1 00:00:10,667 --> 00:00:12,667 PREVIOUSLY ON THE L WORD... 2 00:00:18,367 --> 00:00:19,800 WHY IS IT SO IMPORTANT FOR YOU TO BELIEVE 3 00:00:19,833 --> 00:00:21,700 THAT EVERYONE IS SLEEPING WITH EVERYONE ELSE? 4 00:00:21,733 --> 00:00:23,867 [WHISPERING] BECAUSE THEY ARE. 5 00:00:23,900 --> 00:00:25,367 DO YOU KNOW THE NEIGHBORS NEXT DOOR? 6 00:00:25,400 --> 00:00:27,700 ARE THEY, UM... A GAY COUPLE? 7 00:00:27,733 --> 00:00:29,500 YEAH, THEY ARE. 8 00:00:29,533 --> 00:00:32,033 BECAUSE I SAW THEM HAVING SEX IN THEIR POOL. 9 00:00:32,067 --> 00:00:33,367 WE'RE HAVING A PARTY TOMORROW NIGHT. 10 00:00:33,400 --> 00:00:34,933 YOU AND TIM SHOULD COME. 11 00:00:34,967 --> 00:00:36,533 JENNY, THIS IS MARINA. 12 00:00:36,567 --> 00:00:39,000 YOU GUYS SHOULD TOTALLY TAKE THE COSMO ROMANCE QUIZ. 13 00:00:39,033 --> 00:00:40,200 [CHUCKLING] 14 00:00:40,233 --> 00:00:42,100 WHERE ARE YOU? 15 00:00:43,233 --> 00:00:44,100 I'M RIGHT HERE. 16 00:00:45,133 --> 00:00:46,667 YOU'RE GETTING MARRIED? 17 00:00:46,700 --> 00:00:47,533 ARE YOU HAPPY? 18 00:00:47,567 --> 00:00:49,133 DON'T ASK ME THAT. 19 00:00:50,800 --> 00:00:53,933 WHY COULDN'T YOU STOP IT? WHY WAS IT SO HARD? 20 00:00:53,967 --> 00:00:56,633 WHAT HAPPENED BETWEEN US WAS A TERRIBLE MISTAKE. 21 00:00:56,667 --> 00:00:58,667 DID YOU HEAR WHAT SHE SAID? 22 00:00:58,700 --> 00:01:00,333 WE NEED TO GET A DIVORCE. 23 00:01:00,367 --> 00:01:01,867 ARE YOU FREE ON SATURDAY NIGHT? 24 00:01:01,900 --> 00:01:03,500 I HAVE A DATE. 25 00:01:03,533 --> 00:01:04,267 HAS SHE TOLD YOU 26 00:01:04,300 --> 00:01:05,867 SHE'S A DYKE YET? 27 00:01:05,900 --> 00:01:07,767 I SHOULD PROBABLY BE THE ONE TO GO. 28 00:01:07,800 --> 00:01:08,700 GENE, NO. I SHOULD GO. 29 00:01:08,733 --> 00:01:09,967 NO, 30 00:01:10,067 --> 00:01:10,800 I DON'T WANT EITHER OF YOU TO LEAVE. 31 00:01:10,833 --> 00:01:12,200 YOU EVER NOTICE 32 00:01:12,233 --> 00:01:13,767 THAT EVERY TIME SHANE WALKS INTO A ROOM, 33 00:01:13,800 --> 00:01:14,700 SOMEONE LEAVES CRYING? 34 00:01:14,733 --> 00:01:16,567 I DON'T DO RELATIONSHIPS. 35 00:01:16,600 --> 00:01:17,633 TELL ME WHAT YOU WANT. 36 00:01:17,667 --> 00:01:19,100 IN TERMS OF WHAT YOU CAN DO FOR ME? 37 00:01:19,133 --> 00:01:20,267 ARE YOU IN LOVE WITH HER? 38 00:01:20,300 --> 00:01:21,333 YEAH. 39 00:01:21,367 --> 00:01:22,900 LEARN TO KEEP IT IN YOUR PANTS. 40 00:01:22,933 --> 00:01:24,067 OPEN THE GATE! 41 00:01:24,067 --> 00:01:25,900 I NEVER WANT TO SEE YOU AGAIN! 42 00:01:25,933 --> 00:01:27,767 IT WAS A DELUSION. YOU FELT THE SAME ABOUT ME. 43 00:01:27,800 --> 00:01:30,067 THAT KIND OF LOVE DOES NOT EXIST. 44 00:01:30,067 --> 00:01:31,700 WHAT DOES SHANE HAVE THAT I DON'T HAVE? 45 00:01:31,733 --> 00:01:33,067 SHE HAS NIPPLE CONFIDENCE. 46 00:01:33,100 --> 00:01:34,867 HEY! 47 00:01:34,900 --> 00:01:37,167 YOU DON'T UNDERSTAND WHAT IT MEANS TO BE ME. 48 00:01:37,200 --> 00:01:38,867 SO GLAD TO MEET YOU. I'M TONYA, GUEST LIAISON. 49 00:01:38,900 --> 00:01:40,767 I'M HERE TO TAKE CARE OF ALL YOUR NEEDS. 50 00:01:40,800 --> 00:01:41,933 I CAN'T BELIEVE 51 00:01:41,967 --> 00:01:43,233 I'M ABOUT TO GO DOWN ON DANA FAIRBANKS. 52 00:01:43,267 --> 00:01:45,167 THAT GIRL HAS BAD FUCKING VIBES. 53 00:01:45,200 --> 00:01:47,067 WHEN WILL YOU MAKE UP YOUR MIND BETWEEN DICK AND PUSSY? 54 00:01:47,100 --> 00:01:49,200 I'M LOOKING FOR THE SAME QUALITIES IN A MAN 55 00:01:49,233 --> 00:01:50,333 AS I AM IN A WOMAN. 56 00:01:50,367 --> 00:01:51,433 BIG TITS. 57 00:01:51,467 --> 00:01:52,933 WE'RE GETTING MARRIED. 58 00:01:52,967 --> 00:01:54,767 YOU CAN'T MARRY TONYA. 59 00:01:58,933 --> 00:02:00,667 LOOK, IF YOU EVER NEED ANYONE TO TALK TO, 60 00:02:00,700 --> 00:02:02,067 GIVE ME A CALL. 61 00:02:02,067 --> 00:02:03,367 SHE WANTS TO BE YOUR HUSBAND. 62 00:02:03,400 --> 00:02:07,700 IF YOU WERE A MAN, YOU WOULD BE THE PERFECT MAN. 63 00:02:09,067 --> 00:02:09,767 WOW. 64 00:02:11,500 --> 00:02:12,800 LET'S MAKE A BABY. 65 00:02:12,833 --> 00:02:15,400 I HAVE FOUND THE PERFECT DONOR. 66 00:02:15,433 --> 00:02:17,300 HOW COULD YOU NOT TELL ME 67 00:02:17,333 --> 00:02:19,267 THAT MARCUS ALLENWOOD IS BLACK? 68 00:02:21,067 --> 00:02:22,600 WE'RE GOING TO HAVE A BABY. 69 00:02:22,633 --> 00:02:24,600 I WAS UNABLE TO LOCATE A HEARTBEAT. 70 00:02:24,633 --> 00:02:27,167 I WAS ONLY 12 WEEKS, 71 00:02:27,200 --> 00:02:30,067 BUT I FEEL LIKE I LOST SOMEONE I WAS WITH MY WHOLE LIFE. 72 00:02:30,067 --> 00:02:32,500 ALL I WANTED TO DO ALL DAY LONG IS KISS YOU. 73 00:02:32,533 --> 00:02:33,667 I CAN'T. 74 00:02:33,700 --> 00:02:35,600 YOU CAN'T WHAT, BABE? 75 00:02:35,633 --> 00:02:37,667 TAKE ME SOMEWHERE. 76 00:02:39,267 --> 00:02:40,600 I SAW IT. 77 00:02:40,633 --> 00:02:41,500 I'M SORRY. 78 00:02:42,367 --> 00:02:44,267 FUCK YOU! FUCK YOU! 79 00:02:46,967 --> 00:02:49,267 [***] 80 00:02:51,667 --> 00:02:54,167 I CAN'T BELIEVE THIS IS HAPPENING. 81 00:02:56,067 --> 00:02:57,833 WHEN I DID THIS, 82 00:02:57,867 --> 00:03:02,733 I THOUGHT I HAD A CERTAIN AMOUNT OF SECURITY. 83 00:03:02,767 --> 00:03:06,900 WHETHER IT WORKED OR NOT... 84 00:03:06,933 --> 00:03:09,133 I THOUGHT BETTE AND I WERE SOLID. 85 00:03:11,067 --> 00:03:13,500 WHEN WERE YOU PLANNING TO TELL BETTE? 86 00:03:13,533 --> 00:03:16,067 RIGHT ABOUT NOW... 87 00:03:16,067 --> 00:03:18,933 IF EVERYTHING LOOKED LIKE IT WAS GOING TO GO WELL, 88 00:03:18,967 --> 00:03:20,800 AND NOTHING WAS GOING TO GO WRONG 89 00:03:20,833 --> 00:03:24,200 LIKE LAST TIME. 90 00:03:24,233 --> 00:03:25,367 I DIDN'T THINK 91 00:03:25,400 --> 00:03:26,767 BETTE COULD HANDLE ANOTHER MISCARRIAGE. 92 00:03:26,800 --> 00:03:29,067 NO? 93 00:03:29,067 --> 00:03:32,067 OH, MY. 94 00:03:32,100 --> 00:03:34,200 WELL, LOOK AT YOU. 95 00:03:34,233 --> 00:03:37,733 YEAH, IT SORT OF...JUST POPPED. 96 00:03:40,867 --> 00:03:43,600 I'M NOT READY TO TELL ANYBODY. 97 00:03:43,633 --> 00:03:45,233 I WANT TO KEEP IT TO MYSELF FOR A WHILE. 98 00:03:45,267 --> 00:03:48,600 WELL, THAT'S NOT GOING TO BE EASY, MY DEAR. 99 00:03:48,633 --> 00:03:50,500 LOOKS LIKE I'M HAVING THIS BABY ON MY OWN. 100 00:03:50,533 --> 00:03:52,233 THAT'S A SHAME, TINA. 101 00:03:52,267 --> 00:03:53,233 DON'T SAY THAT. 102 00:03:53,267 --> 00:03:55,600 PEOPLE DO IT ALL THE TIME. 103 00:03:55,633 --> 00:03:57,467 AND YOU'RE OKAY WITH THAT? 104 00:03:57,500 --> 00:04:00,967 I WANT THIS BABY MORE THAN EVER. 105 00:04:22,667 --> 00:04:28,967 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 106 00:04:29,067 --> 00:04:35,500 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 107 00:04:35,533 --> 00:04:41,667 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 108 00:04:41,700 --> 00:04:49,067 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 109 00:04:55,833 --> 00:04:57,433 * TALKING, LAUGHING LOVING, BREATHING * 110 00:04:57,467 --> 00:04:59,433 * FIGHTING, FUCKING CRYING, DRINKING * 111 00:04:59,467 --> 00:05:00,667 * WRITING, WINNING LOSING, CHEATING * 112 00:05:00,700 --> 00:05:02,200 * KISSING, THINKING, DREAMING 113 00:05:02,233 --> 00:05:04,200 * THIS IS THE WAY... 114 00:05:04,233 --> 00:05:07,067 * THIS IS THE WAY THAT WE LIVE * 115 00:05:07,067 --> 00:05:12,567 * IT'S THE WAY THAT WE LIVE 116 00:05:12,600 --> 00:05:16,267 * AND LOVE * 117 00:05:20,367 --> 00:05:22,633 [***] 118 00:05:53,400 --> 00:05:56,267 I WAS SO HAPPY TO HAVE YOU HERE. 119 00:05:59,433 --> 00:06:01,933 HELLO? 120 00:06:01,967 --> 00:06:04,733 HI. 121 00:06:04,767 --> 00:06:06,967 HEY, WHERE DID YOU GO? 122 00:06:11,067 --> 00:06:13,067 WHAT'S GOING ON? 123 00:06:33,167 --> 00:06:34,567 DAMN IT. 124 00:06:34,600 --> 00:06:36,467 WHY DID I GET THIS ASSIGNMENT? 125 00:06:36,500 --> 00:06:38,300 I AM SO NOT A KNITTER. 126 00:06:38,333 --> 00:06:39,933 WELL, IT'S CRAZY POPULAR, 127 00:06:39,967 --> 00:06:41,600 AND ALL THE FAGS I KNOW ARE DOING IT. 128 00:06:41,633 --> 00:06:43,100 EVEN SOME OF THE STRAIGHT BOYS, TOO. 129 00:06:43,133 --> 00:06:44,100 RIGHT, SEE? 130 00:06:44,133 --> 00:06:45,100 MEN SHOULD BE KNITTING, 131 00:06:45,133 --> 00:06:46,600 AND WOMEN SHOULD BE RUNNING THE WORLD. 132 00:06:46,633 --> 00:06:48,067 THAT'S HOW I SEE IT. 133 00:06:48,067 --> 00:06:49,067 THAT'S WHAT I'M GOING TO WRITE 134 00:06:49,100 --> 00:06:50,767 FOR L.A. MAGAZINE. 135 00:06:50,800 --> 00:06:51,767 IT'S GOOD. 136 00:06:51,800 --> 00:06:52,767 YEAH, GO FOR IT. 137 00:06:52,800 --> 00:06:54,133 THEY'LL LOVE IT. 138 00:06:54,167 --> 00:06:56,767 HOW'S TINA? 139 00:06:56,800 --> 00:06:58,500 WELL, BETTE STILL HASN'T CALLED HER. 140 00:06:58,533 --> 00:07:00,067 THERE'S SOMETHING REALLY WRONG 141 00:07:00,067 --> 00:07:02,133 WHEN GOD LETS TWO PEOPLE WHO ARE MEANT TO BE TOGETHER 142 00:07:02,167 --> 00:07:03,133 COME APART LIKE THAT. 143 00:07:03,167 --> 00:07:05,333 YOU BELIEVE IN GOD? 144 00:07:05,367 --> 00:07:08,067 WHAT? 145 00:07:08,067 --> 00:07:09,967 THIS COFFEE TASTES LIKE POOPY SHIT. 146 00:07:10,067 --> 00:07:12,467 WHERE'S MARINA? 147 00:07:12,500 --> 00:07:13,633 I HAVEN'T SEEN HER FOR DAYS. 148 00:07:13,667 --> 00:07:14,733 I HAVE NO IDEA. 149 00:07:14,767 --> 00:07:17,167 ME NEITHER. 150 00:07:17,200 --> 00:07:19,467 SO, LISTEN, DO YOU, UM... 151 00:07:19,500 --> 00:07:22,633 WANT TO TALK ABOUT ANYTHING, OR... 152 00:07:22,667 --> 00:07:23,833 BECAUSE THAT'S WHAT FRIENDS ARE FOR, 153 00:07:23,867 --> 00:07:26,533 IF YOU'D LIKE TO TALK. 154 00:07:26,567 --> 00:07:29,867 I'VE GOT NOTHING TO TALK ABOUT. 155 00:07:29,900 --> 00:07:30,867 SHANE. 156 00:07:30,900 --> 00:07:32,200 WHAT? 157 00:07:32,233 --> 00:07:34,200 OH, QUIT BEING SUCH A LEZ. 158 00:07:34,233 --> 00:07:35,200 WELL, WHAT? 159 00:07:35,233 --> 00:07:37,133 YOU'RE JUST BACK FROM CHERIE JAFFE LAND. 160 00:07:37,167 --> 00:07:38,200 NOTHING'S CHANGED. 161 00:07:38,233 --> 00:07:39,667 I'M STILL ME. 162 00:07:39,700 --> 00:07:42,767 OH, SO YOU STILL LIVE BY THE CODE. 163 00:07:42,800 --> 00:07:44,500 YOU DON'T DO RELATIONSHIPS. 164 00:07:44,533 --> 00:07:45,633 IT'S NOT A CODE. 165 00:07:45,667 --> 00:07:46,833 IT'S ME. 166 00:07:48,600 --> 00:07:49,967 OH, SHIT. 167 00:07:52,900 --> 00:07:54,067 OH, NO. 168 00:07:54,067 --> 00:07:55,633 I CANNOT TAKE CRUELLA DE VIL THIS MORNING. 169 00:07:55,667 --> 00:07:56,667 DO SOME-- 170 00:07:56,700 --> 00:07:58,367 PRETEND I'M UPSET. 171 00:07:58,400 --> 00:08:00,533 PUT YOUR ARM AROUND ME. 172 00:08:00,567 --> 00:08:02,800 I'LL JUST START SOBBING, AND, OBVIOUSLY, 173 00:08:02,833 --> 00:08:05,067 IT'LL BE A REALLY INTIMATE MOMENT. 174 00:08:05,100 --> 00:08:08,600 I MEAN, NO HALFWAY SENSITIVE PERSON 175 00:08:08,633 --> 00:08:10,233 WOULD EVER DREAM OF INTERRUPTING. 176 00:08:10,267 --> 00:08:11,300 OH, YOU GUYS. 177 00:08:12,800 --> 00:08:14,967 THIS PLACE IS FALLING APART. 178 00:08:15,067 --> 00:08:16,700 DID YOU GUYS HEAR WHAT HAPPENED TO MARINA? 179 00:08:16,733 --> 00:08:18,100 WHAT? 180 00:08:34,900 --> 00:08:36,800 A NERVOUS BREAKDOWN, COMPLETE AND TOTAL. 181 00:08:36,833 --> 00:08:37,967 SHE HAD TO BE HOSPITALIZED. 182 00:08:38,067 --> 00:08:39,800 SHE TRIED TO OFF HERSELF? 183 00:08:39,833 --> 00:08:41,700 SHE CUT HER WRISTS AT THE BEL AIR HOTEL, 184 00:08:41,733 --> 00:08:43,067 IN THE PENTHOUSE SUITE. 185 00:08:43,100 --> 00:08:44,067 THAT'S HORRIBLE! 186 00:08:44,100 --> 00:08:45,233 SHE WAS WEARING 187 00:08:45,267 --> 00:08:46,133 THAT FABULOUS DOLCE & GABBANA SUIT, 188 00:08:46,167 --> 00:08:46,933 THE MEN'S CUT. 189 00:08:46,967 --> 00:08:47,933 WE SHOULD SEE HER. 190 00:08:47,967 --> 00:08:49,067 TOO LATE. 191 00:08:49,067 --> 00:08:49,700 HER MOTHER PUT HER ON A PLANE. 192 00:08:49,733 --> 00:08:50,567 SHE'S BACK IN MILAN. 193 00:08:50,600 --> 00:08:51,733 SHE'S A CONTESSA, YOU KNOW. 194 00:08:51,767 --> 00:08:53,300 I KNOW, SHE'S A CONTESSA. 195 00:08:53,333 --> 00:08:54,600 MARINA'S A CONTESSA. 196 00:08:54,633 --> 00:08:56,100 HONEY! HONEY. 197 00:08:56,133 --> 00:08:58,067 HONEY, HONEY, COME HERE. 198 00:08:58,067 --> 00:08:59,233 HI. 199 00:08:59,267 --> 00:09:00,700 I WAS JUST TELLING THE GIRLS 200 00:09:00,733 --> 00:09:02,500 HOW I ALMOST BECAME YOUR FUTURE EX-WIFE 201 00:09:02,533 --> 00:09:04,133 LAST NIGHT. 202 00:09:04,167 --> 00:09:05,600 I KIND OF FREAKED OUT WITH THE WEDDING PLANNERS. 203 00:09:05,633 --> 00:09:06,600 EXCUSE ME, 204 00:09:06,633 --> 00:09:07,767 WE NEED A GREEN TEA. 205 00:09:07,800 --> 00:09:09,167 ICED. 206 00:09:11,133 --> 00:09:12,100 ARE YOU OKAY? 207 00:09:12,133 --> 00:09:13,700 HMM? 208 00:09:13,733 --> 00:09:15,067 YEAH. 209 00:09:15,067 --> 00:09:16,700 I'M FREAKED OUT ABOUT MARINA. 210 00:09:16,733 --> 00:09:17,700 OH, YEAH. 211 00:09:17,733 --> 00:09:19,200 THANK GOD FOR THE BELLBOY. 212 00:09:19,233 --> 00:09:20,700 HE CAME IN RIGHT AS SHE WAS ABOUT TO JUMP. 213 00:09:20,733 --> 00:09:21,767 WAIT, WAIT. 214 00:09:21,800 --> 00:09:22,933 YOU SAID SHE SLIT HER WRISTS. 215 00:09:22,967 --> 00:09:24,433 LOOK AT YOU, ALL SWEATY. 216 00:09:24,467 --> 00:09:25,600 ISN'T IT CUTE 217 00:09:25,633 --> 00:09:27,333 HOW SHE PERSPIRES SO MUCH? 218 00:09:27,367 --> 00:09:29,633 SO HOW'S TINA? 219 00:09:29,667 --> 00:09:31,433 HAS BETTE CALLED YET? 220 00:09:31,467 --> 00:09:32,967 APPARENTLY, 221 00:09:33,067 --> 00:09:35,967 SHE WALKED IN ON THEM IN THEIR VERY OWN BEDROOM. 222 00:09:36,067 --> 00:09:38,067 OKAY, MISS INSIDE STORY, 223 00:09:38,067 --> 00:09:40,233 HOW DID TINA FIND OUT? 224 00:09:40,267 --> 00:09:42,367 WELL, ACTUALLY, TONYA, 225 00:09:42,400 --> 00:09:44,267 SHE GUESSED, 226 00:09:44,300 --> 00:09:45,367 BECAUSE SHE SAW THEM TOUCHING HANDS 227 00:09:45,400 --> 00:09:47,100 AND THEN SHE KNEW EVERYTHING. 228 00:09:48,533 --> 00:09:49,967 HOW COULD SHE TELL JUST BY SEEING THEM TOUCH HANDS? 229 00:09:50,067 --> 00:09:51,467 WOMEN CAN DO THAT. 230 00:09:51,500 --> 00:09:52,700 YEAH, ESPECIALLY DYKES. 231 00:09:52,733 --> 00:09:53,867 WELL, I DON'T KNOW 232 00:09:53,900 --> 00:09:54,933 WHAT BETTE WAS THINKING. 233 00:09:54,967 --> 00:09:56,067 I MEAN, YOU DON'T STEP OUT 234 00:09:56,067 --> 00:09:57,533 ON A WOMAN LIKE TINA 235 00:09:57,567 --> 00:09:58,600 FOR SOMEBODY WHO HAMMERS PLANKS 236 00:09:58,633 --> 00:09:59,800 FOR A LIVING. 237 00:09:59,833 --> 00:10:00,800 WHAT ARE YOU SAYING, TONYA? 238 00:10:00,833 --> 00:10:02,300 THAT IT WOULD HAVE BEEN OKAY 239 00:10:02,333 --> 00:10:03,767 IF CANDACE HAD A BETTER JOB? 240 00:10:03,800 --> 00:10:05,267 GUYS, IT'S NOT OUR BUSINESS. BUT BETTE LOVES TINA. 241 00:10:05,300 --> 00:10:06,567 THERE'S NO DOUBT ABOUT IT. 242 00:10:06,600 --> 00:10:07,600 SO THEN THEY COULD JUST-- 243 00:10:07,633 --> 00:10:09,167 WHY CAN'T THEY WORK IT OUT? 244 00:10:09,200 --> 00:10:11,233 BECAUSE IT'S A SEX THING, AND BETTE CAN'T HELP IT. 245 00:10:11,267 --> 00:10:12,467 SO IF IT'S JUST A SEX THING, 246 00:10:12,500 --> 00:10:14,933 THEN YOU CAN GET IT UNDER CONTROL, RIGHT? 247 00:10:14,967 --> 00:10:15,833 WOMEN CAN CONTROL IT. 248 00:10:15,867 --> 00:10:17,300 A MAN SOMETIMES CAN'T 249 00:10:17,333 --> 00:10:18,433 BECAUSE THEY'RE CONTROLLED BY THEIR PECKERS. 250 00:10:18,467 --> 00:10:19,367 THERE IS NO DIFFERENCE 251 00:10:19,400 --> 00:10:20,400 BETWEEN MEN AND WOMEN, 252 00:10:20,433 --> 00:10:21,667 AND THIS IS A PERFECT EXAMPLE, 253 00:10:21,700 --> 00:10:22,867 OR BETTE WOULD HAVE CALLED IT OFF. 254 00:10:22,900 --> 00:10:26,167 BETTE IS STILL SCHTUPPING THE CARPENTER? 255 00:10:26,200 --> 00:10:27,767 I FEEL SO AWFUL FOR TINA. 256 00:10:27,800 --> 00:10:29,433 GUYS. 257 00:10:29,467 --> 00:10:30,833 WELL, BETTE BETTER GET THAT PECKER UNDER CONTROL. 258 00:10:30,867 --> 00:10:31,367 GUYS! 259 00:10:36,133 --> 00:10:39,600 YOU KNOW THOSE SKINNY JAPANESE ONES? 260 00:10:39,633 --> 00:10:40,933 THEY DON'T REALLY LOOK LIKE MUSHROOMS, YOU KNOW? 261 00:10:40,967 --> 00:10:43,367 THEY KIND OF LOOK MORE LIKE NOODLES 262 00:10:43,400 --> 00:10:44,733 OR SOMETHING. 263 00:10:44,767 --> 00:10:46,000 I NEVER KNOW... 264 00:10:46,033 --> 00:10:50,367 WHAT TO DO WITH THEM. 265 00:10:50,400 --> 00:10:52,133 WHAT? OH, I'M SORRY. 266 00:10:52,167 --> 00:10:53,233 I'M SORRY. 267 00:10:53,267 --> 00:10:55,167 WHAT WERE YOU SAYING? 268 00:10:55,200 --> 00:10:57,200 AH, I WAS TALKING ABOUT MUSHROOMS. 269 00:10:57,233 --> 00:10:58,667 RIGHT, RIGHT, RIGHT. 270 00:10:58,700 --> 00:11:00,167 DO YOU LIKE MUSHROOMS? 271 00:11:00,200 --> 00:11:02,800 SELECTIVELY. 272 00:11:02,833 --> 00:11:04,133 YOU? 273 00:11:04,167 --> 00:11:08,067 UM, THEY REALLY DO SCARE ME. 274 00:11:08,067 --> 00:11:09,367 GOD, I REMEMBER IN THIRD GRADE 275 00:11:09,400 --> 00:11:12,133 THERE WAS THIS BEAUTIFUL GIRL. 276 00:11:12,167 --> 00:11:13,700 GOD. GORGEOUS. 277 00:11:13,733 --> 00:11:15,133 HER NAME WAS MIRIAM, 278 00:11:15,167 --> 00:11:16,933 AND SHE HAD THIS WILD MUSHROOM, 279 00:11:16,967 --> 00:11:18,600 AND JUST WAS IN HOSPITAL FOR, LIKE, THREE WEEKS, 280 00:11:18,633 --> 00:11:21,233 AND HAD THIS ALLERGIC REACTION, 281 00:11:21,267 --> 00:11:24,500 AND, GOD, SHE MISSED THE RELAY RACE... 282 00:11:24,533 --> 00:11:25,500 WOW, I'VE NEVER ACTUALLY 283 00:11:25,533 --> 00:11:27,833 SEEN ONIONS ON A STEM BEFORE. 284 00:11:27,867 --> 00:11:28,833 DO THEY TASTE DIFFERENT? 285 00:11:28,867 --> 00:11:30,500 SMELL THEM. 286 00:11:30,533 --> 00:11:32,367 OH. 287 00:11:32,400 --> 00:11:33,700 THAT'S VERY STRONG. 288 00:11:35,300 --> 00:11:36,733 DO YOU WANT TO FUCK HER RIGHT HERE, 289 00:11:36,767 --> 00:11:37,967 OR DO YOU BOTH 290 00:11:38,067 --> 00:11:39,367 WANT TO COME BACK TO MY PLACE? 291 00:11:39,400 --> 00:11:40,700 HMM? 292 00:11:40,733 --> 00:11:42,200 GENE. 293 00:11:42,233 --> 00:11:42,867 LOOK, I DON'T THINK MY ROOMMATE'S AROUND. 294 00:11:42,900 --> 00:11:44,600 NO, NO, NO, I'M SORRY. 295 00:11:48,933 --> 00:11:51,667 OKAY, WHAT'S GOING ON? 296 00:11:51,700 --> 00:11:52,967 I DIDN'T PRESSURE YOU INTO THIS, 297 00:11:53,067 --> 00:11:53,967 ALL RIGHT? 298 00:11:54,067 --> 00:11:55,833 YOU SAID YOU WANTED TO KEEP SEEING ME, 299 00:11:55,867 --> 00:11:57,300 SO... 300 00:11:57,333 --> 00:11:58,467 YEAH, I KNOW. 301 00:11:58,500 --> 00:12:00,233 I KNOW, AND I SAID THAT I LIKE YOU. 302 00:12:00,267 --> 00:12:01,833 WELL, THAT'S REALLY NICE, YOU KNOW? 303 00:12:01,867 --> 00:12:03,400 I LIKE YOU TOO... 304 00:12:03,433 --> 00:12:04,733 BUT WE DON'T HAVE SEX. 305 00:12:04,767 --> 00:12:06,300 OKAY? THERE IT IS. 306 00:12:06,333 --> 00:12:07,567 I'D LIKE TO BE HAVING SEX 307 00:12:07,600 --> 00:12:09,433 WITH THE WOMAN I COOK FOR, 308 00:12:09,467 --> 00:12:10,900 MAKE MIX TAPES FOR YOU-- 309 00:12:10,933 --> 00:12:13,833 YOU DON'T WANT TO HAVE SEX, AND I KNOW WHY. 310 00:12:13,867 --> 00:12:16,667 IT'S BECAUSE YOU'RE GAY, ALL RIGHT? 311 00:12:16,700 --> 00:12:17,667 THAT'S IT. 312 00:12:17,700 --> 00:12:19,167 I'M SORRY TO BREAK IT TO YOU, 313 00:12:19,200 --> 00:12:21,367 BUT YOU ARE A GIRL-LOVING, 314 00:12:21,400 --> 00:12:22,833 FULL-ON LESBIAN. 315 00:12:25,933 --> 00:12:28,267 I DON'T THINK THAT'S FOR YOU TO SAY. 316 00:12:28,300 --> 00:12:29,267 WELL, DEAL WITH IT, 317 00:12:29,300 --> 00:12:32,100 ALL RIGHT? 318 00:12:32,133 --> 00:12:33,933 GOOD LUCK. 319 00:12:52,167 --> 00:12:55,067 ARE WE EVER GOING TO TALK ABOUT THIS? 320 00:12:55,067 --> 00:12:56,600 TALK ABOUT WHAT? 321 00:13:01,800 --> 00:13:03,433 OKAY. 322 00:13:03,467 --> 00:13:05,400 HOLD ON. 323 00:13:09,467 --> 00:13:11,400 IT WAS A MISTAKE, RIGHT? 324 00:13:16,067 --> 00:13:17,333 IF YOU SAY SO. 325 00:13:17,367 --> 00:13:18,533 WELL, WHAT ABOUT YOU? 326 00:13:18,567 --> 00:13:19,533 DO YOU HAVE ANYTHING TO SAY? 327 00:13:19,567 --> 00:13:22,433 YOU WERE THE ONE WHO KISSED ME FIRST. 328 00:13:22,467 --> 00:13:25,833 I KIND OF REMEMBER YOU KISSING ME BACK. 329 00:13:28,233 --> 00:13:31,167 AFTER YOU STARTED IT. 330 00:13:35,567 --> 00:13:38,433 SO IF I WAS TO KISS YOU AGAIN? 331 00:13:59,333 --> 00:14:01,400 OH, YOU KNOW. 332 00:14:01,433 --> 00:14:02,867 OH... 333 00:14:02,900 --> 00:14:04,967 YOU KNOW. 334 00:14:05,067 --> 00:14:07,067 OH, ALICE'LL KNOW. 335 00:14:07,067 --> 00:14:09,533 ALICE, WHAT'S THE... BOOKING AGENCY, 336 00:14:09,567 --> 00:14:10,867 NOT SMASH BOX, BUT YOU KNOW-- 337 00:14:10,900 --> 00:14:12,267 FRED SEGAL HAIR AND MAKEUP? 338 00:14:12,300 --> 00:14:13,267 TONYA, LISTEN, IT'S COOL, ALL RIGHT? 339 00:14:13,300 --> 00:14:14,400 THE AGENCY IS FINE. 340 00:14:14,433 --> 00:14:15,367 THEY GOT ME A JOB. 341 00:14:15,400 --> 00:14:16,200 [TINA]: WHO'S THE CLIENT? 342 00:14:16,233 --> 00:14:18,133 UM, ARIANNA SOMEONE. 343 00:14:18,167 --> 00:14:20,367 ARIANNA HUFFINGTON? 344 00:14:20,400 --> 00:14:22,533 YEAH. SHE WROTE A BOOK. 345 00:14:22,567 --> 00:14:24,233 SHE'S DOING A BOOK TOUR, 346 00:14:24,267 --> 00:14:25,367 AND SHE'S DOING ALL THESE TV TALK SHOWS. 347 00:14:25,400 --> 00:14:26,800 DAVID LETTERMAN, JAY LENO, BILL O'REILLY? 348 00:14:26,833 --> 00:14:27,800 COME ON. 349 00:14:27,833 --> 00:14:29,200 ARIANNA HUFFINGTON IS 50. 350 00:14:29,233 --> 00:14:30,867 SHE'S NOT REALLY YOUR TYPE. 351 00:14:30,900 --> 00:14:32,367 SHE'S KIND OF FANCY. 352 00:14:32,400 --> 00:14:33,933 I'M DOING HER HAIR, AL. I'M NOT GOING TO FUCK HER. 353 00:14:33,967 --> 00:14:35,867 OH, BECAUSE THE OLD SHANE WOULD HAVE. 354 00:14:35,900 --> 00:14:36,867 OH. 355 00:14:36,900 --> 00:14:38,433 WELL, IN THAT CASE, IF SHE'S HOT-- 356 00:14:40,800 --> 00:14:41,800 HONEY, 357 00:14:41,833 --> 00:14:44,833 SHANE IS DOING ARIANNA HUFFINGTON. 358 00:14:44,867 --> 00:14:46,300 YOU'RE DOING ARIANNA HUFFINGTON? 359 00:14:46,333 --> 00:14:47,900 SHE'S 50, SHANE. 360 00:14:47,933 --> 00:14:48,900 HER HAIR. 361 00:14:48,933 --> 00:14:50,200 OH. 362 00:14:50,233 --> 00:14:51,200 LOOK, IT'S GREAT, SHANE. 363 00:14:51,233 --> 00:14:52,733 IT IS. 364 00:14:52,767 --> 00:14:53,867 IF THINGS GO WELL WITH ARIANNA HUFFINGTON, 365 00:14:53,900 --> 00:14:55,733 THEN MAYBE YOU CAN GET SOME FILM CLIENTS. 366 00:14:55,767 --> 00:14:56,867 YOU COULD GO ON LOCATION. 367 00:14:56,900 --> 00:14:57,867 YOU COULD TRAVEL. 368 00:14:57,900 --> 00:14:58,867 YEAH, THAT WOULD BE COOL. 369 00:14:58,900 --> 00:14:59,867 YEAH, THAT'S GREAT. 370 00:14:59,900 --> 00:15:02,200 I'VE GOT TO GO, YOU GUYS. 371 00:15:07,800 --> 00:15:08,967 DON'T WORRY, 372 00:15:09,067 --> 00:15:10,533 I'M NOT GOING TO ASK TO JOIN YOU. 373 00:15:10,567 --> 00:15:13,700 I KNOW THAT YOU ALL PROBABLY THINK I'M A MONSTER. 374 00:15:13,733 --> 00:15:16,400 I JUST-- I HAVE SOMETHING THAT I NEED TO SAY TO TINA. 375 00:15:16,433 --> 00:15:17,867 DO YOU WANT US TO GO? NO. 376 00:15:19,300 --> 00:15:21,500 IF YOU HAVE SOMETHING TO SAY, SAY IT HERE. 377 00:15:25,800 --> 00:15:29,067 TINA... 378 00:15:29,067 --> 00:15:33,433 I DIDN'T TRY TO SEE YOU OR CALL YOU UNTIL NOW 379 00:15:33,467 --> 00:15:36,100 BECAUSE I WANTED TO MAKE SURE 380 00:15:36,133 --> 00:15:38,400 THAT I COULD DO WHAT YOU ASKED OF ME. 381 00:15:38,433 --> 00:15:40,633 I PROMISE 382 00:15:40,667 --> 00:15:42,567 I AM NOT EVER GOING TO SEE HER AGAIN. 383 00:15:42,600 --> 00:15:44,767 I AM NOT EVER GOING TO SPEAK TO HER AGAIN. 384 00:15:44,800 --> 00:15:47,867 I AM NOT EVER GOING TO THINK ABOUT HER AGAIN. 385 00:15:50,800 --> 00:15:53,367 I MISS YOU. 386 00:15:53,400 --> 00:15:54,767 MORE THAN THAT. 387 00:15:54,800 --> 00:15:56,433 I NEED YOU. 388 00:15:56,467 --> 00:15:59,133 I DON'T THINK THAT I CAN-- 389 00:15:59,167 --> 00:16:01,400 I DON'T THINK THAT I CAN LIVE WITHOUT YOU. 390 00:16:05,300 --> 00:16:08,633 IT IS COMPLETELY AND TOTALLY OVER. 391 00:16:15,067 --> 00:16:17,300 WHEN DID YOU END IT? 392 00:16:17,333 --> 00:16:18,900 THIS MORNING. 393 00:16:18,933 --> 00:16:20,833 I TOLD HER THAT YOU WERE THE LOVE OF MY LIFE, 394 00:16:20,867 --> 00:16:22,533 AND THAT I DIDN'T KNOW WHAT I WAS DOING, 395 00:16:22,567 --> 00:16:25,133 AND THAT I MUST HAVE GONE TEMPORARILY INSANE. 396 00:16:25,167 --> 00:16:30,867 DID YOU TELL HER IN PERSON OR ON THE PHONE? 397 00:16:30,900 --> 00:16:32,133 WHY DOES THAT MATTER? 398 00:16:32,167 --> 00:16:34,533 BECAUSE I DROVE BY THE HOUSE AT 2:00 A.M., 399 00:16:34,567 --> 00:16:36,067 AND YOUR CAR WASN'T THERE. 400 00:16:36,067 --> 00:16:37,600 DID YOU FUCK ALL NIGHT 401 00:16:37,633 --> 00:16:39,133 BEFORE YOU TOLD HER 402 00:16:39,167 --> 00:16:40,133 I WAS THE LOVE OF YOUR LIFE 403 00:16:40,167 --> 00:16:41,100 THIS MORNING? 404 00:16:49,700 --> 00:16:51,600 [GASPS] 405 00:16:59,800 --> 00:17:01,867 SO RENTALS ARE THE CASH COW OF THE BUSINESS, 406 00:17:01,900 --> 00:17:04,900 BUT MY REAL LOVE IS PICTURE CARS. 407 00:17:04,933 --> 00:17:06,067 PICTURE CARS? 408 00:17:06,100 --> 00:17:08,067 YEAH, FOR THE MOVIES. 409 00:17:08,067 --> 00:17:09,533 OH, YEAH. 410 00:17:09,567 --> 00:17:11,133 A DIRECTOR WILL COME IN AND TELL ME 411 00:17:11,167 --> 00:17:12,400 HE WANTS TO PUT BILLY BOB 412 00:17:12,433 --> 00:17:14,667 IN THE EXACT SOUPED-UP HEMI UNDER GLASS 413 00:17:14,700 --> 00:17:16,567 BOB RIGGLE DROVE IN THE STOCK CAR RACES 414 00:17:16,600 --> 00:17:18,700 IN JERSEY WHEN HE WAS A KID, YOU KNOW? 415 00:17:18,733 --> 00:17:20,967 HE'LL WANT THE SLICKS AND THE SCOOPS 416 00:17:21,067 --> 00:17:22,600 AND THE PINK PANTHER FLAMES, 417 00:17:22,633 --> 00:17:25,567 EXACTLY LIKE HE REMEMBERS IT IN HIS HEAD. 418 00:17:25,600 --> 00:17:26,767 IVAN, YOU ARE SPEAKING 419 00:17:26,800 --> 00:17:29,867 A FOREIGN LANGUAGE TO ME... 420 00:17:29,900 --> 00:17:33,200 AND YOU KNOW WHAT THAT DOES TO A GIRL. 421 00:17:33,233 --> 00:17:34,267 LET'S GO INSIDE. 422 00:17:34,300 --> 00:17:35,333 I GOT SOMETHING I WANT TO SHOW YOU. 423 00:17:35,367 --> 00:17:36,900 COME ON. 424 00:17:36,933 --> 00:17:38,967 BY DRIVING INTO THE WALL 425 00:17:39,067 --> 00:17:40,767 OF THE HOTEL PARKING GARAGE? 426 00:17:40,800 --> 00:17:41,933 DOESN'T SOUND 427 00:17:41,967 --> 00:17:44,067 LIKE A VERY SERIOUS SUICIDE ATTEMPT TO ME. 428 00:17:44,067 --> 00:17:45,867 YEAH, BUT THAT'S THE TALK AT THE PLANET. 429 00:17:45,900 --> 00:17:46,867 YOU KNOW WHAT? 430 00:17:46,900 --> 00:17:47,967 I FEEL SO BAD 431 00:17:48,067 --> 00:17:49,333 BECAUSE I DIDN'T KNOW 432 00:17:49,367 --> 00:17:51,700 SHE WAS HURTING THAT MUCH. 433 00:17:51,733 --> 00:17:52,867 I KNOW, I KNOW. 434 00:17:52,900 --> 00:17:56,600 LET GO AND LET GOD. 435 00:17:56,633 --> 00:17:57,900 OH... 436 00:17:57,933 --> 00:17:59,400 IVAN AYCOCK, 437 00:17:59,433 --> 00:18:02,767 VINTAGE RESTORER TO THE STARS. 438 00:18:02,800 --> 00:18:04,267 THAT'S THE BOMB. 439 00:18:04,300 --> 00:18:06,567 I HAD NO IDEA. 440 00:18:06,600 --> 00:18:08,400 THIS IS YOUR OFFICE. 441 00:18:08,433 --> 00:18:09,800 LOOK, I INVITED YOU HERE 442 00:18:09,833 --> 00:18:12,400 BECAUSE I HAVE A LITTLE PRESENT FOR YOU. 443 00:18:17,100 --> 00:18:18,933 OH, IVAN, I-I-- 444 00:18:18,967 --> 00:18:20,167 IT'S NOT WHAT YOU THINK. 445 00:18:20,200 --> 00:18:22,367 OPEN IT. 446 00:18:31,500 --> 00:18:32,900 OKAY. 447 00:18:32,933 --> 00:18:36,333 THIS IS A KEY TO MY APARTMENT. 448 00:18:36,367 --> 00:18:38,900 I LIVE TWO BLOCKS FROM THE PLANET. 449 00:18:38,933 --> 00:18:40,400 I JUST WANT YOU TO FEEL FREE TO STOP BY 450 00:18:40,433 --> 00:18:41,733 ANYTIME YOU NEED A BREAK FROM WORK. 451 00:18:41,767 --> 00:18:45,400 OH, IVAN, IT'S NOT A DONE DEAL YET. 452 00:18:45,433 --> 00:18:47,800 I STILL HAVE TO GO TO THE BANK TOMORROW 453 00:18:47,833 --> 00:18:49,600 AND HAVE MY MEETING, AND THEN... 454 00:18:49,633 --> 00:18:52,333 I HAVE A LOT TO WORK OUT WITH MARINA'S FAMILY. 455 00:18:52,367 --> 00:18:54,300 HER MOM IS SOME KIND OF DAMN CONTESSA. 456 00:18:54,333 --> 00:18:57,500 SHE MAY BE A CONTESSA, 457 00:18:57,533 --> 00:19:00,467 BUT AS FAR AS I'M CONCERNED... 458 00:19:00,500 --> 00:19:02,600 KIT, YOU'RE A QUEEN. 459 00:19:02,633 --> 00:19:04,667 DON'T YOU FORGET IT. 460 00:19:17,333 --> 00:19:18,467 WHAT'S THIS ONE FOR? 461 00:19:31,433 --> 00:19:34,367 THAT LOOKS LIKE MY CAR. 462 00:19:34,400 --> 00:19:36,433 SORT OF. 463 00:19:36,467 --> 00:19:39,733 I DID A LITTLE WORK ON IT. 464 00:19:39,767 --> 00:19:41,067 A LITTLE? 465 00:19:41,100 --> 00:19:41,767 A LITTLE RESTORATION 466 00:19:41,800 --> 00:19:43,067 TO HELP YOU CELEBRATE 467 00:19:43,067 --> 00:19:45,067 YOUR GETTING YOUR LICENSE RESTORED. 468 00:19:46,900 --> 00:19:50,133 NO ONE'S EVER DONE ANYTHING LIKE THAT FOR ME. 469 00:19:50,167 --> 00:19:53,600 I-I DON'T KNOW HOW TO THANK YOU. 470 00:20:03,933 --> 00:20:07,067 NOT YET. 471 00:20:07,100 --> 00:20:08,833 WHY? 472 00:20:08,867 --> 00:20:11,467 BECAUSE YOU'RE NOT SURE, 473 00:20:11,500 --> 00:20:15,600 AND I WANT YOU TO BE SURE. 474 00:20:17,700 --> 00:20:18,933 COME ON, GORGEOUS, 475 00:20:18,967 --> 00:20:20,233 LET'S GO TAKE IT FOR A SPIN. 476 00:20:20,267 --> 00:20:22,000 COME ON. 477 00:20:30,933 --> 00:20:32,400 WOW. 478 00:20:32,433 --> 00:20:35,767 OOH. OOH, YES. 479 00:20:38,367 --> 00:20:39,700 OH, MY GOD. 480 00:20:39,733 --> 00:20:42,467 IT LOOKS FABULOUS. OH... 481 00:20:45,400 --> 00:20:47,033 WOW. 482 00:20:47,067 --> 00:20:48,033 SO OBERLIN'S 483 00:20:48,067 --> 00:20:50,033 SUPPOSED TO BE A REALLY GREAT SCHOOL. 484 00:20:50,067 --> 00:20:51,467 YEAH, IT'S A GREAT TEAM. 485 00:20:54,333 --> 00:20:56,633 COACH HASPEL. 486 00:20:56,667 --> 00:20:58,467 YOU KNOW THEY WANT ME THERE A WEEK FROM MONDAY, 487 00:20:58,500 --> 00:21:01,567 SO I FIGURED I'D GIVE MYSELF FIVE DAYS TO DRIVE TO OHIO. 488 00:21:01,600 --> 00:21:03,067 RIGHT. 489 00:21:03,067 --> 00:21:06,100 HEY, ARE YOU STILL GOING TO GET YOUR TEACHING CERTIFICATE? 490 00:21:06,133 --> 00:21:07,100 MAYBE. 491 00:21:07,133 --> 00:21:09,233 DID YOU FIND AN APARTMENT YET? 492 00:21:09,267 --> 00:21:10,100 NO. 493 00:21:10,133 --> 00:21:12,367 IT'S SO DEPRESSING, TIM. 494 00:21:12,400 --> 00:21:13,700 YOU SHOULD STAY HERE. 495 00:21:13,733 --> 00:21:14,767 TAKE OVER THE LEASE. 496 00:21:14,800 --> 00:21:16,633 OH, NO. 497 00:21:16,667 --> 00:21:19,400 I CAN'T AFFORD THE RENT ON THIS HOUSE. 498 00:21:19,433 --> 00:21:21,600 WHAT ABOUT YOUR NEW JOB? 499 00:21:21,633 --> 00:21:26,233 WAITRESSES AT HANK-59 DO NOT GET PAID THAT MUCH. 500 00:21:26,267 --> 00:21:27,533 THINK ABOUT IT. 501 00:21:27,567 --> 00:21:28,433 YOU KNOW THE RENT'S ALL PAID UP 502 00:21:28,467 --> 00:21:29,533 THROUGH THE END OF THE MONTH. 503 00:21:29,567 --> 00:21:30,367 ARE YOU SERIOUS? 504 00:21:30,400 --> 00:21:32,533 YOU'D ACTUALLY LET ME STAY HERE? 505 00:21:34,967 --> 00:21:36,133 YEAH, WHAT, I'M GOING TO 506 00:21:36,167 --> 00:21:37,100 KICK YOU OUT ON PRINCIPLE? 507 00:21:37,133 --> 00:21:39,233 ARE YOU SERIOUS, 508 00:21:39,267 --> 00:21:42,067 TIM? 509 00:21:42,067 --> 00:21:43,767 THAT WOULD BE AMAZING. 510 00:21:43,800 --> 00:21:45,333 THE THING IS, I JUST-- 511 00:21:45,367 --> 00:21:48,100 I NEED TO FOCUS RIGHT NOW, BECAUSE I'M JUST, LIKE-- 512 00:21:48,133 --> 00:21:50,600 AND OKAY...CHARLOTTE BIRCH 513 00:21:50,633 --> 00:21:53,333 IS TEACHING THIS MASTER CLASS AT C.U., 514 00:21:53,367 --> 00:21:55,267 AND I'M JUST TRYING TO GET IN, YOU KNOW. 515 00:21:55,300 --> 00:21:56,600 WHATEVER. 516 00:21:56,633 --> 00:21:58,167 I'M JUST HAVING THE WORST TIME WITH MY WRITING. 517 00:21:58,200 --> 00:22:00,067 I'M JUST... 518 00:22:00,100 --> 00:22:01,333 I DON'T KNOW. 519 00:22:01,367 --> 00:22:03,400 I'M JUST FEELING KIND OF BLOCKED. 520 00:22:11,067 --> 00:22:12,900 [KEYBOARD CLICKING] 521 00:22:17,067 --> 00:22:21,100 HOW EVERY TIME ONE PERSON HAS SEX WITH ANOTHER PERSON, 522 00:22:21,133 --> 00:22:25,567 EACH OF THEIR PREVIOUS SEXUAL ENCOUNTERS IS EVOKED, 523 00:22:25,600 --> 00:22:26,900 HOW THAT LINKS US ALL 524 00:22:26,933 --> 00:22:32,167 INTO AN INFINITE NETWORK OF HUMAN CONNECTIONS... 525 00:22:32,200 --> 00:22:37,733 EACH OF THEIR PREVIOUS SEXUAL ENCOUNTERS IS EVOKED... 526 00:22:37,767 --> 00:22:39,100 HOW THAT LINKS US 527 00:22:39,133 --> 00:22:43,267 INTO AN INFINITE NETWORK OF HUMAN CONNECTIONS... 528 00:22:54,900 --> 00:22:56,133 WHAT JANE UNDERSTOOD 529 00:22:56,167 --> 00:22:57,833 WAS THAT HER PARENTS WERE FIGHTING AGAIN. 530 00:22:57,867 --> 00:22:59,267 THEIR HUMAN CONNECTION, 531 00:22:59,300 --> 00:23:01,867 TENUOUS THE NIGHT BEFORE, 532 00:23:01,900 --> 00:23:04,800 NOW WEARING DANGEROUSLY THIN. 533 00:23:04,833 --> 00:23:07,633 DON'T LEAVE. 534 00:23:19,967 --> 00:23:23,800 HEY. HEY, BETTE. 535 00:23:23,833 --> 00:23:25,833 HI, TIM. 536 00:23:25,867 --> 00:23:27,067 I JUST WANT TO SAY GOODBYE. 537 00:23:27,067 --> 00:23:28,100 OH, YEAH? 538 00:23:28,133 --> 00:23:29,533 ARE YOU GOING SOMEWHERE? 539 00:23:29,567 --> 00:23:31,667 OHIO. 540 00:23:31,700 --> 00:23:32,667 OHIO? REALLY? 541 00:23:32,700 --> 00:23:34,167 FOR HOW LONG? 542 00:23:34,200 --> 00:23:35,167 I TOOK A JOB THERE. 543 00:23:35,200 --> 00:23:37,900 I'M LEAVING THE DAY AFTER TOMORROW. 544 00:23:37,933 --> 00:23:40,967 SO...GOOD LUCK. 545 00:23:41,067 --> 00:23:42,533 SHIT, W-- TIM. 546 00:23:42,567 --> 00:23:44,600 I'M-- I'M SORRY. 547 00:23:44,633 --> 00:23:46,233 I DIDN'T KNOW YOU WERE MOVING AWAY. 548 00:23:46,267 --> 00:23:47,233 DON'T WORRY ABOUT IT. 549 00:23:47,267 --> 00:23:49,067 IT'S FINE. 550 00:23:51,067 --> 00:23:53,233 WAIT, YOU'RE MOVING TO OHIO FOR GOOD? 551 00:23:53,267 --> 00:23:54,233 I DON'T KNOW 552 00:23:54,267 --> 00:23:55,233 IF IT'S FOR GOOD, 553 00:23:55,267 --> 00:23:57,100 BUT YEAH. 554 00:23:59,167 --> 00:24:03,333 LOOK, I JUST-- 555 00:24:03,367 --> 00:24:05,100 I'M GLAD I GOT TO KNOW YOU. 556 00:24:05,133 --> 00:24:07,633 I'M GLAD I GOT TO KNOW YOU TOO, TIM. 557 00:24:07,667 --> 00:24:10,767 I'LL MISS YOU. 558 00:24:10,800 --> 00:24:12,133 YEAH, WHO KNOWS, 559 00:24:12,167 --> 00:24:15,633 MAYBE SOME OTHER POOR SUCKER WILL MOVE IN HERE 560 00:24:15,667 --> 00:24:16,500 WITH HIS SEXUALLY CONFUSED GIRLFRIEND, 561 00:24:16,533 --> 00:24:18,067 AND YOU CAN INTRODUCE THEM 562 00:24:18,067 --> 00:24:19,900 TO ONE OF YOUR PREDATORY FRIENDS, 563 00:24:19,933 --> 00:24:21,733 AND SHE CAN SEDUCE HER, 564 00:24:21,767 --> 00:24:23,467 AND HIS WHOLE LIFE CAN FALL APART. 565 00:24:23,500 --> 00:24:25,067 YOU KNOW, SHE TRIED TO KILL HERSELF. 566 00:24:25,100 --> 00:24:26,967 SHE TRIED TO DRIVE HER CAR 567 00:24:27,067 --> 00:24:29,133 OFF THE PCH OR SOMETHING. 568 00:24:29,167 --> 00:24:31,100 MARINA? 569 00:24:31,133 --> 00:24:34,267 I MEAN, I CAN'T BLAME YOU IF YOU'RE NOT SORRY FOR HER. 570 00:24:34,300 --> 00:24:35,467 NO, I MEAN... 571 00:24:35,500 --> 00:24:38,667 I WOULDN'T WISH THAT ON ANYONE. 572 00:24:40,233 --> 00:24:41,200 YOU JUST-- 573 00:24:41,233 --> 00:24:42,300 YOU NEVER EXPECT YOUR LIFE 574 00:24:42,333 --> 00:24:45,900 TO THROW YOU SO TOTALLY OFF PLAN. 575 00:24:45,933 --> 00:24:46,400 YOU KNOW WHAT I MEAN? 576 00:24:48,533 --> 00:24:50,967 YEAH. I THINK I DO. 577 00:24:51,067 --> 00:24:52,433 IS TINA AROUND? 578 00:24:52,467 --> 00:24:53,433 I'D REALLY LIKE TO SAY GOODBYE TO HER. 579 00:24:53,467 --> 00:24:54,400 NO. 580 00:24:56,133 --> 00:24:58,500 SHE'S NOT HERE. 581 00:24:58,533 --> 00:25:00,367 WELL, IF I DON'T SEE HER, 582 00:25:00,400 --> 00:25:01,400 WOULD YOU TELL HER I SAID GOODBYE? 583 00:25:01,433 --> 00:25:03,633 YEAH, SURE. 584 00:25:05,200 --> 00:25:07,067 HEY. 585 00:26:31,333 --> 00:26:33,667 [***] 586 00:26:42,267 --> 00:26:43,300 HEY. 587 00:26:43,333 --> 00:26:44,300 HEY. 588 00:26:44,333 --> 00:26:45,300 I'M SHANE. 589 00:26:45,333 --> 00:26:46,433 HI, SHANE. I'M ARIANNA. 590 00:26:46,467 --> 00:26:47,933 HEY, ARIANNA. 591 00:26:47,967 --> 00:26:49,067 I LIKE WHAT YOU'RE WEARING. 592 00:26:49,067 --> 00:26:50,067 THANK YOU. 593 00:26:50,067 --> 00:26:52,267 WHAT DO YOU DRESS FOR? 594 00:26:52,300 --> 00:26:57,333 UH...UM...MYSELF... 595 00:26:57,367 --> 00:26:58,800 AND THE GIRLIE SOMETIMES, 596 00:26:58,833 --> 00:27:00,467 BUT MOSTLY ME. 597 00:27:00,500 --> 00:27:01,467 SO YOU'RE GAY? 598 00:27:01,500 --> 00:27:02,467 TOTALLY, 599 00:27:02,500 --> 00:27:03,533 YES. 600 00:27:03,567 --> 00:27:04,533 YOU KNOW, 601 00:27:04,567 --> 00:27:05,833 I WAS AT A DINNER THE OTHER NIGHT, 602 00:27:05,867 --> 00:27:07,333 AND SOMEONE SAID 603 00:27:07,367 --> 00:27:09,067 THAT DYKES ARE THE NEW FAGS. 604 00:27:09,067 --> 00:27:10,267 WHAT DO YOU THINK ABOUT THAT? 605 00:27:10,300 --> 00:27:13,633 I THINK PEOPLE LIKE CATEGORIZE THINGS 606 00:27:13,667 --> 00:27:15,100 TOO MUCH. 607 00:27:16,767 --> 00:27:18,500 SO, WHAT'S YOUR BOOK ABOUT? 608 00:27:18,533 --> 00:27:20,700 THIS COUNTRY, POLITICS... 609 00:27:20,733 --> 00:27:22,100 YEAH? 610 00:27:22,133 --> 00:27:24,067 MY IDEAS ABOUT HOW TO MAKE THE WORLD BETTER. 611 00:27:24,067 --> 00:27:25,733 GOOD FOR YOU. 612 00:27:25,767 --> 00:27:27,233 WHAT ABOUT YOU, SHANE? 613 00:27:27,267 --> 00:27:28,433 WHAT DO YOU WANT? 614 00:27:28,467 --> 00:27:31,500 UM, WELL, I HAVEN'T REALLY THOUGHT ABOUT IT. 615 00:27:31,533 --> 00:27:34,167 WHAT ABOUT LOVE? 616 00:27:34,200 --> 00:27:36,167 NO, LOVE'S A BITCH. 617 00:27:36,200 --> 00:27:38,533 I'D RATHER JUST HAVE A GOOD TIME AND MOVE ON. 618 00:27:38,567 --> 00:27:40,067 ALL RIGHT, MISS HUFFINGTON. 619 00:27:40,100 --> 00:27:41,667 HERE'S YOUR SOY LATTE. 620 00:27:41,700 --> 00:27:44,600 UM, CAN I GET YOU ANYTHING? 621 00:27:44,633 --> 00:27:47,067 NO, THANK YOU. 622 00:27:47,067 --> 00:27:48,133 JUST LET ME KNOW 623 00:27:48,167 --> 00:27:49,067 IF YOU CHANGE YOUR MIND. 624 00:27:49,067 --> 00:27:50,600 I'M CARMEN. 625 00:27:50,633 --> 00:27:52,700 HEY, CARMEN. HI. 626 00:27:52,733 --> 00:27:53,767 I'M SHANE. 627 00:27:53,800 --> 00:27:54,933 OKAY. 628 00:27:56,900 --> 00:28:00,300 SEE YOU. 629 00:28:07,800 --> 00:28:08,800 HEY. SORRY. 630 00:28:08,833 --> 00:28:09,800 HI. 631 00:28:12,067 --> 00:28:14,767 DON'T WORRY, I'LL BE FINE. 632 00:28:14,800 --> 00:28:16,467 BUT I SHOULD BE HERE FOR YOU. 633 00:28:16,500 --> 00:28:18,067 GO. 634 00:28:22,200 --> 00:28:24,467 SO ANYWAY, 635 00:28:24,500 --> 00:28:27,133 THIS IS MY DAY JOB. 636 00:28:27,167 --> 00:28:28,467 LAST WEEK, 637 00:28:28,500 --> 00:28:30,367 I P.A.ed AT A FISCHERSPOONER VIDEO. 638 00:28:30,400 --> 00:28:31,400 COOL. 639 00:28:31,433 --> 00:28:32,567 I KNOW. I DJ, TOO. 640 00:28:32,600 --> 00:28:34,433 I DO LITTLE TEMPLE ON FRIDAYS, 641 00:28:34,467 --> 00:28:36,733 AND THEN I DO A NIGHT OF OLD SCHOOL, 642 00:28:36,767 --> 00:28:39,067 BODY WAVE, AND ELECTRO AT MRX 643 00:28:39,100 --> 00:28:41,500 EVERY OTHER WEDNESDAY. 644 00:28:41,533 --> 00:28:43,067 VERY COOL. 645 00:28:45,433 --> 00:28:47,133 [LAUGHS] 646 00:28:47,167 --> 00:28:48,300 SO, WHAT ABOUT YOU? 647 00:28:48,333 --> 00:28:49,300 WHAT DO YOU DO 648 00:28:49,333 --> 00:28:50,300 WHEN YOU'RE NOT DOING HAIR? 649 00:28:50,333 --> 00:28:51,400 [LAUGHS] 650 00:28:51,433 --> 00:28:52,800 WHAT DO I DO? 651 00:28:54,867 --> 00:28:55,967 NOTHING MUCH. 652 00:28:56,067 --> 00:28:56,967 HMM. 653 00:28:57,067 --> 00:28:57,967 HANG OUT. 654 00:28:58,067 --> 00:28:59,067 YEAH. 655 00:28:59,100 --> 00:29:01,833 WHATEVER. 656 00:29:01,867 --> 00:29:02,967 OH, YEAH, YEAH. 657 00:29:03,067 --> 00:29:05,933 OKAY. 658 00:29:05,967 --> 00:29:07,200 GOT IT. 659 00:29:07,233 --> 00:29:08,333 WELL... 660 00:29:11,467 --> 00:29:12,833 I'LL CATCH YOU LATER. 661 00:29:12,867 --> 00:29:14,667 ALL RIGHT. 662 00:29:18,333 --> 00:29:20,800 HEY, SHANE. 663 00:29:20,833 --> 00:29:23,133 UM... 664 00:29:23,167 --> 00:29:23,867 DO YOU WANT TO LISTEN 665 00:29:23,900 --> 00:29:25,300 TO SOMETHING REALLY COOL? 666 00:29:25,333 --> 00:29:26,533 [***] 667 00:29:26,567 --> 00:29:27,600 SO I HEARD THIS MIX 668 00:29:27,633 --> 00:29:28,867 AT THE KNITTING FACTORY LAST WEEK, 669 00:29:28,900 --> 00:29:30,300 AND, I MEAN, THIS IS-- 670 00:29:30,333 --> 00:29:32,267 THIS IS EXACTLY WHERE I WANT TO BE 671 00:29:32,300 --> 00:29:35,067 IN, LIKE, FIVE YEARS FROM NOW. 672 00:29:35,100 --> 00:29:36,833 I LIKE A GIRL WITH AMBITION. 673 00:29:36,867 --> 00:29:39,900 FUCK YOU. 674 00:29:39,933 --> 00:29:42,400 OKAY, IF YOU WANT. 675 00:30:23,700 --> 00:30:25,700 WHERE DOES THIS LEAD? 676 00:30:25,733 --> 00:30:28,500 OH, IT WAS FOR MY FATHER. 677 00:30:28,533 --> 00:30:30,033 I NEVER MET HIM, 678 00:30:30,067 --> 00:30:34,300 BUT...SUPPOSEDLY 679 00:30:34,333 --> 00:30:38,833 HE WAS SOME KIND OF MAYAN MEDICINE MAN. 680 00:30:38,867 --> 00:30:41,500 AND HOW COME YOU NEVER MET HIM? 681 00:30:41,533 --> 00:30:43,000 HE DIED IN A MOTORCYCLE CRASH 682 00:30:43,033 --> 00:30:45,133 BEFORE I WAS BORN. 683 00:30:48,433 --> 00:30:49,367 OH. 684 00:31:09,500 --> 00:31:11,200 FOLKS, I DON'T WANT ANY TALKING IN HERE, 685 00:31:11,233 --> 00:31:12,200 ALL RIGHT? 686 00:31:12,233 --> 00:31:13,233 WHAT IS GOING ON? 687 00:31:13,267 --> 00:31:14,633 CAN SOMEBODY GET ME A 20 ON SHANE? 688 00:31:14,667 --> 00:31:16,633 BOB, GO TO TWO FOR ME. 689 00:31:16,667 --> 00:31:17,900 YEAH, WELL, 690 00:31:17,933 --> 00:31:19,633 THAT'S BECAUSE I CALLED FINAL TOUCHES FIVE MINUTES AGO. 691 00:31:19,667 --> 00:31:21,167 SO WHERE'S HAIR? 692 00:31:21,200 --> 00:31:23,133 [***] 693 00:31:34,500 --> 00:31:37,700 HE'LL DO A LARGE SCALE PAINTING 694 00:31:37,733 --> 00:31:38,767 FOR ONE OF THE LOBBY WALLS, 695 00:31:38,800 --> 00:31:40,300 BASED ON JAPANESE ANIME. 696 00:31:40,333 --> 00:31:42,700 IT'S AN ILLICIT EXTERIOR-- 697 00:31:42,733 --> 00:31:43,867 GO ON. I'M LISTENING. 698 00:31:43,900 --> 00:31:44,867 I'M LISTENING. 699 00:31:44,900 --> 00:31:47,233 AN ILLICIT EXTERIOR INSTALLATION 700 00:31:47,267 --> 00:31:48,233 JUST BELOW 701 00:31:48,267 --> 00:31:49,933 THE SAWTELLE-405 FREEWAY OVERPASS. 702 00:31:49,967 --> 00:31:51,200 YOU KNOW, 703 00:31:51,233 --> 00:31:52,567 I SAW NOBLE'S PERFORMANCE PIECE 704 00:31:52,600 --> 00:31:54,367 WHERE HE CRAWLED NAKED ACROSS A TABLE RANTING 705 00:31:54,400 --> 00:31:57,500 ABOUT HIS WEAKNESS AND PERFIDY. 706 00:31:57,533 --> 00:31:58,967 WHO DO YOU THINK'S GOING TO FUND THAT? 707 00:31:59,067 --> 00:32:00,067 I APPLIED 708 00:32:00,067 --> 00:32:01,067 TO THE AHMANSON FOUNDATION. 709 00:32:01,067 --> 00:32:02,267 NEVER GOING TO HAPPEN. 710 00:32:02,300 --> 00:32:05,967 THEY'RE WAY TOO CONSERVATIVE. 711 00:32:06,067 --> 00:32:08,067 NO! 712 00:32:08,100 --> 00:32:09,300 THIS IS, LIKE, THE FIFTH TIME SHE'S CALLED. 713 00:32:09,333 --> 00:32:10,433 YOU TELL HER 714 00:32:10,467 --> 00:32:13,433 TO FUCKING STOP CALLING. 715 00:32:13,467 --> 00:32:16,233 [SIGHS] 716 00:32:16,267 --> 00:32:18,467 APPLY TO THE PEABODY FOUNDATION. 717 00:32:18,500 --> 00:32:21,433 THEY MIGHT FUND A NOBLE PROJECT. 718 00:32:25,067 --> 00:32:26,067 [SIGHS] 719 00:32:28,633 --> 00:32:29,833 OKAY, SO YOU DO NUMBER THREE, 720 00:32:29,867 --> 00:32:31,133 AND THEN WE'LL TAKE TWO AND FIVE. 721 00:32:31,167 --> 00:32:33,133 OKAY? OKAY. 722 00:32:33,167 --> 00:32:34,700 YES. 723 00:32:34,733 --> 00:32:38,600 HELLO. HOW ARE YOU? MAY I PLEASE TAKE YOUR ORDER? 724 00:32:38,633 --> 00:32:40,567 WE HAVE A FEW QUESTIONS. 725 00:32:40,600 --> 00:32:41,967 ARE THE BURGERS 726 00:32:42,067 --> 00:32:44,067 MADE WITH NEW ZEALAND OR AMERICAN BEEF, 727 00:32:44,100 --> 00:32:45,067 I'D LIKE TO SUBSTITUTE 728 00:32:45,100 --> 00:32:47,533 FETA CHEESE FOR THE AMERICAN CHEESE, 729 00:32:47,567 --> 00:32:50,633 AND MIXED GREENS FOR THE FRIES. 730 00:32:50,667 --> 00:32:53,800 WILL YOU PLEASE EXCUSE ME FOR A SECOND? 731 00:32:53,833 --> 00:32:55,467 I WILL BE RIGHT BACK. 732 00:32:55,500 --> 00:32:56,567 WE'D LIKE TO ORDER. 733 00:32:56,600 --> 00:32:57,500 OKAY. 734 00:32:57,533 --> 00:32:58,500 HEY. 735 00:32:58,533 --> 00:33:01,167 HI. WHAT'S GOING ON? 736 00:33:01,200 --> 00:33:03,067 OH, I JUST WANTED TO MAKE SURE YOU WERE OKAY. 737 00:33:03,067 --> 00:33:04,367 I'M OKAY. 738 00:33:04,400 --> 00:33:06,133 I MEAN, I'M GOING TO BE A SHITTY WAITRESS, 739 00:33:06,167 --> 00:33:08,067 BUT I'M OKAY, YOU KNOW? 740 00:33:08,067 --> 00:33:11,267 YOU HAVEN'T HEARD, OBVIOUSLY. 741 00:33:11,300 --> 00:33:13,067 HAVEN'T HEARD WHAT? 742 00:33:15,067 --> 00:33:16,800 MARINA TRIED TO COMMIT SUICIDE. 743 00:33:19,800 --> 00:33:20,833 YEAH. 744 00:33:20,867 --> 00:33:23,367 SHE CHECKED INTO THE BEL AIR HOTEL, 745 00:33:23,400 --> 00:33:24,533 THE PRESIDENTIAL SUITE. 746 00:33:24,567 --> 00:33:26,067 YOU SAID TRIED. 747 00:33:26,067 --> 00:33:27,800 SHE DIDN'T...KILL HERSELF. 748 00:33:27,833 --> 00:33:29,367 APPARENTLY, 749 00:33:29,400 --> 00:33:31,633 THE PEOPLE ACROSS THE HALL HEARD SHOUTING. 750 00:33:31,667 --> 00:33:33,133 THEY THOUGHT A WOMAN WAS GETTING HURT, 751 00:33:33,167 --> 00:33:35,333 SO THEY CALLED THE FRONT DESK. 752 00:33:35,367 --> 00:33:36,400 THE BELLBOY FOUND MARINA 753 00:33:36,433 --> 00:33:37,967 ALONE IN THE ROOM 754 00:33:38,067 --> 00:33:39,233 WITH, LIKE, THREE BOTTLES OF PILLS, 755 00:33:39,267 --> 00:33:40,433 TOTALLY OUT OF HER SKULL. 756 00:33:40,467 --> 00:33:43,067 OH, POOR MARINA. 757 00:33:43,067 --> 00:33:44,067 THEY CALLED ME. 758 00:33:44,067 --> 00:33:46,233 [LAUGHS] 759 00:33:46,267 --> 00:33:47,367 I DON'T KNOW WHY. 760 00:33:47,400 --> 00:33:48,600 I GUESS MY PHONE NUMBER WAS IN HER PURSE. 761 00:33:48,633 --> 00:33:50,067 I MANAGED TO FIND HER MOTHER. 762 00:33:50,067 --> 00:33:53,200 I REMEMBERED MARINA TELLING ME SHE LIVES IN UMBRIA, SO... 763 00:33:53,233 --> 00:33:55,267 IN A VILLA. 764 00:33:57,667 --> 00:34:00,867 JEN, I FEEL LIKE MAYBE I SHOULDN'T SAY THIS, 765 00:34:00,900 --> 00:34:03,633 BUT WHEN I GOT TO THE HOSPITAL... 766 00:34:05,800 --> 00:34:07,267 SHE WAS CALLING YOUR NAME. 767 00:34:14,533 --> 00:34:16,667 MISS, WE'D LIKE TO ORDER. 768 00:34:16,700 --> 00:34:19,133 POOKIE, YOU WON'T BELIEVE THIS. 769 00:34:24,067 --> 00:34:25,067 WHOA. 770 00:34:25,067 --> 00:34:26,200 LOOK AT THIS. 771 00:34:26,233 --> 00:34:27,200 THAT? 772 00:34:27,233 --> 00:34:29,833 ISN'T THIS BEAUTIFUL? 773 00:34:29,867 --> 00:34:33,700 THE JURA-CAPRESSO S8 ESPRESSO COFFEEMAKER. 774 00:34:33,733 --> 00:34:36,067 $1,999! 775 00:34:36,067 --> 00:34:37,067 TONYA, 776 00:34:37,067 --> 00:34:38,800 WE CAN'T REGISTER FOR THAT! 777 00:34:38,833 --> 00:34:40,067 WELL... 778 00:34:40,067 --> 00:34:42,067 A FEW PEOPLE MIGHT CHIP IN TOGETHER. 779 00:34:42,100 --> 00:34:43,300 DANA, DO NOT SECOND-GUESS 780 00:34:43,333 --> 00:34:45,100 THE GENEROSITY OF OUR FRIENDS. 781 00:34:45,133 --> 00:34:46,167 NOW, LOOK, I WANT TO SHOW YOU SOMETHING 782 00:34:46,200 --> 00:34:47,367 AT GEARY'S. 783 00:34:49,233 --> 00:34:50,800 [CELLPHONE RINGING] 784 00:34:53,100 --> 00:34:54,067 HELLO. 785 00:34:54,100 --> 00:34:55,233 THIS IS DANA FAIRBANKS. 786 00:34:55,267 --> 00:34:57,867 HI! YEAH, HI. 787 00:34:57,900 --> 00:35:02,400 UM...I THINK WE SHOULD TALK. 788 00:35:02,433 --> 00:35:03,500 UH-HUH. 789 00:35:03,533 --> 00:35:04,733 IT'S ROBBIE, 790 00:35:04,767 --> 00:35:06,900 MY OLD TENNIS PARTNER BEFORE HARRISON. 791 00:35:06,933 --> 00:35:08,100 I'D LOVE TO SEE YOU. 792 00:35:08,133 --> 00:35:09,267 WHERE? WHEN? 793 00:35:09,300 --> 00:35:10,567 [TONYA]: HONEY, LOOK. 794 00:35:10,600 --> 00:35:11,567 I THINK WE NEED TO THINK 795 00:35:11,600 --> 00:35:12,133 ABOUT SOME CUT CRYSTAL. 796 00:35:12,167 --> 00:35:12,933 OKAY, UH-HUH. 797 00:35:12,967 --> 00:35:15,800 ALL RIGHT. 798 00:35:15,833 --> 00:35:17,633 HOW ABOUT TOMORROW MORNING AT RUNYON CANYON? 799 00:35:17,667 --> 00:35:20,433 HOW ABOUT I MEET YOU AT THE GATE AT 10:30? 800 00:35:20,467 --> 00:35:23,067 IT'S A LITTLE EARLY. 801 00:35:23,067 --> 00:35:24,633 OKAY, 11:00. 11:00 IS FINE. 802 00:35:24,667 --> 00:35:25,633 OKAY, BUT, YOU KNOW, 803 00:35:25,667 --> 00:35:26,900 WITH TRAFFIC, IT MIGHT-- 804 00:35:26,933 --> 00:35:27,900 THE 405-- 805 00:35:27,933 --> 00:35:28,900 UM... 806 00:35:28,933 --> 00:35:31,333 4:00 IS GOOD. 807 00:35:31,367 --> 00:35:33,200 4:00 IN THE AFTERNOON. 808 00:35:33,233 --> 00:35:34,333 I'LL SEE YOU AT 4:00 IN THE AFTERNOON. 809 00:35:34,367 --> 00:35:35,333 OKAY. 810 00:35:35,367 --> 00:35:36,300 OKAY, BYE. 811 00:35:38,267 --> 00:35:39,500 THAT'S OKAY, KNIT-- 812 00:35:39,533 --> 00:35:40,767 KNIT AWAY. 813 00:35:40,800 --> 00:35:43,600 I'M JUST TALKING... 814 00:35:43,633 --> 00:35:44,800 TALKING ON THE PHONE. 815 00:35:44,833 --> 00:35:46,433 DEAR... 816 00:35:46,467 --> 00:35:47,433 I DON'T THINK 817 00:35:47,467 --> 00:35:48,433 YOU'RE GOING TO BE ABLE TO GET 818 00:35:48,467 --> 00:35:51,433 ANYBODY'S HEAD THROUGH THAT THING. 819 00:35:54,700 --> 00:35:56,133 YOU KNOW, THOUGH, 820 00:35:56,167 --> 00:35:59,667 I THINK THIS WOULD MAKE A REALLY GOOD HARNESS 821 00:35:59,700 --> 00:36:01,667 FOR A STRAP-ON DILDO. 822 00:36:06,100 --> 00:36:08,300 WE COULD AT LEAST PRETEND TO BE HUMAN. 823 00:36:13,833 --> 00:36:15,367 LET ME TALK TO TINA. 824 00:36:15,400 --> 00:36:17,633 WHAT WOULD YOU SAY? 825 00:36:17,667 --> 00:36:19,967 THAT MY SISTER IS A POOTY-CHASING DOG 826 00:36:20,067 --> 00:36:22,467 WHO DESERVES TO BE TIED DOWN 827 00:36:22,500 --> 00:36:24,433 AND WHUPPED UPSIDE THE HEAD, 828 00:36:24,467 --> 00:36:25,833 BUT IT DOESN'T CHANGE THE FACT 829 00:36:25,867 --> 00:36:28,633 THAT SHE LOVES YOU MORE THAN SHE LOVES HER OWN LIFE, 830 00:36:28,667 --> 00:36:30,367 AND THAT YOU SHOULD FINISH PUNISHING HER 831 00:36:30,400 --> 00:36:32,333 AND GET BACK TO FIGURING OUT 832 00:36:32,367 --> 00:36:33,633 HOW TO LIVE WITH ONE ANOTHER 833 00:36:33,667 --> 00:36:37,067 FOR THE NEXT 50 YEARS OR MORE. 834 00:36:37,067 --> 00:36:39,267 YOU COULD GIVE IT A TRY. 835 00:36:42,933 --> 00:36:44,633 NOW, DON'T YOU GO AND PULL A MARINA ON ME, NOW. 836 00:36:44,667 --> 00:36:46,067 KIT. 837 00:36:46,067 --> 00:36:47,600 I'M JUST SAYING. 838 00:36:49,233 --> 00:36:50,200 [SIGHS] 839 00:36:50,233 --> 00:36:52,200 I READ YOUR BUSINESS PLAN. 840 00:36:52,233 --> 00:36:54,233 IT'S SOLID. 841 00:36:54,267 --> 00:36:56,067 I'M HAPPY TO CO-SIGN ON THE LOAN. 842 00:36:56,100 --> 00:36:58,700 WELL, WHAT ABOUT THE DOWN PAYMENT? 843 00:36:58,733 --> 00:37:00,067 KIT, I DON'T HAVE $50,000. 844 00:37:00,067 --> 00:37:01,067 NOT LIQUID. 845 00:37:01,067 --> 00:37:02,900 NOT THAT I CAN GET MY HANDS ON. 846 00:37:02,933 --> 00:37:04,333 IVAN'S ABOUT THE ONLY ONE WHO COULD POSS-- 847 00:37:04,367 --> 00:37:07,233 IVAN IS NOT A GOOD IDEA. 848 00:37:07,267 --> 00:37:08,300 WHY IS THAT? 849 00:37:08,333 --> 00:37:09,800 BECAUSE IT FURTHER CONFUSES 850 00:37:09,833 --> 00:37:11,400 AN ALREADY COMPLICATED SITUATION. 851 00:37:11,433 --> 00:37:13,633 YOU INVITE IVAN TO BE YOUR BUSINESS PARTNER, 852 00:37:13,667 --> 00:37:15,533 AND THEN IVAN TAKES THAT AS A BROADER INVITATION. 853 00:37:15,567 --> 00:37:18,267 THAT IS SO TYPICAL OF YOU. 854 00:37:18,300 --> 00:37:21,200 I HAVE AN IMPOSSIBLE TASK TO DO, 855 00:37:21,233 --> 00:37:23,433 AND I COME UP WITH ONE POSSIBLE SOLUTION, 856 00:37:23,467 --> 00:37:24,633 AND YOU DISS MY SOLUTION. 857 00:37:24,667 --> 00:37:25,900 I'M NOT DISSING YOU. 858 00:37:25,933 --> 00:37:26,867 THEN, WHAT DO YOU CALL IT, THEN? 859 00:37:26,900 --> 00:37:29,167 I'M POINTING OUT A CONSIDERABLE FLAW 860 00:37:29,200 --> 00:37:30,600 IN WHAT MAY OR MAY NOT 861 00:37:30,633 --> 00:37:32,267 BE A SOLUTION IN THE FIRST PLACE. 862 00:37:32,300 --> 00:37:34,167 WELL, WHAT MAKES YOU THINK 863 00:37:34,200 --> 00:37:36,367 I DON'T WANT TO MAKE THAT INVITATION? 864 00:37:38,233 --> 00:37:40,600 BECAUSE, KIT... 865 00:37:40,633 --> 00:37:42,133 YOU'RE STRAIGHT. 866 00:37:42,167 --> 00:37:43,100 WHO SAYS? 867 00:37:43,133 --> 00:37:44,533 YOU'RE NOT? 868 00:37:44,567 --> 00:37:45,733 I AM, 869 00:37:45,767 --> 00:37:46,600 BUT I DON'T NEED YOU TO TELL ME THAT, 870 00:37:46,633 --> 00:37:47,600 AND NEITHER DOES IVAN. 871 00:37:47,633 --> 00:37:48,600 THE WAY I SEE IT, 872 00:37:48,633 --> 00:37:49,767 IVAN IS THE ONE WHO GETS TO SAY 873 00:37:49,800 --> 00:37:51,433 WHETHER HE'S A MAN OR A WOMAN, 874 00:37:51,467 --> 00:37:53,767 AND HE'S TELLING ME HE'S MORE OF A MAN. 875 00:37:53,800 --> 00:37:54,767 THAT'S DELUSIONAL THINKING. 876 00:37:54,800 --> 00:37:55,933 IT DOESN'T WORK THAT WAY. 877 00:37:55,967 --> 00:37:57,200 MAYBE IN THE WORLD ACCORDING TO BETTE, 878 00:37:57,233 --> 00:37:59,500 BUT THE WORLD ACCORDING TO BETTE 879 00:37:59,533 --> 00:38:01,533 DOESN'T HAVE THE SAME PROPS IT ONCE DID. 880 00:38:01,567 --> 00:38:03,100 YOU KNOW WHAT I'M SAYING, BABY SIS? 881 00:38:05,533 --> 00:38:06,633 YOU DIDN'T DO ANYTHING, JEN. 882 00:38:06,667 --> 00:38:09,200 SHE WASN'T RIGHT. 883 00:38:09,233 --> 00:38:10,267 I KNEW IT 884 00:38:10,300 --> 00:38:11,767 FROM THE MOMENT I MET HER, YOU KNOW? 885 00:38:11,800 --> 00:38:13,567 SCOOT OVER. 886 00:38:15,267 --> 00:38:16,233 ARE YOU SURE 887 00:38:16,267 --> 00:38:17,933 YOU DON'T NEED TO GO TO THE HOSPITAL? 888 00:38:17,967 --> 00:38:19,233 I'M FINE. 889 00:38:19,267 --> 00:38:20,233 YEAH? 890 00:38:20,267 --> 00:38:21,367 YEAH, I'M FINE. 891 00:38:21,400 --> 00:38:23,133 I FAINTED. 892 00:38:23,167 --> 00:38:24,367 I DO THAT SOMETIMES. 893 00:38:24,400 --> 00:38:26,500 IT'S FINE. 894 00:38:26,533 --> 00:38:28,667 I HOPE SOMEONE'S LOOKING AFTER HER. 895 00:38:28,700 --> 00:38:30,733 SOMEONE'S LOOKING AFTER YOU. 896 00:38:33,833 --> 00:38:35,167 HOW'S THAT? 897 00:38:35,200 --> 00:38:38,433 MY MOM USED TO PUT THESE COMPRESSES ON MY FOREHEAD. 898 00:38:38,467 --> 00:38:39,633 DON'T TELL ME I REMIND YOU OF A DYSFUNCTIONAL MOTHER. 899 00:38:39,667 --> 00:38:40,967 NO, I DON'T KNOW 900 00:38:41,067 --> 00:38:42,533 IF SHE WAS DYSFUNCTIONAL, YOU KNOW? 901 00:38:42,567 --> 00:38:45,167 I MEAN, WHO CAN SAY IF A MOM'S GOOD OR BAD? 902 00:38:45,200 --> 00:38:46,933 HOW'S YOUR APARTMENT HUNT COMING? 903 00:38:46,967 --> 00:38:48,167 [GASPS] 904 00:38:48,200 --> 00:38:49,233 SO SHITTY. 905 00:38:49,267 --> 00:38:51,833 FOR PRACTICALLY, LIKE, $1,000, 906 00:38:51,867 --> 00:38:54,867 I CAN LIVE IN A HOVEL UNDERNEATH THE FREEWAY. 907 00:38:54,900 --> 00:38:55,733 TIM WAS LIKE, 908 00:38:55,767 --> 00:38:57,100 "YOU COULD TAKE OVER THE LEASE," 909 00:38:57,133 --> 00:39:01,333 BUT THERE'S NO WAY THAT I COULD AFFORD IT, SO... 910 00:39:01,367 --> 00:39:03,133 I HAVE A PROPOSITION FOR YOU. 911 00:39:04,867 --> 00:39:06,067 WHY DON'T YOU MOVE IN 912 00:39:06,067 --> 00:39:08,500 WITH ME? 913 00:39:08,533 --> 00:39:10,667 YOU KNOW, IT'S TOTALLY RENT CONTROLLED, 914 00:39:10,700 --> 00:39:12,367 TWO BEDROOM. 915 00:39:12,400 --> 00:39:13,567 I AFFORD IT EASILY. 916 00:39:13,600 --> 00:39:14,700 YOU WOULDN'T HAVE TO PAY. 917 00:39:16,733 --> 00:39:17,667 I CAN'T. 918 00:39:19,733 --> 00:39:21,467 I THINK WE COULD BE HAPPY, JEN. 919 00:39:27,867 --> 00:39:29,733 SO, WHAT'S UP? 920 00:39:29,767 --> 00:39:31,900 I WANTED TO ASK 921 00:39:31,933 --> 00:39:32,967 IF YOU COULD BE OUT OF THE HOUSE 922 00:39:33,067 --> 00:39:34,400 FOR A COUPLE OF HOURS TONIGHT. 923 00:39:34,433 --> 00:39:35,400 UH-HUH. 924 00:39:35,433 --> 00:39:36,833 BECAUSE TINA NEEDS TO COME BY 925 00:39:36,867 --> 00:39:38,067 AND PICK UP SOME OF HER THINGS. 926 00:39:38,067 --> 00:39:40,067 SHE'S RUNNING OUT OF CLOTHES. 927 00:39:40,100 --> 00:39:41,133 IT'S HER HOUSE. 928 00:39:41,167 --> 00:39:43,633 SHE CAN COME BY ANY TIME SHE WANTS. 929 00:39:43,667 --> 00:39:44,600 YOU KNOW THAT'S NOT TRUE. 930 00:39:46,567 --> 00:39:48,067 [SIGHS] 931 00:39:48,067 --> 00:39:49,200 YOU KNOW, 932 00:39:49,233 --> 00:39:50,900 WHAT I DID, ALICE, 933 00:39:50,933 --> 00:39:52,500 I COULDN'T HELP MYSELF. 934 00:39:52,533 --> 00:39:53,700 HOW DOES THAT WORK? 935 00:39:53,733 --> 00:39:57,367 BECAUSE...IT'S KIND OF AN ACT OF FREE WILL. 936 00:39:57,400 --> 00:40:00,600 YOU KNOW, I EXHAUSTED EVERY OUNCE OF WILL I HAD, 937 00:40:00,633 --> 00:40:02,000 AND I STILL COULDN'T STOP MYSELF. 938 00:40:02,033 --> 00:40:03,233 DID YOU FALL IN LOVE? 939 00:40:03,267 --> 00:40:04,600 NO. I LOVE TINA. 940 00:40:04,633 --> 00:40:06,333 TINA IS THE ONLY PERSON THAT I'M IN LOVE WITH. 941 00:40:06,367 --> 00:40:08,133 BUT YOU'RE STILL SITTING ON CANDY'S FACE. 942 00:40:08,167 --> 00:40:09,133 ACTUALLY, I'M NOT. 943 00:40:09,167 --> 00:40:10,133 I TOLD YOU, 944 00:40:10,167 --> 00:40:11,200 I ENDED IT AS SOON AS I COULD. 945 00:40:11,233 --> 00:40:12,400 AS SOON AS YOU COULD? 946 00:40:12,433 --> 00:40:13,767 WHAT ARE YOU, LIKE, A SEX ADDICT NOW? 947 00:40:13,800 --> 00:40:14,767 NO, I'M NOT A SEX ADDICT. 948 00:40:14,800 --> 00:40:16,567 JESUS, ALICE. 949 00:40:16,600 --> 00:40:17,900 YOU KNOW, I THINK CALLING SEX AN ADDICTION 950 00:40:17,933 --> 00:40:19,067 IS JUST AN EXCUSE FOR BAD BEHAVIOR, 951 00:40:19,100 --> 00:40:20,667 AND I KNOW THAT I BEHAVED BADLY, 952 00:40:20,700 --> 00:40:22,933 BUT I'M PREPARED TO TAKE RESPONSIBILITY FOR IT. 953 00:40:22,967 --> 00:40:25,733 NO, YOU BEHAVED REALLY BADLY. 954 00:40:25,767 --> 00:40:26,733 I KNOW THAT IT SOUNDS LIKE AN EXCUSE, 955 00:40:26,767 --> 00:40:27,733 BUT YOU KNOW WHAT? 956 00:40:27,767 --> 00:40:28,733 THE FACT IS, SHE DISAPPEARED ON ME. 957 00:40:28,767 --> 00:40:30,067 SHE WAS DEPRESSED 958 00:40:30,100 --> 00:40:31,733 AND SHE WAS COMPLETELY WRAPPED UP IN HERSELF, 959 00:40:31,767 --> 00:40:32,933 AND I TRIED TO TALK TO HER ABOUT IT, 960 00:40:32,967 --> 00:40:35,167 BUT SHE-- SHE COMPLETELY SHUT ME OUT. 961 00:40:35,200 --> 00:40:37,333 FOR HOW LONG? 962 00:40:37,367 --> 00:40:38,433 TWO OR THREE MONTHS. 963 00:40:38,467 --> 00:40:40,600 OUT OF SEVEN YEARS. 964 00:40:40,633 --> 00:40:42,033 I THINK YOU COULD HAVE WAITED. 965 00:40:42,067 --> 00:40:44,167 SHE ABANDONED ME AS MUCH AS I ABANDONED HER. 966 00:40:44,200 --> 00:40:45,567 WE BOTH DID IT. 967 00:40:45,600 --> 00:40:47,267 YEAH, BUT ONLY ONE OF YOU WAS HAVING AN ORGASM. 968 00:40:49,100 --> 00:40:50,067 [SIGHS] 969 00:40:50,100 --> 00:40:51,300 FUCK YOU, ALICE. 970 00:40:53,067 --> 00:40:56,167 JUST BE OUT OF THE HOUSE. 971 00:41:11,733 --> 00:41:13,267 [BEEP] 972 00:41:13,300 --> 00:41:15,433 [INTERCOM LINE RINGING] 973 00:41:32,333 --> 00:41:34,633 [LOUD COUNTRY MUSIC PLAYING] 974 00:41:34,667 --> 00:41:36,600 IVAN, IT'S ME. 975 00:41:38,933 --> 00:41:40,600 I'M A LITTLE EARLY. 976 00:41:48,400 --> 00:41:51,233 IN FACT, I'M A LOT EARLY. 977 00:41:51,267 --> 00:41:53,767 I WANTED TO TALK TO YOU ABOUT SOMETHING 978 00:41:53,800 --> 00:41:55,633 AND-- THAT I'M VERY NERVOUS ABOUT, 979 00:41:55,667 --> 00:41:59,767 BECAUSE YOU'VE BEEN SO GENEROUS-- 980 00:42:20,800 --> 00:42:22,433 I-- 981 00:42:25,867 --> 00:42:28,600 IVAN, I-- I AM SO SORRY. 982 00:42:28,633 --> 00:42:30,767 LOOK, I DIDN'T SEE ANYTHING. 983 00:42:36,667 --> 00:42:37,900 KIT. 984 00:42:37,933 --> 00:42:40,800 I'LL WAIT FOR YOU IN THE OTHER ROOM. 985 00:42:42,200 --> 00:42:43,633 KIT, I THINK YOU SHOULD GO. 986 00:42:43,667 --> 00:42:45,967 LOOK, IVAN, I WILL WAIT UNTIL YOU GET DRESSED, OKAY? 987 00:42:46,067 --> 00:42:47,767 I REALLY NEED TO TALK TO YOU 988 00:42:47,800 --> 00:42:49,900 BECAUSE THIS THING THAT HAPPENED-- 989 00:42:49,933 --> 00:42:51,933 KIT! LISTEN, OKAY? 990 00:42:51,967 --> 00:42:53,700 I WANT YOU TO LEAVE. 991 00:42:53,733 --> 00:42:55,133 DO YOU UNDERSTAND? 992 00:42:55,167 --> 00:42:56,933 GO. 993 00:43:03,300 --> 00:43:04,233 FUCK! 994 00:43:07,667 --> 00:43:09,467 OH, SHIT. 995 00:43:30,100 --> 00:43:32,733 SO YOU WERE SAYING? 996 00:43:32,767 --> 00:43:34,833 WELL, I WAS SAYING 997 00:43:34,867 --> 00:43:35,833 IT'S OBVIOUS 998 00:43:35,867 --> 00:43:37,700 THERE'S SOMETHING GOING ON BETWEEN US. 999 00:43:37,733 --> 00:43:39,633 WHAT DO YOU THINK IT IS? 1000 00:43:39,667 --> 00:43:41,367 I DON'T KNOW. 1001 00:43:41,400 --> 00:43:44,100 DO YOU HAVE ANY IDEAS? 1002 00:43:44,133 --> 00:43:47,933 MAYBE... I DON'T KNOW. 1003 00:43:47,967 --> 00:43:50,067 MAYBE WE'RE ATTRACTED TO EACH OTHER. 1004 00:43:52,300 --> 00:43:54,100 YEAH, MAYBE. 1005 00:43:54,133 --> 00:43:55,367 YEAH. 1006 00:43:59,433 --> 00:44:01,267 YEAH, OKAY. 1007 00:44:01,300 --> 00:44:02,400 MAYBE IF WE ADMIT 1008 00:44:02,433 --> 00:44:03,500 THAT WE'RE ATTRACTED TO EACH OTHER-- 1009 00:44:03,533 --> 00:44:05,933 YOU KNOW, SOMETIMES ADMITTING A TABOO 1010 00:44:05,967 --> 00:44:07,667 TAKES THE POWER OUT OF IT. 1011 00:44:10,133 --> 00:44:11,100 I ADMIT IT. 1012 00:44:11,133 --> 00:44:12,667 I'M ATTRACTED TO YOU. 1013 00:44:15,133 --> 00:44:16,100 HOW LONG HAVE YOU BEEN? 1014 00:44:16,133 --> 00:44:17,100 I DON'T KNOW. 1015 00:44:17,133 --> 00:44:20,667 I NEVER REALIZED IT BEFORE. 1016 00:44:20,700 --> 00:44:21,667 OKAY, GO ON. 1017 00:44:21,700 --> 00:44:23,333 IT'S YOUR TURN. 1018 00:44:25,067 --> 00:44:28,067 I ADMIT I'M ATTRACTED TO YOU. 1019 00:44:33,067 --> 00:44:34,267 WHAT DOES IT MEAN? 1020 00:44:34,300 --> 00:44:37,233 WELL, IT DOESN'T HAVE TO MEAN ANYTHING. 1021 00:44:37,267 --> 00:44:40,733 I MEAN, BEING ATTRACTED TO SOMEONE IS NO BIG DEAL. 1022 00:44:40,767 --> 00:44:41,733 IT'S JUST AN ATTRACTION. 1023 00:44:41,767 --> 00:44:43,100 RIGHT. 1024 00:44:43,133 --> 00:44:44,867 WE JUST-- 1025 00:44:44,900 --> 00:44:47,733 WE HAVE TO AGREE NOT TO ACT ON IT. 1026 00:44:47,767 --> 00:44:49,667 OKAY, HOW DO WE DO THAT? 1027 00:44:49,700 --> 00:44:51,167 WELL, WE JUST TOOK THE FIRST STEP. 1028 00:44:51,200 --> 00:44:52,633 WE TOOK THE POWER OUT OF IT. 1029 00:44:52,667 --> 00:44:53,833 UH-HUH. 1030 00:44:56,833 --> 00:44:57,800 I THINK WE NEED 1031 00:44:57,833 --> 00:44:58,900 TO TAKE THE SECOND STEP. 1032 00:44:58,933 --> 00:44:59,900 YEAH. 1033 00:45:00,067 --> 00:45:01,800 YEAH. 1034 00:45:01,833 --> 00:45:04,367 OKAY. 1035 00:45:04,400 --> 00:45:06,533 WE NEED TO COUNTERACT IT. 1036 00:45:06,567 --> 00:45:07,533 ALL RIGHT. 1037 00:45:07,567 --> 00:45:08,900 WE JUST NEED TO AVOID ALL SITUATIONS 1038 00:45:08,933 --> 00:45:10,300 WHERE WE FIND EACH OTHER MOST ATTRACTIVE. 1039 00:45:10,333 --> 00:45:11,300 UH-HUH. 1040 00:45:11,333 --> 00:45:14,600 WE NEED, LIKE, RULES OF UN-ATTRACTION. 1041 00:45:14,633 --> 00:45:16,767 OKAY, LIKE, NEVER BE ALONE TOGETHER... 1042 00:45:16,800 --> 00:45:19,300 IN PLACES LIKE THE BATHROOM AT THE PLANET. 1043 00:45:19,333 --> 00:45:20,433 RIGHT. 1044 00:45:20,467 --> 00:45:22,167 NEVER BE ALONE TOGETHER. 1045 00:45:22,200 --> 00:45:24,600 ESPECIALLY NEVER BE ALONE TOGETHER IN PLACES 1046 00:45:24,633 --> 00:45:26,333 WHERE THERE'S, LIKE, A BED OR A COUCH. 1047 00:45:26,367 --> 00:45:29,200 RIGHT, OR A TABLE... 1048 00:45:29,233 --> 00:45:30,200 OR A FLOOR. 1049 00:45:30,233 --> 00:45:31,367 YEAH. 1050 00:45:31,400 --> 00:45:32,533 OR THE BACK SEAT OF A CAR. 1051 00:45:32,567 --> 00:45:33,833 OOH, THAT'D BE GOOD. 1052 00:45:33,867 --> 00:45:34,933 THAT WOULDN'T BE GOOD. 1053 00:45:34,967 --> 00:45:35,933 OKAY. 1054 00:45:35,967 --> 00:45:37,833 YOU NEED TO STOP SHOWING UP AT THE PLANET 1055 00:45:37,867 --> 00:45:38,900 AFTER YOU'VE WORKED OUT, 1056 00:45:38,933 --> 00:45:39,900 WHEN YOU'RE ALL SWEATY, 1057 00:45:39,933 --> 00:45:40,900 AND YOUR VEINS 1058 00:45:40,933 --> 00:45:42,533 ARE POPPING ALL OVER THE PLACE. 1059 00:45:42,567 --> 00:45:43,967 YOU LIKE THAT? 1060 00:45:44,067 --> 00:45:46,467 TONYA HATES THAT. 1061 00:45:46,500 --> 00:45:47,800 ALL RIGHT, WELL, THEN, 1062 00:45:47,833 --> 00:45:48,467 YOU CAN'T WEAR THOSE SHIRTS ANYMORE. 1063 00:45:48,500 --> 00:45:49,667 WHAT SHIRTS? 1064 00:45:49,700 --> 00:45:51,133 YOU KNOW, THE ONES WHERE... 1065 00:45:51,167 --> 00:45:52,533 THEY CLING TO YOU IN SOME PLACES 1066 00:45:52,567 --> 00:45:54,533 AND FALL OFF YOU IN OTHERS. 1067 00:45:56,300 --> 00:45:57,533 FUCK YOU. 1068 00:45:57,567 --> 00:45:59,667 OKAY, THAT'S TOTALLY AGAINST THE RULES. 1069 00:46:01,800 --> 00:46:02,733 COME ON, AL. 1070 00:46:02,767 --> 00:46:03,867 WAIT! 1071 00:46:03,900 --> 00:46:04,600 COME ON, AL. CATCH UP. 1072 00:46:04,633 --> 00:46:05,767 COME ON, AL. [SCREAMS] 1073 00:46:05,800 --> 00:46:06,600 WHOA, WHERE ARE WE GOING? 1074 00:46:06,633 --> 00:46:07,567 [BOTH LAUGH] 1075 00:46:10,167 --> 00:46:11,900 TIM... 1076 00:46:16,600 --> 00:46:20,067 THANKS. 1077 00:46:20,100 --> 00:46:21,600 I'D LIKE TO KEEP THIS ONE. 1078 00:46:21,633 --> 00:46:24,467 I DON'T WANT THE MEMORY OF US TO EVANESCE. 1079 00:46:24,500 --> 00:46:27,067 [CHUCKLES] 1080 00:46:41,500 --> 00:46:44,333 LET'S NOT EVANESCE. 1081 00:47:17,833 --> 00:47:19,433 [KEYS RATTLE, DOOR UNLOCKS] 1082 00:47:57,400 --> 00:48:00,167 I NEEDED TO SEE YOU. 1083 00:48:04,800 --> 00:48:05,967 YOU DON'T WANT TO GIVE ME ANYTHING I NEED. 1084 00:48:06,067 --> 00:48:07,100 OKAY, THAT'S FAIR. 1085 00:48:07,133 --> 00:48:09,600 NOTHING'S FAIR, BETTE. 1086 00:48:09,633 --> 00:48:13,433 YOU BROKE EVERYTHING THAT MEANT ANYTHING TO ME. 1087 00:48:13,467 --> 00:48:14,767 LET ME FIX IT. 1088 00:48:14,800 --> 00:48:16,767 NO. 1089 00:48:16,800 --> 00:48:18,133 I WON'T ACCEPT THAT. 1090 00:48:18,167 --> 00:48:20,100 TOO BAD. 1091 00:48:20,133 --> 00:48:22,467 [SIGHS] 1092 00:48:22,500 --> 00:48:26,267 LOOK, I OVERESTIMATED MYSELF, ALL RIGHT? 1093 00:48:26,300 --> 00:48:27,367 SUPPORTING US BOTH FINANCIALLY, 1094 00:48:27,400 --> 00:48:28,767 AND THEN-- 1095 00:48:28,800 --> 00:48:30,133 AND THEN WHEN WE LOST THE BABY, 1096 00:48:30,167 --> 00:48:31,400 I THOUGHT 1097 00:48:31,433 --> 00:48:33,133 THAT I HAD TO TAKE ON THE WHOLE BURDEN. 1098 00:48:33,167 --> 00:48:36,100 I THOUGHT THAT I HAD TO ABSORB YOUR PAIN 1099 00:48:36,133 --> 00:48:37,267 AND IGNORE MY OWN. 1100 00:48:37,300 --> 00:48:38,433 WELL, I HOPE YOU HAD FUN 1101 00:48:38,467 --> 00:48:40,500 BLOWING OFF SOME STEAM WITH THE CARPENTER. 1102 00:48:43,433 --> 00:48:45,667 TINA! 1103 00:48:48,300 --> 00:48:50,367 [***] 1104 00:49:56,467 --> 00:49:58,067 HEY. 1105 00:49:58,067 --> 00:49:59,333 HI. 1106 00:49:59,367 --> 00:50:00,567 HOW ARE YOU DOING? 1107 00:50:00,600 --> 00:50:06,433 UM, TO TELL YOU THE TRUTH, NOT TOO GOOD. 1108 00:50:06,467 --> 00:50:08,433 YEAH. 1109 00:50:08,467 --> 00:50:09,533 LOOK, I'M SORRY. 1110 00:50:09,567 --> 00:50:11,000 DON'T BE SORRY, YOU KNOW? 1111 00:50:11,033 --> 00:50:12,433 JUST TELL ME WHAT'S GOING ON. 1112 00:50:12,467 --> 00:50:14,000 I JUST WANTED TO HAVE A GOOD TIME TONIGHT. 1113 00:50:14,033 --> 00:50:15,533 I DIDN'T THINK I'D SEE YOU. 1114 00:50:15,567 --> 00:50:17,433 OKAY, BUT... 1115 00:50:17,467 --> 00:50:19,200 HERE I AM. 1116 00:50:20,533 --> 00:50:21,867 YOU DON'T THINK 1117 00:50:21,900 --> 00:50:23,533 THAT YOU COULD'VE CHANGED YOUR PLAN A LITTLE BIT? 1118 00:50:23,567 --> 00:50:24,900 I DON'T HAVE A PLAN. 1119 00:50:24,933 --> 00:50:26,033 THAT'S THE POINT. 1120 00:50:26,067 --> 00:50:27,033 MM. 1121 00:50:58,433 --> 00:51:01,267 [SHOES CLUNK ON FLOOR] 1122 00:51:07,333 --> 00:51:09,067 [UNZIPPING] 1123 00:51:17,333 --> 00:51:21,667 [WHISPERS] JEN. 1124 00:51:21,700 --> 00:51:23,600 [LOUDER] JEN. 1125 00:51:36,767 --> 00:51:39,067 TIM... 1126 00:51:39,067 --> 00:51:40,067 COME ON. 1127 00:51:40,100 --> 00:51:41,767 NO. 1128 00:51:45,500 --> 00:51:47,667 I DON'T-- THIS SEEMS WRONG. 1129 00:51:47,700 --> 00:51:52,067 I DON'T THINK THIS IS THE WAY WE SHOULD-- 1130 00:51:52,067 --> 00:51:55,300 IT'S NOT THE WAY. 1131 00:52:20,833 --> 00:52:21,800 DOES THAT FEEL GOOD? 1132 00:52:21,833 --> 00:52:24,067 MM, YEAH. 1133 00:52:38,300 --> 00:52:39,400 WHAT ARE YOU DOING? 1134 00:52:41,633 --> 00:52:44,233 I'M GOING TO GO. 1135 00:52:44,267 --> 00:52:47,067 I DON'T WANT TO WAIT UNTIL THE MORNING. 1136 00:52:47,067 --> 00:52:48,400 TIM. 1137 00:52:51,133 --> 00:52:53,400 PLEASE. 1138 00:53:01,100 --> 00:53:03,933 DON'T LEAVE. 1139 00:53:03,967 --> 00:53:06,100 [KETTLE WHISTLING] 1140 00:53:10,900 --> 00:53:13,200 AAH! 1141 00:53:13,233 --> 00:53:16,333 FUCK...FUCK! 1142 00:53:18,567 --> 00:53:20,067 [WHISTLING STOPS] 1143 00:53:22,667 --> 00:53:24,933 [***] 1144 00:55:12,900 --> 00:55:14,167 [MEOWS] 1145 00:55:14,200 --> 00:55:15,200 [PURRS]