1 00:00:10,733 --> 00:00:11,800 YOU'RE DONE, CARMEN. 2 00:00:11,833 --> 00:00:12,967 NEXT VICTIM? 3 00:00:13,000 --> 00:00:14,633 [SHANE]: THAT LOOKS REALLY GOOD. 4 00:00:14,667 --> 00:00:15,833 LOOK AT YOU TWO-- 5 00:00:15,867 --> 00:00:17,633 ANOTHER COUPLE OF DYKES WITH MATCHING TATS. 6 00:00:17,667 --> 00:00:19,933 I'D RATHER SEE YOU BY YOURSELF. 7 00:00:22,833 --> 00:00:24,167 I LIKE YOU. 8 00:00:24,200 --> 00:00:25,300 A LOT. 9 00:00:28,300 --> 00:00:32,133 I'M CHANGING...MYSELF FROM FEMALE TO MALE. 10 00:00:32,167 --> 00:00:33,433 DOES JENNY KNOW? 11 00:00:33,467 --> 00:00:34,733 SHE'S BEEN SHOOTING ME UP WITH IT. 12 00:00:34,767 --> 00:00:36,100 HOW DOES THAT FEEL? 13 00:00:36,133 --> 00:00:37,400 BETTER THAN THE FIRST TIME. 14 00:00:37,433 --> 00:00:39,100 YOU WON'T GET IN TROUBLE FOR THAT? 15 00:00:39,133 --> 00:00:41,933 MM-MM. 16 00:00:41,967 --> 00:00:44,067 BIG SISTER'S OVER AT THE CHEMO CLAMBAKE. 17 00:00:44,100 --> 00:00:45,633 [KIT]: I AM NOT GONNA HAVE IT. 18 00:00:45,667 --> 00:00:47,067 I AM NOT GONNA HAVE THIS SHIT. 19 00:00:47,100 --> 00:00:49,233 I AM TALKING TO YOU, BILLIE! 20 00:00:49,267 --> 00:00:50,633 IT'S TIME FOR ME TO GO. 21 00:01:00,067 --> 00:01:02,700 WHY CAN'T YOU JUST LEAVE ME THE FUCK ALONE? 22 00:01:02,733 --> 00:01:04,867 YOU'RE NOT MY FUCKING NURSE. 23 00:01:04,900 --> 00:01:05,933 YOU'RE NOT MY MOTHER. 24 00:01:05,967 --> 00:01:07,067 YOU'RE NOT ANYTHING. 25 00:01:07,067 --> 00:01:08,633 [GASPS] 26 00:01:08,667 --> 00:01:10,133 [SOBS] 27 00:01:13,100 --> 00:01:15,633 [***] 28 00:01:20,833 --> 00:01:23,333 [SOBS] 29 00:01:27,467 --> 00:01:29,800 I DON'T KNOW IF I CAN... 30 00:01:29,833 --> 00:01:31,233 UM-- 31 00:01:31,267 --> 00:01:34,300 IF I CAN LIVE WITHOUT YOU. 32 00:01:34,333 --> 00:01:36,667 OH, ALICE... 33 00:01:38,933 --> 00:01:40,933 [CRYING] 34 00:01:42,433 --> 00:01:44,700 YOU CAN. 35 00:01:44,733 --> 00:01:46,733 [CRYING] 36 00:01:57,300 --> 00:01:59,667 [***] 37 00:02:37,833 --> 00:02:39,067 I CAN'T, I CAN'T. 38 00:02:39,067 --> 00:02:41,700 I CAN'T, I CAN'T, I CAN'T. 39 00:02:49,567 --> 00:02:52,833 I'VE GOT TO GO. 40 00:02:52,867 --> 00:02:55,533 I HAVE TO GO. 41 00:02:55,567 --> 00:02:58,067 [SOBBING] 42 00:03:00,767 --> 00:03:02,733 I HAVE TO GO. 43 00:03:11,500 --> 00:03:15,167 [DOOR OPENS, CLOSES] 44 00:03:15,200 --> 00:03:17,567 [SOBBING]: DANA... 45 00:03:17,600 --> 00:03:20,067 [***] 46 00:03:27,133 --> 00:03:30,333 [***] 47 00:03:30,367 --> 00:03:36,667 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 48 00:03:36,700 --> 00:03:43,433 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 49 00:03:43,467 --> 00:03:49,567 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 50 00:03:49,600 --> 00:03:56,067 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 51 00:04:03,600 --> 00:04:04,900 * TALKING, LAUGHING LOVING, BREATHING * 52 00:04:04,933 --> 00:04:06,833 * FIGHTING, FUCKING CRYING, DRINKING * 53 00:04:06,867 --> 00:04:08,200 * WRITING, WINNING LOSING, CHEATING * 54 00:04:08,233 --> 00:04:09,900 * KISSING, THINKING, DREAMING 55 00:04:09,933 --> 00:04:11,900 * THIS IS THE WAY... 56 00:04:11,933 --> 00:04:14,733 * IT'S THE WAY THAT WE LIVE * 57 00:04:14,767 --> 00:04:20,300 * IT'S THE WAY THAT WE LIVE 58 00:04:20,333 --> 00:04:24,067 * AND LOVE * 59 00:04:28,733 --> 00:04:30,967 [***] 60 00:04:34,433 --> 00:04:35,967 [KIT]: PULL OVER! 61 00:04:36,067 --> 00:04:38,067 PULL OVER INTO THAT OUTLOOK. 62 00:04:38,100 --> 00:04:39,900 [ANGUS]: WHAT'S UP? ARE YOU OKAY? 63 00:04:39,933 --> 00:04:42,467 [GASPING FOR BREATH] 64 00:04:45,733 --> 00:04:48,200 OKAY... 65 00:04:48,233 --> 00:04:50,300 OH... 66 00:04:50,333 --> 00:04:52,300 BABY, WHAT'S WRONG? 67 00:04:52,333 --> 00:04:54,833 OH, I'M JUST HAVING BAD BUTTERFLIES. 68 00:04:54,867 --> 00:04:55,867 THAT'S ALL. 69 00:04:55,900 --> 00:04:57,067 I'M HYPERVENTILATING. 70 00:04:57,100 --> 00:04:58,300 YEAH, JUST-- IT'S ALL RIGHT. 71 00:04:58,333 --> 00:04:59,633 JUST BREATHE SLOW. 72 00:04:59,667 --> 00:05:01,500 BREATHE... THAT'S IT. 73 00:05:01,533 --> 00:05:02,533 [CHUCKLES]: THAT'S IT. 74 00:05:02,567 --> 00:05:04,067 YEAH. 75 00:05:04,100 --> 00:05:06,067 IT'S EXCITING. 76 00:05:06,067 --> 00:05:07,800 I'M EXCITED TO MEET YOUR FRIEND NONA. 77 00:05:07,833 --> 00:05:09,067 YEAH... 78 00:05:09,100 --> 00:05:10,533 BUT, HEY, MY FRIENDS, THE BETTY GIRLS, 79 00:05:10,567 --> 00:05:13,833 THEY'VE COME ALL THE WAY FROM NEW YORK TO PRODUCE ME. 80 00:05:13,867 --> 00:05:15,300 I CAN'T DO IT. I CAN'T DO IT. 81 00:05:15,333 --> 00:05:16,600 YES, YOU CAN DO IT. 82 00:05:16,633 --> 00:05:17,967 LOOK, THEY CAME OUT HERE 83 00:05:18,067 --> 00:05:19,733 BECAUSE YOUR RECORD'S GOING TO BE KILLER, KIT, 84 00:05:19,767 --> 00:05:21,267 AND BECAUSE THEY LOVE YOU. 85 00:05:21,300 --> 00:05:22,500 AND THIS IS ALL HAPPENING 86 00:05:22,533 --> 00:05:24,333 BECAUSE YOU TOOK CONTROL OF YOUR LIFE. 87 00:05:24,367 --> 00:05:27,267 [BREATHING SLOWS] 88 00:05:27,300 --> 00:05:28,600 OKAY. I'M GOOD. ALL RIGHT? 89 00:05:28,633 --> 00:05:29,733 I'M OKAY. ALL RIGHT. 90 00:05:29,767 --> 00:05:32,100 ALL RIGHT. LET'S GO. ALL RIGHT. 91 00:05:35,067 --> 00:05:36,733 OKAY. 92 00:05:36,767 --> 00:05:37,800 READY? 93 00:05:37,833 --> 00:05:39,767 YEP. HI-HO, SILVER! 94 00:05:39,800 --> 00:05:42,233 WHOO! 95 00:05:56,233 --> 00:05:59,067 SORRY, I DIDN'T MEAN TO TOUCH YOU. 96 00:06:00,567 --> 00:06:03,833 I DON'T MIND BEING TOUCHED BY YOU. 97 00:06:03,867 --> 00:06:06,867 OBVIOUSLY YOU DO. 98 00:06:11,500 --> 00:06:14,500 WHILE I'M AWAY, I WANT YOU TO MOVE OUT. 99 00:06:26,067 --> 00:06:29,333 WHERE AM I SUPPOSED TO GO? 100 00:06:30,333 --> 00:06:32,233 I DON'T KNOW. I JUST... 101 00:06:32,267 --> 00:06:33,800 JUST MOVE INTO THE OTHER BEDROOM 102 00:06:33,833 --> 00:06:35,200 UNTIL WE FIGURE IT OUT. 103 00:06:35,233 --> 00:06:37,900 I JUST DON'T WANT YOU IN MY BED ANYMORE. 104 00:06:40,333 --> 00:06:41,300 ALL RIGHT, FINE, 105 00:06:41,333 --> 00:06:42,833 IF THAT'S WHAT YOU WANT. 106 00:06:42,867 --> 00:06:44,867 THAT'S NOT WHAT I WANT, TINA. 107 00:06:44,900 --> 00:06:46,333 I'M NOT THE ONE WHO DECIDED 108 00:06:46,367 --> 00:06:48,133 THAT THE LAST EIGHT YEARS OF HER LIFE 109 00:06:48,167 --> 00:06:50,567 WERE SOME MEANINGLESS LITTLE DALLIANCE 110 00:06:50,600 --> 00:06:52,500 IN THE LAND OF ALTERNATIVE LIFESTYLES. 111 00:06:52,533 --> 00:06:55,067 YOU KNOW THAT'S NOT TRUE. 112 00:06:57,067 --> 00:07:01,133 I CAN'T HELP THE FEELINGS THAT I'M HAVING. 113 00:07:01,167 --> 00:07:02,400 [ANGELICA CRYING] 114 00:07:02,433 --> 00:07:05,067 WELL, I DON'T WANT YOU TO HAVE THEM IN MY BED. 115 00:07:08,733 --> 00:07:10,500 I HAVE TO PACK. 116 00:07:10,533 --> 00:07:12,100 DO YOU MIND? 117 00:07:12,133 --> 00:07:14,133 I NEED TO SPEND A LITTLE TIME TO MYSELF 118 00:07:14,167 --> 00:07:16,700 IN MY OWN ROOM. 119 00:07:16,733 --> 00:07:19,233 IT'S OKAY. 120 00:07:19,267 --> 00:07:21,200 HI, SWEETIE. 121 00:07:21,233 --> 00:07:23,067 MOMMY'S RIGHT HERE. 122 00:07:23,100 --> 00:07:24,200 COME HERE. 123 00:07:24,233 --> 00:07:25,367 YEAH... 124 00:07:25,400 --> 00:07:26,933 WHAT A BIG GIRL. 125 00:07:26,967 --> 00:07:28,500 YES, YOU'RE A BIG GIRL, AND MOMMY'S RIGHT HERE. 126 00:07:28,533 --> 00:07:29,800 WHO'S THIS? 127 00:07:29,833 --> 00:07:31,433 WHO'S THIS? 128 00:07:31,467 --> 00:07:33,067 SHE'S GOING TO NEED TO BE NURSED. 129 00:07:33,067 --> 00:07:35,867 COME ON, SWEETIE, COME ON. 130 00:07:35,900 --> 00:07:37,867 LET'S GO NURSE. 131 00:07:37,900 --> 00:07:40,400 LET'S GO NURSE IN MY ROOM. 132 00:07:46,933 --> 00:07:49,433 [DISCORDANT MUSIC PLAYS] 133 00:07:49,467 --> 00:07:51,467 [MUMBLING] 134 00:07:58,533 --> 00:07:59,800 [MUMBLING]: NO-- 135 00:07:59,833 --> 00:08:00,900 OW! 136 00:08:00,933 --> 00:08:03,467 DON'T DO THAT LIKE THAT. THAT'S NOT GOOD. 137 00:08:03,500 --> 00:08:04,733 CARMEN. CARMEN. 138 00:08:04,767 --> 00:08:05,933 CARMEN. CARMEN? 139 00:08:05,967 --> 00:08:06,933 HMM? 140 00:08:06,967 --> 00:08:08,067 YOU WERE HAVING A BAD DREAM. 141 00:08:08,100 --> 00:08:09,633 HMM? 142 00:08:09,667 --> 00:08:12,067 YOU'RE HAVING A BAD DREAM. 143 00:08:12,067 --> 00:08:13,900 YOU'RE KICKING ME. 144 00:08:13,933 --> 00:08:15,300 I AM? 145 00:08:15,333 --> 00:08:17,333 YEAH. 146 00:08:19,400 --> 00:08:22,633 OH, I'M SORRY. 147 00:08:22,667 --> 00:08:24,667 OH... 148 00:08:28,067 --> 00:08:30,067 OH, MY GOD. 149 00:08:30,067 --> 00:08:32,967 SHANE... 150 00:08:33,067 --> 00:08:34,833 I HAD THIS DREAM 151 00:08:34,867 --> 00:08:38,067 THAT WE WERE INSIDE OF WAX, 152 00:08:38,067 --> 00:08:40,067 BUT IT WAS, LIKE... IT WAS REALLY TRIPPY, 153 00:08:40,100 --> 00:08:41,733 AND THERE WERE ALL THESE PAINTINGS 154 00:08:41,767 --> 00:08:43,067 THAT WERE FLOATING AROUND, 155 00:08:43,067 --> 00:08:45,500 AND YOU WERE THERE AND I WAS THERE, 156 00:08:45,533 --> 00:08:48,700 AND THERE WAS THIS LADY... 157 00:08:48,733 --> 00:08:51,067 IT WAS CHERIE. 158 00:08:52,333 --> 00:08:54,567 IT WAS CHERIE JAFFE. 159 00:08:54,600 --> 00:08:57,300 YOU WERE GIVING A TATTOO TO CHERIE JAFFE. 160 00:08:57,333 --> 00:08:58,400 LIKE THE ONE THAT WE HAVE, 161 00:08:58,433 --> 00:08:59,533 THAT'S ON THE BACK OF OUR NECKS. 162 00:08:59,567 --> 00:09:00,767 WHY DID YOU DO THAT? 163 00:09:00,800 --> 00:09:02,100 DO WHAT? 164 00:09:02,133 --> 00:09:03,667 GIVE HER A TATTOO? 165 00:09:03,700 --> 00:09:04,700 I DIDN'T. 166 00:09:04,733 --> 00:09:06,067 THAT WAS SOMETHING REALLY SACRED TO US. 167 00:09:06,067 --> 00:09:07,433 THAT'S JUST BETWEEN US. 168 00:09:07,467 --> 00:09:08,900 BUT I DIDN'T GIVE-- 169 00:09:08,933 --> 00:09:12,733 GODDAMMIT, SHANE, THAT'S SO FUCKED UP. 170 00:09:19,833 --> 00:09:21,100 [BLENDER SHUTS OFF] 171 00:09:21,133 --> 00:09:22,467 AL? 172 00:09:22,500 --> 00:09:23,967 YEAH. COMING. 173 00:09:24,067 --> 00:09:26,233 HOLD ON A SEC. 174 00:09:26,267 --> 00:09:28,067 [BLENDER WHIRRING] 175 00:09:28,067 --> 00:09:29,267 ALICE! 176 00:09:29,300 --> 00:09:32,400 OKAY, I'M COMING! 177 00:09:38,633 --> 00:09:42,067 OKAY, I PUT A LITTLE HEMP SEED IN IT 178 00:09:42,100 --> 00:09:43,933 AND THAT GREEK YOGURT THAT YOU LIKE. 179 00:09:43,967 --> 00:09:45,567 CHECK IT OUT. 180 00:09:48,867 --> 00:09:50,733 HOT, HOT, HOT, ISN'T IT? 181 00:09:50,767 --> 00:09:51,967 IT'S TOO BAD 182 00:09:52,067 --> 00:09:53,133 LARA'S NOT AROUND TO SEE THIS. 183 00:09:53,167 --> 00:09:55,933 MAYBE I'LL SAVE IT AND SELL IT ON eBAY. 184 00:09:55,967 --> 00:09:57,667 ALL RIGHT. CAN YOU NOT BE SO MORBID? 185 00:09:57,700 --> 00:09:59,067 AND DRINK THIS. 186 00:09:59,100 --> 00:10:01,100 DRINK YOUR SHAKE. 187 00:10:02,933 --> 00:10:04,200 I CAN'T. 188 00:10:04,233 --> 00:10:05,433 I FEEL NAUSEOUS. 189 00:10:05,467 --> 00:10:06,567 PLEASE, JUST... 190 00:10:06,600 --> 00:10:07,600 IT'S GOOD FOR YOU. DRINK. 191 00:10:12,100 --> 00:10:13,300 WHERE ARE YOU GOING? 192 00:10:13,333 --> 00:10:14,500 HOLD ON. 193 00:10:16,167 --> 00:10:18,500 REINFORCEMENTS. 194 00:10:18,533 --> 00:10:19,800 WHAT IS THAT? 195 00:10:19,833 --> 00:10:20,833 I DID A LITTLE SHOPPING. 196 00:10:20,867 --> 00:10:21,967 GOT SOME BASICS. 197 00:10:22,000 --> 00:10:24,167 OKAY? NOTHING-- 198 00:10:24,200 --> 00:10:25,700 THE SHAG-- 199 00:10:25,733 --> 00:10:26,933 "SHAGGY CHIC." 200 00:10:26,967 --> 00:10:28,233 MM? 201 00:10:28,267 --> 00:10:30,767 I KNOW THIS IS OUT, THE FLIPS, BUT... 202 00:10:31,800 --> 00:10:33,900 UH... 203 00:10:33,933 --> 00:10:36,733 BLONDES HAVE MORE FUN. 204 00:10:36,767 --> 00:10:38,133 HMM? HMM? 205 00:10:38,167 --> 00:10:40,400 YOU LIKE? 206 00:10:40,433 --> 00:10:42,200 ROCKIN' REDHEAD! 207 00:10:42,233 --> 00:10:45,533 I CAN'T WEAR A WIG, ALICE. 208 00:10:45,567 --> 00:10:46,800 WHY? 209 00:10:46,833 --> 00:10:48,233 UH, BECAUSE I'LL LOOK STUPID. 210 00:10:48,267 --> 00:10:49,700 YOU'RE NOT GOING TO LOOK STUPID. 211 00:10:49,733 --> 00:10:51,400 JUST TRY IT, OKAY? 212 00:10:51,433 --> 00:10:52,433 OKAY. 213 00:10:52,467 --> 00:10:54,800 JUST HUMOR ME. 214 00:11:06,700 --> 00:11:09,233 NOT SO MUCH, THAT ONE. 215 00:11:09,267 --> 00:11:11,200 NO. OKAY. 216 00:11:11,233 --> 00:11:12,400 TRY ANOTHER ONE. 217 00:11:12,433 --> 00:11:14,467 [TELEPHONE RINGING] 218 00:11:16,067 --> 00:11:17,800 "SHARON FAIRBANKS." 219 00:11:17,833 --> 00:11:19,067 GO AWAY. 220 00:11:19,100 --> 00:11:20,367 WHAT'S YOUR MOM DOING NOW? 221 00:11:20,400 --> 00:11:21,667 OH, SHE KEEPS CALLING ME... 222 00:11:21,700 --> 00:11:23,800 [MIMICKING MOTHER]: "I JUST READ AN ARTICLE 223 00:11:23,833 --> 00:11:25,433 ABOUT AN AMPUTEE WHO WON A TOURNAMENT." 224 00:11:25,467 --> 00:11:27,433 MAKES ME NUTS. 225 00:11:27,467 --> 00:11:29,200 YOU KNOW, SHE'S JUST... SHE'S TRYING TO HELP. 226 00:11:29,233 --> 00:11:30,900 AND I DON'T THINK SHUTTING THEM OUT 227 00:11:30,933 --> 00:11:32,467 IS REALLY GOING TO MAKE YOU FEEL BETTER. 228 00:11:32,500 --> 00:11:35,833 WELL, THEN WHAT IS GOING TO MAKE ME FEEL BETTER, AL? 229 00:11:35,867 --> 00:11:37,133 I MEAN, LOOK AT ME. 230 00:11:37,167 --> 00:11:40,733 I'M JUST... I'M DISAPPEARING. 231 00:11:43,067 --> 00:11:45,533 I'M JUST DISAPPEARING. 232 00:11:47,533 --> 00:11:49,167 [KEYBOARD CLACKING] 233 00:11:50,667 --> 00:11:52,733 CAN I READ IT TO YOU? 234 00:11:52,767 --> 00:11:55,367 JUST ONE SECOND. 235 00:11:58,133 --> 00:11:59,833 OKAY. 236 00:11:59,867 --> 00:12:01,867 READ IT TO ME. 237 00:12:01,900 --> 00:12:03,933 "THIS IS TO INFORM 238 00:12:03,967 --> 00:12:06,067 "ALL OF MY FRIENDS AND ACQUAINTANCES 239 00:12:06,067 --> 00:12:07,167 "THAT FROM NOW ON... 240 00:12:07,200 --> 00:12:10,367 "I'LL BE GOING BY THE NAME MAX. 241 00:12:10,400 --> 00:12:12,533 "PLEASE USE ONLY THE MALE PRONOUN 242 00:12:12,567 --> 00:12:14,367 "WHEN REFERRING TO ME. 243 00:12:14,400 --> 00:12:16,733 YOURS TRULY." 244 00:12:19,267 --> 00:12:22,067 WHY DON'T YOU SIGN OFF LIKE THIS... 245 00:12:22,067 --> 00:12:24,400 [KEYS CLACKING] 246 00:12:24,433 --> 00:12:26,967 [KEYS CONTINUE CLACKING] 247 00:12:35,667 --> 00:12:37,667 YEAH. THAT'S COOL. 248 00:12:38,767 --> 00:12:41,767 [CELLO NOTES PLAYING, TUNING UP] 249 00:12:49,700 --> 00:12:52,133 I'M HOME, DEAR! 250 00:12:52,167 --> 00:12:54,067 [SHRIEKING] 251 00:12:54,067 --> 00:12:56,167 HI! 252 00:12:56,200 --> 00:12:57,533 OH! 253 00:12:57,567 --> 00:12:58,700 LOOK AT YOU. 254 00:12:58,733 --> 00:13:00,600 YOU LOOK LIKE YOU'RE 29, GIRL! 255 00:13:00,633 --> 00:13:02,433 HOW'D YOU STAY SO SEXY? 256 00:13:02,467 --> 00:13:06,733 [BOTH TALKING AT ONCE] 257 00:13:06,767 --> 00:13:08,533 OH, THE BETTY GIRLS! 258 00:13:08,567 --> 00:13:10,467 HI, ALYSON. HI! 259 00:13:10,500 --> 00:13:12,333 AMY! HI, GIRL. 260 00:13:12,367 --> 00:13:14,100 HEY, KIT. HOW ARE YOU DOING? 261 00:13:14,133 --> 00:13:16,767 MAKE ME SOUND GOOD! 262 00:13:16,800 --> 00:13:18,267 OH... 263 00:13:18,300 --> 00:13:20,267 THIS IS MY BEAU. 264 00:13:20,300 --> 00:13:21,467 OOH! 265 00:13:21,500 --> 00:13:22,967 THIS IS MY MAIN SQUEEZE, ANGUS. 266 00:13:23,067 --> 00:13:24,467 HI. ALYSON. WELCOME. 267 00:13:24,500 --> 00:13:25,933 ANGUS PARTRIDGE. NICE TO MEET YOU. 268 00:13:25,967 --> 00:13:27,267 NICE TO MEET YOU. 269 00:13:27,300 --> 00:13:28,267 HI. 270 00:13:28,300 --> 00:13:30,800 RIGHT ON. 271 00:13:34,900 --> 00:13:36,633 GOODBYE, SWEETIE. 272 00:13:36,667 --> 00:13:38,100 DON'T FORGET THIS. 273 00:13:38,133 --> 00:13:39,867 DON'T FORGET. 274 00:13:39,900 --> 00:13:42,100 HERE, GIVE ME A KISS. 275 00:13:42,133 --> 00:13:45,600 GIVE YOUR MAMA A KISS. 276 00:13:45,633 --> 00:13:47,700 IT'S SUPPOSED TO BE A TOTALLY SILENT RETREAT, 277 00:13:47,733 --> 00:13:48,533 BUT JULIA SAID SHE HIKED 278 00:13:48,567 --> 00:13:49,700 DOWN TO THE LAKE EVERY EVENING 279 00:13:49,733 --> 00:13:51,067 TO CALL HER SON. 280 00:13:51,067 --> 00:13:52,400 EXCUSE US-- CAN YOU-- 281 00:13:52,433 --> 00:13:55,100 CAN YOU CUT YOUR ENGINE UNTIL I'M READY TO GO? 282 00:13:55,133 --> 00:13:56,833 THANKS. 283 00:13:56,867 --> 00:13:59,067 SO I EXPECT YOU TO PUT HER ON THE PHONE WITH ME. 284 00:13:59,100 --> 00:14:00,500 OF COURSE I'LL PUT HER ON THE PHONE WITH YOU. 285 00:14:00,533 --> 00:14:02,300 I WANT TO CALL HER FROM THE ROAD THIS AFTERNOON, 286 00:14:02,333 --> 00:14:03,867 SO WHERE WILL YOU BE? 287 00:14:03,900 --> 00:14:06,667 I WAS THINKING OF GOING TO VISIT KIT AND EVERYONE 288 00:14:06,700 --> 00:14:08,667 IN THE RECORDING STUDIO. 289 00:14:08,700 --> 00:14:10,500 YOU'RE KIDDING ME. 290 00:14:10,533 --> 00:14:12,367 NO. IS THERE A PROBLEM? 291 00:14:12,400 --> 00:14:13,800 WELL, THE PROBLEM IS THAT YOU NO LONGER HAVE 292 00:14:13,833 --> 00:14:15,200 THE PRIVILEGES OF BEING MY LIFE PARTNER. 293 00:14:15,233 --> 00:14:17,267 WHOA! WHAT? 294 00:14:17,300 --> 00:14:19,367 DON'T GET ALL GALLED AND AFFRONTED. 295 00:14:19,400 --> 00:14:21,167 YOU'RE THE ONE WHO'S BREAKING UP THE FAMILY. 296 00:14:21,200 --> 00:14:22,433 I AM NOT BREAKING UP-- 297 00:14:22,467 --> 00:14:23,667 YES, YOU ARE, TINA. 298 00:14:23,700 --> 00:14:26,067 YOU DON'T LOVE ME. 299 00:14:26,067 --> 00:14:29,067 YOU'RE CHANGING WHO YOU ARE, 300 00:14:29,067 --> 00:14:31,533 AND, YES, YOU ARE BREAKING UP THIS FAMILY, 301 00:14:31,567 --> 00:14:32,667 AND YOU KNOW, IT'S ABOUT TIME 302 00:14:32,700 --> 00:14:34,467 THAT WE BOTH JUST GOT REAL ABOUT IT. 303 00:14:34,500 --> 00:14:36,067 SO, WHILE I'M AWAY MEDITATING, 304 00:14:36,067 --> 00:14:37,767 I'M GOING TO TRY AND-- AHEM! 305 00:14:37,800 --> 00:14:40,367 [BETTE]: WHAT IS SHE DOING HERE? 306 00:14:40,400 --> 00:14:41,967 HI. 307 00:14:42,067 --> 00:14:43,933 HELLO, ROBERTA. 308 00:14:43,967 --> 00:14:44,967 HOW LONG HAVE YOU BEEN HERE? 309 00:14:45,067 --> 00:14:46,200 I'M GETTING READY 310 00:14:46,233 --> 00:14:48,067 TO WRITE UP MY REPORT TO THE BUREAU, 311 00:14:48,067 --> 00:14:49,333 AND I WAS IN THE NEIGHBORHOOD. 312 00:14:49,367 --> 00:14:51,267 THE GAY DADS OVER ON CURSON 313 00:14:51,300 --> 00:14:52,867 ARE ADOPTING A CRACK BABY. 314 00:14:52,900 --> 00:14:55,500 AND ARE YOU ENDORSING THEIR PETITION? 315 00:14:55,533 --> 00:14:57,467 THEY'RE A WONDERFUL FAMILY. 316 00:14:57,500 --> 00:14:59,500 THEY'VE BEEN TOGETHER FOR 19 YEARS 317 00:14:59,533 --> 00:15:01,733 AND THIS IS THEIR THIRD CHILD. 318 00:15:04,600 --> 00:15:06,400 HOW ARE YOU TWO DOING? 319 00:15:06,433 --> 00:15:08,433 WONDERFUL. FINE. 320 00:15:10,100 --> 00:15:11,867 IS THERE ANYTHING YOU WANT TO TELL ME? 321 00:15:11,900 --> 00:15:14,233 ANY BIG CHANGES AFOOT? 322 00:15:16,067 --> 00:15:17,600 WELL, I MEAN-- 323 00:15:17,633 --> 00:15:20,533 WELL, WE'RE WORKING OUT SOME THINGS, BUT-- 324 00:15:20,567 --> 00:15:22,433 I MEAN, FRANKLY, ROBERTA, 325 00:15:22,467 --> 00:15:24,367 I THINK IT'S REALLY BETWEEN ME AND TINA. 326 00:15:24,400 --> 00:15:26,200 COUPLES GO THROUGH CHANGES ALL THE TIME. 327 00:15:26,233 --> 00:15:27,600 YEAH. 328 00:15:27,633 --> 00:15:31,867 AND YOU'RE STILL INTENDING ON PROCEEDING WITH THIS ADOPTION? 329 00:15:31,900 --> 00:15:32,867 OF COURSE WE ARE. 330 00:15:32,900 --> 00:15:34,900 ABSOLUTELY. 331 00:15:36,067 --> 00:15:39,067 LISTEN, I'VE GOT TO-- I'VE GOT TO GET GOING. 332 00:15:39,100 --> 00:15:41,567 MY FLIGHT'S AT 10:30. 333 00:15:41,600 --> 00:15:43,367 WHERE ARE YOU GOING, 334 00:15:43,400 --> 00:15:45,067 IF I MAY ASK? 335 00:15:45,100 --> 00:15:47,133 I'M GOING TO THE MAHA BODHI MONASTERY 336 00:15:47,167 --> 00:15:48,633 IN OLYMPIA, WASHINGTON. 337 00:15:48,667 --> 00:15:50,067 I'M GOING ON A MEDITATION RETREAT. 338 00:15:50,100 --> 00:15:51,667 HOW LONG WILL YOU BE GONE? 339 00:15:51,700 --> 00:15:54,300 10 DAYS. 340 00:15:54,333 --> 00:15:56,233 WELL, I GUESS THAT'S FINE, 341 00:15:56,267 --> 00:15:58,100 CONSIDERING ANGELICA WILL BE HOME AND SAFE 342 00:15:58,133 --> 00:15:59,667 WITH HER MOTHER. 343 00:16:01,067 --> 00:16:02,367 AND HER OTHER MOTHER 344 00:16:02,400 --> 00:16:04,333 WILL BE HOME WITH HER IN 10 DAYS, 345 00:16:04,367 --> 00:16:05,767 ENLIGHTENED, 346 00:16:05,800 --> 00:16:10,967 AND BETTER ABLE TO COPE WITH ANY CHANGES THAT ARE AFOOT. 347 00:16:12,733 --> 00:16:14,067 [KISSES]: GOODBYE, BABY. 348 00:16:14,067 --> 00:16:16,600 I LOVE YOU, LITTLE ANGIE. 349 00:16:16,633 --> 00:16:18,133 I LOVE YOU. 350 00:16:18,167 --> 00:16:20,500 HERE YOU GO. 351 00:16:27,667 --> 00:16:29,967 EXCUSE ME. 352 00:16:30,067 --> 00:16:31,200 BYE, ANGIE. 353 00:16:31,233 --> 00:16:32,333 SAY, "BYE, MAMA." 354 00:16:32,367 --> 00:16:34,867 "BYE, MAMA." 355 00:16:46,200 --> 00:16:47,267 BYE-BYE! 356 00:16:47,300 --> 00:16:48,433 ARE YOU SURE 357 00:16:48,467 --> 00:16:49,767 YOU WANT TO GO THROUGH WITH THIS ADOPTION? 358 00:16:49,800 --> 00:16:50,933 OF COURSE I DO. 359 00:16:50,967 --> 00:16:52,800 WHY WOULD YOU SAY THAT? 360 00:16:52,833 --> 00:16:54,433 BECAUSE IT'S OBVIOUS 361 00:16:54,467 --> 00:16:57,200 THAT YOU AND BETTE ARE NOT HAPPY CAMPERS. 362 00:16:57,233 --> 00:16:59,067 WHAT IF YOU GET INVOLVED WITH SOMEONE ELSE, TINA? 363 00:16:59,100 --> 00:17:01,167 I DON'T THINK THAT'S RELEVANT. 364 00:17:01,200 --> 00:17:02,967 IT'S HIGHLY RELEVANT. 365 00:17:03,067 --> 00:17:04,733 BETTE IS ANGELICA'S OTHER MOTHER. 366 00:17:04,767 --> 00:17:06,167 YOU WOULDN'T EVEN BE SAYING THIS 367 00:17:06,200 --> 00:17:07,633 IF WE WERE A HETEROSEXUAL COUPLE. 368 00:17:07,667 --> 00:17:10,367 YOU JUST MIGHT WANT TO THINK ABOUT IT. 369 00:17:12,933 --> 00:17:14,200 I'M JUST PICKING DYLAN UP. 370 00:17:14,233 --> 00:17:16,200 SHALL I BRING YOU COFFEE? 371 00:17:16,233 --> 00:17:18,467 I'M JUST TALKING TO ALICE. 372 00:17:18,500 --> 00:17:21,067 OKAY, I'LL SEE YOU AT THE RECORDING STUDIO. 373 00:17:21,067 --> 00:17:22,867 WHAT TIME ARE YOU GOING TO GET THERE? 374 00:17:22,900 --> 00:17:24,500 OKAY. BYE. 375 00:17:24,533 --> 00:17:25,633 HI. 376 00:17:25,667 --> 00:17:26,700 HI. 377 00:17:27,833 --> 00:17:29,567 I CAN'T TELL YOU. 378 00:17:29,600 --> 00:17:31,267 I AM SO EXCITED TO MEET NONA HENDRYX. 379 00:17:31,300 --> 00:17:33,067 I AM THE HUGEST FAN. 380 00:17:33,100 --> 00:17:35,067 DO YOU MIND IF I JUST MAKE ONE MORE QUICK CALL? 381 00:17:35,067 --> 00:17:37,300 I'M PRETTY SURE I'VE GOT THE JET FOR TOMORROW. 382 00:17:37,333 --> 00:17:38,233 FOR THE GAME? 383 00:17:38,267 --> 00:17:39,967 YEAH. 384 00:17:40,067 --> 00:17:41,333 DANA'S THIS HUGE BASKETBALL FAN. 385 00:17:41,367 --> 00:17:43,333 SAN JOSE LIGHTNING IS HER FAVORITE TEAM. 386 00:17:43,367 --> 00:17:46,467 AND YOU'RE FLYING EVERYONE OUT ON YOUR MOTHER'S JET? 387 00:17:46,500 --> 00:17:47,867 YOU THINK IT'S TOO MUCH? 388 00:17:49,333 --> 00:17:50,433 YOU THINK IT'S TOO MUCH! 389 00:17:50,467 --> 00:17:51,900 I DON'T. I DON'T THINK 390 00:17:51,933 --> 00:17:52,933 IT'S TOO MUCH. 391 00:17:52,967 --> 00:17:54,633 I THINK IT'S-- I THINK IT'S AMAZING. 392 00:17:54,667 --> 00:17:55,933 IT IS. 393 00:17:55,967 --> 00:17:57,667 IT'S, LIKE, THE MOST INCREDIBLE THING TO DO 394 00:17:57,700 --> 00:17:59,200 FOR YOUR FRIEND WHO'S SICK. 395 00:17:59,233 --> 00:18:01,767 I THINK YOU'RE AMAZING. 396 00:18:01,800 --> 00:18:04,567 THANK YOU. 397 00:18:05,733 --> 00:18:07,567 I'M GETTING IN THE CAR. 398 00:18:09,067 --> 00:18:11,067 OKAY. 399 00:18:13,300 --> 00:18:20,067 * 'CAUSE THEY'RE JUST TRANSFORMATIONS * 400 00:18:20,067 --> 00:18:25,433 * VARIATIONS 401 00:18:25,467 --> 00:18:29,467 * ALTERNATIONS 402 00:18:29,500 --> 00:18:33,867 * DEVIATIONS 403 00:18:33,900 --> 00:18:37,300 * YOU KNOW MOTHER NATURE 404 00:18:37,333 --> 00:18:39,133 * RULES US ALL-- 405 00:18:39,167 --> 00:18:40,533 GUYS, UH, 406 00:18:40,567 --> 00:18:41,833 CAN I MAKE A SUGGESTION? 407 00:18:41,867 --> 00:18:43,467 I THINK 408 00:18:43,500 --> 00:18:46,300 KIT SHOULD SING THROUGH THE FIRST CHORUS BY HERSELF, 409 00:18:46,333 --> 00:18:48,867 AND THEN YOU GUYS COME IN ON THE SECOND CHORUS. 410 00:18:48,900 --> 00:18:51,067 I DON'T THINK WE'VE HEARD ENOUGH OF HER YET. 411 00:18:51,100 --> 00:18:53,767 YOU WANT ME TO SING THAT LINE BY MYSELF? 412 00:18:53,800 --> 00:18:55,200 WHAT'S HE SAYING? 413 00:18:55,233 --> 00:18:58,100 I THINK MAYBE WE DOUBLE UP ON THE FIRST CHORUS, 414 00:18:58,133 --> 00:19:00,933 AND THEN DO THE SECOND CHORUS THREE TIMES 415 00:19:00,967 --> 00:19:03,300 BECAUSE IT'S VERY STRONG. 416 00:19:03,333 --> 00:19:05,300 UM. UM... 417 00:19:05,333 --> 00:19:07,233 ANGUS. 418 00:19:07,267 --> 00:19:10,367 WE'RE JUST TRYING TO DO THE SCRATCH VOCALS RIGHT NOW. 419 00:19:10,400 --> 00:19:11,600 SO, YOU KNOW, 420 00:19:11,633 --> 00:19:13,067 CAN WE JUST COMPLETE IT, 421 00:19:13,100 --> 00:19:15,967 AND WE'LL TRY SOMETHING ELSE LATER? 422 00:19:16,067 --> 00:19:18,500 OKAY. 423 00:19:18,533 --> 00:19:21,400 OKAY, PAUL, LET'S TRY THAT AGAIN, 424 00:19:21,433 --> 00:19:22,967 AND TAKE IT FROM THE TOP OF THE CHORUS, PLEASE. 425 00:19:25,833 --> 00:19:29,833 * 'CAUSE THEY'RE JUST-- 426 00:19:29,867 --> 00:19:31,867 [TUNES BLARING] 427 00:19:40,133 --> 00:19:41,267 OKAY. 428 00:19:41,300 --> 00:19:42,633 WHO'S NEXT? 429 00:19:42,667 --> 00:19:43,700 HEY! 430 00:19:43,733 --> 00:19:44,833 HEY, SHANE. 431 00:19:44,867 --> 00:19:46,100 HEY, YOU GUYS. 432 00:19:46,133 --> 00:19:47,400 I'M SORRY, I'VE GOT TO TAKE THESE TWO. 433 00:19:47,433 --> 00:19:48,767 COME ON. 434 00:19:48,800 --> 00:19:50,100 HOW ARE YOU? 435 00:19:50,133 --> 00:19:51,133 OKAY. 436 00:20:01,333 --> 00:20:02,433 HEY. 437 00:20:09,333 --> 00:20:10,967 GIVE ME THESE. 438 00:20:29,333 --> 00:20:30,667 ARE YOU READY? 439 00:20:33,133 --> 00:20:34,700 YEAH? 440 00:20:55,367 --> 00:20:57,133 [GROUP CHATTING] 441 00:20:57,167 --> 00:20:58,267 AUNTIE KIT... 442 00:20:58,300 --> 00:20:59,300 KIT! 443 00:21:00,567 --> 00:21:01,933 HEY! 444 00:21:01,967 --> 00:21:03,167 HEY. ALYSON. HOW ARE YOU? 445 00:21:03,200 --> 00:21:04,233 I BROUGHT FRIENDS. 446 00:21:04,267 --> 00:21:05,900 HI. 447 00:21:05,933 --> 00:21:08,067 THANK YOU SO MUCH FOR LETTING US COME. 448 00:21:08,067 --> 00:21:10,300 OH, HELENA, YOU KNOW YOU CAN COME ANYTIME. 449 00:21:10,333 --> 00:21:11,400 THIS IS MY FRIEND, DYLAN MORELAND. 450 00:21:11,433 --> 00:21:12,500 HOW ARE YOU DOING? 451 00:21:12,533 --> 00:21:13,567 NICE TO MEET YOU. 452 00:21:13,600 --> 00:21:14,767 REALLY NICE TO MEET YOU. 453 00:21:14,800 --> 00:21:16,333 KIT, UM, I DON'T WANT TO BE A PAIN, 454 00:21:16,367 --> 00:21:18,400 BUT DO YOU THINK WE COULD INTRODUCE DYLAN TO NONA? 455 00:21:18,433 --> 00:21:19,467 SHE'S A HUGE FAN. 456 00:21:19,500 --> 00:21:20,567 OH, SURE, NO PROBLEM. 457 00:21:20,600 --> 00:21:22,433 UH, NONA, COME HERE. COME HERE, GIRL. 458 00:21:22,467 --> 00:21:23,567 NONA HENDRYX... 459 00:21:23,600 --> 00:21:25,533 I WANT YOU TO MEET SOME OF MY FRIENDS, 460 00:21:25,567 --> 00:21:27,667 AND YOUR BIGGEST FAN RIGHT HERE. 461 00:21:27,700 --> 00:21:29,433 OOH, HELLO. 462 00:21:29,467 --> 00:21:31,067 HI. IT'S SO GOOD TO MEET YOU. 463 00:21:31,100 --> 00:21:32,433 [WHISPERING]: SO I THOUGHT YOU GUYS 464 00:21:32,467 --> 00:21:33,567 WERE JUST FRIENDS. 465 00:21:33,600 --> 00:21:34,633 WE ARE. 466 00:21:34,667 --> 00:21:35,733 OH, GOD. YEAH, RIGHT. 467 00:21:35,767 --> 00:21:36,733 WE ARE-- 468 00:21:36,767 --> 00:21:38,833 [ANGUS]: KIT... 469 00:21:38,867 --> 00:21:39,967 PHONE CALL FOR YOU. 470 00:21:40,067 --> 00:21:41,467 OKAY. 471 00:21:43,233 --> 00:21:44,533 HI. I'M HELENA. 472 00:21:47,667 --> 00:21:48,733 IT'S YOUR SISTER. 473 00:21:48,767 --> 00:21:49,900 OH. 474 00:21:51,233 --> 00:21:52,267 HEY, GIRL. 475 00:21:52,300 --> 00:21:53,667 WHERE ARE YOU AT RIGHT NOW? 476 00:21:53,700 --> 00:21:55,900 ALMOST AT THE AIRPORT. 477 00:21:55,933 --> 00:21:57,767 LISTEN, KIT, CAN YOU DO ME A BIG FAVOR? 478 00:21:57,800 --> 00:22:00,400 YEAH, SURE. 479 00:22:00,433 --> 00:22:01,467 CAN YOU CALL TINA 480 00:22:01,500 --> 00:22:02,567 AND JUST LET HER KNOW 481 00:22:02,600 --> 00:22:04,067 THAT SHE'S WELCOME TO COME VISIT YOU 482 00:22:04,100 --> 00:22:05,100 AT THE RECORDING STUDIO? 483 00:22:05,133 --> 00:22:07,800 UM, TINA JUST WALKED IN. 484 00:22:09,800 --> 00:22:10,833 SHE WHAT? 485 00:22:10,867 --> 00:22:12,800 YEAH, SHE JUST WALKED IN 486 00:22:12,833 --> 00:22:16,533 WITH HELENA AND HER FRIEND. 487 00:22:16,567 --> 00:22:19,433 YOU'RE KIDDING ME. 488 00:22:24,667 --> 00:22:25,800 [SIGHS] 489 00:22:25,833 --> 00:22:27,500 HELLO? 490 00:22:27,533 --> 00:22:29,367 BETTE? 491 00:22:29,400 --> 00:22:31,300 BETTE... 492 00:22:31,333 --> 00:22:32,567 LOST HER. 493 00:22:32,600 --> 00:22:34,800 A SUBCUTANEOUS MASTECTOMY 494 00:22:34,833 --> 00:22:36,400 IS THE REDUCTION OF BREAST VOLUME 495 00:22:36,433 --> 00:22:38,533 TO A MALE-APPEARING CHEST. 496 00:22:38,567 --> 00:22:40,467 WE PERFORM IT UNDER GENERAL ANESTHESIA, 497 00:22:40,500 --> 00:22:43,433 USING A SEMICIRCULAR, U-SHAPED INCISION 498 00:22:43,467 --> 00:22:45,300 AT THE JUNCTION OF THE AREOLAR SKIN 499 00:22:45,333 --> 00:22:47,333 AND THE NORMAL SKIN. 500 00:22:47,367 --> 00:22:49,500 THIS PROCEDURE RUNS ABOUT $7,500. 501 00:22:49,533 --> 00:22:50,700 WELL, THAT'S ALL RIGHT, 502 00:22:50,733 --> 00:22:52,400 BECAUSE I'M STILL COVERED UNDER CHALDENE 503 00:22:52,433 --> 00:22:53,433 FOR, LIKE, ANOTHER SIX MONTHS 504 00:22:53,467 --> 00:22:55,400 WITH MY POLICY WITH THEM. 505 00:22:55,433 --> 00:22:58,133 I'M AFRAID THAT GENDER REASSIGNMENT SURGERY 506 00:22:58,167 --> 00:23:00,867 ISN'T YET INCLUDED 507 00:23:00,900 --> 00:23:02,700 ON ANY INSURANCE POLICIES. 508 00:23:02,733 --> 00:23:05,633 THEY SEE IT AS AN ELECTIVE PROCEDURE. 509 00:23:05,667 --> 00:23:06,633 OH. 510 00:23:06,667 --> 00:23:07,933 HEY, LISTEN, LISTEN. 511 00:23:07,967 --> 00:23:09,067 I JUST GOT MY ADVANCE. 512 00:23:09,100 --> 00:23:10,567 SO WHY DON'T I USE, YOU KNOW, 513 00:23:10,600 --> 00:23:11,633 THE MONEY THAT THE PUBLISHER GAVE ME, 514 00:23:11,667 --> 00:23:12,700 AND I'LL PAY FOR IT. 515 00:23:12,733 --> 00:23:14,067 JENNY, I DON'T WANT YOU TO PAY FOR THIS. 516 00:23:14,067 --> 00:23:15,133 I WANT TO PAY FOR IT. 517 00:23:15,167 --> 00:23:17,300 NO, I JUST WOULDN'T FEEL RIGHT ABOUT IT. 518 00:23:17,333 --> 00:23:18,400 BUT I FEEL FINE. 519 00:23:18,433 --> 00:23:21,267 THAT'S NICE, BUT I... 520 00:23:21,300 --> 00:23:23,067 DO YOU KNOW WHAT A LOT OF PEOPLE DO? 521 00:23:23,067 --> 00:23:25,067 WELL, NOT A LOT, BUT SOME OF MY PATIENTS, 522 00:23:25,067 --> 00:23:27,500 THEY HOLD TOP SURGERY BENEFIT PARTIES. 523 00:23:27,533 --> 00:23:28,633 THEY INVITE THEIR FRIENDS IN 524 00:23:28,667 --> 00:23:30,300 FROM THE COMMUNITY, AND RAISE THE FUNDS 525 00:23:30,333 --> 00:23:31,300 TO PAY FOR THEIR TOP SURGERIES. 526 00:23:31,333 --> 00:23:32,333 YEAH, LET'S DO THAT. 527 00:23:32,367 --> 00:23:35,133 YEAH... 528 00:23:35,167 --> 00:23:37,967 * MOTHER NATURE RULES US 529 00:23:38,067 --> 00:23:39,733 * I MOVE, AND I GO 530 00:23:39,767 --> 00:23:42,067 * IN TIME, FAST OR SLOW 531 00:23:42,067 --> 00:23:44,567 * I MOVE THROUGH DOORS 532 00:23:44,600 --> 00:23:46,400 * EACH TIME LESS THAN MORE 533 00:23:46,433 --> 00:23:49,367 [***] 534 00:23:49,400 --> 00:23:51,967 * WET TO DRY EYE TO EYE * 535 00:23:54,067 --> 00:23:56,733 * NO PLEASURE OR PAIN 536 00:23:56,767 --> 00:23:58,400 WHAT'S THE TEMPO? 537 00:23:58,433 --> 00:24:00,067 108. 538 00:24:00,100 --> 00:24:02,233 YEAH, THAT'S WRONG. IT'S TOO FAST. 539 00:24:02,267 --> 00:24:04,867 LET'S TAKE IT DOWN TO, SAY, 102. 540 00:24:04,900 --> 00:24:06,267 NO, THAT'S NOT GOING TO WORK. 541 00:24:06,300 --> 00:24:07,600 WHAT IS NOT GOING TO WORK? 542 00:24:07,633 --> 00:24:10,200 THAT'S NOT GOING TO WORK. 543 00:24:10,233 --> 00:24:11,667 UM, ANGUS, COME ON, BABY. 544 00:24:11,700 --> 00:24:12,967 COME ON. 545 00:24:15,067 --> 00:24:17,300 [GENTLY]: BABY, WHAT'S GOING ON? 546 00:24:17,333 --> 00:24:18,700 NOTHING'S GOING ON. 547 00:24:18,733 --> 00:24:20,067 DO YOU NOT WANT ME TO BE A PART OF THIS? 548 00:24:20,067 --> 00:24:22,200 NO, OF COURSE I WANT YOU TO BE A PART OF THIS. 549 00:24:22,233 --> 00:24:23,600 IT'S JUST A TOTALLY DIFFERENT THING 550 00:24:23,633 --> 00:24:24,633 WHEN YOU'RE MAKING YOUR OWN RECORD. 551 00:24:24,667 --> 00:24:26,067 THIS ISN'T 552 00:24:26,100 --> 00:24:27,733 SOME DADDY WARBUCKS RECORD COMPANY, OKAY? 553 00:24:27,767 --> 00:24:29,267 I JUST... 554 00:24:29,300 --> 00:24:30,100 I WANT YOU TO GET EVERYTHING YOU ENVISIONED 555 00:24:30,133 --> 00:24:31,267 WHEN YOU FIRST DREAMED-- 556 00:24:31,300 --> 00:24:34,400 * ALTERNATIONS 557 00:24:34,433 --> 00:24:40,067 * DEVIATIONS 558 00:24:40,067 --> 00:24:44,867 * MOTHER NATURE RULES US ALL 559 00:24:55,733 --> 00:24:57,533 OH, WOW, LOOK AT THIS. 560 00:24:57,567 --> 00:25:00,067 IT'S AN ALL-IN-ONE BOXER-BRIEF 561 00:25:00,100 --> 00:25:01,800 WITH A BUILT-IN PACKAGE 562 00:25:01,833 --> 00:25:05,167 AND A CHEST-BINDING VEST. 563 00:25:05,200 --> 00:25:06,167 WOW. 564 00:25:06,200 --> 00:25:07,167 I LIKE THIS. 565 00:25:07,200 --> 00:25:09,900 THE PISSIN' PASSIN' PACKER. 566 00:25:09,933 --> 00:25:12,067 "THIS DICK CAN BE USED AS A CLEAN, TIDY, 567 00:25:12,067 --> 00:25:13,633 "STANDING URINARY DEVICE. 568 00:25:13,667 --> 00:25:15,833 "YOU CAN HOLD IT UP AGAINST YOURSELF, 569 00:25:15,867 --> 00:25:17,300 "FACE THE TOILET BOWL OR URINAL, 570 00:25:17,333 --> 00:25:20,067 AND LET IT FLY." 571 00:25:20,067 --> 00:25:22,533 BUT YOU CAN PEE STANDING UP, CAN'T YOU? 572 00:25:22,567 --> 00:25:24,667 YEAH, I KNOW, 573 00:25:24,700 --> 00:25:27,733 BUT, I MEAN, I'VE NEVER BEEN ABLE TO, YOU KNOW, 574 00:25:27,767 --> 00:25:29,667 WHIP IT OUT IN A MEN'S ROOM. 575 00:25:29,700 --> 00:25:31,767 [LAUGHING]: I SEE. 576 00:25:31,800 --> 00:25:33,133 OH, THIS IS GREAT-- 577 00:25:33,167 --> 00:25:34,100 HEY, KIT! 578 00:25:34,133 --> 00:25:35,100 YOU'VE GOT SOME NEW VISITORS. 579 00:25:35,133 --> 00:25:36,167 HEY! 580 00:25:36,200 --> 00:25:39,333 WHAT IS WITH THOSE CRAZY 'DOs? 581 00:25:39,367 --> 00:25:41,800 DON'T ASK. IT'LL ALL BE EXPLAINED IN A MINUTE. 582 00:25:41,833 --> 00:25:43,300 NO, NO, NO, IT'S... EXTREME IS THE NEW SEASON. 583 00:25:43,333 --> 00:25:44,300 YEAH. 584 00:25:44,333 --> 00:25:45,400 THIS IS THE NEW THING. 585 00:25:45,433 --> 00:25:46,767 OKAY, SO WE WANT TO INTRODUCE YOU TO SOMEONE. 586 00:25:46,800 --> 00:25:48,467 YEAH, SO PLEASE WELCOME 587 00:25:48,500 --> 00:25:50,067 THE BRAND-NEW DANA FAIRBANKS. 588 00:25:50,067 --> 00:25:51,367 COME ON, DANE. 589 00:25:51,400 --> 00:25:52,867 COME ON. 590 00:25:54,467 --> 00:25:56,133 [APPLAUDING] 591 00:25:56,167 --> 00:25:57,233 YOU GO, GIRL! 592 00:25:57,267 --> 00:25:59,133 LOOK AT YOU, DANA! 593 00:25:59,167 --> 00:26:00,200 YOU LOOK FANTASTIC. 594 00:26:02,900 --> 00:26:04,567 HEY, GIRL. 595 00:26:04,600 --> 00:26:07,067 YOU'RE SUCH A BEAUTY. 596 00:26:07,067 --> 00:26:08,167 THAT LOOKS AMAZING. 597 00:26:08,200 --> 00:26:10,533 OH, YEAH, DOESN'T SHE? 598 00:26:10,567 --> 00:26:13,567 YOU LOOK GORGEOUS. 599 00:26:13,600 --> 00:26:15,067 WELL DONE. 600 00:26:15,100 --> 00:26:19,067 DANA, I'VE GOT SOMEBODY I WANT YOU TO MEET. 601 00:26:19,100 --> 00:26:20,367 OH! EASY. 602 00:26:20,400 --> 00:26:21,900 NONA, THIS IS DANA FAIRBANKS, 603 00:26:21,933 --> 00:26:23,300 OUR BEST FRIEND, 604 00:26:23,333 --> 00:26:24,400 WHO CAME BY TO SHOW US 605 00:26:24,433 --> 00:26:27,633 HER NEW CHEMOTHERAPY COIFFURE. 606 00:26:27,667 --> 00:26:29,100 YEAH! 607 00:26:29,133 --> 00:26:33,367 [CHEERING AND APPLAUDING] 608 00:26:33,400 --> 00:26:34,767 WHOA! 609 00:26:34,800 --> 00:26:36,200 IT'S REALLY COOL TO MEET YOU, 610 00:26:36,233 --> 00:26:37,767 AND YOU KNOW WHAT? 611 00:26:37,800 --> 00:26:39,233 I'M DOWN WITH THAT 'DO. 612 00:26:41,600 --> 00:26:42,767 THANK YOU. 613 00:26:42,800 --> 00:26:44,400 PARTY ON, DANA. YOU LOOK GREAT. 614 00:26:44,433 --> 00:26:45,400 ALL RIGHT! 615 00:26:45,433 --> 00:26:47,533 [CHEERING AND APPLAUDING] 616 00:26:47,567 --> 00:26:48,700 ALL RIGHT, IT'S ON! 617 00:26:48,733 --> 00:26:51,200 [***] 618 00:27:06,333 --> 00:27:09,900 [SHANE AND ALICE TALKING OVER VIDEOGAME GUNFIRE] 619 00:27:09,933 --> 00:27:12,167 MOTHERFUCKER! 620 00:27:12,200 --> 00:27:14,200 BASTARD. 621 00:27:14,233 --> 00:27:16,067 FUCKER. 622 00:27:16,067 --> 00:27:17,067 YOU'RE NOT GETTING-- 623 00:27:17,067 --> 00:27:17,867 HEY, DANE, YOU OKAY? 624 00:27:17,900 --> 00:27:19,167 WANT TO GO HOME? 625 00:27:19,200 --> 00:27:20,933 NO, I WANT TO STAY AND HAVE FUN AND PLAY GAMES... 626 00:27:20,967 --> 00:27:21,933 RIGHT THERE! 627 00:27:21,967 --> 00:27:23,067 I SEE IT. 628 00:27:23,067 --> 00:27:24,800 GET THE MOTHERFUCKER, GET THE MOTHERFUCKER! 629 00:27:24,833 --> 00:27:25,800 OOH, I GOT IT, I GOT IT. 630 00:27:25,833 --> 00:27:27,133 WHERE'S CARMEN? 631 00:27:27,167 --> 00:27:28,267 [SIGHS] 632 00:27:28,300 --> 00:27:29,633 I'M IN THE SHITHOUSE. 633 00:27:29,667 --> 00:27:31,400 WHY? 634 00:27:31,433 --> 00:27:32,833 CARMEN HAD A DREAM 635 00:27:32,867 --> 00:27:35,600 THAT I GAVE CHERIE JAFFE A FUCKING TATTOO. 636 00:27:35,633 --> 00:27:36,600 AW... 637 00:27:36,633 --> 00:27:38,833 YEAH, NO, I'VE HAD THAT HAPPEN. 638 00:27:38,867 --> 00:27:41,300 I HAD THIS GIRL WHO DREAMT THAT I FUCKED DAVID SCHWIMMER. 639 00:27:42,367 --> 00:27:44,267 WELL, FRIENDS WAS ON A LOT. 640 00:27:44,300 --> 00:27:45,133 FUCKER! 641 00:27:45,167 --> 00:27:46,133 SHIT. 642 00:27:46,167 --> 00:27:48,067 YOU KNOW, AL, ACTUALLY... 643 00:27:48,067 --> 00:27:51,433 WHEN WE WERE GOING OUT, 644 00:27:51,467 --> 00:27:52,800 I HAD A DREAM YOU WERE A MIDGET. 645 00:27:52,833 --> 00:27:54,633 [CHUCKLING] 646 00:27:54,667 --> 00:27:56,267 BUT I WASN'T MAD AT YOU 647 00:27:56,300 --> 00:27:57,300 OR ANYTHING. 648 00:27:58,333 --> 00:28:00,267 SHIT. DAMMIT. 649 00:28:00,300 --> 00:28:01,500 WELL, HE KEEPS SHOOTING YOUR BACK. 650 00:28:01,533 --> 00:28:04,567 I HATE BEING IN THE SHITHOUSE. 651 00:28:04,600 --> 00:28:06,867 [***] 652 00:28:22,067 --> 00:28:23,067 I'M GOING TO GET SOME TEA. 653 00:28:29,833 --> 00:28:31,533 DO YOU WANT SOME TEA? 654 00:28:31,567 --> 00:28:32,567 UH, NO, THANKS. 655 00:28:32,600 --> 00:28:35,533 I'VE ALREADY HAD TEA. 656 00:28:48,300 --> 00:28:50,067 [SIGHS] 657 00:28:51,767 --> 00:28:54,500 [DISCUSSING VIDEOGAME STRATEGY] 658 00:28:56,500 --> 00:28:57,500 HEY, GUYS. 659 00:28:57,533 --> 00:28:59,400 YOU MAKING SOME TEA? 660 00:28:59,433 --> 00:29:02,767 YEAH. 661 00:29:05,467 --> 00:29:07,633 SO WHERE'S DANA? 662 00:29:07,667 --> 00:29:09,700 UM, SHE WAS FEELING SICK, 663 00:29:09,733 --> 00:29:11,367 SO SHE JUST WENT TO LIE DOWN. 664 00:29:11,400 --> 00:29:12,567 DO YOU THINK SHE'S GOING TO BE UP 665 00:29:12,600 --> 00:29:13,567 FOR TOMORROW? 666 00:29:13,600 --> 00:29:15,633 NO, NO, NO, I THINK SHE'LL BE PSYCHED. 667 00:29:15,667 --> 00:29:16,867 FOR SURE. 668 00:29:19,667 --> 00:29:21,133 WELL, OKAY, LET'S GO. 669 00:29:21,167 --> 00:29:22,300 YEAH, OKAY. 670 00:29:22,333 --> 00:29:23,433 SEE YOU GUYS LATER. 671 00:29:32,367 --> 00:29:34,100 COME HERE. 672 00:30:01,300 --> 00:30:05,600 THIS IS FUCKING INSANE. 673 00:30:05,633 --> 00:30:09,733 COME HERE. 674 00:30:09,767 --> 00:30:12,567 I'LL SHOW YOU HOW FUCKING INSANE IT IS. 675 00:30:34,200 --> 00:30:37,733 DO YOU FEEL THAT? 676 00:30:40,167 --> 00:30:44,867 NOBODY MAKES ME WET LIKE THAT. 677 00:30:44,900 --> 00:30:47,933 YOU'RE THE FIRST PERSON WHO'S EVER DONE THAT TO ME. 678 00:30:49,867 --> 00:30:52,133 [GASPS] 679 00:31:08,267 --> 00:31:10,567 TAKE ME HOME. 680 00:31:10,600 --> 00:31:14,500 YOU WANT TO GO HOME? 681 00:31:14,533 --> 00:31:18,867 TO YOUR HOUSE. 682 00:31:18,900 --> 00:31:20,433 NOW. 683 00:31:20,467 --> 00:31:22,500 HOME. 684 00:31:31,733 --> 00:31:33,067 HEY, BABY, WHAT ARE YOU DOING? 685 00:31:33,067 --> 00:31:34,067 UH-UH, NO. 686 00:31:34,067 --> 00:31:35,900 I AM NOT HERE FOR YOU. I AM HERE FOR KIT. 687 00:31:35,933 --> 00:31:37,600 AND I'D LIKE TO MEET NONA HENDRYX, OKAY? 688 00:31:37,633 --> 00:31:38,900 YOU ARE NOT TO TALK TO ME-- 689 00:31:38,933 --> 00:31:39,900 I DIDN'T DO ANYTHING-- 690 00:31:39,933 --> 00:31:40,467 THAT'S IT. 691 00:31:40,500 --> 00:31:41,633 GUYS? 692 00:31:41,667 --> 00:31:43,800 UH, GUYS, CAN YOU KEEP IT DOWN? 693 00:31:43,833 --> 00:31:46,800 OKAY, NOT ONLY DID YOU GIVE CHERIE JAFFE A TATTOO, 694 00:31:46,833 --> 00:31:48,600 BUT THERE WAS A SCARY-LOOKING, LIKE, BIRD 695 00:31:48,633 --> 00:31:49,867 THAT KEPT FLYING AROUND, RIGHT, 696 00:31:49,900 --> 00:31:51,333 AND AT ONE POINT, IT WAS SCREAMING YOUR NAME. 697 00:31:51,367 --> 00:31:53,067 IT WAS LIKE, "SHANE! SHANE! HELLO, SHANE!" 698 00:31:53,067 --> 00:31:54,167 AND YOU SPROUTED WINGS, 699 00:31:54,200 --> 00:31:55,867 AND YOU FLEW OFF WITH THE BIRD, OKAY? 700 00:31:55,900 --> 00:31:57,267 THAT IS UNACCEPTABLE. 701 00:31:57,300 --> 00:31:58,933 N'UH-UH. NO. 702 00:32:03,100 --> 00:32:05,533 OKAY... 703 00:32:05,567 --> 00:32:08,367 [WHISPERING]: OH, THEY SOUND SO GOOD. 704 00:32:09,500 --> 00:32:10,667 WHAT DO WE GOT? 705 00:32:10,700 --> 00:32:12,200 HEY. 706 00:32:12,233 --> 00:32:14,067 [***] 707 00:32:14,100 --> 00:32:17,067 THEY SOUND GOOD. OH, YEAH. 708 00:32:17,067 --> 00:32:20,067 LATIN WOMEN. 709 00:32:20,100 --> 00:32:22,533 CALIENTE. 710 00:32:22,567 --> 00:32:23,933 HEY, GUYS, 711 00:32:23,967 --> 00:32:25,467 I JUST WANT TO THANK YOU FOR A GREAT DAY. 712 00:32:25,500 --> 00:32:26,567 IT'S GOING TO BE BETTER TOMORROW. 713 00:32:26,600 --> 00:32:28,400 WE'RE GOING TO BE REALLY HOT, RIGHT? 714 00:32:28,433 --> 00:32:29,900 YEAH. YEAH. 715 00:32:29,933 --> 00:32:31,600 WELL, IF YOU THREE CAN WORK UP AN ARRANGEMENT 716 00:32:31,633 --> 00:32:33,100 WHERE HER VOCAL DRAMA DOESN'T OVERWHELM 717 00:32:33,133 --> 00:32:35,133 KIT'S FREESTYLE FUNK... 718 00:32:35,167 --> 00:32:36,333 [GROUP SCOFFS, LAUGHS] 719 00:32:36,367 --> 00:32:37,733 OH, NO, YOU DIDN'T SAY THAT. 720 00:32:37,767 --> 00:32:39,867 WELL, YOU KNOW WHAT, SOMEBODY'S GOT TO SAY IT. 721 00:32:39,900 --> 00:32:41,067 COME ON. 722 00:32:41,100 --> 00:32:43,500 I WANT TO TALK TO YOU NOW, RIGHT NOW. 723 00:32:43,533 --> 00:32:45,533 MAN, THAT'S UNBELIEVABLE. 724 00:32:46,933 --> 00:32:48,300 DO YOU HAVE ANY IDEA 725 00:32:48,333 --> 00:32:49,367 WHAT A BIG FAVOUR THESE PEOPLE ARE DOING FOR ME? 726 00:32:49,400 --> 00:32:50,367 DO-- DO YOU? 727 00:32:50,400 --> 00:32:51,700 THAT'S THE PROBLEM. 728 00:32:51,733 --> 00:32:53,533 YOU ACT LIKE THEY'RE DOING YOU THIS BIG FAVOR, 729 00:32:53,567 --> 00:32:54,900 WHEN YOU'RE DOING THEM THE FAVOR-- 730 00:32:54,933 --> 00:32:57,300 ANGUS, I DON'T NEED THIS. 731 00:32:57,333 --> 00:32:58,433 THIS IS NOT HOW I DEAL. 732 00:32:58,467 --> 00:33:00,300 THIS IS NOT HOW I WANT TO SET THINGS UP 733 00:33:00,333 --> 00:33:01,367 WITH PEOPLE I'M GOING TO WORK WITH, OKAY? 734 00:33:01,400 --> 00:33:02,433 I... 735 00:33:02,467 --> 00:33:03,467 JUST... 736 00:33:03,500 --> 00:33:04,500 JUST BACK OFF. 737 00:33:05,800 --> 00:33:06,767 BACK OFF? 738 00:33:06,800 --> 00:33:08,367 YEAH. 739 00:33:15,200 --> 00:33:17,167 [SIGHS] 740 00:33:17,200 --> 00:33:18,933 [DOOR CLOSES] 741 00:33:25,833 --> 00:33:27,467 [SIGHS HEAVILY] 742 00:33:27,500 --> 00:33:29,833 CAN GUYS GUYS GIVE ME A RIDE? 743 00:33:29,867 --> 00:33:31,467 NO PROBLEM. 744 00:33:31,500 --> 00:33:32,900 YEAH. WE'LL GET YOU HOME. 745 00:33:32,933 --> 00:33:34,267 COME ON, KIT. 746 00:33:37,567 --> 00:33:40,267 [***] 747 00:34:04,767 --> 00:34:06,600 HELENA... 748 00:34:06,633 --> 00:34:08,400 HMM? 749 00:34:10,867 --> 00:34:13,067 WHAT? 750 00:34:13,100 --> 00:34:15,067 I'VE NEVER DONE THIS BEFORE. 751 00:34:15,067 --> 00:34:16,533 I JUST HAVEN'T... 752 00:34:16,567 --> 00:34:18,533 I HAVEN'T DONE THIS. 753 00:34:23,267 --> 00:34:25,633 I MEAN... 754 00:34:25,667 --> 00:34:26,900 DON'T WORRY. 755 00:34:31,467 --> 00:34:33,500 IT'S OKAY. 756 00:35:14,133 --> 00:35:16,067 I NEED HELP. 757 00:35:16,067 --> 00:35:17,100 I CAN'T UNDO IT. 758 00:36:34,267 --> 00:36:35,367 HEY... 759 00:36:38,367 --> 00:36:40,067 THANK YOU. 760 00:36:44,367 --> 00:36:46,067 I'M GOING TO... IF YOU COULD JUST... 761 00:36:46,067 --> 00:36:47,100 I'M GOING TO CHANGE. 762 00:36:47,133 --> 00:36:48,433 YEAH. 763 00:36:48,467 --> 00:36:49,433 THANKS. 764 00:36:49,467 --> 00:36:50,967 NO PROBLEM. 765 00:37:00,400 --> 00:37:01,433 AH... 766 00:37:01,467 --> 00:37:02,433 SHIT. 767 00:37:02,467 --> 00:37:04,700 AL! 768 00:37:04,733 --> 00:37:06,200 YEAH? 769 00:37:10,667 --> 00:37:11,733 CAN YOU HELP ME? 770 00:37:11,767 --> 00:37:13,333 [DOOR OPENS] 771 00:37:14,867 --> 00:37:17,133 I-I CAN'T GET MY BRA OFF. 772 00:37:20,233 --> 00:37:21,233 I GOT IT. 773 00:37:21,267 --> 00:37:22,267 THANKS. 774 00:37:27,767 --> 00:37:29,867 YOU OKAY? 775 00:37:29,900 --> 00:37:30,900 MM-HMM. 776 00:37:44,967 --> 00:37:46,233 I'M SORRY. 777 00:37:46,267 --> 00:37:47,233 NO. 778 00:37:47,267 --> 00:37:49,400 NO... 779 00:38:11,733 --> 00:38:12,800 YOU'RE BEAUTIFUL. 780 00:38:23,367 --> 00:38:24,933 HEY, YOU'RE STILL AT IT. 781 00:38:24,967 --> 00:38:26,167 MM-HMM. 782 00:38:26,200 --> 00:38:28,933 ARE YOU STILL WORKING ON CHAPTER FOUR? 783 00:38:28,967 --> 00:38:30,333 NO. 784 00:38:30,367 --> 00:38:32,233 I'M WRITING A STORY ABOUT YOU. 785 00:38:32,267 --> 00:38:34,467 ABOUT ME? 786 00:38:34,500 --> 00:38:37,333 YEAH, WELL, NOT JUST ABOUT YOU. 787 00:38:37,367 --> 00:38:38,467 SORT OF... 788 00:38:38,500 --> 00:38:40,267 I DON'T KNOW, ABOUT US, 789 00:38:40,300 --> 00:38:42,500 AND WHAT WE'RE GOING THROUGH. 790 00:38:42,533 --> 00:38:43,967 WHY ARE YOU DOING THAT? 791 00:38:44,067 --> 00:38:45,200 HEY... 792 00:38:45,233 --> 00:38:46,467 DON'T DO THAT. STOP IT. 793 00:38:46,500 --> 00:38:47,533 DELETE IT. 794 00:38:47,567 --> 00:38:49,067 DON'T TOUCH MY FUCKING COMPUTER. 795 00:38:49,067 --> 00:38:50,067 STOP IT. 796 00:38:50,067 --> 00:38:51,067 HEY! 797 00:38:51,067 --> 00:38:52,067 DELETE THE FUCKING SHIT. 798 00:38:52,067 --> 00:38:53,367 I'M NOT OKAY WITH THAT. 799 00:38:53,400 --> 00:38:54,633 HEY, HEY, HEY, HEY. 800 00:38:57,500 --> 00:38:59,800 WHAT'S GOING ON? 801 00:38:59,833 --> 00:39:01,967 NOTHING. 802 00:39:03,633 --> 00:39:04,667 I WAS, UH... 803 00:39:04,700 --> 00:39:06,500 I WAS WRITING LATE, AND MOIRA WAS-- 804 00:39:06,533 --> 00:39:08,967 MAX WAS WORRIED ABOUT ME. 805 00:39:09,067 --> 00:39:10,867 IS EVERYTHING OKAY OUT HERE? 806 00:39:10,900 --> 00:39:12,700 YEAH. 807 00:39:12,733 --> 00:39:14,067 ARE YOU SURE? 808 00:39:14,100 --> 00:39:15,533 IT'S FINE. 809 00:39:15,567 --> 00:39:16,633 I'M JUST TIRED. 810 00:39:16,667 --> 00:39:19,233 I'M GOING TO GO TO BED. 811 00:39:23,867 --> 00:39:25,333 SORRY, YOU GUYS. 812 00:39:25,367 --> 00:39:27,633 I DIDN'T WANT TO WAKE YOU UP OR ANYTHING. 813 00:39:35,067 --> 00:39:36,833 ARE YOU KIDDING? 814 00:39:54,500 --> 00:39:57,433 [MOANING] 815 00:40:18,533 --> 00:40:20,333 ARE YOU SURE... 816 00:40:20,367 --> 00:40:22,600 YOU'VE NEVER... 817 00:40:22,633 --> 00:40:24,133 NEVER WHAT? 818 00:40:24,167 --> 00:40:25,167 [GASPS] 819 00:40:25,200 --> 00:40:28,033 NEVER DONE THIS. OH! 820 00:40:28,067 --> 00:40:29,033 IS IT GOOD? 821 00:40:29,067 --> 00:40:32,633 OH! OH! 822 00:40:32,667 --> 00:40:35,500 I WANT YOU TO COME. 823 00:40:35,533 --> 00:40:38,300 [GASPS AND MOANS] 824 00:40:45,867 --> 00:40:47,733 OH, GOD... 825 00:40:47,767 --> 00:40:49,800 OH, MY GOD. 826 00:41:09,700 --> 00:41:11,800 HEY... 827 00:41:14,633 --> 00:41:17,100 DID YOU HAVE ANY MORE OF THOSE... 828 00:41:17,133 --> 00:41:19,433 DREAMS LAST NIGHT? 829 00:41:25,700 --> 00:41:29,067 I'M SORRY. 830 00:41:30,633 --> 00:41:31,700 I'M SORRY. 831 00:41:31,733 --> 00:41:34,733 I'M SORRY THAT YOU'RE HAVING THESE NIGHTMARES 832 00:41:34,767 --> 00:41:38,967 BECAUSE OF THAT FUCKED-UP THING I DID. 833 00:41:39,067 --> 00:41:40,100 I KNOW. 834 00:41:40,133 --> 00:41:42,700 I KNOW THAT, YOU KNOW, WE'RE... 835 00:41:42,733 --> 00:41:44,067 WE'RE DOING THIS, 836 00:41:44,067 --> 00:41:45,867 AND WE'RE TRYING TO WORK THIS OUT AND STUFF, 837 00:41:45,900 --> 00:41:48,767 BUT I GUESS THAT... 838 00:41:48,800 --> 00:41:52,500 I'M STILL HURT. 839 00:41:52,533 --> 00:41:56,533 YOU HAVE EVERY RIGHT TO BE. 840 00:41:56,567 --> 00:42:00,067 I MEAN, YOU FLEW OFF, SHANE. 841 00:42:00,100 --> 00:42:05,267 YOU TOTALLY TOOK OFF WITH THIS BIRD. 842 00:42:05,300 --> 00:42:09,167 I'M NOT GOING ANYWHERE. 843 00:42:09,200 --> 00:42:11,667 [FOOTSTEPS APPROACH] 844 00:42:11,700 --> 00:42:13,133 HEY, GUYS. 845 00:42:13,167 --> 00:42:15,767 HEY... 846 00:42:15,800 --> 00:42:17,933 I WISH I COULD GO WITH YOU GUYS, 847 00:42:17,967 --> 00:42:19,367 BUT ANGELICA'S GOT A COLD, 848 00:42:19,400 --> 00:42:21,067 AND I SHOULDN'T TAKE HER ON THE PLANE. 849 00:42:21,067 --> 00:42:22,800 OH, I'M SORRY. 850 00:42:22,833 --> 00:42:23,867 YEAH. 851 00:42:23,900 --> 00:42:25,133 [FOOTSTEPS APPROACH] 852 00:42:25,167 --> 00:42:26,133 HI, JENNY. 853 00:42:26,167 --> 00:42:27,133 HEY, GUYS. 854 00:42:27,167 --> 00:42:28,500 WHERE'S MOIRA? 855 00:42:28,533 --> 00:42:29,500 MAX. 856 00:42:29,533 --> 00:42:30,633 OH, SORRY. 857 00:42:30,667 --> 00:42:31,633 MAX. 858 00:42:31,667 --> 00:42:33,333 IS HE COMING OR WHAT? 859 00:42:33,367 --> 00:42:35,533 I DON'T KNOW. 860 00:42:35,567 --> 00:42:37,300 HAVE A GOOD TIME. 861 00:42:37,333 --> 00:42:38,467 I SHOULD GO. SHE'S NOT DOING WELL. 862 00:42:38,500 --> 00:42:39,533 OKAY. BYE. 863 00:42:39,567 --> 00:42:40,567 BYE. 864 00:42:40,600 --> 00:42:41,567 HOPE THE BABY'S BETTER. 865 00:42:41,600 --> 00:42:42,800 THANKS. 866 00:42:43,800 --> 00:42:45,100 [SLAMS BOOK] 867 00:42:55,133 --> 00:42:56,200 HI. 868 00:42:57,400 --> 00:42:59,633 HEY. 869 00:42:59,667 --> 00:43:01,767 I'M SORRY ABOUT LAST NIGHT. 870 00:43:01,800 --> 00:43:03,167 IT'S THE TESTOSTERONE. 871 00:43:03,200 --> 00:43:05,667 IT, LIKE, AMPS ME UP. 872 00:43:05,700 --> 00:43:09,200 YOU KNOW, YOU EMBARRASSED ME, 873 00:43:09,233 --> 00:43:10,567 AND YOU SCARED ME. 874 00:43:14,933 --> 00:43:18,833 IT'S UNACCEPTABLE TO YELL AT ME LIKE THAT. 875 00:43:20,700 --> 00:43:22,233 I'M SORRY. 876 00:43:24,100 --> 00:43:25,067 I REALLY AM. 877 00:43:25,067 --> 00:43:26,233 IT'S JUST... 878 00:43:26,267 --> 00:43:29,367 I DON'T WANT YOU TO WRITE ABOUT ME. 879 00:43:29,400 --> 00:43:30,333 WHY? 880 00:43:30,367 --> 00:43:31,733 BECAUSE IT'S PRIVATE. 881 00:43:31,767 --> 00:43:33,500 BUT IT'S IMPORTANT. 882 00:43:33,533 --> 00:43:34,833 BUT IT'S MY STORY. 883 00:43:34,867 --> 00:43:36,333 NO, IT'S OUR STORY. 884 00:43:36,367 --> 00:43:38,367 THE STORY'S NOT JUST ABOUT YOU. 885 00:43:38,400 --> 00:43:40,167 IT'S ABOUT HOW WE MET 886 00:43:40,200 --> 00:43:42,167 AND EVERYTHING THAT WE'VE GONE THROUGH 887 00:43:42,200 --> 00:43:43,600 UP UNTIL THIS POINT. 888 00:43:43,633 --> 00:43:46,933 [SHANE]: JENNY, COME ON. 889 00:43:46,967 --> 00:43:48,433 I DON'T WANT TO FIGHT. 890 00:43:52,833 --> 00:43:56,467 PLEASE, CAN WE JUST FORGET ABOUT IT, 891 00:43:56,500 --> 00:43:58,867 AND JUST GO AND HAVE A GREAT TIME WITH DANA? 892 00:43:58,900 --> 00:44:01,467 I DON'T REALLY FEEL LIKE DANA WOULD WANT ME THERE. 893 00:44:01,500 --> 00:44:02,700 YOU KNOW? 894 00:44:02,733 --> 00:44:04,267 I MEAN, SHE'S, LIKE, TOTALLY FREAKED OUT 895 00:44:04,300 --> 00:44:06,767 BY WHAT I'M DOING. 896 00:44:06,800 --> 00:44:07,967 I WANT YOU THERE. 897 00:44:08,067 --> 00:44:10,500 I WANT YOU TO BE MY DATE. 898 00:44:12,700 --> 00:44:14,467 OKAY? 899 00:44:15,767 --> 00:44:17,333 OKAY. 900 00:44:25,200 --> 00:44:27,167 ALL RIGHT, SO... 901 00:44:27,200 --> 00:44:28,300 I GUESS I'M NOT GOING TO SEE YOU 902 00:44:28,333 --> 00:44:30,667 TILL LATE TONIGHT. 903 00:44:31,933 --> 00:44:33,400 IT'S GOOD, BABE. 904 00:44:33,433 --> 00:44:34,967 IT'S A GOOD THING. 905 00:44:35,067 --> 00:44:36,567 OKAY. 906 00:44:36,600 --> 00:44:37,633 ALL RIGHT. 907 00:44:37,667 --> 00:44:38,800 YEAH, I'LL TALK TO YOU LATER. 908 00:44:38,833 --> 00:44:40,267 OKAY, BYE. 909 00:44:42,667 --> 00:44:43,767 IT'S GOOD. 910 00:44:43,800 --> 00:44:45,133 YOU CAN COME? 911 00:44:45,167 --> 00:44:46,167 YEAH. 912 00:44:46,200 --> 00:44:48,267 HE'S ALL RIGHT WITH IT? YEAH. 913 00:44:48,300 --> 00:44:50,900 YOU KNOW, WE HAVE A PRETTY INDEPENDENT RELATIONSHIP. 914 00:44:50,933 --> 00:44:54,800 WE'RE BOTH AWAY A LOT WHEN WE'RE SHOOTING, AND... 915 00:44:54,833 --> 00:44:56,633 WHERE DOES HE THINK YOU WERE LAST NIGHT? 916 00:44:56,667 --> 00:44:57,667 I DON'T KNOW. 917 00:44:57,700 --> 00:44:59,167 HE DIDN'T ASK. 918 00:44:59,200 --> 00:45:00,533 REALLY? 919 00:45:00,567 --> 00:45:01,533 YEAH. 920 00:45:01,567 --> 00:45:02,633 I MEAN, WE BOTH, YOU KNOW... 921 00:45:02,667 --> 00:45:04,200 WE TRUST EACH ANOTHER. 922 00:45:04,233 --> 00:45:05,800 [SIGHS] 923 00:45:05,833 --> 00:45:06,867 THAT MAKES ME FEEL TERRIBLE. 924 00:45:06,900 --> 00:45:07,867 OH, NO, NO. 925 00:45:07,900 --> 00:45:10,133 NO. NO, PLEASE. DON'T. 926 00:45:10,167 --> 00:45:14,200 DON'T LET IT. 927 00:45:14,233 --> 00:45:15,367 I'M GOING TO TELL HIM. 928 00:45:18,067 --> 00:45:19,233 YOU'RE GOING TO TELL HIM ABOUT US? 929 00:45:19,267 --> 00:45:21,933 YEAH. 930 00:45:21,967 --> 00:45:23,533 TONIGHT, WHEN WE GET BACK FROM SAN JOSE. 931 00:45:23,567 --> 00:45:25,900 REALLY? 932 00:45:25,933 --> 00:45:28,333 YEAH. 933 00:45:28,367 --> 00:45:30,367 REALLY. 934 00:45:35,600 --> 00:45:36,267 WHOA. 935 00:45:36,300 --> 00:45:37,667 THAT'S NICE. 936 00:45:37,700 --> 00:45:39,867 IT'S NOT EVEN MY CAR. 937 00:45:39,900 --> 00:45:40,700 NICE JOB. 938 00:45:40,733 --> 00:45:41,933 THANK YOU. 939 00:45:41,967 --> 00:45:43,633 SO, ALICE, WHAT'S GOING ON? 940 00:45:43,667 --> 00:45:45,067 WHAT ARE WE DOING HERE? 941 00:45:45,067 --> 00:45:47,233 WE ARE TAKING YOU TO THE SAN JOSE/HOUSTON GAME. 942 00:45:47,267 --> 00:45:49,467 THE BASKETBALL GAME? 943 00:45:49,500 --> 00:45:50,567 THAT'S RIGHT. 944 00:45:50,600 --> 00:45:51,667 ARE YOU THE PEABODY PARTY? 945 00:45:51,700 --> 00:45:53,300 YEAH, THAT'S US. FOLLOW ME, PLEASE. 946 00:45:53,333 --> 00:45:53,867 OKAY, COME ON. 947 00:45:53,900 --> 00:45:55,600 [DANA]: GET OUT! 948 00:46:02,967 --> 00:46:04,933 OH, MY GOD, Y'ALL, I CAN'T BELIEVE 949 00:46:04,967 --> 00:46:05,933 I'M ABOUT TO GET ON A PRIVATE JET. 950 00:46:05,967 --> 00:46:07,300 I CAN'T BELIEVE 951 00:46:07,333 --> 00:46:09,833 WE'RE GOING TO A CHAMPIONSHIP BASKETBALL GAME. 952 00:46:09,867 --> 00:46:11,267 [LAUGHING EXCITEDLY] 953 00:46:11,300 --> 00:46:12,867 GUYS, GUYS, WALK OF SHAME. 954 00:46:14,400 --> 00:46:17,067 DON'T BE NERVOUS. 955 00:46:17,067 --> 00:46:18,067 HI. 956 00:46:18,067 --> 00:46:19,400 HI. 957 00:46:19,433 --> 00:46:20,633 HEY. 958 00:46:20,667 --> 00:46:22,233 HEY. HOW ARE YOU? 959 00:46:22,267 --> 00:46:24,367 GOOD. HOW ARE YOU? 960 00:46:24,400 --> 00:46:25,633 HEY, DYLAN. 961 00:46:25,667 --> 00:46:27,067 HI. 962 00:46:27,067 --> 00:46:28,633 OKAY, EVERYONE, YOU GUYS REMEMBER DYLAN, RIGHT? 963 00:46:28,667 --> 00:46:29,633 HI. 964 00:46:29,667 --> 00:46:30,800 HOW'S IT GOING? 965 00:46:30,833 --> 00:46:31,800 IS EVERYBODY READY? 966 00:46:31,833 --> 00:46:32,800 YEAH! 967 00:46:32,833 --> 00:46:34,600 LET'S GO. 968 00:46:34,633 --> 00:46:35,833 THANK YOU. 969 00:46:35,867 --> 00:46:37,467 IT'S MY PLEASURE, DANA. 970 00:46:37,500 --> 00:46:38,600 IT'S INCREDIBLE. 971 00:46:42,600 --> 00:46:44,267 THIS IS AWESOME. 972 00:46:44,300 --> 00:46:45,367 DO WE GET, LIKE, FREE FOOD AND STUFF 973 00:46:45,400 --> 00:46:46,967 ON HERE? 974 00:46:48,733 --> 00:46:51,133 ARE YOU COMING, MOIRA? 975 00:46:51,167 --> 00:46:52,567 MAX. 976 00:46:52,600 --> 00:46:55,667 OH, RIGHT. 977 00:46:55,700 --> 00:46:58,467 EVERYBODY, MOIRA'S DEAD! 978 00:46:58,500 --> 00:46:59,600 LONG LIVE MAX. 979 00:47:04,867 --> 00:47:06,800 OKAY, KIT, IT'S YOUR FIRST TAKE, 980 00:47:06,833 --> 00:47:09,133 SO TAKE YOUR TIME, AND MAKE IT SEXY, GIRL. 981 00:47:09,167 --> 00:47:12,667 THANK YOU FOR MAKING ME REALLY NERVOUS. 982 00:47:14,567 --> 00:47:17,167 [***] 983 00:47:18,967 --> 00:47:20,633 UH... 984 00:47:20,667 --> 00:47:21,767 OH, WAIT, WAIT. 985 00:47:21,800 --> 00:47:23,800 OKAY, OKAY, HOLD IT. 986 00:47:23,833 --> 00:47:25,633 I WASN'T THERE YET. 987 00:47:25,667 --> 00:47:26,633 OKAY. 988 00:47:26,667 --> 00:47:27,667 ONE MORE TIME, ONE MORE TIME. 989 00:47:27,700 --> 00:47:28,867 WE CAN DO IT, WE CAN DO IT. 990 00:47:28,900 --> 00:47:30,500 SORRY, SORRY, LET'S GO AGAIN. 991 00:47:30,533 --> 00:47:32,333 [CLEARS THROAT] 992 00:47:32,367 --> 00:47:34,967 [***] 993 00:47:37,567 --> 00:47:40,067 * RUST TO DUST US TO THEM * 994 00:47:42,200 --> 00:47:43,967 * CHANGE YOUR MIND CH-- * 995 00:47:44,067 --> 00:47:45,633 [SIGHS] 996 00:47:47,200 --> 00:47:48,300 THAT'S OKAY, THAT'S OKAY. 997 00:47:48,333 --> 00:47:49,867 TAKE YOUR TIME. 998 00:47:49,900 --> 00:47:50,767 THAT WAS NICE. 999 00:47:50,800 --> 00:47:52,133 OKAY. UH... 1000 00:47:52,167 --> 00:47:54,333 YEAH. OKAY. 1001 00:48:04,367 --> 00:48:05,900 WE HAVE APRICOT TARTS, 1002 00:48:05,933 --> 00:48:07,400 ALL KINDS OF FRESHLY BAKED COOKIES, 1003 00:48:07,433 --> 00:48:10,900 FRUIT, YOGURT. 1004 00:48:10,933 --> 00:48:12,900 WOULD YOU LIKE A LATTE OR A CAPPUCCINO? 1005 00:48:12,933 --> 00:48:13,933 YEAH. 1006 00:48:13,967 --> 00:48:16,067 I'LL HAVE A... 1007 00:48:16,067 --> 00:48:17,400 YOU KNOW WHAT, I SHOULDN'T. 1008 00:48:17,433 --> 00:48:21,100 SORRY, NEVER MIND. 1009 00:48:21,133 --> 00:48:22,333 ARE YOU TRYING TO QUIT CAFFEINE? 1010 00:48:22,367 --> 00:48:23,533 YEAH. 1011 00:48:23,567 --> 00:48:25,133 I'M TRYING TO STAY AS CLEAN AS POSSIBLE. 1012 00:48:25,167 --> 00:48:27,067 IS THAT BECAUSE OF THE MEDICATION YOU'RE ON? 1013 00:48:27,067 --> 00:48:28,400 YEAH, ACTUALLY. 1014 00:48:28,433 --> 00:48:31,067 ME TOO. 1015 00:48:31,067 --> 00:48:34,100 I'M REALLY SORRY ABOUT WHAT YOU'RE GOING THROUGH. 1016 00:48:35,300 --> 00:48:37,100 THANKS. 1017 00:48:37,133 --> 00:48:38,233 YOU KNOW, I WANT YOU TO KNOW 1018 00:48:38,267 --> 00:48:39,600 THAT I COULD UNDERSTAND 1019 00:48:39,633 --> 00:48:41,467 WHY YOU WOULDN'T WANT TO BE AROUND ME. 1020 00:48:41,500 --> 00:48:45,833 I MEAN, YOU WORKED REALLY HARD TO CREATE THE BODY YOU HAVE, 1021 00:48:45,867 --> 00:48:49,400 AND, YOU KNOW, YOUR WHOLE LIFE'S BEEN IN THAT. 1022 00:48:49,433 --> 00:48:52,233 YOU'RE RIGHT. 1023 00:48:52,267 --> 00:48:53,867 AND I WANT YOU TO KNOW... 1024 00:48:53,900 --> 00:48:56,333 I MEAN, YOU DON'T HAVE TO ACCEPT THIS. 1025 00:48:56,367 --> 00:48:57,467 MAYBE I SHOULDN'T EVEN SAY IT, 1026 00:48:57,500 --> 00:49:00,967 BUT IT'S LIFE AND DEATH FOR ME, TOO. 1027 00:49:02,633 --> 00:49:04,767 BUT YOU DON'T HAVE CANCER. 1028 00:49:07,300 --> 00:49:10,267 HELLO, LADIES. IT'S YOUR CAPTAIN HERE. 1029 00:49:10,300 --> 00:49:11,900 I HOPE YOU'VE ENJOYED THE RIDE SO FAR. 1030 00:49:11,933 --> 00:49:13,267 WE'RE GOING TO BE STARTING OUR DESCENT 1031 00:49:13,300 --> 00:49:14,900 INTO THE SAN JOSE AIRPORT 1032 00:49:14,933 --> 00:49:17,633 IN APPROXIMATELY 10 MINUTES. 1033 00:49:17,667 --> 00:49:20,967 OH, THAT DOES NOT LOOK GOOD. 1034 00:49:21,067 --> 00:49:22,633 I FEEL SORRY FOR HIM. 1035 00:49:22,667 --> 00:49:24,900 OH, PLEASE, HE SO DESERVES THIS. 1036 00:49:24,933 --> 00:49:26,700 I'VE SEEN KIT DO THIS OVER AND OVER AGAIN. 1037 00:49:26,733 --> 00:49:28,067 I CAN JUST IMAGINE 1038 00:49:28,067 --> 00:49:29,433 WHAT SHE'S SAYING TO THAT POOR BOY. 1039 00:49:29,467 --> 00:49:30,433 CAN YOU IMAGINE? 1040 00:49:30,467 --> 00:49:31,467 JEEZ. 1041 00:49:31,500 --> 00:49:32,500 DO YOU WANT TO KNOW? 1042 00:49:32,533 --> 00:49:34,567 HELL, YEAH. YES. 1043 00:49:34,600 --> 00:49:35,633 WHERE HAVE YOU BEEN? 1044 00:49:35,667 --> 00:49:36,633 OH, GOODIE. 1045 00:49:36,667 --> 00:49:37,900 [ANGUS]: YEAH, YOU KNOW, 1046 00:49:37,933 --> 00:49:39,633 I WAS LOOKING FORWARD TO WORKING WITH THEM 1047 00:49:39,667 --> 00:49:40,900 UNTIL WORKING WITH THEM 1048 00:49:40,933 --> 00:49:42,533 BECAME WORKING WITH YOU AND THEM, 1049 00:49:42,567 --> 00:49:45,067 AND "ANGUS, CAN YOU TAKE THE BABY FOR A WHILE?" 1050 00:49:45,067 --> 00:49:47,200 LOOK, I'M SORRY, OKAY? 1051 00:49:47,233 --> 00:49:48,500 I KNOW, I STEPPED OVER THE LINE, 1052 00:49:48,533 --> 00:49:50,833 AND I'M SORRY FOR THAT, BECAUSE I LOVE YOU. 1053 00:49:50,867 --> 00:49:52,933 I CERTAINLY DIDN'T MEAN TO EMBARRASS YOU 1054 00:49:52,967 --> 00:49:54,767 IN FRONT OF YOUR FRIENDS. 1055 00:49:54,800 --> 00:49:56,667 APOLOGIZE TO THEM, NOT TO ME. 1056 00:49:56,700 --> 00:49:58,400 WELL, I WILL APOLOGIZE TO THEM, 1057 00:49:58,433 --> 00:49:59,467 BUT YOU'RE THE ONE 1058 00:49:59,500 --> 00:50:01,367 WHO MAKES ME FEEL LIKE A FUCKING ADOLESCENT 1059 00:50:01,400 --> 00:50:03,000 BECAUSE I'M SO IN LOVE WITH YOU. 1060 00:50:03,033 --> 00:50:04,033 YOU ARE THE ONE 1061 00:50:04,067 --> 00:50:05,600 I WANT TO SPEND THE REST OF MY LIFE WITH! 1062 00:50:05,633 --> 00:50:06,567 NO, NO, NO! LA, LA, LA, LA! 1063 00:50:06,600 --> 00:50:09,633 YOU ARE THE ONE I WANT TO MARRY ME! 1064 00:50:09,667 --> 00:50:10,933 THAT'S THE MOST RIDICULOUS THING 1065 00:50:10,967 --> 00:50:12,300 I'VE EVER HEARD OF. 1066 00:50:12,333 --> 00:50:12,900 I MEAN IT! 1067 00:50:12,933 --> 00:50:14,500 YOU DON'T MEAN IT! 1068 00:50:14,533 --> 00:50:16,000 YOU'RE YOUNG. 1069 00:50:16,033 --> 00:50:17,600 YOU WANT TO HAVE A FAMILY. 1070 00:50:17,633 --> 00:50:19,133 YOU WANT TO HAVE KIDS. 1071 00:50:19,167 --> 00:50:20,500 OH, I SEE. 1072 00:50:20,533 --> 00:50:21,800 NOW YOU'RE THE EXPERT ON WHAT I WANT. 1073 00:50:21,833 --> 00:50:23,567 I AM NOT THE EXPERT, BUT I'VE SEEN YOU WITH MY NIECE. 1074 00:50:23,600 --> 00:50:25,133 I'VE SEEN YOU WITH KIDS, 1075 00:50:25,167 --> 00:50:26,633 AND YOU KNOW WHAT, YOU'VE GOT YOUR WHOLE LIFE-- 1076 00:50:26,667 --> 00:50:28,800 SHUT THE FUCK UP, KIT. 1077 00:50:30,300 --> 00:50:31,800 I'VE KNOWN YOU FOR 25 YEARS, 1078 00:50:31,833 --> 00:50:33,967 AND I'VE SEEN YOU BLOW MORE RELATIONSHIPS. 1079 00:50:34,000 --> 00:50:35,467 YOU'VE GOT A GOOD ONE HERE, 1080 00:50:35,500 --> 00:50:36,967 AND I THINK YOU OUGHT TO THINK TWICE 1081 00:50:37,000 --> 00:50:38,100 BEFORE YOU SEND HIM PACKIN'. 1082 00:50:38,133 --> 00:50:39,267 YOU KNOW, WHO ASKED YOU? 1083 00:50:39,300 --> 00:50:41,300 NO, WAIT, I THINK SHE HAS A POINT-- 1084 00:50:41,333 --> 00:50:42,467 NO, YOU SHUT UP. 1085 00:50:42,500 --> 00:50:43,633 KISS THE BRIDE, FUCKER. 1086 00:50:43,667 --> 00:50:45,633 AND YOU SHUT UP, TOO. 1087 00:50:45,667 --> 00:50:46,933 NO... 1088 00:50:46,967 --> 00:50:48,900 YOU SHUT UP. 1089 00:50:48,933 --> 00:50:50,633 COME ON. 1090 00:50:50,667 --> 00:50:52,800 COME ON. 1091 00:50:52,833 --> 00:50:54,267 SHE'S GOING. 1092 00:50:54,300 --> 00:50:55,733 YEAH! 1093 00:50:55,767 --> 00:50:57,133 [CHEERING AND LAUGHING] 1094 00:51:11,733 --> 00:51:13,733 [***] 1095 00:51:17,433 --> 00:51:19,300 SO IS EVERYTHING GOOD? 1096 00:51:19,333 --> 00:51:20,433 I MEAN, THEY'RE READY FOR US 1097 00:51:20,467 --> 00:51:21,567 WHEN WE GET IN THERE? 1098 00:51:21,600 --> 00:51:23,367 IT'S ALL TAKEN CARE OF. 1099 00:52:15,100 --> 00:52:16,067 HEY. 1100 00:52:17,167 --> 00:52:19,233 HEY, AREN'T YOU DANA FAIRBANKS? 1101 00:52:19,267 --> 00:52:20,300 NO, SORRY, I'M NOT. 1102 00:52:20,333 --> 00:52:21,533 I DON'T KNOW. 1103 00:52:21,567 --> 00:52:23,667 YOU DON'T LIKE BEING RECOGNIZED, HUH? 1104 00:52:23,700 --> 00:52:25,667 NO, NOT LIKE THIS. 1105 00:52:28,733 --> 00:52:32,100 SO, UM, WHAT DID YOU MEAN 1106 00:52:32,133 --> 00:52:34,100 BACK ON THE PLANE 1107 00:52:34,133 --> 00:52:36,667 ABOUT LIFE AND DEATH FOR YOU? 1108 00:52:40,633 --> 00:52:43,300 THE FIRST TIME I TRIED TO KILL MYSELF, 1109 00:52:43,333 --> 00:52:45,900 I WAS, LIKE, 10 YEARS OLD, 1110 00:52:45,933 --> 00:52:47,367 AND I FOUGHT AGAINST IT, 1111 00:52:47,400 --> 00:52:51,067 BECAUSE I REALLY BELIEVED THAT IT WAS A SIN, 1112 00:52:51,100 --> 00:52:52,700 BUT I KNEW. 1113 00:52:52,733 --> 00:52:54,300 I WAS, LIKE... 1114 00:52:54,333 --> 00:52:58,333 I KNEW THIS WASN'T MY LIFE. 1115 00:52:58,367 --> 00:52:59,400 YOU WERE 10 1116 00:52:59,433 --> 00:53:01,100 WHEN YOU TRIED TO KILL YOURSELF? 1117 00:53:01,133 --> 00:53:02,533 YEAH, 1118 00:53:02,567 --> 00:53:04,067 BUT I KNEW THIS WASN'T MY LIFE. 1119 00:53:04,100 --> 00:53:05,700 I WAS, LIKE... I DON'T KNOW. 1120 00:53:05,733 --> 00:53:09,367 I THOUGHT MAYBE IF I DIED AND CAME BACK 1121 00:53:09,400 --> 00:53:13,267 THAT GOD WOULD PUT ME IN THE RIGHT BODY. 1122 00:53:19,733 --> 00:53:21,700 LADIES AND GENTLEMEN, 1123 00:53:21,733 --> 00:53:23,667 WE HAVE SOMEONE VERY SPECIAL IN THE HOUSE TONIGHT. 1124 00:53:23,700 --> 00:53:25,267 LET'S GIVE IT UP 1125 00:53:25,300 --> 00:53:28,933 FOR THE 2006 MERCEDES CHALLENGE LADIES' TENNIS CHAMPION, 1126 00:53:28,967 --> 00:53:30,300 MISS DANA FAIRBANKS! 1127 00:53:30,333 --> 00:53:35,067 [CROWD CHEERING] 1128 00:53:36,833 --> 00:53:40,133 ARE YOU READY FOR LIGHTNING TO STRIKE? 1129 00:53:43,467 --> 00:53:48,633 THE SAN JOSE LIGHTNING CONGRATULATES YOU, DANA. 1130 00:53:48,667 --> 00:53:51,667 SPORTS FANS, MAKE SOME NOISE! 1131 00:53:51,700 --> 00:53:54,667 [STADIUM CHEERING DEAFENINGLY] 1132 00:53:56,367 --> 00:53:57,633 WE LOVE YOU. 1133 00:53:57,667 --> 00:53:59,200 WE'RE SO EXCITED YOU'RE HERE. 1134 00:54:00,767 --> 00:54:03,433 THANK YOU. 1135 00:54:03,467 --> 00:54:05,367 GET ME OUT OF HERE. 1136 00:54:05,400 --> 00:54:07,133 DANA... 1137 00:54:07,167 --> 00:54:09,100 IT'S NOT FOR YOU. 1138 00:54:09,133 --> 00:54:10,167 IT'S FOR THEM. 1139 00:54:17,800 --> 00:54:19,933 COME ON. 1140 00:54:35,900 --> 00:54:39,600 [MUSIC STARTS] 1141 00:54:39,633 --> 00:54:42,233 [NONA]: SISTERS... 1142 00:54:42,267 --> 00:54:45,633 FROM ONE SISTER TO ANOTHER FUNKY SISTER. 1143 00:54:45,667 --> 00:54:49,567 IT'S ALL ABOUT TRANSFORMATION. 1144 00:54:49,600 --> 00:54:51,533 IT'S ALL ABOUT CHANGE. 1145 00:54:51,567 --> 00:54:53,900 IT'S ONE THING A WOMAN KNOWS ABOUT. 1146 00:54:53,933 --> 00:54:55,533 CONSTANT. 1147 00:54:55,567 --> 00:54:57,867 CHANGE IS THE ONLY CONSTANT. 1148 00:54:57,900 --> 00:54:59,567 WE BLEED AND DON'T DIE. 1149 00:54:59,600 --> 00:55:03,767 WE SWEAT WHEN IT'S MINUS 50 OUTSIDE. 1150 00:55:03,800 --> 00:55:08,833 WE FIGHT IN THE BATTLE SIDE BY SIDE. 1151 00:55:08,867 --> 00:55:11,467 IT'S A SISTER THING. 1152 00:55:11,500 --> 00:55:15,467 IT'S A W-O-M-A-N THING, AND WE'RE COMING TOGETHER. 1153 00:55:15,500 --> 00:55:18,100 WE'RE PULLING OURSELVES TOGETHER. 1154 00:55:18,133 --> 00:55:20,967 SISTERS! 1155 00:55:21,067 --> 00:55:24,967 IT'S ALL ABOUT TRANSFORMATION. 1156 00:55:25,067 --> 00:55:29,967 * RUST TO DUST US TO THEM * 1157 00:55:30,067 --> 00:55:34,333 * CHANGE YOUR MIND CHANGE YOUR SKIN * 1158 00:55:34,367 --> 00:55:37,300 * LIFE TO DEATH WEAK TO STRENGTH * 1159 00:55:39,367 --> 00:55:43,967 * CASH A CHECK CHANGE YOUR SEX * 1160 00:55:44,067 --> 00:55:48,567 * PUSH TO SHOVE HATE TO LOVE * 1161 00:55:48,600 --> 00:55:51,333 * IN AND OUT IT'S ALL ABOUT... * 1162 00:55:51,367 --> 00:55:53,467 * IT'S ALL ABOUT 1163 00:55:53,500 --> 00:55:56,133 * TRANSFORMATIONS 1164 00:55:56,167 --> 00:55:58,067 * WHOA, WHOA, WHOA 1165 00:55:58,100 --> 00:56:01,067 * VARIATIONS 1166 00:56:01,100 --> 00:56:03,367 * WHOA-EE 1167 00:56:03,400 --> 00:56:05,867 * ALTERNATIONS 1168 00:56:05,900 --> 00:56:07,567 * I KNOW 1169 00:56:07,600 --> 00:56:10,367 * DEVIATIONS 1170 00:56:10,400 --> 00:56:12,067 * YOU KNOW THAT... 1171 00:56:12,100 --> 00:56:15,133 * YOU KNOW MOTHER NATURE 1172 00:56:15,167 --> 00:56:17,067 * MOTHER NATURE RULES US ALL 1173 00:56:17,100 --> 00:56:19,167 * I MOVE, AND I GO 1174 00:56:19,200 --> 00:56:21,833 * IN TIME, FAST OR SLOW 1175 00:56:21,867 --> 00:56:23,967 * I MOVE THROUGH DOORS 1176 00:56:24,067 --> 00:56:25,667 * EACH TIME, LESS THAN MORE 1177 00:56:25,700 --> 00:56:28,400 * WET TO DRY EYE TO EYE * 1178 00:56:28,433 --> 00:56:30,400 * WET TO DRY EYE TO EYE * 1179 00:56:30,433 --> 00:56:33,367 * YIN TO YANG PLEASURE OR PAIN * 1180 00:56:33,400 --> 00:56:35,567 * NO PLEASURE OR PAIN * 1181 00:56:35,600 --> 00:56:39,900 * GOOD TO BAD CRAZY OR SANE * 1182 00:56:39,933 --> 00:56:42,067 * YOU MAKE THE RULES THEN YOU PLAY THE GAME * 1183 00:56:42,067 --> 00:56:44,567 * OH, YOU GOT TO PLAY THE GAME * 1184 00:56:44,600 --> 00:56:49,133 * FIST TO GLOVE LOSE OR WIN * 1185 00:56:49,167 --> 00:56:52,067 * YOU LIVE A LIFE OF SIN THEN YOU'RE BORN AGAIN * 1186 00:56:52,067 --> 00:56:53,833 * OH, SINNER 1187 00:56:53,867 --> 00:56:58,700 * TRASH TO ART HEART TO HEART * 1188 00:56:58,733 --> 00:57:01,500 * BIG TO SMALL WE'RE ALL A PART * 1189 00:57:01,533 --> 00:57:03,300 * SISTERS 1190 00:57:03,333 --> 00:57:08,167 * TRANSFORMATIONS 1191 00:57:08,200 --> 00:57:13,100 * VARIATIONS 1192 00:57:13,133 --> 00:57:17,333 * ALTERNATIONS 1193 00:57:17,367 --> 00:57:20,467 * DEVIATIONS 1194 00:57:20,500 --> 00:57:21,767 * YOU KNOW THAT... 1195 00:57:21,800 --> 00:57:26,933 * YOU KNOW MOTHER NATURE RULES US ALL * 1196 00:57:26,967 --> 00:57:29,267 * RULES US ALL RULES US ALL * 1197 00:57:29,300 --> 00:57:31,433 * RULES US ALL RULES US ALL ** 1198 00:57:31,467 --> 00:57:32,433 [***] 1199 00:57:32,467 --> 00:57:34,567 [CHEERING] 1200 00:57:34,600 --> 00:57:36,600 KIT, KIT! 1201 00:57:36,633 --> 00:57:38,433 THANK YOU. 1202 00:57:38,467 --> 00:57:39,800 GOOD NIGHT.