1 00:00:01,627 --> 00:00:03,588 FILLMORE. I'M ON IT. 2 00:00:13,931 --> 00:00:16,517 [ SIREN WAILS ] 3 00:00:44,003 --> 00:00:45,713 [ SIREN WAILS ] 4 00:01:02,396 --> 00:01:04,690 AND NOW..."FILLMORE." 5 00:01:04,774 --> 00:01:07,985 TODAY'S EPISODE -- "TO MAR A STALL." 6 00:01:11,197 --> 00:01:12,865 AND NOW, IF YOU'LL FOLLOW ME, 7 00:01:13,032 --> 00:01:15,076 I'LL TURN YOU OVER TO THE PRESIDENT 8 00:01:15,159 --> 00:01:18,204 OF THE X MIDDLE SCHOOL BATHROOM STEERING COMMITTEE, 9 00:01:18,287 --> 00:01:19,664 ROBIN SPENCER. 10 00:01:19,747 --> 00:01:22,041 BY THE TIME AN X MIDDLE-SCHOOL STUDENT GRADUATES, 11 00:01:22,125 --> 00:01:25,044 HE OR SHE WILL USE THE SCHOOL BATHROOM FACILITIES 12 00:01:25,128 --> 00:01:27,505 AN AVERAGE OF 432 TIMES. 13 00:01:27,588 --> 00:01:30,091 AND WITH THE ADDITION OF A SELF-SERVE TACO BUFFET 14 00:01:30,174 --> 00:01:31,801 IN THE CAFETORIUM, 15 00:01:31,926 --> 00:01:35,054 OUR STUDIES INDICATE THAT WE MAY SEE THAT NUMBER INCREASE 16 00:01:35,138 --> 00:01:38,349 BY AS MUCH AS 12% OVER THE NEXT 2 YEARS. 17 00:01:38,558 --> 00:01:39,851 EACH AND EVERY ONE 18 00:01:39,934 --> 00:01:42,895 OF X MIDDLE SCHOOL'S NEWLY REMODELED BATHROOMS 19 00:01:42,979 --> 00:01:45,148 FEATURE STATE-OF-THE-ART MOTION SENSORS, 20 00:01:45,231 --> 00:01:48,192 HEATED TOILET SEATS, AUTOMATIC T.P. DISPENSERS, 21 00:01:48,276 --> 00:01:51,070 AND EVEN HIGH-PRESSURE BIDETS! 22 00:01:51,237 --> 00:01:53,739 [ Chuckling ] BUT HECK -- DON'T TAKE MY WORD FOR IT. 23 00:01:53,823 --> 00:01:55,575 TAKE A LOOK FOR YOURSELVES 24 00:01:55,658 --> 00:01:58,494 AT THE NEW PRIDE OF X MIDDLE SCHOOL! 25 00:01:58,786 --> 00:02:01,080 [ ALL GASP ] 26 00:02:01,289 --> 00:02:02,915 NO. 27 00:02:03,207 --> 00:02:06,294 NO! "STAINLESS"? 28 00:02:13,384 --> 00:02:15,094 SOMEONE CALL THE SAFETY PATROL. 29 00:02:15,219 --> 00:02:17,263 NOW! 30 00:02:24,228 --> 00:02:27,231 [ CAMERA SHUTTER CLICKS ] 31 00:02:29,859 --> 00:02:31,611 [ BEEPS ] 32 00:02:31,694 --> 00:02:34,530 HEY, CAN WE GET THESE MOTION SENSORS SHUT OFF 33 00:02:34,614 --> 00:02:36,490 BEFORE O'FARRELL DROWNS ME? 34 00:02:36,574 --> 00:02:38,659 COULD YOU PLEASE STOP REFERRING TO ME 35 00:02:38,743 --> 00:02:39,785 IN THE THIRD PERSON? 36 00:02:39,869 --> 00:02:41,120 I'M STANDING RIGHT HERE. 37 00:02:41,204 --> 00:02:42,580 "STAINLESS." VERY CATCHY. 38 00:02:42,663 --> 00:02:44,540 A PAINTING CREW FINISHED UP IN HERE 39 00:02:44,624 --> 00:02:46,000 AROUND LUNCH YESTERDAY. 40 00:02:46,083 --> 00:02:47,710 THEY PROPPED OPEN THE DOOR FOR VENTILATION. 41 00:02:47,793 --> 00:02:49,462 IT WAS OPEN ALL NIGHT. 42 00:02:49,545 --> 00:02:52,423 SO IT COULD BE ANYBODY. 43 00:02:52,506 --> 00:02:54,133 [ CLICKING RESUMES ] 44 00:02:54,217 --> 00:02:56,636 LISTEN, I'M GOING FISHING WITH MY DAD THIS WEEKEND. 45 00:02:56,719 --> 00:02:58,304 THE LAST THING I NEED 46 00:02:58,387 --> 00:03:00,973 IS THIS "STAINLESS" HEADACHE MESSING UP MY FLY CAST. 47 00:03:01,098 --> 00:03:03,059 SO, TALK TO ME HERE, PEOPLE. 48 00:03:03,142 --> 00:03:04,769 STAINLESS' WEAPONS OF CHOICE 49 00:03:04,852 --> 00:03:07,480 ARE RED, BLACK, AND GREEN PERMANENT MARKERS. 50 00:03:07,563 --> 00:03:09,899 IT'S THE SAME BRAND SUPPLIED TO THE SCHOOL -- 51 00:03:09,982 --> 00:03:11,317 PRETTY MUCH UNTRACEABLE. 52 00:03:11,400 --> 00:03:13,277 O'FARRELL AND I SPENT THE MORNING 53 00:03:13,361 --> 00:03:15,821 CURLED UP WITH OUR FILE OF KNOWN TAGGERS -- NO MATCHES. 54 00:03:15,905 --> 00:03:17,907 STAINLESS MUST BE NEW ON THE BLOCK. 55 00:03:17,990 --> 00:03:20,576 THESE GRAFFITI SCRAWLERS DON'T STOP AT JUST ONE. 56 00:03:20,660 --> 00:03:23,287 NOW, PRINCIPAL FOLSOM WANTS THIS STAINLESS CAUGHT 57 00:03:23,371 --> 00:03:25,456 BEFORE HE DOES ANY MORE REDECORATING. 58 00:03:25,539 --> 00:03:27,250 WHAT ABOUT THE TAGS THEMSELVES -- 59 00:03:27,333 --> 00:03:29,043 THE COLOR, LETTERING STYLE? 60 00:03:29,126 --> 00:03:31,337 THERE MUST BE SOME SORT OF EXPERT WE CAN SHOW THEM TO -- 61 00:03:31,420 --> 00:03:32,797 AN ART TEACHER, MAYBE? 62 00:03:32,880 --> 00:03:34,674 WE COULD SHOW THEM TO RANDALL JULIAN. 63 00:03:34,757 --> 00:03:36,133 RANDALL THE VANDAL? 64 00:03:36,217 --> 00:03:38,094 ISN'T HE SERVING INDEFINITE DETENTION 65 00:03:38,177 --> 00:03:39,553 OUT BY THE ATHLETIC FIELD? 66 00:03:39,637 --> 00:03:41,013 NO WAY HE HELPS US. 67 00:03:41,097 --> 00:03:42,682 YOU GUYS GOT A BETTER LEAD? 68 00:03:44,267 --> 00:03:45,476 DO IT. 69 00:03:46,602 --> 00:03:48,521 FILLMORE, I'M NEW, REMEMBER? 70 00:03:48,604 --> 00:03:51,023 A LITTLE INFO, PLEASE. WHO'S RANDALL THE VANDAL? 71 00:03:51,107 --> 00:03:53,526 RANDALL JULIAN WAS ONE OF THE GREATEST ART STUDENTS 72 00:03:53,609 --> 00:03:55,486 IN THE HISTORY OF OUR SCHOOL. 73 00:03:55,569 --> 00:03:57,863 HIS MACARONI COLLAGES TOOK TOP HONORS ALL OVER THE STATE. 74 00:03:57,947 --> 00:03:59,699 BUT THEN SOMETHING WENT WRONG. 75 00:03:59,782 --> 00:04:01,534 HE DROPPED THE MAC AND GLUE STICKS 76 00:04:01,617 --> 00:04:03,369 AND PICKED UP A PERMANENT MARKER. 77 00:04:03,452 --> 00:04:04,745 HE BECAME A TAGGER. 78 00:04:04,829 --> 00:04:06,038 NOT JUST A TAGGER -- 79 00:04:06,122 --> 00:04:07,665 THE TAGGER -- FLAVA SAVA. 80 00:04:07,748 --> 00:04:09,041 THE BEST OR THE WORST, 81 00:04:09,125 --> 00:04:11,210 DEPENDING ON HOW YOU FLIP THE PANCAKE. 82 00:04:11,294 --> 00:04:13,879 RANDALL JULIAN TAGGED EVERY BATHROOM IN THE SCHOOL 83 00:04:13,963 --> 00:04:16,590 EXCEPT ONE -- THE BATHROOM IN THE TEACHERS' LOUNGE. 84 00:04:16,674 --> 00:04:18,134 WE CAUGHT HIM 85 00:04:18,217 --> 00:04:20,052 BEFORE HE COULD PUT THAT FINAL STROKE ON HIS MASTERPIECE. 86 00:04:20,136 --> 00:04:21,929 YOU WERE THE ONE THAT CAUGHT HIM, WEREN'T YOU? 87 00:04:22,013 --> 00:04:24,473 WELL, HE SHOULD BE THRILLED TO SEE YOU AGAIN. 88 00:04:26,183 --> 00:04:29,478 I'LL NEED YOU TO CHECK IN ALL WRITING INSTRUMENTS. 89 00:04:31,314 --> 00:04:34,567 ANY INK, INK CARTRIDGES, PEN REFILLS, PENCIL LEADS, 90 00:04:34,650 --> 00:04:38,070 NIBS, QUILLS, CHALK, CRAYONS, CHARCOAL, WAX PENCILS? 91 00:04:39,155 --> 00:04:41,407 ANY INTERIOR/EXTERIOR PAINT, SPRAY PAINT, 92 00:04:41,490 --> 00:04:43,701 FINGER PAINT, POSTER PAINT, MODEL PAINT, 93 00:04:43,784 --> 00:04:45,911 PAINTBALLS, PAINTBRUSHES, AIRBRUSHES? 94 00:04:48,664 --> 00:04:51,959 EYELINER, LIPSTICK, MASCARA? 95 00:04:52,043 --> 00:04:53,878 HEY, ME NEITHER. 96 00:04:53,961 --> 00:04:56,380 UH-HUH. FOLLOW ME. 97 00:04:56,464 --> 00:04:58,591 MR. RANDALL JULIAN IS IN WHAT WE CALL 98 00:04:58,674 --> 00:05:00,593 A PERMANENT STATE OF DETENTION. 99 00:05:00,676 --> 00:05:03,637 HIS PARENTS DROP HIM OFF INTO OUR CUSTODY IN THE MORNING 100 00:05:03,721 --> 00:05:05,931 AND PICK HIM UP AGAIN IN THE AFTERNOON. 101 00:05:06,015 --> 00:05:07,850 HIS CLASSES ARE PIPED IN TO HIM 102 00:05:07,933 --> 00:05:09,769 VIA CLOSED-CIRCUIT TV. 103 00:05:09,852 --> 00:05:13,314 HE CURRENTLY MAINTAINS AN A-PLUS AVERAGE. 104 00:05:13,397 --> 00:05:15,983 YOU MAY FIND OUR SECURITY MEASURES EXTREME, 105 00:05:16,067 --> 00:05:18,319 BUT I ASSURE YOU THEY ARE NECESSARY. 106 00:05:18,402 --> 00:05:19,987 ON NOVEMBER 3 OF THIS YEAR, 107 00:05:20,071 --> 00:05:22,615 A CUSTODIAN ENTERED MR. JULIAN'S HOLDING AREA 108 00:05:22,698 --> 00:05:25,409 WITH A MINIATURE-GOLF PENCIL IN HIS BACK POCKET. 109 00:05:25,493 --> 00:05:27,953 IT TOOK MR. JULIAN 10 MINUTES TO DO THIS 110 00:05:28,037 --> 00:05:29,789 TO THE EAST WALL. 111 00:05:29,872 --> 00:05:31,582 DOG. HOLD UP. 112 00:05:31,665 --> 00:05:34,251 HE DID THAT WITH A MINIATURE-GOLF PENCIL? 113 00:05:34,335 --> 00:05:36,128 I'LL BUZZ YOU IN. 114 00:05:36,212 --> 00:05:38,214 [ BUZZES ] 115 00:05:38,297 --> 00:05:39,882 ALL RIGHT, CLASS, 116 00:05:39,965 --> 00:05:43,302 SO "A" PLUS "B" EQUALS "C," YOU GUYS! 117 00:05:43,386 --> 00:05:44,720 NEXT CLASS. 118 00:05:44,804 --> 00:05:47,807 CORNELIUS FILLMORE, YOU HAVE A NEW PARTNER. 119 00:05:47,890 --> 00:05:50,810 RANDALL JULIAN, MEET INGRID THIRD. 120 00:05:50,893 --> 00:05:51,936 CHARMED. 121 00:05:54,188 --> 00:05:57,316 UNINSPIRED, UNEMOTIONAL, 122 00:05:57,400 --> 00:05:59,819 UNINTERESTING, UNIMPORTANT. 123 00:05:59,902 --> 00:06:02,238 WE DIDN'T COME HERE FOR AN ART CRITIQUE, JULIAN. 124 00:06:02,321 --> 00:06:03,489 OF COURSE NOT. 125 00:06:03,572 --> 00:06:05,783 YOU WANT ME TO HELP YOU CATCH HIM. 126 00:06:05,866 --> 00:06:06,992 WHY SHOULD I? 127 00:06:07,076 --> 00:06:08,702 WE COULD TALK TO THE HIGHER-UPS, 128 00:06:08,786 --> 00:06:10,329 KNOCK SOME TIME OFF YOUR DETENTION. 129 00:06:10,413 --> 00:06:12,706 [ Chuckling ] WHAT? AND GIVE UP ALL THIS? 130 00:06:12,790 --> 00:06:14,333 WE CAME HERE 'CAUSE WE THOUGHT 131 00:06:14,417 --> 00:06:15,918 YOU MIGHT WANT ANOTHER CHANCE. 132 00:06:16,001 --> 00:06:17,503 LOOKS LIKE WE WERE WRONG. 133 00:06:17,586 --> 00:06:21,006 YOUR STAINLESS WRITES FROM RIGHT TO LEFT. 134 00:06:21,090 --> 00:06:22,341 WHAT? 135 00:06:22,425 --> 00:06:25,177 THE ENGLISH LANGUAGE, AS I'M SURE YOU'RE AWARE, 136 00:06:25,261 --> 00:06:27,304 IS WRITTEN FROM LEFT TO RIGHT. 137 00:06:27,388 --> 00:06:29,974 STAINLESS DOES HIS TAGS BACKWARDS -- 138 00:06:30,057 --> 00:06:31,350 RIGHT TO LEFT. 139 00:06:31,434 --> 00:06:34,270 YOU CAN TELL BY THE OVERLAY OF HIS LETTERS. 140 00:06:34,353 --> 00:06:37,064 WHY DOES HE WRITE FROM RIGHT TO LEFT? 141 00:06:37,148 --> 00:06:40,401 NO, I THINK THAT WOULD BE TOO EASY. 142 00:06:40,484 --> 00:06:43,112 WHEN YOU FIGURE IT OUT FOR YOURSELVES, 143 00:06:43,195 --> 00:06:44,905 COME BACK AND SEE ME. 144 00:06:44,989 --> 00:06:47,450 MAYBE I'LL TELL YOU MORE. 145 00:06:47,533 --> 00:06:48,951 I DON'T GET IT. 146 00:06:49,034 --> 00:06:51,078 WHY WOULD AN ARTIST WITH JULIAN'S TALENT 147 00:06:51,162 --> 00:06:53,038 TURN TO SCRAWLING ON BATHROOM WALLS? 148 00:06:53,122 --> 00:06:55,666 THIRD, LEAVE THAT STUFF TO THE GUIDANCE COUNSELORS. 149 00:06:55,749 --> 00:06:57,877 IF YOU WANNA SEE A REAL WORK OF ART, 150 00:06:57,960 --> 00:06:59,628 TAKE A LOOK AT THIS. 151 00:06:59,712 --> 00:07:01,714 THE 309 WATERMAN 452 FLEX ROD 680 -- 152 00:07:01,797 --> 00:07:03,757 FOURTH EDITION. 153 00:07:03,841 --> 00:07:07,887 ENDORSED BY 6-TIME FLY CHAMPION DALE RONDELL. 154 00:07:07,970 --> 00:07:09,638 A FISHING POLE? 155 00:07:09,722 --> 00:07:11,056 MY FISHING POLE. 156 00:07:11,140 --> 00:07:13,392 MY DAD ORDERED IT FROM fefifofin.world. 157 00:07:13,476 --> 00:07:15,853 IT SHOULD BE ARRIVING HERE ANY DAY NOW, 158 00:07:15,936 --> 00:07:18,063 AND I'D LIKE TO PUT STAINLESS AWAY 159 00:07:18,147 --> 00:07:19,356 SO I CAN ENJOY IT. 160 00:07:19,440 --> 00:07:20,774 DO SOME DIGGING. 161 00:07:20,858 --> 00:07:23,194 MAYBE THIS WHOLE THING ISN'T ABOUT TAGGING. 162 00:07:23,277 --> 00:07:24,820 MAYBE SOMEONE HAS A GRUDGE 163 00:07:24,904 --> 00:07:27,198 AGAINST THIS WHOLE BATHROOM-RENOVATION PROJECT. 164 00:07:27,281 --> 00:07:30,242 [ SIGHS ] HERE'S THE LAST OF THEM. 165 00:07:30,326 --> 00:07:31,911 ARE YOU REALLY READING THOSE? 166 00:07:31,994 --> 00:07:33,204 PHOTOGRAPHIC MEMORY. 167 00:07:33,287 --> 00:07:35,289 YOU KNOW, I BEGGED THE COMMITTEE 168 00:07:35,372 --> 00:07:37,416 TO USE BRUSHED STEEL FOR STALLS. 169 00:07:37,500 --> 00:07:39,043 IT'S A WELL-KNOWN FACT 170 00:07:39,126 --> 00:07:41,879 THAT BRUSHED STEEL IS ALMOST IMPOSSIBLE TO DEFACE. 171 00:07:41,962 --> 00:07:44,632 [ SIGHS ] BUT THEY HAD TO IGNORE ME. 172 00:07:44,715 --> 00:07:47,801 BRUSHED STEEL WOULD HAVE LOOKED SO SWEET... 173 00:07:47,885 --> 00:07:50,221 INSTEAD OF THAT INKY NIGHTMARE. 174 00:07:50,304 --> 00:07:51,764 HERE'S SOMETHING. 175 00:07:51,847 --> 00:07:53,724 WHEN THE BATHROOM RENOVATION PROJECT WAS APPROVED, 176 00:07:53,807 --> 00:07:55,893 THE STEERING COMMITTEE WAS MOVED INTO THIS OFFICE, 177 00:07:55,976 --> 00:07:58,020 AND A SMALL CLUB WAS THROWN OUT. 178 00:07:58,103 --> 00:08:00,189 IT WAS AN ALTERNATIVE ART CLUB -- 179 00:08:00,272 --> 00:08:01,482 THE STARVING RENOIRS. 180 00:08:01,565 --> 00:08:02,608 DISCO. 181 00:08:02,691 --> 00:08:03,984 ARTISTS WITH A GRUDGE. 182 00:08:04,068 --> 00:08:05,903 THE CLUB ONLY HAS THREE MEMBERS -- 183 00:08:05,986 --> 00:08:08,113 FRANKIE POLK, FOUNDER AND PRESIDENT. 184 00:08:08,197 --> 00:08:09,532 YOU MUST HAVE BEEN UPSET 185 00:08:09,615 --> 00:08:11,742 WHEN YOU LOST THE SPACE FOR YOUR CLUB. 186 00:08:11,825 --> 00:08:13,160 NO, NOT REALLY. 187 00:08:13,244 --> 00:08:15,829 I FIND OFFICES TO BE CREATIVELY CONFINING. 188 00:08:15,913 --> 00:08:18,374 THE ONLY THING THAT TRULY UPSETS ME 189 00:08:18,457 --> 00:08:20,834 IS THE LACK OF BEAUTY AROUND US. 190 00:08:22,378 --> 00:08:25,881 I CALL IT "THE INTERROGATION OF SELF." 191 00:08:25,965 --> 00:08:27,800 TOMMY HOWARD, CLUB TREASURER. 192 00:08:27,883 --> 00:08:30,135 FORGET THE WHOLE STAINLESS SCENE, MAN. 193 00:08:30,219 --> 00:08:31,470 CHECK OUT THIS NOISE! 194 00:08:31,554 --> 00:08:33,305 YOU DON'T GET IT, DO YOU? 195 00:08:33,389 --> 00:08:34,974 YOU JUST SEE A DOT, RIGHT? 196 00:08:35,057 --> 00:08:37,309 IT'S NOT JUST A DOT, YOU KNOW WHAT I'M SAYIN'? 197 00:08:37,393 --> 00:08:39,144 IT'S 700 COATS OF BLACK MARKER. 198 00:08:39,228 --> 00:08:40,604 KNOW WHAT I'M SAYIN'? 199 00:08:40,688 --> 00:08:42,648 IT'S LIKE THE LAYERS OF THE HUMAN SOUL! 200 00:08:42,731 --> 00:08:44,650 LET'S GET BACK TO STAINLESS. 201 00:08:44,733 --> 00:08:46,360 OH, SURE. HE'S IN THE SPOTLIGHT, 202 00:08:46,443 --> 00:08:47,987 GETTING ALL THE HEADLINES. 203 00:08:48,070 --> 00:08:49,738 KNOW WHAT I'M SAYIN'? WHERE'S MY SLICE? 204 00:08:49,822 --> 00:08:51,699 I GOTTA BE KNOWN. I GOTTA BE RECOGNIZED. 205 00:08:51,782 --> 00:08:53,534 I AIN'T GOIN' OUT LIKE CHARLES LASKEY. 206 00:08:53,617 --> 00:08:54,743 KNOW WHAT I'M SAYIN'? 207 00:08:54,827 --> 00:08:56,328 WHO'S CHARLES LASKEY? 208 00:08:56,412 --> 00:08:58,247 THAT'S WHAT I'M SAYIN'! KNOW WHAT I'M SAYIN'? 209 00:08:58,330 --> 00:09:01,041 LAST IS JEAN GRACE, RECORDING SECRETARY. 210 00:09:01,125 --> 00:09:03,502 I WANT YOU TO KNOW THAT THIS CLAY 211 00:09:03,586 --> 00:09:07,006 IS MADE FROM OATMEAL HUMMUS AND UNSHELLED BUCKWHEAT. 212 00:09:07,089 --> 00:09:08,799 LET'S GET BACK TO THE BATHROOMS. 213 00:09:08,882 --> 00:09:10,175 I CAN'T HELP YOU THERE. 214 00:09:10,259 --> 00:09:12,344 I DON'T BELIEVE IN INDOOR PLUMBING, 215 00:09:12,428 --> 00:09:15,055 AND I HAVE NEVER SET FOOT IN A SCHOOL BATHROOM. 216 00:09:15,139 --> 00:09:16,515 I ALWAYS GO OUT TO THE -- 217 00:09:16,599 --> 00:09:18,309 UH -- DON'T EVEN WANNA KNOW. 218 00:09:18,392 --> 00:09:20,477 Tehama: Fillmore, Ingrid, you might wanna get up here. 219 00:09:20,561 --> 00:09:21,687 I've got something. 220 00:09:21,770 --> 00:09:23,022 CHECK IT OUT. 221 00:09:23,105 --> 00:09:25,357 THE INK FLOW ON THIS SECTION OF THE TAG 222 00:09:25,441 --> 00:09:26,692 DROPS OFF 72%. 223 00:09:26,775 --> 00:09:27,943 WHAT COULD CAUSE THAT? 224 00:09:28,027 --> 00:09:29,278 ONLY ONE THING -- 225 00:09:29,361 --> 00:09:31,280 HIS RED MARKER HAD TO SPRING A LEAK, 226 00:09:31,363 --> 00:09:32,865 PROBABLY FROM THE REAR OF THE PEN. 227 00:09:32,948 --> 00:09:35,117 THAT MARKER'S PERMANENT, RIGHT? 228 00:09:35,200 --> 00:09:37,536 WHOEVER STAINLESS IS, THERE'S A GOOD CHANCE 229 00:09:37,620 --> 00:09:39,913 HE'S WALKING AROUND WITH A RED MARKER STAIN 230 00:09:39,997 --> 00:09:41,874 SOMEWHERE ON HIS HAND OR WRIST. 231 00:09:41,957 --> 00:09:44,793 IT ALSO MEANS OUR BOY STAINLESS MIGHT NEED A REFILL. 232 00:09:49,381 --> 00:09:51,050 FREEZE! 233 00:10:03,395 --> 00:10:04,563 HUH! HUH! 234 00:10:04,647 --> 00:10:05,689 HUH! 235 00:10:05,773 --> 00:10:07,941 END OF THE LINE, STAINLESS. 236 00:10:18,994 --> 00:10:20,496 OH, IT'S ON! 237 00:10:38,847 --> 00:10:40,057 AAH! UGH! 238 00:10:40,140 --> 00:10:42,142 LET'S SEE WHO WE GOT HERE. 239 00:10:51,151 --> 00:10:53,320 OH, YES, I AM STAINLESS. 240 00:10:53,404 --> 00:10:55,864 BUT MY REAL NAME IS TOMMY -- TOMMY HOWARD. 241 00:10:55,948 --> 00:10:57,866 GIVE US SOME ROOM HERE, PEOPLE. 242 00:10:57,950 --> 00:10:59,702 IF YOU JUST SIGN OFF ON THIS INVOICE, 243 00:10:59,785 --> 00:11:01,620 WE CAN START ORDERING THE NEW STALLS. 244 00:11:01,704 --> 00:11:03,038 NO NEED, ROBIN. 245 00:11:03,122 --> 00:11:04,832 GRAFFITI GUS GUY IS OUT OF BUSINESS NOW. 246 00:11:04,915 --> 00:11:06,583 HEY, LIGHTEN UP. YOU'LL WRINKLE. 247 00:11:06,667 --> 00:11:08,752 He's coming! 248 00:11:11,046 --> 00:11:13,507 FOLSOM'S SO HAPPY, SHE DIDN'T EVEN MENTION 249 00:11:13,590 --> 00:11:16,260 THE $700 WORTH OF OFFICE SUPPLIES YOU TRASHED. 250 00:11:16,427 --> 00:11:19,596 BUT DON'T WORRY -- SHE WILL. 251 00:11:19,763 --> 00:11:21,306 IS THAT...FOR ME? 252 00:11:21,515 --> 00:11:23,267 GOT YOUR NAME ON IT. 253 00:11:24,852 --> 00:11:26,353 BEAUTIFUL! 254 00:11:26,437 --> 00:11:30,274 YOU JUST KEEP YOUR ELBOWS IN, EYES FOCUSED ON THE TARGET. 255 00:11:32,109 --> 00:11:33,861 AAH! 256 00:11:33,944 --> 00:11:36,447 ♪ ROW, ROW, ROW YOUR BOAT, GENTLY DOWN THE STREAM ♪ 257 00:11:36,530 --> 00:11:38,449 ♪ MERRILY, MERRILY, MERRILY, MERRILY ♪ 258 00:11:38,532 --> 00:11:40,075 ♪ LIFE IS BUT A DREAM ♪ 259 00:11:40,159 --> 00:11:43,120 ♪ LIFE IS BUT A DREAM ♪ 260 00:11:43,203 --> 00:11:46,123 [ LAUGHTER ] 261 00:11:46,206 --> 00:11:48,041 VERY FUNNY, PEOPLE -- 262 00:11:48,125 --> 00:11:49,585 HI-LARIOUS. 263 00:11:51,754 --> 00:11:53,589 HOLD UP. 264 00:11:53,672 --> 00:11:55,799 ARE THESE THE MARKERS TOMMY TRIED TO CLIP? 265 00:11:55,883 --> 00:11:57,342 YEAH. I BAGGED THEM MYSELF. 266 00:11:57,426 --> 00:11:58,719 OH, NO. 267 00:11:58,802 --> 00:12:01,680 I KNOW THAT LOOK IN YOUR EYE, FILLMORE. 268 00:12:01,764 --> 00:12:03,849 Fillmore: I DON'T LIKE TOMMY FOR STAINLESS. 269 00:12:03,932 --> 00:12:06,018 DON'T DO THIS TO ME, FILLMORE. 270 00:12:06,101 --> 00:12:08,187 STAINLESS WOULD HAVE BEEN LOOKING FOR A RED REFILL. 271 00:12:08,270 --> 00:12:10,105 THESE MARKERS ARE BLACK -- 272 00:12:10,189 --> 00:12:13,358 THE SAME BLACK TOMMY WAS USING ON HIS 700-LAYER MASTERPIECE. 273 00:12:13,442 --> 00:12:17,279 PLUS, THERE WERE NO RED STAINS ON TOMMY'S HANDS OR WRISTS. 274 00:12:17,362 --> 00:12:18,739 YOU SEE WHAT I GOT HERE? 275 00:12:18,822 --> 00:12:20,866 A SIGNED CONFESSION FROM TOMMY HOWARD. 276 00:12:20,949 --> 00:12:23,494 TOMMY WANTED ATTENTION. HE WANTED TO BE KNOWN. 277 00:12:23,577 --> 00:12:25,037 NOW HE IS. 278 00:12:25,120 --> 00:12:29,082 OKAY, STAY ON IT, BUT KEEP IT QUIET. 279 00:12:31,627 --> 00:12:34,421 HARD TO BELIEVE A GUY WOULD SMEAR HIS OWN NAME LIKE THAT 280 00:12:34,505 --> 00:12:35,839 JUST TO GET SOME ATTENTION. 281 00:12:35,923 --> 00:12:39,802 SMEAR? CRACKERS! THAT'S IT! 282 00:12:39,885 --> 00:12:43,305 CHECK THIS OUT. A MARKER LEAVES A WET RESIDUE. 283 00:12:43,388 --> 00:12:46,934 RIGHT-HANDED PEOPLE DON'T HAVE TO WORRY ABOUT SMEARING IT. 284 00:12:47,017 --> 00:12:49,061 BUT A LEFT-HANDED PERSON HAS A TENDENCY 285 00:12:49,144 --> 00:12:51,605 TO DRAG THEIR HAND OVER THE AREA THEY JUST WROTE 286 00:12:51,688 --> 00:12:53,065 UNLESS... 287 00:12:53,148 --> 00:12:57,653 UNLESS THE PERSON WRITES BACKWARDS -- RIGHT TO LEFT. 288 00:12:59,530 --> 00:13:01,740 STAINLESS IS LEFT-HANDED. 289 00:13:01,824 --> 00:13:03,909 THAT'S WHAT JULIAN WAS TELLING US. 290 00:13:03,992 --> 00:13:06,328 EXCELLENT WORK, OFFICERS. 291 00:13:06,411 --> 00:13:07,663 YEAH, JULIAN. 292 00:13:07,746 --> 00:13:10,541 TOO BAD 15% OF THE SCHOOL IS LEFT-HANDED. 293 00:13:10,624 --> 00:13:13,710 SO MANY SUSPECTS AND SO LITTLE TIME. 294 00:13:13,794 --> 00:13:17,464 STAINLESS IS NO DOUBT SCOUTING OUT HIS NEXT BATHROOM 295 00:13:17,548 --> 00:13:20,050 WHILE YOU'RE WASTING YOUR TIME TALKING TO ME. 296 00:13:20,133 --> 00:13:23,095 THESE ARE ALL 14 OF THE NEWLY RENOVATED BATHROOMS. 297 00:13:23,178 --> 00:13:25,138 WHICH ONE IS NEXT, JULIAN? 298 00:13:25,222 --> 00:13:27,724 I CAN'T READ YOUR STAINLESS' MIND, 299 00:13:27,808 --> 00:13:29,268 NOW, CAN I? 300 00:13:29,351 --> 00:13:32,062 LOOK AT THE PICTURES, JULIAN. WHICH ONE WOULD YOU HIT? 301 00:13:32,145 --> 00:13:34,273 YOU HAVE NOTHING TO LOSE BY HELPING US. 302 00:13:34,356 --> 00:13:36,316 I HAVE NOTHING TO GAIN. 303 00:13:36,400 --> 00:13:38,068 NOTHING TO GAIN, HUH, JULIAN? 304 00:13:38,151 --> 00:13:40,612 HOW ABOUT ACCESS TO ART SUPPLIES? 305 00:13:40,696 --> 00:13:43,282 ALL UNDER STRICT SUPERVISION, OF COURSE. 306 00:13:43,365 --> 00:13:45,450 YOU CAN BE A REAL ARTIST AGAIN, JULIAN. 307 00:13:45,534 --> 00:13:46,910 THINK ABOUT IT. 308 00:13:46,994 --> 00:13:51,832 I PLACED FIRST IN SEVEN CONSECUTIVE ART FAIRS. 309 00:13:51,915 --> 00:13:55,127 SURE, IT BROUGHT ME A SMALL FOLLOWING, 310 00:13:55,210 --> 00:13:57,921 BUT THEN, AS I BEGAN TO PLACE LOWER, 311 00:13:58,005 --> 00:14:00,424 THAT FOLLOWING BEGAN TO SHRINK. 312 00:14:00,507 --> 00:14:02,801 SURE, THE FANS I HAD LEFT WERE DEVOTED, 313 00:14:02,885 --> 00:14:04,303 BUT I WANTED MORE. 314 00:14:04,386 --> 00:14:06,179 I WANTED TO BE IMMORTAL. 315 00:14:06,263 --> 00:14:09,975 AND I FOUND A WAY TO DO IT AS FLAVA SAVA. 316 00:14:10,058 --> 00:14:14,062 AND NOW -- NOW RANDALL JULIAN, THE ARTIST, 317 00:14:14,146 --> 00:14:16,481 IS MERELY A FADING MEMORY 318 00:14:16,565 --> 00:14:20,193 FOR THOSE FEW THAT EVEN REMEMBER HIM. 319 00:14:20,277 --> 00:14:22,946 IT'S THIS ONE. 320 00:14:25,741 --> 00:14:27,743 [ BUZZES ] 321 00:14:32,497 --> 00:14:33,999 ALL RIGHT, I GOT ONE. 322 00:14:34,082 --> 00:14:37,044 WOULD YOU RATHER EAT A 2-MONTH-OLD MAC AND CHEESE 323 00:14:37,127 --> 00:14:38,712 OR A SPIDER-MERINGUE PIE? 324 00:14:38,795 --> 00:14:40,547 GOTTA GO WITH THE VINTAGE MAC. 325 00:14:40,631 --> 00:14:42,674 THAT'S AN EASY ONE. YOUR TURN. 326 00:14:42,758 --> 00:14:45,594 SQUIRREL BURGER OR A BAG OF POTTING SOIL? 327 00:14:45,677 --> 00:14:47,429 MMM, I'LL TAKE THE SOIL. 328 00:14:47,512 --> 00:14:50,349 Tehama: Fillmore, Ingrid, we got a suspect heading your way. 329 00:14:50,432 --> 00:14:52,142 THANKS, TEHAMA. WE'RE ON IT. 330 00:14:56,772 --> 00:14:58,231 IT'S FRANKIE POLK, 331 00:14:58,315 --> 00:15:01,109 AND HE'S HEADING INTO THE GIRLS' BATHROOM. 332 00:15:04,279 --> 00:15:07,532 DON'T FORGET TO WASH YOUR HANDS, FRANKIE. 333 00:15:07,616 --> 00:15:10,327 [ Crying ] YES, I DRAW TOILETS -- 334 00:15:10,410 --> 00:15:11,995 BEAUTIFUL TOILETS -- 335 00:15:12,079 --> 00:15:15,374 THE PERFECT MARRIAGE OF FORM AND FUNCTION, 336 00:15:15,457 --> 00:15:19,044 OF STYLE AND SUBSTANCE, OF WATER AND PORCELAIN. 337 00:15:19,127 --> 00:15:21,254 LOOKS LIKE A WRONG NUMBER, GUYS. 338 00:15:21,338 --> 00:15:22,923 DO US A FAVOR, FRANKIE -- 339 00:15:23,006 --> 00:15:25,634 STICK TO DRAWING IN THE BOYS' BATHROOMS. 340 00:15:25,717 --> 00:15:27,052 OF COURSE, OFFICERS. 341 00:15:27,135 --> 00:15:29,429 I WAS MERELY TRYING TO CAPTURE THE [GASPS] 342 00:15:34,977 --> 00:15:38,355 FILLMORE, THIS IS STILL WET. 343 00:15:38,438 --> 00:15:39,648 [ BOTH GASP ] 344 00:15:54,746 --> 00:15:57,624 [ SHOUTING INDISTINCTLY ] 345 00:15:57,708 --> 00:15:59,793 LISTEN, VALLEJO, 346 00:15:59,876 --> 00:16:03,088 I JUST HAD TO SIGN FOR TOMMY'S RELEASE 347 00:16:03,171 --> 00:16:04,923 AND OKAY THE ORDERING 348 00:16:05,007 --> 00:16:08,885 OF 200 BRAND-NEW, BRUSHED-STEEL BATHROOM STALLS. 349 00:16:08,969 --> 00:16:11,638 YOU DON'T HAVE THIS STAIN HOODLUM IN CUSTODY 350 00:16:11,722 --> 00:16:13,265 BY FINAL BELL, 351 00:16:13,348 --> 00:16:18,186 THIS HEADQUARTERS WILL MAKE A NICE FACULTY YOGA STUDIO! 352 00:16:18,270 --> 00:16:21,606 RANDALL JULIAN WAS RIGHT BEFORE. GO BACK AND TALK TO HIM. 353 00:16:23,358 --> 00:16:25,569 HE'S GONE! HE'S GONE! 354 00:16:25,652 --> 00:16:28,488 RANDALL JULIAN HAS ESCAPED! 355 00:16:36,872 --> 00:16:38,206 OFFICERS. 356 00:16:38,290 --> 00:16:39,458 JULIAN! 357 00:16:39,541 --> 00:16:43,128 PLEASE, CALL ME FLAVA -- FLAVA SAVA. 358 00:16:43,211 --> 00:16:45,547 WE HAD A DEAL, JULIAN -- ACCESS TO ART SUPPLIES 359 00:16:45,630 --> 00:16:47,799 IN EXCHANGE FOR HELPING US CATCH STAINLESS. 360 00:16:47,883 --> 00:16:50,844 I'VE GOT ALL THE SUPPLIES I'M GOING TO NEED 361 00:16:50,927 --> 00:16:53,972 TO ENSURE THAT THIS SCHOOL NEVER FORGETS ME. 362 00:16:54,056 --> 00:16:55,557 SO LONG, OFFICERS. 363 00:16:55,640 --> 00:16:58,727 BUT DON'T FRET. I LEFT YOU A PARTING GIFT. 364 00:17:01,980 --> 00:17:03,774 [ SIGHS ] THERE'S NOTHING IN HERE. 365 00:17:03,857 --> 00:17:05,984 IT'S JUST AN OLD COPY OF THE SCHOOL PAPER. 366 00:17:06,068 --> 00:17:07,903 YOU SEE WHAT I SEE? 367 00:17:07,986 --> 00:17:11,156 ROBIN SPENCER IS CUTTING THAT RIBBON WITH HER LEFT HAND. 368 00:17:11,239 --> 00:17:14,326 AND SHE'S WEARING A GLOVE. DISCO. 369 00:17:17,245 --> 00:17:20,165 ROBIN SPENCER PUT IN A MOTION TO INSTALL 370 00:17:20,248 --> 00:17:22,834 HER BRUSHED-STEEL STALLS 43 TIMES. 371 00:17:22,918 --> 00:17:25,170 AND LIKE SHE SAID, THEY IGNORED HER. 372 00:17:25,253 --> 00:17:28,215 WHAT BETTER WAY TO PROVE THE ANTIGRAFFITI STALLS WERE NECESSARY 373 00:17:28,298 --> 00:17:30,175 THAN TO VANDALIZE THE BATHROOMS HERSELF? 374 00:17:30,258 --> 00:17:31,718 AS STAINLESS -- 375 00:17:31,802 --> 00:17:34,471 AS IN THE STAINLESS-STEEL STALLS SHE WANTED. 376 00:17:34,554 --> 00:17:36,264 ACCORDING TO THIS SHIPPING INVOICE, 377 00:17:36,515 --> 00:17:39,976 ROBIN'S NEW STALLS ARE ARRIVING AT THE SCHOOL LOADING DOCK RIGHT NOW. 378 00:17:45,190 --> 00:17:48,151 THOSE ARE GOING TO THE "H" WING RESTROOMS BY THE GREENHOUSE. 379 00:17:48,401 --> 00:17:53,031 GOOD OLD BRUSHED STEEL, YOU'RE GONNA TAKE ME TO THE TOP. 380 00:17:53,115 --> 00:17:55,575 OH, I'VE WANTED YOU SO BADLY. 381 00:17:55,659 --> 00:17:57,077 HOW BADLY? 382 00:17:57,244 --> 00:17:59,913 BADLY ENOUGH TO VANDALIZE THE ORIGINAL STALLS YOURSELF? 383 00:17:59,996 --> 00:18:01,832 I -- I-I DON'T KNOW WHAT YOU MEAN. 384 00:18:01,915 --> 00:18:03,125 OH, I THINK YOU DO. 385 00:18:03,208 --> 00:18:04,876 I THINK YOU COULDN'T HANDLE IT 386 00:18:04,960 --> 00:18:07,212 WHEN YOUR BRUSHED-STEEL STALLS GOT SHOT DOWN. 387 00:18:07,295 --> 00:18:10,382 I THINK YOU WANTED TO PROVE THAT ANTIGRAFFITI STALLS WERE NECESSARY. 388 00:18:10,465 --> 00:18:12,134 I THINK YOU BECAME STAINLESS. 389 00:18:12,300 --> 00:18:15,303 THAT'S RIDICULOUS! YOU DON'T HAVE A SHRED OF PROOF! 390 00:18:15,387 --> 00:18:17,139 WE DO NOW. 391 00:18:17,222 --> 00:18:20,767 UGH! UGH! UGH! 392 00:18:20,851 --> 00:18:21,893 [ PANTING ] 393 00:18:21,977 --> 00:18:23,895 TEHAMA, WE NEED BACKUP. 394 00:18:29,985 --> 00:18:32,404 I'M GOING TO BE KNOWN AS THE STUDENT 395 00:18:32,487 --> 00:18:35,407 THAT PUT AN END TO GRAFFITI ONCE AND FOR ALL. 396 00:18:35,490 --> 00:18:38,618 SO WHAT IF I HAD TO DEFACE A FEW STALLS TO DO IT? 397 00:18:38,702 --> 00:18:40,412 THIS IS JUST THE BEGINNING. 398 00:18:40,495 --> 00:18:43,415 STUDENT-COUNCIL PRESIDENT, VALEDICTORIAN, 399 00:18:43,498 --> 00:18:47,127 BEST DRESSED IN THE YEARBOOK -- THE SKY'S THE LIMIT, 400 00:18:47,210 --> 00:18:50,463 AND EVERYONE WILL KNOW THE NAME ROBIN SPENCER. 401 00:18:50,547 --> 00:18:52,424 NO, ROBIN, IT ALL ENDS HERE. 402 00:18:52,507 --> 00:18:54,050 SORRY, OFFICER, 403 00:18:54,134 --> 00:18:57,387 BUT I'M AFRAID STAINLESS IS GONNA MAKE A CLEAN GETAWAY. 404 00:18:57,470 --> 00:18:58,847 UGH. 405 00:19:00,807 --> 00:19:02,642 Ingrid: FILLMORE! 406 00:19:11,693 --> 00:19:13,862 VALLEJO'S FISHING ROD. 407 00:19:13,945 --> 00:19:17,741 KEEP YOUR ELBOWS IN, FOCUS ON THE TARGET, BABY. 408 00:19:21,703 --> 00:19:23,246 UGH! 409 00:19:26,041 --> 00:19:29,544 [ AIR BUBBLES POPPING ] UGH! UGH! UGH! 410 00:19:29,628 --> 00:19:33,590 I'D SAY YOU TWO WRAPPED THIS CASE UP RATHER NICELY. 411 00:19:33,673 --> 00:19:35,926 BUBBLE WRAP, THAT IS. GET IT? 412 00:19:36,009 --> 00:19:39,095 IT'S BASICALLY A PLAY ON THE WORD "WRAP." 413 00:19:41,473 --> 00:19:44,434 WHAT'S GOING ON?! TELL ME YOU GOT STAINLESS. 414 00:19:44,517 --> 00:19:46,061 RIGHT HERE, CHIEF. 415 00:19:46,144 --> 00:19:49,648 LOOKS LIKE I'M GONNA BE ABLE TO FISH IN PEACE AFTER ALL. 416 00:19:49,731 --> 00:19:51,399 WHAT? WHAT IS IT? 417 00:19:51,483 --> 00:19:54,319 FILLMORE! 418 00:19:54,402 --> 00:19:56,947 PRINCIPAL FOLSOM ISN'T SURE WHETHER TO GIVE YOU GUYS 419 00:19:57,030 --> 00:19:59,115 A COMMENDATION OR TO GIVE YOU DETENTION. 420 00:19:59,199 --> 00:20:01,159 ON THE ONE HAND, YOU PUT STAINLESS AWAY. 421 00:20:01,243 --> 00:20:02,827 BUT ON THE OTHER HAND, 422 00:20:02,911 --> 00:20:05,330 YOU DESTROYED AN ENTIRE SHIPMENT OF BRUSHED-STEEL STALLS, 423 00:20:05,413 --> 00:20:07,374 YOU RUINED A MONTH'S SUPPLY OF MACARONI, 424 00:20:07,457 --> 00:20:10,168 AND YOU ALLOWED THE MOST NOTORIOUS GRAFFITI VANDAL 425 00:20:10,252 --> 00:20:12,295 IN THE HISTORY OF THE SCHOOL TO ESCAPE. 426 00:20:12,379 --> 00:20:14,214 RANDALL JULIAN'S LOOSE OUT THERE, 427 00:20:14,297 --> 00:20:16,633 AND NO ONE KNOWS WHERE HE'LL STRIKE NEXT. 428 00:20:21,304 --> 00:20:22,681 HEY, JULIAN. 429 00:20:22,764 --> 00:20:24,891 FILLMORE? I SHOULD HAVE KNOWN. 430 00:20:24,975 --> 00:20:27,811 YOU WERE THE ONLY ONE WHO EVER UNDERSTOOD. 431 00:20:27,894 --> 00:20:29,062 NO, I DON'T UNDERSTAND. 432 00:20:29,145 --> 00:20:30,647 I DON'T UNDERSTAND 433 00:20:30,730 --> 00:20:32,899 HOW SOMEONE WITH YOUR TALENT CAN JUST FLUSH IT AWAY. 434 00:20:32,983 --> 00:20:34,401 STAY BACK. 435 00:20:34,484 --> 00:20:37,404 I ONLY HAVE TO TOUCH THE TIP OF THIS MARKER TO THE STALL, 436 00:20:37,487 --> 00:20:40,115 AND MY MASTERPIECE IS COMPLETE. 437 00:20:40,198 --> 00:20:42,200 THAT'S NOT A MASTERPIECE, JULIAN. 438 00:20:42,284 --> 00:20:44,953 THAT'S JUST NOISE. ANYBODY CAN SCRAWL A STALL. 439 00:20:45,036 --> 00:20:47,956 BUT THEY STILL HAVE A FEW OF YOUR MACARONI COLLAGES 440 00:20:48,039 --> 00:20:49,374 HANGING IN THE LIBRARY. 441 00:20:49,457 --> 00:20:50,667 YOU WANNA KNOW WHY? 442 00:20:50,750 --> 00:20:53,044 BECAUSE THOSE PIECES MOVED PEOPLE. 443 00:20:53,128 --> 00:20:56,047 J., THEY STILL MOVE PEOPLE, MAN. 444 00:20:56,131 --> 00:20:59,718 IS THAT WHY THE JUDGES AT THE COUNTY ART FAIR 445 00:20:59,801 --> 00:21:03,179 PLACED MY ART THIRD, PLACED MY ART FOURTH, 446 00:21:03,263 --> 00:21:06,099 PLACED MY ART "HONORABLE MENTION"? 447 00:21:06,182 --> 00:21:09,561 THIS -- THIS IS BEYOND JUDGMENT! 448 00:21:09,644 --> 00:21:11,688 NO ONE CAN IGNORE THIS! 449 00:21:11,771 --> 00:21:13,857 OH, SO, THAT'S HOW IT'S GONNA BE -- 450 00:21:13,940 --> 00:21:16,568 GET ATTENTION ANY WAY YOU CAN, RIGHT OR WRONG! 451 00:21:16,651 --> 00:21:19,612 THEN WHY DON'T YOU GO AHEAD AND WRITE YOUR REAL NAME? 452 00:21:19,696 --> 00:21:21,948 DON'T HIDE BEHIND SOME "FLAVA SAVA" TAG. 453 00:21:22,032 --> 00:21:24,868 WHY DON'T YOU GO AHEAD AND WRITE "RANDALL JULIAN"? 454 00:21:24,951 --> 00:21:28,288 FINE, FILLMORE! I WILL! I WILL! 455 00:21:28,371 --> 00:21:30,790 NO, I DON'T THINK YOU WILL, 456 00:21:30,874 --> 00:21:33,585 BECAUSE THEN EVERYBODY WILL KNOW THE SCORE. 457 00:21:33,668 --> 00:21:35,920 THERE WAS THIS REAL ARTIST WHO GAVE UP TOUCHING 458 00:21:36,004 --> 00:21:38,173 SOME OF THE PEOPLE TO HURT ALL OF THE PEOPLE, 459 00:21:38,256 --> 00:21:40,091 BECAUSE HE WANTED TO BE FAMOUS, 460 00:21:40,175 --> 00:21:43,053 BECAUSE HE FORGOT WHAT REAL ART WAS ALL ABOUT -- 461 00:21:43,136 --> 00:21:46,723 JUST EXPRESSING YOURSELF FOR THE SAKE OF EXPRESSING YOURSELF. 462 00:21:51,728 --> 00:21:54,189 WELCOME BACK, RANDALL. 463 00:21:54,272 --> 00:21:55,774 YOU DON'T HAPPEN TO KNOW 464 00:21:55,857 --> 00:21:59,110 WHERE I CAN GET MY HANDS ON SOME MACARONI, DO YOU? 465 00:21:59,319 --> 00:22:02,864 ACTUALLY, YOU KNOW WHAT? I DO. 466 00:22:07,035 --> 00:22:08,912 CAPTIONS PAID FOR BY ABC CABLE NETWORKS GROUP