1
00:00:09,133 --> 00:00:10,500
LAST SEASON ON THE L WORD...

2
00:00:10,533 --> 00:00:14,133
I'M SO INTO YOU,
I CAN'T HANDLE IT.

3
00:00:14,167 --> 00:00:15,300
ARE YOU IN?

4
00:00:15,333 --> 00:00:16,500
YES.

5
00:00:16,533 --> 00:00:20,100
WHAT DO YOU, UM,
THINK WE SHOULD DO?

6
00:00:20,133 --> 00:00:22,500
SO YOU LIKE
GIRLY GIRLS, HUH?

7
00:00:22,533 --> 00:00:25,067
YOU'RE A FUCKING HEARTBREAKER.

8
00:00:26,400 --> 00:00:29,033
YOU'RE JUST DEAD FUCKING MEAT,
JENNY SCHECTER.

9
00:00:29,067 --> 00:00:30,233
I'M SITTING HERE WITH
JENNY'S LITTLE FUCKING BOOK,

10
00:00:30,267 --> 00:00:32,433
WONDERING WHY YOU DIDN'T
GIVE ME A HEADS UP.

11
00:00:32,467 --> 00:00:33,667
IS IT TRUE THAT ONE OF
THE CHARACTERS IN THIS BOOK

12
00:00:33,700 --> 00:00:35,100
IS BASED ON YOU?

13
00:00:35,133 --> 00:00:36,100
I DON'T LIKE THE STORY.

14
00:00:36,133 --> 00:00:37,267
I WANT IT FOR SHAOLIN.

15
00:00:37,300 --> 00:00:39,633
I LOVE "LEZ GIRLS."

16
00:00:39,667 --> 00:00:40,800
MY AGENTS ARE HERE.

17
00:00:40,833 --> 00:00:43,467
TINA, YOU SHOULD GO TALK TO THEM
IF YOU WANT TO DO THIS.

18
00:00:43,500 --> 00:00:44,467
HOW'S IT GOING WITH JENNY?

19
00:00:44,500 --> 00:00:45,533
A LITTLE CHALLENGING.

20
00:00:45,567 --> 00:00:46,533
I CAN'T TALK
RIGHT NOW.

21
00:00:46,567 --> 00:00:48,100
YOU WHAT?

22
00:00:48,133 --> 00:00:49,433
BUT I'LL SEE YOU AT
THE MEETING THIS AFTERNOON.

23
00:00:49,467 --> 00:00:50,700
IT'S BEEN CANCELLED.
HELLO.

24
00:00:50,733 --> 00:00:51,700
WE THOUGHT THAT...

25
00:00:51,733 --> 00:00:53,700
I WAS COMPLETELY CLUELESS?

26
00:00:53,733 --> 00:00:55,433
I'M NOT CUT OUT
TO LIVE MODESTLY.

27
00:00:55,467 --> 00:00:56,767
I DON'T KNOW
WHAT I WOULD HAVE DONE

28
00:00:56,800 --> 00:00:58,033
IF I HADN'T MET CATHERINE.

29
00:00:58,067 --> 00:00:59,300
SHE'S JUST TRYING TO HELP ME

30
00:00:59,333 --> 00:01:00,500
LEARN TO STAND
ON MY OWN TWO FEET.

31
00:01:00,533 --> 00:01:01,567
NO, SHE'S NOT.

32
00:01:01,600 --> 00:01:03,200
WE'VE BEEN INVITED
TO A POKER GAME THIS EVENING.

33
00:01:03,233 --> 00:01:05,167
I'M SURE YOUR FRIENDS
WILL UNDERSTAND.

34
00:01:05,200 --> 00:01:07,533
MAKING $150,000 TOGETHER
IS GREAT,

35
00:01:07,567 --> 00:01:08,533
BUT WHERE IS YOUR SHARE?

36
00:01:08,567 --> 00:01:09,533
100,000.

37
00:01:09,567 --> 00:01:10,533
ONE IN THE PINK.

38
00:01:10,567 --> 00:01:13,167
YOU LOST YOUR INVESTMENT.

39
00:01:13,200 --> 00:01:14,767
I HAVE SOMETHING
I HAVE TO TELL YOU.

40
00:01:14,800 --> 00:01:16,333
I'M GOING THROUGH
A TRANSITION.

41
00:01:16,367 --> 00:01:17,400
I WAS BORN A GIRL.

42
00:01:17,433 --> 00:01:19,133
I DON'T DATE FREAKS.

43
00:01:19,167 --> 00:01:20,767
I WANT TO FEEL YOUR BODY.

44
00:01:20,800 --> 00:01:22,067
I DON'T FEEL
COMFORTABLE WITH THAT.

45
00:01:22,100 --> 00:01:23,567
I DO.

46
00:01:23,600 --> 00:01:24,700
YOU'RE NOT GOING TO GET THE...

47
00:01:24,733 --> 00:01:27,333
IT'S AN IRREVERSIBLE DECISION,
YOU KNOW?

48
00:01:28,533 --> 00:01:29,500
I THINK I'M A LESBIAN, BETTE.

49
00:01:29,533 --> 00:01:30,633
OH.

50
00:01:30,667 --> 00:01:33,700
I CAN'T BELIEVE
HOW WONDERFUL THIS IS.

51
00:01:33,733 --> 00:01:36,167
WE HAVE TO
LET HER DOWN EASY.

52
00:01:36,200 --> 00:01:38,267
NOBODY EVER BROKE
MY HEART BEFORE.

53
00:01:38,300 --> 00:01:39,733
NO ONE HAS EVER DIED
OF A BROKEN HEART.

54
00:01:39,767 --> 00:01:41,467
YOU WANT TO TAKE
ALL OF OUR LIFE TOGETHER

55
00:01:41,500 --> 00:01:43,733
AND JUST THROW IT
IN THE TOILET?

56
00:01:43,767 --> 00:01:45,033
YES.

57
00:01:45,067 --> 00:01:46,533
I MADE THAT APPOINTMENT.

58
00:01:46,567 --> 00:01:48,400
I KNOW
IT'S THE RIGHT DECISION.

59
00:01:48,433 --> 00:01:49,467
I LOVE YOU.

60
00:01:49,500 --> 00:01:51,433
YOU'RE FUCKING THE NANNY
BEHIND MY SISTER'S BACK?

61
00:01:51,467 --> 00:01:53,767
I WOULD HAVE FIRED HAZEL
IF HE HADN'T HAVE ENDED IT.

62
00:01:53,800 --> 00:01:55,667
YOU WOULD HAVE FIRED HAZEL?

63
00:01:55,700 --> 00:01:57,733
LYING, LOW-DOWN,
NANNY-SUCKING MOTHERFUCKER.

64
00:01:57,767 --> 00:02:00,100
GOD DAMN YOU!

65
00:02:00,133 --> 00:02:02,300
I'M YOUR HOME NOW, OKAY?

66
00:02:02,333 --> 00:02:03,700
I'M GOING BACK TO OREGON
THIS AFTERNOON

67
00:02:03,733 --> 00:02:04,700
AND I'M TAKING MY SON
HOME WITH ME.

68
00:02:04,733 --> 00:02:05,700
YOU CAN'T DO THAT.

69
00:02:05,733 --> 00:02:06,733
I'M HIS FATHER.

70
00:02:08,167 --> 00:02:09,300
WHEN I GET TOO CLOSE
TO SOMEONE,

71
00:02:09,333 --> 00:02:11,367
I PUSH HER AWAY,

72
00:02:11,400 --> 00:02:13,433
AND I DON'T TRUST MYSELF
TO NOT DO THAT TO YOU.

73
00:02:13,467 --> 00:02:14,433
YOU WERE GOOD.

74
00:02:14,467 --> 00:02:15,533
SO WERE YOU.

75
00:02:15,567 --> 00:02:16,800
THE CLASS
I WAS GOING TO TAKE.

76
00:02:16,833 --> 00:02:19,500
MAYBE WE SHOULD TALK ABOUT
TAKING IT TOGETHER.

77
00:02:19,533 --> 00:02:21,700
CAN WE ALL JUST GET ALONG?

78
00:02:21,733 --> 00:02:22,767
OH, MY GOD!

79
00:02:22,800 --> 00:02:24,633
DO YOU THINK
WE SHOULD GO ON A DATE?

80
00:02:24,667 --> 00:02:26,800
I WASN'T GOING TO FALL
FOR ANYBODY WHILE I WAS BACK.

81
00:02:26,833 --> 00:02:28,233
ARE YOU GOING SOMEWHERE?

82
00:02:28,267 --> 00:02:30,300
MY UNIT'S BEING MOBILIZED
BACK TO IRAQ.

83
00:02:33,300 --> 00:02:35,800
YOU'RE MUCH NAUGHTIER
THAT I THOUGHT YOU WOULD BE.

84
00:02:35,833 --> 00:02:37,333
I'VE BEEN PLENTY DIRTY.

85
00:02:37,367 --> 00:02:39,267
I THINK
I COULD FALL IN LOVE WITH YOU.

86
00:02:39,300 --> 00:02:40,600
I LOVE YOU SO MUCH.

87
00:02:40,633 --> 00:02:42,767
DID YOU JUST SAY...

88
00:02:42,800 --> 00:02:44,133
THAT YOU LOVED ME?

89
00:02:44,167 --> 00:02:45,800
I MISS YOU SO MUCH SOMETIMES.

90
00:02:45,833 --> 00:02:48,767
WHAT ARE YOU GOING TO DO
TO GET HER BACK, BETTE?

91
00:02:48,800 --> 00:02:53,633
[**]

92
00:02:53,667 --> 00:02:55,767
CATHERINE, GO FUCK YOURSELF.

93
00:02:55,800 --> 00:02:57,500
THEY FIRED ME FROM THE MOVIE.

94
00:02:57,533 --> 00:02:59,200
IT'S JUST YOU AND THE PARIAH.

95
00:02:59,233 --> 00:03:01,200
HEY, WHERE'S JENNY?

96
00:03:01,233 --> 00:03:03,233
I'M LEAVING IN TWO WEEKS.

97
00:03:03,267 --> 00:03:05,167
I STILL LOVE YOU.

98
00:03:05,200 --> 00:03:07,033
BETTER NOT
BREAK MY HEART.

99
00:03:10,400 --> 00:03:14,567
[**]

100
00:03:46,767 --> 00:03:50,133
JIM, PLEASE DON'T LEAVE ME
IN THE ROOM WITH ALL OF THESE.

101
00:03:56,700 --> 00:03:58,433
HI.
HI.

102
00:03:58,467 --> 00:04:00,700
JESSE,
CAN I GET YOU A DRINK?

103
00:04:00,733 --> 00:04:02,233
MARGARITA?

104
00:04:02,267 --> 00:04:03,800
STRAWBERRY DYKEQUIRI?

105
00:04:03,833 --> 00:04:06,567
UM, I'M... I'M NOT...

106
00:04:08,300 --> 00:04:11,367
OH, I ACTUALLY SEE
MY BOYFRIEND, JIM,

107
00:04:11,400 --> 00:04:13,300
SO I'M GOING TO GO.

108
00:04:13,333 --> 00:04:15,500
EXCUSE ME.

109
00:04:36,300 --> 00:04:38,233
WOW, SHE IS SOMETHING.

110
00:04:38,267 --> 00:04:40,300
MM-HMM,
SHE IS FUCKING HOT.

111
00:04:40,333 --> 00:04:42,167
DO YOU THINK SHE COULD BE?

112
00:04:42,200 --> 00:04:44,467
NO, NO, NO.
TOO PRETTY, TOO FEMININE.

113
00:04:44,500 --> 00:04:46,300
I DON'T KNOW,
I'D BE HAPPY TO...

114
00:04:46,333 --> 00:04:47,300
TASTE THE FRUIT?

115
00:04:47,333 --> 00:04:48,300
PEEL IT, SECTION IT,

116
00:04:48,333 --> 00:04:49,533
AND SQUEEZE
THE JUICE WITH HER.

117
00:04:49,567 --> 00:04:51,500
GET IN LINE, SISTER.

118
00:04:51,533 --> 00:04:53,467
PLEASE.

119
00:04:53,500 --> 00:04:57,133
OH, I'M SORRY, BABY.

120
00:04:57,167 --> 00:04:59,633
AS LONG AS YOU SHARE
HER WITH ME.

121
00:05:11,667 --> 00:05:14,333
[**]

122
00:05:14,367 --> 00:05:20,400
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *

123
00:05:20,433 --> 00:05:27,667
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *

124
00:05:27,700 --> 00:05:33,333
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *

125
00:05:33,367 --> 00:05:40,300
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *

126
00:05:47,800 --> 00:05:49,233
* TALKING, LAUGHING
LOVING, BREATHING *

127
00:05:49,267 --> 00:05:51,100
* FIGHTING, FUCKING
CRYING, DRINKING *

128
00:05:51,133 --> 00:05:52,400
* WRITING, WINNING
LOSING, CHEATING *

129
00:05:52,433 --> 00:05:54,167
* KISSING, THINKING, DREAMING

130
00:05:54,200 --> 00:05:56,167
* THIS IS THE WAY...

131
00:05:56,200 --> 00:05:59,033
* IT'S THE WAY
THAT WE LIVE *

132
00:05:59,067 --> 00:06:04,500
* IT'S THE WAY THAT WE LIVE

133
00:06:04,533 --> 00:06:08,300
* AND LOVE

134
00:06:11,633 --> 00:06:13,667
WE LOVE THE PRESCHOOL
ART CURRICULUM.

135
00:06:13,700 --> 00:06:17,533
WE WANT ANGELICA TO GROW
UP SURROUNDED BY ART.

136
00:06:17,567 --> 00:06:20,100
WE WANT ART TO BE PART OF
HER EVERYDAY EXPERIENCE.

137
00:06:20,133 --> 00:06:22,700
I MEAN, ESSENTIALLY,
OUR HOUSE IS A GALLERY.

138
00:06:22,733 --> 00:06:24,200
WE HAVE A COLLECTION
THAT WE ROTATE WEEKLY

139
00:06:24,233 --> 00:06:26,033
SO THAT SHE CAN
BE ACQUAINTED

140
00:06:26,067 --> 00:06:27,467
WITH AS MANY ARTISTS
AS POSSIBLE.

141
00:06:27,500 --> 00:06:28,567
HOW WONDERFUL FOR ANGELICA.

142
00:06:28,600 --> 00:06:30,000
YEAH.

143
00:06:31,800 --> 00:06:32,767
HELLO.

144
00:06:32,800 --> 00:06:34,533
HI.

145
00:06:34,567 --> 00:06:36,367
WE HAD A NICE TIME
IN PLAYGROUP, DIDN'T WE, ANGIE?

146
00:06:36,400 --> 00:06:38,100
ANGIE PUT TOGETHER THE COW JUMPS
OVER THE MOON PUZZLE.

147
00:06:39,467 --> 00:06:41,767
WELL, SHE LOVES
PUZZLES.

148
00:06:41,800 --> 00:06:43,300
WE ACTUALLY HAVE
A WOMAN IN THE MOON PUZZLE

149
00:06:43,333 --> 00:06:44,300
THAT WAS MADE
SPECIALLY FOR ANGIE

150
00:06:44,333 --> 00:06:45,567
BY THE ARTIST
JULIA CONDON.

151
00:06:45,600 --> 00:06:47,733
SHE'S ONE OF
OUR FAVORITE ARTISTS.

152
00:06:47,767 --> 00:06:49,367
ISN'T AUNTIE JULIA ONE
OF OUR FAVORITE ARTISTS,

153
00:06:49,400 --> 00:06:50,767
SWEET PEA?

154
00:06:50,800 --> 00:06:52,033
YEAH, PLAY.

155
00:06:52,067 --> 00:06:53,700
YES, YOU'RE PLAYING.

156
00:06:53,733 --> 00:06:54,667
THAT'S WONDERFUL.

157
00:06:54,700 --> 00:06:56,533
DOES ONE OF YOU HAVE
A DEAF FAMILY MEMBER?

158
00:06:58,800 --> 00:07:00,067
OH, I...

159
00:07:01,767 --> 00:07:03,567
WE HAVE A FRIEND
WHO'S DEAF,

160
00:07:03,600 --> 00:07:07,033
AND SHE JUST PICKED IT
UP FROM HER.

161
00:07:07,067 --> 00:07:08,500
WE THINK SHE HAS
AN APTITUDE FOR LANGUAGES.

162
00:07:08,533 --> 00:07:10,167
YEAH. SHE KNOWS
"FRERE JACQUES" BY HEART.

163
00:07:10,200 --> 00:07:11,667
YEAH.

164
00:07:11,700 --> 00:07:13,767
I'M SO SORRY.

165
00:07:13,800 --> 00:07:16,700
IT JUST--
IT JUST SLIPPED OUT.

166
00:07:16,733 --> 00:07:18,467
LOOK, I THINK IT WORKS
IN OUR FAVOR

167
00:07:18,500 --> 00:07:20,167
THAT WE'RE A LESBIAN FAMILY.

168
00:07:20,200 --> 00:07:22,467
YOU KNOW, I THINK WE SCORE
DIVERSITY POINTS FOR THAT.

169
00:07:22,500 --> 00:07:24,167
I JUST...

170
00:07:24,200 --> 00:07:26,500
I DON'T THINK THEY'RE READY
FOR A DIVORCED LESBIAN FAMILY.

171
00:07:26,533 --> 00:07:27,367
YOU KNOW?

172
00:07:27,400 --> 00:07:28,500
YEAH. WELL, DO YOU THINK
IT WAS ALL RIGHT

173
00:07:28,533 --> 00:07:31,533
THAT I SORT OF LET THEM THINK
THAT WE'RE STILL TOGETHER?

174
00:07:31,567 --> 00:07:33,800
I THINK IT WAS
A LITTLE WHITE LIE

175
00:07:33,833 --> 00:07:35,100
TOLD FOR THE GREATER GOOD.

176
00:07:35,133 --> 00:07:39,700
OH, SHIT,
THEY'RE HERE.

177
00:07:39,733 --> 00:07:41,133
HI.

178
00:07:41,167 --> 00:07:43,167
HEY, GIRLS.

179
00:07:43,200 --> 00:07:46,200
LOOKS LIKE WE'RE ON THE SAME
PRESCHOOL PARTY CIRCUIT.

180
00:07:46,233 --> 00:07:47,500
HOW WAS YOUR INTERVIEW?

181
00:07:47,533 --> 00:07:48,500
GREAT.

182
00:07:48,533 --> 00:07:50,133
FANTASTIC.
IT WAS REALLY GREAT.

183
00:07:50,167 --> 00:07:51,300
WE THINK WE STAND
A GOOD CHANCE.

184
00:07:51,333 --> 00:07:52,300
FIRST OF ALL,

185
00:07:52,333 --> 00:07:53,667
ED'S A CHRISTIAN
AND I'M MUSLIM.

186
00:07:53,700 --> 00:07:55,267
LUCAS IS ADOPTED.

187
00:07:55,300 --> 00:07:56,800
HE'S HALF JEWISH,

188
00:07:56,833 --> 00:07:59,133
A QUARTER LATINO
AND A QUARTER CHINESE.

189
00:07:59,167 --> 00:08:00,333
WOW.

190
00:08:00,367 --> 00:08:01,367
HMM.

191
00:08:01,400 --> 00:08:03,133
WELL, I THINK WE PROBABLY
HAVE A PRETTY GOOD SHOT.

192
00:08:03,167 --> 00:08:04,700
I MEAN, BI-RACIAL DAUGHTER
OF LESBIAN MOMS.

193
00:08:04,733 --> 00:08:05,800
THERE'S GOT TO BE
A NICHE SOMEWHERE.

194
00:08:05,833 --> 00:08:07,567
AND ROWENA,

195
00:08:07,600 --> 00:08:10,100
SHE LOVES THAT JAMAL TEACHES
ENGLISH AS A SECOND LANGUAGE.

196
00:08:10,133 --> 00:08:11,300
YOU SPOKE WITH ROWENA?

197
00:08:11,333 --> 00:08:13,300
YEAH, WE MET HER LAST SUMMER
AT GEFFEN'S PARTY.

198
00:08:13,333 --> 00:08:14,633
SHE WANTS DAVID
ON THE BOARD,

199
00:08:14,667 --> 00:08:15,767
AND SHE KNOWS
WE'RE CLOSE WITH HIM.

200
00:08:15,800 --> 00:08:18,033
SHE TOLD NOT TO BOTHER WITH
THE DIRECTOR OF ADMISSIONS.

201
00:08:18,067 --> 00:08:19,667
ROWENA MAKES
ALL THE DECISIONS,

202
00:08:19,700 --> 00:08:21,267
BUT I'M SURE
YOU KNOW THAT.

203
00:08:21,300 --> 00:08:22,667
YEAH.
YEAH.

204
00:08:22,700 --> 00:08:24,433
ANYWAY, GOOD LUCK,
AND GOOD LUCK.

205
00:08:24,467 --> 00:08:26,700
THANKS.
BYE, LUCAS.

206
00:08:35,233 --> 00:08:37,600
* OOH...

207
00:08:37,633 --> 00:08:39,467
* OOH, OOH, OOH...

208
00:08:39,500 --> 00:08:43,367
* OOH...

209
00:08:43,400 --> 00:08:45,500
* OOH, OOH, OOH...

210
00:08:45,533 --> 00:08:48,667
* OOH, OOH...

211
00:08:48,700 --> 00:08:50,167
[METAL DOOR CLOSING]

212
00:08:51,667 --> 00:08:55,267
* I WARNED YOU
YOU DIDN'T BELIEVE ME *

213
00:08:55,300 --> 00:08:59,433
* I WARNED YOU
YOU DIDN'T BELIEVE ME *

214
00:08:59,467 --> 00:09:03,467
* I WARNED YOU
YOU DIDN'T BELIEVE ME *

215
00:09:03,500 --> 00:09:07,733
* I WARNED YOU
AND NOW YOU'RE CAUGHT *

216
00:09:07,767 --> 00:09:12,067
* THERE'S SOME PEOPLE
THAT YOU JUST CAN'T TRUST *

217
00:09:12,100 --> 00:09:15,333
* SOME PEOPLE
TALK WAY TOO MUCH *

218
00:09:15,367 --> 00:09:19,233
* TAKE MY ADVICE
AND LISTEN UP *

219
00:09:19,267 --> 00:09:22,733
* DON'T BE A FOOL
LIKE THE REST OF US *

220
00:09:22,767 --> 00:09:24,433
* NOW LISTEN UP

221
00:09:24,467 --> 00:09:26,667
* OOH...

222
00:09:26,700 --> 00:09:30,233
SO, I FINALLY REACHED
SOME SECRETARY WHO WAS, LIKE,

223
00:09:30,267 --> 00:09:32,133
"MRS. PEABODY IS ABROAD

224
00:09:32,167 --> 00:09:34,600
AND DOESN'T WANT TO BE REACHED
UNLESS IT'S A TOTAL EMERGENCY."

225
00:09:34,633 --> 00:09:36,700
WELL, DIDN'T YOU SAY
HER DAUGHTER'S IN JAIL?

226
00:09:36,733 --> 00:09:38,200
I SAID, "I KNOW
MRS. PEABODY'S A BROAD,

227
00:09:38,233 --> 00:09:39,633
AND NOT A VERY CLASSY ONE."

228
00:09:39,667 --> 00:09:41,200
HEY, PHYLLIS,
ARE YOU READY?

229
00:09:41,233 --> 00:09:43,033
YEAH. HOW'S
MY MAKEUP LOOK?

230
00:09:43,067 --> 00:09:44,300
I DON'T WANT TO WEAR
TOO MUCH LIPSTICK

231
00:09:44,333 --> 00:09:45,567
AND LOOK LIKE ONE OF
THOSE LIPSTICK LESBIANS.

232
00:09:45,600 --> 00:09:47,033
YEAH, NO,
YOU'RE A TOTAL STONE BUTCH.

233
00:09:47,067 --> 00:09:48,467
STONE BUTCH.

234
00:09:48,500 --> 00:09:50,100
I'M STUDYING THE LINGO.

235
00:09:50,133 --> 00:09:51,133
WELL, GOOD FOR YOU.

236
00:09:51,167 --> 00:09:52,700
WHETHER YOU'RE A STONE BUTCH
OR A LIPSTICK LESBIAN,

237
00:09:52,733 --> 00:09:54,167
YOU'RE LOOKING PRETTY FOXY,
PHYLLIS.

238
00:09:56,100 --> 00:09:57,400
ALL RIGHT, GIRLS,
GOOD LUCK TODAY.

239
00:09:57,433 --> 00:09:58,733
THANKS AGAIN.
YOU GOT IT.

240
00:09:58,767 --> 00:10:00,033
HEY, HEY, WHOA, WHOA,
WHERE ARE YOU GOING?

241
00:10:00,067 --> 00:10:01,033
YOU CAN'T GO YET.

242
00:10:01,067 --> 00:10:01,967
NO, NO, NO. I HAVE TO.
PAIGE FOUND AN APARTMENT.

243
00:10:02,000 --> 00:10:04,567
IF I LIKE IT,
WE'RE GOING TO SIGN THE LEASE.

244
00:10:04,600 --> 00:10:06,167
SEE YA.

245
00:10:06,200 --> 00:10:07,167
I'LL COME VISIT YOU
LATER, THOUGH, KIT.

246
00:10:07,200 --> 00:10:08,567
GREAT.

247
00:10:08,600 --> 00:10:10,033
PLEASE, SOMEBODY TELL ME

248
00:10:10,067 --> 00:10:11,233
SHE AIN'T GOING TO GO
THROUGH THIS?

249
00:10:11,267 --> 00:10:12,333
IT'S THE BIGGEST DISASTER.

250
00:10:12,367 --> 00:10:13,633
WHAT'S A DISASTER?

251
00:10:13,667 --> 00:10:15,267
SHANE'S MOVING IN
WITH PAIGE AND HER SON.

252
00:10:15,300 --> 00:10:16,400
THEY'RE SIGNING
THE LEASE TODAY.

253
00:10:16,433 --> 00:10:17,533
THAT'S WONDERFUL.

254
00:10:17,567 --> 00:10:19,267
WHEN I SEE HER
AND PAIGE TOGETHER,

255
00:10:19,300 --> 00:10:20,467
I DON'T SEE SHANE ON FIRE.

256
00:10:23,300 --> 00:10:25,100
BUT YOU CAN'T TELL
A BOOK BY ITS COVER.

257
00:10:25,133 --> 00:10:26,267
I MEAN, LOOK AT
ME AND JOYCE.

258
00:10:26,300 --> 00:10:27,267
SAVE THAT FOR THE PODCAST.

259
00:10:27,300 --> 00:10:28,267
OKAY.
OKAY.

260
00:10:28,300 --> 00:10:29,533
MAX, ARE WE READY?

261
00:10:29,567 --> 00:10:33,033
YEAH. WE ARE ROLLING.

262
00:10:33,067 --> 00:10:36,433
OH.

263
00:10:36,467 --> 00:10:37,800
AHEM.

264
00:10:37,833 --> 00:10:41,400
HELLO.
WELCOME TO ALICE IN LESBOLAND.

265
00:10:41,433 --> 00:10:43,333
IT'S A BI-WEEKLY PODCAST

266
00:10:43,367 --> 00:10:46,233
FOR BISEXUAL
AND SAPPHICALLY INCLINED LADIES

267
00:10:46,267 --> 00:10:47,667
AND THEIR FRIENDS,

268
00:10:47,700 --> 00:10:49,433
AND WE'RE COMING TO YOU LIVE
FROM THE PLANET

269
00:10:49,467 --> 00:10:51,067
HERE IN WEST HOLLYWOOD.

270
00:10:51,100 --> 00:10:52,533
I'M ALICE PIESZECKI,

271
00:10:52,567 --> 00:10:54,633
AND MY GUEST TODAY
IS PHYLLIS KROLL.

272
00:10:54,667 --> 00:10:58,467
SHE'S A BEAUTIFUL
AND ACCOMPLISHED

273
00:10:58,500 --> 00:11:02,267
SENIOR VICE CHANCELLOR
OF CALIFORNIA UNIVERSITY,

274
00:11:02,300 --> 00:11:04,600
AND SHE'S GOING TO TELL US TODAY
ABOUT COMING OUT

275
00:11:04,633 --> 00:11:06,133
IN, SHALL WE SAY, MID-LIFE.

276
00:11:06,167 --> 00:11:10,167
[**]

277
00:11:37,533 --> 00:11:40,033
HOW DO YOU DO?

278
00:11:40,067 --> 00:11:41,767
HELENA PEABODY.

279
00:11:46,067 --> 00:11:51,267
UM... I DON'T EXPECT
I'LL BE HERE VERY LONG.

280
00:11:51,300 --> 00:11:54,033
WE'VE BEEN TRYING
TO GET A HOLD OF MY MOTHER.

281
00:11:54,067 --> 00:11:55,700
YOU SEE, OTHERWISE,
I WOULDN'T BE HERE AT ALL.

282
00:11:55,733 --> 00:12:00,133
YOU KNOW, I'M SURE THAT

283
00:12:00,167 --> 00:12:01,267
AS SOON AS WE GET
IN TOUCH WITH HER,

284
00:12:01,300 --> 00:12:02,467
I'LL BE, LIKE--

285
00:12:02,500 --> 00:12:03,467
THAT'S MY BUNK.

286
00:12:03,500 --> 00:12:06,233
OH.

287
00:12:06,267 --> 00:12:10,467
OH, OKAY.

288
00:12:10,500 --> 00:12:11,300
YEAH.

289
00:12:11,333 --> 00:12:13,500
OH, BUT, JOYCE,
I HAVE A NEW LOVE.

290
00:12:13,533 --> 00:12:15,267
RIGHT, YOUR LADYLOVE, JOYCE.

291
00:12:15,300 --> 00:12:16,467
YEAH, SHE'S REALLY WONDERFUL.

292
00:12:16,500 --> 00:12:19,167
WE HAVE SO MUCH IN COMMON.

293
00:12:19,200 --> 00:12:21,600
OPERA, BALLET, THE ARTS,
PHILOSOPHY,

294
00:12:21,633 --> 00:12:23,800
AND THE SEX.

295
00:12:23,833 --> 00:12:26,467
OH, THE SEX IS...

296
00:12:26,500 --> 00:12:27,533
IS THE BEST EVER.

297
00:12:27,567 --> 00:12:31,600
WELL... EVER?

298
00:12:31,633 --> 00:12:33,667
THEY SAY
YOUR COMING OUT AFFAIR

299
00:12:33,700 --> 00:12:35,333
IS USUALLY
THE MOST UNFORGETTABLE.

300
00:12:35,367 --> 00:12:38,600
OH, THAT WAS KINDERGARTEN--
PRESCHOOL--

301
00:12:38,633 --> 00:12:40,333
COMPARED TO WHAT
JOYCE AND I ARE DOING.

302
00:12:40,367 --> 00:12:41,533
THE WORK I'M DOING
WITH JOYCE

303
00:12:41,567 --> 00:12:44,267
IS MORE LIKE
A POST-GRADUATE THESIS.

304
00:12:44,300 --> 00:12:45,267
MM-HMM.

305
00:12:45,300 --> 00:12:46,267
BUT LISTEN,
YOU WERE--

306
00:12:46,300 --> 00:12:47,467
YOU WERE SWEET.

307
00:12:47,500 --> 00:12:49,567
SWEET?

308
00:12:49,600 --> 00:12:51,700
A LITTLE VANILLA,
A LITTLE VANILLA.

309
00:12:51,733 --> 00:12:53,067
WHAT?

310
00:12:53,100 --> 00:12:54,333
OUCH.

311
00:12:54,367 --> 00:12:55,567
VANILLA? REALLY? VANILLA?

312
00:12:55,600 --> 00:12:59,700
VANILLA SEX, UH,
CONVENTIONAL SEX, UM...

313
00:12:59,733 --> 00:13:03,533
WHAT THE CULTURE REGARDS
AS STANDARD OR REGULAR SEX.

314
00:13:03,567 --> 00:13:04,733
I KNOW VANILLA.

315
00:13:04,767 --> 00:13:07,133
I KNOW WHAT THAT MEANS.

316
00:13:07,167 --> 00:13:11,400
SO HAVE YOU GUYS U-HAULED?

317
00:13:11,433 --> 00:13:12,800
U-HAULED?

318
00:13:12,833 --> 00:13:15,300
YEAH, WELL,
IT'S A LESBIAN RITUAL.

319
00:13:15,333 --> 00:13:18,133
YOU DATE FOR A COUPLE OF WEEKS,
MAYBE,

320
00:13:18,167 --> 00:13:19,533
AND THEN YOU RENT A U-HAUL
AND YOU MOVE IN.

321
00:13:19,567 --> 00:13:22,433
U-HAULED.
THAT'S A GOOD ONE.

322
00:13:22,467 --> 00:13:23,500
U-HAULED...

323
00:13:23,533 --> 00:13:27,633
SO, 2-G IS DEFINITELY
THE BEST UNIT IN THE COMPLEX.

324
00:13:27,667 --> 00:13:30,233
IT'S CLOSEST TO THE POOL.

325
00:13:30,267 --> 00:13:32,667
JARED IS GOING TO BE SO EXCITED
ABOUT THE SWIMMING POOL.

326
00:13:32,700 --> 00:13:38,767
IT'S CUTE HERE.

327
00:13:38,800 --> 00:13:40,300
WELL, WE'LL TALK ABOUT IT,

328
00:13:40,333 --> 00:13:42,433
AND LET YOU KNOW
BY THE END OF THE DAY.

329
00:13:42,467 --> 00:13:43,533
OKAY, COOL,

330
00:13:43,567 --> 00:13:44,633
BUT I CAN'T HOLD IT

331
00:13:44,667 --> 00:13:45,767
ANY LONGER
THAN THAT.

332
00:13:45,800 --> 00:13:46,767
NO, YOU DON'T HAVE TO.

333
00:13:46,800 --> 00:13:47,800
I JUST--I HAVE
TO TAKE CARE OF

334
00:13:47,833 --> 00:13:49,267
A FEW LITTLE
BUSINESS THINGS.

335
00:13:49,300 --> 00:13:51,100
LISA PANTOLINI
SAYS TO SAY HI.

336
00:13:51,133 --> 00:13:53,267
OH, LISA? REALLY.

337
00:13:53,300 --> 00:13:55,600
WELL, GIVE HER MY BEST.
TELL HER I SAY HI BACK.

338
00:13:55,633 --> 00:13:57,367
WHO'S THAT?

339
00:13:57,400 --> 00:13:59,433
SHE'S A GIRL
I USED TO KNOW.

340
00:13:59,467 --> 00:14:00,633
I KNOW LACEY, AS WELL.

341
00:14:00,667 --> 00:14:02,100
OH, YEAH, LACEY,
OF COURSE.

342
00:14:02,133 --> 00:14:04,267
AND I KNOW BRANDI DELANEY.

343
00:14:04,300 --> 00:14:05,567
AND MEGAN.

344
00:14:05,600 --> 00:14:06,567
BRANDI DELANEY...

345
00:14:06,600 --> 00:14:07,567
OH, I REMEMBER, YEAH, BRANDI.

346
00:14:07,600 --> 00:14:08,633
OH, YEAH, AND MEGAN, TOO.

347
00:14:08,667 --> 00:14:11,100
YOU'VE GOT A LONG HISTORY.

348
00:14:11,133 --> 00:14:12,533
NO, IT'S NOT TOO LONG.

349
00:14:12,567 --> 00:14:14,267
LISA COULD NOT BELIEVE IT
WHEN I TOLD HER THAT

350
00:14:14,300 --> 00:14:15,567
YOU WERE MOVING IN
WITH SOMEONE.

351
00:14:15,600 --> 00:14:17,367
HOW LONG HAVE YOU TWO
BEEN TOGETHER FOR NOW?

352
00:14:17,400 --> 00:14:18,400
NOT LONG AT ALL.

353
00:14:18,433 --> 00:14:20,033
FIVE AND A HALF MONTHS.

354
00:14:21,433 --> 00:14:24,033
WELL, SHE STILL TALKS ABOUT YOU
ALL THE TIME, SHANE.

355
00:14:24,067 --> 00:14:25,433
I DON'T THINK
SHE EVER GOT OVER YOU.

356
00:14:25,467 --> 00:14:30,033
SHE'LL BE OKAY,
BUT I AM SORRY TO HEAR THAT.

357
00:14:30,067 --> 00:14:31,367
NO, YOU'RE NOT.

358
00:14:31,400 --> 00:14:33,100
ALL RIGHT,
I'VE GOT TO GO PICK UP JARED.

359
00:14:33,133 --> 00:14:34,100
I'LL SEE YOU LATER.

360
00:14:34,133 --> 00:14:35,233
OKAY.

361
00:14:37,533 --> 00:14:41,267
SO, COULD YOU SHOW ME
WHERE THE GARAGE IS?

362
00:14:41,300 --> 00:14:42,767
OF COURSE I CAN.

363
00:14:42,800 --> 00:14:44,033
THANK YOU.

364
00:14:44,067 --> 00:14:45,733
YEAH, IT'S JUST
RIGHT OVER HERE.

365
00:14:45,767 --> 00:14:47,367
YEAH?

366
00:14:50,600 --> 00:14:53,733
SO, I'LL BET
THE CU LGBT STUDENT UNION

367
00:14:53,767 --> 00:14:56,600
IS VERY THRILLED THAT
THEIR EVC IS IN THE CLUB, HUH?

368
00:14:56,633 --> 00:14:58,233
HAVE YOU PAID THEM A VISIT?

369
00:14:58,267 --> 00:14:59,633
NO, I'M ACTUALLY
A LITTLE EMBARRASSED,

370
00:14:59,667 --> 00:15:01,733
BECAUSE I'M NOT SURE
WHAT THE "T" STANDS FOR.

371
00:15:01,767 --> 00:15:05,467
LESBIAN, GAY, BISEXUAL...

372
00:15:05,500 --> 00:15:06,667
TENTATIVE?

373
00:15:06,700 --> 00:15:07,800
GOOD ONE.

374
00:15:07,833 --> 00:15:09,033
SORRY, GUYS.
I HAVE TO CHANGE THE TAPE.

375
00:15:09,067 --> 00:15:11,100
"T" IS FOR TRANNIES.

376
00:15:11,133 --> 00:15:12,300
TRANNIES?
YEAH, LIKE MAX.

377
00:15:12,333 --> 00:15:13,533
TRANSGENDERED.

378
00:15:13,567 --> 00:15:15,067
OH...

379
00:15:15,100 --> 00:15:17,633
YOU KNOW, PEOPLE WHO HAVE
CHANGED THEIR SEXES

380
00:15:17,667 --> 00:15:21,167
FROM MALE TO FEMALE
OR FROM FEMALE TO MALE.

381
00:15:21,200 --> 00:15:23,167
THAT'S VERY INTERESTING.

382
00:15:23,200 --> 00:15:25,733
HAVE YOU ACTUALLY HAD
THE SEX CHANGE OPERATION?

383
00:15:25,767 --> 00:15:30,033
WELL, I DID GO TO SAN FRANCISCO
TO GET TOP SURGERY.

384
00:15:30,067 --> 00:15:31,233
TOP SURGERY?

385
00:15:31,267 --> 00:15:33,500
THAT'S WHERE
THEY GET THE TOP OFF.

386
00:15:33,533 --> 00:15:35,800
BUT I DECIDED
NOT TO GO THROUGH WITH IT.

387
00:15:35,833 --> 00:15:36,800
YEAH, WHY?

388
00:15:36,833 --> 00:15:39,167
BECAUSE YOU WERE
SO READY TO DO IT?

389
00:15:39,200 --> 00:15:41,700
I GUESS, I MEAN,
I THOUGHT A LOT ABOUT IT,

390
00:15:41,733 --> 00:15:43,733
AND IT'S A REALLY
PERSONAL DECISION,

391
00:15:43,767 --> 00:15:45,267
AND THE FACT IS

392
00:15:45,300 --> 00:15:46,700
THAT YOU CAN LOSE SENSATION
IN YOUR NIPPLES,

393
00:15:46,733 --> 00:15:49,633
SO I DECIDED I DON'T
WANT TO RISK THAT.

394
00:15:49,667 --> 00:15:51,533
I MEAN, FOR SOME GUYS,

395
00:15:51,567 --> 00:15:54,367
THEY DON'T FEEL THEMSELVES,
LIKE, FULLY MALE

396
00:15:54,400 --> 00:15:56,300
UNLESS THEY CAN HAVE
A MALE CONTOURED CHEST

397
00:15:56,333 --> 00:15:58,067
AND BE ABLE TO TAKE
THEIR SHIRTS OFF AND STUFF,

398
00:15:58,100 --> 00:16:02,033
BUT FOR ME,
I GUESS, IN THE END,

399
00:16:02,067 --> 00:16:05,800
I DECIDED THAT I FELT
ENOUGH OF A GUY AS IS, AND I--

400
00:16:05,833 --> 00:16:06,800
WITHOUT THE SURGERY.

401
00:16:06,833 --> 00:16:08,533
THAT IS FASCINATING.

402
00:16:08,567 --> 00:16:10,300
I HAD NO IDEA THAT "TRANS"...

403
00:16:10,333 --> 00:16:11,333
YOU KNOW, I FEEL LIKE

404
00:16:11,367 --> 00:16:13,067
WE'RE GETTING A LITTLE
OFF TOPIC HERE FOR OURCHART.

405
00:16:13,100 --> 00:16:14,567
WHY IS IT OFF-TOPIC?

406
00:16:14,600 --> 00:16:16,733
WELL, I MEAN,
OURCHART'S FOR LESBIANS.

407
00:16:16,767 --> 00:16:18,133
I THOUGHT OURCHART
WAS FOR EVERYBODY.

408
00:16:18,167 --> 00:16:19,133
IT'S "OURCHART."

409
00:16:19,167 --> 00:16:21,533
I MEAN, DOESN'T THAT SUGGEST
IT'S INCLUSIVE?

410
00:16:21,567 --> 00:16:23,633
WELL, SURE, MAX.

411
00:16:23,667 --> 00:16:25,200
I MEAN,
IT'S A LITTLE TECHNICAL,

412
00:16:25,233 --> 00:16:27,133
BUT, YEAH,
IT'S FOR EVERYBODY.

413
00:16:27,167 --> 00:16:28,533
ALICE.

414
00:16:28,567 --> 00:16:29,733
IT'S YOUR SOLDIER GIRL.

415
00:16:29,767 --> 00:16:31,733
TASHA!

416
00:16:31,767 --> 00:16:32,733
HI!

417
00:16:32,767 --> 00:16:34,800
HI! HOW ARE YOU?

418
00:16:34,833 --> 00:16:36,733
LET ME KNOW
IF YOU NEED ANYTHING.

419
00:16:36,767 --> 00:16:39,033
I MISS YOU ALREADY.

420
00:16:39,067 --> 00:16:41,267
LOOK, I CAN'T REALLY TALK
RIGHT NOW.

421
00:16:41,300 --> 00:16:43,500
I JUST WANTED TO HEAR
YOUR VOICE.

422
00:16:43,533 --> 00:16:46,233
SO, HOW'S IT GOING?

423
00:16:46,267 --> 00:16:47,633
ARE YOU READY

424
00:16:47,667 --> 00:16:49,233
TO SHIP OUT
TO IRAQ?

425
00:16:49,267 --> 00:16:51,100
YEAH, I'M READY.

426
00:16:51,133 --> 00:16:53,100
WILLIAMS!

427
00:16:53,133 --> 00:16:54,200
LOOK, I GOT TO GO.

428
00:16:54,233 --> 00:16:55,767
I LOVE YOU.

429
00:16:55,800 --> 00:16:57,233
YEAH, ME TOO.

430
00:16:57,267 --> 00:16:58,667
SAY IT.

431
00:17:01,367 --> 00:17:03,800
I LOVE YOU, TOO, BABY.

432
00:17:03,833 --> 00:17:05,467
OKAY, I'LL CALL IF I CAN.

433
00:17:05,500 --> 00:17:07,700
BYE.

434
00:17:14,200 --> 00:17:15,767
CHRISTINA, RIGHT?
IS THAT HER NAME?

435
00:17:15,800 --> 00:17:17,200
YEAH. AND I'LL CALL BACK.

436
00:17:17,233 --> 00:17:18,733
AND YOU DIDN'T GET A LETTER?

437
00:17:18,767 --> 00:17:20,467
NO.
ARE YOU SURE?

438
00:17:20,500 --> 00:17:21,667
HEY, GOOD MORNING.
MORNING.

439
00:17:21,700 --> 00:17:23,233
DID ANYBODY GET A POSTCARD
FROM JENNY?

440
00:17:23,267 --> 00:17:24,233
HELL NO.

441
00:17:24,267 --> 00:17:25,300
I DID.

442
00:17:25,333 --> 00:17:27,133
WHERE? CHINA, I HOPE.

443
00:17:27,167 --> 00:17:28,233
PLAYA DEL CARMEN.

444
00:17:28,267 --> 00:17:29,700
THAT'S NOT NEARLY
FAR ENOUGH AWAY.

445
00:17:29,733 --> 00:17:31,800
SPEAKING OF JENNY,
YOU GUYS, I'VE GOT TO GO.

446
00:17:31,833 --> 00:17:34,100
I GOT A PRODUCTION MEETING
FOR "LEZ GIRLS."

447
00:17:34,133 --> 00:17:35,100
WITH KATE?

448
00:17:35,133 --> 00:17:37,500
KATE GOT FIRED.

449
00:17:37,533 --> 00:17:39,367
REALLY?

450
00:17:39,400 --> 00:17:41,633
WILLIAM HALSEY
HATED HER MOVIE.

451
00:17:41,667 --> 00:17:42,733
WHO?

452
00:17:42,767 --> 00:17:44,333
THIS HEDGE FUND BILLIONAIRE

453
00:17:44,367 --> 00:17:46,467
WHO'S FINANCING
OUR NEXT THREE PROJECTS.

454
00:17:46,500 --> 00:17:49,100
HE DOESN'T KNOW ANYTHING
ABOUT THE MOVIE BUSINESS.

455
00:17:49,133 --> 00:17:50,800
HE JUST FLEW IN
ON HIS PRIVATE JET,

456
00:17:50,833 --> 00:17:53,100
AND NOW AARON IS IN
FULL KISS-ASS MODE.

457
00:17:53,133 --> 00:17:54,767
I'VE GOT TO GO.

458
00:17:54,800 --> 00:17:56,167
WELL, THAT'S
THE MOVIE BUSINESS FOR YOU.

459
00:17:56,200 --> 00:17:57,200
YEAH, I HATE IT.

460
00:17:57,233 --> 00:18:00,067
ARE YOU SURE YOU DON'T MIND
WATCHING ANGIE FOR ME

461
00:18:00,100 --> 00:18:01,533
WHILE I GET EVERYTHING
READY FOR JODI?

462
00:18:01,567 --> 00:18:02,567
ARE YOU KIDDING ME?

463
00:18:02,600 --> 00:18:04,033
THERE'S NOTHING I LOVE BETTER

464
00:18:04,067 --> 00:18:05,433
THAN JUST HANGING OUT
WITH MY LITTLE NIECE.

465
00:18:05,467 --> 00:18:07,333
BESIDES,
I'M THE ONE RESPONSIBLE

466
00:18:07,367 --> 00:18:10,267
FOR YOU NOT HAVING
A MANNY.

467
00:18:10,300 --> 00:18:11,533
SO, WHEN'S JODI COMING BACK?

468
00:18:11,567 --> 00:18:12,567
TOMORROW NIGHT.

469
00:18:12,600 --> 00:18:14,600
HAVE YOU HEARD FROM ANGUS?

470
00:18:14,633 --> 00:18:18,667
I TOLD HIM
I DIDN'T WANT TO HEAR FROM HIM.

471
00:18:18,700 --> 00:18:20,567
IT'S THE ONLY WAY
I CAN DO IT.

472
00:18:20,600 --> 00:18:22,567
YOU KNOW,
I NEED A CLEAN BREAK.

473
00:18:22,600 --> 00:18:25,200
YOU KNOW, ALICE LOOKS
A LITTLE UPSET OVER THERE.

474
00:18:25,233 --> 00:18:27,167
FUCK.

475
00:18:27,200 --> 00:18:29,500
ALICE REALLY DOES NOT NEED
TO GO THROUGH THIS AGAIN.

476
00:18:29,533 --> 00:18:31,633
EXCUSE ME.

477
00:18:33,667 --> 00:18:35,200
OH, MOM, IT'S AWESOME.

478
00:18:35,233 --> 00:18:36,600
WE'RE RIGHT BY THE POOL.

479
00:18:36,633 --> 00:18:38,233
GREAT.

480
00:18:38,267 --> 00:18:40,167
I'M GOING TO CALL SHANE
AND TELL HER YOU LIKE IT,

481
00:18:40,200 --> 00:18:42,167
AND THEN WE CAN SIGN
THE LEASE.

482
00:18:42,200 --> 00:18:44,267
I MIGHT EVEN
LEARN TO COOK.

483
00:18:44,300 --> 00:18:47,033
RIGHT.

484
00:18:47,067 --> 00:18:53,133
AND HUGE BATHROOM
AND MASTER BEDROOM.

485
00:18:53,167 --> 00:18:54,333
CAN I GO SWIMMING?

486
00:18:54,367 --> 00:18:56,300
AFTER WE MOVE IN.

487
00:18:56,333 --> 00:18:59,600
HONEY, COME AND LOOK AT
YOUR BEDROOM.

488
00:18:59,633 --> 00:19:01,633
HI.

489
00:19:01,667 --> 00:19:03,167
HI.

490
00:19:03,200 --> 00:19:04,333
CAN I SEE
MY BEDROOM NOW?

491
00:19:06,267 --> 00:19:08,167
THERE'S NO POINT, HONEY.

492
00:19:08,200 --> 00:19:10,033
IT'S ALREADY BEEN RENTED.

493
00:19:12,433 --> 00:19:14,300
SORRY, I'M LATE.

494
00:19:14,333 --> 00:19:16,333
...IT'S LIKE MY RETREAT,

495
00:19:16,367 --> 00:19:20,133
WHERE I CAN FLOAT
THROUGH THE OCEAN OF LIFE.

496
00:19:20,167 --> 00:19:21,767
MONSIEUR...

497
00:19:21,800 --> 00:19:24,367
YOU HAVE TO
TELL AARON...

498
00:19:24,400 --> 00:19:25,767
JENNY.

499
00:19:25,800 --> 00:19:28,133
ABOUT HOW YOU CAME UP
WITH THE MANATEE

500
00:19:28,167 --> 00:19:30,133
WHILE WE WERE SWIMMING
WITH YOUR SET OF DOLPHINS

501
00:19:30,167 --> 00:19:32,100
AT XEL HA.

502
00:19:32,133 --> 00:19:35,300
WILLIAM, WILLIAM,
PLEASE MEET TINA KENNARD.

503
00:19:35,333 --> 00:19:37,133
SHE IS THE DEVELOPMENT
HEAD HERE AT SHAOLIN.

504
00:19:37,167 --> 00:19:38,233
EXECUTIVE VICE PRESIDENT,
ACTUALLY.

505
00:19:38,267 --> 00:19:39,300
GOOD TO MEET YOU.

506
00:19:39,333 --> 00:19:40,300
NICE TO MEET YOU.

507
00:19:40,333 --> 00:19:41,300
HI, TINA.

508
00:19:41,333 --> 00:19:42,567
HI, JENNY.

509
00:19:42,600 --> 00:19:43,733
YOU LOOK GREAT.

510
00:19:43,767 --> 00:19:45,133
VERY TANNED.

511
00:19:45,167 --> 00:19:46,200
I LOVED THAT SCENE,
BY THE WAY.

512
00:19:46,233 --> 00:19:47,333
WHICH ONE?

513
00:19:47,367 --> 00:19:48,333
THE MANATEE SCENE.

514
00:19:48,367 --> 00:19:49,633
BUT YOU KNOW WHAT
I REALLY LOVE

515
00:19:49,667 --> 00:19:50,533
IS THE SCENE
AT THE PARTY.

516
00:19:50,567 --> 00:19:52,567
JESSE GETS SEPARATED
FROM HER BOYFRIEND

517
00:19:52,600 --> 00:19:54,767
AND NINA WALKS UP
AND TOTALLY HITS ON HER.

518
00:19:54,800 --> 00:19:56,200
IT'S FANTASTIC.

519
00:19:56,233 --> 00:19:57,200
WONDERFUL.

520
00:19:57,233 --> 00:19:58,367
THANK YOU.

521
00:19:58,400 --> 00:20:00,167
NINA HITS ON JESSE?
IS THAT A NEW SCENE?

522
00:20:00,200 --> 00:20:02,233
I REWROTE THE SCRIPT
WHILE I WAS IN TULUM,

523
00:20:02,267 --> 00:20:05,467
AND THAT'S WHERE
I JUST RAN INTO MONSIEUR.

524
00:20:05,500 --> 00:20:07,200
EVERYBODY KNOWS.

525
00:20:07,233 --> 00:20:09,600
I HAVE A VERY NICE
VILLA IN TULUM.

526
00:20:09,633 --> 00:20:12,167
THE LOVELY JENNY
WAS MY GUEST THERE.

527
00:20:12,200 --> 00:20:14,267
AND WHILE THE LOVELY JENNY
WAS WILLIAM'S GUEST IN TULUM,

528
00:20:14,300 --> 00:20:17,467
SHE DID A FANTASTIC REWRITE
ON "LEZ GIRLS,"

529
00:20:17,500 --> 00:20:19,400
AND SHE DID IT ON SPEC.

530
00:20:19,433 --> 00:20:20,800
WHAT WAS I GOING TO DO?

531
00:20:20,833 --> 00:20:22,467
I WAS...

532
00:20:22,500 --> 00:20:23,733
I WAS FIRED
FROM MY OWN MOVIE.

533
00:20:23,767 --> 00:20:25,133
WELL, IT'S THAT
KIND OF INITIATIVE

534
00:20:25,167 --> 00:20:26,300
THAT IS INSPIRING.

535
00:20:26,333 --> 00:20:27,700
I CAN'T WAIT FOR YOU
TO READ THIS.

536
00:20:27,733 --> 00:20:29,567
TINA,
IT'S FANTASTIC.

537
00:20:29,600 --> 00:20:31,500
HOW EXCITING.

538
00:20:31,533 --> 00:20:33,633
I THINK JENNY HAS
A VERY SPECIAL INSIGHT,

539
00:20:33,667 --> 00:20:35,800
A CERTAIN KIND
OF VISION.

540
00:20:35,833 --> 00:20:38,333
THAT'S THE REASON
THAT SHE'S THE ONLY PERSON

541
00:20:38,367 --> 00:20:40,233
WHO COULD POSSIBLY DIRECT
THE PICTURE.

542
00:20:40,267 --> 00:20:41,267
DIRECTING?

543
00:20:41,300 --> 00:20:42,500
"LEZ GIRLS?"

544
00:20:48,700 --> 00:20:50,100
[DOOR OPENS]

545
00:20:52,733 --> 00:20:54,100
OH, MY GOD!

546
00:20:54,133 --> 00:20:55,333
LOOK WHO'S HERE!

547
00:20:55,367 --> 00:20:56,567
OH, MY GOODNESS.
GIVE HIM TO ME.

548
00:20:56,600 --> 00:20:58,267
LOOK WHO I WANT YOU
TO MEET.

549
00:21:00,267 --> 00:21:03,100
OH, LOOK!

550
00:21:04,700 --> 00:21:06,233
WHAT IS...

551
00:21:06,267 --> 00:21:08,800
WHAT'S THIS
ON HIS HEAD?

552
00:21:08,833 --> 00:21:10,033
YOU ASKED ME...

553
00:21:10,067 --> 00:21:12,100
THIS IS MAUVE.

554
00:21:12,133 --> 00:21:13,433
THIS IS NOT ORANGE.

555
00:21:13,467 --> 00:21:15,700
I KNOW, BUT THE GROOMER
RAN OUT OF ORANGE,

556
00:21:15,733 --> 00:21:18,033
AND SO WE THOUGHT
WE WOULD MATCH...

557
00:21:18,067 --> 00:21:19,167
NO. NO, NO.

558
00:21:19,200 --> 00:21:21,700
I DON'T PAY YOU TO THINK.

559
00:21:21,733 --> 00:21:25,333
DO I, SOUNDER?
DO I PAY HER TO THINK?

560
00:21:25,367 --> 00:21:27,300
HE HATES YOU.

561
00:21:27,333 --> 00:21:31,300
SO TAKE HIM BACK
TO THE GROOMERS NOW

562
00:21:31,333 --> 00:21:35,100
AND GET ORANGE RIBBONS
SO HE CAN LIKE YOU AGAIN.

563
00:21:35,133 --> 00:21:37,067
THEY DON'T HAVE--

564
00:21:40,200 --> 00:21:41,167
SOME PEOPLE HAVE

565
00:21:41,200 --> 00:21:42,500
ABSOLUTELY
NO AESTHETIC SENSE.

566
00:21:42,533 --> 00:21:43,333
WHO IS THAT?

567
00:21:43,367 --> 00:21:46,400
OH, THAT'S MARISSA,
JENNY'S ASSISTANT.

568
00:21:46,433 --> 00:21:48,533
SINCE WHEN DOES
JENNY HAVE AN ASSISTANT?

569
00:21:48,567 --> 00:21:50,533
I MEAN, YOU HIRED
THEM TO HELP YOU.

570
00:21:50,567 --> 00:21:52,267
THAT'S NOT HELP,
THAT'S SABOTAGE.

571
00:21:58,533 --> 00:22:00,600
WOW.

572
00:22:00,633 --> 00:22:03,100
REALLY?

573
00:22:03,133 --> 00:22:08,233
OH, BABY, BELIEVE ME
WHEN I SAY "WOW."

574
00:22:08,267 --> 00:22:11,033
AFTER ALL THE FABULOUS
WOMEN YOU'VE HAD?

575
00:22:11,067 --> 00:22:14,333
THEY PALE IN COMPARISON.

576
00:22:14,367 --> 00:22:16,300
YOU CAN COMPARE THEM
IF YOU WANT TO

577
00:22:16,333 --> 00:22:17,433
AT YOUR PARTY TOMORROW.

578
00:22:17,467 --> 00:22:20,233
I'M NERVOUS.

579
00:22:20,267 --> 00:22:22,667
I MEAN, I'VE BEEN TO
HUNDREDS OF PARTIES.

580
00:22:22,700 --> 00:22:24,733
I WINE AND DINE BILLIONAIRES
AND NOBEL LAUREATES.

581
00:22:24,767 --> 00:22:26,400
THERE WILL BE
A NOBEL LAUREATE

582
00:22:26,433 --> 00:22:27,667
AT YOUR COMING OUT PARTY.

583
00:22:27,700 --> 00:22:29,133
TO THINK THAT THERE ARE

584
00:22:29,167 --> 00:22:31,367
ALL THESE WONDERFUL WOMEN
OUT THERE,

585
00:22:31,400 --> 00:22:33,333
AND YOU'RE SO WONDERFUL

586
00:22:33,367 --> 00:22:35,133
TO GIVE ME
THIS WONDERFUL PARTY.

587
00:22:37,567 --> 00:22:40,033
HAVE YOU THOUGHT ABOUT
MY PROPOSITION?

588
00:22:40,067 --> 00:22:43,167
OH, THAT THE TWO OF US
SHOULD U-HAUL TOGETHER?

589
00:22:46,667 --> 00:22:47,667
U-HAUL?

590
00:22:47,700 --> 00:22:49,067
YEAH.

591
00:22:49,100 --> 00:22:49,933
WHERE DID YOU PICK THAT UP?

592
00:22:49,967 --> 00:22:52,533
WELL, I'M NOT
A COMPLETE NAIF, YOU KNOW.

593
00:22:52,567 --> 00:22:54,633
NO, CERTAINLY NOT.

594
00:23:14,300 --> 00:23:15,600
HEY.

595
00:23:15,633 --> 00:23:16,733
HEY.

596
00:23:16,767 --> 00:23:19,200
HOW'D IT GO?

597
00:23:19,233 --> 00:23:23,200
WELL, SHE WOULDN'T EVEN
ANSWER THE DOOR.

598
00:23:27,367 --> 00:23:29,400
YOU KNOW,
SHE JUST MAYBE NEEDS SOME TIME.

599
00:23:29,433 --> 00:23:32,167
FUCK IT.

600
00:23:32,200 --> 00:23:34,033
I JUST DON'T WANT SHAY
TO FIND OUT.

601
00:23:40,433 --> 00:23:43,267
HEY. YOU LOOK NICE.

602
00:23:43,300 --> 00:23:45,333
THANK YOU. HONEY...

603
00:23:45,367 --> 00:23:47,200
HOW ARE YOU
DOING, MISSY?

604
00:23:49,533 --> 00:23:51,667
NO, IT'S BLACK.

605
00:23:51,700 --> 00:23:54,033
OH, SHIT.

606
00:23:54,067 --> 00:23:55,600
YOU KNOW WHAT?
I'LL SEE YOU TOMORROW.

607
00:23:55,633 --> 00:23:57,200
BETTE, BETTE, BETTE,
PLEASE, PLEASE, PLEASE.

608
00:23:57,233 --> 00:23:58,500
I BEG OF YOU,
WAIT HERE ONE MINUTE.

609
00:23:58,533 --> 00:24:00,333
ONE MINUTE, NO LONGER.
JUST ONE MINUTE.

610
00:24:00,367 --> 00:24:02,167
GET OFF THE PHONE, BITCH.

611
00:24:02,200 --> 00:24:04,467
BYE.

612
00:24:07,767 --> 00:24:09,333
YOU LOOK LIKE A CREPE.

613
00:24:11,433 --> 00:24:12,400
I MISSED YOU.

614
00:24:12,433 --> 00:24:13,400
I WANT YOU
TO MEET SOMEONE.

615
00:24:13,433 --> 00:24:14,433
THIS IS BETTE.

616
00:24:16,167 --> 00:24:17,600
BETTE, I WANT YOU
TO MEET JENNY.

617
00:24:17,633 --> 00:24:18,633
HELLO, BETTE.

618
00:24:18,667 --> 00:24:21,567
HELLO, JENNY.

619
00:24:25,300 --> 00:24:27,800
OH, COME ON, YOU FUCKERS,
BE FRIENDS, PLEASE.

620
00:24:27,833 --> 00:24:28,800
WE'RE NEIGHBORS.

621
00:24:28,833 --> 00:24:29,867
WE'VE KNOWN EACH OTHER
FOR A WHILE.

622
00:24:29,900 --> 00:24:32,533
I NEVER THOUGHT THAT
BETTE AND I WEREN'T FRIENDS.

623
00:24:35,733 --> 00:24:37,133
WE'LL SEE.

624
00:24:37,167 --> 00:24:38,533
OKAY?

625
00:24:44,733 --> 00:24:46,267
OKAY, MARISSA.

626
00:24:46,300 --> 00:24:50,767
I NEED YOU TO PICK UP
MY DRY CLEANING TODAY,

627
00:24:50,800 --> 00:24:52,667
AND, OH, DON'T TELL ME

628
00:24:52,700 --> 00:24:53,533
THAT YOU MISSED

629
00:24:53,567 --> 00:24:57,033
THE SAME-DAY-DELIVERY
DROP-OFF TIME,

630
00:24:57,067 --> 00:24:58,567
BECAUSE I NEED IT BACK
FOR 5:00 TONIGHT,

631
00:24:58,600 --> 00:25:01,367
BECAUSE MY FABULOUS DRESS
IS IN THE DRY CLEANING.

632
00:25:01,400 --> 00:25:02,467
UH-HUH.

633
00:25:02,500 --> 00:25:03,767
OH, YES.
OH, HANG ON.

634
00:25:03,800 --> 00:25:05,100
NOT DONE.

635
00:25:05,133 --> 00:25:06,233
I ACTUALLY NEED YOU TO--

636
00:25:06,267 --> 00:25:07,267
[DOORBELL RINGS]

637
00:25:07,300 --> 00:25:09,267
JUST A SECOND.

638
00:25:09,300 --> 00:25:11,633
WILL NEED YOU TO PICK ME UP
FOR THE PARTY THIS EVENING.

639
00:25:11,667 --> 00:25:14,100
UH-HUH.

640
00:25:14,133 --> 00:25:15,300
OH.

641
00:25:15,333 --> 00:25:18,267
WELL, I NEVER SAID THAT
THIS WAS A FIVE-DAY-A-WEEK JOB.

642
00:25:19,567 --> 00:25:23,433
WELL, IF YOU WANT TO BE
MY ASSISTANT ON SUNDAY,

643
00:25:23,467 --> 00:25:24,600
THEN YOU'RE--

644
00:25:24,633 --> 00:25:26,367
OH. HI.
HI.

645
00:25:26,400 --> 00:25:29,567
UH, THEN YOU ARE GOING TO
PICK ME UP TODAY, SATURDAY.

646
00:25:29,600 --> 00:25:30,633
GREAT.

647
00:25:30,667 --> 00:25:31,667
THANK YOU SO MUCH. BYE.

648
00:25:31,700 --> 00:25:33,367
HI, TINA.

649
00:25:33,400 --> 00:25:34,333
HOW ARE YOU?

650
00:25:34,367 --> 00:25:37,500
I BROUGHT YOU
SOME COFFEE AND CROISSANTS.

651
00:25:37,533 --> 00:25:39,267
OH, I DON'T EAT THAT.

652
00:25:39,300 --> 00:25:40,800
I...
IT'S, LIKE, SUGAR,

653
00:25:40,833 --> 00:25:43,233
AND, LIKE, CLOGGED ARTERIES.

654
00:25:43,267 --> 00:25:45,100
YOU KNOW, IT'S JUST--

655
00:25:47,267 --> 00:25:48,600
SO, WHAT'S UP?

656
00:25:48,633 --> 00:25:52,067
BECAUSE MORNINGS
ARE USUALLY MY TIME TO WRITE.

657
00:25:52,100 --> 00:25:53,533
WELL, ACTUALLY,

658
00:25:53,567 --> 00:25:55,467
THAT'S WHAT I WANTED
TO TALK TO YOU ABOUT.

659
00:25:55,500 --> 00:25:56,800
HERE.

660
00:25:56,833 --> 00:25:58,067
I READ THE SCRIPT.

661
00:25:58,100 --> 00:26:00,367
OH, GOOD.

662
00:26:00,400 --> 00:26:01,800
WILLIAM LOVES IT.

663
00:26:01,833 --> 00:26:03,733
THAT'S WHY HE GREENLIT IT.

664
00:26:03,767 --> 00:26:05,100
IT WAS BASED ON MY REWRITE.

665
00:26:05,133 --> 00:26:07,067
I KNOW.
I THINK THAT'S FANTASTIC.

666
00:26:07,100 --> 00:26:10,667
I'M GLAD YOU THINK
THAT IT'S FANTASTIC.

667
00:26:10,700 --> 00:26:13,667
I DO. I THINK...
I THINK YOU'VE COME A LONG WAY.

668
00:26:13,700 --> 00:26:16,400
I THINK YOU'VE REALLY
PULLED IT TOGETHER.

669
00:26:16,433 --> 00:26:18,300
THANKS.

670
00:26:18,333 --> 00:26:20,600
AND I HAVE A FEW NOTES.

671
00:26:20,633 --> 00:26:22,400
YOU HAVE SOME NOTES FOR ME?

672
00:26:22,433 --> 00:26:23,533
JUST A FEW.

673
00:26:23,567 --> 00:26:26,033
I THINK I CAN HELP YOU
WITH THE TRANSITION

674
00:26:26,067 --> 00:26:27,600
WHERE JESSE IS REPULSED

675
00:26:27,633 --> 00:26:29,167
BY THE THOUGHT
OF HAVING SEX WITH KARINA--

676
00:26:29,200 --> 00:26:31,200
IF IT WERE UP TO YOU,
I WOULDN'T BE ON THE SET.

677
00:26:34,600 --> 00:26:36,600
JENNY, I WOULD HAVE NEVER
BANNED YOU FROM THE SET.

678
00:26:36,633 --> 00:26:38,133
NEVER, OKAY?

679
00:26:38,167 --> 00:26:40,500
I MEAN, I'VE NEVER BEEN TREATED
SO BADLY BEFORE.

680
00:26:40,533 --> 00:26:43,200
YOU TREATED ME LIKE A PARIAH.

681
00:26:43,233 --> 00:26:44,467
I NEVER MEANT TO.

682
00:26:44,500 --> 00:26:46,233
I WAS JUST TRYING
TO GET THE MOVIE MADE.

683
00:26:46,267 --> 00:26:49,633
YOU WERE TRYING TO GET AHEAD
BY USING MY CREATION.

684
00:26:52,633 --> 00:26:53,800
JENNY...

685
00:26:53,833 --> 00:26:55,300
TINA.

686
00:26:55,333 --> 00:26:57,567
I HAVE TOTAL RESPECT
AND ADMIRATION

687
00:26:57,600 --> 00:27:00,200
FOR THE FACT THAT "LEZ GIRLS"
IS YOUR CREATION,

688
00:27:00,233 --> 00:27:02,167
OKAY, AND I WAS JUST
DOING MY JOB,

689
00:27:02,200 --> 00:27:04,333
WHICH IS WHAT
I'M TRYING TO DO RIGHT NOW.

690
00:27:04,367 --> 00:27:06,467
CAN I HAVE MY SCRIPT?

691
00:27:08,600 --> 00:27:09,600
THANKS.

692
00:27:09,633 --> 00:27:13,300
UM, BUT, I WILL NEVER...

693
00:27:15,300 --> 00:27:17,800
TAKE ANY OF YOUR...

694
00:27:17,833 --> 00:27:21,600
STICKY NOTES
INTO ACCOUNT.

695
00:27:25,200 --> 00:27:27,200
OKAY,

696
00:27:27,233 --> 00:27:28,533
JENNY, I'M SORRY.

697
00:27:28,567 --> 00:27:30,433
I AM SO SORRY

698
00:27:30,467 --> 00:27:33,800
FOR EVERYTHING THAT WENT DOWN,

699
00:27:33,833 --> 00:27:35,100
EVERYTHING THAT HAPPENED,

700
00:27:35,133 --> 00:27:36,733
EVERYTHING WITH KATE, OKAY?

701
00:27:36,767 --> 00:27:38,567
EVERYTHING... YOU JUST...

702
00:27:38,600 --> 00:27:40,233
LOOK, WE HAVE TO WORK TOGETHER,

703
00:27:40,267 --> 00:27:42,433
AND YOU JUST
HAVE TO KNOW

704
00:27:42,467 --> 00:27:44,500
THAT I SINCERELY
WANT TO HELP YOU

705
00:27:44,533 --> 00:27:48,133
TRY TO MAKE THE BEST MOVIE
THAT YOU CAN MAKE.

706
00:27:49,567 --> 00:27:50,767
THAT WAS GOOD.

707
00:27:50,800 --> 00:27:52,100
NO, IT WAS GOOD.

708
00:27:52,133 --> 00:27:53,800
I CAN SEE THAT YOU...

709
00:27:53,833 --> 00:27:57,533
IT TOOK A LOT
TO DREDGE UP AN APOLOGY,

710
00:27:57,567 --> 00:27:59,467
AND I CAN SEE ALL
THE TIME THAT IT TOOK,

711
00:27:59,500 --> 00:28:05,033
BUT I STILL DON'T SEE
WHY I SHOULD TAKE NOTES FROM--

712
00:28:05,067 --> 00:28:06,467
STICKY NOTES, TOO--FROM YOU.

713
00:28:06,500 --> 00:28:10,100
BECAUSE I'M YOUR EXECUTIVE.

714
00:28:10,133 --> 00:28:11,100
EXACTLY.

715
00:28:11,133 --> 00:28:12,133
YOU'RE AN EXECUTIVE,

716
00:28:12,167 --> 00:28:13,200
AND I'M A WRITER,

717
00:28:13,233 --> 00:28:16,500
AND YOU DON'T UNDERSTAND
ANYTHING ABOUT WRITING,

718
00:28:16,533 --> 00:28:19,033
OR ANYTHING CREATIVE,
FOR THAT MATTER,

719
00:28:19,067 --> 00:28:21,367
SO...

720
00:28:21,400 --> 00:28:22,500
EXCUSE ME, TINA,

721
00:28:22,533 --> 00:28:24,133
BUT I ACTUALLY HAVE TO
GET BACK TO WORK.

722
00:28:28,267 --> 00:28:30,133
FINE.

723
00:28:56,733 --> 00:29:01,133
OH, GOD.
I CAN'T EAT THIS.

724
00:29:15,533 --> 00:29:20,233
OH, GOD, YOU COULD KILL SOMEONE
WITH THAT.

725
00:29:20,267 --> 00:29:22,567
NOT THAT I WOULD.

726
00:29:22,600 --> 00:29:23,567
EVER.

727
00:29:23,600 --> 00:29:24,733
KILL SOMEONE.

728
00:29:24,767 --> 00:29:29,200
I'M TOTALLY,
TOTALLY AGAINST KILLING.

729
00:29:29,233 --> 00:29:31,600
SHIT HAPPENS.

730
00:29:37,600 --> 00:29:38,700
LOOK AT THAT.

731
00:29:38,733 --> 00:29:40,400
CAN YOU GIVE THE TURTLE
TO MOMMA B?

732
00:29:40,433 --> 00:29:41,733
MOMMA B-BEE.

733
00:29:41,767 --> 00:29:43,433
MOMMA BUMBLEBEE.

734
00:29:43,467 --> 00:29:46,567
COME ON, SWEETIE,
I'LL TAKE YOU TO THE POTTY.

735
00:29:46,600 --> 00:29:47,767
I'VE GOT YOU.

736
00:29:47,800 --> 00:29:49,167
TO NAPPIES?

737
00:29:49,200 --> 00:29:51,200
YEAH, AND THEN TIME
FOR NAPPIES.

738
00:29:51,233 --> 00:29:52,600
AND THEN TIME FOR NAPPIES.

739
00:29:52,633 --> 00:29:54,267
I'LL BE RIGHT BACK OUT.
I'M GOING TO PUT HER DOWN.

740
00:29:56,533 --> 00:29:58,400
NO, YOU DON'T WANT
TO GO TO SLEEP?

741
00:29:58,433 --> 00:30:01,433
WHAT DO YOU
WANT TO DO?

742
00:30:01,467 --> 00:30:04,433
YOU'RE GOING
TO GO POTTY?

743
00:30:55,333 --> 00:30:57,300
SO, HOW COME YOU DIDN'T TELL ME
THAT KATE GOT FIRED?

744
00:30:57,333 --> 00:31:00,433
I DON'T KNOW.

745
00:31:05,200 --> 00:31:08,067
I GUESS BECAUSE YOU HATE
THE MOVIE BUSINESS SO MUCH.

746
00:31:08,100 --> 00:31:10,233
WELL, THERE'S A LOT TO HATE,

747
00:31:10,267 --> 00:31:11,367
BUT I HOPE IT DIDN'T
MESS ANYTHING UP

748
00:31:11,400 --> 00:31:12,567
BETWEEN THE TWO OF YOU.

749
00:31:15,100 --> 00:31:16,433
THERE'S NOTHING TO MESS UP.

750
00:31:21,633 --> 00:31:23,500
I THINK SHE'S BACK IN NEW YORK.

751
00:31:23,533 --> 00:31:25,467
SO, YOU AND SHE
NEVER HOOKED UP?

752
00:31:25,500 --> 00:31:29,167
I DON'T THINK
I WANT TO ANSWER THAT.

753
00:31:29,200 --> 00:31:31,667
YOU DIDN'T, DID YOU?

754
00:31:35,833 --> 00:31:38,367
HMM.

755
00:31:38,400 --> 00:31:39,533
SO, WHAT ARE YOU DOING FOR SEX?

756
00:31:39,567 --> 00:31:41,400
WHAT?

757
00:31:41,433 --> 00:31:44,067
WELL, I MEAN, IF THE THING
WITH KATE DIDN'T WORK OUT,

758
00:31:44,100 --> 00:31:46,367
AND I KNOW IT'S BEEN
A LONG TIME...

759
00:31:46,400 --> 00:31:48,367
SO, ARE YOU SEEING ANYONE?

760
00:31:48,400 --> 00:31:53,267
YOU WANT TO KNOW
IF I'M GETTING LAID?

761
00:31:53,300 --> 00:31:55,467
IS THAT OFF LIMITS, TOO?

762
00:31:58,467 --> 00:32:00,500
YEAH, IT IS.

763
00:32:04,133 --> 00:32:06,633
YOU KNOW, IT'S NOT LIKE
I DIDN'T GO FOR MONTHS AT A TIME

764
00:32:06,667 --> 00:32:09,033
WITHOUT HAVING SEX
WHEN WE WERE TOGETHER.

765
00:32:09,067 --> 00:32:10,233
I'VE GOT TO GO.

766
00:32:10,267 --> 00:32:11,267
I HAVE TO GO
VISIT HELENA.

767
00:32:14,500 --> 00:32:16,767
OUCH.

768
00:32:28,800 --> 00:32:30,767
YOU'VE GOT TO STOP SAYING
THERE'S NO BEAUTIFUL WOMEN.

769
00:32:30,800 --> 00:32:32,567
I SEE THEM
EVERYWHERE I GO.

770
00:32:32,600 --> 00:32:33,467
HI.

771
00:32:33,500 --> 00:32:35,033
SHANE, BEAUTIFUL WOMEN,
THEY SEE YOU.

772
00:32:35,067 --> 00:32:36,300
THEY DON'T SEE ME.

773
00:32:36,333 --> 00:32:38,200
OH, BULLSHIT, TINA.

774
00:32:38,233 --> 00:32:40,267
YOU DO NEED TO STOP
HANGING OUT WITH BETTE, THOUGH.

775
00:32:40,300 --> 00:32:42,633
YEAH, ESPECIALLY SINCE
JODI'S COMING BACK.

776
00:32:42,667 --> 00:32:45,167
JUST PLEASE DO NOT GO BACK
TO MEN WHATEVER YOU DO.

777
00:32:45,200 --> 00:32:47,267
LOOK, YOU GUYS,
I'M INTERESTED IN WOMEN, OKAY?

778
00:32:47,300 --> 00:32:48,767
IT'S JUST HARD TO FIND SOMEONE
AFTER BETTE.

779
00:32:48,800 --> 00:32:50,167
FORGET ABOUT BETTE.

780
00:32:50,200 --> 00:32:51,167
REALLY, IT IS EASY.
I DID IT.

781
00:32:51,200 --> 00:32:52,667
I HAVE.

782
00:32:52,700 --> 00:32:54,367
IT'S JUST THAT
SHE SET THE BAR.

783
00:32:54,400 --> 00:32:55,433
YOU DON'T NEED TO GO
TO THE BAR.

784
00:32:55,467 --> 00:32:56,433
WE CAN GO
WHEREVER YOU WANT.

785
00:32:56,467 --> 00:32:57,767
WE CAN EXPAND IT.

786
00:32:57,800 --> 00:32:59,133
WILL YOU STILL
BE HERE WHEN I...

787
00:32:59,167 --> 00:33:00,133
ALL RIGHT, SUGAR.

788
00:33:00,167 --> 00:33:01,133
YEAH, WE'LL BE
YOUR WINGMEN,

789
00:33:01,167 --> 00:33:03,433
LIKE, YOUR LITTLE,
GAY WINGMEN.

790
00:33:20,300 --> 00:33:22,333
HEY.

791
00:33:22,367 --> 00:33:24,433
ARE YOU OKAY?

792
00:33:24,467 --> 00:33:26,633
YOU ACTUALLY LOOK
AMAZINGLY BEAUTIFUL.

793
00:33:26,667 --> 00:33:28,367
HAVE YOU HEARD FROM MOTHER?

794
00:33:28,400 --> 00:33:31,367
I'VE PUT IN
A FEW CALLS.

795
00:33:31,400 --> 00:33:32,800
LIKE 350.

796
00:33:32,833 --> 00:33:35,700
LISTEN, WE'RE TRYING TO
COME UP WITH THE BAIL.

797
00:33:35,733 --> 00:33:36,700
IT'S JUST...
IT'S A LOT OF MONEY.

798
00:33:36,733 --> 00:33:39,567
I DON'T UNDERSTAND
WHY YOUR BAIL IS SET SO HIGH.

799
00:33:39,600 --> 00:33:40,800
I MEAN, IT'S NOT LIKE
YOU MURDERED CATHERINE.

800
00:33:40,833 --> 00:33:42,633
I WOULD'VE MURDERED HER,
GIVEN HALF THE CHANCE.

801
00:33:45,333 --> 00:33:46,733
SHE'S A FLIGHT RISK.

802
00:33:46,767 --> 00:33:48,567
SHE HAS NO TIES
TO THE COMMUNITY.

803
00:33:48,600 --> 00:33:50,333
HER FAMILY'S LOADED.
IT'S...

804
00:33:50,367 --> 00:33:51,500
AND YOU STOLE
AN AWFUL LOT OF MONEY.

805
00:33:51,533 --> 00:33:53,367
I DIDN'T STEAL IT.

806
00:33:53,400 --> 00:33:56,333
I WAS ENTITLED TO IT.

807
00:33:56,367 --> 00:33:57,800
OKAY.

808
00:33:57,833 --> 00:33:59,467
TOTALLY.

809
00:33:59,500 --> 00:34:00,467
NOBODY'S DISPUTING THAT.

810
00:34:00,500 --> 00:34:05,233
WELL, EXCEPT
MAYBE THE D.A.

811
00:34:07,267 --> 00:34:08,333
ASK HER.

812
00:34:11,600 --> 00:34:13,100
HELENA...

813
00:34:15,233 --> 00:34:17,133
WHAT DID YOU DO
WITH THE MONEY?

814
00:34:17,167 --> 00:34:18,633
BECAUSE I THINK
IF YOU TELL THEM

815
00:34:18,667 --> 00:34:19,733
WHERE YOU PUT
THE MONEY,

816
00:34:19,767 --> 00:34:21,233
THEY WOULD DROP
THE CHARGES.

817
00:34:26,500 --> 00:34:27,633
SO, ARE THEY TREATING YOU
WELL IN HERE?

818
00:34:27,667 --> 00:34:29,133
I MEAN,
IS IT AT LEAST HUMANE?

819
00:34:29,167 --> 00:34:30,800
WELL, I'M SURE THE SHEETS
ARE POLYESTER.

820
00:34:30,833 --> 00:34:32,200
THERE ARE NO SHEETS!

821
00:34:32,233 --> 00:34:33,533
ALICE!

822
00:34:33,567 --> 00:34:36,733
AND THE FOOD HERE
TASTES LIKE SHIT.

823
00:34:38,567 --> 00:34:39,800
MY CELLMATE IS, LIKE,

824
00:34:39,833 --> 00:34:41,700
THIS MASSIVE
HOMICIDAL PSYCHOPATH,

825
00:34:41,733 --> 00:34:43,500
WHO PROBABLY IS GOING TO KILL ME
IN MY SLEEP.

826
00:34:43,533 --> 00:34:46,733
OKAY, JUST SIT TIGHT,
ALL RIGHT?

827
00:34:46,767 --> 00:34:48,033
BECAUSE WE'RE GOING TO
GET YOU OUT.

828
00:34:48,067 --> 00:34:49,633
HOW?
WE DON'T KNOW YET,

829
00:34:49,667 --> 00:34:51,200
BUT I CAN
PROMISE YOU THIS--

830
00:34:51,233 --> 00:34:53,167
WE'LL COME AND VISIT YOU
AS MUCH AS WE CAN.

831
00:34:53,200 --> 00:34:54,433
EVERY DAY.

832
00:34:54,467 --> 00:34:55,467
OKAY?

833
00:34:55,500 --> 00:34:56,533
YOU HAVE TO PROMISE US

834
00:34:56,567 --> 00:34:58,133
THAT YOU'RE GOING TO
KEEP IT SAFE HERE.

835
00:34:58,167 --> 00:34:59,433
OKAY. HOW?

836
00:34:59,467 --> 00:35:00,600
HOW DO I DO THAT?

837
00:35:00,633 --> 00:35:02,033
YOU LAY LOW.

838
00:35:02,067 --> 00:35:04,300
NO, SHE NEEDS TO
STAND UP FOR HERSELF.

839
00:35:04,333 --> 00:35:07,567
SHE NEEDS TO LET EVERYBODY
IN HERE KNOW SHE'S NOT AFRAID.

840
00:35:07,600 --> 00:35:08,600
OH, REALLY?
YEAH.

841
00:35:08,633 --> 00:35:09,767
I'M SO SURE--

842
00:35:09,800 --> 00:35:11,100
NO, SHE SHOULD STICK
TO HERSELF

843
00:35:11,133 --> 00:35:13,033
AND STAY OUT
OF ALL THE DRAMA.

844
00:35:13,067 --> 00:35:14,600
SHE GETS A FAMILY,
AND GETS HERSELF A DADDY.

845
00:35:14,633 --> 00:35:15,600
ARE YOU FUCKING
KIDDING ME?

846
00:35:15,633 --> 00:35:17,600
NO, SHE SHOULDN'T.
ARE YOU JOKING?

847
00:35:17,633 --> 00:35:19,033
NO, SHE SHOULD STAY OUT
OF THAT SHIT.

848
00:35:19,067 --> 00:35:20,433
STICK TO HERSELF.
THAT'S IT.

849
00:35:20,467 --> 00:35:22,333
SHE'S AN ALPHA FEMALE.

850
00:35:22,367 --> 00:35:23,333
SHE'S BRITISH.

851
00:35:23,367 --> 00:35:27,500
OKAY, WHATEVER. SHH!

852
00:35:27,533 --> 00:35:29,767
JUST DON'T DROP THE SOAP.

853
00:35:29,800 --> 00:35:32,100
YOU KNOW
WHAT I'M SAYING?

854
00:35:32,133 --> 00:35:34,067
DON'T DROP THE SOAP.

855
00:35:34,100 --> 00:35:35,167
I WOULDN'T, NO.

856
00:35:45,600 --> 00:35:47,167
TO PHYLLIS.

857
00:35:47,200 --> 00:35:48,433
[NEWS REPORTER]:
AMERICAN SOLDIERS

858
00:35:48,467 --> 00:35:50,200
SUFFERED A DEADLY ATTACK TODAY

859
00:35:50,233 --> 00:35:52,267
IN A REBEL STRIKE
ON A SOUTHERN MILITARY BASE.

860
00:35:52,300 --> 00:35:55,200
19 SOLDIERS WERE KILLED,
AND MORE THAN...

861
00:35:55,233 --> 00:35:56,533
ALL RIGHT,
I KNOW YOU DON'T WANT TO,

862
00:35:56,567 --> 00:35:59,333
BUT WE'VE GOT TO RALLY
TO PHYLLIS' PARTY

863
00:35:59,367 --> 00:36:03,400
AND GET OURSELVES
IN THE MOOD, PUMPKIN.

864
00:36:03,433 --> 00:36:05,667
I'M NOT IN THE MOOD.

865
00:36:05,700 --> 00:36:07,367
LOOK, I BET
SHE DIDN'T CALL,

866
00:36:07,400 --> 00:36:09,233
BECAUSE SHE WANTED
TO MAKE IT EASIER ON YOU.

867
00:36:09,267 --> 00:36:12,400
THEY SHIPPED OUT
AT 0900 O'CLOCK THIS MORNING,

868
00:36:12,433 --> 00:36:14,667
AND SHE SAID SHE WOULD CALL ME
BEFORE THEY SHIPPED OUT.

869
00:36:14,700 --> 00:36:16,067
YEAH, BUT I'M SURE
SHE HAS A GOOD REASON.

870
00:36:16,100 --> 00:36:17,467
I DON'T THINK
TASHA'S A FLAKE.

871
00:36:17,500 --> 00:36:19,767
COME ON.

872
00:36:19,800 --> 00:36:23,167
COME ON, COME ON, COME ON.

873
00:36:23,200 --> 00:36:24,700
YOU GOING
TO GET ME DRUNK?

874
00:36:24,733 --> 00:36:26,300
YEP.

875
00:36:26,333 --> 00:36:27,733
BY THE WAY,

876
00:36:27,767 --> 00:36:28,567
I HEARD YOU HANDLED

877
00:36:28,600 --> 00:36:29,800
THE BOARD OF DIRECTORS
BRILLIANTLY.

878
00:36:29,833 --> 00:36:31,267
OH, SHE MANHANDLED THEM.

879
00:36:33,267 --> 00:36:35,100
SO, YOU HEARD
ABOUT THAT?

880
00:36:35,133 --> 00:36:36,333
OH, IT WAS LEGENDARY, PHYLLIS.

881
00:36:36,367 --> 00:36:37,667
YOU WERE THE TALK
OF THE UP CONFERENCE.

882
00:36:37,700 --> 00:36:38,800
NO WAY.

883
00:36:38,833 --> 00:36:40,400
I TOLD YOU,
PHYLLIS,

884
00:36:40,433 --> 00:36:42,300
THE LESBIANS OF ACADEMIA
ARE ALL CELEBRATING

885
00:36:42,333 --> 00:36:45,367
THE ADVENT OF YOUR
LANDING AMONG THEM.

886
00:36:45,400 --> 00:36:47,033
WE'VE HAD YOU ON OUR RADAR

887
00:36:47,067 --> 00:36:49,267
SINCE LONG BEFORE OLD JOYCIE
GOT HER MITTS ALL OVER YOU.

888
00:36:49,300 --> 00:36:50,600
HEY, BACK OFF.

889
00:36:50,633 --> 00:36:53,300
OLD JOYCIE GOT
IN THERE FIRST.

890
00:36:53,333 --> 00:36:55,067
OH, BABY.

891
00:36:55,100 --> 00:36:57,500
WHAT ABOUT HER?

892
00:36:57,533 --> 00:36:58,767
WHAT?

893
00:36:58,800 --> 00:37:00,333
ARE YOU LOOKING
WHERE I'M LOOKING?

894
00:37:00,367 --> 00:37:01,700
I'VE GOT TWO EYES, ALICE.
I'M LOOKING, AND I SAY NO.

895
00:37:01,733 --> 00:37:03,200
WHAT ABOUT HER?

896
00:37:06,533 --> 00:37:07,500
NOT BETTE!
WHAT?

897
00:37:07,533 --> 00:37:08,633
NOT BETTE.

898
00:37:08,667 --> 00:37:10,300
I'M NOT LOOKING AT BETTE.

899
00:37:10,333 --> 00:37:12,100
I WAS...
I'M LOOKING. YEP.

900
00:37:12,133 --> 00:37:13,200
SO YOU SEE HER?

901
00:37:13,233 --> 00:37:14,400
WHERE?

902
00:37:14,433 --> 00:37:17,067
WELL, SHE'S KIND OF GOT,
LIKE, DARK-BROWN HAIR,

903
00:37:17,100 --> 00:37:19,200
KIND OF A HOT
SCHOOL TEACHER.

904
00:37:19,233 --> 00:37:20,333
OH, THAT ONE.
SHE'S CUTE.

905
00:37:20,367 --> 00:37:22,200
SHE'S A BIT...

906
00:37:22,233 --> 00:37:23,267
SERIOUS?

907
00:37:23,300 --> 00:37:24,333
YEAH, FLATLINING,
BUT SHE'S CUTE.

908
00:37:24,367 --> 00:37:25,367
SHE'S PROBABLY

909
00:37:25,400 --> 00:37:27,033
A PULITZER PRIZE WINNING
SCIENTIST OR SOMETHING.

910
00:37:27,067 --> 00:37:28,033
OH, AND THAT'S BAD?

911
00:37:28,067 --> 00:37:29,233
SO WHAT? YOU'RE SMART.

912
00:37:29,267 --> 00:37:30,233
I KNOW I'M SMART.

913
00:37:30,267 --> 00:37:31,233
GOOD.

914
00:37:31,267 --> 00:37:32,433
I--

915
00:37:32,467 --> 00:37:34,733
WE DON'T HAVE
ANYTHING IN COMMON.

916
00:37:34,767 --> 00:37:36,600
HAVE YOU
TALKED TO HER?

917
00:37:36,633 --> 00:37:37,600
DO YOU KNOW HER?

918
00:37:37,633 --> 00:37:38,433
I CAN JUST TELL.

919
00:37:38,467 --> 00:37:40,333
I DON'T THINK SO, TINA.
I DON'T KNOW.

920
00:37:40,367 --> 00:37:41,333
ALL RIGHT, ALL RIGHT,
ALL RIGHT, ALL RIGHT.

921
00:37:41,367 --> 00:37:42,700
WHAT?
SIT TIGHT.

922
00:37:42,733 --> 00:37:44,500
NO.
WHAT?

923
00:37:44,533 --> 00:37:46,567
OKAY, SO I NEED YOU
TO COME OVER

924
00:37:46,600 --> 00:37:47,800
FIRST THING
TOMORROW MORNING,

925
00:37:47,833 --> 00:37:50,800
AND WHAT I WANT YOU TO DO IS
CREATE A RAINBOW IN MY OFFICE.

926
00:37:50,833 --> 00:37:51,800
A RAINBOW?

927
00:37:51,833 --> 00:37:54,033
ESSENTIALLY, I NEED

928
00:37:54,067 --> 00:37:55,033
A RAINBOW-COLORED HUE OF FILES,

929
00:37:55,067 --> 00:37:57,767
BECAUSE I WANT
EACH ONE OF MY MAIN CHARACTERS

930
00:37:57,800 --> 00:37:59,333
TO BE PART OF THE RAINBOW,

931
00:37:59,367 --> 00:38:00,733
AND IT NEEDS TO BE ORGANIZED
CATEGORICALLY--

932
00:38:00,767 --> 00:38:02,700
OKAY, I CAN'T COME OVER
TOMORROW MORNING FIRST THING,

933
00:38:02,733 --> 00:38:03,700
BUT I PROMISE YOU I'LL--

934
00:38:03,733 --> 00:38:04,733
WHY?

935
00:38:05,733 --> 00:38:07,533
DO YOU HAVE SOMETHING
MORE IMPORTANT TO DO?

936
00:38:07,567 --> 00:38:09,400
YEAH. I'M GOING TO CHURCH.

937
00:38:09,433 --> 00:38:12,100
GO IN THE AFTERNOON, SILLY.

938
00:38:12,133 --> 00:38:14,600
THEY DON'T HAVE
AFTERNOON SERVICE

939
00:38:14,633 --> 00:38:16,267
IN THE EPISCOPAL CHURCH.

940
00:38:18,400 --> 00:38:19,367
HEY, SUGAR.
HEY.

941
00:38:19,400 --> 00:38:20,367
BUT-- WAIT!

942
00:38:20,400 --> 00:38:22,100
HI.
HI, YOU.

943
00:38:22,133 --> 00:38:23,433
HOW ARE YOU DOING?

944
00:38:23,467 --> 00:38:24,433
I GOT TO GO HELP TINA
WITH SOMETHING.

945
00:38:24,467 --> 00:38:25,467
I'LL BE RIGHT BACK.
WHY TINA?

946
00:38:25,500 --> 00:38:26,633
BE NICE.

947
00:38:26,667 --> 00:38:27,700
WHO'S THAT?

948
00:38:27,733 --> 00:38:31,133
MARISSA,
MY ASSISTANT.

949
00:38:31,167 --> 00:38:33,200
SHE'S CUTE.
I'LL BE RIGHT BACK.

950
00:38:33,233 --> 00:38:35,033
OKAY, SO I'LL SEE YOU
AT 8:00 A.M. TOMORROW.

951
00:38:35,067 --> 00:38:36,033
I WON'T BE THERE.

952
00:38:36,067 --> 00:38:37,633
WHY?

953
00:38:37,667 --> 00:38:39,700
BECAUSE I FUCKING QUIT.

954
00:38:43,167 --> 00:38:45,700
WELL, YOU'VE...

955
00:38:45,733 --> 00:38:49,433
YOU HAVE MISSED THE OPPORTUNITY
OF A LIFETIME, MARISSA.

956
00:38:52,400 --> 00:38:53,467
HI, HOT STUFF.
NICE PARTY.

957
00:38:53,500 --> 00:38:54,800
HOW ARE YOU DOING, SHANE?

958
00:38:54,833 --> 00:38:55,800
I'M GOOD.

959
00:38:55,833 --> 00:38:57,467
SHANE,
MEET THE LADIES.

960
00:38:57,500 --> 00:39:00,367
THIS IS CAMILLA GOLDONI,
VISITING US FROM LUCCA,

961
00:39:00,400 --> 00:39:02,400
AND SHE'S A RECIPIENT
OF THE ROCKEFELLER GRANT.

962
00:39:02,433 --> 00:39:03,800
A VERY PRESTIGIOUS AWARD.

963
00:39:03,833 --> 00:39:05,167
SHE KNOWS THAT, HONEY.

964
00:39:05,200 --> 00:39:06,367
THIS IS MY BUDDY,
SAMANTHA.

965
00:39:06,400 --> 00:39:07,633
HEY, SHANE.
NICE TO MEET YOU.

966
00:39:07,667 --> 00:39:08,767
NICE TO MEET YOU.

967
00:39:08,800 --> 00:39:10,233
MEGAN SWISHER.

968
00:39:10,267 --> 00:39:11,233
NICE TO MEET YOU.

969
00:39:11,267 --> 00:39:12,233
NICE TO MEET YOU.

970
00:39:12,267 --> 00:39:13,233
AND ANDREA JILLS.

971
00:39:13,267 --> 00:39:14,767
HI.

972
00:39:14,800 --> 00:39:16,333
NICE TO MEET YOU.

973
00:39:16,367 --> 00:39:19,200
NICE TO MEET YOU.

974
00:39:19,233 --> 00:39:21,233
SHE'S TALKING TO HER.
SHE'S TALKING TO HER.

975
00:39:21,267 --> 00:39:22,700
I'M SURE YOU GET THIS
ALL THE TIME,

976
00:39:22,733 --> 00:39:24,200
SO THIS ISN'T
REALLY ORIGINAL,

977
00:39:24,233 --> 00:39:26,467
BUT YOU REALLY DO
HAVE BEAUTIFUL EYES.

978
00:39:26,500 --> 00:39:28,400
IT'S TRUE.

979
00:39:28,433 --> 00:39:29,633
THANK YOU.

980
00:39:29,667 --> 00:39:30,767
YOU'RE WELCOME.

981
00:39:30,800 --> 00:39:32,467
YOU HAVE
BEAUTIFUL EYES, TOO.

982
00:39:32,500 --> 00:39:36,467
SO, WHAT'S YOUR STORY, SHANE?

983
00:39:36,500 --> 00:39:38,533
UM...

984
00:39:38,567 --> 00:39:40,333
I DON'T REALLY HAVE ONE,

985
00:39:40,367 --> 00:39:43,600
BUT SEE THAT BLONDE OVER THERE?

986
00:39:43,633 --> 00:39:45,133
THAT'S MY FRIEND, TINA,

987
00:39:45,167 --> 00:39:46,700
AND I THINK SHE WOULD
REALLY LIKE TO MEET YOU.

988
00:39:49,767 --> 00:39:52,167
BUT I'M MEETING YOU RIGHT NOW.

989
00:39:55,333 --> 00:39:56,333
YES, YOU ARE.

990
00:39:58,300 --> 00:40:00,767
WELL, GREAT.

991
00:40:00,800 --> 00:40:03,100
YOU DIDN'T HAVE
ANYTHING IN COMMON.

992
00:40:03,133 --> 00:40:04,600
PUMPKIN, I WANT TO TAKE CARE
OF SOME BUSINESS.

993
00:40:04,633 --> 00:40:06,500
WHY DON'T YOU GET TO KNOW CAMI
A LITTLE BETTER?

994
00:40:06,533 --> 00:40:08,233
DON'T BOTHER WITH THESE TWO.

995
00:40:08,267 --> 00:40:09,467
THEY'RE NOT WORTH IT.

996
00:40:09,500 --> 00:40:10,467
I'M JUST KIDDING.

997
00:40:10,500 --> 00:40:11,467
HI.

998
00:40:11,500 --> 00:40:12,433
HI.

999
00:40:12,467 --> 00:40:13,433
CAMI. IS IT CAMILLA?

1000
00:40:13,467 --> 00:40:14,433
CAMILLA.

1001
00:40:14,467 --> 00:40:15,467
YES.

1002
00:40:16,733 --> 00:40:19,400
HEY, TINA,
HEY, I'M SORRY.

1003
00:40:19,433 --> 00:40:20,800
SHE HAS A GIRLFRIEND.

1004
00:40:20,833 --> 00:40:22,567
IT'S A NO-GO.

1005
00:40:22,600 --> 00:40:24,300
YOU ARE SUCH A LIAR.

1006
00:40:24,333 --> 00:40:25,467
I'M NOT LYING.
IT'S WHAT SHE TOLD ME.

1007
00:40:25,500 --> 00:40:26,800
I HATE BEING
SINGLE, YOU GUYS.

1008
00:40:26,833 --> 00:40:28,233
BEING SINGLE'S
NOT SO BAD.

1009
00:40:28,267 --> 00:40:30,533
OH, TO THE LEFT.

1010
00:40:30,567 --> 00:40:31,567
I JUST WANT TO KNOW
ONE THING.

1011
00:40:31,600 --> 00:40:33,400
WHY DID YOU ASK
ME AND JARED

1012
00:40:33,433 --> 00:40:35,367
TO MOVE IN WITH YOU?

1013
00:40:35,400 --> 00:40:37,533
ALL RIGHT, LET'S, LET'S,
LET'S TALK ABOUT THIS OUTSIDE.

1014
00:40:37,567 --> 00:40:38,733
NO, NO.

1015
00:40:40,800 --> 00:40:43,800
I JUST WANT YOU TO ANSWER ME.

1016
00:40:43,833 --> 00:40:46,333
ALL RIGHT, I ASKED
YOU AND JARED TO MOVE IN WITH ME

1017
00:40:46,367 --> 00:40:48,633
BECAUSE I THOUGHT
IT WOULD BE GOOD FOR US.

1018
00:40:48,667 --> 00:40:51,467
GOOD FOR US?

1019
00:40:51,500 --> 00:40:54,100
YOU MEAN LIKE EATING
ALL YOUR GREEN VEGETABLES?

1020
00:40:56,633 --> 00:40:58,667
WHY DID YOU TELL JARED
THAT SHAY WAS COMING BACK?

1021
00:40:58,700 --> 00:41:00,100
PAIGE, I NEVER ONCE--

1022
00:41:00,133 --> 00:41:01,667
I NEVER SAID
SHAY WAS GOING TO COME BACK.

1023
00:41:01,700 --> 00:41:04,033
I SAID TO HIM
THAT I WANTED HIM TO,

1024
00:41:04,067 --> 00:41:05,667
BUT I NEVER, EVER
PROMISED JARED THAT.

1025
00:41:05,700 --> 00:41:09,200
AND THAT WE WOULD ALL JUST BE
ONE BIG HAPPY FAMILY, HUH?

1026
00:41:09,233 --> 00:41:11,200
IS THAT WHAT
YOU TOLD HIM?

1027
00:41:11,233 --> 00:41:12,200
IS THAT WHAT SHE TOLD YOU?

1028
00:41:12,233 --> 00:41:13,200
UH...

1029
00:41:13,233 --> 00:41:14,800
ME?

1030
00:41:14,833 --> 00:41:16,667
WE DIDN'T TALK...

1031
00:41:16,700 --> 00:41:18,267
A LOT.

1032
00:41:18,300 --> 00:41:20,133
WE'RE GOING TO GO. YEAH.

1033
00:41:20,167 --> 00:41:24,467
LOOK, YOU KNOW WHAT?
IT DOESN'T MATTER.

1034
00:41:24,500 --> 00:41:28,400
I KNOW YOU HAVE
A PROBLEM.

1035
00:41:28,433 --> 00:41:30,167
I KNOW IT'S WHO YOU ARE,

1036
00:41:30,200 --> 00:41:32,733
AND I CAN'T EXPECT YOU
TO CHANGE OVERNIGHT.

1037
00:41:35,667 --> 00:41:37,233
I CAN ACTUALLY LIVE WITH IT.

1038
00:41:37,267 --> 00:41:39,167
YOU SHOULDN'T HAVE TO
LIVE WITH IT.

1039
00:41:39,200 --> 00:41:41,267
IT'S JUST SEX.

1040
00:41:44,133 --> 00:41:45,667
PAIGE, IT'S...

1041
00:41:45,700 --> 00:41:47,200
I KNOW IT'S SEX, BUT...

1042
00:41:47,233 --> 00:41:50,633
YOU DESERVE SOMEONE
WHO WANTS TO BE WITH YOU

1043
00:41:50,667 --> 00:41:54,033
AND WHO ONLY LOVES YOU
AND YOU ALONE.

1044
00:41:56,700 --> 00:41:58,100
AND YOU DON'T LOVE ME?

1045
00:41:58,133 --> 00:42:00,100
NO, I DO LOVE YOU.

1046
00:42:00,133 --> 00:42:04,300
BUT YOU'RE NOT
IN LOVE WITH ME.

1047
00:42:24,167 --> 00:42:26,567
TALK TO HER FIRST
OR SOMETHING LIKE--

1048
00:42:40,267 --> 00:42:41,600
HELLO.

1049
00:42:41,633 --> 00:42:44,600
HELLO.

1050
00:42:44,633 --> 00:42:45,600
HI, JENNY.

1051
00:42:45,633 --> 00:42:46,600
HI, TINA.

1052
00:42:46,633 --> 00:42:48,667
WOW, THEY'RE
SO IN LOVE.

1053
00:42:48,700 --> 00:42:51,067
HOW WAS
YOUR CRUISE?

1054
00:42:51,100 --> 00:42:52,367
FINE,
THANK YOU, ALICE.

1055
00:43:00,367 --> 00:43:01,333
HI.

1056
00:43:01,367 --> 00:43:03,567
HI.

1057
00:43:03,600 --> 00:43:05,033
GOOD TO SEE YOU.
GOOD TO SEE YOU.

1058
00:43:05,067 --> 00:43:06,433
WELCOME BACK.
THANK YOU.

1059
00:43:06,467 --> 00:43:07,500
HI.
HOW ARE YOU?

1060
00:43:07,533 --> 00:43:08,533
GOOD.

1061
00:43:09,800 --> 00:43:11,800
HI.

1062
00:43:11,833 --> 00:43:14,167
HI.
HI.

1063
00:43:14,200 --> 00:43:15,700
JODI, GOOD
TO SEE YOU.

1064
00:43:15,733 --> 00:43:17,300
THANK GOD, YOU'RE HERE!

1065
00:43:17,333 --> 00:43:19,300
I NEED YOUR ADVICE.

1066
00:43:19,333 --> 00:43:20,633
I NEED YOUR ADVICE.

1067
00:43:20,667 --> 00:43:21,633
OH, GOD.

1068
00:43:21,667 --> 00:43:22,667
JOYCE IS OVER THERE.

1069
00:43:22,700 --> 00:43:24,733
SHE'S WRITING A BIG FAT CHECK
FOR THIS PARTY.

1070
00:43:24,767 --> 00:43:26,167
YOU DID A VERY GOOD JOB.

1071
00:43:26,200 --> 00:43:27,167
YEAH, YEAH.

1072
00:43:27,200 --> 00:43:29,700
HI, SWEETIE!

1073
00:43:29,733 --> 00:43:31,700
DON'T WORRY ABOUT IT.
SHE CAN AFFORD IT.

1074
00:43:31,733 --> 00:43:34,033
SHE'S IN LOVE WITH ME
AND SHE WANTS TO U-HAUL.

1075
00:43:34,067 --> 00:43:35,267
TOLD YA.

1076
00:43:35,300 --> 00:43:37,333
BUT I'VE HAD
AN EPIPHANY.

1077
00:43:37,367 --> 00:43:39,567
I REALIZE THAT
WHAT I'M DOING WITH JOYCE

1078
00:43:39,600 --> 00:43:41,567
IS EXACTLY WHAT I DID
WITH LEONARD 25 YEARS AGO.

1079
00:43:41,600 --> 00:43:43,633
JUST BECAUSE THE FIRST PERSON
ASKS YOU TO SETTLE DOWN

1080
00:43:43,667 --> 00:43:45,533
DOESN'T MEAN YOU HAVE TO
SETTLE DOWN WITH THEM.

1081
00:43:45,567 --> 00:43:47,400
I MEAN, IT'S RIDICULOUS
TO THINK ABOUT THAT, RIGHT?

1082
00:43:47,433 --> 00:43:49,733
I MEAN, YOU THINK, LIKE,
YOU DON'T HAVE A CHOICE?

1083
00:43:49,767 --> 00:43:51,267
YOU KNOW, LIKE...

1084
00:43:51,300 --> 00:43:52,767
THAT IT'S JUST NOT IN YOUR POWER

1085
00:43:52,800 --> 00:43:54,467
TO DECIDE
WHO YOU WANT TO BE WITH,

1086
00:43:54,500 --> 00:43:56,400
YOU KNOW, JUST BECAUSE--
BIRD IN THE HAND...

1087
00:43:56,433 --> 00:43:58,200
TWO IN THE BUSH.

1088
00:43:58,233 --> 00:44:00,233
ANYWAY, ALL THESE WOMEN
ARE FLIRTING WITH ME.

1089
00:44:00,267 --> 00:44:02,367
AND I'LL TELL YOU WHAT,
I'M HAVING A GRAND TIME.

1090
00:44:02,400 --> 00:44:04,067
I'M DON'T WANT TO SETTLE DOWN.
KNOW WHAT I MEAN?

1091
00:44:04,100 --> 00:44:05,167
I DON'T.

1092
00:44:05,200 --> 00:44:06,233
PLAY THE FIELD.

1093
00:44:06,267 --> 00:44:07,633
GO CRAZY.

1094
00:44:07,667 --> 00:44:09,700
I DON'T KNOW WHAT THE HELL
I'M GOING TO TELL JOYCE.

1095
00:44:09,733 --> 00:44:11,067
OH, SHIT.
SHE'S COMING RIGHT NOW.

1096
00:44:11,100 --> 00:44:13,600
YEAH.

1097
00:44:13,633 --> 00:44:15,133
MR. WISCHNIA.

1098
00:44:15,167 --> 00:44:17,033
MY LADY.

1099
00:44:19,200 --> 00:44:20,467
IF IT ISN'T
THE PILLOW PRINCESS.

1100
00:44:20,500 --> 00:44:22,200
YOU ARE
OUR SLOPPY SECONDS, RIGHT?

1101
00:44:22,233 --> 00:44:23,467
YOU'RE CLEVER.

1102
00:44:24,800 --> 00:44:26,500
WELL, WHAT DO YOU SAY,
FOLKS, HUH?

1103
00:44:26,533 --> 00:44:27,500
TO PHYLLIS.

1104
00:44:27,533 --> 00:44:29,267
ALL RIGHT, CHEERS.

1105
00:44:29,300 --> 00:44:31,567
CHEERS.

1106
00:44:40,100 --> 00:44:41,233
YOUR LOFT.

1107
00:44:41,267 --> 00:44:44,433
OH.

1108
00:44:44,467 --> 00:44:46,567
WOW.

1109
00:44:58,700 --> 00:45:02,200
I'VE NEVER HAD
A TABLECLOTH BEFORE.

1110
00:45:02,233 --> 00:45:03,567
VERY FANCY.

1111
00:45:09,367 --> 00:45:11,767
THE TABLE IS
TOO PLAIN FOR YOU?

1112
00:45:11,800 --> 00:45:15,267
NO, NO.

1113
00:45:15,300 --> 00:45:16,567
I JUST THOUGHT
YOU WOULD LIKE IT.

1114
00:45:16,600 --> 00:45:19,200
YES, YES.
IT'S VERY NICE.

1115
00:45:19,233 --> 00:45:20,533
IT'S VERY SWEET OF YOU.

1116
00:45:20,567 --> 00:45:23,733
THANK YOU.

1117
00:45:23,767 --> 00:45:27,200
BUT, UM...

1118
00:45:27,233 --> 00:45:29,600
IT'S MY SPACE.

1119
00:45:41,200 --> 00:45:43,300
SO, YOU DON'T LIKE IT?

1120
00:45:54,333 --> 00:45:55,633
WELL, I DIDN'T FEEL LIKE

1121
00:45:55,667 --> 00:45:59,800
I WAS, YOU KNOW,
BEING A CONTROL FREAK.

1122
00:45:59,833 --> 00:46:03,733
IT FELT LIKE I WAS TRYING TO DO
SOMETHING NICE FOR YOU.

1123
00:46:13,567 --> 00:46:14,700
FUCK.

1124
00:46:20,833 --> 00:46:25,100
I DON'T KNOW WHAT TO DO.

1125
00:46:25,133 --> 00:46:28,133
I DON'T KNOW
WHAT TO DO.

1126
00:46:45,167 --> 00:46:49,533
I'M GOING TO TAKE CONTROL
OF YOU.

1127
00:46:49,567 --> 00:46:50,633
OH, REALLY?

1128
00:46:50,667 --> 00:46:51,800
YES.

1129
00:46:51,833 --> 00:46:53,133
HEY.

1130
00:46:53,167 --> 00:46:55,433
THAT'S STUPID.

1131
00:46:55,467 --> 00:46:57,367
I CAN'T SEE YOU.
HOW DO I COMMUNICATE?

1132
00:46:57,400 --> 00:46:59,500
HEY, SHH!

1133
00:47:26,267 --> 00:47:29,433
STOP.

1134
00:49:10,200 --> 00:49:13,733
[**]

1135
00:49:17,167 --> 00:49:21,100
* SO DO YOU SEE IT?

1136
00:49:21,133 --> 00:49:24,767
* IT'S GOING DOWN ON YOU

1137
00:49:24,800 --> 00:49:28,700
* SO DO YOU SEE IT?

1138
00:49:28,733 --> 00:49:30,033
* IT'S GOING DOWN ON YOU

1139
00:49:30,067 --> 00:49:31,267
EXCUSE ME, MISS?

1140
00:49:31,300 --> 00:49:32,267
YEAH?

1141
00:49:32,300 --> 00:49:33,300
IS THIS YOUR BUSINESS?
YEAH, IT IS.

1142
00:49:33,333 --> 00:49:36,600
ANY UNHAPPY CUSTOMERS?
A DISGRUNTLED EMPLOYEE?

1143
00:49:36,633 --> 00:49:38,633
NO, NO,
I DON'T THINK SO.

1144
00:49:38,667 --> 00:49:39,800
THE SPREAD OF THE FIRE

1145
00:49:39,833 --> 00:49:43,067
INDICATES MULTIPLE
PATHS OF ORIGIN,

1146
00:49:43,100 --> 00:49:44,567
AND FROM THE COLOR
OF THE SMOKE,

1147
00:49:44,600 --> 00:49:46,100
IT LOOKS LIKE THE ACCELERANT
USED WAS GASOLINE.

1148
00:49:46,133 --> 00:49:48,667
WHAT DOES
ALL THAT MEAN?

1149
00:49:48,700 --> 00:49:52,133
IT MEANS
THIS WAS PROBABLY ARSON.

1150
00:49:52,167 --> 00:49:54,300
ANY IDEA WHO MIGHT HAVE DONE
SUCH A THING?

1151
00:49:54,333 --> 00:49:58,100
* SO DO YOU FEEL IT?

1152
00:49:58,133 --> 00:50:00,667
* WHAT YOU GONNA DO?

1153
00:50:00,700 --> 00:50:02,767
NO. NO, I DON'T.

1154
00:50:02,800 --> 00:50:04,300
YOU DON'T HAVE
ANY ENEMIES?

1155
00:50:04,333 --> 00:50:05,733
ANYBODY THAT'S MAYBE
A LITTLE UPSET WITH YOU

1156
00:50:05,767 --> 00:50:09,200
FOR SOME REASON
OR ANOTHER?

1157
00:50:09,233 --> 00:50:10,633
NO.

1158
00:50:10,667 --> 00:50:13,500
* WELL, I BEEN SEARCHING
A LONG, LONG TIME *

1159
00:50:13,533 --> 00:50:15,400
SO, I TAKE IT YOU DON'T
WANT TO FILE A REPORT?

1160
00:50:15,433 --> 00:50:17,100
NO, I DON'T WANT TO FILE
A REPORT.

1161
00:50:17,133 --> 00:50:21,267
* DO YOU SEE IT
YEAH YEAH *

1162
00:50:21,300 --> 00:50:23,767
* IT'S GOING DOWN ON YOU

1163
00:50:23,800 --> 00:50:27,500
* OH, NO, NO, NO
IT'S GOING DOWN ON YOU *

1164
00:50:27,533 --> 00:50:31,100
* WELL

1165
00:50:32,533 --> 00:50:35,433
[NEWS REPORTER]: ...A CAR BOMB
KILLED 15 IRAQI CIVILIANS

1166
00:50:35,467 --> 00:50:38,033
TODAY IN A BUSY MARKET
IN CENTRAL BAGHDAD,

1167
00:50:38,067 --> 00:50:39,467
CLOSE TO A POPULAR CAFE.

1168
00:50:39,500 --> 00:50:40,533
[KNOCKING]

1169
00:50:40,567 --> 00:50:44,100
THE BOMB
IN A FOUR-WHEEL-DRIVE VEHICLE

1170
00:50:44,133 --> 00:50:47,600
WENT OFF NEAR A GAS STATION
CLOSE TO AL HARIA SQUARE

1171
00:50:47,633 --> 00:50:50,467
IN THE PREDOMINANTLY
SHIITE DISTRICT

1172
00:50:50,500 --> 00:50:54,067
ON THE EASTERN SIDE
OF THE TIGRIS RIVER.

1173
00:50:54,100 --> 00:50:56,400
THE EXPLOSION
WOUNDED AT LEAST 22

1174
00:50:56,433 --> 00:50:58,400
AND LEFT SURROUNDING CARS...

1175
00:50:58,433 --> 00:51:00,500
[IN A DEEP VOICE]:
WHO IS IT?

1176
00:51:00,533 --> 00:51:02,000
[WOMAN]:
ALICE, OPEN THE DOOR.

1177
00:51:04,267 --> 00:51:05,333
TASHA?

1178
00:51:09,667 --> 00:51:10,733
WHAT ARE YOU DOING HERE?

1179
00:51:10,767 --> 00:51:12,200
WHAT ARE YOU
DOING HERE?

1180
00:51:12,233 --> 00:51:14,800
WHAT ARE
YOU DOING HERE?

1181
00:51:14,833 --> 00:51:17,267
HI!

1182
00:51:20,367 --> 00:51:22,200
HI!

1183
00:51:22,233 --> 00:51:23,333
ARE YOU OKAY?

1184
00:51:23,367 --> 00:51:24,433
YES.

1185
00:51:24,467 --> 00:51:26,633
ARE YOU HURT?
ARE YOU IN TROUBLE?

1186
00:51:26,667 --> 00:51:28,233
HMM?

1187
00:51:29,633 --> 00:51:32,267
WHAT ARE YOU
DOING HOME?

1188
00:51:32,300 --> 00:51:33,767
OH, MY SOLDIER'S HOME.

1189
00:51:33,800 --> 00:51:40,567
* SO KISS ME
WHEN I'M STARVING *

1190
00:51:40,600 --> 00:51:41,700
WHAT ARE YOU
DOING HOME?

1191
00:51:41,733 --> 00:51:43,400
STOP ASKING SO MANY QUESTIONS.

1192
00:51:43,433 --> 00:51:45,533
WAIT--
ARE YOU AWOL?

1193
00:51:45,567 --> 00:51:48,433
DID YOU DO
SOMETHING CRAZY?

1194
00:51:48,467 --> 00:51:51,267
HUH?

1195
00:51:51,300 --> 00:51:54,200
I MISS YOU.

1196
00:51:54,233 --> 00:51:55,567
YOU MISS ME?

1197
00:51:55,600 --> 00:51:57,700
YES.

1198
00:51:57,733 --> 00:51:59,067
I MISS YOU.

1199
00:52:00,533 --> 00:52:04,533
* WATCHING OVER ME

1200
00:52:04,567 --> 00:52:07,133
I MISSED YOU, TOO.

1201
00:52:07,167 --> 00:52:10,800
* WITHOUT SYMPATHY

1202
00:52:10,833 --> 00:52:12,433
I WAS WORRIED
ABOUT YOU.

1203
00:52:12,467 --> 00:52:13,633
ARE YOU?

1204
00:52:13,667 --> 00:52:19,800
* HOLDING ON TO ME

1205
00:52:19,833 --> 00:52:21,800
* WITHOUT LOVE

1206
00:52:21,833 --> 00:52:24,200
COME HERE.

1207
00:52:24,233 --> 00:52:28,100
[**]

1208
00:52:39,533 --> 00:52:46,100
* WATCHING OVER ME

1209
00:52:46,133 --> 00:52:52,567
* WITHOUT PRIVACY

1210
00:52:52,600 --> 00:52:59,100
* HOLDING ON TO ME

1211
00:52:59,133 --> 00:53:05,600
* WITHOUT LOVE

1212
00:53:05,633 --> 00:53:12,400
* GUARDING OVER ME...