PREVIOUSLY ON THE L WORD...
I ONLY DATED MEN BEFORE I MET YOU.
WHO IS IT?
HIS NAME IS JOSH.
SHE DIDN'T GO AFTER ME. I WENT AFTER HER.
THE ONE THING I KNOW IS HOW I FEEL.
ARE YOU DOING HORMONES?
NOT YET.
I CAN HOOK YOU UP.
COULD I-- CAN I TALK TO YOU?
OF COURSE.
IT'S NEVER GOING TO HAPPEN AGAIN.
IF THAT'S WHAT YOU WANT.
WE WANT TO PUBLISH YOUR BOOK.
HOW MUCH OF THE CONTENT WOULD I HAVE TO CHANGE?
NOT ALL THAT MUCH.
I'M GIVING YOU ONE OF OUR MOST GIFTED EDITORS.
ARE YOU JEALOUS?
IT JUST MADE ME SAD.
YOU WERE SO FUCKING SAD
THAT YOU GO OFF AND YOU FUCK CHERIE JAFFE?
SHANE, WHAT KIND OF A PSYCHOTIC RESPONSE IS THAT?
WOULD YOU MIND...
DISPOSING OF THIS OBSOLETE THING?
YOU THREW DANA OUT?
ALICE, DANA IS SICK.
OH, MY GOD.
WHAT ARE YOU DOING IN HERE, BABY GIRL?
[***]
[HEAVY BREATHING]
[MOANS]
[SONG ENDS]
[***]
* GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES *
* CHICKS DRIVING FAST INGENUES WITH LONG LASHES *
* WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE *
* THIS IS THE WAY IT'S THE WAY THAT WE LIVE *
* TALKING, LAUGHING LOVING, BREATHING *
* FIGHTING, FUCKING CRYING, DRINKING *
* WRITING, WINNING LOSING, CHEATING *
* KISSING, THINKING, DREAMING
* THIS IS THE WAY...
* IT'S THE WAY THAT WE LIVE *
* IT'S THE WAY THAT WE LIVE
* AND LOVE *
[RUMBLING ENGINE APPROACHES]
HOW DOES THAT FEEL?
[GRUNTS]
IT'S BETTER THAN THE FIRST TIME.
YOU KNOW WHAT?
IT KIND OF TURNS ME ON
THAT I'M HELPING YOU BECOME MORE OF A MAN.
YOU ARE.
DO YOU THINK I FUCKED THINGS UP
BY GIVING YOU YOUR DOSE...
A COUPLE DAYS EARLY?
NO. NO?
BILLIE SAID IT WOULD BE JUST FINE.
OH, YEAH?
AND DO YOU TRUST
EVERYTHING THAT BILLIE SAYS TO YOU, MAX?
LOOK, YOU'RE THE ONE WHO WANTED TO SHOOT ME UP
BEFORE YOU WENT TO NEW YORK.
YEAH, BECAUSE I GAVE YOU YOUR FIRST DOSE,
AND I'M GOING TO--
JUST GAVE YOU YOUR SECOND DOSE,
AND I WANT TO GIVE YOU ALL OF YOUR DOSES,
BECAUSE I'M EXCITED ABOUT WHAT WE'RE DOING.
IT'S WHAT I'M DOING.
I'M THE ONE WHO'S DOING THIS, JENNY.
I KNOW THAT YOU ARE,
AND WE'RE GOING TO DO IT TOGETHER.
[MONITOR BEEPING]
MY NAME IS CONNIE,
AND I'LL BE TAKING CARE OF YOU DURING YOUR TREATMENT.
OKAY...
OH, IT'S REALLY COLD.
IT'S REALLY COLD. IS THAT RIGHT?
I DON'T THINK IT'S RIGHT. IT DOESN'T FEEL RIGHT.
IT'S GOING TO FEEL THAT WAY
FOR A FEW MINUTES, DANA, OKAY?
YOUR BODY SHOULD ADJUST TO THE TEMPERATURE,
AND THE BAG WILL GET WARMER,
BUT YOU MIGHT FEEL A BIT COLD
AS THE FLUIDS ARE RUNNING THROUGH YOUR BODY
FOR THE DURATION OF THE TREATMENT, OKAY?
THERE ARE BLANKETS OVER HERE.
I'LL GRAB YOU ONE.
SEE IF WE CAN FIND...
THERE YOU GO.
THAT'LL KEEP YOU WARM FOR A LITTLE WHILE.
IF EITHER OF YOU HAS ANY QUESTIONS
OR CONCERNS, OKAY,
JUST TALK TO ME, OKAY?
THANK YOU, CONNIE.
SO, DANA, JUST SIT BACK,
TRY TO RELAX.
IT'S GOING TO TAKE ABOUT THREE HOURS
ALL TOLD.
OKAY?
OKAY.
OH, AND WE DO HAVE iPODS
WITH LOTS OF TOTO,
SURVIVOR, WHITESNAKE, YOU KNOW...
JUST IF YOU WANT TO FEEL WORSE.
HOW DOES IT FEEL NOW?
HOW THE FUCK
DO YOU THINK IT FEELS, LARA?
HOW DO YOU THINK IT FEELS
TO GET EVERYTHING UNDER THE KITCHEN SINK
PUMPED INTO YOUR VEINS?
MY SKIN'S FUCKING CRAWLING.
WHERE THE HELL DID MY LIFE GO?
BABY, YOUR LIFE IS RIGHT HERE.
I'M HERE, YOUR FRIENDS ARE HERE,
YOUR FAMILY, YOUR FANS--
MY FANS?
MY FANS!
HAVE YOU BEEN TO MY WEBSITE?
HAVE YOU SEEN
WHAT THEY'RE WRITING ABOUT ME?
THAT ONE MORON EVEN WROTE
THAT I'M FAKING HAVING CANCER.
"SHE'S FAKING IT."
BECAUSE I FINALLY WON A TOURNAMENT,
I'M ACTUALLY JUST RETIRING--
DANA, I'VE TOLD YOU A MILLION TIMES
NOT TO READ THAT CRAP.
I'VE SAID IT BEFORE,
AND I'M GOING TO KEEP SAYING IT UNTIL YOU GET IT.
I AM HERE.
I'M NOT GOING ANYWHERE.
WHY?
WHY ARE YOU STILL HERE?
HEY, IT'S LOOKING GOOD, I THINK.
YEAH?
YEAH. HOW DOES IT FEEL?
[BUZZING]
UM, IT FEELS GOOD.
YOU'RE DONE, CARMEN.
NEXT VICTIM.
OH, GOD. THANK YOU.
YOU'RE WELCOME.
LET ME SEE.
CAN YOU SEE IT?
I DO. I LIKE IT.
YEAH?
YEAH, I DO.
WELL, GOOD, BECAUSE IT'S ON FOR LIFE.
LOOK AT YOU TWO.
ANOTHER COUPLE OF DYKES WITH MATCHING TATS.
YEAH.
YOU KNOW WHAT, THOUGH?
AT LEAST WE DIDN'T GET OUR NAMES TATTOOED.
THAT WOULD BE THE ULTIMATE K.O.D.,
WOULDN'T IT?
K.O.D.?
KISS OF DEATH. KISS OF DEATH.
THANK YOU.
WELCOME TO BRITISH COLUMBIA!
WHAT?
I SAID, WELCOME TO B.C.!
I WAS JUST SAYING WELCOME.
WELL, IT GOT MY ATTENTION.
TAKE ME TO YOUR LEADER.
YOU ARE THE LEADER, REMEMBER?
[GIGGLES]
AH, IT'S GORGEOUS.
SO DOWNTOWN VANCOUVER IS RIGHT HERE.
WE'RE DOING OUR INTERIORS IN YALETOWN,
AND OF COURSE THE FINAL CHASE SCENE
WILL SHOOT ON VANCOUVER ISLAND.
HOW'S THE CREW?
THEY'RE CANADIAN.
WHAT'S THAT MEAN?
IT MEANS THEY WORK HARD,
THEY DRINK HARD,
AND THEY ALL HAVE THEIR OWN PERSONAL GRIZZLY BEAR STORIES,
AND WE JUST BROKE FOR LUNCH,
SO IT'S PRETTY QUIET HERE.
ARE YOU HUNGRY?
OH, GOD, NO, NO.
I'M STILL TRYING TO GET
MY PRE-PREGNANT BODY BACK.
YOU LOOK GOOD TO ME.
THAT'S THE SCIENTOLOGY TENT.
WHAT?
I'M KIDDING. THAT'S CRAFT SERVICES.
THAT'S THE EXTRAS HOLDING TENT.
THAT'S BASE CAMP,
WHERE EVERYONE'S TRAILER IS.
HOW'S G.J. DOING?
BESIDES THE TINY CRANK HABIT
AND THE 15-YEAR-OLD BOYS HE HAS
TEACHING HIM TO SNOWBOARD?
AND LESLIE?
WE HAD TO CALL IN A BODY DOUBLE YESTERDAY
TO SHOOT THE SEX SCENE.
WHAT? WHY?
BRUISES ON HER ASS.
OH, GOD.
IS ANYTHING GOING RIGHT?
YOU SURPRISED ME WITH A VISIT.
BRUISES ON HER ASS?
YEAH.
WOW. THAT WAS REALLY INCREDIBLE.
REALLY.
I JUST LOVE LISTENING TO YOU,
AND YOUR STUDENTS LOVE LISTENING TO YOU.
YOU'RE A REALLY INCREDIBLE TEACHER.
"GO AND CATCH A FALLING STAR
"GET WITH CHILD A MANDRAKE ROOT
"TELL ME WHERE ALL PAST YEARS ARE
"OR WHO CLEFT THE DEVIL'S FOOT
TEACH ME TO HEAR MERMAIDS SINGING"
THAT'S BEAUTIFUL.
THIS IS MY FAVOURITE CHURCH IN L.A.
OH, YEAH, I'M NOT GOING IN THERE.
ONE EMBRACE DOESN'T MAKE YOU A VAMPIRE, ALICE.
NO, IT'S-- I AGREE WITH THE VAMPIRES.
IT'S NOT THAT.
IT'S JUST THAT AS FAR AS I'M CONCERNED, GOD SUCKS.
GOD SUCKS?
THAT'S PRETTY ATHEISTICALLY DARK.
YEAH, MY...
MY EX-- AND MY BEST FRIEND, DANA,
SHE'S UM...
SHE'S 32 FUCKING YEARS OLD, AND SHE HAS BREAST CANCER,
AND TODAY SHE WAS GOING IN FOR CHEMO,
AND I JUST WOULD'VE--
I WANTED TO BE THERE, SO...
YOU'RE STILL IN LOVE WITH HER.
NO.
I...
SINCE I MET YOU--
AND I'M NOT TELLING YOU THIS
TO FREAK YOU OUT OR ANYTHING--
IT'S JUST...
I KIND OF HAD THIS, UH...
SHRINE.
SHE'S A PRO TENNIS PLAYER,
AND SHE HAD A LITTLE-- OR BIG
LIFE-SIZE CUTOUT
OF HERSELF,
AND I...
YOU KNOW.
WELL, WE ALL HAVE DIFFERENT RITUALS
TO EXORCISE HEARTBREAK.
YOU HAVEN'T COMPLETED YOURS, ALICE.
NO, I DID, I DID.
YOU KNOW, I THREW IT AWAY
LAST WEEK
SINCE YOU RELEASED ME FROM MY MORTAL COILS.
YOU THREW IT AWAY?
YEAH, I DID, AND IT WAS A REALLY--
IT WAS A BIG DEAL FOR ME.
GET HER BACK, ALICE.
I THREW IT AWAY. IT'S GONE.
THE GARBAGE MEN, THEY TOOK IT AWAY THIS MORNING.
IT'S GONE.
YOU ENDOWED MOJO INTO THIS LIFE-SIZE VOODOO DOLL.
YOU DON'T JUST THROW IT AWAY.
YOU HAVE TO PROPERLY RELEASE IT
AND LET HER GO.
I DO?
CALL ME
WHEN YOU'VE TAKEN CARE OF DANA.
YOU MIGHT FEEL A LITTLE NAUSEOUS
LATER ON TONIGHT
AND FOR THE NEXT FEW DAYS, DANA.
SO I'M GOING TO GIVE YOU A PRESCRIPTION FOR ZOFRAN.
TAKE ONE IN ABOUT EIGHT HOURS
IF YOU NEED IT,
AND ONE TABLET TWICE A DAY
FOR THE NEXT TWO DAYS.
ARE THERE ANY SPECIAL FOODS
THAT I SHOULD BE--
AM I GOING TO DIE?
YOU ARE YOUNG,
AND YOU HAVE TAKEN EXCELLENT CARE OF YOURSELF.
YOU HAVE A VERY GOOD CHANCE OF SURVIVING
AND LIVING A FULL AND PRODUCTIVE LIFE,
AND WE'RE GOING TO DO EVERYTHING IN OUR POWER
TO IMPROVE THOSE CHANCES.
NOW, SINCE CHEMO HAS THE EFFECT
OF BREAKING DOWN THE IMMUNE SYSTEM,
YOU HAVE TO BE MINDFUL ABOUT INFECTION.
SO WASH YOUR HANDS OFTEN,
KEEP YOUR HOT FOOD HOT,
COLD FOOD COLD,
AND AVOID ANY SITUATION
WHERE YOU CAN CUT YOURSELF,
AND UNLESS YOU'VE HAD ALL THE CHILDHOOD DISEASES,
CHICKEN POX, GERMAN MEASLES, MUMPS,
TRY TO AVOID ANY CHILDREN
WHO MIGHT HAVE BEEN EXPOSED TO THEM.
IT'S ALL PRETTY COMMON-SENSE STUFF.
ANY QUESTIONS?
WHEN AM I GOING TO LOSE MY HAIR?
ANYTHING YOU NEED, WE'VE GOT IT.
OKAY, WELL,
WHY DON'T YOU JUST PUT EVERYTHING,
YOU KNOW, NEAR THE STAGE.
THEY'LL GET IT ALL TOGETHER
FOR SOUND-CHECK TOMORROW, OKAY?
DID YOU WANT A PICK-UP FOR TOMORROW NIGHT?
YEAH. YEAH, LATE TOMORROW NIGHT,
AFTER THE SHOW, ABOUT 2:00 A.M.
IT SPEAKS.
THAT'S MR. "IT" TO YOU, SUPERFLYSTRESS.
LOOK AT YOU.
WHEN WAS THE LAST TIME YOU SLEPT?
DON'T GIVE ME ANY SHIT, KIT.
I HAD TO JACK OFF TWICE TODAY
JUST TO GET MY HEART STARTED,
AND ANYWAY, I DON'T SLEEP.
I'VE FMS.
FMS?
WHAT IS FMS?
IS THAT FAG MUNCHAUSEN SYNDROME OR SOMETHING?
NO, FEAR OF MISSING SOMETHING.
GIVE ME A HAND UP.
OH, JESUS.
WELL, I DON'T CARE WHAT YOU GOT.
ALL I WANT YOU TO DO IS GET YOUR SHIT TOGETHER
BY TOMORROW NIGHT,
BECAUSE I DON'T WANT ANY FUCK-UPS WITH THE B-52's--
DO NOT GIVE ME ANY ATTITUDE ABOUT THIS.
I'M THE ONE WHO BROUGHT THEM HERE.
I KNOW...
I KNOW.
I KNOW YOU BOOKED THEM.
I KNOW YOU'RE THE BEST OF FRIENDS,
HOMEY HOMES, WAY BACK IN THE DAY.
I KNOW THIS. I KNOW ALL OF THIS--
WELL, THEN, YOU SHOULD ALSO KNOW
THAT ALL YOU NEED TO DO IS KEEPING THE BOOZE FLOWING
AND KEEP YOUR OWN VICES UNDER CONTROL.
I MEAN, I DON'T LET MINE GET IN THE WAY
OF MAKING YOUR BUSINESS FLOURISH.
I DIDN'T HAVE TO BOTTOM OUT TO GET MY LIFE TOGETHER.
AND YOU'RE BOTH GOING TO LOVE IT.
IT'S WHERE WE MAKE FILMS.
THE PLACE IS FULL OF SURPRISES.
THERE'S LOTS OF LORRIES ON THE LOT,
AND THERE'S SHIPS,
AND YOU'RE BOTH GOING TO SEE EVERYTHING
WHEN YOU NEXT COME DOWN TO VISIT.
[KNOCKING]
MUMMY, CAN YOU TAKE ME TO SEE THE COSTUMES? COME IN!
OF COURSE, PUMPKIN,
I'LL TAKE YOU TO THE WARDROBE DEPARTMENT.
DID MAMA TELL YOU
ABOUT DAMMA TETE'S PARTY FOR US?
YES, WINNIE TOLD ME ALL ABOUT THAT.
OH, MY GOD, ARE THOSE YOUR CHILDREN?
YEAH.
SWEETHEARTS,
CAN YOU BOTH JUST SAY HI TO DYLAN?
HI, DYLAN!
HI, YOU TWO.
I CAN'T WAIT TO MEET YOU.
SWEETHEARTS, MUMMY'S GOING TO HAVE TO GO NOW.
I'M SORRY.
BUT I'LL SPEAK TO YOU TOMORROW, OKAY?
BIG BIG KISS TO YOU.
BYE, MUMMY!
I LOVE YOU!
I LOVE YOU, TOO.
BYE!
BYE.
MY GOD, THAT IS SO GREAT
THAT YOU CAN SEE THEM WHEN YOU TALK TO THEM LIKE THAT.
YEAH.
I TALK TO THEM EVERY DAY.
UM, I WAS IN THE NEIGHBORHOOD,
AND I THOUGHT I WOULD BRING YOU SOMETHING.
THANK YOU.
I'M GLAD YOU CAME BY.
CADBURY'S FLAKE...
AND BRANSTON PICKLE.
TWO OF MY ABSOLUTE FAVORITES.
THAT'S FANTASTIC.
THANK YOU.
HOW GOES EDITING?
YOU HAVEN'T CALLED ME.
YOU KNOW, DYLAN, I MADE A PROMISE TO MYSELF
TO STOP SLEEPING WITH MARRIED PEOPLE.
DANNY'S MY BOYFRIEND.
WE'RE NOT MARRIED. WE LIVE TOGETHER.
YEAH, BUT IN LESBIANWORLD,
THAT IS MARRIED.
I'VE WANTED TO CALL YOU,
BUT THIS IS A REALLY DIFFICULT SITUATION FOR ME.
YOU KNOW, YOU'RE WITH SOMEONE ELSE,
AND YOU'RE STRAIGHT.
AT LEAST, THAT'S WHAT YOU TOLD ME.
I AM STRAIGHT.
BUT, DYLAN, THIS IS A NO-WIN ON MY PART.
WHAT STARTS IN CHAOS ENDS IN CHAOS.
I LIKE YOU...
A LOT.
WHAT DOES THAT MEAN, DYLAN?
I DON'T WANT TO BE THE LIE
YOU TELL TO SOMEONE.
WELL, WHAT DO YOU WANT?
YOU KNOW WHAT I WANT,
BUT I DON'T WANT IT HALFWAY,
AND I DON'T WANT IT
AT SOMEONE ELSE'S EXPENSE.
WE SHOULD JUST BE FRIENDS.
CAN WE TRY THAT?
HEY, ALICE?
ALICE, WAKE UP.
COME ON.
[SPLASHING]
COME ON, WAKE UP.
COME ON.
ALICE...
WHAT DO YOU THINK?
I THINK THEY'RE REALLY DISCREET.
YOU DO?
YEAH.
I HAD MY FIRST GIRLFRIEND'S NAME
TATTOOED ON MY ANKLE.
I HAD IT REMOVED.
OH, WHY DIDN'T YOU PUT SOMETHING ELSE ON IT, HUH?
BRONWYN?
[LAUGHS]
HELLO, EVERYBODY. HEY, JENNY.
HELLO.
HI, MISS.
OH, HOW ARE YOU?
I'M VERY GOOD.
HI.
HOW ARE YOU?
I PICKED THESE FROM THE GARDEN...
FOR YOU.
THANK YOU. THEY'RE BEAUTIFUL.
HEY, I THOUGHT YOU WERE OUT OF HERE.
I'M TAKING THE REDEYE TO NEW YORK TONIGHT.
WHAT'S GOING ON?
I'M GOING TO BE MEETING
WITH MY BOOK EDITOR.
WELL, THAT'S EXCITING.
IS MOIRA GOING WITH YOU?
NO, SHE HAS TO WORK AT THE PLANET TONIGHT
WITH BILLIE.
RIGHT. WE HAD TO CLOSE TONIGHT
SO WE COULD, YOU KNOW, RIG FOR TOMORROW.
THAT'S RIGHT, THE B-52's ARE GOING TO BE THERE.
THAT IS HUGE.
KIT, HOW DID YOU GET THEM?
MY SEX-AND-DRUG-CRAZED MANAGER, HE LANDED THEM.
HAPPY FIRST CHEMO, BABY.
HEY...
OH, MY GOSH, WOW.
LOOK.
HEY...
OH, LOOK AT THAT.
OH, MY GOD, THAT'S A BEAUTIFUL CAKE.
I'VE NEVER HEARD OF A CHEMO CAKE BEFORE.
WELL, YOUR GIRL MADE IT FOR YOU.
YEAH.
IT'S RED VELVET, BABY, YOUR FAVORITE.
YOU KNOW, I'M A LITTLE NAUSEOUS RIGHT NOW, ACTUALLY.
I DON'T THINK I CAN HAVE ANY, OKAY?
IT'S RED VELVET, BABY--
LOOK, I'M FUCKING SICK, LARA. OKAY? JUST TAKE IT AWAY.
MAYBE LATER.
I WANT SOME.
I WOULD LOVE A PIECE.
IS THAT WEDDING CAKE?
NO, IT'S NOT WEDDING CAKE.
YOU'RE JUST JEALOUS
BECAUSE MY GIRLFRIEND AND I ARE TWO GOLD STARS
THAT HAVE FOUND EACH OTHER.
WHAT'S A GOLD STAR?
OH, IT'S SOMEBODY WHO'S GAY
WHO'S NEVER HAD SEX
WITH A PERSON OF THE OPPOSITE SEX.
YEAH, PEOPLE WHO BUMP UGLIES WITH UGLIES.
CAN I BE A GOLD STAR
EVEN THOUGH I'VE SLEPT WITH MEN?
JEN, YOU'RE THE JEWISH STAR.
AW...
YES, AND I AM A LATINA GOLD STAR,
COVERED IN SEQUINS.
SO HOW MANY GOLD STARS DO WE HAVE HERE?
[GASPING]
[JENNY]: HELENA, YOU'RE A GOLD STAR?
WELL, SORT OF.
I MEAN, THE ENGLISH PUBLIC SCHOOL BOYS
THAT I SHAGGED AS A TEENAGER,
THEY WERE JUST EXPERIMENTS,
AND THEY WERE SO EFFEMINATE, THEY DON'T REALLY COUNT.
HELENA, THAT DOES NOT COUNT.
I THINK YOU MIGHT BE A SPOILED STAR.
OH, REALLY.
[SPLASHING]
YOU KNOW, MY MAMA'S FROM TEXAS,
AND SHE ALWAYS CALLED HERSELF A LONE STAR
BECAUSE MY DADDY'S THE ONLY MAN SHE EVER SLEPT WITH.
ARE YOU SERIOUS?
YEAH.
I CAN'T IMAGINE THAT.
I CAN. IT SOUNDS NICE.
TINA'S MOM IS A LONE STAR, TOO.
WHERE IS TINA?
BABE, SHE ALREADY TOLD US.
TINA'S IN VANCOUVER.
"SHE ALREADY TOLD US."
WELL, I FORGOT, OKAY?
WHAT ARE YOU, MY MEMORY MONITOR NOW?
I'M SORRY.
LOOK, I'M GOING TO GO LIE DOWN, IF THAT'S OKAY.
DO YOU WANT ME TO COME WITH YOU?
NO.
HEY, MAX.
HEY.
YOU'RE GETTING MUSCLES.
YEAH.
I THINK I'M ALREADY STARTING TO BULK UP.
MM-HMM.
HEY, WON'T YOU GET IN TROUBLE FOR THAT?
MM-MM.
BIG SISTER'S OVER AT THE CHEMO CLAM-BAKE.
I THINK IT'S REALLY HARSH WHAT'S HAPPENING TO DANA,
BILLIE,
AND IT MUST REALLY BE HARD FOR LARA, TOO.
YEAH, IT'S ROUGH.
MY LOVER WAS SICK FOR THREE YEARS
BEFORE I LOST HIM.
I THOUGHT I WAS GOING TO DIE
RIGHT ALONG WITH HIM, BUT...
I DIDN'T.
THEY LEAVE YOU BEHIND TO DEAL, AND...
YOU DEAL.
WELL, HOW LONG WERE YOU TWO TOGETHER?
12 YEARS.
EVERY NOW AND THEN,
I CAN STILL FEEL HIS BREATH ON ME.
I'VE NEVER HAD ANYONE I LOVE DIE.
NO?
YOU WILL, HANDSOME.
YOU WILL.
YOU'RE A REALLY COOL GUY, BILLIE.
YOU'VE REALLY HELPED ME OUT A LOT.
HOW ARE YOU FEELING?
ALL RIGHT, I GUESS. MAYBE A LITTLE EDGY.
HAVE YOU STARTED FUCKING LIKE A RABBIT YET?
IT KICKS IN ABOUT NOW.
THE HARD-ON THAT'LL NEVER GO DOWN.
ALL YOU CAN THINK ABOUT IS GETTING OFF.
YEAH.
IT'S PRETTY INTENSE.
KISS ME AGAIN.
I LIKE GETTING KISSED WHEN I'M GETTING FUCKED.
WHOA...
I SWEAR TO GOD.
HE USES A PENIS ENLARGER.
I DON'T BELIEVE YOU. I SAW IT IN HIS TRAILER. YEAH.
I DON'T BELIEVE YOU.
OH, MY GOD, THAT IS CRAZY.
I CAN'T WAIT TILL THAT HITS THE TABLOIDS.
THAT'S JUICY.
I MIGHT HAVE TO LEAK IT MYSELF.
OKAY, SO WHERE WE ARE WITH LESLIE IS...
UM, WE'RE THINKING
OF CALLING IN THE BODY DOUBLE AGAIN
FOR SCENE 29A
OR JUST CUTTING THE SCENE ENTIRELY.
IT'S JUST GRATUITOUS SEX ANYWAY.
I DON'T HAVE A PROBLEM WITH GRATUITOUS SEX.
I LIKE A WOMAN
WHO GETS RIGHT TO THE POINT.
PEEKABOO!
HEY...
[ARIA PLAYING]
REMEMBER THIS ARIA?
OH, YOU MEAN OUR THIRD DATE,
WHEN YOU FINGER-FUCKED ME AT THE OPERA
BEFORE TELLING ME
YOU DIDN'T THINK WE WERE RIGHT FOR EACH OTHER?
OH, AND THAT YOU HAD JUST MET A STRAIGHT GIRL
THAT YOU THOUGHT YOU MIGHT FALL IN LOVE WITH?
NO, I DON'T REMEMBER A THING.
HEY.
HEY, ANGUS?
COULD YOU WATCH ANGELICA JUST FOR A MINUTE?
[ANGUS]: HELLO! HELLO, ANGELICA.
* A-E-I-O-U, U
I DON'T KNOW HOW TO DEAL WITH THIS, ALICE.
THIS ANGER IN HER,
IT'S NOTHING THAT I'VE EVER SEEN IN HER BEFORE.
[SOFTLY]: WELL, SHE'S NEVER HAD CANCER BEFORE.
I MEAN, WHO KNOWS HOW TO DEAL WITH THAT?
I KNOW, I KNOW. I JUST...
I FEEL LIKE EVERYTHING I DO OR SAY IS WRONG,
AND SHE JUST--
SHE KEEPS PUSHING ME AWAY.
I MEAN, OBVIOUSLY I'M NOT HELPING HER.
LARA...
DANA NEEDS YOU.
SHE NEEDS YOU, ALICE.
YOU'RE STRONG.
I JUST-- I FEEL LOST.
I FEEL TOTALLY LOST.
DANA'S LOST, TOO...
AND I NEED TO FIND HER.
I FEEL LIKE I'M FLOATING OUTSIDE OF MY BODY,
AND I'M WATCHING MYSELF DO THESE THINGS,
AND I CAN'T STOP MYSELF.
I CAN'T CHANGE ANYTHING.
YEAH, I FELT LIKE THAT WHEN MY DAD DIED,
LIKE IT WASN'T MY LIFE OR SOMETHING.
YEAH.
I KNOW.
I JUST CAN'T RELAX.
I CAN'T SLEEP.
I CAN'T LISTEN.
I LOVE LARA,
AND I CAN'T STAND HER,
AND I'M TERRIFIED TO BE ALONE.
YOU KNOW, DANA,
OBVIOUSLY, I'VE NEVER BEEN IN YOUR POSITION,
BUT I DO KNOW
THAT THE ONE OF THE THINGS THAT REALLY HELPED ME
WERE THESE RELAXATION EXERCISES
I DID WITH MY THERAPIST.
DO YOU WANT TO TRY?
YES.
LIE DOWN.
CLOSE YOUR EYES.
TUNE OUT ALL THE SOUND AROUND YOU.
THEN LET IT GO.
AND AS YOU INHALE,
FEEL YOUR BODY BECOMING...
HEAVY AND GROUNDED.
YOUR ARMS GROW HEAVY AND RELAXED
INTO THE BED.
AS YOU EXHALE, LET EVERYTHING GO.
JUST LET IT FLOAT AWAY,
LIKE A RIVER, FLOATING AWAY,
AND YOU'RE SAFE,
AND YOU'RE FLOATING AWAY
TO ANOTHER PLACE,
AND I WANT YOU TO PICTURE YOURSELF
IN THE MOST BEAUTIFUL PLACE THAT YOU CAN IMAGINE.
[***]
ARE YOU THERE?
I'M THERE.
IT'S SO BEAUTIFUL.
IT'S SO ALIVE.
IT'S...
SO PEACEFUL.
I'M WHOLE...
AND I JUST WANT TO STAY HERE.
WILL YOU STAY WITH ME?
YEAH.
[MOANING SOFTLY]
[GIGGLING]
I HAVE WANTED YOU SINCE THE MOMENT I SAW YOU.
YOU KNOW, I NEVER THOUGHT THAT YOU WERE QUEER.
SHH, SHH. DON'T SPEAK.
YOU ARE WAY TOO HOT FOR THAT.
YOU'RE SO NOT A LESBIAN.
GODDAMMIT, JOSH,
ARE YOU REALLY THAT CLUELESS?
YOU HAVE NO IDEA WHO I AM OR HOW I FEEL.
I KNOW THAT YOU DIDN'T FEEL LIKE A LESBIAN JUST NOW.
GOD...
THIS WAS GOING TO BE SO EASY FOR YOU.
I WAS SO READY TO JUMP INTO BED WITH YOU.
NOW IT TURNS OUT YOU'RE AN IGNORANT ASS.
GOD, WHY COULDN'T YOU JUST SHUT UP AND FUCK ME?
WHY MAKE IT IMPOSSIBLE FOR ME TO DO SOMETHING...
THAT I WANTED TO DO?
YOU ARE ONE FUCKED-UP WOMAN, TINA.
YEAH, WELL, I'M STILL YOUR FUCKED-UP BOSS.
SO WHAT NOW?
NOTHING.
YOU STAY HERE. I GO BACK TO MY HOTEL.
TOMORROW WE'LL MEET.
WE'LL WORK ON THE PRODUCTION BUDGETS.
THIS IS YOUR WORLD, TINA.
I JUST WORK IN IT.
[DOOR OPENS, CLOSES]
[SNIFFING]
I DON'T KNOW,
THERE'S SOMETHING ABOUT WHITE BOYS
THAT'S JUST DIFFERENT.
I DON'T KNOW WHAT IT IS.
I DON'T KNOW, I'LL NEVER KNOW, BUT--
HEY, KITTEN.
MANGUS.
BILLIE, WHAT THE FUCK ARE YOU DOING?
YOU KNOW, I DON'T CARE
IF YOU FUCK UP YOUR OWN LIFE,
BUT YOU WILL NOT FUCK UP MY BUSINESS.
THIS BUSINESS IS MY LIFE.
THE DOOR, BILLIE, WAS UNLOCKED.
THE POLICE COULD'VE COME IN.
CALM DOWN, KIT.
NO, DON'T TELL ME TO CALM DOWN!
BILLIE, YOU...
YOU ARE THE MOST IRRESPONSIBLE FUCK
I HAVE EVER MET IN MY WHOLE LIFE.
YOU ARE A SAD AND SELFISH MESS,
AND I DON'T CARE HOW MANY PEOPLE YOU KNOW,
AND HOW MANY PEOPLE YOU BRING INTO THE CLUB,
I AM NOT GOING TO HAVE IT.
I AM NOT GOING TO HAVE THIS SHIT.
I AM TALKING TO YOU, BILLIE!
LISTEN TO ME!
I THINK IT'S TIME FOR ME TO GO.
GOOD MORNING.
FUCK, FUCK...
AH, NO.
BABY, WHAT'S GOING ON?
NO, THIS FEELS GOOD.
YEAH? YEAH.
OKAY, HOLD ON.
WAIT, WAIT, WAIT. WHAT?
DON'T...
WHAT?
YOU DON'T HAVE TO. WHAT'S WRONG?
I DON'T KNOW, I JUST...
I'M SORRY, I'M JUST...
WHAT?
I'M SORRY, I'M JUST...
I'M DISTRACTED.
WHY ARE YOU DISTRACTED?
IT'S NOT YOU.
I'M SORRY.
[SIGHS]
DANA!
[GASPS]
[SOBBING]
OH, HEY. IT'S OKAY.
IT'S NOT OKAY.
COME ON, I'LL MAKE YOU SOME BREAKFAST.
WHY CAN'T YOU JUST LEAVE ME THE FUCK ALONE?
YOU'RE NOT MY FUCKING NURSE.
YOU'RE NOT MY MOTHER. YOU'RE NOT ANYTHING--
NO, DANA, AND I'M NOT YOUR FUCKING PUNCHING BAG EITHER.
YOU KNOW, MAYBE...
MAYBE IT WOULD JUST BE BETTER FOR YOU
IF I WENT AWAY FOR A LITTLE WHILE.
WHY DON'T YOU JUST GO THEN, HUH?
WHY DON'T YOU JUST GO?
GO TO PARIS.
TAKE THAT CHEF'S COURSE
YOU'VE BEEN TALKING ABOUT.
I MEAN, JUST BECAUSE YOUR GIRLFRIEND'S DYING--
YOU'RE NOT DYING, DANA--
YOU DON'T FUCKING KNOW THAT!
HOW THE FUCK DO YOU KNOW THAT?
YOU'RE NOT GOD!
WHAT DO YOU WANT?
I HAVE TRIED TO BE THERE FOR YOU.
I HAVE TRIED TO DO EVERYTHING I CAN.
WHAT DO YOU WANT?
I WANT YOU TO GO!
GO TAKE--
I DON'T WANT TO GO ANYWHERE WITHOUT YOU, OKAY?
I LOVE YOU, DANA.
I JUST WANT YOU TO LEAVE.
[SOBBING]
JUST GO.
PLEASE GO.
LEAVE!
[DOOR OPENS, CLOSES]
[***]
EXCUSE ME!
HI!
OKAY, I'VE GOT IT. THANKS.
DANA FAIRBANKS.
SHE'S GOT LONG BROWN HAIR.
HAVE YOU SEEN HER?
THE LESBIAN TENNIS PLAYER?
YEAH.
SHE DOESN'T WORK HERE, HONEY.
WELL, NO SHIT. I...
I KNOW SHE DOESN'T WORK HERE. SORRY.
I THREW HER OUT.
COME AGAIN?
IT'S A LIFE-SIZE CARDBOARD CUTOUT.
I THREW HER OUT.
DID YOU PUT IT IN A BLUE BIN OR A BLACK BIN?
I DON'T KNOW.
I JUST PUT HER OUT BY THE TRASH.
WELL, SHE CAN BE IN ONE OF TWO PLACES.
IF YOU PUT HER IN THE BLUE BIN,
SHE'S BEING RECYCLED AT THE ALLAN COMPANY.
OKAY.
AND IF YOU PUT HER IN THE BLACK BIN,
YOU'RE NEVER GOING TO FIND HER.
WHY? WHERE WILL SHE BE?
SHE'LL BE AT THE PUENTE HILLS LANDFILL
IN WHITTIER.
WHITTIER. FUCK...
THANK YOU.
YOU'RE WELCOME.
[CELLPHONE RINGS]
[ALICE]: HEY, DANA.
NO, I'M IN WHITTIER.
WHAT?
UH, IT'S GOING TO BE ALL RIGHT.
UH, I'M KIND OF--
I'LL BE RIGHT THERE. JUST--
CHILL OUT. I'LL BE RIGHT THERE.
HEY, MOIRA?
HEY. WHAT'S UP?
GOT SOMETHING TO ASK YOU.
YEAH, WHAT IS THIS?
WHAT'S GOING ON WITH JENNY?
YOU GUYS, JENNY'S FINE.
IT'S MINE.
IT'S TESTOSTERONE.
I'VE STARTED A PROGRAM OF IT.
WHAT KIND OF A PROGRAM?
YOU KNOW...
I MEAN, I'VE ALWAYS FELT REALLY UNCOMFORTABLE
IN THIS BODY.
SO I'VE DECIDED TO TRANSITION.
I'M CHANGING...MYSELF FROM FEMALE TO MALE.
DOES JENNY KNOW?
YEAH.
SHE'S HELPING ME.
HOW IS SHE HELPING YOU?
SHE'S BEEN SHOOTING ME UP WITH IT.
WOW. SO...
YOU'RE REALLY GOING TO GO THROUGH
THE BREAST...
TOP SURGERY.
TOP SURGERY?
YEAH.
WHEN I CAN AFFORD IT, I AM.
YOU KNOW?
[SLAPPING]
THAT'S STRONG.
[JENNY]: HOW ARE YOU?
GOOD.
EVERYONE IS EXCITED
ABOUT THE SOME OF HER PARTS.
OH, COOL. AWESOME.
I'M REALLY EXCITED.
I'M KIND OF NERVOUS AND JUST--
EXCEPT ME.
OKAY.
WE HAVE A LOT OF WORK TO DO.
OKAY, GREAT.
OH, I'M NOT TALKING ABOUT LINE EDITS, JENNY.
IT'S DEEPER THAN THAT.
AS YOUR EDITOR,
I HAVE A BASIC PROBLEM WITH THE JOURNEY OF THE BOOK.
MM-HMM.
OR RATHER, THE LACK OF ONE.
UM, BUT IT'S-- BUT IT'S WHAT HAPPENED TO ME,
SO I DON'T KNOW WHAT I COULD DO TO CHANGE THAT--
LET ME EXPLAIN, IF I MIGHT.
OF COURSE.
OKAY, "EACH MOMENT THE BLADE PENETRATED MY SKIN,
"I FORGOT WHAT IT WAS LIKE TO BE ON MY FACE IN THE DIRT.
"EVERY DROP OF BLOOD WAS A REMINDER
"THAT I STILL BELONGED TO THE EARTH,
"THAT I WAS FLESH AND BLOOD,
"THAT THOSE BOYS WEREN'T EVERYTHING IN MY BODY.
"CUTTING MYSELF, HURTING MYSELF
"FREED ME FROM THE HURT THEY INFLICTED.
I WAS THE ONE DOING THE DAMAGE, NOT THEM."
I DON'T SEE WHAT'S WRONG WITH THAT.
YOU STILL VIEW YOURSELF AS A VICTIM.
JENNY, YOU'RE REPEATING THE SAME SCENE OVER AND OVER.
IT FEELS COMPULSIVE.
I WAS A VICTIM
WHEN THAT HAPPENED TO ME.
I DON'T KNOW WHY I CAN'T SAY THAT.
JENNY, JENNY,
YOU'RE AN EXCELLENT WRITER.
THANK YOU. EXCELLENT.
BUT THAT WORRIES ME MORE,
BECAUSE I THINK
YOUNG GIRLS WILL READ THIS,
AND THEY'LL THINK CUTTING IS A VIABLE RESPONSE TO TRAUMA.
I WOULD NEVER SUGGEST
THAT ANYBODY DOES THAT TO THEMSELVES,
BUT, FOR ME, IN THAT MOMENT, AT THAT TIME,
IT MADE ME FEEL LIKE I WAS ALIVE,
AND IT MADE ME FEEL LIKE I HAD SOME CONTROL OVER MY LIFE,
AND IN THAT MOMENT, THAT WAS EMPOWERING.
IT'S BULLSHIT, JENNY--
IT'S NOT BULLSHIT, BECAUSE IT'S WHAT I DID.
YOU CAN'T TELL ME--
I'M SORRY. I'M SORRY,
BUT YOU CAN'T TELL ME WHAT'S BULLSHIT FOR MY BODY.
I'M NOT GOING TO PUBLISH A BOOK
WHERE I TELL YOUNG WOMEN
THAT SELF-INFLICTED VIOLENCE
IS GOING TO FREE THEM FROM THE VIOLENCE
THEY ENDURED AT THE HANDS OF OTHER PEOPLE.
I'M NOT GOING TO DO THAT.
I'M NOT ASKING YOU TO DO THAT.
JENNY, WHAT'S MISSING IN THE BOOK
IS YOUR STRENGTH,
YOUR RESOLVE,
YOUR HEIGHTENED AWARENESS.
I'VE SURVIVED.
YES, AND I'M INTERESTED IN HOW YOU THRIVE,
NOT JUST SURVIVED.
I'M HERE.
JENNY, IT'S REALLY HARD TO GIVE UP BEING A VICTIM.
I DON'T LIKE THAT WORD.
IT'S SAFE, IT'S COZY,
IT'S FAMILIAR.
I'M INTERESTED IN THE OTHER PLACE,
WHEN YOU GET OUT OF YOUR PAIN, OUT OF YOUR SELF,
AND YOU WERE ABLE TO CONNECT
WITH A LARGER WORLD--
LET ME ASK YOU SOMETHING. WHY ARE YOU WORKING ON MY BOOK?
WHY?
YOU GUYS ASKED ME TO CHANGE IT
FROM BEING FICTION TO BEING A MEMOIR,
AND THAT PUT ME
IN A PRETTY VULNERABLE POSITION,
AND SUDDENLY, I'M TOO PASSIVE FOR YOU?
I'M A VICTIM?
I'M NOT TRANSFORMED ENOUGH?
SO YOU KNOW WHAT I THINK?
I THINK...
I DON'T KNOW.
MAY I TAKE...
THANK YOU.
I THINK YOU SHOULD PROBABLY...
GO FIND YOURSELF ANOTHER HERO.
FUCK YOU.
AND THAT WAS IT.
SHE SAID SHE WAS GOING TO PARIS FOR THIS CLASS,
AND THAT...
SHE COULDN'T HANDLE IT ANYMORE, AND THAT WAS IT.
SHE JUST LEFT ME.
I CAN'T FUCKING BELIEVE SHE JUST LEFT ME.
I CAN.
WHAT THE FUCK IS THAT SUPPOSED TO MEAN?
IT MEANS YOU'VE BEEN A TOTAL MONSTER,
AND I KNOW HOW MUCH LARA LOVES YOU,
AND YOU JUST PUSHED HER TOO FAR.
I'M SICK, AL, AND SHE FUCKING ABANDONED ME.
NO, YOU'VE BEEN SHOWING HER THE DOOR
WITH THIS SELF-PITYING BULLSHIT.
FUCK YOU, AL.
NO, YOU KNOW WHAT, DANA? NOT FUCK ME. YOU KNOW WHY?
BECAUSE YOU HAVE TO GET A GRIP,
OR YOU'RE NOT GOING TO HAVE ANYONE LEFT TO CALL.
WHY ARE YOU DOING THIS?
BECAUSE I'M YOUR FRIEND,
AND I'M NOT GOING TO LET YOU TREAT ME LIKE SHIT, TOO.
YOU KNOW, YOU'RE SURROUNDED BY LOVE,
AND YOU HAVE FUCKING INSURANCE,
AND YOU HAVE A FAMILY, AND FRIENDS, AND...
A HOME.
YOU'RE YOUNG.
AND YOU SHOULD BE OUT OF BED.
I'M SICK, AL.
I KNOW. YOU...
YOU HAVE CANCER.
BUT YOU'RE NAUSEOUS FROM THE MEDICINE.
YOU'RE NOT BEDRIDDEN.
YOU KNOW WHAT I THINK?
I THINK YOU SHOULD COME OUT WITH ME TONIGHT.
I DON'T THINK THE B-52's SHOULD MISS YOU.
I LIKE THE B-52's.
YEAH.
I CAN'T, AL.
SOMEBODY'S GOING TO BUMP INTO ME,
AND MY BANDAGES AREN'T EVEN OFF YET, YOU KNOW?
ALL RIGHT, WELL,
I'LL CALL KIT,
AND I'LL HAVE HER ROPE OFF
A LITTLE SPECIAL SECTION FOR US.
OKAY?
AND GUESS WHAT?
WHAT?
I'M GOING TO TAKE CARE OF YOU,
AND I'LL MAKE SURE THAT YOU'RE SAFE.
I PROMISE.
HI.
NEVE IS OUR FINEST
AND MOST RESPECTED EDITOR.
[JENNY]: SHE HATES MY BOOK.
HOW COULD I HATE YOUR BOOK, JENNY?
IT'S MY STORY, MY DARLING.
I'M THE GIRL IN YOUR BOOK.
IT'S WHY I PUT THE TWO OF YOU TOGETHER.
BUT IT'S MY STORY.
IT'S NOT HERS.
I'M JUST ASKING YOU TO COME AT IT
FROM A POSITION OF STRENGTH.
AND I HAVE COME AT IT
FROM ALL THE STRENGTH THAT I HAVE.
THAT'S HONEST.
IF THAT'S WHO JENNY IS,
THEN THAT'S HOW SHE HAS TO COME AT IT.
I'LL TELL YOU WHAT.
I'M NOT THE RIGHT PERSON TO EDIT JENNY'S STORY.
I UNDERSTAND IT,
BUT I CAN'T PROMOTE IT.
BLESS YOU, MY DARLING.
THANK YOU.
[***]
[EXCITED CONVERSATIONS, SQUEALS FROM CROWD]
YEAH, SO ALICE SAID IT GOT UGLY.
WHAT?
CAN I GET A DEWAR'S ON THE ROCKS
WHEN YOU GET A CHANCE?
THANKS.
LARA LEFT DANA,
AND SHE SAID
THAT SHE COULDN'T TAKE THE PRESSURE ANYMORE.
YEAH, AND DANA KICKED LARA OUT,
AND WE SHOULDN'T BE TALKING ABOUT IT
IN FRONT OF DANA
BECAUSE SHE'S REALLY UPSET ABOUT IT,
OBVIOUSLY.
I'M SURE LARA WILL COME BACK.
HEY, KIT!
HEY...
HI!
DRINKS ARE ON THE HOUSE.
AW...
HEY, GUYS. HEY.
HOW'S IT GOING?
OH, IT'S GOING GREAT.
COME ON, I'LL BLOCK INTERFERENCE FOR YOU.
YEAH, YEAH. COME ON. OKAY.
GOTCHA.
OKAY.
EXCUSE ME.
WATCH IT, WATCH IT.
EXCUSE ME.
IT'S PACKED IN HERE, KIT.
YEAH. I'M SOLD OUT FOR DAYS.
DANA!
DANA...
HI!
I'M SO GLAD TO SEE YOU.
ME TOO.
CHAIR CREW COMING THROUGH.
THANK YOU.
LOOK OUT, GUYS. I'M THE BOOBY GUARD.
OH, GOOD ONE. NICE.
HEY, DID YOU GUYS SEE MOIRA'S ARMS?
THEY'RE LIKE, YOU KNOW...
THEY'RE LIKE MAN ARMS, KIND OF.
THEY'RE CUTE, BUT THEY'RE GETTING BIG.
SHE'S PRACTICALLY A MAN, ALICE.
THAT'S A LITTLE HARSHY McHARSH, THERE, SHANE.
NO, I'M NOT BEING HARSH.
I SWEAR TO GOD, IT'S BEING HONEST.
HMM?
WHAT ARE YOU BEING HONEST ABOUT?
HEY, SHANE, I DON'T GET
WHAT'S YOUR BIG PROBLEM WITH MOIRA.
WELL, SHE JUST DOESN'T, LIKE,
TRUST WHAT SHE'S DOING.
WHAT'S SHE DOING?
I MEAN, BESIDES LIVING OFF JENNY?
HEY, WHERE'S TINA?
IS SHE COMING?
OH, SHE'S UP IN CANADA
ON A FILM LOCATION.
[AUDIENCE CHEERING]
[***]
YEAH, JOSH IS A LITTLE OVER-AMBITIOUS.
WE HAD TO SEND TINA UP THERE
JUST TO REIN HIM IN A BIT.
JOSH? IT'S JOSH'S MOVIE?
YEAH, I MEAN, HE'S A GREAT PRODUCER.
WE JUST HAD TO SEND TINA THERE SO--
THAT'S GREAT.
SO SHE WENT UP TO CANADA TO BE WITH FUCKING JOSH BECKER?
WHO'S FUCKING JOSH BECKER?
TINA.
LADIES AND GENTLEMEN...
BILLIE BLAIKIE AND THE PLANET PROUDLY PRESENT
THE B-52's!
[CROWD ROARS]
[***]
[PERFORMING "PUMP"]
[***]
SHE'S HAVING A SEX CHANGE, AL.
YEAH, MOIRA'S BECOMING A MAN.
ARE YOU GUYS FUCKING KIDDING ME?
MM-MM.
FOR REAL?
DOES JENNY KNOW?
SHE'S HELPING HER.
HO...
DANA...
SHANE JUST TOLD ME
THAT MOIRA'S GETTING A SEX CHANGE.
WAIT. WHAT ARE YOU TALKING ABOUT?
YOU KNOW THE ARTICLE I WROTE
ABOUT GENDER REASSIGNMENT SURGERY?
OH, MY GOD, I LOVED THAT ARTICLE.
IT WAS ALL ABOUT WOMEN WHO BECOME MEN,
AND THEY TAKE HORMONES
AND TESTOSTERONE,
AND, LIKE, THEY CUT OFF ALL THEIR HAIR
AND THEY CUT THEIR TITS, AND...
I'M GONNA GO.
NO...
NO, I GOTTA GO.
DANA, I'M SO SORRY.
SHIT.
SHANE...
WHY DID YOU HAVE TO SAY THAT!
IT CAME OUT. I DIDN'T MEAN TO.
FUCK! OH, GOD...
DANA!
DANA, WAIT. YOU'RE GOING TO HURT YOURSELF.
I DON'T UNDERSTAND WHY, HOW...
JUST LEAVE ME ALONE, ALICE. I NEED TO BE ALONE.
I'LL JUST TAKE YOU HOME.
ALICE, JUST LEAVE ME ALONE!
YOU'RE NOT ALONE!
FUCK...
[***]