1 00:00:11,032 --> 00:00:12,067 PREVIOUSLY ON THE L WORD... 2 00:00:12,099 --> 00:00:13,467 IT'S A FUCKING SHRINE, ALICE, 3 00:00:13,500 --> 00:00:15,801 A BORDERING-ON-PSYCHOTIC, SERIAL KILLER, 4 00:00:15,833 --> 00:00:17,466 OBSESSIVE-TYPE SHRINE! 5 00:00:17,501 --> 00:00:21,367 I JUST DON'T WANT SOME DUDE LOOKING UP MY WOO-WOO. 6 00:00:21,399 --> 00:00:22,968 LOOKING UP YOUR WOODLE? 7 00:00:23,000 --> 00:00:26,300 WHY DON'T YOU JUST GO TO A LADY DOCTOR? 8 00:00:26,333 --> 00:00:27,333 WELL, IF YOU KNOW BILLIE BLAIKIE, 9 00:00:27,367 --> 00:00:29,167 HE DOESN'T DO ANYTHING SMALL. 10 00:00:29,199 --> 00:00:31,367 DUDE, HE IS, LIKE, THE BEST PARTY PROMOTER IN TOWN. 11 00:00:31,399 --> 00:00:33,100 THIS IS BILLIE BLAIKIE, 12 00:00:33,133 --> 00:00:35,634 MY NEW MANAGER. 13 00:00:35,667 --> 00:00:38,234 OH, YOU WON'T REGRET IT, MY DARLING. 14 00:00:38,267 --> 00:00:41,000 TINA AND I WERE THINKING ABOUT HIRING A NANNY FOR ANGELICA. 15 00:00:41,033 --> 00:00:42,834 I'D BE HONORED. 16 00:00:46,000 --> 00:00:47,466 DO YOU JUST WANT TO BE MY FUCK-BUDDY ON THE ROAD? 17 00:00:47,500 --> 00:00:48,667 WHAT DO YOU WANT? 18 00:00:48,701 --> 00:00:49,734 FUCK OFF! 19 00:00:49,767 --> 00:00:50,868 CALM DOWN! 20 00:00:50,901 --> 00:00:52,299 GET BACK IN THE TRUCK, 21 00:00:52,334 --> 00:00:54,133 AND I'LL SHOW YOU HOW A REAL MAN CAN FUCK. 22 00:00:54,167 --> 00:00:55,701 LET HER GO, BITCH. 23 00:00:55,734 --> 00:00:57,366 WELL, THERE'S YOUR FAGGOT BACK. 24 00:00:57,399 --> 00:00:58,834 [TASER CRACKLES, GUY SHOUTS] 25 00:00:58,868 --> 00:01:00,000 FUCK YOU! 26 00:01:02,100 --> 00:01:05,200 * ONE, TWO 27 00:01:05,234 --> 00:01:07,934 [***] 28 00:01:12,933 --> 00:01:16,934 * WON'T YOU MEET ME, JESUS MEET ME * 29 00:01:16,968 --> 00:01:19,900 * WON'T YOU MEET ME IN THE MIDDLE OF THE AIR * 30 00:01:19,934 --> 00:01:24,501 * AND IF THESE WINGS SHOULD FAIL ME, LORD * 31 00:01:24,533 --> 00:01:27,701 * WON'T YOU MEET ME WITH ANOTHER PAIR * 32 00:01:27,734 --> 00:01:29,367 * WELL, WELL, WELL 33 00:01:29,399 --> 00:01:33,901 * WON'T YOU MEET ME, JESUS OH * 34 00:01:33,933 --> 00:01:37,600 * WON'T YOU MEET ME, JESUS, OH * 35 00:01:37,634 --> 00:01:40,067 * WON'T YOU MEET ME, JESUS 36 00:01:40,067 --> 00:01:46,100 * JESUS GONNA MAKE UP MY DYING BED * 37 00:01:46,133 --> 00:01:49,634 * WHOA, WHOA 38 00:01:49,667 --> 00:01:53,567 * MM-HMM 39 00:01:53,600 --> 00:01:59,533 * AH, AH... 40 00:02:04,067 --> 00:02:07,700 * EVER SINCE I'VE BEEN ACQUAINTED WITH JESUS * 41 00:02:07,734 --> 00:02:11,400 * WE HAVEN'T BEEN A MINUTE APART * 42 00:02:11,433 --> 00:02:15,099 * HE PLACED THE RECEIVER IN MY EAR * 43 00:02:15,132 --> 00:02:18,266 * THREW RELIGION IN MY HEART 44 00:02:18,300 --> 00:02:20,533 * WELL, WELL, WELL 45 00:02:20,567 --> 00:02:24,234 * I CAN RING UP MY JESUS OH * 46 00:02:24,266 --> 00:02:27,266 * I CAN RING UP MY JESUS OH * 47 00:02:27,300 --> 00:02:30,300 * I CAN RING UP MY JESUS 48 00:02:30,333 --> 00:02:35,901 * JESUS GONNA MAKE UP MY DYING BED... ** 49 00:02:43,634 --> 00:02:45,299 [WOMAN'S VOICE WHISPERING]: HAIL MARY, FULL OF GRACE. 50 00:02:45,334 --> 00:02:46,100 THE LORD IS WITH YOU. 51 00:02:46,133 --> 00:02:48,267 BLESSED ARE YOU AMONG WOMEN, 52 00:02:48,299 --> 00:02:50,167 AND BLESSED IS THE FRUIT OF YOUR WOMB. 53 00:02:50,200 --> 00:02:51,600 HOLY MARY, MOTHER OF GOD, 54 00:02:51,634 --> 00:02:52,834 PRAY FOR US SINNERS, 55 00:02:52,868 --> 00:02:54,667 NOW AND AT THE HOUR OF OUR DEATH. 56 00:02:54,701 --> 00:02:55,734 HAIL MARY, FULL OF GRACE. 57 00:02:55,767 --> 00:02:57,533 THE LORD IS WITH YOU. 58 00:02:57,567 --> 00:02:58,767 BLESSED ARE YOU AMONG WOMEN, 59 00:02:58,801 --> 00:03:00,000 AND BLESSED IS THE FRUIT OF YOUR WOMB. 60 00:03:00,000 --> 00:03:03,067 HOLY MARY, MOTHER OF GOD... 61 00:03:03,067 --> 00:03:04,533 [BREATHING HEAVILY] 62 00:03:04,567 --> 00:03:06,133 HAIL MARY, FULL OF GRACE. 63 00:03:06,166 --> 00:03:08,067 THE LORD IS WITH YOU. 64 00:03:08,067 --> 00:03:09,433 BLESSED ARE YOU AMONG WOMEN... 65 00:03:09,467 --> 00:03:12,734 [GASPING] 66 00:03:12,766 --> 00:03:13,833 PRAY FOR US SINNERS, 67 00:03:13,868 --> 00:03:14,734 NOW AND AT THE HOUR OF OUR DEATH. 68 00:03:14,766 --> 00:03:16,434 HAIL MARY, FULL OF GRACE. 69 00:03:16,466 --> 00:03:17,434 THE LORD IS WITH YOU. 70 00:03:17,466 --> 00:03:18,667 BLESSED ARE YOU AMONG WOMEN, 71 00:03:18,701 --> 00:03:20,067 AND BLESSED IS THE FRUIT OF YOUR WOMB. 72 00:03:20,067 --> 00:03:21,800 HOLY MARY, MOTHER OF GOD, 73 00:03:21,833 --> 00:03:22,900 PRAY FOR US SINNERS, 74 00:03:22,934 --> 00:03:23,934 NOW AND AT THE HOUR OF OUR DEATH. 75 00:03:23,968 --> 00:03:25,367 [BUS HORN HONKS] 76 00:03:26,234 --> 00:03:29,501 [***] 77 00:03:29,533 --> 00:03:35,834 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 78 00:03:35,868 --> 00:03:42,567 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 79 00:03:42,600 --> 00:03:49,067 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 80 00:03:49,067 --> 00:03:55,167 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 81 00:04:02,766 --> 00:04:04,067 * TALKING, LAUGHING LOVING, BREATHING * 82 00:04:04,099 --> 00:04:05,968 * FIGHTING, FUCKING CRYING, DRINKING * 83 00:04:06,067 --> 00:04:07,333 * WRITING, WINNING LOSING, CHEATING * 84 00:04:07,367 --> 00:04:09,067 * KISSING, THINKING, DREAMING 85 00:04:09,099 --> 00:04:11,067 * THIS IS THE WAY... 86 00:04:11,099 --> 00:04:13,900 * IT'S THE WAY THAT WE LIVE * 87 00:04:13,933 --> 00:04:19,434 * IT'S THE WAY THAT WE LIVE 88 00:04:19,466 --> 00:04:23,199 * AND LOVE * 89 00:04:27,067 --> 00:04:28,167 CHASE INVITED US TO COME BY, 90 00:04:28,199 --> 00:04:30,067 AND... I DON'T KNOW, WE'LL SEE. 91 00:04:31,067 --> 00:04:32,500 WHOA. 92 00:04:32,533 --> 00:04:33,600 HEY! 93 00:04:33,634 --> 00:04:35,901 HEY... 94 00:04:35,933 --> 00:04:37,667 HOLD UP. 95 00:04:40,067 --> 00:04:41,634 HI. THIS IS CARMEN. 96 00:04:41,667 --> 00:04:42,968 HEY, WHAT'S UP? 97 00:04:43,067 --> 00:04:44,801 COME ON IN. 98 00:04:44,834 --> 00:04:46,834 [***] 99 00:04:51,067 --> 00:04:52,500 WHAT HAPPENED? 100 00:04:54,299 --> 00:04:56,801 THIS PLACE IS SOMETHING. 101 00:04:56,834 --> 00:04:58,868 THIS IS IT. 102 00:04:58,901 --> 00:05:00,000 WOW. 103 00:05:00,000 --> 00:05:01,633 GUYS, THIS IS SHANE, CARMEN. 104 00:05:01,667 --> 00:05:03,100 HEY. 105 00:05:03,133 --> 00:05:04,533 DUDE, THIS IS SO COOL. 106 00:05:04,567 --> 00:05:05,466 ONE FOR THE GRAVEYARD. 107 00:05:05,501 --> 00:05:07,666 THIS PLACE IS AWESOME. 108 00:05:07,700 --> 00:05:08,801 CHECK IT OUT. 109 00:05:08,833 --> 00:05:09,500 THIS IS WHAT WE'RE DOING. 110 00:05:12,900 --> 00:05:14,467 THESE ARE ALL OUR BOARD DESIGNS. 111 00:05:14,500 --> 00:05:18,132 WE DO, LIKE, CUSTOM STUFF, YOU KNOW. 112 00:05:18,167 --> 00:05:19,600 EXCELLENT. 113 00:05:19,634 --> 00:05:21,701 THESE ARE MY STENCIL MASTERS. 114 00:05:21,734 --> 00:05:23,833 DO YOU HAVE THAT SPECIAL ONE? 115 00:05:23,867 --> 00:05:25,501 THANKS. 116 00:05:27,399 --> 00:05:29,167 HEY, COULD YOU SET THAT UP? 117 00:05:29,199 --> 00:05:31,701 SHANE, I COULD TOTALLY GIG IN THIS VEST. 118 00:05:31,734 --> 00:05:32,868 OH, YEAH. 119 00:05:32,901 --> 00:05:34,366 DO YOU THINK? HELL, YEAH. 120 00:05:34,399 --> 00:05:35,667 I LIKE YOUR VEST. 121 00:05:35,701 --> 00:05:37,334 THANKS. 122 00:05:37,366 --> 00:05:39,834 I LOVE THIS PLACE. 123 00:05:39,868 --> 00:05:41,801 I DO, I LOVE IT HERE, BUT, UM... 124 00:05:41,834 --> 00:05:43,734 WHAT IS IT YOU WANT ME TO DO? 125 00:05:43,767 --> 00:05:45,299 OKAY, WE INSTALL A CHAIR FOR YOU 126 00:05:45,334 --> 00:05:46,334 OVER HERE, RIGHT? 127 00:05:46,366 --> 00:05:47,366 JUST ONE CHAIR, 128 00:05:47,399 --> 00:05:48,533 BECAUSE I WANT PEOPLE LINING UP 129 00:05:48,567 --> 00:05:51,167 TO GET ON YOUR SCHEDULE, 130 00:05:51,200 --> 00:05:52,901 AND THEN I'M GOING TO GET MY BOYFRIEND 131 00:05:52,933 --> 00:05:54,466 TO BUILD YOU A REALLY PHAT COUNTER OVER HERE. 132 00:05:54,500 --> 00:05:55,600 EVENTUALLY, WE COULD DO, LIKE, 133 00:05:55,634 --> 00:05:58,067 A LINE OF HAIR PRODUCTS OR SOMETHING, YOU KNOW? 134 00:05:58,100 --> 00:06:01,766 CHECK IT OUT. 135 00:06:01,800 --> 00:06:03,467 SHANE FOR WAX. 136 00:06:09,067 --> 00:06:11,467 SO THIS IS A REUNION OF SORTS, 137 00:06:11,500 --> 00:06:16,567 A FORMER LOVER PERHAPS, OR A CHILDHOOD FRIEND. 138 00:06:16,600 --> 00:06:18,199 NO, I'D SAY 139 00:06:18,234 --> 00:06:20,067 IT'S A FORMER ROMANTIC INTEREST. 140 00:06:20,067 --> 00:06:21,833 WILL WE BE GETTING BACK TOGETHER, 141 00:06:21,867 --> 00:06:22,701 ME AND THIS EX-LOVER? 142 00:06:22,734 --> 00:06:24,266 IT LOOKS LIKE 143 00:06:24,300 --> 00:06:26,766 YOU'RE GOING TO START A WHOLE NEW KIND OF RELATIONSHIP. 144 00:06:26,800 --> 00:06:29,067 IT'S VERY INTERESTING. 145 00:06:29,100 --> 00:06:31,634 WAS THERE ANYTHING IN PARTICULAR 146 00:06:31,667 --> 00:06:32,868 THAT YOU WANTED TO ASK THE CARDS ABOUT? 147 00:06:32,901 --> 00:06:34,634 NO... 148 00:06:34,667 --> 00:06:35,701 WORK? 149 00:06:35,734 --> 00:06:38,100 ROMANCE? FAMILY? 150 00:06:38,133 --> 00:06:40,701 WELL, I'D... 151 00:06:40,734 --> 00:06:43,533 I WOULDN'T MIND A LITTLE BIT OF ADVICE 152 00:06:43,567 --> 00:06:46,067 ABOUT THIS NEW BUSINESS VENTURE OF OURS. 153 00:06:46,100 --> 00:06:48,701 THESE FILM PEOPLE-- 154 00:06:48,734 --> 00:06:49,801 THEY'RE SO BIZARRE, YOU KNOW? 155 00:06:49,834 --> 00:06:51,067 ONE MINUTE, THEY'RE... 156 00:06:51,100 --> 00:06:52,133 ONE MINUTE, THEY'RE BROWN-NOSING ME, 157 00:06:52,167 --> 00:06:53,299 AND THE NEXT, THEY'RE TALKING TO ME 158 00:06:53,334 --> 00:06:54,701 LIKE I'M A COMPLETE FUCKING IDIOT. 159 00:06:56,567 --> 00:06:57,801 WHY DON'T YOU GO AHEAD 160 00:06:57,834 --> 00:06:59,366 AND PICK THREE MORE CARDS? 161 00:07:11,634 --> 00:07:13,099 ALL RIGHT... 162 00:07:15,500 --> 00:07:17,533 WELL, THERE'S NO MYSTERY TO RUNNING THIS BUSINESS... 163 00:07:17,567 --> 00:07:19,934 IF YOU FOLLOW YOUR INSTINCTS 164 00:07:19,968 --> 00:07:21,199 AND SURROUND YOURSELF 165 00:07:21,234 --> 00:07:23,434 WITH PEOPLE THAT YOU KNOW AND TRUST. 166 00:07:23,466 --> 00:07:24,934 PEOPLE I KNOW? 167 00:07:24,968 --> 00:07:26,934 THERE'S SOMEBODY, 168 00:07:26,968 --> 00:07:28,434 SOMEBODY FROM YOUR PAST, 169 00:07:28,466 --> 00:07:31,867 WHO COULD BE A REAL ASSET TO YOU IN THIS VENTURE. 170 00:07:33,834 --> 00:07:34,801 OH! 171 00:07:34,834 --> 00:07:36,433 LOOK AT THAT. 172 00:07:36,466 --> 00:07:38,701 IT'S THE SAME PERSON. 173 00:07:42,299 --> 00:07:44,868 [TELEPHONE RINGING] 174 00:07:44,901 --> 00:07:46,067 [BABY COOING] 175 00:07:46,067 --> 00:07:48,067 [BETTE SPEAKING SOFTLY TO BABY] 176 00:07:51,366 --> 00:07:54,366 HELLO? 177 00:07:54,399 --> 00:07:56,334 JULIA. HI. 178 00:07:56,366 --> 00:07:58,901 NO, NO, I WAS JUST TRYING TO PUT HER DOWN FOR A NAP. 179 00:07:58,933 --> 00:08:01,300 WHAT'S UP? 180 00:08:05,767 --> 00:08:09,534 YOU ARE FUCKING KIDDING ME. 181 00:08:09,567 --> 00:08:11,701 THE N.E.A. GRANT? 182 00:08:11,734 --> 00:08:13,734 BUT I DON'T... 183 00:08:13,766 --> 00:08:17,434 WHAT DOES THAT MEAN? 184 00:08:17,466 --> 00:08:19,800 BECAUSE OF THE POLITICAL CONTENT? 185 00:08:19,833 --> 00:08:21,333 WHAT ARE THEY... 186 00:08:24,300 --> 00:08:26,734 NO, NO. GO AHEAD, GO. JUST TAKE IT. 187 00:08:26,766 --> 00:08:28,934 BUT CALL ME BACK, AND TELL ME WHAT THEY RECOMMEND, 188 00:08:28,968 --> 00:08:31,434 BECAUSE YOU KNOW WHAT, I THINK WE SHOULD SUE THEM. 189 00:08:31,466 --> 00:08:32,933 NO, I'M NOT KIDDING. 190 00:08:32,968 --> 00:08:34,868 YEAH, I'LL TALK TO YOU LATER. 191 00:08:34,901 --> 00:08:38,267 THE N.E.A. JUST PULLED THEIR FUNDING 192 00:08:38,299 --> 00:08:39,701 BECAUSE THE ART OF DISSENT 193 00:08:39,734 --> 00:08:42,067 IS CRITICAL OF THE BUSH ADMINISTRATION. 194 00:08:42,100 --> 00:08:45,100 WHAT? THAT'S GOT TO BE UNCONSTITUTIONAL. 195 00:08:45,133 --> 00:08:46,133 YEAH, WELL, JULIA'S TALKING TO HER LAWYERS 196 00:08:46,167 --> 00:08:47,133 ABOUT IT RIGHT NOW. 197 00:08:47,167 --> 00:08:48,133 THEY'RE TRYING TO GET HER 198 00:08:48,167 --> 00:08:49,133 INTO SOME KIND OF SUBCOMMITTEE HEARING 199 00:08:49,167 --> 00:08:50,167 TO TESTIFY BEFORE CONGRESS. 200 00:08:50,200 --> 00:08:52,667 YOU KNOW, THIS IS THE NEW McCARTHYISM, 201 00:08:52,701 --> 00:08:55,167 THAT'S WHAT IT IS. 202 00:08:55,200 --> 00:08:56,600 ARE YOU GOING TO LOSE YOUR STIPEND? 203 00:08:56,634 --> 00:08:57,801 I DON'T KNOW, PROBABLY. 204 00:08:57,834 --> 00:08:58,933 I MEAN, BECAUSE IT WAS ALLOCATED 205 00:08:58,968 --> 00:09:02,766 OUT OF THE N.E.A. GRANT. 206 00:09:02,801 --> 00:09:05,634 THIS ADMINISTRATION IS FUCKING CRIMINAL. 207 00:09:05,666 --> 00:09:06,700 THAT'S WHAT IT IS. 208 00:09:06,734 --> 00:09:07,700 BEFORE YOU KNOW IT, 209 00:09:07,734 --> 00:09:08,734 THE FIRST AMENDMENT WILL BE-- 210 00:09:08,766 --> 00:09:10,400 WE HAVE TO LET GO OF ANGUS. 211 00:09:12,067 --> 00:09:13,900 WE HAVE TO LET ANGUS GO. 212 00:09:17,067 --> 00:09:18,567 I CAN'T BELIEVE YOU JUST SAID THAT. 213 00:09:18,600 --> 00:09:19,833 WE CAN'T AFFORD HIM. 214 00:09:19,867 --> 00:09:22,434 WE COULDN'T AFFORD HIM BEFORE YOU LOST YOUR FUNDING. 215 00:09:22,466 --> 00:09:24,100 YOU'RE GOING TO HAVE TO GET REAL ABOUT OUR FINANCES, 216 00:09:24,132 --> 00:09:25,833 OR WE'RE GOING TO BE COMPLETELY WIPED OUT. 217 00:09:25,867 --> 00:09:28,367 THANKS. 218 00:09:28,399 --> 00:09:29,900 THANK YOU FOR LAYING 219 00:09:29,934 --> 00:09:31,067 YOUR PETTY, BOURGEOIS ANXIETY 220 00:09:31,067 --> 00:09:32,067 ON TOP OF MY ALREADY PROFOUND ANGER 221 00:09:32,067 --> 00:09:33,399 AND DISAPPOINTMENT 222 00:09:33,433 --> 00:09:34,968 OVER LOSING SOMETHING THAT MEANS SO MUCH TO ME. 223 00:09:35,067 --> 00:09:36,533 GIVE HER TO ME-- THANK YOU. 224 00:09:36,567 --> 00:09:38,299 JUST GIVE HER TO ME. 225 00:09:38,334 --> 00:09:41,600 LOOK, I'LL FEED HER. 226 00:09:47,667 --> 00:09:52,067 YEAH, THIS IS BETTE PORTER FOR GRAYDEN ASHE. 227 00:09:52,067 --> 00:09:54,734 GRAYDEN, HOW ARE YOU? 228 00:09:54,767 --> 00:09:56,067 NO, I JUST WAS-- 229 00:09:56,100 --> 00:09:57,868 I WAS LOOKING AT THE AUCTION CALENDAR, 230 00:09:57,901 --> 00:10:00,000 AND I SEE THAT YOU HAVE IMPORTANT PHOTOGRAPHS AND PRINTS 231 00:10:00,000 --> 00:10:03,200 COMING UP NEXT WEEK. 232 00:10:03,234 --> 00:10:06,367 WELL, I WAS JUST THINKING MAYBE ONE OF MY MAPPLETHORPES... 233 00:10:06,400 --> 00:10:11,534 MAYBE ONE OF THE STILL LIFES WOULD... 234 00:10:11,567 --> 00:10:14,099 YEAH, THAT'S RIGHT, I'M THINKING ABOUT 235 00:10:14,132 --> 00:10:17,734 AUCTIONING SOMETHING FROM MY PERSONAL COLLECTION. 236 00:10:21,567 --> 00:10:23,333 NO, NO. UH-UH. 237 00:10:23,367 --> 00:10:25,266 I DON'T WANT TO SELL MY KIKI SMITHS. 238 00:10:25,300 --> 00:10:28,466 THEY WERE THE FIRST PRINTS THAT I EVER-- 239 00:10:33,466 --> 00:10:34,734 HOW MUCH? 240 00:10:34,767 --> 00:10:37,133 I DON'T KNOW, MAYBE, LIKE, MAYBE SPIN IT. 241 00:10:37,167 --> 00:10:38,734 TRY SPINNING IT. 242 00:10:38,767 --> 00:10:40,834 I DON'T KNOW. 243 00:10:40,868 --> 00:10:42,901 OH, MY GOD, THAT'S YUMMY, 244 00:10:42,933 --> 00:10:45,000 BUT I THINK YOU CAN BE EVEN BOLDER 245 00:10:45,033 --> 00:10:46,100 WITH THE GINGER. 246 00:10:46,133 --> 00:10:48,901 BE BOLD WITH THE GINGER, YEAH. 247 00:10:48,933 --> 00:10:49,968 WHAT'S THIS? 248 00:10:50,000 --> 00:10:50,968 JAMBON OR PROSCIUTTO? 249 00:10:51,033 --> 00:10:51,968 NO, IT'S SPECK. 250 00:10:52,000 --> 00:10:53,133 IT'S A SALT AND COLD CURED HAM 251 00:10:53,167 --> 00:10:54,299 FROM THE NORTH OF ITALY. 252 00:10:54,334 --> 00:10:55,399 REALLY? OKAY, STOP SPINNING IT NOW. 253 00:10:55,433 --> 00:10:58,399 WHAT THE FUCK... 254 00:10:58,433 --> 00:10:59,299 BRAVISSIMA, CARA MIA. 255 00:10:59,334 --> 00:11:00,000 HEY, LISTEN, 256 00:11:00,000 --> 00:11:02,900 HAVE YOU EVER THOUGHT ABOUT DOING ANY VEGAN SELECTIONS? 257 00:11:02,934 --> 00:11:04,434 YOU KNOW, I MEAN, CAN YOU DO ANYTHING FABULOUS 258 00:11:04,466 --> 00:11:06,734 WITH SEITAN OR TEMPEH? 259 00:11:06,767 --> 00:11:09,099 BILLIE, WHAT'S GOING ON HERE? 260 00:11:09,132 --> 00:11:10,634 I WAS GOING OVER THE NEW MENU WITH LARA, 261 00:11:10,666 --> 00:11:11,900 BECAUSE, YOU KNOW, 262 00:11:11,933 --> 00:11:14,300 A LOT OF OUR COMMUNITY ARE VEGETARIANS, 263 00:11:14,333 --> 00:11:15,766 A LOT ARE VEGAN, 264 00:11:15,801 --> 00:11:17,132 AND GOD FORBID WE SHOULD FORGET 265 00:11:17,167 --> 00:11:19,833 THOSE LACTOSE-INTOLERANT LESBIANS. 266 00:11:19,867 --> 00:11:22,100 UH, BILLIE, WE DID NOT DISCUSS CHANGING THE MENU. 267 00:11:22,132 --> 00:11:23,501 OH, COME ON, KIT, 268 00:11:23,533 --> 00:11:26,100 YOU DON'T WANT TO GO THROUGH EVERY SINGLE DETAIL WITH ME. 269 00:11:26,132 --> 00:11:27,100 I DON'T? 270 00:11:27,132 --> 00:11:28,234 NO. 271 00:11:28,266 --> 00:11:29,701 YOU WANT ME TO COME IN HERE, TAKE CHARGE, 272 00:11:29,734 --> 00:11:31,234 AND FREE THINGS UP FOR YOU. 273 00:11:31,266 --> 00:11:32,600 HEY, DARLING. HOW ARE YOU DOING? 274 00:11:32,634 --> 00:11:34,734 AND THEN YOU CAN GO OFF AND WRITE YOUR SONGS 275 00:11:34,767 --> 00:11:37,834 AND PERFORM YOUR MUSIC AND MAKE YOUR RECORD. 276 00:11:37,868 --> 00:11:39,299 I DO? 277 00:11:39,334 --> 00:11:41,767 YES, YOU DO. 278 00:11:41,801 --> 00:11:43,399 YOU KNOW, YOU JUST HAVE TO TRUST 279 00:11:43,433 --> 00:11:46,133 THAT BILLIE BLAIKIE KNOWS WHAT HE'S DOING. 280 00:11:46,167 --> 00:11:47,533 IT'S FUCKING FREEZING IN HERE. 281 00:11:47,567 --> 00:11:48,533 OH-- DON'T YOU... 282 00:11:48,567 --> 00:11:49,634 STOP THAT. DON'T TOUCH-- 283 00:11:49,667 --> 00:11:50,767 IT'S BOILING IN HERE. 284 00:11:50,801 --> 00:11:52,500 I'M SO HOT. 285 00:11:52,533 --> 00:11:54,500 CHECK OUT THESE THINGS. 286 00:11:54,533 --> 00:11:55,701 ANYBODY IN HERE HOT? 287 00:11:55,734 --> 00:11:57,267 [EVERYBODY]: NO. 288 00:11:57,299 --> 00:11:58,267 ANYBODY COLD? 289 00:11:58,299 --> 00:11:59,299 [EVERYBODY]: YES! 290 00:11:59,334 --> 00:12:02,500 DEMOCRACY AT WORK. 291 00:12:02,533 --> 00:12:03,968 THE OTHER THING I WAS THINKING ABOUT, KIT DARLIN', 292 00:12:04,067 --> 00:12:05,734 WAS THAT IT WOULD BE REALLY NICE AND HOSPITABLE 293 00:12:05,767 --> 00:12:08,701 IF WE COULD, LIKE, HOOK UP ONE OF THOSE VIRTUAL LANs 294 00:12:08,734 --> 00:12:10,067 AND HAVE A COUPLE OF FREE TERMINALS. 295 00:12:10,067 --> 00:12:11,234 VIRTUAL WHAT? 296 00:12:11,266 --> 00:12:12,300 BECAUSE, YOU KNOW, OUR PEOPLE, 297 00:12:12,333 --> 00:12:13,300 THEY'RE KIND OF USED TO HAVING WIRELESS 298 00:12:13,333 --> 00:12:14,467 WITH THEIR COFFEE. 299 00:12:14,500 --> 00:12:15,400 YOU KNOW WHAT I'M SAYING? 300 00:12:16,399 --> 00:12:17,367 WHOSE TRUCK IS THAT? 301 00:12:17,399 --> 00:12:18,367 I DON'T KNOW. 302 00:12:18,399 --> 00:12:20,367 OH... 303 00:12:20,399 --> 00:12:21,667 AND WHO IS THAT? 304 00:12:21,701 --> 00:12:23,067 JENNY'S GIRLFRIEND? 305 00:12:23,067 --> 00:12:24,067 GIRLFRIEND? 306 00:12:24,067 --> 00:12:26,867 AH... 307 00:12:26,900 --> 00:12:27,900 YOU FUCKING LUNATIC. 308 00:12:27,934 --> 00:12:29,533 WHA-HOO! 309 00:12:29,567 --> 00:12:31,399 OH, MY GOD... 310 00:12:31,434 --> 00:12:32,933 OH, MY GOD, YOU. 311 00:12:32,968 --> 00:12:34,100 HI! 312 00:12:34,133 --> 00:12:36,200 OH, MY GOD, YOU GUYS LOOK AMAZING. 313 00:12:36,234 --> 00:12:37,234 LOOK AT YOU! 314 00:12:37,267 --> 00:12:38,366 WOW... 315 00:12:38,399 --> 00:12:39,366 OH, MY GOD. 316 00:12:39,399 --> 00:12:40,366 HI. 317 00:12:40,399 --> 00:12:41,500 OH, THIS IS MOIRA. 318 00:12:41,533 --> 00:12:42,334 YOU MUST BE SHANE. I AM. 319 00:12:42,366 --> 00:12:43,466 AND THAT'S CARMEN. 320 00:12:43,500 --> 00:12:44,600 HI. HEY. 321 00:12:44,634 --> 00:12:45,801 LOOK AT YOUR HAIR. 322 00:12:45,834 --> 00:12:46,801 YOU LOOK FANTASTIC. 323 00:12:46,834 --> 00:12:47,801 DID YOU JUST GET HERE? 324 00:12:47,834 --> 00:12:48,767 YEAH, WE DID. 325 00:12:48,801 --> 00:12:49,968 YEAH, WE JUST ROCKED UP. 326 00:12:50,067 --> 00:12:51,734 WE BARELY HAD TIME TO TAKE A PISS. 327 00:12:51,767 --> 00:12:53,267 AH... 328 00:12:53,299 --> 00:12:54,433 WE BEEN DRIVING FOR, LIKE, 15 HOURS. 329 00:12:54,466 --> 00:12:56,600 [DOG BARKING] OH, MY GOD... 330 00:12:56,634 --> 00:12:57,533 YEAH, WE'RE PUPPY-SITTING FOR A FRIEND. 331 00:12:57,567 --> 00:12:58,433 WELL, HELLO THERE. 332 00:12:58,466 --> 00:13:00,000 COME SAY HI. 333 00:13:00,000 --> 00:13:01,667 WHO IS THIS? 334 00:13:01,701 --> 00:13:03,601 THIS IS OTTO. 335 00:13:03,633 --> 00:13:05,634 HI, OTTO! 336 00:13:05,666 --> 00:13:06,934 WHO DOES THIS BELONG TO? 337 00:13:06,968 --> 00:13:08,933 HI, OTTO. 338 00:13:08,968 --> 00:13:10,199 YOU DON'T MIND, RIGHT? 339 00:13:10,234 --> 00:13:12,601 NO, I JUST HAVE A BIT OF ALLERGIES. 340 00:13:12,634 --> 00:13:13,601 NO, NO, NO, YOU KNOW WHAT? 341 00:13:13,634 --> 00:13:15,067 YOU'RE GOING TO BE FINE. 342 00:13:15,067 --> 00:13:16,266 HE'S PART PIT BULL, AND HE'S A BIT HAIRLESS, TOO, 343 00:13:16,300 --> 00:13:19,199 SO YOUR ALLERGIES SHOULD BE JUST FINE. 344 00:13:19,234 --> 00:13:21,067 YOU KNOW, UM, ACTUALLY, 345 00:13:21,067 --> 00:13:22,968 PEOPLE ARE USUALLY ALLERGIC TO THE SALIVA 346 00:13:23,067 --> 00:13:24,266 MORE THAN THE HAIR. 347 00:13:24,300 --> 00:13:26,132 NORMALLY. 348 00:13:26,167 --> 00:13:26,533 OH. 349 00:13:26,567 --> 00:13:27,766 HUH... 350 00:13:27,800 --> 00:13:29,934 HE'S PEEING, HE'S PEEING. 351 00:13:29,968 --> 00:13:31,167 OH, SHIT. 352 00:13:31,199 --> 00:13:32,500 GOD, DID HE PEE AGAIN? 353 00:13:32,533 --> 00:13:33,466 WHY... 354 00:13:33,500 --> 00:13:34,466 WHY DO YOU PEE ON PEOPLE? 355 00:13:34,500 --> 00:13:35,366 WHY? 356 00:13:35,399 --> 00:13:36,466 YOU KNOW WHAT? 357 00:13:36,500 --> 00:13:37,767 HOW ABOUT WE HELP YOU WITH YOUR BAGS? 358 00:13:37,801 --> 00:13:39,234 OH, YOU GIRLS JUST RELAX 359 00:13:39,267 --> 00:13:40,667 AND LET US BUTCHES UNLOAD THE TRUCK. 360 00:13:40,701 --> 00:13:42,433 COME ON, SHANE. 361 00:13:42,466 --> 00:13:43,634 WHAT? OW! 362 00:13:43,667 --> 00:13:44,801 BIG BUTCH. WHAT? 363 00:13:44,834 --> 00:13:45,933 GO UNLOAD THE TRUCK. 364 00:13:52,901 --> 00:13:55,366 * HELLO TO THE CAR 365 00:13:55,399 --> 00:13:56,767 * SO GLAD TO SEE YOU 366 00:13:56,801 --> 00:14:00,000 * HELLO TO THE TREE 367 00:14:00,000 --> 00:14:01,766 * SO GLAD TO SEE YOU, TOO 368 00:14:01,800 --> 00:14:04,067 * HELLO, MISTER TABLE 369 00:14:04,099 --> 00:14:06,234 * SO GLAD TO SEE YOU 370 00:14:06,267 --> 00:14:08,067 * HELLO, MISTER PALM TREE-- 371 00:14:08,099 --> 00:14:09,132 HEY, WAIT! 372 00:14:09,166 --> 00:14:10,166 WHAT ARE YOU DOING WITH THAT CHILD? 373 00:14:10,199 --> 00:14:11,900 I'M TAKING HER FOR A WALK. 374 00:14:11,933 --> 00:14:13,067 WHO SAID YOU COULD? 375 00:14:13,067 --> 00:14:14,333 HER MOTHER. WHO ARE YOU? 376 00:14:14,367 --> 00:14:15,534 HER AUNT, KIT PORTER. 377 00:14:15,567 --> 00:14:18,833 OH, ANGUS... PARTRIDGE. 378 00:14:18,867 --> 00:14:20,333 I'M HER MANNY. 379 00:14:20,367 --> 00:14:22,234 OH, UH... 380 00:14:22,266 --> 00:14:23,501 EXCUSE ME, DID YOU SAY HER MANNY? 381 00:14:23,533 --> 00:14:25,067 YUP. 382 00:14:25,067 --> 00:14:28,167 OH, SO MY SISTER HIRES A DUDE TO TAKE CARE OF HER BABY. 383 00:14:28,199 --> 00:14:29,501 OH, WELL... 384 00:14:29,533 --> 00:14:31,833 SHE'S SUCH A PROBLEM SOLVER, THAT GIRL. 385 00:14:31,867 --> 00:14:34,500 SHE IS A VERY SMART LADY. YES, SHE IS. 386 00:14:34,533 --> 00:14:36,133 WELL, ANGUS, THE MANNY. 387 00:14:36,167 --> 00:14:37,868 I GOING TO CALL YOU... MANGUS. 388 00:14:37,901 --> 00:14:39,767 OKAY. 389 00:14:39,801 --> 00:14:40,767 WHY DON'T YOU COME IN AND HAVE SOMETHING? 390 00:14:40,801 --> 00:14:41,767 COME AND HAVE A DRINK. 391 00:14:41,801 --> 00:14:43,834 [***] 392 00:14:54,067 --> 00:14:55,167 SO THAT'S MY OFFICE. 393 00:15:00,000 --> 00:15:03,633 [CHUCKLING] 394 00:15:03,666 --> 00:15:04,900 WELL, WHAT DO YOU THINK? 395 00:15:04,934 --> 00:15:09,433 I THINK YOU REALLY KNOW HOW TO DO IT UP. 396 00:15:09,467 --> 00:15:11,199 I'LL SHOW YOU ONE OF THE SOUND STAGES. 397 00:15:14,199 --> 00:15:18,800 SO HAS BETTE FOUND A NEW JOB YET? 398 00:15:20,667 --> 00:15:21,867 OH, SHE'S GOOD AND HUNGRY. 399 00:15:21,900 --> 00:15:23,466 LOOK AT HER. 400 00:15:23,501 --> 00:15:24,567 HEY, SISTER, SIT OVER HERE. 401 00:15:24,600 --> 00:15:25,766 I'M WITH MANGUS. 402 00:15:25,800 --> 00:15:28,067 HEY. 403 00:15:30,634 --> 00:15:31,600 HI! 404 00:15:31,634 --> 00:15:32,801 I SEE YOU'VE MET MY SISTER. 405 00:15:32,834 --> 00:15:34,634 YEAH, I THINK SHE PUT FIVE POUNDS ON ME. 406 00:15:34,667 --> 00:15:35,901 OH, HE CAN AFFORD IT 407 00:15:35,933 --> 00:15:37,734 WITH THAT SKINNY BOOTY OF HIS. 408 00:15:37,767 --> 00:15:39,299 HAVE YOU EVER SEEN ONE SO SMALL 409 00:15:39,334 --> 00:15:41,067 AND TIGHT? 410 00:15:41,100 --> 00:15:42,767 I'M REALLY NOT IN THE HABIT OF CHECKING OUT THE NANNY'S ASS. 411 00:15:42,801 --> 00:15:46,234 OH, WHAT DID YOU GET AT THE BODHI TREE? 412 00:15:46,267 --> 00:15:47,567 I GOT GOING TO PIECES WITHOUT FALLING APART 413 00:15:47,600 --> 00:15:48,933 BY MARK EPSTEIN. 414 00:15:48,968 --> 00:15:49,600 WHY ARE YOU GOING TO PIECES? 415 00:15:49,634 --> 00:15:51,133 WELL, FIRST OF ALL, 416 00:15:51,167 --> 00:15:52,968 THE N.E.A. PULLED THE GRANT FOR MY SHOW THIS MORNING 417 00:15:53,067 --> 00:15:55,067 BECAUSE WE LIVE IN THE MOST REPRESSIVE POLITICAL CLIMATE 418 00:15:55,067 --> 00:15:56,100 IN THE LAST 50 YEARS. 419 00:15:56,133 --> 00:15:57,466 OH, THAT'S SO FUCKED UP. 420 00:15:57,500 --> 00:15:59,567 YEAH, AND THEN SECONDLY, 421 00:15:59,600 --> 00:16:01,066 TINA IS SO FREAKED OUT ABOUT MONEY 422 00:16:01,066 --> 00:16:02,567 THAT I'M BEGINNING TO THINK 423 00:16:02,601 --> 00:16:05,267 THAT MAYBE I SHOULD CONSIDER TAKING THAT CITIBANK JOB, 424 00:16:05,299 --> 00:16:07,734 WHICH JUST MAKES ME WANT TO KILL MYSELF. 425 00:16:07,767 --> 00:16:08,801 DON'T EVEN THINK ABOUT TAKING A JOB 426 00:16:08,833 --> 00:16:09,900 THAT DOESN'T MAKE YOUR HEART SING. 427 00:16:09,933 --> 00:16:11,634 TELL IT LIKE IT IS, MANGUS. 428 00:16:11,666 --> 00:16:13,067 AND BEING ANGELICA'S NANNY? 429 00:16:13,067 --> 00:16:15,801 MAKES MY HEART SING, TOTALLY. 430 00:16:15,833 --> 00:16:17,300 YAY! 431 00:16:17,333 --> 00:16:18,300 YAY! 432 00:16:18,333 --> 00:16:19,667 OH, PEMA CHODRON. 433 00:16:19,701 --> 00:16:22,634 READ THIS ONE FIRST-- COMFORTABLE WITH UNCERTAINTY. 434 00:16:22,667 --> 00:16:23,900 KIT... 435 00:16:23,934 --> 00:16:27,199 THANKS FOR THE CALORIES. 436 00:16:29,766 --> 00:16:31,199 BYE... 437 00:16:36,433 --> 00:16:37,500 KIT? 438 00:16:37,533 --> 00:16:38,801 OH! 439 00:16:38,834 --> 00:16:41,734 UH... OOPS. 440 00:16:41,767 --> 00:16:43,399 HE IS ONE CUTE MANNY. 441 00:16:43,433 --> 00:16:45,067 YOU'RE SO BAD. 442 00:16:53,133 --> 00:16:54,334 [HELENA]: I'VE DECIDED I'M GOING TO HAVE 443 00:16:54,366 --> 00:16:56,133 MUCH MORE OF A PRESENCE HERE. 444 00:16:56,167 --> 00:16:57,634 I DON'T KNOW ANYTHING ABOUT THE FILM INDUSTRY, 445 00:16:57,667 --> 00:17:00,000 BUT I KNOW WE CAN DO BETTER THAN WE HAVE BEEN. 446 00:17:00,000 --> 00:17:02,766 SHAOLIN'S ONLY EVER BEEN INTERESTED 447 00:17:02,801 --> 00:17:05,868 IN LOW-BUDGET B SLASHER MOVIES. 448 00:17:05,900 --> 00:17:08,067 NOT NOW THAT PEABODY OWNS IT. 449 00:17:08,067 --> 00:17:10,467 I MEAN, JUST LOOK AT OUR PUBLISHING HOUSE. 450 00:17:10,500 --> 00:17:14,567 WE HAVE STYRON, DIDION, JOYCE CAROL OATES, NABOKOV. 451 00:17:14,601 --> 00:17:15,634 YOU SHOULD BE MINING ALL THOSE TITLES 452 00:17:15,666 --> 00:17:16,867 FOR DEVELOPMENT. 453 00:17:16,900 --> 00:17:18,199 EXACTLY. 454 00:17:24,199 --> 00:17:27,833 SO... 455 00:17:27,867 --> 00:17:31,266 ARE YOU INTERESTED? 456 00:17:31,300 --> 00:17:33,868 AM I INTERESTED IN WHAT, HELENA? 457 00:17:33,901 --> 00:17:35,067 COMING TO WORK FOR ME-- 458 00:17:35,067 --> 00:17:37,901 WELL, WITH ME. 459 00:17:39,133 --> 00:17:40,100 YOU HAVE MUCH MORE EXPERIENCE AT THIS RACKET 460 00:17:40,133 --> 00:17:41,133 THAN I DO, 461 00:17:41,167 --> 00:17:42,868 SO YOU'D PRETTY MUCH HAVE FREE REIGN 462 00:17:42,901 --> 00:17:44,567 TO DO WHATEVER YOU THINK BEST... 463 00:17:44,600 --> 00:17:47,533 WITHIN REASON. 464 00:17:57,334 --> 00:17:59,634 OH, GOD... 465 00:17:59,667 --> 00:18:00,000 OKAY, SO I JUST WENT 466 00:18:00,000 --> 00:18:01,701 AND LOCKED HIM UP IN MY STUDIO, 467 00:18:01,734 --> 00:18:02,766 BUT YOU DON'T THINK 468 00:18:02,801 --> 00:18:04,166 HE'S GOING TO EAT ANYTHING IN THERE, DO YOU? 469 00:18:04,200 --> 00:18:05,200 I HOPE NOT. 470 00:18:05,234 --> 00:18:06,400 HEY. HI. 471 00:18:09,500 --> 00:18:10,833 EXCUSE ME, THERE, BUDDY. 472 00:18:10,868 --> 00:18:12,933 OH. OH... 473 00:18:12,968 --> 00:18:14,067 I'M JUST GOING TO MOVE SOME OF THESE BAGS 474 00:18:14,067 --> 00:18:15,534 INTO OUR BEDROOM. 475 00:18:15,567 --> 00:18:16,300 DO YOU WANT SOME HELP? 476 00:18:16,333 --> 00:18:17,567 NO, I'VE GOT IT, THANKS. 477 00:18:17,600 --> 00:18:20,100 [UNDER BREATH]: "OUR" FUCKING BEDROOM? 478 00:18:20,132 --> 00:18:22,634 "OUR" BEDROOM? 479 00:18:22,667 --> 00:18:24,900 SHE SAID "OUR" BEDROOM. 480 00:18:24,934 --> 00:18:26,300 DON'T LOOK AT ME. 481 00:18:26,333 --> 00:18:28,067 WELL, DON'T YOU WANT TO FIND OUT? 482 00:18:28,067 --> 00:18:29,234 NO, THIS IS JENNY'S HOUSE. 483 00:18:29,266 --> 00:18:31,367 I KNOW, AND THAT'S GREAT, 484 00:18:31,399 --> 00:18:32,167 BUT DON'T YOU THINK 485 00:18:32,200 --> 00:18:33,366 WE SHOULD'VE HAD SOME NOTICE 486 00:18:33,399 --> 00:18:35,167 IF WE WERE GOING TO GET AN EXTRA ROOMMATE? 487 00:18:35,200 --> 00:18:37,234 HONEY, I'M SURE WE'LL FIND OUT THEIR PLANS 488 00:18:37,267 --> 00:18:38,868 TONIGHT AT DINNER. 489 00:18:38,901 --> 00:18:42,167 OH, MY GOD, IS SHE COMING TO DINNER WITH US? 490 00:18:42,200 --> 00:18:42,868 OF COURSE SHE'S COMING TO DINNER WITH US. 491 00:18:42,901 --> 00:18:44,167 YOU'RE RIGHT. 492 00:18:44,200 --> 00:18:45,100 OF COURSE SHE'S COMING TO DINNER. 493 00:18:45,133 --> 00:18:45,701 COME ON-- I KNOW SHE'S NICE. 494 00:18:45,734 --> 00:18:46,933 DON'T BE LIKE THAT. 495 00:18:46,968 --> 00:18:47,933 OKAY, OKAY, YOU'RE RIGHT-- 496 00:18:47,968 --> 00:18:49,600 HEY, YOU GUYS... 497 00:18:49,634 --> 00:18:51,067 WE BROUGHT YOU A PRESENT FROM LA JUNTA, COLORADO. 498 00:18:51,067 --> 00:18:52,600 WHAT'S THAT? 499 00:18:52,634 --> 00:18:55,933 COW'S BALLS? 500 00:18:55,968 --> 00:18:58,067 [ALICE]: FROM HER NEW ALBUM ON MARFA RECORDS, 501 00:18:58,100 --> 00:18:59,299 THAT WAS AMY COOK 502 00:18:59,334 --> 00:19:01,334 SINGING, "MILLION HOLES IN HEAVEN," 503 00:19:01,367 --> 00:19:03,900 AND I'M ALICE PIESZECKI, 504 00:19:03,934 --> 00:19:06,166 AND YOU'RE LISTENING TO THE CHART ON KCRW. 505 00:19:06,200 --> 00:19:07,166 WELCOME BACK. 506 00:19:07,200 --> 00:19:09,634 TODAY ON THE CHART, 507 00:19:09,666 --> 00:19:14,367 WE'RE LOOKING AT HOW DO YOU END A VICIOUS CYCLE? 508 00:19:14,400 --> 00:19:17,734 OH, AND FOR THOSE OF YOU OUT THERE IN RADIOLAND 509 00:19:17,766 --> 00:19:21,167 WHO ARE SICK OF HEARING ME RANT ABOUT MY EX, DANA, 510 00:19:21,199 --> 00:19:23,766 YOU'LL BE HAPPY TO KNOW THIS IS NOT ABOUT HER. 511 00:19:23,800 --> 00:19:28,667 THIS CONTINUUM OF CONNECTEDNESS IS ABOUT THE CAUSE AND EFFECT 512 00:19:28,701 --> 00:19:31,800 OF ONE PSYCHOTROPIC DRUG AFTER ANOTHER 513 00:19:31,833 --> 00:19:34,901 TO THE POINT WHERE YOU'RE MEDICATING YOUR MEDICATION. 514 00:19:34,933 --> 00:19:37,634 WHY DON'T WE START 515 00:19:37,667 --> 00:19:41,067 WITH THE VERY FIRST ANTI-DEPRESSANT I TRIED. 516 00:19:42,701 --> 00:19:44,167 [LAUGHTER] 517 00:19:44,200 --> 00:19:46,868 [***] 518 00:19:46,901 --> 00:19:49,299 IT MADE ME JUST A LITTLE INTENSE. 519 00:19:49,334 --> 00:19:50,167 [AIR HISSING] 520 00:19:50,200 --> 00:19:51,466 SO THEN I SAID TO MY DOCTOR, 521 00:19:51,500 --> 00:19:54,067 "CAN YOU JUST GIVE ME SOMETHING STRONG, REALLY STRONG, 522 00:19:54,067 --> 00:19:55,067 "THAT'LL JUST MAKE ME HAPPY? 523 00:19:55,100 --> 00:19:57,500 IS THAT TOO MUCH TO ASK?" 524 00:19:57,533 --> 00:20:00,000 SO HE GAVE ME LITHIUM. 525 00:20:00,000 --> 00:20:04,400 SO THIS ONE REALLY JUST MADE ME HALLUCINATE THAT I WAS HAPPY. 526 00:20:04,434 --> 00:20:06,434 DID YOU CHANGE YOUR HAIR? 527 00:20:09,000 --> 00:20:10,734 THEN THE WITHDRAWAL FROM THOSE TWO DRUGS 528 00:20:10,766 --> 00:20:14,199 GAVE ME A.D.D. 529 00:20:14,234 --> 00:20:15,433 SO I GOT THE A.D.D. DRUG. 530 00:20:15,467 --> 00:20:17,300 YOU KNOW THE ONE. 531 00:20:17,333 --> 00:20:19,766 I SNORT MINE. 532 00:20:19,800 --> 00:20:22,900 DO YOU SNORT YOURS? 533 00:20:22,934 --> 00:20:25,067 GERBERMEUNSTER WROTE ME A PRESCRIPTION 534 00:20:25,100 --> 00:20:28,000 FOR THE NEW SSRI, WHICH HE HIGHLY RECOMMENDS, 535 00:20:28,033 --> 00:20:32,834 BUT SAID, UNDER RARE CASES, MAY CAUSE ME TO COMMIT SUICIDE. 536 00:20:37,567 --> 00:20:39,801 SO I WAS A LITTLE SCARED TO TAKE THOSE, 537 00:20:39,834 --> 00:20:41,234 WHICH MEANT I WASN'T ON ANYTHING, 538 00:20:41,267 --> 00:20:44,667 WHICH MEANT I ACTUALLY FELT LIKE HAVING SEX AGAIN... 539 00:20:49,634 --> 00:20:52,234 WHICH REALLY MADE ME WANT TO KILL MYSELF. 540 00:20:55,968 --> 00:20:56,968 [SOBS] 541 00:21:00,000 --> 00:21:02,299 HOW LONG AGO DID YOU FIRST NOTICE IT? 542 00:21:02,334 --> 00:21:04,234 UH, JUST A FEW WEEKS AGO. 543 00:21:04,267 --> 00:21:05,400 OKAY... 544 00:21:05,434 --> 00:21:07,067 ACTUALLY, I PROBABLY NOTICED IT BEFORE THAT, 545 00:21:07,067 --> 00:21:09,132 BUT IT KIND OF WENT AWAY, SO... 546 00:21:11,601 --> 00:21:17,833 I DO HAVE A RASH, IF YOU COULD TAKE A LOOK AT IT. 547 00:21:17,867 --> 00:21:19,968 AH, I BET THAT'S FROM YOUR SPORTS BRA, 548 00:21:20,067 --> 00:21:21,968 AND I CAN GIVE YOU A LITTLE HYDROCORTISONE CREAM 549 00:21:22,067 --> 00:21:23,434 TO HELP SOOTHE IT, 550 00:21:23,466 --> 00:21:26,667 BUT IS THERE ANY HISTORY OF BREAST CANCER IN YOUR FAMILY? 551 00:21:26,701 --> 00:21:29,300 NOT THAT I KNOW OF. 552 00:21:29,333 --> 00:21:30,800 YOU REALLY SHOULD FIND OUT, DANA. 553 00:21:30,833 --> 00:21:31,900 ARE YOUR PARENTS STILL ALIVE? 554 00:21:31,934 --> 00:21:34,634 YES, STILL ALIVE, STILL TOGETHER. 555 00:21:34,667 --> 00:21:35,968 GREAT. 556 00:21:36,067 --> 00:21:39,067 SO ASK YOUR MOM FOR A HISTORY OF YOUR FAMILY, OKAY, 557 00:21:39,067 --> 00:21:41,267 BECAUSE IT'S JUST, YOU KNOW, A GOOD THING TO KNOW. 558 00:21:41,299 --> 00:21:43,433 MM-HMM. 559 00:21:43,466 --> 00:21:45,234 SO HAVE THERE BEEN ANY CHANGES 560 00:21:45,267 --> 00:21:46,834 IN THE COLOR OR TEXTURE OF YOUR BREASTS? 561 00:21:46,868 --> 00:21:48,133 MM-MM, NO. 562 00:21:48,167 --> 00:21:50,067 AND ANY DISCHARGE FROM THE NIPPLE? 563 00:21:50,067 --> 00:21:51,067 MM, NO. 564 00:21:51,100 --> 00:21:53,267 OKAY, UP YOU GET. 565 00:21:54,600 --> 00:21:56,399 USUALLY, THESE LITTLE CYSTS ARE BENIGN. 566 00:21:56,433 --> 00:21:59,067 A LOT OF WOMEN JUST HAVE LUMPY BREASTS. 567 00:21:59,067 --> 00:22:01,300 I DO, I HAVE FIBROUS BREASTS. 568 00:22:01,334 --> 00:22:02,801 IT'S PRETTY GROSS. 569 00:22:02,834 --> 00:22:04,434 IT'S PERFECTLY NORMAL, 570 00:22:04,466 --> 00:22:07,299 AND I'M JUST CHECKING YOUR LYMPH NODES HERE. 571 00:22:07,333 --> 00:22:08,701 ESPECIALLY IN WOMEN YOUR AGE, 572 00:22:08,734 --> 00:22:10,067 IT'S UNLIKELY 573 00:22:10,067 --> 00:22:11,467 THERE'S ANYTHING TO BE TOO CONCERNED ABOUT. 574 00:22:11,500 --> 00:22:12,500 OKAY. 575 00:22:12,534 --> 00:22:14,234 I'LL JUST CHECK THE OTHER SIDE FOR YOU. 576 00:22:14,266 --> 00:22:15,467 OKAY. 577 00:22:16,533 --> 00:22:17,900 WELL, THE LYMPH NODES ARE A LITTLE SWOLLEN, 578 00:22:17,934 --> 00:22:19,067 BUT THAT COULD BE FROM ANYTHING, 579 00:22:19,067 --> 00:22:20,067 A COLD, 580 00:22:20,100 --> 00:22:23,367 EVEN BRUSHING YOUR TEETH TOO HARD. 581 00:22:23,399 --> 00:22:26,533 I AM A SUPER HARD TEETH BRUSHER. 582 00:22:26,567 --> 00:22:27,667 WELL, YOU'RE TOO YOUNG, DANA, 583 00:22:27,701 --> 00:22:30,634 TO START GETTING MAMMOGRAMS ON A REGULAR BASIS, 584 00:22:30,667 --> 00:22:31,667 BUT I'D LIKE TO DO ONE 585 00:22:31,701 --> 00:22:32,933 JUST TO MAKE SURE EVERYTHING'S ALL RIGHT. 586 00:22:34,433 --> 00:22:37,567 SO I AM GOING TO SEND YOU DOWN 587 00:22:37,600 --> 00:22:39,533 TO RADIATION, 588 00:22:39,567 --> 00:22:40,667 AND YOU JUST TAKE THAT WITH YOU. 589 00:22:48,067 --> 00:22:49,868 FUCK... 590 00:22:53,067 --> 00:22:54,334 OH! 591 00:22:54,366 --> 00:22:55,366 HI, RUTH. HOW ARE YOU? 592 00:22:55,399 --> 00:22:57,133 27, ALICE. 593 00:22:57,167 --> 00:22:59,133 27... 594 00:22:59,167 --> 00:23:00,000 27? WHAT DO YOU MEAN? 595 00:23:00,000 --> 00:23:03,100 THAT'S THE NUMBER OF TIMES THAT YOU MENTIONED DANA 596 00:23:03,133 --> 00:23:04,133 IN THIS BROADCAST, 597 00:23:04,166 --> 00:23:05,133 WHICH IS DOWN 598 00:23:05,166 --> 00:23:07,200 FROM 43 IN THE PREVIOUS SHOW. 599 00:23:07,234 --> 00:23:09,367 SEE, WHAT DID I TELL YOU? 600 00:23:09,400 --> 00:23:10,400 I'M PRACTICALLY OVER HER. 601 00:23:10,433 --> 00:23:13,701 I COULD FIRE YOU RIGHT NOW. 602 00:23:13,734 --> 00:23:14,801 YOU COULD? 603 00:23:14,833 --> 00:23:15,968 BUT I'M NOT GOING TO. 604 00:23:16,067 --> 00:23:19,533 I AM GOING TO GIVE YOU ONE MORE CHANCE, 605 00:23:19,567 --> 00:23:21,934 BUT I NEED TO KNOW IN ADVANCE 606 00:23:21,968 --> 00:23:23,634 WHAT YOUR TOPICS ARE GOING TO BE, 607 00:23:23,667 --> 00:23:25,867 AND I'D LIKE TO SEE A SCRIPT. 608 00:23:25,900 --> 00:23:27,367 YES, I'D LIKE TO SEE A SCRIPT-- 609 00:23:27,399 --> 00:23:28,567 I NEED TO SEE A SCRIPT, 610 00:23:28,600 --> 00:23:31,434 IN WHICH THE LETTERS D-A FOLLOWED BY N-A 611 00:23:31,466 --> 00:23:32,634 ARE NOWHERE IN EVIDENCE. 612 00:23:32,667 --> 00:23:33,901 HOW ABOUT THAT? 613 00:23:33,933 --> 00:23:35,466 OKAY. 614 00:23:35,500 --> 00:23:37,100 OKAY... 615 00:23:38,133 --> 00:23:39,634 YOU LOOK GOOD! 616 00:23:39,667 --> 00:23:41,334 IN THE ORANGE... 617 00:23:42,933 --> 00:23:46,067 OKAY, COME CLOSER. 618 00:23:46,067 --> 00:23:47,299 I'M GOING TO TAKE YOUR BREAST... 619 00:23:47,334 --> 00:23:48,466 COME ON. 620 00:23:48,500 --> 00:23:49,634 LIKE THIS? 621 00:23:49,667 --> 00:23:52,133 MM-HMM. I'LL PLACE IT ON THE LOWER PLATE... 622 00:23:52,167 --> 00:23:53,133 THAT'S GOOD. 623 00:23:53,167 --> 00:23:54,133 LIKE THIS? JUST... 624 00:23:54,167 --> 00:23:55,234 MM-HMM. ALL RIGHT. 625 00:23:55,267 --> 00:23:57,734 AND THEN I'M GOING TO LOWER THE UPPER PLATE. 626 00:23:57,767 --> 00:23:59,200 OKAY. 627 00:24:05,666 --> 00:24:09,367 NOW, IT MAY BE A LITTLE UNCOMFORTABLE, 628 00:24:09,400 --> 00:24:11,132 BUT IT'LL ONLY LAST FOR A FEW SECONDS. 629 00:24:11,166 --> 00:24:13,099 THAT'S ALL RIGHT, I'M A HARD-ASS... 630 00:24:13,132 --> 00:24:14,132 A HARD BOOB. 631 00:24:14,166 --> 00:24:15,166 HOLD YOUR BREATH. 632 00:24:15,199 --> 00:24:16,600 OKAY. 633 00:24:17,567 --> 00:24:20,968 [MACHINERY CLICKS, WHIRS] 634 00:24:21,067 --> 00:24:23,100 [WOMAN, OVER RADIO]: THIS IS KCRW SANTA MONICA 635 00:24:23,132 --> 00:24:24,667 AT 89.9. 636 00:24:24,701 --> 00:24:26,132 HAND-PICKED MUSIC AND NPR NEWS 637 00:24:26,167 --> 00:24:27,567 MORNING, NOON, AND NIGHT. 638 00:24:27,600 --> 00:24:29,333 DON'T FORGET TO LISTEN TO THE CHART 639 00:24:29,367 --> 00:24:30,934 WITH ALICE PIESZECKI 640 00:24:30,968 --> 00:24:32,433 THURSDAY AFTERNOON AT 3:00. 641 00:24:32,466 --> 00:24:34,100 [ALICE, RECORDED VOICE]: DANA! 642 00:24:34,133 --> 00:24:35,466 [LAUGHING] 643 00:24:35,500 --> 00:24:37,067 EXCUSE ME? 644 00:24:37,067 --> 00:24:38,267 EXCUSE ME, SORRY. 645 00:24:38,299 --> 00:24:39,133 WOULD YOU MIND TURNING THAT OFF? 646 00:24:39,167 --> 00:24:40,433 THANKS. 647 00:24:40,466 --> 00:24:44,200 GOD, THAT SHOW IS SO FUNNY. 648 00:24:44,234 --> 00:24:45,767 ALICE PIESZECKI, THE HOST, 649 00:24:45,801 --> 00:24:46,933 IS COMPLETELY FALLING APART 650 00:24:46,968 --> 00:24:48,634 BECAUSE HER GIRLFRIEND LEFT HER. 651 00:24:48,667 --> 00:24:53,968 THE GIRLFRIEND JUST SEEMS LIKE THIS COMPLETE NITWIT, 652 00:24:54,067 --> 00:24:55,067 AND YOU DON'T KNOW WHY ALICE 653 00:24:55,067 --> 00:24:57,500 IS SO OBSESSED WITH HER IN THE FIRST PLACE-- 654 00:24:57,533 --> 00:25:00,000 DO YOU HAVE ANY IDEA WHY THIS IS TAKING SO LONG? 655 00:25:00,000 --> 00:25:02,234 DANA FAIRBANKS? 656 00:25:02,266 --> 00:25:03,734 DR. WILSON IS WAITING FOR YOU IN HER OFFICE. 657 00:25:03,766 --> 00:25:04,801 YOU CAN GO BACK UPSTAIRS. 658 00:25:04,833 --> 00:25:06,533 OKAY, THANKS. 659 00:25:09,367 --> 00:25:10,601 [CLEARS THROAT] 660 00:25:10,634 --> 00:25:11,701 [WOMAN, OVER P.A.]: DR. WILDER, TELEPHONE, 661 00:25:11,734 --> 00:25:13,666 EXTENSION 23. 662 00:25:15,067 --> 00:25:16,501 "BI RAD"? 663 00:25:16,533 --> 00:25:18,934 IT SOUNDS LIKE A PERSONAL AD FOR MY EX-GIRLFRIEND. 664 00:25:18,968 --> 00:25:20,600 RIGHT. 665 00:25:20,634 --> 00:25:23,800 WELL, A BIRAD 4 IS A DIAGNOSTIC ASSESSMENT. 666 00:25:23,833 --> 00:25:25,367 NOW, THIS SUSPICIOUS MASS, DANA, 667 00:25:25,399 --> 00:25:27,300 IT COULD BE ABSOLUTELY NOTHING. 668 00:25:27,333 --> 00:25:28,367 IT COULD BE WHAT WE CALL 669 00:25:28,399 --> 00:25:30,567 A FIBROADENOMA. 670 00:25:30,600 --> 00:25:33,433 FIBER... EDAMAME? 671 00:25:33,466 --> 00:25:36,466 I'VE GOT SOY BEAN PODS IN MY BOOBS? 672 00:25:36,500 --> 00:25:38,533 IT'S A BENIGN SOLID LUMP, 673 00:25:38,567 --> 00:25:41,267 BUT WITH A BIRAD 4, WE'RE GOING TO DO A BIOPSY. 674 00:25:41,299 --> 00:25:44,399 NOW, I CAN GET YOU IN FOR THAT TOMORROW 675 00:25:44,433 --> 00:25:46,067 WITH DR. SHAPIRO. 676 00:25:46,067 --> 00:25:47,433 I'M SUPPOSED TO GO OUT TO DINNER TONIGHT. 677 00:25:47,466 --> 00:25:48,767 YOU GO RIGHT AHEAD. 678 00:25:48,801 --> 00:25:51,500 I MEAN, JUST DO EXACTLY AS YOU WERE PLANNING TO DO, 679 00:25:51,533 --> 00:25:53,868 BECAUSE THIS IS NOT A DIAGNOSIS, 680 00:25:53,901 --> 00:25:56,234 AND WITH BIOPSIES IN PREMENOPAUSAL WOMEN, 681 00:25:56,267 --> 00:25:57,901 THEY'RE MOSTLY BENIGN. 682 00:25:57,933 --> 00:26:00,000 SO IT'S... IT'S PROBABLY NOTHING, RIGHT? 683 00:26:00,000 --> 00:26:02,234 WELL, WE'RE GOING TO FIND OUT FOR SURE, 684 00:26:02,266 --> 00:26:04,900 BUT TRY NOT TO THINK ABOUT IT TONIGHT, ALL RIGHT? 685 00:26:04,934 --> 00:26:06,567 YEAH, SURE, I CAN DO THAT. 686 00:26:06,601 --> 00:26:07,734 YEAH. 687 00:26:17,434 --> 00:26:18,399 IS SHE ASLEEP? 688 00:26:18,434 --> 00:26:21,501 UH-HUH, IN OUR BED. 689 00:26:25,934 --> 00:26:28,667 HOW WAS YOUR LUNCH WITH HELENA? 690 00:26:28,701 --> 00:26:30,968 IT'S... UH, FINE. 691 00:26:37,533 --> 00:26:40,133 ARE YOU HIDING A BOOK IN THAT MAGAZINE? 692 00:26:46,600 --> 00:26:47,567 IT'S, UM, 693 00:26:47,600 --> 00:26:48,567 MARK EPSTEIN TALKED ABOUT IT 694 00:26:48,600 --> 00:26:50,834 IN HIS LECTURE LAST WEEK. 695 00:26:50,868 --> 00:26:54,067 SHE'S A BUDDHIST PHILOSOPHER, PEMA CHODRON. 696 00:26:54,100 --> 00:26:57,366 OH... 697 00:26:57,399 --> 00:26:58,567 OH, CUTE. 698 00:26:58,600 --> 00:27:00,000 SHE LOOKS LIKE A WOOKIE. 699 00:27:00,000 --> 00:27:02,067 ACTUALLY, THERE'S A LOT IN THERE 700 00:27:02,067 --> 00:27:03,299 THAT REMINDED ME OF YOU. 701 00:27:05,367 --> 00:27:06,634 THERE'S THIS ONE PASSAGE... 702 00:27:08,099 --> 00:27:10,367 UM... 703 00:27:10,400 --> 00:27:13,801 "WE WORK ON OURSELVES IN ORDER TO HELP OTHERS, 704 00:27:13,833 --> 00:27:14,968 "BUT WE ALSO HELP OTHERS 705 00:27:15,067 --> 00:27:17,567 IN ORDER TO WORK ON OURSELVES." 706 00:27:17,600 --> 00:27:18,900 I DON'T KNOW ABOUT THAT. 707 00:27:18,934 --> 00:27:19,968 SOME OF THE PEOPLE I WORKED WITH, 708 00:27:20,067 --> 00:27:20,968 THEY'RE TRULY SELFLESS. 709 00:27:21,067 --> 00:27:22,434 OH, NO, NO. 710 00:27:22,466 --> 00:27:23,501 I DON'T THINK SHE MEANT IT THE WAY THAT YOU'RE TAKING IT-- 711 00:27:23,533 --> 00:27:24,800 OH. 712 00:27:24,833 --> 00:27:26,701 THAT'S, UM... 713 00:27:26,734 --> 00:27:28,199 OH, ACTUALLY, THERE'S ANOTHER PASSAGE 714 00:27:28,234 --> 00:27:30,234 THAT REMINDED ME OF ME. 715 00:27:30,266 --> 00:27:31,300 I... 716 00:27:33,767 --> 00:27:39,234 "FEELING IRRITATED, RESTLESS, AFRAID, AND HOPELESS... 717 00:27:39,267 --> 00:27:40,600 [BABY STIRS] 718 00:27:40,634 --> 00:27:43,500 ...IS A REMINDER TO LISTEN MORE CAREFULLY." 719 00:27:45,634 --> 00:27:46,933 I'M GOING TO GO FEED HER 720 00:27:46,968 --> 00:27:49,067 IF WE'RE GOING TO GO TO THIS JENNY DINNER. 721 00:27:52,634 --> 00:27:54,267 WILL YOU CALL ANGUS 722 00:27:54,299 --> 00:27:57,167 AND MAKE SURE HE'S ON HIS WAY? 723 00:28:03,834 --> 00:28:08,801 HELENA PEABODY OFFERED ME A JOB. 724 00:28:08,833 --> 00:28:11,367 HI... 725 00:28:11,400 --> 00:28:13,567 ARE YOU CONSIDERING IT? 726 00:28:15,067 --> 00:28:16,434 I DON'T KNOW YET. 727 00:28:16,466 --> 00:28:18,067 SOMEBODY IN THIS FAMILY'S GOT TO MAKE A LIVING. 728 00:28:18,067 --> 00:28:21,734 I HAVE MADE A LIVING FOR THE LAST 15 YEARS. 729 00:28:21,766 --> 00:28:23,266 I DON'T THINK MY ABILITY TO MAKE A LIVING 730 00:28:23,300 --> 00:28:24,367 IS REALLY IN QUESTION. 731 00:28:24,399 --> 00:28:25,934 I'M NOT QUESTIONING YOUR ABILITY. 732 00:28:25,968 --> 00:28:28,968 I'M QUESTIONING YOUR DESIRE. 733 00:28:30,466 --> 00:28:32,167 I THOUGHT YOU HATED THE MOVIE BUSINESS. 734 00:28:32,200 --> 00:28:34,734 THERE'S A LOT I HATE ABOUT THE MOVIE BUSINESS. 735 00:28:34,767 --> 00:28:36,299 I DEFINITELY HAVEN'T SAID YES, 736 00:28:36,334 --> 00:28:40,067 BUT SHE MADE IT VERY ATTRACTIVE. 737 00:28:40,100 --> 00:28:42,200 SO THEN THERE'S NO REASON 738 00:28:42,234 --> 00:28:44,567 THAT I SHOULD FEEL THREATENED, OR... 739 00:28:47,067 --> 00:28:48,634 NO, THERE'S NOTHING BETWEEN US ANYMORE. 740 00:28:48,667 --> 00:28:49,868 NOTHING AT ALL. 741 00:28:52,133 --> 00:28:53,634 WELL, DID YOU TALK ABOUT MONEY? 742 00:28:53,667 --> 00:28:55,767 NO, NOT YET. 743 00:28:55,801 --> 00:28:58,868 I DON'T-- I DON'T KNOW. 744 00:28:58,901 --> 00:29:00,000 I STILL DON'T KNOW IF I'M OKAY WITH IT. I... 745 00:29:00,000 --> 00:29:03,166 I'M NOT SURE IT'S UP TO YOU. 746 00:29:05,067 --> 00:29:06,634 [ALICE]: YOU KNOW WHAT, 747 00:29:06,666 --> 00:29:07,700 YOU GUYS, 748 00:29:07,734 --> 00:29:08,868 I TOTALLY THINK IT'S AN EITHER/OR. 749 00:29:08,900 --> 00:29:10,467 I THINK JENNY CAN HAVE ME AT THIS PARTY, 750 00:29:10,500 --> 00:29:12,234 OR SHE CAN HAVE DANA AND LARA. 751 00:29:12,266 --> 00:29:14,333 JENNY'S GIRLFRIEND'S A HUGE TENNIS FAN. 752 00:29:14,367 --> 00:29:16,333 SHE THINKS DANA'S FANTASTIC. 753 00:29:16,367 --> 00:29:17,734 WELL, WHOOP-DE-FUCKING-DO. 754 00:29:17,766 --> 00:29:19,634 YOU KNOW, I DON'T UNDERSTAND 755 00:29:19,667 --> 00:29:20,701 WHY I'M ALWAYS THE ONE 756 00:29:20,734 --> 00:29:22,501 WHO ALWAYS HAS TO BEHAVE. 757 00:29:24,167 --> 00:29:25,533 [WHISPERING]: SHANE. YEAH. 758 00:29:25,567 --> 00:29:26,533 COME HERE. 759 00:29:26,567 --> 00:29:29,800 OH, MY GOD, HAVE YOU SEEN THIS? 760 00:29:29,833 --> 00:29:32,433 THAT'S NOTHING. YOU SHOULD HAVE SEEN IT BEFORE. 761 00:29:32,466 --> 00:29:33,433 HEY, AL, CAN YOU HURRY UP? 762 00:29:33,466 --> 00:29:34,433 WE'RE LATE! 763 00:29:34,466 --> 00:29:36,200 OKAY! 764 00:29:36,234 --> 00:29:37,299 I'M EXCITED WE'RE GOING TO TILE. 765 00:29:37,334 --> 00:29:38,399 IT WAS WRITTEN UP LAST WEEK 766 00:29:38,433 --> 00:29:39,933 IN L.A. MAGAZINE. 767 00:29:39,968 --> 00:29:42,667 SUPPOSEDLY THIS CHEF, ARMYAN PEARLMAN, 768 00:29:42,701 --> 00:29:44,067 IS REINVENTING THE FOOD PREPARATION-- 769 00:29:46,167 --> 00:29:48,067 YEAH, I'M... 770 00:29:48,067 --> 00:29:49,067 I'M THROWING IT AWAY. 771 00:29:49,100 --> 00:29:50,200 I'M DONE WITH IT. 772 00:29:50,234 --> 00:29:51,167 I JUST HAVEN'T GOTTEN AROUND TO IT, OKAY? 773 00:29:51,200 --> 00:29:52,334 YEAH. YEAH, TOTALLY. 774 00:29:52,366 --> 00:29:54,334 THAT'S FINE. 775 00:29:54,366 --> 00:29:56,399 HEY, DO YOU THINK MY LIPSTICK'S, LIKE, 776 00:29:56,433 --> 00:29:58,067 TOO LURID? 777 00:29:58,100 --> 00:29:59,466 MM, YOU KNOW, 778 00:29:59,500 --> 00:30:00,000 WHY DON'T YOU JUST BLOT IT A LITTLE BIT. 779 00:30:00,000 --> 00:30:01,800 REALLY? DO YOU HAVE SOMETHING? 780 00:30:01,834 --> 00:30:02,900 YEAH. 781 00:30:02,934 --> 00:30:04,634 THAT'S OKAY. 782 00:30:04,666 --> 00:30:06,267 OKAY, LET'S GO. 783 00:30:08,000 --> 00:30:09,766 [ALICE]: SO, WHAT'S JENNY'S NEW GIRLFRIEND LIKE? 784 00:30:09,801 --> 00:30:12,701 [WHISPERS]: WOW... 785 00:30:12,734 --> 00:30:15,132 UM, JENNY'S GIRLFRIEND? 786 00:30:15,166 --> 00:30:16,333 I THINK SHE'S SWEET. 787 00:30:16,367 --> 00:30:18,434 YEAH? YEAH... 788 00:30:19,900 --> 00:30:21,533 SHANE, LOCK THE DOOR. 789 00:30:22,867 --> 00:30:25,867 [LOW CONVERSATION, INDISTINCT] 790 00:30:25,900 --> 00:30:27,466 OH, I KNOW. 791 00:30:27,501 --> 00:30:28,501 HEY... 792 00:30:28,533 --> 00:30:29,766 HEY, GUYS. 793 00:30:29,800 --> 00:30:31,600 HEY... 794 00:30:31,634 --> 00:30:32,868 BEEN WAITING LONG? NO. 795 00:30:32,901 --> 00:30:34,299 HI. HOW ARE YOU DOING? 796 00:30:34,334 --> 00:30:36,167 GOOD. HOW ARE YOU? 797 00:30:36,200 --> 00:30:37,500 HI, ALICE. 798 00:30:37,533 --> 00:30:40,167 HEY. 799 00:30:41,734 --> 00:30:43,433 IS JENNY WITH YOU GUYS? 800 00:30:43,466 --> 00:30:45,167 NO, NO, BUT SHE'LL BE HERE SOON. 801 00:30:45,200 --> 00:30:46,933 HOW IS SHE? SHE SEEMS REALLY GOOD. 802 00:30:46,968 --> 00:30:48,100 YEAH, SHE'S GOT A NEW GIRLFRIEND. 803 00:30:48,133 --> 00:30:49,466 REALLY? YEAH. 804 00:30:49,500 --> 00:30:50,767 IMPORTED FROM SPOKANE. 805 00:30:50,801 --> 00:30:52,366 SKOKIE. 806 00:30:52,399 --> 00:30:54,200 WHATEVER. THEY'RE BOTH IN THE MIDWEST, RIGHT? 807 00:30:54,234 --> 00:30:55,500 BUT SHE'S OKAY? 808 00:30:55,533 --> 00:30:58,133 SHE'S HAPPY, SHE'S NOT... 809 00:30:58,167 --> 00:31:00,000 SHE'S HEALTHY, RIGHT, AND SHE'S NOT DOING THE... 810 00:31:00,000 --> 00:31:01,500 YEAH, NO, NO, NO. 811 00:31:01,534 --> 00:31:03,434 I THINK SHE'S BEEN OUT OF THE HOSPITAL, NOW, 812 00:31:03,467 --> 00:31:04,634 FOR FIVE MONTHS. 813 00:31:04,666 --> 00:31:05,666 SHE SEEMS TO BE DOING REALLY WELL. 814 00:31:05,700 --> 00:31:06,700 OH, GOOD. 815 00:31:06,734 --> 00:31:08,400 I HAD A COUSIN WHO WAS A CUTTER. 816 00:31:08,433 --> 00:31:12,099 THE URGE IS SO POWERFUL. 817 00:31:12,132 --> 00:31:13,500 HI. 818 00:31:13,534 --> 00:31:14,666 HEY... 819 00:31:16,867 --> 00:31:18,067 HI. I'M SORRY. 820 00:31:18,100 --> 00:31:20,434 HI! HOW ARE YOU? 821 00:31:20,466 --> 00:31:21,667 YOU LOOK GREAT. 822 00:31:21,701 --> 00:31:23,501 HOW WAS THE DRIVE OVER? 823 00:31:23,533 --> 00:31:24,934 GREAT. HI. 824 00:31:27,600 --> 00:31:29,300 OH, I'M SORRY. THIS IS MOIRA. 825 00:31:29,333 --> 00:31:30,501 HEY... 826 00:31:30,533 --> 00:31:31,833 HEY. 827 00:31:31,867 --> 00:31:33,200 HI, EVERYBODY. 828 00:31:33,234 --> 00:31:34,399 HI. 829 00:31:34,433 --> 00:31:37,100 NICE TO MEET YOU. I'M BETTE. 830 00:31:37,133 --> 00:31:38,167 MOIRA. 831 00:31:38,200 --> 00:31:39,334 NICE TO MEET YOU. 832 00:31:41,067 --> 00:31:42,366 HEY. 833 00:31:42,399 --> 00:31:43,834 YOU KNOW, DANA, MOIRA'S A HUGE FAN OF YOURS. 834 00:31:43,868 --> 00:31:45,701 OH, REALLY? 835 00:31:45,734 --> 00:31:48,167 YEAH, I'M A REALLY HUGE FAN, ACTUALLY. 836 00:31:48,200 --> 00:31:49,533 THAT'S NICE. THANK YOU. 837 00:31:54,600 --> 00:31:56,968 [LOW CONVERSATION] 838 00:32:02,801 --> 00:32:06,666 UM... 839 00:32:06,700 --> 00:32:09,234 I'LL JUST HAVE A SALAD AND A SIDE OF FRIES. 840 00:32:09,266 --> 00:32:10,933 TONIGHT'S GREEN SALAD IS ROCKET, FRISEE, 841 00:32:10,968 --> 00:32:13,067 AND SHAVED JERUSALEM ARTICHOKES 842 00:32:13,067 --> 00:32:14,400 WITH A PINECONE-INFUSED JUS. 843 00:32:14,433 --> 00:32:16,167 AND HOW MUCH IS THAT? 844 00:32:16,199 --> 00:32:18,300 $14, MA'AM. 845 00:32:18,333 --> 00:32:19,399 OKAY. 846 00:32:19,434 --> 00:32:21,833 ACTUALLY, I STILL READ SCREENPLAYS 847 00:32:21,867 --> 00:32:23,734 FOR A COUPLE SCREENWRITER FRIENDS THAT I KNOW. 848 00:32:23,766 --> 00:32:25,167 I WOULD LOVE THAT. 849 00:32:25,199 --> 00:32:26,800 HAVE YOU DECIDED, MA'AM? 850 00:32:26,833 --> 00:32:29,132 I WOULD LIKE WHATEVER THE CHEF RECOMMENDS. 851 00:32:29,167 --> 00:32:30,199 WHAT'S GOOD TONIGHT? 852 00:32:30,234 --> 00:32:32,600 ARMYAN IS RECOMMENDING THE LOBSTER TONIGHT. 853 00:32:32,634 --> 00:32:33,868 IT COMES WITH SAUTEED BABY CHICORY, 854 00:32:33,901 --> 00:32:36,634 LEMON FROTH, AND SHAVED DRIED TUNA ROE. 855 00:32:36,667 --> 00:32:37,767 SOLD. 856 00:32:37,801 --> 00:32:38,801 SOUNDS REALLY GOOD. 857 00:32:38,834 --> 00:32:40,067 I LOVE LOBSTER. 858 00:32:40,100 --> 00:32:41,366 OH, BABY, YOU SHOULD GO FOR IT. 859 00:32:41,399 --> 00:32:43,634 ARMYAN DOES AMAZING THINGS WITH SEAFOOD, YOU GUYS. 860 00:32:43,667 --> 00:32:45,500 WELL... 861 00:32:45,533 --> 00:32:47,801 ACCORDING TO L.A. MAGAZINE RESTAURANT REVIEWS, 862 00:32:47,834 --> 00:32:50,399 BUT WHO READS THAT? 863 00:32:50,433 --> 00:32:51,399 [CLEARS THROAT] 864 00:32:51,433 --> 00:32:53,767 OKAY, I'LL HAVE THE CIOPPINO. 865 00:32:53,801 --> 00:32:56,067 GREAT. THANK YOU... 866 00:32:56,067 --> 00:32:57,299 ALTHOUGH I'M SURE IT DOESN'T COMPARE 867 00:32:57,334 --> 00:32:58,433 TO THE ONE LARA MADE LAST WEEK. 868 00:32:58,466 --> 00:33:00,000 IT WAS AMAZING. 869 00:33:00,000 --> 00:33:02,067 IT WAS GOOD, DAMN GOOD. 870 00:33:02,067 --> 00:33:03,467 OH, YEAH, I WAS GOING TO ASK YOU GUYS. 871 00:33:03,500 --> 00:33:07,299 WHEN YOU HAD MARTINA AND TERESA OVER, 872 00:33:07,333 --> 00:33:07,934 WHAT DID THEY THINK OF THAT SCULPTURE 873 00:33:07,968 --> 00:33:09,367 IN YOUR HOUSE? 874 00:33:09,400 --> 00:33:11,333 YOU KNOW THAT ONE WITH TWO ATHLETE BODIES? 875 00:33:11,367 --> 00:33:12,634 THAT, LIKE, KIND OF UGLY... 876 00:33:12,666 --> 00:33:13,634 WHERE THEY'RE, LIKE... 877 00:33:13,666 --> 00:33:15,400 HOW DO YOU-- WHAT? 878 00:33:15,433 --> 00:33:17,300 THAT FREAKS ME OUT. HOW DID SHE KNOW 879 00:33:17,333 --> 00:33:18,300 THAT WE HAD MARTINA OVER FOR DINNER? 880 00:33:18,333 --> 00:33:19,300 JUST LET IT GO, BABY, PLEASE. 881 00:33:19,333 --> 00:33:20,300 ARE YOU READY TO ORDER? 882 00:33:20,333 --> 00:33:21,466 OH, YES, UM... 883 00:33:21,501 --> 00:33:24,333 THE GREEN PEA RAVIOLI, PLEASE. 884 00:33:24,367 --> 00:33:25,367 THANK YOU. 885 00:33:25,399 --> 00:33:26,333 DID YOU ORDER? I'M SORRY. 886 00:33:26,367 --> 00:33:27,466 OH, YEAH. 887 00:33:27,501 --> 00:33:29,100 JENNY, TELL ME ABOUT YOUR BOOK, YOUR EDITOR. 888 00:33:29,132 --> 00:33:31,067 HAVE YOU HEARD BACK FROM THEM LATELY? 889 00:33:31,067 --> 00:33:32,834 NO, I THINK SHE HAS A VERY BUSY SCHEDULE. 890 00:33:32,868 --> 00:33:33,801 OH... 891 00:33:33,834 --> 00:33:35,834 MOIRA, DO YOU READ JENNY'S STUFF? 892 00:33:35,868 --> 00:33:37,701 UM, WELL, I'M A COMPUTER TECHNICIAN. 893 00:33:37,734 --> 00:33:40,133 SO... 894 00:33:40,167 --> 00:33:40,968 THAT DOESN'T-- SO WHAT? 895 00:33:41,067 --> 00:33:42,133 DON'T SAY THAT. 896 00:33:42,167 --> 00:33:44,366 SO WHO IS THE EDITOR THAT YOU SENT IT TO? 897 00:33:44,399 --> 00:33:45,466 THIS LADY 898 00:33:45,500 --> 00:33:46,968 NAMED JAN MARTIN. 899 00:33:47,067 --> 00:33:48,334 OH, MY GOD, JAN MARTIN. 900 00:33:48,366 --> 00:33:49,234 YOU KNOW HER? YEAH, SHE'S FAMOUS. 901 00:33:49,267 --> 00:33:50,500 SHE'S THAT NEW YORK LADY 902 00:33:50,533 --> 00:33:51,567 YOU USED TO TELL ME ABOUT, THE BIG EDITOR? 903 00:33:51,600 --> 00:33:52,834 THAT YOU ALWAYS USED TO TALK ABOUT? 904 00:33:52,868 --> 00:33:54,399 DID YOU SEND IT TO HER DIRECTLY, 905 00:33:54,433 --> 00:33:56,634 OR DO YOU KNOW HER, I MEAN, FROM SCHOOL? 906 00:33:56,667 --> 00:33:59,366 I MET HER BECAUSE HER DAUGHTER WAS MY ROOMMATE IN THE HOSPITAL, 907 00:33:59,399 --> 00:34:02,334 SO JAN WOULD COME IN AND VISIT HER. 908 00:34:02,367 --> 00:34:04,133 WAS HER DAUGHTER A... 909 00:34:04,166 --> 00:34:05,567 CUTTER, TOO? 910 00:34:05,601 --> 00:34:06,434 OH, GOD. 911 00:34:06,466 --> 00:34:08,199 ALICE... 912 00:34:08,234 --> 00:34:09,868 IT'S FINE. YOU KNOW WHAT? 913 00:34:09,900 --> 00:34:11,199 IT'S SO GOOD TO TALK ABOUT IT, 914 00:34:11,234 --> 00:34:13,067 BECAUSE, FUCK IT, IT HAPPENED, 915 00:34:13,067 --> 00:34:14,199 AND IT'S BETTER NOT TO TIPTOE AROUND-- 916 00:34:14,234 --> 00:34:16,132 WELL, THAT'S VERY GENEROUS OF YOU. 917 00:34:16,167 --> 00:34:17,634 AND YOU'RE HEALTHY? 918 00:34:17,667 --> 00:34:18,867 I'M FINE. 919 00:34:18,900 --> 00:34:20,067 THAT'S ALL THAT MATTERS, RIGHT? 920 00:34:20,067 --> 00:34:21,634 YUP. 921 00:34:21,667 --> 00:34:24,132 SO JAN MARTIN'S DAUGHTER WAS SICK. 922 00:34:24,167 --> 00:34:26,132 SHE HAS AN EATING DISORDER, AND THAT'S-- 923 00:34:26,167 --> 00:34:28,501 OH, GOD, PLEASE, PLEASE. THAT'S AWFUL. 924 00:34:28,533 --> 00:34:30,634 DON'T LET THAT HAPPEN TO OUR DAUGHTER. 925 00:34:30,667 --> 00:34:31,701 I DON'T THINK IT'S POSSIBLE TO CONTROL THAT, 926 00:34:31,734 --> 00:34:33,334 BUT I THINK WHAT YOU CAN CONTROL 927 00:34:33,366 --> 00:34:35,067 IS HOW YOU COMMUNICATE WITH THEM ABOUT WHAT'S HAPPENED, 928 00:34:35,100 --> 00:34:36,234 GOING TO HAPPEN. 929 00:34:36,267 --> 00:34:37,734 WELL, I CAN GUARANTEE YOU 930 00:34:37,767 --> 00:34:40,801 THAT NOTHING WILL HAPPEN TO HER, BECAUSE I WON'T LET IT. 931 00:34:40,834 --> 00:34:42,634 AW... 932 00:34:42,667 --> 00:34:43,834 I MEAN IT. 933 00:34:43,868 --> 00:34:44,868 AUNTIE SHANE. I DO MEAN IT. 934 00:34:44,901 --> 00:34:47,533 [LAUGHTER] 935 00:34:47,567 --> 00:34:48,634 LET'S NOT TALK ABOUT THIS ANYMORE. 936 00:34:48,667 --> 00:34:49,968 IT'S GETTING TOO DARK. 937 00:34:50,067 --> 00:34:51,701 JUST TALK ABOUT SOMETHING ELSE, OKAY? 938 00:34:51,734 --> 00:34:54,366 ALL RIGHT, ALL RIGHT, ALL RIGHT. 939 00:34:54,399 --> 00:34:55,399 I'M SORRY. 940 00:34:57,533 --> 00:34:59,200 SO YOU GUYS HAVE A KID? 941 00:34:59,234 --> 00:35:02,601 YEAH, A DAUGHTER. SHE'S SIX MONTHS OLD. 942 00:35:02,633 --> 00:35:04,466 HER NAME'S ANGELICA. 943 00:35:04,501 --> 00:35:05,934 YOU KNOW, A BUNCH OF WOMEN 944 00:35:05,968 --> 00:35:07,434 BACK IN MY DYKE COMMUNITY IN WILMETTE, 945 00:35:07,466 --> 00:35:09,067 THEY'RE DOING THAT, TOO. 946 00:35:10,067 --> 00:35:11,199 WOW. THAT'S COOL. 947 00:35:14,266 --> 00:35:17,600 [KIT]: * MY ANGELICA 948 00:35:17,634 --> 00:35:24,100 * YOU ARE MY ANGEL 949 00:35:24,132 --> 00:35:29,968 * WITH YOUR ANGEL EYES 950 00:35:30,067 --> 00:35:34,200 * YOU'RE MY HONEY PIE 951 00:35:34,234 --> 00:35:36,767 [SOFTLY]: I THINK SHE'S ASLEEP. 952 00:35:42,234 --> 00:35:44,299 YOU SHOULD REALLY THINK 953 00:35:44,334 --> 00:35:46,100 ABOUT PUTTING OUT YOUR OWN RECORD, KIT. 954 00:35:46,133 --> 00:35:50,267 I DON'T KNOW ANYTHING ABOUT THIS... 955 00:35:50,299 --> 00:35:51,968 THIS INTERNET AND DISTRIBUTION STUFF 956 00:35:52,067 --> 00:35:53,067 THAT THEY DO TODAY. 957 00:35:53,100 --> 00:35:54,500 IT'S EASY. 958 00:35:54,533 --> 00:35:57,366 MY BAND AND I ARE PUTTING OUT OUR SECOND RECORD RIGHT NOW. 959 00:35:57,399 --> 00:35:59,133 REALLY? 960 00:35:59,167 --> 00:36:01,066 YOU COULD TOTALLY DO IT, KIT. 961 00:36:01,066 --> 00:36:02,633 I MEAN, ALL YOUR PULL 962 00:36:02,666 --> 00:36:04,501 AND ALL THE PEOPLE YOU COULD GET TO PLAY WITH YOU? 963 00:36:06,700 --> 00:36:08,266 WELL, I'VE GOT SONGS. 964 00:36:08,300 --> 00:36:12,666 I'VE GOT ABOUT 10 SONGS I WOULD LOVE TO RECORD, 965 00:36:12,701 --> 00:36:15,467 BUT I'D HAVE TO TALK TO YOU MORE ABOUT THAT. 966 00:36:15,500 --> 00:36:17,567 YEAH, SURE. 967 00:36:17,600 --> 00:36:19,067 I'D BE HAPPY TO TALK YOU THROUGH IT. 968 00:36:21,867 --> 00:36:24,199 [TOILET FLUSHES] 969 00:36:32,701 --> 00:36:35,167 [GIGGLING] 970 00:36:38,334 --> 00:36:40,200 [WHISPERING] 971 00:36:48,701 --> 00:36:50,701 [HUM OF CONVERSATION] 972 00:36:56,801 --> 00:36:57,767 I DON'T EVEN REMEMBER 973 00:36:57,801 --> 00:37:00,000 WHAT THEY'RE CALLED. 974 00:37:00,000 --> 00:37:01,766 SEA URCHIN. 975 00:37:01,800 --> 00:37:03,234 SEA URCHIN? 976 00:37:05,601 --> 00:37:06,868 LOOK AT THAT. 977 00:37:06,900 --> 00:37:07,934 WOW... 978 00:37:07,968 --> 00:37:10,433 IT'S SO BEAUTIFUL. 979 00:37:16,367 --> 00:37:18,600 THIS IS ABSOLUTELY INCREDIBLE. 980 00:37:18,634 --> 00:37:19,634 DOES ANYBODY WANT A TASTE? 981 00:37:19,667 --> 00:37:21,234 YEAH, I WOULD LOVE A PIECE. 982 00:37:21,266 --> 00:37:23,067 JUST TAKE THE CLAW. 983 00:37:23,100 --> 00:37:24,634 SO DANA AND I, WE BOOKED OUR TICKETS 984 00:37:24,667 --> 00:37:26,734 TO THE SOUTH OF FRANCE, YOU GUYS. 985 00:37:26,766 --> 00:37:28,734 WE LEAVE ON THE 15th, NEXT MONTH. 986 00:37:28,766 --> 00:37:30,734 OH, FUN. 987 00:37:30,766 --> 00:37:32,067 WE'RE TAKING A FOOD AND WINE TOUR. 988 00:37:32,067 --> 00:37:34,734 DOES ANYBODY WANT SOME OF MY LOBSTER? 989 00:37:34,767 --> 00:37:36,567 NO? 990 00:37:36,600 --> 00:37:38,466 WHAT'S THE SAUCE ON THIS, BETTE? IT'S REALLY GOOD. 991 00:37:38,500 --> 00:37:40,767 I THINK IT'S... 992 00:37:40,801 --> 00:37:43,734 LEMON FROTH 993 00:37:43,767 --> 00:37:45,801 AND SHAVED DRIED TUNA ROE OR... 994 00:37:45,834 --> 00:37:47,567 WHATEVER. IT'S GOOD, RIGHT? 995 00:37:47,600 --> 00:37:49,801 DO YOU WANT SOME... SOME LOBSTER, MOIRA? 996 00:37:49,834 --> 00:37:51,299 NO, I'M FINE, THANKS. 997 00:37:51,334 --> 00:37:53,901 WELL, IT'S NOT GOING TO BITE YOU, JUST... 998 00:37:53,933 --> 00:37:55,801 NO, I'M FINE, THANK YOU. 999 00:37:55,834 --> 00:37:58,234 MOIRA, DON'T YOU LIKE LOBSTER? 1000 00:37:58,267 --> 00:38:00,000 YEAH, ACTUALLY, I LIKE IT A LOT. 1001 00:38:00,000 --> 00:38:03,133 WELL, DO YOU WANT SOME? 1002 00:38:03,166 --> 00:38:04,801 I DON'T THINK THE CLAWS HAVE ANY SAUCE. 1003 00:38:04,833 --> 00:38:07,968 OH, SORRY, THERE'S ONLY THE TAIL LEFT, 1004 00:38:08,067 --> 00:38:09,199 BUT IF YOU WANT, YOU CAN HAVE THE TAIL 1005 00:38:09,234 --> 00:38:10,132 AND JUST WIPE THE SAUCE OFF. 1006 00:38:10,166 --> 00:38:11,132 NO, IT'S COOL. 1007 00:38:11,166 --> 00:38:11,968 ARE YOU SURE? 1008 00:38:12,067 --> 00:38:12,968 YEAH. 1009 00:38:17,132 --> 00:38:20,466 I KNOW SOMETHING INTERESTING ABOUT LOBSTERS. 1010 00:38:20,501 --> 00:38:22,533 WHAT? 1011 00:38:22,567 --> 00:38:24,399 YOU DON'T HAVE TO PUT A LID ON THE POT 1012 00:38:24,434 --> 00:38:26,634 WHEN YOU COOK FEMALE LOBSTERS. 1013 00:38:26,667 --> 00:38:27,833 DOES ANYBODY KNOW WHY? 1014 00:38:27,867 --> 00:38:28,833 NO. 1015 00:38:28,867 --> 00:38:30,667 IS THAT TRUE? 1016 00:38:30,701 --> 00:38:32,200 WHEN YOU COOK A POT OF MALE LOBSTERS, 1017 00:38:32,234 --> 00:38:33,801 AND THEY REALIZE THEY'RE IN THIS POT OF BOILING WATER, 1018 00:38:33,834 --> 00:38:36,067 THEY ALL START TOTALLY FREAKING OUT. 1019 00:38:36,067 --> 00:38:37,634 THEY'RE, LIKE, "FUCK, 1020 00:38:37,667 --> 00:38:38,801 WE GOTTA GET OUT OF HERE," 1021 00:38:38,834 --> 00:38:40,634 AND THEY START MAKING THESE LITTLE LADDERS 1022 00:38:40,667 --> 00:38:42,667 AND HELPING EACH OTHER GET OUT OF THE POT. 1023 00:38:42,701 --> 00:38:43,734 SO YOU HAVE TO PUT A LID ON THE POT 1024 00:38:43,767 --> 00:38:45,067 TO KEEP THEM INSIDE. 1025 00:38:46,567 --> 00:38:48,500 BUT FEMALE LOBSTERS-- 1026 00:38:48,533 --> 00:38:49,567 YOU DON'T HAVE TO PUT A LID ON THE POT, 1027 00:38:49,600 --> 00:38:50,868 BECAUSE ONCE THEY REALIZE 1028 00:38:50,901 --> 00:38:52,600 THEY'RE IN A POT OF BOILING WATER, 1029 00:38:52,634 --> 00:38:54,067 THEY ALL JUST START GRABBING EACH OTHER, 1030 00:38:54,067 --> 00:38:55,466 AND THEY'RE, LIKE, HOLDING EACH OTHER DOWN. 1031 00:38:55,500 --> 00:38:59,067 THEY'RE LIKE, "IF I'M GOING TO DIE, 1032 00:38:59,067 --> 00:39:00,000 EVERYONE'S GOING TO DIE." 1033 00:39:00,000 --> 00:39:03,200 NONE OF THEM WANTS TO LET ANY OF THE OTHER ONES 1034 00:39:03,234 --> 00:39:05,900 GET OUT OF THE POT. 1035 00:39:08,132 --> 00:39:10,634 IT'S A REAL SHAME, ISN'T IT? 1036 00:39:12,099 --> 00:39:15,601 WOW, THOSE CRAZY FEMALE LOBSTERS 1037 00:39:15,634 --> 00:39:17,533 JUST GET YOU SOMETIMES. 1038 00:39:17,567 --> 00:39:19,367 [HUM OF CONVERSATION] 1039 00:39:19,399 --> 00:39:20,968 THIS IS A REALLY STUPID QUESTION... 1040 00:39:21,067 --> 00:39:24,234 [***] 1041 00:39:48,801 --> 00:39:50,133 [QUIETLY]: JENNY... 1042 00:39:50,167 --> 00:39:52,067 I'M JUST GOING TO GO. 1043 00:39:52,100 --> 00:39:55,366 YOU CAN GET A RIDE HOME FROM CARMEN AND SHANE. 1044 00:39:59,901 --> 00:40:02,567 UM, WILL YOU EXCUSE ME FOR A SECOND? 1045 00:40:09,333 --> 00:40:10,601 MOIRA... 1046 00:40:10,634 --> 00:40:14,333 MOIRA, WHAT ARE YOU DOING? 1047 00:40:14,367 --> 00:40:15,467 I'M JUST GOING TO GO, OKAY? 1048 00:40:15,500 --> 00:40:17,000 WHY? 1049 00:40:17,033 --> 00:40:17,968 LOOK, THIS SHOULD COVER ME. 1050 00:40:18,000 --> 00:40:19,333 [SLIPS BILLS FROM WALLET] 1051 00:40:19,367 --> 00:40:20,800 OKAY, I DON'T UNDERSTAND. 1052 00:40:20,833 --> 00:40:23,266 DID SOMETHING HAPPEN JUST NOW? 1053 00:40:23,300 --> 00:40:24,399 THEY'RE YOUR FRIENDS. 1054 00:40:24,434 --> 00:40:25,867 YOU KNOW, I DON'T REALLY FIT IN. 1055 00:40:25,900 --> 00:40:28,766 OH, MY GOD, MOIRA, THEY'RE GETTING TO KNOW YOU, 1056 00:40:28,800 --> 00:40:30,867 AND THAT'S GOING TO TAKE SOME TIME, 1057 00:40:30,900 --> 00:40:32,133 AND THEY'RE GOING TO THINK YOU'RE FUCKING AMAZING 1058 00:40:32,167 --> 00:40:33,299 WHEN THEY GET TO KNOW YOU. 1059 00:40:33,334 --> 00:40:35,634 MAYBE SHE KEPT JENNY FROM FEELING LONELY. 1060 00:40:35,667 --> 00:40:37,167 YOU KNOW HOW IT IS, 1061 00:40:37,200 --> 00:40:40,567 WHEN YOU'RE WITH SOMEONE THAT'S COMPLETELY WRONG FOR YOU 1062 00:40:40,600 --> 00:40:41,868 JUST BECAUSE YOU DON'T WANT TO BE ALONE. 1063 00:40:41,901 --> 00:40:43,533 I DON'T KNOW, MAYBE SHE'S JENNY'S TYPE. 1064 00:40:43,567 --> 00:40:44,968 OH, YEAH, 1065 00:40:45,000 --> 00:40:46,366 BECAUSE CARMEN'S SUCH A STONE BUTCH, TOO. 1066 00:40:46,399 --> 00:40:48,067 I WOULDN'T NECESSARILY CALL MOIRA A STONE BUTCH. 1067 00:40:48,100 --> 00:40:49,567 OKAY, WELL, THEN, 1068 00:40:49,600 --> 00:40:50,701 WHAT WOULD YOU DESCRIBE HER AS, 1069 00:40:50,734 --> 00:40:53,701 MISS "HI, LET US BUTCHES 1070 00:40:53,734 --> 00:40:56,267 HELP YOU LADIES OUT WITH YOUR LUGGAGE?" 1071 00:40:56,299 --> 00:40:57,466 SHE COMES FROM A PLACE WHERE, 1072 00:40:57,500 --> 00:41:00,000 YOU KNOW, YOU HAVE TO DEFINE YOURSELF AS EITHER OR. 1073 00:41:00,000 --> 00:41:02,234 IT'S PROBABLY JUST THE ONLY LANGUAGE 1074 00:41:02,266 --> 00:41:03,867 THAT SHE HAS TO DESCRIBE HERSELF. 1075 00:41:03,900 --> 00:41:05,067 SHE HAS THE LANGUAGE 1076 00:41:05,067 --> 00:41:06,533 OF THOSE SHIT-KICKING BOOTS 1077 00:41:06,567 --> 00:41:08,199 AND THAT LUMBERJACK WALK. 1078 00:41:08,234 --> 00:41:09,601 I'M JUST SURPRISED 1079 00:41:09,634 --> 00:41:12,067 THAT SHE WANTED TO ROLE PLAY LIKE THAT, 1080 00:41:12,067 --> 00:41:14,766 ESPECIALLY AFTER EVERYTHING THAT JENNY'S BEEN THROUGH. 1081 00:41:14,801 --> 00:41:16,234 WELL, SHE COULD BE COMPLETELY DIFFERENT 1082 00:41:16,266 --> 00:41:17,800 IN THE BEDROOM. 1083 00:41:17,833 --> 00:41:18,800 YEAH. 1084 00:41:18,833 --> 00:41:20,434 MAYBE SHE'S BUTCH IN THE STREETS 1085 00:41:20,466 --> 00:41:21,867 AND FEMME IN THE SHEETS. 1086 00:41:21,900 --> 00:41:23,100 [SARCASTIC]: MY GOD, THAT'S SO ORIGINAL. 1087 00:41:23,132 --> 00:41:24,399 [SHANE]: WHAT DIFFERENCE DOES IT MAKE 1088 00:41:24,434 --> 00:41:25,466 WHETHER SOMEONE'S BUTCH OR FEMME? 1089 00:41:25,501 --> 00:41:27,434 WE SHOULD JUST LEAVE THE LABELS ALONE 1090 00:41:27,466 --> 00:41:29,333 AND JUST LET PEOPLE BE WHO THEY ARE. 1091 00:41:29,367 --> 00:41:31,067 YOU'RE RIGHT. 1092 00:41:32,067 --> 00:41:33,067 WHAT DID YOU GUYS THINK 1093 00:41:33,067 --> 00:41:34,067 OF THAT LOBSTER THING, ANYWAY? 1094 00:41:34,067 --> 00:41:36,600 I'VE NEVER HEARD THAT. 1095 00:41:36,634 --> 00:41:39,067 OH, COME ON, COMPETITIVE FEMALE LOBSTERS? 1096 00:41:39,067 --> 00:41:40,100 IT'S SO NOT TRUE. 1097 00:41:41,133 --> 00:41:42,399 HEY. 1098 00:41:42,433 --> 00:41:43,500 IS EVERYTHING OKAY? 1099 00:41:43,533 --> 00:41:45,567 YEAH. 1100 00:41:45,600 --> 00:41:49,299 ALL RIGHT, THEN. 1101 00:41:49,334 --> 00:41:50,334 SHOULD WE HAVE DESSERT? 1102 00:41:50,366 --> 00:41:53,100 I LOVE THAT CHILD. 1103 00:41:53,133 --> 00:41:55,901 I FUCKED UP WITH MY OWN. 1104 00:41:55,933 --> 00:41:57,600 EVERY PARENT FUCKS UP ONE WAY OR ANOTHER. 1105 00:41:57,634 --> 00:41:59,299 NO, I REALLY FUCKED UP. 1106 00:41:59,334 --> 00:42:00,000 YOU KNOW, I JUST LEFT HIM. 1107 00:42:00,000 --> 00:42:01,968 HE WASN'T BIGGER THAN THAT. 1108 00:42:02,067 --> 00:42:04,634 I JUST DUMPED HIM WITH HIS STUFFED-SHIRT FATHER 1109 00:42:04,666 --> 00:42:06,968 AND OLD-SCHOOL GRANDPARENTS 1110 00:42:07,067 --> 00:42:08,833 AND WENT OFF AND DID MY MUSIC. 1111 00:42:08,868 --> 00:42:10,266 NOW I DON'T HAVE A LEG TO STAND ON 1112 00:42:10,300 --> 00:42:11,367 COMPLAINING ABOUT 1113 00:42:11,400 --> 00:42:15,433 WHY HE'S A FUNDAMENTALIST BIGOT. 1114 00:42:15,467 --> 00:42:17,067 HERE'S WHAT I THINK ABOUT THAT. 1115 00:42:17,067 --> 00:42:18,900 WHAT DO YOU THINK ABOUT THAT, MR. MANGUS? 1116 00:42:20,634 --> 00:42:22,067 I THINK WHEN YOU'RE CALLED TO PLAY MUSIC, 1117 00:42:22,067 --> 00:42:24,734 THERE'S NOT A LOT YOU CAN DO ABOUT IT. 1118 00:42:24,766 --> 00:42:26,234 SOMETIMES THE PULL IS EVEN STRONGER 1119 00:42:26,266 --> 00:42:28,367 THAN THAT BIOLOGICAL THING 1120 00:42:28,399 --> 00:42:31,100 THAT BONDS A MOTHER TO HER CHILD. 1121 00:42:37,366 --> 00:42:38,734 [KISSES BABY] 1122 00:42:45,334 --> 00:42:48,067 WELL, ALL RIGHT, THEN. 1123 00:42:48,067 --> 00:42:50,933 GOOD NIGHT, MR. MANGUS. 1124 00:42:50,968 --> 00:42:52,734 GOOD NIGHT. 1125 00:42:55,868 --> 00:42:59,500 [OVERLAPPING CONVERSATIONS AND LAUGHTER] 1126 00:42:59,533 --> 00:43:01,266 I WILL TAKE THAT. 1127 00:43:01,300 --> 00:43:03,200 THANKS. 1128 00:43:03,234 --> 00:43:04,234 OH, BETTE, NO, NO, NO, NO. 1129 00:43:04,267 --> 00:43:06,234 NO, NO, WE'LL-- 1130 00:43:06,267 --> 00:43:07,067 YEAH, WE'LL HELP YOU OUT. 1131 00:43:07,067 --> 00:43:08,300 WE SHOULD DO THE MATH. 1132 00:43:08,333 --> 00:43:10,266 NO, NO, NO, I'VE GOT IT. I'VE GOT IT. 1133 00:43:10,300 --> 00:43:11,701 YOU CAN'T. 1134 00:43:11,734 --> 00:43:13,766 NO, REALLY, IT'S JENNY'S COMING HOME DINNER, 1135 00:43:13,801 --> 00:43:15,900 AND IT WOULD BE MY PRIVILEGE. 1136 00:43:15,933 --> 00:43:17,199 THANK YOU, THAT'S VERY GENEROUS OF YOU. 1137 00:43:17,234 --> 00:43:18,333 YOU'RE WELCOME. 1138 00:43:18,367 --> 00:43:19,600 THAT'S SWEET. THANK YOU. 1139 00:43:19,634 --> 00:43:21,067 YOU'RE WELCOME. 1140 00:43:21,100 --> 00:43:22,667 THERE YOU ARE. 1141 00:43:25,734 --> 00:43:27,867 [TOILET FLUSHES] 1142 00:43:33,100 --> 00:43:34,466 I JUST WANT TO TALK, OKAY? 1143 00:43:34,500 --> 00:43:36,167 I'M NOT GOING TO ATTACK. 1144 00:43:38,433 --> 00:43:41,167 WHAT DO YOU WANT TO TALK TO ME ABOUT? 1145 00:43:43,433 --> 00:43:45,767 I JUST WANT TO KNOW IF YOU'RE HAPPY. 1146 00:43:49,533 --> 00:43:50,834 YEAH, I'M HAPPY. 1147 00:43:52,801 --> 00:43:54,234 I MEAN, FOR THE MOST PART, I'M HAPPY. 1148 00:43:56,133 --> 00:43:57,234 I'M GLAD ONE OF US IS. 1149 00:43:57,267 --> 00:43:59,167 OKAY. 1150 00:44:00,000 --> 00:44:01,800 SORRY. 1151 00:44:01,834 --> 00:44:03,701 YOU KNOW WHAT, I'M SORRY. 1152 00:44:03,734 --> 00:44:04,900 I'M SORRY 1153 00:44:04,934 --> 00:44:06,333 THAT YOU'RE UNHAPPY. 1154 00:44:06,367 --> 00:44:07,700 I'M SORRY THAT I MADE YOU UNHAPPY, 1155 00:44:07,734 --> 00:44:10,833 BUT, ALICE, I DON'T KNOW WHAT TO DO. 1156 00:44:10,868 --> 00:44:12,467 WHAT CAN I DO? 1157 00:44:12,500 --> 00:44:13,968 I'M GETTING OVER THIS. I AM. 1158 00:44:14,067 --> 00:44:15,634 I'M... 1159 00:44:15,666 --> 00:44:20,266 I'M WORKING REALLY HARD TO GET OVER THIS. 1160 00:44:22,667 --> 00:44:26,067 MAYBE WE COULD BE FRIENDS AGAIN ONE DAY. 1161 00:44:26,067 --> 00:44:28,067 I WOULD REALLY LOVE THAT. 1162 00:44:28,067 --> 00:44:29,067 I MISS YOU. 1163 00:44:29,100 --> 00:44:31,399 COME BACK TO ME, THEN. 1164 00:44:35,433 --> 00:44:37,067 ALICE... 1165 00:44:40,399 --> 00:44:42,901 OKAY... 1166 00:44:42,933 --> 00:44:44,100 OKAY. 1167 00:44:44,133 --> 00:44:46,567 I'LL LET YOU WASH YOUR HANDS. 1168 00:44:46,600 --> 00:44:48,299 I KNOW HOW YOU LIKE TO WASH YOUR HANDS 1169 00:44:48,334 --> 00:44:49,901 AFTER YOU GO TO THE BATHROOM. 1170 00:44:49,933 --> 00:44:51,667 EVERYBODY LIKES TO WASH THEIR HANDS 1171 00:44:51,701 --> 00:44:53,067 AFTER THEY GO TO THE BATHROOM. 1172 00:44:53,100 --> 00:44:55,299 YEAH, BUT IT'S SUPER CUTE THE WAY YOU DO IT. 1173 00:44:58,533 --> 00:45:00,000 LET'S CALL IT ALL OFF. 1174 00:45:00,000 --> 00:45:01,868 DEFINITELY. 1175 00:45:03,567 --> 00:45:05,567 I'M STUFFED, THOUGH. 1176 00:45:07,267 --> 00:45:09,367 IS EVERYTHING OKAY? 1177 00:45:09,400 --> 00:45:10,933 MM-HMM. 1178 00:45:12,601 --> 00:45:14,067 WHAT A DAY. WOW. 1179 00:45:14,099 --> 00:45:15,766 [WAITER]: I'M SORRY, MA'AM, 1180 00:45:15,801 --> 00:45:16,800 BUT YOUR CREDIT CARD 1181 00:45:16,833 --> 00:45:18,300 WAS DECLINED. 1182 00:45:18,333 --> 00:45:19,466 YOU'RE KIDDING ME. 1183 00:45:21,434 --> 00:45:23,067 I DON'T KNOW HOW THAT'S POSSIBLE. 1184 00:45:23,067 --> 00:45:24,701 BETTE, NO, NO. LET'S SPLIT IT. 1185 00:45:24,734 --> 00:45:25,367 NO, REALLY. 1186 00:45:25,399 --> 00:45:26,867 IT'S NOT A BIG DEAL. 1187 00:45:26,900 --> 00:45:28,466 I BOUGHT SOME BALENCIAGA BOOTS. 1188 00:45:28,501 --> 00:45:29,634 IT PROBABLY PUT ME OVER THE LIMIT. 1189 00:45:29,667 --> 00:45:30,867 IT'S NOT A BIG DEAL, 1190 00:45:30,900 --> 00:45:32,299 AND THEN, I THINK-- 1191 00:45:32,334 --> 00:45:33,466 OH, I REMEMBER. 1192 00:45:33,500 --> 00:45:35,801 I PUT A SALLY MANN PRINT ON HOLD... STOP. 1193 00:45:35,834 --> 00:45:37,366 ...WITH THAT CARD, SO... 1194 00:45:37,399 --> 00:45:38,399 BETTE... 1195 00:45:38,433 --> 00:45:41,133 HEY, UH, JENNY, NO. 1196 00:45:41,167 --> 00:45:42,634 YOU'RE STILL THE GUEST OF HONOR, 1197 00:45:42,667 --> 00:45:43,734 NO MATTER WHAT. 1198 00:45:43,767 --> 00:45:44,868 THANK YOU, SHANE. 1199 00:45:47,234 --> 00:45:49,933 FINE. 1200 00:45:49,968 --> 00:45:52,200 DOES THIS MAKE YOU HAPPY NOW? 1201 00:45:53,200 --> 00:45:54,334 HELENA? 1202 00:45:54,366 --> 00:45:56,533 HI. IT'S TINA. 1203 00:45:56,567 --> 00:45:59,200 I HOPE I'M NOT CALLING TOO LATE. 1204 00:45:59,234 --> 00:46:04,567 NO, ACTUALLY, I'VE BEEN THINKING ABOUT YOUR PROPOSITION, 1205 00:46:04,601 --> 00:46:10,067 AND, UM, I THINK I'D LIKE TO GIVE IT A TRY. 1206 00:46:42,399 --> 00:46:44,533 DON'T. 1207 00:46:53,667 --> 00:46:55,500 [BARKING] 1208 00:46:57,234 --> 00:46:58,701 HEY... 1209 00:47:02,601 --> 00:47:04,367 HAVE YOU HEARD ANYTHING FROM HER? 1210 00:47:04,400 --> 00:47:06,400 NO. 1211 00:47:09,099 --> 00:47:11,367 AH... 1212 00:47:11,400 --> 00:47:13,266 I'M SURE SHE'S OKAY. 1213 00:47:13,300 --> 00:47:15,500 SHE'S A BIG GIRL. SHE CAN TAKE CARE OF HERSELF. 1214 00:47:15,534 --> 00:47:17,067 MM-HMM. 1215 00:47:17,100 --> 00:47:19,800 I FEEL LIKE SUCH AN ASSHOLE. 1216 00:47:19,833 --> 00:47:21,067 I SHOULD HAVE GONE WITH HER. 1217 00:47:21,100 --> 00:47:22,766 I'M SORRY WE WEREN'T MORE ACCOMMODATING 1218 00:47:22,800 --> 00:47:24,600 TO YOUR FRIEND. 1219 00:47:24,634 --> 00:47:25,934 MM-HMM. 1220 00:47:25,968 --> 00:47:29,067 AH, WE WERE JUST EXCITED TO SEE YOU, 1221 00:47:29,100 --> 00:47:30,399 AND THE DINNER WAS ABOUT YOU, AND... 1222 00:47:30,434 --> 00:47:32,801 I DON'T KNOW, 1223 00:47:32,834 --> 00:47:34,366 I GUESS SHE SHOULD HAVE UNDERSTOOD THAT. 1224 00:47:36,067 --> 00:47:37,667 I FUCKED UP. 1225 00:47:37,701 --> 00:47:39,634 NO, YOU DIDN'T. 1226 00:47:39,667 --> 00:47:42,067 [***] 1227 00:48:47,868 --> 00:48:50,334 [***] 1228 00:49:45,933 --> 00:49:47,968 [***] 1229 00:49:48,067 --> 00:49:48,901 YEAH.