1 00:00:11,000 --> 00:00:12,300 PREVIOUSLY ON THE L WORD... 2 00:00:12,333 --> 00:00:13,400 DON'T DO IT, TINA. 3 00:00:13,433 --> 00:00:14,800 THAT WOMAN WILL EAT YOU ALIVE. 4 00:00:14,833 --> 00:00:15,800 SHE IS A VAMPIRE. 5 00:00:15,833 --> 00:00:17,300 YEAH, AND A DRAGON. 6 00:00:17,333 --> 00:00:18,067 THAT'S RIGHT. SHE IS A MONSTER. 7 00:00:18,100 --> 00:00:19,900 MEET MY EX, 8 00:00:19,933 --> 00:00:21,333 WINNIE MANN. 9 00:00:21,367 --> 00:00:22,300 I SHOULD GO. 10 00:00:22,333 --> 00:00:23,100 DON'T BE INTIMIDATED BY HER. 11 00:00:23,133 --> 00:00:25,467 NO, DO. 12 00:00:25,500 --> 00:00:27,133 LEO HERRERA. NICE TO MEET YOU. 13 00:00:27,167 --> 00:00:28,967 I'M HERE TO RAISE MONEY, BETTE, NOT TAKE YOUR JOB. 14 00:00:29,000 --> 00:00:30,467 THEY WOULD BE SILLY TO LET ME GO. 15 00:00:30,500 --> 00:00:32,267 THERE IS A HAPPY NEW COUPLE IN THE HOUSE, 16 00:00:32,300 --> 00:00:35,267 ALICE AND DANA! 17 00:00:35,300 --> 00:00:37,467 I DON'T KNOW WHY I LEFT LAST NIGHT. 18 00:00:37,500 --> 00:00:38,900 I THINK BECAUSE YOU LIKE SHANE. 19 00:00:38,933 --> 00:00:40,600 OH, GOODNESS. 20 00:00:40,633 --> 00:00:41,900 THAT'S WHAT I CALL GOOD FILMMAKING. 21 00:00:43,133 --> 00:00:44,067 I WANT YOU TO CALL MY FRIEND 22 00:00:44,100 --> 00:00:45,300 BURR CONNOR. 23 00:00:45,333 --> 00:00:47,167 DO YOU KNOW WHO HE IS? 24 00:00:47,200 --> 00:00:48,367 HE'S AN INTERESTING MAN, 25 00:00:48,400 --> 00:00:50,300 AND HE'S WRITING HIS MEMOIRS FOR DUTTON. 26 00:00:50,333 --> 00:00:51,500 FUCKING CRAZY BITCH. 27 00:00:51,533 --> 00:00:52,233 FUCK YOU! 28 00:00:52,267 --> 00:00:53,333 HEY! 29 00:00:54,667 --> 00:00:56,133 GET OFF, MAN. 30 00:00:56,167 --> 00:00:57,733 FUCK! 31 00:00:57,767 --> 00:01:00,800 [TINA]: WE CONCEIVED OF THIS BABY TOGETHER, 32 00:01:00,833 --> 00:01:07,233 AND YOU SHOULD ABSOLUTELY BE PART OF HER LIFE. 33 00:01:07,267 --> 00:01:09,200 HER. 34 00:01:10,867 --> 00:01:13,900 [***] 35 00:01:38,500 --> 00:01:39,900 WE'RE DONE FOR NOW. 36 00:01:42,200 --> 00:01:44,367 WE'D BE CLEAR TO BARKER PASS BY NOW 37 00:01:44,400 --> 00:01:45,467 IF YOU HADN'T BROUGHT 38 00:01:45,500 --> 00:01:47,067 THAT UPPITY PREACHER'S DAUGHTER. 39 00:01:47,067 --> 00:01:50,800 SOMETIMES A MAN'S GOT TO DO WHAT A MAN'S GOT TO DO. 40 00:01:50,833 --> 00:01:53,067 YEAH. 41 00:01:54,167 --> 00:01:56,567 LOOKING FOR THESE, BOYS? 42 00:01:56,600 --> 00:01:58,300 WHAT THE-- 43 00:02:04,967 --> 00:02:07,633 FOR LAST NIGHT. 44 00:02:07,667 --> 00:02:09,200 FOR THIS MORNING. 45 00:02:09,233 --> 00:02:13,233 NEXT TIME, DON'T UNDERCOOK THE YOLKS. 46 00:02:13,267 --> 00:02:15,067 [DIRECTOR]: AND CUT! 47 00:02:16,100 --> 00:02:17,967 ARE YOU OKAY? 48 00:02:18,067 --> 00:02:20,533 DO I GET EXTRA PAY FOR THAT? 49 00:02:20,567 --> 00:02:22,500 BACK TO ONES, EVERYBODY. 50 00:02:43,233 --> 00:02:45,167 [TRAILER CREAKING] 51 00:02:56,467 --> 00:02:57,433 GET THE HELL OFF OF HIM. 52 00:02:57,467 --> 00:02:58,933 [MAN]: OH, SHIT! 53 00:02:58,967 --> 00:03:00,467 OH! 54 00:03:00,500 --> 00:03:02,233 BURR, COME ON. 55 00:03:02,267 --> 00:03:03,533 BURR! 56 00:03:03,567 --> 00:03:04,800 [MUTTERING ANGRILY] 57 00:03:04,833 --> 00:03:05,800 BURR! GET THE FUCK OUT OF HERE! 58 00:03:05,833 --> 00:03:07,933 GO ON! 59 00:03:10,133 --> 00:03:10,867 DON'T COME BACK! 60 00:03:12,167 --> 00:03:13,167 WHAT THE FUCK ARE YOU DOING? 61 00:03:13,200 --> 00:03:14,767 NONE OF YOUR BUSINESS. 62 00:03:14,800 --> 00:03:18,067 IT IS ABSOLUTELY MY BUSINESS. 63 00:03:18,067 --> 00:03:19,633 WHAT IF THAT KID TALKS, HUH? 64 00:03:19,667 --> 00:03:22,267 DO YOU EVER THINK OF THAT? 65 00:03:22,300 --> 00:03:23,333 HUH? 66 00:03:23,367 --> 00:03:24,800 WHAT IF HE GOES TO THE STAR, 67 00:03:24,833 --> 00:03:27,067 AND HE SAYS THAT ROD SEBRING IS AN ASS BANDIT? 68 00:03:27,067 --> 00:03:29,133 NO. NO, BEN WOULDN'T DO THAT. 69 00:03:29,167 --> 00:03:30,233 BEN WOULDN'T DO THAT. 70 00:03:30,267 --> 00:03:32,967 NO, HE WOULDN'T. 71 00:03:33,067 --> 00:03:34,400 YOU DON'T KNOW THAT. 72 00:03:36,900 --> 00:03:38,700 AND I HAVE TOO MUCH RIDING ON THIS PICTURE. 73 00:03:38,733 --> 00:03:40,767 BURR. BURR! 74 00:03:45,167 --> 00:03:51,800 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 75 00:03:51,833 --> 00:03:58,067 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 76 00:03:58,067 --> 00:04:04,067 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 77 00:04:04,067 --> 00:04:11,167 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 78 00:04:18,733 --> 00:04:20,100 * TALKING, LAUGHING LOVING, BREATHING * 79 00:04:20,133 --> 00:04:21,933 * FIGHTING, FUCKING CRYING, DRINKING * 80 00:04:21,967 --> 00:04:23,333 * WRITING, WINNING LOSING, CHEATING * 81 00:04:23,367 --> 00:04:24,533 * KISSING, THINKING, DREAMING 82 00:04:24,567 --> 00:04:26,700 * THIS IS THE WAY 83 00:04:26,733 --> 00:04:30,533 * IT'S THE WAY THAT WE LIVE 84 00:04:30,567 --> 00:04:35,067 * IT'S THE WAY THAT WE LIVE 85 00:04:35,100 --> 00:04:38,767 * AND LOVE * 86 00:04:43,800 --> 00:04:48,600 [RADIO ANNOUNCER]: ...ON 88.1 AND KCRU OXNARD-VENTURA-- 87 00:04:48,633 --> 00:04:50,300 [SHUTS RADIO OFF] 88 00:05:19,467 --> 00:05:20,433 OH, MY GOD. 89 00:05:20,467 --> 00:05:23,467 OH, MY GOD. 90 00:05:23,500 --> 00:05:24,467 GOD, DON'T FREAK. 91 00:05:24,500 --> 00:05:25,467 IT'S SUNDAY. 92 00:05:25,500 --> 00:05:26,467 WE'RE ALLOWED TO GET UP LATE. 93 00:05:26,500 --> 00:05:28,867 ALICE, IT'S MONDAY. 94 00:05:28,900 --> 00:05:30,100 NO, MM-MM. 95 00:05:30,133 --> 00:05:31,233 NO, IT'S SUNDAY. 96 00:05:31,267 --> 00:05:32,533 ALICE, THINK ABOUT IT. 97 00:05:32,567 --> 00:05:33,933 YESTERDAY WE GOT BRUNCH DELIVERED, 98 00:05:33,967 --> 00:05:35,067 AND THEN THE NIGHT BEFORE 99 00:05:35,067 --> 00:05:36,300 WE WATCHED SATURDAY NIGHT LIVE. 100 00:05:36,333 --> 00:05:37,500 RIGHT! 101 00:05:37,533 --> 00:05:38,967 OH, FUCK! 102 00:05:39,067 --> 00:05:39,967 OH, MY GOD. 103 00:05:40,067 --> 00:05:42,067 I HAVE MY KCRW THING TOMORROW. 104 00:05:42,067 --> 00:05:43,433 I HAVEN'T COME UP WITH A SINGLE IDEA. 105 00:05:43,467 --> 00:05:45,067 I'M TOTALLY FUCKING UP. 106 00:05:45,067 --> 00:05:46,733 OH, GOD. 107 00:05:48,667 --> 00:05:50,300 WHAT AM I GOING TO DO FOR MY AUDITION? 108 00:05:50,333 --> 00:05:52,367 A ONCE-A-WEEK, THREE-MINUTE CULTURE SPOT. 109 00:05:52,400 --> 00:05:53,100 RIGHT. 110 00:05:53,133 --> 00:05:54,567 I NEED FUCKING IDEAS. 111 00:05:54,600 --> 00:05:56,067 PEOPLE WHO RUIN THEIR LIVES 112 00:05:56,100 --> 00:05:57,900 BECAUSE THEY CAN'T STOP HAVING SEX? 113 00:05:57,933 --> 00:05:59,167 OKAY, THAT'S REALLY NOT HELPING. 114 00:05:59,200 --> 00:06:00,233 I'M SORRY. 115 00:06:00,267 --> 00:06:02,167 LOOK, YOU'RE NOT THE ONLY ONE 116 00:06:02,200 --> 00:06:03,467 WHO'S BLOWN OFF IMPORTANT THINGS 117 00:06:03,500 --> 00:06:05,167 TO STAY IN BED FUCKING FOR FIVE DAYS, OKAY? 118 00:06:05,200 --> 00:06:06,200 I SHOULD BE TRAINING. 119 00:06:06,233 --> 00:06:08,367 YOU SHOULD ALWAYS BE TRAINING, SO... 120 00:06:08,400 --> 00:06:09,933 ALL RIGHT, LOOK. 121 00:06:11,867 --> 00:06:13,700 I'M GOING TO GO MAKE US SOME COFFEE, OKAY? 122 00:06:13,733 --> 00:06:14,700 OKAY. 123 00:06:14,733 --> 00:06:16,467 OKAY. 124 00:06:18,533 --> 00:06:19,533 WORK. 125 00:06:19,567 --> 00:06:21,833 OKAY. GET TO WORK. 126 00:06:21,867 --> 00:06:24,667 OKAY, OKAY. 127 00:06:24,700 --> 00:06:26,633 [***] 128 00:07:03,167 --> 00:07:04,467 HEY. HEY. 129 00:07:04,500 --> 00:07:06,067 HI. 130 00:07:06,067 --> 00:07:09,433 I GOT YOU TEA. 131 00:07:09,467 --> 00:07:10,700 I WASN'T SURE 132 00:07:10,733 --> 00:07:12,100 WHAT ELSE YOU'RE EATING THESE DAYS, BUT-- 133 00:07:12,133 --> 00:07:13,100 THANK YOU. 134 00:07:13,133 --> 00:07:15,833 THAT'S NICE. 135 00:07:19,867 --> 00:07:23,533 I SPOKE TO DAN FOXWORTHY THIS MORNING. 136 00:07:23,567 --> 00:07:25,433 I WAS THINKING ABOUT GOING BACK TO THERAPY. 137 00:07:25,467 --> 00:07:28,500 OH, I DON'T KNOW ABOUT THERAPY. 138 00:07:28,533 --> 00:07:30,300 I THINK WE SHOULD JUST FOCUS ON THE BABY. 139 00:07:30,333 --> 00:07:32,067 OH, NOT FOR US. 140 00:07:32,100 --> 00:07:35,567 I WAS THINKING ABOUT GOING TO SEE HIM MYSELF. 141 00:07:35,600 --> 00:07:36,900 OH. 142 00:07:36,933 --> 00:07:38,900 THAT'S GREAT. 143 00:07:38,933 --> 00:07:41,800 THAT'S REALLY GREAT. 144 00:07:41,833 --> 00:07:43,067 IT'LL BE GOOD FOR YOU. 145 00:07:43,100 --> 00:07:44,267 YEAH. 146 00:07:52,333 --> 00:07:54,200 CAN I JUST SAY ONE THING? 147 00:07:54,233 --> 00:07:56,267 YOU CAN SAY ANYTHING YOU WANT. 148 00:07:56,300 --> 00:07:57,467 NO, I CAN'T. 149 00:07:57,500 --> 00:07:58,467 YOU'VE MADE IT CLEAR 150 00:07:58,500 --> 00:08:00,267 THAT YOU DON'T EXACTLY WANT TO HEAR 151 00:08:00,300 --> 00:08:01,067 WHAT I HAVE TO SAY RIGHT NOW, 152 00:08:01,067 --> 00:08:02,067 AND THAT'S FINE, 153 00:08:02,067 --> 00:08:05,533 BUT I... 154 00:08:05,567 --> 00:08:13,633 I NEVER GOT TO SAY HOW HAPPY I AM FOR YOU... 155 00:08:13,667 --> 00:08:15,700 FOR US. 156 00:08:19,167 --> 00:08:20,500 I'M GLAD YOU'RE HAPPY. 157 00:08:20,533 --> 00:08:24,100 IT SHOULD BE YOUR HAPPINESS, TOO. 158 00:08:27,100 --> 00:08:33,300 LET'S, UM, JUST FOCUS ON BEING REALLY GOOD PARENTS. 159 00:08:33,333 --> 00:08:35,300 [BOTH LAUGH] 160 00:08:35,333 --> 00:08:37,267 IT'LL BE A NEW KIND OF PARTNERSHIP FOR US. 161 00:08:39,167 --> 00:08:40,600 YEAH. 162 00:08:50,700 --> 00:08:52,267 MY TEACHER, CHARLOTTE BIRCH, 163 00:08:52,300 --> 00:08:53,300 IS PUSHING ME, 164 00:08:53,333 --> 00:08:54,800 AND I'M REALLY FREAKED OUT. 165 00:08:54,833 --> 00:08:56,167 BECAUSE SHE'S INTIMATING 166 00:08:56,200 --> 00:08:58,167 THERE'S SOME KIND OF MYSTERIOUS CHALLENGE 167 00:08:58,200 --> 00:08:59,400 IN ALL OF THIS FOR ME. 168 00:08:59,433 --> 00:09:00,900 OKAY, WELL, CAN I TELL YOU 169 00:09:00,933 --> 00:09:02,700 WHAT I THINK ABOUT CHARLOTTE? 170 00:09:02,733 --> 00:09:04,400 I THINK... WHAT? 171 00:09:04,433 --> 00:09:05,400 YOU HAVE A CRUSH ON HER. 172 00:09:05,433 --> 00:09:06,433 NO, I DON'T. 173 00:09:06,467 --> 00:09:07,533 I THINK YOU DO, 174 00:09:07,567 --> 00:09:08,967 AND I THINK IT'S TOTALLY OKAY, 175 00:09:09,067 --> 00:09:12,700 AND I THINK THAT YOU ARE ALLOWED 176 00:09:12,733 --> 00:09:15,267 TO HAVE A CRUSH ON YOUR TEACHER, 177 00:09:15,300 --> 00:09:16,333 AND YOU KNOW WHAT? 178 00:09:16,367 --> 00:09:18,567 I THINK YOU SHOULD GO FOR IT. 179 00:09:18,600 --> 00:09:20,167 TOTALLY GO FOR IT. 180 00:09:20,200 --> 00:09:23,333 FUCK YOU. 181 00:09:23,367 --> 00:09:24,600 WHAT? 182 00:09:28,367 --> 00:09:29,667 YOU WANT ME TO BE JEALOUS? 183 00:09:40,700 --> 00:09:43,233 WELL, IF YOU THINK ABOUT FUCKING HER, 184 00:09:43,267 --> 00:09:45,267 I WILL KILL YOU. 185 00:09:51,633 --> 00:09:53,233 MY NEXT SONOGRAM 186 00:09:53,267 --> 00:09:55,833 IS WEDNESDAY THE 7th AT 10:00 A.M. 187 00:09:55,867 --> 00:09:57,367 WELL, I'D LOVE TO BE THERE. 188 00:09:57,400 --> 00:09:59,667 I MEAN, IF THAT'S OKAY WITH YOU. 189 00:09:59,700 --> 00:10:02,567 I'D REALLY LIKE TO SEE OUR BABY. 190 00:10:02,600 --> 00:10:04,533 HOW EXCITING. 191 00:10:05,900 --> 00:10:07,067 ARE YOU READY TO GO? 192 00:10:07,100 --> 00:10:08,633 THE AGENT HAS FOUR LISTINGS 193 00:10:08,667 --> 00:10:10,200 LINED UP FOR US. 194 00:10:10,233 --> 00:10:12,400 WE'RE REAL ESTATE HUNTING. 195 00:10:12,433 --> 00:10:14,067 REAL ESTATE HUNTING. 196 00:10:14,100 --> 00:10:15,600 OH, HELENA WANTS TO 197 00:10:15,633 --> 00:10:16,933 RENT A HOUSE IN L.A. 198 00:10:16,967 --> 00:10:20,000 THE CHATEAU MARMONT IS GETTING SO TEDIOUS. 199 00:10:20,033 --> 00:10:21,233 I CAN'T WALK 200 00:10:21,267 --> 00:10:22,333 FROM ONE END OF THE LOBBY TO THE OTHER 201 00:10:22,367 --> 00:10:23,567 WITHOUT BEING OFFERED TO DO BLOW 202 00:10:23,600 --> 00:10:25,467 OR FINANCE FOUR INDEPENDENT FILMS 203 00:10:25,500 --> 00:10:27,533 STARRING MAGGIE GYLLENHAAL. 204 00:10:27,567 --> 00:10:30,533 ALL TOTALLY UNSOLICITED, I'M SURE. 205 00:10:30,567 --> 00:10:32,267 TOTALLY. 206 00:10:32,300 --> 00:10:33,933 UM... 207 00:10:33,967 --> 00:10:36,333 I'LL SEE YOU ON THE 7th, OKAY? 208 00:10:36,367 --> 00:10:38,467 I'LL CALL YOU. 209 00:10:38,500 --> 00:10:39,433 OKAY. 210 00:10:44,933 --> 00:10:46,867 LOOK, THE THING ABOUT REALITY 211 00:10:46,900 --> 00:10:48,600 IS IT'S GOING TO DRAW THE AUDIENCE IN. 212 00:10:48,633 --> 00:10:49,600 RIGHT. 213 00:10:49,633 --> 00:10:50,767 BASICALLY, 214 00:10:50,800 --> 00:10:52,433 I NEED PUSSY THAT WE CAN SMELL AND TASTE. 215 00:10:52,467 --> 00:10:53,967 ABSOLUTELY. RIGHT. OF COURSE. 216 00:10:54,000 --> 00:10:56,000 I MEAN... 217 00:10:56,033 --> 00:10:57,267 THE THING ABOUT THIS FILM, THOUGH, 218 00:10:57,300 --> 00:10:58,700 IS IT'S GOT THAT, BUT IT'S GOT MORE. 219 00:10:58,733 --> 00:11:00,367 IT'S... 220 00:11:00,400 --> 00:11:01,367 IT'S FASCINATING. 221 00:11:01,400 --> 00:11:02,667 I MEAN, 222 00:11:02,700 --> 00:11:03,933 WE'RE GIVING PEOPLE ACCESS TO A WORLD 223 00:11:03,967 --> 00:11:06,100 THEY'VE NEVER SEEN BEFORE, YOU KNOW? 224 00:11:06,133 --> 00:11:10,600 IT'S LIKE JOURNALISTS WHO INFILTRATE MOSQUES. IT'S-- 225 00:11:10,633 --> 00:11:12,200 WHY AREN'T YOU SHOWING ME FOOTAGE? 226 00:11:12,233 --> 00:11:13,367 I MEAN, 227 00:11:13,400 --> 00:11:15,167 USUALLY I DON'T WRITE CHECKS SIGHT UNSEEN. 228 00:11:15,200 --> 00:11:17,967 I COMPLETELY UNDERSTAND. 229 00:11:18,067 --> 00:11:19,133 I JUST NEED A LITTLE MORE TIME. 230 00:11:19,167 --> 00:11:21,100 I MEAN, THIS ISN'T SCRIPTED, SO... 231 00:11:21,133 --> 00:11:21,900 SOMETHING HAPPENING THAT'S REAL, 232 00:11:21,933 --> 00:11:23,300 BUT WE CAN'T FORCE-- 233 00:11:23,333 --> 00:11:26,067 WE'LL CUT YOU SOMETHING TOGETHER, ERIC, 234 00:11:26,100 --> 00:11:29,367 AND IT WILL BE DRIPPING WITH HOT LESBIAN PUSSY, 235 00:11:29,400 --> 00:11:31,067 WON'T IT, DUDE? 236 00:11:32,700 --> 00:11:34,600 YEAH, YEAH. 237 00:11:34,633 --> 00:11:37,233 I'LL WORK ON CUTTING SOMETHING TOGETHER. 238 00:11:37,267 --> 00:11:41,233 YOU CAN SHOW YOURSELVES OUT. 239 00:11:41,267 --> 00:11:43,933 GREAT. WELL, THANK YOU. 240 00:11:43,967 --> 00:11:45,133 YEAH, THANKS. 241 00:11:45,167 --> 00:11:47,367 [MAN]: DID YOU SEE THE MOVIE HANNIBAL? 242 00:11:47,400 --> 00:11:48,633 FREDDY VS. JASON? 243 00:11:48,667 --> 00:11:50,300 OH, PLEASE, YOU DON'T HONESTLY THINK 244 00:11:50,333 --> 00:11:51,467 THAT REGALING ME 245 00:11:51,500 --> 00:11:53,800 WITH A LIST OF THE OWNER'S MEDIOCRE MOVIES 246 00:11:53,833 --> 00:11:55,133 IS REALLY GOING TO INFLUENCE 247 00:11:55,167 --> 00:11:57,700 WHETHER I RENT THIS PROPERTY OR NOT? 248 00:11:57,733 --> 00:12:00,733 MAY I SEE THE SPECS, PLEASE? 249 00:12:06,967 --> 00:12:09,200 I THINK I'M GOING TO GO TAKE A LOOK AROUND. 250 00:12:09,233 --> 00:12:10,700 OKAY... 251 00:12:10,733 --> 00:12:14,500 BUT DON'T GO TOO FAR. 252 00:12:24,933 --> 00:12:26,333 SO I'M ASSUMING 253 00:12:26,367 --> 00:12:28,367 THE TENANT WILL MOVE OUT OF THE GUEST HOUSE 254 00:12:28,400 --> 00:12:30,100 IF I DECIDE TO RENT THIS BEHEMOTH. 255 00:12:32,500 --> 00:12:34,467 NOW, WHY DON'T YOU TELL ME 256 00:12:34,500 --> 00:12:36,533 ABOUT THE HOUSEHOLD STAFF 257 00:12:36,567 --> 00:12:38,500 THAT COME ALONG WITH THIS PROPERTY? 258 00:12:41,400 --> 00:12:44,700 OKAY, LISTEN TO THIS. 259 00:12:44,733 --> 00:12:45,967 [IN RADIO VOICE]: "WALKING THROUGH FRED SEGAL 260 00:12:46,067 --> 00:12:47,200 "EARLIER THIS WEEK, 261 00:12:47,233 --> 00:12:48,833 "I COULD SENSE ALL WAS NOT RIGHT 262 00:12:48,867 --> 00:12:50,433 "IN THE WORLD OF CONSUMERISM. 263 00:12:50,467 --> 00:12:52,700 SOMETHING'S WRONG." 264 00:12:52,733 --> 00:12:53,700 YOU SAID THAT. 265 00:12:53,733 --> 00:12:55,833 WHAT? 266 00:12:55,867 --> 00:12:58,200 WELL, YOU SAID, "ALL WAS NOT RIGHT," 267 00:12:58,233 --> 00:12:59,533 AND THEN YOU SAID, "SOMETHING'S WRONG." 268 00:12:59,567 --> 00:13:00,600 JUST... 269 00:13:00,633 --> 00:13:03,500 IT SEEMS REDUNDANT. 270 00:13:03,533 --> 00:13:05,367 OKAY? MAY I? 271 00:13:05,400 --> 00:13:06,300 YEAH. YES. 272 00:13:06,333 --> 00:13:07,400 OKAY. 273 00:13:07,433 --> 00:13:08,400 [CLEARS THROAT] 274 00:13:08,433 --> 00:13:10,067 "THERE'S AN INVASION UNDERWAY. 275 00:13:10,067 --> 00:13:12,333 "OUR TROOPS ARE IN IRAQ, IN AFGHANISTAN, 276 00:13:12,367 --> 00:13:14,400 AND WE ARE HERE, SHOPPING." 277 00:13:14,433 --> 00:13:16,567 WHAT ARE YOU DOING TO YOUR VOICE? 278 00:13:16,600 --> 00:13:18,233 IT'S MY RADIO COMMENTATOR VOICE. 279 00:13:18,267 --> 00:13:20,667 YOU HAVE TO HAVE ONE. 280 00:13:20,700 --> 00:13:21,733 CAN I CONTINUE NOW? 281 00:13:21,767 --> 00:13:23,067 YEAH, SORRY. 282 00:13:23,067 --> 00:13:24,067 THANK YOU. 283 00:13:24,067 --> 00:13:25,067 [CLEARS THROAT] 284 00:13:25,067 --> 00:13:26,067 OKAY. 285 00:13:26,067 --> 00:13:27,733 "IS THE MAIN MISSION OF OUR TROOPS 286 00:13:27,767 --> 00:13:29,500 "THE PROTECTION OF OUR WAY OF LIFE? 287 00:13:29,533 --> 00:13:33,167 "AND IS OUR WAY OF LIFE DEFINED BY CONSUMERISM? 288 00:13:33,200 --> 00:13:35,067 "ARE WOMEN AND MEN DYING IN IRAQ 289 00:13:35,100 --> 00:13:36,067 "SO THAT BACK HOME 290 00:13:36,100 --> 00:13:38,267 WE CAN STILL SHOP TILL WE DROP?" 291 00:13:38,300 --> 00:13:40,233 IS CONSUMERISM THE RIGHT WORD? 292 00:13:56,500 --> 00:14:00,800 WELL, IT'S A LITTLE VULGAR... 293 00:14:00,833 --> 00:14:02,667 BUT IT'S AMUSING. 294 00:14:02,700 --> 00:14:05,633 COULD YOU LIVE LIKE THIS? 295 00:14:10,600 --> 00:14:13,133 WHY DON'T WE FIND OUT? 296 00:14:13,167 --> 00:14:14,600 HEY? 297 00:14:14,633 --> 00:14:16,067 WHAT ARE YOU DOING? 298 00:14:16,100 --> 00:14:17,700 WELL, I COULDN'T BE EXPECTED 299 00:14:17,733 --> 00:14:20,233 TO RENT A PROPERTY LIKE THIS 300 00:14:20,267 --> 00:14:22,600 WITHOUT SEEING IF IT'S CONDUCIVE... 301 00:14:24,667 --> 00:14:26,633 TO THIS. 302 00:14:30,867 --> 00:14:32,067 [MOANING] 303 00:14:38,567 --> 00:14:40,500 COULD YOU LIVE LIKE THIS? 304 00:14:49,700 --> 00:14:51,433 HELENA, DID YOU SEE 305 00:14:51,467 --> 00:14:53,267 THE MATCHING HIS-AND-HERS WALK-IN CLOSETS? 306 00:14:55,533 --> 00:14:56,633 [CHUCKLES] 307 00:14:56,667 --> 00:14:58,533 OR SHOULD I SAY HERS-AND-HERS? 308 00:14:58,567 --> 00:14:59,600 [CHUCKLES] 309 00:15:10,333 --> 00:15:12,533 SHANE. 310 00:15:12,567 --> 00:15:14,067 HEY. HEY. 311 00:15:14,100 --> 00:15:17,200 YOU'RE ALIVE. 312 00:15:17,233 --> 00:15:18,300 I HAVEN'T SEEN YOU AROUND. 313 00:15:18,333 --> 00:15:19,667 HOW HAVE YOU BEEN? 314 00:15:19,700 --> 00:15:20,767 GOOD. 315 00:15:20,800 --> 00:15:21,367 YEAH? 316 00:15:21,400 --> 00:15:23,067 HOW'S, UH... 317 00:15:23,067 --> 00:15:24,800 OH, IT'S BETTER. 318 00:15:24,833 --> 00:15:26,100 THANK YOU. 319 00:15:26,133 --> 00:15:28,700 I'VE BEEN WORRIED ABOUT IT. 320 00:15:28,733 --> 00:15:30,733 THANKS. 321 00:15:30,767 --> 00:15:34,600 UM, SO WHERE ARE YOU OFF TO? 322 00:15:34,633 --> 00:15:35,700 WORK. 323 00:15:35,733 --> 00:15:37,833 HAIR JOB OR VERONICA BLOOM JOB? 324 00:15:37,867 --> 00:15:39,067 THE HAIR JOB. 325 00:15:39,067 --> 00:15:41,333 IT'S A DAY CALL. 326 00:15:41,367 --> 00:15:42,667 UH, WELL... 327 00:15:42,700 --> 00:15:44,767 HAVE A GOOD ONE. 328 00:15:44,800 --> 00:15:45,733 YOU TOO. 329 00:15:48,167 --> 00:15:49,933 [CLEARS THROAT] 330 00:15:52,567 --> 00:15:55,200 [SPED-UP AUDIO]: OKAY, 331 00:15:55,233 --> 00:15:59,867 WHO WOULD MAKE OUT WITH A GUY FOR A MILLION DOLLARS? 332 00:15:59,900 --> 00:16:01,733 [AUDIO SPEEDS UP MORE] 333 00:16:01,767 --> 00:16:05,200 MOST OF THIS STUFF IS JUST CRAP, MAN. 334 00:16:05,233 --> 00:16:07,567 THEY'RE NOT DOING NOTHING BUT TALKING. 335 00:16:07,600 --> 00:16:09,067 SOMETIMES THEY EAT. 336 00:16:09,067 --> 00:16:10,133 WHAT DO YOU THINK, 337 00:16:10,167 --> 00:16:12,100 LESBIANS JUST FUCK ALL THE TIME? 338 00:16:12,133 --> 00:16:13,433 OBVIOUSLY NOT, 339 00:16:13,467 --> 00:16:17,400 BUT IF THEY DON'T START SOON, WE'RE NOT GOING TO-- 340 00:16:17,433 --> 00:16:20,967 WHAT THE FUCK IS THIS, MAN? 341 00:16:21,067 --> 00:16:22,067 IT'S NONE OF YOUR FUCKING-- 342 00:16:22,100 --> 00:16:23,867 WHY ARE YOU SO FUCKING NOSY? 343 00:16:23,900 --> 00:16:24,867 GOD. 344 00:16:24,900 --> 00:16:26,867 I'LL TELL YOU WHAT IT IS. 345 00:16:26,900 --> 00:16:27,967 IT'S SOME TOTAL LEZ 346 00:16:28,067 --> 00:16:29,267 WHO'S NEVER GOING TO GIVE YOU THE TIME OF DAY, 347 00:16:29,300 --> 00:16:31,933 AND YOU'RE ROCK HARD FOR HER. 348 00:16:31,967 --> 00:16:33,833 JESUS. 349 00:16:33,867 --> 00:16:35,533 I BET YOU JUST FUCKING SIT HERE 350 00:16:35,567 --> 00:16:36,533 ALL NIGHT 351 00:16:36,567 --> 00:16:37,700 JACKING OFF WHILE YOU WATCH HER SLEEP. 352 00:16:39,500 --> 00:16:41,100 GREAT. 353 00:16:41,133 --> 00:16:42,633 THIS IS JUST FUCKING PERFECT. 354 00:16:42,667 --> 00:16:45,200 WE'VE BEEN BEST FRIENDS FOR HOW LONG, HUH? 355 00:16:45,233 --> 00:16:46,733 AND NOW YOU'RE GOING TO FUCK UP THIS GIG 356 00:16:46,767 --> 00:16:48,200 WE'VE BEEN WORKING OUR ASSES OFF ON 357 00:16:48,233 --> 00:16:49,767 FOR SOME CHICK? 358 00:16:49,800 --> 00:16:51,467 NEWS FLASH, MAN. 359 00:16:51,500 --> 00:16:54,300 THIS GIRL YOU'RE CRUSHING ON IS NEVER GOING TO BE WITH YOU. 360 00:16:54,333 --> 00:16:56,067 YOU'VE GOT A REAL LIVE DICK, 361 00:16:56,067 --> 00:16:59,500 AND THAT DISQUALIFIES YOU FROM GETTING UP IN THERE. 362 00:17:05,067 --> 00:17:07,133 [DOOR SLAMS] 363 00:17:09,267 --> 00:17:10,800 [KNOCKING ON DOOR] BETTE. 364 00:17:12,267 --> 00:17:13,233 LEO AND I HAVE SOMETHING 365 00:17:13,267 --> 00:17:14,300 WE'RE VERY EXCITED ABOUT 366 00:17:14,333 --> 00:17:15,233 WE'D LIKE TO SHARE WITH YOU. 367 00:17:15,267 --> 00:17:16,233 LEO? 368 00:17:16,267 --> 00:17:17,967 WE JUST WANTED TO LET YOU KNOW 369 00:17:18,067 --> 00:17:19,633 THAT HELENA PEABODY IS GOING TO BE JOINING 370 00:17:19,667 --> 00:17:21,500 THE CAC STEERING COMMITTEE. 371 00:17:21,533 --> 00:17:23,067 WHAT? 372 00:17:23,100 --> 00:17:24,067 WE'RE GOING TO WELCOME HER 373 00:17:24,067 --> 00:17:25,067 AT OUR REGULAR BOARD MEETING TOMORROW. 374 00:17:25,100 --> 00:17:26,333 I'M SURE YOU CAN APPRECIATE 375 00:17:26,367 --> 00:17:27,667 WHAT A COUP IT IS FOR THE CAC 376 00:17:27,700 --> 00:17:29,333 TO HAVE A PEABODY ON OUR BOARD OF DIRECTORS, 377 00:17:29,367 --> 00:17:33,067 AND NOT TO PUT TOO FINE A POINT ON IT, 378 00:17:33,067 --> 00:17:34,167 BUT SHE'S BRINGING ALLYN BARNES WITH HER 379 00:17:34,200 --> 00:17:35,633 TO HER FIRST BOARD OF DIRECTORS MEETING. 380 00:17:35,667 --> 00:17:37,967 ALLYN BARNES IS COMING TO OUR BOARD MEETING? 381 00:17:38,067 --> 00:17:39,100 MM-HMM. 382 00:17:39,133 --> 00:17:40,067 ALLYN AND PEGGY ARE OLD FRIENDS. 383 00:17:40,067 --> 00:17:41,100 SHE'S KNOWN HELENA 384 00:17:41,133 --> 00:17:42,400 SINCE SHE WAS A LITTLE GIRL. 385 00:17:42,433 --> 00:17:44,633 THERE'S A RUMOR THAT ALLYN BARNES 386 00:17:44,667 --> 00:17:47,333 HAS BEEN CONTEMPLATING A CAREER RETROSPECTIVE. 387 00:17:47,367 --> 00:17:50,400 THE MODERN'S BEEN AFTER HER FOR YEARS. 388 00:17:50,433 --> 00:17:52,067 SHE'S PRETTY RESISTANT. 389 00:17:52,100 --> 00:17:53,067 I MEAN, EVERYBODY KNOWS 390 00:17:53,100 --> 00:17:54,600 ALLYN HATES THE ART WORLD, 391 00:17:54,633 --> 00:17:56,633 BUT HELENA THINKS SHE MIGHT BE READY. 392 00:17:56,667 --> 00:17:58,133 NOW, I'VE ASKED YOUR DEPARTMENT 393 00:17:58,167 --> 00:18:00,133 TO PUT TOGETHER SOME PRESS CLIPPINGS 394 00:18:00,167 --> 00:18:01,333 OF THE CAC 395 00:18:01,367 --> 00:18:02,767 SO WE CAN PRESENT IT TO HER TOMORROW. 396 00:18:02,800 --> 00:18:04,633 WELL, I'D LIKE TO GO OVER THOSE MATERIALS. 397 00:18:04,667 --> 00:18:06,433 YOU KNOW, THIS IS LEO'S STRENGTH, BETTE. 398 00:18:06,467 --> 00:18:08,600 WHY DON'T WE JUST LET HIM DO HIS THING. 399 00:18:08,633 --> 00:18:10,333 WE'LL SEE YOU TOMORROW AT 6:00, HMM? 400 00:18:10,367 --> 00:18:11,967 COME ON, LEO. 401 00:18:20,167 --> 00:18:22,100 [SIGHS] 402 00:18:39,967 --> 00:18:41,567 THIS IS MORE LIKE IT. 403 00:18:41,600 --> 00:18:42,733 DO YOU THINK? 404 00:18:42,767 --> 00:18:44,933 BETTE SAW THIS HOUSE IN ARCHITECTURAL DIGEST. 405 00:18:44,967 --> 00:18:46,100 SHE SAID IT WAS 406 00:18:46,133 --> 00:18:47,967 THE QUINTESSENTIAL CALIFORNIA BEACH HOUSE. 407 00:18:48,067 --> 00:18:49,633 HMM, DID SHE NOW? 408 00:18:49,667 --> 00:18:51,500 THERE ARE EIGHT BEDROOMS ALTOGETHER, 409 00:18:51,533 --> 00:18:52,800 NOT INCLUDING THE GUEST HOUSE. 410 00:18:52,833 --> 00:18:54,067 [CELLPHONE RINGS] 411 00:18:54,067 --> 00:18:57,067 THERE'S A NANNY'S QUARTERS DOWN BELOW.. 412 00:18:57,067 --> 00:18:59,100 WHAT, WALTER? 413 00:19:01,800 --> 00:19:03,367 PLEASE JUST TELL ME WHAT YOU HAVE TO TELL ME, 414 00:19:03,400 --> 00:19:04,367 NO DIGRESSIONS. 415 00:19:04,400 --> 00:19:05,667 AMAZING VIEW. 416 00:19:07,967 --> 00:19:11,233 NO, NO, WALTER, I DO NOT EX-- 417 00:19:11,267 --> 00:19:13,533 WALTER, WHAT DID I CHARGE YOU WITH? 418 00:19:13,567 --> 00:19:15,100 DON'T TELL ME THINGS I DON'T WANT TO HEAR. 419 00:19:15,133 --> 00:19:17,767 THAT'S NOT WHAT I PAY YOU FOR. 420 00:19:17,800 --> 00:19:21,333 DO YOU WANT TO SHOW ME THE KITCHEN? 421 00:19:21,367 --> 00:19:22,733 WALTER, NO. 422 00:19:22,767 --> 00:19:23,867 HERE'S WHAT'S HAPPENING. 423 00:19:23,900 --> 00:19:25,067 I'M MOVING TO LOS ANGELES, 424 00:19:25,100 --> 00:19:26,300 AND I WANT MY CHILDREN HERE WITH ME, 425 00:19:26,333 --> 00:19:27,867 SO JUST FUCKING WELL MAKE IT HAPPEN 426 00:19:27,900 --> 00:19:29,933 AND CALL ME WHEN IT'S DONE. 427 00:19:34,433 --> 00:19:38,633 [HELENA]: SO DO WE LIKE IT? 428 00:19:38,667 --> 00:19:40,100 IT'S SPECTACULAR. 429 00:19:42,067 --> 00:19:43,367 OKAY. 430 00:19:43,400 --> 00:19:44,600 I'LL MOVE IN TOMORROW. 431 00:19:47,233 --> 00:19:48,733 OKAY. 432 00:19:48,767 --> 00:19:49,700 [LAUGHS] 433 00:19:51,367 --> 00:19:52,833 HI. I'M WINNIE MANN. 434 00:19:52,867 --> 00:19:53,767 THANKS FOR SEEING ME. 435 00:19:53,800 --> 00:19:55,533 REALLY NICE TO MEET YOU. 436 00:19:55,567 --> 00:19:58,833 I, UM, I DIDN'T KNOW THAT YOU WOULD BE BRINGING-- 437 00:19:58,867 --> 00:20:00,233 WELL, I DON'T HAVE A NANNY, 438 00:20:00,267 --> 00:20:02,533 SO WHEN THE KIDS ARE WITH ME, THEY ARE WITH ME. 439 00:20:02,567 --> 00:20:03,533 I HOPE IT'S NOT-- 440 00:20:03,567 --> 00:20:04,867 OH, NO, NO, IT'S FINE. 441 00:20:04,900 --> 00:20:06,000 IT'S GREAT. 442 00:20:06,033 --> 00:20:08,567 DO YOU REMEMBER ME? 443 00:20:08,600 --> 00:20:10,400 WE MET IN NEW YORK. 444 00:20:10,433 --> 00:20:12,233 DON'T TAKE IT PERSONALLY. 445 00:20:12,267 --> 00:20:13,567 IT TAKES MORE THAN ONE MEETING. 446 00:20:13,600 --> 00:20:15,200 OKAY. 447 00:20:15,233 --> 00:20:17,200 WILSON, WAIT. UM, UH-- 448 00:20:17,233 --> 00:20:18,867 SWEETIE, SWEETIE, NO, NO, NO, NO. 449 00:20:18,900 --> 00:20:21,333 OH... 450 00:20:21,367 --> 00:20:25,500 SEE, THIS IS A RICHARD PRINCE, 451 00:20:25,533 --> 00:20:28,600 AND IT GOES RIGHT THERE. 452 00:20:28,633 --> 00:20:29,633 [EXHALES] 453 00:20:29,667 --> 00:20:32,367 HEY, WOULD YOU GUYS LIKE TO GO SWIMMING? 454 00:20:32,400 --> 00:20:33,533 YEAH, THAT'D BE GREAT! 455 00:20:33,567 --> 00:20:35,233 YEAH, CAN WE? 456 00:20:35,267 --> 00:20:37,733 UH, WELL, I DON'T REALLY SWIM. 457 00:20:37,767 --> 00:20:39,533 DO YOU THINK YOU MIGHT GO IN WITH THEM? 458 00:20:45,633 --> 00:20:47,167 SURE. 459 00:20:47,200 --> 00:20:48,700 IN ORDER TO MAKE THE CREPE BATTER, 460 00:20:48,733 --> 00:20:50,433 WE HAVE TO USE SOME SIFTED FLOUR, 461 00:20:50,467 --> 00:20:51,967 AND WE SIFTED SOME FLOUR ALREADY. 462 00:20:52,000 --> 00:20:52,967 OKAY. 463 00:20:53,000 --> 00:20:54,200 WE PUT IT HERE INSIDE THE BOWL. 464 00:20:54,233 --> 00:20:55,233 THEN THE NEXT THING THAT WE'RE GOING TO ADD... 465 00:20:55,267 --> 00:20:57,033 OKAY, WILL YOU LISTEN TO THIS ONE? 466 00:20:57,067 --> 00:20:59,200 OKAY, SO BASICALLY, 467 00:20:59,233 --> 00:21:00,767 I'M GOING TO GET SOMEONE FROM THE LEFT, 468 00:21:00,800 --> 00:21:01,767 SOMEONE FROM THE RIGHT, 469 00:21:01,800 --> 00:21:02,833 SOMEONE FROM THE CENTER, 470 00:21:02,867 --> 00:21:04,867 LOCAL ELECTED OFFICIALS, WHATEVER, 471 00:21:04,900 --> 00:21:05,900 AND THEN I'M GOING TO 472 00:21:05,933 --> 00:21:08,667 INTERVIEW THEM ABOUT TRENDS, OKAY? 473 00:21:08,700 --> 00:21:10,433 SO, "STATE ATTORNEY GENERAL WACHTEL, 474 00:21:10,467 --> 00:21:12,433 "HAVE YOU SHOPPED FOR YOUR NEW GRANDDAUGHTER 475 00:21:12,467 --> 00:21:14,367 "AT THE NEW LA LA LING BABY STORE 476 00:21:14,400 --> 00:21:17,567 IN LOS FELIZ?" 477 00:21:17,600 --> 00:21:20,100 MM-HMM. 478 00:21:20,133 --> 00:21:21,100 SO I'M TRYING TO GET AT THAT INTERSECTION 479 00:21:21,133 --> 00:21:23,233 BETWEEN CULTURE AND POLITICS. 480 00:21:23,267 --> 00:21:26,467 I DON'T KNOW. 481 00:21:26,500 --> 00:21:27,467 AL, IT'S GOOD. 482 00:21:27,500 --> 00:21:28,500 IT'S JUST-- 483 00:21:28,533 --> 00:21:29,700 IT'S NOT FUNNY. 484 00:21:29,733 --> 00:21:31,767 IT'S NOT SUPPOSED TO BE FUNNY. 485 00:21:31,800 --> 00:21:33,667 HELLO? HAVE YOU LISTENED TO KCRW? 486 00:21:33,700 --> 00:21:34,700 WELL, YEAH, 487 00:21:34,733 --> 00:21:35,867 BUT DIDN'T MIMI ASK YOU PERSONALLY 488 00:21:35,900 --> 00:21:36,867 TO TRY OUT FOR THIS? 489 00:21:36,900 --> 00:21:37,733 SO? 490 00:21:37,767 --> 00:21:39,567 SO SHE MUST WANT YOU TO BE YOU. 491 00:21:39,600 --> 00:21:43,500 NO, I'M NOT GOING TO BE A FUNNY PERSON ON THE RADIO. 492 00:21:43,533 --> 00:21:44,533 I DON'T KNOW 493 00:21:44,567 --> 00:21:46,333 WHY EVERYBODY THINKS I'M SO FUNNY. 494 00:21:46,367 --> 00:21:50,100 BECAUSE YOU ARE. 495 00:21:50,133 --> 00:21:52,500 ALICE, YOU'RE A FUNNY LADY, 496 00:21:52,533 --> 00:21:54,067 AND IT'S ONE OF THE THINGS I LOVE ABOUT YOU, 497 00:21:54,067 --> 00:21:55,867 AND I'M NOT THE ONLY ONE. 498 00:21:57,600 --> 00:21:59,467 I DON'T LIKE YOU VERY MUCH RIGHT NOW. 499 00:22:03,867 --> 00:22:07,833 IT MAKES ME SO HOT WHEN YOU'RE ANGRY. 500 00:22:07,867 --> 00:22:09,500 OH, YEAH? OH, YEAH. 501 00:22:11,767 --> 00:22:14,267 [LAUGHS] 502 00:22:18,300 --> 00:22:20,467 YOU'RE TOTALLY TOPPING ME AGAIN. 503 00:22:20,500 --> 00:22:22,700 I'M SORRY. 504 00:22:22,733 --> 00:22:23,467 I COULDN'T HEAR YOU THROUGH THE FEATHERS, 505 00:22:23,500 --> 00:22:24,467 PILLOW QUEEN. 506 00:22:24,500 --> 00:22:27,533 [LAUGHS] 507 00:22:27,567 --> 00:22:28,533 HAVE YOU ALWAYS BEEN A TOP? 508 00:22:28,567 --> 00:22:29,533 I'M NOT A TOP. 509 00:22:29,567 --> 00:22:30,567 YEAH, YOU ARE. UH-UH. 510 00:22:30,600 --> 00:22:32,333 YEAH, YOU ARE. 511 00:22:34,400 --> 00:22:35,467 YOU KNOW WHAT I WANT YOU TO DO? 512 00:22:35,500 --> 00:22:37,267 WHAT? 513 00:22:40,333 --> 00:22:41,700 [LOWERS VOICE] I WANT YOU TO FUCK ME REALLY HARD 514 00:22:41,733 --> 00:22:42,667 WITH A STRAP-ON. 515 00:22:45,367 --> 00:22:46,633 I DON'T KNOW IF I CAN DO THAT. 516 00:22:46,667 --> 00:22:49,267 BUT YOU'RE DOING IT RIGHT NOW WITHOUT EVEN USING ONE. 517 00:22:55,700 --> 00:22:56,667 OKAY. 518 00:22:56,700 --> 00:22:58,233 YEAH? 519 00:22:58,267 --> 00:23:01,467 TWIST MY ARM. 520 00:23:01,500 --> 00:23:03,400 [WINNIE]: YOU KNOW, BETTE, I KNOW YOU DON'T KNOW ME, 521 00:23:03,433 --> 00:23:05,767 BUT I'M TAKING A WILD SHOT 522 00:23:05,800 --> 00:23:08,200 THAT MAYBE WE HAVE SOME INTERESTS IN COMMON. 523 00:23:08,233 --> 00:23:10,367 WHAT ARE YOU ASKING ME TO DO? 524 00:23:10,400 --> 00:23:12,533 I'D LIKE YOU TO BE A CHARACTER WITNESS 525 00:23:12,567 --> 00:23:14,500 AGAINST YOU-KNOW-WHO. 526 00:23:14,533 --> 00:23:17,467 I KNOW SHE'S COMING ON TO YOUR BOARD OF DIRECTORS. 527 00:23:17,500 --> 00:23:18,767 YEAH, SHE'S EVERYWHERE. 528 00:23:18,800 --> 00:23:20,633 I CAN'T SEEM TO GET AWAY FROM HER. 529 00:23:20,667 --> 00:23:21,800 THAT'S HOW SHE DEALS. 530 00:23:21,833 --> 00:23:23,500 SHE COLONIZES. 531 00:23:23,533 --> 00:23:24,967 SHE FUCKING PLUNDERS AND PILLAGES. 532 00:23:25,067 --> 00:23:26,767 AHEM. 533 00:23:26,800 --> 00:23:28,467 OOH, I'M SORRY. 534 00:23:28,500 --> 00:23:29,467 I'M SORRY. 535 00:23:29,500 --> 00:23:31,067 THAT WAS BAD. 536 00:23:31,067 --> 00:23:33,167 BETTE, 537 00:23:33,200 --> 00:23:35,633 WE'VE GOT A COURT HEARING IN SIX WEEKS. 538 00:23:35,667 --> 00:23:38,867 YOU WANT ME TO APPEAR IN COURT? 539 00:23:38,900 --> 00:23:40,067 YES. 540 00:23:40,100 --> 00:23:41,067 JESUS, WINNIE, I DON'T KNOW. 541 00:23:41,100 --> 00:23:42,267 I MEAN, 542 00:23:42,300 --> 00:23:44,067 I'M REALLY GOING TO HAVE TO THINK ABOUT IT. 543 00:23:44,100 --> 00:23:45,333 IT'S NOT JUST THAT SHE'S ON MY BOARD OF DIRECTORS. 544 00:23:45,367 --> 00:23:47,467 BUT THERE'S TINA, THERE'S-- 545 00:23:47,500 --> 00:23:51,067 WELL, LOOK, I UNDERSTAND IF YOU DON'T WANT TO-- 546 00:23:51,100 --> 00:23:52,367 NO, IT'S NOT THAT I DON'T WANT TO. 547 00:23:52,400 --> 00:23:53,900 BELIEVE ME, I WOULD LOVE NOTHING MORE 548 00:23:53,933 --> 00:23:57,833 THAN TO STAND UP IN COURT AND SAY WHAT I THINK OF... 549 00:23:57,867 --> 00:23:59,167 YOU-KNOW-WHO. 550 00:23:59,200 --> 00:24:00,067 DO YOU WANT TO PLAY AGAIN? 551 00:24:00,067 --> 00:24:01,333 YEAH. OKAY. 552 00:24:01,367 --> 00:24:03,233 ONE, TWO... 553 00:24:03,267 --> 00:24:05,200 THREE! 554 00:24:05,233 --> 00:24:07,367 WHOA. WHOO! 555 00:24:26,767 --> 00:24:28,433 UM... 556 00:24:31,100 --> 00:24:33,067 I-I JUST SAW YOU OUT THERE 557 00:24:33,067 --> 00:24:35,600 AND IT... 558 00:24:35,633 --> 00:24:37,667 I DON'T KNOW, IT LOOKED LIKE YOU WERE HIDING. 559 00:24:37,700 --> 00:24:41,067 I'M NOT HIDING. 560 00:24:41,067 --> 00:24:43,067 I DON'T BELIEVE YOU. 561 00:24:47,167 --> 00:24:48,567 [KEYS JINGLE] 562 00:24:49,633 --> 00:24:51,200 [KEYS LAND] 563 00:24:57,700 --> 00:25:00,200 OH, MY GOD. 564 00:25:00,233 --> 00:25:01,167 OH, MY GOD. 565 00:25:03,200 --> 00:25:05,100 SHANE, WHO DID THIS? 566 00:25:05,133 --> 00:25:06,367 WHO DID THIS TO YOU? IT DOESN'T MATTER. 567 00:25:06,400 --> 00:25:07,367 NO, TELL ME. 568 00:25:07,400 --> 00:25:08,367 I WILL FUCKING KILL THEM. 569 00:25:08,400 --> 00:25:09,367 WHO DID THIS TO YOU? 570 00:25:09,400 --> 00:25:12,200 YOU DID IT. 571 00:25:12,233 --> 00:25:14,167 WHAT? 572 00:25:17,500 --> 00:25:19,433 FUCK YOU. 573 00:25:21,633 --> 00:25:23,067 WAIT. 574 00:25:23,100 --> 00:25:24,067 WAIT, WAIT, WAIT. 575 00:25:24,100 --> 00:25:25,100 LOOK, I'M SORRY. 576 00:25:25,133 --> 00:25:28,333 THAT WAS A FUCKED-UP THING TO SAY. 577 00:25:28,367 --> 00:25:29,667 WELL, I MEAN, MAYBE YOU MEANT SOMETHING BY IT. 578 00:25:29,700 --> 00:25:30,900 MAYBE WE SHOULD JUST TALK AND SEE-- 579 00:25:30,933 --> 00:25:32,867 NO, NO. 580 00:25:34,967 --> 00:25:38,300 CAN WE JUST FORGET WHAT I SAID? 581 00:25:38,333 --> 00:25:42,600 AND LET'S GO BACK TO BEING FRIENDS. 582 00:25:45,900 --> 00:25:48,433 IS THAT WHAT YOU WANT? 583 00:25:48,467 --> 00:25:50,600 REALLY. A LOT. 584 00:26:16,967 --> 00:26:18,100 I'M SO ANGRY 585 00:26:18,133 --> 00:26:19,533 I CAN BARELY CONTROL MYSELF, 586 00:26:19,567 --> 00:26:21,733 BUT THEN I KNOW THE MORE I ACT LIKE THAT, 587 00:26:21,767 --> 00:26:25,200 THE MORE THIS PERSON CAN "F" ME UP, 588 00:26:25,233 --> 00:26:27,400 BUT THERE I AM, SCREAMING 589 00:26:27,433 --> 00:26:28,767 LIKE A CRAZY B-I-T-C-H. 590 00:26:28,800 --> 00:26:30,267 THAT'S GOT TO BE HELL. 591 00:26:30,300 --> 00:26:33,167 YEAH, SHE MADE MY LIFE A LIVING HELL. 592 00:26:35,233 --> 00:26:36,533 WHAT WERE YOU DOING WITH HER, WINNIE? 593 00:26:36,567 --> 00:26:38,967 IS THAT SO HARD TO UNDERSTAND? 594 00:26:39,067 --> 00:26:42,267 LOOK AT TINA. 595 00:26:42,300 --> 00:26:44,667 YOU TWO WERE SEPARATED WHEN SHE MET? 596 00:26:44,700 --> 00:26:46,067 YEAH. 597 00:26:46,067 --> 00:26:48,067 YEAH, AND NOW SHE HAS HER COMPLETELY ENTHRALLED. 598 00:26:48,067 --> 00:26:49,300 YEAH. 599 00:26:49,333 --> 00:26:53,400 MY FIRST PLAY HAD JUST DEBUTED AT PS 122. 600 00:26:53,433 --> 00:26:54,800 THE VOICE GAVE IT A RAVE, 601 00:26:54,833 --> 00:26:57,333 AND THIS PERSON SHOWS UP 602 00:26:57,367 --> 00:27:01,067 AND UNDERWRITES THE ENTIRE RUN OF THE SHOW. 603 00:27:01,067 --> 00:27:04,133 NEXT THING YOU KNOW, I'VE GOT MY OWN THEATER COMPANY. 604 00:27:04,167 --> 00:27:05,367 I'M LIVING 605 00:27:05,400 --> 00:27:06,133 IN A FIVE-MILLION DOLLAR LOFT 606 00:27:06,167 --> 00:27:07,567 IN TRIBECA, AND-- 607 00:27:07,600 --> 00:27:08,800 STARTING A FAMILY. 608 00:27:08,833 --> 00:27:10,067 YEAH. 609 00:27:10,067 --> 00:27:11,333 "H" HAD NEVER EVEN THOUGHT ABOUT KIDS, 610 00:27:11,367 --> 00:27:13,433 BUT IT WAS A DREAM OF MINE, 611 00:27:13,467 --> 00:27:15,300 AND SHE'S IN THE BUSINESS 612 00:27:15,333 --> 00:27:17,100 OF MAKING PEOPLE'S DREAMS COME TRUE... 613 00:27:17,133 --> 00:27:20,300 UNTIL SHE CO-OPTS THEM AND MAKES THEM HER OWN. 614 00:27:20,333 --> 00:27:21,500 MOMMY? 615 00:27:21,533 --> 00:27:22,500 I FINISHED MY CHICKEN NUGGETS. 616 00:27:22,533 --> 00:27:24,900 CAN I HAVE SOME ICE CREAM? 617 00:27:24,933 --> 00:27:26,300 UH... 618 00:27:26,333 --> 00:27:28,633 I THINK I HAVE SOME, IF IT'S OKAY. 619 00:27:28,667 --> 00:27:30,633 DID YOU AND YOUR SISTER FINISH YOUR SALAD? 620 00:27:30,667 --> 00:27:31,900 YEAH. YES. 621 00:27:31,933 --> 00:27:32,900 ALL RIGHTY. 622 00:27:32,933 --> 00:27:34,900 THEN YOU GET THE BIG PRIZE. 623 00:27:37,500 --> 00:27:39,333 CAN I GIVE YOU SOME ADVICE ABOUT HER? 624 00:27:39,367 --> 00:27:41,933 I COULD SURE USE SOME. 625 00:27:41,967 --> 00:27:44,567 IT DRIVES HER CRAZY WHEN YOU DON'T REACT, 626 00:27:44,600 --> 00:27:47,233 SO SHE'LL BAIT AND BAIT AND BAIT, 627 00:27:47,267 --> 00:27:49,067 AND IF YOU JUST DON'T TAKE IT... 628 00:27:55,500 --> 00:27:56,800 WE'RE DONE FOR NOW. 629 00:27:56,833 --> 00:27:58,633 WE'D BE CLEAR TO BARKER PASS BY NOW, 630 00:27:58,667 --> 00:27:59,800 IF HADN'T BROUGHT 631 00:27:59,833 --> 00:28:00,967 THAT UPPITY PREACHER'S DAUGHTER. 632 00:28:03,233 --> 00:28:05,433 LADIES. 633 00:28:05,467 --> 00:28:07,800 OH, HELLO, MARK. 634 00:28:07,833 --> 00:28:09,500 EXCUSE ME. 635 00:28:09,533 --> 00:28:11,667 IS THAT HOW YOU GREET YOUR ROOMMATE? 636 00:28:11,700 --> 00:28:12,800 WHAT ARE YOU WATCHING? 637 00:28:12,833 --> 00:28:14,733 WE'RE WATCHING A BURR CONNOR FILM FESTIVAL. 638 00:28:14,767 --> 00:28:15,533 [GASPS] 639 00:28:15,567 --> 00:28:16,867 YES, MISS JENNY OVER HERE 640 00:28:16,900 --> 00:28:18,800 IS GOING TO GHOSTWRITE 641 00:28:18,833 --> 00:28:20,100 HIS MEMOIRS. 642 00:28:20,133 --> 00:28:22,067 I'M GOING TO BE HIS STENOGRAPHER. 643 00:28:22,100 --> 00:28:23,233 NO WAY. 644 00:28:23,267 --> 00:28:24,233 YEP. 645 00:28:24,267 --> 00:28:25,233 DO YOU KNOW THAT I HAD 646 00:28:25,267 --> 00:28:26,800 A BURR CONNOR ACTION FIGURE DOLL 647 00:28:26,833 --> 00:28:27,800 AS A CHILD? 648 00:28:27,833 --> 00:28:28,800 YOU DID? I DID, 649 00:28:28,833 --> 00:28:29,800 AND I MADE HIM BEAT UP MY GI JOE 650 00:28:29,833 --> 00:28:30,800 ON A DAILY BASIS. 651 00:28:30,833 --> 00:28:31,800 ARE YOU SERIOUS? TOTALLY. 652 00:28:31,833 --> 00:28:33,333 YOU ACTUALLY THOUGHT 653 00:28:33,367 --> 00:28:35,600 THAT THIS GUY, BURR CONNOR, IS MORE-- 654 00:28:35,633 --> 00:28:38,367 IS TOUGHER THAN G.I. JOE? 655 00:28:38,400 --> 00:28:40,367 OH, PFF, LOOK AT HIM. WAY TOUGHER. 656 00:28:40,400 --> 00:28:44,367 THIS IS SENTIMENTAL CLAPTRAP. 657 00:28:44,400 --> 00:28:46,533 HOW COULD YOU POSSIBLY 658 00:28:46,567 --> 00:28:49,933 CALL THESE MACHO MEN SENTIMENTAL? 659 00:28:49,967 --> 00:28:53,967 BECAUSE IT'S A PRETEXT FOR TELLING STORIES 660 00:28:54,067 --> 00:28:58,700 ABOUT, LIKE, THE PURITY OF MALE FRIENDSHIP AND DEVOTION. 661 00:28:58,733 --> 00:29:00,067 I MEAN, MARK, OKAY. 662 00:29:00,067 --> 00:29:01,067 LOOK AT ALL THESE FILMS. 663 00:29:01,067 --> 00:29:02,600 THEY'RE ALL FUCKING THE SAME, RIGHT? 664 00:29:02,633 --> 00:29:03,900 CHICK FLICKS ARE THE SAME. 665 00:29:03,933 --> 00:29:05,100 OKAY, OKAY, OKAY, YOU KNOW WHAT? 666 00:29:05,133 --> 00:29:06,467 YOU CANNOT TELL THAT THEORY TO BURR CONNOR. 667 00:29:06,500 --> 00:29:07,467 NO. KISS NOW. 668 00:29:07,500 --> 00:29:10,267 THELMA AND LOUISE. 669 00:29:10,300 --> 00:29:12,733 NO MORE. 670 00:29:12,767 --> 00:29:13,933 WHERE'S SHANE, BY THE WAY? 671 00:29:13,967 --> 00:29:18,100 UM, I-I THINK SHE WENT OUT. 672 00:29:18,133 --> 00:29:19,400 WHERE? 673 00:29:19,433 --> 00:29:20,400 I DON'T KNOW. 674 00:29:20,433 --> 00:29:21,567 TO A CLUB? 675 00:29:21,600 --> 00:29:24,067 WE DON'T KNOW, MARK. 676 00:29:24,100 --> 00:29:25,733 YEAH. 677 00:29:25,767 --> 00:29:28,267 SIXTEEN CANDLES. 678 00:29:28,300 --> 00:29:31,067 DUKES OF HAZZARD. 679 00:29:31,067 --> 00:29:33,233 GONE WITH THE WIND. 680 00:29:33,267 --> 00:29:34,933 FUNNY GIRL. 681 00:29:36,767 --> 00:29:40,933 BLESS ME, FATHER, FOR I HAVE SINNED. 682 00:29:40,967 --> 00:29:43,433 IT'S BEEN... 683 00:29:43,467 --> 00:29:44,733 [SNIFFLES] 684 00:29:44,767 --> 00:29:50,400 16 YEARS SINCE MY LAST CONFESSION. 685 00:29:50,433 --> 00:29:53,067 AND WHAT BROUGHT YOU HERE TONIGHT? 686 00:29:53,100 --> 00:29:55,767 EVERYONE WANTS SOMETHING FROM ME, 687 00:29:55,800 --> 00:29:59,733 AND...I DON'T FEEL 688 00:29:59,767 --> 00:30:02,100 LIKE I HAVE ANYTHING LEFT TO GIVE. 689 00:30:04,433 --> 00:30:05,400 WHAT HAVE YOU BEEN GIVING 690 00:30:05,433 --> 00:30:08,533 UP UNTIL NOW? 691 00:30:08,567 --> 00:30:10,767 SEX. 692 00:30:10,800 --> 00:30:13,200 THAT'S MAINLY WHAT PEOPLE WANT. 693 00:30:14,900 --> 00:30:16,600 ACTUALLY... 694 00:30:19,333 --> 00:30:20,467 I DON'T EVEN KNOW AT THIS POINT. 695 00:30:20,500 --> 00:30:22,233 I DON'T-- 696 00:30:22,267 --> 00:30:25,767 I DON'T KNOW. 697 00:30:25,800 --> 00:30:28,300 I DON'T KNOW. 698 00:30:28,333 --> 00:30:29,833 DO YOU FEEL YOU HAVE TO HAVE SEX 699 00:30:29,867 --> 00:30:31,867 WITH EVERYONE WHO WANTS IT? 700 00:30:33,933 --> 00:30:36,700 IN CHURCH, I DIDN'T. 701 00:30:36,733 --> 00:30:41,467 I USED TO LIVE IN A CHURCH SHELTER, SO... 702 00:30:41,500 --> 00:30:44,733 WHEN WAS THAT? 703 00:30:44,767 --> 00:30:46,367 I GUESS I WAS 10, 704 00:30:46,400 --> 00:30:48,767 AND I RAN AWAY FROM MY FOSTER FAMILY 705 00:30:48,800 --> 00:30:52,067 BECAUSE SOMEONE TOLD ME 706 00:30:52,100 --> 00:30:55,100 MY REAL MOM WAS BACK IN AUSTIN... 707 00:30:57,133 --> 00:30:58,567 AND SHE USED TO GO TO THAT SHELTER 708 00:30:58,600 --> 00:31:02,667 WHEN SHE WAS TRYING TO GET CLEAN. 709 00:31:02,700 --> 00:31:05,867 YOUR MOTHER WAS A DRUG ADDICT? 710 00:31:05,900 --> 00:31:07,400 YEAH. 711 00:31:10,100 --> 00:31:13,367 HAVE YOU EVER CONSIDERED JOINING A CHURCH GROUP? 712 00:31:13,400 --> 00:31:16,133 NO. 713 00:31:16,167 --> 00:31:19,567 NO, NO, NO. I DON'T LIKE GROUPS. 714 00:31:21,633 --> 00:31:24,433 THE THING I LIKE ABOUT CONFESSION 715 00:31:24,467 --> 00:31:31,900 IS YOU DON'T HAVE TO SEE THE OTHER PERSON'S FACE, 716 00:31:31,933 --> 00:31:36,867 AND YOU DON'T HAVE TO SEE HOW HURT THEY ARE 717 00:31:36,900 --> 00:31:41,133 WHEN THEY REALIZE THAT YOU CAN'T BE THAT THING 718 00:31:41,167 --> 00:31:43,100 THEY WANT YOU TO BE. 719 00:31:46,167 --> 00:31:47,600 YOU MIGHT FIND THERE ARE PEOPLE 720 00:31:47,633 --> 00:31:49,467 WHO DON'T WANT ANYTHING FROM YOU. 721 00:31:49,500 --> 00:31:50,867 YEAH. 722 00:31:50,900 --> 00:31:55,100 THEY JUST WANT TO KNOW YOU. 723 00:31:55,133 --> 00:31:58,767 YEAH, I HAVEN'T MET ANYONE LIKE THAT. 724 00:32:01,400 --> 00:32:05,067 ANYWAY, THERE'S NOTHING TO KNOW. 725 00:32:05,067 --> 00:32:07,633 MY FRIEND, WOULD YOU JUST CONSIDER IT? 726 00:32:07,667 --> 00:32:09,567 [FOOTSTEPS RECEDING] 727 00:32:20,533 --> 00:32:21,767 OH, THANK YOU. 728 00:32:21,800 --> 00:32:23,733 SURE. 729 00:32:23,767 --> 00:32:25,300 ALICE! 730 00:32:25,333 --> 00:32:27,267 WHAT? 731 00:32:27,300 --> 00:32:30,267 OH, YEAH. 732 00:32:30,300 --> 00:32:32,700 YEAH, I THOUGHT THAT WOULD GO AWAY. 733 00:32:32,733 --> 00:32:34,900 YOU KNEW YOU DID THIS TO ME? 734 00:32:34,933 --> 00:32:36,533 WELL, I WASN'T DOING IT ON PURPOSE. 735 00:32:36,567 --> 00:32:39,100 YOU BRUISE EASY. 736 00:32:39,133 --> 00:32:41,300 I'M NOT THE ONLY ONE. 737 00:32:41,333 --> 00:32:43,367 OH, MY GOD! 738 00:32:43,400 --> 00:32:45,133 I LOOK LIKE I'VE BEEN BEATEN. 739 00:32:45,167 --> 00:32:47,067 I HAVE MY INTERVIEW TODAY. 740 00:32:47,100 --> 00:32:48,333 IT'S RADIO. 741 00:32:48,367 --> 00:32:50,700 I HAVE TO MAKE AN IMPRESSION. 742 00:32:50,733 --> 00:32:51,700 AND I DON'T? 743 00:32:51,733 --> 00:32:53,200 YOU'RE RIGHT. 744 00:32:53,233 --> 00:32:55,233 I HAVE A PHOTO SHOOT WITH WOMEN'S FITNESS TODAY. 745 00:32:55,267 --> 00:32:56,467 I'M THE FIRST OUT-LESBIAN 746 00:32:56,500 --> 00:32:59,733 THEY'VE EVER PUT ON THE COVER, BUT... 747 00:32:59,767 --> 00:33:01,167 WELL, YOU'LL JUST BE SAYING 748 00:33:01,200 --> 00:33:03,367 YOU CAN BE GAY AND A SLUT. 749 00:33:05,867 --> 00:33:06,833 IS THERE ANY MORE? 750 00:33:06,867 --> 00:33:07,767 [FLUSHES] 751 00:33:07,800 --> 00:33:09,567 YEAH. 752 00:33:09,600 --> 00:33:11,900 WHERE? 753 00:33:11,933 --> 00:33:14,600 [***] 754 00:33:14,633 --> 00:33:15,833 OH, REALLY? YEAH. 755 00:33:15,867 --> 00:33:17,067 HI! 756 00:33:17,067 --> 00:33:18,067 HEY, HEY. 757 00:33:18,067 --> 00:33:19,067 HI. 758 00:33:19,067 --> 00:33:20,267 HI. 759 00:33:20,300 --> 00:33:23,300 HI! MY GOD, I HAVEN'T SEEN YOU. 760 00:33:23,333 --> 00:33:24,400 WE HAVEN'T SEEN YOU GUYS 761 00:33:24,433 --> 00:33:25,400 IN A COUPLE OF DAYS. 762 00:33:25,433 --> 00:33:26,700 WHAT HAVE YOU BEEN DOING? 763 00:33:26,733 --> 00:33:28,600 WORKING. TRAINING. 764 00:33:28,633 --> 00:33:29,767 [LAUGHS] 765 00:33:31,467 --> 00:33:33,333 THEY'VE BEEN HAVING SEX ALL WEEKEND. 766 00:33:33,367 --> 00:33:35,533 HI. 767 00:33:35,567 --> 00:33:36,767 HI, EVERYONE. 768 00:33:36,800 --> 00:33:38,367 HI. 769 00:33:42,067 --> 00:33:45,100 WHY DON'T YOU TWO COME JOIN US? 770 00:33:45,133 --> 00:33:47,500 OKAY. 771 00:33:47,533 --> 00:33:49,067 THANK YOU. 772 00:33:49,100 --> 00:33:50,067 THAT'S NICE. 773 00:33:53,133 --> 00:33:55,067 HI. HELLO. 774 00:33:56,867 --> 00:34:00,267 SO, UM... 775 00:34:00,300 --> 00:34:01,267 TINA WAS JUST SAYING 776 00:34:01,300 --> 00:34:04,133 THAT DANA AND ALICE... 777 00:34:04,167 --> 00:34:05,967 ARE HAVING SEX. 778 00:34:06,067 --> 00:34:07,233 [LAUGHING] 779 00:34:07,267 --> 00:34:09,700 THAT'S NOTHING TO BE ASHAMED OF. 780 00:34:09,733 --> 00:34:11,900 THEY'D BE IN GOOD COMPANY. 781 00:34:11,933 --> 00:34:13,400 [ALICE]: YEAH, WE HAVEN'T, THOUGH. 782 00:34:13,433 --> 00:34:15,633 I MEAN, I'VE BEEN BUSY, 783 00:34:15,667 --> 00:34:16,967 AND SHE'S BEEN BUSY... 784 00:34:17,067 --> 00:34:18,400 WORKING. 785 00:34:18,433 --> 00:34:21,500 OH, YEAH, LET ME SEE. 786 00:34:21,533 --> 00:34:22,700 BUSY! 787 00:34:22,733 --> 00:34:24,200 OH! 788 00:34:24,233 --> 00:34:26,333 OKAY, LET'S SEE. 789 00:34:26,367 --> 00:34:27,333 NO. 790 00:34:27,367 --> 00:34:29,667 WORKING? 791 00:34:29,700 --> 00:34:30,567 OH, MY GOODNESS! 792 00:34:30,600 --> 00:34:31,467 WORKING IT. 793 00:34:31,500 --> 00:34:32,467 WORKING IT. 794 00:34:32,500 --> 00:34:33,467 UH-HUH. 795 00:34:33,500 --> 00:34:34,867 LET HER SEE IT. LET HER SEE. 796 00:34:34,900 --> 00:34:36,900 OPEN IT UP. 797 00:34:36,933 --> 00:34:40,167 ALL RIGHT, I HAVE... 798 00:34:40,200 --> 00:34:41,167 OH! 799 00:34:41,200 --> 00:34:43,700 OH, MY GOD. 800 00:34:43,733 --> 00:34:45,133 OH, MY GOD. 801 00:34:45,167 --> 00:34:47,767 I HAVE MY KCRW AUDITION, 802 00:34:47,800 --> 00:34:49,067 AND I KIND OF DON'T KNOW WHAT TO DO, 803 00:34:49,067 --> 00:34:51,233 SO I WAS... 804 00:34:51,267 --> 00:34:53,067 WELL, YOU KNOW, 805 00:34:53,067 --> 00:34:55,500 WHY DON'T YOU TAKE THIS? 806 00:34:55,533 --> 00:34:56,833 BECAUSE PASSION 807 00:34:56,867 --> 00:34:59,500 SHOULD NEVER COST YOU RESPECT. 808 00:34:59,533 --> 00:35:00,567 NO, THAT-- 809 00:35:00,600 --> 00:35:02,067 HELENA, I COULDN'T ACCEPT THIS. 810 00:35:02,067 --> 00:35:03,700 IT'S HERMES. 811 00:35:03,733 --> 00:35:05,233 IT'S VINTAGE, 812 00:35:05,267 --> 00:35:06,467 AND FOR HAVING SUCH A GOOD EYE, 813 00:35:06,500 --> 00:35:09,067 YOU GET TO KEEP IT. 814 00:35:09,067 --> 00:35:10,700 OH! 815 00:35:10,733 --> 00:35:11,667 WOW. 816 00:35:15,300 --> 00:35:16,733 YOU KNOW, 817 00:35:16,767 --> 00:35:18,533 I THINK I'D BETTER BE GETTING TO WORK. 818 00:35:18,567 --> 00:35:19,767 WELL, THAT'S A SHAME. 819 00:35:19,800 --> 00:35:21,267 WHY DON'T YOU TAKE THE MORNING OFF? 820 00:35:21,300 --> 00:35:23,567 WELL, BECAUSE IT'S NOT REALLY AN OPTION FOR ME. 821 00:35:23,600 --> 00:35:24,567 OF COURSE IT IS. 822 00:35:24,600 --> 00:35:25,667 YOU'RE HAVING BREAKFAST 823 00:35:25,700 --> 00:35:27,067 WITH ONE OF YOUR BOARD MEMBERS, 824 00:35:27,100 --> 00:35:28,233 AND WE'LL DISCUSS WHAT WE'LL TALK ABOUT 825 00:35:28,267 --> 00:35:29,133 WITH ALLYN BARNES TONIGHT. 826 00:35:29,167 --> 00:35:31,800 YOU'VE GOT TO BE KIDDING. 827 00:35:31,833 --> 00:35:33,467 HELENA HAS JUST JOINED 828 00:35:33,500 --> 00:35:36,533 THE BOARD OF DIRECTORS FOR THE CAC. 829 00:35:38,600 --> 00:35:40,800 I'LL SEE YOU AT THE MEETING. 830 00:35:40,833 --> 00:35:41,900 WELL, BETTE, 831 00:35:41,933 --> 00:35:43,233 WHY DON'T YOU COME OVER LATER TONIGHT 832 00:35:43,267 --> 00:35:44,867 AFTER THE MEETING? 833 00:35:44,900 --> 00:35:48,067 TINA AND I HAVE FOUND A HOUSE. 834 00:35:48,067 --> 00:35:49,067 OH, NO, 835 00:35:49,067 --> 00:35:51,567 HELENA HAS FOUND A HOUSE. 836 00:35:53,400 --> 00:35:54,567 WELL, YOU KNOW WHAT? 837 00:35:54,600 --> 00:35:55,867 WHY DON'T YOU ALL COME OVER TONIGHT? 838 00:35:55,900 --> 00:35:58,667 WE'LL HAVE A HOUSEWARMING PARTY. 839 00:36:01,067 --> 00:36:02,133 [TINA]: YOU SHOULD SEE THIS HOUSE. 840 00:36:02,167 --> 00:36:03,433 IT'S AMAZING. 841 00:36:03,467 --> 00:36:04,867 IT'S THE ONE ON BROAD BEACH. 842 00:36:04,900 --> 00:36:06,700 THE ONE IN ARCHITECTURAL DIGEST. 843 00:36:06,733 --> 00:36:07,500 IT'S GORGEOUS. 844 00:36:07,533 --> 00:36:09,933 OF COURSE IT IS. 845 00:36:12,800 --> 00:36:15,067 YOU KNOW, THAT SOUNDS REALLY NICE, HELENA. 846 00:36:15,067 --> 00:36:17,700 MAYBE, IF I'M NOT TOO TIRED. 847 00:36:19,067 --> 00:36:20,200 GOOD. 848 00:36:23,867 --> 00:36:24,833 BYE, BETTE. 849 00:36:24,867 --> 00:36:25,833 BYE. SEE YOU LATER. 850 00:36:25,867 --> 00:36:26,833 GOOD LUCK. 851 00:36:26,867 --> 00:36:29,933 OKAY, THANKS. 852 00:36:35,167 --> 00:36:36,133 HEY. 853 00:36:36,167 --> 00:36:37,600 HEY. 854 00:36:45,333 --> 00:36:47,100 DID I DO SOMETHING TO OFFEND YOU? 855 00:36:47,133 --> 00:36:48,667 NO. 856 00:36:48,700 --> 00:36:49,667 LOOK. 857 00:36:49,700 --> 00:36:53,133 YOU SAVED MY ASS, 858 00:36:53,167 --> 00:36:54,233 AND I'M SORRY 859 00:36:54,267 --> 00:36:56,100 IF I DIDN'T THANK YOU ADEQUATELY. 860 00:36:57,867 --> 00:36:59,600 SO THANK YOU. 861 00:36:59,633 --> 00:37:03,900 DO YOU KNOW ANYTHING ABOUT THE SAMURAI CODE? 862 00:37:03,933 --> 00:37:05,567 RONIN? 863 00:37:05,600 --> 00:37:09,067 IS THAT ONE OF THOSE HONG KONG ACTION FLICKS? 864 00:37:09,100 --> 00:37:10,633 NO, IT'S A BOOK, ACTUALLY. 865 00:37:10,667 --> 00:37:13,500 I WAS REALLY INTO THAT SHIT WHEN I WAS, LIKE, 13 AND 14. 866 00:37:13,533 --> 00:37:16,433 GOT MY FIRST-DEGREE BLACK BELT IN SHOTOKAN. 867 00:37:16,467 --> 00:37:17,800 LUCKY FOR ME, HUH? 868 00:37:17,833 --> 00:37:18,800 YEAH. 869 00:37:18,833 --> 00:37:21,533 WELL, ACCORDING TO THE SAMURAI CODE, 870 00:37:21,567 --> 00:37:22,767 IF YOU SAVE SOMEONE'S ASS, 871 00:37:22,800 --> 00:37:24,567 YOU'RE FOREVER INDEBTED TO THAT PERSON. 872 00:37:24,600 --> 00:37:25,600 YOU'RE-- 873 00:37:25,633 --> 00:37:27,367 IT'S THE GREATEST HONOR AND PRIVILEGE 874 00:37:27,400 --> 00:37:29,867 YOU CAN EVER ACHIEVE. 875 00:37:29,900 --> 00:37:32,733 LOOK, I SAID THANK YOU. 876 00:37:32,767 --> 00:37:34,433 I DON'T KNOW WHAT ELSE YOU WANT ME TO DO. 877 00:37:34,467 --> 00:37:37,167 NOT YOU. ME. 878 00:37:37,200 --> 00:37:40,067 I'M INDEBTED TO YOU FOR GIVING ME THAT OPPORTUNITY. 879 00:37:40,067 --> 00:37:42,633 NO, SO, IT'S LIKE 880 00:37:42,667 --> 00:37:46,267 BASICALLY, I'M YOUR SERVANT NOW. 881 00:37:46,300 --> 00:37:47,733 NO, THANK YOU. 882 00:37:47,767 --> 00:37:50,067 IT'S JUST THE WAY IT'S GOT TO BE. 883 00:37:50,067 --> 00:37:52,200 YOU'RE STUCK WITH ME. 884 00:37:52,233 --> 00:37:53,067 RIGHT. 885 00:37:53,100 --> 00:37:54,067 SIT, PLEASE. 886 00:37:54,100 --> 00:37:55,767 OH, UH, UH. 887 00:37:55,800 --> 00:37:57,600 ALLOW ME. 888 00:38:00,900 --> 00:38:02,767 WILL YOU BE HAVING A BEVERAGE, 889 00:38:02,800 --> 00:38:05,400 MY LORD? 890 00:38:05,433 --> 00:38:07,067 NO. 891 00:38:11,233 --> 00:38:12,067 [BUZZ] 892 00:38:12,067 --> 00:38:13,500 [WOMAN]: HELLO? 893 00:38:13,533 --> 00:38:17,267 HI. THIS IS JENNY SCHECTER FOR MR. BURR CONNOR, PLEASE. 894 00:38:17,300 --> 00:38:18,733 YES, MISS SCHECTER, COME ON IN. 895 00:38:18,767 --> 00:38:20,433 THANK YOU. 896 00:38:31,933 --> 00:38:34,067 IT'S A HARD FEELING TO DESCRIBE, 897 00:38:34,067 --> 00:38:37,833 BUT I THINK THAT I'VE KNOWN FOR A REALLY LONG TIME, 898 00:38:37,867 --> 00:38:39,233 AND I FOUGHT AGAINST IT 899 00:38:39,267 --> 00:38:43,767 BECAUSE I KNEW THAT MY FAMILY WOULDN'T APPROVE, 900 00:38:43,800 --> 00:38:47,633 BUT I ACTUALLY THINK THAT I'VE ALWAYS KNOWN. 901 00:38:47,667 --> 00:38:50,300 YEAH, I KNOW EXACTLY WHAT YOU MEAN. 902 00:38:50,333 --> 00:38:51,300 YEAH? 903 00:38:51,333 --> 00:38:53,400 MM-HMM. 904 00:38:53,433 --> 00:38:56,867 FROM THE TIME I WAS A SMALL BOY, 905 00:38:56,900 --> 00:38:58,933 I ALWAYS KNEW I WANTED TO BE AN ACTOR. 906 00:38:58,967 --> 00:39:00,500 HOW COOL. 907 00:39:03,100 --> 00:39:04,333 SO... 908 00:39:04,367 --> 00:39:07,233 LIKE, WHAT KIND OF WRITERS 909 00:39:07,267 --> 00:39:10,300 WOULD YOU SAY YOU MODEL YOURSELF AFTER? 910 00:39:10,333 --> 00:39:11,300 JUDITH KRANTZ? 911 00:39:11,333 --> 00:39:12,067 DANIELLE STEEL? 912 00:39:12,067 --> 00:39:14,567 LIKE THAT? 913 00:39:14,600 --> 00:39:15,800 EW. 914 00:39:15,833 --> 00:39:16,800 YOU'RE KIDDING. NO, SERIOUSLY. 915 00:39:16,833 --> 00:39:17,800 I'M SORRY. LET ME GUESS. 916 00:39:17,833 --> 00:39:19,300 LET ME GUESS? 917 00:39:19,333 --> 00:39:20,533 LOOKING AT YOU, 918 00:39:20,567 --> 00:39:22,133 HAVING SPENT A FEW MINUTES WITH YOU... 919 00:39:22,167 --> 00:39:23,933 UM... 920 00:39:23,967 --> 00:39:25,400 I'M GOOD AT THIS. 921 00:39:25,433 --> 00:39:27,400 MARY GAITSKILL. 922 00:39:29,167 --> 00:39:30,133 WOW. 923 00:39:30,167 --> 00:39:32,400 THANK YOU. 924 00:39:32,433 --> 00:39:33,633 I DON'T KNOW. 925 00:39:33,667 --> 00:39:35,733 I MEAN, CHARLOTTE'S PUSHING ME REALLY HARD RIGHT NOW, 926 00:39:35,767 --> 00:39:39,300 SO MY STYLE'S JUST EVOLVING PRETTY FAST. 927 00:39:39,333 --> 00:39:41,067 WELL, I WON'T BE PUSHING YOU, OKAY? 928 00:39:41,067 --> 00:39:44,767 I BASICALLY JUST NEED YOU TO CORRECT MY GRAMMAR... 929 00:39:44,800 --> 00:39:45,967 MM-HMM. 930 00:39:46,067 --> 00:39:47,367 AND ADD AN ADJECTIVE OR TWO HERE AND THERE. 931 00:39:47,400 --> 00:39:49,233 OKAY, HAVE YOU-- 932 00:39:49,267 --> 00:39:52,333 HAVE YOU EVER WRITTEN ANYTHING BEFORE? 933 00:39:52,367 --> 00:39:53,333 NO, NOT REALLY. 934 00:39:53,367 --> 00:39:55,067 I'VE BEEN TAPE-RECORDING MYSELF. 935 00:39:55,067 --> 00:39:56,200 OH, YEAH? YEAH. 936 00:39:56,233 --> 00:39:57,733 OH, OKAY. 937 00:39:57,767 --> 00:40:01,333 ACTUALLY, I HAVE THIS. 938 00:40:01,367 --> 00:40:03,200 NO, UH... YOU CAN PUT THAT AWAY. 939 00:40:03,233 --> 00:40:05,267 OKAY, I'LL PUT IT AWAY. 940 00:40:06,833 --> 00:40:10,667 CAN I-- CAN I JUST USE MY NOTEBOOK? 941 00:40:10,700 --> 00:40:11,900 NO, GO AHEAD. 942 00:40:11,933 --> 00:40:13,967 UM, OKAY, I HAVE A COUPLE OF QUESTIONS FOR YOU 943 00:40:14,000 --> 00:40:14,967 TO BEGIN. 944 00:40:15,000 --> 00:40:15,967 MM-HMM. 945 00:40:16,000 --> 00:40:20,233 ROD SEBRING. 946 00:40:20,267 --> 00:40:23,767 IT APPEARS AS THOUGH YOU HAVE 947 00:40:23,800 --> 00:40:26,233 A VERY PROFOUND CONNECTION WITH HIM. 948 00:40:26,267 --> 00:40:27,567 MM-HMM. 949 00:40:27,600 --> 00:40:29,467 YEAH. 950 00:40:29,500 --> 00:40:31,100 WELL, WE DID THREE PICTURES TOGETHER. 951 00:40:31,133 --> 00:40:32,400 YEAH. 952 00:40:32,433 --> 00:40:36,267 THE SCENE IN HARD MAN TO KNOW 953 00:40:36,300 --> 00:40:41,200 WHERE YOU CARRY MR. SEBRING ACROSS TEXAS 954 00:40:41,233 --> 00:40:42,900 AFTER HE'S BEEN SHOT. 955 00:40:42,933 --> 00:40:46,133 IT'S BEAUTIFUL AND QUITE ROMANTIC. 956 00:40:46,167 --> 00:40:47,067 MM-HMM. 957 00:40:47,100 --> 00:40:48,067 YOU LIKE THAT MOVIE? 958 00:40:48,100 --> 00:40:49,200 I LOVED IT. 959 00:40:49,233 --> 00:40:50,200 I'VE REALLY-- 960 00:40:50,233 --> 00:40:51,400 I THOUGHT IT WAS LIKE-- 961 00:40:51,433 --> 00:40:52,167 I LOVED IT. 962 00:40:52,200 --> 00:40:53,200 REALLY? 963 00:40:53,233 --> 00:40:54,200 YEAH. 964 00:40:54,233 --> 00:40:55,567 YOU DON'T SEEM LIKE THE TYPE. 965 00:40:55,600 --> 00:40:58,200 OH, MY GOD, I'VE SEEN ALL OF YOUR FILMS. 966 00:40:58,233 --> 00:40:59,367 I'M SURE YOU HAVE, YEAH. 967 00:40:59,400 --> 00:41:00,433 YEAH. 968 00:41:00,467 --> 00:41:01,433 IN THE LAST TWO DAYS, RIGHT? 969 00:41:01,467 --> 00:41:04,267 YES, BUT... 970 00:41:04,300 --> 00:41:06,433 OKAY, BUT MY GIRLFRIEND 971 00:41:06,467 --> 00:41:08,600 ACTUALLY HAS SEEN ALL YOUR FILMS. 972 00:41:08,633 --> 00:41:10,167 YOUR GIRLFRIEND? 973 00:41:10,200 --> 00:41:12,500 YEAH, WHEN SHE WAS A LITTLE KID, 974 00:41:12,533 --> 00:41:13,967 SHE AND HER STEPDAD 975 00:41:14,067 --> 00:41:15,267 USED TO GO TO ALL YOUR FILMS, 976 00:41:15,300 --> 00:41:17,600 AND NOW SHE CAN RECITE ALL OF YOUR DIALOGUE. 977 00:41:17,633 --> 00:41:19,367 SO SHE'S A TOMBOY? 978 00:41:21,800 --> 00:41:23,067 GOSH, I'VE NEVER THOUGHT OF HER 979 00:41:23,067 --> 00:41:25,533 LIKE THAT. 980 00:41:25,567 --> 00:41:28,667 I THINK SHE'S JUST BEAUTIFUL. 981 00:41:31,267 --> 00:41:33,067 WELL, MISS SCHECTER, 982 00:41:33,067 --> 00:41:35,267 THANK YOU SO MUCH FOR COMING ON OVER, 983 00:41:35,300 --> 00:41:36,467 AND I'LL BE IN TOUCH WITH YOU 984 00:41:36,500 --> 00:41:38,200 TO LET YOU KNOW IF I'LL BE NEEDING YOUR HELP. 985 00:41:38,233 --> 00:41:41,467 OH, OKAY. 986 00:41:41,500 --> 00:41:43,167 OKAY. 987 00:41:47,467 --> 00:41:52,133 UM, ARE YOU FIRING ME, UM... 988 00:41:52,167 --> 00:41:53,467 BECAUSE I'M GAY? 989 00:41:53,500 --> 00:41:56,833 WELL, I WASN'T AWARE THAT I'D ACTUALLY HIRED YOU, 990 00:41:56,867 --> 00:41:58,167 BUT I DO PREFER 991 00:41:58,200 --> 00:42:00,300 NOT TO HAVE CERTAIN THINGS FLAUNTED IN MY FACE. 992 00:42:10,333 --> 00:42:11,700 [ALICE]: MY BIG CATCH PHRASE ENDING 993 00:42:11,733 --> 00:42:12,700 COULD BE, 994 00:42:12,733 --> 00:42:14,333 "SO GO ASK ALICE, 995 00:42:14,367 --> 00:42:15,433 BECAUSE SHE KNOWS WHAT'S GOING ON." 996 00:42:15,467 --> 00:42:17,267 LIKE... 997 00:42:19,700 --> 00:42:20,700 NO, THAT'S GOOD. 998 00:42:20,733 --> 00:42:22,133 THAT'S GOOD. 999 00:42:22,167 --> 00:42:24,567 LOOK, I'M GOING TO GO TALK TO MY NEW CHEF. 1000 00:42:24,600 --> 00:42:25,833 WHAT? YEAH. 1001 00:42:25,867 --> 00:42:27,900 YOU HIRED A NEW CHEF? THAT'S SO COOL. 1002 00:42:27,933 --> 00:42:30,600 GIRL, I STOLE HER FROM A.O.C. 1003 00:42:30,633 --> 00:42:33,067 SHE WAS TRAINING UNDER SUZANNE GOINS. 1004 00:42:33,067 --> 00:42:34,833 MAYBE I SHOULD WRITE ABOUT THAT. 1005 00:42:34,867 --> 00:42:37,567 I MEAN, IT'S GOT TO BE BETTER THAN WHAT I HAVE. 1006 00:42:37,600 --> 00:42:38,833 NO, NO, YOURS IS REALLY GOOD, ALICE. 1007 00:42:38,867 --> 00:42:40,067 I MEAN, 1008 00:42:40,067 --> 00:42:45,333 YOU'VE JUST GOT TO RELAX AND BREATHE. 1009 00:42:45,367 --> 00:42:46,333 BENJAMIN, RIGHT? 1010 00:42:46,367 --> 00:42:47,333 YOU BET. 1011 00:42:47,367 --> 00:42:48,333 OKAY? 1012 00:42:48,367 --> 00:42:49,300 YEAH. 1013 00:42:51,233 --> 00:42:51,900 [SIGHS] 1014 00:42:51,933 --> 00:42:52,867 THIS IS ALICE PIESZECKI 1015 00:42:52,900 --> 00:42:55,133 REMINDING YOU TO RELAX AND BREATHE. 1016 00:42:55,167 --> 00:42:57,200 RELAX AND... 1017 00:42:57,233 --> 00:43:00,067 REMINDING YOU TO RELAX AND BREATHE. 1018 00:43:00,100 --> 00:43:02,200 [MUTTERING] 1019 00:43:02,233 --> 00:43:03,700 ALICE. 1020 00:43:03,733 --> 00:43:04,700 GABBY. 1021 00:43:04,733 --> 00:43:05,700 I THOUGHT YOU'D HAVE 1022 00:43:05,733 --> 00:43:06,733 A MORE INTERESTING DEMISE 1023 00:43:06,767 --> 00:43:07,700 THAN MUTTERING TO YOURSELF 1024 00:43:07,733 --> 00:43:09,200 AT THE PLANET. 1025 00:43:09,233 --> 00:43:10,300 YEAH, WOW. 1026 00:43:10,333 --> 00:43:10,867 GIVE ME A HUG. 1027 00:43:10,900 --> 00:43:12,900 OKAY. 1028 00:43:12,933 --> 00:43:13,900 HI. 1029 00:43:13,933 --> 00:43:14,933 YOU LOOK GOOD. 1030 00:43:14,967 --> 00:43:16,500 THANKS. WHAT'S WRONG WITH YOU? 1031 00:43:16,533 --> 00:43:18,067 NOTHING, EXCEPT THAT I'M IN LOVE. 1032 00:43:18,100 --> 00:43:19,400 YEAH. 1033 00:43:19,433 --> 00:43:21,367 GABBY DEVEAUX, IN LOVE. 1034 00:43:21,400 --> 00:43:22,933 WOW. 1035 00:43:22,967 --> 00:43:25,067 HOW ARE YOU? WHAT'S GOING ON WITH YOU? 1036 00:43:25,067 --> 00:43:27,167 UM, I'M IN LOVE TOO. 1037 00:43:27,200 --> 00:43:28,100 AW. 1038 00:43:28,133 --> 00:43:29,900 YEAH. 1039 00:43:29,933 --> 00:43:31,200 YOU CAN'T TELL? 1040 00:43:31,233 --> 00:43:32,667 MAYBE I'M NOT SHOWING IT OR SOME-- 1041 00:43:32,700 --> 00:43:34,400 I'M VERY PRIVATE, SO... 1042 00:43:34,433 --> 00:43:36,067 ALICE TELL-ME-ALL- YOUR-SECRETS- 1043 00:43:36,067 --> 00:43:37,833 AND-I'LL-SELL-THEM-TO-THE- DAILY-PLANET PIESZECKI? 1044 00:43:39,067 --> 00:43:40,400 SO WHO IS THE LUCKY LADY? 1045 00:43:40,433 --> 00:43:42,467 UM, SHE-- 1046 00:43:42,500 --> 00:43:43,867 YOU DON'T KNOW HER. 1047 00:43:43,900 --> 00:43:45,267 I PRETTY MUCH KNOW EVERYBODY. 1048 00:43:45,300 --> 00:43:46,300 MM-HMM. 1049 00:43:46,333 --> 00:43:48,067 WELL, DO I KNOW YOUR NEW PARAMOUR? 1050 00:43:48,100 --> 00:43:49,867 SHE'S-- 1051 00:43:49,900 --> 00:43:50,867 OH, THERE SHE IS. 1052 00:43:52,800 --> 00:43:54,067 RIGHT THERE. 1053 00:43:54,100 --> 00:43:55,067 LARA? 1054 00:43:55,100 --> 00:43:56,200 HEY, ALICE. 1055 00:43:56,233 --> 00:43:57,200 I GUESS YOU DO. 1056 00:43:57,233 --> 00:43:58,867 HEY, BABY. 1057 00:43:58,900 --> 00:43:59,900 HI. 1058 00:44:00,067 --> 00:44:02,167 DID SHE LIKE YOUR RECIPES? 1059 00:44:02,200 --> 00:44:03,333 DISHES, HONEY. 1060 00:44:03,367 --> 00:44:06,267 WE DON'T CALL THEM RECIPES. 1061 00:44:06,300 --> 00:44:08,300 SO, ALICE, HOW'S DANA? 1062 00:44:08,333 --> 00:44:09,300 SHE'S FINE. 1063 00:44:09,333 --> 00:44:12,067 YEAH, SHE'S GREAT, ACTUALLY. 1064 00:44:12,067 --> 00:44:13,267 GREAT. 1065 00:44:13,300 --> 00:44:15,333 YEAH, I'M SURE YOU'LL SEE HER AROUND AND STUFF. 1066 00:44:15,367 --> 00:44:17,633 SO... 1067 00:44:17,667 --> 00:44:19,400 GREAT TO SEE YOU GUYS, THE TWO OF YOU. 1068 00:44:19,433 --> 00:44:20,433 YEAH, OKAY. 1069 00:44:20,467 --> 00:44:21,467 BYE. 1070 00:44:21,500 --> 00:44:22,967 YEAH, BYE. 1071 00:44:25,200 --> 00:44:26,800 [RADIO ANNOUNCER]: ...POWERED BY REAL NETWORKS. 1072 00:44:26,833 --> 00:44:29,733 KCRW, A COMMUNITY SERVICE OF SANTA MONICA COLLEGE. 1073 00:44:29,767 --> 00:44:31,567 ALL THIS AT KCRW.COM... 1074 00:44:31,600 --> 00:44:32,800 ALICE. HI, MIMI. 1075 00:44:32,833 --> 00:44:34,233 I'M SO HAPPY TO SEE YOU. 1076 00:44:34,267 --> 00:44:35,500 YOU'RE NOT GOING TO BELIEVE 1077 00:44:35,533 --> 00:44:36,833 WHAT JUST HAPPENED TO ME. 1078 00:44:36,867 --> 00:44:38,300 WHAT? 1079 00:44:38,333 --> 00:44:39,300 ARE YOU READY? 1080 00:44:39,333 --> 00:44:40,300 YEAH, I AM READY. 1081 00:44:40,333 --> 00:44:41,833 OKAY. I AM READY. 1082 00:44:41,867 --> 00:44:42,833 [MAN]: CAN YOU SAY A FEW WORDS, PLEASE? 1083 00:44:42,867 --> 00:44:44,333 YES, I-- 1084 00:44:44,367 --> 00:44:46,067 YES. YEAH. GO? 1085 00:44:46,067 --> 00:44:47,067 IS IT GOOD? 1086 00:44:47,067 --> 00:44:49,733 HELLO. HI. 1087 00:44:49,767 --> 00:44:51,867 HI, THIS IS ALICE PIESZECKI 1088 00:44:51,900 --> 00:44:52,933 THIS IS-- 1089 00:44:52,967 --> 00:44:53,967 ONE, TWO, IS THAT GOOD? ONE. 1090 00:44:54,067 --> 00:44:56,633 THAT'S GOOD. 1091 00:44:56,667 --> 00:44:58,400 YEAH, SO OUT WALKS LARA, 1092 00:44:58,433 --> 00:45:00,867 WHO'S THE EX OF MY CURRENT GIRLFRIEND, 1093 00:45:00,900 --> 00:45:03,367 AND WHAT DOES SHE DO? 1094 00:45:03,400 --> 00:45:05,633 SHE MAKES OUT WITH MY EX. 1095 00:45:05,667 --> 00:45:06,967 I MEAN, 1096 00:45:07,067 --> 00:45:08,433 IF I WAS GOING TO DRAW YOU A PICTURE OF THIS, 1097 00:45:08,467 --> 00:45:12,667 ALICE TO DANA, DANA TO LARA, 1098 00:45:12,700 --> 00:45:13,733 LARA TO GABBY-- 1099 00:45:13,767 --> 00:45:15,167 HI. GROSS. 1100 00:45:15,200 --> 00:45:16,567 GABBY TO ALICE. 1101 00:45:16,600 --> 00:45:17,700 I'M JUST... 1102 00:45:17,733 --> 00:45:19,867 TOTALLY FREAKED OUT ABOUT IT. 1103 00:45:19,900 --> 00:45:20,867 I'M SORRY. 1104 00:45:20,900 --> 00:45:23,967 IT'S LIKE, "AH!" 1105 00:45:24,067 --> 00:45:24,967 I DON'T KNOW, IT'S BECAUSE-- 1106 00:45:25,067 --> 00:45:26,067 WELL, I HAVE THIS CHART, 1107 00:45:26,100 --> 00:45:28,100 AND IT, YOU KNOW, 1108 00:45:28,133 --> 00:45:29,367 IT STARTED ON THE BACK OF A NAPKIN, 1109 00:45:29,400 --> 00:45:30,500 BUT NOW IT TAKES UP 1110 00:45:30,533 --> 00:45:32,800 AN ENTIRE WALL IN MY LIVING ROOM, 1111 00:45:32,833 --> 00:45:35,933 BUT IT'S ABOUT THESE ENTANGLEMENTS, YOU KNOW? 1112 00:45:35,967 --> 00:45:39,467 IT'S, LIKE, GOT RELATIONSHIPS ON IT, 1113 00:45:39,500 --> 00:45:41,400 ONE-NIGHT STANDS. 1114 00:45:41,433 --> 00:45:43,767 IT PRETTY MUCH HAS ANYBODY WHO'S SLEPT WITH ANYBODY ELSE... 1115 00:45:43,800 --> 00:45:46,367 THAT, THEREFORE, CONNECTS ME TO TINA, 1116 00:45:46,400 --> 00:45:49,400 WHICH CONNECTS ME TO HELENA, 1117 00:45:49,433 --> 00:45:50,600 WHO TINA'S CURRENTLY SEEING... 1118 00:45:50,633 --> 00:45:52,200 ONCE YOU GET HER ON THE CHART, YOU KNOW, 1119 00:45:52,233 --> 00:45:53,833 YOU HAVE WARREN BEATTY. 1120 00:45:53,867 --> 00:45:55,133 ONCE YOU HAVE HIM ON THE CHART, 1121 00:45:55,167 --> 00:45:56,233 YOU HAVE PRETTY MUCH... 1122 00:45:56,267 --> 00:45:57,467 PRESIDENTS, PRESIDENTIAL INTERNS. 1123 00:45:57,500 --> 00:46:00,067 I MEAN, I AM CONNECTED TO MONICA LEWINSKY. 1124 00:46:00,067 --> 00:46:01,067 IT'S RANDOM. 1125 00:46:01,067 --> 00:46:02,900 IT'S-- I DON'T KNOW. 1126 00:46:02,933 --> 00:46:04,167 I'M SORRY, 1127 00:46:04,200 --> 00:46:05,767 I'M TOTALLY RAMBLING, AND I'M-- 1128 00:46:05,800 --> 00:46:06,767 BECAUSE I HAVE-- 1129 00:46:06,800 --> 00:46:07,767 IT'S OKAY, ALICE. 1130 00:46:07,800 --> 00:46:08,767 I'M SORRY. 1131 00:46:08,800 --> 00:46:09,967 I THINK WE'VE GOT WHAT WE NEED. 1132 00:46:10,067 --> 00:46:11,567 I DON'T UNDERSTAND. 1133 00:46:11,600 --> 00:46:12,933 THAT'S OKAY. 1134 00:46:12,967 --> 00:46:14,800 IT WAS GREAT. I PROMISE YOU. 1135 00:46:14,833 --> 00:46:15,933 BUT-- 1136 00:46:15,967 --> 00:46:19,433 [CHUCKLES] 1137 00:46:19,467 --> 00:46:20,900 SINCE THIS ISN'T A REGULAR MEETING, 1138 00:46:20,933 --> 00:46:21,900 I WON'T REGALE YOU 1139 00:46:21,933 --> 00:46:24,067 WITH DETAILS OF BUDGET OR SCHEDULE. 1140 00:46:24,100 --> 00:46:27,067 I'LL JUST WELCOME HELENA PEABODY 1141 00:46:27,067 --> 00:46:29,300 AND TURN IT OVER TO LEO. 1142 00:46:29,333 --> 00:46:31,433 I THINK HELENA 1143 00:46:31,467 --> 00:46:33,233 DESERVES A LITTLE MORE FANFARE THAN THAT. 1144 00:46:33,267 --> 00:46:34,500 HELENA, 1145 00:46:34,533 --> 00:46:35,767 THE CALIFORNIA ART CENTER IS PRIVILEGED 1146 00:46:35,800 --> 00:46:36,900 AND HIGHLY HONORED 1147 00:46:36,933 --> 00:46:39,700 TO WELCOME YOU TO OUR BOARD OF DIRECTORS. 1148 00:46:46,067 --> 00:46:47,667 AND HELENA HAS A VERY SPECIAL GUEST 1149 00:46:47,700 --> 00:46:48,800 WITH HER TONIGHT. 1150 00:46:48,833 --> 00:46:49,800 HELENA, 1151 00:46:49,833 --> 00:46:52,733 PLEASE INTRODUCE ALLYN BARNES. 1152 00:46:52,767 --> 00:46:57,167 I REALLY DON'T THINK ALLYN NEEDS ANY INTRODUCTION. 1153 00:46:57,200 --> 00:46:58,733 SHE'S QUITE SIMPLY 1154 00:46:58,767 --> 00:47:01,133 ONE OF THE MOST IMPORTANT LIVING ARTISTS OF OUR TIME. 1155 00:47:01,167 --> 00:47:02,633 NONSENSE. 1156 00:47:02,667 --> 00:47:03,667 STOP IT. 1157 00:47:03,700 --> 00:47:05,067 NOBODY OUTSIDE OF THE ART WORLD 1158 00:47:05,067 --> 00:47:07,467 EVEN KNOWS MY WORK. 1159 00:47:07,500 --> 00:47:08,567 THAT'S AN UNDERSTATEMENT. 1160 00:47:08,600 --> 00:47:09,400 HARDLY ANYONE IN THE ART WORLD 1161 00:47:09,433 --> 00:47:10,333 KNOWS YOUR WORK. 1162 00:47:10,367 --> 00:47:11,700 OF COURSE WE DO. 1163 00:47:11,733 --> 00:47:13,067 EVERYBODY REMEMBERS 1164 00:47:13,067 --> 00:47:14,333 ALLYN BARNES'S TET OFFENSIVE. 1165 00:47:14,367 --> 00:47:16,233 WELL, THAT WAS 1972. 1166 00:47:16,267 --> 00:47:17,500 I MEAN, ALLYN, HOW DO YOU PROPOSE 1167 00:47:17,533 --> 00:47:18,767 TO SHOW THE WORK THAT YOU'VE DONE 1168 00:47:18,800 --> 00:47:20,167 SINCE YOU STOPPED SHOWING IN GALLERIES? 1169 00:47:20,200 --> 00:47:22,533 BECAUSE THAT'S 30 YEARS OF WORK 1170 00:47:22,567 --> 00:47:23,667 THAT'S NEVER BEEN EXHIBITED. 1171 00:47:23,700 --> 00:47:26,667 WELL, I'M NOT SURE I PROPOSE TO SHOW IT AT ALL. 1172 00:47:26,700 --> 00:47:28,167 ALLYN DOESN'T HAVE TO WORRY ABOUT THAT. 1173 00:47:28,200 --> 00:47:31,167 WE'LL DEVOTE THE ENTIRE MUSEUM, ALL FIVE GALLERIES. 1174 00:47:31,200 --> 00:47:32,467 THE CAC WILL BE THE ALLYN BARNES MUSEUM. 1175 00:47:34,600 --> 00:47:36,100 OH, ALLYN. 1176 00:47:36,133 --> 00:47:37,433 PLEASE DON'T WORRY. 1177 00:47:37,467 --> 00:47:38,367 YOU'RE IN VERY GOOD HANDS WITH LEO. 1178 00:47:38,400 --> 00:47:40,500 WHAT ABOUT THE EARTH WORKS 1179 00:47:40,533 --> 00:47:42,067 IN HUMBOLDT COUNTY? 1180 00:47:42,100 --> 00:47:43,367 I MEAN, A SEASON IN HELL 1181 00:47:43,400 --> 00:47:45,167 IS ONE OF THE MOST MAGNIFICENT PIECES OF ART 1182 00:47:45,200 --> 00:47:46,400 MADE DURING THE LAST 20 YEARS, 1183 00:47:46,433 --> 00:47:48,700 AND IT WAS DESTROYED DUE TO CLEAR-CUTTING. 1184 00:47:48,733 --> 00:47:51,133 BETTE, I THINK YOU'RE A LITTLE OUT OF STEP HERE. 1185 00:47:51,167 --> 00:47:52,300 ALLYN AND I HAVE DISCUSSED THIS-- 1186 00:47:52,333 --> 00:47:53,833 THAT WAS WHAT THE PIECE WAS ABOUT. 1187 00:47:53,867 --> 00:47:55,767 YES, BUT IN A RETROSPECTIVE, 1188 00:47:55,800 --> 00:47:57,333 IT WOULD BE A GLARING OMISSION. 1189 00:47:57,367 --> 00:47:59,700 THERE HAS TO BE SOME WAY 1190 00:47:59,733 --> 00:48:02,333 THAT WE REFERENCE THAT WORK. 1191 00:48:02,367 --> 00:48:04,233 I MEAN, I FEEL INCREDIBLY PRIVILEGED 1192 00:48:04,267 --> 00:48:05,233 TO HAVE SEEN IT. 1193 00:48:05,267 --> 00:48:07,233 YOU SAW A SEASON IN HELL? 1194 00:48:07,267 --> 00:48:09,900 I WROTE MY GRADUATE THESIS ON IT. 1195 00:48:09,933 --> 00:48:11,633 THAT WAS YOU? 1196 00:48:11,667 --> 00:48:12,633 THAT PIECE THAT WAS PUBLISHED 1197 00:48:12,667 --> 00:48:13,733 IN ART FORUM? 1198 00:48:13,767 --> 00:48:15,100 IT WAS CRUDE. 1199 00:48:15,133 --> 00:48:17,100 I THINK THAT I'M A BETTER CRITICAL WRITER NOW. 1200 00:48:17,133 --> 00:48:19,967 I WAS SO FURIOUS. 1201 00:48:20,067 --> 00:48:22,433 YOU WERE THE FIRST PERSON IN 18 YEARS 1202 00:48:22,467 --> 00:48:24,233 THAT HAD PENETRATED MY ANONYMITY. 1203 00:48:24,267 --> 00:48:26,100 WELL, I HAD TO SCALE THREE FENCES 1204 00:48:26,133 --> 00:48:27,400 JUST TO GET CLOSE TO IT. 1205 00:48:27,433 --> 00:48:28,167 I THOUGHT I WAS GOING TO GET SHOT AT. 1206 00:48:28,200 --> 00:48:30,667 YOU ALMOST WERE SHOT AT, 1207 00:48:30,700 --> 00:48:31,967 BUT IT WAS THE BEST ARTICLE 1208 00:48:32,067 --> 00:48:34,067 THAT'S EVER BEEN WRITTEN ABOUT MY WORK. 1209 00:48:34,067 --> 00:48:35,867 I MEAN, YOU REALLY, REALLY UNDERSTOOD 1210 00:48:35,900 --> 00:48:37,100 WHAT I WAS GOING AFTER. 1211 00:48:37,133 --> 00:48:38,933 I ATTENDED YOUR LECTURE SERIES 1212 00:48:38,967 --> 00:48:40,400 THE SEMESTER YOU TAUGHT AT YALE. 1213 00:48:40,433 --> 00:48:42,900 SO YOU MUST HAVE STUDIED WITH SI STILLMAN. 1214 00:48:42,933 --> 00:48:45,767 OH, MY GOD, HE HATED ME. 1215 00:48:45,800 --> 00:48:46,767 DID SI GIVE YOU THAT EXERCISE 1216 00:48:46,800 --> 00:48:48,367 WHERE YOU HAD TO WRITE ABOUT A VASARELY 1217 00:48:48,400 --> 00:48:49,900 AFTER A STORY BY BORGES? 1218 00:48:49,933 --> 00:48:52,067 "TLON, UQBAR, ORBIS TERTIUS." 1219 00:48:52,067 --> 00:48:53,900 THAT WAS THE STORY I CHOSE. 1220 00:48:53,933 --> 00:48:55,367 [CHUCKLES] 1221 00:48:55,400 --> 00:48:57,167 REALITY AND PERCEPTION, 1222 00:48:57,200 --> 00:48:58,500 LABYRINTH OF TIME AND SPACE. 1223 00:49:00,600 --> 00:49:01,633 HEY. 1224 00:49:01,667 --> 00:49:03,167 HI. 1225 00:49:07,133 --> 00:49:10,467 OH, WAS IT THAT BAD? 1226 00:49:10,500 --> 00:49:13,167 I FUCKED IT UP MASSIVELY. 1227 00:49:13,200 --> 00:49:15,733 AND HOW DID YOU MANAGE THAT? 1228 00:49:15,767 --> 00:49:18,633 WELL, I THINK 1229 00:49:18,667 --> 00:49:20,700 THAT MR. CONNOR DOESN'T LIKE THE FACT 1230 00:49:20,733 --> 00:49:22,900 THAT I'M A LESBIAN. 1231 00:49:25,067 --> 00:49:26,533 YOU TOLD HIM THAT? 1232 00:49:26,567 --> 00:49:28,267 YEAH. 1233 00:49:28,300 --> 00:49:29,833 AND HOW DID THAT HAPPEN? 1234 00:49:29,867 --> 00:49:32,533 BECAUSE IT JUST SORT OF CAME OUT, 1235 00:49:32,567 --> 00:49:34,333 AND I WAS... 1236 00:49:34,367 --> 00:49:37,100 I WAS TALKING ABOUT YOU. 1237 00:49:37,133 --> 00:49:39,533 OH. 1238 00:49:39,567 --> 00:49:41,767 YOU OUTED ME TO BURR CONNOR. 1239 00:49:41,800 --> 00:49:44,300 [LAUGHS] 1240 00:49:44,333 --> 00:49:46,867 HE'S A BIG, CREEPY HOMOPHOBE. 1241 00:49:46,900 --> 00:49:48,733 OH. WELL, DON'T WORRY ABOUT IT. 1242 00:49:48,767 --> 00:49:52,100 MOST MEN FROM THAT GENERATION ARE. 1243 00:49:58,767 --> 00:50:00,900 [KNOCKING] 1244 00:50:02,900 --> 00:50:03,900 HEY. 1245 00:50:03,933 --> 00:50:05,967 HEY. 1246 00:50:06,000 --> 00:50:07,733 UM... 1247 00:50:07,767 --> 00:50:10,900 LOOK, A FEW OF US ARE GOING TO GO HANG OUT. 1248 00:50:10,933 --> 00:50:12,067 YOU THINK YOU MIGHT WANT TO COME? 1249 00:50:14,167 --> 00:50:16,800 I DON'T KNOW. I... 1250 00:50:16,833 --> 00:50:19,300 OKAY. 1251 00:50:19,333 --> 00:50:22,167 HOW ABOUT THIS? 1252 00:50:22,200 --> 00:50:24,200 AS MY SERVANT, 1253 00:50:24,233 --> 00:50:27,033 I'M INSTRUCTING YOU TO COME AND HANG OUT 1254 00:50:27,067 --> 00:50:28,500 BECAUSE I NEED THE PROTECTION. 1255 00:50:31,167 --> 00:50:32,133 ALL RIGHT. 1256 00:50:32,167 --> 00:50:34,833 GOOD ANSWER. 1257 00:50:34,867 --> 00:50:37,000 SO IT'S ALL ABOUT THINGS THAT ARE CONNECTED. 1258 00:50:37,033 --> 00:50:38,033 IT CAN BE FUNNY, 1259 00:50:38,067 --> 00:50:39,833 IT CAN BE SERIOUS, 1260 00:50:39,867 --> 00:50:43,200 AS LONG AS IT FITS THE PREMISE. 1261 00:50:43,233 --> 00:50:45,500 I'M SO PROUD OF YOU. 1262 00:50:45,533 --> 00:50:46,500 [IN RADIO VOICE]: THE CHART 1263 00:50:46,533 --> 00:50:47,500 WITH ALICE PIESZECKI, 1264 00:50:47,533 --> 00:50:49,033 FRIDAYS AT 3:00 ON KCRW. 1265 00:50:49,067 --> 00:50:50,100 OOH, GOOD VOICE. 1266 00:50:50,133 --> 00:50:51,267 YOU LIKE? YEAH. 1267 00:50:51,300 --> 00:50:52,367 ALICE, MAKE OUT WITH ME. 1268 00:50:52,400 --> 00:50:53,933 [CHUCKLES] 1269 00:50:57,300 --> 00:50:59,067 WHOA. 1270 00:50:59,100 --> 00:51:00,133 SO, WHAT MADE YOU PICK THE CHART? 1271 00:51:00,167 --> 00:51:01,967 YOU HAD SO MANY OTHER IDEAS. 1272 00:51:02,067 --> 00:51:04,600 UM, I DON'T KNOW. 1273 00:51:04,633 --> 00:51:08,067 ACTUALLY, I RAN INTO GABBY DEVEAUX. 1274 00:51:08,067 --> 00:51:09,600 EUGHH! 1275 00:51:09,633 --> 00:51:11,067 YOU DID? 1276 00:51:11,067 --> 00:51:14,733 YEAH, AND SHE WAS ALL, "LET'S BE FRIENDS." 1277 00:51:14,767 --> 00:51:15,633 YOU KNOW? 1278 00:51:15,667 --> 00:51:16,600 I DON'T UNDERSTAND WHAT THIS NEED 1279 00:51:16,633 --> 00:51:20,633 TO HAVE A DEEP YET SEXLESS RELATIONSHIP 1280 00:51:20,667 --> 00:51:22,167 WITH AN EX THAT TREATED YOU SHITTY 1281 00:51:22,200 --> 00:51:25,767 AND CHEATED ON YOU, BUT...HEY. 1282 00:51:25,800 --> 00:51:27,267 YEAH, YOU KNOW, 1283 00:51:27,300 --> 00:51:28,633 I DON'T NECESSARILY THINK WE SHOULD BE FRIENDS 1284 00:51:28,667 --> 00:51:29,600 WITH OUR EXES. 1285 00:51:31,233 --> 00:51:32,200 REALLY? 1286 00:51:32,233 --> 00:51:33,200 MM-HMM. 1287 00:51:33,233 --> 00:51:34,200 YOU AGREE, HUH? 1288 00:51:34,233 --> 00:51:35,200 YEAH, I DO. 1289 00:51:35,233 --> 00:51:36,200 HUH. 1290 00:51:36,233 --> 00:51:37,200 WELL, WHAT IF ONE OF YOUR EXES 1291 00:51:37,233 --> 00:51:39,967 JUST KIND OF SHOWED UP LIKE THAT? 1292 00:51:40,067 --> 00:51:43,067 WELL I'M NOT READY TO BE FRIENDS WITH TONYA, 1293 00:51:43,067 --> 00:51:44,133 IF THAT'S WHAT YOU MEAN. 1294 00:51:44,167 --> 00:51:45,933 RIGHT. 1295 00:51:47,567 --> 00:51:51,467 WHAT ABOUT, I DON'T KNOW, LIKE, LARA? 1296 00:51:51,500 --> 00:51:54,133 ALICE, I HAVEN'T THOUGHT ABOUT LARA 1297 00:51:54,167 --> 00:51:55,200 IN A LONG TIME. 1298 00:51:55,233 --> 00:51:57,100 I DON'T KNOW. 1299 00:51:57,133 --> 00:51:59,600 I GUESS WE COULD BE FRIENDS. 1300 00:51:59,633 --> 00:52:01,067 UNLESS YOU DON'T WANT ME TO. 1301 00:52:03,667 --> 00:52:06,067 [TELEPHONE RINGING] 1302 00:52:06,067 --> 00:52:07,333 I'LL GO GET THAT. 1303 00:52:09,233 --> 00:52:10,600 HELLO? 1304 00:52:12,400 --> 00:52:13,367 HI, JENNY. 1305 00:52:13,400 --> 00:52:15,833 IT'S DANA. 1306 00:52:15,867 --> 00:52:17,733 HOLD ON. 1307 00:52:17,767 --> 00:52:19,767 JENNY AND CARMEN AREN'T GOING TO HELENA'S. 1308 00:52:19,800 --> 00:52:21,367 REALLY? WHERE ARE THEY GOING? 1309 00:52:23,067 --> 00:52:24,333 WHERE ARE YOU GOING? 1310 00:52:28,067 --> 00:52:29,800 [HELENA]: IS THIS AN L.A. THING? 1311 00:52:29,833 --> 00:52:31,300 YOU INVITE PEOPLE OVER. 1312 00:52:31,333 --> 00:52:32,300 THEY SAY THEY'RE GOING TO COME, 1313 00:52:32,333 --> 00:52:34,633 AND THEN THEY JUST DON'T SHOW UP? 1314 00:52:34,667 --> 00:52:36,733 IT IS. 1315 00:52:36,767 --> 00:52:40,067 I REMEMBER BEING SHOCKED BY IT WHEN I FIRST MOVED HERE. 1316 00:52:40,067 --> 00:52:41,600 NOW I'M JUST USED TO IT. 1317 00:52:41,633 --> 00:52:44,200 YEAH, WELL, IT'S NOT GOING TO FLY WITH ME. 1318 00:52:44,233 --> 00:52:49,367 WELL, WE'LL JUST HAVE TO SEND FORMAL INVITATIONS NEXT TIME. 1319 00:52:49,400 --> 00:52:53,233 I'M NOT SO SURE THERE'S GOING TO BE A NEXT TIME. 1320 00:52:53,267 --> 00:52:54,500 I'M NOT VERY FORGIVING 1321 00:52:54,533 --> 00:52:56,567 WHEN IT COMES TO SOCIAL TRANSGRESSIONS. 1322 00:52:59,167 --> 00:53:00,233 COME ON. 1323 00:53:00,267 --> 00:53:02,133 THIS IS NICE. 1324 00:53:02,167 --> 00:53:03,933 WE GET TO BE ALONE TOGETHER 1325 00:53:03,967 --> 00:53:05,333 IN YOUR NEW HOUSE 1326 00:53:05,367 --> 00:53:08,900 AND INITIATE IT ALL BY OURSELVES. 1327 00:53:11,167 --> 00:53:12,100 [GIGGLES] 1328 00:53:14,067 --> 00:53:16,267 OR AM I NOT ENOUGH FOR YOU? 1329 00:53:19,967 --> 00:53:22,067 YOU'RE MORE THAN ENOUGH FOR ME. 1330 00:53:27,333 --> 00:53:28,967 [KNOCKING] 1331 00:53:29,067 --> 00:53:30,767 [CHUCKLES] 1332 00:53:33,867 --> 00:53:36,433 OH, MY GOD. 1333 00:53:36,467 --> 00:53:37,500 HI. HI. 1334 00:53:37,533 --> 00:53:38,500 WHAT ARE YOU DOING? 1335 00:53:38,533 --> 00:53:40,100 WE THOUGHT WE'D INVITE OURSELVES OVER, 1336 00:53:40,133 --> 00:53:41,267 IF THAT'S OKAY. 1337 00:53:41,300 --> 00:53:42,500 WHAT ABOUT HELENA AND TINA'S? 1338 00:53:42,533 --> 00:53:44,067 OH, NO, IT'S TOO FAR. 1339 00:53:44,100 --> 00:53:45,733 MALIBU'S SUCH A DRIVE. HEY, YOU. 1340 00:53:45,767 --> 00:53:46,967 AH, THE CURSE OF THE WEST SIDE. 1341 00:53:47,067 --> 00:53:48,567 AND IT IS FAMILY NIGHT. 1342 00:53:48,600 --> 00:53:49,567 FAMILY NIGHT. 1343 00:53:49,600 --> 00:53:50,733 HOW ARE YOU? HI. 1344 00:53:50,767 --> 00:53:51,733 GOOD TO SEE YOU. 1345 00:53:51,767 --> 00:53:52,833 GOOD TO SEE YOU. 1346 00:53:52,867 --> 00:53:53,900 HOUSE IS BEAUTIFUL. 1347 00:53:53,933 --> 00:53:54,900 THANKS. 1348 00:53:54,933 --> 00:53:56,833 I GUESS I'LL ORDER PIZZA. 1349 00:53:56,867 --> 00:53:57,933 [MARK]: OH, LET ME-- 1350 00:53:57,967 --> 00:53:58,933 I FEEL SO PRIVILEGED 1351 00:53:58,967 --> 00:54:02,533 BEING INVITED TO YOUR FAMILY NIGHT. 1352 00:54:02,567 --> 00:54:03,533 UM...ANGELI? 1353 00:54:03,567 --> 00:54:04,867 SURE. 1354 00:54:04,900 --> 00:54:06,833 [***] 1355 00:54:11,167 --> 00:54:12,967 HEY, MARK. 1356 00:54:13,067 --> 00:54:15,167 CAN YOU GET ONE WITH, LIKE, 1357 00:54:15,200 --> 00:54:16,233 RICOTTA CHEESE OR SOMETHING. 1358 00:54:16,267 --> 00:54:18,067 I THINK THEY CALL IT, LIKE, 1359 00:54:18,067 --> 00:54:20,233 THE QUATTRO STAGIONE. 1360 00:54:20,267 --> 00:54:21,433 WHAT'S IT CALLED? 1361 00:54:21,467 --> 00:54:23,700 THE QUATTRO STAGIONE. 1362 00:54:23,733 --> 00:54:25,833 HERE, GRAB A GLASS. 1363 00:54:25,867 --> 00:54:28,500 HOW'D IT GO WITH BURR CONNOR? 1364 00:54:28,533 --> 00:54:29,800 THE BURR CONNOR? 1365 00:54:29,833 --> 00:54:32,067 YEAH, JENNY'S GHOSTWRITING HIS MEMOIRS. 1366 00:54:32,100 --> 00:54:33,667 NOT AFTER TODAY. 1367 00:54:33,700 --> 00:54:34,333 THAT ONE, 1368 00:54:34,367 --> 00:54:35,467 AND MY FRIEND ALICE 1369 00:54:35,500 --> 00:54:38,800 WANTED THE MEAT LOVER'S PIZZA. 1370 00:54:38,833 --> 00:54:41,167 BURR SUCKS. 1371 00:54:41,200 --> 00:54:42,967 I'M SORRY ABOUT THAT. 1372 00:54:43,067 --> 00:54:44,933 [ALL TALKING AT ONCE] 1373 00:54:47,467 --> 00:54:49,833 SO, EVERYBODY, EVERYBODY... 1374 00:54:49,867 --> 00:54:52,267 CONGRATULATE ALICE. 1375 00:54:52,300 --> 00:54:54,067 CONGRATULATIONS. 1376 00:54:54,067 --> 00:54:55,233 WILL YOU GUYS LISTEN? 1377 00:54:55,267 --> 00:54:56,233 TO WHAT? 1378 00:54:56,267 --> 00:54:57,400 TO HER SHOW! 1379 00:54:57,433 --> 00:54:58,400 [LAUGHTER] 1380 00:54:58,433 --> 00:54:59,700 [***] 1381 00:54:59,733 --> 00:55:00,600 CAN YOU DO THE RADIO VOICE? 1382 00:55:00,633 --> 00:55:01,767 NO. 1383 00:55:01,800 --> 00:55:03,067 COME ON. JUST DO IT. DO IT. 1384 00:55:03,067 --> 00:55:04,333 NO, I NEVER WANT TO HEAR 1385 00:55:04,367 --> 00:55:06,633 THE RADIO VOICE AGAIN, PLEASE! 1386 00:55:06,667 --> 00:55:08,200 DOESN'T EVERYONE HAVE ONE? 1387 00:55:11,633 --> 00:55:13,467 CHEERS. 1388 00:55:13,500 --> 00:55:14,667 DRINK, BETTE? 1389 00:55:14,700 --> 00:55:16,633 [***] 1390 00:56:22,333 --> 00:56:23,400 [MEOWS] 1391 00:56:23,433 --> 00:56:24,633 [PURRS]