1 00:00:10,478 --> 00:00:11,645 PREVIOUSLY ON THE L WORD... 2 00:00:11,679 --> 00:00:12,846 I CAME HERE TO APOLOGIZE. 3 00:00:12,880 --> 00:00:15,283 IF THERE'S ANYTHING I CAN DO TO EVEN THE PLAYING FIELD... 4 00:00:15,316 --> 00:00:17,351 JENNY SCHECTER, SHE'S YOUR ROOMMATE. 5 00:00:17,385 --> 00:00:18,619 GET HER TO USE SHEBAR AS A LOCATION 6 00:00:18,652 --> 00:00:20,354 IN HER BIG HOLLYWOOD LESBO MOVIE. 7 00:00:20,388 --> 00:00:21,555 ONE MORE THING-- 8 00:00:21,589 --> 00:00:22,556 IT HAS TO BE CALLED SHEBAR, 9 00:00:22,590 --> 00:00:23,624 NOT WHATEVER THE THING WAS CALLED 10 00:00:23,657 --> 00:00:25,526 THAT'S SUPPOSED TO BE THE PLANET. 11 00:00:25,559 --> 00:00:26,827 I CAN'T DO IT. 12 00:00:26,860 --> 00:00:28,162 GOING TO HAVE TO PUT YOUR FRIEND OUT OF BUSINESS 13 00:00:28,196 --> 00:00:29,330 THE OLD-FASHIONED WAY. 14 00:00:29,363 --> 00:00:31,065 PUPPIES! 15 00:00:31,099 --> 00:00:32,733 THOSE AREN'T PUPPIES! 16 00:00:32,766 --> 00:00:34,502 I DON'T HAVE RATS. 17 00:00:34,535 --> 00:00:36,637 SO, I HEARD GOT OFFERED SOME TALK SHOW. 18 00:00:36,670 --> 00:00:37,705 I DON'T KNOW IF I'M GOING TO DO IT. 19 00:00:37,738 --> 00:00:39,807 WHY WOULD YOU THINK TWICE ABOUT SOMETHING LIKE THIS? 20 00:00:39,840 --> 00:00:41,609 IT'S LIKE A DREAM COME TRUE FOR YOU. 21 00:00:41,642 --> 00:00:43,477 YOU DON'T KNOW WHAT I DREAM OF. 22 00:00:43,511 --> 00:00:45,379 LOOK, I KNOW THAT YOU DON'T WANT TO HURT JODI. 23 00:00:45,413 --> 00:00:48,649 NO, I DON'T. 24 00:00:48,682 --> 00:00:51,352 WE'RE GOING TO TRANSFORM MY LOVELY ASSISTANT. 25 00:01:02,630 --> 00:01:05,799 SCHECTER, THE WHOLE CREW KNOWS ABOUT YOU AND NIKI. 26 00:01:05,833 --> 00:01:07,268 NIKI STEVENS-- 27 00:01:07,301 --> 00:01:09,203 HER MOVIE HASN'T EVEN OPENED YET, 28 00:01:09,237 --> 00:01:11,672 AND ALREADY SHE'S OUT OF CONTROL. 29 00:01:11,705 --> 00:01:14,308 WELL, SHE'S A BIT FRAGILE. 30 00:01:14,342 --> 00:01:15,809 IF ANYONE CAN TAKE A FRAGILE PERSON 31 00:01:15,843 --> 00:01:17,478 AND GLUE THEM BACK TOGETHER, 32 00:01:17,511 --> 00:01:19,847 THAT WOULD BE YOU. 33 00:01:28,456 --> 00:01:30,391 AND WE'RE HERE ON THE SET OF LEZ GIRLS, 34 00:01:30,424 --> 00:01:31,692 WHERE DIRECTOR, JENNIFER SCHECTER 35 00:01:31,725 --> 00:01:33,694 IS FILMING HER GROUNDBREAKING NEW MOVIE 36 00:01:33,727 --> 00:01:35,696 ABOUT A CLOSE-KNIT GROUP OF LESBIAN FRIENDS 37 00:01:35,729 --> 00:01:37,565 LIVING IN LOS ANGELES. 38 00:01:37,598 --> 00:01:40,668 LET'S TAKE A LOOK. 39 00:01:45,739 --> 00:01:48,809 AND... 40 00:01:48,842 --> 00:01:50,611 ACTION. 41 00:01:51,712 --> 00:01:52,880 I HOPE I DIDN'T UPSET YOU TOO MUCH 42 00:01:52,913 --> 00:01:54,148 THE OTHER NIGHT. 43 00:01:54,182 --> 00:01:56,317 OH, NO. 44 00:01:56,350 --> 00:01:59,753 IT'S JUST... 45 00:01:59,787 --> 00:02:02,390 OH, FUCK. LINE? 46 00:02:02,423 --> 00:02:03,591 [SIGHS HEAVILY] 47 00:02:03,624 --> 00:02:04,725 "I, NO, I... 48 00:02:04,758 --> 00:02:06,160 "IT'S JUST, YOU KNOW, 49 00:02:06,194 --> 00:02:07,161 I THOUGHT I SHOULD TELL YOU--" 50 00:02:07,195 --> 00:02:07,928 OKAY, YEAH, YEAH, YEAH. 51 00:02:07,961 --> 00:02:09,630 THANK YOU. I GOT IT! 52 00:02:09,663 --> 00:02:13,734 AND... ACTION. 53 00:02:13,767 --> 00:02:15,736 NO, I-I KNOW. 54 00:02:15,769 --> 00:02:17,238 IT'S... 55 00:02:17,271 --> 00:02:19,440 IT'S JUST THAT I THOUGHT I SHOULD TELL YOU THAT, 56 00:02:19,473 --> 00:02:20,874 YOU KNOW, I'M.... 57 00:02:20,908 --> 00:02:22,743 WELL, I-I'M NOT A... 58 00:02:22,776 --> 00:02:25,213 A BIG COFFEE DRINKER? 59 00:02:25,246 --> 00:02:26,380 [LAUGHS] 60 00:02:26,414 --> 00:02:27,548 I'M SORRY, I'M SORRY. 61 00:02:27,581 --> 00:02:29,350 OH, JENNY, I CAN'T WORK LIKE THIS. 62 00:02:29,383 --> 00:02:30,351 IT'S FUNNY! OH, MY-- 63 00:02:30,384 --> 00:02:31,352 FUNNY? 64 00:02:31,385 --> 00:02:32,353 SCREW YOU, BEGONIA! 65 00:02:32,386 --> 00:02:33,354 YOU KNOW, I AM SO SICK OF YOU 66 00:02:33,387 --> 00:02:34,955 RAGGING ON ME ALL THE TIME! 67 00:02:34,988 --> 00:02:37,325 HOW AM I SUPPOSED TO ACT WITH HER, LIKE, HATING ME 68 00:02:37,358 --> 00:02:38,426 ACROSS THE TABLE? 69 00:02:38,459 --> 00:02:39,460 WELL, YOU KNOW, IT'S CALLED ACTING. 70 00:02:39,493 --> 00:02:40,594 WHY DON'T YOU TRY IT? 71 00:02:40,628 --> 00:02:41,795 OH, IT'S CALLED ACTING WITH AN ASSHOLE! 72 00:02:41,829 --> 00:02:43,464 WHY DON'T YOU COME BACK ANOTHER TIME? 73 00:02:43,497 --> 00:02:45,766 WE'LL JUST GET ANOTHER SCENE, OKAY? 74 00:02:45,799 --> 00:02:46,934 YOU CAN JUST, LIKE, CUT. 75 00:02:46,967 --> 00:02:48,502 THIS IS THE ENERGY YOU NEED TO PUT IN THIS-- 76 00:02:48,536 --> 00:02:49,503 WHAT? 77 00:02:49,537 --> 00:02:50,671 UM... 78 00:02:50,704 --> 00:02:52,673 WHO THE FUCK IS... WHO THE FUCK ARE YOU? 79 00:02:52,706 --> 00:02:54,208 IT'S E.P.K. 80 00:02:54,242 --> 00:02:56,277 WHAT THE FUCK IS E.P.K.? 81 00:02:56,310 --> 00:02:58,612 IT'S THE ELECTRONIC PRESS KIT. 82 00:02:58,646 --> 00:03:00,448 WHAT DOES THAT MEAN? 83 00:03:00,481 --> 00:03:02,216 SO, THE STUDIO HIRES THEM TO FILM BEHIND-- 84 00:03:02,250 --> 00:03:03,384 IS THIS A SPY? 85 00:03:03,417 --> 00:03:04,652 NO, BEHIND-THE-SCENES FOOTAGE 86 00:03:04,685 --> 00:03:06,954 FOR THE DVD EXTRAS. 87 00:03:06,987 --> 00:03:08,522 THEY'RE GOING TO PUT THIS IN THE DVD? 88 00:03:08,556 --> 00:03:09,957 NO, NO, NO, I THINK WE SHOULD-- 89 00:03:09,990 --> 00:03:11,759 BUT THE DVD HASN'T BEEN RELEASED YET. 90 00:03:11,792 --> 00:03:13,193 OKAY, YOU GET THE FUCK OFF MY SET. 91 00:03:14,695 --> 00:03:17,798 [**] 92 00:03:17,831 --> 00:03:23,604 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 93 00:03:23,637 --> 00:03:30,944 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 94 00:03:30,978 --> 00:03:36,617 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 95 00:03:36,650 --> 00:03:43,624 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 96 00:03:51,031 --> 00:03:52,866 * TALKING, LAUGHING LOVING, BREATHING * 97 00:03:52,900 --> 00:03:54,468 * FIGHTING, FUCKING CRYING, DRINKING * 98 00:03:54,502 --> 00:03:55,869 * WRITING, WINNING LOSING, CHEATING * 99 00:03:55,903 --> 00:03:57,605 * KISSING, THINKING, DREAMING 100 00:03:57,638 --> 00:03:59,473 * THIS IS THE WAY... 101 00:03:59,507 --> 00:04:02,910 * IT'S THE WAY THAT WE LIVE * 102 00:04:02,943 --> 00:04:08,316 * IT'S THE WAY THAT WE LIVE 103 00:04:08,349 --> 00:04:13,887 * AND LOVE 104 00:04:13,921 --> 00:04:17,458 HEY, CHECK IT OUT, HOT OIL WRESTLING. 105 00:04:17,491 --> 00:04:18,726 IT IS GOING TO BE SUCH AN AWESOME NIGHT. 106 00:04:18,759 --> 00:04:20,794 HOPE YOU CAN MAKE IT. 107 00:04:20,828 --> 00:04:22,363 JENNY AND I HAVE SPOKEN TO BEGONIA. 108 00:04:22,396 --> 00:04:24,598 THE SITUATION IS CONTAINED, FOR NOW, 109 00:04:24,632 --> 00:04:26,867 BUT I REALLY WANT NIKI TO STAY FOCUSED, ALL RIGHT? 110 00:04:26,900 --> 00:04:28,602 I WANT ZERO DISTRACTIONS. 111 00:04:28,636 --> 00:04:29,970 WHAT IS THAT? 112 00:04:30,003 --> 00:04:33,474 "LESBIAN TURKISH OIL WRESTLING AT SHEBAR TONIGHT." 113 00:04:33,507 --> 00:04:35,876 OH, MY GOD, THERE IS NO WAY I'M GOING TO LET DAWN DENBO 114 00:04:35,909 --> 00:04:37,010 AND HER LOVER, CINDI, 115 00:04:37,044 --> 00:04:38,746 RECRUIT CUSTOMERS FROM OUR SET. 116 00:04:38,779 --> 00:04:40,448 OKAY, CONFISCATE THESE, ADELE. 117 00:04:40,481 --> 00:04:41,482 GOT IT. 118 00:04:41,515 --> 00:04:42,616 AND DON'T LET NIKI SEE THOSE. 119 00:04:42,650 --> 00:04:44,885 ZERO DISTRACTIONS. ZERO. 120 00:04:44,918 --> 00:04:46,053 ABSOLUTELY. 121 00:04:48,656 --> 00:04:49,990 HI. YEAH, SORRY. 122 00:04:50,023 --> 00:04:52,626 YOU CAN'T PASS THESE OUT HERE. SORRY. 123 00:04:52,660 --> 00:04:54,027 HEY, JENNY, THEY'RE GOING TO NEED YOU IN FIVE. 124 00:04:54,061 --> 00:04:55,429 OKAY, THANKS. 125 00:04:55,463 --> 00:04:56,864 GREAT. 126 00:04:56,897 --> 00:04:59,367 YOU KNOW, BEGONIA IS SUCH A C-U-N-T. 127 00:04:59,400 --> 00:05:00,868 THAT'S VERY GOOD. 128 00:05:00,901 --> 00:05:02,603 YOU KNOW HOW TO SPELL "CUNT." 129 00:05:02,636 --> 00:05:04,405 [LAUGHS WRYLY] 130 00:05:04,438 --> 00:05:07,107 WELL, THAT IS EXACTLY WHAT SHE IS. 131 00:05:07,140 --> 00:05:08,942 LISTEN, I NEED YOU TO DO ME 132 00:05:08,976 --> 00:05:10,944 A REALLY BIG FAVOR. 133 00:05:10,978 --> 00:05:13,481 I NEED YOU TO START BEING NICE TO HER ON SET, 134 00:05:13,514 --> 00:05:15,416 BECAUSE IT'S HURTING HER FEELINGS 135 00:05:15,449 --> 00:05:19,553 AND IT'LL MAKE THE SCENES BETTER, OKAY? 136 00:05:19,587 --> 00:05:21,955 PLEASE? PLEASE? 137 00:05:21,989 --> 00:05:22,890 OKAY, FINE, 138 00:05:22,923 --> 00:05:25,493 BUT IT'S ONLY BECAUSE I'M DOING IT FOR YOU, 139 00:05:25,526 --> 00:05:27,461 AND THAT IS THE ONLY REASON WHY. 140 00:05:27,495 --> 00:05:29,863 OKAY. THANK YOU. 141 00:05:31,899 --> 00:05:33,100 I'LL SEE YOU LATER. 142 00:05:33,133 --> 00:05:34,101 COME HERE. 143 00:05:34,134 --> 00:05:35,102 WHAT? 144 00:05:35,135 --> 00:05:36,470 COME HERE. 145 00:05:40,441 --> 00:05:41,542 BYE. 146 00:05:41,575 --> 00:05:43,076 HEY... 147 00:05:43,110 --> 00:05:44,878 WILL YOU COME AND VISIT ME LATER? 148 00:05:44,912 --> 00:05:47,114 NO, I NEED TO GO TALK TO SAM. 149 00:05:47,147 --> 00:05:48,849 YOU KNOW, BE SERIOUS. 150 00:05:48,882 --> 00:05:50,884 I'LL MAKE IT WORTH YOUR WHILE. 151 00:05:50,918 --> 00:05:51,952 GO AWAY. 152 00:05:51,985 --> 00:05:53,487 OKAY. 153 00:05:53,521 --> 00:05:55,355 BYE. 154 00:06:12,005 --> 00:06:13,907 WELCOME TO CALIFORNIA, COLONEL DAVIS. 155 00:06:13,941 --> 00:06:15,976 WELL, IT'S NICE TO SEE YOU AGAIN, COLONEL SMYTHE. 156 00:06:16,009 --> 00:06:17,445 CAN I GIVE YOU A HAND THERE? 157 00:06:17,478 --> 00:06:19,112 OH, PLEASE, JON. 158 00:06:19,146 --> 00:06:20,681 SAME OLD GILL. 159 00:06:20,714 --> 00:06:21,715 HOW'S JOANNE? 160 00:06:21,749 --> 00:06:22,783 GOOD. 161 00:06:22,816 --> 00:06:24,985 PLAYING GOLF, ENJOYING THE EMPTY NEST. 162 00:06:25,018 --> 00:06:26,420 HOW'S YOUR GOLF GAME THESE DAYS? 163 00:06:26,454 --> 00:06:27,455 OH, IT'S GONE TO HELL. 164 00:06:27,488 --> 00:06:28,689 TOO MUCH WORK, 165 00:06:28,722 --> 00:06:29,690 BUT I STILL ENJOY A GOOD SCOTCH 166 00:06:29,723 --> 00:06:30,724 IN THE OFFICER'S CLUB. 167 00:06:30,758 --> 00:06:31,725 SINGLE MALT, RIGHT? 168 00:06:31,759 --> 00:06:32,726 YEAH, OF COURSE. 169 00:06:32,760 --> 00:06:33,794 OH, BEECH! 170 00:06:35,763 --> 00:06:36,964 SIR. 171 00:06:36,997 --> 00:06:39,800 CAPTAIN BEECH, I'D LIKE YOU TO MEET COLONEL GILLIAN DAVIS. 172 00:06:39,833 --> 00:06:41,502 MA'AM. 173 00:06:41,535 --> 00:06:42,670 SHE IS AN ESTEEMED COLLEAGUE 174 00:06:42,703 --> 00:06:43,937 AND A GOOD FRIEND. 175 00:06:43,971 --> 00:06:45,473 NICE TO MEET YOU, CAPTAIN BEECH. 176 00:06:45,506 --> 00:06:46,874 PLEASURE'S MINE, MA'AM. 177 00:06:46,907 --> 00:06:47,875 COLONEL DAVIS IS WITH US ON TEMPORARY ASSIGNMENT 178 00:06:47,908 --> 00:06:49,877 FROM THE NATIONAL GUARD BUREAU. 179 00:06:49,910 --> 00:06:51,645 SHE'LL BE DOING BACKFILL ON OUR CASES 180 00:06:51,679 --> 00:06:53,481 AS PROSECUTING ATTORNEY. 181 00:06:53,514 --> 00:06:56,016 CAPTAIN BEECH IS ON OUR DEFENSE COUNCIL STAFF. 182 00:06:56,049 --> 00:06:58,986 YOU'LL BE OPPOSING COUNCIL AT TIMES. 183 00:06:59,019 --> 00:07:00,521 AH, SO YOU'RE THE ENEMY. 184 00:07:00,554 --> 00:07:01,722 I CERTAINLY HOPE NOT, MA'AM. 185 00:07:01,755 --> 00:07:02,823 WE ALL SERVE THE SAME COUNTRY. 186 00:07:02,856 --> 00:07:04,024 [LAUGHS] 187 00:07:04,057 --> 00:07:05,759 WELL, THERE'S NO NEED TO START SWEATING. 188 00:07:05,793 --> 00:07:07,127 I HAVEN'T GONE OVER THE CASE-LOAD YET. 189 00:07:07,160 --> 00:07:09,497 I HOPE TO GIVE YOU A RUN FOR YOUR MONEY, COLONEL. 190 00:07:09,530 --> 00:07:12,500 I ENJOY A MAN WITH CONFIDENCE. 191 00:07:12,533 --> 00:07:15,002 IT MAKES IT ALL THAT MUCH MORE ENJOYABLE WHEN I CRUSH HIM. 192 00:07:15,035 --> 00:07:16,704 [CHUCKLES] 193 00:07:25,278 --> 00:07:27,981 WE ARE FUCKED, WILLIAMS. PARDON MY FRENCH. 194 00:07:28,015 --> 00:07:30,250 WHY? WHAT HAPPENED? 195 00:07:30,283 --> 00:07:31,585 GILLIAN DAVIS WAS ASSIGNED HERE 196 00:07:31,619 --> 00:07:33,120 ON DETAIL FOR BACKFILL. 197 00:07:33,153 --> 00:07:34,187 SHE'S PROSECUTING YOUR CASE. 198 00:07:34,221 --> 00:07:35,723 WHO'S COLONEL GILLIAN DAVIS? 199 00:07:35,756 --> 00:07:36,790 SHE'S A MILITARY LIFER. 200 00:07:36,824 --> 00:07:38,792 HARD-ASS, BY THE BOOK, 201 00:07:38,826 --> 00:07:40,828 AND THE WINNINGEST PROSECUTOR IN THE FIELD. 202 00:07:40,861 --> 00:07:42,062 REMEMBER THAT HAZING INCIDENT 203 00:07:42,095 --> 00:07:43,864 BLEW UP AT WEST POINT IN '03? 204 00:07:43,897 --> 00:07:44,865 YEAH. 205 00:07:44,898 --> 00:07:46,534 COME READ THIS. 206 00:07:46,567 --> 00:07:48,168 THE PLEBES WHO SEXUALLY ASSAULTED 207 00:07:48,201 --> 00:07:49,570 SOME FEMALE CADETS? 208 00:07:49,603 --> 00:07:50,538 THAT'S RIGHT. 209 00:07:50,571 --> 00:07:52,205 THEY WERE FOLLOWING ORDERS FROM FIRST CLASSMEN. 210 00:07:52,239 --> 00:07:54,575 THE WOMEN ALL FILED CHARGES. 211 00:07:54,608 --> 00:07:56,076 COLONEL GILLIAN DAVIS WAS BROUGHT IN 212 00:07:56,109 --> 00:07:57,511 AS CHIEF PROSECUTING ATTORNEY. 213 00:07:57,545 --> 00:07:58,546 UH-HUH. 214 00:07:58,579 --> 00:07:59,947 SHE BROKE ONE OF THE DEFENDANTS DOWN, 215 00:07:59,980 --> 00:08:01,849 ALL THE BOYS WERE DISMISSED FROM THE ACADEMY, 216 00:08:01,882 --> 00:08:03,250 AND WEST POINT OFFICIALLY BANNED 217 00:08:03,283 --> 00:08:05,118 HAZING AS A PRACTICE. 218 00:08:05,152 --> 00:08:06,520 I ADMIRE WHAT SHE DID. 219 00:08:06,554 --> 00:08:07,788 SHE SOUNDS HIGHLY PRINCIPLED. 220 00:08:07,821 --> 00:08:11,058 READ THAT QUOTE RIGHT THERE. 221 00:08:11,091 --> 00:08:12,693 "WHAT'S MOST IMPORTANT HERE 222 00:08:12,726 --> 00:08:14,962 "IS THAT THESE MEN WERE IN DIRECT VIOLATION 223 00:08:14,995 --> 00:08:17,831 "OF THE UNIFORM CODE OF MILITARY JUSTICE. 224 00:08:17,865 --> 00:08:19,600 "THEY VIOLATED THE HONOR CODE. 225 00:08:19,633 --> 00:08:21,168 "MAINTAINING THESE CODES IS PARAMOUNT 226 00:08:21,201 --> 00:08:23,103 "TO KEEPING THE MILITARY STRONG 227 00:08:23,136 --> 00:08:25,839 AND ULTIMATELY, KEEPING OUR NATION SECURE." 228 00:08:25,873 --> 00:08:27,875 THAT IS PRACTICALLY VERBATIM 229 00:08:27,908 --> 00:08:31,745 THE MILITARY'S STAND ON HOMOSEXUAL CONDUCT. 230 00:08:34,147 --> 00:08:36,116 I'M GOING FOR A CUP OF COFFEE. 231 00:08:42,823 --> 00:08:44,925 [APPLAUSE] 232 00:08:46,126 --> 00:08:48,596 SO CALL IN AND LET US KNOW WHAT YOU THINK 233 00:08:48,629 --> 00:08:50,931 ABOUT OUR SPECIAL GUEST HOST, ALICE PIESZECKI, 234 00:08:50,964 --> 00:08:52,566 WHO IS HERE WITH US TODAY 235 00:08:52,600 --> 00:08:55,235 DIRECT FROM HER ULTRA-HIP AND CONTROVERSIAL WEBSITE, 236 00:08:55,268 --> 00:08:56,604 MY CHART. 237 00:08:56,637 --> 00:08:58,639 OURCHART. YEAH. 238 00:08:58,672 --> 00:08:59,873 IT'S A SOCIAL NETWORKING SITE FOR LESBIANS-- 239 00:08:59,907 --> 00:09:01,141 AND VIEWERS, REMEMBER, 240 00:09:01,174 --> 00:09:02,743 IT IS UP TO YOU TO HELP US DECIDE 241 00:09:02,776 --> 00:09:03,744 WHO WILL REPLACE KELLY, 242 00:09:03,777 --> 00:09:04,812 SO AT THE END OF THIS SHOW, 243 00:09:04,845 --> 00:09:06,146 WE'LL GIVE YOU THE NUMBER TO CALL, 244 00:09:06,179 --> 00:09:08,816 AND YOU CAN CALL IN AND CAST YOUR VOTE FOR ALICE. 245 00:09:08,849 --> 00:09:11,752 I THINK THE INTERNET IS MOSTLY USED FOR COWARDS 246 00:09:11,785 --> 00:09:13,721 TO VOICE OPINIONS WITHOUT PROOF, FACTS-- 247 00:09:13,754 --> 00:09:14,855 A LOT OF PEOPLE SAY THAT. 248 00:09:14,888 --> 00:09:16,056 OR CONSEQUENCES. 249 00:09:16,089 --> 00:09:17,691 HUH... 250 00:09:17,725 --> 00:09:19,627 WELL, I THINK THE INTERNET IS A GREAT SOURCE FOR NEWS. 251 00:09:19,660 --> 00:09:20,661 [LAUGHS] 252 00:09:20,694 --> 00:09:22,095 BY "NEWS," DO YOU MEAN PARIS HILTON SEX TAPES? 253 00:09:22,129 --> 00:09:23,130 WELL... 254 00:09:23,163 --> 00:09:24,131 YOU HAVE TO ADMIT, ALICE, 255 00:09:24,164 --> 00:09:25,833 WITH HARD NEWS, 256 00:09:25,866 --> 00:09:28,736 REAL REPORTERS SHOW THEIR FACES AND SAY THEIR NAMES. 257 00:09:28,769 --> 00:09:30,704 THEY DO. WELL... 258 00:09:30,738 --> 00:09:31,972 WELL, TAKE WIKIPEDIA. 259 00:09:32,005 --> 00:09:33,974 MASQUERADES AS A REFERENCE SITE, 260 00:09:34,007 --> 00:09:35,308 BUT ANYBODY CAN ADD ANY INFORMATION 261 00:09:35,342 --> 00:09:36,677 THEY WANT TO IT. 262 00:09:36,710 --> 00:09:37,745 NO! YES! 263 00:09:37,778 --> 00:09:39,046 NO FACT CHECKING, NO TRUTH. 264 00:09:39,079 --> 00:09:40,313 BUT DOES ANYBODY REALLY BELIEVE 265 00:09:40,347 --> 00:09:41,381 WHAT THEY HEAR ON FOX NEWS? 266 00:09:41,414 --> 00:09:43,717 I HATE MARY LAMM. 267 00:09:43,751 --> 00:09:46,119 WHY IS SHE GIVING ALICE SUCH A HARD TIME? 268 00:09:46,153 --> 00:09:48,856 I CANNOT BELIEVE PHYLLIS ROPED ME INTO THIS. 269 00:09:48,889 --> 00:09:50,290 LIKE I DON'T HAVE ENOUGH TO DO 270 00:09:50,323 --> 00:09:51,759 WITHOUT SPENDING THE DAY WITH MOLLY, BABYSITTING, 271 00:09:51,792 --> 00:09:52,926 SHOWING HER THAT LESBIANS 272 00:09:52,960 --> 00:09:54,394 CAN BE RESPECTABLE, STABLE, 273 00:09:54,427 --> 00:09:56,029 ACCOMPLISHED PEOPLE, 274 00:09:56,063 --> 00:09:57,731 OR WHATEVER THE HELL IT IS I'M SUPPOSED TO BE DOING. 275 00:09:57,765 --> 00:09:59,366 WHERE ARE YOU GOING? 276 00:09:59,399 --> 00:10:00,734 I THOUGHT I WOULD TAKE HER TO SOME GALLERIES, 277 00:10:00,768 --> 00:10:04,037 AND MAYBE GO BY THE LEZ GIRLS SET LATER. 278 00:10:04,071 --> 00:10:05,205 YOU WANT TO COME? 279 00:10:05,238 --> 00:10:07,274 YEAH, I'VE GOT NOTHING BUT TIME 280 00:10:07,307 --> 00:10:08,809 SINCE THE PLANET WAS CLOSED THIS WEEK. 281 00:10:08,842 --> 00:10:10,077 ARE YOU GOING? 282 00:10:10,110 --> 00:10:13,714 NO. I'M HAVING LUNCH WITH AMY. 283 00:10:13,747 --> 00:10:14,815 YOUR EX? 284 00:10:14,848 --> 00:10:15,983 YEAH. JUST A FRIEND. 285 00:10:17,284 --> 00:10:18,251 HI. 286 00:10:18,285 --> 00:10:19,319 HI. 287 00:10:19,352 --> 00:10:20,954 READY TO GO TO SOME GALLERIES? 288 00:10:20,988 --> 00:10:24,858 YEAH, I DON'T REALLY UNDERSTAND MODERN ART... 289 00:10:26,126 --> 00:10:27,294 THIS IS MY SISTER, KIT. 290 00:10:27,327 --> 00:10:28,696 THIS IS MOLLY. 291 00:10:28,729 --> 00:10:30,063 HI. 292 00:10:30,097 --> 00:10:32,065 I'M SO GLAD THAT KELLY CORRIGAN LEFT THAT SHOW. 293 00:10:32,099 --> 00:10:33,701 SHE WAS OBNOXIOUS. 294 00:10:35,402 --> 00:10:38,071 ALICE IS A FRIEND OF OURS, AND YOUR MOTHER, TOO. 295 00:10:38,105 --> 00:10:39,673 OW! 296 00:10:39,707 --> 00:10:42,242 ALL YOU HAVE TO DO IS LOG ON TO SNOPES.COM. 297 00:10:42,275 --> 00:10:43,777 I MEAN, IT'S A GREAT SOURCE FOR MISINFORMATION 298 00:10:43,811 --> 00:10:44,912 AND URBAN LEGENDS.... 299 00:10:44,945 --> 00:10:47,114 [SIGHS HEAVILY] 300 00:10:47,147 --> 00:10:48,816 THAT'S WHERE I KNOW HER FROM. 301 00:10:48,849 --> 00:10:51,752 MY MOTHER'S DEGRADING PODCAST. 302 00:11:07,200 --> 00:11:08,736 CAN I HELP YOU WITH THAT, COLONEL? 303 00:11:08,769 --> 00:11:10,270 NO, THANK YOU, CAPTAIN. 304 00:11:11,772 --> 00:11:14,407 BUT IF YOU WOULDN'T MIND GRABBING THAT CASE. 305 00:11:14,441 --> 00:11:16,309 OH, YEAH, OF COURSE. 306 00:11:20,013 --> 00:11:22,349 YOU CAN JUST PUT THAT OVER THERE. 307 00:11:24,451 --> 00:11:25,485 THANK YOU. 308 00:11:25,518 --> 00:11:27,020 GILLIAN DAVIS. 309 00:11:27,054 --> 00:11:28,355 TASHA WILLIAMS. 310 00:11:28,388 --> 00:11:31,725 I SEE YOU'VE BEEN IN COMBAT, WILLIAMS. 311 00:11:31,759 --> 00:11:33,060 AFGHANISTAN OR IRAQ? 312 00:11:33,093 --> 00:11:34,427 IRAQ, MA'AM. 313 00:11:34,461 --> 00:11:35,562 18 MONTHS. 314 00:11:35,595 --> 00:11:39,767 WE HAVE A LOT OF WOMEN OVER THERE ON THE FRONT LINES. 315 00:11:39,800 --> 00:11:42,269 MUST HAVE SEEN YOUR SHARE OF BULLETS FLY. 316 00:11:42,302 --> 00:11:44,371 MY COMPANY WAS ENGAGED IN THE DIRECT LINE OF FIRE 317 00:11:44,404 --> 00:11:45,939 QUITE A FEW TIMES. 318 00:11:45,973 --> 00:11:47,007 THE CLOSEST I'VE EVER BEEN 319 00:11:47,040 --> 00:11:48,809 TO DIRECT FIRE 320 00:11:48,842 --> 00:11:50,343 WAS PANAMA, '89. 321 00:11:50,377 --> 00:11:53,180 LAWYERS DON'T EXACTLY GET TO SEE A LOT OF ACTION. 322 00:11:53,213 --> 00:11:54,447 MM... 323 00:11:54,481 --> 00:11:56,083 WILL YOU DO ANOTHER TOUR? 324 00:11:56,116 --> 00:12:01,421 MY COMPANY'S DEPLOYED IN IRAQ RIGHT NOW. 325 00:12:01,454 --> 00:12:03,456 I'VE BEEN HELD BACK. 326 00:12:03,490 --> 00:12:05,358 WERE YOU INJURED? 327 00:12:05,392 --> 00:12:06,459 NO, MA'AM. 328 00:12:09,229 --> 00:12:10,798 I'M BEING REVIEWED FOR SEPARATION. 329 00:12:15,435 --> 00:12:16,503 ON WHAT VIOLATION? 330 00:12:16,536 --> 00:12:18,505 CHAPTER 15. 331 00:12:20,407 --> 00:12:22,409 I BELIEVE YOU'LL BE PROSECUTING MY CASE. 332 00:12:22,442 --> 00:12:25,078 THIS IS COMPLETELY A BREACH OF PROTOCOL, WILLIAMS. 333 00:12:25,112 --> 00:12:27,014 YOU KNOW WE AREN'T SUPPOSED TO BE ENGAGED 334 00:12:27,047 --> 00:12:28,215 IN ANY CONVERSATION UNTIL THE HEARING. 335 00:12:28,248 --> 00:12:30,017 I'M SORRY, COLONEL, I WAS JUST TRYING TO GIVE YOU A HAND. 336 00:12:30,050 --> 00:12:33,520 YOU ARE DISMISSED, CAPTAIN. 337 00:12:40,828 --> 00:12:42,062 [ALL TALKING AT ONCE] 338 00:12:42,095 --> 00:12:43,230 WELL, IT LOOKS WE'VE GOT OUR TOPIC OF THE DAY-- 339 00:12:43,263 --> 00:12:45,365 THE INTERNET, DO WE BELIEVE IT? 340 00:12:45,398 --> 00:12:47,801 STAY TUNED. WE'LL BE RIGHT BACK. 341 00:12:47,835 --> 00:12:49,369 [APPLAUSE] 342 00:12:54,141 --> 00:12:55,442 OKAY, ALICE, 343 00:12:55,475 --> 00:12:57,577 SO YOU DON'T HAVE TO TRY AND FILL KELLY'S SHOES. 344 00:12:57,610 --> 00:12:58,979 WE'RE NOT NECESSARILY 345 00:12:59,012 --> 00:13:00,347 LOOKING FOR CONTROVERSY. 346 00:13:00,380 --> 00:13:01,849 WAS I TOO CONTROVERSIAL? BECAUSE I THOUGHT-- 347 00:13:01,882 --> 00:13:03,016 NO, NO, 348 00:13:03,050 --> 00:13:04,084 WE JUST DON'T NEED ANOTHER LOOSE CANNON. 349 00:13:04,117 --> 00:13:05,819 NOW, YOUR LIFESTYLE... 350 00:13:05,853 --> 00:13:07,220 IT'S YOUR LIFESTYLE, AND THAT'S FINE. 351 00:13:07,254 --> 00:13:08,588 ARE YOU SAYING YOU DON'T WANT ME TO BE OUT? 352 00:13:08,621 --> 00:13:10,824 JUST BECAUSE I THINK AT THIS STAGE IN MY LIFE, 353 00:13:10,858 --> 00:13:11,758 IT'S A LITTLE HARD TO-- 354 00:13:11,791 --> 00:13:13,126 NO, NO, NO, THAT'S NOT WHAT WE'RE SAYING. 355 00:13:13,160 --> 00:13:14,094 NO, WE DEFINITELY WANT GAY. 356 00:13:14,127 --> 00:13:15,595 NO, GAY IS GOOD. 357 00:13:15,628 --> 00:13:17,597 GAY BRINGS RATINGS IN DAYTIME. 358 00:13:17,630 --> 00:13:19,299 YOU KNOW, WE JUST WANT THE RIGHT KIND OF GAY. 359 00:13:19,332 --> 00:13:20,467 OH. 360 00:13:20,500 --> 00:13:22,269 LIKE FUN GAY, NOT ANGRY GAY. 361 00:13:22,302 --> 00:13:23,270 FUN GAY. 362 00:13:23,303 --> 00:13:24,337 GAY GOSSIP, GAY LIFESTYLE. 363 00:13:24,371 --> 00:13:25,906 YOU KNOW, FUN! 364 00:13:25,939 --> 00:13:28,341 WE LOVED THAT DARYL BREWER STUNT THAT YOU PULLED. 365 00:13:28,375 --> 00:13:30,310 SERIOUSLY, THAT WAS SOME OF YOUR BEST WORK. 366 00:13:30,343 --> 00:13:32,012 WE'RE LOOKING FOR THINGS LIKE THAT. 367 00:13:32,045 --> 00:13:33,280 LITTLE INSIDER TIDBITS ABOUT FAMOUS PEOPLE 368 00:13:33,313 --> 00:13:35,582 WHO ARE IN THE CLOSET. 369 00:13:35,615 --> 00:13:37,284 WE KIND OF FIGURED YOU WOULD HAVE ONE OF THOSE 370 00:13:37,317 --> 00:13:38,618 ON EVERY EPISODE. 371 00:13:38,651 --> 00:13:40,053 OH, SO YOU WANT ME TO OUT PEOPLE? 372 00:13:41,188 --> 00:13:42,355 ON EVERY EPISODE? 373 00:13:42,389 --> 00:13:44,457 THAT WOULD BE SENSATIONAL. 374 00:13:44,491 --> 00:13:46,226 THAT IS, ONLY IF YOU WANT THE JOB. 375 00:13:46,259 --> 00:13:48,028 AND WE'RE BACK IN FIVE, 376 00:13:48,061 --> 00:13:49,930 FOUR, THREE... 377 00:13:49,963 --> 00:13:51,064 [APPLAUSE] 378 00:13:51,098 --> 00:13:53,033 AND WELCOME BACK TO "THE LOOK." 379 00:13:53,066 --> 00:13:54,902 FOR THOSE OF YOU WHO ARE JUST JOINING US, 380 00:13:54,935 --> 00:13:57,037 OUR TOPIC TODAY IS THE INTERNET. 381 00:13:57,070 --> 00:13:58,571 IS IT A GREAT SOURCE OF NEWS, 382 00:13:58,605 --> 00:14:01,608 OR IS IT A TRENDY SOURCE OF SPECULATION AND GOSSIP? 383 00:14:01,641 --> 00:14:02,842 YEAH, BUT I THINK WHAT YOU'RE MISSING 384 00:14:02,876 --> 00:14:06,213 IS THE INTERNET GAVE PEOPLE, YOU KNOW, THE CHANCE TO GO OUT 385 00:14:06,246 --> 00:14:08,181 AND SEEK DIFFERENT SOURCES OF INFORMATION. 386 00:14:08,215 --> 00:14:10,317 WELL, ISN'T THAT WHAT THEIRCHART DOES, ALICE? 387 00:14:10,350 --> 00:14:12,219 IT OFFERS AN ALTERNATIVE POINT OF VIEW? 388 00:14:12,252 --> 00:14:13,586 YES, IT DOES DO THAT. 389 00:14:13,620 --> 00:14:15,488 THAT IS ONE OF THE THINGS THAT OURCHART DOES. 390 00:14:15,522 --> 00:14:17,357 SO, FOR EXAMPLE, 391 00:14:17,390 --> 00:14:20,360 THE PERSONAL DETAILS OF CELEBRITIES SEX LIVES 392 00:14:20,393 --> 00:14:22,229 WOULD BE PART OF THAT ALTERNATIVE POINT OF VIEW, 393 00:14:22,262 --> 00:14:23,463 I ASSUME? 394 00:14:23,496 --> 00:14:26,099 WOW, YES, WELL, THE INTERNET IS... 395 00:14:26,133 --> 00:14:29,269 IS KNOWN FOR REVEALING PEOPLE'S HIDDEN SEXUAL IDENTITIES, YEAH. 396 00:14:29,302 --> 00:14:30,303 WHAT HAVE YOU GOT? 397 00:14:30,337 --> 00:14:31,604 TELL US. COME ON. 398 00:14:31,638 --> 00:14:33,473 YEAH, THAT'S SOMETHING 399 00:14:33,506 --> 00:14:35,943 I WOULD LOVE TO BRING TO THE LOOK. 400 00:14:35,976 --> 00:14:36,944 [SQUEALING WITH GLEE] 401 00:14:36,977 --> 00:14:37,945 GREAT. 402 00:14:37,978 --> 00:14:39,346 [APPLAUSE] 403 00:14:39,379 --> 00:14:40,580 I WOULD... LOVE TO DO THAT. 404 00:14:40,613 --> 00:14:42,382 ATTA GIRL. ALL RIGHT. 405 00:14:42,415 --> 00:14:44,217 OH, COME ON, GIVE US SOMETHING. DISH, DISH! 406 00:14:44,251 --> 00:14:45,618 DISH, DISH, DISH, DISH! 407 00:14:45,652 --> 00:14:47,120 [AUDIENCE CHANTING]: DISH, DISH, DISH! 408 00:14:49,256 --> 00:14:50,223 OKAY. 409 00:14:50,257 --> 00:14:51,458 NOW... IS A GOOD TIME. 410 00:14:51,491 --> 00:14:53,226 OH, OKAY. 411 00:14:53,260 --> 00:14:54,894 WHAT DO I HAVE FOR YOU? 412 00:14:57,164 --> 00:14:58,331 OKAY, OKAY. 413 00:14:58,365 --> 00:14:59,466 DO TELL. 414 00:14:59,499 --> 00:15:01,101 I KNOW WHAT YOU'RE LOOKING FOR. 415 00:15:01,134 --> 00:15:03,336 OKAY, WHICH HOLLYWOOD, 416 00:15:03,370 --> 00:15:07,107 LITTLE MAXIM-ENDORSED GORGEOUS LITTLE STARLET 417 00:15:07,140 --> 00:15:09,076 IS A LITTLE BIT CLOSER TO HER ROLE 418 00:15:09,109 --> 00:15:11,711 AS A SAPPHIC SISTER 419 00:15:11,744 --> 00:15:14,514 IN HOLLYWOOD'S NEW GIRL-ON-GIRL SMOOCH FEST? 420 00:15:14,547 --> 00:15:15,615 HUH? 421 00:15:15,648 --> 00:15:17,050 [SQUEALS] 422 00:15:17,084 --> 00:15:18,118 THAT'S ALL I'M GOING TO SAY. 423 00:15:18,151 --> 00:15:21,088 IT'S TIME TO STOP NOW, SO MAYBE NEXT TIME, ALICE? 424 00:15:21,121 --> 00:15:22,289 I'M GOING TO TEASE YOU. 425 00:15:22,322 --> 00:15:24,357 YOU ARE BAD! GREAT! 426 00:15:24,391 --> 00:15:26,093 I AM GOING TO TEASE YOU. 427 00:15:26,126 --> 00:15:28,295 [APPLAUSE] 428 00:15:28,328 --> 00:15:29,629 THAT WAS FUN. 429 00:15:29,662 --> 00:15:30,964 SEE? 430 00:15:30,998 --> 00:15:32,032 FUN GAY. 431 00:15:32,065 --> 00:15:33,066 FUN GAY. 432 00:15:35,368 --> 00:15:39,606 [**] 433 00:15:39,639 --> 00:15:41,541 HI! 434 00:15:41,574 --> 00:15:43,276 GOSH, HI. 435 00:15:43,310 --> 00:15:45,312 HI! HOW ARE YOU? 436 00:15:45,345 --> 00:15:46,646 CAN YOU JUST TELL THEM 437 00:15:46,679 --> 00:15:48,148 THAT WE NEED TO TALK FOR A SECOND? 438 00:15:48,181 --> 00:15:49,282 OH, YEAH, YEAH. 439 00:15:49,316 --> 00:15:50,517 UM, EVERYONE, CAN YOU GUYS JUST SCOOCH OUT 440 00:15:50,550 --> 00:15:51,618 FOR ONE SEC, BECAUSE-- 441 00:15:51,651 --> 00:15:52,719 BOOTY CALL... 442 00:15:52,752 --> 00:15:55,355 NO, WE'RE REHEARSING, IT'S TRUE. 443 00:15:55,388 --> 00:15:57,057 AWESOME. 444 00:15:57,090 --> 00:15:59,559 WHAT ARE YOU GUYS DOING? 445 00:15:59,592 --> 00:16:00,327 SHE WAS CHECKING YOU OUT. 446 00:16:00,360 --> 00:16:01,995 NO, SHE WAS NOT CHECKING ME OUT-- 447 00:16:02,029 --> 00:16:03,563 YES, SHE WAS. 448 00:16:03,596 --> 00:16:05,165 SHE WAS NOT-- HI. 449 00:16:05,198 --> 00:16:06,199 HI. 450 00:16:06,233 --> 00:16:07,634 HOW ARE YOU? 451 00:16:09,169 --> 00:16:13,440 I CAME IN HERE, 'CAUSE... 452 00:16:13,473 --> 00:16:16,176 TINA WANTED ME TO COME AND TALK TO YOU. 453 00:16:16,209 --> 00:16:17,644 OH, REALLY? SHE DID? 454 00:16:17,677 --> 00:16:19,279 SHE WANTED US TO DO THIS? 455 00:16:19,312 --> 00:16:21,181 WELL, SHE ACTUALLY SAID 456 00:16:21,214 --> 00:16:24,017 MAYBE WE SHOULDN'T BE SO OBVIOUS ON-SET. 457 00:16:24,051 --> 00:16:26,586 WE SHOULD TRY TO BE 458 00:16:26,619 --> 00:16:29,756 A LITTLE MORE SUBTLE ABOUT THINGS, BUT... 459 00:16:29,789 --> 00:16:31,058 IS THIS SUBTLE? 460 00:16:31,091 --> 00:16:32,192 UH, YEAH. 461 00:16:32,225 --> 00:16:33,460 THAT'S REALLY GOOD. 462 00:16:33,493 --> 00:16:36,129 I THINK THIS IS EXACTLY WHAT SHE'S TALKING ABOUT. 463 00:16:36,163 --> 00:16:38,131 GUYS, I CAN HANDLE THIS SITUATION. 464 00:16:38,165 --> 00:16:39,732 THERE IS NO REASON TO FREAK OUT. 465 00:16:39,766 --> 00:16:42,169 ARE YOU FUCKING KIDDING ME? 466 00:16:42,202 --> 00:16:43,470 I'M MANAGING AN ACTRESS 467 00:16:43,503 --> 00:16:45,172 WHO IS ABOUT TO GO THROUGH THE ROOF, 468 00:16:45,205 --> 00:16:47,474 AND SHE JUST GOT OUTED ON NATIONAL TELEVISION! 469 00:16:47,507 --> 00:16:49,276 AND WHO IS THIS ALICE PIESZECKI? 470 00:16:49,309 --> 00:16:50,677 DO YOU EVEN KNOW THIS PERSON, 471 00:16:50,710 --> 00:16:53,080 AND WHO IS HANDLING SECURITY? 472 00:16:53,113 --> 00:16:55,815 WE'VE COMPLETELY TIGHTENED SECURITY, OKAY? 473 00:16:55,848 --> 00:16:57,484 THAT SHOULD HAVE BEEN DONE ALREADY. 474 00:16:57,517 --> 00:16:59,219 LOOK, I'VE TALKED TO OUR LEGAL DEPARTMENT 475 00:16:59,252 --> 00:17:00,687 AND I'VE TALKED TO OUR PUBLICIST. 476 00:17:00,720 --> 00:17:02,622 WE ARE GOING TO ISSUE A PRESS RELEASE 477 00:17:02,655 --> 00:17:04,224 STATING THAT GRETCHEN PICKLES 478 00:17:04,257 --> 00:17:06,459 IS THE ONLY GAY CAST MEMBER. 479 00:17:06,493 --> 00:17:07,494 GRETCHEN PICKLES. 480 00:17:07,527 --> 00:17:08,495 THE PRESS IS NOT GOING TO GET 481 00:17:08,528 --> 00:17:09,829 ANYWHERE NEAR NIKI, OKAY? 482 00:17:09,862 --> 00:17:12,199 GOOD, BECAUSE IF THIS GETS OUT, 483 00:17:12,232 --> 00:17:13,500 I WILL PERSONALLY BLAME YOU-- 484 00:17:13,533 --> 00:17:15,335 TINA, CAN I TALK TO YOU FOR A MINUTE? 485 00:17:15,368 --> 00:17:17,770 EXCUSE ME, YOU GUYS, WE'RE SHOOTING RIGHT NOW. 486 00:17:17,804 --> 00:17:19,106 THIS IS OUR DP. I HAVE TO GO. 487 00:17:19,139 --> 00:17:20,240 NICE TO MEET YOU. 488 00:17:20,273 --> 00:17:21,308 THE CATERING TRUCK'S OVER THERE, 489 00:17:21,341 --> 00:17:22,609 HELP YOURSELF TO LUNCH. I'LL TALK TO YOU LATER. 490 00:17:22,642 --> 00:17:24,211 [ARGUING LOUDLY] 491 00:17:24,244 --> 00:17:26,079 DON'T START, DON'T FUCKING START! 492 00:17:26,113 --> 00:17:27,347 YIKES. 493 00:17:27,380 --> 00:17:29,182 GOD, FUCKING MANAGERS. 494 00:17:29,216 --> 00:17:30,783 WHAT'S UP? 495 00:17:30,817 --> 00:17:33,253 I NEED A TECHNO-CRANE WITH A THREE-AXIS HEAD. 496 00:17:33,286 --> 00:17:34,521 YOU CAN'T HAVE A CRANE. 497 00:17:34,554 --> 00:17:36,523 BUT I NEED ONE. 498 00:17:36,556 --> 00:17:37,657 FOR HOW LONG? 499 00:17:37,690 --> 00:17:39,259 THREE DAYS. 500 00:17:39,292 --> 00:17:40,293 WHAT ARE YOU GOING TO GIVE ME 501 00:17:40,327 --> 00:17:41,428 IF I GIVE YOU A CRANE? 502 00:17:41,461 --> 00:17:43,430 MY UNDYING LOVE AND DEVOTION. 503 00:17:45,465 --> 00:17:47,700 [CHATTING QUIETLY] 504 00:17:49,469 --> 00:17:52,172 [LAUGHING] 505 00:17:53,706 --> 00:17:54,741 BETTE... 506 00:17:54,774 --> 00:17:56,609 HEY. LOOK AT THAT. 507 00:17:56,643 --> 00:17:58,345 HI. 508 00:17:58,378 --> 00:18:01,181 I THINK TINA'S GOT A THING GOING ON THE SET. 509 00:18:01,214 --> 00:18:02,815 [LAUGHS] 510 00:18:02,849 --> 00:18:04,451 IS THAT YOUR GIRLFRIEND? 511 00:18:04,484 --> 00:18:06,686 NO, NO, NO, NO. EX, EX, EX. 512 00:18:06,719 --> 00:18:09,322 THAT'S MY DAUGHTER'S OTHER MOTHER. 513 00:18:09,356 --> 00:18:11,491 WHY DON'T YOU COME MEET THEM? 514 00:18:11,524 --> 00:18:13,626 SHE'S SEEN THE MOVIE. 515 00:18:13,660 --> 00:18:16,129 HI, UH, KIT PORTER, BETTE PORTER, 516 00:18:16,163 --> 00:18:17,197 AND, I'M SORRY... 517 00:18:17,230 --> 00:18:18,765 MOLLY KROLL. HI. 518 00:18:18,798 --> 00:18:20,767 THIS IS SAM MAKAVEJEV. 519 00:18:20,800 --> 00:18:22,335 THIS IS OUR DP. 520 00:18:22,369 --> 00:18:24,671 SHE SHOT "MISS OTIS REGRETS." 521 00:18:24,704 --> 00:18:25,772 OH, WOW, IT'S NICE TO MEET YOU. 522 00:18:25,805 --> 00:18:27,540 LIKEWISE. 523 00:18:27,574 --> 00:18:28,841 UH... 524 00:18:28,875 --> 00:18:30,510 I'LL, UH, CATCH YOU LATER. 525 00:18:30,543 --> 00:18:32,179 OKAY, THANKS. 526 00:18:32,212 --> 00:18:33,380 THANKS, SAM. 527 00:18:33,413 --> 00:18:35,282 * BOW CHICKA BOW BOW 528 00:18:35,315 --> 00:18:36,416 WHAT? 529 00:18:36,449 --> 00:18:37,417 SHE WAS FLIRTING WITH YOU. 530 00:18:37,450 --> 00:18:38,518 OH, DON'T BE SILLY. 531 00:18:40,387 --> 00:18:41,921 UM, DO YOU GUYS MIND? 532 00:18:41,954 --> 00:18:43,423 I JUST WANTED TO TALK TO TINA 533 00:18:43,456 --> 00:18:44,524 ABOUT ANGIE, THE WHOLE... 534 00:18:44,557 --> 00:18:45,925 PRESCHOOL? 535 00:18:45,958 --> 00:18:47,527 THE PRESCHOOL THING HAS BEEN WEIGHING ON ME. 536 00:18:47,560 --> 00:18:48,795 NO, GO AHEAD, COME ON. 537 00:18:48,828 --> 00:18:49,929 I'LL SHOW YOU AROUND. 538 00:18:49,962 --> 00:18:51,198 I'LL SHOW YOU THE SET. 539 00:18:51,231 --> 00:18:52,332 IT'S JUST LIKE MY OWN PLACE. 540 00:18:52,365 --> 00:18:53,400 HEY, MOLLY... 541 00:18:53,433 --> 00:18:54,401 HMM? 542 00:18:54,434 --> 00:18:55,535 I WILL CATCH UP WITH YOU. 543 00:18:55,568 --> 00:18:57,304 DON'T WORRY, I'M FINE. 544 00:18:57,337 --> 00:18:59,138 OKAY. 545 00:20:29,862 --> 00:20:32,365 CHECK IT OUT. 546 00:20:32,399 --> 00:20:33,566 OH, MY GOD. 547 00:20:33,600 --> 00:20:35,435 THIS IS SUPPOSED TO BE OUR BEDROOM? 548 00:20:35,468 --> 00:20:37,837 NO, IT'S BEV AND NINA'S BEDROOM. 549 00:20:37,870 --> 00:20:39,606 IT LOOKS LIKE THE CHILDREN'S DEPARTMENT 550 00:20:39,639 --> 00:20:40,973 AT GOD-KNOWS-WHERE. 551 00:20:41,007 --> 00:20:42,575 [LAUGHS] 552 00:20:42,609 --> 00:20:45,978 WELL, IT'S JENNY'S DESIGN CHOICES. 553 00:20:46,012 --> 00:20:47,447 THERE'S NOTHING I COULD DO ABOUT IT. 554 00:20:47,480 --> 00:20:48,848 I HAD TO LET HER HAVE HER WAY. 555 00:20:48,881 --> 00:20:51,351 LOOK AT THE PHONE. 556 00:20:56,022 --> 00:20:57,757 AT LEAST IT'S NOT A WATERBED. 557 00:20:57,790 --> 00:20:59,459 NO, I HAD TO FIGHT HER ON THAT ONE. 558 00:21:02,995 --> 00:21:03,996 SO... 559 00:21:04,030 --> 00:21:07,300 WHICH SIDE OF THE BED IS NINA'S? 560 00:21:11,671 --> 00:21:13,740 I DON'T KNOW. 561 00:21:13,773 --> 00:21:16,042 UM... 562 00:21:16,075 --> 00:21:18,511 MAYBE THIS SIDE? 563 00:21:24,351 --> 00:21:25,652 YEAH, THAT FEELS RIGHT. 564 00:21:25,685 --> 00:21:27,954 SO, MAYBE THIS SIDE WOULD BE BEV'S SIDE? 565 00:21:32,792 --> 00:21:34,494 YEAH. 566 00:21:34,527 --> 00:21:37,497 DO YOU HAVE ANY HARD ROCK CANDY? 567 00:21:37,530 --> 00:21:40,900 NO... 568 00:21:40,933 --> 00:21:43,102 BUT I HAVE SOME POT. 569 00:21:43,135 --> 00:21:45,472 [CHUCKLING] 570 00:21:46,839 --> 00:21:47,807 ANYONE GOT A 20 ON TINA? 571 00:21:47,840 --> 00:21:48,941 JESUS! 572 00:21:48,975 --> 00:21:50,377 WHAT THE HELL WAS THAT? 573 00:21:50,410 --> 00:21:51,644 HEY, TINA, BEGONIA'S ASKING FOR YOU ON-SET. 574 00:21:51,678 --> 00:21:53,546 I'LL BE RIGHT THERE. 575 00:22:00,553 --> 00:22:02,422 GOT TO GO. 576 00:22:02,455 --> 00:22:05,725 GOT TO PUT OUT THE FIRE. 577 00:22:08,895 --> 00:22:11,398 [SIGHS] 578 00:22:14,934 --> 00:22:16,068 THE SIZE OF YOU DOESN'T SCARE ME. 579 00:22:16,102 --> 00:22:19,105 I'M SMALL AND I CAN OUTRUN YOU. 580 00:22:19,138 --> 00:22:21,374 HAVE I TOLD YOU THAT I'M THE EARTH MOTHER 581 00:22:21,408 --> 00:22:23,810 OF THE PRODUCER'S CHILD? 582 00:22:23,843 --> 00:22:24,977 I HAVE BEEN HERE A BILLION TIMES. 583 00:22:25,011 --> 00:22:26,145 I'M CLEARED. 584 00:22:26,178 --> 00:22:27,580 PLEASE, JUST CALL TINA KENNARD. 585 00:22:27,614 --> 00:22:28,981 I WAS TOLD TO CALL MR. KORNBLUTH-- 586 00:22:29,015 --> 00:22:30,950 I DON'T KNOW WHO MR. BLUETOOTH IS. 587 00:22:30,983 --> 00:22:31,918 IF-- THERE SHE IS. 588 00:22:31,951 --> 00:22:33,553 TINA, WILL YOU PLEASE TELL THE INCREDIBLE HULK 589 00:22:33,586 --> 00:22:34,687 TO LET ME IN? 590 00:22:34,721 --> 00:22:35,722 THANKS, I GOT IT FROM HERE. 591 00:22:35,755 --> 00:22:36,889 YEAH, THANKS FOR NOTHING. 592 00:22:36,923 --> 00:22:37,990 SECURITY'S A LITTLE BIT TOO TIGHT HERE-- 593 00:22:38,024 --> 00:22:39,426 UM, ALICE... 594 00:22:39,459 --> 00:22:41,961 ACTUALLY, YOU ARE BANNED FROM THE SET. 595 00:22:41,994 --> 00:22:42,995 WHAT? 596 00:22:43,029 --> 00:22:44,964 I'M SORRY. WHAT DID I DO? 597 00:22:44,997 --> 00:22:47,567 YOU WENT ON NATIONAL TELEVISION 598 00:22:47,600 --> 00:22:49,469 AND YOU OUTED THE LEAD OF OUR MOVIE-- 599 00:22:49,502 --> 00:22:51,538 OKAY, HOLD THE PHONE, TINA, I DID NOT OUT HER. 600 00:22:51,571 --> 00:22:53,005 I DID NOT SAY HER NAME! 601 00:22:53,039 --> 00:22:54,474 I DID NOT SAY HER NAME. 602 00:22:54,507 --> 00:22:55,475 ALICE... 603 00:22:55,508 --> 00:22:56,743 OKAY, I JUST HAD TO, LIKE... 604 00:22:56,776 --> 00:22:57,977 THEY WEREN'T GOING TO GIVE ME THE JOB. 605 00:22:58,010 --> 00:22:59,211 I HAD TO ZHIZZ IT UP A LITTLE-- 606 00:22:59,245 --> 00:23:02,014 HER MANAGERS ARE THREATENING TO PULL HER FROM THE PICTURE. 607 00:23:02,048 --> 00:23:03,950 THAT'S RIDICULOUS. 608 00:23:03,983 --> 00:23:04,951 SHH! 609 00:23:04,984 --> 00:23:06,052 THEY'RE BEING DRAMATIC. 610 00:23:06,085 --> 00:23:07,520 SHE'S A LEZZIE. IT'S A LEZZIE FILM. 611 00:23:07,554 --> 00:23:08,755 WHAT'S THE BIG DEAL? 612 00:23:08,788 --> 00:23:10,723 IT'S BECAUSE THIS IS A LESBIAN MOVIE. 613 00:23:10,757 --> 00:23:12,425 WHAT THE FUCK DOES THAT MEAN? 614 00:23:12,459 --> 00:23:13,460 WE WANT THIS MOVIE 615 00:23:13,493 --> 00:23:15,695 TO REACH A LARGE MAINSTREAM AUDIENCE, ALL RIGHT, 616 00:23:15,728 --> 00:23:18,164 AND IF EVERYONE THINKS THE LEAD OF OUR MOVIE IS GAY, 617 00:23:18,197 --> 00:23:21,033 THEN THAT MAKES IT A SMALL, LITTLE NICHE FILM. 618 00:23:21,067 --> 00:23:23,169 WHAT THE FUCK IS UP WITH EVERYBODY THESE DAYS? 619 00:23:23,202 --> 00:23:25,872 AM I, LIKE, SOME SORT OF IDIOT THAT I'M OUT? 620 00:23:25,905 --> 00:23:27,006 I MEAN, IS THE JOKE ON ME? 621 00:23:27,039 --> 00:23:28,140 'CAUSE I DON'T GET IT. 622 00:23:28,174 --> 00:23:29,141 SHH. 623 00:23:29,175 --> 00:23:31,611 I... 624 00:23:31,644 --> 00:23:32,879 IT'S OKAY. FORGET IT. 625 00:23:32,912 --> 00:23:35,114 THIS IS CRAZY. 626 00:23:35,147 --> 00:23:36,949 ALICE... 627 00:23:36,983 --> 00:23:38,050 LOOK, YOU CAN'T BLOG ABOUT THIS, OKAY? 628 00:23:38,084 --> 00:23:39,486 [GASPS] 629 00:23:39,519 --> 00:23:40,520 THIS COULD REALLY HURT THE MOVIE. 630 00:23:40,553 --> 00:23:41,888 YOU'RE GOING TO INSULT ME NOW? 631 00:23:41,921 --> 00:23:43,189 I AM YOUR FRIEND, TINA. 632 00:23:43,222 --> 00:23:44,891 YOU KNOW, I WOULDN'T DO THAT TO YOU. 633 00:23:44,924 --> 00:23:45,925 LOOK, I'M SORRY. 634 00:23:45,958 --> 00:23:47,460 LET'S HAVE A DRINK LATER. 635 00:23:47,494 --> 00:23:48,761 OH, YEAH, THAT SOUNDS FINE-- 636 00:23:48,795 --> 00:23:49,862 IF I DIDN'T HAVE TO DRIVE TO FUCKING LONG BEACH 637 00:23:49,896 --> 00:23:52,164 TO MEET WITH THE LAWYER TRYING TO RUIN TASHA'S CAREER. 638 00:23:52,198 --> 00:23:55,201 YOU KNOW, THE HYPOCRISY, IT'S JUST, LIKE... 639 00:23:55,234 --> 00:23:57,904 OH, IT'S A LITTLE TOO MUCH FOR ME THESE DAYS. 640 00:23:57,937 --> 00:23:59,606 ALICE... 641 00:23:59,639 --> 00:24:00,507 OH, I HAVE AN IDEA. 642 00:24:00,540 --> 00:24:02,041 WHY DON'T YOU AND COLONEL DAVIS MEET, 643 00:24:02,074 --> 00:24:03,576 AND YOU GUYS CAN TALK ABOUT HOW TO KEEP GAYS 644 00:24:03,610 --> 00:24:04,777 OUT OF THE MOVIES AND OUT OF THE MILITARY. 645 00:24:04,811 --> 00:24:06,045 OOH, FUN FOR YOU. 646 00:24:06,078 --> 00:24:07,647 COLONEL WHO? 647 00:24:07,680 --> 00:24:09,215 JESUS CHRIST! 648 00:24:12,685 --> 00:24:13,886 YOU LOOKED LIKE 649 00:24:13,920 --> 00:24:14,954 YOU WERE HAVING A WONDERFUL TIME 650 00:24:14,987 --> 00:24:16,656 AT YOUR MOM'S PARTY. 651 00:24:16,689 --> 00:24:18,725 I DIDN'T SEE YOU THERE. 652 00:24:18,758 --> 00:24:20,527 YEAH, I DIDN'T THINK YOU WOULD. 653 00:24:20,560 --> 00:24:21,728 I... 654 00:24:21,761 --> 00:24:22,929 I NOTICED THAT YOU WERE TOO BUSY 655 00:24:22,962 --> 00:24:24,063 CHECKING OUT THOSE 50-YEAR-OLDS 656 00:24:24,096 --> 00:24:25,865 IN THEIR BLACK BRAS 657 00:24:25,898 --> 00:24:27,634 DIVING INTO YOUR MOTHER'S SWIMMING POOL. 658 00:24:27,667 --> 00:24:28,801 YEAH, DON'T REMIND ME 659 00:24:28,835 --> 00:24:31,170 OF MY MOTHER'S TOTAL DEGRADATION, PLEASE. 660 00:24:34,974 --> 00:24:36,576 HEY, GUYS, 661 00:24:36,609 --> 00:24:38,210 TINA GOT US SOME CHAIRS ON-SET, 662 00:24:38,244 --> 00:24:39,679 WHICH I GUESS IS SOME HONOURABLE 663 00:24:39,712 --> 00:24:40,947 AND PRIVILEGED THING, 664 00:24:40,980 --> 00:24:42,815 SO WE CAN WATCH THE NEXT SCENE. 665 00:24:42,849 --> 00:24:44,751 OKAY. 666 00:24:44,784 --> 00:24:45,952 TAKE IT EASY, MOLLY. 667 00:24:45,985 --> 00:24:46,986 BYE, SHANE. 668 00:24:47,019 --> 00:24:49,522 HEY, BETTE. 669 00:24:52,158 --> 00:24:53,693 HEY, JUST, DON'T SMILE, OKAY? 670 00:24:53,726 --> 00:24:54,694 SORRY. 671 00:24:54,727 --> 00:24:56,663 YEAH. 672 00:24:56,696 --> 00:24:58,831 YOU COULD HAVE USED A BETTER LINE ON MOLLY. 673 00:24:58,865 --> 00:25:00,132 YEAH. 674 00:25:00,166 --> 00:25:02,101 I'M TRYIN'. 675 00:25:03,770 --> 00:25:07,106 [**] 676 00:25:29,028 --> 00:25:30,296 LET'S GO OUT TONIGHT. 677 00:25:30,329 --> 00:25:32,765 NO, I CAN'T. 678 00:25:32,799 --> 00:25:34,734 WHY NOT? 679 00:25:34,767 --> 00:25:38,070 BECAUSE WE HAVE TO WORK. 680 00:25:38,104 --> 00:25:41,140 WELL, YOU'RE THE BIG BAD BOSS. 681 00:25:41,173 --> 00:25:42,308 CALL IT OFF. 682 00:25:42,341 --> 00:25:44,944 NO. 683 00:25:44,977 --> 00:25:46,278 WHY? 684 00:25:46,312 --> 00:25:50,750 BECAUSE I'M OLD. 685 00:25:50,783 --> 00:25:54,887 I HAVE RESPONSIBILITIES. 686 00:25:54,921 --> 00:25:56,789 YOU'RE SUCH A DRAG. 687 00:26:22,214 --> 00:26:24,183 I'M A BIT TICKLISH RIGHT THERE. 688 00:26:24,216 --> 00:26:27,119 DON'T. 689 00:26:27,153 --> 00:26:29,355 [LAUGHING] 690 00:26:35,995 --> 00:26:38,097 YOU WANT ANY KIDS EVER? 691 00:26:38,130 --> 00:26:40,299 UM... 692 00:26:40,332 --> 00:26:43,069 I DON'T KNOW. 693 00:26:43,102 --> 00:26:44,804 YOU SHOULD. 694 00:26:44,837 --> 00:26:45,905 WHY? 695 00:26:45,938 --> 00:26:47,006 WELL, BECAUSE 696 00:26:47,039 --> 00:26:49,275 I WANT LOTS OF KIDS, 697 00:26:49,308 --> 00:26:50,977 AND I WANT TO HAVE YOUR KIDS. 698 00:26:54,747 --> 00:26:55,815 NO, YOU DON'T. 699 00:26:55,848 --> 00:26:56,916 YES, I DO. 700 00:26:56,949 --> 00:26:58,117 WE COULD HAVE A WHOLE BIG FAMILY, 701 00:26:58,150 --> 00:27:01,253 AND WE COULD GO SOMEWHERE LIKE IRELAND, 702 00:27:01,287 --> 00:27:02,722 GET AWAY FROM EVERYTHING. 703 00:27:05,357 --> 00:27:07,960 OH, WOW, NO ONE'S EVER SAID THAT TO ME BEFORE. 704 00:27:07,994 --> 00:27:09,095 REALLY? 705 00:27:09,128 --> 00:27:11,130 YEAH, RIGHT. YOU'RE FULL OF IT. 706 00:27:11,163 --> 00:27:13,165 NO. 707 00:27:13,199 --> 00:27:14,767 OR WE COULD GO TO JAPAN. 708 00:27:14,801 --> 00:27:16,803 YOU WOULD LOVE JAPAN. IT'S SO COOL. 709 00:27:16,836 --> 00:27:18,871 WE COULD GET THE FUCK OUT OF L.A., 710 00:27:18,905 --> 00:27:20,339 THIS TERRIBLE PLACE. 711 00:27:20,372 --> 00:27:21,974 I KNOW. 712 00:27:22,008 --> 00:27:23,242 DON'T CRY. 713 00:27:23,275 --> 00:27:24,744 DOES ANYONE HAVE A 20 ON JENNY? 714 00:27:24,777 --> 00:27:25,778 SHE'S IN AN ACTOR MEETING WITH NIKI. 715 00:27:25,812 --> 00:27:26,813 OH, MY GOD. 716 00:27:26,846 --> 00:27:28,214 YEAH, RIGHT. 717 00:27:28,247 --> 00:27:29,415 OH, IT'S LIKE WHEN YOU'RE FUCKING 718 00:27:29,448 --> 00:27:32,251 AND THEN YOUR MOM CALLS. 719 00:27:32,284 --> 00:27:35,221 GO... AWAY. 720 00:27:35,254 --> 00:27:38,090 ADELE? 721 00:27:38,124 --> 00:27:40,259 DO YOU THINK 722 00:27:40,292 --> 00:27:42,028 THAT WE HAVE TO STOP FUCKING OVER LUNCH? 723 00:27:42,061 --> 00:27:43,162 NO. 724 00:27:43,195 --> 00:27:44,864 DO YOU THINK THEY MIGHT NOTICE? 725 00:27:44,897 --> 00:27:46,398 MM-MM. 726 00:27:46,432 --> 00:27:47,900 I DON'T CARE IF THEY NOTICE. 727 00:27:47,934 --> 00:27:49,902 WHY? 728 00:27:49,936 --> 00:27:53,906 BECAUSE... 729 00:27:56,776 --> 00:27:59,746 WHAT? 730 00:27:59,779 --> 00:28:01,814 WHAT? 731 00:28:01,848 --> 00:28:03,015 WHAT? 732 00:28:03,049 --> 00:28:04,416 I LOVE YOU. 733 00:28:11,223 --> 00:28:12,391 I'M GOING TO GIVE YOU A HICKEY. 734 00:28:12,424 --> 00:28:13,359 [GIGGLING] 735 00:28:13,392 --> 00:28:14,794 I'M GOING TO GIVE YOU A HICKEY RIGHT NOW. 736 00:28:14,827 --> 00:28:15,828 NO, DON'T. 737 00:28:15,862 --> 00:28:16,929 YES, I AM. 738 00:28:27,406 --> 00:28:31,277 [TELEPHONE RINGS] 739 00:28:31,310 --> 00:28:32,511 CURTIS BEECH. 740 00:28:32,544 --> 00:28:33,980 HELLO, CAPTAIN BEECH. 741 00:28:34,013 --> 00:28:35,114 DAVIS. 742 00:28:35,147 --> 00:28:39,151 LISTEN, I HAVE A HUGE CASE-LOAD IN FRONT OF ME HERE, 743 00:28:39,185 --> 00:28:41,888 AND I'M TRYING TO BE AS EFFICIENT AS POSSIBLE. 744 00:28:41,921 --> 00:28:44,056 I WANT TO TALK TO YOU ABOUT THE WILLIAMS CASE. 745 00:28:44,090 --> 00:28:45,291 WELL, I'M NOT SURE WHAT THERE IS TO TALK ABOUT. 746 00:28:45,324 --> 00:28:47,927 I INTEND TO PROVE ALLEGATIONS AGAINST MY CLIENT ARE FALSE. 747 00:28:47,960 --> 00:28:49,996 LOOK, THAT'S JUST NOT GOING TO HAPPEN. 748 00:28:50,029 --> 00:28:51,063 YOU'VE SEEN HER REPORTS. 749 00:28:51,097 --> 00:28:54,366 YOU KNOW WHAT YOU'RE UP AGAINST? 750 00:28:54,400 --> 00:28:57,203 LISTEN, I WANT YOU TO TAKE MY ADVICE AND SETTLE. 751 00:28:57,236 --> 00:28:59,772 GET HER OUT BEFORE IT GETS UGLY. 752 00:28:59,806 --> 00:29:02,208 HONORABLE DISCHARGE, ALL FULL BENEFITS. 753 00:29:02,241 --> 00:29:04,243 SHE'S NOT GOING TO ACCEPT THAT. 754 00:29:04,276 --> 00:29:05,511 JUST TAKE IT TO HER. 755 00:29:05,544 --> 00:29:07,113 IT'S YOUR DUTY AS A LAWYER, 756 00:29:07,146 --> 00:29:09,515 AND IF YOU'RE A GOOD ONE, YOU'LL ADVISE HER TO ACCEPT. 757 00:29:09,548 --> 00:29:13,519 WOULD YOU HOLD THE LINE, PLEASE? 758 00:29:15,988 --> 00:29:17,223 IT'S COLONEL DAVIS, AND SHE-- 759 00:29:17,256 --> 00:29:19,525 CAN YOU TELL HER TO FUCK OFF, PLEASE? 760 00:29:21,828 --> 00:29:24,196 COLONEL, MY CLIENT RESPECTFULLY DECLINES YOUR OFFER. 761 00:29:27,967 --> 00:29:29,335 LOOK AT THIS PLACE, MAN. 762 00:29:29,368 --> 00:29:30,502 CHECK IT OUT. 763 00:29:30,536 --> 00:29:32,204 I SHOULD OPEN UP A BUSINESS IN HERE 764 00:29:32,238 --> 00:29:35,374 SINCE THEM SHEBAR BITCHES SHUT DOWN THE PLANET, MAN. 765 00:29:35,407 --> 00:29:37,309 WHEN CAN YOU RE-OPEN ANYWAY? 766 00:29:37,343 --> 00:29:38,477 UH, IN A WEEK. 767 00:29:38,510 --> 00:29:39,946 I STILL HAVE ONE MORE INSPECTION, 768 00:29:39,979 --> 00:29:41,848 THEN I GOT TO DROP EIGHT GS 769 00:29:41,881 --> 00:29:42,982 FOR ALL THAT SHIT, MAN. 770 00:29:43,015 --> 00:29:44,383 I'M GOING TO GET THOSE HO-BAGS BACK, 771 00:29:44,416 --> 00:29:46,853 I SWEAR TO GOD, YOU MARK MY WORDS. 772 00:29:46,886 --> 00:29:49,255 THEM SHE-BITCHES. 773 00:29:49,288 --> 00:29:52,024 HEY, NIKI... 774 00:29:52,058 --> 00:29:53,292 NIKI? 775 00:29:53,325 --> 00:29:55,261 THEY'RE READY FOR YOU ON SET RIGHT NOW. 776 00:29:55,294 --> 00:29:56,528 [LAUGHING] 777 00:29:56,562 --> 00:30:02,268 NIKI... OH, SHOOT! 778 00:30:02,301 --> 00:30:04,370 LESBIAN TURKISH OIL WRESTLING? 779 00:30:04,403 --> 00:30:05,938 TONIGHT? OH, MY GOD, WE'RE GOING. 780 00:30:05,972 --> 00:30:07,073 JENNY! JENNY, WAIT! 781 00:30:07,106 --> 00:30:08,607 LOOKIT! LOOKIT THIS! 782 00:30:08,640 --> 00:30:10,276 WE MET THAT GIRL THE OTHER NIGHT. 783 00:30:10,309 --> 00:30:11,343 YEAH, THAT'S NIKI STEVENS. 784 00:30:11,377 --> 00:30:13,279 OH, MY GOD. ADELE! 785 00:30:13,312 --> 00:30:14,346 SHE'S CUTE. 786 00:30:14,380 --> 00:30:15,381 TINA, I AM SO SORRY. 787 00:30:15,414 --> 00:30:16,482 GODDAMMIT! I KNOW. 788 00:30:16,515 --> 00:30:17,483 I DON'T KNOW WHAT HAPPENED. 789 00:30:17,516 --> 00:30:18,584 I THOUGHT I GOT RID OF THEM ALL, 790 00:30:18,617 --> 00:30:19,852 BUT SOMEBODY MUST HAVE... 791 00:30:19,886 --> 00:30:20,953 [GROANS] 792 00:30:20,987 --> 00:30:22,154 OKAY. SORRY. 793 00:30:22,188 --> 00:30:23,555 SORRY, SORRY. IT'S NOT YOUR FAULT. 794 00:30:23,589 --> 00:30:25,057 THANKS FOR TRYING. 795 00:30:25,091 --> 00:30:27,626 ALL RIGHT. OKAY. 796 00:30:27,659 --> 00:30:29,295 WHAT HAPPENED? 797 00:30:29,328 --> 00:30:31,363 IT'S... IT'S NIKI. 798 00:30:31,397 --> 00:30:32,932 SHE'S 20. SHE'S LIKE A PUPPY. 799 00:30:32,965 --> 00:30:34,300 SHE KEEPS RUNNING OFF THE SET, 800 00:30:34,333 --> 00:30:36,168 AND IT'S DRIVING ALL THE OTHER ACTORS CRAZY, 801 00:30:36,202 --> 00:30:38,104 AND IT'S MAKING ME INSANE. 802 00:30:38,137 --> 00:30:39,405 IS JENNY-- OOH! 803 00:30:39,438 --> 00:30:40,472 IS JENNY STILL... 804 00:30:40,506 --> 00:30:41,407 OH, YEAH. 805 00:30:41,440 --> 00:30:45,111 THEY FUCK EVERY DAY IN HER TRAILER AT LUNCH. 806 00:30:45,144 --> 00:30:46,312 THE WHOLE CREW KNOWS, 807 00:30:46,345 --> 00:30:48,881 AND ADELE STANDS OUTSIDE TO GUARD. 808 00:30:48,915 --> 00:30:51,317 IT'S INSANE. 809 00:30:51,350 --> 00:30:53,219 CAN YOU, UM, CAN YOU HOLD ON A SECOND? 810 00:30:53,252 --> 00:30:54,420 ACTUALLY, I HAVE TO... 811 00:30:54,453 --> 00:30:58,490 I HAVE TO GO. 812 00:30:58,524 --> 00:31:00,059 OKAY, CALL ME, OR... 813 00:31:00,092 --> 00:31:01,093 I'LL CALL YOU. 814 00:31:01,127 --> 00:31:03,095 OKAY. 815 00:31:09,135 --> 00:31:12,104 THEY REALLY RESPECT TINA. 816 00:31:13,639 --> 00:31:17,043 OF COURSE THEY DO. 817 00:31:17,076 --> 00:31:18,210 [SIGHS] 818 00:31:18,244 --> 00:31:20,112 I HAVE TO GET BACK, SO IF YOU WANT A RIDE-- 819 00:31:20,146 --> 00:31:22,281 I'M FINE. I'M GOING TO HANG OUT HERE. 820 00:31:22,314 --> 00:31:24,350 OH, ALL RIGHT, WELL, I'LL GET JODI 821 00:31:24,383 --> 00:31:25,651 TO COME DOWN TO THE SET THEN. 822 00:31:25,684 --> 00:31:26,953 I DON'T NEED A BABY-SITTER. 823 00:31:26,986 --> 00:31:28,154 YEAH, I-- 824 00:31:28,187 --> 00:31:29,255 YOU'LL WHAT? 825 00:31:30,689 --> 00:31:32,091 WILL TAKE HER HOME. 826 00:31:32,124 --> 00:31:33,125 MM-HMM. 827 00:31:33,159 --> 00:31:34,927 YOU HAVE FUN. 828 00:31:36,495 --> 00:31:37,596 SO SAM'S GOING TO BE READY IN 15, 829 00:31:37,629 --> 00:31:39,598 SO LET'S HAVE NIKI IN 10 FOR WIRING. 830 00:31:39,631 --> 00:31:40,632 OH, I HAVE TO GO SEE NIKI. 831 00:31:40,666 --> 00:31:42,134 I CAN TELL HER. 832 00:31:42,168 --> 00:31:44,670 GREAT. THANKS, ADELE. 833 00:31:44,703 --> 00:31:48,107 ADELE, THIS IS SO LAME. 834 00:31:48,140 --> 00:31:50,076 EVERYONE'S AT SHEBAR, ABSOLUTELY EVERYONE, 835 00:31:50,109 --> 00:31:51,110 AND WE'RE STUCK HERE. 836 00:31:51,143 --> 00:31:52,411 I KNOW. 837 00:31:52,444 --> 00:31:54,280 IT MUST BE REALLY HARD ON YOU. 838 00:31:54,313 --> 00:31:55,381 ALL YOUR FRIENDS ARE OUT HAVING FUN-- 839 00:31:55,414 --> 00:31:57,116 I KNOW, IT TOTALLY SUCKS. 840 00:31:57,149 --> 00:31:58,150 YOU KNOW WHAT? 841 00:32:01,220 --> 00:32:03,622 I THINK IT'S SO LAME THAT THEY WORK YOU THIS HARD. 842 00:32:03,655 --> 00:32:04,991 I MEAN, A LOT OF MOVIE STARS, THEY JUST... 843 00:32:05,024 --> 00:32:06,058 I MEAN, THEY REFUSE TO WORK 844 00:32:06,092 --> 00:32:07,126 PAST 8:00 AT NIGHT. 845 00:32:07,159 --> 00:32:09,261 REALLY? MM-HMM. 846 00:32:09,295 --> 00:32:11,530 I MEAN, IT DEPENDS HOW MUCH POWER THEY HAVE 847 00:32:11,563 --> 00:32:12,664 AND HOW MUCH THE PRODUCTION 848 00:32:12,698 --> 00:32:14,600 RESPECTS THEIR TIME, KIND OF, BUT... 849 00:32:14,633 --> 00:32:16,702 SERIOUSLY? 850 00:32:16,735 --> 00:32:18,604 'CAUSE, I MEAN, I SIT AROUND HERE FOR HOURS 851 00:32:18,637 --> 00:32:20,106 WHILE THEY'RE, LIKE, LIGHTING OR WHATEVER, 852 00:32:20,139 --> 00:32:21,307 I MEAN, I'M JUST SITTING HERE 853 00:32:21,340 --> 00:32:22,408 ON MY ASS. 854 00:32:22,441 --> 00:32:23,675 I KNOW, IT SUCKS. 855 00:32:25,644 --> 00:32:28,547 HEY, HOW MUCH TIME BEFORE YOU THINK THEY NEED ME AGAIN? 856 00:32:28,580 --> 00:32:29,681 'CAUSE SHEBAR'S RIGHT DOWN THE STREET. 857 00:32:29,715 --> 00:32:32,084 I COULD SERIOUSLY JUST RUN OVER, SAY HI TO MY FRIENDS, 858 00:32:32,118 --> 00:32:33,185 AND THEN I'D COME RIGHT BACK. 859 00:32:33,219 --> 00:32:35,487 UM... 860 00:32:35,521 --> 00:32:37,223 WELL, I THINK I HEARD THEM SAY 861 00:32:37,256 --> 00:32:38,390 THAT THEY DON'T NEED YOU FOR AN HOUR AND A HALF. 862 00:32:38,424 --> 00:32:39,558 REALLY? 863 00:32:39,591 --> 00:32:42,061 OH, YES! 864 00:32:44,196 --> 00:32:45,597 OH, MY GOD, THANK YOU SO MUCH, ADELE. 865 00:32:45,631 --> 00:32:46,632 I LOVE YOU. 866 00:32:46,665 --> 00:32:47,733 [GIGGLES] 867 00:32:52,538 --> 00:32:53,572 HEY. 868 00:32:53,605 --> 00:32:56,008 HI. 869 00:32:56,042 --> 00:32:58,177 HOW WAS THE REST OF YOUR DAY? 870 00:34:30,736 --> 00:34:33,272 WHY DO PEOPLE INVITE YOU TO VISIT FILM SETS? 871 00:34:33,305 --> 00:34:34,673 THIS IS LIKE WATCHING PAINT DRY. 872 00:34:34,706 --> 00:34:35,807 WELL, SOME PEOPLE THINK IT'S FASCINATING, 873 00:34:35,841 --> 00:34:37,843 BUT IN REALITY, IT'S BORING, SO... 874 00:34:37,876 --> 00:34:39,545 SO, WHAT DO PEOPLE DO FOR FUN IN THIS TOWN? 875 00:34:39,578 --> 00:34:41,780 BESIDES STICKING YOU WITH LESBIAN ART AFICIONADOS 876 00:34:41,813 --> 00:34:43,149 AND PRETENDING IT'S EXCITING? 877 00:34:43,182 --> 00:34:44,116 IF YOU WANT, 878 00:34:44,150 --> 00:34:45,417 YOU COULD STICK AROUND A LITTLE BIT LONGER, 879 00:34:45,451 --> 00:34:46,418 AND THEN I COULD TAKE YOU OUT. 880 00:34:46,452 --> 00:34:48,854 SURE. WHAT? 881 00:34:48,887 --> 00:34:50,622 MY MOTHER TOLD ME ABOUT YOU. 882 00:34:50,656 --> 00:34:51,723 YOU'RE LIKE THE "FONZ" FOR LESBIANS. 883 00:34:51,757 --> 00:34:54,393 BULLSHIT. THE FONZ? COME ON. 884 00:34:54,426 --> 00:34:55,527 [LAUGHS] SHUT UP. 885 00:34:55,561 --> 00:34:57,196 "HAPPY DAYS?" 886 00:34:57,229 --> 00:34:59,531 I KNOW THE FONZ. I KNOW THE "HAPPY DAYS," BUT... 887 00:35:02,734 --> 00:35:05,404 ALL RIGHT, I'LL GIVE IT TO YOU, YOU'RE SASSY. 888 00:35:05,437 --> 00:35:06,572 NO ONE'S CALLED ME THAT BEFORE. 889 00:35:06,605 --> 00:35:08,740 I'M NOT SASSY, I'M BORED, 890 00:35:08,774 --> 00:35:11,477 BUT NOT BORED ENOUGH TO SLEEP WITH YOU. 891 00:35:14,713 --> 00:35:15,814 [CLEARS THROAT] 892 00:35:15,847 --> 00:35:18,350 HOT STUFF. 893 00:35:18,384 --> 00:35:20,152 JUST KEEP READING. 894 00:35:20,186 --> 00:35:21,920 SANDRA... 895 00:35:21,953 --> 00:35:24,156 WHAT'S GOING ON? 896 00:35:24,190 --> 00:35:25,457 WHAT IS THIS TAKING SO LONG? 897 00:35:25,491 --> 00:35:26,825 WE'RE REALLY ONLY WAITING FOR NIKI TO STEP IN. 898 00:35:26,858 --> 00:35:28,594 YEAH, IT DOESN'T MATTER. NIKI'S NOT HERE YET. 899 00:35:28,627 --> 00:35:29,628 ANYBODY GOT A 20 ON NIKI? 900 00:35:29,661 --> 00:35:31,597 JENNY... 901 00:35:31,630 --> 00:35:34,266 OH, MY GOD, UM, NIKI'S DISAPPEARED FROM SET. 902 00:35:34,300 --> 00:35:35,401 WE CAN'T FIND HER ANYWHERE. 903 00:35:35,434 --> 00:35:37,603 I THINK I KNOW WHERE SHE WENT. 904 00:35:37,636 --> 00:35:39,505 SHE WENT LESBIAN TURKISH OIL WRESTLING? 905 00:35:41,440 --> 00:35:43,342 THAT LITTLE BITCH. 906 00:35:43,375 --> 00:35:46,312 [CHEERING AND APPLAUSE] 907 00:35:46,345 --> 00:35:50,382 LET'S GET READY TO WRESTLE! 908 00:35:53,352 --> 00:35:57,889 HEY, ALL YOU HOT AND SEXY LESBIANS OUT THERE! 909 00:35:57,923 --> 00:36:00,626 [CROWD SCREAMING] 910 00:36:00,659 --> 00:36:01,860 SOME OF YOU KNOW ME AS DAWN DENBO, 911 00:36:01,893 --> 00:36:05,497 BUT TONIGHT, I'M ONLY KNOWN AS "MIAMI VICE." 912 00:36:05,531 --> 00:36:07,199 [CHEERING] 913 00:36:07,233 --> 00:36:08,667 I WANT TO WELCOME YOU TO THE FIRST EVER 914 00:36:08,700 --> 00:36:12,338 SHEBAR TURKISH OIL WRESTLING TOURNAMENT OF THE STARS! 915 00:36:13,772 --> 00:36:15,307 [CHEERING] 916 00:36:15,341 --> 00:36:17,443 OVER HERE, WE HAVE MY LOVER, CINDI. 917 00:36:17,476 --> 00:36:19,578 WHOO! 918 00:36:19,611 --> 00:36:22,581 BUT TONIGHT, YOU'LL CALL HER, "THE VIPER"! 919 00:36:22,614 --> 00:36:23,682 WHOO! 920 00:36:23,715 --> 00:36:24,816 HELLO, LADIES. 921 00:36:24,850 --> 00:36:27,453 HOW ABOUT A KISS, HONEY? 922 00:36:27,486 --> 00:36:29,721 [CHEERING] 923 00:36:29,755 --> 00:36:33,659 IS THERE ANYONE OUT THERE BRAVE ENOUGH, DARING ENOUGH, 924 00:36:33,692 --> 00:36:34,960 TO TAKE MY CINDI ON? 925 00:36:37,629 --> 00:36:38,830 OH! 926 00:36:38,864 --> 00:36:42,834 [CROWD CHEERING] 927 00:36:42,868 --> 00:36:45,437 COME ON UP, COME ON UP! 928 00:36:45,471 --> 00:36:46,872 WHAT'S YOUR NAME, GORGEOUS? 929 00:36:46,905 --> 00:36:48,607 TONIGHT, YOU ALL CAN CALL ME 930 00:36:48,640 --> 00:36:50,676 "JESSE JAILBAIT!" 931 00:36:50,709 --> 00:36:54,846 WELL, JESSIE JAILBAIT, SAY HELLO TO THE VIPER. 932 00:36:57,015 --> 00:36:58,350 OH! 933 00:36:59,351 --> 00:37:01,953 GO TAKE YOUR CLOTHES OFF. 934 00:37:01,987 --> 00:37:04,823 DO YOU RECOGNIZE THE TWINK? 935 00:37:04,856 --> 00:37:06,358 IT'S THE STAR 936 00:37:06,392 --> 00:37:07,426 FROM SHANE'S FRIEND'S LESBO MOVIE, RIGHT? 937 00:37:07,459 --> 00:37:08,660 YEAH, SURE IS. 938 00:37:08,694 --> 00:37:09,761 SHE'S SO DEAD. 939 00:37:09,795 --> 00:37:10,862 UH-HUH. 940 00:37:10,896 --> 00:37:12,764 [CROWD CHEERING] 941 00:37:16,602 --> 00:37:18,937 YEAH, HEY, MICKEY, IT'S DAWN DENBO. 942 00:37:18,970 --> 00:37:20,639 YEAH, I GOT A HOT TIP FOR YOU. 943 00:37:24,476 --> 00:37:25,877 [BELL RINGS] 944 00:37:27,078 --> 00:37:29,748 [CROWD CHEERING AND SQUEALING] 945 00:37:37,656 --> 00:37:39,858 JENNY, I NEED YOU TO GO IN THERE, 946 00:37:39,891 --> 00:37:42,728 BECAUSE YOU'RE THE ONLY ONE SHE'S GOING TO LISTEN TO. 947 00:37:42,761 --> 00:37:44,730 TINA, COME ON, DON'T GO IN THERE. 948 00:37:44,763 --> 00:37:46,865 YOU'RE A TRAITOR IF YOU DO. 949 00:37:46,898 --> 00:37:47,799 NIKI STEVENS IS IN THERE, 950 00:37:47,833 --> 00:37:50,336 ROLLING AROUND IN A VAT OF HOT OIL, OKAY? 951 00:37:50,369 --> 00:37:51,803 SHE'S COSTING MY PRODUCTION COMPANY 952 00:37:51,837 --> 00:37:53,071 HUNDREDS OF THOUSANDS OF DOLLARS 953 00:37:53,104 --> 00:37:54,473 EVERY SINGLE MINUTE SHE'S IN THERE. 954 00:37:54,506 --> 00:37:55,774 PLUS, SHE'S UNDER-FUCKING-AGE. 955 00:37:58,544 --> 00:38:00,879 THE FUCKING PAPARAZZI? 956 00:38:00,912 --> 00:38:03,349 I AM SO SCREWED. 957 00:38:03,382 --> 00:38:04,750 [CROWD SCREAMING AND CHEERING] 958 00:38:04,783 --> 00:38:07,553 * I WANT TO PLAY GUITAR 959 00:38:07,586 --> 00:38:10,989 * AND BE A MOVIE STAR 960 00:38:11,022 --> 00:38:13,892 * BE IN THE BIG MOVIES 961 00:38:13,925 --> 00:38:18,497 * AND TAKE OFF ALL MY CLOTHES 962 00:38:18,530 --> 00:38:21,833 * WHO DO YOU WANT ME TO BE? 963 00:38:21,867 --> 00:38:25,637 * WHO DO I WANT TO BE? 964 00:38:25,671 --> 00:38:28,907 * WHO DO YOU WANT ME TO BE? 965 00:38:28,940 --> 00:38:31,710 * GET... LOADED 966 00:38:31,743 --> 00:38:33,379 I AM SO FUCKED. 967 00:38:33,412 --> 00:38:34,713 EXCUSE ME. 968 00:38:38,517 --> 00:38:40,886 YEAH, LOS ANGELES POLICE DEPARTMENT. 969 00:38:40,919 --> 00:38:42,788 I'LL HOLD. 970 00:38:42,821 --> 00:38:44,390 YEAH, I WANT TO REPORT A NIGHT CLUB 971 00:38:44,423 --> 00:38:46,458 SERVING ALCOHOL TO MINORS. 972 00:38:46,492 --> 00:38:47,793 * PARTY, PARTY, PARTY 973 00:38:47,826 --> 00:38:50,862 * PARTY, PARTY, PARTY, PARTY 974 00:38:50,896 --> 00:38:53,665 * PARTY, PARTY, PARTY GET LOADED * 975 00:38:53,699 --> 00:38:55,867 * PARTY, PARTY, PARTY 976 00:38:55,901 --> 00:38:57,703 HOW DO YOU LIKE IT? 977 00:38:57,736 --> 00:38:59,104 IT'S... 978 00:38:59,137 --> 00:39:01,440 THAT IS FUCKED UP. 979 00:39:01,473 --> 00:39:02,974 THE WINNER IS "JESSIE JAILBAIT!" 980 00:39:03,008 --> 00:39:04,075 THANK YOU VERY MUCH. 981 00:39:04,109 --> 00:39:08,013 IT'S NOT FUCKED UP, THAT'S AMAZING. 982 00:39:11,717 --> 00:39:13,785 WHO'S NEXT FOR J.J.? 983 00:39:13,819 --> 00:39:16,087 NIKI! 984 00:39:16,121 --> 00:39:18,390 NIKI! 985 00:39:18,424 --> 00:39:20,025 [CHEERING] 986 00:39:20,058 --> 00:39:22,728 DO YOU KNOW HOW MUCH MONEY YOU'RE COSTING ME? 987 00:39:25,130 --> 00:39:26,798 HI! HI! 988 00:39:26,832 --> 00:39:28,400 DO YOU WANT TO COME BACK TO SET? 989 00:39:28,434 --> 00:39:29,701 BECAUSE WE'RE... WE'RE JUST SHOOTING RIGHT NOW, 990 00:39:29,735 --> 00:39:31,770 SO YOU MIGHT WANT TO FINISH UP THE SCENE-- 991 00:39:31,803 --> 00:39:33,705 NO, NO. NO, COME ON, GET IN HERE. 992 00:39:33,739 --> 00:39:34,940 IT'S SO MUCH FUN. 993 00:39:34,973 --> 00:39:36,007 YEAH, COME ON. 994 00:39:36,041 --> 00:39:37,776 NO. THANKS, THOUGH. 995 00:39:37,809 --> 00:39:39,010 YOU KNOW WHAT? 996 00:39:39,044 --> 00:39:41,613 I THINK YOU'RE GOING TO HAVE TO COME IN HERE AND FIGHT ME. 997 00:39:41,647 --> 00:39:43,449 [CROWD CHEERING] 998 00:39:43,482 --> 00:39:45,751 I THINK I HEARD A CHALLENGE. 999 00:39:45,784 --> 00:39:47,018 THAT'S RIGHT, YOU DID. 1000 00:39:47,052 --> 00:39:48,687 GO IN AND GET HER. 1001 00:39:48,720 --> 00:39:49,988 WHAT? GET HER! 1002 00:39:50,021 --> 00:39:52,057 I DON'T WANT TO-- GET HER OUT! 1003 00:39:52,090 --> 00:39:55,126 COME ON, COME ON, FIGHT ME. 1004 00:39:55,160 --> 00:39:57,128 ALL RIGHT, LET'S GET HER IN. 1005 00:39:57,162 --> 00:39:59,731 YOU ASKED FOR IT. 1006 00:39:59,765 --> 00:40:02,634 COME ON, BEAUTIFUL. STEP IN THE RING. 1007 00:40:02,668 --> 00:40:05,904 [CROWD CHEERING] 1008 00:40:07,105 --> 00:40:08,474 YEAH! 1009 00:40:08,507 --> 00:40:09,641 TAKE IT OFF! 1010 00:40:09,675 --> 00:40:11,943 [CROWD CHEERING] 1011 00:40:11,977 --> 00:40:13,779 KEEP GOING! 1012 00:40:13,812 --> 00:40:15,681 OH, YEAH. 1013 00:40:15,714 --> 00:40:18,717 THAT'S WHAT I'M TALKING ABOUT. 1014 00:40:29,995 --> 00:40:31,763 UNBELIEVABLE! 1015 00:40:35,567 --> 00:40:36,868 COME ON! 1016 00:40:36,902 --> 00:40:39,204 FUCKING HEADLOCK HER! 1017 00:40:42,073 --> 00:40:44,042 I DIDN'T REALIZE YOU LIKED THIS. 1018 00:40:44,075 --> 00:40:46,177 THIS IS AWESOME! 1019 00:40:46,211 --> 00:40:47,679 YOU DON'T THINK 1020 00:40:47,713 --> 00:40:49,515 THAT'S A LITTLE BIT DEGRADING? COME ON. 1021 00:40:49,548 --> 00:40:51,049 YOU DON'T SEE MY MOTHER IN THERE, DO YOU? 1022 00:40:51,082 --> 00:40:52,618 KEEP IT GOING. 1023 00:40:52,651 --> 00:40:54,052 GET HER DOWN. 1024 00:40:54,085 --> 00:40:55,487 OKAY... 1025 00:40:55,521 --> 00:40:56,622 COME ON! 1026 00:40:56,655 --> 00:40:57,623 MOLLY, DO YOU WANT A DRINK? 1027 00:40:57,656 --> 00:40:58,624 YES. 1028 00:40:58,657 --> 00:40:59,591 WHAT? 1029 00:40:59,625 --> 00:41:00,692 UM, TEQUILA. 1030 00:41:00,726 --> 00:41:01,727 OKAY. 1031 00:41:01,760 --> 00:41:02,928 HIT HER! 1032 00:41:05,163 --> 00:41:06,765 YES! 1033 00:41:08,700 --> 00:41:13,238 THANK YOU FOR COMING ALL THE WAY OUT HERE, ALICE, 1034 00:41:13,271 --> 00:41:14,540 ALTHOUGH, I MUST SAY, 1035 00:41:14,573 --> 00:41:18,544 I WAS EXPECTING YOU A BIT EARLIER. 1036 00:41:18,577 --> 00:41:20,278 WELL, I CAME AS SOON AS I COULD. 1037 00:41:20,311 --> 00:41:21,713 I DO HAVE A LIFE. 1038 00:41:21,747 --> 00:41:23,214 OH, YES, 1039 00:41:23,248 --> 00:41:25,083 A LIFE THAT YOU LIVE PRETTY LOUDLY. 1040 00:41:25,116 --> 00:41:26,217 MM-HMM. 1041 00:41:26,251 --> 00:41:27,986 THAT'S ME, OUT AND PROUD. 1042 00:41:30,155 --> 00:41:32,558 SO, WHAT DID YOU WANT TO TALK TO ME ABOUT? 1043 00:41:32,591 --> 00:41:33,892 WELL, I AM THE RECORDER 1044 00:41:33,925 --> 00:41:35,694 IN THE CAPTAIN TASHA WILLIAMS HEARING, 1045 00:41:35,727 --> 00:41:37,863 AND I HAVE A FEW QUESTIONS TO ASK YOU. 1046 00:41:37,896 --> 00:41:39,865 WELL, TASHA AND I ARE JUST FRIENDS-- 1047 00:41:39,898 --> 00:41:42,233 ACQUAINTANCES, REALLY-- I DON'T REALLY KNOW HER WELL-- 1048 00:41:42,267 --> 00:41:44,736 WE KNOW ALL ABOUT YOUR RELATIONSHIP WITH TASHA. 1049 00:41:44,770 --> 00:41:45,937 WE HAVE WITNESSES WHO WILL TESTIFY 1050 00:41:45,971 --> 00:41:47,739 THAT THEY'VE SEEN YOU TOGETHER. 1051 00:41:47,773 --> 00:41:49,107 JUST BECAUSE THEY'VE SEEN US TOGETHER-- 1052 00:41:49,140 --> 00:41:52,711 WE ARE CALLING YOU TO TESTIFY AT THE HEARING. 1053 00:41:52,744 --> 00:41:54,713 THERE'S NO WAY IN HELL I'M TESTIFYING AT THAT HEARING. 1054 00:41:54,746 --> 00:41:55,747 YOU CAN'T MAKE ME-- 1055 00:41:55,781 --> 00:41:56,982 YOU'VE ALREADY BEEN SUBPOENAED, 1056 00:41:57,015 --> 00:41:58,617 AND IF YOU DON'T TESTIFY TRUTHFULLY, 1057 00:41:58,650 --> 00:42:00,018 I'LL TURN YOU IN TO THE U.S. MARSHALS, 1058 00:42:00,051 --> 00:42:01,720 AND THEN YOU'RE GOING TO HAVE A REAL BIG PROBLEM 1059 00:42:01,753 --> 00:42:04,890 ON YOUR HANDS. 1060 00:42:04,923 --> 00:42:06,291 GOD BLESS AMERICA. 1061 00:42:08,293 --> 00:42:09,661 IT'S A SHAME, ISN'T IT? 1062 00:42:09,695 --> 00:42:10,996 UH-HUH. 1063 00:42:11,029 --> 00:42:12,731 IT'S A SHAME TASHA HAD TO MEET SOMEONE 1064 00:42:12,764 --> 00:42:15,834 WHO FLIES HER DIRTY LAUNDRY LIKE A FREEDOM FLAG 1065 00:42:15,867 --> 00:42:17,002 FOR THE WHOLE WORLD TO GAWK AT. 1066 00:42:17,035 --> 00:42:20,639 YOU KNOW, AS FAR AS I CAN TELL, 1067 00:42:20,672 --> 00:42:22,841 TASHA NEVER HAD A PROBLEM 1068 00:42:22,874 --> 00:42:24,275 LIVING WITHIN THE MILITARY'S CODES 1069 00:42:24,309 --> 00:42:25,811 UNTIL SHE MET YOU. 1070 00:42:36,087 --> 00:42:38,757 HI. THEY TOLD ME I HAD TO COME HERE. 1071 00:42:38,790 --> 00:42:40,291 I HOPE YOU DON'T THINK... I WOULD NEVER-- 1072 00:42:40,325 --> 00:42:42,060 NO, I KNOW. 1073 00:42:48,066 --> 00:42:49,735 WELL, IT WAS GOOD TO SEE YOU. 1074 00:43:04,082 --> 00:43:08,219 [**] 1075 00:44:18,056 --> 00:44:21,192 [CHEERING AND APPLAUSE] 1076 00:44:24,830 --> 00:44:27,665 [CROWD SCREAMS] 1077 00:44:31,402 --> 00:44:34,439 WHOO, LET'S HEAR IT FOR JESSE JAILBAIT 1078 00:44:34,472 --> 00:44:36,742 AND STILETTO SLUT! 1079 00:44:36,775 --> 00:44:37,776 OW! I THINK IT'S GETTING A LITTLE HOT IN HERE, 1080 00:44:37,809 --> 00:44:38,810 DON'T YOU? 1081 00:44:38,844 --> 00:44:42,147 OH, LET'S SEE, WHO'S NEXT? 1082 00:44:42,180 --> 00:44:45,416 WOW, THERE ARE SOME HOT, HOT WOMEN HERE TONIGHT. 1083 00:44:45,450 --> 00:44:46,752 OH, HERE'S ONE. 1084 00:44:46,785 --> 00:44:47,786 HEY, HOW YOU DOING? 1085 00:44:47,819 --> 00:44:48,820 WHAT'S YOUR NAME? 1086 00:44:48,854 --> 00:44:49,921 MOLLY. 1087 00:44:49,955 --> 00:44:51,189 MOLLY! 1088 00:44:51,222 --> 00:44:52,791 COME ON, MOLLY, JUST SAY HI TO THE CROWD. 1089 00:44:52,824 --> 00:44:54,425 LET'S HEAR IT FOR MOLLY, YOU GUYS. 1090 00:44:54,459 --> 00:44:56,895 JUST LET THE CROWD SAY HI. 1091 00:44:56,928 --> 00:44:58,429 DON'T BE SHY, COME ON. 1092 00:44:58,463 --> 00:44:59,798 HEY, SHANE! 1093 00:45:24,289 --> 00:45:28,293 [**] 1094 00:45:52,150 --> 00:45:53,551 OKAY! 1095 00:45:53,584 --> 00:45:56,087 THIS IS THE LOS ANGELES POLICE DEPARTMENT! 1096 00:45:56,121 --> 00:45:57,522 EVERYBODY OUT OF THE CLUB! 1097 00:45:57,555 --> 00:46:02,861 EVERYBODY OUT OF THE CLUB! 1098 00:46:02,894 --> 00:46:06,998 NIKI! NIKI! NIKI! 1099 00:46:07,032 --> 00:46:09,434 [CROWD JEERING] 1100 00:46:12,103 --> 00:46:13,438 I'M SO GLAD YOU'RE A FAN. 1101 00:46:13,471 --> 00:46:15,006 THANK YOU FOR NOT ARRESTING HER. 1102 00:46:15,040 --> 00:46:16,241 WE REALLY APPRECIATE THAT. 1103 00:46:16,274 --> 00:46:18,944 IF YOU COULD KEEP IT OUT OF THE PRESS, 1104 00:46:18,977 --> 00:46:20,511 THAT WOULD BE... 1105 00:46:20,545 --> 00:46:22,247 REALLY GREAT, 1106 00:46:22,280 --> 00:46:26,251 AND AGAIN, OFFICER, THANK YOU SO MUCH... 1107 00:46:28,086 --> 00:46:30,856 PHEW, GIRL, NOT MY PARTY, BUT GOOD JOB. 1108 00:46:30,889 --> 00:46:31,990 BOOYAH! 1109 00:46:32,023 --> 00:46:33,258 DID YOU HAVE FUN? I DID. 1110 00:46:33,291 --> 00:46:34,392 YEAH? YUP. 1111 00:46:34,425 --> 00:46:35,393 I FEEL LIKE SHIT. 1112 00:46:35,426 --> 00:46:37,328 I'M GOING TO GO AND... CLEAN UP. 1113 00:46:37,362 --> 00:46:38,396 DO YOU WANT TO COME OVER 1114 00:46:38,429 --> 00:46:39,530 AND BORROW SOMETHING TO WEAR? 1115 00:46:39,564 --> 00:46:41,166 I'M TOTALLY STRAIGHT, 1116 00:46:41,199 --> 00:46:42,500 BUT YOU CAN KEEP DREAMING. 1117 00:46:42,533 --> 00:46:45,136 [LAUGHS] 1118 00:46:45,170 --> 00:46:47,338 COME HERE FOR A SECOND. 1119 00:46:47,372 --> 00:46:49,374 DON'T FLATTER YOURSELF. 1120 00:46:49,407 --> 00:46:51,242 OKAY? 1121 00:46:59,117 --> 00:47:00,285 MAYBE WE COULD WORK SOMETHING OUT, 1122 00:47:00,318 --> 00:47:02,187 JUST YOU AND ME? 1123 00:47:02,220 --> 00:47:04,555 YOU JUST ADDED $10,000 TO YOUR FINE. 1124 00:47:04,589 --> 00:47:05,523 CINDI! 1125 00:47:05,556 --> 00:47:07,092 WHAT? I WAS JUST ASKING! 1126 00:47:07,125 --> 00:47:08,994 OH, YEAH, PORTER, YOU'RE FUCKED, ALL RIGHT? 1127 00:47:09,027 --> 00:47:11,296 FUCK YOU, AND YOUR RAT-INFESTED SHITHOLE, OKAY? 1128 00:47:11,329 --> 00:47:12,130 YEAH, GIRL. 1129 00:47:12,163 --> 00:47:13,564 I'LL JUST NAME THE RATS AFTER YOU. 1130 00:47:13,598 --> 00:47:14,933 OH, REALLY? 1131 00:47:14,966 --> 00:47:15,934 YOU LIKE THOSE RATS, HUH? 1132 00:47:15,967 --> 00:47:17,002 OH, YEAH, GIRL, I LOVE 'EM. 1133 00:47:17,035 --> 00:47:18,136 IT'S FUCKING ON! 1134 00:47:18,169 --> 00:47:19,337 YEAH, IT IS ON, AIN'T IT? UH-HUH. 1135 00:47:19,370 --> 00:47:22,240 YOU ABOUT TO GO TO JAIL WITH THE RATS. 1136 00:47:22,273 --> 00:47:24,242 ALL YOUR LITTLE FRIENDS... 1137 00:47:24,275 --> 00:47:25,843 BUH-BYE! 1138 00:47:38,957 --> 00:47:40,926 NIKI... 1139 00:47:40,959 --> 00:47:42,327 NIKI... 1140 00:47:42,360 --> 00:47:45,430 HEY, I WAS LOOKING FOR YOU. 1141 00:47:45,463 --> 00:47:47,198 COME HERE. 1142 00:47:47,232 --> 00:47:49,634 THANKS FOR TAKING ME OUT TONIGHT. 1143 00:47:58,543 --> 00:48:01,947 I LOVE YOU. 1144 00:48:01,980 --> 00:48:04,015 I LOVE YOU, TOO. 1145 00:48:21,199 --> 00:48:24,502 [CLEARS THROAT] 1146 00:48:24,535 --> 00:48:28,974 CUT. 1147 00:48:29,007 --> 00:48:31,309 PRINT.