1
00:00:10,667 --> 00:00:11,733
PREVIOUSLY ON THE L WORD...

2
00:00:11,767 --> 00:00:13,467
HE HAS, UH...

3
00:00:13,500 --> 00:00:15,000
ADVANCED PROSTATE CANCER,

4
00:00:15,033 --> 00:00:18,167
AND HE'S REFUSING ANY TREATMENT.

5
00:00:18,200 --> 00:00:19,467
OH, MY GOD.

6
00:00:19,500 --> 00:00:20,533
I'M SO SORRY.

7
00:00:20,567 --> 00:00:21,833
I'M SO SORRY.

8
00:00:21,867 --> 00:00:24,233
I WANT TO SEE OTHER PEOPLE.

9
00:00:26,733 --> 00:00:28,500
YOU MEAN YOU WANT TO SEE BETTE.

10
00:00:28,533 --> 00:00:30,600
[JENNY]: WHAT ARE YOU
GOING TO DO ABOUT CARMEN?

11
00:00:30,633 --> 00:00:32,567
NOTHING.

12
00:00:32,600 --> 00:00:34,167
I THINK
THE TWO OF YOU

13
00:00:34,200 --> 00:00:35,467
SHOULD BE TOGETHER.

14
00:00:35,500 --> 00:00:36,967
WHAT ABOUT YOU?

15
00:00:37,000 --> 00:00:38,700
UM, I TOLD DANA
I LOVE HER, TWICE.

16
00:00:38,733 --> 00:00:39,900
THAT'S GOOD.

17
00:00:39,933 --> 00:00:41,033
YEAH, BUT SHE DIDN'T SAY
ANYTHING BACK,

18
00:00:41,067 --> 00:00:42,400
AND, UM...

19
00:00:42,433 --> 00:00:44,333
THAT'S BAD, RIGHT?

20
00:00:44,367 --> 00:00:46,033
YOU AND SHANE
HAVE MADE ME A BETTER MAN.

21
00:00:46,067 --> 00:00:47,567
I DON'T GIVE A SHIT

22
00:00:47,600 --> 00:00:48,967
IF I'VE MADE YOU A BETTER MAN.

23
00:00:49,000 --> 00:00:52,467
IT'S NOT A FUCKING WOMAN'S JOB
TO BE CONSUMED AND INVADED

24
00:00:52,500 --> 00:00:53,467
AND SPAT OUT

25
00:00:53,500 --> 00:00:55,800
SO SOME FUCKING MAN
CAN EVOLVE.

26
00:00:55,833 --> 00:00:59,400
I DARE YOU TO STAY HERE
AND DEAL WITH THIS.

27
00:01:05,733 --> 00:01:07,167
WE'RE NOT FRIENDS.

28
00:01:12,433 --> 00:01:15,067
[DEEP BREATHS]

29
00:01:32,067 --> 00:01:33,933
[BREATHING RATE QUICKENS]

30
00:01:48,067 --> 00:01:50,600
HEY, VICTOR, SHE'S HERE.

31
00:01:53,633 --> 00:01:55,667
YEAH? SO?

32
00:01:57,633 --> 00:02:00,067
TRUST ME,
SHE'S A VERY SICK GIRL.

33
00:02:07,567 --> 00:02:13,867
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *

34
00:02:13,900 --> 00:02:20,400
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *

35
00:02:20,433 --> 00:02:26,567
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *

36
00:02:26,600 --> 00:02:33,900
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *

37
00:02:40,733 --> 00:02:42,333
* TALKING, LAUGHING
LOVING, BREATHING *

38
00:02:42,367 --> 00:02:44,333
* FIGHTING, FUCKING
CRYING, DRINKING *

39
00:02:44,367 --> 00:02:45,500
* WRITING, WINNING
LOSING, CHEATING *

40
00:02:45,533 --> 00:02:47,067
* KISSING, THINKING, DREAMING

41
00:02:47,067 --> 00:02:49,067
* THIS IS THE WAY...

42
00:02:49,067 --> 00:02:51,867
* THIS IS THE WAY
THAT WE LIVE *

43
00:02:51,900 --> 00:02:57,400
* IT'S THE WAY THAT WE LIVE

44
00:02:57,433 --> 00:03:01,167
* AND LOVE *

45
00:03:05,500 --> 00:03:08,133
[JENNY SINGING SOFTLY IN HEBREW]

46
00:03:17,067 --> 00:03:19,900
[MEN SHOUTING]

47
00:03:32,733 --> 00:03:36,633
[JENNY SINGING]

48
00:03:47,867 --> 00:03:49,167
[BETTE]: JUST RIGHT
IN THE MIDDLE

49
00:03:49,200 --> 00:03:50,533
OF THE LIVING ROOM.

50
00:03:50,567 --> 00:03:53,333
NOT A GOOD DECORATING CHOICE.

51
00:03:53,367 --> 00:03:54,833
YOU'RE
GOING TO BE SORRY.

52
00:03:54,867 --> 00:03:57,667
I JUST HAD TO GET HIM
OUT OF THE HOSPITAL.

53
00:03:57,700 --> 00:03:59,167
IT WAS KILLING HIM.

54
00:03:59,200 --> 00:04:00,667
CANCER'S KILLING HIM.

55
00:04:00,700 --> 00:04:01,800
GREAT. RIGHT THERE.

56
00:04:01,833 --> 00:04:02,900
CAN YOU GUYS
HOOK THAT UP FOR ME, PLEASE?

57
00:04:02,933 --> 00:04:04,067
REALLY NOT
OUR JOB, MA'AM.

58
00:04:04,100 --> 00:04:06,067
HERE ARE
THE INSTRUCTIONS.

59
00:04:06,067 --> 00:04:08,933
DO YOU HAVE ANY IDEA
WHAT YOU'RE TAKING ON?

60
00:04:08,967 --> 00:04:10,200
ARE YOU PREPARED

61
00:04:10,233 --> 00:04:11,900
TO WATCH OUR FATHER DIE
RIGHT HERE IN YOUR LIVING ROOM?

62
00:04:11,933 --> 00:04:13,700
HE COULD
GO INTO REMISSION, KIT.

63
00:04:13,733 --> 00:04:15,367
DON'T PUT HIM IN THE GROUND
QUITE YET.

64
00:04:15,400 --> 00:04:16,700
HE'S REFUSING TREATMENT.

65
00:04:16,733 --> 00:04:18,300
HIS DOCTORS GIVE HIM
FOUR TO SIX WEEKS.

66
00:04:18,333 --> 00:04:20,400
I GIVE HIM AS LONG
AS HE WANTS TO STAY ALIVE.

67
00:04:20,433 --> 00:04:22,367
AND WHAT ABOUT WORK?

68
00:04:22,400 --> 00:04:23,700
DON'T WORRY ABOUT WORK, KIT.

69
00:04:23,733 --> 00:04:25,700
I JUST WANT TO MAKE SURE
THAT DADDY'S SET UP.

70
00:04:25,733 --> 00:04:26,967
I'LL FIGURE SOMETHING OUT.

71
00:04:27,067 --> 00:04:28,067
I DON'T THINK
YOU KNOW

72
00:04:28,067 --> 00:04:29,700
WHAT YOU'RE IN FOR.

73
00:04:29,733 --> 00:04:31,067
THIS IS GOING TO EAT YOU ALIVE.

74
00:04:31,067 --> 00:04:32,233
I DIDN'T KNOW

75
00:04:32,267 --> 00:04:34,067
THAT I WOULD BE TAKING IT ON
ALL BY MYSELF.

76
00:04:34,067 --> 00:04:35,467
THEN YOU SHOULD HAVE
TALKED TO ME.

77
00:04:35,500 --> 00:04:37,767
YOU SHOULD HAVE INCLUDED ME
IN THIS HUGE DECISION YOU MADE

78
00:04:37,800 --> 00:04:38,900
ABOUT HOW OUR FATHER'S

79
00:04:38,933 --> 00:04:41,400
GOING TO LEAVE
THIS EARTH.

80
00:04:41,433 --> 00:04:44,900
[SINGING SOFTLY IN HEBREW]

81
00:04:49,067 --> 00:04:51,233
THANK YOU.

82
00:04:51,267 --> 00:04:52,967
THAT'S NICE.

83
00:04:53,067 --> 00:04:55,267
THEY'RE FROM MARK.

84
00:04:55,300 --> 00:04:57,900
NO, THANK YOU.

85
00:04:57,933 --> 00:04:59,900
LOOK, HE ASKED ME TO BRING IT.

86
00:05:01,400 --> 00:05:02,800
I'M NOT GOING TO
LET THE BASTARD

87
00:05:02,833 --> 00:05:04,067
REDEEM HIMSELF.

88
00:05:04,067 --> 00:05:05,467
LOOK, I DOUBT HE THINKS

89
00:05:05,500 --> 00:05:08,867
THAT COFFEE AND A MUFFIN'S
GOING TO REDEEM HIM.

90
00:05:19,533 --> 00:05:21,933
LOOK,
I HATE TO BRING THIS UP, BUT...

91
00:05:21,967 --> 00:05:23,633
WE HAVE RENT--

92
00:05:23,667 --> 00:05:25,133
NO, NO, NO. I KNOW.

93
00:05:25,167 --> 00:05:26,800
YOU KNOW, JEN,
I'D...

94
00:05:26,833 --> 00:05:27,800
I'D COVER YOU IF I COULD--

95
00:05:27,833 --> 00:05:28,833
NO.

96
00:05:31,067 --> 00:05:32,567
YOU KNOW, MARK OFFERED--

97
00:05:32,600 --> 00:05:34,733
NO.

98
00:05:38,433 --> 00:05:40,400
I'LL PAY MY OWN RENT.

99
00:05:43,100 --> 00:05:44,567
OKAY.

100
00:05:56,067 --> 00:05:57,767
[KNOCKING]

101
00:05:57,800 --> 00:06:00,200
COME IN.

102
00:06:00,233 --> 00:06:01,333
HI.

103
00:06:01,367 --> 00:06:03,067
OH, THANK GOD
YOU'RE HERE.

104
00:06:03,067 --> 00:06:05,667
CAN YOU FIGURE OUT
HOW TO HOOK THAT THING UP?

105
00:06:05,700 --> 00:06:07,100
OH, YEAH, SURE.

106
00:06:07,133 --> 00:06:08,367
IS THERE ANYWHERE
THAT I CAN...

107
00:06:08,400 --> 00:06:10,067
OH, THERE'S
A SPARE BEDROOM

108
00:06:10,067 --> 00:06:11,633
AROUND THE CORNER,
AT THE END OF THE HALLWAY.

109
00:06:11,667 --> 00:06:13,800
OKAY.

110
00:06:30,400 --> 00:06:31,633
I SEE YOU HAVE A BABY.

111
00:06:31,667 --> 00:06:33,933
NO, NOT YET.

112
00:06:33,967 --> 00:06:35,267
MAYBE.

113
00:06:35,300 --> 00:06:36,467
I MEAN, YES,

114
00:06:36,500 --> 00:06:39,167
IN 10 DAYS.

115
00:06:39,200 --> 00:06:40,500
MY EX.

116
00:06:40,533 --> 00:06:43,633
MY EX, SHE'S DUE IN 10 DAYS.

117
00:06:43,667 --> 00:06:45,700
YOU HAVE A LOT ON YOUR PLATE.

118
00:06:45,733 --> 00:06:47,167
THAT'S NOTHING NEW
TO ME.

119
00:06:47,200 --> 00:06:48,900
HAVE YOU THOUGHT

120
00:06:48,933 --> 00:06:49,967
ABOUT WHAT'S
GOING TO HAPPEN

121
00:06:50,067 --> 00:06:51,067
IF YOUR FATHER'S
STILL ALIVE

122
00:06:51,067 --> 00:06:52,100
WHEN THE BABY'S BORN?

123
00:06:52,133 --> 00:06:53,700
HE WILL BE.

124
00:06:53,733 --> 00:06:55,067
HI, JAMES. IT'S ME.

125
00:06:55,067 --> 00:06:57,400
CAN YOU CALL
MY FATHER'S HOUSEKEEPER

126
00:06:57,433 --> 00:06:58,800
AND HAVE HER SEND OUT

127
00:06:58,833 --> 00:07:00,200
MY FATHER'S FAMILY
PHOTOGRAPHS?

128
00:07:00,233 --> 00:07:01,533
JUST HAVE HER
OVERNIGHT THEM TO ME.

129
00:07:03,700 --> 00:07:04,767
OKAY.

130
00:07:04,800 --> 00:07:05,900
OKAY, GREAT.

131
00:07:05,933 --> 00:07:07,533
THANKS.

132
00:07:07,567 --> 00:07:10,433
I WAS LOOKING
AT MY FATHER'S MEDICATION CHART.

133
00:07:10,467 --> 00:07:12,300
WHY IS HE TAKING
PREDNISONE?

134
00:07:12,333 --> 00:07:13,933
ISN'T THAT SOME KIND
OF STEROID?

135
00:07:13,967 --> 00:07:15,767
YEAH, IT CAN HELP
WITH MENTAL CLARITY

136
00:07:15,800 --> 00:07:18,100
WHEN THERE'S INFLAMMATION
OR SWELLING

137
00:07:18,133 --> 00:07:20,600
AROUND THE BRAIN.

138
00:07:20,633 --> 00:07:22,900
TOWARDS THE END,
IT'LL GET VERY...

139
00:07:22,933 --> 00:07:25,233
CONFUSING AND FRIGHTENING,

140
00:07:25,267 --> 00:07:29,633
AND NOT JUST FOR THE PATIENT.

141
00:07:38,867 --> 00:07:40,133
TINA.

142
00:07:40,167 --> 00:07:41,633
DANA. ALICE.

143
00:07:41,667 --> 00:07:42,700
DO YOU KNOW
LEIGH OSTIN?

144
00:07:44,067 --> 00:07:45,433
NO. HI.

145
00:07:45,467 --> 00:07:47,267
OH, MY GOD.
YOU'RE SO CLOSE.

146
00:07:47,300 --> 00:07:48,633
HOW ARE YOU FEELING?

147
00:07:48,667 --> 00:07:50,967
OH, HUNGRY.

148
00:07:51,067 --> 00:07:53,433
HEY, IS THIS
BETTE PORTER'S BABY?

149
00:07:53,467 --> 00:07:55,533
WELL, OUR BABY.

150
00:07:55,567 --> 00:07:56,233
I JUST MET HER
RECENTLY.

151
00:07:56,267 --> 00:07:57,233
SHE IS GREAT.

152
00:07:57,267 --> 00:07:58,700
DIDN'T SHE ASK YOU OUT?

153
00:08:00,467 --> 00:08:02,067
YEAH.

154
00:08:06,067 --> 00:08:08,100
UH, WE'RE GOING TO
GO SIT DOWN.

155
00:08:08,133 --> 00:08:09,333
YEAH. SEE YOU.

156
00:08:09,367 --> 00:08:10,300
OH, BUT I'LL
SEE YOU HERE

157
00:08:10,333 --> 00:08:11,833
LATER TONIGHT, YEAH?

158
00:08:11,867 --> 00:08:13,133
OH, UM, MAYBE.

159
00:08:13,167 --> 00:08:14,900
I JUST FEEL
LIKE A HOT BATH

160
00:08:14,933 --> 00:08:16,200
AND MY OWN BED
TONIGHT.

161
00:08:16,233 --> 00:08:18,833
WELL, WE'LL MAKE IT
AN EARLY ONE.

162
00:08:18,867 --> 00:08:20,067
WE'LL SEE.

163
00:08:20,067 --> 00:08:21,633
IT WAS NICE SEEING YOU AGAIN.

164
00:08:21,667 --> 00:08:23,067
YOU TOO.

165
00:08:23,067 --> 00:08:24,067
BYE.

166
00:08:24,067 --> 00:08:25,067
BYE.

167
00:08:25,067 --> 00:08:27,533
BYE.

168
00:08:30,667 --> 00:08:32,267
OKAY...

169
00:08:32,300 --> 00:08:34,433
SO...

170
00:08:34,467 --> 00:08:36,967
SO YOU'RE OKAY
WITH THAT, HUH?

171
00:08:37,067 --> 00:08:38,833
WHAT?

172
00:08:38,867 --> 00:08:41,200
WITH THAT.

173
00:08:41,233 --> 00:08:42,900
OH.

174
00:08:42,933 --> 00:08:44,467
YEAH, I'M OKAY WITH IT.

175
00:08:44,500 --> 00:08:46,800
I WOULDN'T BE OKAY WITH IT.

176
00:08:46,833 --> 00:08:48,067
I WAS WONDERING

177
00:08:48,067 --> 00:08:49,367
WHEN I WOULD
SEE YOU IN HERE.

178
00:08:49,400 --> 00:08:50,767
YOU HAVEN'T COME IN
FOR DINNER.

179
00:08:50,800 --> 00:08:52,333
OH, MY GOD.

180
00:08:52,367 --> 00:08:53,333
CAN I HAVE A HUG?

181
00:08:53,367 --> 00:08:53,900
YEAH.

182
00:08:53,933 --> 00:08:55,133
HI. WOW.

183
00:08:55,167 --> 00:08:56,133
LOOK AT YOU.

184
00:08:56,167 --> 00:08:57,267
HI.

185
00:08:57,300 --> 00:08:58,500
WHY DON'T YOU
SIT DOWN?

186
00:08:58,533 --> 00:08:59,867
YEAH, OKAY, JUST UNTIL
KIT GETS HERE.

187
00:08:59,900 --> 00:09:01,333
WE'RE PLANNING
A NEW LUNCH MENU.

188
00:09:01,367 --> 00:09:03,100
YOU WORK HERE?

189
00:09:03,133 --> 00:09:04,667
LUNCH. WOW.

190
00:09:04,700 --> 00:09:06,667
YOU'RE GOING TO BE HERE SO MUCH,

191
00:09:06,700 --> 00:09:07,733
AND GABBY'LL
PROBABLY BE HERE--

192
00:09:07,767 --> 00:09:08,833
WE'RE NOT TOGETHER.

193
00:09:12,267 --> 00:09:13,700
I AM SO PROUD
OF YOU.

194
00:09:13,733 --> 00:09:15,733
YOU CAME OUT, BIG TIME.

195
00:09:15,767 --> 00:09:17,067
YEAH.

196
00:09:17,067 --> 00:09:19,133
WELL, SORRY I DIDN'T DO IT
ANY SOONER.

197
00:09:20,967 --> 00:09:22,367
OH, YOU KNOW WHAT?
KIT'S HERE.

198
00:09:22,400 --> 00:09:24,600
I SHOULD PROBABLY GO,

199
00:09:24,633 --> 00:09:27,067
BUT CAN WE
HAVE DINNER?

200
00:09:27,100 --> 00:09:29,767
I'D LOVE TO.

201
00:09:29,800 --> 00:09:31,233
WOULD THAT BE OKAY WITH YOU,
BABE?

202
00:09:31,267 --> 00:09:33,100
OH. OH, YOU GUYS ARE...

203
00:09:33,133 --> 00:09:34,900
OH, MY GOD.

204
00:09:34,933 --> 00:09:36,200
I'M SORRY.

205
00:09:36,233 --> 00:09:37,767
UM...

206
00:09:37,800 --> 00:09:40,733
DANA, YOU DON'T HAVE TO
GET PERMISSION FROM ME

207
00:09:40,767 --> 00:09:41,833
TO GO OUT TO DINNER
WITH YOUR EX.

208
00:09:41,867 --> 00:09:43,533
YOU GUYS SHOULD BE FRIENDS.

209
00:09:43,567 --> 00:09:45,867
BEST, BEST FRIENDS.

210
00:09:45,900 --> 00:09:48,067
OKAY, WELL,
I'LL, UM...

211
00:09:48,067 --> 00:09:49,367
I'LL TALK TO YOU
AFTER.

212
00:09:49,400 --> 00:09:50,667
OKAY.
OKAY.

213
00:09:50,700 --> 00:09:52,133
IT WAS GOOD
TO SEE YOU GUYS.

214
00:09:52,167 --> 00:09:53,300
YOU TOO.

215
00:09:53,333 --> 00:09:54,400
OKAY.

216
00:09:54,433 --> 00:09:55,867
BYE.

217
00:09:55,900 --> 00:09:57,833
WOW.

218
00:10:00,567 --> 00:10:02,500
OKAY...

219
00:10:07,533 --> 00:10:09,233
SO, I'VE ORGANIZED HIS MEDS

220
00:10:09,267 --> 00:10:10,600
INTO TIMES
AND DOSAGES

221
00:10:10,633 --> 00:10:12,467
SO YOU CAN KEEP
TO THE SCHEDULE

222
00:10:12,500 --> 00:10:13,800
WHEN I'M NOT HERE,

223
00:10:13,833 --> 00:10:16,400
AND I'LL SHOW YOU
HOW TO CLEAN AND INSERT

224
00:10:16,433 --> 00:10:18,267
THE I.V. CATHETER.

225
00:10:19,933 --> 00:10:21,600
[STEPS CREAK]

226
00:10:21,633 --> 00:10:24,433
SPEAK OF THE DEVIL. HERE HE IS.

227
00:10:29,067 --> 00:10:30,567
WELCOME HOME, MR. PORTER.

228
00:10:32,000 --> 00:10:33,767
HOW ARE YOU FEELING, DADDY?

229
00:10:33,800 --> 00:10:35,467
WHO IS THIS WOMAN?

230
00:10:35,500 --> 00:10:38,067
UH, THAT'S SHELLY.

231
00:10:38,100 --> 00:10:39,567
SHE WAS IN THE HOSPITAL WITH YOU
YESTERDAY.

232
00:10:39,600 --> 00:10:40,733
YOU REMEMBER?

233
00:10:40,767 --> 00:10:42,833
SHE'S YOUR NURSE.

234
00:10:46,033 --> 00:10:48,800
AM I ON DISPLAY?

235
00:10:50,467 --> 00:10:52,400
CAN'T A MAN HAVE
A BIT OF PRIVACY?

236
00:10:52,433 --> 00:10:53,867
I SUGGEST HOSPITAL CURTAINS.

237
00:10:53,900 --> 00:10:55,600
I CAN ORDER THEM.

238
00:10:55,633 --> 00:10:57,167
CURTAINS ARE SO UGLY
AND DEPRESSING.

239
00:10:57,200 --> 00:10:58,733
GET SOME
OF THOSE JAPANESE SCREENS

240
00:10:58,767 --> 00:11:00,867
AND MAKE A ROOM
WITHIN A ROOM.

241
00:11:00,900 --> 00:11:03,333
HEY, WHY DON'T YOU
PICK SOME OF THOSE UP AT IKEA?

242
00:11:03,367 --> 00:11:05,067
UM, MAYBE YOU CAN
GET YOUR ASSISTANT

243
00:11:05,067 --> 00:11:06,700
TO DO THAT.

244
00:11:09,367 --> 00:11:10,700
SERIOUSLY, JENNY,

245
00:11:10,733 --> 00:11:12,400
IF YOU'RE SHORT
ON RENT THIS MONTH,

246
00:11:12,433 --> 00:11:13,633
IT'S NOT A PROBLEM.

247
00:11:13,667 --> 00:11:14,800
FUCK YOU.

248
00:11:14,833 --> 00:11:16,667
I DON'T EXPECT

249
00:11:16,700 --> 00:11:18,167
THAT IT WOULD
FIX EVERYTHING.

250
00:11:18,200 --> 00:11:21,300
LIKE YOU CAN BUY ME OFF
WITH MONEY AND GOOD DEEDS,

251
00:11:21,333 --> 00:11:24,067
LIKE I'M SOME KIND OF A WHORE.

252
00:11:24,067 --> 00:11:27,533
THAT'S NOT
WHAT I MEANT.

253
00:11:30,833 --> 00:11:31,733
[BETTE]:
I WAS PLANNING

254
00:11:31,767 --> 00:11:33,133
ON COMING IN
THIS AFTERNOON,

255
00:11:33,167 --> 00:11:34,433
BUT HE JUST SEEMED
A LITTLE DISORIENTED,

256
00:11:34,467 --> 00:11:36,067
SO I JUST DIDN'T
FEEL COMFORTABLE.

257
00:11:36,067 --> 00:11:38,067
YOU'RE DOING THE RIGHT THING,
BETTE.

258
00:11:38,067 --> 00:11:39,333
AFTER THIS WEEK,

259
00:11:39,367 --> 00:11:40,633
I SHOULD BE ABLE TO GET BACK

260
00:11:40,667 --> 00:11:44,067
TO SOME SEMBLANCE
OF A NORMAL SCHEDULE.

261
00:11:44,067 --> 00:11:46,067
LISTEN, WE DON'T WANT YOU
TO FEEL PRESSURED.

262
00:11:46,067 --> 00:11:47,667
YOU TAKE
HOWEVER MUCH TIME YOU NEED.

263
00:11:49,633 --> 00:11:50,667
THANK YOU.

264
00:11:50,700 --> 00:11:52,067
I APPRECIATE THAT.

265
00:11:52,100 --> 00:11:56,433
WE JUST NEED TO PUT
SOME STRUCTURE IN PLACE.

266
00:11:56,467 --> 00:12:00,600
I'M SURE THE BOARD WOULD SUPPORT
A TEMPORARY LEAVE OF ABSENCE.

267
00:12:03,067 --> 00:12:04,800
A LEAVE OF ABSENCE?

268
00:12:04,833 --> 00:12:07,367
WHAT ABOUT
THE ALAN BARNES RETROSPECTIVE?

269
00:12:07,400 --> 00:12:09,067
WELL, WE HAVE LEO.

270
00:12:09,100 --> 00:12:11,633
THINGS WON'T TOTALLY FALL APART
WHILE YOU'RE GONE.

271
00:12:11,667 --> 00:12:13,067
I HIRED A NURSE.

272
00:12:13,067 --> 00:12:16,067
I WASN'T PLANNING
ON TAKING A LEAVE OF ABSENCE.

273
00:12:16,100 --> 00:12:17,733
I'M SURE THAT AS SOON
AS HE TRUSTS HER--

274
00:12:17,767 --> 00:12:19,333
I'M SORRY
TO INTERRUPT,

275
00:12:19,367 --> 00:12:20,367
BUT I NEED YOUR HELP.

276
00:12:20,400 --> 00:12:21,367
I'M SORRY.

277
00:12:21,400 --> 00:12:22,500
EXCUSE ME, JUST...

278
00:12:22,533 --> 00:12:25,467
SURE.

279
00:12:25,500 --> 00:12:27,133
SO WE HAVE TO DO THIS
EVERY FEW HOURS.

280
00:12:27,167 --> 00:12:30,167
JUST TAKE HIS SHOULDER GENTLY,
UNDER HERE, LIKE THAT.

281
00:12:30,200 --> 00:12:32,133
IS THAT OKAY?

282
00:12:32,167 --> 00:12:34,367
[GROANS]

283
00:12:34,400 --> 00:12:36,533
I'M SORRY.

284
00:12:36,567 --> 00:12:37,700
I HAVE TO GO BACK TO THE OFFICE.

285
00:12:37,733 --> 00:12:39,333
JUST ONE SECOND.

286
00:12:49,433 --> 00:12:52,067
YOUR FATHER'S LUCKY TO HAVE YOU,
BETTE.

287
00:12:52,067 --> 00:12:53,733
THANKS.

288
00:12:53,767 --> 00:12:56,600
JUST LET ME KNOW
WHAT YOU WANT TO DO.

289
00:12:56,633 --> 00:12:58,700
ABOUT WHAT?

290
00:12:58,733 --> 00:13:01,533
ABOUT THE LEAVE OF ABSENCE.

291
00:13:01,567 --> 00:13:05,467
CAN I HAVE UNTIL MONDAY
TO DECIDE?

292
00:13:05,500 --> 00:13:06,600
OF COURSE.

293
00:13:06,633 --> 00:13:08,067
TAKE THE WEEKEND.

294
00:13:16,467 --> 00:13:18,633
[***]

295
00:13:18,667 --> 00:13:20,067
ASK LARA TO--

296
00:13:20,067 --> 00:13:22,767
IT IS LARA, ISN'T IT?
YOUR CHEF?

297
00:13:22,800 --> 00:13:24,100
YEAH.

298
00:13:24,133 --> 00:13:25,233
ASK LARA TO BRING US

299
00:13:25,267 --> 00:13:26,300
A SELECTION
OF SMALL TASTES,

300
00:13:26,333 --> 00:13:28,967
WHATEVER SHE THINKS
IS MOST DELICIOUS.

301
00:13:29,067 --> 00:13:31,067
YOUR CHEF.
THAT'S NICE.

302
00:13:31,100 --> 00:13:32,133
WOW.

303
00:13:32,167 --> 00:13:33,667
THIS IS MY FAVORITE
WAY TO EAT.

304
00:13:33,700 --> 00:13:35,700
YOU SHOULD STICK WITH ME, THEN.

305
00:13:35,733 --> 00:13:37,300
ALICE, IF YOU DON'T WANT ME
TO GO OUT WITH HER, JUST--

306
00:13:37,333 --> 00:13:38,433
I SAID IT WAS OKAY.

307
00:13:38,467 --> 00:13:40,833
I'M A SURVEILLANCE
PHOTOGRAPHER.

308
00:13:40,867 --> 00:13:42,100
I WORK
FOR DIVORCE LAWYERS,

309
00:13:42,133 --> 00:13:43,300
WIVES TRYING TO FIND
THEIR HUSBANDS

310
00:13:43,333 --> 00:13:44,300
CHEATING ON THEM,

311
00:13:44,333 --> 00:13:45,300
THAT KIND OF THING.

312
00:13:45,333 --> 00:13:46,300
THAT'S BRILLIANT.

313
00:13:46,333 --> 00:13:48,433
I SHOULD BRING YOU
WITH ME TO NEW YORK.

314
00:13:48,467 --> 00:13:50,767
YOU CAN SPY ON MY EX.

315
00:13:50,800 --> 00:13:52,967
[BOTH LAUGH]

316
00:13:53,067 --> 00:13:54,300
I'M GOING TO GO.

317
00:13:54,333 --> 00:13:55,567
WHY?

318
00:13:55,600 --> 00:13:56,967
WE HAVEN'T EVEN EATEN.

319
00:13:57,067 --> 00:14:00,367
I CAN'T KEEP MY EYES OPEN,
BUT PLEASE STAY.

320
00:14:00,400 --> 00:14:02,167
I'LL TAKE A CAB.

321
00:14:02,200 --> 00:14:03,500
YOU OKAY?

322
00:14:03,533 --> 00:14:06,600
BESIDES HAVING TO PEE
LIKE A HORSE?

323
00:14:06,633 --> 00:14:08,067
YOU KNOW WHAT I MEAN.

324
00:14:08,067 --> 00:14:09,467
HELENA, I'M TIRED.

325
00:14:09,500 --> 00:14:11,367
I JUST WANT TO GO HOME
AND BE ALONE.

326
00:14:11,400 --> 00:14:12,400
FINE.

327
00:14:14,100 --> 00:14:15,133
ENJOY BEING ALONE.

328
00:14:15,167 --> 00:14:16,700
I WILL.

329
00:14:16,733 --> 00:14:18,533
I WANT TO ENJOY IT WHILE I CAN.

330
00:14:21,700 --> 00:14:23,633
BYE, GUYS.

331
00:14:23,667 --> 00:14:24,833
OKAY, I'LL
SEE YOU LATER.

332
00:14:24,867 --> 00:14:27,633
BYE.

333
00:14:27,667 --> 00:14:29,433
DANA...

334
00:14:32,633 --> 00:14:34,567
[WHISPERING]:
YOU WON'T BE ALONE,

335
00:14:34,600 --> 00:14:36,267
BUT YOU'LL STILL GET LONELY.

336
00:14:42,633 --> 00:14:44,167
[BETTE]:
"I LOOKED UPON THE NILE

337
00:14:44,200 --> 00:14:45,867
"AND RAISED THE PYRAMIDS
ABOVE IT.

338
00:14:45,900 --> 00:14:48,533
"I HEARD THE SINGING
OF THE MISSISSIPPI

339
00:14:48,567 --> 00:14:51,267
"WHEN ABE LINCOLN
WENT DOWN TO NEW ORLEANS,

340
00:14:51,300 --> 00:14:54,833
AND I'VE SEEN ITS MUDDY BOSOM
TURN ALL GOLDEN IN THE SUNSET."

341
00:14:58,567 --> 00:15:02,733
"I'VE KNOWN RIVERS,
ANCIENT, DUSKY RIVERS.

342
00:15:02,767 --> 00:15:07,333
MY SOUL HAS GROWN DEEP,
LIKE THE RIVERS."

343
00:15:15,867 --> 00:15:17,767
DADDY,
IT'S TIME TO TURN YOU OVER.

344
00:15:17,800 --> 00:15:21,067
I'M JUST GOING TO TRY
TO DO THIS BY MYSELF, OKAY?

345
00:15:21,067 --> 00:15:22,067
I'M JUST GOING TO
LIFT UP...

346
00:15:22,100 --> 00:15:24,900
LET ME HELP YOU.

347
00:15:24,933 --> 00:15:27,267
IF YOU COULD JUST...

348
00:15:27,300 --> 00:15:29,067
TAKE THE PILLOW...

349
00:15:30,733 --> 00:15:34,567
AND I'LL HOLD HIS SHOULDER HERE.

350
00:15:34,600 --> 00:15:35,733
KIT MADE YOU DINNER.

351
00:15:35,767 --> 00:15:36,733
I PROMISED HER

352
00:15:36,767 --> 00:15:39,133
I'D MAKE YOU
SIT DOWN AND EAT IT.

353
00:15:41,833 --> 00:15:43,700
THAT'S GOOD.

354
00:15:52,233 --> 00:15:53,933
HELLO, MELVIN.

355
00:15:53,967 --> 00:15:56,900
IT'S TINA.

356
00:15:56,933 --> 00:16:00,100
"MS. KENNARD."

357
00:16:00,133 --> 00:16:02,967
I KNOW WHO YOU ARE.

358
00:16:03,067 --> 00:16:04,433
KIT'S AT WORK.

359
00:16:04,467 --> 00:16:06,067
SHE'LL BE HERE
AS SOON AS SHE CAN.

360
00:16:06,067 --> 00:16:07,433
WHO?

361
00:16:07,467 --> 00:16:08,667
KATIE, DADDY.

362
00:16:08,700 --> 00:16:10,067
SHE SAID SHE'S
GOING TO BE HERE SOON.

363
00:16:11,867 --> 00:16:13,533
HOW DOES SHE KNOW KATIE?

364
00:16:18,133 --> 00:16:20,233
I'M GOING TO GO GET YOU
A GLASS OF WATER.

365
00:16:20,267 --> 00:16:21,600
OKAY?

366
00:16:21,633 --> 00:16:24,167
I'LL BE RIGHT BACK.

367
00:16:24,200 --> 00:16:26,067
I'LL FIX YOU DINNER.

368
00:16:43,133 --> 00:16:44,467
I'M SORRY...

369
00:16:44,500 --> 00:16:47,167
IF I WAS SELFISH
THE OTHER NIGHT.

370
00:16:47,200 --> 00:16:48,833
IT'S OKAY.

371
00:16:56,333 --> 00:17:00,533
I PUT HIM IN
THE LIVING ROOM.

372
00:17:00,567 --> 00:17:01,633
I DIDN'T
WANT TO PUT HIM

373
00:17:01,667 --> 00:17:02,967
IN THE BABY'S ROOM,

374
00:17:03,067 --> 00:17:05,100
IN CASE...

375
00:17:17,567 --> 00:17:20,367
WE'VE NEVER
DONE THIS BEFORE.

376
00:17:20,400 --> 00:17:22,667
I'VE NEVER HELD YOU...

377
00:17:22,700 --> 00:17:25,133
IN FRONT OF MY FATHER.

378
00:17:25,167 --> 00:17:27,467
HE'S ASLEEP.

379
00:17:30,800 --> 00:17:33,467
NOW, THAT'S

380
00:17:33,500 --> 00:17:35,367
WHAT I LIKE TO SEE.

381
00:17:35,400 --> 00:17:37,067
NOW, PROMISE...

382
00:17:37,067 --> 00:17:41,300
YOU'LL TAKE GOOD CARE
OF MY GIRL.

383
00:17:46,400 --> 00:17:50,067
I PROMISE.

384
00:17:50,067 --> 00:17:52,367
AND YOU...

385
00:17:52,400 --> 00:17:55,367
YOU TAKE GOOD CARE
OF YOUR MOTHER TOO.

386
00:17:55,400 --> 00:17:58,333
YOU HEAR ME?

387
00:18:01,100 --> 00:18:04,233
MAXINE...

388
00:18:04,267 --> 00:18:06,700
DON'T RUN AWAY AGAIN.

389
00:18:09,667 --> 00:18:14,067
STAY WITH OUR
LITTLE GIRL.

390
00:18:14,100 --> 00:18:20,433
I KNOW I LET YOU DOWN,
MAXINE.

391
00:18:20,467 --> 00:18:23,067
I WAS WEAK.

392
00:18:25,833 --> 00:18:28,633
I DIDN'T MEAN TO.

393
00:18:28,667 --> 00:18:30,533
OH, DADDY.

394
00:18:30,567 --> 00:18:33,533
BUT I NEED YOU...

395
00:18:33,567 --> 00:18:34,967
DADDY...

396
00:18:35,067 --> 00:18:37,233
TO STAY...

397
00:18:37,267 --> 00:18:40,067
AND LOOK AFTER
MY GIRL.

398
00:18:40,067 --> 00:18:41,167
DADDY...

399
00:18:46,067 --> 00:18:48,967
[***]

400
00:18:49,067 --> 00:18:51,567
HEY, CARMEN CALLED ME.
IS SHE REALLY HERE?

401
00:18:51,600 --> 00:18:52,933
WHO?

402
00:18:52,967 --> 00:18:55,367
[CHEERING AND APPLAUSE]

403
00:18:58,067 --> 00:19:00,833
IT'S PEACHES.
COME ON, LET'S GO.

404
00:19:00,867 --> 00:19:03,200
* I, YOU, HE
TOGETHER *

405
00:19:03,233 --> 00:19:05,367
* COME ON, BABY
LET'S GO *

406
00:19:05,400 --> 00:19:08,100
* I, YOU, SHE
TOGETHER *

407
00:19:08,133 --> 00:19:10,333
* COME ON, BABY
LET'S GO *

408
00:19:10,367 --> 00:19:13,967
* I, YOU, HE
TOGETHER *

409
00:19:14,067 --> 00:19:16,100
* COME ON, BABY
LET'S GO *

410
00:19:16,133 --> 00:19:18,333
* I, YOU, SHE
TOGETHER *

411
00:19:18,367 --> 00:19:20,500
* COME ON, BABY
LET'S GO *

412
00:19:20,533 --> 00:19:24,067
* I, YOU, HE
TOGETHER *

413
00:19:24,067 --> 00:19:26,767
* COME ON, BABY
LET'S GO *

414
00:19:26,800 --> 00:19:28,133
* I DON'T LIKE
TO MAKE THE CHOICE *

415
00:19:28,167 --> 00:19:29,333
* I LIKE GIRLS
AND I LIKE BOYS *

416
00:19:29,367 --> 00:19:30,667
* I DON'T LIKE
TO MAKE THE CHOICE *

417
00:19:30,700 --> 00:19:32,067
* I LIKE GIRLS
AND I LIKE BOYS *

418
00:19:32,067 --> 00:19:33,667
* I DON'T LIKE
TO MAKE THE CHOICE *

419
00:19:33,700 --> 00:19:35,500
* I LIKE GIRLS
AND I LIKE BOYS *

420
00:19:35,533 --> 00:19:38,067
* I, YOU, HE
TOGETHER *

421
00:19:38,067 --> 00:19:40,333
* COME ON, BABY
LET'S GO *

422
00:19:40,367 --> 00:19:42,100
* I, YOU, SHE
TOGETHER *

423
00:19:42,133 --> 00:19:46,533
* COME ON, BABY
LET'S GO *

424
00:19:46,567 --> 00:19:48,767
* WHIPS, CROPS, CANES
WHATEVER *

425
00:19:48,800 --> 00:19:50,867
* COME ON, BABY
LET'S GO *

426
00:19:50,900 --> 00:19:52,433
* CROPS, CHAINS
SHORTS IN LEATHER *

427
00:19:52,467 --> 00:19:55,067
* COME ON, BABY
LET'S GO *

428
00:19:55,100 --> 00:19:59,367
* I, YOU, HE
TOGETHER *

429
00:19:59,400 --> 00:20:01,567
* COME ON, BABY
LET'S GO *

430
00:20:01,600 --> 00:20:03,767
* I, YOU, SHE
TOGETHER... *

431
00:20:06,967 --> 00:20:09,133
I CAN'T FACE IT.

432
00:20:12,267 --> 00:20:14,633
I CAN'T FACE IT.

433
00:20:14,667 --> 00:20:17,033
[SOBS SOFTLY]

434
00:21:11,067 --> 00:21:12,900
CAN WE JUST SLEEP?

435
00:21:12,933 --> 00:21:15,600
YES, PLEASE.

436
00:22:05,400 --> 00:22:06,667
WANT SOME COFFEE?

437
00:22:53,433 --> 00:22:55,067
HEY.

438
00:22:57,133 --> 00:22:58,667
WHAT TIME
DID YOU GET HERE?

439
00:22:58,700 --> 00:23:01,067
A LITTLE
AFTER MIDNIGHT.

440
00:23:02,500 --> 00:23:04,433
HE HAD A ROUGH NIGHT.

441
00:23:04,467 --> 00:23:06,567
HE WAS AWAKE,

442
00:23:06,600 --> 00:23:08,100
BUT HE DIDN'T TALK.

443
00:23:08,133 --> 00:23:10,167
HE WAS IN
SO MUCH PAIN.

444
00:23:15,800 --> 00:23:17,467
I FEEL LIKE
HE'S GIVING UP.

445
00:23:22,900 --> 00:23:24,867
SHELLY'S GOING TO BE HERE
IN AN HOUR.

446
00:23:24,900 --> 00:23:26,133
SHE SAID SHE WANTS TO GIVE HIM

447
00:23:26,167 --> 00:23:27,167
A SPONGE BATH
THIS MORNING.

448
00:23:27,200 --> 00:23:28,167
NO, SHE WILL NOT.

449
00:23:28,200 --> 00:23:29,467
THAT'S AN INDIGNITY

450
00:23:29,500 --> 00:23:31,067
I AM NOT PREPARED
TO ENDURE.

451
00:23:31,067 --> 00:23:32,233
DADDY...

452
00:23:32,267 --> 00:23:35,200
YOU CAN HELP ME
TO THE BATHROOM.

453
00:23:35,233 --> 00:23:39,133
I'M PERFECTLY CAPABLE
OF BATHING MYSELF...

454
00:23:39,167 --> 00:23:40,333
WHICH YOU DON'T SEEM
TO BE ABLE TO DO

455
00:23:40,367 --> 00:23:41,300
THESE DAYS.

456
00:23:41,333 --> 00:23:43,133
I HAVEN'T SEEN YOU
OUT OF THOSE CLOTHES

457
00:23:43,167 --> 00:23:45,800
SINCE I FIRST ARRIVED.

458
00:23:45,833 --> 00:23:48,667
BECAUSE I'VE BEEN
TAKING CARE OF YOU, DADDY.

459
00:23:48,700 --> 00:23:51,067
TO THE DETRIMENT OF YOUR WORK,

460
00:23:51,100 --> 00:23:53,700
AND WHAT'S ALL THIS

461
00:23:53,733 --> 00:23:55,300
ABOUT TAKING
A LEAVE OF ABSENCE?

462
00:23:55,333 --> 00:23:56,967
I'M CONSIDERING IT.

463
00:23:57,067 --> 00:23:59,767
SO YOU CAN MOPE AROUND HERE
AND WATCH AN OLD MAN DIE?

464
00:23:59,800 --> 00:24:01,167
I WILL NOT HAVE IT.

465
00:24:01,200 --> 00:24:04,267
YOUR WORK IS TOO
IMPORTANT FOR THAT.

466
00:24:04,300 --> 00:24:06,067
IT'S NOT MORE IMPORTANT
THAN YOU.

467
00:24:06,067 --> 00:24:08,333
I DON'T WANT
EITHER OF YOU

468
00:24:08,367 --> 00:24:10,167
TO COMPROMISE
YOUR CAREERS

469
00:24:10,200 --> 00:24:11,933
ON MY BEHALF.

470
00:24:11,967 --> 00:24:14,267
DO YOU UNDERSTAND?

471
00:24:14,300 --> 00:24:15,967
YEAH.

472
00:24:16,067 --> 00:24:17,300
AND YOU.

473
00:24:17,333 --> 00:24:18,467
IF YOU THINK BENJAMIN

474
00:24:18,500 --> 00:24:20,533
IS GOING TO LEAVE
HIS FAMILY FOR YOU--

475
00:24:20,567 --> 00:24:21,767
I DON'T, DADDY.

476
00:24:21,800 --> 00:24:23,833
WHAT DO YOU MEAN,
YOU DON'T?

477
00:24:23,867 --> 00:24:26,700
I WOULDN'T DO THAT
TO ANOTHER MAN'S WIFE.

478
00:24:26,733 --> 00:24:29,500
IT'S HUMAN NATURE
TO PURSUE ONE'S HAPPINESS

479
00:24:29,533 --> 00:24:30,833
OVER SOMEONE ELSE'S MISERY.

480
00:24:30,867 --> 00:24:32,267
NOT ALWAYS, DADDY.

481
00:24:32,300 --> 00:24:33,567
AFTER HER MOTHER
STOLE YOU FROM MY MOTHER,

482
00:24:33,600 --> 00:24:35,433
YOU FELL IN LOVE
WITH SOMEONE ELSE, DIDN'T YOU?

483
00:24:35,467 --> 00:24:37,200
THAT DOESN'T MATTER.

484
00:24:39,467 --> 00:24:41,067
OH, UM...

485
00:24:41,067 --> 00:24:42,100
I'M SORRY.

486
00:24:42,133 --> 00:24:43,467
HELLO, TINA.

487
00:24:45,133 --> 00:24:46,400
HELLO, MELVIN.

488
00:24:46,433 --> 00:24:47,733
WHERE'S MY NURSE?

489
00:24:47,767 --> 00:24:51,400
I'M READY TO GET OUT
OF THIS DAMN BED.

490
00:24:51,433 --> 00:24:53,600
NO, DADDY, JUST RELAX.

491
00:24:53,633 --> 00:24:54,833
IT'S GOOD TO SEE
THAT YOU'RE FEELING BETTER.

492
00:24:54,867 --> 00:24:55,800
I HAVE TO GO TO WORK.

493
00:25:06,067 --> 00:25:08,133
JUST BE CAREFUL.

494
00:25:08,167 --> 00:25:09,467
ALL RIGHT.
ALL RIGHT.

495
00:25:09,500 --> 00:25:12,267
OKAY, NOT TOO FAST.
OKAY.

496
00:25:15,067 --> 00:25:16,167
OKAY.

497
00:25:16,200 --> 00:25:17,667
ALL RIGHT.

498
00:25:17,700 --> 00:25:20,300
CAN A MAN HAVE SOME PRIVACY?

499
00:25:20,333 --> 00:25:21,767
HUH?

500
00:25:21,800 --> 00:25:23,633
YEAH, DADDY.

501
00:25:30,733 --> 00:25:33,700
JUST LEAVE HIM ALONE.
I THINK HE'LL BE FINE.

502
00:25:37,367 --> 00:25:39,433
[DOORBELL CHIMES]

503
00:25:41,067 --> 00:25:42,633
SORRY I'M LATE.

504
00:25:42,667 --> 00:25:44,067
TRAFFIC ON THE 405--

505
00:25:44,067 --> 00:25:45,700
WHERE'S YOUR FATHER?

506
00:25:45,733 --> 00:25:48,067
HE'S DOING WELL.
HE'S IN THE BATHROOM.

507
00:25:48,100 --> 00:25:50,333
[THUD]

508
00:25:50,367 --> 00:25:52,300
OH, DADDY, ARE YOU OKAY?

509
00:25:52,333 --> 00:25:54,600
DON'T MOVE.

510
00:25:54,633 --> 00:25:55,933
MR. PORTER,
DON'T MOVE.

511
00:25:55,967 --> 00:25:57,267
JUST TRY AND STAY
AS STILL AS POSSIBLE.

512
00:25:57,300 --> 00:25:58,467
NO, NO HOSPITAL.

513
00:25:58,500 --> 00:26:01,133
NO MORE HOSPITALS. NO.

514
00:26:01,167 --> 00:26:02,967
OKAY, JUST TRY
AND RELAX.

515
00:26:05,067 --> 00:26:06,233
WHERE WERE YOU
LAST NIGHT?

516
00:26:06,267 --> 00:26:07,967
YOU MISSED PEACHES.

517
00:26:13,500 --> 00:26:15,200
[DOOR OPENS]

518
00:26:15,233 --> 00:26:16,900
I NEED YOUR HELP.

519
00:26:21,733 --> 00:26:24,067
GOING AROUND
THE CORNER, GUYS.

520
00:26:24,067 --> 00:26:25,400
DADDY, ARE YOU OKAY?

521
00:26:25,433 --> 00:26:26,567
JUST GET HIS HEAD.
DO WE HAVE HIS HEAD?

522
00:26:26,600 --> 00:26:27,767
YEAH, WE'VE
GOT HIS HEAD,

523
00:26:27,800 --> 00:26:29,067
AND WATCH
THE IVY THERE.

524
00:26:29,100 --> 00:26:32,567
OKAY.
ALL RIGHT.

525
00:26:32,600 --> 00:26:35,167
[SHELLY]:
YOU'RE DOING REAL GOOD.

526
00:26:49,933 --> 00:26:51,967
WHY ARE YOU SHAVING YOUR LEGS?

527
00:26:54,200 --> 00:26:55,567
BECAUSE THERE'S HAIR ON THEM.

528
00:26:55,600 --> 00:26:58,467
SO?

529
00:27:00,533 --> 00:27:03,067
IS LARA GOING TO FEEL THEM
OR SOMETHING?

530
00:27:04,267 --> 00:27:05,233
WHAT?

531
00:27:05,267 --> 00:27:08,233
IT'S A LEGITIMATE QUESTION.

532
00:27:08,267 --> 00:27:09,567
HEY.

533
00:27:09,600 --> 00:27:10,633
YEAH, WE'RE JUST PICKING
A FEW THINGS UP

534
00:27:10,667 --> 00:27:11,900
FOR MELVIN.

535
00:27:11,933 --> 00:27:14,100
YEAH, WELL, LISTEN,
WHY DON'T YOU AND DANA

536
00:27:14,133 --> 00:27:16,167
GRAB A BOTTLE OF WINE
AND SOME FLOWERS

537
00:27:16,200 --> 00:27:17,567
WHEN WE HIT BETTE'S?

538
00:27:17,600 --> 00:27:19,200
ALL RIGHT.

539
00:27:19,233 --> 00:27:21,567
YEAH, SOUNDS GOOD.

540
00:27:21,600 --> 00:27:22,833
ALL RIGHT,
SEE YOU THEN.

541
00:27:22,867 --> 00:27:25,433
BYE.

542
00:27:25,467 --> 00:27:26,933
OH, POOR BETTE.

543
00:27:26,967 --> 00:27:29,600
"POOR BETTE," MAN?
POOR MELVIN.

544
00:27:29,633 --> 00:27:30,700
LOOK AT THIS SHIT.

545
00:27:30,733 --> 00:27:32,300
IT'S LIQUID FOOD.

546
00:27:32,333 --> 00:27:33,800
CYCLE OF LIFE.

547
00:27:33,833 --> 00:27:34,833
YOU WIND UP
EATING BABY FOOD,

548
00:27:34,867 --> 00:27:35,967
AND YOU'RE BACK
IN DIAPERS.

549
00:27:36,067 --> 00:27:37,233
MM.

550
00:27:37,267 --> 00:27:41,233
[CELLPHONE RINGS]

551
00:27:45,300 --> 00:27:46,700
WHO'S THAT?

552
00:27:46,733 --> 00:27:47,733
NO ONE.

553
00:27:47,767 --> 00:27:48,800
WHO'S THAT?

554
00:27:48,833 --> 00:27:50,300
NO ONE.

555
00:27:50,333 --> 00:27:51,867
IT'S LOLA.

556
00:27:51,900 --> 00:27:53,533
LOLA?

557
00:27:53,567 --> 00:27:54,967
WHO'S LOLA?

558
00:27:55,067 --> 00:27:57,933
UH, SHE'S THAT GIRL
FROM LAST NIGHT.

559
00:28:00,133 --> 00:28:02,433
WAIT, THE ONE WHO WAS
UP ON STAGE WITH PEACHES?

560
00:28:02,467 --> 00:28:03,567
YES.

561
00:28:03,600 --> 00:28:04,533
STIFFING HER
ON STAGE?

562
00:28:04,567 --> 00:28:05,567
SHUT UP.

563
00:28:05,600 --> 00:28:07,100
SHE WAS DRUNK.

564
00:28:07,133 --> 00:28:08,267
SHIT, IF SHE'S DRUNK,

565
00:28:08,300 --> 00:28:09,367
DO YOU THINK SHE'D
TEXT MESSAGE ME?

566
00:28:09,400 --> 00:28:10,300
SHUT THE FUCK UP.

567
00:28:10,333 --> 00:28:11,833
I'LL TEXT MESSAGE HER.

568
00:28:11,867 --> 00:28:14,367
I'VE ALREADY BEEN TRANSFERRED.

569
00:28:14,400 --> 00:28:15,800
ONE SECOND.

570
00:28:15,833 --> 00:28:17,433
I'LL BE RIGHT THERE.

571
00:28:17,467 --> 00:28:20,100
HELLO?

572
00:28:20,133 --> 00:28:21,633
YEAH, THIS IS BETTE PORTER.

573
00:28:21,667 --> 00:28:22,867
I'M TRYING TO HIRE

574
00:28:22,900 --> 00:28:24,533
AN ADDITIONAL
RESPITE WORKER.

575
00:28:26,600 --> 00:28:27,767
[SHANE]: MY DAD?

576
00:28:27,800 --> 00:28:30,067
INVISIBLE.

577
00:28:32,233 --> 00:28:34,367
BITTER.

578
00:28:34,400 --> 00:28:35,633
[CLEARS THROAT]

579
00:28:35,667 --> 00:28:37,867
DEPENDABLY SUPPORTIVE.

580
00:28:37,900 --> 00:28:39,800
ONE WORD.

581
00:28:39,833 --> 00:28:41,967
DEPENDABLE.

582
00:28:46,900 --> 00:28:49,467
DISTANT.

583
00:28:51,233 --> 00:28:52,967
[MARK]: BETTE?
WHAT ABOUT YOU?

584
00:28:54,900 --> 00:28:58,300
WHAT ABOUT ME? WHAT?

585
00:28:58,333 --> 00:28:59,733
DESCRIBE YOUR DAD. ONE WORD.

586
00:29:01,600 --> 00:29:03,800
DYING.

587
00:29:06,600 --> 00:29:08,600
THERE YOU GO.

588
00:29:08,633 --> 00:29:10,300
SWALLOW.

589
00:29:12,567 --> 00:29:13,833
HEY.

590
00:29:15,733 --> 00:29:16,867
I'M SORRY.

591
00:29:16,900 --> 00:29:18,867
MY FATHER WAS THIRSTY.

592
00:29:18,900 --> 00:29:21,367
MAYBE WE SHOULD LET YOU BE.

593
00:29:21,400 --> 00:29:23,400
YEAH.

594
00:29:23,433 --> 00:29:25,933
THANKS, YOU GUYS.

595
00:29:25,967 --> 00:29:27,633
BYE.

596
00:29:27,667 --> 00:29:28,933
CALL IF YOU NEED ANYTHING.

597
00:29:34,333 --> 00:29:35,733
OPEN.

598
00:29:38,600 --> 00:29:40,067
THERE YOU GO.
SWALLOW.

599
00:29:56,667 --> 00:29:57,667
OKAY.

600
00:29:57,700 --> 00:29:58,800
ALL RIGHT.

601
00:29:58,833 --> 00:30:00,067
I'LL SEE YOU AT 10:00.

602
00:30:00,067 --> 00:30:00,967
YEP. 10:00.

603
00:30:01,000 --> 00:30:01,967
NOW, WHAT IS IT?

604
00:30:02,000 --> 00:30:03,133
I DON'T KNOW.

605
00:30:03,167 --> 00:30:04,467
A NIGHTCLUB THING WITH JENNY.

606
00:30:04,500 --> 00:30:05,767
I DON'T KNOW, BUT SHE SAID
BE THERE AT 10:00,

607
00:30:05,800 --> 00:30:06,800
SO DON'T BE LATE.

608
00:30:06,833 --> 00:30:07,967
OKAY, I'LL BE THERE.

609
00:30:11,067 --> 00:30:12,100
ARE YOU OKAY?

610
00:30:12,133 --> 00:30:13,033
YES.

611
00:30:14,800 --> 00:30:15,867
OKAY.
OKAY.

612
00:30:15,900 --> 00:30:16,933
I'LL SEE YOU LATER.

613
00:30:16,967 --> 00:30:18,533
ALRIGHTY.

614
00:30:26,167 --> 00:30:27,933
[QUIETLY]: GODDAMMIT.

615
00:30:27,967 --> 00:30:29,833
HERE ARE SOME OF YOUR THINGS,
DADDY.

616
00:30:34,433 --> 00:30:35,933
THERE'S ME AND MOM.

617
00:30:42,200 --> 00:30:44,167
I REMEMBER THAT LITTLE BALL.

618
00:30:53,367 --> 00:30:55,100
I DON'T REMEMBER
THIS ONE.

619
00:30:57,133 --> 00:30:59,000
DO YOU REMEMBER THIS?

620
00:30:59,033 --> 00:31:00,467
YOU AND MOM?

621
00:31:10,067 --> 00:31:12,100
HERE'S ME AND MOM.

622
00:31:12,133 --> 00:31:13,867
I HAD A LOT OF HAIR AS A KID.

623
00:31:13,900 --> 00:31:16,600
[LAUGHS]

624
00:31:22,300 --> 00:31:25,467
THERE'S SOME OF HER WATERCOLORS
IN HERE.

625
00:31:25,500 --> 00:31:27,267
OH, LOOK.

626
00:31:29,400 --> 00:31:30,967
WHERE'S THAT FROM?

627
00:31:34,633 --> 00:31:35,767
I...

628
00:31:35,800 --> 00:31:37,933
ACAPULCO, RIGHT?

629
00:31:42,067 --> 00:31:46,100
LET'S SEE WHAT ELSE
WE HAVE IN HERE.

630
00:31:54,400 --> 00:31:55,933
I THINK THIS ONE
WAS YOUR FAVORITE.

631
00:31:55,967 --> 00:31:58,267
WASN'T IT?

632
00:32:00,100 --> 00:32:03,333
SHE KNEW HER STUFF,
MOM, DIDN'T SHE?

633
00:32:09,933 --> 00:32:12,167
I'M GOING TO PUT THIS
RIGHT OVER HERE.

634
00:32:23,333 --> 00:32:25,167
I SHOULD'VE WORN
MY LATEX JUMPSUIT.

635
00:32:28,533 --> 00:32:30,867
I REALLY MISS
OUR FOOD ADVENTURES.

636
00:32:30,900 --> 00:32:32,200
YOU KNOW, THERE'S THIS
PERUVIAN RESTAURANT

637
00:32:32,233 --> 00:32:33,400
IN VAN NUYS

638
00:32:33,433 --> 00:32:34,933
I'VE BEEN
WANTING TO GO TO.

639
00:32:38,900 --> 00:32:40,733
I SHOULDN'T.

640
00:32:40,767 --> 00:32:42,700
TRAINING.

641
00:32:42,733 --> 00:32:44,133
NO.

642
00:32:44,167 --> 00:32:46,067
WELL, YEAH, SORT OF.

643
00:32:47,833 --> 00:32:48,833
ALICE.

644
00:32:48,867 --> 00:32:50,267
LARA...

645
00:32:50,300 --> 00:32:53,633
DANA, I'M JUST
TALKING ABOUT A DINNER.

646
00:32:53,667 --> 00:32:55,833
NO, THIS IS A DINNER.

647
00:32:55,867 --> 00:33:00,067
WHAT YOU'RE TALKING ABOUT
IS A SECOND DINNER.

648
00:33:04,200 --> 00:33:06,700
[CELLPHONE BUZZING]

649
00:33:10,067 --> 00:33:11,267
HEY. HEY, IT'S ME.

650
00:33:11,300 --> 00:33:13,733
UM, I JUST WANTED TO CALL
AND TELL YOU

651
00:33:13,767 --> 00:33:16,700
TO MAYBE GET HERE
AT, LIKE, A QUARTER TO 10:00.

652
00:33:16,733 --> 00:33:17,400
UM...

653
00:33:17,433 --> 00:33:18,700
AL, HEY!

654
00:33:18,733 --> 00:33:21,400
BECAUSE IT LOOKS LIKE
IT MIGHT BE A LITTLE BUSY...

655
00:33:21,433 --> 00:33:22,567
CROWDED.

656
00:33:22,600 --> 00:33:24,533
SO, OKAY, YEAH,
CALL ME WHEN YOU GET THIS.

657
00:33:24,567 --> 00:33:25,867
OKAY?

658
00:33:25,900 --> 00:33:27,600
BYE.

659
00:33:30,067 --> 00:33:31,233
GODDAMMIT.

660
00:33:32,867 --> 00:33:35,067
[CARMEN]: JESUS CHRIST.

661
00:33:35,067 --> 00:33:36,567
[HOOTING AND CHEERING]

662
00:33:42,267 --> 00:33:43,767
HEY!

663
00:33:43,800 --> 00:33:45,800
HEY!

664
00:33:45,833 --> 00:33:47,300
NICE PLACE!

665
00:33:47,333 --> 00:33:48,367
OH, YEAH.

666
00:33:52,467 --> 00:33:54,167
DID JENNY INVITE YOU?

667
00:33:54,200 --> 00:33:55,967
YEAH, SHE DID.

668
00:33:56,067 --> 00:33:57,433
HAVE YOU SEEN HER?

669
00:33:57,467 --> 00:33:58,700
NO.

670
00:34:01,733 --> 00:34:02,800
THIS JUST DOESN'T
FEEL RIGHT.

671
00:34:02,833 --> 00:34:04,367
I'M GOING TO GO
LOOK FOR HER.

672
00:34:04,400 --> 00:34:07,967
GOD, WHY WOULD SHE WANT
TO COME TO THIS PLACE?

673
00:34:13,600 --> 00:34:15,567
[CARMEN]: WHAT DO YOU MEAN,
"COOL YOUR JETS, HONEY"?

674
00:34:15,600 --> 00:34:16,567
DON'T FUCKING TOUCH ME.

675
00:34:16,600 --> 00:34:17,867
GET YOUR FUCKING HANDS
OFF OF ME.

676
00:34:17,900 --> 00:34:19,067
[MAN]: HONEY, HONEY,
COOL YOUR JETS.

677
00:34:19,067 --> 00:34:20,167
WHAT THE FUCK
IS YOUR PROBLEM, MAN?

678
00:34:20,200 --> 00:34:21,467
WHY DO YOU HAVE TO
FUCKING TOUCH ME, HUH?

679
00:34:21,500 --> 00:34:22,467
HEY, HEY,
WHOA, BABY, WHOA.

680
00:34:22,500 --> 00:34:23,800
WHAT?

681
00:34:23,833 --> 00:34:25,933
WHY DO YOU HAVE TO FUCKING
PUT YOUR HANDS ON ME?

682
00:34:25,967 --> 00:34:27,200
ASSHOLE.

683
00:34:27,233 --> 00:34:28,600
ARE YOU ALL RIGHT?

684
00:34:28,633 --> 00:34:30,067
YES.

685
00:34:30,100 --> 00:34:31,667
GODDAMMIT.

686
00:34:34,367 --> 00:34:36,200
DO YOU WANT TO
GO OUT SOMETIME?

687
00:34:36,233 --> 00:34:37,700
WHAT?

688
00:34:37,733 --> 00:34:40,567
DO YOU WANT TO GO OUT
WITH ME SOMETIME?

689
00:34:43,067 --> 00:34:45,200
"AND I'VE SEEN
ITS MUDDY BOSOM

690
00:34:45,233 --> 00:34:47,733
"TURN ALL GOLDEN
IN THE SUNSET.

691
00:34:47,767 --> 00:34:48,967
I HAVE KNOWN RIVERS..."

692
00:34:51,333 --> 00:34:53,067
"ANCIENT, DUSKY RIVERS"--

693
00:34:53,067 --> 00:34:55,400
WHAT IS THAT?

694
00:34:55,433 --> 00:34:58,600
IT'S DADDY'S
FAVORITE POEM.

695
00:34:58,633 --> 00:35:00,867
DIDN'T HE EVER
READ IT TO YOU?

696
00:35:00,900 --> 00:35:02,567
NO...

697
00:35:02,600 --> 00:35:03,833
AND THANK GOD,

698
00:35:03,867 --> 00:35:05,900
BECAUSE THAT'S
ONE DULL-ASS POEM.

699
00:35:07,900 --> 00:35:09,900
[GROANS]

700
00:35:09,933 --> 00:35:11,067
MAMA...

701
00:35:11,067 --> 00:35:12,133
MA...

702
00:35:12,167 --> 00:35:13,267
OH, DADDY, SHH.

703
00:35:13,300 --> 00:35:14,633
MAMA...

704
00:35:14,667 --> 00:35:16,867
MAMA...

705
00:35:16,900 --> 00:35:18,100
SHH, DADDY.

706
00:35:18,133 --> 00:35:19,333
SHH.

707
00:35:19,367 --> 00:35:20,833
DADDY, IT'S OKAY.

708
00:35:20,867 --> 00:35:23,467
* RUSTY OLD HALO

709
00:35:23,500 --> 00:35:28,433
* SKINNY WHITE CLOUDS

710
00:35:28,467 --> 00:35:34,067
* SECOND-HAND WINGS
FULL OF PATCHES *

711
00:35:34,100 --> 00:35:37,567
* RUSTY OLD HALO

712
00:35:37,600 --> 00:35:41,633
* SKINNY WHITE CLOUD

713
00:35:41,667 --> 00:35:47,067
* A ROBE SO WOOLLY
IT SCRATCHES *

714
00:35:47,067 --> 00:35:54,533
* I KNOW A MAN
RICH AS A KING *

715
00:35:54,567 --> 00:36:00,433
* STILL HE JUST WON'T
GIVE HIS NEIGHBOR A THING *

716
00:36:00,467 --> 00:36:04,367
* HIS DAY WILL COME

717
00:36:04,400 --> 00:36:07,767
* I'LL MAKE A BET

718
00:36:07,800 --> 00:36:10,600
* HE'LL GET TO HEAVEN

719
00:36:10,633 --> 00:36:14,200
* AND HERE'S
WHAT HE'LL GET *

720
00:36:14,233 --> 00:36:16,833
* RUSTY OLD HALO

721
00:36:16,867 --> 00:36:19,933
* SKINNY WHITE CLOUD

722
00:36:19,967 --> 00:36:25,300
* A ROBE SO WOOLLY
IT SCRATCHES *

723
00:36:25,333 --> 00:36:28,800
[WEAKLY]:
* A ROBE SO WOOLLY

724
00:36:28,833 --> 00:36:30,733
* IT SCRATCHES *

725
00:36:38,700 --> 00:36:41,867
[CHEERING]

726
00:36:54,800 --> 00:36:57,200
LADIES AND GENTLEMEN,

727
00:36:57,233 --> 00:37:00,067
PLEASE WELCOME
A SPECIAL NEW DANCER.

728
00:37:00,067 --> 00:37:03,100
GIVE IT UP
FOR MISS YESHIVA GIRL!

729
00:37:03,133 --> 00:37:07,833
[RAUCOUS CHEERING]

730
00:37:24,800 --> 00:37:25,633
HEY.

731
00:37:25,667 --> 00:37:27,100
HEY.

732
00:37:27,133 --> 00:37:28,933
I FEEL LIKE I'M IN HELL.
WHAT IS THIS PLACE?

733
00:37:28,967 --> 00:37:30,533
IT'S JENNY.

734
00:37:34,467 --> 00:37:36,133
WHERE'S ALICE?

735
00:37:36,167 --> 00:37:38,067
SHE WENT TO LOOK
FOR YOU.

736
00:37:38,067 --> 00:37:40,933
DANA?

737
00:38:21,067 --> 00:38:22,833
[JEERING]

738
00:38:26,500 --> 00:38:29,433
[MUSIC CHANGES
FROM ROCK TO KLEZMER]

739
00:38:49,333 --> 00:38:52,500
WHAT THE FUCK
IS SHE DOING?

740
00:39:04,933 --> 00:39:07,267
[JEERING FADES]

741
00:39:07,300 --> 00:39:13,133
[JENNY SINGING SOFTLY IN HEBREW]

742
00:39:40,567 --> 00:39:43,600
[MEN SHOUTING]

743
00:39:51,200 --> 00:39:52,633
AL?

744
00:39:55,767 --> 00:39:57,533
ALICE, WHAT HAPPENED?

745
00:39:59,433 --> 00:40:00,633
I WAS CALLING
YOUR PHONE.

746
00:40:00,667 --> 00:40:01,833
YOU WEREN'T ANSWERING.

747
00:40:01,867 --> 00:40:03,300
WHERE WERE YOU?

748
00:40:03,333 --> 00:40:05,167
I WAS THERE.
WHERE WERE YOU?

749
00:40:12,033 --> 00:40:13,933
I THOUGHT
I LOST YOU.

750
00:40:16,967 --> 00:40:19,067
I'M RIGHT HERE.

751
00:40:25,100 --> 00:40:26,733
[QUIETLY]:
I'M RIGHT HERE.

752
00:40:37,633 --> 00:40:40,500
[JENNY]:
THAT SMELLS GOOD.

753
00:40:40,533 --> 00:40:41,933
THANKS.

754
00:40:43,667 --> 00:40:44,833
MAY I HAVE ONE?

755
00:40:47,500 --> 00:40:49,700
OF COURSE.

756
00:40:49,733 --> 00:40:51,800
THANK YOU.

757
00:41:06,333 --> 00:41:09,900
[SOFTLY HUMMING
"RUSTY OLD HALO"]

758
00:41:53,500 --> 00:41:55,200
DADDY?

759
00:42:03,600 --> 00:42:05,067
DADDY?

760
00:42:12,500 --> 00:42:15,067
KIT!

761
00:42:15,067 --> 00:42:16,600
DADDY?

762
00:42:16,633 --> 00:42:17,933
DADDY?

763
00:42:22,833 --> 00:42:24,767
DADDY?

764
00:42:24,800 --> 00:42:26,100
DADDY...

765
00:42:27,600 --> 00:42:29,100
DADDY?

766
00:42:32,067 --> 00:42:33,933
[SOBBING]

767
00:43:06,933 --> 00:43:09,567
CAPTIONING PERFORMED BY:

768
00:43:09,600 --> 00:43:12,100
LINE 21 MEDIA SERVICES LTD.
VANCOUVER, B.C. 2005