1
00:00:01,461 --> 00:00:03,421
FILLMORE.
I'M ON IT.

2
00:00:13,765 --> 00:00:16,350
[ SIREN WAILS ]

3
00:00:43,836 --> 00:00:45,588
[ SIREN WAILS ]

4
00:01:02,730 --> 00:01:05,233
AND NOW, "FILLMORE."

5
00:01:05,316 --> 00:01:09,695
TODAY'S EPISODE -- "THE SHREDS
FELL LIKE SNOWFLAKES."

6
00:01:12,698 --> 00:01:14,200
HEY, GUYS, CHECK IT.

7
00:01:14,283 --> 00:01:16,035
I FINALLY GOT
THE 500 SIGNATURES

8
00:01:16,119 --> 00:01:18,037
I NEED TO SAVE
CHARMAINE'S FLORIST.

9
00:01:18,121 --> 00:01:20,414
LORENZO,
YOU SAY THE RAIN FOREST?

10
00:01:20,498 --> 00:01:22,166
THAT'S SO
SMACK-A-FACT-ACULAR!

11
00:01:22,250 --> 00:01:25,253
I AM TOTALLY INTO
ENVIRONMENTAL CAUSES.

12
00:01:25,336 --> 00:01:27,004
NOT THE RAIN FOREST, CHERI,

13
00:01:27,088 --> 00:01:30,258
CHARMAINE'S FLORIST --
MY MA'S FLOWER SHOP.

14
00:01:30,341 --> 00:01:33,136
IT WAS SCHEDULED TO BE HIT
BY THE WRECKING BALL TOMORROW,

15
00:01:33,219 --> 00:01:35,304
BUT NOT AFTER I SUBMIT
THESE SIGS TO CITY HALL.

16
00:01:40,810 --> 00:01:41,811
[ DOOR OPENS ]

17
00:01:41,894 --> 00:01:42,812
HELLO?

18
00:01:42,895 --> 00:01:44,981
S-SOMEBODY THERE?

19
00:01:45,898 --> 00:01:47,316
[ RATTLING ]

20
00:01:47,400 --> 00:01:49,110
CHERI?

21
00:01:49,193 --> 00:01:50,403
THAT YOU?

22
00:01:50,486 --> 00:01:53,072
[ BUZZING ]

23
00:01:53,156 --> 00:01:55,283
AAH!

24
00:01:56,284 --> 00:01:57,326
[ GASPS ]

25
00:01:57,410 --> 00:01:59,620
AY, MAMACITA.

26
00:01:59,704 --> 00:02:01,914
AY, MAMACITA.

27
00:02:01,998 --> 00:02:03,958
AY, MAMACITA.

28
00:02:04,041 --> 00:02:06,335
YOUR MAMA SAT ON WHAT?

29
00:02:06,419 --> 00:02:08,629
EN INGLéS, POR FAVOR.

30
00:02:10,298 --> 00:02:11,883
[ SHUTTER CLICKS ]

31
00:02:15,678 --> 00:02:16,971
WHAT DO WE GOT?

32
00:02:17,054 --> 00:02:18,723
LORENZO AMADOR.

33
00:02:18,806 --> 00:02:21,058
HAD A PETITION
TO SAVE HIS MOM'S FLOWER SHOP.

34
00:02:21,142 --> 00:02:23,895
CLAIMS A HOODED FIGURE PUSHED
HIM DOWN, GRABBED HIS PETITION,

35
00:02:23,978 --> 00:02:26,105
AND SHREDDED IT IN A PORTABLE
PAPER SHREDDER.

36
00:02:26,189 --> 00:02:28,900
LORENZO, I'LL NEED YOU TO SIGN
YOUR WRITTEN STATEMENT.

37
00:02:28,983 --> 00:02:31,569
[ CRYING ]

38
00:02:31,652 --> 00:02:33,613
MI CORAZóN!

39
00:02:33,696 --> 00:02:35,281
YOU THINKING
WHAT I'M THINKING?

40
00:02:35,364 --> 00:02:37,783
WE GOT A SERIAL SHREDDER
ON OUR HANDS.

41
00:02:37,867 --> 00:02:40,912
GINA ABBOTT'S
ORIGAMI WINDOW DISPLAY --

42
00:02:40,995 --> 00:02:44,665
VICIOUSLY SHREDDED LAST MONDAY
FOR NO OBVIOUS REASON.

43
00:02:45,666 --> 00:02:48,711
YESTERDAY'S ATTACK
CONFIRMS WE'RE DEALING
WITH A SERIAL SHREDDER,

44
00:02:48,794 --> 00:02:50,421
SOMEONE WHO'S PREYING
ON STUDENTS

45
00:02:50,504 --> 00:02:52,131
AND SHREDDING
THEIR PET PROJECTS.

46
00:02:52,215 --> 00:02:54,175
FORENSIC EVIDENCE
INDICATES

47
00:02:54,258 --> 00:02:57,136
THAT THE PERP'S INSTRUMENT OF
CHOICE IS THE SHREDDY MAX 450,

48
00:02:57,220 --> 00:02:59,305
SOLD IN ANY
OFFICE-SUPPLY STORE.

49
00:02:59,388 --> 00:03:00,932
TO MAKE THINGS EVEN TOUGHER,

50
00:03:01,015 --> 00:03:02,767
NEITHER VICTIM
GOT A GOOD LOOK AT THE PERP.

51
00:03:02,850 --> 00:03:04,268
BUT FEAR NOT.

52
00:03:04,352 --> 00:03:06,854
AFTER TALKING TO THE VICTIMS
AND FILLING IN THE BLANKS,

53
00:03:06,938 --> 00:03:09,148
USING MY ARTISTIC
AND CRIME-FIGHTING GIFTS,

54
00:03:09,232 --> 00:03:12,109
I HAVE PUT TOGETHER A DETAILED
SKETCH OF THE SHREDDER.

55
00:03:12,193 --> 00:03:13,819
BEHOLD!

56
00:03:13,903 --> 00:03:16,530
OKAY, WHAT THE HECK
IS THAT?

57
00:03:16,614 --> 00:03:18,449
UH, NO OFFENSE, DANNY,

58
00:03:18,532 --> 00:03:22,286
BUT THAT KIND OF
LOOKS LIKE TIGER WOODS
ON A VERY BAD MORNING.

59
00:03:22,370 --> 00:03:24,789
OH, YEAH,
AND THAT'S HIS ELBOW.

60
00:03:24,872 --> 00:03:28,042
AT LEAST, I HOPE
THAT'S HIS ELBOW.

61
00:03:28,125 --> 00:03:30,127
[ SIGHS ]
LISTEN UP, PEOPLE.

62
00:03:30,211 --> 00:03:32,546
WE GOT NO SUSPECTS,
NO MOTIVES,

63
00:03:32,630 --> 00:03:35,591
AND NO IDEA WHERE
THE SHREDDER'S GONNA HIT NEXT.

64
00:03:35,675 --> 00:03:36,926
WE NEED ANSWERS.

65
00:03:37,009 --> 00:03:38,469
LET'S SEE...

66
00:03:38,552 --> 00:03:40,596
THINGS I LIKE TO SEE SHREDDED --

67
00:03:40,680 --> 00:03:42,473
BEEF,
FOR LOOSE-BEEF SANDWICHES,

68
00:03:42,556 --> 00:03:44,850
ANY PAPERWORK DOCUMENTING
MY WEIGHT OR AGE,

69
00:03:44,934 --> 00:03:46,602
OH, AND ONE OTHER THING --

70
00:03:46,686 --> 00:03:49,438
YOUR BADGE IF YOU DON'T START
SHOWING SOME RESULTS!

71
00:03:49,522 --> 00:03:52,275
I GOT MY BEST OFFICERS ON IT,
BUT WE NEED HELP.

72
00:03:52,358 --> 00:03:54,568
WE NEED SOMEONE
WHO CAN TAKE OUR EVIDENCE

73
00:03:54,652 --> 00:03:56,779
AND USE IT TO GET
INTO THIS GUY'S HEAD,

74
00:03:56,862 --> 00:03:59,115
FIGURE OUT WHY HE'S DOING
WHAT HE'S DOING.

75
00:03:59,198 --> 00:04:00,783
ARE YOU SAYING
YOU NEED A PROFILER?

76
00:04:00,866 --> 00:04:03,703
NOT JUST ANY PROFILER --
FRANK BISHOP.

77
00:04:03,786 --> 00:04:06,539
I DON'T WANT THAT KID
ANYWHERE NEAR THIS CASE.

78
00:04:06,622 --> 00:04:09,500
YOU KNOW AS WELL AS I DO
FRANK BISHOP IS TROUBLE.

79
00:04:09,583 --> 00:04:11,127
FRANK BISHOP'S ALSO THE BEST.

80
00:04:11,210 --> 00:04:13,421
HE'S OUR ONLY CHANCE
OF STOPPING THIS GUY.

81
00:04:13,504 --> 00:04:14,588
WE NEED HIM.

82
00:04:14,672 --> 00:04:16,257
NO, YOU NEED HIM.

83
00:04:16,340 --> 00:04:17,842
WHAT I NEED IS A STYLIST

84
00:04:17,925 --> 00:04:21,053
WHO DOESN'T MAKE MY HAIR
LOOK LIKE A PITH HELMET.

85
00:04:21,137 --> 00:04:24,390
HEY, YOU WANT TO ROLL THE DICE
WITH YOUR CAREER,

86
00:04:24,473 --> 00:04:26,017
ROLL THOSE DICE, DUTCH.

87
00:04:26,100 --> 00:04:28,060
JUST REMEMBER
WHAT'S AT STAKE HERE --

88
00:04:28,144 --> 00:04:30,438
YOUR SECOND TERM
AS JUNIOR COMMISSIONER.

89
00:04:30,521 --> 00:04:32,898
HEY, FILLMORE, INGRID,

90
00:04:32,982 --> 00:04:35,067
WE NEED TO TALK.
SURE.

91
00:04:35,151 --> 00:04:38,029
HEY, CONGRATS ON YOUR SECOND
TERM AS JUNIOR COMMISH.

92
00:04:38,112 --> 00:04:39,822
I HEAR IT'S A DONE DEAL.

93
00:04:39,905 --> 00:04:42,450
NOT YET. I GOT TO APPEAR BEFORE
THE SCHOOL BOARD ON FRIDAY.

94
00:04:42,533 --> 00:04:44,368
THEY'LL REVIEW MY RECORD
AND DECIDE

95
00:04:44,452 --> 00:04:46,620
WHETHER I'M WORTHY
OF SERVING A SECOND TERM.

96
00:04:46,704 --> 00:04:49,206
THE THING IS, IF THE SHREDDER
ISN'T CAUGHT BY THEN...

97
00:04:49,290 --> 00:04:50,374
WHAT DO YOU WANT US
TO DO?

98
00:04:50,458 --> 00:04:51,876
FRANK BISHOP --

99
00:04:51,959 --> 00:04:54,920
THE BEST PROFILER
THE SAFETY PATROL EVER HAD.

100
00:04:55,004 --> 00:04:57,506
HE CAN IDENTIFY WHAT
A PERP ATE FOR BREAKFAST

101
00:04:57,590 --> 00:04:59,592
JUST BY LOOKING
AT HIS SHOE PRINTS.

102
00:04:59,675 --> 00:05:02,303
SO, WHAT HAPPENED TO HIM?
WHY DID HE LEAVE THE FORCE?

103
00:05:02,386 --> 00:05:04,555
BACK IN THE 7th GRADE,
SOMETHING WENT DOWN --

104
00:05:04,638 --> 00:05:05,723
SOMETHING UGLY.

105
00:05:05,806 --> 00:05:07,516
IT WAS BEFORE I WAS CHIEF.

106
00:05:07,600 --> 00:05:09,352
ME AND FRANK WERE PARTNERS.

107
00:05:09,435 --> 00:05:11,729
WE HAD SPENT MONTHS TRYING
TO NAB THE MASTERMIND

108
00:05:11,812 --> 00:05:14,023
BEHIND
A WEIGHTED-BINGO-BALL SCAM.

109
00:05:14,106 --> 00:05:16,859
HIS NAME -- CHACHI FRESNO.

110
00:05:16,942 --> 00:05:19,153
WE FINALLY GOT THE EVIDENCE
TO TAKE HIM DOWN,

111
00:05:19,236 --> 00:05:20,780
BUT HE BOLTED.

112
00:05:20,863 --> 00:05:24,450
WE CHASED HIM INTO THE KITCHEN,
AND FRANK CAUGHT HIM...

113
00:05:24,533 --> 00:05:28,037
BY DUMPING A VAT OF GAZPACHO
ON HIM.

114
00:05:31,290 --> 00:05:34,543
TURNS OUT CHACHI
WAS ALLERGIC TO GAZPACHO.

115
00:05:34,627 --> 00:05:37,755
CHACHI'S PARENTS WERE GONNA
SUE THE PANTS OFF FOLSOM

116
00:05:37,838 --> 00:05:40,841
UNLESS FRANK STEPPED DOWN,
SO THAT'S WHAT HE DID,

117
00:05:40,925 --> 00:05:42,718
AND HE HASN'T PROFILED SINCE.

118
00:05:45,388 --> 00:05:46,555
GO TO FRANK.

119
00:05:46,639 --> 00:05:48,891
CONVINCE HIM TO JOIN
THE INVESTIGATION.

120
00:05:48,974 --> 00:05:50,935
A LOT'S RIDING
ON THIS CASE --

121
00:05:51,018 --> 00:05:52,728
FOR THE SCHOOL,
FOR FRANK,

122
00:05:52,812 --> 00:05:53,979
AND FOR ME.

123
00:05:54,063 --> 00:05:56,607
BEFORE I TAKE YOU IN
TO SEE MY BROTHER,

124
00:05:56,690 --> 00:05:58,192
I SHOULD WARN YOU,

125
00:05:58,275 --> 00:06:01,112
FRANK'S NOT THE SAME PERSON
HE WAS IN 7th GRADE.

126
00:06:01,195 --> 00:06:02,780
DID HE CARVE
ALL THESE SCULPTURES?

127
00:06:02,863 --> 00:06:05,116
OH, NO, THE ICE GARDEN'S
MY HOBBY.

128
00:06:05,199 --> 00:06:07,118
I TURNED THE WHOLE THING
INTO A BUSINESS

129
00:06:07,201 --> 00:06:09,078
BY CHARGING $10 A POP
FOR GUIDED TOURS,

130
00:06:09,161 --> 00:06:10,871
BUT FOR YOU TWO,
IT'S ON THE HOUSE.

131
00:06:10,955 --> 00:06:11,956
THANKS.

132
00:06:12,039 --> 00:06:13,791
SO, UH,
WHAT'S UP WITH FRANK?

133
00:06:13,874 --> 00:06:17,086
WELL, AT FIRST, I WAS THRILLED
HE TOOK TO HIS BED --

134
00:06:17,169 --> 00:06:19,880
NO MORE FIGHTING
OVER THE REMOTE, YOU KNOW?

135
00:06:19,964 --> 00:06:22,049
BUT NOW,
IT'S JUST KIND OF SAD.

136
00:06:22,133 --> 00:06:23,300
GOOD LUCK.

137
00:06:23,384 --> 00:06:25,136
LORENZO AND GINA ARE MY FRIENDS.

138
00:06:25,219 --> 00:06:27,721
I'D HATE TO SEE
ANYONE ELSE GET HURT.

139
00:06:27,805 --> 00:06:29,557
FRANK, IT'S FRANCINE.

140
00:06:29,640 --> 00:06:31,225
YOU HAVE VISITORS.

141
00:06:39,567 --> 00:06:40,943
CRACKERS.

142
00:06:41,026 --> 00:06:43,654
FILLMORE, CHECK IT.

143
00:06:48,200 --> 00:06:49,452
[ TOILET FLUSHES ]

144
00:06:49,535 --> 00:06:50,619
[ DOOR OPENS ]

145
00:06:53,330 --> 00:06:55,207
WHO IN THE WHOOSIS
ARE YOU?

146
00:06:55,291 --> 00:06:56,959
WE'RE OFFICERS FILLMORE
AND THIRD

147
00:06:57,042 --> 00:06:58,461
FROM X MIDDLE SCHOOL'S
SAFETY PATROL.

148
00:06:58,544 --> 00:07:00,337
NICE PLACE YOU GOT HERE.

149
00:07:00,421 --> 00:07:02,923
WELL, IT'S KIND OF
HARD TO AFFORD A MAID
WITHOUT AN ALLOWANCE.

150
00:07:03,007 --> 00:07:04,300
WHAT DO YOU WANT FROM ME?

151
00:07:04,383 --> 00:07:05,593
JUNIOR COMMISSIONER
VALLEJO --

152
00:07:05,676 --> 00:07:07,303
JUNIOR COMMISSIONER!

153
00:07:07,386 --> 00:07:11,015
WELL, WELL, SOUNDS LIKE OLD
VALLEJO'S DONE GOOD FOR HIMSELF.

154
00:07:11,098 --> 00:07:14,518
AND HE SENT YOU HERE
BECAUSE...

155
00:07:14,602 --> 00:07:16,395
WE NEED YOUR HELP
WITH A CASE --

156
00:07:16,479 --> 00:07:17,771
THE SHREDDER.

157
00:07:17,855 --> 00:07:19,857
AND YOU'D LIKE ME
TO TRACK HIM DOWN FOR YOU.

158
00:07:19,940 --> 00:07:21,609
WELL, CERTAINLY.

159
00:07:21,692 --> 00:07:25,237
IN FACT, I CAN TELL
JUST FROM THESE PHOTOS
WHO THE SHREDDER IS.

160
00:07:25,321 --> 00:07:28,199
GEORGE COTTON-PICKING
WASHINGTON!

161
00:07:28,282 --> 00:07:31,118
NOW STOP BARKING UP MY CHERRY
TREE AND SCRAM ALREADY!

162
00:07:33,871 --> 00:07:35,206
YOU KNOW,

163
00:07:35,289 --> 00:07:36,707
THERE ARE PEOPLE OUT THERE

164
00:07:36,790 --> 00:07:38,501
WHO THINK YOU'RE
BETTER THAN THIS,

165
00:07:38,584 --> 00:07:40,503
PEOPLE WHO THINK
YOU DESERVE ANOTHER CHANCE.

166
00:07:40,586 --> 00:07:42,421
AFTER TALKING TO YOU
JUST NOW,

167
00:07:42,505 --> 00:07:44,798
MAN, I CAN'T SAY
THAT I'M ONE OF THEM.

168
00:07:46,800 --> 00:07:50,554
HEY, IF YOU THINK THIS IS
ALL ABOUT PAPER, YOU'RE WRONG.

169
00:07:50,638 --> 00:07:52,389
THE SHREDDER ISN'T
GONNA BE SATISFIED

170
00:07:52,473 --> 00:07:54,308
SHREDDING PROJECTS
MADE OF PLAIN PAPER.

171
00:07:54,391 --> 00:07:57,144
HE'S WORKING HIS WAY UP
TO PAPIER-MâCHé,

172
00:07:57,228 --> 00:07:58,646
MAYBE EVEN DECOUPAGE.

173
00:07:58,729 --> 00:08:00,898
PROJECTS...
PAPIER-MâCHé...

174
00:08:00,981 --> 00:08:02,149
FILLMORE.

175
00:08:02,233 --> 00:08:03,609
THE SCIENCE FAIR.

176
00:08:03,692 --> 00:08:04,693
DISCO!

177
00:08:05,694 --> 00:08:06,695
GOLLIES!

178
00:08:06,779 --> 00:08:08,113
I HAVE ANOTHER SKETCH.

179
00:08:08,197 --> 00:08:11,283
BEHOLD...THE SHREDDER!

180
00:08:11,367 --> 00:08:16,038
IT, UH, KIND OF LOOKS LIKE
AN OYSTER...WITHOUT THE SHELL.

181
00:08:16,121 --> 00:08:17,998
WAIT A MINUTE,
FILLMORE.

182
00:08:18,082 --> 00:08:21,544
ARE YOU TELLING ME THAT THE PERP
IS SOME KIND OF MUTANT OYSTER?

183
00:08:21,627 --> 00:08:24,797
NO.
NO, DANNY, I'M NOT.

184
00:08:24,880 --> 00:08:26,090
OKAY.

185
00:08:26,173 --> 00:08:27,800
CARRY ON.

186
00:08:27,883 --> 00:08:31,845
FILLMORE, I THINK I GOT
SOMETHING -- 2:00.

187
00:08:33,430 --> 00:08:35,766
IT'S GO TIME.
COVER ME.

188
00:08:35,849 --> 00:08:37,393
HOLD UP.

189
00:08:37,476 --> 00:08:38,519
SAFETY PATROL.

190
00:09:04,920 --> 00:09:07,381
FILLMORE, BEHIND YOU!

191
00:09:31,614 --> 00:09:33,616
MOVE ASIDE!

192
00:09:51,091 --> 00:09:52,968
THANKS
FOR CHANGING YOUR MIND.

193
00:09:53,052 --> 00:09:55,346
I'M NOT SO BIG
ON THE WHOLE FUDGE DEAL.

194
00:09:55,429 --> 00:09:56,805
LET'S GET ONE THING CLEAR --

195
00:09:56,889 --> 00:09:58,807
I GOT NO LOVE
FOR THE SAFETY PATROL,

196
00:09:58,891 --> 00:10:00,309
BUT WHAT YOU SAID BEFORE,

197
00:10:00,392 --> 00:10:03,187
ABOUT INNOCENT PEOPLE
GETTING HURT --

198
00:10:03,270 --> 00:10:05,189
I CAN'T STAND BY
AND LET THAT HAPPEN.

199
00:10:05,272 --> 00:10:07,107
AAAAH!

200
00:10:07,191 --> 00:10:10,611
MY HALLEY'S COMET DIORAMA --
SHREDDED!

201
00:10:10,694 --> 00:10:11,779
SHREDDED!

202
00:10:11,862 --> 00:10:15,366
AAH!
[ SOBBING ]

203
00:10:16,742 --> 00:10:19,328
LOOKS LIKE THE SHREDDER
WAS ONE STEP AHEAD OF US.

204
00:10:19,411 --> 00:10:20,579
WHAT ABOUT THE VICTIM?

205
00:10:20,663 --> 00:10:22,414
BERNICE BEACHMONT --

206
00:10:22,498 --> 00:10:25,459
HER HALLEY'S COMET DIORAMA MADE
OF PAPIER-MâCHé AND PLASTIC --

207
00:10:25,542 --> 00:10:26,877
SHREDDED TO PIECES.

208
00:10:26,960 --> 00:10:29,129
I'LL NEED YOU
TO SIGN THIS STATEMENT.

209
00:10:29,213 --> 00:10:32,758
I PUT MONTHS OF BLOOD,
SWEAT, AND MODEL GLUE
INTO THAT DIORAMA.

210
00:10:32,841 --> 00:10:34,885
I NEEDED IT TO PASS SCIENCE.

211
00:10:34,968 --> 00:10:38,389
OH, MERCY, MERCY!

212
00:10:38,472 --> 00:10:41,058
DON'T WORRY.
WE'RE GONNA FIND
WHOEVER DID THIS.

213
00:10:41,141 --> 00:10:42,226
FRANK?

214
00:10:42,309 --> 00:10:44,645
IT'S, UH, GOOD TO SEE YOU.

215
00:10:44,728 --> 00:10:45,896
YOU LOOK --

216
00:10:45,979 --> 00:10:46,939
VALLEJO!

217
00:10:47,022 --> 00:10:49,775
I TOLD YOU
FRANK WAS TROUBLE.

218
00:10:49,858 --> 00:10:51,527
THANKS TO THIS
LITTLE FIASCO OF HIS,

219
00:10:51,610 --> 00:10:53,237
THE SHREDDER'S STILL
ON THE LOOSE,

220
00:10:53,320 --> 00:10:54,738
AND MY $90 TINT-AND-CURL

221
00:10:54,822 --> 00:10:56,365
IS STILL ONLY HALF TINTED
AND HALF CURLED.

222
00:10:56,448 --> 00:10:58,742
WHAT HAPPENED HERE
WASN'T FRANK'S FAULT.

223
00:10:58,826 --> 00:11:00,202
IT WASN'T ANYBODY'S.

224
00:11:00,285 --> 00:11:02,496
FRANK'S AN ASSET
TO THIS INVESTIGATION.

225
00:11:02,579 --> 00:11:06,542
HEY, IT'S YOUR JOB
ON THE LINE, NOT MINE.

226
00:11:06,625 --> 00:11:08,335
GOOD LUCK AT THAT HEARING
ON FRIDAY.

227
00:11:08,419 --> 00:11:09,586
YOU'LL NEED IT.

228
00:11:10,504 --> 00:11:13,298
VALLEJO, I SHOULD THANK YOU
FOR SAVING MY HIDE.

229
00:11:13,382 --> 00:11:15,551
HEY, FORGET ABOUT IT.
I MEAN, AFTER ALL, I --

230
00:11:15,634 --> 00:11:18,220
YOU WERE JUST SAVING
YOUR OWN HIDE -- I KNOW.

231
00:11:18,303 --> 00:11:20,264
NICE TO SEE
NOTHING'S CHANGED.

232
00:11:22,057 --> 00:11:24,643
HERE AT X,
A SERIAL CRIMINAL'S FIRST VICTIM

233
00:11:24,727 --> 00:11:27,062
IS USUALLY SOMEONE
OF THE SAME GENDER.

234
00:11:27,146 --> 00:11:28,605
GINA ABBOTT IS FEMALE,

235
00:11:28,689 --> 00:11:30,733
AND JUDGING BY THE PRECISION
OF THE ATTACK,

236
00:11:30,816 --> 00:11:33,193
IT'S POSSIBLE THE SHREDDER
HAD THE HELP OF FRIENDS.

237
00:11:33,277 --> 00:11:34,903
ALSO, THE ANGLE OF THE SHRED

238
00:11:34,987 --> 00:11:37,489
SWITCHES DIRECTIONS
FROM CRIME TO CRIME.

239
00:11:37,573 --> 00:11:40,075
THAT MEANS THE SHREDDER
ISN'T RIGHT- OR LEFT-HANDED.

240
00:11:40,159 --> 00:11:41,869
SHE CAN SHRED WITH BOTH.

241
00:11:41,952 --> 00:11:44,246
THERE'S NOTHING TO BE GAINED
BY COMMITTING THESE SHREDS,

242
00:11:44,329 --> 00:11:46,498
WHICH MEANS THESE
ARE CRIMES OF PASSION.

243
00:11:46,582 --> 00:11:49,042
I'M GUESSING REVENGE,
RESENTMENT -- MAYBE BOTH.

244
00:11:49,126 --> 00:11:51,795
I JUST FINISHED BACKGROUND
CHECKS ON THE VICTIMS.

245
00:11:51,879 --> 00:11:54,381
ALL THREE OF THEM
HAVE ACTED IN SCHOOL PLAYS.

246
00:11:54,465 --> 00:11:57,926
♪ I'VE WALKED DOWN
THROUGH THE HALLOWED HALL ♪

247
00:11:58,010 --> 00:12:00,763
♪ THIS TIME, TOGETHER,
I PUT IT ALL ♪

248
00:12:00,846 --> 00:12:03,849
♪ MY TIME, I AM A -- ♪

249
00:12:03,932 --> 00:12:05,601
PRINCIPAL!

250
00:12:05,684 --> 00:12:07,394
TAKE FIVE.

251
00:12:07,478 --> 00:12:08,687
[ WHISPERING INDISTINCTLY ]

252
00:12:08,771 --> 00:12:10,355
SWEET GEORGIA PEACHES,

253
00:12:10,439 --> 00:12:12,858
I AM SO GLAD
WE BOUGHT THIS CHAIR.

254
00:12:13,859 --> 00:12:15,903
ALL RIGHT, PEOPLE,
EARS OPEN.

255
00:12:15,986 --> 00:12:18,280
SAFETY PATROL
HAS AN ANNOUNCEMENT.

256
00:12:18,363 --> 00:12:19,782
WE HAVE REASON TO BELIEVE

257
00:12:19,865 --> 00:12:21,408
THE SHREDDER MAY BE GOING
AFTER ACTORS.

258
00:12:21,492 --> 00:12:24,119
WE ASK THAT YOU STICK TOGETHER
AND ACT CAUTIOUSLY

259
00:12:24,203 --> 00:12:26,830
IF SOMEONE YOU DON'T KNOW
TRIES TO APPROACH YOU.

260
00:12:26,914 --> 00:12:28,707
I GOT A "BREAK A LEG"
BOUQUET

261
00:12:28,791 --> 00:12:31,460
THAT'S SUPPOSED TO BE
DELIVERED TO THIS ADDRESS.

262
00:12:31,543 --> 00:12:32,961
MUMS ARE MY FAVORITE.

263
00:12:33,045 --> 00:12:35,172
TOO BAD,
'CAUSE IT'S FOR ME.

264
00:12:35,255 --> 00:12:38,550
LIKE SOMEONE WOULD ACTUALLY
SEND A BOUQUET TO THE CHORUS.

265
00:12:38,634 --> 00:12:40,636
Ingrid, Fillmore,
it's Tehama.

266
00:12:40,719 --> 00:12:42,387
I think I found something.

267
00:12:43,388 --> 00:12:44,515
CHECK IT OUT.

268
00:12:44,598 --> 00:12:46,350
THE VOLCANO'S
DETONATION SWITCH --

269
00:12:46,433 --> 00:12:48,477
THE TIMER WAS TAMPERED WITH
EARLIER IN THE DAY.

270
00:12:48,560 --> 00:12:50,771
IT SHOULDN'T HAVE GONE OFF
WHEN IT DID.

271
00:12:50,854 --> 00:12:53,565
PLUS, SOMEBODY FILLED
IT WITH THREE TIMES
THE SCHOOL'S LAVA LIMIT.

272
00:12:53,649 --> 00:12:55,734
THE SHREDDER
KNEW WE WERE COMING.

273
00:12:55,818 --> 00:12:58,487
WHO COULD HAVE KNOWN ABOUT
THE STAKEOUT AHEAD OF TIME?

274
00:12:58,570 --> 00:13:02,157
JUST THE SAFETY PATROL...
AND FRANK BISHOP.

275
00:13:02,241 --> 00:13:05,035
ACCORDING TO HIS FILE,
FRANK WAS A GREAT STUDENT,

276
00:13:05,118 --> 00:13:07,788
HAD LOTS OF FRIENDS,
AND WAS IN LOTS OF CLUBS,

277
00:13:07,871 --> 00:13:10,958
BUT EVERYTHING NOSE-DIVED
AFTER LEAVING THE FORCE.

278
00:13:11,041 --> 00:13:13,293
INGRID, WITHOUT
THE SAFETY PATROL,

279
00:13:13,377 --> 00:13:15,212
HIS LIFE LOST ALL PURPOSE.

280
00:13:15,295 --> 00:13:17,172
CRACKERS!
IT'S A GOOD ANGLE.

281
00:13:17,256 --> 00:13:20,342
HE CREATES THE SHREDDER,
GETS TO START PROFILING AGAIN,

282
00:13:20,425 --> 00:13:22,553
WHAM --
INSTANT PURPOSE.

283
00:13:22,636 --> 00:13:24,471
NO WAY FRANK'S BEHIND THIS.

284
00:13:24,555 --> 00:13:27,391
VALLEJO,
IT'S A POSSIBILITY, MAN.

285
00:13:27,474 --> 00:13:30,060
YOU GUYS DON'T KNOW FRANK
LIKE I KNOW FRANK.

286
00:13:30,143 --> 00:13:32,521
HE'S A GOOD GUY
WHO WOULDN'T HURT A FLY,

287
00:13:32,604 --> 00:13:34,982
SO UNTIL YOU SHOW ME EVIDENCE
TO THE CONTRARY,

288
00:13:35,065 --> 00:13:36,900
DROP IT AND LEAVE HIM ALONE.

289
00:13:36,984 --> 00:13:38,485
IT'S A GOOD LEAD,
VALLEJO.

290
00:13:38,569 --> 00:13:39,695
DUDE, WHAT'S UP?

291
00:13:39,778 --> 00:13:41,572
WHY WON'T YOU LET US
FOLLOW IT?

292
00:13:41,655 --> 00:13:44,241
BECAUSE I MESSED UP
HIS LIFE ONCE.

293
00:13:44,324 --> 00:13:46,159
I'M NOT GONNA DO IT AGAIN.

294
00:13:46,243 --> 00:13:48,328
AFTER THE GAZPACHO INCIDENT,

295
00:13:48,412 --> 00:13:50,956
FOLSOM KICKED FRANK
OFF THE FORCE.

296
00:13:51,039 --> 00:13:52,666
AND WHAT DID I DO?

297
00:13:52,749 --> 00:13:54,668
I AVOIDED FRANK
LIKE THE PLAGUE.

298
00:13:54,751 --> 00:13:57,170
HE EXPECTED ME
TO COME TO HIS DEFENSE,

299
00:13:57,254 --> 00:13:59,506
AND INSTEAD,
I HUNG HIM OUT TO DRY.

300
00:13:59,590 --> 00:14:01,425
I WAS UP
FOR JUNIOR COMMISSIONER,

301
00:14:01,508 --> 00:14:03,552
AND I DIDN'T WANT TO IMPLICATE
MYSELF IN THE SCANDAL.

302
00:14:03,635 --> 00:14:07,097
I WAS SELFISH --
SELFISH AND STUPID.

303
00:14:07,180 --> 00:14:09,683
IF THERE'S EVIDENCE
INCRIMINATING FRANK,

304
00:14:09,766 --> 00:14:11,143
WE GOT TO FIND IT FAST.

305
00:14:11,226 --> 00:14:12,811
VALLEJO'S HEARING
IS TOMORROW.

306
00:14:12,895 --> 00:14:14,354
MAYBE THERE'S SOMETHING
WE MISSED IN --

307
00:14:14,438 --> 00:14:15,522
MY FILE?

308
00:14:15,606 --> 00:14:17,024
DON'T WASTE YOUR TIME.

309
00:14:17,107 --> 00:14:19,067
I WAS THE SAFETY PATROL
SCAPEGOAT ONCE.

310
00:14:19,151 --> 00:14:20,652
I WON'T BE IT AGAIN.

311
00:14:20,736 --> 00:14:22,529
I'M OFF THE CASE.

312
00:14:23,530 --> 00:14:25,157
[ SLAMS ]

313
00:14:31,663 --> 00:14:34,708
SO, THIS IS HOW
YOU SPEND YOUR AFTERNOONS?

314
00:14:34,791 --> 00:14:38,670
BEATS PLAYING A PUNCHING BAG
FOR A BUNCH OF CLUELESS CLODS.

315
00:14:42,174 --> 00:14:43,425
TWO-PLAYER?

316
00:14:43,508 --> 00:14:45,093
SUIT YOURSELF.

317
00:14:45,177 --> 00:14:47,262
HOW DO YOU KNOW FILLMORE
AND THIRD AREN'T RIGHT?

318
00:14:47,346 --> 00:14:49,348
HOW DO YOU KNOW
I'M NOT THE SHREDDER?

319
00:14:49,431 --> 00:14:52,225
I DON'T, BUT I'M GIVING YOU
A CHANCE TO CLEAR YOUR NAME.

320
00:14:52,309 --> 00:14:54,269
PROVE TO ME
YOU'RE NOT THE SHREDDER.

321
00:14:54,353 --> 00:14:55,687
PROVE IT TO EVERYBODY.

322
00:14:55,771 --> 00:14:57,940
SORRY, VALLEJO.

323
00:14:58,023 --> 00:14:59,900
MY GAME'S OVER.

324
00:14:59,983 --> 00:15:02,945
YOU'RE NOT AFRAID
OF BEING A SCAPEGOAT AGAIN.
YOU'RE AFRAID OF FAILING.

325
00:15:03,028 --> 00:15:05,113
IN HERE, NO ONE SEES
YOU SCREW UP,

326
00:15:05,197 --> 00:15:06,782
BUT OUT THERE,
EVERYBODY SEES,

327
00:15:06,865 --> 00:15:08,784
AND THERE AIN'T
NO "RESET" BUTTON.

328
00:15:08,867 --> 00:15:13,455
THE THING IS, FRANK, YOU WALK
AWAY, YOU'VE ALREADY FAILED.

329
00:15:13,538 --> 00:15:14,957
THIS ISN'T A TOUGH DECISION.

330
00:15:15,040 --> 00:15:17,167
YOU WANT TO DO IT,
I WANT YOU TO DO IT.

331
00:15:17,250 --> 00:15:18,627
COME ON, FRANK.

332
00:15:18,710 --> 00:15:20,629
IT'S AS EASY AS A-B-C.

333
00:15:20,712 --> 00:15:23,882
VALLEJO, WE NEED
TO GET TO H.Q. NOW.

334
00:15:23,966 --> 00:15:25,342
FIRST, GINA ABBOTT,

335
00:15:25,425 --> 00:15:27,844
THEN LORENZO AMADOR,
THEN BERNICE BEACHMONT.

336
00:15:27,928 --> 00:15:29,221
SNAP!

337
00:15:29,304 --> 00:15:32,140
HE'S HITTING THE DRAMA CLUB
IN ALPHABETICAL ORDER.

338
00:15:32,224 --> 00:15:33,725
EASY AS A-B-C.

339
00:15:33,809 --> 00:15:36,478
I'LL HEAD TO THE AUDITORIUM,
MAKE SURE EVERYBODY'S OKAY.

340
00:15:36,561 --> 00:15:39,314
LET ME BRING UP THE ALPHABETICAL
ROSTER TO SEE WHO'S --

341
00:15:39,398 --> 00:15:40,315
CRACKERS!

342
00:15:40,399 --> 00:15:41,525
FRANCINE?

343
00:15:41,608 --> 00:15:43,652
I DIDN'T KNOW
SHE WAS IN THE DRAMA CLUB.

344
00:15:43,735 --> 00:15:46,279
AND SHE'S GOT THE BIGGEST
PET PROJECT OF ALL --

345
00:15:46,363 --> 00:15:48,573
AN ICE-SCULPTURE GARDEN
IN HER BACKYARD.

346
00:15:48,657 --> 00:15:49,783
WAIT FOR FRANK.

347
00:15:49,866 --> 00:15:51,410
I'LL HEAD
TO THE BISHOP HOUSE,

348
00:15:51,493 --> 00:15:53,578
MAKE SURE FRANCINE
AND HER ICE SCULPTURES ARE OKAY.

349
00:15:56,498 --> 00:15:57,708
HEY, VALLEJO.

350
00:15:57,791 --> 00:15:59,710
LOOK, MAN,
I DON'T LIKE YOU GOING ALONE.

351
00:15:59,793 --> 00:16:01,795
IT SMELLS LIKE A SETUP.
FRANK COULD BE --

352
00:16:01,878 --> 00:16:03,672
AGAIN WITH FRANK?

353
00:16:03,755 --> 00:16:06,550
YOU REALLY THINK HE'D
SHRED HIS OWN SISTER'S
SCULPTURE GARDEN

354
00:16:06,633 --> 00:16:08,844
JUST TO GIVE HIS LIFE
A LITTLE PURPOSE?

355
00:16:08,927 --> 00:16:11,847
A HEARING THAT'S GONNA
DECIDE YOUR FATE AS
JUNIOR COMMISSIONER,

356
00:16:11,930 --> 00:16:13,473
A HEARING THAT
YOU NEED TO BE AT,

357
00:16:13,557 --> 00:16:15,308
STARTS IN TWO HOURS.

358
00:16:15,392 --> 00:16:18,478
WHAT IF IT'S A SETUP
TO TRY AND KEEP YOU
AWAY FROM THAT MEETING?

359
00:16:18,562 --> 00:16:19,604
IT'S NOT.

360
00:16:19,688 --> 00:16:22,024
BUT, MAN, WHAT IF IT IS?

361
00:16:22,107 --> 00:16:24,276
FILLMORE, I'LL BE THERE.

362
00:16:24,359 --> 00:16:25,736
NOW LEAVE IT ALONE.

363
00:16:25,819 --> 00:16:27,779
IT ISN'T YOUR JOB
TO DOUBT MY JUDGMENT.

364
00:16:27,863 --> 00:16:30,991
GOOD, 'CAUSE YOU'RE DOING ENOUGH
DOUBTING FOR THE BOTH OF US.

365
00:16:31,074 --> 00:16:33,952
WHY DON'T YOU STOP TRYING TO
EARN FRANK'S FORGIVENESS?

366
00:16:34,036 --> 00:16:36,621
WHY DON'T YOU START WORKING
ON FORGIVING YOURSELF?

367
00:16:39,624 --> 00:16:41,376
HELLO?

368
00:16:41,460 --> 00:16:43,211
ANYBODY HERE?

369
00:16:47,632 --> 00:16:49,217
REVENGE.

370
00:16:49,301 --> 00:16:50,594
RESENTMENT.

371
00:16:50,677 --> 00:16:52,554
HEIGH-HO.
CAN I HELP YOU?

372
00:16:52,637 --> 00:16:53,889
NO, YOU CAN'T.

373
00:16:53,972 --> 00:16:56,558
IF YOU'LL EXCUSE ME,
I'VE GOT SOME, UH,

374
00:16:56,641 --> 00:16:57,809
BUSINESS TO ATTEND TO.

375
00:16:57,893 --> 00:16:59,561
Ingrid:
YOU JUST LET HIM GO?

376
00:16:59,644 --> 00:17:02,147
I HAD TO. THE ONLY THING
VALLEJO WILL LISTEN TO

377
00:17:02,230 --> 00:17:04,399
IS HARD EVIDENCE,
AND TIME'S RUNNING OUT.

378
00:17:04,483 --> 00:17:06,443
HEY, GUYS, CAME ACROSS
SOME THINGS

379
00:17:06,526 --> 00:17:08,070
YOU MIGHT FIND INTERESTING --

380
00:17:08,153 --> 00:17:10,405
PHONE RECORDS TRACED
FROM FRANK'S HOUSE

381
00:17:10,489 --> 00:17:12,199
TO THE VARIOUS VICTIMS' HOMES.

382
00:17:12,282 --> 00:17:14,785
MAYBE FRANK CALLED TO QUESTION
THEM ABOUT THE SHREDS.

383
00:17:14,868 --> 00:17:16,036
LOOK AT THE DATES.

384
00:17:16,119 --> 00:17:17,579
THESE CALL WERE ALL MADE

385
00:17:17,662 --> 00:17:19,748
ONE DAY BEFORE THE PROJECTS
WERE SHREDDED.

386
00:17:19,831 --> 00:17:23,418
SOMETHING'S NOT RIGHT, AND FRANK
MIGHT BE UP TO THAT SOMETHING.

387
00:17:24,503 --> 00:17:26,505
Vallejo:
YOU AND YOUR GARDEN ARE SAFE.

388
00:17:27,923 --> 00:17:30,258
AFTER I FINISH
SECURING THIS PLACE,

389
00:17:30,342 --> 00:17:32,010
NO ONE'S GETTING IN OR OUT.

390
00:17:32,094 --> 00:17:33,595
SOMETHING ELSE --

391
00:17:33,678 --> 00:17:36,556
BERNICE BEACHMONT WAS GETTING
AN A-PLUS IN SCIENCE.

392
00:17:36,640 --> 00:17:38,600
HER PROJECT
WAS FOR EXTRA CREDIT.

393
00:17:38,683 --> 00:17:41,561
SHE TOLD US THAT SHE NEEDED
THAT PROJECT TO PASS THE CLASS.

394
00:17:41,645 --> 00:17:43,855
I DON'T GET IT.
WHY DID SHE LIE?

395
00:17:43,939 --> 00:17:47,442
THE SAME REASON LORENZO LIED
ABOUT HIS MOM'S FLOWER SHOP.

396
00:17:47,526 --> 00:17:49,694
THE FLOWER DELIVERYMAN
FROM EARLIER

397
00:17:49,778 --> 00:17:51,696
HAD THE INITIALS "C.F."
ON HIS JUMPSUIT.

398
00:17:51,780 --> 00:17:56,326
C.F. -- C. --
CHARMAINE'S FLORIST.

399
00:17:56,409 --> 00:17:57,953
MAYBE IT WASN'T
TORN DOWN.

400
00:17:58,036 --> 00:17:59,704
SO, THE ACTORS WERE ACTING.

401
00:17:59,788 --> 00:18:02,707
THEY WANTED US TO THINK
THEY'D LOST EVERYTHING

402
00:18:02,791 --> 00:18:04,918
WHEN THEY HADN'T LOST
ANYTHING.

403
00:18:05,001 --> 00:18:06,086
HOLD UP.

404
00:18:06,169 --> 00:18:07,963
REMEMBER
THAT MASSAGE CHAIR?

405
00:18:08,046 --> 00:18:10,132
THE ACTORS SAID
THEY BOUGHT IT THEMSELVES.

406
00:18:10,215 --> 00:18:11,925
THEY JUST HAPPENED
TO COME INTO MONEY

407
00:18:12,008 --> 00:18:13,969
THE SAME TIME
FRANK ASKS THEM FOR A FAVOR?

408
00:18:14,052 --> 00:18:15,762
HE'S PAYING THEM OFF.

409
00:18:15,846 --> 00:18:18,306
HE CALLED THEM A DAY IN ADVANCE
TO SET THE WHOLE THING UP.

410
00:18:18,390 --> 00:18:19,933
FRANK IS BEHIND THIS.

411
00:18:20,016 --> 00:18:22,727
HE'S BEEN PLAYING VALLEJO
LIKE A FOOL VIOLIN.

412
00:18:22,811 --> 00:18:25,188
SPEAKING OF WHICH,
WHERE IS FRANK?

413
00:18:26,356 --> 00:18:28,441
VALLEJO, IT'S INGRID.
COME IN.

414
00:18:28,525 --> 00:18:30,652
[ STATIC ]
MUST BE THE STORM.

415
00:18:30,735 --> 00:18:32,445
ANZA, ROUND UP
THE OTHERS.

416
00:18:32,529 --> 00:18:34,531
WE GOT TO GET TO
VALLEJO FAST.

417
00:18:40,829 --> 00:18:42,414
HEY, INGRID...

418
00:18:42,497 --> 00:18:45,333
WHERE'S FRANK GETTING THE MONEY
TO PAY OFF THOSE ACTORS?

419
00:18:45,417 --> 00:18:48,253
HE TOLD US HE DIDN'T HAVE
AN ALLOWANCE.

420
00:18:48,336 --> 00:18:49,921
CRACKERS!

421
00:18:50,005 --> 00:18:51,339
FRANK ISN'T BEHIND THIS.

422
00:18:51,423 --> 00:18:52,924
ONLY ONE OTHER PERSON
COULD HAVE KNOWN

423
00:18:53,008 --> 00:18:54,593
WE WERE HEADING
TO THE SCIENCE FAIR.

424
00:18:54,676 --> 00:18:55,594
DOG!

425
00:18:55,677 --> 00:18:56,761
DOUBLE TIME!

426
00:18:59,097 --> 00:19:01,433
YOU'RE THE SHREDDER,
AREN'T YOU?!

427
00:19:01,516 --> 00:19:02,893
FRANK, WHAT THE --

428
00:19:02,976 --> 00:19:05,604
YOU GOT YOUR FRIENDS
TO DO YOUR DIRTY WORK.

429
00:19:05,687 --> 00:19:08,273
YOU HAD THEM SHRED
THEIR OWN STUFF.

430
00:19:08,356 --> 00:19:11,443
THEY WEREN'T TRAUMATIZED.
THEY WERE ACTING.

431
00:19:11,526 --> 00:19:13,695
FRANK, I THINK
YOU'VE BEEN DRINKING

432
00:19:13,778 --> 00:19:15,947
A LITTLE TOO MUCH
FAKE FRUIT JUICE.

433
00:19:16,031 --> 00:19:17,532
BERNICE WAS RIGHT-HANDED,

434
00:19:17,616 --> 00:19:19,784
SO HER SHREDS
TILTED TO THE RIGHT.

435
00:19:19,868 --> 00:19:21,661
AND LORENZO WAS LEFT-HANDED,

436
00:19:21,745 --> 00:19:23,872
SO HIS SHREDS
TILTED TO THE LEFT.

437
00:19:23,955 --> 00:19:26,458
SO WHAT?
I HAD NOTHING TO DO WITH IT.

438
00:19:26,541 --> 00:19:29,377
WHAT ABOUT YOUR LITTLE
DISTRACTION AT THE SCIENCE FAIR?

439
00:19:29,461 --> 00:19:31,880
YOU DID A GREAT JOB
OF BOTCHING THE STAKEOUT.

440
00:19:31,963 --> 00:19:33,381
FRANK, I REALLY DON'T --

441
00:19:33,465 --> 00:19:35,550
ALPHABETICALLY,
YOU WERE NEXT ON THE LIST.

442
00:19:35,634 --> 00:19:37,052
THAT'S WHEN IT HIT ME --

443
00:19:37,135 --> 00:19:39,679
THE ACTORS ARE YOUR FRIENDS,
YOU'RE FEMALE,

444
00:19:39,763 --> 00:19:41,514
AND YOUR MOTIVE WAS REVENGE.

445
00:19:41,598 --> 00:19:44,976
AND FINDING THAT SHREDDER IN
YOUR ROOM CONFIRMED EVERYTHING.

446
00:19:45,060 --> 00:19:46,770
BUT WHERE DOES
THE REVENGE FIT IN?

447
00:19:46,853 --> 00:19:49,481
I HATED YOU FOR WHAT YOU DID
TO MY BROTHER.

448
00:19:49,564 --> 00:19:51,024
HE WAS ROTTING AWAY.

449
00:19:51,107 --> 00:19:53,568
I COULDN'T JUST SIT BACK
AND WATCH THAT HAPPEN.

450
00:19:53,652 --> 00:19:58,740
I CREATED THE SHREDDER
TO GIVE FRANK PURPOSE
AND TO TAKE YOURS AWAY.

451
00:19:58,823 --> 00:20:00,992
FRANCINE,
I CAN'T LET YOU JUST --

452
00:20:01,076 --> 00:20:02,160
UGH!

453
00:20:02,244 --> 00:20:04,120
YOU'LL THANK ME
LATER, FRANK.

454
00:20:04,204 --> 00:20:06,915
AS FOR YOU, VALLEJO, YOUR
HEARING STARTS IN 20 MINUTES.

455
00:20:06,998 --> 00:20:10,126
KISS YOUR SECOND TERM
AS JUNIOR COMMISSIONER GOODBYE.

456
00:20:10,210 --> 00:20:11,544
THAT'S COLD, BABY --

457
00:20:11,628 --> 00:20:12,921
REAL COLD.

458
00:20:13,004 --> 00:20:15,090
HAND OVER THE KEY,
FRANCINE.

459
00:20:15,173 --> 00:20:16,883
NEVER.

460
00:20:36,194 --> 00:20:37,696
IT'S OVER, FRANCINE.

461
00:20:42,117 --> 00:20:45,245
VALLEJO, HEADS UP!

462
00:20:50,166 --> 00:20:51,459
[ CRACKING ]

463
00:20:51,543 --> 00:20:52,460
RUN!

464
00:21:01,219 --> 00:21:02,721
I HOPE YOU DON'T MIND.

465
00:21:02,804 --> 00:21:04,764
I'M KIND OF
A BACKSEAT DRIVER.

466
00:21:14,024 --> 00:21:18,153
FYI, FRANCINE, REVENGE DOESN'T
MAKE AN ICE GARDEN GROW.

467
00:21:18,236 --> 00:21:19,946
VALLEJO, NOW'S YOUR CHANCE

468
00:21:20,030 --> 00:21:22,324
TO FINALLY MAKE AMENDS
TO OUR FAMILY.

469
00:21:22,407 --> 00:21:24,075
IF YOU'RE A DECENT
HUMAN BEING,

470
00:21:24,159 --> 00:21:25,452
YOU'LL LOOK
THE OTHER WAY.

471
00:21:25,535 --> 00:21:26,661
SORRY, SUNSHINE.

472
00:21:26,745 --> 00:21:28,621
I GOT A HEARING
TO GET TO.

473
00:21:29,706 --> 00:21:31,458
ON BEHALF OF THE SCHOOL BOARD,

474
00:21:31,541 --> 00:21:34,711
[ FEEDBACK ]
I HEREBY PRESENT
COMMISSIONER VALLEJO

475
00:21:34,794 --> 00:21:36,838
WITH THIS NEW BADGE AND SASH

476
00:21:36,921 --> 00:21:39,716
SIGNIFYING THE COMMENCEMENT
OF HIS SECOND TERM

477
00:21:39,799 --> 00:21:42,302
AS X MIDDLE SCHOOL
JUNIOR COMMISSIONER.

478
00:21:46,139 --> 00:21:47,599
CONGRATULATIONS, VALLEJO.

479
00:21:47,682 --> 00:21:49,768
SO, WHAT'S YOUR FIRST ORDER
OF BUSINESS?

480
00:21:49,851 --> 00:21:51,436
FUNNY YOU SHOULD ASK.

481
00:21:51,519 --> 00:21:55,231
I WAS THINKING ABOUT HIRING
A PROFILER ON TO THE FORCE.

482
00:21:55,315 --> 00:21:56,358
[ CHUCKLES ]

483
00:21:56,441 --> 00:21:57,650
KNOW ANY GOOD ONES?

484
00:21:57,734 --> 00:21:59,235
FUNNY YOU SHOULD ASK.

485
00:21:59,319 --> 00:22:01,112
THERE'S THIS GUY
WHO'S BEEN SPENDING

486
00:22:01,196 --> 00:22:03,114
A LITTLE BIT TOO MUCH TIME
AT HOME LATELY.

487
00:22:06,534 --> 00:22:09,704
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