PREVIOUSLY ON THE L WORD...
LET'S MOVE IN TOGETHER.
REALLY?
YEAH.
YEAH, LET'S DO IT. WHY NOT?
WE ARE GOING TO MAKE A MOVIE.
WE ARE?
OH...
CUT. PRINT.
DO YOU THINK THIS IS GOING TO BE
ONE OF THOSE MOVIE THINGS?
OR DO YOU THINK WE'RE ACTUALLY GOING TO MAKE IT?
I'M GOING TO LOVE YOU...
FOREVER.
[KIT]: I JUST WANT SOMETHING TO SCARE SOMEBODY.
I RECOMMEND ONE GUN FOR HOME DEFENSE.
EASY TO USE, THE NAME IS GOOD,
THE TRIGGER PULLS QUICKLY, AND THE RECOIL IS LOW.
ARE YOU HAVING AN AFFAIR WITH BETTE?
JODI IS GOING TO BE DEVASTATED.
I'VE ALWAYS BEEN IN LOVE WITH HER.
I LOVE TINA.
ARE YOU CHEATING ON ME?
[WHISPERING]: SHE LOOKS A LITTLE CHUBBY.
LET ME JUST CUE THIS UP. I'M STILL WORKING ON IT.
SO THIS IS JUST A ROUGH CUT.
OKAY.
I NEVER THOUGHT BEV WOULD LIE, AND CHEAT,
AND SKANK AROUND ON ME, AND TREAT ME JUST AS BADLY
AS EVERY MAN I'D EVER BEEN WITH.
I THOUGHT WOMEN WOULD BE BETTER SOMEHOW.
I KNOW YOU'RE ALL SITTING THERE
JUDGING ME,
AND I GUESS I DESERVE IT.
I FUCKED UP.
BUT THERE'S SOMETHING I NEED TO SAY.
WE SHOULD GO.
YEAH--
NO, STAY, PLEASE.
IF YOU HAVE SOMETHING TO SAY,
GO AHEAD, SAY IT IN FRONT OF OUR FRIENDS.
NINA, I JUST LEFT THE PLUMBER'S HOUSE.
YOU JUST CAME FROM HER HOUSE?
I TOLD HER THAT I LOVE YOU,
THAT YOU'RE THE LOVE OF MY LIFE,
AND I'M NEVER GOING TO SEE HER AGAIN.
IF I'M THE LOVE OF YOUR LIFE,
THEN WHY DID YOU FUCK HER?
[GASPS OF SHOCK]
BEV...
I'M SO SORRY, NINA.
YOU SHOULDN'T HAVE CHEATED ON ME.
WHAT CAN I DO TO HELP YOU TO FORGIVE ME?
WE BOTH NEED TO SET ASIDE TIME FOR US,
FOR OUR RELATIONSHIP.
I WANT TO, NINA.
I DON'T WANT TO LOSE YOU.
WE BELONG TOGETHER.
AW...
THANK GOD.
I DON'T KNOW WHAT I WOULD HAVE DONE
IF THEY'D SPLIT UP.
THEY'RE LIKE
THE BEST COUPLE THAT EVER LIVED.
THEY'RE ROLE MODELS FOR THE REST OF US.
THEY REALLY ARE.
AN EXAMPLE FOR THE STRAIGHT WORLD.
THERE'S ONE MORE GOOD REASON
WHY WE SHOULD STAY TOGETHER.
WHAT'S THAT?
I'M GOING TO HAVE YOUR BABY.
[GASPS]
NO...
[LAUGHING IN DELIGHT]
SO, WHAT DID YOU THINK?
I THINK IT NEEDS A BIT OF WORK.
I JUST HAVE A FEW NOTES.
IF YOU CAN GO BACK TO THE SECOND TAKE...
[**]
* GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES *
* CHICKS DRIVING FAST INGENUES WITH LONG LASHES *
* WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE *
* THIS IS THE WAY IT'S THE WAY THAT WE LIVE *
* TALKING, LAUGHING LOVING, BREATHING *
* FIGHTING, FUCKING CRYING, DRINKING *
* WRITING, WINNING LOSING, CHEATING *
* KISSING, THINKING, DREAMING
* THIS IS THE WAY...
* IT'S THE WAY THAT WE LIVE *
* IT'S THE WAY THAT WE LIVE
* AND LOVE
TOM AND JODI ARE IN TOUCH.
SHE EMAILED HIM.
SHE'S STAYING WITH A FRIEND.
IT'S GOOD THAT SHE HAS FRIENDS.
YEAH, BUT WE'RE HER FRIENDS, TOO.
I'M SORRY, I DON'T MEAN TO BE RUDE. I APOLOGIZE.
I'M SORRY.
I'M HAVING A DAY.
DID HE SAY WHICH FRIEND?
I'M NOT SURE, AMY, MAYBE?
HAVE YOU NOT SPOKEN TO HER AT ALL?
[SIGHS]
SHE HASN'T RETURNED ANY OF MY MESSAGES.
WOULD YOU BLAME HER?
I'M NOT BLAMING HER.
LADIES, PLEASE DON'T FIGHT.
I CAN'T STAND IT WHEN SISTERS DO THAT.
JENNY, THIS ISN'T A SCENE IN YOUR MOVIE.
YOU DON'T HAVE TO DIRECT TODAY.
STAY OUT OF IT, ALICE.
YOU ARE SO PMS-ING.
YOU'RE THE ONE THAT'S PMS-ING.
YOU'VE BEEN FLYING OFF THE HANDLE
OVER EVERY SINGLE THING THIS MORNING.
I'M SO GLAD
I DON'T HAVE TO GO THROUGH THAT ANYMORE.
I SECOND THAT EMOTION.
TINA, WHAT TIME IS MY CALL TODAY?
I DON'T KNOW YOUR CALL-TIME, OKAY?
THERE'S A WHOLE CREW.
I DON'T KNOW WHEN EVERYONE COMES IN.
OKAY.
HELLO, LADIES.
HEY, GANG'S ALL HERE,
LOOK AT THAT, BABE.
WHAT'S THE MATTER?
YOU ALL LOOK A LITTLE DOWN.
WHAT IS IT?
PMS?
DID YOU ALL SYNC UP ON THE SUBARU PINK RIDE?
DENBO, WHAT'S UP?
ARE WE STILL COOL WITH OUR DEAL?
WE HAVE SOMETHING VERY EXCITING TO TELL YOU GUYS.
MY LOVER CINDI AND I
MET AN OLD FRIEND OF YOURS.
DOES THE NAME IVAN AYCOCK RING A BELL?
YOU SAW IVAN?
YEAH, WASN'T EASY TO FIND OLD IVAN,
LET ME TELL YOU, BUT I HAVE MY WAYS.
ANYWAY, I TRACKED HER DOWN,
AND GOD BLESS HER,
SHE COULDN'T HAVE BEEN HAPPIER TO UNLOAD HER 51% OF THE PLANET.
I WOULD SAY THAT SHE WAS ACTUALLY
PRACTICALLY GLEEFUL TO SELL IT TO ME.
HOW FUCKING DARE YOU?
YOU KNOW WHAT? GET THE FUCK OUT OF HERE.
OH, REALLY?
OH, HONEY, THEY'RE TELLING US TO GET THE FUCK OUT OF HERE.
WELL, YOU CAN'T REALLY TELL US TO GET THE FUCK OUT OF HERE,
BECAUSE WE OWN THIS PLACE.
WHAT?
YOU MOTHERFUCKING LIAR!
KIT, JUST...
OKAY, OKAY, WE'RE LEAVING,
BUT WE'LL BE BACK,
WITH A DECORATOR, BECAUSE I'LL TELL YOU,
THIS PLACE IS IN NEED OF A SERIOUS MAKEOVER.
CIAO.
COME ON, BABE.
LOOKS LIKE SOMEBODY GOT HERE BEFORE ME.
JODI, I'M SO SORRY--
WHY IS SHE TALKING TO ME? DOESN'T SHE KNOW I'M DEAF?
WHERE DO YOU WANT TO GO?
IT'S UP TO YOU.
YOU DON'T HAVE A CAR?
I GOT DROPPED OFF.
WELL, I HAVE SOME MEETINGS
THAT I NEED TO RESCHEDULE.
DO WHAT YOU HAVE TO DO.
OKAY.
YEAH, JAMES, IT'S ME.
UH, LISTEN, I HAVE SOMETHING
THAT I NEED TO TAKE CARE OF THIS MORNING.
CAN YOU RESCHEDULE MY MORNING MEETINGS?
YES, THE ONE WITH PHYLLIS.
I DON'T CARE WHAT YOU HAVE TO TELL HER.
JUST TELL HER I HAVE WICKED PMS, I DON'T KNOW.
SHE PROBABLY DOESN'T EVEN REMEMBER WHAT THAT FEELS LIKE.
OKAY, GREAT.
ALL RIGHT, THANK YOU.
LISTEN, IF YOU HAVE TO GO TO WORK--
NO, I DON'T NEED TO GO TO WORK.
I KNOW HOW BUSY YOU ARE,
AND I DON'T WANT IT TO BE A PROBLEM FOR YOU.
THIS IS THE MOST IMPORTANT THING IN THE WORLD TO ME.
WHAT IS?
THIS, YOU AND ME.
HERE'S 20.
NO, NO, THAT'S OKAY, THAT'S OKAY.
IT'S ON ME. THANKS.
ARE YOU AND BETTE
PLANNING ON MOVING IN TOGETHER?
WE'RE NOT PLANNING ANYTHING.
SHE HAS TO TALK TO JODI FIRST.
YOU KNOW, I GOT TO TELL YOU, TINA,
I REALLY I RESPECT YOU FOR SHOWING SOME RESTRAINT
AND HOLDING BACK, I DO.
WELL, IT'S ABOUT TIME.
JESUS.
WHAT?
JENNY HAD AN ART DEPARTMENT MEETING THIS MORNING,
AND SHE MISSED IT,
AND ADELE WENT IN HER PLACE INSTEAD.
WAIT, SHOULDN'T ADELE HAVE MADE SURE
THAT JENNY KNEW ABOUT THE MEETING?
YEAH, MAX IS RIGHT. SHE SHOULD HAVE TOLD HER.
WELL, I'M SURE SHE TRIED.
I'VE GOT TO GO, YOU GUYS.
I'VE GOT TO FIX THIS.
20?
NO-- OKAY.
FUCK IT.
[LAUGHS]
[SHUDDERING AND SOBBING]
YOU DON'T GET TO DO THIS.
YOU HAVE NO RIGHT
TO BE THE ONE WHO DOES THIS.
I'M SORRY.
I NEVER MEANT TO.
I NEVER MEANT FOR THIS TO HAPPEN.
WHAT HAPPENED?
I DON'T EVEN KNOW WHAT'S HAPPENING.
EVERYBODY ELSE SEEMS TO KNOW, BUT I'M IN THE DARK HERE!
DID YOU AND THAT WOMAN FUCK?
I DON'T KNOW WHO YOU'RE TALKING ABOUT.
DID YOU FUCK HER?
ARE YOU FUCKING?
HOW LONG HAS THIS BEEN GOING ON?
IT'S NOT ABOUT FUCKING.
I DON'T KNOW HOW IT HAPPENED.
I THINK THAT...
TINA AND I, WE JUST...
WE JUST NEVER REALLY FINISHED.
YOU KNOW, AND WE HAVE ANGELICA--
I KNOW YOU HAVE ANGELICA.
BUT IT'S NOT JUST ABOUT ANGELICA.
WE HAVE SO MUCH HISTORY,
AND THERE'S...
I DON'T THINK THAT WE REALIZED
HOW STRONG THE CONNECTION...
AND THERE'S JUST STILL SO MUCH THAT HASN'T BEEN RESOLVED--
OH, SO FUCKING HER RESOLVED IT?
I TOLD YOU--
I KNOW, IT'S NOT ABOUT FUCKING.
I KNOW.
[SIGHS]
ARE YOU IN LOVE WITH HER?
IT'S VERY COMPLICATED.
OF COURSE IT'S COMPLICATED.
I ASKED YOU IF YOU LOVE HER.
YES, I LOVE HER.
DO YOU LOVE ME?
YES, I LOVE YOU, I DO.
NO, NO, NO...
NO.
I'M GOING TO FIGHT FOR YOU.
I LIKE IT.
I MEAN, IT DOESN'T HAVE AS MUCH CHARACTER
AS MY BUILDING, BUT IT'S A HOUSE,
AND IT WOULD BE OUR HOUSE.
IT'S WAY TOO EXPENSIVE.
OH, IT'S NOT THAT EXPENSIVE.
IT'S EIGHT TIMES AS MUCH
AS MY APARTMENT IN LONG BEACH.
WELL, WE'LL BE SPLITTING THE RENT, SO...
ALL RIGHT, WELL, FOUR TIMES AS MUCH.
WE DON'T HAVE TO SPLIT THE RENT EXACTLY DOWN THE MIDDLE.
YES, WE FUCKING DO.
IF I GET THIS JOB, I'LL BE MAKING A LOT OF MONEY.
ALICE, CAN WE JUST PLEASE KEEP LOOKING?
I HOPE YOU BLEED SOON.
I REALLY DO.
[CRYING]
FUCK YOU.
JODI...
[SOBS]
GOD...
[KNOCK ON DOOR]
HI, 12 MINUTE WARNING.
OKAY, THANKS.
[KNOCK]
HEY...
HEY.
HOW WAS YOUR BIKE RIDE?
OH, GOD, WOW, IT WAS...
IT WAS HARD.
YEAH, WELL, YOU'RE IN GOOD SHAPE.
NOT REALLY.
NOT LIKE I THOUGHT I WAS.
S-SO...
HOW WAS YOUR WEEKEND?
I'M READY TO GO BACK TO WORK.
WELL, GOOD.
THAT'S GOOD.
EXCEPT FOR, I'M A LITTLE WORRIED ABOUT TODAY.
NIKI, BEGONIA...
NIGHTMARE.
YOU KNOW WHAT?
I THINK EVERYTHING'S GOING TO BE JUST FINE.
YOU DO?
I NEVER THOUGHT I'D SAY THIS,
BUT I ACTUALLY THINK JENNY'S GOT SOME...
TALENT?
SHE'S MAKING
SOME REALLY INTERESTING STYLISTIC CHOICES.
LAST NIGHT I WAS WATCHING DAILIES,
AND I THOUGHT TO MYSELF, "OH, MY GOD,
WE MIGHT HAVE A REALLY GOOD MOVIE."
[SHARP KNOCK]
CAN YOU COME INTO THE CONFERENCE ROOM, PLEASE?
SURE.
I'LL SEE YOU ON SET.
WHAT IS IT NOW?
TAKE A SEAT.
OKAY, DOES SOMEBODY WANT TO TELL US
WHAT THIS IS ALL ABOUT?
[GIGGLING]
THERE WE GO.
[GASPS]
ENOUGH...
ENOUGH. CUT IT OFF.
WHO DID THIS?
WELL, I THINK IT'S FAIR TO SAY THAT YOU AND NIKI DID IT.
THIS WAS A PRIVATE TAPE.
WHO HAS SEEN THIS ABOMINATION?
IT'S NOT AN ABOMINATION.
NOBODY'S SEEN IT...
YET.
BUT THERE ARE 25 MORE COPIES,
AND EACH ONE OF THEM IS LOGGED, ADDRESSED,
AND READY TO GO OUT TO LETTERMAN,
LENO, OPRAH, ELLEN,
FOX, E, THE NATIONAL ENQUIRER,
STAR, HOLA!, HELLO, PEREZ HILTON,
BUT NONE OF THEM HAVE SEEN IT YET,
AND FRANKLY, I WOULD LIKE TO NEVER HAVE TO SEND IT.
WHAT IS IT THAT YOU WANT, ADELE?
TINA...
LOOK, THIS IS NOT ABOUT WHAT I WANT.
THIS IS ABOUT THIS FILM.
THIS IS ABOUT LEZ GIRLS.
THIS IS ABOUT THIS INCREDIBLY IMPORTANT,
AND POWERFUL, AND SIGNIFICANT FILM,
THAT HAS THE OPPORTUNITY
TO CHANGE HEARTS AND MINDS,
AND AFFECT THE LIVES OF MILLIONS OF PEOPLE,
AND IT MUSTN'T BE TAINTED BY A SCANDAL
CAUSED BY THE...
BY THE INEXCUSABLY RECKLESS
AND... COMPLETELY...
ENTITLED BEHAVIOR
OF THE VERY FEW PEOPLE
ENTRUSTED WITH THIS OPPORTUNITY.
I'M GOING TO CALL WILLIAM, AND I'M GOING TO TELL HIM
WHAT A DISGUSTING HUMAN BEING--
I'VE SHOWN THEM THE TAPE,
AND I'VE SPOKEN TO WILLIAM AT LENGTH.
AND HE AGREES WITH ME...
THAT THE SITUATION'S BECOME UNTENABLE.
WHAT IS IT THAT YOU WILL WANT, ADELE?
[TELEPHONE RINGS]
JODI...
JODI, STOP.
STOP!
WHAT?
I CAN'T DO THIS.
IT'S NOT RIGHT.
I DON'T WANT TO DO THIS WITH YOU.
OH, CRAP.
FUCK...
WHERE ARE YOU GOING?
TO GO KILL MYSELF. MOVE.
PLEASE.
PLEASE DON'T DO THIS.
LET ME GO.
I CAN'T LET YOU GO.
WHY? CAN'T YOU MAKE UP YOUR MIND?
I THOUGHT YOU WANTED TO GET RID OF ME.
I CAN'T LET YOU GO
WHEN YOU'RE THREATENING TO HURT YOURSELF.
I'M NOT GOING TO KILL MYSELF OVER YOU.
DON'T FLATTER YOURSELF.
JODI...
I REALLY CARE FOR YOU SO DEEPLY,
BUT I AM NOT GOING TO WALK AWAY
AND JUST TURN MY BACK ON YOU
AND LET YOU HATE ME.
I'M GOING TO FIGHT FOR THIS RELATIONSHIP.
LOOK, I HAVE TO GO TO SCHOOL. I HAVE TWO MEETINGS--
STOP, STOP,
STOP...
SO PLEASE, BETTE, HAVE SOME RESPECT FOR ME.
I HAVE TOTAL RESPECT FOR YOU.
NOW, WHAT DO YOU WANT ME TO DO?
OKAY.
NIKI...
NIKI, COME HERE.
PLEASE COME HERE, I HAVE TO TALK TO YOU.
WHY? WHAT'S GOING ON?
WE'VE GOT TO GET OUT OF HERE.
WHAT'S WRONG?
SOMEONE GOT A HOLD OF THAT TAPE THAT WE MADE
ON THE PINK RIDE,
AND THEY'RE TRYING TO EXTORT AND BLACKMAIL THE PRODUCTION,
SO WE'VE GOT TO GET OUT OF HERE--
WAIT, WAIT, WHAT TAPE? THE TAPE IN THE TENT?
JENNY, GET AWAY FROM HER.
NIKI...KEVIN, DO YOU KNOW ABOUT THIS?
NO, NO, WAIT, NIKI...
YES, I DO,KNOW ABOUT THIS? COME HERE.
DON'T. HE DOESN'T CARE ABOUT YOU.
DON'T LISTEN TO HIM.
HE JUST CARES ABOUT HIS FUCKING PAYCHECK.
HE DOESN'T CARE ABOUT THE MOVIE THAT WE'RE TRYING TO MAKE, OKAY?
I WANT YOU GUYS TO KNOW WHAT'S GOING ON HERE.
THAT THESE PEOPLE,
THEY'RE-THEY'RE TREACHEROUS,
AND THEY'RE SOULLESS,
AND THEY'RE TRYING TO RUIN THIS MOVIE--
OKAY, THAT'S ENOUGH.
SOMEBODY CALL SECURITY RIGHT NOW, PLEASE.
SECURITY! WAIT!
OKAY, JUST GIVE ME ONE SECOND WITH HER.
SO, IF ANYBODY HAS ANY INTEGRITY,
COME WITH ME.
OKAY?
YOU CAN COME WITH ME.
YOU CAN STAND UP TO THESE PEOPLE.
SO WHO WANTS TO COME WITH ME?
WHO'S...
HEY, WHO'S WITH ME?
I'M WITH YOU.
YEAH? GREAT.
DO YOU WANT TO COME WITH ME?
WOULD YOU PLEASE ESCORT MS. SCHECTER
OFF THE LOT?
NO, WAIT, WAIT, WAIT, JUST GIVE ME A SECOND.
JENNY,
LOOK AT ME.
PLEASE COME WITH ME, ALL RIGHT?
I AM ON YOUR SIDE.
I PROMISE YOU, I'M ON YOUR SIDE.
LET ME WALK YOU OUT OF HERE.
PLEASE?
NIKI...
PLEASE.
PLEASE COME WITH ME?
PLEASE?
NIKI, YOU'RE UNDER CONTRACT.
COME ON, LET'S GO.
ALL RIGHT, EVERYBODY, BACK TO WORK!
HOW ARE WE SUPPOSED TO GET BACK TO WORK
WITHOUT THE DIRECTOR?
THE DIRECTOR IS HERE.
* SHE'S FILM NOIR SHE REELS YOU IN *
* YOUR UNHAPPY ENDING BEGS TO BEGIN *
* YOU'RE HOLDING YOUR BREATH AS SHE WALKS OUT THE DOOR *
* YOU'RE HOLDING YOUR HEART LAST BEAT OF THE SCORE *
* SHE'S PLAYING HERSELF WHILE SHE'S FOOLING THE WORLD *
* SHE HAS A NEW SCRIPT THE ADAPTABLE GIRL *
* FADE IN FADE OUT
* MOVE IN MOVE OUT
BECAUSE OUR RELATIONSHIP WILL BE OUT OF BALANCE
IF YOU PAY A BIGGER PORTION OF THE RENT.
I WILL BE OUT OF BALANCE
IF YOU MAKE ME LIVE IN A SHITHOLE.
A SHITHOLE?
THIS IS NICER THAN ANY PLACE
I'VE EVER LIVED IN.
ALL RIGHT, WE CAN TALK ABOUT THIS LATER
AFTER THE TAPING.
I HAVE TO GET READY.
WE'LL GO FOR DINNER OR SOMETHING,
I DON'T KNOW.
I'M GOING TO LONG BEACH.
I DON'T EVEN KNOW IF I'LL BE BACK IN TIME.
YOU'RE NOT COMING TO MY TAPING?
WELL, I DIDN'T KNOW THAT YOU WANTED ME TO GO, SO...
WHY WOULD...
NO, BUT IF IT'S THAT IMPORTANT TO YOU, I MEAN, I'LL...
I DON'T KNOW--
WHATEVER.
LOOK, IT'S JUST THAT
A BUNCH OF MY FRIENDS ARE GOING TO BE THERE,
AND I WAS KIND OF LOOKING FORWARD TO IT.
I'LL TIVO IT FOR YOU. IT'S OKAY.
THANK YOU.
JENNY...
I NEED YOU TO LISTEN TO ME, ALL RIGHT?
LISTEN TO ME AND TRUST ME.
WHY SHOULD I TRUST YOU, TINA?
BECAUSE I'M AS STUNNED AS YOU ARE, ALL RIGHT?
I FEEL LIKE A FUCKING IDIOT.
JUST THIS MORNING I DEFENDED ADELE.
I HAVE TO GET OFF THIS SET.
I GOT TO GET OUT OF HERE.
STAY HERE, LISTEN.
I NEED YOU TO LISTEN TO ME.
TINA, I HAVE TODO NOT-- GET OUT OF HERE.
LISTEN TO ME RIGHT NOW, OKAY?
DO NOT DO ANYTHING STUPID.
DO NOT RETALIATE, OKAY?
DO NOT GET IN THE WAY OF PRODUCTION.
TALK TO YOUR AGENTS,
LET THEM HELP YOU,
AND LATER YOU CAN CALL NIKI
IF YOU'D LIKE TO.
SHE'S DEAD TO ME.
I'M SORRY.
I KNOW HOW MUCH THAT MUST HURT.
I UNDERSTAND.
DO YOU UNDERSTAND?
OKAY, FINE, JENNY,
MAYBE I COULDN'T UNDERSTAND THAT, ALL RIGHT?
BUT JUST, I NEED YOU TO GIVE ME SOME TIME
TO FIGURE OUT HOW TO FIX THIS, OKAY?
THERE'S NO WAY
I'M GOING TO LET THAT BITCH WALK AWAY WITH OUR MOVIE.
IT IS OUR MOVIE.
IT'S OUR MOVIE.
IT IS OUR MOVIE.
OH, TINA.
DON'T BE AFRAID.
OH, I'M SORRY. FUCK.
IT'S OKAY, LET'S JUST KEEP ROLLING.
BACK TO ONES AND RESET.
AND ACTION.
COME ON. DON'T BE AFRAID.
I'M SO AFRAID.
I'M SORRY.
I WANT YOU TO TRY IT AGAIN.
KARINA, DRAW JESSE TOWARD YOU.
THAT'S GOOD...
AND JESSE, TILT YOUR HEAD UP...
AND CLOSE YOUR EYES,
LIKE IT'S HAPPENING TO YOU.
LIKE YOU'RE NOT IN CONTROL OF YOUR OWN BODY.
THAT'S GOOD.
LET YOUR LIPS PART.
KARINA...
KISS JESSE.
THAT'S NICE.
EXCELLENT.
VERY NICE. CUT.
THAT'S A CUT, EVERYONE.
LET'S TRY TO RESET.
OKAY, EVERYONE,
WE'RE GOING DO IT ONCE MORE,
AND THEN WE'LL TURN AROUND ON JESSE.
SAM, CAN I GET A LITTLE PUSH IN THIS TIME
AS KARINA'S LIPS TOUCH JESSE'S?
OKAY, THANKS.
HEY, NIKI, THAT WAS REALLY BEAUTIFUL.
THIS IS BETTE PORTER, YOU'VE REACHED MY CELL PHONE.
LEAVE A MESSAGE.
BETTE...
WHERE ARE YOU?
I REALLY NEED TO TALK TO YOU.
YOU WOULDN'T BELIEVE WHAT'S HAPPENING HERE.
IT'S FUCKING CRAZY.
JUST, CAN YOU CALL ME BACK?
CALL ME BACK WHEN YOU CAN, OKAY?
ALL RIGHT, I'M GOING TO TRY YOU AT THE HOME PHONE.
[APPLAUSE]
THIS IS THE LOOK
WITH SAUNDRA HOUSTON AND MARY LAMM,
AND BACK WITH US AGAIN TODAY,
SPECIAL GUEST HOST, ALICE PIESZECKI.
THANK YOU. THANK YOU.
[APPLAUSE]
AND TODAY WE HAVE
FASHION DESIGNER CLEA MASON,
WHO WON THE PRIZE FOR THE BEST NEW DESIGNER
AT LAST YEAR'S GEN ART FASHION SHOW.
THAT'S RIGHT, AND SHE'S HERE TODAY
TO PRESENT HER SUPER HOT,
SUPER-ANDROGYNOUS
MENSWEAR-INFLUENCED FALL COLLECTION.
JUST YOUR STYLE, HUH, ALICE?
WELL, ACTUALLY, MARY, I DON'T KNOW IF YOU'VE NOTICED,
BUT I'M ACTUALLY PRETTY MUCH A FEMME.
FEMME?
YEAH, TOTALLY GIRLY-GIRL.
DRESSES, GIRLISH PUMPS.
WHOO!
[APPLAUSE]
THANK YOU,
BUT BRING ON THOSE BOYISH BABES
IN THEIR HOT BUTCH FALL FASHION, HUH?
WHOO... SPARE US, ALICE.
OH, COME ON, MARY, YOU KNOW YOU WANT TO TRY IT.
ALL YOU STRAIGHT GIRLS DO.
W-WELL, I DON'T.
TSK, TSK. DON'T PROTEST TOO MUCH.
[LAUGHTER]
I DON'T KNOW WHAT YOU'RE INSINUATING,
BUT I'LL HAVE YOU KNOW NOT EVERYONE IS GAY.
AND THANK GOD FOR THAT.
WELL, WE'LL BE RIGHT BACK, AFTER THIS.
[APPLAUSE]
[**]
[APPLAUSE]
[**]
AND CLEA MASON, EVERYONE!
[APPLAUSE]
CLEA, WELCOME TO THE SHOW.
THANK YOU.
COME JOIN US. LADIES...
HI.
NICE TO MEET YOU. HAVE A SEAT.
SO, CLEA...
WHAT INSPIRES YOU TO DRESS WOMEN?
UM...
WELL, I DON'T- I DON'T KNOW.
IT'S, UM...
I-I BET IT'S THE SAME REASON
THAT I LIKE TO UNDRESS THEM.
[LAUGHTER]
YEAH, UM...
THAT SOUNDS ABOUT RIGHT.
SO...
LET'S TALK UNDERWEAR.
UM, WHAT DO YOU LIKE WOMEN TO WEAR
UNDER YOUR CLOTHES?
WELL, UM, I LIKE BOXERS OR BRIEFS,
BECAUSE IT KIND OF MAKES YOU FEEL
LIKE A 14-YEAR-OLD BOY.
WHICH IS LIBERATING FOR WOMEN,
AND TOTALLY HOT.
EXACTLY.
UM...
IT'S ALSO SEXY, I THINK,
TO WEAR, LIKE, LINGERIE UNDER MEN'S CLOTHES.
THAT'S TOTALLY, TOTALLY HOT.
AND WE'LL BE RIGHT BACK
AFTER THIS.
WHY DID SHE GET FIRED?
I CAN'T TELL YOU,
BUT ALL I CAN TELL YOU IS THAT IT'S REALLY BAD.
I'M WORRIED ABOUT HER, TINA.
ME TOO.
I THINK YOU SHOULD GO AND BE WITH HER.
I JUST HAVE TO FIGURE IT OUT.
I FEEL BAD.
I DON'T WANT TO LEAVE YOU IN THE LURCH, BUT...
YOU KNOW WHAT, I WAS JUST LOOKING AT THIS,
AND I THINK BEGONIA'S FINE WITH JULIANA...
I'M JUST WORRIED ABOUT NIKI.
OH, FUCK NIKI, TINA. COME ON.
YOU KNOW WHAT, SHE HAD NO CHOICE, OKAY?
SHE COULDN'T WALK OUT WITH JENNY,
OTHERWISE SHE WOULD HAVE BEEN IN A BREACH OF CONTRACT,
ALL RIGHT?
SHE DID THE RIGHT THING.
NO, SHE DIDN'T.
[SIGHS]
[HONKING]
[CELL PHONE RINGS]
[RINGING]
THIS IS BETTE PORTER, YOU'VE REACHED MY CELL PHONE.
LEAVE A MESSAGE.
[BEEP]
BETTE...
I'M IN TROUBLE.
I'M GOING TO DO SOMETHING BAD.
I'VE RESCHEDULED THE TEXTILE DEPARTMENT STAFF MEETING,
BUT THEY REALLY NEED SOME TIME WITH YOU.
OKAY, DID YOU TELL THEM IT WAS A FAMILY EMERGENCY?
YEAH, OF COURSE, AND THEY UNDERSTOOD.
DEAN PORTER!
OH, FREDDY.
I'M SO SORRY I MISSED YOUR PRESENTATION.
THAT'S OKAY.
JUST MAKE SURE YOU COME SEE IT, THOUGH, OKAY?
ABSOLUTELY.
HI, PROFESSOR LERNER.
THE THESIS REVIEW BOARD
IS FINE WAITING TILL MONDAY.
PHYLLIS HAD TO GO TO SACRAMENTO,
SO WE HAD TO POSTPONE THAT MEETING ANYWAY.
OH, GOOD. ALSO, SOMETHING ELSE
I THOUGHT YOU MIGHT WANT TO HEAR ABOUT.
WE GOT A CALL FROM W MAGAZINE.
I LOVE W.
I KNOW, IT'S YOUR FAVORITE MAGAZINE.
THAT'S WHY I THOUGHT
YOU'D WANT TO HEAR ABOUT THIS RIGHT AWAY.
THEY WANT TO DO A STORY ON THE TWO OF YOU.
ON BETTE AND ME?
YEAH, AFTER THE ELLEN DEGENERES COVER
WAS SUCH A HOT ITEM, THEY WANT TO DO SOMETHING
ON, LIKE, POWER LESBIAN COUPLES?
THEY WANT YOU TO BE THE ART POWER COUPLE?
SO THEY WANT TO PHOTOGRAPH YOU GUYS
AT JODI'S HAMMER MUSEUM OPENING,
BUT IT'S COMING UP FAST,
SO WE NEED TO LET THEM KNOW.
WHAT SHOULD I TELL THEM?
YES.
NO.
SORRY TO HAVE KEPT YOU WAITING.
GOODBYE AND GOOD DAY. SEE YOU TOMORROW.
OH, AND DON'T FORGET TO LOG ON TO OUR WEBSITE
AFTER THE SHOW
TO LET US KNOW WHETHER YOU WANT ALICE
TO BECOME A PERMANENT FIXTURE ON THE LOOK.
OF COURSE THEY DO.
SEE YOU LATER.
WOW, THAT WAS A GOOD ONE.
DO YOUR CHEEKS HURT
FROM ALL THE SMILING YOU HAVE TO DO?
CAN I GET A WATER?
NO? OKAY.
OKAY, I'LL SEE YOU.
OKAY.
I'M ALICE. HOW ARE YOU?
HI, THANKS FOR COMING.
PLEASE VOTE FOR ME. TELL YOUR FRIENDS.
WILL YOU EXCUSE ME?
SORRY, THANKS. HI.
HI. I'M SORRY.
OH, THAT'S OKAY.
I JUST WANTED TO INVITE YOU TO OUR PARTY NEXT WEEK
ON THE VENICE BOARDWALK.
IT'S FASHION WEEK,
AND WE'RE HAVING THIS OUTDOOR FASHION SHOW.
"OUTDOOR FASHION SHOW," RIGHT THERE.
I WOULD LOVE TO COME, THANK YOU.
OH, GOOD.
I WANT TO GET ONE OF THOSE LITTLE SCOOTERS THAT YOU HAD.
I COULD TAKE YOU FOR A RIDE ON MINE.
OKAY.
UM, I THINK YOU HAVE A FAN.
TASHA! WHAT...
[STAMMERING]
I WANT YOU TO MEET CLEA MASON.
NO? OKAY.
OKAY, UM...
ALL RIGHT, I HOPE YOU CAN COME.
I'M DEFINITELY GOING TO BE THERE.
THANKS FOR THE INVITE.
OKAY.
HI!
WHAT ARE YOU DOING HERE?
I DIDN'T GO.
BECAUSE OF ME?
YOU WERE GREAT.
I GOT HERE LATE,
BUT THE AUDIENCE, THEY REALLY LOVED YOU.
I'M REALLY GLAD YOU STAYED.
HI.
HOW WAS YOUR MEETING?
YOU KNOW WE CAN'T BE A PART OF THE PIECE.
IT WOULD BE DISHONEST.
DISHONEST, HOW?
THEY'RE WRITING ABOUT COUPLES, AND WE'RE NOT A COUPLE.
WHY NOT?
BECAUSE IT'S JUST NOT WORKING.
I MEANT OUR FRIENDSHIP.
I DON'T THINK THAT THERAPY IS THE ANSWER, JODI.
WHY?
I DON'T WANT TO GO TO THERAPY.
I'VE HAD ENOUGH THERAPY.
BUT YOU OWE IT TO ME.
JODI, I WANTED SO MUCH
FOR THIS RELATIONSHIP TO WORK.
I LOVE WHO YOU ARE.
I LOVE HOW YOU STAND IN THE WORLD.
I LOVE YOUR TALENT, I LOVE YOUR PASSION,
I LOVE YOUR ANGER,
BUT YOU AND I ARE JUST FUNDAMENTALLY DIFFERENT.
WE HAVE DIFFERENT CORE VALUES.
WHAT ARE MY VALUES?
IT DOESN'T MATTER.
IT'S NOT A JUDGMENT.
WHAT MATTERS IS...
THAT THERE'S BEEN SOMETHING MISSING FOR ME,
SOMETHING THAT IS HARD TO DEFINE,
AND I HAVE BEEN DESPERATELY
JUST TRYING TO CREATE THIS THING,
AND JUST LOOKING FOR IT,
BUT I...
I'VE BEEN JUST FLAILING.
AND I REALIZE NOW
THAT YOU AND I,
WE'RE NEVER GOING TO FIND IT.
HOW DO YOU KNOW?
BECAUSE I HAVE IT WITH SOMEONE ELSE.
[KNOCK ON DOOR]
I'M SORRY TO INTERRUPT, BUT MELISSA JUST CALLED.
IS EVERYTHING OKAY?
WELL, SHE HAS FOOD POISONING
OR SOMETHING,
AND SHE CAN'T PICK UP ANGIE FOR HER PLAYDATE.
[SIGHS HEAVILY]
OKAY, THANK YOU.
DO YOU HAVE TO GO NOW?
NO.
WHO YOU CALLING?
TINA.
WE DIDN'T SIGN ON
TO DO AN ADELE CHANNING MOVIE.
LOOK, THIS HAPPENS ALL THE TIME IN OUR BUSINESS, OKAY?
DIRECTORS GET REPLACED.
YOU HAVE TO ROLL WITH IT.
[ANGIE'S VOICE]: YOU HAVE A PHONE CALL.
WELL, IS IT TRUE SHE'S GOING TO FIRE NIKI?
NO.
IS IT TRUE SHANE QUIT?
YOU HAVE A PHONE CALL.
EXCUSE ME, I HAVE TO TAKE THIS.
BETTE, I CAN'T TALK, I'M IN A MEETING.
LOOK, MELISSA IS SICK,
AND I'M NOT GOING TO BE ABLE
TO PICK ANGIE UP FROM PLAYGROUP.
I WAS WONDERING IF YOU CAN PICK HER UP.
NO, I CAN'T. IT'S TOTAL CHAOS HERE.
WHERE ARE YOU?
I'M AT SCHOOL.
JODI'S HERE.
STILL?
I'M DOING MY BEST.
I'LL TELL YOU ABOUT IT LATER, OKAY?
OKAY. FINE.
[DAWN]: HEY, BABE,
WHAT'S TAKING YOU SO LONG?
[CINDI]: LOOK, I'M ALMOST DONE.
WELL, HURRY UP, ALL RIGHT?
I WANT TO HAVE SOME SEX BEFORE SHOW TIME.
[LAUGHS]
[DAWN GIVING INSTRUCTIONS]
DON'T LEAVE A DIRTY RAG ON TOP
WHERE PEOPLE CAN SEE IT, EVER.
[SEETHING]
[ANGIE'S VOICE]: YOU HAVE A PHONE CALL.
FUCK...
[SIGHS]
[WHISPERING]: BETTE...
BETTE, I CAN'T TALK RIGHT NOW.
LISTEN, I AM IN SUCH A BIND.
ALL RIGHT, MELISSA'S SICK,
AND I WAS WONDERING IF MAYBE YOU COULD PICK UP ANGIE
FROM PLAYGROUP.
I'M SO WORRIED
THAT I'M NOT GOING TO BE ABLE TO GET THERE IN TIME.
[SIGHS]
ALL RIGHT, ALL RIGHT, ALL RIGHT, I'LL BE THERE.
DO YOU WANT A RIDE HOME?
SUCK.
NEVER AGAIN WILL I...
AVAIL MYSELF TO SOMEONE
WITH SUCH GENEROSITY
AND AN OPEN HEART,
AND SHOW HER THE ROPES,
AND TEACH HER EVERYTHING THAT I KNOW.
YOU CAN'T LET ADELE DO THAT TO YOU.
NO, I'M TALKING ABOUT NIKI.
OH, FUCK NIKI.
I DID.
FUCKING WORTHLESS, DIM-WITTED ACTRESS
WHO SHOULD BE ON THE COVER OF MAXIM.
HEY...
I'M NOT IN LOVE WITH HER ANYMORE.
GOOD.
SHE'S DEAD TO ME.
NIKI'S DEAD?
SHE DOESN'T EXIST ANYMORE.
DING DONG, NIKI'S DEAD?
IT'S LIKE A WICKED WITCH.
YEAH, THAT'S RIGHT.
NO, LIKE A WICKED...
THAT-THAT, LIKE, WICKED WITCH.
OKAY, SHE PRETENDS TO BE, LIKE, ALL SWEET
AND ALL INNOCENT, RIGHT?
AND, LIKE, SHE'S LIKE,
"I THINK YOU'RE, LIKE, THE GREATEST WRITER EVER,"
AND, LIKE,
"I WANT TO BE JUST LIKE YOU," AND, YOU KNOW, LIKE--
WHAT DO YOU WANT? SHE'S AN ACTOR.
THAT'S WHAT THEY DO.
NO, ADELE. WHO?
ADELE.
ADELE? OH, GOD, ADELE.
JENNY, ADELE IS...
WHAT?
SHE'S A SNAKE.
SHE'S A LITTLE...
LITTLE...
SNAKE IN THE GRASS.
SHE'S...
TOTALLY.
SHE'S A FUCKING SERPENT.
I HAVE TERRIBLE CRAMPS.
YOU DO?
UH-HUH.
CAN I HAVE ANOTHER HIT
OFF THE BONG?
I, UH...
I WAS...
ABOUT TO GIVE YOU A COMPLIMENT, THOUGH.
WHAT?
THAT I ADMIRE YOU.
YOU DO?
I THINK YOU'RE...
A REAL SURVIVOR.
MM-HM.
EVER SINCE YOU'VE GOTTEN HERE,
YEAH, YOU HAD THAT.
[LAUGHING]
THEN YOU'RE ALL...
YEAH.
[LAUGHING]
NO, BUT SERIOUSLY,
LIKE, YOU REALLY...
YOU GOT KNOCKED DOWN A FEW TIMES,
BUT LOOK AT YOU,
YOU GOT BACK UP, AND YOU WROTE YOUR STORY,
YOU PUT IT OUT THERE.
THAT'S BIG.
I HAVEN'T DONE IT.
WELL, I'M GOING TO THROW THE COMPLIMENT
RIGHT BACK AT YOU.
OH YEAH?
WHAT IS IT?
YOU DIDN'T HAVE TO COME WITH ME TODAY
IN SOLIDARITY LIKE THAT.
YOU GAVE ME MY JOB.
YOU'RE MY BEST FRIEND.
YOU KNOW THAT.
SO OF COURSE I WOULD DO THAT.
IT'S THE TRUTH.
DO YOU NEED A RIDE?
TOM'S PICKING ME UP.
WELL, I WANT TO CALL YOU ABOUT MY HAMMER SPEECH.
I WANT YOU TO READ IT...
THIS WAS GOING TO BE YOUR BIRTHDAY PRESENT.
UM...
WHATEVER.
[**]
JODI...
HEY, YOU GUYS.
HEY.
MAX...
THE ORACLE.
MAX, YOU'RE THE SHIT.
I GOT TO LISTEN TO, UM...
YOU.
HEY, YOU GUYS ARE SO STONED.
MAX, ADELE...
HAS FUCKED ME OVER.
REALLY? I'M SORRY.
HAVE A SEAT.
COME INTO MY OFFICE.
WHAT HAPPENED?
WOULD YOU LIKE SOME CANNABIS?
YEAH.
I SHOULD HAVE LISTENED TO YOU.
[LAUGHS]
I SHOULD HAVE LISTENED TO YOU.
MM, MM, MM...
OH, YES.
HANG ON, BABY GIRL, I'LL BE RIGHT THERE!
BROWN RICE PUDDING
AND ORGANIC OATMEAL RAISIN COOKIES.
YOUR MAMA WOULD--
HI, ANGELICA.
HI!
GUESS WHAT I GOT FOR YOU?
COOKIES AND RICE PUDDING.
LET ME HAVE YOUR TOY.
LET'S SHARE, OKAY?
LET'S SHARE.
LET'S SHARE...
OH, GOD...
[SOBBING]
OH, GOD...
HI...
[**]
[THUD]
* I'VE HAD CHOICES
* SINCE THE DAY I WAS BORN
* I HAD MY OWN VOICES
OH, GUESS WHO'S HERE!
LOOK!
HEY!
HEY, BABY GIRL.
[SQUEALING]
MAMA T...
YEAH.
AND MAMA B!
HI, MY LITTLE PUMPKIN PIE.
OH, I MISSED YOU.
YOU WOULD NOT BELIEVE THE DAY I HAD.
I BET I COULD GIVE YOU A RUN FOR YOUR MONEY.
NO, NO, NO,
I COULD GIVE YOU BOTH A RUN FOR YOUR MONEY.
I PROMISE YOU
THAT DAWN DENBO AND HER LOVER CINDI
ARE NOT GOING TO GET THEIR HANDS ON THE PLANET.
YOU KNOW...
THAT'S NOT IMPORTANT.
YOU KNOW, WHAT'S IMPORTANT IS THIS BEAUTIFUL BABY GIRL
AND HER WONDERFUL MOMMIES.
YOU'RE SWEET.
YOU SAY THANK YOU, AUNTIE KIT.
[SIGHS]
YOU WANT TO GO HOME?
SO, YOU READY TO GO HOME, BABY?
GO HOME.
DO YOU WANT TO...
UH... YEAH.
THANK YOU.
THANK YOU. BYE, KIT.
SAY THANK YOU, AUNTIE!
* FOR ALL THE THINGS I'VE DONE IF I COULD JUST GO BACK *
* OH, LORD KNOWS I'D RUN
* BUT I'M STILL HERE LOSING
* THIS GAME OF LIFE I PLAY
* LOSING AND DYING WITH THE CHOICES I MADE *
* I'VE HAD CHOICES EVER SINCE THE DAY I WAS BORN *
* I HAD MY OWN VOICES TELLING ME RIGHT FROM WRONG *
* IF I'D HAVE ONLY LISTENED
* I WOULDN'T BE SITTING HERE TODAY *
* LIVING AND DYING WITH THE CHOICES I'VE MADE *