1 00:00:11,000 --> 00:00:12,133 PREVIOUSLY ON THE L WORD... 2 00:00:12,167 --> 00:00:12,967 YOU GAVE UP YOUR AUTONOMY 3 00:00:13,000 --> 00:00:14,067 IN A RELATIONSHIP 4 00:00:14,100 --> 00:00:15,700 THAT THE LAW DOESN'T RECOGNIZE, 5 00:00:15,733 --> 00:00:18,300 AND YOUR EX CONTROLS EVERYTHING. 6 00:00:18,333 --> 00:00:20,033 SO YOU SENT HER TO FUCKING JOYCE WISCHNIA? 7 00:00:20,067 --> 00:00:21,867 I JUST SUGGESTED SHE SEE A LAWYER. 8 00:00:21,900 --> 00:00:23,133 IF YOU WANT TO SIGN A SIX-MONTH LEASE-- 9 00:00:23,167 --> 00:00:24,533 I WILL SIGN A SIX-MONTH LEASE, 10 00:00:24,567 --> 00:00:26,200 AND I DON'T CARE IF I LOSE MY MONEY 11 00:00:26,233 --> 00:00:27,967 AS LONG AS IT MEANS TINA'S COMING HOME. 12 00:00:28,000 --> 00:00:29,333 DO YOU NOTICE ANYTHING ABOUT HER? 13 00:00:29,367 --> 00:00:31,133 YEAH, SHE LOOKS A LITTLE BIT LIKE BETTE. 14 00:00:31,167 --> 00:00:32,633 [BETTE]: SO YOU'RE LOOKING FOR A ROOMMATE. 15 00:00:32,667 --> 00:00:34,133 [SHANE]: WE SHOULD TALK. 16 00:00:34,167 --> 00:00:34,867 OKAY. 17 00:00:34,900 --> 00:00:35,800 WHY NOT, RIGHT? 18 00:00:35,833 --> 00:00:38,567 YEAH, THOSE RELATIONSHIPS... 19 00:00:38,600 --> 00:00:39,600 THEY CAN REALLY FUCK YOU UP. 20 00:00:40,867 --> 00:00:42,633 YOU DON'T WANT TO BE IN A RELATIONSHIP. 21 00:00:42,667 --> 00:00:43,900 NO, I DON'T. 22 00:00:43,933 --> 00:00:45,033 WELL, ARROGANT IS FINE. 23 00:00:45,067 --> 00:00:46,467 OVERLY PRECIOUS, BAD PUNS 24 00:00:46,500 --> 00:00:48,200 ARE TO BE AVOIDED, 25 00:00:48,233 --> 00:00:51,467 ESPECIALLY IF SOMEONE WANTS TO BE ACCEPTED INTO MY CLASS. 26 00:00:51,500 --> 00:00:52,733 NOW, YOU KNOW, WE'VE SET A DATE. 27 00:00:52,767 --> 00:00:54,400 WE'D REALLY LIKE YOUR BLESSING. 28 00:00:54,433 --> 00:00:55,400 [DANA]: I HAVE TO GO TO THE BATHROOM. 29 00:00:55,433 --> 00:00:56,400 YOU HAVE TO GET OUT. 30 00:00:56,433 --> 00:00:57,400 THAT'S AGAINST THE RULES. 31 00:00:57,433 --> 00:00:58,533 NO, I HAVE TO GO TO THE BATHROOM, AL. 32 00:00:58,567 --> 00:01:00,633 ARE YOU THREE? CAN'T YOU HOLD IT FOR A MINUTE? 33 00:01:00,667 --> 00:01:02,133 [SHANE]: ARE YOU GUYS GETTING IT ON YET, OR WHAT? 34 00:01:02,167 --> 00:01:04,067 NO! 35 00:01:04,067 --> 00:01:04,900 I HAVE A CHECK FOR $50,000. 36 00:01:04,933 --> 00:01:06,233 I'M COMING IN AS YOUR PARTNER. 37 00:01:06,267 --> 00:01:07,700 IT'S A BUSINESS ARRANGEMENT, KIT. 38 00:01:07,733 --> 00:01:08,700 BUT, IVAN-- 39 00:01:08,733 --> 00:01:10,433 THAT'S HOW IT'S GOT TO BE. 40 00:01:15,800 --> 00:01:17,733 [KEYBOARD CLICKING] 41 00:01:22,700 --> 00:01:24,633 [ANIMAL NOISES IN JUNGLE] 42 00:01:32,833 --> 00:01:33,900 [GASPS]: TONYA. 43 00:01:34,800 --> 00:01:38,067 ALICE, YOU BAD, BAD GIRL. 44 00:01:38,067 --> 00:01:39,567 WHAT? WHY? 45 00:01:39,600 --> 00:01:40,967 DON'T LIE. 46 00:01:41,067 --> 00:01:44,133 TONYA KNOWS ALL... 47 00:01:45,667 --> 00:01:47,867 AND SHE'S MAD. 48 00:01:47,900 --> 00:01:50,067 DO YOU KNOW HOW TO SAY YOU'RE SORRY? 49 00:01:50,100 --> 00:01:52,067 [GASPS] 50 00:01:52,067 --> 00:01:52,933 THAT'S RIGHT. 51 00:01:52,967 --> 00:01:54,300 IF YOU'RE GOING TO PLAY, 52 00:01:54,333 --> 00:01:56,467 YOU DON'T PLAY WITHOUT THE TON TON. 53 00:02:03,967 --> 00:02:04,867 WHAT ABOUT DANA? 54 00:02:04,900 --> 00:02:09,267 SHH... 55 00:02:09,300 --> 00:02:11,900 SOMEONE'S HUNGRY. 56 00:02:14,867 --> 00:02:16,433 STARVING. 57 00:02:16,467 --> 00:02:18,267 [GASPS] 58 00:02:24,533 --> 00:02:30,833 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 59 00:02:30,867 --> 00:02:37,367 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 60 00:02:37,400 --> 00:02:43,533 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 61 00:02:43,567 --> 00:02:50,867 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 62 00:02:57,700 --> 00:02:59,300 * TALKING, LAUGHING LOVING, BREATHING * 63 00:02:59,333 --> 00:03:01,367 * FIGHTING, FUCKING CRYING, DRINKING * 64 00:03:01,400 --> 00:03:02,533 * WRITING, WINNING LOSING, CHEATING * 65 00:03:02,567 --> 00:03:04,067 * KISSING, THINKING, DREAMING 66 00:03:04,100 --> 00:03:06,067 * THIS IS THE WAY... 67 00:03:06,100 --> 00:03:08,900 * THIS IS THE WAY THAT WE LIVE * 68 00:03:08,933 --> 00:03:14,433 * IT'S THE WAY THAT WE LIVE 69 00:03:14,467 --> 00:03:18,133 * AND LOVE * 70 00:03:21,567 --> 00:03:22,700 WHY DON'T YOU TELL ME 71 00:03:22,733 --> 00:03:23,367 WHAT YOU TWO HAVE IN MIND? 72 00:03:23,400 --> 00:03:24,667 OKAY, WELL, 73 00:03:24,700 --> 00:03:28,167 MY CLIENT AND I HAVE EVERY INTENTION 74 00:03:28,200 --> 00:03:29,533 OF MAKING THIS AS PAINLESS AS POSSIBLE. 75 00:03:29,567 --> 00:03:30,567 WE ARE OFFERING 76 00:03:30,600 --> 00:03:32,667 TO COVER ALL LIVING EXPENSES 77 00:03:32,700 --> 00:03:33,733 FOR MS. KENNARD, 78 00:03:33,767 --> 00:03:34,833 INCLUDING HER OWN APARTMENT 79 00:03:34,867 --> 00:03:37,667 AND AN INITIAL $10,000 STIPEND 80 00:03:37,700 --> 00:03:40,300 TO BE DISBURSED ANY WAY MS. KENNARD SEES FIT. 81 00:03:43,367 --> 00:03:44,867 OH, COME ON, 82 00:03:44,900 --> 00:03:46,067 BERT. 83 00:03:46,067 --> 00:03:48,367 THAT'S SWEET, BUT SHORT-TERM. 84 00:03:48,400 --> 00:03:50,667 WE'RE HERE TO TALK FINAL SEPARATION. 85 00:03:50,700 --> 00:03:51,700 THE LAST HURRAH. 86 00:03:51,733 --> 00:03:52,833 WHAT? 87 00:03:52,867 --> 00:03:53,833 THIS WASN'T A MARRIAGE. 88 00:03:53,867 --> 00:03:55,067 IT WASN'T? 89 00:03:55,067 --> 00:03:56,333 WELL, LET'S SEE. 90 00:03:56,367 --> 00:03:59,333 WE'VE GOT A HOUSE... CARS, VACATIONS, 91 00:03:59,367 --> 00:04:01,333 LOVE, COMMITMENT, 92 00:04:01,367 --> 00:04:02,467 A PROMISE TO BE TRUE, 93 00:04:02,500 --> 00:04:03,900 A BABY THAT WAS LOST, 94 00:04:03,933 --> 00:04:05,433 A TRUST THAT WAS BROKEN. 95 00:04:05,467 --> 00:04:07,167 I DON'T KNOW ABOUT YOU, 96 00:04:07,200 --> 00:04:08,367 BUT THAT SOUNDS LIKE A MARRIAGE TO ME. 97 00:04:08,400 --> 00:04:09,633 DOES THAT SOUND LIKE A MARRIAGE TO YOU? 98 00:04:09,667 --> 00:04:10,433 IT WAS. 99 00:04:10,467 --> 00:04:11,733 BETTE. 100 00:04:11,767 --> 00:04:12,933 IT'S A MARRIAGE THAT I DON'T WANT TO HAVE END. 101 00:04:12,967 --> 00:04:15,667 YEAH, WELL, IT'S A LITTLE LATE FOR THAT. 102 00:04:15,700 --> 00:04:16,667 SO LET'S GET BACK 103 00:04:16,700 --> 00:04:17,800 TO THE BUSINESS AT HAND, 104 00:04:17,833 --> 00:04:19,733 THE EQUITABLE DIVISION OF FUNDS. 105 00:04:19,767 --> 00:04:21,700 I THINK WE'VE GOT IT-- 106 00:04:26,067 --> 00:04:28,067 HOW MANY TIMES DO I HAVE TO SAY I'M SORRY? 107 00:04:28,100 --> 00:04:29,167 HERE WE GO. 108 00:04:29,200 --> 00:04:30,200 [BETTE]: I AM. 109 00:04:30,233 --> 00:04:31,667 PLEASE DON'T DO THIS TO US. 110 00:04:31,700 --> 00:04:34,300 THIS IS NOT WHAT WE ARE. 111 00:04:34,333 --> 00:04:35,433 TINA... 112 00:04:35,467 --> 00:04:36,733 WE CAN FIX THIS. 113 00:04:36,767 --> 00:04:38,733 OKAY? WE CAN FIX THIS. 114 00:04:38,767 --> 00:04:39,733 TINA... 115 00:04:39,767 --> 00:04:41,333 DO YOU STILL LOVE ME? 116 00:04:41,367 --> 00:04:44,567 DO YOU? DO YOU STILL LOVE ME? 117 00:04:46,133 --> 00:04:47,067 DON'T DO THIS. 118 00:04:47,100 --> 00:04:48,400 DON'T DESTROY US. 119 00:04:48,433 --> 00:04:51,467 OH, IF I COULD JUST INTERJECT FOR A SECOND HERE. 120 00:04:51,500 --> 00:04:54,600 UM...IT WASN'T TINA WHO DESTROYED THIS RELATIONSHIP. 121 00:04:54,633 --> 00:04:55,600 THAT WAS YOU, 122 00:04:55,633 --> 00:04:56,900 AND IT'S A GOOD THING TO REMEMBER, 123 00:04:56,933 --> 00:04:58,733 AS YOU'RE DEALING WITH THE CONSEQUENCES. 124 00:04:58,767 --> 00:05:00,667 I AM DEALING WITH THE CONSEQUENCES. 125 00:05:00,700 --> 00:05:03,167 WELL, GOOD FOR YOU, BUT THIS MOMENT ISN'T ABOUT YOU. 126 00:05:03,200 --> 00:05:06,067 THIS IS ABOUT TINA AND WHAT SHE WANTS. 127 00:05:06,067 --> 00:05:09,467 TINA, IS THIS WHAT YOU WANT? 128 00:05:09,500 --> 00:05:12,700 I-I THINK THINGS NEED TO BE DIFFERENT. 129 00:05:12,733 --> 00:05:13,567 DID YOU HEAR THAT? 130 00:05:13,600 --> 00:05:15,633 THEY WILL BE DIFFERENT. 131 00:05:15,667 --> 00:05:17,233 SO WHY DON'T YOU GET OFF THE FLOOR 132 00:05:17,267 --> 00:05:18,533 AND LET HER DO WHAT SHE WANTS FOR ONCE, 133 00:05:18,567 --> 00:05:19,800 INSTEAD OF YOU RUNNING THE WHOLE SHOW? 134 00:05:19,833 --> 00:05:20,900 COME ON. 135 00:05:20,933 --> 00:05:22,467 WHY DON'T WE RESCHEDULE THIS 136 00:05:22,500 --> 00:05:24,167 AT A TIME WHEN EVERYONE 137 00:05:24,200 --> 00:05:27,800 IS FEELING A LITTLE LESS DRAMATIC? 138 00:05:43,533 --> 00:05:47,200 WELL, TALK ABOUT A COMMAND PERFORMANCE. 139 00:05:47,233 --> 00:05:50,133 MERYL STREEP COULDN'T HAVE DONE IT ANY BETTER. 140 00:05:53,367 --> 00:05:54,733 I AM INSTRUCTING YOU 141 00:05:54,767 --> 00:05:59,533 NOT TO HAVE ANY CONTACT WITH HER UNTIL WE GET THIS THING SETTLED. 142 00:05:59,567 --> 00:06:00,700 SHE'LL JUST WEAR YOU DOWN 143 00:06:00,733 --> 00:06:02,700 UNTIL SHE GETS WHAT SHE WANTS. 144 00:06:02,733 --> 00:06:03,867 I'VE SEEN IT 145 00:06:03,900 --> 00:06:05,067 A THOUSAND TIMES. 146 00:06:05,067 --> 00:06:06,533 "I CHEATED ON YOU. 147 00:06:06,567 --> 00:06:08,367 "FEEL SORRY FOR ME. 148 00:06:08,400 --> 00:06:09,767 I'M IN PAIN!" 149 00:06:09,800 --> 00:06:10,700 [PUSHES BUTTON ON INTERCOM] 150 00:06:10,733 --> 00:06:12,067 HEY, EMILY, 151 00:06:12,067 --> 00:06:13,667 WILL YOU GET ME A PROTEIN SHAKE? 152 00:06:18,167 --> 00:06:19,467 TINA, YOU WANT ANYTHING? 153 00:06:19,500 --> 00:06:21,233 NO, NO. NO, THANK YOU. 154 00:06:21,267 --> 00:06:23,067 I'M--GOD! I'M JUST SO FUCKING MAD! 155 00:06:23,067 --> 00:06:24,100 WELL, GOOD, GOOD! 156 00:06:24,133 --> 00:06:25,800 ANGER WILL HELP YOU CHANGE YOUR LIFE. 157 00:06:25,833 --> 00:06:27,467 COME ON, SIT DOWN. 158 00:06:27,500 --> 00:06:30,767 OH. OH... 159 00:06:30,800 --> 00:06:35,333 OKAY, I WANT YOU TO TELL ME WHAT YOU NEED RIGHT NOW. 160 00:06:35,367 --> 00:06:37,933 AN ICE CREAM SUNDAE? 161 00:06:37,967 --> 00:06:39,933 FOOT MASSAGE? 162 00:06:39,967 --> 00:06:41,333 I NEED MY OWN LIFE. 163 00:06:41,367 --> 00:06:43,133 TELL ME WHAT I CAN DO 164 00:06:43,167 --> 00:06:44,733 TO MAKE THAT HAPPEN. 165 00:06:44,767 --> 00:06:45,800 I'M HAVING A BABY. 166 00:06:45,833 --> 00:06:47,100 I DON'T HAVE A PLACE TO LIVE. 167 00:06:47,133 --> 00:06:49,367 I'M SLEEPING ON MY FRIEND'S COUCH. 168 00:06:49,400 --> 00:06:50,400 I'VE BEEN THERE FOR A MONTH. 169 00:06:50,433 --> 00:06:52,433 I KNOW SHE WANTS ME OUT. 170 00:06:52,467 --> 00:06:53,600 I SHOULD TAKE THAT DEAL. 171 00:06:53,633 --> 00:06:54,767 NO, NO, NO, NO, NO. 172 00:06:54,800 --> 00:06:56,467 MY GUESTHOUSE IS EMPTY, 173 00:06:56,500 --> 00:06:57,700 AND YOU'RE GOING TO MOVE INTO IT 174 00:06:57,733 --> 00:06:59,433 UNTIL WE GET THE DEAL WE WANT. 175 00:06:59,467 --> 00:07:01,233 JOYCE, I CAN'T DO THAT. 176 00:07:01,267 --> 00:07:02,333 WHY NOT? 177 00:07:02,367 --> 00:07:03,667 WHAT, YOU DON'T HAVE LUGGAGE? 178 00:07:03,700 --> 00:07:05,500 YOU CAN'T LIFT HEAVY THINGS? 179 00:07:05,533 --> 00:07:07,500 I'LL GET SOMEBODY TO HELP YOU. 180 00:07:07,533 --> 00:07:10,633 YOU KNOW HOW MANY OF MY CLIENTS HAVE STAYED IN MY GUESTHOUSE? 181 00:07:10,667 --> 00:07:13,067 PLENTY. 182 00:07:13,067 --> 00:07:14,467 I'M HAPPY TO HAVE IT TO OFFER. 183 00:07:16,067 --> 00:07:17,567 OKAY. GOOD GIRL. 184 00:07:32,233 --> 00:07:34,300 [HORNS HONKING] 185 00:07:40,067 --> 00:07:40,967 ARE YOU BLIND? 186 00:07:41,067 --> 00:07:42,433 YOU FUCKING WENT THROUGH A RED! 187 00:07:42,467 --> 00:07:44,700 GET OUT OF THE FUCKING CAR! 188 00:07:44,733 --> 00:07:45,933 [POUNDING ON GLASS] 189 00:07:45,967 --> 00:07:48,100 COME ON, GET OUT OF THE CAR. 190 00:07:48,133 --> 00:07:50,367 GET OUT OF THE FUCKING CAR! 191 00:07:53,700 --> 00:07:56,167 YOU NEED TO STOP YELLING. 192 00:07:56,200 --> 00:07:57,333 NO ONE WAS HURT. 193 00:07:57,367 --> 00:07:59,133 I HAVE INSURANCE, 194 00:07:59,167 --> 00:08:00,833 SO JUST SHUT THE FUCK UP. 195 00:08:00,867 --> 00:08:02,667 DO YOU FUCKING UNDERSTAND ME, YOU FUCKING IDIOT, 196 00:08:02,700 --> 00:08:05,933 OR DO I NEED TO SCREAM LIKE YOU, LIKE A FUCKING INSANE SAVAGE? 197 00:08:05,967 --> 00:08:08,733 YOU'RE GOING TO BE ONE SORRY BITCH. 198 00:08:08,767 --> 00:08:09,833 WHAT MAKES YOU THINK 199 00:08:09,867 --> 00:08:11,067 I'M NOT ALREADY? 200 00:08:11,067 --> 00:08:13,367 WHAT MAKES YOU THINK I'M NOT ALREADY? 201 00:08:13,400 --> 00:08:14,667 STUFF THERE FOR YOU TO DO... 202 00:08:14,700 --> 00:08:17,900 TAKE THOSE TWO BOARDS OUT. 203 00:08:17,933 --> 00:08:19,533 OKAY. 204 00:08:26,167 --> 00:08:28,667 [IMPRESSED]: KIT. 205 00:08:28,700 --> 00:08:32,067 I DIDN'T EXPECT IT TO CHANGE SO MUCH. 206 00:08:32,067 --> 00:08:34,200 IT IS GOING TO BE A DIFFERENT PLACE. 207 00:08:34,233 --> 00:08:37,600 I GOT A REAL SOUND SYSTEM COMING HERE TOMORROW, 208 00:08:37,633 --> 00:08:39,767 AND THEY'RE GOING TO FINISH THE FLOOR TODAY. 209 00:08:39,800 --> 00:08:41,067 THE STAGE-- 210 00:08:41,067 --> 00:08:43,900 THE STAGE IS ALWAYS GOING TO BE READY. 211 00:08:43,933 --> 00:08:45,067 WE'RE GOING TO HAVE-- 212 00:08:45,067 --> 00:08:46,733 WE'RE GOING TO HAVE KEYBOARDS, DRUMS, GUITARS, 213 00:08:46,767 --> 00:08:47,800 JUST IN CASE 214 00:08:47,833 --> 00:08:50,333 A LENNY KRAVITZ COMES INTO TOWN. 215 00:08:50,367 --> 00:08:52,733 IF SHERYL CROW, MARY J. COME IN HERE, 216 00:08:52,767 --> 00:08:54,167 AND THEY WANT TO KICK IT AND JAM, 217 00:08:54,200 --> 00:08:55,667 THEY GOT A PLACE, 218 00:08:55,700 --> 00:08:59,367 AND I GOT A JAZZ QUARTET FOR THE OPENING NIGHT. 219 00:08:59,400 --> 00:09:01,067 MAN, THEY'RE THE BOMB. 220 00:09:01,100 --> 00:09:02,600 A JAZZ QUARTET? 221 00:09:02,633 --> 00:09:03,800 YEAH. MM-HMM. 222 00:09:03,833 --> 00:09:05,400 KIT, THIS IS... 223 00:09:05,433 --> 00:09:06,667 WEST HOLLYWOOD. 224 00:09:06,700 --> 00:09:07,933 THIS IS GAY TOWN. 225 00:09:07,967 --> 00:09:09,900 YOU GOT TO GIVE THE GIRLIES WHAT THEY WANT. 226 00:09:09,933 --> 00:09:12,633 WELL, I-I-I CAN'T CHANGE THAT NOW. 227 00:09:12,667 --> 00:09:14,067 THAT'S MASON RAY, YOU KNOW? 228 00:09:14,100 --> 00:09:15,767 HE WAS WITH THE VELVETS AND THE SHEFFIELDS. 229 00:09:15,800 --> 00:09:17,267 Y'ALL HEARD OF HIM, RIGHT? 230 00:09:19,067 --> 00:09:20,200 NO. 231 00:09:25,500 --> 00:09:26,733 [SIGHS] 232 00:09:26,767 --> 00:09:27,900 NO, NO, NO, IT'S GOING TO-- 233 00:09:27,933 --> 00:09:29,967 IT'S TOTALLY GOING TO BE OKAY. 234 00:09:30,067 --> 00:09:31,400 KIT, I SWEAR, 235 00:09:31,433 --> 00:09:32,733 IT'S NOT THAT BIG OF A DEAL. 236 00:09:32,767 --> 00:09:35,600 NO, PEOPLE LIKE THAT MUSIC, THEY DO. 237 00:09:35,633 --> 00:09:37,700 NOT THE PEOPLE THAT COME IN HERE. 238 00:09:37,733 --> 00:09:39,167 I MEAN, YOU KNOW, SHE'S RIGHT. 239 00:09:39,200 --> 00:09:42,767 I'M NOT PLAYING TO MY CORE AUDIENCE. 240 00:09:42,800 --> 00:09:45,700 WE'LL FIND YOU SOMEONE. 241 00:09:45,733 --> 00:09:47,233 I KNOW. I KNOW! 242 00:09:47,267 --> 00:09:49,333 PINK. PINK! 243 00:09:49,367 --> 00:09:50,567 SHE'S IN TOWN. 244 00:09:50,600 --> 00:09:53,133 AL, HOW ARE YOU GOING TO GET TO PINK? 245 00:09:53,167 --> 00:09:55,567 WE'VE GOT TO KNOW A LESBIAN WHO KNOWS A LESBIAN 246 00:09:55,600 --> 00:09:57,233 WHO KNOWS ANOTHER ONE WHO KNOWS HER. 247 00:09:57,267 --> 00:09:59,067 WE COULD GET TO HER, RIGHT? 248 00:09:59,100 --> 00:10:00,067 RIGHT. 249 00:10:00,100 --> 00:10:02,400 SHE WOULD LOVE TO PLAY HERE. 250 00:10:02,433 --> 00:10:04,233 YEAH, THAT'S NOT GOING TO HAPPEN. 251 00:10:04,267 --> 00:10:05,533 KIT, 252 00:10:05,567 --> 00:10:07,000 BELIEVE IN THE POWER OF THE LESBIAN PHONE TREE. 253 00:10:07,033 --> 00:10:10,367 I NEED SOMETHING SOLID. 254 00:10:11,600 --> 00:10:12,900 WAIT, UM... 255 00:10:12,933 --> 00:10:16,567 I KNOW SOMEONE WHO'S A DJ, AND SHE'S EXCELLENT, 256 00:10:16,600 --> 00:10:18,233 BUT I KNOW THAT'S NOT WHAT YOU'RE LOOKING FOR. 257 00:10:18,267 --> 00:10:19,567 NO, UH, NO, I'LL TAKE IT. 258 00:10:19,600 --> 00:10:21,400 I WILL DEFINITELY TAKE IT, 259 00:10:21,433 --> 00:10:22,767 AND SHE'D BETTER BE GOOD. 260 00:10:22,800 --> 00:10:24,500 SHE IS. 261 00:10:26,467 --> 00:10:28,733 [KNOCKING ON DOOR] 262 00:10:32,333 --> 00:10:33,967 MISS BIRCH? 263 00:10:34,000 --> 00:10:35,467 YES? 264 00:10:35,500 --> 00:10:37,800 [DOOR CLOSES] 265 00:10:37,833 --> 00:10:38,767 UH... 266 00:10:41,467 --> 00:10:44,733 MY NAME IS JENNIFER SCHECTER. 267 00:10:46,333 --> 00:10:47,633 UM... 268 00:10:47,667 --> 00:10:49,700 I APPLIED FOR YOUR WRITING CLASS. 269 00:10:49,733 --> 00:10:50,767 THE CLASS IS FULL. 270 00:10:50,800 --> 00:10:52,733 YOU CAN TRY AGAIN NEXT SEMESTER. 271 00:10:52,767 --> 00:10:55,267 I-I-I REALIZE THAT, 272 00:10:55,300 --> 00:10:56,800 BUT I JUST, ACTUALLY... 273 00:10:56,833 --> 00:11:00,067 WANTED TO KNOW WHY I DIDN'T GET IN. 274 00:11:01,500 --> 00:11:04,733 MAYBE IT'S YOUR SELF-CONSCIOUSNESS. 275 00:11:04,767 --> 00:11:08,100 THE SCHOOL-GIRL OUTFIT YOU CAME IN HERE WITH. 276 00:11:08,133 --> 00:11:11,067 AM I SUPPOSED TO FALL FOR THAT? 277 00:11:11,067 --> 00:11:13,200 I WANT REAL WRITERS IN THIS CLASS. 278 00:11:13,233 --> 00:11:15,967 FICTION WRITERS. 279 00:11:16,067 --> 00:11:17,467 YOU DON'T WRITE LIKE THAT. 280 00:11:17,500 --> 00:11:19,133 YOU JOURNAL. 281 00:11:19,167 --> 00:11:20,500 YOU THINK BECAUSE YOU CHANGE 282 00:11:20,533 --> 00:11:22,500 THE CIRCUMSTANCE AND THE SETTINGS 283 00:11:22,533 --> 00:11:24,400 THAT YOU'RE CREATING... 284 00:11:24,433 --> 00:11:25,900 BUT YOU'RE NOT, 285 00:11:25,933 --> 00:11:27,600 AND I'M NOT HERE 286 00:11:27,633 --> 00:11:31,633 TO READ THE AUTOBIOGRAPHY OF MISS JENNY SCHECTER. 287 00:11:31,667 --> 00:11:33,600 [SIGHS] 288 00:11:38,067 --> 00:11:41,167 BECOME A WRITER FIRST... 289 00:11:41,200 --> 00:11:43,467 THEN MAYBE. 290 00:12:03,900 --> 00:12:06,167 [PAPERS SHUFFLING] 291 00:12:09,667 --> 00:12:12,133 WELL, THANK YOU FOR LETTING ME KNOW. 292 00:12:14,667 --> 00:12:17,333 BUT PLEASE DON'T PRESUME THAT YOU KNOW ME. 293 00:12:28,900 --> 00:12:30,367 THIS IS GOING TO BE GREAT, YOU KNOW? 294 00:12:30,400 --> 00:12:32,533 AND THEN THE PLACE WILL BE ALL YOURS. 295 00:12:32,567 --> 00:12:34,300 YOU COULD HAVE STAYED 296 00:12:34,333 --> 00:12:36,067 TOTALLY AS LONG AS YOU WANTED AT MY PLACE, 297 00:12:36,067 --> 00:12:37,300 TO LET YOU KNOW. 298 00:12:37,333 --> 00:12:38,367 STOP FEELING BAD. 299 00:12:38,400 --> 00:12:39,400 YOU NEED YOUR APARTMENT BACK 300 00:12:39,433 --> 00:12:40,500 SO YOU CAN WORK. 301 00:12:40,533 --> 00:12:41,933 WELL, I KNOW, BUT I JUST, YOU KNOW... 302 00:12:41,967 --> 00:12:43,067 FRIENDS SHOULD SACRIFICE FOR EACH OTHER, 303 00:12:43,100 --> 00:12:44,767 AND I WANT TO SACRIFICE. 304 00:12:44,800 --> 00:12:46,900 YOU'VE ALREADY SACRIFICED. 305 00:12:47,967 --> 00:12:50,067 WHOA. IS THIS A GUEST HOUSE? 306 00:12:50,100 --> 00:12:52,933 OKAY, I OFFICIALLY STOPPED FEELING BAD. 307 00:12:52,967 --> 00:12:54,067 FOR SURE. 308 00:12:54,100 --> 00:12:57,300 THINK ABOUT THE BREAKUPS THAT BUILT THIS HOUSE. 309 00:12:57,333 --> 00:12:58,833 WELL, I MEAN, LET'S NOT FORGET 310 00:12:58,867 --> 00:13:00,833 SHE DOES USE HER POWERS FOR GOOD. 311 00:13:00,867 --> 00:13:02,167 IF IT WEREN'T FOR HER, 312 00:13:02,200 --> 00:13:03,700 THERE'D BE NO SECOND-PARENT ADOPTIONS. 313 00:13:03,733 --> 00:13:05,733 I DON'T THINK IT WAS THE ADOPTIONS 314 00:13:05,767 --> 00:13:07,100 THAT PAID FOR THIS PLACE. 315 00:13:07,133 --> 00:13:09,500 WHOA. 316 00:13:09,533 --> 00:13:11,400 YOU'RE STOKED. 317 00:13:14,800 --> 00:13:16,133 I JUST WANTED TO GIVE THIS TO YOU. 318 00:13:16,167 --> 00:13:18,600 THE BANK SENT IT TO MY HOUSE. 319 00:13:21,100 --> 00:13:22,933 ARE YOU ALL RIGHT? 320 00:13:22,967 --> 00:13:24,967 I'VE BEEN BETTER. 321 00:13:25,067 --> 00:13:27,267 ME TOO. 322 00:13:27,300 --> 00:13:28,800 [SIGHS] 323 00:13:28,833 --> 00:13:30,133 HAVE YOU EATEN? 324 00:13:30,167 --> 00:13:31,433 NO. 325 00:13:31,467 --> 00:13:32,833 WANT ME TO ORDER SOMETHING? 326 00:13:32,867 --> 00:13:35,300 I GUESS. 327 00:13:40,867 --> 00:13:42,633 I MAY NOT BE ABLE 328 00:13:42,667 --> 00:13:44,333 TO PULL THIS OFF BY FRIDAY. 329 00:13:44,367 --> 00:13:45,967 HALF OF MY DELIVERIES AREN'T IN, 330 00:13:46,067 --> 00:13:48,567 AND THE SOUND SYSTEM MAY NOT BE READY. 331 00:13:48,600 --> 00:13:50,067 KIT. 332 00:13:50,100 --> 00:13:52,433 TINA IS TAKING LEGAL ACTION AGAINST ME. 333 00:13:52,467 --> 00:13:53,633 SHE'S DIVORCING ME, 334 00:13:53,667 --> 00:13:56,367 AND I SMASHED MY CAR IN AN INTERSECTION. 335 00:13:56,400 --> 00:13:58,067 SO... 336 00:14:02,933 --> 00:14:06,067 YOU WANT MEXICAN? 337 00:14:06,067 --> 00:14:08,067 SURE. 338 00:14:14,933 --> 00:14:16,667 HI. I'M SORRY. 339 00:14:16,700 --> 00:14:17,800 OH, NO, NO. 340 00:14:17,833 --> 00:14:18,933 HEY, THAT'S OKAY. 341 00:14:18,967 --> 00:14:20,233 LET ME ASK YOU SOMETHING. 342 00:14:20,267 --> 00:14:22,233 WHAT SAYS YOU CARE MORE? 343 00:14:22,267 --> 00:14:23,700 BEER OR SOY MILK? 344 00:14:23,733 --> 00:14:25,067 SOY MILK. 345 00:14:25,067 --> 00:14:26,700 BUT THAT'S NOT VERY SEXY, THOUGH, IS IT? 346 00:14:26,733 --> 00:14:27,833 NO. 347 00:14:27,867 --> 00:14:29,133 NO. 348 00:14:29,167 --> 00:14:31,967 ALL RIGHT, WELL, THAT'S WHAT I THOUGHT, 349 00:14:32,067 --> 00:14:34,067 AND THERE'S MORE IN THE FRIDGE IF YOU WANT IT, 350 00:14:34,067 --> 00:14:35,733 AND I'M CARMEN. 351 00:14:35,767 --> 00:14:37,367 AND I'M JENNY. 352 00:14:37,400 --> 00:14:38,333 I KNOW. 353 00:14:38,367 --> 00:14:39,767 [LAUGHS] 354 00:14:39,800 --> 00:14:40,800 NICE TO MEET YOU. 355 00:14:40,833 --> 00:14:42,400 OH, UM... 356 00:14:42,433 --> 00:14:45,100 SORRY YOU HAD TO MEET ME IN MY "SUPA-LOVA" COSTUME. 357 00:14:45,133 --> 00:14:46,100 NO, IT'S NICE. 358 00:14:46,133 --> 00:14:47,100 OKAY. 359 00:14:47,133 --> 00:14:48,100 I LIKE IT. 360 00:14:48,133 --> 00:14:50,067 GOOD NIGHT. 361 00:14:57,067 --> 00:14:57,800 HEY. 362 00:14:57,833 --> 00:14:59,167 HEY. 363 00:14:59,200 --> 00:15:00,767 ARE YOU GOING SOMEWHERE? 364 00:15:00,800 --> 00:15:05,267 UM, YEAH, I WAS THINKING OF GOING OUT. 365 00:15:05,300 --> 00:15:06,400 WERE YOU? 366 00:15:06,433 --> 00:15:08,367 WELL, I, UH... 367 00:15:09,600 --> 00:15:11,467 I THINK YOU SHOULD STAY. 368 00:15:11,500 --> 00:15:12,633 REALLY? 369 00:15:12,667 --> 00:15:14,067 YEAH, I DO. 370 00:15:14,100 --> 00:15:17,133 I THINK YOU SHOULD STAY HOME... 371 00:15:17,167 --> 00:15:19,633 AND I THINK YOU SHOULD PLAY A GAME WITH ME. 372 00:15:19,667 --> 00:15:20,633 OH, YEAH? 373 00:15:20,667 --> 00:15:21,633 MM-HMM. 374 00:15:21,667 --> 00:15:25,500 THIS GAME IS CALLED... 375 00:15:25,533 --> 00:15:27,667 "TOO HOT," 376 00:15:27,700 --> 00:15:31,267 AND HERE'S HOW WE PLAY. 377 00:15:31,300 --> 00:15:34,900 WE...START KISSING... 378 00:15:34,933 --> 00:15:37,067 AND WE CAN'T STOP KISSING... 379 00:15:37,100 --> 00:15:39,833 MM-HMM? 380 00:15:44,267 --> 00:15:46,567 BUT WE ALSO CAN'T TOUCH. 381 00:15:46,600 --> 00:15:47,733 NO TOUCHING. 382 00:15:47,767 --> 00:15:48,767 [LAUGHS] 383 00:15:48,800 --> 00:15:51,333 SO THEN, IF YOU TOUCH ME, 384 00:15:51,367 --> 00:15:53,133 THEN YOU LOSE, 385 00:15:53,167 --> 00:15:57,600 AND THAT MEANS I CAN DO WHATEVER I WANT. 386 00:15:58,767 --> 00:16:01,533 AND WHAT HAPPENS IF YOU TOUCH ME? 387 00:16:01,567 --> 00:16:03,667 THEN... 388 00:16:04,900 --> 00:16:06,867 I LOSE, 389 00:16:06,900 --> 00:16:08,567 AND YOU GET TO DO 390 00:16:08,600 --> 00:16:10,900 WHATEVER YOU WANT TO ME. 391 00:16:10,933 --> 00:16:12,867 MM. 392 00:16:14,700 --> 00:16:19,300 SO... ARE YOU READY? 393 00:16:19,333 --> 00:16:20,333 YEAH. 394 00:16:20,367 --> 00:16:21,800 OKAY. 395 00:16:21,833 --> 00:16:23,733 HANDS OFF. 396 00:16:23,767 --> 00:16:26,700 OKAY, HERE WE GO. 397 00:16:54,467 --> 00:16:55,900 MM...MM-MM. 398 00:16:55,933 --> 00:16:57,900 [PROTESTING]: MM! 399 00:16:59,433 --> 00:17:00,967 WOW. 400 00:17:01,067 --> 00:17:02,767 LIE DOWN... 401 00:17:02,800 --> 00:17:03,833 BITCH. 402 00:17:03,867 --> 00:17:04,867 OH, YOU'RE SO AWFUL. 403 00:17:04,900 --> 00:17:06,833 MM... 404 00:17:08,600 --> 00:17:11,867 DID I SAY YOU COULD TOUCH ME? 405 00:17:11,900 --> 00:17:13,067 NO. 406 00:17:13,067 --> 00:17:15,600 NO, AND WHY? 407 00:17:15,633 --> 00:17:17,500 BECAUSE I LOST. 408 00:17:17,533 --> 00:17:20,467 THAT'S RIGHT. AND? 409 00:17:20,500 --> 00:17:22,967 WHAT? I DIDN'T HEAR YOU. 410 00:17:23,067 --> 00:17:24,267 BECAUSE YOU WON. 411 00:17:24,300 --> 00:17:26,200 THAT'S RIGHT, I WON. 412 00:17:26,233 --> 00:17:28,167 LOSER. 413 00:17:35,467 --> 00:17:36,967 STAY. 414 00:17:37,067 --> 00:17:37,967 [CHUCKLING] 415 00:17:38,067 --> 00:17:40,933 YOU'RE SUCH A...BITCH. 416 00:17:43,233 --> 00:17:45,133 [JENNY]: THERE I WAS AT THE CARNIVAL. 417 00:17:45,167 --> 00:17:46,367 LIFE WAS SO SIMPLE... 418 00:17:46,400 --> 00:17:49,533 AND LOTS TO DO AT THE CARNIVAL... 419 00:17:49,567 --> 00:17:50,400 STEP RIGHT UP! 420 00:17:50,433 --> 00:17:51,867 HURRY, HURRY. 421 00:17:51,900 --> 00:17:52,967 KEEP 'EM COMING. 422 00:17:53,067 --> 00:17:53,967 BULLDOG. 423 00:17:54,067 --> 00:17:56,200 SEE THE RESULTS IN A JAR! 424 00:17:56,233 --> 00:17:59,067 [DISTORTED VOICES] 425 00:17:59,067 --> 00:18:01,133 [BOYS SNIGGERING] 426 00:18:09,067 --> 00:18:10,767 [***] 427 00:18:10,800 --> 00:18:12,733 [PANTING] 428 00:18:49,467 --> 00:18:50,967 TELL ME WHERE YOU GREW UP. 429 00:18:51,067 --> 00:18:52,667 TELL ME... 430 00:18:52,700 --> 00:18:57,567 TELL ME WHERE THIS CAME FROM. 431 00:18:58,733 --> 00:19:00,567 NOTHING? 432 00:19:00,600 --> 00:19:02,067 NOT GOING TO TALK? 433 00:19:02,100 --> 00:19:04,467 OKAY, UM... 434 00:19:04,500 --> 00:19:07,167 HOW ABOUT... 435 00:19:07,200 --> 00:19:08,533 HOW ABOUT A HAMSTER? 436 00:19:08,567 --> 00:19:10,700 DID YOU EVER HAVE A HAMSTER, GROWING UP? 437 00:19:10,733 --> 00:19:12,167 NO? 438 00:19:12,200 --> 00:19:13,833 OKAY. UM. 439 00:19:13,867 --> 00:19:15,267 BROTHER AND SISTER. 440 00:19:15,300 --> 00:19:17,700 HOW MANY OF THOSE DID YOU HAVE? 441 00:19:17,733 --> 00:19:18,767 YOU KNOW WHAT? 442 00:19:18,800 --> 00:19:21,733 LET'S START WITH MOM AND DAD. 443 00:19:22,867 --> 00:19:25,233 ARE THEY MARRIED, DIVORCED? 444 00:19:25,267 --> 00:19:27,700 DO YOU WRITE THEM, DO YOU... 445 00:19:27,733 --> 00:19:28,700 SEE THEM? 446 00:19:28,733 --> 00:19:32,333 DO YOU LOVE THEM? I MEAN, ANYTHING. 447 00:19:42,067 --> 00:19:43,967 I'M GOING TO GO OUT. 448 00:19:44,067 --> 00:19:44,933 [SIGHS] 449 00:19:55,067 --> 00:19:57,900 OKAY, UM, WHAT ABOUT YOUR TATTOO? 450 00:19:57,933 --> 00:19:59,333 WHY DO YOU HAVE THAT? 451 00:20:00,933 --> 00:20:02,333 HMM? 452 00:20:04,633 --> 00:20:06,933 I LIKE IT. 453 00:20:06,967 --> 00:20:08,500 GOOD. YOU LIKE IT. 454 00:20:08,533 --> 00:20:10,100 GREAT. 455 00:20:11,733 --> 00:20:14,367 YOU KNOW WHAT? UM... 456 00:20:14,400 --> 00:20:21,300 I GUESS, UH, I'M GOING TO BE LEAVING, SO... 457 00:20:22,967 --> 00:20:26,167 I DON'T KNOW IF YOU HAVE, LIKE, HOUSE RULES-- 458 00:20:26,200 --> 00:20:27,167 NO, I DON'T HAVE-- THERE ARE-- 459 00:20:27,200 --> 00:20:29,067 THERE ARE NO HOUSE RULES. 460 00:20:29,100 --> 00:20:31,067 RIGHT. RIGHT. 461 00:20:31,100 --> 00:20:33,167 THERE'S NOT. OKAY. 462 00:20:33,200 --> 00:20:37,333 I-- I DON'T LIKE SLEEPOVERS. 463 00:20:37,367 --> 00:20:39,067 I'M SORRY... 464 00:20:39,100 --> 00:20:40,967 BUT I DON'T. 465 00:20:41,000 --> 00:20:43,367 OKAY. 466 00:20:43,400 --> 00:20:44,700 YOU DON'T HAVE TO EXPLAIN ANYTHING. 467 00:20:44,733 --> 00:20:46,433 IT'S YOUR CHOICE. 468 00:20:49,267 --> 00:20:51,133 WELL, GET READY. 469 00:21:00,633 --> 00:21:02,533 LOVE AT FIRST SIGHT... 470 00:21:02,567 --> 00:21:05,233 AT THE DINAH SHORE WEEKEND, OF ALL PLACES. 471 00:21:06,800 --> 00:21:08,233 HERE COMES THE BRIDE! 472 00:21:08,267 --> 00:21:10,133 HONEY. HI, HONEY. 473 00:21:10,167 --> 00:21:11,133 MM. MM. 474 00:21:11,167 --> 00:21:12,200 WHAT'S GOING ON? 475 00:21:12,233 --> 00:21:13,800 THOUGHT IT WAS JUST US. 476 00:21:13,833 --> 00:21:15,467 DANA... YEAH? 477 00:21:15,500 --> 00:21:17,500 THIS IS VANESSA GODSON WITH ABSOLUT VODKA. 478 00:21:17,533 --> 00:21:19,233 YOU KNOW BRIAN KARIKAWA-- HI. 479 00:21:19,267 --> 00:21:20,567 FROM SUBARU. 480 00:21:20,600 --> 00:21:23,433 NINA ALEXANDER FROM BRIDE MAGAZINE. 481 00:21:23,467 --> 00:21:25,567 WE HAVE ROMAN BROWN FROM WILSON. 482 00:21:25,600 --> 00:21:26,667 HI. 483 00:21:26,700 --> 00:21:28,300 SAM COUNTER FROM THE ADVOCATE. 484 00:21:28,333 --> 00:21:31,800 AND OF COURSE YOU KNOW OUR BUSINESS MANAGER. 485 00:21:31,833 --> 00:21:32,467 ERIC? 486 00:21:32,500 --> 00:21:33,967 HEY, DANA. 487 00:21:34,067 --> 00:21:35,767 HAVE A SEAT. 488 00:21:37,833 --> 00:21:38,900 OKAY. 489 00:21:38,933 --> 00:21:40,067 RESEARCH SHOWS 490 00:21:40,067 --> 00:21:41,700 OUR COUNTRY IS OBSESSED WITH WEDDINGS, 491 00:21:41,733 --> 00:21:43,267 ESPECIALLY CELEBRITY WEDDINGS. 492 00:21:43,300 --> 00:21:46,067 TOGETHER, WE'RE GOING TO PRODUCE AN EVENT 493 00:21:46,100 --> 00:21:48,233 UNLIKE ANY THEY'VE EVER SEEN. 494 00:21:48,267 --> 00:21:50,167 WELCOME TO THE FIRST EVER 495 00:21:50,200 --> 00:21:53,100 CORPORATE-SPONSORED CELEBRITY LESBIAN WEDDING! 496 00:21:53,133 --> 00:21:54,133 [APPLAUDING] 497 00:21:59,333 --> 00:22:00,467 NOW, IF WE COULD ALL 498 00:22:00,500 --> 00:22:01,700 TURN TO PAGE FOUR OF OUR PACKETS. 499 00:22:01,733 --> 00:22:03,367 PICTURE THIS-- 500 00:22:03,400 --> 00:22:05,533 A GLEAMING WHITE SUBARU 501 00:22:05,567 --> 00:22:07,333 WITH "JUST MARRIED" STENCILED ON THE BACK WINDOW. 502 00:22:07,367 --> 00:22:09,367 THE SUBARU "OUT"BACK? 503 00:22:09,400 --> 00:22:10,533 THAT'S CLEVER, TONYA. 504 00:22:10,567 --> 00:22:13,133 WE'LL HAVE SIMULTANEOUS COVERS 505 00:22:13,167 --> 00:22:14,967 ON THE ADVOCATE AND BRIDE MAGAZINE, 506 00:22:15,067 --> 00:22:17,467 EACH WITH A BACK PAGE ABSOLUT VODKA AD. 507 00:22:17,500 --> 00:22:19,067 "HERE'S TO A MARRIAGE NOT ON THE ROCKS." 508 00:22:19,067 --> 00:22:20,633 THAT'S FANTASTIC. 509 00:22:20,667 --> 00:22:22,233 AND THE CAR COULD BE DRAGGING 510 00:22:22,267 --> 00:22:23,067 WILSON TENNIS BALL CANS. 511 00:22:23,067 --> 00:22:24,533 I LOVE IT. 512 00:22:24,567 --> 00:22:26,200 YOU READ MY MIND, ROMAN. 513 00:22:26,233 --> 00:22:29,167 AFTER ALL, IT TAKES BALLS TO BREAK THE LAW. 514 00:22:29,200 --> 00:22:30,900 [ALL LAUGHING] 515 00:22:30,933 --> 00:22:32,067 DANA AND I WON'T JUST BE MAKING 516 00:22:32,067 --> 00:22:34,233 OUR COMMITMENT TO EACH OTHER, 517 00:22:34,267 --> 00:22:36,067 WE'LL BE MAKING HISTORY. 518 00:22:36,067 --> 00:22:37,867 UH, "HERSTORY." 519 00:22:37,900 --> 00:22:41,100 ABSOLUT HERSTORY. 520 00:22:41,133 --> 00:22:42,233 EXACTLY. 521 00:22:44,733 --> 00:22:47,800 THERE ARE THREE NEW PROJECTS I'D LIKE TO COMMISSION. 522 00:22:47,833 --> 00:22:48,900 I ASSUME WE'RE COUNTING 523 00:22:48,933 --> 00:22:50,133 ON THE PEABODY FOUNDATION 524 00:22:50,167 --> 00:22:51,500 TO UNDERWRITE SOME OF THIS? 525 00:22:51,533 --> 00:22:53,233 WELL, THEY HAVE FUNDED IT FOR THE PAST SIX YEARS. 526 00:22:53,267 --> 00:22:54,500 YES, BUT PEGGY PEABODY 527 00:22:54,533 --> 00:22:55,533 IS STEPPING DOWN, 528 00:22:55,567 --> 00:22:57,900 AND HER DAUGHTER HELENA IS TAKING OVER. 529 00:22:57,933 --> 00:23:00,267 IT COULD BE A WHOLE NEW BALL GAME. 530 00:23:00,300 --> 00:23:01,700 THE BAD NEWS IS, 531 00:23:01,733 --> 00:23:03,067 WE DON'T KNOW WHAT HELENA PEABODY HAS IN MIND. 532 00:23:03,067 --> 00:23:06,133 THE GOOD NEWS IS THAT SHE'S ONE OF YOUR PEOPLE. 533 00:23:06,167 --> 00:23:07,433 ONE OF "MY PEOPLE"? 534 00:23:07,467 --> 00:23:08,867 MM-HMM. 535 00:23:08,900 --> 00:23:10,800 WHAT, WHAT ARE YOU REFERRING TO? WHAT IS SHE, A YALE GRADUATE? 536 00:23:10,833 --> 00:23:12,767 IS SHE AN ART HISTORY MAJOR? 537 00:23:12,800 --> 00:23:14,467 IS SHE A MULATTO GAL, IS THAT WHAT YOU'RE TRYING TO SAY? 538 00:23:14,500 --> 00:23:15,867 I MEANT SHE'S A LESBIAN. 539 00:23:15,900 --> 00:23:17,533 AND WHY IS THAT A GOOD THING? 540 00:23:17,567 --> 00:23:18,933 BECAUSE I THOUGHT 541 00:23:18,967 --> 00:23:20,200 YOUR PATHS MIGHT HAVE CROSSED. 542 00:23:20,233 --> 00:23:21,500 IT COULD BE USEFUL. 543 00:23:21,533 --> 00:23:22,767 RIGHT, BECAUSE ME AND MY PEOPLE, 544 00:23:22,800 --> 00:23:23,900 WE'RE ALL ON A FIRST-NAME BASIS. 545 00:23:23,933 --> 00:23:25,800 MAY I SUGGEST YOU GET ON ONE? 546 00:23:25,833 --> 00:23:27,367 BECAUSE IF WE LOSE THAT GRANT... 547 00:23:27,400 --> 00:23:29,833 FRANKLIN, IF YOU WANT ME TO GO TO NEW YORK AND MAKE NICE, 548 00:23:29,867 --> 00:23:31,067 I WILL. 549 00:23:31,067 --> 00:23:32,700 BUT PLEASE, STOP PANICKING. I'LL HANDLE IT. 550 00:23:32,733 --> 00:23:34,400 UH, EXCUSE ME. 551 00:23:34,433 --> 00:23:36,067 THERE'S A BRAD GREEN ON THE PHONE. 552 00:23:36,067 --> 00:23:38,333 HE'S CALLED, LIKE, 14 TIMES. 553 00:23:43,567 --> 00:23:46,233 WHAT PART OF "NO" DON'T YOU UNDERSTAND, MR. GREEN? 554 00:23:46,267 --> 00:23:48,267 I'M NOT GOING TO WRITE YOU A BLANK CHECK 555 00:23:48,300 --> 00:23:51,800 JUST BECAUSE YOU YELL LIKE A FUCKING BANSHEE. 556 00:23:51,833 --> 00:23:53,467 I NEED AN ESTIMATE. 557 00:23:53,500 --> 00:23:56,267 THE INSURANCE COMPANY NEEDS AN ESTIMATE. 558 00:23:56,300 --> 00:23:57,867 DO YOU SEE A PATTERN HERE? 559 00:23:57,900 --> 00:24:00,833 IT'S THE WAY THINGS ARE DONE. 560 00:24:00,867 --> 00:24:03,667 [SIGHING] 561 00:24:03,700 --> 00:24:04,767 LISTEN, YOU ASSHOLE. 562 00:24:04,800 --> 00:24:06,567 IF YOU KEEP PUSHING ME, YOU'RE GOING TO END UP 563 00:24:06,600 --> 00:24:09,467 WITH A LAWSUIT ON YOUR HANDS, YOU GOT IT? 564 00:24:09,500 --> 00:24:12,367 BRING IT ON, YOU FUCKING DWARF. 565 00:24:17,333 --> 00:24:18,933 SHALL WE MOVE ON? 566 00:24:24,367 --> 00:24:26,467 SO I'LL CUT A CHECK FOR TONYA TODAY 567 00:24:26,500 --> 00:24:27,600 FROM THE CORPORATE ACCOUNT. 568 00:24:27,633 --> 00:24:29,333 FOR WHAT? 569 00:24:29,367 --> 00:24:30,733 HER MANAGER'S FEE. 570 00:24:30,767 --> 00:24:32,133 I THINK IT SHOULD COME FROM YOUR CORPORATE ACCOUNT, 571 00:24:32,167 --> 00:24:34,267 BECAUSE IT'S BETTER FOR TAX PURPOSES. 572 00:24:34,300 --> 00:24:36,833 TONYA'S TAKING A MANAGER'S FEE? 573 00:24:36,867 --> 00:24:38,567 JUST A STANDARD 15. 574 00:24:38,600 --> 00:24:41,467 UH, IS THAT OKAY? 575 00:24:42,667 --> 00:24:43,967 YEAH, IT'S FINE. 576 00:24:44,067 --> 00:24:45,433 NO, THAT'S FINE. 577 00:24:45,467 --> 00:24:48,233 NO, ERIC, WAIT. HOLD ON A SECOND. 578 00:24:48,267 --> 00:24:54,133 LUNCH...WHO PAID FOR LUNCH? 579 00:24:54,167 --> 00:24:56,067 OH, WE'LL TAKE IT OUT OF CORPORATE. 580 00:24:56,067 --> 00:24:57,267 CORPORATE. OF COURSE. 581 00:24:57,300 --> 00:24:58,533 GREAT JOB, TONYA. THANKS. 582 00:24:58,567 --> 00:25:00,767 HONEY, I HAVE TO GO. 583 00:25:00,800 --> 00:25:02,367 THE MONISTAT REP COULDN'T MAKE IT TO LUNCH, 584 00:25:02,400 --> 00:25:03,833 SO I'M GOING TO GO PITCH HER NOW, OKAY? 585 00:25:05,200 --> 00:25:07,067 ARE YOU OKAY? 586 00:25:07,100 --> 00:25:11,067 YOU TOLD ERIC TO PAY YOU A 15% MANAGER'S FEE? 587 00:25:11,067 --> 00:25:12,300 IS THAT BAD? 588 00:25:12,333 --> 00:25:15,200 ARE YOU MY FIANCEE, TONYA, OR ARE YOU MY MANAGER? 589 00:25:15,233 --> 00:25:17,800 I'M BOTH. 590 00:25:17,833 --> 00:25:18,900 DANA, 591 00:25:18,933 --> 00:25:19,900 DON'T GET SO UPSET. 592 00:25:19,933 --> 00:25:20,933 WE TALKED ABOUT THIS. 593 00:25:20,967 --> 00:25:24,333 NO, WE NEVER TALKED ABOUT THIS. 594 00:25:24,367 --> 00:25:26,367 ARE YOU-- AM I NOT DOING ENOUGH? 595 00:25:26,400 --> 00:25:28,667 DO YOU THINK I HAVEN'T EARNED 15%? 596 00:25:28,700 --> 00:25:32,167 NO, YOU'VE DONE-- YOU'VE DONE A LOT. 597 00:25:32,200 --> 00:25:36,067 HEY...I LOVE TO DO IT, AND I'M GOOD AT IT, 598 00:25:36,067 --> 00:25:37,167 AND YOU... 599 00:25:37,200 --> 00:25:38,833 NEED A MANAGER. 600 00:25:38,867 --> 00:25:41,067 WOULD IT MAKE YOU FEEL BETTER TO GET SOMEBODY ELSE? 601 00:25:41,067 --> 00:25:42,200 BECAUSE I CAN BRIEF THEM ON EVERYTHING 602 00:25:42,233 --> 00:25:43,500 THAT WE HAVE GOING ON. 603 00:25:43,533 --> 00:25:45,400 NO, NO, NO, NO, NO. DON'T. IT'S FINE. 604 00:25:45,433 --> 00:25:47,233 I'M JUST SURPRISED, OKAY? 605 00:25:47,267 --> 00:25:49,367 I COULD SWEAR WE TALKED ABOUT THIS. 606 00:25:49,400 --> 00:25:52,200 I THINK YOU ARE TRAINING TOO HARD. 607 00:25:52,233 --> 00:25:55,833 I HAVE TO DASH. 608 00:25:55,867 --> 00:25:57,800 I LOVE YOU. 609 00:26:02,067 --> 00:26:03,733 OKAY. 610 00:26:10,667 --> 00:26:12,100 ['80s POP PLAYING] 611 00:26:12,133 --> 00:26:13,100 [GRUNTING] 612 00:26:13,133 --> 00:26:15,067 [INTERCOM BUZZES] 613 00:26:19,900 --> 00:26:21,933 [CHANGES MUSIC] 614 00:26:26,133 --> 00:26:27,500 HELLO? 615 00:26:27,533 --> 00:26:29,633 [DANA]: IT'S ME. 616 00:26:32,133 --> 00:26:36,067 ARE YOU HERE TO COMPLAIN ABOUT YOUR FIANCEE? 617 00:26:38,367 --> 00:26:40,300 NO. 618 00:26:42,833 --> 00:26:46,433 SHE'S TAKING 15% OF MY EARNINGS, AL. 619 00:26:51,433 --> 00:26:53,767 [BUZZING DOOR] 620 00:26:53,800 --> 00:26:56,233 [INTERCOM BUZZES] 621 00:26:57,900 --> 00:27:00,633 YEAH, WHAT'S GOING ON? 622 00:27:00,667 --> 00:27:02,833 I CAN'T COME UP. 623 00:27:02,867 --> 00:27:04,100 WHY? 624 00:27:04,133 --> 00:27:06,733 THE RULES, AL! 625 00:27:06,767 --> 00:27:10,067 JUST-- WE'LL FIGURE SOMETHING OUT. 626 00:27:10,067 --> 00:27:12,100 [BUZZES DOOR] 627 00:27:13,200 --> 00:27:14,400 OH. UH... 628 00:27:14,433 --> 00:27:14,967 AH! 629 00:27:16,067 --> 00:27:17,733 YOU'RE JUST GOING TO 630 00:27:17,767 --> 00:27:20,367 LET HER TAKE 15% OF YOUR INCOME? 631 00:27:20,400 --> 00:27:21,700 WHAT CAN I DO? 632 00:27:21,733 --> 00:27:23,567 WELL, FIRE HER. 633 00:27:23,600 --> 00:27:25,767 DANA, YOU'RE MARRYING AN ENDORSEMENT SLUT. 634 00:27:27,333 --> 00:27:28,967 I MEAN, I CAN'T BELIEVE 635 00:27:29,067 --> 00:27:30,500 SHE GOT YOU ALL THOSE DEALS, THOUGH. 636 00:27:30,533 --> 00:27:33,833 IT IS PRETTY INCREDIBLE, ACTUALLY. 637 00:27:33,867 --> 00:27:35,900 WELL, IF YOU WANT TO AUCTION OFF YOUR LOVE 638 00:27:35,933 --> 00:27:37,133 TO THE HIGHEST BIDDER, IT IS. 639 00:27:37,167 --> 00:27:39,633 IT'S HER JOB, AL. 640 00:27:39,667 --> 00:27:40,867 IT'S HER JOB NOW, 641 00:27:40,900 --> 00:27:43,767 BECAUSE YOU ALWAYS LET HER GET HER WAY. 642 00:27:43,800 --> 00:27:45,933 IT'S WEIRD. 643 00:27:45,967 --> 00:27:46,933 HEY, PATTY. 644 00:27:46,967 --> 00:27:47,900 HEY. 645 00:27:51,500 --> 00:27:53,333 SHE'S GOT YOU 646 00:27:53,367 --> 00:27:54,467 BRAINWASHED. 647 00:27:54,500 --> 00:27:55,833 NO, SHE DOESN'T. 648 00:27:57,067 --> 00:27:59,567 DON'T YOU THINK... 649 00:27:59,600 --> 00:28:01,467 JUST A LITTLE? 650 00:28:03,667 --> 00:28:05,400 MAYBE A LITTLE. 651 00:28:14,067 --> 00:28:16,600 YOUR SKIN LOOKS REALLY GOOD. 652 00:28:16,633 --> 00:28:18,633 I-- REALLY? 653 00:28:18,667 --> 00:28:20,967 WELL, I WAS JUST... FORGET IT. 654 00:28:21,067 --> 00:28:23,800 WELL, YOU LOOK REALLY GOOD, TOO. 655 00:28:23,833 --> 00:28:25,267 THANKS. 656 00:28:28,900 --> 00:28:30,200 FEEL MY THIGHS. 657 00:28:30,233 --> 00:28:31,567 THEY'RE GETTING STRONGER. 658 00:28:31,600 --> 00:28:32,800 WOW! 659 00:28:32,833 --> 00:28:33,900 YEAH. 660 00:28:33,933 --> 00:28:35,367 YEAH, BUT THEY'RE TIGHT. 661 00:28:35,400 --> 00:28:37,833 TIGHTER. THEY'RE TIGHT. 662 00:28:44,800 --> 00:28:47,233 AHEM. 663 00:29:03,067 --> 00:29:05,100 YOU GOING TO SHANE'S TONIGHT? 664 00:29:05,133 --> 00:29:07,467 YEAH. UH-HUH. 665 00:29:07,500 --> 00:29:09,667 COOL. MM-HMM. 666 00:29:09,700 --> 00:29:10,967 IS TONYA COMING? 667 00:29:11,067 --> 00:29:13,500 YEAH. 668 00:29:13,533 --> 00:29:17,200 OKAY, I'M GOING TO GET BACK CLEANING. 669 00:29:17,233 --> 00:29:19,267 I WAS CLEANING, SO I'M JUST... 670 00:29:25,267 --> 00:29:27,200 I REWROTE MY SUBMISSION. 671 00:29:27,233 --> 00:29:28,800 I ALREADY TOLD YOU THE CLASS IS FULL. 672 00:29:28,833 --> 00:29:30,400 I DID WHAT YOU SAID-- 673 00:29:30,433 --> 00:29:32,100 I TURNED IT INTO FICTION. 674 00:29:32,133 --> 00:29:33,600 I WANT YOU TO READ IT, 675 00:29:33,633 --> 00:29:35,700 AND I WANT YOU TO TELL ME IF YOU THINK THAT I HAVEN'T. 676 00:29:35,733 --> 00:29:37,133 I'M NOT OPENING THIS CAR UNTIL YOU'RE GONE. 677 00:29:37,167 --> 00:29:40,433 THIS...MEANS MORE TO ME THAN YOU CAN IMAGINE, 678 00:29:40,467 --> 00:29:42,533 AND I KNOW THAT YOU CAN MAKE ME 679 00:29:42,567 --> 00:29:45,467 A BETTER WRITER. 680 00:29:45,500 --> 00:29:47,133 [SETS PAPERS ON WINDSHIELD] 681 00:29:47,167 --> 00:29:48,767 YOU HAVE ALREADY. 682 00:29:56,667 --> 00:29:58,633 [CELLPHONE RINGING] 683 00:30:00,400 --> 00:30:01,367 HEY, GIRL. 684 00:30:01,400 --> 00:30:02,533 I WAS JUST CHECKING IN 685 00:30:02,567 --> 00:30:03,833 AND SEEING HOW YOU'RE PROGRESSING 686 00:30:03,867 --> 00:30:05,500 WITH GETTING PINK. 687 00:30:05,533 --> 00:30:08,067 YEAH, I TALKED TO, YOU KNOW, SOME PEOPLE, 688 00:30:08,100 --> 00:30:09,433 AND THEY'RE REALLY EXCITED 689 00:30:09,467 --> 00:30:11,200 ABOUT THE POSSIBILITY OF HER PERFORMING. 690 00:30:11,233 --> 00:30:12,933 YEAH. NO, I KNOW. 691 00:30:12,967 --> 00:30:14,700 I KNOW-- 692 00:30:14,733 --> 00:30:17,533 I'M REALLY COUNTING ON THE TREE, YOU KNOW. 693 00:30:17,567 --> 00:30:18,767 DON'T LET ME DOWN. 694 00:30:18,800 --> 00:30:21,100 I'M STILL TRYING, KIT. YEAH. 695 00:30:21,133 --> 00:30:22,200 OKAY. 696 00:30:22,233 --> 00:30:23,300 I KNOW. 697 00:30:23,333 --> 00:30:26,433 OKAY. I'M REALLY SORRY. 698 00:30:26,467 --> 00:30:28,233 OKAY. SORRY. RIGHT. 699 00:30:29,900 --> 00:30:32,200 I'M TOO OLD FOR THIS SHIT. 700 00:30:32,233 --> 00:30:34,133 OKAY, YOU GUYS, WE'VE GOT TO KNOW 701 00:30:34,167 --> 00:30:35,533 SOMEONE WHO KNOWS PINK. 702 00:30:35,567 --> 00:30:37,233 GILLIAN. WHAT ABOUT GILLIAN? 703 00:30:37,267 --> 00:30:38,267 NO, GILLIAN GOT MARRIED 704 00:30:38,300 --> 00:30:39,700 AND MOVED TO COSTA RICA OR SOMETHING. 705 00:30:39,733 --> 00:30:40,800 SO SHE'S NOT EVEN 706 00:30:40,833 --> 00:30:42,133 TALKING TO DOROTHY? 707 00:30:42,167 --> 00:30:43,200 NO, DEFINITELY NOT. 708 00:30:43,233 --> 00:30:44,800 WHY DON'T YOU JUST PHONE HER AGENT? 709 00:30:44,833 --> 00:30:46,033 'CAUSE THAT WOULD BE TOO EASY. 710 00:30:46,067 --> 00:30:48,133 YOU NEVER SHOULD HAVE PROMISED KIT YOU'D GET PINK. 711 00:30:48,167 --> 00:30:50,100 I KNOW. THANKS. 712 00:30:50,133 --> 00:30:52,400 HEY. HI. HI. 713 00:30:52,433 --> 00:30:53,533 OH, JENNY, I'M SORRY. 714 00:30:53,567 --> 00:30:54,733 I THOUGHT YOU WERE WORKING LATE. 715 00:30:54,767 --> 00:30:56,767 WE CAN GO, THOUGH. 716 00:30:56,800 --> 00:30:57,800 NO, NO, NO, DON'T. 717 00:30:57,833 --> 00:30:59,400 I SKIPPED MY SHIFT. 718 00:30:59,433 --> 00:31:00,867 I WAS RUNNING-- 719 00:31:00,900 --> 00:31:02,567 I WAS RUNNING AN ERRAND. 720 00:31:02,600 --> 00:31:04,067 ALICE, HERE'S ANOTHER ONE. 721 00:31:04,100 --> 00:31:05,567 ALICE WAS COMPLAINING 722 00:31:05,600 --> 00:31:06,767 THERE WEREN'T ENOUGH INTERESTING SINGLE WOMEN IN L.A. 723 00:31:06,800 --> 00:31:08,567 SHE'S NOT SINGLE. 724 00:31:08,600 --> 00:31:09,800 SHE'S--YOU'RE SEEING ROBIN, RIGHT? 725 00:31:09,833 --> 00:31:11,733 NO, WE ACTUALLY-- WE BROKE UP. 726 00:31:11,767 --> 00:31:13,800 WOW. SO YOU'RE SINGLE? 727 00:31:13,833 --> 00:31:14,800 MM-HMM. 728 00:31:14,833 --> 00:31:15,833 WOW. 729 00:31:15,867 --> 00:31:17,067 WHAT HAPPENED? 730 00:31:17,067 --> 00:31:18,933 UM, I DON'T KNOW. 731 00:31:18,967 --> 00:31:21,200 SHE'S SMART, AND SHE'S SEXY, 732 00:31:21,233 --> 00:31:22,367 AND...SHE'S GREAT. 733 00:31:22,400 --> 00:31:23,567 BUT SHE BROUGHT A U-HAUL 734 00:31:23,600 --> 00:31:24,667 TO THE SECOND DATE. 735 00:31:24,700 --> 00:31:27,067 OH, GOD, DID YOU TALK TO HER? 736 00:31:27,067 --> 00:31:27,933 NO. 737 00:31:30,700 --> 00:31:31,567 NO. NO, IT'S... 738 00:31:31,600 --> 00:31:32,600 MOVING IN 739 00:31:32,633 --> 00:31:33,833 AFTER A SECOND DATE-- 740 00:31:33,867 --> 00:31:35,567 CLASSIC LESBIAN MOVE, 741 00:31:35,600 --> 00:31:36,667 RIGHT, TONYA? 742 00:31:36,700 --> 00:31:38,400 SOMETHING GOOD DOESN'T STAY ON THE SHELF LONG 743 00:31:38,433 --> 00:31:39,400 IN THIS COMMUNITY, 744 00:31:39,433 --> 00:31:40,533 ALICE. 745 00:31:42,133 --> 00:31:45,467 WOW, EVERYONE'S HAVING SUCH A GOOD TIME. 746 00:31:45,500 --> 00:31:47,333 HEY, BETTE. HI. HI. 747 00:31:47,367 --> 00:31:49,833 I THOUGHT I WOULD INVITE MYSELF 748 00:31:49,867 --> 00:31:52,367 SINCE NO ONE BOTHERS TO ANYMORE. 749 00:31:52,400 --> 00:31:53,767 JOIN US. 750 00:31:55,267 --> 00:31:56,233 SIT. 751 00:31:56,267 --> 00:31:58,400 DOES ANYONE MIND IF I SIT? 752 00:31:58,433 --> 00:31:59,333 OR IS EVERYONE 753 00:31:59,367 --> 00:32:00,467 SUDDENLY GOING TO REMEMBER 754 00:32:00,500 --> 00:32:02,400 SOME PLACE THAT THEY HAVE TO BE? 755 00:32:02,433 --> 00:32:04,733 NO ONE'S AVOIDING YOU. WE ALL LOVE YOU. 756 00:32:04,767 --> 00:32:06,333 ESPECIALLY YOU, ALICE. 757 00:32:06,367 --> 00:32:08,533 I DO, ACTUALLY. 758 00:32:08,567 --> 00:32:10,200 IT HASN'T BEEN EASY. 759 00:32:10,233 --> 00:32:11,267 NOBODY LIKES 760 00:32:11,300 --> 00:32:12,900 CHOOSING SIDES. 761 00:32:12,933 --> 00:32:14,300 BUT YOU DO IT SO WELL. 762 00:32:14,333 --> 00:32:15,567 COME ON, BETTE. 763 00:32:15,600 --> 00:32:16,733 WHAT, IS IT TIME FOR ME TO SHUT UP? 764 00:32:16,767 --> 00:32:18,200 NO, IT'S...NO. 765 00:32:18,233 --> 00:32:21,133 WE'RE HERE TO HAVE A GOOD TIME, SO... 766 00:32:21,167 --> 00:32:22,567 LET'S DO THAT. 767 00:32:22,600 --> 00:32:25,767 OKAY. OKAY. 768 00:32:35,433 --> 00:32:37,833 THIS IS REALLY AWKWARD. 769 00:32:37,867 --> 00:32:39,167 I ALWAYS THINK 770 00:32:39,200 --> 00:32:40,767 WHEN THINGS GET THIS BAD 771 00:32:40,800 --> 00:32:42,667 THAT IT'S BEST TO CHANGE THE SUBJECT. 772 00:32:44,667 --> 00:32:45,633 SO I'M GOING TO ASK A QUESTION 773 00:32:45,667 --> 00:32:48,200 AND EVERYBODY CAN TAKE TURNS ANSWERING. 774 00:32:48,233 --> 00:32:50,833 OKAY, THE QUESTION'S GOING TO BE 775 00:32:50,867 --> 00:32:52,767 IF YOU SAW YOURSELF AT A BAR, 776 00:32:52,800 --> 00:32:55,133 WOULD YOU ASK YOURSELF OUT? 777 00:32:55,167 --> 00:32:56,967 I'LL GO FIRST. 778 00:32:57,067 --> 00:32:58,067 AHEM. 779 00:32:58,067 --> 00:33:00,400 I THINK, IF I SAW MYSELF, 780 00:33:00,433 --> 00:33:02,800 THAT, JUST FOR A MINUTE, 781 00:33:02,833 --> 00:33:04,200 I'D THINK MY THIGHS WERE TOO BIG, 782 00:33:04,233 --> 00:33:05,400 AND THEN I'D DECIDE 783 00:33:05,433 --> 00:33:07,600 THAT I LIKE THAT. 784 00:33:09,067 --> 00:33:11,200 OKAY, SO YOU GO NEXT. 785 00:33:11,233 --> 00:33:12,400 HONEY, WHY DON'T YOU GO? 786 00:33:13,933 --> 00:33:16,733 I THINK I WOULD WANT TO ASK MYSELF OUT. 787 00:33:16,767 --> 00:33:17,900 IT WOULD NEVER HAPPEN, 788 00:33:17,933 --> 00:33:19,133 BECAUSE YOU WOULDN'T HAVE THE BALLS 789 00:33:19,167 --> 00:33:20,567 TO ASK YOURSELF OUT. 790 00:33:22,167 --> 00:33:23,133 WELL, 791 00:33:23,167 --> 00:33:25,067 I WOULD FUCK MYSELF... 792 00:33:25,067 --> 00:33:26,300 BUT I WOULDN'T DATE MYSELF. 793 00:33:26,333 --> 00:33:28,533 BECAUSE YOU DON'T DO THAT? 794 00:33:28,567 --> 00:33:30,200 IT'S HER HOUSE RULES. 795 00:33:30,233 --> 00:33:31,467 AL, WOULD YOU ANSWER THE QUESTION? 796 00:33:31,500 --> 00:33:32,500 WELL, IT'S A STUPID QUESTION, 797 00:33:32,533 --> 00:33:33,800 BUT OKAY. 798 00:33:33,833 --> 00:33:35,200 WHATEVER. OKAY, I DON'T KNOW. 799 00:33:35,233 --> 00:33:36,833 I WOULD THINK THAT I WAS HYSTERICAL 800 00:33:36,867 --> 00:33:38,567 AND CHARMING, 801 00:33:38,600 --> 00:33:40,733 BUT I DON'T THINK I'D GO THERE. 802 00:33:40,767 --> 00:33:41,833 SOMETHING TELLS ME YOU WOULD. 803 00:33:45,667 --> 00:33:46,867 OKAY, WH-- 804 00:33:46,900 --> 00:33:47,933 WHAT IS GOING ON WITH YOU TWO? 805 00:33:47,967 --> 00:33:50,333 YOU'RE TOTALLY ON EACH OTHER. 806 00:33:50,367 --> 00:33:52,500 JENNY HASN'T ANSWERED. 807 00:33:52,533 --> 00:33:54,200 I THINK THAT IF I WERE A GUY, 808 00:33:54,233 --> 00:33:56,500 I WOULD DEFINITELY 809 00:33:56,533 --> 00:33:58,300 ASK MYSELF OUT AS A WOMAN, 810 00:33:58,333 --> 00:34:01,267 AND...IF I WERE A WOMAN, 811 00:34:01,300 --> 00:34:02,667 THERE'S NO FUCKING WAY 812 00:34:02,700 --> 00:34:03,700 THAT I WOULD EVER 813 00:34:03,733 --> 00:34:05,667 ASK MYSELF OUT AS A WOMAN. 814 00:34:07,400 --> 00:34:08,500 [OTHERS LAUGHING] 815 00:34:08,533 --> 00:34:09,467 INTERESTING. 816 00:34:11,833 --> 00:34:13,300 WHAT ABOUT YOU, BETTE? 817 00:34:13,333 --> 00:34:15,433 BETTE? 818 00:34:20,600 --> 00:34:23,733 [TIPSY]: I WOULD SEE MYSELF... 819 00:34:23,767 --> 00:34:28,600 AND THEN I WOULD GO RUNNING IN THE OPPOSITE DIRECTION. 820 00:34:33,233 --> 00:34:36,067 [BETTE CONTINUES LAUGHING] 821 00:34:42,600 --> 00:34:44,967 [ALICE]: OKAY, WE'RE ALMOST THERE. 822 00:34:45,067 --> 00:34:46,467 JUST A FEW MORE STEPS. 823 00:34:46,500 --> 00:34:47,467 [SHANE]: OKAY. 824 00:34:47,500 --> 00:34:48,467 [BETTE]: I JUST NEED TO SLEEP. 825 00:34:48,500 --> 00:34:50,333 I KNOW, BABY. 826 00:34:50,367 --> 00:34:52,400 ALL RIGHT, ALL RIGHT. RIGHT HERE, RIGHT HERE. 827 00:34:56,933 --> 00:34:59,467 [SOBBING] 828 00:34:59,500 --> 00:35:01,500 OH, NO, DON'T CRY. 829 00:35:01,533 --> 00:35:03,767 SHH, SHH, SHH. 830 00:35:03,800 --> 00:35:05,900 LIE DOWN. 831 00:35:10,167 --> 00:35:12,100 [SOBBING] 832 00:35:12,133 --> 00:35:14,833 I'M SORRY. 833 00:35:14,867 --> 00:35:16,167 I'M SORRY. 834 00:35:16,200 --> 00:35:19,633 THERE'S NO NEED TO BE SORRY. 835 00:35:29,200 --> 00:35:31,633 I'M SORRY. 836 00:35:47,933 --> 00:35:49,233 HELLO. 837 00:35:49,267 --> 00:35:54,267 WELCOME TO THE DEFINING MOMENT OF YOUR EXISTENCE. 838 00:35:56,900 --> 00:36:00,433 HAS EVERYBODY SIGNED IN? 839 00:36:00,467 --> 00:36:02,833 I HAVEN'T. 840 00:36:07,133 --> 00:36:08,500 LET'S PICK UP 841 00:36:08,533 --> 00:36:09,933 WHERE WE LEFT OFF LAST TIME. 842 00:36:11,733 --> 00:36:12,900 WE WERE WRITING ABOUT 843 00:36:12,933 --> 00:36:15,500 THE HUNTER AND THE HUNTED... 844 00:36:15,533 --> 00:36:17,833 HOW'S EVERYBODY FEELING ABOUT THAT? 845 00:36:17,867 --> 00:36:20,733 A LITTLE SHAKY? 846 00:36:20,767 --> 00:36:22,300 UNSURE OF THEMSELVES? 847 00:36:22,333 --> 00:36:26,367 IF NOT, I'LL MAKE YOU FEEL THAT WAY IMMINENTLY. 848 00:36:26,400 --> 00:36:29,467 [TELEPHONE RINGING] 849 00:36:29,500 --> 00:36:31,433 [SIGHS] 850 00:36:40,267 --> 00:36:42,267 HELLO. 851 00:36:42,300 --> 00:36:45,100 OH, GOD, JAMES, THANK GOD IT'S YOU. 852 00:36:45,133 --> 00:36:46,433 YEAH, I WAS WORRIED 853 00:36:46,467 --> 00:36:48,500 IT WAS GOING TO BE FRANKLIN BREATHING DOWN MY NECK. 854 00:36:48,533 --> 00:36:50,800 LISTEN, I NEED YOU TO EMAIL ME 855 00:36:50,833 --> 00:36:54,233 LAST YEAR'S PEABODY GRANT APPLICATION. 856 00:36:54,267 --> 00:36:57,833 YEAH, I'M COMPLETELY STUCK. 857 00:36:57,867 --> 00:36:59,367 OKAY. ALL RIGHT. 858 00:36:59,400 --> 00:37:00,833 GREAT. THANKS. 859 00:37:00,867 --> 00:37:02,700 NO, I'M NOT COMING IN TODAY. 860 00:37:02,733 --> 00:37:04,867 I'M WORKING FROM HOME. 861 00:37:04,900 --> 00:37:07,433 YEAH, I NEED TO GET THIS GRANT PROPOSAL FINISHED. 862 00:37:07,467 --> 00:37:09,600 ALL RIGHT? 863 00:37:09,633 --> 00:37:11,167 THANKS. 864 00:37:15,900 --> 00:37:19,067 [***] 865 00:37:45,167 --> 00:37:47,700 [CLUB MUSIC PLAYS] 866 00:37:56,767 --> 00:37:58,067 [***] 867 00:37:58,067 --> 00:38:00,833 COME ON IN. COME ON IN! 868 00:38:05,067 --> 00:38:06,367 [KNOCKING ON DOOR] 869 00:38:06,400 --> 00:38:08,567 IT'S OPEN. 870 00:38:10,667 --> 00:38:11,633 WHA-- 871 00:38:11,667 --> 00:38:13,067 DON'T TELL ME YOU'RE NOT COMING. 872 00:38:13,100 --> 00:38:15,367 T, 873 00:38:15,400 --> 00:38:17,367 IT'S THE REOPENING OF THE PLANET. 874 00:38:17,400 --> 00:38:18,467 [TINA CONTINUES TYPING] 875 00:38:18,500 --> 00:38:20,500 I MEAN, I KNOW YOU DON'T WANT TO SEE BETTE, 876 00:38:20,533 --> 00:38:21,967 BUT WE ALL HAVE TO BE THERE 877 00:38:22,067 --> 00:38:23,100 TO SUPPORT KIT. 878 00:38:23,133 --> 00:38:24,333 I'M SORRY, I CAN'T. 879 00:38:24,367 --> 00:38:25,467 I NEED TO FINISH 880 00:38:25,500 --> 00:38:26,567 THIS GRANT PROPOSAL 881 00:38:26,600 --> 00:38:28,067 AND TURN IT IN BY TONIGHT. 882 00:38:28,100 --> 00:38:30,833 PLUS, I WANT TO GO BY THE HOUSE AND PICK UP SOME THINGS 883 00:38:30,867 --> 00:38:31,833 WHILE BETTE ISN'T THERE. 884 00:38:31,867 --> 00:38:33,300 GREAT. 885 00:38:39,633 --> 00:38:40,733 REMEMBER HOW I USED TO TELL YOU 886 00:38:40,767 --> 00:38:42,567 IT WOULD SUCK IF YOU AND BETTE BROKE UP? 887 00:38:42,600 --> 00:38:43,667 WELL, IT DOES. 888 00:38:43,700 --> 00:38:46,400 THIS IS SO FUCKED. 889 00:38:49,400 --> 00:38:51,500 YOU KNOW, I'M STARTING TO GET SCARED. 890 00:38:51,533 --> 00:38:52,567 IT'S LIKE BETTE'S SMOKING 891 00:38:52,600 --> 00:38:55,700 AND DRINKING HERSELF TO DEATH, AND YOU'RE... 892 00:38:55,733 --> 00:38:57,133 I'M GOING TO SAY IT, TINA. 893 00:38:57,167 --> 00:38:58,500 YOU'RE EATING YOUR PAIN, 894 00:38:58,533 --> 00:39:00,700 AND I DON'T KNOW HOW MUCH WEIGHT YOU'VE GAINED, 895 00:39:00,733 --> 00:39:02,767 BUT IF YOU DON'T STOP, 896 00:39:02,800 --> 00:39:04,567 YOU'RE GOING TO HAVE TO GO TO SOME ASHRAM, 897 00:39:04,600 --> 00:39:09,067 OR HIRE SOME REALLY MAJORLY IMPORTANT PERSONAL TRAINER, 898 00:39:09,067 --> 00:39:10,267 AND YOU DON'T HAVE THE MONEY. 899 00:39:10,300 --> 00:39:11,400 ALICE... 900 00:39:11,433 --> 00:39:13,233 I'M NOT FAT. 901 00:39:13,267 --> 00:39:16,067 T... 902 00:39:23,500 --> 00:39:25,633 SHIT. 903 00:39:25,667 --> 00:39:28,533 I'M A LITTLE CONFUSED. 904 00:39:28,567 --> 00:39:30,700 HOW DID THAT HAPPEN? 905 00:39:30,733 --> 00:39:33,067 I DID IT WHILE BETTE AND I WERE STILL TOGETHER, 906 00:39:33,067 --> 00:39:34,467 BUT I DIDN'T TELL HER 907 00:39:34,500 --> 00:39:36,733 BECAUSE I WANTED TO SEE IF IT WOULD TAKE. 908 00:39:36,767 --> 00:39:38,767 I DIDN'T THINK SHE COULD HANDLE 909 00:39:38,800 --> 00:39:41,233 ANOTHER MISCARRIAGE. 910 00:39:43,167 --> 00:39:44,667 OH... 911 00:39:44,700 --> 00:39:46,567 IT'S GOING TO BE OKAY. 912 00:39:46,600 --> 00:39:48,067 NO, IT'S NOT. 913 00:39:48,100 --> 00:39:49,367 IT'S FUCKED UP. 914 00:39:49,400 --> 00:39:51,100 I'M GOING TO HAVE A BABY. 915 00:39:51,133 --> 00:39:53,067 I THOUGHT IT WAS GOING TO BE MINE AND BETTE'S, 916 00:39:53,100 --> 00:39:55,833 BUT IT'S GOING TO BE MY BABY, 917 00:39:55,867 --> 00:39:58,200 AND I'M GOING TO LOVE HER 918 00:39:58,233 --> 00:39:59,233 AND CARE FOR HER 919 00:39:59,267 --> 00:40:01,067 AND I AM GOING TO GIVE HER 920 00:40:01,100 --> 00:40:03,067 A GREAT SHOT AT LIFE. 921 00:40:04,333 --> 00:40:06,300 COME HERE. 922 00:40:16,533 --> 00:40:19,467 [***] 923 00:40:46,733 --> 00:40:48,900 IS THAT CARMEN SPINNING? 924 00:40:48,933 --> 00:40:51,733 YEAH, I HOOKED HER UP WITH KIT. 925 00:40:51,767 --> 00:40:54,033 AREN'T YOU GOING TO GO SAY HI? 926 00:40:54,067 --> 00:40:55,500 I DID. 927 00:40:57,867 --> 00:40:58,967 WHAT? 928 00:40:59,000 --> 00:41:00,167 I DON'T KNOW, 929 00:41:00,200 --> 00:41:01,333 YOU JUST SOMETIMES REMIND ME 930 00:41:01,367 --> 00:41:04,300 OF GUYS THAT I USED TO DATE IN HIGH SCHOOL. 931 00:41:07,233 --> 00:41:08,867 HI. UM... 932 00:41:08,900 --> 00:41:12,067 MAY I HAVE TWO OF...THOSE? 933 00:41:42,400 --> 00:41:44,467 [ALICE]: SORRY. 934 00:41:44,500 --> 00:41:45,467 EXCUSE ME. 935 00:41:45,500 --> 00:41:46,667 SHANE! 936 00:41:46,700 --> 00:41:47,967 OKAY, UM... I HAVE TO TELL YOU SOMETHING 937 00:41:48,067 --> 00:41:49,600 I'M REALLY KIND OF NOT SUPPOSED TO TELL YOU. 938 00:41:49,633 --> 00:41:50,867 FIGHT THE URGE. 939 00:41:50,900 --> 00:41:53,300 BUT...BUT I CAN'T. 940 00:41:53,333 --> 00:41:54,800 TRY. 941 00:41:54,833 --> 00:41:55,967 BUT IT'S HARD! 942 00:41:56,067 --> 00:41:58,900 I KNOW, BUT TRY. TURN AROUND. 943 00:42:00,700 --> 00:42:02,933 YOU SHOOK THE LESBIAN PHONE TREE, 944 00:42:02,967 --> 00:42:06,367 AND LOOK WHAT FELL OUT. 945 00:42:06,400 --> 00:42:07,833 OH, MY GOD. 946 00:42:07,867 --> 00:42:09,867 IT'S BETTY. 947 00:42:09,900 --> 00:42:10,767 BOW TO THE POWER THE TREE. 948 00:42:10,800 --> 00:42:11,700 HEY, BETTY RULES. 949 00:42:19,533 --> 00:42:21,467 WHAT? 950 00:42:21,500 --> 00:42:22,900 HMM? WHAT? 951 00:42:22,933 --> 00:42:24,333 WHAT? WHAT? 952 00:43:03,133 --> 00:43:06,267 [JENNY]: I DIDN'T KNOW THAT YOU WERE A REGULAR SMOKER. 953 00:43:06,300 --> 00:43:08,867 I'M NOT. I'M... 954 00:43:08,900 --> 00:43:11,333 I QUIT FOUR YEARS AGO. 955 00:43:11,367 --> 00:43:13,333 THANK YOU. 956 00:43:18,767 --> 00:43:20,367 HOW ARE YOU? 957 00:43:20,400 --> 00:43:25,600 HOW WERE YOU WHEN YOUR LIFE FELL APART? 958 00:43:25,633 --> 00:43:27,667 A MESS. 959 00:43:30,067 --> 00:43:32,467 THAT'S IT. THAT'S ME. 960 00:43:34,633 --> 00:43:36,333 YOU KNOW WHAT? 961 00:43:38,067 --> 00:43:39,867 IT DOES GET BETTER. 962 00:43:43,367 --> 00:43:46,533 YOU KNOW, I-- I KEEP REPLAYING IT 963 00:43:46,567 --> 00:43:48,100 OVER AND OVER AGAIN IN MY HEAD, 964 00:43:48,133 --> 00:43:50,400 JUST TRYING TO FIGURE OUT 965 00:43:50,433 --> 00:43:51,967 THE EXACT MOMENT 966 00:43:52,067 --> 00:43:53,600 WHEN I COULD HAVE STOPPED MYSELF. 967 00:43:53,633 --> 00:43:55,300 NO, NO, NO, YOU CAN'T. 968 00:43:55,333 --> 00:43:59,600 YOU CAN'T DO THAT, BECAUSE WE ALL MAKE MISTAKES. 969 00:44:01,167 --> 00:44:02,767 YEAH... 970 00:44:02,800 --> 00:44:05,233 BUT NOT ME. 971 00:44:05,267 --> 00:44:07,200 NOT LIKE THIS. 972 00:44:14,333 --> 00:44:15,967 I DON'T EVEN KNOW 973 00:44:16,067 --> 00:44:18,467 WHY YOU'RE TALKING TO ME ABOUT THIS. 974 00:44:18,500 --> 00:44:20,233 I MEAN, IT WASN'T LIKE I WAS VERY NICE TO YOU 975 00:44:20,267 --> 00:44:23,567 WHEN YOU WENT THROUGH ALL THIS WITH TIM. 976 00:44:27,833 --> 00:44:29,900 I DON'T KNOW. 977 00:44:31,767 --> 00:44:33,133 I GUESS... 978 00:44:33,167 --> 00:44:35,567 I KNOW HOW THAT FEELS. 979 00:45:20,333 --> 00:45:21,700 ALICE! 980 00:45:21,733 --> 00:45:24,500 I WAS THINKING ABOUT THE OTHER NIGHT, 981 00:45:24,533 --> 00:45:26,100 YOU KNOW, WHEN I SAID THAT A GOOD WOMAN DIDN'T 982 00:45:26,133 --> 00:45:28,700 SIT ON THE SHELF FOR VERY LONG? 983 00:45:28,733 --> 00:45:29,733 I HOPE I DIDN'T OFFEND YOU. 984 00:45:29,767 --> 00:45:30,667 UH...NO. 985 00:45:30,700 --> 00:45:32,367 BECAUSE I KNOW YOU'VE BEEN SINGLE 986 00:45:32,400 --> 00:45:33,433 FOR A REALLY LONG TIME, 987 00:45:33,467 --> 00:45:35,100 AND IT MUST BE SO HARD 988 00:45:35,133 --> 00:45:37,367 TO HAVE YOUR BEST FRIEND SO HAPPY AND IN LOVE. 989 00:45:37,400 --> 00:45:38,400 NO. 990 00:45:38,433 --> 00:45:39,533 COME ON, 991 00:45:39,567 --> 00:45:41,700 I'M NOT BLIND, ALICE. 992 00:45:41,733 --> 00:45:43,233 BLIND? BLIND TO WHAT? 993 00:45:43,267 --> 00:45:45,467 YOU WANT THAT FOR YOURSELF. 994 00:45:45,500 --> 00:45:47,767 DANA? NO, NO! 995 00:45:47,800 --> 00:45:48,733 THAT'S NOT WHAT I MEANT, 996 00:45:48,767 --> 00:45:49,867 BUT YOU'VE GOT TO ADMIT 997 00:45:49,900 --> 00:45:51,267 SHE'S ADORABLE. 998 00:45:51,300 --> 00:45:53,133 YOU'VE GOT TO MISS THAT 999 00:45:53,167 --> 00:45:54,833 IN YOUR LIFE. 1000 00:45:56,100 --> 00:45:57,733 UM... 1001 00:45:57,767 --> 00:45:59,133 THAT'S WHY YOU'RE SO MEAN. 1002 00:45:59,167 --> 00:46:00,533 YOU MISS HER. 1003 00:46:00,567 --> 00:46:01,567 I BARGED IN 1004 00:46:01,600 --> 00:46:03,100 AND I STOLE YOUR BEST BUDDY. 1005 00:46:03,133 --> 00:46:04,300 LOOK. 1006 00:46:04,333 --> 00:46:05,867 DANA LOVES YOU... 1007 00:46:05,900 --> 00:46:09,100 BUT I WANT YOU TO KNOW, OKAY, 1008 00:46:09,133 --> 00:46:11,967 TON-TON KNOWS HOW TO SHARE. 1009 00:46:12,067 --> 00:46:13,200 UM... 1010 00:46:13,233 --> 00:46:14,800 OKAY, I'VE GOT TO PEE. 1011 00:46:14,833 --> 00:46:15,933 I'VE GOT TO PEE. 1012 00:46:15,967 --> 00:46:18,533 I'VE GOT TO PEE! 1013 00:46:19,933 --> 00:46:21,267 I'VE GOT TO PEE, TOO. 1014 00:46:21,300 --> 00:46:24,800 NOT SO FAST, HOTSTUFF. 1015 00:46:24,833 --> 00:46:26,267 MM! 1016 00:46:48,400 --> 00:46:50,300 LADIES-- AND A FEW GENTLEMEN-- 1017 00:46:50,333 --> 00:46:53,267 THIS IS A DREAM COME TRUE. 1018 00:46:53,300 --> 00:46:54,867 I'VE ALWAYS WANTED TO HAVE A PLACE 1019 00:46:54,900 --> 00:46:56,800 WHERE MUSICIANS COULD COME 1020 00:46:56,833 --> 00:46:58,867 AND JAM AND GET MUCH LOVE, 1021 00:46:58,900 --> 00:47:01,467 SO I WANT YOU TO GIVE IT UP FOR BETTY! 1022 00:47:01,500 --> 00:47:03,400 WHOO! 1023 00:47:03,433 --> 00:47:05,400 GIVE IT UP! GIVIN' IT UP FOR KIT PORTER! 1024 00:47:05,433 --> 00:47:07,567 DOES SHE KNOW HOW TO THROW A PARTY OR WHAT? 1025 00:47:07,600 --> 00:47:10,633 [SHOUTING, CHEERING] 1026 00:47:13,067 --> 00:47:17,300 * UH-HUH, UH-HUH 1027 00:47:17,333 --> 00:47:19,933 * UH-HUH, UH-HUH 1028 00:47:19,967 --> 00:47:23,933 * IF YOU WANT IT COME AND GET IT * 1029 00:47:23,967 --> 00:47:26,133 * I KNOW HOW MUCH YOU DO 1030 00:47:27,233 --> 00:47:29,067 * IF YOU WORK AND 1031 00:47:29,100 --> 00:47:30,933 * IF YOU'RE WORTHY 1032 00:47:30,967 --> 00:47:33,833 * I JUST MIGHT GIVE IT TO YOU * 1033 00:47:33,867 --> 00:47:37,633 * I AM THE IT GIRL * AND IT CAN HAPPEN TO YOU * 1034 00:47:37,667 --> 00:47:40,233 * OHH, IT GIRL 1035 00:47:40,267 --> 00:47:44,800 * I AM THE IT GIRL * AND IT CAN HAPPEN TO YOU * 1036 00:47:44,833 --> 00:47:48,600 * OHH, IT GIRL 1037 00:47:48,633 --> 00:47:50,600 * I'M A REGULAR JOSEPHINE 1038 00:47:50,633 --> 00:47:52,967 * A SILENT MOVIE QUEEN 1039 00:47:53,067 --> 00:47:54,867 * A '70s TV DREAMER 1040 00:47:54,900 --> 00:47:56,700 * AND THE STAR OF A WINNING TEAM * 1041 00:47:56,733 --> 00:47:58,967 * I CAN DRIVE ANY HOTROD CAR 1042 00:47:59,067 --> 00:48:00,833 * GOT MY NAME IN A CEMENT STAR * 1043 00:48:00,867 --> 00:48:02,367 * TOSS ONE BACK IN A FAMOUS BAR * 1044 00:48:02,400 --> 00:48:03,433 * DARLIN', IF AND WHEN I'VE GONE TOO FAR * 1045 00:48:03,467 --> 00:48:08,800 * DARLIN' I AM THE ONE * 1046 00:48:08,833 --> 00:48:11,067 * FOR FUN 1047 00:48:11,100 --> 00:48:13,067 * EVERYONE 1048 00:48:15,133 --> 00:48:16,300 * UH-HUH 1049 00:48:16,333 --> 00:48:18,267 * UH-HUH 1050 00:48:18,300 --> 00:48:20,467 * UH-HUH 1051 00:48:20,500 --> 00:48:21,933 * UH-HUH 1052 00:48:21,967 --> 00:48:25,333 * IF YOU WANT IT COME AND GET IT * 1053 00:48:25,367 --> 00:48:27,267 * I KNOW HOW MUCH YOU DO 1054 00:48:27,300 --> 00:48:28,667 [CHEERING] 1055 00:48:28,700 --> 00:48:31,500 * IF YOU WORK AND IF YOU'RE WORTHY * 1056 00:48:31,533 --> 00:48:35,733 * I JUST MIGHT GIVE IT TO YOU * 1057 00:48:35,767 --> 00:48:39,267 * I AM THE IT GIRL * AND IT CAN HAPPEN TO YOU * 1058 00:48:39,300 --> 00:48:43,433 * OHH, IT GIRL 1059 00:48:43,467 --> 00:48:46,067 * I AM THE IT GIRL * AND IT CAN HAPPEN TO YOU * 1060 00:48:46,100 --> 00:48:51,167 * OHH, IT GIRL 1061 00:48:51,200 --> 00:48:52,633 * I'M THE QUEEN OF THE RODEO 1062 00:48:52,667 --> 00:48:54,567 * BEAST DOWN AT THE DRIVE-IN SHOW * 1063 00:48:54,600 --> 00:48:56,767 * ROCK GODDESS ON THE RADIO 1064 00:48:56,800 --> 00:48:58,933 * AND THE NEXT-DOOR-NEIGHBOR THAT YOU WANT TO KNOW * 1065 00:48:58,967 --> 00:49:00,467 * I CAN WORK ANY HARDWARE TOOLS * 1066 00:49:00,500 --> 00:49:02,767 * GRADUATED FROM THE FINEST SCHOOLS... * 1067 00:49:02,800 --> 00:49:04,667 BEER? 1068 00:49:04,700 --> 00:49:05,800 SURE. CHEERS. 1069 00:49:05,833 --> 00:49:11,067 * DARLIN' I AM THE ONE * 1070 00:49:11,100 --> 00:49:13,567 * FOR FUN 1071 00:49:13,600 --> 00:49:14,667 * EVERYONE 1072 00:49:14,700 --> 00:49:17,800 [CHEERING] 1073 00:49:17,833 --> 00:49:24,067 * WORSHIP ME 1074 00:49:24,067 --> 00:49:30,367 * ON YOUR KNEES 1075 00:49:30,400 --> 00:49:35,767 * WELL, I AM AMOROUS, GLAMOROUS * 1076 00:49:35,800 --> 00:49:39,800 * DANGEROUS, SCANDALOUS... 1077 00:49:39,833 --> 00:49:41,667 YOU KNOW, WHEN I WAS A KID, 1078 00:49:41,700 --> 00:49:43,400 AND I SAW YOU ONSTAGE, 1079 00:49:43,433 --> 00:49:44,400 I THOUGHT, 1080 00:49:44,433 --> 00:49:47,867 "THAT'S MY SISTER. SHE CAN DO ANYTHING." 1081 00:49:47,900 --> 00:49:50,833 I FEEL LIKE THAT RIGHT NOW. 1082 00:49:55,767 --> 00:50:00,033 [APPLAUDING] 1083 00:50:00,067 --> 00:50:01,100 THANK YOU! 1084 00:50:01,133 --> 00:50:03,433 I HAVE A CONFESSION TO MAKE. 1085 00:50:03,467 --> 00:50:05,600 KIT PORTER IS MY IDOL, 1086 00:50:05,633 --> 00:50:07,900 AND TO BE STANDING HERE ON HER STAGE, 1087 00:50:07,933 --> 00:50:09,500 AFTER GROWING UP LISTENING TO HER MUSIC 1088 00:50:09,533 --> 00:50:11,533 IS... IT'S LIKE A DREAM COME TRUE. 1089 00:50:11,567 --> 00:50:12,767 KIT, KIT PORTER, 1090 00:50:12,800 --> 00:50:14,633 WILL YOU PLEASE COME UP AND SING HERE WITH US? 1091 00:50:14,667 --> 00:50:16,867 COME ON! 1092 00:50:16,900 --> 00:50:17,933 COME ON. 1093 00:50:38,400 --> 00:50:43,700 * I DON'T NEED WHOLE LOTS OF MONEY * 1094 00:50:43,733 --> 00:50:46,267 * I DON'T NEED 1095 00:50:46,300 --> 00:50:49,200 * A BIG, FINE CAR 1096 00:50:49,233 --> 00:50:51,700 * I'VE GOT EVERYTHING * 1097 00:50:51,733 --> 00:50:55,867 * THAT A MAN COULD WANT 1098 00:50:55,900 --> 00:51:02,433 * I GOT MORE... THAN I COULD ASK FOR * 1099 00:51:02,467 --> 00:51:06,733 * I DON'T HAVE TO RUN AROUND 1100 00:51:06,767 --> 00:51:11,500 * I DON'T HAVE TO STAY OUT ALL NIGHT * 1101 00:51:11,533 --> 00:51:13,300 * 'CAUSE I'VE GOT ME 1102 00:51:13,333 --> 00:51:17,533 * A SWEET SWEET, LOVING WOMAN * 1103 00:51:17,567 --> 00:51:22,933 * AND SHE KNOWS JUST HOW TO TREAT ME RIGHT * 1104 00:51:22,967 --> 00:51:24,967 * WELL, MY BABY 1105 00:51:25,067 --> 00:51:28,800 * SHE'S ALL RIGHT 1106 00:51:28,833 --> 00:51:31,633 * WELL, MY BABY 1107 00:51:31,667 --> 00:51:33,900 * SHE'S CLEAN OUT OF SIGHT 1108 00:51:33,933 --> 00:51:35,267 * DON'T YOU KNOW THAT 1109 00:51:35,300 --> 00:51:40,167 * SHE'S SOME KIND OF WONDERFUL 1110 00:51:40,200 --> 00:51:42,300 * YES, SHE IS, YEAH 1111 00:51:42,333 --> 00:51:46,067 * SOME KIND OF WONDERFUL 1112 00:51:46,067 --> 00:51:49,133 * YEAH 1113 00:51:49,167 --> 00:51:51,133 * SOME KIND OF WONDERFUL 1114 00:51:51,167 --> 00:51:52,800 WOULD YOU LIKE TO GET OUT OF HERE? 1115 00:51:52,833 --> 00:51:53,967 * YEAH, YEAH, YEAH, YEAH, YEAH * 1116 00:51:54,067 --> 00:51:55,433 [CHUCKLES] 1117 00:51:55,467 --> 00:51:57,867 * YEAH, YEAH, YEAH, YEAH, YEAH, YEAH * 1118 00:51:57,900 --> 00:52:00,633 * WHEN I HOLD HER IN MY ARMS 1119 00:52:00,667 --> 00:52:03,067 YEAH, I DO, BUT, UM... 1120 00:52:03,067 --> 00:52:04,800 I'M ACTUALLY STILL WORKING, 1121 00:52:04,833 --> 00:52:08,333 SO MAYBE WE CAN DO IT SOME OTHER TIME? 1122 00:52:08,367 --> 00:52:09,500 YEAH, I WOULD LIKE THAT. 1123 00:52:09,533 --> 00:52:11,633 YEAH? MM-HMM. 1124 00:52:11,667 --> 00:52:14,967 * OOH, WHEN MY BABY KISSES ME * 1125 00:52:15,067 --> 00:52:20,367 * MY HEART BECOMES FILLED WITH DESIRE * 1126 00:52:20,400 --> 00:52:25,167 * WHEN SHE WRAPS HER LOVING ARMS AROUND ME * 1127 00:52:25,200 --> 00:52:30,967 * IT 'BOUT DRIVES ME OUT OF MY MIND * 1128 00:52:31,067 --> 00:52:33,633 * YEAH, YEAH, YEAH 1129 00:52:33,667 --> 00:52:37,467 * YEAH, WHEN MY BABY KISSES ME 1130 00:52:37,500 --> 00:52:42,733 * CHILLS RUN UP AND DOWN MY SPINE * 1131 00:52:42,767 --> 00:52:48,200 * WELL, MY BABY SHE'S ALL RIGHT * 1132 00:52:48,233 --> 00:52:54,133 * WELL, MY BABY SHE'S CLEAN OUT OF SIGHT * 1133 00:52:54,167 --> 00:52:55,633 * DON'T YOU KNOW THAT 1134 00:52:55,667 --> 00:53:02,200 * SOME KIND OF WONDERFUL 1135 00:53:02,233 --> 00:53:07,067 * SOME KIND OF WONDERFUL 1136 00:53:07,067 --> 00:53:10,667 * SOME KIND OF WONDERFUL 1137 00:53:10,700 --> 00:53:17,700 * YEAH, YEAH, YEAH, YEAH, YEAH YEAH, YEAH, YEAH, YEAH, YEAH * 1138 00:53:17,733 --> 00:53:22,100 * IS THERE ANYBODY IS THERE ANYBODY * 1139 00:53:22,133 --> 00:53:28,200 * GOT A SWEET LITTLE WOMAN LIKE MINE? * 1140 00:53:28,233 --> 00:53:31,733 * GOT TO BE SOMEBODY 1141 00:53:31,767 --> 00:53:34,433 * I KNOW THERE'S SOMEBODY 1142 00:53:34,467 --> 00:53:37,733 * GOT A SWEET LITTLE WOMAN LIKE MINE * 1143 00:53:37,767 --> 00:53:40,067 TINA... 1144 00:53:40,067 --> 00:53:43,700 * CAN I GET A WITNESS? * HONEY, CAN I GET A WITNESS? 1145 00:53:43,733 --> 00:53:45,533 * CAN I, CAN I? CAN I, CAN I? 1146 00:53:45,567 --> 00:53:47,333 * CAN I GET A WITNESS? 1147 00:53:47,367 --> 00:53:50,067 * CAN I GET A... CAN I? * 1148 00:53:50,067 --> 00:53:53,067 * CAN I GET A WITNESS? 1149 00:53:53,067 --> 00:53:54,333 * CAN I, CAN I, CAN I... * 1150 00:53:54,367 --> 00:53:56,200 * WITNESS 1151 00:53:56,233 --> 00:53:58,167 * CAN I GET A WITNESS? 1152 00:53:58,200 --> 00:54:01,933 * CAN I, CAN I... 1153 00:54:01,967 --> 00:54:04,400 * YEAH, YEAH 1154 00:54:04,433 --> 00:54:07,167 * SOME KIND OF WONDERFUL 1155 00:54:07,200 --> 00:54:09,967 * YEAH, YEAH 1156 00:54:10,067 --> 00:54:15,500 * SOME KIND OF WONDERFUL 1157 00:54:15,533 --> 00:54:18,433 * SOME KIND OF WONDERFUL 1158 00:54:18,467 --> 00:54:21,167 * YOU KNOW WHAT I'M TALKING ABOUT * 1159 00:54:21,200 --> 00:54:26,867 * SOME KIND OF WONDERFUL 1160 00:54:26,900 --> 00:54:32,500 * SOME KIND OF WONDERFUL 1161 00:54:32,533 --> 00:54:35,900 * SOME KIND OF WONDERFUL 1162 00:54:35,933 --> 00:54:38,300 * YEAH, YEAH, YEAH, YEAH, YEAH 1163 00:54:38,333 --> 00:54:45,933 * YEAH, YEAH, YEAH YEAH, YEAH... **