1
00:00:11,000 --> 00:00:12,800
PREVIOUSLY ON THE L WORD...

2
00:00:12,833 --> 00:00:14,567
THIS IS MY CELL.

3
00:00:14,600 --> 00:00:15,733
CALL ME ANY TIME.

4
00:00:17,767 --> 00:00:19,367
COUPLE MINUTES.
COME ON.

5
00:00:19,400 --> 00:00:21,767
I WANTED TO SAY THAT THIS THING
YOU'RE GOING THROUGH...

6
00:00:21,800 --> 00:00:22,600
THIS THING?

7
00:00:22,633 --> 00:00:24,567
THIS CHANGE OF LIFE IS REALLY--

8
00:00:24,600 --> 00:00:25,567
IT'S BEAUTIFUL,

9
00:00:25,600 --> 00:00:26,667
AND IT'S SEXY,
AND...

10
00:00:26,700 --> 00:00:28,800
THAT'S WHY I BROUGHT THE GUITAR.

11
00:00:28,833 --> 00:00:30,300
I'M NOT FISH OR FOWL.

12
00:00:30,333 --> 00:00:32,633
I WANT YOU
TO GET DRESSED, MAX.

13
00:00:32,667 --> 00:00:34,133
I WANT YOU TO WEAR
TIGHT TROUSERS.

14
00:00:35,833 --> 00:00:37,333
YOU LOOK REALLY HOT.

15
00:00:38,833 --> 00:00:40,500
I'LL THROW DOWN THE KEYS.
CAN YOU LET YOURSELF IN?

16
00:00:40,533 --> 00:00:41,367
SURE.

17
00:00:43,400 --> 00:00:44,667
WHY DON'T WE GET OUT OF HERE?

18
00:00:49,233 --> 00:00:51,300
I THINK UTA
MIGHT BE A VAMPIRE.

19
00:00:51,333 --> 00:00:52,633
THEY FOUND A LUMP
IN MY BREAST.

20
00:00:52,667 --> 00:00:53,833
IT'S ROUTINE.
A LUMP?

21
00:00:53,867 --> 00:00:55,033
I'M HAVING IT REMOVED.

22
00:00:55,067 --> 00:00:56,067
CARMEN, THIS IS CHERIE.

23
00:00:57,033 --> 00:00:58,500
ACT LIKE YOU HAVE
A GIRLFRIEND.

24
00:01:10,667 --> 00:01:12,867
[***]

25
00:01:16,300 --> 00:01:17,667
JESUS, BETTE.

26
00:01:17,700 --> 00:01:20,300
ISN'T IT
BEAUTIFUL?

27
00:01:20,333 --> 00:01:22,133
YOU ALMOST FORGET
IT'S A BODY.

28
00:01:22,167 --> 00:01:23,700
UH, NO, BETTE,

29
00:01:23,733 --> 00:01:25,133
IT'S DEFINITELY
A BODY.

30
00:01:25,167 --> 00:01:27,300
DANICA PALMER SAYS

31
00:01:27,333 --> 00:01:28,400
MAPPLETHORPE
ISN'T EVEN INTO

32
00:01:28,433 --> 00:01:30,533
THE PROCESS
OF PHOTOGRAPHY.

33
00:01:30,567 --> 00:01:34,167
PROFESSOR PALMER
TO YOU.

34
00:01:34,200 --> 00:01:35,733
SHE SAYS MAPPLETHORPE
LIKES TO THINK

35
00:01:35,767 --> 00:01:38,267
OF THE PHOTOGRAPH
AS AN OBJECT.

36
00:01:38,300 --> 00:01:40,067
HE CALLS IT

37
00:01:40,067 --> 00:01:42,300
AN EXPERIENCE YOU CAN
HOLD IN YOUR HAND.

38
00:01:42,333 --> 00:01:43,567
YEAH...

39
00:01:43,600 --> 00:01:44,600
I GUESS
YOU COULD HOLD

40
00:01:44,633 --> 00:01:46,133
THAT EXPERIENCE
IN YOUR HAND.

41
00:01:51,300 --> 00:01:52,567
ARE YOU HARD?

42
00:01:52,600 --> 00:01:54,067
UM...

43
00:01:55,333 --> 00:01:57,533
[LAUGHS]

44
00:02:39,133 --> 00:02:42,067
ARE YOU OKAY?

45
00:02:42,067 --> 00:02:46,067
YOU'RE FUCKING THAT GUY
IN THE PHOTOGRAPH.

46
00:02:55,933 --> 00:02:59,600
I DO IT, TOO.

47
00:02:59,633 --> 00:03:02,533
YOU DO?

48
00:03:02,567 --> 00:03:06,100
TO WHOM?

49
00:03:06,133 --> 00:03:08,800
[LAUGHS]

50
00:03:08,833 --> 00:03:11,200
PROFESSOR DANICA PALMER.

51
00:03:16,233 --> 00:03:19,100
[***]

52
00:03:19,133 --> 00:03:25,267
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *

53
00:03:25,300 --> 00:03:32,200
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *

54
00:03:32,233 --> 00:03:38,167
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *

55
00:03:38,200 --> 00:03:44,600
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *

56
00:03:52,133 --> 00:03:53,600
* TALKING, LAUGHING
LOVING, BREATHING *

57
00:03:53,633 --> 00:03:55,433
* FIGHTING, FUCKING
CRYING, DRINKING *

58
00:03:55,467 --> 00:03:56,967
* WRITING, WINNING
LOSING, CHEATING *

59
00:03:57,067 --> 00:03:58,500
* KISSING, THINKING, DREAMING

60
00:03:58,533 --> 00:04:00,567
* THIS IS THE WAY...

61
00:04:00,600 --> 00:04:03,400
* IT'S THE WAY
THAT WE LIVE *

62
00:04:03,433 --> 00:04:09,133
* IT'S THE WAY THAT WE LIVE

63
00:04:09,167 --> 00:04:13,167
* AND LOVE *

64
00:04:15,567 --> 00:04:18,900
[DOOR UNLOCKING]

65
00:04:18,933 --> 00:04:20,600
[KEYS JANGLING]

66
00:04:29,067 --> 00:04:30,833
[FLOORBOARD CREAKS]

67
00:04:35,067 --> 00:04:36,300
DID YOU FUCK HER?

68
00:04:48,267 --> 00:04:50,500
[SIGH]

69
00:04:56,500 --> 00:04:57,900
HAVE YOU
FUCKED HIM YET?

70
00:04:59,200 --> 00:05:00,900
DID I FUCK WHO?

71
00:05:00,933 --> 00:05:04,133
WHOEVER IT IS THAT
YOU HAVE THESE FEELINGS FOR.

72
00:05:09,067 --> 00:05:11,367
NO.

73
00:05:11,400 --> 00:05:12,733
I HAVEN'T SLEPT WITH ANYONE.

74
00:05:12,767 --> 00:05:16,100
SO HE'S JUST THIS
AMORPHOUS MALE FIGURE

75
00:05:16,133 --> 00:05:17,867
COMPRISED ENTIRELY
OF CYBER POLLEN?

76
00:05:17,900 --> 00:05:21,800
THAT WAS A ONE-TIME THING
IN A CHAT ROOM.

77
00:05:21,833 --> 00:05:23,067
I THOUGHT
IT WAS JUST CURIOSITY.

78
00:05:23,100 --> 00:05:24,533
I THOUGHT
IT WOULD GO AWAY.

79
00:05:24,567 --> 00:05:27,200
BUT IT DIDN'T
GO AWAY.

80
00:05:27,233 --> 00:05:29,233
NO, IT DIDN'T.

81
00:05:34,667 --> 00:05:37,733
SO DADDYOF2 WAS JUST A...

82
00:05:37,767 --> 00:05:40,633
A TRANSITIONAL OBJECT?

83
00:05:40,667 --> 00:05:43,367
YEAH, I GUESS.

84
00:05:44,667 --> 00:05:45,633
[EXHALES]

85
00:05:45,667 --> 00:05:46,800
SO, UM...

86
00:05:51,433 --> 00:05:55,067
IS THERE A...

87
00:05:55,067 --> 00:06:00,067
IS THERE A REAL MAN
IN THE REAL WORLD SOMEWHERE?

88
00:06:00,067 --> 00:06:02,367
NO, I--

89
00:06:02,400 --> 00:06:03,600
I DON'T KNOW.

90
00:06:06,167 --> 00:06:07,433
OKAY, YEAH.

91
00:06:07,467 --> 00:06:09,433
I THINK SO.

92
00:06:12,400 --> 00:06:13,433
WHO IS IT?

93
00:06:13,467 --> 00:06:15,933
HIS NAME IS JOSH.

94
00:06:23,733 --> 00:06:25,533
THAT'S THE PRODUCER, RIGHT?

95
00:06:28,700 --> 00:06:29,867
RIGHT?

96
00:06:29,900 --> 00:06:31,333
NOTHING'S HAPPENED.

97
00:06:31,367 --> 00:06:33,633
FOR ALL I KNOW,
HE'S NOT EVEN INTERESTED IN ME.

98
00:06:33,667 --> 00:06:35,633
OH, TINA, PLEASE, OF COURSE
HE'S INTERESTED IN YOU.

99
00:06:37,067 --> 00:06:38,067
I'VE HEARD YOU
TALKING TO HIM

100
00:06:38,067 --> 00:06:39,100
ON THE PHONE.

101
00:06:39,133 --> 00:06:40,400
YOU CAN'T FLIRT LIKE THAT

102
00:06:40,433 --> 00:06:41,700
UNLESS SOMEONE
IS FLIRTING BACK WITH YOU.

103
00:07:02,667 --> 00:07:04,900
[ANGUS]: I LOVE YOU.

104
00:07:12,333 --> 00:07:15,800
YOU KNOW HOW MANY MEN
HAVE SAID THAT

105
00:07:15,833 --> 00:07:19,767
RIGHT AFTER THEY DID
WHAT YOU JUST DID?

106
00:07:21,767 --> 00:07:24,467
WELL, THAT'S
NONE OF MY BUSINESS.

107
00:07:24,500 --> 00:07:25,800
THEN...

108
00:07:25,833 --> 00:07:29,567
THEY SAY THEY'RE GOING
TO GO OUT FOR COFFEE,

109
00:07:29,600 --> 00:07:30,767
OR PUT GAS IN THE CAR,

110
00:07:30,800 --> 00:07:34,533
AND THEN
THREE YEARS LATER,

111
00:07:34,567 --> 00:07:37,067
I BUMP INTO THEM
IN THE STREET...

112
00:07:37,067 --> 00:07:38,767
ON A DAY
THAT I LOOK LIKE SHIT.

113
00:07:38,800 --> 00:07:42,067
WELL, I AM DIFFERENT.

114
00:07:42,067 --> 00:07:43,600
YOU'RE NOT
OLD ENOUGH TO KNOW

115
00:07:43,633 --> 00:07:47,367
THAT YOU ARE NO DIFFERENT
THAN ANY OTHER MAN.

116
00:07:47,400 --> 00:07:49,067
I AM 35 YEARS OLD--
OH, OH...

117
00:07:49,067 --> 00:07:51,067
I AM ALMOST
MIDDLE-AGED.

118
00:07:51,067 --> 00:07:52,833
NOW, THAT IS
CERTAINLY OLD ENOUGH

119
00:07:52,867 --> 00:07:56,867
TO KNOW
THAT I LOVE YOU.

120
00:07:56,900 --> 00:07:58,633
THAT'S A BIG WORD
YOU'RE THROWING AROUND.

121
00:07:58,667 --> 00:08:01,933
BIG.

122
00:08:01,967 --> 00:08:04,367
OKAY, IF YOU DON'T FEEL
THE SAME WAY,

123
00:08:04,400 --> 00:08:05,500
YOU DON'T FEEL THE SAME WAY.

124
00:08:05,533 --> 00:08:07,700
OH, ANGUS--

125
00:08:07,733 --> 00:08:09,600
NO, KIT, I KNOW
WHAT YOU'RE GOING TO SAY.

126
00:08:09,633 --> 00:08:11,633
YOU'RE GOING TO SAY,
"OH, LET'S TAKE MORE TIME,"

127
00:08:11,667 --> 00:08:13,900
AND THAT'S FINE.

128
00:08:13,933 --> 00:08:16,233
I MEAN, WE'VE GOT
ALL THE TIME IN THE WORLD,

129
00:08:16,267 --> 00:08:18,067
BUT THE ONE
THING I KNOW

130
00:08:18,067 --> 00:08:22,633
IS HOW I FEEL, AND...

131
00:08:22,667 --> 00:08:25,400
I DOUBT YOU DON'T
FEEL IT, TOO,

132
00:08:25,433 --> 00:08:27,133
BECAUSE, YOU KNOW,
I WAS THERE.

133
00:08:27,167 --> 00:08:28,433
[SIGHS]

134
00:08:28,467 --> 00:08:30,700
WHAT DO YOU MEAN,
YOU WERE THERE, ANGUS?

135
00:08:30,733 --> 00:08:32,300
[STAMMERING]

136
00:08:32,333 --> 00:08:34,100
OKAY, SO WE HAD

137
00:08:34,133 --> 00:08:36,400
A COUPLE OF GOOD
ROLLS IN THE BARN.

138
00:08:36,433 --> 00:08:38,367
I COUNTED FOUR,
ACTUALLY.

139
00:08:38,400 --> 00:08:45,100
OKAY, OKAY,
FOUR FANTASTIC ORGASMS.

140
00:08:45,133 --> 00:08:48,533
OKAY, THANK YOU.
THANK YOU VERY MUCH.

141
00:08:48,567 --> 00:08:50,700
[SIGHS]

142
00:08:50,733 --> 00:08:55,333
SO, WHAT, I'M JUST
YOUR BOY TOY?

143
00:08:55,367 --> 00:08:56,967
IS THAT IT?

144
00:08:57,067 --> 00:08:58,633
WELL, W--

145
00:08:58,667 --> 00:09:01,233
WOULD THAT BE BAD?

146
00:09:01,267 --> 00:09:03,633
YEAH, THAT'D BE BAD.

147
00:09:07,933 --> 00:09:11,067
I'M DEFINITELY NOT THAT GUY.

148
00:09:14,800 --> 00:09:17,167
[SIGHS HEAVILY]

149
00:09:23,067 --> 00:09:24,367
HI, ALICE.

150
00:09:24,400 --> 00:09:27,100
HELLO, JANICE.

151
00:09:34,100 --> 00:09:35,200
OH, MY GOD,
WHAT HAPPENED TO YOU?

152
00:09:35,233 --> 00:09:36,933
I DON'T KNOW,

153
00:09:36,967 --> 00:09:38,667
BUT I THINK I MAY HAVE
JUST BEEN RELEASED

154
00:09:38,700 --> 00:09:41,500
FROM MY MORTAL COILS.

155
00:09:43,067 --> 00:09:46,933
HEY, JANICE...

156
00:09:46,967 --> 00:09:49,200
WOULD YOU MIND...

157
00:09:49,233 --> 00:09:52,400
DISPOSING OF THIS
OBSOLETE THING?

158
00:09:52,433 --> 00:09:53,867
TRASH OR RECYCLING?

159
00:09:53,900 --> 00:09:55,067
TRASH, RECYCLING.
I DON'T KNOW.

160
00:09:55,067 --> 00:09:56,800
CAN YOU RECYCLE
FOAM CORE?

161
00:09:56,833 --> 00:09:58,233
I DON'T KNOW.

162
00:09:58,267 --> 00:09:59,900
YEAH, WELL,
I DON'T GIVE A FUCK,

163
00:10:00,067 --> 00:10:02,900
BECAUSE I AM FREE AT LAST.

164
00:10:02,933 --> 00:10:04,000
WHOO!

165
00:10:09,733 --> 00:10:10,933
OH, HERE, BABY,
LET ME GET IT.

166
00:10:23,333 --> 00:10:25,000
YOU KNOW,
I DON'T NEED DEODORANT.

167
00:10:25,033 --> 00:10:27,400
I MEAN, I'M GOING TO
BE IN THE HOSPITAL, RIGHT?

168
00:10:27,433 --> 00:10:29,300
I MEAN, WHAT'S THE POINT?

169
00:10:32,567 --> 00:10:34,067
THEN AGAIN,
I GUESS NOBODY

170
00:10:34,100 --> 00:10:35,667
LIKES TO BE AROUND
THE SMELL OF ROT.

171
00:10:35,700 --> 00:10:36,667
DANA--

172
00:10:36,700 --> 00:10:38,500
NO, LARA, IT'S TRUE.

173
00:10:38,533 --> 00:10:41,800
I HOPE
YOU KNOW THAT.

174
00:10:41,833 --> 00:10:44,133
I DON'T WANT THOSE.

175
00:10:44,167 --> 00:10:45,900
THEY BUNCH UP TOO MUCH.
I WANT THE GREEN ONES.

176
00:10:48,233 --> 00:10:50,300
OKAY.

177
00:10:57,500 --> 00:10:58,600
THE GREEN ONES.

178
00:11:04,900 --> 00:11:06,067
ANYTHING ELSE?

179
00:11:16,467 --> 00:11:18,333
[SNIFFLING]

180
00:11:24,733 --> 00:11:26,333
HERE YOU GO...

181
00:11:30,067 --> 00:11:32,300
HERE YOU GO. THANKS.

182
00:11:32,333 --> 00:11:34,333
COME ON, PACE, PACE, PACE.
MOVE IT.

183
00:11:34,367 --> 00:11:35,433
AH, GOOD MORNING.

184
00:11:35,467 --> 00:11:36,433
GOOD MORNING.

185
00:11:36,467 --> 00:11:37,467
IS IT FOR ONE?

186
00:11:37,500 --> 00:11:38,467
YES.

187
00:11:38,500 --> 00:11:39,467
JENNY, COULD YOU SIT--

188
00:11:39,500 --> 00:11:41,467
OH, MY GOD, HI!
HI!

189
00:11:41,500 --> 00:11:43,133
IT'S SO NICE TO SEE YOU!
IT'S NICE TO SEE YOU.

190
00:11:43,167 --> 00:11:44,667
WHAT ARE YOU DOING HERE?

191
00:11:44,700 --> 00:11:45,967
UH-OH, YOU DIDN'T
GET MY MESSAGE?

192
00:11:46,067 --> 00:11:47,133
NO.

193
00:11:47,167 --> 00:11:48,133
I'M HERE
TO SEE YOU.

194
00:11:48,167 --> 00:11:49,767
OH, MY GOD,
WOW, UM...

195
00:11:49,800 --> 00:11:51,767
OH, THANK YOU.

196
00:11:51,800 --> 00:11:52,867
I'LL SIT DOWN.

197
00:11:52,900 --> 00:11:54,867
OKAY, GREAT.

198
00:11:54,900 --> 00:11:56,533
AND YOU SHOULD SIT DOWN.

199
00:11:57,533 --> 00:11:58,933
I KNOW IT'S A BIT UNUSUAL

200
00:11:58,967 --> 00:12:01,133
FOR A PUBLISHER
TO JUMP ON A PLANE

201
00:12:01,167 --> 00:12:03,933
AND FLY ACROSS THE COUNTRY
TO SEE A WRITER.

202
00:12:03,967 --> 00:12:05,300
WELL, I'M JUST GRATEFUL

203
00:12:05,333 --> 00:12:07,433
THAT YOU TOOK THE TIME
TO READ IT.

204
00:12:07,467 --> 00:12:09,100
WELL, YOU KNOW WHAT
MY DAUGHTER'S LIKE.

205
00:12:09,133 --> 00:12:12,533
REBECCA WOULDN'T STOP
UNTIL I'D READ EVERY WORD.

206
00:12:12,567 --> 00:12:13,867
AND I'M VERY GRATEFUL
THAT I DID.

207
00:12:13,900 --> 00:12:15,200
HOW IS REBECCA?

208
00:12:15,233 --> 00:12:16,400
UH, JENNY...

209
00:12:16,433 --> 00:12:17,867
YES?

210
00:12:17,900 --> 00:12:19,400
TABLE SEVEN
WOULD LIKE HER CHECK.

211
00:12:19,433 --> 00:12:21,633
BILLIE,
IT WOULD BE SUPER FANTASTIC

212
00:12:21,667 --> 00:12:22,933
IF YOU COULD ACTUALLY
COVER FOR ME

213
00:12:22,967 --> 00:12:25,533
JUST FOR
FIVE MINUTES.

214
00:12:25,567 --> 00:12:27,133
HERE YOU GO, UM...

215
00:12:27,167 --> 00:12:28,867
AND THEN THIS.
I'M SO SORRY.

216
00:12:31,700 --> 00:12:33,133
SORRY.

217
00:12:33,167 --> 00:12:36,167
LET ME GET
RIGHT DOWN TO BUSINESS.

218
00:12:36,200 --> 00:12:37,633
OKAY.

219
00:12:37,667 --> 00:12:39,067
WE WANT TO PUBLISH YOUR BOOK.

220
00:12:39,067 --> 00:12:40,567
NEXT FALL.

221
00:12:40,600 --> 00:12:41,633
I WANT TO LINE IT UP

222
00:12:41,667 --> 00:12:43,233
AGAINST SOME OF THE BIG HITTERS,

223
00:12:43,267 --> 00:12:45,433
MAKE THE CRITICS
REALLY TAKE NOTICE.

224
00:12:48,800 --> 00:12:50,433
ARE YOU SERIOUS?

225
00:12:50,467 --> 00:12:52,267
YEAH,

226
00:12:52,300 --> 00:12:55,167
AND IT WAS IMPORTANT TO ME
WE HAVE THIS CHANCE TO TALK,

227
00:12:55,200 --> 00:12:56,700
BECAUSE I HAVE TO
ASK YOU SOMETHING, JENNY.

228
00:12:56,733 --> 00:12:59,133
I'M SORRY.

229
00:12:59,167 --> 00:13:00,333
IT'S ALL RIGHT.

230
00:13:00,367 --> 00:13:01,767
I CAN'T BELIEVE IT.

231
00:13:01,800 --> 00:13:04,767
HOW MUCH OF THE NOVEL IS TRUE?

232
00:13:04,800 --> 00:13:07,433
I'M IMAGINING THAT A LOT
OF THE THINGS IN THIS BOOK

233
00:13:07,467 --> 00:13:08,933
ACTUALLY HAPPENED TO YOU.

234
00:13:08,967 --> 00:13:14,533
UM, YEAH, I MEAN,
IT CUTS CLOSE TO THE BONE.

235
00:13:14,567 --> 00:13:16,400
NOT SINCE
BASTARD OUT OF CAROLINA

236
00:13:16,433 --> 00:13:18,467
HAVE I BEEN
SO THOROUGHLY CONVINCED.

237
00:13:18,500 --> 00:13:22,767
THE WAY
YOU HANDLE TRAUMA,

238
00:13:22,800 --> 00:13:25,467
AND THE LANDSCAPE
OF THAT POOR GIRL'S MIND...

239
00:13:25,500 --> 00:13:26,933
YOU WERE A CUTTER, RIGHT?

240
00:13:26,967 --> 00:13:29,167
REBECCA WOULD
NEVER SAY,

241
00:13:29,200 --> 00:13:32,267
BUT, YOU KNOW,
FROM WHAT YOU WROTE...

242
00:13:32,300 --> 00:13:34,267
I WAS, BUT I'M NOT NOW.

243
00:13:36,100 --> 00:13:38,200
WE'RE GOING TO SEND YOU
ON A BOOK TOUR,

244
00:13:38,233 --> 00:13:40,100
AND I DON'T WANT YOU TO BE
AFRAID TO TALK ABOUT THAT.

245
00:13:40,133 --> 00:13:43,067
I DON'T KNOW WHY
I'D TALK ABOUT ME,

246
00:13:43,067 --> 00:13:44,600
BECAUSE THE BOOK IS FICTION.

247
00:13:44,633 --> 00:13:47,667
I UNDERSTAND THAT,
BUT, UNFORTUNATELY, JENNY,

248
00:13:47,700 --> 00:13:49,367
PEOPLE AREN'T BUYING
LITERARY FICTION

249
00:13:49,400 --> 00:13:50,600
THE WAY THEY USED TO.

250
00:13:50,633 --> 00:13:52,367
IN TODAY'S CLIMATE,

251
00:13:52,400 --> 00:13:54,233
SURVIVOR MEMOIRS
HAVE A MUCH BETTER CHANCE

252
00:13:54,267 --> 00:13:55,667
OF BREAKING OUT
AND REACHING AN AUDIENCE--

253
00:13:55,700 --> 00:13:58,300
JENNY, OKAY, CUT IT,
PRINT IT, MOVING ON.

254
00:13:58,333 --> 00:13:59,833
COME ON.

255
00:13:59,867 --> 00:14:01,533
KIT...

256
00:14:01,567 --> 00:14:03,767
KIT, I'M SORRY.
BILLIE...

257
00:14:03,800 --> 00:14:06,567
I'D LIKE YOU GUYS
TO MEET JAN MARTIN,

258
00:14:06,600 --> 00:14:08,433
WHO'S HERE
FROM SIMON & SCHUSTER.

259
00:14:08,467 --> 00:14:10,667
SHE FLEW IN FROM NEW YORK
TO TALK TO ME ABOUT MY NOVEL.

260
00:14:10,700 --> 00:14:12,233
HI.
HEY.

261
00:14:12,267 --> 00:14:14,333
HI. OH, UH, BILLIE...

262
00:14:14,367 --> 00:14:16,867
I THINK
YOU CAN HANDLE IT, OKAY?

263
00:14:16,900 --> 00:14:18,633
YES, SEE, WE'RE NOT EVEN
THAT BUSY, OKAY?

264
00:14:18,667 --> 00:14:19,600
WE'RE SLAMMED.

265
00:14:19,633 --> 00:14:20,667
THAT'S OKAY.

266
00:14:20,700 --> 00:14:23,500
[BILLIE]:
JESUS...

267
00:14:23,533 --> 00:14:25,467
I'M SORRY,
SO NOT TO BE ANAL,

268
00:14:25,500 --> 00:14:28,533
BUT HOW MUCH OF THE CONTENT
WOULD I HAVE TO CHANGE?

269
00:14:28,567 --> 00:14:30,200
NOT ALL
THAT MUCH.

270
00:14:30,233 --> 00:14:31,767
I'M GIVING YOU
ONE OF OUR MOST GIFTED EDITORS,

271
00:14:31,800 --> 00:14:33,433
NEVE SARAFIAN.

272
00:14:33,467 --> 00:14:34,967
OH, MY GOD, WOW.

273
00:14:35,067 --> 00:14:36,867
JENNY, YOU'VE WRITTEN
A WONDERFUL BOOK,

274
00:14:36,900 --> 00:14:39,267
AND I REALLY WANT
TO GET IT OUT THERE.

275
00:14:40,667 --> 00:14:43,433
HERE YOU GO.

276
00:14:43,467 --> 00:14:45,067
WHAT IS THIS?

277
00:14:45,067 --> 00:14:47,333
THE FIRST HALF OF YOUR ADVANCE.

278
00:14:47,367 --> 00:14:49,333
TAKE A LOOK.

279
00:14:58,067 --> 00:15:00,633
WILL YOU EXCUSE ME
JUST FOR ONE SECOND?

280
00:15:00,667 --> 00:15:01,433
JUST...

281
00:15:01,467 --> 00:15:02,833
OF COURSE.

282
00:15:05,500 --> 00:15:07,767
OH, MY GOD! OH, MY GOD!
OH, MY GOD! OH, MY GOD!

283
00:15:07,800 --> 00:15:08,867
I CAN'T BELIEVE IT!

284
00:15:08,900 --> 00:15:10,067
[SQUEALING]

285
00:15:10,067 --> 00:15:11,133
I CAN'T BELIEVE IT!

286
00:15:11,167 --> 00:15:12,900
OH, MY GOD, I'M SO HAPPY!

287
00:15:14,967 --> 00:15:16,867
MAYBE WE SHOULD TAKE
THAT TRIP TO PARIS

288
00:15:16,900 --> 00:15:17,867
IN THE SPRING.

289
00:15:17,900 --> 00:15:18,867
THAT WAY--

290
00:15:18,900 --> 00:15:21,067
LARA, PLEASE.

291
00:15:21,067 --> 00:15:22,367
DANA FAIRBANKS?

292
00:15:22,400 --> 00:15:23,400
YEAH.

293
00:15:23,433 --> 00:15:25,833
DANA, FOLLOW ME, PLEASE.

294
00:15:25,867 --> 00:15:27,200
CAN SHE COME WITH ME?

295
00:15:27,233 --> 00:15:28,200
OF COURSE.

296
00:15:28,233 --> 00:15:29,467
OKAY.

297
00:15:31,267 --> 00:15:32,933
OKAY, IF YOU'LL PUT THIS ON...

298
00:15:32,967 --> 00:15:35,333
SOMEBODY WILL BE WITH YOU
IN A MOMENT.

299
00:15:37,333 --> 00:15:38,633
THANKS.

300
00:15:38,667 --> 00:15:39,800
AND WE DO LIKE
OUR PATIENTS

301
00:15:39,833 --> 00:15:42,067
TO MARK WHICH BREAST IT IS.

302
00:15:42,100 --> 00:15:43,833
ARE YOU SERIOUS?

303
00:15:43,867 --> 00:15:44,867
WE'VE NEVER
HAD A PROBLEM.

304
00:15:44,900 --> 00:15:46,400
IT'S JUST FOR SAFETY.

305
00:15:48,900 --> 00:15:51,233
OKAY?
OKAY.

306
00:16:38,267 --> 00:16:40,700
ARE YOU IN LOVE WITH HER?

307
00:16:42,067 --> 00:16:44,333
NO.

308
00:16:46,300 --> 00:16:47,800
ARE YOU SURE?

309
00:16:49,167 --> 00:16:51,133
YEAH.

310
00:16:56,233 --> 00:16:58,567
PLEASE, CARMEN, I DON'T WANT
TO MAKE THIS INTO A BIG DEAL.

311
00:16:58,600 --> 00:17:00,200
YOU GO ALL THE WAY
OVER TO SOMEBODY'S BEACH HOUSE,

312
00:17:00,233 --> 00:17:01,333
AND YOU FUCK THEM
TILL THE SUN COMES UP,

313
00:17:01,367 --> 00:17:02,367
AND YOU'RE ASKING ME
NOT TO MAKE IT

314
00:17:02,400 --> 00:17:04,100
INTO A BIG
FUCKING DEAL!

315
00:17:04,133 --> 00:17:05,367
YOU WERE PRACTICALLY COMING

316
00:17:05,400 --> 00:17:06,633
ALL OVER THOSE TWO
DEF JAM GUYS--

317
00:17:06,667 --> 00:17:08,200
THAT WAS WORK--

318
00:17:08,233 --> 00:17:09,267
DON'T YOU START.
YOU KNOW IT'S TRUE--

319
00:17:09,300 --> 00:17:10,267
THAT WAS WORK,
AND YOU KNOW IT!

320
00:17:14,967 --> 00:17:16,067
ARE YOU JEALOUS?

321
00:17:16,067 --> 00:17:17,800
NO.

322
00:17:17,833 --> 00:17:20,267
I'M NOT FUCKING JEALOUS.

323
00:17:22,267 --> 00:17:23,700
IT JUST MADE ME SAD.

324
00:17:23,733 --> 00:17:25,200
OH, YOU WERE
SO FUCKING SAD

325
00:17:25,233 --> 00:17:27,200
THAT YOU GO OFF
AND YOU FUCK CHERIE JAFFE?

326
00:17:28,567 --> 00:17:31,233
SHANE, WHAT KIND OF
A PSYCHOTIC RESPONSE IS THAT?

327
00:17:33,267 --> 00:17:35,733
WELL, I GUESS I'M REALLY
FUCKED UP IN THAT WAY.

328
00:17:44,833 --> 00:17:46,700
ARE YOU HUNGRY?

329
00:17:48,133 --> 00:17:50,867
YEAH, I'M STARVING.

330
00:17:50,900 --> 00:17:52,533
YOU ARE?

331
00:17:52,567 --> 00:17:55,233
YEAH.

332
00:18:03,367 --> 00:18:05,100
UM...

333
00:18:08,700 --> 00:18:12,333
WE'VE GOT SOME PIZZA.

334
00:18:16,400 --> 00:18:17,767
DO YOU WANT SAUSAGE,
OR FUCKING PEPPERONI?

335
00:18:17,800 --> 00:18:19,467
FUCK, CARMEN!

336
00:18:19,500 --> 00:18:20,967
WHAT THE FUCK IS IT
THAT YOU WANT, HUH?

337
00:18:21,067 --> 00:18:22,233
THE SEX WAS
FUCKING MEANINGLESS?

338
00:18:22,267 --> 00:18:24,267
YOU KNOW WHAT,
SOMETIMES IT IS.

339
00:18:26,067 --> 00:18:28,067
IN THAT CASE,

340
00:18:28,067 --> 00:18:30,300
YOU SHOULD HAVE
NO FUCKING PROBLEM

341
00:18:30,333 --> 00:18:32,800
WITH ME GOING OUT
AND FUCKING WHOEVER I WANT.

342
00:18:42,700 --> 00:18:44,600
HEY, TINA?

343
00:18:44,633 --> 00:18:45,900
I THINK YOU SHOULD
EXPLORE IT,

344
00:18:45,933 --> 00:18:47,067
THIS JOSH THING.

345
00:18:47,067 --> 00:18:48,433
I MEAN, YOU KNOW,

346
00:18:48,467 --> 00:18:50,133
YOU REALLY NEED TO KNOW
WHAT THIS IS ABOUT,

347
00:18:50,167 --> 00:18:52,233
AND FRANKLY,
SO DO I.

348
00:18:52,267 --> 00:18:54,100
THIS IS SO SCREWED UP.

349
00:18:54,133 --> 00:18:55,267
ARE YOU TELLING ME
TO SLEEP WITH HIM?

350
00:18:55,300 --> 00:18:57,100
IF THAT'S WHAT
YOU WANT TO DO.

351
00:18:57,133 --> 00:19:00,300
I DON'T KNOW WHAT I WANT.

352
00:19:00,333 --> 00:19:03,733
WELL, YOU NEED
TO FIGURE IT OUT,

353
00:19:03,767 --> 00:19:06,067
AND YOU NEED TO KNOW
THAT I CAN'T PROMISE

354
00:19:06,067 --> 00:19:11,167
THAT I'LL STILL BE HERE
ONCE YOU'VE GOT YOUR ANSWERS.

355
00:19:19,167 --> 00:19:20,200
AND THAT
SHOULD DO IT.

356
00:19:20,233 --> 00:19:21,900
KEEP UP THE GOOD
WORK, OKAY?

357
00:19:21,933 --> 00:19:23,800
OKAY.

358
00:19:23,833 --> 00:19:25,267
THANKS.

359
00:19:29,833 --> 00:19:31,100
HI, DANA.

360
00:19:31,133 --> 00:19:33,133
HI, DR. SHAPIRO.

361
00:19:33,167 --> 00:19:35,833
HOW ARE YOU FEELING?

362
00:19:35,867 --> 00:19:37,533
OKAY.

363
00:19:37,567 --> 00:19:39,267
THIS IS
MY PARTNER, LARA.

364
00:19:39,300 --> 00:19:40,800
HI, LARA.
HI.

365
00:19:40,833 --> 00:19:42,367
WHEN THE ANESTHESIOLOGIST
ARRIVES,

366
00:19:42,400 --> 00:19:43,900
I'M GOING TO HAVE TO
ASK YOU TO LEAVE,

367
00:19:43,933 --> 00:19:45,567
BUT DON'T WORRY,

368
00:19:45,600 --> 00:19:47,433
WE'RE GOING TO TAKE
GOOD CARE OF HER.

369
00:19:47,467 --> 00:19:50,700
I JUST WANTED TO COME IN
AND MAKE SURE THAT YOU'RE CLEAR

370
00:19:50,733 --> 00:19:53,567
ABOUT WHAT WE'RE GOING
TO DO THIS MORNING.

371
00:19:53,600 --> 00:19:54,667
WE WON'T KNOW EVERYTHING,
OF COURSE,

372
00:19:54,700 --> 00:19:56,800
UNTIL WE'RE INSIDE, BUT...

373
00:19:56,833 --> 00:19:58,167
I ALSO WANTED TO GIVE YOU
AN OPPORTUNITY

374
00:19:58,200 --> 00:19:59,767
TO LOOK AT YOUR CONSENT FORM.

375
00:19:59,800 --> 00:20:01,467
YOU'VE ALREADY SIGNED IT,

376
00:20:01,500 --> 00:20:02,200
BUT JUST IN CASE
YOU WANTED TO SEE IT AGAIN

377
00:20:02,233 --> 00:20:04,267
BEFORE WE BEGIN.

378
00:20:04,300 --> 00:20:06,167
I'M FINE WITH IT.

379
00:20:06,200 --> 00:20:07,900
OKAY, THEN.

380
00:20:14,567 --> 00:20:16,300
OKAY...

381
00:20:20,300 --> 00:20:24,967
I'M GOING TO BE RIGHT HERE
AS SOON AS YOU WAKE UP.

382
00:20:25,000 --> 00:20:30,533
EVERYTHING'S GOING TO BE FINE.

383
00:20:30,567 --> 00:20:32,300
PROMISE?

384
00:20:32,333 --> 00:20:34,733
I PROMISE.

385
00:20:56,700 --> 00:20:58,133
[KNOCK ON DOOR]

386
00:21:00,833 --> 00:21:02,200
DYLAN AND DANNY ARE HERE.

387
00:21:02,233 --> 00:21:03,867
THANKS, ROSIE.
YOU CAN TELL HELENA.

388
00:21:03,900 --> 00:21:05,267
OKAY.

389
00:21:07,100 --> 00:21:08,433
HI, DYLAN.
HI.

390
00:21:08,467 --> 00:21:09,633
GOOD TO SEE YOU.
YOU, TOO.

391
00:21:09,667 --> 00:21:10,767
HI, DANNY.
NICE TO
SEE YOU AGAIN.

392
00:21:10,800 --> 00:21:12,733
WOULD YOU LIKE SOME
COFFEE, SOME WATER?

393
00:21:12,767 --> 00:21:13,800
NO, THANKS.

394
00:21:13,833 --> 00:21:14,800
WATER
WOULD BE GREAT.

395
00:21:14,833 --> 00:21:16,467
GREAT.
HAVE A SEAT.

396
00:21:16,500 --> 00:21:17,500
THANK YOU.

397
00:21:17,533 --> 00:21:18,867
HELENA WILL BE HERE
ANY MINUTE.

398
00:21:18,900 --> 00:21:20,367
ALL RIGHT.

399
00:21:22,900 --> 00:21:24,800
SO HOW'S THE EDITING GOING?

400
00:21:24,833 --> 00:21:26,500
IT'S GOING WELL.

401
00:21:26,533 --> 00:21:28,533
I STILL NEED TO DO SOME
MORE SHOOTING, THOUGH,

402
00:21:28,567 --> 00:21:29,733
SO, YOU KNOW.

403
00:21:29,767 --> 00:21:31,167
HER LATEST STUFF--
INCREDIBLE.

404
00:21:31,200 --> 00:21:32,500
I MEAN, THE GIRLS
ARE REALLY STARTING

405
00:21:32,533 --> 00:21:33,633
TO TRUST HER,
SO, I MEAN--

406
00:21:33,667 --> 00:21:34,767
HI.

407
00:21:37,800 --> 00:21:38,967
HELENA PEABODY.

408
00:21:39,067 --> 00:21:40,733
YEAH, WE MET.

409
00:21:40,767 --> 00:21:42,600
DID WE?

410
00:21:42,633 --> 00:21:44,167
OH, RIGHT, AT THE SCREENING.

411
00:21:44,200 --> 00:21:45,933
YEAH, RIGHT, YEAH.

412
00:21:45,967 --> 00:21:48,433
DYLAN...

413
00:21:48,467 --> 00:21:49,467
IT'S NICE TO SEE YOU AGAIN.

414
00:21:55,167 --> 00:21:56,400
UM...

415
00:22:03,667 --> 00:22:07,467
YOU ARE THE CUTEST BOY
I HAVE EVER SEEN.

416
00:22:15,067 --> 00:22:16,300
ARE YOU DOING HORMONES?

417
00:22:16,333 --> 00:22:19,100
NO.

418
00:22:19,133 --> 00:22:21,633
NOT YET.

419
00:22:21,667 --> 00:22:22,800
I'VE BEEN THINKING ABOUT IT--

420
00:22:22,833 --> 00:22:24,067
YOU DON'T HAVE TO WAIT, MAX.

421
00:22:25,333 --> 00:22:26,867
I CAN HOOK YOU UP.

422
00:22:26,900 --> 00:22:28,067
YEAH?

423
00:22:28,067 --> 00:22:29,467
MM-HMM.

424
00:22:29,500 --> 00:22:32,300
I DON'T HAVE TO WAIT
FOR A DOCTOR'S PRESCRIPTION?

425
00:22:32,333 --> 00:22:33,333
JUST ASK TOM.
REMEMBER HIM?

426
00:22:33,367 --> 00:22:34,367
YOU MET HIM AT MY PARTY.

427
00:22:34,400 --> 00:22:35,900
UH-HUH.

428
00:22:35,933 --> 00:22:38,067
ANYTIME YOU WANT,
JUST LET ME KNOW.

429
00:22:40,667 --> 00:22:42,800
RAWR.

430
00:22:45,700 --> 00:22:49,200
OKAY, WE'RE
TALKING MONOGAMY.

431
00:22:49,233 --> 00:22:50,933
IT IS A NOUN,
AND IT IS

432
00:22:50,967 --> 00:22:53,133
"THE CONDITION
OR PRACTICE

433
00:22:53,167 --> 00:22:55,800
OF HAVING A SINGLE MATE
DURING A PERIOD OF TIME."

434
00:22:55,833 --> 00:22:56,967
I GET IT, CARMEN.

435
00:22:57,067 --> 00:22:58,067
WAIT A MINUTE.

436
00:22:58,067 --> 00:22:59,600
I JUST WANT TO MAKE SURE

437
00:22:59,633 --> 00:23:01,800
THAT YOU AND I BOTH KNOW
WHAT WE'RE TALKING ABOUT HERE.

438
00:23:01,833 --> 00:23:04,067
UM...

439
00:23:04,100 --> 00:23:05,333
OH, LISTEN TO THIS.

440
00:23:05,367 --> 00:23:07,700
"MONOGAMY IS COMMON
AMONG BIRDS."

441
00:23:07,733 --> 00:23:09,067
THAT'S GREAT,
BECAUSE I LOVE BIRDS.

442
00:23:09,067 --> 00:23:10,467
IT IS THE PRACTICE

443
00:23:10,500 --> 00:23:14,767
OF HAVING A SINGLE MATE
DURING A PERIOD OF TIME.

444
00:23:14,800 --> 00:23:16,700
DOES THAT...

445
00:23:16,733 --> 00:23:18,533
MEAN ANYTHING
TO YOU?

446
00:23:18,567 --> 00:23:19,600
I'M WILLING TO TRY.

447
00:23:22,400 --> 00:23:23,333
I MEAN, IS THAT NOT ENOUGH?

448
00:23:23,367 --> 00:23:24,533
I'M WILLING TO TRY SOMETHING

449
00:23:24,567 --> 00:23:26,733
THAT DOESN'T
COME NATURALLY TO ME

450
00:23:26,767 --> 00:23:27,967
AND THAT
I DON'T UNDERSTAND,

451
00:23:28,067 --> 00:23:29,067
BUT I'M WILLING TO TRY.

452
00:23:29,067 --> 00:23:30,433
MM-HMM.

453
00:23:30,467 --> 00:23:31,467
RIGHT.

454
00:23:32,400 --> 00:23:33,700
BIRDS, SHANE.

455
00:23:33,733 --> 00:23:36,767
I'M TALKING ABOUT A GODDAMN
FUCKING BIRD,

456
00:23:36,800 --> 00:23:39,200
ASKING YOU TO
BE AS CIVILIZED

457
00:23:39,233 --> 00:23:40,367
AS A GODDAMN FUCKING BIRD.

458
00:23:40,400 --> 00:23:41,367
DON'T.

459
00:23:41,400 --> 00:23:43,267
REALLY?

460
00:23:43,300 --> 00:23:44,433
REALLY, DON'T.
DON'T DO IT?

461
00:23:44,467 --> 00:23:45,767
NO.
I SHOULDN'T DO IT.

462
00:23:45,800 --> 00:23:47,533
IT'S WRONG.
IT'S COMPLETELY IRRESPONSIBLE.

463
00:23:47,567 --> 00:23:49,367
FUCK!

464
00:23:52,967 --> 00:23:54,567
[LAUGHS]

465
00:23:54,600 --> 00:23:55,600
OH...

466
00:23:57,300 --> 00:23:58,467
KNOCK, KNOCK.

467
00:23:58,500 --> 00:24:00,133
HI!

468
00:24:00,167 --> 00:24:02,100
HEY, WEIRDOS.

469
00:24:03,533 --> 00:24:05,633
YOU STILL TRYING
TO GET HER TO QUIT SMOKING?

470
00:24:05,667 --> 00:24:07,133
AH, YOU KNOW,

471
00:24:07,167 --> 00:24:08,867
JUST A LITTLE TALK
ABOUT MONOGAMY.

472
00:24:08,900 --> 00:24:09,867
OH!

473
00:24:09,900 --> 00:24:10,800
YEAH.

474
00:24:10,833 --> 00:24:11,800
YEAH, ONE OF THOSE.

475
00:24:11,833 --> 00:24:12,933
[SPITS]

476
00:24:12,967 --> 00:24:14,300
YOU'RE A FUCKING EXPERT.

477
00:24:18,733 --> 00:24:20,200
DID YOU KNOW
BIRDS MATE FOR LIFE?

478
00:24:20,233 --> 00:24:21,500
[COUGHING]

479
00:24:21,533 --> 00:24:23,533
HEY, WELL, DO YOU KNOW
ANYTHING ABOUT BATS?

480
00:24:23,567 --> 00:24:24,500
BATS...

481
00:24:24,533 --> 00:24:25,933
BATS, BATS, BATS. NO.

482
00:24:25,967 --> 00:24:29,167
TOO BAD, BECAUSE I GOT BITTEN.

483
00:24:29,200 --> 00:24:31,833
WHAT?

484
00:24:31,867 --> 00:24:32,967
DON'T BE JEALOUS.

485
00:24:33,067 --> 00:24:34,933
OH, MY GOD.

486
00:24:34,967 --> 00:24:36,667
OKAY, BUT DON'T LAUGH,

487
00:24:36,700 --> 00:24:37,500
BECAUSE I COULD REALLY BE
ONE OF THE UNDEAD

488
00:24:37,533 --> 00:24:38,567
IN, LIKE, TWO DAYS.

489
00:24:38,600 --> 00:24:39,933
AL...

490
00:24:39,967 --> 00:24:41,367
AND DO MY EYES LOOK
A LITTLE BLACK?

491
00:24:41,400 --> 00:24:43,067
I'M SERIOUS.

492
00:24:43,067 --> 00:24:45,100
NO, COME ON, AL,
YOU GOT EMBRACED.

493
00:24:45,133 --> 00:24:47,200
I SURE DID.

494
00:24:47,233 --> 00:24:49,933
NO, IT'S CALLED
A VAMPIRE'S EMBRACE.

495
00:24:49,967 --> 00:24:51,467
THERE'S, LIKE,
THESE LESBIAN

496
00:24:51,500 --> 00:24:53,633
VAMPIRE GOTH CULTS.

497
00:24:53,667 --> 00:24:55,400
SO WHAT THEY DO
IS THEY PICK A VICTIM,

498
00:24:55,433 --> 00:24:58,267
THEY, LIKE, TAKE THEM HOME,
SEDUCE THEM, FUCK THEM BLIND--

499
00:24:58,300 --> 00:25:01,067
YOU DON'T EVEN KNOW.

500
00:25:01,100 --> 00:25:03,267
AND THEN THEY
BITE YOUR NECK.

501
00:25:03,300 --> 00:25:04,600
IT WAS THE BEST SEX
I'VE EVER HAD

502
00:25:04,633 --> 00:25:06,400
IN MY WHOLE LIFE.

503
00:25:06,433 --> 00:25:08,767
I CAME, LIKE, 9,000 TIMES.

504
00:25:10,233 --> 00:25:12,233
DID YOU HEAR THAT, SHANE?

505
00:25:12,267 --> 00:25:13,100
WHAT?

506
00:25:13,133 --> 00:25:15,500
LIKE, 9,000 ORGASMS.

507
00:25:15,533 --> 00:25:17,933
THAT'S FANTASTIC, ALICE.

508
00:25:17,967 --> 00:25:19,367
AND THEN I THREW DANA OUT
WHEN I GOT HOME.

509
00:25:19,400 --> 00:25:21,100
YOU THREW DANA OUT?

510
00:25:21,133 --> 00:25:23,633
THE POINT-OF-SALE
PROMOTIONAL FOAM-CORE CUTOUT,

511
00:25:23,667 --> 00:25:24,733
SHE'S GONE.

512
00:25:24,767 --> 00:25:26,533
CONGRATULATIONS.

513
00:25:26,567 --> 00:25:28,767
THANK YOU.

514
00:25:28,800 --> 00:25:31,867
SO, UM, I'M GOING TO GO
TO SLEATER-KINNEY TONIGHT

515
00:25:31,900 --> 00:25:32,867
WITH UTA.

516
00:25:32,900 --> 00:25:33,867
YOU GUYS COMING?

517
00:25:33,900 --> 00:25:36,300
I DON'T KNOW.

518
00:25:36,333 --> 00:25:38,500
ARE WE?

519
00:25:38,533 --> 00:25:41,733
ONLY IF YOU MANAGE
TO CLEAN UP YOUR ACT BY THEN.

520
00:25:42,700 --> 00:25:44,067
YEAH, SHANE,

521
00:25:44,067 --> 00:25:45,200
YOU REALLY
SHOULD QUIT SMOKING.

522
00:25:45,233 --> 00:25:46,833
MM-HMM.
IT'S GROSS.

523
00:25:56,867 --> 00:25:58,500
LOOK, AS MUCH
AS WE WANT TO BE

524
00:25:58,533 --> 00:26:00,433
IN BUSINESS WITH YOU,

525
00:26:00,467 --> 00:26:01,467
DYLAN'S NOT PREPARED
TO GIVE UP HER FINAL CUT.

526
00:26:01,500 --> 00:26:02,233
THIS IS HER BABY, RIGHT?

527
00:26:02,267 --> 00:26:03,467
I'M SORRY,

528
00:26:03,500 --> 00:26:04,100
BUT IT'S IMPOSSIBLE
THAT WE WOULD--

529
00:26:04,133 --> 00:26:05,333
IT'S FINE.

530
00:26:05,367 --> 00:26:07,233
WE WOULDN'T DREAM
OF TAKING AWAY

531
00:26:07,267 --> 00:26:08,967
DYLAN'S FINAL CUT
OF HER OWN MOVIE.

532
00:26:09,067 --> 00:26:10,067
HELENA...

533
00:26:10,067 --> 00:26:11,267
GREAT...

534
00:26:11,300 --> 00:26:12,200
IT'S FINE
WITH ME, TINA.

535
00:26:12,233 --> 00:26:13,233
THAT'S GREAT.

536
00:26:24,700 --> 00:26:27,067
CARMEN?

537
00:26:28,567 --> 00:26:30,433
YEAH?

538
00:26:30,467 --> 00:26:31,833
I MADE A MISTAKE.

539
00:26:34,967 --> 00:26:37,867
AND...

540
00:26:37,900 --> 00:26:44,633
AND I CAN'T SAY
THAT IT WON'T HAPPEN AGAIN.

541
00:26:44,667 --> 00:26:48,067
I'D RATHER BE A FUCKUP
THAN A LIAR...

542
00:26:56,767 --> 00:26:58,267
BUT I WANT TO TRY.

543
00:27:03,200 --> 00:27:07,333
YOU'RE THE FIRST PERSON
I WANT TO MAKE THAT...

544
00:27:07,367 --> 00:27:10,867
I WANT TO MAKE THAT PROMISE TO.

545
00:27:30,533 --> 00:27:32,433
[CRYING]

546
00:27:32,467 --> 00:27:34,533
I'M SORRY.

547
00:27:36,767 --> 00:27:39,400
I'M SORRY.

548
00:27:42,333 --> 00:27:43,467
I THINK THE PAPERWORK

549
00:27:43,500 --> 00:27:45,100
SHOULD PROBABLY TAKE
ABOUT A WEEK.

550
00:27:45,133 --> 00:27:46,200
OKAY.
THAT'S WHAT
I'M THINKING.

551
00:27:46,233 --> 00:27:49,400
OH, MY JACKET.
SORRY.

552
00:27:49,433 --> 00:27:51,300
UM, I'LL CATCH YOU UP.

553
00:27:51,333 --> 00:27:52,700
OKAY.

554
00:27:58,600 --> 00:28:00,867
I--I NEED TO TALK TO YOU.

555
00:28:00,900 --> 00:28:03,100
OKAY.

556
00:28:03,133 --> 00:28:04,233
I DON'T UNDERSTAND.

557
00:28:04,267 --> 00:28:06,467
YOU'RE ACTING LIKE...

558
00:28:06,500 --> 00:28:08,600
LIKE WE DON'T EVEN
KNOW EACH OTHER.

559
00:28:10,067 --> 00:28:12,800
WE DON'T KNOW EACH OTHER,
HELENA.

560
00:28:12,833 --> 00:28:14,967
REALLY?

561
00:28:16,733 --> 00:28:19,200
I--I GOT CAUGHT UP IN THE WORK,

562
00:28:19,233 --> 00:28:20,633
AND WHAT--
WHAT WE WERE TALKING ABOUT--

563
00:28:20,667 --> 00:28:22,700
I GET REALLY OPEN
AND VULNERABLE

564
00:28:22,733 --> 00:28:24,433
WHEN I'M TALKING
ABOUT MY WORK,

565
00:28:24,467 --> 00:28:26,900
BUT NOTHING LIKE THAT HAS EVER
HAPPENED TO ME BEFORE.

566
00:28:26,933 --> 00:28:29,700
NOTHING LIKE THAT HAS EVER
HAPPENED TO ME BEFORE EITHER.

567
00:28:29,733 --> 00:28:31,300
WELL, YOU'RE GAY.

568
00:28:31,333 --> 00:28:34,533
WELL, NOTHING THAT INTENSE.

569
00:28:34,567 --> 00:28:37,733
LOOK, I'M--
I'M STRAIGHT, HELENA,

570
00:28:37,767 --> 00:28:40,367
AND I'M WITH DANNY,

571
00:28:40,400 --> 00:28:41,767
AND MAYBE THAT MAKES YOU

572
00:28:41,800 --> 00:28:43,567
NOT WANT TO SUPPORT ME
AND MY PROJECT--

573
00:28:43,600 --> 00:28:45,067
NO, IT...

574
00:28:45,067 --> 00:28:49,333
IT DOESN'T AFFECT MY DECISION.

575
00:28:49,367 --> 00:28:51,700
YOU SURE?

576
00:28:51,733 --> 00:28:54,200
BECAUSE IT'S NEVER GOING
TO HAPPEN AGAIN.

577
00:28:56,400 --> 00:28:58,533
IF THAT'S WHAT YOU WANT.

578
00:29:01,333 --> 00:29:02,800
OKAY...

579
00:29:11,400 --> 00:29:13,133
DR. SHAPIRO...

580
00:29:13,167 --> 00:29:14,133
HOW IS SHE?

581
00:29:14,167 --> 00:29:15,433
SHE'S IN RECOVERY.

582
00:29:15,467 --> 00:29:16,767
IS EVERYTHING OKAY?

583
00:29:16,800 --> 00:29:18,300
WELL, I'M AFRAID

584
00:29:18,333 --> 00:29:20,800
I CAN'T SHARE
THAT INFORMATION WITH YOU.

585
00:29:22,733 --> 00:29:24,500
WHAT ARE YOU TALKING ABOUT?
WHY NOT?

586
00:29:24,533 --> 00:29:26,167
BECAUSE, TECHNICALLY,
YOU'RE NOT DANA'S FAMILY.

587
00:29:26,200 --> 00:29:29,433
I'M HER PARTNER.

588
00:29:29,467 --> 00:29:31,267
SHE TOLD YOU THAT.

589
00:29:31,300 --> 00:29:32,833
UNFORTUNATELY,
I'M ONLY LEGALLY ALLOWED

590
00:29:32,867 --> 00:29:36,300
TO RELEASE MEDICAL INFORMATION
TO FAMILY.

591
00:29:37,633 --> 00:29:40,100
DO YOU KNOW HOW TO REACH
DANA'S PARENTS?

592
00:29:47,500 --> 00:29:48,833
SURE.

593
00:29:48,867 --> 00:29:50,567
YEAH, YEAH.

594
00:29:50,600 --> 00:29:52,767
NO, NO, WE'LL HAVE DINNER,
THEN WE'LL JUST--

595
00:29:52,800 --> 00:29:55,467
WE'LL GO FROM THERE.

596
00:29:55,500 --> 00:29:58,133
YEAH.

597
00:29:58,167 --> 00:30:00,400
WELL, WHAT DO YOU LIKE TO DO?

598
00:30:00,433 --> 00:30:02,467
DO YOU WANT TO DRIVE,
YOU WANT ME TO DRIVE?

599
00:30:02,500 --> 00:30:04,233
WHAT DO YOU LIKE?

600
00:30:04,267 --> 00:30:05,233
YOU LIKE TO DRIVE,
OF COURSE.

601
00:30:05,267 --> 00:30:06,567
[PHONE BEEPS]

602
00:30:06,600 --> 00:30:08,667
HEY, UTA, CAN YOU--
ONE SECOND, OKAY?

603
00:30:08,700 --> 00:30:10,600
HOLD ON.

604
00:30:13,667 --> 00:30:16,100
UTA, CAN YOU-- CAN I--
CAN YOU HOLD ON?

605
00:30:16,133 --> 00:30:17,500
I'LL CALL YOU RIGHT BACK.

606
00:30:17,533 --> 00:30:18,733
OKAY.

607
00:30:19,967 --> 00:30:21,667
H-HELLO?

608
00:30:22,233 --> 00:30:24,767
LARA?

609
00:30:24,800 --> 00:30:26,267
WHAT'S GOING ON?

610
00:30:26,300 --> 00:30:30,700
ALICE, DANA IS-- IS SICK.

611
00:30:30,733 --> 00:30:34,800
SHE DIDN'T TELL YOU GUYS
THE WHOLE TRUTH.

612
00:30:34,833 --> 00:30:36,400
I MEAN, WE KNEW
THAT SHE WAS COMING IN

613
00:30:36,433 --> 00:30:38,433
TO HAVE A MASTECTOMY, BUT...

614
00:30:38,467 --> 00:30:40,967
[***]

615
00:31:07,367 --> 00:31:08,900
MRS. FAIRBANKS...

616
00:31:08,933 --> 00:31:10,400
DID ALICE CALL YOU GUYS?

617
00:31:10,433 --> 00:31:12,067
I ASKED HER TO CALL YOU.

618
00:31:12,067 --> 00:31:14,200
I DIDN'T KNOW HOW TO
GET IN TOUCH WITH YOU.

619
00:31:14,233 --> 00:31:16,867
DR. SHAPIRO, THESE ARE
DANA'S PARENTS.

620
00:31:16,900 --> 00:31:20,067
THIS IS DR. SHAPIRO,
DANA'S SURGEON.

621
00:31:20,067 --> 00:31:21,133
SO WHAT HAPPENED?

622
00:31:21,167 --> 00:31:22,167
WHAT'S SHE DOING HERE?

623
00:31:22,200 --> 00:31:23,567
IF YOU JUST
FOLLOW ME,

624
00:31:23,600 --> 00:31:24,367
I CAN TAKE YOU IN
TO SEE HER.

625
00:31:24,400 --> 00:31:25,800
YOU CAN GO HOME NOW.

626
00:31:25,833 --> 00:31:28,233
WE'LL TAKE OVER
FROM HERE, THANKS.

627
00:31:40,833 --> 00:31:42,633
MOM, DAD...

628
00:31:42,667 --> 00:31:45,900
HELLO,
SWEETHEART.

629
00:31:45,933 --> 00:31:47,633
MY DARLING
BABY GIRL.

630
00:31:47,667 --> 00:31:49,233
HOW LONG HAVE
YOU GUYS BEEN HERE?

631
00:31:49,267 --> 00:31:50,300
JUST A LITTLE
WHILE.

632
00:31:50,333 --> 00:31:52,767
WE CAME AS SOON
AS THEY CALLED.

633
00:31:52,800 --> 00:31:54,733
WHERE'S LARA?

634
00:31:56,967 --> 00:31:58,533
SHE WENT HOME.

635
00:31:58,567 --> 00:32:00,433
SHE DID?

636
00:32:00,467 --> 00:32:02,800
WHY DID SHE GO HOME?

637
00:32:02,833 --> 00:32:08,067
DANA, WE ARE
YOUR FAMILY, HONEY.

638
00:32:08,067 --> 00:32:10,667
PLEASE,
WHAT'S GOING ON?

639
00:32:12,767 --> 00:32:14,667
DANA, IT WAS
MUCH MORE PROGRESSED

640
00:32:14,700 --> 00:32:17,833
THAN WE ANTICIPATED.

641
00:32:17,867 --> 00:32:20,400
THE CANCER HAS METASTASIZED
TO THE LYMPH NODES.

642
00:32:20,433 --> 00:32:22,533
WE HAD TO REMOVE

643
00:32:22,567 --> 00:32:24,233
A GREAT DEAL
OF MUSCLE AND TISSUE.

644
00:32:26,767 --> 00:32:29,067
HI, UTA, UM, IT'S ALICE.

645
00:32:29,067 --> 00:32:30,533
I, UM--

646
00:32:30,567 --> 00:32:32,267
SOMETHING'S HAPPENED,

647
00:32:32,300 --> 00:32:34,733
AND I'M GOING TO HAVE
TO CANCEL TONIGHT, BUT, UM...

648
00:32:34,767 --> 00:32:37,067
I JUST-- I CAN'T REALLY
TALK ABOUT IT RIGHT NOW,

649
00:32:37,100 --> 00:32:40,933
BUT I'M REALLY SORRY.

650
00:32:40,967 --> 00:32:42,233
OKAY.

651
00:32:42,267 --> 00:32:43,333
I'LL TALK TO YOU LATER.

652
00:32:54,367 --> 00:32:58,067
I THOUGHT YOU PUT ME IN CHARGE.

653
00:32:59,467 --> 00:33:01,467
UM, SORRY, TINA.

654
00:33:01,500 --> 00:33:03,067
WHAT'S THE PROBLEM?

655
00:33:03,067 --> 00:33:04,767
YOU TOLD ME
YOU WOULD FOLLOW MY LEAD

656
00:33:04,800 --> 00:33:06,567
AND LET ME RUN THE COMPANY.

657
00:33:06,600 --> 00:33:09,133
I CAN'T HAVE YOU UNDERMINE ME
IN A MEETING LIKE THAT.

658
00:33:10,833 --> 00:33:12,300
SORRY.

659
00:33:12,333 --> 00:33:14,667
IT WON'T HAPPEN AGAIN.

660
00:33:17,400 --> 00:33:20,067
OKAY.

661
00:33:20,067 --> 00:33:21,767
THANKS.

662
00:33:21,800 --> 00:33:22,867
TINA...

663
00:33:24,500 --> 00:33:25,967
CAN I ASK YOU A QUESTION?

664
00:33:26,067 --> 00:33:27,567
SURE.

665
00:33:29,667 --> 00:33:30,900
HAVE YOU EVER...

666
00:33:32,867 --> 00:33:34,900
FALLEN IN LOVE
WITH A STRAIGHT WOMAN?

667
00:33:34,933 --> 00:33:37,067
OH, GOD...

668
00:33:37,067 --> 00:33:39,700
HELENA, YOU'RE ASKING
THE WRONG PERSON.

669
00:33:39,733 --> 00:33:42,233
I WAS STRAIGHT
UNTIL I MET BETTE.

670
00:33:42,267 --> 00:33:46,100
WELL, THEN, TALK TO ME
AS A STRAIGHT WOMAN.

671
00:33:46,133 --> 00:33:47,300
WHAT WENT THROUGH YOUR MIND

672
00:33:47,333 --> 00:33:48,433
WHEN YOU FIRST HAD
THOSE FEELINGS?

673
00:33:48,467 --> 00:33:49,967
IT WAS TERRIFYING.

674
00:33:50,067 --> 00:33:52,733
I MEAN, THE FALLING IN LOVE PART
FEELS GOOD,

675
00:33:52,767 --> 00:33:54,633
BUT THERE'S SO MUCH
TO WRAP YOUR HEAD AROUND.

676
00:33:54,667 --> 00:33:55,733
BUT WHY?

677
00:33:55,767 --> 00:33:58,767
I MEAN, ISN'T LOVE JUST LOVE?

678
00:33:58,800 --> 00:34:00,633
NO, IT ISN'T.

679
00:34:00,667 --> 00:34:04,067
IT'S NOT THE LIFE
THAT MOST STRAIGHT WOMEN WANT.

680
00:34:04,100 --> 00:34:06,933
MOST OF US--

681
00:34:06,967 --> 00:34:08,500
MOST STRAIGHT WOMEN--

682
00:34:08,533 --> 00:34:09,767
THEY SPEND SO MUCH TIME

683
00:34:09,800 --> 00:34:11,467
PREPARING
FOR THE HUSBAND,

684
00:34:11,500 --> 00:34:13,267
THE KIDS,
THE HOUSE...

685
00:34:13,300 --> 00:34:16,867
IT'S TOO MUCH TO UNDO.

686
00:34:16,900 --> 00:34:19,067
I JUST DON'T
UNDERSTAND, YOU KNOW.

687
00:34:19,067 --> 00:34:23,533
HOW CAN SOMEONE BE SO THERE,

688
00:34:23,567 --> 00:34:24,533
AND THEN--

689
00:34:24,567 --> 00:34:25,867
HELENA...

690
00:34:27,067 --> 00:34:28,567
CAN I GIVE YOU SOME ADVICE?

691
00:34:30,067 --> 00:34:31,067
PLEASE.

692
00:34:31,067 --> 00:34:33,133
JUST LET IT GO.

693
00:34:33,167 --> 00:34:35,367
IT ALMOST NEVER TURNS OUT
LIKE YOU WANT IT TO.

694
00:34:35,400 --> 00:34:37,400
[KNOCK ON DOOR]

695
00:34:40,800 --> 00:34:42,067
OH, I'M SORRY.

696
00:34:44,667 --> 00:34:48,233
UM, COULD I--
COULD I TALK TO YOU?

697
00:34:49,400 --> 00:34:50,367
OF COURSE.

698
00:34:50,400 --> 00:34:52,633
I SHOULD GO

699
00:34:52,667 --> 00:34:54,267
IF I'M GOING TO MAKE
THAT SCREENING.

700
00:34:54,300 --> 00:34:55,300
I REALLY SHOULD.

701
00:35:02,967 --> 00:35:04,067
WHAT--

702
00:36:47,133 --> 00:36:48,967
I'M SO GLAD
YOU'RE HERE.

703
00:37:00,833 --> 00:37:02,833
IRWIN, SHARON, HI.

704
00:37:02,867 --> 00:37:06,067
ALICE, WHAT ARE
YOU DOING HERE?

705
00:37:06,067 --> 00:37:07,133
WELL, WE'D REALLY
LIKE TO KNOW

706
00:37:07,167 --> 00:37:08,400
WHAT'S GOING ON
WITH DANA.

707
00:37:08,433 --> 00:37:10,300
NO ONE'S TELLING US, AND...

708
00:37:10,333 --> 00:37:11,767
THEY REMOVED
HER BREAST,

709
00:37:11,800 --> 00:37:13,067
AND FOUND IT'S
ALREADY SPREAD.

710
00:37:15,267 --> 00:37:18,567
OH, MY GOD.

711
00:37:18,600 --> 00:37:20,200
YOU SHOULD BOTH
GO HOME NOW.

712
00:37:20,233 --> 00:37:21,233
THERE'S NOTHING
EITHER OF YOU CAN DO

713
00:37:21,267 --> 00:37:24,400
RIGHT HERE.

714
00:37:27,067 --> 00:37:29,900
WELL, I'M SURE...

715
00:37:29,933 --> 00:37:32,300
I'M SURE DANA WOULD WANT
LARA TO BE IN THERE--

716
00:37:32,333 --> 00:37:34,667
ALICE, DANA
IS VERY SICK,

717
00:37:34,700 --> 00:37:37,067
AND SHE NEEDS
HER REST.

718
00:37:40,767 --> 00:37:42,333
LISTEN...

719
00:37:42,367 --> 00:37:43,967
I CAN'T EVEN BEGIN TO IMAGINE

720
00:37:44,067 --> 00:37:46,600
WHAT YOU'RE GOING THROUGH
RIGHT NOW,

721
00:37:46,633 --> 00:37:50,067
BUT LARA'S DANA'S PARTNER.

722
00:37:50,100 --> 00:37:53,967
WE REALLY NEED
TO RESPECT THAT.

723
00:37:54,067 --> 00:37:55,400
SHE LOVES YOUR DAUGHTER
VERY MUCH.

724
00:37:55,433 --> 00:37:58,233
DANA NEEDS HER RIGHT NOW,
I'M SORRY.

725
00:38:08,067 --> 00:38:10,300
HEY...

726
00:38:10,333 --> 00:38:11,300
HEY, YOU.

727
00:38:11,333 --> 00:38:12,300
WHERE'D YOU GO?

728
00:38:12,333 --> 00:38:15,800
I'M RIGHT
HERE, BABY.

729
00:38:15,833 --> 00:38:19,300
ALICE IS HERE, TOO.

730
00:38:19,333 --> 00:38:21,733
SHE IS?

731
00:38:21,767 --> 00:38:22,800
WHERE IS SHE?

732
00:38:26,867 --> 00:38:28,133
I'M RIGHT HERE.

733
00:38:38,667 --> 00:38:39,700
COME HERE.

734
00:38:54,067 --> 00:38:55,067
DO YOU NEED
ANY HELP?

735
00:38:55,100 --> 00:38:57,200
NO, I'VE GOT IT, THANKS.

736
00:39:10,433 --> 00:39:13,067
SO DID ANYTHING
HAPPEN TODAY?

737
00:39:13,067 --> 00:39:14,633
I HAD THIS RUN-IN
WITH HELENA,

738
00:39:14,667 --> 00:39:15,767
AND YOU'D BE
PROUD OF ME.

739
00:39:15,800 --> 00:39:17,167
I STOOD
RIGHT UP TO HER.

740
00:39:17,200 --> 00:39:18,900
I WASN'T REALLY
TALKING ABOUT THAT.

741
00:39:18,933 --> 00:39:21,933
BETTE, DON'T GO THERE.

742
00:39:21,967 --> 00:39:24,667
JOSH IS THIS PRODUCER
I WORK WITH ON A PROJECT.

743
00:39:24,700 --> 00:39:26,067
I TALK TO HIM
ONCE A WEEK,

744
00:39:26,067 --> 00:39:27,167
AND WHEN I DO,

745
00:39:27,200 --> 00:39:28,533
I TALK TO HIM
ABOUT BUSINESS.

746
00:39:28,567 --> 00:39:30,067
WELL, I JUST THOUGHT
MAYBE IT'S HORMONAL,

747
00:39:30,100 --> 00:39:31,233
THIS THING
THAT YOU'RE GOING THROUGH.

748
00:39:31,267 --> 00:39:35,133
I ONLY DATED MEN
BEFORE I MET YOU.

749
00:39:35,167 --> 00:39:36,533
SO WHAT WAS I,

750
00:39:36,567 --> 00:39:37,633
SOME EIGHT-AND-A-HALF-YEAR
ABERRATION?

751
00:39:44,300 --> 00:39:45,900
HELLO?

752
00:39:47,600 --> 00:39:49,367
HI...

753
00:39:49,400 --> 00:39:50,467
HEY, CAN YOU
GIVE ME A HAND WITH THIS?

754
00:39:50,500 --> 00:39:51,933
MM-HMM.

755
00:39:51,967 --> 00:39:54,300
THANKS.

756
00:39:54,333 --> 00:39:55,367
HEY, KIT.

757
00:39:55,400 --> 00:39:56,633
HEY.

758
00:39:56,667 --> 00:39:57,800
WHAT ARE YOU
DOING--

759
00:39:57,833 --> 00:39:59,867
OH, MY FUCKING GOD.

760
00:39:59,900 --> 00:40:01,733
YOU'VE GOT TO BE KIDDING ME.

761
00:40:01,767 --> 00:40:03,467
OKAY,
WHERE'S ANGELICA?

762
00:40:03,500 --> 00:40:04,533
NAPPING.

763
00:40:08,433 --> 00:40:09,567
OKAY, THIS IS
JUST UNBELIEVABLE,

764
00:40:09,600 --> 00:40:10,633
AND I CAN'T EVEN
BELIEVE

765
00:40:10,667 --> 00:40:13,267
THAT I EVEN
HAVE TO SAY THIS,

766
00:40:13,300 --> 00:40:14,567
BUT OF ALL THE MEN
IN LOS ANGELES,

767
00:40:14,600 --> 00:40:15,533
CUTE LITTLE BONY ASS OR NOT,

768
00:40:15,567 --> 00:40:16,633
YOU HAVE TO GO AFTER

769
00:40:16,667 --> 00:40:19,100
THE ONE GUY
IN OUR DAUGHTER'S LIFE?

770
00:40:19,133 --> 00:40:21,000
SHE'S SOUND ASLEEP.

771
00:40:21,033 --> 00:40:22,400
SHE DIDN'T
GO AFTER ME,

772
00:40:22,433 --> 00:40:23,967
I WENT AFTER HER.

773
00:40:24,000 --> 00:40:26,133
I'VE BEEN FUCKING
RELENTLESS.

774
00:40:26,167 --> 00:40:27,533
I NEVER FELL
THIS HARD FOR A WOMAN

775
00:40:27,567 --> 00:40:28,633
IN MY ENTIRE LIFE.

776
00:40:28,667 --> 00:40:32,300
WOW.

777
00:40:32,333 --> 00:40:33,300
ALL RIGHT, WELL,

778
00:40:33,333 --> 00:40:34,367
WHAT ABOUT
WHEN YOU BREAK UP?

779
00:40:34,400 --> 00:40:35,033
WE'RE NOT GOING
TO BREAK UP.

780
00:40:35,067 --> 00:40:36,400
NO?

781
00:40:36,433 --> 00:40:38,200
ANGUS, YOU DON'T KNOW
ABOUT THAT.

782
00:40:38,233 --> 00:40:39,800
WE'RE-- WE'RE JUST--

783
00:40:39,833 --> 00:40:40,800
YOU'RE JUST WHAT?

784
00:40:42,167 --> 00:40:43,533
DATING?

785
00:40:43,567 --> 00:40:44,867
AND MAKING OUT

786
00:40:44,900 --> 00:40:47,067
LIKE A COUPLE OF TEENAGERS,

787
00:40:47,100 --> 00:40:48,633
WHICH I THINK
IS GREAT.

788
00:40:48,667 --> 00:40:51,133
IT'S GREAT, AS LONG
AS YOU STILL BABY-SIT, OKAY?

789
00:40:51,167 --> 00:40:53,267
CONGRATULATIONS.

790
00:40:53,300 --> 00:40:54,533
OH, GREAT.

791
00:40:54,567 --> 00:40:56,100
OKAY, HUG, HUG,
THAT'S FANTASTIC.

792
00:40:56,133 --> 00:40:57,367
BUT WE NEED SOME RULES.

793
00:40:57,400 --> 00:40:59,033
RULES?

794
00:40:59,067 --> 00:41:00,533
YEAH, LIKE,
NO SEX IN FRONT OF THE BABY.

795
00:41:00,567 --> 00:41:02,067
OF COURSE NOT.

796
00:41:02,067 --> 00:41:04,267
KIT?

797
00:41:04,300 --> 00:41:05,933
NO SEX
IN FRONT OF THE BABY.

798
00:41:05,967 --> 00:41:07,267
NO SEX IN OUR BED.

799
00:41:12,067 --> 00:41:14,867
UGH...

800
00:41:14,900 --> 00:41:18,267
WILL YOU GO
CHANGE THE SHEETS, PLEASE?

801
00:41:20,733 --> 00:41:22,433
[***]

802
00:41:27,567 --> 00:41:29,633
HELLO! HELLO!

803
00:41:29,667 --> 00:41:30,833
HOW YOU DOING?

804
00:41:30,867 --> 00:41:32,067
CONGRATULATIONS!

805
00:41:32,100 --> 00:41:33,533
HEY.

806
00:41:33,567 --> 00:41:34,567
I'M SO PROUD OF YOU.

807
00:41:34,600 --> 00:41:35,767
YOU ARE?

808
00:41:35,800 --> 00:41:37,067
I'M FINALLY FUCKING
HAVE MONEY!

809
00:41:37,067 --> 00:41:39,067
YOU HAVE MONEY!
OH, MY GOSH.

810
00:41:40,167 --> 00:41:41,800
OH, FUCK, I'M SORRY.

811
00:41:41,833 --> 00:41:43,100
I'M DRUNK,
AND WE'RE CELEBRATING,

812
00:41:43,133 --> 00:41:45,067
SO PLEASE GET DRINKS.

813
00:41:45,100 --> 00:41:49,333
OKAY, YES, UM,
A BEER, HONEY, YES.

814
00:41:49,367 --> 00:41:50,900
MOIRA, THAT'S GOT
TO BE GREAT FOR YOU,

815
00:41:50,933 --> 00:41:53,367
TO HAVE A GIRLFRIEND
WITH SOME MONEY, RIGHT?

816
00:41:53,400 --> 00:41:55,933
YEAH,
I'M REALLY PROUD OF HER.

817
00:41:55,967 --> 00:41:57,833
I'LL BE MAKING MY OWN MONEY
SOON, SO...

818
00:41:57,867 --> 00:42:00,067
OF COURSE.
OF COURSE YOU WILL.

819
00:42:00,067 --> 00:42:01,067
WHAT UP, EVERYBODY!

820
00:42:01,067 --> 00:42:02,200
[CROWD CHEERS EXPLOSIVELY]

821
00:42:05,300 --> 00:42:07,800
I GOT SOMETHING SWEET
FOR YOU TONIGHT.

822
00:42:07,833 --> 00:42:09,100
ALL THE WAY
FROM PORTLAND, OREGON,

823
00:42:09,133 --> 00:42:10,200
WHERE THEY PLAY VIDEO POKER,

824
00:42:10,233 --> 00:42:12,067
BUT YOU DON'T HAVE
TO FEEL BAD ABOUT IT,

825
00:42:12,100 --> 00:42:15,400
BECAUSE ALL THE MONEY
GOES TO THE SCHOOL SYSTEM.

826
00:42:15,433 --> 00:42:17,933
THESE SISTERS
ARE BAD TO THE BONE.

827
00:42:17,967 --> 00:42:21,567
I WANT YOU TO GIVE IT UP
FOR SLEATER-KINNEY!

828
00:42:31,400 --> 00:42:35,067
[PERFORMING "JUMPERS"]

829
00:42:38,367 --> 00:42:41,767
* I SPEND THE AFTERNOON
IN CARS *

830
00:42:41,800 --> 00:42:45,367
* I SIT IN TRAFFIC JAMS
FOR HOURS *

831
00:42:45,400 --> 00:42:51,067
* DON'T PUSH ME
I AM NOT OKAY *

832
00:42:51,067 --> 00:42:54,667
* THE SKY IS BLUE
MOST EVERY DAY *

833
00:42:54,700 --> 00:42:58,067
* THE LEMONS GROW LIKE TUMORS

834
00:42:58,067 --> 00:43:02,967
* THEY ARE TINY SUNS
INFUSED WITH SOUR *

835
00:43:08,833 --> 00:43:11,967
* LONELY AS A CLOUD...

836
00:43:12,067 --> 00:43:14,900
HEY, MAX, I HEARD
YOU WANTED TO TALK ME.

837
00:43:14,933 --> 00:43:21,167
* IN THE GOLDEN STATE

838
00:43:21,200 --> 00:43:27,300
* THE COLDEST WINTER
THAT I EVER SAW *

839
00:43:27,333 --> 00:43:32,400
* WAS THE SUMMER THAT I SPENT

840
00:43:32,433 --> 00:43:34,367
SO, WHAT'S
ON YOUR MIND?

841
00:43:34,400 --> 00:43:36,500
I WANTED TO SEE IF I COULD
TAKE YOU UP ON THAT OFFER.

842
00:43:36,533 --> 00:43:38,067
TO TALK TO TOM.

843
00:43:38,100 --> 00:43:39,667
THINK IT WOULD BE COOL
IF I CALLED HIM?

844
00:43:39,700 --> 00:43:41,167
YEAH, SURE, MAX.

845
00:43:41,200 --> 00:43:42,300
YOU CAN CALL HIM ANY TIME.

846
00:43:42,333 --> 00:43:43,767
HERE'S HIS NUMBER.

847
00:43:43,800 --> 00:43:45,700
YOU WANT TO KNOW
HOW TO DO IT,

848
00:43:45,733 --> 00:43:47,067
DON'T YOU?

849
00:43:47,067 --> 00:43:48,767
YOU WANT THE DETAILS.

850
00:43:48,800 --> 00:43:50,567
YEAH.

851
00:43:50,600 --> 00:43:53,633
YOU WANT TO KNOW
HOW MAX CAN FULLY BECOME...

852
00:43:53,667 --> 00:43:54,733
MAX.

853
00:43:54,767 --> 00:43:56,667
THANKS.

854
00:43:59,500 --> 00:44:03,067
WOW.

855
00:44:03,067 --> 00:44:04,467
THAT'S A GOOD START, MAX.

856
00:44:20,833 --> 00:44:26,933
* THE COLDEST WINTER
THAT I EVER SAW *

857
00:44:26,967 --> 00:44:29,300
* WAS THE SUMMER
THAT I SPENT... *

858
00:44:29,333 --> 00:44:30,633
HAVE YOU SEEN MOIRA?

859
00:44:30,667 --> 00:44:31,833
NO.

860
00:44:31,867 --> 00:44:33,400
NO?

861
00:44:33,433 --> 00:44:35,133
I'LL BE BACK. I'M GOING
TO LOOK FOR HER.

862
00:45:02,933 --> 00:45:06,067
JENNY, UM...

863
00:45:06,100 --> 00:45:08,533
WE WERE JUST, UH...

864
00:45:08,567 --> 00:45:12,700
IS THIS THE KIND
OF RELATIONSHIP THAT YOU WANT?

865
00:45:14,133 --> 00:45:15,800
BECAUSE IF IT IS,
I DON'T--

866
00:45:15,833 --> 00:45:16,867
JENNY, MAX IS
CRAZY ABOUT--

867
00:45:16,900 --> 00:45:17,900
SHUT UP.

868
00:45:19,433 --> 00:45:20,400
LOOK--

869
00:45:22,667 --> 00:45:26,500
IT'S JUST-- HE MADE ME FEEL
LIKE A REAL GUY.

870
00:45:26,533 --> 00:45:29,233
YOU KNOW?

871
00:45:29,267 --> 00:45:30,567
I MEAN, IT WASN'T
JUST LIKE

872
00:45:30,600 --> 00:45:32,733
SOME GIRL
WITH THIS THING IN HER PANTS.

873
00:45:43,400 --> 00:45:45,533
OKAY.

874
00:45:49,200 --> 00:45:50,633
OKAY.

875
00:45:52,533 --> 00:45:54,900
IT'S OKAY.

876
00:46:00,667 --> 00:46:04,200
DON'T HIDE.

877
00:46:05,900 --> 00:46:06,900
OKAY.

878
00:46:06,933 --> 00:46:07,933
LET'S GO.

879
00:46:19,133 --> 00:46:23,833
* BE STILL THIS SAD DAY
BE STILL THIS SAD YEAR *

880
00:46:23,867 --> 00:46:26,467
* HOPE YOUR LAST HOPE
FEAR YOUR LAST FEAR *

881
00:46:26,500 --> 00:46:28,700
* YOU'RE NOT THE ONLY ONE
YOU'RE NOT THE ONLY ONE *

882
00:46:28,733 --> 00:46:32,667
* YOU'RE NOT THE ONLY ONE
YOU'RE NOT THE ONLY ONE *

883
00:46:32,700 --> 00:46:33,967
* LET'S GO!

884
00:46:34,067 --> 00:46:35,233
[CELLPHONE RINGING]

885
00:46:35,267 --> 00:46:36,333
ALICE, WHERE
THE FUCK ARE YOU?

886
00:46:36,367 --> 00:46:38,633
SLEATER-KINNEY'S AMAZING!

887
00:46:38,667 --> 00:46:40,100
WHAT? LISTEN.

888
00:46:41,967 --> 00:46:43,200
WHERE ARE YOU?

889
00:46:43,233 --> 00:46:44,933
WHAT?

890
00:47:05,367 --> 00:47:09,667
* MY FALLING SHAPE
WILL DRAW A LINE *

891
00:47:09,700 --> 00:47:12,833
* BETWEEN THE BLUE
OF SEA AND SKY *

892
00:47:12,867 --> 00:47:17,067
* I'M NOT A BIRD
I'M NOT A PLANE *

893
00:47:19,267 --> 00:47:22,567
* I TOOK A TAXI TO THE GATE

894
00:47:22,600 --> 00:47:25,867
* I WILL NOT
GO TO SCHOOL AGAIN *

895
00:47:25,900 --> 00:47:29,667
* FOUR SECONDS WAS
THE LONGEST WAIT *

896
00:47:32,100 --> 00:47:36,533
* FOUR SECONDS
WAS THE LONGEST WAIT-- **

897
00:47:53,067 --> 00:47:54,067
THERE SHE IS.

898
00:47:54,067 --> 00:47:55,767
ALICE...

899
00:47:58,600 --> 00:48:01,600
HEY, GUYS.

900
00:48:03,633 --> 00:48:06,733
HONEY, YOU MUST BE
SO EXHAUSTED.

901
00:48:06,767 --> 00:48:09,067
SHE'S REALLY SICK.

902
00:48:09,067 --> 00:48:10,567
WHAT HAPPENED?

903
00:48:10,600 --> 00:48:13,300
I THOUGHT IT WAS
A BENIGN LUMP.

904
00:48:13,333 --> 00:48:16,100
SHE DIDN'T TELL US THE TRUTH,

905
00:48:16,133 --> 00:48:18,833
AND IT'S A LOT WORSE
THAN THEY THOUGHT,

906
00:48:18,867 --> 00:48:20,900
AND THE CANCER
HAS SPREAD.

907
00:48:20,933 --> 00:48:22,300
OH, FUCK.

908
00:48:22,333 --> 00:48:25,067
FUCK.

909
00:48:26,833 --> 00:48:28,200
DO YOU GUYS WANT TO SEE HER?

910
00:48:28,233 --> 00:48:29,200
YEAH.

911
00:48:29,233 --> 00:48:31,233
OKAY, COME ON.

912
00:48:43,067 --> 00:48:44,833
HI.

913
00:48:54,067 --> 00:48:55,867
HEY, DANA.

914
00:49:03,667 --> 00:49:06,067
[WEAKLY]: HI.

915
00:49:08,333 --> 00:49:12,400
WHAT YOU DOING
IN HERE, BABY GIRL?

916
00:49:26,767 --> 00:49:29,133
[WHISPERING]: DANA...

917
00:49:29,167 --> 00:49:30,300
SWEETIE...

918
00:49:37,133 --> 00:49:39,700
WE LOVE YOU.

919
00:49:42,967 --> 00:49:44,133
DO YOU KNOW THAT?

920
00:49:44,167 --> 00:49:45,067
DO YOU KNOW WE LOVE YOU?

921
00:49:45,067 --> 00:49:47,167
YEAH.

922
00:49:47,200 --> 00:49:49,933
[***]