1 00:00:10,667 --> 00:00:11,467 PREVIOUSLY ON THE L WORD-- 2 00:00:11,500 --> 00:00:12,300 WHAT ABOUT ME WHAT? 3 00:00:12,333 --> 00:00:13,200 DESCRIBE YOUR DAD. ONE WORD. 4 00:00:13,233 --> 00:00:14,733 DYING. 5 00:00:14,767 --> 00:00:16,700 THE BOARD WOULD SUPPORT A TEMPORARY LEAVE OF ABSENCE. 6 00:00:16,733 --> 00:00:18,400 WHAT ABOUT THE ALLEN BARNES RETROSPECTIVE? 7 00:00:18,433 --> 00:00:19,467 WELL, WE HAVE LEO. 8 00:00:19,500 --> 00:00:21,733 TOWARDS THE END, 9 00:00:21,767 --> 00:00:24,300 IT'LL GET VERY CONFUSING AND FRIGHTENING, 10 00:00:24,333 --> 00:00:25,600 AND NOT JUST FOR THE PATIENT. 11 00:00:25,633 --> 00:00:28,133 MAMA? 12 00:00:28,167 --> 00:00:29,567 MAMA. 13 00:00:29,600 --> 00:00:30,633 DADDY, SHH... 14 00:00:30,667 --> 00:00:31,800 MAMA. 15 00:00:31,833 --> 00:00:32,800 IS THIS BETTE PORTER'S BABY? 16 00:00:32,833 --> 00:00:33,567 OUR BABY. 17 00:00:33,600 --> 00:00:34,667 HELENA, I'M TIRED. 18 00:00:34,700 --> 00:00:36,333 I JUST WANT TO GO HOME, BE ALONE. 19 00:00:36,367 --> 00:00:38,800 YOU WON'T BE ALONE, BUT YOU'LL STILL GET LONELY. 20 00:00:38,833 --> 00:00:40,200 I WAS WONDERING WHEN I WOULD SEE YOU IN HERE. 21 00:00:40,233 --> 00:00:41,633 YOU HAVEN'T COME IN FOR DINNER. 22 00:00:41,667 --> 00:00:42,967 OH, MY GOD. 23 00:00:43,000 --> 00:00:45,133 YOU DON'T HAVE TO GET PERMISSION FROM ME 24 00:00:45,167 --> 00:00:46,533 TO GO OUT TO DINNER WITH YOUR EX. 25 00:00:46,567 --> 00:00:47,933 YOU GUYS SHOULD BE FRIENDS. 26 00:00:47,967 --> 00:00:49,033 THIS IS A DINNER. 27 00:00:49,067 --> 00:00:52,033 WHAT YOU'RE TALKING ABOUT IS A SECOND DINNER. 28 00:00:52,067 --> 00:00:53,067 KIT! 29 00:00:53,100 --> 00:00:54,233 DADDY? 30 00:00:54,267 --> 00:00:57,667 [SOBBING] 31 00:00:57,700 --> 00:00:59,200 DID JENNY INVITE YOU? 32 00:00:59,233 --> 00:01:00,433 HAVE YOU SEEN HER? 33 00:01:00,467 --> 00:01:01,700 [CHEERING] 34 00:01:17,067 --> 00:01:20,333 [***] 35 00:02:13,067 --> 00:02:15,867 [***] 36 00:03:13,633 --> 00:03:16,567 [CAR ALARM BLARING IN DISTANCE] 37 00:03:20,667 --> 00:03:23,600 [DANCE MUSIC THROBBING INSIDE CLUB] 38 00:03:30,167 --> 00:03:31,800 HEY. 39 00:03:31,833 --> 00:03:33,433 HEY, LADY. 40 00:03:33,467 --> 00:03:35,367 WHAT ARE YOU DOING HERE, LADY? 41 00:03:35,400 --> 00:03:36,567 I CAME TO SEE YOU. 42 00:03:36,600 --> 00:03:39,233 WHAT DID YOU THINK? 43 00:03:39,267 --> 00:03:41,967 YOU WERE GOOD. 44 00:03:42,067 --> 00:03:44,833 NO, I WASN'T. I SUCKED. 45 00:03:44,867 --> 00:03:46,133 HERE. 46 00:03:46,167 --> 00:03:49,067 IT DOESN'T MATTER IF I'M GOOD. 47 00:03:49,067 --> 00:03:51,300 BUT WHY-- WHY ARE YOU DOING THIS? 48 00:03:51,333 --> 00:03:53,233 BECAUSE, WHEN I'M IN THERE, 49 00:03:53,267 --> 00:03:56,100 IT'S MY FUCKING CHOICE WHEN I TAKE OFF MY TOP, 50 00:03:56,133 --> 00:03:57,633 WHEN I WANT TO SHOW MY BREASTS, 51 00:03:57,667 --> 00:03:59,467 AND IT'S MY FUCKING CHOICE 52 00:03:59,500 --> 00:04:02,433 WHEN I TAKE OFF MY PANTS AND I SHOW MY PUSSY, 53 00:04:02,467 --> 00:04:03,867 AND THEN I STOP WHEN I WANT TO STOP, 54 00:04:03,900 --> 00:04:06,467 AND IT MAKES ME FEEL GOOD BECAUSE I'M IN CHARGE, 55 00:04:06,500 --> 00:04:07,767 AND IT HELPS ME REMEMBER 56 00:04:07,800 --> 00:04:10,967 ALL THIS CHILDHOOD SHIT THAT HAPPENS TO ME. 57 00:04:11,067 --> 00:04:12,200 YOU KNOW, AND I HAVE TO. 58 00:04:12,233 --> 00:04:13,533 IT'S IMPORTANT. 59 00:04:13,567 --> 00:04:16,867 DO YOU REMEMBER WHAT HAPPENED TO YOU AS A CHILD? 60 00:04:16,900 --> 00:04:18,067 THAT MAKES YOU NOT WANT TO... 61 00:04:18,100 --> 00:04:19,600 WHAT DO YOU MEAN? 62 00:04:19,633 --> 00:04:21,133 NO, SERIOUSLY. NO, NO, NO. JUST HEAR ME OUT. 63 00:04:21,167 --> 00:04:22,800 DO YOU REMEMBER THE SHIT THAT HAPPENED TO YOU AS A CHILD 64 00:04:22,833 --> 00:04:26,433 THAT MAKES YOU NOT WANT TO TRUST PEOPLE AS AN ADULT? 65 00:04:28,067 --> 00:04:29,467 YEAH, I PROBABLY DO. 66 00:04:29,500 --> 00:04:32,100 WELL, THEN, YOU'RE FUCKING LUCKY. 67 00:04:33,233 --> 00:04:35,333 I DON'T KNOW HOW THAT MAKES ME SO LUCKY. 68 00:04:35,367 --> 00:04:36,433 BECAUSE YOU'RE LUCKY 69 00:04:36,467 --> 00:04:39,600 BECAUSE YOU CAN GET ON WITH YOUR FUCKING LIFE, 70 00:04:39,633 --> 00:04:40,967 AND YOU'RE NOT DOGGED DOWN 71 00:04:41,067 --> 00:04:43,400 BY THESE HORRIBLE, OPPRESSIVE CHILDHOOD MEMORIES, 72 00:04:43,433 --> 00:04:45,300 AND YOU KNOW, YOU STAND A CHANCE 73 00:04:45,333 --> 00:04:48,967 OF BEING A NORMAL, PRODUCTIVE PERSON. 74 00:04:49,067 --> 00:04:51,933 WELL, DO YOU KNOW WHAT HAPPENED TO YOU? 75 00:04:53,067 --> 00:04:55,067 I DON'T KNOW. 76 00:04:55,067 --> 00:04:56,667 YOU KNOW, LIKE, I REMEMBER THINGS, 77 00:04:56,700 --> 00:04:59,433 AND THEN, LIKE, I THINK, "IS THIS TRUE? 78 00:04:59,467 --> 00:05:01,967 DID THIS STUFF REALLY HAPPEN, OR AM I MAKING IT UP?" 79 00:05:02,067 --> 00:05:04,067 BECAUSE, YOU KNOW, THE OLDER I GET, 80 00:05:04,067 --> 00:05:06,600 THINGS, THE MEMORY SORT OF BECOMES A LITTLE BLURRY, 81 00:05:06,633 --> 00:05:09,733 AND THEN IT'S LIKE... 82 00:05:09,767 --> 00:05:11,933 I DON'T KNOW, BUT-- 83 00:05:11,967 --> 00:05:14,567 YOU JUST DON'T KNOW THE TRUTH ANYMORE. 84 00:05:14,600 --> 00:05:15,900 ALL RIGHT, I GET THAT, 85 00:05:15,933 --> 00:05:18,133 BUT YOU DON'T HAVE TO DO IT WITH THAT. 86 00:05:18,167 --> 00:05:19,300 I KNOW. 87 00:05:19,333 --> 00:05:20,300 WHAT IS THIS? 88 00:05:20,333 --> 00:05:21,400 I KNOW I DON'T. 89 00:05:21,433 --> 00:05:23,767 JUST KNOW THAT... 90 00:05:23,800 --> 00:05:24,800 I'M JUST SAYING 91 00:05:24,833 --> 00:05:26,067 YOU DON'T HAVE TO. 92 00:05:26,067 --> 00:05:27,300 YOU HAVE ME. 93 00:05:27,333 --> 00:05:28,433 YOU HAVE OTHER PEOPLE. 94 00:05:28,467 --> 00:05:29,533 YOU DON'T HAVE TO DO THIS ALONE. 95 00:05:29,567 --> 00:05:30,700 I KNOW. NO, I KNOW. 96 00:05:30,733 --> 00:05:33,833 I KNOW I'M NOT ALONE, BUT I WANT TO. 97 00:05:35,667 --> 00:05:37,300 JUST BE CAREFUL. 98 00:05:37,333 --> 00:05:38,400 I KNOW. 99 00:05:40,233 --> 00:05:41,533 ALL RIGHT. 100 00:05:41,567 --> 00:05:42,833 LET'S GO HOME. 101 00:05:42,867 --> 00:05:45,800 NO, I'M GOING TO... TAKE THE BUS. 102 00:05:45,833 --> 00:05:47,233 PROMISE YOU'RE GOING TO BE SAFE? 103 00:05:47,267 --> 00:05:49,233 I'M GOING TO SEE YOU AT HOME. 104 00:05:56,500 --> 00:05:58,933 [***] 105 00:06:07,067 --> 00:06:08,567 I GOT THE BIRTHING TANK, 106 00:06:08,600 --> 00:06:10,067 BUT IT'S THE ONE THAT YOU HAVE TO PUT TOGETHER. 107 00:06:10,067 --> 00:06:11,767 I KNOW THEY HAVE SOME 108 00:06:11,800 --> 00:06:13,433 WHERE ALL YOU HAVE TO DO 109 00:06:13,467 --> 00:06:15,767 IS PUMP IT UP. 110 00:06:17,333 --> 00:06:19,067 HELLO, GIRLS. 111 00:06:19,067 --> 00:06:21,133 WHAT ARE YOU DOING HERE? 112 00:06:21,167 --> 00:06:23,100 TINA, I NEED TO TALK TO YOU FOR A MOMENT. 113 00:06:23,133 --> 00:06:24,200 DO YOU MIND? 114 00:06:24,233 --> 00:06:25,700 YES, I DO, ACTUALLY. 115 00:06:25,733 --> 00:06:27,133 TINA-- 116 00:06:27,167 --> 00:06:29,600 I NEED YOU TO HAVE LUNCH WITH ME TODAY. 117 00:06:29,633 --> 00:06:31,867 MY MOTHER'S IN TOWN. 118 00:06:31,900 --> 00:06:33,133 HOW DID YOU KNOW WE WERE HERE? 119 00:06:33,167 --> 00:06:34,200 WHAT, ARE YOU STALKING US? 120 00:06:34,233 --> 00:06:35,467 FOR YOUR INFORMATION, 121 00:06:35,500 --> 00:06:36,800 JAMES TOLD ME WHERE YOU WOULD BE. 122 00:06:36,833 --> 00:06:38,233 HE SAID YOU HAD A DOCTOR'S APPOINTMENT, 123 00:06:38,267 --> 00:06:40,867 FOLLOWED BY A TOUR OF THE MATERNITY UNIT. 124 00:06:40,900 --> 00:06:42,433 I THOUGHT YOU WERE HAVING YOUR BABY AT HOME. 125 00:06:42,467 --> 00:06:43,933 I'M HAVING A FINAL CHECK-UP, 126 00:06:43,967 --> 00:06:45,167 AND IF EVERYTHING LOOKS GOOD, 127 00:06:45,200 --> 00:06:46,467 I'M HAVING THE BABY AT HOME. 128 00:06:46,500 --> 00:06:47,867 I DON'T BELIEVE JAMES TOLD YOU THAT. 129 00:06:47,900 --> 00:06:49,567 JAMES KNOWS NOT TO GIVE OUT MY SCHEDULE. 130 00:06:49,600 --> 00:06:52,067 WHAT JAMES KNOWS 131 00:06:52,067 --> 00:06:53,367 IS THAT HE WANTS TO KEEP HIS JOB. 132 00:06:53,400 --> 00:06:54,667 HE SEEMED TO HAVE 133 00:06:54,700 --> 00:06:56,600 RELATIVELY FEW QUALMS ABOUT IT. 134 00:06:56,633 --> 00:06:57,700 SO, WE'RE HAVING LUNCH 135 00:06:57,733 --> 00:06:58,900 AT LA TERAZZA. 136 00:06:58,933 --> 00:07:00,600 SHE'S REALLY LOOKING FORWARD TO MEETING YOU. 137 00:07:00,633 --> 00:07:01,700 WHAT TIME DOES THIS TOUR FINISH? 138 00:07:01,733 --> 00:07:03,767 I'M NOT HAVING LUNCH WITH YOU, 139 00:07:03,800 --> 00:07:05,200 AND I DON'T LIKE THIS. 140 00:07:05,233 --> 00:07:06,833 WE HAVE A DOCTOR'S APPOINTMENT RIGHT NOW, 141 00:07:06,867 --> 00:07:08,067 SO EXCUSE US. 142 00:07:08,067 --> 00:07:09,633 TINA-- 143 00:07:11,633 --> 00:07:13,833 IT'S IMPORTANT, AND I'D REALLY APPRECIATE IT. 144 00:07:13,867 --> 00:07:15,133 WHY DON'T YOU ASK 145 00:07:15,167 --> 00:07:17,100 ONE OF YOUR OTHER GIRLFRIENDS? 146 00:07:17,133 --> 00:07:18,767 THAT WAS UNCALLED FOR. 147 00:07:18,800 --> 00:07:20,333 I'M SORRY. 148 00:07:20,367 --> 00:07:22,167 MOTHER'S HEARD A LOT ABOUT YOU. 149 00:07:22,200 --> 00:07:23,633 SHE'S LOOKING FORWARD TO MEETING YOU. 150 00:07:23,667 --> 00:07:26,600 YOU'RE ONE OF THE FEW PEOPLE WHO CAN HOLD YOUR OWN WITH HER. 151 00:07:26,633 --> 00:07:28,800 EVERYONE ELSE JUST FAWNS ALL OVER HER. 152 00:07:28,833 --> 00:07:29,833 IT'S TEDIOUS. 153 00:07:29,867 --> 00:07:31,200 NOT AS TEDIOUS AS THIS IS BECOMING. 154 00:07:31,233 --> 00:07:34,067 WE'RE GOING INSIDE NOW. 155 00:07:34,100 --> 00:07:35,767 FINE. 156 00:07:35,800 --> 00:07:37,533 I'LL MAKE SURE THEY TAKE GOOD CARE 157 00:07:37,567 --> 00:07:38,967 OF YOU IN THERE. 158 00:07:39,067 --> 00:07:40,100 WHAT? 159 00:07:55,233 --> 00:07:57,900 [GRUNTING, PANTING] 160 00:07:57,933 --> 00:07:59,767 YES. 161 00:07:59,800 --> 00:08:01,167 COME ON. I'M KICKING YOUR ASS. 162 00:08:01,200 --> 00:08:02,600 I'M NOT SURE I WANT IT THIS BAD. 163 00:08:02,633 --> 00:08:04,467 YES, YOU DO. 164 00:08:04,500 --> 00:08:06,600 YOU WANT TO WIN THIS TOURNAMENT. 165 00:08:06,633 --> 00:08:08,367 YOU WANT TO GO OUT A WINNER. 166 00:08:08,400 --> 00:08:10,400 WHY CAN'T I JUST BE A SECOND-RATE TENNIS PLAYER 167 00:08:10,433 --> 00:08:12,467 WHO'S MORE FAMOUS FOR BEING A LESBIAN? 168 00:08:12,500 --> 00:08:13,900 THAT'S OKAY WITH ME, REALLY. IT'S FINE. 169 00:08:13,933 --> 00:08:14,933 BULLSHIT. I KNOW. 170 00:08:14,967 --> 00:08:16,100 [HONK] 171 00:08:16,133 --> 00:08:17,700 HI. 172 00:08:17,733 --> 00:08:18,767 HEY. 173 00:08:18,800 --> 00:08:20,500 WHAT'S UP? 174 00:08:20,533 --> 00:08:21,267 HEY. 175 00:08:21,300 --> 00:08:22,933 AL... 176 00:08:24,367 --> 00:08:25,400 I FOUND THEM IN THE HALLWAY. 177 00:08:25,433 --> 00:08:26,767 I THOUGHT MAYBE YOU FORGOT THEM. 178 00:08:26,800 --> 00:08:29,333 GO AHEAD. PUT THEM ON. 179 00:08:30,933 --> 00:08:33,667 UM, YOU DIDN'T SAY GOODBYE THIS MORNING. 180 00:08:33,700 --> 00:08:36,067 I WOKE UP, I DIDN'T KNOW WHERE YOU WERE. 181 00:08:36,067 --> 00:08:38,200 YOU KNEW I WAS TRAINING. 182 00:08:38,233 --> 00:08:40,500 I KNOW, BUT YOU COULD HAVE WOKEN ME UP, OR SAID-- 183 00:08:40,533 --> 00:08:41,833 OR LEFT ME A NOTE, OR... 184 00:08:41,867 --> 00:08:43,200 I MEAN, NOT LIKE I'M NEEDY. 185 00:08:43,233 --> 00:08:44,700 I DON'T NEED YOU TO WRITE ME A NOTE, 186 00:08:44,733 --> 00:08:46,300 I JUST, UH... 187 00:08:46,333 --> 00:08:49,133 YEAH, I WAS JUST MENTIONING IT. ANYWAY, SO... 188 00:08:49,167 --> 00:08:51,200 I'M SORRY I DIDN'T LEAVE YOU A NOTE. 189 00:08:51,233 --> 00:08:55,067 ALL RIGHT, WELL, LUCIA AND I NEED TO-- 190 00:08:55,067 --> 00:08:56,067 GET HER IN SHAPE. 191 00:08:56,100 --> 00:08:58,133 YOU DON'T WANT MAURESMO MAKING HER 192 00:08:58,167 --> 00:08:59,167 LOOK LIKE A PUSSY. 193 00:08:59,200 --> 00:09:00,633 I THINK AFTER YOU, LUCIA, 194 00:09:00,667 --> 00:09:02,367 MAURESMO'S GOING TO LOOK LIKE A PUSSY. 195 00:09:02,400 --> 00:09:03,700 ALL RIGHT, UM, SEE YOU AT THE PLANET? 196 00:09:03,733 --> 00:09:05,067 HUH? 197 00:09:05,067 --> 00:09:06,733 I CAN GET YOU A SMOOTHIE OR SOMETHING. 198 00:09:06,767 --> 00:09:08,600 YOU KNOW IT'S GOING TO BE, LIKE, AT LEAST AN HOUR. 199 00:09:08,633 --> 00:09:10,067 OH. I'LL BE WAITING. 200 00:09:10,100 --> 00:09:11,167 OKAY. 201 00:09:11,200 --> 00:09:12,600 DON'T I GET A KISS FOR BRINGING YOUR GLOVES? 202 00:09:12,633 --> 00:09:13,833 I MEAN, COME ON. 203 00:09:15,233 --> 00:09:16,833 YEAH. 204 00:09:18,133 --> 00:09:19,467 THANK YOU. 205 00:09:19,500 --> 00:09:21,133 WATCH YOURSELF. 206 00:09:21,167 --> 00:09:22,933 BYE. 207 00:09:29,067 --> 00:09:29,933 OKAY. 208 00:09:34,300 --> 00:09:36,167 SHE REALLY LOVES ME, YOU KNOW. 209 00:09:36,200 --> 00:09:38,833 OH, IS THAT WHAT THAT IS? 210 00:09:38,867 --> 00:09:39,967 COME ON. GET YOUR ASS UP THERE. 211 00:09:40,067 --> 00:09:42,167 COME ON. GO, GO. GO, GO, GO, GO, GO! 212 00:09:47,167 --> 00:09:49,100 [SIGHING] 213 00:09:51,733 --> 00:09:52,733 RIGHT THIS MINUTE, 214 00:09:52,767 --> 00:09:55,933 I'M HATING BEING A LESBIAN. 215 00:10:01,333 --> 00:10:04,300 WELL, I KNOW SOME LESBIANS THAT ARE REALLY GOOD 216 00:10:04,333 --> 00:10:05,433 AT PUTTING THINGS TOGETHER. 217 00:10:06,600 --> 00:10:08,000 LIKE CARPENTERS? 218 00:10:10,300 --> 00:10:12,333 SORRY. THAT WAS A THROWBACK. 219 00:10:13,933 --> 00:10:17,300 WELL, MAYBE DAVINA CAN DO IT. 220 00:10:17,333 --> 00:10:18,900 SHE SAYS THAT SHE MAKES A HOME VISIT 221 00:10:18,933 --> 00:10:20,933 ABOUT TWO DAYS BEFORE THE BABY'S BORN. 222 00:10:20,967 --> 00:10:23,900 NO, I'M JUST GOING TO DO IT AS A MATTER OF PRIDE. 223 00:10:28,267 --> 00:10:30,100 SO, HAS KIT HEARD FROM HER SON? 224 00:10:30,133 --> 00:10:32,167 MM. DAVID'S FLYING IN TONIGHT. 225 00:10:32,200 --> 00:10:33,567 UNCLE LEROY IS TOO WEAK TO TRAVEL, 226 00:10:33,600 --> 00:10:35,967 BUT AUNT BECCA'S GOING TO COME WITH ALL MY COUSINS 227 00:10:36,000 --> 00:10:36,967 TO THE MEMORIAL, 228 00:10:37,000 --> 00:10:38,067 AND MRS. STOUT, 229 00:10:38,100 --> 00:10:39,800 AND DADDY'S NURSE, FIONA. 230 00:10:39,833 --> 00:10:41,667 WHAT ABOUT BENJAMIN? 231 00:10:41,700 --> 00:10:43,167 KIT DOESN'T WANT HIM TO. 232 00:10:43,200 --> 00:10:47,333 SHE'S AFRAID IF SHE SEES HIM, SHE'LL LOSE HER RESOLVE. 233 00:10:47,367 --> 00:10:48,467 POOR KIT. 234 00:10:48,500 --> 00:10:50,300 SHE'S COMPLETELY THROWN HERSELF 235 00:10:50,333 --> 00:10:51,367 INTO THIS MEMORIAL. 236 00:11:00,067 --> 00:11:02,333 SO, THAT'S... A BIRTHING TANK. 237 00:11:02,367 --> 00:11:03,467 BETTE. 238 00:11:03,500 --> 00:11:06,900 I'M HAVING A HOME BIRTH. 239 00:11:06,933 --> 00:11:08,733 I THINK IT'S GREAT 240 00:11:08,767 --> 00:11:11,433 THAT DR. WILSON THINKS IT'S SAFE. 241 00:11:11,467 --> 00:11:14,200 I MEAN, THE BABY'S HEALTHY, AND YOU'RE IN GREAT SHAPE. 242 00:11:14,233 --> 00:11:17,400 WHAT I MEANT IS, I'M HAVING A HOME BIRTH, 243 00:11:17,433 --> 00:11:21,067 AND I WANT TO HAVE IT IN MY HOME. 244 00:11:22,667 --> 00:11:25,967 YOU MEAN YOU WANT TO GIVE BIRTH IN YOUR APARTMENT? 245 00:11:26,067 --> 00:11:26,967 NO. 246 00:11:27,067 --> 00:11:27,967 ARE YOU SURE, 247 00:11:28,067 --> 00:11:29,233 BECAUSE I'VE GOT EVERYTHING 248 00:11:29,267 --> 00:11:30,633 SO WELL-ORGANIZED, AND I JUST THINK THAT-- 249 00:11:30,667 --> 00:11:31,800 NO. 250 00:11:34,200 --> 00:11:36,133 I WANT... 251 00:11:37,867 --> 00:11:40,767 [VOICE BREAKING] TO MOVE BACK INTO OUR HOUSE, 252 00:11:40,800 --> 00:11:45,933 AND I WANT TO HAVE OUR BABY IN OUR HOME. 253 00:11:45,967 --> 00:11:49,500 I WANT ALL OF US TO HAVE A HOME TOGETHER. 254 00:12:14,500 --> 00:12:16,933 HELENA, COME. JOIN US, DEAR. 255 00:12:16,967 --> 00:12:19,200 HEY! 256 00:12:19,233 --> 00:12:21,067 HOW ARE YOU? 257 00:12:23,100 --> 00:12:25,300 HELLO, HELENA. 258 00:12:31,100 --> 00:12:32,800 SEE YOU LATER. 259 00:12:32,833 --> 00:12:33,933 HELENA. 260 00:12:33,967 --> 00:12:35,200 STOP. 261 00:12:36,533 --> 00:12:38,633 COME BACK. 262 00:12:40,467 --> 00:12:41,967 SIT DOWN. 263 00:12:47,400 --> 00:12:49,100 COME AND SIT DOWN. 264 00:12:49,133 --> 00:12:50,600 DON'T BE A PETULANT CHILD. 265 00:12:53,633 --> 00:12:55,100 THERE WE GO. 266 00:12:55,133 --> 00:12:56,567 WHAT ARE THEY DOING HERE? 267 00:12:56,600 --> 00:12:58,500 AREN'T YOU HAPPY TO SEE US, MUMMY? 268 00:12:58,533 --> 00:13:00,333 [HELENA]: OF COURSE I AM, SWEETHEART. 269 00:13:00,367 --> 00:13:03,067 PEGGY CALLED ME AND INVITED ME TO LUNCH, 270 00:13:03,067 --> 00:13:05,067 AND I WAS THRILLED TO HEAR FROM HER. 271 00:13:05,067 --> 00:13:07,100 I WANTED TO SEE MY GRANDCHILDREN, 272 00:13:07,133 --> 00:13:08,967 AND I, APPARENTLY, HAVE MISSED A BIRTHDAY. 273 00:13:09,067 --> 00:13:10,067 YOU COULD HAVE CALLED ME. 274 00:13:10,067 --> 00:13:11,833 I WANTED TO SEE WINNIE, TOO. 275 00:13:11,867 --> 00:13:12,967 I HEAR THINGS ARE GETTING UGLY 276 00:13:13,067 --> 00:13:14,900 BETWEEN THE TWO OF YOU. 277 00:13:14,933 --> 00:13:17,267 I WON'T HAVE THAT, HELENA. 278 00:13:17,300 --> 00:13:19,800 YOU WON'T HAVE IT? 279 00:13:19,833 --> 00:13:23,533 EVERYTHING YOU DO REFLECTS ON ME. 280 00:13:23,567 --> 00:13:25,333 PLEASE TRY TO REMEMBER THAT. 281 00:13:25,367 --> 00:13:26,967 AFTER VLADIMIR, MUMMY, 282 00:13:27,067 --> 00:13:28,633 I DON'T REALLY THINK THE STANDARD WAS ALL THAT HIGH. 283 00:13:28,667 --> 00:13:30,067 HIS NAME WAS DRAGOMIR, DARLING, 284 00:13:30,100 --> 00:13:33,267 AND HE WAS NEVER MEANT TO BE A STANDARD BEARER. 285 00:13:33,300 --> 00:13:35,767 YOUR MOTHER IS ACTUALLY 286 00:13:35,800 --> 00:13:37,133 INCREDIBLY GENEROUS, HELENA. 287 00:13:37,167 --> 00:13:38,333 YOU SHOULD TRY SEEING HER 288 00:13:38,367 --> 00:13:39,967 THE WAY THE REST OF THE WORLD SEES HER. 289 00:13:40,067 --> 00:13:44,333 AND YOU SHOULD TRY SEEING HER THE WAY HER CHILDREN SAW HER-- 290 00:13:44,367 --> 00:13:47,200 OR RATHER, NEVER SAW HER. 291 00:13:48,533 --> 00:13:50,100 CAN I GET YOU SOMETHING? 292 00:13:50,133 --> 00:13:51,400 HAVE A BELLINI, DARLING. 293 00:13:51,433 --> 00:13:53,433 WE ALL ARE THEM. 294 00:13:53,467 --> 00:13:54,800 DO PLEASE LEAVE 295 00:13:54,833 --> 00:13:55,967 THE "POOR DAMAGED CHILD" NONSENSE 296 00:13:56,067 --> 00:13:57,200 FOR YOUR PSYCHIATRIST. 297 00:13:57,233 --> 00:13:58,833 NOT THE ONE WHO'S SUING YOU, 298 00:13:58,867 --> 00:14:01,067 THE ONE WHO'S STILL TAKING YOUR PHONE CALLS. 299 00:14:01,067 --> 00:14:02,367 [SNICKERS] 300 00:14:02,400 --> 00:14:03,700 I'LL HAVE A BLOODY MARY, THANK YOU, 301 00:14:03,733 --> 00:14:06,400 WITH AN EXTRA SHOT. 302 00:14:06,433 --> 00:14:08,433 OH, I LOVE THESE LITTLE LAMBY THINGS. 303 00:14:08,467 --> 00:14:09,500 DON'T YOU? 304 00:14:09,533 --> 00:14:11,067 THEY LOVE YOU TOO, PEGGY. 305 00:14:11,067 --> 00:14:11,867 OH, CHRIST. 306 00:14:11,900 --> 00:14:13,367 THEY WERE SO EXCITED 307 00:14:13,400 --> 00:14:14,667 WHEN I TOLD THEM WE WERE HAVING LUNCH 308 00:14:14,700 --> 00:14:16,833 WITH DAMA TEH TEH. 309 00:14:18,267 --> 00:14:20,933 I'M NOT ABOUT TO LOSE THEM, HELENA, 310 00:14:20,967 --> 00:14:23,067 SO I'VE MADE A PROPOSITION TO WINNIE. 311 00:14:23,067 --> 00:14:24,833 YOU PROPOSITIONED EVERYONE ELSE. 312 00:14:24,867 --> 00:14:27,167 YOU MAY AS WELL PROPOSITION MY EX. 313 00:14:27,200 --> 00:14:29,600 WINNIE IS GOING TO HAVE THE CO-OP ON GRAMERCY PARK. 314 00:14:29,633 --> 00:14:31,533 MY PRECIOUS LITTLE SQUIRRELYKINS 315 00:14:31,567 --> 00:14:32,667 ARE GOING TO LIVE IN THE MANNER 316 00:14:32,700 --> 00:14:34,933 TO WHICH THEY'VE BECOME ACCUSTOMED, 317 00:14:34,967 --> 00:14:36,467 AND THEY'RE GOING TO BE ABLE 318 00:14:36,500 --> 00:14:38,433 TO SEE THEIR DAMA TEH TEH ANYTIME THEY WANT. 319 00:15:24,467 --> 00:15:25,833 [CRYING] DADDY. 320 00:15:25,867 --> 00:15:27,933 * SAY HALLELUJAH 321 00:15:27,967 --> 00:15:29,833 * THROW UP YOUR HANDS 322 00:15:29,867 --> 00:15:32,067 * THE BUCKET IS KICKED 323 00:15:32,100 --> 00:15:34,233 * THE BODY IS GONE 324 00:15:34,267 --> 00:15:36,067 * CLOSE YOUR EYES 325 00:15:36,100 --> 00:15:37,900 * AND BOW YOUR HEAD 326 00:15:37,933 --> 00:15:39,667 * TO REST YOUR SOUL 327 00:15:39,700 --> 00:15:42,633 * AND PRAISE THE DEAD 328 00:15:48,200 --> 00:15:51,067 * SAY HALLELUJAH 329 00:15:51,067 --> 00:15:53,167 * THROW UP YOUR HANDS 330 00:15:53,200 --> 00:15:55,233 * THE BUCKET IS KICKED 331 00:15:55,267 --> 00:15:57,067 * THE BODY IS GONE 332 00:15:57,067 --> 00:15:59,400 * DRY YOUR EYES 333 00:15:59,433 --> 00:16:00,933 * AND STAND UPRIGHT 334 00:16:00,967 --> 00:16:02,933 * PUT A SMILE ON YOUR FACE 335 00:16:02,967 --> 00:16:05,067 * HE WOULDN'T WANT US TO CRY 336 00:16:05,067 --> 00:16:06,733 * MM 337 00:16:06,767 --> 00:16:08,733 * OOH 338 00:16:08,767 --> 00:16:10,800 * MM 339 00:16:10,833 --> 00:16:12,667 * OOH 340 00:16:12,700 --> 00:16:14,067 * THE SUN WILL RISE 341 00:16:14,067 --> 00:16:16,200 * THE STARS WILL SHINE 342 00:16:16,233 --> 00:16:19,800 * TURNING DAY TO DUSK AND NIGHT TO DAWN * 343 00:16:19,833 --> 00:16:21,567 * WE'LL PASS ON 344 00:16:21,600 --> 00:16:23,433 * BUT UNTIL THAT TIME 345 00:16:23,467 --> 00:16:25,600 * SAY HALLELUJAH 346 00:16:26,667 --> 00:16:29,133 * HALLELUJAH 347 00:16:30,900 --> 00:16:33,800 * SAY HALLELUJAH 348 00:16:33,833 --> 00:16:36,767 * HALLELUJAH * 349 00:16:38,067 --> 00:16:39,300 I'M SORRY. 350 00:16:39,333 --> 00:16:41,067 THANK YOU. 351 00:16:41,067 --> 00:16:43,567 WHERE'S TINA? 352 00:16:43,600 --> 00:16:45,133 OH, I HAD HER GO HOME. 353 00:16:45,167 --> 00:16:46,300 DR. WILSON SAID 354 00:16:46,333 --> 00:16:47,800 SHE SHOULDN'T BE ON HER FEET FOR TOO LONG. 355 00:16:47,833 --> 00:16:49,767 YEAH. OKAY. 356 00:16:52,900 --> 00:16:54,900 WHAT'S GLORIA STEINEM DOING HERE? 357 00:16:54,933 --> 00:16:57,367 [STEINEM]: YOUR FATHER WAS A GREAT MAN. 358 00:16:57,400 --> 00:16:58,967 THANKS. 359 00:17:07,067 --> 00:17:09,367 I'M GLORIA. 360 00:17:09,400 --> 00:17:10,867 I WAS A FRIEND OF YOUR FATHER'S. 361 00:17:10,900 --> 00:17:13,067 MY FATHER TALKED ABOUT YOU A LOT. 362 00:17:13,067 --> 00:17:15,067 [***] 363 00:17:19,400 --> 00:17:20,567 THANKS. 364 00:17:20,600 --> 00:17:21,733 HI. 365 00:17:21,767 --> 00:17:22,967 HEY. 366 00:17:23,067 --> 00:17:24,600 EVERYTHING LOOKS BEAUTIFUL. 367 00:17:24,633 --> 00:17:25,700 YOU'VE DONE SUCH A WONDERFUL JOB. 368 00:17:25,733 --> 00:17:26,867 KIT'S SO LUCKY TO HAVE YOU. 369 00:17:26,900 --> 00:17:29,367 I'M LUCKY. I LOVE MY JOB. 370 00:17:29,400 --> 00:17:31,833 AND YOU'RE GOOD AT IT, SO... 371 00:17:31,867 --> 00:17:33,967 AND YOU LOOK GOOD DOING IT. 372 00:17:39,067 --> 00:17:40,467 WE'RE NOT GOING TO GO THERE. 373 00:17:40,500 --> 00:17:42,400 NO. NO. 374 00:17:42,433 --> 00:17:45,200 NO, WE'RE DEFINITELY NOT GOING TO GO THERE. 375 00:17:45,233 --> 00:17:46,200 BUT YOU'RE VERY CUTE. 376 00:17:46,233 --> 00:17:48,133 AW, SHUT UP. 377 00:17:50,400 --> 00:17:52,333 [***] 378 00:17:55,833 --> 00:17:57,500 I-- I GOT TO GO. 379 00:17:57,533 --> 00:17:59,067 OKAY. BYE. 380 00:17:59,067 --> 00:18:00,800 BYE. 381 00:18:00,833 --> 00:18:02,967 SORRY. EXCUSE ME. 382 00:18:03,067 --> 00:18:05,500 HI. 383 00:18:05,533 --> 00:18:07,067 HEY. WHAT'S UP? 384 00:18:07,067 --> 00:18:08,833 NOTHING, YOU KNOW, JUST TALKING TO LARA. 385 00:18:08,867 --> 00:18:10,567 ABOUT WHAT A NICE JOB SHE'S DOING, SO... 386 00:18:10,600 --> 00:18:12,600 THIS IS KIND OF OUT OF THE BLUE, 387 00:18:12,633 --> 00:18:13,967 BUT, UM... 388 00:18:14,067 --> 00:18:15,967 THANK YOU VERY MUCH. 389 00:18:16,067 --> 00:18:17,633 WHAT DO YOU THINK ABOUT MOVING IN WITH ME? 390 00:18:17,667 --> 00:18:18,633 MM-HMM. 391 00:18:18,667 --> 00:18:19,633 REALLY? 392 00:18:19,667 --> 00:18:21,300 WHAT? 393 00:18:21,333 --> 00:18:22,667 BECAUSE I KIND OF FEEL LIKE MAYBE WE'RE-- 394 00:18:22,700 --> 00:18:24,067 WAIT. ARE YOU SERIOUS? 395 00:18:24,067 --> 00:18:25,600 YEAH. 396 00:18:25,633 --> 00:18:27,600 AL, I DON'T KNOW. 397 00:18:27,633 --> 00:18:28,667 YOU DON'T KNOW? 398 00:18:28,700 --> 00:18:30,433 YOU'RE HAVING DOUBTS ABOUT US? 399 00:18:30,467 --> 00:18:32,400 NO. 400 00:18:32,433 --> 00:18:34,233 OH, MY G-- NO. 401 00:18:34,267 --> 00:18:35,933 IF ANYTHING, IT'S THE OPPOSITE. 402 00:18:35,967 --> 00:18:37,100 THINGS ARE GOING SO GOOD RIGHT NOW. 403 00:18:37,133 --> 00:18:38,833 DO YOU WANT TO SEE OTHER PEOPLE? BECAUSE-- 404 00:18:38,867 --> 00:18:40,200 WHAT? 405 00:18:40,233 --> 00:18:42,800 ALICE, WHERE DID YOU GET THAT FROM WHAT I JUST SAID? 406 00:18:44,667 --> 00:18:47,067 OKAY. 407 00:18:47,067 --> 00:18:49,600 THANK YOU SO MUCH FOR COMING. 408 00:18:49,633 --> 00:18:51,633 IT WAS REALLY KIND OF YOU. 409 00:18:51,667 --> 00:18:52,800 IT WAS A BEAUTIFUL MEMORIAL. 410 00:18:52,833 --> 00:18:55,100 HE CERTAINLY WAS WELL-LOVED. 411 00:18:55,133 --> 00:18:57,200 YOU REALLY HONORED HIM, BETTE. 412 00:18:57,233 --> 00:18:59,167 THANK YOU. 413 00:19:04,667 --> 00:19:06,733 I'D LIKE TO TAKE THE REST OF THE WEEK OFF 414 00:19:06,767 --> 00:19:08,133 TO SORT THROUGH HIS AFFAIRS, 415 00:19:08,167 --> 00:19:10,067 BUT I'LL BE IN THE OFFICE ON MONDAY. 416 00:19:10,067 --> 00:19:11,567 I'M COMPLETELY UP TO SPEED. 417 00:19:11,600 --> 00:19:12,533 MM-HMM. 418 00:19:14,300 --> 00:19:16,067 IS THERE SOMETHING WRONG? 419 00:19:16,067 --> 00:19:17,733 UM... 420 00:19:17,767 --> 00:19:19,400 NOW'S NOT THE TIME, BETTE. 421 00:19:19,433 --> 00:19:21,067 COME AND SEE ME ON MONDAY. 422 00:19:21,100 --> 00:19:23,333 IF YOU HAVE SOMETHING TO TELL ME, 423 00:19:23,367 --> 00:19:24,667 I WOULD RATHER YOU TOLD ME NOW. 424 00:19:24,700 --> 00:19:25,767 IS IT THE ALLEN BARNES EXHIBIT? 425 00:19:28,400 --> 00:19:30,833 UH, BETTE, UM... 426 00:19:30,867 --> 00:19:32,267 IN YOUR ABSENCE, UH... 427 00:19:32,300 --> 00:19:34,333 LEO HAS BEEN DOING A... 428 00:19:34,367 --> 00:19:37,633 A VERY, VERY GOOD JOB OF FILLING YOUR SHOES. 429 00:19:37,667 --> 00:19:39,533 UH, SO GOOD, IN FACT, 430 00:19:39,567 --> 00:19:41,933 THAT WE'VE DECIDED TO KEEP HIM ON. 431 00:19:44,667 --> 00:19:46,433 AS MY COEQUAL? 432 00:19:49,633 --> 00:19:51,233 UM... 433 00:19:54,533 --> 00:19:56,800 UH... BETTE, THE BOARD HAS DECIDED 434 00:19:56,833 --> 00:19:58,467 TO BUY OUT YOUR CONTRACT. 435 00:20:03,133 --> 00:20:05,833 ARE YOU FIRING ME, FRANKLIN? 436 00:20:08,533 --> 00:20:09,867 BECAUSE I HAVE A BABY ON THE WAY. 437 00:20:09,900 --> 00:20:11,067 THE SETTLEMENT IS GOING TO GIVE YOU 438 00:20:11,100 --> 00:20:12,700 A NICE LITTLE CUSHION, 439 00:20:12,733 --> 00:20:16,167 AND TIME FOR YOU TO FIGURE OUT WHAT YOU MIGHT WANT TO DO NEXT. 440 00:20:16,200 --> 00:20:17,633 I'LL TELL YOU WHAT I'D LIKE TO DO NEXT. 441 00:20:17,667 --> 00:20:20,067 I'D LIKE TO FUCKING MURDER SOMEBODY. 442 00:20:20,100 --> 00:20:21,733 YOU, MAYBE. 443 00:20:21,767 --> 00:20:23,367 OR YOUR FRIEND HELENA PEABODY. 444 00:20:23,400 --> 00:20:24,800 THAT'S NICE. 445 00:20:24,833 --> 00:20:26,200 THAT'S A REALLY... NICE THING 446 00:20:26,233 --> 00:20:28,667 TO DO TO SOMEONE WHILE THEIR FATHER'S DYING. 447 00:20:28,700 --> 00:20:32,267 YOU'RE A CLASS ACT, FRANKLIN. 448 00:20:39,067 --> 00:20:40,800 WELL, WE CALL IT "THE GLORIA PROJECT," 449 00:20:40,833 --> 00:20:42,733 AND WE'RE COLLECTING AND TAPING 450 00:20:42,767 --> 00:20:43,967 ALL OF HER WORDS AND WORKS. 451 00:20:44,000 --> 00:20:45,467 IT WOULD BE GREAT 452 00:20:45,500 --> 00:20:46,700 IF YOU COULD VIDEOTAPE TONIGHT. 453 00:20:46,733 --> 00:20:47,733 OH, YEAH, WELL, 454 00:20:47,767 --> 00:20:48,933 I MEAN, FOR A FREE TICKET, 455 00:20:48,967 --> 00:20:50,333 I'D BE TOTALLY INTO IT. 456 00:20:50,367 --> 00:20:51,600 WELL, THERE YOU GO, THEN. 457 00:20:51,633 --> 00:20:53,133 8:00 AT THE WILTERN. 458 00:20:53,167 --> 00:20:54,133 WE'RE PLAYING, 459 00:20:54,167 --> 00:20:55,333 KINNIE STARR, AND HEART IS HEADLINING. 460 00:20:55,367 --> 00:20:56,433 AWESOME. 461 00:20:56,467 --> 00:21:00,167 COOL. SEE YOU TONIGHT. 462 00:21:00,200 --> 00:21:01,700 LOOK, GLORIA, 463 00:21:01,733 --> 00:21:02,900 I'VE BEEN BEGGING YOU FOR 15 YEARS 464 00:21:02,933 --> 00:21:04,467 TO SLEEP WITH ME, 465 00:21:04,500 --> 00:21:05,667 AND IT'S BECAUSE I CARE ABOUT YOU AND I LOVE YOU. 466 00:21:05,700 --> 00:21:07,467 I DON'T WANT YOU TO MISS OUT, 467 00:21:07,500 --> 00:21:09,067 AND I KNOW, I KNOW-- 468 00:21:09,067 --> 00:21:10,567 NOT EVERY FEMINIST IS A LESBIAN. 469 00:21:10,600 --> 00:21:11,633 YEAH, YOU'RE RIGHT, 470 00:21:11,667 --> 00:21:12,933 'CAUSE I HAVEN'T SLEPT WITH A WOMAN 471 00:21:12,967 --> 00:21:15,433 AND I AM DEFINITELY A FEMINIST. 472 00:21:15,467 --> 00:21:16,967 DITTO FOR ME. 473 00:21:17,067 --> 00:21:18,067 BUT, YOU KNOW, 474 00:21:18,067 --> 00:21:19,067 WE'RE IN A COUNTRY 475 00:21:19,067 --> 00:21:20,967 WHERE ALL FEMINISTS ARE LESBIANS, RIGHT? 476 00:21:21,067 --> 00:21:22,233 AND THEY THINK THAT ALL FEMINISTS 477 00:21:22,267 --> 00:21:24,133 ARE MAN-HATERS, SO, NATURALLY, 478 00:21:24,167 --> 00:21:26,067 THEY'RE LESBIANS, RIGHT? 479 00:21:26,100 --> 00:21:27,967 IT'S REALLY BANANAS, BECAUSE, 480 00:21:28,067 --> 00:21:29,300 IN MY EXPERIENCE, 481 00:21:29,333 --> 00:21:31,067 IT'S THE WOMEN WHO LIVE WITH MEN WHO HATE MEN. 482 00:21:31,067 --> 00:21:32,400 [LAUGHTER] 483 00:21:32,433 --> 00:21:34,300 THE LESBIANS CAN KIND OF TAKE IT 484 00:21:34,333 --> 00:21:35,433 OR LEAVE IT ALONE. 485 00:21:35,467 --> 00:21:37,400 THEY'RE FRIENDS WITH MEN, RIGHT? 486 00:21:37,433 --> 00:21:39,400 ANOTHER BIG MISCONCEPTION 487 00:21:39,433 --> 00:21:40,433 IS THAT IF YOU'RE A LESBIAN, 488 00:21:40,467 --> 00:21:41,900 YOU'RE AUTOMATICALLY A FEMINIST, 489 00:21:41,933 --> 00:21:44,067 WHEREAS A LOT OF GAY WOMEN THAT I KNOW 490 00:21:44,067 --> 00:21:46,633 ARE ABSOLUTELY NOT FEMINISTS, RIGHT? 491 00:21:46,667 --> 00:21:48,367 THAT'S FOR SURE. 492 00:21:49,567 --> 00:21:50,867 WELL, I LIKE WOMEN. 493 00:21:52,500 --> 00:21:55,633 OKAY, BUT YOU HAVE TO ADMIT THAT THAT'S WHAT GUYS SAY. 494 00:21:55,667 --> 00:21:56,733 "I LOVE WOMEN." 495 00:21:56,767 --> 00:21:57,800 YEAH. 496 00:21:57,833 --> 00:21:58,800 CAN I JUST SAY, 497 00:21:58,833 --> 00:21:59,800 SPEAKING AS SOMEONE WHO SOMETIMES LIKES 498 00:21:59,833 --> 00:22:00,867 THE YOU-KNOW-WHAT-- 499 00:22:00,900 --> 00:22:01,900 "YOU-KNOW-WHAT" MEANS... 500 00:22:01,933 --> 00:22:03,300 SEX WITH MEN, RIGHT? 501 00:22:03,333 --> 00:22:05,467 YEAH, I DIDN'T WANT TO OFFEND YOU, 502 00:22:05,500 --> 00:22:08,067 BUT I LIKE THE PENIS. 503 00:22:09,333 --> 00:22:10,267 NO, NO, NO. 504 00:22:10,300 --> 00:22:11,200 YOU DON'T OFFEND ME. 505 00:22:11,233 --> 00:22:12,733 I LIKE SEX WITH MEN TOO. 506 00:22:12,767 --> 00:22:16,967 LET'S JUST SAY THAT I'M PREDISPOSED. 507 00:22:17,067 --> 00:22:19,400 I BET A LOT OF YOU ARE PREDISPOSED, RIGHT? 508 00:22:21,067 --> 00:22:22,567 PREDISPOSED. 509 00:22:22,600 --> 00:22:24,333 RIGHT HERE! 510 00:22:26,067 --> 00:22:27,833 100%. 511 00:22:27,867 --> 00:22:29,400 AS FAR BACK AS I CAN REMEMBER, YEAH, ME TOO. 512 00:22:29,433 --> 00:22:31,400 NOT ME. 513 00:22:31,433 --> 00:22:33,667 I FOLLOW THE HEART, NOT THE ANATOMY. 514 00:22:33,700 --> 00:22:34,800 IT'S ALWAYS SO COMPLICATED, 515 00:22:34,833 --> 00:22:35,800 ISN'T IT? 516 00:22:35,833 --> 00:22:36,967 SOME PEOPLE HAVE A CHOICE, 517 00:22:37,067 --> 00:22:39,167 AND SOME PEOPLE DON'T ABOUT THIS THING, RIGHT? 518 00:22:39,200 --> 00:22:40,800 MM. 519 00:22:40,833 --> 00:22:43,133 RIGHT. 520 00:22:43,167 --> 00:22:44,300 YOU KNOW WHAT? TO CHOICE. 521 00:22:44,333 --> 00:22:45,467 RIGHT. TO CHOICE. 522 00:22:45,500 --> 00:22:46,767 YES. 523 00:22:50,533 --> 00:22:51,800 CHEERS. 524 00:22:51,833 --> 00:22:53,133 CHEERS. 525 00:22:53,167 --> 00:22:54,300 AND TO MELVIN. 526 00:22:54,333 --> 00:22:55,300 AND TO MELVIN. 527 00:22:55,333 --> 00:22:56,300 TO MELVIN. 528 00:23:02,733 --> 00:23:06,067 [***] 529 00:23:17,733 --> 00:23:19,267 [SHANE]: YEAH. THIS SHOULD BE COOL. 530 00:23:19,300 --> 00:23:22,433 IT'S A BENEFIT FOR THE MS. FOUNDATION. 531 00:23:22,467 --> 00:23:24,333 GLORIA STEINEM IS HOSTING IT. 532 00:23:24,367 --> 00:23:25,733 AWESOME. THANKS FOR INVITING ME. 533 00:23:25,767 --> 00:23:27,100 ALL RIGHT. 534 00:23:28,567 --> 00:23:30,500 HOLD ON. 535 00:23:37,067 --> 00:23:39,067 WHAT'S THIS? 536 00:23:40,867 --> 00:23:42,533 OKAY. 537 00:23:42,567 --> 00:23:44,267 THANK YOU. 538 00:23:44,300 --> 00:23:46,233 IS IT OKAY? 539 00:23:46,267 --> 00:23:47,633 NO, NO. I'VE GOT IT. 540 00:23:47,667 --> 00:23:49,767 OH. WOW. 541 00:23:49,800 --> 00:23:51,333 SURE. I DON'T KNOW. 542 00:23:51,367 --> 00:23:53,267 I'M JUST NOT USED TO BEING TREATED 543 00:23:53,300 --> 00:23:55,133 LIKE SUCH A GIRL, I GUESS, SO... 544 00:23:55,167 --> 00:23:57,300 WHAT ARE YOU TALKING ABOUT, 545 00:23:57,333 --> 00:24:00,133 "TREATED LIKE A GIRL?" 546 00:24:00,167 --> 00:24:01,233 NO, I THOUGHT I'D TREAT YOU. 547 00:24:01,267 --> 00:24:03,667 OH. OKAY. RIGHT. 548 00:24:03,700 --> 00:24:06,433 I GET THE DIFFERENCE. 549 00:24:06,467 --> 00:24:08,200 ARE WE READY? 550 00:24:08,233 --> 00:24:09,733 YEAH. 551 00:24:17,700 --> 00:24:19,933 [***] 552 00:24:23,167 --> 00:24:25,733 YOU EVER GET A GIRL PREGNANT? 553 00:24:25,767 --> 00:24:27,867 NO. HAVE YOU? 554 00:24:29,667 --> 00:24:33,667 I THINK YOU'D LOOK AMAZING PREGNANT. 555 00:24:33,700 --> 00:24:36,800 MAYBE WE SHOULD HAVE A BABY TOGETHER. 556 00:24:41,667 --> 00:24:43,167 YOU REALLY ARE 557 00:24:43,200 --> 00:24:44,867 THE FUCKING SCOURGE OF THE UNIVERSE, AREN'T YOU? 558 00:24:46,633 --> 00:24:48,133 HELLO, LEIGH. 559 00:24:48,167 --> 00:24:49,300 IT'S NICE TO SEE YOU. 560 00:24:49,333 --> 00:24:50,300 I'M SORRY. 561 00:24:50,333 --> 00:24:51,300 ARE YOU TALKING TO ME? 562 00:24:51,333 --> 00:24:52,467 I DON'T KNOW. 563 00:24:52,500 --> 00:24:53,800 DID YOU EVER EVEN CARE ABOUT TINA? 564 00:24:53,833 --> 00:24:54,967 BECAUSE IF YOU DID, 565 00:24:55,067 --> 00:24:56,500 YOU WOULDN'T HAVE DONE WHAT YOU DID TO ME, 566 00:24:56,533 --> 00:24:57,733 BECAUSE IT AFFECTS HER TOO. 567 00:24:57,767 --> 00:24:59,067 DID YOU EVEN STOP TO THINK ABOUT THAT? 568 00:24:59,100 --> 00:25:00,367 YOU'RE UNDER A MISAPPREHENSION 569 00:25:00,400 --> 00:25:02,367 IF YOU THINK I HAD ANYTHING TO DO WITH THAT. 570 00:25:02,400 --> 00:25:03,633 THAT'S BULLSHIT. 571 00:25:03,667 --> 00:25:04,833 [LEIGH]: WHAT ARE YOU TWO TALKING ABOUT? 572 00:25:04,867 --> 00:25:06,167 HELLO. 573 00:25:06,200 --> 00:25:08,333 WHY, BETTE PORTER. 574 00:25:08,367 --> 00:25:09,900 PEGGY PEABODY. 575 00:25:09,933 --> 00:25:11,333 ARE YOU HERE BY YOURSELF TONIGHT? 576 00:25:11,367 --> 00:25:13,267 BECAUSE I'M SORT OF FEELING A BIT OF A GOOSEBERRY 577 00:25:13,300 --> 00:25:15,067 BETWEEN THESE TWO HORNY LOVEBIRDS. 578 00:25:15,067 --> 00:25:17,333 ACTUALLY, I'M HERE WITH MY PARTNER, TINA. 579 00:25:17,367 --> 00:25:18,733 AH, TINA. 580 00:25:18,767 --> 00:25:20,267 TINA... 581 00:25:20,300 --> 00:25:22,433 DIDN'T YOU JUST HAVE A TINA? 582 00:25:22,467 --> 00:25:24,067 OR IS THAT THE NEW POPULAR NAME 583 00:25:24,067 --> 00:25:25,367 FOR LESBIANS? 584 00:25:26,767 --> 00:25:28,067 ACTUALLY, MUMMY, 585 00:25:28,067 --> 00:25:31,467 IT'S, UM, IT'S THE SAME TINA. 586 00:25:33,433 --> 00:25:35,200 OH, DEAR. 587 00:25:35,233 --> 00:25:38,167 DID ANYONE HAPPEN TO SEE 588 00:25:38,200 --> 00:25:40,200 THE SURREALIST SHOW AT THE MET A FEW YEARS AGO? 589 00:25:40,233 --> 00:25:42,100 DESIRE UNBOUND. 590 00:25:42,133 --> 00:25:43,400 IT WAS BRILLIANT. 591 00:25:43,433 --> 00:25:44,967 BRILLIANTLY CURATED. 592 00:25:45,067 --> 00:25:46,533 THE MAN RAYS WERE COMPLETELY BRILLIANT. 593 00:25:46,567 --> 00:25:47,967 FUCK BRILLIANT. 594 00:25:48,067 --> 00:25:49,367 I'M TALKING ABOUT HOW THOSE PEOPLE FUCKED. 595 00:25:49,400 --> 00:25:50,833 THOSE SURREALISTS CERTAINLY FUCKED A LOT, 596 00:25:50,867 --> 00:25:53,367 AND IT'S VERY WELL DOCUMENTED. 597 00:25:53,400 --> 00:25:55,967 ELUARD THE POET WAS WITH THE BEAUTEOUS GALA, 598 00:25:56,067 --> 00:25:57,900 AND THEN GALA SLIPPED OFF AND SEDUCED MAX ERNST, 599 00:25:57,933 --> 00:25:59,433 WHO THOUGHT HE WAS VERY MUCH IN LOVE WITH LOUISE 600 00:25:59,467 --> 00:26:00,333 AT THE TIME. 601 00:26:00,367 --> 00:26:02,300 THEN GALA ENDED UP WITH DALI, 602 00:26:02,333 --> 00:26:05,567 AND THAT LEFT ELUARD AND LOUISE 603 00:26:05,600 --> 00:26:06,533 TO SHARE ANOTHER WOMAN, 604 00:26:06,567 --> 00:26:08,900 THE VERY STRANGE DENISE LEVY, 605 00:26:08,933 --> 00:26:10,433 WHO WAS BEING COURTED, 606 00:26:10,467 --> 00:26:12,300 AND BOINKED, I BELIEVE, AT THE TIME BY-- 607 00:26:12,333 --> 00:26:13,333 BRETON. 608 00:26:13,367 --> 00:26:15,367 BRETON, YES, AND BOINKED BY PERET, 609 00:26:15,400 --> 00:26:17,500 AND BLABBITY- BLABBITY-BLAH. 610 00:26:17,533 --> 00:26:20,967 WELL, AT LEAST THEY WROTE FABULOUS, TORTURED, 611 00:26:21,067 --> 00:26:22,633 SICK LOVE POEMS TO ONE ANOTHER. 612 00:26:22,667 --> 00:26:23,633 YES, MUMMY, 'CAUSE THAT-- 613 00:26:23,667 --> 00:26:26,067 THAT ABSOLUTELY REDEEMED THEM. 614 00:26:26,100 --> 00:26:27,600 WELL, YOU KNOW, 615 00:26:27,633 --> 00:26:29,967 ALL THAT FUCKING, WITH NO ART 616 00:26:30,067 --> 00:26:32,967 IS REALLY RATHER DREARY. 617 00:26:33,067 --> 00:26:34,700 I HOPE YOU GIRLS 618 00:26:34,733 --> 00:26:36,567 WRITE FABULOUS, SICK, NEUROTIC, 619 00:26:36,600 --> 00:26:38,833 TORTURED LOVE POEMS TO ONE ANOTHER. 620 00:26:38,867 --> 00:26:40,733 I'M ACTUALLY WORKING ON SEVERAL RIGHT NOW. 621 00:26:40,767 --> 00:26:42,233 SEND ME ONE, WOULD YOU, BETTE? 622 00:26:42,267 --> 00:26:43,300 HEY, BETTE? 623 00:26:43,333 --> 00:26:44,467 HELLO. 624 00:26:44,500 --> 00:26:45,900 I'M SO SORRY TO INTERRUPT. 625 00:26:45,933 --> 00:26:47,800 TINA'S STILL IN THE BATHROOM, 626 00:26:47,833 --> 00:26:50,167 AND, UM, I THINK SHE NEEDS YOUR HELP. 627 00:26:50,200 --> 00:26:51,900 EXCUSE ME, PEGGY. 628 00:26:51,933 --> 00:26:53,867 YES. 629 00:27:06,067 --> 00:27:09,067 BABY, ARE YOU OKAY? 630 00:27:10,400 --> 00:27:11,800 I THINK MY WATER JUST BROKE. 631 00:27:15,800 --> 00:27:18,400 OH, MY GOD. 632 00:27:21,200 --> 00:27:23,767 [PHONE RINGING] 633 00:27:23,800 --> 00:27:24,967 [BEEP] 634 00:27:25,067 --> 00:27:26,733 HI, DAVINA. IT'S BETTE PORTER. 635 00:27:26,767 --> 00:27:29,200 I AM IN THE BATHROOM OF THE WILTERN THEATER 636 00:27:29,233 --> 00:27:31,333 WITH TINA AND A HUGE PUDDLE OF WATER. 637 00:27:31,367 --> 00:27:34,067 [GROANING] 638 00:27:34,067 --> 00:27:35,100 KIT, KIT, KIT. 639 00:27:35,133 --> 00:27:36,367 HI. 640 00:27:36,400 --> 00:27:37,500 HEY. 641 00:27:37,533 --> 00:27:38,800 HOW ARE YOU? GOOD, GIRL. 642 00:27:38,833 --> 00:27:39,800 GOOD. OKAY, UM, 643 00:27:39,833 --> 00:27:41,633 BETTE WANTED ME TO TELL YOU 644 00:27:41,667 --> 00:27:43,133 THAT SHE AND TINA HAVE TO LEAVE, 645 00:27:43,167 --> 00:27:45,233 AND THAT EVERYTHING IS GOING TO BE OKAY. 646 00:27:46,433 --> 00:27:47,900 WELL, WHAT HAPPENED? 647 00:27:47,933 --> 00:27:49,300 TINA'S WATER BROKE. 648 00:27:49,333 --> 00:27:50,867 OH, MY-- OH, MY GOD! 649 00:27:50,900 --> 00:27:52,200 OH, MY GOD. COME ON, WE'VE GOT TO GO. 650 00:27:52,233 --> 00:27:53,200 WHOA, WHOA, WHOA. 651 00:27:53,233 --> 00:27:54,267 MOM, MOM, MOM, SIT DOWN. 652 00:27:54,300 --> 00:27:55,433 THEY'VE PROBABLY GOT HOURS TO GO. 653 00:27:55,467 --> 00:27:56,500 YEAH, YEAH, YEAH. 654 00:27:56,533 --> 00:27:57,733 PLUS SHE SAID THAT SHE WANTS YOU TO STAY, 655 00:27:57,767 --> 00:28:00,067 AND SHE WANTS YOU TO ENJOY THE CONCERT, 656 00:28:00,067 --> 00:28:01,933 AND-- AND THAT SHE'S GOING TO CALL YOU 657 00:28:01,967 --> 00:28:03,267 AS SOON AS SHE CAN. 658 00:28:03,300 --> 00:28:04,367 OKAY? 659 00:28:04,400 --> 00:28:05,400 OKAY. 660 00:28:05,433 --> 00:28:06,533 OH, CONGRATULATIONS! 661 00:28:06,567 --> 00:28:08,267 [M.C.]: LADIES AND GENTLEMEN, 662 00:28:08,300 --> 00:28:10,867 WELCOME TO A SPECIAL EVENING OF MUSIC AND PERFORMANCE 663 00:28:10,900 --> 00:28:12,633 TO BENEFIT THE MS. FOUNDATION FOR WOMEN. 664 00:28:12,667 --> 00:28:14,100 PLEASE WELCOME THIS EVENING'S HOST, 665 00:28:14,133 --> 00:28:15,167 GLORIA STEINEM. 666 00:28:16,400 --> 00:28:19,200 REMEMBER WHEN EMMA GOLDMAN SAID, 667 00:28:19,233 --> 00:28:20,900 "IF THERE'S NO DANCING AT THE REVOLUTION, 668 00:28:20,933 --> 00:28:22,133 I'M NOT COMING?" 669 00:28:22,167 --> 00:28:24,533 WELL, TONIGHT WE HAVE BOTH. 670 00:28:24,567 --> 00:28:26,100 THANKS TO BETTY, THANKS TO HEART, 671 00:28:26,133 --> 00:28:27,500 WE HAVE THE MUSIC, 672 00:28:27,533 --> 00:28:30,467 AND THANKS TO ALL OF YOU, WE HAVE THE REVOLUTION, 673 00:28:30,500 --> 00:28:33,067 AND WE ARE GOING TO NEED IT, 674 00:28:33,067 --> 00:28:35,333 BECAUSE THERE IS A GUY IN THE WHITE HOUSE-- 675 00:28:35,367 --> 00:28:36,667 [BOOING] 676 00:28:36,700 --> 00:28:38,267 ...WHO REPRESENTS ALL THOSE RELIGIOUS EXTREMISTS 677 00:28:38,300 --> 00:28:41,367 THAT PEOPLE CAME TO THIS COUNTRY TO ESCAPE. 678 00:28:41,400 --> 00:28:42,633 WHOO! 679 00:28:42,667 --> 00:28:44,133 BUT THAT'S BECAUSE THERE'S A BACKLASH 680 00:28:44,167 --> 00:28:46,767 AGAINST ALL THE GREAT SOCIAL JUSTICE MOVEMENTS, 681 00:28:46,800 --> 00:28:48,600 AND IF WE HADN'T HAD A FRONTLASH, 682 00:28:48,633 --> 00:28:50,633 WE WOULDN'T NOW BE HAVING A BACKLASH. 683 00:28:50,667 --> 00:28:51,633 [CHEERING] 684 00:28:51,667 --> 00:28:53,100 SO WE'RE JUST GOING TO KEEP GOING 685 00:28:53,133 --> 00:28:54,900 AND DO IT MORE AND BETTER. 686 00:28:54,933 --> 00:28:58,700 WE'RE GOING TO NOT ONLY VOTE, BUT REFORM THE WAY WE VOTE. 687 00:28:58,733 --> 00:29:01,833 WE'RE GOING TO CONTRIBUTE NOT ONLY WHEN WE'RE ASKED, 688 00:29:01,867 --> 00:29:04,100 BUT EVERY TIME WE PAY OUR BILLS. 689 00:29:04,133 --> 00:29:06,100 WE'RE NOT ONLY GOING TO CHANGE WOMEN 690 00:29:06,133 --> 00:29:07,133 TO FIT THE WORLD, 691 00:29:07,167 --> 00:29:08,967 BUT CHANGE THE WORLD TO FIT WOMEN, 692 00:29:09,067 --> 00:29:11,267 AND WE ARE GOING TO BECOME 693 00:29:11,300 --> 00:29:13,967 THE CHANGE WE WANT TO SEE IN THE WORLD. 694 00:29:14,067 --> 00:29:17,067 SO, FIRST TONIGHT, THEN THE WORLD. 695 00:29:17,067 --> 00:29:19,367 [APPLAUSE] 696 00:29:32,667 --> 00:29:34,933 * SHE'S GOT A MOTHER 697 00:29:34,967 --> 00:29:37,900 * A DAUGHTER AND A LOVER * 698 00:29:37,933 --> 00:29:42,733 * YOU TELL ME WHY SHE SHOULD NOW SAVE COVER * 699 00:29:42,767 --> 00:29:46,933 * YEAH, SHE'S GOT A MOTHER A DAUGHTER, AND A LOVER * 700 00:29:46,967 --> 00:29:48,833 * BOY ON THE STREET'S GOT HIS EYES * 701 00:29:48,867 --> 00:29:50,700 * PINNED ONTO ME * 702 00:29:50,733 --> 00:29:51,700 DO YOU THINK YOU MIGHT WANT 703 00:29:51,733 --> 00:29:53,900 TO COME OVER AFTER THIS? 704 00:29:53,933 --> 00:29:57,933 FOR A LITTLE WHILE? 705 00:29:57,967 --> 00:30:01,200 * SHAPE, SIZES, HANDPRINTS, SHOE FITS * 706 00:30:01,233 --> 00:30:03,300 * THE SHAPES, SIZES, HANDPRINTS, SHOE FITS * 707 00:30:03,333 --> 00:30:05,800 * AND OFF WITH THE UNDERWEAR 708 00:30:07,067 --> 00:30:09,867 FOR A LITTLE BIT. 709 00:30:09,900 --> 00:30:11,933 * HE PENETRATES ME WITH HIS STARE * 710 00:30:11,967 --> 00:30:14,433 * THIS IS NOT FAIR 711 00:30:14,467 --> 00:30:16,733 * 'CAUSE HE PENETRATES ME WITH HIS STARE * 712 00:30:23,967 --> 00:30:27,233 [APPLAUSE] 713 00:30:27,267 --> 00:30:29,200 THANK YOU. 714 00:30:30,833 --> 00:30:33,633 [***] 715 00:30:33,667 --> 00:30:38,800 * I LIKE THE STORIES YOU TELL ME * 716 00:30:38,833 --> 00:30:41,567 * I LIKE THE WAY YOU THINK 717 00:30:42,733 --> 00:30:46,600 * I LIKE THE WAY YOU SPEND MONEY * 718 00:30:46,633 --> 00:30:49,167 * I LIKE THE BEER YOU DRINK 719 00:30:49,200 --> 00:30:50,733 * BUT 720 00:30:50,767 --> 00:30:52,833 * I DON'T LIKE I DON'T LIKE 721 00:30:52,867 --> 00:30:54,933 * I DON'T LIKE I DON'T LIKE * 722 00:30:54,967 --> 00:30:57,533 * I DON'T LIKE KISSING YOU 723 00:30:57,567 --> 00:30:59,300 * YOU 724 00:31:01,367 --> 00:31:03,067 * YOU 725 00:31:03,067 --> 00:31:04,767 * YOU 726 00:31:04,800 --> 00:31:08,067 * I LIKE THAT YOU LIKE MY FAMILY * 727 00:31:08,100 --> 00:31:09,867 CAN I ASK YOU SOMETHING? 728 00:31:09,900 --> 00:31:14,500 UM, WHEN YOU SAID "TOO FAST," WHAT'D YOU MEAN, LIKE? 729 00:31:14,533 --> 00:31:16,167 'CAUSE YOU AND TONYA MOVED IN TOGETHER 730 00:31:16,200 --> 00:31:17,933 AFTER, LIKE, TWO DAYS. 731 00:31:17,967 --> 00:31:21,467 YEAH, I KNOW, THAT WAS PART OF THE PROBLEM. 732 00:31:21,500 --> 00:31:23,233 I LIKE THIS. 733 00:31:23,267 --> 00:31:24,767 I LIKE-- I LIKE... 734 00:31:24,800 --> 00:31:27,833 I LIKE YOU, I LIKE US, I LIKE THE WAY-- 735 00:31:27,867 --> 00:31:29,267 YOU LIKE ME? 736 00:31:29,300 --> 00:31:30,433 I'M CRAZY ABOUT YOU, YOU KNOW THAT. 737 00:31:30,467 --> 00:31:32,333 I'M JUST, YOU KNOW... 738 00:31:32,367 --> 00:31:33,933 THE OTHER DAY YOU FREAKED ME OUT. 739 00:31:33,967 --> 00:31:36,233 I CAN'T BELIEVE YOU JUST SAID YOU LIKE ME. 740 00:31:36,267 --> 00:31:37,933 * I'M REALLY SORRY 741 00:31:37,967 --> 00:31:40,300 * IF I HURT YOUR FEELINGS 742 00:31:40,333 --> 00:31:44,167 * AND IF YOU NEVER WANT TO SEE ME AGAIN * 743 00:31:44,200 --> 00:31:48,433 * BEFORE YOU GO CAN YOU DO ME A FAVOR? * 744 00:31:48,467 --> 00:31:51,333 * INTRODUCE ME TO YOUR BEST FRIEND * 745 00:31:51,367 --> 00:31:53,167 FREAKED YOU OUT HOW? 746 00:31:53,200 --> 00:31:54,500 WHAT? 747 00:31:54,533 --> 00:31:56,633 YOU SAID I FREAKED YOU OUT THE OTHER NIGHT. 748 00:31:56,667 --> 00:31:58,167 WHERE? WHEN? 749 00:31:58,200 --> 00:31:59,900 NO, IT WAS WHEN... 750 00:32:00,067 --> 00:32:02,500 WHEN I HAD DINNER WITH LARA THAT NIGHT, 751 00:32:02,533 --> 00:32:05,367 IT JUST SEEMED LIKE IT, YOU KNOW... 752 00:32:05,400 --> 00:32:06,667 WHAT? 753 00:32:06,700 --> 00:32:09,067 IT SEEMED LIKE IT MADE YOU A LITTLE CRAZY. 754 00:32:09,067 --> 00:32:10,233 CRAZY? 755 00:32:10,267 --> 00:32:12,900 LADIES AND GENTLEMEN, PLEASE WELCOME HEART! 756 00:32:12,933 --> 00:32:14,700 [***] 757 00:32:29,800 --> 00:32:31,933 * WE MAY STILL HAVE TIME 758 00:32:31,967 --> 00:32:33,733 * WE MIGHT STILL GET BY 759 00:32:33,767 --> 00:32:38,100 * EVERY TIME I THINK ABOUT IT I WANT TO CRY * 760 00:32:38,133 --> 00:32:39,633 * WITH THE BOMBS AND THE DEVIL * 761 00:32:39,667 --> 00:32:41,467 * AND THE KIDS KEEP RUNNING 762 00:32:41,500 --> 00:32:42,933 * NO WAY TO BREATHE EASY 763 00:32:42,967 --> 00:32:47,067 * NO TIME TO BE YOUNG 764 00:32:52,267 --> 00:32:56,267 * BUT I TELL MYSELF I'M DOING ALL RIGHT * 765 00:32:56,300 --> 00:32:59,667 * THERE'S NOTHING LEFT TO DO TONIGHT * 766 00:32:59,700 --> 00:33:02,533 * BUT GO CRAZY ON YOU 767 00:33:02,567 --> 00:33:07,133 * CRAZY ON YOU 768 00:33:07,167 --> 00:33:11,067 * LET ME GO CRAZY CRAZY ON YOU * 769 00:33:11,067 --> 00:33:12,633 * OH 770 00:33:12,667 --> 00:33:16,133 * MY LOVE IS THE EVENING BREEZE * 771 00:33:16,167 --> 00:33:17,800 * TOUCHING YOUR SKIN 772 00:33:17,833 --> 00:33:22,133 * THE GENTLE SWEET SINGING OF LEAVES IN THE WIND * 773 00:33:22,167 --> 00:33:25,300 * THE WHISPER THAT CALLS AFTER YOU IN THE NIGHT * 774 00:33:25,333 --> 00:33:27,133 * AND KISSES YOUR EAR 775 00:33:27,167 --> 00:33:31,400 * IN THE EARLY, EARLY LIGHT 776 00:33:31,433 --> 00:33:33,167 * OOH 777 00:33:33,200 --> 00:33:34,767 * YEAH 778 00:33:37,067 --> 00:33:40,967 * YOU DON'T NEED TO WONDER YOU'RE DOING FINE * 779 00:33:41,067 --> 00:33:42,967 * AND MY LOVE THE PLEASURE'S MINE * 780 00:33:43,067 --> 00:33:44,533 * OH 781 00:33:44,567 --> 00:33:47,067 * LET ME GO CRAZY ON YOU 782 00:33:47,067 --> 00:33:50,400 * CRAZY ON YOU 783 00:33:50,433 --> 00:33:55,367 * LET ME GO CRAZY CRAZY ON YOU * 784 00:33:55,400 --> 00:34:00,067 * OH 785 00:34:00,067 --> 00:34:03,267 * WILD MAN'S WORLD IS CRYING IN PAIN * 786 00:34:03,300 --> 00:34:06,700 * WHAT'RE YOU GONNA DO WHEN EVERYBODY'S INSANE? * 787 00:34:06,733 --> 00:34:10,267 * SO AFRAID OF THE ONE WHO'S SO AFRAID OF YOU * 788 00:34:10,300 --> 00:34:12,267 * WHAT'RE YOU GONNA DO? 789 00:34:12,300 --> 00:34:14,900 * AH 790 00:34:14,933 --> 00:34:17,900 * WHAT'RE YOU GONNA DO? 791 00:34:20,933 --> 00:34:26,067 * AH... 792 00:34:29,667 --> 00:34:34,800 * CRAZY... ON YOU 793 00:34:34,833 --> 00:34:36,933 WHOO! 794 00:34:38,567 --> 00:34:43,933 * CRAZY ON YOU 795 00:34:43,967 --> 00:34:45,233 * YEAH 796 00:34:45,267 --> 00:34:48,067 * YEAH, YEAH 797 00:34:48,067 --> 00:34:49,867 * I WANT TO GO CRAZY 798 00:34:49,900 --> 00:34:53,967 * CRAZY ON YOU 799 00:34:54,067 --> 00:34:58,567 * OH... 800 00:34:58,600 --> 00:35:01,933 * YEAH, YEAH, YEAH 801 00:35:01,967 --> 00:35:03,933 * YEAH 802 00:35:03,967 --> 00:35:05,400 [APPLAUSE] 803 00:35:26,900 --> 00:35:29,167 [TINA GROANING] 804 00:35:32,467 --> 00:35:34,400 OW. I DON'T THINK I CAN TAKE ANY MORE OF THIS. 805 00:35:34,433 --> 00:35:36,167 YES, YOU CAN. IT'S GOING TO BE FINE. 806 00:35:36,200 --> 00:35:37,433 I'M RIGHT HERE, 807 00:35:37,467 --> 00:35:39,100 AND DAVINA'S HERE NOW TOO, OKAY? 808 00:35:39,133 --> 00:35:40,267 YOU MIGHT WANT TO THINK ABOUT 809 00:35:40,300 --> 00:35:41,733 GETTING IN THE TUB, TINA. 810 00:35:41,767 --> 00:35:44,967 COME ON. I'VE GOT YOU. 811 00:35:50,900 --> 00:35:52,733 CAN YOU GET IN? 812 00:35:52,767 --> 00:35:54,067 OKAY. 813 00:35:54,067 --> 00:35:55,467 I'VE GOT YOU. 814 00:35:55,500 --> 00:35:58,333 [GROANING] 815 00:35:58,367 --> 00:36:00,367 THERE YOU GO. LET ME GET THIS. 816 00:36:14,733 --> 00:36:16,533 I JUST HAVE TO SAY YOU MADE ME FEEL TERRIBLE. 817 00:36:16,567 --> 00:36:17,633 I'M SORRY. 818 00:36:17,667 --> 00:36:18,967 YOU MADE ME FEEL SO BAD. 819 00:36:19,067 --> 00:36:20,733 WELL, I'VE SAID I'M SORRY. 820 00:36:20,767 --> 00:36:23,067 I WAS JUST TELLING YOU HOW I FEEL. 821 00:36:23,067 --> 00:36:24,567 IT'S NOT LIKE IT'S YOUR FAULT. 822 00:36:24,600 --> 00:36:26,133 IT'S JUST, I MEAN, 823 00:36:26,167 --> 00:36:27,733 MAYBE I'M MAKING MYSELF FEEL BAD, 824 00:36:27,767 --> 00:36:29,600 BUT I'M TURNING INTO SOMEONE I CAN'T STAND. 825 00:36:29,633 --> 00:36:31,633 WHO? YOUR MOTHER? 826 00:36:31,667 --> 00:36:32,633 FUCK YOU. 827 00:36:32,667 --> 00:36:33,633 I'M SORRY. AL, AL-- 828 00:36:33,667 --> 00:36:34,633 I CAN'T FUCKING TALK TO YOU. 829 00:36:34,667 --> 00:36:36,833 ALICE, COME HERE. LOOK, I'M SORRY, OKAY? 830 00:36:36,867 --> 00:36:38,500 THAT WAS NOT EVEN CLOSE TO FUNNY. 831 00:36:38,533 --> 00:36:39,700 I'M SORRY. 832 00:36:39,733 --> 00:36:40,967 LOOK, I DIDN'T EVEN... 833 00:36:41,067 --> 00:36:42,867 I DIDN'T KNOW I WAS TURNING INTO SOMEONE 834 00:36:42,900 --> 00:36:45,900 WHO WAS ALL SMOTHERY AND NEEDY AND CODEPENDENT. 835 00:36:45,933 --> 00:36:47,933 I MEAN, GROSS. 836 00:36:47,967 --> 00:36:50,133 I CAN'T THINK OF ANYTHING WORSE. 837 00:36:50,167 --> 00:36:52,633 MAYBE I SHOULDN'T HAVE SAID ANYTHING. 838 00:36:52,667 --> 00:36:56,167 NO, I'M GLAD YOU SAID SOMETHING. 839 00:36:56,200 --> 00:36:58,933 LOOK, I MEAN, THINGS HAVE GOTTEN 840 00:36:58,967 --> 00:37:01,900 SUPER INTENSE BETWEEN US SUPER FAST, AND I... 841 00:37:03,967 --> 00:37:05,567 I'VE NEVER FELT THIS WAY. 842 00:37:05,600 --> 00:37:07,067 I DON'T KNOW. 843 00:37:07,067 --> 00:37:10,500 IT'S-- IT'S MAKING ME ACT WEIRD. 844 00:37:10,533 --> 00:37:12,433 I THINK IT'S GOOD. 845 00:37:12,467 --> 00:37:14,767 IT'S NOT IF I GET TOO ATTACHED TO IT. 846 00:37:14,800 --> 00:37:16,433 WHAT? WHY? 847 00:37:16,467 --> 00:37:18,733 WELL, I FEEL LIKE... 848 00:37:18,767 --> 00:37:21,533 I FEEL LIKE THAT GUY WITH THE MOUSE, 849 00:37:21,567 --> 00:37:23,367 AND YOU KNOW, HE LOVES THE MOUSE, 850 00:37:23,400 --> 00:37:24,800 AND HE HOLDS-- YOU KNOW... 851 00:37:24,833 --> 00:37:26,333 WHAT ARE YOU TALKING ABOUT? 852 00:37:26,367 --> 00:37:28,400 HE, LIKE, LOVES THE MOUSE SO MUCH... 853 00:37:28,433 --> 00:37:29,967 OH, THE-- YEAH. YEAH. 854 00:37:30,067 --> 00:37:31,067 RIGHT. I DON'T WANT TO BE LIKE THAT. 855 00:37:31,067 --> 00:37:33,367 WELL, THEN DON'T. DON'T. 856 00:37:33,400 --> 00:37:34,433 DON'T BE LENNY. 857 00:37:34,467 --> 00:37:36,300 DON'T SMOTHER THE MOUSE. 858 00:37:36,333 --> 00:37:37,733 JUST LET IT BREATHE, ALICE. 859 00:37:37,767 --> 00:37:38,800 AND THE WORST THING IS, 860 00:37:38,833 --> 00:37:40,233 I CAN'T EVEN CALL MY BEST FRIEND 861 00:37:40,267 --> 00:37:43,567 AND TALK TO HER ABOUT IT. 862 00:37:45,067 --> 00:37:47,200 I KNOW. 863 00:37:52,300 --> 00:37:55,300 BETTE, YOU CAN PUT YOUR FINGERS THERE 864 00:37:55,333 --> 00:37:58,133 TO SEE IF YOU CAN FEEL ANYTHING. 865 00:38:00,533 --> 00:38:02,500 OH, MY GOD. I FEEL SOMETHING. 866 00:38:02,533 --> 00:38:04,233 LET'S TAKE A LOOK. 867 00:38:04,267 --> 00:38:06,733 EASY. COME ON. 868 00:38:06,767 --> 00:38:07,833 OKAY. 869 00:38:07,867 --> 00:38:11,533 JUST EASE RIGHT OUT. 870 00:38:11,567 --> 00:38:14,567 THE BABY'S HEAD IS RIGHT THERE. 871 00:38:14,600 --> 00:38:17,200 SHE'S GETTING READY TO JOIN US. 872 00:38:24,767 --> 00:38:26,600 THIS SHOULD PROBABLY BREATHE. 873 00:38:26,633 --> 00:38:29,100 [SETS WINE BOTTLE DOWN] 874 00:38:29,133 --> 00:38:31,500 I'M GOING TO GO. 875 00:38:31,533 --> 00:38:33,133 OKAY? BYE. 876 00:38:33,167 --> 00:38:34,267 NO. 877 00:38:44,133 --> 00:38:47,100 I DON'T WANT YOU TO GO. 878 00:38:57,267 --> 00:39:00,100 I MISS THE WAY YOU SMELL. 879 00:39:42,067 --> 00:39:44,367 [***] 880 00:41:53,533 --> 00:41:54,633 LET'S ROLL HER ONTO HER SIDE 881 00:41:54,667 --> 00:41:56,067 TO TAKE SOME PRESSURE OFF THE NECK. 882 00:41:56,067 --> 00:41:57,633 COME ON, ROLL OVER. COME ON. 883 00:41:57,667 --> 00:41:58,333 YOU CAN DO IT. 884 00:41:58,367 --> 00:41:59,367 YEAH. THERE YOU GO. 885 00:41:59,400 --> 00:42:01,067 OH... 886 00:42:01,067 --> 00:42:02,533 WHAT IS THAT? 887 00:42:02,567 --> 00:42:04,067 THAT'S MECONIUM. 888 00:42:04,067 --> 00:42:05,533 IT MEANS THAT THE BABY IS IN SOME DISTRESS. 889 00:42:05,567 --> 00:42:07,067 I'M GOING TO HAVE TO RECOMMEND 890 00:42:07,067 --> 00:42:08,867 WE MOVE THIS TO THE HOSPITAL. 891 00:42:08,900 --> 00:42:10,933 TINA, I KNOW THIS IS NOT WHAT YOU WANT, 892 00:42:10,967 --> 00:42:13,267 BUT FOR THE BABY'S SAFETY, WE'RE GOING TO HAVE TO GO. 893 00:42:13,300 --> 00:42:15,733 [***] 894 00:43:37,900 --> 00:43:40,467 I LOVE YOU. 895 00:43:40,500 --> 00:43:41,933 MM? 896 00:44:06,900 --> 00:44:08,833 [BUS APPROACHING] 897 00:44:22,067 --> 00:44:24,933 [***] 898 00:45:05,400 --> 00:45:07,067 HER FEVER IS RISING. 899 00:45:07,067 --> 00:45:08,367 CAN YOU GIVE HER SOMETHING TO BRING HER FEVER DOWN? 900 00:45:08,400 --> 00:45:10,067 WE'VE GOT EVERYTHING UNDER CONTROL, OKAY? 901 00:45:10,067 --> 00:45:11,300 DON'T WORRY. 902 00:45:11,333 --> 00:45:12,500 DON'T LET HER DIE. PLEASE, DON'T LET HER DIE. 903 00:45:12,533 --> 00:45:13,767 BABY, I'M RIGHT HERE. IT'S GOING TO BE OKAY. 904 00:45:13,800 --> 00:45:15,567 I PROMISE. I PROMISE. I SWEAR TO GOD. 905 00:45:15,600 --> 00:45:16,633 IT'S GOING TO BE OKAY. 906 00:45:16,667 --> 00:45:18,667 CAN YOU HURRY UP? 907 00:45:45,067 --> 00:45:48,100 CUTTING AT 0600, LOWER END RETRACTOR. 908 00:45:48,133 --> 00:45:50,800 IT WASN'T SUPPOSED TO BE THIS WAY. 909 00:45:50,833 --> 00:45:53,067 I FAILED YOU BOTH. I'M SORRY. 910 00:45:53,067 --> 00:45:55,333 YOU DIDN'T FAIL ANYBODY. 911 00:45:55,367 --> 00:45:57,167 YOU'RE AMAZING. YOU'RE AMAZING. 912 00:45:57,200 --> 00:45:58,200 I'M SORRY. 913 00:45:58,233 --> 00:45:59,333 SHE'S ALMOST HERE. IT'S OKAY. 914 00:45:59,367 --> 00:46:00,867 I'M SORRY. 915 00:46:00,900 --> 00:46:03,867 SHE'S ALMOST HERE. SHE'S ALMOST HERE. 916 00:46:06,900 --> 00:46:08,300 AND THERE SHE IS. 917 00:46:08,333 --> 00:46:11,100 [INFANT CRYING] 918 00:46:11,133 --> 00:46:13,433 WAIT. I WANT TO CUT THE CORD. 919 00:46:13,467 --> 00:46:14,933 IT'S NOT ALLOWED IN THE OPERATING ROOM 920 00:46:14,967 --> 00:46:16,400 BECAUSE OF STERILIZATION. 921 00:46:16,433 --> 00:46:18,067 IN THE O.R., THE CORD HAS TO BE CUT 922 00:46:18,067 --> 00:46:19,900 BY A MEMBER OF THE SURGICAL TEAM. 923 00:46:19,933 --> 00:46:22,433 I WANT TO CUT THE CORD. 924 00:46:22,467 --> 00:46:24,267 GO AHEAD. LET HER CUT THE CORD. 925 00:46:24,300 --> 00:46:26,233 [INFANT CRYING] 926 00:46:29,067 --> 00:46:30,733 I'M GOING TO CUT THE CORD NOW. 927 00:46:38,167 --> 00:46:40,100 OH, MY GOD, T. 928 00:46:43,567 --> 00:46:44,767 ANGELICA. 929 00:46:44,800 --> 00:46:46,300 WHAT, BABY? 930 00:46:46,333 --> 00:46:52,867 THAT'S WHAT I WANT TO NAME HER. ANGELICA. 931 00:46:52,900 --> 00:46:55,200 LOSING BLOOD PRESSURE. 932 00:46:55,233 --> 00:46:57,600 [BETTE]: TINA? 933 00:46:57,633 --> 00:46:59,200 TINA! 934 00:46:59,233 --> 00:47:00,367 MOTHER'S TEMP IS 105. 935 00:47:00,400 --> 00:47:02,433 GET THE BABY TO SPECIAL CARE 936 00:47:02,467 --> 00:47:04,067 FOR OBSERVATION, AND GET HER CULTURED. 937 00:47:04,067 --> 00:47:06,067 SHE MIGHT HAVE AN INFECTION, 938 00:47:06,067 --> 00:47:07,667 AND LET'S GET THE MOTHER STITCHED UP 939 00:47:07,700 --> 00:47:08,967 AS QUICKLY AS POSSIBLE 940 00:47:09,067 --> 00:47:11,267 AND OVER TO I.C.U. 941 00:48:16,500 --> 00:48:20,133 YEAH, I GOT YOUR MESSAGE, AND... AND... I DON'T KNOW. 942 00:48:20,167 --> 00:48:22,067 I'M SPEECHLESS. I CAN'T BELIEVE IT. 943 00:48:22,067 --> 00:48:24,833 YEAH, NO, WE'RE-- WE'RE-- WE'RE LEAVING. 944 00:48:24,867 --> 00:48:26,500 WE'LL BE THERE IN, LIKE, 20 MINUTES, 945 00:48:26,533 --> 00:48:28,433 SO DON'T GO ANYWHERE, OKAY? 946 00:48:28,467 --> 00:48:31,067 ALL RIGHT, TELL BETTE AND TINA WE'LL BE THERE SOON. 947 00:48:31,100 --> 00:48:34,200 ALL RIGHT. ALL RIGHT. SEE YOU THERE. BYE. 948 00:48:35,067 --> 00:48:38,633 [GROANING, SOBBING] 949 00:48:38,667 --> 00:48:41,533 JENNY? 950 00:48:41,567 --> 00:48:43,800 [SOBBING] 951 00:48:43,833 --> 00:48:46,933 HOLD ON. JEN? 952 00:48:51,467 --> 00:48:53,567 JENNY! 953 00:48:56,767 --> 00:48:58,867 LET GO. 954 00:49:00,433 --> 00:49:02,533 IT'S ALL RIGHT, JENNY. 955 00:49:02,567 --> 00:49:05,500 HONEY. JENNY... 956 00:49:23,500 --> 00:49:24,800 [SOBBING] 957 00:49:26,167 --> 00:49:27,900 ALL RIGHT. 958 00:49:27,933 --> 00:49:32,633 [SOBBING] 959 00:49:32,667 --> 00:49:34,367 WE'RE GOING TO GET YOU HELP. 960 00:49:34,400 --> 00:49:37,333 WE'LL GET YOU HELP, OKAY? 961 00:49:44,467 --> 00:49:47,467 I NEED HELP... 962 00:49:47,500 --> 00:49:51,167 DON'T I? 963 00:49:51,200 --> 00:49:53,600 I'M REALLY FUCKED UP. 964 00:49:53,633 --> 00:49:55,533 [SNIFFLES] 965 00:49:55,567 --> 00:49:58,767 WE'LL GET YOU HELP. 966 00:49:58,800 --> 00:50:00,833 ALL RIGHT? 967 00:50:04,067 --> 00:50:06,000 OKAY. 968 00:50:11,033 --> 00:50:13,800 I THINK I'LL LEAVE IT TO STOP THE BLEEDING. 969 00:50:17,933 --> 00:50:20,300 OH, FUCK. 970 00:50:20,333 --> 00:50:23,267 OH... FUCK. 971 00:50:40,933 --> 00:50:42,367 WANT TO HEAR SOME GOOD NEWS? 972 00:50:42,400 --> 00:50:43,433 WHAT? 973 00:50:43,467 --> 00:50:45,433 WHAT? 974 00:50:47,133 --> 00:50:49,133 TINA HAD HER BABY. 975 00:50:49,167 --> 00:50:51,100 SHE DID? 976 00:50:51,133 --> 00:50:52,267 MM-HMM. 977 00:50:52,300 --> 00:50:53,267 NO. 978 00:50:53,300 --> 00:50:55,667 MM-HMM. 979 00:50:55,700 --> 00:50:58,400 ARE YOU SERIOUS? 980 00:50:58,433 --> 00:51:00,633 SHE HAD HER LITTLE BABY GIRL. 981 00:51:00,667 --> 00:51:03,733 OH, MY GOD. 982 00:51:03,767 --> 00:51:06,067 IS SHE OKAY? 983 00:51:06,100 --> 00:51:08,400 MM-HMM. 984 00:51:08,433 --> 00:51:10,633 THAT'S BEAUTIFUL. 985 00:51:14,067 --> 00:51:15,833 THAT'S GREAT. 986 00:51:15,867 --> 00:51:19,067 OH, MY GOD. 987 00:51:19,067 --> 00:51:21,867 COME HERE. 988 00:51:25,333 --> 00:51:28,267 THEY KEPT US OUTSIDE UNTIL VISITING HOURS. 989 00:51:28,300 --> 00:51:32,567 [GASPING]: OH... MY GOODNESS. 990 00:51:32,600 --> 00:51:34,733 WHERE'S TINA? 991 00:51:34,767 --> 00:51:36,700 SHE'S STILL IN RECOVERY. 992 00:51:36,733 --> 00:51:38,233 IS SHE OKAY? 993 00:51:38,267 --> 00:51:39,733 YEAH, SHE'S GOING TO BE FINE. 994 00:51:39,767 --> 00:51:40,967 SHE IS? 995 00:51:41,067 --> 00:51:42,967 YEAH, I'M JUST WAITING FOR THEM TO BRING HER DOWN HERE 996 00:51:43,067 --> 00:51:44,700 SO SHE CAN SEE HER BABY. 997 00:51:44,733 --> 00:51:48,300 SHE HASN'T EVEN MET OUR BABY YET. 998 00:51:59,067 --> 00:52:01,500 THIS IS ANGELICA. 999 00:52:04,467 --> 00:52:06,633 HI, ANGELICA. 1000 00:52:06,667 --> 00:52:08,567 OH... OH. 1001 00:52:08,600 --> 00:52:12,400 OH, HI, SWEETIE. 1002 00:52:12,433 --> 00:52:14,167 OH... MM. 1003 00:52:14,200 --> 00:52:16,967 [KISSES ANGELICA] 1004 00:52:17,067 --> 00:52:18,767 OH, MY GOODNESS. 1005 00:52:18,800 --> 00:52:23,167 YOU WANT TO HOLD HER? 1006 00:52:23,200 --> 00:52:26,133 [ANGELICA COOING SOFTLY] 1007 00:52:40,967 --> 00:52:42,900 [ANGELICA CRIES] 1008 00:53:04,233 --> 00:53:06,667 HI, LITTLE ONE. 1009 00:53:09,800 --> 00:53:13,333 YOU ARE SO BEAUTIFUL. 1010 00:53:17,933 --> 00:53:20,367 [FUSSES] 1011 00:53:41,633 --> 00:53:44,567 YOU HAVE TINY FEET. 1012 00:53:53,867 --> 00:53:57,667 OH, ANGELICA. 1013 00:53:57,700 --> 00:53:59,200 OH, SWEETIE, YOU ARE GOING TO HAVE 1014 00:53:59,233 --> 00:54:01,967 A VERY, VERY INTERESTING LIFE, 1015 00:54:02,067 --> 00:54:03,267 YOU KNOW THAT? 1016 00:54:03,300 --> 00:54:08,667 BECAUSE WE ARE SOME VERY, VERY INTERESTING PEOPLE. 1017 00:54:18,067 --> 00:54:20,267 OKAY... 1018 00:54:26,100 --> 00:54:29,600 THIS IS YOUR FAMILY. 1019 00:54:29,633 --> 00:54:30,567 [CRYING] 1020 00:54:30,600 --> 00:54:34,300 SHH. SHH, SHH, SHH. 1021 00:54:34,333 --> 00:54:38,900 * THERE'S GODLIKE 1022 00:54:38,933 --> 00:54:41,100 * AND WARLIKE 1023 00:54:41,133 --> 00:54:45,400 * AND STRONG LIKE ONLY SOME SHOW * 1024 00:54:45,433 --> 00:54:49,067 * AND THERE ARE SAD LIKE AND MAD LIKE * 1025 00:54:49,100 --> 00:54:51,400 * AND HAD LIKE WE KNOW 1026 00:54:51,433 --> 00:54:59,800 * BUT BY MY LIFE BE I SPIRIT 1027 00:54:59,833 --> 00:55:08,400 * AND BY MY HEART BE I WOMAN 1028 00:55:08,433 --> 00:55:17,200 * AND BY MY EYES BE I OPEN 1029 00:55:17,233 --> 00:55:25,067 * AND BY MY HANDS BE I WHOLE 1030 00:55:25,067 --> 00:55:29,067 * THEY SAY SLOWLY BRINGS THE LEAST SHOCK * 1031 00:55:29,067 --> 00:55:33,200 * BUT NO MATTER HOW SLOW THAT I WALK * 1032 00:55:33,233 --> 00:55:37,600 * THERE ARE TRACES EMPTY SPACES * 1033 00:55:37,633 --> 00:55:40,567 * AND DOORS AND DOORS ARE LOCKED * 1034 00:55:40,600 --> 00:55:48,533 * BUT BY MY LIFE BE I SPIRIT 1035 00:55:48,567 --> 00:55:51,367 * AND BY MY... 1036 00:55:51,400 --> 00:55:52,967 [MEOW] 1037 00:55:53,067 --> 00:55:53,933 [PURR]