1 00:00:11,445 --> 00:00:13,047 PREVIOUSLY ON THE L WORD-- 2 00:00:13,081 --> 00:00:14,215 AND I GOT INVITED TO A BARRY BURD PARTY. 3 00:00:14,248 --> 00:00:15,549 ONE OF THOSE VELVET MAFIA TYPE 4 00:00:15,583 --> 00:00:16,684 UNDERGROUND PARTIES 5 00:00:16,717 --> 00:00:18,386 FOR ALL THE CLOSET HOLLYWOOD HOMOS. 6 00:00:18,419 --> 00:00:20,221 YOU WON'T BE DOING ANY PODCASTING FROM HERE. 7 00:00:20,254 --> 00:00:21,255 OH, NO. 8 00:00:21,289 --> 00:00:22,590 THERE'S DARYL BREWER, 9 00:00:22,623 --> 00:00:24,492 ONE OF THE TOP-RANKING POINT GUARDS IN THE NBA. 10 00:00:24,525 --> 00:00:25,493 OW. OW. 11 00:00:25,526 --> 00:00:26,494 SORRY, GIRL. 12 00:00:26,527 --> 00:00:28,096 OH, IT'S OKAY. I'VE GOT TWO. 13 00:00:28,129 --> 00:00:29,130 THANK YOU. 14 00:00:33,534 --> 00:00:34,535 I'M DAWN DENBO. 15 00:00:34,568 --> 00:00:35,603 HI. THIS IS MY LOVER, CINDI. 16 00:00:35,636 --> 00:00:36,604 WELCOME TO SHEBAR. 17 00:00:36,637 --> 00:00:38,272 THIS IS KIT FROM THE PLANET. 18 00:00:38,306 --> 00:00:39,573 WE'RE NOT TRYING TO TAKE ANY BUSINESS AWAY FROM YOU. 19 00:00:39,607 --> 00:00:40,441 DON'T EVEN SWEAT IT. 20 00:00:40,474 --> 00:00:41,842 WE'RE NOT EVEN GOING TO SERVE COFFEE. 21 00:00:41,875 --> 00:00:42,843 WHO THE HELL IS THAT? 22 00:00:42,876 --> 00:00:44,412 THAT'S NIKI STEVENS. 23 00:00:44,445 --> 00:00:45,613 ISN'T SHE GORGEOUS? 24 00:00:45,646 --> 00:00:46,847 SHE'S THE LEAD IN OUR MOVIE. 25 00:00:46,880 --> 00:00:48,316 GIRLS IN L.A. LOVE THEIR DRAMA. 26 00:00:48,349 --> 00:00:49,450 GIRLS EVERYWHERE LOVE THEIR DRAMA. 27 00:00:49,483 --> 00:00:50,484 WE TOOK CARE OF THAT PROBLEM. 28 00:00:50,518 --> 00:00:51,519 WE DON'T CHEAT, 29 00:00:51,552 --> 00:00:52,520 AND WHATEVER WE DO 30 00:00:52,553 --> 00:00:54,755 WE DO TOGETHER. 31 00:00:54,788 --> 00:00:56,056 NO DRAMA. 32 00:00:57,558 --> 00:00:59,193 HOW COULD YOU LET A STUDENT 33 00:00:59,227 --> 00:01:00,728 STAND IN FRONT OF YOUR CLASS 34 00:01:00,761 --> 00:01:02,463 WITH A GUN POINTED TO HIS HEAD? 35 00:01:02,496 --> 00:01:05,366 YOU ARE REALLY LUCKY THAT YOU HAVE JODI. 36 00:01:05,399 --> 00:01:06,400 YEAH. 37 00:01:13,374 --> 00:01:15,176 [TINA]: OKAY, EVERYONE. 38 00:01:15,209 --> 00:01:17,678 QUICK ROUND-TABLE INTRODUCTION, THEN WE'LL GET ON WITH IT. 39 00:01:17,711 --> 00:01:21,449 HI. MY NAME'S CAMMIE, AND I'LL BE PLAYING SHAUN. 40 00:01:21,482 --> 00:01:23,484 WHAT'S UP, EVERYBODY? 41 00:01:23,517 --> 00:01:26,720 MY NAME IS SUSAN, AND I WILL BE PLAYING ALYSSE. 42 00:01:26,754 --> 00:01:28,222 HI. I'M LAUREN. 43 00:01:28,256 --> 00:01:30,324 I JUST TOOK THE MOST HELLISH FLIGHT TO GET HERE, 44 00:01:30,358 --> 00:01:31,625 SO I'M VERY HAPPY TO SEE YOU ALL. 45 00:01:31,659 --> 00:01:33,594 I'M PLAYING THE ROLE OF HELEN. 46 00:01:33,627 --> 00:01:34,862 [A SMATTERING OF APPLAUSE] 47 00:01:34,895 --> 00:01:36,130 HELLO. I'M ISABELLA. 48 00:01:36,164 --> 00:01:37,231 YOU CAN CALL ME BELLA, 49 00:01:37,265 --> 00:01:38,866 AND I'M PLAYING THE ROLE OF BEV. 50 00:01:38,899 --> 00:01:39,900 ALL RIGHT! 51 00:01:39,933 --> 00:01:42,470 [APPLAUSE] 52 00:01:42,503 --> 00:01:44,505 HI. I'M GRETCHEN, 53 00:01:44,538 --> 00:01:46,540 AND I'LL BE PLAYING NINA. 54 00:01:46,574 --> 00:01:48,642 CAN I JUST SAY HOW EXCITED I AM TO BE HERE? 55 00:01:48,676 --> 00:01:50,378 YEAH! 56 00:01:50,411 --> 00:01:52,813 I THINK WE'RE GOING TO DO SOME VERY IMPORTANT WORK. 57 00:01:52,846 --> 00:01:54,182 APOLOGIES. 58 00:01:54,215 --> 00:01:56,584 I WAS SIGNING PAPERS IN MY NEW LOFT. 59 00:01:56,617 --> 00:01:59,587 I'M BEGONIA, PLAYING THE PREDATOR. 60 00:01:59,620 --> 00:02:01,255 HELLO. HEY. 61 00:02:01,289 --> 00:02:03,624 AND I'M CHERYL AND I'M PLAYING CAT. 62 00:02:03,657 --> 00:02:05,459 YOU ALL JUST WATCH OUT. 63 00:02:05,493 --> 00:02:06,460 [ALL CHUCKLING] 64 00:02:06,494 --> 00:02:07,461 HI. I'M MARCI. 65 00:02:07,495 --> 00:02:08,629 DONNA, THE SOCCER PLAYER. 66 00:02:08,662 --> 00:02:09,930 HEY, ALL. 67 00:02:09,963 --> 00:02:12,933 HAPPY TO BE REPRESENTING THE DUDES. 68 00:02:12,966 --> 00:02:14,235 I'M GREG. 69 00:02:14,268 --> 00:02:15,469 I'LL BE PLAYING JIM, JESSE'S FIANCE. 70 00:02:15,503 --> 00:02:16,670 DON'T THINK I'M A BITCH 71 00:02:16,704 --> 00:02:18,739 BECAUSE I'M WEARING MY SUNGLASSES INSIDE. 72 00:02:18,772 --> 00:02:20,808 I, UM, JUST GOT MY PUPILS DILATED, 73 00:02:20,841 --> 00:02:22,243 WHICH IS WEIRD, 74 00:02:22,276 --> 00:02:24,745 BUT, ANYWAY, I JUST-- I'M NOT BEING RUDE. 75 00:02:24,778 --> 00:02:26,480 I JUST HAVE TO WEAR THEM. 76 00:02:26,514 --> 00:02:29,317 OH, AND I'M NIKI, PLAYING JESSE. 77 00:02:29,350 --> 00:02:30,884 PEACE. 78 00:02:30,918 --> 00:02:32,720 I'M TINA. I'M THE PRODUCER. 79 00:02:32,753 --> 00:02:34,655 I'M ALSO THE EXECUTIVE VICE PRESIDENT 80 00:02:34,688 --> 00:02:36,357 OF CREATIVE AFFAIRS 81 00:02:36,390 --> 00:02:37,758 FOR SHAOLIN PICTURES. 82 00:02:37,791 --> 00:02:38,892 WELCOME. 83 00:02:38,926 --> 00:02:40,328 HI, EVERYONE. 84 00:02:40,361 --> 00:02:42,196 MY NAME IS JENNIFER SCHECTER 85 00:02:42,230 --> 00:02:43,931 AND I AM THE WRITER 86 00:02:43,964 --> 00:02:48,602 AND I'M ALSO THE DIRECTOR OF LEZ GIRLS, 87 00:02:48,636 --> 00:02:51,939 AND I JUST WANT TO SAY HOW THRILLED I AM-- 88 00:02:51,972 --> 00:02:53,341 I REALLY AM-- 89 00:02:53,374 --> 00:02:55,209 TO HAVE ALL OF YOU GUYS HERE. 90 00:02:55,243 --> 00:02:56,710 THIS IS THE CULMINATION 91 00:02:56,744 --> 00:02:58,846 OF SO MANY THINGS FOR ME, 92 00:02:58,879 --> 00:03:00,481 SO I WANT TO WELCOME YOU GUYS 93 00:03:00,514 --> 00:03:02,716 TO THE FIRST TABLE READ-THROUGH OF LEZ GIRLS. 94 00:03:02,750 --> 00:03:03,884 WHOO! 95 00:03:05,953 --> 00:03:07,888 YAY! WHOO! 96 00:03:07,921 --> 00:03:11,692 [**] 97 00:03:11,725 --> 00:03:17,731 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 98 00:03:17,765 --> 00:03:24,505 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 99 00:03:24,538 --> 00:03:30,678 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 100 00:03:30,711 --> 00:03:37,718 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 101 00:03:45,359 --> 00:03:46,594 * TALKING, LAUGHING LOVING, BREATHING * 102 00:03:46,627 --> 00:03:47,995 * FIGHTING, FUCKING CRYING, DRINKING * 103 00:03:48,028 --> 00:03:49,797 * WRITING, WINNING LOSING, CHEATING * 104 00:03:49,830 --> 00:03:50,964 * KISSING, THINKING, DREAMING 105 00:03:50,998 --> 00:03:53,567 * THIS IS THE WAY... 106 00:03:53,601 --> 00:03:56,437 * IT'S THE WAY THAT WE LIVE * 107 00:03:56,470 --> 00:04:01,842 * IT'S THE WAY THAT WE LIVE 108 00:04:01,875 --> 00:04:05,546 * AND LOVE 109 00:04:12,786 --> 00:04:14,622 HEY. 110 00:04:14,655 --> 00:04:16,757 HEY. 111 00:04:16,790 --> 00:04:18,459 HI. 112 00:04:18,492 --> 00:04:19,727 I, UH... 113 00:04:19,760 --> 00:04:21,028 I WAS JUST HAVING A QUICK DRINK. 114 00:04:21,061 --> 00:04:23,564 I HAD A BRUTAL DAY AT WORK. 115 00:04:23,597 --> 00:04:25,833 YOU'VE BEEN AVOIDING ME. 116 00:04:25,866 --> 00:04:27,401 NO, I HAVEN'T. 117 00:04:30,638 --> 00:04:32,706 OKAY, YEAH, MAYBE I HAVE. 118 00:04:32,740 --> 00:04:33,941 I'M SORRY. 119 00:04:35,509 --> 00:04:37,511 I JUST THINK WE SHOULD TALK ABOUT IT. 120 00:04:37,545 --> 00:04:38,779 THAT'S ALL. 121 00:04:39,847 --> 00:04:41,749 OKAY. 122 00:04:41,782 --> 00:04:43,951 YEAH, YOU'RE RIGHT, LET'S TALK. 123 00:04:43,984 --> 00:04:45,486 DO YOU WANT TO HAVE A DRINK? 124 00:04:45,519 --> 00:04:47,588 OH, I'M SORRY, I CAN'T RIGHT NOW. 125 00:04:47,621 --> 00:04:48,956 I'M SUPPOSED TO MEET JODI, BUT I-- 126 00:04:48,989 --> 00:04:50,424 OH. 127 00:04:50,458 --> 00:04:52,526 WHAT ABOUT TOMORROW AFTERNOON? 128 00:04:52,560 --> 00:04:53,694 I CAN'T TOMORROW. 129 00:04:53,727 --> 00:04:54,828 I HAVE MEETINGS ALL DAY-- 130 00:04:54,862 --> 00:04:55,796 RIGHT. 131 00:04:55,829 --> 00:04:57,731 AND JENNY IS HAVING THIS PARTY TOMORROW NIGHT 132 00:04:57,765 --> 00:04:59,367 FOR ALL THE ACTORS. 133 00:04:59,400 --> 00:05:00,634 I'VE GOT TO GO TO THAT. 134 00:05:00,668 --> 00:05:01,902 I DON'T WANT TO MAKE IT DIFFICULT. 135 00:05:01,935 --> 00:05:03,904 I'M REALLY-- I'M NOT TRYING TO. 136 00:05:03,937 --> 00:05:07,508 I-- I JUST WANTED TO SAY I'M SORRY. 137 00:05:07,541 --> 00:05:08,809 NO, NO, NO.I'M SORRY. 138 00:05:08,842 --> 00:05:10,444 DON'T BE SORRY. 139 00:05:10,478 --> 00:05:12,880 YOU AND JODI ARE TOGETHER. 140 00:05:12,913 --> 00:05:14,648 OKAY? 141 00:05:14,682 --> 00:05:17,618 I DON'T WANT TO GET INTO THIS WHOLE 142 00:05:17,651 --> 00:05:20,654 FUCKED-UP PUSH-ME, PULL-ME THING WITH YOU. 143 00:05:20,688 --> 00:05:21,922 LET'S NOT GET ALL FREAKED OUT 144 00:05:21,955 --> 00:05:24,091 AND WEIRD AND MANIPULATIVE ABOUT IT-- 145 00:05:24,124 --> 00:05:25,526 AM I BEING MANIPULATIVE? IS THAT-- 146 00:05:25,559 --> 00:05:28,729 NO. 147 00:05:28,762 --> 00:05:30,531 LET'S JUST TALK WHEN WE TALK. 148 00:05:31,932 --> 00:05:32,900 OKAY?OKAY. 149 00:05:32,933 --> 00:05:33,934 OKAY. 150 00:05:33,967 --> 00:05:36,704 HAVE A GOOD NIGHT. 151 00:05:36,737 --> 00:05:39,006 YEAH, YOU TOO. 152 00:05:42,142 --> 00:05:43,377 [TV PLAYING QUIETLY] 153 00:05:43,411 --> 00:05:44,412 IT'S GOING TO BE SO INSANE 154 00:05:44,445 --> 00:05:45,746 AT JENNY'S PARTY 155 00:05:45,779 --> 00:05:47,648 WITH THE WHOLE CAST OF LEZ GIRLS THERE. 156 00:05:47,681 --> 00:05:48,849 REALLY? 157 00:05:48,882 --> 00:05:51,719 WELL, IT'S LIKE THAT GAME, "WHO WOULD PLAY YOU IN A MOVIE?" 158 00:05:51,752 --> 00:05:53,053 EXCEPT IT'S REAL LIFE. 159 00:05:53,086 --> 00:05:54,822 YEAH. 160 00:05:54,855 --> 00:05:57,591 I ALWAYS THOUGHT PARKER POSEY SHOULD PLAY ME, 161 00:05:57,625 --> 00:05:59,059 BUT, YOU KNOW. 162 00:05:59,092 --> 00:06:01,094 WELL, BEECH AND I HAVE A STRATEGY SESSION 163 00:06:01,128 --> 00:06:02,162 TOMORROW NIGHT. 164 00:06:02,195 --> 00:06:03,731 I WON'T BE HOME UNTIL LATE. 165 00:06:03,764 --> 00:06:06,400 WELL, YOU CAN COME AFTER. 166 00:06:06,434 --> 00:06:07,501 OKAY. 167 00:06:07,535 --> 00:06:08,636 [NEWS ANCHOR]: THE TOPIC TONIGHT-- 168 00:06:08,669 --> 00:06:09,903 HOMOSEXUALITY-- 169 00:06:09,937 --> 00:06:12,506 HEY, TASH, THAT BASKETBALL GUY FROM THE OTHER NIGHT'S ON T.V. 170 00:06:12,540 --> 00:06:13,507 HE'S ALWAYS ON T.V. 171 00:06:13,541 --> 00:06:14,608 ...PUBLICLY LAST YEAR, 172 00:06:14,642 --> 00:06:16,810 THE REACTION FROM THE SPORTS COMMUNITY 173 00:06:16,844 --> 00:06:17,945 WAS MIXED. 174 00:06:17,978 --> 00:06:18,679 TODAY, ANOTHER NBA PLAYER, DARYL BREWER, 175 00:06:18,712 --> 00:06:19,713 HAS VOICED HIS DISAPPROVAL 176 00:06:19,747 --> 00:06:21,515 OF AMAECHI'S HOMOSEXUAL LIFESTYLE. 177 00:06:21,549 --> 00:06:22,550 [FEMALE REPORTER]: JOHN AMAECHI 178 00:06:22,583 --> 00:06:23,684 RECENTLY ANNOUNCED HE'S GAY, 179 00:06:23,717 --> 00:06:24,685 BECOMING THE FIRST IN THE NBA 180 00:06:24,718 --> 00:06:26,053 TO COME OUT. 181 00:06:26,086 --> 00:06:28,055 WHAT DO YOU THINK OF HIS DECISION 182 00:06:28,088 --> 00:06:30,624 TO COME OUT PUBLICLY AS A GAY MAN? 183 00:06:30,658 --> 00:06:31,792 FIRST OF ALL, 184 00:06:31,825 --> 00:06:33,861 I WOULDN'T WANT HIM ON MY TEAM. YOU KNOW? 185 00:06:33,894 --> 00:06:35,463 I DON'T THINK THAT'S RIGHT. 186 00:06:35,496 --> 00:06:36,930 I DON'T WANT ANY FAGGOTS IN THE LOCKER ROOM 187 00:06:36,964 --> 00:06:38,065 LOOKING AT ME 188 00:06:38,098 --> 00:06:39,266 OR BRUSHING UP AGAINST ME ON THE COURT. 189 00:06:39,299 --> 00:06:42,503 I DON'T LIKE GAY PEOPLE, SO I LET IT BE KNOWN. 190 00:06:42,536 --> 00:06:45,205 OH, MY GOD, YOU LITTLE SNEAKY FAG. 191 00:06:45,238 --> 00:06:47,207 OH, MY GOD, TASHA, COME HERE. 192 00:06:47,240 --> 00:06:48,609 YOU'RE NOT GOING TO BELIEVE THIS. 193 00:06:48,642 --> 00:06:49,943 HOLD ON. 194 00:06:49,977 --> 00:06:51,745 THIS IS CRAZY. 195 00:06:51,779 --> 00:06:52,746 OKAY, READY? HOLD ON. 196 00:06:52,780 --> 00:06:54,014 ...AS A GAY MAN? 197 00:06:54,047 --> 00:06:55,616 FIRST OF ALL, 198 00:06:55,649 --> 00:06:57,618 I WOULDN'T WANT HIM ON MY TEAM. YOU KNOW? 199 00:06:57,651 --> 00:06:58,686 I DON'T THINK THAT'S RIGHT. 200 00:06:58,719 --> 00:06:59,687 I DON'T WANT ANY FAGGOTS 201 00:06:59,720 --> 00:07:01,622 IN THE LOCKER ROOM LOOKING AT ME 202 00:07:01,655 --> 00:07:03,524 OR BRUSHING UP AGAINST ME ON THE COURT. 203 00:07:03,557 --> 00:07:05,693 I DON'T LIKE GAY PEOPLE, SO I LET IT BE KNOWN. 204 00:07:05,726 --> 00:07:07,928 THAT LITTLE PIECE-OF-SHIT POSEUR. 205 00:07:07,961 --> 00:07:09,196 IT'S ONE THING 206 00:07:09,229 --> 00:07:10,831 TO KEEP YOUR BUSINESS TO YOURSELF, 207 00:07:10,864 --> 00:07:12,232 BUT IT'S ANOTHER THING TO GO SPREAD LIES AND HATRED. 208 00:07:12,265 --> 00:07:13,701 I KNOW! 209 00:07:13,734 --> 00:07:16,069 HE WAS, LIKE, THREE FEET AWAY FROM ME, 210 00:07:16,103 --> 00:07:17,938 ASKING ME ABOUT MY SHOES. 211 00:07:17,971 --> 00:07:19,473 WHATEVER. HE'LL GET HIS SOMEDAY. 212 00:07:19,507 --> 00:07:20,874 IT'S BECAUSE OF PEOPLE LIKE THAT 213 00:07:20,908 --> 00:07:22,743 THAT YOU HAVE TO FIGHT SO HARD TO KEEP YOUR JOB. 214 00:07:22,776 --> 00:07:24,011 I WISH I COULD 215 00:07:24,044 --> 00:07:27,848 SMACK THE SHIT OUT OF THAT GUY AND OUT HIS HYPOCRITICAL ASS, 216 00:07:27,881 --> 00:07:30,083 BUT IT AIN'T GOING TO HAPPEN. 217 00:07:30,117 --> 00:07:31,752 SO MUCH FOR THAT. 218 00:07:31,785 --> 00:07:32,753 YOU HEARD IT HERE FROM NEWS LIVE. 219 00:07:32,786 --> 00:07:33,954 WE'LL CONTINUE TO BRING YOU MORE 220 00:07:33,987 --> 00:07:35,055 AS THIS STORY UNFOLDS. 221 00:07:35,088 --> 00:07:37,190 STAY WITH US. 222 00:07:37,224 --> 00:07:39,059 DARYL BREWER'S PREVIOUS COMMENTS HAVE ANGERED-- 223 00:07:39,092 --> 00:07:41,094 [**] 224 00:07:47,701 --> 00:07:49,202 HI. 225 00:07:49,236 --> 00:07:51,705 HOW ARE YOU? 226 00:07:51,739 --> 00:07:53,240 UM, GOOD, GOOD. 227 00:07:53,273 --> 00:07:54,708 HOW ARE YOU? 228 00:07:54,742 --> 00:07:56,076 DOING WELL. 229 00:07:56,109 --> 00:07:58,779 CAN'T COMPLAIN. 230 00:07:58,812 --> 00:08:00,213 THIS IS LOOKING GOOD. IT'S NEW. 231 00:08:00,247 --> 00:08:01,815 OH, YEAH. 232 00:08:01,849 --> 00:08:05,553 WE'VE EXPANDED. 233 00:08:05,586 --> 00:08:07,721 OH, AND I SEE YOU DID THE DRIVE-THRU WINDOW. 234 00:08:07,755 --> 00:08:09,122 I REMEMBER KIT WAS TALKING ABOUT DOING THAT. 235 00:08:09,156 --> 00:08:10,390 YEAH, YEAH, SHE TOLD DAWN. 236 00:08:10,423 --> 00:08:13,994 APPARENTLY, L.A. LESBIANS LIKE TO DO EVERYTHING IN THEIR CAR. 237 00:08:14,027 --> 00:08:15,796 THAT, AND THEY LOVE THEIR CAFFEINE. 238 00:08:15,829 --> 00:08:16,797 MM. 239 00:08:16,830 --> 00:08:18,599 PLANET COFFEE? 240 00:08:18,632 --> 00:08:21,735 COME ON, THAT'S SO TIRED. 241 00:08:21,769 --> 00:08:23,804 YOU SHOULD TRY OUR NEW BLEND. 242 00:08:23,837 --> 00:08:25,839 IT'S SO MUCH MORE FLAVORFUL. 243 00:08:25,873 --> 00:08:26,840 OH, YEAH? 244 00:08:26,874 --> 00:08:27,908 MM-HMM. 245 00:08:27,941 --> 00:08:33,647 PLUS, WE HAVE SO MANY OTHER DELICACIES TO OFFER. 246 00:08:33,681 --> 00:08:34,848 REALLY? 247 00:08:34,882 --> 00:08:35,983 YEAH. 248 00:08:36,016 --> 00:08:37,017 LIKE WHAT? 249 00:08:37,050 --> 00:08:38,251 TARTS, 250 00:08:38,285 --> 00:08:39,319 PIE, 251 00:08:39,352 --> 00:08:41,221 MUFFINS... 252 00:08:41,254 --> 00:08:42,823 MM-HMM. 253 00:08:42,856 --> 00:08:44,692 LADY FINGERS. 254 00:08:44,725 --> 00:08:46,093 I COULD GO ON. 255 00:08:46,126 --> 00:08:47,995 WELL, THEN, 256 00:08:48,028 --> 00:08:50,998 MAYBE YOU SHOULD THINK ABOUT GIVING OUT A SAMPLER 257 00:08:51,031 --> 00:08:52,766 SO EVERYONE GETS A TASTE. 258 00:08:52,800 --> 00:08:54,301 YEAH. 259 00:08:54,334 --> 00:08:56,804 ANYWAY, WHY DON'T YOU-- 260 00:08:56,837 --> 00:08:59,206 WHY DON'T YOU COME OVER TO OUR PLACE THIS AFTERNOON 261 00:08:59,239 --> 00:09:00,708 AND WE'LL COOK YOU UP SOMETHING SPECIAL? 262 00:09:00,741 --> 00:09:01,875 YEAH? 263 00:09:01,909 --> 00:09:03,176 YEAH. 264 00:09:04,277 --> 00:09:05,913 OKAY. OKAY. 265 00:09:05,946 --> 00:09:06,980 SURE. 266 00:09:16,023 --> 00:09:17,691 OKAY. 267 00:09:17,725 --> 00:09:19,259 I'LL BE THERE. 268 00:09:19,292 --> 00:09:20,828 I'LL SEE YOU LATER. 269 00:09:20,861 --> 00:09:23,363 YES, YOU WILL. 270 00:09:23,396 --> 00:09:24,832 HAVE A GOOD DAY. 271 00:09:24,865 --> 00:09:27,100 YEAH, YOU TOO. 272 00:09:32,339 --> 00:09:34,608 [WHISTLING] 273 00:09:34,642 --> 00:09:36,109 YEAH! 274 00:09:39,847 --> 00:09:40,881 MM-HMM. 275 00:09:40,914 --> 00:09:41,949 AND WHO IS THE OTHER GIRL? 276 00:09:41,982 --> 00:09:43,817 OH, WELL SHE WAS THE ONE I MET IN CABO. 277 00:09:43,851 --> 00:09:46,219 SHE WAS SO BEAUTIFUL AND SHE WENT TO UCSB, 278 00:09:46,253 --> 00:09:48,188 SO, YOU KNOW, WE DID THE WHOLE COMMUTE THING 279 00:09:48,221 --> 00:09:49,690 FROM L.A. TO SANTA BARBARA FOR A WHILE, 280 00:09:49,723 --> 00:09:51,224 THEN IT KIND OF TURNED INTO A DRAG, 281 00:09:51,258 --> 00:09:52,960 SO WE ENDED IT, 282 00:09:52,993 --> 00:09:56,029 AND THAT'S WHEN I MET THE OTHER GIRL, JIMMY. 283 00:09:56,063 --> 00:09:58,098 MM. JIMMY. 284 00:09:58,131 --> 00:10:00,100 THAT'S SO UGLY. 285 00:10:00,133 --> 00:10:01,702 [SIGHING] 286 00:10:01,735 --> 00:10:05,673 JIMMY WAS A "BOI." 287 00:10:05,706 --> 00:10:08,141 YOU KNOW, NOT B-O-Y BOY, BUT B-O-I BOY, 288 00:10:08,175 --> 00:10:10,110 AND SHE WAS SUPER ADORABLE 289 00:10:10,143 --> 00:10:11,378 AND I ACTUALLY HAD SO MUCH FUN WITH HER 290 00:10:11,411 --> 00:10:13,180 EXCEPT FOR WHEN SHE WAS DRUNK, 291 00:10:13,213 --> 00:10:15,115 A TOTAL A-HOLE, RIGHT? RIGHT. 292 00:10:15,148 --> 00:10:17,384 SO, ANYWAY, DO YOU HAVE A GIRLFRIEND? 293 00:10:17,417 --> 00:10:18,852 NO. 294 00:10:18,886 --> 00:10:20,153 WHY NOT? 295 00:10:20,187 --> 00:10:21,388 BECAUSE I HAVE TO BE A GOOD GIRL 296 00:10:21,421 --> 00:10:23,290 AND BE SERIOUS ABOUT MY WORK. 297 00:10:23,323 --> 00:10:26,159 WHAT ABOUT THIS ONE? 298 00:10:26,193 --> 00:10:27,695 NO. 299 00:10:27,728 --> 00:10:28,962 [EXHALING DEEPLY] 300 00:10:28,996 --> 00:10:30,363 ADELE, DO YOU LIKE IT? 301 00:10:30,397 --> 00:10:33,233 I THINK YOU LOOK BEAUTIFUL. 302 00:10:33,266 --> 00:10:34,835 DON'T LISTEN TO HER. 303 00:10:34,868 --> 00:10:37,437 SHE WEARS "MOM" JEANS WITH CAMEL TOE. 304 00:10:37,470 --> 00:10:40,774 IT'S TRUE, ADELE. 305 00:10:44,111 --> 00:10:47,681 LISTEN, YOU JUST NEED TO BE MORE MID-WESTERN 306 00:10:47,715 --> 00:10:48,882 AND MIDDLE OF THE ROAD. 307 00:10:48,916 --> 00:10:50,383 SHE REALLY DIDN'T BECOME FASHION FORWARD 308 00:10:50,417 --> 00:10:52,085 UNTIL SHE STARTED 309 00:10:52,119 --> 00:10:53,687 THIS SVENGALI-LIKE RELATIONSHIP 310 00:10:53,721 --> 00:10:54,788 WITH KARINA. 311 00:10:54,822 --> 00:10:56,323 WHAT'S A SVENGALI? 312 00:10:56,356 --> 00:10:59,693 A SVENGALI IS A CHARACTER IN A GEORGE DU MAURIER NOVEL 313 00:10:59,727 --> 00:11:00,961 CALLED TRILBY, 314 00:11:00,994 --> 00:11:03,063 AND HE'S A HYPNOTIST AND HE MEETS 315 00:11:03,096 --> 00:11:04,164 A YOUNG WOMAN 316 00:11:04,197 --> 00:11:06,266 AND TURNED HER INTO A PERFORMER 317 00:11:06,299 --> 00:11:09,102 AND HIS MUSE, 318 00:11:09,136 --> 00:11:10,971 AND HE BECAME CONTROLLING 319 00:11:11,004 --> 00:11:14,307 AND SHE FOUND THAT SHE COULDN'T PERFORM WITHOUT HIM. 320 00:11:14,341 --> 00:11:16,076 TOTALLY SOUNDS LIKE JIMMY-- 321 00:11:16,109 --> 00:11:17,177 A TOTAL A-HOLE. 322 00:11:22,182 --> 00:11:24,184 WOW. 323 00:11:25,953 --> 00:11:28,688 THAT LOOKS PRETTY. 324 00:11:30,891 --> 00:11:33,426 [**] 325 00:11:44,537 --> 00:11:46,006 [HUMMING] 326 00:11:51,845 --> 00:11:52,913 [CLATTERING] 327 00:11:52,946 --> 00:11:54,748 JESUS! FUCK, ADELE. 328 00:11:54,782 --> 00:11:56,049 OH, SORRY, SORRY. 329 00:11:56,083 --> 00:11:58,085 I DIDN'T MEAN TO SCARE YOU. 330 00:11:58,118 --> 00:11:59,419 YOU SCARED THE SHIT OUT OF ME, WOMAN. 331 00:11:59,452 --> 00:12:00,520 SORRY. 332 00:12:00,553 --> 00:12:02,222 JENNY JUST GAVE ME THE KEYS TO THE HOUSE 333 00:12:02,255 --> 00:12:03,857 SO I COULD DROP THIS STUFF OFF. 334 00:12:03,891 --> 00:12:05,859 OH, GOD, 335 00:12:05,893 --> 00:12:06,894 I DIDN'T KNOW YOU WERE BAKING. 336 00:12:06,927 --> 00:12:08,028 I WAS GOING TO GET SOME CAKES 337 00:12:08,061 --> 00:12:09,763 FROM SWEET LADY JANE. NO, NO, NO, NO. 338 00:12:09,797 --> 00:12:10,898 YOU DON'T HAVE TO, YOU DON'T HAVE TO. 339 00:12:10,931 --> 00:12:11,999 I'M MAKING, UM, 340 00:12:12,032 --> 00:12:13,033 PARTY BROWNIES, 341 00:12:13,066 --> 00:12:14,868 SO DON'T WORRY ABOUT IT. 342 00:12:14,902 --> 00:12:15,869 PARTY BROWNIES? 343 00:12:15,903 --> 00:12:16,970 HUH? 344 00:12:17,004 --> 00:12:18,839 WHAT ARE PARTY BROWNIES? 345 00:12:21,208 --> 00:12:22,475 PARTY BROWNIES. 346 00:12:22,509 --> 00:12:24,111 [ADELE, LAUGHING]: OH, PARTY BROWNIES! 347 00:12:24,144 --> 00:12:25,813 HI, MAX. 348 00:12:25,846 --> 00:12:27,347 YOU KNOW, WHEN I WAS A KID, 349 00:12:27,380 --> 00:12:29,016 OUR NEIGHBORS HAD THIS HUGE POT FARM 350 00:12:29,049 --> 00:12:30,017 IN THEIR BACKYARD, 351 00:12:30,050 --> 00:12:31,919 AND, UM, MY DAD WAS A FIREMAN 352 00:12:31,952 --> 00:12:33,420 SO HE WAS ALWAYS TRYING TO CALL THE COPS ON THEM, 353 00:12:33,453 --> 00:12:35,522 BUT, AND-- I DON'T KNOW, 354 00:12:35,555 --> 00:12:37,124 I THINK THAT THE SHERIFF MUST'VE BEEN A POTHEAD BECAUSE-- 355 00:12:37,157 --> 00:12:38,425 I THOUGHT YOU SAID 356 00:12:38,458 --> 00:12:40,460 YOUR DAD WAS A TRAVELLING SALESMAN? 357 00:12:40,493 --> 00:12:41,829 YEAH, HE WAS. 358 00:12:41,862 --> 00:12:42,830 HE JUST, UM-- 359 00:12:42,863 --> 00:12:44,164 [RINGING] 360 00:12:44,197 --> 00:12:45,899 HE JUST VOLUNTEERED WITH THE FIRE DEPARTMENT 361 00:12:45,933 --> 00:12:47,067 ON THE WEEKENDS. 362 00:12:47,100 --> 00:12:48,902 OH, OKAY. 363 00:12:48,936 --> 00:12:49,870 OKAY. 364 00:12:49,903 --> 00:12:51,972 ANYBODY NEED ANYTHING FROM THE GROCERY STORE? 365 00:12:52,005 --> 00:12:53,040 I'M GOING TO GO GET THE FOOD. 366 00:12:53,073 --> 00:12:54,041 NO, I'M FINE, THANKS. 367 00:12:54,074 --> 00:12:55,042 YEAH? 368 00:12:55,075 --> 00:12:56,176 KNOCK-KNOCK! 369 00:12:56,209 --> 00:12:57,377 HEY, COME HERE. 370 00:12:57,410 --> 00:12:58,846 OKAY. 371 00:12:58,879 --> 00:12:59,913 YES, I WILL. HI. 372 00:12:59,947 --> 00:13:00,914 HI. 373 00:13:00,948 --> 00:13:01,915 HOW ARE YOU? 374 00:13:01,949 --> 00:13:03,050 GOOD. GOOD. 375 00:13:03,083 --> 00:13:04,484 NICE TO SEE YOU. 376 00:13:04,517 --> 00:13:05,485 HOW'S IT GOING? 377 00:13:05,518 --> 00:13:07,220 HOW ARE YOU? GOOD. 378 00:13:07,254 --> 00:13:09,522 HOW'S JENNY'S INDENTURED SERVANT 379 00:13:09,556 --> 00:13:11,158 WORKING OUT THERE? 380 00:13:11,191 --> 00:13:12,159 I THINK SHE'S KIND OF CUTE. 381 00:13:12,192 --> 00:13:13,560 I KNOW! IN A NERDY KIND OF WAY. 382 00:13:13,593 --> 00:13:16,063 YEAH, I THINK SO TOO.YES-- REALLY HOT. 383 00:13:16,096 --> 00:13:17,831 I THINK THERE'S SOMETHING KIND OF OFF ABOUT HER MAYBE. 384 00:13:17,865 --> 00:13:19,967 REALLY? LIKE WHAT? 385 00:13:20,000 --> 00:13:21,534 LIKE SHE'S NOT EXACTLY WHO SHE PRETENDS TO BE. 386 00:13:21,568 --> 00:13:23,871 YOU'RE ONE TO TALK THERE, MAX. 387 00:13:23,904 --> 00:13:24,872 OOH! 388 00:13:24,905 --> 00:13:27,207 YOU KNOW WHAT? FUCK OFF. 389 00:13:27,240 --> 00:13:28,375 SO, WHAT'D YOU WANT ME TO WORK ON? 390 00:13:28,408 --> 00:13:29,409 OH, OH, OH! 391 00:13:29,442 --> 00:13:30,443 YOU JUST FUCKED IT. MM-MM. 392 00:13:30,477 --> 00:13:33,080 MM. MAJOR PROJECT. 393 00:13:34,414 --> 00:13:36,884 OKAY, AND YOU DON'T HAVE ANY PROGRAM 394 00:13:36,917 --> 00:13:38,185 TO MAKE MY BOOBS LOOK SMALLER? 395 00:13:38,218 --> 00:13:39,186 NO. 396 00:13:39,219 --> 00:13:40,487 OKAY, GO. ONE LAST TIME. 397 00:13:40,520 --> 00:13:42,155 OKAY, HERE IT IS. 398 00:13:42,189 --> 00:13:44,624 [SING-SONG THEME]: * ALICE IN LESBOLAND! * 399 00:13:44,657 --> 00:13:47,027 HI. THIS IS ALICE PIESZECKI, 400 00:13:47,060 --> 00:13:49,296 AND THIS IS A VERY, VERY SPECIAL EDITION 401 00:13:49,329 --> 00:13:50,563 OF ALICE IN LESBOLAND. 402 00:13:50,597 --> 00:13:52,299 I'VE GOT A LITTLE BEEF THAT I NEED TO TALK ABOUT. 403 00:13:52,332 --> 00:13:53,466 UM, I WAS INVITED 404 00:13:53,500 --> 00:13:55,235 TO A PARTY OVER THE WEEKEND. 405 00:13:55,268 --> 00:13:57,871 I WAS VERY EXCITED, I GOT ALL DRESSED UP, 406 00:13:57,905 --> 00:13:59,873 AND I MET 407 00:13:59,907 --> 00:14:01,541 A FABULOUS, SUPER-NICE, 408 00:14:01,574 --> 00:14:05,645 FLAMING HOMOSEXUAL MAN NAMED DARYL BREWER. 409 00:14:05,678 --> 00:14:07,280 RING A BELL? 410 00:14:07,314 --> 00:14:09,016 I GUESS HE'S A-- 411 00:14:09,049 --> 00:14:10,517 HE'S A BIG SPORTS SOMEBODY. 412 00:14:10,550 --> 00:14:12,185 I DON'T KNOW, PLAYS A LITTLE B-BALL. 413 00:14:12,219 --> 00:14:14,054 DON'T ASK ME. 414 00:14:14,087 --> 00:14:15,255 SO EVEN THOUGH I WASN'T SUPPOSED TO, 415 00:14:15,288 --> 00:14:17,590 I TOOK THIS-- THIS, UH, LITTLE VIDEO OF HIM. 416 00:14:17,624 --> 00:14:19,059 YOU CAN ROLL THAT. 417 00:14:25,565 --> 00:14:27,567 OKAY, SO YOU CAN IMAGINE, YOU KNOW-- 418 00:14:27,600 --> 00:14:28,501 IT GETS ME EVERY TIME. 419 00:14:28,535 --> 00:14:30,170 I'M WAKING UP IN THE MORNING 420 00:14:30,203 --> 00:14:31,204 AND I SEE THIS, DARYL ON T.V., 421 00:14:31,238 --> 00:14:35,175 SAYING THIS ON THE NATIONAL NEWS. 422 00:14:35,208 --> 00:14:36,609 ROLL IT. 423 00:14:36,643 --> 00:14:38,211 I DON'T WANT ANY FAGGOTS IN THE LOCKER ROOM 424 00:14:38,245 --> 00:14:39,579 LOOKING AT ME 425 00:14:39,612 --> 00:14:41,581 OR BRUSHING UP AGAINST ME ON THE COURT. 426 00:14:41,614 --> 00:14:44,017 I DON'T LIKE GAY PEOPLE, SO I LET IT BE KNOWN. 427 00:14:44,051 --> 00:14:47,387 ALL RIGHT, I'M LETTING IT BE KNOWN, MR. BREWER, 428 00:14:47,420 --> 00:14:49,022 THAT YOU'RE A HOMO. 429 00:14:49,056 --> 00:14:50,357 YES. AND A HYPOCRITE. 430 00:14:50,390 --> 00:14:51,391 YES, YOU ARE. 431 00:14:51,424 --> 00:14:53,093 I LOVE THAT PART. 432 00:14:53,126 --> 00:14:54,294 AND I'M ALICE PIESZECKI, 433 00:14:54,327 --> 00:14:57,064 AND THIS IS ALICE IN LESBOLAND, 434 00:14:57,097 --> 00:14:58,365 AND I'M OUT. 435 00:14:58,398 --> 00:15:00,133 SO YOU SURE YOU WANT TO DO THIS? 436 00:15:00,167 --> 00:15:01,301 OH, MY GOD, PUT IT UP. 437 00:15:01,334 --> 00:15:02,502 LET'S GO. 438 00:15:02,535 --> 00:15:04,137 LAUNCH IT. WHAT DO YOU DO? 439 00:15:04,171 --> 00:15:05,305 OKAY. 440 00:15:05,338 --> 00:15:06,406 JUST UPLOAD. 441 00:15:06,439 --> 00:15:07,975 [HITS KEYS] 442 00:15:08,008 --> 00:15:09,642 [ALICE]: ALL RIGHT. 443 00:15:09,676 --> 00:15:10,643 [MAX]: THERE IT GOES. 444 00:15:10,677 --> 00:15:13,113 YOO! 445 00:15:13,146 --> 00:15:16,616 [**] 446 00:15:16,649 --> 00:15:18,986 * GIDDY-UP, HORSEY 447 00:15:19,019 --> 00:15:21,021 * COME ON, LET GO 448 00:15:21,054 --> 00:15:22,689 * TAKE OFF YOUR KNICKERS BABY * 449 00:15:22,722 --> 00:15:23,690 * BE HEARD 450 00:15:23,723 --> 00:15:25,458 [INTERCOM RINGING] 451 00:15:25,492 --> 00:15:27,427 * GIDDY-UP, HORSEY 452 00:15:27,460 --> 00:15:28,528 [CINDI]: HELLO? 453 00:15:28,561 --> 00:15:29,729 HEY. 454 00:15:29,762 --> 00:15:31,064 HEY. 455 00:15:31,098 --> 00:15:32,632 COME ON UP. 456 00:15:34,501 --> 00:15:36,503 HEY. 457 00:15:38,605 --> 00:15:41,108 [KNOCKING] 458 00:15:41,141 --> 00:15:43,143 HELLO. 459 00:15:57,057 --> 00:15:58,625 [MUSIC BEGINS TO PLAY] 460 00:15:58,658 --> 00:16:01,594 YOU LIKE WHAT YOU SEE? 461 00:16:06,599 --> 00:16:08,401 NICE SHOES. 462 00:16:14,074 --> 00:16:15,475 HI. HI. 463 00:16:15,508 --> 00:16:17,577 I'M GOOD. HOW ARE YOU? 464 00:16:17,610 --> 00:16:19,312 I'M GOOD. 465 00:16:19,346 --> 00:16:21,314 YEAH? 466 00:16:21,348 --> 00:16:22,649 WHERE'S DAWN? 467 00:16:22,682 --> 00:16:25,252 I HOPE YOU DON'T MIND, 468 00:16:25,285 --> 00:16:28,455 BUT I KIND OF WANT YOU ALL TO MYSELF. 469 00:16:30,323 --> 00:16:33,293 BUT I THOUGHT YOU DID EVERYTHING TOGETHER, RIGHT? 470 00:16:33,326 --> 00:16:34,694 ISN'T THAT WHAT YOU SAID? 471 00:16:34,727 --> 00:16:37,730 DON'T WORRY ABOUT IT. 472 00:16:37,764 --> 00:16:39,566 MM. 473 00:16:39,599 --> 00:16:41,568 SHE'LL BE FINE, REALLY. 474 00:16:41,601 --> 00:16:45,172 LOOK, WE HAVE A VERY OPEN RELATIONSHIP. 475 00:16:45,205 --> 00:16:49,142 YEAH, BUT IF I RECALL, 476 00:16:49,176 --> 00:16:51,544 I THINK DAWN WAS PRETTY CLEAR ON THE RULES, RIGHT? 477 00:16:51,578 --> 00:16:52,545 OH... 478 00:16:52,579 --> 00:16:54,614 SO, DO ME A FAVOR. 479 00:16:54,647 --> 00:16:57,550 CALL HER, GET HER OVER HERE, 480 00:16:57,584 --> 00:17:00,053 THEN WE CAN ALL BRING SEXY BACK TOGETHER. 481 00:17:00,087 --> 00:17:02,255 SHE'S AT WORK. 482 00:17:02,289 --> 00:17:04,457 CINDI, I DON'T WANT DRAMA, 483 00:17:04,491 --> 00:17:07,660 SO, PLEASE, IN THE SPIRIT OF FULL-DISCLOSURE, WOULD YOU-- 484 00:17:07,694 --> 00:17:08,761 WHAT? 485 00:17:08,795 --> 00:17:10,063 GET HER ON THE PHONE. 486 00:17:10,097 --> 00:17:11,431 WHAT'S THE DEAL? 487 00:17:11,464 --> 00:17:13,200 I MEAN, YOU LIKE HER BETTER THAN ME, IS THAT IT? 488 00:17:13,233 --> 00:17:14,701 NO, NO. NO, NO, NO, NO, NO. 489 00:17:14,734 --> 00:17:16,236 THEN WHAT? 490 00:17:16,269 --> 00:17:17,837 YOU MADE THE RULES. I DIDN'T. 491 00:17:17,870 --> 00:17:20,173 OH, THAT'S SO NICE OF YOU. 492 00:17:20,207 --> 00:17:22,675 I CAN'T. 493 00:17:22,709 --> 00:17:25,145 ALL RIGHT, DO YOU WANT TO FUCK ME OR NOT? 494 00:17:25,178 --> 00:17:27,180 HMM? 495 00:17:34,521 --> 00:17:36,089 WHAT? 496 00:17:44,264 --> 00:17:45,598 WHOA. 497 00:17:45,632 --> 00:17:49,636 * I CAME HERE IN A STATE OF GRAY * 498 00:17:52,239 --> 00:17:56,243 * I DON'T NEED SALVATION TELL ME WHAT TO PRAY * 499 00:18:00,580 --> 00:18:07,354 * 'CAUSE I'M NOT GONNA BE YOUR FUTURE * 500 00:18:10,490 --> 00:18:16,396 * WHEN I CRAWL UP I WANNA BE A KILLER * 501 00:18:25,472 --> 00:18:26,706 HEY, KIT. 502 00:18:26,739 --> 00:18:28,675 DID YOU KNOW THAT THOSE SHEBAR GIRLS 503 00:18:28,708 --> 00:18:29,909 ARE SERVING BREAKFAST AND COFFEE DOWN THE STREET? 504 00:18:29,942 --> 00:18:33,480 I THOUGHT THEY SAID THEY WERE JUST GOING TO DO NIGHTLIFE. 505 00:18:33,513 --> 00:18:35,215 WELL, APPARENTLY NIGHTLIFE IS NOW IN THE DAY, 506 00:18:35,248 --> 00:18:37,217 AND IT INVOLVES BAGELS AND LATTES. 507 00:18:37,250 --> 00:18:38,585 AND IT HAD A DRIVE-THRU WINDOW. 508 00:18:38,618 --> 00:18:39,919 WHAT? ARE YOU KIDDING ME? 509 00:18:39,952 --> 00:18:41,421 NO. GIRL, THAT WAS MY IDEA. 510 00:18:41,454 --> 00:18:45,458 I TOLD THAT DAWN DENBO THAT I WAS THINKING ABOUT 511 00:18:45,492 --> 00:18:47,460 HAVING ONE OF THEM THINGS PUT IN. 512 00:18:47,494 --> 00:18:48,461 REALLY? 513 00:18:48,495 --> 00:18:49,462 [CELL PHONE RINGS] 514 00:18:49,496 --> 00:18:50,463 YEAH. 515 00:18:50,497 --> 00:18:51,631 HEY, MAX. WHAT'S UP? 516 00:18:51,664 --> 00:18:53,233 REALLY? 517 00:18:53,266 --> 00:18:54,501 OKAY, THANKS. 518 00:18:54,534 --> 00:18:55,635 HEY, KIT, CAN I USE YOUR TV? 519 00:18:55,668 --> 00:18:56,636 CAN WE PUT IT ON? 520 00:18:56,669 --> 00:18:58,205 UM, YEAH. YEAH. 521 00:19:01,541 --> 00:19:02,642 UM, CHANNEL 11. 522 00:19:02,675 --> 00:19:03,776 [TV CLICKS ON] 523 00:19:03,810 --> 00:19:05,645 [SURFING THROUGH CHANNELS] 524 00:19:05,678 --> 00:19:06,746 YEAH. 525 00:19:06,779 --> 00:19:07,914 AND HERE HE IS, 526 00:19:07,947 --> 00:19:09,182 DARYL BREWER IN FRONT OF HIS MICHIGAN HOME. 527 00:19:09,216 --> 00:19:12,885 I CAN ONLY APOLOGIZE TO MY FAMILY AND MY FRIENDS 528 00:19:12,919 --> 00:19:14,421 AND TEAMMATES 529 00:19:14,454 --> 00:19:16,356 AND ASK FOR THE LORD'S FORGIVENESS. 530 00:19:16,389 --> 00:19:17,657 I'M GOING TO TAKE THIS TIME 531 00:19:17,690 --> 00:19:18,658 TO BE WITH MY LOVED ONES 532 00:19:18,691 --> 00:19:21,561 AND TO SEEK THE HELP THAT I NEED. 533 00:19:21,594 --> 00:19:22,929 THANK YOU FOR YOUR TIME. 534 00:19:22,962 --> 00:19:24,531 [CLAMORING] 535 00:19:24,564 --> 00:19:25,665 OH, MY GOD! 536 00:19:25,698 --> 00:19:26,699 BUT IT WASN'T UNTIL AN ONLINE JOURNALIST, 537 00:19:26,733 --> 00:19:27,767 ALICE PIESZECKI-- 538 00:19:27,800 --> 00:19:29,202 [GASPING]: THEY KNOW MY NAME! 539 00:19:29,236 --> 00:19:31,371 POSTED FOOTAGE OF BREWER ON HER GAY WEBSITE, OURCHART-- 540 00:19:31,404 --> 00:19:33,240 OH, MY GOD! GIRL, LOOK AT YOU. 541 00:19:33,273 --> 00:19:34,507 ...ENGAGED IN INTIMATE ACTS WITH ANOTHER MAN, 542 00:19:34,541 --> 00:19:36,609 THAT THIS STORY HAS RECEIVED NATIONAL ATTENTION. 543 00:19:36,643 --> 00:19:38,945 THE CLIP WAS QUICKLY UPLOADED ONTO YOUTUBE, 544 00:19:38,978 --> 00:19:41,648 WHERE IT HAD AN ESTIMATED 500,000 HITS 545 00:19:41,681 --> 00:19:44,351 WITHIN THE FIRST TWO HOURS AFTER IT WAS POSTED. 546 00:19:44,384 --> 00:19:45,752 NO COMMENT FROM BREWER 547 00:19:45,785 --> 00:19:47,887 ON THE IDENTITY OF THE MAN HE WAS KISSING. 548 00:19:47,920 --> 00:19:50,623 I CAN'T BELIEVE THAT DARYL BREWER IS GAY! 549 00:19:50,657 --> 00:19:51,858 OH! 550 00:19:51,891 --> 00:19:53,260 OH, MY GOD, 551 00:19:53,293 --> 00:19:54,527 I HAVE, LIKE, 500 NEW MESSAGES. 552 00:19:54,561 --> 00:19:56,596 WHAT? 553 00:19:56,629 --> 00:19:58,698 MOVE THE CRANE SHOT TO THE BEGINNING OF THE DAY. 554 00:19:58,731 --> 00:19:59,966 OH, YEAH, AND YOU KNOW WHAT? 555 00:19:59,999 --> 00:20:01,268 JENNY STILL HASN'T MET 556 00:20:01,301 --> 00:20:02,335 WITH THE PRODUCTION DESIGNER. 557 00:20:02,369 --> 00:20:03,803 WE REALLY NEED THAT TO HAPPEN, OKAY? 558 00:20:03,836 --> 00:20:05,605 AND, YOU KNOW, COULD YOU BE THERE TO TAKE NOTES? 559 00:20:05,638 --> 00:20:06,506 TINA? TINA, TINA, TINA. 560 00:20:06,539 --> 00:20:08,275 TINA, GUESS WHO HAD THE MOST AMAZING IDEA. 561 00:20:08,308 --> 00:20:09,642 GUESS WHO SHOULD BE IN THE MOVIE? 562 00:20:09,676 --> 00:20:10,710 SOUNDER II. 563 00:20:10,743 --> 00:20:11,711 HE'S SO CUTE, HE'S PERFECT. 564 00:20:11,744 --> 00:20:12,845 TOTALLY. 565 00:20:12,879 --> 00:20:13,846 YEAH, YEAH, YEAH. 566 00:20:13,880 --> 00:20:15,315 YOU KNOW, JENNY, 567 00:20:15,348 --> 00:20:16,816 DOGS CAN BE REALLY DIFFICULT FOR A PRODUCTION. 568 00:20:16,849 --> 00:20:18,651 THEY CAN MAKE YOU GO A LOT LONGER, 569 00:20:18,685 --> 00:20:20,320 IT COSTS A LOT MORE. 570 00:20:20,353 --> 00:20:21,754 THEY HAVE THESE SPECIALLY TRAINED, 571 00:20:21,788 --> 00:20:23,523 CAMERA-READY DOGS ANYWAY WHEN THEY DO USE THE DOGS, 572 00:20:23,556 --> 00:20:24,624 AND I DON'T KNOW 573 00:20:24,657 --> 00:20:26,459 IF SOUNDER'S READY FOR THAT. 574 00:20:26,493 --> 00:20:28,861 WELL, HE THINKS HE'S READY FOR IT, 575 00:20:28,895 --> 00:20:31,364 SO I'M GOING TO GET SALLY 576 00:20:31,398 --> 00:20:32,499 TO GET HIM 577 00:20:32,532 --> 00:20:33,733 HIS TEMPORARY WORKING PAPERS. 578 00:20:33,766 --> 00:20:34,767 YEAH, SALLY WILL LOVE IT. 579 00:20:34,801 --> 00:20:36,035 OH, TOTALLY! IT'S SUCH A GOOD IDEA. 580 00:20:36,068 --> 00:20:38,305 SALLY HAS, LIKE, 10 DOGS. 581 00:20:38,338 --> 00:20:39,706 DID YOU MEET SALLY'S MALTESE? 582 00:20:39,739 --> 00:20:40,873 WELL, AT LEAST THE TWO OF THEM 583 00:20:40,907 --> 00:20:41,908 ARE GETTING ALONG. 584 00:20:41,941 --> 00:20:42,942 HOW'D THAT HAPPEN? 585 00:20:42,975 --> 00:20:44,544 WE HAVE ADELE 586 00:20:44,577 --> 00:20:45,645 TO THANK FOR THAT. 587 00:20:45,678 --> 00:20:46,946 REALLY? 588 00:20:46,979 --> 00:20:48,281 MM-HMM. 589 00:20:48,315 --> 00:20:49,349 HOW DID YOU DO IT? JENNY HATED HER. 590 00:20:49,382 --> 00:20:51,050 OH, NO, NO, NO, NO. 591 00:20:51,083 --> 00:20:52,885 I DIDN'T REALLY-- I DIDN'T REALLY DO ANYTHING. 592 00:20:52,919 --> 00:20:53,986 I JUST-- I KNEW 593 00:20:54,020 --> 00:20:55,021 THAT JENNY KNEW 594 00:20:55,054 --> 00:20:56,623 HOW MUCH NIKI WANTED THE ROLE, 595 00:20:56,656 --> 00:20:57,924 AND THAT IT CAME OUT OF PERSONAL CONVICTION, 596 00:20:57,957 --> 00:20:59,292 BECAUSE SHE RELATES SO-- 597 00:20:59,326 --> 00:21:01,394 YOU SAVED THE PICTURE, KID. 598 00:21:01,428 --> 00:21:03,330 ADELE, 599 00:21:03,363 --> 00:21:06,299 CAN I TALK TO YOU FOR A SECOND? 600 00:21:06,333 --> 00:21:10,403 UM, FIRST OF ALL, I JUST, UH, 601 00:21:10,437 --> 00:21:12,639 I WANT TO TELL YOU HOW MUCH I APPRECIATE WHAT YOU DID, 602 00:21:12,672 --> 00:21:14,574 FINESSING THE SITUATION WITH JENNY AND NIKI. 603 00:21:14,607 --> 00:21:16,943 IT TOOK A LOT OF INITIATIVE, 604 00:21:16,976 --> 00:21:18,978 AND, GOD, I JUST THINK 605 00:21:19,011 --> 00:21:20,380 YOU'RE GOING TO BE 606 00:21:20,413 --> 00:21:21,748 A GREAT ASSET TO PRODUCTION. 607 00:21:21,781 --> 00:21:22,749 I DO. 608 00:21:22,782 --> 00:21:23,850 THANK YOU. 609 00:21:23,883 --> 00:21:25,852 THANK YOU. THANK YOU SO MUCH. 610 00:21:25,885 --> 00:21:27,320 I JUST, UM, 611 00:21:27,354 --> 00:21:29,021 I JUST WANT TO CONTRIBUTE IN ANY WAY THAT I CAN. 612 00:21:29,055 --> 00:21:30,890 WELL, THAT'S GREAT, 613 00:21:30,923 --> 00:21:33,893 BECAUSE, UM, YOU KNOW, JENNY'S A FIRST-TIME DIRECTOR, 614 00:21:33,926 --> 00:21:36,028 AND SOMETIMES, FIRST-TIME DIRECTORS, 615 00:21:36,062 --> 00:21:37,530 THEY CAN GET DISTRACTED 616 00:21:37,564 --> 00:21:39,899 OR CAUGHT UP IN THE WRONG THINGS, 617 00:21:39,932 --> 00:21:41,368 AND IT WOULD BE GREAT 618 00:21:41,401 --> 00:21:43,503 IF YOU COULD JUST KEEP ME APPRISED OF ANYTHING 619 00:21:43,536 --> 00:21:46,373 THAT YOU MIGHT THINK MIGHT BE AN ISSUE FOR PRODUCTION. 620 00:21:46,406 --> 00:21:48,375 DO YOU-- DO YOU MEAN YOU WANT ME TO SPY? 621 00:21:48,408 --> 00:21:50,109 OH, NO, NO, NO, NO. 622 00:21:50,142 --> 00:21:52,779 I WOULDN'T WANT YOU TO BETRAY ANY CONFIDENCES. 623 00:21:52,812 --> 00:21:55,114 JUST GIVE ME A HEADS-UP 624 00:21:55,147 --> 00:21:56,916 IF YOU SEE ANY POTENTIAL PROBLEMS. 625 00:21:56,949 --> 00:21:58,017 THAT'S ALL. 626 00:21:58,050 --> 00:21:59,386 FOR JENNY'S BENEFIT. 627 00:21:59,419 --> 00:22:00,387 OKAY. YEAH. 628 00:22:00,420 --> 00:22:01,388 YEAH. 629 00:22:01,421 --> 00:22:02,755 ABSOLUTELY. JUST FOR JENNY. 630 00:22:02,789 --> 00:22:05,625 YEAH. I'M HERE TO HELP, SO, THAT'S GREAT. 631 00:22:05,658 --> 00:22:07,494 GREAT. I'M COUNTING ON YOU. 632 00:22:07,527 --> 00:22:09,529 THANKS. 633 00:22:11,931 --> 00:22:13,400 [LINE RINGING] 634 00:22:13,433 --> 00:22:15,067 TASHA WILLIAMS. LEAVE A MESSAGE. 635 00:22:15,101 --> 00:22:17,604 HEY, TASH, IT'S ME. HI. 636 00:22:17,637 --> 00:22:19,606 I REALLY-- I'VE BEEN TRYING TO REACH YOU ALL DAY, 637 00:22:19,639 --> 00:22:21,007 AND I REALLY, REALLY, REALLY NEED TO TALK TO YOU, 638 00:22:21,040 --> 00:22:24,677 BECAUSE I AM BEING ASKED TO GO ON CROSSFIREBALL, 639 00:22:24,711 --> 00:22:26,045 OR I DON'T KNOW. WHATEVER. 640 00:22:26,078 --> 00:22:27,980 AND I POSTED THAT VIDEO OF THAT GUY, BREWER, 641 00:22:28,014 --> 00:22:29,982 AND, UM, YEAH, IT WENT VIRAL, 642 00:22:30,016 --> 00:22:31,083 AND IT'S CRAZY, 643 00:22:31,117 --> 00:22:33,786 AND ALL THESE NEWS ORGANIZATIONS WANT TO TALK TO ME, 644 00:22:33,820 --> 00:22:36,055 SO I NEED TO TALK TO YOU, 645 00:22:36,088 --> 00:22:39,792 BECAUSE I NEED TO KNOW WHAT YOU WANT ME TO SAY. 646 00:22:39,826 --> 00:22:42,795 OKAY, IT'S IMPORTANT TO ME, SO PLEASE CALL ME BACK. 647 00:22:42,829 --> 00:22:44,063 WE'RE GOING TO GET THOSE FUCKERS. 648 00:22:44,096 --> 00:22:45,398 WHOO! OKAY, I LOVE YOU. 649 00:22:45,432 --> 00:22:46,533 CALL ME. BYE. 650 00:22:48,635 --> 00:22:49,936 YES, I AM PROFESSIONAL. 651 00:22:49,969 --> 00:22:51,771 YES, OKAY. 652 00:22:51,804 --> 00:22:53,806 [RINGING] 653 00:22:55,174 --> 00:22:56,943 HI, TINA? 654 00:22:56,976 --> 00:22:58,678 HI. 655 00:22:58,711 --> 00:23:00,413 HI, IT'S ME. 656 00:23:00,447 --> 00:23:01,748 UM... 657 00:23:01,781 --> 00:23:03,716 I JUST WANTED TO DOUBLE-CHECK 658 00:23:03,750 --> 00:23:06,553 THAT YOU'D BE ABLE TO TAKE ANGIE THE WEEKEND OF THE FOURTH. 659 00:23:06,586 --> 00:23:09,121 I THINK I MIGHT HAVE TO-- I MIGHT HAVE TO GO OUT OF TOWN. 660 00:23:09,155 --> 00:23:10,657 UM... 661 00:23:10,690 --> 00:23:13,059 WELL, I DON'T HAVE MY BOOK IN FRONT OF ME, 662 00:23:13,092 --> 00:23:15,528 BUT I'M SURE IT WILL BE FINE. 663 00:23:15,562 --> 00:23:18,030 OKAY. 664 00:23:18,064 --> 00:23:19,732 GREAT. 665 00:23:21,200 --> 00:23:22,702 IS THAT IT? 666 00:23:22,735 --> 00:23:24,103 YEAH. 667 00:23:24,136 --> 00:23:25,838 NO. 668 00:23:25,872 --> 00:23:27,574 WELL... I DON'T KNOW. 669 00:23:27,607 --> 00:23:31,077 IT'S NOT A BIG DEAL. IT'S NOT A BIG DEAL. 670 00:23:31,110 --> 00:23:33,546 I JUST... I JUST DON'T KNOW WHAT TO DO, 671 00:23:33,580 --> 00:23:34,847 BUT I KNOW YOU'RE BUSY. 672 00:23:34,881 --> 00:23:36,015 NO, NO, NO, NO. WHAT? 673 00:23:36,048 --> 00:23:37,016 NEVER MIND. IT'S OKAY. 674 00:23:37,049 --> 00:23:38,585 WHAT IS IT? 675 00:23:38,618 --> 00:23:39,919 [SIGHING] 676 00:23:39,952 --> 00:23:42,221 WELL, THERE'S THIS... 677 00:23:42,254 --> 00:23:44,791 MAJOR CONTROVERSY BREWING HERE, 678 00:23:44,824 --> 00:23:45,925 BECAUSE JODI 679 00:23:45,958 --> 00:23:47,026 LET ONE OF HER STUDENTS PERFORM 680 00:23:47,059 --> 00:23:48,795 THIS PARTICULARLY PROVOCATIVE ART PIECE 681 00:23:48,828 --> 00:23:49,996 AND NOW THE BOARD OF TRUSTEES 682 00:23:50,029 --> 00:23:51,030 IS COMPLETELY UP IN ARMS, 683 00:23:51,063 --> 00:23:52,098 AND JODI WANTS TO TALK TO THEM, 684 00:23:52,131 --> 00:23:53,666 BUT I THINK IT'S A TERRIBLE IDEA, 685 00:23:53,700 --> 00:23:54,934 BECAUSE SHE'S BOUND TO TELL THEM ALL 686 00:23:54,967 --> 00:23:56,202 WHAT A BUNCH OF ASSHOLES THEY ARE, 687 00:23:56,235 --> 00:23:57,704 BUT IF SHE STARTS TALKING TO THEM, 688 00:23:57,737 --> 00:23:59,205 IT'S JUST GOING TO EXACERBATE 689 00:23:59,238 --> 00:24:00,607 THE WHOLE SITUATION, 690 00:24:00,640 --> 00:24:01,941 AND, REALLY, THEY'RE GUNNING FOR HER. 691 00:24:01,974 --> 00:24:03,910 LET HER SPEAK FOR HERSELF. 692 00:24:03,943 --> 00:24:06,713 JODI'S A VERY CAPABLE PERSON. 693 00:24:06,746 --> 00:24:07,980 AND VERY HOT-TEMPERED. 694 00:24:08,014 --> 00:24:09,115 YEAH. LOOK. 695 00:24:09,148 --> 00:24:10,717 I KNOW YOU WANT TO FIX EVERYTHING, OKAY? 696 00:24:10,750 --> 00:24:12,552 BUT YOU JUST HAVE TO LET HER 697 00:24:12,585 --> 00:24:14,153 FAIL OR SUCCEED 698 00:24:14,186 --> 00:24:15,822 ALL ON HER OWN, OKAY? 699 00:24:15,855 --> 00:24:21,661 OTHERWISE, IT'S JUST A DISASTER FOR BOTH OF YOU. 700 00:24:21,694 --> 00:24:23,530 [SIGHING SOFTLY] 701 00:24:23,563 --> 00:24:26,566 SO YOU'RE SAYING THAT I SHOULD STAY OUT OF IT? 702 00:24:26,599 --> 00:24:28,200 YEAH. 703 00:24:28,234 --> 00:24:30,069 SUPPORT HER, ADVISE HER, 704 00:24:30,102 --> 00:24:32,672 BUT, OTHERWISE, LET HER DEAL WITH IT HERSELF. 705 00:24:32,705 --> 00:24:34,541 OKAY. 706 00:24:34,574 --> 00:24:37,076 OKAY, I'M SORRY TO TALK YOUR EAR OFF. 707 00:24:37,109 --> 00:24:38,545 I'M... 708 00:24:38,578 --> 00:24:41,614 I JUST NEED SOMEBODY TO TALK TO. 709 00:24:41,648 --> 00:24:44,584 NO, THAT'S FINE. 710 00:24:44,617 --> 00:24:46,152 LOOK, I'VE GOT TO GO. 711 00:24:46,185 --> 00:24:47,587 I HAVE A MEETING. 712 00:24:47,620 --> 00:24:48,621 RIGHT. RIGHT. 713 00:24:48,655 --> 00:24:50,056 I'M SORRY. I'M SORRY. 714 00:24:50,089 --> 00:24:52,224 OKAY. BYE. 715 00:24:52,258 --> 00:24:53,993 BYE. 716 00:24:59,699 --> 00:25:02,569 [**] 717 00:25:07,139 --> 00:25:08,675 [JENNY]: I CAN'T WAIT FOR YOU TO MEET 718 00:25:08,708 --> 00:25:10,677 THE ACTRESS PLAYING SHAUN. 719 00:25:10,710 --> 00:25:11,611 IS SHE A 10? 720 00:25:11,644 --> 00:25:14,213 OKAY, HERE'S ALL THE EXTENSION CORDS I HAVE. 721 00:25:14,246 --> 00:25:17,083 GOOD. ADELE'S JUST OUT BACK OR OUT IN THE FRONT, 722 00:25:17,116 --> 00:25:18,718 PUTTING UP THE LIGHTS. 723 00:25:18,751 --> 00:25:20,119 HEY, JENNY-- 724 00:25:20,152 --> 00:25:22,622 HOW'S EVERYTHING WORKING OUT WITH HER, ANYWAY? 725 00:25:22,655 --> 00:25:23,623 GREAT. 726 00:25:23,656 --> 00:25:25,257 SHE'S SO GOOD. 727 00:25:25,291 --> 00:25:26,358 I MEAN, I JUST DON'T-- 728 00:25:26,392 --> 00:25:29,328 IMAGINE WHAT LIFE WOULD HAVE BEEN LIKE WITHOUT HER. 729 00:25:29,361 --> 00:25:31,898 BECAUSE I HAVE TO SAY, YOU KNOW, 730 00:25:31,931 --> 00:25:34,100 SOMETHING WASN'T QUITE SITTING RIGHT WITH ME ABOUT HER, 731 00:25:34,133 --> 00:25:36,268 SO I, UM, DID A LITTLE BACKGROUND CHECK ON HER. 732 00:25:36,302 --> 00:25:38,705 OKAY. SO? 733 00:25:38,738 --> 00:25:40,106 REMEMBER HOW SHE SAID HER MOM 734 00:25:40,139 --> 00:25:41,708 WAS HOSPITALIZED FROM '86 TO '92? 735 00:25:41,741 --> 00:25:43,242 MM-HMM. 736 00:25:43,275 --> 00:25:45,144 AND THAT HER DAD WAS A TRAVELLING SALESMAN? 737 00:25:45,177 --> 00:25:47,013 RIGHT. 738 00:25:47,046 --> 00:25:48,715 WELL, OKAY, SHE SAID HE WAS OUT ON THE ROAD 739 00:25:48,748 --> 00:25:49,716 THE WHOLE TIME 740 00:25:49,749 --> 00:25:51,050 SHE WAS IN THE HOSPITAL, RIGHT? 741 00:25:51,083 --> 00:25:52,051 YEAH? 742 00:25:52,084 --> 00:25:53,185 THEN SHE SAID 743 00:25:53,219 --> 00:25:55,221 HE HURT HIS BACK IN A FACTORY ACCIDENT. 744 00:25:55,254 --> 00:25:57,223 I MEAN, I DON'T GET IT. 745 00:25:57,256 --> 00:26:01,694 MAX, I DON'T NEED TO KNOW THIS SHIT 746 00:26:01,728 --> 00:26:04,664 BEFORE FESTIVITIES BEGIN. 747 00:26:04,697 --> 00:26:05,832 I GOT TO SAY, I LIKE ADELE. 748 00:26:05,865 --> 00:26:06,966 I JUST THINK SHE'S A SWEETHEART. 749 00:26:06,999 --> 00:26:08,100 YEAH, I KNOW. 750 00:26:08,134 --> 00:26:11,237 IT'S JUST I JUST CHECKED OUT HER STORY A LITTLE BIT, 751 00:26:11,270 --> 00:26:14,641 AND, UM, THE HOSPITAL SHE SAID HER MOM WAS IN FROM '86 TO '92-- 752 00:26:14,674 --> 00:26:16,375 THE BIRDWELL SANITARIUM-- 753 00:26:16,408 --> 00:26:17,944 IT CLOSED IN '87. 754 00:26:17,977 --> 00:26:19,011 WELL, I'M GOING TO ASSUME 755 00:26:19,045 --> 00:26:20,146 THAT'S BECAUSE 756 00:26:20,179 --> 00:26:21,648 IT WAS A TROUBLING TIME IN HER LIFE 757 00:26:21,681 --> 00:26:23,082 AND HER MEMORY'S NOT THAT CLEAR ON IT. 758 00:26:23,115 --> 00:26:24,951 YEAH, MAX. 759 00:26:24,984 --> 00:26:26,886 MAYBE. ADELE! 760 00:26:26,919 --> 00:26:28,688 ADELE, COME HERE. JENNY, DON'T TELL HER. 761 00:26:28,721 --> 00:26:29,789 DON'T. COME ON! 762 00:26:29,822 --> 00:26:31,658 ADELE! YEAH, YEAH, YEAH? 763 00:26:31,691 --> 00:26:33,125 WHAT IS IT? 764 00:26:33,159 --> 00:26:35,294 MAX THINKS THAT THERE'S SOMETHING 765 00:26:35,327 --> 00:26:36,729 REALLY SUSPICIOUS ABOUT YOU, 766 00:26:36,763 --> 00:26:38,030 BECAUSE HE SAID THAT THE SANITARIUM 767 00:26:38,064 --> 00:26:39,832 THAT YOU SAID YOUR MOTHER WAS IN 768 00:26:39,866 --> 00:26:41,267 WHILE SHE WAS SICK 769 00:26:41,300 --> 00:26:43,369 WAS ACTUALLY CLOSED. 770 00:26:43,402 --> 00:26:44,704 ADELE, IT'S NOT LIKE 771 00:26:44,737 --> 00:26:46,038 I WAS CHECKING UP ON YOU OR ANYTHING. 772 00:26:46,072 --> 00:26:47,740 I WAS RESEARCHING SOMETHING FOR ALICE, 773 00:26:47,774 --> 00:26:48,741 AND I RAN ACROSS THIS THING-- 774 00:26:48,775 --> 00:26:49,976 YEAH, YEAH, YEAH. 775 00:26:50,009 --> 00:26:51,243 I WANTED TO CLEAR THE AIR, YOU KNOW? 776 00:26:51,277 --> 00:26:52,945 YEAH, THAT'S TOTALLY FINE. 777 00:26:52,979 --> 00:26:55,181 I MEAN, I GET WHY IT WOULD BE CONFUSING. 778 00:26:55,214 --> 00:26:57,984 UM... 779 00:26:58,017 --> 00:27:01,320 MY MOM WAS-- SHE WAS AT BIRDWELL, 780 00:27:01,353 --> 00:27:05,191 BUT SHE-- WHEN SHE TRIED TO-- 781 00:27:09,729 --> 00:27:12,064 SORRY. 782 00:27:12,098 --> 00:27:13,299 OH... 783 00:27:13,332 --> 00:27:16,268 SHE... 784 00:27:16,302 --> 00:27:19,706 WE HAD TO TAKE HER TO A HIGH-SECURITY INSTITUTION, 785 00:27:19,739 --> 00:27:20,707 DOWN IN WINTER PARK. 786 00:27:20,740 --> 00:27:22,041 SO, I DON'T KNOW, 787 00:27:22,074 --> 00:27:23,409 MAYBE BIRDWELL CLOSED DOWN AFTER THAT. 788 00:27:23,442 --> 00:27:25,778 I DON'T KNOW. 789 00:27:25,812 --> 00:27:27,747 OKAY. 790 00:27:27,780 --> 00:27:29,281 I'M GOING TO GO FINISH. 791 00:27:29,315 --> 00:27:32,752 JUST GO FINISH HANGING THE LIGHTS. 792 00:27:33,853 --> 00:27:35,855 NOW THAT WAS SOME GOOD THINKING. 793 00:27:39,792 --> 00:27:41,694 [MALE DIRECTOR]: OKAY, EVERYBODY SETTLE. 794 00:27:41,728 --> 00:27:48,267 WE'RE BACK IN FIVE, FOUR, THREE, TWO... 795 00:27:48,300 --> 00:27:50,737 MS. PIESZECKI, WHY DID YOU FEEL COMPELLED 796 00:27:50,770 --> 00:27:52,739 TO POST THE FOOTAGE YOU SHOT OF DARYL BREWER 797 00:27:52,772 --> 00:27:53,740 ON THE INTERNET? 798 00:27:53,773 --> 00:27:57,476 OH, WELL, ORIGINALLY, I DIDN'T VIDEOTAPE HIM 799 00:27:57,509 --> 00:27:59,445 WITH THE INTENTION OF OUTTING HIM, 800 00:27:59,478 --> 00:28:00,947 IT WAS MORE OF A PERSONAL-- NOW, IT'S HARD TO BELIEVE 801 00:28:00,980 --> 00:28:02,381 THAT YOU WEREN'T SEEKING NOTORIETY 802 00:28:02,414 --> 00:28:03,549 BY FILMING HIM 803 00:28:03,582 --> 00:28:05,885 AND THEN POSTING THE FOOTAGE ON YOUR WEBSITE. 804 00:28:05,918 --> 00:28:07,119 NO, I-- NO. 805 00:28:07,153 --> 00:28:09,155 I JUST THOUGHT IT WAS VERY MEAN, 806 00:28:09,188 --> 00:28:10,757 WHAT HE SAID ABOUT GAY PEOPLE-- 807 00:28:10,790 --> 00:28:12,291 THAT'S FREEDOM OF SPEECH. 808 00:28:12,324 --> 00:28:15,094 THAT'S HIS PREROGATIVE, TO SAY WHATEVER HE WANTS TO, 809 00:28:15,127 --> 00:28:16,162 BUT IT'S A VIOLATION 810 00:28:16,195 --> 00:28:17,964 OF HIS PRIVACY 811 00:28:17,997 --> 00:28:19,131 IF YOU'RE GOING TO VIDEOTAPE HIM 812 00:28:19,165 --> 00:28:21,067 WHEN HE DOESN'T THINK HE'S BEING WATCHED, 813 00:28:21,100 --> 00:28:23,202 AND THEN HAVE IT PUT UP ON THE WORLD WIDE WEB! 814 00:28:23,235 --> 00:28:25,337 NO, I-- I DIDN'T THINK IT WOULD GET SO BIG. 815 00:28:25,371 --> 00:28:26,773 YOU NEVER THOUGHT IT WOULD GET SO BIG? 816 00:28:26,806 --> 00:28:27,974 YOU'RE AN INTERNET JOURNALIST, 817 00:28:28,007 --> 00:28:30,342 AND YOU DIDN'T REALIZE THE POWER OF THE NET? 818 00:28:30,376 --> 00:28:31,477 COME ON! 819 00:28:31,510 --> 00:28:33,145 I MEAN, THESE THINGS GO VIRAL IN AN INSTANT. 820 00:28:33,179 --> 00:28:34,914 IT DESTROYS CAREERS! 821 00:28:34,947 --> 00:28:38,751 IMUS, ISAIAH WASHINGTON, YOU KNOW, THE LIST GOES ON! 822 00:28:38,785 --> 00:28:39,685 YEAH, BUT IT WASN'T LIKE THAT-- 823 00:28:39,718 --> 00:28:40,753 DO YOU REGRET WHAT YOU DID, 824 00:28:40,787 --> 00:28:41,921 MS. PIESZECKI? 825 00:28:41,954 --> 00:28:42,989 DO YOU CARE THAT YOU MIGHT HAVE DESTROYED 826 00:28:43,022 --> 00:28:44,824 THIS MAN'S FAMILY? I DON'T BUY THAT-- 827 00:28:44,857 --> 00:28:45,825 WAIT A MINUTE! 828 00:28:45,858 --> 00:28:47,927 WHY SHOULD I FEEL BAD FOR HURTING THIS GUY? 829 00:28:47,960 --> 00:28:50,763 I MEAN, WHEN HE'S HURTING ME AND MILLIONS OF OTHER GAY PEOPLE 830 00:28:50,797 --> 00:28:52,198 BY SAYING SUCH HATEFUL COMMENTS? 831 00:28:52,231 --> 00:28:54,366 YEAH, BUT THE BOTTOM LINE IS-- 832 00:28:54,400 --> 00:28:55,534 HE STARTED THIS 833 00:28:55,567 --> 00:28:57,536 BY SAYING AWFUL THINGS IN THE FIRST PLACE! 834 00:28:57,569 --> 00:28:58,905 SO, YOU'RE GOING TO TAKE IT UPON YOURSELF 835 00:28:58,938 --> 00:29:00,306 TO GO AFTER-- NO, I'M TALKING! 836 00:29:00,339 --> 00:29:01,340 I'M NOT FINISHED! 837 00:29:01,373 --> 00:29:02,842 LISTEN. 838 00:29:02,875 --> 00:29:04,243 GAY PEOPLE ARE BASHED 839 00:29:04,276 --> 00:29:06,112 AND-- AND HARASSED 840 00:29:06,145 --> 00:29:07,914 AND KILLED EVERY DAY, 841 00:29:07,947 --> 00:29:10,149 AND THEN YOU'VE GOT THIS GUY, WHO'S GAY HIMSELF, 842 00:29:10,182 --> 00:29:12,518 AND HE'S SAYING THIS GARBAGE? 843 00:29:12,551 --> 00:29:14,854 IT'S DISGUSTING! 844 00:29:14,887 --> 00:29:17,123 I TOTALLY RESPECT 845 00:29:17,156 --> 00:29:19,558 SOMEONE'S CHOICE TO STAY IN THE CLOSET, I DO. 846 00:29:19,591 --> 00:29:21,527 IF THAT'S WHAT THEY WANT TO DO, I GET IT, 847 00:29:21,560 --> 00:29:22,862 BUT I DON'T THINK IT'S OKAY 848 00:29:22,895 --> 00:29:24,496 TO KISS YOUR BOYFRIEND ONE DAY 849 00:29:24,530 --> 00:29:26,532 AND THEN GO OUT AND TRASH GAY PEOPLE THE NEXT-- 850 00:29:26,565 --> 00:29:29,902 ESPECIALLY IF YOU'RE A PUBLIC FIGURE 851 00:29:29,936 --> 00:29:31,871 AND YOU HAVE PEOPLE LOOKING UP TO YOU! 852 00:29:31,904 --> 00:29:33,405 SO, NO, I DON'T FEEL BAD. 853 00:29:33,439 --> 00:29:35,274 I DO NOT FEEL BAD ABOUT WHAT I DID. 854 00:29:35,307 --> 00:29:37,977 WELL, SHE'S GOT A GOOD POINT, PAT. 855 00:29:38,010 --> 00:29:38,911 UH, I'D LIKE TO ACTUALLY GO BACK 856 00:29:38,945 --> 00:29:40,179 TO WHAT WE SPOKE ABOUT EARLIER, 857 00:29:40,212 --> 00:29:42,048 IF WE COULD. 858 00:29:42,081 --> 00:29:44,383 [**] 859 00:29:47,553 --> 00:29:49,288 I HAVE AN IDEA. 860 00:29:49,321 --> 00:29:50,289 YEAH? 861 00:29:50,322 --> 00:29:51,090 YEAH. 862 00:29:51,123 --> 00:29:54,526 WHY DON'T WE JUST SKIP THE PARTY? 863 00:29:54,560 --> 00:29:57,163 YOU JUST DON'T WANT TO GIVE JENNY THE SATISFACTION. 864 00:29:57,196 --> 00:29:58,998 NO, THAT'S NOT IT. 865 00:29:59,031 --> 00:30:00,900 I'M LETTING THAT GO. 866 00:30:03,502 --> 00:30:07,539 JENNY CAN DO WHATEVER SHE WANTS WITH HER SILLY MOVIE. 867 00:30:07,573 --> 00:30:09,909 I'M COMPLETELY DETACHED FROM THE NOTION 868 00:30:09,942 --> 00:30:11,577 THAT IT HAS ANYTHING TO DO WITH MY LIFE. 869 00:30:11,610 --> 00:30:12,912 IT IS FICTION. 870 00:30:12,945 --> 00:30:13,913 FICTION. 871 00:30:13,946 --> 00:30:15,882 [SIGHING] 872 00:30:15,915 --> 00:30:18,317 I WOULD RATHER STAY HERE WITH YOU. 873 00:30:18,350 --> 00:30:22,021 I'VE BEEN MISSING YOU... 874 00:30:22,054 --> 00:30:26,058 WITH ALL THIS NONSENSE AT WORK. 875 00:30:28,327 --> 00:30:30,396 I THINK WE NEED TO RECONNECT. 876 00:30:54,320 --> 00:30:55,421 HEY. 877 00:30:55,454 --> 00:30:56,923 YEAH? 878 00:30:56,956 --> 00:31:00,059 I WANT TO DANCE. 879 00:31:00,092 --> 00:31:01,393 YOU WANT TO DANCE? 880 00:31:01,427 --> 00:31:03,062 YEAH. 881 00:31:03,095 --> 00:31:04,496 OH, CHRIST. 882 00:31:04,530 --> 00:31:07,033 LET'S GO TO THE PARTY FOR A LITTLE WHILE, 883 00:31:07,066 --> 00:31:10,602 THEN WE'LL COME HOME AND CONNECT. 884 00:31:13,672 --> 00:31:16,575 OKAY? OKAY? 885 00:31:16,608 --> 00:31:20,079 I WANT TO CHANGE MY CLOTHES. 886 00:31:28,720 --> 00:31:32,624 * IT AIN'T NO BIG THING 887 00:31:32,658 --> 00:31:34,426 * I WENT TO A PARTY LAST SATURDAY NIGHT * 888 00:31:34,460 --> 00:31:36,495 HOW ARE YOU? HI. 889 00:31:36,528 --> 00:31:39,098 GOOD. HI! 890 00:31:39,131 --> 00:31:40,299 THIS IS FOR YOU. TO GET THE PARTY STARTED. 891 00:31:40,332 --> 00:31:42,334 OH. SO SWEET. 892 00:31:42,368 --> 00:31:43,335 THANK YOU. 893 00:31:43,369 --> 00:31:44,670 COME TO THE BACK. 894 00:31:44,703 --> 00:31:45,938 I WANT TO SHOW YOU SOMETHING. 895 00:31:45,972 --> 00:31:48,074 * I KNOW WHAT I LIKE 896 00:31:48,107 --> 00:31:53,179 * I KNOW I LIKE DANCING WITH YOU * 897 00:31:53,212 --> 00:31:54,280 THANK YOU. 898 00:31:54,313 --> 00:31:55,514 SO YOU'RE PLAYING SHAUN? 899 00:31:55,547 --> 00:31:57,950 YEAH. 900 00:31:57,984 --> 00:32:00,319 GOOD. CONGRATULATIONS. 901 00:32:00,352 --> 00:32:02,188 THANKS. 902 00:32:02,221 --> 00:32:05,624 YOU KNOW, I'M... NOT GAY. 903 00:32:07,726 --> 00:32:10,196 OKAY. 904 00:32:10,229 --> 00:32:14,200 I HAVE A BOYFRIEND. 905 00:32:14,233 --> 00:32:16,402 GOOD FOR YOU. 906 00:32:16,435 --> 00:32:19,738 I JUST PLAY GAY. 907 00:32:19,771 --> 00:32:21,107 RIGHT. 908 00:32:21,140 --> 00:32:23,509 "GAY FOR PAY." 909 00:32:23,542 --> 00:32:25,144 [SNICKERING] 910 00:32:25,177 --> 00:32:29,048 THAT'S CUTE. 911 00:32:29,081 --> 00:32:31,417 HI! BETTE! 912 00:32:31,450 --> 00:32:33,019 [BETTE]: HI, JENNY. 913 00:32:33,052 --> 00:32:34,386 HI! 914 00:32:34,420 --> 00:32:36,155 HELLO, JODI! MWAH! 915 00:32:36,188 --> 00:32:37,189 CONGRATULATIONS. 916 00:32:37,223 --> 00:32:38,557 THANK YOU VERY MUCH. 917 00:32:38,590 --> 00:32:41,160 YOU GUYS WANT SOMETHING TO DRINK? 918 00:32:41,193 --> 00:32:42,561 [BETTE]: JODI, DO YOU WANT A DRINK? 919 00:32:42,594 --> 00:32:43,595 SURE. 920 00:32:43,629 --> 00:32:45,564 ADELE! MAKE THEM SOMETHING GREAT. 921 00:32:45,597 --> 00:32:47,333 THANK YOU. 922 00:32:47,366 --> 00:32:49,368 BYE! 923 00:32:50,436 --> 00:32:53,705 * I KNOW I LIKE DANCING WITH YOU * 924 00:32:56,808 --> 00:32:59,778 * NOW I KNOW WHAT YOU LIKE * 925 00:32:59,811 --> 00:33:02,181 CHEERS. 926 00:33:03,815 --> 00:33:05,617 [**] 927 00:33:05,651 --> 00:33:07,219 [GASPS]: OH, MY GOD. 928 00:33:07,253 --> 00:33:09,388 OH, MY GOD! HI! 929 00:33:09,421 --> 00:33:10,522 HOW ARE YOU? 930 00:33:10,556 --> 00:33:11,623 IT'S SO NICE TO SEE YOU! 931 00:33:11,657 --> 00:33:15,161 YOU HAVE TO MEET "ALYSSE." 932 00:33:15,194 --> 00:33:16,695 LOOK! IS THIS--? 933 00:33:16,728 --> 00:33:19,165 YES! OH! OH... 934 00:33:19,198 --> 00:33:21,167 WOW! HI. I'M SUSAN. 935 00:33:21,200 --> 00:33:22,368 OH. ALICE. 936 00:33:22,401 --> 00:33:23,435 PLAYING ALYSSE, PLAYING ALICE. 937 00:33:23,469 --> 00:33:25,304 WOW. WOW! 938 00:33:25,337 --> 00:33:26,472 YOU? REALLY? 939 00:33:26,505 --> 00:33:27,473 YEAH! 940 00:33:27,506 --> 00:33:28,474 GOD. OH! ALICE. 941 00:33:28,507 --> 00:33:29,508 HOW YOU DOING? 942 00:33:29,541 --> 00:33:30,576 GOOD. I DON'T SEE IT. 943 00:33:30,609 --> 00:33:33,145 I KNOW, I CAN CHANGE HAIR? 944 00:33:33,179 --> 00:33:34,246 NO, NO, NO, NO-- IT'S JUST... 945 00:33:34,280 --> 00:33:35,281 I HAVE SOME IDEAS. 946 00:33:35,314 --> 00:33:37,716 I WAS ACTUALLY GOING TO GET IN TOUCH WITH YOU 947 00:33:37,749 --> 00:33:38,717 THROUGH JENNY. 948 00:33:38,750 --> 00:33:40,119 I DON'T KNOW IF... 949 00:33:40,152 --> 00:33:41,620 IF YOU'RE OPEN TO IT, OR... 950 00:33:41,653 --> 00:33:42,621 TOTALLY OPEN. 951 00:33:42,654 --> 00:33:43,689 OKAY. 952 00:33:43,722 --> 00:33:44,690 I'M, LIKE, A WIDE OPEN CLAM HERE. 953 00:33:44,723 --> 00:33:45,724 YEAH. YEAH. GOOD. 954 00:33:45,757 --> 00:33:50,062 [**] 955 00:33:50,096 --> 00:33:52,331 * I'M YOUR VOODOO DOLL 956 00:33:52,364 --> 00:33:55,767 * I PUT A SPELL ON YOU 957 00:33:55,801 --> 00:33:59,705 * HOW CAN THIS BE WRONG 958 00:33:59,738 --> 00:34:03,309 * WHEN IT FEELS SO GOOD? 959 00:34:03,342 --> 00:34:05,577 * YEAH 960 00:34:05,611 --> 00:34:07,079 HEY. 961 00:34:07,113 --> 00:34:08,214 HI. 962 00:34:08,247 --> 00:34:09,848 * NO MERCY, NO PLEASURE NO SIN * 963 00:34:09,881 --> 00:34:11,250 * I STAND GUILTY 964 00:34:11,283 --> 00:34:12,651 * LOVING YOU AGAIN 965 00:34:12,684 --> 00:34:14,153 HI. 966 00:34:14,186 --> 00:34:17,756 THANKS FOR TALKING TO ME EARLIER TODAY. 967 00:34:17,789 --> 00:34:19,591 IT'S FINE. 968 00:34:19,625 --> 00:34:21,693 IT WAS FINE. 969 00:34:21,727 --> 00:34:24,330 I MEAN, I KNOW IT'S AWKWARD, 970 00:34:24,363 --> 00:34:25,764 AND I JUST FELT REALLY, REALLY STUPID. 971 00:34:25,797 --> 00:34:27,333 NO-- TINA! 972 00:34:27,366 --> 00:34:28,867 HI. 973 00:34:28,900 --> 00:34:30,402 HI! ISABELLA. 974 00:34:30,436 --> 00:34:31,670 IT'S GOOD TO SEE YOU. 975 00:34:31,703 --> 00:34:33,772 YEAH, THANKS FOR COMING. 976 00:34:33,805 --> 00:34:36,175 ISABELLA PERKINS, THIS IS BETTE PORTER. 977 00:34:36,208 --> 00:34:37,176 HI. 978 00:34:37,209 --> 00:34:38,144 IT'S REALLY NICE TO MEET YOU. 979 00:34:38,177 --> 00:34:39,578 I'M SUCH A FAN OF YOUR WORK. 980 00:34:39,611 --> 00:34:41,580 OH, MY GOD. BETTE! 981 00:34:41,613 --> 00:34:44,516 I SHOULD HAVE RECOGNIZED YOU FROM YOUR PHOTOS. 982 00:34:44,550 --> 00:34:46,318 I'VE BEEN RESEARCHING YOU ONLINE. 983 00:34:46,352 --> 00:34:48,587 IT'S SO WONDERFUL TO MEET YOU! 984 00:34:48,620 --> 00:34:50,289 YOU'VE BEEN RESEARCHING ME? 985 00:34:50,322 --> 00:34:53,592 MM, ISABELLA IS PLAYING BEV 986 00:34:53,625 --> 00:34:54,626 IN LEZ GIRLS. 987 00:34:59,498 --> 00:35:01,200 [LAUGHING] 988 00:35:01,233 --> 00:35:02,734 WOW. UH, GOD. 989 00:35:02,768 --> 00:35:06,205 I MEAN, I KNEW THAT YOU WERE IN THE MOVIE, 990 00:35:06,238 --> 00:35:08,340 I-I JUST DIDN'T REALIZE THAT YOU WERE GOING TO BE PLAYING 991 00:35:08,374 --> 00:35:10,842 JENNY'S WARPED INTERPRETATION OF ME. 992 00:35:10,876 --> 00:35:12,878 IT MUST BE DIFFICULT FOR YOU-- 993 00:35:12,911 --> 00:35:15,614 TO HAVE YOUR LIFE AND RELATIONSHIPS EXAMINED. 994 00:35:15,647 --> 00:35:16,715 NO, IT'S FINE. 995 00:35:16,748 --> 00:35:17,883 IT'S FICTION, RIGHT? 996 00:35:17,916 --> 00:35:19,385 I MEAN, IT'S FICTION. IT'S FICTION. 997 00:35:19,418 --> 00:35:20,452 FICTION. 998 00:35:20,486 --> 00:35:21,453 IT'S SO IMPORTANT FOR ACTORS 999 00:35:21,487 --> 00:35:22,488 TO GET TO THE TRUTH. 1000 00:35:22,521 --> 00:35:25,724 I WAS HOPING YOU COULD HELP ME WITH MY "WHYS"? 1001 00:35:25,757 --> 00:35:26,725 YOUR "WHYS"? 1002 00:35:26,758 --> 00:35:27,726 MM-HMM. 1003 00:35:27,759 --> 00:35:29,461 I CAN SEE 1004 00:35:29,495 --> 00:35:32,598 YOU ARE AN INCREDIBLY PASSIONATE AND ACCOMPLISHED WOMAN. 1005 00:35:32,631 --> 00:35:34,766 YOU KNOW, YOU'VE WORKED HARD TO GET WHERE YOU ARE. 1006 00:35:34,800 --> 00:35:38,204 YOU KNOW, YOU'RE BOLD AND UNCOMPROMISING 1007 00:35:38,237 --> 00:35:39,605 IN YOUR VISION 1008 00:35:39,638 --> 00:35:40,772 AND YOUR APPROACH TO LIFE, 1009 00:35:40,806 --> 00:35:42,641 YOU'VE GOT A GREAT MARRIAGE... 1010 00:35:42,674 --> 00:35:44,210 TO A KIND 1011 00:35:44,243 --> 00:35:45,411 AND GENEROUS PARTNER-- 1012 00:35:45,444 --> 00:35:46,878 YOU KNOW WHAT, BELLA? 1013 00:35:46,912 --> 00:35:47,913 I DON'T KNOW IF THE PARTY 1014 00:35:47,946 --> 00:35:49,248 IS THE PLACE TO REALLY-- 1015 00:35:49,281 --> 00:35:50,449 BUT SOMETHING IS WRONG. 1016 00:35:50,482 --> 00:35:51,583 WHY? 1017 00:35:51,617 --> 00:35:53,885 I MEAN, WHAT IS IT IN BEV 1018 00:35:53,919 --> 00:35:56,788 THAT SEEKS TO SABOTAGE EVERYTHING SHE'S BUILT? 1019 00:35:56,822 --> 00:35:58,924 WHY DOES SHE CHEAT WITH THE PLUMBER? 1020 00:36:00,426 --> 00:36:02,961 DOES SHE SERIOUSLY THINK THAT JENNY'S IDIOTIC DRIVEL 1021 00:36:02,994 --> 00:36:05,331 IS REFLECTIVE OF ME AND MY LIFE, AT ALL? 1022 00:36:05,364 --> 00:36:06,598 I CAN'T ANSWER YOUR FUCKING "WHYS." 1023 00:36:06,632 --> 00:36:08,200 YOU KNOW WHY? BECAUSE IT'S NOT ME. 1024 00:36:08,234 --> 00:36:09,268 IT'S NOT ME. 1025 00:36:09,301 --> 00:36:10,202 AND APART FROM ANYTHING ELSE-- 1026 00:36:10,236 --> 00:36:14,906 I AM FRANKLY... FUCKING FLABBERGASTED-- 1027 00:36:14,940 --> 00:36:15,774 I AM FLABBERGASTED 1028 00:36:15,807 --> 00:36:19,411 THAT SHE CAST SUCH A WHITE ACTRESS-- 1029 00:36:19,445 --> 00:36:21,447 SHE'S WHITE. OKAY? 1030 00:36:21,480 --> 00:36:22,814 WAS MARY-FUCKING-POPPINS NOT AVAILABLE? 1031 00:36:22,848 --> 00:36:25,517 I MEAN, REALLY, WHAT THE FUCK CAN SHE POSSIBLY KNOW 1032 00:36:25,551 --> 00:36:26,852 ABOUT MY LIFE? 1033 00:36:26,885 --> 00:36:29,255 WHAT CAN SHE KNOW? 1034 00:36:30,522 --> 00:36:32,791 IS SHE BLACK? 1035 00:36:36,895 --> 00:36:37,896 THANK YOU. 1036 00:36:37,929 --> 00:36:39,431 BETTE, CAN I JUST-- 1037 00:36:39,465 --> 00:36:41,500 [MOUTHS WORDS] I WANT TO GO. 1038 00:36:41,533 --> 00:36:43,535 EXCUSE ME. 1039 00:36:43,569 --> 00:36:46,638 I WANT TO GET OUT OF HERE. 1040 00:36:46,672 --> 00:36:48,807 WHAT'S THE MATTER WITH YOU? 1041 00:36:48,840 --> 00:36:50,476 YOU'RE FLIRTING WITH HER. 1042 00:36:50,509 --> 00:36:52,010 I'M HAVING A GOOD TIME. 1043 00:36:52,043 --> 00:36:53,612 WITH THAT HELENA CLONE? 1044 00:36:53,645 --> 00:36:55,647 I'M NOT FLIRTING WITH HER. 1045 00:36:55,681 --> 00:36:57,449 I'M JUST TALKING WITH HER. SHE'S NICE AND INTERESTING. 1046 00:36:57,483 --> 00:36:59,251 SHE'S ALL OVER YOU. 1047 00:36:59,285 --> 00:37:01,620 YOU'RE INSANE. 1048 00:37:01,653 --> 00:37:03,889 SHE'S THE STRAIGHTEST PERSON I'VE EVER MET. 1049 00:37:03,922 --> 00:37:06,558 I WAS TRYING TO EXPLAIN TO HER HOW LESBIAN SEX WORKS. 1050 00:37:06,592 --> 00:37:09,628 PLUS, SHE HAS A BOYFRIEND. 1051 00:37:09,661 --> 00:37:11,029 CHILL OUT. 1052 00:37:11,062 --> 00:37:12,831 WELL, I'M LEAVING. 1053 00:37:12,864 --> 00:37:14,366 FINE. 1054 00:37:14,400 --> 00:37:15,867 I'LL SEE YOU LATER. 1055 00:37:15,901 --> 00:37:17,903 FINE! 1056 00:37:25,744 --> 00:37:27,879 BETTE. I'M SO SORRY. 1057 00:37:27,913 --> 00:37:31,783 I HAD NO IDEA THAT ISABELLA WOULD BLINDSIDE US LIKE THAT. 1058 00:37:32,951 --> 00:37:34,620 YOU KNOW WHAT? 1059 00:37:34,653 --> 00:37:35,754 THE THING IS... 1060 00:37:35,787 --> 00:37:37,489 SHE'S NOT WRONG. 1061 00:37:37,523 --> 00:37:41,860 I STILL DON'T HAVE ANY ANSWERS TO ANY OF HER "WHYS." 1062 00:37:41,893 --> 00:37:43,895 I DON'T. 1063 00:37:48,066 --> 00:37:50,602 WHAT HAPPENED THE OTHER NIGHT, 1064 00:37:50,636 --> 00:37:52,538 IT WAS A MISTAKE. 1065 00:37:52,571 --> 00:37:53,672 OKAY? 1066 00:37:53,705 --> 00:37:55,674 IT SHOULDN'T HAVE HAPPENED. 1067 00:37:55,707 --> 00:37:57,309 [STAMMERING]: I KNOW, I KNOW. 1068 00:37:57,343 --> 00:37:59,911 WE JUST GOT CAUGHT UP IN A MOMENT. 1069 00:37:59,945 --> 00:38:02,047 YES. IT'S JUST NOT GOING TO HAPPEN AGAIN. 1070 00:38:02,080 --> 00:38:03,449 NO. NO. 1071 00:38:03,482 --> 00:38:05,283 OF COURSE NOT. 1072 00:38:06,685 --> 00:38:08,487 ARE YOU... 1073 00:38:08,520 --> 00:38:11,490 ARE YOU SORRY THAT IT DID? 1074 00:38:11,523 --> 00:38:13,925 YES. I AM. 1075 00:38:21,567 --> 00:38:23,402 ARE YOU IN LOVE WITH JODI? 1076 00:38:32,644 --> 00:38:35,814 YES. I AM. 1077 00:38:47,993 --> 00:38:49,795 I WAS TRYING TO GET TASHA 1078 00:38:49,828 --> 00:38:50,996 ON THE PHONE ALL DAY 1079 00:38:51,029 --> 00:38:52,364 TO TELL HER ABOUT IT, 1080 00:38:52,398 --> 00:38:53,632 COULDN'T GET HER, ON THE CELL PHONE, 1081 00:38:53,665 --> 00:38:57,569 THINKING-- "GET ON THE PHONE." 1082 00:38:57,603 --> 00:38:58,637 HEY, DO YOU WANT ONE? 1083 00:38:58,670 --> 00:39:00,806 NO, I'M GOOD, THANKS. 1084 00:39:00,839 --> 00:39:03,409 HEY, LISTEN, THEY'RE NOT GAY. I PROMISE. 1085 00:39:03,442 --> 00:39:04,410 OH, MY GOD-- 1086 00:39:04,443 --> 00:39:05,411 WHAT IF THEY WERE GAY? 1087 00:39:05,444 --> 00:39:06,845 WHAT IF OUR BROWNIES WERE GAY? 1088 00:39:06,878 --> 00:39:07,913 THEY'RE ALL FUCKING EACH OTHER. 1089 00:39:07,946 --> 00:39:09,548 YOU'RE HOT! 1090 00:39:09,581 --> 00:39:12,518 [BOTH LAUGHING] 1091 00:39:16,555 --> 00:39:18,089 [LAUGHING] 1092 00:39:20,992 --> 00:39:23,094 [**] 1093 00:39:23,128 --> 00:39:24,763 I'M FINE! 1094 00:39:24,796 --> 00:39:26,965 [**] 1095 00:39:34,039 --> 00:39:38,610 * OOH! 1096 00:39:38,644 --> 00:39:39,778 * LET ME TELL YA NOW 1097 00:39:39,811 --> 00:39:43,048 * UH-HUH 1098 00:39:43,081 --> 00:39:46,552 * WHEN I HAD YOU TO MYSELF * 1099 00:39:46,585 --> 00:39:47,986 * I DIDN'T WANT YOU AROUND 1100 00:39:48,019 --> 00:39:49,888 * THOSE PRETTY FACES 1101 00:39:49,921 --> 00:39:53,859 * ALWAYS MADE YOU STAND OUT IN A CROWD * 1102 00:39:53,892 --> 00:39:56,161 * BUT SOMEONE PICKED YOU FROM THE BUNCH * 1103 00:39:56,194 --> 00:39:58,530 * ONE GLANCE WAS ALL IT TOOK * 1104 00:39:58,564 --> 00:40:00,699 * NOW IT'S MUCH TOO LATE 1105 00:40:00,732 --> 00:40:03,535 * TO TAKE A SECOND LOOK 1106 00:40:03,569 --> 00:40:06,505 * OH! BABY, GIVE ME 1107 00:40:06,538 --> 00:40:08,907 * ONE MORE CHANCE 1108 00:40:08,940 --> 00:40:13,479 * WON'T YOU PLEASE LET ME BACK IN YOUR HEART? * 1109 00:40:13,512 --> 00:40:15,146 * OH, DARLIN' 1110 00:40:15,180 --> 00:40:17,616 * I WAS BLIND TO LET YOU GO 1111 00:40:17,649 --> 00:40:20,919 * BUT NOW SINCE I SEE YOU IN HIS ARMS * 1112 00:40:20,952 --> 00:40:24,590 * I WANT YOU BACK YES, I DO NOW * 1113 00:40:24,623 --> 00:40:26,892 * BABY 1114 00:40:26,925 --> 00:40:29,895 * YEAH, YEAH, YEAH, YEAH 1115 00:40:29,928 --> 00:40:31,797 * NA, NA, NA, NA 1116 00:40:31,830 --> 00:40:33,799 * TRYIN' TO LIVE WITHOUT YOUR LOVE * 1117 00:40:33,832 --> 00:40:36,702 * IS ONE LONG, SLEEPLESS NIGHT * 1118 00:40:36,735 --> 00:40:38,670 * LET ME SHOW YOU, GIRL 1119 00:40:38,704 --> 00:40:40,472 * THAT I KNOW WRONG FROM RIGHT * 1120 00:40:40,506 --> 00:40:43,642 * OH, EVERY STREET YOU WALK ON * 1121 00:40:43,675 --> 00:40:45,677 * I LEAVE TEARSTAINS ON THE GROUND * 1122 00:40:45,711 --> 00:40:50,516 * FOLLOWING THE GIRL I DIDN'T EVEN WANT AROUND * 1123 00:40:50,549 --> 00:40:55,887 * OH, BABY, ALL I NEED IS ONE MORE CHANCE * 1124 00:40:55,921 --> 00:41:00,759 * WON'T YOU PLEASE LET ME BACK IN YOUR HEART? * 1125 00:41:00,792 --> 00:41:04,930 * OH, DARLIN', I WAS BLIND TO LET YOU GO * 1126 00:41:04,963 --> 00:41:08,133 * LET YOU GO, BABY 1127 00:41:08,166 --> 00:41:10,168 * BUT, NOW, SINCE I SEE YOU IN HIS ARMS * 1128 00:41:10,201 --> 00:41:12,103 * BUH-BUM 1129 00:41:16,575 --> 00:41:19,645 * BUH-BUM, BUM, BUM 1130 00:41:19,678 --> 00:41:21,112 * ALL I WANT 1131 00:41:21,146 --> 00:41:22,581 * A-BUH, BUH, BUH BUH 1132 00:41:22,614 --> 00:41:23,815 * ALL I NEED 1133 00:41:23,849 --> 00:41:25,083 * A-BUH, BUH, BUH, BUH SHANE! 1134 00:41:25,116 --> 00:41:26,552 * ALL I WANT 1135 00:41:26,585 --> 00:41:28,053 SHANE! 1136 00:41:28,086 --> 00:41:30,188 WHOO-HOO! 1137 00:41:30,221 --> 00:41:31,523 * ALL I-- 1138 00:41:31,557 --> 00:41:32,524 [STEREO POWERS DOWN] 1139 00:41:32,558 --> 00:41:34,560 [DAWN]: HEY, SHANE! 1140 00:41:34,593 --> 00:41:36,294 YEAH. HEY. HOW ARE YOU DOING? 1141 00:41:36,327 --> 00:41:37,929 CINDI. 1142 00:41:37,963 --> 00:41:38,964 OH? CINDI, NO. 1143 00:41:38,997 --> 00:41:40,231 I'M FUCKING DAWN DENBO, 1144 00:41:40,265 --> 00:41:41,567 AND THIS IS MY LOVER, CINDI. 1145 00:41:41,600 --> 00:41:42,568 YEAH. 1146 00:41:42,601 --> 00:41:43,702 [DAWN]: I'M TALKING TO YOU. 1147 00:41:43,735 --> 00:41:44,970 I'M TELLING YOU, YOU'VE GONE 1148 00:41:45,003 --> 00:41:45,971 AND MESSED THE WRONG BI-- 1149 00:41:46,004 --> 00:41:47,105 DON'T LOOK AT HER! 1150 00:41:47,138 --> 00:41:48,674 YOU'VE MESSED WITH THE WRONG BITCH, BITCH. 1151 00:41:48,707 --> 00:41:50,676 YOU FUCKING COME INTO MY HOUSE 1152 00:41:50,709 --> 00:41:52,210 AND FUCK MY BEAUTIFUL GIRLFRIEND 1153 00:41:52,243 --> 00:41:53,979 WITHOUT EVEN THE COURTESY OF INVITING ME-- 1154 00:41:54,012 --> 00:41:55,246 CINDI, YOU SAID IT WAS OKAY! 1155 00:41:55,280 --> 00:41:57,082 STOP. BUT-- 1156 00:41:57,115 --> 00:41:58,817 SERIOUSLY, I'M THIS CLOSE. 1157 00:41:58,850 --> 00:41:59,885 YOU SAID THAT IT WAS FINE. 1158 00:41:59,918 --> 00:42:01,119 YOU SAID IT WAS-- WHAT THE FUCK! 1159 00:42:01,152 --> 00:42:03,589 WAIT, YOU EXPECT ME TO BELIEVE THAT-- 1160 00:42:03,622 --> 00:42:04,823 MY BABY-- NO, NO, NO, NO, NO. 1161 00:42:04,856 --> 00:42:06,157 WHAT DO YOU THINK I AM? AN IDIOT? 1162 00:42:06,191 --> 00:42:07,559 DOES IT LOOK LIKE I WAS BORN YESTERDAY? 1163 00:42:07,593 --> 00:42:09,094 [BOTH SNICKERING] 1164 00:42:09,127 --> 00:42:10,596 OH, MOTHERFUCKER. OKAY. 1165 00:42:10,629 --> 00:42:12,130 THAT'S FUNNY. 1166 00:42:12,163 --> 00:42:13,732 THAT-- THAT IS. 1167 00:42:13,765 --> 00:42:15,333 YOU KNOW WHAT I'M GOING TO DO? 1168 00:42:15,366 --> 00:42:17,102 BABE, JUST FOR YOU? 1169 00:42:17,135 --> 00:42:18,269 I AM GOING TO FUCKING RUIN YOU. 1170 00:42:18,303 --> 00:42:20,138 OKAY? AND EVERY ONE 1171 00:42:20,171 --> 00:42:22,774 OF YOUR SMUG-ASS MOTHERFUCKING FRIENDS. 1172 00:42:22,808 --> 00:42:24,109 AND YOU-- I DON'T EVEN KNOW YOU, 1173 00:42:24,142 --> 00:42:25,243 BUT YOU'RE GOING DOWN, TOO. 1174 00:42:25,276 --> 00:42:26,578 HOW ABOUT THAT? 1175 00:42:26,612 --> 00:42:28,146 YES, YOU ARE. YEAH. 1176 00:42:28,179 --> 00:42:30,682 AND THE STUPID-ASS FUCKING PLANET? 1177 00:42:30,716 --> 00:42:31,717 DONE. 1178 00:42:31,750 --> 00:42:33,652 ALL RIGHT? IT'S ALL DONE. 1179 00:42:33,685 --> 00:42:35,687 YEAH. OH, THAT'S GOOD, GO AHEAD AND BE SMART-ASS. 1180 00:42:35,721 --> 00:42:37,956 AND LET ME TELL YOU ONE MORE THING. 1181 00:42:37,989 --> 00:42:39,324 KEEP THOSE SKINNY FUCKING HANDS OF YOURS 1182 00:42:39,357 --> 00:42:40,659 TO YOURSELF, ALL RIGHT? 1183 00:42:40,692 --> 00:42:43,261 IT'S ON, ALL RIGHT? 1184 00:42:43,294 --> 00:42:45,664 IT'S FUCKING ON. 1185 00:42:45,697 --> 00:42:46,698 CINDI! 1186 00:42:46,732 --> 00:42:47,699 I'M SO SORRY. 1187 00:42:47,733 --> 00:42:48,800 [DAWN]: CINDI! 1188 00:42:48,834 --> 00:42:49,801 I DIDN'T MEAN TO GET YOU IN CRAP. 1189 00:42:49,835 --> 00:42:51,269 OW! 1190 00:42:51,302 --> 00:42:52,370 TURN THE MUSIC BACK UP! 1191 00:42:52,403 --> 00:42:53,872 WHO WAS THAT? 1192 00:42:53,905 --> 00:42:55,974 SHE-- THOSE ARE THE TWO GIRLS THAT OWN SHEBAR. 1193 00:42:56,007 --> 00:42:59,177 OH! OH! 1194 00:42:59,210 --> 00:43:01,379 [**] 1195 00:43:01,412 --> 00:43:03,615 [LAUGHING] 1196 00:43:03,649 --> 00:43:04,950 WAIT, WAIT. OKAY, BE SERIOUS. 1197 00:43:04,983 --> 00:43:06,351 WANT TO DO ME? 1198 00:43:06,384 --> 00:43:07,719 I'LL GET TO YOU. 1199 00:43:07,753 --> 00:43:09,087 I DON'T GET THAT. 1200 00:43:09,120 --> 00:43:10,155 LIKE, I MEAN, 1201 00:43:10,188 --> 00:43:12,858 I KNOW THAT THEY MEET ON A COUCH 1202 00:43:12,891 --> 00:43:13,825 AND THEY HAVE, LIKE, 1203 00:43:13,859 --> 00:43:15,927 THIS, LIKE, INTENSE CONVERSATION ABOUT BOOKS, 1204 00:43:15,961 --> 00:43:17,228 AND I KNOW THAT, BUT... 1205 00:43:17,262 --> 00:43:18,764 WHAT? 1206 00:43:18,797 --> 00:43:19,998 I MEAN, THEN THEY JUST GO TO THE BATHROOM 1207 00:43:20,031 --> 00:43:21,199 AND START GETTING IT ON? 1208 00:43:21,232 --> 00:43:22,701 TOTALLY! 1209 00:43:22,734 --> 00:43:23,802 COME ON! IT'S SO CHEESY! 1210 00:43:23,835 --> 00:43:26,037 OH, MY GOD. FUCK O-- NO! 1211 00:43:26,071 --> 00:43:28,039 YES, IT IS, IT'S, LIKE, CINEMAX-- 1212 00:43:28,073 --> 00:43:29,875 OH, SORRY, CINEMA-- 1213 00:43:29,908 --> 00:43:30,876 IT'S TRUE! 1214 00:43:30,909 --> 00:43:32,911 OH, MY GOD, I JUST HAD THE MOST AWESOME IDEA. 1215 00:43:32,944 --> 00:43:34,279 OKAY, YOU'VE GOT TO GO OVER THERE. 1216 00:43:34,312 --> 00:43:35,313 GO OVER THERE. 1217 00:43:35,346 --> 00:43:36,682 RIGHT HERE? 1218 00:43:36,715 --> 00:43:37,983 YEAH, YEAH, OKAY, 1219 00:43:38,016 --> 00:43:39,651 WE'RE GOING TO FUCKING WORKSHOP THE SCENE! 1220 00:43:39,685 --> 00:43:40,418 NOW? 1221 00:43:40,451 --> 00:43:41,820 YES, NOW! OKAY, OKAY. 1222 00:43:41,853 --> 00:43:43,689 JUST YOU PUT YOUR HANDS OVER YOUR FACE. 1223 00:43:43,722 --> 00:43:44,856 OKAY, YOU'VE GOT TO BE SERIOUS. OKAY. 1224 00:43:44,890 --> 00:43:46,958 OKAY. YOU ARE JESSE. 1225 00:43:46,992 --> 00:43:48,359 TAKE YOUR HANDS OFF YOUR FACE 1226 00:43:48,393 --> 00:43:49,427 AND TRANSFORM. 1227 00:43:49,460 --> 00:43:50,996 GO FOR IT. GO! 1228 00:43:51,029 --> 00:43:51,997 [GIGGLING] 1229 00:43:52,030 --> 00:43:54,165 NO, COME ON! BE JESSE. BE SERIOUS. 1230 00:43:54,199 --> 00:43:57,102 OKAY, YOU HAVE JUST MET 1231 00:43:57,135 --> 00:43:59,137 THE MOST ALLURING-- 1232 00:43:59,170 --> 00:44:00,371 [SNICKERING] 1233 00:44:00,405 --> 00:44:01,773 OH, HEY, COME ON! 1234 00:44:01,807 --> 00:44:02,974 JUST BE SERIOUS. 1235 00:44:03,008 --> 00:44:04,843 SO, LIKE, I'M GONNA-- YEAH, BE SERIOUS. 1236 00:44:04,876 --> 00:44:05,977 OKAY, KARINA AND-- 1237 00:44:06,011 --> 00:44:08,847 OKAY, SO, LIKE, YOU'RE SITTING ACROSS FROM THIS WOMAN 1238 00:44:08,880 --> 00:44:11,249 AND SHE'S, LIKE, THE MOST ALLURING, 1239 00:44:11,282 --> 00:44:15,153 INTOXICATING WOMAN OF YOUR WHOLE LIFE. 1240 00:44:15,186 --> 00:44:16,988 SHE'S, LIKE, TALKING 1241 00:44:17,022 --> 00:44:20,258 ABOUT, LIKE, FUCKING SILVER WATER, 1242 00:44:20,291 --> 00:44:23,762 AND YOU'RE, LIKE, JUST GOING INSANE, 1243 00:44:23,795 --> 00:44:26,464 AND YOUR, LIKE, HEART IS, LIKE, IN YOUR THROAT, 1244 00:44:26,497 --> 00:44:28,266 AND THEN YOU REMEMBER. 1245 00:44:28,299 --> 00:44:30,869 YOU HAVE THIS MAN, 1246 00:44:30,902 --> 00:44:33,138 NAMED JIM, 1247 00:44:33,171 --> 00:44:35,273 WHO LIKES TO SWIM, 1248 00:44:35,306 --> 00:44:36,474 AND YOU'RE JUST, LIKE-- 1249 00:44:36,507 --> 00:44:37,709 [SNORTS] 1250 00:44:37,743 --> 00:44:40,111 "WHAT AM I GOING TO DO?" 1251 00:44:40,145 --> 00:44:42,447 YEAH, BUT YOU HAVE TO-- 1252 00:44:42,480 --> 00:44:43,849 TWO EMOTIONS. 1253 00:44:43,882 --> 00:44:44,850 OKAY. WHO ARE YOU GOING TO BE? 1254 00:44:44,883 --> 00:44:48,419 OKAY, I'M GOING TO BE ME. 1255 00:44:51,022 --> 00:44:55,126 OKAY, KARINA AND JESSE? 1256 00:44:55,160 --> 00:44:57,028 [SNICKERING] 1257 00:44:57,062 --> 00:44:59,798 [LAUGHING]: I HAVE TO PEE! 1258 00:44:59,831 --> 00:45:01,833 [CONTINUES LAUGHING] 1259 00:45:04,035 --> 00:45:07,105 THIS-- 1260 00:45:07,138 --> 00:45:09,207 [IN EUROPEAN ACCENT]: IS WHEN SHE COMES INTO THE BATHROOM, 1261 00:45:09,240 --> 00:45:12,143 AND SHE'S LOOKING AT YOU, 1262 00:45:12,177 --> 00:45:13,979 AND THEN... 1263 00:45:14,012 --> 00:45:16,414 SHE TAKES YOU, 1264 00:45:16,447 --> 00:45:18,784 AND SHE TURNS YOU AROUND 1265 00:45:18,817 --> 00:45:20,351 AND SHE PUSHES YOU 1266 00:45:20,385 --> 00:45:22,854 AGAINST THE WALL... 1267 00:45:24,522 --> 00:45:27,826 [REGULAR VOICE]: AND THEN SHE KISSES YOU. 1268 00:45:27,859 --> 00:45:29,861 [GIGGLES] 1269 00:45:43,474 --> 00:45:46,477 [**] 1270 00:45:53,952 --> 00:45:56,021 SEE? NOW YOU HAVE TO GO. 1271 00:45:56,054 --> 00:45:59,457 OR... JESSE STAYS. 1272 00:46:03,995 --> 00:46:06,865 NIKI STAYS. 1273 00:46:17,442 --> 00:46:19,344 [**] 1274 00:46:19,377 --> 00:46:21,512 [LAUGHING] 1275 00:46:24,149 --> 00:46:26,151 WHOA! NO, NO, NO, NO! 1276 00:46:26,184 --> 00:46:27,919 WHO'S IN THERE? 1277 00:46:27,953 --> 00:46:29,087 OH, FUCK. 1278 00:46:29,120 --> 00:46:31,022 IT HAS NO LOCK. 1279 00:46:31,056 --> 00:46:33,058 WHERE'S MY-- 1280 00:46:33,091 --> 00:46:35,460 THERE'S NO LOCK. 1281 00:46:35,493 --> 00:46:39,364 [NIKI SQUEALING] 1282 00:46:41,599 --> 00:46:43,501 * ONCE I HAD A GIRLFRIEND 1283 00:46:43,534 --> 00:46:47,305 * SHE MADE MY HEART JUST WANT TO DANCE * 1284 00:46:47,338 --> 00:46:49,274 * SHE COULDN'T STAY INSIDE 1285 00:46:49,307 --> 00:46:52,610 * SHE'LL MAKE YOU OPEN UP YOUR EYES * 1286 00:46:52,643 --> 00:46:55,881 * UNTIL YOU CRIED YOURSELF ALL OVER * 1287 00:46:55,914 --> 00:46:59,584 * AND THROW YOUR HANDS UP IN THE SKY * 1288 00:46:59,617 --> 00:47:01,586 * TO BE BY HER SIDE 1289 00:47:01,619 --> 00:47:04,222 * I'LL DO ANYTHING 1290 00:47:04,255 --> 00:47:06,892 * JUST TO MAKE HER STAY 1291 00:47:06,925 --> 00:47:10,896 * TO MAKE HER STAY 1292 00:47:10,929 --> 00:47:13,899 * TO MAKE HER STAY 1293 00:47:13,932 --> 00:47:15,100 * STAY 1294 00:47:15,133 --> 00:47:18,136 * CAN'T PRETEND UNTIL YOU'RE MINE * 1295 00:47:18,169 --> 00:47:20,238 * WILL I EVER KNOW 1296 00:47:20,271 --> 00:47:26,411 * CAN'T DENY THE ONE OUTSIDE JUST LEAVES US THOUGH * 1297 00:47:26,444 --> 00:47:29,580 * CAN'T PRETEND UNTIL YOU'RE MINE * 1298 00:47:29,614 --> 00:47:31,182 * NO, NO, NO, NO 1299 00:47:31,216 --> 00:47:33,651 TAKE IT OFF! 1300 00:47:33,684 --> 00:47:35,620 * I CAN'T PROMISE THE ONE OUTSIDE * 1301 00:47:37,155 --> 00:47:42,093 * JUST LEAVES US THOUGH 1302 00:47:48,099 --> 00:47:49,234 FUCK YOU! 1303 00:47:51,202 --> 00:47:55,006 I TOTALLY HAVE THESE SHOES. 1304 00:47:55,040 --> 00:47:56,507 YOU DO? 1305 00:47:56,541 --> 00:47:59,144 I GOT THEM ON SALE. 1306 00:47:59,177 --> 00:48:01,246 [BOTH LAUGHING] 1307 00:48:01,279 --> 00:48:03,481 THEY'RE MY DAISY DUKES. 1308 00:48:03,514 --> 00:48:07,318 WE'RE GOING TO FUCK IN A CLOSET. 1309 00:48:07,352 --> 00:48:10,121 THE IRONY HASN'T ESCAPED ME. 1310 00:48:10,155 --> 00:48:13,291 * OPEN UP MY EYES 1311 00:48:13,324 --> 00:48:17,595 * AND FINALLY LOOKED AROUND ME * 1312 00:48:17,628 --> 00:48:20,598 * WHEN I HEARD HER SOFTLY CRY * 1313 00:48:20,631 --> 00:48:26,037 * I CAN'T PRETEND THAT I-- I'LL DO ANYTHING * 1314 00:48:26,071 --> 00:48:28,373 * JUST TO MAKE HER STAY 1315 00:48:28,406 --> 00:48:29,941 * TO MAKE HER STAY 1316 00:48:29,975 --> 00:48:31,409 POOL PARTY! 1317 00:48:31,442 --> 00:48:33,278 SHUT UP! 1318 00:48:33,311 --> 00:48:38,183 * TO MAKE HER STAY 1319 00:48:38,216 --> 00:48:39,584 I USED TO FUCK IN THIS POOL. 1320 00:48:39,617 --> 00:48:42,553 FUCK IT! 1321 00:48:42,587 --> 00:48:44,689 WHO CARES? 1322 00:48:44,722 --> 00:48:46,424 USED TO BE MY POOL. 1323 00:48:46,457 --> 00:48:47,425 WHAT? 1324 00:48:47,458 --> 00:48:48,693 IT USED TO BE MY POOL. 1325 00:48:48,726 --> 00:48:50,428 LET'S GO SWIMMING! 1326 00:48:50,461 --> 00:48:51,696 YOU GUYS, I THINK I LOST MY BUZZ. 1327 00:48:51,729 --> 00:48:55,666 I'M GOING TO GO GET ANOTHER POT BROWNIE. 1328 00:48:55,700 --> 00:48:57,035 "IT'S ON," GIRLFRIEND! 1329 00:48:57,068 --> 00:48:58,469 [SHRIEKING] 1330 00:49:00,605 --> 00:49:02,040 [CACKLING] 1331 00:49:04,275 --> 00:49:08,446 [ALL SHRIEKING AND LAUGHING] 1332 00:49:08,479 --> 00:49:10,581 WHOO-HOO! 1333 00:49:10,615 --> 00:49:13,618 WAHOO! 1334 00:49:13,651 --> 00:49:16,254 [**] 1335 00:49:19,390 --> 00:49:22,693 * TO MAKE HER STAY 1336 00:49:22,727 --> 00:49:26,697 * TO MAKE HER STAY 1337 00:49:26,731 --> 00:49:28,399 * STAY 1338 00:49:28,433 --> 00:49:29,734 * CAN'T PRETEND UNTIL YOU'RE MINE * 1339 00:49:29,767 --> 00:49:33,338 * WILL I EVER KNOW? 1340 00:49:33,371 --> 00:49:35,740 * CAN'T DENY THE ONE OUTSIDE 1341 00:49:35,773 --> 00:49:38,443 * JUST LEAVES US THOUGH 1342 00:49:38,476 --> 00:49:41,179 * CAN'T PRETEND UNTIL YOU'RE MINE * 1343 00:49:41,212 --> 00:49:44,082 * NO, NO, NO, NO 1344 00:49:44,115 --> 00:49:48,086 [LAUGHTER AND SHRIEKING FILTERING FROM OUTSIDE] 1345 00:49:48,119 --> 00:49:49,220 [DIALING] 1346 00:49:49,254 --> 00:49:50,221 [SHRIEKING] 1347 00:49:50,255 --> 00:49:51,689 [LINE RINGING] 1348 00:49:51,722 --> 00:49:56,061 I'D LIKE TO MAKE A NOISE COMPLAINT. 1349 00:49:56,094 --> 00:49:57,562 WHOO! 1350 00:49:57,595 --> 00:50:00,331 MY NEXT-DOOR NEIGHBOR. 1351 00:50:00,365 --> 00:50:02,167 OH, MY GOD. BABY. 1352 00:50:02,200 --> 00:50:03,434 WHERE'VE YOU BEEN? 1353 00:50:03,468 --> 00:50:04,569 I'VE BEEN TRYING TO CALL YOU ALL DAY. 1354 00:50:04,602 --> 00:50:06,437 WHY WOULD YOU DO THAT? 1355 00:50:06,471 --> 00:50:07,505 DO WHAT? 1356 00:50:07,538 --> 00:50:08,806 OUT THAT GUY LIKE THAT. 1357 00:50:08,839 --> 00:50:10,708 YOU TURNED HIS WHOLE FUCKING LIFE UPSIDE-DOWN. 1358 00:50:10,741 --> 00:50:12,610 I DID THAT FOR YOU! 1359 00:50:12,643 --> 00:50:14,345 WHAT ARE YOU-- WHAT ARE YOU TALKING ABOUT? 1360 00:50:14,379 --> 00:50:16,781 YOU SAID, "I HOPE THAT GUY GETS WHAT'S COMING TO HIM," 1361 00:50:16,814 --> 00:50:18,083 SO I GAVE IT TO HIM. 1362 00:50:18,116 --> 00:50:19,317 YEAH, BUT IT'S NOT YOUR JOB 1363 00:50:19,350 --> 00:50:21,752 TO PUT HIS BUSINESS OUT THERE LIKE THAT. 1364 00:50:21,786 --> 00:50:24,322 WHO ARE YOU TO JUDGE THAT MAN'S LIFE? 1365 00:50:24,355 --> 00:50:25,790 YOU DON'T KNOW WHAT HE'S GOING THROUGH, 1366 00:50:25,823 --> 00:50:28,193 OR WHAT HIS CIRCUMSTANCES ARE. 1367 00:50:28,226 --> 00:50:30,228 WHAT IS THE DIFFERENCE BETWEEN YOU OUTING HIM 1368 00:50:30,261 --> 00:50:31,396 AND THE MILITARY OUTING ME? 1369 00:50:31,429 --> 00:50:33,064 OH, MY GOD, THAT'S SO DIFFERENT! 1370 00:50:33,098 --> 00:50:34,499 NO, IT'S NOT DIFFERENT! 1371 00:50:34,532 --> 00:50:36,734 AND THEN YOU DO IT ON NATIONAL FUCKING TELEVISION! 1372 00:50:36,767 --> 00:50:39,704 I TRIED TO CALL YOU ALL DAY TO SEE IF THAT WAS ALL RIGHT. 1373 00:50:39,737 --> 00:50:41,206 HOW CAN THAT BE ALL RIGHT? 1374 00:50:41,239 --> 00:50:42,607 THAT'S-- THAT'S OUR PROBLEM. 1375 00:50:42,640 --> 00:50:44,309 YOU NEVER THINK! 1376 00:50:44,342 --> 00:50:48,113 I AM SO FUCKING SICK OF YOU TALKING TO ME LIKE THAT. 1377 00:50:48,146 --> 00:50:49,314 NO! SERIOUSLY, THOUGH. 1378 00:50:49,347 --> 00:50:51,449 LIKE, WHEN IS THIS GOING TO STOP? 1379 00:50:51,482 --> 00:50:52,750 AND NOW YOU'RE-- 1380 00:50:52,783 --> 00:50:54,452 YOU'RE DOING TV INTERVIEWS, 1381 00:50:54,485 --> 00:50:55,620 AND YOU'VE GOT NEWSPAPERS CALLING, 1382 00:50:55,653 --> 00:50:56,621 AND YOU'RE LIKE THE BIG DEAL 1383 00:50:56,654 --> 00:50:58,123 ALL OF A SUDDEN. WHAT? 1384 00:50:58,156 --> 00:50:59,624 DID YOU EVER THINK THAT MIGHT NOT BE 1385 00:50:59,657 --> 00:51:01,092 THE MOST DISCREET THING TO DO 1386 00:51:01,126 --> 00:51:02,227 WHILE I'M PREPPING FOR MY HEARING? 1387 00:51:02,260 --> 00:51:04,462 YOU KNOW THAT THEY'RE WATCHING ME! 1388 00:51:04,495 --> 00:51:06,097 YOU'RE SUCH A FUCKING HYPOCRITE! 1389 00:51:06,131 --> 00:51:07,432 YOU SAY YOU DON'T WANT 1390 00:51:07,465 --> 00:51:09,234 WHAT YOU'RE GOING THROUGH TO CHANGE MY LIFE, 1391 00:51:09,267 --> 00:51:10,801 BUT THEN THE SECOND I DO SOMETHING THAT I WANT TO DO, 1392 00:51:10,835 --> 00:51:12,437 YOU GET MAD AT ME-- 1393 00:51:12,470 --> 00:51:14,472 YOU'RE NOT GETTING MY POINT. 1394 00:51:14,505 --> 00:51:16,374 YOU KNOW, WE JUST SEE THINGS DIFFERENTLY. 1395 00:51:16,407 --> 00:51:17,808 WHY IS MY LIFE SUPPOSED TO STOP 1396 00:51:17,842 --> 00:51:19,644 BECAUSE YOU WANT TO LIVE IN A FUCKING CLOSET? 1397 00:51:19,677 --> 00:51:21,579 I DID NOT SIGN UP FOR THAT BULLSHIT. YOU DID. 1398 00:51:21,612 --> 00:51:23,414 I AM ALLOWED TO SAY WHAT I WANT 1399 00:51:23,448 --> 00:51:24,582 AND DO WHAT I WANT 1400 00:51:24,615 --> 00:51:27,118 AND FUCKING OUT WHO I WANT 1401 00:51:27,152 --> 00:51:28,386 AND LOVE WHO I WANT 1402 00:51:28,419 --> 00:51:30,421 BECAUSE I LIVE IN THE GODDAMN U.S. OF FUCKING A! 1403 00:51:30,455 --> 00:51:32,157 AND I'M THE ONE OUT THERE FIGHTING 1404 00:51:32,190 --> 00:51:33,558 FOR YOUR RIGHT TO BE IGNORANT. 1405 00:51:34,659 --> 00:51:36,361 I CAN'T EVEN BE AROUND YOU RIGHT NOW. 1406 00:51:36,394 --> 00:51:39,197 OH, I CAN'T BE AROUND YOU! 1407 00:51:40,531 --> 00:51:42,267 FUCK YOU! 1408 00:51:49,674 --> 00:51:51,642 [SOFT MOANING] 1409 00:51:51,676 --> 00:51:54,379 [**] 1410 00:52:13,531 --> 00:52:16,133 [PHONE BEEPS] 1411 00:52:20,705 --> 00:52:22,740 HONEY. 1412 00:52:22,773 --> 00:52:24,875 UM... 1413 00:52:24,909 --> 00:52:27,745 I DON'T THINK YOU SHOULD DRIVE. 1414 00:52:27,778 --> 00:52:29,514 NO, NO, NO, I'M JUST GONNA CALL A CAB... 1415 00:52:29,547 --> 00:52:31,182 OH. 1416 00:52:31,216 --> 00:52:33,518 [GIGGLING] 1417 00:52:33,551 --> 00:52:36,321 I DON'T THINK YOU SHOULD DRIVE. 1418 00:52:36,354 --> 00:52:37,788 NO, I DON'T MIND DRIVING. 1419 00:52:37,822 --> 00:52:38,856 I'M NOT DRUNK. 1420 00:52:38,889 --> 00:52:40,225 NO, NO, NO. 1421 00:52:40,258 --> 00:52:41,359 YOU CAN SLEEP ON THE SOFA. 1422 00:52:41,392 --> 00:52:42,360 I'M CALLING A CAB. NO, NO. 1423 00:52:42,393 --> 00:52:43,494 YES. NO, I'M CALLING A CAB. 1424 00:52:43,528 --> 00:52:45,396 COME. COME ON. LET'S GO, LET'S GO. 1425 00:52:45,430 --> 00:52:46,631 NO, YOU'RE CRAZY. 1426 00:52:46,664 --> 00:52:49,367 I'M GONNA CALL A CAB. 1427 00:52:59,277 --> 00:53:00,778 [GIGGLES AND SNORTS] 1428 00:53:00,811 --> 00:53:03,681 [LAUGHING QUIETLY] 1429 00:53:03,714 --> 00:53:04,849 OOH. 1430 00:53:04,882 --> 00:53:05,850 WHAT? 1431 00:53:05,883 --> 00:53:08,219 NO, I'M NOT GONNA-- I'M NOT GONNA STAY HERE. 1432 00:53:08,253 --> 00:53:09,053 I'M GONNA GO. 1433 00:53:09,086 --> 00:53:10,821 YOU'VE GOT TO DRINK SOME WATER FIRST. 1434 00:53:10,855 --> 00:53:12,223 HUH? 1435 00:53:12,257 --> 00:53:13,624 DRINK WATER. DRINK WATER. 1436 00:53:13,658 --> 00:53:14,625 SIT DOWN. SIT DOWN. 1437 00:53:14,659 --> 00:53:16,361 I CAN'T STAY HERE. 1438 00:53:16,394 --> 00:53:18,229 [CHUCKLING] 1439 00:53:18,263 --> 00:53:21,499 DID YOU KNOW I USED TO LIVE HERE? 1440 00:53:21,532 --> 00:53:23,301 OKAY. 1441 00:53:28,673 --> 00:53:30,241 JESUS, THAT PARTY 1442 00:53:30,275 --> 00:53:32,310 WAS LIKE THE NINTH CIRCLE OF FUCKING HELL. 1443 00:53:32,343 --> 00:53:33,911 [FAUCET RUNNING] 1444 00:53:33,944 --> 00:53:36,347 [SIGHING] 1445 00:53:36,381 --> 00:53:38,283 SO DID THAT WOMAN EVER LET YOU GO? 1446 00:53:38,316 --> 00:53:40,951 I HAD A GREAT TIME. 1447 00:53:40,985 --> 00:53:44,489 UM, TINA GOT REALLY DRUNK. 1448 00:53:48,426 --> 00:53:51,228 [**] 1449 00:54:06,344 --> 00:54:10,715 * AND THE LEAVES ON THE GROUND * 1450 00:54:12,650 --> 00:54:17,622 * THEY'RE MUCH HEAVIER THAN SOUND * 1451 00:54:17,655 --> 00:54:19,657 [EXHALING DEEPLY] 1452 00:54:22,727 --> 00:54:24,629 I COULDN'T LET HER DRIVE. 1453 00:54:24,662 --> 00:54:26,030 * AND THEY STRETCH OUT TO THE SEA * 1454 00:54:26,063 --> 00:54:29,266 I'M GOING TO GET HER A PILLOW. 1455 00:54:30,668 --> 00:54:35,406 * AS FAR AS YOU FROM ME 1456 00:54:38,676 --> 00:54:44,048 * AND THE RED ROSE FOR STARLETS * 1457 00:54:47,718 --> 00:54:51,055 * AND THE WHITE ROSE FOR WISDOM * 1458 00:54:55,460 --> 00:54:59,630 * AND GOD ONLY ASKED FOR FRIENDS * 1459 00:55:03,868 --> 00:55:10,341 * AND GOD ONLY ASKED FOR SYMPATHY * 1460 00:55:12,543 --> 00:55:16,681 * BUT HE'S JUST AS BORED AS ANYONE * 1461 00:55:20,951 --> 00:55:25,089 * AS FRANTIC FOR SECURITY 1462 00:55:29,560 --> 00:55:33,698 * AND THE RED ROSE FOR STARLETS * 1463 00:55:37,935 --> 00:55:42,072 * AND THE WHITE ROSE FOR WISDOM * 1464 00:55:46,110 --> 00:55:48,679 * GIVE ME NAKED FLESH 1465 00:55:48,713 --> 00:55:50,080 YEAH!