1
00:00:10,811 --> 00:00:12,180
PREVIOUSLY ON THE L WORD...

2
00:00:12,213 --> 00:00:13,414
IT WAS WILLIAM
THAT STOLE THE NEGATIVE.

3
00:00:13,447 --> 00:00:14,782
WHY WOULD WILLIAM
WHO PRODUCED THE MOVIE

4
00:00:14,815 --> 00:00:16,384
STEAL THE NEGATIVE?

5
00:00:16,417 --> 00:00:18,452
I OVERHEARD HIM
HAVING THIS CONVERSATION,

6
00:00:18,486 --> 00:00:21,155
AND HE WAS TALKING ABOUT
BURNING DOWN

7
00:00:21,189 --> 00:00:22,656
ONE OF HIS BUILDINGS

8
00:00:22,690 --> 00:00:24,325
FOR INSURANCE REASONS.

9
00:00:24,358 --> 00:00:27,228
EVERYONE, THIS IS KELLY.
KELLY, THIS IS EVERYONE.

10
00:00:27,261 --> 00:00:28,296
NICE TO MEET YOU GUYS.

11
00:00:28,329 --> 00:00:29,630
THE BEST WAY
I CAN THINK OF

12
00:00:29,663 --> 00:00:32,200
TO HELP YOU
MAKE YOUR GALLERY A CONTENDER

13
00:00:32,233 --> 00:00:35,103
IS IF I WERE TO COME
AND WORK WITH YOU.

14
00:00:35,136 --> 00:00:36,337
I MEAN, SHE'S GOING TO
MAKE ME A PARTNER.

15
00:00:36,370 --> 00:00:38,372
YOU SOUND LIKE
IT'S ALREADY A DONE DEAL.

16
00:00:38,406 --> 00:00:39,540
THIS IS
A BUSINESS DECISION, TINA,

17
00:00:39,573 --> 00:00:41,075
AND IF YOU DON'T
BELIEVE THAT,

18
00:00:41,109 --> 00:00:42,610
THEN I SUGGEST YOU COME UP WITH
A BETTER SOLUTION.

19
00:00:42,643 --> 00:00:45,079
HOW LONG DID IT TAKE YOU
TO WRITE THIS?

20
00:00:45,113 --> 00:00:46,447
I JUST WROTE THAT IN A NIGHT.

21
00:00:46,480 --> 00:00:48,082
I JUST KIND OF...
STREAM OF CONSCIOUSNESS--

22
00:00:48,116 --> 00:00:49,383
I DON'T THINK
THAT'S GOING TO SELL.

23
00:00:49,417 --> 00:00:50,518
PRETTY BORING...

24
00:00:50,551 --> 00:00:52,120
HELENA IS THE LOVE OF MY LIFE,

25
00:00:52,153 --> 00:00:53,554
AND I WOULD
GIVE ANYTHING

26
00:00:53,587 --> 00:00:55,089
FOR ANOTHER CHANCE
TO BE WITH HER.

27
00:00:55,123 --> 00:00:58,159
I WANT YOU BOTH
OUT OF MY HOUSE, OKAY?

28
00:00:58,192 --> 00:00:59,427
LISTEN,
I DIDN'T FUCK YOUR GIRLFRIEND.

29
00:00:59,460 --> 00:01:00,694
JENNY, SHE ONLY ATE ME OUT.

30
00:01:00,728 --> 00:01:02,496
ARE YOU PUTTING ON
THE CRAZY JENNY SHOW

31
00:01:02,530 --> 00:01:04,132
JUST TO SEE HOW FAR
YOU CAN PUSH IT WITH ME?

32
00:01:04,165 --> 00:01:05,366
DO YOU HATE ME?

33
00:01:05,399 --> 00:01:06,400
NO.

34
00:01:06,434 --> 00:01:07,668
DO YOU LOVE ME?

35
00:01:11,905 --> 00:01:13,341
[BETTE AND TINA
BOTH TALKING AT ONCE]

36
00:01:13,374 --> 00:01:14,442
YEAH, WHAT'S
THE STUDIO?

37
00:01:14,475 --> 00:01:16,444
I'M SO GLAD
WE GOT THE SPACE...

38
00:01:16,477 --> 00:01:17,478
YEAH, I READ
THAT TREATMENT.

39
00:01:17,511 --> 00:01:18,579
NO, IT IS AMAZING.

40
00:01:18,612 --> 00:01:20,181
YEAH, NO,
I HATED IT...

41
00:01:20,214 --> 00:01:22,850
PLUS, HE'S A REAL
ASSHOLE TO WORK WITH,

42
00:01:22,883 --> 00:01:24,818
EVERY SINGLE ASPECT.

43
00:01:24,852 --> 00:01:27,155
MM-HMM, YEAH,
NO, ACTUALLY,

44
00:01:27,188 --> 00:01:29,490
SHE PITCHED IT TO ME
ON HER BLACKBERRY.

45
00:01:29,523 --> 00:01:30,291
WHAT?

46
00:01:30,324 --> 00:01:31,759
WELL, WE COULDN'T
BE MORE THRILLED.

47
00:01:31,792 --> 00:01:33,227
YOU ARE KIDDING ME.

48
00:01:33,261 --> 00:01:34,262
ABSOLUTELY,

49
00:01:34,295 --> 00:01:35,363
I CAN'T WAIT FOR YOU
TO MEET KELLY.

50
00:01:35,396 --> 00:01:37,231
HALF A MILLION
DOLLARS? NO WAY!

51
00:01:37,265 --> 00:01:38,366
WE'RE LOOKING
FORWARD TO IT.

52
00:01:38,399 --> 00:01:40,468
HE IS GOING TO BE
SO PISSED.

53
00:01:40,501 --> 00:01:42,270
NO, NO PROBLEM.

54
00:01:42,303 --> 00:01:43,437
WE'LL SEE YOU THEN.
ALL RIGHT.

55
00:01:43,471 --> 00:01:44,605
WOW.
OH, MY GOD.

56
00:01:44,638 --> 00:01:45,673
ALL RIGHT,
BYE-BYE.

57
00:01:45,706 --> 00:01:47,741
WOW, YOU TWO REALLY HAVE JUST
MOVED YOUR OFFICES

58
00:01:47,775 --> 00:01:49,743
RIGHT ON IN HERE, HUH?

59
00:01:49,777 --> 00:01:51,445
THIS CONSTRUCTION
IS A FUCKING NIGHTMARE.

60
00:01:51,479 --> 00:01:52,613
THE NEXT TIME
I GET THE BRIGHT IDEA

61
00:01:52,646 --> 00:01:54,482
TO DOUBLE THE SQUARE
FOOTAGE OF MY HOUSE,

62
00:01:54,515 --> 00:01:55,583
PLEASE
TALK ME OUT OF IT.

63
00:01:55,616 --> 00:01:57,385
YEAH, IT'S
ON TUESDAY.

64
00:01:57,418 --> 00:01:58,486
OKAY, BYE.

65
00:01:58,519 --> 00:02:00,488
GUESS WHAT?

66
00:02:00,521 --> 00:02:01,889
WHAT?

67
00:02:01,922 --> 00:02:02,923
JENNY SOLD HER SCRIPT.

68
00:02:02,956 --> 00:02:04,592
WHAT? WAIT,

69
00:02:04,625 --> 00:02:06,494
I DIDN'T EVEN KNOW SHE WAS
WORKING ON A SCREENPLAY.

70
00:02:06,527 --> 00:02:08,229
I DIDN'T...
YEAH.

71
00:02:08,262 --> 00:02:09,697
IT JUST GOES TO SHOW YOU,
SHE WAS DEPRESSED,

72
00:02:09,730 --> 00:02:11,499
AND SOMEONE STOLE HER MOVIE
RIGHT OUT FROM UNDER HER,

73
00:02:11,532 --> 00:02:12,866
AND SHE JUST
SAT RIGHT BACK DOWN,

74
00:02:12,900 --> 00:02:14,668
AND SHE JUST BANGED OUT
ANOTHER SCRIPT.

75
00:02:14,702 --> 00:02:16,204
JUST CRANKED IT OUT.

76
00:02:16,237 --> 00:02:17,438
GOOD FOR HER.

77
00:02:17,471 --> 00:02:19,773
YEAH. THERE WAS A BIDDING WAR.
GUESS HOW MUCH IT SOLD FOR?

78
00:02:19,807 --> 00:02:21,509
HOW MUCH?

79
00:02:21,542 --> 00:02:22,776
HALF A MILLION DOLLARS.

80
00:02:22,810 --> 00:02:24,412
NO SHIT.

81
00:02:24,445 --> 00:02:25,913
WOW, HALF A MILLION?

82
00:02:25,946 --> 00:02:27,648
YEAH, YOU KNOW,
I WOULD HAVE BID ON IT MYSELF,

83
00:02:27,681 --> 00:02:29,917
BUT YOU KNOW AARON,
HE'S SUCH A SHORTSIGHTED PRICK.

84
00:02:29,950 --> 00:02:31,519
HATES JENNY.

85
00:02:31,552 --> 00:02:33,221
WOW, THAT'S GREAT FOR HER.

86
00:02:33,254 --> 00:02:34,788
WONDER WHAT'S IT ABOUT
THIS TIME, HUH?

87
00:02:34,822 --> 00:02:35,689
SHOULD I
BE WORRIED?

88
00:02:35,723 --> 00:02:36,557
I MEAN, DID SHE
GO THROUGH THE GARBAGE

89
00:02:36,590 --> 00:02:38,359
AND MAKE UP A WHOLE NEW
SET OF LIES

90
00:02:38,392 --> 00:02:39,627
ABOUT OUR RELATIONSHIP?

91
00:02:39,660 --> 00:02:41,695
NO, THIS ONE'S
COMPLETELY DIFFERENT.

92
00:02:41,729 --> 00:02:43,397
IT'S AN ACTION COMEDY

93
00:02:43,431 --> 00:02:45,766
ABOUT A TALK-SHOW HOST
AND A COP,

94
00:02:45,799 --> 00:02:47,768
AND THE TALK-SHOW HOST
GETS EMBROILED

95
00:02:47,801 --> 00:02:49,470
IN THIS, LIKE,
MURDER MYSTERY,

96
00:02:49,503 --> 00:02:51,739
BUT THE MOVIE REALLY
REVOLVES AROUND THE ROMANCE

97
00:02:51,772 --> 00:02:53,741
BETWEEN THE TALK-SHOW HOST
AND THE COP.

98
00:02:53,774 --> 00:02:56,210
IT'S KIND OF LIKE
A FOUL PLAY MEETS--

99
00:02:56,244 --> 00:02:57,478
MR. AND MRS. SMITH?

100
00:02:57,511 --> 00:02:58,879
YEAH, SORT OF,

101
00:02:58,912 --> 00:03:00,348
EXCEPT FOR,
THIS IS GOING TO BE HUGE.

102
00:03:00,381 --> 00:03:01,515
IT'S A GREAT CONCEPT--

103
00:03:01,549 --> 00:03:02,716
OH, MY GOD...

104
00:03:02,750 --> 00:03:04,518
...BIG BLOCKBUSTER
POTENTIAL--

105
00:03:04,552 --> 00:03:06,387
YOU GUYS!

106
00:03:06,420 --> 00:03:07,788
THAT'S MY STORY!

107
00:03:07,821 --> 00:03:08,889
WHAT?

108
00:03:08,922 --> 00:03:11,759
THAT-THAT'S MY STORY!

109
00:03:11,792 --> 00:03:13,394
GOD!

110
00:03:13,427 --> 00:03:16,464
SCHECTER IS SO FUCKING DEAD!

111
00:03:17,331 --> 00:03:20,234
[**]

112
00:03:20,268 --> 00:03:26,240
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *

113
00:03:26,274 --> 00:03:33,281
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *

114
00:03:33,314 --> 00:03:39,019
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *

115
00:03:39,052 --> 00:03:46,226
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *

116
00:03:53,567 --> 00:03:55,002
* TALKING, LAUGHING
LOVING, BREATHING *

117
00:03:55,035 --> 00:03:56,737
* FIGHTING, FUCKING
CRYING, DRINKING *

118
00:03:56,770 --> 00:03:58,406
* WRITING, WINNING
LOSING, CHEATING *

119
00:03:58,439 --> 00:03:59,840
* KISSING, THINKING, DREAMING

120
00:03:59,873 --> 00:04:01,975
* THIS IS THE WAY...

121
00:04:02,009 --> 00:04:05,446
* IT'S THE WAY
THAT WE LIVE *

122
00:04:05,479 --> 00:04:10,918
* IT'S THE WAY THAT WE LIVE

123
00:04:10,951 --> 00:04:15,289
* AND LOVE

124
00:04:17,825 --> 00:04:18,692
HI.

125
00:04:18,726 --> 00:04:20,961
HALF A MILLION DOLLARS?

126
00:04:20,994 --> 00:04:22,563
HUH?
EXCUSE ME?

127
00:04:22,596 --> 00:04:23,797
YOU SOLD
YOUR SCREENPLAY

128
00:04:23,831 --> 00:04:26,934
FOR HALF A MILLION DOLLARS?

129
00:04:26,967 --> 00:04:28,836
YEAH, I'M SO RELIEVED.

130
00:04:28,869 --> 00:04:31,472
SHANE'S TAKING ME OUT TONIGHT
TO GO TO DINNER

131
00:04:31,505 --> 00:04:33,607
TO CELEBRATE
IF YOU WANT TO COME.

132
00:04:33,641 --> 00:04:36,076
JENNY, YOU STOLE MY IDEA!

133
00:04:36,109 --> 00:04:37,878
WHAT ARE YOU TALKING ABOUT?

134
00:04:37,911 --> 00:04:39,680
THE TREATMENT THAT I GAVE YOU

135
00:04:39,713 --> 00:04:41,782
ABOUT THE SCREENPLAY
THAT I WAS GOING TO WRITE!

136
00:04:41,815 --> 00:04:43,917
WITH THE TALK-SHOW HOST
WHO FALLS FOR THE COP

137
00:04:43,951 --> 00:04:46,654
WHO GETS INVOLVED
IN A MURDER PLOT!

138
00:04:46,687 --> 00:04:48,356
I BELIEVE,
IF I REMEMBER RIGHT,

139
00:04:48,389 --> 00:04:49,657
YOU SAID IT WAS A TERRIBLE IDEA.

140
00:04:49,690 --> 00:04:51,359
I THINK YOUR EXACT WORDS WERE,

141
00:04:51,392 --> 00:04:54,928
UH, "CONTRIVED," "BORING,"
"UN-SELLABLE?"

142
00:04:54,962 --> 00:04:57,665
RIGHT, THAT JUMBLE OF IDEAS
THAT YOU GAVE ME?

143
00:04:57,698 --> 00:05:00,401
THE TREATMENT, YES!

144
00:05:00,434 --> 00:05:01,569
ALICE, IN NO UNIVERSE,

145
00:05:01,602 --> 00:05:02,836
WOULD THAT
MISH-MASH OF IDEAS

146
00:05:02,870 --> 00:05:04,071
BE CONSIDERED
A SELLABLE TREATMENT,

147
00:05:04,104 --> 00:05:05,038
AND, FOR YOUR
INFORMATION,

148
00:05:05,072 --> 00:05:07,675
I'VE BEEN WORKING ON
A SCREENPLAY OF MY OWN

149
00:05:07,708 --> 00:05:09,443
FOR THE LAST COUPLE OF MONTHS,

150
00:05:09,477 --> 00:05:11,445
AND IF IT HAPPENS TO BEAR
SOME RESEMBLANCE

151
00:05:11,479 --> 00:05:12,880
TO SOMETHING
THAT YOU JOTTED DOWN,

152
00:05:12,913 --> 00:05:14,848
THEN IT'S PURE COINCIDENCE.

153
00:05:14,882 --> 00:05:16,417
OH, MY GOD...

154
00:05:16,450 --> 00:05:17,751
IT HAPPENS ALL
THE TIME IN HOLLYWOOD.

155
00:05:17,785 --> 00:05:18,986
WHERE PEOPLE STEAL
THEIR FRIENDS' IDEAS

156
00:05:19,019 --> 00:05:19,820
AND THEY SELL THEM OFF
AS THEIR OWN?

157
00:05:19,853 --> 00:05:21,489
IS THAT
WHAT YOU'RE TRYING TO SAY?

158
00:05:21,522 --> 00:05:24,425
NO. IT'S SOMETHING CALLED
"THE IDEA WELL," OKAY?

159
00:05:24,458 --> 00:05:25,993
OH, MY GOD.

160
00:05:26,026 --> 00:05:27,828
THERE IS A WELL.

161
00:05:27,861 --> 00:05:29,397
ALL OF THE WRITERS DRINK FROM
THE SAME FOUNTAIN, OKAY?

162
00:05:29,430 --> 00:05:31,832
BUT IT TAKES GENIUS,

163
00:05:31,865 --> 00:05:33,901
TALENT,
CRAFTSMANSHIP

164
00:05:33,934 --> 00:05:36,103
TO TAKE A KERNEL
OF AN IDEA

165
00:05:36,136 --> 00:05:38,038
AND TURN IT INTO...
TA-DAH!

166
00:05:38,071 --> 00:05:40,408
A SELLABLE SCREENPLAY, OKAY?

167
00:05:40,441 --> 00:05:43,711
JENNY, YOU ARE SO
FUCKING FULL OF SHIT!

168
00:05:43,744 --> 00:05:45,579
HEY...

169
00:05:45,613 --> 00:05:47,381
WHAT'S GOING ON?
HI.

170
00:05:47,415 --> 00:05:48,716
SHE'S CROSSED
THE FUCKING LINE, SHANE.

171
00:05:48,749 --> 00:05:50,384
SHE HAS FUCKING CROSSED IT,
I SWEAR...

172
00:05:50,418 --> 00:05:51,752
THIS IS HOW
IT'S GOING TO BE.

173
00:05:51,785 --> 00:05:53,987
IF YOU-IF YOU CONTINUE
TO SHACK UP

174
00:05:54,021 --> 00:05:56,089
WITH THIS
FUCKING, LYING,

175
00:05:56,123 --> 00:05:59,159
STEALING
SNAKE IN THE FUCKING GRASS,

176
00:05:59,192 --> 00:06:00,628
I SWEAR TO GOD,
I CANNOT CONSIDER YOU

177
00:06:00,661 --> 00:06:01,962
TO BE MY FRIEND ANYMORE!

178
00:06:01,995 --> 00:06:02,963
ALICE...

179
00:06:02,996 --> 00:06:03,997
ALICE!

180
00:06:04,031 --> 00:06:06,867
A FUCKING JOKE.

181
00:06:06,900 --> 00:06:08,602
WHAT...
JEN, WHAT'S THAT?

182
00:06:08,636 --> 00:06:10,538
I DON'T...

183
00:06:10,571 --> 00:06:13,173
I GUESS SHE HAS
SOME MISGUIDED IDEA

184
00:06:13,206 --> 00:06:16,176
THAT I STOLE THE IDEA
FOR HER SCREENPLAY.

185
00:06:16,209 --> 00:06:17,445
I DON'T KNOW.

186
00:06:19,112 --> 00:06:22,182
SHE'S PISSED OFF.

187
00:06:22,215 --> 00:06:24,384
I GUESS SHE'LL JUST HAVE TO
GET OVER IT.

188
00:06:26,654 --> 00:06:30,090
WHAT DO YOU MEAN,
JENNY STOLE YOUR IDEA?

189
00:06:30,123 --> 00:06:31,592
THAT'S CRAZY.

190
00:06:31,625 --> 00:06:33,694
SHE DOESN'T EVEN
DENY DOING IT.

191
00:06:33,727 --> 00:06:36,464
SHE SAYS THEY HAPPEN
TO BE SIMILAR.

192
00:06:36,497 --> 00:06:37,865
YOU KNOW WHAT,
I FEEL BAD ABOUT THIS,

193
00:06:37,898 --> 00:06:38,866
BECAUSE I'M THE ONE
THAT SENT YOU...

194
00:06:38,899 --> 00:06:39,933
HI.

195
00:06:39,967 --> 00:06:41,101
HI.

196
00:06:41,134 --> 00:06:42,936
NO, IT'S NOT
YOUR FAULT.

197
00:06:42,970 --> 00:06:44,572
I MEAN, HOW WERE WE
SUPPOSED TO KNOW

198
00:06:44,605 --> 00:06:45,673
SHE WAS GOING TO FUCKING
SCREW ME OVER LIKE THAT?

199
00:06:45,706 --> 00:06:47,074
CAN YOU SUE HER?

200
00:06:47,107 --> 00:06:48,542
I MEAN, DOES JOYCE DO
COPYRIGHT INFRINGEMENT?

201
00:06:48,576 --> 00:06:49,643
NO, IT DOESN'T
WORK THAT WAY.

202
00:06:49,677 --> 00:06:51,512
WHAT ARE YOU
GOING TO DO?

203
00:06:51,545 --> 00:06:53,013
I DON'T KNOW,
I CAN'T TALK ABOUT IT ANYMORE.

204
00:06:53,046 --> 00:06:54,448
IT'S JUST LIKE I'M GOING TO...

205
00:06:54,482 --> 00:06:56,550
YOU KNOW WHAT I MEAN?

206
00:06:56,584 --> 00:06:57,518
WHY ARE YOU GUYS STILL HERE?

207
00:06:57,551 --> 00:07:01,221
I'M WORKING FROM HOME
AND YET I HAVE NO HOME.

208
00:07:01,254 --> 00:07:02,456
AND EVER SINCE
I'VE BEEN ACCUSED

209
00:07:02,490 --> 00:07:03,791
OF STEALING
THE NEGATIVE,

210
00:07:03,824 --> 00:07:05,959
IT'S JUST TOO UNCOMFORTABLE
TO GO TO THE OFFICE,

211
00:07:05,993 --> 00:07:07,461
SO I'M JUST AVOIDING IT.

212
00:07:07,495 --> 00:07:09,096
I ONLY HAVE TO GO BACK
LATER ON IN THE DAY.

213
00:07:09,129 --> 00:07:11,699
[CELL PHONE RINGS]

214
00:07:11,732 --> 00:07:13,601
[LAUGHS]:
JAMIE...

215
00:07:16,269 --> 00:07:17,170
OH, I'M GOING TO HIT TONIGHT,
YOU GUYS,

216
00:07:17,204 --> 00:07:18,706
WITH TASHA AND JAMIE,
IF YOU WANT TO GO.

217
00:07:18,739 --> 00:07:20,641
IS JAMIE THAT GIRL

218
00:07:20,674 --> 00:07:21,842
THAT YOU GUYS HAVE BEEN
HANGING OUT WITH ALL THE TIME?

219
00:07:21,875 --> 00:07:24,044
OH, MY-- YES!

220
00:07:24,077 --> 00:07:26,847
SHE IS AWESOME.

221
00:07:26,880 --> 00:07:28,081
SHE'S SO COOL,
YOU GUYS.

222
00:07:28,115 --> 00:07:29,182
WE ACTUALLY WENT
TO THAT SUSHI BAR

223
00:07:29,216 --> 00:07:30,818
YOU WERE TELLING ME
ABOUT, ON VENTURA?

224
00:07:30,851 --> 00:07:32,252
IT WAS FUN.

225
00:07:32,285 --> 00:07:34,221
WHAT?

226
00:07:34,254 --> 00:07:38,959
* YOU'RE HAVING
A THIRD-WHEEL CRUSH... *

227
00:07:38,992 --> 00:07:40,127
YOU AND TASHA.

228
00:07:40,160 --> 00:07:41,261
YEAH, DEFINITELY.

229
00:07:41,294 --> 00:07:42,863
OH, MY GOD, WE ARE NOT--

230
00:07:42,896 --> 00:07:43,997
WE'RE JUST FRIENDS!

231
00:07:44,031 --> 00:07:45,065
[CHUCKLING]:
UH-HUH.

232
00:07:45,098 --> 00:07:46,099
SHE'S A FRIEND!

233
00:07:46,133 --> 00:07:47,868
WE LOVE HER AS IN FRIEND-LOVE.

234
00:07:47,901 --> 00:07:48,869
THERE'S FRIEND-LOVE.

235
00:07:48,902 --> 00:07:49,970
YOU SO ARE!

236
00:07:50,003 --> 00:07:51,705
YOU HAVE ALL
THE TELL-TALE SIGNS.

237
00:07:51,739 --> 00:07:52,873
SIGNS, BETTE, REALLY?

238
00:07:52,906 --> 00:07:53,774
WHAT SIGNS?

239
00:07:53,807 --> 00:07:56,510
WELL, LET'S SEE,
IT STARTS WHEN, YOU KNOW,

240
00:07:56,544 --> 00:07:57,945
YOU'VE BEEN DATING YOUR PARTNER
FOR QUITE A WHILE,

241
00:07:57,978 --> 00:08:00,247
AND YOU'RE STARTING
TO GROW BORED WITH ONE OTHER,

242
00:08:00,280 --> 00:08:02,850
AND THEN YOU START
FIGHTING ALL THE TIME--

243
00:08:02,883 --> 00:08:04,084
WE'RE NOT FIGHTING.

244
00:08:04,117 --> 00:08:05,152
HUH? WHAT?

245
00:08:05,185 --> 00:08:06,720
WHAT?

246
00:08:06,754 --> 00:08:08,121
I MEAN, THERE'S
A LITTLE BIT OF FIGHTING,

247
00:08:08,155 --> 00:08:09,523
MAYBE.

248
00:08:09,557 --> 00:08:11,191
AND THEN YOU MEET
A NEW PERSON,

249
00:08:11,224 --> 00:08:12,993
AND YOU START HANGING OUT

250
00:08:13,026 --> 00:08:14,728
ALL THE TIME,
THE THREE OF YOU,

251
00:08:14,762 --> 00:08:16,163
DOING EVERYTHING
TOGETHER,

252
00:08:16,196 --> 00:08:17,397
AND YOU KNOW WHAT,
IT'S JUST GREAT,

253
00:08:17,430 --> 00:08:20,267
AND THIS NEW PERSON STARTS TO
REVITALIZE THE RELATIONSHIP,

254
00:08:20,300 --> 00:08:22,636
POURING ALL THIS ENERGY
AND EXCITEMENT INTO IT,

255
00:08:22,670 --> 00:08:25,038
AND THE SYNDROME,
IT CAN LAST WEEKS,

256
00:08:25,072 --> 00:08:29,910
MONTHS, OR EVEN,
UH, A--

257
00:08:29,943 --> 00:08:32,312
[GASPS]
OH, REMEMBER SALLY?

258
00:08:32,345 --> 00:08:33,714
COCO, LISA.

259
00:08:33,747 --> 00:08:35,015
UH-HUH. THAT ONE
LASTED A YEAR.

260
00:08:35,048 --> 00:08:36,116
I KNOW.

261
00:08:36,149 --> 00:08:37,217
JUST AS LONG
AS IT DOESN'T, UH...

262
00:08:37,250 --> 00:08:38,251
[TOGETHER]: TIP.

263
00:08:38,285 --> 00:08:40,153
TIP?

264
00:08:40,187 --> 00:08:42,590
WELL, WHEN ONE MEMBER
OF THE COUPLE, YOU KNOW,

265
00:08:42,623 --> 00:08:43,957
FALLS IN LOVE WITH
THE THIRD WHEEL,

266
00:08:43,991 --> 00:08:45,726
AND THEN DECIDES
TO ACT ON IT,

267
00:08:45,759 --> 00:08:47,027
BECAUSE THEN...

268
00:08:47,060 --> 00:08:48,562
WHAT, BETTE?

269
00:08:48,596 --> 00:08:49,597
WELL...

270
00:08:49,630 --> 00:08:50,530
YOU'RE SO WRONG.

271
00:08:50,564 --> 00:08:52,099
I CAN'T EVEN TELL YOU
HOW WRONG YOU ARE.

272
00:08:52,132 --> 00:08:53,801
SO JUST
CHECK YOURSELF

273
00:08:53,834 --> 00:08:55,168
BEFORE YOU
WRECK YOURSELF.

274
00:08:55,202 --> 00:08:56,670
COME ON.

275
00:08:56,704 --> 00:08:58,639
WHAT?

276
00:08:58,672 --> 00:09:00,708
WE THINK TASHA AND ALICE
ARE HAVING A THIRD WHEEL CRUSH

277
00:09:00,741 --> 00:09:02,275
WITH JAMIE.

278
00:09:02,309 --> 00:09:03,811
JAMIE!

279
00:09:03,844 --> 00:09:05,579
YOU KNOW WHAT, HELENA,
HELENA...

280
00:09:05,613 --> 00:09:06,780
[ALL LAUGHING AND TEASING]

281
00:09:06,814 --> 00:09:08,215
OOH, JAMIE!
JAMIE!

282
00:09:08,248 --> 00:09:09,783
OOH, GIRL!

283
00:09:09,817 --> 00:09:11,985
NO. NO.

284
00:09:12,019 --> 00:09:13,654
NOW, THAT'S
DANGEROUS BUSINESS.

285
00:09:13,687 --> 00:09:15,122
DANGEROUS BUSINESS, UH-HUH,

286
00:09:15,155 --> 00:09:16,189
AND SPEAKING OF

287
00:09:16,223 --> 00:09:17,891
DANGEROUS BUSINESS...

288
00:09:20,160 --> 00:09:22,195
UGH, I COULD DO WITHOUT
THE SEGUE, KIT.

289
00:09:22,229 --> 00:09:23,997
MM-HMM.

290
00:09:24,031 --> 00:09:25,733
WHAT?

291
00:09:27,067 --> 00:09:30,804
I'M HAVING DINNER
WITH DYLAN ON SATURDAY NIGHT.

292
00:09:30,838 --> 00:09:34,908
[THEY ALL BURST OUT IN OUTRAGE]

293
00:09:36,810 --> 00:09:38,345
HELENA! WHY?

294
00:09:40,147 --> 00:09:42,683
I... CAN'T HELP MYSELF.

295
00:09:42,716 --> 00:09:44,317
OH, MY GOD...

296
00:09:44,351 --> 00:09:46,720
DYLAN HAS COLONIZED
MY THOUGHTS.

297
00:09:46,754 --> 00:09:47,855
[LAUGHS]

298
00:09:47,888 --> 00:09:49,857
WOW, THAT'S DEEP.

299
00:09:49,890 --> 00:09:51,091
REALLY?
"COLONIZED"?

300
00:09:51,124 --> 00:09:54,127
SHE TOLD TINA
I WAS THE LOVE OF HER LIFE,

301
00:09:54,161 --> 00:09:56,864
AND NOW I CAN'T THINK ABOUT
ANYTHING ELSE,

302
00:09:56,897 --> 00:09:58,932
AND, HONESTLY,
I'M SICK OF TRYING.

303
00:09:58,966 --> 00:10:02,670
HELENA, THIS IS
A TERRIBLE, TERRIBLE IDEA.

304
00:10:02,703 --> 00:10:05,072
DON'T YOU JUST WANT TO MAKE
A LITTLE BIT OF EFFORT TO KNOW--

305
00:10:05,105 --> 00:10:06,974
KNOW THAT SHE'S NOT GOING TO
FUCK YOU OVER AGAIN!

306
00:10:07,007 --> 00:10:08,275
THANK YOU.

307
00:10:08,308 --> 00:10:10,110
HELENA,
SHE REALLY PUT YOU

308
00:10:10,143 --> 00:10:11,278
IN THE SHITTER LAST TIME.

309
00:10:11,311 --> 00:10:12,813
WHAT ARE YOU GOING TO DO,
ALICE?

310
00:10:12,846 --> 00:10:14,648
YOU GOING TO MAKE DYLAN
FILL OUT A QUESTIONNAIRE?

311
00:10:14,682 --> 00:10:18,819
I DON'T KNOW, HELENA,
I DON'T KNOW.

312
00:10:18,852 --> 00:10:19,987
YOU KNOW WHAT?

313
00:10:20,020 --> 00:10:21,121
MAYBE NOT A QUESTIONNAIRE,

314
00:10:21,154 --> 00:10:22,790
MAYBE SOMETHING
MORE LIKE A TEST.

315
00:10:22,823 --> 00:10:23,857
A TEST?

316
00:10:23,891 --> 00:10:25,993
YOU GUYS...

317
00:10:26,026 --> 00:10:27,728
WHAT IF WE THOUGHT OF A TEST

318
00:10:27,761 --> 00:10:29,663
THAT WOULD PROVE,
ONCE AND FOR ALL,

319
00:10:29,697 --> 00:10:33,033
WHETHER DYLAN IS A SLEAZY,
GOLD-DIGGING OPPORTUNIST,

320
00:10:33,066 --> 00:10:35,268
OR IS SHE THIS MISUNDERSTOOD

321
00:10:35,302 --> 00:10:38,071
REFORMED FILMMAKER,

322
00:10:38,105 --> 00:10:40,040
WHO JUST HAPPENED TO GET
WRAPPED UP WITH THE WRONG GUY

323
00:10:40,073 --> 00:10:41,141
WHO MADE HER STEAL THE MONEY?

324
00:10:41,174 --> 00:10:43,410
OH, YEAH,
THAT'S GOOD, A TEST.

325
00:10:43,443 --> 00:10:45,813
BUT YOU CAN'T
TEST DYLAN.

326
00:10:45,846 --> 00:10:46,947
THERE'S A TEST FOR EVERYTHING.

327
00:10:46,980 --> 00:10:48,215
WELL, WHAT WOULD IT LOOK LIKE?

328
00:10:48,248 --> 00:10:49,282
A LOVE TEST?

329
00:10:49,316 --> 00:10:51,018
NO, IT'S MORE LIKE

330
00:10:51,051 --> 00:10:52,285
A TEST OF CHARACTER.

331
00:10:52,319 --> 00:10:53,987
YES, THANK YOU.

332
00:10:54,021 --> 00:10:56,724
'CAUSE THERE'S THINGS
WE NEED TO KNOW, RIGHT?

333
00:10:56,757 --> 00:10:58,025
I MEAN, ONE--

334
00:10:58,058 --> 00:10:59,860
IS DYLAN JUST AFTER YOU
FOR THE MONEY,

335
00:10:59,893 --> 00:11:01,995
TWO, IS SHE STILL
A CONNIVING, AMBITIOUS,

336
00:11:02,029 --> 00:11:03,997
WILL-DO-ANYTHING-TO-ADVANCE
HER-CAREER OPERATOR

337
00:11:04,031 --> 00:11:06,133
OR HAS SHE REALLY
CHANGED.

338
00:11:06,166 --> 00:11:07,868
THREE,
DOES SHE LOVE YOU,

339
00:11:07,901 --> 00:11:09,002
AND ONLY YOU,

340
00:11:09,036 --> 00:11:10,904
OR WOULD SHE
LOVE ANYONE

341
00:11:10,938 --> 00:11:13,941
RICH ENOUGH OR PRETTY ENOUGH
TO HELP HER GET AHEAD?

342
00:11:13,974 --> 00:11:16,309
OKAY, WHAT IF
WE HIRE AN ESCORT

343
00:11:16,343 --> 00:11:17,444
TO SEDUCE DYLAN?

344
00:11:17,477 --> 00:11:19,913
NO, THAT WOULD JUST
PROVE SHE'S A HO.

345
00:11:19,947 --> 00:11:22,149
IT'S GOT TO BE SOMETHING BIGGER.

346
00:11:22,182 --> 00:11:23,884
LIKE, SOMEONE THAT WOULD
ADVANCE HER CAREER,

347
00:11:23,917 --> 00:11:24,918
THAT SORT OF THING,

348
00:11:24,952 --> 00:11:28,055
YOU KNOW?

349
00:11:33,994 --> 00:11:36,163
NIKKI STEVENS.

350
00:11:36,196 --> 00:11:37,364
[THEY ALL GASP]
OOH...

351
00:11:37,397 --> 00:11:40,267
NIKKI...

352
00:11:40,300 --> 00:11:41,401
I MEAN, I THINK,
REALLY,

353
00:11:41,434 --> 00:11:42,435
THIS WHOLE THING
IS INCREDIBLY JUVENILE

354
00:11:42,469 --> 00:11:44,037
AND ILL-ADVISED,
BUT...

355
00:11:44,071 --> 00:11:45,072
BUT?

356
00:11:45,105 --> 00:11:47,507
NIKKI.

357
00:11:47,540 --> 00:11:49,009
YOU KNOW, IF YOU WANTED TO
ENSNARE DYLAN

358
00:11:49,042 --> 00:11:50,143
IN SOME KIND OF TEST,
WHAT YOU WOULD DO IS,

359
00:11:50,177 --> 00:11:51,912
YOU WOULD GET NIKKI
TO PRETEND

360
00:11:51,945 --> 00:11:52,913
THAT SHE WAS
IN THIS BIG MOVIE,

361
00:11:52,946 --> 00:11:55,282
AND SHE WAS INTERESTED
IN HAVING DYLAN DIRECT IT.

362
00:11:55,315 --> 00:11:56,449
I MEAN,
THAT WOULD TEMPTING, RIGHT,

363
00:11:56,483 --> 00:11:58,018
FOR A STRUGGLING FILMMAKER?

364
00:11:58,051 --> 00:11:59,419
THAT WOULD BE GREAT.

365
00:11:59,452 --> 00:12:00,587
NIKKI IS HUGE RIGHT NOW,

366
00:12:00,620 --> 00:12:03,791
SO THAT WOULD BE A MAJOR PAYDAY
FOR ANY NEW DIRECTOR.

367
00:12:03,824 --> 00:12:05,425
AND THEN WE COULD HAVE
NIKKI HIT ON HER,

368
00:12:05,458 --> 00:12:07,027
AND THEN SEE
IF SHE SELLS HELENA OUT

369
00:12:07,060 --> 00:12:08,028
FOR THE BIG TIME, YES!

370
00:12:08,061 --> 00:12:09,830
YES!

371
00:12:09,863 --> 00:12:11,531
I DON'T KNOW.

372
00:12:11,564 --> 00:12:13,300
I MEAN, IT JUST SEEMS
A LITTLE OVER THE TOP.

373
00:12:13,333 --> 00:12:14,968
WE JUST WANT TO KNOW.

374
00:12:15,002 --> 00:12:17,905
I MEAN, JUST, DON'T YOU
REALLY WANT TO KNOW

375
00:12:17,938 --> 00:12:19,206
WHO YOU'RE DEALING WITH,

376
00:12:19,239 --> 00:12:21,441
ONCE AND FOR ALL?

377
00:12:21,474 --> 00:12:22,776
COME ON,

378
00:12:22,810 --> 00:12:24,744
IT WILL GIVE YOU
PEACE OF MIND.

379
00:12:31,018 --> 00:12:33,420
WELL, I SUPPOSE...

380
00:12:33,453 --> 00:12:36,323
I'D BE CURIOUS TO SEE
WHAT WOULD HAPPEN.

381
00:12:36,356 --> 00:12:37,891
THAT'S THE SPIRIT!
YES!

382
00:12:37,925 --> 00:12:38,859
THIS IS ABSURD.

383
00:12:38,892 --> 00:12:40,193
IT'LL BE FUN.

384
00:12:40,227 --> 00:12:41,328
THIS IS GOING TO HAPPEN
TONIGHT, IT HAS TO.

385
00:12:41,361 --> 00:12:43,163
WE CAN'T.
WE'VE GOT A DINNER.

386
00:12:43,196 --> 00:12:44,431
IT HAS TO BE TONIGHT.

387
00:12:44,464 --> 00:12:45,866
HER DINNER WITH DYLAN
IS TOMORROW.

388
00:12:45,899 --> 00:12:47,067
YEAH, YOU GUYS,
TONIGHT FOR SURE.

389
00:12:47,100 --> 00:12:48,568
SOMEBODY NEEDS TO CALL NIKKI.

390
00:12:48,601 --> 00:12:50,037
TINA KNOWS HER.

391
00:12:50,070 --> 00:12:52,539
YEAH, I DO, BUT SHE'S NOT
GOING TO DO IT FOR ME.

392
00:12:52,572 --> 00:12:54,007
WE HAVE TO BRING IN
SHANE AND JENNY ON THIS ONE.

393
00:12:54,041 --> 00:12:55,575
I'M NOT TALKING TO THEM
RIGHT NOW,

394
00:12:55,608 --> 00:12:56,910
ESPECIALLY NOT JENNY.

395
00:12:56,944 --> 00:12:58,278
FINE, I'LL DO IT.

396
00:12:58,311 --> 00:12:59,546
DOESN'T JENNY
HATE NIKKI?

397
00:12:59,579 --> 00:13:02,049
YEAH, BUT
SHE LOVES INTRIGUE

398
00:13:02,082 --> 00:13:03,884
AND SHE DOESN'T HAVE TO HAVE
ANY CONTACT WITH NIKKI.

399
00:13:03,917 --> 00:13:05,518
ALL SHE HAS TO DO

400
00:13:05,552 --> 00:13:09,089
IS IMPERSONATE HER MANAGER.

401
00:13:09,122 --> 00:13:14,161
OKAY, THIS IS HOW
THIS IS ALL GOING TO GO DOWN...

402
00:13:14,194 --> 00:13:15,495
[**]

403
00:13:15,528 --> 00:13:17,064
SHANE WILL GO
AND TALK TO NIKKI

404
00:13:17,097 --> 00:13:18,565
ON THE SET OF HER LATEST MOVIE.

405
00:13:18,598 --> 00:13:19,799
NIKKI STILL
HAS THE HOTS FOR SHANE,

406
00:13:19,833 --> 00:13:23,036
SO IT SHOULD BE EASY
FOR SHANE TO CONVINCE HER.

407
00:13:23,070 --> 00:13:26,039
SO YOU WANT ME TO SEDUCE
SOME GIRL FOR YOU?

408
00:13:26,073 --> 00:13:27,440
YEAH, WE DON'T WANT YOU
TO SLEEP WITH HER,

409
00:13:27,474 --> 00:13:29,843
WE JUST WANT TO SEE IF
SHE'S GOING TO BE INTO IT.

410
00:13:29,877 --> 00:13:32,379
AND, UH,
WHAT'S IN IT FOR ME?

411
00:13:32,412 --> 00:13:34,614
JUST THE KNOWLEDGE THAT
YOU'RE HELPING A FRIEND.

412
00:13:34,647 --> 00:13:36,516
WELL, I CAN THINK OF
MORE FUN WAYS

413
00:13:36,549 --> 00:13:38,351
TO HELP YOU, SHANE.

414
00:13:38,385 --> 00:13:39,953
[GIGGLES]

415
00:13:39,987 --> 00:13:41,021
THANKS.

416
00:13:41,054 --> 00:13:43,190
NO PROBLEM.

417
00:13:43,223 --> 00:13:44,925
[TINA]: AND THEN...

418
00:13:44,958 --> 00:13:48,161
I WILL CORRAL JENNY
TO IMPERSONATE NIKKI'S MANAGER.

419
00:13:48,195 --> 00:13:49,562
JENNY'S HAD ENOUGH
RUN-IN'S WITH HER,

420
00:13:49,596 --> 00:13:52,165
SO SHE SHOULD DO A GOOD JOB.

421
00:13:52,199 --> 00:13:54,902
NIKKI STEVENS
IS HOT, HOT, HOT.

422
00:13:54,935 --> 00:13:56,136
SHE IS TURBO HOT.

423
00:13:56,169 --> 00:13:58,138
SHE IS SO HOT,
I'M GETTING HOT FLASHES,

424
00:13:58,171 --> 00:13:59,572
SO I SAY TO HER,
"WHO DO YOU WANT TO WORK WITH?

425
00:13:59,606 --> 00:14:02,009
"WHO DO YOU
WANT TO WORK WITH,

426
00:14:02,042 --> 00:14:03,343
"SPIELBERG?

427
00:14:03,376 --> 00:14:05,312
DO YOU WANT TO WORK WITH
SCORCESE..."

428
00:14:05,345 --> 00:14:06,446
SODERBERGH.

429
00:14:06,479 --> 00:14:07,247
"...SODERBERGH?"

430
00:14:07,280 --> 00:14:09,182
AND YOU KNOW
WHAT SHE SAYS TO ME?

431
00:14:09,216 --> 00:14:11,551
SHE SAYS, "NO, THAT'S NOT
WHO I WANT TO WORK WITH.

432
00:14:11,584 --> 00:14:14,421
I WANT TO WORK WITH
DYLAN MORELAND.

433
00:14:14,454 --> 00:14:17,224
WELL, I MEAN, THAT'S...

434
00:14:17,257 --> 00:14:18,558
THAT'S WEIRD.

435
00:14:18,591 --> 00:14:21,962
I'VE ONLY DIRECTED
A FEW OBSCURE DOCUMENTARIES.

436
00:14:21,995 --> 00:14:23,496
SHE LOVES
YOUR DOCUMENTARIES!

437
00:14:23,530 --> 00:14:25,465
SHE FUCKING LOVES
YOUR DOCUMENTARIES!

438
00:14:25,498 --> 00:14:27,200
SO BASICALLY, HERE'S THE DEAL,

439
00:14:27,234 --> 00:14:29,102
NIKKI HAS A PET PROJECT, OKAY,

440
00:14:29,136 --> 00:14:31,238
I WANT YOU
TO READ IT, AND...

441
00:14:31,271 --> 00:14:34,207
AND YOU WILL ALSO GET
LOTS OF MONEY.

442
00:14:34,241 --> 00:14:36,609
OKAY, WELL, YOU KNOW WHAT,

443
00:14:36,643 --> 00:14:38,645
WE DON'T HAVE TO TALK ABOUT
THE MONEY RIGHT NOW,

444
00:14:38,678 --> 00:14:40,981
BUT YOU KNOW, I THINK
I JUST NEED TO READ THE SCRIPT.

445
00:14:41,014 --> 00:14:43,150
I'LL MESSENGER IT
TO YOU TONIGHT.

446
00:14:43,183 --> 00:14:44,184
YEAH.
YEAH, YEAH, YEAH.

447
00:14:44,217 --> 00:14:46,186
GO MEET HER
AT, UH, HIT.

448
00:14:46,219 --> 00:14:48,355
REALLY?
SHE WANTS TO MEET AT HIT?

449
00:14:48,388 --> 00:14:51,124
YES, SHE DEFINITELY
WANTS TO MEET AT HIT,

450
00:14:51,158 --> 00:14:52,559
BECAUSE SHE IS, UH...

451
00:14:52,592 --> 00:14:53,593
YOUNG!

452
00:14:53,626 --> 00:14:54,928
SHE LIKES TO PARTY,

453
00:14:54,962 --> 00:14:56,229
AND SHE IS
A WHIPPER-SNAPPER.

454
00:14:56,263 --> 00:14:57,264
WHAT'RE YOU GONNA DO?

455
00:14:57,297 --> 00:14:59,232
OKAY, UM...

456
00:14:59,266 --> 00:15:01,068
I'LL-I'LL MEET HER
THERE.

457
00:15:01,101 --> 00:15:02,535
[ALICE]:
DYLAN WILL THEN CALL HELENA,

458
00:15:02,569 --> 00:15:03,836
BECAUSE, AT THIS POINT,

459
00:15:03,870 --> 00:15:04,837
SHE'S STILL PLAYING BOTH ENDS
AGAINST THE MIDDLE.

460
00:15:04,871 --> 00:15:05,838
SHE WON'T WANT TO
UPSET HELENA,

461
00:15:05,872 --> 00:15:07,474
NOT BEFORE
SHE'S REELED IN NIKKI...

462
00:15:07,507 --> 00:15:08,641
HELLO, THE PLANET.

463
00:15:08,675 --> 00:15:10,310
HI, HELENA?

464
00:15:10,343 --> 00:15:12,345
OH, DYLAN.

465
00:15:12,379 --> 00:15:13,646
HI.

466
00:15:13,680 --> 00:15:14,914
HI, LISTEN,

467
00:15:14,948 --> 00:15:18,051
I JUST GOT THIS REALLY ODD CALL
FROM NIKKI STEVENS' MANAGER.

468
00:15:18,085 --> 00:15:20,720
NIKKI STEVENS THE FILM STAR?

469
00:15:20,753 --> 00:15:22,722
YEAH, I KNOW, IT'S, UH...

470
00:15:22,755 --> 00:15:24,691
IT'S KIND OF STRANGE,

471
00:15:24,724 --> 00:15:28,495
BUT SHE WANTS TO MEET ME TONIGHT
AT YOUR CLUB

472
00:15:28,528 --> 00:15:30,330
ABOUT A POSSIBLE DIRECTING JOB.

473
00:15:30,363 --> 00:15:32,065
OH.

474
00:15:32,099 --> 00:15:34,334
RIGHT, NO, I'M SURE
THAT'LL BE FINE.

475
00:15:34,367 --> 00:15:36,403
IT'S AN EXCITING
OPPORTUNITY FOR YOU.

476
00:15:36,436 --> 00:15:39,072
UH, ARE WE STILL ON FOR DINNER
TOMORROW NIGHT?

477
00:15:39,106 --> 00:15:42,209
IF YOU DON'T GET
A BETTER OFFER.

478
00:15:42,242 --> 00:15:44,077
[STAMMERS]

479
00:15:44,111 --> 00:15:46,113
WELL?

480
00:15:48,348 --> 00:15:50,650
WE JUST
WAIT AND SEE NOW.

481
00:15:54,654 --> 00:15:55,722
HI YOU.

482
00:15:55,755 --> 00:15:57,590
HI!

483
00:15:57,624 --> 00:15:59,392
YOU JUST MISSED TINA.

484
00:15:59,426 --> 00:16:00,593
YEAH?

485
00:16:00,627 --> 00:16:02,129
YES.

486
00:16:02,162 --> 00:16:03,130
I'M TIRED.

487
00:16:03,163 --> 00:16:04,331
OH, GUESS WHAT?

488
00:16:04,364 --> 00:16:07,000
SHE...

489
00:16:07,034 --> 00:16:10,203
AND ALICE...

490
00:16:10,237 --> 00:16:13,740
AND KIT CONCOCTED
THIS VERY SILLY SCHEME

491
00:16:13,773 --> 00:16:16,376
WHERE THEY'RE TRYING
TO GET NIKKI

492
00:16:16,409 --> 00:16:17,777
TO HOOK UP WITH DYLAN.

493
00:16:17,810 --> 00:16:19,046
I KNOW.

494
00:16:19,079 --> 00:16:20,080
YOU KNOW?

495
00:16:20,113 --> 00:16:21,481
MM-HMM.

496
00:16:21,514 --> 00:16:22,615
THEY ROPED ME IN.

497
00:16:22,649 --> 00:16:24,784
THEY DID? HOW?

498
00:16:24,817 --> 00:16:26,653
WELL, I'M DOING
THAT JOB ON PARAMOUNT.

499
00:16:26,686 --> 00:16:28,121
YEAH?

500
00:16:28,155 --> 00:16:29,389
SO ALICE ASKED ME
TO SWING BY THE SET

501
00:16:29,422 --> 00:16:31,324
OF NIKKI'S NEW MOVIE

502
00:16:31,358 --> 00:16:35,328
TO SEE IF SHE WANTED TO
GO OUT TONIGHT.

503
00:16:35,362 --> 00:16:37,630
HUH...

504
00:16:37,664 --> 00:16:38,631
YOU SAW NIKKI?

505
00:16:38,665 --> 00:16:41,368
YEAH, FOR ABOUT FIVE MINUTES.

506
00:16:41,401 --> 00:16:42,469
SHE SEEMS INTO IT, THOUGH.

507
00:16:42,502 --> 00:16:44,104
I THINK SHE'S GOING TO COME OUT.

508
00:16:44,137 --> 00:16:45,805
FUCK.

509
00:16:45,838 --> 00:16:47,574
WELL, YOU CAN'T...

510
00:16:47,607 --> 00:16:50,410
YOU CAN'T REALLY DO THAT.

511
00:16:50,443 --> 00:16:52,345
DO WHAT?

512
00:16:52,379 --> 00:16:55,282
UM, YOU CAN'T...
SEE NIKKI.

513
00:16:55,315 --> 00:16:56,616
I FORBID IT.

514
00:16:56,649 --> 00:16:58,651
YOU FORBID IT?

515
00:16:58,685 --> 00:17:00,120
YEAH.

516
00:17:00,153 --> 00:17:01,221
SHE BETRAYED US,

517
00:17:01,254 --> 00:17:03,590
SO YOU SHOULDN'T GO
TALKING TO HER

518
00:17:03,623 --> 00:17:05,158
LIKE IT'S NO BIG DEAL.

519
00:17:05,192 --> 00:17:08,428
IT ISN'T A BIG DEAL.

520
00:17:08,461 --> 00:17:10,697
JEN, COME ON.

521
00:17:10,730 --> 00:17:13,166
THERE IS NOTHING...

522
00:17:14,601 --> 00:17:17,804
THERE'S NOTHING GOING ON
BETWEEN NIKKI AND I.

523
00:17:17,837 --> 00:17:20,173
NOTHING.

524
00:17:22,275 --> 00:17:23,343
JUST TRUST ME.

525
00:17:23,376 --> 00:17:24,344
I'M WITH YOU.

526
00:17:24,377 --> 00:17:25,345
YOU ARE?

527
00:17:25,378 --> 00:17:26,746
I'M WITH YOU.

528
00:17:26,779 --> 00:17:29,082
OKAY.

529
00:17:29,116 --> 00:17:30,850
BELIEVE ME?

530
00:17:30,883 --> 00:17:32,652
YEAH.

531
00:17:34,521 --> 00:17:35,788
SO THEN, UH,

532
00:17:35,822 --> 00:17:39,192
YOU DON'T HAVE TO
TALK TO HER AGAIN, OKAY?

533
00:17:39,226 --> 00:17:41,228
JEN, YOU CAN'T FORBID ME
TO SEE SOMEONE.

534
00:17:41,261 --> 00:17:42,095
I'M NOT 12.

535
00:17:42,129 --> 00:17:44,231
I'M GOING TO SEE HER,
SHE'S AROUND.

536
00:17:44,264 --> 00:17:47,367
WELL, YEAH, SHANE,

537
00:17:47,400 --> 00:17:49,136
OBVIOUSLY, YOU CAN DO
WHATEVER YOU WANT.

538
00:17:49,169 --> 00:17:50,270
OH, CAN I?

539
00:17:50,303 --> 00:17:53,406
YEAH, YOU CAN!

540
00:17:57,144 --> 00:18:01,314
OKAY, I JUST WANT TO SAY
ONE MORE THING, OKAY?

541
00:18:01,348 --> 00:18:04,551
THAT GIRL BETRAYED US
IN THE MOST FUNDAMENTAL OF WAYS.

542
00:18:04,584 --> 00:18:05,818
SHE THREATENED TO DESTROY

543
00:18:05,852 --> 00:18:07,387
THE FOUNDATION
OF OUR RELATIONSHIP

544
00:18:07,420 --> 00:18:09,289
THAT WE HAVE CREATED
OVER SO MANY YEARS,

545
00:18:09,322 --> 00:18:11,124
AND I HATE HER.

546
00:18:11,158 --> 00:18:12,625
I HATE HER SO MUCH FOR THAT,

547
00:18:12,659 --> 00:18:14,461
AND OUT OF LOYALTY
TO ME,

548
00:18:14,494 --> 00:18:17,397
YOU SHOULD
HATE HER, TOO.

549
00:18:19,766 --> 00:18:21,201
OKAY, YOU KNOW WHAT,

550
00:18:21,234 --> 00:18:23,136
FIRST OF ALL, THAT WAS ME.

551
00:18:23,170 --> 00:18:24,771
I'M THE PRIMARY OFFENDER
IN THAT ONE,

552
00:18:24,804 --> 00:18:27,440
BECAUSE SHE HAD NO IDEA

553
00:18:27,474 --> 00:18:28,908
THAT YOU HAD ANY
ROMANTIC FEELINGS TOWARDS ME.

554
00:18:28,941 --> 00:18:30,643
IN FACT,

555
00:18:30,677 --> 00:18:33,213
SHE WAS PROFOUNDLY
IN LOVE WITH YOU,

556
00:18:33,246 --> 00:18:34,514
SO IF YOU'RE GOING TO
BLAME ANYBODY,

557
00:18:34,547 --> 00:18:35,648
YOU SHOULD BLAME ME--

558
00:18:35,682 --> 00:18:37,584
I THINK THAT
SHE SEDUCED YOU,

559
00:18:37,617 --> 00:18:38,785
AND I THINK
THAT SHE REALLY TRIED

560
00:18:38,818 --> 00:18:41,421
TO GET INBETWEEN THE TWO OF US,

561
00:18:41,454 --> 00:18:42,589
AND I THINK THAT SHE'S TRYING

562
00:18:42,622 --> 00:18:45,392
TO GET INBETWEEN
THE TWO OF US AGAIN,

563
00:18:45,425 --> 00:18:46,793
AND I THINK
THAT YOU'RE LETTING HER DO IT.

564
00:18:46,826 --> 00:18:48,528
I'M NOT LETTING HER
DO ANYTHING.

565
00:18:48,561 --> 00:18:49,896
WHAT IS WRONG WITH YOU?

566
00:18:49,929 --> 00:18:53,233
I'M NOT BEING UNREASONABLE.

567
00:18:53,266 --> 00:18:54,100
OKAY?

568
00:18:54,133 --> 00:18:55,902
WHEN I THINK OF
THE TWO OF YOU TOGETHER,

569
00:18:55,935 --> 00:18:59,506
IT DOES MAKE ME
REALLY UNCOMFORTABLE,

570
00:18:59,539 --> 00:19:02,309
AND YOU SAID THAT YOU WANTED
OUR RELATIONSHIP TO BE DIFFERENT

571
00:19:02,342 --> 00:19:05,845
FROM ALL THE OTHER
RELATIONSHIPS YOU'VE HAD.

572
00:19:05,878 --> 00:19:07,380
RIGHT?

573
00:19:07,414 --> 00:19:08,748
MM-HMM.

574
00:19:08,781 --> 00:19:10,850
SO WE BOTH NEED TO
MAKE SOME CHANGES, RIGHT?

575
00:19:10,883 --> 00:19:12,552
WHICH SHOULD BE PRETTY EASY.

576
00:19:12,585 --> 00:19:13,386
RIGHT?

577
00:19:15,588 --> 00:19:17,290
UNLESS YOU STILL HAVE
FEELINGS FOR HER,

578
00:19:17,324 --> 00:19:18,358
WHICH IS
A WHOLE OTHER--

579
00:19:18,391 --> 00:19:19,726
I-I MEAN, I DON'T GET IT.

580
00:19:19,759 --> 00:19:21,361
WHAT LANGUAGE DO I HAVE TO
TELL THIS TO YOU IN

581
00:19:21,394 --> 00:19:25,532
SO YOU'LL GET THAT I DO NOT
HAVE ANY FEELINGS FOR NIKKI.

582
00:19:25,565 --> 00:19:27,700
OKAY...

583
00:19:32,972 --> 00:19:35,808
AND IT SHOULDN'T BE DIFFICULT
NEVER TO SPEAK TO HER AGAIN.

584
00:19:35,842 --> 00:19:37,210
OH, GOD...

585
00:19:37,244 --> 00:19:38,511
YOU KNOW,
YOU...

586
00:19:38,545 --> 00:19:40,680
YOU GOT TO BACK OFF.

587
00:19:47,019 --> 00:19:50,390
OKAY!

588
00:19:50,423 --> 00:19:54,361
I WAS WRONG!

589
00:19:54,394 --> 00:19:55,395
WHAT?

590
00:19:55,428 --> 00:19:56,529
I'M WRONG,

591
00:19:56,563 --> 00:19:59,499
AND I SHOULD TRUST YOU.

592
00:19:59,532 --> 00:20:00,967
DID YOU JUST SAY
WHAT I THINK YOU SAID?

593
00:20:01,000 --> 00:20:02,769
I NEED TO LEARN
HOW TO TRUST YOU.

594
00:20:02,802 --> 00:20:03,803
THANK YOU!

595
00:20:03,836 --> 00:20:04,904
THAT'S ALL I WANTED TO HEAR.

596
00:20:04,937 --> 00:20:06,239
OKAY!

597
00:20:06,273 --> 00:20:07,274
YOU HAVE TO TRUST ME.

598
00:20:07,307 --> 00:20:08,408
YES!

599
00:20:08,441 --> 00:20:09,542
NO FIGHTING.

600
00:20:09,576 --> 00:20:10,810
NO FIGHTING, COME ON.

601
00:20:15,548 --> 00:20:18,551
OH, SHANE?
SHANE!

602
00:20:18,585 --> 00:20:20,287
WHAT?

603
00:20:20,320 --> 00:20:21,421
HI.

604
00:20:21,454 --> 00:20:23,423
[LAUGHS]

605
00:20:25,358 --> 00:20:27,827
[HUM OF CONVERSATION
AND LAUGHTER]

606
00:20:33,333 --> 00:20:35,302
...SO WE WERE HAVING
A FABULOUS TIME,

607
00:20:35,335 --> 00:20:38,338
AND I SAID, "PHILLIPE,
YOU HAVE TO LOOSEN UP.

608
00:20:38,371 --> 00:20:40,307
I MEAN, LIFE IS TOO SHORT
FOR BORING MEN."

609
00:20:40,340 --> 00:20:42,675
[LAUGHTER]

610
00:20:44,677 --> 00:20:45,845
BETTE, YOU NEVER TOLD ME

611
00:20:45,878 --> 00:20:47,046
YOUR PARTNER
WAS SUCH A FIRECRACKER.

612
00:20:47,079 --> 00:20:49,349
OH, MY GOD...

613
00:20:49,382 --> 00:20:50,417
WHERE DID
YOU TWO MEET?

614
00:20:50,450 --> 00:20:51,518
AT UNIVERSITY.

615
00:20:51,551 --> 00:20:52,619
KELLY WAS MY MENTEE
IN ART HISTORY.

616
00:20:52,652 --> 00:20:54,887
OH, THAT IS
THE BORING ANSWER,

617
00:20:54,921 --> 00:20:56,556
AND THE THEME
OF THE EVENING IS...

618
00:20:56,589 --> 00:20:59,025
[EVERYONE]: NO BORES!

619
00:20:59,058 --> 00:21:02,395
THE TRUTH IS,
BETTE WAS IN LOVE WITH ME.

620
00:21:02,429 --> 00:21:04,664
MM... MM-MM.

621
00:21:04,697 --> 00:21:06,766
SO, YOU TWO, UM...

622
00:21:06,799 --> 00:21:07,800
OH, NO, NO, NO, NO.

623
00:21:07,834 --> 00:21:08,901
NO.

624
00:21:08,935 --> 00:21:10,370
NEVER.

625
00:21:10,403 --> 00:21:12,405
I MISSED
MY BIG OPPORTUNITY,

626
00:21:12,439 --> 00:21:14,541
BUT NOW SHE'S TAKEN
BY THE LOVELY TINA KENNARD.

627
00:21:14,574 --> 00:21:15,808
YOU NEVER KNOW.

628
00:21:15,842 --> 00:21:17,777
TINA AND I HAVE
BEEN TOGETHER,

629
00:21:17,810 --> 00:21:20,913
HAPPILY, FOR A LONG,
LONG TIME.

630
00:21:20,947 --> 00:21:21,948
KEY WORD,
"HAPPILY."

631
00:21:21,981 --> 00:21:22,982
RIGHT.

632
00:21:23,015 --> 00:21:26,386
KEY WORD.

633
00:21:26,419 --> 00:21:27,420
SO, CALEB,
ARE YOU, UM...

634
00:21:27,454 --> 00:21:30,557
[CELL PHONE VIBRATES]

635
00:21:30,590 --> 00:21:31,658
OH, I'M SORRY,

636
00:21:31,691 --> 00:21:33,726
I'VE GOT TO
TAKE THIS CALL.

637
00:21:33,760 --> 00:21:34,894
EXCUSE ME,
I'LL BE RIGHT BACK.

638
00:21:37,364 --> 00:21:40,367
I THINK YOU SHOULD JUST
TAKE IT DOWN JUST A NOTCH.

639
00:21:40,400 --> 00:21:41,568
OH, COME ON,
WE'RE HAVING FUN.

640
00:21:41,601 --> 00:21:42,769
YEAH, BUT I DON'T THINK
IT'S A GOOD IDEA

641
00:21:42,802 --> 00:21:43,636
TO HIT UPON ARTISTS,

642
00:21:43,670 --> 00:21:45,605
ESPECIALLY NOT
RIGHT BEFORE THE SHOW.

643
00:21:45,638 --> 00:21:47,674
UH, BETTE,
I'M SORRY,

644
00:21:47,707 --> 00:21:48,941
CAN YOU TALK TO
JASON ABOUT TOMORROW?

645
00:21:48,975 --> 00:21:50,577
HE'S CONFUSED.

646
00:21:50,610 --> 00:21:51,811
THANK YOU.

647
00:21:53,846 --> 00:21:55,415
OH, I'M SORRY.

648
00:21:55,448 --> 00:21:56,983
I'M TRANSPORTING A NUMBER
OF PIECES TOMORROW.

649
00:21:57,016 --> 00:21:58,985
IT'S ALWAYS JUST
A COMPLETE HEADACHE.

650
00:21:59,018 --> 00:22:01,421
NO, NO, DON'T WORRY,
BETTE WILL WORK IT OUT.

651
00:22:01,454 --> 00:22:04,357
SHE'S VERY BRILLIANT.

652
00:22:04,391 --> 00:22:05,958
AND VERY BEAUTIFUL.

653
00:22:05,992 --> 00:22:07,126
ALWAYS HAS BEEN.

654
00:22:07,159 --> 00:22:11,931
TO ME, SHE'S...
"THE ONE THAT GOT AWAY."

655
00:22:11,964 --> 00:22:15,402
IS SHE?

656
00:22:15,435 --> 00:22:17,404
BUT, AS YOU SAID,
SHE IS TAKEN.

657
00:22:17,437 --> 00:22:19,806
YEAH.

658
00:22:21,674 --> 00:22:23,810
TINA, DOES IT BOTHER YOU

659
00:22:23,843 --> 00:22:25,478
THAT I FLIRT SHAMELESSLY
WITH YOUR GIRLFRIEND?

660
00:22:25,512 --> 00:22:27,714
NO, NO, FLIRT AWAY.

661
00:22:27,747 --> 00:22:29,849
OH, GOOD.

662
00:22:29,882 --> 00:22:31,551
I MEAN, BETTE KNOWS THAT
IF SHE WERE TO EVER CHEAT ON ME,

663
00:22:31,584 --> 00:22:33,753
THEN THAT WOULD BE
THE END OF US.

664
00:22:33,786 --> 00:22:35,688
SO, IF IT MAKES YOU FEEL
SCANDALOUS

665
00:22:35,722 --> 00:22:37,890
AND SEXY
TO TEASE HER

666
00:22:37,924 --> 00:22:38,958
WITH HER CO-ED CRUSH,

667
00:22:38,991 --> 00:22:39,959
HAVE AT IT.

668
00:22:39,992 --> 00:22:42,128
THANKS, I WILL.

669
00:22:42,161 --> 00:22:43,830
THANKS FOR WHAT?

670
00:22:43,863 --> 00:22:44,831
WHAT DID I MISS?

671
00:22:44,864 --> 00:22:47,066
NOTHING.

672
00:22:47,099 --> 00:22:49,969
WE'RE JUST TALKING.

673
00:22:54,507 --> 00:22:57,109
UM, WILLIAM AND AARON
JUST WALKED IN

674
00:22:57,143 --> 00:22:58,678
WITH MARTINE LUCAS

675
00:22:58,711 --> 00:22:59,846
AND SUSAN KALOGRIDIS.

676
00:22:59,879 --> 00:23:01,080
THEY'RE TWO
SCREENWRITERS

677
00:23:01,113 --> 00:23:02,482
THAT I'VE BEEN WORKING
ON A PROJECT WITH

678
00:23:02,515 --> 00:23:05,017
FOR THREE YEARS.

679
00:23:05,051 --> 00:23:06,886
SO, WHAT'S WRONG WITH THAT?

680
00:23:06,919 --> 00:23:10,557
I WASN'T INVITED.

681
00:23:10,590 --> 00:23:12,492
THAT,
IN HOLLYWOOD,

682
00:23:12,525 --> 00:23:14,694
IS HOW YOU KNOW
THAT YOU'VE BEEN FIRED.

683
00:23:21,233 --> 00:23:24,471
JESUS, HELENA...
"BIG BROTHER" MUCH?

684
00:23:24,504 --> 00:23:26,473
IT WAS DAWN DENBO'S
SECURITY SYSTEM.

685
00:23:26,506 --> 00:23:29,141
SHE'S GOT CAMERAS
IN EVERY CORNER OF THE CLUB,

686
00:23:29,175 --> 00:23:30,810
AND, LOOK, YOU CAN ZOOM IN.

687
00:23:30,843 --> 00:23:33,045
WHOA...

688
00:23:33,079 --> 00:23:35,548
AND THEN SHE'S GOT
MICROPHONES

689
00:23:35,582 --> 00:23:37,650
ALL OVER THE PLACE,
EVERY TABLE,

690
00:23:37,684 --> 00:23:40,453
SO YOU CAN HEAR
EVERYTHING THAT'S GOING ON,

691
00:23:40,487 --> 00:23:42,689
ANYWHERE IN THE CLUB,
EVERY TABLE.

692
00:23:42,722 --> 00:23:45,191
REMIND ME TO NEVER
TALK SHIT ABOUT YOU, HUH?

693
00:23:45,224 --> 00:23:47,660
[KIT LAUGHS]

694
00:23:47,694 --> 00:23:49,095
HI!

695
00:23:49,128 --> 00:23:50,229
CHECK THIS OUT.

696
00:23:50,262 --> 00:23:51,698
WOW.

697
00:23:51,731 --> 00:23:52,965
OH, MY GOD.

698
00:23:52,999 --> 00:23:54,033
WHAT IS SHE DOING HERE?

699
00:23:54,066 --> 00:23:55,835
OH...

700
00:23:55,868 --> 00:23:57,203
OH, UH...

701
00:23:57,236 --> 00:23:58,605
I-I REALLY DON'T
UNDERSTAND

702
00:23:58,638 --> 00:23:59,806
WHAT THIS IS ALL ABOUT.

703
00:23:59,839 --> 00:24:00,740
I JUST THINK IT'S A HUGE
MISUNDERSTANDING.

704
00:24:00,773 --> 00:24:01,641
I REALLY DO.

705
00:24:01,674 --> 00:24:03,209
WHAT?

706
00:24:03,242 --> 00:24:05,244
WHAT ABOUT IT
DID I MISUNDERSTAND?

707
00:24:05,277 --> 00:24:07,747
WAS IT WHEN JENNY
STOLE MY IDEA,

708
00:24:07,780 --> 00:24:09,181
OR WHEN SHE SOLD IT
FOR HALF A MILLION DOLLARS?

709
00:24:09,215 --> 00:24:10,717
I'M SORRY, I JUST,

710
00:24:10,750 --> 00:24:11,951
I REALLY I CAN'T
DEAL WITH YOU--

711
00:24:11,984 --> 00:24:13,553
ALICE, PLEASE?

712
00:24:13,586 --> 00:24:15,822
PLEASE JUST STOP ACTING
LIKE A CHILD.

713
00:24:15,855 --> 00:24:19,225
I DID NOT STEAL
YOUR IDEA.

714
00:24:19,258 --> 00:24:20,727
ALICE, WAS IT
YOUR IDEA

715
00:24:20,760 --> 00:24:23,763
WHEN THE TERRORIST HAS
A NUCLEAR WEAPON

716
00:24:23,796 --> 00:24:25,565
THAT'S GOING TO BLOW UP
THE BUILDING?

717
00:24:25,598 --> 00:24:27,567
OR WAS IT YOUR IDEA

718
00:24:27,600 --> 00:24:29,235
WHEN THE HERO
OF THE ROMANTIC COMEDY

719
00:24:29,268 --> 00:24:30,336
HAS TO RUSH TO THE WEDDING

720
00:24:30,369 --> 00:24:32,872
IN ORDER TO SAVE HIS BELOVED
FROM GETTING MARRIED?

721
00:24:32,905 --> 00:24:34,974
OR WAIT, WAS BEVERLY HILLS COP
YOUR IDEA, TOO--

722
00:24:35,007 --> 00:24:37,544
CAN YOU JUST STOP SLINGING
YOUR BULLSHIT AT ME, OKAY?

723
00:24:37,577 --> 00:24:38,678
I'M SERIOUS.

724
00:24:38,711 --> 00:24:39,879
MAYBE SHANE IS
BUYING INTO YOUR ACT--

725
00:24:39,912 --> 00:24:41,013
OBVIOUSLY, SHE IS,

726
00:24:41,047 --> 00:24:42,582
BUT I-I SEE YOU, OKAY?

727
00:24:42,615 --> 00:24:44,150
JUST, LIKE, STAY AWAY FROM ME

728
00:24:44,183 --> 00:24:45,585
BEFORE I FUCKING KILL YOU,
ALL RIGHT?

729
00:24:45,618 --> 00:24:47,153
OKAY, OKAY,
ENOUGH ALREADY--

730
00:24:47,186 --> 00:24:48,888
SHE'S HERE, SHE'S HERE.

731
00:24:51,991 --> 00:24:53,826
OH, SHIT, NIKKI!

732
00:24:53,860 --> 00:24:56,863
ALL RIGHT, GUYS,
I'LL MEET YOU IN THERE.

733
00:24:56,896 --> 00:24:58,831
OKAY, WHAT DO YOU
WANT TO DO?

734
00:24:58,865 --> 00:25:00,099
[CELL PHONE RINGS]

735
00:25:00,132 --> 00:25:01,601
RIGHT ON SCHEDULE.

736
00:25:01,634 --> 00:25:02,802
I'M RIGHT.

737
00:25:02,835 --> 00:25:04,571
WHY DOES NIKKI HAVE
YOUR PHONE NUMBER?

738
00:25:04,604 --> 00:25:06,573
BECAUSE I GAVE IT TO HER.
NIK...

739
00:25:06,606 --> 00:25:08,274
NIKKI STEVENS,
REPORTING FOR DUTY.

740
00:25:08,307 --> 00:25:10,209
HELLO, I SEE YOU.

741
00:25:10,242 --> 00:25:11,678
UH, OKAY, HOLD ON A SECOND.

742
00:25:11,711 --> 00:25:12,879
HELENA, PSST...

743
00:25:14,914 --> 00:25:19,619
[ALICE MUTTERING ENCOURAGEMENTS]

744
00:25:19,652 --> 00:25:21,921
I THINK
YOU SHOULD DO IT.

745
00:25:21,954 --> 00:25:24,023
I MEAN, LIKE,
WE'RE HERE...

746
00:25:26,025 --> 00:25:27,827
DO IT,
DO IT, DO IT...

747
00:25:27,860 --> 00:25:29,028
GO AHEAD.

748
00:25:30,630 --> 00:25:32,264
DO IT.

749
00:25:35,902 --> 00:25:37,003
DO IT.

750
00:25:37,870 --> 00:25:38,971
DO IT.

751
00:25:39,005 --> 00:25:41,073
ROGER THAT.

752
00:25:41,107 --> 00:25:42,274
ROGER THAT.

753
00:25:43,910 --> 00:25:45,812
THERE SHE GOES.

754
00:26:03,763 --> 00:26:04,631
OKAY, CHEERS.

755
00:26:04,664 --> 00:26:06,065
CHEERS!

756
00:26:07,233 --> 00:26:08,300
OOH!

757
00:26:08,334 --> 00:26:09,769
BYE!

758
00:26:14,006 --> 00:26:15,374
OOH, NIKKI STEVENS!

759
00:26:15,407 --> 00:26:17,576
OH, CAN WE GET
A QUICK SHOT?

760
00:26:20,913 --> 00:26:21,948
THANKS!

761
00:26:37,029 --> 00:26:38,297
DYLAN?

762
00:26:38,330 --> 00:26:39,398
OH, HI.

763
00:26:39,431 --> 00:26:41,000
HI. NIKKI.

764
00:26:41,033 --> 00:26:42,835
THANK YOU SO MUCH
FOR COMING.

765
00:26:42,869 --> 00:26:43,870
OH, YEAH.

766
00:26:43,903 --> 00:26:45,371
I'M SO GRATEFUL,

767
00:26:45,404 --> 00:26:47,139
AND, HONESTLY, I'M
A LITTLE SURPRISED

768
00:26:47,173 --> 00:26:48,407
THAT YOU WANTED TO
MEET WITH ME.

769
00:26:48,440 --> 00:26:49,308
OH, MY GOD, NO,

770
00:26:49,341 --> 00:26:50,476
I HAVE BEEN
A FAN OF YOURS

771
00:26:50,509 --> 00:26:52,144
EVER SINCE I SAW,
"THERE'S ALWAYS SOMETHING."

772
00:26:52,178 --> 00:26:54,113
"THE OTHER SIDE OF NOTHING."

773
00:26:54,146 --> 00:26:55,915
RIGHT, RIGHT.

774
00:26:55,948 --> 00:26:57,116
[GIGGLES]

775
00:26:57,149 --> 00:26:58,951
AY-YI-YI...

776
00:26:58,985 --> 00:27:00,319
BRING IT BACK, NIKKI,
COME ON.

777
00:27:00,352 --> 00:27:01,888
YOU KNOW,
IT'S ACTUALLY REALLY FUNNY

778
00:27:01,921 --> 00:27:03,122
THAT YOU PICKED THIS BOOTH.

779
00:27:03,155 --> 00:27:04,724
WHY?

780
00:27:04,757 --> 00:27:06,258
WELL, THIS HAPPENS
TO BE MY LUCKY SPOT.

781
00:27:06,292 --> 00:27:09,428
LAST WEEK, I MADE OUT WITH
THE MOST GORGEOUS WOMAN EVER

782
00:27:09,461 --> 00:27:10,730
RIGHT THERE.

783
00:27:12,298 --> 00:27:14,066
OH, THAT'S...

784
00:27:14,100 --> 00:27:16,669
NICE SAVE!

785
00:27:16,703 --> 00:27:17,870
DO YOU WANT
A DRINK?

786
00:27:17,904 --> 00:27:19,171
OH, NO,
I'M FINE, THANKS.

787
00:27:24,777 --> 00:27:26,879
[LAUGHING]

788
00:27:26,913 --> 00:27:30,182
THAT IS SOME
FUCKING NERVE, HUH?

789
00:27:30,216 --> 00:27:32,819
HOLLYWOOD IS SO TACKY.

790
00:27:32,852 --> 00:27:35,788
AARON IS A SCUM-SUCKING
FUCKING MISCREANT.

791
00:27:37,824 --> 00:27:39,926
I NEED TO GET SOME AIR.

792
00:27:39,959 --> 00:27:42,228
OKAY.

793
00:27:43,362 --> 00:27:44,897
EXCUSE ME.

794
00:27:47,900 --> 00:27:49,335
I HOPE SHE'S OKAY.

795
00:27:56,909 --> 00:27:58,144
EXCUSE ME.

796
00:27:58,177 --> 00:28:00,913
WHAT ARE YOU DOING?

797
00:28:00,947 --> 00:28:04,083
WHAT NEEDS TO BE DONE.

798
00:28:10,356 --> 00:28:11,390
BETTE!

799
00:28:11,423 --> 00:28:12,391
IT'S BETTE, RIGHT?

800
00:28:12,424 --> 00:28:14,193
IT'S AARON, RIGHT?

801
00:28:14,226 --> 00:28:16,863
THE BALD IMPOTENT WORM THAT
WE'VE ALL BEEN TALKING ABOUT.

802
00:28:16,896 --> 00:28:18,130
EXCUSE ME?

803
00:28:18,164 --> 00:28:19,832
IT IS FUCKING
STUPEFYING TO ME

804
00:28:19,866 --> 00:28:21,233
HOW YOU CAN SIT HERE
WITH MARTINE,

805
00:28:21,267 --> 00:28:22,234
SUSAN, RIGHT?

806
00:28:22,268 --> 00:28:23,502
TINA'S WRITERS, AND--

807
00:28:23,535 --> 00:28:24,771
[WHISPERING]:
BETTE...

808
00:28:24,804 --> 00:28:26,305
WHAT ARE YOU DOING?

809
00:28:26,338 --> 00:28:27,840
I'M DEFENDING YOU.

810
00:28:27,874 --> 00:28:29,308
I DO NOT NEED YOU
TO DEFEND ME.

811
00:28:29,341 --> 00:28:33,145
I'M PERFECTLY CAPABLE
OF SPEAKING FOR MYSELF.

812
00:28:33,179 --> 00:28:34,313
I KNOW.

813
00:28:34,346 --> 00:28:35,748
I'M SORRY.

814
00:28:35,782 --> 00:28:38,751
I AM SO HAPPY
TO BE DONE WITH DYKES.

815
00:28:38,785 --> 00:28:40,987
WHAT DID YOU SAY?

816
00:28:41,020 --> 00:28:45,024
I SAID, "I AM SO HAPPY...

817
00:28:45,057 --> 00:28:46,893
"TO BE DONE...

818
00:28:46,926 --> 00:28:48,060
WITH DYKES."

819
00:28:48,094 --> 00:28:49,328
YOU--

820
00:28:49,361 --> 00:28:51,163
YOU STUPID
FUCKING COCKSUCKER.

821
00:28:51,197 --> 00:28:52,331
HOW DARE YOU SIT THERE

822
00:28:52,364 --> 00:28:53,933
WITH THAT SMUG LITTLE SMILE
ON YOUR FACE

823
00:28:53,966 --> 00:28:55,334
AND WINE AND DINE MY WRITERS

824
00:28:55,367 --> 00:28:57,203
ON A PROJECT THAT TOOK ME
THREE YEARS TO PUT TOGETHER,

825
00:28:57,236 --> 00:28:59,105
AS IF YOU HAD
ANYTHING--

826
00:28:59,138 --> 00:29:01,540
ANYTHING TO DO WITH IT!

827
00:29:01,573 --> 00:29:02,875
HE SAID YOU WERE
TALENTLESS HACKS.

828
00:29:02,909 --> 00:29:04,043
YEAH,
AND I BEGGED HIM!

829
00:29:04,076 --> 00:29:05,211
I BEGGED HIM
TO HIRE YOU.

830
00:29:05,244 --> 00:29:07,246
I HAVE PUT EVERYTHING
INTO THIS JOB!

831
00:29:07,279 --> 00:29:09,515
I HAVE POURED MY HEART,
AND MY SOUL, AND MY TALENT,

832
00:29:09,548 --> 00:29:11,383
INTO MAKING
YOU BOTH LOOK GOOD

833
00:29:11,417 --> 00:29:12,551
TIME AND AGAIN,

834
00:29:12,584 --> 00:29:14,320
AND HOW DO YOU REPAY ME?

835
00:29:14,353 --> 00:29:16,989
BY STEALING MY CONTACTS
AND ICING ME.

836
00:29:17,023 --> 00:29:18,324
TINA, KEEP YOUR VOICE DOWN--

837
00:29:18,357 --> 00:29:19,558
SHUT YOUR
PIE-HOLE, AARON!

838
00:29:19,591 --> 00:29:21,928
I HAVE NEVER,
IN ALL OF MY LIFE,

839
00:29:21,961 --> 00:29:23,462
WORKED FOR SUCH
AN IDIOTIC, MINDLESS,

840
00:29:23,495 --> 00:29:24,831
JUVENILE, CRUEL, PATHETIC,

841
00:29:24,864 --> 00:29:27,299
LOSER OF A HUMAN BEING
SUCH AS YOU!

842
00:29:27,333 --> 00:29:29,401
YOU ARE SOULLESS,

843
00:29:29,435 --> 00:29:31,470
AND YOU ARE EVERYTHING
ABOUT THIS FUCKING HOLLYWOOD

844
00:29:31,503 --> 00:29:32,905
THAT I HATE!

845
00:29:32,939 --> 00:29:35,474
NOW, THIS IS REALLY
UNCALLED FOR--

846
00:29:35,507 --> 00:29:36,508
UNCALLED FOR?

847
00:29:36,542 --> 00:29:37,643
YOU KNOW WHAT'S UNCALLED FOR?

848
00:29:37,676 --> 00:29:39,478
A BILLIONAIRE STEALING
THE NEGATIVE OF HIS OWN MOVIE

849
00:29:39,511 --> 00:29:40,880
JUST SO HE CAN PUT IN A CLAIM

850
00:29:40,913 --> 00:29:43,282
FOR INSURANCE MONEY--

851
00:29:43,315 --> 00:29:44,851
WHAT ARE YOU
TALKING ABOUT?

852
00:29:44,884 --> 00:29:46,485
AND THEN TO DRAG MY NAME
THROUGH THE MUD,

853
00:29:46,518 --> 00:29:49,188
TO FORGE MY SIGNATURE
ON A LETTER,

854
00:29:49,221 --> 00:29:51,390
ACCUSING ME OF THEFT AND FRAUD?

855
00:29:51,423 --> 00:29:54,126
IT'S JUST DOWNRIGHT
CRIMINAL, WILLIAM,

856
00:29:54,160 --> 00:29:56,295
AND DON'T THINK,
DON'T THINK FOR A SECOND,

857
00:29:56,328 --> 00:29:58,430
THAT YOU ARE GOING TO
FUCKING GET AWAY WITH IT,

858
00:29:58,464 --> 00:30:00,199
BECAUSE I KNOW.

859
00:30:00,232 --> 00:30:02,268
I KNOW.

860
00:30:02,301 --> 00:30:04,203
ENJOY YOUR DINNER.

861
00:30:08,240 --> 00:30:10,910
SHE'S FLIPPED.

862
00:30:10,943 --> 00:30:12,011
I THINK THIS FILM
SHOULD BE, YOU KNOW,

863
00:30:12,044 --> 00:30:14,046
REALLY BEAUTIFUL
AND GLAMOROUS.

864
00:30:14,080 --> 00:30:15,547
YOU KNOW, LIKE
"ATONEMENT."

865
00:30:15,581 --> 00:30:18,117
OH, MY GOD,
I LOVED THAT MOVIE.

866
00:30:18,150 --> 00:30:19,585
NO, I DID, TOO,
BUT I KIND OF...

867
00:30:19,618 --> 00:30:22,554
I DISAGREE
A LITTLE.

868
00:30:22,588 --> 00:30:24,891
I THINK THAT THIS IS
A SMALL, DELICATE FILM,

869
00:30:24,924 --> 00:30:26,926
AND IT REALLY
SHOULD BE SPARE

870
00:30:26,959 --> 00:30:28,294
AND NATURALISTIC,

871
00:30:28,327 --> 00:30:30,897
LIKE, UM,
LIKE "DOWN TO THE BONE."

872
00:30:30,930 --> 00:30:33,565
OH, BUT THAT GIRL
LOOKED AWFUL IN THAT MOVIE.

873
00:30:33,599 --> 00:30:35,334
I THOUGHT SHE WAS GOOD.

874
00:30:35,367 --> 00:30:36,903
WELL, I MEAN,
SHE LET HERSELF LOOK AWFUL

875
00:30:36,936 --> 00:30:40,306
BECAUSE THAT'S WHAT
THE CHARACTER REQUIRED.

876
00:30:40,339 --> 00:30:41,473
I MEAN, SHE WAS REAL,

877
00:30:41,507 --> 00:30:44,043
AND COMPELLING
AND-AND RIVETING.

878
00:30:44,076 --> 00:30:45,444
OH, MY GOD.

879
00:30:45,477 --> 00:30:46,946
I MEAN, YOU ARE SO RIGHT.

880
00:30:46,979 --> 00:30:48,180
I MEAN, THAT'S BRILLIANT!

881
00:30:48,214 --> 00:30:50,449
I MEAN, IF YOU
THINK ABOUT IT,

882
00:30:50,482 --> 00:30:51,918
IF YOU REALLY WANT TO
WIN AN OSCAR,

883
00:30:51,951 --> 00:30:53,085
I MEAN, YOU'VE GOT TO
EITHER PLAY UGLY,

884
00:30:53,119 --> 00:30:54,353
RETARDED, OR A LESBIAN.

885
00:30:54,386 --> 00:30:55,454
SHE'S TOTALLY RIGHT.
IT'S TRUE.

886
00:30:55,487 --> 00:30:56,555
I'VE TOTALLY
SAID THAT BEFORE.

887
00:30:56,588 --> 00:30:58,925
BUT I ALREADY
PLAYED A LESBIAN.

888
00:30:58,958 --> 00:31:00,226
WAIT A MINUTE,
I'M SO SORRY,

889
00:31:00,259 --> 00:31:01,460
WHAT ARE YOU
TALKING ABOUT?

890
00:31:01,493 --> 00:31:02,494
OH, NO,
WELL, YOU JUST DO THE MATH.

891
00:31:02,528 --> 00:31:05,998
I MEAN, OKAY,
CHARLIZE THERON, "MONSTER."

892
00:31:06,032 --> 00:31:08,534
UGLY, LESBIAN, OSCAR.

893
00:31:08,567 --> 00:31:10,002
NICOLE KIDMAN IN "THE HOURS."

894
00:31:10,036 --> 00:31:11,971
PROSTHETIC NOSE, REALLY UGLY.

895
00:31:12,004 --> 00:31:13,105
LESBIAN, OSCAR.

896
00:31:13,139 --> 00:31:17,309
SUCH A GOOD NOSE,
TOO, RIGHT?

897
00:31:17,343 --> 00:31:19,912
SEAN PENN, "I AM SAM,"
RETARDED, OSCAR NOD.

898
00:31:19,946 --> 00:31:21,948
AND HILARY SWANK
IN, UM, "BOYS DON'T CRY,"

899
00:31:21,981 --> 00:31:23,115
TOTAL LESBIAN--

900
00:31:23,149 --> 00:31:24,416
RIGHT, I...

901
00:31:24,450 --> 00:31:27,619
I GET YOUR POINT,
I REALLY DO, UM...

902
00:31:27,653 --> 00:31:30,256
BUT I DON'T-I DON'T THINK
YOU HAVE TO BE UGLY.

903
00:31:30,289 --> 00:31:32,091
I JUST THINK
YOU'VE GOT TO BE REAL.

904
00:31:32,124 --> 00:31:33,625
THAT'S WHAT I MEAN, REAL--

905
00:31:33,659 --> 00:31:36,462
DYLAN, SHE CAN'T BE REAL!

906
00:31:36,495 --> 00:31:37,997
IT'S ALL AN ACT!

907
00:31:38,030 --> 00:31:39,465
I THINK DYLAN'S BEING
COMPLETELY APPROPRIATE,

908
00:31:39,498 --> 00:31:40,499
DON'T YOU THINK?

909
00:31:40,532 --> 00:31:41,600
[AGREEMENT ALL ROUND]

910
00:31:41,633 --> 00:31:43,135
NO, NO, NO,

911
00:31:43,169 --> 00:31:44,003
DON'T GIVE HER
THAT MUCH CREDIT YET,

912
00:31:44,036 --> 00:31:45,137
BECAUSE NIKKI...

913
00:31:45,171 --> 00:31:46,405
LOOK, LOOK, LOOK,

914
00:31:46,438 --> 00:31:48,040
NIKKI IS ABOUT TO
MAKE HER MOVE

915
00:31:48,074 --> 00:31:49,608
RIGHT ABOUT...
NOW.

916
00:31:49,641 --> 00:31:53,045
OH, MY GOD,
YOU'RE RIGHT!

917
00:31:53,079 --> 00:31:54,313
HOW DO YOU KNOW?

918
00:31:54,346 --> 00:31:56,148
IT'S CALLED
"ROPE-A-DOPE."

919
00:31:56,182 --> 00:31:58,117
BRACE YOURSELVES,
LADIES.

920
00:31:59,318 --> 00:32:01,187
OH, THAT'S SO CUTE.

921
00:32:01,220 --> 00:32:03,189
OOH, UNNECESSARY TOUCH.

922
00:32:03,222 --> 00:32:04,656
DON'T FALL
FOR IT, DYLAN.

923
00:32:04,690 --> 00:32:07,093
SO IS THERE
ANYONE SPECIAL?

924
00:32:07,126 --> 00:32:08,727
YES, ACTUALLY,

925
00:32:08,760 --> 00:32:12,231
THERE IS SOMEONE
VERY SPECIAL.

926
00:32:12,264 --> 00:32:13,432
ARE YOU GUYS
TOGETHER?

927
00:32:13,465 --> 00:32:16,568
I'D LIKE TO BE,

928
00:32:16,602 --> 00:32:18,504
BUT I DID SOMETHING
REALLY, REALLY FUCKED UP

929
00:32:18,537 --> 00:32:19,738
IN THE PAST,

930
00:32:19,771 --> 00:32:23,475
AND IT'S NOT REALLY
SOMETHING YOU CAN UNDO.

931
00:32:23,509 --> 00:32:26,612
YEAH, I'VE DONE
A LOT OF FUCKED UP THINGS

932
00:32:26,645 --> 00:32:28,114
IN MY LIFE, TOO.

933
00:32:28,147 --> 00:32:29,348
REALLY?

934
00:32:29,381 --> 00:32:30,349
DO YOU REGRET
DOING THEM?

935
00:32:30,382 --> 00:32:32,151
ALWAYS.

936
00:32:32,184 --> 00:32:35,454
BUT THEN, YOU KNOW,
SOMETIMES,

937
00:32:35,487 --> 00:32:38,590
IT JUST FEELS SO GOOD
IN THE MOMENT, YOU KNOW?

938
00:32:43,262 --> 00:32:44,463
HOW OLD ARE YOU?

939
00:32:44,496 --> 00:32:46,598
WHY?

940
00:32:46,632 --> 00:32:50,736
OH, I DON'T KNOW, I JUST...

941
00:32:50,769 --> 00:32:53,139
I TEND TO ALWAYS BE ATTRACTED
TO OLDER WOMEN.

942
00:32:53,172 --> 00:32:55,341
OH, FUCK YOU,

943
00:32:55,374 --> 00:32:57,076
FUCK YOU,
FUCK YOU...

944
00:32:58,444 --> 00:33:03,082
[ALL SHOUTING IN PANIC]

945
00:33:06,652 --> 00:33:08,587
OKAY, OKAY.

946
00:33:08,620 --> 00:33:10,489
OKAY, DON'T TOUCH IT.
DON'T TOUCH IT!

947
00:33:10,522 --> 00:33:11,757
SHH, SHH!

948
00:33:11,790 --> 00:33:13,625
STOP TALKING
STOP TALKING.

949
00:33:13,659 --> 00:33:15,227
[WHISPERING]:
SORRY!

950
00:33:15,261 --> 00:33:18,197
...BUT IN ORDER FOR ME
TO DO MY BEST WORK,

951
00:33:18,230 --> 00:33:21,667
I NEED A DIRECTOR
THAT I CAN REALLY TRUST,

952
00:33:21,700 --> 00:33:24,803
YOU KNOW, SOMEONE
THAT I CAN...

953
00:33:24,836 --> 00:33:26,472
BE VERY CLOSE WITH.

954
00:33:26,505 --> 00:33:30,142
YOU KNOW, NIKKI...

955
00:33:30,176 --> 00:33:32,478
I'M NOT REALLY SURE
WHERE YOU'RE GOING WITH THIS...

956
00:33:32,511 --> 00:33:34,246
YOU KNOW EXACTLY
WHERE SHE'S GOING.

957
00:33:34,280 --> 00:33:35,247
STRAIGHT DOWN
HER PANTS--

958
00:33:35,281 --> 00:33:37,549
SHH!

959
00:33:37,583 --> 00:33:40,652
...BUT I-I CAN'T
GET INVOLVED WITH YOU.

960
00:33:40,686 --> 00:33:42,521
WHY NOT?

961
00:33:42,554 --> 00:33:46,358
WELL, FOR ONE, IT'S UNETHICAL.

962
00:33:46,392 --> 00:33:47,826
IT'S NOT REALLY A GOOD IDEA

963
00:33:47,859 --> 00:33:50,362
FOR A DIRECTOR TO GET INVOLVED
WITH THE STAR OF THE MOVIE.

964
00:33:50,396 --> 00:33:52,064
GUESS YOU DIDN'T GET
THAT MEMO, HUH?

965
00:33:52,098 --> 00:33:54,200
FUCK OFF.

966
00:33:54,233 --> 00:33:56,402
PLUS, THERE'S SOMEONE
I'M IN LOVE WITH.

967
00:33:56,435 --> 00:33:58,604
YEAH...

968
00:33:58,637 --> 00:34:01,107
BUT WHAT SHE DOESN'T KNOW
WON'T HURT HER.

969
00:34:01,140 --> 00:34:02,374
OH, SHIT,
SHE'S GOING IN.

970
00:34:02,408 --> 00:34:06,345
IF YOU WANT TO
DIRECT THIS FILM,

971
00:34:06,378 --> 00:34:09,481
THEN YOU'RE GOING TO HAVE TO
COME HOME WITH ME

972
00:34:09,515 --> 00:34:11,317
TONIGHT.

973
00:34:19,625 --> 00:34:22,294
THEN I GUESS I'M NOT GOING TO
BE DIRECTING THIS MOVIE.

974
00:34:22,328 --> 00:34:25,664
[ALL CHEERING]

975
00:34:27,733 --> 00:34:28,767
YAY!

976
00:34:28,800 --> 00:34:29,801
I FEEL LIKE
THIS IS REALLY...

977
00:34:29,835 --> 00:34:30,869
SHE PASSED!

978
00:34:30,902 --> 00:34:32,738
WHAT DO YOU THINK?

979
00:34:32,771 --> 00:34:35,374
SHE'S NOT
A SCUMBAG.

980
00:34:35,407 --> 00:34:37,643
CONGRATULATIONS,
YOU DID IT.

981
00:34:37,676 --> 00:34:40,212
WELL, I MEAN,
SHE DID IT, RIGHT?

982
00:34:41,480 --> 00:34:42,781
I FEEL LIKE
SHE REALLY DID IT.

983
00:34:42,814 --> 00:34:44,650
THIS IS GREAT.

984
00:34:44,683 --> 00:34:46,618
SMILE.

985
00:34:48,420 --> 00:34:49,588
I'M GOING TO GO.

986
00:34:49,621 --> 00:34:51,623
OKAY, I'LL
SEE YOU SOON.

987
00:34:51,657 --> 00:34:53,459
UH, ARE YOU COMING?

988
00:34:53,492 --> 00:34:54,826
HUH?

989
00:34:54,860 --> 00:34:56,195
YEAH, NO,
I'LL BE THERE IN A MINUTE.

990
00:35:09,775 --> 00:35:12,278
HMM...

991
00:35:13,912 --> 00:35:17,249
[**]

992
00:35:23,822 --> 00:35:25,191
HEY.

993
00:35:26,292 --> 00:35:27,493
HEY.

994
00:35:27,526 --> 00:35:29,628
HOW DID YOUR MEETING GO?

995
00:35:29,661 --> 00:35:32,231
WELL, IT'S PROBABLY
NOT GOING TO WORK OUT.

996
00:35:32,264 --> 00:35:35,234
WHY NOT?

997
00:35:35,267 --> 00:35:40,138
I JUST DON'T THINK
I WAS WHAT SHE WAS LOOKING FOR.

998
00:35:42,941 --> 00:35:44,276
DO YOU MIND IF I...

999
00:35:44,310 --> 00:35:47,279
NO, PLEASE.

1000
00:35:57,289 --> 00:35:59,591
TINA TOLD ME
WHAT YOU SAID TO HER.

1001
00:36:03,262 --> 00:36:05,497
YEAH, UM...

1002
00:36:05,531 --> 00:36:08,400
WELL, IT'S ALL TRUE.

1003
00:36:10,369 --> 00:36:12,804
YOU KNOW,
I CAME BACK TO L.A.

1004
00:36:12,838 --> 00:36:14,840
AFTER ALL THIS TIME

1005
00:36:14,873 --> 00:36:17,409
BECAUSE I COULD NEVER STOP
THINKING ABOUT YOU.

1006
00:36:22,414 --> 00:36:24,383
NEVER.

1007
00:36:24,416 --> 00:36:26,818
I'M MADLY
IN LOVE WITH YOU, HELENA,

1008
00:36:26,852 --> 00:36:29,455
AND I ALWAYS HAVE BEEN--

1009
00:36:29,488 --> 00:36:32,291
ALWAYS--

1010
00:36:32,324 --> 00:36:34,993
AND I GET IT, REALLY.

1011
00:36:35,026 --> 00:36:38,830
YOU WANT TO SEE ME,
YOU DON'T WANT TO SEE ME.

1012
00:36:38,864 --> 00:36:42,434
I... I UNDERSTAND, REALLY.

1013
00:36:42,468 --> 00:36:46,972
I JUST WAS HOPING,
I...

1014
00:36:49,675 --> 00:36:50,876
NEVER MIND.

1015
00:36:56,815 --> 00:36:58,517
LET'S GO SOMEWHERE
WE CAN TALK.

1016
00:36:58,550 --> 00:36:59,818
THIS PLACE JUST...

1017
00:36:59,851 --> 00:37:01,019
IT'S NOT PRIVATE.

1018
00:37:04,890 --> 00:37:06,792
OKAY.

1019
00:37:27,313 --> 00:37:32,451
[**]

1020
00:38:16,094 --> 00:38:17,629
JENNY, WHAT
ARE YOU DOING?

1021
00:38:17,663 --> 00:38:18,764
WHAT ARE YOU DOING?

1022
00:38:18,797 --> 00:38:20,098
I WAS READING
YOUR TEXT MESSAGES--

1023
00:38:20,131 --> 00:38:21,400
YEAH, NO SHIT.

1024
00:38:21,433 --> 00:38:22,368
YOU WERE SEEING
IF NIKKI TEXTED ME--

1025
00:38:22,401 --> 00:38:23,769
I WAS SEEING BECAUSE
SHE HAS YOUR PHONE NUMBER.

1026
00:38:23,802 --> 00:38:24,670
SHE'S NOT TEXTING ME,
JENNY, OKAY?

1027
00:38:24,703 --> 00:38:26,304
WELL, I WANTED TO SEE
IF SHE WAS TEXTING.

1028
00:38:27,606 --> 00:38:30,542
[LAUGHING AND CHATTING]

1029
00:38:31,877 --> 00:38:32,844
ALICE.

1030
00:38:32,878 --> 00:38:33,845
[LAUGHING]

1031
00:38:33,879 --> 00:38:34,980
ALICE.

1032
00:38:35,013 --> 00:38:35,981
WHAT?

1033
00:38:36,014 --> 00:38:39,551
I NEED YOUR HELP, OKAY?

1034
00:38:39,585 --> 00:38:41,520
SHE'S DRIVING ME
FUCKING CRAZY,

1035
00:38:41,553 --> 00:38:42,788
AND ALL I NEED
IS FIVE MINUTES.

1036
00:38:42,821 --> 00:38:44,055
WILL YOU PLEASE
JUST KEEP HER BUSY?

1037
00:38:44,089 --> 00:38:45,791
OKAY?

1038
00:38:45,824 --> 00:38:47,393
I'M NOT TALKING TO HER,
AND YOU KNOW THAT--

1039
00:38:47,426 --> 00:38:48,527
YES, YOU ARE, YOU'RE
GOING TO TALK TO HER,

1040
00:38:48,560 --> 00:38:49,661
BECAUSE I'M GOING TO GO OUTSIDE.

1041
00:38:49,695 --> 00:38:50,829
WHEN SHE COMES LOOKING FOR ME,
YOU'RE GOING TO CALL.

1042
00:38:50,862 --> 00:38:51,830
OKAY.

1043
00:38:51,863 --> 00:38:52,831
OKAY? FOR ME?

1044
00:38:52,864 --> 00:38:53,865
I SAID OKAY.

1045
00:38:53,899 --> 00:38:55,066
THANK YOU.

1046
00:38:55,100 --> 00:38:56,568
OKAY.

1047
00:38:56,602 --> 00:38:59,538
HEY! WHERE ARE YOU GOING?

1048
00:38:59,571 --> 00:39:01,106
SOMEONE TOLD ME
THAT I LEFT MY HEADLIGHTS ON,

1049
00:39:01,139 --> 00:39:02,441
SO I'M JUST GOING TO GO

1050
00:39:02,474 --> 00:39:03,542
RUN OUT
REALLY QUICK.

1051
00:39:03,575 --> 00:39:04,710
CAN YOU PLEASE NOT LEAVE?

1052
00:39:04,743 --> 00:39:06,011
I'LL BE FIVE MINUTES.

1053
00:39:06,044 --> 00:39:08,980
I'LL BE FIVE MINUTES,
FIVE MINUTES, JENNY, FIVE.

1054
00:39:28,634 --> 00:39:31,970
THAT WAS TAKEN
WHEN I WAS IN THAILAND.

1055
00:39:41,212 --> 00:39:45,717
I DON'T... REALLY KNOW
WHAT I'M DOING HERE.

1056
00:39:47,753 --> 00:39:49,788
WELL...

1057
00:39:49,821 --> 00:39:52,458
MAYBE WE CAN JUST TALK?

1058
00:39:59,230 --> 00:40:02,701
SO WHEN WERE YOU
IN THAILAND?

1059
00:40:02,734 --> 00:40:06,438
UM, ABOUT A YEAR AGO.

1060
00:40:06,472 --> 00:40:08,474
I, UM, I HAD THIS JOB

1061
00:40:08,507 --> 00:40:12,010
WHERE I WAS SHOOTING
RUBBER TREES, AND...

1062
00:40:12,043 --> 00:40:14,145
DO YOU WANT MILK?

1063
00:40:14,179 --> 00:40:16,081
NO.

1064
00:40:16,114 --> 00:40:18,083
WE WOULD GET UP REALLY
EARLY EVERY MORNING,

1065
00:40:18,116 --> 00:40:20,586
AND THIS GUY,
HIS NAME WAS NING,

1066
00:40:20,619 --> 00:40:22,688
AND HE WOULD SHOW ME
THESE RUBBER TREES--

1067
00:40:22,721 --> 00:40:26,658
I'M REALLY INTERESTED IN
RUBBER TREES RIGHT NOW.

1068
00:43:57,969 --> 00:44:00,305
[GASPING]

1069
00:45:06,037 --> 00:45:07,338
HEY.

1070
00:45:07,372 --> 00:45:08,473
HI.

1071
00:45:08,506 --> 00:45:10,408
DO YOU MIND
IF I BUM ONE?

1072
00:45:10,441 --> 00:45:13,411
NO, SURE.

1073
00:45:13,444 --> 00:45:14,479
HERE.

1074
00:45:14,512 --> 00:45:16,414
THANKS.

1075
00:45:16,447 --> 00:45:17,448
I'M TRYING TO QUIT,

1076
00:45:17,482 --> 00:45:18,750
BUT IT DOESN'T SEEM
TO BE WORKING.

1077
00:45:18,784 --> 00:45:21,953
YEAH?
[CHUCKLES]

1078
00:45:21,987 --> 00:45:24,155
THANK YOU.

1079
00:45:24,189 --> 00:45:26,524
THAT WAS REALLY SWEET
WHAT YOU DID TODAY.

1080
00:45:26,557 --> 00:45:28,894
OH, NO,
IT WAS MY PLEASURE.

1081
00:45:28,927 --> 00:45:30,061
IT WAS ACTUALLY
PRETTY FUN.

1082
00:45:30,095 --> 00:45:31,096
[LAUGHS]

1083
00:45:31,129 --> 00:45:33,031
I CAN IMAGINE.

1084
00:45:56,054 --> 00:45:58,423
ENJOY.

1085
00:45:58,456 --> 00:45:59,490
WHAT, YOU'RE NOT
GOING TO TALK TO ME?

1086
00:46:01,426 --> 00:46:02,861
I SHOULDN'T.

1087
00:46:02,894 --> 00:46:04,362
WHY NOT?

1088
00:46:04,395 --> 00:46:05,997
JENNY'S INSIDE.

1089
00:46:06,031 --> 00:46:07,833
WHAT ABOUT HER?

1090
00:46:07,866 --> 00:46:09,434
WE'RE TOGETHER.

1091
00:46:09,467 --> 00:46:12,871
OH.

1092
00:46:12,904 --> 00:46:13,939
AND I DON'T THINK

1093
00:46:13,972 --> 00:46:15,040
SHE'D BE TERRIBLY
COMFORTABLE

1094
00:46:15,073 --> 00:46:16,474
IF SHE CAME OUT HERE
AND SAW US,

1095
00:46:16,507 --> 00:46:17,876
YOU KNOW, TALKING,

1096
00:46:17,909 --> 00:46:20,078
CONSIDERING...

1097
00:46:21,179 --> 00:46:22,313
NO, I'M...

1098
00:46:22,347 --> 00:46:27,318
I'M STUPID, I, UH...

1099
00:46:27,352 --> 00:46:30,521
I THOUGHT WHEN YOU STOPPED BY
THIS MORNING THAT, UM...

1100
00:46:30,555 --> 00:46:31,823
YOU KNOW, MAYBE...

1101
00:46:31,857 --> 00:46:33,859
NO...
OH, SHIT...

1102
00:46:33,892 --> 00:46:36,061
NIKKI, I'M SORRY.

1103
00:46:37,963 --> 00:46:39,998
I'M REALLY SORRY,
I DIDN'T MEAN THAT.

1104
00:46:42,167 --> 00:46:43,234
I THINK YOU'RE
A SUPER SWEET GIRL,

1105
00:46:43,268 --> 00:46:45,436
I HOPE
YOU KNOW THAT,

1106
00:46:45,470 --> 00:46:48,940
AND IF JENNY
WASN'T IN THE PICTURE, MAYBE...

1107
00:46:48,974 --> 00:46:51,009
YOU KNOW,
THINGS WOULD BE DIFFERENT.

1108
00:46:53,178 --> 00:46:54,479
OKAY.

1109
00:46:58,316 --> 00:46:59,350
WE'LL SEE YOU INSIDE.

1110
00:46:59,384 --> 00:47:01,219
YES.

1111
00:47:05,056 --> 00:47:06,257
HEY, IF IT, UH...

1112
00:47:06,291 --> 00:47:09,127
IF IT DOESN'T WORK OUT
BETWEEN YOU TWO, UH...

1113
00:47:09,160 --> 00:47:10,962
YOU KNOW WHERE TO FIND ME.

1114
00:47:34,419 --> 00:47:35,987
COME ON, JUST BECAUSE THE RULES
OF HOLLYWOOD ARE DOG-EAT-DOG

1115
00:47:36,021 --> 00:47:37,388
DOESN'T MEAN FRIENDS
NEED TO ACT THAT WAY.

1116
00:47:37,422 --> 00:47:39,390
I DON'T EVEN KNOW
WHO YOU ARE.

1117
00:47:39,424 --> 00:47:41,059
OKAY, IT MAY BE NONE
OF MY BUSINESS, IT'S JUST--

1118
00:47:41,092 --> 00:47:42,127
YOU KNOW WHAT,
IT'S OKAY--

1119
00:47:42,160 --> 00:47:43,929
IT'S ACTUALLY NOT
YOUR BUSINESS--

1120
00:47:43,962 --> 00:47:45,096
OH, KILL IT, JENNY!

1121
00:47:45,130 --> 00:47:46,331
ALICE BROUGHT YOU
AN IDEA,

1122
00:47:46,364 --> 00:47:47,332
AND THEN THAT IDEA
SOMEHOW ENDS UP

1123
00:47:47,365 --> 00:47:48,466
IN YOUR SCREENPLAY?

1124
00:47:48,499 --> 00:47:50,001
COME ON,
IT'S UNETHICAL!

1125
00:47:50,035 --> 00:47:53,004
HER IDEA IS NOT

1126
00:47:53,038 --> 00:47:54,572
AN ORIGINAL IDEA, OKAY?

1127
00:47:54,605 --> 00:47:55,941
SO STAY THE FUCK OUT OF IT.

1128
00:47:55,974 --> 00:47:57,375
THIS IS SO CRAZY.

1129
00:47:57,408 --> 00:47:58,476
WHY ARE YOU LETTING
THIS DUMB BUSINESS

1130
00:47:58,509 --> 00:47:59,911
AFFECT OUR FRIENDSHIP.

1131
00:47:59,945 --> 00:48:01,546
WE'RE SUPPOSED TO BE
GOOD FRIENDS.

1132
00:48:01,579 --> 00:48:03,081
REALLY, JENNY?
ARE WE?

1133
00:48:03,114 --> 00:48:04,282
I DON'T THINK SO, OKAY?

1134
00:48:04,315 --> 00:48:06,084
I THINK WE'RE FRIENDS WITH
OTHER PEOPLE WHO ARE FRIENDS,

1135
00:48:06,117 --> 00:48:07,352
BUT YOU AND I, NOT SO MUCH.

1136
00:48:07,385 --> 00:48:09,487
SHANE, PLEASE!

1137
00:48:09,520 --> 00:48:11,322
CAN YOU TELL HER THAT
I DID NOT DO ANYTHING,

1138
00:48:11,356 --> 00:48:12,690
AND THAT SHE IS WRONG!

1139
00:48:12,723 --> 00:48:13,959
OH, YEAH,
SAY THAT I'M WRONG,

1140
00:48:13,992 --> 00:48:15,226
AND YOUR GIRLFRIEND
HERE IS RIGHT.

1141
00:48:15,260 --> 00:48:16,294
I WOULD REALLY LIKE TO
HEAR YOU SAY THAT ONE.

1142
00:48:16,327 --> 00:48:17,162
OH, MY GOD!

1143
00:48:17,195 --> 00:48:18,463
LOOK WHAT YOU'RE DOING
TO THIS POOR GIRL!

1144
00:48:18,496 --> 00:48:19,464
YOU'RE MAKING HER
TAKE A SIDE!

1145
00:48:19,497 --> 00:48:20,598
OH, NO, NO, NO, NO...

1146
00:48:20,631 --> 00:48:21,933
LOOK WHAT SHE'S
DOING NOW.

1147
00:48:21,967 --> 00:48:22,968
NOW SHE'S FORCING YOU
TO TAKE A SIDE

1148
00:48:23,001 --> 00:48:24,135
SO YOU SHOULD
PICK A SIDE.

1149
00:48:24,169 --> 00:48:25,103
PICK ONE!

1150
00:48:25,136 --> 00:48:26,704
I'M NOT PICKING A SIDE, NO.

1151
00:48:26,737 --> 00:48:28,206
OH, YOU DON'T?
OKAY.

1152
00:48:28,239 --> 00:48:29,307
OH, FUCK.

1153
00:48:29,340 --> 00:48:30,441
OH, COME ON, JENNY.

1154
00:48:30,475 --> 00:48:31,542
JENNY, JENNY, JENNY, JENNY...

1155
00:48:31,576 --> 00:48:32,710
AND THERE SHE GOES.

1156
00:48:32,743 --> 00:48:33,945
YOU KNOW WHAT,
I GOT TO GET OUT OF HERE.

1157
00:48:33,979 --> 00:48:34,912
NO, DON'T LET IT
RUIN YOUR NIGHT--

1158
00:48:34,946 --> 00:48:36,181
NO, REALLY, I'M HAVING
THE WORST TIME EVER.

1159
00:48:36,214 --> 00:48:37,148
I'M ABOUT TO CRY.

1160
00:48:37,182 --> 00:48:38,349
YOU KNOW WHAT, TASHA,
I REALLY WANT TO GO.

1161
00:48:38,383 --> 00:48:39,350
ALICE,
DON'T LET HER--

1162
00:48:39,384 --> 00:48:40,485
SHE'S THE FUCKING DEVIL.

1163
00:48:40,518 --> 00:48:41,552
DON'T GIVE HER ENERGY.

1164
00:48:41,586 --> 00:48:44,322
LET'S HAVE FUN.

1165
00:48:44,355 --> 00:48:45,556
JENNY, JENNY,
JESUS CHRIST,

1166
00:48:45,590 --> 00:48:46,724
WILL YOU TALK TO ME?

1167
00:48:46,757 --> 00:48:48,459
WHERE WERE YOU?
WHERE DID YOU GO?

1168
00:48:48,493 --> 00:48:50,128
I WAS SMOKING.

1169
00:48:50,161 --> 00:48:52,063
OH, SHANE, MY GOD, WE QUIT!

1170
00:48:52,097 --> 00:48:53,064
YOU QUIT!

1171
00:48:53,098 --> 00:48:54,065
I DIDN'T QUIT.

1172
00:48:54,099 --> 00:48:55,200
WHY THE FUCK WOULD YOU
LEAVE ME

1173
00:48:55,233 --> 00:48:56,734
OUT THERE WITH THE THREE...

1174
00:48:56,767 --> 00:48:58,369
TO GET REAMED
BY THE THREE MUSKETEERS?

1175
00:49:00,271 --> 00:49:01,472
WERE YOU
IN THE BATHROOM

1176
00:49:01,506 --> 00:49:02,673
FUCKING NIKKI STEVENS?

1177
00:49:02,707 --> 00:49:03,741
OH!

1178
00:49:03,774 --> 00:49:04,609
WERE YOU?

1179
00:49:04,642 --> 00:49:06,211
WHAT THE FUCK
ARE YOU TALKING ABOUT?

1180
00:49:06,244 --> 00:49:07,212
WHY ARE YOU BEING
FUCKING PARANOID?

1181
00:49:07,245 --> 00:49:09,114
OF COURSE I'M BEING PARANOID!

1182
00:49:09,147 --> 00:49:10,748
BECAUSE YOU'RE MAKING ME
ACT PARANOID!

1183
00:49:10,781 --> 00:49:12,183
YOU'RE MAKING ME ACT CRAZY!

1184
00:49:12,217 --> 00:49:14,219
NO, NO, YOU GOT TO
LAY THE FUCK OFF.

1185
00:49:14,252 --> 00:49:15,453
BECAUSE I KNOW
WHEN YOU GET ALL INSECURE

1186
00:49:15,486 --> 00:49:16,654
AND YOU'RE PARANOID,

1187
00:49:16,687 --> 00:49:19,190
ALL YOU WANT TO DO
IS CONTROL EVERYTHING,

1188
00:49:19,224 --> 00:49:21,226
BUT YOU CAN'T TREAT ME
LIKE I'M YOUR FUCKING PROPERTY!

1189
00:49:21,259 --> 00:49:23,128
DON'T PUT ME
IN A FUCKING BOX!

1190
00:49:23,161 --> 00:49:24,195
I'M PUTTING YOU IN A BOX--

1191
00:49:24,229 --> 00:49:25,463
I AM IN A BOX!

1192
00:49:25,496 --> 00:49:26,697
LOOK AT ME RIGHT NOW!

1193
00:49:26,731 --> 00:49:27,765
ALL IT WANTS TO MAKE ME DO
IS ACT OUT.

1194
00:49:27,798 --> 00:49:29,167
IS THAT A FUCKING THREAT?

1195
00:49:29,200 --> 00:49:30,035
NO! IT'S--

1196
00:49:30,068 --> 00:49:31,402
OKAY, FUCK YOU!

1197
00:49:31,436 --> 00:49:32,637
JENNY, PLEASE NO, LISTEN,
LISTEN, I'M SORRY.

1198
00:49:32,670 --> 00:49:34,305
I'M SORRY, I'M SORRY,
I'M SORRY.

1199
00:49:34,339 --> 00:49:35,473
I'M SORRY.

1200
00:49:35,506 --> 00:49:36,541
I'M TRULY SORRY.

1201
00:49:36,574 --> 00:49:38,243
I DIDN'T MEAN THAT.

1202
00:49:38,276 --> 00:49:39,744
YOU'RE MY DEAR,
DARLING FRIEND,

1203
00:49:39,777 --> 00:49:41,079
AND I AM SORRY,

1204
00:49:41,112 --> 00:49:42,480
AND WE'VE BEEN FRIENDS

1205
00:49:42,513 --> 00:49:45,216
WAY BEFORE ANY OF
THIS SHIT HAPPENED, OKAY?

1206
00:49:45,250 --> 00:49:46,751
RIGHT?

1207
00:49:46,784 --> 00:49:48,519
YOU'RE MY BEST FRIEND.

1208
00:49:48,553 --> 00:49:50,155
AND I GOT TO SAY,

1209
00:49:50,188 --> 00:49:52,590
IF I HAD TO
CHOOSE TODAY

1210
00:49:52,623 --> 00:49:56,194
BETWEEN THIS RELATIONSHIP
AND OUR FRIENDSHIP,

1211
00:49:56,227 --> 00:49:58,463
I'D HAVE TO CHOOSE
THE FRIENDSHIP.

1212
00:50:02,100 --> 00:50:05,203
UH-HUH.

1213
00:50:05,236 --> 00:50:08,439
THE ONLY THING THAT'S GOING TO
GET IN THE WAY OF OUR FRIENDSHIP

1214
00:50:08,473 --> 00:50:11,509
IS IF SOMETHING GETS IN THE WAY
OF OUR ROMANTIC RELATIONSHIP.

1215
00:50:21,652 --> 00:50:23,421
I LOVE YOU.

1216
00:50:27,225 --> 00:50:28,759
ME TOO.

1217
00:50:28,793 --> 00:50:32,830
I GOT TO...

1218
00:50:32,863 --> 00:50:35,266
I GOT TO GET OUT OF HERE.

1219
00:50:40,771 --> 00:50:45,410
* DON'T YOU BE WASTING
ALL YOUR MONEY... *

1220
00:50:45,443 --> 00:50:48,546
[GASPING AND SIGHING]

1221
00:51:17,775 --> 00:51:20,778
[GASPING]

1222
00:51:24,215 --> 00:51:28,719
[CRYING]

1223
00:51:32,390 --> 00:51:34,859
WHAT'S WRONG?

1224
00:51:37,328 --> 00:51:40,865
WHAT'S WRONG?

1225
00:51:45,903 --> 00:51:48,473
I'M SCARED.

1226
00:51:51,609 --> 00:51:55,313
I KNOW.

1227
00:51:57,882 --> 00:52:01,586
ME TOO.

1228
00:52:07,658 --> 00:52:19,637
* DON'T YOU BE SPENDING
EVERY DAY *

1229
00:52:19,670 --> 00:52:22,840
* WORKING AWAY

1230
00:52:22,873 --> 00:52:33,651
* BECAUSE I'M WAITING FOR YOU

1231
00:52:33,684 --> 00:52:37,588
* LISTEN TO ME

1232
00:52:37,622 --> 00:52:45,630
* ONE, TWO, THREE

1233
00:52:45,663 --> 00:52:49,800
* BABY, BABY, BABY

1234
00:52:49,834 --> 00:52:59,910
* SPEND YOUR TIME ON ME...

1235
00:52:59,944 --> 00:53:05,550
[**]

1236
00:53:11,021 --> 00:53:15,526
* SPEND IT, SPEND IT, SPEND IT

1237
00:53:15,560 --> 00:53:24,902
* YOUR TIME ON ME

1238
00:53:24,935 --> 00:53:31,008
* PLEASE, BABY

1239
00:53:31,041 --> 00:53:36,447
* MM...

1240
00:53:36,481 --> 00:53:43,354
* PLEASE, BABY...