1 00:00:04,938 --> 00:00:06,638 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 2 00:00:06,640 --> 00:00:07,373 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 3 00:00:07,375 --> 00:00:07,573 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 4 00:00:07,575 --> 00:00:11,443 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 5 00:00:11,445 --> 00:00:12,077 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 6 00:00:12,079 --> 00:00:12,644 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 7 00:00:12,646 --> 00:00:15,614 ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 8 00:00:15,616 --> 00:00:16,281 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ >> Announcer: HERE SHE IS 9 00:00:16,283 --> 00:00:16,849 CLOCK ♪ >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES! 10 00:00:16,851 --> 00:00:17,316 >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES! [CHEERS AND APPLAUSE] 11 00:00:17,318 --> 00:00:19,451 NOW, ELLEN DeGENERES! [CHEERS AND APPLAUSE] ♪ ♪ 12 00:00:19,453 --> 00:00:20,019 [CHEERS AND APPLAUSE] ♪ ♪ ♪ OH OH OH ♪ 13 00:00:20,021 --> 00:00:20,686 ♪ ♪ ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ 14 00:00:20,688 --> 00:00:21,053 ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ 15 00:00:21,055 --> 00:00:22,388 ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ 16 00:00:22,390 --> 00:00:24,690 ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ 17 00:00:24,692 --> 00:00:25,157 ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] 18 00:00:25,159 --> 00:00:30,596 ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] ♪ ♪ 19 00:00:30,598 --> 00:00:37,069 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: HOW! 20 00:00:37,071 --> 00:00:37,536 ♪ ♪ >> Ellen: HOW! THANK YOU, EVERYBODY! 21 00:00:37,538 --> 00:00:40,339 >> Ellen: HOW! THANK YOU, EVERYBODY! BACK AT YOU! 22 00:00:40,341 --> 00:00:41,106 THANK YOU, EVERYBODY! BACK AT YOU! THANK YOU SO MUCH! 23 00:00:41,108 --> 00:00:42,775 BACK AT YOU! THANK YOU SO MUCH! GARTH BROOKS MAY HAVE FRIENDS IN 24 00:00:42,777 --> 00:00:44,943 THANK YOU SO MUCH! GARTH BROOKS MAY HAVE FRIENDS IN LOW PLACES, AND LUDACRIS MAY 25 00:00:44,945 --> 00:00:46,345 GARTH BROOKS MAY HAVE FRIENDS IN LOW PLACES, AND LUDACRIS MAY HAVE HOSE IN DIFFERENT AREA 26 00:00:46,347 --> 00:00:48,013 LOW PLACES, AND LUDACRIS MAY HAVE HOSE IN DIFFERENT AREA CODES, BUT I HAVE AN AUDIENCE 27 00:00:48,015 --> 00:00:51,417 HAVE HOSE IN DIFFERENT AREA CODES, BUT I HAVE AN AUDIENCE FROM ALL OVER THE WORLD. 28 00:00:51,419 --> 00:00:52,017 CODES, BUT I HAVE AN AUDIENCE FROM ALL OVER THE WORLD. TODAY'S AUDIENCE IS FROM 25 29 00:00:52,019 --> 00:00:54,887 FROM ALL OVER THE WORLD. TODAY'S AUDIENCE IS FROM 25 DIFFERENT COUNTRIES. 30 00:00:54,889 --> 00:00:55,754 TODAY'S AUDIENCE IS FROM 25 DIFFERENT COUNTRIES. SO FOR ALL OF MY SPANISH 31 00:00:55,756 --> 00:00:58,924 DIFFERENT COUNTRIES. SO FOR ALL OF MY SPANISH SPEAKING FRIENDS HOLA. 32 00:00:58,926 --> 00:01:06,165 SO FOR ALL OF MY SPANISH SPEAKING FRIENDS HOLA. MY ITALIAN SPEAKING FRIENDS CA 33 00:01:06,167 --> 00:01:06,365 SPEAKING FRIENDS HOLA. MY ITALIAN SPEAKING FRIENDS CA CAIO. 34 00:01:06,367 --> 00:01:07,299 MY ITALIAN SPEAKING FRIENDS CA CAIO. AND MY ENGLISH-SPEAKING FRIENDS 35 00:01:07,301 --> 00:01:08,200 CAIO. AND MY ENGLISH-SPEAKING FRIENDS WHAT UP! 36 00:01:08,202 --> 00:01:09,568 AND MY ENGLISH-SPEAKING FRIENDS WHAT UP! THE 2020 OLYMPICS ARE GOING TO 37 00:01:09,570 --> 00:01:10,769 WHAT UP! THE 2020 OLYMPICS ARE GOING TO START THE SUMMER. 38 00:01:10,771 --> 00:01:11,970 THE 2020 OLYMPICS ARE GOING TO START THE SUMMER. AND I HAVE BEEN HAVING AUDIENCE 39 00:01:11,972 --> 00:01:14,173 START THE SUMMER. AND I HAVE BEEN HAVING AUDIENCE MEMBERS FROM AROUND THE WORLD 40 00:01:14,175 --> 00:01:15,174 AND I HAVE BEEN HAVING AUDIENCE MEMBERS FROM AROUND THE WORLD COMPETING WITH ONE ANOTHER. 41 00:01:15,176 --> 00:01:16,475 MEMBERS FROM AROUND THE WORLD COMPETING WITH ONE ANOTHER. HERE IS A DIFFERENT LOOK AT OUR 42 00:01:16,477 --> 00:01:19,978 COMPETING WITH ONE ANOTHER. HERE IS A DIFFERENT LOOK AT OUR PAST EVENTS. 43 00:01:19,980 --> 00:01:34,159 HERE IS A DIFFERENT LOOK AT OUR PAST EVENTS. ♪ ♪ 44 00:01:36,729 --> 00:01:43,669 ALL RIGHT, TODAY WE ARE GOING TO CONTINUE OUR BEST IN THE WORLD IT IS TIME FOR ELLEN'S AUDIENCE 45 00:01:43,671 --> 00:01:43,936 CONTINUE OUR BEST IN THE WORLD IT IS TIME FOR ELLEN'S AUDIENCE OLYMPICS. 46 00:01:43,938 --> 00:01:49,341 IT IS TIME FOR ELLEN'S AUDIENCE OLYMPICS. ♪ ♪ 47 00:01:49,343 --> 00:01:52,744 OLYMPICS. ♪ ♪ LET'S SEE WHO IS COMPETING 48 00:01:52,746 --> 00:01:53,479 ♪ ♪ LET'S SEE WHO IS COMPETING TODAY. 49 00:01:53,481 --> 00:01:54,413 LET'S SEE WHO IS COMPETING TODAY. REPRESENTING IRELAND IS CLAIRE. 50 00:01:54,415 --> 00:01:58,784 TODAY. REPRESENTING IRELAND IS CLAIRE. HI, CLAIRE! 51 00:01:58,786 --> 00:02:02,287 REPRESENTING IRELAND IS CLAIRE. HI, CLAIRE! HI, WHAT DO YOU DO IN IRELAND? 52 00:02:02,289 --> 00:02:03,922 HI, CLAIRE! HI, WHAT DO YOU DO IN IRELAND? >> I AM A MAKEUP ARTIST. 53 00:02:03,924 --> 00:02:05,157 HI, WHAT DO YOU DO IN IRELAND? >> I AM A MAKEUP ARTIST. >> Ellen: A MAKEUP ARTIST, 54 00:02:05,159 --> 00:02:06,125 >> I AM A MAKEUP ARTIST. >> Ellen: A MAKEUP ARTIST, WHAT TIME IS IT THERE? 55 00:02:06,127 --> 00:02:08,427 >> Ellen: A MAKEUP ARTIST, WHAT TIME IS IT THERE? >> IT IS 12:30 AT NIGHT. 56 00:02:08,429 --> 00:02:10,496 WHAT TIME IS IT THERE? >> IT IS 12:30 AT NIGHT. >> Ellen: ARE USUALLY UP THIS 57 00:02:10,498 --> 00:02:10,696 >> IT IS 12:30 AT NIGHT. >> Ellen: ARE USUALLY UP THIS LATE? 58 00:02:10,698 --> 00:02:13,031 >> Ellen: ARE USUALLY UP THIS LATE? >> YES, I AM. 59 00:02:13,033 --> 00:02:14,566 LATE? >> YES, I AM. YES. 60 00:02:14,568 --> 00:02:17,002 >> YES, I AM. YES. >> Ellen: ALL RIGHT, AND FROM 61 00:02:17,004 --> 00:02:18,537 YES. >> Ellen: ALL RIGHT, AND FROM THE CZECH REPUBLIC WE HAVE 62 00:02:18,539 --> 00:02:19,938 >> Ellen: ALL RIGHT, AND FROM THE CZECH REPUBLIC WE HAVE SABRINA! 63 00:02:19,940 --> 00:02:20,706 THE CZECH REPUBLIC WE HAVE SABRINA! HI, SABRINA. 64 00:02:20,708 --> 00:02:20,906 SABRINA! HI, SABRINA. >> HI! 65 00:02:20,908 --> 00:02:23,008 HI, SABRINA. >> HI! >> Ellen: WHAT DO YOU DO IN 66 00:02:23,010 --> 00:02:23,709 >> HI! >> Ellen: WHAT DO YOU DO IN THE CZECH REPUBLIC? 67 00:02:23,711 --> 00:02:25,477 >> Ellen: WHAT DO YOU DO IN THE CZECH REPUBLIC? >> I AM A HIGH SCHOOL STUDENT. 68 00:02:25,479 --> 00:02:27,179 THE CZECH REPUBLIC? >> I AM A HIGH SCHOOL STUDENT. I'M A SENIOR. 69 00:02:27,181 --> 00:02:28,947 >> I AM A HIGH SCHOOL STUDENT. I'M A SENIOR. >> Ellen: WHAT TIME IS IT 70 00:02:28,949 --> 00:02:29,381 I'M A SENIOR. >> Ellen: WHAT TIME IS IT THERE? 71 00:02:29,383 --> 00:02:31,783 >> Ellen: WHAT TIME IS IT THERE? >> IT IS 1:30 A.M. 72 00:02:31,785 --> 00:02:33,986 THERE? >> IT IS 1:30 A.M. >> Ellen: ARE USUALLY UP AT 73 00:02:33,988 --> 00:02:34,520 >> IT IS 1:30 A.M. >> Ellen: ARE USUALLY UP AT 1:30? 74 00:02:34,522 --> 00:02:35,154 >> Ellen: ARE USUALLY UP AT 1:30? >> NO. 75 00:02:35,156 --> 00:02:36,588 1:30? >> NO. NOT AT ALL. 76 00:02:36,590 --> 00:02:38,357 >> NO. NOT AT ALL. >> Ellen: THANK YOU FOR 77 00:02:38,359 --> 00:02:39,558 NOT AT ALL. >> Ellen: THANK YOU FOR STAYING UP. 78 00:02:39,560 --> 00:02:41,727 >> Ellen: THANK YOU FOR STAYING UP. AND FINALLY REPRESENTING HAITI 79 00:02:41,729 --> 00:02:43,128 STAYING UP. AND FINALLY REPRESENTING HAITI IS JENNIFER. 80 00:02:43,130 --> 00:02:43,862 AND FINALLY REPRESENTING HAITI IS JENNIFER. HI, JENNIFER. 81 00:02:43,864 --> 00:02:45,531 IS JENNIFER. HI, JENNIFER. >> HI, ELLEN. 82 00:02:45,533 --> 00:02:46,265 HI, JENNIFER. >> HI, ELLEN. >> Ellen: YOU ARE FROM HAITI 83 00:02:46,267 --> 00:02:47,666 >> HI, ELLEN. >> Ellen: YOU ARE FROM HAITI BUT I UNDERSTAND THAT YOU'RE 84 00:02:47,668 --> 00:02:48,767 >> Ellen: YOU ARE FROM HAITI BUT I UNDERSTAND THAT YOU'RE STUDYING IN ITALY RIGHT NOW. 85 00:02:48,769 --> 00:02:51,236 BUT I UNDERSTAND THAT YOU'RE STUDYING IN ITALY RIGHT NOW. WHAT TIME IS IT THERE? 86 00:02:51,238 --> 00:02:53,205 STUDYING IN ITALY RIGHT NOW. WHAT TIME IS IT THERE? >> IT'S LIKE 2:00 A.M. 87 00:02:53,207 --> 00:02:55,107 WHAT TIME IS IT THERE? >> IT'S LIKE 2:00 A.M. >> Ellen: SO YOU ARE THE 88 00:02:55,109 --> 00:02:55,874 >> IT'S LIKE 2:00 A.M. >> Ellen: SO YOU ARE THE WINNER HERE. 89 00:02:55,876 --> 00:02:59,378 >> Ellen: SO YOU ARE THE WINNER HERE. ARE YOU NORMALLY UP UNTIL 2:00? 90 00:02:59,380 --> 00:03:00,946 WINNER HERE. ARE YOU NORMALLY UP UNTIL 2:00? >> NO. 91 00:03:00,948 --> 00:03:01,246 ARE YOU NORMALLY UP UNTIL 2:00? >> NO. NOT REALLY. 92 00:03:01,248 --> 00:03:01,713 >> NO. NOT REALLY. >> Ellen: WHAT ARE YOU 93 00:03:01,715 --> 00:03:04,116 NOT REALLY. >> Ellen: WHAT ARE YOU STUDYING? 94 00:03:04,118 --> 00:03:07,753 >> Ellen: WHAT ARE YOU STUDYING? >> LABORATORY. 95 00:03:07,755 --> 00:03:09,688 STUDYING? >> LABORATORY. >> Ellen: WONDERFUL. 96 00:03:09,690 --> 00:03:11,957 >> LABORATORY. >> Ellen: WONDERFUL. YOU ARE GOING TO BE COMPETING 97 00:03:11,959 --> 00:03:14,159 >> Ellen: WONDERFUL. YOU ARE GOING TO BE COMPETING AND SYNCHRONIZED SWIMMING. 98 00:03:14,161 --> 00:03:15,594 YOU ARE GOING TO BE COMPETING AND SYNCHRONIZED SWIMMING. BUT THAT IS TOO HARD VIRTUALLY. 99 00:03:15,596 --> 00:03:17,796 AND SYNCHRONIZED SWIMMING. BUT THAT IS TOO HARD VIRTUALLY. SO INSTEAD YOU WILL DO THE FLIP 100 00:03:17,798 --> 00:03:18,764 BUT THAT IS TOO HARD VIRTUALLY. SO INSTEAD YOU WILL DO THE FLIP CUP CHALLENGE. 101 00:03:18,766 --> 00:03:19,998 SO INSTEAD YOU WILL DO THE FLIP CUP CHALLENGE. HERE IS WHAT THAT WILL LOOK 102 00:03:20,000 --> 00:03:20,199 CUP CHALLENGE. HERE IS WHAT THAT WILL LOOK LIKE. 103 00:03:20,201 --> 00:03:21,733 HERE IS WHAT THAT WILL LOOK LIKE. YOU NEED TWO CUPS AND YOUR 104 00:03:21,735 --> 00:03:22,601 LIKE. YOU NEED TWO CUPS AND YOUR FAVORITE DRINK, ONE UPSIDE DOWN 105 00:03:22,603 --> 00:03:25,137 YOU NEED TWO CUPS AND YOUR FAVORITE DRINK, ONE UPSIDE DOWN ON TOP OF THE OTHER AND FLIP IT, 106 00:03:25,139 --> 00:03:29,107 FAVORITE DRINK, ONE UPSIDE DOWN ON TOP OF THE OTHER AND FLIP IT, CATCH IT LIKE THAT AND POUR IN 107 00:03:29,109 --> 00:03:29,808 ON TOP OF THE OTHER AND FLIP IT, CATCH IT LIKE THAT AND POUR IN FILLET ALL THE WAY UP AND THEN 108 00:03:29,810 --> 00:03:36,315 CATCH IT LIKE THAT AND POUR IN FILLET ALL THE WAY UP AND THEN YOU'RE GOING TO POUND IT 109 00:03:36,317 --> 00:03:36,949 FILLET ALL THE WAY UP AND THEN YOU'RE GOING TO POUND IT [LAUGHTER] 110 00:03:36,951 --> 00:03:39,284 YOU'RE GOING TO POUND IT [LAUGHTER] PUT IT ON TOP OF YOUR HEAD. 111 00:03:39,286 --> 00:03:45,190 [LAUGHTER] PUT IT ON TOP OF YOUR HEAD. YOU'VE GOT IT. 112 00:03:45,192 --> 00:03:47,059 PUT IT ON TOP OF YOUR HEAD. YOU'VE GOT IT. >> Ellen: YOU HAVE YOUR CUPS 113 00:03:47,061 --> 00:03:49,361 YOU'VE GOT IT. >> Ellen: YOU HAVE YOUR CUPS AND YOUR BEER, ONE OF YOU AS 114 00:03:49,363 --> 00:03:51,964 >> Ellen: YOU HAVE YOUR CUPS AND YOUR BEER, ONE OF YOU AS NONALCOHOLIC BEER. 115 00:03:51,966 --> 00:03:56,401 AND YOUR BEER, ONE OF YOU AS NONALCOHOLIC BEER. ALL RIGHT, ON YOUR MARKS, GET 116 00:03:56,403 --> 00:03:58,670 NONALCOHOLIC BEER. ALL RIGHT, ON YOUR MARKS, GET READY, NICE AND SLOW, SLOW AND 117 00:03:58,672 --> 00:04:02,407 ALL RIGHT, ON YOUR MARKS, GET READY, NICE AND SLOW, SLOW AND STEADY, AND GO. 118 00:04:02,409 --> 00:04:07,579 READY, NICE AND SLOW, SLOW AND STEADY, AND GO. ♪ ♪ 119 00:04:07,581 --> 00:04:07,879 STEADY, AND GO. ♪ ♪ KEEP GOING. 120 00:04:07,881 --> 00:04:15,354 ♪ ♪ KEEP GOING. KEEP GOING! 121 00:04:15,356 --> 00:04:17,422 KEEP GOING. KEEP GOING! YEAH! 122 00:04:17,424 --> 00:04:20,626 KEEP GOING! YEAH! IRELAND! 123 00:04:20,628 --> 00:04:23,962 YEAH! IRELAND! YEAH! 124 00:04:23,964 --> 00:04:25,130 IRELAND! YEAH! [APPLAUSE] 125 00:04:25,132 --> 00:04:25,564 YEAH! [APPLAUSE] ALL RIGHT! 126 00:04:25,566 --> 00:04:27,566 [APPLAUSE] ALL RIGHT! I THINK WE ALL COULD HAVE SAID 127 00:04:27,568 --> 00:04:29,501 ALL RIGHT! I THINK WE ALL COULD HAVE SAID IRELAND WAS GOING TO WIN. 128 00:04:29,503 --> 00:04:30,469 I THINK WE ALL COULD HAVE SAID IRELAND WAS GOING TO WIN. [LAUGHTER] 129 00:04:30,471 --> 00:04:32,237 IRELAND WAS GOING TO WIN. [LAUGHTER] WE ALL KNEW IRELAND WOULD WIN 130 00:04:32,239 --> 00:04:32,504 [LAUGHTER] WE ALL KNEW IRELAND WOULD WIN THAT ONE. 131 00:04:32,506 --> 00:04:37,876 WE ALL KNEW IRELAND WOULD WIN THAT ONE. LET'S PUT UP THE ELLEN'S 132 00:04:37,878 --> 00:04:40,979 THAT ONE. LET'S PUT UP THE ELLEN'S AUDIENCE OLYMPIC PODIUM FOR YOUR 133 00:04:40,981 --> 00:04:43,949 LET'S PUT UP THE ELLEN'S AUDIENCE OLYMPIC PODIUM FOR YOUR MEDALS. 134 00:04:43,951 --> 00:04:44,783 AUDIENCE OLYMPIC PODIUM FOR YOUR MEDALS. ALL RIGHT, CLAIRE CUMMINGS CAME 135 00:04:44,785 --> 00:04:46,418 MEDALS. ALL RIGHT, CLAIRE CUMMINGS CAME IN FIRST, YOU CAN SING THE FIRST 136 00:04:46,420 --> 00:04:50,956 ALL RIGHT, CLAIRE CUMMINGS CAME IN FIRST, YOU CAN SING THE FIRST TWO LINES OF YOUR COUNTRY'S 137 00:04:50,958 --> 00:04:51,323 IN FIRST, YOU CAN SING THE FIRST TWO LINES OF YOUR COUNTRY'S NATIONAL ANTHEM. 138 00:04:51,325 --> 00:04:55,360 TWO LINES OF YOUR COUNTRY'S NATIONAL ANTHEM. >> GREAT, THANK YOU. 139 00:04:55,362 --> 00:05:01,266 NATIONAL ANTHEM. >> GREAT, THANK YOU. [SINGING THE NATIONAL ANTHEM] 140 00:05:01,268 --> 00:05:05,537 >> GREAT, THANK YOU. [SINGING THE NATIONAL ANTHEM] >> Ellen: OH! 141 00:05:05,539 --> 00:05:06,538 [SINGING THE NATIONAL ANTHEM] >> Ellen: OH! CONGRATULATIONS FOR ALL THE 142 00:05:06,540 --> 00:05:07,939 >> Ellen: OH! CONGRATULATIONS FOR ALL THE OLYMPIANS, NOW GIVE IT UP FOR A 143 00:05:07,941 --> 00:05:11,243 CONGRATULATIONS FOR ALL THE OLYMPIANS, NOW GIVE IT UP FOR A GUY WHO ALWAYS WINS MY HEART! 144 00:05:11,245 --> 00:05:11,610 OLYMPIANS, NOW GIVE IT UP FOR A GUY WHO ALWAYS WINS MY HEART! THIS IS TWITCH! 145 00:05:11,612 --> 00:05:12,077 GUY WHO ALWAYS WINS MY HEART! THIS IS TWITCH! [CHEERS AND APPLAUSE] 146 00:05:12,079 --> 00:05:16,782 THIS IS TWITCH! [CHEERS AND APPLAUSE] ♪ ♪ 147 00:05:19,118 --> 00:05:32,097 ♪ ♪ 148 00:05:34,033 --> 00:05:47,045 ♪ ♪ 149 00:05:49,282 --> 00:05:55,420 ♪ ♪ [CHEERS AND APPLAUSE] >> Ellen: YES! 150 00:05:55,422 --> 00:05:55,620 [CHEERS AND APPLAUSE] >> Ellen: YES! SORRY! 151 00:05:55,622 --> 00:05:59,358 >> Ellen: YES! SORRY! I SAT DOWN BEFORE HE GOT BACK. 152 00:05:59,360 --> 00:06:00,425 SORRY! I SAT DOWN BEFORE HE GOT BACK. >> THAT'S ALL RIGHT >> Ellen: 153 00:06:00,427 --> 00:06:01,426 I SAT DOWN BEFORE HE GOT BACK. >> THAT'S ALL RIGHT >> Ellen: I DID NOT MEAN TO. 154 00:06:01,428 --> 00:06:03,562 >> THAT'S ALL RIGHT >> Ellen: I DID NOT MEAN TO. HOW WAS YOUR WEEKEND? 155 00:06:03,564 --> 00:06:06,932 I DID NOT MEAN TO. HOW WAS YOUR WEEKEND? >> A LOT OF THINGS. 156 00:06:06,934 --> 00:06:07,766 HOW WAS YOUR WEEKEND? >> A LOT OF THINGS. YEAH. 157 00:06:07,768 --> 00:06:08,200 >> A LOT OF THINGS. YEAH. IT WAS JUST LIKE -- 158 00:06:08,202 --> 00:06:12,304 YEAH. IT WAS JUST LIKE -- >> Ellen: FLIES BY. 159 00:06:12,306 --> 00:06:13,071 IT WAS JUST LIKE -- >> Ellen: FLIES BY. ANDY, HOW WAS YOUR WEEKEND? 160 00:06:13,073 --> 00:06:15,974 >> Ellen: FLIES BY. ANDY, HOW WAS YOUR WEEKEND? >> I HAD A NICE WEEKEND, IT WAS 161 00:06:15,976 --> 00:06:16,808 ANDY, HOW WAS YOUR WEEKEND? >> I HAD A NICE WEEKEND, IT WAS RELAXING AND I'M GLAD TO BE 162 00:06:16,810 --> 00:06:17,008 >> I HAD A NICE WEEKEND, IT WAS RELAXING AND I'M GLAD TO BE BACK. 163 00:06:17,010 --> 00:06:18,744 RELAXING AND I'M GLAD TO BE BACK. >> Ellen: DID YOU PLAY WITH 164 00:06:18,746 --> 00:06:19,177 BACK. >> Ellen: DID YOU PLAY WITH YOUR LITTLE FRIEND? 165 00:06:19,179 --> 00:06:22,781 >> Ellen: DID YOU PLAY WITH YOUR LITTLE FRIEND? YOU KNOW WHAT I MEAN. 166 00:06:22,783 --> 00:06:23,281 YOUR LITTLE FRIEND? YOU KNOW WHAT I MEAN. YOUR STRETCH ARMSTRONG? 167 00:06:23,283 --> 00:06:27,152 YOU KNOW WHAT I MEAN. YOUR STRETCH ARMSTRONG? >> YOU KNOW, I LEAVE HIM HERE. 168 00:06:27,154 --> 00:06:28,019 YOUR STRETCH ARMSTRONG? >> YOU KNOW, I LEAVE HIM HERE. >> Ellen: YOU DON'T BRING THEM 169 00:06:28,021 --> 00:06:29,354 >> YOU KNOW, I LEAVE HIM HERE. >> Ellen: YOU DON'T BRING THEM HOME? 170 00:06:29,356 --> 00:06:30,589 >> Ellen: YOU DON'T BRING THEM HOME? >> NO, MY WIFE DOESN'T LIKE IT. 171 00:06:30,591 --> 00:06:31,890 HOME? >> NO, MY WIFE DOESN'T LIKE IT. [LAUGHTER] 172 00:06:31,892 --> 00:06:33,425 >> NO, MY WIFE DOESN'T LIKE IT. [LAUGHTER] >> Ellen: YOU MUST BE JOAN 173 00:06:33,427 --> 00:06:34,726 [LAUGHTER] >> Ellen: YOU MUST BE JOAN THING WHEN YOU ARE NOT WITH HIM. 174 00:06:34,728 --> 00:06:35,694 >> Ellen: YOU MUST BE JOAN THING WHEN YOU ARE NOT WITH HIM. >> I DO. 175 00:06:35,696 --> 00:06:39,564 THING WHEN YOU ARE NOT WITH HIM. >> I DO. I TEXTED YOU THAT I THINK ABOUT 176 00:06:39,566 --> 00:06:39,765 >> I DO. I TEXTED YOU THAT I THINK ABOUT HIM -- 177 00:06:39,767 --> 00:06:41,032 I TEXTED YOU THAT I THINK ABOUT HIM -- I WONDER WHAT HE IS DOING IN THE 178 00:06:41,034 --> 00:06:43,969 HIM -- I WONDER WHAT HE IS DOING IN THE STUDIO ALL ALONE. 179 00:06:43,971 --> 00:06:45,203 I WONDER WHAT HE IS DOING IN THE STUDIO ALL ALONE. >> Ellen: MAYBE WE CAN PUT A 180 00:06:45,205 --> 00:06:47,572 STUDIO ALL ALONE. >> Ellen: MAYBE WE CAN PUT A STRETCH ARMSTRONG CAMERA 181 00:06:47,574 --> 00:06:47,839 >> Ellen: MAYBE WE CAN PUT A STRETCH ARMSTRONG CAMERA WATCHING. 182 00:06:47,841 --> 00:06:49,307 STRETCH ARMSTRONG CAMERA WATCHING. WE CAN DO IT LIKE THE PEOPLE 183 00:06:49,309 --> 00:06:50,542 WATCHING. WE CAN DO IT LIKE THE PEOPLE THAT WATCH THE EAGLES NEST. 184 00:06:50,544 --> 00:06:51,143 WE CAN DO IT LIKE THE PEOPLE THAT WATCH THE EAGLES NEST. A LOT OF PEOPLE WOULD WANT TO 185 00:06:51,145 --> 00:06:54,913 THAT WATCH THE EAGLES NEST. A LOT OF PEOPLE WOULD WANT TO WATCH THAT. 186 00:06:54,915 --> 00:06:57,749 A LOT OF PEOPLE WOULD WANT TO WATCH THAT. >> YOU WILL GET TWO OR THREE 187 00:06:57,751 --> 00:06:58,183 WATCH THAT. >> YOU WILL GET TWO OR THREE VIEWERS FOR SURE. 188 00:06:58,185 --> 00:07:00,385 >> YOU WILL GET TWO OR THREE VIEWERS FOR SURE. >> Ellen: EVERY TIME I COME 189 00:07:00,387 --> 00:07:01,319 VIEWERS FOR SURE. >> Ellen: EVERY TIME I COME OUT HERE SWINGING THAT THING 190 00:07:01,321 --> 00:07:01,953 >> Ellen: EVERY TIME I COME OUT HERE SWINGING THAT THING AROUND. 191 00:07:01,955 --> 00:07:03,855 OUT HERE SWINGING THAT THING AROUND. AND A COUPLE OF TIMES IT SLIPPED 192 00:07:03,857 --> 00:07:05,323 AROUND. AND A COUPLE OF TIMES IT SLIPPED OUT OF HIS HANDS AND MADE A REAL 193 00:07:05,325 --> 00:07:05,690 AND A COUPLE OF TIMES IT SLIPPED OUT OF HIS HANDS AND MADE A REAL MESS OF THINGS. 194 00:07:05,692 --> 00:07:07,726 OUT OF HIS HANDS AND MADE A REAL MESS OF THINGS. LOOK WHAT YOU HAVE DONE, ANDY. 195 00:07:07,728 --> 00:07:08,894 MESS OF THINGS. LOOK WHAT YOU HAVE DONE, ANDY. I FEEL THE LOVE IN THIS ROOM. 196 00:07:08,896 --> 00:07:09,628 LOOK WHAT YOU HAVE DONE, ANDY. I FEEL THE LOVE IN THIS ROOM. I SEND IT BACK TO YOU. 197 00:07:09,630 --> 00:07:11,563 I FEEL THE LOVE IN THIS ROOM. I SEND IT BACK TO YOU. TO SPREAD IT AROUND IN THE WORLD 198 00:07:11,565 --> 00:07:12,664 I SEND IT BACK TO YOU. TO SPREAD IT AROUND IN THE WORLD OUT THERE, EVERYBODY! 199 00:07:12,666 --> 00:07:18,570 TO SPREAD IT AROUND IN THE WORLD OUT THERE, EVERYBODY! ♪ ♪ 200 00:07:18,572 --> 00:07:19,938 OUT THERE, EVERYBODY! ♪ ♪ [LAUGHTER] 201 00:07:21,607 --> 00:07:36,087 ♪ ♪ [LAUGHTER] YOU HAVE TO BE CAREFUL WITH THAT 202 00:07:36,089 --> 00:07:36,588 [LAUGHTER] YOU HAVE TO BE CAREFUL WITH THAT THING. 203 00:07:36,590 --> 00:07:38,990 YOU HAVE TO BE CAREFUL WITH THAT THING. >> YES, I SEE THAT ALL THE TIME. 204 00:07:38,992 --> 00:07:40,158 THING. >> YES, I SEE THAT ALL THE TIME. >> Ellen: WE DON'T SELL 205 00:07:40,160 --> 00:07:41,159 >> YES, I SEE THAT ALL THE TIME. >> Ellen: WE DON'T SELL ARMSTRONG IN THE "ELLEN" SHOP, 206 00:07:41,161 --> 00:07:42,694 >> Ellen: WE DON'T SELL ARMSTRONG IN THE "ELLEN" SHOP, BUT WE DO HAVE SOME ITEMS THAT 207 00:07:42,696 --> 00:07:43,862 ARMSTRONG IN THE "ELLEN" SHOP, BUT WE DO HAVE SOME ITEMS THAT ARE GREAT FOR SUMMER AND HAVE 208 00:07:43,864 --> 00:07:44,696 BUT WE DO HAVE SOME ITEMS THAT ARE GREAT FOR SUMMER AND HAVE THEIR OWN VIBE. 209 00:07:44,698 --> 00:07:47,065 ARE GREAT FOR SUMMER AND HAVE THEIR OWN VIBE. LOOK AT THIS ONE. 210 00:07:47,067 --> 00:07:50,001 THEIR OWN VIBE. LOOK AT THIS ONE. THIS IS A REALLY TOTALLY GROOVY 211 00:07:50,003 --> 00:07:50,902 LOOK AT THIS ONE. THIS IS A REALLY TOTALLY GROOVY "ELLEN" T-SHIRT. 212 00:07:50,904 --> 00:07:51,937 THIS IS A REALLY TOTALLY GROOVY "ELLEN" T-SHIRT. IF THAT IS NOT GROOVY, I DO KNOW 213 00:07:51,939 --> 00:07:53,738 "ELLEN" T-SHIRT. IF THAT IS NOT GROOVY, I DO KNOW IT IS. 214 00:07:53,740 --> 00:07:54,005 IF THAT IS NOT GROOVY, I DO KNOW IT IS. [LAUGHTER] 215 00:07:54,007 --> 00:07:58,677 IT IS. [LAUGHTER] AND SOME SUPER CHILL HOODIE. 216 00:07:58,679 --> 00:07:59,611 [LAUGHTER] AND SOME SUPER CHILL HOODIE. HERE'S THE FUN PART JUST TO 217 00:07:59,613 --> 00:08:01,746 AND SOME SUPER CHILL HOODIE. HERE'S THE FUN PART JUST TO PROVE IT IS A HOODIE THERE IT 218 00:08:01,748 --> 00:08:02,013 HERE'S THE FUN PART JUST TO PROVE IT IS A HOODIE THERE IT IS. 219 00:08:02,015 --> 00:08:04,716 PROVE IT IS A HOODIE THERE IT IS. SUPER, SUPER CHILL. 220 00:08:04,718 --> 00:08:06,251 IS. SUPER, SUPER CHILL. AND THERE IS A -- OH, MAN. 221 00:08:06,253 --> 00:08:12,691 SUPER, SUPER CHILL. AND THERE IS A -- OH, MAN. THERE IS A DOPE ASS MUG RIGHT 222 00:08:12,693 --> 00:08:12,891 AND THERE IS A -- OH, MAN. THERE IS A DOPE ASS MUG RIGHT HERE. 223 00:08:12,893 --> 00:08:15,961 THERE IS A DOPE ASS MUG RIGHT HERE. YOU CAN GO RIGHT HANDED OR LEFT 224 00:08:15,963 --> 00:08:17,295 HERE. YOU CAN GO RIGHT HANDED OR LEFT HANDED, WHATEVER YOU WANT. 225 00:08:17,297 --> 00:08:17,896 YOU CAN GO RIGHT HANDED OR LEFT HANDED, WHATEVER YOU WANT. [LAUGHTER] 226 00:08:17,898 --> 00:08:18,497 HANDED, WHATEVER YOU WANT. [LAUGHTER] YEAH. 227 00:08:18,499 --> 00:08:21,366 [LAUGHTER] YEAH. YOU DON'T EVEN HAVE TO USE THAT. 228 00:08:21,368 --> 00:08:22,067 YEAH. YOU DON'T EVEN HAVE TO USE THAT. YOU CAN JUST USE THIS. 229 00:08:22,069 --> 00:08:22,334 YOU DON'T EVEN HAVE TO USE THAT. YOU CAN JUST USE THIS. [LAUGHTER] 230 00:08:22,336 --> 00:08:24,002 YOU CAN JUST USE THIS. [LAUGHTER] YOU CAN PUT YOUR HAND THROUGH 231 00:08:24,004 --> 00:08:24,169 [LAUGHTER] YOU CAN PUT YOUR HAND THROUGH IT. 232 00:08:24,171 --> 00:08:27,472 YOU CAN PUT YOUR HAND THROUGH IT. YOU CAN USE THAT AS A PURSE. 233 00:08:27,474 --> 00:08:28,139 IT. YOU CAN USE THAT AS A PURSE. YOU KNOW! 234 00:08:28,141 --> 00:08:30,442 YOU CAN USE THAT AS A PURSE. YOU KNOW! YOU CAN FIND THESE ITEMS AT THE 235 00:08:30,444 --> 00:08:31,309 YOU KNOW! YOU CAN FIND THESE ITEMS AT THE "ELLEN" SHOP ONLINE. 236 00:08:31,311 --> 00:08:33,879 YOU CAN FIND THESE ITEMS AT THE "ELLEN" SHOP ONLINE. AND YOU WON'T FIND SOME THINGS 237 00:08:33,881 --> 00:08:35,814 "ELLEN" SHOP ONLINE. AND YOU WON'T FIND SOME THINGS AT THE "ELLEN" SHOP, BECAUSE YOU 238 00:08:35,816 --> 00:08:36,781 AND YOU WON'T FIND SOME THINGS AT THE "ELLEN" SHOP, BECAUSE YOU KNOW, WE TRY A LOT OF DIFFERENT 239 00:08:36,783 --> 00:08:37,015 AT THE "ELLEN" SHOP, BECAUSE YOU KNOW, WE TRY A LOT OF DIFFERENT THINGS. 240 00:08:37,017 --> 00:08:39,518 KNOW, WE TRY A LOT OF DIFFERENT THINGS. AND THESE ARE REJECTED ITEMS 241 00:08:39,520 --> 00:08:43,121 THINGS. AND THESE ARE REJECTED ITEMS MAYBE YOU WILL SEE WHY. 242 00:08:43,123 --> 00:08:45,323 AND THESE ARE REJECTED ITEMS MAYBE YOU WILL SEE WHY. SO THIS IS "ELLEN" UNDERWEAR 243 00:08:45,325 --> 00:08:47,092 MAYBE YOU WILL SEE WHY. SO THIS IS "ELLEN" UNDERWEAR THAT I HAD EXTRA HOODIE STRINGS 244 00:08:47,094 --> 00:08:51,029 SO THIS IS "ELLEN" UNDERWEAR THAT I HAD EXTRA HOODIE STRINGS AND I THOUGHT I WOULD MAKE IT 245 00:08:51,031 --> 00:08:51,563 THAT I HAD EXTRA HOODIE STRINGS AND I THOUGHT I WOULD MAKE IT SEXY AS AN UNDERWEAR BACK. 246 00:08:51,565 --> 00:08:54,299 AND I THOUGHT I WOULD MAKE IT SEXY AS AN UNDERWEAR BACK. BUT YOU KNOW -- I DON'T KNOW. 247 00:08:54,301 --> 00:08:54,933 SEXY AS AN UNDERWEAR BACK. BUT YOU KNOW -- I DON'T KNOW. I LIKED IT. 248 00:08:54,935 --> 00:08:58,136 BUT YOU KNOW -- I DON'T KNOW. I LIKED IT. THEY DID NOT WORK. 249 00:08:58,138 --> 00:08:59,571 I LIKED IT. THEY DID NOT WORK. AND COMBINING TWO UPPER 250 00:08:59,573 --> 00:09:00,272 THEY DID NOT WORK. AND COMBINING TWO UPPER BEST-SELLING ITEMS. 251 00:09:00,274 --> 00:09:02,440 AND COMBINING TWO UPPER BEST-SELLING ITEMS. THE "ELLEN" UNDERWEAR AND A 252 00:09:02,442 --> 00:09:02,674 BEST-SELLING ITEMS. THE "ELLEN" UNDERWEAR AND A HOODIE. 253 00:09:02,676 --> 00:09:02,941 THE "ELLEN" UNDERWEAR AND A HOODIE. [LAUGHTER] 254 00:09:02,943 --> 00:09:06,678 HOODIE. [LAUGHTER] SO THERE IS -- 255 00:09:06,680 --> 00:09:08,179 [LAUGHTER] SO THERE IS -- IT'S THE ELLEN UNDERWEAR AND 256 00:09:08,181 --> 00:09:10,415 SO THERE IS -- IT'S THE ELLEN UNDERWEAR AND THEN A HOODIE AS WELL. 257 00:09:10,417 --> 00:09:10,682 IT'S THE ELLEN UNDERWEAR AND THEN A HOODIE AS WELL. [LAUGHTER] 258 00:09:10,684 --> 00:09:18,189 THEN A HOODIE AS WELL. [LAUGHTER] I WAS GOING TO CALL THEM 259 00:09:18,191 --> 00:09:20,725 [LAUGHTER] I WAS GOING TO CALL THEM HUNDERWEAR OR HOODERIES. 260 00:09:20,727 --> 00:09:22,594 I WAS GOING TO CALL THEM HUNDERWEAR OR HOODERIES. BUT IT DOES NOT MATTER. 261 00:09:22,596 --> 00:09:23,828 HUNDERWEAR OR HOODERIES. BUT IT DOES NOT MATTER. AND EVERYBODY LOVED MY COMFY. 262 00:09:23,830 --> 00:09:27,165 BUT IT DOES NOT MATTER. AND EVERYBODY LOVED MY COMFY. IT IS HUGE AND OVERSIZED, AND IT 263 00:09:27,167 --> 00:09:28,066 AND EVERYBODY LOVED MY COMFY. IT IS HUGE AND OVERSIZED, AND IT SOLD OUT IMMEDIATELY. 264 00:09:28,068 --> 00:09:30,735 IT IS HUGE AND OVERSIZED, AND IT SOLD OUT IMMEDIATELY. PEOPLE LOVE THIS THING, BECAUSE 265 00:09:30,737 --> 00:09:34,573 SOLD OUT IMMEDIATELY. PEOPLE LOVE THIS THING, BECAUSE IT IS SO LARGE, I MEAN, REALLY. 266 00:09:34,575 --> 00:09:35,407 PEOPLE LOVE THIS THING, BECAUSE IT IS SO LARGE, I MEAN, REALLY. THEY SOLD OUT IMMEDIATELY. 267 00:09:35,409 --> 00:09:38,243 IT IS SO LARGE, I MEAN, REALLY. THEY SOLD OUT IMMEDIATELY. SO I THOUGHT, WHY NOT HAVE 268 00:09:38,245 --> 00:09:40,245 THEY SOLD OUT IMMEDIATELY. SO I THOUGHT, WHY NOT HAVE MATCHING PANTS. 269 00:09:40,247 --> 00:09:41,546 SO I THOUGHT, WHY NOT HAVE MATCHING PANTS. I LEFT YOU A PAIR OVER THERE. 270 00:09:41,548 --> 00:09:43,515 MATCHING PANTS. I LEFT YOU A PAIR OVER THERE. DO YOU WANT TO PUT THEM ON? 271 00:09:43,517 --> 00:09:46,318 I LEFT YOU A PAIR OVER THERE. DO YOU WANT TO PUT THEM ON? >> I HAVE THEM OVER HERE. 272 00:09:46,320 --> 00:09:48,486 DO YOU WANT TO PUT THEM ON? >> I HAVE THEM OVER HERE. >> Ellen: YOU CAN DANCE THEM 273 00:09:48,488 --> 00:09:50,388 >> I HAVE THEM OVER HERE. >> Ellen: YOU CAN DANCE THEM TO BREAK AND I WILL TRY THE 274 00:09:50,390 --> 00:09:54,259 >> Ellen: YOU CAN DANCE THEM TO BREAK AND I WILL TRY THE UNDERWEAR WITH THE HOODIE OUT. 275 00:09:54,261 --> 00:09:54,626 TO BREAK AND I WILL TRY THE UNDERWEAR WITH THE HOODIE OUT. YOU PUT YOUR -- 276 00:09:54,628 --> 00:09:57,462 UNDERWEAR WITH THE HOODIE OUT. YOU PUT YOUR -- >> WRONG PANTS LEG. 277 00:09:57,464 --> 00:09:58,897 YOU PUT YOUR -- >> WRONG PANTS LEG. >> Ellen: NOW THAT WE SHOW 278 00:09:58,899 --> 00:10:01,266 >> WRONG PANTS LEG. >> Ellen: NOW THAT WE SHOW THEM HOW, PEOPLE MIGHT BUY 279 00:10:01,268 --> 00:10:01,466 >> Ellen: NOW THAT WE SHOW THEM HOW, PEOPLE MIGHT BUY THESE. 280 00:10:01,468 --> 00:10:01,733 THEM HOW, PEOPLE MIGHT BUY THESE. [LAUGHTER] 281 00:10:01,735 --> 00:10:03,802 THESE. [LAUGHTER] I JUST THINK THEY DID NOT 282 00:10:03,804 --> 00:10:07,205 [LAUGHTER] I JUST THINK THEY DID NOT UNDERSTAND. 283 00:10:07,207 --> 00:10:09,708 I JUST THINK THEY DID NOT UNDERSTAND. >> REALLY, YOU GOT TO -- 284 00:10:09,710 --> 00:10:10,642 UNDERSTAND. >> REALLY, YOU GOT TO -- [LAUGHTER] 285 00:10:10,644 --> 00:10:11,076 >> REALLY, YOU GOT TO -- [LAUGHTER] >> Ellen: YOU SEE? 286 00:10:11,078 --> 00:10:15,080 [LAUGHTER] >> Ellen: YOU SEE? I MEAN, NOW, DO YOU UNDERSTAND? 287 00:10:15,082 --> 00:10:16,915 >> Ellen: YOU SEE? I MEAN, NOW, DO YOU UNDERSTAND? >> I SEE WHAT YOU'RE DOING. 288 00:10:16,917 --> 00:10:17,882 I MEAN, NOW, DO YOU UNDERSTAND? >> I SEE WHAT YOU'RE DOING. >> Ellen: PEOPLE DID NOT 289 00:10:17,884 --> 00:10:18,550 >> I SEE WHAT YOU'RE DOING. >> Ellen: PEOPLE DID NOT UNDERSTAND, AND LOOK AT THAT, 290 00:10:18,552 --> 00:10:19,918 >> Ellen: PEOPLE DID NOT UNDERSTAND, AND LOOK AT THAT, THE WAY THAT YOU ARE WEARING IT 291 00:10:19,920 --> 00:10:23,722 UNDERSTAND, AND LOOK AT THAT, THE WAY THAT YOU ARE WEARING IT LIKE THAT? 292 00:10:23,724 --> 00:10:25,490 THE WAY THAT YOU ARE WEARING IT LIKE THAT? DO YOU WANT TO DANCE US TO 293 00:10:25,492 --> 00:10:26,925 LIKE THAT? DO YOU WANT TO DANCE US TO BREAK? 294 00:10:26,927 --> 00:10:27,292 DO YOU WANT TO DANCE US TO BREAK? >> YEAH, ELLEN! 295 00:10:27,294 --> 00:10:27,759 BREAK? >> YEAH, ELLEN! [CHEERS AND APPLAUSE] 296 00:10:27,761 --> 00:10:37,268 >> YEAH, ELLEN! [CHEERS AND APPLAUSE] ♪ ♪ 297 00:10:39,705 --> 00:10:49,080 [CHEERS AND APPLAUSE] ♪ ♪ >> SOME DAYS I WAKE UP AND I 298 00:10:49,082 --> 00:10:50,548 ♪ ♪ >> SOME DAYS I WAKE UP AND I FEEL LIKE I AM 80, AND THEN 299 00:10:50,550 --> 00:10:52,484 >> SOME DAYS I WAKE UP AND I FEEL LIKE I AM 80, AND THEN OTHER DAYS I FEEL LIKE I'M 15. 300 00:10:52,486 --> 00:10:54,586 FEEL LIKE I AM 80, AND THEN OTHER DAYS I FEEL LIKE I'M 15. MY WORK ETHIC AND MY DRIVE 301 00:10:54,588 --> 00:10:55,620 OTHER DAYS I FEEL LIKE I'M 15. MY WORK ETHIC AND MY DRIVE INSPIRES ME TO GET UP AND TRY TO 302 00:10:55,622 --> 00:10:58,723 MY WORK ETHIC AND MY DRIVE INSPIRES ME TO GET UP AND TRY TO BE A BETTER PERSON EVERY DAY. 303 00:10:58,725 --> 00:10:59,924 INSPIRES ME TO GET UP AND TRY TO BE A BETTER PERSON EVERY DAY. >> I FEEL LIKE SOME OF THEM ARE 304 00:10:59,926 --> 00:11:02,127 BE A BETTER PERSON EVERY DAY. >> I FEEL LIKE SOME OF THEM ARE HARD, YOU KNOW, THAT'S WHY AM SO 305 00:11:02,129 --> 00:11:03,528 >> I FEEL LIKE SOME OF THEM ARE HARD, YOU KNOW, THAT'S WHY AM SO GRATEFUL AND OVER THE TOP WHEN 306 00:11:03,530 --> 00:11:04,129 HARD, YOU KNOW, THAT'S WHY AM SO GRATEFUL AND OVER THE TOP WHEN THEY HAPPEN, BUT I DON'T THINK 307 00:11:04,131 --> 00:11:07,098 GRATEFUL AND OVER THE TOP WHEN THEY HAPPEN, BUT I DON'T THINK THAT I 308 00:11:13,072 --> 00:11:21,146 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: OUR FIRST GUEST IS 309 00:11:21,148 --> 00:11:21,713 ♪ ♪ >> Ellen: OUR FIRST GUEST IS ONE OF THE BUSIEST GUYS IN 310 00:11:21,715 --> 00:11:23,882 >> Ellen: OUR FIRST GUEST IS ONE OF THE BUSIEST GUYS IN HOLLYWOOD AND ALSO ONE OF THE 311 00:11:23,884 --> 00:11:25,717 ONE OF THE BUSIEST GUYS IN HOLLYWOOD AND ALSO ONE OF THE COOLEST. 312 00:11:25,719 --> 00:11:26,251 HOLLYWOOD AND ALSO ONE OF THE COOLEST. PLEASE WELCOME MY FRIEND 313 00:11:26,253 --> 00:11:26,584 COOLEST. PLEASE WELCOME MY FRIEND MARK WAHLBERG! 314 00:11:26,586 --> 00:11:27,052 PLEASE WELCOME MY FRIEND MARK WAHLBERG! [CHEERS AND APPLAUSE] 315 00:11:27,054 --> 00:11:30,855 MARK WAHLBERG! [CHEERS AND APPLAUSE] ♪ ♪ 316 00:11:30,857 --> 00:11:35,126 [CHEERS AND APPLAUSE] ♪ ♪ >> IT IS SO WE ARE NOT BEING. 317 00:11:35,128 --> 00:11:36,761 ♪ ♪ >> IT IS SO WE ARE NOT BEING. >> Ellen: I AM HUGGING YOU, 318 00:11:36,763 --> 00:11:38,596 >> IT IS SO WE ARE NOT BEING. >> Ellen: I AM HUGGING YOU, AND NO, I AM SAD THAT YOU'RE NOT 319 00:11:38,598 --> 00:11:39,931 >> Ellen: I AM HUGGING YOU, AND NO, I AM SAD THAT YOU'RE NOT HERE TOO. 320 00:11:39,933 --> 00:11:40,965 AND NO, I AM SAD THAT YOU'RE NOT HERE TOO. I AM WEARING YOUR SHIRT! 321 00:11:40,967 --> 00:11:43,568 HERE TOO. I AM WEARING YOUR SHIRT! >> I LIKE YOUR SWEATSHIRT A LOT! 322 00:11:43,570 --> 00:11:44,969 I AM WEARING YOUR SHIRT! >> I LIKE YOUR SWEATSHIRT A LOT! >> Ellen: THIS IS YOUR NEW 323 00:11:44,971 --> 00:11:45,670 >> I LIKE YOUR SWEATSHIRT A LOT! >> Ellen: THIS IS YOUR NEW CLOTHING LINE. 324 00:11:45,672 --> 00:11:47,105 >> Ellen: THIS IS YOUR NEW CLOTHING LINE. I LIKE IT A LOT. 325 00:11:47,107 --> 00:11:48,306 CLOTHING LINE. I LIKE IT A LOT. IT'S SUPER SOFT. 326 00:11:48,308 --> 00:11:51,810 I LIKE IT A LOT. IT'S SUPER SOFT. THE LAST TIME I SAW YOU, YOU ARE 327 00:11:51,812 --> 00:11:52,310 IT'S SUPER SOFT. THE LAST TIME I SAW YOU, YOU ARE SHIRTLESS AND IN APRON. 328 00:11:52,312 --> 00:11:52,577 THE LAST TIME I SAW YOU, YOU ARE SHIRTLESS AND IN APRON. [LAUGHTER] 329 00:11:52,579 --> 00:11:56,748 SHIRTLESS AND IN APRON. [LAUGHTER] AND EVERYONE ENJOYED IT IS QUITE 330 00:11:56,750 --> 00:12:00,151 [LAUGHTER] AND EVERYONE ENJOYED IT IS QUITE SOMETHING TO SEE YOU SHIRTLESS 331 00:12:00,153 --> 00:12:00,885 AND EVERYONE ENJOYED IT IS QUITE SOMETHING TO SEE YOU SHIRTLESS IN APRON. 332 00:12:00,887 --> 00:12:01,686 SOMETHING TO SEE YOU SHIRTLESS IN APRON. >> I KNOW WE DID NOT DISCUSS 333 00:12:01,688 --> 00:12:03,655 IN APRON. >> I KNOW WE DID NOT DISCUSS THAT PART OF IT, BUT I THOUGHT I 334 00:12:03,657 --> 00:12:06,291 >> I KNOW WE DID NOT DISCUSS THAT PART OF IT, BUT I THOUGHT I WAS GOING TO TRY TO GET MYSELF 335 00:12:06,293 --> 00:12:07,559 THAT PART OF IT, BUT I THOUGHT I WAS GOING TO TRY TO GET MYSELF TO MELISSA'S HOUSE, I BETTER 336 00:12:07,561 --> 00:12:10,528 WAS GOING TO TRY TO GET MYSELF TO MELISSA'S HOUSE, I BETTER SHOW WHAT I DO. 337 00:12:10,530 --> 00:12:11,896 TO MELISSA'S HOUSE, I BETTER SHOW WHAT I DO. >> Ellen: WE ALL ENJOYED IT. 338 00:12:11,898 --> 00:12:13,698 SHOW WHAT I DO. >> Ellen: WE ALL ENJOYED IT. YOU AND ANDY AND WE WILL TALK 339 00:12:13,700 --> 00:12:15,166 >> Ellen: WE ALL ENJOYED IT. YOU AND ANDY AND WE WILL TALK ABOUT YOUR DOCUMENTARY WHICH I 340 00:12:15,168 --> 00:12:16,267 YOU AND ANDY AND WE WILL TALK ABOUT YOUR DOCUMENTARY WHICH I LOVED. 341 00:12:16,269 --> 00:12:17,669 ABOUT YOUR DOCUMENTARY WHICH I LOVED. THERE ARE JUST THREE? 342 00:12:17,671 --> 00:12:18,970 LOVED. THERE ARE JUST THREE? I WATCHED THREE LAST NIGHT. 343 00:12:18,972 --> 00:12:21,306 THERE ARE JUST THREE? I WATCHED THREE LAST NIGHT. >> THERE ARE SIX EPISODES IN THE 344 00:12:21,308 --> 00:12:22,040 I WATCHED THREE LAST NIGHT. >> THERE ARE SIX EPISODES IN THE FIRST SEASON. 345 00:12:22,042 --> 00:12:24,142 >> THERE ARE SIX EPISODES IN THE FIRST SEASON. >> AND I WATCHED THREE COMING IN 346 00:12:24,144 --> 00:12:25,176 FIRST SEASON. >> AND I WATCHED THREE COMING IN TO TALK ABOUT 45 WHICH I AM 347 00:12:25,178 --> 00:12:27,445 >> AND I WATCHED THREE COMING IN TO TALK ABOUT 45 WHICH I AM REALLY TO. 348 00:12:27,447 --> 00:12:29,247 TO TALK ABOUT 45 WHICH I AM REALLY TO. YOU AND ANDY WORKED OUT TOGETHER 349 00:12:29,249 --> 00:12:30,715 REALLY TO. YOU AND ANDY WORKED OUT TOGETHER AT F45. 350 00:12:30,717 --> 00:12:32,717 YOU AND ANDY WORKED OUT TOGETHER AT F45. HOW DID HE DO? 351 00:12:32,719 --> 00:12:33,418 AT F45. HOW DID HE DO? AND BE HONEST. 352 00:12:33,420 --> 00:12:33,685 HOW DID HE DO? AND BE HONEST. [LAUGHTER] 353 00:12:33,687 --> 00:12:39,324 AND BE HONEST. [LAUGHTER] >> TO BE HONEST HE DID WELL FOR 354 00:12:39,326 --> 00:12:41,292 [LAUGHTER] >> TO BE HONEST HE DID WELL FOR ANDY, BUT HE WAS VERY SICK AFTER 355 00:12:41,294 --> 00:12:43,495 >> TO BE HONEST HE DID WELL FOR ANDY, BUT HE WAS VERY SICK AFTER A PERIOD THERE WAS OF 356 00:12:43,497 --> 00:12:44,462 ANDY, BUT HE WAS VERY SICK AFTER A PERIOD THERE WAS OF COMPLAINING. 357 00:12:44,464 --> 00:12:46,264 A PERIOD THERE WAS OF COMPLAINING. HE COMPLAINS LIKE MY GRANDMA 358 00:12:46,266 --> 00:12:48,700 COMPLAINING. HE COMPLAINS LIKE MY GRANDMA USED TO COMPLAIN, QUITE A BIT OF 359 00:12:48,702 --> 00:12:50,468 HE COMPLAINS LIKE MY GRANDMA USED TO COMPLAIN, QUITE A BIT OF COMPLAINING. 360 00:12:50,470 --> 00:12:51,536 USED TO COMPLAIN, QUITE A BIT OF COMPLAINING. BUT YOU KNOW IT, HE REALLY DID 361 00:12:51,538 --> 00:12:54,305 COMPLAINING. BUT YOU KNOW IT, HE REALLY DID GIVE HIS BEST EFFORT. 362 00:12:54,307 --> 00:12:55,874 BUT YOU KNOW IT, HE REALLY DID GIVE HIS BEST EFFORT. I KNEW HE REALIZED THAT HE WAS 363 00:12:55,876 --> 00:12:58,042 GIVE HIS BEST EFFORT. I KNEW HE REALIZED THAT HE WAS IN OVER HIS HEAD PRETTY EARLY 364 00:12:58,044 --> 00:12:59,811 I KNEW HE REALIZED THAT HE WAS IN OVER HIS HEAD PRETTY EARLY ON, AND IT KEPT GOING. 365 00:12:59,813 --> 00:13:01,112 IN OVER HIS HEAD PRETTY EARLY ON, AND IT KEPT GOING. I THINK HE VOMITED AFTER HER, 366 00:13:01,114 --> 00:13:03,481 ON, AND IT KEPT GOING. I THINK HE VOMITED AFTER HER, BUT YOU KNOW WHAT, HE ALSO 367 00:13:03,483 --> 00:13:04,949 I THINK HE VOMITED AFTER HER, BUT YOU KNOW WHAT, HE ALSO TALKED ABOUT COMING BACK. 368 00:13:04,951 --> 00:13:07,051 BUT YOU KNOW WHAT, HE ALSO TALKED ABOUT COMING BACK. AND I THINK THAT WHEN THE STUDIO 369 00:13:07,053 --> 00:13:09,454 TALKED ABOUT COMING BACK. AND I THINK THAT WHEN THE STUDIO REOPENS, I WILL HOLD HIM TO IT. 370 00:13:09,456 --> 00:13:10,989 AND I THINK THAT WHEN THE STUDIO REOPENS, I WILL HOLD HIM TO IT. AND GET HIM INTO THE STUDIO AND 371 00:13:10,991 --> 00:13:11,890 REOPENS, I WILL HOLD HIM TO IT. AND GET HIM INTO THE STUDIO AND WE CAN WORK OUT AGAIN. 372 00:13:11,892 --> 00:13:13,691 AND GET HIM INTO THE STUDIO AND WE CAN WORK OUT AGAIN. >> Ellen: I THINK THE THREE OF 373 00:13:13,693 --> 00:13:15,927 WE CAN WORK OUT AGAIN. >> Ellen: I THINK THE THREE OF US SHOULD DO IT TOGETHER, THAT 374 00:13:15,929 --> 00:13:18,329 >> Ellen: I THINK THE THREE OF US SHOULD DO IT TOGETHER, THAT WAY IT'S -- 375 00:13:18,331 --> 00:13:19,864 US SHOULD DO IT TOGETHER, THAT WAY IT'S -- ANDY, YOU ARE ON MIKE. 376 00:13:19,866 --> 00:13:20,298 WAY IT'S -- ANDY, YOU ARE ON MIKE. WHAT? 377 00:13:20,300 --> 00:13:22,700 ANDY, YOU ARE ON MIKE. WHAT? YOU ARE TALKING TO THE CONTROL 378 00:13:22,702 --> 00:13:24,135 WHAT? YOU ARE TALKING TO THE CONTROL ROOM AND YOU ARE MIKED. 379 00:13:24,137 --> 00:13:25,937 YOU ARE TALKING TO THE CONTROL ROOM AND YOU ARE MIKED. DO YOU WANT TO SAY SOMETHING? 380 00:13:25,939 --> 00:13:27,639 ROOM AND YOU ARE MIKED. DO YOU WANT TO SAY SOMETHING? >> JUST THAT WE LIKE TO SLAP 381 00:13:27,641 --> 00:13:31,776 DO YOU WANT TO SAY SOMETHING? >> JUST THAT WE LIKE TO SLAP EACH OTHER'S BUTTS EVERY TIME WE 382 00:13:31,778 --> 00:13:32,143 >> JUST THAT WE LIKE TO SLAP EACH OTHER'S BUTTS EVERY TIME WE SEE EACH OTHER. 383 00:13:32,145 --> 00:13:35,847 EACH OTHER'S BUTTS EVERY TIME WE SEE EACH OTHER. >> THAT IS TRUE. 384 00:13:35,849 --> 00:13:37,282 SEE EACH OTHER. >> THAT IS TRUE. YOU SLAP IT AT F45. 385 00:13:37,284 --> 00:13:37,849 >> THAT IS TRUE. YOU SLAP IT AT F45. IT'S JUST A GUY THING AND A 386 00:13:37,851 --> 00:13:40,418 YOU SLAP IT AT F45. IT'S JUST A GUY THING AND A BUDDY THING. 387 00:13:40,420 --> 00:13:42,821 IT'S JUST A GUY THING AND A BUDDY THING. KEEP EACH OTHER GOING, YOU KNOW? 388 00:13:42,823 --> 00:13:43,922 BUDDY THING. KEEP EACH OTHER GOING, YOU KNOW? >> Ellen: YEP, THAT'S WHAT 389 00:13:43,924 --> 00:13:46,357 KEEP EACH OTHER GOING, YOU KNOW? >> Ellen: YEP, THAT'S WHAT GUYS DO. 390 00:13:46,359 --> 00:13:49,694 >> Ellen: YEP, THAT'S WHAT GUYS DO. >> I WAS CHECKING HIS FORM THE 391 00:13:49,696 --> 00:13:49,894 GUYS DO. >> I WAS CHECKING HIS FORM THE THERE. 392 00:13:49,896 --> 00:13:50,929 >> I WAS CHECKING HIS FORM THE THERE. >> Ellen: I SEE. 393 00:13:50,931 --> 00:13:53,464 THERE. >> Ellen: I SEE. YOU ARE WEARING GLASSES WHILE 394 00:13:53,466 --> 00:13:54,666 >> Ellen: I SEE. YOU ARE WEARING GLASSES WHILE YOU LIFT WEIGHTS? 395 00:13:54,668 --> 00:13:56,100 YOU ARE WEARING GLASSES WHILE YOU LIFT WEIGHTS? YOU HAVE READERS ON WHILE YOU 396 00:13:56,102 --> 00:13:56,401 YOU LIFT WEIGHTS? YOU HAVE READERS ON WHILE YOU ARE LIFTING. 397 00:13:56,403 --> 00:14:00,672 YOU HAVE READERS ON WHILE YOU ARE LIFTING. SPEAKING OF BUTTS. 398 00:14:00,674 --> 00:14:02,240 ARE LIFTING. SPEAKING OF BUTTS. YOU ACCIDENTALLY SHOWED PEOPLE 399 00:14:02,242 --> 00:14:02,574 SPEAKING OF BUTTS. YOU ACCIDENTALLY SHOWED PEOPLE ON INSTAGRAM. 400 00:14:02,576 --> 00:14:04,843 YOU ACCIDENTALLY SHOWED PEOPLE ON INSTAGRAM. THAT'S THE WAY TO GET MORE 401 00:14:04,845 --> 00:14:05,610 ON INSTAGRAM. THAT'S THE WAY TO GET MORE FOLLOWERS, MARK. 402 00:14:05,612 --> 00:14:06,711 THAT'S THE WAY TO GET MORE FOLLOWERS, MARK. THAT'S WHAT YOU DO. 403 00:14:06,713 --> 00:14:09,714 FOLLOWERS, MARK. THAT'S WHAT YOU DO. >> I WAS TRYING TO SHOW MY 404 00:14:09,716 --> 00:14:11,649 THAT'S WHAT YOU DO. >> I WAS TRYING TO SHOW MY CUPPING, MY PEPPERONI PIZZA 405 00:14:11,651 --> 00:14:12,217 >> I WAS TRYING TO SHOW MY CUPPING, MY PEPPERONI PIZZA CUPPING MARKS ON MY BACK. 406 00:14:12,219 --> 00:14:14,285 CUPPING, MY PEPPERONI PIZZA CUPPING MARKS ON MY BACK. I HAD A BACK PROBLEM AND IT WAS 407 00:14:14,287 --> 00:14:18,990 CUPPING MARKS ON MY BACK. I HAD A BACK PROBLEM AND IT WAS ALSO TO SHOW MY UNDERWEAR AS 408 00:14:18,992 --> 00:14:19,190 I HAD A BACK PROBLEM AND IT WAS ALSO TO SHOW MY UNDERWEAR AS WELL. 409 00:14:19,192 --> 00:14:20,158 ALSO TO SHOW MY UNDERWEAR AS WELL. >> Ellen: YOU HAVE MY 410 00:14:20,160 --> 00:14:22,560 WELL. >> Ellen: YOU HAVE MY UNDERWEAR AND NOW I NEED YOUR 411 00:14:22,562 --> 00:14:23,862 >> Ellen: YOU HAVE MY UNDERWEAR AND NOW I NEED YOUR UNDERWEAR. 412 00:14:23,864 --> 00:14:24,195 UNDERWEAR AND NOW I NEED YOUR UNDERWEAR. >> ABSOLUTELY. 413 00:14:24,197 --> 00:14:27,031 UNDERWEAR. >> ABSOLUTELY. >> Ellen: YOU WERE FILMING IN 414 00:14:27,033 --> 00:14:28,933 >> ABSOLUTELY. >> Ellen: YOU WERE FILMING IN THE DOMINICAN REPUBLIC IN THE 415 00:14:28,935 --> 00:14:31,135 >> Ellen: YOU WERE FILMING IN THE DOMINICAN REPUBLIC IN THE JUNGLE, WHAT WAS THAT LIKE? 416 00:14:31,137 --> 00:14:33,171 THE DOMINICAN REPUBLIC IN THE JUNGLE, WHAT WAS THAT LIKE? DID YOU RUN INTO CRITTERS IN THE 417 00:14:33,173 --> 00:14:33,504 JUNGLE, WHAT WAS THAT LIKE? DID YOU RUN INTO CRITTERS IN THE JUNGLE? 418 00:14:33,506 --> 00:14:35,640 DID YOU RUN INTO CRITTERS IN THE JUNGLE? >> THERE WERE LOTS OF CRITTERS 419 00:14:35,642 --> 00:14:36,307 JUNGLE? >> THERE WERE LOTS OF CRITTERS AND ANIMALS, BUT I THINK THE 420 00:14:36,309 --> 00:14:38,076 >> THERE WERE LOTS OF CRITTERS AND ANIMALS, BUT I THINK THE THING THAT I RAN INTO THAT WAS 421 00:14:38,078 --> 00:14:40,011 AND ANIMALS, BUT I THINK THE THING THAT I RAN INTO THAT WAS MOST SCARY WAS A PORTA-POTTY 422 00:14:40,013 --> 00:14:40,812 THING THAT I RAN INTO THAT WAS MOST SCARY WAS A PORTA-POTTY THAT HAD BEEN OUT THERE FOR 423 00:14:40,814 --> 00:14:43,081 MOST SCARY WAS A PORTA-POTTY THAT HAD BEEN OUT THERE FOR QUITE SOME TIME. 424 00:14:43,083 --> 00:14:45,516 THAT HAD BEEN OUT THERE FOR QUITE SOME TIME. AND YOU COULD BUY YOUR OWN 425 00:14:45,518 --> 00:14:47,518 QUITE SOME TIME. AND YOU COULD BUY YOUR OWN LITTLE PORTABLE TOILET AND ALSO 426 00:14:47,520 --> 00:14:48,486 AND YOU COULD BUY YOUR OWN LITTLE PORTABLE TOILET AND ALSO HAD AN ENCLOSURE WHICH WAS A 427 00:14:48,488 --> 00:14:50,555 LITTLE PORTABLE TOILET AND ALSO HAD AN ENCLOSURE WHICH WAS A TENT THAT I THOUGHT WAS THE 428 00:14:50,557 --> 00:14:51,689 HAD AN ENCLOSURE WHICH WAS A TENT THAT I THOUGHT WAS THE GREATEST INVENTION EVER. 429 00:14:51,691 --> 00:14:54,225 TENT THAT I THOUGHT WAS THE GREATEST INVENTION EVER. I DID NOT GET INTO IT UNTIL LIKE 430 00:14:54,227 --> 00:14:57,028 GREATEST INVENTION EVER. I DID NOT GET INTO IT UNTIL LIKE THE MOVIE WAS OVER, BUT I STILL 431 00:14:57,030 --> 00:14:59,764 I DID NOT GET INTO IT UNTIL LIKE THE MOVIE WAS OVER, BUT I STILL HAVE THAT AND WILL BE TRAVELING 432 00:14:59,766 --> 00:15:00,865 THE MOVIE WAS OVER, BUT I STILL HAVE THAT AND WILL BE TRAVELING WITH IT WHEREVER I GO NOW. 433 00:15:00,867 --> 00:15:02,834 HAVE THAT AND WILL BE TRAVELING WITH IT WHEREVER I GO NOW. >> Ellen: WOW, IT SEEMS LIKE 434 00:15:02,836 --> 00:15:03,434 WITH IT WHEREVER I GO NOW. >> Ellen: WOW, IT SEEMS LIKE YOU COULD AFFORD SOMETHING A 435 00:15:03,436 --> 00:15:06,671 >> Ellen: WOW, IT SEEMS LIKE YOU COULD AFFORD SOMETHING A LITTLE NICER THAN THAT. 436 00:15:06,673 --> 00:15:07,939 YOU COULD AFFORD SOMETHING A LITTLE NICER THAN THAT. CAN'T YOU JUST INVENT SOMETHING 437 00:15:07,941 --> 00:15:09,774 LITTLE NICER THAN THAT. CAN'T YOU JUST INVENT SOMETHING NICER THAN THAT, MARK? 438 00:15:09,776 --> 00:15:11,643 CAN'T YOU JUST INVENT SOMETHING NICER THAN THAT, MARK? >> I THOUGHT THAT SOMEBODY 439 00:15:11,645 --> 00:15:12,777 NICER THAN THAT, MARK? >> I THOUGHT THAT SOMEBODY ALREADY HAS A PATENT ON THAT. 440 00:15:12,779 --> 00:15:15,713 >> I THOUGHT THAT SOMEBODY ALREADY HAS A PATENT ON THAT. SO I FIGURED WE COULD ADD SOME 441 00:15:15,715 --> 00:15:17,615 ALREADY HAS A PATENT ON THAT. SO I FIGURED WE COULD ADD SOME PORCELAIN TO THE CHAIR, BUT IT'S 442 00:15:17,617 --> 00:15:19,384 SO I FIGURED WE COULD ADD SOME PORCELAIN TO THE CHAIR, BUT IT'S NICE HOW IT IS PLASTIC AND 443 00:15:19,386 --> 00:15:21,486 PORCELAIN TO THE CHAIR, BUT IT'S NICE HOW IT IS PLASTIC AND DURABLE AND HOLDS MY WEIGHT, BUT 444 00:15:21,488 --> 00:15:23,221 NICE HOW IT IS PLASTIC AND DURABLE AND HOLDS MY WEIGHT, BUT NO, IT WAS DEFINITELY ONE OF THE 445 00:15:23,223 --> 00:15:23,821 DURABLE AND HOLDS MY WEIGHT, BUT NO, IT WAS DEFINITELY ONE OF THE BETTER THINGS THAT I HAVE HAD 446 00:15:23,823 --> 00:15:26,324 NO, IT WAS DEFINITELY ONE OF THE BETTER THINGS THAT I HAVE HAD WHEN I WAS DOWN THERE. 447 00:15:26,326 --> 00:15:28,793 BETTER THINGS THAT I HAVE HAD WHEN I WAS DOWN THERE. AS FAR AS A LITTLE PIECE OF 448 00:15:28,795 --> 00:15:29,027 WHEN I WAS DOWN THERE. AS FAR AS A LITTLE PIECE OF COMFORT. 449 00:15:29,029 --> 00:15:30,828 AS FAR AS A LITTLE PIECE OF COMFORT. >> Ellen: NOT REALLY A PIECE 450 00:15:30,830 --> 00:15:33,331 COMFORT. >> Ellen: NOT REALLY A PIECE OF YOUR HOME, BUT SOMEONE'S 451 00:15:33,333 --> 00:15:33,531 >> Ellen: NOT REALLY A PIECE OF YOUR HOME, BUT SOMEONE'S HOME. 452 00:15:33,533 --> 00:15:34,198 OF YOUR HOME, BUT SOMEONE'S HOME. SO, MARK. 453 00:15:34,200 --> 00:15:35,667 HOME. SO, MARK. WE TALK ABOUT HOW EARLY YOU GET 454 00:15:35,669 --> 00:15:36,267 SO, MARK. WE TALK ABOUT HOW EARLY YOU GET UP TO WORK OUT. 455 00:15:36,269 --> 00:15:38,703 WE TALK ABOUT HOW EARLY YOU GET UP TO WORK OUT. AND IT USED TO BE 4:00 A.M., 456 00:15:38,705 --> 00:15:41,339 UP TO WORK OUT. AND IT USED TO BE 4:00 A.M., SOMEHOW YOU HAVE MOVED IT TO 457 00:15:41,341 --> 00:15:44,275 AND IT USED TO BE 4:00 A.M., SOMEHOW YOU HAVE MOVED IT TO 2:30 A.M., WHAT IS GOING ON? 458 00:15:44,277 --> 00:15:45,209 SOMEHOW YOU HAVE MOVED IT TO 2:30 A.M., WHAT IS GOING ON? [LAUGHTER] 459 00:15:45,211 --> 00:15:46,678 2:30 A.M., WHAT IS GOING ON? [LAUGHTER] >> I'M JUST GETTING BUSIER AND 460 00:15:46,680 --> 00:15:48,179 [LAUGHTER] >> I'M JUST GETTING BUSIER AND BUSIER AND LESS TIME IN THE DAY 461 00:15:48,181 --> 00:15:49,647 >> I'M JUST GETTING BUSIER AND BUSIER AND LESS TIME IN THE DAY TO GET EVERYTHING DONE. 462 00:15:49,649 --> 00:15:51,749 BUSIER AND LESS TIME IN THE DAY TO GET EVERYTHING DONE. I STARTED WHEN I WAS IN EUROPE 463 00:15:51,751 --> 00:15:52,817 TO GET EVERYTHING DONE. I STARTED WHEN I WAS IN EUROPE OVERSEAS AND I WOULD COME HOME 464 00:15:52,819 --> 00:15:54,218 I STARTED WHEN I WAS IN EUROPE OVERSEAS AND I WOULD COME HOME TO VISIT AND BY THE TIME THE 465 00:15:54,220 --> 00:15:55,420 OVERSEAS AND I WOULD COME HOME TO VISIT AND BY THE TIME THE FAMILY WENT TO BED I WOULD BE UP 466 00:15:55,422 --> 00:15:56,454 TO VISIT AND BY THE TIME THE FAMILY WENT TO BED I WOULD BE UP FOR THE REST OF THE NIGHT. 467 00:15:56,456 --> 00:15:58,289 FAMILY WENT TO BED I WOULD BE UP FOR THE REST OF THE NIGHT. SO I USUALLY GO TO BED ABOUT 468 00:15:58,291 --> 00:15:59,724 FOR THE REST OF THE NIGHT. SO I USUALLY GO TO BED ABOUT 5:00 OR WAKE UP AT 12:00 AND 469 00:15:59,726 --> 00:16:01,626 SO I USUALLY GO TO BED ABOUT 5:00 OR WAKE UP AT 12:00 AND THEN IT WILL WORK OUT AND DO ALL 470 00:16:01,628 --> 00:16:02,327 5:00 OR WAKE UP AT 12:00 AND THEN IT WILL WORK OUT AND DO ALL MY STUFF. 471 00:16:02,329 --> 00:16:03,227 THEN IT WILL WORK OUT AND DO ALL MY STUFF. BUT I AM LOOKING FORWARD TO, 472 00:16:03,229 --> 00:16:05,530 MY STUFF. BUT I AM LOOKING FORWARD TO, WHEN I FINISHED THE MOVIE I'M 473 00:16:05,532 --> 00:16:06,431 BUT I AM LOOKING FORWARD TO, WHEN I FINISHED THE MOVIE I'M SHOOTING IN LOS ANGELES I WILL 474 00:16:06,433 --> 00:16:07,632 WHEN I FINISHED THE MOVIE I'M SHOOTING IN LOS ANGELES I WILL START GETTING BACK TO A NORMAL 475 00:16:07,634 --> 00:16:09,467 SHOOTING IN LOS ANGELES I WILL START GETTING BACK TO A NORMAL SCHEDULE AND WAKE UP AT 476 00:16:09,469 --> 00:16:11,002 START GETTING BACK TO A NORMAL SCHEDULE AND WAKE UP AT 6:00 A.M. LIKE NORMAL PEOPLE AND 477 00:16:11,004 --> 00:16:13,204 SCHEDULE AND WAKE UP AT 6:00 A.M. LIKE NORMAL PEOPLE AND SLEEP IN AND DO ALL THAT FUN 478 00:16:13,206 --> 00:16:14,706 6:00 A.M. LIKE NORMAL PEOPLE AND SLEEP IN AND DO ALL THAT FUN STUFF. 479 00:16:14,708 --> 00:16:16,908 SLEEP IN AND DO ALL THAT FUN STUFF. >> Ellen: SLEEPING IN IS NOT 480 00:16:16,910 --> 00:16:17,475 STUFF. >> Ellen: SLEEPING IN IS NOT 6:00 A.M., MARK. 481 00:16:17,477 --> 00:16:19,777 >> Ellen: SLEEPING IN IS NOT 6:00 A.M., MARK. BUT LET'S SHOW THE VIDEO OF YOU 482 00:16:19,779 --> 00:16:21,079 6:00 A.M., MARK. BUT LET'S SHOW THE VIDEO OF YOU DOING PULL-UPS. 483 00:16:21,081 --> 00:16:23,815 BUT LET'S SHOW THE VIDEO OF YOU DOING PULL-UPS. THIS IS JUST SO YOU KNOW, IT IS 484 00:16:23,817 --> 00:16:25,450 DOING PULL-UPS. THIS IS JUST SO YOU KNOW, IT IS CUT DOWN FROM MANY MORE, BUT WE 485 00:16:25,452 --> 00:16:28,086 THIS IS JUST SO YOU KNOW, IT IS CUT DOWN FROM MANY MORE, BUT WE JUST KIND OF CAME IN LATER AS MY 486 00:16:28,088 --> 00:16:29,220 CUT DOWN FROM MANY MORE, BUT WE JUST KIND OF CAME IN LATER AS MY PRODUCER MATT SAID, IT WAS 487 00:16:29,222 --> 00:16:29,721 JUST KIND OF CAME IN LATER AS MY PRODUCER MATT SAID, IT WAS MONOTONOUS. 488 00:16:29,723 --> 00:16:31,789 PRODUCER MATT SAID, IT WAS MONOTONOUS. IT WAS LIKE THERE WERE TOO MANY 489 00:16:31,791 --> 00:16:32,457 MONOTONOUS. IT WAS LIKE THERE WERE TOO MANY OF THEM. 490 00:16:32,459 --> 00:16:34,125 IT WAS LIKE THERE WERE TOO MANY OF THEM. SO WE JUST SHOWED SOME OF THEM. 491 00:16:34,127 --> 00:16:35,526 OF THEM. SO WE JUST SHOWED SOME OF THEM. LOOK AT YOU ABOUT TO BE 50 YEARS 492 00:16:35,528 --> 00:16:38,096 SO WE JUST SHOWED SOME OF THEM. LOOK AT YOU ABOUT TO BE 50 YEARS OLD DOING THAT. 493 00:16:38,098 --> 00:16:40,131 LOOK AT YOU ABOUT TO BE 50 YEARS OLD DOING THAT. [APPLAUSE] 494 00:16:40,133 --> 00:16:43,234 OLD DOING THAT. [APPLAUSE] >> IT GOES BY SO FAST, BUT SOME 495 00:16:43,236 --> 00:16:45,036 [APPLAUSE] >> IT GOES BY SO FAST, BUT SOME DAYS I WAKE UP AND I FEEL 80, 496 00:16:45,038 --> 00:16:45,837 >> IT GOES BY SO FAST, BUT SOME DAYS I WAKE UP AND I FEEL 80, AND THEN OTHER DAYS I FEEL LIKE 497 00:16:45,839 --> 00:16:49,674 DAYS I WAKE UP AND I FEEL 80, AND THEN OTHER DAYS I FEEL LIKE I AM 15, YOU KNOW? 498 00:16:49,676 --> 00:16:51,943 AND THEN OTHER DAYS I FEEL LIKE I AM 15, YOU KNOW? I THINK MY WORK ETHIC AND MY 499 00:16:51,945 --> 00:16:52,710 I AM 15, YOU KNOW? I THINK MY WORK ETHIC AND MY DRIVE CONTINUES TO INSPIRE ME TO 500 00:16:52,712 --> 00:16:54,045 I THINK MY WORK ETHIC AND MY DRIVE CONTINUES TO INSPIRE ME TO GET UP AND TRY TO BE A BETTER 501 00:16:54,047 --> 00:16:57,048 DRIVE CONTINUES TO INSPIRE ME TO GET UP AND TRY TO BE A BETTER PERSON EVERY DAY AND BE A GOOD 502 00:16:57,050 --> 00:16:59,150 GET UP AND TRY TO BE A BETTER PERSON EVERY DAY AND BE A GOOD EXAMPLE TO MY KIDS WITH MY WORK 503 00:16:59,152 --> 00:17:00,451 PERSON EVERY DAY AND BE A GOOD EXAMPLE TO MY KIDS WITH MY WORK ETHIC, BUT THEN EVERY ONCE IN A 504 00:17:00,453 --> 00:17:01,953 EXAMPLE TO MY KIDS WITH MY WORK ETHIC, BUT THEN EVERY ONCE IN A WHILE THE BODY WILL SHUT YOU 505 00:17:01,955 --> 00:17:03,588 ETHIC, BUT THEN EVERY ONCE IN A WHILE THE BODY WILL SHUT YOU DOWN AND REMIND YOU THAT YOU ARE 506 00:17:03,590 --> 00:17:04,689 WHILE THE BODY WILL SHUT YOU DOWN AND REMIND YOU THAT YOU ARE NOT A KID ANYMORE. 507 00:17:04,691 --> 00:17:06,391 DOWN AND REMIND YOU THAT YOU ARE NOT A KID ANYMORE. BUT I'M LOOKING FORWARD TO 50. 508 00:17:06,393 --> 00:17:07,058 NOT A KID ANYMORE. BUT I'M LOOKING FORWARD TO 50. I THINK IT'S A BIG REASON TO 509 00:17:07,060 --> 00:17:09,293 BUT I'M LOOKING FORWARD TO 50. I THINK IT'S A BIG REASON TO HAVE A BIG PARTY. 510 00:17:09,295 --> 00:17:09,827 I THINK IT'S A BIG REASON TO HAVE A BIG PARTY. >> Ellen: ALL RIGHT. 511 00:17:09,829 --> 00:17:12,597 HAVE A BIG PARTY. >> Ellen: ALL RIGHT. YOU LET ME KNOW WHEN, I WILL BE 512 00:17:12,599 --> 00:17:12,830 >> Ellen: ALL RIGHT. YOU LET ME KNOW WHEN, I WILL BE THERE. 513 00:17:12,832 --> 00:17:14,766 YOU LET ME KNOW WHEN, I WILL BE THERE. TELL ME ABOUT THIS NEW DOGGY YOU 514 00:17:14,768 --> 00:17:15,867 THERE. TELL ME ABOUT THIS NEW DOGGY YOU GOT! 515 00:17:15,869 --> 00:17:17,068 TELL ME ABOUT THIS NEW DOGGY YOU GOT! I'M GLAD YOU GOT ANOTHER ONE, 516 00:17:17,070 --> 00:17:18,736 GOT! I'M GLAD YOU GOT ANOTHER ONE, BECAUSE HOPEFULLY IT IS HELPING 517 00:17:18,738 --> 00:17:20,138 I'M GLAD YOU GOT ANOTHER ONE, BECAUSE HOPEFULLY IT IS HELPING YOUR OTHER ONE BE BETTER 518 00:17:20,140 --> 00:17:22,874 BECAUSE HOPEFULLY IT IS HELPING YOUR OTHER ONE BE BETTER BEHAVED, IS IT HELPING? 519 00:17:22,876 --> 00:17:24,776 YOUR OTHER ONE BE BETTER BEHAVED, IS IT HELPING? >> NO, CHAMP TOOK A BIG CHUNK 520 00:17:24,778 --> 00:17:27,712 BEHAVED, IS IT HELPING? >> NO, CHAMP TOOK A BIG CHUNK OUT OF MY FINGER JUST THE OTHER 521 00:17:27,714 --> 00:17:28,846 >> NO, CHAMP TOOK A BIG CHUNK OUT OF MY FINGER JUST THE OTHER DAY, AND STARTED PETTING HIM 522 00:17:28,848 --> 00:17:30,014 OUT OF MY FINGER JUST THE OTHER DAY, AND STARTED PETTING HIM WHILE HE WAS SLEEPING ON THE 523 00:17:30,016 --> 00:17:32,083 DAY, AND STARTED PETTING HIM WHILE HE WAS SLEEPING ON THE POUCH AND WANTED TO PUT IT INTO 524 00:17:32,085 --> 00:17:32,850 WHILE HE WAS SLEEPING ON THE POUCH AND WANTED TO PUT IT INTO HIS BED. 525 00:17:32,852 --> 00:17:34,719 POUCH AND WANTED TO PUT IT INTO HIS BED. SO THEN WHEN I PICK THEM UP, HE 526 00:17:34,721 --> 00:17:35,053 HIS BED. SO THEN WHEN I PICK THEM UP, HE ATTACKED ME. 527 00:17:35,055 --> 00:17:37,522 SO THEN WHEN I PICK THEM UP, HE ATTACKED ME. BUT JOJO, YES. 528 00:17:37,524 --> 00:17:38,790 ATTACKED ME. BUT JOJO, YES. THEY ARE DEFINITELY BEST 529 00:17:38,792 --> 00:17:39,023 BUT JOJO, YES. THEY ARE DEFINITELY BEST BUDDIES. 530 00:17:39,025 --> 00:17:41,859 THEY ARE DEFINITELY BEST BUDDIES. THEY ARE GETTING ALONG GREAT. 531 00:17:41,861 --> 00:17:44,162 BUDDIES. THEY ARE GETTING ALONG GREAT. IN HIS NEW THING IS TO GET OUT 532 00:17:44,164 --> 00:17:46,731 THEY ARE GETTING ALONG GREAT. IN HIS NEW THING IS TO GET OUT OF THE HOUSE AND MAKE EVERYBODY 533 00:17:46,733 --> 00:17:51,035 IN HIS NEW THING IS TO GET OUT OF THE HOUSE AND MAKE EVERYBODY CHASE HIM WHILE HE IS MOVING 534 00:17:51,037 --> 00:17:51,903 OF THE HOUSE AND MAKE EVERYBODY CHASE HIM WHILE HE IS MOVING VEHICLES. 535 00:17:51,905 --> 00:17:54,005 CHASE HIM WHILE HE IS MOVING VEHICLES. OTHER THAN THAT HE IS VERY WELL 536 00:17:54,007 --> 00:17:55,106 VEHICLES. OTHER THAN THAT HE IS VERY WELL BEHAVED AND VERY SWEET. 537 00:17:55,108 --> 00:17:56,574 OTHER THAN THAT HE IS VERY WELL BEHAVED AND VERY SWEET. >> Ellen: THAT IS AN ADORABLE 538 00:17:56,576 --> 00:17:56,874 BEHAVED AND VERY SWEET. >> Ellen: THAT IS AN ADORABLE DOG. 539 00:17:56,876 --> 00:18:00,445 >> Ellen: THAT IS AN ADORABLE DOG. WE WILL TAKE A BREAK, MORE WITH 540 00:18:00,447 --> 00:18:03,214 DOG. WE WILL TAKE A BREAK, MORE WITH MARK WAHLBERG AFTER THIS. 541 00:18:03,216 --> 00:18:03,681 WE WILL TAKE A BREAK, MORE WITH MARK WAHLBERG AFTER THIS. [CHEERS AND APPLAUSE] 542 00:18:03,683 --> 00:18:14,492 MARK WAHLBERG AFTER THIS. [CHEERS AND APPLAUSE] ♪ ♪ 543 00:18:14,494 --> 00:18:16,461 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: YOU USE THEM DAILY, 544 00:18:16,463 --> 00:18:16,761 ♪ ♪ >> Ellen: YOU USE THEM DAILY, RIGHT? 545 00:18:16,763 --> 00:18:19,597 >> Ellen: YOU USE THEM DAILY, RIGHT? >> I USE THEM DAILY, WEEKLY, 546 00:18:19,599 --> 00:18:19,831 RIGHT? >> I USE THEM DAILY, WEEKLY, NIGHTLY. 547 00:18:19,833 --> 00:18:22,066 >> I USE THEM DAILY, WEEKLY, NIGHTLY. AT LEAST FIVE TIMES A DAY. 548 00:18:22,068 --> 00:18:27,705 NIGHTLY. AT LEAST FIVE TIMES A DAY. ♪ ♪ 549 00:18:27,707 --> 00:18:36,614 AT LEAST FIVE TIMES A DAY. ♪ ♪ ♪ BE THE GIRL YOU USED TO 550 00:18:36,616 --> 00:18:37,648 ♪ ♪ ♪ BE THE GIRL YOU USED TO >> BEING SEPARATED FROM MY 551 00:18:37,650 --> 00:18:39,117 ♪ BE THE GIRL YOU USED TO >> BEING SEPARATED FROM MY FAMILY IS ALWAYS A BIG A 552 00:18:39,119 --> 00:18:39,650 >> BEING SEPARATED FROM MY FAMILY IS ALWAYS A BIG A SACRIFICE FOR ME. 553 00:18:39,652 --> 00:18:44,255 FAMILY IS ALWAYS A BIG A SACRIFICE FOR ME. >> I WANT TO PASS THIS ON TO HIS 554 00:18:44,257 --> 00:18:44,839 SACRIFICE FOR ME. >> I WANT TO PASS THIS ON TO HIS FUTURE THERE'S A HUGE 555 00:18:44,841 --> 00:18:46,541 >> I WANT TO PASS THIS ON TO HIS FUTURE THERE'S A HUGE RESPONSIBILITY TO MAKE SURE THAT 556 00:18:46,543 --> 00:18:47,492 FUTURE THERE'S A HUGE RESPONSIBILITY TO MAKE SURE THAT WE ARE SUCCESSFUL. 557 00:18:47,494 --> 00:18:51,129 RESPONSIBILITY TO MAKE SURE THAT WE ARE SUCCESSFUL. [PHONE RINGING] 558 00:18:51,131 --> 00:18:51,546 WE ARE SUCCESSFUL. [PHONE RINGING] >> MARK. 559 00:18:51,548 --> 00:18:53,714 [PHONE RINGING] >> MARK. >> THIS WHOLE THING HAS CAUGHT 560 00:18:53,716 --> 00:18:54,348 >> MARK. >> THIS WHOLE THING HAS CAUGHT ME BY SURPRISE. 561 00:18:54,350 --> 00:18:56,300 >> THIS WHOLE THING HAS CAUGHT ME BY SURPRISE. >> I HAVE PEOPLE WHO ARE PUTTING 562 00:18:56,302 --> 00:18:58,269 ME BY SURPRISE. >> I HAVE PEOPLE WHO ARE PUTTING IN PARTS OF THEIR LIFE SAVINGS 563 00:18:58,271 --> 00:18:59,270 >> I HAVE PEOPLE WHO ARE PUTTING IN PARTS OF THEIR LIFE SAVINGS AND INVESTING THEIR FUTURE. 564 00:18:59,272 --> 00:19:01,889 IN PARTS OF THEIR LIFE SAVINGS AND INVESTING THEIR FUTURE. >> OUR FUNDING SOURCE PULLED 565 00:19:01,891 --> 00:19:02,056 AND INVESTING THEIR FUTURE. >> OUR FUNDING SOURCE PULLED OUT. 566 00:19:02,058 --> 00:19:03,808 >> OUR FUNDING SOURCE PULLED OUT. >> IF I DON'T START SELLING COME 567 00:19:03,810 --> 00:19:05,343 OUT. >> IF I DON'T START SELLING COME OF THIS COMPANY GOES AWAY. 568 00:19:05,345 --> 00:19:06,944 >> IF I DON'T START SELLING COME OF THIS COMPANY GOES AWAY. >> SCRAP IT AND GO BACK TO THE 569 00:19:06,946 --> 00:19:10,181 OF THIS COMPANY GOES AWAY. >> SCRAP IT AND GO BACK TO THE DRAWING BOARD. 570 00:19:10,183 --> 00:19:13,684 >> SCRAP IT AND GO BACK TO THE DRAWING BOARD. >> Ellen: THAT'S 571 00:19:13,686 --> 00:19:14,785 DRAWING BOARD. >> Ellen: THAT'S MARK WAHLBERG, HIS NEW SHOW 572 00:19:14,787 --> 00:19:15,119 >> Ellen: THAT'S MARK WAHLBERG, HIS NEW SHOW "WAHL STREET." 573 00:19:15,121 --> 00:19:19,857 MARK WAHLBERG, HIS NEW SHOW "WAHL STREET." WHEN YOU WATCH IT, YOU FEEL LIKE 574 00:19:19,859 --> 00:19:21,492 "WAHL STREET." WHEN YOU WATCH IT, YOU FEEL LIKE SUCH A SLACKER. 575 00:19:21,494 --> 00:19:22,927 WHEN YOU WATCH IT, YOU FEEL LIKE SUCH A SLACKER. ANYONE WATCHING THIS WILL BE 576 00:19:22,929 --> 00:19:24,662 SUCH A SLACKER. ANYONE WATCHING THIS WILL BE MOTIVATED TO DO MORE WITH THEIR 577 00:19:24,664 --> 00:19:24,862 ANYONE WATCHING THIS WILL BE MOTIVATED TO DO MORE WITH THEIR LIVES. 578 00:19:24,864 --> 00:19:26,030 MOTIVATED TO DO MORE WITH THEIR LIVES. IT'S A DOCUMENTARY ABOUT ALL THE 579 00:19:26,032 --> 00:19:29,700 LIVES. IT'S A DOCUMENTARY ABOUT ALL THE THINGS YOU ARE WORKING ON IT, 580 00:19:29,702 --> 00:19:30,001 IT'S A DOCUMENTARY ABOUT ALL THE THINGS YOU ARE WORKING ON IT, RIGHT, MARK? 581 00:19:30,003 --> 00:19:32,203 THINGS YOU ARE WORKING ON IT, RIGHT, MARK? >> YES, WE DID WHILE BURGERS 582 00:19:32,205 --> 00:19:35,173 RIGHT, MARK? >> YES, WE DID WHILE BURGERS WHICH WAS A GREAT PROMOTION OF 583 00:19:35,175 --> 00:19:37,542 >> YES, WE DID WHILE BURGERS WHICH WAS A GREAT PROMOTION OF THE BRAND, BUT IT IS ALSO A FAMS 584 00:19:37,544 --> 00:19:38,543 WHICH WAS A GREAT PROMOTION OF THE BRAND, BUT IT IS ALSO A FAMS UNSCRIPTED AND THIS IS A 585 00:19:38,545 --> 00:19:40,912 THE BRAND, BUT IT IS ALSO A FAMS UNSCRIPTED AND THIS IS A SERIOUS LOOK AT WHAT I DO IN MY 586 00:19:40,914 --> 00:19:43,314 UNSCRIPTED AND THIS IS A SERIOUS LOOK AT WHAT I DO IN MY PRIMARY BUSINESS WHICH IS ACTING 587 00:19:43,316 --> 00:19:44,849 SERIOUS LOOK AT WHAT I DO IN MY PRIMARY BUSINESS WHICH IS ACTING IN PRODUCING AND WITH THE SPORTS 588 00:19:44,851 --> 00:19:50,555 PRIMARY BUSINESS WHICH IS ACTING IN PRODUCING AND WITH THE SPORTS NUTRITION WITH A 45, WITH 589 00:19:50,557 --> 00:19:51,756 IN PRODUCING AND WITH THE SPORTS NUTRITION WITH A 45, WITH WAHLBURGERS, WITH THE ONE THAT 590 00:19:51,758 --> 00:19:53,524 NUTRITION WITH A 45, WITH WAHLBURGERS, WITH THE ONE THAT WE LAUNCHED IN THE MIDDLE OF THE 591 00:19:53,526 --> 00:19:53,858 WAHLBURGERS, WITH THE ONE THAT WE LAUNCHED IN THE MIDDLE OF THE PANDEMIC. 592 00:19:53,860 --> 00:19:57,094 WE LAUNCHED IN THE MIDDLE OF THE PANDEMIC. AND JUST THE OTHER BUSINESSES I 593 00:19:57,096 --> 00:19:57,295 PANDEMIC. AND JUST THE OTHER BUSINESSES I HAVE. 594 00:19:57,297 --> 00:19:57,828 AND JUST THE OTHER BUSINESSES I HAVE. HOPEFULLY INSPIRING OTHER 595 00:19:57,830 --> 00:19:58,329 HAVE. HOPEFULLY INSPIRING OTHER ENTREPRENEURS. 596 00:19:58,331 --> 00:19:59,897 HOPEFULLY INSPIRING OTHER ENTREPRENEURS. BECAUSE I DON'T WANT ANYBODY WHO 597 00:19:59,899 --> 00:20:01,065 ENTREPRENEURS. BECAUSE I DON'T WANT ANYBODY WHO HAS HAD AN IDEA OR A PASSION 598 00:20:01,067 --> 00:20:03,467 BECAUSE I DON'T WANT ANYBODY WHO HAS HAD AN IDEA OR A PASSION THAT DOES NOT DECIDE THAT FOR 599 00:20:03,469 --> 00:20:05,369 HAS HAD AN IDEA OR A PASSION THAT DOES NOT DECIDE THAT FOR ANY REASON. 600 00:20:05,371 --> 00:20:06,604 THAT DOES NOT DECIDE THAT FOR ANY REASON. I WANT PEOPLE TO PURSUE THEIR 601 00:20:06,606 --> 00:20:08,873 ANY REASON. I WANT PEOPLE TO PURSUE THEIR DREAMS AND MAKE THEM A REALITY 602 00:20:08,875 --> 00:20:09,307 I WANT PEOPLE TO PURSUE THEIR DREAMS AND MAKE THEM A REALITY THROUGH HARD WORK. 603 00:20:09,309 --> 00:20:11,209 DREAMS AND MAKE THEM A REALITY THROUGH HARD WORK. >> Ellen: IT IS AMAZING, 604 00:20:11,211 --> 00:20:12,743 THROUGH HARD WORK. >> Ellen: IT IS AMAZING, BECAUSE ANYONE WHO HAS FOLLOWED 605 00:20:12,745 --> 00:20:13,911 >> Ellen: IT IS AMAZING, BECAUSE ANYONE WHO HAS FOLLOWED YOU SINCE YOU HAVE STARTED AS 606 00:20:13,913 --> 00:20:16,847 BECAUSE ANYONE WHO HAS FOLLOWED YOU SINCE YOU HAVE STARTED AS MARKY MARK THE SINGER, AND THEN 607 00:20:16,849 --> 00:20:19,016 YOU SINCE YOU HAVE STARTED AS MARKY MARK THE SINGER, AND THEN YOU MOVE INTO ACTING AND NOW YOU 608 00:20:19,018 --> 00:20:20,985 MARKY MARK THE SINGER, AND THEN YOU MOVE INTO ACTING AND NOW YOU ARE THIS AMAZING BUSINESSMAN AND 609 00:20:20,987 --> 00:20:22,119 YOU MOVE INTO ACTING AND NOW YOU ARE THIS AMAZING BUSINESSMAN AND ENTREPRENEUR, IT IS REALLY 610 00:20:22,121 --> 00:20:22,720 ARE THIS AMAZING BUSINESSMAN AND ENTREPRENEUR, IT IS REALLY IMPRESSIVE AND YOU CAN SEE WHY 611 00:20:22,722 --> 00:20:25,523 ENTREPRENEUR, IT IS REALLY IMPRESSIVE AND YOU CAN SEE WHY YOU ARE SO SUCCESSFUL, BECAUSE 612 00:20:25,525 --> 00:20:27,058 IMPRESSIVE AND YOU CAN SEE WHY YOU ARE SO SUCCESSFUL, BECAUSE YOUR WORK ETHIC IS LIKE NOBODY 613 00:20:27,060 --> 00:20:28,125 YOU ARE SO SUCCESSFUL, BECAUSE YOUR WORK ETHIC IS LIKE NOBODY ELSE IS THAT I'VE SEEN. 614 00:20:28,127 --> 00:20:30,428 YOUR WORK ETHIC IS LIKE NOBODY ELSE IS THAT I'VE SEEN. AND YOU START AT THE SHOW RIGHT 615 00:20:30,430 --> 00:20:33,064 ELSE IS THAT I'VE SEEN. AND YOU START AT THE SHOW RIGHT AS COVID HIT, WHICH WAS HARD ON 616 00:20:33,066 --> 00:20:35,032 AND YOU START AT THE SHOW RIGHT AS COVID HIT, WHICH WAS HARD ON A LOT OF YOUR BUSINESSES, AND IT 617 00:20:35,034 --> 00:20:36,934 AS COVID HIT, WHICH WAS HARD ON A LOT OF YOUR BUSINESSES, AND IT IS INTERESTING TO SHOW HOW THAT 618 00:20:36,936 --> 00:20:41,539 A LOT OF YOUR BUSINESSES, AND IT IS INTERESTING TO SHOW HOW THAT HAS AFFECTED BUSINESSES. 619 00:20:41,541 --> 00:20:43,040 IS INTERESTING TO SHOW HOW THAT HAS AFFECTED BUSINESSES. >> OBVIOUSLY EVERYBODY HAS BEEN 620 00:20:43,042 --> 00:20:43,841 HAS AFFECTED BUSINESSES. >> OBVIOUSLY EVERYBODY HAS BEEN AFFECTED BY COVID IN MANY 621 00:20:43,843 --> 00:20:44,475 >> OBVIOUSLY EVERYBODY HAS BEEN AFFECTED BY COVID IN MANY DIFFERENT WAYS. 622 00:20:44,477 --> 00:20:47,345 AFFECTED BY COVID IN MANY DIFFERENT WAYS. WE WERE JUST KIND OF TRYING TO 623 00:20:47,347 --> 00:20:47,578 DIFFERENT WAYS. WE WERE JUST KIND OF TRYING TO SURVIVE. 624 00:20:47,580 --> 00:20:48,646 WE WERE JUST KIND OF TRYING TO SURVIVE. THE MOST THING WE WERE WORRIED 625 00:20:48,648 --> 00:20:52,917 SURVIVE. THE MOST THING WE WERE WORRIED ABOUT WAS OUR FRANCHISEES ARE 626 00:20:52,919 --> 00:20:53,184 THE MOST THING WE WERE WORRIED ABOUT WAS OUR FRANCHISEES ARE EMPLOYEES. 627 00:20:53,186 --> 00:20:54,885 ABOUT WAS OUR FRANCHISEES ARE EMPLOYEES. PEOPLE WHO WOULD BE OUT OF WORK 628 00:20:54,887 --> 00:20:56,520 EMPLOYEES. PEOPLE WHO WOULD BE OUT OF WORK AND OUT OF BUSINESS, PEOPLE WHO 629 00:20:56,522 --> 00:20:58,322 PEOPLE WHO WOULD BE OUT OF WORK AND OUT OF BUSINESS, PEOPLE WHO ARE LOSING THEIR LOCATION AND 630 00:20:58,324 --> 00:21:00,258 AND OUT OF BUSINESS, PEOPLE WHO ARE LOSING THEIR LOCATION AND THINGS OF THAT NATURE. 631 00:21:00,260 --> 00:21:00,725 ARE LOSING THEIR LOCATION AND THINGS OF THAT NATURE. IT WAS JUST -- 632 00:21:00,727 --> 00:21:02,660 THINGS OF THAT NATURE. IT WAS JUST -- IT WAS JUST KIND OF TELLING THE 633 00:21:02,662 --> 00:21:04,295 IT WAS JUST -- IT WAS JUST KIND OF TELLING THE TRUTH ABOUT WHAT WAS GOING ON AT 634 00:21:04,297 --> 00:21:04,562 IT WAS JUST KIND OF TELLING THE TRUTH ABOUT WHAT WAS GOING ON AT THE TIME. 635 00:21:04,564 --> 00:21:07,265 TRUTH ABOUT WHAT WAS GOING ON AT THE TIME. PEOPLE SAID WHAT ARE IS THE SHOW 636 00:21:07,267 --> 00:21:09,133 THE TIME. PEOPLE SAID WHAT ARE IS THE SHOW GOING TO BE ABOUT? 637 00:21:09,135 --> 00:21:10,334 PEOPLE SAID WHAT ARE IS THE SHOW GOING TO BE ABOUT? IT'S THE BUSINESS WILL DICTATE 638 00:21:10,336 --> 00:21:11,102 GOING TO BE ABOUT? IT'S THE BUSINESS WILL DICTATE WHAT THE STORY LINES ARE. 639 00:21:11,104 --> 00:21:12,870 IT'S THE BUSINESS WILL DICTATE WHAT THE STORY LINES ARE. AND WITH ALL THE CLOSURES AND 640 00:21:12,872 --> 00:21:14,505 WHAT THE STORY LINES ARE. AND WITH ALL THE CLOSURES AND EVERYTHING, IT WAS DIFFICULT 641 00:21:14,507 --> 00:21:15,506 AND WITH ALL THE CLOSURES AND EVERYTHING, IT WAS DIFFICULT TIME, BUT WE WERE KIND OF 642 00:21:15,508 --> 00:21:16,307 EVERYTHING, IT WAS DIFFICULT TIME, BUT WE WERE KIND OF HUNKERING DOWN AND TRYING TO 643 00:21:16,309 --> 00:21:21,412 TIME, BUT WE WERE KIND OF HUNKERING DOWN AND TRYING TO MAKE SURE THAT WE COULD HELP OUR 644 00:21:21,414 --> 00:21:22,146 HUNKERING DOWN AND TRYING TO MAKE SURE THAT WE COULD HELP OUR EMPLOYEES AND RENEGOTIATE THE 645 00:21:22,148 --> 00:21:23,281 MAKE SURE THAT WE COULD HELP OUR EMPLOYEES AND RENEGOTIATE THE LEECHES -- LEASES FOR THE 646 00:21:23,283 --> 00:21:23,681 EMPLOYEES AND RENEGOTIATE THE LEECHES -- LEASES FOR THE FRANCHISEES. 647 00:21:23,683 --> 00:21:26,550 LEECHES -- LEASES FOR THE FRANCHISEES. SO WE CONTINUED ON AND TRIED TO 648 00:21:26,552 --> 00:21:27,318 FRANCHISEES. SO WE CONTINUED ON AND TRIED TO BET ON OURSELVES AND HOPEFULLY 649 00:21:27,320 --> 00:21:28,552 SO WE CONTINUED ON AND TRIED TO BET ON OURSELVES AND HOPEFULLY BE ABLE TO SURVIVE IT. 650 00:21:28,554 --> 00:21:29,353 BET ON OURSELVES AND HOPEFULLY BE ABLE TO SURVIVE IT. BUT UNFORTUNATELY A LOT OF 651 00:21:29,355 --> 00:21:30,054 BE ABLE TO SURVIVE IT. BUT UNFORTUNATELY A LOT OF PEOPLE DID IN IT. 652 00:21:30,056 --> 00:21:32,456 BUT UNFORTUNATELY A LOT OF PEOPLE DID IN IT. SO WE ARE TRYING TO HELP THE 653 00:21:32,458 --> 00:21:33,658 PEOPLE DID IN IT. SO WE ARE TRYING TO HELP THE PEOPLE THAT WERE LEFT BEHIND. 654 00:21:33,660 --> 00:21:35,092 SO WE ARE TRYING TO HELP THE PEOPLE THAT WERE LEFT BEHIND. >> Ellen: YOU ALWAYS DO THAT. 655 00:21:35,094 --> 00:21:36,727 PEOPLE THAT WERE LEFT BEHIND. >> Ellen: YOU ALWAYS DO THAT. YOU ALWAYS HELP OTHER PEOPLE. 656 00:21:36,729 --> 00:21:38,195 >> Ellen: YOU ALWAYS DO THAT. YOU ALWAYS HELP OTHER PEOPLE. YOUR KIDS STARTED THEIR OWN 657 00:21:38,197 --> 00:21:38,462 YOU ALWAYS HELP OTHER PEOPLE. YOUR KIDS STARTED THEIR OWN BUSINESS. 658 00:21:38,464 --> 00:21:40,631 YOUR KIDS STARTED THEIR OWN BUSINESS. THEY DID A LEMONADE STAND WHICH 659 00:21:40,633 --> 00:21:41,666 BUSINESS. THEY DID A LEMONADE STAND WHICH DID PRETTY WELL. 660 00:21:41,668 --> 00:21:42,967 THEY DID A LEMONADE STAND WHICH DID PRETTY WELL. >> THAT WAS A HUGE SUCCESS. 661 00:21:42,969 --> 00:21:45,836 DID PRETTY WELL. >> THAT WAS A HUGE SUCCESS. ALL WE HAD TO DO WAS MAGIC 662 00:21:45,838 --> 00:21:47,271 >> THAT WAS A HUGE SUCCESS. ALL WE HAD TO DO WAS MAGIC JOHNSON DROVE BY ABOUT THE WHOLE 663 00:21:47,273 --> 00:21:47,571 ALL WE HAD TO DO WAS MAGIC JOHNSON DROVE BY ABOUT THE WHOLE STAND OUT. 664 00:21:47,573 --> 00:21:49,674 JOHNSON DROVE BY ABOUT THE WHOLE STAND OUT. SO THEY HAVE BEEN VERY 665 00:21:49,676 --> 00:21:52,843 STAND OUT. SO THEY HAVE BEEN VERY SUCCESSFUL. 666 00:21:52,845 --> 00:21:55,012 SO THEY HAVE BEEN VERY SUCCESSFUL. THE VALUABLE LESSONS THAT YOU 667 00:21:55,014 --> 00:21:56,280 SUCCESSFUL. THE VALUABLE LESSONS THAT YOU ALWAYS LEARN ON THE FAILURES, 668 00:21:56,282 --> 00:21:57,515 THE VALUABLE LESSONS THAT YOU ALWAYS LEARN ON THE FAILURES, I'VE NEVER HAD A RESTAURANT 669 00:21:57,517 --> 00:21:58,883 ALWAYS LEARN ON THE FAILURES, I'VE NEVER HAD A RESTAURANT BUSINESS AND HAD TO LEARN THE 670 00:21:58,885 --> 00:22:00,084 I'VE NEVER HAD A RESTAURANT BUSINESS AND HAD TO LEARN THE HARD WAY THROUGH A LOT OF TRIAL 671 00:22:00,086 --> 00:22:02,453 BUSINESS AND HAD TO LEARN THE HARD WAY THROUGH A LOT OF TRIAL AND ERROR AND MISTAKES, BUT MY 672 00:22:02,455 --> 00:22:03,321 HARD WAY THROUGH A LOT OF TRIAL AND ERROR AND MISTAKES, BUT MY KIDS STARTED A CARD COLLECTING 673 00:22:03,323 --> 00:22:04,755 AND ERROR AND MISTAKES, BUT MY KIDS STARTED A CARD COLLECTING BUSINESS WHICH IS A GREAT PAST 674 00:22:04,757 --> 00:22:06,023 KIDS STARTED A CARD COLLECTING BUSINESS WHICH IS A GREAT PAST TIME THAT WE HAVE ENJOYED 675 00:22:06,025 --> 00:22:08,292 BUSINESS WHICH IS A GREAT PAST TIME THAT WE HAVE ENJOYED TOGETHER WITH MY DAD AND PASSING 676 00:22:08,294 --> 00:22:09,727 TIME THAT WE HAVE ENJOYED TOGETHER WITH MY DAD AND PASSING IT NOW TO MY KIDS WITH THE 677 00:22:09,729 --> 00:22:11,696 TOGETHER WITH MY DAD AND PASSING IT NOW TO MY KIDS WITH THE CARDBOARD'S. 678 00:22:11,698 --> 00:22:13,331 IT NOW TO MY KIDS WITH THE CARDBOARD'S. AND REESE HE STARTED A BUSINESS 679 00:22:13,333 --> 00:22:14,231 CARDBOARD'S. AND REESE HE STARTED A BUSINESS WHICH TOOK OFF AND THEN SHE 680 00:22:14,233 --> 00:22:17,668 AND REESE HE STARTED A BUSINESS WHICH TOOK OFF AND THEN SHE BASICALLY GAVE UP THE HOBBY 681 00:22:17,670 --> 00:22:18,703 WHICH TOOK OFF AND THEN SHE BASICALLY GAVE UP THE HOBBY BUSINESS AND STARTED ABOUT 682 00:22:18,705 --> 00:22:20,137 BASICALLY GAVE UP THE HOBBY BUSINESS AND STARTED ABOUT MAKING BUSINESS, AND YOU KNOW, 683 00:22:20,139 --> 00:22:21,605 BUSINESS AND STARTED ABOUT MAKING BUSINESS, AND YOU KNOW, IT'S NICE TO SEE THAT THEY ARE 684 00:22:21,607 --> 00:22:22,673 MAKING BUSINESS, AND YOU KNOW, IT'S NICE TO SEE THAT THEY ARE WILLING TO WORK HARD AND HAVE 685 00:22:22,675 --> 00:22:23,841 IT'S NICE TO SEE THAT THEY ARE WILLING TO WORK HARD AND HAVE INTERESTS AND I WANT TO HELP 686 00:22:23,843 --> 00:22:26,277 WILLING TO WORK HARD AND HAVE INTERESTS AND I WANT TO HELP THEM WITH THOSE THINGS. 687 00:22:26,279 --> 00:22:28,379 INTERESTS AND I WANT TO HELP THEM WITH THOSE THINGS. BUT THEY HAVE TO LEARN FROM 688 00:22:28,381 --> 00:22:29,580 THEM WITH THOSE THINGS. BUT THEY HAVE TO LEARN FROM THEIR MISTAKES AND FAILURES. 689 00:22:29,582 --> 00:22:30,614 BUT THEY HAVE TO LEARN FROM THEIR MISTAKES AND FAILURES. IT'S THE LOSSES THAT MAKE YOU 690 00:22:30,616 --> 00:22:33,184 THEIR MISTAKES AND FAILURES. IT'S THE LOSSES THAT MAKE YOU STRONGER AND HOPEFULLY WILL MAKE 691 00:22:33,186 --> 00:22:35,086 IT'S THE LOSSES THAT MAKE YOU STRONGER AND HOPEFULLY WILL MAKE A MORE RESILIENT AND SUCCESSFUL 692 00:22:35,088 --> 00:22:35,353 STRONGER AND HOPEFULLY WILL MAKE A MORE RESILIENT AND SUCCESSFUL FUTURE. 693 00:22:35,355 --> 00:22:37,154 A MORE RESILIENT AND SUCCESSFUL FUTURE. >> Ellen: I AGREE WITH THAT. 694 00:22:37,156 --> 00:22:37,822 FUTURE. >> Ellen: I AGREE WITH THAT. IT'S THE LOSSES. 695 00:22:37,824 --> 00:22:40,124 >> Ellen: I AGREE WITH THAT. IT'S THE LOSSES. IT'S THE FALLING DOWN THAT 696 00:22:40,126 --> 00:22:41,525 IT'S THE LOSSES. IT'S THE FALLING DOWN THAT BUILDS CHARACTER, AND THEN YOU 697 00:22:41,527 --> 00:22:43,060 IT'S THE FALLING DOWN THAT BUILDS CHARACTER, AND THEN YOU GET BACK UP AGAIN. 698 00:22:43,062 --> 00:22:45,062 BUILDS CHARACTER, AND THEN YOU GET BACK UP AGAIN. YOUR OLDEST DAUGHTER WAS NOT 699 00:22:45,064 --> 00:22:45,930 GET BACK UP AGAIN. YOUR OLDEST DAUGHTER WAS NOT SUCH A GOOD DRIVER. 700 00:22:45,932 --> 00:22:48,165 YOUR OLDEST DAUGHTER WAS NOT SUCH A GOOD DRIVER. I'M WONDERING IF SHE EVER GOT 701 00:22:48,167 --> 00:22:48,733 SUCH A GOOD DRIVER. I'M WONDERING IF SHE EVER GOT HER DRIVER'S LICENSE. 702 00:22:48,735 --> 00:22:50,368 I'M WONDERING IF SHE EVER GOT HER DRIVER'S LICENSE. >> SHE HAS NOT GOTTEN HER 703 00:22:50,370 --> 00:22:53,070 HER DRIVER'S LICENSE. >> SHE HAS NOT GOTTEN HER LICENSE YET, BUT SHE IS DOING 704 00:22:53,072 --> 00:22:54,772 >> SHE HAS NOT GOTTEN HER LICENSE YET, BUT SHE IS DOING FANTASTIC, SO I CAN'T WAIT TO 705 00:22:54,774 --> 00:22:56,140 LICENSE YET, BUT SHE IS DOING FANTASTIC, SO I CAN'T WAIT TO GET HER HER FIRST CAR. 706 00:22:56,142 --> 00:22:58,442 FANTASTIC, SO I CAN'T WAIT TO GET HER HER FIRST CAR. BUT SHE IS FOCUSING ON HER 707 00:22:58,444 --> 00:23:00,111 GET HER HER FIRST CAR. BUT SHE IS FOCUSING ON HER STUDIES NOW, BUT YEAH, SHE 708 00:23:00,113 --> 00:23:01,345 BUT SHE IS FOCUSING ON HER STUDIES NOW, BUT YEAH, SHE FINALLY REALIZED THAT IT IS NOT 709 00:23:01,347 --> 00:23:03,214 STUDIES NOW, BUT YEAH, SHE FINALLY REALIZED THAT IT IS NOT A GAME GETTING BEHIND THE WHEEL. 710 00:23:03,216 --> 00:23:03,881 FINALLY REALIZED THAT IT IS NOT A GAME GETTING BEHIND THE WHEEL. SHE JUMPED OUT OF HER GOLF CART 711 00:23:03,883 --> 00:23:08,719 A GAME GETTING BEHIND THE WHEEL. SHE JUMPED OUT OF HER GOLF CART AND LEFT ME THERE TO CRASH SO WE 712 00:23:08,721 --> 00:23:11,355 SHE JUMPED OUT OF HER GOLF CART AND LEFT ME THERE TO CRASH SO WE HAVE GONE BACK TO THE DRAWING 713 00:23:11,357 --> 00:23:12,123 AND LEFT ME THERE TO CRASH SO WE HAVE GONE BACK TO THE DRAWING BOARD. 714 00:23:12,125 --> 00:23:14,625 HAVE GONE BACK TO THE DRAWING BOARD. SHE WILL DRIVE SAFE SOON. 715 00:23:14,627 --> 00:23:17,261 BOARD. SHE WILL DRIVE SAFE SOON. >> Ellen: SO SHE IS DRIVING 716 00:23:17,263 --> 00:23:18,929 SHE WILL DRIVE SAFE SOON. >> Ellen: SO SHE IS DRIVING THE GOLF CART AND SHE JUMPED 717 00:23:18,931 --> 00:23:19,096 >> Ellen: SO SHE IS DRIVING THE GOLF CART AND SHE JUMPED OUT? 718 00:23:19,098 --> 00:23:20,931 THE GOLF CART AND SHE JUMPED OUT? >> I WAS IN THE PASSENGER SEAT. 719 00:23:20,933 --> 00:23:22,032 OUT? >> I WAS IN THE PASSENGER SEAT. SHE IS MESSING AROUND FOR IT I 720 00:23:22,034 --> 00:23:23,801 >> I WAS IN THE PASSENGER SEAT. SHE IS MESSING AROUND FOR IT I WAS LIKE YOU HAVE TO SLOW DOWN, 721 00:23:23,803 --> 00:23:24,969 SHE IS MESSING AROUND FOR IT I WAS LIKE YOU HAVE TO SLOW DOWN, WE ARE DRIVING ON THE 722 00:23:24,971 --> 00:23:25,269 WAS LIKE YOU HAVE TO SLOW DOWN, WE ARE DRIVING ON THE GOLF COURSE. 723 00:23:25,271 --> 00:23:27,271 WE ARE DRIVING ON THE GOLF COURSE. AND SHE SAID IT'S OKAY AND FINE, 724 00:23:27,273 --> 00:23:29,140 GOLF COURSE. AND SHE SAID IT'S OKAY AND FINE, AND THEN SHE STARTED TO VEER OFF 725 00:23:29,142 --> 00:23:30,441 AND SHE SAID IT'S OKAY AND FINE, AND THEN SHE STARTED TO VEER OFF THE ROAD INTO JUST BASICALLY OFF 726 00:23:30,443 --> 00:23:33,043 AND THEN SHE STARTED TO VEER OFF THE ROAD INTO JUST BASICALLY OFF THE PATH, BAILED OUT AND I 727 00:23:33,045 --> 00:23:35,146 THE ROAD INTO JUST BASICALLY OFF THE PATH, BAILED OUT AND I SMASHED INTO THE LAWN. 728 00:23:35,148 --> 00:23:37,114 THE PATH, BAILED OUT AND I SMASHED INTO THE LAWN. >> Ellen: JUST TO LET YOU 729 00:23:37,116 --> 00:23:38,048 SMASHED INTO THE LAWN. >> Ellen: JUST TO LET YOU KNOW, OUR FRIEND CORY GAMBLE 730 00:23:38,050 --> 00:23:40,418 >> Ellen: JUST TO LET YOU KNOW, OUR FRIEND CORY GAMBLE FLIPPED HIS GOLF CART INTO A 731 00:23:40,420 --> 00:23:41,519 KNOW, OUR FRIEND CORY GAMBLE FLIPPED HIS GOLF CART INTO A SAND TRAP THE OTHER DAY. 732 00:23:41,521 --> 00:23:43,254 FLIPPED HIS GOLF CART INTO A SAND TRAP THE OTHER DAY. WE WERE ON THE GOLF COURSE AND 733 00:23:43,256 --> 00:23:45,556 SAND TRAP THE OTHER DAY. WE WERE ON THE GOLF COURSE AND HE LITERALLY WENT INTO THE SAND 734 00:23:45,558 --> 00:23:46,323 WE WERE ON THE GOLF COURSE AND HE LITERALLY WENT INTO THE SAND TRAP UPSIDE DOWN. 735 00:23:46,325 --> 00:23:47,625 HE LITERALLY WENT INTO THE SAND TRAP UPSIDE DOWN. >> THAT'S NOT GOOD. 736 00:23:47,627 --> 00:23:47,992 TRAP UPSIDE DOWN. >> THAT'S NOT GOOD. >> Ellen: NO. 737 00:23:47,994 --> 00:23:50,861 >> THAT'S NOT GOOD. >> Ellen: NO. IT IS NOT GOOD. 738 00:23:50,863 --> 00:23:52,763 >> Ellen: NO. IT IS NOT GOOD. >> MAYBE I WILL TAKE IT AWAY FOR 739 00:23:52,765 --> 00:23:53,164 IT IS NOT GOOD. >> MAYBE I WILL TAKE IT AWAY FOR A LITTLE WHILE. 740 00:23:53,166 --> 00:23:54,465 >> MAYBE I WILL TAKE IT AWAY FOR A LITTLE WHILE. >> Ellen: WE WILL TAKE ANOTHER 741 00:23:54,467 --> 00:23:55,666 A LITTLE WHILE. >> Ellen: WE WILL TAKE ANOTHER BREAK, AND WHEN WE COME BACK WE 742 00:23:55,668 --> 00:23:57,435 >> Ellen: WE WILL TAKE ANOTHER BREAK, AND WHEN WE COME BACK WE WILL PLAY A GAME THAT YOU WILL 743 00:23:57,437 --> 00:23:58,702 BREAK, AND WHEN WE COME BACK WE WILL PLAY A GAME THAT YOU WILL BE SO GOOD AT. 744 00:23:58,704 --> 00:23:59,737 WILL PLAY A GAME THAT YOU WILL BE SO GOOD AT. >> AWESOME. 745 00:23:59,739 --> 00:24:00,538 BE SO GOOD AT. >> AWESOME. I LOOK FORWARD TO IT. 746 00:24:00,540 --> 00:24:02,673 >> AWESOME. I LOOK FORWARD TO IT. >> Ellen: ALL RIGHT. 747 00:24:02,675 --> 00:24:04,341 I LOOK FORWARD TO IT. >> Ellen: ALL RIGHT. WE'LL BE BACK. 748 00:24:04,343 --> 00:24:04,809 >> Ellen: ALL RIGHT. WE'LL BE BACK. [CHEERS AND APPLAUSE] 749 00:24:04,811 --> 00:24:09,246 WE'LL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 750 00:24:09,248 --> 00:24:11,449 [CHEERS AND APPLAUSE] ♪ ♪ YOU USE THEM, RIGHT? 751 00:24:11,451 --> 00:24:14,785 ♪ ♪ YOU USE THEM, RIGHT? >> I USE THEM DAILY, WEEKLY, 752 00:24:14,787 --> 00:24:15,619 YOU USE THEM, RIGHT? >> I USE THEM DAILY, WEEKLY, NIGHTLY. 753 00:24:15,621 --> 00:24:16,320 >> I USE THEM DAILY, WEEKLY, NIGHTLY. I HAVE USED IT AT LEAST FIVE 754 00:24:16,322 --> 00:24:18,889 NIGHTLY. I HAVE USED IT AT LEAST FIVE TIMES TODAY. 755 00:24:18,891 --> 00:24:21,325 I HAVE USED IT AT LEAST FIVE TIMES TODAY. >> I FEEL LIKE SOME OF THEM ARE 756 00:24:21,327 --> 00:24:23,427 TIMES TODAY. >> I FEEL LIKE SOME OF THEM ARE HARD, THAT'S WHY I'M SO GRATEFUL 757 00:24:23,429 --> 00:24:24,695 >> I FEEL LIKE SOME OF THEM ARE HARD, THAT'S WHY I'M SO GRATEFUL OVER THE TOP WHEN IT HAPPENS. 758 00:24:24,697 --> 00:24:33,838 HARD, THAT'S WHY I'M SO GRATEFUL OVER THE TOP WHEN IT HAPPENS. BUT I DON'T 759 00:24:33,840 --> 00:24:34,305 OVER THE TOP WHEN IT HAPPENS. BUT I DON'T [CHEERS AND APPLAUSE] 760 00:24:34,307 --> 00:24:39,910 BUT I DON'T [CHEERS AND APPLAUSE] ♪ ♪ 761 00:24:39,912 --> 00:24:41,178 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: WE ARE BACK WITH 762 00:24:41,180 --> 00:24:42,112 ♪ ♪ >> Ellen: WE ARE BACK WITH MARK WAHLBERG AND YOU HAVE SO 763 00:24:42,114 --> 00:24:43,514 >> Ellen: WE ARE BACK WITH MARK WAHLBERG AND YOU HAVE SO MANY BUSINESSES AND ARE GOOD AT 764 00:24:43,516 --> 00:24:44,582 MARK WAHLBERG AND YOU HAVE SO MANY BUSINESSES AND ARE GOOD AT SELLING THINGS, SO WE THOUGHT WE 765 00:24:44,584 --> 00:24:46,917 MANY BUSINESSES AND ARE GOOD AT SELLING THINGS, SO WE THOUGHT WE WOULD PLAY A GAME AND SEE HOW 766 00:24:46,919 --> 00:24:49,720 SELLING THINGS, SO WE THOUGHT WE WOULD PLAY A GAME AND SEE HOW WELL YOU SELL THESE. 767 00:24:49,722 --> 00:24:50,254 WOULD PLAY A GAME AND SEE HOW WELL YOU SELL THESE. IT'S CALLED PITCH, PLEASE. 768 00:24:50,256 --> 00:24:54,859 WELL YOU SELL THESE. IT'S CALLED PITCH, PLEASE. ♪ ♪ 769 00:24:54,861 --> 00:24:57,328 IT'S CALLED PITCH, PLEASE. ♪ ♪ >> PITCH PLEASE! 770 00:24:57,330 --> 00:25:01,098 ♪ ♪ >> PITCH PLEASE! SO YOU WILL BE TRYING TO SELL A 771 00:25:01,100 --> 00:25:03,167 >> PITCH PLEASE! SO YOU WILL BE TRYING TO SELL A PRODUCT LIKE THEY DO ON QVC. 772 00:25:03,169 --> 00:25:04,668 SO YOU WILL BE TRYING TO SELL A PRODUCT LIKE THEY DO ON QVC. YOU WANT SEE WHAT YOU ARE 773 00:25:04,670 --> 00:25:06,203 PRODUCT LIKE THEY DO ON QVC. YOU WANT SEE WHAT YOU ARE SELLING, BUT YOU WILL BE SELLING 774 00:25:06,205 --> 00:25:10,040 YOU WANT SEE WHAT YOU ARE SELLING, BUT YOU WILL BE SELLING THE USE AND AGAIN, MARK DOES NOT 775 00:25:10,042 --> 00:25:12,543 SELLING, BUT YOU WILL BE SELLING THE USE AND AGAIN, MARK DOES NOT SEE WHAT HE IS SELLING. 776 00:25:12,545 --> 00:25:13,878 THE USE AND AGAIN, MARK DOES NOT SEE WHAT HE IS SELLING. MARK, YOU MUST BE VERY, VERY 777 00:25:13,880 --> 00:25:17,147 SEE WHAT HE IS SELLING. MARK, YOU MUST BE VERY, VERY PROUD TO SELL THESE. 778 00:25:17,149 --> 00:25:18,182 MARK, YOU MUST BE VERY, VERY PROUD TO SELL THESE. >> OKAY. 779 00:25:18,184 --> 00:25:19,016 PROUD TO SELL THESE. >> OKAY. I AM. 780 00:25:19,018 --> 00:25:19,383 >> OKAY. I AM. I'M THRILLED. 781 00:25:19,385 --> 00:25:21,352 I AM. I'M THRILLED. >> Ellen: TELL ME WHY YOU 782 00:25:21,354 --> 00:25:22,019 I'M THRILLED. >> Ellen: TELL ME WHY YOU DECIDED THESE WOULD BE SOMETHING 783 00:25:22,021 --> 00:25:24,421 >> Ellen: TELL ME WHY YOU DECIDED THESE WOULD BE SOMETHING GOOD TO ADD TO YOUR BUSINESS 784 00:25:24,423 --> 00:25:27,057 DECIDED THESE WOULD BE SOMETHING GOOD TO ADD TO YOUR BUSINESS POSTURE MARK >> WELL, I THINK 785 00:25:27,059 --> 00:25:29,326 GOOD TO ADD TO YOUR BUSINESS POSTURE MARK >> WELL, I THINK IT'S SOMETHING THAT EVERYBODY 786 00:25:29,328 --> 00:25:30,461 POSTURE MARK >> WELL, I THINK IT'S SOMETHING THAT EVERYBODY NEEDS IN THIS DAY AND AGE WITH 787 00:25:30,463 --> 00:25:32,596 IT'S SOMETHING THAT EVERYBODY NEEDS IN THIS DAY AND AGE WITH ALL THE THINGS WE ARE GOING 788 00:25:32,598 --> 00:25:34,098 NEEDS IN THIS DAY AND AGE WITH ALL THE THINGS WE ARE GOING THROUGH, I THINK TO BRING PEOPLE 789 00:25:34,100 --> 00:25:35,466 ALL THE THINGS WE ARE GOING THROUGH, I THINK TO BRING PEOPLE BIT CLOSER TOGETHER AND GIVE PEE 790 00:25:35,468 --> 00:25:39,169 THROUGH, I THINK TO BRING PEOPLE BIT CLOSER TOGETHER AND GIVE PEE A LITTLE BIT MORE JOY TO HELP, I 791 00:25:39,171 --> 00:25:41,038 BIT CLOSER TOGETHER AND GIVE PEE A LITTLE BIT MORE JOY TO HELP, I THINK THAT'S WHY EVERYBODY NEEDS 792 00:25:41,040 --> 00:25:41,605 A LITTLE BIT MORE JOY TO HELP, I THINK THAT'S WHY EVERYBODY NEEDS ONE OF THESE. 793 00:25:41,607 --> 00:25:43,774 THINK THAT'S WHY EVERYBODY NEEDS ONE OF THESE. >> Ellen: AND YOU USE THEM 794 00:25:43,776 --> 00:25:45,209 ONE OF THESE. >> Ellen: AND YOU USE THEM DAILY, RIGHT? 795 00:25:45,211 --> 00:25:47,344 >> Ellen: AND YOU USE THEM DAILY, RIGHT? >> I USE THEM DAILY, WEEKLY, 796 00:25:47,346 --> 00:25:48,312 DAILY, RIGHT? >> I USE THEM DAILY, WEEKLY, NIGHTLY. 797 00:25:48,314 --> 00:25:49,246 >> I USE THEM DAILY, WEEKLY, NIGHTLY. I THINK I HAVE USED IT AT LEAST 798 00:25:49,248 --> 00:25:52,116 NIGHTLY. I THINK I HAVE USED IT AT LEAST FIVE TIMES A DAY. 799 00:25:52,118 --> 00:25:53,584 I THINK I HAVE USED IT AT LEAST FIVE TIMES A DAY. >> Ellen: ALL RIGHT, AND YOU 800 00:25:53,586 --> 00:25:57,488 FIVE TIMES A DAY. >> Ellen: ALL RIGHT, AND YOU FEEL SEXY WHEN YOU USE THEM? 801 00:25:57,490 --> 00:25:59,356 >> Ellen: ALL RIGHT, AND YOU FEEL SEXY WHEN YOU USE THEM? >> OH, MY GOSH! 802 00:25:59,358 --> 00:26:00,491 FEEL SEXY WHEN YOU USE THEM? >> OH, MY GOSH! YOU KNOW WHAT, IT SAVED MY 803 00:26:00,493 --> 00:26:04,395 >> OH, MY GOSH! YOU KNOW WHAT, IT SAVED MY RELATIONSHIP WITH MY WIFE! 804 00:26:04,397 --> 00:26:06,130 YOU KNOW WHAT, IT SAVED MY RELATIONSHIP WITH MY WIFE! WE HAVE STUFF IN THE HOUSE, THE 805 00:26:06,132 --> 00:26:06,997 RELATIONSHIP WITH MY WIFE! WE HAVE STUFF IN THE HOUSE, THE PANDEMIC, DOING THE SAME THING 806 00:26:06,999 --> 00:26:09,099 WE HAVE STUFF IN THE HOUSE, THE PANDEMIC, DOING THE SAME THING ALL THE TIME, AND WHAT BETTER 807 00:26:09,101 --> 00:26:11,602 PANDEMIC, DOING THE SAME THING ALL THE TIME, AND WHAT BETTER WAY TO SPICE UP OUR RELATIONSHIP 808 00:26:11,604 --> 00:26:13,037 ALL THE TIME, AND WHAT BETTER WAY TO SPICE UP OUR RELATIONSHIP THEN TO ADD THESE LOVELY 809 00:26:13,039 --> 00:26:13,337 WAY TO SPICE UP OUR RELATIONSHIP THEN TO ADD THESE LOVELY PRODUCTS. 810 00:26:13,339 --> 00:26:15,105 THEN TO ADD THESE LOVELY PRODUCTS. >> Ellen: SO WHEN SHE SEES YOU 811 00:26:15,107 --> 00:26:19,710 PRODUCTS. >> Ellen: SO WHEN SHE SEES YOU USING THIS, I MEAN, IT TURNS HER 812 00:26:19,712 --> 00:26:20,811 >> Ellen: SO WHEN SHE SEES YOU USING THIS, I MEAN, IT TURNS HER ON? 813 00:26:20,813 --> 00:26:22,046 USING THIS, I MEAN, IT TURNS HER ON? >> OH, MY GOD, SHE IS TELLING, 814 00:26:22,048 --> 00:26:25,549 ON? >> OH, MY GOD, SHE IS TELLING, WE HAVE TO PUT THE KIDS TO BED 815 00:26:25,551 --> 00:26:27,918 >> OH, MY GOD, SHE IS TELLING, WE HAVE TO PUT THE KIDS TO BED EARLY SOMETIMES AT 2:00 IN THE 816 00:26:27,920 --> 00:26:28,919 WE HAVE TO PUT THE KIDS TO BED EARLY SOMETIMES AT 2:00 IN THE AFTERNOON. 817 00:26:28,921 --> 00:26:30,921 EARLY SOMETIMES AT 2:00 IN THE AFTERNOON. >> Ellen: DO YOU NEED HELP 818 00:26:30,923 --> 00:26:31,221 AFTERNOON. >> Ellen: DO YOU NEED HELP USING THESE? 819 00:26:31,223 --> 00:26:34,024 >> Ellen: DO YOU NEED HELP USING THESE? OR YOU USE THEM BY YOURSELF? 820 00:26:34,026 --> 00:26:34,792 USING THESE? OR YOU USE THEM BY YOURSELF? [LAUGHTER] 821 00:26:34,794 --> 00:26:37,561 OR YOU USE THEM BY YOURSELF? [LAUGHTER] >> YOU KNOW WHAT, IT DEPENDS. 822 00:26:37,563 --> 00:26:40,297 [LAUGHTER] >> YOU KNOW WHAT, IT DEPENDS. YOU KNOW, IF THE KIDS AREN'T 823 00:26:40,299 --> 00:26:42,733 >> YOU KNOW WHAT, IT DEPENDS. YOU KNOW, IF THE KIDS AREN'T THERE, MAYBE -- MY ASSISTANT 824 00:26:42,735 --> 00:26:43,801 YOU KNOW, IF THE KIDS AREN'T THERE, MAYBE -- MY ASSISTANT MIGHT GIVE ME A HAND JUST TO PUT 825 00:26:43,803 --> 00:26:46,537 THERE, MAYBE -- MY ASSISTANT MIGHT GIVE ME A HAND JUST TO PUT THEM ON. 826 00:26:46,539 --> 00:26:46,971 MIGHT GIVE ME A HAND JUST TO PUT THEM ON. JUST TO PERFORM. 827 00:26:46,973 --> 00:26:48,939 THEM ON. JUST TO PERFORM. >> Ellen: YOU CAN DO IT ONCE 828 00:26:48,941 --> 00:26:51,141 JUST TO PERFORM. >> Ellen: YOU CAN DO IT ONCE SOMEBODY HELPS YOU GET THEM ON 829 00:26:51,143 --> 00:26:51,609 >> Ellen: YOU CAN DO IT ONCE SOMEBODY HELPS YOU GET THEM ON YOU. 830 00:26:51,611 --> 00:26:51,976 SOMEBODY HELPS YOU GET THEM ON YOU. [LAUGHTER] 831 00:26:51,978 --> 00:26:55,179 YOU. [LAUGHTER] >> THAN I AM GOOD TO GO. 832 00:26:55,181 --> 00:26:57,247 [LAUGHTER] >> THAN I AM GOOD TO GO. >> Ellen: YEAH, WHAT OTHER 833 00:26:57,249 --> 00:26:57,881 >> THAN I AM GOOD TO GO. >> Ellen: YEAH, WHAT OTHER CELEBRITIES WOULD BENEFIT FROM 834 00:26:57,883 --> 00:27:00,751 >> Ellen: YEAH, WHAT OTHER CELEBRITIES WOULD BENEFIT FROM MAY BE HAVING THESE? 835 00:27:00,753 --> 00:27:04,555 CELEBRITIES WOULD BENEFIT FROM MAY BE HAVING THESE? >> I WOULD HAVE TO SAY ALL OF MY 836 00:27:04,557 --> 00:27:08,359 MAY BE HAVING THESE? >> I WOULD HAVE TO SAY ALL OF MY FORMER COSTARS, YOU KNOW, DWAYNE 837 00:27:08,361 --> 00:27:10,861 >> I WOULD HAVE TO SAY ALL OF MY FORMER COSTARS, YOU KNOW, DWAYNE JOHNSON, JASON STATHAM. 838 00:27:10,863 --> 00:27:12,029 FORMER COSTARS, YOU KNOW, DWAYNE JOHNSON, JASON STATHAM. DENZEL WASHINGTON, JACK 839 00:27:12,031 --> 00:27:15,532 JOHNSON, JASON STATHAM. DENZEL WASHINGTON, JACK NICHOLSON, YEAH. 840 00:27:15,534 --> 00:27:17,901 DENZEL WASHINGTON, JACK NICHOLSON, YEAH. LEO, ANYBODY NEEDS ONE OF THESE. 841 00:27:17,903 --> 00:27:18,168 NICHOLSON, YEAH. LEO, ANYBODY NEEDS ONE OF THESE. [LAUGHTER] 842 00:27:18,170 --> 00:27:19,870 LEO, ANYBODY NEEDS ONE OF THESE. [LAUGHTER] >> LISTEN, YOU HAVE SOLD ME. 843 00:27:19,872 --> 00:27:21,372 [LAUGHTER] >> LISTEN, YOU HAVE SOLD ME. IF YOU WANT TO SEE WHAT YOU ARE 844 00:27:21,374 --> 00:27:25,109 >> LISTEN, YOU HAVE SOLD ME. IF YOU WANT TO SEE WHAT YOU ARE SELLING, YOU ARE SELLING 1 POUND 845 00:27:25,111 --> 00:27:26,610 IF YOU WANT TO SEE WHAT YOU ARE SELLING, YOU ARE SELLING 1 POUND WEIGHTS. 846 00:27:26,612 --> 00:27:27,544 SELLING, YOU ARE SELLING 1 POUND WEIGHTS. [LAUGHTER] 847 00:27:27,546 --> 00:27:30,114 WEIGHTS. [LAUGHTER] AND THEY ARE -- 848 00:27:30,116 --> 00:27:30,447 [LAUGHTER] AND THEY ARE -- YEAH. 849 00:27:30,449 --> 00:27:32,983 AND THEY ARE -- YEAH. SO IT'S GREAT THAT YOUR WIFE 850 00:27:32,985 --> 00:27:35,586 YEAH. SO IT'S GREAT THAT YOUR WIFE REALLY WATCHES YOU AND SAYS, GET 851 00:27:35,588 --> 00:27:37,421 SO IT'S GREAT THAT YOUR WIFE REALLY WATCHES YOU AND SAYS, GET IN BED -- 852 00:27:37,423 --> 00:27:39,890 REALLY WATCHES YOU AND SAYS, GET IN BED -- BECAUSE YEAH. 853 00:27:39,892 --> 00:27:41,525 IN BED -- BECAUSE YEAH. [LAUGHTER] 854 00:27:41,527 --> 00:27:43,394 BECAUSE YEAH. [LAUGHTER] >> AM GLAD THAT DWAYNE JOHNSON 855 00:27:43,396 --> 00:27:45,362 [LAUGHTER] >> AM GLAD THAT DWAYNE JOHNSON NEEDS THEM TOO. 856 00:27:45,364 --> 00:27:46,463 >> AM GLAD THAT DWAYNE JOHNSON NEEDS THEM TOO. >> Ellen: JASON STATHAM, THEY 857 00:27:46,465 --> 00:27:46,797 NEEDS THEM TOO. >> Ellen: JASON STATHAM, THEY WILL BENEFIT. 858 00:27:46,799 --> 00:27:48,832 >> Ellen: JASON STATHAM, THEY WILL BENEFIT. >> I THINK THE ROCK CAN USE THAT 859 00:27:48,834 --> 00:27:51,735 WILL BENEFIT. >> I THINK THE ROCK CAN USE THAT AS A TOOTHPICK. 860 00:27:51,737 --> 00:27:55,205 >> I THINK THE ROCK CAN USE THAT AS A TOOTHPICK. >> Ellen: ANDY, IT'S TOO HEAVY 861 00:27:55,207 --> 00:27:55,506 AS A TOOTHPICK. >> Ellen: ANDY, IT'S TOO HEAVY FOR HIM. 862 00:27:55,508 --> 00:27:56,740 >> Ellen: ANDY, IT'S TOO HEAVY FOR HIM. [LAUGHTER] 863 00:27:56,742 --> 00:27:59,276 FOR HIM. [LAUGHTER] >> HE IS COMPLAINING ALREADY 864 00:27:59,278 --> 00:28:01,578 [LAUGHTER] >> HE IS COMPLAINING ALREADY THAT I GAVE HIM THE SANDBAG. 865 00:28:01,580 --> 00:28:02,546 >> HE IS COMPLAINING ALREADY THAT I GAVE HIM THE SANDBAG. SO UPSET. 866 00:28:02,548 --> 00:28:03,113 THAT I GAVE HIM THE SANDBAG. SO UPSET. [LAUGHTER] 867 00:28:03,115 --> 00:28:04,515 SO UPSET. [LAUGHTER] NOT FOR ME. 868 00:28:04,517 --> 00:28:05,349 [LAUGHTER] NOT FOR ME. >> Ellen: THE STRETCH 869 00:28:05,351 --> 00:28:06,717 NOT FOR ME. >> Ellen: THE STRETCH ARMSTRONG AT HIS DESK. 870 00:28:06,719 --> 00:28:08,419 >> Ellen: THE STRETCH ARMSTRONG AT HIS DESK. HEY, MARK, IT'S GREAT TALKING TO 871 00:28:08,421 --> 00:28:08,652 ARMSTRONG AT HIS DESK. HEY, MARK, IT'S GREAT TALKING TO YOU. 872 00:28:08,654 --> 00:28:10,721 HEY, MARK, IT'S GREAT TALKING TO YOU. I HOPE TO SEE YOU IN PERSON 873 00:28:10,723 --> 00:28:12,990 YOU. I HOPE TO SEE YOU IN PERSON SOON. 874 00:28:12,992 --> 00:28:14,458 I HOPE TO SEE YOU IN PERSON SOON. "WAHL STREET" DIRT STREAMING 875 00:28:14,460 --> 00:28:14,992 SOON. "WAHL STREET" DIRT STREAMING THIS THURSDAY ON HBO MAX. 876 00:28:14,994 --> 00:28:15,926 "WAHL STREET" DIRT STREAMING THIS THURSDAY ON HBO MAX. I LOVE YOU. 877 00:28:15,928 --> 00:28:17,061 THIS THURSDAY ON HBO MAX. I LOVE YOU. I WILL SEE YOU SOON. 878 00:28:17,063 --> 00:28:18,962 I LOVE YOU. I WILL SEE YOU SOON. >> LOVE YOU, GOD BLESS. 879 00:28:18,964 --> 00:28:20,597 I WILL SEE YOU SOON. >> LOVE YOU, GOD BLESS. I CAN'T WAIT TO SEE YOU IN 880 00:28:20,599 --> 00:28:20,831 >> LOVE YOU, GOD BLESS. I CAN'T WAIT TO SEE YOU IN PERSON. 881 00:28:20,833 --> 00:28:25,469 I CAN'T WAIT TO SEE YOU IN PERSON. >> Ellen: YES, ME TOO. 882 00:28:25,471 --> 00:28:25,936 PERSON. >> Ellen: YES, ME TOO. [CHEERS AND APPLAUSE] 883 00:28:25,938 --> 00:28:30,974 >> Ellen: YES, ME TOO. [CHEERS AND APPLAUSE] ♪ ♪ 884 00:28:30,976 --> 00:28:33,143 [CHEERS AND APPLAUSE] ♪ ♪ >> I FEEL LIKE SOME OF THEM ARE 885 00:28:33,145 --> 00:28:34,778 ♪ ♪ >> I FEEL LIKE SOME OF THEM ARE HARD, THAT'S WHY I'M SO GRATEFUL 886 00:28:34,780 --> 00:28:36,447 >> I FEEL LIKE SOME OF THEM ARE HARD, THAT'S WHY I'M SO GRATEFUL AND OVER THE TOP WHEN THEY 887 00:28:36,449 --> 00:28:37,114 HARD, THAT'S WHY I'M SO GRATEFUL AND OVER THE TOP WHEN THEY HAPPEN, BUT I DON'T THINK I 888 00:28:37,116 --> 00:28:41,752 AND OVER THE TOP WHEN THEY HAPPEN, BUT I DON'T THINK I COULD FAKE NOT CARING EVEN IF I 889 00:28:41,754 --> 00:28:42,019 HAPPEN, BUT I DON'T THINK I COULD FAKE NOT CARING EVEN IF I WANTED TO. 890 00:28:42,021 --> 00:28:42,286 COULD FAKE NOT CARING EVEN IF I WANTED TO. [LAUGHTER] 891 00:28:42,288 --> 00:28:44,421 WANTED TO. [LAUGHTER] [CHEERS AND APPLAUSE] HERE. 892 00:28:44,423 --> 00:28:45,622 [LAUGHTER] [CHEERS AND APPLAUSE] HERE. ANTARCTICA, WHO IS IN -- 893 00:28:45,624 --> 00:28:48,525 [CHEERS AND APPLAUSE] HERE. ANTARCTICA, WHO IS IN -- OKAY, NOT ANTARCTICA, BUT WE DO 894 00:28:48,527 --> 00:28:48,759 ANTARCTICA, WHO IS IN -- OKAY, NOT ANTARCTICA, BUT WE DO HAVE... 895 00:28:48,761 --> 00:28:49,026 OKAY, NOT ANTARCTICA, BUT WE DO HAVE... [LAUGHTER] 896 00:28:49,028 --> 00:28:49,493 HAVE... [LAUGHTER] [CHEERS AND APPLAUSE] 897 00:28:49,495 --> 00:28:56,400 [LAUGHTER] [CHEERS AND APPLAUSE] ♪ ♪ 898 00:28:56,402 --> 00:28:59,002 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: OUR NEXT GUEST IS A 899 00:28:59,004 --> 00:29:00,404 ♪ ♪ >> Ellen: OUR NEXT GUEST IS A SIX TIME GRAMMY AWARD-WINNING 900 00:29:00,406 --> 00:29:02,172 >> Ellen: OUR NEXT GUEST IS A SIX TIME GRAMMY AWARD-WINNING SINGER AND SONGWRITER WHO JUST 901 00:29:02,174 --> 00:29:03,674 SIX TIME GRAMMY AWARD-WINNING SINGER AND SONGWRITER WHO JUST RELEASED HER FIRST BOOK CALLED 902 00:29:03,676 --> 00:29:05,509 SINGER AND SONGWRITER WHO JUST RELEASED HER FIRST BOOK CALLED "BROKEN HORSES," A MEMOIR, IT IS 903 00:29:05,511 --> 00:29:07,244 RELEASED HER FIRST BOOK CALLED "BROKEN HORSES," A MEMOIR, IT IS VERY, VERY GOOD. 904 00:29:07,246 --> 00:29:09,680 "BROKEN HORSES," A MEMOIR, IT IS VERY, VERY GOOD. PLEASE WELCOME MY FRIEND 905 00:29:09,682 --> 00:29:10,047 VERY, VERY GOOD. PLEASE WELCOME MY FRIEND BRANDI CARLILE! 906 00:29:10,049 --> 00:29:10,514 PLEASE WELCOME MY FRIEND BRANDI CARLILE! [CHEERS AND APPLAUSE] 907 00:29:10,516 --> 00:29:14,852 BRANDI CARLILE! [CHEERS AND APPLAUSE] ♪ ♪ 908 00:29:17,322 --> 00:29:28,365 [CHEERS AND APPLAUSE] ♪ ♪ HI, BRANDI. 909 00:29:28,367 --> 00:29:29,733 ♪ ♪ HI, BRANDI. >> HI, BUDDY. 910 00:29:29,735 --> 00:29:33,103 HI, BRANDI. >> HI, BUDDY. >> Ellen: HOW ARE YOU? 911 00:29:33,105 --> 00:29:33,437 >> HI, BUDDY. >> Ellen: HOW ARE YOU? >> NERVOUS. 912 00:29:33,439 --> 00:29:36,573 >> Ellen: HOW ARE YOU? >> NERVOUS. >> Ellen: ARE YOU REALLY? 913 00:29:36,575 --> 00:29:36,807 >> NERVOUS. >> Ellen: ARE YOU REALLY? >> YES. 914 00:29:36,809 --> 00:29:38,575 >> Ellen: ARE YOU REALLY? >> YES. >> Ellen: WE ARE FRIENDS, WHY 915 00:29:38,577 --> 00:29:39,376 >> YES. >> Ellen: WE ARE FRIENDS, WHY ARE YOU NERVOUS? 916 00:29:39,378 --> 00:29:41,378 >> Ellen: WE ARE FRIENDS, WHY ARE YOU NERVOUS? >> IT JUST FEELS OFFICIAL. 917 00:29:41,380 --> 00:29:42,179 ARE YOU NERVOUS? >> IT JUST FEELS OFFICIAL. I DON'T GET OUT MUCH. 918 00:29:42,181 --> 00:29:43,413 >> IT JUST FEELS OFFICIAL. I DON'T GET OUT MUCH. >> Ellen: THESE PEOPLE LOVE 919 00:29:43,415 --> 00:29:44,882 I DON'T GET OUT MUCH. >> Ellen: THESE PEOPLE LOVE YOU, THERE'S NOTHING TO BE 920 00:29:44,884 --> 00:29:45,883 >> Ellen: THESE PEOPLE LOVE YOU, THERE'S NOTHING TO BE NERVOUS ABOUT. 921 00:29:45,885 --> 00:29:46,784 YOU, THERE'S NOTHING TO BE NERVOUS ABOUT. YOU KNOW WHY YOU ARE NERVOUS, I 922 00:29:46,786 --> 00:29:48,752 NERVOUS ABOUT. YOU KNOW WHY YOU ARE NERVOUS, I WILL TELL YOU WHY, BECAUSE YOU 923 00:29:48,754 --> 00:29:50,154 YOU KNOW WHY YOU ARE NERVOUS, I WILL TELL YOU WHY, BECAUSE YOU HAVE SPENT THE LAST YEAR IN THE 924 00:29:50,156 --> 00:29:50,621 WILL TELL YOU WHY, BECAUSE YOU HAVE SPENT THE LAST YEAR IN THE WOODS. 925 00:29:50,623 --> 00:29:51,622 HAVE SPENT THE LAST YEAR IN THE WOODS. YOU HAVE NOT BEEN IN 926 00:29:51,624 --> 00:29:51,955 WOODS. YOU HAVE NOT BEEN IN CIVILIZATION. 927 00:29:51,957 --> 00:29:53,357 YOU HAVE NOT BEEN IN CIVILIZATION. I DON'T THINK I'VE SEEN YOU 928 00:29:53,359 --> 00:29:54,124 CIVILIZATION. I DON'T THINK I'VE SEEN YOU WITHOUT A HAT ON. 929 00:29:54,126 --> 00:29:55,959 I DON'T THINK I'VE SEEN YOU WITHOUT A HAT ON. I THINK THIS IS THE FIRST TIME 930 00:29:55,961 --> 00:29:56,960 WITHOUT A HAT ON. I THINK THIS IS THE FIRST TIME I'VE SEEN YOUR HAIR IN A WHILE. 931 00:29:56,962 --> 00:29:59,229 I THINK THIS IS THE FIRST TIME I'VE SEEN YOUR HAIR IN A WHILE. >> I GOT A HAIRCUT, WHAT DO YOU 932 00:29:59,231 --> 00:29:59,429 I'VE SEEN YOUR HAIR IN A WHILE. >> I GOT A HAIRCUT, WHAT DO YOU THINK? 933 00:29:59,431 --> 00:30:00,430 >> I GOT A HAIRCUT, WHAT DO YOU THINK? >> Ellen: I LOVE IT. 934 00:30:00,432 --> 00:30:01,565 THINK? >> Ellen: I LOVE IT. I LOVE YOUR HAIR CUT, BUT 935 00:30:01,567 --> 00:30:03,367 >> Ellen: I LOVE IT. I LOVE YOUR HAIR CUT, BUT USUALLY YOU ARE IN THE WOODS 936 00:30:03,369 --> 00:30:04,434 I LOVE YOUR HAIR CUT, BUT USUALLY YOU ARE IN THE WOODS WITH A HAT ON. 937 00:30:04,436 --> 00:30:07,004 USUALLY YOU ARE IN THE WOODS WITH A HAT ON. SO YOU ARE IN THE WORLD NOW. 938 00:30:07,006 --> 00:30:08,205 WITH A HAT ON. SO YOU ARE IN THE WORLD NOW. >> I'M REALLY ENJOYING IT. 939 00:30:08,207 --> 00:30:11,141 SO YOU ARE IN THE WORLD NOW. >> I'M REALLY ENJOYING IT. IT MAKES ME HAPPY TO SEE YOU. 940 00:30:11,143 --> 00:30:13,043 >> I'M REALLY ENJOYING IT. IT MAKES ME HAPPY TO SEE YOU. IT'S HARD NOT TO HUG YOU, AND IT 941 00:30:13,045 --> 00:30:14,611 IT MAKES ME HAPPY TO SEE YOU. IT'S HARD NOT TO HUG YOU, AND IT FEELS REALLY GREAT JUST TO SEE 942 00:30:14,613 --> 00:30:16,980 IT'S HARD NOT TO HUG YOU, AND IT FEELS REALLY GREAT JUST TO SEE SOME SUNSHINE AND SOME FRIENDLY 943 00:30:16,982 --> 00:30:17,214 FEELS REALLY GREAT JUST TO SEE SOME SUNSHINE AND SOME FRIENDLY FACES. 944 00:30:17,216 --> 00:30:20,017 SOME SUNSHINE AND SOME FRIENDLY FACES. >> Ellen: THESE ARE FRIENDLY 945 00:30:20,019 --> 00:30:21,785 FACES. >> Ellen: THESE ARE FRIENDLY FACES, CONGRATULATIONS ON YOUR 946 00:30:21,787 --> 00:30:23,587 >> Ellen: THESE ARE FRIENDLY FACES, CONGRATULATIONS ON YOUR SIXTH GRAMMY WIN FOR HIGH WOMEN. 947 00:30:23,589 --> 00:30:26,156 FACES, CONGRATULATIONS ON YOUR SIXTH GRAMMY WIN FOR HIGH WOMEN. >> THANK YOU. 948 00:30:26,158 --> 00:30:29,560 SIXTH GRAMMY WIN FOR HIGH WOMEN. >> THANK YOU. >> Ellen: YOU ARE NOT SHY, YOU 949 00:30:29,562 --> 00:30:30,761 >> THANK YOU. >> Ellen: YOU ARE NOT SHY, YOU ARE HONEST ABOUT LIKING 950 00:30:30,763 --> 00:30:31,829 >> Ellen: YOU ARE NOT SHY, YOU ARE HONEST ABOUT LIKING ATTENTION AND LIKING AWARDS AND 951 00:30:31,831 --> 00:30:32,196 ARE HONEST ABOUT LIKING ATTENTION AND LIKING AWARDS AND ALL THAT STUFF. 952 00:30:32,198 --> 00:30:35,032 ATTENTION AND LIKING AWARDS AND ALL THAT STUFF. YOU ARE NOT GOING TO BE LIKE OH, 953 00:30:35,034 --> 00:30:36,099 ALL THAT STUFF. YOU ARE NOT GOING TO BE LIKE OH, IT'S NOTHING. 954 00:30:36,101 --> 00:30:37,134 YOU ARE NOT GOING TO BE LIKE OH, IT'S NOTHING. YOU LIKE WINNING AWARDS. 955 00:30:37,136 --> 00:30:39,369 IT'S NOTHING. YOU LIKE WINNING AWARDS. >> I DO LIKE IT. 956 00:30:39,371 --> 00:30:41,138 YOU LIKE WINNING AWARDS. >> I DO LIKE IT. I FEEL -- 957 00:30:41,140 --> 00:30:42,005 >> I DO LIKE IT. I FEEL -- I DON'T KNOW. 958 00:30:42,007 --> 00:30:44,041 I FEEL -- I DON'T KNOW. I FEEL LIKE SOME OF THEM ARE 959 00:30:44,043 --> 00:30:46,944 I DON'T KNOW. I FEEL LIKE SOME OF THEM ARE HARD TO WIN, YOU KNOW, JUST FROM 960 00:30:46,946 --> 00:30:47,744 I FEEL LIKE SOME OF THEM ARE HARD TO WIN, YOU KNOW, JUST FROM COMING UP AGAINST SOME ADVERSITY 961 00:30:47,746 --> 00:30:48,879 HARD TO WIN, YOU KNOW, JUST FROM COMING UP AGAINST SOME ADVERSITY IN MY LIFE, BUT NOT IN A WAY 962 00:30:48,881 --> 00:30:50,781 COMING UP AGAINST SOME ADVERSITY IN MY LIFE, BUT NOT IN A WAY LIKE I FEEL LIKE I DESERVE THEM, 963 00:30:50,783 --> 00:30:51,415 IN MY LIFE, BUT NOT IN A WAY LIKE I FEEL LIKE I DESERVE THEM, I KNOW I DON'T. 964 00:30:51,417 --> 00:30:52,883 LIKE I FEEL LIKE I DESERVE THEM, I KNOW I DON'T. AND THAT'S WHY I AM SO GRATEFUL 965 00:30:52,885 --> 00:30:54,651 I KNOW I DON'T. AND THAT'S WHY I AM SO GRATEFUL AND OVER THE TOP WHEN THEY 966 00:30:54,653 --> 00:30:55,719 AND THAT'S WHY I AM SO GRATEFUL AND OVER THE TOP WHEN THEY HAPPEN, BUT I DON'T THINK I 967 00:30:55,721 --> 00:30:58,288 AND OVER THE TOP WHEN THEY HAPPEN, BUT I DON'T THINK I COULD FAKE NOT CARING IF AND IF 968 00:30:58,290 --> 00:31:00,557 HAPPEN, BUT I DON'T THINK I COULD FAKE NOT CARING IF AND IF I WANTED TO. 969 00:31:00,559 --> 00:31:01,558 COULD FAKE NOT CARING IF AND IF I WANTED TO. >> Ellen: EVERYBODY SHOULD 970 00:31:01,560 --> 00:31:02,192 I WANTED TO. >> Ellen: EVERYBODY SHOULD APPRECIATE IT. 971 00:31:02,194 --> 00:31:03,594 >> Ellen: EVERYBODY SHOULD APPRECIATE IT. IT'S AN HONOR. 972 00:31:03,596 --> 00:31:06,129 APPRECIATE IT. IT'S AN HONOR. BUT YOU TALK ABOUT 2019 GRAMMYS 973 00:31:06,131 --> 00:31:08,198 IT'S AN HONOR. BUT YOU TALK ABOUT 2019 GRAMMYS OR YOUR PERFORMED, YOU WON, THAT 974 00:31:08,200 --> 00:31:08,966 BUT YOU TALK ABOUT 2019 GRAMMYS OR YOUR PERFORMED, YOU WON, THAT WAS SUCH AN AMAZING PERFORMANCE, 975 00:31:08,968 --> 00:31:11,068 OR YOUR PERFORMED, YOU WON, THAT WAS SUCH AN AMAZING PERFORMANCE, BUT YOU TALK ABOUT IT REALLY 976 00:31:11,070 --> 00:31:11,935 WAS SUCH AN AMAZING PERFORMANCE, BUT YOU TALK ABOUT IT REALLY HELPING YOU HEAL YOUR TRAUMA 977 00:31:11,937 --> 00:31:14,571 BUT YOU TALK ABOUT IT REALLY HELPING YOU HEAL YOUR TRAUMA THAT YOU HAD GONE THROUGH. 978 00:31:14,573 --> 00:31:17,641 HELPING YOU HEAL YOUR TRAUMA THAT YOU HAD GONE THROUGH. >> YEAH, I MEAN, I JUST THINK, I 979 00:31:17,643 --> 00:31:18,609 THAT YOU HAD GONE THROUGH. >> YEAH, I MEAN, I JUST THINK, I DON'T NEED TO TELL YOU THIS, BUT 980 00:31:18,611 --> 00:31:24,915 >> YEAH, I MEAN, I JUST THINK, I DON'T NEED TO TELL YOU THIS, BUT AS A QUEER PERSON RAISED IN 981 00:31:24,917 --> 00:31:26,350 DON'T NEED TO TELL YOU THIS, BUT AS A QUEER PERSON RAISED IN RELIGION, ORGANIZED RELIGION AND 982 00:31:26,352 --> 00:31:27,684 AS A QUEER PERSON RAISED IN RELIGION, ORGANIZED RELIGION AND HAVING SUCH A CLOSE RELATION TO 983 00:31:27,686 --> 00:31:31,388 RELIGION, ORGANIZED RELIGION AND HAVING SUCH A CLOSE RELATION TO MY FAITH AND HAVING BECOME 984 00:31:31,390 --> 00:31:32,389 HAVING SUCH A CLOSE RELATION TO MY FAITH AND HAVING BECOME THROUGH SOME TRAUMA AROUND 985 00:31:32,391 --> 00:31:34,791 MY FAITH AND HAVING BECOME THROUGH SOME TRAUMA AROUND PUBLIC ACCOUNTABILITY WITHIN MY 986 00:31:34,793 --> 00:31:36,526 THROUGH SOME TRAUMA AROUND PUBLIC ACCOUNTABILITY WITHIN MY FAITH, TRYING TO GET BAPTIZED 987 00:31:36,528 --> 00:31:38,161 PUBLIC ACCOUNTABILITY WITHIN MY FAITH, TRYING TO GET BAPTIZED AND NOT BEING ABLE TO OR NOT 988 00:31:38,163 --> 00:31:38,795 FAITH, TRYING TO GET BAPTIZED AND NOT BEING ABLE TO OR NOT BEING ALLOWED TO BE INVOLVED IN 989 00:31:38,797 --> 00:31:40,364 AND NOT BEING ABLE TO OR NOT BEING ALLOWED TO BE INVOLVED IN THE CHURCH WHEN I WANTED TO SING 990 00:31:40,366 --> 00:31:42,332 BEING ALLOWED TO BE INVOLVED IN THE CHURCH WHEN I WANTED TO SING THERE AND STUFF LIKE THAT. 991 00:31:42,334 --> 00:31:42,933 THE CHURCH WHEN I WANTED TO SING THERE AND STUFF LIKE THAT. THERE WAS SOMETHING CATHARTIC 992 00:31:42,935 --> 00:31:46,303 THERE AND STUFF LIKE THAT. THERE WAS SOMETHING CATHARTIC ABOUT STANDING UP ON THAT STAGE 993 00:31:46,305 --> 00:31:47,771 THERE WAS SOMETHING CATHARTIC ABOUT STANDING UP ON THAT STAGE AND EXCEPTING THOSE AWARDS AND 994 00:31:47,773 --> 00:31:49,039 ABOUT STANDING UP ON THAT STAGE AND EXCEPTING THOSE AWARDS AND SINGING THAT SONG AND FEELING 995 00:31:49,041 --> 00:31:50,540 AND EXCEPTING THOSE AWARDS AND SINGING THAT SONG AND FEELING LIKE I COME TO A PLACE WHERE I 996 00:31:50,542 --> 00:31:51,742 SINGING THAT SONG AND FEELING LIKE I COME TO A PLACE WHERE I COULD LOOK AT MYSELF IN THE 997 00:31:51,744 --> 00:31:54,745 LIKE I COME TO A PLACE WHERE I COULD LOOK AT MYSELF IN THE MIRROR AND GO, YOU DID SOMETH 998 00:31:54,747 --> 00:31:55,012 COULD LOOK AT MYSELF IN THE MIRROR AND GO, YOU DID SOMETH SOMETHING. 999 00:31:55,014 --> 00:31:57,281 MIRROR AND GO, YOU DID SOMETH SOMETHING. >> Ellen: AND PEOPLE LOVED IT 1000 00:31:57,283 --> 00:31:57,447 SOMETHING. >> Ellen: AND PEOPLE LOVED IT TOO. 1001 00:31:57,449 --> 00:31:59,216 >> Ellen: AND PEOPLE LOVED IT TOO. YOU COULD SEE -- AFTER YOU 1002 00:31:59,218 --> 00:32:00,851 TOO. YOU COULD SEE -- AFTER YOU FINISH THAT PERFORMANCE, YOU ARE 1003 00:32:00,853 --> 00:32:02,986 YOU COULD SEE -- AFTER YOU FINISH THAT PERFORMANCE, YOU ARE JUST LIKE -- IT WAS JUST GREAT. 1004 00:32:02,988 --> 00:32:04,554 FINISH THAT PERFORMANCE, YOU ARE JUST LIKE -- IT WAS JUST GREAT. I LOVED SEEING HOW HAPPY YOU 1005 00:32:04,556 --> 00:32:05,455 JUST LIKE -- IT WAS JUST GREAT. I LOVED SEEING HOW HAPPY YOU WERE. 1006 00:32:05,457 --> 00:32:06,690 I LOVED SEEING HOW HAPPY YOU WERE. >> I WAS LIKE DON'T JUMP. 1007 00:32:06,692 --> 00:32:07,858 WERE. >> I WAS LIKE DON'T JUMP. >> Ellen: YOU WERE JUMPING UP 1008 00:32:07,860 --> 00:32:09,126 >> I WAS LIKE DON'T JUMP. >> Ellen: YOU WERE JUMPING UP AND DOWN, YOU CAN FEEL WHEN 1009 00:32:09,128 --> 00:32:10,260 >> Ellen: YOU WERE JUMPING UP AND DOWN, YOU CAN FEEL WHEN THERE IS A GREAT PERFORMANCE AND 1010 00:32:10,262 --> 00:32:11,228 AND DOWN, YOU CAN FEEL WHEN THERE IS A GREAT PERFORMANCE AND YOU'RE CELEBRATING THAT YOU DID 1011 00:32:11,230 --> 00:32:12,562 THERE IS A GREAT PERFORMANCE AND YOU'RE CELEBRATING THAT YOU DID THAT IN FRONT OF ALL OF YOUR 1012 00:32:12,564 --> 00:32:14,031 YOU'RE CELEBRATING THAT YOU DID THAT IN FRONT OF ALL OF YOUR PEERS, IT'S AMAZING AND A BIG 1013 00:32:14,033 --> 00:32:14,231 THAT IN FRONT OF ALL OF YOUR PEERS, IT'S AMAZING AND A BIG DEAL. 1014 00:32:14,233 --> 00:32:17,467 PEERS, IT'S AMAZING AND A BIG DEAL. YOU HAVE BEEN -- IT IS ALWAYS 1015 00:32:17,469 --> 00:32:18,702 DEAL. YOU HAVE BEEN -- IT IS ALWAYS HARD FOR ANYONE WHO IS DIFFERENT 1016 00:32:18,704 --> 00:32:20,470 YOU HAVE BEEN -- IT IS ALWAYS HARD FOR ANYONE WHO IS DIFFERENT IN ANY KIND OF WAY, BUT YOU HAVE 1017 00:32:20,472 --> 00:32:22,706 HARD FOR ANYONE WHO IS DIFFERENT IN ANY KIND OF WAY, BUT YOU HAVE BEEN OUT SINCE YOU WERE 15 AND 1018 00:32:22,708 --> 00:32:24,274 IN ANY KIND OF WAY, BUT YOU HAVE BEEN OUT SINCE YOU WERE 15 AND VERY PUBLIC ABOUT IT. 1019 00:32:24,276 --> 00:32:26,476 BEEN OUT SINCE YOU WERE 15 AND VERY PUBLIC ABOUT IT. AND IT IS VERY COURAGEOUS TO 1020 00:32:26,478 --> 00:32:28,178 VERY PUBLIC ABOUT IT. AND IT IS VERY COURAGEOUS TO TAKE ON THAT IN YOUR CAREER. 1021 00:32:28,180 --> 00:32:30,514 AND IT IS VERY COURAGEOUS TO TAKE ON THAT IN YOUR CAREER. SO IT'S A BIG DEAL. 1022 00:32:30,516 --> 00:32:31,915 TAKE ON THAT IN YOUR CAREER. SO IT'S A BIG DEAL. >> I DON'T THINK I HAVE EVER 1023 00:32:31,917 --> 00:32:33,750 SO IT'S A BIG DEAL. >> I DON'T THINK I HAVE EVER REALLY FOUND IT EASY TO TELL YOU 1024 00:32:33,752 --> 00:32:35,886 >> I DON'T THINK I HAVE EVER REALLY FOUND IT EASY TO TELL YOU THIS, BECAUSE I FEEL LIKE SO 1025 00:32:35,888 --> 00:32:38,188 REALLY FOUND IT EASY TO TELL YOU THIS, BECAUSE I FEEL LIKE SO MANY PEOPLE DO IN ON SOME LEVEL 1026 00:32:38,190 --> 00:32:40,791 THIS, BECAUSE I FEEL LIKE SO MANY PEOPLE DO IN ON SOME LEVEL YOU KNOW, BUT WHAT YOU DID FOR 1027 00:32:40,793 --> 00:32:42,726 MANY PEOPLE DO IN ON SOME LEVEL YOU KNOW, BUT WHAT YOU DID FOR ME AND FOR PEOPLE LIKE US WHEN 1028 00:32:42,728 --> 00:32:44,428 YOU KNOW, BUT WHAT YOU DID FOR ME AND FOR PEOPLE LIKE US WHEN YOU CAME OUT WAS SO HUGE FOR ME 1029 00:32:44,430 --> 00:32:44,962 ME AND FOR PEOPLE LIKE US WHEN YOU CAME OUT WAS SO HUGE FOR ME AND MY LIFE. 1030 00:32:44,964 --> 00:32:48,765 YOU CAME OUT WAS SO HUGE FOR ME AND MY LIFE. YOU ARE THE FIRST GAY PERSON I 1031 00:32:48,767 --> 00:32:51,201 AND MY LIFE. YOU ARE THE FIRST GAY PERSON I HAD EVER MET. 1032 00:32:51,203 --> 00:32:52,536 YOU ARE THE FIRST GAY PERSON I HAD EVER MET. TO ME YOU WERE WHAT IT MEANT. 1033 00:32:52,538 --> 00:32:54,805 HAD EVER MET. TO ME YOU WERE WHAT IT MEANT. AND I WAS NOT GOING TO STAY IN 1034 00:32:54,807 --> 00:32:55,572 TO ME YOU WERE WHAT IT MEANT. AND I WAS NOT GOING TO STAY IN THE CLOSET AFTER THAT. 1035 00:32:55,574 --> 00:32:58,208 AND I WAS NOT GOING TO STAY IN THE CLOSET AFTER THAT. AND IT STARTED ME OUT ON A WHOLE 1036 00:32:58,210 --> 00:33:00,143 THE CLOSET AFTER THAT. AND IT STARTED ME OUT ON A WHOLE LIFELONG PROCESS OF LIVING OUT 1037 00:33:00,145 --> 00:33:00,944 AND IT STARTED ME OUT ON A WHOLE LIFELONG PROCESS OF LIVING OUT LOUD IN BELIEVING THAT THERE 1038 00:33:00,946 --> 00:33:02,312 LIFELONG PROCESS OF LIVING OUT LOUD IN BELIEVING THAT THERE WASN'T ANY HEIGHT THAT I CANNOT 1039 00:33:02,314 --> 00:33:04,247 LOUD IN BELIEVING THAT THERE WASN'T ANY HEIGHT THAT I CANNOT GET TO BECAUSE OF YOU. 1040 00:33:04,249 --> 00:33:07,317 WASN'T ANY HEIGHT THAT I CANNOT GET TO BECAUSE OF YOU. YOU ARE MY REPRESENTATION. 1041 00:33:07,319 --> 00:33:09,419 GET TO BECAUSE OF YOU. YOU ARE MY REPRESENTATION. YOU MOVE ME FORWARD IN THAT WAY. 1042 00:33:09,421 --> 00:33:11,755 YOU ARE MY REPRESENTATION. YOU MOVE ME FORWARD IN THAT WAY. I AM NOT THE ONLY ONE COMING YOU 1043 00:33:11,757 --> 00:33:12,089 YOU MOVE ME FORWARD IN THAT WAY. I AM NOT THE ONLY ONE COMING YOU KNOW THAT. 1044 00:33:12,091 --> 00:33:12,589 I AM NOT THE ONLY ONE COMING YOU KNOW THAT. [APPLAUSE] 1045 00:33:12,591 --> 00:33:13,790 KNOW THAT. [APPLAUSE] >> Ellen: THANK YOU SO MUCH 1046 00:33:13,792 --> 00:33:16,793 [APPLAUSE] >> Ellen: THANK YOU SO MUCH PRIDE WHAT IS FUNNY IN THE BOOK, 1047 00:33:16,795 --> 00:33:19,162 >> Ellen: THANK YOU SO MUCH PRIDE WHAT IS FUNNY IN THE BOOK, YOU -- MY COMING OUT EPISODE ON 1048 00:33:19,164 --> 00:33:21,131 PRIDE WHAT IS FUNNY IN THE BOOK, YOU -- MY COMING OUT EPISODE ON MY SITCOM, SO OBVIOUSLY YOU 1049 00:33:21,133 --> 00:33:22,899 YOU -- MY COMING OUT EPISODE ON MY SITCOM, SO OBVIOUSLY YOU WEREN'T OUT ENOUGH, SO YOU ARE 1050 00:33:22,901 --> 00:33:26,136 MY SITCOM, SO OBVIOUSLY YOU WEREN'T OUT ENOUGH, SO YOU ARE HIDING, HOW OLD WERE YOU WHEN 1051 00:33:26,138 --> 00:33:27,037 WEREN'T OUT ENOUGH, SO YOU ARE HIDING, HOW OLD WERE YOU WHEN THAT AIRED? 1052 00:33:27,039 --> 00:33:29,206 HIDING, HOW OLD WERE YOU WHEN THAT AIRED? >> 1997? 1053 00:33:29,208 --> 00:33:29,406 THAT AIRED? >> 1997? SO 14. 1054 00:33:29,408 --> 00:33:30,974 >> 1997? SO 14. >> Ellen: YOU HAD NOT COME OUT 1055 00:33:30,976 --> 00:33:32,709 SO 14. >> Ellen: YOU HAD NOT COME OUT YET, BECAUSE YOU LABELED IT WITH 1056 00:33:32,711 --> 00:33:35,345 >> Ellen: YOU HAD NOT COME OUT YET, BECAUSE YOU LABELED IT WITH YOUR BOYFRIEND'S BASEBALL GAME. 1057 00:33:35,347 --> 00:33:37,280 YET, BECAUSE YOU LABELED IT WITH YOUR BOYFRIEND'S BASEBALL GAME. >> IT'S DAVID'S BASEBALL GAME 1058 00:33:37,282 --> 00:33:38,281 YOUR BOYFRIEND'S BASEBALL GAME. >> IT'S DAVID'S BASEBALL GAME AND I STILL HAVE IT. 1059 00:33:38,283 --> 00:33:41,218 >> IT'S DAVID'S BASEBALL GAME AND I STILL HAVE IT. AND I WANTED TO HAVE EIGHT AND 1060 00:33:41,220 --> 00:33:42,219 AND I STILL HAVE IT. AND I WANTED TO HAVE EIGHT AND HAVE YOU SIGN IT. 1061 00:33:42,221 --> 00:33:44,121 AND I WANTED TO HAVE EIGHT AND HAVE YOU SIGN IT. >> Ellen: I DON'T THINK THAT 1062 00:33:44,123 --> 00:33:47,491 HAVE YOU SIGN IT. >> Ellen: I DON'T THINK THAT THEY MAKE DVD PLAYS ANYMORE. 1063 00:33:47,493 --> 00:33:47,657 >> Ellen: I DON'T THINK THAT THEY MAKE DVD PLAYS ANYMORE. VCR. 1064 00:33:47,659 --> 00:33:51,828 THEY MAKE DVD PLAYS ANYMORE. VCR. >> I'M QUITE CLOSE TO HIM, THE 1065 00:33:51,830 --> 00:33:54,164 VCR. >> I'M QUITE CLOSE TO HIM, THE FATHER OF MY CHILDREN. 1066 00:33:54,166 --> 00:33:54,965 >> I'M QUITE CLOSE TO HIM, THE FATHER OF MY CHILDREN. >> Ellen: HER BOYFRIEND IN 1067 00:33:54,967 --> 00:33:58,368 FATHER OF MY CHILDREN. >> Ellen: HER BOYFRIEND IN HIGH SCHOOL IS THE FATHER OF HER 1068 00:33:58,370 --> 00:34:00,003 >> Ellen: HER BOYFRIEND IN HIGH SCHOOL IS THE FATHER OF HER CHILDREN WITH HER WIFE. 1069 00:34:00,005 --> 00:34:01,972 HIGH SCHOOL IS THE FATHER OF HER CHILDREN WITH HER WIFE. >> I SQUEEZE HIS CHEEKS EVERY 1070 00:34:01,974 --> 00:34:03,073 CHILDREN WITH HER WIFE. >> I SQUEEZE HIS CHEEKS EVERY TIME HE COMES OVER. 1071 00:34:03,075 --> 00:34:04,174 >> I SQUEEZE HIS CHEEKS EVERY TIME HE COMES OVER. >> Ellen: VCR. 1072 00:34:04,176 --> 00:34:05,776 TIME HE COMES OVER. >> Ellen: VCR. YOU PROBABLY HAVE IT ON A VCR. 1073 00:34:05,778 --> 00:34:08,745 >> Ellen: VCR. YOU PROBABLY HAVE IT ON A VCR. >> VHS TAPE, THAT'S WHAT THEY 1074 00:34:08,747 --> 00:34:10,714 YOU PROBABLY HAVE IT ON A VCR. >> VHS TAPE, THAT'S WHAT THEY ARE CALLED? 1075 00:34:10,716 --> 00:34:12,849 >> VHS TAPE, THAT'S WHAT THEY ARE CALLED? IT'S ACTUALLY ELLEN DeGENERES' 1076 00:34:12,851 --> 00:34:13,550 ARE CALLED? IT'S ACTUALLY ELLEN DeGENERES' COMING OUT EPISODE. 1077 00:34:13,552 --> 00:34:15,018 IT'S ACTUALLY ELLEN DeGENERES' COMING OUT EPISODE. >> Ellen: YOU HAVE TO TRANSFER 1078 00:34:15,020 --> 00:34:15,619 COMING OUT EPISODE. >> Ellen: YOU HAVE TO TRANSFER THAT TO DIGITAL, BECAUSE IT'S 1079 00:34:15,621 --> 00:34:18,155 >> Ellen: YOU HAVE TO TRANSFER THAT TO DIGITAL, BECAUSE IT'S NOT GOING TO LAST. 1080 00:34:18,157 --> 00:34:19,356 THAT TO DIGITAL, BECAUSE IT'S NOT GOING TO LAST. >> CATS OUT OF THE BAG. 1081 00:34:19,358 --> 00:34:21,124 NOT GOING TO LAST. >> CATS OUT OF THE BAG. >> Ellen: WE HAVE TO TAKE A 1082 00:34:21,126 --> 00:34:22,759 >> CATS OUT OF THE BAG. >> Ellen: WE HAVE TO TAKE A BREAK. 1083 00:34:22,761 --> 00:34:23,393 >> Ellen: WE HAVE TO TAKE A BREAK. MORE WITH BRANDI AFTER THIS. 1084 00:34:23,395 --> 00:34:23,860 BREAK. MORE WITH BRANDI AFTER THIS. [CHEERS AND APPLAUSE] 1085 00:34:23,862 --> 00:34:34,671 MORE WITH BRANDI AFTER THIS. [CHEERS AND APPLAUSE] ♪ ♪ 1086 00:34:34,673 --> 00:34:35,405 [CHEERS AND APPLAUSE] ♪ ♪ ♪ LA DA DI, OH LA DI DA ♪ 1087 00:34:35,407 --> 00:34:36,373 ♪ ♪ ♪ LA DA DI, OH LA DI DA ♪ ♪ GONNA BE A SUPERSTAR ♪ 1088 00:34:36,375 --> 00:34:37,107 ♪ LA DA DI, OH LA DI DA ♪ ♪ GONNA BE A SUPERSTAR ♪ ♪ BE THE GIRL YOU USED TO KNOW ♪ 1089 00:34:37,109 --> 00:34:39,176 ♪ GONNA BE A SUPERSTAR ♪ ♪ BE THE GIRL YOU USED TO KNOW ♪ ♪ PLAYING ON THE RADIO ♪ 1090 00:34:39,178 --> 00:34:51,621 ♪ BE THE GIRL YOU USED TO KNOW ♪ ♪ PLAYING ON THE RADIO ♪ ♪ LA DA DI, OH LA DI DIE 1091 00:34:51,623 --> 00:34:52,089 ♪ PLAYING ON THE RADIO ♪ ♪ LA DA DI, OH LA DI DIE [CHEERS AND APPLAUSE] 1092 00:34:52,091 --> 00:34:55,725 ♪ LA DA DI, OH LA DI DIE [CHEERS AND APPLAUSE] ♪ ♪ 1093 00:34:55,727 --> 00:34:58,061 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: WE ARE BACK WITH 1094 00:34:58,063 --> 00:34:59,830 ♪ ♪ >> Ellen: WE ARE BACK WITH BRANDI CARLILE, AND SO, THE 1095 00:34:59,832 --> 00:35:01,098 >> Ellen: WE ARE BACK WITH BRANDI CARLILE, AND SO, THE COOLEST THING, THEY ARE SO MANY 1096 00:35:01,100 --> 00:35:02,532 BRANDI CARLILE, AND SO, THE COOLEST THING, THEY ARE SO MANY STORIES ABOUT ALL OF THESE 1097 00:35:02,534 --> 00:35:03,166 COOLEST THING, THEY ARE SO MANY STORIES ABOUT ALL OF THESE PEOPLE THAT YOU ADMIRED AND NOW 1098 00:35:03,168 --> 00:35:06,069 STORIES ABOUT ALL OF THESE PEOPLE THAT YOU ADMIRED AND NOW ARE FRIENDS WITH. 1099 00:35:06,071 --> 00:35:07,704 PEOPLE THAT YOU ADMIRED AND NOW ARE FRIENDS WITH. BUT YOU HANG OUT AT JONI 1100 00:35:07,706 --> 00:35:09,773 ARE FRIENDS WITH. BUT YOU HANG OUT AT JONI MITCHELL'S HOUSE AND DO THESE 1101 00:35:09,775 --> 00:35:11,508 BUT YOU HANG OUT AT JONI MITCHELL'S HOUSE AND DO THESE JAM SESSIONS WITH REALLY COOL 1102 00:35:11,510 --> 00:35:12,542 MITCHELL'S HOUSE AND DO THESE JAM SESSIONS WITH REALLY COOL PEOPLE. 1103 00:35:12,544 --> 00:35:13,710 JAM SESSIONS WITH REALLY COOL PEOPLE. SOME OF THE PEOPLE -- 1104 00:35:13,712 --> 00:35:14,811 PEOPLE. SOME OF THE PEOPLE -- LIKE DOLLY PARTON, WRIGHT, WHO 1105 00:35:14,813 --> 00:35:18,648 SOME OF THE PEOPLE -- LIKE DOLLY PARTON, WRIGHT, WHO ELSE HAS BEEN THERE? 1106 00:35:18,650 --> 00:35:19,616 LIKE DOLLY PARTON, WRIGHT, WHO ELSE HAS BEEN THERE? >> Ellen: I HAVE BEEN THERE 1107 00:35:19,618 --> 00:35:19,850 ELSE HAS BEEN THERE? >> Ellen: I HAVE BEEN THERE ONCE. 1108 00:35:19,852 --> 00:35:22,652 >> Ellen: I HAVE BEEN THERE ONCE. >> WE TOOK YOU OVER THERE ONE 1109 00:35:22,654 --> 00:35:22,853 ONCE. >> WE TOOK YOU OVER THERE ONE TIME. 1110 00:35:22,855 --> 00:35:23,720 >> WE TOOK YOU OVER THERE ONE TIME. >> Ellen: AND HARRY STYLES WAS 1111 00:35:23,722 --> 00:35:24,087 TIME. >> Ellen: AND HARRY STYLES WAS THERE. 1112 00:35:24,089 --> 00:35:26,957 >> Ellen: AND HARRY STYLES WAS THERE. AND IT WAS VERY COOL, CHAKA KHAN 1113 00:35:26,959 --> 00:35:27,290 THERE. AND IT WAS VERY COOL, CHAKA KHAN WAS THERE. 1114 00:35:27,292 --> 00:35:29,526 AND IT WAS VERY COOL, CHAKA KHAN WAS THERE. >> YOU WERE IN YOUR PAJAMAS AND 1115 00:35:29,528 --> 00:35:31,094 WAS THERE. >> YOU WERE IN YOUR PAJAMAS AND SINGING ALONG WITH SHAKA CON AND 1116 00:35:31,096 --> 00:35:32,295 >> YOU WERE IN YOUR PAJAMAS AND SINGING ALONG WITH SHAKA CON AND IT WAS PRETTY AUDACIOUS, 1117 00:35:32,297 --> 00:35:33,029 SINGING ALONG WITH SHAKA CON AND IT WAS PRETTY AUDACIOUS, ACTUALLY. 1118 00:35:33,031 --> 00:35:35,098 IT WAS PRETTY AUDACIOUS, ACTUALLY. I WAS THINKING ABOUT THAT 1119 00:35:35,100 --> 00:35:35,732 ACTUALLY. I WAS THINKING ABOUT THAT ACTUALLY, BECAUSE YOU COMING 1120 00:35:35,734 --> 00:35:39,136 I WAS THINKING ABOUT THAT ACTUALLY, BECAUSE YOU COMING MIGHT NOT HAVE BEEN ABLE TO GRAB 1121 00:35:39,138 --> 00:35:40,437 ACTUALLY, BECAUSE YOU COMING MIGHT NOT HAVE BEEN ABLE TO GRAB THE GUITAR AND JAM, BUT I 1122 00:35:40,439 --> 00:35:41,037 MIGHT NOT HAVE BEEN ABLE TO GRAB THE GUITAR AND JAM, BUT I REALIZE THAT YOU DO SOMETHING 1123 00:35:41,039 --> 00:35:44,107 THE GUITAR AND JAM, BUT I REALIZE THAT YOU DO SOMETHING THAT YOU COULD DO WITH JONI AND 1124 00:35:44,109 --> 00:35:47,310 REALIZE THAT YOU DO SOMETHING THAT YOU COULD DO WITH JONI AND I THINK THERE IS A GOOD CHANCE 1125 00:35:47,312 --> 00:35:49,846 THAT YOU COULD DO WITH JONI AND I THINK THERE IS A GOOD CHANCE SHE COULD WHIP YOU AT PING-PONG. 1126 00:35:49,848 --> 00:35:50,247 I THINK THERE IS A GOOD CHANCE SHE COULD WHIP YOU AT PING-PONG. >> Ellen: REALLY? 1127 00:35:50,249 --> 00:35:51,314 SHE COULD WHIP YOU AT PING-PONG. >> Ellen: REALLY? >> SHE IS REALLY GOOD. 1128 00:35:51,316 --> 00:35:52,916 >> Ellen: REALLY? >> SHE IS REALLY GOOD. >> Ellen: BUT I AM REALLY 1129 00:35:52,918 --> 00:35:53,450 >> SHE IS REALLY GOOD. >> Ellen: BUT I AM REALLY GOOD. 1130 00:35:53,452 --> 00:35:55,252 >> Ellen: BUT I AM REALLY GOOD. I DON'T KNOW, I WILL PLAY HER 1131 00:35:55,254 --> 00:35:56,086 GOOD. I DON'T KNOW, I WILL PLAY HER AND PING-PONG. 1132 00:35:56,088 --> 00:35:56,520 I DON'T KNOW, I WILL PLAY HER AND PING-PONG. >> OKAY. 1133 00:35:56,522 --> 00:35:58,588 AND PING-PONG. >> OKAY. I MIGHT BE ABLE TO SET THIS UP. 1134 00:35:58,590 --> 00:36:00,090 >> OKAY. I MIGHT BE ABLE TO SET THIS UP. >> Ellen: WILL YOU DO IT 1135 00:36:00,092 --> 00:36:00,690 I MIGHT BE ABLE TO SET THIS UP. >> Ellen: WILL YOU DO IT AGAIN? 1136 00:36:00,692 --> 00:36:02,659 >> Ellen: WILL YOU DO IT AGAIN? BECAUSE YOU HAVE NOT DONE IT FOR 1137 00:36:02,661 --> 00:36:03,660 AGAIN? BECAUSE YOU HAVE NOT DONE IT FOR A WHILE NOW. 1138 00:36:03,662 --> 00:36:05,295 BECAUSE YOU HAVE NOT DONE IT FOR A WHILE NOW. BUT SHE IS VACCINATED? 1139 00:36:05,297 --> 00:36:07,397 A WHILE NOW. BUT SHE IS VACCINATED? >> I THINK IT'S TIME TO BRING 1140 00:36:07,399 --> 00:36:09,533 BUT SHE IS VACCINATED? >> I THINK IT'S TIME TO BRING THE JONI MUSIC BACK, AND SHE IS 1141 00:36:09,535 --> 00:36:11,434 >> I THINK IT'S TIME TO BRING THE JONI MUSIC BACK, AND SHE IS SUCH AN INSPIRING WOMAN, I LOVE 1142 00:36:11,436 --> 00:36:12,269 THE JONI MUSIC BACK, AND SHE IS SUCH AN INSPIRING WOMAN, I LOVE HER SO MUCH. 1143 00:36:12,271 --> 00:36:13,136 SUCH AN INSPIRING WOMAN, I LOVE HER SO MUCH. >> Ellen: THE COOLEST THING IN 1144 00:36:13,138 --> 00:36:15,739 HER SO MUCH. >> Ellen: THE COOLEST THING IN THE WORLD IS TO BE INVITED TO 1145 00:36:15,741 --> 00:36:18,875 >> Ellen: THE COOLEST THING IN THE WORLD IS TO BE INVITED TO JONI MITCHELL'S HOUSE AND HAVE 1146 00:36:18,877 --> 00:36:19,609 THE WORLD IS TO BE INVITED TO JONI MITCHELL'S HOUSE AND HAVE MUSICIANS DAM AND YOU ARE JUST 1147 00:36:19,611 --> 00:36:22,045 JONI MITCHELL'S HOUSE AND HAVE MUSICIANS DAM AND YOU ARE JUST LISTENING TO THESE UNBELIEVABLE 1148 00:36:22,047 --> 00:36:22,345 MUSICIANS DAM AND YOU ARE JUST LISTENING TO THESE UNBELIEVABLE PEOPLE SING. 1149 00:36:22,347 --> 00:36:24,414 LISTENING TO THESE UNBELIEVABLE PEOPLE SING. AND YOUR NEW MUSIC COMING YOU 1150 00:36:24,416 --> 00:36:26,416 PEOPLE SING. AND YOUR NEW MUSIC COMING YOU SAID YOU WOULD PLAY ME SOME 1151 00:36:26,418 --> 00:36:28,285 AND YOUR NEW MUSIC COMING YOU SAID YOU WOULD PLAY ME SOME SOON, ONE IS A COMING OUT? 1152 00:36:28,287 --> 00:36:29,486 SAID YOU WOULD PLAY ME SOME SOON, ONE IS A COMING OUT? >> IT IS DONE AND WE ARE STILL 1153 00:36:29,488 --> 00:36:31,254 SOON, ONE IS A COMING OUT? >> IT IS DONE AND WE ARE STILL TALKING ABOUT WHEN IT IS COMING 1154 00:36:31,256 --> 00:36:32,355 >> IT IS DONE AND WE ARE STILL TALKING ABOUT WHEN IT IS COMING OUT, BUT MAYBE WE COULD HAVE A 1155 00:36:32,357 --> 00:36:33,056 TALKING ABOUT WHEN IT IS COMING OUT, BUT MAYBE WE COULD HAVE A CAMPFIRE ONE NIGHT OR SOMETHING 1156 00:36:33,058 --> 00:36:36,693 OUT, BUT MAYBE WE COULD HAVE A CAMPFIRE ONE NIGHT OR SOMETHING AND PLAY IT. 1157 00:36:36,695 --> 00:36:38,461 CAMPFIRE ONE NIGHT OR SOMETHING AND PLAY IT. >> Ellen: BUT WHEN IS IT 1158 00:36:38,463 --> 00:36:39,229 AND PLAY IT. >> Ellen: BUT WHEN IS IT COMING OUT? 1159 00:36:39,231 --> 00:36:40,664 >> Ellen: BUT WHEN IS IT COMING OUT? BECO I DON'T KNOW. 1160 00:36:40,666 --> 00:36:41,531 COMING OUT? BECO I DON'T KNOW. I'M FEELING LIKE FALL. 1161 00:36:41,533 --> 00:36:43,900 BECO I DON'T KNOW. I'M FEELING LIKE FALL. I THINK IT'S A FALL RECORD. 1162 00:36:43,902 --> 00:36:45,936 I'M FEELING LIKE FALL. I THINK IT'S A FALL RECORD. >> Ellen: I CAN'T WAIT. 1163 00:36:45,938 --> 00:36:47,304 I THINK IT'S A FALL RECORD. >> Ellen: I CAN'T WAIT. I LOVE YOUR MUSIC COMING AND 1164 00:36:47,306 --> 00:36:47,871 >> Ellen: I CAN'T WAIT. I LOVE YOUR MUSIC COMING AND KNOW THAT. 1165 00:36:47,873 --> 00:36:50,073 I LOVE YOUR MUSIC COMING AND KNOW THAT. EVERY SINGLE TIME I SENT HER 1166 00:36:50,075 --> 00:36:51,007 KNOW THAT. EVERY SINGLE TIME I SENT HER VIDEOS OF EVERY TIME ANY MUSIC 1167 00:36:51,009 --> 00:36:52,909 EVERY SINGLE TIME I SENT HER VIDEOS OF EVERY TIME ANY MUSIC COMES ON I SEND IT TO HER ALL 1168 00:36:52,911 --> 00:36:53,677 VIDEOS OF EVERY TIME ANY MUSIC COMES ON I SEND IT TO HER ALL THE TIME. 1169 00:36:53,679 --> 00:36:55,111 COMES ON I SEND IT TO HER ALL THE TIME. THE BOOK IS FANTASTIC. 1170 00:36:55,113 --> 00:36:57,314 THE TIME. THE BOOK IS FANTASTIC. I'M SO HAPPY FOR YOU. 1171 00:36:57,316 --> 00:37:00,217 THE BOOK IS FANTASTIC. I'M SO HAPPY FOR YOU. EVEN THOUGH I KNEW SOME OF THESE 1172 00:37:00,219 --> 00:37:02,219 I'M SO HAPPY FOR YOU. EVEN THOUGH I KNEW SOME OF THESE STORIES I KNOW WHEN HERE, I 1173 00:37:02,221 --> 00:37:03,119 EVEN THOUGH I KNEW SOME OF THESE STORIES I KNOW WHEN HERE, I LEARNED A WHOLE LOT MORE ABOUT 1174 00:37:03,121 --> 00:37:03,653 STORIES I KNOW WHEN HERE, I LEARNED A WHOLE LOT MORE ABOUT YOU. 1175 00:37:03,655 --> 00:37:04,654 LEARNED A WHOLE LOT MORE ABOUT YOU. IT'S AN INTERESTING BOOK IN YOUR 1176 00:37:04,656 --> 00:37:06,656 YOU. IT'S AN INTERESTING BOOK IN YOUR LIFE AND HOW YOU STARTED THAT 1177 00:37:06,658 --> 00:37:08,491 IT'S AN INTERESTING BOOK IN YOUR LIFE AND HOW YOU STARTED THAT YOU ALMOST DIED EARLY ON. 1178 00:37:08,493 --> 00:37:10,126 LIFE AND HOW YOU STARTED THAT YOU ALMOST DIED EARLY ON. JUST THERE ARE SOME INTERESTING 1179 00:37:10,128 --> 00:37:11,461 YOU ALMOST DIED EARLY ON. JUST THERE ARE SOME INTERESTING STORIES IN HERE. 1180 00:37:11,463 --> 00:37:12,462 JUST THERE ARE SOME INTERESTING STORIES IN HERE. IT'S CALLED "BROKEN HORSES" 1181 00:37:12,464 --> 00:37:14,364 STORIES IN HERE. IT'S CALLED "BROKEN HORSES" AVAILABLE NOW. 1182 00:37:14,366 --> 00:37:15,098 IT'S CALLED "BROKEN HORSES" AVAILABLE NOW. EVERYONE IN THE AUDIENCE IS 1183 00:37:15,100 --> 00:37:15,565 AVAILABLE NOW. EVERYONE IN THE AUDIENCE IS GETTING A COPY! 1184 00:37:15,567 --> 00:37:18,101 EVERYONE IN THE AUDIENCE IS GETTING A COPY! [CHEERS AND APPLAUSE] 1185 00:37:18,103 --> 00:37:18,535 GETTING A COPY! [CHEERS AND APPLAUSE] AND WE WILL BE BACK. 1186 00:37:18,537 --> 00:37:19,002 [CHEERS AND APPLAUSE] AND WE WILL BE BACK. [CHEERS AND APPLAUSE] 1187 00:37:19,004 --> 00:37:21,805 AND WE WILL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 1188 00:37:24,709 --> 00:37:37,921 [CHEERS AND APPLAUSE] ♪ >> Ellen: I WANT TO THANK 1189 00:37:37,923 --> 00:37:39,689 ♪ >> Ellen: I WANT TO THANK MARK WAHLBERG, AND 1190 00:37:39,691 --> 00:37:40,824 >> Ellen: I WANT TO THANK MARK WAHLBERG, AND BRANDI CARLILE AND ALL OF YOU 1191 00:37:40,826 --> 00:37:41,391 MARK WAHLBERG, AND BRANDI CARLILE AND ALL OF YOU FOR WATCHING. 1192 00:37:41,393 --> 00:37:44,728 BRANDI CARLILE AND ALL OF YOU FOR WATCHING. HERE PERFORMING "LA DI DIE" WITH 1193 00:37:44,730 --> 00:37:48,131 FOR WATCHING. HERE PERFORMING "LA DI DIE" WITH A LITTLE HELP FROM TRAVIS BARK 1194 00:37:48,133 --> 00:37:49,799 HERE PERFORMING "LA DI DIE" WITH A LITTLE HELP FROM TRAVIS BARK TRAVIS BARKER. 1195 00:37:49,801 --> 00:37:50,433 A LITTLE HELP FROM TRAVIS BARK TRAVIS BARKER. PLEASE WELCOME NESSA BARRETT AND 1196 00:37:50,435 --> 00:37:50,634 TRAVIS BARKER. PLEASE WELCOME NESSA BARRETT AND JXDN! 1197 00:37:50,636 --> 00:37:51,101 PLEASE WELCOME NESSA BARRETT AND JXDN! [CHEERS AND APPLAUSE] 1198 00:37:51,103 --> 00:37:52,869 JXDN! [CHEERS AND APPLAUSE] ♪ ♪ 1199 00:37:52,871 --> 00:37:53,737 [CHEERS AND APPLAUSE] ♪ ♪ ♪ DOES IT RAIN IN CALIFORNIA? ♪ 1200 00:37:53,739 --> 00:37:54,404 ♪ ♪ ♪ DOES IT RAIN IN CALIFORNIA? ♪ ♪ ONLY DREAM I'VE EVER KNOWN ♪ 1201 00:37:54,406 --> 00:37:55,071 ♪ DOES IT RAIN IN CALIFORNIA? ♪ ♪ ONLY DREAM I'VE EVER KNOWN ♪ ♪ WILL THEY LOVE YOU WHEN YOU'RE 1202 00:37:55,073 --> 00:37:59,209 ♪ ONLY DREAM I'VE EVER KNOWN ♪ ♪ WILL THEY LOVE YOU WHEN YOU'RE FAMOUS? ♪ 1203 00:37:59,211 --> 00:38:00,110 ♪ WILL THEY LOVE YOU WHEN YOU'RE FAMOUS? ♪ ♪ SWEAR YOU'LL NEVER BE ALONE ♪ 1204 00:38:00,112 --> 00:38:00,644 FAMOUS? ♪ ♪ SWEAR YOU'LL NEVER BE ALONE ♪ ♪ HOPE SOMEDAY I'LL FIND 1205 00:38:00,646 --> 00:38:00,910 ♪ SWEAR YOU'LL NEVER BE ALONE ♪ ♪ HOPE SOMEDAY I'LL FIND NIRVANA ♪ 1206 00:38:00,912 --> 00:38:01,544 ♪ HOPE SOMEDAY I'LL FIND NIRVANA ♪ ♪ I'LL BE LOOKING DOWN BELOW ♪ 1207 00:38:01,546 --> 00:38:02,512 NIRVANA ♪ ♪ I'LL BE LOOKING DOWN BELOW ♪ ♪ I'LL BE DEAD AT TWENTY-SEVEN ♪ 1208 00:38:02,514 --> 00:38:03,947 ♪ I'LL BE LOOKING DOWN BELOW ♪ ♪ I'LL BE DEAD AT TWENTY-SEVEN ♪ ♪ ONLY NINE MORE YEARS TO GO ♪ 1209 00:38:03,949 --> 00:38:09,919 ♪ I'LL BE DEAD AT TWENTY-SEVEN ♪ ♪ ONLY NINE MORE YEARS TO GO ♪ ♪ I GOT A BULLY IN MY HEAD ♪ 1210 00:38:09,921 --> 00:38:14,758 ♪ ONLY NINE MORE YEARS TO GO ♪ ♪ I GOT A BULLY IN MY HEAD ♪ ♪ FAKE LOVE, FAKE FRIENDS ♪ 1211 00:38:14,760 --> 00:38:15,725 ♪ I GOT A BULLY IN MY HEAD ♪ ♪ FAKE LOVE, FAKE FRIENDS ♪ ♪ I WAS BROKEN WHEN YOU LEFT ♪ 1212 00:38:15,727 --> 00:38:16,393 ♪ FAKE LOVE, FAKE FRIENDS ♪ ♪ I WAS BROKEN WHEN YOU LEFT ♪ ♪ NOW YOU HEAR ME EVERYWHERE YOU 1213 00:38:16,395 --> 00:38:24,434 ♪ I WAS BROKEN WHEN YOU LEFT ♪ ♪ NOW YOU HEAR ME EVERYWHERE YOU GO ♪ 1214 00:38:24,436 --> 00:38:25,201 ♪ NOW YOU HEAR ME EVERYWHERE YOU GO ♪ ♪ LA DA DI, OH LA DI DA ♪ 1215 00:38:25,203 --> 00:38:25,735 GO ♪ ♪ LA DA DI, OH LA DI DA ♪ ♪ GONNA BE A SUPERSTAR ♪ 1216 00:38:25,737 --> 00:38:26,436 ♪ LA DA DI, OH LA DI DA ♪ ♪ GONNA BE A SUPERSTAR ♪ ♪ BE THE GIRL YOU USED TO KNOW ♪ 1217 00:38:26,438 --> 00:38:29,472 ♪ GONNA BE A SUPERSTAR ♪ ♪ BE THE GIRL YOU USED TO KNOW ♪ ♪ PLAYING ON THE RADIO ♪ 1218 00:38:29,474 --> 00:38:31,441 ♪ BE THE GIRL YOU USED TO KNOW ♪ ♪ PLAYING ON THE RADIO ♪ ♪ LA DA DI, OH LA DI DIE ♪ 1219 00:38:31,443 --> 00:38:38,815 ♪ PLAYING ON THE RADIO ♪ ♪ LA DA DI, OH LA DI DIE ♪ ♪ LOVING ME IS SUICIDE ♪ 1220 00:38:38,817 --> 00:38:39,849 ♪ LA DA DI, OH LA DI DIE ♪ ♪ LOVING ME IS SUICIDE ♪ ♪ I'M A DREAMER, I'M ON FIRE ♪ 1221 00:38:39,851 --> 00:38:41,951 ♪ LOVING ME IS SUICIDE ♪ ♪ I'M A DREAMER, I'M ON FIRE ♪ ♪ LA DA DI, RUN FOR YOUR LIFE ♪ 1222 00:38:41,953 --> 00:38:43,119 ♪ I'M A DREAMER, I'M ON FIRE ♪ ♪ LA DA DI, RUN FOR YOUR LIFE ♪ ♪ OH-OH, OH-OH-OH, OH-OH-OH, 1223 00:38:43,121 --> 00:38:53,463 ♪ LA DA DI, RUN FOR YOUR LIFE ♪ ♪ OH-OH, OH-OH-OH, OH-OH-OH, AH-AH-AH-AH ♪ 1224 00:38:53,465 --> 00:38:54,264 ♪ OH-OH, OH-OH-OH, OH-OH-OH, AH-AH-AH-AH ♪ ♪ SAID I'M GONNA BE A ROCKSTAR, 1225 00:38:54,266 --> 00:38:57,734 AH-AH-AH-AH ♪ ♪ SAID I'M GONNA BE A ROCKSTAR, YEAH YEAH YEAH ♪ 1226 00:38:57,736 --> 00:38:58,435 ♪ SAID I'M GONNA BE A ROCKSTAR, YEAH YEAH YEAH ♪ ♪ TOLD HER I DON'T WANT A WAR, 1227 00:38:58,437 --> 00:38:59,502 YEAH YEAH YEAH ♪ ♪ TOLD HER I DON'T WANT A WAR, YEAH YEAH YEAH ♪ 1228 00:38:59,504 --> 00:39:00,437 ♪ TOLD HER I DON'T WANT A WAR, YEAH YEAH YEAH ♪ ♪ I DON'T SEE ME GOING FAR, YEAH 1229 00:39:00,439 --> 00:39:01,538 YEAH YEAH YEAH ♪ ♪ I DON'T SEE ME GOING FAR, YEAH YEAH YEAH ♪ 1230 00:39:01,540 --> 00:39:03,206 ♪ I DON'T SEE ME GOING FAR, YEAH YEAH YEAH ♪ ♪ THAT'S WHAT HAPPENS WHEN I 1231 00:39:03,208 --> 00:39:04,207 YEAH YEAH ♪ ♪ THAT'S WHAT HAPPENS WHEN I FALL APART ♪ 1232 00:39:04,209 --> 00:39:06,176 ♪ THAT'S WHAT HAPPENS WHEN I FALL APART ♪ ♪ ALL OF ME WANTS ALL OF YOU ♪ 1233 00:39:06,178 --> 00:39:08,178 FALL APART ♪ ♪ ALL OF ME WANTS ALL OF YOU ♪ ♪ BUT I'M FAR AWAY AND I CAN'T 1234 00:39:08,180 --> 00:39:11,448 ♪ ALL OF ME WANTS ALL OF YOU ♪ ♪ BUT I'M FAR AWAY AND I CAN'T CHOOSE ♪ 1235 00:39:11,450 --> 00:39:12,449 ♪ BUT I'M FAR AWAY AND I CAN'T CHOOSE ♪ ♪ GOT A LOTTA LESSONS THAT I 1236 00:39:12,451 --> 00:39:13,783 CHOOSE ♪ ♪ GOT A LOTTA LESSONS THAT I NEED TO LEARN ♪ 1237 00:39:13,785 --> 00:39:15,685 ♪ GOT A LOTTA LESSONS THAT I NEED TO LEARN ♪ ♪ GOT A LOTTA LESSONS ♪ 1238 00:39:15,687 --> 00:39:16,820 NEED TO LEARN ♪ ♪ GOT A LOTTA LESSONS ♪ ♪ MY DEPRESSION AND 1239 00:39:16,822 --> 00:39:18,288 ♪ GOT A LOTTA LESSONS ♪ ♪ MY DEPRESSION AND MISCONCEPTIONS ♪ 1240 00:39:18,290 --> 00:39:20,256 ♪ MY DEPRESSION AND MISCONCEPTIONS ♪ ♪ AND ALL THE MISTAKES THAT LEAD 1241 00:39:20,258 --> 00:39:21,224 MISCONCEPTIONS ♪ ♪ AND ALL THE MISTAKES THAT LEAD TO LESSONS ♪ 1242 00:39:21,226 --> 00:39:23,126 ♪ AND ALL THE MISTAKES THAT LEAD TO LESSONS ♪ ♪ MY DEPRESSION, IT MAKES ME 1243 00:39:23,128 --> 00:39:24,294 TO LESSONS ♪ ♪ MY DEPRESSION, IT MAKES ME QUESTION ♪ 1244 00:39:24,296 --> 00:39:25,595 ♪ MY DEPRESSION, IT MAKES ME QUESTION ♪ ♪ MY DEPRESSION, IT MAKES ME 1245 00:39:25,597 --> 00:39:28,665 QUESTION ♪ ♪ MY DEPRESSION, IT MAKES ME QUESTION ♪ 1246 00:39:28,667 --> 00:39:30,934 ♪ MY DEPRESSION, IT MAKES ME QUESTION ♪ ♪ LA DA DI, OH LA DI DA ♪ 1247 00:39:30,936 --> 00:39:34,504 QUESTION ♪ ♪ LA DA DI, OH LA DI DA ♪ ♪ GONNA BE A SUPERSTAR ♪ 1248 00:39:34,506 --> 00:39:37,374 ♪ LA DA DI, OH LA DI DA ♪ ♪ GONNA BE A SUPERSTAR ♪ ♪ BE THE GIRL YOU USED TO KNOW ♪ 1249 00:39:37,376 --> 00:39:41,378 ♪ GONNA BE A SUPERSTAR ♪ ♪ BE THE GIRL YOU USED TO KNOW ♪ ♪ PLAYING ON THE RADIO ♪ 1250 00:39:41,380 --> 00:39:43,179 ♪ BE THE GIRL YOU USED TO KNOW ♪ ♪ PLAYING ON THE RADIO ♪ ♪ LA DA DI, OH LA DI DIE ♪ 1251 00:39:43,181 --> 00:39:46,082 ♪ PLAYING ON THE RADIO ♪ ♪ LA DA DI, OH LA DI DIE ♪ ♪ LOVING ME IS SUICIDE ♪ 1252 00:39:46,084 --> 00:39:49,085 ♪ LA DA DI, OH LA DI DIE ♪ ♪ LOVING ME IS SUICIDE ♪ ♪ I'M A DREAMER, I'M ON FIRE ♪ 1253 00:39:49,087 --> 00:40:02,499 ♪ LOVING ME IS SUICIDE ♪ ♪ I'M A DREAMER, I'M ON FIRE ♪ ♪ LA DA DI, RUN FOR YOUR LIFE ♪ 1254 00:40:02,501 --> 00:40:05,201 ♪ I'M A DREAMER, I'M ON FIRE ♪ ♪ LA DA DI, RUN FOR YOUR LIFE ♪ ♪ DOES IT RAIN IN CALIFORNIA ♪ 1255 00:40:05,203 --> 00:40:06,636 ♪ LA DA DI, RUN FOR YOUR LIFE ♪ ♪ DOES IT RAIN IN CALIFORNIA ♪ ♪ WHERE THE ANGELS CRY FOR ME? ♪ 1256 00:40:06,638 --> 00:40:09,172 ♪ DOES IT RAIN IN CALIFORNIA ♪ ♪ WHERE THE ANGELS CRY FOR ME? ♪ ♪ WANT THE DRUGS THAT TASTE LIKE 1257 00:40:09,174 --> 00:40:10,607 ♪ WHERE THE ANGELS CRY FOR ME? ♪ ♪ WANT THE DRUGS THAT TASTE LIKE CANDY ♪ 1258 00:40:10,609 --> 00:40:12,509 ♪ WANT THE DRUGS THAT TASTE LIKE CANDY ♪ ♪ AND BLOOD DIAMONDS IN MY 1259 00:40:12,511 --> 00:40:14,677 CANDY ♪ ♪ AND BLOOD DIAMONDS IN MY TEETH ♪ 1260 00:40:14,679 --> 00:40:16,846 ♪ AND BLOOD DIAMONDS IN MY TEETH ♪ ♪ AH ♪ 1261 00:40:16,848 --> 00:40:20,583 TEETH ♪ ♪ AH ♪ ♪ LA DA DI, OH LA DI DA ♪ 1262 00:40:20,585 --> 00:40:23,887 ♪ AH ♪ ♪ LA DA DI, OH LA DI DA ♪ ♪ GONNA BE A SUPERSTAR ♪ 1263 00:40:23,889 --> 00:40:24,921 ♪ LA DA DI, OH LA DI DA ♪ ♪ GONNA BE A SUPERSTAR ♪ ♪ BE THE GIRL YOU USED TO KNOW ♪ 1264 00:40:24,923 --> 00:40:28,224 ♪ GONNA BE A SUPERSTAR ♪ ♪ BE THE GIRL YOU USED TO KNOW ♪ ♪ PLAYING ON THE RADIO ♪ 1265 00:40:28,226 --> 00:40:32,228 ♪ BE THE GIRL YOU USED TO KNOW ♪ ♪ PLAYING ON THE RADIO ♪ ♪ LA DA DI, OH LA DI DIE ♪ 1266 00:40:32,230 --> 00:40:35,165 ♪ PLAYING ON THE RADIO ♪ ♪ LA DA DI, OH LA DI DIE ♪ ♪ LOVING ME IS SUICIDE ♪ 1267 00:40:35,167 --> 00:40:38,034 ♪ LA DA DI, OH LA DI DIE ♪ ♪ LOVING ME IS SUICIDE ♪ ♪ I'M A DREAMER, I'M ON FIRE ♪ 1268 00:40:38,036 --> 00:40:53,283 ♪ LOVING ME IS SUICIDE ♪ ♪ I'M A DREAMER, I'M ON FIRE ♪ ♪ LA DA DI, RUN FOR YOUR LIFE ♪ 1269 00:40:59,190 --> 00:41:03,058 [CHEERS AND APPLAUSE] >> Ellen: ANYWAY... ♪