1 00:00:11,813 --> 00:00:12,779 PREVIOUSLY ON THE L WORD... 2 00:00:12,814 --> 00:00:14,114 WELL, AT LEAST 3 00:00:14,147 --> 00:00:15,383 THE TWO OF THEM ARE GETTING ALONG. 4 00:00:15,416 --> 00:00:16,718 HOW'D THAT HAPPEN? 5 00:00:16,751 --> 00:00:18,653 [TINA]: WE HAVE ADELE TO THANK FOR THAT. 6 00:00:18,686 --> 00:00:20,255 MAX THINKS THAT THERE'S SOMETHING 7 00:00:20,287 --> 00:00:21,355 REALLY SUSPICIOUS ABOUT YOU. 8 00:00:21,389 --> 00:00:22,757 I'M LETTING IT BE KNOWN, 9 00:00:22,789 --> 00:00:24,759 MR. BREWER, THAT YOU'RE A HOMO. 10 00:00:24,791 --> 00:00:26,226 WHAT'S THE DIFFERENCE BETWEEN YOU OUTING HIM 11 00:00:26,261 --> 00:00:27,662 AND THE MILITARY OUTING ME? 12 00:00:27,695 --> 00:00:29,363 TOO PERSONAL. OH, PLEASE. 13 00:00:29,397 --> 00:00:30,364 HOW DO YOU SAY "FUCK"? 14 00:00:30,398 --> 00:00:31,399 AND WHO SAYS THAT TO WHO? 15 00:00:31,431 --> 00:00:33,101 WELL, LAST NIGHT SHE SAID IT TO ME. 16 00:00:33,134 --> 00:00:34,535 HOW COULD YOU LET A STUDENT 17 00:00:34,568 --> 00:00:36,371 STAND IN FRONT OF YOUR CLASS 18 00:00:36,403 --> 00:00:37,772 WITH A GUN POINTED TO HIS HEAD? 19 00:00:37,805 --> 00:00:39,274 YOU WANT TO TAKE ALL OF OUR LIFE TOGETHER 20 00:00:39,307 --> 00:00:41,475 AND JUST THROW IT IN THE TOILET. 21 00:00:41,508 --> 00:00:42,777 I DON'T WANT TO SETTLE DOWN. 22 00:00:42,810 --> 00:00:44,145 ARE YOU ALREADY SEEING SOMEBODY? 23 00:00:44,178 --> 00:00:45,747 I TOLD CAMILLA THAT I HAD TO TALK TO YOU 24 00:00:45,780 --> 00:00:47,115 BEFORE WE DID ANYTHING. 25 00:00:47,148 --> 00:00:48,649 WHERE'S DAWN? 26 00:00:48,683 --> 00:00:50,151 I HOPE YOU DON'T MIND, 27 00:00:50,184 --> 00:00:52,253 BUT I JUST WANTED YOU ALL TO MYSELF. 28 00:00:52,287 --> 00:00:53,388 IT'S ON, GIRLFRIEND. 29 00:00:53,420 --> 00:00:54,655 AND YOUR STUPID-ASS PLANET? 30 00:00:54,689 --> 00:00:56,124 IT'S DONE. 31 00:00:56,157 --> 00:00:57,524 IT'S FUCKING ON. 32 00:00:57,558 --> 00:01:00,060 WE-- WE JUST GOT CAUGHT UP IN A MOMENT. 33 00:01:00,060 --> 00:01:01,828 IT'S JUST NOT GOING TO HAPPEN AGAIN. 34 00:01:01,862 --> 00:01:03,398 IT MUST BE DIFFICULT FOR YOU 35 00:01:03,431 --> 00:01:05,599 TO HAVE YOUR LIFE AND RELATIONSHIPS EXAMINED. 36 00:01:05,633 --> 00:01:08,603 WHAT THE FUCK CAN SHE POSSIBLY KNOW ABOUT MY LIFE? 37 00:01:08,636 --> 00:01:10,438 WHAT CAN SHE KNOW? 38 00:01:11,505 --> 00:01:15,877 [**] 39 00:01:15,909 --> 00:01:19,680 PEE, PEE, PEE... PEE... PEE. 40 00:01:19,714 --> 00:01:21,816 YOU'RE NOT GOING TO SHOOT THE PEE STREAM, ARE YOU? 41 00:01:21,848 --> 00:01:23,184 [JENNY]: I MIGHT, 42 00:01:23,216 --> 00:01:25,619 SO JUST KEEP ON GOING. 43 00:01:38,465 --> 00:01:40,500 [GASPS]: I'M OVULATING. 44 00:01:40,534 --> 00:01:42,804 OH, MY GOD, I'M OVULATING! 45 00:01:42,837 --> 00:01:44,305 HONEY! 46 00:01:44,339 --> 00:01:45,706 BEV, COME HERE! 47 00:01:45,740 --> 00:01:46,841 WHERE DO I ENTER FROM? 48 00:01:46,874 --> 00:01:49,377 UM, WHERE YOUR MARK IS. 49 00:01:49,409 --> 00:01:53,614 HOW EXCITING, YOU'RE OVULATING. 50 00:01:53,647 --> 00:01:56,184 OKAY, SO THEN I LOOK AT THE STICK, 51 00:01:56,217 --> 00:01:57,185 AND I KISS HER... 52 00:01:57,218 --> 00:01:58,585 YEAH. 53 00:01:58,619 --> 00:02:00,120 OKAY, I'M FINE WITH ALL THAT, UM, 54 00:02:00,120 --> 00:02:01,823 BUT THEN IT SAYS 55 00:02:01,856 --> 00:02:03,558 THAT I "F" HER AGAINST THE SINK. 56 00:02:03,591 --> 00:02:06,628 I JUST... I'M NOT REALLY SURE WHAT THAT MEANS. 57 00:02:06,660 --> 00:02:09,229 REALLY? 58 00:02:09,262 --> 00:02:12,367 OKAY, WELL, THAT'S WHY WE'RE REHEARSING, 59 00:02:12,399 --> 00:02:13,800 TO WORK OUT ALL THIS STUFF. 60 00:02:13,835 --> 00:02:14,936 CAN YOU HOLD MY CUP? 61 00:02:14,968 --> 00:02:15,802 SURE. 62 00:02:15,837 --> 00:02:18,239 OKAY, SO THIS IS WHAT I WANT YOU TO DO. 63 00:02:18,271 --> 00:02:19,641 CAN I JUST BE YOU? 64 00:02:19,673 --> 00:02:23,543 OKAY, SO YOU ARE GOING TO LOOK AT HER, 65 00:02:23,578 --> 00:02:24,779 AND YOU'RE GOING TO TAKE HER, 66 00:02:24,812 --> 00:02:25,780 AND YOU'RE GOING TO THROW HER 67 00:02:25,813 --> 00:02:27,849 UP AGAINST THE SINK-- BAM! 68 00:02:27,882 --> 00:02:30,617 AND YOU'RE GOING TO LOOK-- 69 00:02:30,652 --> 00:02:32,586 LOOK AT HER WITH PASSION, 70 00:02:32,619 --> 00:02:33,687 AND THEN YOU'RE-- 71 00:02:33,721 --> 00:02:35,390 DON'T WORRY, I WON'T KISS YOU-- 72 00:02:35,423 --> 00:02:36,391 YOU'RE GOING TO TAKE HER, 73 00:02:36,424 --> 00:02:40,361 AND YOU'RE GOING TO KISS HER WITH TONGUE... 74 00:02:40,395 --> 00:02:42,730 AND THEN I WANT YOU TO REACH DOWN, 75 00:02:42,763 --> 00:02:45,733 AND THEN I WANT YOU TO FINGER-FUCK HER 76 00:02:45,766 --> 00:02:48,669 AND GIVE HER THE BEST FUCKING ORGASM EVER. 77 00:02:48,702 --> 00:02:49,837 [CLICKS TONGUE]: GO FOR IT. 78 00:02:49,871 --> 00:02:52,673 OH, YOU MEAN WITH MY HAND? 79 00:02:54,375 --> 00:02:55,676 YEAH. 80 00:02:55,709 --> 00:02:57,644 UNLESS YOU HAVE SOME OTHER APPARATI 81 00:02:57,678 --> 00:02:59,646 THAT I DON'T KNOW ABOUT. 82 00:02:59,680 --> 00:03:01,649 [CLEARING THROAT] 83 00:03:01,682 --> 00:03:04,252 HOW EXCITING, YOU'RE OVULATING. 84 00:03:04,284 --> 00:03:05,852 I'M OVULATING. 85 00:03:05,886 --> 00:03:09,690 LET'S MAKE A BABY. 86 00:03:09,724 --> 00:03:11,291 [JENNY]: PASSION! 87 00:03:11,324 --> 00:03:12,427 THAT'S OKAY. 88 00:03:12,459 --> 00:03:13,795 OKAY. 89 00:03:13,828 --> 00:03:14,961 WOW, IT LOOKS LIKE 90 00:03:14,996 --> 00:03:17,964 YOU GUYS ARE SORT OF DOING, LIKE, A DANCE. 91 00:03:17,998 --> 00:03:19,267 YOU WON'T BE ABLE TO SEE MY HAND. 92 00:03:19,300 --> 00:03:20,534 I'D LIKE TO. 93 00:03:20,568 --> 00:03:22,236 IT MIGHT BE NICE IF YOU LOOK LIKE 94 00:03:22,270 --> 00:03:23,771 YOU'RE ACTUALLY GIVING HER PLEASURE 95 00:03:23,804 --> 00:03:26,473 RATHER THAN MOVING FURNITURE. 96 00:03:26,507 --> 00:03:27,842 OKAY. 97 00:03:27,875 --> 00:03:29,944 YOU KNOW... 98 00:03:29,976 --> 00:03:30,945 THAT LOOKS... 99 00:03:30,977 --> 00:03:32,280 IT LOOKS LIKE 100 00:03:32,313 --> 00:03:35,582 YOU'RE SEWING UP A HOLE IN HER JEANS. 101 00:03:35,615 --> 00:03:38,652 YEAH... I DON'T REALLY KNOW WHAT I'M SUPPOSED TO BE DOING. 102 00:03:38,685 --> 00:03:40,855 NEITHER DO I. 103 00:03:40,888 --> 00:03:41,989 STEP AWAY! 104 00:03:42,023 --> 00:03:43,291 MOVE AWAY FROM HER. 105 00:03:43,324 --> 00:03:45,359 JUST STEP AWAY FROM EACH OTHER. 106 00:03:45,393 --> 00:03:47,895 ADELE, CAN YOU, UH, SCHEDULE TIME 107 00:03:47,929 --> 00:03:49,830 FOR ME AND THE OTHER ACTRESSES 108 00:03:49,864 --> 00:03:52,400 THAT HAVE SEX SCENES? 109 00:03:52,433 --> 00:03:55,503 YOU GUYS REALLY DON'T KNOW HOW TO FUCK WOMEN, DO YOU? 110 00:03:55,535 --> 00:03:56,670 [CHUCKLES NERVOUSLY] 111 00:03:56,703 --> 00:03:59,474 YOU GUYS ARE GOING TO LEARN HOW TO FUCK. 112 00:03:59,507 --> 00:04:02,710 I'M GETTING A LESBIAN SEX COACH TO TEACH YOU. 113 00:04:02,743 --> 00:04:03,845 OH, PLEASE. 114 00:04:03,877 --> 00:04:06,681 THAT WOULD BE GREAT. 115 00:04:06,713 --> 00:04:10,450 [**] 116 00:04:10,485 --> 00:04:16,523 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 117 00:04:16,557 --> 00:04:23,864 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 118 00:04:23,898 --> 00:04:29,469 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 119 00:04:29,504 --> 00:04:36,511 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 120 00:04:43,951 --> 00:04:45,386 * TALKING, LAUGHING LOVING, BREATHING * 121 00:04:45,419 --> 00:04:46,787 * FIGHTING, FUCKING CRYING, DRINKING * 122 00:04:46,820 --> 00:04:48,623 * WRITING, WINNING LOSING, CHEATING * 123 00:04:48,655 --> 00:04:49,756 * KISSING, THINKING, DREAMING 124 00:04:49,790 --> 00:04:52,360 * THIS IS THE WAY... 125 00:04:52,393 --> 00:04:55,029 * IT'S THE WAY THAT WE LIVE * 126 00:04:55,062 --> 00:05:00,300 * IT'S THE WAY THAT WE LIVE 127 00:05:00,300 --> 00:05:04,372 * AND LOVE 128 00:05:08,943 --> 00:05:11,745 SHANE, SHANE, SHANE. 129 00:05:11,779 --> 00:05:12,780 WHAT CAN WE DO FOR YOU? 130 00:05:12,813 --> 00:05:14,949 I'D LOVE TO TALK TO YOU TWO. 131 00:05:14,981 --> 00:05:16,917 IF YOU DON'T MIND. 132 00:05:16,951 --> 00:05:18,919 MY GIRLFRIEND AND I ARE LISTENING. 133 00:05:18,953 --> 00:05:21,823 GOOD. WELL, THEN DO YOU WANT TO GRAB A TABLE? 134 00:05:21,855 --> 00:05:23,456 [SCOFFS]: NO. 135 00:05:23,491 --> 00:05:24,925 OKAY. 136 00:05:24,959 --> 00:05:26,694 UM... 137 00:05:28,161 --> 00:05:30,698 I CAME HERE TO APOLOGIZE. 138 00:05:30,730 --> 00:05:32,066 I DIDN'T MEAN ANY DISRESPECT, 139 00:05:32,098 --> 00:05:34,935 NOT TOWARDS YOU OR TO YOUR RELATIONSHIP. 140 00:05:34,969 --> 00:05:36,904 I APOLOGIZE. 141 00:05:36,937 --> 00:05:39,407 AND I'M SORRY FOR THE WAY I TREATED YOU 142 00:05:39,440 --> 00:05:40,441 WHEN YOU CAME INTO MY HOUSE. 143 00:05:40,474 --> 00:05:42,076 I WAS JUST A LITTLE... 144 00:05:42,109 --> 00:05:44,111 I WASN'T ME THAT NIGHT. 145 00:05:44,145 --> 00:05:45,645 SO I'D LIKE TO MAKE PEACE. 146 00:05:45,680 --> 00:05:46,914 AND IF THERE'S ANYTHING I CAN DO 147 00:05:46,947 --> 00:05:50,084 TO EVEN THE PLAYING FIELD, I... 148 00:05:51,651 --> 00:05:53,554 HUH. 149 00:05:53,588 --> 00:05:54,689 WELL... 150 00:05:54,721 --> 00:05:56,756 THERE'S JUST ONE THING I CAN THINK OF. 151 00:05:56,790 --> 00:05:59,093 OKAY. 152 00:05:59,126 --> 00:06:00,360 JENNY SCHECTER. 153 00:06:00,360 --> 00:06:01,729 SHE'S YOUR ROOMMATE, RIGHT? 154 00:06:01,761 --> 00:06:03,564 MY BEST FRIEND AND MY ROOMMATE. WHY? 155 00:06:03,598 --> 00:06:04,599 WELL... 156 00:06:06,601 --> 00:06:07,701 COME CLOSER. 157 00:06:07,735 --> 00:06:09,670 I WON'T BITE. 158 00:06:09,703 --> 00:06:11,504 GET HER TO USE SHEBAR 159 00:06:11,538 --> 00:06:12,706 AS A LOCATION 160 00:06:12,740 --> 00:06:14,909 IN HER BIG HOLLYWOOD LESBO MOVIE. 161 00:06:14,942 --> 00:06:16,110 I DON'T KNOW, DAWN, THAT'S... 162 00:06:16,142 --> 00:06:17,445 WELL, WHAT? 163 00:06:17,478 --> 00:06:18,912 YOU'RE TOO SMALL-TIME, SHANE? 164 00:06:18,946 --> 00:06:20,780 JUST A LIL' OL' HAIRDRESSER? 165 00:06:20,815 --> 00:06:23,783 I NEVER SAID I WAS BIG-TIME TO BEGIN WITH, DID I? 166 00:06:23,818 --> 00:06:25,652 NO. 167 00:06:26,987 --> 00:06:29,457 ALL RIGHT. I'LL ASK HER. 168 00:06:29,490 --> 00:06:30,991 I CAN'T PROMISE YOU, BUT I'LL ASK HER. 169 00:06:31,025 --> 00:06:32,627 YOU KNOW, YOU MAKE THAT HAPPEN, 170 00:06:32,660 --> 00:06:34,794 WE MIGHT BE TALKING DETENTE. 171 00:06:34,828 --> 00:06:36,897 [DANCE MUSIC THROBBING] 172 00:06:36,930 --> 00:06:38,666 OKAY. 173 00:06:39,900 --> 00:06:40,867 ALL RIGHT. 174 00:06:40,901 --> 00:06:42,670 SEE YOU. 175 00:06:42,702 --> 00:06:44,004 OH! OH... 176 00:06:44,038 --> 00:06:45,973 THERE'S JUST, UH, ONE MORE THING. 177 00:06:46,006 --> 00:06:47,475 [WRY CHUCKLE] 178 00:06:47,508 --> 00:06:49,744 I KNEW THERE WOULD BE WITH YOU. 179 00:06:49,776 --> 00:06:52,480 IT HAS TO BE CALLED SHEBAR IN THE MOVIE. 180 00:06:52,513 --> 00:06:54,649 NOT THE "PLUTO CAFE," 181 00:06:54,682 --> 00:06:56,217 OR WHATEVER THE STUPID THING WAS CALLED 182 00:06:56,250 --> 00:06:57,918 THAT'S SUPPOSED TO BE THE PLANET. 183 00:06:57,951 --> 00:06:59,086 WHAT? 184 00:06:59,120 --> 00:07:00,420 SHEBAR IS SUCH A BETTER LOCATION. 185 00:07:00,420 --> 00:07:04,758 I CAN'T BELIEVE THEY WERE GOING TO PAY $50,000 A DAY 186 00:07:04,792 --> 00:07:07,828 FOR THAT WANNA-BE "PEACH PIT" OF A SHITHOLE. 187 00:07:07,862 --> 00:07:10,731 YOU'RE TOO MUCH. 188 00:07:10,764 --> 00:07:11,999 I CAN'T DO IT. 189 00:07:12,033 --> 00:07:13,134 WHAT? 190 00:07:13,167 --> 00:07:14,768 WHAT CAN'T YOU DO, SHANE? 191 00:07:14,802 --> 00:07:16,938 OTHER THAN MAKE MY GIRLFRIEND COME? 192 00:07:16,970 --> 00:07:19,205 LISTEN, I DIDN'T REALIZE THAT'S WHAT YOU WANTED. I CAN'T DO IT. 193 00:07:19,239 --> 00:07:20,741 OF COURSE THAT'S WHAT WE WANT. 194 00:07:20,774 --> 00:07:21,742 [LAUGHS] 195 00:07:21,775 --> 00:07:23,243 KIT'S MY FRIEND, MAN. 196 00:07:23,276 --> 00:07:25,146 YOU HAVE PROBLEMS WITH ME, YOU STAY WITH ME, 197 00:07:25,179 --> 00:07:26,147 YOU DON'T FUCK OVER MY FRIEND, 198 00:07:26,180 --> 00:07:28,616 AND I'M SURE NOT GOING TO FUCK 'EM OVER FOR YOU. 199 00:07:28,648 --> 00:07:29,916 SO POINTLESS. 200 00:07:29,951 --> 00:07:31,953 NOW I'M JUST GOING TO HAVE TO PUT YOUR FRIEND OUT OF BUSINESS 201 00:07:31,985 --> 00:07:33,587 THE OLD-FASHIONED WAY. 202 00:07:33,621 --> 00:07:35,256 IS THAT... IS THAT A THREAT? 203 00:07:35,289 --> 00:07:36,257 ARE YOU STILL TALKING? 204 00:07:36,290 --> 00:07:37,491 ARE YOU STILL HERE? 205 00:07:37,525 --> 00:07:38,492 OH, THAT'S ANOTHER THREAT. 206 00:07:38,526 --> 00:07:40,261 DONE. [BLOWS KISS] 207 00:07:40,294 --> 00:07:41,995 IT'S SO ON! YOU'RE FUCKED. 208 00:07:42,029 --> 00:07:42,996 [SHANE CHUCKLES] 209 00:07:43,030 --> 00:07:43,997 SHANE, SHANE... 210 00:07:44,031 --> 00:07:45,199 WHAT? 211 00:07:45,232 --> 00:07:46,833 CALL ME. 212 00:07:51,739 --> 00:07:54,742 [KNOCKING AT DOOR] 213 00:07:58,245 --> 00:08:00,480 [ZIPPING LUGGAGE UP] 214 00:08:14,594 --> 00:08:17,531 THERE'S ALL YOUR STUFF. 215 00:08:17,565 --> 00:08:20,967 [SETS SUITCASE DOWN] 216 00:08:21,002 --> 00:08:23,871 I'LL GET THE SUITCASE BACK TO YOU. 217 00:08:27,008 --> 00:08:30,544 DID YOU WANT TO COME IN AND SEE IF I FORGOT ANYTHING? 218 00:08:32,713 --> 00:08:34,215 I TRUST YOU. 219 00:08:34,248 --> 00:08:35,850 THAT'S BULLSHIT. 220 00:08:35,882 --> 00:08:38,018 YOU DON'T TRUST ME. 221 00:08:40,755 --> 00:08:43,023 I TRUST YOU. 222 00:08:43,056 --> 00:08:46,861 WE'RE JUST NOT GOOD FOR EACH OTHER. 223 00:08:46,893 --> 00:08:50,598 I'M REALLY SORRY 224 00:08:50,631 --> 00:08:53,200 THAT I FUCKED YOUR LIFE UP. 225 00:08:53,234 --> 00:08:57,271 I WAS GAY LONG BEFORE I EVER MET YOU. 226 00:09:04,644 --> 00:09:06,914 ANYWAY, UM, BROWN-- 227 00:09:06,947 --> 00:09:08,349 HE HAD IT IN FOR ME, SO... 228 00:09:08,381 --> 00:09:12,719 I'M SURE HE WOULD HAVE FOUND SOMETHING. 229 00:09:12,752 --> 00:09:15,989 [CAR HORN HONKING ON STREET] 230 00:09:17,792 --> 00:09:18,626 SO, I HEARD YOU GOT OFFERED 231 00:09:18,659 --> 00:09:22,695 SOME BIG, WHAT, TALK SHOW OR SOMETHING? 232 00:09:22,730 --> 00:09:25,165 WHAT IS IT? THE LOOK? 233 00:09:25,199 --> 00:09:27,001 NAH, THEY'RE JUST INTERESTED. 234 00:09:27,033 --> 00:09:28,368 I STILL HAVE TO AUDITION. 235 00:09:28,401 --> 00:09:29,769 THEY'RE LOOKING FOR A REPLACEMENT 236 00:09:29,804 --> 00:09:30,871 FOR KELLY CORRIGAN. 237 00:09:30,904 --> 00:09:32,038 WOW, THAT'S GREAT. 238 00:09:32,073 --> 00:09:33,641 I DON'T KNOW IF I'M GOING TO DO IT, THOUGH, 239 00:09:33,674 --> 00:09:35,676 IF I WANT TO BE, YOU KNOW, THE REPLACEMENT DYKE. 240 00:09:35,709 --> 00:09:36,811 OH, COME ON... 241 00:09:36,844 --> 00:09:38,245 NO, YOU KNOW, 242 00:09:38,279 --> 00:09:39,780 BECAUSE THEY WANT ME TO BE OUT 243 00:09:39,814 --> 00:09:42,115 AND FLAMBOYANT AND AUDACIOUS, 244 00:09:42,149 --> 00:09:44,652 AND, YOU KNOW, IT'S ON NATIONAL TELEVISION. 245 00:09:44,685 --> 00:09:46,620 I DON'T KNOW IF I WANT TO BE GAY 246 00:09:46,654 --> 00:09:47,822 FOR THE WHOLE WORLD. 247 00:09:47,855 --> 00:09:49,390 THIS IS WHY WE'RE NOT GOOD FOR EACH OTHER. 248 00:09:49,423 --> 00:09:52,025 WHY WOULD YOU THINK TWICE ABOUT SOMETHING LIKE THIS? 249 00:09:52,058 --> 00:09:54,295 IT'S LIKE A DREAM COME TRUE FOR YOU. 250 00:09:54,328 --> 00:09:57,597 YOU DON'T KNOW WHAT I DREAM OF. 251 00:09:59,834 --> 00:10:00,600 YOU'RE RIGHT. 252 00:10:00,600 --> 00:10:03,070 I'M GOING TO GO. 253 00:10:12,346 --> 00:10:14,081 * I AM NOT IN LOVE 254 00:10:18,017 --> 00:10:21,221 * BUT I'M OPEN TO PERSUASION 255 00:10:21,255 --> 00:10:24,992 * EAST OR WEST... 256 00:10:25,024 --> 00:10:27,026 [RAPS ON FRIDGE] 257 00:10:27,061 --> 00:10:28,828 CAN I COME IN? 258 00:10:28,863 --> 00:10:30,830 HEY. 259 00:10:30,865 --> 00:10:32,031 KIT AND ANGIE, 260 00:10:32,066 --> 00:10:33,801 THEY'RE NOT GOING TO BE BACK FROM ANAHEIM 261 00:10:33,834 --> 00:10:34,835 FOR A COUPLE OF HOURS. 262 00:10:34,869 --> 00:10:36,270 I CAME EARLY. 263 00:10:36,303 --> 00:10:38,372 I HOPE YOU DON'T MIND. 264 00:10:38,405 --> 00:10:41,809 YEAH, IT'S FINE. 265 00:10:41,842 --> 00:10:44,845 [FOOD SIZZLING ON STOVE] 266 00:10:46,981 --> 00:10:49,717 ARE YOU HAVING A DINNER PARTY OR SOMETHING? 267 00:10:49,750 --> 00:10:52,887 [LAUGHS]: NO, IT'S JUST FOR ANGIE. 268 00:10:52,920 --> 00:10:55,188 I WANTED TO FEED HER BEFORE YOU GOT HERE. 269 00:10:55,222 --> 00:10:56,724 I TOLD KIT NOT TO LET HER 270 00:10:56,757 --> 00:10:58,091 EAT A LOT OF CRAP AT DISNEYLAND. 271 00:10:58,124 --> 00:10:59,393 YEAH, RIGHT. 272 00:11:02,295 --> 00:11:03,864 THAT LOOKS FANCY. 273 00:11:03,898 --> 00:11:05,832 WHAT ARE YOU MAKING? 274 00:11:05,866 --> 00:11:07,200 AH, IT'S JUST 275 00:11:07,234 --> 00:11:10,436 STIR-FRIED CHICKEN AND VEGETABLES... 276 00:11:10,471 --> 00:11:12,139 NOODLES. 277 00:11:12,172 --> 00:11:15,008 IT SMELLS AMAZING. 278 00:11:19,078 --> 00:11:21,182 [CHUCKLES] 279 00:11:21,214 --> 00:11:24,017 DID JODI TEACH YOU HOW TO COOK? 280 00:11:24,051 --> 00:11:25,218 I HEAR SHE'S A GREAT COOK. 281 00:11:25,252 --> 00:11:27,153 UH, ACTUALLY, NO. 282 00:11:27,188 --> 00:11:29,022 I TAUGHT MYSELF. 283 00:11:29,056 --> 00:11:30,991 I SOMETIMES COOK FOR ME AND ANGIE 284 00:11:31,024 --> 00:11:32,426 WHEN WE'RE ALONE. 285 00:11:32,458 --> 00:11:33,894 IT MAKES ME FEEL LIKE 286 00:11:33,928 --> 00:11:35,295 WE'RE, YOU KNOW, LIKE A FAMILY. 287 00:11:35,329 --> 00:11:36,463 I ENJOY IT. 288 00:11:41,468 --> 00:11:44,471 I'LL HAVE TO COOK FOR YOU SOMETIME. 289 00:11:53,948 --> 00:11:56,350 BETTE... 290 00:11:58,919 --> 00:12:00,720 TURN AROUND. 291 00:12:09,263 --> 00:12:10,297 LOOK, I KNOW 292 00:12:10,331 --> 00:12:11,465 THAT YOU DON'T WANT TO HURT JODI... 293 00:12:13,367 --> 00:12:16,837 NO, I DON'T. 294 00:12:21,140 --> 00:12:24,478 * THANK YOU 295 00:12:27,114 --> 00:12:31,017 * YOU TOOK ME DANCING 296 00:12:31,051 --> 00:12:33,487 * ACROSS THE FLOOR 297 00:12:33,520 --> 00:12:36,423 * CHEEK TO CHEEK 298 00:12:36,457 --> 00:12:37,825 * BUT WITH A LOVER 299 00:12:37,858 --> 00:12:39,994 * I COULD REALLY MOVE REALLY MOVE * 300 00:12:40,027 --> 00:12:41,528 * I COULD REALLY DANCE REALLY DANCE * 301 00:12:41,562 --> 00:12:45,499 * REALLY DANCE, REALLY DANCE REALLY DANCE * 302 00:12:45,532 --> 00:12:48,234 * I COULD REALLY MOVE REALLY MOVE * 303 00:12:48,268 --> 00:12:51,005 * REALLY MOVE REALLY MOVE * 304 00:12:51,038 --> 00:12:54,374 * NOW IF I CAN FEEL THE SUN 305 00:12:54,408 --> 00:12:56,510 * IN MY EYES 306 00:12:56,543 --> 00:12:58,045 * AND THE RAIN ON MY FACE 307 00:12:58,077 --> 00:12:59,379 WHAT ARE WE DOING? 308 00:12:59,413 --> 00:13:00,380 SHH. 309 00:13:00,414 --> 00:13:06,854 * WHY CAN I FEEL... 310 00:13:06,886 --> 00:13:10,858 * LOVE 311 00:13:10,890 --> 00:13:13,059 * REALLY LOVE 312 00:13:13,093 --> 00:13:14,127 OH, WAIT. 313 00:13:14,161 --> 00:13:16,397 DON'T. 314 00:13:16,430 --> 00:13:21,267 * LOVE, LOVE, LOVE, LOVE LOVE, LOVE, LOVE, LOVE * 315 00:13:21,302 --> 00:13:27,541 * NOW I GOT ALL THE FRIENDS THAT I WANT * 316 00:13:27,573 --> 00:13:31,545 * OH, OH OOH, OOH * 317 00:13:31,577 --> 00:13:34,048 SPREAD YOUR LEGS. 318 00:13:34,081 --> 00:13:39,553 ARE YOU TALKING DIRTY TO ME? 319 00:13:43,356 --> 00:13:48,028 * WITH FRIENDS I STILL FEEL SO INSECURE * 320 00:13:48,062 --> 00:13:51,165 * LITTLE DARLING, I BELIEVE YOU COULD HELP ME A LOT * 321 00:13:52,900 --> 00:13:54,334 * JUST TAKE MY HAND 322 00:13:54,367 --> 00:13:56,904 * AND LEAD ME WHERE YOU WILL 323 00:13:56,937 --> 00:13:58,505 YOU'RE SO WET. 324 00:13:58,539 --> 00:14:00,840 * NO CONVERSATION NO WAVE GOODBYE * 325 00:14:00,840 --> 00:14:04,578 * JUST MAKE LOVE 326 00:14:04,610 --> 00:14:06,379 I JUST WANT TO FUCK YOU. 327 00:14:06,413 --> 00:14:08,349 * WITH AFFECTION 328 00:14:08,381 --> 00:14:10,016 * SING ME ANOTHER LOVE SONG 329 00:14:10,049 --> 00:14:13,019 THANK YOU. THANK YOU VERY MUCH. 330 00:14:13,052 --> 00:14:15,255 SO, JENNY, WE HAVE ONE MORE POSSIBILITY 331 00:14:15,288 --> 00:14:17,358 FOR BEV AND NINA'S HOUSE. 332 00:14:17,390 --> 00:14:18,525 IT'S IN KITS. 333 00:14:18,559 --> 00:14:19,526 WELL, WHERE IN THE FUCK IS SHE? 334 00:14:19,560 --> 00:14:22,596 WELL, I DON'T REALLY CARE THAT IT'S A SATURDAY. 335 00:14:22,628 --> 00:14:25,064 CAN YOU TELL HER THAT I'M WORKING ON SATURDAY 336 00:14:25,099 --> 00:14:26,632 BECAUSE OF HER? 337 00:14:26,666 --> 00:14:28,267 UH-HUH. 338 00:14:28,302 --> 00:14:31,605 YEAH, WELL, I WANT YOU TO GIVE HER A MESSAGE FOR ME. OKAY? 339 00:14:31,637 --> 00:14:34,340 I WANT YOU TO TELL HER THAT IT'S NOT GOING TO WORK. 340 00:14:34,374 --> 00:14:35,542 ALL RIGHT? 341 00:14:35,576 --> 00:14:37,044 VANCOUVER DOESN'T PASS AS L.A. 342 00:14:37,077 --> 00:14:38,579 AND I'M NOT GOING TO SHOOT HERE 343 00:14:38,612 --> 00:14:41,982 IN THIS WATERLOGGED, PROVINCIAL LITTLE CITY, 344 00:14:42,015 --> 00:14:44,051 AND IT WAS A COMPLETE WASTE OF MY TIME TO COME HERE 345 00:14:44,084 --> 00:14:45,485 WHEN I SHOULD HAVE BEEN BACK IN L.A. 346 00:14:45,519 --> 00:14:47,487 PREPPING FOR MY FIRST DAY OF SHOOTING ON MONDAY, 347 00:14:47,521 --> 00:14:48,555 ALL RIGHT? 348 00:14:48,589 --> 00:14:49,556 IF YOU WANT... JENNY, ACTUALLY, 349 00:14:49,590 --> 00:14:51,024 THERE'S BEEN LOTS OF SHOWS 350 00:14:51,058 --> 00:14:52,626 THAT HAVE SHOT UP HERE SUCCESSFULLY, 351 00:14:52,659 --> 00:14:54,494 SO IF YOU WANT TO TAKE A LOOK AT THE LOCATION-- 352 00:14:54,528 --> 00:14:56,230 CAN YOU PLEASE ALSO TELL HER 353 00:14:56,262 --> 00:14:57,598 THAT I DON'T APPRECIATE 354 00:14:57,631 --> 00:15:00,667 HER SENDING HER STUDIO-FUCKING-NARC 355 00:15:00,701 --> 00:15:01,934 TO SPY ON ME 356 00:15:01,968 --> 00:15:03,669 AND TELL ME THAT BLACK IS WHITE? 357 00:15:03,704 --> 00:15:06,140 OKAY? 358 00:15:06,173 --> 00:15:07,373 RIGHT. 359 00:15:07,408 --> 00:15:08,542 [PHONE BEEPS] 360 00:15:08,574 --> 00:15:11,145 I'LL HAVE YOU KNOW 361 00:15:11,177 --> 00:15:13,246 THAT I HAVE ABSOLUTELY NOTHING TO GAIN 362 00:15:13,280 --> 00:15:15,449 BY CONVINCING YOU TO SHOOT IN VANCOUVER. 363 00:15:15,482 --> 00:15:16,517 GOOD, BECAUSE I'M NOT. 364 00:15:16,550 --> 00:15:17,517 AND WHEN THE STUDIO 365 00:15:17,551 --> 00:15:18,652 PULLS THE PLUG ON YOUR MOVIE 366 00:15:18,684 --> 00:15:20,154 BECAUSE YOU'RE OVER-BUDGET, 367 00:15:20,186 --> 00:15:23,590 I'LL HAVE ANOTHER JOB TOMORROW. 368 00:15:26,627 --> 00:15:28,962 CAN YOU PLEASE OPEN UP THE DOOR? 369 00:15:28,996 --> 00:15:30,263 HEY! 370 00:15:30,297 --> 00:15:32,265 I DON'T-- 371 00:15:32,299 --> 00:15:33,700 I WANT YOU TO KNOW 372 00:15:33,734 --> 00:15:35,068 THAT I DO NOT THINK 373 00:15:35,102 --> 00:15:37,171 THAT YOU SHOULD BE IN THIS INDUSTRY. 374 00:15:37,204 --> 00:15:38,505 OKAY? 375 00:15:38,538 --> 00:15:40,274 I DON'T THINK 376 00:15:40,306 --> 00:15:43,043 THAT YOU KNOW HOW TO DEAL WITH ARTISTS. 377 00:15:43,076 --> 00:15:45,279 JENNY, JENNY, JENNY! WILLIAM JUST TEXTED YOU BACK. 378 00:15:45,311 --> 00:15:47,080 WHAT? OKAY, LISTEN. 379 00:15:47,114 --> 00:15:48,582 "WHAT IS THIS VANCOUVER FOLLY? 380 00:15:48,615 --> 00:15:50,450 "OF COURSE, WE'RE SHOOTING L.A. FOR L.A. 381 00:15:50,483 --> 00:15:51,518 "I JUST SECURED A BOND, 382 00:15:51,551 --> 00:15:52,619 "FINANCING'S IN PLACE. 383 00:15:52,653 --> 00:15:53,620 "AARON KNOWS. 384 00:15:53,654 --> 00:15:55,455 "SEE YOU ON SET MONDAY MORNING. 385 00:15:55,488 --> 00:15:56,723 XOXO, WILLIAM." 386 00:15:58,558 --> 00:16:00,694 THAT'S RIGHT, SALLY! 387 00:16:00,727 --> 00:16:00,960 OH! 388 00:16:00,960 --> 00:16:03,297 I AM SO EXCITED! 389 00:16:03,330 --> 00:16:05,131 I AM SO HAPPY. 390 00:16:05,165 --> 00:16:06,099 [ADELE CHUCKLES] 391 00:16:06,132 --> 00:16:08,368 WHEN DID I TEXT HIM? 392 00:16:08,402 --> 00:16:09,670 I DON'T REMEMBER DOING THAT. 393 00:16:09,703 --> 00:16:11,672 I FEEL LIKE I'M GOING CRAZY. 394 00:16:11,705 --> 00:16:13,040 UM, OKAY-- 395 00:16:13,072 --> 00:16:15,042 WHEN DID I TEXT HIM? 396 00:16:15,074 --> 00:16:18,145 LISTEN, I HOPE YOU DON'T MIND, BUT I JUST... 397 00:16:18,177 --> 00:16:20,112 I TOOK THE LIBERTY. 398 00:16:20,147 --> 00:16:21,548 WHAT DO YOU MEAN? 399 00:16:21,581 --> 00:16:24,017 BECAUSE I SAW HOW UNHAPPY YOU WERE-- 400 00:16:24,051 --> 00:16:25,285 UH-HUH? 401 00:16:25,318 --> 00:16:27,421 ...AND SO I TEXTED HIM MYSELF. 402 00:16:27,453 --> 00:16:29,556 I THINK THAT WE NEED TO CELEBRATE. 403 00:16:29,589 --> 00:16:30,724 OKAY. ALL RIGHT. 404 00:16:30,756 --> 00:16:34,293 WHAT DO YOU WANT TO DO? 405 00:16:34,328 --> 00:16:36,596 THAT'S WHAT I WANT TO DO. 406 00:16:36,630 --> 00:16:37,764 [SNAPPING]: UH! 407 00:16:37,798 --> 00:16:40,466 AND THE NEXT THING I'M GOING TO DO... 408 00:16:40,500 --> 00:16:42,468 IS TAKE YOU SHOPPING. 409 00:16:42,502 --> 00:16:44,504 YOU ARE SO BEAUTIFUL, OKAY? 410 00:16:44,537 --> 00:16:45,471 AND I CAN SEE 411 00:16:45,505 --> 00:16:49,643 THAT YOU'RE HIDING BEHIND THOSE GLASSES... 412 00:16:49,676 --> 00:16:51,611 IF I MAY BE SO BOLD, I JUST... 413 00:16:51,645 --> 00:16:53,080 WE HAVE SO MUCH TO DO. 414 00:16:53,113 --> 00:16:54,114 WE START SHOOTING ON MONDAY, 415 00:16:54,147 --> 00:16:56,382 AND YOU HAVE TO APPROVE THE COSTUME BREAKDOWN. 416 00:16:56,415 --> 00:16:58,151 YOU'VE GOT TO FINISH SHOT-LISTING, 417 00:16:58,185 --> 00:16:59,552 THERE'S TONS-- YOU KNOW WHAT? 418 00:16:59,586 --> 00:17:02,122 I WANT TO TAKE YOU SHOPPING. 419 00:17:07,693 --> 00:17:09,096 SALLY? 420 00:17:09,128 --> 00:17:10,229 JENNY. 421 00:17:10,264 --> 00:17:11,364 I HAVE A JOB FOR YOU. 422 00:17:11,398 --> 00:17:12,499 UH-HUH? 423 00:17:12,532 --> 00:17:15,301 I WANT YOU TO TAKE US TO A PLACE 424 00:17:15,335 --> 00:17:18,539 WHERE FASHIONABLE VANCOUVERITES SHOP, 425 00:17:18,571 --> 00:17:21,641 'CAUSE WE'RE GOING TO TRANSFORM MY LOVELY ASSISTANT. 426 00:17:21,675 --> 00:17:23,710 [ENGINE STARTING] 427 00:17:23,744 --> 00:17:25,511 JOYCE IS HERE TO SEE YOU. 428 00:17:25,546 --> 00:17:28,514 SEND HER RIGHT IN, PLEASE. 429 00:17:28,549 --> 00:17:30,484 [TAKES A DEEP BREATH AND EXHALES] 430 00:17:34,221 --> 00:17:35,488 HELLO, PHYLLIS. 431 00:17:35,521 --> 00:17:36,790 JOYCE. 432 00:17:36,823 --> 00:17:38,591 I KNOW IT WAS PRESUMPTUOUS OF ME TO CALL YOU, 433 00:17:38,625 --> 00:17:40,260 AND I'M NOT REALLY EXPECTING 434 00:17:40,294 --> 00:17:41,460 TOO MUCH SYMPATHY... 435 00:17:41,494 --> 00:17:43,362 I WAS JUST WONDERING-- UM... 436 00:17:43,397 --> 00:17:44,798 MAYBE YOU COULD GIVE ME SOME ADVICE, 437 00:17:44,831 --> 00:17:46,266 MAKE A RECOMMENDATION-- 438 00:17:46,300 --> 00:17:48,802 I THINK WE HIT BACK WITH A COUNTERSUIT. 439 00:17:48,835 --> 00:17:49,870 [DROPS BRIEF ON DESK] 440 00:17:49,903 --> 00:17:50,737 LEONARD NEEDS TO KNOW 441 00:17:50,771 --> 00:17:53,439 THAT YOU'RE NOT GOING TO JUST ROLL OVER 442 00:17:53,472 --> 00:17:55,108 AND GIFT HIM WITH EVERYTHING YOU'VE WORKED SO HARD FOR 443 00:17:55,142 --> 00:17:57,543 ALL THESE YEARS. 444 00:17:57,577 --> 00:18:00,446 I MEAN, HE'S GOT BALLS... I'LL GIVE HIM THAT. 445 00:18:00,479 --> 00:18:01,080 AND HIS ATTORNEY, JOEY MONAHAN? 446 00:18:01,080 --> 00:18:03,283 HE'S NO SLOUCH EITHER. 447 00:18:03,317 --> 00:18:06,687 SO, LUCKILY FOR YOU, I'VE GOT A TRICK OR TWO OF MY OWN. 448 00:18:06,720 --> 00:18:08,689 YOU WANT TO REPRESENT ME? 449 00:18:08,722 --> 00:18:10,457 PHYLLIS, YOU HIRED ME TO REPRESENT YOU, 450 00:18:10,490 --> 00:18:13,426 AND THEN YOU FIRED ME SO WE COULD MAKE SWEET LOVE. 451 00:18:13,460 --> 00:18:15,662 AND THEN YOU BROKE MY HEART. 452 00:18:15,696 --> 00:18:16,563 SO, THE WAY I SEE IT, 453 00:18:16,596 --> 00:18:18,832 YOU'RE DOWN A LAWYER, I'M DOWN A JOB. 454 00:18:18,864 --> 00:18:21,867 JOYCE, I DIDN'T ACTUALLY EXPECT YOU TO REPRESENT ME. 455 00:18:21,901 --> 00:18:23,703 I WAS HOPING FOR A RECOMMENDATION, 456 00:18:23,737 --> 00:18:24,838 FOR SOMEBODY ELSE-- 457 00:18:24,870 --> 00:18:25,905 PHYLLIS, 458 00:18:25,938 --> 00:18:27,274 I'M THE BEST IN THE BUSINESS. 459 00:18:27,306 --> 00:18:29,709 I WIN CASES, IT'S WHAT I DO... 460 00:18:29,743 --> 00:18:30,977 AND I GOT A BUM DEAL HERE, 461 00:18:31,010 --> 00:18:33,780 SO I'M NOT GOING TO WALK AWAY FROM A SWEET PIECE OF BUSINESS 462 00:18:33,814 --> 00:18:35,849 JUST BECAUSE WE DIDN'T WORK OUT AS LOVERS. 463 00:18:35,882 --> 00:18:38,151 IN FACT... 464 00:18:38,185 --> 00:18:40,253 I THINK YOU KIND OF OWE ME THIS ONE. 465 00:18:45,859 --> 00:18:48,829 * DANCE WITH ME, PRETTY BOY TONIGHT * 466 00:18:48,862 --> 00:18:51,932 * DANCE WITH ME AND WE'LL BE ALL RIGHT * 467 00:18:51,965 --> 00:18:54,267 * THERE'S A WHOLE FLOOR BEFORE US * 468 00:18:54,301 --> 00:18:55,635 * JUST FOR YOU AND ME 469 00:18:55,668 --> 00:18:58,772 * SO FOLLOW MY LEAD AND WE'LL ONE, TWO, THREE * 470 00:18:58,805 --> 00:19:00,340 * PULL SHAPES! 471 00:19:00,374 --> 00:19:02,743 * I LIKE TO DISCO 472 00:19:02,775 --> 00:19:06,580 * I LIKE TO ROCK 'N' ROLL 473 00:19:06,612 --> 00:19:08,949 * WELL, I LIKE TO HIP-HOP 474 00:19:08,981 --> 00:19:11,551 * WE CAN DO IT ALL JUST DON'T LET THE MUSIC STOP * 475 00:19:11,584 --> 00:19:13,453 [MUTTERING TO SELF]: OH, GOOD LORD. 476 00:19:13,486 --> 00:19:14,855 CAN I HELP YOU FIND SOMETHING? 477 00:19:14,888 --> 00:19:18,859 UM... YEAH, I WAS-- YOU KNOW, 478 00:19:18,892 --> 00:19:20,594 I WAS WONDERING IF YOU HAVE ANYTHING 479 00:19:20,626 --> 00:19:22,361 IN THE LOWER PRICE RANGES? 480 00:19:22,396 --> 00:19:23,763 WHICH RANGE DID YOU HAVE IN MIND? 481 00:19:23,797 --> 00:19:25,899 LIKE... 25 TO 30? 482 00:19:25,931 --> 00:19:27,366 [AMUSED]: EXCUSE ME? 483 00:19:27,401 --> 00:19:28,869 OH, SHE'S KIDDING. 484 00:19:28,902 --> 00:19:30,369 HELLO. HELLO. 485 00:19:30,404 --> 00:19:32,638 ADELE, THIS IS EMILE, OUR PERSONAL SHOPPER. 486 00:19:32,673 --> 00:19:34,908 THIS IS ADELE, MY ASSISTANT. 487 00:19:34,941 --> 00:19:36,642 EMILE-- SHALL I? 488 00:19:36,676 --> 00:19:37,744 YES, PLEASE START A ROOM. 489 00:19:37,777 --> 00:19:39,645 AND YOU, COME HERE, 490 00:19:39,679 --> 00:19:41,314 I WANT TO SHOW YOU SOME CHANEL. 491 00:19:41,348 --> 00:19:43,517 * IS THERE A DRUM BEAT? * PULL SHAPES! 492 00:19:43,549 --> 00:19:44,918 * AND IS THE BASS BEAT? 493 00:19:44,951 --> 00:19:45,919 I DON'T KNOW... 494 00:19:45,952 --> 00:19:47,421 DO YOU LIKE IT? 495 00:19:47,454 --> 00:19:49,456 YEAH, BUT WHAT ABOUT THE FANCY SHOES? 496 00:19:49,488 --> 00:19:51,624 YOU COULD WEAR THE SHOES. 497 00:19:51,657 --> 00:19:53,626 * IT'S TIME FOR YOU TO MOVE YOUR FEET * 498 00:19:53,659 --> 00:19:56,530 * DANCE WITH ME, PRETTY BOY TONIGHT * 499 00:19:56,562 --> 00:19:58,331 IT'S SO EXPENSIVE! 500 00:19:58,365 --> 00:20:00,000 ADELE, REALLY, 501 00:20:00,033 --> 00:20:01,200 THE THING IS, WE'RE MAKING A FILM 502 00:20:01,200 --> 00:20:03,403 ABOUT FASHIONABLE LESBIANS. 503 00:20:03,437 --> 00:20:06,807 YOU KNOW, SO WE HAVE TO BE FASHIONABLE, AND... 504 00:20:06,840 --> 00:20:08,674 WELL, WE'RE HERE DOING RESEARCH. 505 00:20:08,709 --> 00:20:12,612 WAIT, THIS IS COMING OUT OF THE WARDROBE BUDGET? 506 00:20:12,645 --> 00:20:13,847 SHH. 507 00:20:13,879 --> 00:20:14,980 * WHAT DO YOU DO WHEN THE MUSIC STOPS? * 508 00:20:15,015 --> 00:20:17,349 WE SHOULD GET YOU SOME JEANS NOW, 509 00:20:17,384 --> 00:20:19,286 BECAUSE, UM, ADELE-- ADELE? 510 00:20:19,319 --> 00:20:23,689 THE APPLIQUE ON THE BACK OF YOUR JEANS, 511 00:20:23,724 --> 00:20:25,758 WAS DECLARED AN ABOMINATION 512 00:20:25,792 --> 00:20:27,693 BY THE GENEVA CONVENTION. 513 00:20:27,728 --> 00:20:29,863 WE'VE GOT TO BURN THEM AFTER WE BUY THESE. 514 00:20:29,896 --> 00:20:31,965 * CLAP YOUR HANDS IF YOU WANT SOME MORE * 515 00:20:31,997 --> 00:20:33,032 * CLAP YOUR HANDS 516 00:20:33,065 --> 00:20:35,802 * IF YOU WANT SOME MORE 517 00:20:35,835 --> 00:20:39,039 * CLAP YOUR HANDS IF YOU WANT SOME MORE * 518 00:20:39,072 --> 00:20:41,875 * DANCE WITH ME, PRETTY BOY TONIGHT * 519 00:20:41,908 --> 00:20:44,978 * DANCE WITH ME AND WE'LL BE ALL RIGHT * 520 00:20:45,011 --> 00:20:47,347 * THERE'S A WHOLE FLOOR BEFORE US * 521 00:20:47,380 --> 00:20:48,748 * JUST FOR YOU AND ME 522 00:20:48,781 --> 00:20:51,918 * SO FOLLOW MY LEAD AND WE'LL ONE, TWO, THREE * 523 00:20:51,952 --> 00:20:52,986 * PULL SHAPES! 524 00:20:53,019 --> 00:20:53,987 HI! 525 00:20:54,020 --> 00:20:55,688 HI. 526 00:20:55,721 --> 00:20:56,990 LOOK. 527 00:20:57,023 --> 00:20:58,592 OH... WOW. 528 00:20:58,624 --> 00:21:01,260 UM, WELL, IT'S-- IT'S DAVID YURMAN... 529 00:21:01,260 --> 00:21:04,029 AND MAYBE WE'RE GETTING A BIT CARRIED AWAY HERE. 530 00:21:04,064 --> 00:21:05,632 THIS IS QUITE EXPENSIVE. 531 00:21:05,665 --> 00:21:07,467 OH! 532 00:21:07,501 --> 00:21:09,836 NO, NO, NO-- NOT FOR ME. 533 00:21:09,870 --> 00:21:11,338 IT'S FOR NIKI. 534 00:21:11,370 --> 00:21:12,538 YOU KNOW, 535 00:21:12,572 --> 00:21:14,341 JUST A LITTLE-- A LITTLE GIFT 536 00:21:14,373 --> 00:21:16,643 FOR THE START OF THE PRODUCTION. 537 00:21:16,676 --> 00:21:19,745 HMM. 538 00:21:19,780 --> 00:21:21,881 OKAY. 539 00:21:21,915 --> 00:21:23,048 WE'LL TAKE IT. 540 00:21:24,518 --> 00:21:25,652 NOW, ADELE-- 541 00:21:25,684 --> 00:21:26,653 YEAH? 542 00:21:26,685 --> 00:21:27,887 YOU'RE THE ONLY ONE 543 00:21:27,921 --> 00:21:29,022 THAT KNOWS ABOUT NIKI AND ME. 544 00:21:29,054 --> 00:21:30,422 I KNOW, I KNOW, 545 00:21:30,457 --> 00:21:32,424 AND DISCRETION IS IMPERATIVE. 546 00:21:32,459 --> 00:21:35,795 THE ONLY REASON I TOLD YOU IS THAT SO YOU COULD PROTECT US. 547 00:21:35,828 --> 00:21:38,331 I'LL MAKE SURE THAT NOBODY HAS THE SLIGHTEST INKLING. 548 00:21:38,365 --> 00:21:39,966 WELL, YEAH, I MEAN, THE THING IS, 549 00:21:40,000 --> 00:21:41,767 IF THE OTHER ACTORS KNEW, 550 00:21:41,801 --> 00:21:44,337 IT WOULD JUST CAUSE SO MUCH DRAMA 551 00:21:44,371 --> 00:21:46,906 AND SO MUCH JEALOUSY ON SET, YOU KNOW? 552 00:21:46,940 --> 00:21:48,508 I KNOW. 553 00:21:48,542 --> 00:21:51,645 I MEAN, EVERYONE ALWAYS FALLS IN LOVE WITH THE DIRECTOR. 554 00:21:51,677 --> 00:21:53,947 * PULL SHAPES! 555 00:21:53,980 --> 00:21:55,614 * WELL, THEN THE RHYTHM IS COMPLETE * 556 00:21:55,649 --> 00:21:57,450 * WE'LL GET UP ON THE FLOOR 557 00:21:57,484 --> 00:21:59,386 * IT'S TIME FOR YOU TO MOVE YOUR FEET * 558 00:21:59,419 --> 00:22:01,320 * DANCE WITH ME, PRETTY BOY TONIGHT * 559 00:22:01,320 --> 00:22:05,791 * DANCE WITH ME AND WE'LL BE ALL RIGHT * 560 00:22:05,826 --> 00:22:09,028 WOW. 561 00:22:09,062 --> 00:22:10,663 OH, MY GOSH! 562 00:22:10,697 --> 00:22:12,699 YOU LOOK BEAUTIFUL. 563 00:22:12,732 --> 00:22:13,934 THANKS. 564 00:22:13,967 --> 00:22:15,534 DO YOU LIKE IT? 565 00:22:15,569 --> 00:22:16,870 I LOVE IT. 566 00:22:16,903 --> 00:22:18,071 THANK YOU. 567 00:22:18,103 --> 00:22:19,538 I LOVE IT, I LOVE IT, I LOVE IT. 568 00:22:19,573 --> 00:22:21,508 MM, YOU KNOW WHAT? 569 00:22:21,540 --> 00:22:23,108 I THINK WE'RE GOING TO WAIT 570 00:22:23,142 --> 00:22:24,444 UNTIL WE GET BACK TO L.A. 571 00:22:24,476 --> 00:22:25,445 TO DO YOUR HAIR. 572 00:22:25,477 --> 00:22:28,547 I THINK ONLY SHANE SHOULD BE TOUCHING YOUR HAIR. 573 00:22:28,582 --> 00:22:31,750 * CLAP YOUR HANDS IF YOU WANT SOME MORE * 574 00:22:31,785 --> 00:22:32,986 * PULL SHAPES! 575 00:22:33,019 --> 00:22:35,155 * CLAP YOUR HANDS IF YOU WANT SOME MORE * 576 00:22:35,188 --> 00:22:36,856 * PULL SHAPES! 577 00:22:36,889 --> 00:22:39,159 * CLAP YOUR HANDS IF YOU WANT SOME MORE * 578 00:22:39,192 --> 00:22:40,759 * CLAP YOUR HANDS 579 00:22:40,793 --> 00:22:42,128 * IF YOU WANT SOME MORE 580 00:22:42,162 --> 00:22:46,533 * CLAP YOUR HANDS IF YOU WANT SOME MORE * 581 00:22:46,566 --> 00:22:49,069 * DANCE WITH ME, PRETTY BOY TONIGHT * 582 00:22:49,102 --> 00:22:52,405 * DANCE WITH ME AND WE'LL BE ALL RIGHT * 583 00:22:52,439 --> 00:22:53,839 * THERE'S A WHOLE FLOOR BEFORE US * 584 00:22:53,873 --> 00:22:55,575 * JUST FOR YOU AND ME 585 00:22:55,609 --> 00:22:58,712 * SO FOLLOW MY LEAD AND WE'LL ONE, TWO, THREE * 586 00:22:58,744 --> 00:23:00,447 * PULL SHAPES! 587 00:23:00,480 --> 00:23:01,380 * DANCE WITH ME, PRETTY BOY TONIGHT * 588 00:23:01,380 --> 00:23:02,949 * PULL SHAPES! 589 00:23:02,983 --> 00:23:05,118 * DANCE WITH ME AND WE'LL BE ALL RIGHT * 590 00:23:05,150 --> 00:23:06,453 * PULL SHAPES! 591 00:23:06,485 --> 00:23:07,587 * THERE'S A WHOLE FLOOR BEFORE US * 592 00:23:07,621 --> 00:23:08,588 * JUST FOR YOU AND ME 593 00:23:08,622 --> 00:23:09,990 * PULL SHAPES! 594 00:23:10,023 --> 00:23:11,891 * SO FOLLOW MY LEAD AND WE'LL ONE, TWO, THREE * 595 00:23:11,925 --> 00:23:13,760 * PULL SHAPES! 596 00:23:13,793 --> 00:23:16,129 [SNIFFLING] 597 00:23:16,161 --> 00:23:18,864 [SOBBING] 598 00:23:18,899 --> 00:23:21,902 [SIREN WAILING IN DISTANCE] 599 00:23:24,536 --> 00:23:26,939 [SOBBING HARDER] 600 00:23:32,678 --> 00:23:35,081 [**] 601 00:23:38,551 --> 00:23:41,054 GOOD MORNING, SWEET PEA. 602 00:23:41,087 --> 00:23:42,555 ARE YOU HUNGRY? 603 00:23:42,589 --> 00:23:43,757 SHOULD WE MAKE PANCAKES? 604 00:23:43,789 --> 00:23:45,724 LET ME GO CHECK AND SEE WHAT WE HAVE. 605 00:23:45,759 --> 00:23:48,161 OKAY, I'LL GO LOOK. 606 00:23:49,195 --> 00:23:52,132 [JARS ON DOOR RATTLING] 607 00:23:52,165 --> 00:23:55,168 UH-OH, WE'RE OUT OF MILK. 608 00:23:57,203 --> 00:23:59,805 I KNOW WHAT WE SHOULD DO. 609 00:24:00,806 --> 00:24:03,677 WHAT IF WE CALL MAMA B 610 00:24:03,709 --> 00:24:06,545 AND SEE IF SHE WANTS TO HAVE BREAKFAST WITH US? 611 00:24:06,579 --> 00:24:07,847 HMM? DOES THAT SOUND LIKE A GOOD IDEA? 612 00:24:07,881 --> 00:24:10,250 WHAT DO YOU THINK? 613 00:24:10,282 --> 00:24:13,820 YEAH! LET'S CALL MAMA B. 614 00:24:13,853 --> 00:24:15,487 DO YOU WANT TO COME SIT WITH ME? 615 00:24:15,522 --> 00:24:16,923 LET'S CALL MAMA B AND SEE 616 00:24:16,956 --> 00:24:19,492 IF SHE WANTS TO GO TO THE PLANET AND HAVE PANCAKES. 617 00:24:19,526 --> 00:24:20,527 DO YOU WANT SOME PANCAKES? 618 00:24:20,560 --> 00:24:21,528 HAVE PANCAKES. 619 00:24:21,561 --> 00:24:22,762 OKAY. 620 00:24:22,795 --> 00:24:23,996 I WOULD LOVE TO GO FOR BREAKFAST 621 00:24:24,030 --> 00:24:25,597 WITH YOU AND ANGIE, 622 00:24:25,632 --> 00:24:27,701 BUT, UM... 623 00:24:31,538 --> 00:24:34,073 OH. YEAH. RIGHT, OF COURSE. 624 00:24:34,107 --> 00:24:35,542 TINA, WAIT-- 625 00:24:35,575 --> 00:24:36,875 UH, I THINK 626 00:24:36,909 --> 00:24:38,877 WE'RE GOING TO PASS ON BREAKFAST. 627 00:24:38,911 --> 00:24:40,714 YEAH, IT'S A REALLY SWEET IDEA. 628 00:24:40,747 --> 00:24:43,183 UM... 629 00:24:43,216 --> 00:24:45,951 BUT-- YEAH, GIVE ANGIE A KISS FOR ME. 630 00:24:45,985 --> 00:24:48,555 OKAY. BYE. 631 00:24:48,588 --> 00:24:51,090 DON'T YOU WANT TO GO OUT FOR BREAKFAST? 632 00:24:51,124 --> 00:24:53,193 I'M KIND OF IN THE MOOD TO GO OUT. 633 00:24:53,226 --> 00:24:55,228 I'M NOT IN THE MOOD TO GO OUT. 634 00:24:55,261 --> 00:24:56,795 YOU KNOW WHAT? 635 00:24:56,830 --> 00:24:59,798 I WOULD REALLY JUST LIKE TO SIT IN MY GARDEN 636 00:24:59,833 --> 00:25:01,500 AND READ THE NEWSPAPER. 637 00:25:01,500 --> 00:25:04,971 BUT, IF YOU WANT TO GO TO THE PLANET, AND... 638 00:25:05,004 --> 00:25:07,273 DO ANOTHER PODCAST, THEN THAT WOULD BE-- 639 00:25:07,307 --> 00:25:08,942 [SIGHS WITH FRUSTRATION] 640 00:25:08,974 --> 00:25:11,578 OH, BETTE, I WAS JUST JOKING... 641 00:25:11,610 --> 00:25:13,580 AND I SAID I WAS SORRY, TOO. 642 00:25:13,612 --> 00:25:16,883 ARE YOU GOING TO GO ON PUNISHING ME FOREVER? 643 00:25:18,685 --> 00:25:21,120 I'M SORRY. 644 00:25:21,154 --> 00:25:24,790 I'M JUST... 645 00:25:24,824 --> 00:25:26,960 I'M JUST STRESSED. 646 00:25:32,064 --> 00:25:35,268 DO YOU WANT TO GO AND SEE SOME ART? 647 00:25:35,301 --> 00:25:38,338 WOULD THAT HELP YOU TO RELAX? 648 00:25:38,371 --> 00:25:42,776 OR MAYBE WE COULD GO TO THE BEACH? 649 00:25:42,809 --> 00:25:45,944 DRIVE UP THE COAST TO ZUMA. 650 00:25:52,786 --> 00:25:54,220 I THINK I JUST... 651 00:25:54,254 --> 00:25:57,156 I JUST NEED A LITTLE SUNDAY ALONE TIME, 652 00:25:57,190 --> 00:25:58,625 THAT'S ALL, 653 00:25:58,658 --> 00:25:59,893 JUST TO GET READY FOR THE WEEK. 654 00:25:59,925 --> 00:26:00,693 I MEAN, APART FROM EVERYTHING ELSE, 655 00:26:00,727 --> 00:26:01,560 I HAVE TO APPEAR BEFORE THE BOARD 656 00:26:01,560 --> 00:26:04,030 TO TELL THEM WHAT I'M GOING TO DO 657 00:26:04,063 --> 00:26:05,765 ABOUT THE JUSTIN DONOVAN 658 00:26:05,799 --> 00:26:06,966 LITTLE GUN-TO-THE-HEAD ESCAPADE. 659 00:26:07,000 --> 00:26:10,270 WHAT ARE YOU GOING TO TELL THEM? 660 00:26:11,638 --> 00:26:14,207 I REALLY DON'T KNOW. 661 00:26:30,757 --> 00:26:31,958 [LAUGHS] 662 00:26:35,829 --> 00:26:37,831 [SIGHS] 663 00:26:41,768 --> 00:26:43,670 I'M SO GLAD YOU GUYS MET ME. 664 00:26:43,703 --> 00:26:45,371 I WAS FEELING REALLY LONELY. 665 00:26:45,405 --> 00:26:47,874 OH, MY GOD, THAT'S WHY I CALLED SHANE. 666 00:26:47,906 --> 00:26:50,075 WELL, LADIES, THAT'S WHAT FRIENDS ARE FOR, WHAT CAN I SAY? 667 00:26:50,109 --> 00:26:52,010 BUT WE'RE STILL GOING TO PHYLLIS'S TONIGHT, RIGHT? 668 00:26:52,044 --> 00:26:54,347 YEAH.ISN'T BETTE GOING TO BE THERE? 669 00:26:54,380 --> 00:26:55,748 IS THAT-- 670 00:26:55,782 --> 00:26:57,884 I THOUGHT YOU GUYS WERE GETTING ALONG LATELY? 671 00:26:57,916 --> 00:27:00,119 YEAH. YEAH. IT'S NOT A PROBLEM. 672 00:27:00,152 --> 00:27:01,153 IS TASHA COMING? 673 00:27:01,187 --> 00:27:02,688 IT'S OVER, TINA! 674 00:27:02,722 --> 00:27:03,523 OH-- 675 00:27:03,555 --> 00:27:05,992 DO I LOOK LIKE I WANT TO TALK ABOUT IT? 676 00:27:06,025 --> 00:27:07,861 COME ON, THIS IS CRAZY. 677 00:27:07,894 --> 00:27:08,927 YOU TWO ARE SO IN LOVE. 678 00:27:08,961 --> 00:27:10,230 IT DOESN'T ALWAYS MATTER. 679 00:27:10,263 --> 00:27:12,098 I KNOW, BUT CAN'T YOU JUST TALK TO HER-- 680 00:27:12,131 --> 00:27:14,733 [CELL PHONE RINGING] 681 00:27:14,766 --> 00:27:16,902 DID I NOT SAY I DON'T WANT TO TALK ABOUT IT? 682 00:27:16,936 --> 00:27:18,371 YEAH? 683 00:27:18,403 --> 00:27:20,340 DO YOU STILL WANT TO MEET AT THE PLANET? 684 00:27:20,373 --> 00:27:21,941 I'M HERE ALREADY. 685 00:27:21,974 --> 00:27:24,811 WITH ALICE AND SHANE. 686 00:27:24,843 --> 00:27:26,111 OH. 687 00:27:26,146 --> 00:27:27,747 WELL, I REALLY... 688 00:27:27,779 --> 00:27:31,151 I REALLY WANT TO SEE YOU, TINA. 689 00:27:31,183 --> 00:27:33,353 I CAN'T RIGHT NOW. 690 00:27:33,386 --> 00:27:36,121 WELL, WHAT ABOUT TONIGHT? 691 00:27:36,155 --> 00:27:37,924 I DON'T-- I DON'T HAVE ANY PLANS. 692 00:27:37,956 --> 00:27:40,293 I'M GOING TO YOUR BOSS'S HOUSE. 693 00:27:42,295 --> 00:27:43,329 [SKITTERING] 694 00:27:45,899 --> 00:27:47,065 PUPPIES! 695 00:27:48,167 --> 00:27:49,769 BETTE, I'M GOING TO HAVE TO CALL YOU BACK! 696 00:27:49,802 --> 00:27:51,136 THOSE AREN'T FRIGGIN' PUPPIES! 697 00:27:53,806 --> 00:27:55,742 BUT I DON'T HAVE RATS. 698 00:27:55,775 --> 00:27:57,911 IT'S IMPOSSIBLE! 699 00:27:57,944 --> 00:28:00,013 I HAVE THE CLEANEST ESTABLISHMENT 700 00:28:00,045 --> 00:28:01,046 THIS SIDE OF-- 701 00:28:01,079 --> 00:28:01,680 [SIGHS HEAVILY] 702 00:28:01,680 --> 00:28:04,417 UNTIL FURTHER NOTICE? COME ON! 703 00:28:04,449 --> 00:28:06,218 MAN! 704 00:28:06,252 --> 00:28:08,020 I HAVEN'T SEEN THAT MANY CRITTERS 705 00:28:08,054 --> 00:28:10,924 SINCE WE SHUT DOWN PAULIE'S PIZZA. 706 00:28:10,956 --> 00:28:13,859 WE'LL BE ASKING FOLKS TO CLEAR ON OUT NOW. 707 00:28:13,892 --> 00:28:15,762 [SIGHING HEAVILY]: FUCK, FUCK. 708 00:28:15,794 --> 00:28:18,096 SHIT. SHIT! 709 00:28:18,131 --> 00:28:19,866 FUCK, FUCK, FUCK! 710 00:28:19,898 --> 00:28:21,134 KIT? 711 00:28:21,166 --> 00:28:24,102 [VOICE SHAKING]: HOW'D THIS FUCKING HAPPEN? 712 00:28:24,137 --> 00:28:25,237 I HAVE A THEORY. 713 00:28:25,271 --> 00:28:27,273 [**] 714 00:28:28,374 --> 00:28:29,409 [GUN SHOT FIRES] 715 00:28:29,442 --> 00:28:31,211 [ANOTHER ROUND FIRES] 716 00:28:31,243 --> 00:28:33,846 [**] 717 00:29:06,211 --> 00:29:08,447 [DANCE MUSIC THROBBING] 718 00:29:08,481 --> 00:29:12,151 [WOMAN WHOOPING AND CHEERING] 719 00:29:12,184 --> 00:29:14,253 [**] 720 00:29:28,268 --> 00:29:29,402 HI. 721 00:29:29,435 --> 00:29:30,369 HI. 722 00:29:30,403 --> 00:29:31,903 WILD PARTY, HUH? 723 00:29:33,605 --> 00:29:35,842 [**] 724 00:29:35,875 --> 00:29:37,443 [CHUCKLES] 725 00:29:37,477 --> 00:29:38,243 I THOUGHT 726 00:29:38,277 --> 00:29:39,445 YOU WEREN'T DOING ANYTHING TONIGHT. 727 00:29:39,479 --> 00:29:41,481 I WASN'T. 728 00:29:42,582 --> 00:29:44,884 WHERE'S JODI? IS SHE HERE? 729 00:29:44,917 --> 00:29:48,488 UM, NO, SHE DIDN'T WANT TO DO A WORK THING, 730 00:29:48,521 --> 00:29:50,155 AND PHYLLIS IS WORK FOR US. 731 00:29:50,188 --> 00:29:52,190 RIGHT. 732 00:29:53,893 --> 00:29:56,094 TINA? 733 00:29:56,129 --> 00:29:59,132 DO YOU WANT TO GET OUT OF HERE? 734 00:29:59,164 --> 00:30:01,300 [**] 735 00:30:05,437 --> 00:30:08,308 [CHEERING AND WHOOPING] 736 00:30:21,187 --> 00:30:22,621 ARE YOU GOING TO DANCE IN YOUR BLACK BRA? 737 00:30:22,654 --> 00:30:24,089 YOU KNOW, I WAS THINKING ABOUT IT, 738 00:30:24,123 --> 00:30:26,459 BUT I JUST DON'T NEED ONE. 739 00:30:26,492 --> 00:30:28,160 OH, GOD. 740 00:30:28,194 --> 00:30:29,428 WHERE'S TINA? 741 00:30:29,462 --> 00:30:31,564 I DON'T KNOW, MAYBE SHE SCORED. 742 00:30:31,596 --> 00:30:34,934 [WHOOPING AND CHEERING] 743 00:30:34,967 --> 00:30:36,569 OH! OH... 744 00:30:36,602 --> 00:30:37,904 WOW. 745 00:30:37,937 --> 00:30:39,304 [ALICE]: GETTIN' GOOD, HUH? 746 00:30:39,338 --> 00:30:41,074 WHOO! 747 00:30:41,107 --> 00:30:43,042 [**] 748 00:30:43,076 --> 00:30:44,443 WOW. 749 00:30:44,477 --> 00:30:45,545 WHAT? 750 00:30:48,347 --> 00:30:50,883 WHO'S THAT? 751 00:30:50,917 --> 00:30:52,451 I DON'T KNOW. 752 00:30:52,485 --> 00:30:55,588 [CHEERING AND WHOOPING CONTINUE] 753 00:30:55,621 --> 00:30:57,957 SHE'S CUTE. 754 00:30:59,492 --> 00:31:00,459 MOTHER! 755 00:31:00,493 --> 00:31:01,860 [WOMEN CHEERING] 756 00:31:21,047 --> 00:31:23,215 YOU KNOW, YOU CAN'T STAY TOO LONG. 757 00:31:23,249 --> 00:31:25,484 I HAVE TO BE ON SET AT 7:00 IN THE MORNING. 758 00:31:25,518 --> 00:31:27,652 YEAH, I KNOW. I KNOW. 759 00:31:27,686 --> 00:31:30,923 SO THIS THING'S REALLY GOING THROUGH? 760 00:31:30,957 --> 00:31:32,625 I MEAN, JENNY'S GOING TO BE DIRECTING A MOVIE? 761 00:31:32,657 --> 00:31:34,994 APPARENTLY. 762 00:31:47,173 --> 00:31:50,409 I DON'T KNOW WHAT TO DO. 763 00:31:53,079 --> 00:31:56,149 YOU'RE IN LOVE WITH JODI, RIGHT? 764 00:31:58,383 --> 00:32:00,720 I ADORE HER. 765 00:32:00,753 --> 00:32:03,121 AND I RESPECT AND ADMIRE HER. 766 00:32:03,156 --> 00:32:04,357 BUT... 767 00:32:04,390 --> 00:32:06,492 BUT WHAT? 768 00:32:06,526 --> 00:32:09,529 IT DOESN'T REALLY COMPARE. 769 00:32:13,499 --> 00:32:16,469 [**] 770 00:32:38,090 --> 00:32:42,260 * HONEY, HONEY UP IN THE TREES * 771 00:32:42,295 --> 00:32:47,166 * FIELD OF FLOWERS DEEP IN HIS DREAMS * 772 00:32:47,200 --> 00:32:51,304 * LEAD THEM OUT TO THE SEA BY THE EAST * 773 00:32:51,336 --> 00:32:55,273 * HONEY, HONEY FOOD FOR THE BEES * 774 00:33:12,824 --> 00:33:18,196 * HONEY, HONEY OUT ON THE SEA * 775 00:33:18,231 --> 00:33:22,601 * IN THE DOLDRUMS THINKING OF ME * 776 00:33:22,635 --> 00:33:27,073 * ME ON DRY LAND THINKING OF HE * 777 00:33:27,106 --> 00:33:31,110 * HONEY, HONEY NOT NEXT TO ME * 778 00:33:37,482 --> 00:33:40,485 I'VE MISSED YOU. 779 00:33:50,328 --> 00:33:55,167 * EVEN IF HE WANTED TO 780 00:33:57,536 --> 00:34:02,040 * EVEN IF HE WANTED TO 781 00:34:07,680 --> 00:34:13,786 * EVEN IF HE WANTED TO 782 00:34:13,818 --> 00:34:16,721 * DO YOU THINK HE'D COME BACK? 783 00:34:18,157 --> 00:34:21,459 * WOULD HE COME BACK? 784 00:34:21,494 --> 00:34:24,829 [SHUDDERING GASP] 785 00:34:24,863 --> 00:34:26,165 * OH, NO 786 00:34:27,399 --> 00:34:30,102 [GASPS AND CRIES OUT] 787 00:34:30,136 --> 00:34:32,537 [PANTING] 788 00:35:11,543 --> 00:35:14,347 I'M GOING TO GO NOW. 789 00:35:19,485 --> 00:35:21,886 MM. OKAY. 790 00:35:30,229 --> 00:35:32,530 [MOUTHING WORDS] 791 00:35:32,565 --> 00:35:35,567 JODI WOULD BE SO DEVASTATED. 792 00:35:36,836 --> 00:35:38,737 SHE CAN'T FIND OUT. 793 00:35:38,771 --> 00:35:40,873 WELL, I'M CERTAINLY NOT GOING TO TELL HER. 794 00:35:40,906 --> 00:35:42,908 [TROUSERS RUSTLING] 795 00:35:42,942 --> 00:35:45,711 I'M SORRY, I JUST... 796 00:35:45,744 --> 00:35:47,346 I JUST NEED MORE TIME. 797 00:35:47,380 --> 00:35:49,782 THAT'S ALL. 798 00:35:51,516 --> 00:35:54,220 I'M NOT PUSHING YOU. 799 00:35:54,253 --> 00:35:56,389 I DON'T EVEN KNOW WHAT I WANT. 800 00:35:56,422 --> 00:35:58,224 I KNOW. I... 801 00:35:58,257 --> 00:35:59,624 I JUST THINK... 802 00:35:59,658 --> 00:36:00,926 [SIGHING] 803 00:36:00,960 --> 00:36:02,160 ...WE BOTH NEED TO TAKE THE TIME 804 00:36:02,160 --> 00:36:06,365 TO JUST FIGURE OUT WHAT WE WANT. 805 00:36:06,399 --> 00:36:07,433 THAT'S ALL. 806 00:36:07,465 --> 00:36:08,968 YOU KNOW, WHAT'S RIGHT FOR US. 807 00:36:09,000 --> 00:36:10,368 HOW TO DO THE RIGHT THING. 808 00:36:10,403 --> 00:36:12,738 I THINK WE JUST NEED TO TAKE THE TIME. 809 00:36:12,772 --> 00:36:15,741 YOU NEED TO FIGURE OUT 810 00:36:15,775 --> 00:36:18,376 WHAT'S RIGHT FOR YOU... 811 00:36:18,411 --> 00:36:19,912 AND I NEED TO FIGURE OUT 812 00:36:19,944 --> 00:36:22,380 WHAT'S RIGHT FOR ME. 813 00:36:22,415 --> 00:36:24,817 RIGHT. 814 00:36:50,876 --> 00:36:53,479 [**] 815 00:37:09,060 --> 00:37:11,831 [JENNY]: WOW, ADELE. CAN YOU BELIEVE THIS? 816 00:37:11,864 --> 00:37:12,832 ALL OF THIS 817 00:37:12,865 --> 00:37:13,966 BECAUSE OF A FEW LITTLE WORDS 818 00:37:13,998 --> 00:37:15,534 THAT I WROTE ON A PAGE. 819 00:37:15,567 --> 00:37:17,636 I KNOW, AND NOW YOU'RE JUST GOING TO 820 00:37:17,669 --> 00:37:20,973 BRING IT TO LIFE BEFORE OUR VERY EYES. 821 00:37:21,005 --> 00:37:24,910 DO YOU WANT ME TO TAKE YOU RIGHT TO YOUR ROOM? 822 00:37:24,944 --> 00:37:27,712 I WOULD LIKE TO GO TO MY TRAILER, SIR. 823 00:37:27,747 --> 00:37:30,316 UM, THAT'S YOUR-- YOUR ROOM. 824 00:37:30,349 --> 00:37:31,583 RIGHT. YOUR TRAILER. 825 00:37:31,617 --> 00:37:33,986 SIR, PLEASE STOP HERE. 826 00:37:34,018 --> 00:37:35,720 I'M GOING TO GET OUT 827 00:37:35,754 --> 00:37:38,891 AND WALK ALONG THE STREET OF MY DREAMS. 828 00:37:38,924 --> 00:37:40,759 I'M SO EXCITED. 829 00:37:40,792 --> 00:37:42,828 LET'S GO. HERE, LET ME TAKE THAT. 830 00:37:42,861 --> 00:37:44,863 OKAY. THANK YOU. 831 00:37:44,897 --> 00:37:47,732 READY? WISH ME LUCK. 832 00:37:47,766 --> 00:37:49,435 GOOD LUCK. 833 00:37:49,468 --> 00:37:51,837 HERE WE GO. 834 00:37:51,870 --> 00:37:53,305 OKAY. 835 00:37:53,339 --> 00:37:54,572 WOW. 836 00:37:54,607 --> 00:37:58,377 SO, THE CATERING TRUCK IS BACK AT BASE CAMP, 837 00:37:58,410 --> 00:38:00,578 IF YOU WANT ME TO GET YOU SOME BREAKFAST. 838 00:38:00,613 --> 00:38:01,746 BUT, IF YOU WANT CRAFT SERVICES, 839 00:38:01,780 --> 00:38:02,280 YOU SEE THAT HOUSE RIGHT THERE? 840 00:38:02,280 --> 00:38:04,315 UH-HUH. 841 00:38:04,350 --> 00:38:05,851 IT'S IN THE GARAGE. 842 00:38:05,885 --> 00:38:07,553 OH, AND THAT'S THE CAMERA TRUCK, 843 00:38:07,585 --> 00:38:08,586 RIGHT THERE... 844 00:38:08,620 --> 00:38:09,522 RIGHT. 845 00:38:09,555 --> 00:38:10,622 ...AND THAT'S WHERE YOU CAN FIND SAM THE DP 846 00:38:10,656 --> 00:38:12,490 IN BETWEEN SET-UPS. 847 00:38:12,525 --> 00:38:14,894 WOW, OKAY. HOW DO YOU KNOW ALL THIS STUFF? 848 00:38:14,927 --> 00:38:17,530 YOU'VE NEVER BEEN ON A FILM SET BEFORE. 849 00:38:17,562 --> 00:38:18,864 I KNOW, THAT'S WHY I CAME HERE 850 00:38:18,897 --> 00:38:20,765 AT 4:30 THIS MORNING WHEN THEY WERE LOADING IN, 851 00:38:20,800 --> 00:38:22,468 JUST TO MAKE SURE 852 00:38:22,500 --> 00:38:23,869 I KNEW WHERE EVERYTHING IS FOR YOU. 853 00:38:23,902 --> 00:38:24,903 HEY, ARE YOU GIRLS LOOKING FOR EXTRAS HOLDING? 854 00:38:24,937 --> 00:38:25,971 IT'S RIGHT THERE. 855 00:38:31,377 --> 00:38:32,611 EXCUSE ME? 856 00:38:32,644 --> 00:38:33,912 THAT IS JENNIFER SCHECTER. 857 00:38:33,946 --> 00:38:35,548 HI. I'M JENNIFER SCHECTER. 858 00:38:35,581 --> 00:38:37,950 THE DIRECTOR? 859 00:38:37,983 --> 00:38:39,451 OH... I'M SORRY! 860 00:38:39,485 --> 00:38:40,919 KYLE? IT'S ALL RIGHT. 861 00:38:40,953 --> 00:38:42,521 KYLE'S YOUR NAME? NO PROBLEM. 862 00:38:42,555 --> 00:38:44,423 HI.YEAH. OKAY, THANK YOU. 863 00:38:44,456 --> 00:38:46,458 JENNIFER SCHECTER. 864 00:38:47,792 --> 00:38:49,528 HEY. GET HIS NAME. 865 00:38:49,562 --> 00:38:50,663 I DID. 866 00:38:50,695 --> 00:38:51,897 BLOCKING'S UP IN 20. 867 00:38:51,930 --> 00:38:52,965 GREAT. 868 00:38:52,998 --> 00:38:54,466 I'M GLAD YOU BOTH ARE HERE. 869 00:38:54,500 --> 00:38:55,767 I WANTED TO TALK TO YOU. 870 00:38:55,800 --> 00:38:57,469 WELL, I WANTED JODI TO HAVE A SAY IN THE MATTER, 871 00:38:57,503 --> 00:38:58,636 BEFORE YOU AND I WENT TO THE BOARD-- 872 00:38:58,671 --> 00:39:00,573 IT'S ABOUT MY DAUGHTER, MOLLY. 873 00:39:00,606 --> 00:39:02,340 I DON'T THINK YOU'VE MET HER YET, BETTE. 874 00:39:02,340 --> 00:39:05,844 AND YOU DIDN'T EVEN GO TO THE PARTY LAST NIGHT, MISSY. 875 00:39:05,877 --> 00:39:07,679 I WAS WORKING. 876 00:39:07,713 --> 00:39:08,747 MY DAUGHTER ARRIVED 877 00:39:08,781 --> 00:39:10,481 AT THE MOST INOPPORTUNE TIME. 878 00:39:10,515 --> 00:39:11,817 I WAS HAVING FUN. 879 00:39:11,850 --> 00:39:13,085 IT WAS HARMLESS. 880 00:39:13,117 --> 00:39:15,854 NOW SHE THINKS I'M TURNING INTO 881 00:39:15,888 --> 00:39:18,057 A PROMISCUOUS, DEBAUCHED LESBIAN. 882 00:39:18,090 --> 00:39:20,593 AND WHAT CAN WE DO TO HELP YOU, PHYLLIS? 883 00:39:20,625 --> 00:39:21,626 I NEED YOU TO HELP ME 884 00:39:21,660 --> 00:39:22,961 CONVINCE MOLLY 885 00:39:22,995 --> 00:39:24,896 THAT LESBIANS CAN BE 886 00:39:24,930 --> 00:39:26,065 RESPECTABLE 887 00:39:26,098 --> 00:39:28,067 AND UPSTANDING AND STABLE-- 888 00:39:28,100 --> 00:39:31,135 ALL THE VALUES HER FATHER AND I INSTILLED IN HER. 889 00:39:31,169 --> 00:39:32,438 [TOM, INTERPRETING]: UH... HOW? 890 00:39:32,471 --> 00:39:33,705 JUST LET HER 891 00:39:33,739 --> 00:39:35,107 SPEND SOME TIME WITH THE TWO OF YOU, TOGETHER. 892 00:39:35,140 --> 00:39:36,542 I WANT HER TO SEE TWO WOMEN 893 00:39:36,575 --> 00:39:37,775 THAT HAVE A STABLE, 894 00:39:37,809 --> 00:39:39,945 HONEST AND LOVING RELATIONSHIP. 895 00:39:39,978 --> 00:39:41,746 BY THE WAY, WE HAVE TO DO SOMETHING 896 00:39:41,779 --> 00:39:44,183 ABOUT THIS BOY WHO TRIED TO SHOOT HIMSELF IN THE HEAD. 897 00:39:44,216 --> 00:39:45,718 NO, NO, NO.O, NO, NO, NO! 898 00:39:45,750 --> 00:39:47,152 HE DID NOT SHOOT HIMSELF IN THE HEAD! 899 00:39:47,186 --> 00:39:48,853 IT WASN'T A REAL GUN. HE DID NOT SHOOT HIMSELF. 900 00:39:48,887 --> 00:39:50,122 YOU PROPOSE...? 901 00:39:50,155 --> 00:39:51,590 WELL, I PROPOSE THAT WE HAVE A PRESS CONFERENCE. 902 00:39:51,624 --> 00:39:52,824 I'LL MAKE A STATEMENT, 903 00:39:52,857 --> 00:39:55,127 AND JODI CAN DO SOME FORM OF A MEA CULPA. 904 00:39:55,160 --> 00:39:56,794 I DON'T THINK IT'S GOING TO WORK. 905 00:39:56,828 --> 00:39:58,464 THE BOARD IS OUT FOR BLOOD. 906 00:39:58,497 --> 00:39:59,598 [INTERCOM BUZZING] 907 00:39:59,632 --> 00:40:00,733 MOLLY'S HERE TO SEE YOU. 908 00:40:00,765 --> 00:40:02,400 PLEASE SEND HER IN. 909 00:40:03,902 --> 00:40:05,403 [DOOR OPENING] 910 00:40:06,906 --> 00:40:09,208 OH. SORRY, I DIDN'T REALIZE... 911 00:40:09,240 --> 00:40:10,441 COME ON IN, MOLLY! 912 00:40:10,476 --> 00:40:11,877 WE'RE ALMOST FINISHED. 913 00:40:11,910 --> 00:40:14,178 COME ON, SIT DOWN. 914 00:40:17,548 --> 00:40:19,718 THIS IS BETTE PORTER, 915 00:40:19,751 --> 00:40:21,086 THE DEAN OF OUR SCHOOL OF THE ARTS. 916 00:40:21,120 --> 00:40:22,186 HI. NICE TO MEET YOU. 917 00:40:22,220 --> 00:40:23,856 AND HER PARTNER, JODI LERNER, 918 00:40:23,888 --> 00:40:25,623 SHE TEACHES IN THE SCULPTURE DEPARTMENT. 919 00:40:25,658 --> 00:40:26,824 NICE TO MEET YOU. 920 00:40:26,859 --> 00:40:28,861 THIS IS TOM, HE'S JODI'S INTERPRETER. 921 00:40:28,893 --> 00:40:30,628 HI. 922 00:40:30,663 --> 00:40:33,799 [WHISPERING]: THEY'RE LESBIANS. 923 00:40:36,068 --> 00:40:37,770 I'M RESIGNING. 924 00:40:37,802 --> 00:40:39,071 WHAT? 925 00:40:40,105 --> 00:40:41,507 [TOM]: JUSTIN DONOVAN'S PIECE 926 00:40:41,540 --> 00:40:43,642 WAS ONE OF THE BEST STUDENT WORKS 927 00:40:43,676 --> 00:40:44,943 I'VE EVER SEEN, 928 00:40:44,976 --> 00:40:46,679 AND I TOTALLY STAND BEHIND IT. 929 00:40:46,712 --> 00:40:48,947 BUT I KNOW THAT, IF BETTE HAD KNOWN ABOUT IT IN ADVANCE, 930 00:40:48,980 --> 00:40:50,516 SHE NEVER WOULD HAVE LET ME GO AHEAD WITH IT. 931 00:40:50,549 --> 00:40:51,816 THAT IS ABSOLUTELY NOT TRUE. 932 00:40:51,849 --> 00:40:53,185 I DO NOT WANT YOU TO RESIGN. 933 00:40:53,218 --> 00:40:54,486 WELL, NEITHER DO I. 934 00:40:54,520 --> 00:40:56,188 I LOVE TEACHING HERE. 935 00:40:56,221 --> 00:40:57,523 I LOVE MY CLASS. 936 00:40:57,556 --> 00:40:58,657 BUT IT SUCKS 937 00:40:58,691 --> 00:41:00,159 THAT YOUR JOB IS JEOPARDIZED 938 00:41:00,192 --> 00:41:01,193 BECAUSE OF SOMETHING 939 00:41:01,226 --> 00:41:02,460 THAT I'M TOTALLY RESPONSIBLE FOR. 940 00:41:02,460 --> 00:41:04,663 SO, I CAN'T LIVE WITH THAT. 941 00:41:04,697 --> 00:41:05,831 I'M RESIGNING. 942 00:41:05,863 --> 00:41:07,900 BUT, REMEMBER, I HAVE MY WORK, 943 00:41:07,932 --> 00:41:09,969 AND, MOST IMPORTANTLY, I HAVE YOU, 944 00:41:10,001 --> 00:41:12,570 SO I'LL BE FINE. 945 00:41:14,873 --> 00:41:16,275 HOW FAR BEHIND ARE WE? 946 00:41:16,307 --> 00:41:19,010 [SARCASTICALLY]: OH, ONLY AN HOUR AND A HALF. 947 00:41:19,044 --> 00:41:22,214 HAS NIKI STEPPED DOWN? 948 00:41:22,246 --> 00:41:24,248 OH, GREAT. HERE SHE COMES. 949 00:41:28,319 --> 00:41:29,722 HI! 950 00:41:29,754 --> 00:41:30,822 I'M SO EXCITED! 951 00:41:30,856 --> 00:41:32,690 THIS IS THE FIRST SHOT OF THE FILM. 952 00:41:32,725 --> 00:41:34,292 OKAY, SO WHAT YOU'RE GOING TO DO 953 00:41:34,325 --> 00:41:35,828 IS WE'RE GOING TO WALK UP HERE, 954 00:41:35,860 --> 00:41:37,962 YOU'RE GOING TO BE SNIFFING THE ROSEMARY... 955 00:41:37,996 --> 00:41:42,167 WHERE'S THE, UH, PROP PERSON WITH THE, UH-- 956 00:41:42,201 --> 00:41:43,769 THE... SPRIG? 957 00:41:43,801 --> 00:41:45,903 OKAY, SO YOU'RE GOING TO BE SNIFFING THIS. 958 00:41:45,937 --> 00:41:47,606 YEAH, I DON'T KNOW WHY I'D BE HOLDING THAT. 959 00:41:47,639 --> 00:41:48,741 I MEAN, IT'S STUPID. 960 00:41:50,008 --> 00:41:52,211 BECAUSE, UM, TINA GAVE IT TO YOU OUT BACK, 961 00:41:52,244 --> 00:41:53,212 BY THE POOL, 962 00:41:53,245 --> 00:41:55,214 AND WE JUST REHEARSED IT. 963 00:41:55,247 --> 00:41:57,716 YEAH, BUT WHO WALKS AROUND WITH A PLANT FOR NO REASON? 964 00:41:57,750 --> 00:41:59,284 I MEAN, WHY WOULD I STILL BE CARRYING IT AROUND? 965 00:41:59,318 --> 00:42:01,953 JENNY, WE'VE GOT TO GO, WE'RE OUT OF TIME. 966 00:42:01,986 --> 00:42:02,520 OKAY. 967 00:42:02,520 --> 00:42:05,891 FUCK THE ROSEMARY. THAT'S COOL. 968 00:42:05,923 --> 00:42:08,594 [ASSISTANT DIRECTOR]: OKAY, HERE WE GO! 969 00:42:08,626 --> 00:42:10,528 AND... ROLL SOUND, PLEASE. 970 00:42:20,304 --> 00:42:22,174 OKAY. 971 00:42:22,207 --> 00:42:24,809 [SILENCE FALLS] 972 00:42:27,846 --> 00:42:29,214 "ACTION." OH, RIGHT! 973 00:42:30,716 --> 00:42:33,151 ACTION! 974 00:42:33,185 --> 00:42:34,286 YEAH, WELL... 975 00:42:34,318 --> 00:42:35,721 I DON'T WANT TO WRITE ABOUT 976 00:42:35,754 --> 00:42:38,089 BEING A STUDENT ANYMORE, YOU KNOW. 977 00:42:38,123 --> 00:42:40,225 I'M DONE WITH THAT PART OF MY LIFE. 978 00:42:40,259 --> 00:42:41,760 ["NINA"]: YOU MIGHT CHANGE YOUR MIND 979 00:42:41,794 --> 00:42:42,761 WHEN YOU GET OLDER. 980 00:42:42,795 --> 00:42:44,630 I'M ACTUALLY THINKING ABOUT GOING BACK TO SCHOOL 981 00:42:44,663 --> 00:42:45,898 TO START A NEW CAREER. 982 00:42:45,930 --> 00:42:47,031 OH, YOU SHOULD DO IT. 983 00:42:47,065 --> 00:42:49,368 MAYBE IN A COUPLE OF YEARS. 984 00:42:49,401 --> 00:42:51,336 RIGHT NOW, I'M TRYING TO GET PREGNANT. 985 00:42:51,370 --> 00:42:53,104 OH, MY GOD! 986 00:42:53,138 --> 00:42:54,339 THAT'S SO GREAT. 987 00:42:54,373 --> 00:42:56,608 HEY. CUT! 988 00:42:56,642 --> 00:42:58,744 SORRY. 989 00:42:58,777 --> 00:43:00,679 HEY, WHERE'S THAT CONTIN-- 990 00:43:00,712 --> 00:43:02,580 THAT'S-- THAT'S NOT THE LINE, OKAY? 991 00:43:02,580 --> 00:43:03,916 THE SCRIPTED LINE IS, 992 00:43:03,949 --> 00:43:06,652 "JIM SAID THAT YOU AND BEV 993 00:43:06,684 --> 00:43:08,320 WERE A COUPLE." 994 00:43:08,353 --> 00:43:09,721 SO YOU'RE CONFUSED HOW SHE COULD HAVE A BABY 995 00:43:09,754 --> 00:43:11,756 BECAUSE SHE'S A LESBIAN. 996 00:43:11,789 --> 00:43:13,257 WELL, THAT'S RETARDED. 997 00:43:13,292 --> 00:43:16,627 EVERYBODY KNOWS LEZZIES ARE HAVING BABIES ALL OVER, JENNY. 998 00:43:16,662 --> 00:43:19,164 RIGHT, BUT THE CHARACTER... 999 00:43:19,197 --> 00:43:21,732 IN MY SCRIPT... 1000 00:43:21,767 --> 00:43:24,001 HAS JUST ARRIVED TO L.A. 1001 00:43:24,036 --> 00:43:25,736 SHE'S FROM THE MIDWEST. 1002 00:43:25,771 --> 00:43:26,905 SHE'S NAIVE. 1003 00:43:26,938 --> 00:43:28,841 SHE'S NEVER MET A LESBIAN BEFORE. 1004 00:43:28,873 --> 00:43:30,909 SHE'S NEVER MET A LESBIAN BEFORE? 1005 00:43:30,942 --> 00:43:32,344 WHAT ABOUT ELLEN AND PORTIA? 1006 00:43:32,376 --> 00:43:33,811 I MEAN, DOES SHE NOT HAVE A TV? 1007 00:43:33,846 --> 00:43:34,979 HEY, HOW ABOUT 1008 00:43:35,012 --> 00:43:37,249 YOU SAY THE SCRIPTED LINE? 1009 00:43:39,751 --> 00:43:41,253 AW... 1010 00:43:41,286 --> 00:43:43,422 OH, COME ON. COME ON... 1011 00:43:43,455 --> 00:43:45,923 NO, NO, NO. DON'T GET UPSET. 1012 00:43:45,958 --> 00:43:47,091 SHE'S AN ARTIST. 1013 00:43:47,125 --> 00:43:48,427 WHAT? 1014 00:43:48,460 --> 00:43:50,696 YOU WANT TO GO TAKE CARE OF IT? 1015 00:43:50,729 --> 00:43:51,797 HEY! 1016 00:43:51,830 --> 00:43:52,930 NIKI! 1017 00:43:52,965 --> 00:43:54,999 [KNOCKING AT DOOR] 1018 00:44:00,071 --> 00:44:02,073 HEY. 1019 00:44:04,142 --> 00:44:07,146 WHAT'S GOING ON? 1020 00:44:10,149 --> 00:44:12,251 HEY. 1021 00:44:18,089 --> 00:44:20,057 WE HOOKED UP THE OTHER NIGHT, JENNY. 1022 00:44:20,092 --> 00:44:21,792 I KNOW! 1023 00:44:21,827 --> 00:44:25,364 AND NOW YOU'RE JUST TREATING ME LIKE I'M SOME RANDOM ACTRESS, 1024 00:44:25,397 --> 00:44:26,231 LIKE YOU DON'T EVEN KNOW ME. 1025 00:44:26,264 --> 00:44:29,768 NO! I THOUGHT THAT IT WAS REALLY... 1026 00:44:29,800 --> 00:44:32,069 I THOUGHT THAT IT WAS REALLY AMAZING. 1027 00:44:32,104 --> 00:44:34,773 DID YOU GET THE NECKLACE THAT I GAVE YOU? 1028 00:44:34,806 --> 00:44:37,275 I DON'T CARE ABOUT SOME LAME-ASS NECKLACE. 1029 00:44:37,309 --> 00:44:40,044 YOU DIDN'T EVEN COME IN TO SEE ME THIS MORNING. 1030 00:44:40,077 --> 00:44:41,813 IT'S LIKE YOU DON'T CARE ABOUT ME AT ALL. 1031 00:44:41,847 --> 00:44:43,916 NO, THAT'S NOT TRUE. 1032 00:44:43,949 --> 00:44:45,918 I DIDN'T COME IN TO SEE YOU THIS MORNING 1033 00:44:45,951 --> 00:44:48,353 BECAUSE I DON'T WANT ALL THESE FUCKING DIMWIT ACTORS 1034 00:44:48,387 --> 00:44:50,154 GOSSIPING ABOUT YOU. 1035 00:44:50,188 --> 00:44:52,056 OR GOSSIPING ABOUT ME. 1036 00:44:52,089 --> 00:44:53,425 BUT YOU KNOW WHAT I WANTED TO DO 1037 00:44:53,458 --> 00:44:55,293 WHEN YOU WALKED ON THE SET TODAY? 1038 00:44:57,995 --> 00:45:00,332 I REALLY WANTED TO KISS YOU. 1039 00:45:02,700 --> 00:45:04,169 REALLY? 1040 00:45:04,202 --> 00:45:06,204 YEAH. 1041 00:45:13,445 --> 00:45:15,314 WOW. 1042 00:45:15,347 --> 00:45:17,815 YOU'RE STILL MAD. 1043 00:45:23,254 --> 00:45:24,790 [PLAYFULLY]: OH! 1044 00:45:24,823 --> 00:45:27,325 I THOUGHT THAT YOU WERE ANGRY! 1045 00:45:27,359 --> 00:45:29,828 WHAT? 1046 00:45:29,860 --> 00:45:31,463 COME HERE. 1047 00:45:31,495 --> 00:45:33,497 WHAT? 1048 00:45:49,280 --> 00:45:53,986 I CAN'T BELIEVE I'M GOING TO FUCK YOU. 1049 00:45:54,019 --> 00:45:56,021 OH, MY GOD, I'M GOING TO FUCK YOU. 1050 00:45:56,053 --> 00:45:59,223 [NIKI LAUGHING] 1051 00:45:59,257 --> 00:46:02,494 [BOTH MOANING] 1052 00:46:02,527 --> 00:46:04,195 ARE YOU WET? 1053 00:46:04,229 --> 00:46:05,396 OH, MY GOD. 1054 00:46:05,429 --> 00:46:07,399 HEY. HEY! 1055 00:46:07,431 --> 00:46:11,136 YOU MIGHT WANT TO CHECK THIS OUT. 1056 00:46:14,972 --> 00:46:16,475 [JENNY AND NIKI MOANING] 1057 00:46:16,508 --> 00:46:17,843 [MOANING CONTINUES] 1058 00:46:17,875 --> 00:46:18,976 [NIKI]: OH, MY GOD. 1059 00:46:19,011 --> 00:46:20,212 [JENNY MOANS]: OH, FUCK! 1060 00:46:20,244 --> 00:46:22,147 [TINA MOUTHING WORDS] 1061 00:46:22,179 --> 00:46:25,817 [MOUTHING WORDS] [JENNY]: DON'T COME YET! 1062 00:46:25,851 --> 00:46:27,886 FUCK! 1063 00:46:30,254 --> 00:46:31,490 MR. KORNBLUTH! [SNAPPING]: WHAT? 1064 00:46:31,523 --> 00:46:34,058 MR. HALSEY JUST ARRIVED AT BASE CAMP. 1065 00:46:34,092 --> 00:46:35,159 OH, THAT'S GREAT. 1066 00:46:35,192 --> 00:46:36,528 WILLIAM'S HERE! 1067 00:46:36,561 --> 00:46:37,728 I CAN'T WAIT FOR HIM TO HEAR 1068 00:46:37,763 --> 00:46:39,797 WHAT'S HAPPENING ON THE SET OF HIS LITTLE LESBIAN MOVIE. 1069 00:46:43,502 --> 00:46:45,336 HERE YOU GO, MR. HALSEY. 1070 00:46:45,370 --> 00:46:47,238 AN EGG WHITE WITH WHITE ASPARAGUS OMELET, 1071 00:46:47,271 --> 00:46:48,339 JUST FOR YOU. 1072 00:46:48,373 --> 00:46:50,341 OH, THIS IS SO GREAT. 1073 00:46:50,375 --> 00:46:51,910 LOOK AT THIS! 1074 00:46:51,943 --> 00:46:55,881 THAT IS THE PRETTIEST OMELET THAT I'VE EVER SEEN. 1075 00:46:55,914 --> 00:46:57,549 MR. HALSEY. 1076 00:46:57,582 --> 00:46:59,216 HI. HEY! 1077 00:46:59,250 --> 00:47:01,887 I'M ADELE CHANNING, JENNIFER SCHECTER'S ASSISTANT. 1078 00:47:01,920 --> 00:47:02,820 WOULD YOU LIKE AN OMELET, ADELE? 1079 00:47:02,820 --> 00:47:05,856 THEY'RE MAKING THEM WITH THE YOLK, OR WITHOUT. 1080 00:47:05,891 --> 00:47:07,025 OH, NO, THANK YOU. 1081 00:47:07,059 --> 00:47:09,194 THANK YOU, BUT, NO, THANK YOU. 1082 00:47:09,227 --> 00:47:11,897 I JUST... UH, JENNIFER WANTED ME TO FIND YOU, 1083 00:47:11,929 --> 00:47:14,232 TO LET YOU KNOW THAT THERE'S BEEN A LITTLE PROBLEM 1084 00:47:14,265 --> 00:47:15,233 WITH NIKI THIS MORNING. 1085 00:47:15,266 --> 00:47:16,234 REALLY? 1086 00:47:16,267 --> 00:47:18,969 WELL, LET'S GO SEE WHAT'S WRONG. 1087 00:47:19,004 --> 00:47:20,138 UM... 1088 00:47:20,171 --> 00:47:23,040 THE THING IS, MR. HALSEY... 1089 00:47:23,075 --> 00:47:25,609 I THINK-- I THINK YOU SHOULD KNOW THAT... 1090 00:47:25,643 --> 00:47:27,111 JENNIFER AND NIKI 1091 00:47:27,145 --> 00:47:29,313 ARE KIND OF INVOLVED WITH ONE ANOTHER. 1092 00:47:29,348 --> 00:47:31,950 WHAT DO YOU MEAN, ROMANTICALLY INVOLVED? 1093 00:47:31,982 --> 00:47:34,419 UM... YES. YES. 1094 00:47:34,452 --> 00:47:35,654 SO, THE, UM... 1095 00:47:35,687 --> 00:47:38,123 DIRECTOR OF THE PICTURE 1096 00:47:38,155 --> 00:47:40,492 IS SLEEPING WITH THE STAR? 1097 00:47:40,525 --> 00:47:41,993 IS THAT WHAT YOU'RE SAYING? 1098 00:47:42,027 --> 00:47:44,228 UM. YES. 1099 00:47:44,261 --> 00:47:46,364 AND IT'S NOT ALWAYS A BAD THING. 1100 00:47:47,365 --> 00:47:48,332 NO? 1101 00:47:48,366 --> 00:47:49,333 NO. 1102 00:47:49,367 --> 00:47:51,002 HOW IS IT NOT A BAD THING? 1103 00:47:51,036 --> 00:47:55,339 UM, YOU KNOW, IN THE CASE OF... 1104 00:47:55,373 --> 00:47:57,174 IN THE CASE OF NIKI... 1105 00:47:57,209 --> 00:47:59,578 UH. 1106 00:47:59,611 --> 00:48:02,114 SHE'S JUST SO YOUNG AND SO FRESH AND SO GREEN-- 1107 00:48:02,147 --> 00:48:02,880 [SCOFFING]: OH, REALLY? 1108 00:48:02,880 --> 00:48:04,216 WELL, SHE IS! 1109 00:48:04,249 --> 00:48:05,484 [CHUCKLING MIRTHFULLY] 1110 00:48:05,516 --> 00:48:07,152 AND, I'VE GOT TO TELL YOU, 1111 00:48:07,184 --> 00:48:09,053 SHE WAS JUST REALLY NERVOUS ABOUT THIS ROLE. 1112 00:48:09,087 --> 00:48:10,288 OH... 1113 00:48:10,322 --> 00:48:11,989 AND, THE THING IS, 1114 00:48:12,022 --> 00:48:13,425 JENNIFER KNEW HOW MUCH YOU WANTED-- 1115 00:48:13,458 --> 00:48:16,695 HOW MUCH YOU NEEDED NIKI FOR THIS ROLE-- 1116 00:48:16,727 --> 00:48:20,498 AND WHEN SHE SENSED THAT NIKI WAS ABOUT TO DROP OUT-- 1117 00:48:20,532 --> 00:48:23,468 WELL, SHE MADE HER HER LOVER. 1118 00:48:23,501 --> 00:48:27,438 EVERYTHING CHANGED AFTER THAT. 1119 00:48:27,472 --> 00:48:29,574 WELL, THAT'S INTERESTING. 1120 00:48:29,608 --> 00:48:32,077 THAT'S A VERY INTERESTING APPROACH, ADELE. 1121 00:48:32,109 --> 00:48:34,678 YES, I THINK THAT IT SAVED THE MOVIE. 1122 00:48:34,712 --> 00:48:38,282 WELL, I'M GOING TO HAVE TO REALLY THINK ABOUT THAT. 1123 00:48:40,552 --> 00:48:41,519 [AARON]: READ YOUR CONTRACT, SCHECTER! 1124 00:48:41,553 --> 00:48:42,687 I CAN REPLACE YOU 1125 00:48:42,721 --> 00:48:44,990 WITH OR WITHOUT CAUSE! 1126 00:48:45,023 --> 00:48:46,158 CALM DOWN, AARON. 1127 00:48:46,191 --> 00:48:47,259 IS THAT YOUR POSITION? 1128 00:48:47,291 --> 00:48:48,960 NO, IT'S NOT MY POSITION, JENNY. 1129 00:48:48,994 --> 00:48:50,461 I JUST... I THINK IT COULD BE DIFFICULT 1130 00:48:50,495 --> 00:48:51,462 FOR PRODUCTION, 1131 00:48:51,496 --> 00:48:52,463 BUT, NO, IT'S NOBODY'S-- 1132 00:48:52,497 --> 00:48:54,132 WILLIAM. WILLIAM-- 1133 00:48:54,166 --> 00:48:55,399 I DON'T KNOW WHAT YOU'VE HEARD, 1134 00:48:55,433 --> 00:48:58,369 BUT I HAVE NEVER-- IN ALL MY DAYS 1135 00:48:58,402 --> 00:49:01,006 OF BEING IN SHOW BUSINESS-- 1136 00:49:01,039 --> 00:49:02,940 WOW! THERE SHE IS! 1137 00:49:02,940 --> 00:49:05,310 I'VE MISSED YA! 1138 00:49:05,342 --> 00:49:06,678 GIVE YOUR DADDY A HUG. 1139 00:49:06,710 --> 00:49:07,979 HE'S BEING SO MEAN TO ME! 1140 00:49:08,013 --> 00:49:09,181 MEAN? 1141 00:49:09,214 --> 00:49:12,450 DON'T YOU BE MEAN TO MY BABY! 1142 00:49:12,484 --> 00:49:14,051 [CHUCKLING] 1143 00:49:14,084 --> 00:49:15,286 OKAY. 1144 00:49:15,320 --> 00:49:16,620 THAT'S THE WATCH! I'M WEARING IT. 1145 00:49:16,655 --> 00:49:18,990 THAT'S THE WATCH I GOT FOR YOU! 1146 00:49:19,024 --> 00:49:20,291 YEAH. 1147 00:49:20,325 --> 00:49:22,694 OH, YOU ARE REALLY SOMETHING ELSE. 1148 00:49:22,726 --> 00:49:25,197 THAT LITTLE NIKI STEVENS. 1149 00:49:25,229 --> 00:49:27,565 HER MOVIE HASN'T EVEN OPENED YET, 1150 00:49:27,599 --> 00:49:30,202 AND ALREADY SHE'S OUT OF CONTROL-- 1151 00:49:30,234 --> 00:49:32,337 WELL, SHE'S A BIT FRAGILE. 1152 00:49:32,369 --> 00:49:34,371 WELL, IF THERE'S ANYONE WHO CAN 1153 00:49:34,406 --> 00:49:36,174 TAKE A FRAGILE PERSON 1154 00:49:36,208 --> 00:49:39,177 AND GLUE THEM BACK TOGETHER, 1155 00:49:39,211 --> 00:49:41,112 I THINK THAT WOULD BE YOU. 1156 00:49:41,146 --> 00:49:45,250 NOW, DIDN'T WE MAKE AN EXCELLENT DECISION? 1157 00:49:51,522 --> 00:49:52,490 YEAH. 1158 00:49:52,523 --> 00:49:53,491 OKAY. 1159 00:49:53,524 --> 00:49:54,759 I KNOW YOU DON'T... 1160 00:49:54,793 --> 00:49:56,293 OKAY, ALICE. ARE YOU READY? 1161 00:49:56,328 --> 00:49:57,128 YEAH, JUST-- 1162 00:49:57,162 --> 00:50:00,232 MY EYES ARE TEARING FROM THE MASCARA. 1163 00:50:00,265 --> 00:50:02,100 ALLERGIC TO IT SOMETIMES. 1164 00:50:02,133 --> 00:50:03,000 TAKE A BREATH. OKAY? 1165 00:50:03,000 --> 00:50:04,536 OKAY. GREAT. 1166 00:50:04,569 --> 00:50:05,536 OKAY. 1167 00:50:05,570 --> 00:50:06,537 WE COOL? 1168 00:50:06,571 --> 00:50:07,538 OH, TOTALLY. ALL RIGHT. 1169 00:50:07,572 --> 00:50:08,507 GREAT. 1170 00:50:08,539 --> 00:50:09,608 ROLLING. 1171 00:50:09,641 --> 00:50:12,276 HI! I'M ALICE IN LESBOLAND, 1172 00:50:12,310 --> 00:50:15,513 AND WE'RE HERE ON LOCATION. 1173 00:50:15,547 --> 00:50:16,648 IT'S A VERY SPECIAL DAY. 1174 00:50:16,680 --> 00:50:19,317 WE'RE HERE ON THE SET OF JENNY SCHECTER'S NEW FILM, 1175 00:50:19,350 --> 00:50:20,752 LEZ GIRLS. 1176 00:50:20,784 --> 00:50:22,553 IT'S ABOUT THE LIVES AND THE LOVES 1177 00:50:22,587 --> 00:50:24,256 OF LESBIANS IN LOS ANGELES, 1178 00:50:24,288 --> 00:50:25,489 AND WE'RE GOING TO MEET 1179 00:50:25,524 --> 00:50:27,625 THE STAR OF THE MOVIE, NIKI STEVENS. 1180 00:50:27,659 --> 00:50:31,196 AND, UM... THAT'S IT, LOTS OF GIRLIE ACTION. 1181 00:50:32,264 --> 00:50:34,298 OKAY. GOOD? 1182 00:50:34,332 --> 00:50:35,800 GOOD. OKAY. 1183 00:50:35,834 --> 00:50:36,801 I'M ALL RIGHT. 1184 00:50:36,835 --> 00:50:37,802 [SNIFFLES]: YEAH. 1185 00:50:37,836 --> 00:50:39,503 YOU SURE? 1186 00:50:42,807 --> 00:50:45,509 WE'VE GOT A PROBLEM WITH SOME OF THE NEIGHBORS. 1187 00:50:45,543 --> 00:50:46,577 WHAT KIND OF PROBLEM? 1188 00:50:46,611 --> 00:50:47,511 THERE'S A GROUP OF NEIGHBORHOOD FOLKS 1189 00:50:47,545 --> 00:50:49,681 OVER THERE THREATENING TO SHUT DOWN THE FILM. 1190 00:50:49,714 --> 00:50:50,782 THEY SAY THEY DON'T WANT THEIR NEIGHBORHOOD 1191 00:50:50,815 --> 00:50:52,384 PORTRAYED AS 1192 00:50:52,416 --> 00:50:55,486 "A HOTBED OF LESBIAN SEX AND SALACIOUSNESS." 1193 00:50:55,519 --> 00:50:57,155 WE HAVE PERMITS. 1194 00:50:57,188 --> 00:50:58,757 I'LL GO HANDLE IT. 1195 00:50:58,790 --> 00:51:02,127 WELL, THEY SAY NO ONE TALKED TO THEM... 1196 00:51:02,160 --> 00:51:05,563 LET'S TAKE THE LIMO. 1197 00:51:07,566 --> 00:51:08,667 [WOMAN]: AND FROM WHAT WE KNOW ABOUT IT, 1198 00:51:08,700 --> 00:51:10,335 NONE OF US WANT TO BE ASSOCIATED 1199 00:51:10,367 --> 00:51:11,536 WITH THIS FILM, OKAY? 1200 00:51:11,569 --> 00:51:13,270 IT'S UNREALISTIC, IT EXPLOITS... 1201 00:51:13,305 --> 00:51:14,738 FRANKLY, WE'RE ANGRY AT HOW LESBIANS 1202 00:51:14,773 --> 00:51:17,309 ARE PORTRAYED AS CONNIVING, PROMISCUOUS SEX FIENDS. 1203 00:51:17,341 --> 00:51:18,810 LADIES, I DON'T KNOW 1204 00:51:18,842 --> 00:51:21,845 WHERE ANY OF YOU GOT YOUR INFORMATION FROM, 1205 00:51:21,879 --> 00:51:23,782 BUT I JUST WANT TO TELL YOU GUYS-- 1206 00:51:23,815 --> 00:51:25,416 JENNY, THAT'S DAWN DENBO, 1207 00:51:25,450 --> 00:51:26,785 SHE WAS AT OUR PARTY LAST WEEK. 1208 00:51:26,818 --> 00:51:28,153 DOES SHE EVEN LIVE IN THIS NEIGHBORHOOD? 1209 00:51:28,186 --> 00:51:29,154 I DON'T KNOW, I DOUBT IT. 1210 00:51:29,187 --> 00:51:30,354 SHE DOESN'T EVEN LIVE HERE! 1211 00:51:30,388 --> 00:51:32,457 SHE DOESN'T EVEN LIVE IN THIS NEIGHBORHOOD. 1212 00:51:32,489 --> 00:51:33,592 SHE DOESN'T. 1213 00:51:33,624 --> 00:51:34,726 THIS IS A PERSONAL THING. 1214 00:51:34,759 --> 00:51:35,760 THAT DOESN'T REALLY MATTER. 1215 00:51:35,794 --> 00:51:37,429 WE HAVE FRIENDS WHO LIVE IN THIS NEIGHBORHOOD. 1216 00:51:37,461 --> 00:51:38,797 IT DOESN'T MATTER. 1217 00:51:38,830 --> 00:51:40,298 YOU KNOW WHAT? LET ME TELL YOU SOMETHING. 1218 00:51:40,332 --> 00:51:41,333 HAVE YOU EVEN 1219 00:51:41,366 --> 00:51:42,434 READ THE SCRIPT? 1220 00:51:42,466 --> 00:51:43,567 YES, I'VE READ THE SCRIPT. 1221 00:51:43,601 --> 00:51:44,869 I'VE READ SOME SCENES, AND IT SUCKED! 1222 00:51:44,903 --> 00:51:46,570 I AUDITIONED FOR DONNA. 1223 00:51:46,604 --> 00:51:47,839 I GAVE HER MY SIDES. 1224 00:51:47,872 --> 00:51:49,473 SO, HOW MUCH DO YOU THINK THEY WANT? 1225 00:51:49,506 --> 00:51:50,708 WOULD 5,000 APIECE DO IT? 1226 00:51:50,742 --> 00:51:51,508 NO! 1227 00:51:51,542 --> 00:51:53,345 WHO IS THIS, YOUR DADDY WARBUCKS? 1228 00:51:53,378 --> 00:51:54,578 WHAT'S UP WITH THIS? 1229 00:51:54,612 --> 00:51:55,914 NO, NO, NO, WE DON'T-- 1230 00:51:55,947 --> 00:51:57,581 NO, WE'RE NOT INTERESTED IN YOUR MONEY, OKAY? 1231 00:51:57,615 --> 00:51:58,683 NO, IT'S THE PRINCIPLE OF THE THING. 1232 00:51:58,716 --> 00:51:59,717 NO, WE'RE NOT INTERESTED IN THAT. 1233 00:51:59,751 --> 00:52:00,852 NO-- WE'LL TAKE IT. 1234 00:52:00,885 --> 00:52:02,387 YEAH. 1235 00:52:02,419 --> 00:52:03,120 YEAH, LADIES, 1236 00:52:03,120 --> 00:52:05,190 IF YOU'LL FOLLOW, 1237 00:52:05,223 --> 00:52:06,191 I'LL CUT YOU SOME CHECKS. 1238 00:52:06,224 --> 00:52:07,192 YEAH, OKAY, YOU KNOW WHAT? 1239 00:52:07,224 --> 00:52:08,560 FINE. WHAT'S THAT? 1240 00:52:08,592 --> 00:52:09,728 $25,000 OUT OF YOUR POCKET? FINE. 1241 00:52:09,761 --> 00:52:11,196 AND YOU GUYS'LL PAY A LOT MORE 1242 00:52:11,228 --> 00:52:12,197 BEFORE IT'S OVER. 1243 00:52:12,229 --> 00:52:13,198 I GOT TWO OF THOSE FOR YOU. 1244 00:52:13,230 --> 00:52:14,699 FUCK YOU, DENBO! 1245 00:52:14,733 --> 00:52:16,368 AND YOUR DUMB LOVER. 1246 00:52:16,400 --> 00:52:18,203 YOU'RE A RAT FUCK! 1247 00:52:18,235 --> 00:52:19,603 BYE, CINDI! 1248 00:52:19,638 --> 00:52:21,773 DON'T TALK TO MY GIRLFRIEND, SHANE! 1249 00:52:21,806 --> 00:52:23,808 [SHANE]: ADELE, I LIKE YOUR MAKEOVER. 1250 00:52:23,842 --> 00:52:25,243 [ADELE]: THANKS. 1251 00:52:25,275 --> 00:52:27,344 AND I'M LIKING THOSE NEW JEANS AS WELL. 1252 00:52:27,379 --> 00:52:28,847 WHAT, THESE OLD THINGS? 1253 00:52:28,880 --> 00:52:32,549 COME ON, YOU KNOW YOU BOUGHT THEM YESTERDAY. 1254 00:52:32,584 --> 00:52:34,853 [LAUGHS]: I BOUGHT THEM YESTERDAY. 1255 00:52:34,886 --> 00:52:35,887 WELL, WHENEVER YOU BOUGHT 'EM, 1256 00:52:35,920 --> 00:52:36,888 THEY LOOK CUTE. 1257 00:52:36,921 --> 00:52:38,189 THEY DO, THEY LOOK GOOD ON YOU. 1258 00:52:38,223 --> 00:52:39,424 THANK YOU. 1259 00:52:39,456 --> 00:52:41,292 SO, WHAT ARE YOU THINKING ABOUT? 1260 00:52:41,326 --> 00:52:44,896 UM... OKAY, I'M THINKING 1261 00:52:44,929 --> 00:52:48,632 JUST REALLY LONG AND REALLY STRAIGHT... 1262 00:52:48,666 --> 00:52:51,436 BANGS, COMING FORWARD, LIKE THIS. 1263 00:52:51,468 --> 00:52:52,636 MM-HMM? 1264 00:52:52,670 --> 00:52:54,239 AND THEN MAYBE A COUPLE PIECES 1265 00:52:54,272 --> 00:52:55,840 ON THE SIDE, HERE? 1266 00:52:55,874 --> 00:52:57,742 AND A COUPLE PIECES ON THE SIDE, HERE, 1267 00:52:57,775 --> 00:53:00,544 ALL COMING FORWARD, SO, KIND OF... 1268 00:53:00,577 --> 00:53:02,514 STRAIGHT ACROSS AND FORWARD HERE. 1269 00:53:02,546 --> 00:53:04,416 LIKE JENNY'S HAIRCUT? 1270 00:53:04,448 --> 00:53:05,716 REALLY? OH? 1271 00:53:05,750 --> 00:53:07,752 I WASN'T THINKING THAT IT WAS LIKE JENNY. 1272 00:53:07,786 --> 00:53:10,654 YEAH, IT IS VERY MUCH LIKE JENNY'S... 1273 00:53:10,689 --> 00:53:12,523 IF THAT'S WHAT YOU WANT. 1274 00:53:12,557 --> 00:53:13,992 WELL... 1275 00:53:14,024 --> 00:53:15,325 IF YOU THINK-- 1276 00:53:15,359 --> 00:53:17,394 THEN WE DON'T HAVE TO DO IT, 1277 00:53:17,429 --> 00:53:18,430 THAT'S OKAY. 1278 00:53:18,462 --> 00:53:19,564 OH, I'M NOT SAYING-- I KNOW, 1279 00:53:19,596 --> 00:53:20,798 I JUST WANT TO MAKE SURE THAT YOU KNEW. 1280 00:53:20,832 --> 00:53:22,332 SO YOU DON'T MIND HAVING YOUR HAIRLINE 1281 00:53:22,367 --> 00:53:24,302 BE PUSHED FORWARD A BIT? LIKE, THIS DOWN? 1282 00:53:24,334 --> 00:53:25,570 NO, THAT'S GOOD. 1283 00:53:25,602 --> 00:53:27,272 YEAH, THAT LOOKS-- 1284 00:53:27,305 --> 00:53:28,739 ...OR EVEN FURTHER? 1285 00:53:28,773 --> 00:53:30,741 UH-HUH. 1286 00:53:30,775 --> 00:53:31,876 YES. YES. 1287 00:53:31,910 --> 00:53:33,445 YES, YES, YES. 1288 00:53:33,477 --> 00:53:34,879 THAT'S WHAT YOU WANT? 1289 00:53:34,913 --> 00:53:36,881 MM-HMM. UM... 1290 00:53:36,915 --> 00:53:38,283 OKAY. 1291 00:53:38,316 --> 00:53:39,984 SHORTER? RIGHT ABOUT THERE? 1292 00:53:40,018 --> 00:53:41,019 RIGHT ABOVE THE EYES? 1293 00:53:41,052 --> 00:53:42,519 YES, RIGHT ABOVE THE EYES. 1294 00:53:42,554 --> 00:53:44,822 I THINK THAT'S WHAT I WANT. 1295 00:53:44,856 --> 00:53:46,324 SHE WAS SO NOBLE. 1296 00:53:46,357 --> 00:53:47,691 SHE WAS GOING TO TAKE THE FALL FOR ME. 1297 00:53:47,725 --> 00:53:49,994 OH. WELL, WHERE'S SHE AT? 1298 00:53:50,028 --> 00:53:51,429 SHE'S WORKING, 1299 00:53:51,463 --> 00:53:53,331 BUT I THINK SHE'S GOING TO COME OVER TONIGHT. 1300 00:53:53,364 --> 00:53:55,833 BETTE, IT SUCKS THAT SHE HAS TO RESIGN. 1301 00:53:55,867 --> 00:53:57,768 I CAN'T EVEN TELL YOU HOW FUCKED UP IT IS. 1302 00:53:57,802 --> 00:53:58,803 IT'S SO FUCKED UP. 1303 00:53:58,836 --> 00:54:01,506 I MEAN, JODI IS REALLY THE MOST ANTI-GUN PERSON 1304 00:54:01,538 --> 00:54:02,307 I'VE EVER MET. 1305 00:54:02,340 --> 00:54:03,240 REALLY, FOR HER, THE ENTIRE PIECE 1306 00:54:03,240 --> 00:54:05,909 WAS ABOUT GUN VIOLENCE. 1307 00:54:05,944 --> 00:54:08,712 WELL, I WAS THINKING ABOUT GETTING A GUN. 1308 00:54:08,747 --> 00:54:10,749 NO, YOU'RE NOT GETTING A GUN. 1309 00:54:10,781 --> 00:54:12,416 EVER SINCE THE ROBBERY-- 1310 00:54:12,449 --> 00:54:14,384 I WANT TO PROTECT MYSELF, I WANT TO FEEL SAFE. 1311 00:54:14,418 --> 00:54:15,854 YOU'RE NOT GOING TO FEEL SAFE WITH A GUN. 1312 00:54:15,887 --> 00:54:16,888 GUNS DO NOT MAKE YOU FEEL SAFE! 1313 00:54:16,920 --> 00:54:18,355 YOU'RE NOT GETTING A GUN. 1314 00:54:18,388 --> 00:54:19,824 LADIES, YOU CAN'T GO THIS WAY. 1315 00:54:19,857 --> 00:54:20,858 THEY'RE MAKING A MOVIE. 1316 00:54:20,892 --> 00:54:21,926 I LIVE IN THIS NEIGHBORHOOD. 1317 00:54:21,960 --> 00:54:23,428 AND WE ARE FRIENDS WITH THE PRODUCER. 1318 00:54:23,460 --> 00:54:25,062 AND THE DIRECTOR. BOTH! 1319 00:54:25,095 --> 00:54:26,998 IT'S OKAY. THEY'RE WITH ME. 1320 00:54:27,030 --> 00:54:29,032 TOLD YA. 1321 00:54:30,935 --> 00:54:32,736 WELL, ARE YOU HERE TO VISIT THE SET? 1322 00:54:32,771 --> 00:54:34,671 IF THAT'S OKAY. 1323 00:54:34,706 --> 00:54:36,074 IT'S GREAT! COME ON. 1324 00:54:36,107 --> 00:54:37,775 I'LL SHOW YOU AROUND. 1325 00:54:37,808 --> 00:54:39,043 YOU'RE JUST IN TIME. 1326 00:54:39,077 --> 00:54:41,678 WE'RE ABOUT TO HAVE THE MARTINI. 1327 00:54:41,712 --> 00:54:43,580 OH, MARTINI? 1328 00:54:43,615 --> 00:54:44,815 WELL, NOT FOR ME. 1329 00:54:44,849 --> 00:54:47,885 NO, NO, THAT'S THE LAST SHOT OF THE DAY, KIT. 1330 00:54:47,919 --> 00:54:49,988 OH. 1331 00:54:50,021 --> 00:54:52,490 I CAN'T BELIEVE YOU'RE HERE. 1332 00:54:52,524 --> 00:54:55,493 I COULDN'T RESIST. 1333 00:54:55,527 --> 00:54:56,660 SO YOU GUYS GO TO GET OUT OF THE CAR, 1334 00:54:56,693 --> 00:54:58,496 AND YOU'RE GOING TO PICK IT UP FROM, 1335 00:54:58,530 --> 00:55:00,465 "I'M SO GLAD THAT WE'RE HOME," OKAY? 1336 00:55:00,498 --> 00:55:03,300 [PEOPLE CHATTERING] 1337 00:55:03,300 --> 00:55:04,469 HEY, EVERYBODY. 1338 00:55:04,501 --> 00:55:05,503 BETTE! 1339 00:55:05,537 --> 00:55:06,871 LOOK WHO'S HERE. 1340 00:55:06,905 --> 00:55:07,939 HOW ARE YOU, GUYS? 1341 00:55:07,971 --> 00:55:09,507 HI. 1342 00:55:09,541 --> 00:55:12,610 [ASSISTANT DIRECTOR]: BE VERY QUIET, PLEASE. 1343 00:55:12,643 --> 00:55:15,680 COME SIT OVER HERE. 1344 00:55:18,016 --> 00:55:20,717 OKAY, SO YOU GUYS GET OUT OF THE CAR AND... 1345 00:55:20,752 --> 00:55:22,586 JENNY IS, UM... 1346 00:55:22,620 --> 00:55:23,988 FUCKING THE STAR. 1347 00:55:24,022 --> 00:55:25,056 OH-- 1348 00:55:25,088 --> 00:55:28,626 OR SHOULD I SAY, SHE'S FUCKING HERSELF? 1349 00:55:28,659 --> 00:55:30,028 OH, HEY, HOW ARE YOU? 1350 00:55:30,061 --> 00:55:32,030 YOU GOT YOUR HAIR CUT? 1351 00:55:32,063 --> 00:55:34,464 OH, YEAH, SHANE DID IT. 1352 00:55:34,499 --> 00:55:35,967 IT WAS HER IDEA. 1353 00:55:36,000 --> 00:55:36,968 DO YOU LIKE IT? 1354 00:55:37,001 --> 00:55:39,636 SEEMS LIKE IT'S A PRETTY POPULAR CUT AROUND HERE. 1355 00:55:39,671 --> 00:55:41,105 WHAT DO YOU MEAN? 1356 00:55:41,139 --> 00:55:44,741 I MEAN, IT KIND OF LOOKS LIKE JENNY'S HAIR. 1357 00:55:45,809 --> 00:55:47,378 I DON'T THINK SO. 1358 00:55:47,412 --> 00:55:50,948 IT LOOKS GOOD. LOOKS GOOD ON YOU. 1359 00:55:53,451 --> 00:55:55,486 YOU KNOW THOSE FUCKING SHEBAR GIRLS? 1360 00:55:55,520 --> 00:55:57,522 THEY CAME AND THEY TRIED TO SHUT THE PRODUCTION DOWN. 1361 00:55:57,555 --> 00:55:58,690 GET THE FUCK OUT. 1362 00:55:58,722 --> 00:56:00,491 I'M NOT KIDDING. YEAH. 1363 00:56:00,525 --> 00:56:01,959 YOU KNOW-- YOU KNOW... 1364 00:56:01,993 --> 00:56:03,360 WE'RE GOING TO TAKE 'EM DOWN. 1365 00:56:03,360 --> 00:56:05,096 THAT'S IT. IT'S ON. ARE YOU GUYS WITH ME? 1366 00:56:05,128 --> 00:56:06,831 YEAH.I'M ALWAYS WITH YOU. 1367 00:56:06,864 --> 00:56:07,765 SERIOUSLY. I AM. 1368 00:56:07,799 --> 00:56:09,533 I WISH TASHA WAS HERE. SHE'D KNOW WHAT TO DO. 1369 00:56:09,567 --> 00:56:11,068 THEN GIVE HER A CALL. 1370 00:56:11,102 --> 00:56:12,703 I'M JUST SAYING. 1371 00:56:12,737 --> 00:56:13,871 COME ON. 1372 00:56:13,905 --> 00:56:15,706 THIS IS A REALLY BIG DEAL. 1373 00:56:15,740 --> 00:56:18,709 IT'S PRETTY AMAZING, ISN'T IT? 1374 00:56:18,743 --> 00:56:21,778 AND JENNY'S AT THE HELM. 1375 00:56:21,813 --> 00:56:23,448 [SIGHS HEAVILY] 1376 00:56:23,481 --> 00:56:24,449 YUP. 1377 00:56:24,482 --> 00:56:25,416 [CHUCKLING] 1378 00:56:25,450 --> 00:56:27,851 REALLY INTERESTING HAIR CHOICE ON ADELE THERE. 1379 00:56:27,886 --> 00:56:29,754 I'M TELLING YOU, IT WAS NOT MY CHOICE, 1380 00:56:29,786 --> 00:56:31,722 BUT SHE JUST INSISTED UPON IT. 1381 00:56:31,756 --> 00:56:33,424 [MAX]: WHAT? 1382 00:56:33,458 --> 00:56:34,893 MM-HMM. 1383 00:56:34,925 --> 00:56:37,095 SHE TOLD ME THAT-- 1384 00:56:37,128 --> 00:56:38,730 THAT SHE WAS UNCOMFORTABLE WITH IT, 1385 00:56:38,762 --> 00:56:41,932 AND THAT YOU ENCOURAGED HER TO DO IT. 1386 00:56:41,966 --> 00:56:43,867 SHE SAID-- YOU DID? 1387 00:56:43,901 --> 00:56:45,203 NO! SHE SAID THAT? 1388 00:56:45,236 --> 00:56:46,870 YEAH, SHE SAID SHE DIDN'T WANT TO DO IT, 1389 00:56:46,904 --> 00:56:48,005 YOU INSISTED. 1390 00:56:48,039 --> 00:56:49,474 WHY WOULD SHE SAY THAT? 1391 00:56:49,507 --> 00:56:51,609 IT'S FREAKY, YOU GUYS. 1392 00:56:51,643 --> 00:56:52,709 YOU KNOW WHAT? 1393 00:56:52,744 --> 00:56:54,679 I THINK IT'S GOING TO BE GREAT. 1394 00:56:54,711 --> 00:56:55,879 IT'S GOING TO BE GREAT 1395 00:56:55,913 --> 00:56:58,715 BECAUSE YOU'RE PRODUCING IT. 1396 00:56:58,750 --> 00:57:00,884 [**] 1397 00:57:00,918 --> 00:57:02,487 SANDRA, CAN WE SHOOT? 1398 00:57:02,520 --> 00:57:03,420 YEAH! 1399 00:57:03,420 --> 00:57:04,621 LET'S GO! 1400 00:57:04,656 --> 00:57:07,492 * JULIET 1401 00:57:07,524 --> 00:57:11,595 * I CAN FEEL YOUR GLOW 1402 00:57:11,628 --> 00:57:13,563 * OF PASSIONS 1403 00:57:13,597 --> 00:57:18,535 * READY TO EXPLODE 1404 00:57:18,568 --> 00:57:20,904 * SECRETS YOU'VE KEPT 1405 00:57:20,939 --> 00:57:25,810 * SHOULD ALL BE TOLD 1406 00:57:25,842 --> 00:57:28,813 * LIKE BLOSSOMS 1407 00:57:28,845 --> 00:57:33,685 * READY TO UNFOLD 1408 00:57:33,717 --> 00:57:35,986 * JULIET 1409 00:57:36,020 --> 00:57:40,857 * YOU'RE NOT AFRAID ANYMORE * 1410 00:57:40,891 --> 00:57:43,961 * JULIET, JULIET 1411 00:57:43,994 --> 00:57:51,468 * I'M NOT AFRAID ANYMORE... 1412 00:57:53,204 --> 00:57:55,939 * SWEET LOVE'S COMING ON 1413 00:57:55,973 --> 00:57:59,076 * OH, GIRL, CAN YOU HEAR IT? 1414 00:57:59,110 --> 00:58:01,045 * OH, OH, OH 1415 00:58:01,078 --> 00:58:02,980 * STEPPIN' INTO SUNSHINE 1416 00:58:03,013 --> 00:58:09,019 * JULIET OF THE SPIRITS 1417 00:58:09,053 --> 00:58:11,255 * PLEASURE IS CALLING YOU * 1418 00:58:11,289 --> 00:58:12,255 [**] 1419 00:58:12,290 --> 00:58:13,725 YEAH!