1 00:00:10,811 --> 00:00:12,413 PREVIOUSLY ON THE L WORD... 2 00:00:12,446 --> 00:00:13,414 HEY, ANYONE GOT A 20 ON TINA? 3 00:00:13,447 --> 00:00:14,415 JESUS! 4 00:00:14,448 --> 00:00:15,616 I THINK TINA'S GOT A THING GOING 5 00:00:15,649 --> 00:00:17,318 ON THE SET. 6 00:00:17,351 --> 00:00:20,388 THIS IS SAM MAKAVEJEV. 7 00:00:20,421 --> 00:00:22,123 I'M SORRY. MOLLY KROLL. 8 00:00:22,156 --> 00:00:23,191 [CHEERING] 9 00:00:23,224 --> 00:00:25,626 MOTHER! 10 00:00:25,659 --> 00:00:26,827 DON'T REMIND ME 11 00:00:26,860 --> 00:00:28,162 OF MY MOTHER'S TOTAL DEGRADATION, PLEASE. 12 00:00:28,196 --> 00:00:29,830 I'M BORED, BUT NOT BORED ENOUGH 13 00:00:29,863 --> 00:00:31,432 TO SLEEP WITH YOU. 14 00:00:31,465 --> 00:00:33,634 WELCOME TO CALIFORNIA, COLONEL DAVIS. 15 00:00:33,667 --> 00:00:35,203 WHO'S COLONEL GILLIAN DAVIS? 16 00:00:35,236 --> 00:00:36,604 SHE'S PROSECUTING YOUR CASE. 17 00:00:36,637 --> 00:00:38,339 THERE'S NO WAY IN HELL I'M TESTIFYING AT THAT HEARING. 18 00:00:38,372 --> 00:00:39,840 I'LL TURN YOU IN TO THE U.S. MARSHALS. 19 00:00:39,873 --> 00:00:41,342 EVERYONE'S AT SHEBAR, ABSOLUTELY EVERYONE, 20 00:00:41,375 --> 00:00:43,144 AND WE'RE STUCK HERE. 21 00:00:43,177 --> 00:00:44,545 A LOT OF MOVIE STARS, THEY JUST REFUSE 22 00:00:44,578 --> 00:00:46,514 TO WORK PAST 8:00 AT NIGHT. 23 00:00:46,547 --> 00:00:49,150 NIKI'S DISAPPEARED FROM SET. WE CAN'T FIND HER ANYWHERE. 24 00:00:49,183 --> 00:00:50,751 I THINK I KNOW WHERE SHE WENT. 25 00:00:50,784 --> 00:00:51,852 LESBIAN TURKISH OIL WRESTLING? 26 00:00:51,885 --> 00:00:54,255 YOU'RE GOING TO HAVE TO COME IN HERE AND FIGHT ME. 27 00:00:54,288 --> 00:00:55,289 GO IN AND GET HER. 28 00:00:55,323 --> 00:00:56,457 WHAT? GET HER! 29 00:00:56,490 --> 00:00:58,159 YEAH, HEY, MICKEY, IT'S DAWN DENBO. 30 00:00:58,192 --> 00:01:01,295 YEAH,I GOT A HOT TIP FOR YOU. 31 00:01:01,329 --> 00:01:03,164 PAPARAZZI? 32 00:01:03,197 --> 00:01:04,832 I AM SO SCREWED! 33 00:01:04,865 --> 00:01:06,567 CUT. 34 00:01:06,600 --> 00:01:09,370 PRINT... 35 00:01:15,143 --> 00:01:16,744 [MOTORCYCLE REVS] 36 00:01:19,780 --> 00:01:21,582 [TIRES SCREECH] 37 00:02:00,554 --> 00:02:02,390 [SILENCED GUNSHOT] 38 00:02:32,620 --> 00:02:35,823 [LAUGHING] 39 00:02:38,426 --> 00:02:39,593 [BEEPS OPEN] 40 00:02:48,536 --> 00:02:52,273 DID YOU REALLY THINK IT WOULD BE THAT EASY? 41 00:02:52,306 --> 00:02:53,841 WHO SENT YOU? 42 00:02:55,976 --> 00:02:59,313 I BELIEVE I ASKED YOU A QUESTION. 43 00:03:03,784 --> 00:03:04,752 [WHISPERING]: LOVE THE REVEAL! 44 00:03:04,785 --> 00:03:06,720 I LOVE THE FUCKING REVEAL! 45 00:03:06,754 --> 00:03:08,356 YOU'VE GO TO STOP DROPPING IN ON ME LIKE THAT, MRS. BRYANT. 46 00:03:08,389 --> 00:03:12,293 I THOUGHT YOU'D BE HAPPY TO SEE ME, 47 00:03:12,326 --> 00:03:14,528 MR. BRYANT. 48 00:03:21,735 --> 00:03:23,604 DID YOU MISS ME? 49 00:03:23,637 --> 00:03:25,406 ALWAYS. 50 00:03:30,944 --> 00:03:32,480 [LAUGHS] 51 00:03:32,513 --> 00:03:33,847 BACKLIGHTING'S GREAT. 52 00:03:33,881 --> 00:03:34,982 THE BACKLIGHTING WORKS. 53 00:03:35,015 --> 00:03:36,917 ABSOLUTELY... 54 00:03:40,288 --> 00:03:44,758 SEND A FUCKING CLIP TO RATNER! 55 00:03:46,294 --> 00:03:47,561 TELL HIM WE'VE GOT THE GIRL OF HIS DREAMS. 56 00:03:47,595 --> 00:03:48,596 I BELIEVE SO. 57 00:03:48,629 --> 00:03:49,630 HIS WET DREAMS, 58 00:03:49,663 --> 00:03:53,301 AND WE WANT EIGHT MILL FOR HER. 59 00:03:53,334 --> 00:03:55,269 IT'S GOING UP TO 12 MILLION NEXT PICTURE. 60 00:03:55,303 --> 00:03:56,737 OH, MY GOD, YOU GUYS... 61 00:03:56,770 --> 00:03:58,339 NO JOKE. TRUE STORY. 62 00:03:58,372 --> 00:03:59,573 THIS IS UNBELIEVABLE. 63 00:03:59,607 --> 00:04:00,908 YOU GUYS ARE THE BEST AGENTS 64 00:04:00,941 --> 00:04:02,310 AND MANAGERS EVER. 65 00:04:02,343 --> 00:04:03,611 I MEAN, THIS IS UNBELIEVABLE. 66 00:04:03,644 --> 00:04:06,480 I HAVE A CALL IN TO STUFF, 67 00:04:06,514 --> 00:04:08,382 AND I THINK WE HAVE THE COVER. 68 00:04:08,416 --> 00:04:09,383 OW! 69 00:04:09,417 --> 00:04:11,619 [LAUGHING] 70 00:04:11,652 --> 00:04:14,588 [**] 71 00:04:14,622 --> 00:04:20,828 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 72 00:04:20,861 --> 00:04:27,635 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 73 00:04:27,668 --> 00:04:33,774 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 74 00:04:33,807 --> 00:04:40,314 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 75 00:04:47,755 --> 00:04:48,989 * TALKING, LAUGHING LOVING, BREATHING * 76 00:04:49,022 --> 00:04:50,924 * FIGHTING, FUCKING CRYING, DRINKING * 77 00:04:50,958 --> 00:04:52,426 * WRITING, WINNING LOSING, CHEATING * 78 00:04:52,460 --> 00:04:53,961 * KISSING, THINKING, DREAMING 79 00:04:53,994 --> 00:04:55,963 * THIS IS THE WAY... 80 00:04:55,996 --> 00:04:58,832 * IT'S THE WAY THAT WE LIVE * 81 00:04:58,866 --> 00:05:04,505 * IT'S THE WAY THAT WE LIVE 82 00:05:04,538 --> 00:05:08,308 * AND LOVE 83 00:05:12,980 --> 00:05:15,015 OH, MY GOD, LOOK AT THAT DOG. 84 00:05:15,048 --> 00:05:16,116 WHOO! 85 00:05:16,149 --> 00:05:17,551 WHOO! 86 00:05:17,585 --> 00:05:19,653 WANT TO STOP HERE? 87 00:05:24,725 --> 00:05:27,428 THAT WAS GREAT. 88 00:05:30,698 --> 00:05:32,500 OH... 89 00:05:34,402 --> 00:05:35,736 PHEW... 90 00:05:38,105 --> 00:05:39,873 SHIT. 91 00:05:39,907 --> 00:05:43,411 YOU'RE GOOD. 92 00:05:43,444 --> 00:05:45,713 LIKE I WAS SAYING, 93 00:05:45,746 --> 00:05:47,815 I LIKE HER. 94 00:05:47,848 --> 00:05:49,417 I DO, I LIKE HER, 95 00:05:49,450 --> 00:05:50,618 BUT SHE'S DIFFERENT. 96 00:05:50,651 --> 00:05:52,986 IT'S CALLED HETEROSEXUALITY. 97 00:05:53,020 --> 00:05:54,822 I KNOW, I KNOW, I KNOW, I SWEAR, 98 00:05:54,855 --> 00:05:55,889 I'VE BEEN WITH TONS OF STRAIGHT GIRLS. 99 00:05:55,923 --> 00:05:56,890 I KNOW WHAT THEY'RE LIKE. 100 00:05:56,924 --> 00:05:57,958 TONS. 101 00:05:57,991 --> 00:05:59,126 I'M TELLING YOU. 102 00:05:59,159 --> 00:06:01,629 RIGHT, BUT MAYBE SHE'S A SPAGHETTI GIRL. 103 00:06:01,662 --> 00:06:03,831 HMM? 104 00:06:03,864 --> 00:06:06,767 STRAIGHT UNTIL WET. 105 00:06:06,800 --> 00:06:08,001 THAT'S HORRIBLE. 106 00:06:08,035 --> 00:06:09,870 [LAUGHING] 107 00:06:09,903 --> 00:06:12,873 DO YOU THINK SHE'S INTO YOU? 108 00:06:12,906 --> 00:06:14,575 I DON'T KNOW. 109 00:06:14,608 --> 00:06:16,744 I CALLED HER THE OTHER DAY, 110 00:06:16,777 --> 00:06:18,011 AND WE'RE TALKING, 111 00:06:18,045 --> 00:06:19,079 AND HER BOYFRIEND IS ON THE OTHER-- 112 00:06:19,112 --> 00:06:21,148 OH, STRAIGHT GIRL IS PLAYING YOU. 113 00:06:21,181 --> 00:06:23,484 I KNOW, I KNOW, I KNOW, BUT... 114 00:06:23,517 --> 00:06:24,752 I LIKE IT. 115 00:06:24,785 --> 00:06:28,021 THAT'S THE CRAZY, I LIKE IT. 116 00:06:28,055 --> 00:06:29,423 OKAY. 117 00:06:29,457 --> 00:06:31,158 AND I'M THINKING... 118 00:06:31,191 --> 00:06:32,893 I SHOULD TAKE HER SOMEWHERE. 119 00:06:32,926 --> 00:06:34,795 I DON'T KNOW, I WAS THINKING... 120 00:06:34,828 --> 00:06:36,864 I WAS THINKING MAYBE I SHOULD TAKE HER TO THE THEATER. 121 00:06:36,897 --> 00:06:39,433 DOES SHE LIKE THE THEATER? 122 00:06:39,467 --> 00:06:40,534 I DON'T KNOW. 123 00:06:40,568 --> 00:06:41,635 I HATE IT. 124 00:06:41,669 --> 00:06:42,636 [LAUGHS] 125 00:06:42,670 --> 00:06:44,037 FORGET IT, THEN. 126 00:06:44,071 --> 00:06:46,039 IT SOUNDS HORRIBLE. 127 00:06:46,073 --> 00:06:47,841 FORGET IT, FORGET IT, FORGET IT. 128 00:06:47,875 --> 00:06:49,009 HEY... 129 00:06:49,042 --> 00:06:51,044 HOW ABOUT IF I HAVE A DINNER PARTY? 130 00:06:51,078 --> 00:06:52,179 REALLY? 131 00:06:52,212 --> 00:06:53,714 AT MY HOUSE. 132 00:06:53,747 --> 00:06:55,115 YEAH. 133 00:06:55,148 --> 00:06:57,485 YEAH, SO, UM... YEAH... 134 00:06:57,518 --> 00:07:00,988 BUT I NEED ONE MORE COUPLE. 135 00:07:01,021 --> 00:07:02,956 I DON'T KNOW WHO. 136 00:07:02,990 --> 00:07:03,991 OH, SAM AND TINA. 137 00:07:04,024 --> 00:07:05,058 SAM? 138 00:07:05,092 --> 00:07:06,760 YEAH, SAM'S THE DP ON THE MOVIE. 139 00:07:06,794 --> 00:07:07,795 OH, OKAY. 140 00:07:07,828 --> 00:07:08,896 YEAH? 141 00:07:08,929 --> 00:07:11,031 YEAH. ALL RIGHT. 142 00:07:12,533 --> 00:07:13,534 HUH? SHOULD WE ROLL? 143 00:07:13,567 --> 00:07:14,668 NO, WAIT. 144 00:07:14,702 --> 00:07:17,204 IT'S JUST ONE TIME. 145 00:07:17,237 --> 00:07:18,539 ARE YOU READY? 146 00:07:18,572 --> 00:07:20,073 YEAH, ALMOST. 147 00:07:20,107 --> 00:07:21,909 WAIT, IS BETTE PRESSURING YOU 148 00:07:21,942 --> 00:07:23,944 TO DO THIS SUBARU PINK RIDE? 149 00:07:23,977 --> 00:07:25,078 NO, NO, NO, I WANT TO RIDE. 150 00:07:25,112 --> 00:07:26,614 YEAH? 151 00:07:26,647 --> 00:07:28,048 YEAH, MY AUNT IS A BREAST CANCER SURVIVOR. 152 00:07:28,081 --> 00:07:29,817 THAT'S A GOOD REASON. 153 00:07:29,850 --> 00:07:31,685 OKAY. 154 00:07:34,187 --> 00:07:35,923 "IS NIKI A LEZ GIRL?" HAVE YOU SEEN THIS? 155 00:07:35,956 --> 00:07:37,190 OH, SHIT... 156 00:07:37,224 --> 00:07:39,927 SHE HAS A $100-MILLION CAREER-MAKING BLOCKBUSTER 157 00:07:39,960 --> 00:07:41,562 PREMIERING TOMORROW NIGHT, 158 00:07:41,595 --> 00:07:44,197 AND ALL ANYONE WANTS TO TALK ABOUT THIS MORNING 159 00:07:44,231 --> 00:07:46,567 IS WHAT SHE'S DOING IN YOUR LITTLE TURD OF A MOVIE! 160 00:07:46,600 --> 00:07:48,969 LOOK, KEVIN, IT'S NOT GOOD FOR OUR MOVIE EITHER. 161 00:07:49,002 --> 00:07:50,037 I'M GOING TO FUCKING PULL HER. 162 00:07:50,070 --> 00:07:51,038 NO... 163 00:07:51,071 --> 00:07:52,205 THE LAST THING I NEED 164 00:07:52,239 --> 00:07:53,707 IS THE ZIT-FACED TEEN BOY DEMOGRAPHIC 165 00:07:53,741 --> 00:07:55,108 THINKING THAT NIKI STEVENS DOESN'T LIKE DICK! 166 00:07:55,142 --> 00:07:56,510 I MEAN, I NEVER WANTED HER 167 00:07:56,544 --> 00:07:57,578 TO DO LEZ GIRLS-- 168 00:07:57,611 --> 00:07:58,912 KEVIN, YOU CAN'T PULL HER, OKAY? 169 00:07:58,946 --> 00:08:00,614 WE'RE IN THE MIDDLE OF PRODUCTION, ALL RIGHT? 170 00:08:00,648 --> 00:08:01,715 JUST, PLEASE, 171 00:08:01,749 --> 00:08:02,916 YOU CAN'T PULL HER FROM THE MOVIE. 172 00:08:02,950 --> 00:08:04,652 JUST WAIT, HEAR ME OUT. 173 00:08:04,685 --> 00:08:06,253 LOOK, I HAVE AN IDEA. 174 00:08:06,286 --> 00:08:09,289 DO YOU REPRESENT ANY HOT YOUNG ACTORS? 175 00:08:09,322 --> 00:08:12,593 YEAH, I'M ON THE VERGE WITH ZAC EFRON. WHY? 176 00:08:12,626 --> 00:08:13,727 NO, NO, NO. 177 00:08:13,761 --> 00:08:16,564 WE NEED HER TO BE PHOTOGRAPHED 178 00:08:16,597 --> 00:08:17,898 AT HER PREMIERE 179 00:08:17,931 --> 00:08:22,002 WITH SOMEONE HIP, AND HOT, AND HUNKY, 180 00:08:22,035 --> 00:08:23,737 AND HANDSOME. 181 00:08:23,771 --> 00:08:25,005 YOU KNOW, 182 00:08:25,038 --> 00:08:27,040 SOMEONE WHOSE DICK SHE MIGHT LIKE. 183 00:08:27,074 --> 00:08:28,308 OH, TINA... 184 00:08:28,341 --> 00:08:30,310 OH, TINA, THAT'S FUCKING BRILLIANT. 185 00:08:30,343 --> 00:08:31,945 OKAY... 186 00:08:31,979 --> 00:08:34,715 I GOT A CALL ASKING ABOUT HER THE OTHER DAY 187 00:08:34,748 --> 00:08:36,717 FROM STAVROS NIARCHOS. 188 00:08:36,750 --> 00:08:37,718 NO, NO, NO, NO, 189 00:08:37,751 --> 00:08:39,152 WE CAN DO BETTER THAN THAT. 190 00:08:39,186 --> 00:08:40,821 HE'S CHEESY. 191 00:08:40,854 --> 00:08:42,022 I MEAN, THERE'S NO WAY THAT NIKI STEVENS 192 00:08:42,055 --> 00:08:44,758 DATES PARIS'S SLOPPY SECONDS. 193 00:08:44,792 --> 00:08:46,026 NIKI'S AN ACTRESS. 194 00:08:46,059 --> 00:08:47,861 SHE'S NOT A FUCKING HEIRESS. 195 00:08:47,895 --> 00:08:50,731 SOMEBODY WHO'S... 196 00:08:50,764 --> 00:08:53,801 REALLY BOYISHLY HIP 197 00:08:53,834 --> 00:08:55,035 IN THAT HIGH SCHOOL MUSICAL 198 00:08:55,068 --> 00:08:56,670 JANE MAGAZINE SORT OF WAY. 199 00:08:56,704 --> 00:08:57,771 YEAH, YEAH, YEAH. 200 00:08:57,805 --> 00:08:59,039 YOU KNOW, LIKE, UH... 201 00:08:59,072 --> 00:09:00,641 YOU KNOW, SOMEONE SENSITIVE... 202 00:09:00,674 --> 00:09:03,110 SOMEONE ALL THE TWEENY GIRLS JUST GO REALLY NUTS FOR. 203 00:09:03,143 --> 00:09:05,078 [KNOCK ON DOOR] 204 00:09:06,313 --> 00:09:07,581 HEY, BOSS, 205 00:09:07,615 --> 00:09:08,649 READY TO TAKE A LOOK AT MY OUTFIT 206 00:09:08,682 --> 00:09:10,083 FOR THAT SCENE? 207 00:09:10,117 --> 00:09:13,320 OH, SHIT, SORRY FOR BUSTING IN ON YOU TWO. 208 00:09:13,353 --> 00:09:14,354 OH, NO, NO, NO. 209 00:09:14,387 --> 00:09:15,623 GREG, THIS IS KEVIN. 210 00:09:15,656 --> 00:09:17,625 THIS IS NIKI'S MANAGER, 211 00:09:17,658 --> 00:09:19,159 AND THE JEANS LOOK GREAT. 212 00:09:19,192 --> 00:09:20,661 I'M SURE JENNY WILL BE HAPPY WITH THOSE. 213 00:09:20,694 --> 00:09:22,730 IT'S GOING TO WORK. 214 00:09:24,632 --> 00:09:26,166 GOOD TO MEET YOU. 215 00:09:27,735 --> 00:09:28,836 RIGHT, I'LL CATCH YOU LATER. 216 00:09:28,869 --> 00:09:30,638 OKAY, THANKS, GREG. 217 00:09:32,105 --> 00:09:34,174 I'D FUCK HIM. 218 00:09:36,977 --> 00:09:39,012 A DICK THAT EVERYBODY LIKES. 219 00:09:46,920 --> 00:09:48,689 KEEP GOING, KEEP GOING. 220 00:10:04,705 --> 00:10:07,140 YOU DONE WITH THAT? 221 00:10:08,909 --> 00:10:10,711 YEAH. 222 00:10:10,744 --> 00:10:12,279 IT'S ALL YOURS. 223 00:10:26,894 --> 00:10:28,896 [SIGHS HEAVILY] 224 00:10:31,699 --> 00:10:32,766 WHO'S THAT FOR, JESSE? 225 00:10:32,800 --> 00:10:34,401 MM-HM. 226 00:10:34,434 --> 00:10:36,203 WHY IS SHE WEARING A BALENCIAGA? 227 00:10:36,236 --> 00:10:37,404 SHE COULDN'T AFFORD THAT. 228 00:10:37,437 --> 00:10:38,706 BECAUSE SHE SAW BALENCIAGA 229 00:10:38,739 --> 00:10:40,808 IN KARINA'S CLOSET AND WENT NUTS. 230 00:10:40,841 --> 00:10:42,876 "WHY DOES SHE ALWAYS GET THE GOOD CLOTHES?" 231 00:10:42,910 --> 00:10:45,145 WHO? WAIT, WHO SAID THAT, JESSE? 232 00:10:45,178 --> 00:10:47,214 MM-HM. "WHY CAN'T I WEAR 233 00:10:47,247 --> 00:10:48,381 "THE FUR SKIN MARC JACOBS BOOTS? 234 00:10:48,415 --> 00:10:49,817 I WANT BALENCIAGA." 235 00:10:49,850 --> 00:10:51,051 SHE TOTALLY LOST IT ON ME, 236 00:10:51,084 --> 00:10:52,686 STOMPING AND SCREAMING AROUND-- 237 00:10:52,720 --> 00:10:53,987 SO THEN WHAT DID YOU SAY? 238 00:10:54,021 --> 00:10:55,823 I GOT HER ONE. 239 00:10:55,856 --> 00:10:57,124 OH... 240 00:10:57,157 --> 00:10:58,225 ALL RIGHT, WELL, DON'T WORRY ABOUT IT. 241 00:10:58,258 --> 00:10:59,259 I THINK YOU DID THE RIGHT THING. 242 00:10:59,292 --> 00:11:00,327 I'M GOING TO TALK TO HER, 243 00:11:00,360 --> 00:11:01,695 AND SHE'LL BE FINE. 244 00:11:01,729 --> 00:11:02,529 HERE YOU ARE. 245 00:11:02,562 --> 00:11:04,031 LOOK, JENNY, I NEED TO TALK TO YOU. 246 00:11:04,064 --> 00:11:07,467 I JUST NEED TO FINISH MY MEETING, OKAY? 247 00:11:07,500 --> 00:11:08,902 GIVE ME A SECOND. 248 00:11:08,936 --> 00:11:11,004 CAN I SEE THE MARNI? 249 00:11:11,038 --> 00:11:12,439 [GASPS IN DELIGHT] 250 00:11:12,472 --> 00:11:14,908 THERE SHE IS, HELLO! 251 00:11:14,942 --> 00:11:16,309 OH, MY GOODNESS, I LOVE IT. 252 00:11:16,343 --> 00:11:17,444 I LOVE IT, LOVE IT, LOVE IT. 253 00:11:17,477 --> 00:11:18,445 THIS IS FOR KARINA? 254 00:11:18,478 --> 00:11:21,448 YES. 255 00:11:21,481 --> 00:11:23,250 I THINK THAT THIS PURPLE... 256 00:11:23,283 --> 00:11:24,484 ISN'T THIS PURPLE FABULOUS? 257 00:11:24,517 --> 00:11:25,753 IT'S AMAZING. 258 00:11:25,786 --> 00:11:27,054 IT'S AMAZING. IT IS. 259 00:11:27,087 --> 00:11:28,455 YOU KNOW WHAT I THINK? 260 00:11:28,488 --> 00:11:30,223 I THINK THAT THIS SHOULD BE KARINA'S COLOR. 261 00:11:30,257 --> 00:11:31,458 AND I SORT OF, 262 00:11:31,491 --> 00:11:34,194 I SEE HER WITH THIS GOLD CHOKER 263 00:11:34,227 --> 00:11:36,864 THAT'S SORT OF UP THE NECK LIKE THAT. 264 00:11:36,897 --> 00:11:38,198 THAT, LIKE... 265 00:11:38,231 --> 00:11:40,801 IT'S, LIKE, THE SNAKE IS INTERTWINED... 266 00:11:40,834 --> 00:11:41,869 NOW, JENNY. 267 00:11:41,902 --> 00:11:43,971 I NEED TO TALK TO YOU RIGHT NOW. 268 00:11:44,004 --> 00:11:46,473 YOU HAVE TO HANG ON. 269 00:11:46,506 --> 00:11:47,908 I'M NOT DONE WITH MY MEETING. 270 00:11:47,941 --> 00:11:51,311 I ALSO SEE HER WITH A FRESH GARDENIA 271 00:11:51,344 --> 00:11:52,312 IN HER HAIR. 272 00:11:52,345 --> 00:11:53,981 SO SHE JUST WALKS INTO THE ROOM, 273 00:11:54,014 --> 00:11:56,316 AND SHE'S JUST LIKE WAFTING FEMININITY. 274 00:11:56,349 --> 00:11:57,317 I THINK THAT-- WHAT? 275 00:11:57,350 --> 00:11:58,919 THIS IS IMPORTANT. 276 00:11:58,952 --> 00:12:01,121 OKAY. MOM'S CALLING. 277 00:12:03,256 --> 00:12:05,492 LISTEN, UH... 278 00:12:05,525 --> 00:12:06,760 WE HAVE A BIT OF A SITUATION 279 00:12:06,794 --> 00:12:07,828 WITH NIKI'S MANAGERS. 280 00:12:07,861 --> 00:12:08,762 WHAT'S GOING ON? 281 00:12:08,796 --> 00:12:11,031 IT'S ABOUT THE SHEBAR DEBACLE LAST WEEK. 282 00:12:11,064 --> 00:12:13,433 THERE ARE PHOTOS ALL OVER THE TABLOIDS 283 00:12:13,466 --> 00:12:14,768 OF HER. 284 00:12:14,802 --> 00:12:17,070 I KNOW. I SAW IT, AND IT'S TERRIBLE. 285 00:12:17,104 --> 00:12:18,371 NO, IT'S FUCKING AWFUL, 286 00:12:18,405 --> 00:12:20,340 AND HER MANAGEMENT, THEY'RE BESIDE THEMSELVES. 287 00:12:20,373 --> 00:12:22,275 THEY'RE SO ANGRY. 288 00:12:22,309 --> 00:12:23,376 THEY'RE GOING TO PULL HER 289 00:12:23,410 --> 00:12:24,444 FROM OUR MOVIE. 290 00:12:24,477 --> 00:12:25,946 WHAT? 291 00:12:25,979 --> 00:12:28,015 COME ON, THEY CAN'T DO THAT. 292 00:12:28,048 --> 00:12:29,549 YES, THEY CAN. WHY? 293 00:12:29,582 --> 00:12:33,286 BECAUSE THOSE PHOTOS WERE TAKEN ON OUR TIME CLOCK, OKAY? 294 00:12:33,320 --> 00:12:35,923 AND IT WAS A TOTAL BREACH OF HER CONTRACT. 295 00:12:35,956 --> 00:12:38,458 YOU KNOW, LUCKILY FOR US, 296 00:12:38,491 --> 00:12:40,393 I DON'T THINK THAT SHE WOULD DO THAT. 297 00:12:40,427 --> 00:12:42,229 I THINK IT WOULD LOOK BAD FOR NIKI. 298 00:12:42,262 --> 00:12:43,430 [SIGHS HEAVILY] 299 00:12:43,463 --> 00:12:45,866 BUT THEY'RE INSISTING... 300 00:12:45,899 --> 00:12:47,500 INSISTING, 301 00:12:47,534 --> 00:12:48,501 THAT SHE TAKE A DATE 302 00:12:48,535 --> 00:12:50,137 TO THE LIQUID HEAT PREMIERE TOMORROW NIGHT. 303 00:12:50,170 --> 00:12:51,972 OH, SHE IS. 304 00:12:52,005 --> 00:12:53,240 SHE'S TAKING ME. 305 00:12:53,273 --> 00:12:56,076 NOT UNLESS YOU GROW A PENIS. 306 00:12:56,109 --> 00:12:57,144 WHAT? 307 00:12:57,177 --> 00:12:59,046 A JOCK. 308 00:12:59,079 --> 00:13:01,414 A STANDARD, CUTE, GIRLS-CREAMING-IN-THEIR-JEANS 309 00:13:01,448 --> 00:13:02,816 AMERICAN HUNK. 310 00:13:02,850 --> 00:13:03,851 [SCOFFING]: NO... 311 00:13:03,884 --> 00:13:04,852 ACTOR BOY. 312 00:13:04,885 --> 00:13:05,886 WHAT? 313 00:13:05,919 --> 00:13:06,820 YEAH, THAT'S WHAT THEY WANT. 314 00:13:06,854 --> 00:13:08,922 NO, YOU'RE KIDDING. I DON'T BELIEVE YOU. 315 00:13:08,956 --> 00:13:11,458 [SOBBING] 316 00:13:13,460 --> 00:13:15,162 HEY... 317 00:13:15,195 --> 00:13:16,429 WHAT'S GOING ON? 318 00:13:16,463 --> 00:13:18,598 I JUST HEARD THAT YOU WERE TAKING SOME ACTOR 319 00:13:18,631 --> 00:13:21,034 TO THE PREMIERE TOMORROW NIGHT INSTEAD OF ME? 320 00:13:21,068 --> 00:13:22,169 IS THAT TRUE? 321 00:13:22,202 --> 00:13:24,071 I DON'T WANT TO. I DON'T WANT TO AT ALL, 322 00:13:24,104 --> 00:13:26,006 BUT THEY'RE MAKING ME. 323 00:13:26,039 --> 00:13:27,107 [SNIFFLING HUGELY] 324 00:13:27,140 --> 00:13:28,608 THEY SAID IF I... 325 00:13:28,641 --> 00:13:30,243 IF I WENT WITHOUT SOME BOY 326 00:13:30,277 --> 00:13:31,578 THAT EVERYONE WOULD SAY I WAS GAY, 327 00:13:31,611 --> 00:13:33,446 AND PEOPLE WOULDN'T LIKE ME ANYMORE, 328 00:13:33,480 --> 00:13:35,348 AND THAT MY CAREER WOULD BE OVER! 329 00:13:35,382 --> 00:13:37,317 [SOBBING] 330 00:13:37,350 --> 00:13:40,420 AND SO THEY'RE MAKING ME TAKE FUCKING GREG! 331 00:13:40,453 --> 00:13:42,923 THEY'RE MAKING ME TAKE CHEESE-BALL GREG! 332 00:13:42,956 --> 00:13:45,392 THE GREG WHO PLAYS TIM IN THE FUCKING FILM? 333 00:13:45,425 --> 00:13:47,094 THAT MIDGET? 334 00:13:47,127 --> 00:13:48,095 NO! 335 00:13:48,128 --> 00:13:49,562 WHOSE FUCKING IDEA WAS THIS? 336 00:13:49,596 --> 00:13:51,364 JENNY, I DON'T WANT TO! I WANT TO GO WITH YOU SO BAD! 337 00:13:51,398 --> 00:13:52,365 [TOILET FLUSHES] 338 00:13:52,399 --> 00:13:54,101 WELL, I WANT TO GO WITH YOU! 339 00:13:54,134 --> 00:13:55,402 THAT'S OUT OF THE QUESTION. 340 00:13:55,435 --> 00:13:57,570 I DON'T WANT YOU WITHIN 10 MILES 341 00:13:57,604 --> 00:13:59,139 OF THE WESTWOOD PALACE TOMORROW NIGHT. 342 00:13:59,172 --> 00:14:00,874 WELL, YOU KNOW WHAT, KEVIN? 343 00:14:00,908 --> 00:14:02,075 I DON'T REALLY CARE 344 00:14:02,109 --> 00:14:03,343 WHAT YOU AND YOUR FUCKING PURPLE TIE 345 00:14:03,376 --> 00:14:05,145 THINK OF MY WHEREABOUTS, OKAY? 346 00:14:05,178 --> 00:14:06,479 SO, WHAT THE FUCK DO YOU THINK THIS IS? 347 00:14:06,513 --> 00:14:07,614 1952? 348 00:14:07,647 --> 00:14:08,448 WHERE YOU CAN GIVE HER A BEARD 349 00:14:08,481 --> 00:14:10,150 SO YOU CAN PRETEND SHE'S STRAIGHT? 350 00:14:10,183 --> 00:14:11,985 YOU SHOULD BE ASHAMED OF YOURSELF-- 351 00:14:12,019 --> 00:14:14,487 NO, ACTUALLY, YOU SHOULD BE ASHAMED OF YOURSELF. 352 00:14:14,521 --> 00:14:17,290 OH, YEAH? WHY? 353 00:14:17,324 --> 00:14:20,093 I'M NOT EVEN GOING TO GO INTO THE QUESTIONABLE ETHICS 354 00:14:20,127 --> 00:14:21,494 OF YOU SCREWING 355 00:14:21,528 --> 00:14:22,996 THE UNDERAGE STAR OF YOUR MOVIE-- 356 00:14:23,030 --> 00:14:24,131 I LOVE HER, KEVIN! 357 00:14:24,164 --> 00:14:25,132 I DO! 358 00:14:25,165 --> 00:14:26,166 BUT IF YOU SO DEEPLY 359 00:14:26,199 --> 00:14:27,367 CARE FOR NIKI 360 00:14:27,400 --> 00:14:30,637 AND YOUR PURPORTED MISSION TO MAKE THE FIRST STAR-DRIVEN, 361 00:14:30,670 --> 00:14:34,541 STUDIO MOVIE ABOUT LESBIANS, 362 00:14:34,574 --> 00:14:37,610 YOU'RE NOT GOING TO DESTROY THE CAREER OF THE STAR 363 00:14:37,644 --> 00:14:39,246 ON WHOM THE MOVIE'S SUCCESS HINGES. 364 00:14:39,279 --> 00:14:43,316 I WILL NOT CONTINUE THIS CONVERSATION 365 00:14:43,350 --> 00:14:45,085 UNTIL YOU REMOVE THE PIECE OF SNOT 366 00:14:45,118 --> 00:14:46,486 THAT'S DANGLING FROM YOUR NOSE. 367 00:14:46,519 --> 00:14:49,422 YOU'RE SO QUICK. 368 00:14:49,456 --> 00:14:50,623 NO, I'M ACTUALLY SERIOUS. 369 00:14:50,657 --> 00:14:52,159 IT'S DISTRACTING WITH THE SERIOUSNESS 370 00:14:52,192 --> 00:14:54,394 OF YOUR ARGUMENT, 371 00:14:54,427 --> 00:14:58,465 SO TAKE THE TISSUE, AND JUST WIPE YOUR NOSE. 372 00:14:58,498 --> 00:15:00,500 THANKS. 373 00:15:00,533 --> 00:15:02,135 BABE, YOU DON'T HAVE TO LISTEN 374 00:15:02,169 --> 00:15:03,703 TO A THING HE SAYS. 375 00:15:03,736 --> 00:15:05,405 HE'S NOT EVEN A HUMAN BEING. 376 00:15:05,438 --> 00:15:08,108 HE'S AN AGENT. 377 00:15:08,141 --> 00:15:09,476 COVER THAT HICKEY. 378 00:15:09,509 --> 00:15:11,044 CHANGE YOUR FUCKING TIE. 379 00:15:14,281 --> 00:15:18,051 [**] 380 00:15:48,448 --> 00:15:50,650 * I'M ALL DONE UP IN DOWN TIME... * 381 00:15:50,683 --> 00:15:52,585 HI. 382 00:15:52,619 --> 00:15:53,686 HI, WHAT ARE YOU STILL DOING HERE? 383 00:15:53,720 --> 00:15:54,954 I THOUGHT YOU WRAPPED. 384 00:15:58,758 --> 00:16:02,195 I WANT TO GET REALLY DRUNK... 385 00:16:02,229 --> 00:16:04,297 OKAY. 386 00:16:04,331 --> 00:16:07,200 AND THEN... 387 00:16:07,234 --> 00:16:08,668 I WANT YOU TO HAVE SEX WITH ME. 388 00:16:08,701 --> 00:16:10,070 WHOA, WHOA, WHOA, CAMMIE. 389 00:16:10,103 --> 00:16:12,572 CAMMIE, LET'S NOT FORGET YOU'RE NOT GAY, 390 00:16:12,605 --> 00:16:14,341 YOU'RE JUST "GAY FOR PAY," RIGHT? 391 00:16:14,374 --> 00:16:16,676 I KNOW THAT I SUCK IN THIS PART. 392 00:16:16,709 --> 00:16:17,677 NO, YOU DON'T-- 393 00:16:17,710 --> 00:16:19,212 NO, I DO. I KNOW I DO. 394 00:16:19,246 --> 00:16:20,480 JENNY HATES ME! 395 00:16:20,513 --> 00:16:22,049 SHE WISHESSHE DOESN'T-- SHE NEVER CAST ME. 396 00:16:22,082 --> 00:16:23,450 SHE'S MY FRIEND. SHE'S NEVER SAID THAT. 397 00:16:23,483 --> 00:16:24,717 BUT I'M A GOOD ACTOR. 398 00:16:24,751 --> 00:16:26,219 I KNOW YOU ARE. IT'S NOT FAIR! 399 00:16:26,253 --> 00:16:28,121 YOU'RE DOING A WONDERFUL-- 400 00:16:30,323 --> 00:16:31,424 CAMMIE... 401 00:16:31,458 --> 00:16:32,425 WHAT? 402 00:16:32,459 --> 00:16:33,526 THIS ISN'T PROFESSIONAL. 403 00:16:33,560 --> 00:16:35,495 YOU SLEEP WITH EVERYONE. 404 00:16:35,528 --> 00:16:37,164 WAIT A SECOND. WHO TOLD YOU THAT? 405 00:16:37,197 --> 00:16:38,231 YOU... 406 00:16:38,265 --> 00:16:39,366 IT'S ME. 407 00:16:39,399 --> 00:16:40,467 AM I THAT REPULSIVE? 408 00:16:40,500 --> 00:16:41,468 [LAUGHS] 409 00:16:41,501 --> 00:16:42,702 NO, YOU'RE BEAUTIFUL. 410 00:16:42,735 --> 00:16:45,405 [STAMMERING] 411 00:16:47,074 --> 00:16:49,276 SHANE, I WANTED TO... 412 00:16:49,309 --> 00:16:50,343 HI. 413 00:16:50,377 --> 00:16:52,512 THAT'S A GREAT COLOR ON YOU. 414 00:16:52,545 --> 00:16:54,147 COULD YOU GIVE US A SECOND? 415 00:16:55,782 --> 00:16:57,117 ONE MOMENT. 416 00:16:57,150 --> 00:16:59,419 OKAY, I'M GOING TO TALK TO HER, 417 00:16:59,452 --> 00:17:00,653 AND THIS IS NOT GOING TO LEAVE 418 00:17:00,687 --> 00:17:01,654 THE THREE OF US. THANK YOU. 419 00:17:01,688 --> 00:17:02,789 ALL RIGHT? 420 00:17:02,822 --> 00:17:04,824 NO, J-JUST GET DRESSED AND... 421 00:17:04,857 --> 00:17:06,759 AND GO HOME. 422 00:17:09,696 --> 00:17:10,697 [GASPS] 423 00:17:14,401 --> 00:17:15,435 HI! 424 00:17:15,468 --> 00:17:17,637 IS THIS ALL FOR TOMORROW NIGHT? 425 00:17:19,306 --> 00:17:21,040 YEAH, I SEE THAT. 426 00:17:22,675 --> 00:17:25,378 AND WHO'S COMING TO THIS MOROCCAN FEAST? 427 00:17:25,412 --> 00:17:29,716 AMY AND HER NEW GIRLFRIEND, MELINDA, 428 00:17:29,749 --> 00:17:32,752 SHANE, AND MAYBE MOLLY. 429 00:17:32,785 --> 00:17:34,354 SHANE AND MOLLY? 430 00:17:34,387 --> 00:17:37,224 THAT IS SUCH A DISASTER. 431 00:17:37,257 --> 00:17:38,725 WELL... 432 00:17:42,729 --> 00:17:43,796 A LITTLE FLAKY, 433 00:17:43,830 --> 00:17:45,765 AND LITTLE HOMOPHOBIC. 434 00:17:45,798 --> 00:17:47,167 I MEAN, THE THINGS THAT SHE SAID 435 00:17:47,200 --> 00:17:48,201 ABOUT PHYLLIS. 436 00:17:48,235 --> 00:17:51,604 HEY... 437 00:17:58,511 --> 00:18:00,313 I THINK THAT'S WHY SHE'S SO CRAZY ABOUT HER. 438 00:18:00,347 --> 00:18:01,581 SHE LOVES A CHALLENGE. 439 00:18:01,614 --> 00:18:03,150 IT'S NOT ABOUT THAT. 440 00:18:03,183 --> 00:18:05,152 YEAH, SO SHE SAYS. 441 00:18:05,185 --> 00:18:07,320 ANYWAY, OH, I INVITED TINA AND SAM. 442 00:18:10,290 --> 00:18:11,491 YOU WHAT? 443 00:18:12,659 --> 00:18:13,726 SHANE SAID THEY'RE TOGETHER. 444 00:18:13,760 --> 00:18:17,164 THEY'RE NOT TOGETHER. 445 00:18:17,197 --> 00:18:18,331 IT DOESN'T MATTER. 446 00:18:18,365 --> 00:18:21,268 IT'S NOT A COUPLES DINNER. 447 00:18:23,236 --> 00:18:25,805 ANYWAY, TINA SEEMED HAPPY TO BRING HER. 448 00:18:27,374 --> 00:18:29,376 DID IT, UM... 449 00:18:29,409 --> 00:18:31,878 DID IT EVER OCCUR TO YOU TO MAYBE... 450 00:18:31,911 --> 00:18:34,314 ASK ME FIRST BEFORE YOU... 451 00:18:34,347 --> 00:18:35,515 INVITED TINA? 452 00:18:37,484 --> 00:18:38,618 NO. 453 00:18:41,221 --> 00:18:43,356 WHAT ARE YOU SO UPSET ABOUT? 454 00:18:43,390 --> 00:18:46,125 [SIGHS] 455 00:18:48,261 --> 00:18:51,864 I-I DON'T KNOW, I MEAN, I JUST, I THINK IT'S, UM... 456 00:18:51,898 --> 00:18:55,402 JUST THIS WHOLE EX-GIRLFRIEND BECOMING BEST FRIENDS THING. 457 00:18:55,435 --> 00:18:58,171 I MEAN, IT'S YOU AND YOUR EX, AND ME AND MY EX. 458 00:18:58,205 --> 00:18:59,506 IT'S REALLY MY IDEA 459 00:18:59,539 --> 00:19:04,444 OF SOME KIND OF NIGHTMARE LESBIAN DINNER PARTY. 460 00:19:06,279 --> 00:19:07,380 THEN DON'T COME. 461 00:19:07,414 --> 00:19:08,815 [SCOFFS] 462 00:19:08,848 --> 00:19:11,251 BUT LET ME KNOW. 463 00:19:16,323 --> 00:19:17,624 OF COURSE I'M COMING. 464 00:19:21,761 --> 00:19:23,530 CAN I HELP YOU? 465 00:19:28,635 --> 00:19:31,404 [LAUGHS] 466 00:19:31,438 --> 00:19:33,606 YOU'RE VERY BAD. 467 00:19:33,640 --> 00:19:37,544 ["WHAT'S GOING ON" BY MARVIN GAYE PLAYS] 468 00:19:42,815 --> 00:19:46,486 * MOTHER, MOTHER 469 00:19:46,519 --> 00:19:52,525 * THERE'S TOO MANY OF YOU CRYING * 470 00:19:52,559 --> 00:19:55,895 * BROTHER, BROTHER, BROTHER 471 00:19:55,928 --> 00:20:01,334 * THERE'S FAR TOO MANY OF YOU DYING * 472 00:20:01,368 --> 00:20:05,805 * YOU KNOW WE'VE GOT TO FIND A WAY * 473 00:20:05,838 --> 00:20:09,609 * TO BRING SOME LOVIN' HERE TODAY * 474 00:20:09,642 --> 00:20:11,578 * YEAH... 475 00:20:11,611 --> 00:20:14,914 * FATHER, FATHER 476 00:20:14,947 --> 00:20:20,287 * WE DON'T NEED TO ESCALATE 477 00:20:20,320 --> 00:20:24,991 * YOU SEE WAR IS NOT THE ANSWER * 478 00:20:25,024 --> 00:20:29,729 * FOR ONLY LOVE CAN CONQUER HATE * 479 00:20:29,762 --> 00:20:33,900 * YOU KNOW WE'VE GOT TO FIND A WAY * 480 00:20:33,933 --> 00:20:37,670 * TO BRING SOME LOVIN' HERE TODAY * 481 00:20:37,704 --> 00:20:39,272 * OH... 482 00:20:39,306 --> 00:20:41,040 * PICKET LINES 483 00:20:41,073 --> 00:20:42,342 * SISTER 484 00:20:42,375 --> 00:20:43,443 * AND PICKET SIGNS 485 00:20:43,476 --> 00:20:44,444 * SISTER 486 00:20:44,477 --> 00:20:45,512 * DON'T PUNISH ME 487 00:20:45,545 --> 00:20:46,613 * SISTER 488 00:20:46,646 --> 00:20:48,315 * WITH BRUTALITY 489 00:20:48,348 --> 00:20:49,882 * SISTER 490 00:20:49,916 --> 00:20:51,484 * TALK TO ME 491 00:20:51,518 --> 00:20:54,887 * SO YOU CAN SEE OH, WHAT'S GOING ON * 492 00:20:54,921 --> 00:20:56,055 * WHAT'S GOING ON 493 00:20:56,088 --> 00:20:57,056 * WHAT'S GOING ON... 494 00:20:57,089 --> 00:20:58,525 HELLO, ALICE. 495 00:20:58,558 --> 00:20:59,726 HI. 496 00:20:59,759 --> 00:21:02,295 THANK YOU VERY MUCH FOR JOINING US TODAY. 497 00:21:02,329 --> 00:21:03,596 THE PROCEEDINGS WILL BEGIN SHORTLY. 498 00:21:03,630 --> 00:21:05,365 YOU CAN WAIT HERE UNTIL YOU'RE CALLED TO TESTIFY. 499 00:21:05,398 --> 00:21:06,933 ALL WE ASK OF YOU 500 00:21:06,966 --> 00:21:09,001 IS THAT YOU ANSWER ANY QUESTIONS POSED 501 00:21:09,035 --> 00:21:10,903 DIRECTLY AND TRUTHFULLY. 502 00:21:10,937 --> 00:21:15,808 I'LL TRY NOT TO TAKE UP TOO MUCH OF YOUR TIME. 503 00:21:18,511 --> 00:21:19,679 [GAVEL BANGS] 504 00:21:19,712 --> 00:21:21,414 THIS BOARD HAS BEEN CONVENED 505 00:21:21,448 --> 00:21:23,450 FOR THE PURPOSE OF CONSIDERING THE PERTINENT FACTS 506 00:21:23,483 --> 00:21:26,519 RELATING TO THE CASE OF CAPTAIN TASHA WILLIAMS, 507 00:21:26,553 --> 00:21:29,021 542ND MILITARY POLICE COMPANY, 508 00:21:29,055 --> 00:21:31,691 WHO'S BEING PROCESSED FOR ADMINISTRATIVE SEPARATION 509 00:21:31,724 --> 00:21:33,926 BY REASON OF HOMOSEXUAL CONDUCT 510 00:21:33,960 --> 00:21:37,864 UNDER THE PROVISIONS OF AR 135-175, 511 00:21:37,897 --> 00:21:41,368 PARAGRAPH 2-12G. 512 00:21:41,401 --> 00:21:42,735 THE BOARD WILL MAKE A RECOMMENDATION 513 00:21:42,769 --> 00:21:44,637 WITH RESPECT TO FINAL ACTION 514 00:21:44,671 --> 00:21:46,639 OF RETENTION, SEPARATION, 515 00:21:46,673 --> 00:21:48,675 OR SUSPENSION. 516 00:21:48,708 --> 00:21:49,876 THIS BOARD IS NOT BOUND 517 00:21:49,909 --> 00:21:52,011 BY ANY FORMAL RULES OF EVIDENCE, 518 00:21:52,044 --> 00:21:53,580 AND THE BOARD'S DECISION WILL BE BASED 519 00:21:53,613 --> 00:21:56,115 ON THE PREPONDERANCE OF EVIDENCE PRESENTED. 520 00:21:56,148 --> 00:21:57,484 CAPTAIN WILLIAMS, 521 00:21:57,517 --> 00:21:58,618 DO YOU HAVE ANY QUESTIONS 522 00:21:58,651 --> 00:21:59,719 REGARDING YOUR RIGHTS 523 00:21:59,752 --> 00:22:01,087 OR PROCEDURES BEFORE THIS BOARD? 524 00:22:01,120 --> 00:22:04,357 NO, SIR. 525 00:22:04,391 --> 00:22:05,658 CAPTAIN TASHA WILLIAMS 526 00:22:05,692 --> 00:22:06,959 IS AN EXEMPLARY SOLDIER. 527 00:22:06,993 --> 00:22:08,428 SHE SERVED WITH DISTINCTION 528 00:22:08,461 --> 00:22:09,762 IN IRAQ. 529 00:22:09,796 --> 00:22:12,865 SHE HAS THE BRONZE STAR MEDAL WITH V FOR VALOR, 530 00:22:12,899 --> 00:22:15,001 TWO ARMY COMMENDATION MEDALS, 531 00:22:15,034 --> 00:22:16,969 A JOINT SERVICES COMMENDATION MEDAL. 532 00:22:17,003 --> 00:22:19,872 THERE CAN BE NO DEBATING CAPTAIN WILLIAMS'S 533 00:22:19,906 --> 00:22:21,874 COURAGE AND COMMITMENT 534 00:22:21,908 --> 00:22:24,611 TO MILITARY SERVICE. 535 00:22:24,644 --> 00:22:26,613 THANK YOU. 536 00:22:29,516 --> 00:22:30,983 THE MILITARY CODE OF CONDUCT 537 00:22:31,017 --> 00:22:32,519 IS VERY CLEAR. 538 00:22:32,552 --> 00:22:33,986 RULES ARE IN PLACE 539 00:22:34,020 --> 00:22:36,055 TO MAINTAIN GOOD ORDER AND DISCIPLINE. 540 00:22:36,088 --> 00:22:40,393 OUR JOB HERE IS TO ENFORCE THOSE RULES. 541 00:22:40,427 --> 00:22:41,661 IT HAS BEEN ALLEGED 542 00:22:41,694 --> 00:22:42,995 THAT CAPTAIN WILLIAMS HAS COMMITTED ACTS 543 00:22:43,029 --> 00:22:45,398 OF HOMOSEXUAL CONDUCT, 544 00:22:45,432 --> 00:22:48,000 AND SHOULD THE EVIDENCE PRESENTED TO YOU HERE TODAY 545 00:22:48,034 --> 00:22:49,569 SUPPORT THOSE FINDINGS, 546 00:22:49,602 --> 00:22:51,471 THE GOVERNMENT WILL RECOMMEND 547 00:22:51,504 --> 00:22:52,839 THAT CAPTAIN WILLIAMS BE SEPARATED FROM DUTY 548 00:22:52,872 --> 00:22:55,742 FROM THE UNITED STATES ARMY NATIONAL GUARD. 549 00:22:55,775 --> 00:22:58,811 THANK YOU. 550 00:22:58,845 --> 00:23:02,782 OH, WELL, CHECK OUT THIS SHIT. 551 00:23:02,815 --> 00:23:05,718 UH-HUH... YEAH. 552 00:23:05,752 --> 00:23:07,754 WHAT THE FUCK AM I GOING TO DO WITH THESE SHE-BITCHES? 553 00:23:07,787 --> 00:23:08,755 [LAUGHS] 554 00:23:08,788 --> 00:23:09,856 MAN... 555 00:23:09,889 --> 00:23:10,957 YOU GOT THEM CLOSED DOWN. 556 00:23:10,990 --> 00:23:12,124 WHAT ELSE DO YOU WANT? 557 00:23:12,158 --> 00:23:13,760 YEAH, BUT THEY'RE GOING TO OPEN BACK UP, 558 00:23:13,793 --> 00:23:14,927 AND WHEN THEY DO, GUESS WHAT? 559 00:23:14,961 --> 00:23:16,563 EVERYBODY'S GOING TO GO OVER THERE 560 00:23:16,596 --> 00:23:17,930 WANTING TO LOOK AT THAT NIKI STEVENS 561 00:23:17,964 --> 00:23:19,031 AND HER GREASY ASS. 562 00:23:19,065 --> 00:23:20,467 SO GO PULL A TONY SOPRANO 563 00:23:20,500 --> 00:23:21,634 AND GET 'EM WHACKED. 564 00:23:21,668 --> 00:23:23,069 OH, SHIT. 565 00:23:23,102 --> 00:23:24,203 HMM... 566 00:23:24,236 --> 00:23:26,072 HAVE YOU LOST YOUR MIND? 567 00:23:26,105 --> 00:23:28,207 YOU CAN'T TAKE A HIATUS FROM SCHOOL. 568 00:23:28,240 --> 00:23:29,709 YOU ACED YOUR LSAT'S. 569 00:23:29,742 --> 00:23:31,511 I'M JUST TAKING TIME OFF 570 00:23:31,544 --> 00:23:34,046 TO FIGURE OUT EXACTLY WHAT I WANT TO DO. 571 00:23:34,080 --> 00:23:36,215 I MEAN, WHY DOES THE WORLD NEED MORE LAWYERS? 572 00:23:36,248 --> 00:23:37,917 SERIOUSLY, WHAT'S THE POINT? 573 00:23:37,950 --> 00:23:39,151 IT'S SO PEDESTRIAN. 574 00:23:39,185 --> 00:23:40,487 YOU GET A DEGREE AND THEN INTERN-- 575 00:23:40,520 --> 00:23:41,921 FOR RUTH BADER GINSBURG! 576 00:23:41,954 --> 00:23:42,889 WHOEVER! 577 00:23:42,922 --> 00:23:46,192 AND THEN GET MARRIED, POP OUT 2.5 BABIES, 578 00:23:46,225 --> 00:23:47,527 SUMMER ON THE CAPE-- 579 00:23:47,560 --> 00:23:49,128 YES. NO! 580 00:23:49,161 --> 00:23:50,930 I DON'T WANT THAT LIFE, IT'S NOT ME! 581 00:23:50,963 --> 00:23:52,565 IT IS YOU, AND IT'S ALWAYS BEEN YOU, 582 00:23:52,599 --> 00:23:54,100 AND WHAT ABOUT RICHARD? RICHARD LOVES YOU. 583 00:23:54,133 --> 00:23:56,503 RICHARD WAS A BORE. 584 00:23:56,536 --> 00:23:58,070 THAT'S WHY WE BROKE UP LAST WEEK. 585 00:23:58,104 --> 00:24:00,172 HE WORSHIPPED THE GROUND YOU WALKED ON. 586 00:24:00,206 --> 00:24:01,207 WHICH WAS BORING! 587 00:24:01,240 --> 00:24:02,775 HE'S LEARNING TO GOLF, MOM! 588 00:24:02,809 --> 00:24:03,776 GOLF, 589 00:24:03,810 --> 00:24:05,144 AND HE'S GOT MEDICATION 590 00:24:05,177 --> 00:24:07,246 FOR EARLY-ONSET BALDNESS! 591 00:24:07,279 --> 00:24:09,048 DON'T YOU SEE HOW DEPRESSING THAT IS? 592 00:24:09,081 --> 00:24:10,249 HE'S HUMAN. 593 00:24:10,282 --> 00:24:11,851 YOU CAN'T JUST THROW AWAY 594 00:24:11,884 --> 00:24:13,653 EVERYTHING THE TWO OF YOU HAVE BUILT TOGETHER. 595 00:24:13,686 --> 00:24:15,154 YOU'RE ONE TO TALK. 596 00:24:16,956 --> 00:24:18,024 WHAT DOES YOUR FATHER SAY? 597 00:24:18,057 --> 00:24:19,025 THAT YOU OWE HIM A LOT OF MONEY, 598 00:24:19,058 --> 00:24:20,560 AND YOU'RE RUINING HIS LIFE. 599 00:24:20,593 --> 00:24:22,729 DO YOU KNOW WHAT HAPPENS TO PEOPLE 600 00:24:22,762 --> 00:24:24,096 WITHOUT AN EDUCATION? 601 00:24:24,130 --> 00:24:26,165 YOU COULD END UP LIKE... 602 00:24:27,700 --> 00:24:28,935 LIKE HER. 603 00:24:30,670 --> 00:24:32,004 WHAT'S WRONG WITH SHANE? 604 00:24:32,038 --> 00:24:33,239 SHE'S A HAIRDRESSER. 605 00:24:33,272 --> 00:24:35,508 THAT'S WHAT HAPPENS TO PEOPLE WHO DON'T GET AN EDUCATION. 606 00:24:35,542 --> 00:24:37,009 THEY WIND UP IN THE SERVICE PROFESSIONS. 607 00:24:37,043 --> 00:24:39,011 DID YOU JUST HEAR YOURSELF SAY THAT? 608 00:24:39,045 --> 00:24:40,279 YOU'RE SO ELITIST. 609 00:24:40,312 --> 00:24:41,681 IT'S TRUE. 610 00:24:41,714 --> 00:24:42,882 I THOUGHT YOU WERE FRIENDS WITH SHANE. 611 00:24:42,915 --> 00:24:44,651 SURE, TO PARTY WITH. 612 00:24:44,684 --> 00:24:46,052 TO PARTY WITH? 613 00:24:46,085 --> 00:24:47,253 MOLLY... 614 00:24:47,286 --> 00:24:49,188 SHE IS NOT A SERIOUS PERSON. 615 00:24:49,221 --> 00:24:50,256 WHAT DO YOU KNOW ABOUT HER? 616 00:24:50,289 --> 00:24:51,290 YOU DON'T KNOW HER AT ALL. 617 00:24:51,323 --> 00:24:52,525 I KNOW PLENTY. 618 00:24:52,559 --> 00:24:54,727 SHE'S A LOTHARIO AND A CAD, 619 00:24:54,761 --> 00:24:55,995 AND THE KIND OF BOY 620 00:24:56,028 --> 00:24:57,029 YOU FALL IN LOVE WITH IN HIGH SCHOOL 621 00:24:57,063 --> 00:24:58,130 BEFORE YOU KNOW ANY BETTER. 622 00:24:58,164 --> 00:24:59,599 THANK GOD YOU'RE NOT A LESBIAN. 623 00:24:59,632 --> 00:25:01,634 WHERE ARE YOU GOING? 624 00:25:01,668 --> 00:25:02,802 TO GO GAY FOR SHANE. 625 00:25:02,835 --> 00:25:03,836 WE'RE GOING TO ADOPT CHINESE BABIES 626 00:25:03,870 --> 00:25:05,705 AND LIVE IN A TRAILER PARK. 627 00:25:05,738 --> 00:25:09,208 DON'T YOU DARE TELL HER ANYTHING I JUST SAID. 628 00:25:15,047 --> 00:25:18,050 HI. 629 00:25:19,786 --> 00:25:20,887 MY GOD, YOU'RE ALIVE. 630 00:25:20,920 --> 00:25:22,088 HI. 631 00:25:22,121 --> 00:25:24,791 I'M SORRY I DIDN'T CALL YOU BACK. 632 00:25:24,824 --> 00:25:26,726 I CALLED YOU? 633 00:25:26,759 --> 00:25:27,760 LISTEN, I MIGHT HAVE CALLED YOU, 634 00:25:27,794 --> 00:25:29,028 BUT IT WAS A LONG TIME AGO, 635 00:25:29,061 --> 00:25:31,998 SO ALZHEIMER'S KICKED IN AT SOME POINT. 636 00:25:32,031 --> 00:25:33,199 AM I SEEING YOU TONIGHT? 637 00:25:34,601 --> 00:25:35,735 ARE YOU SEEING ME TONIGHT... 638 00:25:35,768 --> 00:25:37,670 YOU MIGHT SEE ME, MAYBE. 639 00:25:37,704 --> 00:25:38,838 MAYBE? 640 00:25:38,871 --> 00:25:40,139 MAYBE. HOW ABOUT THIS, 641 00:25:40,172 --> 00:25:41,941 HOW ABOUT YOU CALL ME IN A LITTLE BIT, 642 00:25:41,974 --> 00:25:43,342 AND WE'LL TALK ABOUT IT. 643 00:25:43,375 --> 00:25:44,777 OKAY, I WILL. 644 00:25:44,811 --> 00:25:46,112 OKAY. 645 00:25:46,145 --> 00:25:47,246 I WON'T HOLD MY BREATH, BUT... 646 00:25:47,279 --> 00:25:48,781 I LOOK FORWARD TO HEARING THE PHONE RING. 647 00:25:48,815 --> 00:25:49,849 OKAY. 648 00:25:49,882 --> 00:25:50,683 BYE. 649 00:25:53,686 --> 00:25:55,788 NOW, YOU TESTIFIED THAT CAPTAIN WILLIAMS 650 00:25:55,822 --> 00:25:56,989 WAS YOUR COMMANDING OFFICER IN IRAQ. 651 00:25:57,023 --> 00:25:58,190 WOULD YOU PLEASE CHARACTERIZE HER 652 00:25:58,224 --> 00:25:59,258 AS A COMMANDING OFFICER? 653 00:25:59,291 --> 00:26:01,594 SHE'S A FAIR AND HONEST LEADER. 654 00:26:01,628 --> 00:26:02,929 SHE HAS THE RESPECT OF HER UNIT 655 00:26:02,962 --> 00:26:04,296 AND ALWAYS HAS A CLEAR PICTURE 656 00:26:04,330 --> 00:26:05,364 OF WHERE WE'RE GOING. 657 00:26:05,397 --> 00:26:08,267 WE GOT INTO SOME PRETTY HAIRY SITUATIONS OUT THERE, 658 00:26:08,300 --> 00:26:10,036 BUT WE ALWAYS FELT SAFE WITH CAPTAIN WILLIAMS, 659 00:26:10,069 --> 00:26:13,005 AS SAFE AS YOU CAN IN THAT PART OF THE WORLD, SIR. 660 00:26:13,039 --> 00:26:14,340 GOOD. 661 00:26:14,373 --> 00:26:16,008 NOW, DO YOU HAVE ANY PERSONAL KNOWLEDGE 662 00:26:16,042 --> 00:26:17,610 THAT SUPPORTS THE ALLEGATION 663 00:26:17,644 --> 00:26:19,011 THAT CAPTAIN WILLIAMS IS A HOMOSEXUAL? 664 00:26:19,045 --> 00:26:21,013 NO, SIR. 665 00:26:21,047 --> 00:26:22,148 I SEE. 666 00:26:22,181 --> 00:26:23,650 YOU ALSO TESTIFIED 667 00:26:23,683 --> 00:26:26,218 THAT YOU WERE RECLASSIFIED MOS 42A 668 00:26:26,252 --> 00:26:27,887 AND TRANSFERRED TO ANOTHER DIVISION. 669 00:26:27,920 --> 00:26:30,122 WHAT WAS CAPTAIN WILLIAMS' ROLE IN THAT? 670 00:26:30,156 --> 00:26:31,357 I ASKED CAPTAIN WILLIAMS 671 00:26:31,390 --> 00:26:32,759 TO RECOMMEND ME FOR JOB RECLASSIFICATION 672 00:26:32,792 --> 00:26:34,761 BECAUSE OF PERSONAL CIRCUMSTANCES 673 00:26:34,794 --> 00:26:36,262 HAVING TO DO WITH MY FAMILY, SIR. 674 00:26:36,295 --> 00:26:38,130 SO SHE WENT TO BAT FOR YOU? 675 00:26:38,164 --> 00:26:39,398 YES, SIR. 676 00:26:39,431 --> 00:26:40,967 I SEE, 677 00:26:41,000 --> 00:26:42,068 AND YOU'D HAVE NO QUALMS ABOUT SERVING UNDER HER AGAIN, 678 00:26:42,101 --> 00:26:42,969 WOULD YOU? 679 00:26:43,002 --> 00:26:44,937 I WOULD SERVE UNDER HER ANYTIME, SIR. 680 00:26:44,971 --> 00:26:45,972 THANK YOU. 681 00:26:49,676 --> 00:26:51,410 YOU COULD HAVE SAID NO. 682 00:26:51,443 --> 00:26:55,014 YOU DIDN'T HAVE TO ACCEPT THE INVITATION. 683 00:26:55,047 --> 00:26:56,082 I THOUGHT IT WAS COMING FROM BOTH OF YOU. 684 00:26:56,115 --> 00:26:57,149 WHY WOULD I INVITE YOU 685 00:26:57,183 --> 00:26:58,751 TO BRING SOME GIRL WHO'S AFTER YOU 686 00:26:58,785 --> 00:27:00,119 TO JODI'S DINNER PARTY? 687 00:27:00,152 --> 00:27:01,387 I DON'T KNOW, 688 00:27:01,420 --> 00:27:02,955 I THOUGHT IT WAS SOMETHING THAT YOU WANTED. 689 00:27:02,989 --> 00:27:04,323 YOU KNOW, YOU'RE THE ONE THAT'S WITH JODI. 690 00:27:04,356 --> 00:27:06,726 I'M WITH... WHOEVER THE FUCK I'M WITH. 691 00:27:06,759 --> 00:27:07,927 NO ONE. 692 00:27:07,960 --> 00:27:09,996 AND YOU AND I JUST ARE... 693 00:27:10,029 --> 00:27:12,064 WE JUST HAVE SOME KIND OF FLING? 694 00:27:12,098 --> 00:27:13,800 AND YOU'RE OKAY WITH THAT? 695 00:27:13,833 --> 00:27:15,067 IT'S KIND OF A FOREGONE CONCLUSION, 696 00:27:15,101 --> 00:27:16,268 DON'T YOU THINK? 697 00:27:16,302 --> 00:27:17,403 NO. 698 00:27:17,436 --> 00:27:18,838 NO, IT'S NOT, NOT FOR ME. 699 00:27:23,910 --> 00:27:27,379 I DON'T WANT TO BREAK UP YOU AND JODI. 700 00:27:27,413 --> 00:27:29,081 THAT'S NOT ANYTHING I WANT. 701 00:27:29,115 --> 00:27:31,150 I DON'T WANT TO BE PART OF THAT. 702 00:27:31,183 --> 00:27:33,152 WHAT IF I WANT TO? 703 00:27:33,185 --> 00:27:35,254 DO YOU? 704 00:27:37,189 --> 00:27:39,425 LOOK, I REALLY, I JUST... 705 00:27:41,360 --> 00:27:42,428 I JUST DON'T REALLY... 706 00:27:42,461 --> 00:27:44,296 I REALLY DON'T LIKE WHO I AM BECOMING 707 00:27:44,330 --> 00:27:46,032 RIGHT NOW, AND... 708 00:27:46,065 --> 00:27:48,167 AND WHEN I... 709 00:27:48,200 --> 00:27:50,169 THINK ABOUT ANGIE, IT'S JUST... 710 00:27:50,202 --> 00:27:51,971 IT-IT'S JUST... 711 00:27:52,004 --> 00:27:53,305 NOT BEHAVIOR THAT I WANT TO MODEL 712 00:27:53,339 --> 00:27:55,307 FOR OUR DAUGHTER. 713 00:27:59,746 --> 00:28:01,247 WHAT DO YOU WANT TO DO? 714 00:28:07,854 --> 00:28:09,055 I THINK WE SHOULD STOP. 715 00:28:09,088 --> 00:28:10,456 I... 716 00:28:10,489 --> 00:28:11,791 YOU KNOW, I THINK... 717 00:28:11,824 --> 00:28:13,259 I JUST THINK WE SHOULD GET 718 00:28:13,292 --> 00:28:15,061 SOME KIND OF CLARITY FIRST. 719 00:28:15,094 --> 00:28:16,228 I JUST... 720 00:28:18,831 --> 00:28:19,932 IT'S A GOOD IDEA. 721 00:28:19,966 --> 00:28:21,700 YEAH. 722 00:28:23,903 --> 00:28:25,304 OKAY. 723 00:28:25,337 --> 00:28:28,074 THANK YOU FOR YOUR TESTIMONY HERE TODAY, 724 00:28:28,107 --> 00:28:29,876 SPECIALIST MARTINEZ. 725 00:28:29,909 --> 00:28:32,011 I HAVE ONLY A FEW MORE QUESTIONS 726 00:28:32,044 --> 00:28:33,913 FOR CLARIFICATION. 727 00:28:33,946 --> 00:28:36,282 THIS JOB RECLASSIFICATION REQUEST, 728 00:28:36,315 --> 00:28:37,884 YOU SAID IT WAS SOMETHING 729 00:28:37,917 --> 00:28:40,352 THAT CAPTAIN WILLIAMS ARRANGED FOR YOU? 730 00:28:40,386 --> 00:28:42,121 YES, MA'AM. 731 00:28:42,154 --> 00:28:43,522 WELL, THAT'S VERY FORTUNATE FOR YOU. 732 00:28:43,555 --> 00:28:46,826 NOT MANY RECLASSIFICATION REQUESTS ARE GRANTED. 733 00:28:46,859 --> 00:28:48,828 THE MILITARY DOESN'T USUALLY LIKE TO SPEND 734 00:28:48,861 --> 00:28:50,096 THE TIME OR MONEY 735 00:28:50,129 --> 00:28:51,530 TO RETRAIN SOMEBODY FOR SOMEONE ELSE'S JOB 736 00:28:51,563 --> 00:28:54,100 WHEN THEY'RE PERFECTLY CAPABLE OF DOING THE ONE 737 00:28:54,133 --> 00:28:55,467 TO WHICH THEY'VE ALREADY BEEN ASSIGNED. 738 00:28:55,501 --> 00:28:58,070 CAPTAIN WILLIAMS MUST HAVE FELT 739 00:28:58,104 --> 00:28:59,271 VERY STRONGLY ABOUT YOU 740 00:28:59,305 --> 00:29:00,873 TO HAVE GRANTED THAT REQUEST. 741 00:29:00,907 --> 00:29:02,408 I DON'T KNOW, MA'AM. 742 00:29:02,441 --> 00:29:03,810 DID YOU HAVE A SEXUAL RELATIONSHIP 743 00:29:03,843 --> 00:29:05,177 WITH CAPTAIN WILLIAMS? 744 00:29:05,211 --> 00:29:06,779 NO, MA'AM. 745 00:29:06,813 --> 00:29:08,247 WHAT KIND OF RELATIONSHIP DID YOU HAVE? 746 00:29:08,280 --> 00:29:09,481 SHE WAS MY COMMANDING OFFICER, MA'AM. 747 00:29:11,918 --> 00:29:13,853 DID SHE EVER TAKE YOU OUT TO DINNER? 748 00:29:13,886 --> 00:29:14,954 NO, MA'AM. 749 00:29:14,987 --> 00:29:16,989 PUT HER ARM AROUND YOU? 750 00:29:17,023 --> 00:29:18,057 WELL, SURE, BUT-- 751 00:29:18,090 --> 00:29:19,325 ISN'T IT TRUE 752 00:29:19,358 --> 00:29:20,960 THAT WHEN SHE PUT HER ARM AROUND YOU, 753 00:29:20,993 --> 00:29:22,094 YOU KNEW SHE WAS A LESBIAN? 754 00:29:22,128 --> 00:29:23,863 NO, I MEAN... 755 00:29:23,896 --> 00:29:25,131 I HAD HEARD RUMORS. 756 00:29:25,164 --> 00:29:27,366 WHAT KIND OF RUMORS? 757 00:29:27,399 --> 00:29:28,835 SOME OF THE GUYS, THEY TALK. 758 00:29:28,868 --> 00:29:31,403 WELL, IT WAS GENERALLY BELIEVED IN YOUR UNIT 759 00:29:31,437 --> 00:29:33,840 THAT CAPTAIN WILLIAMS WAS A LESBIAN. 760 00:29:33,873 --> 00:29:35,274 YES? 761 00:29:35,307 --> 00:29:37,009 SOME OF THE GUYS, THEY-- 762 00:29:37,043 --> 00:29:38,410 SPECIALIST MARTINEZ, YES OR NO? 763 00:29:38,444 --> 00:29:41,213 YES, MA'AM. 764 00:29:41,247 --> 00:29:43,382 IN THAT CASE, YOU MUST HAVE FELT VERY UNCOMFORTABLE 765 00:29:43,415 --> 00:29:44,984 RECEIVING SPECIAL TREATMENT 766 00:29:45,017 --> 00:29:47,153 FROM CAPTAIN WILLIAMS? 767 00:29:47,186 --> 00:29:48,454 I MEAN, IF SHE WAS A LESBIAN, 768 00:29:48,487 --> 00:29:49,956 AND YOU WERE RECEIVING PREFERENTIAL TREATMENT-- 769 00:29:49,989 --> 00:29:51,323 OBJECTION! 770 00:29:51,357 --> 00:29:52,825 CHARACTERIZATION OF PREFERENTIAL TREATMENT 771 00:29:52,859 --> 00:29:54,060 IS UNSUPPORTED. 772 00:29:54,093 --> 00:29:55,561 OBJECTION OVERRULED. 773 00:29:55,594 --> 00:29:58,430 WITNESS MAY ANSWER. 774 00:29:58,464 --> 00:29:59,866 DID YOU FEEL UNCOMFORTABLE 775 00:29:59,899 --> 00:30:02,434 RECEIVING ATTENTION FROM CAPTAIN WILLIAMS? 776 00:30:06,906 --> 00:30:10,476 I DIDN'T WANT PEOPLE TO THINK THAT I WAS... 777 00:30:12,578 --> 00:30:13,980 YES. 778 00:30:14,013 --> 00:30:15,147 I WAS UNCOMFORTABLE. 779 00:30:28,494 --> 00:30:29,461 HI. 780 00:30:29,495 --> 00:30:30,462 HEY. 781 00:30:30,496 --> 00:30:32,264 HOW'S IT GOING? 782 00:30:33,399 --> 00:30:34,500 MARTINEZ FOLDED. 783 00:30:37,003 --> 00:30:38,604 I'M SORRY. 784 00:30:38,637 --> 00:30:40,306 THAT'S... 785 00:30:40,339 --> 00:30:41,407 DO YOU KNOW WHEN THEY'RE GOING TO CALL ME? 786 00:30:41,440 --> 00:30:43,342 YOU'RE THEIR WITNESS. 787 00:30:43,375 --> 00:30:44,410 I HAVE NO IDEA. 788 00:30:44,443 --> 00:30:46,078 TASHA, I'M NOT ON HER SIDE. 789 00:30:46,112 --> 00:30:47,279 I DON'T EVEN WANT TO BE HERE. 790 00:30:47,313 --> 00:30:49,515 I KNOW. 791 00:30:49,548 --> 00:30:52,184 I'M JUST SORRY THAT YOU GOT PULLED INTO THIS. 792 00:30:56,522 --> 00:30:58,490 IT'S OKAY. 793 00:30:58,524 --> 00:31:00,359 YOU CAN TALK TO ONE ANOTHER. 794 00:31:00,392 --> 00:31:02,628 I WAS LOOKING FOR YOU. 795 00:31:02,661 --> 00:31:04,163 WELL, YOU FOUND ME. 796 00:31:04,196 --> 00:31:06,498 I CAME TO TELL YOU WE'RE OUT OF TIME. 797 00:31:06,532 --> 00:31:08,567 YOU MEAN, I DON'T HAVE TO TESTIFY? 798 00:31:08,600 --> 00:31:11,203 SAME TIME TOMORROW. 799 00:31:19,178 --> 00:31:22,548 [**] 800 00:31:22,581 --> 00:31:25,284 [SHUTTERS CLICKING] 801 00:31:26,652 --> 00:31:29,655 [CROWD CHEERING] 802 00:31:29,688 --> 00:31:31,157 [PAPARAZZI CALLING] 803 00:31:31,190 --> 00:31:32,658 NIKI, YOU LOOK BEAUTIFUL! 804 00:31:32,691 --> 00:31:34,193 GIVE US A SMILE! 805 00:31:34,226 --> 00:31:36,062 RIGHT HERE! RIGHT HERE! 806 00:31:36,095 --> 00:31:39,365 NIKI! GIVE US A SMILE! 807 00:31:39,398 --> 00:31:43,435 [ALL CLAMORING] 808 00:31:53,145 --> 00:31:54,713 ADELE, THERE SHE IS. 809 00:31:54,746 --> 00:31:57,116 OH, MY GOD, SHE LOOKS SO BEAUTIFUL. 810 00:31:57,149 --> 00:31:59,151 SHE LOOKS AMAZING. 811 00:31:59,185 --> 00:32:00,419 SEE THAT WOMAN WALKING OVER THERE 812 00:32:00,452 --> 00:32:02,521 IN THE BLUE DRESS? 813 00:32:02,554 --> 00:32:03,455 SHE'S BANNED. 814 00:32:03,489 --> 00:32:05,524 MAKE SURE SHE DOES NOT GET INTO THE THEATER. 815 00:32:05,557 --> 00:32:06,558 GOT IT? 816 00:32:06,592 --> 00:32:09,428 YEAH, I'LL TAKE CARE OF IT. 817 00:32:09,461 --> 00:32:11,297 [**] 818 00:32:11,330 --> 00:32:13,065 [KNOCKING ON DOOR] 819 00:32:14,166 --> 00:32:15,134 HI! 820 00:32:15,167 --> 00:32:16,235 JODI, HOW ARE YOU? 821 00:32:16,268 --> 00:32:17,569 SORRY WE'RE LATE. 822 00:32:17,603 --> 00:32:21,273 WE HAD A MEETING, GOT HELD UP. 823 00:32:21,307 --> 00:32:22,408 DO YOU WANT SOMETHING TO DRINK? 824 00:32:22,441 --> 00:32:25,311 UH, WINE WOULD BE GREAT. 825 00:32:25,344 --> 00:32:26,378 UH, NO, THANK YOU. 826 00:32:26,412 --> 00:32:28,347 I DON'T DRINK WHEN I'M SHOOTING. 827 00:32:28,380 --> 00:32:29,681 I THINK YOU WOULD NEED A STIFF DRINK 828 00:32:29,715 --> 00:32:31,417 AFTER BEING MIRED IN JENNY'S MASTURBATORY OPUS 829 00:32:31,450 --> 00:32:32,618 ALL DAY LONG. 830 00:32:35,654 --> 00:32:37,089 THIS IS AMY, 831 00:32:37,123 --> 00:32:38,624 AND MELINDA. 832 00:32:38,657 --> 00:32:42,128 THIS IS TINA AND THIS IS SAM. 833 00:32:42,161 --> 00:32:43,262 THIS IS MOLLY. 834 00:32:47,466 --> 00:32:48,634 HI. 835 00:32:48,667 --> 00:32:50,036 HI, WHAT'S UP? 836 00:32:53,672 --> 00:32:54,673 EXCUSE ME, MISS. 837 00:32:54,706 --> 00:32:55,774 THERE SHE IS. 838 00:32:55,807 --> 00:32:57,643 I'M GOING TO HAVE TO ASK YOU TO LEAVE THE PREMISES. 839 00:32:57,676 --> 00:33:02,314 OH, WELL, EXCUSE ME, MISTER, 840 00:33:02,348 --> 00:33:05,117 BUT I ACTUALLY HAVE A TICKET. 841 00:33:06,418 --> 00:33:07,719 EXCUSE ME. 842 00:33:11,190 --> 00:33:13,125 UM... 843 00:33:13,159 --> 00:33:15,094 JUST TEXT HER. 844 00:33:15,127 --> 00:33:17,696 I DON'T LIKE YOU. 845 00:33:17,729 --> 00:33:20,099 IT'LL JUST TAKE ONE SECOND, OKAY? 846 00:33:20,132 --> 00:33:22,000 [CELL PHONE BEEPING] 847 00:33:29,708 --> 00:33:32,678 OKAY. 848 00:33:34,413 --> 00:33:35,481 SHE'S NOT GOING TO GET THAT. 849 00:33:35,514 --> 00:33:36,548 YOU'VE GOT TO GO IN THERE 850 00:33:36,582 --> 00:33:37,616 AND TELL HER WE CAN'T GET IN-- 851 00:33:37,649 --> 00:33:38,517 I'M GOING TO GO INSIDE AND TELL HER 852 00:33:38,550 --> 00:33:39,718 SHE'S GOT TO INSIST THAT THEY LET YOU IN. 853 00:33:39,751 --> 00:33:41,387 THIS IS A HUGE DUMB MISTAKE, OKAY? 854 00:33:41,420 --> 00:33:42,788 YEAH, YEAH. YEAH... 855 00:33:42,821 --> 00:33:44,123 TWO SECONDS. 856 00:33:44,156 --> 00:33:45,191 I FEEL LIKE AN ASSHOLE, BUT... 857 00:33:45,224 --> 00:33:47,159 DON'T. 858 00:34:02,408 --> 00:34:06,412 SO YOU'RE THE CAMERAMAN FOR TINA'S MOVIE? 859 00:34:06,445 --> 00:34:08,714 THE DIRECTOR OF PHOTOGRAPHY, YEAH. 860 00:34:08,747 --> 00:34:12,418 THAT MUST BE PRETTY UNUSUAL TO HAVE A WOMAN DOING THE JOB. 861 00:34:12,451 --> 00:34:13,685 OH, YEAH, 862 00:34:13,719 --> 00:34:15,154 THERE ARE ABOUT AS MANY DPS IN HOLLYWOOD 863 00:34:15,187 --> 00:34:17,423 AS THERE ARE WOMEN IN CONGRESS. 864 00:34:17,456 --> 00:34:18,590 WE WERE LUCKY TO GET SAM. 865 00:34:21,327 --> 00:34:22,594 THE THING WITH RICHARD IS 866 00:34:22,628 --> 00:34:24,796 HE'S A REALLY NICE GUY, AND HE LOVES ME SO MUCH, 867 00:34:24,830 --> 00:34:27,266 BUT IT'S JUST NOT ENOUGH, 868 00:34:27,299 --> 00:34:29,735 AND THE PROBLEM IS, I JUST... 869 00:34:29,768 --> 00:34:31,870 WHO GIVES A SHIT HOW MUCH HE LOVES ME? 870 00:34:31,903 --> 00:34:33,372 WE DON'T HAVE THAT... 871 00:34:33,405 --> 00:34:35,841 THING, YOU KNOW, THE... 872 00:34:35,874 --> 00:34:37,343 ZSUZZ. 873 00:34:37,376 --> 00:34:39,345 RIGHT, NO "ZSUZZ". 874 00:34:39,378 --> 00:34:41,480 NO SPARK, NO... 875 00:34:41,513 --> 00:34:43,149 THING. 876 00:34:43,182 --> 00:34:44,616 GOT IT. 877 00:34:44,650 --> 00:34:47,653 DO YOU WANT A CIGARETTE? 878 00:34:47,686 --> 00:34:48,720 I'M TRYING TO QUIT. 879 00:34:48,754 --> 00:34:50,789 YEAH, ME TOO. 880 00:34:50,822 --> 00:34:52,158 BUT I COULD QUIT TOMORROW. 881 00:34:52,191 --> 00:34:53,259 ME TOO. 882 00:34:53,292 --> 00:34:55,294 OKAY. 883 00:34:55,327 --> 00:34:57,463 YOU'RE NOT DRINKING THAT? 884 00:35:19,251 --> 00:35:21,620 THIS IS DELICIOUS. 885 00:35:21,653 --> 00:35:22,788 WHAT IT'S CALLED? 886 00:35:22,821 --> 00:35:25,491 OH... 887 00:35:25,524 --> 00:35:28,627 B-I-S-T-E-Y-A. 888 00:35:28,660 --> 00:35:30,796 IT'S BISTEYA. 889 00:35:30,829 --> 00:35:33,365 AND YOU MADE IT? IT'S AMAZING. 890 00:35:33,399 --> 00:35:35,601 I'M SORRY, WE DIDN'T MEAN TO EXCLUDE YOU. 891 00:35:35,634 --> 00:35:37,669 YES, YOU DID. 892 00:35:37,703 --> 00:35:39,738 NO, WE DIDN'T. 893 00:35:39,771 --> 00:35:40,906 YES, YOU DID. 894 00:35:40,939 --> 00:35:42,374 WHAT DID YOU SAY? 895 00:35:42,408 --> 00:35:43,709 NOTHING. 896 00:35:43,742 --> 00:35:44,776 WHERE'S THE BATHROOM? 897 00:35:54,820 --> 00:35:57,789 HAS JODI EVER MADE YOU AN INDIAN DINNER? 898 00:35:57,823 --> 00:36:00,226 NO. 899 00:36:00,259 --> 00:36:02,894 IT'S TOO BAD. 900 00:36:02,928 --> 00:36:04,396 WELL, IT'S JUST AS WELL, 901 00:36:04,430 --> 00:36:07,433 BECAUSE BETTE HATES INDIAN FOOD. 902 00:36:07,466 --> 00:36:08,467 WELL, I DIDN'T BEFORE, 903 00:36:08,500 --> 00:36:11,737 BUT WE WENT TO INDIA, 904 00:36:11,770 --> 00:36:14,206 AND I GOT REALLY SICK THERE. 905 00:36:14,240 --> 00:36:16,475 YEAH, SHE LOST 10 POUNDS. 906 00:36:16,508 --> 00:36:17,843 SHE WAS SO WEAK, 907 00:36:17,876 --> 00:36:19,811 I PRACTICALLY HAD TO CARRY HER THROUGH JAIPUR. 908 00:36:19,845 --> 00:36:21,947 [THEY LAUGH AWKWARDLY] 909 00:36:26,252 --> 00:36:27,453 I KNOW YOUR DEAL. 910 00:36:27,486 --> 00:36:28,520 NO, YOU DON'T. 911 00:36:28,554 --> 00:36:29,755 I DO. YOU'RE THINKING, 912 00:36:29,788 --> 00:36:31,957 HERE'S THIS STUPID LITTLE STRAIGHT GIRL 913 00:36:31,990 --> 00:36:33,659 WHO DOESN'T KNOW WHO SHE IS 914 00:36:33,692 --> 00:36:35,294 OR WHAT SHE WANTS TO DO WITH HER LIFE, 915 00:36:35,327 --> 00:36:36,495 AND YOU'RE JUST GOING TO SIT THERE AND BE CHARMING 916 00:36:36,528 --> 00:36:37,496 UNTIL I SLEEP WITH YOU. 917 00:36:37,529 --> 00:36:38,764 OH! 918 00:36:38,797 --> 00:36:39,998 I THINK NOTHING OF THE SORT. 919 00:36:40,031 --> 00:36:41,767 REALLY? 920 00:36:41,800 --> 00:36:43,335 REALLY. 921 00:36:43,369 --> 00:36:45,704 YOU DON'T WANT TO SLEEP WITH ME? 922 00:36:45,737 --> 00:36:46,838 NO. 923 00:36:46,872 --> 00:36:48,774 WHY NOT? [LAUGHS] 924 00:36:48,807 --> 00:36:51,243 JESUS GOD... 925 00:36:51,277 --> 00:36:52,744 UM... 926 00:36:52,778 --> 00:36:54,446 WELL, TO BE HONEST, I THOUGHT ABOUT IT, 927 00:36:54,480 --> 00:36:56,682 BUT I CAME TO THE CONCLUSION 928 00:36:56,715 --> 00:36:58,550 THAT IF IT WAS TO HAPPEN, 929 00:36:58,584 --> 00:37:00,018 YOU WOULD PROBABLY FREAK OUT AFTERWARDS 930 00:37:00,051 --> 00:37:01,953 AND THEN YOU'D MOST LIKELY 931 00:37:01,987 --> 00:37:03,455 GO RUNNING BACK TO YOUR BOYFRIEND IN VERMONT, 932 00:37:03,489 --> 00:37:06,325 AND THEN I'D BE STUCK IN THE COLD 933 00:37:06,358 --> 00:37:08,594 WITH... 934 00:37:08,627 --> 00:37:10,496 NOTHING BUT THE DISTANT MEMORY 935 00:37:10,529 --> 00:37:12,964 OF MEDIOCRE SEX, 936 00:37:12,998 --> 00:37:15,334 AND I'D BE OUT OF CIGARETTES. 937 00:37:15,367 --> 00:37:17,336 HERE'S YOU CIGARETTE, AND I AM NOT MEDIOCRE IN BED. 938 00:37:17,369 --> 00:37:18,404 [LAUGHS] 939 00:37:18,437 --> 00:37:19,471 I DIDN'T SAY ANYTHING. 940 00:37:19,505 --> 00:37:20,572 I DON'T KNOW. 941 00:37:20,606 --> 00:37:24,009 WHATEVER THIS WEIRD PSYCHOLOGY IS THAT YOU'RE USING, 942 00:37:24,042 --> 00:37:25,477 THAT'S NOT GOING TO WORK EITHER. 943 00:37:30,449 --> 00:37:32,884 LISTEN, 944 00:37:32,918 --> 00:37:34,753 I'M NOT TRYING TO DO ANYTHING, I SWEAR. 945 00:37:34,786 --> 00:37:36,021 I JUST LIKE TALKING TO YOU. 946 00:37:36,054 --> 00:37:38,324 I LIKE YOU. 947 00:37:38,357 --> 00:37:39,725 I HAVE NO TRICKS UP MY SLEEVE. 948 00:37:39,758 --> 00:37:41,393 THIS IS... 949 00:37:41,427 --> 00:37:43,429 IT IS WHAT IT IS. 950 00:37:51,002 --> 00:37:53,605 WAS THAT BAD? 951 00:37:53,639 --> 00:37:56,808 MM-HM, IT WAS A BAD IDEA. 952 00:38:14,560 --> 00:38:17,663 CAN-CAN YOU TAKE ME HOME, PLEASE? 953 00:38:20,966 --> 00:38:22,000 OKAY. 954 00:38:22,033 --> 00:38:23,101 I'M SORRY. 955 00:38:23,134 --> 00:38:24,436 I SHOULDN'T HAVE DONE THAT, 956 00:38:24,470 --> 00:38:25,504 AND IT WAS A BAD IDEA, 957 00:38:25,537 --> 00:38:26,638 AND I JUST, UM... 958 00:38:26,672 --> 00:38:28,039 I THINK THAT IF YOU COULD JUST 959 00:38:28,073 --> 00:38:30,008 TAKE ME BACK TO MY MOTHER'S, THAT WOULD... 960 00:38:30,041 --> 00:38:31,076 I'M SORRY, I... 961 00:38:34,413 --> 00:38:35,781 TOLD YOU. 962 00:38:39,084 --> 00:38:40,419 COME ON. 963 00:38:48,159 --> 00:38:49,695 ALL RIGHT, PEOPLE, IT'S ABOUT TO START. 964 00:38:49,728 --> 00:38:52,598 IF YOU GOT YOUR PASSES, LET'S GO. 965 00:38:55,166 --> 00:38:56,768 NOBODY WHO SHOULDN'T BE ON THAT SET 966 00:38:56,802 --> 00:38:58,837 IS GOING TO GET ON THAT SET, I PROMISE YOU. 967 00:38:58,870 --> 00:39:00,472 THAT'S VERY GOOD NEWS. 968 00:39:00,506 --> 00:39:01,573 [PDA RINGS] 969 00:39:01,607 --> 00:39:04,610 HANG ON ONE SEC. EXCUSE ME. 970 00:39:28,600 --> 00:39:29,735 WHERE DID EVERYBODY GO? 971 00:39:29,768 --> 00:39:31,437 OH, UM, 972 00:39:31,470 --> 00:39:32,704 JODI TOOK THEM UP TO THE ROOFTOP 973 00:39:32,738 --> 00:39:33,905 TO SEE HER NEW SCULPTURE, 974 00:39:33,939 --> 00:39:37,175 AND MOLLY WENT HOME WITH SHANE. 975 00:39:37,208 --> 00:39:41,379 SHANE TOLD ME TO SAY GOODBYE TO YOU. 976 00:39:51,523 --> 00:39:52,624 THIS IS REALLY 977 00:39:52,658 --> 00:39:53,725 ONE OF THE MOST EXCRUCIATING THING 978 00:39:53,759 --> 00:39:57,729 I'VE BEEN THROUGH. 979 00:40:05,571 --> 00:40:08,073 I THINK WE SHOULD GO SEE DAN. 980 00:40:08,106 --> 00:40:10,542 DAN FOXWORTHY? 981 00:40:10,576 --> 00:40:13,178 I MEAN, HE KNOWS US BETTER THAN ANYONE. 982 00:40:13,211 --> 00:40:14,713 MAYBE HE CAN HELP US FIGURE OUT 983 00:40:14,746 --> 00:40:17,148 WHAT THE HELL WE'RE DOING. 984 00:40:17,182 --> 00:40:18,149 [DOOR OPENS] 985 00:40:18,183 --> 00:40:20,085 THAT WAS INCREDIBLE. 986 00:40:20,118 --> 00:40:22,821 THANK YOU FOR SHOWING US. 987 00:40:24,490 --> 00:40:25,491 YOU GUYS SHOULD CHECK OUT 988 00:40:25,524 --> 00:40:26,792 JODI'S SCULPTURE UP THERE. 989 00:40:26,825 --> 00:40:28,059 IT'S AMAZING. 990 00:40:28,093 --> 00:40:30,862 I KNOW, IT'S BEAUTIFUL. 991 00:40:30,896 --> 00:40:32,998 DID YOU WANT TO GET GOING? 992 00:40:33,031 --> 00:40:34,232 I SHOULD REALLY... 993 00:40:34,265 --> 00:40:35,567 [TINA]: OH, YEAH. 994 00:40:35,601 --> 00:40:36,568 I NEED TO GET UP SO EARLY. 995 00:40:36,602 --> 00:40:38,670 YEAH. 996 00:40:38,704 --> 00:40:39,771 THANK YOU FOR DINNER. 997 00:40:39,805 --> 00:40:40,772 IT WAS SO NICE TO MEET YOU. 998 00:40:40,806 --> 00:40:42,440 NICE TO MEET YOU, TOO. 999 00:40:53,218 --> 00:40:54,219 HEY, NIKI... 1000 00:40:54,252 --> 00:40:56,187 YOU SHOULD KISS GREG. 1001 00:40:56,221 --> 00:40:57,789 THEY'LL LOVE IT. 1002 00:40:59,024 --> 00:41:00,692 [PAPARAZZI SHOUTING] 1003 00:41:02,794 --> 00:41:04,730 [CROWD WHOOPING] 1004 00:41:22,914 --> 00:41:24,950 HEY... 1005 00:41:24,983 --> 00:41:28,587 THERE YOU ARE. 1006 00:41:28,620 --> 00:41:30,722 DID YOU SEE THAT? 1007 00:41:30,756 --> 00:41:33,659 NIKI JUST KISSED GREG. 1008 00:41:33,692 --> 00:41:36,628 JENNY, DON'T LET THAT UPSET YOU, OKAY? 1009 00:41:36,662 --> 00:41:40,732 LOOK, THERE ARE PHOTOGRAPHERS EVERYWHERE. 1010 00:41:40,766 --> 00:41:41,567 YEAH. 1011 00:41:41,600 --> 00:41:44,570 THEY PROBABLY MADE HER DO THAT, OKAY? 1012 00:41:44,603 --> 00:41:46,772 PLEASE DON'T BE UPSET. 1013 00:41:46,805 --> 00:41:47,873 CAN WE GO HOME? 1014 00:41:47,906 --> 00:41:48,874 YEAH, LET'S GO. 1015 00:41:48,907 --> 00:41:50,141 OKAY. 1016 00:41:55,647 --> 00:41:58,750 MAJOR DOROUGH, COULD YOU PLEASE EXPLAIN THE SIGNIFICANCE 1017 00:41:58,784 --> 00:41:59,885 OF THIS WEBSITE? 1018 00:41:59,918 --> 00:42:03,622 IT'S OWNED BY ALICE PIESZECKI, COLONEL. 1019 00:42:03,655 --> 00:42:06,625 SHE DOES A PODCAST ON IT TALKING ABOUT BEING A LESBIAN. 1020 00:42:06,658 --> 00:42:08,560 SHE INTERVIEWS OTHER LESBIANS 1021 00:42:08,594 --> 00:42:09,761 ABOUT THEIR SEX LIVES 1022 00:42:09,795 --> 00:42:13,865 AND TALKS ABOUT HER OWN SEX LIFE. 1023 00:42:13,899 --> 00:42:15,667 SO, ALICE PIESZECKI, THE WOMAN NAMED 1024 00:42:15,701 --> 00:42:18,203 IN TWO OF THE COMPLAINTS AGAINST CAPTAIN WILLIAMS, 1025 00:42:18,236 --> 00:42:20,305 IS A SELF-PROFESSED LESBIAN? 1026 00:42:20,338 --> 00:42:22,007 YES, MA'AM, THAT'S CORRECT. 1027 00:42:24,309 --> 00:42:27,078 AND THIS CHART? 1028 00:42:27,112 --> 00:42:29,080 IT'S A CHART OF ALL THE LESBIANS SHE KNOWS 1029 00:42:29,114 --> 00:42:31,349 WHO HAVE HAD SEX WITH ONE ANOTHER. 1030 00:42:31,382 --> 00:42:33,885 WHO HAVE HAD SEX WITH ONE ANOTHER? 1031 00:42:33,919 --> 00:42:35,286 YES, MA'AM. 1032 00:42:35,320 --> 00:42:39,057 IT'S NOT MY CHART, COLONEL, IF YOU KNOW WHAT I MEAN. 1033 00:42:39,090 --> 00:42:42,127 YES, THANK YOU, MAJOR DOROUGH. 1034 00:42:42,160 --> 00:42:43,795 I THINK WE ALL KNOW WHAT YOU MEAN. 1035 00:42:43,829 --> 00:42:45,063 NOTHING FURTHER. 1036 00:42:45,096 --> 00:42:46,164 YOUR WITNESS, CAPTAIN BEECH. 1037 00:42:48,199 --> 00:42:51,737 MAJOR DOROUGH, 1038 00:42:51,770 --> 00:42:52,838 DOES CAPTAIN WILLIAMS'S NAME 1039 00:42:52,871 --> 00:42:54,806 APPEAR ANYWHERE ON EITHER THE CHART 1040 00:42:54,840 --> 00:42:55,841 OR THE WEBSITE? 1041 00:42:55,874 --> 00:42:57,676 NO, BUT-- 1042 00:42:57,709 --> 00:42:58,710 THANK YOU, SIR. 1043 00:42:58,744 --> 00:43:00,879 NO FURTHER QUESTIONS. 1044 00:43:03,014 --> 00:43:04,215 DO YOU SOLEMNLY SWEAR 1045 00:43:04,249 --> 00:43:05,383 TO TELL THE TRUTH, THE WHOLE TRUTH 1046 00:43:05,416 --> 00:43:06,885 AND NOTHING BUT THE TRUTH, 1047 00:43:06,918 --> 00:43:08,620 SO HELP YOU GOD? 1048 00:43:08,654 --> 00:43:11,757 I DO. 1049 00:43:14,225 --> 00:43:15,794 IT'S NICE TO SEE YOU AGAIN, 1050 00:43:15,827 --> 00:43:16,895 MISS PIESZECKI. 1051 00:43:18,129 --> 00:43:20,632 I WISH I COULD SAY THE SAME. 1052 00:43:22,000 --> 00:43:23,735 I SAW YOU ON TELEVISION THE OTHER DAY, 1053 00:43:23,769 --> 00:43:24,870 ON THE LOOK. 1054 00:43:24,903 --> 00:43:27,272 IT WAS FUN, VERY ENTERTAINING. 1055 00:43:27,305 --> 00:43:28,774 I'D NEVER SEEN IT BEFORE. 1056 00:43:30,108 --> 00:43:31,142 SO, YOU'RE A LESBIAN, 1057 00:43:31,176 --> 00:43:32,343 MISS PIESZECKI? 1058 00:43:32,377 --> 00:43:35,013 LAST TIME I CHECKED. 1059 00:43:35,046 --> 00:43:37,415 HOW LONG HAVE YOU KNOWN CAPTAIN WILLIAMS? 1060 00:43:37,448 --> 00:43:39,785 I DON'T KNOW, MAYBE A YEAR? 1061 00:43:39,818 --> 00:43:40,719 I'M NOT SURE. 1062 00:43:40,752 --> 00:43:42,854 HOW WOULD YOU DESCRIBE YOUR RELATIONSHIP? 1063 00:43:42,888 --> 00:43:44,856 WE'RE FRIENDS, 1064 00:43:44,890 --> 00:43:47,292 AND THAT DOESN'T MAKE TASHA A LESBIAN. 1065 00:43:49,160 --> 00:43:50,729 I DIDN'T ASK 1066 00:43:50,762 --> 00:43:53,932 IF CAPTAIN WILLIAMS IS A LESBIAN, ALICE. 1067 00:43:53,965 --> 00:43:56,835 YOU MIGHT WANT TO STICK WITH THE QUESTIONS I ASK. 1068 00:43:56,868 --> 00:43:59,738 DO YOU KNOW MANY PEOPLE IN THE MILITARY? 1069 00:43:59,771 --> 00:44:00,839 NO. 1070 00:44:00,872 --> 00:44:02,874 WELL, I'M CURIOUS, THEN. 1071 00:44:02,908 --> 00:44:05,210 HOW IS IT SOMEONE LIKE YOURSELF 1072 00:44:05,243 --> 00:44:06,745 CAN MEET SOMEONE LIKE CAPTAIN WILLIAMS? 1073 00:44:06,778 --> 00:44:10,849 WE MET THROUGH MUTUAL FRIENDS, 1074 00:44:10,882 --> 00:44:12,017 AT A GATHERING. 1075 00:44:12,050 --> 00:44:13,084 A LESBIAN GATHERING? 1076 00:44:13,118 --> 00:44:15,220 NO. 1077 00:44:15,253 --> 00:44:18,757 HAVE YOU HAD SEXUAL RELATIONS WITH CAPTAIN WILLIAMS? 1078 00:44:24,229 --> 00:44:26,197 YOU KNOW WHAT? 1079 00:44:26,231 --> 00:44:27,899 THIS WHOLE THING... 1080 00:44:27,933 --> 00:44:29,768 THIS WHOLE THING IS A CROCK. 1081 00:44:29,801 --> 00:44:33,772 IT'S A FRICKIN' WITCH HUNT. 1082 00:44:33,805 --> 00:44:35,173 I MEAN, YOU'RE TRYING TO SAY TASHA'S A LESBIAN 1083 00:44:35,206 --> 00:44:36,975 BECAUSE OF HER ASSOCIATION WITH ME, 1084 00:44:37,008 --> 00:44:39,778 WITH LAME TRUMPED-UP EVIDENCE. 1085 00:44:39,811 --> 00:44:41,847 I'M SORRY, BUT I COULD JUST AS EASILY SAY 1086 00:44:41,880 --> 00:44:43,414 THAT I THINK YOU'RE A LESBIAN COLONEL DAVIS, 1087 00:44:43,448 --> 00:44:45,150 WITH A PROPENSITY TO ENGAGE 1088 00:44:45,183 --> 00:44:47,018 IN HOMOSEXUAL CONDUCT, 1089 00:44:47,052 --> 00:44:47,986 BECAUSE OF THE WAY YOU LOOKED AT ME 1090 00:44:48,019 --> 00:44:48,787 IN THE HALLWAY YESTERDAY. 1091 00:44:48,820 --> 00:44:50,288 THAT IS ENOUGH, MISS PIESZECKI. 1092 00:44:50,321 --> 00:44:51,857 IF ALL I HAVE TO DO 1093 00:44:51,890 --> 00:44:54,059 IS ESTABLISH THAT YOU KNOW A LESBIAN, 1094 00:44:54,092 --> 00:44:55,226 ONE LESBIAN, 1095 00:44:55,260 --> 00:44:57,195 AND MAYBE YOU HAD LUNCH WITH HER ONCE? 1096 00:44:57,228 --> 00:44:59,197 I BET THERE AREN'T A LOT OF WOMEN WHO WEAR THAT UNIFORM 1097 00:44:59,230 --> 00:45:00,465 WHO HAVEN'T EATEN OUT WITH A LESBIAN 1098 00:45:00,498 --> 00:45:01,933 IN THEIR TIME. 1099 00:45:01,967 --> 00:45:04,169 I WOULD LIKE TO REQUEST A RECESS AT THIS TIME 1100 00:45:04,202 --> 00:45:06,872 TO ALLOW MISS PIESZECKI TO COLLECT HERSELF. 1101 00:45:06,905 --> 00:45:08,206 YES, WE'LL TAKE A 15-MINUTE RECESS. 1102 00:45:08,239 --> 00:45:09,474 [GAVEL BANGS] 1103 00:45:09,507 --> 00:45:10,341 I'M OKAY. 1104 00:45:10,375 --> 00:45:12,710 I MEAN, IF YOU, UH, YOU WANT TO KEEP... 1105 00:45:14,112 --> 00:45:15,246 DID I SAY SOMETHING? 1106 00:45:31,262 --> 00:45:33,832 WHAT WERE YOU TRYING TO PULL IN THERE? 1107 00:45:33,865 --> 00:45:35,266 I WASN'T TRYING TO PULL ANYTHING. 1108 00:45:35,300 --> 00:45:36,534 DO NOT PLAY GAMES WITH ME, ALICE. 1109 00:45:36,567 --> 00:45:37,836 I'M NOT. 1110 00:45:37,869 --> 00:45:39,137 OKAY, HERE'S THE DEAL. 1111 00:45:39,170 --> 00:45:40,972 I'M GOING TO NEED SOMETHING FROM YOU, 1112 00:45:41,006 --> 00:45:42,340 SOME KIND OF ASSURANCE 1113 00:45:42,373 --> 00:45:44,009 THAT I DON'T HAVE TO WATCH MY BACK. 1114 00:45:44,042 --> 00:45:46,077 OKAY, I'M LISTENING. 1115 00:45:46,111 --> 00:45:47,278 WHAT? 1116 00:45:47,312 --> 00:45:49,114 TELL YOUR FRIEND CAPTAIN WILLIAMS 1117 00:45:49,147 --> 00:45:51,516 TO PLAY BY THE RULES WHEN SHE GETS ON THE STAND. 1118 00:45:51,549 --> 00:45:53,785 I'M GOING TO ASK HER ABOUT PRIVATE BROWN. 1119 00:45:53,819 --> 00:45:56,154 SHE JUST HAS TO TELL THE STORY, MATTER-OF-FACT. 1120 00:45:56,187 --> 00:45:58,890 THE ONE ABOUT BROWN SEEING US AT THE RACE TRACK? 1121 00:45:58,924 --> 00:46:00,025 AND TWISTED 1122 00:46:00,058 --> 00:46:03,261 AN INNOCENT DAY OUT WITH FRIENDS INTO A SORDID ESCAPADE 1123 00:46:03,294 --> 00:46:05,763 SO HE COULD MAKE HIS TRUMPED-UP CHARGES. 1124 00:46:07,098 --> 00:46:10,201 AND I'LL NEVER HAVE TO SEE YOU AGAIN? 1125 00:46:10,235 --> 00:46:13,271 NO, YOU WILL NEVER HEAR FROM ME AGAIN. 1126 00:46:13,304 --> 00:46:15,540 I WON'T BE CALLING YOU BACK ON THE STAND, 1127 00:46:15,573 --> 00:46:19,010 AND I WON'T BE DISCUSSING THIS WITH CAPTAIN BEECH, 1128 00:46:19,044 --> 00:46:21,212 SO YOU HAVE ABOUT FIVE MINUTES TO DO WHAT YOU NEED TO DO 1129 00:46:21,246 --> 00:46:23,081 BEFORE WE RESUME. 1130 00:46:28,019 --> 00:46:29,454 OH, MY GOD. 1131 00:46:42,934 --> 00:46:44,302 TASHA... 1132 00:46:44,335 --> 00:46:45,370 TASHA... 1133 00:46:45,403 --> 00:46:46,437 WHAT? 1134 00:46:46,471 --> 00:46:48,173 YOU HAVE TO LISTEN. COME HERE. 1135 00:46:48,206 --> 00:46:49,440 WHAT? WHAT ARE YOU DOING? 1136 00:46:49,474 --> 00:46:50,441 I THINK YOU MIGHT WALK OUT OF THIS. 1137 00:46:50,475 --> 00:46:51,576 WHAT? 1138 00:46:51,609 --> 00:46:54,045 YEAH, OKAY, DAVIS IS TERRIFIED I'M GOING TO OUT HER. 1139 00:46:54,079 --> 00:46:55,914 SHE SAYS SHE DOESN'T WANT TO HAVE TO WATCH HER BACK, 1140 00:46:55,947 --> 00:46:57,182 SO SHE JUST MADE A DEAL WITH ME. 1141 00:46:59,084 --> 00:47:00,351 SHE SAID ALL YOU HAVE TO DO 1142 00:47:00,385 --> 00:47:01,319 IS TELL THE BROWN STORY, SAY YOU BELIEVE IN 1143 00:47:01,352 --> 00:47:03,088 THEIR BULLSHIT CODE OF HONOR, OR WHATEVER, 1144 00:47:03,121 --> 00:47:04,322 AND SHE'S GOING TO RECOMMEND YOU 1145 00:47:04,355 --> 00:47:05,323 FOR RETENTION. 1146 00:47:05,356 --> 00:47:06,357 SHE'S GOING TO LET ME OFF? 1147 00:47:06,391 --> 00:47:08,326 I DON'T KNOW. 1148 00:47:08,359 --> 00:47:09,460 CAPTAIN WILLIAMS! 1149 00:47:09,494 --> 00:47:10,528 THE HEARING WILL RESUME IN FIVE MINUTES. 1150 00:47:10,561 --> 00:47:11,596 I GOT TO GO. 1151 00:47:11,629 --> 00:47:13,564 OKAY, GOOD LUCK. 1152 00:47:20,238 --> 00:47:22,340 ONE FINAL QUESTION, CAPTAIN WILLIAMS. 1153 00:47:22,373 --> 00:47:23,875 WHY DID YOU JOIN THE MILITARY? 1154 00:47:23,909 --> 00:47:26,477 I COME FROM A MILITARY FAMILY. 1155 00:47:26,511 --> 00:47:29,380 MY FATHER SERVED, AND HIS FATHER BEFORE HIM. 1156 00:47:29,414 --> 00:47:31,917 I FEEL A STRONG SENSE OF DUTY TO SERVE MY COUNTRY. 1157 00:47:31,950 --> 00:47:33,518 IT'S WHAT I'VE ALWAYS WANTED TO DO, SIR. 1158 00:47:33,551 --> 00:47:35,420 THANK YOU. 1159 00:47:35,453 --> 00:47:37,055 NO FURTHER QUESTIONS. 1160 00:47:37,088 --> 00:47:39,891 RECORDER, YOUR WITNESS. 1161 00:47:41,192 --> 00:47:42,627 CAPTAIN WILLIAMS, 1162 00:47:42,660 --> 00:47:46,097 WHAT IS YOUR RELATIONSHIP TO PRIVATE JACK BROWN? 1163 00:47:46,131 --> 00:47:48,900 PRIVATE BROWN WAS A SOLDIER SERVING UNDER MY COMMAND. 1164 00:47:48,934 --> 00:47:51,336 DOES HE HOLD A GRUDGE AGAINST YOU FOR ANY REASON? 1165 00:47:51,369 --> 00:47:53,104 HE WAS UPSET WITH ME 1166 00:47:53,138 --> 00:47:54,605 WHEN I RECOMMENDED SPECIALIST MARTINEZ 1167 00:47:54,639 --> 00:47:57,342 FOR THE HUMAN RESOURCES JOB INSTEAD OF HIM. 1168 00:47:57,375 --> 00:47:58,409 IT'S BEEN ALLEGED 1169 00:47:58,443 --> 00:48:00,645 THAT YOU GAVE PREFERENTIAL TREATMENT TO MARTINEZ 1170 00:48:00,678 --> 00:48:02,080 BECAUSE YOU WERE HOPEFUL 1171 00:48:02,113 --> 00:48:04,015 OF A MORE INTIMATE RELATIONSHIP. 1172 00:48:04,049 --> 00:48:05,516 THAT'S NOT TRUE. 1173 00:48:05,550 --> 00:48:07,085 I RECOMMENDED SPECIALIST MARTINEZ 1174 00:48:07,118 --> 00:48:08,053 FOR RECLASSIFICATION 1175 00:48:08,086 --> 00:48:10,655 BECAUSE SHE HAS A SUPERIOR SERVICE RECORD. 1176 00:48:10,688 --> 00:48:12,123 SHE HAS TWO COMMENDATIONS, 1177 00:48:12,157 --> 00:48:14,125 AND SHE'S DISCIPLINED AND HARD-WORKING. 1178 00:48:14,159 --> 00:48:16,094 BROWN WAS NOT QUALIFIED, MA'AM. 1179 00:48:16,127 --> 00:48:18,129 DO YOU BELIEVE BROWN BROUGHT THESE CHARGES AGAINST YOU 1180 00:48:18,163 --> 00:48:19,330 IN RETALIATION? 1181 00:48:19,364 --> 00:48:21,199 YES, I DO BELIEVE THAT, MA'AM. 1182 00:48:21,232 --> 00:48:22,600 DOES THE MILITARY REPRESENT 1183 00:48:22,633 --> 00:48:24,002 THE IDEALS AND MORALS 1184 00:48:24,035 --> 00:48:25,670 BY WHICH YOU LIVE YOUR LIFE? 1185 00:48:25,703 --> 00:48:28,139 YES, ABSOLUTELY, MA'AM. 1186 00:48:28,173 --> 00:48:29,640 YOU ARE AWARE, CAPTAIN, 1187 00:48:29,674 --> 00:48:32,010 THAT OUR ARMED SERVICES ARE STRAINED 1188 00:48:32,043 --> 00:48:34,579 FOR QUALIFIED, DEDICATED OFFICERS, 1189 00:48:34,612 --> 00:48:36,081 ESPECIALLY ON THE FRONT LINES? 1190 00:48:36,114 --> 00:48:37,615 I'M AWARE OF THAT, MA'AM. 1191 00:48:37,648 --> 00:48:39,084 DO YOU AGREE 1192 00:48:39,117 --> 00:48:41,019 THAT THE MILITARY CODES OF CONDUCT 1193 00:48:41,052 --> 00:48:42,153 BE STRICTLY ADHERED TO, 1194 00:48:42,187 --> 00:48:44,055 AT ALL TIMES? 1195 00:48:44,089 --> 00:48:48,059 I ALWAYS HAVE. 1196 00:48:48,093 --> 00:48:49,360 UNTIL NOW. 1197 00:48:51,296 --> 00:48:52,630 I'M SORRY? 1198 00:48:57,735 --> 00:49:00,138 ONE OF THE THINGS THAT IS ASKED OF US 1199 00:49:00,171 --> 00:49:02,073 WHEN WE GO TO THE FRONT LINES 1200 00:49:02,107 --> 00:49:03,975 IS THAT WE BE PREPARED TO BE SEPARATED 1201 00:49:04,009 --> 00:49:06,111 FROM THE PEOPLE THAT WE LOVE, 1202 00:49:06,144 --> 00:49:07,478 AND WE ASK IT OF THEM, TOO. 1203 00:49:07,512 --> 00:49:10,315 WE ASK THEM TO GO AND LET US FIGHT FOR THEIR FREEDOM, 1204 00:49:10,348 --> 00:49:12,417 MAYBE TO NEVER COME HOME, 1205 00:49:12,450 --> 00:49:15,153 AND WHEN WE DO COME HOME, WE FEEL BLESSED. 1206 00:49:15,186 --> 00:49:18,056 IT SEEMS SO WRONG NOW 1207 00:49:18,089 --> 00:49:20,358 TO HAVE MY PERSONAL FREEDOM DENIED TO ME 1208 00:49:20,391 --> 00:49:23,061 WITHIN MY OWN COUNTRY. 1209 00:49:23,094 --> 00:49:26,131 IT SEEMS WRONG TO WATCH THE PERSON THAT I LOVE 1210 00:49:26,164 --> 00:49:27,765 BE INTERROGATED LIKE A CRIMINAL 1211 00:49:27,798 --> 00:49:29,534 WHEN SHE DID NOTHING WRONG. 1212 00:49:29,567 --> 00:49:32,737 THE PERSON YOU LOVE? 1213 00:49:32,770 --> 00:49:35,206 TO WHOM ARE YOU REFERRING, CAPTAIN WILLIAMS? 1214 00:49:35,240 --> 00:49:38,176 ALICE PIESZECKI, COLONEL. 1215 00:49:46,517 --> 00:49:48,053 ALICE! 1216 00:49:48,086 --> 00:49:49,654 WAIT! 1217 00:49:53,158 --> 00:49:54,559 WHAT HAPPENED? 1218 00:49:54,592 --> 00:49:55,793 DID YOU WIN? YOU LOOK HAPPY. 1219 00:49:55,826 --> 00:49:58,529 I DID, I WON. 1220 00:50:00,231 --> 00:50:01,366 I'M REALLY GLAD FOR YOU. 1221 00:50:01,399 --> 00:50:02,600 REALLY. 1222 00:50:02,633 --> 00:50:04,769 SO... WHAT HAPPENED IN THERE? 1223 00:50:04,802 --> 00:50:07,405 I TOLD THEM I LOVE YOU. 1224 00:50:10,241 --> 00:50:11,576 HEY THERE. 1225 00:50:16,281 --> 00:50:18,683 WILLIAMS, YOU'RE GOING TO BE MISSED AROUND HERE. 1226 00:50:18,716 --> 00:50:20,118 GOODBYE. 1227 00:50:23,188 --> 00:50:26,791 IT'S A SHAME, CAPTAIN WILLIAMS. 1228 00:50:26,824 --> 00:50:28,593 PERSONAL FREEDOM IS AN ENVIABLE THING, 1229 00:50:28,626 --> 00:50:31,129 BUT PERSONAL SACRIFICE 1230 00:50:31,162 --> 00:50:32,563 TO ENSURE THAT MANY MORE AMERICANS 1231 00:50:32,597 --> 00:50:34,365 CAN ENJOY THEIR FREEDOM, 1232 00:50:34,399 --> 00:50:36,167 THAT'S THE NOBLER CAUSE. 1233 00:50:39,804 --> 00:50:41,839 GOOD LUCK TO YOU. 1234 00:50:45,710 --> 00:50:46,811 [LAUGHS] 1235 00:50:46,844 --> 00:50:52,650 * LITTLE BY LITTLE BY LITTLE BY LITTLE BY LITTLE * 1236 00:50:52,683 --> 00:51:00,191 * LITTLE BY LITTLE BY LITTLE BY LITTLE BY LITTLE * 1237 00:51:00,225 --> 00:51:03,294 * YOU'RE MESSING UP MY LIFE TEARING ME APART * 1238 00:51:03,328 --> 00:51:05,696 * BREAKING UP MY WORLD 1239 00:51:05,730 --> 00:51:10,668 * AND I'M GIVING UP MY HEART 1240 00:51:10,701 --> 00:51:14,405 * LITTLE BY LITTLE BY LITTLE BY LITTLE * 1241 00:51:14,439 --> 00:51:17,508 * I'M LOSING ALL MY PRIDE IT'S REALLY GETTIN' BAD * 1242 00:51:17,542 --> 00:51:24,549 * HURTING DEEP INSIDE IS A-MAKING ME GO MAD * 1243 00:51:24,582 --> 00:51:28,153 * LITTLE BY LITTLE BY LITTLE BY LITTLE * 1244 00:51:28,186 --> 00:51:31,722 * LITTLE BY LITTLE BIT BY BIT * 1245 00:51:31,756 --> 00:51:35,226 * I'M GOING CRAZY AND YOU'RE CAUSING IT * 1246 00:51:35,260 --> 00:51:38,363 * LITTLE BY LITTLE BIT BY BIT * 1247 00:51:38,396 --> 00:51:41,499 * I SHOULD STOP CARING BUT MY LOVE WON'T QUIT * 1248 00:51:41,532 --> 00:51:48,339 * LITTLE BY LITTLE BY LITTLE BY LITTLE BY LITTLE * 1249 00:51:48,373 --> 00:51:54,879 * LITTLE BY LITTLE BY LITTLE BY LITTLE BY LITTLE * 1250 00:51:54,912 --> 00:51:58,483 * I DON'T KNOW WHERE TO TURN DON'T KNOW WHAT TO DO * 1251 00:51:58,516 --> 00:51:59,750 * I'M WALKING ON THIN ICE 1252 00:51:59,784 --> 00:52:05,490 * AND IT SEEMS I'M FALLING THROUGH * 1253 00:52:05,523 --> 00:52:09,327 * LITTLE BY LITTLE BY LITTLE BY LITTLE * 1254 00:52:09,360 --> 00:52:12,597 * LITTLE BY LITTLE BIT BY BIT * 1255 00:52:12,630 --> 00:52:16,234 * I'M GOING CRAZY AND YOU'RE CAUSING IT * 1256 00:52:16,267 --> 00:52:19,404 * LITTLE BY LITTLE BIT BY BIT... *