1 00:00:10,833 --> 00:00:12,133 PREVIOUSLY ON THE L WORD... 2 00:00:12,167 --> 00:00:13,433 WHO DID THIS TO YOU? IT DOESN'T MATTER. 3 00:00:13,467 --> 00:00:14,633 NO, TELL ME. I WILL FUCKING KILL THEM. 4 00:00:14,667 --> 00:00:15,633 WHO DID THIS TO YOU? 5 00:00:15,667 --> 00:00:16,633 YOU DID IT. 6 00:00:16,667 --> 00:00:17,833 LOOK, I NEED SOMEBODY 7 00:00:17,867 --> 00:00:19,100 WHO LOOKS RELATIVELY HUMAN, 8 00:00:19,133 --> 00:00:22,033 OR AT LEAST IS A CREDIBLE SIMULATION, 9 00:00:22,067 --> 00:00:24,167 AND THAT'S WHERE HAIR GIRL COMES IN. 10 00:00:24,200 --> 00:00:25,400 FUCK YOU. 11 00:00:27,500 --> 00:00:28,500 GREAT. 12 00:00:28,533 --> 00:00:30,000 WE'VE BEEN BEST FRIENDS FOR HOW LONG, HUH? 13 00:00:30,033 --> 00:00:32,100 AND NOW YOU'RE GOING TO FUCK UP THIS GIG 14 00:00:32,133 --> 00:00:33,400 WE'VE BEEN WORKING OUR ASSES OFF ON 15 00:00:33,433 --> 00:00:34,400 FOR SOME CHICK? 16 00:00:34,433 --> 00:00:35,867 WE'RE WATCHING 17 00:00:35,900 --> 00:00:37,400 A BURR CONNOR FILM FESTIVAL. 18 00:00:37,433 --> 00:00:38,867 YES, MISS JENNY OVER HERE 19 00:00:38,900 --> 00:00:40,633 IS GOING TO GHOSTWRITE 20 00:00:40,667 --> 00:00:41,967 HIS MEMOIRS. 21 00:00:42,000 --> 00:00:43,400 ARE YOU FIRING ME 22 00:00:43,433 --> 00:00:45,000 BECAUSE I'M GAY? 23 00:00:45,033 --> 00:00:47,233 WELL, I WASN'T AWARE THAT I'D ACTUALLY HIRED YOU. 24 00:00:47,267 --> 00:00:48,300 WELL, YOU KNOW, 25 00:00:48,333 --> 00:00:49,867 IT GETS KIND OF LONELY ON THE ROAD SOMETIMES. 26 00:00:49,900 --> 00:00:51,567 YOU MUST MISS YOUR FAMILY. 27 00:00:51,600 --> 00:00:53,133 [GIGGLES] 28 00:00:54,733 --> 00:00:56,367 WHAT HAVE YOU BEEN DOING? 29 00:00:56,400 --> 00:00:58,000 THEY'VE BEEN HAVING SEX ALL WEEKEND. 30 00:00:58,033 --> 00:01:00,067 HI. HI. HEY. 31 00:01:00,100 --> 00:01:01,100 MY NEXT SONOGRAM 32 00:01:01,133 --> 00:01:03,067 IS WEDNESDAY THE 7th AT 10:00 A.M. 33 00:01:03,100 --> 00:01:04,200 WELL, I'D LOVE TO BE THERE. 34 00:01:04,233 --> 00:01:05,667 I MEAN, IF THAT'S OKAY WITH YOU. 35 00:01:05,700 --> 00:01:06,767 YEAH. 36 00:01:06,800 --> 00:01:08,800 I'D REALLY LIKE TO SEE OUR BABY. 37 00:01:16,933 --> 00:01:18,900 [WATER RUNNING] 38 00:01:42,533 --> 00:01:44,067 [CARMEN]: WELL, I HAVE TO PEE, TOO. 39 00:01:44,067 --> 00:01:46,367 [JENNY]: I'M GOING TO BE DONE IN A SEC. 40 00:01:48,500 --> 00:01:51,067 WHAT ARE YOU DOING? 41 00:01:51,067 --> 00:01:53,433 I WANT YOU TO SPREAD YOUR LEGS. 42 00:01:53,467 --> 00:01:54,800 [LIQUID TRICKLES] 43 00:01:54,833 --> 00:01:57,667 [GASPS] 44 00:01:57,700 --> 00:02:00,300 OH, MY GOD. 45 00:02:00,333 --> 00:02:02,367 OH, FUCK. 46 00:02:05,933 --> 00:02:08,800 THESE GIRLS ARE TAKING FUCKING FOREVER. 47 00:02:08,833 --> 00:02:09,800 ARE YOU OKAY? 48 00:02:09,833 --> 00:02:11,433 I'M DYING. 49 00:02:13,633 --> 00:02:14,767 HEY, GUYS, COME ON. 50 00:02:14,800 --> 00:02:15,767 LET MARK IN. HE HAS TO GO. 51 00:02:15,800 --> 00:02:18,100 DO YOU FEEL THAT? 52 00:02:21,067 --> 00:02:22,067 COME ON, GUYS. 53 00:02:22,067 --> 00:02:23,067 HIS BACK TEETH ARE FLOATING. 54 00:02:23,067 --> 00:02:25,400 BE NICE. 55 00:02:25,433 --> 00:02:26,367 FUCK IT. 56 00:02:28,767 --> 00:02:29,700 OH. 57 00:02:34,867 --> 00:02:36,267 USE THE BUSHES. 58 00:02:38,600 --> 00:02:40,100 FUCK. 59 00:02:46,300 --> 00:02:52,600 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 60 00:02:52,633 --> 00:02:59,133 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 61 00:02:59,167 --> 00:03:05,367 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 62 00:03:05,400 --> 00:03:12,700 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 63 00:03:19,533 --> 00:03:21,133 * TALKING, LAUGHING LOVING, BREATHING * 64 00:03:21,167 --> 00:03:23,133 * FIGHTING, FUCKING CRYING, DRINKING * 65 00:03:23,167 --> 00:03:24,300 * WRITING, WINNING LOSING, CHEATING * 66 00:03:24,333 --> 00:03:25,833 * KISSING, THINKING, DREAMING 67 00:03:25,867 --> 00:03:27,833 * THIS IS THE WAY... 68 00:03:27,867 --> 00:03:30,667 * THIS IS THE WAY THAT WE LIVE * 69 00:03:30,700 --> 00:03:36,200 * IT'S THE WAY THAT WE LIVE 70 00:03:36,233 --> 00:03:39,900 * AND LOVE * 71 00:03:44,067 --> 00:03:45,433 HEY, I'M MARK WAYLAND, 72 00:03:45,467 --> 00:03:47,600 AND I LIVE IN A HOUSE WITH TWO LESBIANS. 73 00:03:48,800 --> 00:03:50,800 MY NAME IS JENNY SCHECTER. 74 00:03:51,933 --> 00:03:53,400 I'M SHANE. 75 00:03:53,433 --> 00:03:57,133 AND THIS WILL BE A DOCUMENT OF MY JOURNEY. 76 00:04:01,800 --> 00:04:03,633 INITIAL OBSERVATIONS AND THEORIES. 77 00:04:03,667 --> 00:04:05,900 AND WHAT MAKES YOU THINK THAT LESBIANS DON'T FUCK? 78 00:04:05,933 --> 00:04:07,333 WHERE DO YOU LIVE, MARK? 79 00:04:07,367 --> 00:04:09,067 IT'S ENTIRELY POSSIBLE. 80 00:04:09,067 --> 00:04:11,100 I'M DANA FAIRBANKS. 81 00:04:11,133 --> 00:04:13,233 I THOUGHT IT WOULD TOTALLY RUIN MY CAREER, 82 00:04:13,267 --> 00:04:14,233 BUT IT DIDN'T. 83 00:04:14,267 --> 00:04:15,733 PEOPLE THANKED ME. 84 00:04:15,767 --> 00:04:18,733 THESE GIRLS TALK ABOUT EVERYTHING. 85 00:04:18,767 --> 00:04:21,067 MY NAME IS CARMEN DE LA PICA MORALES. 86 00:04:21,100 --> 00:04:23,233 I WAS 16 BACK THEN, 87 00:04:23,267 --> 00:04:28,400 AND I FELL MADLY IN LOVE WITH LUCIA TORRES. 88 00:04:28,433 --> 00:04:30,400 SHE WAS PABLO FUENTES' GIRLFRIEND. 89 00:04:30,433 --> 00:04:34,767 YOU JUST, YOU DIDN'T FUCK WITH PABLO'S GIRL... 90 00:04:34,800 --> 00:04:36,133 BUT I DID. 91 00:04:36,167 --> 00:04:38,300 THIS IS ALICE, UH-- 92 00:04:38,333 --> 00:04:39,300 PIE-- PIESZECKI. 93 00:04:39,333 --> 00:04:41,200 I DON'T MISS IT. 94 00:04:41,233 --> 00:04:43,300 NO, THERE'S WAYS AND THINGS. 95 00:04:43,333 --> 00:04:44,567 [MARK]: I DON'T KNOW IF THAT'S, LIKE, 96 00:04:44,600 --> 00:04:47,800 STRICTLY A LESBIAN THING OR WHAT, 97 00:04:47,833 --> 00:04:50,600 BUT MAN, THESE GIRLS ARE ALL UP ON ONE ANOTHER'S BUSINESS. 98 00:04:50,633 --> 00:04:52,867 THIS IS SO MUCH MORE COMPLICATED THAN THAT. 99 00:04:52,900 --> 00:04:53,900 [MARK]: NOW, I KNOW-- 100 00:04:53,933 --> 00:04:56,067 YEAH, YEAH, WHERE'S THE FUCKING PUSSY? 101 00:04:56,067 --> 00:04:58,067 LOOK, THE HIDDEN CAMERAS ARE STILL IN PLACE, 102 00:04:58,067 --> 00:05:00,633 SO I CAN GET MORE FOOTAGE, BUT... 103 00:05:00,667 --> 00:05:01,600 I MEAN, ALREADY WHAT I'VE SHOWN YOU HERE 104 00:05:01,633 --> 00:05:02,633 IS A BIG STEP UP 105 00:05:02,667 --> 00:05:04,067 FROM BARE-KNUCKLE BACKYARD BRAWLS 106 00:05:04,067 --> 00:05:06,067 AND WILD WOMEN OF ENCINO. 107 00:05:06,067 --> 00:05:08,400 THIS COULD BE REALLY HUGE FOR US. 108 00:05:08,433 --> 00:05:09,433 WHAT'S GREAT ABOUT THIS PROJECT 109 00:05:09,467 --> 00:05:10,700 IS IT'S NOT JUST ABOUT SEX. 110 00:05:10,733 --> 00:05:14,067 THESE WOMEN, THEY HAVE A WAY OF LIFE, 111 00:05:14,100 --> 00:05:15,333 A CULTURE OF THEIR OWN, 112 00:05:15,367 --> 00:05:16,333 AND IT'S REVELATORY. 113 00:05:16,367 --> 00:05:17,933 IT'S ANTHROPOLOGICAL. 114 00:05:17,967 --> 00:05:19,433 IF WE JUST-- IF WE DO THIS RIGHT, 115 00:05:19,467 --> 00:05:21,567 THIS COULD SO EASILY BE AT SUNDANCE. 116 00:05:23,567 --> 00:05:25,400 I'M PRAYING TO GOD YOU'RE FUCKING KIDDING. 117 00:05:25,433 --> 00:05:27,733 GOMEY, MAN, GET MY BACK. 118 00:05:27,767 --> 00:05:29,467 YOU KNOW WHAT THIS MEANS TO ME. 119 00:05:29,500 --> 00:05:31,733 YEAH, I DO. 120 00:05:31,767 --> 00:05:33,333 EAT A DICK. 121 00:05:33,367 --> 00:05:35,667 LOOK. 122 00:05:35,700 --> 00:05:37,233 JUST FROM A MARKETING PERSPECTIVE-- 123 00:05:37,267 --> 00:05:39,633 LISTEN TO ME, WAYLAND. 124 00:05:39,667 --> 00:05:40,867 I'M THE MARKETER, OKAY? 125 00:05:40,900 --> 00:05:42,633 I KNOW OUR AUDIENCE. 126 00:05:42,667 --> 00:05:44,700 MEN, RED BLOODED, 127 00:05:44,733 --> 00:05:46,967 TESTOSTERONE-CRAZED AMERICAN MEN 128 00:05:47,067 --> 00:05:48,467 DO NOT GIVE A FUCK 129 00:05:48,500 --> 00:05:51,067 ABOUT SOME KIND OF ANTHROPOLOGICAL BULLSHIT. 130 00:05:51,067 --> 00:05:54,500 WE WANT HOT LESBIAN SEX, AND WE WANT IT NOW. 131 00:05:58,400 --> 00:06:00,500 YOU'RE IN DIRECT VIOLATION OF YOUR CONTRACT, OKAY, 132 00:06:00,533 --> 00:06:03,167 AND I EXPECT YOU TO RETURN EVERY PENNY 133 00:06:03,200 --> 00:06:04,700 OF THE MONEY I ADVANCED YOU. 134 00:06:04,733 --> 00:06:07,400 YOU HEAR WHAT I'M SAYING? 135 00:06:09,300 --> 00:06:11,467 SO HAVE YOU THOUGHT ABOUT IT? 136 00:06:11,500 --> 00:06:12,733 HAVE I THOUGHT ABOUT WHAT? 137 00:06:12,767 --> 00:06:14,933 [BOTH GIGGLE] 138 00:06:14,967 --> 00:06:18,500 ABOUT WHAT WE TALKED ABOUT. 139 00:06:18,533 --> 00:06:19,533 THE TOYS. 140 00:06:19,567 --> 00:06:22,067 OH, YOU MEAN THE SEX TOYS. 141 00:06:22,100 --> 00:06:23,600 MM-HMM. 142 00:06:25,933 --> 00:06:28,067 CAN I ASK YOU SOMETHING? 143 00:06:28,067 --> 00:06:29,067 YEAH, 144 00:06:29,067 --> 00:06:30,767 ASK AWAY. 145 00:06:34,133 --> 00:06:35,600 IS IT A BISEXUAL THING? 146 00:06:35,633 --> 00:06:37,800 YOU TRYING TO HAVE YOUR CAKE AND EAT YOUR PUSSY, TOO? 147 00:06:37,833 --> 00:06:39,933 NO, IT'S NOT A BISEXUAL THING. 148 00:06:39,967 --> 00:06:41,800 OKAY, GOOD, 149 00:06:41,833 --> 00:06:42,800 BECAUSE, WAIT, 150 00:06:42,833 --> 00:06:44,567 I DON'T WANT TO DO THAT WITH YOU. 151 00:06:44,600 --> 00:06:45,900 I MEAN, IF YOU'RE TRYING TO MAKE ME INTO A MAN 152 00:06:45,933 --> 00:06:47,733 BECAUSE YOU THINK THAT THERE'S SOMETHING MISSING 153 00:06:47,767 --> 00:06:48,967 THEN I WANT YOU TO GO AHEAD-- DANA, 154 00:06:49,067 --> 00:06:52,400 MANY BONA FIDE LESBIANS FIND STRAPPING IT ON 155 00:06:52,433 --> 00:06:55,333 THE ULTIMATE WAY OF FUCKING. 156 00:06:55,367 --> 00:06:56,333 AND I THINK IT WOULD BE REALLY HOT 157 00:06:56,367 --> 00:06:57,700 FOR YOU TO FUCK ME LIKE THAT. 158 00:06:57,733 --> 00:07:01,333 OKAY? 159 00:07:01,367 --> 00:07:03,333 [HELENA]: HOW DOES IT COMPARE, HMM? 160 00:07:03,367 --> 00:07:05,267 PRIVATE EDUCATION, TRAVEL, 161 00:07:05,300 --> 00:07:08,067 FASCINATING LIFE EXPERIENCES... 162 00:07:08,067 --> 00:07:10,067 I JUST DON'T SEE 163 00:07:10,067 --> 00:07:12,500 HOW YOU ENVISION ANY JUDGE OR JURY 164 00:07:12,533 --> 00:07:15,933 FINDING YOU THE SUPERIOR CHOICE. 165 00:07:15,967 --> 00:07:19,900 AS YOU WISH. 166 00:07:38,967 --> 00:07:39,900 HEY. 167 00:07:45,067 --> 00:07:45,933 HOW ARE WE THIS MORNING? 168 00:07:47,933 --> 00:07:48,867 I'M GOOD. 169 00:07:51,967 --> 00:07:54,367 I'M EXCITED ABOUT THE ULTRASOUND THIS AFTERNOON. 170 00:07:54,400 --> 00:07:56,067 THAT'S RIGHT. 171 00:07:56,100 --> 00:07:58,333 WELL, JUST TELL ME A TIME. 172 00:07:58,367 --> 00:08:00,433 I'LL SWING BY THE OFFICE AND PICK YOU UP. 173 00:08:00,467 --> 00:08:02,833 I'M GOING WITH BETTE, REMEMBER? 174 00:08:05,067 --> 00:08:06,667 OH, THAT'S RIGHT. 175 00:08:06,700 --> 00:08:11,267 OKAY, SO WHY DON'T YOU JUST COME BY HERE AFTERWARDS. 176 00:08:11,300 --> 00:08:12,700 YEAH? 177 00:08:15,067 --> 00:08:17,367 WELL, DR. WILSON'S OFFICE IS SO CLOSE TO MY APARTMENT. 178 00:08:17,400 --> 00:08:19,333 WHY DON'T YOU JUST COME TO ME? 179 00:08:22,700 --> 00:08:23,600 HELENA... 180 00:08:25,167 --> 00:08:27,767 LOOK, IT'S FINE, YOU KNOW? 181 00:08:27,800 --> 00:08:29,700 I'LL, UM... 182 00:08:29,733 --> 00:08:31,367 I'LL CALL YOU WHEN I'M ON MY WAY OVER. 183 00:08:31,400 --> 00:08:32,933 WE'LL GO OUT FOR DINNER. 184 00:08:32,967 --> 00:08:33,933 OKAY? 185 00:08:39,300 --> 00:08:42,267 ANNIE WANTS TO SHOOT HER OLD-HOLLYWOOD STYLE, 186 00:08:42,300 --> 00:08:44,533 AFTER LOUIS B. MAYER, SOMETHING LIKE THAT. 187 00:08:44,567 --> 00:08:45,533 THEN YOU'RE GOING TO GET HER READY 188 00:08:45,567 --> 00:08:47,067 FOR HER LUNCH MEETING AT THE GRILL 189 00:08:47,100 --> 00:08:49,067 WITH THE WRITER OF HER NEXT FEATURE. 190 00:08:49,100 --> 00:08:50,633 DO YOU MIND TELLING ME WHO THIS IS? 191 00:08:50,667 --> 00:08:51,700 THE WRITER? 192 00:08:51,733 --> 00:08:53,500 NO, THE PERSON WHO HIRED ME. 193 00:08:53,533 --> 00:08:54,567 I WANT TO KNOW WHO IT IS. 194 00:08:54,600 --> 00:08:56,367 THE STORY'S ABOUT THE MOST POWERFUL WOMAN 195 00:08:56,400 --> 00:08:57,733 IN HOLLYWOOD. 196 00:08:57,767 --> 00:08:59,233 [WOMAN]: YOU ARE BRILLIANT. 197 00:08:59,267 --> 00:09:01,300 I FUCKING LOVE THAT IDEA! 198 00:09:01,333 --> 00:09:02,500 I FUCKING LOVE YOU. 199 00:09:02,533 --> 00:09:03,733 I WANT TO FRENCH-KISS YOU, 200 00:09:03,767 --> 00:09:05,800 AND IF YOU WEREN'T SUCH A FAGGOT, 201 00:09:05,833 --> 00:09:07,300 I'D FUCK YOU. 202 00:09:07,333 --> 00:09:08,800 WHEN IS BENJAMIN COMING IN? 203 00:09:08,833 --> 00:09:09,800 TOMORROW AT 6:00. 204 00:09:09,833 --> 00:09:12,133 HE'S GOING TO CHECK IN AT THE HOTEL, 205 00:09:12,167 --> 00:09:13,233 THEN HEAD OVER HERE. 206 00:09:13,267 --> 00:09:14,967 SO HE'S NOT STAYING WITH YOU? 207 00:09:17,367 --> 00:09:19,267 UM... BECAUSE HIS WIFE-- 208 00:09:19,300 --> 00:09:21,700 IT'S NOT LIKE 209 00:09:21,733 --> 00:09:23,367 SHE'S GOING TO FIND OUT, 210 00:09:23,400 --> 00:09:26,833 BUT HE'S JUST... 211 00:09:26,867 --> 00:09:29,333 WHAT? 212 00:09:29,367 --> 00:09:30,367 I JUST-- 213 00:09:30,400 --> 00:09:31,900 I JUST DON'T WANT YOU TO GET HURT. 214 00:09:31,933 --> 00:09:33,400 I'M NOT GOING TO GET HURT. 215 00:09:33,433 --> 00:09:37,167 I KNEW GOING IN WHAT THE DEAL WAS, 216 00:09:37,200 --> 00:09:38,667 AND I'M FINE WITH THAT. 217 00:09:40,300 --> 00:09:42,233 YOU THINK I'M A FUCK-UP, DON'T YOU? 218 00:09:42,267 --> 00:09:43,967 NO, I DO NOT. YES, YOU DO. 219 00:09:44,067 --> 00:09:45,300 I DO NOT THINK YOU'RE A FUCK-UP. 220 00:09:45,333 --> 00:09:46,300 I DON'T. 221 00:09:46,333 --> 00:09:48,167 I THINK YOU'RE AMAZING. 222 00:09:48,200 --> 00:09:50,267 I SEE HOW YOU'VE TURNED YOUR LIFE AROUND, 223 00:09:50,300 --> 00:09:51,200 AND REALLY, I'M IN AWE 224 00:09:51,233 --> 00:09:52,700 OF HOW TOGETHER YOU ARE THESE DAYS. 225 00:09:52,733 --> 00:09:54,400 I JUST KNOW THE SITUATION, 226 00:09:54,433 --> 00:09:56,300 AND NO MATTER WHAT, 227 00:09:56,333 --> 00:09:58,100 I MEAN, THERE'S ALWAYS SOMEONE WHO GETS HURT, 228 00:09:58,133 --> 00:09:59,900 AND I JUST DON'T WANT IT TO BE YOU. 229 00:10:00,067 --> 00:10:02,133 HE'S NOT ON TOUR NOW. 230 00:10:02,167 --> 00:10:04,600 HE'S JUST COMING TO SEE ME. 231 00:10:06,633 --> 00:10:09,133 WELL, HE'S OBVIOUSLY CRAZY ABOUT YOU. 232 00:10:09,167 --> 00:10:10,400 I'M PREPARING 233 00:10:10,433 --> 00:10:14,033 THIS VERY SPECIAL DINNER FOR HIM. 234 00:10:14,067 --> 00:10:17,667 LARA HAS ORDERED LOBSTERS FROM MAINE. 235 00:10:17,700 --> 00:10:19,467 BENJAMIN LOVES HIM SOME LOBSTER. 236 00:10:19,500 --> 00:10:21,500 [CHUCKLES] 237 00:10:21,533 --> 00:10:23,800 WELL, YOU JUST... 238 00:10:23,833 --> 00:10:26,967 YOU LOOK OUT AFTER YOURSELF, OKAY? 239 00:10:27,000 --> 00:10:28,967 I LOVE YOU. 240 00:10:29,000 --> 00:10:30,733 OH, WOULD YOU BRING ME BACK 241 00:10:30,767 --> 00:10:32,800 ONE OF THOSE X-RAY PICTURES OF THE BABY? 242 00:10:32,833 --> 00:10:33,800 PLEASE? 243 00:10:33,833 --> 00:10:35,567 OKAY. 244 00:10:35,600 --> 00:10:36,900 I LOVE YOU. 245 00:10:36,933 --> 00:10:38,167 THANKS FOR BREAKFAST. 246 00:10:38,200 --> 00:10:39,500 YOU'RE WELCOME. 247 00:10:39,533 --> 00:10:43,233 COVER OF THE NEW YORK TIMES MAGAZINE. 248 00:10:43,267 --> 00:10:44,533 [LAUGHS] 249 00:10:44,567 --> 00:10:45,900 PRETTY GOOD, HUH, SHANE? 250 00:10:45,933 --> 00:10:48,533 YEAH, IT'S PRETTY GREAT. 251 00:10:51,500 --> 00:10:52,967 I DON'T KNOW WHY YOU REQUESTED ME, THOUGH. 252 00:10:53,000 --> 00:10:54,433 YOU DO HAIR, DON'T YOU? 253 00:10:54,467 --> 00:10:56,300 APPARENTLY 254 00:10:56,333 --> 00:10:58,000 THAT'S YOUR LIFE'S AMBITION. 255 00:10:59,467 --> 00:11:00,500 DON'T FUCK WITH ME, VERONICA. 256 00:11:00,533 --> 00:11:02,067 HOW AM I FUCKING WITH YOU 257 00:11:02,067 --> 00:11:04,967 WHEN I OFFER YOU THE WORLD ON A SILVER PLATTER? 258 00:11:05,067 --> 00:11:05,967 WHAT'S SO WRONG 259 00:11:06,067 --> 00:11:08,067 WITH SEEING THE POTENTIAL IN SOMEBODY 260 00:11:08,067 --> 00:11:09,067 AND GIVING THEM A CHANCE 261 00:11:09,067 --> 00:11:10,067 TO MAKE SOMETHING OF THEMSELVES? 262 00:11:12,300 --> 00:11:14,533 DID I UNDERESTIMATE YOU, SHANE, 263 00:11:14,567 --> 00:11:17,233 OR DID I JUST MISTAKE YOU FOR A PERSON OF SUBSTANCE? 264 00:11:17,267 --> 00:11:19,900 NO. 265 00:11:19,933 --> 00:11:22,467 I THINK YOU MISTOOK ME FOR ONE OF YOUR LITTLE TRICKS 266 00:11:22,500 --> 00:11:24,067 WHO WOULD LET YOU SLAP HER AROUND 267 00:11:24,067 --> 00:11:25,233 AND BE GRATEFUL FOR THE PRIVILEGE 268 00:11:25,267 --> 00:11:26,633 OF TAKING YOUR SHIT. 269 00:11:28,667 --> 00:11:31,333 ARE WE GETTING TO SOME CORE ISSUES, SHANE? 270 00:11:31,367 --> 00:11:32,333 POOR SHANE. 271 00:11:32,367 --> 00:11:34,300 FUCK YOU. 272 00:11:34,333 --> 00:11:36,300 WHAT ABOUT THE POSSIBILITY THAT I'M RIGHT 273 00:11:36,333 --> 00:11:38,733 ABOUT YOU? 274 00:11:38,767 --> 00:11:41,733 THAT YOU REALLY ARE BETTER THAN THIS LIFE YOU'RE LIVING? 275 00:11:45,500 --> 00:11:46,633 VERONICA, 276 00:11:46,667 --> 00:11:49,467 LISTEN TO WHAT I'M SAYING TO YOU. 277 00:11:49,500 --> 00:11:50,900 I HAVE NO MAGIC, 278 00:11:50,933 --> 00:11:51,933 AND THERE IS NO MOJO, 279 00:11:51,967 --> 00:11:52,967 SO WHATEVER IT IS 280 00:11:53,067 --> 00:11:54,533 THAT YOU THINK YOU'RE LOOKING FOR, 281 00:11:54,567 --> 00:11:56,400 IT DOESN'T EXIST. 282 00:11:56,433 --> 00:11:57,933 OKAY? 283 00:12:00,333 --> 00:12:04,100 THEN WHY DON'T YOU DO MY FUCKING HAIR? 284 00:12:04,133 --> 00:12:06,200 NO, THANK YOU. 285 00:12:18,567 --> 00:12:19,533 HELLO. 286 00:12:19,567 --> 00:12:21,467 BURR WILL BE HERE IN A MINUTE. 287 00:12:21,500 --> 00:12:22,633 HAVE A SEAT. 288 00:12:22,667 --> 00:12:24,267 I'D THOUGHT THAT HE'D FIRED ME. 289 00:12:24,300 --> 00:12:25,367 I WOULDN'T LET HIM. 290 00:12:25,400 --> 00:12:27,867 YOU'RE TOO GOOD FOR ONE ANOTHER. 291 00:12:27,900 --> 00:12:28,867 ANOTHER DRINK. 292 00:12:28,900 --> 00:12:30,433 MORE TWIST, LESS ICE. 293 00:12:30,467 --> 00:12:31,833 CAN I HAVE A CHARDONNAY, PLEASE? 294 00:12:31,867 --> 00:12:34,133 YOU ARE A COMPULSIVE EXCAVATOR 295 00:12:34,167 --> 00:12:36,233 OF YOUR OWN EMOTIONAL NAVEL LINT, 296 00:12:36,267 --> 00:12:39,467 A NIT-PICKING OBSESSIVE TRUTH-TELLER, 297 00:12:39,500 --> 00:12:41,933 AND BURR COULD STAND A BIT OF LITERARY PEDICULOSIS. 298 00:12:41,967 --> 00:12:42,900 EW. 299 00:12:42,933 --> 00:12:44,133 HMM. 300 00:12:44,167 --> 00:12:46,067 DOES THAT HIT A LITTLE TOO CLOSE TO HOME? 301 00:12:46,100 --> 00:12:48,733 ARE WE SELF-LOATHING, BODY MUTILATORS AS WELL? 302 00:12:48,767 --> 00:12:49,900 OF COURSE. 303 00:12:49,933 --> 00:12:51,333 I CAN'T WAIT TO READ ABOUT THAT 304 00:12:51,367 --> 00:12:52,300 IN ONE OF YOUR STORIES. 305 00:12:52,333 --> 00:12:54,233 I HOPE YOU'RE NOT A CUTTER. 306 00:12:54,267 --> 00:12:55,067 LISTEN, JENNY. 307 00:12:55,100 --> 00:12:56,233 YOU ACTUALLY HAVE A GIFT 308 00:12:56,267 --> 00:12:59,333 TO PORTRAY THE DETAILS OF A LIFE LIVED. 309 00:12:59,367 --> 00:13:01,433 I THINK NON-FICTION MAY END UP BEING YOUR METIER. 310 00:13:01,467 --> 00:13:05,333 IT'S WHY I WANT YOU TO WORK WITH BURR. 311 00:13:05,367 --> 00:13:06,933 I DON'T WANT TO. 312 00:13:06,967 --> 00:13:08,433 YOU NEED TO GET HIM TO TELL YOU STORIES. 313 00:13:08,467 --> 00:13:09,233 I DON'T LIKE HIM. 314 00:13:09,267 --> 00:13:10,167 HE'S A HOMOPHOBE. 315 00:13:10,200 --> 00:13:11,267 [BURR]: HI. 316 00:13:11,300 --> 00:13:12,267 HI. HI, DARLING. 317 00:13:12,300 --> 00:13:13,267 HOW ARE YOU? 318 00:13:13,300 --> 00:13:14,133 GOOD. HOW ARE YOU? GOOD. 319 00:13:14,167 --> 00:13:15,133 HELLO. 320 00:13:15,167 --> 00:13:16,700 YOU REMEMBER JENNY SCHECTER. 321 00:13:16,733 --> 00:13:18,300 I DO. 322 00:13:18,333 --> 00:13:19,300 APPARENTLY 323 00:13:19,333 --> 00:13:20,933 WE'RE DESTINED FOR ONE ANOTHER. 324 00:13:22,700 --> 00:13:24,567 THANK YOU, SUZIE. 325 00:13:27,967 --> 00:13:29,100 ALL RIGHT, WHAT DO YOU THINK? 326 00:13:29,133 --> 00:13:30,100 [WOMAN]: WELL, HERE'S A GOOD WAY 327 00:13:30,133 --> 00:13:31,467 TO THINK ABOUT IT. 328 00:13:31,500 --> 00:13:33,300 AN INCH IN DIAMETER IS TWO FINGERS INSIDE OF YOU. 329 00:13:33,333 --> 00:13:34,500 AN INCH AND A HALF 330 00:13:34,533 --> 00:13:36,267 IS THREE FINGERS INSIDE OF YOU. 331 00:13:36,300 --> 00:13:38,167 THE SILICONE ONES ARE EASIEST TO STERILIZE, 332 00:13:38,200 --> 00:13:40,067 AND SO YOU CAN SHARE. 333 00:13:40,067 --> 00:13:42,367 SHARE. HOW DO YOU STERILIZE THEM? 334 00:13:42,400 --> 00:13:43,600 OH, JUST POP IT IN THE DISHWASHER, 335 00:13:43,633 --> 00:13:45,433 BUT DON'T FORGET TO TAKE IT OUT BEFORE THE MAID COMES. 336 00:13:45,467 --> 00:13:47,967 OH, LOOK, THIS LOOKS FUN. 337 00:13:48,067 --> 00:13:50,067 OH, NOW, THAT'S VERY POPULAR. 338 00:13:50,067 --> 00:13:51,333 EVERYONE'S A WINNER. 339 00:13:51,367 --> 00:13:52,333 NO? 340 00:13:52,367 --> 00:13:53,400 YEAH, I KIND OF WANT YOU TO-- 341 00:13:53,433 --> 00:13:54,833 YEAH. YOU KNOW? ANYWAY. 342 00:13:54,867 --> 00:13:57,100 I DON'T EVEN KNOW WHERE TO START. 343 00:13:57,133 --> 00:14:00,567 THERE ARE SO MANY SHAPES, SIZES... 344 00:14:00,600 --> 00:14:02,667 WELL, ARE YOU INTO SEMI-REALISTIC, REALISTIC? 345 00:14:02,700 --> 00:14:04,667 THESE ONES HERE, 346 00:14:04,700 --> 00:14:05,600 CHAMPLETTE, LEO, AND RANDY, 347 00:14:05,633 --> 00:14:06,733 ARE ALL THE SEMIS, 348 00:14:06,767 --> 00:14:08,500 AND UP HERE, KING KONG AND TYRANNOSAURUS REX. 349 00:14:08,533 --> 00:14:10,467 THESE ARE VERY LIKE THE REAL THING, 350 00:14:10,500 --> 00:14:11,533 AND THEY COME IN COLORS. 351 00:14:11,567 --> 00:14:13,700 THERE'S BLACK, PURPLE, BLUE, TEAL, RED, 352 00:14:13,733 --> 00:14:15,600 HOT PINK, CHOCOLATE, AND VANILLA. 353 00:14:15,633 --> 00:14:17,367 THERE'S COMBINATION MARBLE-SWIRL. 354 00:14:17,400 --> 00:14:18,367 THERE'S DISCO GLITTER, 355 00:14:18,400 --> 00:14:20,500 AND KING KONG AND TYRANNOSAURUS REX 356 00:14:20,533 --> 00:14:22,167 BOTH COME IN CAMOUFLAGE. 357 00:14:22,200 --> 00:14:24,400 IN CASE YOU'RE SCREWING IN A WAR ZONE. 358 00:14:24,433 --> 00:14:25,200 OH, LOOK! 359 00:14:25,233 --> 00:14:27,433 HAIRY BALLS. 360 00:14:27,467 --> 00:14:28,433 OH, THAT'S JUST WRONG. 361 00:14:28,467 --> 00:14:29,367 IF YOU LOOK AT THE BASE, 362 00:14:29,400 --> 00:14:31,067 THEY COME WITH A SUCTION CUP, 363 00:14:31,067 --> 00:14:32,533 AND THAT WAY IT MAKES THEM EASY TO ATTACH 364 00:14:32,567 --> 00:14:33,700 TO THE HOTEL WINDOW. 365 00:14:36,300 --> 00:14:37,933 OH, LOOK. 366 00:14:39,967 --> 00:14:41,467 [SWAGGERING]: HEY. 367 00:14:41,500 --> 00:14:44,467 NO, THAT'S A BUTT PLUG. 368 00:14:44,500 --> 00:14:45,467 THE BOYS LIKE THOSE, 369 00:14:45,500 --> 00:14:46,467 BECAUSE THEY GET RIGHT INSIDE 370 00:14:46,500 --> 00:14:47,467 AND TICKLE THE PROSTATE. 371 00:14:47,500 --> 00:14:48,567 ALTHOUGH THE GIRLS DO LIKE THEM, TOO. 372 00:14:48,600 --> 00:14:50,267 IF YOU USE IT WITH A HARNESS, 373 00:14:50,300 --> 00:14:51,767 YOU CAN DETACH THE DILDO, 374 00:14:51,800 --> 00:14:55,500 LEAVE THE BUTT PLUG INSIDE WHILE YOU DO OTHER THINGS. 375 00:14:55,533 --> 00:14:56,833 WHAT, LIKE, THE DISHES? 376 00:14:56,867 --> 00:14:57,833 BY THE WAY, 377 00:14:57,867 --> 00:14:58,833 WE HAVE A GREAT NEW LUBE. 378 00:14:58,867 --> 00:14:59,867 IT JUST CAME IN TODAY. 379 00:14:59,900 --> 00:15:02,567 I HIGHLY RECOMMEND THIS. 380 00:15:02,600 --> 00:15:03,900 OH, YOU KNOW, 381 00:15:03,933 --> 00:15:06,100 I THINK I'M ALLERGIC TO THAT KIND, SO... 382 00:15:06,133 --> 00:15:07,233 STRAWBERRIES. WHAT? 383 00:15:07,267 --> 00:15:08,867 WHAT HAVEN'T YOU DONE? 384 00:15:08,900 --> 00:15:11,100 I HAVEN'T DONE LOTS OF THINGS. 385 00:15:11,133 --> 00:15:13,067 IF YOU NEED ANY HELP, JUST GIVE ME A SHOUT. 386 00:15:16,433 --> 00:15:17,633 OH, SHIT. 387 00:15:17,667 --> 00:15:19,267 IT'S MELANIE CAPLAN. 388 00:15:19,300 --> 00:15:20,533 [PULLS ZIPPER] 389 00:15:20,567 --> 00:15:21,533 SO? 390 00:15:21,567 --> 00:15:23,567 SO... 391 00:15:23,600 --> 00:15:25,267 WHY DON'T WE GET A COCK RING? 392 00:15:42,100 --> 00:15:43,800 IS THAT OUR BABY? 393 00:15:43,833 --> 00:15:45,467 THAT'S YOUR BABY, 394 00:15:45,500 --> 00:15:48,467 AND THOSE ARE HER FINGERS. 395 00:15:48,500 --> 00:15:51,400 VERY WELL FORMED, YEAH. 396 00:15:51,433 --> 00:15:54,067 ISN'T SHE AMAZING? 397 00:15:55,700 --> 00:15:57,333 OH, IT'S LIKE SHE'S WAVING AT US. 398 00:15:57,367 --> 00:15:58,700 LOOK. 399 00:15:58,733 --> 00:16:01,267 SHE'S SHOWING YOU HER PROFILE. 400 00:16:12,833 --> 00:16:14,067 [BURR]: SO I GUESS I'M BEING DRAGGED, 401 00:16:14,067 --> 00:16:17,867 KICKING AND SCREAMING, TO A PLACE OF TOLERANCE. 402 00:16:17,900 --> 00:16:20,700 I DON'T REALLY LIKE THE IDEA OF BEING TOLERATED. 403 00:16:20,733 --> 00:16:22,233 WHAT'S WRONG WITH BEING TOLERATED, JENNY? 404 00:16:22,267 --> 00:16:23,633 IT'S BETTER THAN BEING SPAT ON. 405 00:16:23,667 --> 00:16:24,633 BECAUSE IT IMPLIES 406 00:16:24,667 --> 00:16:26,400 THAT THERE'S SOMETHING UNACCEPTABLE 407 00:16:26,433 --> 00:16:28,300 ABOUT MY BEING GAY. 408 00:16:28,333 --> 00:16:29,633 FRANKLY, 409 00:16:29,667 --> 00:16:31,333 I THINK IT'S PERFECTLY ACCEPTABLE 410 00:16:31,367 --> 00:16:32,467 FOR A GIRL THESE DAYS. 411 00:16:32,500 --> 00:16:34,200 MEN ACTUALLY FIND IT HOT. 412 00:16:34,233 --> 00:16:36,067 WHAT'S WITH THE DOUBLE STANDARD, BURR? 413 00:16:36,067 --> 00:16:38,800 OH, DON'T BE A PRICK, CHARLOTTE. 414 00:16:38,833 --> 00:16:40,533 LOOK AT ANY MALE ACTOR TODAY. 415 00:16:40,567 --> 00:16:41,800 THERE'S NOT A SELF-PROCLAIMED QUEER 416 00:16:41,833 --> 00:16:43,200 IN THE BUNCH. 417 00:16:43,233 --> 00:16:44,900 PLEASE, DOES ANYBODY GIVE A SHIT ANYMORE? 418 00:16:44,933 --> 00:16:45,900 THEY GIVE A SHIT. 419 00:16:45,933 --> 00:16:47,500 DO YOU HONESTLY THINK 420 00:16:47,533 --> 00:16:49,500 A STUDIO'S GOING TO PAY A GUY WHAT THEY PAY ME 421 00:16:49,533 --> 00:16:50,867 IF HIS FANS THINK HE'S A FAGGOT? 422 00:16:50,900 --> 00:16:52,767 ALL THE MILLIONS YOU'VE COLLECTED OVER THE YEARS, 423 00:16:52,800 --> 00:16:54,167 WHAT HAVE YOU GOT TO LOSE? 424 00:16:54,200 --> 00:16:56,667 I WAS SPEAKING HYPOTHETICALLY, DARLING. 425 00:16:56,700 --> 00:16:58,867 WE'RE NOT REALLY TALKING ABOUT ME. 426 00:16:58,900 --> 00:17:01,767 OH, I THOUGHT WE WERE. 427 00:17:01,800 --> 00:17:03,300 DON'T TWIST MY WORDS, CHARLOTTE. 428 00:17:03,333 --> 00:17:07,533 I KNOW YOU TAKE PLEASURE IN IT, BUT BE WARNED, SWEETHEART. 429 00:17:07,567 --> 00:17:09,267 DO YOU KNOW HOW MANY LAWSUITS I'VE WON 430 00:17:09,300 --> 00:17:10,633 AGAINST PEOPLE WHO'VE TRIED TO ACCUSE ME 431 00:17:10,667 --> 00:17:12,200 OF WHAT YOU JUST ACCUSED ME OF? 432 00:17:12,233 --> 00:17:14,067 ARE YOU THREATENING ME? 433 00:17:16,367 --> 00:17:17,333 I THINK YOU MIGHT WANT 434 00:17:17,367 --> 00:17:18,500 TO ORGANIZE YOUR FRIENDS 435 00:17:18,533 --> 00:17:19,833 TO FORM A LITTLE LEGAL DEFENSE FUND 436 00:17:19,867 --> 00:17:22,800 FOR THEIR BELOVED PROFESSOR. 437 00:17:22,833 --> 00:17:25,067 FUCK OFF, CHARLOTTE. 438 00:17:31,067 --> 00:17:32,067 HEY. 439 00:17:32,067 --> 00:17:33,100 HEY. 440 00:17:33,133 --> 00:17:34,933 I WANT TO TELL YOU 441 00:17:34,967 --> 00:17:36,633 THAT I AGREE WITH WHAT YOU SAID, MAN. 442 00:17:36,667 --> 00:17:37,633 YOU DO, HUH? 443 00:17:37,667 --> 00:17:38,467 I DO. 444 00:17:38,500 --> 00:17:39,633 BECAUSE THE THING IS, 445 00:17:39,667 --> 00:17:42,100 IF SOME MALE ACTOR WERE TO COME OUT 446 00:17:42,133 --> 00:17:43,633 AND SAY, "FUCK, YEAH. I'M GAY," 447 00:17:43,667 --> 00:17:46,067 THAT WOULD BE, LIKE, A HUGE GIFT TO THE WORLD, 448 00:17:46,100 --> 00:17:48,067 BUT IT WOULD DESTROY THEIR FUCKING CAREER. 449 00:17:48,067 --> 00:17:50,733 EXACTLY RIGHT. 450 00:17:50,767 --> 00:17:51,967 AND DON'T WORRY ABOUT CHARLOTTE, YOU KNOW? 451 00:17:52,067 --> 00:17:54,533 SHE'S AN ASSHOLE. 452 00:17:54,567 --> 00:17:56,467 SHE'S NOT GOD, YOU KNOW? 453 00:17:58,333 --> 00:17:59,500 I WOULDN'T BE SO SURE ABOUT THAT, JENNY. 454 00:17:59,533 --> 00:18:01,167 [LAUGHS] 455 00:18:01,200 --> 00:18:02,767 JENNY, IF YOU STILL FEEL LIKE WORKING ON THE BOOK, 456 00:18:02,800 --> 00:18:05,067 BE AT MY HOUSE TOMORROW NIGHT AT 8:30. 457 00:18:18,400 --> 00:18:19,367 THANK YOU. 458 00:18:21,567 --> 00:18:23,267 THAT WAS REALLY NICE. 459 00:18:23,300 --> 00:18:26,433 THANK YOU. 460 00:18:26,467 --> 00:18:29,167 I REALLY LOVED BEING THERE WITH YOU. 461 00:18:29,200 --> 00:18:31,100 I LOVED IT MORE THAN YOU CAN IMAGINE. 462 00:18:33,967 --> 00:18:36,100 COME HERE. 463 00:18:49,067 --> 00:18:50,867 YOU FEEL SO GOOD. 464 00:18:52,667 --> 00:18:54,933 YOU SMELL GOOD. 465 00:20:17,700 --> 00:20:19,633 [***] 466 00:20:56,733 --> 00:20:58,467 TOUCH ME HERE. 467 00:21:00,433 --> 00:21:02,067 FEEL THIS. 468 00:21:03,800 --> 00:21:05,733 TOUCH ME HERE. 469 00:21:08,367 --> 00:21:10,400 OH, MY GOD. 470 00:21:10,433 --> 00:21:12,933 OH, MY FUCKING GOD. 471 00:21:14,767 --> 00:21:16,933 ARE YOU SURE IT'S OKAY? 472 00:22:12,467 --> 00:22:14,267 [GASPING] 473 00:22:45,733 --> 00:22:48,700 I DON'T KNOW, BABE. 474 00:22:48,733 --> 00:22:50,133 I THINK IT LOOKS LITTLE DYKE-ISH. 475 00:22:50,167 --> 00:22:51,667 WELCOME TO THE CLUB. 476 00:22:51,700 --> 00:22:52,967 [CHUCKLES] 477 00:22:53,067 --> 00:22:55,433 I'M JOKING. I LIKE IT A LOT. 478 00:22:55,467 --> 00:22:57,300 SO, WHAT THE FUCK DO YOU THINK THAT BITCH WANTED FROM YOU? 479 00:22:57,333 --> 00:22:58,467 OH, I DON'T KNOW. 480 00:22:58,500 --> 00:22:59,533 SHE'S A FUCKING FREAK. 481 00:22:59,567 --> 00:23:00,633 DAMN, YOU KNOW, 482 00:23:00,667 --> 00:23:03,133 I WAS JUST ABOUT TO ASK YOU TO HOOK IT UP. 483 00:23:03,167 --> 00:23:06,100 YOU WERE GOING TO ASK ME TO CALL VERONICA BLOOM? 484 00:23:06,133 --> 00:23:07,367 I HAD A MINUTE OF THINKING 485 00:23:07,400 --> 00:23:11,300 IF SHE SAW MY PROJECT, SHE MIGHT BE INTO IT. 486 00:23:11,333 --> 00:23:13,267 MARK, WHY DIDN'T YOU SAY SOMETHING? 487 00:23:13,300 --> 00:23:14,267 NO, IT WAS JUST A FLEETING THOUGHT. 488 00:23:14,300 --> 00:23:15,400 DON'T WORRY ABOUT IT. 489 00:23:15,433 --> 00:23:17,067 DO YOU HAVE ANY OTHER LEADS? 490 00:23:17,100 --> 00:23:18,800 UH, NO. 491 00:23:18,833 --> 00:23:20,100 NO? MM-MM. 492 00:23:20,133 --> 00:23:22,467 WELL, LOOK, MAYBE I... 493 00:23:22,500 --> 00:23:24,367 MAYBE I'LL GET ANOTHER JOB WITH A STUDIO HEAD 494 00:23:24,400 --> 00:23:27,367 OR MAYBE I ACTUALLY WILL HAVE A NEXT JOB. 495 00:23:27,400 --> 00:23:28,700 YEAH, YOU AND ME BOTH. 496 00:23:28,733 --> 00:23:29,700 [KNOCKING] 497 00:23:29,733 --> 00:23:31,433 YEAH? 498 00:23:33,133 --> 00:23:34,833 HEY. 499 00:23:34,867 --> 00:23:35,900 HEY. 500 00:23:35,933 --> 00:23:37,167 HI. 501 00:23:37,200 --> 00:23:38,567 JENNY'S AT WORK. 502 00:23:40,633 --> 00:23:42,533 YEAH, SHE'S WAITRESSING. 503 00:23:42,567 --> 00:23:44,900 YEAH. 504 00:23:44,933 --> 00:23:46,833 SO, UH... 505 00:23:46,867 --> 00:23:49,533 OH, UM, I JUST WANTED 506 00:23:49,567 --> 00:23:52,200 TO TALK TO YOU ABOUT SOME STUFF, UM... 507 00:23:54,867 --> 00:23:55,900 YOU'RE CUTTING HAIR. 508 00:23:55,933 --> 00:23:57,700 YES, I AM. 509 00:23:57,733 --> 00:23:59,300 YOU KNOW WHAT? 510 00:23:59,333 --> 00:24:04,167 I HAVE GOT A TON OF WORK I NEED TO BE DOING RIGHT NOW. 511 00:24:04,200 --> 00:24:05,967 UM, I'LL CLEAN THIS UP WHEN I-- 512 00:24:06,067 --> 00:24:07,067 NO, I HAVE IT. I HAVE IT. 513 00:24:07,100 --> 00:24:08,067 NO, I GOT IT. 514 00:24:08,100 --> 00:24:09,067 OKAY. 515 00:24:09,100 --> 00:24:10,167 HEY. 516 00:24:10,200 --> 00:24:10,733 HI. 517 00:24:10,767 --> 00:24:12,467 HOW ARE YOU? 518 00:24:12,500 --> 00:24:13,567 THANK YOU. 519 00:24:13,600 --> 00:24:14,933 YEAH. 520 00:24:17,267 --> 00:24:18,433 WHAT'S UP? 521 00:24:22,467 --> 00:24:25,067 [HEART BEATING] 522 00:24:42,067 --> 00:24:44,167 [HEARTBEAT RATE INCREASES] 523 00:24:44,200 --> 00:24:45,333 --SHANE. IT'S... 524 00:24:45,367 --> 00:24:46,700 I FEEL LIKE 525 00:24:46,733 --> 00:24:47,800 THERE'S SOMETHING GOING ON WITH YOU, 526 00:24:47,833 --> 00:24:50,467 AND I WOULD LIKE TO KNOW WHAT IT IS. 527 00:24:50,500 --> 00:24:51,933 LOOK, I JUST... 528 00:24:54,600 --> 00:24:56,433 [SIGHS] 529 00:24:58,800 --> 00:25:00,800 OH, FUCK, YOU KNOW, IT'S-- 530 00:25:00,833 --> 00:25:02,600 IT'S HARD FOR ME 531 00:25:02,633 --> 00:25:04,533 TO HAVE YOU AND JENNY IN MY FACE ALL THE TIME. 532 00:25:06,067 --> 00:25:07,367 YOU'RE HAVING A HARD TIME WITH IT? 533 00:25:07,400 --> 00:25:08,767 I'M HAPPY FOR YOU GUYS. 534 00:25:08,800 --> 00:25:13,167 IT LOOKS LIKE YOU TWO ARE HAVING A BLAST TOGETHER. 535 00:25:13,200 --> 00:25:16,333 THAT'S A VERY GOOD THING. 536 00:25:16,367 --> 00:25:18,367 THEN WHY WOULD IT BE SO HARD FOR YOU? 537 00:25:24,300 --> 00:25:25,267 NOW, SHANE, 538 00:25:25,300 --> 00:25:26,833 I WANT YOU TO LOOK AT ME. 539 00:25:31,367 --> 00:25:32,767 I KNOW HOW HARD YOU WORK 540 00:25:32,800 --> 00:25:35,500 TO KEEP YOURSELF AT A DISTANCE 541 00:25:35,533 --> 00:25:36,500 FROM EVERYONE ELSE ON THE PLANET, 542 00:25:36,533 --> 00:25:39,333 BUT IT'S NOT WORKING FOR YOU ANYMORE. 543 00:25:39,367 --> 00:25:40,600 IT'S WORKING FINE. 544 00:25:40,633 --> 00:25:41,833 NO, IT'S NOT. 545 00:25:41,867 --> 00:25:44,267 IT'S NOT, BECAUSE OF THIS. 546 00:25:44,300 --> 00:25:45,500 OKAY? 547 00:25:45,533 --> 00:25:47,367 DO YOU FEEL THIS? 548 00:25:49,233 --> 00:25:50,667 MOST PEOPLE DON'T HAVE THIS. 549 00:25:50,700 --> 00:25:53,100 THIS IS RARE. 550 00:25:57,067 --> 00:25:58,633 SO WHAT? 551 00:25:58,667 --> 00:26:01,267 THAT'S RIGHT. 552 00:26:01,300 --> 00:26:02,900 SO WHAT? 553 00:26:02,933 --> 00:26:06,233 SO WHAT, IF NOTHING EVER COMES OUT OF THIS? 554 00:26:06,267 --> 00:26:08,500 SO WHAT, IF YOU'LL NEVER ACT ON IT? 555 00:26:08,533 --> 00:26:09,733 YOU ARE SO CONVINCED 556 00:26:09,767 --> 00:26:11,833 THAT HAVING A RELATIONSHIP NEAR YOU 557 00:26:11,867 --> 00:26:14,967 IS GOING TO KILL YOU. 558 00:26:15,067 --> 00:26:17,600 BECAUSE IT WILL. 559 00:26:21,767 --> 00:26:23,833 AND THAT'S WHY I'M WITH JENNY. 560 00:26:23,867 --> 00:26:25,400 IT WORKS BECAUSE SHE AND I 561 00:26:25,433 --> 00:26:26,833 ARE BOTH BIDING OUR TIME, 562 00:26:26,867 --> 00:26:29,433 WAITING FOR THE REAL DEAL TO COME ALONG. 563 00:26:33,467 --> 00:26:36,233 YEAH. 564 00:26:36,267 --> 00:26:38,233 YOU DON'T THINK YOU AND JENNY ARE THE REAL DEAL? 565 00:26:38,267 --> 00:26:40,067 NO. 566 00:26:40,067 --> 00:26:42,133 JENNY WOULDN'T KNOW WHAT THE REAL DEAL WAS 567 00:26:42,167 --> 00:26:43,900 IF IT BIT HER IN THE ASS. 568 00:26:43,933 --> 00:26:48,333 SHE IS SO LOST IN HER OWN DARKNESS. 569 00:26:48,367 --> 00:26:51,267 I THINK SHE LIKES IT IN THERE. 570 00:26:51,300 --> 00:26:53,700 [HEARTBEAT POUNDING] 571 00:26:53,733 --> 00:26:55,567 BUT DO YOU KNOW WHAT'S FUCKED UP? 572 00:26:55,600 --> 00:27:00,333 IS THAT YOU AND I KNOW WHAT THE REAL DEAL IS. 573 00:27:00,367 --> 00:27:04,500 WE SAW IT THE FIRST TIME WE LAID EYES ON EACH OTHER. 574 00:27:14,767 --> 00:27:16,967 BETTE, I JUST WANTED TO TELL YOU THAT-- 575 00:27:17,067 --> 00:27:18,333 I KNOW. 576 00:27:18,367 --> 00:27:19,800 I KNOW. 577 00:27:19,833 --> 00:27:21,933 THIS DOESN'T MEAN WE'RE BACK TOGETHER. 578 00:27:21,967 --> 00:27:22,900 I KNOW. 579 00:27:25,233 --> 00:27:28,467 LET'S NOT LET IT MESS EVERYTHING UP. 580 00:27:31,367 --> 00:27:32,767 IT WON'T. 581 00:27:32,800 --> 00:27:34,833 I PROMISE. 582 00:27:34,867 --> 00:27:36,967 WE'RE DOING GREAT. 583 00:27:37,067 --> 00:27:40,667 YEAH, GREAT. 584 00:27:40,700 --> 00:27:41,667 OKAY. 585 00:27:41,700 --> 00:27:42,667 OKAY. 586 00:27:42,700 --> 00:27:43,800 BYE. 587 00:27:43,833 --> 00:27:45,267 BYE. 588 00:27:57,067 --> 00:28:00,167 YOU'RE NOT LIVING YOUR LIFE, SHANE... 589 00:28:02,900 --> 00:28:05,833 AND IF YOU DON'T TAKE ANY RISKS... 590 00:28:09,500 --> 00:28:13,567 THEN YOU MIGHT AS WELL BE DEAD. 591 00:28:17,067 --> 00:28:20,467 FUCK ME. 592 00:28:22,800 --> 00:28:23,767 HI. 593 00:28:23,800 --> 00:28:25,733 HEY, UM, COME IN. 594 00:28:29,833 --> 00:28:31,533 ARE YOU-- 595 00:28:31,567 --> 00:28:33,167 YOU'RE NOT READY TO GO? 596 00:28:33,200 --> 00:28:34,367 DO YOU MIND 597 00:28:34,400 --> 00:28:36,633 IF WE JUST STAYED HERE TONIGHT AND ORDERED IN? 598 00:28:36,667 --> 00:28:39,067 I JUST-- I DON'T FEEL LIKE BEING OUT IN PUBLIC. 599 00:28:39,100 --> 00:28:40,733 WELL, WE COULD GO BACK TO MY PLACE. 600 00:28:40,767 --> 00:28:42,933 IS THERE A PROBLEM WITH STAYING HERE? 601 00:28:44,900 --> 00:28:46,700 NO. NO, THERE'S... 602 00:28:46,733 --> 00:28:48,967 NO PROBLEM. 603 00:28:49,067 --> 00:28:50,433 GOOD. 604 00:28:53,633 --> 00:28:54,900 YEAH. 605 00:28:58,900 --> 00:29:00,067 [CHUCKLES] 606 00:29:02,467 --> 00:29:03,733 ARE YOU HAVING 607 00:29:03,767 --> 00:29:05,600 SOME KIND OF HORMONAL SURGE HERE? 608 00:29:05,633 --> 00:29:06,600 FUCK YOU. 609 00:29:06,633 --> 00:29:08,700 THAT IS WHAT YOU SEEM TO WANT. 610 00:29:08,733 --> 00:29:10,067 IT IS, ACTUALLY. 611 00:29:10,100 --> 00:29:11,067 MM-HMM? 612 00:29:11,100 --> 00:29:12,333 YEAH. 613 00:29:12,367 --> 00:29:15,400 I JUST WANT TO FUCK ALL NIGHT, 614 00:29:15,433 --> 00:29:19,067 AND I WANT TO FUCK AND FUCK AND FUCK 615 00:29:19,067 --> 00:29:21,700 AND FUCK AND FUCK. 616 00:29:21,733 --> 00:29:22,900 OH, OKAY. 617 00:29:22,933 --> 00:29:24,200 NO, NO, YOU KNOW, 618 00:29:24,233 --> 00:29:25,567 I'M NOT SO SURE THAT I LIKE THIS. 619 00:29:25,600 --> 00:29:27,067 I DON'T THINK I LIKE THIS. 620 00:29:27,067 --> 00:29:28,467 WHY NOT? 621 00:29:28,500 --> 00:29:29,733 BECAUSE YOU'RE NOT ACTING LIKE YOURSELF, 622 00:29:29,767 --> 00:29:31,867 AND I'M NOT SURE THAT I LIKE IT. 623 00:29:31,900 --> 00:29:33,567 OH, I SEE. 624 00:29:33,600 --> 00:29:34,567 IS IT MY APARTMENT? 625 00:29:34,600 --> 00:29:36,067 IS IT JUST TOO ORDINARY FOR YOU? 626 00:29:36,067 --> 00:29:38,600 OR, YOU KNOW, MAYBE 627 00:29:38,633 --> 00:29:41,167 IT'S THAT YOU NEED TO BE IN CONTROL ALL THE TIME. 628 00:29:41,200 --> 00:29:42,833 OR MAYBE YOU NEED AN AUDIENCE. 629 00:29:42,867 --> 00:29:43,833 THAT'S IT. 630 00:29:43,867 --> 00:29:44,833 THAT'S WHAT WORKS FOR YOU. 631 00:29:44,867 --> 00:29:45,833 I DON'T THINK YOU'RE INTERESTED IN SEX 632 00:29:45,867 --> 00:29:47,533 UNLESS THERE'S SOME SORT OF RISK 633 00:29:47,567 --> 00:29:51,333 OR SOMEONE'S WATCHING OR SOMETHING ELSE IS GOING ON. 634 00:29:51,367 --> 00:29:53,067 HERE WE GO. 635 00:29:53,067 --> 00:29:54,467 HEY, WE'RE ABOUT TO HAVE SEX. 636 00:29:54,500 --> 00:29:55,467 YOU WANT TO COME IN AND WATCH? 637 00:29:55,500 --> 00:29:57,200 TINA, YOUR NEIGHBORS. 638 00:29:57,233 --> 00:29:59,200 MY NEIGHBORS! 639 00:29:59,233 --> 00:30:00,700 THAT IS A-- THAT IS A WONDERFUL IDEA! 640 00:30:00,733 --> 00:30:03,700 YOU ARE SO FUCKING HOT. 641 00:30:05,733 --> 00:30:07,367 HEY, WE'RE ABOUT TO HAVE SEX, ME AND MY GIRLFRIEND. 642 00:30:07,400 --> 00:30:08,667 DO YOU WANT TO COME DOWN HERE AND WATCH US? 643 00:30:08,700 --> 00:30:10,133 WE'RE JUST GOING TO FUCK! 644 00:30:10,167 --> 00:30:11,533 HAVE YOU GONE MAD? 645 00:30:11,567 --> 00:30:12,933 I DON'T KNOW. 646 00:30:12,967 --> 00:30:14,100 WHAT DO YOU THINK? 647 00:30:14,133 --> 00:30:15,567 WHAT DO YOU THINK? THAT I'M FUCKING CRAZY? 648 00:30:15,600 --> 00:30:17,100 WHAT, ARE YOU TURNED ON? 649 00:30:17,133 --> 00:30:21,100 NO, I THINK YOUR HORMONES ARE RAGING OUT OF CONTROL, 650 00:30:21,133 --> 00:30:22,267 AND I THINK I KNOW BETTER 651 00:30:22,300 --> 00:30:23,700 THAN TO REASON WITH YOU. 652 00:30:23,733 --> 00:30:25,000 FUCKING HORMONES. 653 00:30:25,033 --> 00:30:27,100 WHAT, I'M NOT ALLOWED TO HAVE ACTUAL FEELINGS NOW? 654 00:30:27,133 --> 00:30:28,633 TINA, I'VE BEEN THROUGH THIS BEFORE. 655 00:30:28,667 --> 00:30:29,633 WINNIE WAS A MONSTER 656 00:30:29,667 --> 00:30:31,367 AT THIS STAGE IN HER PREGNANCY. 657 00:30:31,400 --> 00:30:33,033 YEAH, AND LOOK AT YOU AND WINNIE NOW. 658 00:30:36,133 --> 00:30:37,767 YOU KNOW, I THINK I'M GOING TO GO NOW. 659 00:30:37,800 --> 00:30:38,867 I'M GOING TO CALL YOU TOMORROW. 660 00:30:38,900 --> 00:30:39,900 NO. 661 00:30:39,933 --> 00:30:41,333 NO, I NEED YOU NOW. 662 00:30:41,367 --> 00:30:42,433 I NEED YOU TONIGHT. 663 00:30:42,467 --> 00:30:43,667 STAY HERE. 664 00:30:43,700 --> 00:30:44,933 I DON'T THINK SO. 665 00:30:44,967 --> 00:30:48,000 I THINK YOU NEED TO BE ALONE. 666 00:30:48,033 --> 00:30:50,200 YOU NEED TO BE ALONE, OKAY? 667 00:31:10,900 --> 00:31:12,333 WHAT AM I DOING? 668 00:31:12,367 --> 00:31:14,067 [BETTE]: I DON'T KNOW HOW IT HAPPENED. 669 00:31:14,100 --> 00:31:15,067 I DON'T KNOW. 670 00:31:15,100 --> 00:31:16,567 I MEAN, WE WERE WORKING SO HARD 671 00:31:16,600 --> 00:31:20,500 AT FORGING THIS FRIENDSHIP. 672 00:31:20,533 --> 00:31:21,667 DO YOU THINK I FUCKED IT UP 673 00:31:21,700 --> 00:31:24,700 BY HAVING SEX WITH HER? 674 00:31:24,733 --> 00:31:26,067 DO YOU THINK YOU FUCKED IT UP? 675 00:31:26,067 --> 00:31:27,900 I DON'T KNOW. 676 00:31:27,933 --> 00:31:29,867 WHAT DID IT MEAN? 677 00:31:31,933 --> 00:31:34,067 I DON'T THINK SHE WANTS TO GET BACK TOGETHER WITH ME. 678 00:31:34,067 --> 00:31:35,433 DO YOU WANT TO BE BACK TOGETHER WITH HER? 679 00:31:43,467 --> 00:31:46,500 I DON'T KNOW. 680 00:31:46,533 --> 00:31:48,700 HOW DID IT FEEL, HAVING SEX WITH HER? 681 00:31:50,933 --> 00:31:52,767 IT WAS FUCKING AMAZING. 682 00:31:52,800 --> 00:31:56,900 IT WAS JUST FUCKING...AMAZING. 683 00:31:56,933 --> 00:32:01,367 IT WAS LIKE ALL OF THE REASONS THAT WE FELL APART 684 00:32:01,400 --> 00:32:03,267 JUST DISAPPEARED, 685 00:32:03,300 --> 00:32:05,467 AND IT WAS LIKE I HAD-- 686 00:32:05,500 --> 00:32:08,533 IT WAS LIKE I HAD MY LIFE BACK FOR JUST ONE SECOND... 687 00:32:15,067 --> 00:32:17,500 AND IT WAS ALSO REALLY SAD. 688 00:32:17,533 --> 00:32:19,233 SAD. HOW SO? 689 00:32:21,300 --> 00:32:22,967 BECAUSE I'VE LOST HER. 690 00:32:23,067 --> 00:32:27,733 BECAUSE WE DON'T... 691 00:32:27,767 --> 00:32:30,333 WELL, LIKE, SHE DOESN'T BELONG TO ME ANYMORE. 692 00:32:30,367 --> 00:32:33,133 LIKE, I COULD FEEL SOMEONE ELSE HAD BEEN TOUCHING HER 693 00:32:33,167 --> 00:32:34,900 AND MAKING LOVE TO HER, 694 00:32:34,933 --> 00:32:37,067 AND I FELT THAT OTHER PERSON, 695 00:32:37,067 --> 00:32:43,667 AND I FELT HER CONNECTION TO THAT OTHER PERSON, YOU KNOW? 696 00:32:43,700 --> 00:32:47,633 AND SHE DID THINGS THAT WE HAD NEVER DONE TOGETHER, 697 00:32:47,667 --> 00:32:53,267 AND IT WAS LIKE SHE WAS SO... FREE. 698 00:32:53,300 --> 00:32:54,267 FREE. 699 00:32:54,300 --> 00:32:55,667 YEAH. 700 00:32:55,700 --> 00:32:57,533 I MEAN, I HAD ALWAYS TREATED HER SO GINGERLY, 701 00:32:57,567 --> 00:32:59,800 YOU KNOW, LIKE SHE WAS SOME KIND OF FRAGILE THING, 702 00:32:59,833 --> 00:33:01,133 AND NOW, EVEN THOUGH SHE'S PREGNANT, 703 00:33:01,167 --> 00:33:02,433 IT'S LIKE SHE'S... 704 00:33:02,467 --> 00:33:03,767 IT'S LIKE SHE'S UNBREAKABLE. 705 00:33:16,767 --> 00:33:18,333 [SNIFFLES] 706 00:33:19,100 --> 00:33:20,600 I DON'T-- 707 00:33:22,667 --> 00:33:23,633 [SIGHS] 708 00:33:23,667 --> 00:33:25,200 IT WAS SHOCKING, I GUESS. 709 00:33:25,233 --> 00:33:26,233 IT WAS SHOCKING. 710 00:33:26,267 --> 00:33:30,933 IT WAS SHOCKING THAT SHE WAS SO... 711 00:33:30,967 --> 00:33:34,133 SURE OF HERSELF. 712 00:33:34,167 --> 00:33:36,600 BETTE... 713 00:33:36,633 --> 00:33:38,933 TINA'S BEEN THROUGH SOME MAJOR ORDEALS 714 00:33:38,967 --> 00:33:40,067 OVER THE PAST YEAR-- 715 00:33:40,067 --> 00:33:46,067 YOUR BREAK-UP, A NEW CAREER, HER PREGNANCY. 716 00:33:46,067 --> 00:33:48,267 THESE THINGS CAN CHANGE A PERSON, 717 00:33:48,300 --> 00:33:51,367 MAKE THEM STRONGER. 718 00:33:51,400 --> 00:33:53,400 DON'T YOU THINK IT MIGHT BE A GOOD THING? 719 00:33:55,200 --> 00:33:57,600 OF COURSE IT'S A GOOD THING. 720 00:34:03,067 --> 00:34:04,067 [SIGHS] 721 00:34:04,067 --> 00:34:06,067 IT JUST MEANS... 722 00:34:07,900 --> 00:34:10,933 SHE DOESN'T NEED ME ANYMORE. 723 00:34:35,433 --> 00:34:36,400 HEY, MARK, 724 00:34:36,433 --> 00:34:40,233 I NEED THOSE BURR CONNOR DVDs BACK. 725 00:34:40,267 --> 00:34:42,233 HELLO? 726 00:34:42,267 --> 00:34:44,100 MARK? 727 00:34:54,233 --> 00:34:56,333 [***] 728 00:35:15,500 --> 00:35:16,567 THIS IS THE PIECE CHRISTO DID 729 00:35:16,600 --> 00:35:19,833 BETWEEN '80 AND '83 DOWN IN MIAMI. 730 00:35:19,867 --> 00:35:22,267 WE'VE INCLUDED IMAGES FROM MICHAEL HEIZER, 731 00:35:22,300 --> 00:35:25,100 ROBERT SMITHSON, WALTER DE MARIA, 732 00:35:25,133 --> 00:35:26,400 DENNIS OPPENHEIM, 733 00:35:26,433 --> 00:35:27,733 AND OF COURSE ANDY GOLDSWORTHY. 734 00:35:27,767 --> 00:35:28,733 I'VE BEEN TALKING TO ALLYN 735 00:35:28,767 --> 00:35:30,467 ABOUT COMMISSIONING A NEW PIECE. 736 00:35:30,500 --> 00:35:31,467 OF COURSE WE'LL HAVE TO DO 737 00:35:31,500 --> 00:35:33,200 MORE FUNDRAISING. 738 00:35:33,233 --> 00:35:36,867 HOW ABOUT IF I JUST ADD IT INTO THE BUDGET? 739 00:35:36,900 --> 00:35:39,500 HELENA. 740 00:35:39,533 --> 00:35:40,500 I'M SORRY. 741 00:35:40,533 --> 00:35:42,133 WE'RE JUST IN THE MIDDLE OF A MEETING. 742 00:35:42,167 --> 00:35:45,400 I'M OFFERING TO UNDERWRITE ALLYN'S ENTIRE RETROSPECTIVE. 743 00:35:45,433 --> 00:35:47,067 I DON'T WANT MONEY TO BE A DECIDING FACTOR 744 00:35:47,067 --> 00:35:49,067 ON ANY CREATIVE DECISION. 745 00:35:49,067 --> 00:35:50,167 DO YOU HAVE A BUDGET? 746 00:35:50,200 --> 00:35:51,500 I DO. 747 00:35:51,533 --> 00:35:52,933 WELL, I'D LIKE TO SEE IT, IF I MAY. 748 00:35:52,967 --> 00:35:54,100 WELL, I'M NOT REALLY READY 749 00:35:54,133 --> 00:35:55,100 TO PRESENT IT YET, 750 00:35:55,133 --> 00:35:57,267 BUT I WILL SHOW IT TO THE ENTIRE BOARD. 751 00:35:57,300 --> 00:36:00,100 THAT'S NOT REALLY HOW I LIKE TO WORK. 752 00:36:00,133 --> 00:36:01,600 WELL, IT'S THE ONLY WAY I CAN WORK. 753 00:36:01,633 --> 00:36:03,833 I CAN DEAL WITH LEO ON THIS 754 00:36:03,867 --> 00:36:05,500 IF YOU'D RATHER. 755 00:36:05,533 --> 00:36:07,067 CAN WE JUST HAVE A SEPARATE MEETING? 756 00:36:07,067 --> 00:36:09,133 ABSOLUTELY. 757 00:36:09,167 --> 00:36:10,600 GREAT. 758 00:36:16,633 --> 00:36:19,067 OH, I'M JUST GOING TO SIT HERE AND LISTEN FOR A WHILE. 759 00:36:23,367 --> 00:36:25,300 OKAY. 760 00:36:25,333 --> 00:36:27,733 WHY DON'T YOU SHOW HELENA YOUR PROPOSAL 761 00:36:27,767 --> 00:36:30,967 FOR DEALING WITH THE PASSAGE OF TIME? 762 00:36:31,067 --> 00:36:31,933 [CLEARS THROAT] 763 00:36:36,533 --> 00:36:40,633 YOU DON'T THINK YOU AND JENNY ARE THE REAL DEAL? 764 00:36:40,667 --> 00:36:42,167 NO. 765 00:36:42,200 --> 00:36:45,067 JENNY WOULDN'T KNOW WHAT THE REAL DEAL WAS 766 00:36:45,067 --> 00:36:47,300 IF IT BIT HER IN THE ASS. 767 00:36:47,333 --> 00:36:51,567 SHE IS SO LOST IN HER OWN DARKNESS. 768 00:36:51,600 --> 00:36:54,200 I THINK SHE LIKES IT IN THERE. 769 00:36:54,233 --> 00:36:57,833 BUT YOU KNOW WHAT'S FUCKED UP? 770 00:36:57,867 --> 00:36:58,833 IS THAT YOU AND I KNOW 771 00:36:58,867 --> 00:37:00,367 WHAT THE REAL DEAL IS. 772 00:37:00,400 --> 00:37:02,067 WE SAW IT THE FIRST TIME 773 00:37:02,067 --> 00:37:05,467 WE LAID EYES ON EACH OTHER. 774 00:37:05,500 --> 00:37:06,933 HELLO. 775 00:37:06,967 --> 00:37:07,933 HI. 776 00:37:07,967 --> 00:37:09,067 HOW ARE YOU FEELING TODAY? 777 00:37:09,100 --> 00:37:10,833 SAME AS YESTERDAY. 778 00:37:10,867 --> 00:37:14,500 YOU'RE COMING OVER TO MY HOUSE TONIGHT. 779 00:37:20,067 --> 00:37:21,767 ARE YOU SURE YOU WANT TO SEE ME? 780 00:37:21,800 --> 00:37:23,100 WHAT IF I HAVE 781 00:37:23,133 --> 00:37:25,367 SOME SORT OF HORMONAL FIT? 782 00:37:25,400 --> 00:37:28,233 I'M SORRY, THAT WAS... 783 00:37:28,267 --> 00:37:31,467 THAT WAS UNCALLED FOR ON MY BEHALF. 784 00:37:31,500 --> 00:37:33,067 ACCEPT MY APOLOGY? 785 00:37:33,100 --> 00:37:34,833 LOOK, IF YOU WANT ME IN YOUR LIFE, 786 00:37:34,867 --> 00:37:37,467 YOU JUST HAVE TO UNDERSTAND ONE THING, OKAY? 787 00:37:37,500 --> 00:37:39,133 I'M NOT SOME SORT OF TOY 788 00:37:39,167 --> 00:37:40,567 THAT YOU CAN TAKE DOWN OFF THE SHELF 789 00:37:40,600 --> 00:37:42,767 AND PLAY WITH WHENEVER IT SUITS YOUR MOOD. 790 00:37:42,800 --> 00:37:44,067 DO YOU UNDERSTAND? 791 00:37:44,067 --> 00:37:45,333 YES. 792 00:37:45,367 --> 00:37:46,733 YOU'RE NOT A TOY. 793 00:37:46,767 --> 00:37:48,300 AND IF WE HAVE SOME SORT OF DISAGREEMENT, 794 00:37:48,333 --> 00:37:50,833 THE FACT THAT I'M PREGNANT, IT'S NOT FAIR GAME. 795 00:37:50,867 --> 00:37:52,167 I DON'T WANT TO BE REDUCED 796 00:37:52,200 --> 00:37:53,967 TO SOME SORT OF RAGING HORMONAL LUNATIC. 797 00:37:54,067 --> 00:37:56,533 IT'LL NEVER HAPPEN AGAIN. 798 00:37:58,467 --> 00:37:59,433 GOOD. 799 00:37:59,467 --> 00:38:04,233 SO...DO I SEE YOU LATER ON? 800 00:38:05,567 --> 00:38:06,500 OKAY. 801 00:38:08,200 --> 00:38:10,400 GOOD. 802 00:38:10,433 --> 00:38:12,267 SEE YOU LATER, DARLING. 803 00:38:17,833 --> 00:38:19,200 BYE. 804 00:38:22,067 --> 00:38:23,600 [GRUNTING] 805 00:39:04,733 --> 00:39:05,700 YOU ALL RIGHT? 806 00:39:05,733 --> 00:39:07,367 YEAH, I'M ALL RIGHT. 807 00:39:07,400 --> 00:39:09,067 WHAT A HIT. 808 00:39:12,400 --> 00:39:13,967 BE WITH YOU IN A SEC. 809 00:39:14,067 --> 00:39:15,500 WE GOT TO STOP. 810 00:39:15,533 --> 00:39:16,500 OH, THAT'S GOING TO LEAVE A MARK. 811 00:39:16,533 --> 00:39:17,500 I'LL BE ALL RIGHT. 812 00:39:17,533 --> 00:39:18,467 OKAY. 813 00:39:21,300 --> 00:39:23,333 OKAY, THAT'S GOOD. 814 00:39:25,067 --> 00:39:26,233 HEY. JENNY. HELLO. 815 00:39:26,267 --> 00:39:27,233 ROY, JENNY. 816 00:39:27,267 --> 00:39:28,167 NICE TO MEET YOU. 817 00:39:28,200 --> 00:39:29,533 NICE TO MEET YOU, TOO. 818 00:39:29,567 --> 00:39:30,867 LET ME SHAKE YOUR HAND. 819 00:39:30,900 --> 00:39:31,867 YOU READY? 820 00:39:31,900 --> 00:39:32,867 GREAT. 821 00:39:32,900 --> 00:39:34,433 COME ON OVER. 822 00:39:36,233 --> 00:39:37,533 HOW ARE YOU? 823 00:39:37,567 --> 00:39:38,667 A LITTLE SORE. 824 00:39:38,700 --> 00:39:41,233 YEAH? THAT'S AWESOME. 825 00:39:41,267 --> 00:39:44,167 COOL. 826 00:39:44,200 --> 00:39:45,567 OKAY, SO... 827 00:39:45,600 --> 00:39:46,933 OKAY. 828 00:39:46,967 --> 00:39:49,800 SO YOU GOT ALL YOUR STUFF? 829 00:39:51,200 --> 00:39:53,167 YOU CAN USE YOUR LITTLE TAPE RECORDER TODAY. 830 00:39:53,200 --> 00:39:54,167 [THUMPS] 831 00:39:54,200 --> 00:39:55,167 WHAT'S THE MATTER? 832 00:39:55,200 --> 00:39:56,267 NOTHING. 833 00:39:56,300 --> 00:39:57,267 SOMETHING'S THE MATTER. 834 00:39:57,300 --> 00:39:58,267 NOPE. 835 00:39:58,300 --> 00:39:59,433 YOU SURE? 836 00:39:59,467 --> 00:40:00,600 [SNIFFLES] 837 00:40:00,633 --> 00:40:01,500 JENNY. 838 00:40:03,567 --> 00:40:06,967 JENNY, STOP. 839 00:40:07,000 --> 00:40:08,900 NO, NO, NO. COME ON. 840 00:40:08,933 --> 00:40:09,900 NO, NO, NO, PLEASE. 841 00:40:09,933 --> 00:40:10,967 PLEASE, LET ME DO MY JOB. 842 00:40:11,000 --> 00:40:11,967 PLEASE. I'M SORRY. 843 00:40:12,000 --> 00:40:12,967 JUST IGNORE ME. 844 00:40:13,000 --> 00:40:14,767 I HAVE SUCH BAD HAY FEVER. 845 00:40:14,800 --> 00:40:15,867 PLEASE, PLEASE, PLEASE. 846 00:40:15,900 --> 00:40:17,433 PLEASE? 847 00:40:19,000 --> 00:40:21,233 [CRYING] 848 00:40:21,267 --> 00:40:24,533 IT'S OKAY, ALL RIGHT? 849 00:40:24,567 --> 00:40:26,500 [KIT HUMMING] 850 00:40:32,667 --> 00:40:34,833 IS EVERYTHING ALL RIGHT IN THERE? 851 00:40:34,867 --> 00:40:35,867 IT'S PERFECT. DON'T WORRY. 852 00:40:35,900 --> 00:40:37,567 LARA IS WORKING HER MAGIC. 853 00:40:37,600 --> 00:40:38,967 EXCELLENT. 854 00:40:39,000 --> 00:40:40,933 [CELL PHONE RINGING] 855 00:40:43,800 --> 00:40:46,067 HELLO. 856 00:40:46,100 --> 00:40:49,933 HI, BABY, WHERE YOU AT? 857 00:40:52,067 --> 00:40:53,800 OH, NO. 858 00:40:55,700 --> 00:40:58,400 WHAT HAPPENED? 859 00:40:58,433 --> 00:41:00,600 THE HOSPITAL. 860 00:41:00,633 --> 00:41:04,533 OH, NO, NO, NO, I UNDERSTAND. 861 00:41:04,567 --> 00:41:05,600 [SIGHS] 862 00:41:05,633 --> 00:41:08,667 NO, I HOPE HER MAMA'S OKAY. 863 00:41:08,700 --> 00:41:12,167 NO, UM... 864 00:41:12,200 --> 00:41:16,300 OH, NO, NO, DON'T EVEN WORRY ABOUT IT, OKAY? 865 00:41:16,333 --> 00:41:19,133 IT'S YOUR FAMILY, 866 00:41:19,167 --> 00:41:20,933 AND YOU HAVE TO BE THERE FOR THEM. 867 00:41:22,633 --> 00:41:25,200 YEAH, IT'S OKAY. 868 00:41:25,233 --> 00:41:30,600 SO JUST CALL ME NEXT WEEK, OKAY? 869 00:41:30,633 --> 00:41:31,900 AND I... 870 00:41:31,933 --> 00:41:34,200 I HOPE EVERYTHING WORKS OUT OKAY. 871 00:41:34,233 --> 00:41:35,933 ALL RIGHT. 872 00:41:35,967 --> 00:41:37,467 BYE, NOW. 873 00:41:37,500 --> 00:41:39,267 [***] 874 00:41:41,133 --> 00:41:43,200 [SIGHS] 875 00:41:45,067 --> 00:41:46,067 WHAT? 876 00:41:46,067 --> 00:41:48,600 I GUESS-- I GUESS... 877 00:41:48,633 --> 00:41:49,967 SO IS DINNER OFF? 878 00:41:50,067 --> 00:41:54,067 JUST PUT IT ON THE MENU AND SELL IT. 879 00:42:14,267 --> 00:42:17,067 [TINA]: HELLO? 880 00:42:17,067 --> 00:42:18,067 IN THE KITCHEN. 881 00:42:19,867 --> 00:42:21,967 HEY. 882 00:42:22,067 --> 00:42:23,933 HEY. 883 00:42:23,967 --> 00:42:25,600 THANK YOU. 884 00:42:30,900 --> 00:42:32,300 DID YOU COOK ALL THIS? 885 00:42:32,333 --> 00:42:33,300 MM-HMM. 886 00:42:33,333 --> 00:42:36,433 I GAVE SANDRA THE NIGHT OFF. 887 00:42:36,467 --> 00:42:38,067 YOU MEAN WE'RE COMPLETELY ALONE? 888 00:42:38,067 --> 00:42:39,067 MM-HMM. 889 00:42:39,067 --> 00:42:41,567 THAT LOOKS AMAZING. 890 00:42:41,600 --> 00:42:45,200 I WAS ACTUALLY THINKING OF BECOMING A CHEF AT ONE POINT. 891 00:42:45,233 --> 00:42:47,733 YOU'RE JUST FULL OF SURPRISES. 892 00:42:47,767 --> 00:42:50,967 NOW, LOOK, I KNOW YOU'RE NOT SUPPOSED TO, 893 00:42:51,067 --> 00:42:52,767 BUT THIS IS TOO GOOD TO MISS. 894 00:42:52,800 --> 00:42:56,167 JUST A SIP. 895 00:42:56,200 --> 00:42:57,833 NOW, 896 00:42:57,867 --> 00:42:59,600 COME WITH ME. 897 00:42:59,633 --> 00:43:02,167 I'M GOING TO SIT YOU DOWN 898 00:43:02,200 --> 00:43:06,500 AND WAIT ON YOU HAND AND FOOT. 899 00:43:14,400 --> 00:43:15,600 [UNZIPS BOOT] 900 00:43:15,633 --> 00:43:18,500 I DON'T DESERVE IT. 901 00:43:18,533 --> 00:43:19,967 FORGET ABOUT DESERVE. 902 00:43:20,067 --> 00:43:24,067 DESERVE SUGGESTS YOU HAVE TO WORK FOR IT. 903 00:43:24,067 --> 00:43:28,600 JUST THINK, "I'M ENTITLED TO IT." 904 00:43:30,533 --> 00:43:31,933 I LIKE THAT. 905 00:43:33,633 --> 00:43:36,100 IT COULDN'T HAVE BEEN WORSE TIMING 906 00:43:36,133 --> 00:43:37,300 FOR MY SPONSOR TO BE OUT OF TOWN. 907 00:43:37,333 --> 00:43:38,233 BUT YOU FOUND YOUR STRENGTH 908 00:43:38,267 --> 00:43:39,800 AND YOU HUNG ON. 909 00:43:39,833 --> 00:43:41,433 GOOD FOR YOU, RYAN. 910 00:43:41,467 --> 00:43:42,700 THANKS FOR SHARING TONIGHT. 911 00:43:50,433 --> 00:43:52,133 HEY, PRETTY LADY. 912 00:43:52,167 --> 00:43:54,333 LOOKS LIKE YOU HAVE SOMETHING YOU WANT TO SHARE TONIGHT. 913 00:44:08,633 --> 00:44:10,533 HI. 914 00:44:10,567 --> 00:44:11,667 I'M KIT. 915 00:44:11,700 --> 00:44:12,667 HI, KIT. 916 00:44:12,700 --> 00:44:14,433 HEY, KIT. 917 00:44:19,100 --> 00:44:23,300 AND, UM, I GOT STOOD UP TONIGHT. 918 00:44:23,333 --> 00:44:24,967 I GOT STOOD UP, 919 00:44:25,067 --> 00:44:27,667 AND I... 920 00:44:27,700 --> 00:44:28,900 I LOOKED OVER AT THAT BOTTLE OF WINE 921 00:44:28,933 --> 00:44:36,067 SITTING ON THE TABLE THAT I SET FOR HIM, 922 00:44:36,100 --> 00:44:37,300 AND I JUST SAID, "FUCK IT," YOU KNOW? 923 00:44:37,333 --> 00:44:40,333 I DON'T WANT THAT BOTTLE OF WINE, 924 00:44:40,367 --> 00:44:42,833 BUT I'M... 925 00:44:42,867 --> 00:44:44,067 I'M JUST SO DAMN LONELY 926 00:44:44,067 --> 00:44:47,667 THAT I JUST WANTED TO BE AROUND SOMEBODY 927 00:44:47,700 --> 00:44:51,667 WHO WOULD LISTEN TO ME. 928 00:44:56,300 --> 00:44:58,167 SO I CAME HERE. 929 00:45:00,400 --> 00:45:02,800 WE'RE GLAD YOU CAME, KIT. 930 00:45:02,833 --> 00:45:03,900 [GROUP APPLAUDS] 931 00:45:08,800 --> 00:45:11,667 [***] 932 00:45:32,433 --> 00:45:34,567 SO THIS IS WHERE YOU SPEND YOUR TIME. 933 00:45:34,600 --> 00:45:36,200 YEAH, THIS IS THE PLACE. 934 00:45:36,233 --> 00:45:37,200 OH, THERE'S MY GAL. 935 00:45:37,233 --> 00:45:39,067 HEY. HEY. 936 00:45:39,067 --> 00:45:40,800 HOW ARE YOU, BABY? 937 00:45:42,067 --> 00:45:43,533 GOD, I AM SO EXHAUSTED. 938 00:45:43,567 --> 00:45:45,067 I HAD TO DANCE TWO SETS BACK TO BACK, 939 00:45:45,067 --> 00:45:46,233 AND MY FEET ARE KILLING ME. 940 00:45:46,267 --> 00:45:47,133 UM, IRIS, 941 00:45:47,167 --> 00:45:49,067 I'D LIKE YOU TO MEET KIT. 942 00:45:49,100 --> 00:45:50,233 SORRY. NICE TO MEET YOU. 943 00:45:50,267 --> 00:45:51,467 SAME. 944 00:45:51,500 --> 00:45:52,533 SO YOU WANT TO HANG? 945 00:45:52,567 --> 00:45:53,567 I CAN GET A TABLE OVER HERE. 946 00:45:53,600 --> 00:45:54,867 GREAT. 947 00:45:54,900 --> 00:45:57,633 UM, NO, I REALLY DON'T WANT TO BE THE THIRD WHEEL. 948 00:45:57,667 --> 00:45:59,200 OH, KIT, COME ON. 949 00:45:59,233 --> 00:46:00,267 NO, NO. 950 00:46:00,300 --> 00:46:02,367 KIT'S HAD A REALLY ROUGH NIGHT. 951 00:46:02,400 --> 00:46:05,400 SHE IN THE PROGRAM? 952 00:46:05,433 --> 00:46:06,367 COME ON. 953 00:46:19,400 --> 00:46:21,333 SO YOU KNOW EACH OTHER FROM THE PROGRAM? 954 00:46:21,367 --> 00:46:24,100 KI-KIT OWNS THE PLANET. 955 00:46:24,133 --> 00:46:25,267 OH, RIGHT, 956 00:46:25,300 --> 00:46:26,867 THAT LESBIAN PLACE YOU INVESTED IN. 957 00:46:26,900 --> 00:46:29,433 IT'S NOT ONLY A LESBIAN PLACE, YOU KNOW? 958 00:46:29,467 --> 00:46:31,467 ALTHOUGH A LOT OF MY CUSTOMERS ARE LESBIANS, BUT-- 959 00:46:31,500 --> 00:46:32,467 YEAH, IVAN'S TRIED 960 00:46:32,500 --> 00:46:33,967 TO TAKE ME THERE A FEW TIMES. 961 00:46:34,067 --> 00:46:35,100 IT'S JUST NOT MY SCENE. 962 00:46:36,733 --> 00:46:38,733 WELL, MAYBE YOU SHOULDN'T PASS JUDGMENT 963 00:46:38,767 --> 00:46:40,667 UNTIL YOU'VE BEEN THERE. 964 00:46:40,700 --> 00:46:42,733 I JUST DON'T HANG OUT WITH LESBIANS VERY MUCH. 965 00:46:42,767 --> 00:46:44,433 IT'S TOO MUCH DRAMA. 966 00:46:44,467 --> 00:46:45,567 I REMEMBER THIS ONE TIME 967 00:46:45,600 --> 00:46:46,600 WHEN IVAN AND I FIRST STARTED SEEING EACH OTHER 968 00:46:46,633 --> 00:46:48,133 ABOUT FIVE YEARS AGO, 969 00:46:48,167 --> 00:46:50,667 AND THERE WAS THIS ONE TIME... 970 00:46:50,700 --> 00:46:51,900 WAIT, WAIT, WAIT. 971 00:46:51,933 --> 00:46:53,600 FIVE, FIVE YEARS AGO? 972 00:46:53,633 --> 00:46:54,600 YEAH. 973 00:46:54,633 --> 00:46:58,067 BABY, IT'S BEEN ABOUT THAT LONG, RIGHT? 974 00:46:58,067 --> 00:47:00,967 YOU MEAN YOU-- YOU'VE BEEN SEEING EACH OTHER 975 00:47:01,067 --> 00:47:02,867 FOR THE LAST FIVE YEARS? 976 00:47:02,900 --> 00:47:04,200 YOU KNOW WHAT? I'VE GOT TO WORK. 977 00:47:04,233 --> 00:47:09,167 SEEMS LIKE YOU TWO HAVE SOME UNFINISHED BUSINESS. 978 00:47:12,567 --> 00:47:16,067 YOU'VE BEEN DOING MISS THANG AND TRYING TO ROMANCE ME? 979 00:47:16,067 --> 00:47:18,100 KIT, YOU'RE GOING DOWN A REAL BAD ROAD HERE. 980 00:47:18,133 --> 00:47:20,833 OH, IT'S A VERY BAD ROAD, A ROAD OF LIES. 981 00:47:20,867 --> 00:47:22,067 WE NEVER DISCUSSED MONOGAMY, OKAY? 982 00:47:22,100 --> 00:47:24,100 WE DIDN'T GET THAT FAR, 983 00:47:24,133 --> 00:47:25,767 BUT IF WE HAD, I WOULD'VE EXPLAINED TO YOU 984 00:47:25,800 --> 00:47:27,333 THAT IT JUST DOESN'T WORK FOR ME. 985 00:47:27,367 --> 00:47:29,200 AND I WOULD HAVE TOLD YOU TO FUCK OFF. 986 00:47:29,233 --> 00:47:30,567 KIT, I'M NOT TRYING TO WIN AN ARGUMENT HERE, 987 00:47:30,600 --> 00:47:32,667 BUT DIDN'T YOU JUST STAND UP IN A MEETING 988 00:47:32,700 --> 00:47:33,667 AND ANNOUNCE 989 00:47:33,700 --> 00:47:34,933 THAT YOU'RE SEEING A MARRIED MAN? 990 00:47:34,967 --> 00:47:37,167 OH, DON'T YOU EVEN GO THERE. 991 00:47:37,200 --> 00:47:38,533 YOU OF ALL PEOPLE 992 00:47:38,567 --> 00:47:40,167 BETTER NOT EVEN TRY TO PASS JUDGMENT. 993 00:47:40,200 --> 00:47:42,567 YOU ARE DECEIVING SOMEONE, OKAY? 994 00:47:42,600 --> 00:47:44,200 YOU'RE LYING TO SOMEBODY'S WIFE. 995 00:47:44,233 --> 00:47:47,533 AND THE WAY YOU LIVE YOUR LIFE? 996 00:47:47,567 --> 00:47:49,933 LET ME GET THE FUCK OUT OF HERE, ALL RIGHT? 997 00:47:59,100 --> 00:48:00,100 EXCUSE ME. 998 00:48:05,967 --> 00:48:09,367 I'M SUCH A FUCKING IDIOT. 999 00:48:09,400 --> 00:48:10,500 I SHOULD'VE-- 1000 00:48:10,533 --> 00:48:11,500 IT WAS SO OBVIOUS 1001 00:48:11,533 --> 00:48:14,467 THAT ALL OF THIS WAS GOING TO HAPPEN. 1002 00:48:14,500 --> 00:48:16,867 IT HAPPENS, JENNY. 1003 00:48:16,900 --> 00:48:19,233 IT DOESN'T MAKE YOU AN IDIOT. 1004 00:48:19,267 --> 00:48:23,067 EVERY TIME I THINK EVERYTHING'S GOING REALLY WELL, 1005 00:48:23,067 --> 00:48:27,533 AND EVEN IF I TRY REALLY HARD, 1006 00:48:27,567 --> 00:48:30,600 IT ALL FUCKS UP. 1007 00:48:33,067 --> 00:48:36,100 AND I THINK THAT... 1008 00:48:36,133 --> 00:48:37,767 MAYBE I'M JUST ONE OF THOSE PEOPLE 1009 00:48:37,800 --> 00:48:42,233 THAT DOESN'T DESERVE TO BE HAPPY. 1010 00:48:42,267 --> 00:48:44,367 BULLSHIT. 1011 00:48:44,400 --> 00:48:45,800 EVERYONE DESERVES TO BE HAPPY. 1012 00:48:45,833 --> 00:48:47,567 I DON'T KNOW. 1013 00:48:47,600 --> 00:48:48,600 WE ALL DO. 1014 00:48:48,633 --> 00:48:50,067 WE ALL DESERVE TO BE HAPPY, JENNY. 1015 00:48:50,067 --> 00:48:51,500 MOST OF US JUST DON'T HAVE THE BALLS 1016 00:48:51,533 --> 00:48:53,667 TO TAKE RESPONSIBILITY FOR IT. 1017 00:48:53,700 --> 00:48:55,567 YOU'RE FACING YOUR DEMONS HEAD ON, 1018 00:48:55,600 --> 00:48:58,400 AND THAT IS SOMETHING I'VE NEVER DONE. 1019 00:48:58,433 --> 00:49:02,633 YOU WANT TO LOOK AT SOMEONE WHO'S FUCKED UP THEIR LIFE? 1020 00:49:02,667 --> 00:49:04,667 TAKE A LOOK AT ME. 1021 00:49:06,733 --> 00:49:08,400 WHAT DID YOU DO? 1022 00:49:13,833 --> 00:49:15,833 OKAY, I'M GOING TO TELL YOU SOMETHING NOW. 1023 00:49:15,867 --> 00:49:16,833 [SNIFFLES] 1024 00:49:16,867 --> 00:49:18,200 OKAY. 1025 00:49:22,900 --> 00:49:24,900 MY LIFE ENDED 20 YEARS AGO, 1026 00:49:24,933 --> 00:49:26,333 WHEN I DESTROYED THE ONE PERSON 1027 00:49:26,367 --> 00:49:28,533 WHO MEANT ANYTHING TO ME IN THE WORLD 1028 00:49:28,567 --> 00:49:31,267 BECAUSE I WAS TOO FUCKING SCARED TO BE HAPPY. 1029 00:49:35,933 --> 00:49:38,800 HE HAD A GOOD CAREER, TOO. 1030 00:49:38,833 --> 00:49:40,433 HE DIDN'T DESERVE TO GO DOWN LIKE THAT. 1031 00:49:47,367 --> 00:49:50,967 ROD SEBRING, RIGHT? 1032 00:49:52,933 --> 00:49:56,100 LOVE OF MY LIFE. 1033 00:50:03,933 --> 00:50:05,433 YOU'RE A FAG. 1034 00:50:07,167 --> 00:50:08,500 YEP. 1035 00:50:08,533 --> 00:50:12,833 CARD-CARRYING MEMBER OF THE COCKSUCKERS' CLUB. 1036 00:50:12,867 --> 00:50:14,100 YEAH. 1037 00:50:18,000 --> 00:50:19,933 WHAT DID YOU DO TO HIM? 1038 00:50:22,567 --> 00:50:24,900 I HAD MY PUBLICIST PLANT AN ITEM IN THE TABLOIDS 1039 00:50:24,933 --> 00:50:27,400 AFTER I CAUGHT HIM FUCKING A P.A. 1040 00:50:33,100 --> 00:50:34,867 CAN'T SAY I BLAME HIM FOR SCREWING THE KID. 1041 00:50:34,900 --> 00:50:36,967 I MEAN, I MADE HIM SO FUCKING MISERABLE. 1042 00:50:37,000 --> 00:50:38,000 WHY WOULD YOU DO THAT 1043 00:50:38,033 --> 00:50:43,200 IF YOU LOVED HIM SO MUCH? 1044 00:50:43,233 --> 00:50:45,733 I LOVED HIM SO MUCH. 1045 00:50:47,533 --> 00:50:49,267 AND NOW I'VE GOT THOUSANDS OF PEOPLE 1046 00:50:49,300 --> 00:50:50,267 KISSING MY ASS. 1047 00:50:50,300 --> 00:50:52,000 EVERYBODY LOVES ME. 1048 00:50:52,033 --> 00:50:54,133 I FUCK WHO I WANT TO FUCK. 1049 00:50:54,167 --> 00:50:55,000 IT'S SECRET. 1050 00:50:55,033 --> 00:50:57,767 ANONYMOUS, YOU KNOW. 1051 00:50:57,800 --> 00:51:00,600 I PAY THEM OR THREATEN THEM TO KEEP QUIET... 1052 00:51:02,767 --> 00:51:04,633 AND I'M ALONE. 1053 00:51:09,567 --> 00:51:10,833 YOU GOT IT RIGHT, GIRL. 1054 00:51:10,867 --> 00:51:12,867 BELIEVE ME. 1055 00:51:16,567 --> 00:51:17,633 I HONESTLY DON'T KNOW 1056 00:51:17,667 --> 00:51:21,267 WHAT THE FUCK I WAS SO AFRAID OF. 1057 00:51:27,600 --> 00:51:32,167 IT'S NOT TOO LATE. 1058 00:51:34,567 --> 00:51:36,667 DO YOU KNOW WHY? 1059 00:51:38,900 --> 00:51:40,900 YOU'RE SO LOVELY. 1060 00:51:44,500 --> 00:51:47,600 I'M AFRAID IT IS TOO LATE, JENNY. 1061 00:51:47,633 --> 00:51:49,800 IT IS, FOR ME. 1062 00:51:49,833 --> 00:51:53,800 I'M NOT LIKE YOU. 1063 00:51:53,833 --> 00:51:58,467 NOW, YOU DO REALIZE, OF COURSE, THAT YOU'RE FIRED. 1064 00:51:58,500 --> 00:52:00,300 PLEASE DON'T FIRE ME. NO. 1065 00:52:00,333 --> 00:52:03,100 I CAN'T BE FIRED FROM ANOTHER JOB. 1066 00:52:03,133 --> 00:52:04,100 [SNIFFLES] 1067 00:52:04,133 --> 00:52:06,267 YOU DON'T WANT TO WORK WITH ME. 1068 00:52:06,300 --> 00:52:07,467 YOU'RE TOO DAMN GOOD 1069 00:52:07,500 --> 00:52:08,933 TO BE CHURNING OUT SOME PRESS KIT PABLUM 1070 00:52:08,967 --> 00:52:10,700 FOR AN OLD CLOSET QUEEN, HMM? 1071 00:52:10,733 --> 00:52:14,100 YOU ARE GOING TO COME UP WITH SOMETHING. 1072 00:52:14,133 --> 00:52:17,200 I FEEL IT RADIATING FROM YOU, 1073 00:52:17,233 --> 00:52:20,533 BUT HEAR THIS-- 1074 00:52:20,567 --> 00:52:24,433 IF YOU'RE EVER TEMPTED, 1075 00:52:24,467 --> 00:52:29,067 AND I READ SOMETHING ABOUT THIS ANYWHERE, 1076 00:52:29,067 --> 00:52:30,367 I WILL HAVE YOU KILLED. 1077 00:52:32,533 --> 00:52:33,933 YOU THINK I'M KIDDING? 1078 00:52:33,967 --> 00:52:34,933 NO. 1079 00:52:34,967 --> 00:52:36,200 GOOD, BECAUSE I'M NOT. 1080 00:52:44,467 --> 00:52:46,200 THEY JUST FINISHED IT THIS MORNING. 1081 00:52:46,233 --> 00:52:48,267 THIS IS WILSON'S ROOM. 1082 00:52:52,500 --> 00:52:57,133 JUN YING HAS ALWAYS WANTED A CANOPY. 1083 00:52:57,167 --> 00:52:59,467 I THINK SHE THINKS SHE'S MARIE ANTOINETTE. 1084 00:52:59,500 --> 00:53:02,833 OH, GOD. LET'S HOPE LADY GUINEVERE OR SOMETHING. 1085 00:53:13,067 --> 00:53:15,400 THEY'RE LUCKY KIDS. 1086 00:53:15,433 --> 00:53:18,433 MM. 1087 00:53:21,333 --> 00:53:23,733 THERE'S ONE MORE. 1088 00:53:23,767 --> 00:53:25,100 ONE MORE? 1089 00:53:27,100 --> 00:53:30,267 FOR YOU... 1090 00:53:30,300 --> 00:53:32,433 AND FOR HER. 1091 00:53:45,200 --> 00:53:47,533 I DON'T KNOW WHAT TO SAY. 1092 00:53:47,567 --> 00:53:51,067 IT'S... IT'S DAZZLING. 1093 00:53:51,067 --> 00:53:53,633 IT IS SO BEAUTIFUL. 1094 00:53:53,667 --> 00:53:58,067 IT IS TRULY AMAZING. I... 1095 00:53:59,600 --> 00:54:01,667 BUT, HELENA... 1096 00:54:07,433 --> 00:54:11,333 IT'S FOR WHEN YOU BOTH STAY. 1097 00:54:11,367 --> 00:54:13,600 I JUST... 1098 00:54:13,633 --> 00:54:17,500 I DID IT BECAUSE I WANTED TO. 1099 00:54:17,533 --> 00:54:19,467 OKAY? 1100 00:54:28,600 --> 00:54:31,967 I HOPE YOU LIKE IT... 1101 00:54:32,067 --> 00:54:33,967 BOTH OF YOU. 1102 00:54:34,067 --> 00:54:35,933 [***] 1103 00:54:50,333 --> 00:54:51,367 WELL, WHAT DO YOU MEAN? 1104 00:54:51,400 --> 00:54:52,467 WHAT KIND OF FASHION SHOW? 1105 00:54:52,500 --> 00:54:54,333 [DANA]: JUST-- JUST HANG ON. 1106 00:54:54,367 --> 00:54:55,600 ALL RIGHT, WELL, DO YOU NEED HELP? 1107 00:54:55,633 --> 00:54:56,800 NO, NO, NO, AL. 1108 00:54:56,833 --> 00:54:58,767 JUST-- GOD, THIS THING'S SO COMPLICATED. 1109 00:54:58,800 --> 00:54:59,767 [THUD] 1110 00:54:59,800 --> 00:55:01,567 OH! 1111 00:55:01,600 --> 00:55:03,800 UH...YOU ALL RIGHT? 1112 00:55:03,833 --> 00:55:05,067 YEAH. 1113 00:55:05,100 --> 00:55:06,067 WHAT IS IT? 1114 00:55:06,100 --> 00:55:07,200 ONE OF THOSE MIU MIU THINGS 1115 00:55:07,233 --> 00:55:10,367 WHERE YOU DON'T KNOW WHERE THE STRAPS GO? 1116 00:55:10,400 --> 00:55:11,200 SORT OF. 1117 00:55:11,233 --> 00:55:12,800 OKAY, ARE YOU READY? 1118 00:55:12,833 --> 00:55:14,133 YEAH, I'M TOTALLY READY. 1119 00:55:14,167 --> 00:55:17,133 DON'T LAUGH, OKAY? 1120 00:55:37,100 --> 00:55:39,467 FUCK. 1121 00:55:41,467 --> 00:55:43,100 WHO'S LAUGHING? 1122 00:55:52,067 --> 00:55:54,900 CAPTIONING PERFORMED BY: 1123 00:55:54,933 --> 00:55:57,667 LINE 21 MEDIA SERVICES LTD. VANCOUVER, B.C. 2005