1
00:00:10,667 --> 00:00:11,733
PREVIOUSLY ON THE L WORD...

2
00:00:11,767 --> 00:00:13,400
YOU LOOK...

3
00:00:13,433 --> 00:00:14,967
BEAUTIFUL.

4
00:00:15,000 --> 00:00:16,800
LET'S START
WITH MOM AND DAD.

5
00:00:16,833 --> 00:00:19,033
DO YOU WRITE THEM,

6
00:00:19,067 --> 00:00:20,500
DO YOU SEE THEM,
DO YOU LOVE THEM?

7
00:00:20,533 --> 00:00:21,733
I MEAN, ANYTHING.

8
00:00:21,767 --> 00:00:23,233
WHAT'S WRONG?

9
00:00:23,267 --> 00:00:24,233
UNTIL YOU CAN ACKNOWLEDGE

10
00:00:24,267 --> 00:00:26,333
THAT MY RELATIONSHIP
OF EIGHT YEARS

11
00:00:26,367 --> 00:00:28,400
WAS AS MEANINGFUL AS YOUR
MARRIAGE TO MY MOTHER,

12
00:00:28,433 --> 00:00:30,400
UNTIL YOU CAN SEE
THAT MY HEART IS BROKEN

13
00:00:30,433 --> 00:00:32,333
BECAUSE I FAILED
THE WOMAN I LOVE,

14
00:00:32,367 --> 00:00:34,067
PERHAPS IN THE SAME WAY
THAT YOU FAILED MY MOTHER,

15
00:00:34,100 --> 00:00:35,633
THEN I REALLY HAVE
NOTHING ELSE TO SAY.

16
00:00:37,000 --> 00:00:38,167
DADDY!

17
00:00:40,000 --> 00:00:41,267
I'D LIKE TO SEE
WHAT WOULD HAPPEN

18
00:00:41,300 --> 00:00:43,300
IF WE STARTED TO SPEND
SOME MORE TIME TOGETHER.

19
00:00:43,333 --> 00:00:46,633
WHAT ABOUT HELENA?

20
00:00:46,667 --> 00:00:48,633
WE'RE NOT EXCLUSIVE.

21
00:00:48,667 --> 00:00:50,133
YOU HAVE CROSSED

22
00:00:50,167 --> 00:00:51,467
EVERY LINE OF TRUST,

23
00:00:51,500 --> 00:00:53,367
AND DON'T YOU DARE
TELL ME

24
00:00:53,400 --> 00:00:55,367
THIS WAS FOR THE SAKE OF ART.

25
00:00:55,400 --> 00:00:56,800
I JUST FINISHED
TAKING DOWN

26
00:00:56,833 --> 00:00:58,800
THE LAST
OF THE CAMERAS.

27
00:00:58,833 --> 00:01:01,333
I PRETTY MUCH
HAD THEM ALL OVER THE HOUSE.

28
00:01:01,367 --> 00:01:03,133
UM, JENNY SAW

29
00:01:03,167 --> 00:01:05,700
A TAPE I HAD MADE
OF THE TWO OF YOU.

30
00:01:18,900 --> 00:01:21,067
BEG ME.

31
00:01:23,467 --> 00:01:25,467
[WHIMPERS]

32
00:01:25,500 --> 00:01:27,500
SPEAK MORE CLEARLY.
I CAN'T UNDERSTAND YOU.

33
00:01:27,533 --> 00:01:28,933
[MOANS LOUDLY]

34
00:01:49,767 --> 00:01:51,233
FUCK ME.

35
00:01:53,500 --> 00:01:55,100
PLEASE FUCK ME.

36
00:01:58,133 --> 00:01:59,467
I'M GOING TO
GIVE YOU A MINUTE

37
00:01:59,500 --> 00:02:01,767
TO THINK ABOUT...

38
00:02:01,800 --> 00:02:05,033
HOW BADLY
YOU WANT ME TO FUCK YOU.

39
00:02:35,400 --> 00:02:41,700
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *

40
00:02:41,733 --> 00:02:48,233
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *

41
00:02:48,267 --> 00:02:54,400
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *

42
00:02:54,433 --> 00:03:01,867
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *

43
00:03:08,633 --> 00:03:10,233
* TALKING, LAUGHING
LOVING, BREATHING *

44
00:03:10,267 --> 00:03:12,233
* FIGHTING, FUCKING
CRYING, DRINKING *

45
00:03:12,267 --> 00:03:13,400
* WRITING, WINNING
LOSING, CHEATING *

46
00:03:13,433 --> 00:03:14,933
* KISSING, THINKING, DREAMING

47
00:03:14,967 --> 00:03:16,933
* THIS IS THE WAY...

48
00:03:16,967 --> 00:03:19,767
* THIS IS THE WAY
THAT WE LIVE *

49
00:03:19,800 --> 00:03:25,300
* IT'S THE WAY THAT WE LIVE

50
00:03:25,333 --> 00:03:29,067
* AND LOVE *

51
00:03:45,200 --> 00:03:46,467
I DON'T KNOW
WHAT ELSE TO TELL YOU.

52
00:03:46,500 --> 00:03:47,833
COULDN'T YOU TRY
TO CONVINCE HIM?

53
00:03:47,867 --> 00:03:49,400
I'VE SPOKEN TO YOUR
FATHER'S PHYSICIAN

54
00:03:49,433 --> 00:03:50,633
IN PHILADELPHIA.

55
00:03:50,667 --> 00:03:52,467
HE TELLS ME
YOUR FATHER IS ADAMANT.

56
00:03:52,500 --> 00:03:54,167
I THINK

57
00:03:54,200 --> 00:03:55,333
THAT HE'S VERY AWARE

58
00:03:55,367 --> 00:03:57,333
THAT IT WOULD BE
AN UPHILL BATTLE

59
00:03:57,367 --> 00:03:58,967
WITH LITTLE HOPE OF RECOVERY.

60
00:03:59,000 --> 00:04:00,633
I'M SORRY.

61
00:04:07,533 --> 00:04:08,800
HEY.

62
00:04:08,833 --> 00:04:10,400
HOW IS HE?

63
00:04:12,633 --> 00:04:15,600
HE HAS ADVANCED PROSTATE CANCER,

64
00:04:15,633 --> 00:04:18,767
AND HE'S REFUSING ANY TREATMENT.

65
00:04:18,800 --> 00:04:19,967
OH, MY GOD.

66
00:04:20,000 --> 00:04:21,100
I'M SO SORRY.

67
00:04:21,133 --> 00:04:22,233
I'M SO SORRY.

68
00:04:22,267 --> 00:04:25,467
LOOK, IT'S GOING TO
BE ALL RIGHT, OKAY?

69
00:04:25,500 --> 00:04:26,767
IT'S OKAY.

70
00:04:26,800 --> 00:04:28,433
WE'RE GOING TO
GET THROUGH THIS.

71
00:04:28,467 --> 00:04:30,300
WHERE'S KIT?

72
00:04:30,333 --> 00:04:32,067
SHE'S IN THE ROOM,

73
00:04:32,100 --> 00:04:33,767
BUT SHE HAS TO LEAVE
TO GO TO THE PLANET

74
00:04:33,800 --> 00:04:36,500
TO GET READY FOR TOMORROW.

75
00:04:36,533 --> 00:04:38,300
OH, I FORGOT
TOMORROW'S THE PARADE.

76
00:04:38,333 --> 00:04:40,900
SHE THINKS HE'S RIGHT
TO REFUSE TREATMENT.

77
00:04:40,933 --> 00:04:43,400
WELL, MAYBE SHE'S JUST TRYING
TO SUPPORT HIS DECISION.

78
00:04:43,433 --> 00:04:44,667
THAT'S IT--

79
00:04:44,700 --> 00:04:45,533
HE CANNOT MAKE A DECISION
RIGHT NOW.

80
00:04:45,567 --> 00:04:46,733
I MEAN, YOU SHOULD SEE HIM.

81
00:04:46,767 --> 00:04:48,600
HE'S NOT HIMSELF.

82
00:04:48,633 --> 00:04:50,800
HE'S SO SICK.

83
00:04:50,833 --> 00:04:52,100
COME ON.

84
00:04:58,700 --> 00:05:00,200
THERE YOU GO.

85
00:05:00,233 --> 00:05:01,233
HEY.

86
00:05:02,700 --> 00:05:04,733
EASY, EASY.
EASY, EASY.

87
00:05:06,400 --> 00:05:08,400
LET ME HELP WITH THE FEET.

88
00:05:08,433 --> 00:05:10,233
HELLO, MELVIN.

89
00:05:12,300 --> 00:05:13,800
TAKE THOSE HOME.

90
00:05:13,833 --> 00:05:16,300
YOU CAN PUT FLOWERS ON MY GRAVE.

91
00:05:18,033 --> 00:05:20,400
AREN'T YOU GOING TO SAY
HELLO TO TINA, DADDY?

92
00:05:20,433 --> 00:05:22,733
HELLO, MS. KENNARD.

93
00:05:24,567 --> 00:05:26,300
HOW ARE YOU FEELING?

94
00:05:26,333 --> 00:05:28,867
HOW DO YOU THINK I'M FEELING?

95
00:05:30,667 --> 00:05:33,000
DADDY, DID YOU SEE
HOW PREGNANT TINA IS?

96
00:05:35,033 --> 00:05:36,400
WOULD YOU LIKE TO FEEL THE BABY?

97
00:05:36,433 --> 00:05:40,533
THAT WOULD BE
HIGHLY INAPPROPRIATE.

98
00:05:45,967 --> 00:05:47,933
[CARMEN]: HI.
ME RIGHT HERE.

99
00:05:47,967 --> 00:05:49,633
I...

100
00:05:49,667 --> 00:05:51,933
WOULD MAKE OUT WITH...

101
00:05:51,967 --> 00:05:54,533
...CAN SOMETIMES BE
A LITTLE SEXY.

102
00:05:54,567 --> 00:05:56,800
[SHANE]: THAT'S SCARY,
OR STUPID.

103
00:05:56,833 --> 00:05:59,933
THAT'S RIGHT,
AND STUPID, SHANE...

104
00:06:05,067 --> 00:06:08,033
[MARK]: LET ME ASK YOU
THIS QUESTION.

105
00:06:08,067 --> 00:06:15,967
WHAT ARE YOU LOOKING FOR
IN A WOMAN?

106
00:06:16,000 --> 00:06:18,633
[SHANE]: WHAT ARE
YOU LOOKING FOR?

107
00:06:31,733 --> 00:06:34,967
[WHISPERING IN HEBREW]

108
00:06:42,567 --> 00:06:44,400
[FOOTSTEPS APPROACHING]

109
00:06:52,367 --> 00:06:54,833
[SHANE]: JEN?

110
00:06:54,867 --> 00:06:56,200
HI.

111
00:06:59,467 --> 00:07:00,733
WHAT ARE YOU DOING?

112
00:07:00,767 --> 00:07:03,033
UM...

113
00:07:03,067 --> 00:07:04,500
I JUST KEEP ON
HAVING...

114
00:07:04,533 --> 00:07:07,367
THESE NIGHTMARES,

115
00:07:07,400 --> 00:07:11,733
AND I'M JUST TRYING
TO WORK IT ALL OUT.

116
00:07:13,333 --> 00:07:15,333
WELL, UM...

117
00:07:17,000 --> 00:07:18,300
CAN WE TALK FOR A SECOND?

118
00:07:19,767 --> 00:07:20,867
YEAH.

119
00:07:28,067 --> 00:07:30,767
THIS IS MY HOME, JENNY...

120
00:07:30,800 --> 00:07:32,467
AND...

121
00:07:32,500 --> 00:07:34,333
I DON'T KNOW. IT'S...

122
00:07:34,367 --> 00:07:36,567
FOR THE FIRST TIME,

123
00:07:36,600 --> 00:07:40,333
I ACTUALLY HAVE
A ROOM OF MY OWN.

124
00:07:40,367 --> 00:07:44,167
THAT'S A HUGE THING
FOR ME,

125
00:07:44,200 --> 00:07:46,433
AND I'M SORRY...

126
00:07:46,467 --> 00:07:47,667
I AM.

127
00:07:47,700 --> 00:07:50,133
I'M SORRY ABOUT
WHAT YOU SAW ON THAT TAPE,

128
00:07:50,167 --> 00:07:53,067
BUT...

129
00:07:53,100 --> 00:07:54,667
I LIKE
LIVING WITH YOU.

130
00:07:56,000 --> 00:07:57,133
I LOVE IT.

131
00:07:57,167 --> 00:07:58,867
I THINK WE HAVE
A GREAT TIME.

132
00:07:58,900 --> 00:08:01,333
RIGHT?

133
00:08:04,467 --> 00:08:06,333
IT'S JUST, I DON'T...

134
00:08:06,367 --> 00:08:09,100
I JUST DON'T WANT TO LOSE IT.

135
00:08:11,900 --> 00:08:14,233
YEAH.

136
00:08:19,233 --> 00:08:21,167
WHAT ARE YOU GOING TO DO
ABOUT CARMEN?

137
00:08:26,867 --> 00:08:28,300
NOTHING.

138
00:08:28,333 --> 00:08:29,500
I THINK
THE TWO OF YOU

139
00:08:29,533 --> 00:08:32,267
SHOULD BE TOGETHER.

140
00:08:32,300 --> 00:08:34,333
WHAT ABOUT YOU?

141
00:08:37,400 --> 00:08:40,500
I THINK, UH...

142
00:08:40,533 --> 00:08:42,500
I THINK THAT IT WAS
A VERY IMPORTANT STEP FOR ME,

143
00:08:42,533 --> 00:08:44,300
AND NOW...

144
00:08:44,333 --> 00:08:47,300
I'M ON TO OTHER THINGS.

145
00:08:47,333 --> 00:08:48,467
IS THAT WHY

146
00:08:48,500 --> 00:08:49,933
YOU'RE PUSHING ME
AND CARMEN TOGETHER?

147
00:08:49,967 --> 00:08:51,467
NO.

148
00:08:51,500 --> 00:08:54,567
BECAUSE YOU'RE GREAT TOGETHER.

149
00:08:54,600 --> 00:08:57,200
I WANT TO SHOW YOU SOMETHING.

150
00:09:01,600 --> 00:09:03,900
I'M LOOKING FOR A GOOD TIME.

151
00:09:03,933 --> 00:09:06,333
[MARK]: COME ON.

152
00:09:06,367 --> 00:09:08,800
REALLY?

153
00:09:08,833 --> 00:09:11,000
YEAH.

154
00:09:11,033 --> 00:09:13,333
WHY DO YOU ASK AS IF I'M NOT?

155
00:09:13,367 --> 00:09:15,000
BECAUSE I WANT YOU
TO BE TRUTHFUL.

156
00:09:17,000 --> 00:09:18,967
I AM.

157
00:09:26,233 --> 00:09:27,567
[SHANE]: WHAT ARE
YOU LOOKING FOR?

158
00:09:29,267 --> 00:09:30,633
MARK HERE,
ANSWERING THE QUESTION,

159
00:09:30,667 --> 00:09:32,133
"WHAT ARE YOU LOOKING FOR
IN A WOMAN?"

160
00:09:32,167 --> 00:09:35,100
A LITTLE LOVE. HAPPINESS.

161
00:09:35,133 --> 00:09:36,533
AND A LITTLE
AL GREEN.

162
00:09:36,567 --> 00:09:40,500
MOST DEFINITELY
A LITTLE AL GREEN.

163
00:09:40,533 --> 00:09:42,033
NO, REALLY.

164
00:09:42,067 --> 00:09:44,900
WHAT?

165
00:09:44,933 --> 00:09:46,667
WHAT ARE YOU LOOKING FOR?

166
00:09:48,633 --> 00:09:50,800
[TAPE EJECTS]

167
00:09:55,067 --> 00:09:57,033
YOU'RE NOT SCARY...

168
00:09:59,333 --> 00:10:00,300
AND CARMEN

169
00:10:00,333 --> 00:10:01,500
IS NOT GOING TO
GET HERSELF INVOLVED

170
00:10:01,533 --> 00:10:02,667
WITH SOMETHING
THAT SHE CAN'T HANDLE,

171
00:10:02,700 --> 00:10:04,300
OKAY?

172
00:10:18,700 --> 00:10:21,133
[***]

173
00:10:21,167 --> 00:10:23,433
[SOFT MOANING, KISSING]

174
00:10:30,267 --> 00:10:31,567
I LOVE YOU.

175
00:10:31,600 --> 00:10:34,267
CAMILLE, I TOLD YOU
NOT TO FALL IN LOVE WITH ME.

176
00:10:34,300 --> 00:10:35,667
NO.

177
00:10:35,700 --> 00:10:37,200
THIS IS ME TALKING.

178
00:10:37,233 --> 00:10:39,067
I LOVE YOU, DANA.

179
00:10:40,933 --> 00:10:42,733
[DOORBELL RINGING]

180
00:10:44,067 --> 00:10:45,333
WHO IS THAT?

181
00:10:45,367 --> 00:10:46,967
I DON'T KNOW.

182
00:10:52,233 --> 00:10:53,667
IT'S HOWIE.

183
00:10:53,700 --> 00:10:55,867
WHAT?

184
00:10:55,900 --> 00:10:57,433
WHAT'S HE
DOING HERE?

185
00:10:57,467 --> 00:10:58,967
HEY.

186
00:10:59,000 --> 00:11:00,133
HEY, IS THAT YOU GUYS?

187
00:11:03,967 --> 00:11:06,167
I CAN HEAR YOU.

188
00:11:10,500 --> 00:11:11,567
HEY.

189
00:11:11,600 --> 00:11:12,300
HOWIE!

190
00:11:12,333 --> 00:11:13,967
BIG SIS!

191
00:11:14,000 --> 00:11:16,333
GOOD TO SEE YOU.

192
00:11:16,367 --> 00:11:17,800
YEAH.

193
00:11:17,833 --> 00:11:18,967
OH, ALICE...

194
00:11:19,000 --> 00:11:20,100
NICE OUTFIT.

195
00:11:20,133 --> 00:11:21,200
YEAH, I'M CLEANING.

196
00:11:21,233 --> 00:11:23,300
HOW DID YOU FIND ME?

197
00:11:23,333 --> 00:11:24,367
ARE YOU KIDDING?

198
00:11:24,400 --> 00:11:26,400
MOM AND DAD LOVE TO TALK
ABOUT HOW YOU, UH...

199
00:11:26,433 --> 00:11:27,567
GAVE UP YOUR
BRIGHT FUTURE

200
00:11:27,600 --> 00:11:28,600
WITH TONYA

201
00:11:28,633 --> 00:11:29,667
FOR A DEAD-END
RELATIONSHIP

202
00:11:29,700 --> 00:11:31,167
WITH HER.

203
00:11:37,033 --> 00:11:38,867
SORRY.

204
00:11:43,100 --> 00:11:44,733
YOU SEEM FAR AWAY.

205
00:11:46,500 --> 00:11:47,667
I'M NOT.

206
00:11:47,700 --> 00:11:50,333
I'M JUST THINKING ABOUT MELVIN.

207
00:11:52,167 --> 00:11:54,700
I THOUGHT
THAT MIGHT BE THE CASE.

208
00:11:54,733 --> 00:11:55,967
I DON'T KNOW WHAT
BETTE'S GOING TO DO

209
00:11:56,000 --> 00:11:57,700
WITHOUT HIM.

210
00:11:59,467 --> 00:12:02,233
TINA...

211
00:12:02,267 --> 00:12:03,700
I DON'T MEAN TO SOUND HARSH,

212
00:12:03,733 --> 00:12:06,667
BUT THAT'S NOT REALLY
ANY OF YOUR CONCERN ANYMORE,

213
00:12:06,700 --> 00:12:08,200
IS IT?

214
00:12:08,233 --> 00:12:11,600
BETTE'S STILL MY FAMILY.

215
00:12:11,633 --> 00:12:12,933
YES.

216
00:12:12,967 --> 00:12:15,167
I'M REMINDED OF THAT
OFTEN ENOUGH.

217
00:12:17,467 --> 00:12:18,667
CAN I TAKE
YOUR PLATES?

218
00:12:18,700 --> 00:12:20,000
MM. SURE.

219
00:12:23,533 --> 00:12:24,800
AND CAN WE SEE
THE DESSERT MENU,

220
00:12:24,833 --> 00:12:25,933
PLEASE?

221
00:12:25,967 --> 00:12:27,100
I'LL BRING IT RIGHT OVER.

222
00:12:30,600 --> 00:12:32,200
I WANT TO SEE OTHER PEOPLE.

223
00:12:34,500 --> 00:12:36,900
YOU MEAN YOU WANT TO SEE BETTE.

224
00:12:39,400 --> 00:12:41,600
TINA, IT'S FINE.

225
00:12:41,633 --> 00:12:44,767
IT'S NOT AS IF WE'RE EXCLUSIVE.

226
00:12:46,400 --> 00:12:49,467
YOU HAVEN'T DROPPED A BOMBSHELL.
I MEAN...

227
00:12:49,500 --> 00:12:51,667
I JUST FEEL BAD

228
00:12:51,700 --> 00:12:53,267
THAT YOU WERE
UNDER THE IMPRESSION

229
00:12:53,300 --> 00:12:55,000
THINGS WERE OTHERWISE.

230
00:12:57,900 --> 00:12:59,300
HERE YOU GO.

231
00:12:59,333 --> 00:13:01,633
THANK YOU.

232
00:13:03,033 --> 00:13:04,033
DID YOU RUN AWAY?

233
00:13:04,067 --> 00:13:05,200
NO, NO, MOM AND DAD

234
00:13:05,233 --> 00:13:07,233
WERE JUST WAY UP
IN MY GRILL, SO...

235
00:13:07,267 --> 00:13:08,467
I NEEDED SOME SPACE.

236
00:13:08,500 --> 00:13:10,133
SO YOU CAME HERE?

237
00:13:10,167 --> 00:13:11,533
WELL, YEAH,

238
00:13:11,567 --> 00:13:12,533
I THOUGHT IT WOULD BE FUN
TO SURPRISE YOU GUYS.

239
00:13:12,567 --> 00:13:13,967
CALLING'S FUN TOO.

240
00:13:14,000 --> 00:13:15,267
OR AN EMAIL'S FUN.

241
00:13:15,300 --> 00:13:17,133
WHAT, ARE YOU GUYS
NOT HAPPY TO SEE ME?

242
00:13:17,167 --> 00:13:18,967
NO, IT'S NOT THAT AT ALL.

243
00:13:19,000 --> 00:13:20,733
IT'S JUST, YOU KNOW...

244
00:13:20,767 --> 00:13:23,633
HOW LONG ARE YOU
STAYING, HOWIE?

245
00:13:23,667 --> 00:13:24,733
WELL--

246
00:13:24,767 --> 00:13:26,167
BECAUSE IT'S GAY PRIDE WEEKEND,

247
00:13:26,200 --> 00:13:28,700
AND WE'RE KIND OF ALL UP
IN THAT "OUT AND PROUD" THING.

248
00:13:28,733 --> 00:13:29,967
OKAY, WELL, UH...

249
00:13:30,000 --> 00:13:31,167
WELL, MAYBE
I'LL GO WITH YOU, THEN.

250
00:13:32,900 --> 00:13:35,200
HOWIE...

251
00:13:35,233 --> 00:13:36,733
HOW DO I PUT THIS?

252
00:13:36,767 --> 00:13:38,000
UM...

253
00:13:39,567 --> 00:13:41,467
GAY PRIDE, HOWIE,
IS FOR GAY PEOPLE.

254
00:13:41,500 --> 00:13:42,467
YES.

255
00:13:42,500 --> 00:13:45,167
YEAH. OKAY, SEE...

256
00:13:45,200 --> 00:13:46,433
COME HERE.

257
00:13:48,433 --> 00:13:49,533
GAY.

258
00:13:49,567 --> 00:13:50,567
YEAH.

259
00:13:51,567 --> 00:13:52,900
NOT GAY.

260
00:13:52,933 --> 00:13:55,533
RIGHT. RIGHT.

261
00:14:01,267 --> 00:14:02,267
YOU WANT TO COME
TO PRIDE WITH ME

262
00:14:02,300 --> 00:14:03,400
TOMORROW?

263
00:14:03,433 --> 00:14:06,267
YEAH.

264
00:14:06,300 --> 00:14:08,400
THERE'S A PARTY AT
THE PLANET AFTERWARDS.

265
00:14:12,267 --> 00:14:14,767
MAY I COME IN?

266
00:14:16,733 --> 00:14:17,767
SORRY.

267
00:14:17,800 --> 00:14:19,733
I WAS JUST WONDERING
IF IT WOULD BE ALL RIGHT

268
00:14:19,767 --> 00:14:21,167
IF I JUST STAYED HERE TONIGHT

269
00:14:21,200 --> 00:14:22,700
AND LEFT
FIRST THING IN THE MORNING.

270
00:14:22,733 --> 00:14:24,167
I'VE ALMOST GOT
ALL THE STUFF

271
00:14:24,200 --> 00:14:25,200
IN MY CAR,

272
00:14:25,233 --> 00:14:27,333
BUT I JUST DON'T
WANT TO LEAVE...

273
00:14:27,367 --> 00:14:29,700
MY CAR FULL OF SHIT
WHILE I UNPACK AT NIGHT.

274
00:14:29,733 --> 00:14:34,067
YEAH, SOMEONE
MIGHT STEAL YOUR CAMERAS.

275
00:14:35,367 --> 00:14:36,867
I KNOW THAT YOU HATE ME...

276
00:14:39,200 --> 00:14:41,167
AND...

277
00:14:41,200 --> 00:14:43,067
WHILE I WOULD
LOVE TO ASK

278
00:14:43,100 --> 00:14:45,667
FOR YOUR FORGIVENESS,

279
00:14:45,700 --> 00:14:48,967
I PROBABLY
WOULDN'T FORGIVE MYSELF,

280
00:14:49,000 --> 00:14:51,333
SO...

281
00:14:54,467 --> 00:14:56,567
I DON'T KNOW IF YOU CAN...

282
00:14:56,600 --> 00:15:00,000
RELATE TO THIS, BUT...

283
00:15:00,033 --> 00:15:06,367
IT'S LIKE THIS TERRIBLE THING
THAT I WAS DOING

284
00:15:06,400 --> 00:15:11,433
SUDDENLY BECAME
THE BEST, TRUEST THING

285
00:15:11,467 --> 00:15:13,133
THAT I HAD EVER DONE.

286
00:15:13,167 --> 00:15:15,467
WHAT?

287
00:15:20,100 --> 00:15:22,100
I'LL GET THE REST OF MY BOXES.
SORRY.

288
00:15:24,867 --> 00:15:26,067
HEY.

289
00:15:28,467 --> 00:15:29,567
YOU CAN STAY TONIGHT.

290
00:15:33,100 --> 00:15:34,433
THANK YOU.

291
00:15:46,767 --> 00:15:48,533
"WELL, I WAS GETTING TO
FEEL THAT WAY MYSELF,

292
00:15:48,567 --> 00:15:50,400
"THOUGH I'VE ALWAYS RECKONED
THAT LOOKING AT THE NEW MOON

293
00:15:50,433 --> 00:15:52,267
"OVER YOUR LEFT SHOULDER

294
00:15:52,300 --> 00:15:54,300
"IS ONE OF THE CARELESSEST
AND FOOLISHEST THINGS

295
00:15:54,333 --> 00:15:55,400
"A BODY COULD DO.

296
00:15:55,433 --> 00:15:56,800
OLD HANK BUNKER--"

297
00:15:56,833 --> 00:15:57,767
[KNOCKING]

298
00:15:57,800 --> 00:15:59,467
HI.

299
00:15:59,500 --> 00:16:00,800
HELLO, MELVIN.

300
00:16:00,833 --> 00:16:03,067
HELLO.

301
00:16:04,867 --> 00:16:05,833
HEY.

302
00:16:05,867 --> 00:16:07,333
HEY.

303
00:16:07,367 --> 00:16:09,767
I BROUGHT YOU SOME FOOD
AND A CHANGE OF CLOTHES.

304
00:16:09,800 --> 00:16:11,867
THANK YOU SO MUCH.

305
00:16:11,900 --> 00:16:13,067
AS NICE AS IT IS,

306
00:16:13,100 --> 00:16:14,500
I DON'T KNOW
HOW MUCH LONGER

307
00:16:14,533 --> 00:16:15,967
I COULD'VE
WORN THIS DRESS.

308
00:16:16,000 --> 00:16:18,633
WELL, YOU LOOK
BEAUTIFUL IN IT.

309
00:16:18,667 --> 00:16:20,433
YOU LOOKED BEAUTIFUL.

310
00:16:20,467 --> 00:16:22,533
RADIANT.

311
00:16:22,567 --> 00:16:24,333
[TINA]:
I WAS SO MAD AT YOU

312
00:16:24,367 --> 00:16:26,633
FOR LEAVING
THE CEREMONY.

313
00:16:26,667 --> 00:16:29,133
I THOUGHT YOU DID IT
TO SPITE ME.

314
00:16:29,167 --> 00:16:30,367
NO.

315
00:16:30,400 --> 00:16:31,800
I WAS SO PROUD OF YOU.

316
00:16:31,833 --> 00:16:33,667
YOU LOOK SO CONFIDENT.

317
00:16:37,767 --> 00:16:39,833
WOULD YOU PLEASE
CLOSE THAT CURTAIN?

318
00:16:39,867 --> 00:16:41,133
OF COURSE.

319
00:16:48,100 --> 00:16:50,333
WELL, I SHOULD GO HOME.

320
00:16:50,367 --> 00:16:53,000
WELL, THANK YOU FOR THE FOOD
AND THE CLOTHES.

321
00:16:56,600 --> 00:16:59,000
WILL I SEE YOU TOMORROW?

322
00:17:00,867 --> 00:17:04,033
UM, I'M GOING TO GO
TO THE PARADE WITH HELENA.

323
00:17:04,067 --> 00:17:06,500
OH.

324
00:17:06,533 --> 00:17:10,033
LOOK, I'M NOT GOING TO
STOP SEEING HER.

325
00:17:10,067 --> 00:17:12,433
IF YOU DON'T WANT TO SEE ME
UNDER THOSE CIRCUMSTANCES,

326
00:17:12,467 --> 00:17:14,367
I UNDERSTAND.

327
00:17:16,133 --> 00:17:18,467
ONE STEP AT A TIME,
OKAY?

328
00:17:18,500 --> 00:17:20,933
OKAY.

329
00:17:30,333 --> 00:17:31,967
SHE'S GONE NOW.

330
00:17:32,000 --> 00:17:33,233
YOU DON'T HAVE TO HIDE ANYMORE.

331
00:17:33,267 --> 00:17:35,300
WHAT HAVE I DONE?

332
00:17:35,333 --> 00:17:36,800
WHAT ARE TALKING ABOUT?

333
00:17:36,833 --> 00:17:38,167
I'VE LOVED YOU.

334
00:17:38,200 --> 00:17:40,433
I HAVE SUPPORTED
EVERY ENDEAVOR

335
00:17:40,467 --> 00:17:42,900
YOU'VE EVER
UNDERTAKEN.

336
00:17:42,933 --> 00:17:44,300
I'VE GIVEN YOU
EVERY OPPORTUNITY

337
00:17:44,333 --> 00:17:46,933
TO FOLLOW
YOUR EVERY DREAM.

338
00:17:46,967 --> 00:17:50,700
I DON'T UNDERSTAND
WHY YOU WANT TO PUNISH ME.

339
00:17:50,733 --> 00:17:51,867
I'M NOT PUNISHING YOU.

340
00:17:51,900 --> 00:17:53,867
I DO NOT
UNDERSTAND,

341
00:17:53,900 --> 00:17:56,300
AND YOU'RE SUCH
A BEAUTIFUL WOMAN.

342
00:17:56,333 --> 00:17:57,700
DADDY.

343
00:17:57,733 --> 00:17:59,500
DON'T YOU EVER
THINK ABOUT THE DAY

344
00:17:59,533 --> 00:18:02,000
YOU'RE GOING TO STAND
UNDER JUDGMENT BEFORE GOD?

345
00:18:02,033 --> 00:18:06,100
WHAT ARE YOU GOING TO SAY TO HIM
WHEN HE OPENS THE BOOK OF LIFE

346
00:18:06,133 --> 00:18:08,700
AND READS YOUR SINS?

347
00:18:10,400 --> 00:18:12,767
I WILL SAY,
"I AM YOUR CREATION,

348
00:18:12,800 --> 00:18:15,600
AND I AM PROUD."

349
00:18:22,367 --> 00:18:23,800
NOW, I KNOW
HOW HARD YOU WORK

350
00:18:23,833 --> 00:18:25,800
TO DISTANCE YOURSELF

351
00:18:25,833 --> 00:18:28,933
FROM EVERYONE ELSE
ON THIS PLANET,

352
00:18:28,967 --> 00:18:30,833
AND I AM SURE
THAT DEEP DOWN,

353
00:18:30,867 --> 00:18:32,967
YOU'VE GOT SOME
GREAT REASONS WHY,

354
00:18:33,000 --> 00:18:35,533
BUT IT'S NOT WORKING
FOR YOU ANYMORE.

355
00:18:35,567 --> 00:18:37,633
IT'S WORKING FINE.

356
00:18:37,667 --> 00:18:40,600
NO, IT'S NOT.

357
00:18:40,633 --> 00:18:43,567
IT'S NOT,
BECAUSE OF THIS.

358
00:18:43,600 --> 00:18:44,967
OKAY?

359
00:18:45,000 --> 00:18:46,133
BECAUSE OF THIS
RIGHT HERE.

360
00:18:46,167 --> 00:18:47,700
DO YOU FEEL THIS?

361
00:18:47,733 --> 00:18:49,833
MOST PEOPLE DON'T
HAVE THIS, SHANE.

362
00:18:49,867 --> 00:18:51,333
THIS IS RARE.

363
00:18:51,367 --> 00:18:54,233
THIS KIND OF THING
JUST DOESN'T HAPPEN,

364
00:18:54,267 --> 00:18:57,767
AND I FEEL THIS
BECAUSE I SEE IT

365
00:18:57,800 --> 00:19:00,200
AND I KNOW IT.

366
00:19:11,233 --> 00:19:12,667
UH, HERE'S
SOME SHEETS, AND...

367
00:19:12,700 --> 00:19:13,967
WOW, THANK YOU.

368
00:19:14,000 --> 00:19:15,200
PILLOWS AND THINGS.

369
00:19:19,267 --> 00:19:21,767
UH, YOU NEED PJs?

370
00:19:21,800 --> 00:19:23,333
UH, NO, I'M GOOD.

371
00:19:23,367 --> 00:19:24,567
YEAH.

372
00:19:24,600 --> 00:19:26,533
OKAY.

373
00:19:28,433 --> 00:19:31,000
I'M HAPPY YOU'RE HERE.

374
00:19:31,033 --> 00:19:33,267
IT'S GOOD TO SEE YOU TOO, DANE.

375
00:19:33,300 --> 00:19:35,200
ALL RIGHT.

376
00:19:35,233 --> 00:19:36,800
GOOD NIGHT.

377
00:19:36,833 --> 00:19:38,233
GOOD NIGHT.

378
00:19:42,100 --> 00:19:44,000
HE'S GOING TO RUIN
OUR PRIDE.

379
00:19:47,700 --> 00:19:49,967
MAYBE HE CAN HANG OUT WITH YOU.

380
00:19:50,000 --> 00:19:51,100
WHAT?

381
00:19:51,133 --> 00:19:52,367
WHAT--

382
00:19:52,400 --> 00:19:53,533
WHERE ARE YOU GOING TO BE?

383
00:19:53,567 --> 00:19:55,067
I SORT OF GOT ASKED TO BE

384
00:19:55,100 --> 00:19:57,767
ON THE GAY AND LESBIAN CENTER
FLOAT.

385
00:19:57,800 --> 00:19:59,000
OH.

386
00:19:59,033 --> 00:20:00,333
WERE YOU GOING TO TELL ME THAT?

387
00:20:00,367 --> 00:20:01,900
WELL, YES.

388
00:20:01,933 --> 00:20:04,167
YES?

389
00:20:04,200 --> 00:20:05,733
GREAT.

390
00:20:07,267 --> 00:20:08,700
AL...

391
00:20:11,500 --> 00:20:12,767
BE WITH ME.

392
00:20:12,800 --> 00:20:14,500
NO, SERIOUSLY...

393
00:20:14,533 --> 00:20:16,633
BE WITH ME
ON THE FLOAT.

394
00:20:16,667 --> 00:20:18,033
I MEAN,
YOU'RE A CELEBRITY,

395
00:20:18,067 --> 00:20:20,067
AND YOU'RE
ALICE PIESZECKI

396
00:20:20,100 --> 00:20:22,400
OF THE CHART,
PIESZECKI.

397
00:20:24,533 --> 00:20:26,100
REALLY?

398
00:20:26,133 --> 00:20:27,500
BE ON THE FLOAT?

399
00:20:27,533 --> 00:20:29,333
WELL, DO YOU THINK...

400
00:20:29,367 --> 00:20:30,733
WOULD THEY
WANT THAT, OR...

401
00:20:30,767 --> 00:20:31,867
YEAH.

402
00:20:31,900 --> 00:20:33,233
COME BE WITH ME
ON THE FLOAT.

403
00:20:33,267 --> 00:20:35,767
COME ON, LET'S BE KNOWN
AND GAY TOGETHER.

404
00:20:37,333 --> 00:20:38,367
THAT SOUNDS
KIND OF FUN.

405
00:20:38,400 --> 00:20:39,367
YEAH?

406
00:20:39,400 --> 00:20:40,367
WELL, ALL RIGHT.

407
00:20:40,400 --> 00:20:41,533
WELL, WHAT ABOUT HOWIE?

408
00:20:41,567 --> 00:20:45,033
UM, WE'LL LEAVE
BEFORE HE GETS UP.

409
00:20:45,067 --> 00:20:46,167
OH, MY GOD,

410
00:20:46,200 --> 00:20:48,400
I LOVE THE WAY
YOU THINK.

411
00:20:51,400 --> 00:20:53,367
I LOVE YOU.

412
00:20:56,133 --> 00:20:58,367
I'M GOING TO SET
THE ALARM, OKAY?

413
00:20:58,400 --> 00:21:00,133
YEAH.

414
00:21:00,167 --> 00:21:01,933
OKAY.

415
00:21:07,900 --> 00:21:09,233
MORNING.

416
00:21:09,267 --> 00:21:10,200
YOU WANT ONE?

417
00:21:10,233 --> 00:21:12,000
SURE.

418
00:21:15,033 --> 00:21:16,467
HE'S NOT THERE.

419
00:21:16,500 --> 00:21:17,633
DID HE LEAVE?

420
00:21:17,667 --> 00:21:20,367
I DON'T KNOW.

421
00:21:20,400 --> 00:21:22,933
[VEHICLE APPROACHING]

422
00:21:22,967 --> 00:21:24,533
THANK YOU.

423
00:21:25,500 --> 00:21:27,400
[CAR DOOR OPENS, SHUTS]

424
00:21:29,667 --> 00:21:31,733
WE SHOULD
GET TO THE PARADE EARLY.

425
00:21:31,767 --> 00:21:33,267
YEAH?

426
00:21:33,300 --> 00:21:34,433
IS IT GOING TO BE
REALLY BIG?

427
00:21:34,467 --> 00:21:35,467
[KNOCKING]

428
00:21:35,500 --> 00:21:36,733
PROBABLY.

429
00:21:40,400 --> 00:21:41,833
HEY.

430
00:21:41,867 --> 00:21:42,967
HEY.

431
00:21:43,000 --> 00:21:45,000
I BROUGHT COFFEE, AND, UH...

432
00:21:45,033 --> 00:21:46,967
THOSE LITTLE
ORGANIC SCONE THINGS

433
00:21:47,000 --> 00:21:49,300
YOU GUYS LIKE.

434
00:21:51,067 --> 00:21:52,267
I'M FUCKING LOST, MAN.

435
00:21:52,300 --> 00:21:54,433
CAN YOU JUST TAKE THIS, PLEASE?

436
00:21:56,633 --> 00:21:59,467
[WHISPERING]:
CAN I TALK TO JENNY?

437
00:22:01,467 --> 00:22:02,900
YOU'VE GOT TO ASK HER, NOT ME.

438
00:22:02,933 --> 00:22:05,033
NOW?

439
00:22:13,867 --> 00:22:16,033
COULD I TALK TO YOU?

440
00:22:16,067 --> 00:22:18,400
YEAH.

441
00:22:24,233 --> 00:22:26,500
I WISH SO MUCH

442
00:22:26,533 --> 00:22:28,300
THAT THERE WAS SOMETHING
I COULD DO.

443
00:22:28,333 --> 00:22:29,867
NO, I DON'T THINK THERE'S
ANYTHING THAT YOU CAN DO.

444
00:22:29,900 --> 00:22:31,100
I THINK YOU DID IT.

445
00:22:32,800 --> 00:22:33,867
WHEN I MOVED IN HERE,

446
00:22:33,900 --> 00:22:35,067
I WAS THE TYPE OF GUY

447
00:22:35,100 --> 00:22:36,433
WHO WAS CAPABLE
OF DOING SHIT LIKE THIS,

448
00:22:36,467 --> 00:22:38,300
BUT I AM NOT THAT GUY ANYMORE.

449
00:22:38,333 --> 00:22:40,633
I KNOW THAT I'VE SAID IT BEFORE,

450
00:22:40,667 --> 00:22:42,633
BUT YOU AND SHANE
HAVE MADE ME A BETTER MAN.

451
00:22:42,667 --> 00:22:43,900
OH, FUCK OFF, MARK.

452
00:22:43,933 --> 00:22:46,167
IT'S NOT MY JOB
TO MAKE YOU A BETTER MAN,

453
00:22:46,200 --> 00:22:48,767
AND I DON'T GIVE A SHIT
IF I'VE MADE YOU A BETTER MAN.

454
00:22:48,800 --> 00:22:50,533
IT'S NOT A FUCKING WOMAN'S JOB

455
00:22:50,567 --> 00:22:52,500
TO BE CONSUMED AND INVADED

456
00:22:52,533 --> 00:22:53,600
AND SPAT OUT

457
00:22:53,633 --> 00:22:56,067
SO THAT SOME FUCKING MAN
CAN EVOLVE.

458
00:22:56,100 --> 00:22:57,467
THAT'S NOT WHAT I MEANT.

459
00:22:57,500 --> 00:22:59,200
WHAT THE FUCK ARE YOU
TALKING ABOUT, THEN, MARK?

460
00:22:59,233 --> 00:23:02,100
YOU GIVE ME ONE REASON

461
00:23:02,133 --> 00:23:04,867
WHY YOU THINK
THAT I SHOULD FORGIVE YOU.

462
00:23:04,900 --> 00:23:07,600
BECAUSE, JENNY,
I MADE A BIG, BIG MISTAKE,

463
00:23:07,633 --> 00:23:09,033
BUT FROM THAT,

464
00:23:09,067 --> 00:23:11,133
I HAVE LEARNED
HOW DIFFICULT IT IS

465
00:23:11,167 --> 00:23:12,600
TO BE A WOMAN.

466
00:23:15,167 --> 00:23:16,467
PLEASE.

467
00:23:16,500 --> 00:23:18,000
WAIT, JENNY!

468
00:23:18,033 --> 00:23:19,533
HEY. HEY.

469
00:23:19,567 --> 00:23:22,067
LOOK AT THIS.

470
00:23:26,867 --> 00:23:27,900
WHAT ARE YOU DOING?

471
00:23:31,067 --> 00:23:32,767
IS THIS WHAT YOU WANT?

472
00:23:32,800 --> 00:23:33,867
NO.

473
00:23:33,900 --> 00:23:35,133
WHAT I WANT

474
00:23:35,167 --> 00:23:36,767
IS FOR YOU TO WRITE "FUCK ME"
ON YOUR CHEST.

475
00:23:36,800 --> 00:23:39,033
WRITE IT.

476
00:23:39,067 --> 00:23:40,200
DO IT,

477
00:23:40,233 --> 00:23:41,567
AND THEN I WANT YOU
TO WALK OUT THAT DOOR,

478
00:23:41,600 --> 00:23:43,267
AND I WANT YOU
TO WALK DOWN THE STREET,

479
00:23:43,300 --> 00:23:45,533
AND ANYBODY
THAT WANTS TO FUCK YOU,

480
00:23:45,567 --> 00:23:47,967
SAY, "SURE, SURE, NO PROBLEM,"

481
00:23:48,000 --> 00:23:49,533
AND WHEN THEY DO,
YOU HAVE TO SAY,

482
00:23:49,567 --> 00:23:51,200
"THANK YOU
VERY, VERY MUCH,"

483
00:23:51,233 --> 00:23:53,700
AND MAKE THAT YOU HAVE
A SMILE ON YOUR FACE,

484
00:23:53,733 --> 00:23:55,800
AND THEN,
YOU STUPID FUCKING COWARD,

485
00:23:55,833 --> 00:23:57,267
YOU'RE GOING TO KNOW
WHAT IT FEELS LIKE

486
00:23:57,300 --> 00:23:58,833
TO BE A WOMAN.

487
00:24:09,067 --> 00:24:10,667
SHANE, I'M JUST...

488
00:24:14,000 --> 00:24:15,733
[***]

489
00:24:30,900 --> 00:24:32,067
I DON'T KNOW.

490
00:24:32,100 --> 00:24:33,533
HE MUST HAVE HEARD
OUR ALARM THIS MORNING.

491
00:24:33,567 --> 00:24:34,667
THERE'S NO REASON WHY
HE'D BE UP SO EARLY.

492
00:24:34,700 --> 00:24:36,000
DANA FAIRBANKS?

493
00:24:36,033 --> 00:24:37,433
HEY, GUYS,
IT'S DANA FAIRBANKS.

494
00:24:37,467 --> 00:24:39,600
SHE'S HERE.

495
00:24:39,633 --> 00:24:40,967
HI!

496
00:24:41,000 --> 00:24:42,600
OH, I'M SORRY,
CAN I GET YOUR NAMES?

497
00:24:42,633 --> 00:24:45,100
UM, YEAH,
ALICE PIESZECKI.

498
00:24:45,133 --> 00:24:47,367
COULD YOU SPELL THAT, PLEASE?

499
00:24:47,400 --> 00:24:49,300
UH, P-I-E--
I'M NOT ON THE LIST.

500
00:24:49,333 --> 00:24:50,800
THIS IS
MY GIRLFRIEND.

501
00:24:50,833 --> 00:24:51,800
YEAH,
WE'RE TOGETHER.

502
00:24:51,833 --> 00:24:53,533
YEAH, ALICE PIESZECKI

503
00:24:53,567 --> 00:24:55,267
OF THE CHART KCRW.

504
00:24:57,300 --> 00:24:59,367
OKAY, ANYWAY,
THIS IS MY BROTHER,

505
00:24:59,400 --> 00:25:00,933
AND I THOUGHT

506
00:25:00,967 --> 00:25:02,600
THEY COULD BE
ON THE FLOAT WITH ME.

507
00:25:02,633 --> 00:25:05,000
OH, I'M REALLY SORRY, DANA.

508
00:25:05,033 --> 00:25:06,367
ONLY THE PEOPLE
WHOSE NAMES ARE ON THIS LIST

509
00:25:06,400 --> 00:25:07,533
GET TO GO ON THE FLOAT.

510
00:25:07,567 --> 00:25:09,167
THEY CAN WATCH YOU
FROM THE CROWD.

511
00:25:09,200 --> 00:25:10,667
THAT'LL BE FUN
FOR THEM.

512
00:25:10,700 --> 00:25:12,867
WELL, IT'S NOT LIKE
IT'S THE HRC

513
00:25:12,900 --> 00:25:14,267
OR THE GLAAD FLOAT
OR ANYTHING, ANYWAY.

514
00:25:14,300 --> 00:25:15,833
WHAT?
YOU HEARD ME.

515
00:25:15,867 --> 00:25:17,067
ALICE.

516
00:25:17,100 --> 00:25:18,600
DANA, IF YOU'D LIKE
TO RIDE ON THE FLOAT,

517
00:25:18,633 --> 00:25:20,033
WE'D BE HAPPY TO HAVE YOU...

518
00:25:20,067 --> 00:25:21,767
ALONE.

519
00:25:21,800 --> 00:25:23,067
SORRY, YOU GUYS.

520
00:25:23,100 --> 00:25:24,433
I'LL SEE YOU AFTER.

521
00:25:24,467 --> 00:25:25,533
YEAH.

522
00:25:25,567 --> 00:25:27,133
SORRY.

523
00:25:27,167 --> 00:25:28,633
SWEET OF HER.

524
00:25:35,067 --> 00:25:36,400
PEOPLE REALLY
LOVE HER, HUH?

525
00:25:36,433 --> 00:25:38,300
YEAH...

526
00:25:38,333 --> 00:25:39,700
ALL RIGHT, KEEP THEM MOVING.
HE'S STRAIGHT. COME ON.

527
00:25:39,733 --> 00:25:41,067
I'M SORRY.

528
00:25:41,100 --> 00:25:42,067
IT'S A LITTLE BIT
OF A MEAT MARKET.

529
00:25:42,100 --> 00:25:43,067
ARE YOU OKAY?

530
00:25:43,100 --> 00:25:44,067
I'M GOOD, YEAH.

531
00:25:44,100 --> 00:25:45,300
AL, COME WITH ME.

532
00:25:45,333 --> 00:25:46,733
WHAT?

533
00:25:46,767 --> 00:25:48,000
SHE WON'T COME WITH ME,
SO YOU HAVE TO DO IT.

534
00:25:48,033 --> 00:25:49,400
BECAUSE SHANE
WANTS ME TO RIDE WITH HER

535
00:25:49,433 --> 00:25:51,400
WITH THE MOTORCYCLE LESBIANS.

536
00:25:51,433 --> 00:25:52,933
THE DYKES ON BIKES,
AND YOU'RE NOT GOING?

537
00:25:52,967 --> 00:25:54,433
NO, I WANT TO BE
AN OBSERVER.

538
00:25:54,467 --> 00:25:57,167
OH, I SO WANT TO GO,
YEAH, UM...

539
00:25:57,200 --> 00:25:58,200
HOWIE.
WHAT ABOUT HOWIE?

540
00:25:58,233 --> 00:25:59,300
YEAH, I'LL BE FINE.

541
00:25:59,333 --> 00:26:00,600
I'LL LOOK AFTER HIM.

542
00:26:00,633 --> 00:26:01,700
YOU'RE GOOD? YOU'RE GOOD?

543
00:26:01,733 --> 00:26:02,967
I'M GOOD.

544
00:26:03,000 --> 00:26:04,700
HEY, I'M HOWIE.
OU.

545
00:26:04,733 --> 00:26:05,933
WANT TO WALK AROUND?

546
00:26:05,967 --> 00:26:07,500
YEAH, SURE.

547
00:26:07,533 --> 00:26:09,267
I'M GOING TO GO
WITH THE DYKES ON BIKES,

548
00:26:09,300 --> 00:26:13,300
SO, UH, YOU CAN WRITE THAT
ON YOUR CLIPBOARD.

549
00:26:13,333 --> 00:26:15,567
SEE YOU.

550
00:26:18,300 --> 00:26:19,867
UM, SHANE...

551
00:26:19,900 --> 00:26:20,967
WHAT?

552
00:26:21,000 --> 00:26:22,100
UM, I TOLD DANA I LOVED HER,

553
00:26:22,133 --> 00:26:22,967
TWICE.

554
00:26:23,000 --> 00:26:24,167
THAT'S GOOD.

555
00:26:24,200 --> 00:26:25,533
YEAH, BUT SHE DIDN'T
SAY ANYTHING BACK,

556
00:26:25,567 --> 00:26:28,767
AND, UM, THAT'S BAD, RIGHT?

557
00:26:30,933 --> 00:26:33,433
OKAY, WHY AM I EVEN
TALKING TO YOU

558
00:26:33,467 --> 00:26:34,700
ABOUT LOVE?

559
00:26:34,733 --> 00:26:36,100
SERIOUS.

560
00:26:36,133 --> 00:26:37,967
LOOK, AT LEAST I CAN SEE
SHE LOVES YOU.

561
00:26:38,000 --> 00:26:39,100
YOU CAN?

562
00:26:39,133 --> 00:26:40,200
YEAH. YOU CAN'T?

563
00:26:40,233 --> 00:26:42,233
COME ON.

564
00:27:10,267 --> 00:27:11,467
OH, MY GOD.

565
00:27:11,500 --> 00:27:13,100
SHANE!

566
00:27:52,267 --> 00:27:53,700
HI, DANA.
HI, DANA.

567
00:27:53,733 --> 00:27:54,867
I HAVE A SECRET.

568
00:27:54,900 --> 00:27:57,033
WHAT?

569
00:27:57,067 --> 00:27:58,333
I'VE NEVER
ACTUALLY ATTENDED

570
00:27:58,367 --> 00:27:59,733
A PRIDE PARADE BEFORE.

571
00:27:59,767 --> 00:28:01,267
I MEAN, I'VE HAD
PARTIES AROUND IT,

572
00:28:01,300 --> 00:28:03,733
I'VE RENTED ROOFTOPS
WITH AMAZING VIEWS OF IT,

573
00:28:03,767 --> 00:28:06,700
BUT I'VE NEVER ACTUALLY
BEEN IN IT.

574
00:28:06,733 --> 00:28:07,867
WELL, WELCOME.

575
00:28:07,900 --> 00:28:09,133
WE'RE HAPPY
TO HAVE YOU.

576
00:28:09,167 --> 00:28:10,433
THANK YOU...

577
00:28:10,467 --> 00:28:12,300
AND HOW ABOUT YOU?

578
00:28:12,333 --> 00:28:15,700
OH, THIS IS
MY SEVENTH.

579
00:28:15,733 --> 00:28:19,133
SUCH A POLITICAL BEING YOU ARE,

580
00:28:19,167 --> 00:28:20,067
FIGHTING
FOR GAY RIGHTS.

581
00:28:20,100 --> 00:28:21,333
NOT REALLY.

582
00:28:21,367 --> 00:28:23,400
BETTE AND I
USED TO COME EVERY YEAR.

583
00:28:23,433 --> 00:28:26,000
IT WAS JUST AN EXCUSE
TO HAVE A MARGARITA BEFORE 3:00.

584
00:28:27,667 --> 00:28:28,800
DO YOU MISS THAT?

585
00:28:30,533 --> 00:28:33,233
I LIKE BEING HERE WITH YOU,

586
00:28:33,267 --> 00:28:35,000
SEEING IT THROUGH
YOUR EYES.

587
00:28:37,433 --> 00:28:39,733
OH, SHE NEEDS
TO GET SPANKED.

588
00:28:41,300 --> 00:28:43,700
COME ON, EVERYBODY,
LET'S JUMP ON BOARD.

589
00:28:45,567 --> 00:28:46,533
JENNY...

590
00:28:46,567 --> 00:28:47,533
HEY.

591
00:28:47,567 --> 00:28:48,533
HI.

592
00:28:48,567 --> 00:28:49,767
HAVE YOU SEEN HOWIE?

593
00:28:49,800 --> 00:28:51,267
UM, HE SAID THAT HE'D
MEET UP WITH YOU LATER.

594
00:28:51,300 --> 00:28:52,933
WAS HE FREAKING?

595
00:28:52,967 --> 00:28:54,367
NO.

596
00:28:54,400 --> 00:28:55,067
DID HE SAY
WHERE HE WAS GOING?

597
00:28:55,100 --> 00:28:56,767
MAYBE HE WENT

598
00:28:56,800 --> 00:28:57,933
TO A SPORTS BAR
OR SOMETHING.

599
00:28:57,967 --> 00:28:59,033
YEAH, PROBABLY.

600
00:28:59,067 --> 00:29:00,833
OH, MY GOD.

601
00:29:00,867 --> 00:29:02,533
CAN YOU IMAGINE?

602
00:29:02,567 --> 00:29:03,567
WHAT?

603
00:29:03,600 --> 00:29:04,733
HOWIE--

604
00:29:04,767 --> 00:29:06,267
THANKS.
THANK YOU.

605
00:29:06,300 --> 00:29:08,733
MAYBE THERE'S
A GOOD GAME ON.

606
00:29:10,767 --> 00:29:11,933
WILL I SEE YOU THERE?

607
00:29:13,533 --> 00:29:14,633
MAYBE.

608
00:29:14,667 --> 00:29:16,367
WELL...

609
00:29:16,400 --> 00:29:18,767
I LOVE TO PUNISH A TEASE.

610
00:30:05,500 --> 00:30:08,600
[QUIETLY]:
I WISH YOU WERE HERE, MOM.

611
00:30:08,633 --> 00:30:10,033
[DOOR OPENS]

612
00:30:10,067 --> 00:30:11,333
HEY...

613
00:30:14,267 --> 00:30:17,067
I BROUGHT YOU SOMETHING TO EAT.

614
00:30:18,567 --> 00:30:19,600
HOW IS HE?

615
00:30:19,633 --> 00:30:22,433
THE SAME.

616
00:30:22,467 --> 00:30:24,133
WHY DON'T YOU GO HOME?

617
00:30:24,167 --> 00:30:25,500
IF I GO HOME,

618
00:30:25,533 --> 00:30:27,767
ALL I'M GOING TO DO
IS THINK ABOUT BEING HERE.

619
00:30:27,800 --> 00:30:30,433
WELL, YOU CAN'T JUST STAY HERE--

620
00:30:30,467 --> 00:30:31,567
I CAN.

621
00:30:31,600 --> 00:30:33,967
IT'S MY DECISION.

622
00:30:34,000 --> 00:30:36,167
IS THAT MY KATIE?

623
00:30:36,200 --> 00:30:40,300
YEAH, DADDY.

624
00:30:40,333 --> 00:30:41,600
COME HERE.

625
00:30:41,633 --> 00:30:43,100
I BROUGHT YOUR PAJAMAS.

626
00:30:46,800 --> 00:30:50,333
OH, KATIE, I'M SO SORRY.

627
00:30:52,967 --> 00:30:54,833
ALL THESE YEARS...

628
00:30:57,700 --> 00:30:59,500
SUCH FOOLISHNESS.

629
00:30:59,533 --> 00:31:01,367
OH, KATIE...

630
00:31:01,400 --> 00:31:04,000
IT'S OKAY. IT'S OKAY.

631
00:31:09,500 --> 00:31:11,567
IS MY BABY HERE?

632
00:31:11,600 --> 00:31:15,333
YEAH, SHE'S HERE.

633
00:31:31,100 --> 00:31:34,067
I...

634
00:31:34,100 --> 00:31:36,633
I LOVE YOU BOTH.

635
00:31:38,533 --> 00:31:41,500
WE LOVE YOU TOO, DADDY.

636
00:31:48,267 --> 00:31:49,400
I DON'T THINK
I CAN DO THIS.

637
00:31:49,433 --> 00:31:51,167
OH, GOD, SURE YOU CAN.
COME ON.

638
00:31:51,200 --> 00:31:55,500
OKAY, MAYBE IT'S
NOT A GREAT IDEA.

639
00:31:55,533 --> 00:31:56,900
ALL RIGHT,

640
00:31:56,933 --> 00:31:58,233
LET'S JUST LOOK
AT THE PROS AND CONS.

641
00:31:58,267 --> 00:32:00,367
OKAY, UM...

642
00:32:00,400 --> 00:32:02,067
OKAY, OKAY.

643
00:32:02,100 --> 00:32:03,100
"GENTLE WITH NOVICES."

644
00:32:03,133 --> 00:32:04,100
THIS IS GOOD.

645
00:32:04,133 --> 00:32:05,167
OKAY, GREAT,

646
00:32:05,200 --> 00:32:07,500
SO WE CAN JUST TELL THEM
IT'S OUR FIRST TIME.

647
00:32:07,533 --> 00:32:09,633
I THINK THEY MIGHT
KNOW THAT, DANA.

648
00:32:09,667 --> 00:32:11,267
OKAY.

649
00:32:11,300 --> 00:32:13,900
ALL RIGHT, THERE'S SEVEN
STATIONS OF THE CROSS.

650
00:32:13,933 --> 00:32:15,033
OKAY.

651
00:32:15,067 --> 00:32:16,067
UH, LET'S SEE,
WHIPPING,

652
00:32:16,100 --> 00:32:17,233
TEMPORARY PIERCING...

653
00:32:17,267 --> 00:32:19,400
PUBLIC HUMILIATION,
ANAL PENETRATION,

654
00:32:19,433 --> 00:32:20,500
TORCHING?

655
00:32:20,533 --> 00:32:22,167
TORCHING? OY.

656
00:32:22,200 --> 00:32:24,500
OKAY, SPANKING,
AND SPECIALTY ARTS.

657
00:32:24,533 --> 00:32:25,633
THAT'S NICE.

658
00:32:25,667 --> 00:32:26,800
MM-HMM.

659
00:32:26,833 --> 00:32:27,933
OH, THERE'S
A FREE BUFFET

660
00:32:27,967 --> 00:32:29,033
TILL 6:00.

661
00:32:29,067 --> 00:32:31,000
CHICKEN WINGS AND TOFU.

662
00:32:31,033 --> 00:32:32,367
WHAT DO YOU THINK?

663
00:32:32,400 --> 00:32:34,500
I DON'T KNOW.

664
00:32:34,533 --> 00:32:36,233
WE'LL SNEAK A PEEK,
AND...

665
00:32:36,267 --> 00:32:37,367
YEAH.
GREAT.

666
00:32:37,400 --> 00:32:38,633
YEAH, LET'S DO IT.

667
00:32:38,667 --> 00:32:40,000
OKAY.

668
00:32:41,833 --> 00:32:43,533
HEY.

669
00:32:45,767 --> 00:32:46,800
HI.

670
00:32:46,833 --> 00:32:48,133
OH, SO POLITE.

671
00:32:48,167 --> 00:32:49,600
OOH, WHAT DO YOU WANT
YOUR SAFE WORD TO BE?

672
00:32:49,633 --> 00:32:50,733
I DON'T KNOW. "TUNAFISH?"

673
00:32:50,767 --> 00:32:52,100
THANK YOU.

674
00:32:57,067 --> 00:32:58,633
OKAY, ALL RIGHT.

675
00:32:58,667 --> 00:33:00,233
GREAT. PLANET?

676
00:33:00,267 --> 00:33:01,533
UH, GREAT. YEAH.

677
00:33:01,567 --> 00:33:04,433
FANTASTIC.

678
00:33:04,467 --> 00:33:05,367
OKAY.

679
00:33:05,400 --> 00:33:06,433
BYE.

680
00:33:06,467 --> 00:33:08,967
THANK YOU.
THANKS.

681
00:33:11,633 --> 00:33:13,667
[***]

682
00:33:30,700 --> 00:33:31,867
HEY, HEY, HEY.
HAPPY PRIDE.

683
00:33:31,900 --> 00:33:34,533
OH, MY GOD,
YOU ARE HUGE.

684
00:33:41,767 --> 00:33:43,033
OH, MY GOD.

685
00:33:43,067 --> 00:33:44,867
YOU ARE
SO PREGNANT.

686
00:33:44,900 --> 00:33:46,200
WOW. HI.

687
00:33:46,233 --> 00:33:47,333
HOW ARE YOU?
GOOD TO SEE YOU.

688
00:33:47,367 --> 00:33:48,933
HEY, WHAT'S GOING ON?

689
00:34:13,333 --> 00:34:14,300
HI.

690
00:34:14,333 --> 00:34:15,333
HI.

691
00:34:15,367 --> 00:34:17,467
WHAT ARE YOU
DOING HERE?

692
00:34:17,500 --> 00:34:20,500
I'M CELEBRATING GAY PRIDE,
I GUESS.

693
00:34:20,533 --> 00:34:21,867
I DON'T KNOW.

694
00:34:21,900 --> 00:34:25,367
YOU MEAN GAY SHAME.

695
00:34:25,400 --> 00:34:27,567
THAT'S WHAT
IT REALLY IS.

696
00:34:27,600 --> 00:34:28,967
WHY?

697
00:34:29,000 --> 00:34:32,200
BECAUSE...

698
00:34:32,233 --> 00:34:33,300
MOST OF US

699
00:34:33,333 --> 00:34:36,600
HAVE MORE SHAME
THAN PRIDE.

700
00:34:39,100 --> 00:34:41,633
I THINK THAT YOU MIGHT BE RIGHT.

701
00:34:43,900 --> 00:34:46,633
DO YOU WANT TO DANCE?

702
00:34:48,933 --> 00:34:50,533
NO.

703
00:34:50,567 --> 00:34:52,167
WHAT'S THE MATTER?

704
00:34:52,200 --> 00:34:56,567
AM I TOO OLD OR TOO SUBURBAN
OR SOMETHING?

705
00:34:58,633 --> 00:35:00,767
NO.

706
00:35:00,800 --> 00:35:03,433
YOU'RE PERFECT.

707
00:35:05,733 --> 00:35:08,133
DO YOU WANT TO KISS ME?

708
00:35:18,000 --> 00:35:19,767
HAPPY PRIDE.

709
00:35:33,467 --> 00:35:34,933
WHY DON'T, UM...

710
00:35:34,967 --> 00:35:36,033
WHY DON'T YOU TAKE...

711
00:35:36,067 --> 00:35:38,033
LEIGH?

712
00:35:39,633 --> 00:35:40,600
HEY.

713
00:35:40,633 --> 00:35:41,933
HOW ARE YOU?

714
00:35:41,967 --> 00:35:42,933
GOOD TO SEE YOU.

715
00:35:42,967 --> 00:35:43,833
SO YOU MADE IT.

716
00:35:43,867 --> 00:35:45,000
YEAH,
IT'S A GREAT PARTY.

717
00:35:45,033 --> 00:35:45,967
DID YOU ENJOY
THE PARADE?

718
00:35:46,000 --> 00:35:46,967
OH, YEAH,
I HAD A GREAT TIME.

719
00:35:47,000 --> 00:35:48,567
TINA, THIS IS LEIGH.

720
00:35:48,600 --> 00:35:50,033
LEIGH, THIS IS
MY FRIEND TINA.

721
00:35:50,067 --> 00:35:51,033
HI.

722
00:35:51,067 --> 00:35:52,100
VERY PREGNANT FRIEND.

723
00:35:52,133 --> 00:35:54,967
SHE AND HER EX
ARE HAVING A BABY.

724
00:35:55,000 --> 00:35:56,800
OH, I'M SORRY.

725
00:35:56,833 --> 00:35:59,067
UH, NOT ABOUT THE BABY,
ABOUT THE EX.

726
00:35:59,100 --> 00:36:00,667
I'M JUST GOING THROUGH
A BREAKUP MYSELF.

727
00:36:00,700 --> 00:36:01,667
OH, YOU KNOW,
I HEARD,

728
00:36:01,700 --> 00:36:03,067
BUT I WASN'T SURE
ABOUT THAT.

729
00:36:03,100 --> 00:36:04,700
WELL, THE RUMORS
ARE TRUE.

730
00:36:04,733 --> 00:36:05,967
VALERIE MOVED
BACK TO NEW YORK,

731
00:36:06,000 --> 00:36:07,233
AND WE JUST
WEREN'T READY

732
00:36:07,267 --> 00:36:08,867
FOR A LONG-DISTANCE
RELATIONSHIP, SO...

733
00:36:08,900 --> 00:36:10,700
OH, YOU KNOW,
MAYBE IT'S WISE.

734
00:36:10,733 --> 00:36:12,467
SO...

735
00:36:12,500 --> 00:36:14,100
DO YOU WANT TO DANCE?

736
00:36:14,133 --> 00:36:15,667
UM...

737
00:36:15,700 --> 00:36:16,767
OH, DANCE.

738
00:36:16,800 --> 00:36:17,933
PLEASE DO.

739
00:36:17,967 --> 00:36:19,500
I NEED TO SIT DOWN.

740
00:36:19,533 --> 00:36:20,667
OKAY.

741
00:36:20,700 --> 00:36:22,533
GREAT. OKAY, OKAY.

742
00:36:22,567 --> 00:36:24,167
WE'LL SEE YOU IN A BIT.

743
00:36:37,167 --> 00:36:38,233
HEY!

744
00:36:38,267 --> 00:36:38,933
WHERE ARE YOU GOING?

745
00:36:38,967 --> 00:36:40,233
WE JUST GOT HERE.

746
00:36:40,267 --> 00:36:41,767
IT'S HOT IN HERE.
I NEED TO STEP OUT.

747
00:36:41,800 --> 00:36:43,000
OKAY.

748
00:36:43,033 --> 00:36:44,267
HURRY BACK,
THOUGH, OKAY?

749
00:36:44,300 --> 00:36:46,700
OKAY.

750
00:36:46,733 --> 00:36:48,167
OW! OOH. GOT ME.

751
00:36:48,200 --> 00:36:49,733
I'M WORRIED
ABOUT HOWIE.

752
00:36:49,767 --> 00:36:51,267
WELL, HE'S GOT THE KEYS.
HE KNOWS THE ADDRESS.

753
00:36:51,300 --> 00:36:52,333
HE'S FINE.

754
00:36:52,367 --> 00:36:53,867
YEAH, BUT HE'S
MY LITTLE BROTHER.

755
00:36:53,900 --> 00:36:56,767
I SHOULD HAVE
SPENT MORE TIME WITH HIM.

756
00:36:56,800 --> 00:36:57,833
HOLY SHIT.

757
00:36:57,867 --> 00:36:59,300
WHAT?

758
00:37:03,767 --> 00:37:06,433
EXCUSE ME.
JUST ONE SECOND.

759
00:37:06,467 --> 00:37:08,100
I'LL BE RIGHT BACK.

760
00:37:08,133 --> 00:37:09,133
I'LL BE WAITING.

761
00:37:09,167 --> 00:37:11,067
OKAY...

762
00:37:11,100 --> 00:37:12,700
[SNIFFS]

763
00:37:12,733 --> 00:37:13,967
A COSMO, HOWIE?

764
00:37:14,000 --> 00:37:14,800
YEAH.

765
00:37:14,833 --> 00:37:17,200
THAT'S ALCOHOLIC.

766
00:37:17,233 --> 00:37:18,233
THAT'S GAY.

767
00:37:18,267 --> 00:37:19,533
WHAT'S GOING ON?

768
00:37:19,567 --> 00:37:20,767
I'M CELEBRATING PRIDE.

769
00:37:20,800 --> 00:37:23,767
BUT, HOWIE, WHAT DO YOU HAVE
TO BE PROUD OF?

770
00:37:27,867 --> 00:37:29,967
EXCUSE US FOR JUST ONE SECOND.

771
00:37:30,000 --> 00:37:31,300
HOWIE, THAT MAN IS GAY.

772
00:37:31,333 --> 00:37:33,067
I KNOW, DANA.

773
00:37:33,100 --> 00:37:34,300
ARE YOU--ARE YOU IMITATING ME?

774
00:37:34,333 --> 00:37:37,100
'CAUSE IT'S NOT FUNNY,
IF THAT'S WHAT YOU'RE DOING.

775
00:37:37,133 --> 00:37:38,400
NO, I'M NOT.

776
00:37:38,433 --> 00:37:39,533
SO YOU JUST...

777
00:37:39,567 --> 00:37:42,167
JUST DECIDE
THAT YOU'RE GAY.

778
00:37:42,200 --> 00:37:44,433
YOU KNOW, YOU'RE TOO YOUNG.

779
00:37:44,467 --> 00:37:46,233
I MEAN, IT TAKES TIME.

780
00:37:46,267 --> 00:37:48,433
DANE, I'VE KNOWN
SINCE I WAS FOUR.

781
00:37:48,467 --> 00:37:50,900
AND YOU MADE
THAT MUCH FUN OF ME?

782
00:37:50,933 --> 00:37:52,367
WELL, IT WAS BECAUSE
YOU WERE SCARED.

783
00:37:52,400 --> 00:37:53,333
I MEAN, BE GAY!

784
00:37:53,367 --> 00:37:55,467
BE PROUD, EVERYBODY!

785
00:38:01,533 --> 00:38:02,733
STOP, STOP.

786
00:38:02,767 --> 00:38:03,633
STOP.

787
00:38:03,667 --> 00:38:05,067
ALL OF YOU, STOP!

788
00:38:08,267 --> 00:38:09,633
DANA, UM...

789
00:38:12,567 --> 00:38:14,633
COULD TELL MOM AND DAD FOR ME?

790
00:38:19,867 --> 00:38:22,667
OH, THANK YOU.

791
00:38:22,700 --> 00:38:25,500
[MOURNFUL KLEZMER MUSIC PLAYING]

792
00:38:31,633 --> 00:38:33,667
[DOOR HINGE CREAKING]

793
00:38:38,333 --> 00:38:40,333
[DOOR SHUTS]

794
00:38:57,533 --> 00:38:58,467
MARK.

795
00:38:58,500 --> 00:39:01,000
OH, FUCK.

796
00:39:01,033 --> 00:39:01,900
I'M SORRY.

797
00:39:01,933 --> 00:39:04,400
I WAS JUST RETURNING THE KEYS.

798
00:39:06,167 --> 00:39:08,733
YOU'VE OPENED UP...

799
00:39:13,933 --> 00:39:19,367
WELL, YOU'VE OPENED UP
THIS PANDORA'S BOX,

800
00:39:19,400 --> 00:39:22,767
AND NOW YOU'RE JUST
RUNNING AWAY.

801
00:39:33,867 --> 00:39:35,200
SO...

802
00:39:35,233 --> 00:39:40,400
I DARE YOU TO STAY HERE
AND DEAL WITH THIS.

803
00:39:46,500 --> 00:39:48,000
[DOOR CLOSES]

804
00:39:53,400 --> 00:39:55,267
WE'RE NOT FRIENDS.

805
00:40:30,833 --> 00:40:33,067
DADDY...

806
00:40:33,100 --> 00:40:36,500
REMEMBER WHEN
I WAS A LITTLE GIRL?

807
00:40:41,233 --> 00:40:45,000
AND ON SUNDAYS,
WE'D GO TO CHURCH...

808
00:40:48,733 --> 00:40:53,833
AND YOU WOULD WEAR
YOUR THREE-PIECE SUIT

809
00:40:53,867 --> 00:40:57,000
AND POINTY-TOED SHOES.

810
00:41:01,400 --> 00:41:03,167
I LOOKED OVER AT YOU

811
00:41:03,200 --> 00:41:07,700
AND I WOULD SAY,
"THAT'S MY DAD."

812
00:41:13,633 --> 00:41:18,167
YOU WERE THE HANDSOMEST MAN
IN THE WORLD.

813
00:41:22,567 --> 00:41:26,233
YOU WERE EVERYTHING...

814
00:41:26,267 --> 00:41:31,100
EVERYTHING
I THOUGHT A MAN SHOULD BE.

815
00:41:31,133 --> 00:41:35,067
IS THAT RIGHT?

816
00:41:35,100 --> 00:41:37,200
DADDY, I'M SORRY.

817
00:41:37,233 --> 00:41:40,100
I DIDN'T KNOW
YOU WERE LISTENING.

818
00:41:40,133 --> 00:41:41,900
I'M NOT DEAD YET.

819
00:41:41,933 --> 00:41:44,200
I'M SORRY I WOKE YOU UP.

820
00:41:44,233 --> 00:41:46,133
WHERE'S BENJAMIN?

821
00:41:50,500 --> 00:41:56,000
HE'S WITH HIS WIFE AND KIDS.

822
00:41:57,100 --> 00:42:00,133
YOU SHOULDN'T
HAVE LET HIM GO.

823
00:42:00,167 --> 00:42:05,567
IF HE'S THE MAN
YOU WANT TO BE WITH,

824
00:42:05,600 --> 00:42:11,133
THEN YOU SHOULD BE WITH HIM,
WHATEVER THE COST.

825
00:42:15,433 --> 00:42:18,067
LIKE YOU DID WITH MOM?

826
00:42:18,100 --> 00:42:24,867
I DID WHAT I HAD TO DO
TO ENSURE MY HAPPINESS.

827
00:42:24,900 --> 00:42:29,500
SOMETIMES IT COMES AT A PRICE.

828
00:42:32,633 --> 00:42:34,467
YEAH.

829
00:42:34,500 --> 00:42:35,967
YEAH, IT DOES.

830
00:42:52,567 --> 00:42:54,933
[***]

831
00:43:11,000 --> 00:43:12,333
WHAT?

832
00:43:16,933 --> 00:43:18,500
I LOVE YOU.

833
00:43:23,267 --> 00:43:25,433
I LOVE YOU TOO.

834
00:43:33,833 --> 00:43:35,833
[SOMBER STRINGS PLAYING]

835
00:43:37,133 --> 00:43:39,967
[LEATHER CRACKING ON SKIN,
VOICES GASPING]

836
00:44:30,867 --> 00:44:33,100
[SCREAMS ECHOING]

837
00:44:38,500 --> 00:44:40,500
DON'T TOUCH ME.

838
00:44:42,667 --> 00:44:45,567
[JENNY SPEAKING IN HEBREW]

839
00:45:03,167 --> 00:45:05,733
[REVELLERS SINGING]

840
00:45:18,467 --> 00:45:20,900
FUCK...

841
00:45:36,500 --> 00:45:39,233
I NEVER HAD A HAMSTER...

842
00:45:39,267 --> 00:45:40,400
BUT I HAD A DOG,

843
00:45:40,433 --> 00:45:44,800
AND HER NAME WAS REMY.

844
00:45:44,833 --> 00:45:49,767
I HAVE A BROTHER,
BUT I NEVER MET HIM,

845
00:45:49,800 --> 00:45:55,167
BECAUSE
WE NEVER GREW UP TOGETHER.

846
00:45:55,200 --> 00:45:58,233
AND MY MOM
PUT ME IN FOSTER CARE

847
00:45:58,267 --> 00:46:01,767
WHEN I WAS NINE...

848
00:46:01,800 --> 00:46:06,733
BUT I STILL LOVE HER VERY MUCH.

849
00:46:06,767 --> 00:46:09,700
[***]

850
00:47:03,367 --> 00:47:05,967
CAPTIONING PERFORMED BY:

851
00:47:06,000 --> 00:47:08,600
LINE 21 MEDIA SERVICES LTD.
VANCOUVER, B.C. 2005