1 00:00:11,512 --> 00:00:14,082 PREVIOUSLY ON THE L WORD... 2 00:00:14,115 --> 00:00:15,649 [GASPING]: OH, FUCK! 3 00:00:15,683 --> 00:00:17,251 [PHYLLIS]: THIS IS BENEATH YOU. 4 00:00:17,285 --> 00:00:19,320 I'M NOT INTERESTED IN SHANE FOR HER POLITICAL WORLD VIEWS. 5 00:00:19,353 --> 00:00:20,654 I WANT YOU TO MEET CLEA MASON. 6 00:00:20,688 --> 00:00:21,755 HEY. 7 00:00:21,789 --> 00:00:23,157 I WANT TO GET 8 00:00:23,191 --> 00:00:24,792 ONE OF THOSE LITTLE SCOOTERS THAT YOU HAD. 9 00:00:24,825 --> 00:00:26,294 I COULD TAKE YOU FOR A RIDE ON MINE. 10 00:00:27,295 --> 00:00:28,629 YEAH. 11 00:00:28,662 --> 00:00:29,730 YEAH? 12 00:00:29,763 --> 00:00:31,265 ENOUGH! TURN IT OFF. 13 00:00:31,299 --> 00:00:32,766 THERE ARE 25 MORE COPIES. 14 00:00:32,800 --> 00:00:34,335 WHAT IS IT THAT YOU WANT, ADELE? 15 00:00:34,368 --> 00:00:36,137 WOULD YOU PLEASE 16 00:00:36,170 --> 00:00:38,072 ESCORT MISS SCHECTER OFF THE LOT? 17 00:00:38,106 --> 00:00:39,540 PLEASE COME WITH ME? 18 00:00:43,577 --> 00:00:44,478 I'M SORRY. 19 00:00:44,512 --> 00:00:45,779 I KNOW HOW MUCH THAT MUST HURT. 20 00:00:45,813 --> 00:00:47,348 SHE'S DEAD TO ME. 21 00:00:47,381 --> 00:00:49,183 I NEVER KILLED ANYBODY. 22 00:00:49,217 --> 00:00:51,152 YOU DIDN'T? 23 00:00:51,185 --> 00:00:52,186 TAX FRAUD. 24 00:00:52,220 --> 00:00:53,053 I HID THE MONEY. 25 00:00:53,087 --> 00:00:54,755 I'M GOING TO GET MY FRIEND OUT OF PRISON, 26 00:00:54,788 --> 00:00:56,124 AND WE'RE GOING TO GO SOMEWHERE. 27 00:00:56,157 --> 00:00:57,825 DOES THE NAME IVAN AYCOCK RING A BELL? 28 00:00:57,858 --> 00:01:00,094 YOU SAW IVAN? 29 00:01:00,128 --> 00:01:01,362 SHE COULDN'T HAVE BEEN HAPPIER 30 00:01:01,395 --> 00:01:03,231 TO UNLOAD HER 51% OF THE PLANET. 31 00:01:03,264 --> 00:01:04,632 WE OWN THIS PLACE. 32 00:01:04,665 --> 00:01:07,635 YOU AND I ARE JUST FUNDAMENTALLY DIFFERENT. 33 00:01:07,668 --> 00:01:10,171 WE HAVE DIFFERENT CORE VALUES. 34 00:01:11,739 --> 00:01:15,276 SO, WE THINK IT'S A STRONG FIRST CUT. 35 00:01:15,309 --> 00:01:16,644 IT'S STILL VERY ROUGH. 36 00:01:16,677 --> 00:01:18,579 I'M WORKING ON THE ORDER OF SOME OF THE SCENES. 37 00:01:18,612 --> 00:01:21,749 WHAT ARE YOU THINKING ABOUT PRINTS AND ADS? 38 00:01:21,782 --> 00:01:23,317 WELL, WE'RE GOING TO GIVE IT A BIG PUSH-- 39 00:01:23,351 --> 00:01:24,852 P&A, 30-SECOND SPOTS, 40 00:01:24,885 --> 00:01:28,789 WE'RE THINKING ABOUT A FEMININE HYGIENE TIE-IN. 41 00:01:28,822 --> 00:01:32,326 WE THINK THE FILM NEEDS A PLATFORM RELEASE. 42 00:01:32,360 --> 00:01:34,695 WE THINK THIS IS A FILM THAT NEEDS TO FIND ITS AUDIENCE. 43 00:01:34,728 --> 00:01:36,364 WELL, WE DON'T THINK OF IT AS A NICHE MOVIE. 44 00:01:36,397 --> 00:01:37,665 NEITHER DO WE. 45 00:01:37,698 --> 00:01:39,567 WE WANT EVERYONE IN AMERICA TO SEE IT. 46 00:01:39,600 --> 00:01:42,136 RIGHT. WE'RE JUST SO THRILLED TO HAVE A MAJOR DISTRIBUTOR. 47 00:01:42,170 --> 00:01:43,271 IT'S NOT JUST A GAY MOVIE. 48 00:01:43,304 --> 00:01:44,838 IT'S FOR EVERYBODY. 49 00:01:44,872 --> 00:01:45,906 THE FOUR QUADRANTS. 50 00:01:45,939 --> 00:01:47,575 BUT... 51 00:01:47,608 --> 00:01:48,642 THERE'S ONE HICCUP... 52 00:01:48,676 --> 00:01:49,743 IT'S MINOR. 53 00:01:49,777 --> 00:01:51,312 WHAT'S THE HICCUP, GUYS? 54 00:01:51,345 --> 00:01:53,181 THE ENDING. MARKETING SAYS IT WON'T TEST. 55 00:01:53,214 --> 00:01:54,315 WHAT DO YOU MEAN, IT WON'T TEST? 56 00:01:54,348 --> 00:01:55,749 TEST WITH WHO? 57 00:01:55,783 --> 00:01:58,619 MM, PEORIA. YOU KNOW, THE FLY-OVER STATES-- 58 00:01:58,652 --> 00:02:00,854 NEBRASKA, FLORIDA, ORANGE COUNTY... 59 00:02:00,888 --> 00:02:01,789 I MEAN, IT WON'T TEST. 60 00:02:01,822 --> 00:02:03,257 LIKE, LESBIANS ARE COOL AND SEXY NOW... 61 00:02:03,291 --> 00:02:04,792 [SECOND MAN CHUCKLES] 62 00:02:04,825 --> 00:02:06,794 BUT WE NEED THEM TO BE RELATABLE, TOO. 63 00:02:06,827 --> 00:02:07,828 WE THINK THE GIRL-- 64 00:02:07,861 --> 00:02:08,929 WHAT'S HER NAME? 65 00:02:08,962 --> 00:02:10,364 IT'S THE NIKI STEVENS CHARACTER. 66 00:02:10,398 --> 00:02:11,599 JESSE. JESSE. JESSE. 67 00:02:11,632 --> 00:02:13,934 WE THINK JESSE SHOULD GO BACK TO HER BOYFRIEND IN THE END. 68 00:02:13,967 --> 00:02:15,869 WHAT? 69 00:02:15,903 --> 00:02:17,171 NO WAY. 70 00:02:17,205 --> 00:02:19,373 JUST THINK ABOUT IT. 71 00:02:19,407 --> 00:02:21,275 GIVE IT SOME THOUGHT. 72 00:02:21,309 --> 00:02:24,878 [**] 73 00:02:24,912 --> 00:02:30,918 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 74 00:02:30,951 --> 00:02:38,359 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 75 00:02:38,392 --> 00:02:43,864 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 76 00:02:43,897 --> 00:02:50,904 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 77 00:02:58,612 --> 00:02:59,813 * TALKING, LAUGHING LOVING, BREATHING * 78 00:02:59,847 --> 00:03:01,382 * FIGHTING, FUCKING CRYING, DRINKING * 79 00:03:01,415 --> 00:03:03,217 * WRITING, WINNING LOSING, CHEATING * 80 00:03:03,251 --> 00:03:04,352 * KISSING, THINKING, DREAMING 81 00:03:04,385 --> 00:03:06,820 * THIS IS THE WAY... 82 00:03:06,854 --> 00:03:09,723 * IT'S THE WAY THAT WE LIVE * 83 00:03:09,757 --> 00:03:15,296 * IT'S THE WAY THAT WE LIVE 84 00:03:15,329 --> 00:03:18,866 * AND LOVE 85 00:03:22,303 --> 00:03:24,772 [SIREN WAILS] 86 00:03:24,805 --> 00:03:27,007 [HORNS HONKING] 87 00:03:27,040 --> 00:03:29,310 [PEOPLE SHOUTING ANGRILY, AS HORNS BLARE] 88 00:03:35,316 --> 00:03:36,083 [TINA]: YOU KNOW, ANGIE'S PRESCHOOL 89 00:03:36,116 --> 00:03:38,419 IS ONLY SEVEN MINUTES FROM MY HOUSE. 90 00:03:38,452 --> 00:03:39,887 YOU REALLY LIKE THE WEST SIDE? 91 00:03:39,920 --> 00:03:41,955 YEAH, I MEAN, IT'S PRETTY GREAT. 92 00:03:41,989 --> 00:03:42,956 THE AIR IS CLEANER. 93 00:03:42,990 --> 00:03:44,892 YOU'RE NEAR THE OCEAN. 94 00:03:44,925 --> 00:03:46,627 YOU GET A LITTLE WALKING LIFE. 95 00:03:46,660 --> 00:03:48,329 ARE YOU GOING TO HONK THE HORN? 96 00:03:48,362 --> 00:03:51,332 NO, WE'RE NOT GOING TO HONK THE HORN. 97 00:03:51,365 --> 00:03:53,301 SO YOU'RE SAYING I SHOULD SELL MY HOUSE? 98 00:03:53,334 --> 00:03:54,768 I DIDN'T SAY THAT-- 99 00:03:54,802 --> 00:03:55,836 I KNOW, I JUST MEANT, 100 00:03:55,869 --> 00:03:56,837 IF... 101 00:03:56,870 --> 00:03:58,639 [ANGIE BABBLING ABOUT LIGHTS] 102 00:03:58,672 --> 00:03:59,840 ...WE GOT TOGETHER. 103 00:03:59,873 --> 00:04:01,642 I MEAN, ONCE WE... 104 00:04:01,675 --> 00:04:03,644 DECIDE... [SIGHING] 105 00:04:03,677 --> 00:04:05,413 LET'S HEAR MAMA B'S SPEECH. 106 00:04:05,446 --> 00:04:07,648 COME ON. DO YOUR SPEECH. 107 00:04:07,681 --> 00:04:09,283 MM-HMM.REALLY? 108 00:04:09,317 --> 00:04:10,884 WELL, THERE IS THIS ONE PART 109 00:04:10,918 --> 00:04:12,853 THAT I'M NOT SO SURE ABOUT... 110 00:04:12,886 --> 00:04:14,822 "IT'S NOT JUST THAT SHE'S A WOMAN-- 111 00:04:14,855 --> 00:04:16,357 "THOUGH SHE UNDENIABLY IS-- 112 00:04:16,390 --> 00:04:17,991 "JODI MAKES ART 113 00:04:18,025 --> 00:04:19,660 "WITH FOUND INDUSTRIAL MATERIALS 114 00:04:19,693 --> 00:04:22,763 "IN A WAY THAT NO ONE-- MAN OR WOMAN-- 115 00:04:22,796 --> 00:04:24,398 EVER EVEN THOUGHT OF DOING." 116 00:04:24,432 --> 00:04:25,666 THAT LAST PART, 117 00:04:25,699 --> 00:04:26,867 THAT SOUNDS A LITTLE BIT SEXIST. 118 00:04:26,900 --> 00:04:27,868 I KNOW, I KNOW. 119 00:04:27,901 --> 00:04:29,337 BUT I THOUGHT IT WAS IMPORTANT 120 00:04:29,370 --> 00:04:30,804 TO UNDERLINE THE FACT THAT SHE'S A WOMAN. 121 00:04:30,838 --> 00:04:31,872 OKAY, THAT'S GOOD, GO FOR IT. 122 00:04:31,905 --> 00:04:32,973 YOU'RE A GREAT WRITER, 123 00:04:33,006 --> 00:04:34,308 YOU'LL KNOW HOW TO SAY IT. 124 00:04:34,342 --> 00:04:35,409 IT'LL BE GOOD. 125 00:04:35,443 --> 00:04:37,978 HAVE YOU TALKED TO HER? 126 00:04:38,011 --> 00:04:41,048 NO. NO. 127 00:04:41,081 --> 00:04:44,885 BUT I DID SPEAK TO SERENA DEAN, WHO'S THE CURATOR OF THE SHOW, 128 00:04:44,918 --> 00:04:46,620 AND SHE SAID JODI'S PIECE IS AMAZING. 129 00:04:46,654 --> 00:04:49,623 JODI! 130 00:04:49,657 --> 00:04:51,892 WE HAVE TO FIND A WAY 131 00:04:51,925 --> 00:04:52,960 TO HAVE JODI IN HER LIFE. 132 00:04:52,993 --> 00:04:54,027 I MEAN, THEY'RE VERY BONDED. 133 00:04:54,061 --> 00:04:57,097 I JUST... I THINK IT WOULD BE JUST TOO CONFUSING. 134 00:04:57,130 --> 00:04:59,733 I MEAN, IT JUST BLURS THE BOUNDARIES... 135 00:04:59,767 --> 00:05:00,934 AND IT-- 136 00:05:00,968 --> 00:05:01,935 WHOA! 137 00:05:01,969 --> 00:05:02,936 LOOK AT THAT. 138 00:05:02,970 --> 00:05:04,372 SHE LOOKS AMAZING! 139 00:05:04,405 --> 00:05:05,973 SWEETIE, IT'S ALICE! 140 00:05:06,006 --> 00:05:07,641 THE LIGHT'S GREEN... GO. 141 00:05:07,675 --> 00:05:08,842 HEY! 142 00:05:08,876 --> 00:05:09,943 [HONKS THREE TIMES] 143 00:05:09,977 --> 00:05:12,112 GO, ASSHOLE! COME ON! 144 00:05:12,145 --> 00:05:14,715 [HORNS BLARING] 145 00:05:14,748 --> 00:05:18,419 [ANNOYED DRIVERS SHOUTING, OVERLAPPING AND INDISTINCT] 146 00:05:18,452 --> 00:05:23,357 * I WISH MY LIFE WAS A LITTLE LESS SEEDY * 147 00:05:23,391 --> 00:05:25,793 * WHY AM I ALWAYS SO GREEDY? 148 00:05:25,826 --> 00:05:27,695 * WISH I LOOKED JUST LIKE CHERYL TWEEDY * 149 00:05:27,728 --> 00:05:29,963 * I KNOW I NEVER WILL I KNOW I NEVER WILL * 150 00:05:29,997 --> 00:05:33,401 * WISH MY LIFE WAS NOT SO BORING * 151 00:05:33,434 --> 00:05:35,736 * EVERY WEEKEND FOUR TO THE FLOORING * 152 00:05:35,769 --> 00:05:38,872 * DON'T GET ME STARTED ON MONDAY MORNING * 153 00:05:38,906 --> 00:05:44,612 * IT WOULD BE OVERKILL IT WOULD BE OVERKILL... * 154 00:05:51,885 --> 00:05:54,054 IRA! 155 00:05:54,087 --> 00:05:56,123 FOLLOW UP WITH ALL OF MY ATTORNEYS, 156 00:05:56,156 --> 00:05:57,858 INCLUDING LONDON AND HONG KONG. 157 00:05:57,891 --> 00:05:59,460 GET THE ESTATE MANAGER, 158 00:05:59,493 --> 00:06:01,895 AND THE DIRECTOR OF THE PEABODY FOUNDATION! 159 00:06:01,929 --> 00:06:03,631 AND GET MY DAUGHTER! 160 00:06:03,664 --> 00:06:06,767 I'M RIGHT HERE, MUMMY! 161 00:06:08,068 --> 00:06:10,370 WHAT ON EARTH ARE YOU WEARING? 162 00:06:15,443 --> 00:06:18,412 * I WISH MY LIFE WAS A LITTLE LESS SEEDY * 163 00:06:18,446 --> 00:06:22,149 * THERE'S SO MANY THINGS THAT I DESPISE... * 164 00:06:30,090 --> 00:06:31,692 [SHUTTER CLICKS] 165 00:06:34,728 --> 00:06:36,630 [**] 166 00:06:39,166 --> 00:06:40,801 [SHUTTER CLICKS] 167 00:07:11,899 --> 00:07:13,033 DID YOU SLEEP WELL? 168 00:07:13,066 --> 00:07:14,968 MM-HMM. YOU? 169 00:07:15,002 --> 00:07:16,169 OH, YEAH. 170 00:07:26,780 --> 00:07:28,048 WE SHOULD GET UP. 171 00:07:28,081 --> 00:07:31,985 WHY? I THINK THAT'S A TERRIBLE IDEA. 172 00:07:36,023 --> 00:07:38,759 WE HAVE BREAKFAST WITH YOUR MOTHER. 173 00:07:38,792 --> 00:07:40,127 JESUS. [CHUCKLING] 174 00:07:40,160 --> 00:07:41,795 [MUGS CLINKS ON COUNTER] 175 00:07:41,829 --> 00:07:44,632 TASH? MADE YOU COFFEE. 176 00:07:58,178 --> 00:08:00,648 THAT'S A CUTE PICTURE. 177 00:08:00,681 --> 00:08:02,282 MM-HMM. FUCK YOU. 178 00:08:02,315 --> 00:08:03,951 WANT SOME BREAKFAST? 179 00:08:05,753 --> 00:08:07,254 [MOODILY]: NO. 180 00:08:07,287 --> 00:08:10,123 I DON'T HAVE TIME. 181 00:08:12,025 --> 00:08:14,027 [**] 182 00:08:18,699 --> 00:08:20,901 [HELENA]: WHY HAVEN'T THEY GOT AN ANTIDOTE? 183 00:08:20,934 --> 00:08:22,069 I MEAN, SURELY, IF ONE EXISTS, 184 00:08:22,102 --> 00:08:24,171 THEN THEY HAVE THE WHEREWITHAL TO-- 185 00:08:24,204 --> 00:08:26,139 HELENA, EVERYTHING IS BEING HANDLED. 186 00:08:26,173 --> 00:08:29,810 THIS IS AN IRUKANDJI JELLYFISH. 187 00:08:29,843 --> 00:08:32,846 THEY SAY THAT THE VENOM IS FREQUENTLY LETHAL. 188 00:08:32,880 --> 00:08:34,882 NOW, BEFORE I DIE, THERE'RE SOME THINGS 189 00:08:34,915 --> 00:08:36,750 I WANT TO SAY TO YOU. 190 00:08:36,784 --> 00:08:37,785 FIRST OF ALL, 191 00:08:37,818 --> 00:08:39,119 ABOUT YOUR CLOTHES-- 192 00:08:39,152 --> 00:08:40,921 MUMMY, YOU'RE NOT GOING TO DIE. 193 00:08:40,954 --> 00:08:42,656 I VERY WELL MIGHT. 194 00:08:42,690 --> 00:08:44,992 AND, BEFORE I DO, I WANT TO KNOW THAT YOU'RE SITUATED. 195 00:08:45,025 --> 00:08:47,761 I'M VERY WELL SITUATED, THANK YOU VERY MUCH. 196 00:08:47,795 --> 00:08:48,896 A DRAB LITTLE HUT 197 00:08:48,929 --> 00:08:50,230 IN THE DREGS OF TAHITI 198 00:08:50,263 --> 00:08:51,999 WITH THE TAX-EVADING GRANDDAUGHTER 199 00:08:52,032 --> 00:08:53,734 OF A VANILLA-POD PICKER 200 00:08:53,767 --> 00:08:55,703 DOESN'T STRIKE ME AS "SITUATED." 201 00:08:55,736 --> 00:08:57,237 HELENA, THE PEABODIES ARE KEEPERS, 202 00:08:57,270 --> 00:09:01,709 NOT ONLY OF A VAST FORTUNE, BUT OF A LEGACY-- 203 00:09:01,742 --> 00:09:02,710 MUMMY. 204 00:09:02,743 --> 00:09:03,711 I'M... 205 00:09:03,744 --> 00:09:04,712 NOT... 206 00:09:04,745 --> 00:09:05,613 INTERESTED. 207 00:09:05,646 --> 00:09:07,815 IT REALLY ISN'T A PROPOSITION, HELENA. 208 00:09:07,848 --> 00:09:09,850 YOU ARE MY SOLE BENEFICIARY. 209 00:09:09,883 --> 00:09:12,686 NOW, I'VE ARRANGED FOR DAVIS AND BREWSTER 210 00:09:12,720 --> 00:09:15,155 TO REVIEW ALL THE ESTATE HOLDINGS WITH YOU. 211 00:09:15,188 --> 00:09:16,890 THE FOUNDATION'S IN VERY GOOD HANDS 212 00:09:16,924 --> 00:09:17,991 WITH ALVA WATKINS, 213 00:09:18,025 --> 00:09:20,728 BUT, AT SOME POINT, YOU JUST MUST TAKE AN INTEREST 214 00:09:20,761 --> 00:09:21,762 IN THE DAY-TO-DAY. 215 00:09:21,795 --> 00:09:24,031 MUMMY, I'M GOING TO GO AND TALK TO YOUR DOCTORS, 216 00:09:24,064 --> 00:09:26,166 FIND OUT EXACTLY WHAT'S GOING ON 217 00:09:26,199 --> 00:09:28,168 ABOUT GETTING THIS ELUSIVE REMEDY OF YOURS, 218 00:09:28,201 --> 00:09:30,838 BECAUSE I HAVE A STANDBY RETURN TICKET. 219 00:09:30,871 --> 00:09:35,008 IT'S GOING TO COST ME $75 IF I NEED TO CHANGE IT. 220 00:09:35,042 --> 00:09:37,144 SO WHAT KIND OF PHOTOGRAPHY ARE YOU THINKING? NATURE? 221 00:09:37,177 --> 00:09:38,145 [SCOFFS]: NO. 222 00:09:38,178 --> 00:09:39,246 ABSTRACT? 223 00:09:39,279 --> 00:09:40,981 NO. NATURE? NO. 224 00:09:41,014 --> 00:09:43,717 I LIKE, UM... I LIKE PORTRAITURE. 225 00:09:43,751 --> 00:09:46,019 MAYBE FASHION, MAYBE, UH... 226 00:09:46,053 --> 00:09:47,855 ...SOMETHINGNO! LIKE THAT. 227 00:09:47,888 --> 00:09:49,122 THAT'S SUCH A GOOD IDEA. 228 00:09:49,156 --> 00:09:50,724 A GREAT EYE. YOU THINK? 229 00:09:50,758 --> 00:09:51,692 YEAH, YOU SHOULD TOTALLY DO IT! 230 00:09:51,725 --> 00:09:53,160 WELL, I WANT TO GO TO SCHOOL FIRST, BUT THEN-- 231 00:09:53,193 --> 00:09:54,828 FUCK SCHOOL. 232 00:09:54,862 --> 00:09:56,163 WHY DO YOU WANT TO GO TO SCHOOL? 233 00:09:56,196 --> 00:09:57,865 YOU DON'T THINK I CAN HANDLE GOIN' TO SCHOOL? 234 00:09:57,898 --> 00:09:59,132 OF COURSE I THINK YOU CAN HANDLE IT, 235 00:09:59,166 --> 00:10:00,267 BUT I DON'T THINK YOU NEED TO GO TO SCHOOL, 236 00:10:00,300 --> 00:10:01,769 I THINK YOU NEED TO GO TO WORK. 237 00:10:01,802 --> 00:10:03,170 YEAH, BUT BEFORE I GO TO WORK, 238 00:10:03,203 --> 00:10:06,039 I'D RATHER LEARN... I DON'T KNOW. 239 00:10:06,073 --> 00:10:07,207 I'D LIKE TO LEARN TECHNIQUE, 240 00:10:07,240 --> 00:10:08,275 I'D LIKE TO LEARN WHAT I'M DOING. 241 00:10:08,308 --> 00:10:09,743 I'D RATHER NOT SCHLUFF IT OFF. 242 00:10:09,777 --> 00:10:10,844 I THINK ANY SCHOOL THAT DIDN'T TAKE YOU 243 00:10:10,878 --> 00:10:11,979 WOULD BE COMPLETELY MISSING OUT. 244 00:10:12,012 --> 00:10:13,180 AND STUPID. 245 00:10:13,213 --> 00:10:14,748 YOU THINK? 246 00:10:14,782 --> 00:10:16,016 MM-HMM. 247 00:10:16,049 --> 00:10:17,250 OH, SHIT. 248 00:10:17,284 --> 00:10:18,251 WHAT? 249 00:10:18,285 --> 00:10:19,820 [CHUCKLES DISMISSIVELY]: OH. 250 00:10:19,853 --> 00:10:21,221 I THINK SHE'S SEEN WORSE. 251 00:10:21,254 --> 00:10:23,290 WHO'S THAT WOMAN? 252 00:10:23,323 --> 00:10:25,125 COME ON! [MOUTHS WORDS] 253 00:10:25,158 --> 00:10:26,259 JOYCE. 254 00:10:26,293 --> 00:10:27,995 I'M NOT GOING ON A LESBIAN DOUBLE DATE-- 255 00:10:28,028 --> 00:10:29,029 YES, YOU ARE. COME ON. COME ON. 256 00:10:29,062 --> 00:10:30,230 BE AN ADULT, BE MATURE. COME ON. 257 00:10:30,263 --> 00:10:31,264 HEY, GIRLS! 258 00:10:31,298 --> 00:10:33,000 MOLLY, I WANT YOU TO MEET JOYCE. 259 00:10:33,033 --> 00:10:34,167 HEY, IT'S NICE TO MEET YOU. 260 00:10:34,201 --> 00:10:35,836 YEAH, I'M NOT SHAKING YOUR HAND. 261 00:10:35,869 --> 00:10:37,070 MOLLY. 262 00:10:37,104 --> 00:10:38,706 SHE TRIED TO RUIN MY FATHER. 263 00:10:38,739 --> 00:10:41,141 REMEMBER? 264 00:10:41,174 --> 00:10:43,944 WOULD YOU EXCUSE US FOR ONE SECOND? 265 00:10:43,977 --> 00:10:45,846 COME HERE. COME HERE. 266 00:10:45,879 --> 00:10:46,947 I DON'T KNOW WHAT'S GOTTEN INTO HER. 267 00:10:46,980 --> 00:10:49,049 LISTEN. 268 00:10:49,082 --> 00:10:50,083 WHAT HAPPENED BETWEEN YOUR PARENTS 269 00:10:50,117 --> 00:10:52,753 IS WHAT HAPPENS IN PRETTY MUCH EVERY DIVORCE. 270 00:10:52,786 --> 00:10:54,054 THEY GOT THROUGH IT. 271 00:10:54,087 --> 00:10:55,188 DIDN'T THEY? 272 00:10:55,222 --> 00:10:56,289 SORT OF. 273 00:10:56,323 --> 00:10:57,825 YEAH, SORT OF, BUT THEY DID, 274 00:10:57,858 --> 00:10:58,759 AND YOU KNOW IT. 275 00:10:58,792 --> 00:11:00,193 AND SO NOW YOUR MOTHER DESERVES HAPPINESS 276 00:11:00,227 --> 00:11:01,929 AS MUCH AS ANYBODY ELSE. 277 00:11:01,962 --> 00:11:03,997 GIVE HER THAT. 278 00:11:04,031 --> 00:11:05,766 MY FATHER SAID SHE'S THE MOST RUTHLESS LAWYER 279 00:11:05,799 --> 00:11:07,234 HE'S EVER MET. SHE'S A LAWYER! 280 00:11:07,267 --> 00:11:09,036 SHE'S THE ANTICHRIST. 281 00:11:09,069 --> 00:11:10,938 I'M SURE AS SHIT NOT HAVING BREAKFAST WITH HER. 282 00:11:10,971 --> 00:11:11,939 I'M SORRY, NO. 283 00:11:11,972 --> 00:11:13,874 WELL, IF I RECALL, 284 00:11:13,907 --> 00:11:16,309 YOUR MOTHER WASN'T TOO THRILLED ABOUT YOU SEEING ME. 285 00:11:16,343 --> 00:11:18,045 AND NOW WE'RE ALL HERE 286 00:11:18,078 --> 00:11:19,880 TO EAT TOGETHER. RIGHT? 287 00:11:19,913 --> 00:11:21,949 COME ON. YOU'RE NOT ALONE. 288 00:11:21,982 --> 00:11:23,751 LET'S GO. ALL RIGHT. 289 00:11:23,784 --> 00:11:24,852 COME ON. 290 00:11:24,885 --> 00:11:26,686 OKAY. 291 00:11:28,221 --> 00:11:29,189 HI. 292 00:11:29,222 --> 00:11:30,190 HEY! 293 00:11:30,223 --> 00:11:31,191 HUNGRY? 294 00:11:31,224 --> 00:11:32,259 LITTLE BIT. 295 00:11:33,894 --> 00:11:36,129 [DAWN]: KIT, THIS IS VERY EXCITING. 296 00:11:36,163 --> 00:11:37,731 GEORGE CHARLES IS SOUTH BEACH'S 297 00:11:37,765 --> 00:11:39,166 TOP INTERIOR DECORATOR-- 298 00:11:39,199 --> 00:11:40,734 ...AND MY GOOD FRIEND, 299 00:11:40,768 --> 00:11:42,169 AND WE BOTH AGREED, 300 00:11:42,202 --> 00:11:43,871 THAT, UH... 301 00:11:43,904 --> 00:11:46,239 THAT MOON OF YOURS WAS A BIT RIDICULOUS, SO... 302 00:11:46,273 --> 00:11:48,041 BUT HE DOES LOVE THE SPACE. RIGHT? 303 00:11:48,075 --> 00:11:50,043 [CHARLES]: IT HAS GREAT BONES. 304 00:11:50,077 --> 00:11:52,813 YEAH. I HOPE YOU CHOKE ON THEM BONES. 305 00:11:59,219 --> 00:12:03,223 WELL, A GIRL GOES AWAY FOR A COUPLE OF MONTHS, 306 00:12:03,256 --> 00:12:05,192 AND EVERYTHING CHANGES. 307 00:12:05,225 --> 00:12:08,929 GIRL! GIRL! GIRL! 308 00:12:08,962 --> 00:12:10,130 OH! GOOD TO SEE YOU. 309 00:12:10,163 --> 00:12:11,198 OH, GIRL. 310 00:12:11,231 --> 00:12:14,201 WELL, I'M GLAD YOU'RE DOING WELL ENOUGH TO REMODEL, 311 00:12:14,234 --> 00:12:16,103 BUT YOU'RE NOT GOING TO CHANGE IT TOO MUCH, ARE YOU? 312 00:12:16,136 --> 00:12:17,771 I LOVED IT AS IT WAS. 313 00:12:17,805 --> 00:12:21,041 THIS HAS NOTHING TO DO WITH ME. 314 00:12:21,074 --> 00:12:22,542 THEY'RE TAKING IT OVER. 315 00:12:22,575 --> 00:12:23,877 WHAT? 316 00:12:23,911 --> 00:12:25,779 YEAH. OKAY-- NEVER MIND. 317 00:12:25,813 --> 00:12:27,114 WHAT ARE YOU DOING HERE? 318 00:12:27,147 --> 00:12:28,181 OH, WE'VE SO MISSED YOU. 319 00:12:28,215 --> 00:12:29,182 WE SO MISSED YOU. 320 00:12:29,216 --> 00:12:30,550 OH, I'VE MISSED YOU TOO. 321 00:12:30,583 --> 00:12:32,552 MY MOTHER'S IN THE HOSPITAL. 322 00:12:32,585 --> 00:12:34,855 NO, I THINK SHE'S GOING TO BE ALL RIGHT, 323 00:12:34,888 --> 00:12:36,957 BUT IT'S A LITTLE TOUCH AND GO RIGHT NOW. 324 00:12:36,990 --> 00:12:38,191 REALLY? WELL, COME ON. 325 00:12:38,225 --> 00:12:39,559 LET'S GO HAVE SOME COFFEE... 326 00:12:39,592 --> 00:12:40,560 YEAH, OKAY. 327 00:12:40,593 --> 00:12:41,561 ...AND CHAT. 328 00:12:41,594 --> 00:12:42,830 DO YOU HAVE COOKIES? 329 00:12:42,863 --> 00:12:43,931 YEAH, GIRL, AND I KNOW, 330 00:12:43,964 --> 00:12:45,565 I REMEMBER HOW YOU LIKE IT. 331 00:12:45,598 --> 00:12:49,069 I WANTED THAT INTERNSHIP, SO BAD I COULD TASTE IT, 332 00:12:49,102 --> 00:12:51,171 BUT I DIDN'T HAVE THE SCORES. 333 00:12:51,204 --> 00:12:52,305 WHAT SCORE'S THAT? 334 00:12:52,339 --> 00:12:53,874 LSAT, IT'S THE TEST YOU TAKE 335 00:12:53,907 --> 00:12:55,075 TO GET INTO LAW SCHOOL. 336 00:12:55,108 --> 00:12:57,177 WELL, YOU'VE DONE PRETTY MIGHTY FINE 337 00:12:57,210 --> 00:12:59,546 FOR YOURSELF, MY DEAR. 338 00:12:59,579 --> 00:13:01,048 WELL, DID YOU GET A GOOD GRADE? 339 00:13:01,081 --> 00:13:04,184 MOLLY SCORED IN THE TOP 2% NATIONALLY. 340 00:13:04,217 --> 00:13:05,518 BIG FUCKING DEAL. 341 00:13:05,552 --> 00:13:06,586 IT IS A BIG FUCKING DEAL. 342 00:13:06,619 --> 00:13:08,321 IT'S ONE OF THE REASONS YOU GOT THE INTERNSHIP. 343 00:13:08,355 --> 00:13:09,923 I DON'T WANT THE INTERNSHIP. 344 00:13:09,957 --> 00:13:11,024 I'M SPENDING MY SUMMER WITH SHANE. 345 00:13:11,058 --> 00:13:12,059 WE'RE GOING SURFING IN HONOLULU. 346 00:13:12,092 --> 00:13:14,061 WAIT. WAIT A SECOND. 347 00:13:14,094 --> 00:13:15,228 YOU NEVER TOLD ME 348 00:13:15,262 --> 00:13:17,865 THAT THIS SUPREME COURT INTERN THING IS IN THE SUMMER. 349 00:13:17,898 --> 00:13:19,933 YOU ARE NOT GIVING UP 350 00:13:19,967 --> 00:13:22,202 A SUPREME COURT INTERNSHIP TO GO SURFING. 351 00:13:22,235 --> 00:13:23,803 IT'S WHAT I WANT TO DO. 352 00:13:29,109 --> 00:13:30,610 MOLLY, IF YOU'RE DOING THIS TO GET BACK AT ME-- 353 00:13:30,643 --> 00:13:32,312 MOM, I'M NOT DOING THIS TO GET BACK AT YOU. 354 00:13:32,345 --> 00:13:33,580 I AM SO BEYOND THAT. 355 00:13:33,613 --> 00:13:35,582 I'M ACCEPTING YOUR LIFE CHOICES. 356 00:13:35,615 --> 00:13:38,318 AND IF YOU AND JOYCE DECIDE TO GET MARRIED, 357 00:13:38,351 --> 00:13:41,989 I HOPE YOU INVITE ME AND SHANE TO THE WEDDING. 358 00:13:42,022 --> 00:13:45,292 ALL I ASK IS THE SAME RESPECT FROM YOU. 359 00:13:48,896 --> 00:13:51,264 [**] 360 00:14:02,142 --> 00:14:03,576 HEY. 361 00:14:04,978 --> 00:14:06,113 HEY. 362 00:14:06,146 --> 00:14:09,016 WHAT ARE YOU DOING HERE? 363 00:14:11,351 --> 00:14:13,553 GIRL, SO, YOU GOT ROOM FOR ONE MORE? 364 00:14:13,586 --> 00:14:17,224 I MIGHT BE JOINING YOU AND DUSTY IN TAHA'A. 365 00:14:17,257 --> 00:14:18,959 I'M NOT KIDDIN'. 366 00:14:18,992 --> 00:14:22,362 IT'S PRETTY REMOTE, KIT. 367 00:14:22,395 --> 00:14:25,132 AND I'M NOT SURE THAT I'M GOING TO STAY THERE FOREVER. 368 00:14:25,165 --> 00:14:26,934 I MEAN... 369 00:14:26,967 --> 00:14:29,236 DUSTY'S GREAT, BUT... 370 00:14:29,269 --> 00:14:31,271 I KIND OF MISS THIS PLACE. 371 00:14:31,304 --> 00:14:32,305 GIRL-- 372 00:14:32,339 --> 00:14:33,540 I MISS ALL OF YOU. 373 00:14:33,573 --> 00:14:35,909 WE'VE MISSED YOU SO MUCH. 374 00:14:35,943 --> 00:14:37,544 YOU HAVE NO IDEA. 375 00:14:37,577 --> 00:14:39,246 IT WASN'T THE SAME WITHOUT YOU. 376 00:14:39,279 --> 00:14:40,347 LET ME TELL YOU, 377 00:14:40,380 --> 00:14:42,349 IT HAS BEEN CRAZY AROUND HERE. 378 00:14:42,382 --> 00:14:44,952 I DON'T UNDERSTAND. WHERE DID THESE WOMEN COME FROM? 379 00:14:44,985 --> 00:14:48,155 FROM HELL, VIA MIAMI BEACH. 380 00:14:48,188 --> 00:14:49,622 DAWN DENBO 381 00:14:49,656 --> 00:14:52,192 AND HER SERVANT-MAID CINDI-- 382 00:14:52,225 --> 00:14:53,226 EXCUSE ME. 383 00:14:53,260 --> 00:14:55,095 I'M SORRY. 384 00:14:55,128 --> 00:14:56,229 I JUST-- 385 00:14:56,263 --> 00:14:59,099 I JUST WANTED TO SAY THAT I'M SORRY. 386 00:14:59,132 --> 00:15:02,569 YOU WANT TO SAY YOU'RE SORRY? 387 00:15:02,602 --> 00:15:03,603 YOU? 388 00:15:03,636 --> 00:15:06,206 I KNOW, I KNOW, IT DOESN'T MAKE A DIFFERENCE, 389 00:15:06,239 --> 00:15:08,075 BUT I HATE WHAT SHE'S DOING. 390 00:15:08,108 --> 00:15:09,176 OKAY? I DO. 391 00:15:09,209 --> 00:15:11,178 I WOULD'VE TRIED TO STOP HER, 392 00:15:11,211 --> 00:15:13,213 BUT SHE'S... SHE'S CRAZY. 393 00:15:13,246 --> 00:15:14,948 CINDI! CIN? 394 00:15:14,982 --> 00:15:16,950 I NEED YOU TO DO A FEW THINGS. 395 00:15:16,984 --> 00:15:18,218 CAN YOU GET OVER HERE, PLEASE? 396 00:15:18,251 --> 00:15:20,220 I NEED YOU TO GO OVER TO SHEBAR 397 00:15:20,253 --> 00:15:22,222 AND I NEED YOU TO WAIT FOR THE LIQUOR DELIVERY. 398 00:15:22,255 --> 00:15:24,157 AND I GOT A MEETING THIS AFTERNOON, 399 00:15:24,191 --> 00:15:26,193 SO YOU'RE GOING TO HAVE TO 400 00:15:26,226 --> 00:15:27,594 SET UP WITHOUT ME. 401 00:15:27,627 --> 00:15:28,728 OKAY? CAN YOU DO THAT? 402 00:15:28,761 --> 00:15:30,230 SERIOUSLY. CAN YOU GO NOW? 403 00:15:30,263 --> 00:15:31,631 BECAUSE THEY'RE WAITING AT THE DELIVERY. 404 00:15:31,664 --> 00:15:33,600 THANK YOU. NICE FACE. THANK YOU. 405 00:15:33,633 --> 00:15:35,335 WELL, I QUIT. 406 00:15:35,368 --> 00:15:36,703 WELL, I FIGURED, 407 00:15:36,736 --> 00:15:38,705 WHEN YOU CALLED ME TO MEET YOU DOWN HERE. 408 00:15:38,738 --> 00:15:40,140 CRAZY. 409 00:15:40,173 --> 00:15:43,143 UM, WHO ARE YOU MEETING, ANYWAY? 410 00:15:43,176 --> 00:15:44,311 MY FRIEND JJ. 411 00:15:44,344 --> 00:15:45,345 WHO'S THAT? 412 00:15:45,378 --> 00:15:47,514 WE WENT THROUGH BASIC TOGETHER. 413 00:15:47,547 --> 00:15:48,581 OH, YEAH? 414 00:15:48,615 --> 00:15:49,616 YEAH. SHE'S A COP. 415 00:15:49,649 --> 00:15:51,618 OH, SHE IS? COP, HUH? 416 00:15:51,651 --> 00:15:53,720 OH, THERE THEY ARE. 417 00:15:53,753 --> 00:15:54,754 WHERE? 418 00:15:54,787 --> 00:15:56,689 I WANT YOU TO MEET THEM. COME ON. 419 00:15:56,723 --> 00:15:58,058 WHAT'S UP, Y'ALL? 420 00:15:58,091 --> 00:16:01,261 HEY! GET YOUR ASS OVER HERE, WILLIAMS! 421 00:16:01,294 --> 00:16:03,230 FUCKIN' WILLIAMS. WHAT'S UP? 422 00:16:03,263 --> 00:16:04,364 ALICE, THIS IS JJ. 423 00:16:04,397 --> 00:16:05,732 HI. HOW ARE YOU? I'M ALICE. 424 00:16:05,765 --> 00:16:07,067 HI. 425 00:16:07,100 --> 00:16:08,101 HOLY FUCKIN' SHIT. WHAT? 426 00:16:08,135 --> 00:16:09,736 I KNOW YOU. YOU DO? 427 00:16:09,769 --> 00:16:12,172 "I'M ALICE PIESZECKI, AND YOU'RE WATCHING THE LOOK." 428 00:16:12,205 --> 00:16:13,240 OH. [SHRIEKING] 429 00:16:13,273 --> 00:16:15,208 YOU ARE SO COOL! OH, MY GOD. 430 00:16:15,242 --> 00:16:18,245 I LOVE THE WAY YOU HANDLED THAT ASS, MARY LAMM. 431 00:16:18,278 --> 00:16:19,612 IS SHE REALLY SUCH A DOOFUS, OR IS THAT-- 432 00:16:19,646 --> 00:16:22,349 NO, SHE'S A DOOFUS. OH, YEAH, TOTALLY.. 433 00:16:22,382 --> 00:16:24,084 ALICE, CAN YOU JOIN US FOR LUNCH? 434 00:16:24,117 --> 00:16:26,086 OH, I HAVE SOMEWHERE TO BE, BUT THANK YOU VERY MUCH. 435 00:16:26,119 --> 00:16:28,621 YEAH. OKAY, WELL, HAVE A GOOD TIME. 436 00:16:28,655 --> 00:16:30,090 I'LL TALK TO YOU LATER. BYE. 437 00:16:30,123 --> 00:16:32,092 AW, MAN! WILLIAMS! 438 00:16:32,125 --> 00:16:33,593 HEY, ALICE! 439 00:16:33,626 --> 00:16:35,262 COULD I HAVE YOUR AUTOGRAPH? 440 00:16:35,295 --> 00:16:36,629 YOU WANT MY AUTOGRAPH? 441 00:16:36,663 --> 00:16:38,298 YEAH! YEAH, PLEASE? WHAT'S YOUR NAME AGAIN? 442 00:16:38,331 --> 00:16:40,233 KAREN.KAREN. YEAH. 443 00:16:40,267 --> 00:16:41,701 THAT'S SO COOL! 444 00:16:41,734 --> 00:16:44,104 I HAVE TO WORK ON MY SIGNATURE. 445 00:16:44,137 --> 00:16:45,805 OKAY. NICE TO MEET YOU. 446 00:16:45,838 --> 00:16:47,240 BYE. 447 00:16:47,274 --> 00:16:48,275 OH, MY GOSH! 448 00:16:48,308 --> 00:16:50,043 SHE'S NICE. YEAH. 449 00:16:53,146 --> 00:16:54,647 HOW'S THE MOVIE GOING? 450 00:16:54,681 --> 00:16:56,783 LET'S TALK ABOUT THAT. 451 00:16:56,816 --> 00:16:58,651 WELL... 452 00:16:58,685 --> 00:17:01,288 THIS IS GOOD-- WE GOT DISTRIBUTION. 453 00:17:01,321 --> 00:17:02,722 WOW! MAJOR STUDIO. 454 00:17:02,755 --> 00:17:04,291 THAT'S GREAT. YEAH. 455 00:17:04,324 --> 00:17:05,658 I CAN'T-- I MEAN, I BELIEVE IT, 456 00:17:05,692 --> 00:17:07,160 BUT THAT'S WONDERFUL. 457 00:17:07,194 --> 00:17:08,828 WE JUST HAVE TO WORK OUT A FEW DETAILS. 458 00:17:08,861 --> 00:17:10,697 VERY, VERY HAPPY. GOOD. 459 00:17:10,730 --> 00:17:12,232 CAN I TELL YOU SOMETHING? 460 00:17:12,265 --> 00:17:13,700 WHAT? 461 00:17:13,733 --> 00:17:16,536 NIKI CAME INTO MY TRAILER THE OTHER DAY, 462 00:17:16,569 --> 00:17:17,637 AND SHE WAS CRYING. 463 00:17:17,670 --> 00:17:19,106 REALLY? MM-HMM. 464 00:17:19,139 --> 00:17:20,073 WHY? 465 00:17:20,107 --> 00:17:22,709 SHE SAYS YOU WON'T RETURN ANY OF HER CALLS. 466 00:17:22,742 --> 00:17:23,810 NO. 467 00:17:23,843 --> 00:17:25,245 SHE COMES UP TO ME AFTER EVERY TAKE 468 00:17:25,278 --> 00:17:26,613 AND SHE SAYS, 469 00:17:26,646 --> 00:17:28,248 "DO YOU THINK JENNY WOULD HAVE LIKED THAT?" 470 00:17:28,281 --> 00:17:30,117 OR SHE'LL SAY, UH, 471 00:17:30,150 --> 00:17:32,652 "DO YOU THINK THAT'S WHAT JENNY MEANT WHEN SHE WROTE IT?" 472 00:17:32,685 --> 00:17:34,287 DOES SHE REALLY SAY THAT TO YOU? 473 00:17:34,321 --> 00:17:36,223 SHE MISSES YOU. 474 00:17:36,256 --> 00:17:37,624 WELL, I DON'T WANT 475 00:17:37,657 --> 00:17:39,859 TO BE WITH SOMEONE WHO'S AFRAID TO BE WHO THEY ARE. 476 00:17:39,892 --> 00:17:41,128 I MEAN, IT'S PATHETIC. 477 00:17:41,161 --> 00:17:42,729 SHE HAS A LOT TO LOSE. 478 00:17:42,762 --> 00:17:44,131 WELL, SO DO I. 479 00:17:44,164 --> 00:17:46,233 I DON'T HAVE A CAREER ANYMORE. 480 00:17:46,266 --> 00:17:48,635 MY AGENTS JUST DROPPED ME. 481 00:17:48,668 --> 00:17:49,736 [STUNNED]: WHAT? 482 00:17:49,769 --> 00:17:52,205 THAT'S TERRIBLE. I'M SORRY. 483 00:17:54,641 --> 00:17:56,343 YOU'LL GET ANOTHER AGENT. 484 00:17:56,376 --> 00:17:57,544 YOU'RE GOOD. 485 00:17:57,577 --> 00:17:58,578 YOU WILL. 486 00:18:00,580 --> 00:18:01,714 ARE YOU OKAY? 487 00:18:01,748 --> 00:18:02,715 I'M FINE. 488 00:18:02,749 --> 00:18:04,651 I'M JUST A... 489 00:18:04,684 --> 00:18:07,187 THINK I SHOULD CALL NIKI? 490 00:18:07,220 --> 00:18:09,589 I DON'T KNOW. 491 00:18:11,291 --> 00:18:13,293 JESSE. 492 00:18:14,861 --> 00:18:16,863 JESSE? 493 00:18:18,398 --> 00:18:20,267 JESSE, STOP! 494 00:18:20,300 --> 00:18:23,270 WHAT DO YOU WANT? 495 00:18:23,303 --> 00:18:25,338 I LOVE YOU. 496 00:18:25,372 --> 00:18:27,740 VIPERS DON'T LOVE, KARINA. 497 00:18:27,774 --> 00:18:29,642 THEY POISON. 498 00:18:29,676 --> 00:18:30,743 YOU USED ME AS A PAWN 499 00:18:30,777 --> 00:18:33,246 IN YOUR TWISTED RELATIONSHIP. 500 00:18:33,280 --> 00:18:35,248 HOW MANY GIRLS HAVE YOU AND FRANCES DESTROYED 501 00:18:35,282 --> 00:18:36,816 IN ORDER TO TELL YOUR SORDID STORIES 502 00:18:36,849 --> 00:18:38,718 AS FOREPLAY? HUH? 503 00:18:38,751 --> 00:18:40,187 YOU DON'T UNDERSTAND. 504 00:18:40,220 --> 00:18:41,354 ["JESSE"]: OH, I UNDERSTAND. 505 00:18:41,388 --> 00:18:43,790 I UNDERSTAND ENOUGH 506 00:18:43,823 --> 00:18:45,758 TO KNOW THAT I DESPISE YOU. 507 00:18:45,792 --> 00:18:46,793 ["KARINA"]: YOU'RE THE ONLY ONE 508 00:18:46,826 --> 00:18:47,860 I'VE EVER FELT THIS WAY ABOUT. 509 00:18:49,662 --> 00:18:51,264 YOU'RE A LIAR. A FUCKING LIAR! 510 00:18:51,298 --> 00:18:52,365 OKAY, THAT'S REALLY GOOD. 511 00:18:52,399 --> 00:18:53,833 LET'S CUT. 512 00:18:53,866 --> 00:18:55,635 [ASSISTANT DIRECTOR]: OKAY, THAT'S A CUT! 513 00:18:55,668 --> 00:18:56,903 THANK YOU! 514 00:18:56,936 --> 00:19:00,773 [SET BUZZING WITH CONVERSATION, OVERLAPPING AND INDISTINCT] 515 00:19:07,314 --> 00:19:09,882 [**] 516 00:19:19,959 --> 00:19:21,928 TINA, CAN I TALK TO YOU FOR A MINUTE? 517 00:19:21,961 --> 00:19:23,830 SURE. 518 00:19:23,863 --> 00:19:25,232 WHAT'S UP? 519 00:19:25,265 --> 00:19:27,867 ADELE WANTS YOU OFF THE SET. 520 00:19:30,837 --> 00:19:32,339 WHAT? 521 00:19:32,372 --> 00:19:34,807 SHE... HAS ASKED ME 522 00:19:34,841 --> 00:19:36,943 TO HAVE YOU REMOVED FROM SET. 523 00:19:36,976 --> 00:19:38,311 SHE SAID SHE CAN'T WORK 524 00:19:38,345 --> 00:19:40,280 WITH YOU LOOKING OVER HER SHOULDER. 525 00:19:40,313 --> 00:19:42,649 YOU'VE GOT TO BE FUCKING KIDDING ME. 526 00:19:42,682 --> 00:19:44,617 I KNOW. 527 00:19:44,651 --> 00:19:46,253 THANKS, SALLY. 528 00:19:50,323 --> 00:19:52,792 WHAT IS THIS? 529 00:19:56,596 --> 00:19:58,298 [SETS LIGHTER DOWN] 530 00:19:58,331 --> 00:20:01,268 [EXHALING DEEPLY] 531 00:20:01,301 --> 00:20:04,371 WELL, LOYALTY IS VERY IMPORTANT TO ME, TINA, 532 00:20:04,404 --> 00:20:07,374 AND I UNDERSTAND THAT YOUR LOYALTY IS TO JENNY. 533 00:20:07,407 --> 00:20:08,608 YOU GUYS ARE OLD FRIENDS. 534 00:20:08,641 --> 00:20:09,676 BUT YOU SHOULD UNDERSTAND 535 00:20:09,709 --> 00:20:12,812 THAT I CAN'T HAVE YOU ON THE SET DOING HER BIDDING. 536 00:20:12,845 --> 00:20:16,683 WHAT MAKES YOU THINK I'M DOING JENNY'S BIDDING? 537 00:20:16,716 --> 00:20:19,286 DON'T INSULT ME, TINA. 538 00:20:19,319 --> 00:20:21,388 I KNOW YOU HAD LUNCH WITH HER THIS AFTERNOON. 539 00:20:21,421 --> 00:20:23,690 I KNOW THAT YOU SPEAK WITH HER REGULARLY. 540 00:20:23,723 --> 00:20:25,992 [SCOFFS] 541 00:20:26,025 --> 00:20:27,159 AND I KNOW THAT YOU UNDERSTAND 542 00:20:27,193 --> 00:20:29,962 THAT IT MAKES IT REALLY DIFFICULT FOR ME TO DO MY JOB 543 00:20:29,996 --> 00:20:31,598 WHILE YOU'RE ON MY SET. 544 00:20:31,631 --> 00:20:35,735 ADELE, I'M THE PRODUCER OF THIS MOVIE, OKAY? 545 00:20:35,768 --> 00:20:38,605 I BUSTED MY ASS PUTTING IT TOGETHER. 546 00:20:38,638 --> 00:20:41,408 WHY WOULD I LET YOU KICK ME OFF THE SET? 547 00:20:41,441 --> 00:20:43,910 UM... [EXHALING] 548 00:20:46,313 --> 00:20:50,750 BECAUSE YOU WANT THIS PICTURE ON SCHEDULE AND ON BUDGET? 549 00:21:11,003 --> 00:21:13,340 IT'S SO AWFUL. 550 00:21:13,373 --> 00:21:19,346 THIS WOMAN, SHE UTTERLY DECEIVED KIT. 551 00:21:19,379 --> 00:21:25,284 IT'S LIKE SHE'S SOME SORT OF A SMALL-TIME PETTY CON ARTIST. 552 00:21:27,620 --> 00:21:30,657 SHE VIRTUALLY STOLE THE PLANET OUT FROM UNDER HER. 553 00:21:30,690 --> 00:21:33,393 [TAKES A DEEP BREATH, SIGHS HEAVILY] 554 00:21:33,426 --> 00:21:37,697 WHY DON'T YOU BUY IT BACK? 555 00:21:37,730 --> 00:21:39,366 WHAT DID YOU SAY? 556 00:21:39,399 --> 00:21:43,870 EVERY LOWLIFE HAS A PRICE, HELENA. 557 00:21:43,903 --> 00:21:44,971 AND, MOST LIKELY, 558 00:21:45,004 --> 00:21:46,439 A PECCADILLO OR TWO 559 00:21:46,473 --> 00:21:48,841 THAT CAN BE EASILY DISCOVERED, 560 00:21:48,875 --> 00:21:52,011 IF SHE NEEDS A LITTLE PERSUADING. 561 00:21:52,044 --> 00:21:54,080 ISN'T THAT EXTORTION, MUMMY? 562 00:21:54,113 --> 00:21:55,715 I THOUGHT YOU WERE AGAINST 563 00:21:55,748 --> 00:21:57,884 ME USING MONEY TO BUY MY FRIENDS. 564 00:21:57,917 --> 00:21:59,819 DIDN'T THESE PEOPLE STAND BY YOU 565 00:21:59,852 --> 00:22:03,823 WHEN YOU HAD ABSOLUTELY NOT ONE RED CENT? 566 00:22:03,856 --> 00:22:04,824 MY FRIENDS? 567 00:22:04,857 --> 00:22:06,693 YEAH, THEY DID. 568 00:22:06,726 --> 00:22:08,361 SO YOU WOULDN'T BE 569 00:22:08,395 --> 00:22:10,029 BUYING FRIENDSHIP FROM THEM 570 00:22:10,062 --> 00:22:11,831 IF YOU ALREADY HAVE IT. 571 00:22:11,864 --> 00:22:14,667 I REALLY WISH YOU WOULD TRY TO EVINCE 572 00:22:14,701 --> 00:22:15,868 SOME MORE CLEARHEADEDNESS, 573 00:22:15,902 --> 00:22:17,870 HELENA. 574 00:22:17,904 --> 00:22:22,008 MUMMY, YOU'RE THE ONE WHO'S NOT BEING VERY CLEAR. 575 00:22:24,010 --> 00:22:26,413 I MEAN, FIRST OF ALL, 576 00:22:26,446 --> 00:22:28,981 YOU TAKE AWAY ALL MY MONEY FROM ME-- 577 00:22:29,015 --> 00:22:32,885 IT WASN'T YOUR MONEY. 578 00:22:32,919 --> 00:22:34,721 IT WAS MINE. 579 00:22:34,754 --> 00:22:36,756 [TAKING A DEEP BREATH] 580 00:22:38,491 --> 00:22:41,828 I HAD TO BE SURE 581 00:22:41,861 --> 00:22:43,095 THAT YOU WOULDN'T MAKE A FOOL OF US 582 00:22:43,129 --> 00:22:46,399 WITH IT. 583 00:22:46,433 --> 00:22:48,100 IT'S UNDIGNIFIED 584 00:22:48,134 --> 00:22:51,971 TO ALWAYS LEAD WITH THE BANKBOOK. 585 00:22:52,004 --> 00:22:53,139 WHAT MAKES YOU THINK 586 00:22:53,172 --> 00:22:55,908 I'M ANY MORE DIGNIFIED NOW, MUMMY? 587 00:22:57,444 --> 00:23:00,613 TO TELL YOU THE TRUTH, I DON'T KNOW THAT YOU ARE. 588 00:23:00,647 --> 00:23:01,881 [SCOFFS SOFTLY] 589 00:23:01,914 --> 00:23:02,982 BUT I HAVE TO LEAVE 590 00:23:03,015 --> 00:23:05,618 ALL MY FUCKING MONEY TO SOMEONE, 591 00:23:05,652 --> 00:23:08,888 AND I'M NOT GOING TO LEAVE IT TO MY LHASA APSOS. 592 00:23:08,921 --> 00:23:12,425 WELL, TALK ABOUT UNDIGNIFIED. 593 00:23:12,459 --> 00:23:13,793 SO, WHAT WOULD YOU WANT ME TO DO 594 00:23:13,826 --> 00:23:15,828 WITH ALL YOUR FUCKING MONEY? 595 00:23:17,029 --> 00:23:19,098 AS IS YOUR WONT. 596 00:23:19,131 --> 00:23:22,168 SPEND IT WILLY-NILLY. 597 00:23:25,171 --> 00:23:28,875 BUY YOUR FRIEND A NIGHT CLUB. 598 00:23:31,911 --> 00:23:34,146 BUY HER TWO. 599 00:23:37,016 --> 00:23:38,685 THIS IS FASTER 600 00:23:38,718 --> 00:23:40,787 THAT I THOUGHT IT WOULD BE! 601 00:23:40,820 --> 00:23:44,691 THIS IS SO CRAZY. OH. MY GOSH. 602 00:23:44,724 --> 00:23:46,626 * YOU USED TO TELL ME THAT YOU LOVE ME * 603 00:23:46,659 --> 00:23:48,895 * EVERY DAY 604 00:23:48,928 --> 00:23:50,997 * I DIDN'T KNOW WHAT TO SAY * 605 00:23:51,030 --> 00:23:53,800 * BUT THERE WAS NEVER ANY DOUBT * 606 00:23:53,833 --> 00:23:54,934 * I ALWAYS KNEW 607 00:23:54,967 --> 00:23:56,903 * THAT, TO ME YOU STAYED TRUE * 608 00:23:56,936 --> 00:23:57,970 [SIREN YELPS] 609 00:23:58,004 --> 00:23:59,739 I MEAN, IT'S LIKE A BICYCLE. 610 00:23:59,772 --> 00:24:01,741 MA'AM, I JUST NEED TO SEE YOUR LICENSE. 611 00:24:01,774 --> 00:24:02,875 IT'S ELECTRIC. 612 00:24:02,909 --> 00:24:06,012 WELL, IS EVERYTHING OKAY? 613 00:24:07,714 --> 00:24:09,716 YEAH, SURE. NO. 614 00:24:09,749 --> 00:24:10,850 I JUST... AS LONG AS YOU'RE HOME IN TIME 615 00:24:10,883 --> 00:24:14,220 TO GET READY FOR JODI'S THING TONIGHT IS FINE, YEAH. 616 00:24:14,253 --> 00:24:16,055 I'M SORRY YOU GOT A TICKET. 617 00:24:16,088 --> 00:24:18,925 THE LAPD CAN BE TOTAL PIGS. 618 00:24:18,958 --> 00:24:21,628 I KIND OF HATE THEM. 619 00:24:21,661 --> 00:24:23,996 YEAH. 620 00:24:24,030 --> 00:24:26,899 SO... WAS THAT YOUR GIRLFRIEND 621 00:24:26,933 --> 00:24:29,001 ON THE PHONE? 622 00:24:29,035 --> 00:24:31,738 YEAH. IT WAS. 623 00:24:32,939 --> 00:24:36,743 THAT'S A LITTLE BIT DISAPPOINTING FOR ME. 624 00:24:39,712 --> 00:24:41,714 ME TOO. 625 00:24:43,783 --> 00:24:46,819 GOD, THAT SOUNDED BAD. 626 00:24:46,853 --> 00:24:48,621 IT'S THE MOST NATURAL THING IN THE WORLD 627 00:24:48,655 --> 00:24:52,058 TO MEET SOMEONE AND BE ATTRACTED TO THEM. 628 00:24:52,091 --> 00:24:53,993 YOU KNOW? 629 00:24:54,026 --> 00:24:56,996 EVEN IF YOU'RE IN A RELATIONSHIP 630 00:24:57,029 --> 00:24:58,698 WITH SOMEBODY ELSE? 631 00:24:58,731 --> 00:25:01,801 WELL, PEOPLE DO IT ALL THE TIME. 632 00:25:01,834 --> 00:25:03,803 I MEAN, CLEARLY, 633 00:25:03,836 --> 00:25:06,673 IT'S NOT AGAINST OUR NATURE, BUT... 634 00:25:06,706 --> 00:25:07,807 RIGHT. 635 00:25:07,840 --> 00:25:08,941 I DON'T KNOW, 636 00:25:08,975 --> 00:25:11,844 MAYBE IT'S DESIGNED TO TEACH US SOMETHING. 637 00:25:11,878 --> 00:25:14,280 WHAT, THAT THE RELATIONSHIP'S 638 00:25:14,313 --> 00:25:16,015 IN TROUBLE? 639 00:25:16,048 --> 00:25:18,751 WELL, NOT ALWAYS. I MEAN... 640 00:25:21,721 --> 00:25:25,792 I DON'T KNOW ANYTHING ABOUT YOUR RELATIONSHIP. 641 00:25:32,231 --> 00:25:35,802 I THINK IT MIGHT BE IN TROUBLE. 642 00:25:46,979 --> 00:25:49,716 I CAN'T. 643 00:25:49,749 --> 00:25:50,883 I'M SORRY. 644 00:25:50,917 --> 00:25:53,052 I'M SORRY. 645 00:25:59,726 --> 00:26:02,862 HAVE YOU EVER BEEN IN MY SITUATION? 646 00:26:04,263 --> 00:26:05,698 YEAH, ONCE. 647 00:26:05,732 --> 00:26:08,267 REALLY? WHAT'D YOU DO? 648 00:26:08,300 --> 00:26:11,771 UM, I HAD A REALLY... 649 00:26:11,804 --> 00:26:13,139 GREAT LOVE AFFAIR. 650 00:26:13,172 --> 00:26:14,741 YEAH. 651 00:26:14,774 --> 00:26:16,876 BUT... I BROKE SOMEONE'S HEART 652 00:26:16,909 --> 00:26:20,046 AND I CAUSED A LOT OF... 653 00:26:20,079 --> 00:26:22,882 JUST GENERAL CHAOS AND DESTRUCTION. SO. 654 00:26:22,915 --> 00:26:25,184 YEAH. SOUNDS GOOD. 655 00:26:25,217 --> 00:26:27,820 [BOTH CHUCKLE SADLY] 656 00:26:27,854 --> 00:26:29,856 MY FRIEND, HELENA, SAYS, 657 00:26:29,889 --> 00:26:32,024 "WHATEVER STARTS IN CHAOS ENDS IN CHAOS." SO. 658 00:26:32,058 --> 00:26:33,826 I HEAR YOU. 659 00:26:33,860 --> 00:26:38,064 YOUR FRIEND KNOWS WHAT SHE'S TALKING ABOUT. 660 00:26:43,269 --> 00:26:45,171 I PROMISED MYSELF 661 00:26:45,204 --> 00:26:49,175 THAT I WOULD NEVER DO THAT AGAIN. 662 00:26:49,208 --> 00:26:50,977 BUT YOU JUST TRIED TO KISS ME. 663 00:26:51,010 --> 00:26:52,078 YES. 664 00:26:52,111 --> 00:26:54,246 THAT DIDN'T REALLY WORK OUT, DID IT? 665 00:26:54,280 --> 00:26:55,247 NO. 666 00:26:55,281 --> 00:26:56,716 IT'S VERY DIFFICULT 667 00:26:56,749 --> 00:26:59,018 TO STAND BY YOUR CONVICTIONS 668 00:26:59,051 --> 00:27:01,988 WHEN SOMEONE IS, LIKE, 669 00:27:02,021 --> 00:27:05,958 SEXY AND SMART AND AMAZING 670 00:27:05,992 --> 00:27:08,761 WHO YOU'RE SUPER-ATTRACTED TO, 671 00:27:08,795 --> 00:27:12,098 IS, LIKE, THIS FAR AWAY FROM YOU. 672 00:27:12,131 --> 00:27:14,233 YOU KNOW? 673 00:27:19,205 --> 00:27:20,707 [SIGHING] 674 00:27:20,740 --> 00:27:23,009 I JUST LEFT A MESSAGE WITH SALLY. 675 00:27:23,042 --> 00:27:25,978 SHE'LL CALL ME IF ANYTHING GOES WRONG. 676 00:27:26,012 --> 00:27:27,747 I'M JUST SO IMPRESSED 677 00:27:27,780 --> 00:27:30,683 THAT YOU'RE KEEPING YOUR COOL ABOUT IT. 678 00:27:30,717 --> 00:27:32,785 WHAT ELSE CAN I DO? 679 00:27:32,819 --> 00:27:34,053 WE JUST HAVE TO GET THROUGH TONIGHT. 680 00:27:34,086 --> 00:27:35,955 WE WRAP AT 4:00 A.M., 681 00:27:35,988 --> 00:27:38,157 AND THEN TOMORROW'S THE PARTY. 682 00:27:38,190 --> 00:27:41,994 DO YOU HAVE TO GO TO THE PARTY? 683 00:27:42,028 --> 00:27:44,764 YEAH, I WANT TO, IT'S MY MOVIE. 684 00:27:44,797 --> 00:27:46,165 AND THERE'S NO WAY 685 00:27:46,198 --> 00:27:48,167 THAT I'M GOING TO LET ADELE WIN. 686 00:27:48,200 --> 00:27:50,036 [CHUCKLING SOFTLY] 687 00:27:50,069 --> 00:27:52,772 YEAH, WELL, I'LL BE THERE WITH YOU. 688 00:27:55,074 --> 00:27:57,109 I WISH I COULD BE THERE WITH YOU TONIGHT. 689 00:27:57,143 --> 00:27:59,178 I'LL BE FINE. 690 00:27:59,211 --> 00:28:01,914 I THINK I WROTE A PRETTY GOOD SPEECH. 691 00:28:06,352 --> 00:28:08,320 THEY'RE SHOOTING MY FAVOURITE SCENE 692 00:28:08,354 --> 00:28:09,856 OF THE WHOLE MOVIE. 693 00:28:09,889 --> 00:28:11,157 IT'S THE LAST SCENE. 694 00:28:11,190 --> 00:28:15,094 IT'S WHEN JESSE FINALLY ENDS IT WITH KARINA ONCE AND FOR ALL. 695 00:28:15,127 --> 00:28:16,162 HER HEART IS BROKEN, 696 00:28:16,195 --> 00:28:17,897 AND SHE THINKS THERE'S NO WAY 697 00:28:17,930 --> 00:28:20,232 SHE'S EVER GOING TO LOVE AGAIN. 698 00:28:20,266 --> 00:28:23,069 WELL, BECAUSE KARINA WAS HER FIRST LOVE, 699 00:28:23,102 --> 00:28:26,205 AND EVERYONE ALWAYS THINK THAT WHEN THEIR FIRST LOVE LEAVES. 700 00:28:26,238 --> 00:28:29,241 YEAH. YOU WERE MY FIRST. 701 00:28:29,275 --> 00:28:31,010 AND I THOUGHT I WOULD DIE. 702 00:28:33,312 --> 00:28:35,014 I NEVER LEFT YOU. 703 00:28:35,047 --> 00:28:37,817 YES, YOU DID. 704 00:28:39,285 --> 00:28:41,153 BUT THEN YOU CAME BACK. 705 00:28:55,167 --> 00:28:57,937 SO DID SHE WRITE A HAPPY ENDING? 706 00:28:57,970 --> 00:28:59,906 YEAH. 707 00:28:59,939 --> 00:29:02,875 SHE DID, SHE WROTE SUCH A GREAT ENDING. 708 00:29:02,909 --> 00:29:05,277 [SIGHS] 709 00:29:05,311 --> 00:29:07,146 IT'S LIKE... 710 00:29:07,179 --> 00:29:10,049 JESSE'S LIFE IS JUST BEGINNING. 711 00:29:10,082 --> 00:29:12,284 AND, JENNY, OH, MY GOD. 712 00:29:12,318 --> 00:29:14,053 WHO WOULD'VE THOUGHT? 713 00:29:14,086 --> 00:29:15,955 BUT SHE PULLED IT TOGETHER 714 00:29:15,988 --> 00:29:18,791 AND SHE WROTE THIS AMAZING ENDING... 715 00:29:18,825 --> 00:29:22,194 IT WAS SUCH A POSITIVE MESSAGE FOR YOUNG, GAY WOMEN. 716 00:29:22,228 --> 00:29:24,964 IT'S GREAT. 717 00:29:24,997 --> 00:29:27,834 I'M SORRY YOU CAN'T BE THERE. 718 00:29:29,936 --> 00:29:31,303 I'M OKAY. 719 00:29:31,337 --> 00:29:32,972 IT'S NOT IMPORTANT. 720 00:29:33,005 --> 00:29:35,241 WHAT IS IMPORTANT? 721 00:29:41,213 --> 00:29:43,149 YOU. 722 00:29:43,182 --> 00:29:45,551 US. 723 00:30:09,008 --> 00:30:11,243 SO, DO YOU THINK ANGIE SHOULD HAVE 724 00:30:11,277 --> 00:30:14,280 A BABY SISTER OR BABY BROTHER? 725 00:30:16,315 --> 00:30:18,184 WHAT? 726 00:30:18,217 --> 00:30:19,318 WHAT? 727 00:30:19,351 --> 00:30:21,954 HI! 728 00:30:21,988 --> 00:30:23,990 HEY. 729 00:30:25,257 --> 00:30:27,927 GUESS WHAT I JUST DID. 730 00:30:27,960 --> 00:30:28,794 WHAT? 731 00:30:28,827 --> 00:30:31,197 I SIGNED UP FOR THE POLICE ACADEMY. 732 00:30:31,230 --> 00:30:33,565 FOR THE LAPD? 733 00:30:33,599 --> 00:30:34,500 YEAH. JJ TOOK ME DOWN. 734 00:30:34,533 --> 00:30:36,969 SHE TEACHES ONE OF THE TRAINING COURSES. 735 00:30:37,003 --> 00:30:39,305 THEY LOVE THE FACT THAT I'M EX-MILITARY. 736 00:30:39,338 --> 00:30:41,273 AND THEY'RE REALLY PRO-GAY. 737 00:30:41,307 --> 00:30:44,076 THEY EVEN HAVE DOMESTIC PARTNER BENEFITS. 738 00:30:44,110 --> 00:30:46,112 [FLIPPING PAGES] 739 00:30:47,947 --> 00:30:49,982 YOU WANT TO BE A COP? 740 00:30:50,016 --> 00:30:52,985 WELL, I FILLED OUT ALL THE PAPERWORK ALREADY. 741 00:30:53,019 --> 00:30:56,288 I HAVE MY FIRST SCREENING NEXT WEDNESDAY. 742 00:30:56,322 --> 00:30:58,190 [CHUCKLES HAPPILY] 743 00:30:58,224 --> 00:31:00,526 IS THIS OKAY? 744 00:31:00,559 --> 00:31:01,593 YEAH. I WAS JUST-- 745 00:31:01,627 --> 00:31:02,929 THERE'S A LOT... 746 00:31:02,962 --> 00:31:04,030 IT LOOKS LIKE YOU HAVE A LOT TO LEARN. 747 00:31:04,063 --> 00:31:05,231 [LAUGHING] 748 00:31:05,264 --> 00:31:06,598 YEAH. 749 00:31:06,632 --> 00:31:08,067 IT'S GREAT. IT'S GREAT. 750 00:31:08,100 --> 00:31:09,235 I'M HAPPY FOR YOU. 751 00:31:09,268 --> 00:31:11,203 IF THIS IS WHAT YOU WANT, I MEAN, YEAH. 752 00:31:11,237 --> 00:31:13,239 I'M ACTUALLY REALLY EXCITED. 753 00:31:13,272 --> 00:31:15,141 GOOD. 754 00:31:15,174 --> 00:31:16,943 GOOD. 755 00:31:16,976 --> 00:31:18,044 YEAH. 756 00:31:18,077 --> 00:31:21,080 [SHEBAR DANCE MUSIC THUMPING] 757 00:31:33,625 --> 00:31:36,028 EXCUSE ME? 758 00:31:36,062 --> 00:31:37,964 HELLO? 759 00:31:37,997 --> 00:31:40,032 I HOPE I'M NOT INTRUDING? 760 00:31:40,066 --> 00:31:41,033 NO. 761 00:31:41,067 --> 00:31:42,668 WHAT-WHAT CAN I DO FOR YOU? 762 00:31:42,701 --> 00:31:44,203 I HAVE A PROPOSITION, 763 00:31:44,236 --> 00:31:46,538 AND I THINK IT MIGHT BE OF INTEREST. 764 00:31:46,572 --> 00:31:48,340 WELL, DAWN'S NOT HERE RIGHT NOW. 765 00:31:48,374 --> 00:31:49,942 NO. IT'S A PROPOSITION FOR YOU. 766 00:31:51,643 --> 00:31:54,246 MAYBE WE CAN TALK SOMEWHERE PRIVATELY? 767 00:31:56,983 --> 00:31:58,584 YEAH. 768 00:31:58,617 --> 00:32:00,652 [**] 769 00:32:09,028 --> 00:32:10,997 [**] 770 00:32:15,567 --> 00:32:16,735 * BABY 771 00:32:16,768 --> 00:32:18,670 * I'VE BEEN WAITING 772 00:32:18,704 --> 00:32:20,172 BETTE. 773 00:32:20,206 --> 00:32:21,673 I'M SO RELIEVED YOU CAME. 774 00:32:21,707 --> 00:32:24,010 AFTER JODI TOLD ME WHAT THE PIECE WAS ABOUT... 775 00:32:24,043 --> 00:32:25,978 OH, LARI. LARI? DO YOU KNOW LARI PITTMAN? 776 00:32:26,012 --> 00:32:27,079 OF COURSE. 777 00:32:27,113 --> 00:32:28,080 IT'S NICE TO SEE YOU. 778 00:32:28,114 --> 00:32:29,681 HELLO, LARRY. 779 00:32:29,715 --> 00:32:31,283 SERENA. 780 00:32:31,317 --> 00:32:32,551 WHAT THE PIECE WHAT? 781 00:32:32,584 --> 00:32:33,685 WHAT WERE YOU SAYING? 782 00:32:33,719 --> 00:32:36,255 LARI, I WANT YOU TO MEET... 783 00:32:40,126 --> 00:32:44,330 PHYLLIS. 784 00:32:44,363 --> 00:32:46,165 [ALICE]: SO, ARE YOU GOING TO GO TO THE WRAP PARTY 785 00:32:46,198 --> 00:32:47,233 TOMORROW NIGHT? NO. 786 00:32:47,266 --> 00:32:48,634 ARE YOU? [SHANE]: NO. 787 00:32:48,667 --> 00:32:50,069 YES, I WANT YOU TO GO. 788 00:32:50,102 --> 00:32:50,902 YOU'VE WORKED SO HARD, 789 00:32:50,936 --> 00:32:52,171 AND IT'S GOING TO BE A FUN PARTY. 790 00:32:52,204 --> 00:32:53,272 NO. 791 00:32:53,305 --> 00:32:54,540 LOOK, YOU SHOULD GO, 792 00:32:54,573 --> 00:32:55,607 AND YOU SHOULD SUPPORT TINA. 793 00:32:55,641 --> 00:32:58,544 I WANT YOU GUYS TO GO, TO REPRESENT ME. 794 00:33:00,646 --> 00:33:02,281 HI! 795 00:33:02,314 --> 00:33:05,117 THIS IS SO EXCITING! 796 00:33:05,151 --> 00:33:09,255 I DIDN'T KNOW YOU WERE SUCH A BIG DEAL. 797 00:33:09,288 --> 00:33:10,322 YOU REALLY WANT ME TO? 798 00:33:10,356 --> 00:33:11,523 YEAH, I DO. 799 00:33:13,792 --> 00:33:15,761 [TOM, INTERPRETING]: THANK YOU SO MUCH FOR COMING. 800 00:33:15,794 --> 00:33:19,031 IT MEANS SO MUCH TO ME, YOU GUYS. 801 00:33:19,065 --> 00:33:21,267 HEY, YOU GUYS. 802 00:33:21,300 --> 00:33:24,203 I'M REALLY EXCITED TO SEE YOUR SCULPTURE. 803 00:33:24,236 --> 00:33:26,705 [TOM]: I'M ACTUALLY A LITTLE BIT NERVOUS. 804 00:33:26,738 --> 00:33:31,177 WELL, I HEARD THE PIECE IS REALLY-- 805 00:33:33,279 --> 00:33:35,681 [MAX]: SEE YOU GUYS. 806 00:33:35,714 --> 00:33:39,118 SEE YOU GUYS INSIDE. 807 00:33:39,151 --> 00:33:40,652 OUCH. 808 00:33:44,090 --> 00:33:45,057 COME. 809 00:33:45,091 --> 00:33:46,058 ALL RIGHT, LET'S GO IN. 810 00:33:46,092 --> 00:33:47,059 DO YOU WANT TO COME? 811 00:33:47,093 --> 00:33:47,826 YEAH. DO YOU WANT TO GO IN? 812 00:33:47,859 --> 00:33:49,328 COME ON. 813 00:33:49,361 --> 00:33:50,696 I WANTED TO THANK YOU FOR THIS MORNING. 814 00:33:50,729 --> 00:33:51,697 I DON'T KNOW WHAT YOU SAID TO MOLLY 815 00:33:51,730 --> 00:33:52,698 TO GET HER BACK TO THE TABLE-- 816 00:33:52,731 --> 00:33:53,699 OH. 817 00:33:53,732 --> 00:33:54,800 BUT I REALLY APPRECIATE IT. 818 00:33:54,833 --> 00:33:56,235 NO PROBLEM. 819 00:33:56,268 --> 00:33:58,804 IF YOU HAVE A MINUTE, COULD WE TALK? 820 00:33:58,837 --> 00:34:00,239 YEAH. 821 00:34:00,272 --> 00:34:02,608 OKAY. VERY GOOD. 822 00:34:02,641 --> 00:34:05,211 YOU HAVEN'T MET MOLLY'S SISTER, SOPHIE. 823 00:34:05,244 --> 00:34:06,745 SHE'S A GREAT GIRL, TOO. 824 00:34:06,778 --> 00:34:08,247 SOLID, STURDY. 825 00:34:08,280 --> 00:34:09,615 YEAH? 826 00:34:09,648 --> 00:34:11,250 YOU'RE LUCKY TO HAVE TWO GREAT KIDS. 827 00:34:11,283 --> 00:34:12,751 BUT MOLLY-- 828 00:34:12,784 --> 00:34:14,253 MOLLY'S EXCEPTIONAL. 829 00:34:14,286 --> 00:34:15,554 YEAH. 830 00:34:15,587 --> 00:34:16,855 AND I'M SAYING THIS NOT AS HER MOTHER, 831 00:34:16,888 --> 00:34:19,125 BUT AS THE CHANCELLOR OF A MAJOR UNIVERSITY-- 832 00:34:19,158 --> 00:34:21,327 MOLLY IS ONE OF THE MOST BRILLIANT STUDENTS 833 00:34:21,360 --> 00:34:22,594 I'VE EVER ENCOUNTERED. 834 00:34:22,628 --> 00:34:24,696 I'M NOT SURPRISED TO HEAR IT. 835 00:34:24,730 --> 00:34:28,200 AND YOU'RE NOT WORTHY OF HER. 836 00:34:28,234 --> 00:34:29,701 EXCUSE ME? 837 00:34:29,735 --> 00:34:32,271 IN THE FIRST PLACE, 838 00:34:32,304 --> 00:34:34,606 THIS SUMMER INTERNSHIP 839 00:34:34,640 --> 00:34:36,808 IS A ONCE-IN-A-LIFETIME OPPORTUNITY-- 840 00:34:36,842 --> 00:34:37,876 FIRST OF ALL, 841 00:34:37,909 --> 00:34:39,845 MOLLY IS A GROWN-UP, 842 00:34:39,878 --> 00:34:41,313 AND I'M NOT TELLING HER WHAT TO DO. 843 00:34:41,347 --> 00:34:43,349 THIS IS NOT JUST ABOUT THE DAMN INTERNSHIP. 844 00:34:43,382 --> 00:34:44,783 I KNOW YOU KNOW WHAT I'M TALKING ABOUT. 845 00:34:44,816 --> 00:34:46,285 YEAH, PHYLLIS, AND WHAT I KNOW 846 00:34:46,318 --> 00:34:48,820 IS THAT I'M CRAZY ABOUT HER. 847 00:34:51,690 --> 00:34:53,259 BETTE SAYS THAT YOU'RE NOT THE KIND OF PERSON 848 00:34:53,292 --> 00:34:54,760 ANY CARING MOTHER 849 00:34:54,793 --> 00:34:56,628 WOULD WANT HER DAUGHTER TO HAVE A RELATIONSHIP WITH. 850 00:34:56,662 --> 00:34:57,663 I DON'T BUY IT, BETTE WOULD NEVER SAY THAT. 851 00:34:57,696 --> 00:34:58,797 SHE SAYS YOU'LL BE UP AND AFTER 852 00:34:58,830 --> 00:35:00,866 THE FIRST LITTLE HOTTIE WHO SHAKES HER BOOTY AT YOU. 853 00:35:00,899 --> 00:35:02,368 AND, YOU KNOW, YOUR FRIEND ALICE, 854 00:35:02,401 --> 00:35:03,702 SHE TOLD ME THAT 855 00:35:03,735 --> 00:35:05,271 THE LONGEST RELATIONSHIP YOU'VE EVER HAD 856 00:35:05,304 --> 00:35:06,472 IS SIX MONTHS. 857 00:35:06,505 --> 00:35:09,408 YOU PROPOSED TO SOME POOR GIRL AND LEFT HER AT THE ALTAR. 858 00:35:09,441 --> 00:35:12,644 EVEN YOUR FRIENDS THINK YOU'RE BAD NEWS, SHANE. 859 00:35:13,812 --> 00:35:16,282 YOU KNOW WHAT WOULD REALLY SUCK, THOUGH? 860 00:35:16,315 --> 00:35:19,785 IS IF YOU DO THE SAME THING TO MY DAUGHTER. 861 00:35:19,818 --> 00:35:22,221 ARE YOU GOING TO THROW MOLLY AWAY 862 00:35:22,254 --> 00:35:25,257 LIKE A PIECE OF GARBAGE? 863 00:35:27,759 --> 00:35:28,727 NO. 864 00:35:28,760 --> 00:35:30,362 HOW DO YOU KNOW? 865 00:35:30,396 --> 00:35:32,931 HOW CAN YOU BE SURE YOU'RE NOT GOING TO FIND SOMEONE ELSE 866 00:35:32,964 --> 00:35:34,833 YOU CAN'T KEEP IT IN YOUR PANTS AROUND? 867 00:35:34,866 --> 00:35:38,237 [EXHALES HEAVILY AS MEN CHAT AND APPROACH] 868 00:35:38,270 --> 00:35:39,938 PHYLLIS. 869 00:35:39,971 --> 00:35:42,241 YOU KNOW THAT IS NOT FAIR TO SAY, 870 00:35:42,274 --> 00:35:45,177 BECAUSE NO ONE KNOWS THAT UNTIL IT HAPPENS. 871 00:35:46,312 --> 00:35:49,248 MOST OF US POSSESS 872 00:35:49,281 --> 00:35:51,750 A CERTAIN AMOUNT OF SELF-KNOWLEDGE, SHANE. 873 00:35:51,783 --> 00:35:52,884 HAVE YOU EVER HEARD THE EXPRESSION 874 00:35:52,918 --> 00:35:55,387 "PAST IS PRELUDE"? 875 00:35:55,421 --> 00:35:57,823 NO, OF COURSE YOU HAVEN'T. 876 00:35:59,325 --> 00:36:02,794 THIS IS NOT JUST ABOUT MOLLY'S SUMMER PLANS. 877 00:36:02,828 --> 00:36:05,897 DON'T FUCK MY DAUGHTER OVER. 878 00:36:05,931 --> 00:36:08,567 IF YOU EVEN THINK YOU LOVE HER, 879 00:36:08,600 --> 00:36:09,835 SPARE HER. 880 00:36:09,868 --> 00:36:14,172 DON'T TURN HER INTO ANOTHER ONE OF YOUR HEARTBROKEN VICTIMS. 881 00:36:27,453 --> 00:36:30,589 [OVERLAPPING, INDISTINCT CONVERSATIONS] 882 00:36:33,425 --> 00:36:35,327 [GASPS]: HI! 883 00:36:40,432 --> 00:36:41,933 THANK YOU SO MUCH FOR COMING. 884 00:36:41,967 --> 00:36:44,270 IT MEANS THE WORLD TO ME. REALLY. 885 00:36:44,303 --> 00:36:46,672 I WOULDN'T MISS THIS FOR THE WORLD. 886 00:36:46,705 --> 00:36:49,241 THAT'S SWEET. 887 00:36:52,010 --> 00:36:54,380 I'M REALLY HONORED TO BE HERE. 888 00:36:58,317 --> 00:37:01,653 I CAN'T WAIT TO SEE IT. 889 00:37:07,426 --> 00:37:10,896 AND YOU LOOK PHENOMENAL. 890 00:37:15,367 --> 00:37:17,636 [GASPS]: SHANE! 891 00:37:23,074 --> 00:37:25,677 I MISS YOU. 892 00:37:25,711 --> 00:37:27,713 I MISS YOU, TOO. 893 00:37:30,316 --> 00:37:31,883 I WANT YOU TO KNOW, I DIDN'T KNOW ANYTHING ABOUT... 894 00:37:31,917 --> 00:37:33,919 IT'S OKAY. 895 00:37:35,354 --> 00:37:37,689 DON'T BE A STRANGER. 896 00:37:38,890 --> 00:37:40,726 DON'T YOU BE A STRANGER. 897 00:37:40,759 --> 00:37:43,862 [SERENA]: WELCOME, EVERYBODY. 898 00:37:43,895 --> 00:37:45,764 WELCOME TO THE HAMMER MUSEUM. 899 00:37:45,797 --> 00:37:49,401 I'M SERENA DEAN, THE CURATOR OF THIS EXHIBITION. 900 00:37:49,435 --> 00:37:50,769 ANNIE PHILBIN'S SORRY 901 00:37:50,802 --> 00:37:51,737 SHE COULDN'T BE HERE TONIGHT, 902 00:37:51,770 --> 00:37:54,306 BUT WE'RE THRILLED AND EXCITED 903 00:37:54,340 --> 00:37:57,609 TO PRESENT A NEW PIECE BY SCULPTOR JODI LERNER. 904 00:37:57,643 --> 00:38:01,580 SHE MADE THIS FOR OUR "ARTISTS WORKING IN NEW MEDIA" SERIES. 905 00:38:01,613 --> 00:38:03,649 AND HERE TO INTRODUCE HER 906 00:38:03,682 --> 00:38:05,817 IS THE DEAN OF THE SCHOOL OF THE ARTS 907 00:38:05,851 --> 00:38:06,818 IN CALIFORNIA UNIVERSITY, 908 00:38:06,852 --> 00:38:07,819 BETTE PORTER. 909 00:38:07,853 --> 00:38:10,922 [CROWD APPLAUDING] 910 00:38:12,791 --> 00:38:14,693 THANK YOU. 911 00:38:17,996 --> 00:38:19,798 FROM THE FIRST MOMENT, 912 00:38:19,831 --> 00:38:21,900 SHE ROCKED THE ART WORLD IN THE MID-'90S 913 00:38:21,933 --> 00:38:24,403 WITH HER MASSIVE STEEL SCULPTURES 914 00:38:24,436 --> 00:38:26,938 OF FEMALE BODY PARTS AND DOMESTIC OBJECTS. 915 00:38:26,972 --> 00:38:27,973 JODI LERNER 916 00:38:28,006 --> 00:38:29,107 HAS REDEFINED 917 00:38:29,140 --> 00:38:31,843 THE LANDSCAPE OF SCULPTURAL EXPRESSION. 918 00:38:31,877 --> 00:38:33,879 AND IT'S NOT JUST THAT SHE'S A WOMAN, 919 00:38:33,912 --> 00:38:35,647 THOUGH SHE UNDENIABLY IS. 920 00:38:35,681 --> 00:38:39,785 JODI MAKES ART WITH FOUND INDUSTRIAL MATERIALS 921 00:38:39,818 --> 00:38:42,954 IN A WAY THAT NO ONE-- MAN OR WOMAN-- 922 00:38:42,988 --> 00:38:44,790 EVER EVEN THOUGHT OF DOING. 923 00:38:44,823 --> 00:38:49,895 I AM REPEATEDLY IN AWE OF HER FEARLESS CHOICES, 924 00:38:49,928 --> 00:38:53,399 HER TOTAL IMMERSION IN HER PROCESS, 925 00:38:53,432 --> 00:38:57,369 HER AUDACITY, WHICH BORDERS ON DEFIANCE, 926 00:38:57,403 --> 00:38:59,771 AND HER WORKS OF ART 927 00:38:59,805 --> 00:39:01,673 WHICH ACTUALLY SEEM TO EXTRUDE 928 00:39:01,707 --> 00:39:04,610 FROM HER SUBCONSCIOUS MIND. 929 00:39:04,643 --> 00:39:05,977 SHE HAS MADE ME BELIEVE, 930 00:39:06,011 --> 00:39:07,679 ALL OVER AGAIN, 931 00:39:07,713 --> 00:39:11,149 IN THE REDEMPTIVE POWER OF ART. 932 00:39:11,182 --> 00:39:13,652 IT'S BEEN A GIFT AND A PRIVILEGE 933 00:39:13,685 --> 00:39:16,688 TO HAVE HER AS OUR ARTIST-IN-RESIDENCE AT CU... 934 00:39:21,159 --> 00:39:24,663 ...AND AN EVEN GREATER GIFT HAVING HER IN MY LIFE. 935 00:39:24,696 --> 00:39:25,864 AND NOW, 936 00:39:25,897 --> 00:39:28,400 WITH THIS INSTALLATION AT THE HAMMER, 937 00:39:28,434 --> 00:39:29,868 SHE IS GIVING A GIFT TO OUR CITY. 938 00:39:29,901 --> 00:39:32,003 PLEASE WELCOME JODI LERNER. 939 00:39:32,037 --> 00:39:33,839 [CROWD APPLAUDING] 940 00:39:42,648 --> 00:39:44,883 [TOM, INTERPRETING]: THANK YOU. 941 00:39:45,917 --> 00:39:50,456 THIS PIECE IS CALLED "CORE"... 942 00:39:50,489 --> 00:39:52,991 BECAUSE IT'S ABOUT CORE VALUES-- 943 00:39:53,024 --> 00:39:55,093 LOVE... 944 00:39:55,126 --> 00:39:56,795 LOYALTY... 945 00:39:56,828 --> 00:39:58,464 HONESTY... 946 00:39:58,497 --> 00:40:00,432 AND COMMITMENT. 947 00:40:00,466 --> 00:40:02,634 [CROWD APPLAUDING] 948 00:40:10,876 --> 00:40:12,778 [INSTALLATION MUSIC BEGINS PLAYING] 949 00:40:12,811 --> 00:40:16,848 [STILTED, HAUNTING TECHNO WITH GARBLED SPEECH LOOPING OVER IT] 950 00:40:16,882 --> 00:40:19,885 [LOW MURMURING IN CROWD] 951 00:40:21,887 --> 00:40:24,856 [**] 952 00:40:32,964 --> 00:40:34,700 [BETTE, ON TAPE]: I LOVE YOU. 953 00:40:34,733 --> 00:40:36,134 [BETTE, ECHOING ON TAPE]: I LOVE YOU. I LOVE YOU. 954 00:40:36,167 --> 00:40:39,104 WHAT HAPPENED? WHAT HAPPENED? 955 00:40:39,137 --> 00:40:40,706 FUCK ME, FUCK ME. 956 00:40:40,739 --> 00:40:42,040 WHAT HAPPENED? 957 00:40:42,073 --> 00:40:43,074 I LOVE YOU. 958 00:40:43,108 --> 00:40:44,976 GO WITHOUT ME. 959 00:40:45,010 --> 00:40:46,011 GO WITHOUT ME... 960 00:40:46,044 --> 00:40:48,847 GO-- GO-- GO-- GO-- GO WITHOUT ME. 961 00:40:48,880 --> 00:40:50,949 LEAVE ME ALONE. 962 00:40:50,982 --> 00:40:52,984 NO. JUST DON'T. LEAVE ME ALONE. 963 00:40:53,018 --> 00:40:53,985 BUT I LOVE YOU. 964 00:40:54,019 --> 00:40:55,120 GO WITHOUT ME. 965 00:40:55,153 --> 00:40:56,688 I LOVE YOU. I LOVE YOU. 966 00:40:56,722 --> 00:40:57,789 GO WITHOUT ME. 967 00:40:57,823 --> 00:40:58,890 LEAVE ME ALONE. 968 00:40:58,924 --> 00:41:00,626 [**] 969 00:41:00,659 --> 00:41:02,628 LEAVE ME ALONE. LEAVE ME ALONE. 970 00:41:02,661 --> 00:41:03,895 FUCK... ME. 971 00:41:03,929 --> 00:41:05,764 FUCK... ME. 972 00:41:05,797 --> 00:41:06,965 THIS IS NOT A GOOD TIME. 973 00:41:06,998 --> 00:41:08,066 NO. JUST NO. 974 00:41:08,099 --> 00:41:09,134 LEAVE ME ALONE. 975 00:41:09,167 --> 00:41:10,802 LEAVE ME ALONE. GO. 976 00:41:10,836 --> 00:41:13,238 NO. JUST GO. GO WITHOUT ME. 977 00:41:13,271 --> 00:41:15,006 STOP. STOP. 978 00:41:15,040 --> 00:41:16,241 PLEASE. JUST STOP. 979 00:41:16,274 --> 00:41:17,709 STOP! 980 00:41:17,743 --> 00:41:18,810 STOP. 981 00:41:18,844 --> 00:41:21,146 [TAPE TWITTERING AND FLITTING] 982 00:41:21,179 --> 00:41:23,248 [**] 983 00:41:40,899 --> 00:41:43,034 HOLY SHIT. 984 00:41:43,068 --> 00:41:45,170 THERE'S THAT GORGEOUS WOMAN. 985 00:41:53,812 --> 00:41:54,813 HI. HOW'RE YOU DOING? 986 00:41:54,846 --> 00:41:55,881 WELCOME TO MY CLUB. 987 00:41:55,914 --> 00:41:57,716 I'M DAWN DENBO. 988 00:41:57,749 --> 00:41:59,718 THIS IS MY LOVER, CINDI. 989 00:41:59,751 --> 00:42:01,252 I DON'T THINK WE'VE SEEN YOU HERE BEFORE. 990 00:42:01,286 --> 00:42:03,822 HAVE YOU BEEN IN THE... CLUB BEFORE? 991 00:42:03,855 --> 00:42:05,156 HEY! 992 00:42:05,190 --> 00:42:07,258 AW. FUCKING SHANE. 993 00:42:07,292 --> 00:42:08,860 YEAH, YOU KNOW-- YOU KNOW HELENA PEABODY, RIGHT? 994 00:42:08,894 --> 00:42:09,895 YEAH. YOU KNOW, MORE IMPORTANTLY, 995 00:42:09,928 --> 00:42:10,996 HOW IN THE FUCK 996 00:42:11,029 --> 00:42:12,631 DID YOU GET PAST MY DOOR? 997 00:42:12,664 --> 00:42:14,265 BECAUSE, YOU KNOW WHAT? YOU SKANKS, 998 00:42:14,299 --> 00:42:16,234 YOU REALLY NEED TO LEAVE NOW. ALL RIGHT? 999 00:42:16,267 --> 00:42:19,738 EVEN THOUGH YOU HAVE A STUNNER OF A FRIEND HERE. HI. 1000 00:42:19,771 --> 00:42:21,106 OH, WAIT A MINUTE. 1001 00:42:21,139 --> 00:42:23,008 HELENA PEABODY. WAIT, ISN'T YOUR MOM THE-- 1002 00:42:23,041 --> 00:42:26,044 SHE'S TELLING US TO LEAVE? 1003 00:42:29,114 --> 00:42:30,816 I'M AFRAID YOU CAN'T DO THAT. 1004 00:42:30,849 --> 00:42:32,017 REALLY? 1005 00:42:32,050 --> 00:42:33,952 WHY CAN'T I, PRETTY LITTLE RICH GIRL? 1006 00:42:36,054 --> 00:42:37,923 [SIGHING]: FUCKIN' PORTER. 1007 00:42:37,956 --> 00:42:39,057 WHAT? 1008 00:42:39,090 --> 00:42:41,960 WE OWN THIS PLACE. 1009 00:42:41,993 --> 00:42:43,729 WHAT THE HELL ARE YOU TALKING ABOUT? 1010 00:42:43,762 --> 00:42:44,763 YEAH. 1011 00:42:44,796 --> 00:42:45,897 HERE'S DEAL LETTERS 1012 00:42:45,931 --> 00:42:49,167 OF YOUR TWO PRIMARY INVESTORS. 1013 00:42:49,200 --> 00:42:52,137 WHO WERE MORE THAN HAPPY TO SELL TO US AT A PROFIT. 1014 00:42:52,170 --> 00:42:53,705 ESPECIALLY WHEN THEY FOUND OUT 1015 00:42:53,739 --> 00:42:54,940 THAT YOU'D LEVERAGED THEM 1016 00:42:54,973 --> 00:42:56,742 WITHIN AN INCH OF A FELONY. WHAT THE HELL? 1017 00:42:56,775 --> 00:42:58,744 WHERE DID YOU GET THIS? THIS IS CONFIDENTIAL. 1018 00:43:02,180 --> 00:43:04,015 WHAT THE FUCK DID YOU DO? 1019 00:43:06,785 --> 00:43:08,153 WHO, ME? 1020 00:43:08,186 --> 00:43:10,021 YEAH. 1021 00:43:10,055 --> 00:43:11,222 HOW COULD I DO ANYTHING 1022 00:43:11,256 --> 00:43:12,290 WHEN I DON'T HAVE A THOUGHT IN MY HEAD? 1023 00:43:12,323 --> 00:43:14,726 THAT'S WHAT YOU TELL PEOPLE, RIGHT? 1024 00:43:14,760 --> 00:43:16,027 THAT "SHE DOESN'T HAVE A THOUGHT IN HER HEAD." 1025 00:43:16,061 --> 00:43:17,829 YEAH, THIS IS THE THOUGHT IN YOUR HEAD? 1026 00:43:17,863 --> 00:43:21,132 GET YOUR DIRTY LITTLE HANDS OFF HER, DENBO! 1027 00:43:21,166 --> 00:43:23,034 WHY SHOULD I? 1028 00:43:25,070 --> 00:43:28,073 BECAUSE... SHE'S WITH ME. 1029 00:43:31,142 --> 00:43:33,712 BY THE WAY... 1030 00:43:33,745 --> 00:43:35,714 THE NAME'S TUCKER. 1031 00:43:35,747 --> 00:43:37,683 IT'S NOT "HER LOVER, CINDI," 1032 00:43:37,716 --> 00:43:40,719 IT'S CINDI ANNABELLE TUCKER. 1033 00:43:42,888 --> 00:43:44,956 WOULD YOU LIKE TO GO DANCE IN YOUR NEW CLUB? 1034 00:43:44,990 --> 00:43:47,693 YES, I'D LOVE TO. 1035 00:43:47,726 --> 00:43:49,761 I WAS DONE WITH YOU ANYWAY. 1036 00:43:49,795 --> 00:43:51,129 BYE. HAVE A GOOD TIME. 1037 00:43:51,162 --> 00:43:53,732 WHAT? WHY ARE YOU STILL IN FRONT OF ME? WHAT? 1038 00:43:53,765 --> 00:43:55,066 YOU CAN GO HOME, 1039 00:43:55,100 --> 00:43:56,802 OR YOU CAN STAY... 1040 00:43:56,835 --> 00:43:59,971 YOU CAN DO THE DISHES, OR DO THE FLOOR-- 1041 00:44:00,005 --> 00:44:01,773 WE GOT A LOT OF GLASSES TO PICK UP IN HERE. 1042 00:44:01,807 --> 00:44:03,909 FUNNY, PORTER. YOU'RE A RIOT. 1043 00:44:03,942 --> 00:44:04,943 HEY, GUESS WHAT? 1044 00:44:04,976 --> 00:44:06,878 IT'S NOT OVER! SERIOUSLY. 1045 00:44:06,912 --> 00:44:09,848 WHAT'S THIS? SKANKS ARE US. 1046 00:44:09,881 --> 00:44:11,249 OH! WELL, FUCK YOU! HOW ABOUT THAT? 1047 00:44:11,282 --> 00:44:17,655 ALL RIGHT. KISS MY ASS. YEAH. 1048 00:44:22,193 --> 00:44:25,897 [ROXY MUSIC'S "DO THE STRAND" PLAYING] 1049 00:44:25,931 --> 00:44:29,167 * DO THE STRAND, LOVE 1050 00:44:29,200 --> 00:44:33,238 * WHEN YOU FEEL LOVE 1051 00:44:33,271 --> 00:44:37,175 * IT'S THE NEW WAY 1052 00:44:37,208 --> 00:44:40,045 * THAT'S WHY WE SAY 1053 00:44:40,078 --> 00:44:42,914 * DO THE STRAND 1054 00:44:42,948 --> 00:44:45,116 * DO IT ON THE TABLES 1055 00:44:45,150 --> 00:44:49,755 COULD YOU GET ME A DRINK? 1056 00:44:49,788 --> 00:44:51,322 YEAH. SURE. 1057 00:44:51,356 --> 00:44:54,025 * SLOW AND GENTLE 1058 00:44:54,059 --> 00:44:57,162 * SENTIMENTAL 1059 00:44:57,195 --> 00:45:00,932 * ALL STYLES SERVED HERE 1060 00:45:00,966 --> 00:45:02,167 YOU'RE VANESSA, RIGHT? 1061 00:45:02,200 --> 00:45:03,168 RIGHT. 1062 00:45:03,201 --> 00:45:04,169 DO YOU REMEMBER ME? 1063 00:45:04,202 --> 00:45:05,170 YEAH. SHANE? 1064 00:45:05,203 --> 00:45:07,172 HOW'RE YOU DOING? 1065 00:45:07,205 --> 00:45:09,274 GOOD, JUST LOOKING FOR MY FRIENDS. 1066 00:45:09,307 --> 00:45:10,909 HEY, WELL, LISTEN, 1067 00:45:10,942 --> 00:45:12,210 IF YOU EVER WANT TO DO SOMETHING, 1068 00:45:12,243 --> 00:45:13,912 I HAVE THE SAME NUMBER. 1069 00:45:13,945 --> 00:45:16,181 I NEVER HAD YOUR NUMBER. 1070 00:45:16,214 --> 00:45:17,916 OH, YOU DIDN'T? 1071 00:45:17,949 --> 00:45:20,518 WELL, THEN I'LL CALL YOU. 1072 00:45:20,551 --> 00:45:23,121 WHAT WAS THAT? 1073 00:45:23,154 --> 00:45:25,223 WHAT? 1074 00:45:25,256 --> 00:45:27,492 YOU WERE FLIRTING WITH THAT GIRL. 1075 00:45:30,261 --> 00:45:32,130 SO? 1076 00:45:32,163 --> 00:45:34,232 SO I'M RIGHT HERE. 1077 00:45:36,134 --> 00:45:37,836 MOLLY... 1078 00:45:37,869 --> 00:45:39,037 LET'S GET REAL. 1079 00:45:39,070 --> 00:45:40,772 YOU AND I HAD A LOT OF FUN, BUT YOU'RE GOING TO SCHOOL-- 1080 00:45:40,806 --> 00:45:43,041 WAIT! NO. NO, STOP. 1081 00:45:43,074 --> 00:45:44,776 I KNOW WHAT YOU'RE DOING. 1082 00:45:44,810 --> 00:45:46,177 [STAMMERING]: I'M NOT DOING ANYTHING. 1083 00:45:46,211 --> 00:45:47,312 YOU ARE, 1084 00:45:47,345 --> 00:45:49,848 YOU'RE FREAKING OUT, AND YOU'RE SCARED, 1085 00:45:49,881 --> 00:45:51,783 AND YOU OWE IT TO ME AND TO YOU 1086 00:45:51,817 --> 00:45:52,918 TO GIVE THIS A CHANCE. 1087 00:45:52,951 --> 00:45:54,285 MOLLY, I'M NOT FREAKING OUT. 1088 00:45:54,319 --> 00:45:56,922 I NEVER PROMISED YOU ANYTHING. 1089 00:45:56,955 --> 00:45:57,856 YES, YOU DID. 1090 00:45:57,889 --> 00:45:59,257 IN BED THIS MORNING, WHEN YOU KISSED ME, 1091 00:45:59,290 --> 00:46:01,226 WHEN YOU HELD ME, THOSE WERE PROMISES. 1092 00:46:05,096 --> 00:46:07,799 WELL, THEN... 1093 00:46:07,833 --> 00:46:10,301 WELL, THEN, I GUESS YOU MISUNDERSTOOD ME. 1094 00:46:10,335 --> 00:46:12,503 [**] 1095 00:46:18,844 --> 00:46:20,045 SO, WHAT DO GIRLS DO NOW? 1096 00:46:20,078 --> 00:46:21,279 THROW THEIR DRINK IN YOUR FACE? 1097 00:46:21,312 --> 00:46:23,949 YEAH, SOMETIMES, THEY DO. 1098 00:46:23,982 --> 00:46:25,016 I'M NOT GOING TO DO THAT. 1099 00:46:25,050 --> 00:46:27,919 YOU DON'T DESERVE THAT, YOU DESERVE COMPASSION. 1100 00:46:27,953 --> 00:46:30,055 BUT I'M NOT GOING TO TRY 1101 00:46:30,088 --> 00:46:31,056 TO SAVE YOU. 1102 00:46:31,089 --> 00:46:33,825 IT'S SOMETHING YOU HAVE TO DO FOR YOURSELF, SO. 1103 00:46:33,859 --> 00:46:36,962 GOOD LUCK FIGURING YOUR SHIT OUT. 1104 00:46:39,030 --> 00:46:40,098 UM, TAKE YOUR TIME. 1105 00:46:40,131 --> 00:46:42,200 HOPEFULLY, I'LL STILL BE AROUND. 1106 00:46:42,233 --> 00:46:46,004 * THE MADISON AND CHEAP THRILLS * 1107 00:46:46,037 --> 00:46:49,107 * BORED WITH THE BEGUINE 1108 00:46:49,140 --> 00:46:51,877 * AND THE SAMBA ISN'T YOUR SCENE * 1109 00:46:51,910 --> 00:46:55,346 * THEY'RE PLAYING OUR TUNE 1110 00:46:55,380 --> 00:47:00,051 * BY THE PALE MOON 1111 00:47:00,085 --> 00:47:04,890 * WE'RE INCOGNITO DOWN THE LIDO * 1112 00:47:06,124 --> 00:47:08,493 THAT ROOM WAS FULL OF MY COLLEAGUES... 1113 00:47:09,928 --> 00:47:12,898 MY STUDENTS, MY FRIENDS... 1114 00:47:14,232 --> 00:47:16,567 ...PEOPLE I REALLY CARE ABOUT. 1115 00:47:16,601 --> 00:47:18,036 WHY WOULD SHE DO THAT? 1116 00:47:18,069 --> 00:47:21,339 IT WAS SO HUMILIATING. 1117 00:47:21,372 --> 00:47:24,943 THAT'S WHY SHE DID IT. 1118 00:47:34,319 --> 00:47:37,923 YOU SHOULD JUST LET GO. 1119 00:47:37,956 --> 00:47:41,159 YOU SHOULD JUST TRY AND LET GO. 1120 00:47:47,232 --> 00:47:52,137 THE ONLY REASON I CAN IS BECAUSE I'M WITH YOU. 1121 00:48:06,551 --> 00:48:09,054 [BIRDS SINGING] 1122 00:48:09,087 --> 00:48:12,023 [HORNS HONKING IN DISTANCE] 1123 00:48:21,232 --> 00:48:25,236 [PEOPLE CHATTING, INDISTINCT] 1124 00:48:43,121 --> 00:48:46,691 LOCK THE DOOR. 1125 00:48:47,725 --> 00:48:50,061 EXCUSE ME. 1126 00:48:50,095 --> 00:48:52,297 COULD I GET A TICKET FOR THE-- 1127 00:48:56,367 --> 00:48:58,970 OH, MY GOD, LOOK, IT'S SALLY AND SANDRA. 1128 00:48:59,004 --> 00:49:00,238 WHO ARE THEY? 1129 00:49:00,271 --> 00:49:01,539 [TINA]: THAT IS OUR LINE PRODUCER 1130 00:49:01,572 --> 00:49:02,707 AND OUR FIRST A.D. 1131 00:49:02,740 --> 00:49:06,311 IT'S JUST SO FUNNY HOW EVERYBODY HOOKS UP ON MOVIE SETS. 1132 00:49:06,344 --> 00:49:08,213 OH... YEAH, HOOKIN' UP. 1133 00:49:08,246 --> 00:49:09,680 OH... OOH. 1134 00:49:09,714 --> 00:49:10,748 HI, GUYS. 1135 00:49:10,781 --> 00:49:11,682 HI. 1136 00:49:11,716 --> 00:49:13,751 YOU GUYS LOOK GREAT. THIS IS KIT PORTER. 1137 00:49:13,784 --> 00:49:15,153 THIS IS BETTE PORTER. HELLO, BETTE. 1138 00:49:15,186 --> 00:49:16,687 PLEASED TO MEET YOU. 1139 00:49:16,721 --> 00:49:18,223 YOU LOOK FAMILIAR. 1140 00:49:18,256 --> 00:49:19,991 SHE'S GOT ONE OF THOSE FACES. 1141 00:49:20,025 --> 00:49:21,226 YEAH. 1142 00:49:21,259 --> 00:49:22,293 WILLIAM, HI! 1143 00:49:22,327 --> 00:49:25,096 I'M SO EXCITED. 1144 00:49:25,130 --> 00:49:27,098 [MURMURING, INDISTINCT] 1145 00:49:27,132 --> 00:49:28,233 ALL RIGHT! 1146 00:49:28,266 --> 00:49:30,535 HEY! 1147 00:49:30,568 --> 00:49:32,003 CAN I GET A TICKET? 1148 00:49:32,037 --> 00:49:33,004 THANK YOU. 1149 00:49:33,038 --> 00:49:34,339 YOU KNOW WHAT? 1150 00:49:34,372 --> 00:49:36,574 LET'S JUST GO INSIDE, AND FIND OUR FRIENDS. 1151 00:49:36,607 --> 00:49:39,110 OKAY. 1152 00:49:39,144 --> 00:49:43,214 [MUSIC PLAYING, PEOPLE CHATTING, OVERLAPPING AND INDISTINCT] 1153 00:49:43,248 --> 00:49:44,749 HEY! 1154 00:49:44,782 --> 00:49:48,219 HI! HI. 1155 00:49:48,253 --> 00:49:50,088 HEY. HI. 1156 00:49:50,121 --> 00:49:51,789 [WOMEN CHATTING] 1157 00:49:51,822 --> 00:49:53,758 HEY! HAPPY WRAP PARTY. 1158 00:49:53,791 --> 00:49:55,260 [ALL LAUGHING] 1159 00:49:55,293 --> 00:49:56,761 HAPPY WRAP PARTY. 1160 00:49:56,794 --> 00:49:58,096 IT'S OVER! 1161 00:49:58,129 --> 00:49:59,230 OH, MY GOD. 1162 00:49:59,264 --> 00:50:02,233 SO, WHERE'S... WHERE'S MOLLY? 1163 00:50:02,267 --> 00:50:03,234 [CHUCKLES] 1164 00:50:03,268 --> 00:50:04,235 WHAT? 1165 00:50:04,269 --> 00:50:05,236 WHERE'S MOLLY? 1166 00:50:05,270 --> 00:50:06,804 I THINK SHE WENT TO SCHOOL. 1167 00:50:06,837 --> 00:50:08,106 [ALICE]: REALLY? 1168 00:50:08,139 --> 00:50:09,107 YEAH. YEAH. 1169 00:50:09,140 --> 00:50:10,675 YOU DIDN'T WANT TO BRING HER? 1170 00:50:13,844 --> 00:50:16,013 WHAT? 1171 00:50:17,748 --> 00:50:18,749 [TINA CHUCKLES] 1172 00:50:18,783 --> 00:50:19,750 OH, DRINKS! 1173 00:50:19,784 --> 00:50:21,219 ALL RIGHT! 1174 00:50:21,252 --> 00:50:23,254 LET'S DO A TOAST, YOU GUYS. 1175 00:50:23,288 --> 00:50:24,389 OKAY. 1176 00:50:24,422 --> 00:50:25,623 TO JENNY. 1177 00:50:25,656 --> 00:50:26,691 TO JENNY. 1178 00:50:26,724 --> 00:50:28,726 [ALL AGREEING AS GLASSES CLINK] 1179 00:50:38,569 --> 00:50:41,239 HEY. WHAT'S-- WHAT'S THAT? 1180 00:50:41,272 --> 00:50:43,274 WOW. LOOK AT THAT. 1181 00:50:43,308 --> 00:50:44,542 [ALICE]: NO SHIT. 1182 00:50:44,575 --> 00:50:45,610 [BETTE]: OH, MY GOD, 1183 00:50:45,643 --> 00:50:48,113 SHE'S SUCH A PIECE OF WORK. 1184 00:50:48,146 --> 00:50:50,615 THAT'S ADELE! 1185 00:50:50,648 --> 00:50:53,551 WHY DOES SHE KEEP LOOKING AT US? 1186 00:50:53,584 --> 00:50:54,785 WHO IS SHE KISSING? 1187 00:50:54,819 --> 00:50:57,122 OH, MY GOD. 1188 00:50:59,290 --> 00:51:02,293 * HELLO, MY LOVE 1189 00:51:02,327 --> 00:51:04,262 IS IT BEGOÑA? IS THAT HER? 1190 00:51:04,295 --> 00:51:06,331 I CAN'T EVEN TALK ABOUT IT, GUYS. 1191 00:51:06,364 --> 00:51:07,598 REALLY? DID YOU KNOW ABOUT THIS? 1192 00:51:07,632 --> 00:51:09,634 [**] 1193 00:51:10,801 --> 00:51:11,869 WOW. 1194 00:51:11,902 --> 00:51:13,271 WOW. 1195 00:51:20,678 --> 00:51:22,747 [TASHA LAUGHING] 1196 00:51:22,780 --> 00:51:23,881 [GLASSES CLINK] 1197 00:51:23,914 --> 00:51:26,384 I DIDN'T REALIZE 1198 00:51:26,417 --> 00:51:29,120 THAT TASHA WAS SO CHUMMY WITH CAMMIE. 1199 00:51:29,154 --> 00:51:31,256 YEAH, WELL, SHE'S HAD A COUPLE OF DRINKS. 1200 00:51:31,289 --> 00:51:33,124 [CAMMIE]: ...FLANNEL SHIRT. 1201 00:51:33,158 --> 00:51:34,359 [TASHA LAUGHING LOUDLY] 1202 00:51:34,392 --> 00:51:37,795 THAT'S SO BAD! OH, MY GOD! 1203 00:51:37,828 --> 00:51:39,730 I DIDN'T KNOW SHE DRANK SO MUCH, EITHER. 1204 00:51:39,764 --> 00:51:41,299 WELL, YEAH, I DIDN'T EITHER. 1205 00:51:41,332 --> 00:51:45,136 I MEAN, I DON'T THINK SHE LIKES TO, YOU KNOW, DRINK... 1206 00:51:45,170 --> 00:51:46,337 IT'S J... MM. 1207 00:51:46,371 --> 00:51:47,372 WHAT'S WRONG? 1208 00:51:47,405 --> 00:51:48,806 CAN I TALK TO YOU? I KNEW IT! 1209 00:51:48,839 --> 00:51:50,775 OKAY. UM-- WHAT? 1210 00:51:54,679 --> 00:51:56,814 [TAKES A DEEP BREATH AND SIGHS] 1211 00:51:56,847 --> 00:51:57,915 I MET SOMEONE. 1212 00:51:57,948 --> 00:51:58,916 OH! I KNEW IT! 1213 00:51:58,949 --> 00:52:00,251 I KNEW IT! 1214 00:52:00,285 --> 00:52:01,919 I KNEW IT. [SLAPS TABLE] 1215 00:52:01,952 --> 00:52:03,388 IS THAT WHY SHE'S DRINKING? 1216 00:52:03,421 --> 00:52:05,323 NO. I MEAN, I... 1217 00:52:05,356 --> 00:52:06,724 SHE DOESN'T KNOW, 1218 00:52:06,757 --> 00:52:07,758 AND I HAVEN'T DONE ANYTHING, 1219 00:52:07,792 --> 00:52:09,694 AND I HAVE NOT ACTED ON THIS, I SWEAR TO YOU. 1220 00:52:09,727 --> 00:52:10,695 WHEW. 1221 00:52:10,728 --> 00:52:11,929 BUT YOU WANT TO. 1222 00:52:11,962 --> 00:52:13,931 YEAH. I DO. 1223 00:52:13,964 --> 00:52:15,733 BUT I KNOW... 1224 00:52:15,766 --> 00:52:18,169 YOU KNOW, I KNOW THAT THE RIGHT THING TO DO 1225 00:52:18,203 --> 00:52:19,737 IS TO WORK ON THIS WITH TASHA. 1226 00:52:19,770 --> 00:52:21,672 IT'S WHAT I SHOULD DO. 1227 00:52:21,706 --> 00:52:23,408 WHY? WHY? WHO SAYS YOU SHOULD? WHY SHOULD YOU? 1228 00:52:23,441 --> 00:52:25,276 HEY, BECAUSE WE ALL JUST LET OUR RELATIONSHIPS BLOW UP 1229 00:52:25,310 --> 00:52:26,211 AT THE FIRST LITTLE TEMPTATION. 1230 00:52:26,244 --> 00:52:29,180 NOBODY WORKS ON THEIR RELATIONSHIPS ANYMORE. 1231 00:52:29,214 --> 00:52:30,748 EVERYONE'S AFTER INSTANT GRATIFICATION, 1232 00:52:30,781 --> 00:52:32,850 AND I DON'T WANT TO BE LIKE THAT. 1233 00:52:32,883 --> 00:52:34,252 I AGREE. 1234 00:52:34,285 --> 00:52:35,653 YOU'RE RIGHT. 1235 00:52:36,854 --> 00:52:38,256 BUT, ALSO... 1236 00:52:38,289 --> 00:52:39,957 I'VE SEEN YOU IN THIS THING 1237 00:52:39,990 --> 00:52:41,359 FROM DAY ONE. 1238 00:52:41,392 --> 00:52:42,927 AND YOU'VE ALWAYS BEEN GIVING IT A CHANCE. 1239 00:52:42,960 --> 00:52:43,928 YOU BOTH-- 1240 00:52:43,961 --> 00:52:45,263 YEAH, WE'VE TRIED. 1241 00:52:45,296 --> 00:52:46,197 YEAH, YOU BOTH HAVE. 1242 00:52:46,231 --> 00:52:48,399 AND, SO, MAYBE NOW YOU'VE COME TO A POINT 1243 00:52:48,433 --> 00:52:50,301 WHERE YOU REALIZE YOU... 1244 00:52:50,335 --> 00:52:52,203 YOU WANT SOMETHING DIFFERENT. 1245 00:52:54,705 --> 00:52:57,174 AND THAT'S OKAY. 1246 00:52:59,944 --> 00:53:03,281 YEAH, BUT EVERYTHING SHE WENT THROUGH WITH THE TRIAL, 1247 00:53:03,314 --> 00:53:04,749 AND GIVING UP EVERYTHING SHE BELIEVED IN-- 1248 00:53:04,782 --> 00:53:06,317 ...HAS NOTHING TO DO WITH YOU. 1249 00:53:06,351 --> 00:53:09,954 THAT NEVER HAD ANYTHING TO DO WITH YOU. 1250 00:53:11,622 --> 00:53:14,359 YOU HAVE THE RIGHT TO BE HAPPY. 1251 00:53:14,392 --> 00:53:16,294 IT'S YOUR HUMAN RIGHT TO BE HAPPY. 1252 00:53:20,731 --> 00:53:22,800 WHO IS SHE? 1253 00:53:22,833 --> 00:53:24,269 I DON'T WANT TO SAY. OH, COME ON. 1254 00:53:24,302 --> 00:53:25,736 I CAN'T SAY. WHY WOULD I-- 1255 00:53:25,770 --> 00:53:26,971 OH, YOU'RE GOING TO DIE. 1256 00:53:27,004 --> 00:53:30,207 [ISAAC HAYES' "WALK ON BY" PLAYING] 1257 00:53:34,879 --> 00:53:39,650 * IF YOU SEE ME WALKING DOWN THE STREET * 1258 00:53:39,684 --> 00:53:41,952 * AND I START TO CRY 1259 00:53:41,986 --> 00:53:44,989 * EACH TIME WE MEET 1260 00:53:46,991 --> 00:53:50,628 * WALK ON BY 1261 00:53:53,631 --> 00:53:57,568 * WALK ON BY 1262 00:53:58,903 --> 00:54:04,675 * MAKE BELIEVE THAT YOU DON'T SEE THE TEARS * 1263 00:54:04,709 --> 00:54:07,945 WOW. I CAN IMAGINE THEM TOGETHER. 1264 00:54:07,978 --> 00:54:09,814 THOSE TWO? 1265 00:54:09,847 --> 00:54:11,682 YEAH, THEY BELONG TOGETHER. 1266 00:54:11,716 --> 00:54:12,783 THEY DO. 1267 00:54:12,817 --> 00:54:15,753 THEY ALWAYS HAVE. 1268 00:54:17,322 --> 00:54:21,626 * I BREAK DOWN AND CRY 1269 00:54:21,659 --> 00:54:23,661 * OH, BABY 1270 00:54:23,694 --> 00:54:27,332 * WALK ON BY 1271 00:54:37,074 --> 00:54:39,810 * MM... 1272 00:54:39,844 --> 00:54:42,880 [**] 1273 00:54:45,082 --> 00:54:50,388 * I JUST CAN'T GET OVER LOSING YOU * 1274 00:54:50,421 --> 00:54:54,892 * SO, IF I SEEM BROKEN IN TWO * 1275 00:54:58,729 --> 00:55:00,631 * PLEASE 1276 00:55:00,665 --> 00:55:03,334 * WALK ON BY 1277 00:55:04,735 --> 00:55:07,638 * WALK ON BY 1278 00:55:09,374 --> 00:55:11,909 * FOOLISH PRIDE 1279 00:55:12,977 --> 00:55:15,746 * IS ALL THAT I HAVE LEFT 1280 00:55:15,780 --> 00:55:18,649 * SO LET ME HIDE 1281 00:55:18,683 --> 00:55:21,919 * THE TEARS AND THE SADNESS 1282 00:55:21,952 --> 00:55:23,754 * YOU GAVE ME 1283 00:55:23,788 --> 00:55:25,656 * I DIDN'T ASK YOU FOR IT 1284 00:55:25,690 --> 00:55:27,057 * BUT YOU GAVE ME 1285 00:55:27,091 --> 00:55:32,830 * WHEN YOU SAID GOODBYE 1286 00:55:32,863 --> 00:55:34,732 * OH, WOMAN 1287 00:55:34,765 --> 00:55:38,869 * WALK ON BY 1288 00:55:43,641 --> 00:55:46,744 WHAT'S UP, NIKI? 1289 00:55:46,777 --> 00:55:47,878 WHAT ARE YOU DOING? 1290 00:55:47,912 --> 00:55:49,447 HEY. 1291 00:55:49,480 --> 00:55:51,716 * WALK ON BY 1292 00:55:51,749 --> 00:55:54,018 WHAT'S SHAKIN'? 1293 00:55:54,051 --> 00:55:56,120 I'M JUST AVOIDING PEOPLE. 1294 00:55:56,153 --> 00:55:57,388 [LAUGHS] 1295 00:55:57,422 --> 00:55:59,590 WHY? IT'S YOUR BIG NIGHT. 1296 00:55:59,624 --> 00:56:02,026 WELL, THIS PARTY IS LAME. 1297 00:56:02,059 --> 00:56:06,431 ALL THOSE PEOPLE, LOOKING AT ME ALL THE TIME... 1298 00:56:06,464 --> 00:56:10,100 EXPECTING ME TO START PERFORMING LIKE SOME TRAINED MONKEY. 1299 00:56:10,134 --> 00:56:13,404 I'M JUST SO TIRED, YOU KNOW, OF... 1300 00:56:14,905 --> 00:56:17,041 WHAT ARE YOU TIRED OF? 1301 00:56:18,142 --> 00:56:22,413 EVERYBODY WANTING ME TO BE WHO THEY WANT ME TO BE. 1302 00:56:25,149 --> 00:56:28,152 YEAH. THAT SOUNDS LIKE FUN. 1303 00:56:29,754 --> 00:56:31,756 WELL... [CLEARS THROAT] 1304 00:56:31,789 --> 00:56:36,060 LET'S SEE. WHAT CAN I TELL YOU? 1305 00:56:36,093 --> 00:56:37,127 [INHALES SHARPLY] 1306 00:56:37,161 --> 00:56:38,763 WELL, I... 1307 00:56:38,796 --> 00:56:40,765 I FUCKED UP SOMETHING PRETTY GREAT LAST NIGHT. 1308 00:56:40,798 --> 00:56:42,967 MOLLY? 1309 00:56:43,000 --> 00:56:44,101 YEAH. 1310 00:56:44,134 --> 00:56:45,770 I DON'T KNOW, I GOT AHEAD OF MYSELF. 1311 00:56:45,803 --> 00:56:47,938 IT'S JUST... 1312 00:56:47,972 --> 00:56:52,142 I ENVISION THIS KIND OF FUTURE, AND... I DON'T KNOW. 1313 00:56:52,176 --> 00:56:53,844 I MEAN, I WAS WRONG. 1314 00:56:53,878 --> 00:56:55,780 IT WAS ALL WRONG. 1315 00:56:55,813 --> 00:56:58,783 WELL, YOU CAN'T CARE. YOU KNOW? 1316 00:56:58,816 --> 00:57:00,117 I MEAN... 1317 00:57:00,150 --> 00:57:02,820 AS SOON AS IT TURNS TO SHIT, 1318 00:57:02,853 --> 00:57:05,856 YOU JUST GOT TO GET OUT, YOU KNOW? 1319 00:57:05,890 --> 00:57:06,857 THAT'S WHAT I DO, I MOVE ON, 1320 00:57:06,891 --> 00:57:07,992 BECAUSE, IF YOU DON'T, 1321 00:57:08,025 --> 00:57:09,093 YOU GET CAUGHT UP IN THEIR BULLSHIT, 1322 00:57:09,126 --> 00:57:11,862 AND THEN YOU'RE SCREWED. 1323 00:57:11,896 --> 00:57:13,230 YOU KNOW? 1324 00:57:13,263 --> 00:57:16,133 * FOOLISH PRIDE 1325 00:57:16,166 --> 00:57:18,002 * IS ALL THAT I HAVE LEFT 1326 00:57:18,035 --> 00:57:20,004 [SNICKERS]: YEAH. I DO. 1327 00:57:20,037 --> 00:57:21,205 WELL... 1328 00:57:21,238 --> 00:57:23,608 I SAY I'M NOT GIVING A SHIT. 1329 00:57:23,641 --> 00:57:24,709 BECAUSE, REALLY, WHY SHOULD YOU? 1330 00:57:24,742 --> 00:57:25,976 TO NOT GIVING A SHIT. 1331 00:57:26,010 --> 00:57:27,211 HELLO! HELLO, EVERYBODY! NOT GIVING A SHIT. 1332 00:57:27,244 --> 00:57:29,780 HELLO. I WELCOME YOU ALL HERE TONIGHT. 1333 00:57:29,814 --> 00:57:33,117 THIS PARTY IS MY WAY OF SAYING THANK YOU 1334 00:57:33,150 --> 00:57:33,918 TO ALL OF YOU 1335 00:57:33,951 --> 00:57:35,953 FOR YOUR HARD WORK AND DEDICATION 1336 00:57:35,986 --> 00:57:37,688 AND ALL THE CREATIVITY 1337 00:57:37,722 --> 00:57:40,891 THAT YOU'VE BROUGHT INTO MY LIFE. 1338 00:57:40,925 --> 00:57:41,992 SO... 1339 00:57:42,026 --> 00:57:43,227 WITHOUT FURTHER ADO, 1340 00:57:43,260 --> 00:57:46,130 I'D LIKE TO TURN THE STAGE OVER TO A PERSON 1341 00:57:46,163 --> 00:57:48,633 WHO I'VE RECENTLY COME TO KNOW AND ADMIRE. 1342 00:57:48,666 --> 00:57:50,000 WITHOUT HER, 1343 00:57:50,034 --> 00:57:53,237 LEZ GIRLS WOULD NOT BE THE GREAT SUCCESS 1344 00:57:53,270 --> 00:57:54,939 THAT I KNOW IT'S GOING TO BE. 1345 00:57:54,972 --> 00:57:57,708 SHE'S A RISING STAR IN HOLLYWOOD. 1346 00:57:57,742 --> 00:58:01,211 JUST TODAY, SHE SIGNED A THREE-PICTURE DEAL. 1347 00:58:01,245 --> 00:58:04,148 SO, LET'S GIVE IT UP 1348 00:58:04,181 --> 00:58:05,916 FOR MS. ADELE CHANNING! 1349 00:58:05,950 --> 00:58:08,953 [CROWD APPLAUDING] 1350 00:58:11,889 --> 00:58:14,024 THANK YOU, WILLIAM. 1351 00:58:14,058 --> 00:58:16,226 I DON'T DESERVE THOSE ACCOLADES, 1352 00:58:16,260 --> 00:58:19,997 BUT I DO WANT TO MENTION 1353 00:58:20,030 --> 00:58:21,766 THAT THE FIRST PICTURE IN THAT DEAL 1354 00:58:21,799 --> 00:58:25,269 WILL STAR MY BEAUTIFUL AND TALENTED LADY, 1355 00:58:25,302 --> 00:58:27,638 BEGOÑA GARCIA. 1356 00:58:27,672 --> 00:58:28,939 [CROWD APPLAUDING] 1357 00:58:28,973 --> 00:58:30,808 SHE'S THE ONE THAT THEY WERE REALLY AFTER. 1358 00:58:30,841 --> 00:58:32,810 I ALSO WANT TO MENTION TO YOU ALL 1359 00:58:32,843 --> 00:58:36,146 THAT, JUST THIS MORNING, 1360 00:58:36,180 --> 00:58:37,948 WE WERE PICKED UP FOR DISTRIBUTION. 1361 00:58:37,982 --> 00:58:39,817 WE HAVE A MAJOR DISTRIBUTOR, PEOPLE! 1362 00:58:39,850 --> 00:58:41,686 [CROWD APPLAUDING] 1363 00:58:48,726 --> 00:58:50,127 AS FOR MYSELF, 1364 00:58:50,160 --> 00:58:51,996 I KNOW THAT I'M A JOHNNY-COME-LATELY 1365 00:58:52,029 --> 00:58:53,731 TO THIS PROJECT, 1366 00:58:53,764 --> 00:58:55,833 AND I JUST WANT TO SAY THAT I AM HONORED 1367 00:58:55,866 --> 00:58:57,034 AND PRIVILEGED 1368 00:58:57,067 --> 00:58:58,268 TO HAVE PLAYED A ROLE, 1369 00:58:58,302 --> 00:59:00,871 TO HAVE LEARNED FROM THE LIKES OF WILLIAM 1370 00:59:00,905 --> 00:59:02,807 AND AARON, 1371 00:59:02,840 --> 00:59:04,008 TINA KENNARD, 1372 00:59:04,041 --> 00:59:06,877 SAM MAKAVEJEV, 1373 00:59:06,911 --> 00:59:08,913 AND, OF COURSE, 1374 00:59:08,946 --> 00:59:10,948 I KNOW THAT I WOULD BE REMISS 1375 00:59:10,981 --> 00:59:13,751 IF I DIDN'T MENTION JENNIFER SCHECTER, 1376 00:59:13,784 --> 00:59:15,920 WHO GAVE ME THE OPPORTUNITY TO-- 1377 00:59:15,953 --> 00:59:17,888 I DIDN'T GIVE YOU ANYTHING. 1378 00:59:17,922 --> 00:59:20,658 [CROWD MURMURING] 1379 00:59:23,260 --> 00:59:25,996 YOU STOLE IT. 1380 00:59:26,030 --> 00:59:27,832 [CROWD MURMURING] 1381 00:59:27,865 --> 00:59:28,999 SHOULD I CALL SECURITY? 1382 00:59:29,033 --> 00:59:30,668 NO. IT'S FINE. 1383 00:59:30,701 --> 00:59:34,038 [CROWD CONTINUES WHISPERING AND MURMURING] 1384 00:59:35,940 --> 00:59:37,007 [WOMAN]: GO, JENNY! 1385 00:59:37,041 --> 00:59:40,144 [SCATTERED APPLAUSE AND CHEERING] 1386 00:59:40,177 --> 00:59:42,713 [CROWD CONTINUES TO APPLAUD] 1387 00:59:42,747 --> 00:59:45,783 JENNIFER SCHECTER. 1388 00:59:45,816 --> 00:59:47,151 WE LOVE YOU, JENNY! 1389 00:59:47,184 --> 00:59:49,219 [APPLAUSE AND CHEERING CONTINUE] 1390 00:59:49,253 --> 00:59:51,121 WE LOVE YOU, TOO, JENNY! 1391 00:59:51,155 --> 00:59:54,158 UM, THANK YOU, ALL OF YOU. 1392 00:59:54,191 --> 00:59:56,894 THANK YOU VERY MUCH. 1393 00:59:56,927 --> 01:00:01,732 I REALIZE THAT THE MOVIE IS OUT OF MY HANDS NOW, 1394 01:00:01,766 --> 01:00:05,035 AND I HOPE THAT THOSE PEOPLE ENTRUSTED 1395 01:00:05,069 --> 01:00:07,004 WITH THIS RESPONSIBILITY 1396 01:00:07,037 --> 01:00:09,006 WILL HONOR IT. 1397 01:00:09,039 --> 01:00:15,045 I WANT TO THANK THIS AMAZING, AMAZING CREW 1398 01:00:15,079 --> 01:00:20,685 WHO HAVE HELPED ME SEE THROUGH MY VISION. 1399 01:00:20,718 --> 01:00:22,753 [CROWD APPLAUDING] 1400 01:00:22,787 --> 01:00:25,890 I WANT TO THANK MY INCREDIBLE FRIENDS... 1401 01:00:25,923 --> 01:00:30,027 WHO I... I REALLY LOVE YOU GUYS. 1402 01:00:30,060 --> 01:00:36,066 YOU GUYS HAVE, UH... HAVE SHOWN ME LOYALTY... 1403 01:00:37,835 --> 01:00:40,771 AND SO MUCH COMPASSION... 1404 01:00:40,805 --> 01:00:42,907 AND... 1405 01:00:42,940 --> 01:00:44,742 FRIENDSHIP, 1406 01:00:44,775 --> 01:00:48,012 AND I THINK THAT'S WHAT LEZ GIRLS IS ALL ABOUT. 1407 01:00:48,045 --> 01:00:49,880 IT MEANS THE WORLD TO ME, 1408 01:00:49,914 --> 01:00:55,119 MORE THAN ANY OTHER MOVIE OR LOVER. 1409 01:00:55,152 --> 01:00:56,754 UM... 1410 01:00:56,787 --> 01:00:59,256 IS NIKI HERE? 1411 01:00:59,289 --> 01:01:02,760 I SAW HER OUTSIDE, BY THE LITTLE PAGODA! 1412 01:01:02,793 --> 01:01:04,094 I WANT TO TELL HER SOMETHING, 1413 01:01:04,128 --> 01:01:05,195 BECAUSE I WAS... 1414 01:01:05,229 --> 01:01:08,899 I REALIZED SOMETHING REALLY IMPORTANT THIS AFTERNOON, 1415 01:01:08,933 --> 01:01:14,038 THAT I AM MADLY IN LOVE WITH SOMEONE, 1416 01:01:14,071 --> 01:01:16,273 AND IT'S CHANGED THE WAY I FEEL 1417 01:01:16,306 --> 01:01:18,175 ABOUT ALL OF THIS. 1418 01:01:18,208 --> 01:01:22,847 THANK YOU FOR... PUTTING UP WITH ME. 1419 01:01:22,880 --> 01:01:25,850 WHOO! 1420 01:01:25,883 --> 01:01:28,886 [CROWD CHEERING AND APPLAUDING] 1421 01:01:28,919 --> 01:01:31,688 THANK YOU, JENNY. 1422 01:01:35,826 --> 01:01:38,228 LET'S HAVE A GREAT NIGHT. 1423 01:01:38,262 --> 01:01:41,932 [CROWD WHOOPING AND CHEERING] 1424 01:03:00,144 --> 01:03:03,280 NIKI! 1425 01:03:03,313 --> 01:03:05,182 * MM... MM, MM 1426 01:03:05,215 --> 01:03:07,251 NIKI? 1427 01:03:13,323 --> 01:03:14,959 [NIKI MOANING] 1428 01:03:14,992 --> 01:03:17,561 [JENNY]: OH, MY GOD. 1429 01:03:17,594 --> 01:03:18,595 OH, MY GOD! 1430 01:03:18,628 --> 01:03:20,064 JENNY! 1431 01:03:20,097 --> 01:03:22,132 WHAT ARE YOU DOING? 1432 01:03:25,602 --> 01:03:27,071 ARE YOU KIDDING ME? 1433 01:03:27,104 --> 01:03:28,906 YOU AGREED TO CHANGE THE ENDING? 1434 01:03:28,939 --> 01:03:30,207 [SCOFFING]: TINA. 1435 01:03:30,240 --> 01:03:31,508 IT MAKES TOTAL SENSE 1436 01:03:31,541 --> 01:03:33,310 THAT JESSE WOULD GO BACK TO JIM IN THE END. 1437 01:03:33,343 --> 01:03:35,913 JESSE NEVER REALLY FELT GAY TO ME TO BEGIN WITH. 1438 01:03:35,946 --> 01:03:37,214 WHAT THE FUCK WOULD YOU KNOW ABOUT IT? 1439 01:03:37,247 --> 01:03:39,049 THAT IS SO FUCKED-UP! 1440 01:03:39,083 --> 01:03:41,051 TINA, COME ON! FUCKING HOLLYWOOD! 1441 01:03:41,085 --> 01:03:43,187 SO WILLIAM SPENDS A LITTLE MORE MONEY. 1442 01:03:43,220 --> 01:03:44,855 WHAT'S THE BIG DEAL? 1443 01:03:44,889 --> 01:03:47,091 EVEN IF YOU THOUGHT THAT NIKI AND I HAD BROKEN UP-- 1444 01:03:47,124 --> 01:03:49,126 I SWEAR, I'M YOUR FRIEND. 1445 01:03:49,159 --> 01:03:51,328 [SIREN WAILING IN DISTANCE] 1446 01:03:51,361 --> 01:03:53,931 I THOUGHT THAT WE... 1447 01:04:02,239 --> 01:04:04,641 JENNY. 1448 01:04:04,674 --> 01:04:05,809 THAT'S JUST BULLSHIT! 1449 01:04:05,842 --> 01:04:08,212 WE WORKED REALLY HARD ON A MOVIE THAT WE BELIEVED IN, 1450 01:04:08,245 --> 01:04:10,014 AND THE MARKETING PEOPLE JUST COME ALONG 1451 01:04:10,047 --> 01:04:11,148 AND CHANGE THE WHOLE ENDING? 1452 01:04:11,181 --> 01:04:13,884 THE GUY GETS THE GIRL, THE END? 1453 01:04:13,918 --> 01:04:15,052 NO. THIS IS THE MOVIE 1454 01:04:15,085 --> 01:04:16,520 THAT WAS SUPPOSED TO CHANGE ALL THAT-- 1455 01:04:17,621 --> 01:04:19,089 LOOK, TINA. 1456 01:04:19,123 --> 01:04:20,657 IF THE MOVIE IS TOO GAY, 1457 01:04:20,690 --> 01:04:22,192 IT'S GOING TO ALIENATE AUDIENCES. 1458 01:04:22,226 --> 01:04:23,593 [AMAZED CHUCKLE]: "TOO GAY"? 1459 01:04:23,627 --> 01:04:25,896 IT'S A MOVIE ABOUT LESBIANS! 1460 01:04:25,930 --> 01:04:28,198 AND THE MOVIE'S FULL OF LESBIANS. 1461 01:04:28,232 --> 01:04:29,499 IT'S CHOCK-FULL OF THEM. 1462 01:04:29,533 --> 01:04:30,667 BEV IS A LESBIAN. 1463 01:04:30,700 --> 01:04:32,136 NINA'S A LESBIAN. SHAUN, DONNA. 1464 01:04:32,169 --> 01:04:33,237 WHAT'S-HER-FACE, 1465 01:04:33,270 --> 01:04:34,571 THE BISEXUAL? ALYSSE. 1466 01:04:34,604 --> 01:04:36,306 ALYSSE, SHE'S NOT INTERESTED IN MEN. 1467 01:04:36,340 --> 01:04:37,641 WE'RE TALKING ABOUT ONE CHARACTER HERE. 1468 01:04:37,674 --> 01:04:38,943 IT'S NOT THAT BIG A DEAL. 1469 01:04:38,976 --> 01:04:40,077 I JUST WANT TO KNOW ONE THING-- 1470 01:04:40,110 --> 01:04:41,946 HOW DO YOU LIVE WITH YOURSELF? 1471 01:04:41,979 --> 01:04:43,247 WHAT THE HELL'S GOING ON? 1472 01:04:43,280 --> 01:04:44,614 THE STUDIO WANTS TO CHANGE 1473 01:04:44,648 --> 01:04:45,449 THE ENDING OF THE MOVIE. 1474 01:04:45,482 --> 01:04:47,651 THEY WANT JESSE TO GO BACK TO JIM. 1475 01:04:47,684 --> 01:04:49,119 WHAT?WHAT? WHAT? 1476 01:04:49,153 --> 01:04:51,021 THEY THINK IT'S "TOO GAY." 1477 01:04:51,055 --> 01:04:52,222 "TOO GAY"? 1478 01:04:52,256 --> 01:04:54,058 YOU WON'T LET THEM GET AWAY WITH IT? 1479 01:04:54,091 --> 01:04:54,925 [KIT]: I'M TELLING YOU, 1480 01:04:54,959 --> 01:04:56,160 IT'S THE MAN THAT DOES THIS CRAZY SHIT. 1481 01:04:56,193 --> 01:04:57,261 [SHANE]: JENNY, TALK TO ME. 1482 01:04:57,294 --> 01:04:58,595 I'M YOUR FRIEND. PLEASE? 1483 01:04:59,997 --> 01:05:01,031 NO, SHANE. 1484 01:05:01,065 --> 01:05:02,066 [NIKI]: YOU GUYS, COME ON! 1485 01:05:02,099 --> 01:05:03,200 CAN'T WE ALL JUST BE FRIENDS? 1486 01:05:03,233 --> 01:05:04,201 [SHANE]: JENNY, I AM YOUR FRIEND. 1487 01:05:04,234 --> 01:05:05,335 YOU KNOW WHAT? 1488 01:05:05,369 --> 01:05:08,939 IT'S THE ULTIMATE BETRAYAL. 1489 01:05:11,075 --> 01:05:12,609 I'M GOING TO GO GET THE CAR. 1490 01:05:12,642 --> 01:05:15,079 OKAY. OKAY. 1491 01:05:15,112 --> 01:05:18,915 YOU'VE BROKEN MY HEART. 1492 01:05:21,218 --> 01:05:25,222 [DIONNE WARWICK'S "WALK ON BY" PLAYING] 1493 01:05:25,255 --> 01:05:28,692 * IF YOU SEE ME WALKING DOWN THE STREET * 1494 01:05:28,725 --> 01:05:31,628 * AND I START TO CRY 1495 01:05:31,661 --> 01:05:34,231 * EACH TIME WE MEET 1496 01:05:34,264 --> 01:05:36,700 * WALK ON BY 1497 01:05:38,735 --> 01:05:41,271 * WALK ON BY 1498 01:05:42,706 --> 01:05:46,743 * MAKE BELIEVE THAT YOU DON'T SEE THE TEARS * 1499 01:05:46,776 --> 01:05:49,179 * JUST LET ME GRIEVE 1500 01:05:49,213 --> 01:05:51,081 * IN PRIVATE 1501 01:05:51,115 --> 01:05:53,217 * 'CAUSE EACH TIME I SEE YOU 1502 01:05:53,250 --> 01:05:56,520 * I BREAK DOWN AND CRY 1503 01:05:58,255 --> 01:06:01,025 * AND WALK ON BY 1504 01:06:01,058 --> 01:06:03,093 * DON'T STOP 1505 01:06:03,127 --> 01:06:05,529 * WALK ON BY 1506 01:06:05,562 --> 01:06:07,564 * DON'T STOP 1507 01:06:08,632 --> 01:06:14,038 * WALK ON BY... 1508 01:06:15,139 --> 01:06:18,008 * I JUST CAN'T GET OVER LOSING YOU * 1509 01:06:18,042 --> 01:06:22,246 * AND, SO, IF I SEEM BROKEN IN TWO * 1510 01:06:22,279 --> 01:06:25,282 * WALK ON BY 1511 01:06:26,383 --> 01:06:29,653 * WALK ON BY 1512 01:06:31,255 --> 01:06:35,659 * FOOLISH PRIDE IS ALL THAT I HAVE LEFT * 1513 01:06:35,692 --> 01:06:37,727 * SO LET ME HIDE 1514 01:06:37,827 --> 01:06:39,229 [**] 1515 01:06:39,263 --> 01:06:40,297 YEAH!