1 00:00:11,167 --> 00:00:12,600 PREVIOUSLY ON THE L WORD... 2 00:00:12,633 --> 00:00:14,500 WHERE THE FUCK WERE YOU? 3 00:00:14,533 --> 00:00:16,200 I'M TRYING TO FIGURE OUT WHAT I'M DOING HERE IN L.A. 4 00:00:16,233 --> 00:00:18,000 WHAT ARE YOU DOING HERE IN L.A.? 5 00:00:18,033 --> 00:00:19,633 WHAT'S YOUR SCREENPLAY ABOUT? 6 00:00:19,667 --> 00:00:21,267 A GIRL WHO BECOMES A BOY. 7 00:00:21,300 --> 00:00:22,333 WHAT HE GOES THROUGH. 8 00:00:22,367 --> 00:00:24,533 SO IT'S ABOUT YOUR LIFE? 9 00:00:24,567 --> 00:00:28,333 OR MAYBE IT'S ABOUT YOURS, MAX. 10 00:00:28,367 --> 00:00:30,067 I THINK YOU SHOULD DEEJAY RUSSEL SIMMONS' PARTY. 11 00:00:30,100 --> 00:00:31,700 IT REALLY DOESN'T MATTER TO YOU AT ALL 12 00:00:31,733 --> 00:00:33,067 WHETHER OR NOT I'M AT YOUR OPENING? 13 00:00:33,100 --> 00:00:34,967 IT'S NOT THAT BIG OF A DEAL TO ME. 14 00:00:35,000 --> 00:00:38,000 I'M ALMOST OLD ENOUGH TO BE YOUR MOTHER. 15 00:00:38,033 --> 00:00:39,800 MY GRANDMOTHER. I DON'T CARE. 16 00:00:39,833 --> 00:00:41,367 WHY ARE YOU TELLING ME THIS RIGHT NOW? 17 00:00:41,400 --> 00:00:44,133 BECAUSE, TINA, WE HAVE AN AGREEMENT WITH ONE ANOTHER. 18 00:00:44,167 --> 00:00:45,433 I'M REALLY IN AWE 19 00:00:45,467 --> 00:00:47,000 WITH WHAT YOU'RE TRYING TO DO HERE, 20 00:00:47,033 --> 00:00:48,767 AND I'M LUCKY ENOUGH 21 00:00:48,800 --> 00:00:51,900 TO BE IN A POSITION TO HELP YOU. 22 00:00:53,633 --> 00:00:56,267 GAME, SET, MATCH, MISS FAIRBANKS. 23 00:00:56,300 --> 00:00:58,067 THERE YOU HAVE IT, LADIES AND GENTLEMEN. 24 00:00:58,100 --> 00:00:59,900 DANA FAIRBANKS IS THE MERCEDES-BENZ-- 25 00:01:00,067 --> 00:01:02,067 I'M GOING IN FOR A NEEDLE BIOPSY ON TUESDAY. 26 00:01:02,067 --> 00:01:03,667 WE'LL FIND OUT THEN 27 00:01:03,700 --> 00:01:05,067 IF THERE'S ANYTHING TO WORRY ABOUT. 28 00:01:06,467 --> 00:01:08,667 [***] 29 00:01:19,100 --> 00:01:21,633 [***] 30 00:01:27,467 --> 00:01:28,867 WE'RE HERE IN D.C. FOR A CHURCH CONFERENCE 31 00:01:28,900 --> 00:01:30,900 ABOUT HELPING PEOPLE TO OVERCOME HOMOSEXUALITY 32 00:01:30,933 --> 00:01:32,300 THROUGH FAITH IN THE LORD JESUS CHRIST. 33 00:01:32,333 --> 00:01:34,700 OUR MINISTRY, THE OUT FROM SIN MINISTRY, 34 00:01:34,733 --> 00:01:36,100 IS IN BILLINGS, MONTANA, 35 00:01:36,133 --> 00:01:37,267 AND WE'RE HERE 36 00:01:37,300 --> 00:01:38,467 TO TALK ABOUT FREEDOM FROM HOMOSEXUALITY 37 00:01:38,500 --> 00:01:40,967 THROUGH THE INCREASING SUBMISSION 38 00:01:41,067 --> 00:01:42,233 TO THE LORDSHIP OF CHRIST 39 00:01:42,267 --> 00:01:44,067 AND HIS CHURCH. 40 00:01:44,067 --> 00:01:45,567 CAN I HELP YOU? 41 00:01:45,600 --> 00:01:48,233 I'M SORRY, I... 42 00:01:48,267 --> 00:01:49,533 CAN WE DO THIS A LITTLE LATER? 43 00:01:49,567 --> 00:01:51,900 I GOT ME A FLAT TIRE. 44 00:01:55,200 --> 00:01:57,133 WHAT ARE YOU LOOKING FOR? 45 00:01:57,167 --> 00:01:58,400 A RADIAL? 46 00:01:58,433 --> 00:02:00,333 SOMETHING PRETTY BASIC. 47 00:02:00,367 --> 00:02:01,533 IT'S A RENTAL. 48 00:02:01,567 --> 00:02:03,900 I'M JUST IN TOWN HERE FOR A FEW DAYS. 49 00:02:10,067 --> 00:02:11,067 NOW, THESE ONES HERE 50 00:02:11,100 --> 00:02:13,433 ARE STANDARD ALL-SEASON PERFORMERS, 51 00:02:13,467 --> 00:02:16,133 NON-SPEED AND T-SPEED RATED. 52 00:02:16,167 --> 00:02:17,933 HAD A COUPLE COMPLAINTS, THOUGH, 53 00:02:17,967 --> 00:02:20,833 ABOUT THIS ONE, TREAD SEPARATION. 54 00:02:20,867 --> 00:02:24,633 THESE ONES HERE OFFER SLIGHTLY BETTER RESPONSE 55 00:02:24,667 --> 00:02:26,367 AND HANDLING, 56 00:02:26,400 --> 00:02:28,533 AND THEY'RE PRETTY GOOD OVER ROAD IRREGULARITIES. 57 00:02:28,567 --> 00:02:30,800 YOU GO TO SCHOOL FOR THIS? 58 00:02:30,833 --> 00:02:32,767 NO, IT'S JUST A SUMMER JOB. 59 00:02:32,800 --> 00:02:34,200 I'M STARTING AS A FRESHMAN AT YALE 60 00:02:34,233 --> 00:02:36,233 IN COUPLE OF WEEKS. 61 00:03:18,767 --> 00:03:21,700 [***] 62 00:03:21,733 --> 00:03:28,367 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 63 00:03:28,400 --> 00:03:34,533 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 64 00:03:34,567 --> 00:03:40,533 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 65 00:03:40,567 --> 00:03:47,700 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 66 00:03:55,233 --> 00:03:56,700 * TALKING, LAUGHING LOVING, BREATHING * 67 00:03:56,733 --> 00:03:58,433 * FIGHTING, FUCKING CRYING, DRINKING * 68 00:03:58,467 --> 00:03:59,833 * WRITING, WINNING LOSING, CHEATING * 69 00:03:59,867 --> 00:04:01,600 * KISSING, THINKING, DREAMING 70 00:04:01,633 --> 00:04:03,600 * THIS IS THE WAY... 71 00:04:03,633 --> 00:04:06,433 * IT'S THE WAY THAT WE LIVE * 72 00:04:06,467 --> 00:04:11,967 * IT'S THE WAY THAT WE LIVE 73 00:04:12,067 --> 00:04:15,767 * AND LOVE * 74 00:04:24,200 --> 00:04:26,767 YOU'RE LOOKING VERY, VERY SERIOUS, DR. SHAPIRO. 75 00:04:26,800 --> 00:04:31,900 WELL, I WILL TRY NOT TO BE TOO SERIOUS, DANA. 76 00:04:31,933 --> 00:04:33,900 THE RESULTS OF YOUR BIOPSY 77 00:04:33,933 --> 00:04:37,100 INDICATE WHAT WE CALL INFILTRATING DUCTAL CARCINOMA. 78 00:04:39,400 --> 00:04:42,667 DUCTAL CARCINOMA. 79 00:04:42,700 --> 00:04:44,567 FROM THE TEXTURE OF THE LUMP, 80 00:04:44,600 --> 00:04:47,333 I CAN TELL YOU THAT WE SHOULD BE PLANNING 81 00:04:47,367 --> 00:04:50,300 EITHER A LUMPECTOMY AND AUXILARY NODE DISSECTION, 82 00:04:50,333 --> 00:04:51,600 OR A MASTECTOMY. 83 00:04:53,167 --> 00:04:55,067 ARE-- ARE YOU SURE? 84 00:04:55,067 --> 00:04:56,400 YOU KNOW, DANA, 85 00:04:56,433 --> 00:04:59,733 THIS IS NOT A DEATH SENTENCE. 86 00:04:59,767 --> 00:05:03,333 CANCER. 87 00:05:03,367 --> 00:05:07,500 WE ARE GOING TO TAKE VERY GOOD CARE OF YOU. 88 00:05:13,533 --> 00:05:18,833 IS THERE SOMEONE YOU'D LIKE TO CALL, DANA? 89 00:05:18,867 --> 00:05:21,067 WOULD YOU LIKE TO DO THIS ANOTHER TIME? 90 00:05:21,100 --> 00:05:24,067 NO, I JUST... 91 00:05:28,800 --> 00:05:32,067 I JUST NEED YOU TO TELL ME WHAT I NEED TO DO. 92 00:05:32,067 --> 00:05:33,133 WELL, WE NEED TO SCHEDULE YOU 93 00:05:33,167 --> 00:05:34,167 FOR SURGERY, 94 00:05:34,200 --> 00:05:35,600 ASSUMING YOU WANT 95 00:05:35,633 --> 00:05:37,767 TO RECONSTRUCT THE BREAST, WE... 96 00:05:37,800 --> 00:05:40,233 RECONSTRUCTION... 97 00:05:40,267 --> 00:05:41,567 ASSUMING YOU WANT TO RECONSTRUCT, 98 00:05:41,600 --> 00:05:43,067 WE CAN DO THAT 99 00:05:43,100 --> 00:05:44,633 AT THE SAME TIME AS THE MASTECTOMY. 100 00:05:44,667 --> 00:05:45,933 IT WILL TAKE A LITTLE LONGER TO SCHEDULE 101 00:05:45,967 --> 00:05:47,167 BECAUSE WE HAVE TO GET YOU IN FIRST 102 00:05:47,200 --> 00:05:48,300 TO SEE THE PLASTIC SURGEON. 103 00:05:48,333 --> 00:05:49,533 NO, I DON'T WANT TO WAIT. 104 00:05:49,567 --> 00:05:51,800 I WANT IT OFF. 105 00:05:51,833 --> 00:05:54,533 I WANT IT OFF NOW. 106 00:05:54,567 --> 00:05:57,067 [***] 107 00:06:01,667 --> 00:06:03,367 [TINA]: SOMEBODY IN THIS FAMILY'S 108 00:06:03,400 --> 00:06:05,067 GOT TO MAKE A LIVING. 109 00:06:05,100 --> 00:06:06,467 [BETTE]: I HAVE MADE A LIVING FOR THE LAST 15 YEARS. 110 00:06:06,500 --> 00:06:07,967 I DON'T THINK MY ABILITY TO MAKE A LIVING 111 00:06:08,067 --> 00:06:09,533 IS REALLY IN QUESTION. 112 00:06:09,567 --> 00:06:10,767 [TINA]: I'M NOT QUESTIONING YOUR ABILITY. 113 00:06:10,800 --> 00:06:11,967 I'M QUESTIONING YOUR DESIRE. 114 00:06:12,067 --> 00:06:14,633 [EMAIL BEEPS] 115 00:06:16,100 --> 00:06:19,067 [EMAIL BEEPS] 116 00:06:19,100 --> 00:06:20,800 [SIGHS] 117 00:06:24,900 --> 00:06:26,667 [EMAIL BEEPS] 118 00:07:13,433 --> 00:07:15,200 [SLAMS LAPTOP SHUT] 119 00:07:18,133 --> 00:07:19,400 I KNOW IT'S A THRILLER, 120 00:07:19,433 --> 00:07:21,467 BUT I STILL THINK WE HAVE CHARACTER WORK TO DO. 121 00:07:21,500 --> 00:07:23,800 WHY DON'T YOU TAKE A LOOK AT SOME PADDY CHAYEFSKY FILMS? 122 00:07:23,833 --> 00:07:25,867 OH, MY GOD, NETWORK IS MY FAVORITE MOVIE. 123 00:07:25,900 --> 00:07:27,633 I WAS ACTUALLY THINKING OF THE HOSPITAL-- 124 00:07:27,667 --> 00:07:30,133 YEAH, IN THE WAY IT USES THE INSTITUTION. 125 00:07:30,167 --> 00:07:32,167 YEAH, YEAH... 126 00:07:32,200 --> 00:07:34,367 THE OLD-AGE HOME IS OUR HOSPITAL, 127 00:07:34,400 --> 00:07:36,833 AND THE MURDER-MYSTERY IS LIKE OUR SUBPLOT. 128 00:07:36,867 --> 00:07:38,867 EXACTLY. 129 00:07:39,867 --> 00:07:42,300 [PENCIL SCRATCHING] 130 00:07:44,200 --> 00:07:45,533 WHAT? 131 00:07:45,567 --> 00:07:48,433 NOTHING. 132 00:07:48,467 --> 00:07:50,700 IT'S JUST, UM... 133 00:07:50,733 --> 00:07:53,833 DO YOU KNOW HOW INCREDIBLE IT IS TO WORK WITH AN EXECUTIVE 134 00:07:53,867 --> 00:07:55,533 WHO ACTUALLY THINKS ABOUT WHAT'S GOING ON 135 00:07:55,567 --> 00:07:56,700 IN THE REAL WORLD? 136 00:07:56,733 --> 00:07:59,600 NO, HOW INCREDIBLE IS IT? 137 00:08:04,900 --> 00:08:06,533 THIS IS MY CELL. 138 00:08:06,567 --> 00:08:07,833 [PENCIL SCRATCHING] 139 00:08:07,867 --> 00:08:09,067 CALL ME ANY TIME. 140 00:08:09,067 --> 00:08:10,067 [INTERCOM BEEPS] 141 00:08:10,067 --> 00:08:11,433 BETTE ON 2. 142 00:08:14,067 --> 00:08:17,767 TELL HER I'LL CALL HER BACK, ROSIE. 143 00:08:17,800 --> 00:08:19,367 IS THIS YOUR DAUGHTER? 144 00:08:19,400 --> 00:08:21,400 SHE'S SO CUTE. 145 00:08:21,433 --> 00:08:23,333 THANKS. 146 00:08:23,367 --> 00:08:24,867 UH, DID YOU ADOPT HER? 147 00:08:24,900 --> 00:08:27,933 NO, I GAVE BIRTH TO HER. 148 00:08:30,067 --> 00:08:32,200 SO, UM, WHAT'S YOUR HUSBAND DO? 149 00:08:32,233 --> 00:08:35,600 HE'S A POWER FORWARD FOR THE L.A. CLIPPERS. 150 00:08:40,133 --> 00:08:42,900 I'M SORRY. I'M JUST KIDDING. 151 00:08:42,933 --> 00:08:44,667 I DON'T HAVE A HUSBAND. 152 00:08:51,467 --> 00:08:53,667 MESDAMES ET MESSIEURS, 153 00:08:53,700 --> 00:08:56,667 LADIES AND GENTLEMEN... 154 00:08:56,700 --> 00:09:01,467 WELCOME TO BISEXUAL SPEED-DATING NIGHT! 155 00:09:01,500 --> 00:09:03,433 YEAH! 156 00:09:03,467 --> 00:09:04,700 [CROWD CHEERS] 157 00:09:04,733 --> 00:09:06,800 NOW... 158 00:09:06,833 --> 00:09:10,467 NOW, AS OUR LOVELY FRIEND TOM CRUISE ONCE SAID... 159 00:09:10,500 --> 00:09:13,867 THE BAR IS OPEN! 160 00:09:13,900 --> 00:09:15,967 SO GET OVER TO THAT BAR, GET YOURSELVES LUBRICATED, 161 00:09:16,067 --> 00:09:18,667 AND WHO KNOWS, MAYBE YOU'LL NEED TO GET LUBRICATED LATER ON. 162 00:09:18,700 --> 00:09:19,733 YOU KNOW WHAT I'M SAYING? 163 00:09:19,767 --> 00:09:21,433 [WHOOPING] 164 00:09:21,467 --> 00:09:23,133 EACH DATE IS EIGHT MINUTES LONG, 165 00:09:23,167 --> 00:09:24,233 AND WHEN YOU HEAR THE BUZZER... 166 00:09:24,267 --> 00:09:25,233 [BELL RINGS] 167 00:09:25,267 --> 00:09:26,267 OR THE BELL-- 168 00:09:26,300 --> 00:09:27,667 BLESS YOU FOR THAT-- 169 00:09:27,700 --> 00:09:30,667 YOU GET UP, TAKE YOUR LOVELY LITTLE CLIPBOARD THING 170 00:09:30,700 --> 00:09:32,800 AND MOVE ONE PLACE TO THE RIGHT, OKAY-- 171 00:09:32,833 --> 00:09:33,867 ALICE, HONESTLY, 172 00:09:33,900 --> 00:09:35,633 I DON'T KNOW WHAT I'M DOING HERE. 173 00:09:35,667 --> 00:09:37,367 LIKE, HELENA, I JUST NEED A FRIEND HERE 174 00:09:37,400 --> 00:09:39,833 IN CASE I DON'T MAKE A SINGLE MATCH. 175 00:09:39,867 --> 00:09:41,367 A WORD OF WARNING. 176 00:09:41,400 --> 00:09:44,100 IF YOU DO NOT MOVE WITHIN 30 SECONDS, 177 00:09:44,133 --> 00:09:47,133 A BURLY, OILY MAN WILL COME AND EJECT YOU FROM THE PREMISES. 178 00:09:47,167 --> 00:09:49,300 I'M NOT EVEN BISEXUAL. 179 00:09:49,333 --> 00:09:50,400 NO, BUT YOU HAVE THE CHOICE 180 00:09:50,433 --> 00:09:52,567 OF CHOOSING ONLY GIRLS. 181 00:09:52,600 --> 00:09:55,300 THAT'S THE BEAUTY OF BISEXUAL SPEED-DATING-- 182 00:09:55,333 --> 00:09:56,833 YOUR ODDS ARE TWICE AS GOOD. 183 00:09:56,867 --> 00:09:58,367 OKAY? 184 00:09:58,400 --> 00:10:00,967 LOOK AT THE WORLD AS YOUR BISEXUAL OYSTER 185 00:10:01,000 --> 00:10:01,733 AND SHUT UP, OKAY? 186 00:10:01,767 --> 00:10:03,700 LET'S SPEED-DATE! 187 00:10:03,733 --> 00:10:06,067 [CROWD CHEERING] 188 00:10:06,100 --> 00:10:08,067 TEAM ONE, TAKE YOUR POSITIONS. 189 00:10:08,100 --> 00:10:10,567 [BELL RINGS] 190 00:10:10,600 --> 00:10:13,900 OKAY, BISEXUALS, BACK TO IT. 191 00:10:13,933 --> 00:10:15,567 SO, WHAT ARE YOU... 192 00:10:15,600 --> 00:10:16,533 YOU KNOW, WHAT ARE YOU LOOKING FOR? 193 00:10:16,567 --> 00:10:17,900 CREATIVE INTEGRITY... 194 00:10:17,933 --> 00:10:19,633 COURAGE. 195 00:10:19,667 --> 00:10:21,233 YOU KNOW, SOMEONE WHO'S WILLING TO TAKE A RISK. 196 00:10:21,267 --> 00:10:23,300 MY GIRLFRIEND AND I ARE... 197 00:10:23,333 --> 00:10:25,100 YOUR GIRLFRIEND? 198 00:10:32,500 --> 00:10:34,433 OH-- OH... 199 00:10:34,467 --> 00:10:35,600 [CHUCKLES] 200 00:10:35,633 --> 00:10:37,100 OKAY. 201 00:10:37,133 --> 00:10:39,300 OKAY, TAMMY. 202 00:10:39,333 --> 00:10:41,267 SOMEONE WHO'S ORIGINAL, 203 00:10:41,300 --> 00:10:47,900 WHO HAS VISION, YOU KNOW, A CLEAR POINT OF VIEW. 204 00:10:47,933 --> 00:10:49,800 WE'RE TRYING TO START A FAMILY. 205 00:10:49,833 --> 00:10:52,400 WE'RE HERE LOOKING FOR A SPERM DONOR. 206 00:10:54,467 --> 00:10:56,233 OKAY. 207 00:10:56,267 --> 00:10:59,567 I'M A LITTLE LOW ON THE SPERM TONIGHT. 208 00:10:59,600 --> 00:11:00,767 LITTLE LOW ON THE SPERM... 209 00:11:00,800 --> 00:11:02,700 [BELL RINGS] 210 00:11:02,733 --> 00:11:03,867 MOVE TO THE NEXT TABLE TO YOUR RIGHT. 211 00:11:05,833 --> 00:11:06,500 [RINGS BELL] 212 00:11:07,800 --> 00:11:10,467 MOVE TO YOUR RIGHT, PLEASE. 213 00:11:10,500 --> 00:11:11,867 NEXT ROUND. 214 00:11:11,900 --> 00:11:13,633 BISEXUAL SPEED-DATING... 215 00:11:13,667 --> 00:11:15,967 [KIT]: I AM NOT BISEXUAL SPEED-DATING! 216 00:11:16,067 --> 00:11:18,633 OH, BE A BIG GIRL, NOW, AND JUST SIT DOWN. 217 00:11:18,667 --> 00:11:20,367 AND YOU, YOUNG FELLOW, MY LAD, 218 00:11:20,400 --> 00:11:22,067 HAVE FIVE MINUTES. 219 00:11:22,067 --> 00:11:24,400 I WANTED TO SAY THAT THIS THING YOU'RE GOING THROUGH. 220 00:11:24,433 --> 00:11:25,900 THIS THING? 221 00:11:25,933 --> 00:11:27,867 THIS CHANGE OF LIFE IS REALLY... 222 00:11:27,900 --> 00:11:29,633 IT'S BEAUTIFUL, 223 00:11:29,667 --> 00:11:31,200 AND IT'S SEXY, AND... 224 00:11:31,233 --> 00:11:34,733 FUCK IT, THAT'S WHY I BROUGHT THE GUITAR. 225 00:11:34,767 --> 00:11:36,533 * DIDN'T KNOW WHAT I WAS 226 00:11:36,567 --> 00:11:40,367 * WAITING FOR BUT MY TIME WAS RUNNING WILD * 227 00:11:40,400 --> 00:11:41,867 * A MILLION DEAD-END STREETS 228 00:11:41,900 --> 00:11:44,633 * EVERY TIME I THINK I'VE GOT IT MADE * 229 00:11:44,667 --> 00:11:47,467 * IT SEEMED THE TASTE WAS NOT SO SWEET * 230 00:11:47,500 --> 00:11:52,933 * SO I TURNED MY EYES TO FACE ME * 231 00:11:52,967 --> 00:11:55,667 * BUT I NEVER CAUGHT A GLIMPSE 232 00:11:55,700 --> 00:11:58,200 * OF HOW THE OTHERS MUST SEE THE FAKER * 233 00:11:58,233 --> 00:12:02,133 * I'M MUST TOO FAST TO TAKE THAT TEST * 234 00:12:02,167 --> 00:12:03,700 * CH-CH-CH-CH-CHANGES TURN AND FACE THE STRAIN * 235 00:12:03,733 --> 00:12:05,467 * CH-CH-CHANGES 236 00:12:05,500 --> 00:12:08,300 * DON'T HAVE TO BE A DIFFERENT MAN * 237 00:12:08,333 --> 00:12:11,633 * CH-CH-CH-CH-CHANGES TURN AND FACE THE STRAIN * 238 00:12:11,667 --> 00:12:14,533 * CH-CH-CHANGES 239 00:12:14,567 --> 00:12:15,867 * JUST HAVE TO BE AN OLDER MAN 240 00:12:15,900 --> 00:12:18,700 * TIME MAY CHANGE ME 241 00:12:18,733 --> 00:12:21,167 * I CAN'T TRACE TIME 242 00:12:21,200 --> 00:12:23,067 CLOCK IS TICKING. 243 00:12:23,100 --> 00:12:28,800 * STRANGE FASCINATION FASCINATING ME * 244 00:12:28,833 --> 00:12:33,633 * OH, CHANGES ARE TAKING THE PACE I'M GOING THROUGH * 245 00:12:33,667 --> 00:12:36,600 * CH-CH-CH-CH-CHANGES TURN AND FACE THE STRAIN * 246 00:12:36,633 --> 00:12:38,400 * CH-CH-CHANGES 247 00:12:38,433 --> 00:12:40,067 * LOOK OUT YOU ROCK AND ROLLER... * 248 00:12:40,067 --> 00:12:41,367 [BELL RINGS] 249 00:12:41,400 --> 00:12:43,200 AND MOVE AGAIN, PLEASE. 250 00:12:43,233 --> 00:12:45,467 * TURN AND FACE THE STRAIN CH-CH-CHANGES * 251 00:12:45,500 --> 00:12:48,067 * GONNA GET A LITTLE BIT OLDER * 252 00:12:48,067 --> 00:12:50,767 * TIME MAY CHANGE ME BUT I CAN'T TRACE TIME * 253 00:12:50,800 --> 00:12:54,533 * I SAY THAT TIME MAY CHANGE ME * 254 00:12:54,567 --> 00:12:59,367 * BUT I CAN'T TRACE TIME... * 255 00:13:18,167 --> 00:13:19,633 [BELL RINGS] 256 00:13:19,667 --> 00:13:21,633 OKAY, BISEXUALS, TIME FOR HIATUS. 257 00:13:23,333 --> 00:13:24,667 HEY, ALICE. 258 00:13:24,700 --> 00:13:26,167 CAN YOU PASS ME THE GRAND MARNIER? 259 00:13:26,200 --> 00:13:27,367 THANKS. 260 00:13:27,400 --> 00:13:28,867 OH, HA, HA, HA. 261 00:13:28,900 --> 00:13:31,167 ALICE IS SPEED-DATING. 262 00:13:31,200 --> 00:13:33,767 I'M SURE YOU AND DANA WILL GET A REALLY GOOD LAUGH 263 00:13:33,800 --> 00:13:35,467 OUT OF THIS ONE. 264 00:13:35,500 --> 00:13:37,367 ACTUALLY, I THINK DANA 265 00:13:37,400 --> 00:13:39,133 HAS A LOT OF OTHER THINGS ON HER MIND RIGHT NOW. 266 00:13:39,167 --> 00:13:40,900 [BELL RINGS] 267 00:13:40,933 --> 00:13:42,467 OKAY, BISEXUALS, 268 00:13:42,500 --> 00:13:44,433 BACK TO YOUR SEATS FOR THE NEXT ROUND. 269 00:13:44,467 --> 00:13:45,567 PLEASE TAKE YOUR PLACES, 270 00:13:45,600 --> 00:13:47,300 AND WE'LL START SPEED-DATING AGAIN. 271 00:13:47,333 --> 00:13:48,567 SHRIMP, SHRIMP, SHRIMP, SHRIMP... 272 00:13:48,600 --> 00:13:50,133 COME ON, EVERYBODY. GET TO IT. 273 00:13:50,167 --> 00:13:51,433 READY? 274 00:13:51,467 --> 00:13:52,300 NO, I'M NOT COMING. I'M ACTUALLY GOING. 275 00:13:52,333 --> 00:13:53,533 GOING WHERE? 276 00:13:53,567 --> 00:13:54,767 TO, UM... 277 00:13:54,800 --> 00:13:56,600 GOOD LUCK. I'LL SEE YOU LATER. 278 00:13:56,633 --> 00:14:00,133 WAIT, HELENA. WHAT THE FUCK? 279 00:14:00,167 --> 00:14:02,367 GREAT. THANKS! 280 00:14:02,400 --> 00:14:03,733 I CAN FEEL THE LOVE IN THE AIR, YOU KNOW. 281 00:14:03,767 --> 00:14:04,733 IT'S A BEAUTIFUL, BEAUTIFUL, 282 00:14:04,767 --> 00:14:07,067 BEAUTIFUL THING. 283 00:14:07,067 --> 00:14:08,167 OKAY, ARE WE READY? 284 00:14:08,200 --> 00:14:10,100 OW. ARE YOU OKAY? 285 00:14:10,133 --> 00:14:11,267 HONEY... 286 00:14:11,300 --> 00:14:13,933 IT'S JUST THE DOOR. 287 00:14:13,967 --> 00:14:16,067 I DON'T BELIEVE THIS. 288 00:14:16,067 --> 00:14:17,067 LOOK AT THIS. 289 00:14:17,067 --> 00:14:18,900 HELLO! 290 00:14:18,933 --> 00:14:20,333 IS ANYBODY HERE? 291 00:14:20,367 --> 00:14:21,333 FUCK, CARMEN, COME ON. 292 00:14:21,367 --> 00:14:22,133 CAN YOU GUYS COME AND CLEAN UP 293 00:14:22,167 --> 00:14:24,400 YOUR FUCKING MESS? 294 00:14:26,067 --> 00:14:27,067 HI! 295 00:14:27,067 --> 00:14:28,767 WHAT IS THIS? 296 00:14:28,800 --> 00:14:30,167 THIS LOOKS LIKE A FUCKING PIGSTY! 297 00:14:30,200 --> 00:14:31,267 SORRY. 298 00:14:31,300 --> 00:14:32,533 WE WERE JUST WATCHING A MOVIE-- 299 00:14:32,567 --> 00:14:33,800 NO, YOU KNOW WHAT, I'M SORRY. 300 00:14:33,833 --> 00:14:35,567 I AM REALLY, REALLY SORRY, 301 00:14:35,600 --> 00:14:37,100 BECAUSE I APPARENTLY 302 00:14:37,133 --> 00:14:38,300 DON'T KNOW HOW TO LIVE IN A FRAT HOUSE-- 303 00:14:38,333 --> 00:14:39,400 OKAY, OKAY. 304 00:14:39,433 --> 00:14:41,067 THIS IS DISGUSTING, MOIRA-- 305 00:14:41,067 --> 00:14:42,467 CARMEN, CARMEN, CARMEN, COME ON. 306 00:14:42,500 --> 00:14:43,733 WHERE'S JENNY? 307 00:14:43,767 --> 00:14:45,300 SHE WENT TO THE STORE TO GET A SIX-PACK. 308 00:14:45,333 --> 00:14:46,467 SHE WENT TO THE STORE. 309 00:14:46,500 --> 00:14:47,633 SHE'LL BE BACK. THEY'LL CLEAN IT UP. 310 00:14:47,667 --> 00:14:49,133 GREAT, GOOD. 311 00:14:49,167 --> 00:14:51,733 YEAH, LEAVE THAT ON THE FLOOR, TOO. 312 00:14:51,767 --> 00:14:53,333 WE WERE GOING TO CLEAN IT UP. 313 00:14:53,367 --> 00:14:56,367 WE WERE JUST WATCHING A MOVIE. 314 00:14:56,400 --> 00:14:59,567 WHAT'S THE BIG DEAL ANYWAY? 315 00:14:59,600 --> 00:15:01,633 I JUST REALIZED WHO YOU ARE. 316 00:15:01,667 --> 00:15:05,300 DO YOU THINK THAT'S A PROBLEM? 317 00:15:05,333 --> 00:15:06,867 WELL, I DON'T SEE HOW IT COULD BE A PROBLEM 318 00:15:06,900 --> 00:15:09,833 THAT YOU HAVE GREAT TASTE IN RADIO. 319 00:15:11,667 --> 00:15:13,200 YOU KNOW THE SHOW YOU DID 320 00:15:13,233 --> 00:15:14,333 IN WHICH YOU REFERENCED JEAN ROLLIN'S 321 00:15:14,367 --> 00:15:15,833 LE FRISSON DES VAMPIRES? 322 00:15:15,867 --> 00:15:18,333 YOU MENTIONED AN ESSAY THAT I WROTE 323 00:15:18,367 --> 00:15:19,367 FOR A COURSE I'M TEACHING 324 00:15:19,400 --> 00:15:21,233 AT LOYOLA MARYMOUNT. 325 00:15:21,267 --> 00:15:22,400 NO KIDDING. 326 00:15:22,433 --> 00:15:23,733 MM... 327 00:15:23,767 --> 00:15:25,167 WHAT'S YOUR NAME AGAIN? 328 00:15:25,200 --> 00:15:26,333 UTA REFSON. 329 00:15:26,367 --> 00:15:28,067 AND WHAT DO YOU TEACH? 330 00:15:28,100 --> 00:15:31,333 I'M A VAMPIROLOGIST. 331 00:15:31,367 --> 00:15:32,867 I TEACH A COURSE ON THE QUEER VAMPIRE 332 00:15:32,900 --> 00:15:34,567 IN LITERATURE AND FILM 333 00:15:34,600 --> 00:15:37,067 AND A SEMINAR CALLED DEMON DESIRE, 334 00:15:37,067 --> 00:15:39,333 ABOUT THE VAMPIRE AS A LESBIAN PREDATOR. 335 00:15:39,367 --> 00:15:45,133 OKAY, I'M A TOTAL VAMPIRE LESBIAN FREAK. 336 00:15:45,167 --> 00:15:47,933 WHAT ATTRACTS YOU TO THE LESBIAN VAMPIRE, ALICE? 337 00:15:47,967 --> 00:15:51,833 I DON'T KNOW, UTA. 338 00:15:51,867 --> 00:15:58,133 UM... MAYBE IT'S JUST I LIKE THE DARK SIDE. 339 00:15:58,167 --> 00:16:00,133 WHAT ABOUT TOMORROW? 340 00:16:00,167 --> 00:16:01,300 WHAT? 341 00:16:01,333 --> 00:16:02,467 LUNCH? 342 00:16:02,500 --> 00:16:04,900 I PREFER DINNER. 343 00:16:04,933 --> 00:16:07,133 I'M NOT MUCH OF A DAYTIME PERSON. 344 00:16:07,167 --> 00:16:09,733 RIGHT, BECAUSE VAMPIRES DON'T GO OUT IN THE DAY, 345 00:16:09,767 --> 00:16:11,233 DO THEY? 346 00:16:11,267 --> 00:16:13,467 NO. 347 00:16:13,500 --> 00:16:18,667 WE LIE IN BED WITH THE CURTAINS DRAWN. 348 00:16:18,700 --> 00:16:20,833 [INHALES SHARPLY] 349 00:16:23,633 --> 00:16:24,667 OKAY. 350 00:16:24,700 --> 00:16:26,900 YEAH, TOMORROW NIGHT. 351 00:16:41,333 --> 00:16:43,200 HEY. 352 00:16:43,233 --> 00:16:44,633 I'LL THROW DOWN THE KEYS. CAN YOU LET YOURSELF IN? 353 00:16:44,667 --> 00:16:46,367 SURE. 354 00:16:50,833 --> 00:16:56,200 LINDSEY76, ARE YOU THERE? 355 00:16:56,233 --> 00:17:00,333 WHAT? 356 00:17:04,633 --> 00:17:05,933 DADDYOF2 WAS LOOKING FOR YOU. 357 00:17:05,967 --> 00:17:08,667 HE SAID HE HAD A BIG HARD-ON. 358 00:17:08,700 --> 00:17:11,433 UGH, INTERNET FREAKS. 359 00:17:11,467 --> 00:17:13,133 GROSS. 360 00:17:13,167 --> 00:17:15,633 HE PROBABLY GOT MY NAME FROM SOME CHAT SITE I USED 361 00:17:15,667 --> 00:17:16,733 WHEN I WAS RESEARCHING 362 00:17:16,767 --> 00:17:19,900 THAT STAY-AT-HOME DADS PROJECT. 363 00:17:23,933 --> 00:17:28,600 SO YOU GO ON AS LINDSEY76? 364 00:17:28,633 --> 00:17:32,100 JUST THAT ONE TIME. 365 00:17:32,133 --> 00:17:34,467 JESUS! 366 00:17:34,500 --> 00:17:36,067 WHAT? 367 00:17:36,067 --> 00:17:36,900 WHY ARE YOU GETTING SO UPSET? 368 00:17:36,933 --> 00:17:38,333 BECAUSE YOU'RE ACTING 369 00:17:38,367 --> 00:17:41,133 LIKE I HAVE SOME BIG SECRET INTERNET SEX LIFE. 370 00:17:41,167 --> 00:17:42,233 NO, TINA, I THINK YOU'RE THE ONE 371 00:17:42,267 --> 00:17:44,567 WHO'S ACTING LIKE THAT. 372 00:17:44,600 --> 00:17:46,167 I CHATTED WITH HIM FOR RESEARCH PURPOSES. 373 00:17:46,200 --> 00:17:47,367 THAT'S IT. 374 00:17:47,400 --> 00:17:49,067 I'M TIRED. 375 00:17:49,100 --> 00:17:51,067 I'M GOING TO GO TO SLEEP. 376 00:17:56,800 --> 00:17:58,433 THE POLICE CAME 377 00:17:58,467 --> 00:18:00,667 WHILE THEY WERE BEATING HER WITH A BASEBALL BAT. 378 00:18:00,700 --> 00:18:05,267 IT'S PART OF AN INITIATION RITUAL. 379 00:18:05,300 --> 00:18:06,933 [SIGHS] 380 00:18:06,967 --> 00:18:10,800 IS THIS TOO VIOLENT? 381 00:18:10,833 --> 00:18:12,467 NO... 382 00:18:12,500 --> 00:18:13,700 NO, I-- I'M ALL RIGHT. 383 00:18:17,867 --> 00:18:19,267 OH, THEY DANCE IN THIS NIGHT CLUB. 384 00:18:19,300 --> 00:18:20,433 AND, I MEAN, JUST GOING IN THERE, 385 00:18:20,467 --> 00:18:22,067 IT'S LIKE TAKING YOUR LIFE IN YOUR HANDS, 386 00:18:22,067 --> 00:18:23,767 BUT THIS NIGHT, 387 00:18:23,800 --> 00:18:25,600 THEY SORT OF HALF-HEARTEDLY TRIED 388 00:18:25,633 --> 00:18:27,600 TO GET ME TO LEAVE, BECAUSE AEISHA KNEW 389 00:18:27,633 --> 00:18:29,633 THAT MISTRESS Q WAS COMING WITH A GUN. 390 00:18:29,667 --> 00:18:30,667 [GUNSHOT] 391 00:18:33,567 --> 00:18:34,967 HOW WERE YOU ABLE 392 00:18:35,067 --> 00:18:36,500 TO GET CLOSE ENOUGH TO FILM THIS? 393 00:18:36,533 --> 00:18:39,100 I LIVED WITH THEM FOR TWO-AND-A-HALF YEARS. 394 00:18:39,133 --> 00:18:41,433 YOU KNOW, I ATE WITH THEIR FAMILIES, 395 00:18:41,467 --> 00:18:46,967 I SLEPT ON THEIR FLOORS. 396 00:18:47,067 --> 00:18:48,100 I WAS WITH SUMATRA 397 00:18:48,133 --> 00:18:49,933 THE NIGHT SHE DIED OF A GUNSHOT WOUND. 398 00:18:49,967 --> 00:18:52,600 YEAH, SHE WAS EIGHT-AND-A-HALF MONTHS PREGNANT. 399 00:18:57,900 --> 00:18:59,100 YOU ALL RIGHT? 400 00:18:59,133 --> 00:19:01,200 YEAH. 401 00:19:16,500 --> 00:19:17,567 SORRY. 402 00:19:17,600 --> 00:19:19,300 I'M SORRY. 403 00:19:21,500 --> 00:19:25,067 PLEASE... 404 00:19:25,100 --> 00:19:27,067 DON'T BE SORRY. 405 00:20:09,033 --> 00:20:11,600 [DOOR OPENS] 406 00:20:11,633 --> 00:20:13,133 [MAN CALLS OUT]: DYL, ARE YOU HOME? 407 00:20:13,167 --> 00:20:14,200 UH, YEAH. 408 00:20:14,233 --> 00:20:16,567 I'M EDITING. 409 00:20:16,600 --> 00:20:18,167 [MAN]: I'M GOING TO BED. 410 00:20:18,200 --> 00:20:19,400 THERE'S A DOGGY BAG FROM MON KEE 411 00:20:19,433 --> 00:20:20,467 IN THE KITCHEN. 412 00:20:20,500 --> 00:20:21,867 OKAY. 413 00:20:21,900 --> 00:20:24,233 UM, I'LL BE IN IN A BIT. 414 00:20:24,267 --> 00:20:25,500 GOOD NIGHT. 415 00:20:25,533 --> 00:20:26,733 GOOD NIGHT. 416 00:20:44,967 --> 00:20:46,733 BABY, LISTEN TO THIS. 417 00:20:46,767 --> 00:20:48,567 NOT ONLY HAVE CURE RATES LEAPED, 418 00:20:48,600 --> 00:20:50,400 BUT MOST WOMEN 419 00:20:50,433 --> 00:20:52,133 HAVE A MUCH GREATER CHOICE OF TREATMENTS NOW. 420 00:20:52,167 --> 00:20:54,300 THEY EVEN TALK ABOUT THESE EXERCISES YOU CAN DO 421 00:20:54,333 --> 00:20:55,700 TO RESTORE YOUR ARM STRENGTH 422 00:20:55,733 --> 00:20:57,233 SO YOU CAN PLAY TENNIS AGAIN SOONER. 423 00:20:57,267 --> 00:20:58,767 I'M NOT PLAYING TENNIS AGAIN. 424 00:20:58,800 --> 00:21:00,600 WHAT ARE YOU TALKING ABOUT? OF COURSE YOU ARE. 425 00:21:00,633 --> 00:21:01,800 NO, I'M NOT. 426 00:21:01,833 --> 00:21:03,400 MY CAREER IS OVER, LARA. 427 00:21:03,433 --> 00:21:04,700 BABY, YOU DON'T KNOW THAT. 428 00:21:04,733 --> 00:21:06,633 I MEAN, YOU COULD TEACH, OR-- 429 00:21:06,667 --> 00:21:08,133 UGH, I DON'T WANT TO TEACH. 430 00:21:08,167 --> 00:21:09,133 I DON'T WANT TO COACH. 431 00:21:09,167 --> 00:21:10,633 I DON'T WANT TO DO ANY OF THAT. 432 00:21:10,667 --> 00:21:11,900 IF THEY DON'T HAVE TO TAKE AWAY 433 00:21:11,933 --> 00:21:13,367 TOO MUCH OF THE MUSCLE... 434 00:21:13,400 --> 00:21:14,433 I MEAN, DANA, IT SAYS RIGHT HERE 435 00:21:14,467 --> 00:21:16,467 THEY USED TO AUTOMATICALLY REMOVE 436 00:21:16,500 --> 00:21:17,467 THE PECTORAL MUSCLE-- 437 00:21:17,500 --> 00:21:19,133 LARA! 438 00:21:19,167 --> 00:21:20,633 STOP TRYING TO MAKE ME FEEL GOOD ABOUT MY CANCER. 439 00:21:35,100 --> 00:21:36,900 PERFECT FOR EACH OTHER. 440 00:21:36,933 --> 00:21:38,667 [LAUGHTER] 441 00:21:38,700 --> 00:21:39,600 HEY, IS SHE HIGH? 442 00:21:39,633 --> 00:21:40,900 HEY, DUDES. 443 00:21:40,933 --> 00:21:41,967 HELLO. 444 00:21:42,067 --> 00:21:43,500 HI. 445 00:21:43,533 --> 00:21:44,967 OH, THANK YOU. YOU'RE WELCOME. 446 00:21:45,067 --> 00:21:46,567 OH, HEY, JENNY. 447 00:21:46,600 --> 00:21:48,067 CAN YOU-- ACTUALLY, CAN YOU SIT FOR A MINUTE? 448 00:21:48,067 --> 00:21:50,300 I JUST WANT TO TALK TO YOU GUYS FOR A SECOND. 449 00:21:50,333 --> 00:21:52,467 SURE, SURE. 450 00:21:53,633 --> 00:21:55,800 YOU WANT SOME? NO, THANK YOU. 451 00:21:55,833 --> 00:21:57,167 SO, WHAT'S UP? 452 00:21:57,200 --> 00:21:59,100 YOU GUYS GETTING MARRIED? 453 00:21:59,133 --> 00:22:00,067 UH, NO. 454 00:22:00,067 --> 00:22:01,367 I JUST, UH... 455 00:22:01,400 --> 00:22:02,333 GOSH, I-- 456 00:22:02,367 --> 00:22:03,367 [CELLPHONE RINGS] 457 00:22:03,400 --> 00:22:04,933 I'M SORRY. THAT'S TINA. 458 00:22:04,967 --> 00:22:06,133 EXCUSE ME. 459 00:22:06,167 --> 00:22:07,067 [SHANE]: I HAVE AN ANNOUNCEMENT. 460 00:22:07,067 --> 00:22:08,800 WHAT? 461 00:22:08,833 --> 00:22:12,067 EVERYONE, ALICE IS ABOUT TO GO OUT WITH A VAMPIRE. 462 00:22:13,700 --> 00:22:15,367 NO, UM, 463 00:22:15,400 --> 00:22:18,133 A VAMPIROLOGIST, ACTUALLY. 464 00:22:18,167 --> 00:22:19,333 SHE'S KIND OF A DOCTOR-- 465 00:22:19,367 --> 00:22:22,067 WELL, NOT A DOCTOR, MORE OF A TEACHER-- 466 00:22:22,067 --> 00:22:23,700 AT LOYOLA MARYMOUNT. 467 00:22:23,733 --> 00:22:24,600 SHE'S GORGEOUS. 468 00:22:24,633 --> 00:22:26,300 IT'S JUST A FIRST DATE. 469 00:22:26,333 --> 00:22:27,667 FIRST DATES ARE THE BEST, BY THE WAY. 470 00:22:27,700 --> 00:22:30,300 GOOD LUCK. THAT'S COOL. 471 00:22:30,333 --> 00:22:31,800 SORRY ABOUT THAT. 472 00:22:31,833 --> 00:22:33,300 SURE. IT'S OKAY. 473 00:22:33,333 --> 00:22:35,133 WHAT'S UP? 474 00:22:35,167 --> 00:22:36,600 I JUST WANTED TO TELL YOU GUYS 475 00:22:36,633 --> 00:22:38,267 I'M HAVING A LITTLE OPERATION TOMORROW. 476 00:22:38,300 --> 00:22:39,633 THAT'S IT. 477 00:22:39,667 --> 00:22:41,367 AN OPERATION? 478 00:22:41,400 --> 00:22:43,233 YEAH. WHAT KIND OF OPERATION? 479 00:22:43,267 --> 00:22:45,067 IS IT OUTPATIENT OR IS IT OVERNIGHT? 480 00:22:45,100 --> 00:22:46,400 IS IT SOMETHING SERIOUS, DANA? 481 00:22:46,433 --> 00:22:48,100 ARE YOU GOING TO BE OKAY? 482 00:22:48,133 --> 00:22:50,067 YEAH, I'M GOING TO BE FINE. 483 00:22:50,067 --> 00:22:51,400 THEY, UM... 484 00:22:51,433 --> 00:22:54,133 UM... 485 00:22:57,067 --> 00:22:58,867 I'M HAVING A-- I-- 486 00:22:58,900 --> 00:23:00,933 THEY-- THEY FOUND A LUMP IN MY BREAST, 487 00:23:00,967 --> 00:23:02,600 AND SO I'M HAVING IT REMOVED. 488 00:23:02,633 --> 00:23:03,600 IT'S ROUTINE. 489 00:23:03,633 --> 00:23:05,367 A LUMP? 490 00:23:05,400 --> 00:23:07,067 DID YOU HAVE IT BIOPSIED? 491 00:23:07,067 --> 00:23:08,267 YEAH. 492 00:23:08,300 --> 00:23:09,633 WHAT DID THEY-- WHAT DID THEY FIND? 493 00:23:09,667 --> 00:23:10,900 IS IT BENIGN? 494 00:23:10,933 --> 00:23:14,567 IT'S JUST A LITTLE OPERATION, REALLY, IT'S... 495 00:23:14,600 --> 00:23:15,633 EVERYTHING'S OKAY. 496 00:23:15,667 --> 00:23:17,233 EVERYTHING'S OKAY. 497 00:23:20,767 --> 00:23:21,900 YOU KNOW, TINA HAD A LUMPECTOMY, 498 00:23:21,933 --> 00:23:24,433 AND YOU CAN'T EVEN SEE THE SCAR. 499 00:23:24,467 --> 00:23:26,567 [HELENA]: NO. NO, YOU CAN'T. 500 00:23:28,333 --> 00:23:32,100 I MEAN, I DIDN'T EVEN KNOW THAT SHE'D HAD ONE. 501 00:23:33,833 --> 00:23:35,733 WELL, FUCK IT, WHAT TIME? 502 00:23:35,767 --> 00:23:37,767 YEAH, I THINK WE SHOULD ALL GO AND SUPPORT YOU. 503 00:23:37,800 --> 00:23:39,300 WE SHOULD ALL BE THERE. 504 00:23:39,333 --> 00:23:40,767 LARA'S GOING TO BE THERE. 505 00:23:40,800 --> 00:23:41,700 IT'S FINE, LARA'S GOING TO BE THERE. 506 00:23:41,733 --> 00:23:42,900 IT'S OKAY, REALLY. 507 00:23:42,933 --> 00:23:44,600 IT'S GOING TO BE OVERNIGHT. 508 00:23:44,633 --> 00:23:45,800 I'LL BE OUT THE NEXT DAY. 509 00:23:45,833 --> 00:23:46,867 OKAY? 510 00:23:46,900 --> 00:23:47,633 ARE YOU SURE? 511 00:23:47,667 --> 00:23:48,733 YES. 512 00:23:48,767 --> 00:23:49,467 IS THERE ANYTHING WE CAN DO? 513 00:23:49,500 --> 00:23:50,467 YEAH-- NO. 514 00:23:50,500 --> 00:23:52,067 THANK YOU. 515 00:24:16,167 --> 00:24:18,100 SO, MOIRA... 516 00:24:18,133 --> 00:24:20,367 THAT'S A GIRL'S NAME, ISN'T IT? 517 00:24:20,400 --> 00:24:21,367 YEAH. 518 00:24:21,400 --> 00:24:22,567 I'M A GIRL. 519 00:24:22,600 --> 00:24:23,767 I WASN'T SAYING 520 00:24:23,800 --> 00:24:25,400 I DIDN'T KNOW IF YOU WERE A GIRL. 521 00:24:25,433 --> 00:24:26,633 I WAS JUST ASKING ABOUT THE NAME. 522 00:24:26,667 --> 00:24:27,667 OH, SORRY. 523 00:24:31,667 --> 00:24:34,733 SO TELL ME A LITTLE ABOUT YOUR LAST JOB, MOIRA, 524 00:24:34,767 --> 00:24:38,467 AT CHALDENE SOFTWARE, SKOKIE, ILLINOIS. 525 00:24:38,500 --> 00:24:41,900 I WAS MOSTLY INVOLVED IN CODING AND TESTING. 526 00:24:41,933 --> 00:24:44,633 WE DEVELOPED THIS SYSTEM USING TCP/IP SOCKET, 527 00:24:44,667 --> 00:24:45,933 HTTP, CORBA-- 528 00:24:45,967 --> 00:24:47,533 VERY IMPRESSIVE. 529 00:24:47,567 --> 00:24:50,367 UM, HOW ARE YOUR PROGRAMMING SKILLS? 530 00:24:50,400 --> 00:24:52,133 MOSTLY I'M FAMILIAR 531 00:24:52,167 --> 00:24:55,733 WITH WINDOWS PLATFORMS LIKE JAVA AND VISUAL OBJECTS, 532 00:24:55,767 --> 00:24:57,300 BUT I'M A REALLY FAST LEARNER, 533 00:24:57,333 --> 00:24:59,600 AND I'M REALLY GOOD AT TROUBLESHOOTING AND DEBUGGING. 534 00:24:59,633 --> 00:25:01,367 AH... 535 00:25:01,400 --> 00:25:02,600 IT'S A GREAT LETTER OF RECOMMENDATION 536 00:25:02,633 --> 00:25:04,567 FROM CHALDENE. 537 00:25:04,600 --> 00:25:07,167 HOW DID YOU GET ON WITH THE FOLKS THERE? 538 00:25:07,200 --> 00:25:08,767 REALLY WELL. 539 00:25:08,800 --> 00:25:10,767 HUH, SO NO PROBLEMS WITH YOU BEING... 540 00:25:10,800 --> 00:25:14,833 YOU KNOW, HARD TO PEG? 541 00:25:14,867 --> 00:25:17,067 HARD TO PEG? 542 00:25:20,867 --> 00:25:24,600 YOU'RE KIND OF NEITHER FISH NOR FOWL, MOIRA, 543 00:25:24,633 --> 00:25:25,700 IF YOU KNOW WHAT I MEAN. 544 00:25:25,733 --> 00:25:27,067 AND I'M NOT SAYING 545 00:25:27,067 --> 00:25:27,933 THAT WE WOULD DISCRIMINATE AGAINST YOU, 546 00:25:27,967 --> 00:25:29,133 BECAUSE THAT IS ONE THING 547 00:25:29,167 --> 00:25:31,767 THAT WE DON'T DO HERE AT INTECHMODE, 548 00:25:31,800 --> 00:25:36,067 BUT WE'RE LOOKING FOR SOMEONE WHO IS A TEAM PLAYER. 549 00:25:36,067 --> 00:25:37,667 WE'RE TEAM PLAYERS HERE. 550 00:25:37,700 --> 00:25:39,433 YEAH. 551 00:25:39,467 --> 00:25:41,133 I'M A TEAM PLAYER. 552 00:25:41,167 --> 00:25:44,400 WHAT SIDE DO YOU BAT FOR, MOIRA? 553 00:25:44,433 --> 00:25:46,067 [LAUGHS] 554 00:25:46,067 --> 00:25:47,133 I'M KIDDING. 555 00:25:47,167 --> 00:25:48,200 I'M SORRY. 556 00:25:48,233 --> 00:25:50,900 IT WAS TOO GOOD TO RESIST. 557 00:25:50,933 --> 00:25:52,700 YOU KNOW, I THINK THE SCRIPT 558 00:25:52,733 --> 00:25:54,067 NEEDS A LITTLE MORE REWRITING. 559 00:25:54,100 --> 00:25:55,100 YEAH, WE CAN DO THAT. 560 00:25:55,133 --> 00:25:56,633 THEN IT SHOULD BE FINE. 561 00:25:58,200 --> 00:26:01,500 UH, I GOT SOMETHING FOR YOU. 562 00:26:08,600 --> 00:26:11,267 I BOUGHT THIS ON eBAY. 563 00:26:14,900 --> 00:26:16,133 OH, MY GOD. 564 00:26:16,167 --> 00:26:17,567 THAT'S MY FAVORITE MOVIE OF ALL TIME. 565 00:26:17,600 --> 00:26:18,733 GOOD. 566 00:26:18,767 --> 00:26:21,433 JUST A LUCKY GUESS. 567 00:26:21,467 --> 00:26:23,900 IT'LL BE INSPIRATION FOR OUR PROJECTS TOGETHER. 568 00:26:23,933 --> 00:26:25,833 WOW. WELL, YOU SET THE BAR HIGH. 569 00:26:25,867 --> 00:26:28,533 YES, I DO. 570 00:26:31,333 --> 00:26:32,433 HERE YOU GO. 571 00:26:32,467 --> 00:26:33,600 THANKS. 572 00:26:33,633 --> 00:26:37,100 WOW. COOL. 573 00:26:37,133 --> 00:26:38,600 I'LL SEE YOU SOON. 574 00:26:38,633 --> 00:26:40,900 OKAY. 575 00:26:40,933 --> 00:26:42,833 BYE. 576 00:26:50,067 --> 00:26:52,900 GAME, SET, MATCH, MISS FAIRBANKS. 577 00:26:52,933 --> 00:26:55,367 AND WHAT A GAME! 578 00:26:55,400 --> 00:26:57,167 DANA FAIRBANKS HAS TAKEN IT TODAY 579 00:26:57,200 --> 00:27:00,133 IN THE MERCEDES-BENZ CHALLENGE... 580 00:27:00,167 --> 00:27:01,300 [SNIFFLES] 581 00:27:01,333 --> 00:27:02,533 SHE'S DONE A GREAT JOB SO FAR. 582 00:27:02,567 --> 00:27:04,200 SHE'S BEEN AMAZING THIS YEAR. 583 00:27:04,233 --> 00:27:06,233 ABSOLUTELY. CONGRATULATIONS. 584 00:27:06,267 --> 00:27:07,567 THE ENTIRE SEASON. I AGREE WITH YOU-- 585 00:27:07,600 --> 00:27:09,400 [CLICKS TELEVISION OFF] 586 00:27:12,267 --> 00:27:16,467 YOU OKAY? 587 00:27:16,500 --> 00:27:18,600 YEAH, I'M GREAT. 588 00:27:28,267 --> 00:27:30,067 BABY, I THINK YOU SHOULD TELL YOUR FRIENDS 589 00:27:30,067 --> 00:27:32,067 WHAT'S REALLY GOING ON. 590 00:27:34,267 --> 00:27:36,633 I DON'T KNOW WHY YOU DIDN'T. 591 00:27:36,667 --> 00:27:39,067 THEY DON'T NEED TO KNOW EVERY LAST DETAIL. 592 00:27:43,333 --> 00:27:44,633 I JUST-- I DON'T THINK 593 00:27:44,667 --> 00:27:48,867 I SHOULD BE THE ONLY ONE. 594 00:27:48,900 --> 00:27:50,567 THEY'VE KNOWN YOU FOR A LONG TIME, BABY. 595 00:27:50,600 --> 00:27:52,100 THEY LOVE YOU. 596 00:27:52,133 --> 00:27:54,533 THEY WOULD WANT TO BE THERE FOR YOU. 597 00:27:54,567 --> 00:27:56,133 IF THEY KNEW THAT THIS WAS MORE SERIOUS-- 598 00:27:56,167 --> 00:27:59,267 I TOLD THEM WHAT I WANTED TO TELL THEM. 599 00:27:59,300 --> 00:28:01,567 OKAY? 600 00:28:08,833 --> 00:28:10,833 FUCK... 601 00:28:14,767 --> 00:28:17,533 [***] 602 00:28:25,500 --> 00:28:27,900 CHASE, HAVE YOU HEARD FROM MY 6:00? 603 00:28:27,933 --> 00:28:31,200 OH, IT'S A SHERRY... 604 00:28:33,067 --> 00:28:34,300 SHERRY... 605 00:28:34,333 --> 00:28:35,333 YEAH. 606 00:28:35,367 --> 00:28:37,300 PERONI. SHE HASN'T CALLED. 607 00:28:37,333 --> 00:28:38,567 SHE'S FUCKING LATE. 608 00:28:38,600 --> 00:28:39,867 DO YOU WANT TO SET UP THAT BOARD? 609 00:28:39,900 --> 00:28:40,867 WHAT, RIGHT NOW? 610 00:28:40,900 --> 00:28:42,300 YEAH. 611 00:28:42,333 --> 00:28:44,100 WELL, IF SHE HASN'T SHOWN UP, YEAH, FOR SURE. 612 00:28:44,133 --> 00:28:45,733 JUST WAIT A LITTLE BIT FOR HER. 613 00:28:49,067 --> 00:28:51,067 LOOKS LIKE A SLAMMING PARTY. 614 00:28:51,100 --> 00:28:54,933 I'M SORRY I MISSED IT. 615 00:28:54,967 --> 00:28:56,067 CHERIE... 616 00:28:56,067 --> 00:28:57,500 WHAT THE FUCK... 617 00:28:57,533 --> 00:29:00,100 WELL, THAT'S A NICE WAY TO GREET AN OLD FRIEND. 618 00:29:02,367 --> 00:29:04,067 YEAH, I'M SORRY, CHERIE. HOW ARE YOU? 619 00:29:04,067 --> 00:29:06,367 GOOD. 620 00:29:06,400 --> 00:29:07,967 WHY ARE YOU HERE? 621 00:29:08,067 --> 00:29:10,367 I HAVE AN APPOINTMENT TO GET MY HAIR CUT. 622 00:29:12,367 --> 00:29:15,300 YOU DON'T JUST DO MOHAWKS, DO YOU? 623 00:29:15,333 --> 00:29:17,700 BECAUSE I DON'T THINK I'D LOOK TOO GOOD IN A MOHAWK. 624 00:29:17,733 --> 00:29:19,333 WAIT... 625 00:29:19,367 --> 00:29:21,333 SO YOU'RE "SHERRY PERONI"? 626 00:29:21,367 --> 00:29:23,567 I WENT BACK TO MY MAIDEN NAME. 627 00:29:23,600 --> 00:29:26,433 I WASN'T GOING TO KEEP THAT FUCKER'S NAME, 628 00:29:26,467 --> 00:29:28,800 BUT I... 629 00:29:28,833 --> 00:29:31,167 CERTAINLY KEPT A SHITLOAD OF HIS MONEY. 630 00:29:38,300 --> 00:29:41,267 IS THIS WHERE YOU WANT ME? 631 00:29:42,400 --> 00:29:44,433 YEAH. 632 00:29:44,467 --> 00:29:46,767 THAT'S NOT BEING SELF-CENTERED. 633 00:29:46,800 --> 00:29:48,400 JUST-- YOU CAN'T DO THIS TO ME AT THE LAST MINUTE. 634 00:29:48,433 --> 00:29:50,267 YOU KNOW, WE HAD AN AGREEMENT. 635 00:29:50,300 --> 00:29:53,100 I THINK WORK TAKES PRIORITY OVER A MEDITATION GROUP. 636 00:29:53,133 --> 00:29:55,800 IT'S NOT RIGHT, TINA. 637 00:29:55,833 --> 00:29:57,500 [CHUCKLES] 638 00:29:57,533 --> 00:30:00,867 WHEN DID YOU GET THAT? 639 00:30:00,900 --> 00:30:04,033 IT'S VERY COMFORTABLE. 640 00:30:04,067 --> 00:30:05,667 WHO KNEW BUDDHISM COULD BE SO EXPENSIVE? 641 00:30:05,700 --> 00:30:07,433 IT WASN'T THAT EXPENSIVE, TINA. 642 00:30:07,467 --> 00:30:10,933 I DIDN'T KNOW THAT YOU NEEDED SPECIAL CLOTHES TO MEDITATE. 643 00:30:12,300 --> 00:30:14,167 FUCK IT. 644 00:30:14,200 --> 00:30:15,733 YOU KNOW WHAT? 645 00:30:15,767 --> 00:30:18,367 IF IT MAKES YOU THAT UNCOMFORTABLE, I'LL CHANGE. 646 00:30:18,400 --> 00:30:19,467 OKAY, I'LL RETURN IT. 647 00:30:19,500 --> 00:30:21,867 WHATEVER. 648 00:30:21,900 --> 00:30:24,400 DAMMIT... 649 00:30:24,433 --> 00:30:25,467 BUT YOU KNOW WHAT, TINA? 650 00:30:25,500 --> 00:30:27,100 IN THE SEVEN-AND-A-HALF YEARS 651 00:30:27,133 --> 00:30:29,000 THAT I WAS THE SOLE WAGE EARNER IN THIS HOUSEHOLD, 652 00:30:29,033 --> 00:30:31,700 I NEVER LORDED MONEY OVER YOU THE WAY YOU DO ME. 653 00:30:34,533 --> 00:30:36,433 AND WE DIDN'T HAVE A CHILD THEN. 654 00:30:36,467 --> 00:30:39,300 AND YOU DIDN'T HAVE A $300 HAIRCUT. 655 00:30:41,067 --> 00:30:46,067 THE SCUMBAG LEFT ME FOR HIS BOOKKEEPER. 656 00:30:46,100 --> 00:30:47,633 SHE'S ABOUT YOUR AGE. 657 00:30:47,667 --> 00:30:49,200 YEAH? 658 00:30:49,233 --> 00:30:50,933 WELL, I'M REALLY SORRY TO HEAR THAT. 659 00:30:50,967 --> 00:30:52,567 NO, DON'T BE SORRY. 660 00:30:52,600 --> 00:30:54,267 YOU SHOULD HAVE SEEN HIS FACE 661 00:30:54,300 --> 00:30:56,533 WHEN THE JUDGE AWARDED ME HALF OF HIS COMPANY. 662 00:30:56,567 --> 00:31:01,067 WELL, AS LONG AS YOU'RE OKAY, RIGHT? 663 00:31:07,600 --> 00:31:10,567 YOU LOOK BEAUTIFUL, BY THE WAY. 664 00:31:10,600 --> 00:31:13,067 YOU KNOW, YOU SHOULD COME OUT-- 665 00:31:13,067 --> 00:31:14,367 HEY, BABY. 666 00:31:14,400 --> 00:31:15,567 THE RESERVATIONS CAME THROUGH FOR TONIGHT. 667 00:31:15,600 --> 00:31:16,900 DO YOU WANT ME TO WAIT FOR YOU OUT FRONT? 668 00:31:16,933 --> 00:31:18,367 UM, CARMEN, THIS IS CHERIE. 669 00:31:18,400 --> 00:31:21,167 CHERIE, THIS IS CARMEN. 670 00:31:21,200 --> 00:31:23,200 CARMEN? 671 00:31:26,667 --> 00:31:27,900 FUCK YOU. 672 00:31:29,833 --> 00:31:30,833 CARMEN... 673 00:31:32,267 --> 00:31:33,367 LET GO OF ME. 674 00:31:33,400 --> 00:31:34,533 STOP IT! 675 00:31:34,567 --> 00:31:35,967 HEY, CALM DOWN. STOP! 676 00:31:36,067 --> 00:31:37,067 CALM DOWN. SHUT UP. 677 00:31:37,067 --> 00:31:38,067 WHAT'S YOUR PROBLEM? 678 00:31:38,067 --> 00:31:39,500 CHERIE JAFFE. 679 00:31:39,533 --> 00:31:40,300 I DIDN'T KNOW SHE WAS COMING IN. 680 00:31:40,333 --> 00:31:41,167 BULLSHIT. 681 00:31:41,200 --> 00:31:42,300 YOU DON'T BELIEVE ME? 682 00:31:42,333 --> 00:31:44,067 GO LOOK AT THE BOOK. 683 00:31:44,067 --> 00:31:44,900 GO LOOK AT MY BOOK IF YOU DON'T BELIEVE ME. 684 00:31:53,367 --> 00:31:54,967 SHERRY FUCKING PERONI. 685 00:31:55,067 --> 00:31:56,233 SHE BOOKED UNDER A DIFFERENT NAME. 686 00:31:56,267 --> 00:31:57,133 WHAT DO YOU WANT ME TO DO? 687 00:31:57,167 --> 00:31:58,533 HUH? 688 00:31:58,567 --> 00:31:59,500 OKAY, WHATEVER, THAT'S NOT THE POINT. 689 00:31:59,533 --> 00:32:00,500 TELL HER TO GO FUCK HERSELF! 690 00:32:06,067 --> 00:32:08,567 ACT LIKE YOU HAVE A GIRLFRIEND. 691 00:32:35,067 --> 00:32:36,067 DID I HEAR HER SAY 692 00:32:36,067 --> 00:32:37,133 THAT SHE WAS YOUR GIRLFRIEND? 693 00:32:37,167 --> 00:32:38,333 YEAH... 694 00:32:39,800 --> 00:32:42,100 CONGRATULATIONS, SHANE. 695 00:32:42,133 --> 00:32:43,833 SHE'S PRETTY... 696 00:32:43,867 --> 00:32:47,667 BUT NOT AS HOT AS YOU ARE. 697 00:32:50,333 --> 00:32:53,767 WHY DON'T YOU COME OUT TO THE BEACH THIS WEEKEND? 698 00:32:53,800 --> 00:32:56,500 YOU CAN BRING THE GIRLFRIEND IF YOU WANT, 699 00:32:56,533 --> 00:32:59,400 BUT...I'D RATHER SEE YOU BY YOURSELF. 700 00:33:21,533 --> 00:33:25,567 WE MEDITATE TO GET TO KNOW OURSELVES, 701 00:33:25,600 --> 00:33:32,567 TO BECOME INTIMATE WITH WHO WE REALLY ARE. 702 00:33:32,600 --> 00:33:40,567 EACH OF US HAS A LONGING FOR WHAT WE SENSE IS IMPORTANT. 703 00:33:40,600 --> 00:33:47,067 IT'S A PROCESS OF GETTING SUBTLER AND SUBTLER, 704 00:33:47,067 --> 00:33:51,067 AND THEN SIMPLY SINKING... 705 00:33:51,067 --> 00:33:53,300 [***] 706 00:34:05,067 --> 00:34:10,467 ...KNOWLEDGE OF OURSELVES, 707 00:34:10,500 --> 00:34:17,333 OF RECOGNIZING ON DEEPER AND DEEPER LEVELS... 708 00:34:17,367 --> 00:34:21,100 THE LOVING AWARENESS, 709 00:34:21,133 --> 00:34:26,100 THE PRESENCE THAT IS ALWAYS THERE 710 00:34:26,133 --> 00:34:31,700 NO MATTER WHAT ELSE IS GOING ON IN YOUR LIFE. 711 00:34:31,733 --> 00:34:34,167 [***] 712 00:34:47,933 --> 00:34:50,900 HEY, WHAT ARE YOU DOING? 713 00:34:50,933 --> 00:34:52,433 JUST CLEANING. 714 00:34:52,467 --> 00:34:54,067 STOP IT. 715 00:34:54,100 --> 00:34:56,300 YOU DON'T NEED TO DO THAT. 716 00:34:56,333 --> 00:34:58,400 YEAH, I DO, ACTUALLY. 717 00:34:58,433 --> 00:34:59,833 WHY? 718 00:34:59,867 --> 00:35:02,900 BECAUSE I'M NOT MAKING ANY OTHER CONTRIBUTION. 719 00:35:02,933 --> 00:35:04,567 OKAY. 720 00:35:06,433 --> 00:35:09,100 I AM GOING TO HELP YOU. 721 00:35:09,133 --> 00:35:10,333 COME HERE. 722 00:35:12,267 --> 00:35:13,600 ALL RIGHT. 723 00:35:13,633 --> 00:35:18,067 HOW DID YOUR JOB INTERVIEW GO? 724 00:35:18,100 --> 00:35:22,300 I'M NOT FISH OR FOWL. 725 00:35:22,333 --> 00:35:25,067 OKAY. 726 00:35:25,100 --> 00:35:27,233 STOP. STOP IT. 727 00:35:27,267 --> 00:35:29,900 THIS IS BULLSHIT. 728 00:35:29,933 --> 00:35:30,933 YOU'RE COMING WITH ME. 729 00:35:30,967 --> 00:35:32,067 LET'S GO. 730 00:35:40,633 --> 00:35:42,133 I DON'T THINK, UH- 731 00:35:42,167 --> 00:35:43,500 I'M NOT REALLY IN THE MOOD RIGHT NOW. 732 00:35:43,533 --> 00:35:44,967 NO, NO, NO. 733 00:35:45,067 --> 00:35:47,667 I DON'T WANT YOU TO... 734 00:35:47,700 --> 00:35:50,300 FUCK ME RIGHT NOW. 735 00:35:56,100 --> 00:35:57,833 I WANT YOU TO GET DRESSED... 736 00:36:01,733 --> 00:36:03,867 MAX. 737 00:36:03,900 --> 00:36:07,700 I WANT YOU TO WEAR TIGHT TROUSERS. 738 00:36:07,733 --> 00:36:08,900 AND IF THOSE DON'T FIT YOU, 739 00:36:08,933 --> 00:36:12,967 YOU CAN WEAR A PAIR OF MINE. 740 00:36:22,067 --> 00:36:24,233 ALL RIGHT. 741 00:36:25,400 --> 00:36:28,533 THAT LOOKS GREAT. 742 00:36:29,200 --> 00:36:31,367 DO YOU WANT SOME HELP? 743 00:36:31,400 --> 00:36:33,367 ALL RIGHT. 744 00:36:33,400 --> 00:36:37,833 CAN YOU JUST, UM, STICK THAT ON THERE? 745 00:36:37,867 --> 00:36:40,167 CAN YOU JUST-- YEAH. 746 00:36:58,067 --> 00:36:59,167 HERE. 747 00:37:00,800 --> 00:37:03,067 [BOTH GIGGLING] 748 00:37:08,800 --> 00:37:10,233 WOW... 749 00:37:10,267 --> 00:37:13,567 YOU LOOK REALLY HOT. 750 00:37:15,500 --> 00:37:19,300 [***] 751 00:37:23,700 --> 00:37:24,967 HEY, CHASE. 752 00:37:25,067 --> 00:37:26,667 HEY! HEY. 753 00:37:29,167 --> 00:37:30,433 WHERE YOU BEEN? 754 00:37:30,467 --> 00:37:33,067 JUST DRIVING AROUND. HOW'S THIS GOING? 755 00:37:33,067 --> 00:37:34,167 YOUR GIRL'S BLOWING UP IN THERE, MAN. 756 00:37:34,200 --> 00:37:34,967 SHE'S GOT SOME ADMIRERS. 757 00:37:35,067 --> 00:37:35,633 OH, THE DEF JAM GUYS? 758 00:37:35,667 --> 00:37:36,767 YEAH. 759 00:37:36,800 --> 00:37:38,567 IT'S GREAT. THAT'S WHAT SHE WANTED. 760 00:37:38,600 --> 00:37:40,167 GO GET A DRINK. ALL RIGHT, I WILL. 761 00:37:40,200 --> 00:37:41,533 WHAT ARE YOU GUYS DOING? 762 00:37:41,567 --> 00:37:45,633 [***] 763 00:38:03,467 --> 00:38:05,133 ALICE. ALICE! 764 00:38:05,167 --> 00:38:06,433 HEY, SHANE! 765 00:38:06,467 --> 00:38:07,667 THIS IS UTA. 766 00:38:07,700 --> 00:38:09,067 SHANE, UTA. 767 00:38:09,067 --> 00:38:10,833 NICE TO SEE YOU. HOW YOU DOING? 768 00:38:12,900 --> 00:38:15,233 [***] 769 00:38:20,367 --> 00:38:22,100 WOW, SHE'S PACKING. 770 00:38:22,133 --> 00:38:24,667 SHE'S PACKING. 771 00:38:28,067 --> 00:38:30,067 OH, YEAH, SHE'S GOING FOR IT. 772 00:38:30,100 --> 00:38:31,733 THAT'S GREAT. 773 00:38:31,767 --> 00:38:34,100 COME ON. 774 00:39:11,133 --> 00:39:13,067 OW! 775 00:39:17,433 --> 00:39:19,100 AH. 776 00:39:40,400 --> 00:39:41,300 I'M GOING TO-- 777 00:39:41,333 --> 00:39:43,067 I'M GOING TO BE RIGHT BACK. 778 00:39:43,067 --> 00:39:43,933 I'M GOING TO GET US A DRINK. 779 00:39:43,967 --> 00:39:45,500 BE RIGHT BACK. 780 00:39:46,800 --> 00:39:48,100 HELENA! 781 00:39:48,133 --> 00:39:50,533 I THINK UTA MIGHT BE A VAMPIRE. 782 00:39:50,567 --> 00:39:52,867 WHAT? 783 00:39:52,900 --> 00:39:54,300 WELL, HAVE YOU SEEN HER TEETH? 784 00:39:54,333 --> 00:39:55,367 THEY'RE... 785 00:39:55,400 --> 00:39:57,633 WHAT? 786 00:39:57,667 --> 00:39:58,700 THEY'RE SHARP. 787 00:39:58,733 --> 00:40:00,000 THEY'RE... 788 00:40:00,000 --> 00:40:00,067 THEY'RE... WELL... 789 00:40:00,067 --> 00:40:01,033 WELL... 790 00:40:02,067 --> 00:40:03,100 IT'S A HICKEY. 791 00:40:03,133 --> 00:40:04,233 I DON'T KNOW... 792 00:40:04,267 --> 00:40:06,400 I DON'T KNOW. 793 00:40:06,433 --> 00:40:07,767 WELL... 794 00:40:07,800 --> 00:40:09,667 YOU KNOW WHAT THEY SAY ABOUT VAMPIRES-- 795 00:40:09,700 --> 00:40:11,233 NO REFLECTION. 796 00:40:11,267 --> 00:40:13,733 OH, YEAH. 797 00:40:15,833 --> 00:40:16,833 TRY IT. 798 00:40:16,867 --> 00:40:19,000 OKAY. 799 00:40:19,033 --> 00:40:20,100 HEY! 800 00:40:23,600 --> 00:40:25,233 OKAY. 801 00:40:25,267 --> 00:40:26,633 I JUST-- I THINK I'VE GOT SOMETHING IN MY TEETH. 802 00:40:26,667 --> 00:40:29,733 I'M JUST, UH... 803 00:40:32,067 --> 00:40:35,033 HOLY FUCKING SHIT. 804 00:40:36,967 --> 00:40:38,833 WHAT? 805 00:40:38,867 --> 00:40:40,033 OH, I JUST, I DROPPED MY RING. 806 00:40:43,700 --> 00:40:45,100 WHY DON'T WE GET OUT OF HERE? 807 00:40:45,133 --> 00:40:47,667 OKAY. 808 00:41:11,467 --> 00:41:14,867 HOW WAS THE MEDITATION GROUP? 809 00:41:14,900 --> 00:41:16,933 DID YOU HAVE AN EPIPHANY OR SOMETHING? 810 00:41:16,967 --> 00:41:20,667 IT WAS INTERESTING. 811 00:41:23,167 --> 00:41:24,467 JULIA TOLD ME 812 00:41:24,500 --> 00:41:25,700 ABOUT THIS SPECIAL COUPLES RETREAT 813 00:41:25,733 --> 00:41:28,200 UP AT THIS BUDDHIST MONASTERY 814 00:41:28,233 --> 00:41:29,100 IN VERMONT. 815 00:41:29,133 --> 00:41:30,667 I LOVE VERMONT. 816 00:41:30,700 --> 00:41:34,300 I THOUGHT MAYBE WE SHOULD GIVE IT A TRY. 817 00:41:34,333 --> 00:41:35,533 MAYBE. 818 00:41:35,567 --> 00:41:38,267 I DON'T KNOW WHEN I'D FIND THE TIME. 819 00:41:44,433 --> 00:41:45,967 SHE ALSO TOLD ME 820 00:41:46,067 --> 00:41:47,567 THAT I'M ON A SHORT LIST OF CANDIDATES 821 00:41:47,600 --> 00:41:50,133 TO HEAD THE WHITNEY. 822 00:41:51,633 --> 00:41:53,167 THE WHITNEY? 823 00:41:53,200 --> 00:41:54,567 THAT'S INCREDIBLE. 824 00:41:54,600 --> 00:41:55,933 HOW DID THAT HAPPEN? 825 00:41:55,967 --> 00:41:58,767 WHAT DO YOU MEAN, "HOW DID THAT HAPPEN"? 826 00:41:58,800 --> 00:42:01,700 SOME PEOPLE ACTUALLY THINK THAT I'M QUALIFIED. 827 00:42:01,733 --> 00:42:02,967 I DIDN'T MEAN TO IMPLY 828 00:42:03,067 --> 00:42:05,567 THAT YOU WEREN'T QUALIFIED. I... 829 00:42:05,600 --> 00:42:07,533 I JUST THOUGHT THAT YOU SAID 830 00:42:07,567 --> 00:42:10,100 THAT YOU DIDN'T WANT TO TAKE ANOTHER MUSEUM POSITION. 831 00:42:10,133 --> 00:42:15,067 IT'S THE WHITNEY. IT'S PRETTY HARD TO DISMISS. 832 00:42:15,067 --> 00:42:16,500 WOW. 833 00:42:16,533 --> 00:42:18,100 YEAH. 834 00:42:18,133 --> 00:42:20,333 I MEAN, WE'D HAVE TO MOVE TO NEW YORK. 835 00:42:21,500 --> 00:42:23,367 WE? 836 00:42:23,400 --> 00:42:26,667 WELL, IF I TOOK THE POST, IF THEY OFFERED IT TO ME... 837 00:42:26,700 --> 00:42:28,733 I HAVE A JOB HERE, 838 00:42:28,767 --> 00:42:31,567 A JOB I LOVE. 839 00:42:31,600 --> 00:42:35,167 IT PROBABLY PAYS MORE THAN A MUSEUM POSITION. 840 00:42:38,200 --> 00:42:41,600 SO, UM... 841 00:42:41,633 --> 00:42:44,067 YOU'RE SAYING THAT 842 00:42:44,067 --> 00:42:49,700 IF I WERE NAMED THE DIRECTOR OF THE WHITNEY, 843 00:42:49,733 --> 00:42:52,167 YOU WOULDN'T MOVE TO NEW YORK? 844 00:42:55,333 --> 00:42:57,333 I'D HAVE TO THINK ABOUT IT. 845 00:43:00,433 --> 00:43:03,100 I LIKE MY LIFE HERE. 846 00:43:23,600 --> 00:43:26,233 [***] 847 00:43:45,767 --> 00:43:48,500 WOW, YOUR LITTLE HOT TAMALE'S 848 00:43:48,533 --> 00:43:50,600 REALLY WORKING THE BIG BOYS, HUH? 849 00:43:52,767 --> 00:43:53,767 WOW! 850 00:43:55,533 --> 00:43:57,400 CAN YOU TAKE THAT? 851 00:43:58,700 --> 00:44:00,300 CHEERS. 852 00:44:04,700 --> 00:44:11,400 OH, SHE IS INCREDIBLE. 853 00:44:11,433 --> 00:44:13,867 I MEAN, I DIDN'T THINK 854 00:44:13,900 --> 00:44:16,200 I WAS EVER GOING TO HAVE SEX LIKE THIS AGAIN. 855 00:44:16,233 --> 00:44:19,133 IT'S LIKE SHE HAS UNBELIEVABLE STAMINA. 856 00:44:19,167 --> 00:44:21,367 I DON'T KNOW IF I CAN KEEP UP WITH HER. 857 00:44:21,400 --> 00:44:23,167 IT'S LIKE-- 858 00:44:23,200 --> 00:44:26,633 [WHISPERING]: I JUST FEEL LIKE, I DON'T KNOW, I MEAN... 859 00:44:26,667 --> 00:44:28,267 SHE SEEMS LEGITIMATE. 860 00:44:28,300 --> 00:44:29,867 I MEAN, SHE'S GOT, LIKE, A TEACHING CERTIFICATE 861 00:44:29,900 --> 00:44:31,967 AND EVERYTHING, 862 00:44:32,067 --> 00:44:33,300 YEAH. 863 00:44:33,333 --> 00:44:35,300 NO, IT'S REAL. 864 00:44:35,333 --> 00:44:37,233 I THINK SHE'S THE REAL THING, 865 00:44:37,267 --> 00:44:39,067 BUT THE PLACE IS CREEPY. 866 00:44:39,067 --> 00:44:40,133 WHAT DID YOU FIND OUT? 867 00:44:40,167 --> 00:44:41,533 OKAY... 868 00:44:41,567 --> 00:44:43,667 VAMPIRES ARE IMMUNE TO DISEASE. 869 00:44:43,700 --> 00:44:45,400 THEY NEVER GET SICK. 870 00:44:45,433 --> 00:44:47,633 AM I SUPPOSED TO, LIKE... 871 00:44:47,667 --> 00:44:49,300 LIKE, EXPOSE HER TO A DEADLY DISEASE? 872 00:44:49,333 --> 00:44:51,067 BECAUSE I COULD BE ONE OF THE UNDEAD BY THEN. 873 00:44:51,067 --> 00:44:52,300 OKAY, SUPPOSEDLY, THEY NEVER SNORE. 874 00:44:52,333 --> 00:44:53,100 GREAT. 875 00:44:53,133 --> 00:44:54,800 WHO NEEDS THAT? 876 00:44:54,833 --> 00:44:56,767 OKAY, THEY ONLY LIKE TO GO OUT AT NIGHT, 877 00:44:56,800 --> 00:44:58,400 DAH, DAH, DAH... 878 00:44:58,433 --> 00:45:00,567 POSSIBLE MATCH. 879 00:45:00,600 --> 00:45:03,500 THEY HAVE COLD HANDS AND FEET. 880 00:45:03,533 --> 00:45:05,100 OKAY. 881 00:45:05,133 --> 00:45:07,967 THEY DON'T LIKE TO DEBATE ABOUT RELIGION. 882 00:45:08,067 --> 00:45:09,700 REALLY? 883 00:45:09,733 --> 00:45:11,333 HMM. 884 00:45:11,367 --> 00:45:12,867 THEY'RE STRONGER THAN THEIR BODIES MIGHT SUGGEST. 885 00:45:12,900 --> 00:45:15,233 I GOTTA GO, I GOTTA GO. 886 00:45:15,267 --> 00:45:17,067 HEY... 887 00:45:17,067 --> 00:45:18,367 SORRY TO KEEP YOU WAITING. 888 00:45:18,400 --> 00:45:19,967 OH, THAT'S FINE. 889 00:45:20,067 --> 00:45:21,867 I HAD TO GO DOWN TO THE CELLAR FOR THIS. 890 00:45:21,900 --> 00:45:23,367 MM-HMM. 891 00:45:33,833 --> 00:45:35,633 I HOPE YOU'RE NOT GETTING TIRED. 892 00:45:35,667 --> 00:45:36,633 WOW! 893 00:45:36,667 --> 00:45:38,300 YOU'RE, UM... 894 00:45:38,333 --> 00:45:41,733 YOU'RE A LOT STRONGER THAN YOU LOOK, THERE, UTA. 895 00:45:58,333 --> 00:46:02,300 CAN I ASK YOU A QUESTION? 896 00:46:02,333 --> 00:46:06,267 DO YOU REALLY THINK GOD... 897 00:46:06,300 --> 00:46:08,167 IT'S JUST A QUESTION, JUST A QUESTION... 898 00:46:08,200 --> 00:46:09,567 IT'S OKAY. 899 00:46:31,100 --> 00:46:33,700 "NOSFERATU." 900 00:46:43,333 --> 00:46:44,300 FUCK. 901 00:46:45,467 --> 00:46:47,733 OH... 902 00:46:47,767 --> 00:46:50,433 OH, WHAT THE FUCK. 903 00:46:56,733 --> 00:46:58,367 [FOOTSTEPS] 904 00:47:29,700 --> 00:47:32,067 PLEASE. 905 00:48:27,067 --> 00:48:28,900 [CRYING] 906 00:48:41,667 --> 00:48:44,233 I'VE GOT SOMETHING I HAVE TO TELL YOU. 907 00:48:44,267 --> 00:48:47,067 WHAT? 908 00:48:47,100 --> 00:48:51,600 I FUCKED DADDYOF2... 909 00:48:51,633 --> 00:48:53,133 ON THE INTERNET. 910 00:48:53,167 --> 00:48:55,600 I FUCKED HIM. I ONLY DID IT ONCE. 911 00:48:55,633 --> 00:48:59,067 THEN WHY ARE YOU TELLING ME? 912 00:48:59,067 --> 00:49:01,400 BECAUSE I JUST HAVE ALL THESE FEELINGS 913 00:49:01,433 --> 00:49:03,367 THAT I DON'T KNOW WHAT TO DO WITH, 914 00:49:03,400 --> 00:49:05,833 AND THEY'RE JUST SO FUCKED UP. 915 00:49:05,867 --> 00:49:08,067 I DON'T... 916 00:49:08,067 --> 00:49:11,533 I DON'T KNOW WHAT I'M DOING. 917 00:49:11,567 --> 00:49:15,500 FEELINGS ABOUT WHAT? 918 00:49:15,533 --> 00:49:17,733 FEELINGS ABOUT MEN. 919 00:49:17,767 --> 00:49:23,833 [TINA SOBBING] 920 00:49:32,767 --> 00:49:34,767 [***] 921 00:51:24,567 --> 00:51:26,800 FUCK ME! 922 00:51:45,500 --> 00:51:48,067 [***]