1
00:00:10,833 --> 00:00:12,167
PREVIOUSLY ON THE L WORD...

2
00:00:12,200 --> 00:00:13,167
LET'S MOVE IN TOGETHER.

3
00:00:13,200 --> 00:00:14,167
REALLY?

4
00:00:14,200 --> 00:00:15,233
YEAH.

5
00:00:15,267 --> 00:00:18,067
YEAH, LET'S DO IT.
WHY NOT?

6
00:00:18,100 --> 00:00:21,033
WE ARE GOING TO MAKE A MOVIE.

7
00:00:21,067 --> 00:00:23,100
WE ARE?

8
00:00:23,133 --> 00:00:24,667
OH...

9
00:00:36,233 --> 00:00:39,333
CUT. PRINT.

10
00:00:39,367 --> 00:00:41,400
DO YOU THINK
THIS IS GOING TO BE

11
00:00:41,433 --> 00:00:44,733
ONE OF THOSE MOVIE THINGS?

12
00:00:44,767 --> 00:00:46,400
OR DO YOU THINK WE'RE ACTUALLY
GOING TO MAKE IT?

13
00:00:46,433 --> 00:00:48,333
I'M GOING TO LOVE YOU...

14
00:00:48,367 --> 00:00:50,067
FOREVER.

15
00:00:50,100 --> 00:00:51,800
[KIT]: I JUST WANT SOMETHING
TO SCARE SOMEBODY.

16
00:00:51,833 --> 00:00:54,200
I RECOMMEND ONE GUN
FOR HOME DEFENSE.

17
00:00:54,233 --> 00:00:56,200
EASY TO USE,
THE NAME IS GOOD,

18
00:00:56,233 --> 00:00:59,200
THE TRIGGER PULLS QUICKLY,
AND THE RECOIL IS LOW.

19
00:00:59,233 --> 00:01:00,767
ARE YOU HAVING AN AFFAIR
WITH BETTE?

20
00:01:00,800 --> 00:01:02,333
JODI IS GOING TO BE DEVASTATED.

21
00:01:02,367 --> 00:01:04,100
I'VE ALWAYS BEEN
IN LOVE WITH HER.

22
00:01:04,133 --> 00:01:05,100
I LOVE TINA.

23
00:01:05,133 --> 00:01:08,200
ARE YOU CHEATING ON ME?

24
00:01:11,500 --> 00:01:16,300
[WHISPERING]: SHE LOOKS
A LITTLE CHUBBY.

25
00:01:16,333 --> 00:01:18,300
LET ME JUST CUE THIS UP.
I'M STILL WORKING ON IT.

26
00:01:18,333 --> 00:01:19,700
SO THIS IS JUST
A ROUGH CUT.

27
00:01:19,733 --> 00:01:21,367
OKAY.

28
00:01:21,400 --> 00:01:23,667
I NEVER THOUGHT
BEV WOULD LIE, AND CHEAT,

29
00:01:23,700 --> 00:01:26,167
AND SKANK AROUND ON ME,
AND TREAT ME JUST AS BADLY

30
00:01:26,200 --> 00:01:28,300
AS EVERY MAN
I'D EVER BEEN WITH.

31
00:01:28,333 --> 00:01:30,233
I THOUGHT WOMEN
WOULD BE BETTER SOMEHOW.

32
00:01:37,733 --> 00:01:40,433
I KNOW YOU'RE ALL
SITTING THERE

33
00:01:40,467 --> 00:01:42,767
JUDGING ME,

34
00:01:42,800 --> 00:01:44,667
AND I GUESS I DESERVE IT.

35
00:01:44,700 --> 00:01:47,100
I FUCKED UP.

36
00:01:49,200 --> 00:01:50,667
BUT THERE'S SOMETHING
I NEED TO SAY.

37
00:01:50,700 --> 00:01:52,067
WE SHOULD GO.

38
00:01:52,100 --> 00:01:53,167
YEAH--

39
00:01:53,200 --> 00:01:55,167
NO, STAY, PLEASE.

40
00:01:58,067 --> 00:01:59,700
IF YOU HAVE
SOMETHING TO SAY,

41
00:01:59,733 --> 00:02:01,300
GO AHEAD,
SAY IT IN FRONT OF OUR FRIENDS.

42
00:02:01,333 --> 00:02:03,800
NINA, I JUST LEFT
THE PLUMBER'S HOUSE.

43
00:02:03,833 --> 00:02:06,600
YOU JUST CAME FROM HER HOUSE?

44
00:02:06,633 --> 00:02:09,033
I TOLD HER THAT I LOVE YOU,

45
00:02:09,067 --> 00:02:10,667
THAT YOU'RE
THE LOVE OF MY LIFE,

46
00:02:10,700 --> 00:02:12,267
AND I'M NEVER GOING TO
SEE HER AGAIN.

47
00:02:12,300 --> 00:02:13,667
IF I'M THE LOVE
OF YOUR LIFE,

48
00:02:13,700 --> 00:02:15,600
THEN WHY DID YOU FUCK HER?

49
00:02:15,633 --> 00:02:18,167
[GASPS OF SHOCK]

50
00:02:23,667 --> 00:02:25,767
BEV...

51
00:02:25,800 --> 00:02:27,233
I'M SO SORRY, NINA.

52
00:02:27,267 --> 00:02:29,267
YOU SHOULDN'T HAVE
CHEATED ON ME.

53
00:02:29,300 --> 00:02:32,367
WHAT CAN I DO
TO HELP YOU TO FORGIVE ME?

54
00:02:32,400 --> 00:02:34,133
WE BOTH NEED TO
SET ASIDE TIME FOR US,

55
00:02:34,167 --> 00:02:35,767
FOR OUR RELATIONSHIP.

56
00:02:35,800 --> 00:02:37,367
I WANT TO, NINA.

57
00:02:37,400 --> 00:02:39,633
I DON'T WANT TO
LOSE YOU.

58
00:02:39,667 --> 00:02:40,900
WE BELONG
TOGETHER.

59
00:02:44,767 --> 00:02:45,800
AW...

60
00:02:45,833 --> 00:02:47,700
THANK GOD.

61
00:02:47,733 --> 00:02:48,767
I DON'T KNOW
WHAT I WOULD HAVE DONE

62
00:02:48,800 --> 00:02:49,767
IF THEY'D SPLIT UP.

63
00:02:49,800 --> 00:02:50,800
THEY'RE LIKE

64
00:02:50,833 --> 00:02:51,667
THE BEST COUPLE
THAT EVER LIVED.

65
00:02:51,700 --> 00:02:54,233
THEY'RE ROLE MODELS
FOR THE REST OF US.

66
00:02:54,267 --> 00:02:55,733
THEY REALLY ARE.

67
00:02:55,767 --> 00:02:57,367
AN EXAMPLE
FOR THE STRAIGHT WORLD.

68
00:02:57,400 --> 00:02:58,700
THERE'S ONE MORE
GOOD REASON

69
00:02:58,733 --> 00:03:00,233
WHY WE SHOULD
STAY TOGETHER.

70
00:03:00,267 --> 00:03:01,533
WHAT'S THAT?

71
00:03:01,567 --> 00:03:04,233
I'M GOING TO HAVE YOUR BABY.

72
00:03:04,267 --> 00:03:05,767
[GASPS]

73
00:03:05,800 --> 00:03:07,333
NO...

74
00:03:10,600 --> 00:03:11,633
[LAUGHING IN DELIGHT]

75
00:03:11,667 --> 00:03:13,633
SO, WHAT DID
YOU THINK?

76
00:03:13,667 --> 00:03:15,100
I THINK IT NEEDS
A BIT OF WORK.

77
00:03:15,133 --> 00:03:16,633
I JUST HAVE A FEW NOTES.

78
00:03:16,667 --> 00:03:19,567
IF YOU CAN GO BACK
TO THE SECOND TAKE...

79
00:03:19,600 --> 00:03:22,500
[**]

80
00:03:22,533 --> 00:03:28,733
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *

81
00:03:28,767 --> 00:03:35,567
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *

82
00:03:35,600 --> 00:03:41,667
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *

83
00:03:41,700 --> 00:03:48,133
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *

84
00:03:55,633 --> 00:03:57,033
* TALKING, LAUGHING
LOVING, BREATHING *

85
00:03:57,067 --> 00:03:58,767
* FIGHTING, FUCKING
CRYING, DRINKING *

86
00:03:58,800 --> 00:04:00,200
* WRITING, WINNING
LOSING, CHEATING *

87
00:04:00,233 --> 00:04:02,033
* KISSING, THINKING, DREAMING

88
00:04:02,067 --> 00:04:04,033
* THIS IS THE WAY...

89
00:04:04,067 --> 00:04:06,733
* IT'S THE WAY
THAT WE LIVE *

90
00:04:06,767 --> 00:04:12,300
* IT'S THE WAY THAT WE LIVE

91
00:04:12,333 --> 00:04:16,133
* AND LOVE

92
00:04:28,200 --> 00:04:29,700
TOM AND JODI
ARE IN TOUCH.

93
00:04:29,733 --> 00:04:31,067
SHE EMAILED HIM.

94
00:04:31,100 --> 00:04:33,200
SHE'S STAYING WITH A FRIEND.

95
00:04:35,067 --> 00:04:36,667
IT'S GOOD THAT SHE HAS FRIENDS.

96
00:04:36,700 --> 00:04:38,567
YEAH,
BUT WE'RE HER FRIENDS, TOO.

97
00:04:40,200 --> 00:04:42,100
I'M SORRY, I DON'T MEAN
TO BE RUDE. I APOLOGIZE.

98
00:04:42,133 --> 00:04:43,533
I'M SORRY.

99
00:04:43,567 --> 00:04:47,133
I'M HAVING A DAY.

100
00:04:48,700 --> 00:04:50,633
DID HE SAY
WHICH FRIEND?

101
00:04:50,667 --> 00:04:52,533
I'M NOT SURE,
AMY, MAYBE?

102
00:04:55,633 --> 00:04:57,533
HAVE YOU NOT SPOKEN
TO HER AT ALL?

103
00:04:57,567 --> 00:04:59,500
[SIGHS]

104
00:04:59,533 --> 00:05:00,700
SHE HASN'T RETURNED
ANY OF MY MESSAGES.

105
00:05:02,567 --> 00:05:04,100
WOULD YOU BLAME HER?

106
00:05:04,133 --> 00:05:05,467
I'M NOT BLAMING HER.

107
00:05:05,500 --> 00:05:06,667
LADIES, PLEASE
DON'T FIGHT.

108
00:05:06,700 --> 00:05:08,700
I CAN'T STAND IT
WHEN SISTERS DO THAT.

109
00:05:08,733 --> 00:05:10,133
JENNY, THIS ISN'T
A SCENE IN YOUR MOVIE.

110
00:05:10,167 --> 00:05:11,600
YOU DON'T HAVE TO
DIRECT TODAY.

111
00:05:11,633 --> 00:05:13,133
STAY OUT OF IT, ALICE.

112
00:05:14,567 --> 00:05:16,600
YOU ARE SO PMS-ING.

113
00:05:16,633 --> 00:05:18,800
YOU'RE THE ONE
THAT'S PMS-ING.

114
00:05:18,833 --> 00:05:20,100
YOU'VE BEEN
FLYING OFF THE HANDLE

115
00:05:20,133 --> 00:05:23,433
OVER EVERY SINGLE THING
THIS MORNING.

116
00:05:23,467 --> 00:05:24,367
I'M SO GLAD

117
00:05:24,400 --> 00:05:26,100
I DON'T HAVE TO GO
THROUGH THAT ANYMORE.

118
00:05:26,133 --> 00:05:28,733
I SECOND THAT EMOTION.

119
00:05:28,767 --> 00:05:30,200
TINA,
WHAT TIME IS MY CALL TODAY?

120
00:05:30,233 --> 00:05:31,467
I DON'T KNOW
YOUR CALL-TIME, OKAY?

121
00:05:31,500 --> 00:05:32,500
THERE'S A WHOLE CREW.

122
00:05:32,533 --> 00:05:33,633
I DON'T KNOW WHEN
EVERYONE COMES IN.

123
00:05:33,667 --> 00:05:35,467
OKAY.

124
00:05:35,500 --> 00:05:37,667
HELLO, LADIES.

125
00:05:37,700 --> 00:05:38,800
HEY, GANG'S ALL HERE,

126
00:05:38,833 --> 00:05:40,700
LOOK AT THAT,
BABE.

127
00:05:40,733 --> 00:05:42,100
WHAT'S THE MATTER?

128
00:05:42,133 --> 00:05:43,800
YOU ALL LOOK A LITTLE DOWN.

129
00:05:43,833 --> 00:05:45,767
WHAT IS IT?

130
00:05:45,800 --> 00:05:47,500
PMS?

131
00:05:47,533 --> 00:05:50,700
DID YOU ALL SYNC UP
ON THE SUBARU PINK RIDE?

132
00:05:50,733 --> 00:05:52,533
DENBO, WHAT'S UP?

133
00:05:52,567 --> 00:05:54,733
ARE WE STILL COOL WITH OUR DEAL?

134
00:05:54,767 --> 00:05:57,000
WE HAVE SOMETHING VERY EXCITING
TO TELL YOU GUYS.

135
00:05:58,267 --> 00:05:59,500
MY LOVER CINDI AND I

136
00:05:59,533 --> 00:06:00,700
MET AN OLD FRIEND
OF YOURS.

137
00:06:00,733 --> 00:06:03,133
DOES THE NAME
IVAN AYCOCK RING A BELL?

138
00:06:04,800 --> 00:06:07,367
YOU SAW IVAN?

139
00:06:07,400 --> 00:06:09,500
YEAH, WASN'T EASY
TO FIND OLD IVAN,

140
00:06:09,533 --> 00:06:12,533
LET ME TELL YOU,
BUT I HAVE MY WAYS.

141
00:06:12,567 --> 00:06:15,500
ANYWAY, I TRACKED HER DOWN,

142
00:06:15,533 --> 00:06:16,767
AND GOD BLESS HER,

143
00:06:16,800 --> 00:06:20,067
SHE COULDN'T HAVE BEEN HAPPIER
TO UNLOAD HER 51% OF THE PLANET.

144
00:06:20,100 --> 00:06:22,067
I WOULD SAY THAT
SHE WAS ACTUALLY

145
00:06:22,100 --> 00:06:23,067
PRACTICALLY GLEEFUL
TO SELL IT TO ME.

146
00:06:23,100 --> 00:06:26,033
HOW FUCKING DARE YOU?

147
00:06:26,067 --> 00:06:27,167
YOU KNOW WHAT?
GET THE FUCK OUT OF HERE.

148
00:06:27,200 --> 00:06:28,400
OH, REALLY?

149
00:06:28,433 --> 00:06:29,633
OH, HONEY, THEY'RE TELLING US
TO GET THE FUCK OUT OF HERE.

150
00:06:29,667 --> 00:06:32,533
WELL, YOU CAN'T REALLY TELL US
TO GET THE FUCK OUT OF HERE,

151
00:06:32,567 --> 00:06:34,067
BECAUSE WE OWN THIS PLACE.

152
00:06:35,567 --> 00:06:37,600
WHAT?

153
00:06:37,633 --> 00:06:40,167
YOU MOTHERFUCKING LIAR!

154
00:06:40,200 --> 00:06:42,167
KIT, JUST...

155
00:06:42,200 --> 00:06:43,433
OKAY, OKAY,
WE'RE LEAVING,

156
00:06:43,467 --> 00:06:45,600
BUT WE'LL BE BACK,

157
00:06:45,633 --> 00:06:47,467
WITH A DECORATOR,
BECAUSE I'LL TELL YOU,

158
00:06:47,500 --> 00:06:50,033
THIS PLACE IS IN NEED
OF A SERIOUS MAKEOVER.

159
00:06:50,067 --> 00:06:51,033
CIAO.

160
00:06:51,067 --> 00:06:52,400
COME ON, BABE.

161
00:06:59,067 --> 00:07:02,333
LOOKS LIKE SOMEBODY GOT HERE
BEFORE ME.

162
00:07:06,367 --> 00:07:08,400
JODI, I'M SO SORRY--

163
00:07:08,433 --> 00:07:11,533
WHY IS SHE TALKING TO ME?
DOESN'T SHE KNOW I'M DEAF?

164
00:07:32,633 --> 00:07:34,333
WHERE DO YOU
WANT TO GO?

165
00:07:34,367 --> 00:07:36,733
IT'S UP TO YOU.

166
00:07:36,767 --> 00:07:38,300
YOU DON'T HAVE A CAR?

167
00:07:38,333 --> 00:07:42,400
I GOT DROPPED OFF.

168
00:07:42,433 --> 00:07:43,800
WELL, I HAVE
SOME MEETINGS

169
00:07:43,833 --> 00:07:45,767
THAT I NEED TO
RESCHEDULE.

170
00:07:45,800 --> 00:07:47,667
DO WHAT YOU HAVE TO DO.

171
00:07:47,700 --> 00:07:49,400
OKAY.

172
00:07:53,333 --> 00:07:55,367
YEAH, JAMES, IT'S ME.

173
00:07:55,400 --> 00:07:57,300
UH, LISTEN, I HAVE SOMETHING

174
00:07:57,333 --> 00:07:59,100
THAT I NEED TO TAKE CARE OF
THIS MORNING.

175
00:07:59,133 --> 00:08:01,600
CAN YOU RESCHEDULE
MY MORNING MEETINGS?

176
00:08:01,633 --> 00:08:05,100
YES, THE ONE WITH PHYLLIS.

177
00:08:05,133 --> 00:08:06,100
I DON'T CARE WHAT YOU HAVE
TO TELL HER.

178
00:08:06,133 --> 00:08:08,700
JUST TELL HER I HAVE WICKED PMS,
I DON'T KNOW.

179
00:08:08,733 --> 00:08:11,767
SHE PROBABLY DOESN'T EVEN
REMEMBER WHAT THAT FEELS LIKE.

180
00:08:11,800 --> 00:08:14,700
OKAY, GREAT.

181
00:08:14,733 --> 00:08:16,400
ALL RIGHT, THANK YOU.

182
00:08:16,433 --> 00:08:18,333
LISTEN, IF YOU
HAVE TO GO TO WORK--

183
00:08:18,367 --> 00:08:20,533
NO, I DON'T NEED
TO GO TO WORK.

184
00:08:20,567 --> 00:08:22,400
I KNOW HOW BUSY YOU ARE,

185
00:08:22,433 --> 00:08:24,533
AND I DON'T WANT IT TO BE
A PROBLEM FOR YOU.

186
00:08:24,567 --> 00:08:26,767
THIS IS THE MOST IMPORTANT
THING IN THE WORLD TO ME.

187
00:08:26,800 --> 00:08:28,267
WHAT IS?

188
00:08:28,300 --> 00:08:31,567
THIS, YOU AND ME.

189
00:08:43,567 --> 00:08:44,567
HERE'S 20.

190
00:08:44,600 --> 00:08:45,633
NO, NO, THAT'S OKAY,
THAT'S OKAY.

191
00:08:45,667 --> 00:08:47,533
IT'S ON ME.
THANKS.

192
00:08:47,567 --> 00:08:48,633
ARE YOU AND BETTE

193
00:08:48,667 --> 00:08:50,067
PLANNING ON
MOVING IN TOGETHER?

194
00:08:50,100 --> 00:08:51,633
WE'RE NOT PLANNING
ANYTHING.

195
00:08:51,667 --> 00:08:53,533
SHE HAS TO TALK
TO JODI FIRST.

196
00:08:53,567 --> 00:08:55,033
YOU KNOW, I GOT TO
TELL YOU, TINA,

197
00:08:55,067 --> 00:08:57,733
I REALLY I RESPECT YOU FOR
SHOWING SOME RESTRAINT

198
00:08:57,767 --> 00:08:59,633
AND HOLDING BACK,
I DO.

199
00:08:59,667 --> 00:09:02,300
WELL, IT'S ABOUT TIME.

200
00:09:02,333 --> 00:09:03,367
JESUS.

201
00:09:03,400 --> 00:09:04,467
WHAT?

202
00:09:04,500 --> 00:09:06,800
JENNY HAD AN ART DEPARTMENT
MEETING THIS MORNING,

203
00:09:06,833 --> 00:09:08,300
AND SHE MISSED IT,

204
00:09:08,333 --> 00:09:10,667
AND ADELE WENT
IN HER PLACE INSTEAD.

205
00:09:10,700 --> 00:09:12,333
WAIT, SHOULDN'T
ADELE HAVE MADE SURE

206
00:09:12,367 --> 00:09:13,667
THAT JENNY KNEW
ABOUT THE MEETING?

207
00:09:13,700 --> 00:09:15,600
YEAH, MAX IS RIGHT.
SHE SHOULD HAVE TOLD HER.

208
00:09:15,633 --> 00:09:20,300
WELL, I'M SURE SHE TRIED.

209
00:09:20,333 --> 00:09:21,567
I'VE GOT TO GO, YOU GUYS.

210
00:09:21,600 --> 00:09:22,733
I'VE GOT TO FIX THIS.

211
00:09:22,767 --> 00:09:23,733
20?

212
00:09:23,767 --> 00:09:26,500
NO--
OKAY.

213
00:09:26,533 --> 00:09:27,600
FUCK IT.

214
00:09:27,633 --> 00:09:28,633
[LAUGHS]

215
00:09:35,467 --> 00:09:37,533
[SHUDDERING AND SOBBING]

216
00:09:41,500 --> 00:09:43,333
YOU DON'T
GET TO DO THIS.

217
00:09:43,367 --> 00:09:44,467
YOU HAVE NO RIGHT

218
00:09:44,500 --> 00:09:46,700
TO BE THE ONE
WHO DOES THIS.

219
00:09:46,733 --> 00:09:49,767
I'M SORRY.

220
00:09:49,800 --> 00:09:51,733
I'M SORRY.

221
00:09:57,733 --> 00:09:58,800
I NEVER MEANT TO.

222
00:09:58,833 --> 00:10:01,333
I NEVER MEANT
FOR THIS TO HAPPEN.

223
00:10:01,367 --> 00:10:03,200
WHAT HAPPENED?

224
00:10:03,233 --> 00:10:04,700
I DON'T EVEN KNOW
WHAT'S HAPPENING.

225
00:10:04,733 --> 00:10:08,400
EVERYBODY ELSE SEEMS TO KNOW,
BUT I'M IN THE DARK HERE!

226
00:10:08,433 --> 00:10:10,333
DID YOU AND THAT
WOMAN FUCK?

227
00:10:10,367 --> 00:10:11,700
I DON'T KNOW WHO
YOU'RE TALKING ABOUT.

228
00:10:11,733 --> 00:10:13,667
DID YOU FUCK HER?

229
00:10:13,700 --> 00:10:15,433
ARE YOU FUCKING?

230
00:10:15,467 --> 00:10:17,267
HOW LONG HAS THIS BEEN GOING ON?

231
00:10:17,300 --> 00:10:20,300
IT'S NOT ABOUT FUCKING.

232
00:10:26,600 --> 00:10:30,400
I DON'T KNOW HOW IT HAPPENED.

233
00:10:30,433 --> 00:10:32,667
I THINK THAT...

234
00:10:32,700 --> 00:10:36,267
TINA AND I, WE JUST...

235
00:10:36,300 --> 00:10:38,533
WE JUST NEVER REALLY FINISHED.

236
00:10:38,567 --> 00:10:39,667
YOU KNOW, AND WE HAVE ANGELICA--

237
00:10:39,700 --> 00:10:41,500
I KNOW YOU HAVE ANGELICA.

238
00:10:41,533 --> 00:10:45,533
BUT IT'S NOT
JUST ABOUT ANGELICA.

239
00:10:45,567 --> 00:10:47,200
WE HAVE SO MUCH HISTORY,

240
00:10:47,233 --> 00:10:49,533
AND THERE'S...

241
00:10:49,567 --> 00:10:52,433
I DON'T THINK THAT WE REALIZED

242
00:10:52,467 --> 00:10:55,467
HOW STRONG
THE CONNECTION...

243
00:10:57,767 --> 00:11:00,367
AND THERE'S JUST STILL SO MUCH
THAT HASN'T BEEN RESOLVED--

244
00:11:00,400 --> 00:11:02,367
OH, SO FUCKING HER RESOLVED IT?

245
00:11:02,400 --> 00:11:04,167
I TOLD YOU--

246
00:11:04,200 --> 00:11:06,400
I KNOW,
IT'S NOT ABOUT FUCKING.

247
00:11:06,433 --> 00:11:08,167
I KNOW.

248
00:11:11,533 --> 00:11:14,533
[SIGHS]

249
00:11:24,733 --> 00:11:27,333
ARE YOU IN LOVE WITH HER?

250
00:11:28,533 --> 00:11:29,633
IT'S VERY COMPLICATED.

251
00:11:29,667 --> 00:11:31,367
OF COURSE IT'S COMPLICATED.

252
00:11:31,400 --> 00:11:32,667
I ASKED YOU IF YOU LOVE HER.

253
00:11:35,433 --> 00:11:38,133
YES, I LOVE HER.

254
00:11:49,200 --> 00:11:50,400
DO YOU LOVE ME?

255
00:11:55,400 --> 00:11:58,533
YES, I LOVE YOU, I DO.

256
00:12:10,500 --> 00:12:12,467
NO, NO, NO...

257
00:12:12,500 --> 00:12:14,233
NO.

258
00:12:30,467 --> 00:12:33,433
I'M GOING TO FIGHT FOR YOU.

259
00:12:37,733 --> 00:12:39,200
I LIKE IT.

260
00:12:39,233 --> 00:12:40,467
I MEAN, IT DOESN'T HAVE
AS MUCH CHARACTER

261
00:12:40,500 --> 00:12:42,433
AS MY BUILDING,
BUT IT'S A HOUSE,

262
00:12:42,467 --> 00:12:45,600
AND IT WOULD BE OUR HOUSE.

263
00:12:49,367 --> 00:12:50,700
IT'S WAY
TOO EXPENSIVE.

264
00:12:50,733 --> 00:12:52,200
OH, IT'S NOT
THAT EXPENSIVE.

265
00:12:52,233 --> 00:12:53,300
IT'S EIGHT TIMES AS MUCH

266
00:12:53,333 --> 00:12:55,167
AS MY APARTMENT
IN LONG BEACH.

267
00:12:55,200 --> 00:12:59,133
WELL, WE'LL BE
SPLITTING THE RENT, SO...

268
00:12:59,167 --> 00:13:02,167
ALL RIGHT, WELL,
FOUR TIMES AS MUCH.

269
00:13:02,200 --> 00:13:04,633
WE DON'T HAVE TO SPLIT THE RENT
EXACTLY DOWN THE MIDDLE.

270
00:13:04,667 --> 00:13:05,700
YES, WE FUCKING DO.

271
00:13:05,733 --> 00:13:08,033
IF I GET THIS JOB,
I'LL BE MAKING A LOT OF MONEY.

272
00:13:08,067 --> 00:13:10,067
ALICE, CAN WE JUST
PLEASE KEEP LOOKING?

273
00:13:10,100 --> 00:13:13,267
I HOPE YOU BLEED SOON.

274
00:13:13,300 --> 00:13:15,233
I REALLY DO.

275
00:13:23,700 --> 00:13:25,133
[CRYING]

276
00:13:25,167 --> 00:13:28,300
FUCK YOU.

277
00:13:36,633 --> 00:13:38,300
JODI...

278
00:13:38,333 --> 00:13:40,533
JODI...

279
00:13:40,567 --> 00:13:42,467
[SOBS]

280
00:13:57,667 --> 00:13:59,167
GOD...

281
00:15:13,467 --> 00:15:15,200
[KNOCK ON DOOR]

282
00:15:15,233 --> 00:15:18,033
HI, 12 MINUTE WARNING.

283
00:15:18,067 --> 00:15:19,400
OKAY, THANKS.

284
00:15:21,233 --> 00:15:22,567
[KNOCK]

285
00:15:22,600 --> 00:15:24,433
HEY...

286
00:15:24,467 --> 00:15:25,467
HEY.

287
00:15:25,500 --> 00:15:27,800
HOW WAS YOUR BIKE RIDE?

288
00:15:27,833 --> 00:15:32,100
OH, GOD, WOW, IT WAS...

289
00:15:32,133 --> 00:15:34,033
IT WAS HARD.

290
00:15:34,067 --> 00:15:36,767
YEAH, WELL,
YOU'RE IN GOOD SHAPE.

291
00:15:36,800 --> 00:15:38,033
NOT REALLY.

292
00:15:38,067 --> 00:15:39,267
NOT LIKE
I THOUGHT I WAS.

293
00:15:39,300 --> 00:15:41,300
S-SO...

294
00:15:41,333 --> 00:15:43,133
HOW WAS YOUR WEEKEND?

295
00:15:43,167 --> 00:15:45,233
I'M READY TO GO BACK TO WORK.

296
00:15:45,267 --> 00:15:46,300
WELL, GOOD.

297
00:15:46,333 --> 00:15:47,267
THAT'S GOOD.

298
00:15:47,300 --> 00:15:49,433
EXCEPT FOR, I'M A LITTLE WORRIED
ABOUT TODAY.

299
00:15:49,467 --> 00:15:51,500
NIKI, BEGONIA...

300
00:15:51,533 --> 00:15:52,767
NIGHTMARE.

301
00:15:52,800 --> 00:15:54,700
YOU KNOW WHAT?

302
00:15:54,733 --> 00:15:56,500
I THINK EVERYTHING'S
GOING TO BE JUST FINE.

303
00:15:56,533 --> 00:15:59,033
YOU DO?

304
00:15:59,067 --> 00:16:00,400
I NEVER THOUGHT I'D SAY THIS,

305
00:16:00,433 --> 00:16:03,133
BUT I ACTUALLY THINK
JENNY'S GOT SOME...

306
00:16:03,167 --> 00:16:05,067
TALENT?

307
00:16:05,100 --> 00:16:06,300
SHE'S MAKING

308
00:16:06,333 --> 00:16:10,767
SOME REALLY INTERESTING
STYLISTIC CHOICES.

309
00:16:10,800 --> 00:16:12,200
LAST NIGHT
I WAS WATCHING DAILIES,

310
00:16:12,233 --> 00:16:13,700
AND I THOUGHT TO MYSELF,
"OH, MY GOD,

311
00:16:13,733 --> 00:16:15,533
WE MIGHT HAVE
A REALLY GOOD MOVIE."

312
00:16:15,567 --> 00:16:17,500
[SHARP KNOCK]

313
00:16:17,533 --> 00:16:20,100
CAN YOU COME INTO
THE CONFERENCE ROOM, PLEASE?

314
00:16:20,133 --> 00:16:21,233
SURE.

315
00:16:26,167 --> 00:16:28,200
I'LL SEE YOU ON SET.

316
00:16:36,800 --> 00:16:38,067
WHAT IS IT NOW?

317
00:16:38,100 --> 00:16:40,400
TAKE A SEAT.

318
00:16:42,767 --> 00:16:45,067
OKAY, DOES SOMEBODY
WANT TO TELL US

319
00:16:45,100 --> 00:16:46,467
WHAT THIS IS ALL ABOUT?

320
00:17:01,767 --> 00:17:02,800
[GIGGLING]

321
00:17:02,833 --> 00:17:04,067
THERE WE GO.

322
00:17:08,733 --> 00:17:10,667
[GASPS]

323
00:17:18,433 --> 00:17:20,300
ENOUGH...

324
00:17:20,333 --> 00:17:22,200
ENOUGH.
CUT IT OFF.

325
00:17:26,100 --> 00:17:27,200
WHO DID THIS?

326
00:17:30,233 --> 00:17:33,300
WELL, I THINK IT'S FAIR TO SAY
THAT YOU AND NIKI DID IT.

327
00:17:33,333 --> 00:17:36,300
THIS WAS
A PRIVATE TAPE.

328
00:17:36,333 --> 00:17:38,433
WHO HAS SEEN
THIS ABOMINATION?

329
00:17:38,467 --> 00:17:39,433
IT'S NOT
AN ABOMINATION.

330
00:17:39,467 --> 00:17:40,767
NOBODY'S SEEN IT...

331
00:17:40,800 --> 00:17:42,100
YET.

332
00:17:48,233 --> 00:17:51,433
BUT THERE ARE
25 MORE COPIES,

333
00:17:51,467 --> 00:17:54,200
AND EACH ONE OF THEM
IS LOGGED, ADDRESSED,

334
00:17:54,233 --> 00:17:56,367
AND READY TO GO OUT
TO LETTERMAN,

335
00:17:56,400 --> 00:17:58,800
LENO, OPRAH, ELLEN,

336
00:17:58,833 --> 00:18:01,400
FOX, E,
THE NATIONAL ENQUIRER,

337
00:18:01,433 --> 00:18:04,367
STAR, HOLA!, HELLO,
PEREZ HILTON,

338
00:18:04,400 --> 00:18:06,100
BUT NONE OF THEM
HAVE SEEN IT YET,

339
00:18:06,133 --> 00:18:08,600
AND FRANKLY, I WOULD LIKE
TO NEVER HAVE TO SEND IT.

340
00:18:08,633 --> 00:18:10,400
WHAT IS IT
THAT YOU WANT, ADELE?

341
00:18:10,433 --> 00:18:12,167
TINA...

342
00:18:12,200 --> 00:18:16,033
LOOK, THIS IS NOT ABOUT
WHAT I WANT.

343
00:18:16,067 --> 00:18:17,400
THIS IS ABOUT THIS FILM.

344
00:18:17,433 --> 00:18:19,767
THIS IS ABOUT
LEZ GIRLS.

345
00:18:19,800 --> 00:18:22,267
THIS IS ABOUT THIS
INCREDIBLY IMPORTANT,

346
00:18:22,300 --> 00:18:25,167
AND POWERFUL,
AND SIGNIFICANT FILM,

347
00:18:25,200 --> 00:18:27,233
THAT HAS
THE OPPORTUNITY

348
00:18:27,267 --> 00:18:30,200
TO CHANGE HEARTS AND MINDS,

349
00:18:30,233 --> 00:18:33,767
AND AFFECT THE LIVES
OF MILLIONS OF PEOPLE,

350
00:18:33,800 --> 00:18:35,300
AND IT MUSTN'T BE TAINTED
BY A SCANDAL

351
00:18:35,333 --> 00:18:36,567
CAUSED BY THE...

352
00:18:36,600 --> 00:18:40,100
BY THE INEXCUSABLY
RECKLESS

353
00:18:40,133 --> 00:18:44,600
AND... COMPLETELY...

354
00:18:44,633 --> 00:18:47,233
ENTITLED BEHAVIOR

355
00:18:47,267 --> 00:18:48,267
OF THE VERY
FEW PEOPLE

356
00:18:48,300 --> 00:18:50,000
ENTRUSTED WITH
THIS OPPORTUNITY.

357
00:18:54,233 --> 00:18:58,267
I'M GOING TO CALL WILLIAM,
AND I'M GOING TO TELL HIM

358
00:18:58,300 --> 00:19:02,267
WHAT A DISGUSTING
HUMAN BEING--

359
00:19:02,300 --> 00:19:05,133
I'VE SHOWN
THEM THE TAPE,

360
00:19:05,167 --> 00:19:09,800
AND I'VE SPOKEN TO WILLIAM
AT LENGTH.

361
00:19:09,833 --> 00:19:11,567
AND HE AGREES WITH ME...

362
00:19:14,633 --> 00:19:17,800
THAT THE SITUATION'S
BECOME UNTENABLE.

363
00:19:17,833 --> 00:19:20,733
WHAT IS IT THAT
YOU WILL WANT, ADELE?

364
00:19:33,300 --> 00:19:34,600
[TELEPHONE RINGS]

365
00:19:47,300 --> 00:19:48,300
JODI...

366
00:19:54,400 --> 00:19:56,067
JODI, STOP.

367
00:19:56,100 --> 00:19:57,100
JODI, STOP.

368
00:19:57,133 --> 00:19:58,133
STOP!

369
00:19:58,167 --> 00:19:59,200
WHAT?

370
00:19:59,233 --> 00:20:01,767
I CAN'T DO THIS.

371
00:20:01,800 --> 00:20:03,300
IT'S NOT RIGHT.

372
00:20:03,333 --> 00:20:05,567
I DON'T WANT TO DO THIS
WITH YOU.

373
00:20:05,600 --> 00:20:08,233
OH, CRAP.

374
00:20:11,700 --> 00:20:13,233
FUCK...

375
00:20:17,800 --> 00:20:19,033
WHERE ARE YOU GOING?

376
00:20:19,067 --> 00:20:20,567
TO GO KILL MYSELF.
MOVE.

377
00:20:20,600 --> 00:20:21,667
PLEASE.

378
00:20:21,700 --> 00:20:22,800
PLEASE DON'T DO THIS.

379
00:20:22,833 --> 00:20:24,033
LET ME GO.

380
00:20:24,067 --> 00:20:25,667
I CAN'T LET YOU GO.

381
00:20:25,700 --> 00:20:29,067
WHY?
CAN'T YOU MAKE UP YOUR MIND?

382
00:20:29,100 --> 00:20:30,300
I THOUGHT YOU WANTED TO
GET RID OF ME.

383
00:20:30,333 --> 00:20:31,600
I CAN'T LET YOU GO

384
00:20:31,633 --> 00:20:32,767
WHEN YOU'RE THREATENING
TO HURT YOURSELF.

385
00:20:32,800 --> 00:20:34,800
I'M NOT GOING TO KILL MYSELF
OVER YOU.

386
00:20:34,833 --> 00:20:36,233
DON'T FLATTER YOURSELF.

387
00:20:37,600 --> 00:20:38,733
JODI...

388
00:20:41,300 --> 00:20:45,033
I REALLY CARE FOR YOU
SO DEEPLY,

389
00:20:45,067 --> 00:20:48,167
BUT I AM NOT
GOING TO WALK AWAY

390
00:20:48,200 --> 00:20:49,733
AND JUST
TURN MY BACK ON YOU

391
00:20:49,767 --> 00:20:51,567
AND LET YOU HATE ME.

392
00:20:51,600 --> 00:20:54,600
I'M GOING TO FIGHT
FOR THIS RELATIONSHIP.

393
00:20:59,667 --> 00:21:04,200
LOOK, I HAVE TO GO TO SCHOOL.
I HAVE TWO MEETINGS--

394
00:21:04,233 --> 00:21:05,267
STOP, STOP,

395
00:21:05,300 --> 00:21:07,067
STOP...

396
00:21:15,267 --> 00:21:18,633
SO PLEASE, BETTE,
HAVE SOME RESPECT FOR ME.

397
00:21:18,667 --> 00:21:21,267
I HAVE TOTAL RESPECT FOR YOU.

398
00:21:21,300 --> 00:21:22,733
NOW, WHAT DO YOU WANT ME TO DO?

399
00:21:40,167 --> 00:21:41,600
OKAY.

400
00:22:15,433 --> 00:22:16,467
NIKI...

401
00:22:16,500 --> 00:22:18,200
NIKI, COME HERE.

402
00:22:18,233 --> 00:22:19,667
PLEASE COME HERE,
I HAVE TO TALK TO YOU.

403
00:22:19,700 --> 00:22:20,767
WHY?
WHAT'S GOING ON?

404
00:22:20,800 --> 00:22:23,667
WE'VE GOT TO GET
OUT OF HERE.

405
00:22:23,700 --> 00:22:25,133
WHAT'S WRONG?

406
00:22:25,167 --> 00:22:26,567
SOMEONE GOT A HOLD OF
THAT TAPE THAT WE MADE

407
00:22:26,600 --> 00:22:27,800
ON THE PINK RIDE,

408
00:22:27,833 --> 00:22:30,500
AND THEY'RE TRYING TO EXTORT
AND BLACKMAIL THE PRODUCTION,

409
00:22:30,533 --> 00:22:31,500
SO WE'VE GOT TO
GET OUT OF HERE--

410
00:22:31,533 --> 00:22:34,233
WAIT, WAIT, WHAT TAPE?
THE TAPE IN THE TENT?

411
00:22:34,267 --> 00:22:35,800
JENNY, GET
AWAY FROM HER.

412
00:22:35,833 --> 00:22:37,167
NIKI...KEVIN, DO YOU
KNOW ABOUT THIS?

413
00:22:37,200 --> 00:22:38,700
NO, NO, WAIT,
NIKI...

414
00:22:38,733 --> 00:22:40,433
YES, I DO,KNOW ABOUT THIS?
COME HERE.

415
00:22:40,467 --> 00:22:42,233
DON'T. HE DOESN'T
CARE ABOUT YOU.

416
00:22:42,267 --> 00:22:43,800
DON'T LISTEN TO HIM.

417
00:22:43,833 --> 00:22:46,033
HE JUST CARES ABOUT
HIS FUCKING PAYCHECK.

418
00:22:46,067 --> 00:22:48,600
HE DOESN'T CARE ABOUT THE MOVIE
THAT WE'RE TRYING TO MAKE, OKAY?

419
00:22:48,633 --> 00:22:52,067
I WANT YOU GUYS TO KNOW
WHAT'S GOING ON HERE.

420
00:22:52,100 --> 00:22:53,600
THAT THESE PEOPLE,

421
00:22:53,633 --> 00:22:56,400
THEY'RE-THEY'RE TREACHEROUS,

422
00:22:56,433 --> 00:22:59,067
AND THEY'RE SOULLESS,

423
00:22:59,100 --> 00:23:00,133
AND THEY'RE TRYING TO RUIN
THIS MOVIE--

424
00:23:00,167 --> 00:23:01,433
OKAY, THAT'S ENOUGH.

425
00:23:01,467 --> 00:23:03,400
SOMEBODY CALL SECURITY
RIGHT NOW, PLEASE.

426
00:23:03,433 --> 00:23:05,067
SECURITY!
WAIT!

427
00:23:05,100 --> 00:23:07,167
OKAY, JUST GIVE ME
ONE SECOND WITH HER.

428
00:23:07,200 --> 00:23:10,600
SO, IF ANYBODY HAS
ANY INTEGRITY,

429
00:23:10,633 --> 00:23:11,633
COME WITH ME.

430
00:23:14,200 --> 00:23:15,600
OKAY?

431
00:23:15,633 --> 00:23:17,800
YOU CAN COME WITH ME.

432
00:23:17,833 --> 00:23:20,733
YOU CAN STAND UP
TO THESE PEOPLE.

433
00:23:22,667 --> 00:23:27,633
SO WHO WANTS TO
COME WITH ME?

434
00:23:29,067 --> 00:23:30,667
WHO'S...

435
00:23:30,700 --> 00:23:32,100
HEY, WHO'S WITH ME?

436
00:23:32,133 --> 00:23:34,100
I'M WITH YOU.

437
00:23:34,133 --> 00:23:36,033
YEAH? GREAT.

438
00:23:36,067 --> 00:23:38,367
DO YOU WANT TO COME WITH ME?

439
00:23:40,067 --> 00:23:41,500
WOULD YOU PLEASE
ESCORT MS. SCHECTER

440
00:23:41,533 --> 00:23:43,367
OFF THE LOT?

441
00:23:43,400 --> 00:23:45,633
NO, WAIT, WAIT, WAIT,
JUST GIVE ME A SECOND.

442
00:23:45,667 --> 00:23:46,700
JENNY,

443
00:23:46,733 --> 00:23:48,467
LOOK AT ME.

444
00:23:48,500 --> 00:23:49,533
PLEASE COME WITH ME,
ALL RIGHT?

445
00:23:49,567 --> 00:23:51,700
I AM ON YOUR SIDE.

446
00:23:51,733 --> 00:23:53,600
I PROMISE YOU,
I'M ON YOUR SIDE.

447
00:23:53,633 --> 00:23:56,033
LET ME WALK YOU OUT OF HERE.

448
00:23:56,067 --> 00:23:57,333
PLEASE?

449
00:24:04,133 --> 00:24:05,433
NIKI...

450
00:24:06,600 --> 00:24:09,667
PLEASE.

451
00:24:09,700 --> 00:24:12,033
PLEASE COME WITH ME?

452
00:24:14,700 --> 00:24:18,300
PLEASE?

453
00:24:18,333 --> 00:24:20,500
NIKI, YOU'RE
UNDER CONTRACT.

454
00:24:23,567 --> 00:24:24,767
COME ON, LET'S GO.

455
00:24:24,800 --> 00:24:27,100
ALL RIGHT, EVERYBODY,
BACK TO WORK!

456
00:24:27,133 --> 00:24:29,100
HOW ARE WE SUPPOSED TO
GET BACK TO WORK

457
00:24:29,133 --> 00:24:30,700
WITHOUT THE DIRECTOR?

458
00:24:34,600 --> 00:24:36,600
THE DIRECTOR
IS HERE.

459
00:24:37,700 --> 00:24:43,067
* SHE'S FILM NOIR
SHE REELS YOU IN *

460
00:24:43,100 --> 00:24:48,467
* YOUR UNHAPPY ENDING
BEGS TO BEGIN *

461
00:24:48,500 --> 00:24:53,500
* YOU'RE HOLDING YOUR BREATH
AS SHE WALKS OUT THE DOOR *

462
00:24:53,533 --> 00:24:58,700
* YOU'RE HOLDING YOUR HEART
LAST BEAT OF THE SCORE *

463
00:24:58,733 --> 00:25:04,333
* SHE'S PLAYING HERSELF
WHILE SHE'S FOOLING THE WORLD *

464
00:25:04,367 --> 00:25:10,667
* SHE HAS A NEW SCRIPT
THE ADAPTABLE GIRL *

465
00:25:10,700 --> 00:25:16,433
* FADE IN FADE OUT

466
00:25:16,467 --> 00:25:20,333
* MOVE IN MOVE OUT

467
00:25:22,467 --> 00:25:24,500
BECAUSE OUR RELATIONSHIP
WILL BE OUT OF BALANCE

468
00:25:24,533 --> 00:25:26,533
IF YOU PAY A BIGGER
PORTION OF THE RENT.

469
00:25:26,567 --> 00:25:28,100
I WILL BE
OUT OF BALANCE

470
00:25:28,133 --> 00:25:30,667
IF YOU MAKE ME LIVE
IN A SHITHOLE.

471
00:25:30,700 --> 00:25:32,767
A SHITHOLE?

472
00:25:32,800 --> 00:25:34,367
THIS IS NICER
THAN ANY PLACE

473
00:25:34,400 --> 00:25:36,767
I'VE EVER LIVED IN.

474
00:25:43,333 --> 00:25:44,733
ALL RIGHT, WE CAN TALK
ABOUT THIS LATER

475
00:25:44,767 --> 00:25:46,067
AFTER THE TAPING.

476
00:25:46,100 --> 00:25:47,533
I HAVE TO GET READY.

477
00:25:47,567 --> 00:25:48,733
WE'LL GO FOR DINNER
OR SOMETHING,

478
00:25:48,767 --> 00:25:49,733
I DON'T KNOW.

479
00:25:49,767 --> 00:25:51,067
I'M GOING
TO LONG BEACH.

480
00:25:51,100 --> 00:25:52,467
I DON'T EVEN KNOW
IF I'LL BE BACK IN TIME.

481
00:25:52,500 --> 00:25:54,567
YOU'RE NOT COMING TO MY TAPING?

482
00:25:54,600 --> 00:25:56,467
WELL, I DIDN'T KNOW
THAT YOU WANTED ME TO GO, SO...

483
00:25:56,500 --> 00:25:58,367
WHY WOULD...

484
00:25:58,400 --> 00:25:59,667
NO, BUT IF IT'S THAT IMPORTANT
TO YOU, I MEAN, I'LL...

485
00:25:59,700 --> 00:26:00,667
I DON'T KNOW--

486
00:26:00,700 --> 00:26:02,733
WHATEVER.

487
00:26:02,767 --> 00:26:03,733
LOOK, IT'S JUST THAT

488
00:26:03,767 --> 00:26:05,567
A BUNCH OF MY FRIENDS
ARE GOING TO BE THERE,

489
00:26:05,600 --> 00:26:08,500
AND I WAS KIND OF
LOOKING FORWARD TO IT.

490
00:26:08,533 --> 00:26:12,400
I'LL TIVO IT FOR YOU.
IT'S OKAY.

491
00:26:13,767 --> 00:26:16,033
THANK YOU.

492
00:26:17,533 --> 00:26:18,700
THANK YOU.

493
00:26:22,367 --> 00:26:23,667
JENNY...

494
00:26:23,700 --> 00:26:25,467
I NEED YOU TO LISTEN
TO ME, ALL RIGHT?

495
00:26:25,500 --> 00:26:27,667
LISTEN TO ME
AND TRUST ME.

496
00:26:27,700 --> 00:26:29,433
WHY SHOULD I TRUST YOU, TINA?

497
00:26:29,467 --> 00:26:30,733
BECAUSE I'M AS STUNNED
AS YOU ARE, ALL RIGHT?

498
00:26:30,767 --> 00:26:32,300
I FEEL LIKE A FUCKING IDIOT.

499
00:26:32,333 --> 00:26:33,300
JUST THIS MORNING
I DEFENDED ADELE.

500
00:26:33,333 --> 00:26:35,300
I HAVE TO GET OFF THIS SET.

501
00:26:35,333 --> 00:26:36,367
I GOT TO GET OUT OF HERE.

502
00:26:36,400 --> 00:26:38,200
STAY HERE,
LISTEN.

503
00:26:38,233 --> 00:26:39,100
I NEED YOU
TO LISTEN TO ME.

504
00:26:39,133 --> 00:26:41,267
TINA, I HAVE TODO NOT--
GET OUT OF HERE.

505
00:26:41,300 --> 00:26:43,500
LISTEN TO ME RIGHT NOW, OKAY?

506
00:26:43,533 --> 00:26:44,800
DO NOT DO ANYTHING STUPID.

507
00:26:44,833 --> 00:26:46,600
DO NOT RETALIATE, OKAY?

508
00:26:46,633 --> 00:26:48,500
DO NOT GET IN THE WAY
OF PRODUCTION.

509
00:26:48,533 --> 00:26:49,567
TALK TO YOUR AGENTS,

510
00:26:49,600 --> 00:26:51,300
LET THEM HELP YOU,

511
00:26:51,333 --> 00:26:52,400
AND LATER
YOU CAN CALL NIKI

512
00:26:52,433 --> 00:26:55,800
IF YOU'D LIKE TO.

513
00:26:55,833 --> 00:26:58,500
SHE'S DEAD TO ME.

514
00:27:00,500 --> 00:27:01,567
I'M SORRY.

515
00:27:01,600 --> 00:27:02,800
I KNOW HOW MUCH THAT MUST HURT.

516
00:27:02,833 --> 00:27:05,433
I UNDERSTAND.

517
00:27:05,467 --> 00:27:07,267
DO YOU UNDERSTAND?

518
00:27:09,233 --> 00:27:10,433
OKAY, FINE, JENNY,

519
00:27:10,467 --> 00:27:11,700
MAYBE I COULDN'T
UNDERSTAND THAT, ALL RIGHT?

520
00:27:11,733 --> 00:27:16,400
BUT JUST, I NEED YOU
TO GIVE ME SOME TIME

521
00:27:16,433 --> 00:27:19,500
TO FIGURE OUT
HOW TO FIX THIS, OKAY?

522
00:27:19,533 --> 00:27:21,233
THERE'S NO WAY

523
00:27:21,267 --> 00:27:23,700
I'M GOING TO LET THAT BITCH
WALK AWAY WITH OUR MOVIE.

524
00:27:25,633 --> 00:27:27,433
IT IS OUR MOVIE.

525
00:27:31,467 --> 00:27:33,533
IT'S OUR MOVIE.

526
00:27:33,567 --> 00:27:35,667
IT IS OUR MOVIE.

527
00:27:35,700 --> 00:27:37,567
OH, TINA.

528
00:27:40,267 --> 00:27:42,567
DON'T BE AFRAID.

529
00:27:44,333 --> 00:27:47,600
OH, I'M SORRY.
FUCK.

530
00:27:47,633 --> 00:27:48,700
IT'S OKAY,
LET'S JUST KEEP ROLLING.

531
00:27:48,733 --> 00:27:50,367
BACK TO ONES AND RESET.

532
00:27:50,400 --> 00:27:53,633
AND ACTION.

533
00:27:53,667 --> 00:27:58,300
COME ON.
DON'T BE AFRAID.

534
00:27:58,333 --> 00:28:00,133
I'M SO AFRAID.

535
00:28:03,700 --> 00:28:06,333
I'M SORRY.

536
00:28:09,667 --> 00:28:12,300
I WANT YOU TO TRY IT AGAIN.

537
00:28:12,333 --> 00:28:15,267
KARINA, DRAW JESSE TOWARD YOU.

538
00:28:19,333 --> 00:28:22,533
THAT'S GOOD...

539
00:28:22,567 --> 00:28:24,567
AND JESSE, TILT YOUR HEAD UP...

540
00:28:28,133 --> 00:28:30,600
AND CLOSE
YOUR EYES,

541
00:28:30,633 --> 00:28:34,467
LIKE IT'S HAPPENING TO YOU.

542
00:28:34,500 --> 00:28:38,700
LIKE YOU'RE NOT IN CONTROL
OF YOUR OWN BODY.

543
00:28:38,733 --> 00:28:41,600
THAT'S GOOD.

544
00:28:41,633 --> 00:28:44,400
LET YOUR LIPS PART.

545
00:28:47,400 --> 00:28:50,600
KARINA...

546
00:28:50,633 --> 00:28:51,667
KISS JESSE.

547
00:29:04,200 --> 00:29:06,067
THAT'S NICE.

548
00:29:23,467 --> 00:29:24,567
EXCELLENT.

549
00:29:24,600 --> 00:29:25,633
VERY NICE. CUT.

550
00:29:27,167 --> 00:29:29,267
THAT'S A CUT,
EVERYONE.

551
00:29:30,733 --> 00:29:33,167
LET'S TRY TO RESET.

552
00:29:34,733 --> 00:29:36,167
OKAY, EVERYONE,

553
00:29:36,200 --> 00:29:37,333
WE'RE GOING DO IT ONCE MORE,

554
00:29:37,367 --> 00:29:39,233
AND THEN WE'LL TURN AROUND
ON JESSE.

555
00:29:39,267 --> 00:29:40,633
SAM, CAN I GET A LITTLE
PUSH IN THIS TIME

556
00:29:40,667 --> 00:29:43,300
AS KARINA'S LIPS TOUCH JESSE'S?

557
00:29:43,333 --> 00:29:44,467
OKAY, THANKS.

558
00:29:44,500 --> 00:29:46,667
HEY, NIKI,
THAT WAS REALLY BEAUTIFUL.

559
00:29:46,700 --> 00:29:48,667
THIS IS BETTE PORTER,
YOU'VE REACHED MY CELL PHONE.

560
00:29:48,700 --> 00:29:51,400
LEAVE A MESSAGE.

561
00:29:51,433 --> 00:29:54,033
BETTE...

562
00:29:54,067 --> 00:29:55,400
WHERE ARE YOU?

563
00:29:55,433 --> 00:29:57,233
I REALLY NEED TO TALK TO YOU.

564
00:29:57,267 --> 00:30:00,033
YOU WOULDN'T BELIEVE
WHAT'S HAPPENING HERE.

565
00:30:00,067 --> 00:30:01,667
IT'S FUCKING CRAZY.

566
00:30:01,700 --> 00:30:03,400
JUST, CAN YOU CALL ME BACK?

567
00:30:03,433 --> 00:30:05,633
CALL ME BACK WHEN YOU CAN, OKAY?

568
00:30:05,667 --> 00:30:08,233
ALL RIGHT, I'M GOING TO TRY YOU
AT THE HOME PHONE.

569
00:30:08,267 --> 00:30:09,600
[APPLAUSE]

570
00:30:09,633 --> 00:30:10,667
THIS IS THE LOOK

571
00:30:10,700 --> 00:30:12,133
WITH SAUNDRA HOUSTON
AND MARY LAMM,

572
00:30:12,167 --> 00:30:13,367
AND BACK WITH US AGAIN TODAY,

573
00:30:13,400 --> 00:30:15,533
SPECIAL GUEST HOST,
ALICE PIESZECKI.

574
00:30:15,567 --> 00:30:17,100
THANK YOU. THANK YOU.

575
00:30:17,133 --> 00:30:18,300
[APPLAUSE]

576
00:30:18,333 --> 00:30:19,433
AND TODAY WE HAVE

577
00:30:19,467 --> 00:30:21,300
FASHION DESIGNER
CLEA MASON,

578
00:30:21,333 --> 00:30:24,100
WHO WON THE PRIZE
FOR THE BEST NEW DESIGNER

579
00:30:24,133 --> 00:30:25,633
AT LAST YEAR'S
GEN ART FASHION SHOW.

580
00:30:25,667 --> 00:30:27,267
THAT'S RIGHT,
AND SHE'S HERE TODAY

581
00:30:27,300 --> 00:30:29,300
TO PRESENT
HER SUPER HOT,

582
00:30:29,333 --> 00:30:30,367
SUPER-ANDROGYNOUS

583
00:30:30,400 --> 00:30:32,367
MENSWEAR-INFLUENCED
FALL COLLECTION.

584
00:30:32,400 --> 00:30:33,533
JUST YOUR STYLE,
HUH, ALICE?

585
00:30:33,567 --> 00:30:36,500
WELL, ACTUALLY, MARY,
I DON'T KNOW IF YOU'VE NOTICED,

586
00:30:36,533 --> 00:30:38,600
BUT I'M ACTUALLY PRETTY MUCH
A FEMME.

587
00:30:38,633 --> 00:30:40,400
FEMME?

588
00:30:40,433 --> 00:30:41,433
YEAH, TOTALLY
GIRLY-GIRL.

589
00:30:41,467 --> 00:30:43,200
DRESSES,
GIRLISH PUMPS.

590
00:30:43,233 --> 00:30:44,300
WHOO!

591
00:30:44,333 --> 00:30:46,100
[APPLAUSE]

592
00:30:46,133 --> 00:30:47,367
THANK YOU,

593
00:30:47,400 --> 00:30:48,500
BUT BRING ON
THOSE BOYISH BABES

594
00:30:48,533 --> 00:30:50,300
IN THEIR HOT BUTCH
FALL FASHION, HUH?

595
00:30:50,333 --> 00:30:52,500
WHOO...
SPARE US, ALICE.

596
00:30:52,533 --> 00:30:54,600
OH, COME ON, MARY,
YOU KNOW YOU WANT TO TRY IT.

597
00:30:54,633 --> 00:30:56,433
ALL YOU STRAIGHT GIRLS DO.

598
00:30:58,167 --> 00:31:00,533
W-WELL, I DON'T.

599
00:31:00,567 --> 00:31:03,100
TSK, TSK.
DON'T PROTEST TOO MUCH.

600
00:31:03,133 --> 00:31:04,333
[LAUGHTER]

601
00:31:04,367 --> 00:31:07,267
I DON'T KNOW WHAT
YOU'RE INSINUATING,

602
00:31:07,300 --> 00:31:10,467
BUT I'LL HAVE YOU KNOW
NOT EVERYONE IS GAY.

603
00:31:10,500 --> 00:31:13,033
AND THANK GOD
FOR THAT.

604
00:31:13,067 --> 00:31:15,300
WELL, WE'LL BE RIGHT BACK,
AFTER THIS.

605
00:31:15,333 --> 00:31:17,167
[APPLAUSE]

606
00:31:19,533 --> 00:31:22,500
[**]

607
00:32:35,267 --> 00:32:37,167
[APPLAUSE]

608
00:32:54,800 --> 00:32:57,033
[APPLAUSE]

609
00:33:04,100 --> 00:33:08,000
[**]

610
00:33:12,800 --> 00:33:15,500
AND CLEA MASON, EVERYONE!

611
00:33:15,533 --> 00:33:18,400
[APPLAUSE]

612
00:33:22,367 --> 00:33:23,367
CLEA, WELCOME
TO THE SHOW.

613
00:33:23,400 --> 00:33:24,467
THANK YOU.

614
00:33:24,500 --> 00:33:25,767
COME JOIN US.
LADIES...

615
00:33:25,800 --> 00:33:27,033
HI.

616
00:33:29,067 --> 00:33:32,467
NICE TO MEET YOU.
HAVE A SEAT.

617
00:33:32,500 --> 00:33:35,367
SO, CLEA...

618
00:33:35,400 --> 00:33:40,133
WHAT INSPIRES YOU
TO DRESS WOMEN?

619
00:33:40,167 --> 00:33:43,367
UM...

620
00:33:43,400 --> 00:33:45,367
WELL, I DON'T-
I DON'T KNOW.

621
00:33:45,400 --> 00:33:46,667
IT'S, UM...

622
00:33:48,333 --> 00:33:50,467
IT'S, UM...

623
00:33:50,500 --> 00:33:53,033
I-I BET IT'S
THE SAME REASON

624
00:33:53,067 --> 00:33:54,333
THAT I LIKE TO
UNDRESS THEM.

625
00:33:54,367 --> 00:33:56,433
[LAUGHTER]

626
00:33:56,467 --> 00:33:58,200
YEAH, UM...

627
00:33:58,233 --> 00:34:02,133
THAT SOUNDS
ABOUT RIGHT.

628
00:34:03,833 --> 00:34:05,633
SO...

629
00:34:05,667 --> 00:34:07,433
LET'S TALK UNDERWEAR.

630
00:34:07,467 --> 00:34:08,800
UM, WHAT DO YOU LIKE
WOMEN TO WEAR

631
00:34:08,833 --> 00:34:10,800
UNDER YOUR CLOTHES?

632
00:34:10,833 --> 00:34:14,067
WELL, UM, I LIKE
BOXERS OR BRIEFS,

633
00:34:14,100 --> 00:34:16,333
BECAUSE IT KIND OF
MAKES YOU FEEL

634
00:34:16,367 --> 00:34:17,700
LIKE A 14-YEAR-OLD BOY.

635
00:34:17,733 --> 00:34:21,167
WHICH IS LIBERATING
FOR WOMEN,

636
00:34:21,200 --> 00:34:22,767
AND TOTALLY HOT.

637
00:34:22,800 --> 00:34:25,100
EXACTLY.

638
00:34:25,133 --> 00:34:26,267
UM...

639
00:34:26,300 --> 00:34:28,433
IT'S ALSO SEXY, I THINK,

640
00:34:28,467 --> 00:34:32,667
TO WEAR, LIKE, LINGERIE
UNDER MEN'S CLOTHES.

641
00:34:32,700 --> 00:34:37,733
THAT'S TOTALLY,
TOTALLY HOT.

642
00:34:37,767 --> 00:34:40,267
AND WE'LL BE
RIGHT BACK

643
00:34:40,300 --> 00:34:42,400
AFTER THIS.

644
00:34:42,433 --> 00:34:44,100
WHY DID SHE
GET FIRED?

645
00:34:44,133 --> 00:34:45,100
I CAN'T TELL YOU,

646
00:34:45,133 --> 00:34:47,100
BUT ALL I CAN TELL YOU
IS THAT IT'S REALLY BAD.

647
00:34:47,133 --> 00:34:49,100
I'M WORRIED ABOUT HER, TINA.

648
00:34:49,133 --> 00:34:50,267
ME TOO.

649
00:34:50,300 --> 00:34:54,333
I THINK YOU SHOULD GO
AND BE WITH HER.

650
00:34:54,367 --> 00:34:55,433
I JUST HAVE TO FIGURE IT OUT.

651
00:34:55,467 --> 00:34:57,033
I FEEL BAD.

652
00:34:57,067 --> 00:34:59,033
I DON'T WANT TO LEAVE YOU
IN THE LURCH, BUT...

653
00:34:59,067 --> 00:35:00,300
YOU KNOW WHAT,
I WAS JUST LOOKING AT THIS,

654
00:35:00,333 --> 00:35:02,100
AND I THINK BEGONIA'S FINE
WITH JULIANA...

655
00:35:02,133 --> 00:35:03,333
I'M JUST WORRIED ABOUT NIKI.

656
00:35:03,367 --> 00:35:05,700
OH, FUCK NIKI, TINA.
COME ON.

657
00:35:05,733 --> 00:35:07,100
YOU KNOW WHAT,
SHE HAD NO CHOICE, OKAY?

658
00:35:07,133 --> 00:35:08,233
SHE COULDN'T WALK OUT
WITH JENNY,

659
00:35:08,267 --> 00:35:09,433
OTHERWISE SHE WOULD HAVE BEEN
IN A BREACH OF CONTRACT,

660
00:35:09,467 --> 00:35:10,433
ALL RIGHT?

661
00:35:10,467 --> 00:35:11,700
SHE DID
THE RIGHT THING.

662
00:35:11,733 --> 00:35:13,067
NO, SHE DIDN'T.

663
00:35:13,100 --> 00:35:15,267
[SIGHS]

664
00:35:17,800 --> 00:35:20,300
[HONKING]

665
00:35:26,833 --> 00:35:29,167
[CELL PHONE RINGS]

666
00:35:33,367 --> 00:35:35,733
[RINGING]

667
00:35:35,767 --> 00:35:37,633
THIS IS BETTE PORTER,
YOU'VE REACHED MY CELL PHONE.

668
00:35:37,667 --> 00:35:38,800
LEAVE A MESSAGE.

669
00:35:38,833 --> 00:35:41,033
[BEEP]

670
00:35:42,700 --> 00:35:45,233
BETTE...

671
00:35:45,267 --> 00:35:47,200
I'M IN TROUBLE.

672
00:35:47,233 --> 00:35:49,767
I'M GOING TO DO SOMETHING BAD.

673
00:36:04,800 --> 00:36:07,200
I'VE RESCHEDULED THE TEXTILE
DEPARTMENT STAFF MEETING,

674
00:36:07,233 --> 00:36:09,100
BUT THEY REALLY NEED
SOME TIME WITH YOU.

675
00:36:09,133 --> 00:36:11,033
OKAY, DID YOU TELL THEM
IT WAS A FAMILY EMERGENCY?

676
00:36:11,067 --> 00:36:12,700
YEAH, OF COURSE,
AND THEY UNDERSTOOD.

677
00:36:12,733 --> 00:36:14,233
DEAN PORTER!

678
00:36:14,267 --> 00:36:15,167
OH, FREDDY.

679
00:36:15,200 --> 00:36:16,233
I'M SO SORRY
I MISSED YOUR PRESENTATION.

680
00:36:16,267 --> 00:36:17,200
THAT'S OKAY.

681
00:36:17,233 --> 00:36:18,367
JUST MAKE SURE YOU COME
SEE IT, THOUGH, OKAY?

682
00:36:18,400 --> 00:36:19,367
ABSOLUTELY.

683
00:36:19,400 --> 00:36:20,667
HI, PROFESSOR LERNER.

684
00:36:22,300 --> 00:36:24,633
THE THESIS
REVIEW BOARD

685
00:36:24,667 --> 00:36:26,233
IS FINE WAITING
TILL MONDAY.

686
00:36:26,267 --> 00:36:28,067
PHYLLIS HAD TO GO
TO SACRAMENTO,

687
00:36:28,100 --> 00:36:30,233
SO WE HAD TO POSTPONE
THAT MEETING ANYWAY.

688
00:36:30,267 --> 00:36:31,567
OH, GOOD.
ALSO, SOMETHING ELSE

689
00:36:31,600 --> 00:36:32,700
I THOUGHT YOU MIGHT
WANT TO HEAR ABOUT.

690
00:36:32,733 --> 00:36:35,233
WE GOT A CALL
FROM W MAGAZINE.

691
00:36:35,267 --> 00:36:36,600
I LOVE W.

692
00:36:36,633 --> 00:36:37,667
I KNOW, IT'S YOUR
FAVORITE MAGAZINE.

693
00:36:37,700 --> 00:36:39,033
THAT'S WHY I THOUGHT

694
00:36:39,067 --> 00:36:40,200
YOU'D WANT TO HEAR
ABOUT THIS RIGHT AWAY.

695
00:36:40,233 --> 00:36:41,333
THEY WANT TO DO A STORY
ON THE TWO OF YOU.

696
00:36:41,367 --> 00:36:42,667
ON BETTE AND ME?

697
00:36:42,700 --> 00:36:44,633
YEAH, AFTER
THE ELLEN DEGENERES COVER

698
00:36:44,667 --> 00:36:46,633
WAS SUCH A HOT ITEM,
THEY WANT TO DO SOMETHING

699
00:36:46,667 --> 00:36:48,767
ON, LIKE, POWER
LESBIAN COUPLES?

700
00:36:48,800 --> 00:36:51,567
THEY WANT YOU TO BE
THE ART POWER COUPLE?

701
00:36:51,600 --> 00:36:55,600
SO THEY WANT TO
PHOTOGRAPH YOU GUYS

702
00:36:55,633 --> 00:36:57,567
AT JODI'S
HAMMER MUSEUM OPENING,

703
00:36:57,600 --> 00:36:58,633
BUT IT'S COMING UP
FAST,

704
00:36:58,667 --> 00:36:59,800
SO WE NEED TO
LET THEM KNOW.

705
00:36:59,833 --> 00:37:01,133
WHAT SHOULD I
TELL THEM?

706
00:37:01,167 --> 00:37:02,133
YES.

707
00:37:02,167 --> 00:37:03,533
NO.

708
00:37:10,167 --> 00:37:12,633
SORRY TO HAVE KEPT YOU WAITING.

709
00:37:16,800 --> 00:37:18,733
GOODBYE AND GOOD DAY.
SEE YOU TOMORROW.

710
00:37:18,767 --> 00:37:19,800
OH, AND DON'T FORGET
TO LOG ON TO OUR WEBSITE

711
00:37:19,833 --> 00:37:20,667
AFTER THE SHOW

712
00:37:20,700 --> 00:37:23,300
TO LET US KNOW
WHETHER YOU WANT ALICE

713
00:37:23,333 --> 00:37:26,167
TO BECOME A PERMANENT FIXTURE
ON THE LOOK.

714
00:37:26,200 --> 00:37:27,300
OF COURSE
THEY DO.

715
00:37:27,333 --> 00:37:29,067
SEE YOU LATER.

716
00:37:32,800 --> 00:37:34,067
WOW, THAT WAS A GOOD ONE.

717
00:37:34,100 --> 00:37:35,167
DO YOUR CHEEKS HURT

718
00:37:35,200 --> 00:37:36,267
FROM ALL THE SMILING
YOU HAVE TO DO?

719
00:37:36,300 --> 00:37:38,733
CAN I GET A WATER?

720
00:37:38,767 --> 00:37:39,767
NO? OKAY.

721
00:37:39,800 --> 00:37:41,167
OKAY, I'LL SEE YOU.

722
00:37:41,200 --> 00:37:42,567
OKAY.

723
00:37:42,600 --> 00:37:43,567
I'M ALICE.
HOW ARE YOU?

724
00:37:43,600 --> 00:37:44,733
HI, THANKS
FOR COMING.

725
00:37:44,767 --> 00:37:49,467
PLEASE VOTE FOR ME.
TELL YOUR FRIENDS.

726
00:37:53,600 --> 00:37:54,700
WILL YOU EXCUSE ME?

727
00:37:54,733 --> 00:37:56,167
SORRY, THANKS. HI.

728
00:37:56,200 --> 00:37:58,067
HI. I'M SORRY.

729
00:37:58,100 --> 00:37:59,567
OH, THAT'S OKAY.

730
00:37:59,600 --> 00:38:03,167
I JUST WANTED TO INVITE YOU
TO OUR PARTY NEXT WEEK

731
00:38:03,200 --> 00:38:04,567
ON THE VENICE BOARDWALK.

732
00:38:04,600 --> 00:38:05,800
IT'S FASHION WEEK,

733
00:38:05,833 --> 00:38:08,800
AND WE'RE HAVING
THIS OUTDOOR FASHION SHOW.

734
00:38:08,833 --> 00:38:11,500
"OUTDOOR FASHION SHOW,"
RIGHT THERE.

735
00:38:11,533 --> 00:38:12,567
I WOULD LOVE TO COME, THANK YOU.

736
00:38:12,600 --> 00:38:14,467
OH, GOOD.

737
00:38:14,500 --> 00:38:16,667
I WANT TO GET ONE OF THOSE
LITTLE SCOOTERS THAT YOU HAD.

738
00:38:16,700 --> 00:38:19,667
I COULD TAKE YOU
FOR A RIDE ON MINE.

739
00:38:19,700 --> 00:38:22,000
OKAY.

740
00:38:26,567 --> 00:38:29,633
UM, I THINK YOU HAVE A FAN.

741
00:38:29,667 --> 00:38:31,633
TASHA!
WHAT...

742
00:38:31,667 --> 00:38:33,500
[STAMMERING]

743
00:38:33,533 --> 00:38:35,200
I WANT YOU TO MEET
CLEA MASON.

744
00:38:35,233 --> 00:38:37,767
NO?
OKAY.

745
00:38:39,633 --> 00:38:42,267
OKAY, UM...

746
00:38:42,300 --> 00:38:43,633
ALL RIGHT, I HOPE YOU CAN COME.

747
00:38:43,667 --> 00:38:45,200
I'M DEFINITELY
GOING TO BE THERE.

748
00:38:45,233 --> 00:38:46,667
THANKS FOR THE INVITE.

749
00:38:46,700 --> 00:38:48,133
OKAY.

750
00:38:49,733 --> 00:38:50,767
HI!

751
00:38:50,800 --> 00:38:52,100
WHAT ARE YOU DOING HERE?

752
00:38:52,133 --> 00:38:53,667
I DIDN'T GO.

753
00:38:53,700 --> 00:38:54,733
BECAUSE OF ME?

754
00:38:56,133 --> 00:38:57,600
YOU WERE GREAT.

755
00:38:57,633 --> 00:38:58,767
I GOT HERE LATE,

756
00:38:58,800 --> 00:39:00,067
BUT THE AUDIENCE,
THEY REALLY LOVED YOU.

757
00:39:01,667 --> 00:39:03,667
I'M REALLY GLAD YOU STAYED.

758
00:39:06,100 --> 00:39:07,700
HI.

759
00:39:10,133 --> 00:39:11,400
HOW WAS YOUR MEETING?

760
00:39:23,533 --> 00:39:25,400
YOU KNOW WE CAN'T BE A PART
OF THE PIECE.

761
00:39:27,800 --> 00:39:30,067
IT WOULD BE DISHONEST.

762
00:39:30,100 --> 00:39:32,067
DISHONEST, HOW?

763
00:39:32,100 --> 00:39:34,767
THEY'RE WRITING ABOUT COUPLES,
AND WE'RE NOT A COUPLE.

764
00:39:37,200 --> 00:39:38,433
WHY NOT?

765
00:39:38,467 --> 00:39:41,367
BECAUSE IT'S JUST NOT WORKING.

766
00:39:46,700 --> 00:39:49,100
I MEANT OUR FRIENDSHIP.

767
00:40:02,133 --> 00:40:05,500
I DON'T THINK THAT THERAPY
IS THE ANSWER, JODI.

768
00:40:05,533 --> 00:40:07,467
WHY?

769
00:40:09,533 --> 00:40:12,433
I DON'T WANT TO GO TO THERAPY.

770
00:40:12,467 --> 00:40:13,567
I'VE HAD ENOUGH THERAPY.

771
00:40:13,600 --> 00:40:15,533
BUT YOU OWE IT TO ME.

772
00:40:23,600 --> 00:40:25,400
JODI, I WANTED SO MUCH

773
00:40:25,433 --> 00:40:29,733
FOR THIS RELATIONSHIP TO WORK.

774
00:40:29,767 --> 00:40:31,700
I LOVE WHO YOU ARE.

775
00:40:33,533 --> 00:40:36,033
I LOVE HOW YOU STAND
IN THE WORLD.

776
00:40:36,067 --> 00:40:38,733
I LOVE YOUR TALENT,
I LOVE YOUR PASSION,

777
00:40:38,767 --> 00:40:40,433
I LOVE YOUR ANGER,

778
00:40:40,467 --> 00:40:45,100
BUT YOU AND I ARE JUST
FUNDAMENTALLY DIFFERENT.

779
00:40:45,133 --> 00:40:46,567
WE HAVE DIFFERENT CORE VALUES.

780
00:40:46,600 --> 00:40:48,533
WHAT ARE MY VALUES?

781
00:40:48,567 --> 00:40:49,700
IT DOESN'T MATTER.

782
00:40:49,733 --> 00:40:51,333
IT'S NOT
A JUDGMENT.

783
00:40:54,367 --> 00:40:58,567
WHAT MATTERS IS...

784
00:40:58,600 --> 00:41:01,400
THAT THERE'S BEEN
SOMETHING MISSING FOR ME,

785
00:41:01,433 --> 00:41:06,667
SOMETHING THAT IS
HARD TO DEFINE,

786
00:41:06,700 --> 00:41:09,433
AND I HAVE BEEN DESPERATELY

787
00:41:09,467 --> 00:41:13,767
JUST TRYING TO CREATE
THIS THING,

788
00:41:13,800 --> 00:41:15,467
AND JUST LOOKING FOR IT,

789
00:41:15,500 --> 00:41:18,600
BUT I...

790
00:41:18,633 --> 00:41:22,100
I'VE BEEN JUST FLAILING.

791
00:41:24,167 --> 00:41:26,800
AND I REALIZE NOW

792
00:41:26,833 --> 00:41:28,733
THAT YOU AND I,

793
00:41:28,767 --> 00:41:32,033
WE'RE NEVER GOING TO FIND IT.

794
00:41:34,600 --> 00:41:36,267
HOW DO YOU KNOW?

795
00:41:38,600 --> 00:41:42,033
BECAUSE I HAVE IT
WITH SOMEONE ELSE.

796
00:41:44,400 --> 00:41:46,500
[KNOCK ON DOOR]

797
00:41:46,533 --> 00:41:48,633
I'M SORRY TO INTERRUPT,
BUT MELISSA JUST CALLED.

798
00:41:48,667 --> 00:41:50,367
IS EVERYTHING OKAY?

799
00:41:50,400 --> 00:41:51,433
WELL, SHE HAS
FOOD POISONING

800
00:41:51,467 --> 00:41:52,400
OR SOMETHING,

801
00:41:52,433 --> 00:41:54,533
AND SHE CAN'T PICK UP
ANGIE FOR HER PLAYDATE.

802
00:41:54,567 --> 00:41:55,767
[SIGHS HEAVILY]

803
00:41:55,800 --> 00:41:57,267
OKAY, THANK YOU.

804
00:41:58,400 --> 00:41:59,400
DO YOU
HAVE TO GO NOW?

805
00:41:59,433 --> 00:42:00,400
NO.

806
00:42:00,433 --> 00:42:01,433
WHO YOU CALLING?

807
00:42:01,467 --> 00:42:02,467
TINA.

808
00:42:10,400 --> 00:42:11,600
WE DIDN'T SIGN ON

809
00:42:11,633 --> 00:42:13,367
TO DO
AN ADELE CHANNING MOVIE.

810
00:42:13,400 --> 00:42:16,600
LOOK, THIS HAPPENS ALL THE TIME
IN OUR BUSINESS, OKAY?

811
00:42:16,633 --> 00:42:17,733
DIRECTORS GET REPLACED.

812
00:42:17,767 --> 00:42:19,233
YOU HAVE TO ROLL WITH IT.

813
00:42:19,267 --> 00:42:20,667
[ANGIE'S VOICE]:
YOU HAVE A PHONE CALL.

814
00:42:20,700 --> 00:42:22,467
WELL, IS IT TRUE
SHE'S GOING TO FIRE NIKI?

815
00:42:22,500 --> 00:42:24,267
NO.

816
00:42:24,300 --> 00:42:25,500
IS IT TRUE SHANE QUIT?

817
00:42:25,533 --> 00:42:27,600
YOU HAVE A PHONE CALL.

818
00:42:27,633 --> 00:42:31,233
EXCUSE ME, I HAVE TO TAKE THIS.

819
00:42:31,267 --> 00:42:32,800
BETTE, I CAN'T TALK,
I'M IN A MEETING.

820
00:42:32,833 --> 00:42:34,500
LOOK, MELISSA IS SICK,

821
00:42:34,533 --> 00:42:35,567
AND I'M NOT GOING TO BE ABLE

822
00:42:35,600 --> 00:42:37,033
TO PICK ANGIE UP
FROM PLAYGROUP.

823
00:42:37,067 --> 00:42:39,733
I WAS WONDERING
IF YOU CAN PICK HER UP.

824
00:42:39,767 --> 00:42:41,300
NO, I CAN'T.
IT'S TOTAL CHAOS HERE.

825
00:42:41,333 --> 00:42:42,467
WHERE ARE YOU?

826
00:42:42,500 --> 00:42:45,733
I'M AT SCHOOL.

827
00:42:45,767 --> 00:42:47,033
JODI'S HERE.

828
00:42:47,067 --> 00:42:48,400
STILL?

829
00:42:48,433 --> 00:42:49,800
I'M DOING MY BEST.

830
00:42:49,833 --> 00:42:52,600
I'LL TELL YOU ABOUT IT
LATER, OKAY?

831
00:42:52,633 --> 00:42:54,733
OKAY.
FINE.

832
00:43:29,300 --> 00:43:30,267
[DAWN]: HEY, BABE,

833
00:43:30,300 --> 00:43:31,500
WHAT'S TAKING YOU
SO LONG?

834
00:43:31,533 --> 00:43:34,200
[CINDI]: LOOK,
I'M ALMOST DONE.

835
00:43:34,233 --> 00:43:35,667
WELL, HURRY UP,
ALL RIGHT?

836
00:43:35,700 --> 00:43:37,767
I WANT TO HAVE SOME SEX
BEFORE SHOW TIME.

837
00:43:37,800 --> 00:43:39,700
[LAUGHS]

838
00:43:52,567 --> 00:43:55,300
[DAWN GIVING
INSTRUCTIONS]

839
00:44:03,700 --> 00:44:04,800
DON'T LEAVE
A DIRTY RAG ON TOP

840
00:44:04,833 --> 00:44:07,467
WHERE PEOPLE CAN SEE IT, EVER.

841
00:44:10,667 --> 00:44:14,167
[SEETHING]

842
00:44:19,433 --> 00:44:21,267
[ANGIE'S VOICE]:
YOU HAVE A PHONE CALL.

843
00:44:25,800 --> 00:44:27,267
FUCK...

844
00:44:31,433 --> 00:44:32,400
[SIGHS]

845
00:44:32,433 --> 00:44:33,633
[WHISPERING]: BETTE...

846
00:44:33,667 --> 00:44:35,500
BETTE, I CAN'T TALK RIGHT NOW.

847
00:44:35,533 --> 00:44:37,400
LISTEN, I AM
IN SUCH A BIND.

848
00:44:37,433 --> 00:44:38,533
ALL RIGHT,
MELISSA'S SICK,

849
00:44:38,567 --> 00:44:41,200
AND I WAS WONDERING IF MAYBE
YOU COULD PICK UP ANGIE

850
00:44:41,233 --> 00:44:42,233
FROM PLAYGROUP.

851
00:44:42,267 --> 00:44:43,367
I'M SO WORRIED

852
00:44:43,400 --> 00:44:44,533
THAT I'M NOT GOING TO BE ABLE
TO GET THERE IN TIME.

853
00:44:44,567 --> 00:44:46,333
[SIGHS]

854
00:44:46,367 --> 00:44:48,533
ALL RIGHT, ALL RIGHT,
ALL RIGHT, I'LL BE THERE.

855
00:45:19,333 --> 00:45:21,300
DO YOU WANT A RIDE HOME?

856
00:45:50,267 --> 00:45:52,300
SUCK.

857
00:45:59,333 --> 00:46:01,433
NEVER AGAIN
WILL I...

858
00:46:01,467 --> 00:46:02,667
AVAIL MYSELF
TO SOMEONE

859
00:46:02,700 --> 00:46:04,433
WITH SUCH GENEROSITY

860
00:46:04,467 --> 00:46:05,600
AND AN OPEN HEART,

861
00:46:05,633 --> 00:46:07,167
AND SHOW HER THE ROPES,

862
00:46:07,200 --> 00:46:09,533
AND TEACH HER
EVERYTHING THAT I KNOW.

863
00:46:12,567 --> 00:46:14,400
YOU CAN'T LET
ADELE DO THAT TO YOU.

864
00:46:14,433 --> 00:46:17,300
NO, I'M TALKING ABOUT NIKI.

865
00:46:17,333 --> 00:46:19,067
OH, FUCK NIKI.

866
00:46:19,100 --> 00:46:20,533
I DID.

867
00:46:20,567 --> 00:46:23,433
FUCKING WORTHLESS,
DIM-WITTED ACTRESS

868
00:46:23,467 --> 00:46:26,400
WHO SHOULD BE
ON THE COVER OF MAXIM.

869
00:46:26,433 --> 00:46:27,600
HEY...

870
00:46:27,633 --> 00:46:30,400
I'M NOT IN LOVE WITH HER
ANYMORE.

871
00:46:30,433 --> 00:46:31,533
GOOD.

872
00:46:31,567 --> 00:46:32,567
SHE'S DEAD TO ME.

873
00:46:32,600 --> 00:46:34,433
NIKI'S DEAD?

874
00:46:34,467 --> 00:46:35,600
SHE DOESN'T
EXIST ANYMORE.

875
00:46:35,633 --> 00:46:38,433
DING DONG, NIKI'S DEAD?

876
00:46:39,533 --> 00:46:41,333
IT'S LIKE A WICKED WITCH.

877
00:46:41,367 --> 00:46:42,367
YEAH,
THAT'S RIGHT.

878
00:46:42,400 --> 00:46:44,033
NO, LIKE A WICKED...

879
00:46:44,067 --> 00:46:45,600
THAT-THAT, LIKE, WICKED WITCH.

880
00:46:45,633 --> 00:46:49,533
OKAY, SHE PRETENDS TO BE, LIKE,
ALL SWEET

881
00:46:49,567 --> 00:46:52,367
AND ALL INNOCENT, RIGHT?

882
00:46:52,400 --> 00:46:53,433
AND, LIKE, SHE'S LIKE,

883
00:46:53,467 --> 00:46:56,300
"I THINK YOU'RE, LIKE,
THE GREATEST WRITER EVER,"

884
00:46:56,333 --> 00:46:58,300
AND, LIKE,

885
00:46:58,333 --> 00:47:00,600
"I WANT TO BE JUST LIKE YOU,"
AND, YOU KNOW, LIKE--

886
00:47:00,633 --> 00:47:01,600
WHAT DO YOU WANT?
SHE'S AN ACTOR.

887
00:47:01,633 --> 00:47:02,600
THAT'S WHAT THEY DO.

888
00:47:02,633 --> 00:47:05,133
NO, ADELE.
WHO?

889
00:47:05,167 --> 00:47:07,033
ADELE.

890
00:47:07,067 --> 00:47:10,633
ADELE?
OH, GOD, ADELE.

891
00:47:10,667 --> 00:47:14,133
JENNY, ADELE IS...

892
00:47:14,167 --> 00:47:15,233
WHAT?

893
00:47:15,267 --> 00:47:17,100
SHE'S A SNAKE.

894
00:47:17,133 --> 00:47:18,567
SHE'S A LITTLE...

895
00:47:18,600 --> 00:47:20,367
LITTLE...

896
00:47:20,400 --> 00:47:22,167
SNAKE IN THE GRASS.

897
00:47:22,200 --> 00:47:23,167
SHE'S...

898
00:47:23,200 --> 00:47:24,500
TOTALLY.

899
00:47:24,533 --> 00:47:26,100
SHE'S A FUCKING SERPENT.

900
00:47:28,133 --> 00:47:30,100
I HAVE TERRIBLE CRAMPS.

901
00:47:30,133 --> 00:47:31,600
YOU DO?

902
00:47:31,633 --> 00:47:33,033
UH-HUH.

903
00:47:33,067 --> 00:47:34,067
CAN I HAVE
ANOTHER HIT

904
00:47:34,100 --> 00:47:35,267
OFF THE BONG?

905
00:47:35,300 --> 00:47:37,367
I, UH...

906
00:47:37,400 --> 00:47:39,367
I WAS...

907
00:47:39,400 --> 00:47:41,633
ABOUT TO GIVE YOU
A COMPLIMENT, THOUGH.

908
00:47:41,667 --> 00:47:44,167
WHAT?

909
00:47:44,200 --> 00:47:45,300
THAT I ADMIRE YOU.

910
00:47:45,333 --> 00:47:46,467
YOU DO?

911
00:47:46,500 --> 00:47:51,033
I THINK YOU'RE...

912
00:47:51,067 --> 00:47:52,133
A REAL SURVIVOR.

913
00:47:52,167 --> 00:47:53,133
MM-HM.

914
00:47:53,167 --> 00:47:55,033
EVER SINCE
YOU'VE GOTTEN HERE,

915
00:47:55,067 --> 00:47:56,033
YEAH, YOU HAD THAT.

916
00:47:56,067 --> 00:47:58,467
[LAUGHING]

917
00:47:58,500 --> 00:48:00,300
THEN YOU'RE ALL...

918
00:48:00,333 --> 00:48:01,467
YEAH.

919
00:48:01,500 --> 00:48:03,533
[LAUGHING]

920
00:48:03,567 --> 00:48:05,100
NO, BUT SERIOUSLY,

921
00:48:05,133 --> 00:48:06,233
LIKE, YOU REALLY...

922
00:48:06,267 --> 00:48:08,133
YOU GOT KNOCKED DOWN
A FEW TIMES,

923
00:48:08,167 --> 00:48:10,067
BUT LOOK AT YOU,

924
00:48:10,100 --> 00:48:13,300
YOU GOT BACK UP,
AND YOU WROTE YOUR STORY,

925
00:48:13,333 --> 00:48:14,767
YOU PUT IT OUT THERE.

926
00:48:16,633 --> 00:48:18,133
THAT'S BIG.

927
00:48:18,167 --> 00:48:21,033
I HAVEN'T DONE IT.

928
00:48:23,367 --> 00:48:24,433
WELL, I'M GOING TO
THROW THE COMPLIMENT

929
00:48:24,467 --> 00:48:25,767
RIGHT BACK AT YOU.

930
00:48:25,800 --> 00:48:27,267
OH YEAH?

931
00:48:27,300 --> 00:48:28,400
WHAT IS IT?

932
00:48:28,433 --> 00:48:30,300
YOU DIDN'T HAVE TO
COME WITH ME TODAY

933
00:48:30,333 --> 00:48:34,267
IN SOLIDARITY
LIKE THAT.

934
00:48:37,767 --> 00:48:39,333
YOU GAVE ME MY JOB.

935
00:48:44,067 --> 00:48:46,300
YOU'RE
MY BEST FRIEND.

936
00:48:46,333 --> 00:48:48,400
YOU KNOW THAT.

937
00:48:48,433 --> 00:48:50,233
SO OF COURSE I WOULD DO THAT.

938
00:48:50,267 --> 00:48:53,233
IT'S THE TRUTH.

939
00:49:07,467 --> 00:49:10,167
DO YOU NEED A RIDE?

940
00:49:10,200 --> 00:49:14,133
TOM'S
PICKING ME UP.

941
00:49:14,167 --> 00:49:17,467
WELL, I WANT TO CALL YOU
ABOUT MY HAMMER SPEECH.

942
00:49:17,500 --> 00:49:19,333
I WANT YOU TO READ IT...

943
00:49:24,767 --> 00:49:27,233
THIS WAS GOING TO BE
YOUR BIRTHDAY PRESENT.

944
00:49:32,500 --> 00:49:34,533
UM...

945
00:49:34,567 --> 00:49:36,167
WHATEVER.

946
00:50:00,800 --> 00:50:03,433
[**]

947
00:50:36,367 --> 00:50:40,033
JODI...

948
00:50:44,367 --> 00:50:45,467
HEY, YOU GUYS.

949
00:50:45,500 --> 00:50:48,067
HEY.

950
00:50:48,100 --> 00:50:50,133
MAX...

951
00:50:50,167 --> 00:50:51,233
THE ORACLE.

952
00:50:51,267 --> 00:50:53,333
MAX,
YOU'RE THE SHIT.

953
00:50:53,367 --> 00:50:54,367
I GOT TO LISTEN
TO, UM...

954
00:50:54,400 --> 00:50:56,133
YOU.

955
00:50:56,167 --> 00:50:58,200
HEY, YOU GUYS
ARE SO STONED.

956
00:50:58,233 --> 00:51:00,400
MAX, ADELE...

957
00:51:00,433 --> 00:51:03,100
HAS FUCKED ME OVER.

958
00:51:03,133 --> 00:51:05,333
REALLY? I'M SORRY.

959
00:51:05,367 --> 00:51:07,333
HAVE A SEAT.

960
00:51:07,367 --> 00:51:09,033
COME INTO MY OFFICE.

961
00:51:09,067 --> 00:51:10,133
WHAT HAPPENED?

962
00:51:10,167 --> 00:51:11,800
WOULD YOU LIKE
SOME CANNABIS?

963
00:51:11,833 --> 00:51:13,700
YEAH.

964
00:51:13,733 --> 00:51:16,167
I SHOULD HAVE
LISTENED TO YOU.

965
00:51:16,200 --> 00:51:17,200
[LAUGHS]

966
00:51:17,233 --> 00:51:21,700
I SHOULD HAVE
LISTENED TO YOU.

967
00:51:26,433 --> 00:51:29,100
MM, MM, MM...

968
00:51:31,100 --> 00:51:32,000
OH, YES.

969
00:51:32,033 --> 00:51:35,333
HANG ON, BABY GIRL,
I'LL BE RIGHT THERE!

970
00:51:38,800 --> 00:51:40,400
BROWN RICE PUDDING

971
00:51:40,433 --> 00:51:44,067
AND ORGANIC
OATMEAL RAISIN COOKIES.

972
00:51:44,100 --> 00:51:45,700
YOUR MAMA WOULD--

973
00:51:47,733 --> 00:51:50,167
HI, ANGELICA.

974
00:51:56,067 --> 00:51:57,167
HI!

975
00:51:57,200 --> 00:51:58,767
GUESS WHAT I GOT FOR YOU?

976
00:51:58,800 --> 00:52:01,300
COOKIES AND RICE PUDDING.

977
00:52:01,333 --> 00:52:02,600
LET ME HAVE YOUR TOY.

978
00:52:02,633 --> 00:52:04,600
LET'S SHARE, OKAY?

979
00:52:04,633 --> 00:52:06,167
LET'S SHARE.

980
00:52:06,200 --> 00:52:08,333
LET'S SHARE...

981
00:52:08,367 --> 00:52:10,167
OH, GOD...

982
00:52:10,200 --> 00:52:13,100
[SOBBING]

983
00:52:17,400 --> 00:52:20,167
OH, GOD...

984
00:52:23,667 --> 00:52:25,633
HI...

985
00:52:25,667 --> 00:52:29,300
[**]

986
00:52:45,067 --> 00:52:46,533
[THUD]

987
00:52:48,367 --> 00:52:53,200
* I'VE HAD CHOICES

988
00:52:53,233 --> 00:52:56,667
* SINCE THE DAY I WAS BORN

989
00:52:56,700 --> 00:52:58,600
* I HAD MY OWN VOICES

990
00:52:58,633 --> 00:53:00,700
OH, GUESS WHO'S HERE!

991
00:53:00,733 --> 00:53:01,767
LOOK!

992
00:53:01,800 --> 00:53:03,133
HEY!

993
00:53:03,167 --> 00:53:05,700
HEY, BABY GIRL.

994
00:53:05,733 --> 00:53:07,233
[SQUEALING]

995
00:53:07,267 --> 00:53:09,333
MAMA T...

996
00:53:09,367 --> 00:53:11,100
YEAH.

997
00:53:11,133 --> 00:53:13,667
AND MAMA B!

998
00:53:13,700 --> 00:53:17,233
HI, MY LITTLE PUMPKIN PIE.

999
00:53:17,267 --> 00:53:18,767
OH, I MISSED YOU.

1000
00:53:18,800 --> 00:53:20,767
YOU WOULD NOT BELIEVE
THE DAY I HAD.

1001
00:53:20,800 --> 00:53:22,600
I BET I COULD GIVE YOU
A RUN FOR YOUR MONEY.

1002
00:53:22,633 --> 00:53:24,033
NO, NO, NO,

1003
00:53:24,067 --> 00:53:26,200
I COULD GIVE YOU BOTH
A RUN FOR YOUR MONEY.

1004
00:53:26,233 --> 00:53:27,067
I PROMISE YOU

1005
00:53:27,100 --> 00:53:29,667
THAT DAWN DENBO
AND HER LOVER CINDI

1006
00:53:29,700 --> 00:53:31,200
ARE NOT GOING TO
GET THEIR HANDS ON THE PLANET.

1007
00:53:31,233 --> 00:53:33,233
YOU KNOW...

1008
00:53:33,267 --> 00:53:34,800
THAT'S NOT IMPORTANT.

1009
00:53:34,833 --> 00:53:38,300
YOU KNOW, WHAT'S IMPORTANT
IS THIS BEAUTIFUL BABY GIRL

1010
00:53:38,333 --> 00:53:43,167
AND HER WONDERFUL MOMMIES.

1011
00:53:43,200 --> 00:53:45,233
YOU'RE SWEET.

1012
00:53:45,267 --> 00:53:46,533
YOU SAY THANK YOU, AUNTIE KIT.

1013
00:53:48,633 --> 00:53:49,767
[SIGHS]

1014
00:53:49,800 --> 00:53:52,567
YOU WANT TO GO HOME?

1015
00:53:56,800 --> 00:53:59,067
SO, YOU READY TO GO HOME, BABY?

1016
00:53:59,100 --> 00:54:01,300
GO HOME.

1017
00:54:01,333 --> 00:54:03,633
DO YOU WANT TO...

1018
00:54:04,667 --> 00:54:10,033
UH... YEAH.

1019
00:54:10,067 --> 00:54:11,033
THANK YOU.

1020
00:54:11,067 --> 00:54:13,167
THANK YOU. BYE, KIT.

1021
00:54:13,200 --> 00:54:15,567
SAY THANK YOU,
AUNTIE!

1022
00:54:15,600 --> 00:54:22,533
* FOR ALL THE THINGS I'VE DONE
IF I COULD JUST GO BACK *

1023
00:54:22,567 --> 00:54:25,500
* OH, LORD KNOWS I'D RUN

1024
00:54:25,533 --> 00:54:30,033
* BUT I'M STILL HERE LOSING

1025
00:54:30,067 --> 00:54:33,533
* THIS GAME OF LIFE I PLAY

1026
00:54:33,567 --> 00:54:42,800
* LOSING AND DYING
WITH THE CHOICES I MADE *

1027
00:54:42,833 --> 00:54:50,800
* I'VE HAD CHOICES EVER SINCE
THE DAY I WAS BORN *

1028
00:54:50,833 --> 00:54:57,500
* I HAD MY OWN VOICES
TELLING ME RIGHT FROM WRONG *

1029
00:54:57,533 --> 00:55:01,500
* IF I'D HAVE ONLY LISTENED

1030
00:55:01,533 --> 00:55:04,800
* I WOULDN'T
BE SITTING HERE TODAY *

1031
00:55:04,833 --> 00:55:14,567
* LIVING AND DYING
WITH THE CHOICES I'VE MADE *