1
00:00:11,579 --> 00:00:12,746
PREVIOUSLY ON THE L WORD...

2
00:00:12,780 --> 00:00:15,449
THIS CELIBACY THING IS LIKE
A MASTER CLEANSE TO MY BODY.

3
00:00:15,483 --> 00:00:16,784
YOU GOT TO TRY IT.

4
00:00:16,817 --> 00:00:19,253
SHANE...

5
00:00:19,287 --> 00:00:20,588
SHANE!

6
00:00:20,621 --> 00:00:23,691
REMEMBER OUR PLAN, IF
WE EVER GET OUT OF HERE.

7
00:00:26,360 --> 00:00:27,828
I JUST WANT TO SAY,
YOU KNOW, GOODBYE.

8
00:00:27,861 --> 00:00:29,563
WAIT, WAIT, WAIT,
ISN'T THERE GOING TO BE A TRIAL?

9
00:00:29,597 --> 00:00:31,132
AM I EVER GOING TO
SEE YOU AGAIN?

10
00:00:32,800 --> 00:00:34,302
I WANT TO STAY IN THE SERVICE.

11
00:00:34,335 --> 00:00:35,103
SHOULD HAVE THOUGHT OF THAT

12
00:00:35,136 --> 00:00:36,470
BEFORE YOU DECIDED
TO BE LESBIAN.

13
00:00:36,504 --> 00:00:37,505
WHAT DO WE HAVE TO DO
TO WIN THIS THING?

14
00:00:37,538 --> 00:00:39,173
I HAVE TO LIE.

15
00:00:40,408 --> 00:00:41,775
HEY, ALICE, CAN I TALK TO YOU
FOR A SECOND?

16
00:00:41,809 --> 00:00:43,377
OH, NO, NOT RIGHT NOW.

17
00:00:43,411 --> 00:00:44,378
I MADE A PODCAST.

18
00:00:44,412 --> 00:00:45,179
THERE'S NOTHING WRONG

19
00:00:45,213 --> 00:00:46,147
WITH MEETING PEOPLE
ON THE INTERNET.

20
00:00:46,180 --> 00:00:47,848
IT'S JUST HARD TO FIND
SOMEONE AFTER BETTE.

21
00:00:47,881 --> 00:00:49,417
SHE SET THE BAR.

22
00:00:50,684 --> 00:00:53,554
I DON'T KNOW, WHAT DO YOU WEAR
ON A DATE WITH A HEART DOCTOR?

23
00:00:56,557 --> 00:00:58,259
WE'LL TAKE THAT MONEY.

24
00:01:00,194 --> 00:01:01,662
THEY TOOK MY WHOLE WEEK.

25
00:01:01,695 --> 00:01:03,397
LEZ GIRLS IS YOUR CREATION.

26
00:01:03,431 --> 00:01:05,299
SHE'S THE ONLY
PERSON

27
00:01:05,333 --> 00:01:07,401
WHO COULD POSSIBLY
DIRECT THE PICTURE.

28
00:01:07,435 --> 00:01:09,069
DIRECTING?
LEZ GIRLS?

29
00:01:14,542 --> 00:01:16,577
ROLLING...

30
00:01:16,610 --> 00:01:19,147
JORINDA GARBER,
READING FOR THE PART OF JESSE.

31
00:01:19,180 --> 00:01:21,515
JESSE,
I'M IN LOVE WITH YOU.

32
00:01:21,549 --> 00:01:24,818
VIPERS DON'T LOVE,
KARINA, THEY POISON.

33
00:01:24,852 --> 00:01:28,322
I STILL FEEL YOUR VENOM
COURSING THROUGH MY VEINS.

34
00:01:28,356 --> 00:01:31,425
YOU USED ME AS A PAWN
IN YOUR TWISTED RELATIONSHIP.

35
00:01:31,459 --> 00:01:34,528
HOW MANY GIRLS HAVE YOU
AND FRANCES DESTROYED

36
00:01:34,562 --> 00:01:35,729
TO TELL YOUR S...

37
00:01:35,763 --> 00:01:36,797
S-SORDID STORIES
TO EACH OTHER

38
00:01:36,830 --> 00:01:38,132
AS FOREPLAY?

39
00:01:38,166 --> 00:01:39,133
YOU DON'T
UNDERSTAND.

40
00:01:39,167 --> 00:01:40,434
I UNDERSTAND.

41
00:01:40,468 --> 00:01:42,736
I UNDERSTAND ENOUGH TO KNOW
THAT I DESPISE YOU!

42
00:01:42,770 --> 00:01:44,138
YOU'RE THE ONLY ONE

43
00:01:44,172 --> 00:01:45,273
THAT I'VE EVER FELT
THIS WAY ABOUT.

44
00:01:45,306 --> 00:01:46,307
LIAR!

45
00:01:46,340 --> 00:01:48,542
FUCKING LIAR!

46
00:01:49,943 --> 00:01:51,212
LIAR!

47
00:01:51,245 --> 00:01:52,413
YOU'RE A FUCKING LIAR!

48
00:01:52,446 --> 00:01:54,282
NO, KARINA, I ABSOLUTELY...

49
00:01:54,315 --> 00:01:55,783
I HATE YOU SO MUCH, KARINA.

50
00:01:55,816 --> 00:01:57,251
I ABSOLUTELY HATE YOU!

51
00:01:57,285 --> 00:01:58,552
I REALLY...

52
00:01:58,586 --> 00:01:59,553
[SOBBING]: I CAN'T...

53
00:01:59,587 --> 00:02:00,788
I...

54
00:02:00,821 --> 00:02:01,889
I LOVE YOU.

55
00:02:03,357 --> 00:02:04,525
I LOVE YOU.

56
00:02:04,558 --> 00:02:05,693
I LOVE YOU...

57
00:02:10,431 --> 00:02:12,766
OKAY...

58
00:02:12,800 --> 00:02:13,801
CUT.

59
00:02:13,834 --> 00:02:14,935
[CLEARS THROAT]

60
00:02:14,968 --> 00:02:16,904
THAT WAS GREAT,
NIKI.

61
00:02:16,937 --> 00:02:19,840
HOW MANY GIRLS
HAVE YOU AND FRANCES FUCKED

62
00:02:19,873 --> 00:02:21,942
IN ORDER TO TELL SORDID STORIES
TO EACH OTHER

63
00:02:21,975 --> 00:02:23,244
AS PART OF SOME
FUCKING FOREPLAY?

64
00:02:23,277 --> 00:02:24,512
OH!

65
00:02:24,545 --> 00:02:25,713
YOU'RE REALLY FUCKED UP,
YOU KNOW THAT?

66
00:02:26,980 --> 00:02:28,816
THAT WAS AWESOME.

67
00:02:28,849 --> 00:02:30,818
THAT WAS TOTALLY AMAZING.

68
00:02:30,851 --> 00:02:31,919
I LOVED IT.

69
00:02:31,952 --> 00:02:35,689
[***]

70
00:02:35,723 --> 00:02:41,929
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *

71
00:02:41,962 --> 00:02:48,736
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *

72
00:02:48,769 --> 00:02:54,842
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *

73
00:02:54,875 --> 00:03:01,415
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *

74
00:03:08,889 --> 00:03:10,324
* TALKING, LAUGHING
LOVING, BREATHING *

75
00:03:10,358 --> 00:03:12,293
* FIGHTING, FUCKING
CRYING, DRINKING *

76
00:03:12,326 --> 00:03:13,561
* WRITING, WINNING
LOSING, CHEATING *

77
00:03:13,594 --> 00:03:15,329
* KISSING, THINKING, DREAMING

78
00:03:15,363 --> 00:03:17,331
* THIS IS THE WAY...

79
00:03:17,365 --> 00:03:20,000
* IT'S THE WAY
THAT WE LIVE *

80
00:03:20,033 --> 00:03:25,639
* IT'S THE WAY THAT WE LIVE

81
00:03:25,673 --> 00:03:29,443
* AND LOVE *

82
00:03:31,945 --> 00:03:34,515
[SHOUTING AGGRESSIVELY]

83
00:03:34,548 --> 00:03:35,583
[CHEERING]

84
00:03:35,616 --> 00:03:36,884
GOOD JOB.
ALL RIGHT, KIT!

85
00:03:36,917 --> 00:03:38,819
SWITCH UP FOR A SEC,
AND LET ME JUST SHOW YOU.

86
00:03:38,852 --> 00:03:40,954
WHEN YOU DROP DOWN,
USE YOUR LEGS,

87
00:03:40,988 --> 00:03:42,456
USE YOUR
FULL FORCE...

88
00:03:42,490 --> 00:03:44,525
I DON'T WANT TO
GO TO SHEBAR.

89
00:03:44,558 --> 00:03:45,693
WHY?

90
00:03:45,726 --> 00:03:47,027
'CAUSE I'M NOT
INTERESTED

91
00:03:47,060 --> 00:03:50,398
IN L.A.'S FIRST SUPERHOT
GIRLS-ONLY CLUB

92
00:03:50,431 --> 00:03:51,399
STRAIGHT OUT OF MIAMI.

93
00:03:51,432 --> 00:03:52,433
IT'LL BE FUN.

94
00:03:52,466 --> 00:03:53,634
NO, IT'S GOING TO
BE BORING.

95
00:03:53,667 --> 00:03:55,436
I HEARD THEY SUNK
A LOT OF MONEY INTO IT.

96
00:03:55,469 --> 00:03:56,737
ARE YOU GOING TO GO,
SHANE?

97
00:03:56,770 --> 00:03:58,272
UH, I DON'T KNOW.
I HAVEN'T DECIDED YET.

98
00:03:58,306 --> 00:03:59,507
OH, COME ON,
WHEN'S THE LAST TIME

99
00:03:59,540 --> 00:04:00,741
YOU MISSED A CLUB OPENING?

100
00:04:00,774 --> 00:04:02,009
IT'S GOING TO BE
TORTURE FOR HER.

101
00:04:02,042 --> 00:04:04,312
I NEVER SAID THAT.

102
00:04:04,345 --> 00:04:06,314
I JUST SAID
I HAVEN'T DECIDED YET,

103
00:04:06,347 --> 00:04:07,548
AND THAT'S ALL.

104
00:04:07,581 --> 00:04:08,682
HOW COME
YOU'RE NOT GOING, ALICE?

105
00:04:08,716 --> 00:04:09,717
OH, 'CAUSE TASHA
CAN'T BE OUT

106
00:04:09,750 --> 00:04:10,951
IN A LEZZIE BAR,

107
00:04:10,984 --> 00:04:13,521
AND I GOT INVITED
TO A BARRY BURD PARTY

108
00:04:13,554 --> 00:04:14,622
WITH A GUEST.

109
00:04:14,655 --> 00:04:16,557
THE ENTERTAINMENT
LAWYER?

110
00:04:16,590 --> 00:04:18,492
YEAH, YOU KNOW, HE'S FAMOUS
FOR THOSE VELVET, LIKE,

111
00:04:18,526 --> 00:04:20,628
MAFIA UNDERGROUND-TYPE
PARTIES

112
00:04:20,661 --> 00:04:22,396
FOR ALL THE CLOSETED
HOLLYWOOD HOMOS,

113
00:04:22,430 --> 00:04:24,698
AND IT'S FASCINATING BECAUSE
BEFORE YOU GO INTO THE PARTY,

114
00:04:24,732 --> 00:04:26,300
YOU HAVE TO SIGN
A NON-DISCLOSURE FORM.

115
00:04:26,334 --> 00:04:27,301
IT'S CRAZY.

116
00:04:27,335 --> 00:04:29,437
[SHOUTING]

117
00:04:29,470 --> 00:04:30,904
[CHEERING]

118
00:04:30,938 --> 00:04:33,974
NICE WORK. OKAY.

119
00:04:34,007 --> 00:04:35,443
EVERYONE GRAB A PARTNER
AND SOME PADS.

120
00:04:35,476 --> 00:04:37,077
WE'RE GOING TO LINE UP
FACING EACH OTHER

121
00:04:37,110 --> 00:04:38,512
AND GO OVER SOME
PUNCHING TECHNIQUES.

122
00:04:38,546 --> 00:04:39,580
WHY DON'T YOU
WANT TO GO?

123
00:04:39,613 --> 00:04:41,449
I'VE NEVER BEEN

124
00:04:41,482 --> 00:04:43,517
TO ONE OF THE L.A. LESBIAN CLUBS
BEFORE.

125
00:04:43,551 --> 00:04:45,886
EXCEPT FOR THE PLANET
ON THURSDAY NIGHTS.

126
00:04:45,919 --> 00:04:46,954
THAT'S MY POINT.

127
00:04:46,987 --> 00:04:48,356
I JUST,
I DON'T WANT TO GO TO A BAR

128
00:04:48,389 --> 00:04:49,957
THAT'S, YOU KNOW,
IN DIRECT COMPETITION

129
00:04:49,990 --> 00:04:51,392
WITH MY SISTER.

130
00:04:51,425 --> 00:04:52,560
OH, IT'S NOT
IN COMPETITION.

131
00:04:52,593 --> 00:04:54,495
I MEAN, THERE'S ENOUGH
ROOM FOR EVERYBODY,

132
00:04:54,528 --> 00:04:58,732
AND BESIDES, IT'S SO IMPORTANT
TO SUPPORT WOMEN'S BUSINESSES.

133
00:04:58,766 --> 00:04:59,700
JUST LIKE IT'S SO IMPORTANT

134
00:04:59,733 --> 00:05:02,069
THAT YOU GUYS ARE HERE
SUPPORTING ME TODAY.

135
00:05:02,102 --> 00:05:04,572
WE'RE HERE
BECAUSE WE LOVE YOU,

136
00:05:04,605 --> 00:05:05,873
BECAUSE WE WERE SO FREAKED OUT
BY THE ROBBERY.

137
00:05:05,906 --> 00:05:07,107
ALL RIGHT,
EVERYONE!

138
00:05:07,140 --> 00:05:08,609
BRING
YOUR RIGHT FOOT BACK.

139
00:05:08,642 --> 00:05:09,710
LEFT FOOT FORWARD.

140
00:05:09,743 --> 00:05:11,111
LEFT HANDS UP, OKAY?

141
00:05:11,144 --> 00:05:12,480
PROTECT YOUR FACE.

142
00:05:12,513 --> 00:05:13,313
WHEN YOU'RE READY,

143
00:05:13,347 --> 00:05:14,515
YOU'RE GOING TO SCREAM
AND DEFEND.

144
00:05:14,548 --> 00:05:15,916
NO!
OW!

145
00:05:15,949 --> 00:05:17,485
YOU OKAY?
YEAH, YEAH, YEAH.

146
00:05:17,518 --> 00:05:18,486
NO!

147
00:05:18,519 --> 00:05:19,487
NO!

148
00:05:19,520 --> 00:05:20,721
HERE WE GO.

149
00:05:20,754 --> 00:05:21,789
NO!

150
00:05:21,822 --> 00:05:23,491
NO!

151
00:05:23,524 --> 00:05:24,492
OH, GOD...

152
00:05:24,525 --> 00:05:25,726
OKAY.

153
00:05:25,759 --> 00:05:27,761
WHO OWNS SHEBAR,
ANYWAY, YOU GUYS?

154
00:05:27,795 --> 00:05:29,430
IT'S THOSE GIRLS
FROM MIAMI.

155
00:05:29,463 --> 00:05:30,631
YOU KNOW,
THEY'RE A COUPLE.

156
00:05:30,664 --> 00:05:31,432
DAWN DENBO, CINDI
SOMETHING-OR-OTHER.

157
00:05:31,465 --> 00:05:32,833
THEY'RE, LIKE,
INFAMOUS PARTY GIRLS.

158
00:05:32,866 --> 00:05:34,702
HEY, SHANE, DON'T YOU THINK
SHE'S HOT?

159
00:05:34,735 --> 00:05:35,769
THE TRAINER?

160
00:05:36,904 --> 00:05:38,972
SHE'S GOT THE ABS,

161
00:05:39,006 --> 00:05:39,973
SHE'S GOT THE ASS...

162
00:05:40,007 --> 00:05:41,008
NO, I DON'T!

163
00:05:44,545 --> 00:05:46,013
"NO," RIGHT? NO.

164
00:05:46,046 --> 00:05:48,115
OKAY! ALL RIGHT!

165
00:05:48,148 --> 00:05:51,485
SO I THINK THAT THE BAR
IS GOING TO BE CRAZY,

166
00:05:51,519 --> 00:05:52,586
BECAUSE ALL THE LESBIANS
IN HOLLYWOOD

167
00:05:52,620 --> 00:05:54,455
WANT TO BE IN THE MOVIE.

168
00:05:54,488 --> 00:05:56,156
I WOULDN'T WORRY
ABOUT IT TOO MUCH, JENNY.

169
00:05:56,189 --> 00:05:57,858
AW, FUCK OFF.

170
00:05:57,891 --> 00:05:59,827
MY AGENT'S LIKE,
"YOU SHOULD WEAR A T-SHIRT

171
00:05:59,860 --> 00:06:03,464
"THAT SAYS, SORRY,
NATALIE PORTMAN HAS THE JOB."

172
00:06:03,497 --> 00:06:05,899
NATALIE PASSED.
WE'RE GOING WITH NIKI STEVENS.

173
00:06:07,200 --> 00:06:08,902
NO, YOU'RE NOT.

174
00:06:08,936 --> 00:06:10,137
NO!

175
00:06:10,170 --> 00:06:11,138
WHY DIDN'T YOU TELL ME?

176
00:06:11,171 --> 00:06:13,907
IT HAPPENED LATE
LAST NIGHT. OW!

177
00:06:13,941 --> 00:06:16,109
LET'S SWITCH UP.
SWITCH UP, OKAY?

178
00:06:16,143 --> 00:06:17,545
OTHER PERSON HAVE THE PADS.

179
00:06:17,578 --> 00:06:20,548
TINA, ARE YOU GOING TO
GO TO SHEBAR?

180
00:06:20,581 --> 00:06:21,815
YEAH, I THINK SO.

181
00:06:21,849 --> 00:06:23,984
I THOUGHT YOU WERE
GOING TO MEET BRENDA THERE.

182
00:06:24,017 --> 00:06:26,587
WHO'S BRENDA?

183
00:06:26,620 --> 00:06:29,590
JUST THIS GIRL
I WENT OUT WITH LAST WEEK.

184
00:06:29,623 --> 00:06:30,791
SHE'S
A HEART SURGEON.

185
00:06:30,824 --> 00:06:33,727
SHE'S HOT,
TALKS DIRTY IN BED.

186
00:06:33,761 --> 00:06:35,429
DIRTY TALKING?
NICE.

187
00:06:35,463 --> 00:06:38,732
YOU SLEPT WITH HER
ON THE FIRST DATE?

188
00:06:38,766 --> 00:06:40,501
YEAH,
I DID, ACTUALLY.

189
00:06:40,534 --> 00:06:42,135
NOW YOU'RE GOING TO GO
TO SHEBAR WITH HER?

190
00:06:42,169 --> 00:06:44,672
I DON'T KNOW.
SHE WAS GOING ANYWAY.

191
00:06:44,705 --> 00:06:46,674
I JUST THOUGHT
I'D MEET HER THERE.

192
00:06:46,707 --> 00:06:47,841
SINCE WE'RE BOTH GOING.

193
00:06:47,875 --> 00:06:48,842
SHE'S HOT.
I LIKE HER.

194
00:06:48,876 --> 00:06:50,611
NO!

195
00:06:50,644 --> 00:06:52,646
WHAT THE FUCK, BETTE?

196
00:06:52,680 --> 00:06:55,115
I'M SORRY,
I'M JUST PLAYING.

197
00:06:55,148 --> 00:06:56,584
ALL RIGHT, EVERYONE,
LET'S ALL PUT THE PADS DOWN.

198
00:06:56,617 --> 00:06:57,618
OKAY?

199
00:06:57,651 --> 00:06:58,986
SHANE?

200
00:06:59,019 --> 00:07:00,454
YEAH?

201
00:07:00,488 --> 00:07:02,155
CAN I, UH,
USE YOU FOR A SECOND?

202
00:07:02,189 --> 00:07:03,223
YEAH.

203
00:07:03,256 --> 00:07:04,958
WHOO...

204
00:07:04,992 --> 00:07:06,927
TEACHER'S CALLING.

205
00:07:06,960 --> 00:07:08,095
SOMEONE'S IN TROUBLE.

206
00:07:08,128 --> 00:07:09,229
COME ON OVER.

207
00:07:09,262 --> 00:07:10,698
ALL RIGHT, I JUST
WANT TO USE YOU

208
00:07:10,731 --> 00:07:11,732
FOR A DEMO OVER HERE.

209
00:07:11,765 --> 00:07:12,966
OKAY, COME ON, OVER.
BEHIND ME.

210
00:07:13,000 --> 00:07:14,602
NICE AND CLOSE.

211
00:07:14,635 --> 00:07:17,471
OKAY, ALL THE WAY IN.
ALL THE WAY IN.

212
00:07:17,505 --> 00:07:18,472
OKAY, WHEN A PERPETRATOR
GRABS YOU FROM BEHIND...

213
00:07:18,506 --> 00:07:19,740
I DON'T KNOW.

214
00:07:19,773 --> 00:07:20,841
I THINK WE SHOULD
SIGN ANGELICA UP

215
00:07:20,874 --> 00:07:23,076
FOR A SELF-DEFENSE
CLASS.

216
00:07:23,110 --> 00:07:24,177
LET'S JUST WAIT

217
00:07:24,211 --> 00:07:26,246
TILL SHE GETS OUT OF
THE STROLLER FIRST.

218
00:07:26,279 --> 00:07:28,849
GRAB THE WRIST, TWIST OVER,

219
00:07:28,882 --> 00:07:31,118
PALM HEEL INTO THE NOSE,
KNEE INTO THE GROIN.

220
00:07:31,151 --> 00:07:33,120
SUMMER, WHAT IF
THIS MOTHERFUCKER HAS A GUN?

221
00:07:33,153 --> 00:07:34,555
IF THEY HAVE A GUN,
YOU DO WHAT THEY SAY, OKAY?

222
00:07:34,588 --> 00:07:37,124
BUT IF YOU HAVE
A CHANCE TO RUN,

223
00:07:37,157 --> 00:07:39,159
YOU DO IT, OKAY?
RUN TO SAFETY.

224
00:07:39,192 --> 00:07:41,261
WELL, LET'S PARTNER UP
AND TRY THIS, OKAY?

225
00:07:41,294 --> 00:07:43,831
WE GOT TO LEARN
THESE SKILLS, OKAY?

226
00:07:43,864 --> 00:07:44,765
ONE PERSON BEHIND.

227
00:07:44,798 --> 00:07:46,233
THE OTHER PERSON'S
GOING TO COME IN FRONT.

228
00:07:46,266 --> 00:07:47,868
YOU'RE GOING TO HOLD ON
NICE AND TIGHT.

229
00:07:47,901 --> 00:07:49,970
OKAY, GRIP.
GRIP NICE AND TIGHT, OKAY?

230
00:07:50,003 --> 00:07:51,138
YUP.

231
00:07:51,171 --> 00:07:52,139
OKAY, GO AHEAD,
NICE AND TIGHT.

232
00:07:52,172 --> 00:07:53,140
GRIP HER.

233
00:07:53,173 --> 00:07:54,107
YOU'RE THE ATTACKER.

234
00:07:54,141 --> 00:07:56,276
I'M SURE YOU CAN HOLD ON
TIGHTER THAN THAT.

235
00:07:56,309 --> 00:07:58,011
OKAY, PERSON IN THE FRONT,
WHAT WE'RE GOING TO DO IS...

236
00:07:58,045 --> 00:08:00,681
I THINK SUMMER
LIKES YOU.

237
00:08:00,714 --> 00:08:02,015
WOULD YOU PLEASE
SHUT THE FUCK UP?

238
00:08:02,049 --> 00:08:03,016
GOD, FRICKIN'
MOUTH...

239
00:08:03,050 --> 00:08:05,052
HAS ANYONE SEEN
SHANE'S VAGINA?

240
00:08:05,085 --> 00:08:06,286
BECAUSE I THINK
SHE DROPPED IT SOMEWHERE.

241
00:08:06,319 --> 00:08:08,856
ONE, TWO, THREE,
SCREAM, "NO!"

242
00:08:08,889 --> 00:08:09,923
NO!

243
00:08:12,960 --> 00:08:14,194
YOU HAVE 17 MESSAGES
ALREADY.

244
00:08:14,227 --> 00:08:15,295
OH, THAT'S NOTHING.

245
00:08:15,328 --> 00:08:16,764
I MEAN, ALICE GETS, LIKE, 50

246
00:08:16,797 --> 00:08:18,599
IN THE FIRST HOUR
THAT SHE POSTS.

247
00:08:18,632 --> 00:08:20,133
WHAT ARE THEY SAYING?

248
00:08:20,167 --> 00:08:21,134
AH...

249
00:08:21,168 --> 00:08:23,136
WHAT?

250
00:08:23,170 --> 00:08:25,138
NOTHING,
JUST SOME IGNORANT JERK.

251
00:08:25,172 --> 00:08:27,708
READ IT TO ME.

252
00:08:29,309 --> 00:08:31,278
[SIGHS]

253
00:08:31,311 --> 00:08:32,980
"THIS IS A LESBIAN SPACE.

254
00:08:33,013 --> 00:08:34,281
I DON'T REALLY
NEED TO KNOW

255
00:08:34,314 --> 00:08:36,850
THAT MAX SWEENEY
THINKS OF HIS ENLARGED CLIT

256
00:08:36,884 --> 00:08:37,918
AS A BIG DICK,

257
00:08:37,951 --> 00:08:39,152
AND HIS FREAK
GIRLFRIEND

258
00:08:39,186 --> 00:08:40,821
LIKES TO SQUEEZE HIS TITS,

259
00:08:40,854 --> 00:08:43,056
AND THAT'S WHY
HE DIDN'T GET TOP SURGERY."

260
00:08:47,060 --> 00:08:49,096
WELL, I GUESS THAT'S WHY
WE POSTED IT, RIGHT?

261
00:08:49,129 --> 00:08:51,565
TO EDUCATE PEOPLE
LIKE THAT, RIGHT?

262
00:08:53,333 --> 00:08:54,602
WHATEVER.

263
00:08:54,635 --> 00:08:55,769
[CELL PHONE RINGS]

264
00:08:55,803 --> 00:08:58,005
OH, HOLD ON.

265
00:08:58,038 --> 00:08:59,640
HEY, ALICE.

266
00:08:59,673 --> 00:09:03,076
MAX, YOU INVADED MY SPACE
TO PUT OUT YOUR OWN AGENDA,

267
00:09:03,110 --> 00:09:05,145
AND IT WASN'T COOL AT ALL,

268
00:09:05,178 --> 00:09:08,148
BUT HERE'S WHAT I'LL DO.
YOU CAN BLOG ONCE A WEEK.

269
00:09:08,181 --> 00:09:09,883
I'LL PUT YOU IN YOUR OWN
LITTLE BOX ON THE HOME PAGE,

270
00:09:09,917 --> 00:09:11,151
NOT WITH THE GUESTBIANS.

271
00:09:11,184 --> 00:09:12,219
WHY NOT WITH THE GUESTBIANS?

272
00:09:12,252 --> 00:09:14,154
BECAUSE
IT'S A LESBIAN SITE, MAX,

273
00:09:14,187 --> 00:09:15,355
AND I JUST DON'T WANT TO
GET BOMBARDED

274
00:09:15,388 --> 00:09:16,890
WITH A BUNCH OF DYKES, YOU KNOW,

275
00:09:16,924 --> 00:09:18,225
FLIPPING OUT ABOUT
THIS TRANSGENDERED THING.

276
00:09:18,258 --> 00:09:20,027
YOU CAN'T SEGREGATE
TRANS PEOPLE

277
00:09:20,060 --> 00:09:21,595
OUT OF THE LESBIAN COMMUNITY.
I MEAN--

278
00:09:21,629 --> 00:09:24,164
NO, I'M NOT SAYING THAT,
YOU KNOW,

279
00:09:24,197 --> 00:09:26,634
LESBIANS AND TRANSGENDERED
CAN'T SHARE THE SAME SPACE.

280
00:09:26,667 --> 00:09:27,635
I'M JUST SAYING...

281
00:09:27,668 --> 00:09:29,169
GOOD AFTERNOON, MA'AM.

282
00:09:29,202 --> 00:09:31,271
WE'RE LOOKING FOR
AN ALICE PYE-SZECKI?

283
00:09:32,906 --> 00:09:34,107
I GOTTA GO.

284
00:09:34,141 --> 00:09:35,843
I'M ALICE PIESZECKI.

285
00:09:35,876 --> 00:09:37,310
I'M MAJOR DOROUGH.

286
00:09:37,344 --> 00:09:39,046
THIS IS LIEUTENANT FINNERTY.

287
00:09:39,079 --> 00:09:40,247
WE'D LIKE TO TALK TO YOU
FOR A FEW MINUTES.

288
00:09:40,280 --> 00:09:42,616
DID...

289
00:09:42,650 --> 00:09:44,084
DID SOMETHING HAPPEN TO TASHA?

290
00:09:44,117 --> 00:09:45,719
ARE YOU REFERRING
TO CAPTAIN WILLIAMS?

291
00:09:45,753 --> 00:09:46,920
YEAH, BUT...

292
00:09:46,954 --> 00:09:47,955
CAN WE, UH...

293
00:09:47,988 --> 00:09:49,289
TALK INSIDE FOR A MINUTE?

294
00:09:49,322 --> 00:09:51,925
JUST TAKE
A MINUTE.

295
00:09:51,959 --> 00:09:54,094
YEAH, SURE.

296
00:09:57,665 --> 00:09:59,900
WHY ARE YOU HERE?
WHAT'S THIS ABOUT?

297
00:09:59,933 --> 00:10:01,869
WE JUST WANT TO ASK YOU
A FEW QUESTIONS, MA'AM.

298
00:10:01,902 --> 00:10:04,171
IT'S NOTHING
TO BE ALARMED BY.

299
00:10:04,204 --> 00:10:07,040
WHAT'S YOUR RELATIONSHIP
WITH CAPTAIN WILLIAMS?

300
00:10:07,074 --> 00:10:08,308
WE'RE FRIENDS.

301
00:10:08,341 --> 00:10:09,710
YOU DIDN'T ANSWER
MY QUESTION.

302
00:10:13,213 --> 00:10:14,347
WHAT'S "VELVET PARK?"

303
00:10:16,316 --> 00:10:19,286
IT'S A MAGAZINE.

304
00:10:19,319 --> 00:10:20,721
DID YOU WANT TO ANSWER
MY QUESTION?

305
00:10:20,754 --> 00:10:22,622
"DYKE CULTURE IN BLOOM."

306
00:10:24,057 --> 00:10:26,259
"GAY L.A."

307
00:10:29,029 --> 00:10:31,364
SHEBAR.

308
00:10:31,398 --> 00:10:33,166
YOU GOING, FINN?

309
00:10:33,200 --> 00:10:35,836
UH, NO.

310
00:10:35,869 --> 00:10:37,170
I ASSUME YOU ARE.

311
00:10:37,204 --> 00:10:38,839
YOU KNOW WHAT, YOU DON'T HAVE
A SEARCH WARRANT,

312
00:10:38,872 --> 00:10:40,040
SO I'D LIKE YOU TO LEAVE.

313
00:10:40,073 --> 00:10:42,409
OH, DON'T WORRY,
MISS PYE-SZECKI.

314
00:10:42,442 --> 00:10:43,811
I CAN CALL YOU "MISS," RIGHT?

315
00:10:43,844 --> 00:10:45,212
YOU'RE NOT MARRIED OR ANYTHING?

316
00:10:48,315 --> 00:10:50,083
SO...

317
00:10:50,117 --> 00:10:52,319
WHAT IS THIS?

318
00:10:52,352 --> 00:10:53,887
UM... NOTHING.

319
00:10:53,921 --> 00:10:55,388
IT'S...

320
00:10:55,422 --> 00:10:56,724
WAIT A MINUTE.

321
00:10:56,757 --> 00:10:57,991
I KNOW WHAT IT IS.

322
00:10:58,025 --> 00:10:59,960
IT'S LIKE A LOW-TECH VERSION
OF WHAT YOU HAVE

323
00:10:59,993 --> 00:11:01,394
ON YOUR
LESBIAN WEBSITE.

324
00:11:01,428 --> 00:11:03,163
IS CAPTAIN WILLIAMS ON THERE?

325
00:11:03,196 --> 00:11:05,032
NO.

326
00:11:07,968 --> 00:11:09,102
WHO'S "T"?

327
00:11:09,136 --> 00:11:10,704
SOMEONE WHO DIDN'T WANT
THEIR NAME ON THERE?

328
00:11:10,738 --> 00:11:12,105
YOU SHOULD GO.
NOW.

329
00:11:12,139 --> 00:11:14,207
I THINK YOU SHOULD GO.

330
00:11:16,209 --> 00:11:18,045
COME ON, DOROUGH.

331
00:11:18,078 --> 00:11:19,346
WELL, THANKS
FOR YOUR TIME, MA'AM.

332
00:11:19,379 --> 00:11:22,816
I HOPE WE DIDN'T
DISTURB YOU TOO MUCH.

333
00:11:33,293 --> 00:11:36,363
OH, FUCK.

334
00:11:36,396 --> 00:11:39,199
FUCK...

335
00:11:39,232 --> 00:11:40,333
AND THEN,
HE PUT THE GUN TO HIS HEAD

336
00:11:40,367 --> 00:11:41,334
AND HE PULLED THE TRIGGER.

337
00:11:41,368 --> 00:11:44,037
HE HAD A GUN?

338
00:11:44,071 --> 00:11:45,472
IT TURNED OUT TO BE SOAPSTONE.

339
00:11:45,505 --> 00:11:47,040
HE CARVED IT
HIMSELF,

340
00:11:47,074 --> 00:11:48,976
BUT IT LOOKED TOTALLY 100% REAL.

341
00:11:49,009 --> 00:11:50,210
YOU KNOW, IT SOUNDS LIKE

342
00:11:50,243 --> 00:11:52,479
A VERY DISTURBING
PIECE OF ART, LANI.

343
00:11:52,512 --> 00:11:54,447
IT WASN'T ART, DEAN PORTER.

344
00:11:54,481 --> 00:11:55,715
EVERYONE IN THE ROOM
WAS TRAUMATIZED BY IT--

345
00:11:55,749 --> 00:11:58,318
YOU KNOW, SOMETIMES SOME PEOPLE
ARE PRETTY UPSET BY YOUR WORK.

346
00:11:58,351 --> 00:11:59,920
SOMETIMES
THAT'S WHAT ART

347
00:11:59,953 --> 00:12:01,054
SEEKS TO DO.

348
00:12:01,088 --> 00:12:02,122
STANDING
IN FRONT OF A CLASS

349
00:12:02,155 --> 00:12:03,223
AND THREATENING TO
BLOW YOUR BRAINS OUT

350
00:12:03,256 --> 00:12:05,258
ISN'T WHAT ART SEEKS TO DO.

351
00:12:05,292 --> 00:12:06,960
IT WAS SELF-INFLICTED TERRORISM.

352
00:12:10,397 --> 00:12:11,965
I'M GOING TO LOOK INTO IT.

353
00:12:14,868 --> 00:12:16,336
DON'T BLOW ME OFF,
DEAN PORTER.

354
00:12:19,873 --> 00:12:21,474
I'M NOT BLOWING YOU OFF, LANI.

355
00:12:21,508 --> 00:12:22,910
I'M JUST GOING TO GATHER
SOME MORE INFORMATION.

356
00:12:22,943 --> 00:12:23,977
I'M GOING TO TALK TO JUSTIN

357
00:12:24,011 --> 00:12:26,914
AND PROFESSOR LERNER.

358
00:12:26,947 --> 00:12:27,915
NOW, I UNDERSTAND
HOW UPSET YOU ARE,

359
00:12:27,948 --> 00:12:30,217
BUT I ALSO KNOW
THAT IF IT HAD BEEN YOUR PROJECT

360
00:12:30,250 --> 00:12:31,785
THAT HAD CAUSED
SUCH CONTROVERSY,

361
00:12:31,819 --> 00:12:32,953
YOU WOULD HAVE WANTED
A FAIR HEARING.

362
00:12:36,089 --> 00:12:38,491
ARE YOU GOING TO BE OKAY?

363
00:12:38,525 --> 00:12:42,195
I DON'T KNOW.

364
00:12:42,229 --> 00:12:44,531
I THINK
YOU ARE, LANI,

365
00:12:44,564 --> 00:12:47,534
AND I'M HERE
IF YOU NEED TO TALK TO ANYONE.

366
00:12:50,037 --> 00:12:51,972
JESUS.

367
00:12:52,005 --> 00:12:55,308
VIPERS DON'T LOVE, KARINA,
THEY POISON.

368
00:12:55,342 --> 00:12:57,911
I MEAN, I STILL FEEL YOUR VENOM
COURSING THROUGH MY VEINS.

369
00:12:57,945 --> 00:13:00,480
I MEAN, YOU USED ME
AS A PAWN...

370
00:13:00,513 --> 00:13:01,481
I LIKE HER.

371
00:13:01,514 --> 00:13:03,216
YEAH, SHE'S NATURAL.

372
00:13:03,250 --> 00:13:04,484
SHE'S GOOD.

373
00:13:04,517 --> 00:13:06,386
I MEAN, HOW MANY RELATIONSHIPS
HAVE YOU RUINED...

374
00:13:06,419 --> 00:13:07,921
THERE IS NO WAY
THAT I'M CASTING NIKI STEVENS.

375
00:13:07,955 --> 00:13:09,222
SHE CAN'T ACT.

376
00:13:09,256 --> 00:13:12,459
JENNY, SHE'S THE BEST
ACTOR FOR THE ROLE.

377
00:13:12,492 --> 00:13:14,427
SHE HAS STAR QUALITY.
LOOK AT HER.

378
00:13:14,461 --> 00:13:17,497
SHE LOOKS LIKE SHE JUST WALKED
OUT OF MAXIM MAGAZINE!

379
00:13:17,530 --> 00:13:19,366
I'M SORRY,
IS THAT A BAD THING?

380
00:13:19,399 --> 00:13:21,234
AARON, IT DOESN'T LOOK LIKE
SHE'S A WRITER.

381
00:13:21,268 --> 00:13:22,435
I MEAN, YOU'RE BEAUTIFUL,
YOU'RE A WRITER,

382
00:13:22,469 --> 00:13:23,937
WHY CAN'T SHE PLAY
A BEAUTIFUL WRITER?

383
00:13:23,971 --> 00:13:25,438
BECAUSE
IT LOOKS LIKE

384
00:13:25,472 --> 00:13:26,907
THE LAST BOOK SHE READ
WAS 10 YEARS AGO,

385
00:13:26,940 --> 00:13:28,175
"ARE YOU THERE, GOD?
IT'S ME, MARGARET."

386
00:13:28,208 --> 00:13:30,043
OKAY, SO WHO'S YOUR CHOICE?

387
00:13:30,077 --> 00:13:31,244
LUCHI SANTIS IS MY CHOICE.
SHE'S THE BEST ACTRESS--

388
00:13:31,278 --> 00:13:32,913
THAT GIRL IS TOO WEIRD,
SHE'S TOO INTENSE--

389
00:13:32,946 --> 00:13:34,481
THAT'S
THE CHARACTER--

390
00:13:34,514 --> 00:13:36,116
SHE'S NOT
ATTRACTIVE--
HAVE YOU READ
THE SCRIPT, AARON?

391
00:13:36,149 --> 00:13:37,317
SHE'S NOT FUCKABLE!

392
00:13:40,988 --> 00:13:42,022
LOOK, NIKI
HAS HEAT BEHIND HER.

393
00:13:42,055 --> 00:13:43,090
SHE'S GOT A HUGE MOVIE
COMING OUT.

394
00:13:43,123 --> 00:13:44,457
SO FUCKING WHAT?

395
00:13:44,491 --> 00:13:47,194
SO WE NEED HEAT
TO PUT ASSES IN THE SEATS!

396
00:13:47,227 --> 00:13:48,495
DO YOU HAVE ANY IDEA

397
00:13:48,528 --> 00:13:50,497
WHAT KIND OF A RISK I'M TAKING
ON THIS FILM?

398
00:13:50,530 --> 00:13:52,900
JENNY,
JENNY, LOOK.

399
00:13:52,933 --> 00:13:54,067
LOOK AT HER.

400
00:13:54,101 --> 00:13:55,903
I MEAN, SHE COMPLETELY
SOLD THE KISS.

401
00:13:55,936 --> 00:13:56,937
IT'S REALLY IMPORTANT
TO HAVE AN ACTRESS

402
00:13:56,970 --> 00:13:59,306
THAT LOOKS LIKE SHE ENJOYS
KISSING OTHER WOMEN.

403
00:13:59,339 --> 00:14:01,074
I DON'T CARE ABOUT THAT,

404
00:14:01,108 --> 00:14:02,609
ADELE, STOP WRITING.

405
00:14:02,642 --> 00:14:03,911
GET ME WILLIAM
ON THE PHONE.

406
00:14:03,944 --> 00:14:05,245
WILLIAM IS IN GENEVA.

407
00:14:05,278 --> 00:14:07,447
I SPOKE WITH WILLIAM
THIS MORNING,

408
00:14:07,480 --> 00:14:08,949
AND HE'S OVER THE MOON
WITH NIKI.

409
00:14:08,982 --> 00:14:10,884
HE SAW A SNEAK PREVIEW
OF HER NEW FILM,

410
00:14:10,918 --> 00:14:13,020
AND HE SAID HE'D RATHER HAVE HER
THAN NATALIE PORTMAN, OKAY?

411
00:14:13,053 --> 00:14:14,087
SO ARE WE FINISHED?

412
00:14:14,121 --> 00:14:15,288
NO, WE'RE NOT FINISHED.

413
00:14:15,322 --> 00:14:17,324
YOU GOT THE FUCKING DGA CARD.

414
00:14:17,357 --> 00:14:18,491
WHY DON'T YOU DIRECT
THE WHOLE MOVIE--

415
00:14:18,525 --> 00:14:19,893
YEAH, I'LL DIRECT THE MOVIE!

416
00:14:19,927 --> 00:14:20,994
WHY DON'T YOU FUCKING
PAY FOR THE MOVIE?

417
00:14:21,028 --> 00:14:22,229
[SPITS GUM]

418
00:14:22,262 --> 00:14:24,364
GO FUCK YOURSELF,
AND YOU KNOW WHAT?

419
00:14:24,397 --> 00:14:26,099
YOU HAVE A S-SMALL DICK.

420
00:14:26,133 --> 00:14:28,001
WE MAKE THIS MOVIE
WITH NIKI STEVENS,

421
00:14:28,035 --> 00:14:30,103
OR WE DON'T
MAKE THE MOVIE!

422
00:14:30,137 --> 00:14:32,239
HOW DOES SHE KNOW
HOW BIG MY DICK IS?

423
00:14:32,272 --> 00:14:35,075
I THINK
SHE'LL COME AROUND.

424
00:14:35,108 --> 00:14:36,376
EXCUSE ME?

425
00:14:36,409 --> 00:14:37,945
WELL, YOU KNOW,
SHE'S QUITTING SMOKING,

426
00:14:37,978 --> 00:14:39,479
AND SO SHE'S JUST
REALLY FRAGILE RIGHT NOW,

427
00:14:39,512 --> 00:14:41,448
BUT I THINK IF YOU JUST LET HER
GET THROUGH HER PROCESS--

428
00:14:41,481 --> 00:14:43,050
WHO ARE YOU?
WHO IS SHE?

429
00:14:43,083 --> 00:14:43,984
IT'S JENNY'S
ASSISTANT.

430
00:14:44,017 --> 00:14:46,319
LOOK, I'M GOING TO CALL
NIKI STEVENS' AGENT,

431
00:14:46,353 --> 00:14:47,187
ALL RIGHT? I'M GOING TO
CALL HER TODAY.

432
00:14:47,220 --> 00:14:48,388
I HAVE A GREAT
RELATIONSHIP WITH HER.

433
00:14:48,421 --> 00:14:52,159
TINA... GET
SCHECTER ON BOARD.

434
00:14:52,192 --> 00:14:53,426
I DON'T WANT
A CRANKY DIRECTOR.

435
00:14:53,460 --> 00:14:54,694
I WANT HER TO LOVE
NIKI STEVENS

436
00:14:54,727 --> 00:14:55,963
LIKE IT WAS
HER OWN IDEA.

437
00:14:55,996 --> 00:14:56,964
CAPICHE?

438
00:14:56,997 --> 00:14:57,998
CAPICHE.

439
00:15:07,107 --> 00:15:08,175
[BETTE]:
I NEED THE SLIDES BY WEDNESDAY.

440
00:15:08,208 --> 00:15:10,710
NO. NO, THE MEETING
IS ON FRIDAY.

441
00:15:10,743 --> 00:15:11,979
I NEED A DAY TO GO OVER THEM.

442
00:15:12,012 --> 00:15:13,113
[KNOCK ON DOOR]

443
00:15:14,414 --> 00:15:15,548
YOU WANTED TO SEE ME,
DEAN PORTER?

444
00:15:17,317 --> 00:15:18,952
YEAH, I NEED IT
BY FRIDAY.

445
00:15:18,986 --> 00:15:20,153
IF IT DOESN'T COME
BY FRIDAY,

446
00:15:20,187 --> 00:15:21,521
THEN IT'S
OF NO SERVICE TO ME

447
00:15:21,554 --> 00:15:23,723
OR TO ANYONE.

448
00:15:23,756 --> 00:15:24,958
THAT'S RIGHT.

449
00:15:24,992 --> 00:15:26,626
OKAY, GREAT.

450
00:15:26,659 --> 00:15:28,528
NO, THAT'S A GOOD IDEA.

451
00:15:28,561 --> 00:15:29,529
ALL RIGHT, THANKS.

452
00:15:29,562 --> 00:15:31,198
WEDNESDAY, WEDNESDAY.
BYE.

453
00:15:31,231 --> 00:15:32,632
HI.

454
00:15:32,665 --> 00:15:36,369
HOW COULD YOU LET A STUDENT

455
00:15:36,403 --> 00:15:37,971
STAND IN FRONT OF YOUR CLASS

456
00:15:38,005 --> 00:15:39,372
WITH A GUN POINTED TO HIS HEAD?

457
00:15:41,541 --> 00:15:43,343
IT WASN'T A REAL GUN.

458
00:15:43,376 --> 00:15:44,978
WHO TOLD YOU
IT WAS A REAL GUN?

459
00:15:45,012 --> 00:15:46,546
I KNOW THAT IT WAS CARVED
OUT OF SOAPSTONE,

460
00:15:46,579 --> 00:15:50,117
BUT APPARENTLY
IT LOOKED VERY REALISTIC,

461
00:15:50,150 --> 00:15:51,751
AND NOW LANI SHIPMAN

462
00:15:51,784 --> 00:15:53,020
HAS BEEN TRAUMATIZED BY IT.

463
00:15:57,457 --> 00:15:59,292
DO YOU WANT SOME DINNER?

464
00:15:59,326 --> 00:16:00,627
NO.

465
00:16:00,660 --> 00:16:03,096
I WANT YOU TO TELL ME
ABOUT THIS IDIOT

466
00:16:03,130 --> 00:16:04,497
WHO MADE THE GUN SCULPTURE.

467
00:16:04,531 --> 00:16:08,735
HE'S TALENTED.

468
00:16:08,768 --> 00:16:10,370
YOU'RE NOT GOING TO SUSPEND HIM
FOR THIS?

469
00:16:10,403 --> 00:16:12,272
NO, OF COURSE NOT.

470
00:16:12,305 --> 00:16:13,740
COME ON.

471
00:16:13,773 --> 00:16:15,108
YOU KNOW MY POSITION
ON FREEDOM OF EXPRESSION,

472
00:16:15,142 --> 00:16:16,176
BUT IN THIS CLIMATE--

473
00:16:16,209 --> 00:16:18,145
WHAT CLIMATE IS THAT?

474
00:16:20,147 --> 00:16:21,114
WHAT CLIMATE IS THAT?

475
00:16:21,148 --> 00:16:22,149
YEAH.

476
00:16:23,416 --> 00:16:25,685
UH... COLUMBINE?

477
00:16:27,054 --> 00:16:29,656
VIRGINIA TECH?

478
00:16:29,689 --> 00:16:32,092
[SIGHS HEAVILY]

479
00:16:32,125 --> 00:16:34,127
IS THERE SOMETHING
YOU WANT ME TO DO?

480
00:16:46,206 --> 00:16:47,507
I WANT YOU TO BE

481
00:16:47,540 --> 00:16:49,676
JUST A LITTLE BIT
MORE THOUGHTFUL SOMETIMES.

482
00:16:52,112 --> 00:16:55,648
I THINK ABOUT MY STUDENTS
ALL THE TIME.

483
00:16:55,682 --> 00:17:00,253
I THINK ABOUT
HOW TO SUPPORT THEM,

484
00:17:00,287 --> 00:17:02,389
HOW TO
CHALLENGE THEM,

485
00:17:02,422 --> 00:17:06,159
AND I THINK ABOUT HOW TO...

486
00:17:06,193 --> 00:17:08,428
HELP THEM GROW AS ARTISTS.

487
00:17:08,461 --> 00:17:11,030
SO WHAT ARE YOU
TALKING ABOUT?

488
00:17:17,104 --> 00:17:18,305
I KNOW, I KNOW.
I'M SORRY.

489
00:17:18,338 --> 00:17:21,341
I KNOW, I KNOW,
I KNOW, I KNOW...

490
00:17:26,279 --> 00:17:30,150
LOOK, I'M NOT SAYING...

491
00:17:30,183 --> 00:17:32,119
THAT YOU DID ANYTHING WRONG.

492
00:17:32,152 --> 00:17:35,255
THANK YOU.

493
00:17:36,489 --> 00:17:38,225
OKAY, I'M GOING TO GO, THEN.

494
00:17:38,258 --> 00:17:40,693
I'M HUNGRY.

495
00:17:40,727 --> 00:17:42,229
AM I DISMISSED?

496
00:17:42,262 --> 00:17:44,597
WELL, YOU COULD
KISS ME GOOD NIGHT.

497
00:18:09,222 --> 00:18:10,257
GOOD NIGHT.

498
00:18:10,290 --> 00:18:11,691
GOOD NIGHT.

499
00:18:29,209 --> 00:18:33,746
I THINK I'M GOING TO
WORKING LATE TONIGHT.

500
00:18:33,780 --> 00:18:35,282
MAYBE TOMORROW?

501
00:18:38,185 --> 00:18:40,287
IF YOU'RE LUCKY.

502
00:18:52,232 --> 00:18:53,466
[DOOR OPENS AND CLOSES]

503
00:18:53,500 --> 00:18:55,535
ARE YOU ALONE?
DID ANYONE FOLLOW YOU?

504
00:18:55,568 --> 00:18:56,669
WHAT?

505
00:18:56,703 --> 00:18:57,704
OH, GOD...

506
00:18:57,737 --> 00:18:58,771
WHAT ARE YOU
TALKING ABOUT?

507
00:18:58,805 --> 00:18:59,772
ARE YOU OKAY?

508
00:18:59,806 --> 00:19:00,907
NO, I'M NOT OKAY.

509
00:19:00,940 --> 00:19:02,242
WHAT THE FUCK
ARE YOU DOING?

510
00:19:02,275 --> 00:19:04,511
I'M DE-GAYIFYING.

511
00:19:04,544 --> 00:19:06,479
OH, GOD, THANK GOD THEY
DIDN'T TAKE A PICTURE.

512
00:19:06,513 --> 00:19:07,547
THEY DIDN'T EVEN
HAVE A WARRANT.

513
00:19:07,580 --> 00:19:08,881
IF THEY EVER
COME HERE AGAIN,

514
00:19:08,915 --> 00:19:10,383
THERE'LL BE NO EVIDENCE
OF GAY.

515
00:19:10,417 --> 00:19:12,385
YOU KNOW WHAT?

516
00:19:12,419 --> 00:19:14,654
YOU SHOULD KEEP THIS
SOMEWHERE SAFE.

517
00:19:14,687 --> 00:19:16,223
WAIT, HOLD IT.

518
00:19:16,256 --> 00:19:17,557
IF WHO EVER
COMES HERE AGAIN?

519
00:19:17,590 --> 00:19:21,294
THE TWO MILITARY MEN.
TWO!

520
00:19:21,328 --> 00:19:22,495
OH, SHIT...

521
00:19:22,529 --> 00:19:23,563
I KNOW, THEY
WERE FUCKING NAZIS.

522
00:19:23,596 --> 00:19:24,564
THEY SCARED ME.

523
00:19:24,597 --> 00:19:25,832
WELL, WHAT DID THEY WANT?

524
00:19:25,865 --> 00:19:27,567
THEY CAME IN, OKAY,

525
00:19:27,600 --> 00:19:30,270
THEY'RE JUST WALKING AROUND
LOOKING AT THINGS.

526
00:19:30,303 --> 00:19:31,904
THEY TRIED TO GET ME
TO OUT YOU,

527
00:19:31,938 --> 00:19:33,973
WHICH I DIDN'T, I SWEAR.

528
00:19:34,006 --> 00:19:35,308
I JUST SAID, YOU KNOW,
"LEAVE." THEY SHOULD LEAVE.

529
00:19:35,342 --> 00:19:38,545
OH, SHIT, I'M SO SORRY.

530
00:19:38,578 --> 00:19:39,646
I KNOW.

531
00:19:39,679 --> 00:19:40,747
WHAT WAS I
SUPPOSED TO DO?

532
00:19:40,780 --> 00:19:41,848
I DON'T KNOW.

533
00:19:41,881 --> 00:19:44,684
I'M SO SORRY
THIS HAPPENED TO YOU.

534
00:19:44,717 --> 00:19:45,918
I DIDN'T TELL
THOSE FUCKERS

535
00:19:45,952 --> 00:19:47,920
A THING THEY COULD USE
AGAINST YOU, OKAY?

536
00:19:47,954 --> 00:19:49,656
NOT A THING.

537
00:19:49,689 --> 00:19:51,958
HEY, YOU HEARD
FROM HELENA?

538
00:19:51,991 --> 00:19:53,660
WELL, SHE TOLD ME
TO TELL EVERYONE

539
00:19:53,693 --> 00:19:55,728
NOT TO WORRY ABOUT HER.

540
00:19:55,762 --> 00:19:58,298
WELL, SHE MUST HAVE
A HIDDEN TREASURE SOMEWHERE.

541
00:19:58,331 --> 00:20:00,233
I DON'T THINK SO.

542
00:20:00,267 --> 00:20:01,501
MAYBE SHE'S WITH DUSTY.

543
00:20:01,534 --> 00:20:02,769
I DON'T KNOW,
SHE WOULDN'T TELL ME.

544
00:20:02,802 --> 00:20:03,836
I JUST HOPE SHE'LL BE SAFE.

545
00:20:03,870 --> 00:20:04,837
SHE'S GOING
TO BE FINE.

546
00:20:04,871 --> 00:20:06,706
ARE YOU SURE THIS ISN'T
GOING TO KEEP ME AWAKE?

547
00:20:06,739 --> 00:20:07,707
NO, IT'S CHOCOLATE.
IT'S GOOD FOR YOU.

548
00:20:07,740 --> 00:20:09,276
NOW, LOOKIT,

549
00:20:09,309 --> 00:20:10,843
YOU GOT THIS BIG OL' APPETITE
THESE DAYS.

550
00:20:10,877 --> 00:20:12,812
YOU KNOW,
I'M SUBSTITUTING FOOD FOR SEX.

551
00:20:12,845 --> 00:20:13,946
AMEN TO THAT.

552
00:20:13,980 --> 00:20:15,815
[LAUGHS]

553
00:20:15,848 --> 00:20:17,384
SO, WHAT YOU
PLAYING?

554
00:20:17,417 --> 00:20:19,519
I'M PLAYING
"LARA CROFT, THE LEGEND."

555
00:20:19,552 --> 00:20:20,720
OH, SHE'S A HOTTIE.

556
00:20:20,753 --> 00:20:24,757
THAT'S NOT WHY
I'M PLAYING THIS GAME.

557
00:20:24,791 --> 00:20:25,792
MM-HM...

558
00:20:25,825 --> 00:20:26,959
I'M NOT.

559
00:20:26,993 --> 00:20:28,428
LOOK HOW FAST
YOUR THUMBS ARE GOING.

560
00:20:28,461 --> 00:20:29,362
WELL, I GOT ALL THIS
EXTRA ENERGY.

561
00:20:29,396 --> 00:20:33,366
I DON'T KNOW WHAT THE HELL
TO DO WITH IT ALL.

562
00:20:33,400 --> 00:20:35,302
* DANGER

563
00:20:35,335 --> 00:20:36,403
SHANE...

564
00:20:36,436 --> 00:20:37,837
* BEWARE OF STRANGERS

565
00:20:37,870 --> 00:20:39,806
SHANE...

566
00:20:39,839 --> 00:20:41,774
* BEWARE

567
00:20:41,808 --> 00:20:42,909
WHAT'S THE MATTER?
YOU OKAY?

568
00:20:42,942 --> 00:20:45,445
* DANGER

569
00:20:45,478 --> 00:20:47,347
EARTH TO SHANE...

570
00:20:47,380 --> 00:20:48,348
* BEWARE OF STRANGERS

571
00:20:48,381 --> 00:20:49,382
WHAT?

572
00:20:50,450 --> 00:20:52,018
WHAT, YOU OKAY?

573
00:20:54,854 --> 00:20:56,589
SHANE?

574
00:20:57,824 --> 00:20:59,292
I'M FINE.
I'M GOOD. UM...

575
00:20:59,326 --> 00:21:02,295
CAN I...
CAN I GET THAT TO GO?

576
00:21:02,329 --> 00:21:03,796
[KNOCKING]

577
00:21:09,902 --> 00:21:10,903
WILLIAMS, WHAT ARE YOU
DOING--

578
00:21:10,937 --> 00:21:11,804
WHY THE FUCK DIDN'T YOU TELL ME

579
00:21:11,838 --> 00:21:12,939
THAT THEY WERE GOING TO SEND
THEIR DOGS

580
00:21:12,972 --> 00:21:13,973
TO MY FRIEND'S HOUSE?

581
00:21:14,006 --> 00:21:15,642
KEEP YOUR VOICE DOWN
AND TELL ME WHAT HAPPENED.

582
00:21:15,675 --> 00:21:17,310
YOU'RE SUPPOSED TO BE
MY LAWYER.

583
00:21:17,344 --> 00:21:18,645
YOU'RE SUPPOSED TO BE
ON TOP OF THIS!

584
00:21:18,678 --> 00:21:20,580
YOU'RE CROSSING LINE RIGHT NOW,
YOU REALIZE THAT?

585
00:21:20,613 --> 00:21:22,815
I REALIZE YOU DON'T
GIVE A DAMN ABOUT ME,

586
00:21:22,849 --> 00:21:24,851
BUT YOU HAD AN OBLIGATION
TO TELL ME

587
00:21:24,884 --> 00:21:26,453
THAT MY FRIEND'S PRIVACY

588
00:21:26,486 --> 00:21:27,720
AND HER HOME
WOULD BE INVADED.

589
00:21:27,754 --> 00:21:29,088
IT'S NOT AUTOMATIC.
THEY DON'T ALWAYS--

590
00:21:29,121 --> 00:21:30,990
YEAH, BUT YOU KNEW
THAT THEY MIGHT,

591
00:21:31,023 --> 00:21:31,991
AND YOU DIDN'T
TELL ME!

592
00:21:32,024 --> 00:21:32,992
WHO'D THEY TALK TO?

593
00:21:33,025 --> 00:21:34,727
ALICE.

594
00:21:34,761 --> 00:21:36,329
THEY WENT TO HER APARTMENT,

595
00:21:36,363 --> 00:21:38,498
AND THEY INTERROGATED HER.

596
00:21:38,531 --> 00:21:39,799
SHE'S AN INNOCENT CIVILIAN,
BEECH.

597
00:21:39,832 --> 00:21:41,368
WELL, SHE'S PART OF THEIR CASE

598
00:21:41,401 --> 00:21:43,570
BECAUSE OF YOUR ALLEGED
RELATIONSHIP WITH HER.

599
00:21:44,871 --> 00:21:46,105
ARE YOU ON THEIR SIDE?

600
00:21:46,138 --> 00:21:48,040
I'M REPRESENTING YOU
IN THIS PROCEEDING.

601
00:21:48,074 --> 00:21:50,710
ARE YOU ON THEIR FUCKING SIDE?

602
00:21:50,743 --> 00:21:51,978
ARE YOU JUST GOING TO STAND BACK

603
00:21:52,011 --> 00:21:54,447
AND LET THEM RIP APART
MY FUCKING CAREER

604
00:21:54,481 --> 00:21:56,449
AND DESTROY MY FUCKING LIFE?

605
00:21:56,483 --> 00:21:57,584
CURTIS...

606
00:21:57,617 --> 00:21:58,851
WHAT'S GOING ON?

607
00:21:58,885 --> 00:21:59,852
HENRY IS SLEEPING.

608
00:21:59,886 --> 00:22:01,087
I KNOW. IT'S OKAY.

609
00:22:01,120 --> 00:22:04,023
EXCUSE ME, MA'AM.
I'M SORRY.

610
00:22:04,056 --> 00:22:07,560
I'M SORRY TO BUST
INTO YOUR HOUSE LIKE THIS

611
00:22:07,594 --> 00:22:08,728
WITHOUT ANY WARNING.

612
00:22:08,761 --> 00:22:10,597
YOU'RE NOT
ANY PART OF THIS.

613
00:22:10,630 --> 00:22:11,898
YOU'RE NOT EVEN
IN THE SERVICE,

614
00:22:11,931 --> 00:22:14,133
AND IT WAS WRONG OF ME

615
00:22:14,166 --> 00:22:16,836
TO DISRUPT YOUR HOME
AND YOUR FAMILY,

616
00:22:16,869 --> 00:22:20,973
AND TO PROBABLY
FRIGHTEN AND CONFUSE YOU.

617
00:22:21,007 --> 00:22:23,576
I HOPE I DIDN'T WAKE YOUR SON.

618
00:22:23,610 --> 00:22:25,111
PLEASE FORGIVE ME.

619
00:22:31,884 --> 00:22:32,919
PLEASE GO WITH ME?

620
00:22:32,952 --> 00:22:34,821
PLEASE?

621
00:22:34,854 --> 00:22:36,689
IT'S NOT WORTH
THE RISK FOR ME.

622
00:22:36,723 --> 00:22:38,057
WHY DON'T YOU JUST
GO THE PARTY

623
00:22:38,090 --> 00:22:40,026
ON YOUR OWN?

624
00:22:40,059 --> 00:22:41,561
THE WHOLE POINT
OF GOING TO THE PARTY

625
00:22:41,594 --> 00:22:42,829
IS GOING WITH YOU.

626
00:22:42,862 --> 00:22:44,931
THAT'S THE WHOLE POINT.

627
00:22:44,964 --> 00:22:46,599
IT'S GOING TO BE
HOLLYWOOD UNDERCOVER.

628
00:22:46,633 --> 00:22:48,468
IT'LL BE REALLY
TIGHT SECURITY,

629
00:22:48,501 --> 00:22:51,438
AND IT'LL BE, LIKE,
TOP SECRET, AND...

630
00:22:51,471 --> 00:22:52,439
YOU KNOW?

631
00:22:52,472 --> 00:22:53,773
AND WE'LL GET TO BE
OUT TOGETHER,

632
00:22:53,806 --> 00:22:57,810
LIKE, OUT OF THE HOUSE
REALLY TOGETHER.

633
00:22:57,844 --> 00:22:58,945
PLEASE?

634
00:22:58,978 --> 00:23:00,146
I'LL...
PLEASE DO IT FOR ME.

635
00:23:00,179 --> 00:23:02,114
IT MAKES ME
UNCOMFORTABLE.

636
00:23:02,148 --> 00:23:03,883
OH, GOD, I AM SO BORED
WITH YOU AND THIS.

637
00:23:03,916 --> 00:23:04,984
[LAUGHS]

638
00:23:05,017 --> 00:23:06,519
NO. GO AWAY.

639
00:23:06,553 --> 00:23:07,920
FINE,
WE'LL STAY HOME,

640
00:23:07,954 --> 00:23:09,055
AND WE'LL RENT
PRIVATE BENJAMIN.

641
00:23:09,088 --> 00:23:10,189
OH, COME ON.

642
00:23:10,222 --> 00:23:11,691
NO, SERIOUSLY, ALICE.

643
00:23:11,724 --> 00:23:13,125
YOU'VE BEEN TALKING
ABOUT THIS PARTY ALL WEEK.

644
00:23:13,159 --> 00:23:14,694
YES, I HAVE.

645
00:23:14,727 --> 00:23:16,128
I DON'T WANT YOU
TO STOP LIVING YOUR LIFE.

646
00:23:16,162 --> 00:23:17,697
JUST GO. COME ON.

647
00:23:17,730 --> 00:23:18,631
HELLO, TASHA,

648
00:23:18,665 --> 00:23:20,633
LIVING MY LIFE WOULD BE
LIVING IT WITH YOU.

649
00:23:20,667 --> 00:23:22,469
HAVE YOU EVER
HEARD OF THAT?

650
00:23:22,502 --> 00:23:23,603
[SIGHS]

651
00:23:23,636 --> 00:23:24,837
COME ON,
WHAT'S THE POINT

652
00:23:24,871 --> 00:23:25,872
OF GOING TO
A SECRET LOVE PARTY

653
00:23:25,905 --> 00:23:27,574
WITHOUT
MY SECRET LOVE?

654
00:23:27,607 --> 00:23:29,876
PLEASE, PLEASE.

655
00:23:29,909 --> 00:23:31,177
SAY YES.

656
00:23:31,210 --> 00:23:33,480
ARE YOU POSITIVE
THAT IT'S SAFE?

657
00:23:33,513 --> 00:23:34,747
YES.

658
00:23:34,781 --> 00:23:36,616
IT'S FAMOUS
CLOSETED PEOPLE.

659
00:23:36,649 --> 00:23:37,750
[LAUGHS]

660
00:23:37,784 --> 00:23:40,520
I THINK
YOU'LL BE FINE.

661
00:23:40,553 --> 00:23:42,455
YOU GOT NOTHING
ON THEM.

662
00:23:42,489 --> 00:23:43,456
[LAUGHS]

663
00:23:43,490 --> 00:23:44,457
CAREFUL.

664
00:23:44,491 --> 00:23:46,158
COME ON.

665
00:23:46,192 --> 00:23:49,662
I FEEL LIKE
YOU WANT TO GO.

666
00:23:49,696 --> 00:23:51,798
SAY YES.

667
00:23:51,831 --> 00:23:52,865
HMM...

668
00:23:52,899 --> 00:23:54,000
IS IT ME?

669
00:23:54,033 --> 00:23:55,868
IS IT 'CAUSE
I'M TOO LOUD AND OUT?

670
00:23:55,902 --> 00:23:57,069
NO, NO, NO, NO.

671
00:23:57,103 --> 00:24:00,006
THERE'S NOTHING WRONG
WITH WHO YOU ARE, OKAY,

672
00:24:00,039 --> 00:24:01,808
AND I DEFINITELY DON'T
WANT YOU TO FEEL LIKE

673
00:24:01,841 --> 00:24:03,543
BECAUSE
YOU'RE WITH ME

674
00:24:03,576 --> 00:24:05,745
THAT YOUR LIFE
IS ON TRIAL.

675
00:24:05,778 --> 00:24:08,180
NO, IT'S REALLY
IMPORTANT TO ME THAT...

676
00:24:08,214 --> 00:24:09,181
WHAT?

677
00:24:09,215 --> 00:24:10,550
[KNOCK ON DOOR]

678
00:24:12,885 --> 00:24:13,886
WAIT.
WAIT, WAIT, WAIT.

679
00:24:13,920 --> 00:24:16,122
WAIT HERE.

680
00:24:23,830 --> 00:24:25,231
WHO IS IT?

681
00:24:25,264 --> 00:24:27,867
I'M LOOKING FOR
TASHA WILLIAMS?

682
00:24:27,900 --> 00:24:29,168
SHE'S NOT HERE!

683
00:24:29,201 --> 00:24:30,570
MY NAME'S CAPTAIN
CURTIS BEECH.

684
00:24:30,603 --> 00:24:31,638
I'M HER ATTORNEY.

685
00:24:31,671 --> 00:24:32,739
IT'S FINE,
IT'S FINE.

686
00:24:32,772 --> 00:24:33,740
JUST...

687
00:24:33,773 --> 00:24:34,874
IT'S FINE.

688
00:24:34,907 --> 00:24:36,142
WELL, SHE'S...

689
00:24:38,678 --> 00:24:40,146
WHAT DO YOU WANT?

690
00:24:40,179 --> 00:24:42,849
YOU MUST BE ALICE PYE-SZECKI.

691
00:24:45,618 --> 00:24:47,887
YEAH,
THAT'S WHO SHE IS.

692
00:24:47,920 --> 00:24:49,221
IT'S ON US
TO SHOW CAUSE

693
00:24:49,255 --> 00:24:50,523
WHY YOU SHOULD BE
RETAINED,

694
00:24:50,557 --> 00:24:51,390
WHICH MEANS,

695
00:24:51,423 --> 00:24:52,759
WE'RE GOING TO HAVE TO
COLLECT TESTAMENTS

696
00:24:52,792 --> 00:24:54,627
AND COMMENDATIONS.

697
00:24:54,661 --> 00:24:55,795
YOU REALLY THINK
YOUR C.O.'S

698
00:24:55,828 --> 00:24:57,263
A SUPPORTER OF THIS?

699
00:24:57,296 --> 00:24:58,330
MAJOR DIXON
LIKES ME.

700
00:24:58,364 --> 00:24:59,999
I KNOW HE DIDN'T WANT TO
PURSUE THE ALLEGATIONS.

701
00:25:00,032 --> 00:25:02,034
THANK YOU VERY MUCH.
THANK YOU.

702
00:25:05,772 --> 00:25:07,640
SO DO YOU THINK
WE STAND A CHANCE?

703
00:25:07,674 --> 00:25:10,142
I DON'T KNOW.

704
00:25:10,176 --> 00:25:12,311
WE'RE GOING TO
DO OUR BEST.

705
00:25:12,344 --> 00:25:13,880
WE'RE GOING TO MOUNT
A DEFENSE,

706
00:25:13,913 --> 00:25:15,014
AND WE'RE NOT GOING
TO STEP BACK.

707
00:25:15,047 --> 00:25:17,316
WELL, TASHA
IS THE BEST SOLDIER

708
00:25:17,349 --> 00:25:18,551
THAT I KNOW, SIR.

709
00:25:18,585 --> 00:25:20,152
[LAUGHING]

710
00:25:20,186 --> 00:25:22,054
I'M THE ONLY SOLDIER
THAT SHE KNOWS.

711
00:25:22,088 --> 00:25:23,890
YOU DON'T HAVE TO
CALL ME "SIR," ALICE.

712
00:25:23,923 --> 00:25:26,659
OH, I KIND OF
LIKE IT.

713
00:25:26,693 --> 00:25:29,295
UM, SIR, WILL YOU
THANK YOUR WIFE FOR ME?

714
00:25:29,328 --> 00:25:31,197
MY WIFE?

715
00:25:31,230 --> 00:25:32,699
WELL,
TASHA TOLD ME

716
00:25:32,732 --> 00:25:34,634
WHAT HAPPENED
LAST NIGHT, AND, UM,

717
00:25:34,667 --> 00:25:35,768
I HAVE THIS THEORY

718
00:25:35,802 --> 00:25:36,803
THAT BEHIND
ANY MAN

719
00:25:36,836 --> 00:25:37,904
WHO DOES
THE RIGHT THING,

720
00:25:37,937 --> 00:25:38,971
THERE'S ALWAYS
A WOMAN

721
00:25:39,005 --> 00:25:42,274
WHO GOT HIM
TO THAT POINT, SO...

722
00:25:42,308 --> 00:25:43,409
WELL, MY WIFE WAS DISGUSTED

723
00:25:43,442 --> 00:25:45,878
WHEN I TOLD HER WHAT HAPPENED
TO YOU GALS YESTERDAY.

724
00:25:45,912 --> 00:25:47,747
US GALS?

725
00:25:47,780 --> 00:25:48,981
[GIGGLES]

726
00:25:49,015 --> 00:25:50,082
OKAY, I'M GOING TO
GET SOME SUGAR.

727
00:25:50,116 --> 00:25:51,183
I FORGOT
THE SUGAR.

728
00:25:52,318 --> 00:25:54,887
[CHUCKLES]

729
00:25:54,921 --> 00:25:57,089
I GUESS I SHOULD HAVE
SAID "WOMEN," HUH?

730
00:25:57,123 --> 00:25:58,891
YEAH...

731
00:25:58,925 --> 00:25:59,926
WELL, SHE'S QUITE
SOMETHING.

732
00:25:59,959 --> 00:26:02,361
YEAH.

733
00:26:02,394 --> 00:26:03,763
SHE'S A REAL CATCH,
WILLIAMS.

734
00:26:03,796 --> 00:26:06,032
SMART, PRETTY, AND FUNNY.

735
00:26:07,700 --> 00:26:08,768
[LAUGHS]

736
00:26:08,801 --> 00:26:10,002
OKAY, LOOK.
THIS?

737
00:26:10,036 --> 00:26:13,172
I HATE IT.
ADELE!

738
00:26:13,205 --> 00:26:14,240
WHERE IS SHE?
SHE'S NEVER HERE WHEN I--

739
00:26:14,273 --> 00:26:15,708
THAT I LOVE.
WHY?

740
00:26:15,742 --> 00:26:17,109
BECAUSE IT'S SEE-THROUGH.

741
00:26:17,143 --> 00:26:18,144
NO BRA, OR BRA?

742
00:26:18,177 --> 00:26:19,211
NO.

743
00:26:19,245 --> 00:26:20,647
PANTIES?

744
00:26:20,680 --> 00:26:21,648
HMM...

745
00:26:21,681 --> 00:26:22,715
MAYBE.

746
00:26:22,749 --> 00:26:24,250
ADELE, I NEED YOUR OPINION!

747
00:26:24,283 --> 00:26:25,351
YES?

748
00:26:25,384 --> 00:26:26,653
WHAT DO YOU THINK
OF THE DRESS?

749
00:26:26,686 --> 00:26:28,254
UM, IT'S GORGEOUS.
IT'S GREAT--

750
00:26:28,287 --> 00:26:30,022
I DON'T LIKE IT.
WHERE'S WILLIAM?

751
00:26:30,056 --> 00:26:31,023
HE'S IN GENEVA.

752
00:26:31,057 --> 00:26:32,024
I DON'T CARE
IF HE'S IN GENEVA.

753
00:26:32,058 --> 00:26:33,159
CAN YOU GET HIM
ON THE PHONE?

754
00:26:33,192 --> 00:26:34,293
OKAY, ABSOLUTELY.
YOU KNOW WHAT,

755
00:26:34,326 --> 00:26:35,762
I ACTUALLY
HAVE CALLS IN.

756
00:26:35,795 --> 00:26:37,029
HOW MANY TIMES
HAVE YOU CALLED HIM?

757
00:26:37,063 --> 00:26:38,364
I'VE CALLED HIM
FOUR TIMES, AND--

758
00:26:38,397 --> 00:26:40,166
CALL HIM AGAIN,
CALL HIM, CALL HIM.
I WILL CALL--

759
00:26:40,199 --> 00:26:41,634
I DON'T SEE HIS NAME.
CALL HIM NOW.
FIRST, I WANT TO
GIVE YOU THIS.

760
00:26:41,668 --> 00:26:42,769
IT CAME INTO
THE PRODUCTION OFFICE

761
00:26:42,802 --> 00:26:44,003
LATE LAST NIGHT.
HE SENT IT TO YOU.

762
00:26:44,036 --> 00:26:46,706
CAN I HAVE
A NICORETTE?

763
00:26:46,739 --> 00:26:47,840
* I GOT A PRESENT...

764
00:26:49,075 --> 00:26:50,042
YAY!

765
00:26:50,076 --> 00:26:51,911
THANKS.

766
00:26:51,944 --> 00:26:53,112
OH, I'M SO EXCITED!

767
00:26:53,145 --> 00:26:54,213
I LOVE PRESENTS
SO MUCH.

768
00:26:54,246 --> 00:26:55,982
NOBODY
GIVES ME PRESENTS.

769
00:27:01,020 --> 00:27:02,789
[GASPS]

770
00:27:02,822 --> 00:27:04,190
OH, MY GOD!

771
00:27:04,223 --> 00:27:05,658
[LAUGHING IN DELIGHT]

772
00:27:05,692 --> 00:27:06,726
LOOK AT THIS!

773
00:27:06,759 --> 00:27:08,227
OH, MY GOD,
THIS IS SO EXPENSIVE.

774
00:27:08,260 --> 00:27:10,162
I COULD BUY A HOUSE...

775
00:27:10,196 --> 00:27:12,298
IN CAMBODIA
WITH THIS WATCH.

776
00:27:12,331 --> 00:27:13,299
HE SENT YOU A NOTE.
IT'S--

777
00:27:13,332 --> 00:27:14,300
READ IT.

778
00:27:14,333 --> 00:27:15,702
"DEAR JENNIFER,

779
00:27:15,735 --> 00:27:18,070
"THERE ARE MANY LEZ GIRLS
IN GENEVA,

780
00:27:18,104 --> 00:27:19,772
"BUT NONE AS LOVELY
AND TALENTED AS YOU.

781
00:27:19,806 --> 00:27:21,173
"I'M THRILLED
ABOUT NIKI.

782
00:27:21,207 --> 00:27:22,742
"SHE IS JESSE.
WILLIAM--"

783
00:27:22,775 --> 00:27:24,677
NO!

784
00:27:24,711 --> 00:27:26,979
NO, NO!

785
00:27:27,013 --> 00:27:28,314
NO, NO, NO.

786
00:27:28,347 --> 00:27:30,049
HE'S TRYING TO RUIN
MY FUCKING MOVIE.

787
00:27:30,082 --> 00:27:31,117
YOU KNOW,
I'M JUST GOING TO..

788
00:27:31,150 --> 00:27:32,184
SHOULD I PICK YOU UP

789
00:27:32,218 --> 00:27:33,219
TO DRIVE YOU
TO SHEBAR TONIGHT--

790
00:27:33,252 --> 00:27:34,320
NO, I'M NOT GOING.

791
00:27:34,353 --> 00:27:36,322
NO, YOU HAVE TO GO.
ARE YOU...

792
00:27:36,355 --> 00:27:38,190
WHAT?

793
00:27:38,224 --> 00:27:39,191
I...
I'M JUST SAYING--

794
00:27:39,225 --> 00:27:40,192
WHAT DO I
HAVE TO DO, ADELE?

795
00:27:40,226 --> 00:27:41,327
I'M JUST SAYING

796
00:27:41,360 --> 00:27:42,428
THAT SHE HAS BEEN
WORKING SO HARD,

797
00:27:42,461 --> 00:27:43,896
AND YOU DESERVE
A REALLY FUN NIGHT,

798
00:27:43,930 --> 00:27:44,931
DON'T YOU THINK?
DON'T YOU THINK?

799
00:27:44,964 --> 00:27:45,932
YOU KNOW WHAT?

800
00:27:45,965 --> 00:27:46,966
[SPITS GUM]

801
00:27:46,999 --> 00:27:49,101
I NEED A MOMENT.

802
00:27:49,135 --> 00:27:50,970
ALL RIGHT.
OKAY, BYE.

803
00:27:53,239 --> 00:27:54,306
I WANT YOU TO COME TONIGHT.

804
00:27:54,340 --> 00:27:55,474
WHY?

805
00:27:55,507 --> 00:27:56,776
I BEG YOU AS A FRIEND,
AS YOUR ROOMMATE.

806
00:27:56,809 --> 00:27:57,910
WHY?
WHY?
BECAUSE I LOVE YOU,

807
00:27:57,944 --> 00:28:00,179
AND I WANT TO
HANG OUT WITH YOU.

808
00:28:00,212 --> 00:28:03,115
AND WEAR THAT DRESS.

809
00:28:03,149 --> 00:28:05,051
WHY ARE YOU
LOOKING AT ME LIKE THAT?

810
00:28:07,153 --> 00:28:08,755
STOP LEERING.

811
00:28:08,788 --> 00:28:10,757
WHAT?

812
00:28:13,459 --> 00:28:14,961
SHANE, YOU NEED
TO GET LAID!

813
00:28:14,994 --> 00:28:16,929
I ONLY REALLY
RECOMMEND ONE GUN

814
00:28:16,963 --> 00:28:19,131
FOR WOMEN
FOR HOME DEFENSE,

815
00:28:19,165 --> 00:28:22,068
THE SMITH AND WESSON
.357 MAGNUM REVOLVER.

816
00:28:22,101 --> 00:28:24,771
GIVE IT A FEEL.

817
00:28:24,804 --> 00:28:26,472
IT'S EASY TO USE,
THE AIM IS GOOD,

818
00:28:26,505 --> 00:28:27,974
TRIGGER PULLS
QUICKLY,

819
00:28:28,007 --> 00:28:29,208
AND DEPENDING ON
THE TYPE OF BULLET,

820
00:28:29,241 --> 00:28:32,444
THE RECOIL IS LOW.

821
00:28:32,478 --> 00:28:34,480
I JUST WANT SOMETHING
TO SCARE SOMEBODY.

822
00:28:34,513 --> 00:28:35,982
IF YOU PULL OUT A GUN,

823
00:28:36,015 --> 00:28:37,249
YOU NEED TO BE PREPARED
TO USE IT.

824
00:28:37,283 --> 00:28:38,951
YOU WANT TO BE ABLE
TO PROTECT YOURSELF.

825
00:28:38,985 --> 00:28:41,954
WELL, WHY DON'T I JUST KEEP IT
WITHOUT BULLETS?

826
00:28:41,988 --> 00:28:44,323
YOU CAN'T FIRE A GUN
WITHOUT BULLETS.

827
00:28:44,356 --> 00:28:46,993
NOW, YOU LOAD IT
BY OPENING UP THE CYLINDER.

828
00:28:47,026 --> 00:28:48,727
LIKE THIS...

829
00:28:50,797 --> 00:28:51,831
JUST DROP
THE BULLETS IN,

830
00:28:51,864 --> 00:28:54,834
CLOSE UP
THE CYLINDER,

831
00:28:54,867 --> 00:28:57,937
AIM,
PULL THE TRIGGER.

832
00:28:57,970 --> 00:29:01,040
EASY.

833
00:29:04,376 --> 00:29:05,845
[SIGHS]

834
00:29:09,115 --> 00:29:10,817
[GUN CLICKS]

835
00:29:12,952 --> 00:29:15,788
I THINK THAT'S
THE GUN FOR YOU.

836
00:29:23,495 --> 00:29:24,797
CAN I HELP YOU?

837
00:29:24,831 --> 00:29:27,299
YEAH, UM, AUNT SALLY'S HERE.

838
00:29:27,333 --> 00:29:28,935
AUNT SALLY?

839
00:29:28,968 --> 00:29:29,969
ARE YOU SERIOUS?

840
00:29:30,002 --> 00:29:31,303
THAT'S WHAT
I'M SUPPOSED TO SAY.

841
00:29:31,337 --> 00:29:33,239
LOOK AT THAT.

842
00:29:33,272 --> 00:29:35,541
WHOO!

843
00:29:35,574 --> 00:29:38,244
HOUSE OF HOMOS,
HERE WE COME.

844
00:29:39,846 --> 00:29:41,013
[HONKING]

845
00:30:04,170 --> 00:30:05,972
UH, KIT PORTER FROM THE PLANET.

846
00:30:06,005 --> 00:30:08,975
YOU'RE NOT ON THE LIST.

847
00:30:09,008 --> 00:30:10,076
LET'S JUST GET
THE FUCK OUT OF HERE.

848
00:30:10,109 --> 00:30:11,210
COME ON.

849
00:30:11,243 --> 00:30:13,079
HEY, YOU IN THE RED.

850
00:30:13,112 --> 00:30:14,213
YOU, YEAH, YOU.

851
00:30:14,246 --> 00:30:15,214
COME ON IN.

852
00:30:15,247 --> 00:30:16,849
IT'S ALL OR NOTHING.

853
00:30:16,883 --> 00:30:18,050
HOW MANY IS ALL?
HOW MANY?

854
00:30:18,084 --> 00:30:19,085
FOUR.

855
00:30:19,118 --> 00:30:21,387
ALL RIGHT, YEAH, COME ON IN.

856
00:30:21,420 --> 00:30:23,355
[***]

857
00:31:11,437 --> 00:31:16,275
[***]

858
00:31:27,987 --> 00:31:29,288
HI, I'M DAWN DENBO.
HOW YOU DOING?

859
00:31:29,321 --> 00:31:31,023
BETTE PORTER.

860
00:31:31,057 --> 00:31:32,024
THIS IS MY LOVER, CINDI.

861
00:31:32,058 --> 00:31:33,025
HI.

862
00:31:33,059 --> 00:31:34,093
WELCOME TO SHEBAR.

863
00:31:34,126 --> 00:31:35,627
THIS IS MY SISTER,
KIT PORTER.

864
00:31:35,661 --> 00:31:37,096
HI.
HOW YOU DOING?

865
00:31:37,129 --> 00:31:38,097
JODI LERNER,

866
00:31:38,130 --> 00:31:39,999
TOM MATER.

867
00:31:40,032 --> 00:31:42,001
HI. HI.

868
00:31:42,034 --> 00:31:43,169
OH, WAIT, YOU'RE KIT PORTER?

869
00:31:43,202 --> 00:31:45,037
THE ONE AND ONLY.

870
00:31:45,071 --> 00:31:46,305
WELL, WE'VE BEEN MEANING
TO COME BY

871
00:31:46,338 --> 00:31:47,306
AND INTRODUCE OURSELVES.

872
00:31:47,339 --> 00:31:48,540
WE WANT YOU TO KNOW

873
00:31:48,574 --> 00:31:50,409
THAT WE'RE NOT TRYING TO TAKE
ANY BUSINESS AWAY FROM YOU.

874
00:31:50,442 --> 00:31:51,643
HEY, OF COURSE NOT.

875
00:31:51,677 --> 00:31:52,979
DON'T EVEN SWEAT IT.

876
00:31:53,012 --> 00:31:54,480
YOU KNOW, WELCOME TO THE 'HOOD.

877
00:31:54,513 --> 00:31:55,347
THANKS!

878
00:31:55,381 --> 00:31:56,482
IT'S JUST THAT
WHAT WE'RE DOING HERE

879
00:31:56,515 --> 00:31:58,584
IS IN ANOTHER LEAGUE ENTIRELY,
YOU KNOW WHAT I MEAN?

880
00:31:58,617 --> 00:32:00,519
IT'S ALL ABOUT
HOT NIGHTS

881
00:32:00,552 --> 00:32:01,653
AND HOT GIRLS.

882
00:32:01,687 --> 00:32:02,721
WE'RE CREATING
A WHOLE NEW SCENE.

883
00:32:02,754 --> 00:32:04,456
I'LL TELL YOU, L.A.'S NEVER SEEN

884
00:32:04,490 --> 00:32:06,025
ANYTHING LIKE IT.

885
00:32:06,058 --> 00:32:07,326
[LAUGHING POLITELY]

886
00:32:07,359 --> 00:32:10,062
BABE, THIS IS KIT.
THE ONE FROM THE PLANET?

887
00:32:10,096 --> 00:32:11,697
SO, KIT,

888
00:32:11,730 --> 00:32:13,432
YOU HAVE ABSOLUTELY
NOTHING TO WORRY ABOUT.

889
00:32:13,465 --> 00:32:15,201
DAMN, GIRL, WE'RE NOT EVEN
GOING TO SERVE COFFEE.

890
00:32:15,234 --> 00:32:16,202
[LAUGHING]

891
00:32:16,235 --> 00:32:17,303
OKAY, YEAH...

892
00:32:19,738 --> 00:32:20,706
HEY!

893
00:32:20,739 --> 00:32:21,707
HI!

894
00:32:21,740 --> 00:32:23,242
HOW ARE YOU?
HI, JODI!

895
00:32:23,275 --> 00:32:24,376
HI, KIT. HI, TOM.

896
00:32:24,410 --> 00:32:25,511
HEY.

897
00:32:25,544 --> 00:32:27,113
UM, THIS IS BRENDA.

898
00:32:27,146 --> 00:32:28,480
HI, GUYS.

899
00:32:28,514 --> 00:32:29,748
HI.
NICE TO MEET YOU.

900
00:32:29,781 --> 00:32:33,452
NICE TO MEET YOU.

901
00:32:33,485 --> 00:32:34,653
SO, IT LOOKS LIKE YOU GUYS
ARE HAVING A LOT OF FUN.

902
00:32:34,686 --> 00:32:36,255
YEAH.
YEAH.

903
00:32:36,288 --> 00:32:37,689
[GIGGLING]

904
00:32:39,758 --> 00:32:42,995
YOU KNOW WHAT? COME ON,
LET'S GO DANCE.

905
00:32:43,029 --> 00:32:44,496
ALL RIGHT. BYE, YOU GUYS.

906
00:32:49,068 --> 00:32:51,003
JESUS CHRIST, IT'S LIKE
SOUTH BEACH THREW UP.

907
00:32:51,037 --> 00:32:53,639
OH, HI, I'M DAWN DENBO.

908
00:32:53,672 --> 00:32:54,640
OH, HELLO.

909
00:32:54,673 --> 00:32:56,475
HI. THIS IS
MY LOVER, CINDI.

910
00:32:56,508 --> 00:32:57,576
I'M SHANE.

911
00:32:57,609 --> 00:32:59,711
LOVER CINDI, HOW ARE YOU?

912
00:32:59,745 --> 00:33:02,514
HEY, YOU KNOW WHAT?
GIVE THEM ALL VIP PASSES.

913
00:33:02,548 --> 00:33:04,650
YOU GUYS, OUR VIP LOUNGE
IS THE MOST EXCLUSIVE

914
00:33:04,683 --> 00:33:06,485
IN THE CITY,

915
00:33:06,518 --> 00:33:08,387
AND OUR CHAMPAGNE?

916
00:33:08,420 --> 00:33:09,488
OUR CHAMPAGNE ROOM,
STOCKED

917
00:33:09,521 --> 00:33:10,622
WITH ONLY THE BEST
MONEY CAN BUY,

918
00:33:10,656 --> 00:33:12,791
SO MAYBE WE CAN TAKE YOU
FOR A TOUR A LITTLE LATER, HUH?

919
00:33:12,824 --> 00:33:14,026
SURE.

920
00:33:14,060 --> 00:33:15,294
THAT'S SWEET, THANKS.

921
00:33:15,327 --> 00:33:17,296
THERE'S SOME GIRL
OUT FRONT,

922
00:33:17,329 --> 00:33:18,530
CLAIMS TO BE
A DIRECTOR.

923
00:33:18,564 --> 00:33:19,565
SHE SAYS SHE WANTS TO
PUT SHEBAR

924
00:33:19,598 --> 00:33:20,566
IN SOME MOVIE.

925
00:33:20,599 --> 00:33:21,667
OH, GOD, EXCUSE ME.

926
00:33:21,700 --> 00:33:22,668
ENJOY, YOU GUYS, OKAY?

927
00:33:22,701 --> 00:33:24,670
THANK YOU.
GUESS WHO?

928
00:33:24,703 --> 00:33:26,205
THAT WOULD BE JENNY.

929
00:33:30,676 --> 00:33:33,112
SO EVERYONE HERE
IS ON THE D.L. LIKE US.

930
00:33:33,145 --> 00:33:34,513
AH...

931
00:33:34,546 --> 00:33:37,116
I HOPE WE SEE SOME
FAMOUS CLOSET CASES.

932
00:33:37,149 --> 00:33:38,784
THAT WOULD BE FUN.
OOH, WANT ONE.

933
00:33:38,817 --> 00:33:40,686
THANKS.

934
00:33:40,719 --> 00:33:42,154
I HOPE WE SEE MATTHEW.

935
00:33:42,188 --> 00:33:43,322
DO YOU THINK WE WILL?

936
00:33:43,355 --> 00:33:45,257
MAYBE. WHO KNOWS?

937
00:33:45,291 --> 00:33:47,059
OOH...

938
00:33:47,093 --> 00:33:48,260
OKAY.

939
00:33:48,294 --> 00:33:50,662
OR MAYBE BEYONCE.
THAT WOULD BE FUN.

940
00:33:50,696 --> 00:33:51,730
BEYONCE'S
NOT GAY, ALICE.

941
00:33:51,763 --> 00:33:52,731
OH, COME ON.

942
00:33:52,764 --> 00:33:56,668
YOU DON'T KNOW.
A GIRL CAN DREAM.

943
00:33:56,702 --> 00:33:58,270
I HOPE WE SEE SOMETHING
SCANDALOUS, THOUGH.

944
00:33:59,705 --> 00:34:00,706
OH, SHIT...

945
00:34:00,739 --> 00:34:01,740
WHAT?

946
00:34:01,773 --> 00:34:03,342
THERE'S DARYL BREWER.

947
00:34:03,375 --> 00:34:04,276
WHO'S THAT?

948
00:34:04,310 --> 00:34:05,677
HE'S ONE OF THE TOP-
RANKING POINT GUARDS

949
00:34:05,711 --> 00:34:06,678
IN THE NBA.

950
00:34:06,712 --> 00:34:07,679
[GASPS]

951
00:34:07,713 --> 00:34:09,781
CAN I LOOK?

952
00:34:09,815 --> 00:34:10,882
HE'S MARRIED
WITH CHILDREN.

953
00:34:14,753 --> 00:34:16,322
MMM!

954
00:34:16,355 --> 00:34:18,524
OH, MY GOD.

955
00:34:18,557 --> 00:34:19,791
GOOD EVENING, LADIES.

956
00:34:19,825 --> 00:34:21,127
I'M YOUR HOST, BARRY BURD.

957
00:34:21,160 --> 00:34:22,261
OH, HI!

958
00:34:22,294 --> 00:34:23,495
I'M ALICE PIESZECKI.

959
00:34:23,529 --> 00:34:24,530
THIS IS TASHA WILLIAMS.

960
00:34:24,563 --> 00:34:25,564
HI.

961
00:34:25,597 --> 00:34:27,399
FABULOUS CHEEKBONES.

962
00:34:27,433 --> 00:34:28,400
YEAH...

963
00:34:28,434 --> 00:34:30,269
[LAUGHS]

964
00:34:30,302 --> 00:34:31,437
WELL, THANK YOU FOR HAVING US.

965
00:34:31,470 --> 00:34:32,804
IT'S MY PLEASURE.

966
00:34:32,838 --> 00:34:33,839
ARE YOU ENJOYING THE PARTY?

967
00:34:33,872 --> 00:34:34,873
OH, YEAH, IT'S GREAT.

968
00:34:34,906 --> 00:34:38,144
NOW I KNOW YOU.

969
00:34:38,177 --> 00:34:40,179
YOU'RE VERY
ENTERTAINING

970
00:34:40,212 --> 00:34:42,481
WITH THOSE WHATCHAMACALLITS.

971
00:34:42,514 --> 00:34:43,815
UH, PODCASTS.

972
00:34:43,849 --> 00:34:46,385
THANK YOU.

973
00:34:46,418 --> 00:34:48,887
OF COURSE YOU WON'T BE DOING
ANY PODCASTING FROM HERE.

974
00:34:48,920 --> 00:34:50,689
OH, NO, NO.

975
00:34:50,722 --> 00:34:51,790
I AM DOWN
WITH YOUR WHOLE PROGRAM

976
00:34:51,823 --> 00:34:53,725
YOU GOT
GOING ON HERE.

977
00:34:56,528 --> 00:35:00,299
IS THAT
HORACE TRACHTENBERG?

978
00:35:00,332 --> 00:35:02,234
YES...

979
00:35:02,268 --> 00:35:04,636
AND THAT'S HIS WIFE, CANDACE,
OVER THERE.

980
00:35:10,476 --> 00:35:12,311
WOW! REALLY?

981
00:35:12,344 --> 00:35:13,645
IT'S A GOOD PARTY.

982
00:35:13,679 --> 00:35:14,713
VERY GOOD PARTY.
WOW--

983
00:35:14,746 --> 00:35:16,782
I'M NOT GOING TO
TELL ANYBODY.

984
00:35:16,815 --> 00:35:20,152
* DOWN, DOWN THE FAST STREET

985
00:35:20,186 --> 00:35:24,623
* AND YOU KNOW
I CAN'T STOP SEARCHING *

986
00:35:24,656 --> 00:35:28,327
* I'M RUNNING
FROM THE NIGHTMARES *

987
00:35:28,360 --> 00:35:32,298
* I JUST CAN'T STOP
THE HURTING *

988
00:35:32,331 --> 00:35:35,534
* I FEEL LIKE A LOSER

989
00:35:35,567 --> 00:35:39,638
* 'CAUSE YOU WANT GOD
TO FORGIVE ME *

990
00:35:39,671 --> 00:35:42,808
* I'LL SHOW I'M ONLY HUMAN

991
00:35:42,841 --> 00:35:44,343
JENNY--
WHAT?

992
00:35:44,376 --> 00:35:45,511
NIKI STEVENS IS HERE.

993
00:35:45,544 --> 00:35:46,945
WHAT THE FUCK
IS SHE DOING HERE?

994
00:35:46,978 --> 00:35:48,280
I DON'T KNOW, I DON'T KNOW,

995
00:35:48,314 --> 00:35:50,949
BUT I THINK
SHE'S COMING THIS WAY.

996
00:35:50,982 --> 00:35:52,551
OH, MY GOD, HI!

997
00:35:52,584 --> 00:35:53,652
HOW ARE YOU?

998
00:35:53,685 --> 00:35:55,654
I'M FINE.
HOW ARE YOU?

999
00:35:55,687 --> 00:35:57,256
GOOD. YOU KNOW,
I MEAN,

1000
00:35:57,289 --> 00:35:58,290
MY AGENTS WOULD
TOTALLY FREAK

1001
00:35:58,324 --> 00:35:59,558
IF THEY SAW ME HERE,

1002
00:35:59,591 --> 00:36:00,826
BUT FUCK 'EM.
IT'S MY LIFE,

1003
00:36:00,859 --> 00:36:02,194
I'M GOING TO DO
WHAT I WANT,

1004
00:36:02,228 --> 00:36:03,262
SO I'M HERE TO HAVE A GOOD TIME.

1005
00:36:03,295 --> 00:36:04,296
[LAUGHS]

1006
00:36:04,330 --> 00:36:06,298
WHO THE HELL
IS THAT?

1007
00:36:06,332 --> 00:36:08,200
THAT'S NIKI STEVENS.

1008
00:36:08,234 --> 00:36:09,301
ISN'T SHE GORGEOUS?

1009
00:36:09,335 --> 00:36:10,336
SHE'S THE LEAD
IN OUR MOVIE.

1010
00:36:12,638 --> 00:36:15,941
DID YOU...

1011
00:36:15,974 --> 00:36:19,678
OH, MY GOD,
YOU'RE MY HERO!

1012
00:36:19,711 --> 00:36:21,413
WOW, THE PLACE LOOKS GREAT.

1013
00:36:21,447 --> 00:36:23,582
I MEAN, THEY GOT
A GREAT TURNOUT TONIGHT.

1014
00:36:23,615 --> 00:36:26,685
YEAH...
THEY-THEY DID.

1015
00:36:26,718 --> 00:36:27,819
OH, SHIT.

1016
00:36:27,853 --> 00:36:29,555
SORRY, I JUST NEED
TO HIDE IN HERE

1017
00:36:29,588 --> 00:36:30,689
FOR A SECOND.

1018
00:36:30,722 --> 00:36:31,623
WHY?

1019
00:36:31,657 --> 00:36:32,891
THERE'S THIS GIRL
THAT I HOOKED UP WITH

1020
00:36:32,924 --> 00:36:34,293
RIGHT BEHIND ME,

1021
00:36:34,326 --> 00:36:35,394
AND SHE WON'T STOP
FUCKING CALLING ME.

1022
00:36:35,427 --> 00:36:36,528
WHICH GIRL?

1023
00:36:36,562 --> 00:36:37,563
ALL RIGHT,
SHE'S RIGHT BEHIND ME.

1024
00:36:37,596 --> 00:36:39,265
DO YOU SEE HER?

1025
00:36:39,298 --> 00:36:40,532
IS SHE LOOKING
THIS WAY?

1026
00:36:40,566 --> 00:36:41,533
YEAH, I DO.

1027
00:36:41,567 --> 00:36:42,568
YOU HOOKED UP
WITH HER?

1028
00:36:42,601 --> 00:36:43,835
YEAH, I KNOW.

1029
00:36:43,869 --> 00:36:45,837
I MEAN, NOT MANY PEOPLE HERE
KNOW THAT I'M GAY.

1030
00:36:45,871 --> 00:36:46,972
I MEAN, HOLLYWOOD PEOPLE,
THAT IS.

1031
00:36:47,005 --> 00:36:48,407
YOU KNOW,
IF EVERYONE FOUND OUT,

1032
00:36:48,440 --> 00:36:49,808
IT WOULD BE THIS BIG...

1033
00:36:49,841 --> 00:36:51,310
WELL, MESS, BASICALLY.

1034
00:36:51,343 --> 00:36:52,478
RIGHT.

1035
00:36:52,511 --> 00:36:54,380
BUT I'M NOT GOING TO BE
SOME SORT OF MONK

1036
00:36:54,413 --> 00:36:55,914
OR WHATEVER,

1037
00:36:55,947 --> 00:36:58,884
SO DO YOU WANT TO GO AND TALK
SOMEWHERE ELSE?

1038
00:37:00,586 --> 00:37:01,820
OKAY.

1039
00:37:01,853 --> 00:37:03,322
HELP ME OUT.

1040
00:37:06,958 --> 00:37:11,897
[***]

1041
00:37:28,013 --> 00:37:29,281
OW.

1042
00:37:29,315 --> 00:37:30,582
OH, I'M SORRY, GIRL.

1043
00:37:30,616 --> 00:37:31,583
MY BAD.

1044
00:37:31,617 --> 00:37:33,452
OH, IT'S OKAY, I'VE GOT TWO.

1045
00:37:33,485 --> 00:37:34,453
[CHUCKLES]

1046
00:37:34,486 --> 00:37:35,521
YOU'RE FUNNY.

1047
00:37:35,554 --> 00:37:36,588
I LIKE YOU.

1048
00:37:41,660 --> 00:37:42,861
HE NEVER SOUNDED
LIKE THAT

1049
00:37:42,894 --> 00:37:45,931
IN TV INTERVIEWS.

1050
00:38:15,394 --> 00:38:19,331
OKAY,
CAN I JUST SAY

1051
00:38:19,365 --> 00:38:20,732
HOW MUCH THIS CHARACTER
MEANS TO ME?

1052
00:38:20,766 --> 00:38:23,635
I MEAN, I AM DYING
TO PLAY HER, JENNY.

1053
00:38:23,669 --> 00:38:25,771
I MEAN, I ACTUALLY
HAD TO HARASS MY AGENTS

1054
00:38:25,804 --> 00:38:27,473
TO EVEN
PUT ME UP FOR IT,

1055
00:38:27,506 --> 00:38:28,807
AND THEY WERE
COMPLETELY AGAINST

1056
00:38:28,840 --> 00:38:29,975
THE WHOLE THING,

1057
00:38:30,008 --> 00:38:31,109
BUT, YOU KNOW,
I SAID I'D FIRE THEM

1058
00:38:31,142 --> 00:38:32,444
IF THEY WOULDN'T
LET ME DO IT.

1059
00:38:32,478 --> 00:38:33,845
YOU DID?

1060
00:38:33,879 --> 00:38:34,846
YEAH, I MEAN,

1061
00:38:34,880 --> 00:38:36,615
ALL THEY WANT ME TO DO

1062
00:38:36,648 --> 00:38:38,584
ARE THESE STUPID
MICHAEL BAY FILMS.

1063
00:38:38,617 --> 00:38:39,951
I MEAN, I ACTUALLY

1064
00:38:39,985 --> 00:38:41,720
GOT OFFERED TO PLAY
NICOLAS CAGE'S GIRLFRIEND,

1065
00:38:41,753 --> 00:38:43,489
AND HE'S LIKE, WHAT,
50 OR SOMETHING?

1066
00:38:43,522 --> 00:38:44,756
SO, NIKI, WHAT'S THE DEAL?

1067
00:38:44,790 --> 00:38:45,857
YOU WANT TO BE IN MY MOVIE?

1068
00:38:45,891 --> 00:38:49,127
MORE THAN ANYTHING.

1069
00:38:49,160 --> 00:38:52,130
I HAVE NEVER WANTED TO
BE IN SOMETHING SO BADLY

1070
00:38:52,163 --> 00:38:53,565
IN MY ENTIRE LIFE.

1071
00:38:53,599 --> 00:38:54,633
WHY?

1072
00:38:54,666 --> 00:38:55,867
BECAUSE IT'S...

1073
00:38:55,901 --> 00:38:56,868
IT'S MY LIFE.

1074
00:38:56,902 --> 00:38:57,803
I MEAN, OKAY,

1075
00:38:57,836 --> 00:39:02,073
IT'S NOT ACTUALLY MY LIFE,
OBVIOUSLY, BUT...

1076
00:39:02,107 --> 00:39:04,843
HAVE YOU EVER JUST
READ SOMETHING

1077
00:39:04,876 --> 00:39:05,877
THAT'S JUST SO TRUE?

1078
00:39:05,911 --> 00:39:08,780
I MEAN...

1079
00:39:08,814 --> 00:39:10,982
THE FIRST TIME
THAT I EVER FELL FOR A GIRL

1080
00:39:11,016 --> 00:39:13,652
IT WAS JUST...

1081
00:39:13,685 --> 00:39:17,556
IT WAS SO INTENSE, AND...

1082
00:39:17,589 --> 00:39:19,491
SHE COMPLETELY BROKE MY HEART.

1083
00:39:19,525 --> 00:39:22,127
THEN WHEN I WAS READING
THROUGH YOUR SCRIPT,

1084
00:39:22,160 --> 00:39:23,962
I JUST...

1085
00:39:23,995 --> 00:39:25,597
I JUST KEPT THINKING,
LIKE,

1086
00:39:25,631 --> 00:39:27,866
I HAVE DONE THESE THINGS,
AND I'VE FELT THESE FEELINGS,

1087
00:39:27,899 --> 00:39:30,569
AND THIS CHARACTER,
IT'S ME, JENNY.

1088
00:39:30,602 --> 00:39:31,670
IT IS ME.

1089
00:39:34,706 --> 00:39:35,774
LOOK, IT'S...

1090
00:39:35,807 --> 00:39:36,842
I...

1091
00:39:36,875 --> 00:39:38,410
I DON'T KNOW, IT...

1092
00:39:38,444 --> 00:39:39,711
IT MEANS SOMETHING, YOU KNOW,

1093
00:39:39,745 --> 00:39:44,115
THAT YOU'RE SAYING
ALL THESE THINGS, BUT...

1094
00:39:44,149 --> 00:39:46,918
I DON'T GIVE A FUCK
THAT YOU'RE GAY.

1095
00:39:46,952 --> 00:39:48,487
IT'S NOT GOING TO GET YOU
THE JOB.

1096
00:39:48,520 --> 00:39:50,456
I KNOW.

1097
00:39:50,489 --> 00:39:51,557
YOU WANTED
NATALIE PORTMAN.

1098
00:39:51,590 --> 00:39:52,958
SHE'S AMAZING.

1099
00:39:52,991 --> 00:39:54,660
SHE IS, BUT,
YOU KNOW,

1100
00:39:54,693 --> 00:39:57,195
SHE DOESN'T
WANT TO DO IT.

1101
00:39:57,228 --> 00:39:59,064
LOOK...

1102
00:39:59,097 --> 00:40:03,935
I KNOW THAT I NAILED
THAT AUDITION,

1103
00:40:03,969 --> 00:40:05,203
AND, LOOK, I KNOW THAT
EVERYONE IN THAT ROOM

1104
00:40:05,236 --> 00:40:06,905
WAS COMPLETELY
INTO ME,

1105
00:40:06,938 --> 00:40:09,675
EXCEPT FOR YOU.

1106
00:40:11,543 --> 00:40:12,778
JENNY...

1107
00:40:12,811 --> 00:40:15,046
I MEAN, I GET IT, ALL RIGHT?

1108
00:40:15,080 --> 00:40:16,615
I KNOW WHAT I LOOK LIKE,

1109
00:40:16,648 --> 00:40:18,149
AND I KNOW WHY GUYS LIKE ME,

1110
00:40:18,183 --> 00:40:21,052
AND ALL THAT FUCKING
HOLLYWOOD BULLSHIT,

1111
00:40:21,086 --> 00:40:22,120
BUT, JENNY,

1112
00:40:22,153 --> 00:40:23,154
THERE IS MORE TO ME
THAN THAT,

1113
00:40:23,188 --> 00:40:25,090
AND I NEED TO PROVE
THAT THERE IS,

1114
00:40:25,123 --> 00:40:26,758
AND THAT I CAN DO THIS.

1115
00:40:26,792 --> 00:40:28,860
I WILL GIVE YOU EVERYTHING
THAT I HAVE INSIDE OF ME

1116
00:40:28,894 --> 00:40:30,128
FOR THIS ROLE.

1117
00:40:35,000 --> 00:40:38,737
LOOK, MY AGENTS ALREADY TOLD ME

1118
00:40:38,770 --> 00:40:40,872
THAT THE STUDIO'S
GOING TO MAKE YOU HIRE ME

1119
00:40:40,906 --> 00:40:42,040
NO MATTER WHAT.

1120
00:40:42,073 --> 00:40:44,109
IS THAT WHAT THEY SAID?

1121
00:40:44,142 --> 00:40:47,513
YEAH...

1122
00:40:47,546 --> 00:40:49,615
BUT I DON'T
WANT THAT, JENNY.

1123
00:40:49,648 --> 00:40:50,716
I WANT YOU
TO WANT ME.

1124
00:40:50,749 --> 00:40:52,083
I MEAN, YOU ARE
THE DIRECTOR,

1125
00:40:52,117 --> 00:40:55,621
AND I WILL BE
THE JESSE OF YOUR DREAMS, JENNY,

1126
00:40:55,654 --> 00:40:56,788
I PROMISE YOU.

1127
00:41:02,528 --> 00:41:03,495
HEY, HEY!

1128
00:41:03,529 --> 00:41:04,763
YOU'RE NOT LEAVING,
ARE YOU?

1129
00:41:04,796 --> 00:41:05,897
YEAH, YEAH, I THINK
IT'S TIME I SHOULD GO.

1130
00:41:05,931 --> 00:41:07,799
NO, NO,
YOU'RE SHANE, RIGHT?

1131
00:41:07,833 --> 00:41:08,800
YEAH.

1132
00:41:08,834 --> 00:41:09,568
YEAH, HEY, SHANE,
COME HERE.

1133
00:41:09,601 --> 00:41:10,769
WE WANT YOU TO BE
A REGULAR HERE.

1134
00:41:10,802 --> 00:41:12,003
WE'VE HEARD
A LOT ABOUT YOU.

1135
00:41:12,037 --> 00:41:13,004
AH, I DON'T KNOW.

1136
00:41:13,038 --> 00:41:14,506
OH...

1137
00:41:14,540 --> 00:41:15,774
WHAT'S THE MATTER,
DON'T YOU LIKE GIRLS?

1138
00:41:15,807 --> 00:41:17,008
NO, I DON'T LIKE
ALL THE DRAMA

1139
00:41:17,042 --> 00:41:18,610
THAT GOES WITH THEM.

1140
00:41:18,644 --> 00:41:20,278
YEAH, WELL, THIS BUSINESS
IS FULL OF DRAMA.

1141
00:41:20,311 --> 00:41:21,246
HEY, GIRLS.

1142
00:41:21,279 --> 00:41:23,715
YOU KNOW, GIRLS ALWAYS
SEEM TO BRING THE DRAMA.

1143
00:41:27,252 --> 00:41:29,521
WELCOME TO
THE V.I.P. ROOM.

1144
00:41:29,555 --> 00:41:30,856
EVERYBODY OUT. OUT.

1145
00:41:33,324 --> 00:41:34,292
LET'S GO, LET'S GO.

1146
00:41:34,325 --> 00:41:36,294
NOT YOU, BABY.

1147
00:41:36,327 --> 00:41:38,897
[LAUGHING]

1148
00:41:42,801 --> 00:41:44,002
HEY, HOW YOU DOING?

1149
00:41:44,035 --> 00:41:46,304
I'M GOOD.

1150
00:41:46,337 --> 00:41:49,741
I'M GLAD YOU STAYED.

1151
00:41:49,775 --> 00:41:50,976
WELL, DIDN'T HAVE
MUCH OF A CHOICE.

1152
00:41:51,009 --> 00:41:52,644
[LAUGHING]

1153
00:41:52,678 --> 00:41:54,646
GUESS WHAT WE WERE JUST
TALKING ABOUT, BABE?

1154
00:41:54,680 --> 00:41:55,647
WHAT?

1155
00:41:55,681 --> 00:41:56,982
GIRLS AND DRAMA.

1156
00:41:57,015 --> 00:41:58,984
OH, WOW.

1157
00:41:59,017 --> 00:42:01,853
GIRLS IN L.A. LOVE
THEIR DRAMA, DON'T THEY?

1158
00:42:01,887 --> 00:42:04,289
I THINK GIRLS EVERYWHERE
LOVE THEIR DRAMA.

1159
00:42:04,322 --> 00:42:05,591
WELL, WE TOOK CARE
OF THAT PROBLEM

1160
00:42:05,624 --> 00:42:06,625
A LONG TIME AGO,
DIDN'T WE, BABY?

1161
00:42:06,658 --> 00:42:10,796
WE SURE DID.

1162
00:42:10,829 --> 00:42:13,632
WELL, YOU TWO ARE LUCKY.

1163
00:42:13,665 --> 00:42:15,266
YEAH, YEAH,
WE'RE LUCKY,

1164
00:42:15,300 --> 00:42:17,035
AND WE'RE
COMPLETELY HONEST.

1165
00:42:17,068 --> 00:42:18,770
WE DON'T CHEAT,

1166
00:42:18,804 --> 00:42:21,172
AND WE DON'T BELIEVE
IN JEALOUSY,

1167
00:42:21,206 --> 00:42:22,574
AND WE PUT IT ALL
ON THE LINE,

1168
00:42:22,608 --> 00:42:23,642
AND WHATEVER WE DO,

1169
00:42:23,675 --> 00:42:25,877
WE DO TOGETHER.

1170
00:42:25,911 --> 00:42:27,045
RIGHT, BABY?

1171
00:42:27,078 --> 00:42:28,279
MM-HMM...

1172
00:42:52,370 --> 00:42:53,338
TOGETHER, HUH?

1173
00:42:53,371 --> 00:42:54,740
YEAH.

1174
00:42:54,773 --> 00:42:55,841
I CAN TELL.

1175
00:42:55,874 --> 00:42:57,308
NO DRAMA.

1176
00:42:57,342 --> 00:42:59,244
[LAUGHING]

1177
00:43:04,282 --> 00:43:07,986
* BORN UNDER A FIRE SUN

1178
00:43:08,019 --> 00:43:14,926
* LEGENDS ARE BORN
IN THE SUMMERTIME *

1179
00:43:14,960 --> 00:43:18,764
* I'M HEATING UP THE JUNGLE

1180
00:43:18,797 --> 00:43:22,133
LET'S GET
THIS OFF.

1181
00:43:22,167 --> 00:43:26,805
* I'M CUING UP THE SUMMER

1182
00:43:26,838 --> 00:43:31,843
* I'M DISHING UP SOME SUMMER

1183
00:43:31,877 --> 00:43:35,881
* VOICE FROM THE VOLCANO

1184
00:43:44,923 --> 00:43:47,959
I AM SO OVER THIS SHEBAR.

1185
00:43:47,993 --> 00:43:49,160
I'M OUT OF HERE.

1186
00:43:49,194 --> 00:43:50,929
ME TOO.

1187
00:43:50,962 --> 00:43:51,930
READY?

1188
00:43:51,963 --> 00:43:55,801
I PROMISED SHANE

1189
00:43:55,834 --> 00:43:57,903
THAT I WOULDN'T LEAVE
WITHOUT HER, SO...

1190
00:43:57,936 --> 00:43:59,104
I'M JUST GOING TO GO
LOOK FOR HER.

1191
00:43:59,137 --> 00:44:00,171
OKAY.

1192
00:44:00,205 --> 00:44:01,239
DO YOU WANT ME TO WAIT?

1193
00:44:01,272 --> 00:44:03,341
NO, IT'S FINE.

1194
00:44:03,374 --> 00:44:05,243
I MEAN, I HAVE TO PICK UP ANGIE

1195
00:44:05,276 --> 00:44:06,778
FIRST THING TOMORROW MORNING
ANYWAY.

1196
00:44:12,050 --> 00:44:15,921
* YOU ARE MY OASIS

1197
00:44:15,954 --> 00:44:19,991
* YOU UNDER THE PALM TREES

1198
00:44:20,025 --> 00:44:26,965
* NIAGARA FALLS
IN THE SUMMERTIME *

1199
00:44:26,998 --> 00:44:30,836
* I'M HEATING UP THE JUNGLE

1200
00:44:30,869 --> 00:44:34,806
* I'M HEATING UP
THE JUNGLE *

1201
00:44:34,840 --> 00:44:38,810
* I'M DISHING UP SOME SUMMER

1202
00:44:38,844 --> 00:44:43,915
* YOU'RE COOLING OFF
THE JUNGLE *

1203
00:44:43,949 --> 00:44:47,919
* FRESH AS LEMON DAISIES

1204
00:44:47,953 --> 00:44:51,857
* YOU ARE MY OASIS

1205
00:44:51,890 --> 00:44:55,961
* LEGENDS ARE BORN

1206
00:45:00,098 --> 00:45:05,103
[***]

1207
00:45:12,543 --> 00:45:13,745
HEY...

1208
00:45:13,779 --> 00:45:15,246
HEY.

1209
00:45:15,280 --> 00:45:17,348
WHAT ARE YOU DOING HERE
ALL BY YOURSELF?

1210
00:45:21,119 --> 00:45:24,389
I DON'T KNOW.

1211
00:45:24,422 --> 00:45:26,224
WHAT ARE YOU DOING HERE?

1212
00:45:26,257 --> 00:45:29,194
I WAS JUST LOOKING FOR SHANE.

1213
00:45:29,227 --> 00:45:30,261
SHE DISAPPEARED.

1214
00:45:30,295 --> 00:45:33,932
I PROMISED THAT I WOULDN'T LEAVE
WITHOUT HER, SO...

1215
00:45:37,568 --> 00:45:40,338
I'M HIDING.

1216
00:45:40,371 --> 00:45:41,406
WHAT?

1217
00:45:41,439 --> 00:45:44,509
I'M HIDING FROM BRENDA.

1218
00:45:46,544 --> 00:45:50,081
SHE'S NICE
AND EVERYTHING, BUT...

1219
00:45:50,115 --> 00:45:53,819
OH, MY GOD,
SHE'S FUCKING CRAZY.

1220
00:45:53,852 --> 00:45:55,086
I CAN'T
KEEP UP WITH HER.

1221
00:45:55,120 --> 00:45:56,187
[LAUGHS]

1222
00:45:56,221 --> 00:45:57,222
I DON'T KNOW
WHERE SHE IS.

1223
00:45:57,255 --> 00:45:59,825
SOMEWHERE OUT THERE
DANCING.

1224
00:45:59,858 --> 00:46:03,528
I THOUGHT YOU TWO
WERE SO INTO EACH OTHER.

1225
00:46:03,561 --> 00:46:05,931
WE WERE JUST HAVING FUN.

1226
00:46:05,964 --> 00:46:07,966
HMM.

1227
00:46:09,334 --> 00:46:11,837
[SIGHS]

1228
00:46:11,870 --> 00:46:14,339
THIS IS...

1229
00:46:14,372 --> 00:46:18,343
IT'S SO NOT MY SCENE.

1230
00:46:18,376 --> 00:46:19,911
JUST, BARS.

1231
00:46:19,945 --> 00:46:22,213
I KNOW.

1232
00:46:22,247 --> 00:46:24,449
IT'S JUST...

1233
00:46:32,523 --> 00:46:34,092
YOU'RE LUCKY.

1234
00:46:34,125 --> 00:46:37,328
YOU ARE REALLY LUCKY

1235
00:46:37,362 --> 00:46:41,132
THAT YOU HAVE JODI.

1236
00:46:46,037 --> 00:46:47,205
YEAH...

1237
00:46:47,238 --> 00:46:48,506
I AM.

1238
00:46:56,647 --> 00:46:59,851
* I'LL BE THERE TO LOVE YOU

1239
00:46:59,885 --> 00:47:09,394
* EACH AND EVERY NIGHT
AND ALL THROUGH THE DAY *

1240
00:47:09,427 --> 00:47:11,930
* I'LL BE THERE TO LOVE YOU

1241
00:47:11,963 --> 00:47:20,105
* EACH AND EVERY NIGHT
AND ALL THROUGH THE DAY *

1242
00:47:20,138 --> 00:47:24,976
* I'LL BE THERE TO LOVE YOU
EACH AND EVERY NIGHT *

1243
00:47:25,010 --> 00:47:32,450
* AND ALL THROUGH THE DAY

1244
00:47:32,483 --> 00:47:37,388
* I'LL BE THERE TO LOVE YOU
EACH AND EVERY NIGHT *

1245
00:47:37,422 --> 00:47:43,094
* AND ALL THROUGH THE DAY

1246
00:47:43,128 --> 00:47:48,633
* I'LL BE THERE TO LOVE YOU
EACH AND EVERY NIGHT *

1247
00:47:48,666 --> 00:47:57,875
* AND ALL THROUGH THE DAY