1 00:00:10,667 --> 00:00:11,867 PREVIOUSLY ON THE L WORD... 2 00:00:11,900 --> 00:00:13,767 WE INSTALL A CHAIR FOR YOU OVER HERE, JUST ONE CHAIR, 3 00:00:13,800 --> 00:00:15,767 BECAUSE I WANT PEOPLE LINING UP 4 00:00:15,800 --> 00:00:17,600 TO GET ON YOUR SCHEDULE. 5 00:00:17,633 --> 00:00:20,600 CHECK IT OUT. 6 00:00:20,633 --> 00:00:21,767 SHANE FOR WAX. 7 00:00:21,800 --> 00:00:22,800 27? WHAT DO YOU MEAN? 8 00:00:22,833 --> 00:00:24,067 THAT'S THE NUMBER OF TIMES 9 00:00:24,100 --> 00:00:25,600 THAT YOU MENTIONED DANA. 10 00:00:25,633 --> 00:00:27,633 WHAT DID I TELL YOU, I'M PRACTICALLY OVER HER. 11 00:00:27,667 --> 00:00:30,967 THE N.E.A. JUST PULLED THEIR FUNDING. 12 00:00:31,000 --> 00:00:32,167 ARE YOU GOING TO LOSE YOUR STIPEND? 13 00:00:32,200 --> 00:00:33,600 I DON'T KNOW, PROBABLY. 14 00:00:33,633 --> 00:00:36,767 SURROUND YOURSELF WITH PEOPLE THAT YOU KNOW AND TRUST. 15 00:00:36,800 --> 00:00:39,300 SOMEBODY FROM YOUR PAST. 16 00:00:39,333 --> 00:00:41,000 HELENA PEABODY OFFERED ME A JOB. 17 00:00:41,033 --> 00:00:42,333 ARE YOU CONSIDERING IT? 18 00:00:42,367 --> 00:00:44,733 SHE MADE IT VERY ATTRACTIVE. 19 00:00:44,767 --> 00:00:45,733 WHO IS THAT? 20 00:00:45,767 --> 00:00:46,800 JENNY'S GIRLFRIEND? 21 00:00:46,833 --> 00:00:48,067 YOU GIRLS JUST RELAX 22 00:00:48,100 --> 00:00:49,100 AND LET US BUTCHES UNLOAD THE TRUCK. 23 00:00:49,133 --> 00:00:50,900 COME ON, SHANE. 24 00:00:50,933 --> 00:00:52,933 UH, ANGUS PARTRIDGE. 25 00:00:52,967 --> 00:00:54,067 I'M HER MANNY. 26 00:00:54,100 --> 00:00:56,800 HE IS ONE CUTE MANNY. 27 00:00:56,833 --> 00:00:58,433 IT'S A BENIGN SOLID LUMP. 28 00:00:58,467 --> 00:01:00,367 WE'RE GOING TO DO A BIOPSY. 29 00:01:00,400 --> 00:01:01,700 HOW MUCH IS THAT? 30 00:01:01,733 --> 00:01:02,667 $14, MA'AM. 31 00:01:02,700 --> 00:01:04,833 I'LL JUST HAVE A SALAD AND A SIDE OF FRIES. 32 00:01:04,867 --> 00:01:06,833 WHAT ARE YOU DOING? 33 00:01:06,867 --> 00:01:07,700 THEY'RE YOUR FRIENDS. 34 00:01:07,733 --> 00:01:09,633 YOU KNOW, I DON'T REALLY FIT IN. 35 00:01:18,633 --> 00:01:21,467 LIVING YOUR LIFE AGAINST GOD'S WILL 36 00:01:21,500 --> 00:01:24,333 IS LIKE THROWING YOURSELF INTO THE ETERNAL FIRE 37 00:01:24,367 --> 00:01:26,467 OF HELL'S DAMNATION. 38 00:01:26,500 --> 00:01:28,200 IS THAT WHAT YOU WANT, SISTER? 39 00:01:28,233 --> 00:01:32,833 I'M A FORMER HOMOSEXUAL WHO FOUND JESUS. 40 00:01:32,867 --> 00:01:35,300 HAVE FAITH. 41 00:01:35,333 --> 00:01:39,167 THIS USED TO BE AS HARD FOR ME AS IT IS FOR YOU, 42 00:01:39,200 --> 00:01:40,200 UNTIL I WAS SAVED. 43 00:01:40,233 --> 00:01:43,133 BUT ISN'T THIS WORSE? 44 00:01:49,400 --> 00:01:53,367 JESUS HATES THE SIN BETWEEN TWO MEN 45 00:01:53,400 --> 00:01:55,067 MUCH MORE THAN THAT BETWEEN TWO WOMEN. 46 00:02:07,433 --> 00:02:10,567 IT'S BETTER THAN HELL'S FIRE. 47 00:02:10,600 --> 00:02:12,667 I PROMISE YOU. 48 00:02:30,967 --> 00:02:34,600 [***] 49 00:02:34,633 --> 00:02:40,800 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 50 00:02:40,833 --> 00:02:47,600 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 51 00:02:47,633 --> 00:02:53,700 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 52 00:02:53,733 --> 00:03:00,533 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 53 00:03:07,733 --> 00:03:09,200 * TALKING, LAUGHING LOVING, BREATHING * 54 00:03:09,233 --> 00:03:11,133 * FIGHTING, FUCKING CRYING, DRINKING * 55 00:03:11,167 --> 00:03:12,500 * WRITING, WINNING LOSING, CHEATING * 56 00:03:12,533 --> 00:03:14,200 * KISSING, THINKING, DREAMING 57 00:03:14,233 --> 00:03:16,200 * THIS IS THE WAY... 58 00:03:16,233 --> 00:03:19,067 * IT'S THE WAY THAT WE LIVE * 59 00:03:19,067 --> 00:03:24,767 * IT'S THE WAY THAT WE LIVE 60 00:03:24,800 --> 00:03:28,500 * AND LOVE * 61 00:03:41,367 --> 00:03:44,133 I HOPE YOU BACKED THAT UP ON YOUR HARD DRIVE. 62 00:03:44,167 --> 00:03:46,500 WHERE THE FUCK WERE YOU? 63 00:03:46,533 --> 00:03:49,200 I WAS HANGING OUT AT THE BEACH. 64 00:03:49,233 --> 00:03:51,833 LOOK, I WAS JUST, LIKE, SLEEPING IN MY TRUCK, 65 00:03:51,867 --> 00:03:54,833 YOU KNOW, TRYING TO FIGURE OUT WHAT I'M DOING HERE IN L.A. 66 00:03:54,867 --> 00:03:57,833 WHAT ARE YOU DOING HERE IN L.A.? 67 00:03:57,867 --> 00:03:59,800 I DON'T KNOW. 68 00:03:59,833 --> 00:04:01,733 I DON'T KNOW WHAT I'M DOING ANYWHERE. 69 00:04:01,767 --> 00:04:02,933 YEAH. 70 00:04:02,967 --> 00:04:04,267 I DON'T KNOW WHO I AM ANYMORE-- 71 00:04:04,300 --> 00:04:05,267 YOU KNOW WHAT? 72 00:04:05,300 --> 00:04:07,900 NOBODY KNOWS WHO THEY ARE. 73 00:04:07,933 --> 00:04:09,500 YOU KNOW, THAT'S WHAT LIFE IS ABOUT. 74 00:04:09,533 --> 00:04:12,167 YOU WALK THROUGH LIFE, AND YOU TRY TO FIGURE IT OUT, 75 00:04:12,200 --> 00:04:14,067 AND YOU PROBABLY WON'T FIGURE IT OUT. 76 00:04:14,100 --> 00:04:15,767 IT SEEMS LIKE YOU KNOW WHO YOU ARE. 77 00:04:15,800 --> 00:04:16,767 ABSOLUTELY. 78 00:04:16,800 --> 00:04:18,267 I'M, LIKE, THE PICTURE 79 00:04:18,300 --> 00:04:21,067 OF TOGETHERNESS AND SANITY. 80 00:04:21,067 --> 00:04:23,933 YOU KNOW, I THOUGHT THAT I WAS SUPPOSED TO BE A WRITER, 81 00:04:23,967 --> 00:04:25,333 AND I'M THIS FUCKING LOSER 82 00:04:25,367 --> 00:04:28,333 THAT CAN'T EVEN GET A PUBLISHER TO CALL THEM BACK 83 00:04:28,367 --> 00:04:31,767 ABOUT A STUPID MANUSCRIPT. 84 00:04:31,800 --> 00:04:32,867 WHO CARES? 85 00:04:32,900 --> 00:04:35,767 YOU DON'T HAVE TO GET PUBLISHED TO BE A GOOD WRITER. 86 00:04:35,800 --> 00:04:36,767 OKAY, 87 00:04:36,800 --> 00:04:38,833 SO WHEN I SERVE YOU YOUR CUP OF COFFEE, 88 00:04:38,867 --> 00:04:41,233 YOU REMIND ME THAT. 89 00:04:41,267 --> 00:04:44,233 WHAT ARE YOU TALKING ABOUT? 90 00:04:44,267 --> 00:04:47,700 I'M GOING TO BE A WAITRESS AT THE PLANET. 91 00:04:47,733 --> 00:04:49,600 YOU GOT A JOB AT THE PLANET? 92 00:04:49,633 --> 00:04:51,733 I DID. IT'S SO AWESOME. 93 00:04:56,900 --> 00:04:58,633 WHAT ARE YOU DOING? 94 00:04:58,667 --> 00:05:00,233 WELL, MAYBE IT'LL JUST GIVE YOU 95 00:05:00,267 --> 00:05:03,600 MORE MATERIAL FOR YOUR BOOKS. 96 00:05:03,633 --> 00:05:04,933 [LAUGHING] 97 00:05:04,967 --> 00:05:06,533 [SPLASHING] 98 00:05:06,567 --> 00:05:08,233 WHOO! 99 00:05:10,100 --> 00:05:12,167 SPLASHIE! 100 00:05:12,200 --> 00:05:13,767 AND SPLASH... 101 00:05:13,800 --> 00:05:14,933 WHAT ARE YOU DOING? 102 00:05:14,967 --> 00:05:19,133 WE ARE COOLING OUR TOOTIES. 103 00:05:19,167 --> 00:05:20,467 I HAVE A MEETING IN 40 MINUTES. 104 00:05:20,500 --> 00:05:21,533 AND I HAVEN'T EVEN FED HER YET. 105 00:05:21,567 --> 00:05:23,133 I HAVEN'T EVEN SET UP THE PUMP. 106 00:05:23,167 --> 00:05:24,233 I'M SURE THEY'LL HOLD THE MEETING FOR YOU. 107 00:05:24,267 --> 00:05:25,567 YOU'RE THE BOSS NOW, AREN'T YOU? 108 00:05:25,600 --> 00:05:27,367 THAT MIGHT BE HOW YOU TREATED YOUR SUBORDINATES, 109 00:05:27,400 --> 00:05:28,733 BUT I DON'T LIKE TO KEEP PEOPLE WAITING. 110 00:05:28,767 --> 00:05:35,400 [QUIETLY]: WELL, I NEVER CALL MY COLLEAGUES MY SUBORDINATES, 111 00:05:35,433 --> 00:05:38,367 BUT YOU KNOW WHAT, YOUR MAMA T IS A LITTLE STRESSED RIGHT NOW. 112 00:05:38,400 --> 00:05:42,467 SHE HAS HER VERY FIRST BIG STAFF MEETING. 113 00:05:45,167 --> 00:05:46,267 I DON'T EVEN HAVE TIME TO PUMP NOW. 114 00:05:46,300 --> 00:05:47,400 I'LL JUST-- 115 00:05:47,433 --> 00:05:48,600 I'LL JUST DO IT LATER. 116 00:05:48,633 --> 00:05:50,433 CAN YOU PICK UP MY DRY CLEANING, PLEASE? 117 00:05:50,467 --> 00:05:51,633 [QUIETLY]: AND NOW SHE THINKS 118 00:05:51,667 --> 00:05:54,533 THAT JUST BECAUSE, FOR THIS ONCE, 119 00:05:54,567 --> 00:05:56,367 SHE'S THE ONE TO BRING HOME THE BACON, 120 00:05:56,400 --> 00:05:58,133 THAT WE SHOULD JUMP THROUGH BURNING HOOPS. 121 00:05:58,167 --> 00:05:59,300 [GURGLES] 122 00:05:59,333 --> 00:06:01,833 I KNOW. I FEEL THE SAME WAY. 123 00:06:01,867 --> 00:06:04,167 [***] 124 00:06:05,867 --> 00:06:08,233 [OVERLAPPING CONVERSATIONS] 125 00:06:08,267 --> 00:06:12,700 WOULD YOU LIKE TO HEAR SOME GOOD NEWS, DJ SUGAR? 126 00:06:12,733 --> 00:06:13,967 I WOULD. WHAT IS IT? 127 00:06:14,067 --> 00:06:15,633 I JUST GOT OFF THE PHONE WITH PAUL ERETT, 128 00:06:15,667 --> 00:06:18,600 AND HE HEARD YOU DJ AT VULVA, LAS VEGAS, 129 00:06:18,633 --> 00:06:20,700 AND HE WANTS YOU FOR HIS VIP AFTERPARTY 130 00:06:20,733 --> 00:06:22,733 FOR RUSSELL SIMMONS AND HIS NEW BAND, 131 00:06:22,767 --> 00:06:24,767 BLACK BUDDAFLY. 132 00:06:24,800 --> 00:06:25,867 HOLY SHIT! 133 00:06:25,900 --> 00:06:27,233 ARE YOU KIDDING ME? 134 00:06:27,267 --> 00:06:28,900 NO, NO, I'M NOT KIDDING. 135 00:06:28,933 --> 00:06:30,133 OH, MY GOD, KIT! 136 00:06:30,167 --> 00:06:31,067 OH, MY GOD, COME HERE! 137 00:06:31,067 --> 00:06:33,500 THIS IS HUGE! 138 00:06:33,533 --> 00:06:36,300 WAIT, THIS IS FANTASTIC. 139 00:06:36,333 --> 00:06:37,467 OH, MY GOD, WHEN ARE WE SUPPOSED TO DO THIS? 140 00:06:37,500 --> 00:06:39,367 TOMORROW NIGHT AT THE ABBEY 141 00:06:39,400 --> 00:06:40,867 AT 9:00. 142 00:06:40,900 --> 00:06:42,500 [SHANE]: TOMORROW? 143 00:06:42,533 --> 00:06:44,167 I CAN'T. 144 00:06:44,200 --> 00:06:45,200 I CAN'T DO IT. 145 00:06:45,233 --> 00:06:46,767 IT'S YOUR OPENING. 146 00:06:46,800 --> 00:06:48,767 OH! NO, NO, DON'T EVEN... 147 00:06:48,800 --> 00:06:49,833 I AM SO SORRY. 148 00:06:49,867 --> 00:06:51,467 GIRL, COME ON, LOOK. 149 00:06:51,500 --> 00:06:53,533 LOOK, THERE ARE GOING TO BE A LOT OF OTHER PARTIES, OKAY? 150 00:06:53,567 --> 00:06:54,767 THERE ARE GOING TO BE A LOT OF OTHER PARTIES. 151 00:06:54,800 --> 00:06:55,800 DON'T WORRY, OKAY? 152 00:06:55,833 --> 00:06:57,067 THERE'S GOING TO BE A LOT OF OTHER PARTIES 153 00:06:57,067 --> 00:06:59,767 IN LOS ANGELES WITH RUSSELL SIMMONS? 154 00:06:59,800 --> 00:07:01,133 SURE THERE WILL. 155 00:07:01,167 --> 00:07:02,867 OKAY, NOW, YOU THINK ABOUT IT AND LET ME KNOW. 156 00:07:02,900 --> 00:07:03,833 CALL ME, OKAY? 157 00:07:03,867 --> 00:07:04,833 OKAY. 158 00:07:04,867 --> 00:07:05,867 ALL RIGHT. 159 00:07:10,400 --> 00:07:11,767 COME ON, THIS IS A HUGE THING. 160 00:07:11,800 --> 00:07:13,100 DON'T GIVE IT UP FOR WAX. 161 00:07:15,633 --> 00:07:19,400 WELCOME BACK TO THE 2006 MERCEDES-BENZ CHALLENGE. 162 00:07:19,433 --> 00:07:21,067 I'M BILLIE JEAN KING, 163 00:07:21,067 --> 00:07:22,167 SITTING WITH DANA FAIRBANKS, 164 00:07:22,200 --> 00:07:23,200 WHO JUST WON HER MATCH 165 00:07:23,233 --> 00:07:24,800 AGAINST DANIELLA AZOULAY. 166 00:07:24,833 --> 00:07:27,733 DANA, CONGRATULATIONS. 167 00:07:27,767 --> 00:07:29,633 IT'S SO GREAT TO SEE YOU BACK ON THE COURT. 168 00:07:29,667 --> 00:07:30,867 THANKS. 169 00:07:30,900 --> 00:07:32,267 WHAT A COMEBACK STORY. 170 00:07:32,300 --> 00:07:33,633 BUT, I JUST, I FEEL REALLY GOOD, YOU KNOW. 171 00:07:33,667 --> 00:07:35,600 I FEEL LIKE I'M GETTING MY GAME BACK. 172 00:07:35,633 --> 00:07:37,600 YOU KNOW, AS A PROFESSIONAL ATHLETE, 173 00:07:37,633 --> 00:07:40,567 TO COME OUT AS A LESBIAN IS REALLY A BIG RISK. 174 00:07:40,600 --> 00:07:43,267 DO YOU GET TIRED OF PEOPLE ASKING YOU 175 00:07:43,300 --> 00:07:45,433 ABOUT YOUR SEXUALITY ALL THE TIME? 176 00:07:45,467 --> 00:07:46,600 NO. 177 00:07:46,633 --> 00:07:47,767 I MEAN, NOT ANYMORE. 178 00:07:47,800 --> 00:07:49,067 IT WAS EASIER, THANKS TO YOU. 179 00:07:49,100 --> 00:07:50,733 YOU KNOW. 180 00:07:50,767 --> 00:07:54,600 YOU REALLY... YOU PAVED THE WAY. 181 00:07:54,633 --> 00:07:56,067 I'M SORRY, YOU'RE MY HERO. 182 00:07:56,067 --> 00:07:57,133 I JUST HAVE TO SAY THAT. 183 00:07:57,167 --> 00:07:59,533 THAT'S SO EMBARRASSING. NO, IT'S TRUE. 184 00:08:02,867 --> 00:08:04,233 ISN'T HE CUTE? 185 00:08:04,267 --> 00:08:07,067 I MEAN THAT IN SORT OF AN INDIE, EDGY, 186 00:08:07,067 --> 00:08:08,967 VEGAN KIND OF WAY. 187 00:08:09,067 --> 00:08:11,600 OH, MY GOD, I WONDER IF HE ACTUALLY IS A VEGAN, 188 00:08:11,633 --> 00:08:12,633 BECAUSE YOU KNOW WHAT THEY SAY ABOUT VEGANS-- 189 00:08:12,667 --> 00:08:15,467 THEIR CUM TASTES REALLY SWEET. 190 00:08:15,500 --> 00:08:16,633 I MEAN, NOT THAT I'D EVER SWALLOW. 191 00:08:16,667 --> 00:08:17,633 I'M A... 192 00:08:17,667 --> 00:08:18,633 [SPITS] 193 00:08:18,667 --> 00:08:20,267 SPITTING KIND OF GUY. 194 00:08:20,300 --> 00:08:21,867 HE'S COMPLETELY UNQUALIFIED. 195 00:08:21,900 --> 00:08:23,133 I MEAN, IT'S RIDICULOUS. 196 00:08:23,167 --> 00:08:24,467 IT'S GOING TO HURT YOUR BUSINESS. 197 00:08:24,500 --> 00:08:26,600 BILLIE'S JUST TRYING TO GIVE HIM A CHANCE. 198 00:08:26,633 --> 00:08:28,700 BILLIE JUST WANTS TO KNOW WHAT HE EATS. 199 00:08:30,067 --> 00:08:31,667 OKAY, DARLING, 200 00:08:31,700 --> 00:08:33,067 I DO NOT NEED TO GIVE PEOPLE JOBS 201 00:08:33,067 --> 00:08:35,267 TO FIND OUT ABOUT THEIR CULINARY HABITS, 202 00:08:35,300 --> 00:08:36,300 AND TALKING OF WHICH, 203 00:08:36,333 --> 00:08:38,767 WHEN WAS THE LAST TIME YOU ATE OUT? 204 00:08:38,800 --> 00:08:39,767 [CELLPHONE RINGS] 205 00:08:39,800 --> 00:08:40,767 OOH, SAVED BY THE BELL. 206 00:08:40,800 --> 00:08:44,500 HELLO? 207 00:08:44,533 --> 00:08:45,367 PLEASE TELL ME 208 00:08:45,400 --> 00:08:46,367 YOU'RE NOT GOING TO FUCK HIM. 209 00:08:46,400 --> 00:08:48,433 I DO NOT NEED A LAWSUIT. 210 00:08:48,467 --> 00:08:49,600 I AM NOT GOING TO FUCK HIM. 211 00:08:49,633 --> 00:08:51,633 I DON'T EVEN WANT TO FUCK HIM. 212 00:08:51,667 --> 00:08:54,167 HIS BEAUTY HOLDS NO MYSTERY FOR ME. 213 00:08:54,200 --> 00:08:55,700 [BETTE]: OH, MY GOD. WHEN? 214 00:08:57,567 --> 00:08:58,667 [BILLIE]: HE, ON THE OTHER HAND, 215 00:08:58,700 --> 00:09:00,167 IS AN ENTIRELY DIFFERENT MATTER. 216 00:09:00,200 --> 00:09:02,400 WHO IS THAT? 217 00:09:03,633 --> 00:09:06,067 I DON'T REALLY FEEL LIKE I SHOULD HANG OUT HERE 218 00:09:06,067 --> 00:09:07,367 WHILE YOU'RE WORKING, YOU KNOW? 219 00:09:07,400 --> 00:09:08,867 NO, IT'S FINE. 220 00:09:08,900 --> 00:09:09,967 IT'S FINE. 221 00:09:10,067 --> 00:09:10,933 THESE PEOPLE ARE MY FRIENDS. 222 00:09:10,967 --> 00:09:12,233 WE HANG OUT HERE ALL THE TIME. 223 00:09:13,967 --> 00:09:16,733 JULIA LOURD IS IN THE HOSPITAL. 224 00:09:16,767 --> 00:09:17,700 I'VE GOT TO GO SEE HER. 225 00:09:17,733 --> 00:09:19,233 DO YOU WANT ME TO KEEP THE BABY? 226 00:09:19,267 --> 00:09:20,533 NO, I'M GOING TO SEE IF ANGUS IS AVAILABLE. 227 00:09:20,567 --> 00:09:21,867 SHE WANTS ME TO FILL IN FOR HER. 228 00:09:21,900 --> 00:09:23,867 SHE'S SUPPOSED TO TESTIFY AT A SENATE HEARING 229 00:09:23,900 --> 00:09:25,200 IN WASHINGTON TOMORROW 230 00:09:25,233 --> 00:09:28,067 ABOUT THE DISBURSEMENT OF N.E.A. GRANTS, AND... 231 00:09:28,067 --> 00:09:29,433 SO YOU'RE GOING TO WASHINGTON? 232 00:09:29,467 --> 00:09:30,633 I MIGHT. 233 00:09:30,667 --> 00:09:31,633 I DON'T KNOW. 234 00:09:31,667 --> 00:09:32,933 OKAY, SEE YOU. 235 00:09:32,967 --> 00:09:34,800 [SMACKS KISSES AT BABY] 236 00:09:36,400 --> 00:09:37,867 HEY... 237 00:09:37,900 --> 00:09:39,067 HELLO. 238 00:09:39,067 --> 00:09:40,433 IS IT OKAY IF MOIRA HANGS OUT HERE 239 00:09:40,467 --> 00:09:42,700 WHILE I START MY SHIFT? 240 00:09:42,733 --> 00:09:44,133 YEAH. 241 00:09:44,167 --> 00:09:45,900 YEAH, OF COURSE. 242 00:09:45,933 --> 00:09:46,900 HELLO. 243 00:09:46,933 --> 00:09:48,767 MOIRA... 244 00:09:48,800 --> 00:09:50,100 IT'S NICE TO MEET YOU. 245 00:09:50,133 --> 00:09:51,100 YOU TOO. 246 00:09:51,133 --> 00:09:53,367 ARE YOU NEW TO HELL A? 247 00:09:53,400 --> 00:09:54,367 YEAH. 248 00:09:54,400 --> 00:09:55,433 ACTUALLY, SHE'S LOOKING FOR A JOB, 249 00:09:55,467 --> 00:09:56,933 IF YOU KNOW OF ANYTHING. 250 00:09:56,967 --> 00:09:58,600 SHE'S AN I.T. SPECIALIST. 251 00:09:58,633 --> 00:10:01,400 OOH, AS IN, "WE CAN MAKE IT HAPPEN?" 252 00:10:01,433 --> 00:10:02,733 YEAH. 253 00:10:02,767 --> 00:10:03,733 LIKE THAT. 254 00:10:03,767 --> 00:10:04,700 LOVELY. 255 00:10:04,733 --> 00:10:06,967 "THE EVOLUTION OF THE LITTLE BLACK DRESS?" 256 00:10:07,000 --> 00:10:07,767 SOUNDS LIKE A BLURB FOR VOGUE. 257 00:10:07,800 --> 00:10:09,400 WELL, I WAS THINKING 258 00:10:09,433 --> 00:10:11,067 IT WOULD BE A NICE CHANGE TO DO A PIECE ON FASHION. 259 00:10:11,100 --> 00:10:12,533 YOU KNOW? 260 00:10:12,567 --> 00:10:13,600 AND I WOULDN'T EVEN BE TEMPTED TO BRING UP DANA 261 00:10:13,633 --> 00:10:15,767 BECAUSE SHE HAS THE WORST FASHION SENSE EVER. 262 00:10:15,800 --> 00:10:17,200 SHE REALLY DOES. 263 00:10:17,233 --> 00:10:18,600 SHE'S THE WORST DRESSER. I MEAN, BEFORE I MET HER, 264 00:10:18,633 --> 00:10:19,767 SHE USED TO WEAR THE PADS IN THE SHOULDERS-- 265 00:10:19,800 --> 00:10:20,700 ALICE. 266 00:10:20,733 --> 00:10:21,800 YEAH. 267 00:10:21,833 --> 00:10:25,267 UM, I COULD DO THAT, OR I COULD DO A PIECE ON, UH... 268 00:10:25,300 --> 00:10:26,767 THE EVOLUTION OF THE PANTSUIT-- 269 00:10:26,800 --> 00:10:28,333 WHAT DOES THAT HAVE TO DO WITH THE CHART? 270 00:10:28,367 --> 00:10:30,067 SEE, NONE OF THESE IDEAS 271 00:10:30,100 --> 00:10:32,000 HAVE ANYTHING AT ALL TO DO WITH THE CHART. 272 00:10:32,033 --> 00:10:33,933 MY LAST IDEA. 273 00:10:33,967 --> 00:10:35,167 WHAT DID YOU THINK OF MY LAST IDEA? 274 00:10:36,467 --> 00:10:39,000 YOU WANT TO READ A CHILDREN'S BOOK ON AIR? 275 00:10:39,033 --> 00:10:40,067 I DON'T GET IT. 276 00:10:40,100 --> 00:10:41,667 OKAY, "IF YOU GIVE A PIG A PANCAKE." 277 00:10:41,700 --> 00:10:42,933 IT'S MY EARTH DAUGHTER ANGELICA'S 278 00:10:42,967 --> 00:10:44,167 FAVORITE PICTURE BOOK, 279 00:10:44,200 --> 00:10:46,267 BUT IT'S ALL ABOUT INTER-CONNECTIVITY, 280 00:10:46,300 --> 00:10:47,600 BECAUSE IF YOU DO GIVE A PIG A PANCAKE, 281 00:10:47,633 --> 00:10:49,767 AND SHE WANTS SYRUP TO GO WITH IT, 282 00:10:49,800 --> 00:10:52,433 IT LEADS HER TO THE BATH, YOU KNOW, 283 00:10:52,467 --> 00:10:53,600 BECAUSE SHE'S STICKY, 284 00:10:53,633 --> 00:10:56,900 AND THAT LEADS HER TO BUBBLES, WHICH... 285 00:10:56,933 --> 00:10:58,467 AND, THEN, THE RUBBER DUCKIE, 286 00:10:58,500 --> 00:11:00,667 AND, UM, A TRIP TO THE FARM. 287 00:11:00,700 --> 00:11:02,367 ANYWAY, IF YOU SEE WHERE IT'S HEADED, 288 00:11:02,400 --> 00:11:05,667 IT'S KIND OF A... 289 00:11:05,700 --> 00:11:07,633 I'M GOING TO HAVE A LOT MORE IDEAS TOMORROW, THOUGH, 290 00:11:07,667 --> 00:11:08,500 AND I'M-- 291 00:11:08,533 --> 00:11:09,833 WE'RE GOING TO NAIL THIS THING. 292 00:11:09,867 --> 00:11:12,067 IT'S GOING TO BE FINE. 293 00:11:16,633 --> 00:11:20,067 IF YOU GIVE A PIG A FUCKING PANCAKE. 294 00:11:24,700 --> 00:11:27,600 UM... 295 00:11:27,633 --> 00:11:29,600 I'M HAVING A LITTLE PARTY AT MY PLACE TONIGHT. 296 00:11:29,633 --> 00:11:30,633 YEAH? 297 00:11:30,667 --> 00:11:31,700 MM-HMM. YOU SHOULD COME. 298 00:11:31,733 --> 00:11:33,767 OH, THAT'S COOL. 299 00:11:33,800 --> 00:11:34,600 I DON'T KNOW. 300 00:11:34,633 --> 00:11:36,067 JUST A FEW FRIENDS, YOU KNOW. 301 00:11:36,100 --> 00:11:38,600 PEOPLE LIKE US. 302 00:11:38,633 --> 00:11:41,333 SOME PEOPLE WHO'VE, UH... 303 00:11:41,367 --> 00:11:44,400 CHANGED THEIR BODIES TO MATCH UP TO THEIR BRAINS, 304 00:11:44,433 --> 00:11:45,767 AND A FEW WHO'VE CHANGED THEIR BRAINS 305 00:11:45,800 --> 00:11:48,100 TO MATCH UP TO THEIR BODIES. 306 00:11:49,633 --> 00:11:52,600 YOU SHOULD BRING JENNY AND COME ALONG. 307 00:11:52,633 --> 00:11:53,967 WELL, I'M NOT REALLY SURE I KNOW 308 00:11:54,067 --> 00:11:55,467 WHAT YOU'RE TALKING ABOUT. 309 00:11:56,767 --> 00:11:59,133 DON'T WORRY, HANDSOME, THEY'RE GOOD PEOPLE. 310 00:11:59,167 --> 00:12:00,533 YOU'LL HAVE FUN. 311 00:12:02,233 --> 00:12:03,667 WELL, JULIA SAID YOU WOULD TRY TO GET ME IN 312 00:12:03,700 --> 00:12:06,667 TO SEE THE SENATOR TOMORROW BEFORE THE HEARING. 313 00:12:06,700 --> 00:12:08,667 WELL, IF IT DOESN'T HAPPEN, IT DOESN'T HAPPEN, 314 00:12:08,700 --> 00:12:11,800 BUT I THINK IT'S WORTH A TRY. 315 00:12:11,833 --> 00:12:14,367 OKAY, GREAT. THANKS, IRIS. 316 00:12:16,467 --> 00:12:17,733 WHAT'S ANGUS DOING HERE? 317 00:12:17,767 --> 00:12:19,367 I CALLED HIM BECAUSE I KNEW THAT YOU WERE GOING OUT TONIGHT. 318 00:12:19,400 --> 00:12:21,133 WHY ARE YOU PACKING? 319 00:12:21,167 --> 00:12:23,900 I'M GOING TO WASHINGTON. 320 00:12:23,933 --> 00:12:24,800 WHAT? 321 00:12:24,833 --> 00:12:25,900 JULIA WAS SUPPOSED TO TESTIFY 322 00:12:25,933 --> 00:12:27,700 AT THE SENATE HEARING, 323 00:12:27,733 --> 00:12:28,767 BUT SHE HURT HER BACK... 324 00:12:28,800 --> 00:12:30,067 SURFING. 325 00:12:30,067 --> 00:12:30,967 COULDN'T YOU HAVE AT LEAST CALLED ME? 326 00:12:31,067 --> 00:12:32,233 I TRIED TO GET AHOLD OF YOU ALL DAY. 327 00:12:32,267 --> 00:12:33,833 THIS IS THE THIRD NIGHT IN A ROW 328 00:12:33,867 --> 00:12:35,600 SHE'S BEEN BABYSAT. 329 00:12:35,633 --> 00:12:38,300 I THOUGHT WE WEREN'T GOING TO DO THIS TO HER. 330 00:12:38,333 --> 00:12:40,600 WELL, I DON'T KNOW. 331 00:12:40,633 --> 00:12:42,800 I MEAN, IS THERE ANY WAY YOU CAN RESCHEDULE YOUR DINNER? 332 00:12:42,833 --> 00:12:44,867 IT'S NOT A DINNER. 333 00:12:44,900 --> 00:12:46,400 IT'S A SCREENING OF A DOCUMENTARY 334 00:12:46,433 --> 00:12:48,667 THAT HELENA AND I ARE INTERESTED IN FINANCING. 335 00:12:48,700 --> 00:12:50,600 CAN'T YOU AT LEAST GO IN THE MORNING? 336 00:12:50,633 --> 00:12:51,700 IT'S A SENATE HEARING, TINA. 337 00:12:51,733 --> 00:12:53,067 I DON'T THINK THEY'LL RESCHEDULE 338 00:12:53,067 --> 00:12:54,133 BECAUSE WE PROMISED 339 00:12:54,167 --> 00:12:56,800 NOT TO DO A BABYSITTER THREE NIGHTS IN A ROW. 340 00:12:58,667 --> 00:12:59,800 WHEN I TOOK THIS JOB, 341 00:12:59,833 --> 00:13:02,300 YOU TOLD ME THAT YOU WOULD TAKE CARE OF THINGS AT HOME. 342 00:13:02,333 --> 00:13:03,433 YOU SAID THAT YOU WOULD BE MORE THAN HAPPY 343 00:13:03,467 --> 00:13:04,667 TO DO ALL THE THINGS FOR ME 344 00:13:04,700 --> 00:13:07,800 THAT I DID FOR YOU WHEN YOU WORKED AT THE C.A.C. 345 00:13:07,833 --> 00:13:09,367 YEAH, AND I AM. 346 00:13:09,400 --> 00:13:10,767 I MEAN, DO YOU EVEN KNOW WHAT'S GOING ON, TINA? 347 00:13:10,800 --> 00:13:12,600 I MEAN, WE HAVE TO FIGHT 348 00:13:12,633 --> 00:13:14,333 TO PRESERVE GOVERNMENT SUPPORT OF THE ARTS. 349 00:13:14,367 --> 00:13:16,633 PBS IS UP FOR GRABS, FOR CHRIST'S SAKE. 350 00:13:16,667 --> 00:13:18,300 AND WHILE I'M WORKING, I'D LIKE TO KNOW 351 00:13:18,333 --> 00:13:19,567 THAT MY DAUGHTER IS AT HOME WITH HER MOTHER. 352 00:13:19,600 --> 00:13:21,533 OTHERWISE, I CAN'T DO IT, BETTE. 353 00:13:21,567 --> 00:13:23,533 THEN DON'T. 354 00:13:23,567 --> 00:13:24,467 REALLY. DON'T. 355 00:13:24,500 --> 00:13:26,467 ARE YOU GETTING PAID FOR THIS? 356 00:13:33,800 --> 00:13:34,933 I'M SORRY. 357 00:13:34,967 --> 00:13:38,600 I HAVE TO CATCH A REDEYE TONIGHT. 358 00:13:38,633 --> 00:13:39,767 I'M TRYING TO MEET WITH BARBARA GRISHAM 359 00:13:39,800 --> 00:13:40,767 TOMORROW BEFORE THE HEARING. 360 00:13:40,800 --> 00:13:43,100 SENATOR GRISHAM? 361 00:13:43,133 --> 00:13:44,600 THE DYKE FROM MASSACHUSETTS? 362 00:13:44,633 --> 00:13:46,333 I DON'T THINK SHE'S A DYKE. 363 00:13:46,367 --> 00:13:48,767 SHE'S FAMOUSLY MARRIED TO SOME SOFTWARE BILLIONAIRE. 364 00:13:48,800 --> 00:13:51,133 OH, RIGHT. AND... 365 00:13:51,167 --> 00:13:52,600 YEAH, AND I THINK IT'S A LITTLE JUVENILE 366 00:13:52,633 --> 00:13:56,333 THAT LESBIANS ASSUME THAT EVERY STRONG, OUTSPOKEN WOMAN 367 00:13:56,367 --> 00:13:57,767 IS AUTOMATICALLY A DYKE. 368 00:13:57,800 --> 00:13:58,867 OKAY, WHATEVER. 369 00:13:58,900 --> 00:14:00,933 DAMN. I THINK SHE'S HOT. 370 00:14:00,967 --> 00:14:03,100 I USED TO. NOW I THINK SHE'S JUST POWER HUNGRY. 371 00:14:03,133 --> 00:14:04,500 YEAH, THAT'S WHAT MAKES HER SO HOT. 372 00:14:04,533 --> 00:14:07,300 DON'T YOU REMEMBER WHEN SHE TORE CLINTON A NEW ASSHOLE 373 00:14:07,333 --> 00:14:09,533 OVER THE DEFENSE OF MARRIAGE ACT? 374 00:14:09,567 --> 00:14:10,700 SHE AND KERRY WERE THE ONLY POWER DEMOCRATS 375 00:14:10,733 --> 00:14:11,800 WHO STOOD BY US. 376 00:14:13,800 --> 00:14:14,867 I WISH YOU WERE COMING WITH ME. 377 00:14:14,900 --> 00:14:17,267 YEAH, I DO, TOO. 378 00:14:17,300 --> 00:14:19,100 GOD, THAT'S SO COOL. 379 00:14:19,133 --> 00:14:20,667 I LOVE THAT STUFF. 380 00:14:22,067 --> 00:14:23,267 I CAN'T. 381 00:14:23,300 --> 00:14:25,700 I HAVE SO MUCH WORK TO DO. 382 00:14:25,733 --> 00:14:27,967 I'M IN OVER MY HEAD. 383 00:14:28,067 --> 00:14:29,300 [SIGHS IN EXASPERATION] 384 00:14:29,333 --> 00:14:32,700 I'VE GOT TO BE AT THIS SCREENING IN 20 MINUTES. 385 00:14:32,733 --> 00:14:33,933 I LOVE THIS JOB. 386 00:14:33,967 --> 00:14:37,367 I'LL MISS YOU. 387 00:14:41,533 --> 00:14:42,700 DO YOU REALIZE THIS IS THE FIRST TIME 388 00:14:42,733 --> 00:14:45,267 YOU'VE SPENT A NIGHT AWAY FROM ANGELICA, EVER? 389 00:14:53,067 --> 00:14:55,333 I'LL MISS YOU. 390 00:15:00,267 --> 00:15:03,767 JESUS CHRIST... 391 00:15:10,667 --> 00:15:11,633 HONEY, DON'T DO THIS. 392 00:15:11,667 --> 00:15:12,667 IT'S NOT YOUR MESS. 393 00:15:12,700 --> 00:15:13,767 WELL, YOU KNOW WHAT? 394 00:15:13,800 --> 00:15:14,600 SOMEONE'S GOT TO DO IT, 395 00:15:14,633 --> 00:15:16,067 AND THE PERSON WHO MADE THIS MESS 396 00:15:16,067 --> 00:15:18,600 CLEARLY HAS NO INTENTION OF DOING IT. 397 00:15:22,967 --> 00:15:24,367 THIS IS DISGUSTING. 398 00:15:30,933 --> 00:15:33,600 I THINK YOU SHOULD DJ RUSSELL SIMMONS' PARTY. 399 00:15:33,633 --> 00:15:35,667 SO IT REALLY DOESN'T MATTER TO YOU AT ALL 400 00:15:35,700 --> 00:15:38,900 WHETHER OR NOT I'M AT YOUR OPENING? 401 00:15:38,933 --> 00:15:42,233 HONESTLY, IT'S NOT THAT BIG OF A DEAL TO ME. 402 00:15:46,600 --> 00:15:49,733 UM...OKAY. 403 00:15:49,767 --> 00:15:50,833 WHOA, WAIT. 404 00:15:50,867 --> 00:15:51,933 CARMEN, COME ON. 405 00:15:51,967 --> 00:15:55,100 DON'T TAKE IT THAT WAY. 406 00:15:55,133 --> 00:15:56,567 YOU KNOW I WANT YOU TO BE THERE. 407 00:15:56,600 --> 00:15:57,367 YEAH. 408 00:15:57,400 --> 00:15:58,433 AND I KNOW THAT'S SOMETHING 409 00:15:58,467 --> 00:16:01,167 YOU'VE BEEN WORKING REALLY HARD AT. 410 00:16:04,933 --> 00:16:06,633 RIGHT? 411 00:16:06,667 --> 00:16:09,567 MM-HMM. OKAY. 412 00:16:09,600 --> 00:16:10,800 THANK YOU. 413 00:16:15,800 --> 00:16:18,267 [LOW CONVERSATIONS, OVERLAPPING] 414 00:16:18,300 --> 00:16:19,767 THAT WAS AMAZING. 415 00:16:19,800 --> 00:16:23,567 THAT WAS REALLY... TENSE. 416 00:16:23,600 --> 00:16:24,767 SO UPSETTING. 417 00:16:24,800 --> 00:16:26,600 THE BIO... 418 00:16:26,633 --> 00:16:28,100 WE HAVE TO MEET THE FILMMAKER. 419 00:16:28,133 --> 00:16:29,200 IS THAT HER? 420 00:16:29,233 --> 00:16:30,133 SHE'S BEAUTIFUL, ISN'T SHE? 421 00:16:30,167 --> 00:16:32,967 IT'S PRETTY SELF-EXPLANATORY. 422 00:16:33,067 --> 00:16:35,833 THANK YOU SO MUCH. 423 00:16:35,867 --> 00:16:37,200 DYLAN, HI. 424 00:16:37,233 --> 00:16:38,800 I'M TINA KENNARD FROM PEABODY/SHAOLIN. 425 00:16:38,833 --> 00:16:40,167 HI. 426 00:16:40,200 --> 00:16:42,467 THAT WAS A REALLY POWERFUL PIECE OF FILMMAKING. 427 00:16:42,500 --> 00:16:43,600 WELL, I HEARD YOU MIGHT BE COMING. 428 00:16:43,633 --> 00:16:45,233 I'M REALLY, REALLY GLAD THAT YOU MADE IT. 429 00:16:45,267 --> 00:16:47,433 THIS IS HELENA PEABODY. 430 00:16:47,467 --> 00:16:50,467 DYLAN, WE DON'T NORMALLY DO DOCUMENTARIES, 431 00:16:50,500 --> 00:16:54,600 BUT I'D REALLY LOVE TO SIT DOWN AND TALK WITH YOU ABOUT THIS. 432 00:16:54,633 --> 00:16:58,133 WELL, YOU KNOW, WE'RE LOOKING FOR 10 INVESTORS EACH 433 00:16:58,167 --> 00:17:00,833 TO COME IN AT $10,000 APIECE, 434 00:17:00,867 --> 00:17:01,833 AND IF YOU-- 435 00:17:01,867 --> 00:17:03,733 IF YOU READ THE PROSPECTUS-- 436 00:17:03,767 --> 00:17:06,300 WELL, I ASSUME YOU'D ACCEPT IT ALL 437 00:17:06,333 --> 00:17:09,367 FROM ONE SINGLE INVESTOR. 438 00:17:10,800 --> 00:17:11,800 ARE YOU KIDDING? 439 00:17:13,633 --> 00:17:17,567 CALL ME, AND WE WILL SET UP A MEETING. 440 00:17:17,600 --> 00:17:18,867 TO DISCUSS 441 00:17:18,900 --> 00:17:21,133 WHETHER $100,000 IS REALLY ENOUGH, 442 00:17:21,167 --> 00:17:23,067 OR MAYBE WE SHOULD THINK ABOUT 443 00:17:23,067 --> 00:17:25,067 INCREASING YOUR BUDGET. 444 00:17:25,067 --> 00:17:26,467 WHAT ARE YOU, 445 00:17:26,500 --> 00:17:28,367 SOME KIND OF AN ANGEL OR SOMETHING? 446 00:17:30,733 --> 00:17:32,067 NO, I'M JUST... 447 00:17:32,067 --> 00:17:35,067 I'M REALLY IN AWE OF WHAT YOU'RE TRYING TO DO HERE, 448 00:17:35,067 --> 00:17:37,533 AND... 449 00:17:37,567 --> 00:17:41,800 I'M LUCKY ENOUGH TO BE IN A POSITION TO HELP YOU. 450 00:17:45,400 --> 00:17:46,767 COULD YOU JUST WAIT... 451 00:17:46,800 --> 00:17:47,867 JUST WAIT HERE FOR A SECOND? 452 00:17:47,900 --> 00:17:49,800 THERE'S SOMEONE I REALLY WANT TO INTRODUCE YOU TO. 453 00:17:49,833 --> 00:17:50,833 SURE. 454 00:17:50,867 --> 00:17:52,067 SURE. 455 00:17:54,233 --> 00:17:56,233 WHO IS THAT, DO YOU KNOW? 456 00:17:56,267 --> 00:17:58,667 THAT IS DANNY WILSON, 457 00:17:58,700 --> 00:18:00,533 HER PRODUCER, 458 00:18:00,567 --> 00:18:05,067 AND I THINK HER BOYFRIEND. 459 00:18:05,067 --> 00:18:07,167 AH... 460 00:18:08,733 --> 00:18:11,567 I THINK I'LL TRY AND PUT HER DOWN. 461 00:18:11,600 --> 00:18:13,100 OKAY, AND I'M GOING TO LET YOU, TOO, 462 00:18:13,133 --> 00:18:14,200 BECAUSE SHE'LL GO DOWN QUICKER FOR YOU 463 00:18:14,233 --> 00:18:15,300 THAN SHE WILL FOR ME. 464 00:18:15,333 --> 00:18:16,300 WELL, THAT'S BECAUSE 465 00:18:16,333 --> 00:18:17,433 SHE LOVES YOUR COMPANY SO MUCH, 466 00:18:17,467 --> 00:18:19,667 SHE CAN'T STAND TO SEE YOU GO, 467 00:18:19,700 --> 00:18:22,600 AND I UNDERSTAND COMPLETELY HOW SHE FEELS. 468 00:18:22,633 --> 00:18:23,967 [SIGHS] 469 00:18:24,067 --> 00:18:25,300 WELL, THEN, I'LL SET THE TABLE. 470 00:18:25,333 --> 00:18:26,767 NO, NO, NO, YOU RELAX, 471 00:18:26,800 --> 00:18:27,767 PUT YOUR FEET UP. 472 00:18:27,800 --> 00:18:28,867 THIS IS YOUR NIGHT OFF. 473 00:18:28,900 --> 00:18:30,600 WELL, YOU'VE DONE EVERYTHING ELSE. 474 00:18:30,633 --> 00:18:34,100 PLEASE, JUST WAIT UNTIL I GET BACK. 475 00:18:43,800 --> 00:18:46,067 HMM... 476 00:18:46,100 --> 00:18:49,067 [***] 477 00:18:51,800 --> 00:18:53,367 JENNY AND MOIRA! 478 00:18:53,400 --> 00:18:55,300 SO GLAD YOU COULD COME, 479 00:18:55,333 --> 00:18:57,167 AND YOU, WELCOME HOME. 480 00:18:57,200 --> 00:18:58,233 COME ON IN. 481 00:18:58,267 --> 00:18:59,600 HEY, EVERYBODY! 482 00:18:59,633 --> 00:19:01,600 THESE ARE MY NEW FRIENDS, JENNY AND-- 483 00:19:01,633 --> 00:19:03,267 MOIRA, DO YOU GO BY ANY OTHER NAME? 484 00:19:03,300 --> 00:19:04,833 NOT REALLY. 485 00:19:04,867 --> 00:19:06,200 SHE SOMETIMES GOES BY MAX. 486 00:19:06,233 --> 00:19:07,267 MAX, FANTASTIC. 487 00:19:07,300 --> 00:19:08,567 THAT'S A NICE NAME. 488 00:19:08,600 --> 00:19:10,567 COME ON, TOO, MAX. 489 00:19:11,800 --> 00:19:12,933 HEY, EVERYBODY. 490 00:19:12,967 --> 00:19:16,967 THESE ARE MY NEW FRIENDS, JENNY AND, UH, MAX. 491 00:19:17,067 --> 00:19:18,967 SAY HELLO TO TOM, CYNTHIA, 492 00:19:19,067 --> 00:19:21,300 AND, OF COURSE, THE LOVELY GINGER VITUS. 493 00:19:26,700 --> 00:19:27,967 HOW ARE YOU DOING, MAX? 494 00:19:28,067 --> 00:19:30,667 GOOD. 495 00:19:39,800 --> 00:19:43,267 OH, YOU'RE A BAD GIRL. 496 00:19:43,300 --> 00:19:45,100 I KNOW, I'M A BAD GIRL. 497 00:19:45,133 --> 00:19:49,333 I JUST, YOU KNOW, WENT ON AHEAD AND... 498 00:19:49,367 --> 00:19:51,500 WHAT ARE YOU DOING? 499 00:19:51,533 --> 00:19:56,067 I'M MOWING THE LAWN. 500 00:19:56,067 --> 00:19:58,733 WHAT DOES IT LOOK LIKE I'M DOING? 501 00:20:05,800 --> 00:20:06,700 UH, I'M... 502 00:20:06,733 --> 00:20:11,300 I'M ALMOST OLD ENOUGH TO BE YOUR MOTHER. 503 00:20:11,333 --> 00:20:15,467 MY GRANDMOTHER, BUT I DON'T CARE. 504 00:20:23,033 --> 00:20:24,767 UH, WE... 505 00:20:24,800 --> 00:20:26,100 YOU CAN'T DO THIS. 506 00:20:26,133 --> 00:20:28,600 DO YOU MIND TELLING ME WHY? 507 00:20:28,633 --> 00:20:30,800 BECAUSE IT'S NOT RIGHT, AND YOU KNOW IT'S NOT RIGHT. 508 00:20:30,833 --> 00:20:31,833 I DON'T KNOW, 509 00:20:31,867 --> 00:20:35,300 IT FELT REALLY RIGHT TO ME. 510 00:20:35,333 --> 00:20:37,500 WHAT DO YOU KNOW? 511 00:20:37,533 --> 00:20:38,600 YOU'RE A CHILD. 512 00:20:38,633 --> 00:20:40,200 [SIGHS] 513 00:20:40,233 --> 00:20:44,500 A VERY ATTRACTIVE CHILD... 514 00:20:48,967 --> 00:20:52,467 BUT STILL A CHILD. 515 00:20:54,800 --> 00:20:57,333 [LAUGHS RESIGNEDLY] 516 00:20:57,367 --> 00:20:59,867 SO WHAT'S YOUR NOVEL ABOUT, JENNY? 517 00:20:59,900 --> 00:21:03,367 MY NOVEL IS ABOUT SOME BULLSHIT 518 00:21:03,400 --> 00:21:04,667 ABOUT MY CHILDHOOD. 519 00:21:04,700 --> 00:21:06,100 IT'S NOT BULLSHIT, JENNY. 520 00:21:06,133 --> 00:21:07,133 THERE YOU GO. 521 00:21:07,167 --> 00:21:09,467 THANK YOU. OKAY, IT'S-- 522 00:21:09,500 --> 00:21:12,167 IT'S GOT THIS AMAZING STORY ABOUT A CARNIVAL. 523 00:21:12,200 --> 00:21:14,167 I'M A SWORD SWALLOWER. 524 00:21:14,200 --> 00:21:17,100 I HAVE A VERY, VERY DEEP THROAT. 525 00:21:17,133 --> 00:21:18,600 [CHUCKLES] 526 00:21:18,633 --> 00:21:19,767 TOM'S A WRITER, TOO. 527 00:21:19,800 --> 00:21:22,367 [JENNY]: WHAT KIND OF STUFF DO YOU WRITE? 528 00:21:22,400 --> 00:21:24,300 NON-FICTION, MOSTLY. 529 00:21:24,333 --> 00:21:26,600 I WRITE FOR GO MAGAZINE, BITCH MAGAZINE, 530 00:21:26,633 --> 00:21:28,833 AND I DO MY OWN LITTLE 'ZINE, 531 00:21:28,867 --> 00:21:30,833 BOI WORLD, 532 00:21:30,867 --> 00:21:33,067 AND I'M SORT OF, KIND OF, WORKING ON A SCREENPLAY. 533 00:21:33,067 --> 00:21:34,167 OH, GOD. 534 00:21:34,200 --> 00:21:35,433 LIKE EVERYBODY IN HELL A. 535 00:21:35,467 --> 00:21:36,667 NO, NOT ME. 536 00:21:36,700 --> 00:21:37,533 I DON'T DO IT. 537 00:21:37,567 --> 00:21:38,867 I DON'T WANT TO EVER WRITE A SCREENPLAY. 538 00:21:38,900 --> 00:21:39,833 I JUST WANT TO WRITE FICTION. 539 00:21:39,867 --> 00:21:41,200 GOOD FOR YOU. 540 00:21:41,233 --> 00:21:42,533 WHAT'S YOUR SCREENPLAY ABOUT? 541 00:21:42,567 --> 00:21:45,067 THE LIFE, A GIRL WHO BECOMES A BOY. 542 00:21:45,067 --> 00:21:46,067 WHAT HE GOES THROUGH. 543 00:21:46,067 --> 00:21:49,100 YOU KNOW, SMALL TOWN, 544 00:21:49,133 --> 00:21:51,367 REALIZING HE'S REALLY NOT A SHE. 545 00:21:51,400 --> 00:21:54,067 YOU KNOW, GIRLFRIENDS, FAMILY SHIT, T, TOP SURGERY. 546 00:21:54,100 --> 00:21:56,367 WHAT'S TOP SURGERY? 547 00:21:56,400 --> 00:21:58,767 A BILATERAL MASTECTOMY? 548 00:21:58,800 --> 00:21:59,600 YOU KNOW, SIMILAR 549 00:21:59,633 --> 00:22:01,233 TO WHAT A CANCER PATIENT WOULD UNDERGO. 550 00:22:01,267 --> 00:22:04,233 EXCEPT THAT THE NIPPLES ARE RE-ATTACHED, 551 00:22:04,267 --> 00:22:08,933 AND THE CHEST IS RECONSTRUCTED 552 00:22:08,967 --> 00:22:11,967 WITH MALE CONTOURS. 553 00:22:12,067 --> 00:22:14,300 SO IT'S ABOUT YOUR LIFE? 554 00:22:14,333 --> 00:22:20,533 OR MAYBE IT'S ABOUT YOURS, MAX, HUH? 555 00:22:20,567 --> 00:22:21,767 ONLY, YOU KNOW, 556 00:22:21,800 --> 00:22:22,867 IF I'M PRESUMING ANYTHING, 557 00:22:22,900 --> 00:22:24,100 JUST PLEASE TELL ME TO SHUT UP. 558 00:22:24,133 --> 00:22:25,400 NO, I MEAN, 559 00:22:25,433 --> 00:22:26,233 I'VE DEFINITELY THOUGHT ABOUT IT. 560 00:22:26,267 --> 00:22:28,300 WHEN DID YOU THINK ABOUT IT? 561 00:22:28,333 --> 00:22:30,633 UM, SINCE I WAS A KID. 562 00:22:30,667 --> 00:22:31,767 AND HOW COME 563 00:22:31,800 --> 00:22:33,933 YOU NEVER TOLD ME ABOUT IT? 564 00:22:33,967 --> 00:22:35,167 I DON'T KNOW. 565 00:22:35,200 --> 00:22:36,200 IT JUST NEVER-- 566 00:22:36,233 --> 00:22:37,367 IT JUST DIDN'T REALLY SEEM LIKE 567 00:22:37,400 --> 00:22:38,600 SOMETHING THAT YOU TALKED ABOUT, YOU KNOW? 568 00:22:38,633 --> 00:22:40,767 AW, YOU CAN TALK ABOUT IT, DARLING. 569 00:22:40,800 --> 00:22:42,067 YOU HAVE TO TALK ABOUT IT. 570 00:22:42,067 --> 00:22:43,633 [MAN]: HEY, BILLIE! 571 00:22:48,067 --> 00:22:50,367 LET'S SEE... LENI RIEFENSTAHL, 572 00:22:50,400 --> 00:22:53,267 DEMI MOORE, SUSAN SARANDON, 573 00:22:53,300 --> 00:22:55,267 JOAN COLLINS, 574 00:22:55,300 --> 00:22:57,167 MARY KAY LETOURNEAU, 575 00:22:57,200 --> 00:22:59,200 FRAN DRESCHER... 576 00:22:59,233 --> 00:23:02,067 WHO'S MARY KAY LETOURNEAU? 577 00:23:02,067 --> 00:23:03,433 THE SCHOOLTEACHER WHO HAD THE AFFAIR 578 00:23:03,467 --> 00:23:05,433 WITH THE 13-YEAR-OLD STUDENT. 579 00:23:05,467 --> 00:23:08,067 OH, GREAT, SHE WENT TO JAIL. 580 00:23:08,067 --> 00:23:09,500 YES, BUT SHE'S OUT NOW, 581 00:23:09,533 --> 00:23:11,433 AND SHE AND VILI ARE MARRIED 582 00:23:11,467 --> 00:23:12,767 WITH, LIKE, THREE KIDS. 583 00:23:12,800 --> 00:23:13,867 NO WAY. 584 00:23:13,900 --> 00:23:14,767 WAY. 585 00:23:14,800 --> 00:23:15,867 IT IS A HAPPY ENDING, 586 00:23:15,900 --> 00:23:20,200 AND I WILL WAIT FOR YOU WHILE YOU'RE IN JAIL. 587 00:23:24,533 --> 00:23:26,067 I THINK IT'S MEANT TO BE, KIT. 588 00:23:26,067 --> 00:23:28,367 WHY ARE YOU FIGHTING ME? 589 00:23:28,400 --> 00:23:29,600 I DON'T THINK YOU REALLY KNOW 590 00:23:29,633 --> 00:23:31,300 WHAT YOU'RE GETTING YOURSELF INTO. 591 00:23:31,333 --> 00:23:32,267 YOU DON'T KNOW ME. 592 00:23:32,300 --> 00:23:34,367 YOU DON'T KNOW ANYTHING ABOUT ME. 593 00:23:34,400 --> 00:23:35,500 I KNOW YOU'RE GORGEOUS. 594 00:23:35,533 --> 00:23:37,333 I KNOW I LIKE YOU A LOT. 595 00:23:37,367 --> 00:23:39,600 I KNOW THAT WHEN YOU SING, IT MAKES-- 596 00:23:39,633 --> 00:23:42,500 WHAT'S THE WEIRD THING ON A MAN'S NECK? 597 00:23:42,533 --> 00:23:43,700 AN ADAM'S APPLE. 598 00:23:43,733 --> 00:23:47,367 IT MAKES MY ADAM'S APPLE DO, LIKE, A MEXICAN HAT DANCE. 599 00:23:47,400 --> 00:23:49,700 WELL, DID YOU KNOW THAT I'M AN EX-DRUNK? 600 00:23:49,733 --> 00:23:52,600 I SERVED YOU DINNER WITH LEMON-FLAVORED PELLEGRINO. 601 00:23:52,633 --> 00:23:55,300 LOOK, I KNOW YOU WALKED OUT ON YOUR SON 602 00:23:55,333 --> 00:23:56,400 WHEN HE WAS A BABY. 603 00:23:56,433 --> 00:23:58,367 I KNOW THAT HE GREW UP 604 00:23:58,400 --> 00:24:01,200 AND TURNED INTO SOMEONE YOU DON'T PARTICULARLY CARE FOR, 605 00:24:01,233 --> 00:24:02,633 AND THAT FILLS YOU WITH SADNESS. 606 00:24:02,667 --> 00:24:06,767 I KNOW THAT YOU HAD A HIT RECORD IN 1992, 607 00:24:06,800 --> 00:24:08,667 AND THEN LOST YOURSELF 608 00:24:08,700 --> 00:24:10,967 IN A DOWNWARD SPIRAL OF MEN AND BOOZE, 609 00:24:11,067 --> 00:24:13,100 AND NOW YOU HAVE A THRIVING BUSINESS, 610 00:24:13,133 --> 00:24:15,067 10 NEW SONGS, AND A COUPLE OF COVERS 611 00:24:15,100 --> 00:24:16,433 THAT YOU WANT TO RECORD TO A CD 612 00:24:16,467 --> 00:24:18,867 THAT YOU'RE GOING TO PUT OUT YOURSELF, 613 00:24:18,900 --> 00:24:20,300 AND A BEAUTIFUL NIECE 614 00:24:20,333 --> 00:24:23,067 WHO SQUEALS EVERY TIME YOU WALK IN THE ROOM. 615 00:24:23,100 --> 00:24:26,433 AND I'M GOING THROUGH MENOPAUSE. 616 00:24:27,533 --> 00:24:29,400 HUH... 617 00:24:32,833 --> 00:24:37,267 [***] 618 00:24:42,500 --> 00:24:43,767 WE CAN'T WAIT VERY MUCH LONGER 619 00:24:43,800 --> 00:24:44,800 FOR SENATOR GRISHAM. 620 00:24:44,833 --> 00:24:46,300 MISS LOURD, WE'RE GOING TO GET STARTED. 621 00:24:46,333 --> 00:24:47,400 MY NAME IS BETTE PORTER. 622 00:24:47,433 --> 00:24:48,767 I'M FILLING IN FOR JULIA LOURD. 623 00:24:48,800 --> 00:24:50,067 [REPORTER]: SENATOR GRISHAM, 624 00:24:50,067 --> 00:24:51,733 ANY COMMENTS ON YOUR MEETING WITH THE PRESIDENT THIS MORNING? 625 00:24:51,767 --> 00:24:55,067 DID HE WIN YOU OVER ON SOCIAL SECURITY? 626 00:24:55,100 --> 00:24:57,200 NICE OF YOU TO JOIN US, BARBARA. 627 00:24:57,233 --> 00:24:58,767 MISS LOURD HERE HAS BEEN VERY PATIENT. 628 00:24:58,800 --> 00:25:00,467 UH, MISS-- MS. PORTER. 629 00:25:00,500 --> 00:25:04,067 AMERICA'S SENIOR CITIZENS WILL BE LICKING THEIR WOUNDS 630 00:25:04,067 --> 00:25:05,667 IF THE PRESIDENT GETS HIS WAY, 631 00:25:05,700 --> 00:25:08,500 BUT RIGHT NOW, WE'RE HERE TO DISCUSS HOW MUCH MONEY 632 00:25:08,533 --> 00:25:10,700 WE'RE GOING TO BLEED FROM THE ARTS BUDGET. 633 00:25:10,733 --> 00:25:12,067 THANK YOU. 634 00:25:18,367 --> 00:25:21,100 YO, THANKS FOR THE HELP, GUYS. 635 00:25:33,767 --> 00:25:34,633 HEY, CARMEN, 636 00:25:34,667 --> 00:25:37,800 THAT LOOKS REALLY GOOD ON YOU. 637 00:25:37,833 --> 00:25:40,667 YOU SHOULD TAKE IT. 638 00:25:41,833 --> 00:25:42,800 SHE'S BUMMED. 639 00:25:42,833 --> 00:25:44,333 SHE CAN'T MAKE IT TONIGHT. 640 00:25:44,367 --> 00:25:46,333 WHY? THERE'S GOING TO BE OTHER PARTIES. 641 00:25:46,367 --> 00:25:47,467 I KNOW, THAT'S WHAT I KEEP TELLING HER. 642 00:25:47,500 --> 00:25:49,667 IT'S MELLOW. 643 00:25:49,700 --> 00:25:51,200 WHAT TIME IS IT? 644 00:25:51,233 --> 00:25:52,667 IT'S, LIKE, 1:00. 645 00:25:52,700 --> 00:25:53,567 IT'S WHAT? 1:00. 646 00:25:53,600 --> 00:25:55,167 FUCK. HERE, TAKE-- HEY, CARM! 647 00:25:55,200 --> 00:25:57,100 DANA'S GAME IS ON. 648 00:25:57,133 --> 00:25:59,067 OH. 649 00:26:02,800 --> 00:26:06,533 MM-HMM, MM-HMM, MM-HMM. 650 00:26:06,567 --> 00:26:09,700 ACTUALLY, I JUST WANT TO SIT DOWN AND TALK TO HER. 651 00:26:09,733 --> 00:26:10,867 MM-HMM. 652 00:26:10,900 --> 00:26:14,133 NO, NO, NO, NO, I DON'T WANT TO GET INTO A BIDDING WAR. 653 00:26:14,167 --> 00:26:16,233 OH, CAN YOU HANG ON? 654 00:26:19,067 --> 00:26:20,600 [AUDIENCE APPLAUDING] 655 00:26:20,633 --> 00:26:22,233 [COMMENTATOR #1]: ...HAS REALLY WORKED ON THAT APPROACH. 656 00:26:22,267 --> 00:26:23,600 [COMMENTATOR #2]: SHE'S GOT A GREAT COACH. 657 00:26:23,633 --> 00:26:24,833 [COMMENTATOR #1]: LOOKS LIKE DANA 658 00:26:24,867 --> 00:26:26,667 IS ABOUT TO SERVE. 659 00:26:26,700 --> 00:26:29,600 OH, UM... 660 00:26:29,633 --> 00:26:31,767 SYDNEY, I'M GOING TO HAVE TO CALL YOU BACK. 661 00:26:31,800 --> 00:26:33,133 OKAY. 662 00:26:33,167 --> 00:26:34,100 WHAT'S UP? 663 00:26:34,133 --> 00:26:35,333 HAVE YOU SET THAT MEETING YET? 664 00:26:35,367 --> 00:26:36,700 YOU KNOW, WITH THE DOCUMENTARY FILMMAKER? 665 00:26:36,733 --> 00:26:39,367 UM... 666 00:26:39,400 --> 00:26:40,667 NEXT TUESDAY AT 3:00. 667 00:26:40,700 --> 00:26:41,767 NEXT TUESDAY? 668 00:26:41,800 --> 00:26:46,067 WHY DON'T YOU JUST CALL AND ASK HER OUT? 669 00:26:47,567 --> 00:26:48,367 OH, COME ON, DANA. 670 00:26:48,400 --> 00:26:51,900 WHAT, SHE'S PLAYING? 671 00:26:51,933 --> 00:26:54,600 WOW, I'VE NEVER SEEN HER PLAY. 672 00:26:54,633 --> 00:26:57,067 COME ON, DANA, YOU CAN DO IT. 673 00:27:00,367 --> 00:27:02,233 WHOO! SHE DID IT. 674 00:27:03,100 --> 00:27:04,833 SHE DID IT. 675 00:27:04,867 --> 00:27:06,267 OH, SHE'S PLAYING WELL. 676 00:27:06,300 --> 00:27:07,933 ISN'T SHE PLAYING WELL? 677 00:27:07,967 --> 00:27:10,633 I CAN'T BELIEVE IRWIN ISN'T HERE TO SEE THIS. 678 00:27:15,167 --> 00:27:16,300 HEY, WHERE IS EVERYBODY? 679 00:27:16,333 --> 00:27:17,300 I'M HERE TO HELP! 680 00:27:17,333 --> 00:27:18,667 AL, WE'RE OVER HERE! 681 00:27:18,700 --> 00:27:20,767 DANA'S SERVING HER NEXT POINT. COME HERE! 682 00:27:20,800 --> 00:27:21,900 [COMMENTATOR #2]: HER SERVE 683 00:27:21,933 --> 00:27:23,200 IS DEFINITELY ONE OF HER STRONG POINTS. 684 00:27:23,233 --> 00:27:23,933 GUYS, THIS PLACE IS SO-- 685 00:27:23,967 --> 00:27:26,400 SHH! QUIET. 686 00:27:34,633 --> 00:27:36,067 FUCK, IT LOOKS LIKE SHE'S HURTING. 687 00:27:36,100 --> 00:27:37,600 COME ON, DANA, GET UP. LET'S GO. 688 00:27:37,633 --> 00:27:38,833 OH, MY GOD, IS SHE ALL RIGHT? 689 00:27:38,867 --> 00:27:40,233 NO, NO, NO, SHE'S FINE. 690 00:27:40,267 --> 00:27:41,433 SHE JUST LOST HER FOOTING A BIT, 691 00:27:41,467 --> 00:27:42,433 THAT'S ALL. 692 00:27:42,467 --> 00:27:43,600 NO, SHE'S NOT THAT STRONG. 693 00:27:43,633 --> 00:27:44,867 SHE'S PUSHING HERSELF WAY TOO HARD. 694 00:27:44,900 --> 00:27:46,700 YOU OBVIOUSLY DON'T KNOW HER VERY WELL. 695 00:27:46,733 --> 00:27:48,100 SHE'S STRONG AS AN OX. 696 00:27:48,133 --> 00:27:52,267 TIME VIOLATION WARNING, MISS FAIRBANKS. 697 00:27:53,633 --> 00:27:55,767 [COMMENTATOR #1]: ...PENALIZED FOR THIS, 698 00:27:55,800 --> 00:27:57,167 WHICH WOULD BE JUST TRAGIC. 699 00:28:05,600 --> 00:28:07,667 OOH! YEAH. 700 00:28:07,700 --> 00:28:09,400 [COMMENTATOR #2]: ...ONCE AGAIN FOR DANA FAIRBANKS. 701 00:28:09,433 --> 00:28:10,933 [COMMENTATOR #1]: EXACTLY, 702 00:28:10,967 --> 00:28:12,800 AND IF SHE NEEDS IT, SHE DIGS DEEP AND FINDS IT. 703 00:28:15,733 --> 00:28:17,800 COME ON, DANA, YOU CAN DO IT. COME ON. 704 00:28:22,533 --> 00:28:24,767 GAME. 705 00:28:24,800 --> 00:28:27,067 [AUDIENCE CHEERING] 706 00:28:49,867 --> 00:28:52,367 OH, MY GOD, LOOK AT THIS! 707 00:28:52,400 --> 00:28:53,700 [COMMENTATOR #2]: THERE YOU HAVE IT, 708 00:28:53,733 --> 00:28:54,700 LADIES AND GENTLEMEN. 709 00:28:54,733 --> 00:28:55,800 DANA FAIRBANKS 710 00:28:55,833 --> 00:28:58,700 IS THE MERCEDES-BENZ CHALLENGE CHAMPION. 711 00:28:58,733 --> 00:29:00,733 AN ABSOLUTELY BRILLIANT PERFORMANCE 712 00:29:00,767 --> 00:29:01,933 IN THE FINAL 713 00:29:01,967 --> 00:29:04,400 FROM A SOMEWHAT-FATIGUED DANA FAIRBANKS. 714 00:29:04,433 --> 00:29:05,600 [AUDIENCE CHEERING] 715 00:29:08,233 --> 00:29:12,167 I'M-- I'M SORRY. UH... 716 00:29:12,200 --> 00:29:14,300 IN CONCLUSION, I ASK YOU TO REMEMBER 717 00:29:14,333 --> 00:29:17,400 THAT LOOKING AT ART IS AN ACT OF CHOICE, 718 00:29:17,433 --> 00:29:20,267 AND THOSE WHO DON'T WANT TO NEED NOT LOOK, 719 00:29:20,300 --> 00:29:22,633 BUT I DON'T WANT MY CHILD GROWING UP IN A WORLD 720 00:29:22,667 --> 00:29:26,100 THAT DOESN'T GIVE HER THE OPTION. 721 00:29:26,133 --> 00:29:28,100 THANK YOU FOR YOUR TIME. 722 00:29:33,900 --> 00:29:35,600 MISS LOURD, MISS PORTER, 723 00:29:35,633 --> 00:29:37,200 WHATEVER YOUR NAME IS. 724 00:29:37,233 --> 00:29:38,567 IS THIS SOMETHING 725 00:29:38,600 --> 00:29:39,767 YOU WANT YOUR CHILD TO HAVE THE OPTION OF SEEING? 726 00:29:39,800 --> 00:29:41,533 SENATOR, YOU'RE TAKING THE PIECE OUT OF CONTEXT. 727 00:29:41,567 --> 00:29:43,133 IT'S A SHOW ABOUT POLITICAL ART, 728 00:29:43,167 --> 00:29:44,367 AND AS SUCH, 729 00:29:44,400 --> 00:29:46,200 IT PRESENTS MANY, MANY POINTS OF VIEW. 730 00:29:46,233 --> 00:29:48,167 TRY TELLING THAT TO THE BOYS AND GIRLS 731 00:29:48,200 --> 00:29:49,767 WHO ARE RISKING THEIR LIVES IN IRAQ. 732 00:29:49,800 --> 00:29:53,267 THIS IS UN-AMERICAN FILTH. 733 00:29:54,100 --> 00:29:55,100 [BETTE]: SENATOR, 734 00:29:55,133 --> 00:29:56,400 WHAT DO YOU THINK YOU'RE DOING? 735 00:29:57,933 --> 00:30:00,000 UN-AMERICAN? 736 00:30:00,033 --> 00:30:01,833 NOT AS UN-AMERICAN AS WHAT YOU JUST DID. 737 00:30:01,867 --> 00:30:04,100 YOU OUGHT TO BE ASHAMED OF YOURSELF. 738 00:30:05,300 --> 00:30:06,433 YOU KNOW WHAT YOU ARE? 739 00:30:06,467 --> 00:30:09,700 YOU'RE JUST THE LATEST REIGNING, VIGILANTE, 740 00:30:09,733 --> 00:30:12,433 SELF-APPOINTED CULTURAL WATCHDOGS OF THE MOMENT, 741 00:30:12,467 --> 00:30:14,900 DEVOTING COUNTLESS HOURS AND ENVIABLE RESOURCES 742 00:30:14,933 --> 00:30:16,367 TO THIS BOGUS MISSION 743 00:30:16,400 --> 00:30:18,633 OF STIFLING CREATIVE EXPRESSION IN THE NAME OF PATRIOTISM. 744 00:30:18,667 --> 00:30:19,600 MISS PORTER-- 745 00:30:19,633 --> 00:30:20,767 AND DO YOU KNOW WHAT IT IS, SENATOR? 746 00:30:20,800 --> 00:30:22,433 IT'S A DISTRACTION. 747 00:30:22,467 --> 00:30:24,733 IT IS A WANTON DISTRACTION, 748 00:30:24,767 --> 00:30:26,367 BECAUSE LET'S JUST BE FORTHRIGHT AND HONEST 749 00:30:26,400 --> 00:30:29,367 ABOUT WHAT IS TRULY UNPATRIOTIC. 750 00:30:29,400 --> 00:30:32,400 ABJECT POVERTY IS UNPATRIOTIC. 751 00:30:32,433 --> 00:30:34,133 THE FAILURE OF OUR EDUCATION SYSTEM 752 00:30:34,167 --> 00:30:35,433 IS UNPATRIOTIC. 753 00:30:35,467 --> 00:30:38,533 LIES TOLD BY PRESIDENTS AS JUSTIFICATION FOR WAR-- 754 00:30:38,567 --> 00:30:39,600 MISS PORTER-- 755 00:30:39,633 --> 00:30:40,200 IS UNPATRIOTIC. 756 00:30:40,233 --> 00:30:42,400 IT IS UNPATRIOTIC 757 00:30:42,433 --> 00:30:45,333 THAT ELECTED LAWMAKERS FAIL TO ACKNOWLEDGE, 758 00:30:45,367 --> 00:30:49,133 LET ALONE ADDRESS, REAL DESPERATION. 759 00:30:58,167 --> 00:30:59,300 [GAVEL BANGS] 760 00:30:59,333 --> 00:31:00,200 THE COMMITTEE IS RECESSED 761 00:31:00,233 --> 00:31:02,067 UNTIL FURTHER NOTICE. 762 00:31:02,067 --> 00:31:04,233 [REPORTERS CLAMORING] 763 00:31:08,067 --> 00:31:10,433 THAT WAS RATHER FIERY. 764 00:31:10,467 --> 00:31:12,767 CAN YOU JOIN ME AT A COCKTAIL PARTY TONIGHT? 765 00:31:12,800 --> 00:31:14,233 I HAVE TO GET BACK TO L.A. 766 00:31:14,267 --> 00:31:15,533 YOU'LL MEET PEOPLE 767 00:31:15,567 --> 00:31:17,133 WHO CAN SWING THE VOTE FOR YOU. 768 00:31:17,167 --> 00:31:19,133 IT'S A LIMITED OFFER, 769 00:31:19,167 --> 00:31:21,667 AND NOT ONE I MAKE TO JUST ANYBODY. 770 00:31:24,800 --> 00:31:27,467 [MUSIC PLAYING] 771 00:31:29,867 --> 00:31:30,933 DO NOT TALK ABOUT DANA. 772 00:31:30,967 --> 00:31:34,200 DO NOT EVEN BRING UP ANYTHING THAT RHYMES WITH DANA. 773 00:31:34,233 --> 00:31:36,767 DO NOT TALK ABOUT DANA. 774 00:31:36,800 --> 00:31:38,367 OKAY. 775 00:31:39,800 --> 00:31:41,767 [SONG FADES] 776 00:31:41,800 --> 00:31:42,867 HELLO. WELCOME BACK. 777 00:31:42,900 --> 00:31:49,767 THAT WAS "ALL FIRED UP" BY THE TRA-LA-LAS... 778 00:31:49,800 --> 00:31:52,300 AND... TODAY... 779 00:31:54,633 --> 00:31:56,767 UM... 780 00:31:56,800 --> 00:32:00,900 [RANDOMLY HITS XYLOPHONE] 781 00:32:00,933 --> 00:32:03,700 I'M SURE IN THE WORLD OF CONNECTIVITY, THOUGH, 782 00:32:03,733 --> 00:32:06,200 I WILL COME UP WITH SOMETHING REALLY MEANINGFUL, 783 00:32:06,233 --> 00:32:07,500 REALLY ENTERTAINING. 784 00:32:07,533 --> 00:32:09,867 UM... 785 00:32:13,100 --> 00:32:14,367 I DON'T REALLY KNOW WHAT TO TALK ABOUT 786 00:32:14,400 --> 00:32:15,733 IF I CAN'T TALK ABOUT DANA. 787 00:32:20,867 --> 00:32:21,833 WAIT A MINUTE. 788 00:32:21,867 --> 00:32:23,100 MY PRODUCER'S TRYING TO TELL ME SOMETHING. 789 00:32:23,133 --> 00:32:24,367 WHAT, RUTH? 790 00:32:24,400 --> 00:32:25,767 WHAT ARE YOU TRYING TO TELL ME? 791 00:32:25,800 --> 00:32:27,367 SOMETHING ABOUT A DICK? 792 00:32:28,467 --> 00:32:29,500 HEAD? 793 00:32:29,533 --> 00:32:31,067 A DICKHEAD? 794 00:32:31,100 --> 00:32:32,233 A DICKHEAD. 795 00:32:32,267 --> 00:32:34,233 OKAY, A DICKHEAD. 796 00:32:34,267 --> 00:32:35,767 A DICKHEAD, UM... 797 00:32:35,800 --> 00:32:38,667 SPEAKING OF DICKHEADS, 798 00:32:38,700 --> 00:32:39,500 WHAT ABOUT GEORGE BUSH? 799 00:32:39,533 --> 00:32:40,600 HE'S A TOTAL DICKHEAD. 800 00:32:40,633 --> 00:32:43,600 AND WHAT ABOUT HIS DICK, YOU KNOW? 801 00:32:43,633 --> 00:32:46,133 I MEAN, I THINK THAT'S REALLY THE QUESTION 802 00:32:46,167 --> 00:32:47,600 WE NEED TO PUT TO PUT TO THE DEMOCRATS. 803 00:32:47,633 --> 00:32:50,767 WHY ARE WE NOT TALKING ABOUT GEORGE BUSH'S PENIS? 804 00:32:50,800 --> 00:32:52,967 YOU KNOW, WITH ALL THE TIMES 805 00:32:53,067 --> 00:32:55,600 THAT THE REPUBLICANS TALKED ABOUT BILL CLINTON'S PENIS-- 806 00:32:55,633 --> 00:33:00,367 YOU KNOW, WE KNEW ITS SHAPE, WE KNEW ITS SIZE. 807 00:33:00,400 --> 00:33:02,833 WE KNEW WHO IT WAS FRIENDS WITH. 808 00:33:02,867 --> 00:33:04,767 WE KNEW IT HAD ENEMIES. 809 00:33:04,800 --> 00:33:06,900 BILL CLINTON'S PENIS HAD A BEND IN IT. 810 00:33:06,933 --> 00:33:08,800 YOU KNOW, WHAT ABOUT DUBYA? 811 00:33:08,833 --> 00:33:11,333 IS THERE A BEND IN THE BUSH ADMINISTRATION? 812 00:33:11,367 --> 00:33:15,433 [BANGING HEAD AGAINST GLASS] 813 00:33:17,900 --> 00:33:20,933 OH, YEAH. 814 00:33:20,967 --> 00:33:26,600 BABY, I GOT US A PIMP RIDE. 815 00:33:26,633 --> 00:33:27,633 SERIOUSLY, CHECK IT OUT. 816 00:33:27,667 --> 00:33:30,333 THE SEATS IN THE BACK, THEY GO ALL THE WAY DOWN, 817 00:33:30,367 --> 00:33:31,467 AND THEN THE SKYLIGHT-- 818 00:33:31,500 --> 00:33:33,500 PANORAMIC SUNROOF OR WHATEVER-- 819 00:33:33,533 --> 00:33:35,467 IT'S LIKE YOU CAN SEE THE ENTIRE SKY. 820 00:33:37,800 --> 00:33:39,733 AND IT IS SUPPOSED TO BE SUPER SMOOTH TO DRIVE. 821 00:33:39,767 --> 00:33:42,633 BABY, I HAVE NEVER BEEN IN A CAR THIS NICE, 822 00:33:42,667 --> 00:33:45,600 AND I DON'T EVEN GIVE A SHIT ABOUT CARS. 823 00:33:45,633 --> 00:33:46,967 OOH, LET'S CHECK OUT THE SOUND SYSTEM. 824 00:33:47,067 --> 00:33:49,633 [ALICE]: ...A WINK IN THE PRESIDENTIAL WANK? 825 00:33:49,667 --> 00:33:51,600 YOU KNOW, I THINK AS AMERICANS... 826 00:33:51,633 --> 00:33:53,767 AS AMERICANS, WE NEED TO TAKE A LONG, HARD LOOK-- 827 00:33:53,800 --> 00:33:54,767 THAT WAS ALICE. 828 00:33:54,800 --> 00:33:56,267 I WANT TO HEAR WHAT SHE'S SAYING. 829 00:33:56,300 --> 00:33:57,667 MAYBE IF WE KNEW MORE 830 00:33:57,700 --> 00:34:01,067 ABOUT GEORGE W'S WEAPON OF MASS DESTRUCTION, YOU KNOW, 831 00:34:01,067 --> 00:34:03,700 WE COULD FIGURE OUT HOW TO BLOW HIM OUT OF OFFICE. 832 00:34:03,733 --> 00:34:05,867 OKAY, SO COME ON, 833 00:34:05,900 --> 00:34:08,333 ALL YOU NASCENT MUCKRAKERS 834 00:34:08,367 --> 00:34:11,767 AND YOU SO-CALLED JOURNALISTS, LET'S GO. 835 00:34:11,800 --> 00:34:13,067 LET'S, UH-- 836 00:34:13,067 --> 00:34:16,500 I SAY IT'S TIME TO PUT THE PRESIDENTIAL PRIVATES 837 00:34:16,533 --> 00:34:17,567 IN PUBLIC. 838 00:34:17,600 --> 00:34:19,100 OKAY, I AM ALICE PIESZECKI, 839 00:34:19,133 --> 00:34:21,067 AND THIS WAS THE CHART-- 840 00:34:22,400 --> 00:34:25,367 I THINK ALICE HAS LOST HER MIND. 841 00:34:25,400 --> 00:34:26,800 WELL, YOU DEFINITELY HAVE 842 00:34:26,833 --> 00:34:29,600 THE SENATOR FROM CONNECTICUT'S VOTE. 843 00:34:29,633 --> 00:34:32,467 YOU CHARMED THE PANTS OFF OF HIM. I DON'T KNOW... 844 00:34:34,567 --> 00:34:37,567 SHOULD I GIVE YOU A LIFT TO YOUR HOTEL? 845 00:34:37,600 --> 00:34:39,533 WELL, I DON'T KNOW WHERE ELSE. 846 00:34:39,567 --> 00:34:41,300 MY PLACE. 847 00:34:41,333 --> 00:34:43,633 I DO HAVE A RATHER GOOD COLLECTION. 848 00:34:43,667 --> 00:34:44,900 ABSTRACT EXPRESSIONISTS. 849 00:34:44,933 --> 00:34:46,767 OH, VERY GOOD. 850 00:34:46,800 --> 00:34:49,067 YOU DO YOUR HOMEWORK. 851 00:34:49,067 --> 00:34:51,433 THOUGHT ABOUT RUNNING FOR OFFICE? 852 00:34:51,467 --> 00:34:52,933 WELL, I WOULD REALLY LOVE 853 00:34:52,967 --> 00:34:54,133 TO SEE YOUR COLLECTION, SENATOR, 854 00:34:54,167 --> 00:34:55,200 BUT I DO HAVE TO GET UP-- 855 00:34:55,233 --> 00:34:57,167 OH, PLEASE, PLEASE, PLEASE. BARBARA. 856 00:34:57,200 --> 00:34:58,800 BARBARA. 857 00:35:04,533 --> 00:35:08,133 DO YOU ALWAYS GET PEOPLE TO DO WHAT YOU WANT THEM TO? 858 00:35:09,667 --> 00:35:10,900 MAYBE WE SHOULD PUT YOU TO BED. 859 00:35:10,933 --> 00:35:12,133 NO, I'M FINE. 860 00:35:12,167 --> 00:35:13,367 NO, BABY, YOU DON'T LOOK FINE. 861 00:35:13,400 --> 00:35:15,533 YOU LOOK-- YOU LOOK REALLY TIRED. 862 00:35:15,567 --> 00:35:16,733 I AM REALLY TIRED. 863 00:35:16,767 --> 00:35:17,767 I PLAYED MY ASS OFF TODAY. 864 00:35:17,800 --> 00:35:19,100 I KNOW YOU DID. 865 00:35:19,133 --> 00:35:21,067 LOOK, LARA, YOU'RE OVERREACTING, REALLY. 866 00:35:21,100 --> 00:35:23,367 OKAY? 867 00:35:23,400 --> 00:35:25,133 I'M GOING IN FOR A NEEDLE BIOPSY ON TUESDAY. 868 00:35:25,167 --> 00:35:26,300 WE'LL FIND OUT THEN 869 00:35:26,333 --> 00:35:27,533 IF THERE'S ANYTHING TO WORRY ABOUT, 870 00:35:27,567 --> 00:35:33,133 BUT RIGHT NOW, IN THIS MINUTE, 871 00:35:33,167 --> 00:35:34,633 I'M A HUGE FUCKING TENNIS STAR. 872 00:35:34,667 --> 00:35:35,633 YES, YOU ARE. 873 00:35:35,667 --> 00:35:36,800 YES, I AM. 874 00:35:38,400 --> 00:35:41,433 I'M JUST NOT COMFORTABLE WITH THOSE GIRLS. 875 00:35:41,467 --> 00:35:44,500 WHY DON'T YOU GIVE IT ANOTHER TRY? 876 00:35:44,533 --> 00:35:45,467 WHY? 877 00:35:45,500 --> 00:35:48,800 BECAUSE THOSE PEOPLE ARE MY FRIENDS. 878 00:35:50,700 --> 00:35:52,800 YOUR FRIENDS WEREN'T VERY FRIENDLY TO ME. 879 00:35:52,833 --> 00:35:53,900 WHAT? 880 00:35:53,933 --> 00:35:55,800 I FEEL LIKE I JUST DON'T REALLY FIT IN, 881 00:35:55,833 --> 00:35:57,167 YOU KNOW? 882 00:35:57,200 --> 00:35:58,167 I JUST-- THEY'RE SO COOL, AND... 883 00:35:58,200 --> 00:36:01,667 I DON'T KNOW, SOPHISTICATED-- 884 00:36:01,700 --> 00:36:04,200 I THINK THAT NOT THINKING YOU'RE COOL 885 00:36:04,233 --> 00:36:05,500 IS FUCKING COOL. 886 00:36:15,167 --> 00:36:16,467 WHERE'D YOU GET THAT SUIT? 887 00:36:18,633 --> 00:36:19,067 [***] 888 00:36:19,100 --> 00:36:19,967 HEY. 889 00:36:20,067 --> 00:36:21,100 WONDER WOMAN. 890 00:36:21,133 --> 00:36:22,933 I CAN'T BELIEVE IT! 891 00:36:22,967 --> 00:36:24,133 OH, YOU WERE FANTASTIC! 892 00:36:24,167 --> 00:36:25,133 THANK YOU. 893 00:36:25,167 --> 00:36:26,133 ABSOLUTELY FANTASTIC. 894 00:36:26,167 --> 00:36:27,133 THANK YOU. 895 00:36:27,167 --> 00:36:28,133 DANA. SORRY. 896 00:36:28,167 --> 00:36:29,533 THAT WAS ABSOLUTELY THRILLING. 897 00:36:29,567 --> 00:36:30,767 THANK YOU. 898 00:36:30,800 --> 00:36:32,333 I CAN'T WAIT TO SEE YOU AT WIMBLEDON. 899 00:36:33,067 --> 00:36:34,133 THANK YOU. 900 00:36:36,067 --> 00:36:37,633 JENNY... 901 00:36:37,667 --> 00:36:38,633 HI. 902 00:36:38,667 --> 00:36:40,500 HI. 903 00:36:40,533 --> 00:36:41,500 CONGRATULATIONS. 904 00:36:41,533 --> 00:36:42,800 THANK YOU. 905 00:36:44,533 --> 00:36:45,333 HEY. 906 00:36:45,367 --> 00:36:46,767 HEY. CONGRATULATIONS. 907 00:36:46,800 --> 00:36:48,333 HEY, THANKS. THANKS. 908 00:36:48,367 --> 00:36:51,133 THAT VOLLEY IN THE SECOND SET WAS, LIKE, SO AWESOME. 909 00:36:51,167 --> 00:36:52,600 THAT WAS WHEN I PSYCHED HER OUT. 910 00:36:52,633 --> 00:36:53,600 NOBODY ELSE NOTICED THAT. YEAH. 911 00:36:53,633 --> 00:36:55,200 LOOK AT HOW HANDSOME YOU LOOK. 912 00:36:55,233 --> 00:36:56,467 YOU LOOK GOOD. 913 00:36:56,500 --> 00:36:57,667 HEY, THANKS. 914 00:36:57,700 --> 00:36:59,067 YOU'RE WELCOME. 915 00:37:01,867 --> 00:37:04,067 HEY. CONGRATULATIONS. 916 00:37:04,100 --> 00:37:06,967 THANKS, AL. 917 00:37:07,067 --> 00:37:09,867 UM... DRINKS. 918 00:37:17,133 --> 00:37:20,767 IT WAS, LIKE, THE BEST GAME YOU'VE PLAYED IN A LONG TIME. 919 00:37:20,800 --> 00:37:22,567 YOU WATCHED IT? 920 00:37:22,600 --> 00:37:25,233 YEAH, I WATCHED IT. 921 00:37:28,267 --> 00:37:31,733 I'M REALLY PROUD OF YOU. 922 00:37:38,067 --> 00:37:40,267 THANKS. 923 00:37:41,667 --> 00:37:43,067 THANKS. 924 00:37:46,800 --> 00:37:47,900 CONGRATULATIONS TO YOU, TOO. 925 00:37:47,933 --> 00:37:50,767 THANK YOU. 926 00:37:50,800 --> 00:37:54,233 IT WAS A GREAT KISS. 927 00:37:58,733 --> 00:38:01,167 OKAY, I'M GOING TO... 928 00:38:01,200 --> 00:38:02,400 OKAY. 929 00:38:07,700 --> 00:38:10,333 [SOFT MUSIC PLAYS] 930 00:38:10,367 --> 00:38:12,900 I CAN REALLY ONLY STAY FOR ONE, SENATOR-- 931 00:38:12,933 --> 00:38:14,467 BARBARA. 932 00:38:15,867 --> 00:38:16,967 AND I JUST OPENED 933 00:38:17,067 --> 00:38:19,433 A FABULOUS BOTTLE OF SCOTCH. 934 00:38:21,233 --> 00:38:24,100 WELL, BARBARA, I CAN REALLY ONLY STAY FOR ONE DRINK. 935 00:38:24,133 --> 00:38:25,133 I HAVE A VERY EARLY FLIGHT. 936 00:38:25,167 --> 00:38:27,567 BUT I'M REALLY GLAD 937 00:38:27,600 --> 00:38:30,733 I GOT TO SEE YOUR INCREDIBLE COLLECTION. 938 00:38:33,800 --> 00:38:35,100 LET ME... 939 00:38:37,800 --> 00:38:40,667 ASK YOU SOMETHING. 940 00:38:42,633 --> 00:38:46,133 WHY DID YOU GET FIRED FROM THE C.A.C.? 941 00:38:46,167 --> 00:38:47,900 IS IT BECAUSE YOU'RE A LESBIAN? 942 00:38:47,933 --> 00:38:50,367 [LAUGHS] 943 00:38:50,400 --> 00:38:51,967 WHAT, DID YOU GOOGLE ME OR SOMETHING? 944 00:38:52,067 --> 00:38:55,233 THIS AFTERNOON, 945 00:38:55,267 --> 00:38:56,600 AFTER YOUR PYROTECHNICS. 946 00:38:56,633 --> 00:38:58,633 WELL, I DON'T THINK THE PYROTECHNICS WERE MINE. 947 00:38:58,667 --> 00:38:59,600 I THINK SENATOR HORSEY-- 948 00:38:59,633 --> 00:39:03,233 WHO IS A RIDICULOUS GRANDSTANDER, 949 00:39:03,267 --> 00:39:05,833 AND YOU MADE HIM LOOK LIKE A FOOL. 950 00:39:07,167 --> 00:39:10,667 I LOVED IT. 951 00:39:13,767 --> 00:39:16,667 WELL, THEN, IF YOU GOOGLED ME, 952 00:39:16,700 --> 00:39:21,767 THEN YOU KNOW THAT I HAVE A PARTNER NAMED TINA 953 00:39:21,800 --> 00:39:23,800 AND A SIX-MONTH-OLD DAUGHTER. 954 00:39:26,967 --> 00:39:30,967 IS TINA... 955 00:39:31,067 --> 00:39:32,533 AS INTENSE... 956 00:39:35,200 --> 00:39:37,567 AS YOU ARE? 957 00:39:43,967 --> 00:39:47,233 IS YOUR HUSBAND AS FLUID AS YOU ARE? 958 00:39:47,267 --> 00:39:51,267 MY HUSBAND AND I HAVE AN ARRANGEMENT. 959 00:39:51,300 --> 00:39:55,967 IT WORKS OUT WELL... 960 00:39:56,067 --> 00:39:58,067 FOR BOTH OF US. 961 00:40:07,167 --> 00:40:10,667 COME TO BED WITH ME. 962 00:40:16,500 --> 00:40:19,667 I CAN'T. 963 00:40:19,700 --> 00:40:20,933 THAT DOES NOT SOUND 964 00:40:20,967 --> 00:40:23,667 LIKE A BETTE PORTER STATEMENT. 965 00:40:29,300 --> 00:40:32,500 TINA AND I DON'T HAVE AN ARRANGEMENT. 966 00:40:33,733 --> 00:40:36,767 EXCUSE ME, JUST FOR A MINUTE. 967 00:40:45,567 --> 00:40:46,900 [***] 968 00:40:46,933 --> 00:40:49,633 GO, GO, GO, GO, GO, GO! 969 00:40:49,667 --> 00:40:51,700 [CLIPPERS BUZZING] 970 00:40:59,767 --> 00:41:03,433 GO, GO, GO, GO, GO, GO! 971 00:41:03,467 --> 00:41:07,867 GO, GO, GO, GO, GO, GO! 972 00:41:21,900 --> 00:41:23,200 OH, YOU MADE IT. 973 00:41:23,233 --> 00:41:24,867 I WOULDN'T MISS IT, MAN. 974 00:41:24,900 --> 00:41:26,300 THIS IS AMAZING. 975 00:41:26,333 --> 00:41:27,367 OH, SO GLAD YOU'RE HERE. 976 00:41:27,400 --> 00:41:28,633 YOU'RE GOING TO HAVE TO DO MY HAIR. 977 00:41:28,667 --> 00:41:29,667 I WILL DO YOUR HAIR. 978 00:41:29,700 --> 00:41:30,567 WHERE'S THE BABY? 979 00:41:30,600 --> 00:41:31,767 SHE'S AT HOME. SHE'S WITH ANGUS. 980 00:41:31,800 --> 00:41:33,100 AND WHAT ABOUT BETTE? WHERE'S SHE? 981 00:41:33,133 --> 00:41:34,100 OH, SHE'S IN-- 982 00:41:34,133 --> 00:41:35,100 [CELLPHONE RINGS] 983 00:41:35,133 --> 00:41:37,767 GUESS WHO. 984 00:41:37,800 --> 00:41:39,133 HEY, HOW ARE YOU? 985 00:41:39,167 --> 00:41:40,267 WHAT? I CAN'T HEAR YOU. 986 00:41:40,300 --> 00:41:42,233 OH, T, GO IN THERE. 987 00:41:42,267 --> 00:41:44,100 OKAY. OKAY. 988 00:41:44,133 --> 00:41:45,867 YEAH? REALLY? 989 00:41:45,900 --> 00:41:48,100 [***] 990 00:41:50,333 --> 00:41:52,733 HAVE YOU SEEN MOIRA? 991 00:41:52,767 --> 00:41:54,233 SHE LOOKS AMAZING. 992 00:41:54,267 --> 00:41:56,533 [ALICE]: I KNOW, SHE LOOKS LIKE A HOT GUY. 993 00:41:56,567 --> 00:41:58,133 I LIKE IT. 994 00:42:01,567 --> 00:42:03,067 HEY, ALICE. HOW ARE YOU? 995 00:42:03,067 --> 00:42:04,367 GOOD. 996 00:42:04,400 --> 00:42:06,300 HAVE YOU SEEN CARMEN? 997 00:42:06,333 --> 00:42:07,500 I THINK SHE'S AT, LIKE, 998 00:42:07,533 --> 00:42:09,067 SOME PHAT-ASS RUSSELL SIMMONS PARTY. 999 00:42:09,100 --> 00:42:10,067 I DON'T KNOW. 1000 00:42:10,067 --> 00:42:10,967 DON'T YOU THINK IT'S WEIRD 1001 00:42:11,067 --> 00:42:12,067 SHE'S NOT HERE? 1002 00:42:12,067 --> 00:42:13,267 I THINK IT SUCKS. 1003 00:42:15,700 --> 00:42:16,600 I'M SORRY, BETTE-- 1004 00:42:16,633 --> 00:42:18,067 WHY ARE YOU TELLING ME THIS RIGHT NOW? 1005 00:42:18,067 --> 00:42:20,967 BECAUSE, TINA, WE HAVE AN AGREEMENT WITH ONE ANOTHER. 1006 00:42:21,067 --> 00:42:22,200 SO YOU WANT TO HAVE SEX WITH HER, 1007 00:42:22,233 --> 00:42:24,833 AND SHE'S IN THE OTHER ROOM, AND YOU'RE ASKING MY PERMISSION? 1008 00:42:24,867 --> 00:42:28,300 I'M NOT ASKING YOUR PERMISSION TO... 1009 00:42:28,333 --> 00:42:29,200 I DON'T KNOW. 1010 00:42:29,233 --> 00:42:30,467 WELL, YOU'D BETTER HURRY, 1011 00:42:30,500 --> 00:42:31,567 BECAUSE I DON'T THINK SENATOR GRISHAM'S 1012 00:42:31,600 --> 00:42:33,500 GOING TO WAIT AROUND FOR YOU FOR VERY LONG. 1013 00:42:33,533 --> 00:42:34,733 SO IT WOULD BE FINE WITH YOU 1014 00:42:34,767 --> 00:42:36,300 IF I JUST WENT BACK IN THE LIVING ROOM, 1015 00:42:36,333 --> 00:42:37,800 AND FUCKED HER ON HER $50,000 CARPET? 1016 00:42:37,833 --> 00:42:40,600 IF THAT'S WHAT YOU WANT TO DO, BETTE-- 1017 00:42:40,633 --> 00:42:45,067 THAT'S NOT WHAT I WANT TO DO, TINA. 1018 00:42:45,067 --> 00:42:48,567 I JUST... 1019 00:42:48,600 --> 00:42:50,067 I JUST WANT YOU TO CARE. 1020 00:42:54,833 --> 00:42:56,133 DO YOU? 1021 00:43:00,233 --> 00:43:01,667 [FOOTSTEPS APPROACHING] 1022 00:43:01,700 --> 00:43:04,100 ARE YOU ALL RIGHT IN THERE? 1023 00:43:04,133 --> 00:43:06,167 I'VE GOT TO GO. 1024 00:43:18,633 --> 00:43:22,700 THOUGHT YOU COULD USE SOME ENCOURAGEMENT. 1025 00:43:26,867 --> 00:43:28,733 I'M SORRY. 1026 00:43:28,767 --> 00:43:33,067 I REALLY DON'T NEED ANY ENCOURAGEMENT. 1027 00:43:33,100 --> 00:43:38,200 YOU... YOU ARE AN EXQUISITE WOMAN, 1028 00:43:38,233 --> 00:43:39,333 AND THE ONLY THING THAT I WANT 1029 00:43:39,367 --> 00:43:40,533 MORE THAN YOU RIGHT NOW 1030 00:43:40,567 --> 00:43:44,733 IS FOR MY GIRLFRIEND TO WANT ME LIKE YOU DO. 1031 00:43:44,767 --> 00:43:46,600 WELL... 1032 00:43:46,633 --> 00:43:50,733 SHE OBVIOUSLY DOESN'T KNOW WHAT SHE'S MISSING... 1033 00:43:50,767 --> 00:43:53,700 AND THIS WAS NOT MEANT TO BE. 1034 00:44:05,467 --> 00:44:09,100 IT WOULD HAVE BEEN GOOD, THOUGH. 1035 00:44:12,633 --> 00:44:15,067 I'M SURE IT WOULD HAVE. 1036 00:44:23,800 --> 00:44:26,067 [***] 1037 00:44:30,300 --> 00:44:32,133 [***] 1038 00:44:47,800 --> 00:44:48,767 HEY... 1039 00:44:48,800 --> 00:44:50,767 HI! 1040 00:44:50,800 --> 00:44:52,800 WHAT ARE YOU DOING? 1041 00:44:52,833 --> 00:44:54,467 YOU'RE SUPPOSED TO BE AT RUSSELL SIMMONS'. 1042 00:44:54,500 --> 00:44:56,067 I KNOW. IT'S A SURPRISE. 1043 00:44:56,067 --> 00:44:57,267 SHE IS WITH RUSSELL SIMMONS, 1044 00:44:57,300 --> 00:44:58,733 OR, ACTUALLY, I'M WITH HER. HI. 1045 00:44:58,767 --> 00:44:59,600 HEY. 1046 00:44:59,633 --> 00:45:00,867 HOW ARE YOU DOING? I'M RUSSELL. 1047 00:45:00,900 --> 00:45:01,933 I'M SHANE. 1048 00:45:01,967 --> 00:45:02,900 IT'S A PLEASURE TO MEET YOU. 1049 00:45:02,933 --> 00:45:04,200 THIS IS SIMONE, MY ASSISTANT. 1050 00:45:04,233 --> 00:45:05,667 HI. HOW ARE YOU DOING? 1051 00:45:05,700 --> 00:45:07,200 MEANWHILE, YOUR GIRL HERE IS VERY TALENTED. 1052 00:45:07,233 --> 00:45:08,333 YEAH, SHE'S NOT SO BAD. 1053 00:45:08,367 --> 00:45:09,533 BUT I CAN ALSO SAY 1054 00:45:09,567 --> 00:45:11,233 THAT SHE HAS HER PRIORITIES STRAIGHT, 1055 00:45:11,267 --> 00:45:14,567 BECAUSE EVEN THOUGH I HIRED HER, SHE'S HERE FOR YOU. 1056 00:45:14,600 --> 00:45:16,067 IS THAT SO? 1057 00:45:16,067 --> 00:45:18,067 YEAH. 1058 00:45:19,067 --> 00:45:21,900 WELL, STRAIGHT, I DON'T... 1059 00:45:21,933 --> 00:45:22,933 GUESS WHAT? 1060 00:45:22,967 --> 00:45:24,200 WHAT? 1061 00:45:24,233 --> 00:45:25,600 I HAVE A SURPRISE FOR YOU. 1062 00:45:25,633 --> 00:45:28,133 I WORKED ON THIS MIX ALL WEEK FOR YOU. 1063 00:45:28,167 --> 00:45:29,200 IS THAT MINE? 1064 00:45:29,233 --> 00:45:30,767 JUST FOR YOU. 1065 00:45:30,800 --> 00:45:31,767 GO PLAY IT FOR HER. 1066 00:45:31,800 --> 00:45:32,733 I WANT TO HEAR IT. 1067 00:45:32,767 --> 00:45:33,767 COULD YOU PLAY IT HERE? 1068 00:45:33,800 --> 00:45:34,567 YEAH. OKAY. ALL RIGHT. 1069 00:45:36,067 --> 00:45:37,800 YOU'RE GOING TO LOVE IT! ALL RIGHT. 1070 00:45:41,267 --> 00:45:44,067 [***] 1071 00:46:22,833 --> 00:46:25,333 [***]