1 00:00:10,544 --> 00:00:12,280 PREVIOUSLY ON THE L WORD... 2 00:00:12,313 --> 00:00:13,314 NADIA... 3 00:00:16,117 --> 00:00:18,186 FUCK YOU! 4 00:00:18,219 --> 00:00:19,420 YOU MUST BE FUCKING INSANE TO THINK 5 00:00:19,453 --> 00:00:21,689 YOU CAN JUST PRANCE IN HERE ACT AS IF NOTHING EVER HAPPENED! 6 00:00:21,722 --> 00:00:23,691 WHEN IT COMES DOWN TO IT, 7 00:00:23,724 --> 00:00:25,359 THIS IS ALL I HAVE TO OFFER YOU. 8 00:00:25,393 --> 00:00:26,727 JOYCE! OH, MY GOD! 9 00:00:26,760 --> 00:00:28,096 COVER YOUR JUNK. 10 00:00:28,129 --> 00:00:29,263 I'M RESIGNING. 11 00:00:29,297 --> 00:00:30,531 WHAT? 12 00:00:30,564 --> 00:00:32,666 "IT SUCKS THAT YOUR JOB IS JEOPARDIZED 13 00:00:32,700 --> 00:00:35,136 BECAUSE OF SOMETHING THAT I'M TOTALLY RESPONSIBLE FOR." 14 00:00:35,169 --> 00:00:36,737 I DO NOT WANT YOU TO RESIGN. 15 00:00:36,770 --> 00:00:38,306 WHAT ARE YOU WRITING, ALICE? 16 00:00:38,339 --> 00:00:39,440 A TREATMENT. 17 00:00:39,473 --> 00:00:40,474 A TREATMENT FOR A FILM? 18 00:00:40,508 --> 00:00:43,644 I HAD THIS KIND OF KILLER IDEA, SO I THOUGHT, 19 00:00:43,677 --> 00:00:46,147 I'D SELL IT FOR MILLIONS AND BUY A HOUSE IN MALIBU. 20 00:00:46,180 --> 00:00:48,116 WHY DID YOU FEEL COMPELLED 21 00:00:48,149 --> 00:00:50,184 TO POST THE FOOTAGE YOU SHOT OF DARYL BREWER ON THE INTERNET. 22 00:00:50,218 --> 00:00:52,520 I DON'T LIKE GAY PEOPLE, SO I LET IT BE KNOWN. 23 00:00:52,553 --> 00:00:54,855 I'M LETTING IT BE KNOWN, MR. BREWER, 24 00:00:54,888 --> 00:00:56,657 THAT YOU'RE A HOMO. 25 00:00:56,690 --> 00:00:58,626 I REALLY DON'T THINK YOU BELONG TOGETHER. 26 00:01:00,528 --> 00:01:03,197 I'M NOT EVER GOING TO HURT YOU LIKE THAT AGAIN. 27 00:01:03,231 --> 00:01:05,766 I ALSO REALIZED THAT I'M IN LOVE WITH YOU. 28 00:01:11,605 --> 00:01:13,274 [TELEPHONES RINGING] 29 00:01:13,307 --> 00:01:16,344 SHAOLIN, MAY I HELP YOU? 30 00:01:18,379 --> 00:01:20,214 SHAOLIN STUDIOS, MAY I HELP YOU, PLEASE? 31 00:01:23,784 --> 00:01:25,119 SHAOLIN STUDIOS, 32 00:01:25,153 --> 00:01:27,788 MAY I DIRECT YOUR CALL? 33 00:01:31,925 --> 00:01:33,594 YOU REALLY WANT THIS FILM GOING DOWN IN FLAMES, 34 00:01:33,627 --> 00:01:34,895 DON'T YOU? 35 00:01:34,928 --> 00:01:36,430 WHAT ARE YOU TALKING ABOUT? I LOVE THIS FILM. 36 00:01:36,464 --> 00:01:37,598 OH, BULLSHIT, TINA! 37 00:01:37,631 --> 00:01:38,766 BULL SHIT! 38 00:01:38,799 --> 00:01:40,134 LAST WEEK YOU SAID 39 00:01:40,168 --> 00:01:41,402 YOU WOULD BURN DOWN THE LAB 40 00:01:41,435 --> 00:01:43,204 BEFORE YOU WOULD LET THE GIRLS BE RELEASED 41 00:01:43,237 --> 00:01:45,439 WITH, MAY I SAY, A BRILLIANT NEW ENDING 42 00:01:45,473 --> 00:01:47,241 THAT TESTED THROUGH THE ROOF, AND NOW-- 43 00:01:47,275 --> 00:01:48,376 "AND NOW?" "AND NOW" WHAT? 44 00:01:48,409 --> 00:01:49,643 WHAT? WHAT'S GOING ON? 45 00:01:49,677 --> 00:01:50,911 DON'T STAND THERE AND PRETEND 46 00:01:50,944 --> 00:01:52,480 YOU DON'T KNOW WHAT THE FUCK I'M TALKING ABOUT! 47 00:01:52,513 --> 00:01:54,815 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT, AARON. 48 00:01:54,848 --> 00:01:57,485 I WOULD NEVER DO ANYTHING TO SABOTAGE THIS FILM, OKAY? 49 00:01:57,518 --> 00:01:58,819 I PUT MY LIFE INTO THIS FILM. 50 00:01:58,852 --> 00:02:01,489 PLEASE, STOP YELLING AT ME 51 00:02:01,522 --> 00:02:04,158 AND JUST TALK TO ME, TELL ME WHAT'S GOING ON. 52 00:02:05,293 --> 00:02:07,261 OKAY... 53 00:02:07,295 --> 00:02:09,397 LOOK... 54 00:02:09,430 --> 00:02:10,864 I DON'T ACTUALLY THINK THAT YOU WERE THE ONE 55 00:02:10,898 --> 00:02:12,233 WHO STOLE THE NEGATIVE, TINA, 56 00:02:12,266 --> 00:02:13,601 BECAUSE YOU ARE NOT A COMPLETE 57 00:02:13,634 --> 00:02:14,935 AND TOTAL RAVING LUNATIC, 58 00:02:14,968 --> 00:02:17,805 LIKE, FOR EXAMPLE, JENNIFER SCHECTER. 59 00:02:17,838 --> 00:02:19,407 WHOA, WHOA, WHOA, WAIT, BACK UP, THE NEGATIVE? 60 00:02:19,440 --> 00:02:20,841 WHAT NEGATIVE? 61 00:02:20,874 --> 00:02:23,877 THE NEGATIVE WAS STOLEN FROM THE FUCKING LAB, TINA! 62 00:02:23,911 --> 00:02:25,379 WE HAVE NO MORE FILM! 63 00:02:25,413 --> 00:02:27,548 AND YOU THINK JENNY DID THIS? 64 00:02:27,581 --> 00:02:30,284 I CANNOT, IN MY WILDEST DREAMS, IMAGINE 65 00:02:30,318 --> 00:02:31,585 ANYONE ELSE ON THE FACE OF THE PLANET 66 00:02:31,619 --> 00:02:34,322 BEING THAT DEVIOUS OR INSANE, 67 00:02:34,355 --> 00:02:35,689 BUT JENNY SCHECTER? 68 00:02:35,723 --> 00:02:37,325 PIECE OF CAKE, 69 00:02:37,358 --> 00:02:38,692 AND SINCE SHE'S YOUR FRIEND, TINA, 70 00:02:38,726 --> 00:02:40,828 I AM HOLDING YOU PERSONALLY RESPONSIBLE. 71 00:02:40,861 --> 00:02:42,496 SO DO WHATEVER YOU HAVE TO DO, 72 00:02:42,530 --> 00:02:45,933 BUT GET SCHECTER TO RETURN THE GODDAMN NEGATIVE! 73 00:02:48,802 --> 00:02:50,471 [SIGHS] 74 00:02:50,504 --> 00:02:51,805 FUCKING JENNY. 75 00:02:51,839 --> 00:02:55,509 I AM GOING TO FUCKING KILL YOU. 76 00:02:56,544 --> 00:02:59,680 [**] 77 00:02:59,713 --> 00:03:05,519 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 78 00:03:05,553 --> 00:03:12,426 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 79 00:03:12,460 --> 00:03:18,499 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 80 00:03:18,532 --> 00:03:25,573 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 81 00:03:32,746 --> 00:03:34,448 * TALKING, LAUGHING LOVING, BREATHING * 82 00:03:34,482 --> 00:03:35,883 * FIGHTING, FUCKING CRYING, DRINKING * 83 00:03:35,916 --> 00:03:37,618 * WRITING, WINNING LOSING, CHEATING * 84 00:03:37,651 --> 00:03:39,019 * KISSING, THINKING, DREAMING 85 00:03:39,052 --> 00:03:41,455 * THIS IS THE WAY... 86 00:03:41,489 --> 00:03:44,692 * IT'S THE WAY THAT WE LIVE * 87 00:03:44,725 --> 00:03:50,364 * IT'S THE WAY THAT WE LIVE 88 00:03:50,398 --> 00:03:55,803 * AND LOVE 89 00:03:59,473 --> 00:04:02,676 [**] 90 00:04:14,455 --> 00:04:17,925 [DOG GROWLS] 91 00:04:17,958 --> 00:04:20,961 [BARKS] 92 00:04:23,797 --> 00:04:25,666 GET DOWN. 93 00:04:25,699 --> 00:04:28,736 * ...PALM TREES SHAKING OFF THEIR LEAVES * 94 00:04:28,769 --> 00:04:31,505 * TELEPHONING FROM A SUNNY PLACE * 95 00:04:31,539 --> 00:04:35,409 * KISSING AT A FRANTIC PACE 96 00:04:35,443 --> 00:04:38,579 * WE SHALL SURF THE NAVAJO 97 00:04:38,612 --> 00:04:41,982 * WITH A LIFE THAT'S BUILT IN TEMPLE STONE * 98 00:04:42,015 --> 00:04:45,953 * I'M GOING TO THIS TOWN 99 00:04:45,986 --> 00:04:47,888 * I WON'T LET YOU... 100 00:04:47,921 --> 00:04:49,923 [LAUGHS] 101 00:04:49,957 --> 00:04:52,960 SHIT... 102 00:04:52,993 --> 00:04:56,530 [CHUCKLES] 103 00:04:56,564 --> 00:04:57,798 I DON'T KNOW WHAT TO SAY. 104 00:04:57,831 --> 00:05:03,537 * DO WE DO, DO WE DON'T... 105 00:05:03,571 --> 00:05:04,905 I'M HAPPY WE FUCKED. 106 00:05:04,938 --> 00:05:06,807 [LAUGHS] 107 00:05:17,818 --> 00:05:19,119 ARE YOU SURE? 108 00:05:19,152 --> 00:05:22,623 MM-HMM. 109 00:05:22,656 --> 00:05:25,626 MM-HMM. YUP. 110 00:05:25,659 --> 00:05:28,762 * YOU COULD BE ALL I WANT 111 00:05:28,796 --> 00:05:31,532 * WHEN YOU ARE WALKING, FLAUNT 112 00:05:31,565 --> 00:05:34,735 * THERE'S LOVE ABOVE OUR HEADS 113 00:05:34,768 --> 00:05:41,742 * IS RAINING BLUES AND REDS... * 114 00:05:41,775 --> 00:05:45,012 * WHILE I TAKE YOUR PHOTO... 115 00:05:45,045 --> 00:05:49,550 [**] 116 00:05:50,818 --> 00:05:53,521 [MOANING WITH PLEASURE] 117 00:06:04,798 --> 00:06:05,766 [DOORBELL RINGS] 118 00:06:05,799 --> 00:06:06,800 OH, GOD. 119 00:06:06,834 --> 00:06:08,636 WHO THE FUCK IS THAT? 120 00:06:08,669 --> 00:06:09,937 [DOG BARKING] 121 00:06:09,970 --> 00:06:12,906 OH, GOD, IT'S ALICE. 122 00:06:12,940 --> 00:06:14,041 IT'S ALICE. 123 00:06:14,074 --> 00:06:15,509 WHAT THE FUCK IS ALICE DOING HERE? 124 00:06:15,543 --> 00:06:16,777 IT'S EARLY. 125 00:06:16,810 --> 00:06:18,646 SHE CAME BECAUSE I'M SUPPOSED TO GIVE HER NOTES 126 00:06:18,679 --> 00:06:20,080 ON THAT FUCKING TREATMENT. 127 00:06:20,113 --> 00:06:21,449 TELL HER GO HOME. 128 00:06:21,482 --> 00:06:23,817 [RINGING PERSISTENTLY] 129 00:06:25,185 --> 00:06:26,787 YOU HAVE TO LET HER IN. 130 00:06:26,820 --> 00:06:27,821 WHERE'S MY SHIRT? 131 00:06:27,855 --> 00:06:28,922 I DON'T KNOW. 132 00:06:28,956 --> 00:06:31,625 IT'S BY YOUR SHORTS THERE. 133 00:06:31,659 --> 00:06:33,627 THERE. 134 00:06:33,661 --> 00:06:34,928 [RINGING DOORBELL] 135 00:06:34,962 --> 00:06:37,531 HELLO? 136 00:06:37,565 --> 00:06:38,699 [KNOCKS] 137 00:06:39,967 --> 00:06:42,870 YOU HAVE THE NOTES NOW INTIMATELY. 138 00:06:42,903 --> 00:06:43,871 SHANE... 139 00:06:43,904 --> 00:06:45,439 WHAT? 140 00:06:45,473 --> 00:06:46,607 COME HERE. 141 00:06:53,547 --> 00:06:55,916 DO YOU THINK WE MADE A MISTAKE? 142 00:06:57,585 --> 00:06:59,820 NO. 143 00:06:59,853 --> 00:07:03,090 REALLY? 144 00:07:03,123 --> 00:07:05,058 YOU KNOW AS MUCH AS I DO. 145 00:07:05,092 --> 00:07:06,594 [LAUGHS] COME HERE. 146 00:07:08,195 --> 00:07:10,030 [DOORBELL RINGS] 147 00:07:10,063 --> 00:07:13,200 ALICE... IS SO ANNOYING. 148 00:07:13,233 --> 00:07:14,602 [SIGHS] 149 00:07:14,635 --> 00:07:16,069 SHE HAS THE WORST TIMING. 150 00:07:16,103 --> 00:07:17,070 OH, GOD. 151 00:07:17,104 --> 00:07:18,071 SHH! 152 00:07:18,105 --> 00:07:19,540 SHH! 153 00:07:23,844 --> 00:07:24,845 HEY, ALICE. 154 00:07:24,878 --> 00:07:25,913 HEY. 155 00:07:25,946 --> 00:07:27,114 AH... 156 00:07:27,147 --> 00:07:28,482 I KNOW THAT LOOK. 157 00:07:28,516 --> 00:07:29,583 WHOO! 158 00:07:29,617 --> 00:07:31,485 [GIGGLES] 159 00:07:31,519 --> 00:07:32,653 WHAT LOOK? 160 00:07:32,686 --> 00:07:34,121 THE I-HAD-SEX-ALL-NIGHT-LOOK. 161 00:07:34,154 --> 00:07:36,557 ANYONE I KNOW? 162 00:07:36,590 --> 00:07:37,658 NO... 163 00:07:37,691 --> 00:07:39,092 NO, I DIDN'T DO ANYTHING. 164 00:07:39,126 --> 00:07:41,662 YOU KNOW I LOOK LIKE THIS EVERY MORNING. 165 00:07:41,695 --> 00:07:42,896 OH, MY GOD, WHO ARE YOU KIDDING? 166 00:07:42,930 --> 00:07:44,565 YOU WEAR YOUR SEX NIGHTS ON YOUR SLEEVE. 167 00:07:44,598 --> 00:07:46,166 SO WHEN DID JENNY LET YOU BACK IN THE HOUSE? 168 00:07:46,199 --> 00:07:48,101 UH, LAST NIGHT. 169 00:07:48,135 --> 00:07:49,169 HEY, LITTLE MONKEY, 170 00:07:49,202 --> 00:07:51,572 HAVE YOU SEEN MY EARRINGS? 171 00:07:51,605 --> 00:07:53,040 "MONKEY?" 172 00:07:53,073 --> 00:07:55,843 WOW, YOU GUYS, LIKE, SUPER MADE UP. 173 00:07:55,876 --> 00:07:57,611 HI, ALICE. 174 00:07:57,645 --> 00:07:58,946 HI. 175 00:07:58,979 --> 00:08:00,914 AREN'T YOU GOING TO DO PATRICK DEMPSEY'S HAIR 176 00:08:00,948 --> 00:08:02,082 FOR SOME KIND OF COMMERCIAL 177 00:08:02,115 --> 00:08:03,216 THIS MORNING? 178 00:08:03,250 --> 00:08:04,217 NO. 179 00:08:04,251 --> 00:08:05,218 NO? 180 00:08:05,252 --> 00:08:06,219 WHAT ARE YOU DOING THEN? 181 00:08:06,253 --> 00:08:07,621 I MEAN, UM, I'M NOT... 182 00:08:07,655 --> 00:08:08,355 [BABYTALKING]: WHAT? 183 00:08:08,388 --> 00:08:09,757 WHO AM I DOING? I'M DOING, UM... 184 00:08:09,790 --> 00:08:11,258 ERIC, UH... ERIC MABIUS. 185 00:08:11,291 --> 00:08:12,259 OH, RIGHT. 186 00:08:12,292 --> 00:08:13,093 DO YOU HAVE TO GO? 187 00:08:13,126 --> 00:08:14,795 DO YOU NEED SOME HELP GETTING DRESSED? 188 00:08:14,828 --> 00:08:15,829 I GUESS SO. 189 00:08:15,863 --> 00:08:17,798 YEAH? 190 00:08:17,831 --> 00:08:18,899 YEAH, UH... 191 00:08:18,932 --> 00:08:19,900 WHAT? 192 00:08:19,933 --> 00:08:21,034 I GOT TO GO. 193 00:08:21,068 --> 00:08:22,069 OKAY, I'M GOING TO HELP YOU. 194 00:08:22,102 --> 00:08:23,503 OKAY, HANG ON A SEC. 195 00:08:26,740 --> 00:08:29,009 [SQUEALING AND GIGGLING FROM OTHER ROOM] 196 00:08:39,086 --> 00:08:41,321 [WHISPERING]: SHIT, SHIT, SHIT! 197 00:08:41,354 --> 00:08:43,557 EW! 198 00:08:43,591 --> 00:08:45,893 OH, MY GOD... 199 00:08:45,926 --> 00:08:47,828 [STAMPING FEET] 200 00:08:47,861 --> 00:08:48,862 OH, MY GOD. 201 00:08:48,896 --> 00:08:51,031 OKAY... 202 00:08:51,064 --> 00:08:52,733 OKAY. 203 00:08:52,766 --> 00:08:55,535 JENNY. OKAY. 204 00:08:58,839 --> 00:08:59,807 HI. 205 00:08:59,840 --> 00:09:01,074 TELL ME YOU DIDN'T. 206 00:09:01,108 --> 00:09:02,810 YOU KNOW THAT I HAVE TO BE AT WORK-- 207 00:09:02,843 --> 00:09:05,045 OH, MY GOD. 208 00:09:05,078 --> 00:09:06,046 SO WE'RE GOING TO TALK LATER. 209 00:09:06,079 --> 00:09:07,848 HI! 210 00:09:07,881 --> 00:09:09,817 DO YOU WANT A CAPPUCCINO? 211 00:09:09,850 --> 00:09:10,818 NO, THANK YOU. 212 00:09:10,851 --> 00:09:11,819 SHANE? 213 00:09:11,852 --> 00:09:12,820 NO. 214 00:09:12,853 --> 00:09:13,887 NO? 215 00:09:13,921 --> 00:09:14,955 ARE YOU SURE? 216 00:09:14,988 --> 00:09:16,056 MM-HMM. 217 00:09:16,089 --> 00:09:17,791 I'M GOING TO... 218 00:09:17,825 --> 00:09:21,729 I'M GOING TO GO TO THE BATHROOM. 219 00:09:30,638 --> 00:09:31,338 OH, MY GOD. 220 00:09:41,081 --> 00:09:43,183 OH, MY GOD. 221 00:09:43,216 --> 00:09:46,654 OKAY. 222 00:09:46,687 --> 00:09:48,188 DON'T PANIC. 223 00:09:48,221 --> 00:09:50,924 [TEXTING RAPIDLY] 224 00:09:58,398 --> 00:09:59,733 [SIGHS] 225 00:10:01,334 --> 00:10:03,170 [CELL PHONE BEEPS] 226 00:10:04,437 --> 00:10:05,873 [SCREAMS] 227 00:10:05,906 --> 00:10:08,776 ...FULL OF SLEEPING VAMPIRES. 228 00:10:08,809 --> 00:10:09,977 ABBY TIPTOES OVER TO THE VAMPIRE... 229 00:10:11,078 --> 00:10:13,213 RAISES HER WOODEN STAKE-- 230 00:10:13,246 --> 00:10:16,283 WHAT THE FUCK? 231 00:10:21,689 --> 00:10:23,791 WHAT A MESS... 232 00:10:23,824 --> 00:10:26,059 ...THE CURRICULUM CLEARLY STATES 233 00:10:26,093 --> 00:10:28,228 THAT ALL GRADUATE STUDENTS 234 00:10:28,261 --> 00:10:30,130 MUST COMPLETE GRAPHIC DESIGN 235 00:10:30,163 --> 00:10:32,032 BEFORE THEY CAN MOVE ON TO DIGITAL DESIGN. 236 00:10:32,065 --> 00:10:34,167 [CHUCKLES] 237 00:10:34,201 --> 00:10:35,703 [LAUGHING] 238 00:10:35,736 --> 00:10:38,772 I'M SORRY. 239 00:10:38,806 --> 00:10:40,107 THAT'S ALL RIGHT. 240 00:10:40,140 --> 00:10:41,374 AS I WAS SAYING... 241 00:10:41,408 --> 00:10:45,345 [LAUGHS HYSTERICALLY] 242 00:10:45,378 --> 00:10:48,048 I'M SORRY. 243 00:10:48,081 --> 00:10:51,018 [CELL PHONE VIBRATING] 244 00:10:53,186 --> 00:10:56,323 WHY IS MY PHONE BUZZING? 245 00:10:56,356 --> 00:10:58,058 OH, WHY IS MY PHONE BUZZING? 246 00:10:58,091 --> 00:10:59,727 YOU GOT A TEXT MESSAGE. 247 00:10:59,760 --> 00:11:00,828 A WHAT? 248 00:11:00,861 --> 00:11:01,895 A TEXT MESSAGE? 249 00:11:03,130 --> 00:11:05,432 UM, DO YOU HAVE EVERYTHING? 250 00:11:05,465 --> 00:11:06,934 I DO, THANKS. 251 00:11:06,967 --> 00:11:08,201 I JUST WANTED TO TALK TO YOU. 252 00:11:08,235 --> 00:11:09,202 YEAH, OF COURSE. 253 00:11:09,236 --> 00:11:10,070 ALICE? 254 00:11:10,103 --> 00:11:11,304 HUH? 255 00:11:11,338 --> 00:11:12,773 I'M GOING TO BE THERE IN A SECOND. 256 00:11:12,806 --> 00:11:13,807 YUP. 257 00:11:13,841 --> 00:11:14,875 OKAY. 258 00:11:19,747 --> 00:11:21,348 [CELL PHONE RINGS] 259 00:11:21,381 --> 00:11:22,950 [WHISPERING]: HI! 260 00:11:22,983 --> 00:11:25,719 ALICE, WHAT THE BLOODY HELL IS GOING ON? 261 00:11:25,753 --> 00:11:26,820 JENNY JUST... 262 00:11:26,854 --> 00:11:27,855 SHE JUST TOOK SHANE OUTSIDE. 263 00:11:27,888 --> 00:11:29,056 SHE SAID SHE WANTED TO TALK! 264 00:11:29,089 --> 00:11:31,091 ISN'T IT A BIT LATE FOR THAT? 265 00:11:31,124 --> 00:11:33,060 ALICE, WHAT ARE THEY SAYING? 266 00:11:33,093 --> 00:11:34,361 WHAT ARE THEY TALKING ABOUT? 267 00:11:34,394 --> 00:11:36,129 ...YOU KNOW, I DON'T HAVE, UH... 268 00:11:36,163 --> 00:11:38,966 I DON'T HAVE EXPECTATIONS FOR OUR RELATIONSHIP... 269 00:11:38,999 --> 00:11:40,367 JENNY DOESN'T WANT TO PUT ANY EXPECTATIONS 270 00:11:40,400 --> 00:11:41,835 ON THEIR RELATIONSHIP. 271 00:11:41,869 --> 00:11:43,203 ...AND I WAS THINKING THAT WE SHOULD PROBABLY 272 00:11:43,236 --> 00:11:44,371 SET SOME BOUNDARIES, YOU KNOW? 273 00:11:44,404 --> 00:11:46,173 CONSIDERING WE LIVE IN THE SAME HOUSE. 274 00:11:46,206 --> 00:11:47,340 JENNY WANTS BOUNDARIES. 275 00:11:47,374 --> 00:11:48,842 BOUNDARIES? 276 00:11:48,876 --> 00:11:50,077 JENNY DOESN'T EVEN KNOW THE MEANING OF THE WORD. 277 00:11:50,110 --> 00:11:52,880 SHE'S NEVER HAD ANY BOUNDARIES, EVER! 278 00:11:52,913 --> 00:11:55,983 ...I JUST WANT IT TO BE DIFFERENT. 279 00:11:56,016 --> 00:11:57,851 [SCOFFS] YEAH, RIGHT. 280 00:11:57,885 --> 00:11:58,919 BECAUSE I KNOW YOU. 281 00:11:58,952 --> 00:11:59,987 I KNOW YOU DO. 282 00:12:03,123 --> 00:12:05,325 [WHISPERING]: THEY'RE KISSING! 283 00:12:06,794 --> 00:12:09,162 EW! EW... 284 00:12:09,196 --> 00:12:11,298 ALICE, YOU'RE BEING CHILDISH. 285 00:12:11,331 --> 00:12:13,400 THEY'RE BOTH GROWN-UPS. 286 00:12:13,433 --> 00:12:14,467 IF THEY WANT TO GET INVOLVED WITH ONE ANOTHER, 287 00:12:14,501 --> 00:12:16,436 THEN THAT'S TOTALLY THEIR PREROGATIVE. 288 00:12:16,469 --> 00:12:20,007 SHANE JUST SAID JENNY WAS A GOOD KISSER. 289 00:12:20,040 --> 00:12:22,175 EW! I CAN'T! 290 00:12:22,209 --> 00:12:23,510 THAT'S DISGUSTING! 291 00:12:26,847 --> 00:12:28,015 I HAVE TO GO. 292 00:12:28,048 --> 00:12:29,249 SHE'S COMING. 293 00:12:29,282 --> 00:12:31,151 ALICE-- ALICE, WHAT-? NO-- 294 00:12:31,184 --> 00:12:33,086 YEAH, ABSOLUTELY. 295 00:12:33,120 --> 00:12:35,455 GOT A VERY JUICY TIDBIT FOR YOU TODAY. 296 00:12:38,491 --> 00:12:40,127 ALICE, JUST SAY. 297 00:12:40,160 --> 00:12:41,294 LET ME KNOW, IS SHE IN THE ROOM? 298 00:12:41,328 --> 00:12:42,863 JUST SAY YES OR NO. 299 00:12:42,896 --> 00:12:44,564 YES, YES, 300 00:12:44,597 --> 00:12:47,134 I WILL SEE YOU AT 4:00. 301 00:12:47,167 --> 00:12:48,201 OKAY. 302 00:12:48,235 --> 00:12:49,870 WORK, WORK, WORK. 303 00:12:49,903 --> 00:12:51,004 THE LOOK IS MAKING ME-- 304 00:12:51,038 --> 00:12:52,873 RIGHT. ALICE... 305 00:12:52,906 --> 00:12:54,174 MM-HMM? 306 00:12:54,207 --> 00:12:56,243 I'D APPRECIATE IT IF YOU DON'T MENTION THAT STUFF. 307 00:12:56,276 --> 00:12:58,445 YOU KNOW. 308 00:13:00,480 --> 00:13:01,548 UM... 309 00:13:01,581 --> 00:13:02,850 IT'S NONE OF MY BUSINESS. 310 00:13:02,883 --> 00:13:04,284 NO. 311 00:13:06,186 --> 00:13:07,287 MM-MM. 312 00:13:08,922 --> 00:13:10,123 DO YOU WANT TO START WORK? 313 00:13:10,157 --> 00:13:12,425 YEAH, I BROUGHT MY... 314 00:13:12,459 --> 00:13:15,963 TRUSTY NOTES. 315 00:13:17,097 --> 00:13:18,331 THIS IS JUST SO CRAZY. 316 00:13:18,365 --> 00:13:19,466 REALLY, WHAT IS SHANE THINKING? 317 00:13:19,499 --> 00:13:22,870 THIS IS GOING TO BE A COMPLETE AND TOTAL TRAIN-WRECK. 318 00:13:22,903 --> 00:13:24,938 WHY SHOULD IT BE YOUR RESPONSIBILITY? 319 00:13:24,972 --> 00:13:26,373 I THINK YOU SHOULD JUST CALL JENNY 320 00:13:26,406 --> 00:13:27,875 AND FIND OUT WHAT THE FUCK HAPPENED TO THE NEGATIVE, 321 00:13:27,908 --> 00:13:29,142 BECAUSE YOU KNOW WHAT, 322 00:13:29,176 --> 00:13:30,343 I'M SURE IT'S JUST SOME MISUNDERSTANDING. 323 00:13:30,377 --> 00:13:31,411 HE'S GOING TO CALL YOU IN A COUPLE DAYS 324 00:13:31,444 --> 00:13:32,579 AND JUST APOLOGIZE. 325 00:13:32,612 --> 00:13:34,181 ALL RIGHT. 326 00:13:34,214 --> 00:13:38,418 WELL, CALL ME. 327 00:13:38,451 --> 00:13:40,053 I LOVE YOU. 328 00:13:45,158 --> 00:13:46,626 WHAT IS TOM DOING HERE? 329 00:13:46,659 --> 00:13:47,627 HELLO, BETTE. 330 00:13:47,660 --> 00:13:49,897 IT'S GOOD TO SEE YOU, TOO. 331 00:13:49,930 --> 00:13:52,632 WELL, THE ADA SAYS I HAVE THE RIGHT 332 00:13:52,665 --> 00:13:54,968 TO AN INTERPRETER IN THE WORKPLACE. 333 00:13:55,002 --> 00:13:57,504 THE AMERICANS WITH DISABILITIES ACT? 334 00:13:57,537 --> 00:14:00,107 BUT YOU KNOW PERFECTLY WELL THAT I CAN SIGN. 335 00:14:00,140 --> 00:14:01,374 MM... 336 00:14:01,408 --> 00:14:02,642 ACTUALLY, YOUR SIGNING 337 00:14:02,675 --> 00:14:04,277 HAS NEVER REALLY BEEN THAT GREAT, 338 00:14:04,311 --> 00:14:06,146 SO IT'S PROBABLY BETTER IF YOU JUST SPEAK. 339 00:14:08,481 --> 00:14:10,183 FINE. 340 00:14:12,452 --> 00:14:14,955 BUT WE BOTH PROBABLY AGREE 341 00:14:14,988 --> 00:14:16,356 THAT WORKING TOGETHER 342 00:14:16,389 --> 00:14:19,626 HAS BECOME VERY UNCOMFORTABLE, 343 00:14:19,659 --> 00:14:24,564 AND SINCE I AM THE HEAD OF THIS DEPARTMENT, 344 00:14:24,597 --> 00:14:28,001 AND I HAVE TO HAVE IT RUN SMOOTHLY, 345 00:14:28,035 --> 00:14:30,170 I THINK IT WOULD BE BEST FOR YOU TO RESIGN. 346 00:14:35,108 --> 00:14:36,910 NO. 347 00:14:36,944 --> 00:14:38,545 EXCUSE ME? 348 00:14:38,578 --> 00:14:40,680 I LOVE MY JOB. 349 00:14:40,713 --> 00:14:42,515 WHY WOULD I RESIGN? 350 00:14:42,549 --> 00:14:43,683 A FEW WEEKS AGO, 351 00:14:43,716 --> 00:14:45,618 YOU VOLUNTEERED TO RESIGN FROM CU. 352 00:14:48,455 --> 00:14:50,690 BUT I OFFERED TO RESIGN TO PROTECT YOUR ASS, 353 00:14:50,723 --> 00:14:52,559 WHICH IS SOMETHING I WOULD DO 354 00:14:52,592 --> 00:14:54,294 FOR SOMEONE THAT I'M IN LOVE WITH. 355 00:14:54,327 --> 00:14:56,463 OBVIOUSLY, I'M NO LONGER IN LOVE WITH YOU. 356 00:14:59,432 --> 00:15:02,402 IF YOU DON'T RESIGN, 357 00:15:02,435 --> 00:15:04,371 THEN I'M GOING TO HAVE TO FIRE YOU. 358 00:15:08,441 --> 00:15:10,143 GO RIGHT AHEAD. 359 00:15:13,746 --> 00:15:15,115 [SIGHS HEAVILY] 360 00:15:15,148 --> 00:15:17,350 [CELL PHONE BUZZING] 361 00:15:19,219 --> 00:15:20,253 UM, ALICE? 362 00:15:20,287 --> 00:15:21,721 YEAH. 363 00:15:21,754 --> 00:15:23,023 WE'RE IN A MEETING HERE, SO-- 364 00:15:23,056 --> 00:15:25,258 [CELL PHONE BUZZES] 365 00:15:25,292 --> 00:15:27,027 YEAH, JUST... 366 00:15:27,060 --> 00:15:28,361 OKAY, HERE'S MY-- 367 00:15:28,395 --> 00:15:29,662 I'LL TURN THE RINGER OFF. 368 00:15:29,696 --> 00:15:30,964 THANKS. 369 00:15:30,998 --> 00:15:32,699 GETTING A LOT OF PHONE CALLS... 370 00:15:32,732 --> 00:15:33,967 I DON'T KNOW WHY. 371 00:15:34,001 --> 00:15:35,702 WILL YOU PASS ME THAT? 372 00:15:35,735 --> 00:15:37,104 THANKS. 373 00:15:37,137 --> 00:15:38,305 THANK YOU. 374 00:15:38,338 --> 00:15:40,473 HOW LONG DID IT TAKE YOU TO WRITE THIS? 375 00:15:40,507 --> 00:15:42,642 OH, I JUST WROTE THAT IN A NIGHT. 376 00:15:42,675 --> 00:15:44,711 I JUST KIND OF... STREAM OF CONSCIOUSNESS... 377 00:15:44,744 --> 00:15:45,712 SPIT IT OUT. 378 00:15:45,745 --> 00:15:46,713 ONE NIGHT. 379 00:15:46,746 --> 00:15:48,081 THIS TOOK YOU ONE NIGHT. 380 00:15:48,115 --> 00:15:49,182 YOU PEOPLE THINK 381 00:15:49,216 --> 00:15:51,018 THAT YOU CAN JUST COME INTO HOLLYWOOD, 382 00:15:51,051 --> 00:15:52,685 AND SUDDENLY YOU'RE GOING TO MAKE IT. 383 00:15:52,719 --> 00:15:54,687 AND YOU'RE GOING TO, LIKE, WRITE EVERYTHING, 384 00:15:54,721 --> 00:15:56,423 AND IT'S GOING TO BE GREAT IN ONE NIGHT. 385 00:15:56,456 --> 00:15:58,291 YOU KNOW WHAT? 386 00:15:58,325 --> 00:16:02,462 MY WORK, TO WRITE A SCREENPLAY, IS A CRAFT. 387 00:16:02,495 --> 00:16:04,064 OKAY? 388 00:16:04,097 --> 00:16:04,764 AND IF YOU'RE GOING TO SIT HERE 389 00:16:04,797 --> 00:16:07,434 ACROSS FROM ME, 390 00:16:07,467 --> 00:16:08,701 YOU HAVE TO START TAKING IT SERIOUSLY. 391 00:16:08,735 --> 00:16:10,270 SO THIS IS WHAT WE ARE GOING TO DO. 392 00:16:10,303 --> 00:16:12,105 PITCH IT TO ME. GO. 393 00:16:12,139 --> 00:16:14,241 I'M AN EXECUTIVE, OKAY? 394 00:16:15,808 --> 00:16:17,177 LIKE A PITCH MEETING-- 395 00:16:17,210 --> 00:16:18,211 SELL IT. 396 00:16:18,245 --> 00:16:19,246 I NEED TO WORK ON THIS. 397 00:16:19,279 --> 00:16:20,247 GO FOR IT. 398 00:16:20,280 --> 00:16:21,381 IT'S A GOOD IDEA. 399 00:16:21,414 --> 00:16:22,715 OKAY, UM... 400 00:16:22,749 --> 00:16:25,052 IT'S ABOUT A TALK SHOW HOST 401 00:16:25,085 --> 00:16:26,786 WHO'S REALLY FANTASTIC, 402 00:16:26,819 --> 00:16:30,390 AND, UM, IS DATING A COP WHO'S DARK AND BROODY, 403 00:16:30,423 --> 00:16:33,393 AND THEY GET CAUGHT UP IN THIS MURDER MYSTERY, 404 00:16:33,426 --> 00:16:34,261 SO THERE WILL BE, LIKE, CAR CHASES, 405 00:16:34,294 --> 00:16:35,662 AND IT'S GOT THE ACTION, EXCITEMENT. 406 00:16:35,695 --> 00:16:37,197 IT'S KIND OF LIKE FOUL PLAY 407 00:16:37,230 --> 00:16:40,333 MEETS MR. AND MRS. SMITH, 408 00:16:40,367 --> 00:16:42,169 SO IT'S GOT THE ROMANTIC, ACTIONY... 409 00:16:42,202 --> 00:16:43,470 IT'S KIND OF GOT EVERYTHING. 410 00:16:43,503 --> 00:16:46,173 EXCEPT A GOOD IDEA. 411 00:16:46,206 --> 00:16:49,376 JUST SAYING, I MEAN... 412 00:16:49,409 --> 00:16:51,311 I DON'T THINK THAT'S GOING TO SELL. 413 00:16:51,344 --> 00:16:53,213 PRETTY BORING, 414 00:16:53,246 --> 00:16:54,614 BUT, YOU KNOW, 415 00:16:54,647 --> 00:16:57,250 THE HEART OF THIS 416 00:16:57,284 --> 00:16:59,419 IS THAT IT'S JUST NOT REALISTIC. 417 00:16:59,452 --> 00:17:00,620 THESE TWO PEOPLE 418 00:17:00,653 --> 00:17:02,289 WOULD NEVER BE IN A RELATIONSHIP TOGETHER. 419 00:17:02,322 --> 00:17:03,290 HMM... 420 00:17:03,323 --> 00:17:04,291 NO. 421 00:17:04,324 --> 00:17:05,292 KINDA TRUTHFUL... 422 00:17:05,325 --> 00:17:06,326 ALICE... 423 00:17:06,359 --> 00:17:07,460 WELL, ALICE, YOU KNOW WHAT I THINK? 424 00:17:07,494 --> 00:17:09,762 THE FUTURE IS NOW. 425 00:17:09,796 --> 00:17:11,064 RIGHT NOW, 426 00:17:11,098 --> 00:17:13,433 AND THIS IS NOT THE WAY FORWARD, 427 00:17:13,466 --> 00:17:16,269 BECAUSE WHEN I'M WITH YOU IN A GROUP OF PEOPLE, 428 00:17:16,303 --> 00:17:17,504 I CLOSE MY EYES, 429 00:17:17,537 --> 00:17:19,139 AND I'M, LIKE, "WHOA! 430 00:17:19,172 --> 00:17:20,240 "EW! 431 00:17:20,273 --> 00:17:22,109 "THAT GIRL... 432 00:17:22,142 --> 00:17:24,577 EW, THE VOICE!" 433 00:17:24,611 --> 00:17:28,115 SHE SHOULD BE DOING CARTOON VOICE-OVERS. 434 00:17:28,148 --> 00:17:30,617 [DOORBELL RINGS] 435 00:17:32,552 --> 00:17:36,323 I'VE NEVER REALLY THOUGHT OF CARTOONS 436 00:17:36,356 --> 00:17:38,525 AS A CAREER MOVE. 437 00:17:38,558 --> 00:17:42,729 YOU HAVE A UNIQUE VOCAL RANGE THAT'S RIGHT HERE. 438 00:17:42,762 --> 00:17:43,730 OKAY? 439 00:17:43,763 --> 00:17:44,731 [PERSISTENT KNOCKING] 440 00:17:44,764 --> 00:17:45,765 JENNY, OPEN UP! 441 00:17:45,798 --> 00:17:46,766 I NEED TO TALK TO YOU! 442 00:17:46,799 --> 00:17:48,568 [KNOCKING INSISTENTLY] 443 00:17:48,601 --> 00:17:49,636 GOD... 444 00:17:49,669 --> 00:17:50,737 [RINGING DOORBELL] 445 00:17:50,770 --> 00:17:51,804 JENNY! 446 00:17:51,838 --> 00:17:53,673 OKAY. 447 00:17:53,706 --> 00:17:56,143 THANK YOU SO MUCH FOR THE INSPIRATION. 448 00:17:56,176 --> 00:17:57,377 THANK YOU. 449 00:17:57,410 --> 00:17:58,745 ALL RIGHT. 450 00:17:58,778 --> 00:17:59,879 GREAT TO SEE YOU! 451 00:17:59,912 --> 00:18:00,880 I WILL GO HOME AND WORK ON THIS. 452 00:18:00,913 --> 00:18:02,115 OKAY! 453 00:18:02,149 --> 00:18:03,116 [KNOCKING] 454 00:18:03,150 --> 00:18:05,218 [WHISPERING]: DON'T TELL ANYBODY I TOLD YOU 455 00:18:05,252 --> 00:18:06,519 BECAUSE I PROMISED I WOULDN'T SAY ANYTHING! 456 00:18:06,553 --> 00:18:07,720 OKAY. 457 00:18:07,754 --> 00:18:08,755 OKAY. 458 00:18:08,788 --> 00:18:09,822 BUT-BUT-BUT, WAIT! 459 00:18:09,856 --> 00:18:11,491 ARE YOU SURE ABOUT JENNY AND SHANE? 460 00:18:11,524 --> 00:18:12,892 I SAW THEM MAKE OUT, WITH TONGUE. 461 00:18:12,925 --> 00:18:13,826 EW, GROSS! 462 00:18:13,860 --> 00:18:16,229 I KNOW. I'M ALREADY HAVING A SHITTY DAY, 463 00:18:16,263 --> 00:18:17,464 AND I HAVE THIS IMAGE BURNED IN MY HEAD. 464 00:18:17,497 --> 00:18:18,465 HEY, JENNY, THANKS AGAIN FOR YOUR HELP! 465 00:18:18,498 --> 00:18:19,732 [QUIETLY]: NOT. 466 00:18:19,766 --> 00:18:21,301 I TAKE IT THE MEETING DID GO SO WELL? 467 00:18:21,334 --> 00:18:22,335 YEAH, NOT SO GOOD. 468 00:18:22,369 --> 00:18:23,436 WELL, I WANT TO HEAR ALL ABOUT IT, 469 00:18:23,470 --> 00:18:25,638 BUT FIRST RIGHT NOW, I HAVE TO GO FUCKING KILL JENNY. 470 00:18:25,672 --> 00:18:26,739 WHY? WHAT DID SHE DO TO YOU? 471 00:18:26,773 --> 00:18:28,241 I CAN'T TALK ABOUT IT RIGHT NOW. 472 00:18:28,275 --> 00:18:29,709 I'LL TELL YOU ALL ABOUT IT LATER, ALL RIGHT? 473 00:18:29,742 --> 00:18:30,743 I JUST... 474 00:18:30,777 --> 00:18:32,345 I HAVE TO CALM DOWN, OKAY? 475 00:18:32,379 --> 00:18:33,780 I JUST HAVE TO GO TALK SOME SENSE INTO HER. 476 00:18:33,813 --> 00:18:35,782 YEAH, GOOD LUCK WITH THAT. 477 00:18:35,815 --> 00:18:37,217 OKAY, THANK YOU. I'LL CALL YOU. BYE. 478 00:18:37,250 --> 00:18:39,719 YEAH. BYE. 479 00:18:39,752 --> 00:18:41,454 HI. 480 00:18:41,488 --> 00:18:42,655 HEY. 481 00:18:42,689 --> 00:18:43,523 I GOT A NEW CAPPUCCINO-MAKER. 482 00:18:43,556 --> 00:18:44,557 DO YOU WANT ONE? 483 00:18:44,591 --> 00:18:46,426 NO, THANKS. I'M FINE. 484 00:18:46,459 --> 00:18:48,228 JENNY, I NEED TO TALK TO YOU. 485 00:18:48,261 --> 00:18:51,498 I CAN MAKE IT WITH SOY. 486 00:18:51,531 --> 00:18:52,532 SOY, FINE, YEAH. 487 00:18:52,565 --> 00:18:53,433 OKAY. 488 00:18:53,466 --> 00:18:55,402 [GRINDER WHINES LOUDLY] SO WHAT'S UP? 489 00:18:55,435 --> 00:18:58,871 THE NEGATIVE FOR LES GIRLS, IT WAS STOLEN FROM THE LAB. 490 00:18:58,905 --> 00:19:00,307 WHAT? 491 00:19:00,340 --> 00:19:01,341 THE NEGATIVE WAS STOLEN-- 492 00:19:01,374 --> 00:19:02,509 I CAN'T HEAR YOU. 493 00:19:02,542 --> 00:19:04,644 THE NEGATIVE WAS STOLEN FROM THE LAB-- 494 00:19:04,677 --> 00:19:06,313 WHY DO YOU KEEP ON SAYING THE WORD "NEGATIVE"? 495 00:19:06,346 --> 00:19:07,314 ARE YOU NOT HEARING ME? THE NEGATIVE-- 496 00:19:07,347 --> 00:19:08,848 SMELL THE BEANS. 497 00:19:08,881 --> 00:19:13,286 TO OUR MOVIE. WAS STOLEN FROM THE LAB. 498 00:19:13,320 --> 00:19:14,521 WHO CARES IF THE NEGATIVE WAS STOLEN? 499 00:19:14,554 --> 00:19:15,722 THE EDITOR HAS IT ON HER COMPUTER. 500 00:19:15,755 --> 00:19:19,292 WE SHOT THE MOVIE ON FILM, OKAY? 501 00:19:19,326 --> 00:19:20,460 MM-HMM. 502 00:19:20,493 --> 00:19:21,728 RIGHT? 503 00:19:21,761 --> 00:19:23,763 THE KIND OF FILM THAT YOU TAKE PICTURES WITH. 504 00:19:23,796 --> 00:19:25,298 OKAY. 505 00:19:25,332 --> 00:19:26,533 THE NEGATIVE 506 00:19:26,566 --> 00:19:28,435 IS THE ORIGINAL IMAGE, ALL RIGHT? 507 00:19:28,468 --> 00:19:29,702 WITHOUT THAT, YOU CAN'T MAKE PRINTS. 508 00:19:29,736 --> 00:19:30,803 WITHOUT PRINTS, 509 00:19:30,837 --> 00:19:32,739 YOU CAN'T SCREEN IT IN A MOVIE THEATRE, ALL RIGHT? 510 00:19:32,772 --> 00:19:34,341 IT DOESN'T MATTER 511 00:19:34,374 --> 00:19:35,808 WHAT THE EDITOR HAS ON HER COMPUTER, ALL RIGHT, 512 00:19:35,842 --> 00:19:38,745 BECAUSE IT CANNOT BE PROJECTED ONTO A SCREEN. 513 00:19:38,778 --> 00:19:40,713 NO ONE'S GOING TO SEE OUR MOVIE. 514 00:19:40,747 --> 00:19:43,182 ARE YOU SAYING THAT NOBODY'S GOING TO SEE THE MOVIE? 515 00:19:44,884 --> 00:19:49,456 OH, MY GOD, TINA. 516 00:19:49,489 --> 00:19:51,858 THIS FILM IS MY WHOLE LIFE. 517 00:19:51,891 --> 00:19:52,859 I KNOW IT'S YOUR LIFE. 518 00:19:52,892 --> 00:19:55,695 THAT'S WHY I'M HERE. 519 00:19:55,728 --> 00:20:00,333 I JUST, I CAME OVER TO TALK TO YOU FACE TO FACE. 520 00:20:00,367 --> 00:20:02,001 LOOK, I TALKED TO THE LAB... 521 00:20:02,034 --> 00:20:03,303 OKAY. 522 00:20:03,336 --> 00:20:04,904 THEY'RE GOING TO PUT A TRACE ON IT. 523 00:20:04,937 --> 00:20:06,706 THEY'RE GOING TO FIND IT, 524 00:20:06,739 --> 00:20:08,475 BUT I JUST THOUGHT YOU COULD TALK TO ME 525 00:20:08,508 --> 00:20:09,609 JUST ONE ON ONE. 526 00:20:09,642 --> 00:20:12,345 ABOUT WHAT? 527 00:20:12,379 --> 00:20:13,446 IS IT HERE? 528 00:20:13,480 --> 00:20:14,714 IS IT HERE? 529 00:20:14,747 --> 00:20:16,549 IF I STOLE IT? 530 00:20:16,583 --> 00:20:18,518 YOU WANT TO KNOW IF I STOLE THE MOVIE? 531 00:20:18,551 --> 00:20:19,786 JENNY, IT'S POSSIBLE. 532 00:20:19,819 --> 00:20:21,688 LOOK, IF IT'S HERE, JUST GRAB IT. 533 00:20:21,721 --> 00:20:23,356 WE'LL TAKE IT BACK TO THE LAB, OKAY? 534 00:20:23,390 --> 00:20:24,491 AND I CAN PROMISE 535 00:20:24,524 --> 00:20:25,492 NOTHING BAD'S GOING TO HAPPEN TO YOU. 536 00:20:25,525 --> 00:20:27,627 BUT SHIT HAS HAPPENED TO ME! 537 00:20:27,660 --> 00:20:28,761 MY FILM HAS ALREADY BEEN STOLEN. 538 00:20:28,795 --> 00:20:30,363 WHY DON'T YOU ASK ADELE? 539 00:20:30,397 --> 00:20:32,265 ADELE DOESN'T HAVE ANY REASON TO STEAL THE NEGATIVE! 540 00:20:32,299 --> 00:20:34,033 OH, ADELE HAS NO REASON TO STEAL, WHY? 541 00:20:34,066 --> 00:20:35,668 HER WHOLE CAREER WOULD BE ON THE LINE. 542 00:20:35,702 --> 00:20:36,803 HER FUCKING CAREER IS ON THE LINE? 543 00:20:36,836 --> 00:20:38,771 THAT TWERP HAS A THREE-PICTURE DEAL! 544 00:20:38,805 --> 00:20:39,906 I HAVE NOTHING! 545 00:20:39,939 --> 00:20:43,042 NOTHING, TINA, OKAY? 546 00:20:43,075 --> 00:20:45,378 I DON'T EVEN HAVE AN AGENT, BECAUSE MY AGENTS FIRED ME 547 00:20:45,412 --> 00:20:46,779 BECAUSE THEY DON'T THINK I'M PROFESSIONAL! 548 00:20:46,813 --> 00:20:48,381 AND THEN-- 549 00:20:48,415 --> 00:20:49,882 AND THEN IF THIS FILM DOESN'T COME OUT, 550 00:20:49,916 --> 00:20:51,784 THEN I'M TOTALLY FUCKED, OKAY? 551 00:20:51,818 --> 00:20:53,486 SO I NEED THIS FILM TO COME OUT 552 00:20:53,520 --> 00:20:54,921 SO I HAVE THIS... 553 00:20:54,954 --> 00:20:57,424 THIS KIND OF CHANCE OF GETTING A JOB AGAIN! 554 00:20:57,457 --> 00:20:59,326 SO YOU NEED TO FIND THAT MOVIE! 555 00:20:59,359 --> 00:21:01,794 [SIGHS] 556 00:21:01,828 --> 00:21:04,063 I DID NOT STEAL THE NEGATIVE. 557 00:21:04,096 --> 00:21:06,666 OKAY. 558 00:21:06,699 --> 00:21:07,767 OKAY... 559 00:21:07,800 --> 00:21:08,835 I'M SORRY. 560 00:21:08,868 --> 00:21:10,803 [SIGHS] 561 00:21:10,837 --> 00:21:12,672 THEY'RE HOLDING ME RESPONSIBLE. 562 00:21:12,705 --> 00:21:15,642 AARON IS PERSONALLY HOLDING ME RESPONSIBLE, AND... 563 00:21:15,675 --> 00:21:17,076 JENNY, I'M SORRY, OKAY? 564 00:21:17,109 --> 00:21:18,478 I BELIEVE YOU. 565 00:21:18,511 --> 00:21:20,580 OH, MY GOD, THIS IS SO BAD... 566 00:21:20,613 --> 00:21:22,014 I PROMISE YOU. 567 00:21:22,048 --> 00:21:23,650 [ALICE]: SO ARE YOU GUYS, LIKE, A COUPLE? 568 00:21:23,683 --> 00:21:25,084 [SHANE SCOFFS]: NO... 569 00:21:25,117 --> 00:21:28,455 NO. NO, ALICE, WE'RE NOT A COUPLE. 570 00:21:28,488 --> 00:21:29,522 THINGS GOT EMOTIONAL. 571 00:21:29,556 --> 00:21:30,690 IT HAPPENED ONE TIME. 572 00:21:30,723 --> 00:21:32,792 IT'S... IT'S NOT A BIG DEAL. 573 00:21:32,825 --> 00:21:34,494 SHANE, IT'S JENNY! 574 00:21:34,527 --> 00:21:35,695 I MEAN, I JUST WANT TO MAKE SURE 575 00:21:35,728 --> 00:21:36,763 YOU KNOW WHO WE'RE TALKING ABOUT HERE. 576 00:21:36,796 --> 00:21:37,797 I'M TRULY AWARE OF WHO IT IS, 577 00:21:37,830 --> 00:21:39,432 THANK YOU, BUT... 578 00:21:39,466 --> 00:21:42,502 LISTEN, WE GET EACH OTHER. 579 00:21:42,535 --> 00:21:45,638 WE DO, AND I HAVE TO BELIEVE SHE'S NOT GOING TO GET WEIRD. 580 00:21:45,672 --> 00:21:46,973 SHE EVEN SAID TODAY, 581 00:21:47,006 --> 00:21:47,974 YOU KNOW, WE LIVE UNDER THE SAME ROOF-- 582 00:21:48,007 --> 00:21:49,376 "...UNDER THE SAME ROOF, 583 00:21:49,409 --> 00:21:50,377 YOU'RE GOING TO HAVE TO SET BOUNDARIES." 584 00:21:50,410 --> 00:21:51,778 I KNOW. 585 00:21:51,811 --> 00:21:53,346 HOW DID YOU KNOW THAT? 586 00:21:53,380 --> 00:21:54,280 I'M JUST... 587 00:21:54,313 --> 00:21:56,115 YOU'RE EXPECTING JENNY TO SET BOUNDARIES. 588 00:21:56,148 --> 00:21:57,917 IT'S LIKE... "WHAT?" 589 00:21:57,950 --> 00:21:58,985 I HAVE TO. 590 00:21:59,018 --> 00:22:00,487 I DON'T HAVE ANOTHER CHOICE. 591 00:22:00,520 --> 00:22:01,921 EVEN THE MOST LEVEL-HEADED, CALM PERSON 592 00:22:01,954 --> 00:22:03,790 WOULD BE FREAKING OUT 593 00:22:03,823 --> 00:22:05,057 IF THEY SLEPT WITH THEIR ROOMMATE. 594 00:22:05,091 --> 00:22:06,058 LISTEN TO ME... 595 00:22:06,092 --> 00:22:07,360 AND THEY'RE JUST NORMAL. 596 00:22:07,394 --> 00:22:08,828 IT HAPPENED ONE TIME, 597 00:22:08,861 --> 00:22:10,963 AND JUST BECAUSE IT HAPPENED DOESN'T MEAN, LIKE, 598 00:22:10,997 --> 00:22:12,098 WE'RE GOING TO ADD WATER 599 00:22:12,131 --> 00:22:15,535 AND BECOME AN INSTANT RELATIONSHIP ALL OF A SUDDEN. 600 00:22:16,803 --> 00:22:17,804 WHAT? 601 00:22:17,837 --> 00:22:19,372 NOTHING, JUST... 602 00:22:19,406 --> 00:22:20,507 SHE WANTS ME TO GET BEER ON THE WAY HOME. 603 00:22:23,175 --> 00:22:24,911 AND... 604 00:22:24,944 --> 00:22:27,146 LISTEN, BETWEEN YOU AND ME, 605 00:22:27,179 --> 00:22:29,782 IF IT WAS TO HAPPEN AGAIN... 606 00:22:30,917 --> 00:22:32,552 WHAT? WHAT IS THAT FACE? 607 00:22:34,020 --> 00:22:35,522 I WOULDN'T... 608 00:22:35,555 --> 00:22:36,589 I WOULDN'T MIND. 609 00:22:36,623 --> 00:22:38,525 [GROANS IN DISGUST] 610 00:22:40,727 --> 00:22:42,662 IT WAS GOOD. 611 00:22:42,695 --> 00:22:45,064 HOW GOOD WAS IT? 612 00:22:48,735 --> 00:22:50,737 BETTER THAN I EXPECTED, GOOD. 613 00:22:52,805 --> 00:22:54,106 YOU'RE GOING TO SLEEP WITH HER AGAIN TONIGHT. 614 00:22:54,140 --> 00:22:55,775 NO, WE'RE NOT, I SWEAR. 615 00:22:55,808 --> 00:22:56,776 NO. 616 00:22:56,809 --> 00:22:59,045 I MEAN, I CAN'T SWEAR, BUT... 617 00:22:59,078 --> 00:23:00,413 I'M NOT PLANNING ON IT. 618 00:23:00,447 --> 00:23:02,615 BUT AT THE END OF THE DAY, 619 00:23:02,649 --> 00:23:06,118 I REALLY AM HAPPY THAT SHE'S BACK IN MY LIFE. 620 00:23:06,152 --> 00:23:10,122 SPEAKING OF WHICH, I GOT TO GET GOING. 621 00:23:12,091 --> 00:23:14,060 I GOT TO FIND A LIQUOR STORE. 622 00:23:20,733 --> 00:23:22,635 PHYLLIS, I NEED TO TALK TO YOU ABOUT JODI. 623 00:23:22,669 --> 00:23:23,736 SHE IS IMPLACABLE. 624 00:23:23,770 --> 00:23:25,738 I HAVE NEVER MET ANYBODY SO-- 625 00:23:28,908 --> 00:23:29,976 BETTE, COME SIT DOWN. 626 00:23:30,009 --> 00:23:32,512 I FEEL IT BEHOOVES US 627 00:23:32,545 --> 00:23:33,613 TO DISCUSS THIS PROBLEM 628 00:23:33,646 --> 00:23:36,215 WITH ALL THE PARTIES INVOLVED. 629 00:23:36,248 --> 00:23:37,917 JODI HAS GIVEN ME HER SIDE OF THE STORY, 630 00:23:37,950 --> 00:23:40,787 SO IF THERE'S ANYTHING YOU THINK I SHOULD KNOW, 631 00:23:40,820 --> 00:23:41,954 NOW IS THE TIME. 632 00:23:43,523 --> 00:23:44,691 [CLEARS THROAT] 633 00:23:44,724 --> 00:23:46,092 WELL... 634 00:23:46,125 --> 00:23:48,661 JODI AGREED TO RESIGN SEVERAL WEEKS AGO, 635 00:23:48,695 --> 00:23:50,463 AND, UH... 636 00:23:50,497 --> 00:23:53,766 AND I SIMPLY ASKED HER TO SUBMIT THAT RESIGNATION. 637 00:23:53,800 --> 00:23:56,002 THE JUSTIN DONOVAN GUN TO THE HEAD INCIDENT 638 00:23:56,035 --> 00:23:58,638 HAS COMPLETELY EVAPORATED. 639 00:23:58,671 --> 00:24:01,774 SO THERE'S NO LONG ANY REASON FOR JODI TO RESIGN. 640 00:24:01,808 --> 00:24:03,543 THE JUSTIN DONOVAN CONTROVERSY 641 00:24:03,576 --> 00:24:05,244 IS ONLY INDICATIVE OF A LARGER PROBLEM. 642 00:24:05,277 --> 00:24:07,179 JODI ISN'T INTERESTED IN ANY AUTHORITY 643 00:24:07,213 --> 00:24:08,615 OTHER THAN HER OWN, 644 00:24:08,648 --> 00:24:09,749 AND AS MY SUBORDINATE, 645 00:24:09,782 --> 00:24:10,783 SHE HAS REPEATEDLY DEMONSTRATED 646 00:24:10,817 --> 00:24:12,251 THAT SHE IS DETERMINED TO MAKE IT 647 00:24:12,284 --> 00:24:14,954 AS UNCOMFORTABLE AS POSSIBLE FOR ME TO DO MY JOB. 648 00:24:14,987 --> 00:24:17,023 SO YOU THREATENED TO FIRE YOUR EX-GIRLFRIEND 649 00:24:17,056 --> 00:24:19,125 BECAUSE HAVING HER AROUND MAKES YOU UNCOMFORTABLE? 650 00:24:19,158 --> 00:24:20,493 NO, THAT'S NOT WHAT I SAID. 651 00:24:20,527 --> 00:24:22,161 IT'S A QUESTION OF AUTHORITY, PHYLLIS. 652 00:24:22,194 --> 00:24:23,930 I'M REALLY SHOCKED, BETTE. 653 00:24:23,963 --> 00:24:25,532 I WOULD NEVER HAVE IMAGINED 654 00:24:25,565 --> 00:24:26,666 THAT YOU OF ALL PEOPLE 655 00:24:26,699 --> 00:24:28,267 WOULD ALLOW THIS... 656 00:24:28,300 --> 00:24:30,670 THIS DYKE DRAMA TO INTERFERE WITH YOU DOING YOUR JOB. 657 00:24:30,703 --> 00:24:33,840 THIS IS NOT DYKE DRAMA, PHYLLIS. 658 00:24:33,873 --> 00:24:34,941 WHEN YOU ENTERED INTO A SEXUAL RELATIONSHIP 659 00:24:34,974 --> 00:24:36,142 WITH A SUBORDINATE-- 660 00:24:36,175 --> 00:24:38,611 AS YOU REFERRED TO HER-- 661 00:24:38,645 --> 00:24:41,514 YOU RELINQUISHED YOUR RIGHT TO FIRE HER, 662 00:24:41,548 --> 00:24:44,483 BECAUSE THAT'S WHAT'S CALLED SEXUAL HARASSMENT. 663 00:24:49,321 --> 00:24:51,157 ARE YOU THREATENING TO SUE ME FOR SEXUAL HARASSMENT? 664 00:24:53,059 --> 00:24:55,161 THAT THOUGHT NEVER OCCURRED TO ME. 665 00:24:55,194 --> 00:24:56,929 I'M NOT REALLY INTERESTED IN LAWSUITS. 666 00:24:59,331 --> 00:25:00,733 THIS IS NOT COMING FROM JODI, BETTE. 667 00:25:00,767 --> 00:25:02,935 IT'S COMING FROM ME. 668 00:25:02,969 --> 00:25:04,904 THE LAST THING THIS UNIVERSITY NEEDS 669 00:25:04,937 --> 00:25:07,607 IS A SEXUAL HARASSMENT LAWSUIT BETWEEN TWO LESBIANS. 670 00:25:07,640 --> 00:25:09,208 SHE JUST SAID SHE'S NOT GOING TO SUE ME. 671 00:25:09,241 --> 00:25:10,810 I DON'T CARE WHAT JODI SAYS. 672 00:25:10,843 --> 00:25:13,980 I CANNOT ALLOW YOU TO EXPOSE THIS UNIVERSITY 673 00:25:14,013 --> 00:25:15,314 TO THIS KIND OF THREAT. 674 00:25:15,347 --> 00:25:19,251 HAVE I MADE MYSELF CLEAR? 675 00:25:34,734 --> 00:25:36,268 SHANE... 676 00:25:36,302 --> 00:25:37,336 [GROANS] 677 00:25:37,369 --> 00:25:39,338 SHANE, GUESS WHAT? 678 00:25:39,371 --> 00:25:43,275 I FINISHED MY WHOLE TREATMENT. 679 00:25:43,309 --> 00:25:45,344 I'M SO EXCITED. 680 00:25:45,377 --> 00:25:46,646 YOU DID? 681 00:25:46,679 --> 00:25:47,914 I DID, 682 00:25:47,947 --> 00:25:49,682 AND GUESS WHAT ELSE? 683 00:25:49,716 --> 00:25:50,817 WHAT? 684 00:25:50,850 --> 00:25:52,685 I WAS THINKING ABOUT YOU. 685 00:25:52,719 --> 00:25:54,153 YOU WERE? 686 00:25:54,186 --> 00:25:55,354 I WAS. 687 00:25:55,387 --> 00:25:58,057 EVERYTHING THAT WE DID LAST NIGHT. 688 00:25:58,090 --> 00:26:00,226 AND WHAT WERE YOU THINKING? 689 00:26:00,259 --> 00:26:04,597 I WAS THINKING THAT I LIKED IT. 690 00:26:04,631 --> 00:26:07,033 WHAT? 691 00:26:07,066 --> 00:26:08,367 WHAT ARE YOU DOING? 692 00:26:08,400 --> 00:26:09,702 COME HERE. 693 00:26:09,736 --> 00:26:11,103 ARE YOU SURE? 694 00:26:11,137 --> 00:26:13,640 YEAH. 695 00:26:40,032 --> 00:26:42,068 TAKE THIS OFF. 696 00:26:42,101 --> 00:26:45,171 ARE YOU GLAD WE MADE UP? 697 00:26:53,212 --> 00:26:56,949 [**] 698 00:26:58,450 --> 00:27:01,921 [AUDIENCE APPLAUDING] 699 00:27:06,358 --> 00:27:08,160 AND WE ARE BACK ON THE LOOK, 700 00:27:08,194 --> 00:27:10,797 AND YOU'VE ALL BEEN WAITING PATIENTLY 701 00:27:10,830 --> 00:27:12,331 TO HEAR WHAT SECRETS 702 00:27:12,364 --> 00:27:14,366 ALICE PIESZECKI HAS TO SHARE WITH US TODAY. 703 00:27:14,400 --> 00:27:16,903 THANK YOU FOR THAT GREAT INTRO, SAUNDRA, 704 00:27:16,936 --> 00:27:19,271 BUT SECRETS MAKES IT SOUND A LITTLE DIRTY. 705 00:27:19,305 --> 00:27:20,940 WELL, DIRTY, ALICE, 706 00:27:20,973 --> 00:27:22,174 IS IN THE EYE OF THE BEHOLDER. 707 00:27:22,208 --> 00:27:25,778 WELL, THAT MAY BE MY POINT, MARY. 708 00:27:25,812 --> 00:27:27,413 I KNOW A LOT OF YOU THINK OF ME 709 00:27:27,446 --> 00:27:30,382 AS THE KEEPER OF THESE DIRTY LITTLE GAY SECRETS, 710 00:27:30,416 --> 00:27:34,120 BUT I RECEIVED A LETTER LAST WEEK 711 00:27:34,153 --> 00:27:36,122 AND IT MADE ME THINK A LOT ABOUT THINGS I'VE DONE, 712 00:27:36,155 --> 00:27:39,859 SO I THOUGHT, TODAY, I WOULD SHARE SOMETHING 713 00:27:39,892 --> 00:27:41,160 A LITTLE INTIMATE WITH YOU. 714 00:27:41,193 --> 00:27:44,196 OH, GOODIE! 715 00:27:44,230 --> 00:27:46,733 [LAUGHTER AND APPLAUSE] 716 00:27:46,766 --> 00:27:48,868 [CLEARS THROAT] 717 00:27:48,901 --> 00:27:51,370 "DEAR MS. PIESZECKI..." 718 00:27:51,403 --> 00:27:54,040 THEY SPELLED IT RIGHT, THERE, WHICH I APPRECIATE. 719 00:27:54,073 --> 00:27:56,843 [LAUGHTER] 720 00:27:56,876 --> 00:27:57,777 "I'M WRITING TO YOU 721 00:27:57,810 --> 00:27:59,178 "BECAUSE YOU MIGHT BE ABLE TO HELP PEOPLE 722 00:27:59,211 --> 00:28:01,814 "UNDERSTAND WHAT I'M GOING THROUGH. 723 00:28:01,848 --> 00:28:03,883 "FOR THE LAST THREE WEEKS, 724 00:28:03,916 --> 00:28:06,986 "MY BROTHER, WADE HAS BEEN ON LIFE SUPPORT. 725 00:28:07,019 --> 00:28:09,088 "I HAVE BEEN IN THE HOSPITAL EVERY DAY 726 00:28:09,121 --> 00:28:10,990 "PRAYING FOR A MIRACLE, 727 00:28:11,023 --> 00:28:12,925 "BUT THIS MORNING, 728 00:28:12,959 --> 00:28:14,861 "I WATCHED THEM LOWER MY BIG BROTHER'S COFFIN 729 00:28:14,894 --> 00:28:16,195 INTO THE GROUND." 730 00:28:19,799 --> 00:28:21,734 I DON'T UNDERSTAND? WHO IS THIS? 731 00:28:21,768 --> 00:28:22,902 "MY BROTHER'S DEAD 732 00:28:22,935 --> 00:28:27,439 "BECAUSE HE WROTE A LOVE LETTER TO A GUY NAMED MARCUS, 733 00:28:27,473 --> 00:28:30,843 AND MARCUS SHOT HIM IN THE FACE." 734 00:28:30,877 --> 00:28:33,312 [CROWD GASPS] 735 00:28:33,345 --> 00:28:35,982 "I'M WRITING TO ASK YOU TO PLEASE TELL YOUR VIEWERS 736 00:28:36,015 --> 00:28:38,184 "THAT IT IS NOT OKAY TO HURT GAY PEOPLE. 737 00:28:38,217 --> 00:28:41,220 "WE DIDN'T DO ANYTHING TO THEM, 738 00:28:41,253 --> 00:28:45,057 SO WHY CAN'T THEY JUST LEAVE US ALONE?" 739 00:28:46,993 --> 00:28:49,161 I... 740 00:28:49,195 --> 00:28:51,764 I KNOW I'VE BEEN, UM... 741 00:28:53,032 --> 00:28:55,501 I KNOW I'VE JUSTIFIED OUTING IN THE PAST, 742 00:28:55,534 --> 00:28:57,904 SAYING IT'S A POLITICAL ACT. 743 00:28:57,937 --> 00:29:00,539 I CERTAINLY DO BELIEVE 744 00:29:00,572 --> 00:29:04,043 THAT THE WORLD WOULD BE BETTER IF... 745 00:29:04,076 --> 00:29:08,314 PEOPLE FELT FREE AND SAFE ENOUGH TO BE WHO THEY REALLY ARE, 746 00:29:08,347 --> 00:29:12,284 UM, BUT WHAT I FORGOT WAS 747 00:29:12,318 --> 00:29:14,286 SOME PEOPLE CHOOSE TO STAY IN THE CLOSET 748 00:29:14,320 --> 00:29:17,023 FOR OTHER REASONS. 749 00:29:17,056 --> 00:29:21,861 ONE OF THOSE REASONS IS HOMOPHOBIA IS ALIVE AND WELL, 750 00:29:21,894 --> 00:29:24,964 AND, OFTENTIMES IN THIS COUNTRY, 751 00:29:24,997 --> 00:29:26,232 IT CAN BE DEADLY. 752 00:29:31,871 --> 00:29:34,340 SO... 753 00:29:34,373 --> 00:29:36,308 JUST WANTED TO SHARE THAT. 754 00:29:36,342 --> 00:29:38,244 THANK YOU. 755 00:29:38,277 --> 00:29:39,511 THANK YOU VERY MUCH, ALICE, 756 00:29:39,545 --> 00:29:41,513 FOR BRINGING THAT TO OUR ATTENTION. 757 00:29:41,547 --> 00:29:43,015 YOU'RE WELCOME. 758 00:29:43,049 --> 00:29:44,583 NOW WE'RE GOING TO GO TO A COMMERCIAL, 759 00:29:44,616 --> 00:29:45,651 AND WE WHEN WE COME BACK 760 00:29:45,684 --> 00:29:47,186 WE ARE GOING TO DISCUSS HOW TO DRESS FOR SPRING. 761 00:29:47,219 --> 00:29:48,320 AH! 762 00:29:48,354 --> 00:29:49,388 DON'T GO AWAY. 763 00:29:49,421 --> 00:29:52,024 [**] 764 00:29:52,058 --> 00:29:54,160 [APPLAUSE] 765 00:29:57,263 --> 00:29:59,365 SHAOLIN, MAY I HELP YOU? 766 00:29:59,398 --> 00:30:02,935 [HUM OF CONVERSATION] 767 00:30:21,921 --> 00:30:23,089 WHAT'S GOING ON? 768 00:30:23,122 --> 00:30:24,490 AARON WANTS TO SEE YOU RIGHT AWAY. 769 00:30:24,523 --> 00:30:26,458 AGAIN? 770 00:30:26,492 --> 00:30:29,595 OH, FOR FUCK'S SAKE. 771 00:30:34,400 --> 00:30:35,868 YOU WANTED TO SEE ME? 772 00:30:38,670 --> 00:30:41,107 "DEAR DELUXE MOTION PICTURE LAB, 773 00:30:41,140 --> 00:30:43,109 PLEASE RELEASE THE LEZ GIRLS NEGATIVE 774 00:30:43,142 --> 00:30:44,543 "TO THE EASTSIDE MESSENGER SERVICE, 775 00:30:44,576 --> 00:30:47,246 "WHO WILL ARRIVE AT 8:00 P.M. TONIGHT. 776 00:30:47,279 --> 00:30:51,317 SINCERELY..." 777 00:30:51,350 --> 00:30:54,220 DO YOU WANT TO READ THAT SIGNATURE FOR ME? 778 00:30:54,253 --> 00:30:55,521 OH, MY GOD. 779 00:30:55,554 --> 00:30:57,990 YOU DON'T ACTUALLY BELIEVE THAT I DID THIS? 780 00:30:58,024 --> 00:30:59,658 IS THAT, OR IS THAT NOT YOUR SIGNATURE, TINA? 781 00:30:59,691 --> 00:31:02,261 YES, BUT I DIDN'T WRITE THIS LETTER. 782 00:31:02,294 --> 00:31:04,863 WELL, THEN YOU BETTER FIND OUT WHO DID. 783 00:31:07,699 --> 00:31:10,136 [DOOR SLAMS] 784 00:31:10,169 --> 00:31:12,338 FUCK! 785 00:31:13,605 --> 00:31:17,409 ...AS PAINFUL FOR ME AS THIS IS. 786 00:31:17,443 --> 00:31:19,578 DO YOU WANT ME TO RESIGN? 787 00:31:19,611 --> 00:31:20,679 YES. 788 00:31:20,712 --> 00:31:22,681 LOOK, I KNOW I AM NOT THE ONLY ADMINISTRATOR AT CU 789 00:31:22,714 --> 00:31:25,151 WHO'S EVER HAD A RELATIONSHIP WITH ANOTHER FACULTY MEMBER. 790 00:31:25,184 --> 00:31:27,553 NO, BUT YOU'RE THE ONLY LESBIAN ADMINISTRATOR 791 00:31:27,586 --> 00:31:29,155 WHO'S HAD A NASTY, PUBLIC BREAKUP 792 00:31:29,188 --> 00:31:30,189 WITH A FACULTY MEMBER. 793 00:31:30,222 --> 00:31:31,657 SO THIS IS BECAUSE I'M A LESBIAN. 794 00:31:33,392 --> 00:31:35,327 OR IS IT BECAUSE YOU'RE A LESBIAN, PHYLLIS? 795 00:31:35,361 --> 00:31:38,497 BEFORE YOU GO ANY FURTHER, YES, IT'S TRUE. 796 00:31:38,530 --> 00:31:40,332 THIS SITUATION WOULD REFLECT BADLY ON ME, BUT-- 797 00:31:40,366 --> 00:31:43,169 PHYLLIS, SHE SAID SHE HAD NO INTENTION-- 798 00:31:43,202 --> 00:31:44,203 LET ME FINISH. 799 00:31:44,236 --> 00:31:45,304 UNFORTUNATELY, BETTE, 800 00:31:45,337 --> 00:31:48,540 THIS IS NOT YOUR FIRST OFFENSE. 801 00:31:48,574 --> 00:31:51,177 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 802 00:31:51,210 --> 00:31:53,445 NADIA'S COMPLAINT CITED GORDON PERCY, 803 00:31:53,479 --> 00:31:56,482 BUT SHE ALSO REFERRED TO HER ENCOUNTER WITH YOU. 804 00:31:59,351 --> 00:32:01,253 NADIA FILED A COMPLAINT AGAINST ME? 805 00:32:01,287 --> 00:32:02,621 YES. 806 00:32:06,192 --> 00:32:07,593 SO WHY DIDN'T YOU TELL ME ABOUT IT? 807 00:32:07,626 --> 00:32:09,628 BECAUSE I KNEW YOU'D BE ANGRY AND YOU'D WANT TO FIGHT IT 808 00:32:09,661 --> 00:32:11,197 AND IT WAS MORE CONVENIENT 809 00:32:11,230 --> 00:32:14,033 TO MAKE IT GO AWAY. 810 00:32:14,066 --> 00:32:15,667 SO, YOU SEE, 811 00:32:15,701 --> 00:32:19,005 I'VE ALREADY GIVEN YOU A SECOND CHANCE. 812 00:32:25,144 --> 00:32:26,312 PHYLLIS, TINA AND I 813 00:32:26,345 --> 00:32:28,247 ARE ABOUT TO ADOPT A BABY. 814 00:32:28,280 --> 00:32:29,515 WE'VE JUST STARTED CONSTRUCTION 815 00:32:29,548 --> 00:32:30,616 ON THE SECOND STORY-- 816 00:32:30,649 --> 00:32:32,985 DON'T GROVEL, BETTE, IT'S BENEATH YOU. 817 00:32:33,019 --> 00:32:34,120 YOU KNOW WITH YOUR TALENT 818 00:32:34,153 --> 00:32:36,555 YOU'LL FIND A NEW POSITION IN NO TIME. 819 00:32:36,588 --> 00:32:38,090 CAN I GET YOU LADIES A REFILL? 820 00:32:38,124 --> 00:32:39,225 I'LL HAVE ONE. 821 00:32:39,258 --> 00:32:42,494 BETTE? 822 00:32:42,528 --> 00:32:44,163 I'LL HAVE A RYE MANHATTAN, PLEASE. 823 00:32:46,265 --> 00:32:48,200 [STUDENTS WHOOP AND HOLLER] 824 00:32:55,141 --> 00:32:57,776 [SIGHS] 825 00:32:57,809 --> 00:32:59,511 YOU WERE A BEAUTIFUL ROLE MODEL FOR ME 826 00:32:59,545 --> 00:33:00,712 WHEN I WAS COMING OUT. 827 00:33:00,746 --> 00:33:02,114 JODI, TOO, 828 00:33:02,148 --> 00:33:06,185 BUT YOU IN A VERY SPECIAL WAY, 829 00:33:06,218 --> 00:33:07,719 AND I WILL ALWAYS BE GRATEFUL. 830 00:33:07,753 --> 00:33:09,721 THAT'S NICE. 831 00:33:09,755 --> 00:33:11,490 AND I DON'T BLAME YOU. 832 00:33:11,523 --> 00:33:13,492 IF SVELTE YOUNG CO-EDS WITH LONG BLONDE HAIR 833 00:33:13,525 --> 00:33:14,660 WERE THROWING THEMSELVES AT ME, 834 00:33:14,693 --> 00:33:16,395 GOD KNOWS WHAT I'D DO. 835 00:33:16,428 --> 00:33:17,663 SHE WAS A GRAD STUDENT. 836 00:33:17,696 --> 00:33:18,730 TO TELL YOU THE TRUTH, 837 00:33:18,764 --> 00:33:20,166 I'VE HAD MY OWN STRUGGLE 838 00:33:20,199 --> 00:33:21,567 WITH ATTRACTION TO SUBORDINATES. 839 00:33:21,600 --> 00:33:24,036 I HAVE ONE CRUSH 840 00:33:24,070 --> 00:33:27,573 THAT'S BEEN INCREDIBLY DIFFICULT... 841 00:33:27,606 --> 00:33:29,741 NOT TO ACT ON. 842 00:33:33,412 --> 00:33:37,316 WANT TO KNOW WHO IT IS? 843 00:33:37,349 --> 00:33:39,518 I'D RATHER NOT. 844 00:33:39,551 --> 00:33:41,587 OH, COME ON, GUESS. 845 00:33:41,620 --> 00:33:46,258 IT'S SOMEONE YOU KNOW. 846 00:33:46,292 --> 00:33:48,160 PHYLLIS, I REALLY, I HAVE NO IDEA. 847 00:33:48,194 --> 00:33:49,795 I THOUGHT YOU AND JOYCE WERE GOING TO GET MARRIED. 848 00:33:49,828 --> 00:33:51,263 JOYCE, YES, 849 00:33:51,297 --> 00:33:52,598 BUT AS JIMMY CARTER ONCE SAID, 850 00:33:52,631 --> 00:33:54,266 "I'VE STRAYED IN MY MIND'S EYE 851 00:33:54,300 --> 00:33:57,103 MANY TIMES," 852 00:33:57,136 --> 00:34:00,206 ESPECIALLY WITH THIS PARTICULAR PERSON, 853 00:34:00,239 --> 00:34:03,242 AND NOW THAT YOU'RE NO LONGER MY EMPLOYEE, 854 00:34:03,275 --> 00:34:07,179 I FEEL FREE TO MAKE MY CONFESSION. 855 00:34:07,213 --> 00:34:08,547 BETTE, 856 00:34:08,580 --> 00:34:10,216 I'VE ALWAYS FOUND YOU 857 00:34:10,249 --> 00:34:12,484 WILDLY, 858 00:34:12,518 --> 00:34:17,356 EXQUISITELY ATTRACTIVE. 859 00:34:20,159 --> 00:34:24,196 [LAUGHS] 860 00:34:25,231 --> 00:34:26,665 YES... 861 00:34:26,698 --> 00:34:27,666 PHYLLIS, NO-- 862 00:34:27,699 --> 00:34:28,667 YES. 863 00:34:28,700 --> 00:34:29,535 NO, DON'T. 864 00:34:29,568 --> 00:34:31,403 YES, YES, YES. FROM THE MOMENT I SAW YOU. 865 00:34:31,437 --> 00:34:34,373 TALL, STRONG, BRILLIANT... 866 00:34:34,406 --> 00:34:35,441 DON'T. 867 00:34:35,474 --> 00:34:37,243 ERUDITE, INCREDIBLY... 868 00:34:37,276 --> 00:34:39,211 IT WAS SO DIFFICULT FOR ME NOT TO ACT ON IT. 869 00:34:39,245 --> 00:34:40,212 YOU CAN'T IMAGINE. 870 00:34:40,246 --> 00:34:41,213 JOYCE-- 871 00:34:41,247 --> 00:34:42,681 JOYCE IS WONDERFUL. 872 00:34:42,714 --> 00:34:43,782 OH, YEAH, SHE'S A TCB, SHE'S GOOD IN BED, 873 00:34:43,815 --> 00:34:45,184 MAKES A GOOD LIVING, 874 00:34:45,217 --> 00:34:46,885 TIGHT WITH MAYOR NEWSOM, 875 00:34:46,918 --> 00:34:48,587 BUT IF YOU GAVE ME 876 00:34:48,620 --> 00:34:51,757 THE SMALLEST AMOUNT OF ENCOURAGEMENT, 877 00:34:51,790 --> 00:34:53,659 I WOULD LOSE HER IN A SECOND. 878 00:34:57,263 --> 00:34:59,331 YOU JUST FIRED ME. 879 00:34:59,365 --> 00:35:00,466 I KNOW, 880 00:35:00,499 --> 00:35:01,600 BUT IT MAY BE THE BEST THING 881 00:35:01,633 --> 00:35:03,502 THAT EVER HAPPENED TO BOTH OF US. 882 00:35:05,471 --> 00:35:08,407 BETTE, YOU ARE 883 00:35:08,440 --> 00:35:11,277 AND WILL ALWAYS BE 884 00:35:11,310 --> 00:35:14,780 THE WOMAN OF MY DREAMS. 885 00:35:18,450 --> 00:35:19,751 YOU'LL HAVE MY LETTER OF RESIGNATION IN THE MORNING. 886 00:35:19,785 --> 00:35:20,786 BETTE... 887 00:35:27,626 --> 00:35:28,694 OOH, GIRL, 888 00:35:28,727 --> 00:35:30,429 LOOK WHAT YOU GOT! 889 00:35:32,364 --> 00:35:33,832 [SIGHS] 890 00:35:33,865 --> 00:35:35,801 NEXT TIME DYLAN MORELAND SENDS ME FLOWERS, KIT, 891 00:35:35,834 --> 00:35:38,170 PLEASE, JUST DON'T ACCEPT THEM. 892 00:35:38,204 --> 00:35:42,308 OKAY, I'LL THROW THEM OUT. 893 00:35:42,341 --> 00:35:43,775 NO, THAT WOULD BE A WASTE. 894 00:35:43,809 --> 00:35:45,677 LOOK, LET'S... 895 00:35:45,711 --> 00:35:48,214 PUT THEM IN THE BATHROOM, OR... 896 00:35:48,247 --> 00:35:49,815 OKAY. 897 00:35:50,882 --> 00:35:52,651 OR MAYBE WE... 898 00:35:52,684 --> 00:35:55,221 WE RECYCLE THEM. 899 00:36:13,372 --> 00:36:16,208 "YOU'RE BEAUTIFUL WHEN YOU'RE ANGRY." 900 00:36:24,883 --> 00:36:27,786 I GUESS HATE CRIMES ARE NOT "FUN GAY," 901 00:36:27,819 --> 00:36:29,688 THEY'RE "DEPRESSING GAY," 902 00:36:29,721 --> 00:36:30,756 AND NOW I HAVE THIS FUCKING 7:00 MEETING 903 00:36:30,789 --> 00:36:32,391 WHERE I'M GOING TO GET FIRED, 904 00:36:32,424 --> 00:36:34,393 AND I'M JUST GOING TO GO IN, AND I'M GOING TO SAY, 905 00:36:34,426 --> 00:36:36,695 "PEOPLE, I AM SORRY, OKAY, FOR WHAT I DID," 906 00:36:36,728 --> 00:36:38,597 AND I'M GOING TO BEG FOR THIS JOB BACK. 907 00:36:38,630 --> 00:36:39,931 I CAN'T HAVE THIS HAPPEN. 908 00:36:39,965 --> 00:36:41,700 GOD... 909 00:36:41,733 --> 00:36:44,270 I DON'T KNOW, WHAT ABOUT... 910 00:36:44,303 --> 00:36:45,671 THIS WOULD BE GOOD, RIGHT? 911 00:36:45,704 --> 00:36:47,439 NO. 912 00:36:47,473 --> 00:36:48,474 WHY? 913 00:36:48,507 --> 00:36:49,608 DON'T LIKE IT. 914 00:36:49,641 --> 00:36:52,378 IT'S TOO SOMETHING, I DON'T KNOW. 915 00:36:52,411 --> 00:36:54,813 BUT, WAIT, BUT YOU'RE NOT SORRY. 916 00:36:54,846 --> 00:36:56,348 I WILL BE SORRY IF I LOSE THIS JOB. 917 00:36:56,382 --> 00:36:57,349 I DO NOT LIKE BEING BROKE. 918 00:36:57,383 --> 00:36:58,950 BUT, ALICE, 919 00:36:58,984 --> 00:37:01,753 YOU DON'T ALWAYS GET REWARDED FOR DOING THE RIGHT THING. 920 00:37:01,787 --> 00:37:02,754 I MEAN, SOME PEOPLE GET PUNISHED. 921 00:37:02,788 --> 00:37:03,955 I GOT PUNISHED. 922 00:37:03,989 --> 00:37:05,657 ARE YOU REALLY GOING TO MAKE THIS 923 00:37:05,691 --> 00:37:06,692 ABOUT YOU RIGHT NOW? 924 00:37:06,725 --> 00:37:07,893 ARE YOU REALLY GOING TO DO THAT, 925 00:37:07,926 --> 00:37:10,362 MAKE IT ABOUT THE FUCKING ARMY RIGHT NOW? 926 00:37:10,396 --> 00:37:11,363 [TELEPHONE RINGS] 927 00:37:11,397 --> 00:37:13,031 I AM NOT HERE. 928 00:37:13,064 --> 00:37:14,433 [MUTTERING ANGRILY]: I HAVE NO FUCKING CLOTHES... 929 00:37:14,466 --> 00:37:15,501 HELLO? 930 00:37:15,534 --> 00:37:18,504 ALICE, IT'S SOME WOMAN 931 00:37:18,537 --> 00:37:20,606 FROM THE L.A. GAY AND LESBIAN CENTER. 932 00:37:20,639 --> 00:37:22,274 TELL HER I DONATED LAST YEAR. 933 00:37:22,308 --> 00:37:23,375 I DON'T HAVE TIME FOR THIS... 934 00:37:23,409 --> 00:37:24,443 CAN YOU HELP ME? 935 00:37:24,476 --> 00:37:25,344 HOLD ON. 936 00:37:25,377 --> 00:37:27,479 HI, SHE'S NOT HERE. CAN I TAKE A MESSAGE? 937 00:37:31,049 --> 00:37:32,518 [TELEPHONES RING, OFFICE HUMS WITH ACTIVITY] 938 00:37:32,551 --> 00:37:35,321 LGBTF VOLUNTEER CENTER, MAY I HELP YOU? 939 00:37:35,354 --> 00:37:37,323 ALICE PIESZECKI! 940 00:37:37,356 --> 00:37:38,390 OH, MY GOD, THANK YOU. 941 00:37:38,424 --> 00:37:40,626 THANK YOU, YOU HAVE NO IDEA HOW MUCH THIS MEANS. 942 00:37:40,659 --> 00:37:41,893 THAT'S A WARM WELCOME. 943 00:37:41,927 --> 00:37:42,894 UM, THIS IS TASHA. 944 00:37:42,928 --> 00:37:44,530 I'M SORRY. 945 00:37:44,563 --> 00:37:46,064 I'M JUST REALLY HAPPY TO SEE ALICE. 946 00:37:46,097 --> 00:37:47,466 YEAH, NO PROBLEM. 947 00:37:47,499 --> 00:37:48,567 YEAH, WE'RE HERE TO HELP. 948 00:37:48,600 --> 00:37:49,801 OKAY, GREAT. UM, IT'S THIS WAY. 949 00:37:56,642 --> 00:37:58,677 SHE'S THIS WAY. 950 00:37:59,945 --> 00:38:01,112 OKAY, MARIE DOESN'T BELIEVE ME. 951 00:38:01,146 --> 00:38:03,649 SHE WAS ALREADY OUT THERE WHEN YOU READ HER LETTER TODAY, 952 00:38:03,682 --> 00:38:04,716 AND SHE THINKS I'M JUST MAKING IT UP 953 00:38:04,750 --> 00:38:06,051 TO GET HER TO COME IN. 954 00:38:06,084 --> 00:38:07,519 I THINK IF SHE JUST SEES YOU, 955 00:38:07,553 --> 00:38:08,754 AND SHE KNOWS YOU'RE HERE-- 956 00:38:08,787 --> 00:38:09,888 UH... JAMIE? 957 00:38:09,921 --> 00:38:11,323 JAMIE, HI. 958 00:38:11,357 --> 00:38:12,958 YEAH, THIS IS WEIRD AND CRAZY. 959 00:38:12,991 --> 00:38:15,561 I CAN'T TALK A TEENAGER OFF OF A LEDGE. 960 00:38:15,594 --> 00:38:17,896 I... WHAT IF SHE JUMPS WHILE I'M TALKING TO HER? 961 00:38:17,929 --> 00:38:19,731 WHAT IF SHE JUMPS WHEN YOU'RE NOT? 962 00:38:19,765 --> 00:38:21,032 YEAH, BUT ALICE ISN'T QUALIFIED FOR THIS. 963 00:38:21,066 --> 00:38:22,434 SHE'S NOT A PSYCHOLOGIST. 964 00:38:22,468 --> 00:38:23,769 I'M NOT. 965 00:38:23,802 --> 00:38:24,970 THIS IS... I DON'T EVEN KNOW THE GIRL. 966 00:38:25,003 --> 00:38:26,538 SHE KNOWS YOU. 967 00:38:26,572 --> 00:38:27,973 YOU'RE HER HERO. 968 00:38:28,006 --> 00:38:30,376 SHE'S SO EXCITED EVERY TIME SHE SEES YOU ON THE LOOK 969 00:38:30,409 --> 00:38:31,610 BECAUSE SHE SAYS IT GIVES HER HOPE 970 00:38:31,643 --> 00:38:32,578 THAT SOMEONE COULD BE OUT LIKE YOU 971 00:38:32,611 --> 00:38:33,912 AND STILL BE SUCCESSFUL. 972 00:38:33,945 --> 00:38:35,113 COME ON, WOULD YOU... 973 00:38:35,146 --> 00:38:36,515 PLEASE, WILL YOU JUST TALK TO HER? 974 00:38:36,548 --> 00:38:37,716 THIS ISN'T GOING TO WORK. 975 00:38:37,749 --> 00:38:40,419 ALICE CAN'T HANDLE A SITUATION LIKE THIS. 976 00:38:40,452 --> 00:38:41,420 THIS IS A CRISIS. 977 00:38:41,453 --> 00:38:43,455 YOU SHOULD CALL THE POLICE. 978 00:38:43,489 --> 00:38:45,457 MARIE'S TERRIFIED OF THE POLICE. 979 00:38:45,491 --> 00:38:46,925 THEY BROUGHT HER BACK TO HER PARENTS ONCE ALREADY, 980 00:38:46,958 --> 00:38:47,993 AND THAT LAST TIME THEY DID, 981 00:38:48,026 --> 00:38:49,127 THEY BEAT THE SHIT OUT OF HER. 982 00:38:49,160 --> 00:38:50,729 BUT IT'S NOT HER RESPONSIBILITY. 983 00:38:50,762 --> 00:38:52,431 YES, I KNOW, BUT COME ON, 984 00:38:52,464 --> 00:38:55,501 MARIE LOVES HER... 985 00:38:55,534 --> 00:38:56,735 HI, MARIE? 986 00:38:58,036 --> 00:38:59,638 WHY DON'T YOU COME UP HERE, WE CAN TALK. 987 00:38:59,671 --> 00:39:00,872 YEAH, RIGHT, 988 00:39:00,906 --> 00:39:01,873 LIKE I'M GOING TO FALL FOR THAT! 989 00:39:01,907 --> 00:39:04,476 I'M NOT GOING ANYWHERE! 990 00:39:04,510 --> 00:39:06,445 IF YOU WANT TO TALK, YOU CAN COME DOWN HERE. 991 00:39:09,515 --> 00:39:10,549 ALICE, WHAT ARE YOU DOING? 992 00:39:10,582 --> 00:39:13,051 THE KID'S NOT COMING UP. 993 00:39:13,084 --> 00:39:14,586 YEAH, BUT YOU SHOULDN'T GO DOWN THERE. 994 00:39:14,620 --> 00:39:16,522 WHAT, BECAUSE I'M NOT QUALIFIED? 995 00:39:16,555 --> 00:39:18,390 I'M NOT GOOD IN A CRISIS? 996 00:39:35,073 --> 00:39:37,108 HI. 997 00:39:40,045 --> 00:39:44,082 WELL, I CAME TO THE LEDGE. 998 00:39:45,817 --> 00:39:46,918 WELL... 999 00:39:46,952 --> 00:39:49,455 SO, IS THIS, LIKE, 1000 00:39:49,488 --> 00:39:50,822 PART OF YOUR SHOW OR SOMETHING? 1001 00:39:50,856 --> 00:39:52,624 DID YOU BRING A CAMERA CREW? 1002 00:39:52,658 --> 00:39:54,693 IS THAT WHAT YOU WANT? 1003 00:39:54,726 --> 00:39:56,528 DO YOU WANT TO BE ON TV? 1004 00:39:56,562 --> 00:39:57,729 FUCK YOU. 1005 00:40:00,799 --> 00:40:03,969 NO, I DON'T HAVE A CAMERA CREW WITH ME. 1006 00:40:12,678 --> 00:40:14,079 I MEAN, I'M GOING TO BE FIRED. 1007 00:40:17,649 --> 00:40:21,119 WHY? 1008 00:40:21,152 --> 00:40:23,489 WELL... 1009 00:40:23,522 --> 00:40:25,491 THEY DIDN'T REALLY LIKE THAT I READ YOUR... 1010 00:40:25,524 --> 00:40:29,094 THAT I READ YOUR LETTER ON THE AIR. 1011 00:40:29,127 --> 00:40:31,863 THE PRODUCERS OF MY SHOW, THEY GOT REALLY PISSED. 1012 00:40:34,900 --> 00:40:37,969 I'M SORRY. 1013 00:40:40,672 --> 00:40:41,940 I'M NOT. 1014 00:40:41,973 --> 00:40:44,710 YOU KNOW... 1015 00:40:44,743 --> 00:40:45,844 YOU KNOW WHAT? 1016 00:40:45,877 --> 00:40:47,813 I MEAN, MILLIONS... 1017 00:40:47,846 --> 00:40:50,616 MILLIONS OF PEOPLE 1018 00:40:50,649 --> 00:40:52,518 HEARD THE TRUTH TODAY. 1019 00:40:52,551 --> 00:40:55,821 THEY HEARD WHAT YOU HAD TO SAY. 1020 00:40:55,854 --> 00:40:56,722 THEY DID. 1021 00:40:56,755 --> 00:40:58,223 I MEAN, YOU CHANGED THE WORLD A LITTLE BIT 1022 00:40:58,256 --> 00:41:01,059 WHEN YOU WROTE ME THAT LETTER. 1023 00:41:01,092 --> 00:41:03,061 YOU REALLY DID, 1024 00:41:03,094 --> 00:41:05,997 AND... 1025 00:41:06,031 --> 00:41:07,633 IF YOU STICK AROUND, 1026 00:41:07,666 --> 00:41:12,938 YOU COULD HELP CHANGE IT A LOT MORE. 1027 00:41:12,971 --> 00:41:14,873 IS THAT WHAT YOU'RE TRYING TO DO? 1028 00:41:14,906 --> 00:41:20,946 TRYING TO CHANGE THE WORLD? 1029 00:41:20,979 --> 00:41:22,147 I DON'T KNOW, MAYBE I AM 1030 00:41:22,180 --> 00:41:25,851 IN MY OWN LITTLE WAY. 1031 00:41:36,628 --> 00:41:40,532 [**] 1032 00:41:52,077 --> 00:41:54,179 I BET ALL THE BOYS USED TO LOVE YOU. 1033 00:41:54,212 --> 00:41:55,881 [LAUGHS] OH... 1034 00:41:55,914 --> 00:41:58,083 YES, THEY DID... 1035 00:41:58,116 --> 00:41:59,651 GIRLFRIEND. 1036 00:41:59,685 --> 00:42:01,920 [LAUGHING] 1037 00:42:01,953 --> 00:42:03,555 YEAH, I HAD MY SHARE, 1038 00:42:03,589 --> 00:42:04,756 BACK IN THE DAY, 1039 00:42:04,790 --> 00:42:06,958 BUT MEN... 1040 00:42:06,992 --> 00:42:08,560 THEY JUST MESS ME UP. 1041 00:42:08,594 --> 00:42:10,328 BUT WHAT ABOUT WOMEN? 1042 00:42:10,361 --> 00:42:12,831 OH, WOMEN? 1043 00:42:12,864 --> 00:42:14,065 OH, PUH-LEASE! 1044 00:42:14,099 --> 00:42:16,134 THEY CAN MESS EACH OTHER UP, TOO. 1045 00:42:16,167 --> 00:42:21,172 I CAN'T BEGIN TELL YOU HOW MUCH DRAMA I SEEN! 1046 00:42:21,206 --> 00:42:23,642 OH, BUT YOU'RE HAPPY NOW? 1047 00:42:23,675 --> 00:42:26,812 HAPPY WITH HELENA? 1048 00:42:26,845 --> 00:42:28,213 YEAH. 1049 00:42:28,246 --> 00:42:30,816 YEAH, I'M HAPPY WITH MY PARTNER, YEAH. 1050 00:42:30,849 --> 00:42:32,150 WELL... 1051 00:42:32,183 --> 00:42:34,686 THIS PLACE IS THE BOMB, 1052 00:42:34,720 --> 00:42:36,622 AND YOU AND YOUR GIRL GONNA TEAR IT UP TONIGHT, 1053 00:42:36,655 --> 00:42:38,356 AND SUNSET 1054 00:42:38,389 --> 00:42:40,025 IS GOING TO ROCK THE CASBAH. 1055 00:42:40,058 --> 00:42:43,361 OOH, YES, YOU ARE. 1056 00:42:43,394 --> 00:42:44,696 FIRST, I'M GOING TO FIX MY FACE 1057 00:42:44,730 --> 00:42:46,798 'CAUSE MISS KIT PORTER'S IN THE HOUSE, 1058 00:42:46,832 --> 00:42:48,734 AND I GOT SOME SERIOUS COMPETITION. 1059 00:42:48,767 --> 00:42:50,836 YOU GO ON, NOW. 1060 00:42:50,869 --> 00:42:52,237 OH, THOSE ARE MY FRIENDS OUT THERE. 1061 00:42:52,270 --> 00:42:53,605 LET ME GO GET THEM, 1062 00:42:53,639 --> 00:42:55,240 AND I'LL MEET YOU BACK IN THERE, OKAY? 1063 00:42:55,273 --> 00:42:56,842 ALL RIGHT. 1064 00:42:56,875 --> 00:42:59,044 SEE YOU SOON. 1065 00:42:59,077 --> 00:43:01,813 [DANCE MUSIC THUMPING] 1066 00:43:03,715 --> 00:43:05,917 [LAUGHTER] 1067 00:43:05,951 --> 00:43:07,152 SO A TOAST TO ME? 1068 00:43:07,185 --> 00:43:08,854 YES, TO ALICE! 1069 00:43:08,887 --> 00:43:10,055 OKAY. 1070 00:43:10,088 --> 00:43:11,189 AND LET'S NOT GET TOO DRAMATIC. 1071 00:43:11,222 --> 00:43:13,124 NO, I WANT TO SAY 1072 00:43:13,158 --> 00:43:14,225 THAT SHE REALLY SURPRISED ME TODAY, 1073 00:43:14,259 --> 00:43:15,994 AND I'M VERY PROUD OF HER... 1074 00:43:16,027 --> 00:43:17,863 AW... 1075 00:43:17,896 --> 00:43:20,298 AND I'M VERY HAPPY AND PROUD TO BE HER GIRLFRIEND. 1076 00:43:20,331 --> 00:43:21,399 [THEY ALL ERUPT]: AW! 1077 00:43:21,432 --> 00:43:22,834 TASHA... 1078 00:43:22,868 --> 00:43:24,836 TO ALICE! 1079 00:43:24,870 --> 00:43:26,337 THANK YOU. 1080 00:43:28,006 --> 00:43:29,307 THANK YOU. 1081 00:43:29,340 --> 00:43:31,076 YOU'RE WELCOME. 1082 00:43:31,109 --> 00:43:33,845 [MUSIC THUMPS, CARS HONK] 1083 00:43:43,454 --> 00:43:45,056 OOH.... 1084 00:43:45,090 --> 00:43:47,659 OOH, SHIT. 1085 00:43:47,693 --> 00:43:48,894 OH... 1086 00:43:48,927 --> 00:43:50,729 OH... AH... 1087 00:43:50,762 --> 00:43:52,263 OKAY, FINISH, 1088 00:43:52,297 --> 00:43:54,099 SO SHE FIRED YOU AND THEN SHE KISSED YOU? 1089 00:43:54,132 --> 00:43:56,301 WELL, TECHNICALLY, I RESIGNED, 1090 00:43:56,334 --> 00:43:57,368 AND SHE DIDN'T MAKE OUT WITH ME. 1091 00:43:57,402 --> 00:43:58,970 THERE IS NO WAY THAT I WAS GOING TO... 1092 00:43:59,004 --> 00:44:00,238 [THEY GAG AND LAUGH] 1093 00:44:00,271 --> 00:44:02,307 IT WAS ONE OF THE MOST TERRIFYING MOMENTS... 1094 00:44:02,340 --> 00:44:03,742 WHAT? 1095 00:44:03,775 --> 00:44:05,977 I JUST SAW JENNY AND SHANE IN THE CAR. 1096 00:44:06,011 --> 00:44:07,779 SHANE'S HAND IS ALL UP JENNY'S SKIRT, 1097 00:44:07,813 --> 00:44:09,047 AND JENNY'S TONGUE 1098 00:44:09,080 --> 00:44:10,982 IS ALL GOING DOWN SHANE'S THROAT-- 1099 00:44:11,016 --> 00:44:13,852 KIT! YOU DON'T KNOW HOW TO CHECK YOUR TEXT MESSAGES? 1100 00:44:13,885 --> 00:44:17,388 IS THAT WHAT MY PHONE WAS DOING ALL THAT BUZZING ABOUT? 1101 00:44:17,422 --> 00:44:19,691 [ALL LAUGHING] 1102 00:44:19,725 --> 00:44:21,993 SHUSH, SHH! 1103 00:44:22,027 --> 00:44:23,729 OH... 1104 00:44:23,762 --> 00:44:25,831 [AWKWARD CLEARING OF THROATS] 1105 00:44:26,832 --> 00:44:27,799 HI, SHANE. 1106 00:44:27,833 --> 00:44:29,334 HI! 1107 00:44:29,367 --> 00:44:30,435 HI. 1108 00:44:30,468 --> 00:44:32,804 [BETTE LAUGHS LOUDLY] 1109 00:44:32,838 --> 00:44:33,939 [SUPPRESSED GIGGLES ALL ROUND] 1110 00:44:33,972 --> 00:44:35,306 WHY ARE YOU LAUGHING? 1111 00:44:35,340 --> 00:44:36,842 BETTE? 1112 00:44:36,875 --> 00:44:37,843 NOTHING, JUST... 1113 00:44:37,876 --> 00:44:38,844 WE WERE TALKING ABOUT THIS... 1114 00:44:38,877 --> 00:44:40,979 AND THEN I HAD SOMETHING IN MY THROAT, AND-- 1115 00:44:41,012 --> 00:44:42,447 [THEY BURST OUT LAUGHING] 1116 00:44:44,750 --> 00:44:46,484 YOU KNOW WHAT, 1117 00:44:46,517 --> 00:44:47,786 HERE'S TO KIT AND HELENA. 1118 00:44:47,819 --> 00:44:49,220 THIS PLACE IS FABULOUS. 1119 00:44:49,254 --> 00:44:51,222 AW, THANK YOU! 1120 00:44:51,256 --> 00:44:52,157 THANK YOU. 1121 00:44:52,190 --> 00:44:53,491 [ROUND OF CONGRATULATIONS] 1122 00:44:53,524 --> 00:44:55,093 IT'S LIKE NIGHT AND DAY. 1123 00:44:55,126 --> 00:44:56,094 CHEERS, KIT. 1124 00:44:56,127 --> 00:44:57,162 THANK YOU. 1125 00:44:57,195 --> 00:44:58,930 HI, JENNY. 1126 00:44:58,964 --> 00:44:59,998 HELLO. 1127 00:45:00,031 --> 00:45:00,999 YOU SHOWED UP ALL BY YOURSELF. 1128 00:45:01,032 --> 00:45:02,333 HI, JENNY. 1129 00:45:02,367 --> 00:45:03,501 THIS LOOKS VERY NICE. 1130 00:45:03,534 --> 00:45:05,236 HI, BETTE. 1131 00:45:05,270 --> 00:45:07,272 [BURSTS OUT LAUGHING] 1132 00:45:11,042 --> 00:45:12,911 [SNIGGERING] 1133 00:45:14,379 --> 00:45:16,782 I THINK THIS PLACE LOOKS REALLY BEAUTIFUL. 1134 00:45:16,815 --> 00:45:17,849 YOU GUYS DID A GREAT JOB. 1135 00:45:17,883 --> 00:45:19,050 THANK YOU. 1136 00:45:19,084 --> 00:45:20,886 DID YOU, UH... 1137 00:45:20,919 --> 00:45:22,153 [BETTE LAUGHING] 1138 00:45:22,187 --> 00:45:23,855 ...DO IT YOURSELF? 1139 00:45:23,889 --> 00:45:24,923 YEAH, WE-WE DID. 1140 00:45:24,956 --> 00:45:26,958 WE WANTED IT TO LOOK LIKE, YOU KNOW, 1141 00:45:26,992 --> 00:45:29,861 CASABLANCA, STUDIO 54. 1142 00:45:29,895 --> 00:45:31,396 RIGHT. 1143 00:45:31,429 --> 00:45:32,798 YEAH... 1144 00:45:32,831 --> 00:45:35,801 [GIGGLING UNCONTROLLABLY] 1145 00:45:35,834 --> 00:45:37,135 AND YOU SHOULD SEE WHAT WE DID WITH THE VIP ROOM. 1146 00:45:37,168 --> 00:45:38,136 WHERE IS THAT? 1147 00:45:38,169 --> 00:45:39,137 OH, IT'S UP THERE. 1148 00:45:39,170 --> 00:45:40,371 CAN I GO? 1149 00:45:40,405 --> 00:45:41,840 GO SEE IT, GO SEE IT. 1150 00:45:41,873 --> 00:45:43,141 I WILL. 1151 00:45:43,174 --> 00:45:44,309 AND-AND TELL ME WHAT YOU THINK ABOUT IT. 1152 00:45:44,342 --> 00:45:45,443 I DEFINITELY WILL. 1153 00:45:45,476 --> 00:45:47,345 BYE, JENNY. 1154 00:45:47,378 --> 00:45:49,180 WAIT, KIT? 1155 00:45:49,214 --> 00:45:50,281 YEAH? 1156 00:45:50,315 --> 00:45:51,950 HOW BIG IS THIS PLACE, 1157 00:45:51,983 --> 00:45:53,318 YOU SAID, WHAT, THERE'S TWO LEVELS? 1158 00:45:53,351 --> 00:45:54,485 OH, YES, YES. 1159 00:45:54,519 --> 00:45:55,821 WHERE'S THE OTHER ONE? 1160 00:45:55,854 --> 00:45:58,323 WELL, THE V.I.P ROOM IS LIKE ANOTHER LEVEL. 1161 00:45:58,356 --> 00:45:59,858 I DIDN'T EVEN SEE THAT COMING IN. 1162 00:45:59,891 --> 00:46:01,092 CAN I CHECK IT OUT? 1163 00:46:01,126 --> 00:46:02,127 YEAH, ABSOLUTELY. 1164 00:46:02,160 --> 00:46:03,128 YEAH? OKAY. 1165 00:46:03,161 --> 00:46:04,262 YOU'LL LOVE IT. 1166 00:46:04,295 --> 00:46:05,530 YEAH? 1167 00:46:05,563 --> 00:46:06,564 MM-HMM. 1168 00:46:06,597 --> 00:46:07,866 BYE, SHANE! 1169 00:46:07,899 --> 00:46:10,135 "OH, THERE'S A SECOND FLOOR?" 1170 00:46:10,168 --> 00:46:11,837 [LAUGHING] 1171 00:46:11,870 --> 00:46:13,238 SHE MIGHT KNOW SOMEONE UP THERE, WHO KNOWS? 1172 00:46:13,271 --> 00:46:15,540 OH, PRAY TELL. OOH... 1173 00:46:15,573 --> 00:46:19,177 [LAUGHING AND JOKING] 1174 00:46:19,210 --> 00:46:21,079 NOW, WHERE IS THE FABULOUS KIT PORTER? 1175 00:46:23,314 --> 00:46:25,016 GET ON OUT HERE, GIRL. 1176 00:46:25,050 --> 00:46:26,517 I NEED SOMEBODY TO SHAKE IT WITH. 1177 00:46:26,551 --> 00:46:28,286 [APPLAUSE AND CHEERS] 1178 00:46:28,319 --> 00:46:30,188 * PULL UP OUT THE FRONT YOU SEE THE CLUB GLOW * 1179 00:46:30,221 --> 00:46:34,392 * YOU SEE A MAN AT THE DOOR THEN YOU SAY HELLO * 1180 00:46:34,425 --> 00:46:35,827 * AND THE BEATING IN MY HEART MUSIC STARTS TO GROW... * 1181 00:46:35,861 --> 00:46:36,862 WHOO! 1182 00:46:36,895 --> 00:46:39,497 * IT'S TIME TO STAND UP STAND UP, STAND UP * 1183 00:46:41,532 --> 00:46:43,134 [CHEERING] 1184 00:46:43,168 --> 00:46:47,438 * OOH, WHY DO YOU ALWAYS KEEP ME WAITING * 1185 00:46:47,472 --> 00:46:50,508 * AND NOW I'M FALLING FOR YOU 1186 00:46:50,541 --> 00:46:55,080 * OOH, WHY DO YOU ALWAYS KEEP ME WAITING * 1187 00:46:55,113 --> 00:46:59,517 * AND NOW I'M FALLING FOR YOU 1188 00:46:59,550 --> 00:47:04,522 * OOH, ON THE FLOOR WE KEEP ON MOVING... * 1189 00:47:04,555 --> 00:47:06,491 HOW ARE YOU? 1190 00:47:06,524 --> 00:47:07,959 I DON'T KNOW. 1191 00:47:07,993 --> 00:47:09,227 HOW ARE YOU? 1192 00:47:09,260 --> 00:47:10,428 I'M FINE. 1193 00:47:10,461 --> 00:47:11,963 I JUST... 1194 00:47:11,997 --> 00:47:13,164 I DON'T KNOW, WITH ALL THEM, 1195 00:47:13,198 --> 00:47:14,599 I JUST WANT TO MAKE SURE. 1196 00:47:14,632 --> 00:47:16,201 WOW, 3:00. 1197 00:47:16,234 --> 00:47:17,335 MY 3:00. 1198 00:47:17,368 --> 00:47:19,570 MY 3:00. THAT WAY. 1199 00:47:19,604 --> 00:47:22,240 UPSTAIRS! 3:00. 1200 00:47:22,273 --> 00:47:23,374 OH, MY GOD. 1201 00:47:23,408 --> 00:47:24,910 OH, COME ON, ALICE. 1202 00:47:24,943 --> 00:47:26,945 THEY'RE JUST TALKING TO EACH OTHER. 1203 00:47:26,978 --> 00:47:28,446 ARE YOU OKAY LYING TO OUR FRIENDS? 1204 00:47:31,282 --> 00:47:33,084 I DON'T CARE. 1205 00:47:33,118 --> 00:47:34,252 I REALLY DON'T. 1206 00:47:34,285 --> 00:47:35,653 IT'S... 1207 00:47:35,686 --> 00:47:37,055 IT'S BETWEEN YOU AND ME. 1208 00:47:37,088 --> 00:47:39,290 COME HERE. 1209 00:47:39,324 --> 00:47:44,095 * OOH, WHY DO YOU ALWAYS KEEP ME WAITING * 1210 00:47:44,129 --> 00:47:49,367 * AND NOW I'M FALLING FOR YOU... * 1211 00:47:49,400 --> 00:47:50,902 [LAUGHING] 1212 00:47:50,936 --> 00:47:52,637 * OOH, ON THE FLOOR WE KEEP ON MOVING * 1213 00:47:52,670 --> 00:47:56,307 * I CAN'T LET YOU OUT OF MY SIGHT * 1214 00:47:56,341 --> 00:48:00,245 [**] 1215 00:48:02,280 --> 00:48:11,089 * I CAN'T LET YOU OUT OF MY SIGHT... * 1216 00:48:11,122 --> 00:48:13,691 * NO, DON'T KEEP ME WAITING... 1217 00:48:13,724 --> 00:48:17,228 [STILL LAUGHING] 1218 00:48:17,262 --> 00:48:21,399 * NO, DON'T KEEP ME WAITING 1219 00:48:21,432 --> 00:48:26,972 * NO, DON'T KEEP ME WAITING 1220 00:48:27,005 --> 00:48:29,107 * NO, DON'T KEEP ME WAITING... 1221 00:48:29,140 --> 00:48:33,544 [**]