240 UH-OH. "PRIVACY." 240 00:09:33,273 --> 00:09:36,309 SO I'LL SEE YOU AT DAN FOXWORTHY'S AT 6:00? 241 00:09:36,343 --> 00:09:37,778 THERE'S PARKING IN THE... 242 00:09:37,811 --> 00:09:38,812 BUILDING. 243 00:09:38,846 --> 00:09:39,947 WOW, LOOK AT YOU! 244 00:09:39,980 --> 00:09:44,084 YOU LOOK A MILLION DOLLARS. 245 00:09:44,117 --> 00:09:45,285 FUCK, YOU KNOW? 246 00:09:45,318 --> 00:09:47,320 BAD VIBES. 247 00:09:47,354 --> 00:09:48,355 YOU AND SHANE 248 00:09:48,388 --> 00:09:49,690 SHOULD WORK YOUR SHIT OUT, 249 00:09:49,723 --> 00:09:50,758 BECAUSE THIS PLACE IS BECOMING 250 00:09:50,791 --> 00:09:53,827 LIKE THE BLACK HOLE OF CALCUTTA. 251 00:09:54,795 --> 00:09:55,963 IT'S SO GOOD 252 00:09:55,996 --> 00:09:57,197 TO SEE WE'RE STILL ASUNDER. 253 00:09:57,230 --> 00:09:59,900 NOTHING LIKE A LITTLE DYKE DRAMA TO CLEAR THE PLACE OUT, HEY? 254 00:09:59,933 --> 00:10:01,669 THAT'S WHAT I'M SAYING! 255 00:10:01,702 --> 00:10:02,736 BAD VIBES, MAN. 256 00:10:02,770 --> 00:10:03,737 [JENNY]: HELENA? 257 00:10:03,771 --> 00:10:04,972 MM-HMM? 258 00:10:05,005 --> 00:10:06,373 WHY DON'T YOU COME AND SIT WITH US? 259 00:10:06,406 --> 00:10:08,241 NO, I'M... 260 00:10:08,275 --> 00:10:09,109 NOT PICKING SIDES, ALL RIGHT? 261 00:10:09,142 --> 00:10:10,277 I... I LOVE YOU BOTH. 262 00:10:10,310 --> 00:10:11,712 GOING FOR A RUN. 263 00:10:11,745 --> 00:10:14,381 GO, SWITZERLAND. MM... 264 00:10:14,414 --> 00:10:16,083 WE HAVE SOME GOOD NEWS! 265 00:10:16,116 --> 00:10:17,150 YEAH, WE HAVE GOOD NEWS. 266 00:10:17,184 --> 00:10:18,285 YEAH, GOOD NEWS. 267 00:10:18,318 --> 00:10:19,352 DO YOU WANT TO TELL THEM? 268 00:10:19,386 --> 00:10:22,122 WHY DON'T YOU TELL THEM? 269 00:10:22,155 --> 00:10:24,858 BETTE AND I ARE REGISTERED WITH THREE DIFFERENT AGENCIES, 270 00:10:24,892 --> 00:10:26,393 AND THEY SAID THE CHANCE OF US 271 00:10:26,426 --> 00:10:28,762 GETTING A BABY WITHIN THE NEXT SIX MONTHS 272 00:10:28,796 --> 00:10:29,963 IS REALLY GOOD. 273 00:10:29,997 --> 00:10:32,866 WHAT? WHOA... 274 00:10:32,900 --> 00:10:34,802 CONGRATULATIONS. 275 00:10:34,835 --> 00:10:35,969 AND THEN WE'RE STARTING CONSTRUCTION ON A SECOND STORY, 276 00:10:36,003 --> 00:10:37,070 YOU KNOW, 'CAUSE WE NEED ANOTHER BEDROOM. 277 00:10:37,104 --> 00:10:38,872 BUT I THOUGHT YOU GUYS WERE TALKING ABOUT SELLING? 278 00:10:38,906 --> 00:10:40,173 WE'RE STAYING. 279 00:10:40,207 --> 00:10:41,208 WE COULDN'T SELL, NOT NOW. 280 00:10:41,241 --> 00:10:42,743 I MEAN, WITH THE PROPERTY VALUES 281 00:10:42,776 --> 00:10:45,245 CRUMBLING AND EVERYTHING, SO... 282 00:10:45,278 --> 00:10:47,247 WHEN WERE YOU GOING TO TELL ME ABOUT CONSTRUCTION? 283 00:10:47,280 --> 00:10:48,882 WE'RE TELLING YOU NOW. 284 00:10:48,916 --> 00:10:49,883 WE HAVE TO. 285 00:10:49,917 --> 00:10:51,384 WE NEED ROOM FOR THE BABY. 286 00:10:51,418 --> 00:10:54,722 HOW AM I SUPPOSED TO WRITE WITH ALL THAT NOISE? 287 00:10:54,755 --> 00:10:55,989 I'M SORRY, JENNY. 288 00:10:56,023 --> 00:10:59,359 WE'LL DO OUR BEST NOT TO DISTURB YOU, 289 00:10:59,392 --> 00:11:02,930 BUT YOU MIGHT WANT TO GET SOME EARPLUGS. 290 00:11:02,963 --> 00:11:05,766 I HAVE TO GET A NEW ROOMMATE. 291 00:11:05,799 --> 00:11:07,334 IT'S GOING TO BE IMPOSSIBLE, 292 00:11:07,367 --> 00:11:08,769 WITH YOUR RACKET. 293 00:11:08,802 --> 00:11:11,772 JENNY, PLEASE, YOU DON'T NEED A NEW ROOMMATE. 294 00:11:11,805 --> 00:11:13,440 YOU HAVE NOT SPOKEN TO ME IN A WEEK. 295 00:11:13,473 --> 00:11:14,708 WILL YOU JUST TALK TO ME? 296 00:11:14,742 --> 00:11:15,976 I KNOW WE CAN WORK THIS OUT. 297 00:11:16,009 --> 00:11:18,378 OH, RIGHT, SO, YOU WANT ME TO FORGIVE YOU 298 00:11:18,411 --> 00:11:19,747 BECAUSE YOU MADE ME WAFFLES? 299 00:11:19,780 --> 00:11:22,115 [SHANE]: WELL, WHY WOULDN'T YOU? 300 00:11:22,149 --> 00:11:24,051 BECAUSE. 301 00:11:24,084 --> 00:11:26,253 YOU CREATE THIS TRAIL OF DESTRUCTION 302 00:11:26,286 --> 00:11:28,856 AND YOU DON'T TAKE ANY RESPONSIBILITY FOR IT. 303 00:11:28,889 --> 00:11:31,925 WHY SHOULD YOU BE THE ONLY ONE THAT DOESN'T PAY? 304 00:11:31,959 --> 00:11:34,094 I AM PAYING. 305 00:11:35,763 --> 00:11:38,966 YOU ARE SO FULL OF SHIT. 306 00:11:43,503 --> 00:11:45,939 THE BLACK HOLE. 307 00:11:48,075 --> 00:11:49,042 HEY. 308 00:11:49,076 --> 00:11:50,377 HOW YOU DOING? 309 00:11:50,410 --> 00:11:52,045 SO YOU'RE PUTTING IN THOSE FLOWER BOXES 310 00:11:52,079 --> 00:11:53,180 JENNY WANTED, HUH? 311 00:11:53,213 --> 00:11:54,347 YEP. 312 00:11:54,381 --> 00:11:55,816 HOW MANY MORE THINGS 313 00:11:55,849 --> 00:11:57,250 ARE YOU GOING TO DO FOR HER? 314 00:11:57,284 --> 00:11:58,952 I DON'T KNOW YET. 315 00:12:01,188 --> 00:12:02,923 MAX... 316 00:12:02,956 --> 00:12:04,191 HEY. 317 00:12:04,224 --> 00:12:06,960 THERE'S SOMETHING WRONG WITH MY COMPUTER 318 00:12:06,994 --> 00:12:08,095 AND I'M WONDERING IF YOU COULD FIX IT? 319 00:12:08,128 --> 00:12:09,029 KNOW WHAT? I CAN'T, 320 00:12:09,062 --> 00:12:11,431 BECAUSE I'M GOING TO MY FINAL CONSULT TODAY. 321 00:12:11,464 --> 00:12:14,134 OH. GREAT. 322 00:12:21,141 --> 00:12:22,242 GOOD LUCK. 323 00:12:22,275 --> 00:12:24,044 THANKS. 324 00:12:24,077 --> 00:12:25,512 BYE. 325 00:12:25,545 --> 00:12:27,280 ALL RIGHT, ARE YOU READY FOR THIS? 326 00:12:27,314 --> 00:12:29,149 DO IT! 327 00:12:31,351 --> 00:12:32,385 I LOVE IT. 328 00:12:32,419 --> 00:12:33,520 LOVE IT. 329 00:12:33,553 --> 00:12:34,855 LOVE IT! 330 00:12:34,888 --> 00:12:35,956 WE THOUGHT YOU WOULD. 331 00:12:35,989 --> 00:12:37,057 THE GIRLS. 332 00:12:37,090 --> 00:12:38,258 SO FUCKIN' HOT. 333 00:12:38,291 --> 00:12:40,393 THIS THING IS GOING TO MAKE SEX AND THE CITY 334 00:12:40,427 --> 00:12:41,862 LOOK LIKE A DISNEY MOVIE. 335 00:12:41,895 --> 00:12:43,263 WHAT'S "THE GIRLS?" 336 00:12:43,296 --> 00:12:45,966 THE MOVIE IS CALLED "LEZ GIRLS." 337 00:12:45,999 --> 00:12:47,901 "LEZ." 338 00:12:47,935 --> 00:12:49,469 I HAVEN'T HAD A CHANCE TO TALK TO TINA 339 00:12:49,502 --> 00:12:51,004 ABOUT THE MARKET RESEARCH. 340 00:12:51,038 --> 00:12:52,339 I'LL FILL YOU IN IN A MINUTE. 341 00:12:52,372 --> 00:12:53,340 AARON-- 342 00:12:53,373 --> 00:12:54,441 IN THE MEANTIME, 343 00:12:54,474 --> 00:12:56,076 WHY DON'T JUST GIVE ME A BRIEFING 344 00:12:56,109 --> 00:12:58,278 ON THE RELEASE? 345 00:12:58,311 --> 00:12:59,346 AFTER THE INITIAL TWO WEEKS, 346 00:12:59,379 --> 00:13:00,413 WE'LL GO WIDE. 347 00:13:00,447 --> 00:13:02,015 WE HAVE 2,000 SCREENS NATIONWIDE 348 00:13:02,049 --> 00:13:03,416 AND SELECT CITIES IN EUROPE. 349 00:13:03,450 --> 00:13:04,885 FRANCE IS GOING TO EAT THIS UP-- 350 00:13:04,918 --> 00:13:05,986 WHOA, NO. 351 00:13:06,019 --> 00:13:08,155 NO, WHAT? 352 00:13:08,188 --> 00:13:10,290 NO. 353 00:13:10,323 --> 00:13:11,524 NO WAY. 354 00:13:11,558 --> 00:13:13,560 I AM NOT GOING TO LET YOU GET AWAY WITH THIS. 355 00:13:13,593 --> 00:13:16,563 I'M NOT GOING TO LET YOU MARKET THIS 356 00:13:16,596 --> 00:13:18,331 AS SOME BULLSHIT BOY-MEETS-GIRL LOVE STORY! 357 00:13:18,365 --> 00:13:19,566 THAT'S NOT WHAT THIS IS. 358 00:13:19,599 --> 00:13:20,868 IT'S MORE THAN THAT. 359 00:13:20,901 --> 00:13:22,402 IT'S BOY-MEETS-GIRL, 360 00:13:22,435 --> 00:13:23,871 BOY-ALMOST-LOSES-GIRL-TO-GIRL-- 361 00:13:23,904 --> 00:13:24,938 BUT IN THE END, 362 00:13:24,972 --> 00:13:26,306 THE AUDIENCE WANTS LOVE TO PREVAIL. 363 00:13:26,339 --> 00:13:27,574 THAT'S THE WINNER HERE. 364 00:13:27,607 --> 00:13:28,842 THE NEW ENDING TESTED THROUGH THE ROOF. 365 00:13:28,876 --> 00:13:30,978 WHAT? 366 00:13:31,011 --> 00:13:32,312 THE NEW... 367 00:13:32,345 --> 00:13:34,314 WHAT DO YOU MEAN THE NEW ENDING TESTED? 368 00:13:34,347 --> 00:13:35,448 WHEN DID YOU HAVE A TEST SCREENING? 369 00:13:35,482 --> 00:13:37,484 GET ON BOARD, TINA. 370 00:13:37,517 --> 00:13:39,552 THE TRAIN'S NOT GOING TO LEZZIE TOWN. 371 00:13:43,156 --> 00:13:45,392 THIS IS AMAZING. 372 00:13:45,425 --> 00:13:47,027 ART JOURNAL USES THE CORRELATION 373 00:13:47,060 --> 00:13:49,529 ABOUT HOW SHE USES HUMAN EMOTIONS 374 00:13:49,562 --> 00:13:52,065 LIKE PIECES OF SCRAP METAL, 375 00:13:52,099 --> 00:13:55,268 WORDS LIKE FOUND MATERIALS. 376 00:13:55,302 --> 00:13:56,603 IT WORKS ON SO MANY LEVELS. 377 00:13:56,636 --> 00:13:57,504 HERE'S THE CURATOR 378 00:13:57,537 --> 00:14:00,040 WHO TOLD PEOPLE THEIR WORK WASN'T WORTHY, 379 00:14:00,073 --> 00:14:02,209 THE GALLERIST WHO WOULDN'T SHOW AN ARTIST, 380 00:14:02,242 --> 00:14:03,476 AND NOW THE DEAN 381 00:14:03,510 --> 00:14:05,979 WHO REJECTS APPLICATIONS. 382 00:14:06,013 --> 00:14:07,981 EXACTLY. 383 00:14:08,015 --> 00:14:10,617 A WOMAN WHO HAS STOOD IN JUDGMENT OF OUR ART 384 00:14:10,650 --> 00:14:12,052 HER ENTIRE CAREER 385 00:14:12,085 --> 00:14:13,954 IS NOW BEING THRUST INTO THE SPOTLIGHT 386 00:14:13,987 --> 00:14:16,189 AS THE ART OBJECT. 387 00:14:16,223 --> 00:14:17,657 IT'S BRILLIANT. 388 00:14:17,690 --> 00:14:19,192 THIS KIND OF PRAISE 389 00:14:19,226 --> 00:14:21,361 IS FANTASTIC FOR OUR PROGRAM. 390 00:14:21,394 --> 00:14:23,430 I CAN GUARANTEE THAT WE'RE GOING TO SEE-- 391 00:14:23,463 --> 00:14:25,432 ...USE THE SAME MATERIALS THROUGHOUT. 392 00:14:25,465 --> 00:14:27,100 I WANT THE FLOORS TO HAVE THE SAME PATINA. 393 00:14:27,134 --> 00:14:28,235 I'LL CALL YOU RIGHT BACK. 394 00:14:28,268 --> 00:14:30,070 ALL RIGHT. 395 00:14:30,103 --> 00:14:31,204 FORGIVE ME. 396 00:14:31,238 --> 00:14:33,106 I HAD THE CONTRACTOR ON THE PHONE. 397 00:14:33,140 --> 00:14:34,574 YOU KNOW WE'RE DOING THAT SECOND STOREY 398 00:14:34,607 --> 00:14:36,643 ON THE HOUSE, FOR THE BABY-- 399 00:14:36,676 --> 00:14:38,645 PHYLLIS, DO YOU MIND JUST FINISHING WHAT YOU WERE SAYING? 400 00:14:38,678 --> 00:14:40,380 WELL, WHAT I WAS SAYING WAS, 401 00:14:40,413 --> 00:14:43,383 THAT BASED ON CU'S ASSOCIATION WITH JODI, 402 00:14:43,416 --> 00:14:45,052 I WOULDN'T BE SURPRISED 403 00:14:45,085 --> 00:14:46,653 IF WE SEE A SIGNIFICANT INCREASE IN APPLICANTS 404 00:14:46,686 --> 00:14:48,588 THIS COMING SEMESTER. 405 00:15:00,300 --> 00:15:01,568 SO MY GOAL IS 406 00:15:01,601 --> 00:15:03,536 TO BE ABLE TO TAKE MY SHIRT OFF AT THE BEACH IN, LIKE, A YEAR. 407 00:15:03,570 --> 00:15:05,272 THAT'S MY GOAL. 408 00:15:05,305 --> 00:15:06,473 FEEL MY PECS. 409 00:15:06,506 --> 00:15:08,708 I'VE BEEN DOING 200 PUSH-UPS A DAY. 410 00:15:08,741 --> 00:15:10,077 I FEEL I'M ALREADY BIGGER THAN TOM. 411 00:15:10,110 --> 00:15:11,244 THAT'S VERY GOOD. 412 00:15:11,278 --> 00:15:12,912 THAT'S IMPRESSIVE, MAX. 413 00:15:14,447 --> 00:15:16,083 YEAH, I THINK I'M DOING GOOD WITH THE CONTOUR. 414 00:15:16,116 --> 00:15:17,517 I JUST, I HOPE I GROW MORE CHEST HAIR 415 00:15:17,550 --> 00:15:19,419 TO COVER UP THE SCARS. 416 00:15:19,452 --> 00:15:21,021 HMM, WELL, I THINK DR. STENHOUSE 417 00:15:21,054 --> 00:15:23,290 IS GOING TO TRY TO DO A KEYHOLE PROCEDURE ON YOU. 418 00:15:23,323 --> 00:15:24,691 YEAH, I'M HOPING SO. 419 00:15:24,724 --> 00:15:27,294 AND YOU'RE SCHEDULED FOR SURGERY ON WEDNESDAY? 420 00:15:27,327 --> 00:15:28,428 YEAH, HE CALLED ME THIS MORNING, 421 00:15:28,461 --> 00:15:29,963 AND HE SAID THAT, UM, 422 00:15:29,997 --> 00:15:30,964 AS SOON AS HE GETS THE LAB REPORTS, WE'RE-- 423 00:15:30,998 --> 00:15:31,731 MAX... 424 00:15:31,764 --> 00:15:32,699 YEAH? 425 00:15:32,732 --> 00:15:36,636 I'M AFRAID THERE'S A PROBLEM. 426 00:15:36,669 --> 00:15:38,305 WHAT'S THE PROBLEM? 427 00:15:41,374 --> 00:15:44,144 YOU'RE PREGNANT. 428 00:15:47,214 --> 00:15:48,515 NO, I CAN'T-- I CAN'T BE PREGNANT. 429 00:15:48,548 --> 00:15:49,582 I'VE BEEN TAKING TESTOSTERONE-- 430 00:15:49,616 --> 00:15:50,383 HAVE YOU HAD INTERCOURSE? 431 00:15:50,417 --> 00:15:52,185 HAVE YOU AND TOM HAD UNPROTECTED SEX? 432 00:15:52,219 --> 00:15:54,687 YEAH, BUT WE'VE BOTH BEEN TESTED FOR HIV. 433 00:15:54,721 --> 00:15:56,389 WE'VE BEEN MONOGAMOUS. 434 00:15:56,423 --> 00:15:58,325 MAX, IF YOU AND TOM HAVE HAD VAGINAL SEX-- 435 00:15:58,358 --> 00:16:02,095 I KNOW YOU MIGHT NOT CALL IT THAT, 436 00:16:02,129 --> 00:16:04,431 BUT, UNFORTUNATELY, 437 00:16:04,464 --> 00:16:06,666 THAT DOESN'T STOP IT FROM WORKING THE SAME WAY. 438 00:16:06,699 --> 00:16:08,201 TAKING TESTOSTERONE 439 00:16:08,235 --> 00:16:10,737 DOESN'T SHUT DOWN THE REPRODUCTIVE SYSTEM. 440 00:16:10,770 --> 00:16:13,506 WELL THEN, WHAT ABOUT MY SURGERY? 441 00:16:15,375 --> 00:16:17,344 WE'RE GOING TO HAVE TO POSTPONE YOUR SURGERY. 442 00:16:17,377 --> 00:16:20,013 WE'RE GOING TO HAVE TO FIND OUT 443 00:16:20,047 --> 00:16:21,348 HOW FAR ALONG YOU ARE, 444 00:16:21,381 --> 00:16:23,416 AND YOU'RE GOING TO HAVE TO DECIDE 445 00:16:23,450 --> 00:16:28,088 WHAT YOU WANT TO DO ABOUT IT. 446 00:16:28,121 --> 00:16:29,722 HAVE YOUR BUDGETS IN BY THE END OF THE WEEK. 447 00:16:29,756 --> 00:16:32,225 WE CANNOT AFFORD TO HAVE THE ART DEPARTMENT 448 00:16:32,259 --> 00:16:33,226 LAST AT THE TROUGH AGAIN. 449 00:16:33,260 --> 00:16:34,494 THANK YOU. 450 00:16:34,527 --> 00:16:35,628 [MESSAGE CHIMES] 451 00:16:44,671 --> 00:16:48,308 CAN I ASK HOW SHE RESPONDED? 452 00:16:48,341 --> 00:16:49,676 OUR DEAN, 453 00:16:49,709 --> 00:16:53,113 HOW DID SHE RESPOND TO THE WORK? 454 00:16:57,284 --> 00:16:58,385 [PATS TABLE FOR ATTENTION] 455 00:16:59,686 --> 00:17:01,254 HE ASKED 456 00:17:01,288 --> 00:17:03,490 HOW I RESPONDED TO YOUR WORK? 457 00:17:03,523 --> 00:17:06,393 OH. I DON'T KNOW. 458 00:17:06,426 --> 00:17:08,395 BETTE... 459 00:17:08,428 --> 00:17:10,563 HOW DID YOU LIKE THE SHOW? 460 00:17:16,703 --> 00:17:19,206 WELL, I CAN'T. I HAVE PLANS. 461 00:17:27,180 --> 00:17:29,249 CAN I TALK TO YOU, PLEASE? 462 00:17:29,282 --> 00:17:30,217 SURE. 463 00:17:30,250 --> 00:17:32,352 LET'S GO TO MY OFFICE. 464 00:17:34,321 --> 00:17:35,622 I HOPE PRESTON DIDN'T BOTHER YOU. 465 00:17:35,655 --> 00:17:38,125 HE'S AN OLD FOOL WITH A PENCHANT FOR GOSSIP. 466 00:17:38,158 --> 00:17:39,058 IT WASN'T REALLY ABOUT PRESTON. 467 00:17:39,092 --> 00:17:40,660 I MEAN, THE TRUTH IS THAT JODI'S BEHAVIOR 468 00:17:40,693 --> 00:17:42,129 WAS COMPLETELY INAPPROPRI... 469 00:17:42,162 --> 00:17:44,831 BABY, WHEN IT COMES DOWN TO IT, 470 00:17:44,864 --> 00:17:47,434 THIS IS ALL I HAVE TO OFFER YOU, 471 00:17:47,467 --> 00:17:48,668 AND IF YOU CAN LOVE THIS-- 472 00:17:48,701 --> 00:17:50,270 JOYCE! COVER YOUR JUNK. 473 00:17:50,303 --> 00:17:51,171 SORRY, BETTE. 474 00:17:51,204 --> 00:17:52,705 BETTE... 475 00:17:52,739 --> 00:17:54,174 WE'LL RESCHEDULE? 476 00:17:54,207 --> 00:17:56,576 JOYCE, WHAT ARE YOU DOING? 477 00:17:56,609 --> 00:17:57,844 YOU CAN'T JUST POP OUT FROM BEHIND A PLANT 478 00:17:57,877 --> 00:17:59,312 BUCK NAKED. 479 00:17:59,346 --> 00:18:00,780 WE HAVE RULES HERE. 480 00:18:00,813 --> 00:18:02,315 I CHECKED FIRST 481 00:18:02,349 --> 00:18:04,717 TO MAKE SURE YOU DIDN'T HAVE ANYTHING. 482 00:18:04,751 --> 00:18:06,653 I WAS ACTING WITH MY HEART. 483 00:18:06,686 --> 00:18:09,122 I'M A WOMAN IN LOVE. 484 00:18:09,156 --> 00:18:10,490 PLEASE, TAKE A LOAD OFF. 485 00:18:16,296 --> 00:18:20,300 PHYLLIS ELEANOR VICTORIA KROLL, 486 00:18:20,333 --> 00:18:22,702 YOU ARE ONE HELL OF A WOMAN, 487 00:18:22,735 --> 00:18:24,904 AND WHILE THE LAW IN THE STATE OF CALIFORNIA 488 00:18:24,937 --> 00:18:27,374 CONTINUES TO ACKNOWLEDGE OUR LOVE, 489 00:18:27,407 --> 00:18:30,310 I WOULD LIKE TO ASK YOU TO TAKE MY HAND 490 00:18:30,343 --> 00:18:31,511 IN HOLY MATRIMONY. 491 00:18:33,480 --> 00:18:34,747 JOYCE-- 492 00:18:34,781 --> 00:18:36,383 AH, AH, AH... 493 00:18:39,919 --> 00:18:41,854 [GASPS] 494 00:18:43,756 --> 00:18:45,358 I DON'T KNOW WHAT TO SAY. 495 00:18:45,392 --> 00:18:46,626 SAY YES. 496 00:18:46,659 --> 00:18:48,528 HOW MANY CARATS IS THIS? 497 00:18:48,561 --> 00:18:49,529 FOUR. 498 00:18:49,562 --> 00:18:50,697 SAY YES. 499 00:18:50,730 --> 00:18:52,332 HOW MUCH DID YOU SPEND? THIS MUST HAVE COST A FORTUNE. 500 00:18:52,365 --> 00:18:53,766 I HAVE A FRIEND WHO'S GOT A FRIEND. 501 00:18:53,800 --> 00:18:56,769 SAY YES, PHYLLIS, PLEASE. 502 00:18:56,803 --> 00:19:00,373 BUT I SAID I NEVER WANTED TO GET MARRIED AGAIN. 503 00:19:00,407 --> 00:19:01,674 WE'LL GO TO SAN FRANCISCO. 504 00:19:01,708 --> 00:19:04,277 WE'LL GET MARRIED ON THE STEPS OF CITY HALL. 505 00:19:04,311 --> 00:19:05,512 GAVIN SAID HE'D MARRY US. 506 00:19:05,545 --> 00:19:07,780 GAVIN NEWSOM... 507 00:19:07,814 --> 00:19:09,516 THE MAYOR OF SAN FRANCISCO. 508 00:19:09,549 --> 00:19:10,717 THAT'S RIGHT. 509 00:19:10,750 --> 00:19:14,221 I'VE RAISED A LOT OF MONEY FOR THAT GUY. 510 00:19:14,254 --> 00:19:17,390 SAY YES, PHYLLIS. 511 00:19:17,424 --> 00:19:18,825 I'M FREEZING. 512 00:19:26,733 --> 00:19:27,800 YES. 513 00:19:27,834 --> 00:19:30,403 HOT DAMN, LADY! 514 00:19:30,437 --> 00:19:31,571 COME HERE, YOU! 515 00:19:31,604 --> 00:19:33,406 [LAUGHING] 516 00:19:33,440 --> 00:19:37,444 OH, YOU'VE MADE ME ONE HAPPY WOMAN. 517 00:19:44,617 --> 00:19:48,288 [GIGGLING] 518 00:19:48,321 --> 00:19:49,589 WHO WANTS TO TELL ME WHY YOU'RE HERE? 519 00:19:49,622 --> 00:19:51,424 OH, WE'RE JUST HERE FOR A TUNE-UP. 520 00:19:51,458 --> 00:19:52,792 DOES THAT SEEM LIKE AN ACCURATE ASSESSMENT 521 00:19:52,825 --> 00:19:54,294 TO YOU, TASHA? 522 00:19:54,327 --> 00:19:55,428 SHE'S THE ONE WHO CALLED IT THAT. 523 00:19:55,462 --> 00:19:56,829 WE'VE JUST HAD A COUPLE LITTLE... 524 00:19:56,863 --> 00:19:58,331 LITTLE THINGS COME UP LATELY. 525 00:19:59,699 --> 00:20:01,301 WHAT SORTS OF LITTLE THINGS? 526 00:20:01,334 --> 00:20:02,535 MONEY. 527 00:20:02,569 --> 00:20:04,537 I MAKE A LOT MORE THAN SHE DOES. 528 00:20:06,473 --> 00:20:08,575 HOW DOES THAT MAKE YOU FEEL, TASHA? 529 00:20:08,608 --> 00:20:09,842 RESENTFUL. 530 00:20:09,876 --> 00:20:10,943 SHE DOESN'T WANT ME TO SPEND AS MUCH 531 00:20:10,977 --> 00:20:12,312 BECAUSE SHE CAN'T AFFORD IT. 532 00:20:14,013 --> 00:20:15,682 IS THAT TRUE? 533 00:20:15,715 --> 00:20:16,849 ABSOLUTELY. 534 00:20:16,883 --> 00:20:18,851 WE COULDN'T EVEN GET A BIGGER APARTMENT 535 00:20:18,885 --> 00:20:20,353 BECAUSE SHE COULDN'T SHARE THE RENT 50-50, 536 00:20:20,387 --> 00:20:21,854 AND I ALSO THINK THAT SHE RESENTS ME 537 00:20:21,888 --> 00:20:23,456 BECAUSE I DON'T CLEAN AS MUCH AS SHE DOES. 538 00:20:25,458 --> 00:20:26,493 DO YOU? 539 00:20:28,495 --> 00:20:30,463 OH, LOOK, NOW SHE'S MAD. 540 00:20:32,632 --> 00:20:34,667 IS THERE ANYTHING ELSE? 541 00:20:36,369 --> 00:20:37,670 TASHA BROKE UP WITH ME LAST WEEK. 542 00:20:37,704 --> 00:20:41,308 REALLY? 543 00:20:41,341 --> 00:20:42,875 WHY DID YOU BREAK UP WITH ALICE, TASHA? 544 00:20:42,909 --> 00:20:44,043 BECAUSE SHE THOUGHT I CHEATED, 545 00:20:44,076 --> 00:20:48,915 WHEN I DIDN'T EVEN KISS THE GIRL. 546 00:20:51,651 --> 00:20:53,586 DID YOU... THINK ABOUT IT? 547 00:20:54,621 --> 00:20:55,755 YEAH, BUT, I MEAN, 548 00:20:55,788 --> 00:20:56,956 SHE WOULDN'T EVEN HAVE KNOWN 549 00:20:56,989 --> 00:20:58,057 IF I DIDN'T TELL HER, 550 00:20:58,090 --> 00:20:59,826 SO I THINK THE MERE FACT 551 00:20:59,859 --> 00:21:01,894 THAT I DISCLOSED THAT INFORMATION 552 00:21:01,928 --> 00:21:03,430 SHOULD COUNT AS SOMETHING. 553 00:21:03,463 --> 00:21:04,631 RIGHT? 554 00:21:04,664 --> 00:21:06,366 BUT IF YOU KNEW TASHA'S FEELINGS 555 00:21:06,399 --> 00:21:08,835 ABOUT THE SUBJECT OF CHEATING, 556 00:21:08,868 --> 00:21:10,370 WHY DID YOU CHOOSE TO TELL HER? 557 00:21:11,438 --> 00:21:14,006 I THINK WE'RE PAST IT. 558 00:21:14,040 --> 00:21:16,075 UM... 559 00:21:16,108 --> 00:21:17,644 I THINK WHAT WE HAVE TO WORK ON-- 560 00:21:17,677 --> 00:21:18,645 ALICE. 561 00:21:18,678 --> 00:21:21,514 THIS IS CALLED "COUPLES THERAPY" FOR A REASON. 562 00:21:23,082 --> 00:21:24,517 NOW, TASHA, 563 00:21:24,551 --> 00:21:25,952 THIS PROCESS WORKS MUCH MORE EFFECTIVELY 564 00:21:25,985 --> 00:21:27,387 IF YOU PARTICIPATE. 565 00:21:28,888 --> 00:21:30,990 WHY DO YOU THINK ALICE TOLD YOU? 566 00:21:39,732 --> 00:21:40,933 SHE DOESN'T EVEN WANT TO BE HERE. 567 00:21:44,437 --> 00:21:46,038 I THINK THAT SHE TOLD ME 568 00:21:46,072 --> 00:21:49,008 BECAUSE SHE WANTED TO BREAK UP WITH ME, 569 00:21:49,041 --> 00:21:50,543 AND BRINGING THIS WOMAN BETWEEN US 570 00:21:50,577 --> 00:21:51,778 WAS THE EASIEST WAY TO DO THAT. 571 00:21:51,811 --> 00:21:53,680 SHE KNEW HOW I FELT. 572 00:21:53,713 --> 00:21:55,081 SHE KNEW THAT I WOULD BREAK UP WITH HER, 573 00:21:55,114 --> 00:21:57,650 AND WHEN I DID, SHE GOT SCARED, 574 00:21:57,684 --> 00:21:58,785 AND THAT'S WHY WE'RE HERE. 575 00:22:07,126 --> 00:22:09,429 CAN I HELP YOU? 576 00:22:09,462 --> 00:22:10,430 HI, YEAH. 577 00:22:10,463 --> 00:22:11,698 UH, I HAVE AN APPOINTMENT. 578 00:22:11,731 --> 00:22:15,134 I CALLED IN EARLIER, AND I WAS TOLD TO COME IN. 579 00:22:15,167 --> 00:22:17,470 [DOOR LOCK BUZZES OPEN] 580 00:22:21,073 --> 00:22:22,442 HI. I'M MAX SWEENEY. 581 00:22:22,475 --> 00:22:23,443 I HAVE AN APPOINTMENT. 582 00:22:23,476 --> 00:22:25,812 FOR YOUR GIRLFRIEND, OR-- 583 00:22:25,845 --> 00:22:26,913 NO, IT'S FOR ME. 584 00:22:26,946 --> 00:22:27,980 I NEED AN ABORTION. 585 00:22:28,014 --> 00:22:28,981 WHAT DID HE SAY? 586 00:22:29,015 --> 00:22:30,116 IF THIS IS YOUR IDEA OF A JOKE, 587 00:22:30,149 --> 00:22:31,117 IT'S NOT FUNNY. 588 00:22:31,150 --> 00:22:32,985 I'M NOT JOKING, ALL RIGHT? 589 00:22:33,019 --> 00:22:34,454 I'M PREGNANT. 590 00:22:34,487 --> 00:22:35,755 SIR, IF YOU DON'T LEAVE NOW, 591 00:22:35,788 --> 00:22:37,123 I AM GOING TO HAVE TO CALL SECURITY. 592 00:22:37,156 --> 00:22:40,460 I'M AN F-TO-M TRANSSEXUAL, ALL RIGHT? 593 00:22:43,029 --> 00:22:44,431 [MURMURS FROM WAITING ROOM] 594 00:22:44,464 --> 00:22:46,699 YEAH, THAT'S RIGHT, TAKE A GOOD LOOK. 595 00:22:46,733 --> 00:22:48,401 I'M A MAN, AND I'M PREGNANT. 596 00:22:48,435 --> 00:22:49,268 IT HAPPENS. 597 00:22:49,301 --> 00:22:50,803 DON'T YOU READ THE FUCKING TABLOIDS? 598 00:22:52,905 --> 00:22:54,574 CAN I HAVE MY APPOINTMENT NOW, PLEASE? 599 00:22:57,009 --> 00:22:59,612 [MUSIC BLASTS FROM OUTSIDE] 600 00:23:18,498 --> 00:23:20,066 HEY, SHANE... 601 00:23:20,099 --> 00:23:21,801 I'M TRYING TO WRITE. 602 00:23:28,808 --> 00:23:29,909 [TURNS OFF STEREO] 603 00:23:29,942 --> 00:23:31,911 CAN I HAVE MY KEYS? 604 00:23:52,098 --> 00:23:54,967 I PROMISE 605 00:23:55,001 --> 00:23:56,669 TO MAKE ROOM IN THE APARTMENT 606 00:23:56,703 --> 00:23:59,839 FOR YOUR THINGS. 607 00:24:02,041 --> 00:24:04,877 AND, UM, I PROMISE 608 00:24:04,911 --> 00:24:07,680 TO TRY TO SEE THINGS FROM YOUR POINT OF VIEW, 609 00:24:07,714 --> 00:24:12,785 AND TO NOT TALK TO YOU WITH SO MUCH JUDGMENT, 610 00:24:12,819 --> 00:24:16,789 AND TOMORROW, WHEN I WAKE UP FOR WORK, 611 00:24:16,823 --> 00:24:19,926 I'M GOING TO MAKE YOU BREAKFAST. 612 00:24:20,159 --> 00:24:22,862 [LAUGHS] 613 00:24:22,895 --> 00:24:23,963 I LIKED THAT. 614 00:24:23,996 --> 00:24:25,798 IT WAS GOOD, RIGHT? 615 00:24:25,832 --> 00:24:27,534 YEAH, IT WAS GOOD. 616 00:24:29,836 --> 00:24:31,571 SO, UM, ARE YOU GOING TO GIVE US 617 00:24:31,604 --> 00:24:33,706 MORE EXERCISES, OR... 618 00:24:33,740 --> 00:24:35,207 MAYBE SOME HOMEWORK? 619 00:24:35,241 --> 00:24:36,242 I THINK WE'RE READY FOR SOME HOMEWORK. 620 00:24:36,275 --> 00:24:37,243 YEAH. I'M READY. 621 00:24:37,276 --> 00:24:38,711 BRING IT ON. 622 00:24:38,745 --> 00:24:42,749 I'M NOT GOING TO GIVE YOU HOMEWORK. 623 00:24:42,782 --> 00:24:44,984 I DON'T THINK YOU TWO SHOULD BE IN THERAPY. 624 00:24:45,017 --> 00:24:46,719 THAT'S WHAT I SAID. 625 00:24:46,753 --> 00:24:47,754 SEE? 626 00:24:47,787 --> 00:24:48,988 WE ROCK. 627 00:24:49,021 --> 00:24:50,256 [THEY LAUGH HAPPILY] 628 00:24:50,289 --> 00:24:51,924 YOU TWO HAVE SO LITTLE IN COMMON... 629 00:24:53,693 --> 00:24:55,261 I REALLY DON'T THINK YOU BELONG TOGETHER. 630 00:24:59,165 --> 00:25:01,167 I MEAN, WHAT THE FUCK? 631 00:25:01,200 --> 00:25:03,770 IT'S LIKE, WE SPENT, WHAT, 632 00:25:03,803 --> 00:25:07,173 55 MINUTES WITH THIS GUY? 633 00:25:07,206 --> 00:25:08,274 I MEAN, WHERE DOES HE FUCKING GET OFF? 634 00:25:08,307 --> 00:25:10,142 I TOLD YOU, THERAPY'S BULLSHIT. 635 00:25:10,176 --> 00:25:11,644 IT'S BULLSHIT, YOU'RE RIGHT. 636 00:25:11,678 --> 00:25:12,979 HE KNOWS NOTHING 637 00:25:13,012 --> 00:25:14,714 ABOUT WHAT WE DO AND DON'T HAVE IN COMMON. 638 00:25:14,747 --> 00:25:15,782 I MEAN, WHAT THE HELL'S HE TALKING ABOUT, 639 00:25:15,815 --> 00:25:17,016 WE DON'T HAVE ANYTHING IN COMMON? 640 00:25:17,049 --> 00:25:18,017 I KNOW! 641 00:25:18,050 --> 00:25:19,051 REALLY, DAN? 642 00:25:19,085 --> 00:25:20,587 GIVE ME MY HELMET. 643 00:25:20,620 --> 00:25:21,621 I DON'T KNOW. 644 00:25:21,654 --> 00:25:22,622 THANK YOU. 645 00:25:22,655 --> 00:25:23,856 UPSETTING. 646 00:25:27,794 --> 00:25:28,928 I'LL SEE YOU TONIGHT. 647 00:25:36,803 --> 00:25:37,904 COME HERE. 648 00:25:37,937 --> 00:25:40,807 [**] 649 00:25:51,217 --> 00:25:53,052 [HORN HONKS] 650 00:26:13,973 --> 00:26:15,074 HEY, ARE YOU OKAY? 651 00:26:15,107 --> 00:26:17,209 SORRY, I COULDN'T GET HERE ANY SOONER. 652 00:26:17,243 --> 00:26:18,377 SHOULD YOU BE UP ALREADY? 653 00:26:18,410 --> 00:26:19,812 THEY WOULDN'T DO IT. 654 00:26:19,846 --> 00:26:21,347 I'M TOO FAR ALONG ALREADY. 655 00:26:21,380 --> 00:26:22,615 HOW FAR ALONG? 656 00:26:22,649 --> 00:26:24,050 FOUR MONTHS. 657 00:26:24,083 --> 00:26:25,985 HOW DID THIS HAPPEN? 658 00:26:26,018 --> 00:26:28,354 HOW THE FUCK DO YOU THINK IT HAPPENED? 659 00:26:28,387 --> 00:26:29,756 BUT I DIDN'T THINK YOU COULD. 660 00:26:29,789 --> 00:26:30,657 YOU'VE BEEN... 661 00:26:30,690 --> 00:26:31,891 YEAH, I THOUGHT IF WAS TAKING TESTOSTERONE, 662 00:26:31,924 --> 00:26:33,025 I COULDN'T GET PREGNANT, OKAY? 663 00:26:33,059 --> 00:26:33,926 I WAS WRONG. 664 00:26:33,960 --> 00:26:35,161 WELL, WHY WOULDN'T YOUR DOCTOR TELL YOU 665 00:26:35,194 --> 00:26:36,162 SOMETHING LIKE THAT? 666 00:26:36,195 --> 00:26:37,229 I DON'T KNOW. 667 00:26:37,263 --> 00:26:38,230 MAYBE BECAUSE SHE DIDN'T THINK 668 00:26:38,264 --> 00:26:39,265 I WAS STUPID ENOUGH 669 00:26:39,298 --> 00:26:40,366 TO LET SOME FAGGOT FUCK ME. 670 00:26:40,399 --> 00:26:43,202 HEY, FUCK YOU, DON'T BLAME THIS ON ME. 671 00:26:43,235 --> 00:26:45,972 WHO THE HELL ELSE AM I SUPPOSED TO BLAME, HUH? 672 00:26:46,005 --> 00:26:48,074 WHO THE HELL ELSE'S DICK'S BEEN INSIDE ME? 673 00:26:48,107 --> 00:26:52,812 HOW AM I SUPPOSED TO KNOW? 674 00:26:52,845 --> 00:26:54,113 YOU GOT ME PREGNANT, YOU FAGGOT! 675 00:26:54,146 --> 00:26:56,348 IT WAS YOU! 676 00:26:56,382 --> 00:26:57,850 OH! 677 00:27:00,019 --> 00:27:02,054 [GASPS IN PAIN] 678 00:27:11,931 --> 00:27:14,266 I CAN'T DO THIS, MAX. 679 00:27:14,300 --> 00:27:18,137 I'M NOT READY. 680 00:27:24,443 --> 00:27:25,778 WE'VE GOT TO MAKE A LIST. 681 00:27:25,812 --> 00:27:28,981 UM, CLEAR THE DESK. 682 00:27:29,015 --> 00:27:30,182 WHAT KIND OF A LIST? 683 00:27:30,216 --> 00:27:32,151 A PROS AND CONS LIST. 684 00:27:32,184 --> 00:27:34,754 MY MOTHER USED TO MAKE THESE ALL THE TIME 685 00:27:34,787 --> 00:27:35,822 WHEN SHE WAS TRYING TO DECIDE 686 00:27:35,855 --> 00:27:37,990 WHETHER TO DIVORCE HER EX-HUSBANDS. 687 00:27:38,024 --> 00:27:40,059 AND THAT'S THE MODEL WE'RE GOING TO FOLLOW? 688 00:27:40,092 --> 00:27:44,697 WELL, SHE HAD VERY SUCCESSFUL DIVORCES. 689 00:27:44,731 --> 00:27:46,699 OKAY. 690 00:27:46,733 --> 00:27:48,267 PROS... 691 00:27:51,370 --> 00:27:52,905 OH, HOLD ON. 692 00:27:52,939 --> 00:27:55,041 WHY "CON" GOT TO BE BLACK, THOUGH? 693 00:27:55,074 --> 00:27:57,309 UM, IT'S NOT A RACE THING, 694 00:27:57,343 --> 00:27:59,712 IT'S JUST, UM... 695 00:27:59,746 --> 00:28:00,813 RED IS HAPPY. 696 00:28:00,847 --> 00:28:01,914 RED IS LIKE, "WHOA." 697 00:28:01,948 --> 00:28:05,885 NO, RED REPRESENTS THE DEVIL. 698 00:28:05,918 --> 00:28:08,354 FINE. 699 00:28:08,387 --> 00:28:12,191 I'M WRITING DOWN "COLOR WEIRDNESS." 700 00:28:15,094 --> 00:28:16,228 OKAY. 701 00:28:21,868 --> 00:28:22,869 THE WORK IS REALLY GOOD, 702 00:28:22,902 --> 00:28:24,937 BUT THE SHOW IS UNEVEN. 703 00:28:24,971 --> 00:28:26,238 THIS IS, UH... 704 00:28:26,272 --> 00:28:27,774 THIS IS WEIRD. 705 00:28:27,807 --> 00:28:30,309 I THINK IT'S WEIRD. 706 00:28:31,844 --> 00:28:33,312 HI, DAVID. 707 00:28:33,345 --> 00:28:34,313 HEY. 708 00:28:34,346 --> 00:28:35,481 HEY, SOMEONE SPENT SOME MONEY, HUH? 709 00:28:35,514 --> 00:28:36,482 I WOULD SAY YES. 710 00:28:36,515 --> 00:28:38,317 SHE SPENT A SMALL FORTUNE. 711 00:28:38,350 --> 00:28:40,252 REALLY? I WOULD HAVE KILLED TO HAVE HAD A SPACE LIKE THIS 712 00:28:40,286 --> 00:28:42,454 WHEN I HAD MY OWN GALLERY. 713 00:28:42,488 --> 00:28:43,823 ME TOO. 714 00:28:43,856 --> 00:28:45,992 HEY, JOHN, 715 00:28:46,025 --> 00:28:48,327 DO YOU KNOW WHO KELLY WENTWORTH IS? 716 00:28:48,360 --> 00:28:50,462 A RICH DIVORCEE. 717 00:28:50,496 --> 00:28:52,965 SHE WALKED AWAY WITH $80 MILLION 718 00:28:52,999 --> 00:28:54,366 OF DEKE WENTWORTH'S FORTUNE-- 719 00:28:54,400 --> 00:28:55,501 AND DECIDED TO SPEND IT 720 00:28:55,534 --> 00:28:57,236 ON MAKING HERSELF A PRESENCE 721 00:28:57,269 --> 00:28:59,371 IN THE ART WORLD. 722 00:28:59,405 --> 00:29:00,873 DO YOU LIKE MY VANITY PROJECT? 723 00:29:03,142 --> 00:29:04,176 IT'S LOVELY. 724 00:29:04,210 --> 00:29:05,544 THANK YOU. 725 00:29:05,577 --> 00:29:09,181 OH, AND IT WAS 89 MILLION. 726 00:29:12,952 --> 00:29:14,153 BETTE PORTER, 727 00:29:14,186 --> 00:29:15,287 KELLY WENTWORTH. 728 00:29:15,321 --> 00:29:17,523 PLEASED TO MEET YOU. 729 00:29:17,556 --> 00:29:20,526 IT'S REALLY A SPECTACULAR SPACE. 730 00:29:20,559 --> 00:29:22,228 YOU'VE BEEN HERE A LONG TIME? 731 00:29:22,261 --> 00:29:23,896 YOU REALLY DON'T REMEMBER ME? 732 00:29:28,167 --> 00:29:29,368 JUICY FUCKING FREMONT? 733 00:29:29,401 --> 00:29:31,037 JESUS! 734 00:29:31,070 --> 00:29:32,839 OH, MY GOD... 735 00:29:35,307 --> 00:29:36,508 I SWEAR TO FUCKING GOD, 736 00:29:36,542 --> 00:29:38,310 YOU LOOK BETTER THAN YOU DID IN COLLEGE. 737 00:29:38,344 --> 00:29:39,511 BITCH! 738 00:29:39,545 --> 00:29:41,147 BIYATCH, THE BLONDE LOOKS SO GOOD ON YOU. 739 00:29:41,180 --> 00:29:44,016 THANK YOU. 740 00:29:44,050 --> 00:29:45,151 LOOK AT YOUR BODY. 741 00:29:45,184 --> 00:29:48,287 ARE YOU STILL A RUNNER? 742 00:29:48,320 --> 00:29:50,156 UM, I MEAN, SOMETIMES, 743 00:29:50,189 --> 00:29:53,025 NOT-NOT VERY OFTEN, BUT... 744 00:29:53,059 --> 00:29:55,461 GOD, WHAT THE HELL ARE YOU DOING IN L.A.? 745 00:29:55,494 --> 00:29:57,163 I THOUGHT YOU WERE MARRIED TO NEW YORK FOREVER. 746 00:29:57,196 --> 00:30:02,068 WELL, I THOUGHT I WAS MARRIED TO DEKE WENTWORTH FOREVER. 747 00:30:04,336 --> 00:30:07,339 HOLY FUCKING SHIT, 748 00:30:07,373 --> 00:30:09,541 I AM SO HAPPY TO SEE YOU. 749 00:30:12,011 --> 00:30:14,413 [LAUGHING] 750 00:30:15,614 --> 00:30:17,316 OH, MY GOD... 751 00:30:17,349 --> 00:30:18,584 OH, GOD, I'M SORRY. 752 00:30:18,617 --> 00:30:20,319 THIS IS TINA KENNARD, MY PARTNER. 753 00:30:20,352 --> 00:30:21,453 HELLO. 754 00:30:21,487 --> 00:30:23,055 STILL A GAY, EH, PORTER? 755 00:30:23,089 --> 00:30:24,056 YEAH, WELL, I LACK IMAGINATION 756 00:30:24,090 --> 00:30:25,057 IN SOME AREAS. 757 00:30:25,091 --> 00:30:27,860 NOT MANY. 758 00:30:29,896 --> 00:30:31,063 THIS IS KELLY FREMONT. 759 00:30:31,097 --> 00:30:33,933 THE KELLY FREMONT. 760 00:30:33,966 --> 00:30:36,202 OH, KELLY FREMONT! 761 00:30:36,235 --> 00:30:38,404 THE COLLEGE ROOMMATE, RIGHT, YEAH. 762 00:30:38,437 --> 00:30:40,206 WOW... I'VE HEARD A LOT ABOUT YOU? 763 00:30:40,239 --> 00:30:42,508 DID YOU TELL TINA ABOUT YOU AND ME? 764 00:30:42,541 --> 00:30:44,911 UH, WELL, I TOLD HER 765 00:30:44,944 --> 00:30:45,945 THAT YOU LET ME KISS YOU ONCE, 766 00:30:45,978 --> 00:30:47,246 AND THEN YOU WERE SO SEIZED 767 00:30:47,279 --> 00:30:49,648 BY A DEEP AND ABIDING HOMOSEXUAL PANIC, 768 00:30:49,681 --> 00:30:51,984 THAT YOU MOVED OUT OF THE HOUSE IMMEDIATELY. 769 00:30:52,018 --> 00:30:53,485 SHE GOT OVER ME IN TWO MINUTES. 770 00:30:53,519 --> 00:30:55,854 10. 771 00:30:57,589 --> 00:31:00,993 THIS PIECE... IT'S BEAUTIFUL. 772 00:31:01,027 --> 00:31:02,094 I KNOW. 773 00:31:02,128 --> 00:31:03,129 YOU HAVE GREAT TASTE. 774 00:31:03,162 --> 00:31:05,364 I LOVE THE TONALITY. 775 00:31:05,397 --> 00:31:08,234 I JUST ORDERED A MCLAREN ROADSTER IN... 776 00:31:08,267 --> 00:31:09,936 THIS COLOR. 777 00:31:09,969 --> 00:31:12,104 [LAUGHING] 778 00:31:12,138 --> 00:31:15,541 I DID! 779 00:31:19,511 --> 00:31:22,648 WELL, WE'RE GOING TO GO SEE REST OF THE SHOW. 780 00:31:22,681 --> 00:31:24,316 OKAY, BUT DON'T LEAVE 781 00:31:24,350 --> 00:31:25,517 WITHOUT SAYING GOODBYE. 782 00:31:25,551 --> 00:31:26,385 I WON'T. 783 00:31:26,418 --> 00:31:27,987 WE WON'T. 784 00:31:28,020 --> 00:31:30,022 WE WON'T. 785 00:31:31,223 --> 00:31:32,992 IT WAS NICE TO MEET YOU. 786 00:31:33,025 --> 00:31:34,360 YOU TOO. 787 00:31:42,301 --> 00:31:44,370 THERE'S WAY MORE CONS THAN PROS. 788 00:31:44,403 --> 00:31:45,904 MM-HMM. 789 00:31:57,049 --> 00:31:59,285 OKAY, UM... 790 00:31:59,318 --> 00:32:01,153 LIKE, LET'S SAY THIS, 791 00:32:01,187 --> 00:32:02,554 LIKE, "DOESN'T COOK WITH PEPPER..." 792 00:32:02,588 --> 00:32:03,655 MM-HMM... 793 00:32:03,689 --> 00:32:05,357 "EVER," RIGHT? 794 00:32:05,391 --> 00:32:07,159 IT SHOULDN'T BE... 795 00:32:07,193 --> 00:32:09,328 IT SHOULDN'T COUNT FOR AS MANY POINTS AS, 796 00:32:09,361 --> 00:32:11,630 LIKE, "MAKES ME WANT TO BE A BETTER PERSON." 797 00:32:11,663 --> 00:32:12,999 RIGHT? 798 00:32:13,032 --> 00:32:14,133 THAT'S PRETTY GOOD. 799 00:32:14,166 --> 00:32:16,302 SO WE SHOULD DO IT ON A POINT SYSTEM. 800 00:32:16,335 --> 00:32:19,371 LIKE, "DOESN'T COOK WITH PEPPER" SHOULD GET, 801 00:32:19,405 --> 00:32:20,606 WHAT, TWO POINTS. 802 00:32:20,639 --> 00:32:22,041 LIKE, A POINT SYSTEM. 803 00:32:22,074 --> 00:32:24,043 YEAH, YEAH, A POINT SYSTEM, EXACTLY, 804 00:32:24,076 --> 00:32:25,211 AND THEN "IS SPONTANEOUS--" 805 00:32:25,244 --> 00:32:27,279 I'LL JUST PICK THAT ONE BECAUSE I... 806 00:32:27,313 --> 00:32:29,415 I REALLY APPRECIATE THAT ABOUT YOU. 807 00:32:31,750 --> 00:32:34,486 [GIGGLING] 808 00:32:34,520 --> 00:32:36,122 "LIKES TO GET SPANKED." 809 00:32:36,155 --> 00:32:37,223 [LAUGHS] 810 00:32:37,256 --> 00:32:39,491 NO... 811 00:32:39,525 --> 00:32:40,592 OKAY, 812 00:32:40,626 --> 00:32:42,461 THIS WILL GET, LIKE, EIGHT POINTS. 813 00:32:42,494 --> 00:32:44,096 OKAY, THAT IS SO SMART. 814 00:32:44,130 --> 00:32:45,131 YEAH. 815 00:32:45,164 --> 00:32:46,598 VERY SMART. 816 00:32:46,632 --> 00:32:48,134 I'M GOING TO PUT "SMART." 817 00:32:48,167 --> 00:32:50,102 YOU'RE SMART. 818 00:32:54,206 --> 00:32:55,607 HOW MANY POINTS? 819 00:32:55,641 --> 00:32:58,344 OH, NINE. YOU GET NINE. 820 00:32:58,377 --> 00:33:00,346 OH, YEAH, THE PROS ARE SO WINNING NOW. 821 00:33:00,379 --> 00:33:02,348 YEAH. 822 00:33:05,784 --> 00:33:10,189 SO, CALL ME, AND WE'LL ARRANGE A STUDIO VISIT. 823 00:33:12,424 --> 00:33:14,026 [CHUCKLES] 824 00:33:14,060 --> 00:33:15,794 OH, UH, JUST ONE OF THE MANY THINGS I LOVE 825 00:33:15,827 --> 00:33:17,529 ABOUT THE ART WORLD. 826 00:33:17,563 --> 00:33:19,231 YEAH, WELL, HE'S A TERRIBLE ARTIST. 827 00:33:19,265 --> 00:33:21,233 WELL, LUCKILY, I'M NOT INTERESTED IN HIS WORK. 828 00:33:21,267 --> 00:33:22,534 [LAUGHING] 829 00:33:24,136 --> 00:33:26,338 OH, YOU GUYS AREN'T GOING YET, ARE YOU? 830 00:33:26,372 --> 00:33:28,607 YEAH, WE ARE. 831 00:33:28,640 --> 00:33:29,608 WELL, WE HAVE TO MAKE A PLAN. 832 00:33:29,641 --> 00:33:31,410 LUNCH, DINNER, WHATEVER. 833 00:33:31,443 --> 00:33:33,245 I REALLY WANT TO PICK THAT BRAIN OF YOURS. 834 00:33:33,279 --> 00:33:35,381 YEAH, WELL, THE FIRST THING I WOULD TELL YOU 835 00:33:35,414 --> 00:33:37,649 IS NOT TO SIGN ARTISTS THAT YOU WANT TO FUCK. 836 00:33:37,683 --> 00:33:39,618 THAT COMES FROM FIRST-HAND EXPERIENCE. 837 00:33:39,651 --> 00:33:41,387 I READ YOUR ARTICLE IN THE ART JOURNAL... 838 00:33:43,822 --> 00:33:45,791 IT WAS AMAZING. 839 00:33:45,824 --> 00:33:47,693 OH, THANK YOU. 840 00:33:50,362 --> 00:33:51,530 DO YOU MIND? 841 00:33:51,563 --> 00:33:53,532 NO, I THINK YOU SHOULD. 842 00:33:53,565 --> 00:33:55,801 EXCUSE ME. 843 00:33:55,834 --> 00:33:58,604 THE COVER, INCREDIBLE. 844 00:33:58,637 --> 00:34:01,573 I LOVED YOUR LIPS. 845 00:34:03,142 --> 00:34:04,243 I NEED TO TALK TO YOU. 846 00:34:06,445 --> 00:34:07,646 I'M SORRY. 847 00:34:07,679 --> 00:34:08,680 RUDE. 848 00:34:08,714 --> 00:34:13,319 OKAY, I'LL BE JUST A SECOND. 849 00:34:22,761 --> 00:34:24,263 NOW WHAT? 850 00:34:24,296 --> 00:34:25,564 JAMES HAS BEEN TRYING 851 00:34:25,597 --> 00:34:26,798 TO SCHEDULE AN APPOINTMENT WITH YOU, 852 00:34:26,832 --> 00:34:28,167 AND YOU HAVEN'T GOTTEN BACK TO HIM. 853 00:34:28,200 --> 00:34:30,469 I'VE BEEN BUSY. 854 00:34:32,471 --> 00:34:34,173 DO YOU REALIZE THAT YOU REPORT TO ME? 855 00:34:34,206 --> 00:34:36,708 AND IF I ASK TO SEE YOU, 856 00:34:36,742 --> 00:34:39,178 THEN YOU MAKE IT HAPPEN. 857 00:34:39,211 --> 00:34:40,346 I DON'T REPORT TO YOU, BETTE. 858 00:34:40,379 --> 00:34:41,680 I DON'T REPORT TO ANYBODY. 859 00:34:43,482 --> 00:34:44,683 YOU HAVE UNTIL TOMORROW. 860 00:34:44,716 --> 00:34:46,685 OR WHAT? 861 00:34:46,718 --> 00:34:48,320 I KNEW ABOUT IT BECAUSE SHE WAS MY T.A. 862 00:34:48,354 --> 00:34:49,688 I SAW IT. 863 00:34:49,721 --> 00:34:51,190 IT WAS LIKE ONE AFTER THE NEXT, 864 00:34:51,223 --> 00:34:53,492 LIKE LITTLE MOTHS TO A FLAME. 865 00:34:53,525 --> 00:34:55,127 SHE BURNED EVERY ONE OF THEM. 866 00:34:55,161 --> 00:34:56,128 REALLY? 867 00:34:56,162 --> 00:34:57,429 YOU KNOW, BUT... 868 00:34:57,463 --> 00:34:58,597 WELL... 869 00:34:58,630 --> 00:34:59,598 YOU READY? 870 00:34:59,631 --> 00:35:01,400 YES. 871 00:35:01,433 --> 00:35:02,501 OKAY, WELL, UM, 872 00:35:02,534 --> 00:35:03,869 IT WAS REALLY GREAT TO SEE YOU. 873 00:35:03,902 --> 00:35:05,204 YOU TOO. 874 00:35:05,237 --> 00:35:06,205 GOOD LUCK WITH THE GALLERY. 875 00:35:06,238 --> 00:35:07,439 THANK YOU. 876 00:35:07,473 --> 00:35:08,474 I'LL SEE YOU SOON. 877 00:35:08,507 --> 00:35:09,641 YEAH. 878 00:35:09,675 --> 00:35:11,277 OKAY. 879 00:35:11,310 --> 00:35:12,878 NICE TO MEET YOU. 880 00:35:14,913 --> 00:35:18,384 [**] 881 00:35:20,652 --> 00:35:21,720 YEAH, YOU TWO ARE A GREAT PAIR. 882 00:35:21,753 --> 00:35:23,222 NO ALCOHOL, NO SEX, IT'S... 883 00:35:23,255 --> 00:35:24,356 WELL, THAT'S WHAT YOU'VE GOT TO DO 884 00:35:24,390 --> 00:35:25,491 TO KEEP YOUR SANITY, 885 00:35:25,524 --> 00:35:27,226 AND NOT TO MENTION YOUR SHIRT ON 886 00:35:27,259 --> 00:35:28,460 IN THIS BUSINESS. 887 00:35:28,494 --> 00:35:29,761 BUT, I MEAN, I'M NOT A COMPLETE MONK. 888 00:35:29,795 --> 00:35:31,363 I HAVE THE OCCASIONAL DRINK. 889 00:35:31,397 --> 00:35:32,631 I EVEN HAVE SEX EVERY NOW AND THEN. 890 00:35:32,664 --> 00:35:33,899 RIGHT, JUST NOT WITH PEOPLE YOU LIKE. 891 00:35:33,932 --> 00:35:35,934 YEAH, THAT'S MY NEW M.O. 892 00:35:35,967 --> 00:35:37,669 ALL BUSINESS, NO ATTACHMENTS. 893 00:35:46,845 --> 00:35:48,580 WHAT THE FUCK? 894 00:35:49,948 --> 00:35:52,251 WHAT? 895 00:35:52,284 --> 00:35:53,519 12:00. 896 00:35:53,552 --> 00:35:54,786 THE FILLING IN THE LESBO SANDWICH. 897 00:35:56,522 --> 00:35:58,757 OOH! YOU GOT TO BE KIDDING ME. 898 00:35:58,790 --> 00:35:59,758 DYLAN. 899 00:35:59,791 --> 00:36:02,661 HAS SHE COME OUT OF THE CLOSET? 900 00:36:02,694 --> 00:36:04,696 THAT GIRL USED TO BE STRAIGHT? 901 00:36:04,730 --> 00:36:06,865 WELL, SHE WASN'T GAY 902 00:36:06,898 --> 00:36:10,168 BACK WHEN SHE WAS FUCKING HELENA. 903 00:36:11,503 --> 00:36:13,939 WOW, LOOKS LIKE SOMEONE'S CARPET'S 904 00:36:13,972 --> 00:36:15,307 ABOUT TO GET MUNCHED. 905 00:36:16,842 --> 00:36:18,277 ARE YOU OKAY? 906 00:36:18,310 --> 00:36:19,845 OF COURSE. 907 00:36:19,878 --> 00:36:20,946 WHY WOULDN'T I BE? 908 00:36:20,979 --> 00:36:22,781 YOU'RE NOT FREAKING OUT? 909 00:36:22,814 --> 00:36:25,417 NO. 910 00:36:25,451 --> 00:36:26,918 THERE'S NO REASON TO. 911 00:36:26,952 --> 00:36:28,387 BUT THAT'S THE WOMAN WHO EXTORTED YOU 912 00:36:28,420 --> 00:36:29,688 FOR SEXUALLY HARASSING HER. 913 00:36:29,721 --> 00:36:31,423 ALICE... 914 00:36:31,457 --> 00:36:32,824 WHAT IS WRONG WITH YOU? 915 00:36:32,858 --> 00:36:34,360 I'M JUST SAYING, 916 00:36:34,393 --> 00:36:37,296 OF ALL THE GIN JOINTS IN ALL THE WORLD... 917 00:36:37,329 --> 00:36:39,765 [VIDEO GAME BLARES] 918 00:36:50,709 --> 00:36:51,777 [KNOCKS GENTLY] 919 00:36:59,985 --> 00:37:01,620 I'VE BEEN CALLING YOU. 920 00:37:01,653 --> 00:37:05,524 I KNOW. 921 00:37:05,557 --> 00:37:07,493 MY PHONE BROKE. 922 00:37:11,697 --> 00:37:13,899 [PIECE OF PHONE CRACKLE ON FLOOR] 923 00:37:13,932 --> 00:37:16,402 I WANTED TO SAY I'M SORRY 924 00:37:16,435 --> 00:37:20,005 FOR THE WAY I REACTED. 925 00:37:20,038 --> 00:37:21,039 YOU JUST CAUGHT ME BY SURPRISE. 926 00:37:21,072 --> 00:37:23,275 I... 927 00:37:23,309 --> 00:37:25,377 THEN I STARTED THINKING ABOUT IT. 928 00:37:29,448 --> 00:37:30,716 WHAT DO YOU THINK ABOUT HAVING THE BABY? 929 00:37:33,652 --> 00:37:35,321 FUCK OFF. 930 00:37:35,354 --> 00:37:36,588 DON'T YOU WANT TO BE 931 00:37:36,622 --> 00:37:39,525 A COUPLE OF WEST HOLLYWOOD FAG DADS? 932 00:37:42,794 --> 00:37:47,366 I DON'T KNOW. 933 00:37:47,399 --> 00:37:50,035 I DON'T KNOW IF I CAN HANDLE THIS. 934 00:37:50,068 --> 00:37:52,638 WE CAN HANDLE IT. 935 00:37:52,671 --> 00:37:53,839 WE CAN. 936 00:37:53,872 --> 00:37:55,974 WE BOTH MAKE A DECENT LIVING. 937 00:37:56,007 --> 00:37:57,743 WE LOVE EACH OTHER. 938 00:37:57,776 --> 00:37:59,978 WE SAID WE WANT TO SPEND OUR LIVES TOGETHER. 939 00:38:04,483 --> 00:38:05,817 I'LL HAVE TO THINK ABOUT IT. 940 00:38:12,558 --> 00:38:15,794 I'M SORRY I KICKED YOU IN THE BALLS. 941 00:38:15,827 --> 00:38:19,831 I'M SORRY I KNOCKED YOU UP. 942 00:38:27,573 --> 00:38:29,808 OH, MY GOD, SHE WAS SO IRRITATING. 943 00:38:29,841 --> 00:38:32,778 DID YOU HEAR HER? 944 00:38:32,811 --> 00:38:35,414 "LOOK AT YOUR BODY." 945 00:38:35,447 --> 00:38:36,448 "ARE YOU STILL A RUNNER?" 946 00:38:36,482 --> 00:38:37,549 [CHUCKLES] 947 00:38:37,583 --> 00:38:38,817 WHILE YOU WERE TALKING TO JODI, 948 00:38:38,850 --> 00:38:40,719 SHE ASKED ME IF YOU WERE STILL A PLAYER. 949 00:38:40,752 --> 00:38:42,421 [SCOFFS]: I WAS NEVER A PLAYER. 950 00:38:42,454 --> 00:38:44,556 THAT'S NOT WHAT KELLY SAID. 951 00:38:44,590 --> 00:38:46,958 NO MATTER WHETHER YOU WERE IN A RELATIONSHIP OR NOT, 952 00:38:46,992 --> 00:38:49,094 YOU ALWAYS HAD AT LEAST TWO OTHER WOMEN ON THE SIDE. 953 00:38:49,127 --> 00:38:50,862 KELLY WAS TOO BUSY 954 00:38:50,896 --> 00:38:52,531 FUCKING EVERY MALE PROFESSOR 955 00:38:52,564 --> 00:38:55,133 TO PAY ATTENTION TO WHAT I WAS DOING. 956 00:38:55,166 --> 00:38:56,635 OH, AND ANOTHER THING, 957 00:38:56,668 --> 00:38:57,703 SHE'S SORRY 958 00:38:57,736 --> 00:38:58,904 SHE DIDN'T TAKE YOU UP ON THAT OFFER 959 00:38:58,937 --> 00:39:02,708 20 YEARS AGO. 960 00:39:02,741 --> 00:39:04,710 DID YOU TELL HER WE'RE EXCLUSIVE? 961 00:39:04,743 --> 00:39:06,712 NO, I DIDN'T, BETTE. 962 00:39:06,745 --> 00:39:08,847 I FIGURED IF SOME GORGEOUS WOMAN 963 00:39:08,880 --> 00:39:10,716 FROM YOUR PAST COMES ALONG, 964 00:39:10,749 --> 00:39:12,718 TALKING ABOUT HOW HOT YOU ARE 965 00:39:12,751 --> 00:39:13,852 AND HOW SORRY SHE IS 966 00:39:13,885 --> 00:39:15,954 SHE DIDN'T SLEEP WITH YOU, 967 00:39:15,987 --> 00:39:18,023 I'M NOT GOING TO BE THE ONE TO TELL HER 968 00:39:18,056 --> 00:39:20,091 THAT YOU'RE NOT AVAILABLE FOR A RE-DO. 969 00:39:20,125 --> 00:39:21,460 BUT YOU KNOW THAT I'M NOT. 970 00:39:21,493 --> 00:39:22,728 [SIGHS] 971 00:39:22,761 --> 00:39:23,895 BUT YOU WERE FLIRTING. 972 00:39:27,032 --> 00:39:28,133 I WAS NOT FLIRTING. 973 00:39:32,771 --> 00:39:33,872 YES, YOU WERE. 974 00:39:33,905 --> 00:39:36,074 YOU CAN'T HELP IT. 975 00:39:36,107 --> 00:39:38,009 WHAT, YOU NEVER FLIRT? 976 00:39:38,043 --> 00:39:39,978 OF COURSE, I FLIRT, BUT IT'S DIFFERENT FOR YOU. 977 00:39:40,011 --> 00:39:41,012 IT FEEDS YOU. 978 00:39:41,046 --> 00:39:44,750 YOU FEED OFF PEOPLE WANTING YOU, 979 00:39:44,783 --> 00:39:46,485 AND THEY DO WANT YOU. 980 00:39:46,518 --> 00:39:49,154 IT'S... 981 00:39:49,187 --> 00:39:50,622 IT'S LIKE BLOOD TO A VAMPIRE. 982 00:39:50,656 --> 00:39:52,924 SO NOW I'M A VAMPIRE? 983 00:39:54,493 --> 00:39:55,594 HMM? 984 00:39:55,627 --> 00:39:56,762 I LOVE YOU. 985 00:39:56,795 --> 00:39:58,764 I DON'T WANT TO DEPRIVE YOU OF SOMETHING 986 00:39:58,797 --> 00:40:01,066 THAT'S SO FUNDAMENTAL TO WHO YOU ARE. 987 00:40:06,505 --> 00:40:08,507 YOU NEED TO TRUST 988 00:40:08,540 --> 00:40:10,008 THAT I KNOW WHO I AM... 989 00:40:12,678 --> 00:40:15,814 AND I KNOW WHAT TO DO WITH IT. 990 00:40:15,847 --> 00:40:17,516 I DON'T KNOW WHAT THAT MEANS. 991 00:40:26,892 --> 00:40:32,564 [WHISPERING]: IT MEANS THAT EVERYONE ELSE CAN FUCK OFF. 992 00:40:32,598 --> 00:40:36,602 BECAUSE I ONLY WANT YOU. 993 00:40:51,550 --> 00:40:56,187 YOU'RE THE ONLY ONE I WANT TO BE WANTED BY. 994 00:40:56,221 --> 00:40:58,624 [**] 995 00:41:25,016 --> 00:41:27,152 THANK YOU, GORGEOUS. 996 00:41:27,185 --> 00:41:28,153 HEY, HEY! 997 00:41:28,186 --> 00:41:29,988 THANK YOU, THANK YOU. 998 00:41:30,021 --> 00:41:31,790 THANK YOU, THANK YOU. GO, GO, GO... 999 00:41:49,575 --> 00:41:50,742 ARE YOU WITH ME? 1000 00:41:50,776 --> 00:41:51,743 WHAT? WHAT ARE WE DOING? 1001 00:41:51,777 --> 00:41:53,011 GET MY BACK. 1002 00:41:55,113 --> 00:41:56,281 WHAT DID SHE DO TO HELENA? 1003 00:41:56,314 --> 00:41:57,616 I'LL TELL YOU IN A MINUTE, OKAY? 1004 00:41:57,649 --> 00:41:59,017 RIGHT NOW I WANT TO TELL HER 1005 00:41:59,050 --> 00:42:01,553 WHERE SHE GETS OFF MESSING WITH MY FRIEND. 1006 00:42:01,587 --> 00:42:02,888 I'M GOING TO TELL HER. 1007 00:42:02,921 --> 00:42:04,756 THIS IS ME TELLING HER. 1008 00:42:04,790 --> 00:42:06,725 OH! WHOA! 1009 00:42:07,659 --> 00:42:08,627 ALICE! 1010 00:42:08,660 --> 00:42:11,262 HI, DYLAN. 1011 00:42:11,296 --> 00:42:13,031 REALLY... 1012 00:42:13,064 --> 00:42:14,265 REALLY? 1013 00:42:14,299 --> 00:42:15,634 EXCUSE ME? 1014 00:42:15,667 --> 00:42:16,635 I DIDN'T COME... 1015 00:42:16,668 --> 00:42:17,703 HAIR. 1016 00:42:17,736 --> 00:42:18,737 THE HAIR AND THE DOCUMENTARIES? 1017 00:42:18,770 --> 00:42:19,805 UM, UH... 1018 00:42:19,838 --> 00:42:22,674 IT'S LIKE... 1019 00:42:22,708 --> 00:42:23,909 NOT... 1020 00:42:23,942 --> 00:42:25,043 GAY! 1021 00:42:29,214 --> 00:42:30,281 HELLO, DYLAN. 1022 00:42:30,315 --> 00:42:31,817 YEAH. THAT'S A GOOD ONE. 1023 00:42:31,850 --> 00:42:33,685 GOOD ONE. I GOT THIS. 1024 00:42:33,719 --> 00:42:35,053 ALICE... 1025 00:42:35,086 --> 00:42:36,822 SHE'S GOT IT. 1026 00:42:40,025 --> 00:42:41,927 HI. 1027 00:42:43,361 --> 00:42:46,264 YOU LOOK... YOU LOOK AMAZING. 1028 00:42:52,103 --> 00:42:53,271 CAN-CAN WE TALK? 1029 00:42:55,373 --> 00:42:56,574 OKAY, SO, BASICALLY, 1030 00:42:56,608 --> 00:42:58,944 THAT SKANKBALL DYLAN MORELAND ALMOST RUINED HELENA'S LIFE. 1031 00:42:58,977 --> 00:43:00,746 FIRST, SHE PRETENDED TO BE IN LOVE WITH HER, OKAY, 1032 00:43:00,779 --> 00:43:03,014 SO SHE AND HER BOYFRIEND COULD SUE HER 1033 00:43:03,048 --> 00:43:04,349 FOR SEXUAL HARASSMENT 1034 00:43:04,382 --> 00:43:06,718 AND EXTORT MILLIONS OF DOLLARS FROM HER. 1035 00:43:06,752 --> 00:43:09,287 HI, WE WERE-- SORRY, WE JUST LEFT. 1036 00:43:09,320 --> 00:43:10,656 YEAH... 1037 00:43:10,689 --> 00:43:11,723 CAN YOU BELIEVE IT? 1038 00:43:11,757 --> 00:43:14,626 GET ME A PELLEGRINO? 1039 00:43:14,660 --> 00:43:16,227 SO... 1040 00:43:16,261 --> 00:43:17,829 ARE YOU AWARE THAT THIS IS MY CLUB? 1041 00:43:17,863 --> 00:43:20,131 NO, I JUST CAME BACK INTO TOWN, 1042 00:43:20,165 --> 00:43:21,399 AND, I MEAN, I HEARD 1043 00:43:21,432 --> 00:43:23,001 THAT THIS WAS THE BEST GIRL CLUB IN L.A. 1044 00:43:23,034 --> 00:43:25,771 AND YOU WERE LOOKING FOR A GIRL CLUB? 1045 00:43:25,804 --> 00:43:27,272 A LESBIAN GIRL CLUB? 1046 00:43:28,840 --> 00:43:29,675 YES. 1047 00:43:29,708 --> 00:43:31,743 I MEAN, YOU KNOW, OBVIOUSLY, YOU... 1048 00:43:31,777 --> 00:43:32,978 YOU HELPED ME WITH THAT. 1049 00:43:33,011 --> 00:43:34,145 I... 1050 00:43:34,179 --> 00:43:35,981 I MEAN, I FINALLY FIGURED IT OUT, RIGHT? 1051 00:43:36,014 --> 00:43:38,684 GOOD. 1052 00:43:38,717 --> 00:43:40,919 UM... 1053 00:43:40,952 --> 00:43:42,888 I-I JUST... 1054 00:43:42,921 --> 00:43:46,357 I CAN'T BEGIN TO TELL YOU HOW SORRY I AM 1055 00:43:46,391 --> 00:43:47,793 ABOUT EVERYTHING, 1056 00:43:47,826 --> 00:43:51,162 ABOUT THE WAY I BEHAVED, THE WAY I TREATED YOU, 1057 00:43:51,196 --> 00:43:52,430 AND I DON'T EXPECT FOR YOU TO CARE ABOUT MY LIFE 1058 00:43:52,463 --> 00:43:53,865 AT ALL RIGHT NOW. I... 1059 00:43:55,901 --> 00:43:58,269 I-I CERTAINLY DON'T EXPECT FOR YOU TO CARE 1060 00:43:58,303 --> 00:43:59,437 THAT I'VE... 1061 00:43:59,470 --> 00:44:01,773 I'VE NEVER STOPPED THINKING ABOUT YOU, 1062 00:44:01,807 --> 00:44:03,074 EVER, 1063 00:44:03,108 --> 00:44:05,911 AND WISHING THAT I HAD MET YOU AT A DIFFERENT TIME IN MY LIFE. 1064 00:44:10,248 --> 00:44:12,751 I CAN GO IF YOU WANT ME TO GO-- 1065 00:44:12,784 --> 00:44:14,285 NO. 1066 00:44:14,319 --> 00:44:15,721 NO, IT'S FINE. 1067 00:44:15,754 --> 00:44:17,155 LOOK, I ONLY CAME OVER 1068 00:44:17,188 --> 00:44:19,858 BECAUSE IT WOULD BE AWKWARD FOR ME NOT TO SAY ANYTHING, 1069 00:44:19,891 --> 00:44:21,292 ESPECIALLY SINCE IT'S MY CLUB. 1070 00:44:21,326 --> 00:44:22,728 JUST STAY, STAY. 1071 00:44:22,761 --> 00:44:23,962 HAVE A GOOD TIME, ENJOY IT. 1072 00:44:23,995 --> 00:44:25,330 BE WITH YOUR FRIENDS. 1073 00:44:32,470 --> 00:44:34,773 SO HER MOTHER GETS SO MAD 1074 00:44:34,806 --> 00:44:35,974 SHE CUTS HELENA OFF, 1075 00:44:36,007 --> 00:44:37,042 AND SHE HAS TO MOVE IN WITH ME 1076 00:44:37,075 --> 00:44:38,176 AND BECOME A COOK. 1077 00:44:38,209 --> 00:44:39,310 I WAS A CATERER. 1078 00:44:39,344 --> 00:44:41,046 WHICH WAS A DISASTER, AND LET'S FACE IT, 1079 00:44:41,079 --> 00:44:42,147 HELENA IS USED TO 1080 00:44:42,180 --> 00:44:43,348 A CERTAIN STANDARD OF LIVING. 1081 00:44:43,381 --> 00:44:45,784 SO SHE MEETS THIS SHADY HIGH-ROLLER LADY, 1082 00:44:45,817 --> 00:44:46,718 THEY HOOK UP, 1083 00:44:46,752 --> 00:44:49,154 BUT SHE USES HELENA AND TAKES ALL HER MONEY, 1084 00:44:49,187 --> 00:44:50,421 AND WHEN HELENA TAKES IT BACK-- 1085 00:44:50,455 --> 00:44:51,923 AND WE STILL DON'T KNOW WHERE SHE BURIED IT-- 1086 00:44:51,957 --> 00:44:54,159 SHE GETS ARRESTED AND HAS TO SHARE A CELL 1087 00:44:54,192 --> 00:44:56,027 WITH SOME KILLER! 1088 00:44:56,061 --> 00:44:57,195 SHE WAS IN FOR TAX FRAUD. 1089 00:44:57,228 --> 00:44:58,263 FINE! 1090 00:44:58,296 --> 00:44:59,364 SO HER MOTHER CAN'T TAKE IT ANYMORE, 1091 00:44:59,397 --> 00:45:00,465 SHE BAILS HELENA OUT, 1092 00:45:00,498 --> 00:45:01,767 BUT SHE DOESN'T WANT TO LIVE 1093 00:45:01,800 --> 00:45:02,968 UNDER HER MOTHER'S THUMB ANYMORE, 1094 00:45:03,001 --> 00:45:04,469 SO SHE SPRINGS DUSTY FROM JAIL, 1095 00:45:04,502 --> 00:45:05,370 THEY GO TO TAHA, 1096 00:45:05,403 --> 00:45:07,472 WHICH SHE DOESN'T EVER WANT TO TALK ABOUT, 1097 00:45:07,505 --> 00:45:09,474 SO IT COULDN'T HAVE BEEN THAT GREAT, RIGHT? 1098 00:45:09,507 --> 00:45:11,042 RIGHT. 1099 00:45:11,076 --> 00:45:12,043 AND HER MOTHER GETS STUNG BY A JELLYFISH, 1100 00:45:12,077 --> 00:45:14,345 ALL BECAUSE OF THIS WOMAN. 1101 00:45:14,379 --> 00:45:16,915 WANT ME TO KICK HER ASS? 1102 00:45:16,948 --> 00:45:18,950 NO. THANK YOU. 1103 00:45:18,984 --> 00:45:20,185 YOU'RE A BETTER PERSON THAN ME. 1104 00:45:20,218 --> 00:45:21,219 I'D HAVE TO BEAT A BITCH DOWN 1105 00:45:21,252 --> 00:45:22,320 SHE TRIED TO DO THAT SHIT TO ME. 1106 00:45:22,353 --> 00:45:23,721 ARE YOU OKAY? 1107 00:45:29,327 --> 00:45:30,862 I'M PERFECT. 1108 00:45:32,263 --> 00:45:33,799 AND DON'T GET ME STARTED ON THE KIDS, 1109 00:45:33,832 --> 00:45:35,000 'CAUSE WHERE DID THEY COME FROM? 1110 00:45:35,033 --> 00:45:38,804 [**] 1111 00:45:47,345 --> 00:45:48,814 I DON'T GIVE A FUCK 1112 00:45:48,847 --> 00:45:51,249 WHOSE IDEA IT WAS, YOU TOOK PART! 1113 00:45:51,282 --> 00:45:52,818 YOU MANIPULATED MY EMOTIONS, 1114 00:45:52,851 --> 00:45:54,853 YOU USED ME, AND YOU HUMILIATED ME, 1115 00:45:54,886 --> 00:45:56,387 AND YOU MUST BE FUCKING INSANE 1116 00:45:56,421 --> 00:45:57,923 TO THINK YOU CAN JUST PRANCE IN HERE, 1117 00:45:57,956 --> 00:45:59,324 ACT AS IF NOTHING EVER HAPPENED, 1118 00:45:59,357 --> 00:46:00,926 TELL ME THAT YOU'RE HAPPY, 1119 00:46:00,959 --> 00:46:02,193 TELL ME THAT YOU'RE OUT OF THE CLOSET, 1120 00:46:02,227 --> 00:46:03,862 TELL ME THAT YOU'RE OH, SO SORRY 1121 00:46:03,895 --> 00:46:05,396 FOR DESTROYING MY FUCKING LIFE! 1122 00:46:06,464 --> 00:46:09,034 FUCK YOU! 1123 00:46:12,370 --> 00:46:13,438 THANK YOU! 1124 00:46:16,174 --> 00:46:19,144 NOW I KNOW YOU CARE. 1125 00:46:37,628 --> 00:46:38,830 I NEED MY STUFF. 1126 00:46:38,864 --> 00:46:39,898 OPEN THE DOOR. 1127 00:46:55,213 --> 00:46:56,814 THANKS. 1128 00:47:13,664 --> 00:47:14,532 SO THAT'S IT? 1129 00:47:14,565 --> 00:47:16,134 YOU'RE DONE TRYING? 1130 00:47:16,167 --> 00:47:17,268 I'M OUT. 1131 00:47:17,302 --> 00:47:19,337 I DON'T SEE THE POINT WITH YOU ANYMORE. 1132 00:47:22,507 --> 00:47:24,242 SHANE, YOU KNOW THAT IT WAS YOU, RIGHT? 1133 00:47:25,643 --> 00:47:29,480 WHEN I SAID THAT "YOU BROKE MY HEART," 1134 00:47:29,514 --> 00:47:34,452 I WAS TALKING ABOUT YOU. 1135 00:47:37,022 --> 00:47:38,356 YOU KNOW, WHEN I SAID IT, 1136 00:47:38,389 --> 00:47:43,028 I FELT LIKE MY HEART WAS BREAKING. 1137 00:47:48,666 --> 00:47:50,235 [SIGHS] 1138 00:48:00,145 --> 00:48:04,449 I TRIED TO TELL YOU ALL WEEK HOW SORRY I AM. 1139 00:48:08,419 --> 00:48:11,356 NO. 1140 00:48:11,389 --> 00:48:13,891 I'M NOT EVER GOING TO HURT YOU LIKE THAT AGAIN. 1141 00:48:15,393 --> 00:48:17,495 I ALSO REALIZED THAT I'M IN LOVE WITH YOU. 1142 00:48:23,168 --> 00:48:25,903 NOW I'M LIKE ALL THOSE STUPID GIRLS. 1143 00:48:28,173 --> 00:48:29,440 UM... 1144 00:48:40,418 --> 00:48:43,321 UH, JENNY? 1145 00:48:44,422 --> 00:48:47,025 WHAT? 1146 00:48:47,058 --> 00:48:48,193 WHAT? 1147 00:48:50,395 --> 00:48:51,562 COME HERE. 1148 00:49:19,090 --> 00:49:23,061 [**]