1 00:00:10,933 --> 00:00:12,133 PREVIOUSLY ON THE L WORD... 2 00:00:12,167 --> 00:00:13,633 THIS IS BETTE, ANGELICA'S OTHER MOTHER. 3 00:00:13,667 --> 00:00:15,333 THANKS FOR LETTING US HANG WITH ANGELICA TODAY. 4 00:00:15,367 --> 00:00:16,633 YOU WANT ME TO TAKE A PICTURE? 5 00:00:16,667 --> 00:00:18,300 A FAMILY PICTURE. 6 00:00:20,100 --> 00:00:21,933 YOU'RE ANGELICA'S INTENDED PARENT. 7 00:00:21,967 --> 00:00:23,100 CALIFORNIA COURT 8 00:00:23,133 --> 00:00:24,833 WOULD ALMOST CERTAINLY GRANT THE ADOPTION. 9 00:00:24,867 --> 00:00:25,833 THAT'S NOT WHAT I WANT. 10 00:00:25,867 --> 00:00:27,300 I DON'T WANT 50/50 JOINT CUSTODY. 11 00:00:27,333 --> 00:00:29,133 DON'T TELL ME YOU'RE TRYING TO GET OUT OF CHILD SUPPORT. 12 00:00:29,167 --> 00:00:33,133 I...WANT...SOLE CUSTODY. 13 00:00:34,767 --> 00:00:35,967 [DOCTOR]: HER BLOOD PRESSURE STARTED TO FALL, 14 00:00:36,000 --> 00:00:38,667 AND IN SPITE OF OUR BEST EFFORTS, 15 00:00:38,700 --> 00:00:42,667 HER HEART FAILED AND WE COULDN'T BRING HER BACK. 16 00:00:48,433 --> 00:00:49,800 YOU GOING TO SELL OUT? 17 00:00:49,833 --> 00:00:51,967 START SLEEPING WITH THE ENEMY? 18 00:00:52,000 --> 00:00:53,367 IF YOU THINK MEN ARE THE ENEMY, 19 00:00:53,400 --> 00:00:55,800 THEN YOU AND I HAVE A PROBLEM. 20 00:00:55,833 --> 00:00:56,933 I'M HER GIRLFRIEND. 21 00:00:56,967 --> 00:00:58,800 WE LIVE IN THE SAME HOUSE, 22 00:00:58,833 --> 00:01:01,533 AND WE SLEEP IN THE SAME BED, MOTHER. 23 00:01:01,567 --> 00:01:03,367 GET OUT, BOTH OF YOU. 24 00:01:03,400 --> 00:01:05,133 WOULD YOU MARRY ME? 25 00:01:06,733 --> 00:01:08,767 YES. 26 00:01:10,667 --> 00:01:13,667 [***] 27 00:01:35,300 --> 00:01:39,967 * SMOOTH 28 00:01:40,067 --> 00:01:41,467 [DOORBELL CHIMES] 29 00:01:41,500 --> 00:01:44,867 * MOVE 30 00:01:47,167 --> 00:01:48,833 * SMOOTH... 31 00:01:48,867 --> 00:01:50,100 HI. 32 00:01:50,133 --> 00:01:51,833 HI. 33 00:01:53,467 --> 00:01:55,167 COME ON IN. 34 00:01:59,600 --> 00:02:05,400 * SHE SWUNG HER AMPLE ASS FROM LEFT TO RIGHT * 35 00:02:05,433 --> 00:02:10,600 * PEELED LIQUID THIGHS OFF NAUGAHYDE * 36 00:02:10,633 --> 00:02:14,767 * I THOUGHT I'D TAKE A CHANCE... * 37 00:02:14,800 --> 00:02:15,600 SCRATCH ME. 38 00:02:16,967 --> 00:02:17,867 NO, HARDER. 39 00:02:17,900 --> 00:02:19,533 I DON'T WANT TO HURT YOU. 40 00:02:19,567 --> 00:02:20,633 IT'S OKAY. 41 00:02:20,667 --> 00:02:23,500 I JUST WANT TO FEEL SOMETHING. 42 00:02:23,533 --> 00:02:25,633 I WANT YOU TO MAKE ME BLEED. 43 00:02:27,667 --> 00:02:28,967 PLEASE. 44 00:02:29,067 --> 00:02:30,967 MAKE ME BLEED. 45 00:02:35,300 --> 00:02:40,333 * SMOOTH 46 00:02:40,367 --> 00:02:42,700 * MOVE... * 47 00:02:42,733 --> 00:02:46,400 [***] 48 00:02:46,433 --> 00:02:52,733 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 49 00:02:52,767 --> 00:02:59,500 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 50 00:02:59,533 --> 00:03:05,600 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 51 00:03:05,633 --> 00:03:12,133 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 52 00:03:19,667 --> 00:03:20,967 * TALKING, LAUGHING LOVING, BREATHING * 53 00:03:21,067 --> 00:03:22,900 * FIGHTING, FUCKING CRYING, DRINKING * 54 00:03:22,933 --> 00:03:24,267 * WRITING, WINNING LOSING, CHEATING * 55 00:03:24,300 --> 00:03:25,967 * KISSING, THINKING, DREAMING 56 00:03:26,067 --> 00:03:27,967 * THIS IS THE WAY... 57 00:03:28,067 --> 00:03:30,800 * IT'S THE WAY THAT WE LIVE * 58 00:03:30,833 --> 00:03:36,367 * IT'S THE WAY THAT WE LIVE 59 00:03:36,400 --> 00:03:40,100 * AND LOVE * 60 00:03:42,867 --> 00:03:44,933 [LARA]: IT'S SORT OF LIKE A MEXICAN WEDDING CAKE. 61 00:03:44,967 --> 00:03:46,333 IT'S GOT PINEAPPLE AND WALNUTS IN IT. 62 00:03:46,367 --> 00:03:48,467 [ALICE]: WELL, LARA, YOU'RE A CULINARY GENIUS. 63 00:03:48,500 --> 00:03:49,500 [JENNY]: DO YOU GUYS THINK 64 00:03:49,533 --> 00:03:50,700 THAT SHANE'S GOING TO GO THROUGH WITH IT? 65 00:03:50,733 --> 00:03:52,200 [BETTE]: I HAVE TO ADMIT, 66 00:03:52,233 --> 00:03:53,600 I'M A LITTLE BIT SURPRISED THAT SHE'S GOTTEN THIS FAR. 67 00:03:53,633 --> 00:03:55,067 ALL I CAN SAY IS 68 00:03:55,067 --> 00:03:56,267 SHE'D BETTER GO THROUGH WITH IT, 69 00:03:56,300 --> 00:03:57,867 BECAUSE I'VE BOOKED 15 ROOMS 70 00:03:57,900 --> 00:03:59,767 AT THE FAIRMONT CHATEAU WHISTLER. 71 00:03:59,800 --> 00:04:01,467 NOT TO MENTION THE... WHAT ELSE IS IT? 72 00:04:01,500 --> 00:04:04,067 A LAY MINISTER, THE CHAPEL... 73 00:04:04,067 --> 00:04:05,300 THE FONDUE. 74 00:04:05,333 --> 00:04:07,600 THE FONDUE, THE BACHELOR PARTY. 75 00:04:07,633 --> 00:04:08,900 THAT'S VERY GENEROUS OF YOU. 76 00:04:08,933 --> 00:04:11,200 IT'S NICE TO HAVE RICH FRIENDS, ISN'T IT? 77 00:04:11,233 --> 00:04:12,600 MM-HMM. 78 00:04:12,633 --> 00:04:13,733 YOU KNOW, IT MAKES ME... 79 00:04:13,767 --> 00:04:15,233 IT MAKES ME HAPPY TO DO IT, 80 00:04:15,267 --> 00:04:18,067 BECAUSE SHANE DOESN'T HAVE ANY FAMILY, 81 00:04:18,100 --> 00:04:19,533 AND CARMEN... I DON'T KNOW 82 00:04:19,567 --> 00:04:20,867 IF ANY OF THEM ARE COMING. 83 00:04:20,900 --> 00:04:22,233 ARE ANY OF HER FAMILY COMING? 84 00:04:22,267 --> 00:04:23,767 YEAH, I THINK SO. 85 00:04:23,800 --> 00:04:25,100 OH, MY GOD, YOU GUYS HAVEN'T HEARD ABOUT SHANE? 86 00:04:25,133 --> 00:04:26,133 DO YOU KNOW? 87 00:04:26,167 --> 00:04:27,533 WHAT? 88 00:04:27,567 --> 00:04:29,100 THAT SHANE'S MEETING HER DAD TOMORROW? 89 00:04:29,133 --> 00:04:30,833 I THOUGHT SHANE WAS AN ORPHAN. 90 00:04:30,867 --> 00:04:32,533 A COUPLE OF WEEKS AGO, 91 00:04:32,567 --> 00:04:35,067 HER DAD'S WIFE WAS IN THE BEAUTY SALON 92 00:04:35,067 --> 00:04:36,300 OR WHATEVER, 93 00:04:36,333 --> 00:04:37,433 AND SHE WAS READING ANGELENO MAGAZINE... 94 00:04:37,467 --> 00:04:38,933 I DID THAT. 95 00:04:38,967 --> 00:04:40,167 OH, RIGHT, THAT PIECE ABOUT WAX. 96 00:04:40,200 --> 00:04:41,933 AND SHE GAVE IT TO HER DAD, 97 00:04:41,967 --> 00:04:43,833 AND THE DAD CALLED. 98 00:04:43,867 --> 00:04:45,367 WELL, SHANE'S DAD'S WIFE SAW THE PIECE. 99 00:04:45,400 --> 00:04:47,733 ANYWAY, SHANE IS GOING TO OREGON CITY 100 00:04:47,767 --> 00:04:50,100 TO VISIT GABRIEL McCUTCHEON. 101 00:04:50,133 --> 00:04:51,167 WOW. 102 00:04:51,200 --> 00:04:53,800 THAT'S DEEP. 103 00:04:55,900 --> 00:04:58,900 I THINK I'M GOING TO GO, YOU GUYS. 104 00:04:58,933 --> 00:05:00,700 BYE, LARA. 105 00:05:00,733 --> 00:05:01,900 THE CAKE WAS FANTASTIC. 106 00:05:01,933 --> 00:05:04,067 OH, THANK YOU. 107 00:05:04,067 --> 00:05:05,800 BYE, ALICE. 108 00:05:05,833 --> 00:05:07,400 BYE! 109 00:05:09,200 --> 00:05:10,233 HEY, ALICE? 110 00:05:10,267 --> 00:05:11,533 YEAH? 111 00:05:11,567 --> 00:05:14,300 ARE YOU OKAY? 112 00:05:16,600 --> 00:05:17,967 YEAH. 113 00:05:18,067 --> 00:05:19,167 I AM. 114 00:05:19,200 --> 00:05:20,233 I JUST HAVE A LOT TO DO, 115 00:05:20,267 --> 00:05:22,300 WITH THE WEDDING AND EVERYTHING. 116 00:05:29,700 --> 00:05:31,567 THANKS FOR ASKING. 117 00:05:41,267 --> 00:05:42,400 NO, I DON'T WANT CARMEN TO KNOW. 118 00:05:42,433 --> 00:05:43,867 I DON'T WANT TO GET HER HOPES UP. 119 00:05:43,900 --> 00:05:46,967 JUST MAKE SURE THE HOTEL IS HOLDING THE ROOMS, ALL RIGHT? 120 00:05:47,067 --> 00:05:48,967 YOU SHOULD SEE CARMEN. 121 00:05:49,067 --> 00:05:51,300 SHE LOOKS INCREDIBLE. 122 00:05:51,333 --> 00:05:52,433 FINE. 123 00:05:52,467 --> 00:05:54,200 I'VE GOT TO GO. BYE. 124 00:05:54,233 --> 00:05:56,467 TWIST AND TURN AND SHAKE IT ALL OUT. 125 00:05:56,500 --> 00:05:58,067 AAH! 126 00:05:58,067 --> 00:05:59,067 I DON'T KNOW. WHAT SHOULD I DO? 127 00:05:59,100 --> 00:06:00,433 SHOULD I GO, LIKE, BRIDAL FEMME, 128 00:06:00,467 --> 00:06:02,867 SHOULD I TOTALLY, LIKE, TRY AND BUTCH IT UP IN SOME WAY? 129 00:06:02,900 --> 00:06:04,300 [HELENA]: WHAT'S SHANE DOING? 130 00:06:04,333 --> 00:06:06,367 IS SHE WEARING A TRADITIONAL TUX? 131 00:06:06,400 --> 00:06:07,733 NO, IT'S SHANE, 132 00:06:07,767 --> 00:06:09,133 SO SHE'S NOT GOING TO DO ANYTHING TRADITIONAL. 133 00:06:09,167 --> 00:06:10,133 YOU KNOW WHAT? 134 00:06:10,167 --> 00:06:11,433 IT DOESN'T MATTER. 135 00:06:11,467 --> 00:06:13,300 YOU SHOULD JUST DO WHATEVER FEELS GOOD FOR YOU. 136 00:06:13,333 --> 00:06:14,367 TRY THIS ONE. 137 00:06:22,500 --> 00:06:23,467 WHAT? 138 00:06:23,500 --> 00:06:24,633 I DIDN'T KNOW. 139 00:06:24,667 --> 00:06:25,800 I DON'T KNOW. 140 00:06:25,833 --> 00:06:27,367 AM I REALLY TRYING TO MARRY 141 00:06:27,400 --> 00:06:29,367 THE MOST UNOBTAINABLE PERSON 142 00:06:29,400 --> 00:06:31,933 ON THE FACE OF THIS PLANET? 143 00:06:57,300 --> 00:07:00,333 IT'S OKAY. 144 00:07:00,367 --> 00:07:02,200 YOU WERE THINKING ABOUT DITCHING ON ME, 145 00:07:02,233 --> 00:07:03,633 WEREN'T YOU? 146 00:07:05,400 --> 00:07:06,567 NO, I-- 147 00:07:06,600 --> 00:07:08,800 YES, YOU WERE. I SAW IT IN YOUR EYES. 148 00:07:08,833 --> 00:07:11,267 COME ON. IT'S OKAY. 149 00:07:14,600 --> 00:07:18,400 SO YOU'RE A HAIRDRESSER AT A SKATEBOARD SHOP. 150 00:07:18,433 --> 00:07:20,733 I MIGHT NEED AN EXPLANATION. 151 00:07:20,767 --> 00:07:22,333 I DON'T REALLY HAVE ONE. 152 00:07:22,367 --> 00:07:23,533 IT'S JUST WHAT I DO. 153 00:07:23,567 --> 00:07:25,400 OKAY. 154 00:07:25,433 --> 00:07:27,267 HAVE YOU ALWAYS WANTED TO DO THAT? 155 00:07:30,433 --> 00:07:32,267 DID YOU GO TO SCHOOL FOR IT? 156 00:07:32,300 --> 00:07:33,900 NO. 157 00:07:33,933 --> 00:07:36,067 I JUST KIND OF PICKED IT UP ALONG THE WAY. 158 00:07:36,100 --> 00:07:39,067 YOU'RE NOT GIVING ME A LOT TO WORK WITH HERE. 159 00:07:41,133 --> 00:07:43,767 YOU DON'T LIKE ANSWERING QUESTIONS, HUH? 160 00:07:43,800 --> 00:07:46,067 WELL... 161 00:07:46,100 --> 00:07:48,167 I DON'T EITHER. 162 00:07:48,200 --> 00:07:49,433 SO GO AHEAD. 163 00:07:49,467 --> 00:07:50,733 [DRUMS TABLE] 164 00:07:50,767 --> 00:07:53,233 ASK ME SOMETHING. 165 00:07:53,267 --> 00:07:55,800 WHY DID YOU WANT TO MEET ME? 166 00:08:03,400 --> 00:08:04,367 I DIDN'T. 167 00:08:04,400 --> 00:08:06,800 MY WIFE CARLA MADE ME. 168 00:08:06,833 --> 00:08:09,800 AT LEAST YOU'RE HONEST. 169 00:08:09,833 --> 00:08:10,900 WHEN I SAW YOU 170 00:08:10,933 --> 00:08:12,333 STANDING OUT THERE ON THE STREET, 171 00:08:12,367 --> 00:08:16,600 WHEN I SAW YOU DECIDING IF YOU WERE GOING TO DITCH ME... 172 00:08:16,633 --> 00:08:19,067 I WAS THINKING THE EXACT SAME THING. 173 00:08:20,433 --> 00:08:22,567 I BET YOU WERE. 174 00:08:22,600 --> 00:08:26,200 KINDA LIKE WHEN I WAS LITTLE, RIGHT? 175 00:08:30,067 --> 00:08:32,200 KINDA SORTA. 176 00:08:40,400 --> 00:08:42,467 THIS NEEDS TO BE TAKEN IN LIKE THIS. 177 00:08:42,500 --> 00:08:43,633 THAT'S A LOT, THOUGH. 178 00:08:43,667 --> 00:08:45,133 I DON'T LIKE IT. 179 00:08:45,167 --> 00:08:46,833 JENNY, WHAT DID YOU WEAR WHEN YOU GOT MARRIED? 180 00:08:46,867 --> 00:08:48,133 YOU WERE MARRIED? 181 00:08:48,167 --> 00:08:49,333 OH, YES. 182 00:08:49,367 --> 00:08:50,867 I WORE A BEAUTIFUL PAIR OF BLACK CONVERSE, 183 00:08:50,900 --> 00:08:52,267 WITH A GREAT PAIR 184 00:08:52,300 --> 00:08:53,967 OF RIPPED TIGHTS WITH DIRT ON THEM, 185 00:08:54,067 --> 00:08:55,500 AND THEN I WORE A JEAN SKIRT, 186 00:08:55,533 --> 00:08:56,500 AND THEN I WORE 187 00:08:56,533 --> 00:08:57,800 THIS BEAUTIFUL OLD, 188 00:08:57,833 --> 00:09:01,133 RIPPED, STAINED PINK SWEATSHIRT. 189 00:09:01,167 --> 00:09:02,467 IT WAS AWESOME. 190 00:09:02,500 --> 00:09:03,633 NOT EXACTLY THE WEDDING DRESS 191 00:09:03,667 --> 00:09:05,400 OF YOUR CHILDHOOD DREAMS. 192 00:09:05,433 --> 00:09:08,400 I DIDN'T REALLY HAVE THAT CHILDHOOD THING 193 00:09:08,433 --> 00:09:10,267 OF GETTING MARRIED, 194 00:09:10,300 --> 00:09:12,533 YOU KNOW, THAT ALL LITTLE GIRLS ARE SUPPOSED TO HAVE, 195 00:09:12,567 --> 00:09:14,067 THAT KIND OF DREAM. 196 00:09:14,067 --> 00:09:15,067 NOT LITTLE GAY GIRLS. 197 00:09:15,100 --> 00:09:16,500 OH, WOW. 198 00:09:16,533 --> 00:09:18,333 I THINK THIS HAS "JENNY" WRITTEN ALL OVER IT. 199 00:09:18,367 --> 00:09:19,633 THAT'S BEAUTIFUL. 200 00:09:19,667 --> 00:09:21,367 LOOK AT THE BEADS. 201 00:09:21,400 --> 00:09:22,600 WHEN TINA AND I 202 00:09:22,633 --> 00:09:24,067 WERE TALKING ABOUT GETTING MARRIED, 203 00:09:24,067 --> 00:09:25,367 WE WERE BOTH GOING TO WEAR FABULOUS DRESSES. 204 00:09:25,400 --> 00:09:27,967 HOW COME YOU GUYS DIDN'T GET MARRIED? 205 00:09:28,067 --> 00:09:30,367 TINA THOUGHT IT WOULD BE TOO CONVENTIONAL. 206 00:09:30,400 --> 00:09:34,067 SHE DIDN'T WANT TO CLEAVE TO THE HETEROSEXUAL PARADIGM. 207 00:09:34,067 --> 00:09:35,400 NOW IT'S CLEAVING ALL OVER HER. 208 00:09:35,433 --> 00:09:36,567 COME BACK TO US, TINA. 209 00:09:36,600 --> 00:09:38,767 COME BACK ON OUR SIDE. 210 00:09:38,800 --> 00:09:40,200 FUCK THAT. THEY CAN HAVE HER. 211 00:09:40,233 --> 00:09:41,567 I THINK YOU WOULD LOOK BEAUTIFUL 212 00:09:41,600 --> 00:09:44,100 IN YOUR WEDDING DRESS. 213 00:09:44,133 --> 00:09:45,833 GO ON, BETTE. 214 00:09:45,867 --> 00:09:47,700 TRY IT ON. 215 00:09:49,767 --> 00:09:51,467 NO...THANKS. 216 00:09:51,500 --> 00:09:52,633 I MEAN, I KNEW I WAS GAY 217 00:09:52,667 --> 00:09:54,333 SINCE I WAS 12, BUT... 218 00:09:54,367 --> 00:09:55,900 I DON'T KNOW, I ALWAYS JUST KIND OF DREAMED 219 00:09:55,933 --> 00:09:58,200 OF SOMETHING LIKE THIS. 220 00:09:58,233 --> 00:09:59,767 I WAS THE ASSISTANT FOREMAN 221 00:09:59,800 --> 00:10:01,300 AT THE PULP MILL 222 00:10:01,333 --> 00:10:02,500 TILL I HURT MY BACK. 223 00:10:02,533 --> 00:10:03,633 NOW I DRIVE A TRUCK 224 00:10:03,667 --> 00:10:05,100 FOR A BEVERAGE DISTRIBUTOR. 225 00:10:05,133 --> 00:10:06,800 HOW'D YOU HURT YOUR BACK? 226 00:10:06,833 --> 00:10:07,967 THANK YOU. 227 00:10:08,000 --> 00:10:09,100 WE HAVE THESE LONG BACKS, 228 00:10:09,133 --> 00:10:10,600 YOU KNOW? 229 00:10:10,633 --> 00:10:14,900 AND WE TEND TO HUNCH FORWARD AND SLOUCH OUR SHOULDERS. 230 00:10:14,933 --> 00:10:16,467 YOU ALWAYS DID IT AS A KID. 231 00:10:16,500 --> 00:10:19,200 I USED TO COME WATCH YOU. 232 00:10:19,233 --> 00:10:20,967 I'D SEE YOU ON THE PLAYGROUND AT THE CHURCH SCHOOL. 233 00:10:21,000 --> 00:10:24,867 AND YOU ALWAYS LOOKED... 234 00:10:24,900 --> 00:10:27,767 SO PISSED OFF. 235 00:10:27,800 --> 00:10:30,067 YOU NEVER TALKED TO ME. 236 00:10:31,867 --> 00:10:34,133 I WOULDN'T HAVE BEEN MUCH GOOD TO YOU BACK THEN. 237 00:10:34,167 --> 00:10:36,367 ALL I CARED ABOUT WAS GETTING HIGH, 238 00:10:36,400 --> 00:10:40,233 GETTING LAID... 239 00:10:40,267 --> 00:10:42,133 I'D PROBABLY STILL BE DOING IT 240 00:10:42,167 --> 00:10:44,767 IF MY FRIEND CHUCK HADN'T O.D.'d. 241 00:10:44,800 --> 00:10:47,567 I'M SORRY. 242 00:10:49,200 --> 00:10:51,067 AS STRUNG OUT AS I WAS, 243 00:10:51,100 --> 00:10:54,033 IT REALLY SHAKES YOU HARD WHEN YOU LOSE SOMEONE 244 00:10:54,067 --> 00:10:56,433 THAT YOU'RE REALLY CLOSE TO. 245 00:10:59,033 --> 00:11:01,400 YEAH. 246 00:11:03,067 --> 00:11:05,167 I... 247 00:11:07,267 --> 00:11:09,367 I JUST LOST A REALLY CLOSE FRIEND RECENTLY, 248 00:11:09,400 --> 00:11:10,500 SO... 249 00:11:12,400 --> 00:11:14,067 YEAH. 250 00:11:20,133 --> 00:11:23,500 SO... 251 00:11:25,800 --> 00:11:27,067 WHY DON'T YOU COME HOME WITH ME 252 00:11:27,100 --> 00:11:29,333 FOR DINNER. 253 00:11:29,367 --> 00:11:30,900 IT'D BE A GOOD TIME TO MEET CARLA AND SHAY. 254 00:11:30,933 --> 00:11:32,067 SHAY? 255 00:11:32,067 --> 00:11:34,067 WE ALMOST CALLED HIM SHANE, 256 00:11:34,100 --> 00:11:37,067 BECAUSE I LOVE THE NAME SO MUCH. 257 00:11:44,833 --> 00:11:46,333 I NAMED YOU THAT, YOU KNOW. 258 00:11:52,067 --> 00:11:53,300 SHE'S BEEN WITH TINA AT HENRY'S 259 00:11:53,333 --> 00:11:54,633 FOR THE LAST TWO NIGHTS. 260 00:11:54,667 --> 00:11:55,967 I DON'T KNOW WHY I SHOULD HAVE TO SHARE MY TIME. 261 00:11:56,067 --> 00:11:57,300 BECAUSE IT WOULD LOOK BAD IN COURT 262 00:11:57,333 --> 00:11:58,633 IF TINA TELLS THE JUDGE 263 00:11:58,667 --> 00:12:01,133 THAT YOU REFUSED TO FLY ON THE SAME PLANE WITH HER. 264 00:12:01,167 --> 00:12:02,700 HER BOYFRIEND IS COMING UP ON THE WEEKEND. 265 00:12:02,733 --> 00:12:04,133 WHY CAN'T SHE JUST WAIT AND GO UP WITH HIM? 266 00:12:04,167 --> 00:12:05,700 LOOK, JOYCE, 267 00:12:05,733 --> 00:12:07,100 I CAN'T BE IN CLOSE QUARTERS WITH HER. 268 00:12:07,133 --> 00:12:08,233 I JUST CAN'T. 269 00:12:08,267 --> 00:12:10,900 JUST BE GENIAL AND CIVIL, OKAY? 270 00:12:10,933 --> 00:12:12,967 JUST DO IT FOR YOUR KID, 271 00:12:13,067 --> 00:12:14,100 BUT WHATEVER YOU DO, BETTE, 272 00:12:14,133 --> 00:12:15,233 PLEASE... 273 00:12:15,267 --> 00:12:18,333 DON'T CAUSE A SCENE. 274 00:12:18,367 --> 00:12:21,067 WELL, WHAT IF SHE BRINGS UP THE CUSTODY PLAN? 275 00:12:21,067 --> 00:12:23,167 YOU DON'T TELL HER 276 00:12:23,200 --> 00:12:24,433 THAT WE'RE GOING FOR SOLE CUSTODY. 277 00:12:24,467 --> 00:12:25,500 WE DON'T WANT HER TO KNOW ABOUT THAT 278 00:12:25,533 --> 00:12:26,833 UNTIL WE FILE OUR BRIEF. 279 00:12:26,867 --> 00:12:27,900 I KNOW. 280 00:12:27,933 --> 00:12:29,133 OKAY? 281 00:12:29,167 --> 00:12:30,467 YEAH. 282 00:12:32,767 --> 00:12:35,133 I THINK I'M GOING TO TAKE THAT JOB. 283 00:12:35,167 --> 00:12:36,533 EXCELLENT. 284 00:12:36,567 --> 00:12:38,967 THAT WILL PLAY VERY WELL IN COURT. 285 00:12:39,067 --> 00:12:42,533 DEAN OF A PRESTIGIOUS ART SCHOOL? 286 00:12:42,567 --> 00:12:44,167 AND IT CAN'T HURT 287 00:12:44,200 --> 00:12:46,367 WHEN IT COMES TO PULLING IN CHICKS. 288 00:12:46,400 --> 00:12:47,433 EXCUSE ME? 289 00:12:47,467 --> 00:12:49,367 LOTS OF PRETTY, YOUNG ART STUDENTS. 290 00:12:49,400 --> 00:12:51,300 YOU'LL BE LIKE A KID IN A CANDY STORE. 291 00:12:51,333 --> 00:12:52,300 GOD, JOYCE. 292 00:12:52,333 --> 00:12:53,667 THAT'S COMPLETELY UNETHICAL. 293 00:12:53,700 --> 00:12:56,067 I WOULD NEVER DO ANYTHING LIKE THAT. 294 00:12:57,533 --> 00:12:58,800 OH, I... EXCUSE ME. 295 00:12:58,833 --> 00:13:00,133 I AM SO SORRY, COUNSELOR. 296 00:13:00,167 --> 00:13:01,600 I NEED TO TALK TO YOU RIGHT AWAY. 297 00:13:01,633 --> 00:13:03,233 WHAT'S THE MATTER? WHAT HAPPENED TO YOU? 298 00:13:03,267 --> 00:13:04,367 I'VE GOT TO TALK TO YOU. 299 00:13:04,400 --> 00:13:05,733 EXCUSE ME. 300 00:13:07,067 --> 00:13:10,433 WHY DID WE GO IN THE BATHROOM? 301 00:13:10,467 --> 00:13:11,867 WHAT'S THAT? 302 00:13:11,900 --> 00:13:13,467 WHAT DO YOU THINK? 303 00:13:16,067 --> 00:13:18,067 IT LOOKS LIKE A HOME PREGNANCY TEST. 304 00:13:20,433 --> 00:13:21,633 OH, COME ON. 305 00:13:21,667 --> 00:13:22,867 KIT, YOU'RE IN MENOPAUSE. 306 00:13:22,900 --> 00:13:24,200 YOU CAN'T BE PREGNANT. 307 00:13:24,233 --> 00:13:26,967 WHO SAYS, HUH? 308 00:13:27,067 --> 00:13:28,333 IT'S THE HOME TEST. 309 00:13:28,367 --> 00:13:30,300 I MEAN, THEY'RE TOTALLY UNRELIABLE. 310 00:13:30,333 --> 00:13:31,567 YOU HAVE TO DO MORE THAN ONE. 311 00:13:31,600 --> 00:13:32,667 YOU CAN'T DO-- 312 00:13:34,667 --> 00:13:37,733 [LAUGHS] 313 00:13:37,767 --> 00:13:39,267 FUCK. 314 00:13:39,300 --> 00:13:40,633 MY QUANTUM PHOTON CHIP 315 00:13:40,667 --> 00:13:42,100 IS GOING TO BLOW EVERYTHING ELSE 316 00:13:42,133 --> 00:13:43,300 OUT OF THE WATER. 317 00:13:43,333 --> 00:13:44,800 THE METHODWARE'S TOTALLY BECOMING 318 00:13:44,833 --> 00:13:46,433 A REGULAR FEATURE OF MY TOOLKIT. 319 00:13:46,467 --> 00:13:48,067 I WANT TO DEVELOP A PROGRAM 320 00:13:48,100 --> 00:13:49,633 THAT NAVIGATES DOCUMENTATION 321 00:13:49,667 --> 00:13:51,867 FOR I.T. PROCESS BEST PRACTICES. 322 00:13:51,900 --> 00:13:53,433 I LIKE THE WAY YOU THINK, MAX. 323 00:13:53,467 --> 00:13:54,767 ORIGINAL THINKERS 324 00:13:54,800 --> 00:13:56,433 ARE OUR MOST VALUABLE PIECES OF MANPOWER. 325 00:13:56,467 --> 00:13:58,367 I'VE ALWAYS BEEN REALLY INTERESTED 326 00:13:58,400 --> 00:13:59,667 IN TECHNOLOGICAL INNOVATION. 327 00:13:59,700 --> 00:14:00,967 [WOMAN]: COME TALK TO ME, MAX. 328 00:14:01,067 --> 00:14:03,300 I ALREADY HAVE THE MARKETECTURE. 329 00:14:03,333 --> 00:14:04,833 JENNY, MY WIFE GLAZES OVER TOO 330 00:14:04,867 --> 00:14:06,167 WHEN I GET GOING ON THIS STUFF. 331 00:14:06,200 --> 00:14:08,300 OH, I'M SORRY. 332 00:14:08,333 --> 00:14:09,833 DO I APPEAR A LITTLE SPACED OUT? 333 00:14:09,867 --> 00:14:10,833 I THINK ABOUT ALL KINDS OF THINGS 334 00:14:10,867 --> 00:14:11,967 WHEN I'M OUT WITH THESE GUYS-- 335 00:14:12,067 --> 00:14:13,267 I THINK ABOUT MY PEDICURE, 336 00:14:13,300 --> 00:14:14,633 MY KID'S HOMEWORK, 337 00:14:14,667 --> 00:14:16,700 MY CHARITY AUCTION... 338 00:14:16,733 --> 00:14:18,467 I'M THINKING ABOUT 339 00:14:18,500 --> 00:14:20,500 THIS STORY THAT I'M WORKING ON 340 00:14:20,533 --> 00:14:22,333 ABOUT HOW WHEN I WAS 12, 341 00:14:22,367 --> 00:14:25,600 I USED TO MASTURBATE LIKE 20 TIMES A DAY, 342 00:14:25,633 --> 00:14:26,967 AND I'M NOT SURE 343 00:14:27,067 --> 00:14:29,167 WHETHER I SHOULD MAKE IT, LIKE, FICTION 344 00:14:29,200 --> 00:14:32,067 OR A NEW YORKER STYLE ESSAY PIECE. 345 00:14:32,067 --> 00:14:34,700 I DON'T KNOW. 346 00:14:34,733 --> 00:14:37,867 I DON'T KNOW. 347 00:14:37,900 --> 00:14:39,133 DINNER WAS PHENOMENAL. 348 00:14:39,167 --> 00:14:40,133 THANK YOU. 349 00:14:40,167 --> 00:14:41,300 IT WAS OKAY. 350 00:14:41,333 --> 00:14:43,433 IT WAS GREAT. 351 00:14:45,800 --> 00:14:46,867 SCORE! 352 00:14:46,900 --> 00:14:47,833 NICE SHOT. YOU GOT PAST MY GOAL. 353 00:14:47,867 --> 00:14:50,067 GOOD JOB. THERE YOU GO. 354 00:14:50,100 --> 00:14:51,933 I KNEW YOU WERE HIS DAUGHTER, 355 00:14:51,967 --> 00:14:54,600 AND IT WASN'T JUST BECAUSE OF THE NAME. 356 00:14:54,633 --> 00:14:56,767 IT WAS THE PICTURE. 357 00:14:56,800 --> 00:14:58,867 YOU HAVE HIS GENES. 358 00:14:58,900 --> 00:15:01,167 HE HAS VERY STRONG GENES. 359 00:15:01,200 --> 00:15:03,267 I MEAN, LOOK AT ALL THREE OF YOU. 360 00:15:03,300 --> 00:15:05,200 HEY, SHAY... 361 00:15:05,233 --> 00:15:09,067 SHANE HAS A SKATEBOARD SHOP. 362 00:15:09,067 --> 00:15:10,067 MM-HMM. 363 00:15:10,067 --> 00:15:11,567 YOU SKATEBOARD? 364 00:15:11,600 --> 00:15:12,833 I DO. 365 00:15:12,867 --> 00:15:15,133 WE EVEN HAVE A HALF-PIPE AT THE STORE. 366 00:15:15,167 --> 00:15:17,200 COOL! 367 00:15:17,233 --> 00:15:19,067 IT LOOKS LIKE YOU'RE DOING REAL WELL THERE. 368 00:15:19,100 --> 00:15:22,167 I MEAN, YOU HAVE YOUR OWN LINE OF HAIR PRODUCTS AND EVERYTHING. 369 00:15:22,200 --> 00:15:23,300 "SHANE FOR WAX." 370 00:15:23,333 --> 00:15:24,333 I LOVE THAT. 371 00:15:24,367 --> 00:15:25,600 OH, THANK YOU. 372 00:15:25,633 --> 00:15:28,067 THAT WAS MY PARTNER CHASE'S IDEA. 373 00:15:28,067 --> 00:15:29,800 OH, IS HE THE BOY WITH THE MOHAWK? 374 00:15:29,833 --> 00:15:31,300 YEAH, THAT'S HIM, IN THE PICTURE. 375 00:15:31,333 --> 00:15:32,567 YEAH. 376 00:15:32,600 --> 00:15:34,167 ARE YOU TWO-- 377 00:15:34,200 --> 00:15:35,500 OH, NO, NO. 378 00:15:35,533 --> 00:15:36,900 OH... 379 00:15:40,400 --> 00:15:41,900 COME ON. 380 00:15:41,933 --> 00:15:42,967 FINISH YOUR DINNER, 381 00:15:43,067 --> 00:15:44,700 OR I'LL TAKE THE GAME OFF THE TABLE. 382 00:15:47,100 --> 00:15:50,067 I'M ACTUALLY GETTING MARRIED NEXT WEEK. 383 00:15:52,067 --> 00:15:53,400 WOW! 384 00:15:53,433 --> 00:15:54,567 WOW. THAT'S WONDERFUL. 385 00:15:54,600 --> 00:15:55,767 GABE! 386 00:15:55,800 --> 00:15:57,433 YOU'RE GETTING MARRIED. 387 00:15:57,467 --> 00:15:58,767 WOW. 388 00:15:58,800 --> 00:16:00,733 WHO KNEW? 389 00:16:00,767 --> 00:16:02,100 NOT ME. 390 00:16:02,133 --> 00:16:03,500 [CARLA]: WELL, I MEAN, 391 00:16:03,533 --> 00:16:04,700 JUST BECAUSE IT TOOK YOU 45 YEARS 392 00:16:04,733 --> 00:16:07,067 TO SETTLE DOWN, GABE... 393 00:16:07,067 --> 00:16:08,467 EVERYWHERE WE WENT, 394 00:16:08,500 --> 00:16:11,233 WOMEN JUST THREW THEMSELVES AT HIM. 395 00:16:11,267 --> 00:16:13,167 HE DIDN'T EVEN HAVE TO DO ANYTHING. 396 00:16:13,200 --> 00:16:15,933 NOBODY EVER THOUGHT HE'D SETTLE DOWN. 397 00:16:15,967 --> 00:16:18,067 AND LOOK AT ME NOW. 398 00:16:19,267 --> 00:16:21,133 WELL, IT LOOKS PRETTY GOOD. 399 00:16:21,167 --> 00:16:22,300 IT'S GREAT. 400 00:16:23,700 --> 00:16:25,900 SO, WHAT'S HE DO, YOUR GUY? 401 00:16:31,267 --> 00:16:33,367 SHE'S A D.J. 402 00:16:36,300 --> 00:16:38,200 HER NAME'S CARMEN. 403 00:16:43,067 --> 00:16:44,967 WELL, SEE, I TOLD YOU. 404 00:16:45,067 --> 00:16:48,067 I LOOKED AT YOUR PICTURE AND I SAID, "I BET SHE'S GAY." 405 00:16:49,333 --> 00:16:50,867 [GABE]: SHE DID. SHE NAILED THAT. 406 00:16:50,900 --> 00:16:52,267 YEAH. 407 00:16:52,300 --> 00:16:54,600 [SHAY]: YES! 408 00:16:54,633 --> 00:16:56,067 AH, YOU WON! 409 00:16:56,100 --> 00:16:59,467 MY DAD ALWAYS LETS ME WIN. 410 00:17:02,633 --> 00:17:04,233 SO, WHERE ARE YOU GETTING MARRIED? 411 00:17:04,267 --> 00:17:05,233 IN WHISTLER. 412 00:17:05,267 --> 00:17:06,600 CANADA. YEAH. 413 00:17:06,633 --> 00:17:08,067 YOU CAN DO THAT THERE, YEAH? 414 00:17:08,067 --> 00:17:09,867 YES, YOU CAN. 415 00:17:09,900 --> 00:17:11,867 JUST... YEAH. 416 00:17:11,900 --> 00:17:13,633 HEY, WE SHOULD GO. 417 00:17:13,667 --> 00:17:16,067 I MEAN, IT'S SO CLOSE. WE... 418 00:17:16,067 --> 00:17:17,433 HONEY, SLOW DOWN. 419 00:17:17,467 --> 00:17:19,700 WE HAVEN'T EXACTLY BEEN INVITED. 420 00:17:24,067 --> 00:17:25,567 NO, YOU'RE INVITED. 421 00:17:29,200 --> 00:17:31,900 I'D LIKE FOR YOU GUYS TO BE THERE. 422 00:17:31,933 --> 00:17:33,333 IF... 423 00:17:33,367 --> 00:17:34,367 IF, YOU KNOW... 424 00:17:34,400 --> 00:17:35,833 IF YOU WOULD LIKE. 425 00:17:44,700 --> 00:17:47,867 I WANT TO BELIEVE, MY FRIENDS. 426 00:17:47,900 --> 00:17:49,867 BELIEVE ME, I DO. 427 00:17:49,900 --> 00:17:52,100 BECAUSE MY FRIEND SHANE 428 00:17:52,133 --> 00:17:54,333 IS GETTING MARRIED THIS WEEKEND... 429 00:17:54,367 --> 00:17:56,733 AND I WANT TO BELIEVE FOR SHANE, 430 00:17:56,767 --> 00:17:59,433 AND I WANT TO BELIEVE FOR ALL OF THE REST OF US 431 00:17:59,467 --> 00:18:02,067 WHO ARE FLAILING AROUND IN THIS ABYSS, 432 00:18:02,067 --> 00:18:04,567 TRYING TO FEEL WHAT WE'RE SUPPOSED TO FEEL 433 00:18:04,600 --> 00:18:07,500 IN ORDER TO CONNECT IN MEANINGFUL WAYS... 434 00:18:07,533 --> 00:18:09,267 I WANT TO BELIEVE 435 00:18:09,300 --> 00:18:11,467 THAT REAL, TRUE CONNECTION AMONG HUMAN BEINGS 436 00:18:11,500 --> 00:18:13,900 IS ACTUALLY POSSIBLE... 437 00:18:13,933 --> 00:18:17,333 AND SUPPOSEDLY, MARRIAGE CONNECTS US. 438 00:18:17,367 --> 00:18:22,067 I MEAN, SUPPOSEDLY IT IMPROVES OUR MORAL FIBER AND ALL, 439 00:18:22,067 --> 00:18:24,433 WHICH BEGS THE QUESTION-- 440 00:18:24,467 --> 00:18:28,567 WHY DO THESE CRAZY, CREEPY, DEFENDING-THE-FAMILY CRUSADERS 441 00:18:28,600 --> 00:18:30,333 THINK IT'S A BAD THING FOR GAYS? 442 00:18:30,367 --> 00:18:33,267 I MEAN, WHY CAN'T THEY JUST WISH US WELL? 443 00:18:33,300 --> 00:18:34,900 HYPOCRITES. 444 00:18:40,633 --> 00:18:43,267 BECAUSE WE'RE GOING TO CANADA, PEOPLE, 445 00:18:43,300 --> 00:18:46,067 WHETHER YOU LIKE IT OR NOT, 446 00:18:46,100 --> 00:18:48,400 TO TAKE OUR BEST SHOT AT THIS CONNECTION, 447 00:18:48,433 --> 00:18:50,067 AND IF WE FAIL, 448 00:18:50,067 --> 00:18:51,433 IT IS NOT BECAUSE WE ARE LESS WHOLESOME 449 00:18:51,467 --> 00:18:52,800 THAN YOU ARE. 450 00:18:52,833 --> 00:18:54,500 PLEASE. 451 00:18:54,533 --> 00:18:56,133 I MEAN, YOU GUYS HAVE BEEN FAILING AT THIS MISERABLY 452 00:18:56,167 --> 00:18:58,367 SINCE THE BEGINNING OF RECORDED HISTORY. 453 00:18:58,400 --> 00:19:01,100 AND IF WE SUCCEED 454 00:19:01,133 --> 00:19:04,767 AND OUR LOVE CONNECTIONS ACTUALLY FLOURISH, 455 00:19:04,800 --> 00:19:08,567 AND THERE'S A LITTLE LESS LONELINESS IN THE WORLD, 456 00:19:08,600 --> 00:19:11,400 THEN EVEN I MIGHT START BELIEVING IN MIRACLES. 457 00:19:17,200 --> 00:19:19,500 WELCOME TO THE FAIRMONT CHATEAU WHISTLER. 458 00:19:19,533 --> 00:19:20,967 IT'S FREEZING... 459 00:19:21,067 --> 00:19:22,333 HI. 460 00:19:22,367 --> 00:19:23,767 HELLO. 461 00:19:23,800 --> 00:19:26,467 [SHANE]: WOW, LOOK AT THIS PLACE. 462 00:19:31,833 --> 00:19:33,067 HERE COMES THE BRIDE. 463 00:19:33,067 --> 00:19:35,700 LOOK AT THIS! 464 00:19:35,733 --> 00:19:37,133 THIS IS AMAZING! 465 00:19:37,167 --> 00:19:38,133 IT'S SO NICE 466 00:19:38,167 --> 00:19:39,967 YOU'RE HERE FOR THE WEDDING, PEGGY. 467 00:19:47,433 --> 00:19:49,633 [SPEAKING SPANISH] 468 00:20:00,000 --> 00:20:01,967 THEY'RE ALL DRESSED IN THE SAME CLOTHES. 469 00:20:02,000 --> 00:20:04,000 SHE DIDN'T THINK THEY WERE COMING, THOUGH. 470 00:20:05,833 --> 00:20:07,133 [ALICE]: I THINK HELENA MIGHT HAVE HAD 471 00:20:07,167 --> 00:20:08,333 SOMETHING TO DO WITH IT. 472 00:20:21,333 --> 00:20:23,967 [SPEAKING SPANISH] 473 00:20:25,200 --> 00:20:26,767 I COULDN'T MISS IT. 474 00:20:26,800 --> 00:20:29,367 MY BABY'S GETTING MARRIED. 475 00:20:29,400 --> 00:20:31,800 EVERYBODY, 476 00:20:31,833 --> 00:20:32,833 THIS IS CARMEN'S FRIEND, HELENA. 477 00:20:32,867 --> 00:20:34,000 SHE'S THE ONE 478 00:20:34,033 --> 00:20:36,500 THAT PHONED ME AND INVITED US ALL 479 00:20:36,533 --> 00:20:38,000 AND PAID FOR OUR PLANE TICKETS 480 00:20:38,033 --> 00:20:39,500 AND OUR HOTEL ROOMS. 481 00:20:41,700 --> 00:20:42,667 THANK YOU, HELENA. 482 00:20:42,700 --> 00:20:43,700 MY PLEASURE. 483 00:20:45,567 --> 00:20:47,033 OH, WOW. 484 00:20:47,067 --> 00:20:48,500 YOU HAVE A BIG FAMILY. 485 00:20:48,533 --> 00:20:49,767 I KNOW. 486 00:20:49,800 --> 00:20:52,700 I GUESS IT GROWS ON TREES. 487 00:20:59,833 --> 00:21:01,567 ANNA SAYS YOU BOUGHT A DRESS. 488 00:21:01,600 --> 00:21:02,533 MM-HMM. 489 00:21:02,567 --> 00:21:03,767 [SPEAKING SPANISH] 490 00:21:03,800 --> 00:21:05,133 I NEED TO CHECK IT. 491 00:21:05,167 --> 00:21:06,633 I WANT TO MAKE SURE 492 00:21:06,667 --> 00:21:09,600 THE JEWELRY GOES WITH IT. 493 00:21:09,633 --> 00:21:13,200 AND LOOK, WE HAVE EVI TO DO YOUR HAIR. 494 00:21:13,233 --> 00:21:15,500 OH, AND JANE... 495 00:21:15,533 --> 00:21:17,067 JANE... 496 00:21:17,067 --> 00:21:20,400 OH, YOU'RE GOING TO MAKE SUCH A HANDSOME BRIDE... 497 00:21:20,433 --> 00:21:21,567 GROOM. 498 00:21:21,600 --> 00:21:22,967 THANK YOU. 499 00:21:23,067 --> 00:21:24,533 SO HANDSOME. 500 00:21:24,567 --> 00:21:26,100 CARMENCITA... 501 00:21:26,133 --> 00:21:27,133 YES. 502 00:21:27,167 --> 00:21:28,667 YOU ARE COMING WITH US. 503 00:21:28,700 --> 00:21:31,067 WE ARE GOING SIGHTSEEING AT THE WHISTLER VILLAGE. 504 00:21:32,200 --> 00:21:33,300 NOT ALLOWED TO SEE HER NOW 505 00:21:33,333 --> 00:21:34,300 TILL THE WEDDING. 506 00:21:34,333 --> 00:21:35,400 OKAY. OKAY? 507 00:21:35,433 --> 00:21:36,400 BYE. 508 00:21:36,433 --> 00:21:37,900 COME ON. 509 00:21:37,933 --> 00:21:38,967 BYE. 510 00:21:39,067 --> 00:21:40,200 BYE. 511 00:21:49,133 --> 00:21:50,133 HEY, BABY. 512 00:21:50,167 --> 00:21:51,367 SURE YOU DON'T WANT TO COME UP? 513 00:21:51,400 --> 00:21:53,667 IT'S REALLY FUN. 514 00:21:53,700 --> 00:21:54,767 ALL RIGHT. 515 00:21:54,800 --> 00:21:56,400 I'LL SEE YOU LATER. 516 00:21:57,767 --> 00:22:00,267 DO YOU HATE SKIING ALSO? 517 00:22:05,067 --> 00:22:07,300 I JUST HATE ALL THE BULLSHIT THAT YOU HAVE TO GO THROUGH 518 00:22:07,333 --> 00:22:09,200 WITH ALL THE EQUIPMENT. 519 00:22:11,167 --> 00:22:12,767 ME TOO. 520 00:22:12,800 --> 00:22:15,067 I DON'T DO ANY LEISURE ACTIVITIES 521 00:22:15,100 --> 00:22:16,867 THAT REQUIRE ME TO USE 522 00:22:16,900 --> 00:22:19,133 MORE THAN ONE PIECE OF EQUIPMENT. 523 00:22:21,667 --> 00:22:24,500 EXCEPT SEX. 524 00:22:24,533 --> 00:22:27,833 SEX ISN'T A LEISURE ACTIVITY. 525 00:22:29,400 --> 00:22:32,267 WHAT IS SEX, THEN? 526 00:22:32,300 --> 00:22:35,967 SOMETIMES IT'S A REVELATION... 527 00:22:36,067 --> 00:22:38,833 SOMETIMES IT'S FUN... 528 00:22:38,867 --> 00:22:43,100 SOMETIMES IT'S SCARY... 529 00:22:43,133 --> 00:22:46,333 SOMETIMES IT'S TEPID. 530 00:22:46,367 --> 00:22:49,067 WHICH IS IT WITH YOUR FRIEND? 531 00:22:49,100 --> 00:22:50,967 I'M INTERESTED. 532 00:22:51,067 --> 00:22:54,467 I'VE NEVER BEEN WITH A TRANSSEXUAL. 533 00:22:54,500 --> 00:22:57,433 THAT'S A PERSONAL QUESTION. 534 00:22:59,800 --> 00:23:01,867 I ONLY ASK QUESTIONS THAT ARE PERSONAL. 535 00:23:01,900 --> 00:23:04,067 QUESTIONS THAT ARE NOT 536 00:23:04,100 --> 00:23:07,067 CAN BE ANSWERED BY A TEXTBOOK. 537 00:23:07,067 --> 00:23:10,500 BESIDES, I'M WRITING AN ARTICLE. 538 00:23:10,533 --> 00:23:13,333 ABOUT SEX WITH A TRANSSEXUAL? 539 00:23:13,367 --> 00:23:15,900 UNFORTUNATELY, NO. 540 00:23:15,933 --> 00:23:20,633 JUST A VERY SILLY ARTICLE FOR A VERY SILLY MAGAZINE. 541 00:23:20,667 --> 00:23:22,733 GAY TRAVEL DESTINATIONS. 542 00:23:28,767 --> 00:23:29,900 SO I'D LIKE TO KNOW 543 00:23:29,933 --> 00:23:33,467 WHAT IT'S LIKE HERE FOR YOU, AND, UH... 544 00:23:33,500 --> 00:23:35,367 MAX. 545 00:23:38,833 --> 00:23:41,233 WHY IS YOUR ARTICLE SILLY? 546 00:23:41,267 --> 00:23:43,467 BECAUSE I THINK EVERY PLACE 547 00:23:43,500 --> 00:23:46,433 SHOULD BE A GAY TRAVEL DESTINATION. 548 00:23:46,467 --> 00:23:50,867 WE LIMIT OURSELVES WITH THESE STUPID... 549 00:23:50,900 --> 00:23:53,067 LABELS. 550 00:23:53,067 --> 00:23:56,667 LABELS. 551 00:24:10,067 --> 00:24:11,833 AUGUST WILSON WASN'T ASHAMED 552 00:24:11,867 --> 00:24:14,200 OF BEING A BLACK WRITER. 553 00:24:16,333 --> 00:24:18,067 HIS ENTIRE OEUVRE 554 00:24:18,067 --> 00:24:19,767 WAS THE BLACK EXPERIENCE, 555 00:24:19,800 --> 00:24:24,100 AND HE NEVER APOLOGIZED FOR IT. 556 00:24:24,133 --> 00:24:26,800 I DON'T WANT TO BE LABELED AS A GAY WRITER. 557 00:24:26,833 --> 00:24:28,400 WHY? 558 00:24:28,433 --> 00:24:30,167 WHY? 559 00:24:30,200 --> 00:24:31,467 WHAT ARE YOU AFRAID OF? 560 00:24:31,500 --> 00:24:33,300 CE N'EST PAS JUSTE. 561 00:24:33,333 --> 00:24:35,233 POURQUOI CE N'EST PAS JUSTE? 562 00:24:35,267 --> 00:24:37,233 PARCE QUE... 563 00:24:37,267 --> 00:24:38,500 BECAUSE YOU SAID 564 00:24:38,533 --> 00:24:41,267 THAT YOU DIDN'T LIKE LABELS. 565 00:24:56,633 --> 00:24:58,267 CAN YOU HANDLE IT? 566 00:24:58,300 --> 00:25:00,833 LICK IT UP, LIKE A CAT. 567 00:25:13,967 --> 00:25:15,633 [TINA]: THANK YOU, BUSTER THE HORSE. 568 00:25:15,667 --> 00:25:18,267 THANK YOU, BABY, TO THE HORSE... 569 00:25:18,300 --> 00:25:20,067 WE'RE ALMOST BACK. 570 00:25:20,100 --> 00:25:21,233 WHAT'S HE GOING TO SAY? 571 00:25:21,267 --> 00:25:22,967 WHAT'S HE GOING TO SAY? 572 00:25:23,067 --> 00:25:24,433 HOW DO YOU MAKE THE HORSES STOP? 573 00:25:24,467 --> 00:25:25,133 YOU SAY... 574 00:25:25,167 --> 00:25:26,233 WHOA. WHOA. 575 00:25:26,267 --> 00:25:28,400 WHOA! WHOA! 576 00:25:30,467 --> 00:25:32,333 THAT WAS INCREDIBLE. 577 00:25:32,367 --> 00:25:33,400 DID YOU SEE HER FACE? 578 00:25:33,433 --> 00:25:34,667 I KNOW. I KNOW. SO SWEET. 579 00:25:34,700 --> 00:25:36,333 THAT WAS ALMOST AS GOOD 580 00:25:36,367 --> 00:25:38,300 AS HER FIRST STEP. 581 00:25:40,167 --> 00:25:41,800 I WOULDN'T KNOW. 582 00:25:44,700 --> 00:25:45,667 YOU WERE ON YOUR RETREAT. 583 00:25:45,700 --> 00:25:46,667 I TRIED TO CALL YOU. 584 00:25:46,700 --> 00:25:47,667 ANYWAY, I THINK IT WAS GOOD 585 00:25:47,700 --> 00:25:49,333 THAT WE WERE BOTH HERE TO SEE IT. 586 00:25:51,900 --> 00:25:55,600 YEAH, I'M GLAD I WAS HERE. 587 00:25:58,700 --> 00:26:00,067 SO, SHANE, WHERE IS YOUR LOVELY BRIDE? 588 00:26:00,067 --> 00:26:01,400 PEGGY, THIS IS SHANE'S BACHELOR PARTY. 589 00:26:01,433 --> 00:26:03,700 BRIDES ARE EXCLUDED. 590 00:26:03,733 --> 00:26:04,900 OH, MY GOODNESS. 591 00:26:04,933 --> 00:26:06,067 I HAD NO IDEA 592 00:26:06,067 --> 00:26:08,200 YOU WERE SUCH ROLE-PLAYING LESBIANS. 593 00:26:08,233 --> 00:26:09,367 [SHANE]: COME ON, WE'RE NOT. 594 00:26:09,400 --> 00:26:10,300 YOU KNOW, ACTUALLY, 595 00:26:10,333 --> 00:26:11,733 I'D LIKE FOR HER TO BE HERE 596 00:26:11,767 --> 00:26:12,867 BUT HER FAMILY'S SO TRADITIONAL, 597 00:26:12,900 --> 00:26:14,500 SO I STEPPED BACK. 598 00:26:14,533 --> 00:26:16,700 I THINK THAT'S NICE. 599 00:26:16,733 --> 00:26:18,567 I THINK THAT'S REGRESSIVE. 600 00:26:18,600 --> 00:26:20,500 [HELENA]: WELL... 601 00:26:20,533 --> 00:26:22,067 WE'RE PRETTY TRADITIONAL IN OUR FAMILY, TOO, 602 00:26:22,100 --> 00:26:23,367 AREN'T WE, MOMMY? 603 00:26:23,400 --> 00:26:25,333 OH, LOOK, 604 00:26:25,367 --> 00:26:27,533 BETTE AND TINA ARE HERE NOW. 605 00:26:27,567 --> 00:26:28,633 TIME FOR DINNER. 606 00:26:28,667 --> 00:26:29,733 PLEASE, TAKE MY HAND... 607 00:26:29,767 --> 00:26:31,467 AND LET ME BURY MY HEAD 608 00:26:31,500 --> 00:26:32,733 IN YOUR AMPLE BOSOM 609 00:26:32,767 --> 00:26:34,867 IF I GET A LITTLE TOO EMOTIONAL. 610 00:26:38,767 --> 00:26:40,667 MMM. 611 00:26:41,667 --> 00:26:43,067 YOU GOT QUITE AN APPETITE THERE, GIRL. 612 00:26:43,067 --> 00:26:45,567 BETTER SAVE SOME ROOM FOR THE FONDUE. 613 00:26:45,600 --> 00:26:47,967 I'M PREGNANT. 614 00:26:48,067 --> 00:26:49,500 [LAUGHS] 615 00:26:55,800 --> 00:26:56,967 NO FUCKING WAY. 616 00:26:57,067 --> 00:26:58,067 NO-- 617 00:26:58,100 --> 00:26:59,267 DON'T DO THAT-- STOP IT. 618 00:26:59,300 --> 00:27:01,133 I'M SORRY. I'M SORRY. 619 00:27:01,167 --> 00:27:03,500 THAT WAS COMPLETELY STUPID. 620 00:27:03,533 --> 00:27:05,067 YEAH. YEAH. 621 00:27:05,100 --> 00:27:07,933 OKAY, OKAY. UM... 622 00:27:07,967 --> 00:27:10,067 LET ME TRY THIS AGAIN. 623 00:27:10,067 --> 00:27:12,733 I DON'T KNOW WHAT YOU'RE PLANNING, 624 00:27:12,767 --> 00:27:14,667 BUT IT'S CERTAINLY YOUR DECISION, 625 00:27:14,700 --> 00:27:16,267 COMPLETELY AND TOTALLY. 626 00:27:16,300 --> 00:27:17,467 YOU GOT THAT RIGHT. 627 00:27:17,500 --> 00:27:18,467 YEAH, OKAY, 628 00:27:18,500 --> 00:27:19,667 BUT I JUST WANT YOU TO KNOW 629 00:27:19,700 --> 00:27:21,267 THAT I'M WITH YOU. 630 00:27:21,300 --> 00:27:22,733 I'LL SUPPORT YOU 631 00:27:22,767 --> 00:27:24,667 IN WHATEVER DECISION YOU MAKE. 632 00:27:24,700 --> 00:27:26,500 SPECIFICALLY, I'LL... 633 00:27:26,533 --> 00:27:28,200 I'LL TAKE YOU TO THE DOCTOR, 634 00:27:28,233 --> 00:27:31,767 AND I'LL HOLD YOUR HAND DURING THE... 635 00:27:31,800 --> 00:27:33,467 PROCEDURE... 636 00:27:33,500 --> 00:27:35,167 AND I'LL DRIVE YOU HOME, 637 00:27:35,200 --> 00:27:37,500 AND PUT YOU TO BED WITH A HOT WATER BOTTLE, 638 00:27:37,533 --> 00:27:41,533 OR, YOU KNOW, IF YOU DECIDE TO... 639 00:27:41,567 --> 00:27:43,900 GO THROUGH WITH IT, I'LL... 640 00:27:45,667 --> 00:27:47,300 I'LL BE YOUR BRADLEY COACH 641 00:27:47,333 --> 00:27:49,733 AND I'LL BUST MY ASS TO SAVE ENOUGH MONEY 642 00:27:49,767 --> 00:27:51,567 TO PUT OUR KID THROUGH COLLEGE. 643 00:27:58,167 --> 00:27:59,300 [GLASS CLINKING] 644 00:27:59,333 --> 00:28:00,567 [JENNY]: OKAY, EVERYBODY, 645 00:28:00,600 --> 00:28:02,900 WE WOULD LIKE TO MAKE A TOAST 646 00:28:02,933 --> 00:28:05,267 TO OUR DEAR FRIEND SHANE. 647 00:28:05,300 --> 00:28:06,700 YES, SHANE. 648 00:28:06,733 --> 00:28:08,733 WE HAVE BEEN THROUGH A LOT TOGETHER 649 00:28:08,767 --> 00:28:10,167 AS FRIENDS, 650 00:28:10,200 --> 00:28:12,567 ESPECIALLY IN THE LAST FEW MONTHS. 651 00:28:12,600 --> 00:28:14,333 SHANE, THE THING THAT YOU'VE TAUGHT US 652 00:28:14,367 --> 00:28:15,733 ABOUT FRIENDSHIP 653 00:28:15,767 --> 00:28:17,700 IS ABOUT BEING FEARLESS, 654 00:28:17,733 --> 00:28:19,400 SO THANK YOU VERY MUCH, SHANE, 655 00:28:19,433 --> 00:28:23,100 FOR CONVINCING ME TO CUT OFF MY LUSTROUS, 656 00:28:23,133 --> 00:28:26,067 MINK-LIKE, LONG, LONG MANE 657 00:28:26,067 --> 00:28:27,867 AS SHORT AS HUMANLY POSSIBLE, 658 00:28:27,900 --> 00:28:29,100 AND SHANE... 659 00:28:29,133 --> 00:28:30,400 THANK YOU VERY MUCH 660 00:28:30,433 --> 00:28:31,867 FOR NOT MAKING IT LOOK LIKE YOURS. 661 00:28:31,900 --> 00:28:35,367 [LAUGHING] 662 00:28:37,367 --> 00:28:38,467 IT'S REALLY GROWN BACK FAST. 663 00:28:38,500 --> 00:28:39,567 YES, IT HAS. 664 00:28:39,600 --> 00:28:42,900 AND SHANE, THANK YOU, AS A FRIEND, 665 00:28:42,933 --> 00:28:45,600 FOR SAVING ME FROM GOING HOME WITH THAT GIRL THAT NIGHT-- 666 00:28:45,633 --> 00:28:47,067 YOU KNOW THE ONE I'M TALKING ABOUT-- 667 00:28:47,067 --> 00:28:48,467 AND, AS A FRIEND, 668 00:28:48,500 --> 00:28:50,267 TAKING HER HOME YOURSELF INSTEAD. 669 00:28:50,300 --> 00:28:52,167 THANK YOU. 670 00:28:52,200 --> 00:28:54,067 SHANE, ONLY YOU 671 00:28:54,067 --> 00:28:57,800 COULD MAKE A TWO-PIECE PLEATHERETTE ENSEMBLE 672 00:28:57,833 --> 00:28:59,167 LOOK GOOD... 673 00:28:59,200 --> 00:29:00,800 AT 7:30 IN THE MORNING. 674 00:29:00,833 --> 00:29:01,867 DRUNK... 675 00:29:01,900 --> 00:29:03,533 AFTER A ONE-NIGHT STAND. 676 00:29:05,433 --> 00:29:08,733 BUT IN ALL SERIOUSNESS, YOU ARE OUR BEST FRIEND. 677 00:29:08,767 --> 00:29:11,767 SHANE, YOU'RE THE MOST LOYAL FRIEND 678 00:29:11,800 --> 00:29:13,433 I-- 679 00:29:13,467 --> 00:29:15,700 AND I THINK I CAN SPEAK FOR THE GROUP-- 680 00:29:15,733 --> 00:29:17,067 THAT WE HAVE EVER MET, 681 00:29:17,067 --> 00:29:20,167 AND YOU'VE NEVER LEFT OUR SIDES 682 00:29:20,200 --> 00:29:23,367 WHEN THINGS HAVE BECOME DARK, 683 00:29:23,400 --> 00:29:24,800 AND I THINK 684 00:29:24,833 --> 00:29:26,333 THAT YOU'VE TAUGHT THE WHOLE GROUP 685 00:29:26,367 --> 00:29:28,467 THAT PEOPLE'S ROUGH EDGES 686 00:29:28,500 --> 00:29:30,067 ARE BEAUTIFUL. 687 00:29:30,100 --> 00:29:31,833 [ALICE]: AND WE KNOW THAT... 688 00:29:31,867 --> 00:29:33,867 IF DANA WAS HERE, 689 00:29:33,900 --> 00:29:35,400 THAT SHE WOULD BE VERY HAPPY TO KNOW 690 00:29:35,433 --> 00:29:38,400 THAT YOU WERE MARRYING SOMEONE YOU LOVE. 691 00:29:38,433 --> 00:29:41,633 SO WE LOVE YOU VERY MUCH, 692 00:29:41,667 --> 00:29:43,133 AND CONGRATULATIONS. 693 00:29:44,967 --> 00:29:45,967 TO SHANE! TO SHANE! 694 00:29:46,067 --> 00:29:47,067 TO SHANE! 695 00:29:47,067 --> 00:29:48,467 ALL THE BEST. CONGRATULATIONS. 696 00:29:48,500 --> 00:29:51,467 CONGRATULATIONS. CONGRATS. 697 00:29:51,500 --> 00:29:52,733 [PEGGY]: SO, MY DEAR SHANE-- 698 00:29:52,767 --> 00:29:53,933 ALTHOUGH I DON'T UNDERSTAND 699 00:29:53,967 --> 00:29:55,633 WHY YOU WOULD EMBRACE AN INSTITUTION 700 00:29:55,667 --> 00:29:57,067 THAT BREEDS CONFORMITY 701 00:29:57,067 --> 00:29:58,567 AND RESTRICTS FREE WILL-- 702 00:29:58,600 --> 00:29:59,767 THAT SAID, 703 00:29:59,800 --> 00:30:01,633 IF YOU GIVE ONE ANOTHER CHILDREN, 704 00:30:01,667 --> 00:30:03,200 I ONLY HOPE 705 00:30:03,233 --> 00:30:08,167 THAT THEY'RE AS GENEROUS AND KIND AND LOVELY 706 00:30:08,200 --> 00:30:09,433 AS THE ONE 707 00:30:09,467 --> 00:30:12,467 MY GOOD-FOR-NOTHING BRIT GAVE ME. 708 00:30:12,500 --> 00:30:13,700 [ANGUS]: WHAT ABOUT THAT? 709 00:30:13,733 --> 00:30:15,633 ARE YOU GUYS GOING TO HAVE KIDS? 710 00:30:18,467 --> 00:30:20,467 SHE'S THE ONE WHO BROUGHT IT UP. 711 00:30:22,000 --> 00:30:23,133 [ALICE]: YOU'RE NOT GOING TO HAVE KIDS. 712 00:30:23,167 --> 00:30:24,967 YOU DON'T WANT 'EM, DO YOU? 713 00:30:25,000 --> 00:30:27,900 UH... 714 00:30:27,933 --> 00:30:29,133 YEAH, I THINK I DO. 715 00:30:29,167 --> 00:30:30,467 YOU DO? 716 00:30:30,500 --> 00:30:32,200 YEAH. 717 00:30:32,233 --> 00:30:34,433 I THINK YOU'D BE A WONDERFUL PARENT. 718 00:30:37,167 --> 00:30:39,600 YEAH, CARMEN WOULD BE REALLY BEAUTIFUL PREGNANT. 719 00:30:39,633 --> 00:30:40,800 WHAT MAKES YOU THINK 720 00:30:40,833 --> 00:30:43,167 THAT SHANE WOULDN'T CARRY THE BABY? 721 00:30:43,200 --> 00:30:44,200 WHOA, WHOA, WHOA. 722 00:30:44,233 --> 00:30:45,467 I DON'T KNOW ABOUT THAT. 723 00:30:45,500 --> 00:30:46,733 I DON'T KNOW IF I'D GO THAT FAR, 724 00:30:46,767 --> 00:30:48,200 BUT I THINK THAT... 725 00:30:48,233 --> 00:30:49,600 IN ANY EVENT, 726 00:30:49,633 --> 00:30:52,867 I THINK KIDS ARE SUCH A BEAUTIFUL GIFT, 727 00:30:52,900 --> 00:30:54,233 BECAUSE... 728 00:30:54,267 --> 00:30:55,533 I MEAN, I DON'T KNOW. 729 00:30:55,567 --> 00:30:57,467 I MEAN, I LOOK AT THAT LITTLE ONE, 730 00:30:57,500 --> 00:30:58,733 AND I SEE THE LOVE THAT YOU HAVE FOR HER, 731 00:30:58,767 --> 00:30:59,900 AND THE LOVE 732 00:31:00,067 --> 00:31:02,100 THAT YOU ACTUALLY HAVE FOR EACH OTHER, 733 00:31:02,133 --> 00:31:04,500 DESPITE THE THINGS YOU'RE GOING THROUGH, 734 00:31:04,533 --> 00:31:05,967 AND... 735 00:31:06,067 --> 00:31:08,167 I DON'T KNOW, IT JUST SEEMS THAT... 736 00:31:08,200 --> 00:31:10,633 SOMETIMES LOVE JUST DOESN'T LAST 737 00:31:10,667 --> 00:31:12,533 THE WAY YOU HOPE IT WILL, 738 00:31:12,567 --> 00:31:14,500 BUT IF YOU GET THROUGH THAT PAIN, 739 00:31:14,533 --> 00:31:16,200 IT JUST... 740 00:31:16,233 --> 00:31:18,533 IT COULD LAST IN WAYS THAT ARE MORE PRECIOUS... 741 00:31:18,567 --> 00:31:19,867 MAYBE... 742 00:31:19,900 --> 00:31:22,067 POSSIBLY. 743 00:31:22,067 --> 00:31:23,300 WOW. 744 00:31:23,333 --> 00:31:24,467 I'M ALICE. 745 00:31:24,500 --> 00:31:25,700 IT'S NICE TO MEET YOU. 746 00:31:25,733 --> 00:31:27,367 [LAUGHING] 747 00:31:30,633 --> 00:31:32,333 ANYWAY, SHANE, AS YOUR BEST MAN, 748 00:31:32,367 --> 00:31:35,800 IT IS MY HONOR TO PRESENT YOU WITH A GIFT 749 00:31:35,833 --> 00:31:37,733 FROM YOUR BRIDE TO BE. 750 00:31:37,767 --> 00:31:39,200 WHAT? 751 00:31:39,233 --> 00:31:40,867 YES. 752 00:31:40,900 --> 00:31:45,267 SO THIS IS A GIFT FROM CARMEN TO SHANE 753 00:31:45,300 --> 00:31:47,067 WITH ALL HER HEART. 754 00:31:47,067 --> 00:31:48,433 [LAUGHING] 755 00:31:48,467 --> 00:31:49,467 COME ON, GET UP. 756 00:31:49,500 --> 00:31:50,600 WHAT IS IT? 757 00:31:50,633 --> 00:31:52,700 COME ON. 758 00:31:56,067 --> 00:31:59,567 WHAT THE HELL IS THIS? 759 00:32:00,633 --> 00:32:02,933 HEY, CONGRATULATIONS, SHANE. 760 00:32:02,967 --> 00:32:05,233 MY NAME'S GOD-DES AND THIS IS SHE, 761 00:32:05,267 --> 00:32:06,833 AND CARMEN WANTED ME TO TELL YOU 762 00:32:06,867 --> 00:32:08,667 SOMETHING REALLY IMPORTANT-- 763 00:32:08,700 --> 00:32:09,900 THAT THERE ACTUALLY IS A PRESCRIPTION 764 00:32:09,933 --> 00:32:11,500 TO A HAPPY MARRIAGE, 765 00:32:11,533 --> 00:32:13,100 AND THIS IS IT. 766 00:32:13,133 --> 00:32:15,067 * GOOD EVENING, CLASS 767 00:32:15,067 --> 00:32:16,567 * I WOULD LIKE TO WELCOME YOU 768 00:32:16,600 --> 00:32:19,800 * TO PUSSY 101 769 00:32:19,833 --> 00:32:22,067 * PAY CLOSE ATTENTION, NOW 770 00:32:22,100 --> 00:32:24,233 * THERE'S RULES AND REGULATIONS TO PLEASIN' A GIRL * 771 00:32:24,267 --> 00:32:26,233 * GOIN' DOWNTOWN CAN REALLY ROCK HER WORLD * 772 00:32:26,267 --> 00:32:27,500 * BUT YOU GOTTA MAKE SURE 773 00:32:27,533 --> 00:32:28,833 * THAT YOU KNOW WHAT YOU'RE DOIN' * 774 00:32:28,867 --> 00:32:30,233 * THERE'S A METHOD DOWN THERE 775 00:32:30,267 --> 00:32:31,067 * THAT YOU GOTTA START LEARNIN' * 776 00:32:31,067 --> 00:32:32,133 * FIRST 777 00:32:32,167 --> 00:32:33,733 * YOU GOTTA MAKE SURE YOU REHEARSE * 778 00:32:33,767 --> 00:32:35,400 * MOVE AROUND YOUR TONGUE LIKE YOU'RE TRYIN' TO CURSE * 779 00:32:35,433 --> 00:32:36,533 * 'CAUSE THERE'S NOTHIN' WORSE 780 00:32:36,567 --> 00:32:37,533 * THAN A TONGUE THAT DOESN'T WORK * 781 00:32:37,567 --> 00:32:38,733 * THEN YOUR GIRL'LL BE MAD 782 00:32:38,767 --> 00:32:40,067 * AND YOU'LL FEEL LIKE A JERK 783 00:32:40,100 --> 00:32:42,600 * SPREAD OUT HER LIPS BEFORE YOU KISS * 784 00:32:42,633 --> 00:32:44,767 * YOU WANT TO MAKE SURE THAT YOU'VE FOUND THE CLIT * 785 00:32:44,800 --> 00:32:47,433 * TAKE A LITTLE BIT THEN MOVE IT ALL AROUND * 786 00:32:47,467 --> 00:32:49,433 * LICK IT ALL OVER TILL YOU HEAR HER MAKE A SOUND * 787 00:32:49,467 --> 00:32:51,733 * THEN YOU KNOW THAT YOU'VE FOUND A GOOD SPOT * 788 00:32:51,767 --> 00:32:54,067 * TEASE IT AND TOUCH IT BUT NOT A LOT * 789 00:32:54,067 --> 00:32:56,233 * WITH YOUR MOUTH ON TOP YOU'RE IN CONTROL * 790 00:32:56,267 --> 00:32:58,733 * YOU CAN MAKE IT HAPPEN FAST OR SLOW * 791 00:32:58,767 --> 00:33:00,967 * LICK IT BETTER LICK IT RIGHT * 792 00:33:01,067 --> 00:33:03,133 * TOUCH IT BETTER TOUCH IT RIGHT * 793 00:33:03,167 --> 00:33:05,333 * KISS IT BETTER KISS IT RIGHT * 794 00:33:05,367 --> 00:33:07,933 * DO THAT PUSSY RIGHT 795 00:33:07,967 --> 00:33:10,467 * LICK IT BETTER LICK IT RIGHT * 796 00:33:10,500 --> 00:33:12,400 * TOUCH IT BETTER TOUCH IT RIGHT * 797 00:33:12,433 --> 00:33:14,800 * KISS IT BETTER KISS IT RIGHT * 798 00:33:14,833 --> 00:33:17,067 * DO THAT PUSSY RIGHT 799 00:33:17,067 --> 00:33:19,300 * LET YOUR MOUTH DO THE TALKIN' AND YOUR TONGUE DO THE WALKIN' * 800 00:33:19,333 --> 00:33:21,433 * WORK ON YOUR CARDIO THERE IS NO STOPPIN' * 801 00:33:21,467 --> 00:33:23,333 * GET THROUGH THE PAIN IF YOUR JAW LOCKS * 802 00:33:23,367 --> 00:33:26,067 * YOU GOTTA BE A SOLDIER AND DON'T STOP * 803 00:33:26,067 --> 00:33:28,467 * LICK HER AND FINGER HER AT THE SAME TIME * 804 00:33:28,500 --> 00:33:30,700 * FEEL AROUND THE G-SPOT SEEKIN', YOU SHALL FIND * 805 00:33:30,733 --> 00:33:32,900 * RUB ON THE SPOT LICK ON TOP * 806 00:33:32,933 --> 00:33:34,767 * YOU GOTTA BE COORDINATED SHOW HER WHAT YOU GOT * 807 00:33:34,800 --> 00:33:37,433 * ONCE YOU GOT THAT DOWN PUT YOUR OTHER HAND AROUND... ** 808 00:33:37,467 --> 00:33:39,633 OH, MY GOD... 809 00:33:43,767 --> 00:33:45,067 GOOD NIGHT. 810 00:33:45,100 --> 00:33:47,400 GOOD NIGHT. 811 00:33:49,433 --> 00:33:51,067 GOOD NIGHT, SWEETIE. 812 00:33:55,333 --> 00:33:56,867 TINA? 813 00:33:56,900 --> 00:33:59,300 IT WAS A REALLY NICE NIGHT. 814 00:33:59,333 --> 00:34:00,900 IT FELT REALLY GOOD 815 00:34:00,933 --> 00:34:04,433 TO BE TOGETHER AND GETTING ALONG. 816 00:34:04,467 --> 00:34:06,467 SHE REALLY... 817 00:34:06,500 --> 00:34:09,967 SHE LOVED THE SLEIGH RIDE... 818 00:34:11,433 --> 00:34:13,200 SO DID I. 819 00:34:16,267 --> 00:34:18,200 THAT'S WHAT I HOPE FOR US, BETTE. 820 00:34:18,233 --> 00:34:20,800 WE'RE A FAMILY, 821 00:34:20,833 --> 00:34:23,500 AND I HOPE WE CAN DO FAMILY THINGS TOGETHER. 822 00:34:23,533 --> 00:34:24,900 I THINK THAT'S WHAT WOULD BE BEST 823 00:34:24,933 --> 00:34:27,567 FOR ANGELICA... 824 00:34:27,600 --> 00:34:30,333 AND MAYBE ONE DAY, WHEN WE'RE READY, 825 00:34:30,367 --> 00:34:32,800 WE CAN TAKE VACATIONS TOGETHER. 826 00:34:34,167 --> 00:34:35,367 I WOULD REALLY... 827 00:34:35,400 --> 00:34:37,067 I'D REALLY LIKE THAT. 828 00:34:53,100 --> 00:34:55,067 GOOD NIGHT. 829 00:34:55,067 --> 00:34:56,667 GOOD NIGHT. 830 00:35:10,267 --> 00:35:12,633 HI, JOYCE. IT'S BETTE PORTER CALLING. 831 00:35:12,667 --> 00:35:14,433 UM... 832 00:35:14,467 --> 00:35:16,433 LISTEN, I... 833 00:35:16,467 --> 00:35:18,633 I MAY BE HAVING A CHANGE OF HEART. 834 00:35:18,667 --> 00:35:20,367 I WANT YOU TO HOLD OFF SENDING THAT LETTER 835 00:35:20,400 --> 00:35:21,700 TO TINA'S LAWYER. 836 00:35:21,733 --> 00:35:23,067 I'M NOT SURE 837 00:35:23,067 --> 00:35:26,367 THAT I WANT TO GO FOR SOLE CUSTODY. 838 00:35:26,400 --> 00:35:27,767 I DON'T THINK 839 00:35:27,800 --> 00:35:31,767 IT'S IN ANGELICA'S BEST INTEREST, SO... 840 00:35:31,800 --> 00:35:34,600 ANYWAY, CALL ME WHEN YOU GET THIS MESSAGE. 841 00:35:34,633 --> 00:35:36,933 THANKS. 842 00:35:56,267 --> 00:35:57,300 HI. 843 00:35:57,333 --> 00:35:58,800 HI. 844 00:36:00,733 --> 00:36:01,967 CAN I COME IN? 845 00:36:02,067 --> 00:36:04,167 YEAH... 846 00:36:04,200 --> 00:36:06,867 BUT I THINK WE SHOULD TALK. 847 00:36:12,067 --> 00:36:13,967 WHAT DO YOU WANT TO TALK ABOUT? 848 00:36:16,900 --> 00:36:19,967 WHAT'S HAPPENING BETWEEN US. 849 00:36:20,067 --> 00:36:22,700 HOW YOU'RE FEELING. HOW I'M FEELING. 850 00:36:28,900 --> 00:36:30,433 I DON'T... 851 00:36:30,467 --> 00:36:32,067 I DON'T WANT TO TALK. 852 00:36:37,633 --> 00:36:39,733 I DON'T WANT TO TALK. 853 00:36:41,900 --> 00:36:43,500 OKAY. 854 00:36:52,667 --> 00:36:56,500 I LOVE MY PRESENT... 855 00:36:56,533 --> 00:36:58,300 AND I WANT TO SHOW YOU 856 00:36:58,333 --> 00:36:59,300 EXACTLY WHAT THEY TAUGHT ME. 857 00:36:59,333 --> 00:37:00,467 YOU CAN'T COME IN. 858 00:37:00,500 --> 00:37:01,467 WHY NOT? 859 00:37:01,500 --> 00:37:02,467 IT'S AGAINST THE RULES. 860 00:37:02,500 --> 00:37:03,567 SHANE-- 861 00:37:03,600 --> 00:37:06,233 COME ON, IT'S NOT AGAINST THE RULES... 862 00:37:07,667 --> 00:37:08,900 PLEASE, YOU'LL LIKE IT, 863 00:37:08,933 --> 00:37:10,067 I PROMISE. 864 00:37:10,100 --> 00:37:12,067 [KISSING] 865 00:37:15,467 --> 00:37:16,600 YOU KNOW IT'S NOT AGAINST THE RULES. 866 00:37:16,633 --> 00:37:18,933 OKAY... OH... 867 00:37:18,967 --> 00:37:21,867 I HOPE THAT'S CARMEN. 868 00:37:21,900 --> 00:37:24,400 HEY. YOU MADE IT. 869 00:37:24,433 --> 00:37:25,867 OF COURSE WE MADE IT. 870 00:37:25,900 --> 00:37:27,867 OH, MY GOD! 871 00:37:27,900 --> 00:37:29,067 GABRIEL McCUTCHEON. 872 00:37:29,067 --> 00:37:30,133 MY WIFE CARLA. 873 00:37:30,167 --> 00:37:31,367 HI. HI. 874 00:37:31,400 --> 00:37:33,167 VERY GOOD TO MEET YOU. 875 00:37:33,200 --> 00:37:34,533 HI. 876 00:37:34,567 --> 00:37:36,500 AW... 877 00:37:36,533 --> 00:37:38,233 [LAUGHING] 878 00:37:38,267 --> 00:37:39,467 THANK YOU. 879 00:37:39,500 --> 00:37:41,233 YOU'RE WELCOME. 880 00:37:41,267 --> 00:37:42,733 THANK YOU. HELLO. 881 00:37:42,767 --> 00:37:46,733 I'M SO GLAD THAT YOU GUYS MADE IT. 882 00:37:46,767 --> 00:37:49,233 ME TOO. 883 00:37:49,267 --> 00:37:50,800 HONEY, WE SHOULD PROBABLY, YOU KNOW, GO TO SLEEP, 884 00:37:50,833 --> 00:37:52,433 LEAVE THESE TWO ALONE. 885 00:37:52,467 --> 00:37:54,933 YEAH, I'M GOING TO GO TO BED, TOO. 886 00:37:54,967 --> 00:37:58,400 I THINK TOMORROW'S KIND OF A BIG DAY. 887 00:38:00,367 --> 00:38:01,800 LET'S US GET A DRINK. 888 00:38:01,833 --> 00:38:05,067 YEAH, LET'S DO IT. 889 00:38:05,100 --> 00:38:06,567 HE'S A TOTAL NIGHT OWL. 890 00:38:06,600 --> 00:38:08,067 NEVER GOES TO SLEEP BEFORE 2:00 A.M. 891 00:38:08,100 --> 00:38:10,633 OH, MY GOD. 892 00:38:10,667 --> 00:38:12,700 THIS ONE IS THE EXACT SAME WAY. 2:00 A.M. 893 00:38:12,733 --> 00:38:14,067 RIGHT? 894 00:38:14,067 --> 00:38:16,067 GOOD NIGHT. BYE. 895 00:38:16,067 --> 00:38:18,300 HAVE SWEET DREAMS. 896 00:38:18,333 --> 00:38:19,733 SEE YOU TOMORROW. OKAY. 897 00:38:19,767 --> 00:38:21,133 BYE. 898 00:38:31,467 --> 00:38:33,600 [***] 899 00:38:38,667 --> 00:38:39,967 SO AREN'T YOU TWO GOING TO GO SKIING? 900 00:38:40,067 --> 00:38:41,567 [GABE]: NEVER SKIED, 901 00:38:41,600 --> 00:38:43,800 AND I DON'T FIGURE TODAY IS THE BEST DAY TO START. 902 00:38:43,833 --> 00:38:45,433 YOU COULD TAKE A PRIVATE LESSON. 903 00:38:45,467 --> 00:38:46,967 YEAH, THAT'S RIGHT, YOU SHOULD. 904 00:38:47,067 --> 00:38:48,633 YOU KNOW, WE HAVE PRIVATE INSTRUCTORS 905 00:38:48,667 --> 00:38:49,800 FOR EVERYONE. 906 00:38:49,833 --> 00:38:50,867 I THINK CARMEN AND HER SISTERS 907 00:38:50,900 --> 00:38:52,100 ARE UP THERE. 908 00:38:52,133 --> 00:38:53,400 [BETTE]: OH, REALLY. 909 00:38:53,433 --> 00:38:54,767 NO, YOU GO ON. 910 00:38:54,800 --> 00:38:56,800 WE'RE JUST GOING TO HANG OUT HERE. 911 00:38:56,833 --> 00:38:59,200 OKAY, WELL, UH... WHAT SHOULD WE DO? 912 00:38:59,233 --> 00:39:00,367 SHOULD WE STAY AT BLACKCOMB, 913 00:39:00,400 --> 00:39:01,433 OR SHOULD WE CHECK OUT WHISTLER? 914 00:39:01,467 --> 00:39:02,633 WHISTLER. MORE SNOW. 915 00:39:02,667 --> 00:39:03,867 ALL RIGHT, LET'S GO. 916 00:39:03,900 --> 00:39:04,900 BYE. 917 00:39:04,933 --> 00:39:06,833 BYE-BYE. 918 00:39:08,467 --> 00:39:09,767 YOU KNOW, 919 00:39:09,800 --> 00:39:11,700 IF THERE'S ANYTHING YOU TWO NEED, 920 00:39:11,733 --> 00:39:13,100 THIS WHOLE WEDDING'S 921 00:39:13,133 --> 00:39:16,400 LIKE A GIFT TO SHANE FROM ME, 922 00:39:16,433 --> 00:39:18,867 SO JUST TALK TO ME, OKAY? 923 00:39:22,767 --> 00:39:24,533 WOW. 924 00:39:26,433 --> 00:39:28,133 WOW. 925 00:39:41,900 --> 00:39:44,767 WOW, IT'S BEAUTIFUL UP HERE, ISN'T IT? 926 00:39:46,233 --> 00:39:48,233 HI. I'M MARILYN. 927 00:39:52,967 --> 00:39:54,900 YOU GOING TO TRY IT? 928 00:40:04,933 --> 00:40:06,967 I SEE MY FRIENDS DOWN THERE. 929 00:40:07,000 --> 00:40:09,867 THE TWO BOYS ON THE SNOWBOARDS? 930 00:40:09,900 --> 00:40:11,167 WELL... 931 00:40:11,200 --> 00:40:13,433 THEY'RE NOT BOYS. 932 00:40:13,467 --> 00:40:16,833 WELL, ONE OF THEM IS, SORT OF. 933 00:40:18,367 --> 00:40:20,400 THE OTHER ONE, SHANE, 934 00:40:20,433 --> 00:40:21,767 SHE'S GETTING MARRIED TONIGHT 935 00:40:21,800 --> 00:40:24,233 TO HER GIRLFRIEND, CARMEN. 936 00:40:26,433 --> 00:40:28,167 I THINK I'M MARRYING THEM. 937 00:40:30,533 --> 00:40:31,867 WHAT DO YOU MEAN? 938 00:40:34,400 --> 00:40:37,133 I'M A MARRIAGE COMMISSIONER. 939 00:40:37,167 --> 00:40:39,033 I PERFORM WEDDING CEREMONIES, 940 00:40:39,067 --> 00:40:40,833 MOSTLY SAME-SEX COUPLES. 941 00:40:42,200 --> 00:40:43,900 NICE TO MEET YOU. 942 00:40:47,167 --> 00:40:48,333 SO I JUST... 943 00:40:48,367 --> 00:40:49,700 I THINK IT WAS TOO MUCH FOR ME, 944 00:40:49,733 --> 00:40:51,167 LOSING HER TWICE. 945 00:40:51,200 --> 00:40:55,367 YOU'RE LIKE ROXANNE IN CYRANO DE BERGERAC. 946 00:40:55,400 --> 00:40:58,133 "IN MY LIFE, I'VE HAD BUT ONE LOVE, 947 00:40:58,167 --> 00:41:01,767 AND NOW I MUST LOSE HIM TWICE." 948 00:41:03,933 --> 00:41:05,467 HOW IS IT THAT YOU'RE 56 YEARS OLD 949 00:41:05,500 --> 00:41:07,733 AND YOU'VE ONLY SLEPT WITH TWO WOMEN? 950 00:41:07,767 --> 00:41:08,933 I MEAN, WHEN DID YOU REALIZE 951 00:41:08,967 --> 00:41:10,900 YOU WERE A DYKE? 952 00:41:10,933 --> 00:41:12,067 WELL, ALICE, 953 00:41:12,067 --> 00:41:15,567 IN 1973, I WAS MARRIED 954 00:41:15,600 --> 00:41:18,733 AND LIVING IN PALO ALTO, CALIFORNIA. 955 00:41:18,767 --> 00:41:21,567 I JOINED THIS WOMEN'S CONSCIOUSNESS-RAISING GROUP, 956 00:41:21,600 --> 00:41:23,567 AND THERE WAS THIS WOMAN, TERI. 957 00:41:23,600 --> 00:41:27,233 OH, SHE WAS SO FREE AND IN HER SEXUAL POWER. 958 00:41:27,267 --> 00:41:28,967 I WAS WILDLY ATTRACTED TO HER. 959 00:41:29,067 --> 00:41:30,600 SO YOU GUYS GOT IT ON? 960 00:41:30,633 --> 00:41:31,800 NO, WE KISSED ONCE, 961 00:41:31,833 --> 00:41:34,067 AND I GUESS I WAS TOO SCARED. 962 00:41:34,067 --> 00:41:35,900 NO, THE FIRST TIME 963 00:41:35,933 --> 00:41:37,067 I MADE LOVE TO A WOMAN 964 00:41:37,100 --> 00:41:38,667 WAS ABOUT ONE YEAR LATER. 965 00:41:38,700 --> 00:41:40,133 SHE WAS AN HEIRESS. 966 00:41:40,167 --> 00:41:42,900 AN HEIRESS? YEAH. 967 00:41:42,933 --> 00:41:45,267 SHE HIRED MY HUSBAND CHET 968 00:41:45,300 --> 00:41:48,500 TO DESIGN HER WEST COAST CORPORATE HEADQUARTERS. 969 00:41:48,533 --> 00:41:50,833 OH, SHE WAS FABULOUS-- 970 00:41:50,867 --> 00:41:54,267 SO BEAUTIFUL AND ARROGANT. 971 00:41:54,300 --> 00:41:58,467 SO YOU SLEPT WITH YOUR HUSBAND'S BOSS. 972 00:41:58,500 --> 00:41:59,767 YEAH. 973 00:41:59,800 --> 00:42:01,267 THAT'S A PRETTY BAD GIRL. 974 00:42:01,300 --> 00:42:03,233 YEAH, WE HAD A WILD AFFAIR, 975 00:42:03,267 --> 00:42:04,600 AND THEN SHE BROKE MY HEART. 976 00:42:04,633 --> 00:42:05,833 REALLY? 977 00:42:05,867 --> 00:42:07,233 JETTED OFF TO LONDON, 978 00:42:07,267 --> 00:42:09,367 MARRIED SOME PENNILESS ARISTOCRAT, 979 00:42:09,400 --> 00:42:10,767 AND I WENT HOME 980 00:42:10,800 --> 00:42:12,700 TO MY STIFLING FAMILY LIFE 981 00:42:12,733 --> 00:42:14,233 AND DIDN'T COME OUT OF THE CLOSET 982 00:42:14,267 --> 00:42:16,633 FOR ANOTHER 15 YEARS. 983 00:42:19,067 --> 00:42:21,167 I HAVE A PROPOSITION FOR YOU, ALICE. 984 00:42:22,633 --> 00:42:24,133 [HENRY]: I'M JUST ASKING YOU TO THINK ABOUT IT, 985 00:42:24,167 --> 00:42:25,300 THAT'S ALL. 986 00:42:25,333 --> 00:42:26,500 YOU KNOW I'M NOT SUGGESTING 987 00:42:26,533 --> 00:42:27,967 THAT BETTE SHOULDN'T BE IN ANGELICA'S LIFE. 988 00:42:28,067 --> 00:42:30,100 I WON'T RENEGE. 989 00:42:30,133 --> 00:42:32,100 IT'S AN IRREVOCABLE DECISION, TINA. 990 00:42:32,133 --> 00:42:34,733 IF YOU ALLOW BETTE TO LEGALLY ADOPT ANGELICA, 991 00:42:34,767 --> 00:42:36,833 SHE'LL BE TIED TO YOU FOR THE REST OF YOUR LIFE. 992 00:42:36,867 --> 00:42:38,167 THAT'S WHAT HAPPENS 993 00:42:38,200 --> 00:42:39,900 WHEN TWO PEOPLE HAVE A BABY AND THEN THEY SPLIT UP. 994 00:42:39,933 --> 00:42:41,733 I GAVE HER MY PROMISE. 995 00:42:41,767 --> 00:42:43,133 BECAUSE YOU FEEL GUILTY. 996 00:42:43,167 --> 00:42:45,767 BECAUSE IT'S THE RIGHT THING TO DO. 997 00:42:45,800 --> 00:42:50,067 WHAT IF YOU AND I WERE TO DECIDE TO GET MARRIED? 998 00:42:50,067 --> 00:42:53,533 I WOULD NEVER BE ABLE TO BE ANGELICA'S DAD. 999 00:42:53,567 --> 00:42:55,067 IF SHE ALREADY HAS ANOTHER PARENT, 1000 00:42:55,067 --> 00:42:56,367 I WOULD BE YOUR HUSBAND, 1001 00:42:56,400 --> 00:42:58,500 BUT I WOULDN'T LEGALLY BE YOUR DAUGHTER'S FATHER. 1002 00:42:58,533 --> 00:43:00,833 WE'RE NOT THERE YET, HENRY, 1003 00:43:00,867 --> 00:43:02,667 AND BETTE IS ANGELICA'S RIGHTFUL PARENT, 1004 00:43:02,700 --> 00:43:03,800 AND YOU HAVE TO UNDERSTAND 1005 00:43:03,833 --> 00:43:05,067 AND RESPECT THAT. 1006 00:43:05,067 --> 00:43:07,067 HERE IT IS, HOT OFF THE PRESS. 1007 00:43:17,700 --> 00:43:19,233 WHAT IS IT? 1008 00:43:19,267 --> 00:43:21,567 IS EVERYTHING OKAY? 1009 00:43:23,533 --> 00:43:25,800 [HELENA]: HAVE YOU SEEN ALICE TODAY? 1010 00:43:25,833 --> 00:43:26,800 NO. 1011 00:43:26,833 --> 00:43:27,967 [CELL PHONE RINGING] 1012 00:43:28,067 --> 00:43:29,233 ACTUALLY, I'M WORRIED ABOUT HER. 1013 00:43:29,267 --> 00:43:31,200 YEAH, WELL, ME TOO. 1014 00:43:31,233 --> 00:43:33,400 HENRY SHOULD BE IN BY NOW. 1015 00:43:33,433 --> 00:43:34,733 OH, REALLY. 1016 00:43:34,767 --> 00:43:35,933 YEAH. 1017 00:43:35,967 --> 00:43:37,067 OH, JUST AS YOU TWO 1018 00:43:37,100 --> 00:43:38,467 WERE SORT OF WORKING IT OUT. 1019 00:43:38,500 --> 00:43:39,533 IT'LL BE ALL RIGHT. 1020 00:43:39,567 --> 00:43:40,833 HELLO? 1021 00:43:40,867 --> 00:43:42,500 JOYCE, HI. 1022 00:43:42,533 --> 00:43:43,633 YEAH, I'M ON A SKI LIFT. 1023 00:43:43,667 --> 00:43:45,200 WHAT'S UP? 1024 00:43:47,467 --> 00:43:49,167 SHIT. 1025 00:43:49,200 --> 00:43:51,400 YOU'RE FUCKING KIDDING ME. 1026 00:43:51,433 --> 00:43:53,467 WELL, CAN YOU GET IT BACK? 1027 00:43:55,267 --> 00:43:56,800 FUCK! 1028 00:43:56,833 --> 00:43:58,667 OKAY, TELL HIM NOT TO OPEN IT. 1029 00:44:01,167 --> 00:44:03,800 WELL, THEN TELL HIM NOT TO SEND IT TO TINA. 1030 00:44:05,300 --> 00:44:07,700 JOYCE? 1031 00:44:07,733 --> 00:44:09,300 SHIT! 1032 00:44:09,333 --> 00:44:12,333 SHIT, SHIT, SHIT! 1033 00:44:12,367 --> 00:44:13,733 FUCK. 1034 00:44:13,767 --> 00:44:15,300 I'VE GOT TO GET OFF THE MOUNTAIN. 1035 00:44:15,333 --> 00:44:16,300 I'VE GOT TO GO FIND TINA. 1036 00:44:16,333 --> 00:44:17,333 SHIT. 1037 00:44:17,367 --> 00:44:18,467 DAMN IT. 1038 00:44:18,500 --> 00:44:19,500 WHAT'S THE FASTEST WAY? 1039 00:44:19,533 --> 00:44:20,933 THE FASTEST WAY 1040 00:44:20,967 --> 00:44:22,633 IS THE BLACK DIAMOND RUN, BUT THERE'S MOGULS. 1041 00:44:22,667 --> 00:44:23,767 DO YOU SKI MOGULS? 1042 00:44:23,800 --> 00:44:26,133 NO, I CANNOT SKI FUCKING MOGULS. 1043 00:44:26,167 --> 00:44:28,400 HOLD ON ONE SECOND. FUCK. 1044 00:44:28,433 --> 00:44:31,133 HEY, TINA, IT'S BETTE. 1045 00:44:31,167 --> 00:44:32,800 LISTEN, YOU'RE GOING TO GET A LETTER FROM MY LAWYER TODAY, 1046 00:44:32,833 --> 00:44:33,800 AND I JUST... 1047 00:44:33,833 --> 00:44:34,967 I WANT YOU TO DISREGARD IT. 1048 00:44:35,067 --> 00:44:36,500 IT'S JUST... 1049 00:44:36,533 --> 00:44:39,200 IT WAS A MISTAKE, AND I'M VERY, VERY, VERY SORRY, 1050 00:44:39,233 --> 00:44:41,233 SO JUST DISREGARD IT, OKAY? 1051 00:44:41,267 --> 00:44:43,400 AND CALL ME WHEN YOU GET THIS. 1052 00:44:43,433 --> 00:44:45,300 OKAY, BYE. 1053 00:44:45,333 --> 00:44:47,633 FUCK. 1054 00:44:47,667 --> 00:44:48,800 FUCK! 1055 00:44:53,333 --> 00:44:55,500 OKAY, YOU'RE ALL READY TO GO. 1056 00:44:55,533 --> 00:44:56,900 OKAY. 1057 00:44:56,933 --> 00:44:58,767 YOU'RE SURE YOU'VE DONE THIS BEFORE? 1058 00:44:58,800 --> 00:45:01,367 YOU DON'T FALL INTO THE ABYSS, ALICE. 1059 00:45:01,400 --> 00:45:03,567 YOU TAKE IT ON. 1060 00:45:03,600 --> 00:45:05,100 RIGHT, RIGHT, RIGHT. 1061 00:45:05,133 --> 00:45:06,867 FACE THE ABYSS. RIGHT. 1062 00:45:06,900 --> 00:45:08,400 EMBRACE THE ABYSS. 1063 00:45:08,433 --> 00:45:09,667 [EXHALES] 1064 00:45:09,700 --> 00:45:11,233 OKAY, DID YOU DECIDE 1065 00:45:11,267 --> 00:45:12,700 ON WHAT YOUR THING WAS GOING TO BE? 1066 00:45:12,733 --> 00:45:13,733 OH, YEAH. 1067 00:45:13,767 --> 00:45:14,800 YES. 1068 00:45:14,833 --> 00:45:15,933 UM... 1069 00:45:15,967 --> 00:45:18,667 I VOW... 1070 00:45:18,700 --> 00:45:21,100 THAT JUST BECAUSE I'M 56 YEARS OLD 1071 00:45:21,133 --> 00:45:22,433 DOES NOT MEAN 1072 00:45:22,467 --> 00:45:24,967 THAT MY ROMANTIC LIFE IS OVER... 1073 00:45:25,067 --> 00:45:26,167 NO. 1074 00:45:26,200 --> 00:45:27,833 AND AFTER THIS WEDDING TONIGHT, 1075 00:45:27,867 --> 00:45:30,867 I'M GOING TO STOP MARRYING OTHER PEOPLE 1076 00:45:30,900 --> 00:45:32,933 AND FIND SOMEONE TO MARRY ME. 1077 00:45:32,967 --> 00:45:35,100 I LIKE IT. I LIKE THAT. 1078 00:45:35,133 --> 00:45:36,333 ME TOO. WHAT ABOUT YOU? 1079 00:45:36,367 --> 00:45:37,467 WHAT'S YOURS? 1080 00:45:37,500 --> 00:45:40,100 OKAY, I VOW TO, UM... 1081 00:45:40,133 --> 00:45:42,467 STOP MEDICATING MYSELF WITH SEX AND DRUGS 1082 00:45:42,500 --> 00:45:45,200 AND, YOU KNOW, LET MYSELF FEEL AGAIN. 1083 00:45:45,233 --> 00:45:48,300 AND? 1084 00:45:48,333 --> 00:45:50,800 AND, YEAH, I'LL TALK TO LARA 1085 00:45:50,833 --> 00:45:53,067 ABOUT HOW I FEEL... 1086 00:45:53,067 --> 00:45:54,767 AND I'LL ASK HER HOW SHE FEELS ABOUT ME. 1087 00:45:54,800 --> 00:45:56,100 OKAY. IT'S EASY. 1088 00:45:56,133 --> 00:45:58,067 ALL RIGHT. 1089 00:45:58,067 --> 00:45:59,333 ALL RIGHT, LET'S DO THIS THING. 1090 00:45:59,367 --> 00:46:00,600 I'M READY. 1091 00:46:00,633 --> 00:46:01,867 I'LL SEE YOU ON THE OTHER SIDE. 1092 00:46:01,900 --> 00:46:02,933 YOU READY? 1093 00:46:02,967 --> 00:46:04,867 OKAY, HERE I GO, GUYS. 1094 00:46:04,900 --> 00:46:05,933 I'M GONE. 1095 00:46:05,967 --> 00:46:10,500 HOLY SHIT! 1096 00:46:14,500 --> 00:46:17,933 [SCREAMS] 1097 00:46:27,800 --> 00:46:28,767 KEEP THE CHANGE, PAL. 1098 00:46:28,800 --> 00:46:31,600 LET'S GET OUT OF HERE. COME ON. 1099 00:46:31,633 --> 00:46:33,333 HERE WE GO. 1100 00:46:41,067 --> 00:46:42,267 WHO IS SHE? 1101 00:46:45,467 --> 00:46:47,967 WHO...IS SHE? 1102 00:46:48,067 --> 00:46:49,800 WHAT'S YOUR NAME, BABE? 1103 00:46:49,833 --> 00:46:51,267 PATTY. 1104 00:46:51,300 --> 00:46:52,800 HER NAME IS PATTY. 1105 00:46:52,833 --> 00:46:55,933 THIS IS SHANE, MY DAUGHTER. 1106 00:46:58,067 --> 00:47:00,267 WILL YOU EXCUSE US A MINUTE? 1107 00:47:06,433 --> 00:47:07,833 I'M SORRY. 1108 00:47:07,867 --> 00:47:09,700 I'M NOT PROUD OF THIS. 1109 00:47:11,833 --> 00:47:15,167 IT'S JUST WHO I AM, OKAY? 1110 00:47:18,200 --> 00:47:21,133 I KNOW YOU KNOW WHAT I'M TALKING ABOUT. 1111 00:47:36,733 --> 00:47:39,733 [CHAMBER MUSIC PLAYING] 1112 00:47:45,267 --> 00:47:47,233 I HOPE THE NEXT WEDDING I GO TO 1113 00:47:47,267 --> 00:47:49,767 IS IN DAMASCUS. 1114 00:47:49,800 --> 00:47:51,133 WELL, YOU WOULD HAVE 1115 00:47:51,167 --> 00:47:53,100 THE BEST MEAL OF YOUR LIFE. 1116 00:48:05,467 --> 00:48:08,067 I THINK WE KNOW ONE ANOTHER. 1117 00:48:12,067 --> 00:48:13,900 OH, MY GOD. 1118 00:48:13,933 --> 00:48:16,133 1974. 1119 00:48:24,667 --> 00:48:25,633 DID YOU GET MY MESSAGES? 1120 00:48:25,667 --> 00:48:26,633 I'VE BEEN LOOKING FOR YOU 1121 00:48:26,667 --> 00:48:28,133 ALL AFTERNOON. 1122 00:48:28,167 --> 00:48:30,067 WHY, SO YOU CAN TAKE MY DAUGHTER AWAY FROM ME? 1123 00:48:30,100 --> 00:48:31,067 TINA, I DIDN'T MEAN IT THAT WAY. 1124 00:48:31,100 --> 00:48:32,167 I TRIED TO STOP IT, 1125 00:48:32,200 --> 00:48:33,733 BUT I COULDN'T GET AHOLD OF MY LAWYER IN TIME. 1126 00:48:33,767 --> 00:48:35,133 OH, YOUR LAWYER... 1127 00:48:35,167 --> 00:48:36,300 JOYCE WISCHNIA. 1128 00:48:36,333 --> 00:48:37,733 THAT'S NICE. 1129 00:48:37,767 --> 00:48:38,967 TINA, TRY TO UNDERSTAND, I WAS-- 1130 00:48:39,067 --> 00:48:40,133 I THINK I UNDERSTAND 1131 00:48:40,167 --> 00:48:42,367 EVERYTHING I NEED TO UNDERSTAND, BETTE. 1132 00:48:42,400 --> 00:48:43,467 YOU'RE GOING TO LOSE EVERYTHING. 1133 00:48:43,500 --> 00:48:44,500 YOU DON'T HAVE A LEG TO STAND ON. 1134 00:48:44,533 --> 00:48:46,433 DOES HE SPEAK FOR YOU NOW? 1135 00:48:46,467 --> 00:48:47,433 NO, HE DOESN'T. 1136 00:48:47,467 --> 00:48:49,733 HENRY, DON'T. 1137 00:48:50,833 --> 00:48:52,900 PLEASE BELIEVE ME, TINA-- 1138 00:48:52,933 --> 00:48:54,700 LOOK, I'VE CHANGED MY MIND. 1139 00:48:54,733 --> 00:48:57,933 I DON'T WANT YOU TO ADOPT MY DAUGHTER. 1140 00:48:57,967 --> 00:49:00,067 HENRY AND I ARE THINKING ABOUT STARTING A FAMILY, 1141 00:49:00,100 --> 00:49:03,667 AND WE WANT ANGELICA TO BE A FULL PART OF THAT. 1142 00:49:03,700 --> 00:49:05,700 DON'T DO THIS. 1143 00:49:05,733 --> 00:49:08,400 I'M WARNING YOU. 1144 00:49:11,867 --> 00:49:14,867 [***] 1145 00:49:30,633 --> 00:49:32,467 MUY AMOROSA. 1146 00:49:35,467 --> 00:49:36,800 ELLE EST BELLE. 1147 00:49:49,333 --> 00:49:51,800 ALICE IS GIVING SHANE AWAY. 1148 00:49:51,833 --> 00:49:53,400 GOD. 1149 00:49:55,867 --> 00:49:56,833 EVERYONE, 1150 00:49:56,867 --> 00:49:58,400 MY NAME IS MARILYN SHEPARD. 1151 00:49:58,433 --> 00:50:00,400 I'M THE WEDDING OFFICIAL. 1152 00:50:00,433 --> 00:50:03,600 I'VE JUST BEEN IN TOUCH WITH SHANE McCUTCHEON. 1153 00:50:03,633 --> 00:50:06,633 SHE SAID THAT... 1154 00:50:06,667 --> 00:50:09,667 SHE DOESN'T EXPECT YOU TO FORGIVE HER. 1155 00:50:09,700 --> 00:50:11,167 SHE, UM... 1156 00:50:11,200 --> 00:50:12,767 SHE'S NOT PROUD OF THIS, 1157 00:50:12,800 --> 00:50:14,200 BUT SHE IS WHO SHE IS. 1158 00:50:14,233 --> 00:50:16,267 SHE WANTED ME TO EXTEND 1159 00:50:16,300 --> 00:50:18,167 HER DEEPEST APOLOGIES 1160 00:50:18,200 --> 00:50:20,200 TO ALL OF HER FRIENDS. 1161 00:50:20,233 --> 00:50:22,000 SHE LOVES AND CHERISHES YOU 1162 00:50:22,033 --> 00:50:24,600 MORE THAN YOU COULD POSSIBLY KNOW. 1163 00:50:24,633 --> 00:50:25,600 SHE APOLOGIZES 1164 00:50:25,633 --> 00:50:26,967 TO THE MORALES FAMILY 1165 00:50:27,000 --> 00:50:29,467 AND HOPES... 1166 00:50:29,500 --> 00:50:32,067 THAT YOU MIGHT FORGIVE HER SOMEDAY, 1167 00:50:32,100 --> 00:50:34,200 AND MAYBE EVEN UNDERSTAND. 1168 00:50:34,233 --> 00:50:36,633 BUT... 1169 00:50:36,667 --> 00:50:38,767 I'M SORRY. 1170 00:50:42,033 --> 00:50:43,633 [SNIFFLING] 1171 00:50:43,667 --> 00:50:44,633 I'M OKAY. 1172 00:50:44,667 --> 00:50:47,367 I'M OKAY! 1173 00:50:48,833 --> 00:50:51,633 [SOBBING] 1174 00:50:51,667 --> 00:50:53,733 [***] 1175 00:51:04,700 --> 00:51:06,833 TAKE ME HOME, MOM. 1176 00:51:06,867 --> 00:51:08,800 DON'T YOU WANT TO LOOK FOR HER? 1177 00:51:08,833 --> 00:51:10,867 DON'T YOU WANT TO KNOW WHAT HAPPENED? 1178 00:51:10,900 --> 00:51:12,967 I ALREADY KNOW WHAT HAPPENED. 1179 00:51:16,967 --> 00:51:20,300 I JUST WANT TO GO HOME AND BE WITH MY FAMILY. 1180 00:51:20,333 --> 00:51:22,267 OKAY? 1181 00:51:22,300 --> 00:51:24,333 SI. SI. 1182 00:51:24,367 --> 00:51:26,633 OKAY. 1183 00:51:29,267 --> 00:51:33,733 * ...THAT YOU SPEND IT ALL WITH ME * 1184 00:51:36,567 --> 00:51:40,833 * ALL THE SEASONS AND THE TIMES... * 1185 00:51:40,867 --> 00:51:42,633 I WANT TO GET REALLY DRUNK, 1186 00:51:42,667 --> 00:51:44,133 AND THEN I'M GOING TO DANCE... 1187 00:51:44,167 --> 00:51:46,400 AND DANCE AND DANCE. 1188 00:51:46,433 --> 00:51:47,800 WOULD YOU LIKE TO DANCE? 1189 00:51:49,233 --> 00:51:50,967 YOU GUYS... 1190 00:51:51,067 --> 00:51:52,633 IT'S A STRAIGHT CLUB. 1191 00:51:52,667 --> 00:51:54,700 YOU'RE GOING TO MAKE PEOPLE FEEL UNCOMFORTABLE. 1192 00:51:54,733 --> 00:51:57,833 THEN THEY DESERVE TO BE UNCOMFORTABLE, 1193 00:51:57,867 --> 00:51:59,833 DON'T YOU THINK? 1194 00:51:59,867 --> 00:52:02,967 NO, I DON'T THINK ANYONE DESERVES TO FEEL UNCOMFORTABLE. 1195 00:52:03,067 --> 00:52:05,400 MAX, I DON'T UNDERSTAND 1196 00:52:05,433 --> 00:52:06,700 WHY YOU WANT TO BE LIKE THESE PEOPLE. 1197 00:52:06,733 --> 00:52:08,100 YOU SEEM SO MUCH MORE INTERESTING 1198 00:52:08,133 --> 00:52:09,567 AS WHO YOU ARE. 1199 00:52:09,600 --> 00:52:11,100 HOW DO YOU KNOW WHO I AM? 1200 00:52:11,133 --> 00:52:13,067 YOU DON'T KNOW WHO THE FUCK I AM. 1201 00:52:13,067 --> 00:52:15,233 HOW DO YOU KNOW I'M NOT LIKE THESE PEOPLE? 1202 00:52:15,267 --> 00:52:18,233 MAX... 1203 00:52:18,267 --> 00:52:20,133 YOU'RE GREAT THE WAY YOU ARE, 1204 00:52:20,167 --> 00:52:22,133 AND THE WAY YOU WERE... 1205 00:52:22,167 --> 00:52:23,300 AND YOU KNOW WHAT HAPPENS 1206 00:52:23,333 --> 00:52:24,667 WHEN YOU WALK INTO THIS ROOM? 1207 00:52:24,700 --> 00:52:26,067 WHAT? 1208 00:52:26,067 --> 00:52:28,400 PEOPLE START WATCHING YOU. 1209 00:52:28,433 --> 00:52:30,533 THEY'RE LOOKING AT YOU CLOSELY, 1210 00:52:30,567 --> 00:52:33,433 AND AT FIRST THEY THINK THAT YOU'RE ONE OF THEM, 1211 00:52:33,467 --> 00:52:35,700 BUT THEN THEY LOOK A LITTLE MORE CLOSELY, 1212 00:52:35,733 --> 00:52:37,133 AND THEN THEY BEGIN TO FEEL UNEASY, 1213 00:52:37,167 --> 00:52:39,333 BECAUSE THEY REALIZE THAT YOU'RE NOT. 1214 00:52:41,400 --> 00:52:42,433 YOU'RE ALWAYS GOING TO BE 1215 00:52:42,467 --> 00:52:45,767 ONE OF THE OTHERS. 1216 00:52:45,800 --> 00:52:47,933 YOU'RE LIKE US. 1217 00:52:49,867 --> 00:52:52,267 YOU DON'T KNOW THAT. 1218 00:52:58,900 --> 00:53:01,500 I'M GOING TO DANCE. 1219 00:53:01,533 --> 00:53:04,267 * IN YOUR EYES 1220 00:53:04,300 --> 00:53:08,200 * IT MAY TAKE A KISS 1221 00:53:08,233 --> 00:53:13,133 * OR TWO 1222 00:53:13,167 --> 00:53:14,833 * THROUGH... 1223 00:53:14,867 --> 00:53:16,633 I HAVEN'T DONE THIS SINCE I WAS, LIKE... 1224 00:53:16,667 --> 00:53:17,633 OW! 1225 00:53:17,667 --> 00:53:18,867 [LAUGHS] 1226 00:53:18,900 --> 00:53:20,067 14... 1227 00:53:20,100 --> 00:53:21,200 AND IT WAS AWFUL, 1228 00:53:21,233 --> 00:53:22,200 BECAUSE MY LITTLE SISTER 1229 00:53:22,233 --> 00:53:23,267 WAS REALLY GOOD AT IT, 1230 00:53:23,300 --> 00:53:24,467 AND I JUST... 1231 00:53:24,500 --> 00:53:27,367 ALWAYS ENDED UP MAKING BIG, GIANT KNOTS. 1232 00:53:27,400 --> 00:53:29,133 I DIDN'T KNOW YOU HAD A LITTLE SISTER. 1233 00:53:29,167 --> 00:53:30,167 YEAH. REALLY? 1234 00:53:30,200 --> 00:53:31,333 YEAH, I DO, 1235 00:53:31,367 --> 00:53:32,633 AND THREE BROTHERS. 1236 00:53:32,667 --> 00:53:33,767 YOU DO? 1237 00:53:33,800 --> 00:53:35,100 THAT'S A BIG FAMILY. 1238 00:53:35,133 --> 00:53:36,433 I KNOW. 1239 00:53:36,467 --> 00:53:39,333 OW... 1240 00:53:41,167 --> 00:53:43,600 I'M REALLY GLAD THAT WE'RE, YOU KNOW, FINALLY-- 1241 00:53:43,633 --> 00:53:45,300 ALICE... 1242 00:53:45,333 --> 00:53:46,500 WHAT? 1243 00:53:46,533 --> 00:53:48,067 WHAT? 1244 00:53:48,067 --> 00:53:49,633 I NEED TO TELL YOU SOMETHING. 1245 00:53:49,667 --> 00:53:51,133 [TINA]: HEY, YOU TWO. 1246 00:53:51,167 --> 00:53:52,467 WHAT ARE YOU DOING SITTING OUT HERE? 1247 00:53:54,300 --> 00:53:56,700 WE'RE-- WE'RE JUST PLAYING. 1248 00:53:56,733 --> 00:53:58,467 YOU KNOW, TRYING TO GET OVER 1249 00:53:58,500 --> 00:54:00,533 THE DEBACLE OF THE EVENING. 1250 00:54:00,567 --> 00:54:02,067 WHAT A NIGHT, HUH? 1251 00:54:02,067 --> 00:54:03,867 POOR CARMEN. 1252 00:54:03,900 --> 00:54:05,067 WHAT DO YOU THINK HAPPENED? 1253 00:54:05,067 --> 00:54:07,067 WELL, SHANE'S FATHER 1254 00:54:07,100 --> 00:54:09,833 FOUND $10,000, LEFT HIS WIFE, 1255 00:54:09,867 --> 00:54:11,833 AND RAN OFF WITH SOME FLOOZY. 1256 00:54:11,867 --> 00:54:12,733 [HENRY]: WHAT? 1257 00:54:12,767 --> 00:54:13,833 YEAH. 1258 00:54:13,867 --> 00:54:14,967 HEY. 1259 00:54:15,067 --> 00:54:16,100 [TINA]: WHERE DID SHANE'S DAD 1260 00:54:16,133 --> 00:54:17,100 GET $10,000? 1261 00:54:17,133 --> 00:54:18,100 I DON'T KNOW. 1262 00:54:18,133 --> 00:54:20,133 OH, MY GOD. 1263 00:54:20,167 --> 00:54:23,733 IS THAT WHAT HAPPENED? 1264 00:54:27,300 --> 00:54:28,867 WELL, HE HAS NO MONEY. 1265 00:54:28,900 --> 00:54:32,433 HE WANTED TO BUY HER A WEDDING GIFT. 1266 00:54:32,467 --> 00:54:34,067 IT WAS HEARTBREAKING. 1267 00:54:34,067 --> 00:54:35,367 [VALET]: MRS. PEABODY, 1268 00:54:35,400 --> 00:54:36,367 WILL THERE BE ANYTHING ELSE? 1269 00:54:36,400 --> 00:54:37,367 NO, NO, NO, FINE. 1270 00:54:37,400 --> 00:54:39,633 I'LL BE THERE IN A MOMENT. 1271 00:54:39,667 --> 00:54:41,067 MY DARLING, I HAVE CHERISHED 1272 00:54:41,100 --> 00:54:43,067 THE TIME WE'VE SPENT TOGETHER. 1273 00:54:43,067 --> 00:54:46,167 IT HAS REAFFIRMED ALL OF MY RECENT CONVICTIONS, 1274 00:54:46,200 --> 00:54:48,833 AND NOW, BECAUSE I LOVE YOU SO VERY MUCH, 1275 00:54:48,867 --> 00:54:51,367 I'M GOING TO DO SOMETHING TRULY RADICAL. 1276 00:54:51,400 --> 00:54:54,067 MOMMY, HE TOLD ME HE WAS GOING TO-- 1277 00:54:54,100 --> 00:54:57,400 SWEETHEART, SWEETHEART... 1278 00:54:57,433 --> 00:55:00,067 I'M CUTTING YOU OFF FINANCIALLY. 1279 00:55:00,100 --> 00:55:02,533 FROM THIS MOMENT FORTH, 1280 00:55:02,567 --> 00:55:04,733 YOU ARE GOING TO HAVE TO MAKE RELATIONSHIPS 1281 00:55:04,767 --> 00:55:07,967 WITH PEOPLE WHO LOVE YOU FOR YOURSELF, 1282 00:55:08,067 --> 00:55:10,067 NOT YOUR MONEY. 1283 00:55:11,933 --> 00:55:13,767 YOU'RE NOT SERIOUS. 1284 00:55:13,800 --> 00:55:15,933 THIS IS GOING TO TURN YOUR LIFE AROUND, DARLING. 1285 00:55:15,967 --> 00:55:18,167 YOU'RE SUCH A WONDERFUL GIRL, 1286 00:55:18,200 --> 00:55:20,400 SUCH A BEAUTIFUL GIRL. 1287 00:55:20,433 --> 00:55:23,800 YOU HAVE SUCH A SURPRISINGLY KIND HEART. 1288 00:55:23,833 --> 00:55:25,633 YOU NEED TO KNOW 1289 00:55:25,667 --> 00:55:30,100 THAT PEOPLE LOVE YOU EVEN IF YOU ARE PENNILESS. 1290 00:55:39,867 --> 00:55:42,167 IT WAS WONDERFUL TO MEET YOU, HELENA. 1291 00:55:42,200 --> 00:55:45,167 I LOOK FORWARD TO GETTING TO KNOW YOU BETTER. 1292 00:55:45,200 --> 00:55:48,433 THANK YOU. THANK YOU, MY DEAR. 1293 00:55:50,833 --> 00:55:53,067 [ALICE]: WOW. GO, MARILYN. 1294 00:56:01,500 --> 00:56:02,900 IT'S OKAY. IT'S OKAY. 1295 00:56:05,567 --> 00:56:06,767 [WHISPERING]: I CANNOT BELIEVE 1296 00:56:06,800 --> 00:56:07,867 WHAT PEGGY DID. 1297 00:56:07,900 --> 00:56:09,700 THAT WAS SO... 1298 00:56:09,733 --> 00:56:11,467 I DON'T KNOW HOW SHE'S GOING TO MAKE IT. 1299 00:56:11,500 --> 00:56:12,867 DID YOU SEE THE LOOK ON HER FACE? 1300 00:56:12,900 --> 00:56:14,267 SHE LOOKED LIKE A LITTLE GIRL. 1301 00:56:14,300 --> 00:56:15,667 IT WAS CRAZY. 1302 00:56:17,233 --> 00:56:18,933 [FULL VOICE]: WHERE IS SHE? 1303 00:56:18,967 --> 00:56:20,167 WHERE ARE THEY? 1304 00:56:20,200 --> 00:56:22,567 I DON'T KNOW. OUT? 1305 00:56:24,733 --> 00:56:25,867 WHAT'S THAT? 1306 00:56:25,900 --> 00:56:28,467 "EVERYTHING WAS FINE WITH THE LITTLE ONE. 1307 00:56:28,500 --> 00:56:29,967 "WE READ HER FAVORITE BOOK 1308 00:56:30,067 --> 00:56:32,700 UNTIL HER OTHER MOTHER CAME FOR HER." 1309 00:56:32,733 --> 00:56:35,700 FUCK YOU, BETTE. 1310 00:56:35,733 --> 00:56:37,133 BETTE, IT'S TINA. 1311 00:56:37,167 --> 00:56:38,667 THIS IS NOT OKAY. 1312 00:56:38,700 --> 00:56:40,933 THIS IS NOT YOUR NIGHT WITH ANGELICA. 1313 00:56:40,967 --> 00:56:42,367 DO YOU UNDERSTAND? 1314 00:56:42,400 --> 00:56:43,767 THIS IS NOT OKAY. 1315 00:56:43,800 --> 00:56:46,200 WHERE THE HELL ARE YOU? 1316 00:56:46,233 --> 00:56:47,800 [FUSSING] 1317 00:56:47,833 --> 00:56:48,933 IT'S OKAY, BABY. 1318 00:56:48,967 --> 00:56:50,500 IT'S OKAY. 1319 00:56:50,533 --> 00:56:52,933 EVERYTHING'S GOING TO BE JUST FINE. 1320 00:56:52,967 --> 00:56:55,500 YEAH, ANGELICA AND MAMA B, 1321 00:56:55,533 --> 00:56:57,233 WE'RE JUST GOING TO GO FOR A LITTLE ADVENTURE 1322 00:56:57,267 --> 00:56:59,200 UNTIL WE FIGURE OUT WHAT TO DO NEXT. 1323 00:56:59,233 --> 00:57:01,167 OKAY? 1324 00:57:01,200 --> 00:57:03,867 IT'S OKAY, SWEETIE. 1325 00:57:03,900 --> 00:57:06,067 [EXHALES] 1326 00:57:06,067 --> 00:57:07,900 [***] 1327 00:57:07,933 --> 00:57:10,567 IT'S OKAY, SWEETIE. 1328 00:57:10,600 --> 00:57:12,200 IT'S GOING TO BE FINE. 1329 00:57:12,233 --> 00:57:15,200 IT'S GOING TO BE FINE. IT'S GOING TO BE FINE. 1330 00:57:15,233 --> 00:57:17,500 * I AM ON A LONELY ROAD 1331 00:57:17,533 --> 00:57:21,867 * AND I AM TRAVELING, TRAVELING TRAVELING, TRAVELING * 1332 00:57:21,900 --> 00:57:25,867 * LOOKING FOR SOMETHING WHAT CAN IT BE? * 1333 00:57:25,900 --> 00:57:29,267 * OH, I HATE YOU SOME I HATE YOU SOME * 1334 00:57:29,300 --> 00:57:32,600 * I LOVE YOU SOME 1335 00:57:32,633 --> 00:57:38,367 * OH, I LOVE YOU WHEN I FORGET ABOUT ME * 1336 00:57:38,400 --> 00:57:41,267 * I WANT TO BE STRONG I WANT TO LAUGH ALONG * 1337 00:57:41,300 --> 00:57:45,100 * I WANT TO BELONG TO THE LIVING * 1338 00:57:45,133 --> 00:57:48,167 * ALIVE, ALIVE I WANT TO GET UP AND JIVE * 1339 00:57:48,200 --> 00:57:49,800 * WANT TO WRECK MY STOCKINGS 1340 00:57:49,833 --> 00:57:51,667 * IN SOME JUKEBOX DIVE 1341 00:57:51,700 --> 00:57:53,533 * DO YOU WANT, DO YOU WANT 1342 00:57:53,567 --> 00:57:55,067 * DO YOU WANT 1343 00:57:55,067 --> 00:57:57,067 * TO DANCE WITH ME, BABY? 1344 00:57:57,067 --> 00:57:59,267 * DO YOU WANT TO TAKE A CHANCE 1345 00:57:59,300 --> 00:58:00,867 * OF MAYBE FINDING 1346 00:58:00,900 --> 00:58:04,767 * SOME SWEET ROMANCE WITH ME, BABY? * 1347 00:58:04,800 --> 00:58:07,467 * WELL, COME ON 1348 00:58:11,100 --> 00:58:17,533 * ALL I REALLY, REALLY WANT OUR LOVE TO DO * 1349 00:58:17,567 --> 00:58:20,067 * IS TO BRING OUT THE BEST IN ME * 1350 00:58:20,067 --> 00:58:22,800 * AND IN YOU, TOO 1351 00:58:22,833 --> 00:58:28,500 * ALL I REALLY, REALLY WANT OUR LOVE TO DO * 1352 00:58:28,533 --> 00:58:31,500 * IS TO BRING OUT THE BEST IN ME * 1353 00:58:31,533 --> 00:58:34,200 * AND IN YOU 1354 00:58:34,233 --> 00:58:37,567 * I WANT TO TALK TO YOU I WANT TO SHAMPOO YOU * 1355 00:58:37,600 --> 00:58:40,900 * I WANT TO RENEW YOU AGAIN AND AGAIN * 1356 00:58:40,933 --> 00:58:44,133 * APPLAUSE, APPLAUSE LIFE IS OUR CAUSE * 1357 00:58:44,167 --> 00:58:45,600 * WHEN I THINK... * 1358 00:58:48,633 --> 00:58:50,467 [***] 1359 00:58:50,500 --> 00:58:51,500 YEAH.