1
00:00:11,000 --> 00:00:12,267
PREVIOUSLY ON THE L WORD...

2
00:00:12,300 --> 00:00:13,567
IT'S A MARRIAGE
THAT I DON'T WANT TO HAVE END.

3
00:00:13,600 --> 00:00:14,933
IT'S A LITTLE LATE FOR THAT.

4
00:00:14,967 --> 00:00:16,167
WE'RE HERE TO TALK
FINAL SEPARATION.

5
00:00:16,200 --> 00:00:17,233
WHAT?

6
00:00:17,267 --> 00:00:18,233
BETTE'S SMOKING

7
00:00:18,267 --> 00:00:19,300
AND DRINKING HERSELF
TO DEATH,

8
00:00:19,333 --> 00:00:20,467
AND YOU'RE EATING YOUR PAIN.

9
00:00:20,500 --> 00:00:21,300
[TINA]:
I'M HAVING A BABY.

10
00:00:21,333 --> 00:00:22,400
I DON'T HAVE A PLACE TO LIVE.

11
00:00:22,433 --> 00:00:23,567
MY GUESTHOUSE IS EMPTY,

12
00:00:23,600 --> 00:00:24,800
AND YOU'RE
GOING TO MOVE INTO IT

13
00:00:24,833 --> 00:00:26,633
UNTIL WE GET
THE DEAL WE WANT.

14
00:00:26,667 --> 00:00:27,600
YOUR SKIN LOOKS REALLY GOOD.

15
00:00:28,867 --> 00:00:29,900
[MAN]: PEGGY PEABODY
IS STEPPING DOWN.

16
00:00:29,933 --> 00:00:31,200
HER DAUGHTER HELENA
IS TAKING OVER.

17
00:00:31,233 --> 00:00:33,200
BAD NEWS IS, WE DON'T KNOW
WHAT HELENA PEABODY HAS IN MIND.

18
00:00:33,233 --> 00:00:35,333
FRANKLIN, IF YOU WANT ME
TO GO TO NEW YORK

19
00:00:35,367 --> 00:00:36,800
AND MAKE NICE, I WILL.

20
00:00:36,833 --> 00:00:37,633
THEY GOT ME A JOB.

21
00:00:37,667 --> 00:00:38,400
WHO'S THE CLIENT?

22
00:00:38,433 --> 00:00:39,133
ARIANNA SOMEONE.

23
00:00:39,167 --> 00:00:40,300
ARIANNA HUFFINGTON?

24
00:00:40,333 --> 00:00:41,567
YEAH.
IT'S GREAT.

25
00:00:41,600 --> 00:00:43,300
MAYBE YOU CAN GET
SOME FILM CLIENTS.

26
00:00:43,333 --> 00:00:44,300
T...

27
00:00:44,333 --> 00:00:45,500
IT'S THE REOPENING
OF THE PLANET.

28
00:00:45,533 --> 00:00:46,733
I NEED TO FINISH

29
00:00:46,767 --> 00:00:48,000
THIS GRANT PROPOSAL

30
00:00:48,033 --> 00:00:49,467
AND TURN IT IN BY TONIGHT.

31
00:00:49,500 --> 00:00:50,667
I'VE ALWAYS WANTED
TO HAVE A PLACE

32
00:00:50,700 --> 00:00:53,500
WHERE MUSICIANS
COULD COME AND JAM.

33
00:00:53,533 --> 00:00:56,333
I JUST PUT THIS AD
IN CRAIGSLIST

34
00:00:56,367 --> 00:00:57,467
LOOKING FOR A ROOMMATE.

35
00:00:57,500 --> 00:00:59,000
WE SHOULD TALK.

36
00:00:59,033 --> 00:01:00,067
WHY NOT, RIGHT?

37
00:01:00,067 --> 00:01:01,367
I'M CARMEN.

38
00:01:01,400 --> 00:01:02,200
I'M JENNY.

39
00:01:02,233 --> 00:01:03,067
I KNOW.

40
00:01:03,067 --> 00:01:04,200
HEY, BETTE.
HI, BETTE.

41
00:01:04,233 --> 00:01:05,267
I THOUGHT
I WOULD INVITE MYSELF

42
00:01:05,300 --> 00:01:06,400
SINCE NO ONE BOTHERS TO
ANYMORE.

43
00:01:06,433 --> 00:01:07,533
NOBODY LIKES
CHOOSING SIDES.

44
00:01:07,567 --> 00:01:10,067
[BETTE]:
BUT YOU DO IT SO WELL.

45
00:01:10,733 --> 00:01:12,933
[***]

46
00:01:15,533 --> 00:01:17,733
[TELEPHONE RINGS]

47
00:01:17,767 --> 00:01:19,967
THIS IS DR. de OBALDIA
RETURNING HIS CALL.

48
00:01:20,067 --> 00:01:22,067
I'M IN SESSION
FOR THE NEXT 45 MINUTES.

49
00:01:22,067 --> 00:01:26,733
[ANSWERING MACHINE BEEPS]

50
00:01:26,767 --> 00:01:28,533
WE NEED TO TALK.

51
00:01:28,567 --> 00:01:31,367
ISN'T THAT WHY I'M HERE?

52
00:01:36,067 --> 00:01:37,633
PLEASE DON'T DO THAT.

53
00:01:39,967 --> 00:01:41,400
WHAT AM I DOING, ISABEL?

54
00:01:41,433 --> 00:01:44,500
YOU KNOW EXACTLY
WHAT YOU'RE DOING.

55
00:01:48,167 --> 00:01:50,700
ARE YOU ASHAMED
OF WHAT HAPPENED?

56
00:01:50,733 --> 00:01:52,333
IT WAS PROFOUNDLY WRONG.

57
00:01:52,367 --> 00:01:54,867
I-I COULD LOSE MY LICENSE.

58
00:01:54,900 --> 00:01:56,167
I WOULD NEVER DO THAT.

59
00:01:56,200 --> 00:01:58,933
I HAVE
A RESPONSIBILITY TO YOU,

60
00:01:58,967 --> 00:02:01,500
AND I ABUSED
THAT RESPONSIBILITY.

61
00:02:04,433 --> 00:02:06,300
I'M SORRY.

62
00:02:06,333 --> 00:02:08,067
I'M NOT.

63
00:02:10,100 --> 00:02:11,700
HOW IS IT WRONG...

64
00:02:11,733 --> 00:02:13,067
IT'S ABSOLUTELY WRONG.

65
00:02:13,100 --> 00:02:14,667
TO ACT ON DESIRE,

66
00:02:14,700 --> 00:02:20,067
WHEN WE BOTH
ARE SUFFOCATING FROM IT...

67
00:02:20,067 --> 00:02:22,433
WHEN IT HARMS NO ONE...

68
00:02:22,467 --> 00:02:25,133
WHEN IT'S SO...

69
00:02:25,167 --> 00:02:31,067
FUCKING EXCRUCIATING.

70
00:02:40,300 --> 00:02:43,700
BUT I HAVE DONE YOU
A GREAT DISSERVICE.

71
00:02:43,733 --> 00:02:46,067
PLEASE.

72
00:02:46,067 --> 00:02:49,667
I AM ASKING YOU
TO SIT BACK DOWN.

73
00:03:04,433 --> 00:03:06,367
[BREATHING HEAVILY]

74
00:03:25,067 --> 00:03:31,300
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *

75
00:03:31,333 --> 00:03:37,833
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *

76
00:03:37,867 --> 00:03:44,067
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *

77
00:03:44,067 --> 00:03:51,333
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *

78
00:03:58,167 --> 00:03:59,767
* TALKING, LAUGHING
LOVING, BREATHING *

79
00:03:59,800 --> 00:04:01,833
* FIGHTING, FUCKING
CRYING, DRINKING *

80
00:04:01,867 --> 00:04:03,067
* WRITING, WINNING
LOSING, CHEATING *

81
00:04:03,067 --> 00:04:04,533
* KISSING, THINKING, DREAMING

82
00:04:04,567 --> 00:04:06,533
* THIS IS THE WAY...

83
00:04:06,567 --> 00:04:09,367
* THIS IS THE WAY
THAT WE LIVE *

84
00:04:09,400 --> 00:04:14,900
* IT'S THE WAY THAT WE LIVE

85
00:04:14,933 --> 00:04:18,600
* AND LOVE *

86
00:04:24,300 --> 00:04:26,067
HEY, GUYS.

87
00:04:26,067 --> 00:04:27,333
HELLO.

88
00:04:27,367 --> 00:04:28,433
ALL RIGHT.

89
00:04:28,467 --> 00:04:30,100
A FAIRY GODMOTHER
COMES TO VISIT.

90
00:04:30,133 --> 00:04:32,433
SHE TELLS YOU
SHE'S GOING TO GIVE YOU A PENIS,

91
00:04:32,467 --> 00:04:34,300
BUT YOU ONLY GET IT
FOR 24 HOURS,

92
00:04:34,333 --> 00:04:36,433
AND THEN IT DISAPPEARS.

93
00:04:36,467 --> 00:04:38,433
WHAT DO YOU DO WITH THAT PENIS
FOR 24 HOURS?

94
00:04:40,667 --> 00:04:43,333
I WOULD PEE STANDING UP
ON EVERY BUSH I COULD FIND.

95
00:04:44,500 --> 00:04:45,467
THAT'S ALL YOU WOULD DO?

96
00:04:45,500 --> 00:04:46,967
YOU'D JUST... JUST PEE?

97
00:04:47,067 --> 00:04:48,600
YEP.

98
00:04:48,633 --> 00:04:49,833
YOU REALLY WOULDN'T TRY

99
00:04:49,867 --> 00:04:51,800
TO FUCK A LOT OF GIRLS?

100
00:04:51,833 --> 00:04:53,233
I DON'T NEED A DICK
TO DO THAT.

101
00:04:53,267 --> 00:04:54,900
[ALL LAUGH]

102
00:04:56,067 --> 00:04:59,067
OKAY, HOW BIG IS MY PENIS?

103
00:04:59,100 --> 00:05:00,533
HMM. OKAY.

104
00:05:00,567 --> 00:05:02,967
LEAN.

105
00:05:03,067 --> 00:05:04,500
OKAY, I SEE A REALLY BIG COCK

106
00:05:04,533 --> 00:05:06,133
DOWN THERE.

107
00:05:06,167 --> 00:05:07,300
IT'S LONG.
IT'S NOT TOO THICK.

108
00:05:07,333 --> 00:05:08,300
IT'S NOT TOO VEINY.

109
00:05:08,333 --> 00:05:09,500
GROSS.

110
00:05:09,533 --> 00:05:11,700
I, ON THE OTHER HAND,
HAVE A GIANT SAUSAGE.

111
00:05:11,733 --> 00:05:14,733
[ALL LAUGH]

112
00:05:14,767 --> 00:05:16,867
I THINK THAT I PROBABLY HAVE
A REALLY SMALL PENIS.

113
00:05:16,900 --> 00:05:19,633
GIRL, YOU NEED TO WORK
ON YOUR SELF-ESTEEM.

114
00:05:19,667 --> 00:05:20,900
OH, WE'RE TRYING, KIT.

115
00:05:20,933 --> 00:05:22,467
NO, NO, NO.

116
00:05:22,500 --> 00:05:23,467
I KIND OF LIKE MEN
WITH SMALL DICKS,

117
00:05:23,500 --> 00:05:25,133
BECAUSE THEN THEY WORK
REALLY HARD

118
00:05:25,167 --> 00:05:27,233
TO TRY TO PLEASE YOU, YOU KNOW?

119
00:05:27,267 --> 00:05:28,733
RIGHT?

120
00:05:28,767 --> 00:05:30,067
JENNY...

121
00:05:30,067 --> 00:05:32,467
I AM BEGINNING TO THINK
YOU ARE DEFINITELY A LESBIAN.

122
00:05:32,500 --> 00:05:34,133
CARMEN'S CERTAINLY HOPING SO.

123
00:05:34,167 --> 00:05:35,667
CARMEN? WHAT?

124
00:05:35,700 --> 00:05:36,900
WHAT?

125
00:05:36,933 --> 00:05:37,900
WAIT. THERE'S
SOMETHING GOING ON

126
00:05:37,933 --> 00:05:39,633
BETWEEN YOU AND CARMEN?

127
00:05:39,667 --> 00:05:40,700
NO, NO, NO,
THERE'S NOTHING.

128
00:05:40,733 --> 00:05:41,900
CARMEN IS ALL THAT.

129
00:05:41,933 --> 00:05:44,200
KIT.

130
00:05:44,233 --> 00:05:45,900
OH, ALICE,
BEFORE I FORGET,

131
00:05:45,933 --> 00:05:48,067
THANK YOU SO MUCH
FOR THE GIFT CERTIFICATE.

132
00:05:48,067 --> 00:05:49,500
YOU'RE WELCOME.

133
00:05:49,533 --> 00:05:50,500
DID YOU USE THEM, OR--

134
00:05:50,533 --> 00:05:51,700
NO, NOT YET.

135
00:05:51,733 --> 00:05:52,933
I WAS WAITING
FOR BETTE TO COME BACK

136
00:05:52,967 --> 00:05:54,500
SO WE COULD HAVE
OUR MASSAGES TOGETHER.

137
00:05:54,533 --> 00:05:55,833
WHERE'S BETTE?

138
00:05:55,867 --> 00:05:58,500
SHE WENT TO NEW YORK.

139
00:05:58,533 --> 00:06:00,500
SHE'S BACK ON FRIDAY.

140
00:06:00,533 --> 00:06:01,500
I THOUGHT MAYBE
WE WOULD

141
00:06:01,533 --> 00:06:03,400
TREAT OURSELVES
ON THE WEEKEND.

142
00:06:03,433 --> 00:06:05,167
[BETTE]: SHE WHAT?

143
00:06:08,533 --> 00:06:10,667
SHE CAN'T FUCKING CANCEL ON ME

144
00:06:10,700 --> 00:06:13,233
WHEN I FLEW
ALL THE WAY OUT HERE JUST TO--

145
00:06:13,267 --> 00:06:15,833
IT'S IN THE BACK.

146
00:06:15,867 --> 00:06:16,833
ALL RIGHT.

147
00:06:16,867 --> 00:06:20,067
WHAT TIME TOMORROW?

148
00:06:20,067 --> 00:06:21,233
OKAY, WELL, IN THE MEANTIME,

149
00:06:21,267 --> 00:06:23,200
CAN YOU GET ME A PRIVATE TOUR
OF THE FRICK?

150
00:06:23,233 --> 00:06:24,533
OH, AND JAMES,
WILL YOU MAKE SURE

151
00:06:24,567 --> 00:06:26,067
THAT HELENA PEABODY
TAKES THE TIME

152
00:06:26,067 --> 00:06:27,200
TO READ OUR PROPOSAL

153
00:06:27,233 --> 00:06:29,533
BEFORE I WALK IN THERE
TOMORROW MORNING?

154
00:06:29,567 --> 00:06:30,567
OKAY, I'M GOING TO GET OFF.

155
00:06:30,600 --> 00:06:31,633
I'M LOSING YOU.

156
00:06:31,667 --> 00:06:32,867
ALL RIGHT. BYE.

157
00:06:35,967 --> 00:06:38,300
LINDA'S MY REAL NAME,
BUT I DECIDED TO GO WITH FEEF.

158
00:06:38,333 --> 00:06:39,333
I THINK IT'S MORE MEMORABLE.

159
00:06:39,367 --> 00:06:40,300
DON'T YOU?

160
00:06:43,133 --> 00:06:45,067
UH...FEEF.

161
00:06:45,067 --> 00:06:46,067
WHAT DO YOU DO

162
00:06:46,100 --> 00:06:48,200
WHEN YOU'RE NOT BEING
AN EXTRA IN MOVIES?

163
00:06:48,233 --> 00:06:50,567
I SIGNED UP FOR A BERRY GANNON
SITCOM TECHNIQUE WORKSHOP.

164
00:06:50,600 --> 00:06:52,300
I REALLY WANT TO BE A TV STAR.

165
00:06:52,333 --> 00:06:53,367
I JUST DID
A LITTLE HORROR MOVIE,

166
00:06:53,400 --> 00:06:55,467
AND THE DIRECTOR
TOTALLY NOTICED ME.

167
00:06:55,500 --> 00:06:56,833
I MEAN, AT LEAST I THINK
IT WAS THE DIRECTOR.

168
00:06:56,867 --> 00:06:59,633
HE WAS WEARING A BASEBALL CAP...

169
00:06:59,667 --> 00:07:00,700
DO YOU HAVE
ANY OTHER JOBS?

170
00:07:00,733 --> 00:07:01,700
I'M SIGNED UP

171
00:07:01,733 --> 00:07:02,867
WITH THREE DIFFERENT
TEMP AGENCIES

172
00:07:02,900 --> 00:07:03,867
THAT CATER TO THE
ENTERTAINMENT BUSINESS.

173
00:07:03,900 --> 00:07:05,567
I JUST THINK

174
00:07:05,600 --> 00:07:07,333
I'M THE PERFECT CANDIDATE
TO GET DISCOVERED.

175
00:07:07,367 --> 00:07:09,133
I MEAN, JUST LOOK AT ANYONE
WHO'S ON TV RIGHT NOW.

176
00:07:09,167 --> 00:07:11,167
MOST OF THEM
STARTED OUT TEMPING.

177
00:07:11,200 --> 00:07:14,433
I JUST READ A WHOLE ARTICLE
ABOUT IT IN STAR.

178
00:07:14,467 --> 00:07:16,500
OKAY.

179
00:07:16,533 --> 00:07:17,700
YEP.

180
00:07:17,733 --> 00:07:18,933
WELL, I THINK
WE'LL GET BACK TO YOU.

181
00:07:18,967 --> 00:07:20,867
I-I AGREE.

182
00:07:20,900 --> 00:07:22,167
THANK YOU, FEEF...

183
00:07:22,200 --> 00:07:23,267
THANKS.

184
00:07:23,300 --> 00:07:27,733
FOR... FOR COMING BY.

185
00:07:27,767 --> 00:07:29,333
BYE.

186
00:07:29,367 --> 00:07:30,333
ALL RIGHT.

187
00:07:30,367 --> 00:07:31,333
SHIT.

188
00:07:31,367 --> 00:07:32,367
WE'VE GOT TO CUT THESE SHORT.

189
00:07:32,400 --> 00:07:33,433
I MEAN,
RIGHT BEFORE IT GETS UGLY.

190
00:07:33,467 --> 00:07:35,500
MM-HMM. LIKE, IN ONE SECOND.

191
00:07:35,533 --> 00:07:36,633
WE NEED TO THINK OF A SIGNAL.

192
00:07:36,667 --> 00:07:38,133
WHY DON'T I

193
00:07:38,167 --> 00:07:40,333
PULL MY EAR LIKE THAT...

194
00:07:40,367 --> 00:07:41,600
COOL, IF THE PERSON'S
NOT FOR YOU,

195
00:07:41,633 --> 00:07:43,700
YOU PULL YOUR EAR,
AND THAT MEANS, "OUTTA THERE,"

196
00:07:43,733 --> 00:07:45,467
AND I'LL DO THIS...

197
00:07:45,500 --> 00:07:46,633
OKAY.

198
00:07:46,667 --> 00:07:48,233
YEAH?
YEAH.

199
00:07:48,267 --> 00:07:49,267
CHRIST.

200
00:07:49,300 --> 00:07:51,367
[SIGHS]

201
00:07:51,400 --> 00:07:52,533
I DIDN'T KNOW SHE WAS GONE.

202
00:07:52,567 --> 00:07:55,867
KIT SAYS
SHE'S BACK ON FRIDAY.

203
00:07:55,900 --> 00:07:57,933
WELL, I'LL
BET YOU ANYTHING

204
00:07:57,967 --> 00:08:00,400
GRUBER TOLD HER
NOT TO TELL YOU.

205
00:08:00,433 --> 00:08:01,700
THE LAST THING THEY WANT

206
00:08:01,733 --> 00:08:02,700
IS FOR US TO HAVE
THE OPPORTUNITY

207
00:08:02,733 --> 00:08:05,700
TO WALK THROUGH HERE
AND TAKE INVENTORY,

208
00:08:05,733 --> 00:08:06,900
AND HOLY SHIT,

209
00:08:06,933 --> 00:08:09,167
I CAN SEE WHY.

210
00:08:09,200 --> 00:08:11,233
WELL, WE MIGHT AS WELL
START IN HERE.

211
00:08:11,267 --> 00:08:12,600
TINA, WHY DON'T YOU
TALK ME THROUGH THIS?

212
00:08:12,633 --> 00:08:16,067
I IMAGINE YOU KNOW
WHAT MOST OF THIS WORTH.

213
00:08:16,100 --> 00:08:17,167
[CHUCKLES]

214
00:08:17,200 --> 00:08:20,200
WELL, I DON'T KNOW
EXACT VALUES.

215
00:08:20,233 --> 00:08:22,067
I KNOW BALLPARK.

216
00:08:22,067 --> 00:08:24,600
I KNOW WHO'S BEEN
HEAVILY COLLECTED,

217
00:08:24,633 --> 00:08:28,833
AND WHO'S BEEN SHOWN
IN MAJOR MUSEUM SHOWS.

218
00:08:28,867 --> 00:08:30,367
JESUS.

219
00:08:30,400 --> 00:08:32,433
YOU LIVED WITH THAT?

220
00:08:32,467 --> 00:08:34,400
YEAH.

221
00:08:34,433 --> 00:08:36,133
IT'S LISA YUSKAVAGE.

222
00:08:36,167 --> 00:08:38,067
SHE WAS ONE OF BETTE'S
FAVORITE PAINTERS.

223
00:08:38,067 --> 00:08:40,667
WHAT'S A THING LIKE THAT WORTH?

224
00:08:40,700 --> 00:08:42,667
A LOT, I GUESS,

225
00:08:42,700 --> 00:08:43,667
BUT BETTE BOUGHT IT

226
00:08:43,700 --> 00:08:44,767
BEFORE SHE GOT FAMOUS.

227
00:08:44,800 --> 00:08:46,267
THAT DOESN'T MATTER.

228
00:08:46,300 --> 00:08:49,433
WE STILL CLAIM IT
AS COMMUNITY PROPERTY.

229
00:08:52,433 --> 00:08:55,900
[VOICE]: TINA, TINA, TINA,
TINA, TINA...

230
00:08:57,600 --> 00:09:01,300
QUITE A BIT OF CAPITAL
INVESTED HERE, DARLING.

231
00:09:01,333 --> 00:09:03,700
WE HAD THE PALM TREES
FLOWN IN.

232
00:09:03,733 --> 00:09:09,267
IT WAS CRAZY EXPENSIVE,
BUT BETTE REALLY LOVES THEM.

233
00:09:09,300 --> 00:09:12,067
SO DO I.

234
00:09:12,067 --> 00:09:15,233
HELLO, MY FRIEND.

235
00:09:15,267 --> 00:09:17,133
WE GOT THAT IN NEPAL.

236
00:09:17,167 --> 00:09:18,700
WE HAD IT SHIPPED.

237
00:09:18,733 --> 00:09:19,900
IT TOOK, LIKE, SEVEN MONTHS

238
00:09:19,933 --> 00:09:21,100
FOR IT TO GET HERE.

239
00:09:21,133 --> 00:09:22,100
MM.

240
00:09:22,133 --> 00:09:23,833
[INHALES DEEPLY]

241
00:09:23,867 --> 00:09:25,967
IT'S GIVING ME PEACE.

242
00:09:26,067 --> 00:09:28,067
IT'S GIVING ME PROSPERITY.

243
00:09:28,100 --> 00:09:31,067
IT'S GIVING ME CHILD SUPPORT.

244
00:09:33,533 --> 00:09:34,700
IT'S A CONSORTIUM OF DOCTORS.

245
00:09:34,733 --> 00:09:36,833
I SET UP THE QUICKBOOKS SYSTEM
FOR THEM,

246
00:09:36,867 --> 00:09:38,200
AND I RUN THEIR
BILLING FOR THEM.

247
00:09:38,233 --> 00:09:39,433
AND IS THAT PRETTY MUCH
9:00 TO 5:00?

248
00:09:39,467 --> 00:09:40,767
MORE LIKE 7:00 TO 11:00.

249
00:09:40,800 --> 00:09:42,933
IT'S PRETTY INTENSE
BECAUSE, WELL,

250
00:09:42,967 --> 00:09:44,300
PATIENTS DON'T WANT TO PAY
THEIR DOCTOR'S BILLS.

251
00:09:44,333 --> 00:09:46,067
OH, YEAH.

252
00:09:46,100 --> 00:09:47,467
YEAH.

253
00:09:47,500 --> 00:09:49,100
SO, EWAN,
IF IT'S NOT TOO PERSONAL,

254
00:09:49,133 --> 00:09:50,900
DO YOU
HAVE A GIRLFRIEND,

255
00:09:50,933 --> 00:09:52,067
A BOYFRIEND?

256
00:09:52,067 --> 00:09:53,100
WELL, I HAD
A BOYFRIEND,

257
00:09:53,133 --> 00:09:55,567
BUT WE BROKE UP
NINE MONTHS AGO.

258
00:09:55,600 --> 00:09:56,800
IT WAS PRETTY MUTUAL,

259
00:09:56,833 --> 00:09:59,800
BUT IT WAS STILL
KIND OF A ROUGH TIME.

260
00:09:59,833 --> 00:10:02,733
SORRY.

261
00:10:02,767 --> 00:10:05,467
I AM STARTING TO DATE AGAIN.

262
00:10:05,500 --> 00:10:07,933
YAY.

263
00:10:10,267 --> 00:10:14,267
WHAT KIND OF MUSIC
DO YOU LIKE?

264
00:10:14,300 --> 00:10:17,400
WELL, MOSTLY I LISTEN
TO R AND B AND FUNK--

265
00:10:17,433 --> 00:10:19,733
SLY STONE,
CHAKA KHAN, PRINCE...

266
00:10:19,767 --> 00:10:20,800
BUT I'VE GOT NO PROBLEM
WEARING HEADPHONES

267
00:10:20,833 --> 00:10:22,067
IF YOU'RE NOT INTO IT.

268
00:10:22,100 --> 00:10:23,533
NO, NO,
PRINCE IS EXCELLENT.

269
00:10:23,567 --> 00:10:25,433
ESPECIALLY WITH THE REVOLUTION.

270
00:10:25,467 --> 00:10:26,600
YEAH, WITH WENDY AND LISA.

271
00:10:26,633 --> 00:10:27,600
YES.

272
00:10:27,633 --> 00:10:29,067
I LOVE
WENDY AND LISA.

273
00:10:29,100 --> 00:10:30,933
THAT'S HIS BEST SHIT,
HANDS DOWN.

274
00:10:30,967 --> 00:10:32,767
FUCK IT. LET'S JUST
SHOW EWAN THE STUDIO.

275
00:10:32,800 --> 00:10:33,733
YEAH, FUCK IT.

276
00:10:33,767 --> 00:10:35,033
THERE'S
JUST ONE THING

277
00:10:35,067 --> 00:10:36,067
I WANT TO MAKE SURE
YOU'RE OKAY WITH.

278
00:10:36,100 --> 00:10:37,733
IT'S NOT REALLY A BIG DEAL.

279
00:10:37,767 --> 00:10:38,833
LAY IT ON US, EWAN.

280
00:10:38,867 --> 00:10:39,833
WELL, I JUST
WANT YOU TO KNOW

281
00:10:39,867 --> 00:10:42,000
THAT SOMETIMES
I'M GOING TO BE NAKED.

282
00:10:43,767 --> 00:10:45,500
UH, YEAH. YEAH.

283
00:10:45,533 --> 00:10:47,567
I MEAN,
WHEN YOU'RE HAVING A SHOWER,

284
00:10:47,600 --> 00:10:50,133
OR, LIKE, WHAT?

285
00:10:50,167 --> 00:10:51,633
GETTING CHANGED.

286
00:10:51,667 --> 00:10:52,900
YEAH, L.A. IN THE SUMMER
IS A KILLER.

287
00:10:52,933 --> 00:10:54,467
EVERYONE SLEEPS NAKED.
YEAH. YEAH, TOTALLY.

288
00:10:54,500 --> 00:10:55,900
AND SOMETIMES, LIKE,
YOU KNOW,

289
00:10:55,933 --> 00:10:58,333
LIKE,
HANGING AROUND THE HOUSE TOO.

290
00:10:58,367 --> 00:11:00,433
WHAT DO YOU MEAN?

291
00:11:00,467 --> 00:11:01,800
WELL, YOU KNOW, LIKE,
DOING DAY-TO-DAY THINGS,

292
00:11:01,833 --> 00:11:05,167
LIKE DUSTING, GARDENING,
READING THE PAPER,

293
00:11:05,200 --> 00:11:07,167
COOKING BREAKFAST.

294
00:11:07,200 --> 00:11:08,300
BASICALLY,
I'M A NUDIST.

295
00:11:08,333 --> 00:11:09,800
IT'S A LIFESTYLE THING,

296
00:11:09,833 --> 00:11:10,800
BUT IT'S SO NATURAL.

297
00:11:10,833 --> 00:11:12,333
AFTER A WHILE,
YOU'LL GET USED TO IT.

298
00:11:12,367 --> 00:11:14,333
DO YOU REALLY THINK THAT,
EWAN?

299
00:11:14,367 --> 00:11:15,333
OH, YEAH, SURE.

300
00:11:15,367 --> 00:11:16,367
WHAT'S THE BIG DEAL?

301
00:11:16,400 --> 00:11:17,533
IF I TOOK MY SHOES OFF,
AND MY SHIRT,

302
00:11:17,567 --> 00:11:19,700
IT'S WOULDN'T BE
A BIG DEAL, RIGHT?

303
00:11:19,733 --> 00:11:21,133
SO, WHAT IF I TAKE IT

304
00:11:21,167 --> 00:11:22,800
ONE MORE STEP FURTHER?

305
00:11:22,833 --> 00:11:24,133
THAT'S NO BIG DEAL, RIGHT?

306
00:11:24,167 --> 00:11:25,133
OH, MY GOD!

307
00:11:25,167 --> 00:11:26,500
NO, EWAN.

308
00:11:26,533 --> 00:11:28,067
I RECOMMEND
WE SET UP A SCHEDULE

309
00:11:28,067 --> 00:11:30,167
FOR BATHING, COOKING,
CLEANING...

310
00:11:30,200 --> 00:11:31,900
AND I THINK IT WOULD BE
REALLY, REALLY BONDING

311
00:11:31,933 --> 00:11:33,133
IF, ONCE A WEEK,

312
00:11:33,167 --> 00:11:34,367
WE EACH MADE A MEAL
FOR THE OTHER TWO.

313
00:11:34,400 --> 00:11:35,467
MY SPECIALTIES

314
00:11:35,500 --> 00:11:37,133
ARE STRING BEAN
TUNA FISH CASSEROLE,

315
00:11:37,167 --> 00:11:40,933
AND A SLOPPY JOE LASAGNA.

316
00:11:47,200 --> 00:11:50,567
HI. I'M KIT PORTER.

317
00:11:50,600 --> 00:11:51,567
THERE YOU ARE.

318
00:11:51,600 --> 00:11:53,067
KIT PORTER.

319
00:11:53,100 --> 00:11:54,800
HAVE YOU EVER DONE
T.O.E. BEFORE, KIT?

320
00:11:54,833 --> 00:11:56,167
NO.

321
00:11:56,200 --> 00:11:57,733
WELCOME
TO THE THEORY OF EVERYTHING,

322
00:11:57,767 --> 00:11:58,733
BENJAMIN BRADSHAW'S

323
00:11:58,767 --> 00:12:01,433
PATENTED
TECHNOLOGY

324
00:12:01,467 --> 00:12:02,733
FOR ACHIEVING
PERSONAL TRANSFORMATION.

325
00:12:02,767 --> 00:12:05,467
BENJAMIN AND T.O.E.
ARE GOING TO CHANGE YOUR LIFE.

326
00:12:05,500 --> 00:12:06,800
I JUST WANT TO TURN A PROFIT.

327
00:12:06,833 --> 00:12:07,833
WELL, YOU'RE
GOING TO GET A LOT MORE

328
00:12:07,867 --> 00:12:09,167
THAN YOU BARGAINED FOR,
KIT.

329
00:12:09,200 --> 00:12:10,933
THANK YOU.

330
00:12:21,767 --> 00:12:23,600
COME IN.

331
00:12:23,633 --> 00:12:25,267
HI. I KNOW TODAY
WAS ROUGH FOR YOU, DARLING.

332
00:12:25,300 --> 00:12:28,700
I JUST WANTED TO MAKE SURE
YOU'RE OKAY.

333
00:12:28,733 --> 00:12:30,400
SUSHI?

334
00:12:30,433 --> 00:12:31,967
NO, THANKS.

335
00:12:32,067 --> 00:12:33,767
MERCURY POISONING.

336
00:12:33,800 --> 00:12:35,067
WELL,
I DON'T BUY IT,

337
00:12:35,067 --> 00:12:38,733
BUT IT'S FINE TO BE CAUTIOUS.

338
00:12:38,767 --> 00:12:40,600
SO HOW ARE YOU HOLDING UP?

339
00:12:40,633 --> 00:12:43,567
I'M OKAY.

340
00:12:43,600 --> 00:12:45,200
I'M TRYING
NOT TO THINK ABOUT IT.

341
00:12:45,233 --> 00:12:46,200
I'M JUST THROWING MYSELF

342
00:12:46,233 --> 00:12:47,267
INTO MY WORK.

343
00:12:47,300 --> 00:12:48,467
YEAH?

344
00:12:48,500 --> 00:12:49,967
WHAT ARE YOU WORKING ON THERE?

345
00:12:50,067 --> 00:12:53,667
I AM WRITING A GRANT PROPOSAL
FOR A PROJECT

346
00:12:53,700 --> 00:12:55,833
CALLED THE CAMPAIGN
FOR QUALITY EDUCATION.

347
00:12:55,867 --> 00:12:59,067
IT'S OUR MAIN FOCUS
RIGHT NOW.

348
00:12:59,067 --> 00:13:01,167
WOW. TELL ME A LITTLE ABOUT IT.

349
00:13:01,200 --> 00:13:02,533
WE'RE BRINGING
K THROUGH SIX KIDS

350
00:13:02,567 --> 00:13:04,467
FROM ALL DIFFERENT
SOCIOECONOMIC SITUATIONS

351
00:13:04,500 --> 00:13:05,533
AND PUTTING THEM

352
00:13:05,567 --> 00:13:07,200
INTO A COMMUNITY
OUTREACH PROGRAM

353
00:13:07,233 --> 00:13:10,167
TO TEACH LITERACY
AND CRITICAL THINKING SKILLS.

354
00:13:10,200 --> 00:13:13,267
WOW, WELL,
THAT SOUNDS AMBITIOUS.

355
00:13:13,300 --> 00:13:14,933
YEAH.

356
00:13:17,133 --> 00:13:20,100
YOU KNOW SOMETHING,
TINA?

357
00:13:20,133 --> 00:13:22,167
YOU ARE AN EXCEPTIONAL WOMAN,

358
00:13:22,200 --> 00:13:24,700
AND YOU DESERVE TO BE
FULLY APPRECIATED,

359
00:13:24,733 --> 00:13:27,100
AND THE WAY
BETTE TREATED YOU

360
00:13:27,133 --> 00:13:28,933
WAS BULLSHIT.

361
00:13:30,533 --> 00:13:32,767
GOOD NIGHT.

362
00:13:35,200 --> 00:13:36,200
JOYCE.

363
00:13:36,233 --> 00:13:37,333
YEP?

364
00:13:37,367 --> 00:13:39,667
THANK YOU.

365
00:13:39,700 --> 00:13:42,100
THANK YOU FOR EVERYTHING
THAT YOU'VE DONE FOR ME.

366
00:13:42,133 --> 00:13:44,600
WELL, THAT'S WHAT I'M HERE FOR,
SWEET CHEEKS.

367
00:13:53,333 --> 00:13:54,533
[SIGHS]

368
00:13:54,567 --> 00:14:01,500
THERE IS NO NEGATIVE
WITHOUT A POSITIVE.

369
00:14:01,533 --> 00:14:07,500
THIS MAN SAYS THAT THE ANIMAL
HE MOST RESEMBLES IS A FERRET.

370
00:14:07,533 --> 00:14:09,300
WHY?

371
00:14:09,333 --> 00:14:13,533
HE THINKS OF HIMSELF
AS A THIEVING RODENT,

372
00:14:13,567 --> 00:14:18,233
BUT, MY FERRET FRIEND,
PICTURE THIS.

373
00:14:18,267 --> 00:14:20,733
PICTURE YOURSELF AS A FERRET.

374
00:14:20,767 --> 00:14:22,700
CLOSE YOUR EYES.

375
00:14:22,733 --> 00:14:24,600
VISUALIZE.

376
00:14:24,633 --> 00:14:28,067
LET ME TELL YOU ABOUT FERRETS.

377
00:14:28,100 --> 00:14:30,667
FERRETS ARE STRONG.

378
00:14:30,700 --> 00:14:34,867
THEY CAN CARRY OBJECTS
MORE THAN TWICE THEIR SIZE.

379
00:14:34,900 --> 00:14:40,433
DID YOU KNOW THAT FERRETS
ARE ALSO UNUSUALLY INTELLIGENT?

380
00:14:40,467 --> 00:14:44,900
THEY ARE
PROBLEM-SOLVING ANIMALS.

381
00:14:44,933 --> 00:14:47,167
LOOK AT YOU.

382
00:14:47,200 --> 00:14:50,933
WHAT A MARVELOUS CREATURE
YOU ARE.

383
00:14:52,800 --> 00:14:55,700
WHAT'S YOUR NAME, FRIEND?

384
00:14:55,733 --> 00:14:56,867
[MAN]: GAVIN.

385
00:14:56,900 --> 00:14:58,533
WHAT ANIMAL DO YOU RESEMBLE,
GAVIN?

386
00:14:58,567 --> 00:15:00,200
OH, THAT'S EASY.

387
00:15:00,233 --> 00:15:02,067
AN OSTRICH.

388
00:15:02,067 --> 00:15:07,367
GAVIN THINKS OF HIMSELF
AS COWARDLY,

389
00:15:07,400 --> 00:15:11,100
WITH HIS HEAD IN THE SAND.

390
00:15:11,133 --> 00:15:16,900
GAVIN, DID YOU KNOW
THAT MALE OSTRICHES

391
00:15:16,933 --> 00:15:19,733
ARE FAST AND POWERFUL

392
00:15:19,767 --> 00:15:24,833
AND MAJESTICALLY
SELF-SUFFICIENT?

393
00:15:27,767 --> 00:15:29,500
LADY WITH THE FLASHING EYES.

394
00:15:29,533 --> 00:15:32,133
SO SKITTISH.

395
00:15:32,167 --> 00:15:36,467
I'LL BET I KNOW
WHAT ANIMAL YOU IDENTIFY WITH.

396
00:15:39,500 --> 00:15:43,600
AN ALLEY CAT,
I GUESS.

397
00:15:43,633 --> 00:15:47,567
NOT JUST A CAT,
AN ALLEY CAT.

398
00:15:47,600 --> 00:15:56,067
SYBARITIC, FERAL,
SELF-INDULGENT, IRRESPONSIBLE.

399
00:15:56,067 --> 00:16:00,500
IS THAT YOU, LADY ALLEY CAT?

400
00:16:02,833 --> 00:16:05,133
[***]

401
00:16:11,500 --> 00:16:13,400
THEY'RE HARD
TO SHOOT.

402
00:16:13,433 --> 00:16:14,467
COME ON.

403
00:16:14,500 --> 00:16:15,833
I'M TRYING.

404
00:16:15,867 --> 00:16:16,833
I CAN'T.

405
00:16:16,867 --> 00:16:18,667
GO FOR IT AGAIN.

406
00:16:18,700 --> 00:16:20,467
I CAN'T.

407
00:16:20,500 --> 00:16:21,967
COME ON.

408
00:16:22,067 --> 00:16:22,967
GET HER. GET HER.

409
00:16:23,067 --> 00:16:23,967
I'M TRYING!

410
00:16:30,500 --> 00:16:32,900
THERE.

411
00:16:32,933 --> 00:16:34,667
I GOT HER!

412
00:16:55,600 --> 00:16:56,567
SHANE.

413
00:16:56,600 --> 00:16:58,067
I'M SORRY.

414
00:16:58,100 --> 00:16:59,733
I DIDN'T MEAN
TO INTERRUPT YOUR FLOW.

415
00:17:03,300 --> 00:17:05,467
I'M SO BROKE.

416
00:17:07,400 --> 00:17:08,800
IF WE DON'T FIND
A THIRD PERSON,

417
00:17:08,833 --> 00:17:10,100
THERE IS NO WAY
I'LL BE ABLE

418
00:17:10,133 --> 00:17:11,733
TO COME UP
WITH HALF THE RENT.

419
00:17:11,767 --> 00:17:12,733
ME TOO.

420
00:17:12,767 --> 00:17:13,833
GOOD.

421
00:17:13,867 --> 00:17:15,300
[BOTH LAUGH]

422
00:17:18,933 --> 00:17:20,867
GOOD NIGHT.

423
00:17:25,267 --> 00:17:26,233
SHANE.

424
00:17:26,267 --> 00:17:27,433
YEP.

425
00:17:27,467 --> 00:17:28,967
ARE YOU OKAY WITH THAT THING
THAT HAPPENED

426
00:17:29,067 --> 00:17:30,367
BETWEEN CARMEN AND ME?

427
00:17:30,400 --> 00:17:32,333
I MEAN,
IF WE WERE TO--

428
00:17:32,367 --> 00:17:33,433
ARE YOU?

429
00:17:33,467 --> 00:17:34,433
I DON'T KNOW.

430
00:17:34,467 --> 00:17:38,067
I MEAN, WE JUST KISSED.

431
00:17:38,067 --> 00:17:40,367
SHE HASN'T CALLED OR ANYTHING.

432
00:17:42,433 --> 00:17:44,700
YOU COULD CALL HER.

433
00:17:44,733 --> 00:17:47,200
I CAN'T DO THAT.

434
00:17:47,233 --> 00:17:50,467
WELL, UH, DO YOU WANT ME
TO INVITE HER OVER?

435
00:17:52,533 --> 00:17:53,567
YOU WOULD DO THAT?

436
00:17:55,767 --> 00:17:59,267
ARE YOU SURE
THAT YOU'RE OKAY WITH THAT?

437
00:17:59,300 --> 00:18:01,733
CONSIDER IT DONE.

438
00:18:04,067 --> 00:18:07,200
GOOD NIGHT.

439
00:18:07,233 --> 00:18:10,233
GOOD NIGHT, SHANE.

440
00:18:11,667 --> 00:18:13,433
THANK YOU.

441
00:18:16,833 --> 00:18:18,567
SO...

442
00:18:18,600 --> 00:18:19,633
THE BLACK ALLEY CAT'S
NAME

443
00:18:19,667 --> 00:18:23,067
IS KIT.

444
00:18:23,067 --> 00:18:24,533
WITH ALL THESE PEOPLE
UP IN HERE,

445
00:18:24,567 --> 00:18:26,267
I'M SURPRISED
YOU COULD REMEMBER MY ANIMAL.

446
00:18:28,067 --> 00:18:29,833
KIT PORTER.

447
00:18:29,867 --> 00:18:31,800
KIT PORTER.

448
00:18:45,667 --> 00:18:46,633
[CHUCKLES]

449
00:18:46,667 --> 00:18:48,700
"TO ALLEY KIT,

450
00:18:48,733 --> 00:18:52,433
"WITH SHARP CLAWS
AND FLASHING EYES.

451
00:18:52,467 --> 00:18:55,233
"SUCCESS, VISION, CLARITY,
TRANSFORMATION--

452
00:18:55,267 --> 00:18:58,367
ALL IN GOOD TIME.
BENJAMIN BRADSHAW."

453
00:18:58,400 --> 00:19:00,767
"ALL IN GOOD TIME."

454
00:19:00,800 --> 00:19:02,200
HOW LONG WILL THAT BE?

455
00:19:02,233 --> 00:19:03,833
IT DEPENDS,

456
00:19:03,867 --> 00:19:07,333
BUT IT'LL TAKE MORE
THAN ONE THREE-HOUR SEMINAR.

457
00:19:07,367 --> 00:19:11,300
WHAT SORT OF BUSINESS
DO YOU HAVE, KIT?

458
00:19:11,333 --> 00:19:13,167
OH, IT'S CALLED THE PLANET.

459
00:19:13,200 --> 00:19:15,067
IT'S ALWAYS BEEN
A CAFE,

460
00:19:15,100 --> 00:19:16,167
BUT I WANT
TO TURN IT

461
00:19:16,200 --> 00:19:18,667
INTO A PERFORMANCE CLUB,

462
00:19:18,700 --> 00:19:19,700
YOU KNOW, AT NIGHT.

463
00:19:19,733 --> 00:19:21,333
OH, LET'S START WITH THE CAFE.

464
00:19:21,367 --> 00:19:22,833
WHAT DO YOU SERVE THERE?

465
00:19:22,867 --> 00:19:25,067
COFFEE, DESSERTS, SALADS--

466
00:19:25,067 --> 00:19:26,400
OKAY, HERE'S WHAT
I WANT YOU TO DO.

467
00:19:26,433 --> 00:19:31,267
WHAT'S THE MOST POPULAR DESSERT
YOU HAVE ON YOUR MENU?

468
00:19:31,300 --> 00:19:35,233
DEFINITELY
THE PEAR POLENTA TART.

469
00:19:35,267 --> 00:19:36,600
I MEAN, WE'RE FAMOUS FOR IT.

470
00:19:36,633 --> 00:19:38,167
STARTING
TOMORROW MORNING,

471
00:19:38,200 --> 00:19:41,333
I WANT YOU TO ADD $5.00

472
00:19:41,367 --> 00:19:42,900
TO THE PRICE
OF THE PEAR POLENTA TART.

473
00:19:42,933 --> 00:19:45,067
$5.00?

474
00:19:45,067 --> 00:19:48,700
IF PEOPLE ASK YOU WHY,
JUST SAY, "IT'S WORTH IT."

475
00:19:48,733 --> 00:19:49,900
IF THEY GET ANGRY,

476
00:19:49,933 --> 00:19:51,500
YOU JUST SAY,
"IT'S WORTH IT."

477
00:19:51,533 --> 00:19:52,900
NO MATTER
WHAT ANYBODY SAYS,

478
00:19:52,933 --> 00:19:56,233
YOUR ANSWER IS,
"IT'S WORTH IT."

479
00:19:56,267 --> 00:19:58,800
MY CUSTOMERS
ARE GOING TO SCREAM.

480
00:19:58,833 --> 00:20:00,967
I'M NOT GOING TO BE ABLE
TO SELL ONE SINGLE TART.

481
00:20:01,000 --> 00:20:02,033
I'LL GUARANTEE YOU
RIGHT NOW,

482
00:20:02,067 --> 00:20:05,767
THE EXTRA $5.00 A TART

483
00:20:05,800 --> 00:20:09,200
WILL COVER THE COST
OF THE ADVANCED SEMINAR

484
00:20:09,233 --> 00:20:11,433
I'M LEADING
WEEKEND AFTER NEXT.

485
00:20:11,467 --> 00:20:15,200
I DIDN'T SIGN UP
FOR YOUR ADVANCED SEMINAR.

486
00:20:15,233 --> 00:20:16,433
OKAY,
I'LL TELL YOU WHAT.

487
00:20:16,467 --> 00:20:17,933
DON'T SIGN UP FOR IT

488
00:20:17,967 --> 00:20:23,400
UNTIL YOU'VE MADE THE $250 EXTRA
ON THE PEAR POLENTA TART.

489
00:20:23,433 --> 00:20:24,400
[CHUCKLES]

490
00:20:24,433 --> 00:20:26,933
I'LL SAVE A SPACE
FOR YOU.

491
00:20:29,233 --> 00:20:30,800
OKAY. THANKS.

492
00:20:37,567 --> 00:20:38,667
WHY AREN'T WE SHOOTING?

493
00:20:38,700 --> 00:20:40,800
WHAT THE FUCK IS GOING ON?

494
00:20:40,833 --> 00:20:42,433
WELL,
ALYSSA HATES HER HAIR,

495
00:20:42,467 --> 00:20:43,633
AND SHE INSULTED JAMIE,

496
00:20:43,667 --> 00:20:46,367
AND JAMIE
STORMED OFF THE SET,

497
00:20:46,400 --> 00:20:47,700
AND NOW ALYSSA IS HAVING
A TOTAL BREAKDOWN.

498
00:20:47,733 --> 00:20:49,233
SHE WON'T LET ANYONE
COME NEAR HER.

499
00:20:49,267 --> 00:20:50,833
WHERE IS GORDO?

500
00:20:50,867 --> 00:20:52,533
HE'S BACK
AT THE PRODUCTION OFFICE.

501
00:20:52,567 --> 00:20:55,000
HE AND ALYSSA
HAD A FIGHT YESTERDAY,

502
00:20:55,033 --> 00:20:57,833
AND SHE BANNED HIM
FROM THE SET.

503
00:20:57,867 --> 00:21:00,100
THE FUCKING ACTRESS
BANNED THE FUCKING PRODUCER

504
00:21:00,133 --> 00:21:01,400
FROM HIS OWN MOVIE SET?

505
00:21:01,433 --> 00:21:02,467
YEAH.

506
00:21:02,500 --> 00:21:04,067
FIND JAMIE.

507
00:21:04,067 --> 00:21:05,167
TELL HIM TO GET
HIS ASS BACK HERE

508
00:21:05,200 --> 00:21:06,700
AND FIX HER HAIR.

509
00:21:06,733 --> 00:21:08,500
I CAN'T AFFORD TO LOSE
ANOTHER HALF A DAY.

510
00:21:08,533 --> 00:21:09,667
NOW, VERONICA,

511
00:21:09,700 --> 00:21:10,433
IF YOU HEARD
WHAT SHE SAID TO HIM--

512
00:21:10,467 --> 00:21:11,433
I DON'T GIVE A FUCK

513
00:21:11,467 --> 00:21:13,433
WHAT THAT LITTLE CUNT
SAID TO HIM.

514
00:21:13,467 --> 00:21:14,567
YOU TELL HER
THAT IF SHE'S NOT BACK

515
00:21:14,600 --> 00:21:15,733
ON THAT SET
IN 10 MINUTES

516
00:21:15,767 --> 00:21:16,867
WITH HER HAIR PERFECT,

517
00:21:16,900 --> 00:21:18,600
I WILL FIRE
HER SORRY ASS

518
00:21:18,633 --> 00:21:19,633
AND REPLACE IT

519
00:21:19,667 --> 00:21:21,533
WITH KATE WINSLET'S
SPOTLESS MIND.

520
00:21:21,567 --> 00:21:24,067
JAMIE JUST QUIT.

521
00:21:24,100 --> 00:21:25,767
THAT'S GREAT.

522
00:21:25,800 --> 00:21:26,900
THAT'S FUCKING GREAT.

523
00:21:26,933 --> 00:21:29,800
THIS BITCH IS COSTING ME
$50,000 A MINUTE.

524
00:21:29,833 --> 00:21:31,600
I'LL RIP HER FUCKING HAIR OUT.

525
00:21:31,633 --> 00:21:33,267
JUST FIND ME SOMEBODY
WHO CAN DEAL WITH HER.

526
00:21:34,600 --> 00:21:36,333
[SHANE]: HI...

527
00:21:36,367 --> 00:21:37,767
HOW ARE YOU DOING?

528
00:21:37,800 --> 00:21:40,867
REALLY FUCKING SHITTY.

529
00:21:40,900 --> 00:21:42,567
OKAY.

530
00:21:42,600 --> 00:21:44,067
WHO IS THAT?

531
00:21:44,100 --> 00:21:46,233
I DON'T KNOW.

532
00:21:46,267 --> 00:21:48,167
OH, I THINK IT'S
ONE OF THE HAIRDRESSERS

533
00:21:48,200 --> 00:21:51,433
THAT CAME IN TO HELP
WITH THE DAY PLAYERS.

534
00:21:51,467 --> 00:21:52,500
YOU'RE BEAUTIFUL,

535
00:21:52,533 --> 00:21:55,967
AND YOU HARDLY NEED
ANYTHING AT ALL.

536
00:21:56,067 --> 00:21:57,933
WHAT ARE THEY SAYING?

537
00:21:59,367 --> 00:22:01,400
IT'S JUST
ONE CRAZY BITCH.

538
00:22:01,433 --> 00:22:03,367
IT DOESN'T MATTER.

539
00:22:07,867 --> 00:22:10,333
WHO ARE YOU
CALLING A CRAZY BITCH?

540
00:22:12,833 --> 00:22:14,500
WHEN WE GET BACK
TO SHOOTING

541
00:22:14,533 --> 00:22:16,333
AND THAT LITTLE BITCH
COMES BACK TO WORK,

542
00:22:16,367 --> 00:22:18,733
HAVE THAT PERSON
COME AND SEE ME.

543
00:22:21,633 --> 00:22:23,067
THE HAIRDRESSER?

544
00:22:23,067 --> 00:22:25,467
I'LL BE IN MY TRAILER.

545
00:22:25,500 --> 00:22:27,300
JOHN, GO TO TWO.

546
00:22:27,333 --> 00:22:28,533
ALL RIGHT, PEOPLE,
LET'S GET BACK TO WORK.

547
00:22:28,567 --> 00:22:29,500
LET'S GO.

548
00:23:08,167 --> 00:23:09,933
[SIGHS]

549
00:23:10,933 --> 00:23:11,900
MORNING.
PEABODY FOUNDATION.

550
00:23:11,933 --> 00:23:13,200
HOW CAN I HELP?

551
00:23:13,233 --> 00:23:15,400
IT'S BETTE PORTER
FOR HELENA PEABODY.

552
00:23:16,467 --> 00:23:17,900
[DOOR BUZZES]

553
00:23:28,900 --> 00:23:30,500
[CLEARS THROAT]

554
00:23:34,233 --> 00:23:35,200
BETTE PORTER.

555
00:23:35,233 --> 00:23:37,433
NICE TO MEET YOU.

556
00:23:37,467 --> 00:23:38,433
THANK YOU SO MUCH
FOR SEEING ME.

557
00:23:40,933 --> 00:23:41,900
REMIND ME AGAIN.

558
00:23:41,933 --> 00:23:43,700
YOU'RE WITH?

559
00:23:43,733 --> 00:23:46,333
THE CALIFORNIA ART CENTER.

560
00:23:46,367 --> 00:23:48,433
OUR MUSEUM HAS
A LONG-STANDING RELATIONSHIP

561
00:23:48,467 --> 00:23:49,867
WITH THE PEABODY FOUNDATION.

562
00:23:49,900 --> 00:23:52,667
WE ALWAYS FUNDED THE ARTS
VERY GENEROUSLY.

563
00:23:52,700 --> 00:23:53,767
I'M GLAD YOU BENEFITED.

564
00:23:53,800 --> 00:23:56,067
WE DID, IMMENSELY,

565
00:23:56,067 --> 00:23:57,633
BUT I HOPE YOU'RE NOT SPEAKING
IN THE PAST TENSE.

566
00:24:01,900 --> 00:24:03,800
YOU KNOW, YOUR MOTHER
WAS A GREAT SUPPORTER OF OURS.

567
00:24:03,833 --> 00:24:06,533
SHE HELPED TO FUND
THREE TO FIVE PROJECTS A YEAR.

568
00:24:06,567 --> 00:24:08,167
MY MOTHER'S RETIRED.

569
00:24:08,200 --> 00:24:09,967
I'M AWARE OF THAT.

570
00:24:10,067 --> 00:24:11,500
THAT'S WHY I'M HERE, OBVIOUSLY.

571
00:24:11,533 --> 00:24:14,367
OBVIOUSLY.

572
00:24:17,233 --> 00:24:20,133
WELL, I'M SURE
YOU'VE RECEIVED OUR PROPOSAL.

573
00:24:20,167 --> 00:24:22,733
I KNOW IT ARRIVED.

574
00:24:22,767 --> 00:24:23,967
TO BE HONEST,

575
00:24:24,067 --> 00:24:26,667
I HAVEN'T GOTTEN AROUND
TO THE ARTS PROJECTS.

576
00:24:26,700 --> 00:24:28,067
YOU HAVEN'T READ IT.

577
00:24:28,067 --> 00:24:30,533
I'VE BEEN FOCUSING
ON THE SOCIAL JUSTICE PROGRAMS.

578
00:24:33,100 --> 00:24:35,333
LOOK AT THIS,
BETTE.

579
00:24:35,367 --> 00:24:36,733
THAT'S A GROUP
IN BOSTON,

580
00:24:36,767 --> 00:24:38,300
WANTS TO CONVERT
AN OLD RESIDENTIAL HOTEL

581
00:24:38,333 --> 00:24:41,600
INTO A SHELTER
FOR HOMELESS WOMEN AND CHILDREN.

582
00:24:41,633 --> 00:24:43,467
THESE WOMEN ARE WORKING
TWO, THREE JOBS,

583
00:24:43,500 --> 00:24:45,967
BREAKING THEIR BACKS
TRYING TO SUPPORT THEIR CHILDREN

584
00:24:46,067 --> 00:24:47,433
WHO THEY HARDLY EVER GET TO SEE

585
00:24:47,467 --> 00:24:49,900
BECAUSE THEY'RE WORKING SO HARD
TO FEED AND CLOTHE THEM.

586
00:24:49,933 --> 00:24:51,600
IT'S FUCKING HEARTBREAKING.

587
00:24:54,500 --> 00:24:56,067
HELENA, I HOPE
YOU'RE GOING TO CONTINUE

588
00:24:56,067 --> 00:24:57,100
TO SUPPORT THE ARTS

589
00:24:57,133 --> 00:24:58,467
AS GENEROUSLY
AS YOUR MOTHER DID.

590
00:24:58,500 --> 00:25:00,067
I DON'T THINK SO.

591
00:25:00,100 --> 00:25:01,500
HELENA,

592
00:25:01,533 --> 00:25:04,667
THE ARTS ARE THE VITALITY
OF LOS ANGELES.

593
00:25:04,700 --> 00:25:06,267
WE ARE SETTING
THE CULTURAL AGENDA

594
00:25:06,300 --> 00:25:07,600
FOR THE REST OF THE COUNTRY.

595
00:25:07,633 --> 00:25:09,667
THE FEDERAL GOVERNMENT
HAS COMPLETELY ABDICATED.

596
00:25:09,700 --> 00:25:12,133
WE DEPEND
ON PRIVATE SUPPORT,

597
00:25:12,167 --> 00:25:13,233
AND THE PEABODY
FOUNDATION

598
00:25:13,267 --> 00:25:15,067
IS LIKE A BEACON.

599
00:25:15,067 --> 00:25:18,200
HELENA, CIVILIZATIONS WITHER
AND DIE WITHOUT THE ARTS.

600
00:25:18,233 --> 00:25:21,500
VERY DRAMATIC.

601
00:25:21,533 --> 00:25:24,067
I'M NOT RULING OUT
THE ARTS, BETTE.

602
00:25:24,067 --> 00:25:25,600
I'M JUST SAYING

603
00:25:25,633 --> 00:25:27,067
THE FOUNDATION IS LOOKING
AT DIFFERENT PRIORITIES.

604
00:25:27,067 --> 00:25:28,500
WELL, ONCE YOU READ
OUR PROPOSAL,

605
00:25:28,533 --> 00:25:29,533
YOU'LL SEE
ONE OF THE PROJECTS,

606
00:25:29,567 --> 00:25:31,067
"OUR CLOTHES, OUR CITY,"

607
00:25:31,067 --> 00:25:32,367
IS BY SEVEN YOUNG WOMEN,

608
00:25:32,400 --> 00:25:34,967
ASYLUM SEEKERS
FROM RWANDA, KENYA, AND KOSOVO.

609
00:25:35,067 --> 00:25:36,133
WHAT THEY'RE DOING
IS EXPLORING--

610
00:25:36,167 --> 00:25:37,167
[DOOR OPENS]

611
00:25:37,200 --> 00:25:38,500
[BOTH]:
MOMMY, MOMMY, MOMMY...

612
00:25:38,533 --> 00:25:40,333
OH, MY GOD, I MISSED YOU.

613
00:25:40,367 --> 00:25:43,500
WHAT DID YOU DO YESTERDAY
AND THE DAY BEFORE?

614
00:25:43,533 --> 00:25:44,500
IN FACT, TELL ME,

615
00:25:44,533 --> 00:25:46,833
WHAT HAVE YOU BEEN
UP TO ALL THIS TIME?

616
00:25:46,867 --> 00:25:48,333
HEY...
WHAT HAVE YOU BEEN DOING?

617
00:25:48,367 --> 00:25:49,133
COME HERE.

618
00:25:49,167 --> 00:25:50,433
COME HERE, YOU.

619
00:25:50,467 --> 00:25:53,433
YOU KNOW, IT SOUNDS
LIKE A WORTHY PROJECT,

620
00:25:53,467 --> 00:25:55,067
BUT JUST IMAGINE
HOW MANY CHILDREN

621
00:25:55,067 --> 00:25:57,367
I COULD FEED
WITH THAT $35,000.

622
00:25:57,400 --> 00:25:59,667
I DIDN'T KNOW YOU HAD CHILDREN.

623
00:25:59,700 --> 00:26:01,900
THIS IS WILSON,
AND THIS IS JUN YING,

624
00:26:01,933 --> 00:26:03,367
AND I HAVEN'T SEEN THEM
FOR TWO WHOLE DAYS.

625
00:26:03,400 --> 00:26:04,767
HAVE I?

626
00:26:04,800 --> 00:26:06,667
MY PARTNER AND I
ARE TRYING TO START A FAMILY.

627
00:26:06,700 --> 00:26:07,700
YOU'RE OUTGROWING
EVERYTHING.

628
00:26:07,733 --> 00:26:08,700
WE'RE GOING TO
HAVE TO TAKE YOU

629
00:26:08,733 --> 00:26:09,767
ON A SHOPPING TRIP.

630
00:26:09,800 --> 00:26:10,633
[WILSON]:
LET'S GO SHOPPING.

631
00:26:10,667 --> 00:26:11,700
WE'LL GO SHOPPING?

632
00:26:11,733 --> 00:26:12,700
I RECOMMEND IT.

633
00:26:12,733 --> 00:26:14,233
CHILDREN COMPLETE YOUR LIFE.

634
00:26:14,267 --> 00:26:15,233
NOW, TELL ME

635
00:26:15,267 --> 00:26:16,767
ABOUT YOUR
HORSEBACK-RIDING LESSON.

636
00:26:16,800 --> 00:26:18,200
WAS IT FUN?

637
00:26:18,233 --> 00:26:19,267
[WILSON]: THE PONY'S
NAME IS MOON WALKER,

638
00:26:19,300 --> 00:26:20,833
AND I TROTTED HIM!

639
00:26:20,867 --> 00:26:21,967
[HELENA]:
YOU TROTTED IT?

640
00:26:22,067 --> 00:26:23,667
I HAD A HORSE, TOO.

641
00:26:23,700 --> 00:26:24,667
YOU DID?

642
00:26:24,700 --> 00:26:26,567
THAT'S FANTASTIC.

643
00:26:26,600 --> 00:26:28,200
BETTE, I KNOW YOU'RE ANXIOUS
TO HEAR FROM US.

644
00:26:28,233 --> 00:26:29,900
REST ASSURED,
I WILL READ YOUR PROPOSAL

645
00:26:29,933 --> 00:26:31,333
AND GIVE IT
A FAST AND FAIR HEARING.

646
00:26:31,367 --> 00:26:34,600
NOW, WHO WANTS
TO STOP

647
00:26:34,633 --> 00:26:38,567
AT THE ENCHANTED FOREST
ON THE WAY HOME, HEY?

648
00:26:38,600 --> 00:26:40,967
BECAUSE I SAW
THE BIGGEST STUFFED GIRAFFE

649
00:26:41,067 --> 00:26:41,967
IN THE WINDOW,

650
00:26:42,067 --> 00:26:43,600
AND I THINK IT TOLD ME

651
00:26:43,633 --> 00:26:46,067
THAT IT WANTED TO COME
AND LIVE WITH US.

652
00:27:14,700 --> 00:27:16,767
IF WE WRAP BY 9:00,
IT'LL BE A FUCKING MIRACLE.

653
00:27:16,800 --> 00:27:18,233
I'LL SEE YOU THEN.

654
00:27:18,267 --> 00:27:20,600
SO YOUR LUNCH IS SET
FOR 12:30 AT A.O.C.

655
00:27:20,633 --> 00:27:23,067
OUR DAILIES
ARE AT 3:00 TODAY,

656
00:27:23,100 --> 00:27:24,067
OR I CAN JUST
DOWNLOAD THEM FOR YOU

657
00:27:24,100 --> 00:27:25,067
FROM THE VPO,

658
00:27:25,067 --> 00:27:26,500
AND SHANE McCUTCHEON
IS HERE.

659
00:27:26,533 --> 00:27:27,500
WHO?

660
00:27:27,533 --> 00:27:29,867
THE HAIRDRESSER.

661
00:27:29,900 --> 00:27:31,400
WHO SENT THE BASKET?

662
00:27:31,433 --> 00:27:32,567
THE CARD'S ATTACHED.

663
00:27:32,600 --> 00:27:34,800
YEAH, I DON'T LIKE TO READ
IF I DON'T HAVE TO.

664
00:27:34,833 --> 00:27:36,167
IT'S FROM WARNER'S PUBLICITY.

665
00:27:36,200 --> 00:27:37,167
GET IT OUT OF HERE.

666
00:27:37,200 --> 00:27:38,733
THOSE FUCKING ASS-LICKS.

667
00:27:38,767 --> 00:27:40,300
I HAVE ENOUGH
FUCKING PEANUT BRITTLE

668
00:27:40,333 --> 00:27:43,267
TO FEED ALL THE MONKEYS
IN CHINA.

669
00:27:46,833 --> 00:27:48,267
[SIGHS]

670
00:27:51,533 --> 00:27:53,133
DO YOU MAKE A HABIT
OF REFERRING TO YOUR EMPLOYER

671
00:27:53,167 --> 00:27:54,133
AS A CRAZY BITCH?

672
00:27:54,167 --> 00:27:58,467
UH, SHIT, UM.

673
00:27:58,500 --> 00:27:59,733
NO.

674
00:27:59,767 --> 00:28:01,067
I GUESS I FUCKED UP.

675
00:28:01,067 --> 00:28:04,167
I GUESS
YOU DIDN'T KNOW WHO I WAS.

676
00:28:04,200 --> 00:28:05,967
NO, I DIDN'T.

677
00:28:06,067 --> 00:28:08,633
HMM.

678
00:28:08,667 --> 00:28:10,833
HOW COULD THAT BE, REALLY?

679
00:28:10,867 --> 00:28:11,867
ARE YOU ILLITERATE?

680
00:28:11,900 --> 00:28:14,200
ARE YOU FROM MARS?

681
00:28:14,233 --> 00:28:16,300
HAVE YOU NOT READ A NEWSPAPER
IN THE LAST SEVEN YEARS?

682
00:28:19,367 --> 00:28:22,100
I'M DONE FOR THE DAY,
SO I'M GOING TO GO.

683
00:28:22,133 --> 00:28:23,133
WHAT ARE YOU
DRESSED LIKE?

684
00:28:23,167 --> 00:28:24,433
ARE YOU THE POSTER CHILD

685
00:28:24,467 --> 00:28:26,367
FOR THE UNDERNOURISHED
AND GENDER-CONFUSED?

686
00:28:29,300 --> 00:28:31,967
YEAH, IF YOU SAY SO.

687
00:28:32,067 --> 00:28:32,467
HEY!

688
00:28:32,500 --> 00:28:33,967
WHAT?

689
00:28:34,067 --> 00:28:35,833
LET ME GIVE YOU
A LITTLE PIECE OF ADVICE.

690
00:28:35,867 --> 00:28:37,533
THE STUDIO HEAD
IS MUCH MORE VITAL

691
00:28:37,567 --> 00:28:39,700
TO YOUR CONTINUED
EMPLOYMENT

692
00:28:39,733 --> 00:28:42,967
THAN THE MORONIC ACTRESS
WHO'S STARRING IN MY MOVIE.

693
00:28:43,067 --> 00:28:45,367
LOOK, I WAS TRYING
TO CALM HER DOWN.

694
00:28:45,400 --> 00:28:46,733
I'M SORRY IF IT OFFENDED YOU.

695
00:28:46,767 --> 00:28:48,600
OH, I WASN'T OFFENDED.

696
00:28:48,633 --> 00:28:50,267
THAT WAS FUCKING IMPRESSIVE,

697
00:28:50,300 --> 00:28:54,333
AND, FRANKLY,
UNPRECEDENTED.

698
00:28:54,367 --> 00:28:56,300
HOW'S THAT?

699
00:28:57,400 --> 00:28:58,367
ALYSSA NERO

700
00:28:58,400 --> 00:28:59,833
IS NOTORIOUS

701
00:28:59,867 --> 00:29:02,100
FOR HOLDING UP PRODUCTION
FOR HOURS ON END.

702
00:29:02,133 --> 00:29:04,433
YOU WERE ABLE TO CALM HER DOWN
IN FIVE MINUTES.

703
00:29:04,467 --> 00:29:06,400
IT REALLY WASN'T THAT HARD.

704
00:29:08,067 --> 00:29:09,067
YOU WENT ON INSTINCT, RIGHT?

705
00:29:09,067 --> 00:29:10,633
YEAH, I GUESS I DID.

706
00:29:10,667 --> 00:29:12,467
HAVE YOU EVER THOUGHT
OF DOING IT FOR A LIVING?

707
00:29:14,067 --> 00:29:15,733
I DON'T KNOW WHAT YOU MEAN.
I DO HAIR.

708
00:29:15,767 --> 00:29:17,067
YOU KNOW
HOW TO TALK TO PEOPLE.

709
00:29:17,067 --> 00:29:20,433
IT'S A VERY RARE
AND SPECIAL SKILL.

710
00:29:20,467 --> 00:29:23,067
I AM ALWAYS INTERESTED IN PEOPLE
WITH SPECIAL SKILLS.

711
00:29:23,067 --> 00:29:25,233
THANKS, BUT LIKE I SAID--

712
00:29:25,267 --> 00:29:26,467
YOU'D BE
MY NEW ASSISTANT.

713
00:29:26,500 --> 00:29:28,767
YOU'D COME WITH ME
ON MEETINGS,

714
00:29:28,800 --> 00:29:30,700
MAYBE TWICE,
THREE TIMES A WEEK,

715
00:29:30,733 --> 00:29:32,667
IF I THOUGHT YOUR SPECIAL SKILL

716
00:29:32,700 --> 00:29:33,900
COULD COME IN HANDY.

717
00:29:33,933 --> 00:29:35,533
I STILL DON'T KNOW
WHAT YOU WANT ME TO DO.

718
00:29:35,567 --> 00:29:38,500
DON'T WORRY.

719
00:29:38,533 --> 00:29:40,067
I'LL TELL YOU.

720
00:29:46,933 --> 00:29:49,633
DO YOU KNOW HOW MANY PEOPLE
IN THIS TOWN

721
00:29:49,667 --> 00:29:53,733
WOULD PIERCE THEIR LEFT NIPPLE
TO GET THIS JOB?

722
00:29:55,867 --> 00:29:58,067
HI. IT'S BETTE PORTER
FOR HELENA PEABODY.

723
00:29:58,100 --> 00:30:00,833
WE MET THIS MORNING,
AND I--

724
00:30:00,867 --> 00:30:03,600
WELL, I WOULD PREFER
TO SPEAK TO HER DIRECTLY.

725
00:30:03,633 --> 00:30:09,700
WELL, WHY DON'T YOU LET ME KNOW
WHEN SHE IS AVAILABLE?

726
00:30:09,733 --> 00:30:11,433
FINE. I WILL CALL HER THEN.

727
00:30:11,467 --> 00:30:12,500
YEAH, I'VE BEEN
WITH THE COMPANY

728
00:30:12,533 --> 00:30:13,833
FOR ABOUT FOUR YEARS.

729
00:30:13,867 --> 00:30:14,867
THEY TREAT ME WELL,

730
00:30:14,900 --> 00:30:16,400
SO I DON'T SEE MYSELF
GOING ANYWHERE.

731
00:30:16,433 --> 00:30:18,667
GOOD. G--

732
00:30:20,667 --> 00:30:23,767
WOULD YOU BE HAPPY
IN THE STUDIO BACK THERE?

733
00:30:23,800 --> 00:30:25,967
BECAUSE SHANE,
MY ROOMMATE,

734
00:30:26,000 --> 00:30:29,267
SAID THAT SHE WOULD BE WILLING
TO SLEEP IN THE MAIN HOUSE.

735
00:30:29,300 --> 00:30:32,633
OH, NO, I DON'T EVEN MIND
THE EXTRA BIT OF LITTLE PRIVACY.

736
00:30:32,667 --> 00:30:33,800
[DOOR OPENS]

737
00:30:33,833 --> 00:30:35,733
SORRY.

738
00:30:35,767 --> 00:30:37,067
HEY.

739
00:30:37,100 --> 00:30:38,567
HI.

740
00:30:38,600 --> 00:30:42,700
SHANE, THIS IS SALLY...

741
00:30:42,733 --> 00:30:43,700
HEY, SALLY.

742
00:30:43,733 --> 00:30:44,733
HI.

743
00:30:44,767 --> 00:30:47,167
AND SALLY SAID
THAT SHE WOULD BE WILLING

744
00:30:47,200 --> 00:30:47,800
TO SLEEP IN THE STUDIO.

745
00:30:47,833 --> 00:30:49,633
EXCELLENT.

746
00:30:49,667 --> 00:30:50,633
I'M SORRY I'M LATE.

747
00:30:50,667 --> 00:30:53,500
SO...YOU'RE
INTO THE STUDIO.

748
00:30:53,533 --> 00:30:54,433
DOES THAT MEAN
YOU DISCUSSED

749
00:30:54,467 --> 00:30:55,433
THE KITCHEN

750
00:30:55,467 --> 00:30:56,700
AND THE BATHROOM
SITUATION?

751
00:30:56,733 --> 00:30:58,267
YES, I HAVE.

752
00:30:58,300 --> 00:30:59,367
AND WHAT ABOUT RENT?

753
00:30:59,400 --> 00:31:00,500
UH, NO.

754
00:31:00,533 --> 00:31:02,900
I-I NEED TO ASK A QUESTION.

755
00:31:02,933 --> 00:31:04,400
MM-HMM.
YEAH.

756
00:31:04,433 --> 00:31:08,700
YOU TWO AREN'T, UM...

757
00:31:08,733 --> 00:31:09,900
OH.

758
00:31:09,933 --> 00:31:10,867
OH, NO.

759
00:31:10,900 --> 00:31:11,867
NO.
NO.

760
00:31:11,900 --> 00:31:13,800
NO, WE'RE FRIENDS.

761
00:31:13,833 --> 00:31:14,367
WE'RE ROOMMATES.

762
00:31:14,400 --> 00:31:16,667
[SMOOCHES]

763
00:31:16,700 --> 00:31:17,667
JUST FRIENDS?

764
00:31:17,700 --> 00:31:18,667
YEAH.

765
00:31:18,700 --> 00:31:19,767
YEAH.

766
00:31:21,500 --> 00:31:24,867
IS THERE
A PROBLEM?

767
00:31:24,900 --> 00:31:26,467
MY CHURCH...

768
00:31:26,500 --> 00:31:29,067
WE HAVE A GROUP
CALLED EXODUS MINISTRY.

769
00:31:29,100 --> 00:31:30,200
EXODUS MINISTRY.

770
00:31:30,233 --> 00:31:31,400
WE CAN HELP
GET YOU OUT

771
00:31:31,433 --> 00:31:32,300
OF THE HOMOSEXUAL
LIFESTYLE.

772
00:31:32,333 --> 00:31:34,933
JESUS LOVES US ALL.

773
00:31:34,967 --> 00:31:36,933
HE HATES THE SIN,

774
00:31:36,967 --> 00:31:38,700
BUT HE LOVES THE SINNER.

775
00:31:38,733 --> 00:31:41,267
THANKS FOR COMING BY,
SALLY.

776
00:31:43,200 --> 00:31:44,167
BYE, SALLY.

777
00:31:44,200 --> 00:31:46,300
IT'S THAT WAY.

778
00:31:46,333 --> 00:31:48,133
I'LL SHOW IT TO YOU.

779
00:31:58,067 --> 00:31:59,133
[KNOCKING]

780
00:31:59,167 --> 00:32:02,067
WAIT, I'M GOING TO
TALK TO HER.

781
00:32:02,067 --> 00:32:03,067
OKAY.

782
00:32:06,800 --> 00:32:08,967
AFTERNOON, LADIES.

783
00:32:09,067 --> 00:32:09,967
I'M MARK.

784
00:32:10,067 --> 00:32:11,233
I CALLED EARLIER.

785
00:32:11,267 --> 00:32:12,800
WHO DID I TALK TO
ON THE PHONE?

786
00:32:12,833 --> 00:32:14,633
THAT WOULD BE...ME.

787
00:32:14,667 --> 00:32:15,767
JENNY.

788
00:32:15,800 --> 00:32:16,767
THAT'S YOUR NAME,
RIGHT?

789
00:32:16,800 --> 00:32:18,833
MARK.

790
00:32:18,867 --> 00:32:20,500
HI, MARK.
NICE TO MEET YOU.

791
00:32:23,167 --> 00:32:25,133
WOW. AMAZING EYES.

792
00:32:25,167 --> 00:32:26,433
THANK YOU.

793
00:32:26,467 --> 00:32:28,433
I'M MARK.

794
00:32:28,467 --> 00:32:29,567
YEAH,
YOU SAID THAT.

795
00:32:29,600 --> 00:32:30,567
I'M SHANE.

796
00:32:30,600 --> 00:32:32,067
DO YOU MIND, PLEASE?

797
00:32:32,067 --> 00:32:33,067
I'M SORRY.

798
00:32:33,067 --> 00:32:34,233
I KNOW, THIS THING
IS INTRUSIVE,

799
00:32:34,267 --> 00:32:37,167
BUT IT'S SORT OF MY LIFE'S WORK.

800
00:32:37,200 --> 00:32:37,900
I'M CHRONICLING.

801
00:32:37,933 --> 00:32:38,933
BEAR WITH ME, GUYS.

802
00:32:38,967 --> 00:32:39,933
CHECK THIS.

803
00:32:39,967 --> 00:32:42,067
TWO DARK-HAIRED BEAUTIES
WITH BLUE EYES.

804
00:32:42,067 --> 00:32:43,467
WHAT ARE
THE ODDS OF THAT?

805
00:32:43,500 --> 00:32:47,300
SO IS THAT, LIKE, HOW YOU GUYS
DECIDED TO BE ROOMMATES?

806
00:32:47,333 --> 00:32:49,867
NO, I'M SORRY, MARK,

807
00:32:49,900 --> 00:32:52,333
WHAT IS IT THAT
YOU'RE LOOKING FOR?

808
00:32:54,067 --> 00:32:56,567
THAT IS AN EXCELLENT QUESTION.

809
00:32:56,600 --> 00:32:57,567
HOW DO YOU MEAN?

810
00:32:57,600 --> 00:32:58,567
SPIRITUALLY, PHILOSOPHICALLY?

811
00:32:58,600 --> 00:33:00,367
NO, AS IN A PLACE
TO LIVE.

812
00:33:00,400 --> 00:33:03,233
OH, PHEW.

813
00:33:03,267 --> 00:33:05,200
I CAN ANSWER THAT QUESTION.

814
00:33:07,733 --> 00:33:09,133
WOULD YOU MIND

815
00:33:09,167 --> 00:33:11,633
JUST HOLDING THE CAMERA
WHILE I...

816
00:33:11,667 --> 00:33:13,833
MARK...

817
00:33:13,867 --> 00:33:15,967
OH, SORRY.

818
00:33:16,067 --> 00:33:19,200
MARK WAYLAND HERE
TALKING TO JENNY AND SHANE,

819
00:33:19,233 --> 00:33:20,533
ANSWERING THE QUESTION,

820
00:33:20,567 --> 00:33:21,867
"WHAT ARE YOU LOOKING FOR

821
00:33:21,900 --> 00:33:24,533
IN A PLACE TO LIVE?"

822
00:33:24,567 --> 00:33:26,333
AND HOPING
THAT MY COMPLETELY OBNOXIOUS

823
00:33:26,367 --> 00:33:28,367
IN-YOUR-FACE
VIDEO CAMERA ENTRANCE

824
00:33:28,400 --> 00:33:29,800
DOESN'T TOTALLY PREJUDICE THEM

825
00:33:29,833 --> 00:33:31,500
AGAINST CONSIDERING ME
AS THEIR ROOMMATE.

826
00:33:31,533 --> 00:33:33,867
MM.

827
00:33:33,900 --> 00:33:35,133
DIRECT-TO-VIDEOS,
HUH?

828
00:33:35,167 --> 00:33:35,967
YEAH.

829
00:33:36,067 --> 00:33:37,967
WHAT DO YOU DO
ON THESE VIDEOS?

830
00:33:38,067 --> 00:33:40,367
I WRITE THEM, I SHOOT THEM,
AND I CUT THEM.

831
00:33:40,400 --> 00:33:41,867
WHEN I FIRST TOOK
THE GIG,

832
00:33:41,900 --> 00:33:43,300
I THOUGHT IT'D
ONLY BE PART-TIME

833
00:33:43,333 --> 00:33:44,367
UNTIL I GET
MY SHIT TOGETHER,

834
00:33:44,400 --> 00:33:45,300
GO BACK TO FILM SCHOOL,

835
00:33:45,333 --> 00:33:48,800
BUT IT DIDN'T REALLY WORK OUT.

836
00:33:48,833 --> 00:33:49,833
WHAT ARE SOME OF THE TITLES

837
00:33:49,867 --> 00:33:51,300
OF THE VIDEOS
THAT YOU'VE MADE, MARK?

838
00:33:51,333 --> 00:33:52,800
BARE-KNUCKLE
BACKYARD WRESTLING,

839
00:33:52,833 --> 00:33:54,767
BLOODY BAR BRAWLS,

840
00:33:54,800 --> 00:33:55,667
ASS-KICKIN' SISTAHS,

841
00:33:55,700 --> 00:33:57,667
AND MY FIRST
WAS CALLED

842
00:33:57,700 --> 00:34:00,233
WORLD'S CRAZIEST
BACHELOR PARTIES.

843
00:34:00,267 --> 00:34:01,533
THAT WAS A PRETTY BIG SELLER,

844
00:34:01,567 --> 00:34:04,867
BUT NOT ANYWHERE NEAR AS BIG

845
00:34:04,900 --> 00:34:06,900
AS WILD-ASS
CATHOLIC SCHOOL GIRLS.

846
00:34:06,933 --> 00:34:08,900
DID YOU
CATCH THAT ONE?

847
00:34:08,933 --> 00:34:09,900
[CHUCKLES]

848
00:34:09,933 --> 00:34:12,900
THAT'S TWISTED, MARK.

849
00:34:12,933 --> 00:34:15,367
UM, YOU KNOW, JENNY AND I,
WE'LL GET BACK TO YOU.

850
00:34:15,400 --> 00:34:16,333
MM-HMM.

851
00:34:18,300 --> 00:34:20,367
OKAY.

852
00:34:20,400 --> 00:34:24,267
LOOK, I'M GUESSING BOTH OF YOU
KNOW WHAT IT'S LIKE

853
00:34:24,300 --> 00:34:25,867
TO TRY TO FIGURE OUT
HOW TO BE AN ARTIST.

854
00:34:25,900 --> 00:34:28,133
IS THAT THE STUDIO?

855
00:34:28,167 --> 00:34:29,133
YEAH.

856
00:34:29,167 --> 00:34:30,300
YEAH.

857
00:34:30,333 --> 00:34:31,367
BECAUSE THAT
IS AMAZING.

858
00:34:31,400 --> 00:34:32,600
I COULD BRING IN MY EQUIPMENT

859
00:34:32,633 --> 00:34:34,367
AND POST ALL MY SHOWS
RIGHT OUT OF THERE.

860
00:34:34,400 --> 00:34:36,267
LOOK, I DON'T WANT TO DO THIS.

861
00:34:36,300 --> 00:34:37,333
I WANT TO MAKE DOCUMENTARIES.

862
00:34:37,367 --> 00:34:38,867
IT'S ALL I'VE EVER WANTED
TO DO.

863
00:34:38,900 --> 00:34:41,867
THERE'S NOT A LOT OF CALL
FOR THAT, IS THERE?

864
00:34:41,900 --> 00:34:43,067
NO, BUT I MEAN,

865
00:34:43,100 --> 00:34:45,167
GOD, A TRULY GREAT
DOCUMENTARY FILM--

866
00:34:45,200 --> 00:34:46,900
THERE'S NOTH-- IT'S--

867
00:34:46,933 --> 00:34:48,967
HAVE YOU EVER SEEN THIS MOVIE
CALLED GREY GARDENS?

868
00:34:49,067 --> 00:34:51,333
OH, MY GOD.
THAT'S, UM-- WHAT IS IT?

869
00:34:51,367 --> 00:34:54,200
IT'S ABOUT THOSE...
THE TWO INSANE WOMEN.

870
00:34:54,233 --> 00:34:55,200
THEY'RE, LIKE,

871
00:34:55,233 --> 00:34:55,967
THE MOTHER AND THE DAUGHTER,
RIGHT?

872
00:34:56,067 --> 00:34:57,233
YEAH, YEAH, YEAH.

873
00:34:57,267 --> 00:34:59,067
THAT'S PROBABLY
THE MOST CRAZY,

874
00:34:59,067 --> 00:35:00,100
AMAZING FILM--

875
00:35:00,133 --> 00:35:01,667
BEST DOCUMENTARY--

876
00:35:01,700 --> 00:35:03,100
YES,
YOU SHOULD SEE IT.

877
00:35:03,133 --> 00:35:04,233
YOU MUST
SEE THIS MOVIE.

878
00:35:04,267 --> 00:35:05,933
THAT IS
MY INSPIRATION.

879
00:35:05,967 --> 00:35:09,633
IMAGINE WHAT THAT WOULD BE LIKE
TO MAKE SOMETHING LIKE THAT,

880
00:35:09,667 --> 00:35:12,933
THAT TRULY MOVED PEOPLE.

881
00:35:12,967 --> 00:35:15,067
DO YOU REALLY WANT
TO MOVE PEOPLE?

882
00:35:15,067 --> 00:35:18,933
YES, I REALLY WANT
TO MOVE PEOPLE.

883
00:35:18,967 --> 00:35:22,067
THAT'S
UNDERSTANDABLE.

884
00:35:22,067 --> 00:35:23,700
PLEASE DON'T JUDGE ME
BY WHAT I DO TO GET BY.

885
00:35:23,733 --> 00:35:27,867
I MEAN, I KNOW IT'S WEIRD,

886
00:35:27,900 --> 00:35:30,333
BUT MY DIRECT-TO-VIDEO GIG PAYS.

887
00:35:30,367 --> 00:35:32,067
I CAN GIVE YOU FIRST,
LAST, SECURITY,

888
00:35:32,100 --> 00:35:34,433
AND SIX MONTHS' RENT UPFRONT,
IN CASH.

889
00:35:36,700 --> 00:35:39,233
[SIGHS]

890
00:36:13,333 --> 00:36:14,467
THANK YOU.

891
00:36:14,500 --> 00:36:15,733
YOU'RE WELCOME.

892
00:36:15,767 --> 00:36:17,533
IS MY FACE
ON SIDEWAYS?

893
00:36:17,567 --> 00:36:21,900
NO, YOUR FACE
LOOKS PERFECT.

894
00:36:21,933 --> 00:36:23,533
YOU KNOW, MY COMPANY
RENTED THIS PLACE OUT

895
00:36:23,567 --> 00:36:25,300
LAST YEAR
FOR OUR CLIENTS.

896
00:36:25,333 --> 00:36:26,200
IT'S AMAZING

897
00:36:26,233 --> 00:36:29,700
TO JUST TAKE OVER
THE WHOLE PLACE.

898
00:36:29,733 --> 00:36:31,167
[SCREAMING OVERHEAD]

899
00:36:31,200 --> 00:36:32,700
WHAT DO YOU DO,
CHRIS?

900
00:36:32,733 --> 00:36:34,067
I'M A BUSINESS MANAGER.

901
00:36:34,067 --> 00:36:35,067
WE DEAL WITH MOSTLY

902
00:36:35,067 --> 00:36:36,933
ENTERTAINMENT
INDUSTRY CLIENTS.

903
00:36:36,967 --> 00:36:38,267
COME ON.

904
00:36:38,300 --> 00:36:39,533
LET'S GO ON
THE FERRIS WHEEL AGAIN.

905
00:36:39,567 --> 00:36:41,133
THIS TIME,
WE'LL REALLY SPIN IT.

906
00:36:41,167 --> 00:36:42,467
I WAS ACTUALLY

907
00:36:42,500 --> 00:36:43,800
GOING TO USE
THE RESTROOM,

908
00:36:43,833 --> 00:36:45,467
BUT I'LL MEET YOU GUYS
BY THE FERRIS WHEEL.

909
00:36:45,500 --> 00:36:47,300
PHOOEY.
OKAY, CHRIS?

910
00:36:47,333 --> 00:36:48,300
SURE,
I'M GAME.

911
00:36:48,333 --> 00:36:49,300
YOU KNOW,

912
00:36:49,333 --> 00:36:50,567
I'M GOING TO
STAY HERE, ACTUALLY.

913
00:36:50,600 --> 00:36:52,067
I'M GOING TO TAKE
A BREAK, TOO.

914
00:36:52,067 --> 00:36:53,300
PARTY POOPER.

915
00:36:53,333 --> 00:36:56,233
I'M GOING TO KEEP
ALICE COMPANY.

916
00:36:56,267 --> 00:36:57,233
OKAY.

917
00:36:57,267 --> 00:36:58,267
HAVE FUN.

918
00:37:00,200 --> 00:37:01,800
ALICE!

919
00:37:01,833 --> 00:37:04,667
ALICE, WAIT. ALICE.

920
00:37:04,700 --> 00:37:06,400
ALICE, WAIT UP.

921
00:37:06,433 --> 00:37:08,067
WHAT?

922
00:37:08,100 --> 00:37:09,767
DO YOU HAVE TO FLIRT WITH HIM
LIKE THAT?

923
00:37:09,800 --> 00:37:10,833
YOUR GIRLFRIEND'S
THE ONE

924
00:37:10,867 --> 00:37:12,900
WHO HOOKED ME UP
WITH HIM.

925
00:37:12,933 --> 00:37:14,133
"OH, YOU'D REALLY LOVE
MY FRIEND CHRIS."

926
00:37:14,167 --> 00:37:15,167
I MEAN,
YOU COULD'VE TOLD ME

927
00:37:15,200 --> 00:37:16,533
HE WAS A GUY.

928
00:37:16,567 --> 00:37:17,700
WOULD IT HAVE MADE
A DIFFERENCE?

929
00:37:17,733 --> 00:37:18,933
SO I GUESS GIRLS
DON'T BRING OUT

930
00:37:18,967 --> 00:37:20,667
THE "HEY, WHAT DO YOU DO
FOR A LIVING?

931
00:37:20,700 --> 00:37:21,667
"HOW DO I LOOK?

932
00:37:21,700 --> 00:37:22,667
DO YOU THINK I'M PRETTY?"

933
00:37:22,700 --> 00:37:24,200
I DIDN'T SAY THAT.

934
00:37:26,133 --> 00:37:27,100
I DON'T GET IT.

935
00:37:27,133 --> 00:37:28,233
WHAT DO YOU WANT FROM ME?

936
00:37:28,267 --> 00:37:29,933
WHAT YOU WANT?

937
00:38:01,167 --> 00:38:03,133
I HAVE GREAT RESPECT
FOR HER CONVICTION.

938
00:38:03,167 --> 00:38:05,067
I JUST THINK THAT IT WOULD BE
A TRAGIC MISTAKE

939
00:38:05,100 --> 00:38:06,367
AT THIS MOMENT IN TIME--

940
00:38:06,400 --> 00:38:09,200
HELENA IS VERY CAPABLE.

941
00:38:09,233 --> 00:38:12,167
I DOUBT SHE'LL BE MAKING
ANY TRAGIC MISTAKES.

942
00:38:12,200 --> 00:38:16,133
I AM NOT QUESTIONING
HER ABILITY, PEGGY...

943
00:38:16,167 --> 00:38:20,300
BUT IT'S YOUR LEGACY
TO THE ARTS.

944
00:38:20,333 --> 00:38:21,867
IT'S THE COLLECTION
YOU'VE LABORED OVER.

945
00:38:21,900 --> 00:38:23,467
[LAUGHS]

946
00:38:23,500 --> 00:38:25,867
DO YOU WANT TO KNOW WHAT I THINK
ABOUT LEGACIES?

947
00:38:25,900 --> 00:38:29,633
NIKOLAS,
NIKOLAS, DARLING,

948
00:38:29,667 --> 00:38:33,133
WHAT IS MY LEGACY
GOING TO BE?

949
00:38:33,167 --> 00:38:34,833
[INTERPRETS]

950
00:38:36,800 --> 00:38:38,767
[ANSWERS]

951
00:38:56,367 --> 00:38:58,467
A SANDY WHITE BEACH

952
00:38:58,500 --> 00:39:02,067
AND A COTTAGE
IN THE GRENADINES,

953
00:39:02,067 --> 00:39:05,600
SEVERAL PITCHERS
OF CHILLED MOJITOS,

954
00:39:05,633 --> 00:39:09,133
AND 24 GLORIOUS ORGASMS
IN 24 GLORIOUS HOURS.

955
00:39:09,167 --> 00:39:11,933
I GOT THE GIST OF IT.

956
00:39:11,967 --> 00:39:13,667
[GIGGLES]

957
00:39:13,700 --> 00:39:15,067
HE DOESN'T SPEAK
A WORD OF ENGLISH.

958
00:39:15,100 --> 00:39:16,633
SO I GATHERED.

959
00:39:16,667 --> 00:39:17,533
I'M LUCKY
I FOUND VESNA.

960
00:39:17,567 --> 00:39:19,700
SHE'S A BRILLIANT TRANSLATOR,

961
00:39:19,733 --> 00:39:21,900
AND NOT TOO SHY
TO COME WITH US

962
00:39:21,933 --> 00:39:24,267
INTO THE BEDROOM,
ARE YOU?

963
00:39:24,300 --> 00:39:26,700
HE SAYS
THE MOST DIVINE THINGS TO ME

964
00:39:26,733 --> 00:39:27,700
IN THE BEDROOM.

965
00:39:27,733 --> 00:39:29,933
HOW NICE FOR YOU.

966
00:39:29,967 --> 00:39:30,933
AND LUCKY ME,

967
00:39:30,967 --> 00:39:33,933
I GET TO EXPERIENCE THEM
TWICE.

968
00:39:33,967 --> 00:39:38,900
ONCE VISCERALLY,
AND ONCE LINGUISTICALLY.

969
00:39:38,933 --> 00:39:40,067
VESNA'S EVEN COMING WITH US
TO THE GRENADINES.

970
00:39:40,067 --> 00:39:42,500
AREN'T YOU,
MY LITTLE SQUIRREL?

971
00:39:42,533 --> 00:39:44,733
PEGGY, BEFORE YOU GO
TO THE GRENADINES,

972
00:39:44,767 --> 00:39:47,333
WOULD YOU BE WILLING TO SPEAK
TO HELENA ON OUR BEHALF?

973
00:39:47,367 --> 00:39:49,300
I JUST TRULY BELIEVE
THAT THE C.A.C. WILL SUFFER

974
00:39:49,333 --> 00:39:52,267
WITHOUT OUR ANNUAL
PEABODY FOUNDATION GRANT.

975
00:39:52,300 --> 00:39:53,533
HAS HELENA TURNED YOU DOWN?

976
00:39:53,567 --> 00:39:56,467
HAS SHE ACTUALLY MADE
A DECISION YET?

977
00:39:56,500 --> 00:39:58,433
NO, NOT YET,
BUT I'M JUST CONCERNED--

978
00:39:58,467 --> 00:39:59,467
HAVE FAITH, THEN.

979
00:40:02,633 --> 00:40:05,700
LOOK AT ME.

980
00:40:05,733 --> 00:40:08,933
IF THIS
DOESN'T GIVE YOU FAITH...

981
00:40:22,500 --> 00:40:23,467
[SIGHS]

982
00:40:23,500 --> 00:40:24,867
HELENA PEABODY, PLEASE.

983
00:40:24,900 --> 00:40:28,700
IT'S BETTE PORTER CALLING BACK.

984
00:40:28,733 --> 00:40:31,200
WELL, YOU SAID
SHE WOULD BE FREE.

985
00:40:32,833 --> 00:40:34,133
[SIGHS]

986
00:40:34,167 --> 00:40:35,733
YES, I WOULD LIKE
TO LEAVE A MESSAGE.

987
00:40:35,767 --> 00:40:37,267
CAN YOU PLEASE JUST TELL HER

988
00:40:37,300 --> 00:40:38,967
THAT I WANTED TO INVITE HER
FOR DRINKS THIS EVENING.

989
00:40:39,000 --> 00:40:41,100
WE DIDN'T REALLY
GET TO FINISH OUR--

990
00:40:43,933 --> 00:40:47,233
ALL RIGHT, THANKS.

991
00:40:47,267 --> 00:40:49,000
FUCK.

992
00:40:50,667 --> 00:40:52,333
[MARK]: NO, IT'S A GUEST HOUSE
RIGHT IN THE BACK,

993
00:40:52,367 --> 00:40:55,033
BUT THERE'S NO BATHROOOM
OR KITCHEN OR ANYTHING,

994
00:40:55,067 --> 00:40:57,300
SO WE SHARE ALL THAT.

995
00:41:11,700 --> 00:41:13,433
THIS IS IT.

996
00:41:15,267 --> 00:41:17,367
HOME SWEET HOME.

997
00:41:32,833 --> 00:41:34,900
WELL?

998
00:41:36,933 --> 00:41:38,733
THIS IS IT?

999
00:41:38,767 --> 00:41:42,433
DUDE, SHUT UP.

1000
00:41:44,567 --> 00:41:45,633
ALL RIGHT,
COME ON.

1001
00:41:45,667 --> 00:41:47,267
HELP ME GET SOME SHIT
OUT OF THE CAR.

1002
00:41:47,300 --> 00:41:48,800
ALL RIGHT, THEN.

1003
00:42:08,267 --> 00:42:11,933
[***]

1004
00:42:29,233 --> 00:42:31,367
I'LL HAVE
AN ABSOLUT MARTINI.

1005
00:44:17,167 --> 00:44:19,067
DO YOU WANT TO DANCE?

1006
00:45:10,400 --> 00:45:11,367
HI.

1007
00:45:11,400 --> 00:45:12,367
HI.

1008
00:45:12,400 --> 00:45:13,367
HOW ARE YOU?

1009
00:45:13,400 --> 00:45:15,700
GOOD. HOW--

1010
00:45:15,733 --> 00:45:16,900
HI.

1011
00:45:16,933 --> 00:45:18,067
HI, EVERYONE.

1012
00:45:18,067 --> 00:45:21,467
HI.

1013
00:45:21,500 --> 00:45:22,633
HOW'S IT GOING?

1014
00:45:22,667 --> 00:45:24,267
HI...
HOW WAS THE--

1015
00:45:24,300 --> 00:45:25,267
HOW WAS
THE BLIND DATE?

1016
00:45:25,300 --> 00:45:26,267
FUCKING TONYA
SET ME UP

1017
00:45:26,300 --> 00:45:27,300
WITH A GUY.

1018
00:45:27,333 --> 00:45:28,633
OH, SHIT.

1019
00:45:28,667 --> 00:45:30,067
WAS HE CUTE?

1020
00:45:30,067 --> 00:45:31,200
YEAH.

1021
00:45:31,233 --> 00:45:32,200
HE WAS TOTALLY CUTE.

1022
00:45:32,233 --> 00:45:33,867
I-I DON'T KNOW.

1023
00:45:33,900 --> 00:45:36,800
I ACTUALLY KIND OF LIKED HIM,
BELIEVE IT OR NOT.

1024
00:45:36,833 --> 00:45:38,700
UM...BEER, ANYONE?

1025
00:45:38,733 --> 00:45:40,200
NO. NO, THANK YOU.

1026
00:45:40,233 --> 00:45:41,200
YOU HAVE
THE COMPLETE

1027
00:45:41,233 --> 00:45:42,767
BRIGITTE BARDOT
COLLECTION?

1028
00:45:42,800 --> 00:45:44,267
UM...

1029
00:45:44,300 --> 00:45:45,267
THIS IS EXCELLENT.

1030
00:45:46,233 --> 00:45:47,367
THAT'S JENNY'S.

1031
00:45:50,133 --> 00:45:51,700
I LOVE BRIGITTE BARDOT.

1032
00:45:51,733 --> 00:45:54,633
ME TOO.

1033
00:46:02,800 --> 00:46:04,733
[KNOCKING]

1034
00:46:11,200 --> 00:46:12,167
COME IN.

1035
00:46:12,200 --> 00:46:14,100
THANKS.

1036
00:46:14,133 --> 00:46:18,467
I JUST WANTED TO SAY THANK YOU
FOR THE BEAUTIFUL ORCHIDS.

1037
00:46:18,500 --> 00:46:20,100
OH, GOD, NO.

1038
00:46:20,133 --> 00:46:21,767
NO, THANK YOU.

1039
00:46:21,800 --> 00:46:25,367
YOU KNOW,
MY EX WAS AN ORCHID COLLECTOR,

1040
00:46:25,400 --> 00:46:27,500
AND I KNOW A FINE ORCHID
WHEN I SEE ONE.

1041
00:46:27,533 --> 00:46:28,467
SO THANK YOU.

1042
00:46:30,633 --> 00:46:33,067
I JUST--

1043
00:46:33,067 --> 00:46:36,733
I WANTED YOU TO KNOW
HOW MUCH I APPRECIATE

1044
00:46:36,767 --> 00:46:40,467
EVERYTHING
THAT YOU'VE DONE FOR ME.

1045
00:46:40,500 --> 00:46:43,333
THIS HAS BEEN
ONE OF THE HARDEST TIMES--

1046
00:46:43,367 --> 00:46:44,333
YEAH.

1047
00:46:44,367 --> 00:46:46,567
I JUST--

1048
00:46:46,600 --> 00:46:50,100
YOU'VE BEEN SO GENEROUS.

1049
00:46:50,133 --> 00:46:52,567
I JUST THINK THE WORLD--

1050
00:46:52,600 --> 00:46:53,333
ALL RIGHT.

1051
00:46:53,367 --> 00:46:54,733
GIVE US A HUG.

1052
00:46:54,767 --> 00:46:55,700
COME ON.

1053
00:46:57,433 --> 00:46:58,367
MM.

1054
00:47:01,200 --> 00:47:02,167
THANK YOU.

1055
00:47:02,200 --> 00:47:05,300
YOU'RE AMAZING, REALLY.

1056
00:47:21,733 --> 00:47:23,067
I'M SORRY.

1057
00:47:23,100 --> 00:47:24,067
I CAN'T.

1058
00:47:24,100 --> 00:47:25,067
OF COURSE YOU CAN.

1059
00:47:25,100 --> 00:47:26,067
COME ON.

1060
00:47:26,100 --> 00:47:27,067
JUST RELAX.

1061
00:47:27,100 --> 00:47:28,067
JUST RELAX.

1062
00:47:28,100 --> 00:47:31,267
NO.

1063
00:47:31,300 --> 00:47:33,200
LOOK, DON'T WORRY.

1064
00:47:33,233 --> 00:47:34,600
I'LL BE CAREFUL.

1065
00:47:34,633 --> 00:47:38,233
I'VE MADE LOVE
TO A PREGNANT WOMAN BEFORE.

1066
00:47:38,267 --> 00:47:40,567
NO!

1067
00:47:40,600 --> 00:47:42,067
JESUS, NO.

1068
00:47:44,233 --> 00:47:46,567
LIZ VAN ASSUM
AND GABBY DEVEAUX

1069
00:47:46,600 --> 00:47:49,100
ARE, LIKE, TOTALLY DRESSED
IN SM LEATHER,

1070
00:47:49,133 --> 00:47:52,800
AND GABBY HAS A HUGE CHAIN
FROM HER CROTCH

1071
00:47:52,833 --> 00:47:54,267
THAT GOES THROUGH HER LEGS

1072
00:47:54,300 --> 00:47:56,367
AND IS PADLOCKED
TO LIZ'S CROTCH.

1073
00:47:56,400 --> 00:47:58,867
GOD, GABBY DEVEAUX'S
A FREAK.

1074
00:47:58,900 --> 00:48:00,333
[SNICKERS]

1075
00:48:00,367 --> 00:48:03,333
I THINK GABBY
FREAKED ALICE PRETTY BAD.

1076
00:48:03,367 --> 00:48:04,867
YEAH, I DON'T TOUCH
THAT SHIT ANYMORE.

1077
00:48:04,900 --> 00:48:08,267
I'M THROUGH
WITH MINDFUCKS.

1078
00:48:14,867 --> 00:48:17,867
[CLEARS THROAT]

1079
00:48:17,900 --> 00:48:21,433
I THINK THAT...
THAT I'M GOING TO BE GOING NOW.

1080
00:48:21,467 --> 00:48:24,400
SO I'LL
SEE YOU LATER.

1081
00:48:27,867 --> 00:48:29,267
BYE.

1082
00:49:22,633 --> 00:49:25,967
MAN...
YOU SO FUCKING SCORED.

1083
00:49:29,167 --> 00:49:31,800
COME HERE AND HELP ME
WIRE THESE AMPS, MAN.

1084
00:49:31,833 --> 00:49:33,067
SURE.

1085
00:49:33,067 --> 00:49:35,900
GOMEY,
STOP STARING.

1086
00:49:35,933 --> 00:49:38,067
MAYBE THEY CAN HELP US
WITH THE AMPS.

1087
00:49:38,100 --> 00:49:41,133
BETTE SAID
THAT WE COULD SWIM HERE

1088
00:49:41,167 --> 00:49:43,267
WHENEVER WE WANTED, SO...

1089
00:49:45,867 --> 00:49:46,867
LET'S FUCKING DO IT.

1090
00:49:46,900 --> 00:49:48,067
[LAUGHS]

1091
00:49:52,900 --> 00:49:54,333
COME ON.

1092
00:49:54,367 --> 00:49:55,333
COME ON.

1093
00:49:55,367 --> 00:49:57,067
ALL RIGHT, ALL RIGHT.

1094
00:49:57,067 --> 00:50:00,067
[LAUGHING]

1095
00:50:07,400 --> 00:50:08,933
[SCREAMS]

1096
00:50:22,967 --> 00:50:24,800
THIS IS A NICE HOTEL.

1097
00:50:26,833 --> 00:50:28,767
IT'LL DO.

1098
00:51:48,067 --> 00:51:49,933
HEY, JENNY.

1099
00:51:49,967 --> 00:51:51,467
HEY, MARK.

1100
00:51:51,500 --> 00:51:52,533
THIS IS
MY BUDDY GOMEY.

1101
00:51:52,567 --> 00:51:53,533
HEY.

1102
00:51:53,567 --> 00:51:54,533
HI.

1103
00:51:54,567 --> 00:51:55,733
JENNY, NICE TO MEET YOU.

1104
00:51:55,767 --> 00:51:57,900
OOF.

1105
00:51:57,933 --> 00:51:59,200
THAT POOL LOOKS SO FINE, JENNY.

1106
00:51:59,233 --> 00:52:00,167
WOULD IT BE COOL
IF WE JOINED YOU?

1107
00:52:00,200 --> 00:52:05,167
UM...YOU SHOULD
PROBABLY ASK THEM.

1108
00:52:05,200 --> 00:52:07,067
HEY, MARK, COME JOIN US.

1109
00:52:15,767 --> 00:52:19,200
CAN I ASK YOU
A QUESTION?

1110
00:52:19,233 --> 00:52:20,767
YEAH.

1111
00:52:27,067 --> 00:52:28,933
SMOKE?

1112
00:52:28,967 --> 00:52:31,133
YEAH.

1113
00:52:31,167 --> 00:52:34,233
THAT WASN'T
THE QUESTION.

1114
00:52:34,267 --> 00:52:35,767
WHAT?

1115
00:52:37,967 --> 00:52:41,200
THOSE GIRLS...

1116
00:52:41,233 --> 00:52:43,267
THEY'RE ALL GAY,
RIGHT?

1117
00:52:43,300 --> 00:52:45,100
YEAH.

1118
00:52:45,133 --> 00:52:46,733
THEY PRETTY MUCH ARE.

1119
00:52:48,667 --> 00:52:49,733
WHAT ABOUT YOU?

1120
00:52:49,767 --> 00:52:50,767
WHAT ABOUT ME?

1121
00:52:50,800 --> 00:52:52,600
ARE YOU GAY?

1122
00:52:52,633 --> 00:52:54,100
I DON'T KNOW.

1123
00:52:54,133 --> 00:52:55,133
I DON'T KNOW.

1124
00:52:55,167 --> 00:52:57,267
WHAT DO YOU THINK?

1125
00:53:00,633 --> 00:53:01,933
IF I SAW YOU
AT A BAR,

1126
00:53:01,967 --> 00:53:03,267
I WOULD ASSUME
YOU WERE STRAIGHT.

1127
00:53:03,300 --> 00:53:05,400
MM-HMM.

1128
00:53:05,433 --> 00:53:06,633
BUT THAT DOESN'T
REALLY MEAN ANYTHING.

1129
00:53:06,667 --> 00:53:08,333
NO, IT DOESN'T.

1130
00:53:08,367 --> 00:53:09,800
YOU NEVER KNOW
THESE DAYS, DO YOU?

1131
00:53:09,833 --> 00:53:10,900
NO, YOU DON'T.

1132
00:53:10,933 --> 00:53:15,467
EXCEPT YOU KNEW
THEY WERE, RIGHT?

1133
00:53:15,500 --> 00:53:16,667
THAT'S TRUE.

1134
00:53:16,700 --> 00:53:19,267
SO, WHAT DO YOU
THINK IT IS?

1135
00:53:19,300 --> 00:53:20,767
I DON'T KNOW.

1136
00:53:20,800 --> 00:53:21,567
I'D SAY IT HAS
SOMETHING TO DO

1137
00:53:21,600 --> 00:53:22,900
WITH THEIR ATTITUDE.

1138
00:53:22,933 --> 00:53:25,900
IT'S NOT THAT THEY'RE
MASCULINE OR ANYTHING,

1139
00:53:25,933 --> 00:53:27,200
BECAUSE, ACTUALLY,
SOME OF THEM

1140
00:53:27,233 --> 00:53:30,200
ARE PRETTY FEMININE,
YOU KNOW?

1141
00:53:30,233 --> 00:53:31,233
IT'S...

1142
00:53:33,133 --> 00:53:35,833
THEY HAVE
THESE HAIRCUTS,

1143
00:53:35,867 --> 00:53:38,067
THESE VERY COOL
HAIRCUTS--

1144
00:53:38,067 --> 00:53:39,233
OKAY, DON'T
GET ME WRONG.

1145
00:53:39,267 --> 00:53:41,400
IT'S OBVIOUSLY
MORE THAN A HAIRCUT,

1146
00:53:41,433 --> 00:53:43,233
BUT IT'S, NO,
IT'S TRUE.

1147
00:53:43,267 --> 00:53:45,700
IT'S THIS--

1148
00:53:45,733 --> 00:53:47,667
IT'S SOMETHING
THAT THEY EXUDE THAT'S...

1149
00:53:50,967 --> 00:53:53,667
I'M GOING TO TRY
TO PUT MY FINGER ON IT.

1150
00:53:55,533 --> 00:53:56,933
GOOD.

1151
00:53:58,833 --> 00:54:00,600
TELL ME
WHEN YOU DO, MARK.

1152
00:54:02,600 --> 00:54:04,767
I WILL.

1153
00:54:04,800 --> 00:54:07,067
I WILL TELL YOU
WHEN I DO.

1154
00:54:10,633 --> 00:54:12,167
DON'T LOOK.

1155
00:54:12,200 --> 00:54:13,567
SORRY.

1156
00:54:13,600 --> 00:54:16,400
IT'S NAUGHTY.

1157
00:54:16,433 --> 00:54:18,133
GOOD NIGHT.

1158
00:54:18,167 --> 00:54:19,767
NIGHT.

1159
00:54:52,700 --> 00:54:55,800
WHAT ARE YOU DOING
STILL AWAKE?

1160
00:54:59,900 --> 00:55:01,167
HUH?

1161
00:55:01,200 --> 00:55:04,867
WILL YOU CUT MY HAIR?

1162
00:55:04,900 --> 00:55:08,067
WHAT KIND A HAIRCUT
DO YOU WANT?

1163
00:55:08,067 --> 00:55:11,800
SHORT.

1164
00:55:11,833 --> 00:55:13,233
OKAY.

1165
00:55:16,600 --> 00:55:18,067
DO YOU WANT ME
TO DO IT RIGHT NOW?

1166
00:55:18,067 --> 00:55:19,867
YEAH.
YEAH, I DO.

1167
00:55:19,900 --> 00:55:20,967
IF YOU'RE
NOT TOO TIRED.

1168
00:55:21,067 --> 00:55:22,700
I'M NOT TOO TIRED.

1169
00:55:22,733 --> 00:55:23,700
OKAY.

1170
00:55:23,733 --> 00:55:24,533
ARE YOU SURE?

1171
00:55:24,567 --> 00:55:26,367
YEAH.

1172
00:55:26,400 --> 00:55:29,267
I JUST FEEL
LIKE I NEED TO CHANGE.

1173
00:55:31,167 --> 00:55:32,433
OKAY.

1174
00:56:01,600 --> 00:56:02,633
OKAY.

1175
00:56:02,667 --> 00:56:04,400
ALL RIGHT.

1176
00:56:04,433 --> 00:56:05,433
YEAH.

1177
00:56:05,467 --> 00:56:06,500
OKAY.
OKAY.

1178
00:56:06,533 --> 00:56:07,500
LET'S DO IT.

1179
00:56:07,533 --> 00:56:09,067
YEAH.

1180
00:56:18,200 --> 00:56:20,200
[***]

1181
00:57:13,900 --> 00:57:16,300
[***]

1182
00:58:12,667 --> 00:58:13,867
[MEOWS]

1183
00:58:13,900 --> 00:58:14,833
[PURRS]