1
00:00:01,627 --> 00:00:03,588
FILLMORE.
I'M ON IT.

2
00:01:02,396 --> 00:01:04,690
AND NOW..."FILLMORE."

3
00:01:04,774 --> 00:01:07,985
TODAY'S EPISODE --
"TO MAR A STALL."

4
00:01:11,197 --> 00:01:12,865
AND NOW,
IF YOU'LL FOLLOW ME,

5
00:01:13,032 --> 00:01:15,076
I'LL TURN YOU OVER
TO THE PRESIDENT

6
00:01:15,159 --> 00:01:18,204
OF THE X MIDDLE SCHOOL
BATHROOM STEERING COMMITTEE,

7
00:01:18,287 --> 00:01:19,664
ROBIN SPENCER.

8
00:01:19,747 --> 00:01:22,041
BY THE TIME AN X MIDDLE-SCHOOL
STUDENT GRADUATES,

9
00:01:22,125 --> 00:01:25,044
HE OR SHE WILL USE
THE SCHOOL BATHROOM FACILITIES

10
00:01:25,128 --> 00:01:27,505
AN AVERAGE OF 432 TIMES.

11
00:01:27,588 --> 00:01:30,091
AND WITH THE ADDITION OF
A SELF-SERVE TACO BUFFET

12
00:01:30,174 --> 00:01:31,801
IN THE CAFETORIUM,

13
00:01:31,926 --> 00:01:35,054
OUR STUDIES INDICATE THAT
WE MAY SEE THAT NUMBER INCREASE

14
00:01:35,138 --> 00:01:38,349
BY AS MUCH AS 12%
OVER THE NEXT 2 YEARS.

15
00:01:38,558 --> 00:01:39,851
EACH AND EVERY ONE

16
00:01:39,934 --> 00:01:42,895
OF X MIDDLE SCHOOL'S
NEWLY REMODELED BATHROOMS

17
00:01:42,979 --> 00:01:45,148
FEATURE STATE-OF-THE-ART
MOTION SENSORS,

18
00:01:45,231 --> 00:01:48,192
HEATED TOILET SEATS,
AUTOMATIC T.P. DISPENSERS,

19
00:01:48,276 --> 00:01:51,070
AND EVEN
HIGH-PRESSURE BIDETS!

20
00:01:51,237 --> 00:01:53,739
BUT HECK --
DON'T TAKE MY WORD FOR IT.

21
00:01:53,823 --> 00:01:55,575
TAKE A LOOK FOR YOURSELVES

22
00:01:55,658 --> 00:01:58,494
AT THE NEW PRIDE
OF X MIDDLE SCHOOL!

23
00:02:01,289 --> 00:02:02,915
NO.

24
00:02:03,207 --> 00:02:06,294
NO! "STAINLESS"?

25
00:02:13,384 --> 00:02:15,094
SOMEONE CALL
THE SAFETY PATROL.

26
00:02:15,219 --> 00:02:17,263
NOW!

27
00:02:31,694 --> 00:02:34,530
HEY, CAN WE GET THESE
MOTION SENSORS SHUT OFF

28
00:02:34,614 --> 00:02:36,490
BEFORE O'FARRELL
DROWNS ME?

29
00:02:36,574 --> 00:02:38,659
COULD YOU PLEASE STOP
REFERRING TO ME

30
00:02:38,743 --> 00:02:39,785
IN THE THIRD PERSON?

31
00:02:39,869 --> 00:02:41,120
I'M STANDING RIGHT HERE.

32
00:02:41,204 --> 00:02:42,580
"STAINLESS." VERY CATCHY.

33
00:02:42,663 --> 00:02:44,540
A PAINTING CREW
FINISHED UP IN HERE

34
00:02:44,624 --> 00:02:46,000
AROUND LUNCH YESTERDAY.

35
00:02:46,083 --> 00:02:47,710
THEY PROPPED OPEN THE DOOR
FOR VENTILATION.

36
00:02:47,793 --> 00:02:49,462
IT WAS OPEN ALL NIGHT.

37
00:02:49,545 --> 00:02:52,423
SO IT COULD BE ANYBODY.

38
00:02:54,217 --> 00:02:56,636
LISTEN, I'M GOING FISHING
WITH MY DAD THIS WEEKEND.

39
00:02:56,719 --> 00:02:58,304
THE LAST THING I NEED

40
00:02:58,387 --> 00:03:00,973
IS THIS "STAINLESS" HEADACHE
MESSING UP MY FLY CAST.

41
00:03:01,098 --> 00:03:03,059
SO, TALK TO ME HERE,
PEOPLE.

42
00:03:03,142 --> 00:03:04,769
STAINLESS' WEAPONS OF CHOICE

43
00:03:04,852 --> 00:03:07,480
ARE RED, BLACK,
AND GREEN PERMANENT MARKERS.

44
00:03:07,563 --> 00:03:09,899
IT'S THE SAME BRAND
SUPPLIED TO THE SCHOOL --

45
00:03:09,982 --> 00:03:11,317
PRETTY MUCH UNTRACEABLE.

46
00:03:11,400 --> 00:03:13,277
O'FARRELL AND I
SPENT THE MORNING

47
00:03:13,361 --> 00:03:15,821
CURLED UP WITH OUR FILE
OF KNOWN TAGGERS -- NO MATCHES.

48
00:03:15,905 --> 00:03:17,907
STAINLESS MUST BE NEW
ON THE BLOCK.

49
00:03:17,990 --> 00:03:20,576
THESE GRAFFITI SCRAWLERS
DON'T STOP AT JUST ONE.

50
00:03:20,660 --> 00:03:23,287
NOW, PRINCIPAL FOLSOM WANTS
THIS STAINLESS CAUGHT

51
00:03:23,371 --> 00:03:25,456
BEFORE HE DOES ANY MORE
REDECORATING.

52
00:03:25,539 --> 00:03:27,250
WHAT ABOUT THE TAGS
THEMSELVES --

53
00:03:27,333 --> 00:03:29,043
THE COLOR, LETTERING STYLE?

54
00:03:29,126 --> 00:03:31,337
THERE MUST BE SOME SORT
OF EXPERT WE CAN SHOW THEM TO --

55
00:03:31,420 --> 00:03:32,797
AN ART TEACHER, MAYBE?

56
00:03:32,880 --> 00:03:34,674
WE COULD SHOW THEM TO
RANDALL JULIAN.

57
00:03:34,757 --> 00:03:36,133
RANDALL THE VANDAL?

58
00:03:36,217 --> 00:03:38,094
ISN'T HE SERVING
INDEFINITE DETENTION

59
00:03:38,177 --> 00:03:39,553
OUT BY THE ATHLETIC FIELD?

60
00:03:39,637 --> 00:03:41,013
NO WAY HE HELPS US.

61
00:03:41,097 --> 00:03:42,682
YOU GUYS GOT
A BETTER LEAD?

62
00:03:44,267 --> 00:03:45,476
DO IT.

63
00:03:46,602 --> 00:03:48,521
FILLMORE, I'M NEW,
REMEMBER?

64
00:03:48,604 --> 00:03:51,023
A LITTLE INFO, PLEASE.
WHO'S RANDALL THE VANDAL?

65
00:03:51,107 --> 00:03:53,526
RANDALL JULIAN WAS ONE OF
THE GREATEST ART STUDENTS

66
00:03:53,609 --> 00:03:55,486
IN THE HISTORY
OF OUR SCHOOL.

67
00:03:55,569 --> 00:03:57,863
HIS MACARONI COLLAGES TOOK
TOP HONORS ALL OVER THE STATE.

68
00:03:57,947 --> 00:03:59,699
BUT THEN SOMETHING WENT WRONG.

69
00:03:59,782 --> 00:04:01,534
HE DROPPED
THE MAC AND GLUE STICKS

70
00:04:01,617 --> 00:04:03,369
AND PICKED UP
A PERMANENT MARKER.

71
00:04:03,452 --> 00:04:04,745
HE BECAME A TAGGER.

72
00:04:04,829 --> 00:04:06,038
NOT JUST A TAGGER --

73
00:04:06,122 --> 00:04:07,665
THE TAGGER -- FLAVA SAVA.

74
00:04:07,748 --> 00:04:09,041
THE BEST OR THE WORST,

75
00:04:09,125 --> 00:04:11,210
DEPENDING ON HOW YOU FLIP
THE PANCAKE.

76
00:04:11,294 --> 00:04:13,879
RANDALL JULIAN TAGGED
EVERY BATHROOM IN THE SCHOOL

77
00:04:13,963 --> 00:04:16,590
EXCEPT ONE -- THE BATHROOM
IN THE TEACHERS' LOUNGE.

78
00:04:16,674 --> 00:04:18,134
WE CAUGHT HIM

79
00:04:18,217 --> 00:04:20,052
BEFORE HE COULD PUT THAT
FINAL STROKE ON HIS MASTERPIECE.

80
00:04:20,136 --> 00:04:21,929
YOU WERE THE ONE
THAT CAUGHT HIM, WEREN'T YOU?

81
00:04:22,013 --> 00:04:24,473
WELL, HE SHOULD BE THRILLED
TO SEE YOU AGAIN.

82
00:04:26,183 --> 00:04:29,478
I'LL NEED YOU TO CHECK IN
ALL WRITING INSTRUMENTS.

83
00:04:31,314 --> 00:04:34,567
ANY INK, INK CARTRIDGES,
PEN REFILLS, PENCIL LEADS,

84
00:04:34,650 --> 00:04:38,070
NIBS, QUILLS, CHALK, CRAYONS,
CHARCOAL, WAX PENCILS?

85
00:04:39,155 --> 00:04:41,407
ANY INTERIOR/EXTERIOR PAINT,
SPRAY PAINT,

86
00:04:41,490 --> 00:04:43,701
FINGER PAINT, POSTER PAINT,
MODEL PAINT,

87
00:04:43,784 --> 00:04:45,911
PAINTBALLS, PAINTBRUSHES,
AIRBRUSHES?

88
00:04:48,664 --> 00:04:51,959
EYELINER, LIPSTICK,
MASCARA?

89
00:04:52,043 --> 00:04:53,878
HEY, ME NEITHER.

90
00:04:53,961 --> 00:04:56,380
UH-HUH. FOLLOW ME.

91
00:04:56,464 --> 00:04:58,591
MR. RANDALL JULIAN IS IN
WHAT WE CALL

92
00:04:58,674 --> 00:05:00,593
A PERMANENT STATE
OF DETENTION.

93
00:05:00,676 --> 00:05:03,637
HIS PARENTS DROP HIM OFF
INTO OUR CUSTODY IN THE MORNING

94
00:05:03,721 --> 00:05:05,931
AND PICK HIM UP AGAIN
IN THE AFTERNOON.

95
00:05:06,015 --> 00:05:07,850
HIS CLASSES
ARE PIPED IN TO HIM

96
00:05:07,933 --> 00:05:09,769
VIA CLOSED-CIRCUIT TV.

97
00:05:09,852 --> 00:05:13,314
HE CURRENTLY MAINTAINS
AN A-PLUS AVERAGE.

98
00:05:13,397 --> 00:05:15,983
YOU MAY FIND
OUR SECURITY MEASURES EXTREME,

99
00:05:16,067 --> 00:05:18,319
BUT I ASSURE YOU
THEY ARE NECESSARY.

100
00:05:18,402 --> 00:05:19,987
ON NOVEMBER 3 OF THIS YEAR,

101
00:05:20,071 --> 00:05:22,615
A CUSTODIAN ENTERED
MR. JULIAN'S HOLDING AREA

102
00:05:22,698 --> 00:05:25,409
WITH A MINIATURE-GOLF PENCIL
IN HIS BACK POCKET.

103
00:05:25,493 --> 00:05:27,953
IT TOOK MR. JULIAN
10 MINUTES TO DO THIS

104
00:05:28,037 --> 00:05:29,789
TO THE EAST WALL.

105
00:05:29,872 --> 00:05:31,582
DOG.
HOLD UP.

106
00:05:31,665 --> 00:05:34,251
HE DID THAT WITH
A MINIATURE-GOLF PENCIL?

107
00:05:34,335 --> 00:05:36,128
I'LL BUZZ YOU IN.

108
00:05:38,297 --> 00:05:39,882
ALL RIGHT, CLASS,

109
00:05:39,965 --> 00:05:43,302
SO "A" PLUS "B"
EQUALS "C," YOU GUYS!

110
00:05:43,386 --> 00:05:44,720
NEXT CLASS.

111
00:05:44,804 --> 00:05:47,807
CORNELIUS FILLMORE,
YOU HAVE A NEW PARTNER.

112
00:05:47,890 --> 00:05:50,810
RANDALL JULIAN,
MEET INGRID THIRD.

113
00:05:50,893 --> 00:05:51,936
CHARMED.

114
00:05:54,188 --> 00:05:57,316
UNINSPIRED, UNEMOTIONAL,

115
00:05:57,400 --> 00:05:59,819
UNINTERESTING, UNIMPORTANT.

116
00:05:59,902 --> 00:06:02,238
WE DIDN'T COME HERE FOR
AN ART CRITIQUE, JULIAN.

117
00:06:02,321 --> 00:06:03,489
OF COURSE NOT.

118
00:06:03,572 --> 00:06:05,783
YOU WANT ME TO HELP YOU
CATCH HIM.

119
00:06:05,866 --> 00:06:06,992
WHY SHOULD I?

120
00:06:07,076 --> 00:06:08,702
WE COULD TALK TO
THE HIGHER-UPS,

121
00:06:08,786 --> 00:06:10,329
KNOCK SOME TIME OFF
YOUR DETENTION.

122
00:06:10,413 --> 00:06:12,706
WHAT?
AND GIVE UP ALL THIS?

123
00:06:12,790 --> 00:06:14,333
WE CAME HERE
'CAUSE WE THOUGHT

124
00:06:14,417 --> 00:06:15,918
YOU MIGHT WANT
ANOTHER CHANCE.

125
00:06:16,001 --> 00:06:17,503
LOOKS LIKE WE WERE WRONG.

126
00:06:17,586 --> 00:06:21,006
YOUR STAINLESS WRITES
FROM RIGHT TO LEFT.

127
00:06:21,090 --> 00:06:22,341
WHAT?

128
00:06:22,425 --> 00:06:25,177
THE ENGLISH LANGUAGE,
AS I'M SURE YOU'RE AWARE,

129
00:06:25,261 --> 00:06:27,304
IS WRITTEN
FROM LEFT TO RIGHT.

130
00:06:27,388 --> 00:06:29,974
STAINLESS DOES HIS TAGS
BACKWARDS --

131
00:06:30,057 --> 00:06:31,350
RIGHT TO LEFT.

132
00:06:31,434 --> 00:06:34,270
YOU CAN TELL BY THE OVERLAY
OF HIS LETTERS.

133
00:06:34,353 --> 00:06:37,064
WHY DOES HE WRITE
FROM RIGHT TO LEFT?

134
00:06:37,148 --> 00:06:40,401
NO, I THINK THAT
WOULD BE TOO EASY.

135
00:06:40,484 --> 00:06:43,112
WHEN YOU FIGURE IT OUT
FOR YOURSELVES,

136
00:06:43,195 --> 00:06:44,905
COME BACK AND SEE ME.

137
00:06:44,989 --> 00:06:47,450
MAYBE
I'LL TELL YOU MORE.

138
00:06:47,533 --> 00:06:48,951
I DON'T GET IT.

139
00:06:49,034 --> 00:06:51,078
WHY WOULD AN ARTIST
WITH JULIAN'S TALENT

140
00:06:51,162 --> 00:06:53,038
TURN TO SCRAWLING
ON BATHROOM WALLS?

141
00:06:53,122 --> 00:06:55,666
THIRD, LEAVE THAT STUFF
TO THE GUIDANCE COUNSELORS.

142
00:06:55,749 --> 00:06:57,877
IF YOU WANNA SEE
A REAL WORK OF ART,

143
00:06:57,960 --> 00:06:59,628
TAKE A LOOK AT THIS.

144
00:06:59,712 --> 00:07:01,714
THE 309 WATERMAN
452 FLEX ROD 680 --

145
00:07:01,797 --> 00:07:03,757
FOURTH EDITION.

146
00:07:03,841 --> 00:07:07,887
ENDORSED BY 6-TIME FLY CHAMPION
DALE RONDELL.

147
00:07:07,970 --> 00:07:09,638
A FISHING POLE?

148
00:07:09,722 --> 00:07:11,056
MY FISHING POLE.

149
00:07:11,140 --> 00:07:13,392
MY DAD ORDERED IT FROM
fefifofin.world.

150
00:07:13,476 --> 00:07:15,853
IT SHOULD BE ARRIVING HERE
ANY DAY NOW,

151
00:07:15,936 --> 00:07:18,063
AND I'D LIKE TO PUT
STAINLESS AWAY

152
00:07:18,147 --> 00:07:19,356
SO I CAN ENJOY IT.

153
00:07:19,440 --> 00:07:20,774
DO SOME DIGGING.

154
00:07:20,858 --> 00:07:23,194
MAYBE THIS WHOLE THING
ISN'T ABOUT TAGGING.

155
00:07:23,277 --> 00:07:24,820
MAYBE SOMEONE HAS A GRUDGE

156
00:07:24,904 --> 00:07:27,198
AGAINST THIS WHOLE
BATHROOM-RENOVATION PROJECT.

157
00:07:27,281 --> 00:07:30,242
HERE'S THE LAST OF THEM.

158
00:07:30,326 --> 00:07:31,911
ARE YOU REALLY
READING THOSE?

159
00:07:31,994 --> 00:07:33,204
PHOTOGRAPHIC MEMORY.

160
00:07:33,287 --> 00:07:35,289
YOU KNOW, I BEGGED
THE COMMITTEE

161
00:07:35,372 --> 00:07:37,416
TO USE BRUSHED STEEL
FOR STALLS.

162
00:07:37,500 --> 00:07:39,043
IT'S A WELL-KNOWN FACT

163
00:07:39,126 --> 00:07:41,879
THAT BRUSHED STEEL IS ALMOST
IMPOSSIBLE TO DEFACE.

164
00:07:41,962 --> 00:07:44,632
BUT THEY HAD TO IGNORE ME.

165
00:07:44,715 --> 00:07:47,801
BRUSHED STEEL WOULD HAVE
LOOKED SO SWEET...

166
00:07:47,885 --> 00:07:50,221
INSTEAD OF
THAT INKY NIGHTMARE.

167
00:07:50,304 --> 00:07:51,764
HERE'S SOMETHING.

168
00:07:51,847 --> 00:07:53,724
WHEN THE BATHROOM RENOVATION
PROJECT WAS APPROVED,

169
00:07:53,807 --> 00:07:55,893
THE STEERING COMMITTEE
WAS MOVED INTO THIS OFFICE,

170
00:07:55,976 --> 00:07:58,020
AND A SMALL CLUB
WAS THROWN OUT.

171
00:07:58,103 --> 00:08:00,189
IT WAS
AN ALTERNATIVE ART CLUB --

172
00:08:00,272 --> 00:08:01,482
THE STARVING RENOIRS.

173
00:08:01,565 --> 00:08:02,608
DISCO.

174
00:08:02,691 --> 00:08:03,984
ARTISTS WITH A GRUDGE.

175
00:08:04,068 --> 00:08:05,903
THE CLUB ONLY HAS
THREE MEMBERS --

176
00:08:05,986 --> 00:08:08,113
FRANKIE POLK,
FOUNDER AND PRESIDENT.

177
00:08:08,197 --> 00:08:09,532
YOU MUST HAVE BEEN UPSET

178
00:08:09,615 --> 00:08:11,742
WHEN YOU LOST THE SPACE
FOR YOUR CLUB.

179
00:08:11,825 --> 00:08:13,160
NO, NOT REALLY.

180
00:08:13,244 --> 00:08:15,829
I FIND OFFICES TO BE
CREATIVELY CONFINING.

181
00:08:15,913 --> 00:08:18,374
THE ONLY THING
THAT TRULY UPSETS ME

182
00:08:18,457 --> 00:08:20,834
IS THE LACK OF BEAUTY
AROUND US.

183
00:08:22,378 --> 00:08:25,881
I CALL IT
"THE INTERROGATION OF SELF."

184
00:08:25,965 --> 00:08:27,800
TOMMY HOWARD, CLUB TREASURER.

185
00:08:27,883 --> 00:08:30,135
FORGET THE WHOLE
STAINLESS SCENE, MAN.

186
00:08:30,219 --> 00:08:31,470
CHECK OUT THIS NOISE!

187
00:08:31,554 --> 00:08:33,305
YOU DON'T GET IT, DO YOU?

188
00:08:33,389 --> 00:08:34,974
YOU JUST SEE A DOT, RIGHT?

189
00:08:35,057 --> 00:08:37,309
IT'S NOT JUST A DOT,
YOU KNOW WHAT I'M SAYIN'?

190
00:08:37,393 --> 00:08:39,144
IT'S 700 COATS
OF BLACK MARKER.

191
00:08:39,228 --> 00:08:40,604
KNOW WHAT I'M SAYIN'?

192
00:08:40,688 --> 00:08:42,648
IT'S LIKE THE LAYERS
OF THE HUMAN SOUL!

193
00:08:42,731 --> 00:08:44,650
LET'S GET BACK TO STAINLESS.

194
00:08:44,733 --> 00:08:46,360
OH, SURE.
HE'S IN THE SPOTLIGHT,

195
00:08:46,443 --> 00:08:47,987
GETTING ALL THE HEADLINES.

196
00:08:48,070 --> 00:08:49,738
KNOW WHAT I'M SAYIN'?
WHERE'S MY SLICE?

197
00:08:49,822 --> 00:08:51,699
I GOTTA BE KNOWN.
I GOTTA BE RECOGNIZED.

198
00:08:51,782 --> 00:08:53,534
I AIN'T GOIN' OUT
LIKE CHARLES LASKEY.

199
00:08:53,617 --> 00:08:54,743
KNOW WHAT I'M SAYIN'?

200
00:08:54,827 --> 00:08:56,328
WHO'S CHARLES LASKEY?

201
00:08:56,412 --> 00:08:58,247
THAT'S WHAT I'M SAYIN'!
KNOW WHAT I'M SAYIN'?

202
00:08:58,330 --> 00:09:01,041
LAST IS JEAN GRACE,
RECORDING SECRETARY.

203
00:09:01,125 --> 00:09:03,502
I WANT YOU TO KNOW
THAT THIS CLAY

204
00:09:03,586 --> 00:09:07,006
IS MADE FROM OATMEAL HUMMUS
AND UNSHELLED BUCKWHEAT.

205
00:09:07,089 --> 00:09:08,799
LET'S GET BACK
TO THE BATHROOMS.

206
00:09:08,882 --> 00:09:10,175
I CAN'T HELP YOU THERE.

207
00:09:10,259 --> 00:09:12,344
I DON'T BELIEVE IN
INDOOR PLUMBING,

208
00:09:12,428 --> 00:09:15,055
AND I HAVE NEVER SET FOOT
IN A SCHOOL BATHROOM.

209
00:09:15,139 --> 00:09:16,515
I ALWAYS GO OUT TO THE --

210
00:09:16,599 --> 00:09:18,309
UH -- DON'T EVEN WANNA KNOW.

211
00:09:18,392 --> 00:09:20,477
Fillmore, Ingrid,
you might wanna get up here.

212
00:09:20,561 --> 00:09:21,687
I've got something.

213
00:09:21,770 --> 00:09:23,022
CHECK IT OUT.

214
00:09:23,105 --> 00:09:25,357
THE INK FLOW
ON THIS SECTION OF THE TAG

215
00:09:25,441 --> 00:09:26,692
DROPS OFF 72%.

216
00:09:26,775 --> 00:09:27,943
WHAT COULD CAUSE THAT?

217
00:09:28,027 --> 00:09:29,278
ONLY ONE THING --

218
00:09:29,361 --> 00:09:31,280
HIS RED MARKER
HAD TO SPRING A LEAK,

219
00:09:31,363 --> 00:09:32,865
PROBABLY FROM THE REAR
OF THE PEN.

220
00:09:32,948 --> 00:09:35,117
THAT MARKER'S PERMANENT,
RIGHT?

221
00:09:35,200 --> 00:09:37,536
WHOEVER STAINLESS IS,
THERE'S A GOOD CHANCE

222
00:09:37,620 --> 00:09:39,913
HE'S WALKING AROUND
WITH A RED MARKER STAIN

223
00:09:39,997 --> 00:09:41,874
SOMEWHERE ON HIS HAND
OR WRIST.

224
00:09:41,957 --> 00:09:44,793
IT ALSO MEANS OUR BOY STAINLESS
MIGHT NEED A REFILL.

225
00:09:49,381 --> 00:09:51,050
FREEZE!

226
00:10:03,395 --> 00:10:04,563
HUH! HUH!

227
00:10:04,647 --> 00:10:05,689
HUH!

228
00:10:05,773 --> 00:10:07,941
END OF THE LINE, STAINLESS.

229
00:10:18,994 --> 00:10:20,496
OH, IT'S ON!

230
00:10:38,847 --> 00:10:40,057
AAH! UGH!

231
00:10:40,140 --> 00:10:42,142
LET'S SEE WHO WE GOT HERE.

232
00:10:51,151 --> 00:10:53,320
OH, YES, I AM STAINLESS.

233
00:10:53,404 --> 00:10:55,864
BUT MY REAL NAME IS TOMMY --
TOMMY HOWARD.

234
00:10:55,948 --> 00:10:57,866
GIVE US SOME ROOM HERE,
PEOPLE.

235
00:10:57,950 --> 00:10:59,702
IF YOU JUST SIGN OFF
ON THIS INVOICE,

236
00:10:59,785 --> 00:11:01,620
WE CAN START ORDERING
THE NEW STALLS.

237
00:11:01,704 --> 00:11:03,038
NO NEED, ROBIN.

238
00:11:03,122 --> 00:11:04,832
GRAFFITI GUS GUY IS
OUT OF BUSINESS NOW.

239
00:11:04,915 --> 00:11:06,583
HEY, LIGHTEN UP.
YOU'LL WRINKLE.

240
00:11:06,667 --> 00:11:08,752
He's coming!

241
00:11:11,046 --> 00:11:13,507
FOLSOM'S SO HAPPY,
SHE DIDN'T EVEN MENTION

242
00:11:13,590 --> 00:11:16,260
THE $700 WORTH OF OFFICE
SUPPLIES YOU TRASHED.

243
00:11:16,427 --> 00:11:19,596
BUT DON'T WORRY --
SHE WILL.

244
00:11:19,763 --> 00:11:21,306
IS THAT...FOR ME?

245
00:11:21,515 --> 00:11:23,267
GOT YOUR NAME ON IT.

246
00:11:24,852 --> 00:11:26,353
BEAUTIFUL!

247
00:11:26,437 --> 00:11:30,274
YOU JUST KEEP YOUR ELBOWS IN,
EYES FOCUSED ON THE TARGET.

248
00:11:32,109 --> 00:11:33,861
AAH!

249
00:11:46,206 --> 00:11:48,041
VERY FUNNY, PEOPLE --

250
00:11:48,125 --> 00:11:49,585
HI-LARIOUS.

251
00:11:51,754 --> 00:11:53,589
HOLD UP.

252
00:11:53,672 --> 00:11:55,799
ARE THESE THE MARKERS
TOMMY TRIED TO CLIP?

253
00:11:55,883 --> 00:11:57,342
YEAH. I BAGGED THEM MYSELF.

254
00:11:57,426 --> 00:11:58,719
OH, NO.

255
00:11:58,802 --> 00:12:01,680
I KNOW THAT LOOK
IN YOUR EYE, FILLMORE.

256
00:12:01,764 --> 00:12:03,849
I DON'T LIKE TOMMY
FOR STAINLESS.

257
00:12:03,932 --> 00:12:06,018
DON'T DO THIS TO ME,
FILLMORE.

258
00:12:06,101 --> 00:12:08,187
STAINLESS WOULD HAVE BEEN
LOOKING FOR A RED REFILL.

259
00:12:08,270 --> 00:12:10,105
THESE MARKERS ARE BLACK --

260
00:12:10,189 --> 00:12:13,358
THE SAME BLACK TOMMY WAS USING
ON HIS 700-LAYER MASTERPIECE.

261
00:12:13,442 --> 00:12:17,279
PLUS, THERE WERE NO RED STAINS
ON TOMMY'S HANDS OR WRISTS.

262
00:12:17,362 --> 00:12:18,739
YOU SEE WHAT I GOT HERE?

263
00:12:18,822 --> 00:12:20,866
A SIGNED CONFESSION
FROM TOMMY HOWARD.

264
00:12:20,949 --> 00:12:23,494
TOMMY WANTED ATTENTION.
HE WANTED TO BE KNOWN.

265
00:12:23,577 --> 00:12:25,037
NOW HE IS.

266
00:12:25,120 --> 00:12:29,082
OKAY, STAY ON IT,
BUT KEEP IT QUIET.

267
00:12:31,627 --> 00:12:34,421
HARD TO BELIEVE A GUY WOULD
SMEAR HIS OWN NAME LIKE THAT

268
00:12:34,505 --> 00:12:35,839
JUST TO GET SOME ATTENTION.

269
00:12:35,923 --> 00:12:39,802
SMEAR?
CRACKERS! THAT'S IT!

270
00:12:39,885 --> 00:12:43,305
CHECK THIS OUT.
A MARKER LEAVES A WET RESIDUE.

271
00:12:43,388 --> 00:12:46,934
RIGHT-HANDED PEOPLE DON'T HAVE
TO WORRY ABOUT SMEARING IT.

272
00:12:47,017 --> 00:12:49,061
BUT A LEFT-HANDED PERSON
HAS A TENDENCY

273
00:12:49,144 --> 00:12:51,605
TO DRAG THEIR HAND OVER
THE AREA THEY JUST WROTE

274
00:12:51,688 --> 00:12:53,065
UNLESS...

275
00:12:53,148 --> 00:12:57,653
UNLESS THE PERSON WRITES
BACKWARDS -- RIGHT TO LEFT.

276
00:12:59,530 --> 00:13:01,740
STAINLESS IS LEFT-HANDED.

277
00:13:01,824 --> 00:13:03,909
THAT'S WHAT JULIAN
WAS TELLING US.

278
00:13:03,992 --> 00:13:06,328
EXCELLENT WORK, OFFICERS.

279
00:13:06,411 --> 00:13:07,663
YEAH, JULIAN.

280
00:13:07,746 --> 00:13:10,541
TOO BAD 15% OF THE SCHOOL
IS LEFT-HANDED.

281
00:13:10,624 --> 00:13:13,710
SO MANY SUSPECTS
AND SO LITTLE TIME.

282
00:13:13,794 --> 00:13:17,464
STAINLESS IS NO DOUBT
SCOUTING OUT HIS NEXT BATHROOM

283
00:13:17,548 --> 00:13:20,050
WHILE YOU'RE WASTING YOUR TIME
TALKING TO ME.

284
00:13:20,133 --> 00:13:23,095
THESE ARE ALL 14 OF
THE NEWLY RENOVATED BATHROOMS.

285
00:13:23,178 --> 00:13:25,138
WHICH ONE IS NEXT, JULIAN?

286
00:13:25,222 --> 00:13:27,724
I CAN'T READ
YOUR STAINLESS' MIND,

287
00:13:27,808 --> 00:13:29,268
NOW, CAN I?

288
00:13:29,351 --> 00:13:32,062
LOOK AT THE PICTURES, JULIAN.
WHICH ONE WOULD YOU HIT?

289
00:13:32,145 --> 00:13:34,273
YOU HAVE NOTHING TO LOSE
BY HELPING US.

290
00:13:34,356 --> 00:13:36,316
I HAVE NOTHING TO GAIN.

291
00:13:36,400 --> 00:13:38,068
NOTHING TO GAIN, HUH, JULIAN?

292
00:13:38,151 --> 00:13:40,612
HOW ABOUT ACCESS
TO ART SUPPLIES?

293
00:13:40,696 --> 00:13:43,282
ALL UNDER STRICT SUPERVISION,
OF COURSE.

294
00:13:43,365 --> 00:13:45,450
YOU CAN BE A REAL ARTIST
AGAIN, JULIAN.

295
00:13:45,534 --> 00:13:46,910
THINK ABOUT IT.

296
00:13:46,994 --> 00:13:51,832
I PLACED FIRST IN
SEVEN CONSECUTIVE ART FAIRS.

297
00:13:51,915 --> 00:13:55,127
SURE, IT BROUGHT ME
A SMALL FOLLOWING,

298
00:13:55,210 --> 00:13:57,921
BUT THEN, AS I BEGAN
TO PLACE LOWER,

299
00:13:58,005 --> 00:14:00,424
THAT FOLLOWING
BEGAN TO SHRINK.

300
00:14:00,507 --> 00:14:02,801
SURE, THE FANS I HAD LEFT
WERE DEVOTED,

301
00:14:02,885 --> 00:14:04,303
BUT I WANTED MORE.

302
00:14:04,386 --> 00:14:06,179
I WANTED TO BE IMMORTAL.

303
00:14:06,263 --> 00:14:09,975
AND I FOUND A WAY TO DO IT
AS FLAVA SAVA.

304
00:14:10,058 --> 00:14:14,062
AND NOW -- NOW RANDALL JULIAN,
THE ARTIST,

305
00:14:14,146 --> 00:14:16,481
IS MERELY A FADING MEMORY

306
00:14:16,565 --> 00:14:20,193
FOR THOSE FEW
THAT EVEN REMEMBER HIM.

307
00:14:20,277 --> 00:14:22,946
IT'S THIS ONE.

308
00:14:32,497 --> 00:14:33,999
ALL RIGHT, I GOT ONE.

309
00:14:34,082 --> 00:14:37,044
WOULD YOU RATHER EAT
A 2-MONTH-OLD MAC AND CHEESE

310
00:14:37,127 --> 00:14:38,712
OR A SPIDER-MERINGUE PIE?

311
00:14:38,795 --> 00:14:40,547
GOTTA GO
WITH THE VINTAGE MAC.

312
00:14:40,631 --> 00:14:42,674
THAT'S AN EASY ONE.
YOUR TURN.

313
00:14:42,758 --> 00:14:45,594
SQUIRREL BURGER OR
A BAG OF POTTING SOIL?

314
00:14:45,677 --> 00:14:47,429
MMM, I'LL TAKE THE SOIL.

315
00:14:47,512 --> 00:14:50,349
Fillmore, Ingrid, we got
a suspect heading your way.

316
00:14:50,432 --> 00:14:52,142
THANKS, TEHAMA.
WE'RE ON IT.

317
00:14:56,772 --> 00:14:58,231
IT'S FRANKIE POLK,

318
00:14:58,315 --> 00:15:01,109
AND HE'S HEADING INTO
THE GIRLS' BATHROOM.

319
00:15:04,279 --> 00:15:07,532
DON'T FORGET TO WASH
YOUR HANDS, FRANKIE.

320
00:15:07,616 --> 00:15:10,327
YES,
I DRAW TOILETS --

321
00:15:10,410 --> 00:15:11,995
BEAUTIFUL TOILETS --

322
00:15:12,079 --> 00:15:15,374
THE PERFECT MARRIAGE
OF FORM AND FUNCTION,

323
00:15:15,457 --> 00:15:19,044
OF STYLE AND SUBSTANCE,
OF WATER AND PORCELAIN.

324
00:15:19,127 --> 00:15:21,254
LOOKS LIKE
A WRONG NUMBER, GUYS.

325
00:15:21,338 --> 00:15:22,923
DO US A FAVOR, FRANKIE --

326
00:15:23,006 --> 00:15:25,634
STICK TO DRAWING
IN THE BOYS' BATHROOMS.

327
00:15:25,717 --> 00:15:27,052
OF COURSE, OFFICERS.

328
00:15:27,135 --> 00:15:29,429
I WAS MERELY TRYING
TO CAPTURE THE

329
00:15:34,977 --> 00:15:38,355
FILLMORE, THIS IS STILL WET.

330
00:15:57,708 --> 00:15:59,793
LISTEN, VALLEJO,

331
00:15:59,876 --> 00:16:03,088
I JUST HAD TO SIGN
FOR TOMMY'S RELEASE

332
00:16:03,171 --> 00:16:04,923
AND OKAY THE ORDERING

333
00:16:05,007 --> 00:16:08,885
OF 200 BRAND-NEW,
BRUSHED-STEEL BATHROOM STALLS.

334
00:16:08,969 --> 00:16:11,638
YOU DON'T HAVE
THIS STAIN HOODLUM IN CUSTODY

335
00:16:11,722 --> 00:16:13,265
BY FINAL BELL,

336
00:16:13,348 --> 00:16:18,186
THIS HEADQUARTERS WILL MAKE
A NICE FACULTY YOGA STUDIO!

337
00:16:18,270 --> 00:16:21,606
RANDALL JULIAN WAS RIGHT BEFORE.
GO BACK AND TALK TO HIM.

338
00:16:23,358 --> 00:16:25,569
HE'S GONE! HE'S GONE!

339
00:16:25,652 --> 00:16:28,488
RANDALL JULIAN HAS ESCAPED!

340
00:16:36,872 --> 00:16:38,206
OFFICERS.

341
00:16:38,290 --> 00:16:39,458
JULIAN!

342
00:16:39,541 --> 00:16:43,128
PLEASE, CALL ME FLAVA --
FLAVA SAVA.

343
00:16:43,211 --> 00:16:45,547
WE HAD A DEAL, JULIAN --
ACCESS TO ART SUPPLIES

344
00:16:45,630 --> 00:16:47,799
IN EXCHANGE FOR HELPING US
CATCH STAINLESS.

345
00:16:47,883 --> 00:16:50,844
I'VE GOT ALL THE SUPPLIES
I'M GOING TO NEED

346
00:16:50,927 --> 00:16:53,972
TO ENSURE THAT THIS SCHOOL
NEVER FORGETS ME.

347
00:16:54,056 --> 00:16:55,557
SO LONG, OFFICERS.

348
00:16:55,640 --> 00:16:58,727
BUT DON'T FRET.
I LEFT YOU A PARTING GIFT.

349
00:17:01,980 --> 00:17:03,774
THERE'S NOTHING IN HERE.

350
00:17:03,857 --> 00:17:05,984
IT'S JUST AN OLD COPY
OF THE SCHOOL PAPER.

351
00:17:06,068 --> 00:17:07,903
YOU SEE WHAT I SEE?

352
00:17:07,986 --> 00:17:11,156
ROBIN SPENCER IS CUTTING THAT
RIBBON WITH HER LEFT HAND.

353
00:17:11,239 --> 00:17:14,326
AND SHE'S WEARING A GLOVE.
DISCO.

354
00:17:17,245 --> 00:17:20,165
ROBIN SPENCER PUT IN A MOTION
TO INSTALL

355
00:17:20,248 --> 00:17:22,834
HER BRUSHED-STEEL STALLS
43 TIMES.

356
00:17:22,918 --> 00:17:25,170
AND LIKE SHE SAID,
THEY IGNORED HER.

357
00:17:25,253 --> 00:17:28,215
WHAT BETTER WAY TO PROVE
THE ANTIGRAFFITI STALLS
WERE NECESSARY

358
00:17:28,298 --> 00:17:30,175
THAN TO VANDALIZE
THE BATHROOMS HERSELF?

359
00:17:30,258 --> 00:17:31,718
AS STAINLESS --

360
00:17:31,802 --> 00:17:34,471
AS IN THE STAINLESS-STEEL
STALLS SHE WANTED.

361
00:17:34,554 --> 00:17:36,264
ACCORDING TO
THIS SHIPPING INVOICE,

362
00:17:36,515 --> 00:17:39,976
ROBIN'S NEW STALLS ARE
ARRIVING AT THE SCHOOL
LOADING DOCK RIGHT NOW.

363
00:17:45,190 --> 00:17:48,151
THOSE ARE GOING TO THE "H" WING
RESTROOMS BY THE GREENHOUSE.

364
00:17:48,401 --> 00:17:53,031
GOOD OLD BRUSHED STEEL,
YOU'RE GONNA TAKE ME TO THE TOP.

365
00:17:53,115 --> 00:17:55,575
OH, I'VE WANTED YOU SO BADLY.

366
00:17:55,659 --> 00:17:57,077
HOW BADLY?

367
00:17:57,244 --> 00:17:59,913
BADLY ENOUGH TO VANDALIZE
THE ORIGINAL STALLS YOURSELF?

368
00:17:59,996 --> 00:18:01,832
I -- I-I DON'T KNOW
WHAT YOU MEAN.

369
00:18:01,915 --> 00:18:03,125
OH, I THINK YOU DO.

370
00:18:03,208 --> 00:18:04,876
I THINK
YOU COULDN'T HANDLE IT

371
00:18:04,960 --> 00:18:07,212
WHEN YOUR BRUSHED-STEEL STALLS
GOT SHOT DOWN.

372
00:18:07,295 --> 00:18:10,382
I THINK YOU WANTED TO PROVE
THAT ANTIGRAFFITI STALLS
WERE NECESSARY.

373
00:18:10,465 --> 00:18:12,134
I THINK YOU BECAME STAINLESS.

374
00:18:12,300 --> 00:18:15,303
THAT'S RIDICULOUS!
YOU DON'T HAVE A SHRED OF PROOF!

375
00:18:15,387 --> 00:18:17,139
WE DO NOW.

376
00:18:17,222 --> 00:18:20,767
UGH! UGH! UGH!

377
00:18:21,977 --> 00:18:23,895
TEHAMA, WE NEED BACKUP.

378
00:18:29,985 --> 00:18:32,404
I'M GOING TO BE KNOWN
AS THE STUDENT

379
00:18:32,487 --> 00:18:35,407
THAT PUT AN END TO GRAFFITI
ONCE AND FOR ALL.

380
00:18:35,490 --> 00:18:38,618
SO WHAT IF I HAD TO DEFACE
A FEW STALLS TO DO IT?

381
00:18:38,702 --> 00:18:40,412
THIS IS JUST THE BEGINNING.

382
00:18:40,495 --> 00:18:43,415
STUDENT-COUNCIL PRESIDENT,
VALEDICTORIAN,

383
00:18:43,498 --> 00:18:47,127
BEST DRESSED IN THE YEARBOOK --
THE SKY'S THE LIMIT,

384
00:18:47,210 --> 00:18:50,463
AND EVERYONE WILL KNOW
THE NAME ROBIN SPENCER.

385
00:18:50,547 --> 00:18:52,424
NO, ROBIN, IT ALL ENDS HERE.

386
00:18:52,507 --> 00:18:54,050
SORRY, OFFICER,

387
00:18:54,134 --> 00:18:57,387
BUT I'M AFRAID STAINLESS
IS GONNA MAKE A CLEAN GETAWAY.

388
00:18:57,470 --> 00:18:58,847
UGH.

389
00:19:00,807 --> 00:19:02,642
FILLMORE!

390
00:19:11,693 --> 00:19:13,862
VALLEJO'S FISHING ROD.

391
00:19:13,945 --> 00:19:17,741
KEEP YOUR ELBOWS IN,
FOCUS ON THE TARGET, BABY.

392
00:19:21,703 --> 00:19:23,246
UGH!

393
00:19:26,041 --> 00:19:29,544
UGH! UGH! UGH!

394
00:19:29,628 --> 00:19:33,590
I'D SAY YOU TWO WRAPPED
THIS CASE UP RATHER NICELY.

395
00:19:33,673 --> 00:19:35,926
BUBBLE WRAP, THAT IS.
GET IT?

396
00:19:36,009 --> 00:19:39,095
IT'S BASICALLY A PLAY
ON THE WORD "WRAP."

397
00:19:41,473 --> 00:19:44,434
WHAT'S GOING ON?!
TELL ME YOU GOT STAINLESS.

398
00:19:44,517 --> 00:19:46,061
RIGHT HERE, CHIEF.

399
00:19:46,144 --> 00:19:49,648
LOOKS LIKE I'M GONNA BE ABLE
TO FISH IN PEACE AFTER ALL.

400
00:19:49,731 --> 00:19:51,399
WHAT? WHAT IS IT?

401
00:19:51,483 --> 00:19:54,319
FILLMORE!

402
00:19:54,402 --> 00:19:56,947
PRINCIPAL FOLSOM ISN'T SURE
WHETHER TO GIVE YOU GUYS

403
00:19:57,030 --> 00:19:59,115
A COMMENDATION
OR TO GIVE YOU DETENTION.

404
00:19:59,199 --> 00:20:01,159
ON THE ONE HAND,
YOU PUT STAINLESS AWAY.

405
00:20:01,243 --> 00:20:02,827
BUT ON THE OTHER HAND,

406
00:20:02,911 --> 00:20:05,330
YOU DESTROYED AN ENTIRE SHIPMENT
OF BRUSHED-STEEL STALLS,

407
00:20:05,413 --> 00:20:07,374
YOU RUINED
A MONTH'S SUPPLY OF MACARONI,

408
00:20:07,457 --> 00:20:10,168
AND YOU ALLOWED THE MOST
NOTORIOUS GRAFFITI VANDAL

409
00:20:10,252 --> 00:20:12,295
IN THE HISTORY OF THE SCHOOL
TO ESCAPE.

410
00:20:12,379 --> 00:20:14,214
RANDALL JULIAN'S LOOSE
OUT THERE,

411
00:20:14,297 --> 00:20:16,633
AND NO ONE KNOWS
WHERE HE'LL STRIKE NEXT.

412
00:20:21,304 --> 00:20:22,681
HEY, JULIAN.

413
00:20:22,764 --> 00:20:24,891
FILLMORE?
I SHOULD HAVE KNOWN.

414
00:20:24,975 --> 00:20:27,811
YOU WERE THE ONLY ONE
WHO EVER UNDERSTOOD.

415
00:20:27,894 --> 00:20:29,062
NO, I DON'T UNDERSTAND.

416
00:20:29,145 --> 00:20:30,647
I DON'T UNDERSTAND

417
00:20:30,730 --> 00:20:32,899
HOW SOMEONE WITH YOUR TALENT
CAN JUST FLUSH IT AWAY.

418
00:20:32,983 --> 00:20:34,401
STAY BACK.

419
00:20:34,484 --> 00:20:37,404
I ONLY HAVE TO TOUCH THE TIP
OF THIS MARKER TO THE STALL,

420
00:20:37,487 --> 00:20:40,115
AND MY MASTERPIECE
IS COMPLETE.

421
00:20:40,198 --> 00:20:42,200
THAT'S NOT A MASTERPIECE,
JULIAN.

422
00:20:42,284 --> 00:20:44,953
THAT'S JUST NOISE.
ANYBODY CAN SCRAWL A STALL.

423
00:20:45,036 --> 00:20:47,956
BUT THEY STILL HAVE A FEW
OF YOUR MACARONI COLLAGES

424
00:20:48,039 --> 00:20:49,374
HANGING IN THE LIBRARY.

425
00:20:49,457 --> 00:20:50,667
YOU WANNA KNOW WHY?

426
00:20:50,750 --> 00:20:53,044
BECAUSE THOSE PIECES
MOVED PEOPLE.

427
00:20:53,128 --> 00:20:56,047
J., THEY STILL
MOVE PEOPLE, MAN.

428
00:20:56,131 --> 00:20:59,718
IS THAT WHY THE JUDGES
AT THE COUNTY ART FAIR

429
00:20:59,801 --> 00:21:03,179
PLACED MY ART THIRD,
PLACED MY ART FOURTH,

430
00:21:03,263 --> 00:21:06,099
PLACED MY ART
"HONORABLE MENTION"?

431
00:21:06,182 --> 00:21:09,561
THIS -- THIS IS
BEYOND JUDGMENT!

432
00:21:09,644 --> 00:21:11,688
NO ONE CAN IGNORE THIS!

433
00:21:11,771 --> 00:21:13,857
OH, SO, THAT'S HOW
IT'S GONNA BE --

434
00:21:13,940 --> 00:21:16,568
GET ATTENTION ANY WAY YOU CAN,
RIGHT OR WRONG!

435
00:21:16,651 --> 00:21:19,612
THEN WHY DON'T YOU GO AHEAD
AND WRITE YOUR REAL NAME?

436
00:21:19,696 --> 00:21:21,948
DON'T HIDE BEHIND
SOME "FLAVA SAVA" TAG.

437
00:21:22,032 --> 00:21:24,868
WHY DON'T YOU GO AHEAD
AND WRITE "RANDALL JULIAN"?

438
00:21:24,951 --> 00:21:28,288
FINE, FILLMORE!
I WILL! I WILL!

439
00:21:28,371 --> 00:21:30,790
NO, I DON'T THINK YOU WILL,

440
00:21:30,874 --> 00:21:33,585
BECAUSE THEN EVERYBODY
WILL KNOW THE SCORE.

441
00:21:33,668 --> 00:21:35,920
THERE WAS THIS REAL ARTIST
WHO GAVE UP TOUCHING

442
00:21:36,004 --> 00:21:38,173
SOME OF THE PEOPLE
TO HURT ALL OF THE PEOPLE,

443
00:21:38,256 --> 00:21:40,091
BECAUSE HE WANTED
TO BE FAMOUS,

444
00:21:40,175 --> 00:21:43,053
BECAUSE HE FORGOT
WHAT REAL ART WAS ALL ABOUT --

445
00:21:43,136 --> 00:21:46,723
JUST EXPRESSING YOURSELF FOR
THE SAKE OF EXPRESSING YOURSELF.

446
00:21:51,728 --> 00:21:54,189
WELCOME BACK, RANDALL.

447
00:21:54,272 --> 00:21:55,774
YOU DON'T HAPPEN TO KNOW

448
00:21:55,857 --> 00:21:59,110
WHERE I CAN GET MY HANDS
ON SOME MACARONI, DO YOU?

449
00:21:59,319 --> 00:22:02,864
ACTUALLY, YOU KNOW WHAT?
I DO.

450
00:22:07,035 --> 00:22:08,912
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