1 00:00:10,900 --> 00:00:12,199 PREVIOUSLY ON THE L WORD... 2 00:00:12,234 --> 00:00:14,132 I ONLY DATED MEN BEFORE I MET YOU. 3 00:00:14,166 --> 00:00:15,132 WHO IS IT? 4 00:00:15,166 --> 00:00:17,067 HIS NAME IS JOSH. 5 00:00:17,100 --> 00:00:19,333 SHE DIDN'T GO AFTER ME. I WENT AFTER HER. 6 00:00:19,367 --> 00:00:21,800 THE ONE THING I KNOW IS HOW I FEEL. 7 00:00:23,333 --> 00:00:24,567 ARE YOU DOING HORMONES? 8 00:00:24,600 --> 00:00:25,900 NOT YET. 9 00:00:25,934 --> 00:00:27,300 I CAN HOOK YOU UP. 10 00:00:27,333 --> 00:00:28,634 COULD I-- CAN I TALK TO YOU? 11 00:00:28,667 --> 00:00:30,800 OF COURSE. 12 00:00:30,833 --> 00:00:32,701 IT'S NEVER GOING TO HAPPEN AGAIN. 13 00:00:32,734 --> 00:00:34,968 IF THAT'S WHAT YOU WANT. 14 00:00:38,500 --> 00:00:39,901 WE WANT TO PUBLISH YOUR BOOK. 15 00:00:39,933 --> 00:00:42,399 HOW MUCH OF THE CONTENT WOULD I HAVE TO CHANGE? 16 00:00:42,433 --> 00:00:44,500 NOT ALL THAT MUCH. 17 00:00:44,533 --> 00:00:45,868 I'M GIVING YOU ONE OF OUR MOST GIFTED EDITORS. 18 00:00:45,901 --> 00:00:46,801 ARE YOU JEALOUS? 19 00:00:46,834 --> 00:00:47,801 IT JUST MADE ME SAD. 20 00:00:47,834 --> 00:00:49,299 YOU WERE SO FUCKING SAD 21 00:00:49,334 --> 00:00:51,634 THAT YOU GO OFF AND YOU FUCK CHERIE JAFFE? 22 00:00:51,667 --> 00:00:53,634 SHANE, WHAT KIND OF A PSYCHOTIC RESPONSE IS THAT? 23 00:00:53,667 --> 00:00:55,433 WOULD YOU MIND... 24 00:00:55,466 --> 00:00:58,299 DISPOSING OF THIS OBSOLETE THING? 25 00:00:58,334 --> 00:00:59,399 YOU THREW DANA OUT? 26 00:00:59,433 --> 00:01:01,300 ALICE, DANA IS SICK. 27 00:01:01,334 --> 00:01:03,166 OH, MY GOD. 28 00:01:03,200 --> 00:01:06,601 WHAT ARE YOU DOING IN HERE, BABY GIRL? 29 00:01:18,132 --> 00:01:22,067 [***] 30 00:02:48,801 --> 00:02:50,734 [HEAVY BREATHING] 31 00:03:12,666 --> 00:03:13,968 [MOANS] 32 00:03:21,067 --> 00:03:24,466 [SONG ENDS] 33 00:03:31,132 --> 00:03:34,067 [***] 34 00:03:34,067 --> 00:03:40,701 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 35 00:03:40,734 --> 00:03:47,234 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 36 00:03:47,267 --> 00:03:53,366 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 37 00:03:53,399 --> 00:04:00,000 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 38 00:04:07,634 --> 00:04:08,933 * TALKING, LAUGHING LOVING, BREATHING * 39 00:04:08,968 --> 00:04:10,833 * FIGHTING, FUCKING CRYING, DRINKING * 40 00:04:10,868 --> 00:04:12,234 * WRITING, WINNING LOSING, CHEATING * 41 00:04:12,266 --> 00:04:13,933 * KISSING, THINKING, DREAMING 42 00:04:13,968 --> 00:04:15,933 * THIS IS THE WAY... 43 00:04:15,968 --> 00:04:18,766 * IT'S THE WAY THAT WE LIVE * 44 00:04:18,800 --> 00:04:24,300 * IT'S THE WAY THAT WE LIVE 45 00:04:24,333 --> 00:04:30,466 * AND LOVE * 46 00:04:37,267 --> 00:04:39,366 [RUMBLING ENGINE APPROACHES] 47 00:05:04,067 --> 00:05:05,466 HOW DOES THAT FEEL? 48 00:05:05,501 --> 00:05:07,067 [GRUNTS] 49 00:05:07,067 --> 00:05:09,833 IT'S BETTER THAN THE FIRST TIME. 50 00:05:09,868 --> 00:05:13,067 YOU KNOW WHAT? 51 00:05:13,067 --> 00:05:14,300 IT KIND OF TURNS ME ON 52 00:05:14,333 --> 00:05:15,868 THAT I'M HELPING YOU BECOME MORE OF A MAN. 53 00:05:15,900 --> 00:05:19,132 YOU ARE. 54 00:05:21,867 --> 00:05:23,466 DO YOU THINK I FUCKED THINGS UP 55 00:05:23,501 --> 00:05:25,399 BY GIVING YOU YOUR DOSE... 56 00:05:25,434 --> 00:05:26,968 A COUPLE DAYS EARLY? 57 00:05:27,067 --> 00:05:28,234 NO. NO? 58 00:05:28,266 --> 00:05:29,266 BILLIE SAID IT WOULD BE JUST FINE. 59 00:05:29,300 --> 00:05:30,300 OH, YEAH? 60 00:05:30,333 --> 00:05:31,567 AND DO YOU TRUST 61 00:05:31,600 --> 00:05:33,299 EVERYTHING THAT BILLIE SAYS TO YOU, MAX? 62 00:05:33,334 --> 00:05:34,767 LOOK, YOU'RE THE ONE WHO WANTED TO SHOOT ME UP 63 00:05:34,801 --> 00:05:36,200 BEFORE YOU WENT TO NEW YORK. 64 00:05:36,234 --> 00:05:38,567 YEAH, BECAUSE I GAVE YOU YOUR FIRST DOSE, 65 00:05:38,600 --> 00:05:39,968 AND I'M GOING TO-- 66 00:05:40,067 --> 00:05:41,734 JUST GAVE YOU YOUR SECOND DOSE, 67 00:05:41,767 --> 00:05:43,801 AND I WANT TO GIVE YOU ALL OF YOUR DOSES, 68 00:05:43,834 --> 00:05:47,399 BECAUSE I'M EXCITED ABOUT WHAT WE'RE DOING. 69 00:05:47,433 --> 00:05:48,901 IT'S WHAT I'M DOING. 70 00:05:48,933 --> 00:05:51,133 I'M THE ONE WHO'S DOING THIS, JENNY. 71 00:05:51,167 --> 00:05:53,334 I KNOW THAT YOU ARE, 72 00:05:53,366 --> 00:05:55,234 AND WE'RE GOING TO DO IT TOGETHER. 73 00:06:05,367 --> 00:06:06,501 [MONITOR BEEPING] 74 00:06:06,533 --> 00:06:08,234 MY NAME IS CONNIE, 75 00:06:08,266 --> 00:06:11,433 AND I'LL BE TAKING CARE OF YOU DURING YOUR TREATMENT. 76 00:06:11,467 --> 00:06:13,266 OKAY... 77 00:06:15,433 --> 00:06:16,934 OH, IT'S REALLY COLD. 78 00:06:16,968 --> 00:06:18,266 IT'S REALLY COLD. IS THAT RIGHT? 79 00:06:18,300 --> 00:06:19,900 I DON'T THINK IT'S RIGHT. IT DOESN'T FEEL RIGHT. 80 00:06:19,934 --> 00:06:21,067 IT'S GOING TO FEEL THAT WAY 81 00:06:21,067 --> 00:06:22,300 FOR A FEW MINUTES, DANA, OKAY? 82 00:06:22,333 --> 00:06:24,667 YOUR BODY SHOULD ADJUST TO THE TEMPERATURE, 83 00:06:24,701 --> 00:06:26,800 AND THE BAG WILL GET WARMER, 84 00:06:26,833 --> 00:06:29,634 BUT YOU MIGHT FEEL A BIT COLD 85 00:06:29,667 --> 00:06:31,833 AS THE FLUIDS ARE RUNNING THROUGH YOUR BODY 86 00:06:31,867 --> 00:06:33,767 FOR THE DURATION OF THE TREATMENT, OKAY? 87 00:06:33,801 --> 00:06:34,868 THERE ARE BLANKETS OVER HERE. 88 00:06:34,901 --> 00:06:38,334 I'LL GRAB YOU ONE. 89 00:06:38,366 --> 00:06:39,801 SEE IF WE CAN FIND... 90 00:06:39,834 --> 00:06:40,868 THERE YOU GO. 91 00:06:40,901 --> 00:06:44,801 THAT'LL KEEP YOU WARM FOR A LITTLE WHILE. 92 00:06:44,834 --> 00:06:46,567 IF EITHER OF YOU HAS ANY QUESTIONS 93 00:06:46,600 --> 00:06:47,968 OR CONCERNS, OKAY, 94 00:06:48,067 --> 00:06:49,200 JUST TALK TO ME, OKAY? 95 00:06:49,234 --> 00:06:51,267 THANK YOU, CONNIE. 96 00:06:51,299 --> 00:06:53,267 SO, DANA, JUST SIT BACK, 97 00:06:53,299 --> 00:06:54,801 TRY TO RELAX. 98 00:06:54,834 --> 00:06:55,868 IT'S GOING TO TAKE ABOUT THREE HOURS 99 00:06:55,901 --> 00:06:56,868 ALL TOLD. 100 00:06:56,901 --> 00:06:57,901 OKAY? 101 00:06:57,933 --> 00:06:59,100 OKAY. 102 00:06:59,133 --> 00:07:01,500 OH, AND WE DO HAVE iPODS 103 00:07:01,534 --> 00:07:02,633 WITH LOTS OF TOTO, 104 00:07:02,666 --> 00:07:04,634 SURVIVOR, WHITESNAKE, YOU KNOW... 105 00:07:04,666 --> 00:07:07,133 JUST IF YOU WANT TO FEEL WORSE. 106 00:07:11,900 --> 00:07:13,266 HOW DOES IT FEEL NOW? 107 00:07:13,300 --> 00:07:14,467 HOW THE FUCK 108 00:07:14,500 --> 00:07:15,766 DO YOU THINK IT FEELS, LARA? 109 00:07:15,801 --> 00:07:16,968 HOW DO YOU THINK IT FEELS 110 00:07:17,067 --> 00:07:17,934 TO GET EVERYTHING UNDER THE KITCHEN SINK 111 00:07:17,968 --> 00:07:19,167 PUMPED INTO YOUR VEINS? 112 00:07:19,199 --> 00:07:20,333 MY SKIN'S FUCKING CRAWLING. 113 00:07:22,367 --> 00:07:24,968 WHERE THE HELL DID MY LIFE GO? 114 00:07:25,067 --> 00:07:27,567 BABY, YOUR LIFE IS RIGHT HERE. 115 00:07:27,600 --> 00:07:29,567 I'M HERE, YOUR FRIENDS ARE HERE, 116 00:07:29,600 --> 00:07:31,100 YOUR FAMILY, YOUR FANS-- 117 00:07:31,132 --> 00:07:32,701 MY FANS? 118 00:07:32,734 --> 00:07:35,901 MY FANS! 119 00:07:35,933 --> 00:07:37,399 HAVE YOU BEEN TO MY WEBSITE? 120 00:07:37,433 --> 00:07:38,667 HAVE YOU SEEN 121 00:07:38,701 --> 00:07:40,533 WHAT THEY'RE WRITING ABOUT ME? 122 00:07:40,567 --> 00:07:42,200 THAT ONE MORON EVEN WROTE 123 00:07:42,234 --> 00:07:43,500 THAT I'M FAKING HAVING CANCER. 124 00:07:43,533 --> 00:07:45,299 "SHE'S FAKING IT." 125 00:07:45,334 --> 00:07:46,634 BECAUSE I FINALLY WON A TOURNAMENT, 126 00:07:46,667 --> 00:07:47,634 I'M ACTUALLY JUST RETIRING-- 127 00:07:47,667 --> 00:07:48,933 DANA, I'VE TOLD YOU A MILLION TIMES 128 00:07:48,968 --> 00:07:50,433 NOT TO READ THAT CRAP. 129 00:07:50,466 --> 00:07:52,200 I'VE SAID IT BEFORE, 130 00:07:52,234 --> 00:07:54,334 AND I'M GOING TO KEEP SAYING IT UNTIL YOU GET IT. 131 00:07:57,533 --> 00:08:00,000 I AM HERE. 132 00:08:00,000 --> 00:08:02,399 I'M NOT GOING ANYWHERE. 133 00:08:05,067 --> 00:08:08,099 WHY? 134 00:08:08,132 --> 00:08:09,567 WHY ARE YOU STILL HERE? 135 00:08:15,868 --> 00:08:17,300 HEY, IT'S LOOKING GOOD, I THINK. 136 00:08:17,333 --> 00:08:18,300 YEAH? 137 00:08:18,333 --> 00:08:19,501 YEAH. HOW DOES IT FEEL? 138 00:08:19,533 --> 00:08:21,466 [BUZZING] 139 00:08:21,501 --> 00:08:24,333 UM, IT FEELS GOOD. 140 00:08:24,367 --> 00:08:27,067 YOU'RE DONE, CARMEN. 141 00:08:27,067 --> 00:08:28,968 NEXT VICTIM. 142 00:08:29,067 --> 00:08:30,100 OH, GOD. THANK YOU. 143 00:08:30,132 --> 00:08:32,767 YOU'RE WELCOME. 144 00:08:34,667 --> 00:08:36,200 LET ME SEE. 145 00:08:36,234 --> 00:08:37,299 CAN YOU SEE IT? 146 00:08:37,334 --> 00:08:38,299 I DO. I LIKE IT. 147 00:08:38,334 --> 00:08:39,366 YEAH? 148 00:08:39,399 --> 00:08:40,667 YEAH, I DO. 149 00:08:40,701 --> 00:08:42,767 WELL, GOOD, BECAUSE IT'S ON FOR LIFE. 150 00:08:42,801 --> 00:08:44,267 LOOK AT YOU TWO. 151 00:08:44,299 --> 00:08:45,667 ANOTHER COUPLE OF DYKES WITH MATCHING TATS. 152 00:08:45,701 --> 00:08:46,801 YEAH. 153 00:08:46,834 --> 00:08:48,067 YOU KNOW WHAT, THOUGH? 154 00:08:48,100 --> 00:08:49,834 AT LEAST WE DIDN'T GET OUR NAMES TATTOOED. 155 00:08:49,868 --> 00:08:50,968 THAT WOULD BE THE ULTIMATE K.O.D., 156 00:08:51,067 --> 00:08:52,100 WOULDN'T IT? 157 00:08:52,133 --> 00:08:53,234 K.O.D.? 158 00:08:53,267 --> 00:08:55,399 KISS OF DEATH. KISS OF DEATH. 159 00:09:09,367 --> 00:09:11,634 THANK YOU. 160 00:09:15,801 --> 00:09:16,766 WELCOME TO BRITISH COLUMBIA! 161 00:09:16,800 --> 00:09:17,766 WHAT? 162 00:09:17,800 --> 00:09:19,800 I SAID, WELCOME TO B.C.! 163 00:09:22,266 --> 00:09:23,734 I WAS JUST SAYING WELCOME. 164 00:09:23,766 --> 00:09:26,132 WELL, IT GOT MY ATTENTION. 165 00:09:26,167 --> 00:09:28,067 TAKE ME TO YOUR LEADER. 166 00:09:28,067 --> 00:09:31,067 YOU ARE THE LEADER, REMEMBER? 167 00:09:31,067 --> 00:09:32,234 [GIGGLES] 168 00:09:32,267 --> 00:09:34,868 AH, IT'S GORGEOUS. 169 00:09:34,901 --> 00:09:37,868 SO DOWNTOWN VANCOUVER IS RIGHT HERE. 170 00:09:37,901 --> 00:09:40,701 WE'RE DOING OUR INTERIORS IN YALETOWN, 171 00:09:40,734 --> 00:09:42,167 AND OF COURSE THE FINAL CHASE SCENE 172 00:09:42,200 --> 00:09:44,067 WILL SHOOT ON VANCOUVER ISLAND. 173 00:09:50,701 --> 00:09:53,067 HOW'S THE CREW? 174 00:09:53,100 --> 00:09:55,133 THEY'RE CANADIAN. 175 00:09:55,167 --> 00:09:57,234 WHAT'S THAT MEAN? 176 00:09:57,267 --> 00:09:59,667 IT MEANS THEY WORK HARD, 177 00:09:59,701 --> 00:10:01,433 THEY DRINK HARD, 178 00:10:01,467 --> 00:10:04,166 AND THEY ALL HAVE THEIR OWN PERSONAL GRIZZLY BEAR STORIES, 179 00:10:04,200 --> 00:10:05,333 AND WE JUST BROKE FOR LUNCH, 180 00:10:05,367 --> 00:10:06,400 SO IT'S PRETTY QUIET HERE. 181 00:10:06,434 --> 00:10:07,533 ARE YOU HUNGRY? 182 00:10:07,567 --> 00:10:08,933 OH, GOD, NO, NO. 183 00:10:08,968 --> 00:10:10,300 I'M STILL TRYING TO GET 184 00:10:10,333 --> 00:10:12,367 MY PRE-PREGNANT BODY BACK. 185 00:10:12,400 --> 00:10:14,234 YOU LOOK GOOD TO ME. 186 00:10:14,266 --> 00:10:16,600 THAT'S THE SCIENTOLOGY TENT. 187 00:10:16,634 --> 00:10:17,833 WHAT? 188 00:10:17,867 --> 00:10:20,300 I'M KIDDING. THAT'S CRAFT SERVICES. 189 00:10:20,333 --> 00:10:22,300 THAT'S THE EXTRAS HOLDING TENT. 190 00:10:22,333 --> 00:10:23,434 THAT'S BASE CAMP, 191 00:10:23,466 --> 00:10:24,968 WHERE EVERYONE'S TRAILER IS. 192 00:10:25,000 --> 00:10:26,701 HOW'S G.J. DOING? 193 00:10:26,734 --> 00:10:28,234 BESIDES THE TINY CRANK HABIT 194 00:10:28,266 --> 00:10:29,434 AND THE 15-YEAR-OLD BOYS HE HAS 195 00:10:29,466 --> 00:10:32,000 TEACHING HIM TO SNOWBOARD? 196 00:10:32,033 --> 00:10:33,234 AND LESLIE? 197 00:10:33,267 --> 00:10:34,634 WE HAD TO CALL IN A BODY DOUBLE YESTERDAY 198 00:10:34,667 --> 00:10:35,734 TO SHOOT THE SEX SCENE. 199 00:10:35,767 --> 00:10:37,067 WHAT? WHY? 200 00:10:37,100 --> 00:10:38,701 BRUISES ON HER ASS. 201 00:10:38,734 --> 00:10:40,366 OH, GOD. 202 00:10:40,399 --> 00:10:42,667 IS ANYTHING GOING RIGHT? 203 00:10:42,701 --> 00:10:44,767 YOU SURPRISED ME WITH A VISIT. 204 00:10:47,100 --> 00:10:48,366 BRUISES ON HER ASS? 205 00:10:48,399 --> 00:10:49,399 YEAH. 206 00:10:50,466 --> 00:10:53,834 WOW. THAT WAS REALLY INCREDIBLE. 207 00:10:53,868 --> 00:10:55,234 REALLY. 208 00:10:55,267 --> 00:10:57,968 I JUST LOVE LISTENING TO YOU, 209 00:10:58,000 --> 00:11:01,567 AND YOUR STUDENTS LOVE LISTENING TO YOU. 210 00:11:01,601 --> 00:11:05,801 YOU'RE A REALLY INCREDIBLE TEACHER. 211 00:11:05,833 --> 00:11:08,300 "GO AND CATCH A FALLING STAR 212 00:11:08,333 --> 00:11:11,734 "GET WITH CHILD A MANDRAKE ROOT 213 00:11:11,766 --> 00:11:13,900 "TELL ME WHERE ALL PAST YEARS ARE 214 00:11:13,933 --> 00:11:16,399 "OR WHO CLEFT THE DEVIL'S FOOT 215 00:11:16,434 --> 00:11:19,132 TEACH ME TO HEAR MERMAIDS SINGING" 216 00:11:19,167 --> 00:11:20,300 THAT'S BEAUTIFUL. 217 00:11:20,333 --> 00:11:24,333 THIS IS MY FAVOURITE CHURCH IN L.A. 218 00:11:24,367 --> 00:11:26,968 OH, YEAH, I'M NOT GOING IN THERE. 219 00:11:27,067 --> 00:11:30,501 ONE EMBRACE DOESN'T MAKE YOU A VAMPIRE, ALICE. 220 00:11:30,533 --> 00:11:31,634 NO, IT'S-- I AGREE WITH THE VAMPIRES. 221 00:11:31,667 --> 00:11:32,801 IT'S NOT THAT. 222 00:11:32,834 --> 00:11:36,868 IT'S JUST THAT AS FAR AS I'M CONCERNED, GOD SUCKS. 223 00:11:36,901 --> 00:11:38,634 GOD SUCKS? 224 00:11:38,667 --> 00:11:40,067 THAT'S PRETTY ATHEISTICALLY DARK. 225 00:11:40,067 --> 00:11:42,767 YEAH, MY... 226 00:11:42,801 --> 00:11:46,968 MY EX-- AND MY BEST FRIEND, DANA, 227 00:11:47,067 --> 00:11:48,667 SHE'S UM... 228 00:11:48,701 --> 00:11:51,801 SHE'S 32 FUCKING YEARS OLD, AND SHE HAS BREAST CANCER, 229 00:11:51,834 --> 00:11:53,466 AND TODAY SHE WAS GOING IN FOR CHEMO, 230 00:11:53,500 --> 00:11:54,533 AND I JUST WOULD'VE-- 231 00:11:54,567 --> 00:11:57,267 I WANTED TO BE THERE, SO... 232 00:11:57,299 --> 00:12:01,266 YOU'RE STILL IN LOVE WITH HER. 233 00:12:04,466 --> 00:12:05,934 NO. 234 00:12:05,968 --> 00:12:07,666 I... 235 00:12:10,433 --> 00:12:11,634 SINCE I MET YOU-- 236 00:12:11,666 --> 00:12:12,666 AND I'M NOT TELLING YOU THIS 237 00:12:12,701 --> 00:12:14,067 TO FREAK YOU OUT OR ANYTHING-- 238 00:12:14,067 --> 00:12:17,234 IT'S JUST... 239 00:12:17,266 --> 00:12:20,234 I KIND OF HAD THIS, UH... 240 00:12:20,266 --> 00:12:21,300 SHRINE. 241 00:12:21,333 --> 00:12:23,567 SHE'S A PRO TENNIS PLAYER, 242 00:12:23,600 --> 00:12:26,132 AND SHE HAD A LITTLE-- OR BIG 243 00:12:26,167 --> 00:12:27,600 LIFE-SIZE CUTOUT 244 00:12:27,634 --> 00:12:29,132 OF HERSELF, 245 00:12:29,167 --> 00:12:31,132 AND I... 246 00:12:31,167 --> 00:12:32,801 YOU KNOW. 247 00:12:32,834 --> 00:12:36,334 WELL, WE ALL HAVE DIFFERENT RITUALS 248 00:12:36,366 --> 00:12:38,200 TO EXORCISE HEARTBREAK. 249 00:12:38,234 --> 00:12:40,299 YOU HAVEN'T COMPLETED YOURS, ALICE. 250 00:12:40,334 --> 00:12:43,133 NO, I DID, I DID. 251 00:12:43,167 --> 00:12:44,267 YOU KNOW, I THREW IT AWAY 252 00:12:44,299 --> 00:12:46,067 LAST WEEK 253 00:12:46,067 --> 00:12:48,734 SINCE YOU RELEASED ME FROM MY MORTAL COILS. 254 00:12:48,767 --> 00:12:50,100 YOU THREW IT AWAY? 255 00:12:50,133 --> 00:12:51,466 YEAH, I DID, AND IT WAS A REALLY-- 256 00:12:51,500 --> 00:12:52,533 IT WAS A BIG DEAL FOR ME. 257 00:12:52,567 --> 00:12:55,366 GET HER BACK, ALICE. 258 00:12:55,399 --> 00:12:56,868 I THREW IT AWAY. IT'S GONE. 259 00:12:56,901 --> 00:12:58,466 THE GARBAGE MEN, THEY TOOK IT AWAY THIS MORNING. 260 00:12:58,500 --> 00:13:00,000 IT'S GONE. 261 00:13:00,000 --> 00:13:03,266 YOU ENDOWED MOJO INTO THIS LIFE-SIZE VOODOO DOLL. 262 00:13:03,299 --> 00:13:06,200 YOU DON'T JUST THROW IT AWAY. 263 00:13:06,234 --> 00:13:07,934 YOU HAVE TO PROPERLY RELEASE IT 264 00:13:07,968 --> 00:13:09,868 AND LET HER GO. 265 00:13:09,900 --> 00:13:10,968 I DO? 266 00:13:16,800 --> 00:13:17,900 CALL ME 267 00:13:17,934 --> 00:13:20,900 WHEN YOU'VE TAKEN CARE OF DANA. 268 00:13:42,200 --> 00:13:43,299 YOU MIGHT FEEL A LITTLE NAUSEOUS 269 00:13:43,334 --> 00:13:44,399 LATER ON TONIGHT 270 00:13:44,433 --> 00:13:45,901 AND FOR THE NEXT FEW DAYS, DANA. 271 00:13:45,933 --> 00:13:49,366 SO I'M GOING TO GIVE YOU A PRESCRIPTION FOR ZOFRAN. 272 00:13:49,399 --> 00:13:51,200 TAKE ONE IN ABOUT EIGHT HOURS 273 00:13:51,234 --> 00:13:52,299 IF YOU NEED IT, 274 00:13:52,334 --> 00:13:54,901 AND ONE TABLET TWICE A DAY 275 00:13:54,933 --> 00:13:56,901 FOR THE NEXT TWO DAYS. 276 00:13:56,933 --> 00:13:57,968 ARE THERE ANY SPECIAL FOODS 277 00:13:58,067 --> 00:13:58,968 THAT I SHOULD BE-- 278 00:13:59,067 --> 00:14:00,000 AM I GOING TO DIE? 279 00:14:02,968 --> 00:14:05,067 YOU ARE YOUNG, 280 00:14:05,067 --> 00:14:07,299 AND YOU HAVE TAKEN EXCELLENT CARE OF YOURSELF. 281 00:14:07,333 --> 00:14:09,400 YOU HAVE A VERY GOOD CHANCE OF SURVIVING 282 00:14:09,433 --> 00:14:11,099 AND LIVING A FULL AND PRODUCTIVE LIFE, 283 00:14:11,132 --> 00:14:12,634 AND WE'RE GOING TO DO EVERYTHING IN OUR POWER 284 00:14:12,666 --> 00:14:15,933 TO IMPROVE THOSE CHANCES. 285 00:14:15,968 --> 00:14:17,167 NOW, SINCE CHEMO HAS THE EFFECT 286 00:14:17,199 --> 00:14:19,067 OF BREAKING DOWN THE IMMUNE SYSTEM, 287 00:14:19,100 --> 00:14:22,167 YOU HAVE TO BE MINDFUL ABOUT INFECTION. 288 00:14:22,199 --> 00:14:23,701 SO WASH YOUR HANDS OFTEN, 289 00:14:23,734 --> 00:14:25,199 KEEP YOUR HOT FOOD HOT, 290 00:14:25,234 --> 00:14:26,501 COLD FOOD COLD, 291 00:14:26,533 --> 00:14:27,833 AND AVOID ANY SITUATION 292 00:14:27,867 --> 00:14:29,567 WHERE YOU CAN CUT YOURSELF, 293 00:14:29,600 --> 00:14:31,434 AND UNLESS YOU'VE HAD ALL THE CHILDHOOD DISEASES, 294 00:14:31,466 --> 00:14:34,399 CHICKEN POX, GERMAN MEASLES, MUMPS, 295 00:14:34,433 --> 00:14:35,667 TRY TO AVOID ANY CHILDREN 296 00:14:35,701 --> 00:14:38,234 WHO MIGHT HAVE BEEN EXPOSED TO THEM. 297 00:14:38,267 --> 00:14:40,933 IT'S ALL PRETTY COMMON-SENSE STUFF. 298 00:14:40,968 --> 00:14:42,200 ANY QUESTIONS? 299 00:14:42,234 --> 00:14:45,167 WHEN AM I GOING TO LOSE MY HAIR? 300 00:14:52,433 --> 00:14:53,968 ANYTHING YOU NEED, WE'VE GOT IT. 301 00:14:54,067 --> 00:14:55,067 OKAY, WELL, 302 00:14:55,067 --> 00:14:56,600 WHY DON'T YOU JUST PUT EVERYTHING, 303 00:14:56,634 --> 00:14:57,868 YOU KNOW, NEAR THE STAGE. 304 00:14:57,901 --> 00:14:59,466 THEY'LL GET IT ALL TOGETHER 305 00:14:59,500 --> 00:15:01,300 FOR SOUND-CHECK TOMORROW, OKAY? 306 00:15:01,334 --> 00:15:03,067 DID YOU WANT A PICK-UP FOR TOMORROW NIGHT? 307 00:15:03,100 --> 00:15:04,666 YEAH. YEAH, LATE TOMORROW NIGHT, 308 00:15:04,700 --> 00:15:07,067 AFTER THE SHOW, ABOUT 2:00 A.M. 309 00:15:07,067 --> 00:15:08,701 IT SPEAKS. 310 00:15:08,734 --> 00:15:13,067 THAT'S MR. "IT" TO YOU, SUPERFLYSTRESS. 311 00:15:13,099 --> 00:15:14,132 LOOK AT YOU. 312 00:15:14,166 --> 00:15:15,333 WHEN WAS THE LAST TIME YOU SLEPT? 313 00:15:15,367 --> 00:15:17,067 DON'T GIVE ME ANY SHIT, KIT. 314 00:15:17,067 --> 00:15:18,434 I HAD TO JACK OFF TWICE TODAY 315 00:15:18,466 --> 00:15:20,067 JUST TO GET MY HEART STARTED, 316 00:15:20,067 --> 00:15:21,667 AND ANYWAY, I DON'T SLEEP. 317 00:15:21,701 --> 00:15:23,466 I'VE FMS. 318 00:15:23,501 --> 00:15:25,067 FMS? 319 00:15:25,067 --> 00:15:27,067 WHAT IS FMS? 320 00:15:27,067 --> 00:15:29,934 IS THAT FAG MUNCHAUSEN SYNDROME OR SOMETHING? 321 00:15:29,968 --> 00:15:31,132 NO, FEAR OF MISSING SOMETHING. 322 00:15:31,167 --> 00:15:32,234 GIVE ME A HAND UP. 323 00:15:32,267 --> 00:15:33,299 OH, JESUS. 324 00:15:33,334 --> 00:15:34,466 WELL, I DON'T CARE WHAT YOU GOT. 325 00:15:34,500 --> 00:15:36,133 ALL I WANT YOU TO DO IS GET YOUR SHIT TOGETHER 326 00:15:36,167 --> 00:15:37,399 BY TOMORROW NIGHT, 327 00:15:37,433 --> 00:15:38,933 BECAUSE I DON'T WANT ANY FUCK-UPS WITH THE B-52's-- 328 00:15:38,968 --> 00:15:40,299 DO NOT GIVE ME ANY ATTITUDE ABOUT THIS. 329 00:15:40,334 --> 00:15:41,399 I'M THE ONE WHO BROUGHT THEM HERE. 330 00:15:41,433 --> 00:15:42,399 I KNOW... 331 00:15:42,433 --> 00:15:43,399 I KNOW. 332 00:15:43,433 --> 00:15:44,466 I KNOW YOU BOOKED THEM. 333 00:15:44,500 --> 00:15:45,567 I KNOW YOU'RE THE BEST OF FRIENDS, 334 00:15:45,600 --> 00:15:46,567 HOMEY HOMES, WAY BACK IN THE DAY. 335 00:15:46,600 --> 00:15:47,801 I KNOW THIS. I KNOW ALL OF THIS-- 336 00:15:47,834 --> 00:15:49,067 WELL, THEN, YOU SHOULD ALSO KNOW 337 00:15:49,100 --> 00:15:50,299 THAT ALL YOU NEED TO DO IS KEEPING THE BOOZE FLOWING 338 00:15:50,334 --> 00:15:51,834 AND KEEP YOUR OWN VICES UNDER CONTROL. 339 00:15:51,868 --> 00:15:53,299 I MEAN, I DON'T LET MINE GET IN THE WAY 340 00:15:53,334 --> 00:15:56,600 OF MAKING YOUR BUSINESS FLOURISH. 341 00:15:56,634 --> 00:15:58,433 I DIDN'T HAVE TO BOTTOM OUT TO GET MY LIFE TOGETHER. 342 00:16:05,234 --> 00:16:07,067 AND YOU'RE BOTH GOING TO LOVE IT. 343 00:16:07,099 --> 00:16:08,199 IT'S WHERE WE MAKE FILMS. 344 00:16:08,234 --> 00:16:09,968 THE PLACE IS FULL OF SURPRISES. 345 00:16:10,067 --> 00:16:11,900 THERE'S LOTS OF LORRIES ON THE LOT, 346 00:16:11,933 --> 00:16:13,333 AND THERE'S SHIPS, 347 00:16:13,367 --> 00:16:14,766 AND YOU'RE BOTH GOING TO SEE EVERYTHING 348 00:16:14,801 --> 00:16:16,367 WHEN YOU NEXT COME DOWN TO VISIT. 349 00:16:16,399 --> 00:16:18,067 [KNOCKING] 350 00:16:18,067 --> 00:16:19,800 MUMMY, CAN YOU TAKE ME TO SEE THE COSTUMES? COME IN! 351 00:16:19,833 --> 00:16:21,367 OF COURSE, PUMPKIN, 352 00:16:21,399 --> 00:16:24,300 I'LL TAKE YOU TO THE WARDROBE DEPARTMENT. 353 00:16:24,333 --> 00:16:25,367 DID MAMA TELL YOU 354 00:16:25,399 --> 00:16:28,300 ABOUT DAMMA TETE'S PARTY FOR US? 355 00:16:28,333 --> 00:16:31,466 YES, WINNIE TOLD ME ALL ABOUT THAT. 356 00:16:31,501 --> 00:16:33,634 OH, MY GOD, ARE THOSE YOUR CHILDREN? 357 00:16:33,667 --> 00:16:34,299 YEAH. 358 00:16:34,334 --> 00:16:35,634 SWEETHEARTS, 359 00:16:35,667 --> 00:16:38,100 CAN YOU BOTH JUST SAY HI TO DYLAN? 360 00:16:38,133 --> 00:16:39,466 HI, DYLAN! 361 00:16:39,500 --> 00:16:40,533 HI, YOU TWO. 362 00:16:40,567 --> 00:16:43,133 I CAN'T WAIT TO MEET YOU. 363 00:16:43,167 --> 00:16:44,901 SWEETHEARTS, MUMMY'S GOING TO HAVE TO GO NOW. 364 00:16:44,933 --> 00:16:46,267 I'M SORRY. 365 00:16:46,299 --> 00:16:48,067 BUT I'LL SPEAK TO YOU TOMORROW, OKAY? 366 00:16:48,067 --> 00:16:49,200 BIG BIG KISS TO YOU. 367 00:16:49,234 --> 00:16:50,200 BYE, MUMMY! 368 00:16:50,234 --> 00:16:51,200 I LOVE YOU! 369 00:16:51,234 --> 00:16:52,200 I LOVE YOU, TOO. 370 00:16:52,234 --> 00:16:53,200 BYE! 371 00:16:53,234 --> 00:16:55,067 BYE. 372 00:16:57,067 --> 00:16:58,299 MY GOD, THAT IS SO GREAT 373 00:16:58,334 --> 00:17:00,000 THAT YOU CAN SEE THEM WHEN YOU TALK TO THEM LIKE THAT. 374 00:17:00,000 --> 00:17:02,100 YEAH. 375 00:17:02,133 --> 00:17:03,567 I TALK TO THEM EVERY DAY. 376 00:17:03,601 --> 00:17:05,333 UM, I WAS IN THE NEIGHBORHOOD, 377 00:17:05,367 --> 00:17:08,701 AND I THOUGHT I WOULD BRING YOU SOMETHING. 378 00:17:08,734 --> 00:17:12,300 THANK YOU. 379 00:17:12,333 --> 00:17:13,534 I'M GLAD YOU CAME BY. 380 00:17:18,132 --> 00:17:20,199 CADBURY'S FLAKE... 381 00:17:22,266 --> 00:17:23,533 AND BRANSTON PICKLE. 382 00:17:23,567 --> 00:17:27,199 TWO OF MY ABSOLUTE FAVORITES. 383 00:17:27,234 --> 00:17:29,533 THAT'S FANTASTIC. 384 00:17:29,567 --> 00:17:31,100 THANK YOU. 385 00:17:39,334 --> 00:17:41,200 HOW GOES EDITING? 386 00:17:41,234 --> 00:17:44,868 YOU HAVEN'T CALLED ME. 387 00:17:44,901 --> 00:17:46,767 YOU KNOW, DYLAN, I MADE A PROMISE TO MYSELF 388 00:17:46,801 --> 00:17:49,567 TO STOP SLEEPING WITH MARRIED PEOPLE. 389 00:17:49,600 --> 00:17:53,500 DANNY'S MY BOYFRIEND. 390 00:17:53,533 --> 00:17:56,433 WE'RE NOT MARRIED. WE LIVE TOGETHER. 391 00:17:56,466 --> 00:17:57,767 YEAH, BUT IN LESBIANWORLD, 392 00:17:57,801 --> 00:17:59,267 THAT IS MARRIED. 393 00:18:03,533 --> 00:18:05,267 I'VE WANTED TO CALL YOU, 394 00:18:05,299 --> 00:18:09,933 BUT THIS IS A REALLY DIFFICULT SITUATION FOR ME. 395 00:18:09,968 --> 00:18:12,634 YOU KNOW, YOU'RE WITH SOMEONE ELSE, 396 00:18:12,666 --> 00:18:13,933 AND YOU'RE STRAIGHT. 397 00:18:13,968 --> 00:18:15,968 AT LEAST, THAT'S WHAT YOU TOLD ME. 398 00:18:17,701 --> 00:18:19,333 I AM STRAIGHT. 399 00:18:19,367 --> 00:18:23,067 BUT, DYLAN, THIS IS A NO-WIN ON MY PART. 400 00:18:23,067 --> 00:18:26,333 WHAT STARTS IN CHAOS ENDS IN CHAOS. 401 00:18:32,399 --> 00:18:35,933 I LIKE YOU... 402 00:18:35,968 --> 00:18:37,299 A LOT. 403 00:18:37,334 --> 00:18:41,968 WHAT DOES THAT MEAN, DYLAN? 404 00:18:55,299 --> 00:18:56,567 I DON'T WANT TO BE THE LIE 405 00:18:56,600 --> 00:19:00,000 YOU TELL TO SOMEONE. 406 00:19:00,000 --> 00:19:03,367 WELL, WHAT DO YOU WANT? 407 00:19:03,399 --> 00:19:07,234 YOU KNOW WHAT I WANT, 408 00:19:07,267 --> 00:19:09,067 BUT I DON'T WANT IT HALFWAY, 409 00:19:09,067 --> 00:19:10,367 AND I DON'T WANT IT 410 00:19:10,400 --> 00:19:15,567 AT SOMEONE ELSE'S EXPENSE. 411 00:19:15,601 --> 00:19:19,634 WE SHOULD JUST BE FRIENDS. 412 00:19:19,667 --> 00:19:22,800 CAN WE TRY THAT? 413 00:19:28,734 --> 00:19:29,766 HEY, ALICE? 414 00:19:29,800 --> 00:19:30,766 ALICE, WAKE UP. 415 00:19:30,800 --> 00:19:31,466 COME ON. 416 00:19:31,501 --> 00:19:32,267 [SPLASHING] 417 00:19:32,299 --> 00:19:34,801 COME ON, WAKE UP. 418 00:19:34,834 --> 00:19:35,834 COME ON. 419 00:19:35,868 --> 00:19:37,334 ALICE... 420 00:19:37,366 --> 00:19:40,067 WHAT DO YOU THINK? 421 00:19:44,868 --> 00:19:46,567 I THINK THEY'RE REALLY DISCREET. 422 00:19:46,600 --> 00:19:48,133 YOU DO? 423 00:19:48,167 --> 00:19:49,433 YEAH. 424 00:19:49,466 --> 00:19:50,734 I HAD MY FIRST GIRLFRIEND'S NAME 425 00:19:50,767 --> 00:19:52,100 TATTOOED ON MY ANKLE. 426 00:19:52,133 --> 00:19:53,334 I HAD IT REMOVED. 427 00:19:53,366 --> 00:19:56,399 OH, WHY DIDN'T YOU PUT SOMETHING ELSE ON IT, HUH? 428 00:19:56,433 --> 00:19:57,600 BRONWYN? 429 00:19:57,634 --> 00:19:58,901 [LAUGHS] 430 00:19:58,933 --> 00:20:00,000 HELLO, EVERYBODY. HEY, JENNY. 431 00:20:00,000 --> 00:20:01,901 HELLO. 432 00:20:01,933 --> 00:20:02,900 HI, MISS. 433 00:20:02,934 --> 00:20:03,900 OH, HOW ARE YOU? 434 00:20:03,934 --> 00:20:04,900 I'M VERY GOOD. 435 00:20:04,934 --> 00:20:06,466 HI. 436 00:20:06,501 --> 00:20:09,166 HOW ARE YOU? 437 00:20:09,199 --> 00:20:13,300 I PICKED THESE FROM THE GARDEN... 438 00:20:13,333 --> 00:20:14,300 FOR YOU. 439 00:20:14,333 --> 00:20:15,433 THANK YOU. THEY'RE BEAUTIFUL. 440 00:20:15,467 --> 00:20:16,867 HEY, I THOUGHT YOU WERE OUT OF HERE. 441 00:20:16,900 --> 00:20:19,333 I'M TAKING THE REDEYE TO NEW YORK TONIGHT. 442 00:20:19,367 --> 00:20:22,234 WHAT'S GOING ON? 443 00:20:22,266 --> 00:20:24,100 I'M GOING TO BE MEETING 444 00:20:24,132 --> 00:20:25,466 WITH MY BOOK EDITOR. 445 00:20:25,501 --> 00:20:26,533 WELL, THAT'S EXCITING. 446 00:20:26,567 --> 00:20:28,100 IS MOIRA GOING WITH YOU? 447 00:20:28,132 --> 00:20:29,900 NO, SHE HAS TO WORK AT THE PLANET TONIGHT 448 00:20:29,934 --> 00:20:31,033 WITH BILLIE. 449 00:20:31,067 --> 00:20:32,334 RIGHT. WE HAD TO CLOSE TONIGHT 450 00:20:32,366 --> 00:20:34,033 SO WE COULD, YOU KNOW, RIG FOR TOMORROW. 451 00:20:34,067 --> 00:20:35,634 THAT'S RIGHT, THE B-52's ARE GOING TO BE THERE. 452 00:20:35,667 --> 00:20:37,067 THAT IS HUGE. 453 00:20:37,100 --> 00:20:38,334 KIT, HOW DID YOU GET THEM? 454 00:20:38,366 --> 00:20:41,600 MY SEX-AND-DRUG-CRAZED MANAGER, HE LANDED THEM. 455 00:20:41,634 --> 00:20:42,868 HAPPY FIRST CHEMO, BABY. 456 00:20:44,801 --> 00:20:45,933 HEY... 457 00:20:45,968 --> 00:20:47,200 OH, MY GOSH, WOW. 458 00:20:47,234 --> 00:20:48,667 LOOK. 459 00:20:48,701 --> 00:20:50,701 HEY... 460 00:20:50,734 --> 00:20:53,200 OH, LOOK AT THAT. 461 00:20:53,234 --> 00:20:54,466 OH, MY GOD, THAT'S A BEAUTIFUL CAKE. 462 00:20:54,500 --> 00:20:56,667 I'VE NEVER HEARD OF A CHEMO CAKE BEFORE. 463 00:21:01,100 --> 00:21:02,500 WELL, YOUR GIRL MADE IT FOR YOU. 464 00:21:02,533 --> 00:21:03,701 YEAH. 465 00:21:03,734 --> 00:21:05,367 IT'S RED VELVET, BABY, YOUR FAVORITE. 466 00:21:05,400 --> 00:21:07,133 YOU KNOW, I'M A LITTLE NAUSEOUS RIGHT NOW, ACTUALLY. 467 00:21:07,166 --> 00:21:08,601 I DON'T THINK I CAN HAVE ANY, OKAY? 468 00:21:08,634 --> 00:21:10,433 IT'S RED VELVET, BABY-- 469 00:21:10,467 --> 00:21:12,300 LOOK, I'M FUCKING SICK, LARA. OKAY? JUST TAKE IT AWAY. 470 00:21:13,666 --> 00:21:14,933 MAYBE LATER. 471 00:21:14,968 --> 00:21:16,067 I WANT SOME. 472 00:21:16,067 --> 00:21:17,167 I WOULD LOVE A PIECE. 473 00:21:17,199 --> 00:21:19,466 IS THAT WEDDING CAKE? 474 00:21:19,501 --> 00:21:20,833 NO, IT'S NOT WEDDING CAKE. 475 00:21:20,867 --> 00:21:22,199 YOU'RE JUST JEALOUS 476 00:21:22,234 --> 00:21:23,600 BECAUSE MY GIRLFRIEND AND I ARE TWO GOLD STARS 477 00:21:23,634 --> 00:21:25,266 THAT HAVE FOUND EACH OTHER. 478 00:21:25,300 --> 00:21:26,466 WHAT'S A GOLD STAR? 479 00:21:26,501 --> 00:21:27,667 OH, IT'S SOMEBODY WHO'S GAY 480 00:21:27,701 --> 00:21:28,701 WHO'S NEVER HAD SEX 481 00:21:28,734 --> 00:21:30,132 WITH A PERSON OF THE OPPOSITE SEX. 482 00:21:30,167 --> 00:21:31,800 YEAH, PEOPLE WHO BUMP UGLIES WITH UGLIES. 483 00:21:31,833 --> 00:21:33,067 CAN I BE A GOLD STAR 484 00:21:33,100 --> 00:21:34,968 EVEN THOUGH I'VE SLEPT WITH MEN? 485 00:21:35,067 --> 00:21:36,634 JEN, YOU'RE THE JEWISH STAR. 486 00:21:36,667 --> 00:21:37,734 AW... 487 00:21:37,767 --> 00:21:40,600 YES, AND I AM A LATINA GOLD STAR, 488 00:21:40,634 --> 00:21:42,334 COVERED IN SEQUINS. 489 00:21:42,366 --> 00:21:44,067 SO HOW MANY GOLD STARS DO WE HAVE HERE? 490 00:21:44,100 --> 00:21:45,901 [GASPING] 491 00:21:45,933 --> 00:21:47,533 [JENNY]: HELENA, YOU'RE A GOLD STAR? 492 00:21:47,567 --> 00:21:48,701 WELL, SORT OF. 493 00:21:48,734 --> 00:21:50,767 I MEAN, THE ENGLISH PUBLIC SCHOOL BOYS 494 00:21:50,801 --> 00:21:52,567 THAT I SHAGGED AS A TEENAGER, 495 00:21:52,600 --> 00:21:54,067 THEY WERE JUST EXPERIMENTS, 496 00:21:54,067 --> 00:21:54,834 AND THEY WERE SO EFFEMINATE, THEY DON'T REALLY COUNT. 497 00:21:54,868 --> 00:21:56,334 HELENA, THAT DOES NOT COUNT. 498 00:21:56,366 --> 00:21:57,901 I THINK YOU MIGHT BE A SPOILED STAR. 499 00:21:57,933 --> 00:21:59,234 OH, REALLY. 500 00:21:59,267 --> 00:22:00,000 [SPLASHING] 501 00:22:00,000 --> 00:22:02,734 YOU KNOW, MY MAMA'S FROM TEXAS, 502 00:22:02,766 --> 00:22:04,934 AND SHE ALWAYS CALLED HERSELF A LONE STAR 503 00:22:04,968 --> 00:22:06,900 BECAUSE MY DADDY'S THE ONLY MAN SHE EVER SLEPT WITH. 504 00:22:06,934 --> 00:22:08,166 ARE YOU SERIOUS? 505 00:22:08,199 --> 00:22:09,367 YEAH. 506 00:22:09,400 --> 00:22:11,132 I CAN'T IMAGINE THAT. 507 00:22:11,166 --> 00:22:13,634 I CAN. IT SOUNDS NICE. 508 00:22:13,666 --> 00:22:16,300 TINA'S MOM IS A LONE STAR, TOO. 509 00:22:16,333 --> 00:22:18,132 WHERE IS TINA? 510 00:22:18,167 --> 00:22:19,199 BABE, SHE ALREADY TOLD US. 511 00:22:19,234 --> 00:22:20,234 TINA'S IN VANCOUVER. 512 00:22:20,266 --> 00:22:21,266 "SHE ALREADY TOLD US." 513 00:22:21,300 --> 00:22:22,333 WELL, I FORGOT, OKAY? 514 00:22:22,367 --> 00:22:23,501 WHAT ARE YOU, MY MEMORY MONITOR NOW? 515 00:22:26,333 --> 00:22:27,367 I'M SORRY. 516 00:22:27,399 --> 00:22:31,132 I'M SORRY. 517 00:22:31,167 --> 00:22:37,067 LOOK, I'M GOING TO GO LIE DOWN, IF THAT'S OKAY. 518 00:22:37,067 --> 00:22:38,100 DO YOU WANT ME TO COME WITH YOU? 519 00:22:38,133 --> 00:22:39,567 NO. 520 00:22:45,500 --> 00:22:47,567 HEY, MAX. 521 00:22:47,600 --> 00:22:48,767 HEY. 522 00:22:48,801 --> 00:22:50,267 YOU'RE GETTING MUSCLES. 523 00:22:50,299 --> 00:22:51,968 YEAH. 524 00:22:52,067 --> 00:22:54,567 I THINK I'M ALREADY STARTING TO BULK UP. 525 00:22:54,600 --> 00:22:55,667 MM-HMM. 526 00:22:58,234 --> 00:22:59,868 HEY, WON'T YOU GET IN TROUBLE FOR THAT? 527 00:22:59,901 --> 00:23:02,867 MM-MM. 528 00:23:02,900 --> 00:23:04,700 BIG SISTER'S OVER AT THE CHEMO CLAM-BAKE. 529 00:23:04,734 --> 00:23:07,067 I THINK IT'S REALLY HARSH WHAT'S HAPPENING TO DANA, 530 00:23:07,067 --> 00:23:08,666 BILLIE, 531 00:23:08,701 --> 00:23:11,067 AND IT MUST REALLY BE HARD FOR LARA, TOO. 532 00:23:11,067 --> 00:23:13,067 YEAH, IT'S ROUGH. 533 00:23:14,467 --> 00:23:16,934 MY LOVER WAS SICK FOR THREE YEARS 534 00:23:16,968 --> 00:23:17,867 BEFORE I LOST HIM. 535 00:23:17,900 --> 00:23:19,300 I THOUGHT I WAS GOING TO DIE 536 00:23:19,333 --> 00:23:20,701 RIGHT ALONG WITH HIM, BUT... 537 00:23:20,734 --> 00:23:24,634 I DIDN'T. 538 00:23:24,667 --> 00:23:30,634 THEY LEAVE YOU BEHIND TO DEAL, AND... 539 00:23:30,667 --> 00:23:32,067 YOU DEAL. 540 00:23:32,067 --> 00:23:35,701 WELL, HOW LONG WERE YOU TWO TOGETHER? 541 00:23:35,734 --> 00:23:37,734 12 YEARS. 542 00:23:40,334 --> 00:23:41,600 EVERY NOW AND THEN, 543 00:23:41,634 --> 00:23:43,734 I CAN STILL FEEL HIS BREATH ON ME. 544 00:23:43,767 --> 00:23:45,968 I'VE NEVER HAD ANYONE I LOVE DIE. 545 00:23:46,067 --> 00:23:47,067 NO? 546 00:23:47,067 --> 00:23:49,299 YOU WILL, HANDSOME. 547 00:23:49,334 --> 00:23:51,133 YOU WILL. 548 00:23:58,267 --> 00:23:59,868 YOU'RE A REALLY COOL GUY, BILLIE. 549 00:23:59,901 --> 00:24:03,100 YOU'VE REALLY HELPED ME OUT A LOT. 550 00:24:03,133 --> 00:24:05,801 HOW ARE YOU FEELING? 551 00:24:05,833 --> 00:24:08,067 ALL RIGHT, I GUESS. MAYBE A LITTLE EDGY. 552 00:24:10,333 --> 00:24:11,766 HAVE YOU STARTED FUCKING LIKE A RABBIT YET? 553 00:24:11,801 --> 00:24:13,900 IT KICKS IN ABOUT NOW. 554 00:24:13,933 --> 00:24:16,466 THE HARD-ON THAT'LL NEVER GO DOWN. 555 00:24:16,501 --> 00:24:19,100 ALL YOU CAN THINK ABOUT IS GETTING OFF. 556 00:24:19,132 --> 00:24:21,867 YEAH. 557 00:24:21,900 --> 00:24:23,968 IT'S PRETTY INTENSE. 558 00:24:24,067 --> 00:24:27,067 KISS ME AGAIN. 559 00:24:35,567 --> 00:24:39,267 I LIKE GETTING KISSED WHEN I'M GETTING FUCKED. 560 00:24:41,500 --> 00:24:42,634 WHOA... 561 00:25:32,567 --> 00:25:33,634 I SWEAR TO GOD. 562 00:25:33,667 --> 00:25:35,133 HE USES A PENIS ENLARGER. 563 00:25:35,167 --> 00:25:36,634 I DON'T BELIEVE YOU. I SAW IT IN HIS TRAILER. YEAH. 564 00:25:36,667 --> 00:25:38,634 I DON'T BELIEVE YOU. 565 00:25:38,667 --> 00:25:40,968 OH, MY GOD, THAT IS CRAZY. 566 00:25:41,067 --> 00:25:42,634 I CAN'T WAIT TILL THAT HITS THE TABLOIDS. 567 00:25:42,667 --> 00:25:43,801 THAT'S JUICY. 568 00:25:43,834 --> 00:25:46,901 I MIGHT HAVE TO LEAK IT MYSELF. 569 00:25:46,933 --> 00:25:51,600 OKAY, SO WHERE WE ARE WITH LESLIE IS... 570 00:25:51,634 --> 00:25:52,968 UM, WE'RE THINKING 571 00:25:53,067 --> 00:25:54,466 OF CALLING IN THE BODY DOUBLE AGAIN 572 00:25:54,500 --> 00:25:55,767 FOR SCENE 29A 573 00:25:55,801 --> 00:25:57,767 OR JUST CUTTING THE SCENE ENTIRELY. 574 00:25:57,801 --> 00:26:00,000 IT'S JUST GRATUITOUS SEX ANYWAY. 575 00:26:00,000 --> 00:26:03,633 I DON'T HAVE A PROBLEM WITH GRATUITOUS SEX. 576 00:26:05,501 --> 00:26:06,734 I LIKE A WOMAN 577 00:26:06,767 --> 00:26:09,666 WHO GETS RIGHT TO THE POINT. 578 00:26:12,067 --> 00:26:14,067 PEEKABOO! 579 00:26:14,067 --> 00:26:15,567 HEY... 580 00:26:15,601 --> 00:26:18,300 [ARIA PLAYING] 581 00:26:18,333 --> 00:26:19,434 REMEMBER THIS ARIA? 582 00:26:22,434 --> 00:26:23,800 OH, YOU MEAN OUR THIRD DATE, 583 00:26:23,833 --> 00:26:25,300 WHEN YOU FINGER-FUCKED ME AT THE OPERA 584 00:26:25,333 --> 00:26:26,667 BEFORE TELLING ME 585 00:26:26,701 --> 00:26:27,734 YOU DIDN'T THINK WE WERE RIGHT FOR EACH OTHER? 586 00:26:27,766 --> 00:26:29,399 OH, AND THAT YOU HAD JUST MET A STRAIGHT GIRL 587 00:26:29,434 --> 00:26:30,667 THAT YOU THOUGHT YOU MIGHT FALL IN LOVE WITH? 588 00:26:30,701 --> 00:26:32,901 NO, I DON'T REMEMBER A THING. 589 00:26:36,334 --> 00:26:37,901 HEY. 590 00:26:45,567 --> 00:26:46,567 HEY, ANGUS? 591 00:26:46,600 --> 00:26:50,067 COULD YOU WATCH ANGELICA JUST FOR A MINUTE? 592 00:26:55,466 --> 00:27:00,000 [ANGUS]: HELLO! HELLO, ANGELICA. 593 00:27:00,000 --> 00:27:06,133 * A-E-I-O-U, U 594 00:27:09,132 --> 00:27:11,734 I DON'T KNOW HOW TO DEAL WITH THIS, ALICE. 595 00:27:11,766 --> 00:27:13,067 THIS ANGER IN HER, 596 00:27:13,067 --> 00:27:16,567 IT'S NOTHING THAT I'VE EVER SEEN IN HER BEFORE. 597 00:27:16,600 --> 00:27:18,766 [SOFTLY]: WELL, SHE'S NEVER HAD CANCER BEFORE. 598 00:27:18,800 --> 00:27:20,100 I MEAN, WHO KNOWS HOW TO DEAL WITH THAT? 599 00:27:20,132 --> 00:27:21,533 I KNOW, I KNOW. I JUST... 600 00:27:21,567 --> 00:27:25,067 I FEEL LIKE EVERYTHING I DO OR SAY IS WRONG, 601 00:27:25,100 --> 00:27:26,567 AND SHE JUST-- 602 00:27:26,600 --> 00:27:27,734 SHE KEEPS PUSHING ME AWAY. 603 00:27:27,766 --> 00:27:30,701 I MEAN, OBVIOUSLY I'M NOT HELPING HER. 604 00:27:33,433 --> 00:27:37,267 LARA... 605 00:27:37,299 --> 00:27:39,067 DANA NEEDS YOU. 606 00:27:39,067 --> 00:27:43,399 SHE NEEDS YOU, ALICE. 607 00:27:43,433 --> 00:27:45,133 YOU'RE STRONG. 608 00:27:48,067 --> 00:27:49,667 I JUST-- I FEEL LOST. 609 00:27:49,701 --> 00:27:52,500 I FEEL TOTALLY LOST. 610 00:27:57,399 --> 00:28:01,066 DANA'S LOST, TOO... 611 00:28:06,333 --> 00:28:09,132 AND I NEED TO FIND HER. 612 00:28:09,166 --> 00:28:12,601 I FEEL LIKE I'M FLOATING OUTSIDE OF MY BODY, 613 00:28:12,634 --> 00:28:15,199 AND I'M WATCHING MYSELF DO THESE THINGS, 614 00:28:15,234 --> 00:28:17,132 AND I CAN'T STOP MYSELF. 615 00:28:17,167 --> 00:28:19,266 I CAN'T CHANGE ANYTHING. 616 00:28:19,300 --> 00:28:22,067 YEAH, I FELT LIKE THAT WHEN MY DAD DIED, 617 00:28:22,100 --> 00:28:23,867 LIKE IT WASN'T MY LIFE OR SOMETHING. 618 00:28:23,900 --> 00:28:25,833 YEAH. 619 00:28:25,867 --> 00:28:28,132 I KNOW. 620 00:28:28,167 --> 00:28:29,934 I JUST CAN'T RELAX. 621 00:28:29,968 --> 00:28:32,901 I CAN'T SLEEP. 622 00:28:32,933 --> 00:28:34,433 I CAN'T LISTEN. 623 00:28:34,466 --> 00:28:37,067 I LOVE LARA, 624 00:28:37,100 --> 00:28:38,933 AND I CAN'T STAND HER, 625 00:28:38,968 --> 00:28:40,834 AND I'M TERRIFIED TO BE ALONE. 626 00:28:44,334 --> 00:28:46,200 YOU KNOW, DANA, 627 00:28:46,234 --> 00:28:49,868 OBVIOUSLY, I'VE NEVER BEEN IN YOUR POSITION, 628 00:28:49,901 --> 00:28:51,667 BUT I DO KNOW 629 00:28:51,701 --> 00:28:54,366 THAT THE ONE OF THE THINGS THAT REALLY HELPED ME 630 00:28:54,399 --> 00:28:56,234 WERE THESE RELAXATION EXERCISES 631 00:28:56,267 --> 00:28:58,767 I DID WITH MY THERAPIST. 632 00:29:02,299 --> 00:29:04,466 DO YOU WANT TO TRY? 633 00:29:04,501 --> 00:29:06,466 YES. 634 00:29:06,501 --> 00:29:09,266 LIE DOWN. 635 00:29:18,833 --> 00:29:21,067 CLOSE YOUR EYES. 636 00:29:24,600 --> 00:29:26,600 TUNE OUT ALL THE SOUND AROUND YOU. 637 00:29:26,634 --> 00:29:29,266 THEN LET IT GO. 638 00:29:29,300 --> 00:29:31,466 AND AS YOU INHALE, 639 00:29:31,501 --> 00:29:34,067 FEEL YOUR BODY BECOMING... 640 00:29:34,067 --> 00:29:38,767 HEAVY AND GROUNDED. 641 00:29:38,801 --> 00:29:43,366 YOUR ARMS GROW HEAVY AND RELAXED 642 00:29:43,399 --> 00:29:45,234 INTO THE BED. 643 00:29:47,234 --> 00:29:51,968 AS YOU EXHALE, LET EVERYTHING GO. 644 00:29:52,067 --> 00:29:53,133 JUST LET IT FLOAT AWAY, 645 00:29:53,167 --> 00:29:58,100 LIKE A RIVER, FLOATING AWAY, 646 00:29:58,133 --> 00:30:01,399 AND YOU'RE SAFE, 647 00:30:01,433 --> 00:30:04,734 AND YOU'RE FLOATING AWAY 648 00:30:04,767 --> 00:30:07,466 TO ANOTHER PLACE, 649 00:30:07,501 --> 00:30:10,968 AND I WANT YOU TO PICTURE YOURSELF 650 00:30:11,000 --> 00:30:14,868 IN THE MOST BEAUTIFUL PLACE THAT YOU CAN IMAGINE. 651 00:30:19,533 --> 00:30:22,300 [***] 652 00:30:33,167 --> 00:30:35,834 ARE YOU THERE? 653 00:30:35,868 --> 00:30:40,299 I'M THERE. 654 00:30:45,600 --> 00:30:51,834 IT'S SO BEAUTIFUL. 655 00:30:51,868 --> 00:30:55,299 IT'S SO ALIVE. 656 00:30:55,334 --> 00:30:58,466 IT'S... 657 00:30:58,500 --> 00:31:02,166 SO PEACEFUL. 658 00:31:02,200 --> 00:31:06,734 I'M WHOLE... 659 00:31:06,767 --> 00:31:10,067 AND I JUST WANT TO STAY HERE. 660 00:31:14,766 --> 00:31:16,766 WILL YOU STAY WITH ME? 661 00:31:16,800 --> 00:31:20,167 YEAH. 662 00:31:38,667 --> 00:31:42,067 [MOANING SOFTLY] 663 00:31:42,067 --> 00:31:44,299 [GIGGLING] 664 00:31:46,267 --> 00:31:49,933 I HAVE WANTED YOU SINCE THE MOMENT I SAW YOU. 665 00:31:55,234 --> 00:31:58,334 YOU KNOW, I NEVER THOUGHT THAT YOU WERE QUEER. 666 00:32:00,000 --> 00:32:02,334 SHH, SHH. DON'T SPEAK. 667 00:32:02,367 --> 00:32:05,767 YOU ARE WAY TOO HOT FOR THAT. 668 00:32:05,801 --> 00:32:08,766 YOU'RE SO NOT A LESBIAN. 669 00:32:08,801 --> 00:32:11,701 GODDAMMIT, JOSH, 670 00:32:11,734 --> 00:32:12,900 ARE YOU REALLY THAT CLUELESS? 671 00:32:12,933 --> 00:32:17,600 YOU HAVE NO IDEA WHO I AM OR HOW I FEEL. 672 00:32:17,634 --> 00:32:20,067 I KNOW THAT YOU DIDN'T FEEL LIKE A LESBIAN JUST NOW. 673 00:32:20,067 --> 00:32:21,132 GOD... 674 00:32:23,132 --> 00:32:24,900 THIS WAS GOING TO BE SO EASY FOR YOU. 675 00:32:24,934 --> 00:32:26,968 I WAS SO READY TO JUMP INTO BED WITH YOU. 676 00:32:27,067 --> 00:32:29,399 NOW IT TURNS OUT YOU'RE AN IGNORANT ASS. 677 00:32:29,434 --> 00:32:32,801 GOD, WHY COULDN'T YOU JUST SHUT UP AND FUCK ME? 678 00:32:32,834 --> 00:32:35,834 WHY MAKE IT IMPOSSIBLE FOR ME TO DO SOMETHING... 679 00:32:35,868 --> 00:32:37,500 THAT I WANTED TO DO? 680 00:32:37,533 --> 00:32:40,133 YOU ARE ONE FUCKED-UP WOMAN, TINA. 681 00:32:40,167 --> 00:32:43,334 YEAH, WELL, I'M STILL YOUR FUCKED-UP BOSS. 682 00:32:43,366 --> 00:32:45,334 SO WHAT NOW? 683 00:32:45,366 --> 00:32:46,734 NOTHING. 684 00:32:46,767 --> 00:32:49,267 YOU STAY HERE. I GO BACK TO MY HOTEL. 685 00:32:49,299 --> 00:32:50,466 TOMORROW WE'LL MEET. 686 00:32:50,500 --> 00:32:51,734 WE'LL WORK ON THE PRODUCTION BUDGETS. 687 00:32:53,500 --> 00:32:54,567 THIS IS YOUR WORLD, TINA. 688 00:32:54,600 --> 00:32:56,734 I JUST WORK IN IT. 689 00:32:59,767 --> 00:33:02,666 [DOOR OPENS, CLOSES] 690 00:33:07,200 --> 00:33:08,500 [SNIFFING] 691 00:33:12,734 --> 00:33:14,099 I DON'T KNOW, 692 00:33:14,132 --> 00:33:15,166 THERE'S SOMETHING ABOUT WHITE BOYS 693 00:33:15,199 --> 00:33:16,234 THAT'S JUST DIFFERENT. 694 00:33:16,266 --> 00:33:17,399 I DON'T KNOW WHAT IT IS. 695 00:33:17,434 --> 00:33:22,533 I DON'T KNOW, I'LL NEVER KNOW, BUT-- 696 00:33:22,567 --> 00:33:24,333 HEY, KITTEN. 697 00:33:24,367 --> 00:33:26,167 MANGUS. 698 00:33:29,533 --> 00:33:32,334 BILLIE, WHAT THE FUCK ARE YOU DOING? 699 00:33:32,366 --> 00:33:34,399 YOU KNOW, I DON'T CARE 700 00:33:34,433 --> 00:33:36,667 IF YOU FUCK UP YOUR OWN LIFE, 701 00:33:36,701 --> 00:33:39,133 BUT YOU WILL NOT FUCK UP MY BUSINESS. 702 00:33:39,167 --> 00:33:42,834 THIS BUSINESS IS MY LIFE. 703 00:33:42,868 --> 00:33:44,466 THE DOOR, BILLIE, WAS UNLOCKED. 704 00:33:44,500 --> 00:33:46,200 THE POLICE COULD'VE COME IN. 705 00:33:46,234 --> 00:33:47,299 CALM DOWN, KIT. 706 00:33:47,334 --> 00:33:49,801 NO, DON'T TELL ME TO CALM DOWN! 707 00:33:49,834 --> 00:33:51,533 BILLIE, YOU... 708 00:33:51,567 --> 00:33:53,868 YOU ARE THE MOST IRRESPONSIBLE FUCK 709 00:33:53,901 --> 00:33:56,901 I HAVE EVER MET IN MY WHOLE LIFE. 710 00:33:56,933 --> 00:34:01,734 YOU ARE A SAD AND SELFISH MESS, 711 00:34:01,766 --> 00:34:03,334 AND I DON'T CARE HOW MANY PEOPLE YOU KNOW, 712 00:34:03,367 --> 00:34:05,067 AND HOW MANY PEOPLE YOU BRING INTO THE CLUB, 713 00:34:05,067 --> 00:34:06,200 I AM NOT GOING TO HAVE IT. 714 00:34:06,234 --> 00:34:07,434 I AM NOT GOING TO HAVE THIS SHIT. 715 00:34:07,466 --> 00:34:09,099 I AM TALKING TO YOU, BILLIE! 716 00:34:09,132 --> 00:34:11,933 LISTEN TO ME! 717 00:34:11,968 --> 00:34:17,266 I THINK IT'S TIME FOR ME TO GO. 718 00:34:17,300 --> 00:34:20,333 GOOD MORNING. 719 00:34:20,367 --> 00:34:22,399 FUCK, FUCK... 720 00:34:35,334 --> 00:34:36,466 AH, NO. 721 00:34:36,500 --> 00:34:39,868 BABY, WHAT'S GOING ON? 722 00:34:39,901 --> 00:34:41,234 NO, THIS FEELS GOOD. 723 00:34:41,267 --> 00:34:42,334 YEAH? YEAH. 724 00:34:42,366 --> 00:34:45,701 OKAY, HOLD ON. 725 00:34:54,399 --> 00:34:55,734 WAIT, WAIT, WAIT. WHAT? 726 00:34:57,901 --> 00:34:58,868 DON'T... 727 00:34:58,901 --> 00:34:59,933 WHAT? 728 00:35:00,000 --> 00:35:01,901 YOU DON'T HAVE TO. WHAT'S WRONG? 729 00:35:04,234 --> 00:35:06,299 I DON'T KNOW, I JUST... 730 00:35:06,333 --> 00:35:07,367 I'M SORRY, I'M JUST... 731 00:35:07,400 --> 00:35:08,534 WHAT? 732 00:35:08,567 --> 00:35:12,067 I'M SORRY, I'M JUST... 733 00:35:12,067 --> 00:35:14,067 I'M DISTRACTED. 734 00:35:14,067 --> 00:35:16,167 WHY ARE YOU DISTRACTED? 735 00:35:18,734 --> 00:35:20,067 IT'S NOT YOU. 736 00:35:27,533 --> 00:35:29,501 I'M SORRY. 737 00:35:34,200 --> 00:35:36,734 [SIGHS] 738 00:35:38,834 --> 00:35:40,533 DANA! 739 00:35:44,334 --> 00:35:47,334 [GASPS] 740 00:35:47,366 --> 00:35:48,968 [SOBBING] 741 00:35:49,067 --> 00:35:50,067 OH, HEY. IT'S OKAY. 742 00:35:50,067 --> 00:35:52,067 IT'S OKAY. 743 00:35:54,667 --> 00:35:58,067 IT'S NOT OKAY. 744 00:36:05,067 --> 00:36:06,833 COME ON, I'LL MAKE YOU SOME BREAKFAST. 745 00:36:06,868 --> 00:36:09,567 WHY CAN'T YOU JUST LEAVE ME THE FUCK ALONE? 746 00:36:09,601 --> 00:36:11,968 YOU'RE NOT MY FUCKING NURSE. 747 00:36:12,067 --> 00:36:14,067 YOU'RE NOT MY MOTHER. YOU'RE NOT ANYTHING-- 748 00:36:14,099 --> 00:36:16,167 NO, DANA, AND I'M NOT YOUR FUCKING PUNCHING BAG EITHER. 749 00:36:20,533 --> 00:36:23,300 YOU KNOW, MAYBE... 750 00:36:23,333 --> 00:36:24,533 MAYBE IT WOULD JUST BE BETTER FOR YOU 751 00:36:24,567 --> 00:36:26,399 IF I WENT AWAY FOR A LITTLE WHILE. 752 00:36:26,434 --> 00:36:28,567 WHY DON'T YOU JUST GO THEN, HUH? 753 00:36:28,600 --> 00:36:29,634 WHY DON'T YOU JUST GO? 754 00:36:29,667 --> 00:36:30,766 GO TO PARIS. 755 00:36:30,800 --> 00:36:32,399 TAKE THAT CHEF'S COURSE 756 00:36:32,433 --> 00:36:34,500 YOU'VE BEEN TALKING ABOUT. 757 00:36:34,533 --> 00:36:36,067 I MEAN, JUST BECAUSE YOUR GIRLFRIEND'S DYING-- 758 00:36:36,067 --> 00:36:37,500 YOU'RE NOT DYING, DANA-- 759 00:36:37,533 --> 00:36:39,334 YOU DON'T FUCKING KNOW THAT! 760 00:36:39,366 --> 00:36:40,600 HOW THE FUCK DO YOU KNOW THAT? 761 00:36:40,634 --> 00:36:42,334 YOU'RE NOT GOD! 762 00:36:46,466 --> 00:36:47,801 WHAT DO YOU WANT? 763 00:36:47,834 --> 00:36:49,600 I HAVE TRIED TO BE THERE FOR YOU. 764 00:36:49,634 --> 00:36:51,234 I HAVE TRIED TO DO EVERYTHING I CAN. 765 00:36:51,267 --> 00:36:52,299 WHAT DO YOU WANT? 766 00:36:52,334 --> 00:36:54,234 I WANT YOU TO GO! 767 00:36:54,267 --> 00:36:55,299 I WANT YOU TO GO! 768 00:36:55,334 --> 00:36:56,667 GO TAKE-- 769 00:36:56,701 --> 00:37:00,000 I DON'T WANT TO GO ANYWHERE WITHOUT YOU, OKAY? 770 00:37:01,066 --> 00:37:02,467 I LOVE YOU, DANA. 771 00:37:02,500 --> 00:37:05,700 I JUST WANT YOU TO LEAVE. 772 00:37:05,734 --> 00:37:07,700 [SOBBING] 773 00:37:07,734 --> 00:37:10,067 JUST GO. 774 00:37:11,868 --> 00:37:14,132 PLEASE GO. 775 00:37:16,266 --> 00:37:17,434 LEAVE! 776 00:37:26,434 --> 00:37:29,167 [DOOR OPENS, CLOSES] 777 00:37:41,667 --> 00:37:44,466 [***] 778 00:37:53,267 --> 00:37:55,299 EXCUSE ME! 779 00:37:55,334 --> 00:37:56,299 HI! 780 00:37:56,334 --> 00:37:57,533 OKAY, I'VE GOT IT. THANKS. 781 00:37:57,567 --> 00:37:58,533 DANA FAIRBANKS. 782 00:37:58,567 --> 00:37:59,533 SHE'S GOT LONG BROWN HAIR. 783 00:37:59,567 --> 00:38:00,000 HAVE YOU SEEN HER? 784 00:38:00,000 --> 00:38:01,701 THE LESBIAN TENNIS PLAYER? 785 00:38:01,734 --> 00:38:02,867 YEAH. 786 00:38:02,900 --> 00:38:04,067 SHE DOESN'T WORK HERE, HONEY. 787 00:38:04,067 --> 00:38:06,634 WELL, NO SHIT. I... 788 00:38:06,666 --> 00:38:08,534 I KNOW SHE DOESN'T WORK HERE. SORRY. 789 00:38:08,567 --> 00:38:09,634 I THREW HER OUT. 790 00:38:09,666 --> 00:38:11,467 COME AGAIN? 791 00:38:11,500 --> 00:38:13,300 IT'S A LIFE-SIZE CARDBOARD CUTOUT. 792 00:38:13,333 --> 00:38:14,467 I THREW HER OUT. 793 00:38:14,500 --> 00:38:16,167 DID YOU PUT IT IN A BLUE BIN OR A BLACK BIN? 794 00:38:16,199 --> 00:38:17,199 I DON'T KNOW. 795 00:38:17,234 --> 00:38:18,600 I JUST PUT HER OUT BY THE TRASH. 796 00:38:18,634 --> 00:38:19,734 WELL, SHE CAN BE IN ONE OF TWO PLACES. 797 00:38:19,766 --> 00:38:21,867 IF YOU PUT HER IN THE BLUE BIN, 798 00:38:21,900 --> 00:38:23,567 SHE'S BEING RECYCLED AT THE ALLAN COMPANY. 799 00:38:23,600 --> 00:38:24,766 OKAY. 800 00:38:24,800 --> 00:38:25,800 AND IF YOU PUT HER IN THE BLACK BIN, 801 00:38:25,833 --> 00:38:27,466 YOU'RE NEVER GOING TO FIND HER. 802 00:38:27,501 --> 00:38:30,067 WHY? WHERE WILL SHE BE? 803 00:38:30,067 --> 00:38:31,300 SHE'LL BE AT THE PUENTE HILLS LANDFILL 804 00:38:31,333 --> 00:38:32,299 IN WHITTIER. 805 00:38:32,334 --> 00:38:34,234 WHITTIER. FUCK... 806 00:38:34,267 --> 00:38:35,834 THANK YOU. 807 00:38:35,868 --> 00:38:37,634 YOU'RE WELCOME. 808 00:38:46,600 --> 00:38:48,634 [CELLPHONE RINGS] 809 00:38:48,667 --> 00:38:51,433 [ALICE]: HEY, DANA. 810 00:38:51,466 --> 00:38:52,100 NO, I'M IN WHITTIER. 811 00:38:52,133 --> 00:38:53,466 WHAT? 812 00:38:53,500 --> 00:38:54,533 UH, IT'S GOING TO BE ALL RIGHT. 813 00:38:54,567 --> 00:38:55,500 UH, I'M KIND OF-- 814 00:38:55,533 --> 00:38:56,299 I'LL BE RIGHT THERE. JUST-- 815 00:38:56,334 --> 00:38:59,834 CHILL OUT. I'LL BE RIGHT THERE. 816 00:39:08,968 --> 00:39:11,500 HEY, MOIRA? 817 00:39:11,534 --> 00:39:12,900 HEY. WHAT'S UP? 818 00:39:12,933 --> 00:39:14,500 GOT SOMETHING TO ASK YOU. 819 00:39:14,534 --> 00:39:15,666 YEAH, WHAT IS THIS? 820 00:39:15,701 --> 00:39:16,900 WHAT'S GOING ON WITH JENNY? 821 00:39:19,800 --> 00:39:20,968 YOU GUYS, JENNY'S FINE. 822 00:39:21,067 --> 00:39:24,501 IT'S MINE. 823 00:39:24,533 --> 00:39:25,701 IT'S TESTOSTERONE. 824 00:39:25,734 --> 00:39:28,199 I'VE STARTED A PROGRAM OF IT. 825 00:39:28,234 --> 00:39:30,367 WHAT KIND OF A PROGRAM? 826 00:39:31,734 --> 00:39:33,466 YOU KNOW... 827 00:39:33,500 --> 00:39:35,299 I MEAN, I'VE ALWAYS FELT REALLY UNCOMFORTABLE 828 00:39:35,334 --> 00:39:37,167 IN THIS BODY. 829 00:39:37,200 --> 00:39:39,067 SO I'VE DECIDED TO TRANSITION. 830 00:39:39,067 --> 00:39:42,968 I'M CHANGING...MYSELF FROM FEMALE TO MALE. 831 00:39:43,067 --> 00:39:44,299 DOES JENNY KNOW? 832 00:39:44,334 --> 00:39:45,366 YEAH. 833 00:39:45,399 --> 00:39:46,234 SHE'S HELPING ME. 834 00:39:46,267 --> 00:39:47,600 HOW IS SHE HELPING YOU? 835 00:39:47,634 --> 00:39:49,133 SHE'S BEEN SHOOTING ME UP WITH IT. 836 00:39:50,868 --> 00:39:51,968 WOW. SO... 837 00:39:52,067 --> 00:39:53,200 YOU'RE REALLY GOING TO GO THROUGH 838 00:39:53,234 --> 00:39:54,299 THE BREAST... 839 00:39:54,334 --> 00:39:55,366 TOP SURGERY. 840 00:39:55,399 --> 00:39:56,366 TOP SURGERY? 841 00:39:56,399 --> 00:39:57,366 YEAH. 842 00:39:57,399 --> 00:39:59,701 WHEN I CAN AFFORD IT, I AM. 843 00:39:59,734 --> 00:40:02,000 YOU KNOW? 844 00:40:03,399 --> 00:40:05,634 [SLAPPING] 845 00:40:05,666 --> 00:40:06,934 THAT'S STRONG. 846 00:40:10,067 --> 00:40:11,067 [JENNY]: HOW ARE YOU? 847 00:40:11,099 --> 00:40:12,734 GOOD. 848 00:40:12,766 --> 00:40:14,199 EVERYONE IS EXCITED 849 00:40:14,234 --> 00:40:15,367 ABOUT THE SOME OF HER PARTS. 850 00:40:15,400 --> 00:40:17,199 OH, COOL. AWESOME. 851 00:40:17,234 --> 00:40:18,367 I'M REALLY EXCITED. 852 00:40:18,399 --> 00:40:19,800 I'M KIND OF NERVOUS AND JUST-- 853 00:40:19,833 --> 00:40:20,900 EXCEPT ME. 854 00:40:20,934 --> 00:40:23,634 OKAY. 855 00:40:23,667 --> 00:40:24,300 WE HAVE A LOT OF WORK TO DO. 856 00:40:24,333 --> 00:40:25,701 OKAY, GREAT. 857 00:40:25,734 --> 00:40:29,234 OH, I'M NOT TALKING ABOUT LINE EDITS, JENNY. 858 00:40:29,266 --> 00:40:32,234 IT'S DEEPER THAN THAT. 859 00:40:32,267 --> 00:40:33,901 AS YOUR EDITOR, 860 00:40:33,933 --> 00:40:36,299 I HAVE A BASIC PROBLEM WITH THE JOURNEY OF THE BOOK. 861 00:40:36,334 --> 00:40:37,399 MM-HMM. 862 00:40:37,433 --> 00:40:39,767 OR RATHER, THE LACK OF ONE. 863 00:40:39,801 --> 00:40:42,334 UM, BUT IT'S-- BUT IT'S WHAT HAPPENED TO ME, 864 00:40:42,366 --> 00:40:44,167 SO I DON'T KNOW WHAT I COULD DO TO CHANGE THAT-- 865 00:40:44,200 --> 00:40:45,033 LET ME EXPLAIN, IF I MIGHT. 866 00:40:45,067 --> 00:40:46,399 OF COURSE. 867 00:40:46,433 --> 00:40:53,267 OKAY, "EACH MOMENT THE BLADE PENETRATED MY SKIN, 868 00:40:53,299 --> 00:40:57,234 "I FORGOT WHAT IT WAS LIKE TO BE ON MY FACE IN THE DIRT. 869 00:40:57,267 --> 00:40:59,567 "EVERY DROP OF BLOOD WAS A REMINDER 870 00:40:59,600 --> 00:41:02,166 "THAT I STILL BELONGED TO THE EARTH, 871 00:41:02,200 --> 00:41:04,900 "THAT I WAS FLESH AND BLOOD, 872 00:41:04,934 --> 00:41:07,634 "THAT THOSE BOYS WEREN'T EVERYTHING IN MY BODY. 873 00:41:07,666 --> 00:41:10,067 "CUTTING MYSELF, HURTING MYSELF 874 00:41:10,067 --> 00:41:12,067 "FREED ME FROM THE HURT THEY INFLICTED. 875 00:41:12,067 --> 00:41:14,333 I WAS THE ONE DOING THE DAMAGE, NOT THEM." 876 00:41:16,067 --> 00:41:17,266 I DON'T SEE WHAT'S WRONG WITH THAT. 877 00:41:17,300 --> 00:41:18,701 YOU STILL VIEW YOURSELF AS A VICTIM. 878 00:41:18,734 --> 00:41:21,800 JENNY, YOU'RE REPEATING THE SAME SCENE OVER AND OVER. 879 00:41:21,833 --> 00:41:23,167 IT FEELS COMPULSIVE. 880 00:41:23,199 --> 00:41:24,199 I WAS A VICTIM 881 00:41:24,234 --> 00:41:25,600 WHEN THAT HAPPENED TO ME. 882 00:41:25,634 --> 00:41:27,067 I DON'T KNOW WHY I CAN'T SAY THAT. 883 00:41:27,067 --> 00:41:28,132 JENNY, JENNY, 884 00:41:28,167 --> 00:41:29,266 YOU'RE AN EXCELLENT WRITER. 885 00:41:29,300 --> 00:41:30,266 THANK YOU. EXCELLENT. 886 00:41:30,300 --> 00:41:31,300 BUT THAT WORRIES ME MORE, 887 00:41:31,333 --> 00:41:32,299 BECAUSE I THINK 888 00:41:32,334 --> 00:41:33,868 YOUNG GIRLS WILL READ THIS, 889 00:41:33,901 --> 00:41:35,600 AND THEY'LL THINK CUTTING IS A VIABLE RESPONSE TO TRAUMA. 890 00:41:35,634 --> 00:41:36,701 I WOULD NEVER SUGGEST 891 00:41:36,734 --> 00:41:38,901 THAT ANYBODY DOES THAT TO THEMSELVES, 892 00:41:38,933 --> 00:41:42,767 BUT, FOR ME, IN THAT MOMENT, AT THAT TIME, 893 00:41:42,801 --> 00:41:45,334 IT MADE ME FEEL LIKE I WAS ALIVE, 894 00:41:45,366 --> 00:41:49,299 AND IT MADE ME FEEL LIKE I HAD SOME CONTROL OVER MY LIFE, 895 00:41:49,334 --> 00:41:50,933 AND IN THAT MOMENT, THAT WAS EMPOWERING. 896 00:41:50,968 --> 00:41:52,334 IT'S BULLSHIT, JENNY-- 897 00:41:52,366 --> 00:41:54,567 IT'S NOT BULLSHIT, BECAUSE IT'S WHAT I DID. 898 00:41:54,600 --> 00:41:55,600 YOU CAN'T TELL ME-- 899 00:41:55,634 --> 00:41:56,901 I'M SORRY. I'M SORRY, 900 00:41:56,933 --> 00:41:58,933 BUT YOU CAN'T TELL ME WHAT'S BULLSHIT FOR MY BODY. 901 00:41:58,968 --> 00:42:02,334 I'M NOT GOING TO PUBLISH A BOOK 902 00:42:02,367 --> 00:42:03,434 WHERE I TELL YOUNG WOMEN 903 00:42:03,467 --> 00:42:06,067 THAT SELF-INFLICTED VIOLENCE 904 00:42:06,099 --> 00:42:08,166 IS GOING TO FREE THEM FROM THE VIOLENCE 905 00:42:08,199 --> 00:42:09,367 THEY ENDURED AT THE HANDS OF OTHER PEOPLE. 906 00:42:09,400 --> 00:42:10,433 I'M NOT GOING TO DO THAT. 907 00:42:10,467 --> 00:42:11,601 I'M NOT ASKING YOU TO DO THAT. 908 00:42:11,634 --> 00:42:13,833 JENNY, WHAT'S MISSING IN THE BOOK 909 00:42:13,868 --> 00:42:15,868 IS YOUR STRENGTH, 910 00:42:15,900 --> 00:42:16,766 YOUR RESOLVE, 911 00:42:16,800 --> 00:42:19,067 YOUR HEIGHTENED AWARENESS. 912 00:42:22,968 --> 00:42:24,333 I'VE SURVIVED. 913 00:42:24,367 --> 00:42:27,234 YES, AND I'M INTERESTED IN HOW YOU THRIVE, 914 00:42:27,266 --> 00:42:28,667 NOT JUST SURVIVED. 915 00:42:28,701 --> 00:42:32,267 I'M HERE. 916 00:42:32,299 --> 00:42:35,334 JENNY, IT'S REALLY HARD TO GIVE UP BEING A VICTIM. 917 00:42:35,366 --> 00:42:36,567 I DON'T LIKE THAT WORD. 918 00:42:36,600 --> 00:42:37,868 IT'S SAFE, IT'S COZY, 919 00:42:37,901 --> 00:42:39,366 IT'S FAMILIAR. 920 00:42:39,399 --> 00:42:41,067 I'M INTERESTED IN THE OTHER PLACE, 921 00:42:41,067 --> 00:42:43,500 WHEN YOU GET OUT OF YOUR PAIN, OUT OF YOUR SELF, 922 00:42:43,533 --> 00:42:44,567 AND YOU WERE ABLE TO CONNECT 923 00:42:44,600 --> 00:42:46,067 WITH A LARGER WORLD-- 924 00:42:46,100 --> 00:42:48,933 LET ME ASK YOU SOMETHING. WHY ARE YOU WORKING ON MY BOOK? 925 00:42:50,133 --> 00:42:51,334 WHY? 926 00:42:51,366 --> 00:42:52,567 YOU GUYS ASKED ME TO CHANGE IT 927 00:42:52,600 --> 00:42:54,133 FROM BEING FICTION TO BEING A MEMOIR, 928 00:42:54,167 --> 00:42:56,067 AND THAT PUT ME 929 00:42:56,067 --> 00:42:57,267 IN A PRETTY VULNERABLE POSITION, 930 00:42:57,299 --> 00:42:58,868 AND SUDDENLY, I'M TOO PASSIVE FOR YOU? 931 00:42:58,901 --> 00:43:00,000 I'M A VICTIM? 932 00:43:00,000 --> 00:43:01,633 I'M NOT TRANSFORMED ENOUGH? 933 00:43:01,667 --> 00:43:04,166 SO YOU KNOW WHAT I THINK? 934 00:43:04,200 --> 00:43:06,466 I THINK... 935 00:43:06,501 --> 00:43:08,601 I DON'T KNOW. 936 00:43:08,634 --> 00:43:09,933 MAY I TAKE... 937 00:43:09,968 --> 00:43:11,067 THANK YOU. 938 00:43:11,067 --> 00:43:13,234 I THINK YOU SHOULD PROBABLY... 939 00:43:13,266 --> 00:43:16,900 GO FIND YOURSELF ANOTHER HERO. 940 00:43:19,934 --> 00:43:22,734 FUCK YOU. 941 00:43:22,766 --> 00:43:24,067 AND THAT WAS IT. 942 00:43:24,067 --> 00:43:25,634 SHE SAID SHE WAS GOING TO PARIS FOR THIS CLASS, 943 00:43:25,667 --> 00:43:27,701 AND THAT... 944 00:43:27,734 --> 00:43:29,634 SHE COULDN'T HANDLE IT ANYMORE, AND THAT WAS IT. 945 00:43:29,667 --> 00:43:30,734 SHE JUST LEFT ME. 946 00:43:30,766 --> 00:43:32,133 I CAN'T FUCKING BELIEVE SHE JUST LEFT ME. 947 00:43:32,167 --> 00:43:33,267 I CAN. 948 00:43:35,067 --> 00:43:37,100 WHAT THE FUCK IS THAT SUPPOSED TO MEAN? 949 00:43:37,133 --> 00:43:38,834 IT MEANS YOU'VE BEEN A TOTAL MONSTER, 950 00:43:38,868 --> 00:43:40,234 AND I KNOW HOW MUCH LARA LOVES YOU, 951 00:43:40,267 --> 00:43:41,901 AND YOU JUST PUSHED HER TOO FAR. 952 00:43:41,933 --> 00:43:44,067 I'M SICK, AL, AND SHE FUCKING ABANDONED ME. 953 00:43:44,067 --> 00:43:45,834 NO, YOU'VE BEEN SHOWING HER THE DOOR 954 00:43:45,868 --> 00:43:49,334 WITH THIS SELF-PITYING BULLSHIT. 955 00:43:49,366 --> 00:43:50,868 FUCK YOU, AL. 956 00:43:50,901 --> 00:43:52,901 NO, YOU KNOW WHAT, DANA? NOT FUCK ME. YOU KNOW WHY? 957 00:43:52,933 --> 00:43:54,234 BECAUSE YOU HAVE TO GET A GRIP, 958 00:43:54,267 --> 00:43:55,100 OR YOU'RE NOT GOING TO HAVE ANYONE LEFT TO CALL. 959 00:43:55,133 --> 00:43:57,067 WHY ARE YOU DOING THIS? 960 00:43:57,100 --> 00:43:58,567 BECAUSE I'M YOUR FRIEND, 961 00:43:58,600 --> 00:44:00,000 AND I'M NOT GOING TO LET YOU TREAT ME LIKE SHIT, TOO. 962 00:44:05,067 --> 00:44:08,400 YOU KNOW, YOU'RE SURROUNDED BY LOVE, 963 00:44:08,433 --> 00:44:10,333 AND YOU HAVE FUCKING INSURANCE, 964 00:44:10,367 --> 00:44:16,067 AND YOU HAVE A FAMILY, AND FRIENDS, AND... 965 00:44:16,067 --> 00:44:17,234 A HOME. 966 00:44:17,266 --> 00:44:18,567 YOU'RE YOUNG. 967 00:44:18,600 --> 00:44:20,734 AND YOU SHOULD BE OUT OF BED. 968 00:44:20,766 --> 00:44:23,067 I'M SICK, AL. 969 00:44:23,100 --> 00:44:25,067 I KNOW. YOU... 970 00:44:27,167 --> 00:44:28,367 YOU HAVE CANCER. 971 00:44:28,399 --> 00:44:30,466 BUT YOU'RE NAUSEOUS FROM THE MEDICINE. 972 00:44:30,501 --> 00:44:31,567 YOU'RE NOT BEDRIDDEN. 973 00:44:33,901 --> 00:44:37,466 YOU KNOW WHAT I THINK? 974 00:44:37,500 --> 00:44:39,200 I THINK YOU SHOULD COME OUT WITH ME TONIGHT. 975 00:44:39,234 --> 00:44:42,801 I DON'T THINK THE B-52's SHOULD MISS YOU. 976 00:44:44,600 --> 00:44:46,734 I LIKE THE B-52's. 977 00:44:46,767 --> 00:44:48,701 YEAH. 978 00:44:51,067 --> 00:44:51,968 I CAN'T, AL. 979 00:44:52,067 --> 00:44:53,834 SOMEBODY'S GOING TO BUMP INTO ME, 980 00:44:53,868 --> 00:44:57,466 AND MY BANDAGES AREN'T EVEN OFF YET, YOU KNOW? 981 00:44:57,500 --> 00:44:59,801 ALL RIGHT, WELL, 982 00:44:59,834 --> 00:45:00,000 I'LL CALL KIT, 983 00:45:00,000 --> 00:45:01,868 AND I'LL HAVE HER ROPE OFF 984 00:45:01,901 --> 00:45:04,133 A LITTLE SPECIAL SECTION FOR US. 985 00:45:04,166 --> 00:45:05,700 OKAY? 986 00:45:05,734 --> 00:45:06,734 AND GUESS WHAT? 987 00:45:06,767 --> 00:45:09,300 WHAT? 988 00:45:09,333 --> 00:45:11,666 I'M GOING TO TAKE CARE OF YOU, 989 00:45:11,701 --> 00:45:15,567 AND I'LL MAKE SURE THAT YOU'RE SAFE. 990 00:45:15,601 --> 00:45:18,067 I PROMISE. 991 00:45:21,067 --> 00:45:23,132 I PROMISE. 992 00:45:24,167 --> 00:45:25,199 HI. 993 00:45:25,234 --> 00:45:26,900 HI. 994 00:45:28,600 --> 00:45:29,667 NEVE IS OUR FINEST 995 00:45:29,701 --> 00:45:30,734 AND MOST RESPECTED EDITOR. 996 00:45:30,766 --> 00:45:32,533 [JENNY]: SHE HATES MY BOOK. 997 00:45:32,567 --> 00:45:34,767 HOW COULD I HATE YOUR BOOK, JENNY? 998 00:45:34,801 --> 00:45:36,100 IT'S MY STORY, MY DARLING. 999 00:45:36,133 --> 00:45:38,466 I'M THE GIRL IN YOUR BOOK. 1000 00:45:38,500 --> 00:45:41,834 IT'S WHY I PUT THE TWO OF YOU TOGETHER. 1001 00:45:41,868 --> 00:45:44,200 BUT IT'S MY STORY. 1002 00:45:44,234 --> 00:45:46,067 IT'S NOT HERS. 1003 00:45:46,067 --> 00:45:48,067 I'M JUST ASKING YOU TO COME AT IT 1004 00:45:48,100 --> 00:45:49,366 FROM A POSITION OF STRENGTH. 1005 00:45:49,399 --> 00:45:50,500 AND I HAVE COME AT IT 1006 00:45:50,533 --> 00:45:52,634 FROM ALL THE STRENGTH THAT I HAVE. 1007 00:45:52,667 --> 00:45:53,933 THAT'S HONEST. 1008 00:45:56,133 --> 00:45:57,334 IF THAT'S WHO JENNY IS, 1009 00:45:57,366 --> 00:45:58,533 THEN THAT'S HOW SHE HAS TO COME AT IT. 1010 00:46:00,000 --> 00:46:02,067 I'LL TELL YOU WHAT. 1011 00:46:02,067 --> 00:46:04,601 I'M NOT THE RIGHT PERSON TO EDIT JENNY'S STORY. 1012 00:46:06,333 --> 00:46:08,266 I UNDERSTAND IT, 1013 00:46:08,300 --> 00:46:12,166 BUT I CAN'T PROMOTE IT. 1014 00:46:12,199 --> 00:46:13,433 BLESS YOU, MY DARLING. 1015 00:46:15,467 --> 00:46:17,067 THANK YOU. 1016 00:46:23,100 --> 00:46:25,934 [***] 1017 00:46:34,868 --> 00:46:37,634 [EXCITED CONVERSATIONS, SQUEALS FROM CROWD] 1018 00:46:51,067 --> 00:46:52,667 YEAH, SO ALICE SAID IT GOT UGLY. 1019 00:46:52,701 --> 00:46:53,533 WHAT? 1020 00:46:53,567 --> 00:46:54,600 CAN I GET A DEWAR'S ON THE ROCKS 1021 00:46:54,634 --> 00:46:55,701 WHEN YOU GET A CHANCE? 1022 00:46:55,734 --> 00:46:56,767 THANKS. 1023 00:46:56,801 --> 00:46:57,667 LARA LEFT DANA, 1024 00:46:57,701 --> 00:46:58,901 AND SHE SAID 1025 00:46:58,933 --> 00:47:01,199 THAT SHE COULDN'T TAKE THE PRESSURE ANYMORE. 1026 00:47:01,234 --> 00:47:03,533 YEAH, AND DANA KICKED LARA OUT, 1027 00:47:03,567 --> 00:47:04,533 AND WE SHOULDN'T BE TALKING ABOUT IT 1028 00:47:04,567 --> 00:47:05,567 IN FRONT OF DANA 1029 00:47:05,601 --> 00:47:06,666 BECAUSE SHE'S REALLY UPSET ABOUT IT, 1030 00:47:06,700 --> 00:47:07,934 OBVIOUSLY. 1031 00:47:07,968 --> 00:47:09,333 I'M SURE LARA WILL COME BACK. 1032 00:47:09,367 --> 00:47:11,067 HEY, KIT! 1033 00:47:11,099 --> 00:47:12,367 HEY... 1034 00:47:12,400 --> 00:47:14,500 HI! 1035 00:47:14,534 --> 00:47:15,567 DRINKS ARE ON THE HOUSE. 1036 00:47:15,601 --> 00:47:17,067 AW... 1037 00:47:17,100 --> 00:47:19,867 HEY, GUYS. HEY. 1038 00:47:19,900 --> 00:47:20,800 HOW'S IT GOING? 1039 00:47:20,833 --> 00:47:21,833 OH, IT'S GOING GREAT. 1040 00:47:21,867 --> 00:47:23,833 COME ON, I'LL BLOCK INTERFERENCE FOR YOU. 1041 00:47:23,867 --> 00:47:25,466 YEAH, YEAH. COME ON. OKAY. 1042 00:47:25,501 --> 00:47:26,501 GOTCHA. 1043 00:47:26,533 --> 00:47:27,600 OKAY. 1044 00:47:27,634 --> 00:47:28,667 EXCUSE ME. 1045 00:47:28,701 --> 00:47:29,800 WATCH IT, WATCH IT. 1046 00:47:29,833 --> 00:47:30,833 EXCUSE ME. 1047 00:47:30,867 --> 00:47:32,234 IT'S PACKED IN HERE, KIT. 1048 00:47:32,267 --> 00:47:33,834 YEAH. I'M SOLD OUT FOR DAYS. 1049 00:47:33,868 --> 00:47:35,067 DANA! 1050 00:47:35,100 --> 00:47:36,600 DANA... 1051 00:47:36,634 --> 00:47:37,868 HI! 1052 00:47:37,901 --> 00:47:39,868 I'M SO GLAD TO SEE YOU. 1053 00:47:39,901 --> 00:47:40,968 ME TOO. 1054 00:47:41,067 --> 00:47:42,100 CHAIR CREW COMING THROUGH. 1055 00:47:42,133 --> 00:47:43,167 THANK YOU. 1056 00:47:46,200 --> 00:47:48,334 LOOK OUT, GUYS. I'M THE BOOBY GUARD. 1057 00:47:50,067 --> 00:47:51,433 OH, GOOD ONE. NICE. 1058 00:47:51,466 --> 00:47:52,933 HEY, DID YOU GUYS SEE MOIRA'S ARMS? 1059 00:47:52,968 --> 00:47:55,399 THEY'RE LIKE, YOU KNOW... 1060 00:47:55,433 --> 00:47:56,634 THEY'RE LIKE MAN ARMS, KIND OF. 1061 00:47:56,667 --> 00:47:58,167 THEY'RE CUTE, BUT THEY'RE GETTING BIG. 1062 00:47:58,200 --> 00:47:59,767 SHE'S PRACTICALLY A MAN, ALICE. 1063 00:47:59,801 --> 00:48:01,066 THAT'S A LITTLE HARSHY McHARSH, THERE, SHANE. 1064 00:48:01,100 --> 00:48:02,234 NO, I'M NOT BEING HARSH. 1065 00:48:02,266 --> 00:48:03,900 I SWEAR TO GOD, IT'S BEING HONEST. 1066 00:48:03,934 --> 00:48:04,968 HMM? 1067 00:48:05,067 --> 00:48:06,067 WHAT ARE YOU BEING HONEST ABOUT? 1068 00:48:46,767 --> 00:48:49,067 HEY, SHANE, I DON'T GET 1069 00:48:49,067 --> 00:48:50,133 WHAT'S YOUR BIG PROBLEM WITH MOIRA. 1070 00:48:50,167 --> 00:48:51,200 WELL, SHE JUST DOESN'T, LIKE, 1071 00:48:51,234 --> 00:48:52,634 TRUST WHAT SHE'S DOING. 1072 00:48:52,667 --> 00:48:53,801 WHAT'S SHE DOING? 1073 00:48:53,834 --> 00:48:56,100 I MEAN, BESIDES LIVING OFF JENNY? 1074 00:48:56,133 --> 00:48:57,067 HEY, WHERE'S TINA? 1075 00:48:57,100 --> 00:48:57,868 IS SHE COMING? 1076 00:48:57,901 --> 00:48:59,167 OH, SHE'S UP IN CANADA 1077 00:48:59,200 --> 00:49:01,734 ON A FILM LOCATION. 1078 00:49:01,766 --> 00:49:04,234 [AUDIENCE CHEERING] 1079 00:49:04,267 --> 00:49:05,634 [***] 1080 00:49:05,666 --> 00:49:07,234 YEAH, JOSH IS A LITTLE OVER-AMBITIOUS. 1081 00:49:07,267 --> 00:49:08,400 WE HAD TO SEND TINA UP THERE 1082 00:49:08,433 --> 00:49:10,300 JUST TO REIN HIM IN A BIT. 1083 00:49:10,333 --> 00:49:11,567 JOSH? IT'S JOSH'S MOVIE? 1084 00:49:11,601 --> 00:49:12,933 YEAH, I MEAN, HE'S A GREAT PRODUCER. 1085 00:49:12,968 --> 00:49:14,067 WE JUST HAD TO SEND TINA THERE SO-- 1086 00:49:14,067 --> 00:49:15,467 THAT'S GREAT. 1087 00:49:15,500 --> 00:49:17,067 SO SHE WENT UP TO CANADA TO BE WITH FUCKING JOSH BECKER? 1088 00:49:17,100 --> 00:49:20,100 WHO'S FUCKING JOSH BECKER? 1089 00:49:20,132 --> 00:49:21,067 TINA. 1090 00:49:21,067 --> 00:49:23,399 LADIES AND GENTLEMEN... 1091 00:49:23,434 --> 00:49:28,199 BILLIE BLAIKIE AND THE PLANET PROUDLY PRESENT 1092 00:49:28,234 --> 00:49:32,399 THE B-52's! 1093 00:49:32,433 --> 00:49:35,167 [CROWD ROARS] 1094 00:49:35,200 --> 00:49:37,801 [***] 1095 00:49:37,834 --> 00:49:40,466 [PERFORMING "PUMP"] 1096 00:50:19,167 --> 00:50:21,968 [***] 1097 00:50:29,266 --> 00:50:30,634 SHE'S HAVING A SEX CHANGE, AL. 1098 00:50:30,667 --> 00:50:33,567 YEAH, MOIRA'S BECOMING A MAN. 1099 00:50:33,600 --> 00:50:34,868 ARE YOU GUYS FUCKING KIDDING ME? 1100 00:50:34,901 --> 00:50:36,167 MM-MM. 1101 00:50:36,200 --> 00:50:38,600 FOR REAL? 1102 00:50:38,634 --> 00:50:39,834 DOES JENNY KNOW? 1103 00:50:39,868 --> 00:50:42,200 SHE'S HELPING HER. 1104 00:50:42,234 --> 00:50:43,234 HO... 1105 00:50:43,267 --> 00:50:44,299 DANA... 1106 00:50:44,334 --> 00:50:45,334 SHANE JUST TOLD ME 1107 00:50:45,366 --> 00:50:46,533 THAT MOIRA'S GETTING A SEX CHANGE. 1108 00:50:46,567 --> 00:50:48,234 WAIT. WHAT ARE YOU TALKING ABOUT? 1109 00:50:48,267 --> 00:50:49,299 YOU KNOW THE ARTICLE I WROTE 1110 00:50:49,334 --> 00:50:52,267 ABOUT GENDER REASSIGNMENT SURGERY? 1111 00:50:52,299 --> 00:50:53,868 OH, MY GOD, I LOVED THAT ARTICLE. 1112 00:50:53,901 --> 00:50:55,834 IT WAS ALL ABOUT WOMEN WHO BECOME MEN, 1113 00:50:55,868 --> 00:50:57,133 AND THEY TAKE HORMONES 1114 00:50:57,167 --> 00:50:58,500 AND TESTOSTERONE, 1115 00:50:58,533 --> 00:50:59,533 AND, LIKE, THEY CUT OFF ALL THEIR HAIR 1116 00:50:59,567 --> 00:51:01,100 AND THEY CUT THEIR TITS, AND... 1117 00:51:08,234 --> 00:51:09,199 I'M GONNA GO. 1118 00:51:09,234 --> 00:51:10,132 NO... 1119 00:51:10,166 --> 00:51:11,132 NO, I GOTTA GO. 1120 00:51:11,166 --> 00:51:12,634 DANA, I'M SO SORRY. 1121 00:51:12,666 --> 00:51:13,634 SHIT. 1122 00:51:13,666 --> 00:51:14,868 SHANE... 1123 00:51:14,900 --> 00:51:16,300 WHY DID YOU HAVE TO SAY THAT! 1124 00:51:16,333 --> 00:51:17,634 IT CAME OUT. I DIDN'T MEAN TO. 1125 00:51:17,667 --> 00:51:19,100 FUCK! OH, GOD... 1126 00:51:22,067 --> 00:51:23,067 DANA! 1127 00:51:23,100 --> 00:51:25,300 DANA, WAIT. YOU'RE GOING TO HURT YOURSELF. 1128 00:51:25,333 --> 00:51:27,701 I DON'T UNDERSTAND WHY, HOW... 1129 00:51:27,734 --> 00:51:28,466 JUST LEAVE ME ALONE, ALICE. I NEED TO BE ALONE. 1130 00:51:28,501 --> 00:51:29,600 I'LL JUST TAKE YOU HOME. 1131 00:51:29,634 --> 00:51:33,067 ALICE, JUST LEAVE ME ALONE! 1132 00:51:33,067 --> 00:51:35,067 YOU'RE NOT ALONE! 1133 00:51:37,433 --> 00:51:40,067 FUCK... 1134 00:51:42,567 --> 00:51:45,767 [***]