1
00:00:10,667 --> 00:00:11,567
PREVIOUSLY ON THE L WORD...

2
00:00:11,600 --> 00:00:12,900
ISN'T SHE AMAZING?

3
00:00:18,400 --> 00:00:19,900
THIS DOESN'T MEAN...

4
00:00:19,933 --> 00:00:21,633
WE'RE BACK TOGETHER,
I KNOW.

5
00:00:21,667 --> 00:00:23,133
FOR YOU...

6
00:00:25,267 --> 00:00:27,133
AND FOR HER.

7
00:00:27,167 --> 00:00:28,833
I JUST...

8
00:00:28,867 --> 00:00:31,100
DID IT BECAUSE
I WANTED TO.

9
00:00:31,133 --> 00:00:32,367
WHEN IS BENJAMIN
COMING IN?

10
00:00:32,400 --> 00:00:33,533
TOMORROW AT 6:00.

11
00:00:33,567 --> 00:00:35,733
HE'S GOING TO CHECK IN
AT THE HOTEL,

12
00:00:35,767 --> 00:00:36,967
THEN HEAD OVER HERE.

13
00:00:37,000 --> 00:00:38,267
IT'S YOUR FAMILY...

14
00:00:38,300 --> 00:00:41,500
AND YOU HAVE TO BE THERE
FOR THEM.

15
00:00:43,067 --> 00:00:44,400
DON'T LAUGH, OKAY?

16
00:00:47,767 --> 00:00:51,033
WHO'S LAUGHING?

17
00:00:51,067 --> 00:00:52,167
YOU'RE IN
DIRECT VIOLATION

18
00:00:52,200 --> 00:00:53,133
OF YOUR CONTRACT,
OKAY?

19
00:00:53,167 --> 00:00:54,167
AND I EXPECT YOU

20
00:00:54,200 --> 00:00:55,667
TO RETURN
EVERY PENNY

21
00:00:55,700 --> 00:00:57,067
OF THE MONEY
I ADVANCED YOU.

22
00:01:01,067 --> 00:01:02,100
YOU DON'T...

23
00:01:02,133 --> 00:01:04,067
THINK YOU AND JENNY
ARE THE REAL DEAL?

24
00:01:04,067 --> 00:01:05,300
NO.

25
00:01:05,333 --> 00:01:06,967
JENNY WOULDN'T KNOW
WHAT THE REAL DEAL WAS

26
00:01:07,067 --> 00:01:09,167
IF IT BIT HER
IN THE ASS.

27
00:01:12,233 --> 00:01:14,067
[FOGHORN BLOWS]

28
00:01:51,467 --> 00:01:53,267
GO ON, ASK HER.

29
00:01:54,933 --> 00:01:56,567
NO, YOU.

30
00:01:56,600 --> 00:01:58,933
I JUST WANT TO GET
MY BOOK SIGNED.

31
00:02:02,233 --> 00:02:04,600
MISS SPARKLE...

32
00:02:04,633 --> 00:02:08,233
I THINK I'VE ONLY HAD
THREE CLASSES OF ORGASMS.

33
00:02:08,267 --> 00:02:11,067
HOW DO I GET
TO THE SIXTH OR SEVENTH?

34
00:02:11,067 --> 00:02:12,133
YOU NEED TO EXPERIMENT.

35
00:02:12,167 --> 00:02:15,133
TRY A NEW LOVER. TRY SEVERAL.

36
00:02:15,167 --> 00:02:16,233
BUT IN YOUR BOOK--

37
00:02:16,267 --> 00:02:17,433
SHH...

38
00:02:47,933 --> 00:02:49,633
[MURMURING, APPLAUSE]

39
00:02:53,567 --> 00:02:54,967
THAT WAS DIVINE.

40
00:02:55,067 --> 00:02:56,433
DO YOU TAKE REQUESTS?

41
00:02:56,467 --> 00:02:58,100
WELL, WHAT'S YOUR DESIRE?

42
00:02:58,133 --> 00:03:00,267
YOUR PLEASURE.

43
00:03:04,900 --> 00:03:07,367
[SINGS IN FRENCH]

44
00:03:21,067 --> 00:03:23,367
YOU READY FOR NUMBER FOUR?

45
00:03:39,333 --> 00:03:41,500
[SIGHS DEEPLY]

46
00:03:41,533 --> 00:03:43,900
[MOANING]

47
00:03:43,933 --> 00:03:45,600
[***]

48
00:03:49,233 --> 00:03:52,167
[MOANS QUICKEN AND DEEPEN]

49
00:03:54,933 --> 00:03:56,100
OH, MY GOD.

50
00:03:56,133 --> 00:03:57,733
YEAH. YES.

51
00:03:57,767 --> 00:03:59,867
YEAH. YEAH. YEAH!

52
00:03:59,900 --> 00:04:01,333
OH, OH...

53
00:04:01,367 --> 00:04:02,433
YEAH!

54
00:04:02,467 --> 00:04:05,733
OH... OH...

55
00:04:05,767 --> 00:04:07,433
YEAH, DON'T STOP.
DON'T STOP.

56
00:04:07,467 --> 00:04:09,200
DON'T STOP! DON'T STOP!

57
00:04:09,233 --> 00:04:14,467
[SCREAMS]

58
00:04:14,500 --> 00:04:17,067
[GASPS, SHIVERS]

59
00:04:22,867 --> 00:04:29,167
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *

60
00:04:29,200 --> 00:04:35,700
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *

61
00:04:35,733 --> 00:04:41,867
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *

62
00:04:41,900 --> 00:04:49,200
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *

63
00:04:56,067 --> 00:04:57,633
* TALKING, LAUGHING
LOVING, BREATHING *

64
00:04:57,667 --> 00:04:59,633
* FIGHTING, FUCKING
CRYING, DRINKING *

65
00:04:59,667 --> 00:05:00,867
* WRITING, WINNING
LOSING, CHEATING *

66
00:05:00,900 --> 00:05:02,400
* KISSING, THINKING, DREAMING

67
00:05:02,433 --> 00:05:04,400
* THIS IS THE WAY...

68
00:05:04,433 --> 00:05:07,233
* THIS IS THE WAY
THAT WE LIVE *

69
00:05:07,267 --> 00:05:12,767
* IT'S THE WAY THAT WE LIVE

70
00:05:12,800 --> 00:05:16,467
* AND LOVE *

71
00:05:19,900 --> 00:05:24,933
[JENNY]: MY NAME IS MARY,
AND I'M 14 YEARS OLD,

72
00:05:24,967 --> 00:05:27,333
AND I'M A VIRGIN.

73
00:05:27,367 --> 00:05:28,833
MY PUSSY'S NEVER
BEEN TOUCHED

74
00:05:28,867 --> 00:05:31,067
BY A BIG COCK BEFORE,

75
00:05:31,067 --> 00:05:33,567
AND I WANT YOU
TO FUCK ME.

76
00:05:33,600 --> 00:05:35,867
HERE'S MY PUSSY.

77
00:05:35,900 --> 00:05:38,800
I WANT YOU...

78
00:05:38,833 --> 00:05:41,800
TO TAKE
YOUR BIG COCK,

79
00:05:41,833 --> 00:05:45,133
AND I WANT YOU TO SHOVE IT
UP MY ASS.

80
00:05:45,167 --> 00:05:47,633
A BOY HAS NEVER SEEN
MY TITS BEFORE.

81
00:05:47,667 --> 00:05:49,467
[KNOCKING]

82
00:05:49,500 --> 00:05:51,233
JENNY?

83
00:05:51,267 --> 00:05:53,933
COME IN.

84
00:05:56,267 --> 00:05:58,233
JENNY, YOU HAVE NO IDEA WHAT'S--

85
00:06:01,500 --> 00:06:03,700
NO, THIS IS NOT
WHAT I WANT.

86
00:06:03,733 --> 00:06:06,067
JENNY, YOU HAVE THE WRONG IDEA
ABOUT THIS.

87
00:06:06,067 --> 00:06:07,967
PLEASE...

88
00:06:09,767 --> 00:06:11,733
IS THAT MY CAMERA?

89
00:06:11,767 --> 00:06:13,067
YEAH,
AND I'M GOING TO USE IT NOW.

90
00:06:13,067 --> 00:06:14,200
THAT'S MY TAPE

91
00:06:14,233 --> 00:06:16,067
OF SHANE AND CARMEN.

92
00:06:16,067 --> 00:06:17,333
I DON'T REALLY THINK
THAT'S YOUR TAPE.

93
00:06:19,267 --> 00:06:20,467
LOOK...

94
00:06:20,500 --> 00:06:21,933
I KNOW WHAT YOU THINK OF ME
RIGHT NOW.

95
00:06:21,967 --> 00:06:24,867
I KNOW THAT I DON'T HAVE
A VERY GOOD TRACK RECORD WITH--

96
00:06:24,900 --> 00:06:26,633
YOU HAVE VIOLATED US.

97
00:06:26,667 --> 00:06:27,667
I WANT TO MAKE A DOCUMENTARY.

98
00:06:27,700 --> 00:06:28,867
YOU ARE VIOLATING US.
I KNOW.

99
00:06:28,900 --> 00:06:32,533
YOU HAVE CROSSED
EVERY LINE OF TRUST,

100
00:06:32,567 --> 00:06:34,533
AND DON'T YOU DARE
TELL ME

101
00:06:34,567 --> 00:06:36,067
THIS WAS FOR THE SAKE OF ART.

102
00:06:36,067 --> 00:06:37,067
PLEASE...

103
00:06:37,067 --> 00:06:38,500
WATCH MY DOCUMENTARY.

104
00:06:38,533 --> 00:06:39,533
YOU KNOW ME.

105
00:06:39,567 --> 00:06:40,600
YOU'LL UNDERSTAND.

106
00:06:40,633 --> 00:06:42,233
IT'S NOT WHAT
YOU THINK IT IS.

107
00:06:42,267 --> 00:06:44,067
I KNOW THAT I
CROSSED THE LINE.

108
00:06:44,067 --> 00:06:45,700
I KNOW THAT I WENT
TOO FAR WITH THIS.

109
00:06:45,733 --> 00:06:47,300
LOOK, WHEN I MOVED HERE,

110
00:06:47,333 --> 00:06:48,900
THIS WAS JUST SOMETHING
I DID, YOU KNOW?

111
00:06:48,933 --> 00:06:49,900
BUT YOU HAVE TO KNOW--

112
00:06:49,933 --> 00:06:52,667
DO YOU HAVE ANY SISTERS?

113
00:06:54,333 --> 00:06:56,133
YES, I HAVE TWO YOUNGER SISTERS.

114
00:06:56,167 --> 00:06:57,767
OKAY.

115
00:06:57,800 --> 00:06:59,100
I WANT YOU
TO ASK THEM

116
00:06:59,133 --> 00:07:01,067
A QUESTION...

117
00:07:02,900 --> 00:07:04,300
AND THE MOST IMPORTANT THING

118
00:07:04,333 --> 00:07:07,333
IS THAT YOU REALLY LISTEN
TO THEIR ANSWER.

119
00:07:07,367 --> 00:07:10,267
I WANT YOU TO ASK YOUR SISTERS

120
00:07:10,300 --> 00:07:12,267
ABOUT THE VERY
FIRST TIME

121
00:07:12,300 --> 00:07:13,933
THAT THEY WERE
INTRUDED UPON

122
00:07:13,967 --> 00:07:15,600
BY SOME MAN,
OR A BOY.

123
00:07:17,667 --> 00:07:18,933
WHAT MAKES YOU THINK

124
00:07:18,967 --> 00:07:20,233
THAT MY SISTERS
HAVE BEEN INTRUDED UPON?

125
00:07:20,267 --> 00:07:21,733
BECAUSE THERE ISN'T
A SINGLE GIRL OR WOMAN

126
00:07:21,767 --> 00:07:22,833
IN THIS WORLD

127
00:07:22,867 --> 00:07:24,733
THAT HASN'T BEEN INTRUDED UPON,

128
00:07:24,767 --> 00:07:26,967
AND SOMETIMES,
IT'S RELATIVELY BENIGN,

129
00:07:27,067 --> 00:07:28,367
AND SOMETIMES,

130
00:07:28,400 --> 00:07:30,800
IT'S SO FUCKING
PAINFUL

131
00:07:30,833 --> 00:07:32,733
THAT YOU...

132
00:07:32,767 --> 00:07:35,100
HAVE NO IDEA...

133
00:07:35,133 --> 00:07:38,200
WHAT THIS FEELS LIKE.

134
00:07:43,233 --> 00:07:44,433
FOR WHAT IT'S WORTH,

135
00:07:44,467 --> 00:07:45,833
I ALREADY BEGAN
TAKING DOWN THE CAMERAS,

136
00:07:45,867 --> 00:07:47,267
AND I WILL FINISH
TAKING DOWN THE REST OF THEM

137
00:07:47,300 --> 00:07:48,367
TODAY.

138
00:07:48,400 --> 00:07:50,600
I'M GOING TO GO TELL SHANE NOW
WHAT I'VE DONE.

139
00:07:50,633 --> 00:07:51,767
YOU GUYS CAN TALK--
NO.

140
00:07:51,800 --> 00:07:52,900
YOU DON'T EVER HAVE TO
SPEAK TO ME AGAIN.

141
00:07:52,933 --> 00:07:53,967
I'M GOING TO
PACK MY SHIT AND--

142
00:07:54,067 --> 00:07:55,433
I SAID NO.

143
00:07:55,467 --> 00:07:58,300
YOU'RE NOT GOING TO
TALK TO CARMEN,

144
00:07:58,333 --> 00:08:00,200
AND YOU'RE NOT GOING TO
TALK TO SHANE.

145
00:08:00,233 --> 00:08:02,867
YOU'RE NOT GOING TO WRECK
THEIR VACATION

146
00:08:02,900 --> 00:08:03,967
AND FUCK
WITH THEIR LIVES

147
00:08:04,067 --> 00:08:05,567
ANYMORE.

148
00:08:05,600 --> 00:08:07,833
I'M GOING TO DECIDE...

149
00:08:07,867 --> 00:08:10,867
WHEN YOU CAN TAKE
THOSE RAPEY CAMERAS DOWN.

150
00:08:13,567 --> 00:08:16,800
NOW, GET THE FUCK
OUT OF MY ROOM.

151
00:08:28,933 --> 00:08:30,267
THERE YOU GO.

152
00:08:30,300 --> 00:08:31,300
THANK YOU.

153
00:08:34,567 --> 00:08:36,133
YEAH, THANKS.

154
00:08:36,167 --> 00:08:39,067
AND WHAT WOULD YOU LIKE TODAY?

155
00:08:39,100 --> 00:08:40,600
I'LL HAVE
AN ORGANIC SALAD

156
00:08:40,633 --> 00:08:42,533
AND A CAFE AMERICANO.

157
00:08:42,567 --> 00:08:44,067
OKAY.

158
00:08:44,067 --> 00:08:46,600
OKAY, HERE YOU ARE.

159
00:08:46,633 --> 00:08:48,300
THANKS.

160
00:08:48,333 --> 00:08:49,767
AND WHAT WOULD YOU LIKE?

161
00:08:49,800 --> 00:08:50,933
I'D LIKE TO KNOW

162
00:08:50,967 --> 00:08:55,633
IF THE LADY WILL
JOIN ME FOR LUNCH.

163
00:08:55,667 --> 00:08:57,367
BENJAMIN,
I'M REALLY BUSY.

164
00:08:59,633 --> 00:09:01,067
AND WHAT WOULD YOU LIKE?

165
00:09:01,100 --> 00:09:02,500
THEN DINNER...

166
00:09:02,533 --> 00:09:05,667
FOLLOWED BY
BREAKFAST IN BED.

167
00:09:14,367 --> 00:09:17,067
YOU'RE LISTENING TO KCRW.

168
00:09:17,100 --> 00:09:19,633
THIS IS ALICE PIESZECKI
OF THE CHART.

169
00:09:19,667 --> 00:09:21,433
[PLAYS THREE NOTES]

170
00:09:21,467 --> 00:09:24,167
UH, TODAY, MY SPECIAL GUEST
ON THE CHART

171
00:09:24,200 --> 00:09:25,633
IS MY GIRLFRIEND,
DANA FAIRBANKS.

172
00:09:25,667 --> 00:09:27,067
NOW, DANA--
HI.

173
00:09:27,100 --> 00:09:28,300
OKAY.

174
00:09:28,333 --> 00:09:30,067
UH, WHO IS RESPONSIBLE

175
00:09:30,100 --> 00:09:31,800
FOR TODAY'S PIECE
OF INTERCONNECTEDNESS.

176
00:09:31,833 --> 00:09:33,767
DANA GOT INVITED
TO SPEAK

177
00:09:33,800 --> 00:09:35,667
ON THE LIFESTYLE
LEADERSHIP PANEL

178
00:09:35,700 --> 00:09:36,967
ON AN OLIVIA CRUISE
FOR WOMEN--

179
00:09:37,067 --> 00:09:38,267
FOR GAY WOMEN,
ACTUALLY.

180
00:09:38,300 --> 00:09:39,267
OKAY.

181
00:09:39,300 --> 00:09:40,767
IT'S CALLED

182
00:09:40,800 --> 00:09:42,833
LESBIAN DYNAMICS:
LOVE AND FRIENDSHIP,

183
00:09:42,867 --> 00:09:46,100
AND IT'S GOING TO BE ME,
AND PHOEBE SPARKLE, AND--

184
00:09:46,133 --> 00:09:47,133
SORRY.

185
00:09:47,167 --> 00:09:49,100
DANA, I'M NOT REALLY
READY TO GO THERE YET.

186
00:09:49,133 --> 00:09:50,167
[CLEARS THROAT]

187
00:09:50,200 --> 00:09:51,433
SO SHE'S TAKING ME,

188
00:09:51,467 --> 00:09:55,067
AND ALSO OUR FRIENDS
JENNY, SHANE, AND CARMEN.

189
00:09:55,067 --> 00:09:56,733
NOW, JUST TO DIGRESS
FOR A MINUTE

190
00:09:56,767 --> 00:09:59,367
INTO LESBIAN LINKAGE 101,

191
00:09:59,400 --> 00:10:01,633
ORIGINALLY,
SHANE AND CARMEN HOOKED UP,

192
00:10:01,667 --> 00:10:04,467
BUT NOW CARMEN IS SEEING JENNY,

193
00:10:04,500 --> 00:10:06,700
WHO'S TOTALLY
COMING OUT OF THE CLOSET.

194
00:10:06,733 --> 00:10:08,233
YOU CAN'T
TELL THEM THAT, ALICE.

195
00:10:08,267 --> 00:10:11,700
UM, ANYWAY, BACK TO THE BIG WEB
OF CONNECTIVITY.

196
00:10:13,367 --> 00:10:15,800
ONE OF MY MAJOR IDOLS,
PHOEBE SPARKLE,

197
00:10:15,833 --> 00:10:18,567
A BRILLIANT WRITER
AND ACCLAIMED SEXPERT--

198
00:10:18,600 --> 00:10:20,200
AND SHE'S
A VERY NICE--

199
00:10:20,233 --> 00:10:21,933
WHAT SHE, UH,
IS GOING TO BE DOING

200
00:10:21,967 --> 00:10:23,967
IS SPEAKING ON THE PANEL
WITH DANA.

201
00:10:26,300 --> 00:10:28,167
[JENNY]: HI, MOM.

202
00:10:28,200 --> 00:10:29,967
AS YOU CAN SEE,

203
00:10:30,000 --> 00:10:32,200
I HAVE
ALL OUR FAMILY PICTURES HERE,

204
00:10:32,233 --> 00:10:35,033
AND I'M VIDEOTAPING THIS,

205
00:10:35,067 --> 00:10:37,433
BECAUSE I HAVE
A COUPLE OF QUESTIONS FOR YOU

206
00:10:37,467 --> 00:10:40,367
ABOUT ZAYDA.

207
00:10:40,400 --> 00:10:45,233
I WOULD LIKE TO KNOW
IF ZAYDA LOST HIS MIND

208
00:10:45,267 --> 00:10:48,300
WHEN HE BEGAN
TO TRANSCRIBE THE TORAH BY HAND,

209
00:10:48,333 --> 00:10:53,300
OR DID THAT CAUSE HIM
TO LOSE HIS MIND?

210
00:10:53,333 --> 00:10:57,300
DO YOU REMEMBER
THE DAY THEY TOOK HIM AWAY?

211
00:10:57,333 --> 00:11:00,467
AND THEN I WANTED
TO ASK YOU QUESTIONS

212
00:11:00,500 --> 00:11:02,700
ABOUT GRANDMA,

213
00:11:02,733 --> 00:11:04,700
OR GRANDMA,
IF YOU'RE WATCHING THIS,

214
00:11:04,733 --> 00:11:06,567
I WANTED TO ASK YOU QUESTIONS

215
00:11:06,600 --> 00:11:09,067
ABOUT YOUR EXPERIENCE
IN AUSCHWITZ.

216
00:11:09,067 --> 00:11:10,733
I WANTED TO KNOW

217
00:11:10,767 --> 00:11:13,067
IF WHEN YOU ARRIVED
IN AUSCHWITZ,

218
00:11:13,067 --> 00:11:15,700
DID THEY SEPARATE YOU
FROM YOUR DAUGHTER?

219
00:11:15,733 --> 00:11:19,600
AND I WANTED TO KNOW

220
00:11:19,633 --> 00:11:21,167
IF YOU REMEMBER THE NAME
OF THE UNTERSCHARFUHRER

221
00:11:21,200 --> 00:11:23,167
WHO TOOK YOUR ARM

222
00:11:23,200 --> 00:11:26,500
AND BRANDED YOU
WITH THAT TATTOO.

223
00:11:26,533 --> 00:11:29,333
DO YOU REMEMBER HIS EYES?

224
00:11:29,367 --> 00:11:33,967
DO YOU REMEMBER
IF HE USED A STEEL PLATE...

225
00:11:34,067 --> 00:11:35,200
[KNOCKING]

226
00:11:35,233 --> 00:11:38,867
OR DID HE USE A NEEDLE?

227
00:11:38,900 --> 00:11:40,900
I'M REALLY SORRY
TO INTERRUPT.

228
00:11:40,933 --> 00:11:41,967
I JUST...

229
00:11:42,067 --> 00:11:43,133
WANTED TO SAY HELLO
TO YOU,

230
00:11:43,167 --> 00:11:44,133
BUT YOU KNOW WHAT?

231
00:11:44,167 --> 00:11:45,200
I CAN COME BACK
AT ANOTHER TIME

232
00:11:45,233 --> 00:11:46,200
IF, UM--

233
00:11:46,233 --> 00:11:47,300
NO, IT'S OKAY.

234
00:11:47,333 --> 00:11:48,300
ARE YOU SURE?
YEAH.

235
00:11:48,333 --> 00:11:50,133
I'M JUST WORKING ON A...

236
00:11:50,167 --> 00:11:51,900
PROJECT ABOUT MY FAMILY.

237
00:11:51,933 --> 00:11:53,400
WOW.

238
00:11:53,433 --> 00:11:54,933
THIS IS MY FAMILY.

239
00:11:54,967 --> 00:11:56,233
OH, MY GOODNESS.

240
00:11:56,267 --> 00:11:58,067
AND I'M MAKING A TAPE
FOR MY MOM.

241
00:11:58,067 --> 00:12:01,500
SAY HI TO MY FRIEND
CARMEN.

242
00:12:01,533 --> 00:12:04,900
UM, HELLO,
MRS. SCHECTER.

243
00:12:04,933 --> 00:12:07,433
AND THAT IS MY MOM.

244
00:12:07,467 --> 00:12:11,667
SHE'S BEAUTIFUL.

245
00:12:11,700 --> 00:12:13,500
OH...

246
00:12:13,533 --> 00:12:14,833
UM...

247
00:12:14,867 --> 00:12:15,933
HAVE YOU PACKED?

248
00:12:15,967 --> 00:12:17,067
NO.

249
00:12:17,067 --> 00:12:18,367
DO YOU WANT ME
TO HELP YOU START

250
00:12:18,400 --> 00:12:19,333
OR SOMETHING?

251
00:12:19,367 --> 00:12:20,667
I TOTALLY FORGOT.

252
00:12:20,700 --> 00:12:24,267
I'VE JUST BEEN SO
ENGROSSED IN THIS PROJECT,

253
00:12:24,300 --> 00:12:25,633
AND I'M REALLY
INTO IT, SO...

254
00:12:25,667 --> 00:12:27,067
[SNIFFLES]

255
00:12:27,067 --> 00:12:28,433
I'VE DECIDED I'M NOT
COMING ON THE TRIP.

256
00:12:28,467 --> 00:12:30,367
I WANT YOU TO GO AWAY
WITH SHANE.

257
00:12:30,400 --> 00:12:32,067
WHAT?

258
00:12:32,067 --> 00:12:33,267
YEP.

259
00:12:33,300 --> 00:12:34,500
WITH SHANE? WHY--

260
00:12:34,533 --> 00:12:36,133
YEAH, BECAUSE I THINK

261
00:12:36,167 --> 00:12:38,133
YOU GUYS WILL HAVE A BLAST
TOGETHER.

262
00:12:38,167 --> 00:12:39,633
JENNY,
ABSOLUTELY NOT.

263
00:12:39,667 --> 00:12:42,233
YOU ARE NOT GOING TO
PULL OUT OF THIS.

264
00:12:42,267 --> 00:12:43,233
YOU KNOW--

265
00:12:43,267 --> 00:12:44,300
NO EXCUSES. NO.
YOU'RE COMING.

266
00:12:44,333 --> 00:12:46,067
THIS IS NOT AN EXCUSE.

267
00:12:46,067 --> 00:12:47,333
WHEN BURR CONNOR FIRED ME,
HE JUST...

268
00:12:47,367 --> 00:12:48,633
THE BEST THING
THAT CAME OUT OF THAT EXPERIENCE

269
00:12:48,667 --> 00:12:50,067
WAS HE WAS, LIKE,

270
00:12:50,067 --> 00:12:51,667
"YOU'VE GOT TO TELL THE TRUTH
ABOUT YOUR LIFE,

271
00:12:51,700 --> 00:12:53,700
AND YOU HAVE TO BE TRUTHFUL
ABOUT YOUR WORK,"

272
00:12:53,733 --> 00:12:54,933
AND THAT'S ALL I WANT TO DO,

273
00:12:54,967 --> 00:12:56,367
IS JUST TELL THE FUCKING TRUTH,
AND--

274
00:12:56,400 --> 00:12:57,967
ALL RIGHT, OKAY,
FINE, FINE, FINE.

275
00:12:58,067 --> 00:12:59,567
WELL, HERE'S A TRUTH.

276
00:12:59,600 --> 00:13:00,933
I WOULD LIKE TO GO
WITH MY GIRLFRIEND,

277
00:13:00,967 --> 00:13:03,067
SO, YOU KNOW--

278
00:13:03,067 --> 00:13:04,567
WHO'S THAT?

279
00:13:06,133 --> 00:13:08,467
IT'S YOU.

280
00:13:08,500 --> 00:13:10,900
PLEASE JUST TELL ME THE TRUTH.

281
00:13:12,500 --> 00:13:14,067
YES, DO YOU THINK

282
00:13:14,100 --> 00:13:16,067
WE COULD PULL
THESE STRAPS UP

283
00:13:16,100 --> 00:13:17,167
A LITTLE?

284
00:13:17,200 --> 00:13:19,600
BECAUSE THIS...

285
00:13:19,633 --> 00:13:21,833
IS WHAT I WANT
TO SEE.

286
00:13:21,867 --> 00:13:23,567
NO PROBLEM AT ALL.

287
00:13:23,600 --> 00:13:25,267
GOOD.

288
00:13:25,300 --> 00:13:26,633
WE'LL TAKE IT.

289
00:13:26,667 --> 00:13:29,267
CAN YOU EXCUSE US FOR A MINUTE,
PLEASE?

290
00:13:29,300 --> 00:13:30,400
OF COURSE.

291
00:13:30,433 --> 00:13:31,300
THANKS.

292
00:13:32,833 --> 00:13:34,600
THIS IS A $5,000 DRESS.

293
00:13:34,633 --> 00:13:36,400
THEY'RE GIVING ME
AN AWARD

294
00:13:36,433 --> 00:13:38,067
FOR COMMUNITY SERVICE.

295
00:13:38,067 --> 00:13:39,467
I DON'T WANT TO SHOW UP
IN SOME SORT OF...

296
00:13:39,500 --> 00:13:42,367
EXTRAVAGANT,
OVER-THE-TOP GOWN.

297
00:13:42,400 --> 00:13:45,467
THAT MONEY CAN BE USED
IN SO MANY OTHER WAYS.

298
00:13:48,833 --> 00:13:52,233
TINA, PLEASE,
DON'T TELL ME

299
00:13:52,267 --> 00:13:55,267
WHAT I CAN AND CANNOT
SPEND MY OWN MONEY ON.

300
00:13:55,300 --> 00:13:57,867
DO YOU KNOW
HOW MUCH MONEY

301
00:13:57,900 --> 00:14:00,700
I PERSONALLY GIVE AWAY
EVERY YEAR?

302
00:14:00,733 --> 00:14:02,600
HOW MANY CHARITIES

303
00:14:02,633 --> 00:14:05,300
THE PEABODY FOUNDATION
SPONSORS?

304
00:14:05,333 --> 00:14:07,067
I MEAN...

305
00:14:07,067 --> 00:14:09,900
IT WOULD GIVE ME
THE UTMOST PLEASURE

306
00:14:09,933 --> 00:14:12,133
TO BUY YOU THIS DRESS,

307
00:14:12,167 --> 00:14:14,733
SO, PLEASE...

308
00:14:14,767 --> 00:14:17,833
BE GRACIOUS ENOUGH
TO LET ME.

309
00:14:24,133 --> 00:14:25,833
WE'LL TAKE IT.

310
00:14:28,067 --> 00:14:30,433
DID I MENTION
I INVITED BETTE?

311
00:14:31,867 --> 00:14:33,500
WHAT?

312
00:14:33,533 --> 00:14:36,067
HEY, SHANE,
COME HERE.

313
00:14:37,700 --> 00:14:39,333
HEY.

314
00:14:39,367 --> 00:14:40,467
OKAY, I HAVE
SOMETHING TO TELL YOU.

315
00:14:40,500 --> 00:14:41,733
THIS ONE RIGHT HERE,

316
00:14:41,767 --> 00:14:42,733
SHE DOESN'T
WANT TO GO.

317
00:14:42,767 --> 00:14:44,133
WHAT?

318
00:14:44,167 --> 00:14:45,633
NOT GOING.

319
00:14:45,667 --> 00:14:46,867
YOU'RE GOING ON THAT CRUISE.

320
00:14:46,900 --> 00:14:47,867
I'M NOT GOING.

321
00:14:47,900 --> 00:14:48,867
YES, YOU ARE.

322
00:14:48,900 --> 00:14:50,067
NO, I'M NOT.

323
00:14:50,100 --> 00:14:51,400
I DON'T WANT TO.

324
00:14:51,433 --> 00:14:52,633
YOU KNOW WHY?

325
00:14:52,667 --> 00:14:53,833
I'M ACTUALLY WORKING
ON SOMETHING

326
00:14:53,867 --> 00:14:55,167
THAT'S IMPORTANT
TO ME,

327
00:14:55,200 --> 00:14:56,500
AND I JUST DON'T WANT TO
FUCK AROUND ANYMORE,

328
00:14:56,533 --> 00:14:57,833
AND I WANT TO BE SERIOUS

329
00:14:57,867 --> 00:14:59,200
ABOUT MY WORK.

330
00:14:59,233 --> 00:15:00,933
FUCK IT.

331
00:15:00,967 --> 00:15:02,767
IF YOU'RE NOT GOING,
I'M NOT GOING.

332
00:15:02,800 --> 00:15:03,867
WHAT?

333
00:15:03,900 --> 00:15:05,067
WAIT A MINUTE!

334
00:15:05,067 --> 00:15:06,100
NO, COME BACK HERE.

335
00:15:06,133 --> 00:15:07,733
IF YOU DON'T GO
AND IF YOU DON'T GO,

336
00:15:07,767 --> 00:15:08,900
THEN I'M NOT
GOING TO GO,

337
00:15:08,933 --> 00:15:10,333
AND I WANTED TO GO,

338
00:15:10,367 --> 00:15:11,633
AND I GUESS
DANA AND ALICE

339
00:15:11,667 --> 00:15:12,967
ARE JUST GOING TO
HAVE TO BE PISSED,

340
00:15:13,067 --> 00:15:14,067
BECAUSE NO ONE'S
GOING TO GO.

341
00:15:14,067 --> 00:15:15,133
OH, MY GOD!

342
00:15:15,167 --> 00:15:16,133
I'M NOT GOING TO GO!

343
00:15:16,167 --> 00:15:18,933
I'M GOING TO GO.
I'M GOING TO GO.

344
00:15:18,967 --> 00:15:20,567
I'M GOING TO GO.
WE'RE GOING TO--

345
00:15:20,600 --> 00:15:24,367
WE'RE GOING TO BE
A FUCKING THREESOME, MAN.

346
00:15:27,100 --> 00:15:28,133
ALL RIGHT,

347
00:15:28,167 --> 00:15:29,300
BUT WE'RE BOTH
STILL TAKING GINGER,

348
00:15:29,333 --> 00:15:31,067
NO MATTER WHAT, ALL RIGHT?

349
00:15:31,100 --> 00:15:32,500
OH, AND JUST IN CASE,

350
00:15:32,533 --> 00:15:34,500
I'VE GOT THESE TWO THINGS
FOR SEASICKNESS.

351
00:15:34,533 --> 00:15:36,067
YOU'RE NOT GOING
TO GET SEASICK.

352
00:15:36,067 --> 00:15:37,233
THERE'S NO REASON FOR BOTH OF US

353
00:15:37,267 --> 00:15:40,067
TO TAKE THINGS LIKE TOOTHPASTE,
OR...

354
00:15:40,100 --> 00:15:42,100
RAZORS,

355
00:15:42,133 --> 00:15:44,833
OR Q-TIPS, OR HAND SANITIZER.

356
00:15:44,867 --> 00:15:46,200
AL?

357
00:15:46,233 --> 00:15:47,267
HMM?

358
00:15:47,300 --> 00:15:49,067
WHAT'S WRONG?

359
00:15:51,067 --> 00:15:52,267
NOTHING.

360
00:15:53,633 --> 00:15:55,167
YES, THERE IS.

361
00:15:55,200 --> 00:15:56,233
OKAY,

362
00:15:56,267 --> 00:15:57,600
LET'S JUST WORK THIS OUT

363
00:15:57,633 --> 00:15:59,100
BEFORE WE GET ON THE GIANT BOAT
THAT SINKS WITH YOU MAD AT ME.

364
00:16:00,867 --> 00:16:02,600
ALICE...

365
00:16:04,500 --> 00:16:06,800
LOOK, I AM A WRECK
ABOUT THIS CRUISE,

366
00:16:06,833 --> 00:16:08,533
AND YOU'RE NOT HELPING.

367
00:16:08,567 --> 00:16:11,100
HOW WOULD YOU FEEL, DANA,
IF I CAME DOWN

368
00:16:11,133 --> 00:16:14,067
AND I JUST INTERRUPTED
ONE OF YOUR MATCHES, OR...

369
00:16:15,833 --> 00:16:18,267
CORRECTED ONE OF YOUR SHOTS?

370
00:16:20,467 --> 00:16:21,467
OKAY.

371
00:16:21,500 --> 00:16:22,633
IS THIS ABOUT ME
TALKING ON YOUR SHOW?

372
00:16:22,667 --> 00:16:23,633
YOU WEREN'T TALKING.

373
00:16:23,667 --> 00:16:24,800
YOU WERE INTERRUPTING ME,

374
00:16:24,833 --> 00:16:26,700
AND YOU DIDN'T EVEN
RESPECT THE FACT

375
00:16:26,733 --> 00:16:28,300
THAT IT WAS MY GIG,

376
00:16:28,333 --> 00:16:30,667
AND I FEEL LIKE
I'M ALWAYS THERE FOR YOU.

377
00:16:40,400 --> 00:16:43,067
I'M REALLY SORRY.

378
00:16:56,800 --> 00:16:58,467
I'M SUCH AN ASS.

379
00:16:58,500 --> 00:16:59,733
IT'S ALL RIGHT.

380
00:16:59,767 --> 00:17:01,200
SORRY, I JUST HATE
THESE CRUISES.

381
00:17:01,233 --> 00:17:04,267
I JUST GET REALLY SEASICK
AND SCARED, YOU KNOW?

382
00:17:06,400 --> 00:17:07,500
YOU DON'T HAVE TO BE
THAT SCARED.

383
00:17:07,533 --> 00:17:08,667
I'M GOING TO BE THERE

384
00:17:08,700 --> 00:17:09,967
TO TAKE CARE
OF YOU, BABY.

385
00:17:10,067 --> 00:17:12,467
MM.

386
00:17:12,500 --> 00:17:13,867
LOOK AT IT THIS WAY--

387
00:17:13,900 --> 00:17:16,767
NO ONE EVER GOT SICK
ON THE LOVE BOAT.

388
00:17:16,800 --> 00:17:18,100
ACTUALLY, THAT'S NOT TRUE.

389
00:17:18,133 --> 00:17:20,833
COREY PARKER,
WHO PLAYED THE SHIP'S DOCTOR,

390
00:17:20,867 --> 00:17:21,933
HE WAS HORRIBLY SEASICK.

391
00:17:21,967 --> 00:17:23,233
NO, NO, NO.

392
00:17:23,267 --> 00:17:24,667
THE SHIP'S DOCTOR
WAS BERNIE KOPELL.

393
00:17:24,700 --> 00:17:26,167
DR. ADAM BRICKER.

394
00:17:26,200 --> 00:17:27,400
RIGHT, AND THEN
COREY PARKER

395
00:17:27,433 --> 00:17:31,067
PLAYED DR. JOHN MORGAN,
HIS REPLACEMENT.

396
00:17:31,067 --> 00:17:32,367
IT WAS THE SEQUEL,

397
00:17:32,400 --> 00:17:33,467
LOVE BOAT:
THE NEXT WAVE.

398
00:17:33,500 --> 00:17:34,967
WELL, YEAH,
BUT THAT DOESN'T COUNT.

399
00:17:35,067 --> 00:17:38,267
I MEAN, IF IT DOESN'T HAVE
GOPHER AND ISAAC WASHINGTON

400
00:17:38,300 --> 00:17:40,133
AND, YOU KNOW,
CAPTAIN MERRILL STUBING,

401
00:17:40,167 --> 00:17:41,533
THAT'S NOT THE LOVE BOAT.

402
00:17:41,567 --> 00:17:42,700
AND DON'T FORGET JULIE.

403
00:17:42,733 --> 00:17:44,633
HELLO.

404
00:17:44,667 --> 00:17:45,967
REALLY?

405
00:17:47,667 --> 00:17:48,733
[CLEARS THROAT]

406
00:17:48,767 --> 00:17:49,667
HEY.

407
00:17:49,700 --> 00:17:50,767
HEY.

408
00:17:50,800 --> 00:17:52,533
YOU SCARED ME.

409
00:17:52,567 --> 00:17:54,867
HOW'S THE PACKING
COMING ALONG?

410
00:17:58,233 --> 00:18:00,400
WHAT'S UP WITH YOU?

411
00:18:00,433 --> 00:18:02,433
YOU'RE LIABLE
TO HEAR SHIT ABOUT ME

412
00:18:02,467 --> 00:18:03,867
WHILE YOU'RE GONE,

413
00:18:03,900 --> 00:18:05,967
AND SINCE I WON'T BE THERE
TO DEFEND MYSELF,

414
00:18:06,067 --> 00:18:08,367
I JUST...

415
00:18:08,400 --> 00:18:10,700
I DON'T WANT YOU TO THINK
I'M A TOTAL ASSHOLE.

416
00:18:12,633 --> 00:18:13,633
WHAT DID YOU DO?

417
00:18:13,667 --> 00:18:15,067
I CAN'T TELL YOU.

418
00:18:15,067 --> 00:18:16,267
I'M SORRY.

419
00:18:16,300 --> 00:18:17,367
I PROMISE YOU

420
00:18:17,400 --> 00:18:19,100
YOU'LL FIND OUT EVENTUALLY,
THOUGH.

421
00:18:23,900 --> 00:18:26,067
YOU'RE BEING REALLY INTENSE
AND CRYPTIC RIGHT NOW.

422
00:18:26,067 --> 00:18:27,433
YEAH, WELL,

423
00:18:27,467 --> 00:18:29,867
THAT'S MY STYLE,
REALLY INTENSE AND CRYPTIC.

424
00:18:29,900 --> 00:18:31,867
THAT'S HOW I GET
ALL THE LADIES.

425
00:18:33,800 --> 00:18:35,100
YEAH.

426
00:18:38,667 --> 00:18:40,267
SHANE...

427
00:18:42,567 --> 00:18:45,433
I JUST WANT YOU
TO KNOW THAT...

428
00:18:45,467 --> 00:18:48,067
THAT I'M YOUR FRIEND.

429
00:18:51,067 --> 00:18:53,100
I'M YOUR FRIEND TOO.

430
00:18:54,967 --> 00:18:56,633
DO YOU THINK

431
00:18:56,667 --> 00:18:58,167
THAT CAPTAIN STUBING
GOT MORE WOMEN,

432
00:18:58,200 --> 00:18:59,433
OR THE DOCTOR?

433
00:18:59,467 --> 00:19:01,333
NO, THE DOCTOR DID NOT
GET MORE WOMEN--

434
00:19:01,367 --> 00:19:02,533
HE GETS SO MANY.

435
00:19:02,567 --> 00:19:03,800
NO, NO, NO.

436
00:19:03,833 --> 00:19:05,067
CAPTAIN STUBING
AND JULIE

437
00:19:05,067 --> 00:19:07,200
WERE NOT HAVING
AN AFFAIR, OKAY?

438
00:19:07,233 --> 00:19:08,567
DID YOU EVER
WATCH THE SHOW?

439
00:19:08,600 --> 00:19:10,067
CAPTAIN STUBING
WAS MARRIED.

440
00:19:10,067 --> 00:19:12,933
RIGHT, BUT SUPPOSEDLY
SOMEBODY WAS A BIG HOMO.

441
00:19:12,967 --> 00:19:14,233
WHAT?

442
00:19:14,267 --> 00:19:15,933
WHO CARES?

443
00:19:15,967 --> 00:19:17,333
AND WHY DO WE SAY IT
LIKE BEING A HOMO

444
00:19:17,367 --> 00:19:19,333
IS, LIKE,
SOME DIRTY SECRET?

445
00:19:19,367 --> 00:19:21,067
THANK YOU. EXACTLY.

446
00:19:21,067 --> 00:19:22,767
THANK YOU.

447
00:19:22,800 --> 00:19:23,967
YOU GUYS,
THIS IS FANTASTIC

448
00:19:24,067 --> 00:19:24,967
WE'RE ALL
CARRYING ON.

449
00:19:25,067 --> 00:19:25,967
THIS IS GREAT.

450
00:19:26,067 --> 00:19:26,933
WHAT? NO, NO.

451
00:19:26,967 --> 00:19:28,667
NO, I'M CHECKING.

452
00:19:28,700 --> 00:19:30,333
I'M CHECKING.

453
00:19:38,167 --> 00:19:39,300
I DON'T KNOW WHY
YOU'RE BEING LIKE THIS.

454
00:19:39,333 --> 00:19:40,300
YOUR BAG
WILL TOTALLY FIT

455
00:19:40,333 --> 00:19:41,300
IN THE OVERHEAD
COMPARTMENT.

456
00:19:41,333 --> 00:19:42,367
NO, IT'S TOO HEAVY.

457
00:19:42,400 --> 00:19:43,367
NO, IT'S NOT.

458
00:19:43,400 --> 00:19:44,367
DO YOU WANT ME
TO TAKE IT?

459
00:19:44,400 --> 00:19:45,400
BECAUSE I'LL SWITCH
WITH YOU.

460
00:19:45,433 --> 00:19:47,967
NO, I DON'T. JUST...

461
00:19:48,067 --> 00:19:48,967
LOOK, I JUST DON'T
WANT TO PUT IT

462
00:19:49,067 --> 00:19:49,967
THROUGH SECURITY, OKAY?

463
00:19:50,067 --> 00:19:50,967
WHY?

464
00:19:51,067 --> 00:19:52,100
I JUST DON'T.

465
00:19:52,133 --> 00:19:53,100
OKAY, FINE.

466
00:19:53,133 --> 00:19:54,133
YOU'RE GOING TO
HOLD EVERYONE ELSE UP,

467
00:19:54,167 --> 00:19:56,167
BECAUSE NO ONE ELSE
IS CHECKING ANYTHING.

468
00:19:56,200 --> 00:19:58,833
AL! AL!

469
00:19:58,867 --> 00:20:00,700
GODDAMMIT.

470
00:20:00,733 --> 00:20:02,833
ALICE...

471
00:20:12,500 --> 00:20:14,000
DADDY!

472
00:20:20,000 --> 00:20:21,267
WHAT A NICE SURPRISE.

473
00:20:23,100 --> 00:20:24,933
HOW ARE YOU?

474
00:20:24,967 --> 00:20:26,133
I'M VERY WELL,
AND YOU?

475
00:20:26,167 --> 00:20:27,267
I'M GOOD.

476
00:20:27,300 --> 00:20:28,600
I'M SO HAPPY
YOU'RE HERE.

477
00:20:28,633 --> 00:20:30,100
I'M GOING TO TAKE YOU
TO THE OFFICE,

478
00:20:30,133 --> 00:20:32,600
WHERE WE'RE GOING TO
SEE AN AMAZING PAINTING

479
00:20:32,633 --> 00:20:35,233
THAT I HAVE ON LOAN
FROM THE GETTY,

480
00:20:35,267 --> 00:20:36,300
AND THEN WE'RE
GOING TO HAVE LUNCH

481
00:20:36,333 --> 00:20:38,900
WITH AN INCREDIBLE
ARTIST.

482
00:20:38,933 --> 00:20:40,667
YOU REMEMBER
ALLYN BARNES?

483
00:20:40,700 --> 00:20:42,800
IS HE THE PAINTER?

484
00:20:42,833 --> 00:20:44,800
NO, IT'S NOT
HER PAINTING.

485
00:20:44,833 --> 00:20:46,267
THE PAINTING
IS 14th CENTURY,

486
00:20:46,300 --> 00:20:47,867
BY DOSSO DOSSI.

487
00:20:47,900 --> 00:20:49,567
NO, ALLYN BARNES WAS
MY TEACHER AT YALE.

488
00:20:49,600 --> 00:20:52,700
SHE'S PROBABLY ONE OF
OUR MOST IMPORTANT

489
00:20:52,733 --> 00:20:53,933
LIVING ARTISTS.

490
00:20:53,967 --> 00:20:55,600
NEVER HEARD OF HER.

491
00:21:08,633 --> 00:21:10,900
SHE'S THE REASON
I WANTED TO GO INTO THE ARTS.

492
00:21:10,933 --> 00:21:13,067
I THOUGHT THAT WAS
YOUR MOTHER'S INFLUENCE.

493
00:21:15,767 --> 00:21:19,300
SHE WAS A GREAT ARTIST.

494
00:21:19,333 --> 00:21:21,833
YOU REMEMBER HER WATERCOLORS,
DON'T YOU?

495
00:21:21,867 --> 00:21:23,567
OF COURSE I DO,
DADDY.

496
00:21:23,600 --> 00:21:25,767
I HAVE ALL OF THEM.

497
00:21:29,800 --> 00:21:31,733
[***]

498
00:21:36,333 --> 00:21:38,933
PLEASE GO THROUGH.
PLEASE GO THROUGH.

499
00:21:42,133 --> 00:21:43,367
STEP HERE, PLEASE,
MA'AM.

500
00:21:43,400 --> 00:21:44,133
COME ON.

501
00:21:44,167 --> 00:21:44,867
[BEEPING]

502
00:21:44,900 --> 00:21:46,133
HOLD IT THERE.

503
00:21:46,167 --> 00:21:47,733
OKAY, GO OVER
TO THE SIDE, PLEASE,

504
00:21:47,767 --> 00:21:48,467
IF YOU WOULD.

505
00:21:48,500 --> 00:21:49,767
THANK YOU.

506
00:21:49,800 --> 00:21:51,767
DANA, NOBODY CARES
ABOUT MEDICATION.

507
00:21:51,800 --> 00:21:53,067
THANK YOU.

508
00:21:53,100 --> 00:21:54,800
ALL RIGHT,
GO AHEAD.

509
00:21:54,833 --> 00:21:56,300
PUT YOUR ARMS UP.
THANK YOU.

510
00:21:56,333 --> 00:21:57,600
COME BACK!

511
00:22:00,233 --> 00:22:01,733
THIS IS ALL YOUR FAULT.

512
00:22:01,767 --> 00:22:03,133
FAYE...

513
00:22:03,167 --> 00:22:06,067
COME HERE.

514
00:22:07,433 --> 00:22:08,700
THANKS.

515
00:22:08,733 --> 00:22:11,233
I THINK WE'VE GOT
SOMETHING HERE.

516
00:22:16,100 --> 00:22:18,567
WHAT IS IT,
SOME KIND OF A WEAPON?

517
00:22:18,600 --> 00:22:19,800
LADIES?

518
00:22:19,833 --> 00:22:21,767
STEP OVER HERE,
PLEASE.

519
00:22:30,800 --> 00:22:33,767
WHAT THE HELL?

520
00:22:38,667 --> 00:22:40,167
YOU JUST...

521
00:22:40,200 --> 00:22:42,067
IT, UM... OKAY?

522
00:22:44,233 --> 00:22:45,067
GREAT.

523
00:22:51,667 --> 00:22:53,567
YEAH. NIPPLE CLAMPS.

524
00:22:54,833 --> 00:22:56,967
[WHISPERING]:
WHEN DID YOU GET THOSE?

525
00:22:57,067 --> 00:22:59,100
BABY...

526
00:22:59,133 --> 00:23:01,200
YOU CAN'T TAKE THESE
ON THE PLANE, LADIES.

527
00:23:01,233 --> 00:23:03,733
YOU SHOULD KNOW
BETTER THAN THAT.

528
00:23:06,467 --> 00:23:07,867
OKAY, MA'AM,
YOU CAN GO AHEAD

529
00:23:07,900 --> 00:23:09,067
AND PACK THIS
BACK UP.

530
00:23:09,067 --> 00:23:10,833
GREAT.

531
00:23:15,433 --> 00:23:16,700
HAVE FUN.

532
00:23:16,733 --> 00:23:18,200
YEAH, GOOD, THANKS.

533
00:23:18,233 --> 00:23:19,467
MELVIN,

534
00:23:19,500 --> 00:23:21,233
YOU SEEM TO BE MISSING
THE POINT OF THE PAINTING.

535
00:23:21,267 --> 00:23:23,200
IT'S ABOUT THE FLEETINGNESS
OF FORTUNE.

536
00:23:23,233 --> 00:23:25,467
I JUST SEE IT
DIFFERENTLY.

537
00:23:25,500 --> 00:23:26,600
YOU DON'T THINK

538
00:23:26,633 --> 00:23:27,667
THAT THE MAN
IN THE PAINTING

539
00:23:27,700 --> 00:23:29,367
IS ENJOYING HIS LIFE?

540
00:23:29,400 --> 00:23:31,067
I DON'T.
OF COURSE I DON'T.

541
00:23:31,100 --> 00:23:33,467
HE LOOKS MISERABLE.

542
00:23:33,500 --> 00:23:36,133
SPIRITUALLY VOID.

543
00:23:36,167 --> 00:23:39,267
THE ONLY
TRUE ABUNDANCE

544
00:23:39,300 --> 00:23:41,200
IS HARMONY WITH GOD.

545
00:23:41,233 --> 00:23:43,633
AH, SO FAITH
ASSURES PROSPERITY,

546
00:23:43,667 --> 00:23:45,067
IS THAT
WHAT YOU'RE SAYING?

547
00:23:45,100 --> 00:23:47,133
FIGURATIVELY
SPEAKING, YES.

548
00:23:47,167 --> 00:23:48,433
THERE IT IS.

549
00:23:48,467 --> 00:23:49,600
THE DANGLING CARROT

550
00:23:49,633 --> 00:23:51,900
OF THE ASHCROFT
AND THE BUSHIES.

551
00:23:51,933 --> 00:23:53,400
I BEG YOUR PARDON.

552
00:23:53,433 --> 00:23:54,833
I HAVE NOTHING
IN COMMON

553
00:23:54,867 --> 00:23:58,067
WITH THE ASHCROFTS
OR THE BUSHIES.

554
00:23:58,100 --> 00:23:59,267
IT'S MERCENARY
CHRISTIANITY,

555
00:23:59,300 --> 00:24:01,433
KEEPING US MORTALS
IN THRALL

556
00:24:01,467 --> 00:24:03,133
THROUGH A COMBINATION
OF FEAR AND PAYOLA.

557
00:24:03,167 --> 00:24:04,767
IT MAKES ME WANT TO GO
BACK INTO A CAVE

558
00:24:04,800 --> 00:24:06,233
AND NEVER
COME OUT AGAIN.

559
00:24:06,267 --> 00:24:08,667
THAT WOULD BE
YOUR PREROGATIVE, MADAME.

560
00:24:16,700 --> 00:24:18,567
DADDY?

561
00:24:26,933 --> 00:24:28,567
DADDY?

562
00:24:28,600 --> 00:24:30,300
WHERE ARE YOU GOING?

563
00:24:30,333 --> 00:24:31,367
OH, I...

564
00:24:31,400 --> 00:24:33,600
HERE, COME ON.

565
00:24:35,400 --> 00:24:36,533
ARE YOU OKAY?

566
00:24:36,567 --> 00:24:37,800
YEAH.

567
00:24:37,833 --> 00:24:40,067
RIGHT HERE.

568
00:24:59,067 --> 00:25:01,367
ACTUALLY, I...

569
00:25:01,400 --> 00:25:04,600
I LIKED THE PAINTING
VERY MUCH.

570
00:25:04,633 --> 00:25:06,267
OH, GOOD. I'M GLAD.

571
00:25:06,300 --> 00:25:09,900
SHE JUST WANTED TO MAKE ME
FEEL IGNORANT.

572
00:25:11,533 --> 00:25:13,500
YOUR MOTHER AND I...

573
00:25:13,533 --> 00:25:17,533
WE HAD SOME HEAVY ARGUMENTS--

574
00:25:17,567 --> 00:25:21,200
SMARTEST WOMAN
I EVER MET--

575
00:25:21,233 --> 00:25:23,933
BUT SHE WAS NEVER
CONDESCENDING.

576
00:25:26,667 --> 00:25:28,733
DADDY...

577
00:25:28,767 --> 00:25:31,233
IF YOU LOVED HER
SO MUCH,

578
00:25:31,267 --> 00:25:32,667
THEN WHY DID YOU
LET HER LEAVE?

579
00:25:32,700 --> 00:25:37,767
WHY DIDN'T YOU TRY
TO SALVAGE THE MARRIAGE?

580
00:25:39,633 --> 00:25:41,367
YOU WOULDN'T UNDERSTAND.

581
00:25:41,400 --> 00:25:43,367
GIVE ME A CHANCE.

582
00:25:43,400 --> 00:25:47,100
YOU WOULD'VE HAD TO HAVE
EXPERIENCED

583
00:25:47,133 --> 00:25:50,367
THAT BOND OF MARRIAGE

584
00:25:50,400 --> 00:25:52,367
TO APPRECIATE

585
00:25:52,400 --> 00:25:55,067
HOW MUCH I HURT
YOUR MOTHER.

586
00:25:57,067 --> 00:26:00,367
I THINK I MIGHT BE ABLE
TO UNDERSTAND THAT, DADDY.

587
00:26:09,333 --> 00:26:11,500
I MADE A RESERVATION
FOR US

588
00:26:11,533 --> 00:26:12,700
AT 8:00

589
00:26:12,733 --> 00:26:15,067
AT A RESTAURANT
CALLED ANGELINA OSTERIA.

590
00:26:15,100 --> 00:26:16,067
THEY HAVE REALLY GREAT--

591
00:26:16,067 --> 00:26:16,967
I'D PREFER TO EAT

592
00:26:17,067 --> 00:26:18,200
AT THE HOTEL RESTAURANT TONIGHT.

593
00:26:18,233 --> 00:26:19,533
THAT IS, IF YOU DON'T MIND.

594
00:26:19,567 --> 00:26:22,333
OKAY. WHATEVER YOU WANT.

595
00:26:22,367 --> 00:26:23,933
AND HOW ABOUT SEEING

596
00:26:23,967 --> 00:26:25,767
IF KATIE COULD JOIN US?

597
00:26:28,133 --> 00:26:30,300
YOU WANT KIT
TO COME TO DINNER WITH US?

598
00:26:30,333 --> 00:26:31,400
YEAH.

599
00:26:31,433 --> 00:26:33,667
I'D LIKE TO SEE HER.

600
00:26:33,700 --> 00:26:36,433
WELL, HER BOYFRIEND'S IN TOWN.

601
00:26:36,467 --> 00:26:38,667
HE'S ONLY HERE
FOR A COUPLE OF DAYS, SO...

602
00:26:38,700 --> 00:26:41,733
WELL, SHE SHOULD BRING HIM TOO.

603
00:26:43,533 --> 00:26:45,333
I'LL CALL HER.

604
00:26:48,867 --> 00:26:51,833
YOU KNOW, DADDY,
I'M STRUCK BY THE FACT

605
00:26:51,867 --> 00:26:53,500
THAT YOU JUST INVITED
KIT'S BOYFRIEND

606
00:26:53,533 --> 00:26:54,833
TO COME TO DINNER WITH US,

607
00:26:54,867 --> 00:26:56,367
AND SHE'S ONLY BEEN SEEING HIM
A SHORT WHILE,

608
00:26:56,400 --> 00:26:58,633
BUT YOU HAVE NOT YET
SAID A WORD ABOUT TINA.

609
00:26:58,667 --> 00:27:00,167
WELL, OF COURSE
YOU'RE WELCOME

610
00:27:00,200 --> 00:27:03,133
TO BRING HER TOO,
IF THAT'S WHAT YOU WISH.

611
00:27:03,167 --> 00:27:05,267
WE'VE SPLIT UP.

612
00:27:05,300 --> 00:27:07,133
OH. WELL, THEN...

613
00:27:07,167 --> 00:27:10,767
I DON'T KNOW
WHAT I'M SUPPOSED TO SAY.

614
00:27:12,133 --> 00:27:13,500
NOTHING.

615
00:27:13,533 --> 00:27:15,467
YOU'RE NOT SUPPOSED TO SAY
ANYTHING.

616
00:27:26,300 --> 00:27:28,767
CAN YOU BELIEVE THIS?
WE'RE ACTUALLY ON A CRUISE.

617
00:27:28,800 --> 00:27:30,267
IT'S GOING TO BE FUN.

618
00:27:30,300 --> 00:27:31,633
I'VE GOT MY LITTLE--

619
00:27:31,667 --> 00:27:33,267
IT'S PHOEBE SPARKLE.

620
00:27:35,467 --> 00:27:36,800
WAIT, I WANT TO WATCH

621
00:27:36,833 --> 00:27:38,367
AND SEE IF SHE
MAKES THAT GIRL COME.

622
00:27:38,400 --> 00:27:39,833
CAN SHE DO THAT?

623
00:27:39,867 --> 00:27:41,200
I'M KIDDING, DANA.

624
00:27:42,667 --> 00:27:44,267
OH, MY GOD.

625
00:27:55,500 --> 00:27:57,733
LADIES, WELCOME TO OWLs.

626
00:27:57,767 --> 00:27:59,267
IT STANDS
FOR "OLDER, WISER LESBIANS."

627
00:27:59,300 --> 00:28:01,700
WE TALK ABOUT HOW SPIRITUALITY
AND SEXUALITY

628
00:28:01,733 --> 00:28:03,367
ARE COMBINED,

629
00:28:03,400 --> 00:28:04,767
AND OUR DEFINITION
OF "ORGASM"

630
00:28:04,800 --> 00:28:06,567
IS THAT IT IS
THE KISS OF GOD

631
00:28:06,600 --> 00:28:08,667
THAT BRINGS ECSTASY
TO CONSCIOUSNESS...

632
00:28:14,100 --> 00:28:15,500
DANA!
DANA FAIRBANKS!

633
00:28:17,667 --> 00:28:19,067
[CLAMORING]

634
00:28:19,067 --> 00:28:20,300
OH, OVER HERE,
OVER HERE,

635
00:28:20,333 --> 00:28:21,367
LET ME HAVE
YOUR AUTOGRAPH.

636
00:28:21,400 --> 00:28:22,500
ALL RIGHT.

637
00:28:27,167 --> 00:28:28,400
HI. HOW ARE YOU?

638
00:28:28,433 --> 00:28:29,533
I'M ALICE.
NICE TO MEET YOU.

639
00:28:29,567 --> 00:28:31,067
CAN I ASK YOU A QUESTION?

640
00:28:31,100 --> 00:28:33,433
YEAH, SURE.

641
00:28:33,467 --> 00:28:35,633
[WHISPERS]

642
00:28:35,667 --> 00:28:36,733
YEAH, SURE.

643
00:28:36,767 --> 00:28:37,967
YEAH? WE'LL TALK?

644
00:28:38,067 --> 00:28:39,067
YEAH, SURE.

645
00:28:39,100 --> 00:28:40,133
OKAY.

646
00:28:40,167 --> 00:28:42,867
EXCELLENT.

647
00:28:42,900 --> 00:28:44,933
OH. GOD.

648
00:28:47,167 --> 00:28:48,300
I THOUGHT

649
00:28:48,333 --> 00:28:49,867
WE WERE SUPPOSED
TO HAVE A SUITE.

650
00:28:49,900 --> 00:28:51,533
WELL, I HAVE AN IDEA.

651
00:28:51,567 --> 00:28:53,800
WHY DON'T WE
ALL SLEEP TOGETHER,

652
00:28:53,833 --> 00:28:55,267
AND CARMEN,

653
00:28:55,300 --> 00:28:57,067
YOU CAN SLEEP
IN THE MIDDLE?

654
00:28:59,233 --> 00:29:01,467
I'M GOING TO GO
EXPLORE.

655
00:29:06,533 --> 00:29:10,067
EVEN FOR JENNY,
SHE'S ACTING WEIRD.

656
00:29:11,933 --> 00:29:13,500
[GASPS]

657
00:29:13,533 --> 00:29:15,433
OH, MY GOD.

658
00:29:15,467 --> 00:29:17,567
THIS IS SWEET.

659
00:29:17,600 --> 00:29:19,267
OH...

660
00:29:19,300 --> 00:29:20,967
"WELCOME ABOARD,

661
00:29:21,067 --> 00:29:22,167
"DANA FAIRBANKS AND FRIENDS.

662
00:29:22,200 --> 00:29:24,200
"WE HOPE YOU ENJOY
YOUR TIME WITH US.

663
00:29:24,233 --> 00:29:25,333
"FROM OLIVIA CRUISE.

664
00:29:25,367 --> 00:29:27,167
"P.S., THANK YOU,
ALICE,

665
00:29:27,200 --> 00:29:28,700
FOR TALKING UP
OUR CRUISE ON YOUR SHOW."

666
00:29:28,733 --> 00:29:29,867
THAT WAS NICE.

667
00:29:29,900 --> 00:29:30,933
YEAH, I MADE IT UP.

668
00:29:33,367 --> 00:29:34,433
YES, THE WOMAN
IN THE BACK.

669
00:29:34,467 --> 00:29:35,800
MISS SPARKLE,

670
00:29:35,833 --> 00:29:37,100
DO YOU THINK
IT'S POSSIBLE

671
00:29:37,133 --> 00:29:38,433
TO BE A COMMITTED
RELATIONSHIP

672
00:29:38,467 --> 00:29:39,833
AND STILL CARRY ON
A, UH...

673
00:29:39,867 --> 00:29:43,267
POLYAMOROUS LIFESTYLE?

674
00:29:43,300 --> 00:29:45,267
IT'S CERTAINLY
POSSIBLE.

675
00:29:45,300 --> 00:29:46,867
THE MOST IMPORTANT THING

676
00:29:46,900 --> 00:29:49,633
IS TO KNOW THAT JEALOUSY
WILL REAR ITS HEAD.

677
00:29:49,667 --> 00:29:50,833
YOU HAVE TO AGREE

678
00:29:50,867 --> 00:29:51,800
WITH YOUR PRIMARY
LOVED ONE

679
00:29:51,833 --> 00:29:54,167
TO BE HONEST
ABOUT YOUR FEELINGS,

680
00:29:54,200 --> 00:29:55,833
AND YOU HAVE TO
MAKE RULES.

681
00:29:57,633 --> 00:29:59,400
WOMAN IN YELLOW.

682
00:29:59,433 --> 00:30:01,200
DANA FAIRBANKS...

683
00:30:01,233 --> 00:30:03,267
WILL YOU MARRY ME?

684
00:30:03,300 --> 00:30:05,367
[CHEERING AND APPLAUSE]

685
00:30:11,633 --> 00:30:14,067
SURE. NO. I'M SORRY.

686
00:30:14,100 --> 00:30:16,433
UH, THANK YOU, ACTUALLY,
VERY MUCH,

687
00:30:16,467 --> 00:30:18,200
BUT I'M IN ONE OF THOSE, UM...

688
00:30:18,233 --> 00:30:20,467
COMMITTED RELATIONSHIPS,

689
00:30:20,500 --> 00:30:23,567
AND WE'RE NOT
POLY...

690
00:30:23,600 --> 00:30:27,000
AMORPHIC, OR WHATEVER IT IS.

691
00:30:27,033 --> 00:30:28,967
WELL,
THAT ALSO WORKS,

692
00:30:29,000 --> 00:30:30,033
BUT I'M GUESSING

693
00:30:30,067 --> 00:30:31,333
THAT DANA
AND HER PARTNER

694
00:30:31,367 --> 00:30:34,167
KNOW HOW TO
SPICE THINGS UP.

695
00:30:34,200 --> 00:30:36,967
[WHOOPING]

696
00:30:37,000 --> 00:30:38,900
ALL RIGHT, WE HAVE TIME
FOR ONE MORE QUESTION.

697
00:30:38,933 --> 00:30:40,000
RIGHT THERE.

698
00:30:40,033 --> 00:30:42,333
MISS SPARKLE,
WHAT IS YOUR ADVICE

699
00:30:42,367 --> 00:30:43,967
ON THREE-WAYS?

700
00:30:44,000 --> 00:30:45,267
YAY!

701
00:30:45,300 --> 00:30:49,700
[CHEERING AND APPLAUSE]

702
00:30:49,733 --> 00:30:52,300
WELL, I THINK
THEY'RE GREAT.

703
00:30:52,333 --> 00:30:55,533
I'M A BIG, BIG FAN
OF GROUP SEX.

704
00:30:55,567 --> 00:30:56,733
THE ONLY THING

705
00:30:56,767 --> 00:30:58,433
IS THAT ALL PARTIES
HAVE TO BE SIGNED ON

706
00:30:58,467 --> 00:31:00,333
FOR THE SAME AGENDA.

707
00:31:00,367 --> 00:31:01,900
SO THAT'S THE END
OF OUR PANEL FOR TODAY.

708
00:31:01,933 --> 00:31:03,400
I WANT TO THANK YOU ALL
FOR BEING HERE.

709
00:31:03,433 --> 00:31:05,067
IT'S BEEN A PLEASURE.

710
00:31:09,533 --> 00:31:11,633
YOU SHOULD REALLY SEE
DISNEY HALL, DADDY.

711
00:31:11,667 --> 00:31:15,333
OKAY, BUT NOT TOO EARLY.

712
00:31:15,367 --> 00:31:16,333
SINCE WHEN

713
00:31:16,367 --> 00:31:19,200
DID YOU BECOME A SLEEPYHEAD?

714
00:31:19,233 --> 00:31:21,067
I DO HAVE TO GET BACK BY 5:00
TO GET DRESSED.

715
00:31:21,067 --> 00:31:23,500
TINA'S BEING HONORED.

716
00:31:27,433 --> 00:31:28,667
DON'T YOU WANT TO KNOW

717
00:31:28,700 --> 00:31:30,233
WHY TINA'S
BEING HONORED?

718
00:31:30,267 --> 00:31:35,067
YES, CERTAINLY,
IF YOU WANT TO TELL ME.

719
00:31:37,933 --> 00:31:39,600
KATIE...

720
00:31:39,633 --> 00:31:40,933
DADDY...

721
00:31:44,067 --> 00:31:46,467
DADDY, I'D LIKE
FOR YOU TO MEET

722
00:31:46,500 --> 00:31:48,767
MY FRIEND BENJAMIN BRADSHAW.

723
00:31:51,667 --> 00:31:52,633
MR. BRADSHAW.

724
00:31:52,667 --> 00:31:53,667
NICE TO MEET YOU, SIR.

725
00:31:57,633 --> 00:31:59,833
THANK YOU.

726
00:31:59,867 --> 00:32:01,067
HEY, BABY SIS.

727
00:32:01,100 --> 00:32:02,067
KIT.

728
00:32:03,833 --> 00:32:06,133
NOW...

729
00:32:06,167 --> 00:32:09,933
HOW DID YOU CONCEIVE IT,

730
00:32:09,967 --> 00:32:11,533
THIS, UH...

731
00:32:11,567 --> 00:32:13,667
THEORY OF EVERYTHING.

732
00:32:13,700 --> 00:32:16,100
ARE YOU FAMILIAR
WITH QUANTUM PHYSICS?

733
00:32:16,133 --> 00:32:18,233
MM.

734
00:32:18,267 --> 00:32:21,267
OH, THEN IT IS
A UNIFIED FIELD THEORY.

735
00:32:21,300 --> 00:32:23,067
THE UNIFIED WHAT THEORY?

736
00:32:23,067 --> 00:32:27,067
SIMPLY,
EINSTEIN'S ATTEMPT TO...

737
00:32:27,067 --> 00:32:29,933
EXPLAIN THE MIND OF GOD.

738
00:32:29,967 --> 00:32:31,400
WELL, THAT'S
A MARVELOUS WAY

739
00:32:31,433 --> 00:32:32,567
OF LOOKING AT IT.

740
00:32:32,600 --> 00:32:34,500
IT INCLUDES EVERYTHING,

741
00:32:34,533 --> 00:32:36,067
FROM CREATION

742
00:32:36,100 --> 00:32:38,100
TO SUPERNOVAS,
TO ATOMS...

743
00:32:38,133 --> 00:32:39,767
EVEN DNA.

744
00:32:39,800 --> 00:32:42,933
OUR HEARTS,
OUR MINDS.

745
00:32:42,967 --> 00:32:44,500
IT'S REALLY BEEN WORKING FOR ME.

746
00:32:44,533 --> 00:32:45,633
DID YOU TELL
YOUR FATHER

747
00:32:45,667 --> 00:32:47,967
ABOUT YOUR BUSINESS?

748
00:32:48,067 --> 00:32:49,567
BUSINESS?

749
00:32:49,600 --> 00:32:50,833
WHAT BUSINESS?

750
00:32:50,867 --> 00:32:53,333
WELL, DADDY, IT'S A CAFE.

751
00:32:53,367 --> 00:32:56,067
I BOUGHT IT
FROM A FRIEND OF BETTE'S.

752
00:32:56,100 --> 00:32:57,567
IT'S NOT JUST
A CAFE.

753
00:32:57,600 --> 00:33:00,333
KIT HAS TURNED IT
INTO THIS SWANKY NIGHTCLUB.

754
00:33:06,367 --> 00:33:08,067
EXCUSE ME.

755
00:33:10,333 --> 00:33:11,767
I'LL BE RIGHT BACK.

756
00:33:21,333 --> 00:33:23,567
[DANCE MUSIC THROBBING]

757
00:34:37,100 --> 00:34:38,867
SHE HAS A STAGE UP THERE,

758
00:34:38,900 --> 00:34:39,967
AND THEN IF YOU
TAKE THE TABLES AWAY...

759
00:34:40,067 --> 00:34:42,233
HEY, YOU TWO.

760
00:34:42,267 --> 00:34:43,833
OH, HI.

761
00:34:43,867 --> 00:34:45,500
GOOD MORNING.

762
00:34:45,533 --> 00:34:47,867
AND WHERE IS BENJAMIN
THIS MORNING?

763
00:34:47,900 --> 00:34:49,567
UM, WELL,
HE'S AT THE HOTEL.

764
00:34:49,600 --> 00:34:50,967
HE DECIDED

765
00:34:51,067 --> 00:34:52,400
THAT WE MIGHT LIKE

766
00:34:52,433 --> 00:34:55,500
A LITTLE FAMILY TIME
TOGETHER.

767
00:34:55,533 --> 00:34:56,733
DADDY, HAVE A SEAT.

768
00:34:56,767 --> 00:35:00,100
AND HOW ABOUT YOU,
BABY SIS?

769
00:35:00,133 --> 00:35:01,233
I DIDN'T SLEEP VERY WELL.

770
00:35:01,267 --> 00:35:03,367
I NEED AN ESPRESSO.

771
00:35:03,400 --> 00:35:06,200
HE'S STAYING
AT A HOTEL?

772
00:35:06,233 --> 00:35:07,600
HE DOESN'T LIVE HERE?

773
00:35:07,633 --> 00:35:08,833
UM...

774
00:35:08,867 --> 00:35:12,300
NO, DAD,
HE LIVES IN PORTLAND, OREGON.

775
00:35:12,333 --> 00:35:14,300
PORTLAND, OREGON?

776
00:35:14,333 --> 00:35:15,533
WHAT'S IN PORTLAND,
OREGON?

777
00:35:18,467 --> 00:35:19,700
UM...

778
00:35:19,733 --> 00:35:21,600
WELL...

779
00:35:21,633 --> 00:35:23,133
HE, UM...

780
00:35:23,167 --> 00:35:24,667
IT'S PROBABLY
WHAT HE NEEDS.

781
00:35:24,700 --> 00:35:25,867
I MEAN, REALLY,
WHEN HE'S WORKING,

782
00:35:25,900 --> 00:35:27,100
THERE ARE
ALL THESE PEOPLE

783
00:35:27,133 --> 00:35:29,467
CLAMORING AFTER HIM,

784
00:35:29,500 --> 00:35:30,967
AND HE PROBABLY JUST NEEDS
TO GET AWAY.

785
00:35:31,067 --> 00:35:32,367
MAKES PERFECT SENSE.

786
00:35:33,900 --> 00:35:35,667
HAVE YOU BEEN
TO PORTLAND?

787
00:35:35,700 --> 00:35:37,933
UH, NO, NOT YET.

788
00:35:37,967 --> 00:35:38,933
I REALLY NEED
THAT ESPRESSO.

789
00:35:38,967 --> 00:35:39,933
DO YOU MIND?

790
00:35:39,967 --> 00:35:41,700
YEAH, YEAH. ESPRESSO.

791
00:35:46,500 --> 00:35:48,900
YOU CAN'T TELL HIM
BENJAMIN'S MARRIED.

792
00:35:48,933 --> 00:35:50,333
HE'S SO HAPPY NOW.

793
00:35:50,367 --> 00:35:52,900
I HATE LYING TO HIM.

794
00:35:52,933 --> 00:35:54,067
KIT, YOU KNOW,

795
00:35:54,100 --> 00:35:55,300
THIS IS THE FIRST TIME
IN 14 YEARS

796
00:35:55,333 --> 00:35:56,567
YOU'VE SPENT TIME
WITH DADDY.

797
00:35:56,600 --> 00:35:58,600
DOESN'T IT FEEL GOOD?

798
00:35:58,633 --> 00:36:00,667
YEAH,
IT FEELS REAL GOOD.

799
00:36:00,700 --> 00:36:02,067
THEN WHY DON'T YOU JUST
ENJOY IT FOR A WHILE,

800
00:36:02,067 --> 00:36:03,433
AND LET HIM ENJOY IT?

801
00:36:09,100 --> 00:36:11,233
HERE YOU GO, DADDY.

802
00:36:11,267 --> 00:36:13,933
UH, IT'S SO...

803
00:36:13,967 --> 00:36:16,067
SO SMALL, I CAN...

804
00:36:16,100 --> 00:36:19,100
HARDLY PICK IT UP.

805
00:36:24,900 --> 00:36:28,867
KATIE, WHY DON'T WE HAVE DINNER
HERE TONIGHT?

806
00:36:28,900 --> 00:36:31,600
YEAH.

807
00:36:31,633 --> 00:36:33,933
I, UH...

808
00:36:33,967 --> 00:36:36,233
WOULD LIKE TO TRY OUT
YOUR CHEF,

809
00:36:36,267 --> 00:36:39,367
AND YOUR SISTER HERE
HAS A PRIOR ENGAGEMENT

810
00:36:39,400 --> 00:36:42,067
WITH MS. KENNARD.

811
00:36:42,100 --> 00:36:45,500
DADDY, DO YOU THINK
YOU COULD CALL HER TINA?

812
00:36:45,533 --> 00:36:47,833
THAT'S HER NAME.
TINA.

813
00:36:47,867 --> 00:36:50,367
FOR THE MILLIONTH TIME,
HER NAME IS TINA.

814
00:36:50,400 --> 00:36:51,833
HOW LONG HAVE YOU
KNOWN HER?

815
00:36:51,867 --> 00:36:53,800
VERY WELL. TINA.

816
00:36:56,500 --> 00:36:57,600
WILL BENJAMIN

817
00:36:57,633 --> 00:36:58,800
BE ABLE TO JOIN US?

818
00:36:58,833 --> 00:37:00,167
YOU KNOW, I'M JUST
GOING TO LEAVE YOU TWO

819
00:37:00,200 --> 00:37:02,333
TO PLAN YOUR EVENING.

820
00:37:02,367 --> 00:37:03,467
BETTE...

821
00:37:03,500 --> 00:37:04,967
WHAT'S WRONG?

822
00:37:05,067 --> 00:37:06,167
YOU HAVE NO REGARD

823
00:37:06,200 --> 00:37:07,767
FOR WHAT I'M GOING THROUGH,
DADDY,

824
00:37:07,800 --> 00:37:09,467
NONE,

825
00:37:09,500 --> 00:37:10,933
AND UNTIL YOU CAN ACKNOWLEDGE

826
00:37:10,967 --> 00:37:13,333
THAT MY RELATIONSHIP
OF EIGHT YEARS

827
00:37:13,367 --> 00:37:14,333
WAS EVERY BIT
AS MEANINGFUL

828
00:37:14,367 --> 00:37:15,600
AS YOUR MARRIAGE
TO MY MOTHER,

829
00:37:15,633 --> 00:37:17,767
UNTIL YOU CAN SEE
THAT MY HEART IS BROKEN

830
00:37:17,800 --> 00:37:19,600
BECAUSE I FAILED
THE WOMAN I LOVE,

831
00:37:19,633 --> 00:37:21,467
PERHAPS IN THE SAME WAY
THAT YOU FAILED MY MOTHER,

832
00:37:21,500 --> 00:37:23,100
THEN I REALLY HAVE
NOTHING ELSE TO SAY,

833
00:37:23,133 --> 00:37:24,400
EXCEPT, YOU KNOW...

834
00:37:24,433 --> 00:37:26,300
I AM NOT GIVING UP.

835
00:37:26,333 --> 00:37:29,700
I'M NOT GOING TO END UP SAD
AND ALONE AND FULL OF REGRET.

836
00:37:40,933 --> 00:37:42,867
[DANCE MUSIC PLAYS]

837
00:37:59,333 --> 00:38:01,067
I WANT ONE OF THOSE.

838
00:38:01,067 --> 00:38:03,800
DANA FAIRBANKS?
OH, MY GOD.

839
00:38:03,833 --> 00:38:05,067
THANK YOU FOR BEING HERE.

840
00:38:05,100 --> 00:38:06,633
OH, THANK YOU FOR COMING OUT,

841
00:38:06,667 --> 00:38:08,333
AND THANK YOU
FOR LIVING YOUR LIFE.

842
00:38:08,367 --> 00:38:09,333
OH, MY GOD,

843
00:38:09,367 --> 00:38:10,367
I SAW YOU ALMOST BEAT
CAPRIATI IN 2002.

844
00:38:10,400 --> 00:38:13,300
I DRIVE A SUBARU
BECAUSE OF YOU...

845
00:38:13,333 --> 00:38:15,167
PHOEBE? HI.
SPARKLE? HI.

846
00:38:15,200 --> 00:38:17,100
HI.
HI. I'M ALICE PIESZECKI.

847
00:38:17,133 --> 00:38:18,333
I DO A RADIO SHOW IN L.A.,

848
00:38:18,367 --> 00:38:19,467
THE CHART.

849
00:38:19,500 --> 00:38:20,500
I'M SURE YOU'VE
HEARD OF IT.

850
00:38:20,533 --> 00:38:21,933
IS IT TRUE,
FOR RESEARCH PURPOSES,

851
00:38:21,967 --> 00:38:23,267
THAT YOU SLEEP
WITH A DIFFERENT WOMAN

852
00:38:23,300 --> 00:38:24,633
EVERY NIGHT?

853
00:38:24,667 --> 00:38:27,500
WELL, I LIKE TO HAVE
AS MUCH SEX AS POSSIBLE,

854
00:38:27,533 --> 00:38:29,333
WHENEVER, WHEREVER,

855
00:38:29,367 --> 00:38:33,067
BUT IF I COME ACROSS
SOMEONE REALLY AMAZING...

856
00:38:33,100 --> 00:38:34,300
I DON'T KNOW.

857
00:38:34,333 --> 00:38:36,133
TOO BAD THE CELLIST
HAD TO LEAVE THE BOAT.

858
00:38:36,167 --> 00:38:38,300
AND WHO'S
GOING TO BE NEXT?

859
00:38:38,333 --> 00:38:40,567
YOU KNOW, I DON'T KNOW.

860
00:38:40,600 --> 00:38:42,133
I'M OPEN TO A NEW DISCOVERY.

861
00:38:42,167 --> 00:38:43,633
HI.

862
00:38:43,667 --> 00:38:45,067
HAVE YOU SEEN JENNY?

863
00:38:45,100 --> 00:38:46,533
NO.
I'M TALKING TO PHOEBE SPARKLE.

864
00:38:46,567 --> 00:38:47,833
HI.

865
00:38:47,867 --> 00:38:49,533
HELLO.
HELLO,
PHOEBE SPARKLE.

866
00:38:49,567 --> 00:38:50,567
YOU HAVEN'T
SEEN HER?

867
00:38:50,600 --> 00:38:52,533
UM, CAN I BUY YOU A DRINK?

868
00:38:52,567 --> 00:38:55,733
UH...

869
00:38:55,767 --> 00:38:57,467
OKAY.

870
00:38:57,500 --> 00:39:00,067
GREAT.

871
00:39:00,067 --> 00:39:01,067
THANKS, SHANE.

872
00:39:02,700 --> 00:39:03,700
SHE OFFERED.

873
00:39:03,733 --> 00:39:05,300
MM-HMM.

874
00:39:37,600 --> 00:39:40,900
[CHEERING]

875
00:39:44,933 --> 00:39:46,900
[CHEERING]

876
00:39:49,067 --> 00:39:50,400
[SCREAMS]

877
00:39:56,533 --> 00:39:58,867
WHOO!

878
00:39:58,900 --> 00:40:00,833
[***]

879
00:40:11,967 --> 00:40:13,700
WELL, WELL, WELL.

880
00:40:13,733 --> 00:40:15,067
WHAT HAVE WE GOT HERE?

881
00:40:17,733 --> 00:40:20,633
WELL, IT LOOKS LIKE
A CAPTAIN'S UNIFORM TO ME.

882
00:40:30,300 --> 00:40:31,867
ALICE...

883
00:40:31,900 --> 00:40:33,233
IT'S HOT.

884
00:40:43,800 --> 00:40:45,400
OKAY.

885
00:40:45,433 --> 00:40:47,033
ALL RIGHT, AL, I'M READY.

886
00:40:47,067 --> 00:40:48,267
OKAY.

887
00:40:54,467 --> 00:40:55,467
JULIE...

888
00:40:59,633 --> 00:41:01,267
YOU LOOK...

889
00:41:01,300 --> 00:41:03,433
BEAUTIFUL.

890
00:41:03,467 --> 00:41:06,200
OH, CAPTAIN STUBING, THANK YOU.

891
00:41:07,733 --> 00:41:09,067
CAPTAIN STUBING...

892
00:41:11,333 --> 00:41:13,700
OH, GOD, IS THAT A PERISCOPE
IN YOUR POCKET,

893
00:41:13,733 --> 00:41:15,500
OR ARE YOU JUST HAPPY TO SEE ME?

894
00:41:20,133 --> 00:41:22,867
OH, CAPTAIN,
MY CAPTAIN.

895
00:41:22,900 --> 00:41:24,433
[KNOCKING]

896
00:41:24,467 --> 00:41:25,767
GUYS, IT'S TIME
FOR DINNER.

897
00:41:25,800 --> 00:41:27,067
WHAT?

898
00:41:27,100 --> 00:41:28,733
YOU'RE SITTING AT
THE CAPTAIN'S TABLE.

899
00:41:28,767 --> 00:41:30,800
NOW?

900
00:41:33,967 --> 00:41:35,667
HI. YOU'RE LATE.

901
00:41:35,700 --> 00:41:37,067
ALL THE OTHER PANELISTS
ARE ALREADY THERE.

902
00:41:37,067 --> 00:41:38,100
BUT I HAVE TO CHANGE.

903
00:41:38,133 --> 00:41:39,267
YOU LOOK GREAT.

904
00:41:39,300 --> 00:41:40,467
NO, I CAN'T--
COME ON.

905
00:41:40,500 --> 00:41:41,567
JULIE!

906
00:41:41,600 --> 00:41:43,300
CAPTAIN STUBING!

907
00:41:45,467 --> 00:41:47,133
[PHOEBE]: MOST OF THE WOMEN
ON THIS CRUISE?

908
00:41:47,167 --> 00:41:49,400
THEY DON'T HAVE
THAT KIND OF FREEDOM.

909
00:41:49,433 --> 00:41:51,433
THIS IS THE ONLY PLACE

910
00:41:51,467 --> 00:41:54,700
WHERE THEY'RE COMPLETELY FREE
TO EXPRESS THEMSELVES.

911
00:41:54,733 --> 00:41:56,067
MM-HMM.

912
00:42:00,467 --> 00:42:01,433
HI.

913
00:42:01,467 --> 00:42:02,500
HELLO. GOOD EVENING.

914
00:42:02,533 --> 00:42:04,667
HI. NICE TO SEE YOU.

915
00:42:07,700 --> 00:42:09,867
SEE, THESE GIRLS
ARE COMPLETELY IN THEIR POWER,

916
00:42:09,900 --> 00:42:11,400
FREE TO GO

917
00:42:11,433 --> 00:42:12,933
WHEREVER THEIR
LIBIDO TAKES THEM.

918
00:42:15,067 --> 00:42:16,667
[CAPTAIN]: FOR ME,
IT'S JUST BUSINESS,

919
00:42:16,700 --> 00:42:18,067
AND AS LONG AS
THE GUESTS ARE HAPPY,

920
00:42:18,100 --> 00:42:19,600
I'M HAPPY.

921
00:42:19,633 --> 00:42:21,133
YOU WANT TO TELL ME

922
00:42:21,167 --> 00:42:23,067
WHAT'S GOING ON
WITH YOU?

923
00:42:23,100 --> 00:42:25,067
NOTHING.

924
00:42:26,667 --> 00:42:28,300
NOTHING?
NO.

925
00:42:28,333 --> 00:42:30,467
OKAY.

926
00:42:30,500 --> 00:42:32,067
WELL, IT JUST...

927
00:42:32,067 --> 00:42:36,400
IT SEEMS LIKE YOU WANT
A THREE-WAY WITH SHANE.

928
00:42:36,433 --> 00:42:37,800
YOU SEEMED LIKE YOU WERE
VERY ATTRACTED TO HER,

929
00:42:37,833 --> 00:42:38,967
AND I JUST THOUGHT IT WOULD,
I DON'T KNOW...

930
00:42:39,067 --> 00:42:39,967
IT WOULD BE INTERESTING.

931
00:42:40,067 --> 00:42:40,967
IT JUST CAME INTO MY HEAD.

932
00:42:41,067 --> 00:42:42,100
ARE YOU JEALOUS?

933
00:42:42,133 --> 00:42:43,100
NO, I'M NOT--

934
00:42:43,133 --> 00:42:44,300
IS THAT WHAT THIS IS ALL ABOUT?

935
00:42:44,333 --> 00:42:45,967
JUST TELL ME IF THAT'S
WHAT THIS IS ALL ABOUT.

936
00:42:46,067 --> 00:42:47,233
NO, I'M NOT JEALOUS.
I JUST THOUGHT...

937
00:42:47,267 --> 00:42:50,433
WE HAVE TO EXPLORE OUR OPTIONS.

938
00:42:54,600 --> 00:42:55,667
THERE.

939
00:43:00,067 --> 00:43:02,233
IS THAT WHAT YOU WANT?

940
00:43:02,267 --> 00:43:05,167
SHE'S BEAUTIFUL.

941
00:43:07,333 --> 00:43:09,267
SALAD'S GREAT.

942
00:43:15,367 --> 00:43:16,667
OH, HELLO.

943
00:43:16,700 --> 00:43:17,967
HOW ARE YOU?

944
00:43:18,067 --> 00:43:19,833
NICE TO SEE YOU.

945
00:43:19,867 --> 00:43:21,233
NICE TO SEE YOU. HOW ARE YOU?

946
00:43:29,600 --> 00:43:31,067
I'LL BE RIGHT BACK.

947
00:43:43,433 --> 00:43:44,467
HI.

948
00:43:44,500 --> 00:43:45,467
CONGRATULATIONS.

949
00:43:45,500 --> 00:43:46,800
THANK YOU.

950
00:43:46,833 --> 00:43:48,633
I MEANS A LOT TO ME
THAT YOU'RE HERE.

951
00:43:48,667 --> 00:43:50,367
I WOULDN'T HAVE MISSED IT.

952
00:43:50,400 --> 00:43:53,600
I'VE BEEN THINKING A LOT
ABOUT US.

953
00:43:55,267 --> 00:43:56,233
YOU HAVE?

954
00:43:56,267 --> 00:43:58,267
MM-HMM. ABOUT THE OTHER DAY.

955
00:44:02,533 --> 00:44:04,400
IT WAS NICE.

956
00:44:04,433 --> 00:44:06,400
NICE?

957
00:44:06,433 --> 00:44:09,700
YEAH, IT WAS
REALLY, REALLY NICE,

958
00:44:09,733 --> 00:44:11,067
AND IF YOU WANT,

959
00:44:11,067 --> 00:44:12,767
I'D LIKE TO SEE
WHAT WOULD HAPPEN

960
00:44:12,800 --> 00:44:15,567
IF WE STARTED TO SPEND
SOME MORE TIME TOGETHER.

961
00:44:18,267 --> 00:44:20,967
WHAT ABOUT HELENA?

962
00:44:21,067 --> 00:44:24,067
WE'RE NOT EXCLUSIVE.

963
00:44:26,167 --> 00:44:28,467
SO ARE YOU SAYING
YOU WANT TO DATE ME?

964
00:44:28,500 --> 00:44:30,967
YEAH.

965
00:44:33,200 --> 00:44:35,067
TINA, YOU HAVE TO MEET
SENATOR FEINSTEIN.

966
00:44:35,067 --> 00:44:36,400
SHE'S NOT STAYING
FOR DINNER.

967
00:44:36,433 --> 00:44:37,433
HELLO, BETTE.

968
00:44:37,467 --> 00:44:39,233
HELLO, HELENA.

969
00:44:39,267 --> 00:44:40,267
THANK YOU
FOR INVITING ME.

970
00:44:40,300 --> 00:44:41,267
OH...

971
00:44:41,300 --> 00:44:42,767
YOU'RE AT TABLE 27,
RIGHT?

972
00:44:49,500 --> 00:44:51,867
[***]

973
00:44:55,433 --> 00:45:00,867
* SUNNY CAME HOME
WITH A LIST OF NAMES *

974
00:45:00,900 --> 00:45:05,733
* SHE DIDN'T BELIEVE
IN TRANSCENDENCE *

975
00:45:05,767 --> 00:45:11,900
* "IT'S TIME FOR A FEW
SMALL REPAIRS," SHE SAID *

976
00:45:11,933 --> 00:45:16,700
* SUNNY CAME HOME
WITH A VENGEANCE *

977
00:45:16,733 --> 00:45:19,067
* SHE SAYS DAYS GO BY

978
00:45:19,067 --> 00:45:26,700
* I DON'T KNOW WHY
I'M WALKING ON A WIRE *

979
00:45:26,733 --> 00:45:35,567
* I CLOSE MY EYES AND FLY
OUT OF MY MIND *

980
00:45:37,100 --> 00:45:39,667
* INTO THE FIRE

981
00:45:47,233 --> 00:45:52,867
* AND SUNNY CAME HOME

982
00:45:52,900 --> 00:45:55,467
* SUNNY CAME HOME

983
00:45:58,067 --> 00:46:03,367
* SUNNY CAME HOME *

984
00:46:09,700 --> 00:46:11,100
GREAT.

985
00:46:12,633 --> 00:46:14,400
SO LET'S GET
OUT OF HERE.

986
00:46:15,700 --> 00:46:20,200
[APPLAUSE]

987
00:46:20,233 --> 00:46:21,867
THANK YOU.

988
00:46:26,200 --> 00:46:28,800
THANK YOU.

989
00:46:28,833 --> 00:46:30,067
CAPTAIN STUBING,

990
00:46:30,067 --> 00:46:31,267
WHAT ARE WE GOING TO DO
ABOUT THIS BIG HARD-ON

991
00:46:31,300 --> 00:46:33,200
YOU'VE BEEN SPORTING
ALL NIGHT?

992
00:46:33,233 --> 00:46:35,633
I DON'T KNOW, JULIE.

993
00:46:35,667 --> 00:46:37,100
LET'S GO.

994
00:46:37,133 --> 00:46:39,200
WE CAN'T. IT'S RUDE.

995
00:46:39,233 --> 00:46:40,633
I'M GOING NUTS.

996
00:46:40,667 --> 00:46:41,767
I DON'T KNOW
HOW MUCH LONGER

997
00:46:41,800 --> 00:46:43,367
I CAN STAND IT.

998
00:46:54,767 --> 00:46:57,633
HELENA,
LOVELY TO SEE YOU.

999
00:46:57,667 --> 00:46:58,733
NICE TO SEE YOU
AGAIN.

1000
00:46:58,767 --> 00:46:59,900
HOW ARE YOU?

1001
00:47:00,067 --> 00:47:00,500
YOU KNOW, I WAS JUST
REMARKING TO JIM...

1002
00:47:12,700 --> 00:47:14,067
OH, GOD, CAPTAIN STUBING,

1003
00:47:14,100 --> 00:47:16,333
I WANT YOUR BIG DICK INSIDE ME
SO BAD.

1004
00:47:20,533 --> 00:47:21,633
I JUST HOPE MY WIFE
MARION ROSS

1005
00:47:21,667 --> 00:47:23,100
DOESN'T FIND OUT
ABOUT US.

1006
00:47:23,133 --> 00:47:24,967
NO, MARION ROSS
WAS THE ACTRESS.

1007
00:47:25,067 --> 00:47:26,700
THE CHARACTER'S NAME
WAS EMILY.

1008
00:47:29,400 --> 00:47:30,667
OH, GOD.

1009
00:47:32,133 --> 00:47:34,167
OH, MY...

1010
00:47:34,200 --> 00:47:36,433
OH, FUCK.

1011
00:47:37,633 --> 00:47:38,600
OH, GOD.

1012
00:47:38,633 --> 00:47:39,600
OH, GOD.

1013
00:47:39,633 --> 00:47:41,967
OH, GOD. OH, YEAH.

1014
00:47:42,067 --> 00:47:42,967
OH, MY GOD.

1015
00:47:43,067 --> 00:47:44,133
OH, GOD.

1016
00:47:44,167 --> 00:47:45,133
OH, GOD.

1017
00:47:45,167 --> 00:47:46,133
OH, NO.

1018
00:47:46,167 --> 00:47:47,133
WHAT?

1019
00:47:47,167 --> 00:47:48,300
OH, NO.

1020
00:47:48,333 --> 00:47:50,133
OW! GOD!

1021
00:47:50,167 --> 00:47:51,100
I...

1022
00:47:56,400 --> 00:48:00,700
[VOMITING]

1023
00:48:00,733 --> 00:48:03,933
OKAY, I'M COMING, BABY,
I'M COMING.

1024
00:48:12,767 --> 00:48:14,600
YOU TRYING TO TOP ME?

1025
00:48:14,633 --> 00:48:16,433
WHAT, YOU THINK YOU'RE
GOING TO TOP ME?

1026
00:48:34,867 --> 00:48:36,167
UH, SHIT.

1027
00:48:36,200 --> 00:48:37,733
LOOK, I HAVE A FAVOR
TO ASK OF YOU.

1028
00:48:37,767 --> 00:48:38,933
YEAH.

1029
00:48:38,967 --> 00:48:40,067
THINGS ARE
A LITTLE, UM...

1030
00:48:40,100 --> 00:48:42,067
THEY'RE A LITTLE...

1031
00:48:42,067 --> 00:48:45,067
DIFFERENT
IN MY ROOM...

1032
00:48:45,067 --> 00:48:46,200
MM-HMM.

1033
00:48:46,233 --> 00:48:49,267
AND I SEE THAT YOU
HAVE A COUCH.

1034
00:48:49,300 --> 00:48:50,900
YES.

1035
00:48:50,933 --> 00:48:52,967
WELL, WOULD YOU MIND?

1036
00:48:53,067 --> 00:48:55,300
YOU WANT TO
CRASH ON MY COUCH?

1037
00:48:55,333 --> 00:48:58,667
AS IN, SLEEP,
JUST SLEEP?

1038
00:48:58,700 --> 00:48:59,633
NO...

1039
00:48:59,667 --> 00:49:02,200
SLEEP, ENTIRELY.

1040
00:49:02,233 --> 00:49:03,367
YOU KNOW WHAT?

1041
00:49:03,400 --> 00:49:05,400
THAT SOUNDS FANTASTIC
TO ME.

1042
00:49:05,433 --> 00:49:07,400
I AM COMPLETELY
EXHAUSTED.

1043
00:49:07,433 --> 00:49:10,067
OKAY, GOOD.
THANK YOU SO MUCH.

1044
00:49:10,100 --> 00:49:11,133
YOU HAVE NO IDEA.

1045
00:49:11,167 --> 00:49:12,200
NO, THANK YOU.

1046
00:49:12,233 --> 00:49:13,367
HEY, UM...

1047
00:49:13,400 --> 00:49:14,967
JUST DO ME ONE FAVOR.

1048
00:49:15,067 --> 00:49:16,967
DON'T TELL ANYBODY.

1049
00:49:17,067 --> 00:49:18,433
NO. I SWEAR.

1050
00:49:18,467 --> 00:49:19,633
I WON'T SAY ANYTHING.

1051
00:49:19,667 --> 00:49:20,633
EXCELLENT.

1052
00:49:20,667 --> 00:49:21,767
THANK YOU.
OH, THANK YOU.

1053
00:49:21,800 --> 00:49:23,467
SLEEP WELL.
YOU TOO.

1054
00:49:54,267 --> 00:49:56,267
DAD, IS...

1055
00:49:56,300 --> 00:49:57,733
YOU'RE NOT EATING YOUR DINNER.

1056
00:49:57,767 --> 00:49:58,933
IS THERE SOMETHING WRONG
WITH IT?

1057
00:49:58,967 --> 00:50:00,967
OH, IT'S DELICIOUS.

1058
00:50:01,000 --> 00:50:03,567
I'M JUST
TAKING MY TIME.

1059
00:50:07,600 --> 00:50:09,267
[COUGHS]

1060
00:50:09,300 --> 00:50:10,767
EXCUSE ME.

1061
00:50:13,833 --> 00:50:14,800
DADDY!

1062
00:50:14,833 --> 00:50:15,733
OH...

1063
00:50:18,067 --> 00:50:20,800
AND SHE SECURED
THE LARGEST EVER GRANT

1064
00:50:20,833 --> 00:50:23,133
IN CALIFORNIA HISTORY

1065
00:50:23,167 --> 00:50:24,467
TO ESTABLISH
DAYCARE CENTERS

1066
00:50:24,500 --> 00:50:26,333
FOR AT-RISK KIDS...

1067
00:50:26,367 --> 00:50:27,633
NO, NO.

1068
00:50:27,667 --> 00:50:30,233
COME TO THE HOSPITAL. CEDARS.

1069
00:50:30,267 --> 00:50:32,800
OKAY.

1070
00:50:32,833 --> 00:50:35,300
MS. TINA KENNARD...

1071
00:50:35,333 --> 00:50:37,400
[APPLAUSE]

1072
00:50:40,767 --> 00:50:42,967
WOULD ALL FIVE
OF OUR HONOREES

1073
00:50:43,000 --> 00:50:45,733
PLEASE JOIN ME
UP HERE ON THE DAIS?

1074
00:50:48,600 --> 00:50:50,333
THESE FIVE INDIVIDUALS

1075
00:50:50,367 --> 00:50:52,733
ARE EXTRAORDINARY
IN THEIR ABILITY

1076
00:50:52,767 --> 00:50:54,800
TO WALK IN MANY WORLDS,

1077
00:50:54,833 --> 00:50:59,367
AND TO HOLD THE BIG VISION
THAT UNITES DIVERSE COMMUNITIES.

1078
00:50:59,400 --> 00:51:01,067
THEY INSPIRE ALL OF US

1079
00:51:01,067 --> 00:51:02,933
TO RISE ABOVE
DIVISIONS

1080
00:51:02,967 --> 00:51:03,733
AND DIFFERENCES.

1081
00:51:03,767 --> 00:51:04,867
IT IS MY HONOR

1082
00:51:04,900 --> 00:51:08,300
TO PRESENT THIS YEAR'S
COMMUNITY ACTIVIST AWARDS.

1083
00:51:28,933 --> 00:51:30,867
HEY.

1084
00:51:30,900 --> 00:51:32,967
HEY.

1085
00:51:35,200 --> 00:51:36,433
UM, I'M JUST
GOING TO GET MY KEYS.

1086
00:51:38,067 --> 00:51:40,800
WHAT ARE YOU DOING?

1087
00:51:43,500 --> 00:51:44,800
WHAT ARE THOSE?

1088
00:51:44,833 --> 00:51:47,467
THEY'RE CAMERAS.

1089
00:51:47,500 --> 00:51:49,533
WHAT'S WITH ALL THE TAPES?

1090
00:51:49,567 --> 00:51:50,933
THERE'S SOMETHING
THAT I NEED TO SHOW YOU,

1091
00:51:50,967 --> 00:51:53,067
AND, UM...

1092
00:51:53,100 --> 00:51:55,067
AND THEN, AFTER THAT,
I DON'T KNOW, UM...

1093
00:51:55,067 --> 00:51:57,567
YOU'LL PROBABLY
WANT ME OUT OF HERE.

1094
00:51:57,600 --> 00:51:58,567
IT'S GOING TO
TAKE ME--

1095
00:51:58,600 --> 00:52:00,233
WHAT'S GOING ON, MARK?

1096
00:52:00,267 --> 00:52:01,533
I JUST FINISHED
TAKING DOWN

1097
00:52:01,567 --> 00:52:04,533
THE LAST
OF THE CAMERAS.

1098
00:52:04,567 --> 00:52:06,467
I PRETTY MUCH HAD THEM
ALL OVER THE HOUSE.

1099
00:52:06,500 --> 00:52:07,933
UM...

1100
00:52:07,967 --> 00:52:09,600
JENNY SAW...

1101
00:52:09,633 --> 00:52:12,233
A TAPE I'D MADE
OF THE TWO OF YOU.

1102
00:52:12,267 --> 00:52:13,800
SHIT.

1103
00:52:13,833 --> 00:52:15,300
SHE DIDN'T WANT
TO TELL YOU,

1104
00:52:15,333 --> 00:52:15,933
BECAUSE SHE DIDN'T
WANT TO RUIN

1105
00:52:15,967 --> 00:52:17,400
YOUR VACATION.

1106
00:52:46,067 --> 00:52:48,067
JENNY, WAIT A MINUTE,
LISTEN TO ME.

1107
00:52:48,067 --> 00:52:49,767
IF YOU HEARD
THIS TAPE

1108
00:52:49,800 --> 00:52:50,767
OR THIS CONVERSATION,

1109
00:52:50,800 --> 00:52:52,867
THEN YOU KNOW
EXACTLY WHAT I SAID,

1110
00:52:52,900 --> 00:52:54,967
AND I SAID THAT IT IS FUN
AND EASY TO BE WITH YOU,

1111
00:52:55,067 --> 00:52:57,467
THAT I WANT
TO MAKE IT WORK WITH YOU.

1112
00:52:57,500 --> 00:53:01,100
IT'S OKAY...

1113
00:53:01,133 --> 00:53:03,367
THAT WE'RE NOT MEANT
TO BE TOGETHER,

1114
00:53:03,400 --> 00:53:04,600
AND I KNOW

1115
00:53:04,633 --> 00:53:06,667
THAT THE ONLY REASON
WHY YOU'RE WITH ME

1116
00:53:06,700 --> 00:53:09,867
IS BECAUSE
YOU WANT TO BE NEAR SHANE.

1117
00:53:09,900 --> 00:53:12,100
THAT IS BULLSHIT, JENNY.

1118
00:53:24,100 --> 00:53:26,400
SHANE IS MY
BEST FRIEND,

1119
00:53:26,433 --> 00:53:30,467
AND I DON'T WANT TO FUCK IT UP.

1120
00:53:32,667 --> 00:53:33,600
OKAY?

1121
00:55:20,267 --> 00:55:22,700
CAPTIONING PERFORMED BY:

1122
00:55:22,733 --> 00:55:25,133
LINE 21 MEDIA SERVICES LTD.
VANCOUVER, B.C. 2005