1
00:00:01,400 --> 00:00:09,400
{\an8}♪♪
2
00:00:26,933 --> 00:00:29,042
{\an1}-I'm sure most everybody knows,
3
00:00:29,066 --> 00:00:30,842
{\an1}but for anybody who might not,
may we introduce you by name?
4
00:00:30,866 --> 00:00:32,409
- Al Jardine.
- Thank you, Al.
5
00:00:32,433 --> 00:00:33,642
- Dennis Wilson.
- Thank you.
6
00:00:33,666 --> 00:00:35,942
- Brian Wilson.
- Carl Wilson.
7
00:00:35,966 --> 00:00:37,309
-Mike Love.
8
00:00:37,333 --> 00:00:40,342
{\an1}-Now, I think... Whoop.
What happened? There you are.
9
00:00:40,366 --> 00:00:42,542
{\an1}How long has this singing
been going on?
10
00:00:42,566 --> 00:00:44,009
{\an1}About three years now.
11
00:00:44,033 --> 00:00:46,642
{\an1}-You know, it's an amazing thing
because you have hit after hit.
12
00:00:46,666 --> 00:00:50,409
{\an1}Who determines, Brian,
what will be done next?
13
00:00:50,433 --> 00:00:52,042
-Well, I guess I do.
I don't know.
14
00:00:52,066 --> 00:00:53,642
- [ Laughter ]
- I write the songs
15
00:00:53,666 --> 00:00:56,176
and produce them,
so I have a lot to say about it.
16
00:00:56,200 --> 00:00:57,976
{\an8}[ Piano playing ]
17
00:00:58,000 --> 00:00:59,642
{\an1}-Play hard and strong,
all the way.
18
00:00:59,666 --> 00:01:02,509
-You know the part.
♪ Do-do, do-do ♪
19
00:01:02,533 --> 00:01:04,776
{\an1}-Never more than just a...
♪ Do-do, do-do ♪
20
00:01:04,800 --> 00:01:06,742
{\an1}- Then what after that, Brian?
- Let me hear the organ.
21
00:01:06,766 --> 00:01:08,609
[ Organ playing ]
22
00:01:08,633 --> 00:01:11,142
{\an1}-Perfect. Okay. We'll go with
that. Let's go again, please.
23
00:01:11,166 --> 00:01:15,442
-♪ I know myself,
I know my real power ♪
24
00:01:15,466 --> 00:01:17,509
{\an7}♪ Will get me through again ♪
25
00:01:17,533 --> 00:01:19,842
{\an8}-♪ Ahh-ahh ♪
26
00:01:19,866 --> 00:01:21,976
{\an8}-Here we go.
27
00:01:22,000 --> 00:01:26,176
{\an7}-♪ If you stick with it, baby,
things work out ♪
28
00:01:26,200 --> 00:01:28,609
{\an7}♪ You find a way to win ♪
29
00:01:28,633 --> 00:01:30,709
-You've been out
on this really long tour.
30
00:01:30,733 --> 00:01:32,009
-Right.
31
00:01:32,033 --> 00:01:34,276
{\an1}-You know, you've been recording
several new albums.
32
00:01:34,300 --> 00:01:37,176
{\an1}You know, really non-stop
since your late '50s era.
33
00:01:37,200 --> 00:01:38,709
- Right, right.
- Um...
34
00:01:38,733 --> 00:01:40,876
{\an1}how do you explain that kind of
burst of creativity and energy?
35
00:01:40,900 --> 00:01:42,576
{\an1}Where does the sudden surge
36
00:01:42,600 --> 00:01:45,176
{\an1}of creativity and energy
come for you?
37
00:01:45,200 --> 00:01:48,176
{\an1}-It starts in my brain,
38
00:01:48,200 --> 00:01:50,676
makes its way out
onto the piano,
39
00:01:50,700 --> 00:01:53,476
{\an1}and then on to the speakers
in the studio.
40
00:01:53,500 --> 00:01:55,476
Yeah.
41
00:01:55,500 --> 00:01:56,809
-Is that something
you can explain?
42
00:01:56,833 --> 00:01:58,342
Is that something
that's even explainable?
43
00:01:58,366 --> 00:02:00,342
{\an1}-No, I can't. I can't.
44
00:02:00,366 --> 00:02:03,976
{\an1}I'd like to start it out with
the organ and the Fender bass.
45
00:02:04,000 --> 00:02:06,209
{\an1}[ "Good Vibrations" intro
plays ]
46
00:02:06,233 --> 00:02:07,576
{\an1}-He was one of the first people
47
00:02:07,600 --> 00:02:10,209
{\an1}to actually use the studio
as an instrument itself.
48
00:02:10,233 --> 00:02:11,809
{\an1}-Play hard and strong,
all the way.
49
00:02:11,833 --> 00:02:13,109
{\an1}-Really feel it, fellas.
50
00:02:13,133 --> 00:02:15,576
{\an1}-There's a certain amount
of songwriting you can learn
51
00:02:15,600 --> 00:02:17,709
{\an1}how to do and you can educate
yourself, and then...
52
00:02:17,733 --> 00:02:19,609
{\an1}- Watch me on that part.
- It's just a fact that
53
00:02:19,633 --> 00:02:21,409
{\an1}some people are just better
than other people,
54
00:02:21,433 --> 00:02:22,609
{\an7}and Brian's one of the people
55
00:02:22,633 --> 00:02:23,976
{\an8}who's just better
than other people.
56
00:02:24,000 --> 00:02:25,309
{\an1}-Are we ready? Let's go.
57
00:02:25,333 --> 00:02:26,976
This is take five,
"Good Vibrations."
58
00:02:27,000 --> 00:02:29,009
{\an8}♪♪
59
00:02:29,033 --> 00:02:31,942
-♪ I'm pickin' up
good vibrations ♪
60
00:02:31,966 --> 00:02:33,509
- "Good Vibrations."
[Bleep] damn.
61
00:02:33,533 --> 00:02:35,742
{\an7}The idea that the chorus
is at one studio
62
00:02:35,766 --> 00:02:37,242
{\an8}and the verse
is at another studio...
63
00:02:37,266 --> 00:02:40,342
{\an1}that's why that song is
so freaky and so wonderful.
64
00:02:40,366 --> 00:02:41,676
-♪ Excitations ♪
65
00:02:41,700 --> 00:02:44,509
- "Good Vibrations"
was recorded in four studios...
66
00:02:44,533 --> 00:02:49,476
{\an1}Western, Sunset Sound,
Gold Star, and RCA Victor.
67
00:02:49,500 --> 00:02:51,376
{\an1}Well, each studio is different,
you know?
68
00:02:51,400 --> 00:02:53,509
{\an1}Like, not any one studio's
the same.
69
00:02:53,533 --> 00:02:56,476
-♪ Excitations ♪
70
00:02:56,500 --> 00:02:58,942
{\an1}-He sets a very high standard
71
00:02:58,966 --> 00:03:01,876
{\an7}for not just being innovative,
72
00:03:01,900 --> 00:03:07,342
{\an8}but to also be
emotionally evocative.
73
00:03:07,366 --> 00:03:12,276
{\an1}-♪ When I look in her eyes ♪
74
00:03:12,300 --> 00:03:16,376
♪ She goes with me
to a blossom world ♪
75
00:03:16,400 --> 00:03:19,842
{\an8}♪♪
76
00:03:19,866 --> 00:03:22,842
♪ I'm pickin' up
good vibrations ♪
77
00:03:22,866 --> 00:03:25,509
{\an1}♪ She's givin' me excitations ♪
78
00:03:25,533 --> 00:03:27,176
-Well, he used
all the orchestra.
79
00:03:27,200 --> 00:03:28,509
{\an1}He used orchestral things.
80
00:03:28,533 --> 00:03:30,276
He used timpani.
He used woodwind.
81
00:03:30,300 --> 00:03:33,009
{\an8}His musical knowledge
wasn't just as a band.
82
00:03:33,033 --> 00:03:34,576
{\an7}He had an orchestra in his head.
83
00:03:34,600 --> 00:03:36,409
-♪ Good vibrations ♪
84
00:03:36,433 --> 00:03:37,676
-♪ Oom-bop-bop ♪
85
00:03:37,700 --> 00:03:40,442
- ♪ Excitations ♪
- ♪ Good, good, good... ♪
86
00:03:40,466 --> 00:03:43,142
{\an1}-I mean, the Beatles had
George Martin to do it for them,
87
00:03:43,166 --> 00:03:44,642
{\an1}but Brian, he did it himself.
88
00:03:44,666 --> 00:03:49,476
-♪ Exci-tations ♪
89
00:03:49,500 --> 00:03:52,876
{\an1}-Well, the Beatles were probably
my favorite group.
90
00:03:52,900 --> 00:03:55,409
{\an1}Very, very inspirational
with "Rubber Soul."
91
00:03:55,433 --> 00:03:58,142
That made me write
the "Pet Sounds" album.
92
00:03:58,166 --> 00:04:01,142
{\an1}-♪ I don't know where,
but she sends me there ♪
93
00:04:01,166 --> 00:04:03,776
{\an1}-The level of musicianship
and musicality,
94
00:04:03,800 --> 00:04:06,876
{\an7}I don't think anybody's
touched it yet, for my money.
95
00:04:06,900 --> 00:04:08,876
-♪ What elation ♪
96
00:04:08,900 --> 00:04:11,609
♪ Oh, my, my ♪
97
00:04:11,633 --> 00:04:15,676
{\an1}-Back at that time, there's
a lot of upbeat, up-tempo songs,
98
00:04:15,700 --> 00:04:19,476
{\an8}but Brian brought in
this haunting harmony.
99
00:04:19,500 --> 00:04:22,309
{\an8}-♪ Gotta keep those
lovin' good vibrations ♪
100
00:04:22,333 --> 00:04:25,242
{\an1}-You know there's something
going on with Brian Wilson.
101
00:04:25,266 --> 00:04:28,042
There's no hiding
that this man is troubled
102
00:04:28,066 --> 00:04:30,476
{\an1}and trying to escape something.
103
00:04:30,500 --> 00:04:33,276
{\an1}-♪ Um-dee-dah, oh, oh ♪
104
00:04:33,300 --> 00:04:37,609
-♪ Gotta keep those
lovin' good vibrations ♪
105
00:04:37,633 --> 00:04:40,176
-He's just...
one of the greatest artists
106
00:04:40,200 --> 00:04:42,576
who ever walked
the face of the earth.
107
00:04:42,600 --> 00:04:45,009
-♪ Ahh ♪
108
00:04:45,033 --> 00:04:46,576
{\an1}-In our time or in any time.
109
00:04:46,600 --> 00:04:50,042
-♪ Good, good, good,
good vibrations ♪
110
00:04:50,066 --> 00:04:51,242
♪ She's givin' me ♪
111
00:04:51,266 --> 00:04:52,942
- ♪ Bop-bop ♪
- ♪ Excitations ♪
112
00:04:52,966 --> 00:04:54,876
- ♪ Good, good, good ♪
- ♪ Bop-bop ♪
113
00:04:54,900 --> 00:04:57,076
-♪ Good vibrations ♪
114
00:04:57,100 --> 00:04:58,942
♪ Ahh ♪
115
00:04:58,966 --> 00:05:06,009
{\an1}♪ Na na na na na, na na na ♪
- ♪ Bopa-bopa-bopa-ba, ba ♪
116
00:05:06,033 --> 00:05:12,476
{\an8}♪♪
117
00:05:12,500 --> 00:05:14,642
-While we're making
the tapes, Bob,
118
00:05:14,666 --> 00:05:17,009
we won't be able
to have that camera going.
119
00:05:17,033 --> 00:05:18,676
[ Beep ]
120
00:05:18,700 --> 00:05:20,542
{\an1}-It's a wonderful treat
for me tonight
121
00:05:20,566 --> 00:05:22,409
{\an1}to have heard and seen
the Beach Boys.
122
00:05:22,433 --> 00:05:24,376
{\an8}- [ Girls screaming ]
- And as you can hear
123
00:05:24,400 --> 00:05:26,909
{\an7}in the background, the girls
are still hollering for them.
124
00:05:26,933 --> 00:05:29,976
{\an7}I'm quite pleased to present
to you two of them...
125
00:05:30,000 --> 00:05:32,309
{\an1}Brian Wilson on my right
126
00:05:32,333 --> 00:05:35,642
{\an1}and Carl Wilson, his brother,
on the left.
127
00:05:35,666 --> 00:05:37,176
{\an1}So this is just two of them.
128
00:05:37,200 --> 00:05:39,409
{\an1}In just a minute, you'll meet
the rest of them, but...
129
00:05:39,433 --> 00:05:41,109
Brian, I understand
that you've written
130
00:05:41,133 --> 00:05:42,976
many of the songs
that you all have recorded.
131
00:05:43,000 --> 00:05:48,276
{\an1}And when you write a song,
for yourself or for your group,
132
00:05:48,300 --> 00:05:51,742
{\an1}what gives you the incentive
to write them?
133
00:05:51,766 --> 00:05:54,509
{\an1}-Well, usually, just the fact
that we're in the industry
134
00:05:54,533 --> 00:05:56,442
{\an1}and there's a lot of groups
competing with us,
135
00:05:56,466 --> 00:05:58,642
{\an1}and I feel that competition,
you know?
136
00:05:58,666 --> 00:06:00,776
{\an1}And also I just... I love music.
137
00:06:00,800 --> 00:06:03,109
{\an1}And I get very inspired.
Just generally creative anyway.
138
00:06:03,133 --> 00:06:05,376
- Right. I understand.
- I just do it all the time.
139
00:06:05,400 --> 00:06:07,409
{\an1}-Well, now, how many of them
140
00:06:07,433 --> 00:06:09,176
have you had
that have been million-sellers?
141
00:06:09,200 --> 00:06:10,642
-Well, actually,
million-sellers...
142
00:06:10,666 --> 00:06:12,076
{\an1}We've had one million-seller.
143
00:06:12,100 --> 00:06:13,476
{\an1}That was "I Get Around."
Just recently.
144
00:06:13,500 --> 00:06:15,409
- You wrote this?
- Yes, I did.
145
00:06:15,433 --> 00:06:18,142
{\an7}- ♪ Round, round, get around ♪
- ♪ I get around ♪
146
00:06:18,166 --> 00:06:21,042
{\an7}-♪ Yeah, get around, 'round,
'round, I get around ♪
147
00:06:21,066 --> 00:06:22,476
{\an8}♪ I get around ♪
148
00:06:22,500 --> 00:06:24,442
{\an7}- ♪ Get around, 'round, 'round ♪
- ♪ I get around ♪
149
00:06:24,466 --> 00:06:26,076
{\an7}- ♪ From town to town ♪
- ♪ Get around, 'round, 'round ♪
150
00:06:26,100 --> 00:06:28,609
{\an8}-Here's this genius
who just can't help
151
00:06:28,633 --> 00:06:32,142
{\an7}but come up with these complex
arrangements of harmonies,
152
00:06:32,166 --> 00:06:34,176
{\an7}and then his little brother
comes in and says,
153
00:06:34,200 --> 00:06:36,409
{\an7}"You guys should write songs
about cars and surfing,
154
00:06:36,433 --> 00:06:38,242
{\an7}'cause that's what kids
are into."
155
00:06:38,266 --> 00:06:41,076
{\an7}-♪ I gotta find a new place
where the kids are hip ♪
156
00:06:41,100 --> 00:06:44,709
{\an8}♪♪
157
00:06:44,733 --> 00:06:48,209
{\an7}♪ My buddies and me are gettin'
real well-known, yeah... ♪
158
00:06:48,233 --> 00:06:50,376
{\an8}-Name some of them
that you've written, Brian.
159
00:06:50,400 --> 00:06:52,009
- Oh...
- [ Chuckles ]
160
00:06:52,033 --> 00:06:53,609
{\an1}Well, starting with "Surfin'",
161
00:06:53,633 --> 00:06:55,542
our first record,
"Surfin' Safari."
162
00:06:55,566 --> 00:06:58,076
"409," "Surfer Girl,"
"Little Deuce Coupe,"
163
00:06:58,100 --> 00:07:00,109
{\an1}"Shut Down", "Surfin' USA",
"Be True to Your School"...
164
00:07:00,133 --> 00:07:01,509
-"The Little Old Lady
from Pasadena"?
165
00:07:01,533 --> 00:07:03,109
- That's Jan and Dean.
- Is that right?
166
00:07:03,133 --> 00:07:06,209
- And "Fun, Fun, Fun."
- Oh, it goes on and on.
167
00:07:06,233 --> 00:07:07,976
-"I Get Around."
"Don't Worry, Baby."
168
00:07:08,000 --> 00:07:10,742
{\an1}We had "Little Saint Nick"
at Christmastime.
169
00:07:10,766 --> 00:07:12,142
Pardon me?
- "When I Grow Up."
170
00:07:12,166 --> 00:07:13,476
{\an1}- "When I Grow Up (To Be a Man)"
171
00:07:13,500 --> 00:07:15,776
{\an1}and "She Knows Me Too Well"
are our latest records.
172
00:07:15,800 --> 00:07:17,642
{\an1}-Well, you certainly are
a talented young man.
173
00:07:17,666 --> 00:07:19,309
{\an1}Let's talk to your brother
just a minute.
174
00:07:19,333 --> 00:07:21,776
{\an1}Do you share this admiration
for your brother?
175
00:07:21,800 --> 00:07:23,109
- Yes. Well...
- [ Both laugh ]
176
00:07:23,133 --> 00:07:24,876
{\an1}-He's done very well with this,
you know?
177
00:07:24,900 --> 00:07:28,009
{\an1}I mean, we've had very good luck
with the records and everything.
178
00:07:28,033 --> 00:07:29,376
- You're Carl, right?
- Right.
179
00:07:29,400 --> 00:07:31,276
{\an1}- Carl's the lead guitar player.
- Lead guitar.
180
00:07:31,300 --> 00:07:34,142
{\an1}How did you assemble the group?
181
00:07:34,166 --> 00:07:35,876
-One day, as we were
walking down the street,
182
00:07:35,900 --> 00:07:37,176
we all bumped heads.
183
00:07:37,200 --> 00:07:38,942
- [ Laughter ]
- I don't know.
184
00:07:38,966 --> 00:07:41,076
{\an1}-Seriously, Dennis got the idea
that we should write something
185
00:07:41,100 --> 00:07:43,576
{\an1}about surfing because he was
a big avid surfer then.
186
00:07:43,600 --> 00:07:45,542
- You're a surfer?
- Yes, ma'am.
187
00:07:45,566 --> 00:07:48,409
{\an1}-Well, this is something we
don't have much out in Oklahoma.
188
00:07:48,433 --> 00:07:49,776
- Yeah, I know.
- [ Laughs ]
189
00:07:49,800 --> 00:07:51,242
{\an1}Thanks so much for stopping by.
190
00:07:51,266 --> 00:07:52,876
-May I compliment you
on your beautiful dress?
191
00:07:52,900 --> 00:07:54,309
- It is beautiful.
- Thank you. Thank you.
192
00:07:54,333 --> 00:07:55,876
{\an1}-Is it a gown or a dress?
193
00:07:55,900 --> 00:08:00,309
{\an1}-Well, actually it's sort of
a beach-girl type outfit.
194
00:08:00,333 --> 00:08:02,076
- I like that.
- I wanted to be in style
195
00:08:02,100 --> 00:08:03,609
{\an1}when I talked to the Beach Boys.
196
00:08:03,633 --> 00:08:04,909
[ Laughter ]
197
00:08:04,933 --> 00:08:06,509
- [ Girls screaming ]
- ♪ Ooh, ooh, ooh, ooh ♪
198
00:08:06,533 --> 00:08:08,876
{\an1}-♪ Get around, 'round, 'round,
I get around ♪
199
00:08:08,900 --> 00:08:10,476
{\an1}-At the end of the concert,
200
00:08:10,500 --> 00:08:12,442
{\an1}the girls would all rush
the stage to get Dennis.
201
00:08:12,466 --> 00:08:14,476
You know, me and Mike
and the guys would go,
202
00:08:14,500 --> 00:08:16,476
{\an1}"What's going on here,"
you know?
203
00:08:16,500 --> 00:08:20,042
{\an1}The girls were all crying,
"Dennis, Dennis," you know?
204
00:08:20,066 --> 00:08:22,342
{\an1}Yeah. He was our sex symbol.
205
00:08:22,366 --> 00:08:25,176
-Right, right.
206
00:08:25,200 --> 00:08:27,509
{\an8}You and he had
a little competition
207
00:08:27,533 --> 00:08:29,776
{\an7}for some women sometimes,
too, didn't you?
208
00:08:29,800 --> 00:08:31,042
- Who, me and Dennis?
- Yeah.
209
00:08:31,066 --> 00:08:32,476
- No.
- No?
210
00:08:32,500 --> 00:08:34,342
{\an1}-He was a ladies' man. I never
was a ladies' man, you know?
211
00:08:34,366 --> 00:08:36,866
- Right.
- He was always the ladies' man.
212
00:08:38,600 --> 00:08:42,209
{\an1}-What prevented you from being
a ladies' man, do you think?
213
00:08:42,233 --> 00:08:44,509
{\an1}-Ah, just shy of girls.
A little shy.
214
00:08:44,533 --> 00:08:46,676
-Uh-huh. Right.
215
00:08:46,700 --> 00:08:48,376
{\an1}[ Harpsichord playing ]
216
00:08:48,400 --> 00:08:52,500
{\an8}♪♪
217
00:08:58,200 --> 00:08:59,500
{\an1}[ Voices harmonizing ]
218
00:09:12,033 --> 00:09:14,376
{\an1}- You can park right there.
- In the handicapped?
219
00:09:14,400 --> 00:09:15,642
-Yeah. Yeah.
I always park there.
220
00:09:15,666 --> 00:09:17,009
- Really?
- Yeah.
221
00:09:17,033 --> 00:09:18,409
-Okay.
222
00:09:18,433 --> 00:09:20,809
{\an1}These guys'll probably wanna
move it, but I'll park here.
223
00:09:20,833 --> 00:09:23,009
-Okay. I'm hungry.
224
00:09:23,033 --> 00:09:25,709
{\an1}- Alright. Let's get in there.
- Okay.
225
00:09:25,733 --> 00:09:28,509
{\an1}[ Indistinct conversations ]
226
00:09:28,533 --> 00:09:31,709
{\an1}-Must have been to this deli
with you about 20 times.
227
00:09:31,733 --> 00:09:32,876
-Yeah, at least 20.
228
00:09:32,900 --> 00:09:34,209
- Right?
- Right.
229
00:09:34,233 --> 00:09:36,509
- Good times here.
- Yeah.
230
00:09:36,533 --> 00:09:38,142
{\an1}It's... I'm hot, you know?
231
00:09:38,166 --> 00:09:39,642
- Yeah.
- I'm nervous.
232
00:09:39,666 --> 00:09:41,342
- Yeah.
- I didn't sleep last night,
233
00:09:41,366 --> 00:09:42,676
{\an1}and my head feels wacky.
234
00:09:42,700 --> 00:09:44,176
- Oh, it does?
- Yeah.
235
00:09:44,200 --> 00:09:47,200
{\an1}- Why don't we just relax?
- Okay. Enjoy our food.
236
00:09:51,200 --> 00:09:53,009
When you get scared,
what do you do?
237
00:09:53,033 --> 00:09:54,842
{\an1}You just take a deep breath?
238
00:09:54,866 --> 00:09:58,509
-If I get scared,
I take a deep breath,
239
00:09:58,533 --> 00:10:00,742
but I take it...
Try and take it from my belly.
240
00:10:00,766 --> 00:10:02,209
-Oh, take it...
[ Inhales deeply ]
241
00:10:02,233 --> 00:10:03,676
- Really deep in here.
- Right.
242
00:10:03,700 --> 00:10:06,509
-And then... [ Exhales slowly ]
243
00:10:06,533 --> 00:10:08,076
How's your mood been?
244
00:10:08,100 --> 00:10:09,376
- My mood?
- Yeah.
245
00:10:09,400 --> 00:10:11,442
{\an1}- It's been about even.
- Good.
246
00:10:11,466 --> 00:10:14,676
{\an1}-About even. Not depressed,
not elated, just even.
247
00:10:14,700 --> 00:10:16,042
- Mm-hmm.
- Yeah.
248
00:10:16,066 --> 00:10:19,709
{\an1}- You feeling scared now?
- A little bit.
249
00:10:19,733 --> 00:10:21,742
{\an1}-It's nice to be with you.
250
00:10:21,766 --> 00:10:23,676
{\an1}-You're a good guy, Jason.
251
00:10:23,700 --> 00:10:26,709
{\an1}-Thank you, Brian. You are, too.
252
00:10:26,733 --> 00:10:28,476
{\an1}-You are a cool person.
253
00:10:28,500 --> 00:10:31,776
{\an1}You have a very consistent way
of talking, you know?
254
00:10:31,800 --> 00:10:35,842
{\an1}You sorta stay in this
one space, you know, and talk.
255
00:10:35,866 --> 00:10:37,809
-Hm. Does it make you
feel comfortable?
256
00:10:37,833 --> 00:10:39,409
- Yeah. Helps me out.
- Good. I'm glad.
257
00:10:39,433 --> 00:10:41,576
-When I'm scared,
I listen to you talk, you know?
258
00:10:41,600 --> 00:10:42,609
- Really?
- Yeah.
259
00:10:42,633 --> 00:10:44,109
-And thinking
it'll calm you down?
260
00:10:44,133 --> 00:10:45,242
- Yeah.
- Alright, man.
261
00:10:45,266 --> 00:10:46,876
{\an1}Well, I'm there for you.
262
00:10:46,900 --> 00:10:48,709
{\an1}-I'm there for you, too.
263
00:10:48,733 --> 00:10:51,509
-Thanks, man.
264
00:10:51,533 --> 00:10:54,642
{\an1}-I first met Brian in 1995.
265
00:10:54,666 --> 00:10:57,042
{\an1}I went to interview him
for the paper I was working for
266
00:10:57,066 --> 00:10:59,142
at the time,
and we had a nice chat.
267
00:10:59,166 --> 00:11:00,943
{\an1}And when I first came to work at
268
00:10:59,166 --> 00:11:02,742
in 1997,
269
00:11:00,967 --> 00:11:02,766
Rolling Stone
270
00:11:02,766 --> 00:11:05,276
{\an1}Brian had begun to start
271
00:11:05,300 --> 00:11:08,009
what was gonna be
sort of a solo career.
272
00:11:08,033 --> 00:11:09,642
{\an1}He was putting a band together.
273
00:11:09,666 --> 00:11:12,009
{\an1}He was releasing a record
called "Imagination."
274
00:11:12,033 --> 00:11:15,876
{\an1}And I convinced Jann, my boss,
275
00:11:15,900 --> 00:11:18,409
{\an1}to let me go to Chicago,
where he was rehearsing.
276
00:11:18,433 --> 00:11:19,942
{\an1}One of the first times we spoke,
277
00:11:19,966 --> 00:11:22,342
we were sitting
in his living room.
278
00:11:22,366 --> 00:11:24,476
{\an1}We were talking, and sort of
right in the middle of our chat,
279
00:11:24,500 --> 00:11:27,109
about 10 minutes in,
he just started to fidget,
280
00:11:27,133 --> 00:11:29,142
{\an1}and he said, "I gotta go."
281
00:11:29,166 --> 00:11:31,009
{\an1}And he got up and he left.
282
00:11:31,033 --> 00:11:32,176
{\an1}And I was sitting there.
283
00:11:32,200 --> 00:11:33,709
I didn't know
if he was coming back
284
00:11:33,733 --> 00:11:36,609
{\an1}or... or not coming back,
and I waited a while.
285
00:11:36,633 --> 00:11:38,376
And I just sorta
started looking around,
286
00:11:38,400 --> 00:11:40,309
and I found myself
in the kitchen,
287
00:11:40,333 --> 00:11:42,742
where I found Brian
in the refrigerator.
288
00:11:42,766 --> 00:11:44,576
{\an1}I said, "What's going on?"
289
00:11:44,600 --> 00:11:46,742
He said, "I just got
a little scared."
290
00:11:46,766 --> 00:11:49,042
And I said, "Well,
what did you get scared of?"
291
00:11:49,066 --> 00:11:50,509
{\an1}He said, "I don't know.
292
00:11:50,533 --> 00:11:53,342
{\an1}You know, sometimes I just
get scared. Things scare me."
293
00:11:53,366 --> 00:11:54,609
I said, "Like what?"
294
00:11:54,633 --> 00:11:57,376
He said,
"Like 'What a Fool Believes.'
295
00:11:57,400 --> 00:11:59,242
You know that song
by the Doobie Brothers?
296
00:11:59,266 --> 00:12:00,576
{\an1}Scares the hell out of me."
297
00:12:00,600 --> 00:12:02,176
You know?
And it was just like that.
298
00:12:02,200 --> 00:12:03,809
And we started having
these moments,
299
00:12:03,833 --> 00:12:06,342
and ever since then,
it just kinda became
300
00:12:06,366 --> 00:12:09,842
{\an7}part of my beat at
Rolling Stone
to cover Brian.
301
00:12:09,866 --> 00:12:13,609
{\an7}-♪ Wouldn't it be nice
if we were older? ♪
302
00:12:13,633 --> 00:12:17,176
{\an8}♪ Then we wouldn't
have to wait so long ♪
303
00:12:17,200 --> 00:12:19,076
{\an7}♪ And wouldn't it be nice... ♪
- And we became buddies.
304
00:12:19,100 --> 00:12:21,342
{\an8}-♪ To live together ♪
305
00:12:21,366 --> 00:12:23,442
{\an1}-♪ In the kind of world
where we belong ♪
306
00:12:23,466 --> 00:12:26,342
{\an1}-The idea of doing an interview
makes Brian nervous,
307
00:12:26,366 --> 00:12:28,809
so he'll often ask
if we can just take a drive
308
00:12:28,833 --> 00:12:30,642
{\an1}and listen to some music.
309
00:12:30,666 --> 00:12:34,109
Look at that old car.
What kind of car is that?
310
00:12:34,133 --> 00:12:35,842
- What is that?
- I don't know.
311
00:12:35,866 --> 00:12:37,142
-That a Rolls-Royce?
312
00:12:37,166 --> 00:12:39,442
-I think it's...
I don't think it's a Rolls.
313
00:12:39,466 --> 00:12:42,542
{\an1}I think it's American, isn't it?
Cadillac.
314
00:12:42,566 --> 00:12:44,109
- Cadillac?
- Yeah.
315
00:12:44,133 --> 00:12:45,309
-Old Cadillac, right?
316
00:12:45,333 --> 00:12:47,409
- Yeah.
- From what, the '30s?
317
00:12:47,433 --> 00:12:49,309
{\an1}-Or maybe from the '40s?
318
00:12:49,333 --> 00:12:50,609
- Maybe '40s.
- Yeah.
319
00:12:50,633 --> 00:12:52,542
Ask the guy.
Yell it out. Ask him.
320
00:12:52,566 --> 00:12:53,876
{\an1}-Well, I can't. I don't...
321
00:12:53,900 --> 00:12:57,676
-Hey, buddy!
What year is that car?!
322
00:12:57,700 --> 00:13:00,009
- '41.
- Thank you! '41.
323
00:13:00,033 --> 00:13:01,609
-[ Laughs ]
324
00:13:01,633 --> 00:13:04,309
{\an1}-♪ Let's go surfin' now,
everybody's learnin' how ♪
325
00:13:04,333 --> 00:13:05,676
{\an1}♪ Come on a safari with me ♪
326
00:13:05,700 --> 00:13:07,376
-It was probably
"Surfin' Safari,"
327
00:13:07,400 --> 00:13:09,309
{\an7}the first Beach Boys record
I ever bought.
328
00:13:09,333 --> 00:13:13,076
{\an7}The voices, the tone of the
voices, was so beautiful.
329
00:13:13,100 --> 00:13:15,109
{\an1}Bit like a classical choir,
in a way.
330
00:13:15,133 --> 00:13:19,109
{\an1}It made California sound
such an incredible place to go.
331
00:13:19,133 --> 00:13:22,809
{\an7}-You know, the rooftop is down.
The story begins.
332
00:13:22,833 --> 00:13:25,642
{\an7}-And then they invite you
into that world,
333
00:13:25,666 --> 00:13:28,642
{\an7}and that world has its own rules
and its own code
334
00:13:28,666 --> 00:13:30,309
{\an7}and its own story to tell.
335
00:13:30,333 --> 00:13:33,942
{\an1}There was no greater world
created in rock 'n' roll
336
00:13:33,966 --> 00:13:35,476
than the Beach Boys.
337
00:13:35,500 --> 00:13:37,542
I mean, they defined
Southern California
338
00:13:37,566 --> 00:13:39,342
{\an1}for everybody around the world.
339
00:13:39,366 --> 00:13:41,342
-It just took you
out of where you were
340
00:13:41,366 --> 00:13:43,209
{\an1}and took you to another place.
341
00:13:43,233 --> 00:13:45,209
{\an1}-♪ So if you're comin',
get ready to go ♪
342
00:13:45,233 --> 00:13:47,276
-Have you ever been
to Paradise Cove?
343
00:13:47,300 --> 00:13:49,542
-Years and years ago.
344
00:13:49,566 --> 00:13:52,409
{\an1}Do you remember when you were
shooting the album cover
345
00:13:52,433 --> 00:13:54,609
{\an1}for the Beach Boys' first album?
346
00:13:54,633 --> 00:13:56,076
{\an1}-Can't remember. [ Laughs ]
347
00:13:56,100 --> 00:13:58,209
{\an1}-Right. It's a long time ago.
348
00:13:58,233 --> 00:14:00,142
- Yep.
- Was it a little bit funny
349
00:14:00,166 --> 00:14:02,142
singing all the songs
about surfing
350
00:14:02,166 --> 00:14:03,909
{\an1}without actually surfing?
351
00:14:03,933 --> 00:14:05,676
-Yeah, Dennis surfed.
I never learned how to surf.
352
00:14:05,700 --> 00:14:07,309
-Right.
353
00:14:07,333 --> 00:14:08,542
{\an1}-There's Paradise Cove.
354
00:14:08,566 --> 00:14:11,109
-Here we are.
Closer than I thought.
355
00:14:11,133 --> 00:14:12,909
-♪ Surfin' safari ♪
356
00:14:12,933 --> 00:14:15,376
{\an1}-♪ Yes, I'm gonna take you
surfin' with me ♪
357
00:14:15,400 --> 00:14:18,109
- There it is! Look!
- There it is!
358
00:14:18,133 --> 00:14:21,009
[ Laughs ]
- "This marks 'The Spot.'"
359
00:14:21,033 --> 00:14:22,409
{\an8}-55 years ago.
360
00:14:22,433 --> 00:14:25,376
{\an7}-♪ Let's go surfin' now,
everybody's learnin' how ♪
361
00:14:25,400 --> 00:14:30,009
{\an1}♪ Come on a safari with me ♪
362
00:14:30,033 --> 00:14:31,509
- ♪ Surfin' safari ♪
- ♪ Yeah, me ♪
363
00:14:31,533 --> 00:14:35,033
-♪ Surfin' safari ♪
♪ With me, with me... ♪
364
00:14:37,366 --> 00:14:39,409
-How you feeling
about Hawthorne?
365
00:14:39,433 --> 00:14:41,742
{\an1}-Uh, you know, I'm a little
nervous to go back there.
366
00:14:41,766 --> 00:14:43,209
You know what I mean?
- Mm-hmm.
367
00:14:43,233 --> 00:14:46,209
{\an1}-'Cause, like, I grew up there,
and it's, like, you know...
368
00:14:46,233 --> 00:14:48,809
{\an1}I have a lot of sentiments
about it, you know?
369
00:14:48,833 --> 00:14:50,333
-Right.
370
00:14:52,600 --> 00:14:54,433
{\an1}[ Turn signal clicking ]
371
00:14:57,566 --> 00:15:01,109
{\an1}Please play "It's O.K."
on "15 Big Ones."
372
00:15:01,133 --> 00:15:04,242
-Okay. You got it.
373
00:15:04,266 --> 00:15:08,020
- {\an7}-♪ - It's that time again to shed
your load, hit the road - ♪
374
00:15:08,066 --> 00:15:10,043
- {\an8}-♪
- On the run again ♪ -♪ On the run again ♪
375
00:15:10,066 --> 00:15:13,942
{\an8}♪
376
00:15:10,069 --> 00:15:11,993
{\an7}♪
377
00:15:12,017 --> 00:15:13,966
{\an7}Summer skies in our eyes
and a warmer sun
378
00:15:13,966 --> 00:15:16,043
- ♪
- It's one for all, all for one
379
00:15:16,069 --> 00:15:19,209
{\an1}♪
All for all-out fun
♪
380
00:15:19,233 --> 00:15:22,609
Gotta go to it
381
00:15:22,633 --> 00:15:25,342
{\an1}-So, has Hawthorne changed a lot
from when you were young?
382
00:15:25,366 --> 00:15:27,576
-Does is look...
Is it familiar-looking to you?
383
00:15:27,600 --> 00:15:28,809
- [ Music shuts off ]
- What's that?
384
00:15:28,833 --> 00:15:30,176
-Hawthorne?
385
00:15:30,200 --> 00:15:32,042
{\an1}-It doesn't look the same.
It looks a little different.
386
00:15:32,066 --> 00:15:33,600
-Uh-huh.
387
00:15:36,366 --> 00:15:38,276
{\an1}So this is 119th Street
right here.
388
00:15:38,300 --> 00:15:39,409
-Yeah. 119th.
389
00:15:39,433 --> 00:15:40,642
{\an1}-And this is the street
you lived on?
390
00:15:40,666 --> 00:15:41,676
-Yeah.
391
00:15:41,700 --> 00:15:44,342
-So this is where
your house was.
392
00:15:44,366 --> 00:15:46,109
{\an1}Right here. We can get out.
393
00:15:46,133 --> 00:15:47,942
{\an1}-I don't wanna get out.
I just wanna look.
394
00:15:47,966 --> 00:15:49,409
-Okay.
395
00:15:49,433 --> 00:15:51,576
So this was all where
the house was, right here?
396
00:15:51,600 --> 00:15:52,809
-Yeah.
397
00:15:52,833 --> 00:15:54,909
-Uh-huh.
Look at the cover of the album.
398
00:15:54,933 --> 00:15:58,709
- Yeah.
- Paradise Cove.
399
00:15:58,733 --> 00:16:01,109
{\an1}"Site of the childhood home
of the Beach Boys."
400
00:16:01,133 --> 00:16:04,476
{\an1}♪ There's a world where ♪
401
00:16:04,500 --> 00:16:07,842
-♪ I can go and ♪
402
00:16:07,866 --> 00:16:13,509
{\an1}♪ Tell my secrets to ♪
403
00:16:13,533 --> 00:16:17,509
-♪ In my room ♪
404
00:16:17,533 --> 00:16:20,009
{\an1}-Friday nights, my father
would get his paycheck.
405
00:16:20,033 --> 00:16:22,576
{\an7}So the three of us would be
in the back seat singing away.
406
00:16:22,600 --> 00:16:25,076
{\an8}And that's...
Actually that's the birth
407
00:16:25,100 --> 00:16:28,109
{\an8}of the three brothers
singing together.
408
00:16:28,133 --> 00:16:30,742
- ♪ In this world ♪
- [ Girls screaming ]
409
00:16:30,766 --> 00:16:36,376
-♪ I lock out
all my worries ♪
410
00:16:36,400 --> 00:16:40,442
♪ And my fears ♪
411
00:16:40,466 --> 00:16:42,109
♪ In my room ♪
412
00:16:42,133 --> 00:16:43,976
{\an1}-When we'd be singing harmony
together,
413
00:16:44,000 --> 00:16:47,442
{\an1}my father would just...
fall down crying with joy.
414
00:16:47,466 --> 00:16:53,042
-♪ In my room ♪
415
00:16:53,066 --> 00:16:55,009
{\an8}♪♪
416
00:16:55,033 --> 00:16:58,576
♪ Do my dreaming ♪
417
00:16:58,600 --> 00:17:01,809
{\an1}-There's me at my piano
when I wrote "Surfer Girl."
418
00:17:01,833 --> 00:17:05,876
{\an1}-♪ Lie awake and pray ♪
419
00:17:05,900 --> 00:17:08,409
{\an8}[ Girls screaming ]
420
00:17:08,433 --> 00:17:10,942
{\an7}-[ Laughs ] Forget it.
421
00:17:10,966 --> 00:17:13,176
{\an8}That one killed you
when it came out.
422
00:17:13,200 --> 00:17:16,909
{\an7}I played that thing...
a thousand times.
423
00:17:16,933 --> 00:17:18,342
{\an8}[ Laughs ]
424
00:17:18,366 --> 00:17:21,909
{\an8}-♪ Yesterday ♪
425
00:17:21,933 --> 00:17:24,609
♪ Now it's dark ♪
426
00:17:24,633 --> 00:17:27,942
♪ And I'm alone ♪
427
00:17:27,966 --> 00:17:34,009
{\an1}♪ But I won't be afraid ♪
428
00:17:34,033 --> 00:17:36,442
{\an1}-How did it feel to be there?
429
00:17:36,466 --> 00:17:37,742
-It was a little...
430
00:17:37,766 --> 00:17:38,976
{\an1}Scared me a little bit,
you know?
431
00:17:39,000 --> 00:17:41,242
- Did it?
- 'Cause it didn't look the same.
432
00:17:41,266 --> 00:17:42,666
-Right.
433
00:17:44,333 --> 00:17:46,942
-Yeah.
434
00:17:46,966 --> 00:17:49,942
{\an1}-♪ So faithfully, you ♪
435
00:17:49,966 --> 00:17:54,176
-♪ Still believe ♪
436
00:17:54,200 --> 00:17:59,276
♪ In me ♪
437
00:17:59,300 --> 00:18:01,809
-♪ I wanna cry ♪
438
00:18:01,833 --> 00:18:06,809
♪ Ah, ah, ah, ah, ah,
ah, ah, ah, ah, ah ♪
439
00:18:06,833 --> 00:18:11,476
{\an1}♪ Ah, ah, ah, ah, ah, ah ♪
440
00:18:11,500 --> 00:18:16,442
{\an1}-♪ Ah, ah, ah, ah, ah,
ah, ah, ah, ah, ah ♪
441
00:18:16,466 --> 00:18:18,709
- Is this Dartmouth?
- To your right. Right, right.
442
00:18:18,733 --> 00:18:23,542
{\an8}♪♪
443
00:18:23,566 --> 00:18:25,909
{\an1}-This is where you moved
with Marilyn.
444
00:18:25,933 --> 00:18:26,976
-Right.
445
00:18:27,000 --> 00:18:29,576
{\an8}-Was it right after
you got married?
446
00:18:29,600 --> 00:18:32,842
{\an8}-About three months
after we got married.
447
00:18:32,866 --> 00:18:35,842
-Wow.
What a big time in your life.
448
00:18:35,866 --> 00:18:38,642
{\an1}-Yeah. I did an acid trip there.
449
00:18:38,666 --> 00:18:41,109
-A-ha! Your fir...
The first time?
450
00:18:41,133 --> 00:18:43,776
-Yeah.
451
00:18:43,800 --> 00:18:45,742
Oh, it was scary.
452
00:18:45,766 --> 00:18:47,809
-What happened?
453
00:18:47,833 --> 00:18:49,909
{\an1}-I don't know. Just...
454
00:18:49,933 --> 00:18:54,266
{\an1}This friend of mine gave me
acid, and it freaked me out.
455
00:18:55,466 --> 00:18:58,409
{\an1}[ "California Girls" intro
plays ]
456
00:18:58,433 --> 00:19:01,509
{\an1}I wrote "California Girls,"
"Help Me, Rhonda,"
457
00:19:01,533 --> 00:19:03,976
{\an1}and "She's Not the Little Girl
I Once Knew."
458
00:19:04,000 --> 00:19:05,442
{\an1}I wrote all those songs there.
459
00:19:05,466 --> 00:19:07,442
-Were you still high
when you were doing that?
460
00:19:07,466 --> 00:19:09,976
{\an1}-Uh, no. No, I wasn't.
461
00:19:10,000 --> 00:19:13,909
{\an1}I wrote "California Girls"
about a week or two after acid.
462
00:19:13,933 --> 00:19:16,976
{\an1}-Okay. Did you have a kind of
Western thing in mind?
463
00:19:17,000 --> 00:19:19,342
{\an1}Well, I just had this...
♪ Doobie doobie, doo ♪
464
00:19:19,366 --> 00:19:21,976
{\an1}I guess that's Western, right?
465
00:19:22,000 --> 00:19:24,542
{\an1}-♪ Well, East Coast girls
are hip ♪
466
00:19:24,566 --> 00:19:29,709
♪ I really dig
those styles they wear ♪
467
00:19:29,733 --> 00:19:33,842
{\an1}♪ And the Southern girls
with the way they talk ♪
468
00:19:33,866 --> 00:19:36,642
♪ They knock me out
when I'm down there ♪
469
00:19:36,666 --> 00:19:39,042
{\an1}-Did you have a feeling that
was gonna be a popular song?
470
00:19:39,066 --> 00:19:41,276
{\an1}-Oh, yeah, I could tell
when I first wrote it.
471
00:19:41,300 --> 00:19:43,676
After we cut it,
Mike did the lead, boy,
472
00:19:43,700 --> 00:19:45,009
{\an1}and he sang great lead.
473
00:19:45,033 --> 00:19:46,309
He's a great singer.
474
00:19:46,333 --> 00:19:50,309
{\an1}-♪ And the Northern girls
with the way they kiss ♪
475
00:19:50,333 --> 00:19:53,576
{\an1}♪ They keep their boyfriends
warm at night ♪
476
00:19:53,600 --> 00:19:55,109
{\an8}♪♪
477
00:19:55,133 --> 00:19:59,509
{\an1}-♪ I wish they all could be
California girls ♪
478
00:19:59,533 --> 00:20:03,142
-♪ I wish they all
could be California ♪
479
00:20:03,166 --> 00:20:05,042
-It was quite
a different change-up
480
00:20:05,066 --> 00:20:06,942
{\an1}from what I usually wrote.
481
00:20:06,966 --> 00:20:09,742
{\an1}-The way you connected the intro
of the song...
482
00:20:09,766 --> 00:20:11,742
- Right.
- To the rest of it was...
483
00:20:11,766 --> 00:20:13,476
{\an1}-A different kind of a thing.
484
00:20:13,500 --> 00:20:16,076
{\an1}-Brian just threw away
the rule book,
485
00:20:16,100 --> 00:20:17,609
{\an1}and it was all in his head,
486
00:20:17,633 --> 00:20:19,842
and it's just,
"Wow. Are you kidding me?"
487
00:20:19,866 --> 00:20:21,576
{\an7}-"What were you thinking, man?
488
00:20:21,600 --> 00:20:23,409
{\an8}How did you come up
with this combination
489
00:20:23,433 --> 00:20:24,909
{\an7}of chords and voices?"
490
00:20:24,933 --> 00:20:26,676
{\an1}He said, "I was at the piano,
491
00:20:26,700 --> 00:20:28,776
{\an1}and I was trying not to move
492
00:20:28,800 --> 00:20:30,942
my highest fingers
and my lowest fingers,
493
00:20:30,966 --> 00:20:36,242
{\an1}but make cool geometric patterns
with the internal fingers."
494
00:20:36,266 --> 00:20:38,342
{\an1}I don't know if he was
telling me the truth.
495
00:20:38,366 --> 00:20:41,109
[ Laughs ]
496
00:20:41,133 --> 00:20:42,909
But he definitely
said that to me.
497
00:20:42,933 --> 00:20:45,342
{\an1}But if you think about that,
498
00:20:45,366 --> 00:20:49,676
{\an1}that's kind of like what Mozart
does with a string quartet.
499
00:20:49,700 --> 00:20:53,276
{\an1}-Brian had this unique ability
to write a great melody
500
00:20:53,300 --> 00:20:55,809
and also arrange
some great harmonies
501
00:20:55,833 --> 00:20:57,209
{\an1}and produce some great records,
502
00:20:57,233 --> 00:20:59,542
{\an8}so we had all in one
with Brian Wilson.
503
00:20:59,566 --> 00:21:03,276
{\an7}We had a, shall we call it...
504
00:21:03,300 --> 00:21:04,476
{\an8}the jackpot.
505
00:21:04,500 --> 00:21:07,142
-Equate that blend,
that harmony,
506
00:21:07,166 --> 00:21:08,709
{\an1}the sound of the vocals.
507
00:21:08,733 --> 00:21:10,342
It's like looking up
to the heavens.
508
00:21:10,366 --> 00:21:15,309
{\an1}It's almost ethereal. There's
a very ethereal rising up.
509
00:21:15,333 --> 00:21:17,742
{\an1}-♪ I wish they all could be... ♪
510
00:21:17,766 --> 00:21:20,376
{\an1}-The only way to really
accomplish a sound that big
511
00:21:20,400 --> 00:21:22,009
is in knowing
what you want to hear,
512
00:21:22,033 --> 00:21:24,642
{\an7}but also placing some trust in
the people you're working with
513
00:21:24,666 --> 00:21:26,642
{\an8}and saying,
"We can all do this together
514
00:21:26,666 --> 00:21:28,209
{\an7}if you just follow my lead."
515
00:21:28,233 --> 00:21:31,342
-♪ I wish they all
could be California ♪
516
00:21:31,366 --> 00:21:32,809
-Brian was a leader,
517
00:21:32,833 --> 00:21:35,309
{\an1}and he could shape this group
around the brothers, you know,
518
00:21:35,333 --> 00:21:37,542
{\an1}and his cousin and his neighbor.
519
00:21:37,566 --> 00:21:40,309
{\an1}And that was his team,
and he led these guys.
520
00:21:40,333 --> 00:21:43,709
{\an1}And I think that that was...
Gave Brian so much confidence.
521
00:21:43,733 --> 00:21:45,042
{\an1}They would do anything
522
00:21:45,066 --> 00:21:46,342
that he thought
was the right thing to do.
523
00:21:46,366 --> 00:21:48,942
♪ ...Could be
California girls... ♪
524
00:21:48,966 --> 00:21:51,476
-Hey, let's go...
Where do you want to go to now?
525
00:21:51,500 --> 00:21:53,676
{\an1}-So, let's go to Laurel Way.
526
00:21:53,700 --> 00:21:55,876
- Okay.
- You know how to get there?
527
00:21:55,900 --> 00:21:58,309
-Laurel Way.
Trying to think. Uh...
528
00:21:58,333 --> 00:21:59,642
{\an1}-Go up Santa Monica or Sunset?
529
00:21:59,666 --> 00:22:01,776
-Laurel Way.
Can you navigate it?
530
00:22:01,800 --> 00:22:03,433
-Yeah.
531
00:22:06,300 --> 00:22:08,909
{\an1}What did you feel like
when you lived here and...
532
00:22:08,933 --> 00:22:12,176
{\an1}you were young, married,
money, writing hits?
533
00:22:12,200 --> 00:22:14,109
{\an1}What was that feeling for you?
534
00:22:14,133 --> 00:22:18,776
-Excitement.
Exciting and happy.
535
00:22:18,800 --> 00:22:20,409
Groovy feeling.
536
00:22:20,433 --> 00:22:23,109
{\an1}Haven't seen it since 1966.
537
00:22:23,133 --> 00:22:27,109
{\an1}-♪ I had to prove that
I could make it alone now ♪
538
00:22:27,133 --> 00:22:29,142
♪ But that's not me ♪
539
00:22:29,166 --> 00:22:31,442
{\an8}♪♪
540
00:22:31,466 --> 00:22:35,276
{\an1}♪ I wanted to show how
independent I'd grown now ♪
541
00:22:35,300 --> 00:22:36,609
♪ But that's not me ♪
542
00:22:36,633 --> 00:22:38,676
{\an7}-Were your parents around then?
Did they come visit?
543
00:22:38,700 --> 00:22:40,842
{\an8}-No, they never did.
544
00:22:40,866 --> 00:22:43,576
{\an8}-Was this your first
sort of big purchase?
545
00:22:43,600 --> 00:22:44,776
-Yeah.
546
00:22:44,800 --> 00:22:46,709
-That must have been
a really exciting time.
547
00:22:46,733 --> 00:22:48,709
-It was, Jason.
It was a great time.
548
00:22:48,733 --> 00:22:53,942
-♪ Just one girl ♪
549
00:22:53,966 --> 00:22:56,642
{\an8}♪♪
550
00:22:56,666 --> 00:22:58,142
{\an1}♪ I'm a little bit scared ♪
551
00:22:58,166 --> 00:23:03,676
{\an1}♪ 'Cause I haven't been home
in a long time ♪
552
00:23:03,700 --> 00:23:05,442
{\an8}♪♪
553
00:23:05,466 --> 00:23:08,409
-It's right up here.
I think it's right up there.
554
00:23:08,433 --> 00:23:10,142
-This one?
555
00:23:10,166 --> 00:23:13,209
{\an1}-No, it has a view, so
it's gotta be a little higher.
556
00:23:13,233 --> 00:23:14,676
-Okay.
557
00:23:14,700 --> 00:23:18,342
{\an1}-It has a view of the whole
downtown Los Angeles.
558
00:23:18,366 --> 00:23:19,842
- Oh, wow.
- All the way to the beach.
559
00:23:19,866 --> 00:23:22,242
-Did you have a room
where you would work?
560
00:23:22,266 --> 00:23:23,909
{\an1}-The piano was in a sandbox.
561
00:23:23,933 --> 00:23:26,476
{\an1}-What was the idea behind that?
562
00:23:26,500 --> 00:23:28,676
{\an1}-I don't know. I just wanted
to have a sandbox.
563
00:23:28,700 --> 00:23:30,742
-[ Chuckles ]
While you worked?
564
00:23:30,766 --> 00:23:33,209
-Yeah.
Took our shoes and socks off.
565
00:23:33,233 --> 00:23:37,309
{\an7}And I wrote, you know, music
on a piano in the sandbox.
566
00:23:37,333 --> 00:23:40,676
{\an1}I put an Arabian tent up
in my den,
567
00:23:40,700 --> 00:23:45,942
{\an1}and I put, like, eight Tiffany
lamps in the living room,
568
00:23:45,966 --> 00:23:48,976
{\an1}hanging from the ceiling.
569
00:23:49,000 --> 00:23:50,776
It was a trip.
570
00:23:50,800 --> 00:23:52,276
{\an1}-[ Laughs ] It sounds like it.
571
00:23:52,300 --> 00:23:54,376
{\an1}What'd you do inside the tent?
572
00:23:54,400 --> 00:23:56,009
- Smoked grass.
- Uh-huh.
573
00:23:56,033 --> 00:23:59,709
-Ate peanut-butter
and jelly sandwiches.
574
00:23:59,733 --> 00:24:03,109
You know...
575
00:24:03,133 --> 00:24:05,376
Young and rich.
576
00:24:05,400 --> 00:24:07,309
-♪ I'm glad I went ♪
577
00:24:07,333 --> 00:24:11,842
{\an1}♪ Now I'm that much more sure
that we're ready ♪
578
00:24:11,866 --> 00:24:16,642
-That's where I wrote
the "Pet Sounds" album
579
00:24:16,666 --> 00:24:18,242
{\an1}and "Good Vibrations."
580
00:24:18,266 --> 00:24:21,833
{\an1}-Wow. That's some pretty big
stuff you wrote up here.
581
00:24:23,366 --> 00:24:24,742
-Yeah.
582
00:24:24,766 --> 00:24:26,842
-So you think
you'd wanna tour more?
583
00:24:26,866 --> 00:24:28,742
{\an1}-Yeah, I like to go on the road.
584
00:24:28,766 --> 00:24:30,276
{\an1}-What do you like about it?
585
00:24:30,300 --> 00:24:33,342
- The concerts.
- Yep.
586
00:24:33,366 --> 00:24:34,776
-Makes you feel good?
587
00:24:34,800 --> 00:24:36,742
-Yeah.
It's fun to play a concert.
588
00:24:36,766 --> 00:24:37,976
-Mm-hmm.
589
00:24:38,000 --> 00:24:40,909
[ Crowd cheering ]
590
00:24:40,933 --> 00:24:45,009
{\an1}-You used to get nervous,
but not so much anymore, huh?
591
00:24:45,033 --> 00:24:48,242
{\an1}-No, before a concert,
I got very nervous.
592
00:24:48,266 --> 00:24:50,509
{\an1}-How long does it take you
to calm down on stage?
593
00:24:50,533 --> 00:24:52,076
-About two minutes.
594
00:24:52,100 --> 00:24:53,966
[ Crowd cheering ]
595
00:24:58,600 --> 00:25:01,809
{\an1}-To this day, Brian's still
even a little bit nervous
596
00:25:01,833 --> 00:25:03,076
{\an1}about "Pet Sounds," you know?
597
00:25:03,100 --> 00:25:05,476
{\an1}"Are they gonna like it?
Is it too soft?"
598
00:25:05,500 --> 00:25:07,609
Is it manly?"
he'll say sometimes.
599
00:25:07,633 --> 00:25:10,242
{\an8}-Hello, Los Angeles!
600
00:25:10,266 --> 00:25:12,009
{\an8}The Hollywood Bowl!
601
00:25:12,033 --> 00:25:13,476
{\an7}[ Cheers and applause ]
602
00:25:13,500 --> 00:25:15,342
{\an1}[ "Caroline, No" intro plays ]
603
00:25:15,366 --> 00:25:17,209
{\an8}♪♪
604
00:25:17,233 --> 00:25:22,133
{\an8}-♪ Where did
your long hair go? ♪
605
00:25:23,900 --> 00:25:27,566
♪ Where is that girl
I used to know? ♪
606
00:25:29,800 --> 00:25:32,909
{\an1}♪ How could you lose ♪
607
00:25:32,933 --> 00:25:36,809
♪ That happy glow? ♪
608
00:25:36,833 --> 00:25:39,876
♪ Oh, Caroline, no ♪
609
00:25:39,900 --> 00:25:42,409
{\an1}-Well, you have the great
"Caroline, No."
610
00:25:42,433 --> 00:25:45,776
{\an1}It's one of the greatest songs
in pop history,
611
00:25:45,800 --> 00:25:49,776
as far as dealing
with oncoming adulthood,
612
00:25:49,800 --> 00:25:51,176
loss of innocence,
613
00:25:51,200 --> 00:25:54,776
reckoning with
the adult world...
614
00:25:54,800 --> 00:25:57,209
{\an1}and the terrible heartache
that comes along with it.
615
00:25:57,233 --> 00:26:01,009
{\an1}-♪ But that's not true ♪
616
00:26:01,033 --> 00:26:03,409
{\an7}♪ Well, Caroline, you ♪
617
00:26:03,433 --> 00:26:05,000
{\an8}-[ Speaking Spanish ]
618
00:26:10,500 --> 00:26:15,109
{\an7}-I can hear him exploring
the possibilities of these songs
619
00:26:15,133 --> 00:26:17,342
{\an1}that he probably woke up,
620
00:26:17,366 --> 00:26:21,142
{\an1}dug his feet in the sand,
and wrote these songs.
621
00:26:21,166 --> 00:26:25,342
-♪ Could I ever
find in you again ♪
622
00:26:25,366 --> 00:26:27,442
{\an8}♪♪
623
00:26:27,466 --> 00:26:31,176
{\an1}♪ Things that made me love you
so much then ♪
624
00:26:31,200 --> 00:26:32,942
-He started out
writing happy songs,
625
00:26:32,966 --> 00:26:35,976
and then,
as he grew as a musician,
626
00:26:36,000 --> 00:26:40,276
his tastes refined,
his writing refined,
627
00:26:40,300 --> 00:26:42,642
{\an1}and he wanted to get away
from the three-chord thing
628
00:26:42,666 --> 00:26:45,076
and experiment,
and when you do that,
629
00:26:45,100 --> 00:26:46,642
you are drawn
to the darker side.
630
00:26:46,666 --> 00:26:47,876
I know I am.
631
00:26:47,900 --> 00:26:49,942
{\an1}-Brian's music, you know,
especially "Pet Sounds,"
632
00:26:49,966 --> 00:26:51,776
{\an1}you never move on from it.
633
00:26:51,800 --> 00:26:53,909
{\an1}I'll be listening to that record
till the day I die.
634
00:26:53,933 --> 00:26:56,709
- "Pet Sounds"...
The beauty of it
635
00:26:56,733 --> 00:26:59,209
{\an1}carries with it a sense of...
636
00:26:59,233 --> 00:27:01,976
joyfulness
even in the pain of living.
637
00:27:02,000 --> 00:27:04,442
The joyfulness
of an emotional life.
638
00:27:04,466 --> 00:27:07,509
{\an7}-You have this music bed
that is so complex,
639
00:27:07,533 --> 00:27:09,009
{\an7}but the lyrics were very simple.
640
00:27:09,033 --> 00:27:11,776
{\an7}All these concepts of things
that we all ask ourselves,
641
00:27:11,800 --> 00:27:12,976
{\an7}and it's there forever.
642
00:27:13,000 --> 00:27:14,876
{\an8}50 years later,
we're still celebrating
643
00:27:14,900 --> 00:27:17,642
{\an7}what is probably one of
the greatest records ever made.
644
00:27:17,666 --> 00:27:19,866
{\an8}[ Crowd cheering ]
645
00:27:31,800 --> 00:27:34,510
- {\an1}[
- "God Only Knows" strings playing
646
00:27:34,533 --> 00:27:36,876
Flutes trilling
647
00:27:34,536 --> 00:27:35,694
[]
648
00:27:35,718 --> 00:27:36,900
[
649
00:27:36,900 --> 00:27:38,576
-Whoa!
650
00:27:38,600 --> 00:27:40,742
{\an7}I don't even know what that is.
651
00:27:40,766 --> 00:27:43,509
{\an8}Flutes and reverb?
I don't know, man.
652
00:27:43,533 --> 00:27:45,160
{\an8}[ Isolated vocals ]
- ♪
653
00:27:43,533 --> 00:27:46,809
{\an8}♪
654
00:27:45,184 --> 00:27:46,833
{\an8}Without you
655
00:27:46,833 --> 00:27:49,342
-Whoa.
656
00:27:49,366 --> 00:27:57,366
♪
God only knows
what I'd be without you
♪
657
00:28:00,200 --> 00:28:01,809
-[ Chuckling ]
658
00:28:01,833 --> 00:28:03,742
-♪
God only knows
what I'd be without you
♪
659
00:28:03,766 --> 00:28:05,610
- -♪
- God only knows
660
00:28:09,533 --> 00:28:13,310
♪
God only knows
what I'd be without you
♪
661
00:28:11,466 --> 00:28:13,333
God only knows
662
00:28:13,334 --> 00:28:17,433
-♪
God only knows
what I'd be without you
♪
663
00:28:17,433 --> 00:28:20,410
♪
God only knows
what I'd be without you
♪
664
00:28:20,434 --> 00:28:21,927
-♪
665
00:28:21,333 --> 00:28:24,342
♪
- [ Click, music shuts off ]
666
00:28:21,951 --> 00:28:24,366
God only knows
667
00:28:24,366 --> 00:28:27,242
-I don't even know
where to begin.
668
00:28:27,266 --> 00:28:29,476
{\an1}-Probably took a minute
for everyone to wrap their heads
669
00:28:29,500 --> 00:28:30,976
{\an1}around a 23-year-old kid
coming in
670
00:28:31,000 --> 00:28:32,742
{\an1}and telling 'em what was up.
671
00:28:32,766 --> 00:28:35,610
- [
- "God Only Knows" instrumental playing ]
672
00:28:35,636 --> 00:28:37,776
-That's a banjo.
It is a banjo, huh?
673
00:28:37,800 --> 00:28:39,176
[ Chuckles ]
674
00:28:39,200 --> 00:28:40,742
{\an1}-Brian always had this thing
675
00:28:40,766 --> 00:28:45,209
{\an7}where he used the fifth note
of a chord as the bass note.
676
00:28:45,233 --> 00:28:47,376
{\an8}"God Only Knows"
is a prime example of that.
677
00:28:47,400 --> 00:28:49,676
♪ I may not always ♪
With the bass note.
678
00:28:49,700 --> 00:28:52,342
{\an1}And "Someone Saved My Life
Tonight" is exactly the same.
679
00:28:52,366 --> 00:28:54,143
[
680
00:28:52,366 --> 00:28:55,942
[]
681
00:28:54,167 --> 00:28:55,966
"God Only Knows"
instrumental playing
682
00:28:55,966 --> 00:28:58,009
-So you can hear
the other instruments.
683
00:28:58,033 --> 00:29:00,742
{\an1}They're all in one room
at the same time playing.
684
00:29:00,766 --> 00:29:03,976
{\an1}[
Keyboard and drum track
joins
]
685
00:29:04,000 --> 00:29:07,276
{\an7}-With Brian's music, you hear
his spirit, and it's like...
686
00:29:07,300 --> 00:29:10,042
{\an7}he may be playing a "C" chord,
but there's, like,
687
00:29:10,066 --> 00:29:12,976
{\an1}this other weird harmony
drifting in over it.
688
00:29:13,000 --> 00:29:16,342
{\an1}He's using the available tools
that all of us have.
689
00:29:16,366 --> 00:29:18,209
{\an1}You know, it may be a piano
or a harpsichord
690
00:29:18,233 --> 00:29:21,376
{\an1}or a guitar or whatever,
but it's all in the architecture
691
00:29:21,400 --> 00:29:23,609
{\an1}or the recording technique.
692
00:29:23,633 --> 00:29:25,276
Everybody has a piano
or a guitar.
693
00:29:25,300 --> 00:29:27,376
{\an1}Go grab whatever the [bleep]
you want, but it's the way
694
00:29:27,400 --> 00:29:31,876
{\an1}you put in the strangeness,
that's what he's the master of.
695
00:29:31,900 --> 00:29:33,642
{\an1}-Listen to that basic track.
696
00:29:33,666 --> 00:29:39,209
Sounds to me like
it's maybe a piano and a banjo
697
00:29:39,233 --> 00:29:40,676
and a harmonica
698
00:29:40,700 --> 00:29:44,076
{\an1}kind of all becoming one sound.
699
00:29:44,100 --> 00:29:46,542
{\an1}Brian had to sit home,
700
00:29:46,566 --> 00:29:50,509
{\an1}dream up these textures
that no one had ever, ever used.
701
00:29:50,533 --> 00:29:52,409
{\an8}♪♪
702
00:29:52,433 --> 00:29:57,242
That's one reason
why people say Brian's a genius.
703
00:29:57,266 --> 00:29:59,242
That's being
a complete visionary,
704
00:29:59,266 --> 00:30:03,076
{\an1}to dream up these textures
that never existed before.
705
00:30:03,100 --> 00:30:05,642
-I'm still awestruck
by the construction,
706
00:30:05,666 --> 00:30:08,542
{\an8}how he took
very complex arrangements,
707
00:30:08,566 --> 00:30:10,309
{\an7}and yet, at the end of the day,
708
00:30:10,333 --> 00:30:13,542
{\an1}they sounded so simple
when they entered your ear.
709
00:30:13,566 --> 00:30:15,109
{\an1}-♪ I'd be without you ♪
710
00:30:15,133 --> 00:30:16,742
{\an1}-I think his imagination
711
00:30:16,766 --> 00:30:18,609
is what made him
a great producer.
712
00:30:18,633 --> 00:30:21,276
{\an1}We can all sit here and say
we have all the technology
713
00:30:21,300 --> 00:30:24,476
{\an7}and we know how to use it
and we know how to do it,
714
00:30:24,500 --> 00:30:26,976
{\an7}but the bottom line is
it doesn't matter what you know,
715
00:30:27,000 --> 00:30:28,142
{\an7}it's what you're gonna do.
716
00:30:28,166 --> 00:30:29,909
-♪ God only knows
what I'd be without you ♪
717
00:30:29,933 --> 00:30:31,309
-♪ God only knows ♪
718
00:30:31,333 --> 00:30:34,542
{\an1}-I've been making records
for 40-some years,
719
00:30:34,566 --> 00:30:37,842
and I don't know
how you do this.
720
00:30:37,866 --> 00:30:40,509
{\an1}I don't know how you do that.
721
00:30:40,533 --> 00:30:43,442
{\an1}Nobody knows! [ Laughs ]
722
00:30:43,466 --> 00:30:46,876
-What I hear
is his competitive nature,
723
00:30:46,900 --> 00:30:50,409
{\an1}him wanting to be more
than what everybody else was.
724
00:30:50,433 --> 00:30:52,876
{\an7}And you can totally hear
how he was trying
725
00:30:52,900 --> 00:30:55,609
{\an7}to make things sound better
than the Beatles.
726
00:30:55,633 --> 00:30:59,609
{\an1}But I think, more so, his
biggest competitor was himself.
727
00:30:59,633 --> 00:31:01,776
-♪ Without you ♪
728
00:31:01,800 --> 00:31:03,076
{\an1}-How was that? Was that cool?
729
00:31:03,100 --> 00:31:04,476
- That's beautiful.
- Alright.
730
00:31:04,500 --> 00:31:06,709
{\an1}-When he started doing
the music around "Pet Sounds,"
731
00:31:06,733 --> 00:31:11,409
{\an1}which was more complex,
more orchestral, more personal,
732
00:31:11,433 --> 00:31:14,076
{\an1}you know, the guys started
saying, "Whoa, now," you know?
733
00:31:14,100 --> 00:31:16,009
I mean,
"Where are we going with this?
734
00:31:16,033 --> 00:31:18,676
{\an1}You know, this isn't about
cars and girls anymore."
735
00:31:18,700 --> 00:31:20,976
{\an1}And things started to fragment.
736
00:31:21,000 --> 00:31:22,576
And I don't think
it's any wonder
737
00:31:22,600 --> 00:31:26,076
{\an1}that Brian started to lose
his confidence around that time.
738
00:31:26,100 --> 00:31:34,100
{\an8}♪♪
739
00:31:44,166 --> 00:31:47,276
When you think about
recording or touring,
740
00:31:47,300 --> 00:31:48,776
do you feel like
you still have something
741
00:31:48,800 --> 00:31:50,542
{\an1}to accomplish musically?
742
00:31:50,566 --> 00:31:51,842
{\an1}Do you still have things
743
00:31:51,866 --> 00:31:53,742
you want to get...
You want to do?
744
00:31:53,766 --> 00:31:55,609
-Yeah, I want to make
a rock-'n'-roll album.
745
00:31:55,633 --> 00:31:57,142
-Mm-hmm.
746
00:31:57,166 --> 00:31:59,909
{\an1}- Maybe something good, you know?
- Yeah.
747
00:31:59,933 --> 00:32:02,309
{\an1}-What's rock 'n' roll to you?
748
00:32:02,333 --> 00:32:03,709
- Rock 'n' roll?
- Yeah.
749
00:32:03,733 --> 00:32:06,542
{\an1}-Chuck Berry, you know.
750
00:32:06,566 --> 00:32:09,366
- Little Richard.
- Mm-hmm.
751
00:32:11,200 --> 00:32:14,442
I recently watched
the "Smile" concert.
752
00:32:14,466 --> 00:32:15,609
-Yeah.
753
00:32:15,633 --> 00:32:17,109
-Wow. You looked
really happy that night.
754
00:32:17,133 --> 00:32:19,709
- Yeah, that was fun.
- Was it hard to pull off?
755
00:32:19,733 --> 00:32:22,376
-We premiered "Smile"
and "Lucky Old Sun" album.
756
00:32:22,400 --> 00:32:24,909
2004 and 2005.
757
00:32:24,933 --> 00:32:28,676
{\an1}-When you let it go, when you
stopped working on it in '67,
758
00:32:28,700 --> 00:32:30,442
{\an1}was that a hard thing for you?
759
00:32:30,466 --> 00:32:32,042
{\an1}-Yeah, it was rough, yeah.
760
00:32:32,066 --> 00:32:35,242
{\an1}Me and Van Dyke got so into it,
you know.
761
00:32:35,266 --> 00:32:36,509
{\an1}We really got into it.
762
00:32:36,533 --> 00:32:39,576
{\an1}-When you premiered Smile,
how'd you feel?
763
00:32:39,600 --> 00:32:41,576
{\an1}I mean, it must have been
a big relief.
764
00:32:41,600 --> 00:32:44,909
{\an1}-Well, it was a big challenge
to try to pull it off, you know?
765
00:32:44,933 --> 00:32:46,142
-Right.
766
00:32:46,166 --> 00:32:48,409
-But we did.
It went over very well.
767
00:32:48,433 --> 00:32:49,876
{\an8}♪♪
768
00:32:49,900 --> 00:32:52,709
{\an7}-♪ I've been in this town
so long that back in the city ♪
769
00:32:52,733 --> 00:32:55,542
{\an8}♪ I've been taken
for lost and gone ♪
770
00:32:55,566 --> 00:32:57,009
{\an8}♪ Unknown for
a long, long time ♪
771
00:32:57,033 --> 00:33:00,009
{\an7}-♪ Doo, do-doo-doo-doo,
doo-doo-doo-doo ♪
772
00:33:00,033 --> 00:33:03,109
{\an1}-♪ Fell in love years ago
with an innocent girl ♪
773
00:33:03,133 --> 00:33:05,676
♪ From the Spanish
and Indian home ♪
774
00:33:05,700 --> 00:33:07,042
{\an1}♪ Of the heroes and villains ♪
775
00:33:07,066 --> 00:33:09,109
{\an7}-Around 2004, Brian decided
776
00:33:09,133 --> 00:33:12,242
{\an7}that he was going to come back
and work on "Smile,"
777
00:33:12,266 --> 00:33:15,376
{\an1}the, you know, most famous
unreleased album of all time,
778
00:33:15,400 --> 00:33:17,909
{\an1}something that he had abandoned
around 1967,
779
00:33:17,933 --> 00:33:21,576
{\an1}and I think, in retrospect,
probably wisely, because it was
780
00:33:21,600 --> 00:33:24,076
{\an1}proving to be insurmountable
for all kinds of reasons.
781
00:33:24,100 --> 00:33:26,509
-♪ What a dude'll do
in this town ♪
782
00:33:26,533 --> 00:33:27,909
{\an1}♪ Full of heroes and villains ♪
783
00:33:27,933 --> 00:33:29,609
{\an1}-♪ Doo-doo, doobie-doo-wah ♪
784
00:33:29,633 --> 00:33:32,842
{\an8}-He was terrified.
He didn't want to do it.
785
00:33:32,866 --> 00:33:36,609
And then, slowly,
786
00:33:36,633 --> 00:33:40,342
{\an1}something about the music
reconnected emotionally.
787
00:33:40,366 --> 00:33:43,776
{\an1}-♪ Fell in love years ago
with an innocent girl ♪
788
00:33:43,800 --> 00:33:46,409
♪ From the Spanish
and Indian home ♪
789
00:33:46,433 --> 00:33:49,176
{\an1}-So all those bad associations
that he had
790
00:33:49,200 --> 00:33:52,076
were being replaced
with good ones.
791
00:33:52,100 --> 00:33:54,942
-♪ Next time
I'll leave my hat off ♪
792
00:33:54,966 --> 00:33:57,442
-And it became
more about the music again.
793
00:33:57,466 --> 00:34:01,176
{\an1}-♪ Heroes and villains ♪
794
00:34:01,200 --> 00:34:05,076
{\an1}♪ Just see what you've done ♪
795
00:34:05,100 --> 00:34:06,742
-♪ Doo doo doo doo ♪
796
00:34:06,766 --> 00:34:08,542
-Some of the stuff on
that record was pretty wild,
797
00:34:08,566 --> 00:34:09,842
on "Smile."
798
00:34:09,866 --> 00:34:12,209
{\an1}-Yeah, some of that stuff
was pretty complicated.
799
00:34:12,233 --> 00:34:13,976
- Yeah.
- Complex.
800
00:34:14,000 --> 00:34:16,176
{\an1}-Mm-hmm. Why'd you let it go?
801
00:34:16,200 --> 00:34:19,076
-We thought it was
a little ahead of its time.
802
00:34:19,100 --> 00:34:22,176
- Right.
- We waited for, like, 30 years.
803
00:34:22,200 --> 00:34:24,076
{\an1}And we finally finished it.
804
00:34:24,100 --> 00:34:27,676
{\an1}-♪ La la la la, la la la la la ♪
805
00:34:27,700 --> 00:34:29,542
{\an1}♪ La la, la la la la la la ♪
806
00:34:29,566 --> 00:34:32,642
-It became something
that was living now,
807
00:34:32,666 --> 00:34:35,176
{\an1}as opposed to something
that was dead in his mind.
808
00:34:35,200 --> 00:34:37,476
-We're not picking up
all your notes.
809
00:34:37,500 --> 00:34:39,842
You can feel it,
but you can't really hear it.
810
00:34:39,866 --> 00:34:41,876
-In fact,
we couldn't bring up that stuff.
811
00:34:41,900 --> 00:34:44,342
{\an1}-We couldn't even say the words
"Heroes and Villains."
812
00:34:44,366 --> 00:34:47,509
{\an1}-'Cause he would freak out.
813
00:34:47,533 --> 00:34:50,142
{\an1}-What now? God, there are
so many parts to this damn song.
814
00:34:50,166 --> 00:34:51,642
- [ Laughter ]
- It's endless!
815
00:34:51,666 --> 00:34:54,576
{\an1}It's endless and endless
and endless! It never ends!
816
00:34:54,600 --> 00:34:56,900
{\an8}-[ Speaking Spanish ]
817
00:35:02,800 --> 00:35:04,742
{\an7}-♪ La la la la, la la ♪
818
00:35:04,766 --> 00:35:06,276
{\an7}-When you listen to "Smile"
819
00:35:06,300 --> 00:35:09,609
{\an7}with that ear of hearing
how segmental it was
820
00:35:09,633 --> 00:35:12,309
{\an7}and yet how seamlessly
he put it together,
821
00:35:12,333 --> 00:35:14,242
it's quite wonderful.
822
00:35:14,266 --> 00:35:16,209
{\an1}-♪ There shall be peace
in the valley ♪
823
00:35:16,233 --> 00:35:18,076
{\an1}♪ And it's all an affair ♪
824
00:35:18,100 --> 00:35:21,476
♪ Of my life with
the heroes and villains ♪
825
00:35:21,500 --> 00:35:24,309
{\an1}-I remember sitting with him,
and I handed him the CD,
826
00:35:24,333 --> 00:35:26,842
{\an7}and I said, "Brian, that's
'Smile.' You finished it."
827
00:35:26,866 --> 00:35:29,209
{\an7}You know, I could really see
it meant something to him
828
00:35:29,233 --> 00:35:33,176
{\an7}because it was a disappointment
that he'd been carrying around.
829
00:35:33,200 --> 00:35:35,276
{\an1}Being able to finish it at last,
830
00:35:35,300 --> 00:35:37,509
even though
it was 30 years later,
831
00:35:37,533 --> 00:35:39,509
{\an1}was a big moment in his life.
832
00:35:39,533 --> 00:35:42,109
{\an1}-♪ Da-doobie-doobie-da ♪
833
00:35:42,133 --> 00:35:46,609
{\an1}♪ Doobie-doobie-doo-wah ♪
834
00:35:46,633 --> 00:35:50,309
{\an8}♪♪
835
00:35:50,333 --> 00:35:53,942
{\an1}-Do you still get ideas
for different ways to produce?
836
00:35:53,966 --> 00:35:56,209
- Who, me?
- Things, sounds... Yeah.
837
00:35:56,233 --> 00:35:57,709
{\an1}-Well, usually, you know,
838
00:35:57,733 --> 00:35:59,576
{\an1}recording's a little slower
these days.
839
00:35:59,600 --> 00:36:02,576
- Mm-hmm.
- You know?
840
00:36:02,600 --> 00:36:04,609
{\an1}What's your process like?
841
00:36:04,633 --> 00:36:06,042
- The process?
- Yeah.
842
00:36:06,066 --> 00:36:07,542
{\an1}-Start with a background track.
843
00:36:07,566 --> 00:36:10,542
- Mm-hmm.
- Then you do the...
844
00:36:10,566 --> 00:36:12,342
background vocals,
then you do the leads.
845
00:36:12,366 --> 00:36:15,542
- Okay.
- Like we'll do today.
846
00:36:15,566 --> 00:36:17,742
{\an1}[ Guitar and piano notes
playing ]
847
00:36:17,766 --> 00:36:19,976
- Will I be on keys?
- That's correct.
848
00:36:20,000 --> 00:36:22,842
{\an1}[ Organ notes playing ]
849
00:36:22,866 --> 00:36:24,142
{\an1}-What's been making you
850
00:36:24,166 --> 00:36:26,542
feel like making
a rock-'n'-roll record?
851
00:36:26,566 --> 00:36:28,076
-Uh, I don't know.
852
00:36:28,100 --> 00:36:29,776
Well, actually,
853
00:36:29,800 --> 00:36:31,276
"Summer Days
(And Summer Nights!!)"
854
00:36:31,300 --> 00:36:32,942
{\an1}was a rock-'n'-roll album.
- Yep.
855
00:36:32,966 --> 00:36:35,976
{\an1}-But I'd like to do another one
with covers
856
00:36:36,000 --> 00:36:38,042
instead of originals.
- Mm-hmm. Mm-hmm.
857
00:36:38,066 --> 00:36:39,476
-Is your click okay?
858
00:36:39,500 --> 00:36:41,476
[ Guitars strumming ]
859
00:36:41,500 --> 00:36:44,342
{\an8}♪♪
860
00:36:44,366 --> 00:36:46,476
{\an1}[ Indistinct conversations ]
861
00:36:46,500 --> 00:36:49,709
{\an8}♪♪
862
00:36:49,733 --> 00:36:51,942
{\an1}-How do you feel about spending
a few days with your band?
863
00:36:51,966 --> 00:36:54,109
{\an1}-I think it'll be nice
to be back with 'em, you know?
864
00:36:54,133 --> 00:36:56,342
-It's about time
we all recorded like this.
865
00:36:56,366 --> 00:36:58,709
{\an1}[ Guitar notes playing ]
866
00:36:58,733 --> 00:37:00,309
{\an1}[ Indistinct conversations ]
867
00:37:00,333 --> 00:37:02,776
-And we are here.
868
00:37:02,800 --> 00:37:03,976
-I'm nervous.
869
00:37:04,000 --> 00:37:05,609
-It's like you say
when you go on stage...
870
00:37:05,633 --> 00:37:07,342
{\an1}nervous for about two minutes.
871
00:37:07,366 --> 00:37:09,576
{\an1}-Right, and then as soon
as I hear "California Girls,"
872
00:37:09,600 --> 00:37:10,809
I'm cool.
873
00:37:10,833 --> 00:37:12,642
- One, two.
- You got this.
874
00:37:12,666 --> 00:37:14,576
-One, two, three.
875
00:37:14,600 --> 00:37:15,942
[ Piano playing ]
876
00:37:15,966 --> 00:37:17,542
-♪ Doo, doo ♪
Right there.
877
00:37:17,566 --> 00:37:19,309
One, two, three.
878
00:37:19,333 --> 00:37:21,076
{\an8}♪♪
879
00:37:21,100 --> 00:37:22,509
♪ Duh-duh ♪
880
00:37:22,533 --> 00:37:24,209
{\an8}♪♪
881
00:37:24,233 --> 00:37:25,642
No, on that "duh."
882
00:37:25,666 --> 00:37:28,542
{\an1}- Are you sure it's that?
- Yeah.
883
00:37:28,566 --> 00:37:30,409
Yeah, that's it.
884
00:37:30,433 --> 00:37:33,266
[ Piano playing,
guitar strumming ]
885
00:37:34,833 --> 00:37:35,976
[ Piano note plays ]
886
00:37:36,000 --> 00:37:37,309
-I'll play the piano.
887
00:37:37,333 --> 00:37:40,276
{\an1}-Yeah! Now we're talkin'!
888
00:37:40,300 --> 00:37:41,876
- Hi, Russ.
- How you doing, Brian?
889
00:37:41,900 --> 00:37:44,342
{\an1}- I'm good. How are you?
- Doing alright.
890
00:37:44,366 --> 00:37:52,076
{\an8}♪♪
891
00:37:52,100 --> 00:37:53,376
-Okay.
892
00:37:53,400 --> 00:37:58,709
{\an8}♪♪
893
00:37:58,733 --> 00:38:00,409
Hi, Tom!
894
00:38:00,433 --> 00:38:02,242
- Hi, Brian.
- How are ya?
895
00:38:02,266 --> 00:38:05,242
- Good. How are you?
- Good.
896
00:38:05,266 --> 00:38:08,976
{\an1}- We need a click, Wes!
- It's coming.
897
00:38:09,000 --> 00:38:10,276
-What's coming?
898
00:38:10,300 --> 00:38:12,209
- The click.
- Oh.
899
00:38:12,233 --> 00:38:13,776
[ Piano playing ]
900
00:38:13,800 --> 00:38:16,776
Okay. It's cool.
The click'll help ya!
901
00:38:16,800 --> 00:38:19,609
- Okay.
- One, two, three.
902
00:38:19,633 --> 00:38:22,609
{\an8}♪♪
903
00:38:22,633 --> 00:38:23,976
- Paul!
- Yeah?
904
00:38:24,000 --> 00:38:26,742
- It's just...
- [ Three piano notes play ]
905
00:38:26,766 --> 00:38:28,909
{\an1}[ Saxophone plays four notes ]
906
00:38:28,933 --> 00:38:31,776
- No.
- [ Piano plays three notes ]
907
00:38:31,800 --> 00:38:34,609
- Okay.
- One, two, three.
908
00:38:34,633 --> 00:38:42,633
{\an8}♪♪
909
00:38:44,333 --> 00:38:45,742
- Hey, Paul.
- Yeah?
910
00:38:45,766 --> 00:38:49,442
{\an1}- Play staccato. Bah, bah, bah.
- Okay.
911
00:38:49,466 --> 00:38:51,042
[ Saxophone plays
three staccato notes ]
912
00:38:51,066 --> 00:38:52,942
- Yeah.
- Ooh!
913
00:38:52,966 --> 00:38:54,909
{\an1}-One, two, three, four.
914
00:38:54,933 --> 00:38:58,542
{\an8}♪♪
915
00:38:58,566 --> 00:39:02,276
Hold it! The guitar
sounds a little fuzzy.
916
00:39:02,300 --> 00:39:04,542
{\an1}- [ Guitar tone changes ]
- See if that's better.
917
00:39:04,566 --> 00:39:06,742
{\an1}-Okay. One, two, three, four.
918
00:39:06,766 --> 00:39:08,909
{\an8}♪♪
919
00:39:08,933 --> 00:39:10,676
Yeah, we're cool.
920
00:39:10,700 --> 00:39:12,676
Let's try one.
- Okay.
921
00:39:12,700 --> 00:39:16,176
{\an1}-One. Two. One, two, three!
922
00:39:16,200 --> 00:39:24,200
{\an8}♪♪
923
00:39:43,833 --> 00:39:46,676
{\an1}-Two. A-one, two, three, four.
924
00:39:46,700 --> 00:39:54,700
{\an8}♪♪
925
00:39:58,366 --> 00:40:00,200
{\an1}[ Band stops playing ]
926
00:40:02,700 --> 00:40:04,676
{\an1}Yeah, it can fall apart.
That's cool.
927
00:40:04,700 --> 00:40:06,476
- Pretty good.
- I think that's a print.
928
00:40:06,500 --> 00:40:08,342
{\an1}Wanna go in the booth.
929
00:40:08,366 --> 00:40:10,642
{\an1}Can we come in the booth
and hear it?
930
00:40:10,666 --> 00:40:12,909
- Yes.
- Okay.
931
00:40:12,933 --> 00:40:13,927
[
932
00:40:12,933 --> 00:40:14,942
[]
933
00:40:13,951 --> 00:40:14,966
Recording plays
934
00:40:14,966 --> 00:40:22,966
{\an8}♪♪
935
00:40:30,200 --> 00:40:32,276
{\an1}-Listen. Syncopate it a little.
936
00:40:32,300 --> 00:40:34,076
{\an1}Yeah. What are the words?
Sing it.
937
00:40:34,100 --> 00:40:36,409
{\an1}-Since you put me down,
I've been arguing in my head.
938
00:40:36,433 --> 00:40:38,176
{\an1}-Let me hear. Sing it. Sing it.
939
00:40:38,200 --> 00:40:40,009
{\an7}- ♪ Since you put me down ♪
- No.
940
00:40:40,033 --> 00:40:41,442
{\an7}♪ Since you put me down ♪
941
00:40:41,466 --> 00:40:43,976
{\an8}[ Scatting ]
942
00:40:44,000 --> 00:40:46,542
{\an8}- Sing the words.
- Okay. I can't do it.
943
00:40:46,566 --> 00:40:48,042
{\an1}-♪ Since you put me down ♪
944
00:40:48,066 --> 00:40:49,809
[ Scatting ]
945
00:40:49,833 --> 00:40:53,142
-Loosen up.
Loosen up, sweetie. Loosen up.
946
00:40:53,166 --> 00:40:56,509
{\an7}-My dad owned the publishing
with Brian,
947
00:40:56,533 --> 00:40:58,609
{\an7}and he managed the group
for 10%.
948
00:40:58,633 --> 00:41:01,109
{\an8}-I just remember
there was a lot of tension
949
00:41:01,133 --> 00:41:03,576
{\an7}with my dad and Brian.
950
00:41:03,600 --> 00:41:05,309
{\an1}-You guys think you're good?
951
00:41:05,333 --> 00:41:07,242
Can we hear a chord?
952
00:41:07,266 --> 00:41:09,409
{\an1}Just a chord, like we used to.
953
00:41:09,433 --> 00:41:12,376
When you used to sing
clear records, okay? Let's go.
954
00:41:12,400 --> 00:41:14,376
{\an1}-His presence was very...
955
00:41:14,400 --> 00:41:16,442
{\an1}Where he'd burst into a room,
you know?
956
00:41:16,466 --> 00:41:18,309
{\an1}- And beat everyone up.
- [ Laughs ]
957
00:41:18,333 --> 00:41:20,476
{\an1}-I got beaten around by my dad.
958
00:41:20,500 --> 00:41:22,309
{\an1}One kind of spanking is...
- [ Slap ]
959
00:41:22,333 --> 00:41:25,042
{\an1}-But the way I had it,
Dad would double over his belt.
960
00:41:25,066 --> 00:41:28,476
{\an1}His voice... [ Shouting ]
Very, very hard.
961
00:41:28,500 --> 00:41:30,042
{\an1}Pretty tough business.
962
00:41:30,066 --> 00:41:34,542
{\an1}-His dad was extremely tough
on him, abusive at times.
963
00:41:34,566 --> 00:41:37,042
You can hear this
in all the old tapes
964
00:41:37,066 --> 00:41:39,142
{\an1}from those studio sessions where
his dad takes it way too far.
965
00:41:39,166 --> 00:41:41,109
{\an1}-We just wanna be sure
this is our thing.
966
00:41:41,133 --> 00:41:43,276
{\an1}-This is an absolute insult.
967
00:41:43,300 --> 00:41:46,509
{\an1}-Well, you're doing the same
to me in front of 20 people.
968
00:41:46,533 --> 00:41:48,676
-I'm sorry.
I'll never help you guys...
969
00:41:48,700 --> 00:41:51,509
- Why?
- Because you don't appreciate
970
00:41:51,533 --> 00:41:54,109
{\an1}the good help I have given you.
971
00:41:54,133 --> 00:41:55,676
{\an1}- We all appreciate the help.
- You've got a beautiful gift.
972
00:41:55,700 --> 00:41:57,676
And when you guys
start coming off...
973
00:41:57,700 --> 00:41:59,442
Now, listen.
Let me tell you something.
974
00:41:59,466 --> 00:42:01,642
- Yes.
- When you guys get so big
975
00:42:01,666 --> 00:42:04,309
{\an1}that you can't sing from your
hearts, you're going downhill.
976
00:42:04,333 --> 00:42:06,442
- Downhill?
- Down... hill!
977
00:42:06,466 --> 00:42:11,876
{\an1}-♪ How deep is the ocean? ♪
978
00:42:11,900 --> 00:42:16,876
{\an1}♪ How deep is the ocean? ♪
979
00:42:16,900 --> 00:42:20,142
-♪ Ahh ♪
980
00:42:20,166 --> 00:42:21,676
-And as we got older,
we told him
981
00:42:21,700 --> 00:42:23,809
we didn't want him
to manage us anymore.
982
00:42:23,833 --> 00:42:24,976
It's very simple.
983
00:42:25,000 --> 00:42:26,409
{\an1}-It got to the point where
984
00:42:26,433 --> 00:42:27,976
he was so overbearing
to work with
985
00:42:28,000 --> 00:42:29,042
{\an1}that we had to fire him.
986
00:42:29,066 --> 00:42:34,376
{\an1}-♪ I'm a rock in a landslide ♪
987
00:42:34,400 --> 00:42:39,976
♪ Rolling over
the mountainside ♪
988
00:42:40,000 --> 00:42:48,000
{\an1}♪ How deep is the valley? ♪
989
00:42:50,300 --> 00:42:51,476
♪ Ahh ♪
990
00:42:51,500 --> 00:42:54,642
-♪ It kills my soul ♪
991
00:42:54,666 --> 00:42:59,733
♪ Hey, hey, hey ♪
992
00:43:01,833 --> 00:43:04,842
-Why did you move
from Laurel Way to Bellagio?
993
00:43:04,866 --> 00:43:08,376
-Marilyn wanted
to move to Bel Air.
994
00:43:08,400 --> 00:43:10,476
{\an1}-Was it a bigger house?
995
00:43:10,500 --> 00:43:12,242
- What, Bellagio?
- Yeah.
996
00:43:12,266 --> 00:43:14,209
- Much bigger.
- Much bigger, I see.
997
00:43:14,233 --> 00:43:17,609
{\an1}-I had, like, a den that
we built a recording studio.
998
00:43:17,633 --> 00:43:19,176
You remember that?
- Yeah.
999
00:43:19,200 --> 00:43:20,976
Is this the house
where Elton came over?
1000
00:43:21,000 --> 00:43:22,109
-Yeah.
1001
00:43:22,133 --> 00:43:23,676
{\an1}-Going to Brian Wilson's house
1002
00:43:23,700 --> 00:43:25,409
with Danny Hutton
of Three Dog Night
1003
00:43:25,433 --> 00:43:27,742
{\an1}was just the most amazing,
surreal trip for me.
1004
00:43:27,766 --> 00:43:30,442
{\an8}Here we are,
in Brian Wilson's house,
1005
00:43:30,466 --> 00:43:32,976
{\an7}who we used to lay on the floor
and listen in our headphones
1006
00:43:33,000 --> 00:43:35,242
{\an7}to all his beautiful music.
1007
00:43:35,266 --> 00:43:39,376
{\an7}It was... one of the most
moving nights of my life,
1008
00:43:39,400 --> 00:43:41,342
{\an7}and he tried to sell me
his piano, as well.
1009
00:43:41,366 --> 00:43:43,242
{\an8}[ Laughs ]
1010
00:43:43,266 --> 00:43:45,009
But to that time,
1011
00:43:45,033 --> 00:43:47,542
he went through
such a dark period of his life.
1012
00:43:47,566 --> 00:43:49,976
{\an1}-So Bellagio is kind of where
1013
00:43:50,000 --> 00:43:51,809
things got difficult
for you, huh?
1014
00:43:51,833 --> 00:43:54,409
- Yeah.
- What was going on?
1015
00:43:54,433 --> 00:43:57,542
-Uh... I was just
kind of lonesome
1016
00:43:57,566 --> 00:44:00,342
and, you know...
1017
00:44:00,366 --> 00:44:02,476
{\an1}hung out in my bedroom
for a while.
1018
00:44:02,500 --> 00:44:04,509
{\an1}-What were you staying
in your bedroom for?
1019
00:44:04,533 --> 00:44:06,642
-I don't really know.
I was having mental problems.
1020
00:44:06,666 --> 00:44:08,209
-Yeah. Yeah.
1021
00:44:08,233 --> 00:44:09,476
{\an1}And everyone always says,
1022
00:44:09,500 --> 00:44:11,076
oh, you stayed in
your bedroom for years.
1023
00:44:11,100 --> 00:44:12,776
{\an1}You didn't really do that.
1024
00:44:12,800 --> 00:44:14,976
{\an1}- No. For a couple weeks.
- Yeah.
1025
00:44:15,000 --> 00:44:19,242
{\an8}♪♪
1026
00:44:19,266 --> 00:44:20,909
-Sometimes
you question yourself,
1027
00:44:20,933 --> 00:44:23,509
{\an1}and I think, especially
when you grapple with demons,
1028
00:44:23,533 --> 00:44:25,442
and you think,
"Well, do I deserve this?
1029
00:44:25,466 --> 00:44:26,876
Am I worthy of this?"
1030
00:44:26,900 --> 00:44:30,409
{\an1}And, you know, I think
about Brian being saddled
1031
00:44:30,433 --> 00:44:33,242
{\an1}with the term "genius"
1032
00:44:33,266 --> 00:44:35,242
{\an7}from such an early age.
1033
00:44:35,266 --> 00:44:37,776
{\an7}That's gotta weigh on you
so much.
1034
00:44:37,800 --> 00:44:40,776
-♪ Lost my way ♪
1035
00:44:40,800 --> 00:44:42,809
-I think about
someone like Brian,
1036
00:44:42,833 --> 00:44:45,109
and coming into this
when he was becoming a man
1037
00:44:45,133 --> 00:44:47,976
and really starting
to make the music
1038
00:44:48,000 --> 00:44:50,276
{\an1}that would change the world
in a lot of ways.
1039
00:44:50,300 --> 00:44:52,009
{\an8}And the pressure
that comes with that.
1040
00:44:52,033 --> 00:44:53,876
{\an7}You know, the pressure
to continue to perform
1041
00:44:53,900 --> 00:44:56,609
{\an8}at that level
and continue to be the person
1042
00:44:56,633 --> 00:44:59,876
that people think
you are supposed to be.
1043
00:44:59,900 --> 00:45:02,509
{\an1}You know, you deal with
a lot of disappointment.
1044
00:45:02,533 --> 00:45:06,776
{\an1}Expectations are the foundation
for disappointments.
1045
00:45:06,800 --> 00:45:10,176
{\an1}-♪ When there's no morning ♪
1046
00:45:10,200 --> 00:45:13,476
♪ Without you ♪
1047
00:45:13,500 --> 00:45:17,242
{\an1}♪ There's only darkness ♪
1048
00:45:17,266 --> 00:45:20,109
{\an1}♪ The whole day through ♪
1049
00:45:20,133 --> 00:45:21,909
-Most people
in the music business
1050
00:45:21,933 --> 00:45:24,609
{\an1}are a little crazy in a variety
of different ways.
1051
00:45:24,633 --> 00:45:28,642
{\an7}I think you wish, for the people
who delivered so much to you,
1052
00:45:28,666 --> 00:45:33,342
{\an7}you wish them happiness
and a long life.
1053
00:45:33,366 --> 00:45:34,876
{\an1}You know, if you see someone
1054
00:45:34,900 --> 00:45:36,642
who's going through
a lot of pain,
1055
00:45:36,666 --> 00:45:39,409
you wish, like, hey,
nothing but good things.
1056
00:45:39,433 --> 00:45:42,942
{\an1}-♪ All these memories ♪
1057
00:45:42,966 --> 00:45:47,209
{\an1}♪ Made me feel like stone ♪
1058
00:45:47,233 --> 00:45:49,742
{\an8}♪♪
1059
00:45:49,766 --> 00:45:53,209
♪ All these people ♪
1060
00:45:53,233 --> 00:45:56,409
{\an1}♪ Make me feel so alone ♪
1061
00:45:56,433 --> 00:45:59,542
{\an1}-I think it's safe to say
that creative people
1062
00:45:59,566 --> 00:46:01,309
{\an1}are usually sensitive people.
1063
00:46:01,333 --> 00:46:06,042
{\an1}That door to drugs and alcohol
is an easy door to walk through.
1064
00:46:06,066 --> 00:46:08,709
{\an1}-Brian Wilson was crying
for help a long time ago.
1065
00:46:08,733 --> 00:46:12,642
He put it in there,
under this happiness.
1066
00:46:12,666 --> 00:46:15,109
{\an1}It is like the Mona Lisa.
1067
00:46:15,133 --> 00:46:18,142
{\an1}His tones that he chose,
or those harmonies,
1068
00:46:18,166 --> 00:46:20,742
{\an1}were there on purpose.
1069
00:46:20,766 --> 00:46:23,009
{\an1}Was this him calling out that,
"I need help"?
1070
00:46:23,033 --> 00:46:28,133
{\an1}-♪ Midnight's another day ♪
1071
00:46:30,133 --> 00:46:32,109
-Remember the song
"Long Promised Road"?
1072
00:46:32,133 --> 00:46:33,342
-Of course.
1073
00:46:33,366 --> 00:46:35,109
{\an1}-Carl recorded it there
at Bellagio House.
1074
00:46:35,133 --> 00:46:36,876
- Uh-huh.
- At our house.
1075
00:46:36,900 --> 00:46:39,576
{\an1}And he had me come down
to sing part of the bridge.
1076
00:46:39,600 --> 00:46:41,142
- Mm-hmm.
- So, okay.
1077
00:46:41,166 --> 00:46:43,042
{\an1}♪ Long promised road ♪
I went...
1078
00:46:43,066 --> 00:46:44,876
♪ Bah-bah-bah-bah ♪
1079
00:46:44,900 --> 00:46:46,276
I wrote that part.
- [ Chuckles ]
1080
00:46:46,300 --> 00:46:47,942
You kind of came down
from your bedroom and did that
1081
00:46:47,966 --> 00:46:49,276
{\an1}and then went back up?
- Yeah.
1082
00:46:49,300 --> 00:46:51,842
{\an1}-♪ Long promised road ♪
1083
00:46:51,866 --> 00:46:53,276
-♪ Bah-bah-bah-bah ♪
1084
00:46:53,300 --> 00:46:54,776
{\an1}-♪ Trail starts at dawn ♪
1085
00:46:54,800 --> 00:47:00,009
♪ Carries on
to the season's ending ♪
1086
00:47:00,033 --> 00:47:01,876
{\an1}♪ Long promised road ♪
1087
00:47:01,900 --> 00:47:05,742
{\an1}-Carl and Dennis were really
different guys, weren't they?
1088
00:47:05,766 --> 00:47:08,109
-Yeah, Carl was
a little easier-going.
1089
00:47:08,133 --> 00:47:09,876
{\an1}Dennis was a little more hyper.
1090
00:47:09,900 --> 00:47:11,742
- Mm-hmm.
- Carl was like...
1091
00:47:11,766 --> 00:47:13,642
{\an1}an easygoing kind of person,
you know?
1092
00:47:13,666 --> 00:47:17,642
{\an1}-Mm-hmm. I was listening
to Dennis' record recently.
1093
00:47:17,666 --> 00:47:19,342
{\an1}- Oh, "Pacific Ocean Blue"?
- Wow.
1094
00:47:19,366 --> 00:47:20,776
{\an1}I have never heard his album.
1095
00:47:20,800 --> 00:47:21,942
- Oh, man.
- I heard...
1096
00:47:21,966 --> 00:47:23,876
♪ I'll never make
the headlines or ♪
1097
00:47:23,900 --> 00:47:26,709
{\an1}♪ And the evening news ♪
- Mm-hmm.
1098
00:47:26,733 --> 00:47:28,276
-I thought, "Gosh."
I heard that one.
1099
00:47:28,300 --> 00:47:29,676
-Yep.
1100
00:47:29,700 --> 00:47:31,609
{\an1}-But I think there's 11 or 12
that I haven't heard yet.
1101
00:47:31,633 --> 00:47:33,709
{\an1}-Oh, my God. "River Song"?
Did you ever hear that one?
1102
00:47:33,733 --> 00:47:35,042
-No.
1103
00:47:35,066 --> 00:47:36,742
-Let's listen to it
when we get back to your house.
1104
00:47:36,766 --> 00:47:39,042
{\an1}- Is it, like, pretty cool?
- It's amazing.
1105
00:47:39,066 --> 00:47:41,642
{\an1}- He made good music, didn't he?
- He sure did.
1106
00:47:41,666 --> 00:47:43,809
The record
is really spectacular.
1107
00:47:43,833 --> 00:47:45,509
You're gonna love it.
1108
00:47:45,533 --> 00:47:48,209
{\an1}- I like his song "Forever."
- Oh, yeah. Oh, my God.
1109
00:47:48,233 --> 00:47:49,976
{\an1}- Thought that was beautiful.
- So beautiful.
1110
00:47:50,000 --> 00:47:52,409
{\an1}[ Dennis Wilson's "Forever"
plays ]
1111
00:47:52,433 --> 00:47:55,742
{\an8}♪♪
1112
00:47:55,766 --> 00:47:57,442
{\an8}-Yeah, I miss him.
1113
00:47:57,466 --> 00:48:00,676
{\an8}♪♪
1114
00:48:00,700 --> 00:48:06,376
{\an7}-♪ If every word I said
could make you laugh ♪
1115
00:48:06,400 --> 00:48:09,942
♪ I'd talk forever ♪
1116
00:48:09,966 --> 00:48:12,142
{\an8}-Brian's relationship
with his brothers,
1117
00:48:12,166 --> 00:48:14,309
{\an7}he loved them so much.
1118
00:48:14,333 --> 00:48:18,142
-♪ I ask the sky
just what we had ♪
1119
00:48:18,166 --> 00:48:23,409
{\an1}♪ Mmm, it shone forever ♪
1120
00:48:23,433 --> 00:48:25,709
-Carl was just
a nice, soft person,
1121
00:48:25,733 --> 00:48:27,776
{\an1}and he was the peacekeeper
in the family.
1122
00:48:27,800 --> 00:48:30,109
{\an1}And Brian was the genius,
the introvert.
1123
00:48:30,133 --> 00:48:33,476
{\an1}And Dennis was probably
everything Brian wanted to be.
1124
00:48:33,500 --> 00:48:36,742
{\an1}And Brian was everything
Dennis wanted to be.
1125
00:48:36,766 --> 00:48:40,942
{\an1}And there in the middle you get
that beautiful tug-and-pull.
1126
00:48:40,966 --> 00:48:43,276
A beautiful
brotherly relationship.
1127
00:48:43,300 --> 00:48:46,909
{\an8}-♪ Forever ♪
1128
00:48:46,933 --> 00:48:48,742
{\an8}-This is just
his little brother talking,
1129
00:48:48,766 --> 00:48:50,476
{\an7}but to see Brian on stage
1130
00:48:50,500 --> 00:48:52,576
{\an7}and see all the people
respond to Brian
1131
00:48:52,600 --> 00:48:53,842
is so overwhelming.
1132
00:48:53,866 --> 00:48:55,276
It's so wonderful.
1133
00:48:55,300 --> 00:48:57,309
{\an1}To listen to a Brian Wilson
composition,
1134
00:48:57,333 --> 00:49:00,009
{\an1}the only thing stemming from
that, the roots, is the love.
1135
00:49:00,033 --> 00:49:01,309
It's love.
1136
00:49:01,333 --> 00:49:04,576
- ♪ Ooh ♪
- ♪ Together, my love ♪
1137
00:49:04,600 --> 00:49:07,842
{\an8}♪♪
1138
00:49:07,866 --> 00:49:09,976
{\an1}-Do you remember him talking
to you about the record?
1139
00:49:10,000 --> 00:49:13,242
{\an1}-He came over and he played me
just the "Evening News" song.
1140
00:49:13,266 --> 00:49:15,542
{\an1}I never listened to his album
till right now.
1141
00:49:15,566 --> 00:49:17,442
{\an8}-♪
Walking down
♪
1142
00:49:17,466 --> 00:49:18,876
{\an8}-Alright.
1143
00:49:18,900 --> 00:49:21,742
{\an8}-♪
By the river
♪
1144
00:49:21,766 --> 00:49:23,209
-Can you make it
a little louder?
1145
00:49:23,233 --> 00:49:30,509
♪
Water running
through my knees, ooh...
♪
1146
00:49:30,533 --> 00:49:33,342
{\an1}-If you ask Elvis Costello
or Roger Taylor
1147
00:49:33,366 --> 00:49:35,242
{\an1}or Peter Buck from REM,
1148
00:49:35,266 --> 00:49:37,209
{\an1}I've heard all of these people
talk about this record,
1149
00:49:37,233 --> 00:49:39,909
of it being
this, like, lost jewel.
1150
00:49:39,933 --> 00:49:42,176
It's a bummer
that it didn't slow him down
1151
00:49:42,200 --> 00:49:43,509
{\an1}or knock some sense into him
and say,
1152
00:49:43,533 --> 00:49:46,142
"Lookit, dude.
You are a great artist."
1153
00:49:46,166 --> 00:49:48,342
{\an8}♪♪
1154
00:49:48,366 --> 00:49:50,054
- {\an1}-♪ - My head's gettin' hazy
- ♪
1155
00:49:50,100 --> 00:49:51,942
-Alright!
1156
00:49:51,966 --> 00:49:53,876
-This could be cool
for the rock-'n'-roll record.
1157
00:49:53,900 --> 00:49:56,909
-Yeah.
-♪
Rock and roll
♪
1158
00:49:56,933 --> 00:49:59,276
-Good.
-♪
All night long
♪
1159
00:49:59,300 --> 00:50:02,209
-Dennis was just
an impulsive hell-raising dude,
1160
00:50:02,233 --> 00:50:05,242
{\an1}but had a big heart, you know,
and loved his brother.
1161
00:50:05,266 --> 00:50:06,643
-♪
1162
00:50:05,266 --> 00:50:08,042
♪
1163
00:50:06,667 --> 00:50:08,066
Gone, I'm gone
1164
00:50:08,066 --> 00:50:09,609
-Alright.
1165
00:50:09,633 --> 00:50:13,009
{\an1}- Do you wanna hear one more?
- I wanna hear it all.
1166
00:50:13,033 --> 00:50:15,042
{\an1}-♪
It ain't very funny
♪
-Yeah.
1167
00:50:15,066 --> 00:50:16,942
{\an1}♪
How you spend all my money
♪
1168
00:50:16,966 --> 00:50:21,676
{\an1}♪
I'm gone, I'm gone
♪
1169
00:50:21,700 --> 00:50:23,709
♪
Do what you wanna
♪
1170
00:50:23,733 --> 00:50:26,442
♪
But, baby,
don't you do it on me
♪
1171
00:50:26,466 --> 00:50:29,009
{\an1}[
"Farewell My friend"
plays
]
1172
00:50:29,033 --> 00:50:33,276
{\an8}♪♪
1173
00:50:33,300 --> 00:50:36,142
{\an1}♪
Farewell, my friend
♪
1174
00:50:36,166 --> 00:50:39,442
{\an8}♪♪
1175
00:50:39,466 --> 00:50:42,209
{\an7}♪
My beautiful friend
♪
1176
00:50:42,233 --> 00:50:45,142
{\an8}♪♪
1177
00:50:45,166 --> 00:50:47,976
{\an8}♪
Farewell
♪
1178
00:50:48,000 --> 00:50:49,776
{\an1}-This guy called me up, he goes,
1179
00:50:49,800 --> 00:50:51,242
"Brian, I'm sorry
to tell you this,
1180
00:50:51,266 --> 00:50:53,109
{\an1}but your brother Dennis
drowned tonight."
1181
00:50:53,133 --> 00:50:56,276
{\an1}I got this terrible feeling
in my chest, you know?
1182
00:50:56,300 --> 00:50:57,342
Really scared me.
1183
00:50:57,366 --> 00:51:01,242
{\an1}-♪ Farewell, my friend ♪
1184
00:51:01,266 --> 00:51:04,109
{\an1}-I have had two losses
in my family
1185
00:51:04,133 --> 00:51:07,509
in the last 10 years,
and it's been hard for me.
1186
00:51:07,533 --> 00:51:09,642
{\an1}The first loss was very hard.
It was my father.
1187
00:51:09,666 --> 00:51:11,142
And then, of course,
my brother Dennis.
1188
00:51:11,166 --> 00:51:14,276
{\an1}[ Camera shutters clicking ]
1189
00:51:14,300 --> 00:51:16,942
{\an1}We go back about 21 years,
you know,
1190
00:51:16,966 --> 00:51:20,576
{\an1}and it's hard to lose a brother
and somebody who had
1191
00:51:20,600 --> 00:51:24,742
{\an1}such a vital, energetic thing
about him, and, uh...
1192
00:51:24,766 --> 00:51:27,476
I just don't want
to talk anymore about it.
1193
00:51:27,500 --> 00:51:31,509
{\an8}-♪ Oh, that's when
I'll see you again ♪
1194
00:51:31,533 --> 00:51:33,909
{\an8}♪ Ooh ♪
1195
00:51:33,933 --> 00:51:37,709
{\an8}♪ Farewell ♪
1196
00:51:37,733 --> 00:51:39,110
{\an1}-[
1197
00:51:37,733 --> 00:51:40,509
[{\an3}]
- Alright.
1198
00:51:39,134 --> 00:51:40,533
{\an1}"Sail On, Sailor" plays
1199
00:51:40,533 --> 00:51:44,576
{\an1}-It's always a great day
when you can ride to Malibu.
1200
00:51:44,600 --> 00:51:48,709
{\an1}-Taking a peaceful drive
to our stomping grounds.
1201
00:51:48,733 --> 00:51:51,976
{\an1}-Yeah, you have lot of history
in Malibu.
1202
00:51:52,000 --> 00:51:54,409
-Yeah. Nine years.
1203
00:51:54,433 --> 00:51:55,809
-Yeah.
1204
00:51:55,833 --> 00:51:57,776
{\an8}♪♪
1205
00:51:57,800 --> 00:52:00,009
-Yeah, I served time
for nine years.
1206
00:52:00,033 --> 00:52:03,642
{\an1}-[ Laughs ] Is it like
a prison sentence?
1207
00:52:03,666 --> 00:52:05,876
-Yeah, it was like...
Yeah, in a way, yeah.
1208
00:52:05,900 --> 00:52:10,876
-♪ Ooh, ooh, ooh ♪
1209
00:52:10,900 --> 00:52:17,876
♪ Ooh, ooh, ooh ♪
1210
00:52:17,900 --> 00:52:20,876
-♪ Oh, oh, oh, oh ♪
1211
00:52:20,900 --> 00:52:22,776
-♪ Ooh, ooh, ooh ♪
1212
00:52:22,800 --> 00:52:25,609
-♪ Whoa, oh, oh, oh ♪
1213
00:52:25,633 --> 00:52:29,609
-♪ Ooh, ooh, ooh ♪
1214
00:52:29,633 --> 00:52:33,542
-I contribute.
I'm a contributor.
1215
00:52:33,566 --> 00:52:35,909
- ♪ Ooh, ooh, ooh ♪
- In my personal story,
1216
00:52:35,933 --> 00:52:37,442
{\an1}it really didn't work out
so well.
1217
00:52:37,466 --> 00:52:40,376
I did my dose of LSD,
it shattered my mind,
1218
00:52:40,400 --> 00:52:42,542
and I, you know,
came back, thank God,
1219
00:52:42,566 --> 00:52:44,309
{\an1}in I don't know how many pieces.
1220
00:52:44,333 --> 00:52:47,676
{\an1}-I think what happened was that
it became too painful for him.
1221
00:52:47,700 --> 00:52:49,509
{\an1}-I was terrified for my brother.
1222
00:52:49,533 --> 00:52:51,909
{\an1}-Why in the world would a man
with that kind
1223
00:52:51,933 --> 00:52:54,109
of God-given talent
need any help from drugs?
1224
00:52:54,133 --> 00:52:55,809
-I have been taught
the difference
1225
00:52:55,833 --> 00:52:57,109
{\an1}by my psychiatrist, thank God,
1226
00:52:57,133 --> 00:52:58,909
of a natural high
and a drug high.
1227
00:52:58,933 --> 00:53:00,809
I mean, drugs
are a definite balance
1228
00:53:00,833 --> 00:53:02,176
of heaven and hell.
1229
00:53:02,200 --> 00:53:03,476
You go to heaven,
then you go right to hell.
1230
00:53:03,500 --> 00:53:04,876
{\an1}-What made you come back, Brian?
1231
00:53:04,900 --> 00:53:06,476
-I probably came back
out of will.
1232
00:53:06,500 --> 00:53:07,909
{\an1}Just... My name is Wilson.
1233
00:53:07,933 --> 00:53:10,876
Maybe that's where
I got the will.
1234
00:53:10,900 --> 00:53:16,576
{\an1}-♪ I'm a cork on the ocean ♪
1235
00:53:16,600 --> 00:53:20,076
{\an1}♪ Floating over the raging sea ♪
1236
00:53:20,100 --> 00:53:22,909
-They're called
auditory hallucinations.
1237
00:53:22,933 --> 00:53:24,276
{\an8}You're normal,
and then all of a sudden
1238
00:53:24,300 --> 00:53:26,609
{\an7}you start hearing voices
in your head.
1239
00:53:26,633 --> 00:53:28,309
{\an8}-The voices say,
"I'm gonna hurt you,
1240
00:53:28,333 --> 00:53:30,109
{\an7}I'm gonna kill you," yeah.
1241
00:53:30,133 --> 00:53:32,109
{\an7}I was afraid the devil came
1242
00:53:32,133 --> 00:53:35,076
{\an7}in the form of other people
that were competing with me,
1243
00:53:35,100 --> 00:53:39,509
{\an1}that had ideas of killing me
and getting rid of me.
1244
00:53:39,533 --> 00:53:41,576
Everywhere I looked,
I would say,
1245
00:53:41,600 --> 00:53:44,076
{\an1}"Aah! The devil's after me."
1246
00:53:44,100 --> 00:53:46,209
{\an1}-♪ I'm a rock in a landslide ♪
1247
00:53:46,233 --> 00:53:48,542
{\an8}-What people
have a tendency to do
1248
00:53:48,566 --> 00:53:50,842
{\an7}that suffer with depression
1249
00:53:50,866 --> 00:53:54,576
{\an7}is they use drugs and alcohol
to medicate themselves.
1250
00:53:54,600 --> 00:53:57,276
{\an1}-It's called nepenthe.
Numbing the soul.
1251
00:53:57,300 --> 00:54:00,976
-♪ The valley ♪
1252
00:54:01,000 --> 00:54:06,609
{\an1}♪ How deep is the valley? ♪
1253
00:54:06,633 --> 00:54:09,776
-♪ It kills my soul ♪
1254
00:54:09,800 --> 00:54:11,609
♪ Hey, hey, hey ♪
1255
00:54:11,633 --> 00:54:15,442
-♪ Ohh ♪
1256
00:54:15,466 --> 00:54:20,476
{\an1}-If I had not taken control,
he could be dead.
1257
00:54:20,500 --> 00:54:23,142
{\an1}He had a year or two to live,
and he'd have died.
1258
00:54:23,166 --> 00:54:28,009
{\an1}We are worried that Brian Wilson
is gonna follow Elvis.
1259
00:54:28,033 --> 00:54:30,542
-Oh, God, no.
1260
00:54:30,566 --> 00:54:36,909
-♪ Ahh-ahh-ahh ♪
1261
00:54:36,933 --> 00:54:41,376
-We met back in 1986,
during the Landy years.
1262
00:54:41,400 --> 00:54:45,042
As time went on,
he became... captive.
1263
00:54:45,066 --> 00:54:47,542
{\an7}-I wasn't allowed to call
my family or my friends at all
1264
00:54:47,566 --> 00:54:49,209
{\an8}for nine years.
1265
00:54:49,233 --> 00:54:52,376
{\an7}He doped me up with medication.
1266
00:54:52,400 --> 00:54:53,942
{\an8}He kept me doped up
1267
00:54:53,966 --> 00:54:55,676
{\an8}so I couldn't resist
what he told me to do.
1268
00:54:55,700 --> 00:54:57,942
- Why?
- He's a control freak.
1269
00:54:57,966 --> 00:55:00,109
{\an1}He just... He gets off
on controlling people.
1270
00:55:00,133 --> 00:55:02,542
-♪ Ahh ♪
1271
00:55:02,566 --> 00:55:07,500
♪ Mmm ♪
1272
00:55:10,733 --> 00:55:13,709
{\an7}-Was it hard to let go?
1273
00:55:13,733 --> 00:55:16,142
{\an7}-A little bit hard for me
to let go, yeah. It was hard.
1274
00:55:16,166 --> 00:55:18,009
{\an8}-When you've had
a control figure in your life
1275
00:55:18,033 --> 00:55:19,476
{\an7}for that long a period.
1276
00:55:19,500 --> 00:55:23,242
{\an8}-Nine years, starting
from 1983 to 1992.
1277
00:55:23,266 --> 00:55:25,542
{\an7}It was nine years of control.
1278
00:55:25,566 --> 00:55:27,709
[ Piano playing ]
1279
00:55:27,733 --> 00:55:32,009
{\an1}-♪ Well, I get anxious,
I get scared a lot ♪
1280
00:55:32,033 --> 00:55:33,942
{\an1}♪ I learned to live with it ♪
1281
00:55:33,966 --> 00:55:36,276
-♪ Ahh ♪
1282
00:55:36,300 --> 00:55:40,542
{\an1}-♪ It should get better really
any day now ♪
1283
00:55:40,566 --> 00:55:42,409
{\an1}♪ Some days it really did ♪
1284
00:55:42,433 --> 00:55:46,076
-He's the one
that's done all this.
1285
00:55:46,100 --> 00:55:48,842
{\an1}He's had support, like I say.
1286
00:55:48,866 --> 00:55:51,309
{\an1}And he's had emotional security,
1287
00:55:51,333 --> 00:55:55,342
{\an1}but he is the one that's pulled
himself out of the darkness,
1288
00:55:55,366 --> 00:55:57,366
{\an1}back into the sunlight.
1289
00:56:01,766 --> 00:56:04,509
{\an1}[
"Sail On, Sailor" playing
]
1290
00:56:04,533 --> 00:56:07,409
-Dr. Landy controlled
a lot of aspects of your life.
1291
00:56:07,433 --> 00:56:08,576
-Yep.
1292
00:56:08,600 --> 00:56:10,142
{\an1}-Was he a pretty tough
taskmaster?
1293
00:56:10,166 --> 00:56:13,542
-He was rough, yeah.
He was rough.
1294
00:56:13,566 --> 00:56:16,709
{\an1}He did things like he made me
eat spaghetti off the floor.
1295
00:56:16,733 --> 00:56:18,976
- Uh-huh.
- Crazy things, you know?
1296
00:56:19,000 --> 00:56:20,342
-Why did he do that?
1297
00:56:20,366 --> 00:56:22,309
-I don't know.
He just acted crazy.
1298
00:56:22,333 --> 00:56:25,609
- Mm-hmm.
- He goes, "Alright.
1299
00:56:25,633 --> 00:56:28,242
{\an1}I want you to eat your spaghetti
off the floor."
1300
00:56:28,266 --> 00:56:31,542
I said, "Oh, man!"
He goes, "I said eat your..."
1301
00:56:31,566 --> 00:56:34,142
{\an1}You know, he was real mean,
you know?
1302
00:56:34,166 --> 00:56:36,276
{\an1}And then about two weeks,
three weeks later,
1303
00:56:36,300 --> 00:56:38,876
{\an1}he went, "Hi, Brian," in a real
friendly tone, you know?
1304
00:56:38,900 --> 00:56:40,842
That was really
quite an experience.
1305
00:56:40,866 --> 00:56:42,476
- Kind of a mind trip.
- Yeah.
1306
00:56:42,500 --> 00:56:44,577
-♪
1307
00:56:42,500 --> 00:56:46,676
♪
- ♪ Sail on, sailor ♪
1308
00:56:44,601 --> 00:56:46,700
Sail on, sailor
1309
00:56:46,700 --> 00:56:47,876
{\an8}♪♪
1310
00:56:47,900 --> 00:56:49,520
- {\an1}-♪ - Always needing, even...
- ♪
1311
00:56:49,566 --> 00:56:52,376
-Yeah, he didn't
let me call my family.
1312
00:56:52,400 --> 00:56:55,809
-♪
Never feeding
all my feelings
♪
1313
00:56:55,833 --> 00:56:57,276
♪
Damn the thunder
♪
1314
00:56:57,300 --> 00:56:59,276
{\an1}-That must have been hard.
Your daughters were growing up.
1315
00:56:59,300 --> 00:57:01,576
{\an1}-Oh, it was, Jason, it was.
1316
00:57:01,600 --> 00:57:05,909
-♪ Awake, awake ♪
1317
00:57:05,933 --> 00:57:10,709
♪ My darling ♪
1318
00:57:10,733 --> 00:57:13,009
♪ The dawn ♪
1319
00:57:13,033 --> 00:57:20,142
{\an1}♪ Has brought the day ♪
1320
00:57:20,166 --> 00:57:24,776
♪ Awake, awake ♪
1321
00:57:24,800 --> 00:57:29,509
♪ My darling ♪
1322
00:57:29,533 --> 00:57:37,533
♪ You mustn't sleep
your life away ♪
1323
00:57:40,633 --> 00:57:42,409
{\an1}-So, do you have a hard time
making sense
1324
00:57:42,433 --> 00:57:44,542
of the good parts
and the bad parts?
1325
00:57:44,566 --> 00:57:47,042
{\an1}-No, I took the bad with
the good with him, you know?
1326
00:57:47,066 --> 00:57:49,209
-Yeah.
1327
00:57:49,233 --> 00:57:51,776
{\an1}-Balancing the two together,
you know?
1328
00:57:51,800 --> 00:57:53,200
-Mm-hmm.
1329
00:57:58,333 --> 00:58:00,376
-You know what I did
for a little while?
1330
00:58:00,400 --> 00:58:03,242
- What?
- When I was, like, really fat.
1331
00:58:03,266 --> 00:58:07,309
{\an1}I ate two New York steaks
for breakfast
1332
00:58:07,333 --> 00:58:10,476
and a big piece
of birthday cake.
1333
00:58:10,500 --> 00:58:11,909
- Really?
- Yeah.
1334
00:58:11,933 --> 00:58:13,809
-I shot up to 311.
1335
00:58:13,833 --> 00:58:16,700
- Oh, my God.
- Oh, Jason, I was so fat.
1336
00:58:17,833 --> 00:58:20,009
And when Eugene Landy
came into my life,
1337
00:58:20,033 --> 00:58:22,009
{\an1}he had me weigh myself.
1338
00:58:22,033 --> 00:58:24,742
{\an1}I weighed 311, and he goes,
"We're going to Kona, Hawaii,
1339
00:58:24,766 --> 00:58:27,576
and you're gonna
start exercising."
1340
00:58:27,600 --> 00:58:32,109
{\an1}So, in about five or six months,
I [bleep] damn lost...
1341
00:58:32,133 --> 00:58:34,242
went from 311 to 185.
1342
00:58:34,266 --> 00:58:35,576
Can you believe that?
1343
00:58:35,600 --> 00:58:37,576
- Oh, man!
- Isn't that amazing?
1344
00:58:37,600 --> 00:58:40,309
-Why do you think
you were eating so bad?
1345
00:58:40,333 --> 00:58:42,409
{\an1}-Uh, I was just being stupid.
1346
00:58:42,433 --> 00:58:43,976
-Uh-huh.
1347
00:58:44,000 --> 00:58:47,342
So, what was it like
when Landy took you to Hawaii?
1348
00:58:47,366 --> 00:58:53,109
{\an1}-Well, I had to kick three main
drug habits at the same time.
1349
00:58:53,133 --> 00:58:55,442
{\an1}So I spent a few nights
tossing and turning
1350
00:58:55,466 --> 00:58:57,909
{\an1}and rolling in the bed,
moaning and groaning,
1351
00:58:57,933 --> 00:59:00,409
and it was like a guy
kicking heroin, you know?
1352
00:59:00,433 --> 00:59:02,909
- Whoa.
- Oh, it was rough.
1353
00:59:02,933 --> 00:59:05,809
{\an1}I had to kick cigarettes,
alcohol, and cocaine.
1354
00:59:05,833 --> 00:59:06,976
-All at once?
1355
00:59:07,000 --> 00:59:08,509
- All at once, yeah.
- Whoa.
1356
00:59:08,533 --> 00:59:11,109
{\an1}-That was one of the roughest
trips I ever took.
1357
00:59:11,133 --> 00:59:13,442
- Yeah.
- Which was the hardest to stop?
1358
00:59:13,466 --> 00:59:18,109
-Um, the roughest
was the cigarettes.
1359
00:59:18,133 --> 00:59:19,809
-He motivated you.
1360
00:59:19,833 --> 00:59:22,476
-He sure did, yeah.
1361
00:59:22,500 --> 00:59:25,376
-But on the bad side,
he controlled you.
1362
00:59:25,400 --> 00:59:26,942
-Yeah, he did.
1363
00:59:26,966 --> 00:59:28,976
{\an1}He made money off my name,
you know?
1364
00:59:29,000 --> 00:59:31,676
- Yeah.
- Yeah.
1365
00:59:31,700 --> 00:59:33,676
{\an1}-The thing about Eugene Landy
was that
1366
00:59:33,700 --> 00:59:37,776
{\an8}he was supposed to be
watching Brian's diet
1367
00:59:37,800 --> 00:59:40,876
{\an7}and taking care of him
physically
1368
00:59:40,900 --> 00:59:43,042
and trying to get him
to lose weight
1369
00:59:43,066 --> 00:59:46,176
{\an1}and stop living a bad lifestyle.
1370
00:59:46,200 --> 00:59:50,276
{\an1}He kind of overstepped
his boundaries or something,
1371
00:59:50,300 --> 00:59:52,309
whatever boundaries
there were supposed to be,
1372
00:59:52,333 --> 00:59:53,776
{\an1}and got involved in songwriting
1373
00:59:53,800 --> 00:59:55,509
and production
and stuff like that.
1374
00:59:55,533 --> 00:59:57,042
{\an1}That was kind of a real drag.
1375
00:59:57,066 --> 00:59:59,309
When people realized
how bad that was,
1376
00:59:59,333 --> 01:00:01,409
{\an1}I think that started the wheels
turning pretty quickly
1377
01:00:01,433 --> 01:00:04,376
to get rid of Landy.
1378
01:00:04,400 --> 01:00:06,942
{\an1}The day that that happened,
Brian called me,
1379
01:00:06,966 --> 01:00:10,009
{\an1}and he said, "I'm free now.
I can do whatever I want.
1380
01:00:10,033 --> 01:00:11,442
{\an1}What are you doing, Andy?"
1381
01:00:11,466 --> 01:00:14,276
{\an1}And I said, "I'm doing nothing.
What do you wanna do?"
1382
01:00:14,300 --> 01:00:15,876
And he said,
"I want to write songs."
1383
01:00:15,900 --> 01:00:19,542
-Trying to think
of what I want to hear.
1384
01:00:19,566 --> 01:00:21,633
Play...
1385
01:00:23,700 --> 01:00:25,209
"Long Promised Road."
1386
01:00:25,233 --> 01:00:27,200
-Great call.
1387
01:00:29,666 --> 01:00:31,642
Here it is.
1388
01:00:31,666 --> 01:00:34,743
- -♪
- So hard to laugh a childlike giggle
1389
01:00:34,769 --> 01:00:39,709
♪
When the tears
start to torture my mind
♪
1390
01:00:39,733 --> 01:00:43,109
♪
So hard to shed
the life of before
♪
1391
01:00:43,133 --> 01:00:46,742
♪
To let my soul
automatically soar
♪
1392
01:00:46,766 --> 01:00:51,476
{\an1}♪
But I hit hard at the battle
that's confronting me, yeah
♪
1393
01:00:51,500 --> 01:00:55,142
{\an1}♪
Knock down all the roadblocks
a-stumbling me
♪
1394
01:00:55,166 --> 01:00:57,909
{\an1}♪
Throw off all the shackles
that are binding me down
♪
1395
01:00:57,933 --> 01:01:00,442
{\an1}-It's a really cool track.
1396
01:01:00,466 --> 01:01:02,276
{\an1}Did he write the words? Carl?
1397
01:01:02,300 --> 01:01:03,742
{\an1}-Yeah. Jack Rieley wrote 'em.
1398
01:01:03,766 --> 01:01:05,842
- Okay.
- Yeah.
1399
01:01:05,866 --> 01:01:07,509
{\an1}-He died not too long ago.
1400
01:01:07,533 --> 01:01:09,576
- Jack died?
- A few years ago, yeah.
1401
01:01:09,600 --> 01:01:10,876
{\an1}-How do you know that?
1402
01:01:10,900 --> 01:01:14,242
-Somebody that I knew
knew him and told me that.
1403
01:01:14,266 --> 01:01:16,042
-Where was he living,
in Amsterdam?
1404
01:01:16,066 --> 01:01:17,876
{\an1}-Yeah, in Europe. I don't know
if it was in Amsterdam.
1405
01:01:17,900 --> 01:01:19,876
- He died?
- Yeah.
1406
01:01:19,900 --> 01:01:22,409
- Oh, man.
- A few years back.
1407
01:01:22,433 --> 01:01:26,176
-♪
Of climbing up
to reality's goal
♪
1408
01:01:26,200 --> 01:01:30,809
{\an1}♪
But I hit hard at the battle
that's confronting me, yeah
♪
1409
01:01:30,833 --> 01:01:34,042
{\an1}♪
Knock down all the roadblocks
a-stumbling me
♪
1410
01:01:34,066 --> 01:01:35,876
-That's enough.
1411
01:01:35,900 --> 01:01:37,433
[ Music shuts off ]
1412
01:01:45,000 --> 01:01:47,476
-Jack seemed like
a really fun guy.
1413
01:01:47,500 --> 01:01:50,209
{\an1}-Yeah. He's the one who thought
of going to Holland.
1414
01:01:50,233 --> 01:01:52,333
- Uh-huh.
- You know?
1415
01:01:57,533 --> 01:01:59,176
What did Jack die of?
1416
01:01:59,200 --> 01:02:01,200
-I'm not sure.
1417
01:02:04,600 --> 01:02:06,709
{\an1}Was he older than you?
1418
01:02:06,733 --> 01:02:08,709
-Uh, I think he was
about the same age as me.
1419
01:02:08,733 --> 01:02:10,066
-Okay.
1420
01:02:14,433 --> 01:02:16,866
{\an1}-Would you play, um...
1421
01:02:19,800 --> 01:02:21,300
Uh...
1422
01:02:22,933 --> 01:02:24,542
{\an1}"It's O.K." by the Beach Boys?
1423
01:02:24,566 --> 01:02:28,742
- Heck yeah.
- On "15 Big Ones."
1424
01:02:28,766 --> 01:02:31,142
{\an1}-♪
Time again to shed the load
♪
1425
01:02:31,166 --> 01:02:34,042
♪
Hit the road,
on the run again
♪
1426
01:02:34,066 --> 01:02:35,943
{\an1}♪
1427
01:02:35,967 --> 01:02:37,842
{\an1}Summer skies in our eyes
and a warmer sun
1428
01:02:37,866 --> 01:02:39,876
It's one for all,
all for one
1429
01:02:39,900 --> 01:02:42,976
{\an1}♪
All for all-out fun
♪
1430
01:02:43,000 --> 01:02:46,976
Gotta go to it
1431
01:02:47,000 --> 01:02:50,976
{\an1}♪
Gotta go through it
♪
1432
01:02:51,000 --> 01:02:53,642
♪
Gotta get with it
♪
1433
01:02:53,666 --> 01:02:56,242
- Really cool line.
- Yeah.
1434
01:02:56,266 --> 01:02:57,742
{\an8}♪♪
1435
01:02:57,766 --> 01:03:02,009
{\an1}-♪
In the sum-sum-summertime
♪
1436
01:03:02,033 --> 01:03:04,109
{\an1}♪
In the sum-sum-summertime
♪
1437
01:03:04,133 --> 01:03:06,642
-That broke my heart
when I heard Jack Rieley died.
1438
01:03:06,666 --> 01:03:08,976
{\an1}-Oh, man. I'm sorry to be
the bearer of bad news.
1439
01:03:09,000 --> 01:03:11,309
-Absolutely...
Absolutely broke my heart.
1440
01:03:11,333 --> 01:03:15,842
{\an8}♪♪
1441
01:03:15,866 --> 01:03:18,309
{\an1}About three years ago?
- I think so, yeah, maybe more.
1442
01:03:18,333 --> 01:03:21,942
{\an1}-♪
In the sum-sum-summertime
♪
1443
01:03:21,966 --> 01:03:23,509
{\an1}♪
In the sum-sum-summertime
♪
1444
01:03:23,533 --> 01:03:25,442
{\an1}-Any other ones you wanna hear?
1445
01:03:25,466 --> 01:03:27,976
-Yeah.
1446
01:03:28,000 --> 01:03:29,700
Play...
1447
01:03:32,766 --> 01:03:34,642
Don't play anything.
I've heard enough today.
1448
01:03:34,666 --> 01:03:35,776
-Okay.
1449
01:03:35,800 --> 01:03:37,409
{\an1}[ "Love and Mercy" plays ]
1450
01:03:37,433 --> 01:03:44,576
{\an8}♪♪
1451
01:03:44,600 --> 01:03:48,409
-♪ I was sittin'
in this crummy movie ♪
1452
01:03:48,433 --> 01:03:51,609
{\an1}♪ With my hands upon my chin ♪
1453
01:03:51,633 --> 01:03:54,676
{\an8}♪♪
1454
01:03:54,700 --> 01:03:58,376
♪ Oh, the violence
that sometimes occurs ♪
1455
01:03:58,400 --> 01:04:00,909
{\an1}♪ Seems like we never win ♪
1456
01:04:00,933 --> 01:04:05,442
{\an8}♪♪
1457
01:04:05,466 --> 01:04:07,176
♪ Love and mercy ♪
1458
01:04:07,200 --> 01:04:10,776
{\an1}♪ That's what you need tonight ♪
1459
01:04:10,800 --> 01:04:12,800
{\an8}-[ Speaking Spanish ]
1460
01:04:14,700 --> 01:04:17,733
{\an7}-♪ So love and mercy ♪
1461
01:04:24,533 --> 01:04:30,142
{\an1}♪ I was lying in my room,
and the news comes on TV ♪
1462
01:04:30,166 --> 01:04:33,776
-♪ Nah, nah, nah ♪
1463
01:04:33,800 --> 01:04:36,176
{\an1}-You've gotta be tough to go
through what he's been through,
1464
01:04:36,200 --> 01:04:38,009
{\an7}personally and musically
1465
01:04:38,033 --> 01:04:40,909
{\an8}and with his family
and stuff with his dad.
1466
01:04:40,933 --> 01:04:42,742
{\an8}You've gotta be tough
to survive that.
1467
01:04:42,766 --> 01:04:45,276
{\an8}-♪ Nah, nah ♪
1468
01:04:45,300 --> 01:04:47,042
{\an8}-♪ Love and mercy ♪
1469
01:04:47,066 --> 01:04:51,009
{\an7}♪ That's what you need tonight ♪
1470
01:04:51,033 --> 01:04:54,342
{\an8}-♪ Ooh, ooh ♪
1471
01:04:54,366 --> 01:04:58,276
{\an7}-♪ So love and mercy to you ♪
1472
01:04:58,300 --> 01:05:00,542
{\an7}♪ And your friends tonight ♪
1473
01:05:00,566 --> 01:05:02,976
{\an1}-The odds were not on Brian,
1474
01:05:03,000 --> 01:05:05,542
but the fact
that he is still here
1475
01:05:05,566 --> 01:05:10,009
{\an1}and performing and making music,
1476
01:05:10,033 --> 01:05:11,809
{\an7}that's a miracle, kind of,
isn't it?
1477
01:05:11,833 --> 01:05:13,176
{\an8}Really, it is.
1478
01:05:13,200 --> 01:05:14,676
{\an7}I wonder if he sees it that way.
1479
01:05:14,700 --> 01:05:17,876
{\an1}-♪ So love and mercy to you ♪
1480
01:05:17,900 --> 01:05:20,876
{\an1}♪ And your friends tonight ♪
1481
01:05:20,900 --> 01:05:23,076
-♪ Ooh, ooh, ooh ♪
1482
01:05:23,100 --> 01:05:26,076
{\an1}-♪ Love and mercy tonight ♪
1483
01:05:26,100 --> 01:05:32,176
{\an8}♪♪
1484
01:05:32,200 --> 01:05:34,742
{\an1}- Here's your old spot.
- Moonshadows.
1485
01:05:34,766 --> 01:05:37,176
{\an8}♪♪
1486
01:05:37,200 --> 01:05:39,376
{\an1}Good. I think they have
a dance floor there.
1487
01:05:39,400 --> 01:05:41,709
{\an1}Had a couple glasses of wine,
1488
01:05:41,733 --> 01:05:43,676
feel good,
then I went and danced.
1489
01:05:43,700 --> 01:05:45,842
- Right.
- For a little while.
1490
01:05:45,866 --> 01:05:47,842
-I never knew
you were a big dancer.
1491
01:05:47,866 --> 01:05:50,076
{\an1}-I can't dance very good, Jason.
1492
01:05:50,100 --> 01:05:52,742
-[ Chuckles ]
1493
01:05:52,766 --> 01:05:55,009
{\an1}You did... I saw that you did
1494
01:05:55,033 --> 01:05:57,176
a lot of dancing
at your wedding.
1495
01:05:57,200 --> 01:05:59,342
-Yeah.
1496
01:05:59,366 --> 01:06:01,076
{\an1}-When the spirit moves you?
1497
01:06:01,100 --> 01:06:03,409
-[ Laughs ] Yeah.
1498
01:06:03,433 --> 01:06:04,942
{\an1}-Tell me the story of when
1499
01:06:04,966 --> 01:06:07,842
you and Melinda
decided to get married.
1500
01:06:07,866 --> 01:06:09,842
-We were staying
in a house on Ferrari.
1501
01:06:09,866 --> 01:06:11,242
- Uh-huh.
- And she goes,
1502
01:06:11,266 --> 01:06:13,576
{\an1}"Aren't you going to ask me
to get married?"
1503
01:06:13,600 --> 01:06:15,742
I said, "Yeah."
She goes, "Yeah!"
1504
01:06:15,766 --> 01:06:17,209
-[ Laughs ]
1505
01:06:17,233 --> 01:06:19,809
{\an1}-I said, "Would you marry me?"
She goes, "Yeah!"
1506
01:06:19,833 --> 01:06:21,542
-[ Laughs ]
1507
01:06:21,566 --> 01:06:23,376
You must have been
pretty excited.
1508
01:06:23,400 --> 01:06:25,309
-Yeah, we got married
in Palos Verdes.
1509
01:06:25,333 --> 01:06:28,542
- Mm-hmm.
- 1995.
1510
01:06:28,566 --> 01:06:30,476
- To speak...
- To speak...
1511
01:06:30,500 --> 01:06:32,876
- and to listen.
- And to listen.
1512
01:06:32,900 --> 01:06:35,276
- To inspire...
- To inspire...
1513
01:06:35,300 --> 01:06:38,109
- and to respond.
- And what?
1514
01:06:38,133 --> 01:06:39,642
- And to respond.
- And to respond.
1515
01:06:39,666 --> 01:06:41,509
[ Laughter ]
1516
01:06:41,533 --> 01:06:42,842
{\an1}-♪ That you noticed me ♪
1517
01:06:42,866 --> 01:06:45,142
{\an1}♪ And brought back harmony ♪
1518
01:06:45,166 --> 01:06:49,076
{\an1}♪ To this lonely soul ♪
1519
01:06:49,100 --> 01:06:52,242
{\an1}♪ Oh, it's a revelation ♪
1520
01:06:52,266 --> 01:06:54,142
{\an1}- To Brian and Melinda.
- [ Cheering ]
1521
01:06:54,166 --> 01:06:58,209
{\an1}-♪ I feel alive again ♪
1522
01:06:58,233 --> 01:07:03,142
{\an1}♪ There are no limitations
with love ♪
1523
01:07:03,166 --> 01:07:05,709
[ Applause ]
1524
01:07:05,733 --> 01:07:08,442
-When did you guys
decide to have kids?
1525
01:07:08,466 --> 01:07:10,809
- We adopted.
- Yeah.
1526
01:07:10,833 --> 01:07:13,509
-1998.
1527
01:07:13,533 --> 01:07:16,042
{\an1}-That must have been a big deal,
adopting new kids.
1528
01:07:16,066 --> 01:07:18,309
{\an1}-Yeah, that was a trip.
1529
01:07:18,333 --> 01:07:23,076
{\an1}-♪ Must be a miracle ♪
1530
01:07:23,100 --> 01:07:24,409
♪ Must be a miracle ♪
1531
01:07:24,433 --> 01:07:26,476
{\an1}-One, two, three, swing.
1532
01:07:26,500 --> 01:07:27,909
{\an1}One, two, three, swing.
1533
01:07:27,933 --> 01:07:32,009
{\an1}-♪ Maybe this miracle's for me ♪
1534
01:07:32,033 --> 01:07:35,076
{\an1}-Those kids are, like,
very creative and playful.
1535
01:07:35,100 --> 01:07:38,376
{\an1}I learned love from them,
the way they express love.
1536
01:07:38,400 --> 01:07:42,409
Yeah. It's inspiring.
It really is, yeah.
1537
01:07:42,433 --> 01:07:47,209
{\an1}-♪ Have you ever seen ♪
1538
01:07:47,233 --> 01:07:51,309
♪ Blue eyes
and long black hair? ♪
1539
01:07:51,333 --> 01:07:57,842
♪ Poetry in motion,
she's the dream of every guy ♪
1540
01:07:57,866 --> 01:07:59,776
-I don't think
there would've been a third act
1541
01:07:59,800 --> 01:08:01,376
{\an1}if it hadn't have been
for Melinda.
1542
01:08:01,400 --> 01:08:02,776
{\an1}Brian found his salvation.
1543
01:08:02,800 --> 01:08:04,576
He went through
such a dark period of his life.
1544
01:08:04,600 --> 01:08:06,242
{\an1}And whenever I see them,
they're just like
1545
01:08:06,266 --> 01:08:09,242
{\an1}a very happy, ordinary
married couple with children.
1546
01:08:09,266 --> 01:08:11,309
{\an1}He loves her. She loves him.
1547
01:08:11,333 --> 01:08:13,676
{\an1}Again, he's not a person
to live a lavish lifestyle.
1548
01:08:13,700 --> 01:08:16,476
{\an1}He's just a California boy
that likes to make music
1549
01:08:16,500 --> 01:08:17,842
{\an1}and be with his family.
1550
01:08:17,866 --> 01:08:19,776
-♪ Miracle ♪
1551
01:08:19,800 --> 01:08:22,509
{\an1}-He doesn't deserve just
the accolades about the music.
1552
01:08:22,533 --> 01:08:25,509
{\an1}He deserves the accolades
about his personal life.
1553
01:08:25,533 --> 01:08:29,076
{\an8}♪♪
1554
01:08:29,100 --> 01:08:33,742
[
Music playing
]
1555
01:08:33,766 --> 01:08:35,976
[
Volume increases
]
1556
01:08:36,000 --> 01:08:42,576
{\an8}♪♪
1557
01:08:42,600 --> 01:08:44,809
{\an1}-Do you remember the day
you came to Trancas
1558
01:08:44,833 --> 01:08:46,942
{\an1}to your birthday party?
1559
01:08:46,966 --> 01:08:50,442
{\an7}-Yeah, McCartney was there.
1560
01:08:50,466 --> 01:08:52,576
{\an7}And his wife, Linda...
1561
01:08:52,600 --> 01:08:54,442
{\an8}- Uh-huh.
- Was there.
1562
01:08:54,466 --> 01:08:57,876
{\an1}And it was a really cool house.
1563
01:08:57,900 --> 01:09:00,309
-It's amazing.
You did so much that day.
1564
01:09:00,333 --> 01:09:01,709
{\an1}It was your birthday party,
1565
01:09:01,733 --> 01:09:04,310
- you filmed that Rolling Stone
- cover,
1566
01:09:04,336 --> 01:09:06,809
And you did that skit
for "Saturday Night Live"
1567
01:09:06,833 --> 01:09:08,442
all on the same day.
1568
01:09:08,466 --> 01:09:10,409
{\an1}- Let's go surfin' now.
- Everybody's learnin' how.
1569
01:09:10,433 --> 01:09:11,876
{\an1}-Come on a safari with us.
1570
01:09:11,900 --> 01:09:13,609
- Come on.
- Let's go. Let's go.
1571
01:09:13,633 --> 01:09:15,176
-Right.
1572
01:09:15,200 --> 01:09:16,942
{\an8}♪♪
1573
01:09:16,966 --> 01:09:19,109
{\an1}-How does it make you feel
to hear these songs?
1574
01:09:19,133 --> 01:09:22,542
{\an1}-Oh, wonderful. A great feel.
1575
01:09:22,566 --> 01:09:25,642
Oh, I'm so proud
of Carl, again, man.
1576
01:09:25,666 --> 01:09:27,176
{\an1}-When did you first know
1577
01:09:27,200 --> 01:09:30,142
{\an1}that Carl could sing leads
so well like that?
1578
01:09:30,166 --> 01:09:34,909
-Well, 1965 or 6.
1579
01:09:34,933 --> 01:09:37,576
{\an1}When he sang "God Only Knows,"
you must have known,
1580
01:09:37,600 --> 01:09:40,709
"My gosh,
he's really stepped up."
1581
01:09:40,733 --> 01:09:42,876
{\an1}-Well, I was gonna do the vocal,
1582
01:09:42,900 --> 01:09:45,642
and I said, "Carl,
do you wanna do the vocal?"
1583
01:09:45,666 --> 01:09:49,176
{\an1}He goes, "Sure, I'd love to."
You know? So he did the vocal.
1584
01:09:49,200 --> 01:09:51,809
- And he killed it.
- Yeah, he did.
1585
01:09:51,833 --> 01:09:55,609
{\an1}-♪ I may not always love you ♪
1586
01:09:55,633 --> 01:09:59,742
{\an1}♪ But long as there are stars
above you ♪
1587
01:09:59,766 --> 01:10:03,442
♪ You'll never need
to doubt it ♪
1588
01:10:03,466 --> 01:10:07,542
♪ I'll make you
so sure about it ♪
1589
01:10:07,566 --> 01:10:13,309
♪ God only knows
what I'd be without you ♪
1590
01:10:13,333 --> 01:10:15,309
{\an8}♪♪
1591
01:10:15,333 --> 01:10:19,109
{\an1}-♪ If you should ever leave me ♪
1592
01:10:19,133 --> 01:10:23,209
♪ Well, life would
still go on, believe me ♪
1593
01:10:23,233 --> 01:10:27,276
{\an1}♪ The world could show
nothing to me ♪
1594
01:10:27,300 --> 01:10:31,642
♪ So what good
would living do me? ♪
1595
01:10:31,666 --> 01:10:35,876
♪ God only knows
what I'd be without you ♪
1596
01:10:35,900 --> 01:10:43,900
{\an8}♪♪
1597
01:10:44,500 --> 01:10:46,709
{\an7}I saw him about a week
before he died,
1598
01:10:46,733 --> 01:10:48,809
and he goes,
"I'm gonna make it, Brian.
1599
01:10:48,833 --> 01:10:50,309
{\an1}I'm gonna make it through."
1600
01:10:50,333 --> 01:10:51,776
And he died
a couple of weeks later.
1601
01:10:51,800 --> 01:10:53,342
-Oh.
1602
01:10:53,366 --> 01:10:55,442
{\an1}-It's emotionally hard
to sing it.
1603
01:10:55,466 --> 01:10:57,876
{\an1}It feels good to sing, though.
- Mm-hmm.
1604
01:10:57,900 --> 01:10:59,609
-When I sing it,
I think about him.
1605
01:10:59,633 --> 01:11:02,276
"God Only Knows" gets
a standing ovation every time.
1606
01:11:02,300 --> 01:11:05,642
-♪ God only knows
what I'd be without you ♪
1607
01:11:05,666 --> 01:11:08,342
♪ God only knows
what I'd be without you ♪
1608
01:11:08,366 --> 01:11:16,042
-♪ God only knows ♪
1609
01:11:16,066 --> 01:11:17,976
{\an1}[ Cheers and applause ]
1610
01:11:18,000 --> 01:11:20,042
-Thank you,
ladies and gentlemen!
1611
01:11:20,066 --> 01:11:21,942
{\an1}[ Cheers and applause ]
1612
01:11:21,966 --> 01:11:24,542
Please be seated.
Thank you very much.
1613
01:11:24,566 --> 01:11:27,676
{\an1}[ Cheers and applause ]
1614
01:11:27,700 --> 01:11:30,520
- -♪ - So hard to answer
future's riddle - ♪
1615
01:11:30,566 --> 01:11:35,276
{\an1}♪
When ahead is seeming
so far behind
♪
1616
01:11:35,300 --> 01:11:38,242
So hard to laugh
a childlike giggle
1617
01:11:38,266 --> 01:11:40,676
-Yeah. There it is.
1618
01:11:40,700 --> 01:11:42,077
-♪
1619
01:11:40,700 --> 01:11:43,476
♪
1620
01:11:42,101 --> 01:11:43,500
Torture my mind
1621
01:11:43,500 --> 01:11:46,609
{\an8}♪
So hard to shed
the life of before
♪
1622
01:11:46,633 --> 01:11:50,276
{\an8}♪
To let my soul
automatically soar
♪
1623
01:11:50,300 --> 01:11:55,176
{\an7}♪
But I hit hard at the battle
that's confronting me, yeah
♪
1624
01:11:55,200 --> 01:11:58,976
{\an1}♪
Knock down all the roadblocks
a-stumbling me
♪
1625
01:11:59,000 --> 01:12:03,776
{\an1}♪
Throw off all the shackles
that are binding me down
♪
1626
01:12:03,800 --> 01:12:05,642
{\an8}♪♪
1627
01:12:05,666 --> 01:12:07,109
{\an8}-Right here.
1628
01:12:07,133 --> 01:12:08,709
{\an8}♪
So hard to laugh
♪
1629
01:12:08,733 --> 01:12:10,776
{\an8}-I'm not gonna
get out of the car.
1630
01:12:10,800 --> 01:12:14,076
{\an8}- You sure?
- Yeah.
1631
01:12:14,100 --> 01:12:16,842
{\an7}-I'm gonna get out, okay?
Check it out.
1632
01:12:16,866 --> 01:12:18,476
{\an8}- I'm just gonna wait.
- Okay.
1633
01:12:18,500 --> 01:12:20,242
{\an1}-Too sentimental for me to go.
1634
01:12:20,266 --> 01:12:22,109
{\an1}-Alright. I'll tell 'em.
1635
01:12:22,133 --> 01:12:24,109
- {\an1}-♪ - I hit hard at the battle that's
confronting me, yeah - ♪
1636
01:12:24,133 --> 01:12:26,476
- Want the music on?
- Yeah.
1637
01:12:26,500 --> 01:12:30,376
{\an1}-♪
Knock down all the roadblocks
a-stumbling me
♪
1638
01:12:30,400 --> 01:12:35,209
{\an1}♪
Throw off all the shackles
that are binding me down
♪
1639
01:12:35,233 --> 01:12:38,309
{\an8}♪♪
1640
01:12:38,333 --> 01:12:38,333
♪
And the now starts
to get in my way
♪
1641
01:12:38,333 --> 01:12:41,333
Sew up the wounds
of evolution
1642
01:12:45,966 --> 01:12:47,676
{\an1}♪
So what if life's...
♪
1643
01:12:47,700 --> 01:12:49,509
{\an1}-I asked Brian one time,
1644
01:12:49,533 --> 01:12:53,109
{\an7}"Why do you think we succeeded
in such a big way?"
1645
01:12:53,133 --> 01:12:55,476
{\an8}He said,
"Well, I think the music
1646
01:12:55,500 --> 01:12:59,776
{\an1}celebrated the joy of life
in a real, simple way."
1647
01:12:59,800 --> 01:13:02,042
- ♪ Promised road ♪
- ♪ Bah-bah, bah-bah ♪
1648
01:13:02,066 --> 01:13:06,509
-Not heady or...
Or complex or anything.
1649
01:13:06,533 --> 01:13:09,842
{\an1}Just a real direct experience
of just joyfulness.
1650
01:13:09,866 --> 01:13:13,509
{\an8}♪♪
1651
01:13:13,533 --> 01:13:17,642
{\an7}- ♪ Long promised road ♪
- ♪ Bah-bah, bah-bah ♪
1652
01:13:17,666 --> 01:13:24,476
{\an1}♪
Flows to the source,
gentle force, never ending
♪
1653
01:13:24,500 --> 01:13:27,076
♪
Never ending
♪
1654
01:13:27,100 --> 01:13:30,042
[ Music shuts off ]
1655
01:13:30,066 --> 01:13:32,042
{\an1}-Too much on that one, huh?
1656
01:13:32,066 --> 01:13:33,400
-Yeah.
1657
01:13:37,900 --> 01:13:40,142
{\an7}[
"Southern California" plays
]
1658
01:13:40,166 --> 01:13:41,642
{\an8}-Yeah.
1659
01:13:41,666 --> 01:13:47,476
{\an8}♪♪
1660
01:13:47,500 --> 01:13:49,544
-♪
1661
01:13:47,500 --> 01:13:51,609
♪
1662
01:13:49,568 --> 01:13:51,633
I had this dream
1663
01:13:51,633 --> 01:13:55,809
{\an1}♪
Singing with my brothers
♪
1664
01:13:55,833 --> 01:13:57,976
-♪ In harmony ♪
1665
01:13:58,000 --> 01:14:00,376
{\an1}-♪ Ooh, ooh, ooh, ooh ♪
1666
01:14:00,400 --> 01:14:04,176
{\an1}-♪ Supporting each other ♪
1667
01:14:04,200 --> 01:14:06,342
♪ Tail winds ♪
1668
01:14:06,366 --> 01:14:08,442
♪ Wheels spin ♪
1669
01:14:08,466 --> 01:14:12,909
{\an1}♪ Down the Pacific Coast ♪
1670
01:14:12,933 --> 01:14:17,042
{\an1}♪ Surfin' on the A.M. ♪
1671
01:14:17,066 --> 01:14:21,042
{\an1}♪ Heard those voices again in ♪
1672
01:14:21,066 --> 01:14:25,476
{\an1}♪ Southern California ♪
1673
01:14:25,500 --> 01:14:29,676
{\an1}♪ Dreams wake up for ya ♪
1674
01:14:29,700 --> 01:14:33,776
{\an1}♪ And when you wake up here ♪
1675
01:14:33,800 --> 01:14:37,576
{\an1}♪ You wake up everywhere ♪
1676
01:14:37,600 --> 01:14:40,942
{\an1}♪ Oh, whoa, it's magical ♪
1677
01:14:40,966 --> 01:14:43,342
{\an1}-I want to take this opportunity
right now
1678
01:14:43,366 --> 01:14:45,142
{\an1}to thank our beloved Brian
1679
01:14:45,166 --> 01:14:47,376
for writing
all that beautiful music
1680
01:14:47,400 --> 01:14:49,376
{\an1}and making this evening
possible.
1681
01:14:49,400 --> 01:14:50,776
{\an1}Let's hear it for Brian Wilson!
1682
01:14:50,800 --> 01:14:54,176
[ Crowd cheering ]
1683
01:14:54,200 --> 01:14:56,409
-♪ Ooh ♪
1684
01:14:56,433 --> 01:15:02,400
♪ Ooh ♪
1685
01:15:04,766 --> 01:15:07,109
[ Piano playing ]
1686
01:15:07,133 --> 01:15:08,909
- "It's O.K."?
- Sure.
1687
01:15:08,933 --> 01:15:10,776
-♪ It's O.K. ♪
1688
01:15:10,800 --> 01:15:12,276
{\an1}Want me to play piano?
1689
01:15:12,300 --> 01:15:14,276
- We'd Love it, yeah.
- Okay.
1690
01:15:14,300 --> 01:15:16,442
It starts out.
One, two, three.
1691
01:15:16,466 --> 01:15:18,509
♪ It's O.K. ♪
1692
01:15:18,533 --> 01:15:20,342
{\an1}[ Instruments playing ]
1693
01:15:20,366 --> 01:15:22,809
Okay. Okay.
- [ Music stops ]
1694
01:15:22,833 --> 01:15:24,842
-It fades
in about eight, ten bars.
1695
01:15:24,866 --> 01:15:26,476
-Got it.
1696
01:15:26,500 --> 01:15:29,476
{\an7}I'm just gonna prepare myself
mentally for the vocals.
1697
01:15:29,500 --> 01:15:30,909
{\an8}- For some vocals?
- Yeah.
1698
01:15:30,933 --> 01:15:32,909
{\an7}-Good. You want me to scratch
your back or rub your back?
1699
01:15:32,933 --> 01:15:34,109
{\an8}-Sure.
1700
01:15:34,133 --> 01:15:37,476
{\an8}-One, two.
One, two, three...
1701
01:15:37,500 --> 01:15:41,076
{\an1}-♪ Fun is in, it's no sin,
it's that time again ♪
1702
01:15:41,100 --> 01:15:45,309
{\an1}♪ To shed the load, hit
the road, on the run again ♪
1703
01:15:45,333 --> 01:15:49,342
{\an1}♪ Summer skies in our eyes
and a warmer sun ♪
1704
01:15:49,366 --> 01:15:51,342
♪ It's one for all,
all for one ♪
1705
01:15:51,366 --> 01:15:54,309
{\an1}♪ All for all-out fun ♪
1706
01:15:54,333 --> 01:15:56,776
-♪ Gotta go to it ♪
1707
01:15:56,800 --> 01:15:58,442
-♪ Yeah ♪
1708
01:15:58,466 --> 01:16:00,876
{\an1}-♪ Gonna go through it ♪
1709
01:16:00,900 --> 01:16:02,376
-♪ Yeah ♪
1710
01:16:02,400 --> 01:16:05,376
{\an1}-♪ Gotta get with it ♪
1711
01:16:05,400 --> 01:16:08,742
{\an1}-♪ Lookin' good down the hood
of a funky ride ♪
1712
01:16:08,766 --> 01:16:10,842
{\an1}-It's a gift for all of us
to have someone like Brian
1713
01:16:10,866 --> 01:16:13,409
{\an1}or those guys who still love
music and wanna play music.
1714
01:16:13,433 --> 01:16:16,276
{\an1}It's a gift to everybody
because he certainly
doesn't have to do that.
1715
01:16:16,300 --> 01:16:18,276
-Brian will always
want to go out and perform.
1716
01:16:18,300 --> 01:16:19,842
He will always
want to make records.
1717
01:16:19,866 --> 01:16:22,176
It's 'cause music
runs through his veins.
1718
01:16:22,200 --> 01:16:24,842
{\an1}-♪ Gotta go through it ♪
1719
01:16:24,866 --> 01:16:26,442
-♪ Yeah ♪
1720
01:16:26,466 --> 01:16:27,909
-I don't see age.
1721
01:16:27,933 --> 01:16:33,409
I see [bleep] history
and continuing to make history.
1722
01:16:33,433 --> 01:16:35,176
{\an1}-I think he's enjoying himself.
1723
01:16:35,200 --> 01:16:36,909
{\an7}He wants to go on the road
1724
01:16:36,933 --> 01:16:39,609
{\an8}and he wants
to keep going, so...
1725
01:16:39,633 --> 01:16:41,242
{\an1}I can't argue with that.
1726
01:16:41,266 --> 01:16:44,809
{\an1}-♪ Good or bad, glad or sad,
it's all gonna pass ♪
1727
01:16:44,833 --> 01:16:49,509
{\an1}♪ So it's O.K., let's all play
and enjoy while it lasts ♪
1728
01:16:49,533 --> 01:16:52,542
-♪ Gotta go to it ♪
1729
01:16:52,566 --> 01:16:54,109
-♪ Yeah ♪
1730
01:16:54,133 --> 01:16:56,909
{\an1}-In the last two years,
you've toured like 180 dates.
1731
01:16:56,933 --> 01:16:58,642
It's more
than you've ever played
1732
01:16:58,666 --> 01:17:00,642
{\an1}at any time in your career.
1733
01:17:00,666 --> 01:17:02,209
-We toured the world.
1734
01:17:02,233 --> 01:17:03,642
{\an1}- You got to be proud of that.
- A lot of concerts.
1735
01:17:03,666 --> 01:17:06,409
{\an1}♪ We're always in my car
'cause it's never been beat ♪
1736
01:17:06,433 --> 01:17:09,742
{\an1}♪ And we've never missed yet
with the girls we meet ♪
1737
01:17:09,766 --> 01:17:12,842
{\an8}♪♪
1738
01:17:12,866 --> 01:17:16,109
{\an1}♪ None of the guys go steady
'cause it wouldn't be right ♪
1739
01:17:16,133 --> 01:17:18,976
{\an1}♪ To leave your best girl home
on a Saturday night ♪
1740
01:17:19,000 --> 01:17:20,376
{\an1}-I've been at a concert...
1741
01:17:20,400 --> 01:17:23,209
{\an1}He did a song that I thought
I would never hear live,
1742
01:17:23,233 --> 01:17:25,542
{\an1}and he opened his mouth,
and I just went... [ Gasps ]
1743
01:17:25,566 --> 01:17:28,276
{\an1}Brian's provided that for me
many times,
1744
01:17:28,300 --> 01:17:30,709
and not only
has he provided that for me,
1745
01:17:30,733 --> 01:17:32,642
{\an1}he must get that every day
in concert.
1746
01:17:32,666 --> 01:17:34,676
{\an1}-I didn't know what to expect
from Brian's show.
1747
01:17:34,700 --> 01:17:36,276
Trying to play
"Pet Sounds" live,
1748
01:17:36,300 --> 01:17:37,909
you know, it's like,
what could be harder?
1749
01:17:37,933 --> 01:17:39,576
{\an1}But we could not believe it.
1750
01:17:39,600 --> 01:17:41,509
- ♪ I get around ♪
- ♪ Yeah ♪
1751
01:17:41,533 --> 01:17:44,509
{\an1}-♪ Get around, 'round, 'round,
I get around ♪
1752
01:17:44,533 --> 01:17:46,676
-If somebody
was making a bet with me,
1753
01:17:46,700 --> 01:17:48,176
I would have bet
that they had tapes
1754
01:17:48,200 --> 01:17:50,109
rolling along
with what they were doing,
1755
01:17:50,133 --> 01:17:52,709
{\an1}but at the end of the day,
they simply learned
1756
01:17:52,733 --> 01:17:55,576
how to sing
and re-create that music live,
1757
01:17:55,600 --> 01:17:57,876
{\an1}and it made me so happy
1758
01:17:57,900 --> 01:18:01,042
{\an1}to see what he created
honored in that way.
1759
01:18:01,066 --> 01:18:02,976
{\an1}This has been taken seriously,
1760
01:18:03,000 --> 01:18:04,809
{\an1}and everybody on that stage
1761
01:18:04,833 --> 01:18:07,776
loves this guy
and loves this music.
1762
01:18:07,800 --> 01:18:10,509
{\an1}-♪ Get around, 'round, 'round,
I get around ♪
1763
01:18:10,533 --> 01:18:13,042
♪ I get around! ♪
- Yeah!
1764
01:18:13,066 --> 01:18:18,176
{\an8}♪♪
1765
01:18:18,200 --> 01:18:20,042
-Thank you,
ladies and gentlemen!
1766
01:18:20,066 --> 01:18:21,709
-I think everyone
has issues, you know,
1767
01:18:21,733 --> 01:18:23,542
{\an1}whether it's mental health
or anything else,
1768
01:18:23,566 --> 01:18:26,942
{\an1}and the fact that Brian
is vulnerable enough
1769
01:18:26,966 --> 01:18:28,942
and real enough...
- Thank you very much.
1770
01:18:28,966 --> 01:18:31,009
{\an1}-...to get up there and do this,
1771
01:18:31,033 --> 01:18:34,176
I think gives people
a lot of strength.
1772
01:18:34,200 --> 01:18:35,709
I know it gives me
a lot of strength.
1773
01:18:35,733 --> 01:18:39,076
-♪ Ahh ♪
1774
01:18:39,100 --> 01:18:43,442
{\an1}-♪ Well, I get anxious,
I get scared a lot ♪
1775
01:18:43,466 --> 01:18:45,309
{\an1}♪ That's what I live with ♪
1776
01:18:45,333 --> 01:18:49,676
-I love him. I think
he's a beautiful, sweet guy.
1777
01:18:49,700 --> 01:18:52,209
{\an1}There's a real innocence
and optimism
1778
01:18:52,233 --> 01:18:54,442
{\an1}and positivity and goodness.
1779
01:18:54,466 --> 01:18:56,476
{\an1}That's what's at his core.
1780
01:18:56,500 --> 01:19:00,542
-♪ They said go out
and get a steady job ♪
1781
01:19:00,566 --> 01:19:04,742
{\an1}♪ That was the worst idea ♪
1782
01:19:04,766 --> 01:19:09,009
♪ Another day,
another lonely song ♪
1783
01:19:09,033 --> 01:19:12,076
{\an1}♪ To get me through again ♪
1784
01:19:12,100 --> 01:19:14,709
-The funny thing
about those songs
1785
01:19:14,733 --> 01:19:19,042
{\an1}is they're both more joyful
and more painful now
1786
01:19:19,066 --> 01:19:21,842
because of the loss
of your own youth,
1787
01:19:21,866 --> 01:19:23,709
your own adolescence,
1788
01:19:23,733 --> 01:19:25,442
{\an1}and yet at the same time,
1789
01:19:25,466 --> 01:19:27,309
it does speak
to your current life,
1790
01:19:27,333 --> 01:19:30,342
which is the hallmark
of great and lasting music.
1791
01:19:30,366 --> 01:19:35,709
{\an1}-♪ Oh, oh, yeah, yeah ♪
1792
01:19:35,733 --> 01:19:38,109
-You know, it's like
there's some secret code
1793
01:19:38,133 --> 01:19:40,142
{\an1}that makes Brian's music
1794
01:19:40,166 --> 01:19:42,676
resonate the same
as this feather
1795
01:19:42,700 --> 01:19:45,342
or a piece of grass
or a leaf or air or water.
1796
01:19:45,366 --> 01:19:47,576
{\an1}There's something about it
that we need.
1797
01:19:47,600 --> 01:19:49,342
{\an1}You know, you hear his music,
and you need it to live.
1798
01:19:49,366 --> 01:19:51,942
{\an1}You know, it's like an essential
element of your life.
1799
01:19:51,966 --> 01:19:54,076
I don't think
there are words for it.
1800
01:19:54,100 --> 01:19:57,576
-♪ To be the greatest
at the centerfield ♪
1801
01:19:57,600 --> 01:20:02,409
{\an1}♪ That the Yankees ever seen ♪
1802
01:20:02,433 --> 01:20:06,776
♪ Was my ambition,
but I got sidetracked ♪
1803
01:20:06,800 --> 01:20:09,776
{\an1}♪ Into the music biz ♪
1804
01:20:09,800 --> 01:20:11,609
{\an8}♪♪
1805
01:20:11,633 --> 01:20:13,409
{\an1}-There's very few people
1806
01:20:13,433 --> 01:20:16,442
that continue to make
the kind of impact he's made.
1807
01:20:16,466 --> 01:20:18,342
{\an1}And having gone through
all he's gone through
1808
01:20:18,366 --> 01:20:20,509
{\an1}and coming out the other side,
it's really kind of incredible
1809
01:20:20,533 --> 01:20:22,476
and, again, so rare.
1810
01:20:22,500 --> 01:20:27,376
{\an1}-I think there's a misconception
of what real artists are
1811
01:20:27,400 --> 01:20:30,576
and the ones
that are watching the clock.
1812
01:20:30,600 --> 01:20:33,476
Those are the people
that don't belong here.
1813
01:20:33,500 --> 01:20:35,876
It's the ones
that just keep going.
1814
01:20:35,900 --> 01:20:40,109
{\an1}It's Brian Wilson, that wants
to still beat "God Only Knows."
1815
01:20:40,133 --> 01:20:42,509
{\an1}I mean, can you imagine that?
1816
01:20:42,533 --> 01:20:46,776
{\an1}-Two. A-one, two, three, four!
No!
1817
01:20:46,800 --> 01:20:49,042
{\an1}Someone's coming in too soon.
1818
01:20:49,066 --> 01:20:55,609
{\an1}-♪ I know that love is what
I really wanna share ♪
1819
01:20:55,633 --> 01:20:56,876
{\an8}♪♪
1820
01:20:56,900 --> 01:20:59,876
-I can remember
almost word for word a quote
1821
01:20:59,900 --> 01:21:03,242
that Brian Wilson,
more than anybody else,
1822
01:21:03,266 --> 01:21:05,909
{\an1}has had a profound effect
over American rock music
1823
01:21:05,933 --> 01:21:07,542
{\an1}for the next 30 years.
1824
01:21:07,566 --> 01:21:09,942
{\an7}You can hear it. Your influence
is everywhere, Brian.
1825
01:21:09,966 --> 01:21:13,742
{\an8}I mean, do you feel
that's a strong responsibility?
1826
01:21:13,766 --> 01:21:16,376
{\an7}-Yes, I do, sure, because...
1827
01:21:16,400 --> 01:21:19,609
{\an8}once you've
established yourself as...
1828
01:21:19,633 --> 01:21:21,976
an artist, producer,
1829
01:21:22,000 --> 01:21:24,676
somebody who has
something to say,
1830
01:21:24,700 --> 01:21:27,842
{\an1}it's an artist's obligation.
1831
01:21:27,866 --> 01:21:30,242
{\an1}It's constructive work.
You know, it's work.
1832
01:21:30,266 --> 01:21:33,742
{\an1}Any artist that you find
has that feeling.
1833
01:21:33,766 --> 01:21:37,809
{\an1}He feels the need to please,
you know?
1834
01:21:37,833 --> 01:21:39,809
{\an1}And it's a very personal thing,
1835
01:21:39,833 --> 01:21:41,609
and it's something
that comes with...
1836
01:21:41,633 --> 01:21:44,442
{\an1}It's natural, you know?
It's a natural thing.
1837
01:21:44,466 --> 01:21:46,542
{\an1}-When I hear his music,
it makes me smile.
1838
01:21:46,566 --> 01:21:50,476
{\an1}It makes me realize that there's
a lot of songs still left in me.
1839
01:21:50,500 --> 01:21:52,409
{\an1}There's still a lot of songs
left in Brian.
1840
01:21:52,433 --> 01:21:54,942
He's always writing.
He's always making music.
1841
01:21:54,966 --> 01:21:58,476
{\an1}And I have that love of him
that will never ever die.
1842
01:21:58,500 --> 01:22:02,876
-♪ It's up to me
to make the music call ♪
1843
01:22:02,900 --> 01:22:05,076
{\an1}♪ To ride the wave again ♪
1844
01:22:05,100 --> 01:22:07,376
-♪ Ahh, oh ♪
1845
01:22:07,400 --> 01:22:15,400
{\an8}♪♪
1846
01:22:27,366 --> 01:22:29,942
{\an7}[ Indistinct conversations ]
1847
01:22:29,966 --> 01:22:32,542
{\an7}-♪ Long promised road ♪
1848
01:22:32,566 --> 01:22:37,742
{\an7}♪ Trail starts at dawn, carries
on to the season's ending ♪
1849
01:22:37,766 --> 01:22:39,576
{\an8}[ Guitar strumming ]
1850
01:22:39,600 --> 01:22:41,809
{\an8}-We're gonna go.
Can you hear yourself alright?
1851
01:22:41,833 --> 01:22:43,476
{\an8}-Yeah.
1852
01:22:43,500 --> 01:22:46,476
{\an7}-One, two, one, two, three!
1853
01:22:46,500 --> 01:22:54,500
{\an8}♪♪
1854
01:23:02,233 --> 01:23:05,176
{\an8}-♪ So hard to answer
future's riddle ♪
1855
01:23:05,200 --> 01:23:08,333
{\an8}♪ When ahead
seems so far behind ♪
1856
01:23:09,833 --> 01:23:12,742
{\an8}♪ So hard to laugh
a childlike giggle ♪
1857
01:23:12,766 --> 01:23:15,709
{\an8}♪ When the tears
start to torture my mind ♪
1858
01:23:15,733 --> 01:23:18,066
{\an8}♪♪