1 00:00:10,967 --> 00:00:12,100 PREVIOUSLY ON THE L WORD... 2 00:00:12,133 --> 00:00:12,900 ANGUS... 3 00:00:12,933 --> 00:00:14,100 WOULD YOU BE INTERESTED 4 00:00:14,133 --> 00:00:15,200 IN PLAYING FOR THE KIDS 5 00:00:15,233 --> 00:00:16,900 AT ANGELICA'S SIX-MONTH CELEBRATION? 6 00:00:16,933 --> 00:00:18,667 THANKS. I... I COULD REALLY USE THE CASH. 7 00:00:18,700 --> 00:00:20,067 FEEL A LITTLE STRESSED OUT TODAY. 8 00:00:20,100 --> 00:00:23,500 WE'RE ABOUT TO HAVE A HOME VISIT FROM AN ADOPTION SOCIAL WORKER. 9 00:00:23,533 --> 00:00:25,067 WHAT ABOUT MEN? MEN? 10 00:00:25,100 --> 00:00:26,433 YOU DO KNOW THAT WE'RE LESBIANS, RIGHT? 11 00:00:26,467 --> 00:00:28,333 DANA, WHO TOLD ME SHE NEEDED... 12 00:00:28,367 --> 00:00:29,633 SHE NEEDED CLOSURE. 13 00:00:29,667 --> 00:00:30,900 CLOSURE WITH LARA. 14 00:00:30,933 --> 00:00:32,333 YOU HAVE A LUMP. 15 00:00:32,367 --> 00:00:33,467 WHAT ARE YOU LOOKING AT? 16 00:00:34,600 --> 00:00:36,567 I'M GOING TO MEET CARMEN'S MOTHER. 17 00:00:36,600 --> 00:00:37,467 MM-HMM. AND? 18 00:00:37,500 --> 00:00:38,467 I'M GOING TO ACT STRAIGHT. 19 00:00:38,500 --> 00:00:39,433 HOW PRETTY. 20 00:00:39,467 --> 00:00:41,567 AH. THERE. 21 00:00:41,600 --> 00:00:42,767 WANT TO COME TO L.A. WITH ME? 22 00:00:42,800 --> 00:00:43,600 YEAH. 23 00:00:43,633 --> 00:00:44,667 [SQUEALS] 24 00:00:44,700 --> 00:00:45,833 ARE YOU THINKING 25 00:00:45,867 --> 00:00:47,633 ABOUT HAVING SEX WITH ME RIGHT NOW? 26 00:00:47,667 --> 00:00:50,400 IT'S CROSSED MY MIND. 27 00:00:51,533 --> 00:00:52,800 WHO DID THAT TO YOU? 28 00:00:52,833 --> 00:00:54,833 I DID IT TO MYSELF. 29 00:01:00,567 --> 00:01:02,567 [SIREN WAILING IN DISTANCE] 30 00:01:14,133 --> 00:01:15,867 [MAN GRUNTS] 31 00:01:19,333 --> 00:01:20,467 LOOKS LIKE SOMEONE 32 00:01:20,500 --> 00:01:21,533 IS SWIMMING UP THE WRONG STREAM 33 00:01:21,567 --> 00:01:23,500 TONIGHT, SUGAR. 34 00:01:25,067 --> 00:01:28,600 I'M... 35 00:01:28,633 --> 00:01:30,100 I'M LOOKING FOR SEX. 36 00:01:30,133 --> 00:01:31,533 [LAUGHS] 37 00:01:31,567 --> 00:01:33,133 WELL, YOU'RE IN THE WRONG PLACE, SWEETIE. 38 00:01:33,167 --> 00:01:35,367 TRY THE SAFEWAY IN THE MARINA. 39 00:01:35,400 --> 00:01:38,333 IT'S CRAWLING WITH STRAIGHT, HOT MEN. 40 00:01:38,367 --> 00:01:40,467 I'M LOOKING FOR GIRLS. 41 00:01:44,167 --> 00:01:45,300 JUST A LITTLE FURTHER DOWN, HONEY. 42 00:01:45,333 --> 00:01:46,467 USUALLY AROUND THAT CORNER. 43 00:01:46,500 --> 00:01:48,333 THANKS. 44 00:01:48,367 --> 00:01:49,467 YOU'RE SWEET. 45 00:01:49,500 --> 00:01:50,633 [ECHOING] I'M LOOKING FOR SEX... 46 00:01:50,667 --> 00:01:51,533 SEX... 47 00:01:51,567 --> 00:01:52,833 I'M LOOKING FOR...GIRLS... 48 00:01:52,867 --> 00:01:54,133 I'M LOOKING FOR GIRLS... 49 00:02:03,433 --> 00:02:06,067 FUCK ME SO I FORGET WHO I AM. 50 00:02:06,067 --> 00:02:08,967 [GASPING] 51 00:02:09,067 --> 00:02:12,133 IT'S TOO LATE TO STOP ME. 52 00:02:12,167 --> 00:02:14,333 JESUS... 53 00:02:22,600 --> 00:02:25,200 OH, JESUS. 54 00:02:25,233 --> 00:02:29,067 [***] 55 00:02:29,100 --> 00:02:35,733 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 56 00:02:35,767 --> 00:02:42,500 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 57 00:02:42,533 --> 00:02:48,900 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 58 00:02:48,933 --> 00:02:55,067 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 59 00:03:02,667 --> 00:03:03,967 * TALKING, LAUGHING LOVING, BREATHING * 60 00:03:04,067 --> 00:03:05,900 * FIGHTING, FUCKING CRYING, DRINKING * 61 00:03:05,933 --> 00:03:07,267 * WRITING, WINNING LOSING, CHEATING * 62 00:03:07,300 --> 00:03:08,967 * KISSING, THINKING, DREAMING 63 00:03:09,067 --> 00:03:10,967 * THIS IS THE WAY... 64 00:03:11,067 --> 00:03:13,800 * IT'S THE WAY THAT WE LIVE * 65 00:03:13,833 --> 00:03:19,367 * IT'S THE WAY THAT WE LIVE 66 00:03:19,400 --> 00:03:23,100 * AND LOVE * 67 00:03:25,833 --> 00:03:28,833 [***] 68 00:03:30,733 --> 00:03:32,367 21. 21. 69 00:03:32,400 --> 00:03:33,867 I JUST WON. 70 00:03:33,900 --> 00:03:36,867 HOW CAN I COUNT ROADKILL WHEN I'M DRIVING THE WHOLE TIME? 71 00:03:36,900 --> 00:03:38,233 I WON FAIR AND SQUARE, 72 00:03:38,267 --> 00:03:39,767 SO AS THE WINNER, YOU HAVE TO GIVE ME A PRESENT. 73 00:03:39,800 --> 00:03:40,967 PLEASE. 74 00:03:41,067 --> 00:03:42,067 ALL RIGHT. 75 00:03:42,067 --> 00:03:43,633 OPEN THE GLOVE. 76 00:03:45,200 --> 00:03:46,500 OH, MY GOD-- 77 00:03:46,533 --> 00:03:47,800 IT'S IN THAT BOX. 78 00:03:47,833 --> 00:03:49,500 WAIT, WHAT ARE YOU DOING WITH A GUN? 79 00:03:49,533 --> 00:03:52,100 WHY DO YOU HAVE A GUN IN YOUR CAR? 80 00:03:52,133 --> 00:03:54,333 IT'S JUST A TASER. 81 00:03:54,367 --> 00:03:55,767 IT'S LIKE THE COPS USE. 82 00:03:55,800 --> 00:03:58,267 IT JUST SHOCKS PEOPLE. 83 00:03:58,300 --> 00:03:59,500 I KNOW, BUT WHAT ARE YOU... 84 00:03:59,533 --> 00:04:00,700 WHAT ARE YOU GOING TO DO WITH IT? 85 00:04:00,733 --> 00:04:01,733 IT'S JUST IN CASE. 86 00:04:01,767 --> 00:04:04,733 YOU DECIDE TO ROB A 7-11? 87 00:04:04,767 --> 00:04:06,833 LOOK, I'VE NEVER HAD TO USE IT. 88 00:04:06,867 --> 00:04:09,333 IT'S JUST THAT... 89 00:04:09,367 --> 00:04:10,967 I GET A LOT OF SHIT FROM PEOPLE, 90 00:04:11,067 --> 00:04:14,233 AND I'M GOING TO TAKE CARE OF MYSELF. 91 00:04:16,300 --> 00:04:18,467 JUST GOING TO PUT THIS AWAY. 92 00:04:18,500 --> 00:04:20,200 NOW, OPEN THE BOX 93 00:04:20,233 --> 00:04:21,200 AND GET YOUR PRIZE ALREADY. 94 00:04:21,233 --> 00:04:23,100 YES, MA'AM. 95 00:04:26,800 --> 00:04:29,267 HOLY SHIT. 96 00:04:29,300 --> 00:04:30,400 BUT BE CAREFUL. 97 00:04:30,433 --> 00:04:32,700 IT'S ALL I GOT. 98 00:04:44,433 --> 00:04:45,533 YOU KNOW... 99 00:04:45,567 --> 00:04:46,733 YOU KNOW WHAT? 100 00:04:46,767 --> 00:04:48,900 MAYBE WE SHOULD WAIT TILL WE GET 101 00:04:48,933 --> 00:04:49,867 A LITTLE CLOSER TO L.A. 102 00:04:49,900 --> 00:04:50,900 BEFORE WE DO SOME. 103 00:04:53,567 --> 00:04:55,333 OKAY? 104 00:05:04,067 --> 00:05:05,767 OKAY, UM... 105 00:05:05,800 --> 00:05:07,467 DID YOU SPEAK 106 00:05:07,500 --> 00:05:08,600 WITH THE CROUP-- THE CROUP-- 107 00:05:08,633 --> 00:05:09,833 THE CROUPIER? 108 00:05:09,867 --> 00:05:10,867 YEAH. 109 00:05:10,900 --> 00:05:12,300 YEAH, OF COURSE I DID, KIT. 110 00:05:12,333 --> 00:05:13,433 I SPOKE WITH EVERYBODY. 111 00:05:13,467 --> 00:05:14,467 MM. 112 00:05:14,500 --> 00:05:15,633 THE VENDORS, 113 00:05:15,667 --> 00:05:17,333 ABSOLUT, 114 00:05:17,367 --> 00:05:19,867 ELVIS AND ANN ARE DOING A SOUND CHECK AT 5:00... 115 00:05:19,900 --> 00:05:21,400 WELL, YOU KNOW THAT CARMEN IS-- 116 00:05:21,433 --> 00:05:22,633 YEAH, CARMEN'S DJing, 117 00:05:22,667 --> 00:05:24,600 AND SHE'S BRINGING HER OWN SET, 118 00:05:24,633 --> 00:05:26,667 AND ALSO, SHE'S GOING TO BE HERE 119 00:05:26,700 --> 00:05:30,200 TO DO PLAYBACK AT THE SOUND CHECK. 120 00:05:32,567 --> 00:05:33,800 OKAY, WELL, 121 00:05:33,833 --> 00:05:36,200 I GUESS YOU'RE JUST MR. BILLIE-ON-THE-SPOT, 122 00:05:36,233 --> 00:05:37,533 HMM? 123 00:05:37,567 --> 00:05:39,200 SPIT-SPOT. THAT'S ME. 124 00:05:39,233 --> 00:05:40,600 I'M HERE 125 00:05:40,633 --> 00:05:42,167 TO LICK YOUR YOUNG 'UNS 126 00:05:42,200 --> 00:05:43,900 INTO SHAPE. 127 00:05:43,933 --> 00:05:45,333 I'M YOUR BOY, KIT... 128 00:05:46,700 --> 00:05:47,900 AND FRANKLY, 129 00:05:47,933 --> 00:05:49,100 I'M MUCH MORE QUALIFIED TO RUN THIS PLACE 130 00:05:49,133 --> 00:05:50,900 THAN YOU ARE. 131 00:05:50,933 --> 00:05:52,967 JOKING. 132 00:05:53,067 --> 00:05:54,667 BUT I GUARANTEE... 133 00:05:54,700 --> 00:05:56,867 THAT AFTER TONIGHT, 134 00:05:56,900 --> 00:05:59,433 YOU'RE GOING TO WANT ME TO RUN THIS JOINT. 135 00:06:01,700 --> 00:06:02,867 MM-HMM. 136 00:06:02,900 --> 00:06:06,233 WE'LL SEE, MR. MARY P. 137 00:06:06,267 --> 00:06:08,100 [ALICE]: WELL, I THINK THE REASON 138 00:06:08,133 --> 00:06:10,300 I WAS WITH LISA THE LESBIAN MAN 139 00:06:10,333 --> 00:06:12,167 IS BECAUSE HE WASN'T DANGEROUS FOR ME. 140 00:06:12,200 --> 00:06:13,967 YOU KNOW, I JUST... 141 00:06:14,067 --> 00:06:17,133 I KNEW I WOULDN'T GET ADDICTED TO A GUY. 142 00:06:17,167 --> 00:06:19,333 I ACTUALLY REMEMBER HAVING THIS CONVERSATION 143 00:06:19,367 --> 00:06:20,867 WITH MY FRIEND, TINA, 144 00:06:20,900 --> 00:06:24,500 THAT, YOU KNOW, I THINK GUYS ARE KIND OF EASY. 145 00:06:24,533 --> 00:06:26,700 SORRY. 146 00:06:26,733 --> 00:06:28,500 AND I WAS LOOKING THROUGH THIS PAMPHLET HERE 147 00:06:28,533 --> 00:06:31,867 ABOUT ALL THE DIFFERENT KINDS OF LOVE ADDICTS, 148 00:06:31,900 --> 00:06:32,967 AND I'M PRETTY SURE I'M A... 149 00:06:33,067 --> 00:06:34,833 O.L.A. 150 00:06:34,867 --> 00:06:36,067 OH, ME TOO. 151 00:06:36,067 --> 00:06:37,133 YEAH, OBSESSIVE LOVE. 152 00:06:37,167 --> 00:06:38,500 IT'S THE BEST. 153 00:06:38,533 --> 00:06:40,267 I MEAN, WORST. 154 00:06:40,300 --> 00:06:41,767 UH... 155 00:06:41,800 --> 00:06:43,067 THERE'S NOTHING WORSE 156 00:06:43,067 --> 00:06:44,367 THAN WHEN YOU CAN'T LET GO OF SOMEONE 157 00:06:44,400 --> 00:06:45,300 WHO'S COMPLETELY OVER YOU, 158 00:06:45,333 --> 00:06:46,833 AND DISTANT, ABUSIVE, 159 00:06:46,867 --> 00:06:49,300 CONTROLLING, DICTATORIAL-- 160 00:06:49,333 --> 00:06:50,967 EGOCENTRIC, UNLOVING, 161 00:06:51,067 --> 00:06:53,300 SELFISH, UNABLE TO COMMIT... 162 00:06:53,333 --> 00:06:55,233 YEAH, AND IT'S MY BIRTHDAY THIS WEEK, AND I WAS-- 163 00:06:55,267 --> 00:06:56,300 HEY. 164 00:06:56,333 --> 00:06:57,300 HAPPY BIRTHDAY, ALICE. 165 00:06:57,333 --> 00:06:58,567 HAPPY BIRTHDAY. HAPPY BIRTHDAY. 166 00:06:58,600 --> 00:07:00,467 THANK YOU. 167 00:07:00,500 --> 00:07:02,267 YEAH, I JUST... 168 00:07:02,300 --> 00:07:05,367 YOU KNOW, IT'D BE GREAT IF DANA WOULD JUST COME BY 169 00:07:05,400 --> 00:07:07,233 AND, YOU KNOW, GIVE ME A LITTLE PREZZIE, 170 00:07:07,267 --> 00:07:08,600 NOTHING BIG... 171 00:07:08,633 --> 00:07:10,933 YOU KNOW, MAYBE KISS MY EYELIDS OR SOMETHING-- 172 00:07:10,967 --> 00:07:12,067 [MURMURING] 173 00:07:12,067 --> 00:07:13,100 GET A GRIP GET A GRIP. 174 00:07:13,133 --> 00:07:15,367 LET ALICE SHARE, PLEASE. 175 00:07:15,400 --> 00:07:16,733 THANKS. 176 00:07:16,767 --> 00:07:18,133 YEAH, I MEAN, I THINK... 177 00:07:18,167 --> 00:07:19,667 I THINK YOU GUYS WOULD BE OBSESSING, TOO, 178 00:07:19,700 --> 00:07:21,733 BECAUSE OUR SEX... 179 00:07:21,767 --> 00:07:22,900 [LAUGHS] 180 00:07:22,933 --> 00:07:26,700 WAS MINDBLOWINGLY... 181 00:07:26,733 --> 00:07:28,800 UNFUCKINGLY UNBELIEVABLE, 182 00:07:28,833 --> 00:07:30,800 AND IT JUST KIND OF, YOU KNOW... 183 00:07:30,833 --> 00:07:32,300 IT MAKES YOU REALIZE THAT THIS PERSON 184 00:07:32,333 --> 00:07:35,100 COULD BE THE ONE GREAT, TRUE LOVE 185 00:07:35,133 --> 00:07:37,067 OF YOUR LIFE. 186 00:07:37,100 --> 00:07:38,900 YOU KNOW? 187 00:07:38,933 --> 00:07:40,133 BUT SHE'LL BE BACK. 188 00:07:40,167 --> 00:07:41,433 [OPENS SODA CAN] 189 00:07:41,467 --> 00:07:42,600 SHE WILL BE BACK. 190 00:07:42,633 --> 00:07:44,100 [SLURPS] 191 00:07:44,133 --> 00:07:46,067 BECAUSE OUR LOVE... 192 00:07:46,100 --> 00:07:48,433 OUR LOVE WAS TOO INTENSE, SO... 193 00:07:48,467 --> 00:07:50,467 [SLURPS] 194 00:08:00,433 --> 00:08:03,067 [HELENA]: MOMMY LOVES YOU, TOO, DARLING. 195 00:08:03,067 --> 00:08:05,933 YEAH, I'LL SEE YOU NEXT WEEK. 196 00:08:05,967 --> 00:08:08,067 YOU HAVE A WONDERFUL TIME AT THE BALLET. 197 00:08:08,067 --> 00:08:10,267 I WISH I WAS COMING. 198 00:08:10,300 --> 00:08:11,533 OKAY, SPEAK TO YOU TOMORROW. 199 00:08:11,567 --> 00:08:13,667 BIG KISS. BYE. 200 00:08:13,700 --> 00:08:15,833 I WONDER IF MOST LITTLE BOYS 201 00:08:15,867 --> 00:08:17,967 GET THAT EXCITED ABOUT THE BALLET? 202 00:08:18,067 --> 00:08:19,133 HOW WAS IT? 203 00:08:19,167 --> 00:08:20,167 IT SUCKED. 204 00:08:20,200 --> 00:08:22,400 OH... 205 00:08:22,433 --> 00:08:24,067 I HAVE A LITTLE SURPRISE FOR YOU. 206 00:08:24,067 --> 00:08:26,133 YOU DO? MM-HMM. 207 00:08:26,167 --> 00:08:28,500 [BELCHES LOUDLY] 208 00:08:28,533 --> 00:08:30,200 OH, GOD. I'M SO SORRY. 209 00:08:30,233 --> 00:08:31,200 I'M SUCH A GROSS BISEXUAL LOVE ADDICT 210 00:08:31,233 --> 00:08:32,300 RIGHT NOW. 211 00:08:32,333 --> 00:08:33,433 HI. I'M JANICE. 212 00:08:33,467 --> 00:08:34,633 I KNOW YOU'RE HAVING A HARD TIME, 213 00:08:34,667 --> 00:08:35,833 AND I'M HERE TO TAKE CARE OF YOU. 214 00:08:35,867 --> 00:08:38,433 WE'RE AN EXCLUSIVELY LESBIAN SERVICE. 215 00:08:38,467 --> 00:08:40,767 DID YOU HIRE ME A HOOKER? 216 00:08:44,233 --> 00:08:47,367 ALICE, IT'S A LESBIAN CLEANING SERVICE. 217 00:08:47,400 --> 00:08:48,600 "LEZ CLEAN UP." 218 00:08:48,633 --> 00:08:50,100 SHE'S GOING TO SORT OUT YOUR ENTIRE APARTMENT. 219 00:08:50,133 --> 00:08:51,500 OH, MY GOD. 220 00:08:51,533 --> 00:08:52,533 I LOVE YOU. 221 00:08:52,567 --> 00:08:53,633 THANK YOU SO MUCH. 222 00:08:53,667 --> 00:08:54,733 MY APARTMENT'S SO DIRTY RIGHT NOW, 223 00:08:54,767 --> 00:08:55,967 EVER SINCE, YOU KNOW-- 224 00:08:56,067 --> 00:08:57,167 I'M A BIG FAN OF THE CHART, 225 00:08:57,200 --> 00:08:58,300 AND I'M SO SORRY ABOUT DANA. 226 00:08:58,333 --> 00:08:59,300 SO SORRY. 227 00:08:59,333 --> 00:09:00,367 OH. OKAY. 228 00:09:00,400 --> 00:09:02,100 OH. 229 00:09:02,133 --> 00:09:03,300 THANK YOU. THANKS. 230 00:09:03,333 --> 00:09:04,433 OKAY, GREAT. 231 00:09:04,467 --> 00:09:06,233 ALL RIGHT. 232 00:09:10,633 --> 00:09:12,667 [WHIRRING] 233 00:09:14,300 --> 00:09:17,733 YOU'RE SO FUCKING BEAUTIFUL... 234 00:09:19,533 --> 00:09:23,900 AND I'M GOING TO MAKE YOU COME WHILE YOU'RE DRIVING, MISS. 235 00:09:23,933 --> 00:09:25,233 MY GIRLFRIEND USED TO GIVE ME HEAD 236 00:09:25,267 --> 00:09:26,667 WHILE WE DROVE TO SCHOOL. 237 00:09:26,700 --> 00:09:28,833 HEY, LADY... 238 00:09:28,867 --> 00:09:30,133 I'M NOT YOUR EX, 239 00:09:30,167 --> 00:09:31,500 AND I'M NOT YOUR GIRLFRIEND. 240 00:09:31,533 --> 00:09:32,833 GOT IT? 241 00:09:32,867 --> 00:09:33,900 RIGHT. 242 00:09:42,067 --> 00:09:44,967 OH, FUCK. 243 00:09:45,067 --> 00:09:46,167 WHAT? 244 00:09:46,200 --> 00:09:47,567 SHIT. 245 00:09:47,600 --> 00:09:48,967 WE RAN OUT OF GAS. 246 00:09:49,067 --> 00:09:50,233 OH, NO. 247 00:09:50,267 --> 00:09:51,367 DON'T STOP, JENNY. 248 00:09:51,400 --> 00:09:52,900 KEEP GOING. 249 00:09:52,933 --> 00:09:54,400 DON'T BLUE-BALL ME. 250 00:10:02,767 --> 00:10:04,767 [WHISTLING IDLY] 251 00:10:11,133 --> 00:10:14,000 UM... 252 00:10:14,033 --> 00:10:15,500 ALICE, DO YOU WANT ME TO CLEAN UP 253 00:10:15,533 --> 00:10:17,500 AROUND THIS... 254 00:10:17,533 --> 00:10:19,167 AROUND THIS... 255 00:10:19,200 --> 00:10:22,033 AROUND DANA? 256 00:10:22,067 --> 00:10:23,167 ALICE, WHAT DO YOU WANT ME TO DO 257 00:10:23,200 --> 00:10:24,300 WITH THIS DANA THING? 258 00:10:24,333 --> 00:10:25,600 ALICE IS IN THE LOO. 259 00:10:25,633 --> 00:10:28,600 WHAT DANA THING? 260 00:10:28,633 --> 00:10:32,600 JESUS BLOODY CHRIST. 261 00:10:32,633 --> 00:10:33,867 ALICE! 262 00:10:33,900 --> 00:10:36,433 WHAT? 263 00:10:36,467 --> 00:10:38,433 WHAT THE FUCK, HELENA? 264 00:10:38,467 --> 00:10:40,200 HAVE YOU COMPLETELY LOST YOUR MIND? 265 00:10:43,900 --> 00:10:45,300 YEAH, THAT'S... 266 00:10:45,333 --> 00:10:46,900 THAT'S NO BIGGIE. 267 00:10:46,933 --> 00:10:48,933 IT'S A FUCKING SHRINE, ALICE-- 268 00:10:48,967 --> 00:10:50,433 A BORDERING-ON-PSYCHOTIC, 269 00:10:50,467 --> 00:10:53,233 SERIAL-KILLER-OBSESSIVE-TYPE SHRINE. 270 00:10:53,267 --> 00:10:54,400 DISMANTLE IT. 271 00:10:54,433 --> 00:10:55,400 OH, GOD. NO, PLEASE. 272 00:10:55,433 --> 00:10:58,300 LET IT LIVE. NO. 273 00:11:00,067 --> 00:11:01,333 OKAY, OKAY, JUST-- LET ME KEEP THIS. PLEASE? 274 00:11:01,367 --> 00:11:02,333 JUST LET ME KEEP THIS. 275 00:11:02,367 --> 00:11:03,400 THIS WAS REALLY HARD TO GET. 276 00:11:03,433 --> 00:11:04,600 I HAD TO GET IT IN THE MIDDLE OF THE NIGHT. 277 00:11:04,633 --> 00:11:05,700 YOU CAN TAKE THE SHRINE. 278 00:11:05,733 --> 00:11:06,700 YOU CAN TAKE THE SHRINE. 279 00:11:06,733 --> 00:11:08,167 JUST NOT THIS. 280 00:11:11,067 --> 00:11:12,233 GET A BOX. 281 00:11:12,267 --> 00:11:13,500 THERE'S A BOX. 282 00:11:13,533 --> 00:11:15,467 NOT THAT BOX. 283 00:11:19,800 --> 00:11:21,967 YOU SHOULD BE ASHAMED OF YOURSELF, ALICE. 284 00:11:24,367 --> 00:11:27,133 IT'S TIME TO START GETTING OVER DANA. 285 00:11:28,867 --> 00:11:30,167 NOW... 286 00:11:30,200 --> 00:11:31,633 HERE'S WHAT WE'RE GOING TO DO. 287 00:11:31,667 --> 00:11:33,333 I'VE TRIED. I'VE BEEN TO MEETINGS-- 288 00:11:33,367 --> 00:11:35,567 JUST LISTEN. 289 00:11:35,600 --> 00:11:37,967 OKAY? 290 00:11:43,400 --> 00:11:46,900 I DIDN'T HAVE A CHANCE TO WASH EVERYTHING, SO... 291 00:11:48,567 --> 00:11:50,400 GREAT. 292 00:11:57,500 --> 00:12:00,200 [LAUGHING] 293 00:12:00,233 --> 00:12:02,133 I HAVE TO PEE. 294 00:12:04,633 --> 00:12:05,700 DON'T LOOK. 295 00:12:16,800 --> 00:12:18,233 HEY. 296 00:12:18,267 --> 00:12:19,567 OH, MY GOD. 297 00:12:19,600 --> 00:12:21,467 HOW DO YOU... HOW DO YOU DO THAT? 298 00:12:21,500 --> 00:12:26,100 I ALWAYS HAVE, EVEN WHEN I WAS LITTLE. 299 00:12:29,833 --> 00:12:31,400 WHEN MY DAD CAUGHT ME, HE POPPED ME ONE. 300 00:12:38,433 --> 00:12:39,433 AH! 301 00:12:40,833 --> 00:12:42,667 HELLO. 302 00:12:42,700 --> 00:12:44,533 HELLO. PLEASE STOP. 303 00:12:46,200 --> 00:12:49,167 SAVED. 304 00:12:56,800 --> 00:12:58,067 WELL, HEY THERE, FELLA. 305 00:12:58,067 --> 00:12:59,467 OH, SHE'S NOT A-- 306 00:12:59,500 --> 00:13:01,667 LOOKS LIKE YOU NEED SOME HELP. 307 00:13:01,700 --> 00:13:03,200 YEAH, WE RAN OUT OF GAS. 308 00:13:03,233 --> 00:13:04,300 NOT A PROBLEM. 309 00:13:04,333 --> 00:13:05,500 I'LL SIPHON SOME OUT OF THE R.V. 310 00:13:05,533 --> 00:13:06,733 MY NAME'S HAL, BY THE WAY. 311 00:13:06,767 --> 00:13:08,133 HI. 312 00:13:08,167 --> 00:13:09,467 HI. I'M JENNY. NICE TO MEET YOU. 313 00:13:09,500 --> 00:13:10,467 THAT'S MY WIFE, MARTHA. 314 00:13:10,500 --> 00:13:11,633 HELLO, MARTHA. 315 00:13:11,667 --> 00:13:12,633 WE GOT SOME FRIED CHICKEN 316 00:13:12,667 --> 00:13:13,733 IN THE CAMPER, 317 00:13:13,767 --> 00:13:14,800 IF YOU AND YOUR HUSBAND 318 00:13:14,833 --> 00:13:15,900 ARE HUNGRY. 319 00:13:15,933 --> 00:13:18,633 YES, I WOULD LOVE SOME FRIED CHICKEN. 320 00:13:18,667 --> 00:13:20,067 THANK YOU. 321 00:13:23,067 --> 00:13:24,633 WHAT DID YOU SAY YOUR NAME WAS, SON? 322 00:13:24,667 --> 00:13:26,433 UH, IT'S MAX. 323 00:13:32,667 --> 00:13:33,733 [SHANE]: THANK YOU, BABY. 324 00:13:33,767 --> 00:13:34,800 [CARMEN]: YOU'RE WELCOME. 325 00:13:36,267 --> 00:13:37,433 MM. 326 00:13:37,467 --> 00:13:39,433 YOU TWO ARE SO HOT TOGETHER. 327 00:13:39,467 --> 00:13:41,300 [LAUGHS] 328 00:13:41,333 --> 00:13:44,367 AT LEAST SOMEONE'S GETTING A LITTLE SOMETHIN'-SOMETHIN'. 329 00:13:44,400 --> 00:13:45,467 SO, UH... 330 00:13:45,500 --> 00:13:47,067 WHAT'S UP WITH THE SLOT MACHINE, KIT? 331 00:13:47,067 --> 00:13:48,867 YEAH, WELL, YOU KNOW BILLIE BLAIKIE. 332 00:13:48,900 --> 00:13:50,500 HE DOESN'T DO ANYTHING SMALL. 333 00:13:50,533 --> 00:13:51,967 SO YOU GUYS ARE COMING, RIGHT? 334 00:13:52,067 --> 00:13:53,767 IT WON'T BE VEGAS WITHOUT YOU. 335 00:13:53,800 --> 00:13:55,200 WAIT A MINUTE. 336 00:13:55,233 --> 00:13:56,567 ARE YOU TALKING ABOUT THE BILLIE BLAIKIE? 337 00:13:56,600 --> 00:13:57,900 BILLIE BLAIKIE? 338 00:13:57,933 --> 00:13:58,933 DUDE, HE IS, LIKE, THE BEST PARTY PROMOTER 339 00:13:58,967 --> 00:13:59,767 IN TOWN. 340 00:13:59,800 --> 00:14:01,133 KIT WAS THINKING 341 00:14:01,167 --> 00:14:02,633 ABOUT HIRING HIM AS HER NEW MANAGER. 342 00:14:02,667 --> 00:14:04,067 OH, MY GOSH. 343 00:14:04,067 --> 00:14:05,833 CONGRATULATIONS, LADY. 344 00:14:05,867 --> 00:14:08,333 YEAH, IT'S GREAT IF HE CAN KEEP IT IN HIS PANTS 345 00:14:08,367 --> 00:14:09,333 LONG ENOUGH TO CLOSE OUT THE BAR. 346 00:14:09,367 --> 00:14:11,133 [SHANE]: OH, I'M SORRY. 347 00:14:11,167 --> 00:14:12,667 BEFORE WE FORGET-- 348 00:14:12,700 --> 00:14:13,800 BUT WE CAN'T MAKE IT 349 00:14:13,833 --> 00:14:15,667 TO YOUR BABY BIRTHDAY PARTY TOMORROW, 350 00:14:15,700 --> 00:14:19,067 BECAUSE WE HAVE A QUINCEAN... 351 00:14:19,067 --> 00:14:20,667 OH, THAT'S RIGHT, THE QUINCEANERA. 352 00:14:20,700 --> 00:14:21,867 YEAH, THE QUINCEANERA. 353 00:14:21,900 --> 00:14:23,400 DON'T WORRY ABOUT IT. 354 00:14:23,433 --> 00:14:25,333 IT'S JUST REALLY AN EXCUSE TO HAVE A BABY PLAY GROUP, 355 00:14:25,367 --> 00:14:27,633 AND HALF BIRTHDAY CELEBRATION. 356 00:14:27,667 --> 00:14:28,833 I DON'T GET IT. WHAT'S A... 357 00:14:28,867 --> 00:14:29,967 WHAT'S A QUINCE-- 358 00:14:30,067 --> 00:14:31,133 A QUINCEANERA. 359 00:14:31,167 --> 00:14:32,933 QUINCEANERA. 360 00:14:32,967 --> 00:14:34,967 THEY'RE PLANNING A SURPRISE BIRTHDAY PARTY FOR ME. 361 00:14:35,067 --> 00:14:37,967 BIG BIRTHDAY PARTY TO CELEBRATE A GIRL TURNING 15, 362 00:14:38,067 --> 00:14:39,867 AND IT'S MY COUSIN'S BIRTHDAY, SO... 363 00:14:39,900 --> 00:14:41,800 I ALMOST THOUGHT THEY FORGOT. 364 00:14:41,833 --> 00:14:42,833 OKAY, SHH. JUST WALK UP. 365 00:14:42,867 --> 00:14:43,867 [CLEARS THROAT] 366 00:14:43,900 --> 00:14:45,200 SO IT'S KIND OF LIKE A BAT MITZVAH. 367 00:14:45,233 --> 00:14:46,333 WITH TAMALES. 368 00:14:46,367 --> 00:14:47,667 [LAUGHING] 369 00:14:47,700 --> 00:14:49,133 HI. HEY. 370 00:14:49,167 --> 00:14:51,433 WHAT ARE YOU GUYS TALKING ABOUT? 371 00:14:51,467 --> 00:14:53,300 WE'RE HAVING A PARTY FOR ANGELICA'S SIXTH MONTH. 372 00:14:53,333 --> 00:14:54,433 DO YOU WANT TO COME? 373 00:14:54,467 --> 00:14:55,800 I WOULD LOVE TO COME 374 00:14:55,833 --> 00:14:57,433 TO THAT SIX-MONTH-OLD BIRTHDAY PARTY. 375 00:14:57,467 --> 00:14:59,067 I WOULD... CAN I... 376 00:14:59,067 --> 00:15:00,567 I'D LOVE TO BRING HELENA. 377 00:15:00,600 --> 00:15:01,700 ALICE... 378 00:15:01,733 --> 00:15:03,067 HELENA. 379 00:15:03,067 --> 00:15:04,433 I THINK SHE SHOULD BE THERE. 380 00:15:04,467 --> 00:15:06,133 I THINK IT'S TIME, BETTE. 381 00:15:06,167 --> 00:15:08,067 WELL, THEY ARE GOOD FRIENDS. 382 00:15:08,067 --> 00:15:11,233 [SHANE]: YEAH, THEY'RE ALWAYS HANGING OUT. 383 00:15:11,267 --> 00:15:12,567 WELL, LISTEN, HELENA, 384 00:15:12,600 --> 00:15:15,133 IF YOU REALLY DON'T HAVE ANYTHING ELSE TO DO, 385 00:15:15,167 --> 00:15:18,567 THEN THAT WOULD BE FINE IF YOU CAME TO THE PARTY. 386 00:15:18,600 --> 00:15:20,833 THANK YOU. 387 00:15:20,867 --> 00:15:22,467 THAT'S... REALLY SWEET OF YOU, 388 00:15:22,500 --> 00:15:23,633 BUT YOU KNOW, 389 00:15:23,667 --> 00:15:25,400 YOU REALLY DON'T HAVE...TO... 390 00:15:25,433 --> 00:15:27,300 SHE DOES. 391 00:15:35,300 --> 00:15:36,800 WHAT THE HELL ARE YOU DOING IN HERE, BOY? 392 00:15:36,833 --> 00:15:37,967 CAN'T YOU READ? 393 00:15:38,067 --> 00:15:39,533 THIS IS THE LADIES' ROOM. 394 00:15:39,567 --> 00:15:41,233 GET THE FUCK OUT. 395 00:15:41,267 --> 00:15:43,633 I'M A GIRL. 396 00:15:43,667 --> 00:15:46,400 [***] 397 00:15:57,800 --> 00:15:59,067 HEY. 398 00:15:59,067 --> 00:15:59,900 HEY. 399 00:16:00,067 --> 00:16:01,767 I GOT YOU SOME LUNCH. 400 00:16:03,133 --> 00:16:04,367 HEY, LET'S TAKE OFF, OKAY? 401 00:16:04,400 --> 00:16:05,467 WHY? 402 00:16:05,500 --> 00:16:06,567 CAN WE EAT FIRST? 403 00:16:06,600 --> 00:16:07,633 YOU SEE THAT FREAK THERE? 404 00:16:07,667 --> 00:16:10,067 IT WAS JUST IN THE GIRLS' BATHROOM. 405 00:16:10,067 --> 00:16:12,067 MUST BE A FAGGOT. 406 00:16:12,067 --> 00:16:13,167 FAGGOT. 407 00:16:13,200 --> 00:16:14,333 FAGGOT! 408 00:16:14,367 --> 00:16:15,433 HEY, FAGGOT! 409 00:16:15,467 --> 00:16:16,467 WHAT DID YOU SAY? 410 00:16:16,500 --> 00:16:17,900 JUST LET IT GO, JENNY. 411 00:16:17,933 --> 00:16:19,133 [LAUGHING] 412 00:16:19,167 --> 00:16:20,333 JOHNNY, YOU'RE CRAZY! 413 00:16:20,367 --> 00:16:21,733 I CALLED YOU A FAGGOT. 414 00:16:21,767 --> 00:16:23,433 OH, MY GOD. I CAN'T BELIEVE IT. 415 00:16:23,467 --> 00:16:25,333 LOOK, MAN, WE DON'T WANT ANY TROUBLE, OKAY? 416 00:16:25,367 --> 00:16:26,967 NO, I DON'T WANT ANY TROUBLE EITHER. 417 00:16:27,067 --> 00:16:28,633 JUST WANT TO GET OUT AND TALK? 418 00:16:28,667 --> 00:16:29,967 YOU WANT TO HAVE A LITTLE TALK? 419 00:16:30,067 --> 00:16:31,900 LOOK, WE'RE OUT OF HERE, ALL RIGHT? 420 00:16:31,933 --> 00:16:33,733 DUDE, LEAVE US ALONE. 421 00:16:33,767 --> 00:16:34,967 FUCK YOU, FAGGOT. 422 00:16:35,067 --> 00:16:36,700 GET OUT OF THE TRUCK! SHIT. 423 00:16:36,733 --> 00:16:38,733 NO-- NO! 424 00:16:38,767 --> 00:16:41,633 [***] 425 00:16:44,200 --> 00:16:47,133 [SHOUTING] 426 00:16:47,167 --> 00:16:48,333 LET HER GO. 427 00:16:48,367 --> 00:16:49,733 SHUT UP, YOU BITCH FREAK. 428 00:16:49,767 --> 00:16:51,567 IS THIS YOUR FUCKING BOYFRIEND? 429 00:16:51,600 --> 00:16:52,833 [MOIRA]: JENNY, GET BACK-- 430 00:16:52,867 --> 00:16:53,933 DOES HE FUCK YOU LIKE A MAN? 431 00:16:53,967 --> 00:16:54,767 WHOO! 432 00:16:54,800 --> 00:16:56,233 GET BACK IN THE TRUCK, JENNY. 433 00:16:56,267 --> 00:16:57,700 YEAH, JENNY, GET BACK IN THE TRUCK, 434 00:16:57,733 --> 00:16:59,300 AND I'LL SHOW YOU HOW A REAL MAN CAN FUCK. 435 00:17:00,733 --> 00:17:01,867 WHAT DID YOU JUST SAY? 436 00:17:01,900 --> 00:17:03,367 GET BACK IN THE FUCKING TRUCK, 437 00:17:03,400 --> 00:17:04,867 AND I'LL SHOW YOU HOW A REAL MAN CAN FUCK-- 438 00:17:04,900 --> 00:17:05,667 YEAH? 439 00:17:06,867 --> 00:17:08,700 JESUS CHRIST. 440 00:17:11,833 --> 00:17:13,133 FUCKER. 441 00:17:13,167 --> 00:17:14,833 WELL, THERE'S YOUR FAGGOT BACK. 442 00:17:14,867 --> 00:17:16,067 COME ON, JENNY. 443 00:17:16,067 --> 00:17:17,167 WHY DON'T YOU GIVE ME A CALL 444 00:17:17,200 --> 00:17:18,367 WHEN YOU'RE READY FOR A REAL MAN, 445 00:17:18,400 --> 00:17:20,167 AND WE CAN HAVE SOME FUN THEN. 446 00:17:20,200 --> 00:17:21,967 SURE, DUDE. NO PROBLEM. 447 00:17:22,067 --> 00:17:23,500 [TASER ZAPPING] 448 00:17:24,933 --> 00:17:26,467 DON'T TOUCH HIM! 449 00:17:26,500 --> 00:17:27,633 HEY. 450 00:17:27,667 --> 00:17:28,633 WE'RE NOT FAGGOTS. 451 00:17:28,667 --> 00:17:29,800 WE'RE DYKES, YOU ASSHOLE. 452 00:17:29,833 --> 00:17:30,867 FUCK YOU! 453 00:17:30,900 --> 00:17:32,700 YOU'RE GOING TO FUCKING DIE, BITCH! 454 00:17:32,733 --> 00:17:34,700 YOU DISGUSTING BITCH! 455 00:17:34,733 --> 00:17:36,667 FUCK YOU! 456 00:17:40,067 --> 00:17:41,333 [MOIRA]: I HOPE HE'S ALL RIGHT. 457 00:17:41,367 --> 00:17:42,600 [JENNY]: FUCK HIM. 458 00:17:42,633 --> 00:17:44,567 IT SHOULD HAVE BEEN A REAL GUN. 459 00:17:57,400 --> 00:18:01,333 GIRLS, BOYS, PUNKS, FREAKS, 460 00:18:01,367 --> 00:18:04,767 BUTCHES, FEMMES, KINGS, QUEENS, 461 00:18:04,800 --> 00:18:07,067 TRANNIES, TRAINEES, 462 00:18:07,067 --> 00:18:08,400 LADIES... 463 00:18:08,433 --> 00:18:10,333 AND GENTLEMEN... 464 00:18:10,367 --> 00:18:13,667 I AM BILLIE BLAIKIE, YOUR HOST FOR THIS EVENING, 465 00:18:13,700 --> 00:18:17,567 AND WELCOME TO THE PLANET'S FIRST ANNUAL CASINO NIGHT... 466 00:18:17,600 --> 00:18:22,767 "VULVA LAS VEGAS"! 467 00:18:22,800 --> 00:18:23,967 [CHEERING AND APPLAUSE] 468 00:18:24,067 --> 00:18:24,967 AND LET'S HEAR IT 469 00:18:25,067 --> 00:18:27,267 FOR OUR CUTE LITTLE DJ, CARMEN! 470 00:18:29,467 --> 00:18:30,767 ANYWAY, THE MONEY YOU'RE GOING TO RAISE TONIGHT 471 00:18:30,800 --> 00:18:32,433 WILL GO TO AIDS PROJECT LOS ANGELES. 472 00:18:32,467 --> 00:18:35,400 LET'S HEAR IT FOR AIDS PROJECT. YES, YES. 473 00:18:35,433 --> 00:18:37,633 THAT'S A MUCH, MUCH BETTER CAUSE 474 00:18:37,667 --> 00:18:39,800 THAN THE PORN WEBSITES 475 00:18:39,833 --> 00:18:41,067 YOU NORMALLY SPEND YOUR MONEY ON, 476 00:18:41,067 --> 00:18:42,667 YOU DIRTY, DIRTY GIRL. 477 00:18:42,700 --> 00:18:44,867 IN A FEW MOMENTS, ALL BETS WILL BE OFF, 478 00:18:44,900 --> 00:18:46,600 BECAUSE THE BIG SHOW IS ABOUT TO START, 479 00:18:46,633 --> 00:18:50,667 SO GET YOUR LAST FEW GAMES IN, MY DARLINGS. 480 00:18:50,700 --> 00:18:53,067 [CHEERING AND APPLAUSE] 481 00:18:59,600 --> 00:19:02,967 YOU DIRTY, DIRTY, DIRTY GIRL. 482 00:19:03,067 --> 00:19:05,067 AND AS FOR ME... 483 00:19:05,100 --> 00:19:07,133 I'M OFF TO A LITTLE LEAGUE GAME. 484 00:19:07,167 --> 00:19:08,100 [LAUGHING, SCATTERED BOOS] 485 00:19:08,133 --> 00:19:09,333 OH, COME ON. 486 00:19:09,367 --> 00:19:12,067 DISGRUNTLED WOMEN-- COME ON. 487 00:19:12,067 --> 00:19:13,133 LOOSEN UP, LESBIANS. 488 00:19:13,167 --> 00:19:14,233 I KNOW YOU DON'T WANT TO TALK 489 00:19:14,267 --> 00:19:16,467 ABOUT ALL THAT COCK AND CONDOM STUFF, DO YOU? 490 00:19:16,500 --> 00:19:17,767 NO. 491 00:19:17,800 --> 00:19:19,367 YOU WANT TO... 492 00:19:19,400 --> 00:19:20,433 YOU WANT TO CELEBRATE THE SNATCH! 493 00:19:20,467 --> 00:19:21,867 [CHEERING] 494 00:19:21,900 --> 00:19:25,067 YOU WANT TO VENERATE THE VAGINA! 495 00:19:25,067 --> 00:19:28,333 YOU WANT TO PRAISE THE PUSSY! 496 00:19:30,300 --> 00:19:32,133 WELL, REST ASSURED, 497 00:19:32,167 --> 00:19:35,400 WE ALL WANT TO PRAISE THE PUSSY HERE. 498 00:19:35,433 --> 00:19:37,233 OKAY, KEEP DRINKING, EVERYBODY, 499 00:19:37,267 --> 00:19:39,200 BECAUSE YOU KNOW WHAT HAPPENS WHEN YOU KEEP DRINKING-- 500 00:19:39,233 --> 00:19:41,067 EVERYONE LOOKS CUTER. 501 00:19:41,067 --> 00:19:44,633 AND P.S., HERE'S THE MONEY. 502 00:19:44,667 --> 00:19:47,467 [WHOOPING] 503 00:19:47,500 --> 00:19:49,233 OH, DO YOU THINK THIS IS IT? 504 00:19:49,267 --> 00:19:50,633 YEAH. 505 00:19:50,667 --> 00:19:53,400 LOOKS LIKE A TYPICAL SMALL-TOWN GAY BAR. 506 00:19:59,267 --> 00:20:02,400 COME ON. LET'S GET INSIDE. 507 00:20:02,433 --> 00:20:04,667 [COUNTRY MUSIC PLAYING] 508 00:20:10,133 --> 00:20:11,800 NO WHAMMIES. 509 00:20:13,700 --> 00:20:14,800 WOW. 510 00:20:14,833 --> 00:20:16,333 NICE. NICE JOB. 511 00:20:16,367 --> 00:20:18,200 IT'S JUST AN IDEA... 512 00:20:18,233 --> 00:20:19,900 BUT TRY 32 RED. 513 00:20:19,933 --> 00:20:21,967 NO, NO, THOSE ARE YOUR CHIPS. REALLY. 514 00:20:22,000 --> 00:20:23,400 SHANE, YOU CAN'T. 515 00:20:23,433 --> 00:20:25,667 JUST TAKE THEM AND TRY. 516 00:20:25,700 --> 00:20:26,700 BET THE LOT, BETTE. 517 00:20:26,733 --> 00:20:28,300 YOU LOOK LUCKY TONIGHT. 518 00:20:28,333 --> 00:20:29,700 SHE IS LUCKY. SHE'S MY SISTER. 519 00:20:29,733 --> 00:20:30,867 COME ON, GIRL. 520 00:20:30,900 --> 00:20:32,000 COME ON. PUT IT DOWN. 521 00:20:32,033 --> 00:20:34,133 COME ON, GIRL. 522 00:20:36,533 --> 00:20:38,033 ALL RIGHT. HERE WE GO. 523 00:20:38,067 --> 00:20:40,167 ALL RIGHT. LOAD IT UP. 524 00:20:46,133 --> 00:20:47,533 32 RED. 525 00:20:47,567 --> 00:20:49,500 OH, MY GOD. I ACTUALLY WON. 526 00:20:49,533 --> 00:20:52,200 THANK YOU. 527 00:20:52,233 --> 00:20:53,867 THAT'S WHAT I'M TALKING ABOUT. 528 00:20:53,900 --> 00:20:56,633 NO, NO, NO, THIS IS YOUR PERCENTAGE. 529 00:20:56,667 --> 00:20:58,167 NO, I WANT YOU TO HAVE IT. 530 00:20:58,200 --> 00:20:59,367 DENTAL DAMS, LADIES. SAFE. 531 00:20:59,400 --> 00:21:01,233 KEEP IT SAFE. KEEP IT SAFE. 532 00:21:01,267 --> 00:21:02,433 PLACE YOUR BETS, PLEASE. 533 00:21:02,467 --> 00:21:03,433 LADIES AND GENTLEMEN, PLACE YOUR BETS. 534 00:21:03,467 --> 00:21:04,700 THANKS. 535 00:21:04,733 --> 00:21:05,900 HEY. 536 00:21:05,933 --> 00:21:07,567 I COULD USE A FEW OF THOSE OVER HERE, HUH? 537 00:21:09,933 --> 00:21:11,633 WHO'S MY TIGER? 538 00:21:11,667 --> 00:21:13,167 [BOTH GROWLING PLAYFULLY] 539 00:21:15,100 --> 00:21:20,833 * MILES AWAY... 540 00:21:20,867 --> 00:21:22,333 AND TWO MORE TEQUILA HERE, LADIES. 541 00:21:22,367 --> 00:21:24,233 THANK YOU. 542 00:21:24,267 --> 00:21:27,367 I THINK I KNOW WHO'LL BE TAKING WHO HOME TONIGHT. 543 00:21:30,067 --> 00:21:31,233 WHAT DOES THAT MEAN? 544 00:21:31,267 --> 00:21:33,067 I WANT TO ROCK! 545 00:21:33,100 --> 00:21:34,367 I WANT TO ROCK! 546 00:21:34,400 --> 00:21:35,600 ROCK ME! 547 00:21:40,133 --> 00:21:43,200 LET'S GO LOOK AROUND. 548 00:21:43,233 --> 00:21:48,267 * IT HANGS IN MY HAIR AND THE HEMS OF MY CLOTHES * 549 00:21:48,300 --> 00:21:54,167 * I THOUGHT IN THE MADNESS MY ARMS COULD NOT HOLD * 550 00:21:54,200 --> 00:22:00,167 * I CAN'T TELL YOU WHY 'CAUSE I LONG TO BE * 551 00:22:00,200 --> 00:22:02,133 * FORGIVEN 552 00:22:05,833 --> 00:22:10,067 * SO FAR AWAY 553 00:22:10,067 --> 00:22:11,533 HEY. HEY. 554 00:22:11,567 --> 00:22:12,767 DO YOU WANT TO DANCE? 555 00:22:12,800 --> 00:22:14,567 COME ON. 556 00:22:17,533 --> 00:22:19,067 TWO MORE TEQUILAS? 557 00:22:19,100 --> 00:22:20,400 TEQUILA? SURE THING. 558 00:22:20,433 --> 00:22:22,800 THANK YOU. 559 00:22:22,833 --> 00:22:29,767 * PORCH LIGHT BURNS SO FAR AWAY * 560 00:22:31,533 --> 00:22:36,433 * MILES AWAY 561 00:22:40,767 --> 00:22:42,467 THANKS. 562 00:22:52,533 --> 00:22:54,300 THANK YOU. 563 00:22:58,967 --> 00:23:00,233 EXCUSE ME. 564 00:23:00,267 --> 00:23:02,067 HI. CAN WE GO? 565 00:23:02,100 --> 00:23:03,367 NOW? 566 00:23:03,400 --> 00:23:04,467 YEAH, IF... WHAT'S YOUR NAME? 567 00:23:04,500 --> 00:23:05,700 KATRINA. 568 00:23:05,733 --> 00:23:08,533 YEAH, IF, KATRINA, YOU DON'T MIND. 569 00:23:09,400 --> 00:23:10,433 I'M SORRY. 570 00:23:10,467 --> 00:23:11,733 I DIDN'T KNOW YOU TWO WERE TOGETHER. 571 00:23:11,767 --> 00:23:13,667 WELL, YOU DO NOW. WE'RE NOT. 572 00:23:15,367 --> 00:23:16,767 BYE. 573 00:23:18,567 --> 00:23:21,667 * FORGIVEN... 574 00:23:21,700 --> 00:23:23,467 SO HAVE YOU SEEN DAVID YET? 575 00:23:23,500 --> 00:23:24,833 IS HE HERE? 576 00:23:24,867 --> 00:23:27,700 UH, NO, I HAVEN'T SEEN HIM. 577 00:23:27,733 --> 00:23:29,167 I HAVEN'T SEEN HIM AT ALL. 578 00:23:29,200 --> 00:23:30,567 SO, WHAT DO YOU THINK? 579 00:23:30,600 --> 00:23:32,733 WHAT DO YOU THINK OF BILLIE? 580 00:23:32,767 --> 00:23:36,067 WELL, THE PLACE IS PACKED. 581 00:23:36,067 --> 00:23:37,967 WHAT? 582 00:23:38,067 --> 00:23:39,833 YOU DON'T LIKE HIM? 583 00:23:39,867 --> 00:23:43,333 "I'M ON MY WAY TO A LITTLE LEAGUE GAME"? 584 00:23:43,367 --> 00:23:44,833 OH, HE WAS JUST PLAYING. 585 00:23:44,867 --> 00:23:46,333 IT WAS A JOKE. 586 00:23:46,367 --> 00:23:48,367 IT'S NOT EVEN REMOTELY FUNNY. 587 00:23:48,400 --> 00:23:50,367 GUYS AND DOLLS, 588 00:23:50,400 --> 00:23:52,633 I GIVE YOU ELVIS, THE KING, 589 00:23:52,667 --> 00:23:54,833 AND MISS KITTEN WITH A WHIP HERSELF, 590 00:23:54,867 --> 00:23:57,667 ANN-MARGRET! 591 00:23:57,700 --> 00:24:00,233 THANKS, BILLIE, YOU NUT. 592 00:24:00,267 --> 00:24:02,067 OH, HEY THERE, KIDS. 593 00:24:02,067 --> 00:24:04,067 TWIST, TWIST. 594 00:24:04,100 --> 00:24:05,267 LOOK AT THIS PLACE, ELVIS. 595 00:24:05,300 --> 00:24:07,367 WHAT A BLOWOUT! 596 00:24:07,400 --> 00:24:08,600 * SHE LOVES ME 597 00:24:08,633 --> 00:24:13,433 * THE LADY LOVES ME AND IT SHOWS * 598 00:24:13,467 --> 00:24:15,100 * IN SPITE OF THE WAY 599 00:24:15,133 --> 00:24:17,333 * SHE TURNS UP HER NOSE * 600 00:24:17,367 --> 00:24:20,600 * I'M HER IDEAL HER HEART'S DESIRE * 601 00:24:20,633 --> 00:24:22,600 * UNDER THAT ICE 602 00:24:22,633 --> 00:24:24,633 * SHE'S BURNING LIKE FIRE * 603 00:24:24,667 --> 00:24:28,467 * SHE'D LIKE TO CUDDLE UP WITH ME * 604 00:24:28,500 --> 00:24:31,267 * SHE'S PLAYING HARD TO GET 605 00:24:31,300 --> 00:24:34,900 * THE LADY LOVES ME 606 00:24:34,933 --> 00:24:37,467 * BUT SHE DOESN'T KNOW IT YET 607 00:24:37,500 --> 00:24:40,067 [CHEERING] 608 00:24:40,100 --> 00:24:43,733 * THE GENTLEMAN HAS SAVOIR FAIRE * 609 00:24:43,767 --> 00:24:45,633 * AS MUCH AS AN ELEPHANT * 610 00:24:45,667 --> 00:24:47,167 * OR A BEAR 611 00:24:47,200 --> 00:24:51,367 * I'D LIKE TO TAKE HIM FOR A SPIN... * 612 00:24:51,400 --> 00:24:53,067 WHOA, WHAT'S GOING ON IN HERE? 613 00:24:53,067 --> 00:24:54,433 HEY. DAVID. 614 00:24:54,467 --> 00:24:56,667 THIS LOOKS LIKE A NIGHTMARE. 615 00:24:56,700 --> 00:24:59,700 OH, THIS IS ANOTHER WILD NIGHT AT THE PLANET. 616 00:24:59,733 --> 00:25:01,500 * ...SOGGY CIGARETTE 617 00:25:01,533 --> 00:25:05,300 * THE LADY LOVES HIM 618 00:25:05,333 --> 00:25:09,233 * BUT HE DOESN'T KNOW IT YET 619 00:25:09,267 --> 00:25:10,533 SHE SAID YOU WANTED TO TALK TO ME. 620 00:25:10,567 --> 00:25:11,900 YEAH. YEAH, I DO. 621 00:25:11,933 --> 00:25:13,533 HEY, DAVID! 622 00:25:15,733 --> 00:25:17,500 SO, WHAT DO YOU THINK? 623 00:25:19,267 --> 00:25:20,967 WELL, I THINK THAT THEY'RE... 624 00:25:21,067 --> 00:25:22,700 WELL, THEY'RE FREAKS, 625 00:25:22,733 --> 00:25:26,067 AND THIS KIND OF NONSENSE ATTRACTS FREAKS 626 00:25:26,067 --> 00:25:28,067 TO YOUR ONCE RESPECTABLE ESTABLISHMENT. 627 00:25:28,067 --> 00:25:30,200 OOH. 628 00:25:30,233 --> 00:25:31,533 YOU KNOW WHAT? 629 00:25:31,567 --> 00:25:32,867 FOR A MINUTE, 630 00:25:32,900 --> 00:25:35,200 I WAS SERIOUSLY CONSIDERING SHAGGING YOU, MR. IZOD, 631 00:25:35,233 --> 00:25:36,700 BUT YOU'RE NOT A VERY NICE FELLOW, 632 00:25:36,733 --> 00:25:38,067 ARE YOU? 633 00:25:38,067 --> 00:25:39,700 [BETTE]: BILLIE, THIS IS DAVID WATERS. 634 00:25:39,733 --> 00:25:41,267 THIS IS KIT'S SON. 635 00:25:41,300 --> 00:25:45,333 ENCHANTE, THEN, DARK STAR. 636 00:25:45,367 --> 00:25:47,100 [KIT]: AND DAVID, 637 00:25:47,133 --> 00:25:48,833 THIS IS BILLIE BLAIKIE, 638 00:25:48,867 --> 00:25:51,267 MY NEW MANAGER. 639 00:25:51,300 --> 00:25:52,867 OH! 640 00:25:52,900 --> 00:25:55,267 AND YOU WON'T REGRET IT, MY DARLING. 641 00:25:55,300 --> 00:25:56,633 SEE YOU LATER. 642 00:25:58,133 --> 00:25:59,600 YOUR NEW MANAGER? 643 00:26:01,533 --> 00:26:03,600 DAVID, DON'T YOU GO PASSING JUDGMENT ON HIM. 644 00:26:03,633 --> 00:26:06,900 THAT MAN HAS DONE MORE FOR THIS COMMUNITY THAN-- 645 00:26:06,933 --> 00:26:08,200 KIT, KIT, 646 00:26:08,233 --> 00:26:09,367 DAVID HAS A RIGHT TO HIS OPINION. 647 00:26:09,400 --> 00:26:10,367 I KNOW HE DOES, 648 00:26:10,400 --> 00:26:11,533 BUT YOU KNOW, 649 00:26:11,567 --> 00:26:13,267 LET ME TELL YOU SOMETHING-- 650 00:26:13,300 --> 00:26:15,500 IT GIVES ME GREAT JOY TO SEE THESE PEOPLE IN HERE 651 00:26:15,533 --> 00:26:17,267 LAUGHING, AND PARTYING, 652 00:26:17,300 --> 00:26:19,067 AND LIVING THE LIFE THEY LOVE, 653 00:26:19,067 --> 00:26:22,733 AND LOVING THE LIFE THEY LIVE, 654 00:26:22,767 --> 00:26:24,600 AND I CAN SEE 655 00:26:24,633 --> 00:26:27,167 THAT YOU JUST CAN'T GET DOWN WITH THAT, CAN YOU? 656 00:26:27,200 --> 00:26:29,667 NO, MOM, I CAN'T GET DOWN WITH THAT. 657 00:26:29,700 --> 00:26:30,533 JUST... 658 00:26:30,567 --> 00:26:32,067 GIVE ME THAT. 659 00:26:34,067 --> 00:26:35,533 I'LL SEE YOU BOTH LATER. 660 00:26:39,067 --> 00:26:40,433 KIT, I REALLY NEED HIM TO BE THERE TOMORROW 661 00:26:40,467 --> 00:26:42,367 WHEN ROBERTA COLLIE SHOWS UP. 662 00:26:42,400 --> 00:26:43,900 I KNOW. I KNOW. 663 00:26:43,933 --> 00:26:45,133 OKAY? 664 00:26:45,167 --> 00:26:46,700 I'LL TALK TO HIM. 665 00:26:46,733 --> 00:26:49,567 I JUST NEED TO SLEEP IT OFF, OKAY? 666 00:26:49,600 --> 00:26:52,267 HE'S SUCH AN ARROGANT LITTLE PRICK. 667 00:26:52,300 --> 00:26:54,967 * I SAID THE LADY LOVES ME * 668 00:26:56,633 --> 00:27:03,133 * THE GENTLEMAN'S ALL...WET ** 669 00:27:03,167 --> 00:27:06,833 [CHEERING AND APPLAUSE] 670 00:27:09,833 --> 00:27:11,200 ARE YOU GOING TO TELL ME WHAT YOU WANT, 671 00:27:11,233 --> 00:27:13,067 OR ARE YOU JUST GOING TO SIT THERE 672 00:27:13,067 --> 00:27:15,100 ACTING ALL WEIRD AND SILENT? 673 00:27:17,067 --> 00:27:20,133 WHAT DO YOU MEAN, WHAT DO I WANT? 674 00:27:20,167 --> 00:27:21,633 I MEAN, YOU SAY 675 00:27:21,667 --> 00:27:22,900 YOU DON'T WANT TO BE MY GIRLFRIEND, 676 00:27:22,933 --> 00:27:24,967 AND THEN YOU GOT ALL WEIRD AND JEALOUS GIRLFRIEND ON ME 677 00:27:25,067 --> 00:27:26,433 BACK THERE. 678 00:27:26,467 --> 00:27:27,467 I KNOW. 679 00:27:27,500 --> 00:27:28,767 THAT WAS... 680 00:27:28,800 --> 00:27:32,233 THAT WAS FUCKED UP. 681 00:27:32,267 --> 00:27:34,467 DO YOU WANT TO BE MY OUTLAW GIRLFRIEND, 682 00:27:34,500 --> 00:27:35,933 JENNY? 683 00:27:35,967 --> 00:27:38,500 DO YOU WANT TO BE MY FRIEND? 684 00:27:38,533 --> 00:27:40,567 DO YOU JUST WANT TO BE MY FUCK BUDDY ON THE ROAD? 685 00:27:40,600 --> 00:27:43,067 WHAT DO YOU WANT? 686 00:27:47,900 --> 00:27:51,167 I WANT YOU TO GET UP AGAINST THE WALL. 687 00:27:56,200 --> 00:27:57,600 GO ON. 688 00:27:57,633 --> 00:27:59,367 ALL RIGHT. 689 00:28:07,133 --> 00:28:09,400 NOW UNBUTTON YOUR SHIRT. 690 00:28:19,233 --> 00:28:20,833 OPEN. 691 00:28:28,200 --> 00:28:30,467 WOW. 692 00:28:54,100 --> 00:28:55,767 TELL ME YOU WANT ME TO FUCK YOU. 693 00:28:57,433 --> 00:29:00,067 YOU NEVER LET ME FUCK YOU. 694 00:29:03,633 --> 00:29:05,400 NO. 695 00:29:07,867 --> 00:29:10,267 I CAN'T. 696 00:29:10,300 --> 00:29:12,233 I'M SORRY. 697 00:29:35,067 --> 00:29:37,733 I'M SORRY. 698 00:29:39,867 --> 00:29:41,433 COME HERE. 699 00:29:41,467 --> 00:29:43,200 COME ON. 700 00:30:11,633 --> 00:30:13,800 TINA? 701 00:30:13,833 --> 00:30:15,767 MM-HMM. 702 00:30:15,800 --> 00:30:18,700 ARE YOU AWAKE? 703 00:30:18,733 --> 00:30:21,333 MM-HMM. 704 00:30:23,733 --> 00:30:26,967 I'M SCARED. 705 00:30:27,000 --> 00:30:30,333 IT'S OKAY, BABY... 706 00:30:33,933 --> 00:30:38,600 WHAT IF I CAN'T ADOPT HER? 707 00:30:38,633 --> 00:30:42,067 WHAT IF I CAN'T FIND A JOB THAT I REALLY LOVE? 708 00:30:44,067 --> 00:30:46,800 WHAT IF WE LOSE THE HOUSE? 709 00:30:48,667 --> 00:30:51,833 I JUST... I FEEL LIKE... 710 00:30:51,867 --> 00:30:56,800 I FEEL LIKE I DON'T HAVE ANY CONTROL OVER ANYTHING. 711 00:30:59,533 --> 00:31:01,700 I MEAN, I DON'T KNOW WHAT'S GOING ON WITH US. 712 00:31:01,733 --> 00:31:04,400 I DON'T KNOW IF IT'S JUST ALL THE CHANGES, AND... 713 00:31:08,833 --> 00:31:10,867 TINA? 714 00:31:14,267 --> 00:31:16,433 TINA? 715 00:31:43,367 --> 00:31:44,833 HI, LITTLE FOXY BROWN. 716 00:31:44,867 --> 00:31:46,300 YOU DO LOOK A LITTLE LIKE ME... 717 00:31:46,333 --> 00:31:47,633 [DAVID]: YOU SEE? 718 00:31:47,667 --> 00:31:49,133 SHE'S NOT LISTENING TO ANYTHING I SAY. 719 00:31:49,167 --> 00:31:50,833 OH, I HEARD YOU. 720 00:31:50,867 --> 00:31:52,533 I'M SUPPOSED TO TAKE PROGESTERONE 721 00:31:52,567 --> 00:31:54,300 TO HELP ME WITH THE CRAZIES, 722 00:31:54,333 --> 00:31:55,567 BUT WHAT ARE YOU GONNA TAKE 723 00:31:55,600 --> 00:31:57,333 TO HELP YOU WITH YOUR BIGOTRY? 724 00:31:57,367 --> 00:31:58,867 KIT, I THOUGHT WE AGREED. 725 00:31:58,900 --> 00:32:00,433 I'M SORRY. 726 00:32:00,467 --> 00:32:01,633 YOU'RE RIGHT. 727 00:32:01,667 --> 00:32:03,567 WE ARE GOING TO PUT THIS ALL BEHIND US 728 00:32:03,600 --> 00:32:04,933 SO WE CAN AGREE TO DISAGREE 729 00:32:04,967 --> 00:32:06,667 SO DAVID WILL HELP US OUT TODAY. 730 00:32:06,700 --> 00:32:08,133 HI, BABY. 731 00:32:08,167 --> 00:32:09,367 OH... 732 00:32:09,400 --> 00:32:11,233 OKAY, SO TELL ME WHY I'M HERE. 733 00:32:11,267 --> 00:32:12,900 WHAT CAN I DO FOR YOU LADIES? 734 00:32:12,933 --> 00:32:16,333 [BETTE]: UH, WELL... 735 00:32:18,533 --> 00:32:20,700 DAVID... 736 00:32:20,733 --> 00:32:22,733 DO YOU WANT TO HOLD HER FOR A LITTLE WHILE? 737 00:32:22,767 --> 00:32:24,533 GO TO YOUR UNCLE DAVID FOR A LITTLE WHILE. 738 00:32:28,700 --> 00:32:31,100 UM... 739 00:32:31,133 --> 00:32:32,733 THERE'S A WOMAN COMING OVER 740 00:32:32,767 --> 00:32:34,200 IN JUST A LITTLE WHILE, 741 00:32:34,233 --> 00:32:39,600 AND WE WANTED HER TO SEE HOW GREAT YOU ARE WITH ANGELICA. 742 00:32:41,600 --> 00:32:44,067 YOU MIND IF I ASK WHY? 743 00:32:46,567 --> 00:32:49,233 SHE'S OUR ADOPTION CASEWORKER, 744 00:32:49,267 --> 00:32:51,233 AND SHE'S MAKING HER SECOND HOME VISIT TODAY, 745 00:32:51,267 --> 00:32:53,267 AND ONE OF HER BIG CONCERNS WAS WHETHER OR NOT-- 746 00:32:53,300 --> 00:32:54,667 [KNOCKING] 747 00:32:56,067 --> 00:32:57,233 IS THAT HER ALREADY? 748 00:32:59,133 --> 00:33:00,333 WAIT, WAIT, WAIT, WAIT. 749 00:33:00,367 --> 00:33:01,367 ONE OF HER... 750 00:33:01,400 --> 00:33:03,200 BIG CONCERNS WAS WHETHER OR NOT 751 00:33:03,233 --> 00:33:05,500 ANGELICA HAD AN IMPORTANT MAN IN HER LIFE, 752 00:33:05,533 --> 00:33:06,500 AND WE JUST THOUGHT IT WOULD REASSURE HER 753 00:33:06,533 --> 00:33:10,233 TO LET HER SEE YOU WITH ANGELICA. 754 00:33:10,267 --> 00:33:13,467 SO THAT SHE COULD SEE THAT YOU'RE ANGELICA'S MAIN MAN. 755 00:33:13,500 --> 00:33:14,733 YOU KNOW WHAT I'M SAYING? 756 00:33:14,767 --> 00:33:16,733 [KNOCKING] 757 00:33:16,767 --> 00:33:18,467 HI, ROBERTA. 758 00:33:18,500 --> 00:33:19,633 I SHOULD BE ALL RIGHT NOW. 759 00:33:19,667 --> 00:33:20,833 OKAY. 760 00:33:20,867 --> 00:33:22,233 LET US KNOW IF YOU NEED ANY MORE HELP, MA'AM. 761 00:33:22,267 --> 00:33:23,367 WE'RE JUST IN THE NEIGHBORHOOD. 762 00:33:23,400 --> 00:33:25,300 THANK YOU. YOU'RE TOO KIND. 763 00:33:28,167 --> 00:33:29,633 I'M SORRY. I CAN'T. 764 00:33:29,667 --> 00:33:30,967 WHAT DO YOU MEAN, YOU CAN'T? 765 00:33:31,067 --> 00:33:32,467 [TINA]: ROBERTA, YOU REMEMBER KIT PORTER, 766 00:33:32,500 --> 00:33:34,667 BETTE'S SISTER, 767 00:33:34,700 --> 00:33:36,333 AND THIS IS HER SON, DAVID, ANGELICA'S COUSIN. 768 00:33:38,400 --> 00:33:39,667 I DON'T BELIEVE IN GAY ADOPTION. 769 00:33:39,700 --> 00:33:42,433 I THINK THAT A CHILD IS BEST RAISED 770 00:33:42,467 --> 00:33:44,133 HAVING BOTH 771 00:33:44,167 --> 00:33:46,067 A MOTHER AND A FATHER, 772 00:33:46,067 --> 00:33:47,467 AND I THINK THAT SHE WILL SUFFER 773 00:33:47,500 --> 00:33:48,800 LATER ON 774 00:33:48,833 --> 00:33:50,300 IN THE ABSENCE 775 00:33:50,333 --> 00:33:53,067 OF TRADITIONAL FAMILY VALUES, 776 00:33:53,100 --> 00:33:54,333 SO I'M AFRAID 777 00:33:54,367 --> 00:33:55,500 THAT IT WOULD BE HYPOCRITICAL OF ME 778 00:33:55,533 --> 00:33:58,267 TO STAND HERE AND TO VOUCH FOR YOU... 779 00:33:58,300 --> 00:34:00,133 ESPECIALLY IN FRONT OF A GOVERNMENT OFFICIAL. 780 00:34:00,167 --> 00:34:02,700 SORRY. 781 00:34:02,733 --> 00:34:05,067 IT WAS NICE TO MEET YOU, MA'AM. 782 00:34:12,533 --> 00:34:13,500 WELL... 783 00:34:13,533 --> 00:34:15,067 I'M GLAD TO SEE SOMEONE IN YOUR FAMILY 784 00:34:15,067 --> 00:34:17,533 HAS PROPER RESPECT FOR THE GOVERNMENT. 785 00:34:19,933 --> 00:34:22,700 [***] 786 00:34:27,767 --> 00:34:30,100 THIS IS CALLED THE ULTIMATE PATRIOT ACT. 787 00:34:30,133 --> 00:34:33,067 IT'S BY A GUERILLA GIRL. 788 00:34:35,067 --> 00:34:36,533 I LOVE IT. 789 00:34:36,567 --> 00:34:37,967 TINA HATES IT. 790 00:34:38,067 --> 00:34:39,133 WHAT, SHE HATES THIS PIECE? 791 00:34:39,167 --> 00:34:40,133 WELL, THAT'S GOOD. 792 00:34:40,167 --> 00:34:41,233 WE WANT THE WORK 793 00:34:41,267 --> 00:34:42,733 TO ELICIT STRONG REACTIONS. 794 00:34:42,767 --> 00:34:44,167 NOT FROM MY LIFE PARTNER. 795 00:34:44,200 --> 00:34:45,900 I WANT MY PARTNER TO SUPPORT ME. 796 00:34:45,933 --> 00:34:48,133 WHAT, UNCONDITIONALLY? 797 00:34:50,133 --> 00:34:51,400 I DON'T KNOW. 798 00:34:51,433 --> 00:34:52,800 I MEAN, WHY SHOULDN'T I EXPECT 799 00:34:52,833 --> 00:34:54,867 THE PERSON THAT I'M CLOSEST TO IN THE WORLD 800 00:34:54,900 --> 00:34:57,467 TO TRY TO SEE THINGS FROM MY POINT OF VIEW 801 00:34:57,500 --> 00:34:58,600 INSTEAD OF CHALLENGING ME 802 00:34:58,633 --> 00:34:59,767 AND QUESTIONING MY CONVICTIONS 803 00:34:59,800 --> 00:35:01,067 ALL THE TIME? 804 00:35:01,100 --> 00:35:05,067 I GET ENOUGH OF THAT FROM THE WORLD AT LARGE. 805 00:35:05,100 --> 00:35:07,367 ARE YOU AND TINA OKAY? 806 00:35:07,400 --> 00:35:09,967 I MEAN, I KNOW IT'S HARD WITH A NEW BABY. 807 00:35:10,067 --> 00:35:11,433 WE DON'T REALLY TALK ANYMORE. 808 00:35:11,467 --> 00:35:13,633 WE JUST HAVE ARGUMENTS ABOUT MONEY, 809 00:35:13,667 --> 00:35:15,733 AND ARGUMENTS ABOUT BABYSITTERS, 810 00:35:15,767 --> 00:35:19,200 AND ARGUMENTS ABOUT BREAST-FEEDING SCHEDULES. 811 00:35:19,233 --> 00:35:20,867 [SIGHS] 812 00:35:20,900 --> 00:35:22,200 WE HAD THIS... 813 00:35:22,233 --> 00:35:23,467 WE HAD THIS HIDEOUS MEETING 814 00:35:23,500 --> 00:35:24,733 WITH THE ADOPTION SOCIAL WORKER 815 00:35:24,767 --> 00:35:27,700 THIS MORNING. 816 00:35:27,733 --> 00:35:29,200 I'M SORRY. 817 00:35:29,233 --> 00:35:30,967 I'M SORRY, JULIA. 818 00:35:31,067 --> 00:35:32,300 YOU REALLY DON'T NEED THIS RIGHT NOW. 819 00:35:32,333 --> 00:35:35,367 LOOK, I HAVE TWO OTHER PIECES THAT I CAN SHOW YOU. 820 00:35:35,400 --> 00:35:37,967 HAVE YOU TALKED TO TINA? 821 00:35:38,067 --> 00:35:40,333 MAYBE IF THE TWO OF YOU SAW SOMEONE TOGETHER... 822 00:35:40,367 --> 00:35:41,533 WE'VE BEEN TO THERAPY. 823 00:35:41,567 --> 00:35:43,300 WE'VE SEEN THREE DIFFERENT THERAPISTS 824 00:35:43,333 --> 00:35:44,900 IN THREE YEARS, SO... 825 00:35:44,933 --> 00:35:46,433 BETTE... 826 00:35:46,467 --> 00:35:48,267 HAVE YOU EVER HEARD OF MARK EPSTEIN? 827 00:35:48,300 --> 00:35:51,867 IS HE AN ARTIST? 828 00:35:51,900 --> 00:35:55,400 HE'S GIVING A TALK TONIGHT. 829 00:35:55,433 --> 00:35:57,200 HE'S A PSYCHIATRIST, 830 00:35:57,233 --> 00:35:58,400 BUT HE'S ALSO 831 00:35:58,433 --> 00:35:59,700 AN EMINENT BUDDHIST PHILOSOPHER 832 00:35:59,733 --> 00:36:01,400 AND AUTHOR. 833 00:36:03,967 --> 00:36:05,333 OH, RIGHT. 834 00:36:05,367 --> 00:36:07,067 HE WROTE THOUGHTS WITHOUT A THINKER. 835 00:36:07,067 --> 00:36:08,200 I REMEMBER EVERYBODY WAS READING THAT 836 00:36:08,233 --> 00:36:10,433 WHEN I FIRST MOVED TO NEW YORK. 837 00:36:10,467 --> 00:36:12,700 WELL, HE'S GOT A NEW BOOK. 838 00:36:12,733 --> 00:36:14,833 IT'S CALLED OPEN TO DESIRE. 839 00:36:14,867 --> 00:36:17,467 OPEN TO DESIRE? 840 00:36:17,500 --> 00:36:20,933 I THOUGHT BUDDHISM WAS ABOUT FREEDOM FROM DESIRE. 841 00:36:20,967 --> 00:36:22,700 I THOUGHT DESIRE WAS SUPPOSED TO BE 842 00:36:22,733 --> 00:36:24,700 THE ROOT OF ALL EVIL OR SOMETHING. 843 00:36:24,733 --> 00:36:28,067 MARK'S GOT A LOT TO SAY ON THE SUBJECT. 844 00:36:28,067 --> 00:36:31,167 I THINK IT MIGHT RESONATE FOR YOU. 845 00:36:34,867 --> 00:36:36,467 SHANE? 846 00:36:36,500 --> 00:36:38,900 SHANE, COME OUT. 847 00:36:41,100 --> 00:36:42,167 [LAUGHS] 848 00:36:42,200 --> 00:36:44,333 COME ON OUT. LET ME SEE. 849 00:36:45,800 --> 00:36:47,100 OH, MY GOD. 850 00:36:47,133 --> 00:36:49,367 YOU LOOK LIKE YOU'RE FIVE. 851 00:36:49,400 --> 00:36:53,067 [GIGGLES] 852 00:36:55,867 --> 00:36:57,133 I FEEL LIKE A PINATA. 853 00:36:57,167 --> 00:36:58,533 YOU'RE TOO SMALL TO BE A PINATA, 854 00:36:58,567 --> 00:37:01,067 BUT HOW ABOUT THE TOP OF A TRANNY WEDDING CAKE? 855 00:37:01,067 --> 00:37:03,067 YOU'RE NOT HELPING ME. 856 00:37:03,100 --> 00:37:05,067 I'M SORRY. I'M SORRY, BABY. 857 00:37:05,067 --> 00:37:06,200 THAT WASN'T FUNNY, WAS IT? 858 00:37:06,233 --> 00:37:08,067 LET ME SEE. 859 00:37:08,100 --> 00:37:10,467 WELL... 860 00:37:10,500 --> 00:37:12,267 IT'S OKAY. 861 00:37:12,300 --> 00:37:14,233 OH, COME HERE. COME HERE. 862 00:37:14,267 --> 00:37:15,867 DOES THIS HELP YOU AT ALL? 863 00:37:17,233 --> 00:37:19,133 NO. 864 00:37:19,167 --> 00:37:20,733 NO? 865 00:37:20,767 --> 00:37:21,867 MM-MM. 866 00:37:25,233 --> 00:37:27,400 YO QUIERO LAMER TE... 867 00:37:27,433 --> 00:37:30,600 HASTA QUE TE VENGAS EN MI BOCA MIL VECES. 868 00:37:32,333 --> 00:37:33,867 WHAT DOES THAT MEAN? 869 00:37:33,900 --> 00:37:35,433 MM... 870 00:37:37,533 --> 00:37:38,900 "I'M GOING TO LICK YOU 871 00:37:38,933 --> 00:37:40,100 "UNTIL YOU COME IN MY MOUTH 872 00:37:40,133 --> 00:37:41,900 A THOUSAND TIMES." 873 00:37:41,933 --> 00:37:44,233 OH... 874 00:37:55,867 --> 00:37:58,833 WOW... WHAT ARE THESE? 875 00:37:58,867 --> 00:38:01,133 OH. 876 00:38:04,633 --> 00:38:06,400 WHAT ARE WE GOING TO DO ABOUT THE SHOES? 877 00:38:06,433 --> 00:38:07,600 WHAT? 878 00:38:07,633 --> 00:38:08,500 YOU CAN'T WEAR THOSE SHOES. 879 00:38:08,533 --> 00:38:09,567 YOU HAVE TO CHANGE THEM. 880 00:38:09,600 --> 00:38:10,633 NO. YES. 881 00:38:10,667 --> 00:38:11,700 STAY HERE. 882 00:38:11,733 --> 00:38:13,867 I'M GOING TO GET YOU A PAIR OF CHA-CHA HEELS. 883 00:38:16,167 --> 00:38:17,967 [KNOCKING] 884 00:38:21,833 --> 00:38:22,733 HI. 885 00:38:22,767 --> 00:38:23,933 HI. 886 00:38:23,967 --> 00:38:25,667 HI THERE. WHO ARE YOU? 887 00:38:25,700 --> 00:38:26,800 ROLAND. 888 00:38:26,833 --> 00:38:28,300 ARE YOU THE CLOWN? 889 00:38:28,333 --> 00:38:31,067 I'M THE BIRTHDAY GIRL, ROLAND. 890 00:38:39,867 --> 00:38:43,100 AND YES, YES, I'M THE CLOWN. 891 00:38:43,133 --> 00:38:44,367 MOMMY, MOMMY! 892 00:38:44,400 --> 00:38:46,400 THE CLOWN'S HERE! 893 00:38:49,333 --> 00:38:52,067 OH, MY GOD. 894 00:38:52,067 --> 00:38:55,200 JANE, YOU LOOK TAN BONITA. 895 00:38:55,233 --> 00:38:57,467 LOOK, EVERYBODY. 896 00:38:57,500 --> 00:38:59,567 HOLA, EVERYONE. 897 00:38:59,600 --> 00:39:01,067 HOLA! 898 00:39:01,067 --> 00:39:02,133 THIS IS CARMEN'S FRIEND, JANE. 899 00:39:02,167 --> 00:39:04,067 SHE'S WEARING MY DRESS. 900 00:39:06,067 --> 00:39:07,233 WHERE IS MARISELA? 901 00:39:07,267 --> 00:39:08,267 SHOULDN'T SHE BE HERE 902 00:39:08,300 --> 00:39:10,067 GETTING READY WITH THE REST OF US? 903 00:39:10,067 --> 00:39:11,167 SHE'S PROBABLY OUTSIDE SMOKING CIGARETTES, 904 00:39:11,200 --> 00:39:12,233 LIKE YOU DID 905 00:39:12,267 --> 00:39:13,467 FOR YOUR QUINCEANERA. 906 00:39:13,500 --> 00:39:15,133 AY, CALLATE. 907 00:39:15,167 --> 00:39:16,300 CARMEN... 908 00:39:16,333 --> 00:39:17,600 [CARMEN]: HUH? 909 00:39:17,633 --> 00:39:19,533 YOUR MAMA WAS IN RICARDO LOPEZ'S CAR, 910 00:39:19,567 --> 00:39:20,633 MAKING OUT WITH HIM, 911 00:39:20,667 --> 00:39:22,167 UP UNTIL THE CHURCH WAS FILLED. 912 00:39:22,200 --> 00:39:24,333 MAMITA. 913 00:39:24,367 --> 00:39:26,133 YOU NEVER TOLD ME THAT STORY. 914 00:39:26,167 --> 00:39:27,900 THAT'S BECAUSE IT WASN'T TRUE, MIJA. 915 00:39:27,933 --> 00:39:30,700 SI, ES LA VERDAD. 916 00:39:30,733 --> 00:39:32,067 [LAUGHS] 917 00:39:32,100 --> 00:39:34,600 WAS CARMEN GOOD DURING HER QUINCEAN-- 918 00:39:34,633 --> 00:39:36,433 QUINCEANERA? 919 00:39:36,467 --> 00:39:38,067 YEAH, QUINCEANERA. 920 00:39:38,100 --> 00:39:39,700 SHE WAS AN ANGEL, ALWAYS. 921 00:39:41,900 --> 00:39:43,433 CARMEN WAS THE NUNS' FAVORITE. 922 00:39:43,467 --> 00:39:45,367 ISN'T THAT TRUE, CARMENCITA? 923 00:39:47,900 --> 00:39:49,367 OKAY. IT'S JANE'S TURN NOW. 924 00:39:49,400 --> 00:39:50,800 COME ON, JANE. 925 00:39:50,833 --> 00:39:53,700 OH, MOM, NO-- 926 00:39:53,733 --> 00:39:56,067 NO, I-I-I... UM... 927 00:39:56,067 --> 00:39:58,333 SUCH A PRETTY FACE. 928 00:39:58,367 --> 00:40:00,033 I'LL MAKE YOU LOOK BEAUTIFUL. 929 00:40:00,067 --> 00:40:01,767 COME. COME. 930 00:40:01,800 --> 00:40:03,667 IT'S OKAY. IT'S OKAY. 931 00:40:05,400 --> 00:40:08,633 OOPS. YOU OKAY? 932 00:40:08,667 --> 00:40:10,267 SIT. 933 00:40:14,000 --> 00:40:15,633 JANE, YOUR HAIR IS A LITTLE UNEVEN. 934 00:40:15,667 --> 00:40:16,833 YOU WANT ME TO CUT IT STRAIGHT? 935 00:40:16,867 --> 00:40:17,900 NO! 936 00:40:17,933 --> 00:40:20,300 I MEAN, NO, UM... THANK YOU... 937 00:40:20,333 --> 00:40:21,633 I THINK... 938 00:40:21,667 --> 00:40:22,733 OKAY, OKAY. 939 00:40:22,767 --> 00:40:23,833 IT'S GOOD. THANKS. 940 00:40:23,867 --> 00:40:25,700 I HAVE ANOTHER IDEA. 941 00:40:28,100 --> 00:40:29,433 GIRLS, UM... 942 00:40:29,467 --> 00:40:30,867 I'M SORRY TO INTRUDE, BUT... 943 00:40:32,100 --> 00:40:33,067 WE HAVE A BIT OF A DISASTER 944 00:40:33,100 --> 00:40:34,567 ON OUR HANDS. 945 00:40:34,600 --> 00:40:35,867 YEAH, THE FOOD IS DISGUSTING AND PEOPLE ARE STARVING. 946 00:40:35,900 --> 00:40:36,633 WE'RE AWARE. 947 00:40:36,667 --> 00:40:37,833 ACTUALLY, UM... 948 00:40:37,867 --> 00:40:40,233 IT'S ALICE. 949 00:40:40,267 --> 00:40:41,800 SHE WAS UNDER THE MISAPPREHENSION 950 00:40:41,833 --> 00:40:43,500 THAT THIS WAS A SURPRISE BIRTHDAY PARTY 951 00:40:43,533 --> 00:40:44,567 FOR HER. 952 00:40:44,600 --> 00:40:46,167 OH, SHIT. 953 00:40:46,200 --> 00:40:47,467 IT'S ALICE'S BIRTHDAY. 954 00:40:47,500 --> 00:40:48,467 I FORGOT. 955 00:40:48,500 --> 00:40:49,967 ME TOO. 956 00:40:56,533 --> 00:40:59,200 [STRUMMING] 957 00:41:03,600 --> 00:41:04,767 WHO DO YOU HAVE TO FUCK AROUND HERE 958 00:41:04,800 --> 00:41:06,433 TO GET A BEER? 959 00:41:07,967 --> 00:41:09,167 SORRY. 960 00:41:09,200 --> 00:41:10,767 KIDDIE PARTY. 961 00:41:10,800 --> 00:41:12,167 HEY, EVERYBODY. 962 00:41:12,200 --> 00:41:13,467 HEY, EVERYBODY. 963 00:41:13,500 --> 00:41:14,500 IT'S TIME FOR CAKE. 964 00:41:14,533 --> 00:41:16,333 IT'S TIME FOR CAKE. 965 00:41:19,067 --> 00:41:20,467 CAKE TIME. 966 00:41:23,533 --> 00:41:24,800 HAPPY BIRTHDAY. 967 00:41:28,333 --> 00:41:30,600 THAT'S REALLY COOL. 968 00:41:30,633 --> 00:41:31,633 WOW. 969 00:41:31,667 --> 00:41:32,633 WELL... YEAH. 970 00:41:32,667 --> 00:41:33,900 CAN I HAVE HER? 971 00:41:33,933 --> 00:41:35,767 DO YOU WANT TO BLOW OUT THE CANDLE? 972 00:41:35,800 --> 00:41:37,167 READY, BIRTHDAY GIRL? 973 00:41:37,200 --> 00:41:38,700 READY? 974 00:41:41,100 --> 00:41:44,867 [GUESTS CLAPPING] 975 00:41:44,900 --> 00:41:47,067 [MUSIC PLAYING SOFTLY] 976 00:41:49,333 --> 00:41:50,433 JANE! 977 00:41:50,467 --> 00:41:53,067 JANE... 978 00:41:53,100 --> 00:41:54,900 THERE'S SOMEBODY I WANT YOU TO MEET. 979 00:41:54,933 --> 00:41:55,900 THIS IS LUIS. 980 00:41:55,933 --> 00:41:56,900 HELLO. 981 00:41:56,933 --> 00:41:57,933 HELLO. 982 00:42:00,600 --> 00:42:02,467 GO ON. DANCE. 983 00:42:02,500 --> 00:42:03,933 DANCE. 984 00:42:12,200 --> 00:42:13,700 WHAT'S UP, LUIS? 985 00:42:13,733 --> 00:42:15,400 I LOVE HER. 986 00:42:17,467 --> 00:42:18,833 WHO'S THAT? 987 00:42:18,867 --> 00:42:20,533 I LOVE CARMEN. 988 00:42:20,567 --> 00:42:23,333 I'VE LOVED HER SINCE I WAS A LITTLE BOY. 989 00:42:23,367 --> 00:42:26,300 SHE ONLY SEES ME AS A FRIEND. 990 00:42:26,333 --> 00:42:29,767 MAYBE YOU CAN TALK TO HER FOR ME. 991 00:42:29,800 --> 00:42:32,300 MERCEDES SAYS YOU'RE HER BEST FRIEND. 992 00:42:32,333 --> 00:42:34,533 YOU COULD TELL HER I LOVE HER 993 00:42:34,567 --> 00:42:36,333 AND I'LL BE GOOD TO HER. 994 00:42:38,367 --> 00:42:40,700 YOU KNOW, LUIS, UH... 995 00:42:40,733 --> 00:42:44,200 MAYBE THESE FEELINGS YOU HAVE FOR CARMEN... 996 00:42:44,233 --> 00:42:47,967 MAYBE THEY'RE NOT THE SAME FOR HER. 997 00:42:50,333 --> 00:42:51,333 HI. 998 00:42:51,367 --> 00:42:52,333 HI. 999 00:42:52,367 --> 00:42:53,600 HI. 1000 00:42:53,633 --> 00:42:54,700 MIND IF I CUT IN? 1001 00:42:54,733 --> 00:42:55,833 OKAY. 1002 00:43:02,167 --> 00:43:03,767 ISN'T THIS A LITTLE RISKY? 1003 00:43:03,800 --> 00:43:05,467 AH, I DIDN'T TELL YOU 1004 00:43:05,500 --> 00:43:07,267 THAT IN THE LATINO CULTURE, 1005 00:43:07,300 --> 00:43:10,067 IT'S OKAY IF TWO GIRLS DANCE WITH EACH OTHER. 1006 00:43:10,067 --> 00:43:12,500 IT'S NOT EXACTLY QUEER. 1007 00:43:12,533 --> 00:43:14,067 YOU LEFT THAT PART OUT. 1008 00:43:14,067 --> 00:43:15,667 YES, I DID. 1009 00:43:16,900 --> 00:43:18,900 I LOVE YOUR HAIR. 1010 00:43:23,433 --> 00:43:24,733 YOU OWE ME. 1011 00:43:24,767 --> 00:43:26,333 I KNOW. THANK YOU. 1012 00:43:26,367 --> 00:43:28,500 YOU'RE WELCOME. 1013 00:43:34,300 --> 00:43:36,567 THANK YOU SO MUCH, ANGUS. 1014 00:43:36,600 --> 00:43:38,133 I HOPE YOU HAD A GOOD TIME. 1015 00:43:38,167 --> 00:43:39,467 I, UH... 1016 00:43:39,500 --> 00:43:41,433 I RAN INTO AN EX OF MINE. 1017 00:43:41,467 --> 00:43:42,967 THAT MEANS THREE OF MY EX-GIRLFRIENDS 1018 00:43:43,067 --> 00:43:43,967 ARE NOW LESBIANS. 1019 00:43:44,067 --> 00:43:44,967 WOW. 1020 00:43:45,067 --> 00:43:45,967 THAT'S QUITE A RECORD. 1021 00:43:46,067 --> 00:43:47,067 WHAT CAN I SAY? 1022 00:43:47,067 --> 00:43:48,067 I'M ATTRACTED TO WOMEN 1023 00:43:48,100 --> 00:43:49,367 WHO LIKE TO GO DOWN ON OTHER WOMEN. 1024 00:43:49,400 --> 00:43:52,400 UH, WE WANT TO ASK YOU SOMETHING. 1025 00:43:52,433 --> 00:43:53,967 OKAY. 1026 00:43:54,067 --> 00:43:55,900 UM, TINA AND I WERE THINKING 1027 00:43:55,933 --> 00:43:59,167 ABOUT HIRING A NANNY FOR ANGELICA, 1028 00:43:59,200 --> 00:44:00,267 JUST PART-TIME. 1029 00:44:00,300 --> 00:44:01,533 AND WE KNOW 1030 00:44:01,567 --> 00:44:03,567 THAT YOU WERE LOOKING FOR PART-TIME WORK. 1031 00:44:03,600 --> 00:44:05,067 AND WE JUST THINK 1032 00:44:05,067 --> 00:44:06,233 IT WOULD BE GREAT FOR ANGELICA 1033 00:44:06,267 --> 00:44:09,067 TO HAVE A MAN IN HER LIFE. 1034 00:44:09,067 --> 00:44:11,867 YOU KNOW, I MEAN, SOMEBODY THAT SHE'S CLOSE TO. 1035 00:44:11,900 --> 00:44:13,400 A SCRATCHY FACE. 1036 00:44:13,433 --> 00:44:14,633 A FAMILIAR VOICE. 1037 00:44:14,667 --> 00:44:16,967 I KNOW EXACTLY WHAT YOU MEAN. 1038 00:44:17,067 --> 00:44:18,933 I'D BE HONORED. 1039 00:44:18,967 --> 00:44:20,933 GREAT. GREAT. 1040 00:44:20,967 --> 00:44:22,833 [ALICE]: THANKS, YOU GUYS. 1041 00:44:22,867 --> 00:44:25,600 THAT WAS AN AWESOME BIRTHDAY. 1042 00:44:25,633 --> 00:44:26,933 YOU'RE WELCOME. 1043 00:44:26,967 --> 00:44:28,200 AND I DON'T THINK I THOUGHT OF DANA 1044 00:44:28,233 --> 00:44:30,900 FOR, LIKE, 47 MINUTES... KIND OF. 1045 00:44:32,200 --> 00:44:33,367 THAT'S GOOD, RIGHT? 1046 00:44:33,400 --> 00:44:34,900 THAT'S REALLY GOOD. 1047 00:44:34,933 --> 00:44:38,167 [GIGGLING] 1048 00:44:38,200 --> 00:44:40,867 OH, HOW WAS IT TODAY, BABY? 1049 00:44:40,900 --> 00:44:42,400 YOU'RE REALLY TIGHT. 1050 00:44:42,433 --> 00:44:44,633 I KNOW. GEORGE IS KICKING MY BUTT. 1051 00:44:44,667 --> 00:44:45,833 IT'S WEIRD. 1052 00:44:45,867 --> 00:44:47,167 IT'S LIKE HE WANTS ME TO WIN THIS TOURNAMENT 1053 00:44:47,200 --> 00:44:48,867 MORE THAN I DO. 1054 00:44:48,900 --> 00:44:50,467 HEY, WHAT... 1055 00:44:50,500 --> 00:44:52,300 WHAT DID DR. GRUBMAN SAY? 1056 00:44:52,333 --> 00:44:55,900 SHIT. FORGOT. 1057 00:44:55,933 --> 00:44:57,267 DANA, DO YOU HAVE ANY IDEA 1058 00:44:57,300 --> 00:44:59,467 HOW HARD IT WAS FOR ME TO GET YOU THAT APPOINTMENT? 1059 00:44:59,500 --> 00:45:02,400 I HAD TO PROMISE TO CATER A PRIVATE DINNER 1060 00:45:02,433 --> 00:45:04,200 FOR HIM AND HIS WIFE 1061 00:45:04,233 --> 00:45:06,133 JUST TO GET YOU IN THERE BEFORE JUNE. 1062 00:45:06,167 --> 00:45:07,200 OH, NO. 1063 00:45:07,233 --> 00:45:09,367 AND YOU KNOW THAT AT 30 1064 00:45:09,400 --> 00:45:10,367 YOU SHOULD GO AND GET AN EXAM 1065 00:45:10,400 --> 00:45:11,500 ONCE A YEAR. 1066 00:45:11,533 --> 00:45:12,700 YOU KNOW THAT. 1067 00:45:12,733 --> 00:45:14,633 I KNOW. IT'S JUST... 1068 00:45:14,667 --> 00:45:16,367 I'M SORRY. I JUST... 1069 00:45:16,400 --> 00:45:18,867 I'VE NEVER BEEN TO A MALE GYNO BEFORE. 1070 00:45:18,900 --> 00:45:21,067 I THINK IT'S WEIRD, 1071 00:45:21,067 --> 00:45:24,600 AND I JUST DON'T WANT SOME DUDE LOOKING UP MY WOODLE. 1072 00:45:24,633 --> 00:45:26,067 LOOKING UP YOUR WOODLE? 1073 00:45:26,100 --> 00:45:29,200 WELL, THEN WHY DON'T YOU JUST GO TO A LADY DOCTOR? 1074 00:45:29,233 --> 00:45:30,667 OKAY. 1075 00:45:30,700 --> 00:45:31,867 BUT JUST GO, OKAY? 1076 00:45:31,900 --> 00:45:33,333 YES. 1077 00:45:33,367 --> 00:45:34,800 I THINK BETTE AND TINA HAVE A LADY DOCTOR. 1078 00:45:34,833 --> 00:45:35,933 I'LL CALL HER TOMORROW, OKAY? 1079 00:45:35,967 --> 00:45:37,333 OKAY. 1080 00:45:39,600 --> 00:45:41,700 HMM. WHAT IS THIS? 1081 00:45:41,733 --> 00:45:43,100 WHAT'S BEAR NIGHT? 1082 00:45:43,133 --> 00:45:45,133 THIS'LL BE FUN. 1083 00:45:45,167 --> 00:45:47,067 COME ON. 1084 00:45:47,067 --> 00:45:51,567 * I KNOW THAT YOU CAME HERE TO BREAK MY HEART * 1085 00:45:51,600 --> 00:45:55,433 * ARE YOU REALLY THAT BLIND? 1086 00:45:55,467 --> 00:45:57,267 WOW. THIS IS GREAT. 1087 00:45:57,300 --> 00:45:59,433 * WHO'S MAKING WHO CRY? 1088 00:45:59,467 --> 00:46:01,767 * WHO'S SAYING GOODBYE? 1089 00:46:01,800 --> 00:46:07,067 * WHO'S DRIVING YOU CRAZY WITH A LOVE THAT WON'T DIE? * 1090 00:46:07,067 --> 00:46:10,167 * WHO'S LEAVING WHO NOW? 1091 00:46:10,200 --> 00:46:12,967 * WHO'S BRINGING WHO DOWN? 1092 00:46:13,067 --> 00:46:16,067 * I'M MOVING YOUR BABY 1093 00:46:16,067 --> 00:46:17,733 * WHILE YOU'RE STILL HANGING AROUND * 1094 00:46:17,767 --> 00:46:20,433 * HONEY, YOU CAN'T DENY 1095 00:46:20,467 --> 00:46:23,333 * WHO'S MAKING WHO CRY * 1096 00:46:28,067 --> 00:46:29,300 OKAY, EVERY SINGLE PERSON IN MY FAMILY 1097 00:46:29,333 --> 00:46:30,567 ADORES YOU. 1098 00:46:30,600 --> 00:46:33,100 MY MOTHER, SHE ABSOLUTELY LOVES YOU. 1099 00:46:36,767 --> 00:46:38,300 I LOVE THEM, TOO. 1100 00:46:38,333 --> 00:46:39,800 MM. YOU DO? 1101 00:46:39,833 --> 00:46:41,333 MM-HMM. 1102 00:46:41,367 --> 00:46:42,433 BUT I WONDER HOW MUCH THEY'D LOVE ME 1103 00:46:42,467 --> 00:46:43,633 IF THEY KNEW 1104 00:46:43,667 --> 00:46:45,700 I WAS FUCKING THEIR DAUGHTER. 1105 00:46:45,733 --> 00:46:47,067 OOH. 1106 00:46:47,100 --> 00:46:48,400 WELL, I WONDER 1107 00:46:48,433 --> 00:46:49,467 WHO'S GOING TO BE DOING THE FUCKING 1108 00:46:49,500 --> 00:46:50,567 TONIGHT, 1109 00:46:50,600 --> 00:46:52,067 BECAUSE YOU LOOKED PRETTY GIRLY 1110 00:46:52,067 --> 00:46:55,300 IN THAT DRESS YOU HAD ON. 1111 00:46:55,333 --> 00:46:57,267 WELL... 1112 00:47:00,700 --> 00:47:02,333 YOU LOOK A LITTLE GIRLY YOURSELF. 1113 00:47:02,367 --> 00:47:03,800 OH... 1114 00:47:08,967 --> 00:47:11,700 [SLINKY R&B PLAYING] 1115 00:47:27,433 --> 00:47:30,100 * STROLLIN' IN THE PARK 1116 00:47:30,133 --> 00:47:33,367 * WATCHIN' WINTER TURN TO SPRING * 1117 00:47:38,067 --> 00:47:41,433 * WALKIN' IN THE DARK 1118 00:47:41,467 --> 00:47:44,800 * WATCHIN' LOVERS DO THEIR THING * 1119 00:47:49,167 --> 00:47:51,667 * THAT'S THE TIME 1120 00:47:51,700 --> 00:47:58,067 * I FEEL LIKE MAKIN' LOVE TO YOU * 1121 00:48:00,500 --> 00:48:03,867 * THAT'S THE TIME... 1122 00:48:03,900 --> 00:48:06,833 [TELEPHONE RINGS] 1123 00:48:06,867 --> 00:48:08,667 NO... 1124 00:48:08,700 --> 00:48:09,933 NO, NO, NO, DON'T ANSWER IT. DON'T ANSWER IT. 1125 00:48:09,967 --> 00:48:11,067 NO, NO, NO, IT'S LATE. 1126 00:48:11,100 --> 00:48:12,633 WHAT IF IT'S AN EMERGENCY? 1127 00:48:12,667 --> 00:48:13,700 NO, NO, NO. 1128 00:48:17,067 --> 00:48:18,933 HELLO? 1129 00:48:18,967 --> 00:48:22,100 HI, JENNY. 1130 00:48:22,133 --> 00:48:23,767 UH... 1131 00:48:25,300 --> 00:48:26,767 YEAH. ARE YOU-- ARE YOU OKAY? 1132 00:48:26,800 --> 00:48:28,067 YEAH, I'M FINE. 1133 00:48:28,067 --> 00:48:29,667 NO, NO, NO, NO, NO. DON'T WORRY. 1134 00:48:29,700 --> 00:48:31,567 YEAH, WE'RE JUST... 1135 00:48:31,600 --> 00:48:34,067 WE'RE JUST TAKING OUR TIME. 1136 00:48:34,100 --> 00:48:38,967 WE'RE GOING TO BE THERE IN A COUPLE OF DAYS. 1137 00:48:39,067 --> 00:48:40,533 UH-HUH. 1138 00:48:40,567 --> 00:48:43,233 OH, MY FRIEND MOIRA 1139 00:48:43,267 --> 00:48:45,300 DECIDED TO TAKE HER PICKUP TRUCK, 1140 00:48:45,333 --> 00:48:48,767 AND WE'RE DRIVING ACROSS THE COUNTRY NOW. 1141 00:48:48,800 --> 00:48:50,867 [LAUGHS] 1142 00:48:50,900 --> 00:48:51,967 WHAT? 1143 00:48:52,067 --> 00:48:53,300 MY GIRLFRIEND? 1144 00:48:53,333 --> 00:48:54,533 HANG ON. 1145 00:48:54,567 --> 00:48:57,100 EXCUSE ME. MOIRA. 1146 00:48:57,133 --> 00:48:59,567 ARE YOU MY GIRLFRIEND? 1147 00:49:01,433 --> 00:49:04,367 WE DON'T KNOW. 1148 00:49:04,400 --> 00:49:06,067 "IT'S NOT DESIRE THAT'S THE PROBLEM," 1149 00:49:06,067 --> 00:49:08,500 ONE OF MY TEACHERS USED TO SAY. 1150 00:49:08,533 --> 00:49:12,133 "IT'S THAT YOUR DESIRES ARE TOO SMALL." 1151 00:49:12,167 --> 00:49:13,600 THIS SHIFT IN CONSCIOUSNESS 1152 00:49:13,633 --> 00:49:18,067 IS WHAT LINKS THE WORLDS OF ART, THERAPY, AND MEDITATION. 1153 00:49:18,067 --> 00:49:20,700 JAMES JOYCE DESCRIBED THE MENTAL POSTURE 1154 00:49:20,733 --> 00:49:23,600 REQUIRED TO APPRECIATE A WORK OF ART 1155 00:49:23,633 --> 00:49:25,500 AS "BEHOLDING." 1156 00:49:25,533 --> 00:49:27,067 "IF YOU PULL IT TOO CLOSE, 1157 00:49:27,067 --> 00:49:28,600 "IT BECOMES PORNOGRAPHY, 1158 00:49:28,633 --> 00:49:30,367 "AND IF YOU DISTANCE YOURSELF, 1159 00:49:30,400 --> 00:49:32,300 IT BECOMES CRITICISM." 1160 00:49:32,333 --> 00:49:34,467 [***] 1161 00:49:34,500 --> 00:49:37,133 [CHIMES] 1162 00:49:37,167 --> 00:49:40,400 [KEYS CLICKING] 1163 00:49:47,700 --> 00:49:54,500 * MY STUBBORN SKIN IS WEARING THIN * 1164 00:49:54,533 --> 00:50:00,300 * I BARED MY SOUL YOU WALTZED RIGHT IN * 1165 00:50:00,333 --> 00:50:07,033 * I GAVE YOU EVERYTHING 1166 00:50:07,067 --> 00:50:13,533 * AND YOU JUST MADE ME FEEL SO VERY * 1167 00:50:13,567 --> 00:50:16,633 * NAKED 1168 00:50:16,667 --> 00:50:19,667 * AND I DON'T REMEMBER 1169 00:50:19,700 --> 00:50:29,600 * HOW I LET MYSELF BECOME SO UNRAVELED * 1170 00:50:36,233 --> 00:50:40,933 * OOH, OOH, OOH 1171 00:50:43,200 --> 00:50:49,433 * I SPILLED MY GUTS ON YOUR BEST SHOES * 1172 00:50:49,467 --> 00:50:56,200 * YOU KEEP IT IN I LET IT LOOSE * 1173 00:50:56,233 --> 00:51:00,467 * IT'S ONLY LOVE 1174 00:51:00,500 --> 00:51:09,433 * THAT MAKES ME FEEL LIKE GETTING SO COMPLETELY * 1175 00:51:09,467 --> 00:51:11,967 * NAKED 1176 00:51:12,067 --> 00:51:15,067 * AND I DON'T REMEMBER 1177 00:51:15,067 --> 00:51:23,100 * HOW I LET MYSELF BECOME SO UNRAVELED * 1178 00:51:23,133 --> 00:51:25,500 * I'M NAKED 1179 00:51:25,533 --> 00:51:28,400 * PRETTY AS A HEARTACHE 1180 00:51:28,433 --> 00:51:32,900 * WAITING FOR MY SECOND SKIN 1181 00:51:32,933 --> 00:51:38,167 * TO SETTLE IN * 1182 00:51:47,533 --> 00:51:49,467 [***] 1183 00:51:49,500 --> 00:51:50,500 YEAH.