1 00:00:04,004 --> 00:00:06,305 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 2 00:00:06,307 --> 00:00:07,339 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 3 00:00:07,341 --> 00:00:08,674 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 4 00:00:08,676 --> 00:00:09,708 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 5 00:00:09,710 --> 00:00:12,845 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 6 00:00:12,847 --> 00:00:13,412 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 7 00:00:13,414 --> 00:00:18,617 ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 8 00:00:18,619 --> 00:00:21,553 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ >> Announcer: HERE HE IS NOW, 9 00:00:21,555 --> 00:00:24,490 CLOCK ♪ >> Announcer: HERE HE IS NOW, ELLEN'S GUEST HOST, TWITCH! 10 00:00:24,492 --> 00:00:24,957 >> Announcer: HERE HE IS NOW, ELLEN'S GUEST HOST, TWITCH! [CHEERS AND APPLAUSE] 11 00:00:24,959 --> 00:00:25,157 ELLEN'S GUEST HOST, TWITCH! [CHEERS AND APPLAUSE] ♪ ♪ 12 00:00:25,159 --> 00:00:25,791 [CHEERS AND APPLAUSE] ♪ ♪ ♪ OH OH OH ♪ 13 00:00:25,793 --> 00:00:26,892 ♪ ♪ ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ 14 00:00:26,894 --> 00:00:27,426 ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ 15 00:00:27,428 --> 00:00:28,761 ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ 16 00:00:28,763 --> 00:00:30,729 ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ 17 00:00:30,731 --> 00:00:32,698 ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] 18 00:00:32,700 --> 00:00:36,335 ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] ♪ ♪ 19 00:00:36,337 --> 00:00:38,937 [CHEERS AND APPLAUSE] ♪ ♪ >> tWitch: WHAT'S GOING ON, 20 00:00:38,939 --> 00:00:39,805 ♪ ♪ >> tWitch: WHAT'S GOING ON, Y'ALL? 21 00:00:39,807 --> 00:00:42,107 >> tWitch: WHAT'S GOING ON, Y'ALL? WELCOME TO THE "ELLEN" SHOW! 22 00:00:42,109 --> 00:00:44,209 Y'ALL? WELCOME TO THE "ELLEN" SHOW! I WILL BE YOUR SUBSTITUTE HOST, 23 00:00:44,211 --> 00:00:44,643 WELCOME TO THE "ELLEN" SHOW! I WILL BE YOUR SUBSTITUTE HOST, TWITCH. 24 00:00:44,645 --> 00:00:45,744 I WILL BE YOUR SUBSTITUTE HOST, TWITCH. AND JUST LIKE A SUBSTITUTE 25 00:00:45,746 --> 00:00:48,414 TWITCH. AND JUST LIKE A SUBSTITUTE TEACHER, I'M GOING TO SHOW YOU 26 00:00:48,416 --> 00:00:48,981 AND JUST LIKE A SUBSTITUTE TEACHER, I'M GOING TO SHOW YOU SOME VIDEOS. 27 00:00:48,983 --> 00:00:49,248 TEACHER, I'M GOING TO SHOW YOU SOME VIDEOS. [LAUGHTER] 28 00:00:49,250 --> 00:00:50,749 SOME VIDEOS. [LAUGHTER] NOW I HAVE KIDS WHICH MAKES ME A 29 00:00:50,751 --> 00:00:50,916 [LAUGHTER] NOW I HAVE KIDS WHICH MAKES ME A DAD. 30 00:00:50,918 --> 00:00:53,452 NOW I HAVE KIDS WHICH MAKES ME A DAD. I THINK THAT'S HOW THAT WORKS, 31 00:00:53,454 --> 00:00:53,652 DAD. I THINK THAT'S HOW THAT WORKS, YEAH. 32 00:00:53,654 --> 00:00:54,553 I THINK THAT'S HOW THAT WORKS, YEAH. YOU HAVE KIDS AND YOU NEVER KNOW 33 00:00:54,555 --> 00:00:56,555 YEAH. YOU HAVE KIDS AND YOU NEVER KNOW WHAT IS GOING TO COME OUT OF 34 00:00:56,557 --> 00:00:57,656 YOU HAVE KIDS AND YOU NEVER KNOW WHAT IS GOING TO COME OUT OF THEIR MOUTHS OR GO INTO THEM. 35 00:00:57,658 --> 00:01:01,627 WHAT IS GOING TO COME OUT OF THEIR MOUTHS OR GO INTO THEM. THEY ARE STICKY, BUT SOMETIMES 36 00:01:01,629 --> 00:01:03,095 THEIR MOUTHS OR GO INTO THEM. THEY ARE STICKY, BUT SOMETIMES THEY HAVE A PIECE OF PIZZA ON 37 00:01:03,097 --> 00:01:04,329 THEY ARE STICKY, BUT SOMETIMES THEY HAVE A PIECE OF PIZZA ON THEIR FACE ALL DAY. 38 00:01:04,331 --> 00:01:06,432 THEY HAVE A PIECE OF PIZZA ON THEIR FACE ALL DAY. SOMETIMES THERE IS CRYING, AND 39 00:01:06,434 --> 00:01:08,333 THEIR FACE ALL DAY. SOMETIMES THERE IS CRYING, AND SOMETIMES THE KIDS CRY TOO. 40 00:01:08,335 --> 00:01:08,600 SOMETIMES THERE IS CRYING, AND SOMETIMES THE KIDS CRY TOO. [LAUGHTER] 41 00:01:08,602 --> 00:01:09,635 SOMETIMES THE KIDS CRY TOO. [LAUGHTER] BUT THEY ARE ADORABLE AND 42 00:01:09,637 --> 00:01:09,968 [LAUGHTER] BUT THEY ARE ADORABLE AND HILARIOUS. 43 00:01:09,970 --> 00:01:13,572 BUT THEY ARE ADORABLE AND HILARIOUS. ALONG WITH CATS AND DOGS, KIDS 44 00:01:13,574 --> 00:01:14,106 HILARIOUS. ALONG WITH CATS AND DOGS, KIDS GIVE US THE BEST INTERNET 45 00:01:14,108 --> 00:01:14,339 ALONG WITH CATS AND DOGS, KIDS GIVE US THE BEST INTERNET VIDEOS. 46 00:01:14,341 --> 00:01:14,606 GIVE US THE BEST INTERNET VIDEOS. [LAUGHTER] 47 00:01:14,608 --> 00:01:16,608 VIDEOS. [LAUGHTER] LIKE THIS ONE. 48 00:01:16,610 --> 00:01:17,743 [LAUGHTER] LIKE THIS ONE. >> HOW ARE YOU DOING? 49 00:01:17,745 --> 00:01:19,111 LIKE THIS ONE. >> HOW ARE YOU DOING? >> HOW ARE YOU DOING? 50 00:01:19,113 --> 00:01:22,414 >> HOW ARE YOU DOING? >> HOW ARE YOU DOING? >> I'M DOING GOOD, ARE YOU DOING 51 00:01:22,416 --> 00:01:22,614 >> HOW ARE YOU DOING? >> I'M DOING GOOD, ARE YOU DOING GOOD? 52 00:01:22,616 --> 00:01:23,682 >> I'M DOING GOOD, ARE YOU DOING GOOD? >> YES. 53 00:01:23,684 --> 00:01:26,752 GOOD? >> YES. >> CAN YOU SING THE ABCs FOR 54 00:01:26,754 --> 00:01:26,952 >> YES. >> CAN YOU SING THE ABCs FOR ME? 55 00:01:26,954 --> 00:01:33,058 >> CAN YOU SING THE ABCs FOR ME? >> ♪ ABCD EFG HI JAY K 56 00:01:33,060 --> 00:01:36,295 ME? >> ♪ ABCD EFG HI JAY K ELEMENTAL P ♪ 57 00:01:36,297 --> 00:01:42,634 >> ♪ ABCD EFG HI JAY K ELEMENTAL P ♪ ♪ QRS TUV ♪ 58 00:01:42,636 --> 00:01:49,408 ELEMENTAL P ♪ ♪ QRS TUV ♪ ♪>> tWitch: HOW DO YOU MAKE 59 00:01:49,410 --> 00:01:52,277 ♪ QRS TUV ♪ ♪>> tWitch: HOW DO YOU MAKE CRYING THE ABC IS SO CUTE, BY 60 00:01:52,279 --> 00:01:53,512 ♪>> tWitch: HOW DO YOU MAKE CRYING THE ABC IS SO CUTE, BY THE WAY? 61 00:01:53,514 --> 00:01:55,414 CRYING THE ABC IS SO CUTE, BY THE WAY? THIS NEXT KID IS INTO TWO 62 00:01:55,416 --> 00:01:55,914 THE WAY? THIS NEXT KID IS INTO TWO THINGS. 63 00:01:55,916 --> 00:01:56,715 THIS NEXT KID IS INTO TWO THINGS. SUPERHEROES AND CRACKERS. 64 00:01:56,717 --> 00:01:59,451 THINGS. SUPERHEROES AND CRACKERS. IT TURNS OUT THEY DON'T MIX AT 65 00:01:59,453 --> 00:02:00,986 SUPERHEROES AND CRACKERS. IT TURNS OUT THEY DON'T MIX AT ALL. 66 00:02:00,988 --> 00:02:03,622 IT TURNS OUT THEY DON'T MIX AT ALL. ♪ ♪ 67 00:02:03,624 --> 00:02:12,498 ALL. ♪ ♪ [LAUGHTER] 68 00:02:12,500 --> 00:02:14,199 ♪ ♪ [LAUGHTER] >> tWitch: [LAUGHS] 69 00:02:14,201 --> 00:02:15,200 [LAUGHTER] >> tWitch: [LAUGHS] THAT'S ONE WAY TO STAY 70 00:02:15,202 --> 00:02:15,501 >> tWitch: [LAUGHS] THAT'S ONE WAY TO STAY GLUTEN-FREE. 71 00:02:15,503 --> 00:02:15,767 THAT'S ONE WAY TO STAY GLUTEN-FREE. [LAUGHTER] 72 00:02:15,769 --> 00:02:18,003 GLUTEN-FREE. [LAUGHTER] AND I HAVE TO MAKE SURE THAT MY 73 00:02:18,005 --> 00:02:19,238 [LAUGHTER] AND I HAVE TO MAKE SURE THAT MY SON MADDOX DOES NOT SEE THAT 74 00:02:19,240 --> 00:02:20,539 AND I HAVE TO MAKE SURE THAT MY SON MADDOX DOES NOT SEE THAT VIDEO AT ANY TIME. 75 00:02:20,541 --> 00:02:22,207 SON MADDOX DOES NOT SEE THAT VIDEO AT ANY TIME. THIS NEXT ONE, THIS KID HAS AN 76 00:02:22,209 --> 00:02:24,409 VIDEO AT ANY TIME. THIS NEXT ONE, THIS KID HAS AN INTERESTING WAY OF SAYING 77 00:02:24,411 --> 00:02:25,043 THIS NEXT ONE, THIS KID HAS AN INTERESTING WAY OF SAYING GOODBYE. 78 00:02:25,045 --> 00:02:27,312 INTERESTING WAY OF SAYING GOODBYE. >> AND SAY HOPE WE CAN SEE YOU 79 00:02:27,314 --> 00:02:27,513 GOODBYE. >> AND SAY HOPE WE CAN SEE YOU SOON. 80 00:02:27,515 --> 00:02:29,815 >> AND SAY HOPE WE CAN SEE YOU SOON. >> HOPE WE CAN SEE YOU SOON. 81 00:02:29,817 --> 00:02:31,116 SOON. >> HOPE WE CAN SEE YOU SOON. >> GOODBYE. 82 00:02:31,118 --> 00:02:34,753 >> HOPE WE CAN SEE YOU SOON. >> GOODBYE. >> YOU'RE ABOUT TO DIE. 83 00:02:34,755 --> 00:02:35,787 >> GOODBYE. >> YOU'RE ABOUT TO DIE. >> tWitch: MASON! 84 00:02:35,789 --> 00:02:36,155 >> YOU'RE ABOUT TO DIE. >> tWitch: MASON! DON'T PLAY. 85 00:02:36,157 --> 00:02:37,389 >> tWitch: MASON! DON'T PLAY. I'M GOING TO GIVE YOU THE 86 00:02:37,391 --> 00:02:38,257 DON'T PLAY. I'M GOING TO GIVE YOU THE BENEFIT OF THE DOUBT. 87 00:02:38,259 --> 00:02:39,791 I'M GOING TO GIVE YOU THE BENEFIT OF THE DOUBT. MAYBE HE MEANT YOU ARE ABOUT TO 88 00:02:39,793 --> 00:02:41,793 BENEFIT OF THE DOUBT. MAYBE HE MEANT YOU ARE ABOUT TO DIE LAUGHING WHEN YOU SEE THIS 89 00:02:41,795 --> 00:02:43,095 MAYBE HE MEANT YOU ARE ABOUT TO DIE LAUGHING WHEN YOU SEE THIS VIDEO. 90 00:02:43,097 --> 00:02:43,695 DIE LAUGHING WHEN YOU SEE THIS VIDEO. I GOT YOU. 91 00:02:43,697 --> 00:02:45,931 VIDEO. I GOT YOU. THIS NEXT KID HAS NOT REALLY 92 00:02:45,933 --> 00:02:46,632 I GOT YOU. THIS NEXT KID HAS NOT REALLY STARTED TALKING AT, BUT THAT 93 00:02:46,634 --> 00:02:49,535 THIS NEXT KID HAS NOT REALLY STARTED TALKING AT, BUT THAT DOES NOT STOP HER FROM ARGUING. 94 00:02:49,537 --> 00:02:50,202 STARTED TALKING AT, BUT THAT DOES NOT STOP HER FROM ARGUING. WATCH THIS. 95 00:02:50,204 --> 00:02:53,705 DOES NOT STOP HER FROM ARGUING. WATCH THIS. >> WERE YOU PLAYING IN DUKE FO 96 00:02:53,707 --> 00:02:57,609 WATCH THIS. >> WERE YOU PLAYING IN DUKE FO FOOD? 97 00:02:57,611 --> 00:02:59,811 >> WERE YOU PLAYING IN DUKE FO FOOD? >> [SCREAMING] 98 00:02:59,813 --> 00:03:01,346 FOOD? >> [SCREAMING] >> YOU TOUCHED THE FOOD! 99 00:03:01,348 --> 00:03:03,949 >> [SCREAMING] >> YOU TOUCHED THE FOOD! >> NO, I DID NOT TOUCH THE FOOD! 100 00:03:03,951 --> 00:03:06,585 >> YOU TOUCHED THE FOOD! >> NO, I DID NOT TOUCH THE FOOD! >> YOU DID TOUCH THE FOOD! 101 00:03:06,587 --> 00:03:10,689 >> NO, I DID NOT TOUCH THE FOOD! >> YOU DID TOUCH THE FOOD! >> NO, -- 102 00:03:10,691 --> 00:03:12,424 >> YOU DID TOUCH THE FOOD! >> NO, -- [INTERESTING WASHABLE] 103 00:03:12,426 --> 00:03:15,727 >> NO, -- [INTERESTING WASHABLE] >> tWitch: [LAUGHS] 104 00:03:15,729 --> 00:03:16,662 [INTERESTING WASHABLE] >> tWitch: [LAUGHS] I KNOW SHE IS WRONG AND I AM 105 00:03:16,664 --> 00:03:20,332 >> tWitch: [LAUGHS] I KNOW SHE IS WRONG AND I AM STILL ON HER SIDE. 106 00:03:20,334 --> 00:03:21,934 I KNOW SHE IS WRONG AND I AM STILL ON HER SIDE. NOW FINALLY I PERSONALLY THINK 107 00:03:21,936 --> 00:03:22,501 STILL ON HER SIDE. NOW FINALLY I PERSONALLY THINK THIS VIDEO IS PERFECT. 108 00:03:22,503 --> 00:03:24,603 NOW FINALLY I PERSONALLY THINK THIS VIDEO IS PERFECT. TAKE A LOOK. 109 00:03:24,605 --> 00:03:26,171 THIS VIDEO IS PERFECT. TAKE A LOOK. >> PERFECT. 110 00:03:26,173 --> 00:03:27,706 TAKE A LOOK. >> PERFECT. IT'S BECAUSE THEY PERFECT 111 00:03:27,708 --> 00:03:28,340 >> PERFECT. IT'S BECAUSE THEY PERFECT PERFECT. 112 00:03:28,342 --> 00:03:28,740 IT'S BECAUSE THEY PERFECT PERFECT. >> PERFECT. 113 00:03:28,742 --> 00:03:30,309 PERFECT. >> PERFECT. >> SAY PERFECT PERFECT. 114 00:03:30,311 --> 00:03:34,046 >> PERFECT. >> SAY PERFECT PERFECT. >> PERFECT. 115 00:03:34,048 --> 00:03:36,014 >> SAY PERFECT PERFECT. >> PERFECT. >> [BLEEP] THAT. 116 00:03:36,016 --> 00:03:37,616 >> PERFECT. >> [BLEEP] THAT. >> WHAT? 117 00:03:37,618 --> 00:03:39,818 >> [BLEEP] THAT. >> WHAT? [LAUGHTER] 118 00:03:39,820 --> 00:03:44,456 >> WHAT? [LAUGHTER] >> [BLEEP] IT. 119 00:03:44,458 --> 00:03:45,157 [LAUGHTER] >> [BLEEP] IT. >> tWitch: YOU KNOW, I WAS NOT 120 00:03:45,159 --> 00:03:46,191 >> [BLEEP] IT. >> tWitch: YOU KNOW, I WAS NOT GOING TO SHOW YOU THAT VIDEO, 121 00:03:46,193 --> 00:03:48,827 >> tWitch: YOU KNOW, I WAS NOT GOING TO SHOW YOU THAT VIDEO, AND THEN I SAID, PERFECT. 122 00:03:48,829 --> 00:03:49,127 GOING TO SHOW YOU THAT VIDEO, AND THEN I SAID, PERFECT. [LAUGHTER] 123 00:03:49,129 --> 00:03:51,063 AND THEN I SAID, PERFECT. [LAUGHTER] SO THAT'S ALL THE KIDS I HAVE TO 124 00:03:51,065 --> 00:03:52,931 [LAUGHTER] SO THAT'S ALL THE KIDS I HAVE TO SHOW YOU TODAY, RIGHT NOW IT IS 125 00:03:52,933 --> 00:03:54,499 SO THAT'S ALL THE KIDS I HAVE TO SHOW YOU TODAY, RIGHT NOW IT IS TIME FOR A GROWN UP WITH SOME 126 00:03:54,501 --> 00:03:57,035 SHOW YOU TODAY, RIGHT NOW IT IS TIME FOR A GROWN UP WITH SOME SERIOUS, SERIOUS GROWN-UPS 127 00:03:57,037 --> 00:03:58,470 TIME FOR A GROWN UP WITH SOME SERIOUS, SERIOUS GROWN-UPS SKILLS. 128 00:03:58,472 --> 00:04:00,706 SERIOUS, SERIOUS GROWN-UPS SKILLS. PLEASE WELCOME MY FRIEND CYRUS 129 00:04:00,708 --> 00:04:01,640 SKILLS. PLEASE WELCOME MY FRIEND CYRUS "GLITCH" SPENCER. 130 00:04:01,642 --> 00:04:06,245 PLEASE WELCOME MY FRIEND CYRUS "GLITCH" SPENCER. ♪ ♪ 131 00:04:06,247 --> 00:04:09,881 "GLITCH" SPENCER. ♪ ♪ [CHEERS AND APPLAUSE] 132 00:04:09,883 --> 00:04:11,650 ♪ ♪ [CHEERS AND APPLAUSE] HE IS SO GOOD. 133 00:04:11,652 --> 00:04:27,733 [CHEERS AND APPLAUSE] HE IS SO GOOD. ♪ ♪ 134 00:04:39,279 --> 00:04:57,029 ♪ ♪ >> Ellen: |HEY! ♪ ♪ 135 00:04:57,031 --> 00:05:01,566 >> Ellen: |HEY! ♪ ♪ >> tWitch: TAKE IT DOWN. 136 00:05:01,568 --> 00:05:02,034 ♪ ♪ >> tWitch: TAKE IT DOWN. [CHEERS AND APPLAUSE] 137 00:05:02,036 --> 00:05:04,303 >> tWitch: TAKE IT DOWN. [CHEERS AND APPLAUSE] GIVE IT UP FOR MY FRIEND CYRUS! 138 00:05:04,305 --> 00:05:04,736 [CHEERS AND APPLAUSE] GIVE IT UP FOR MY FRIEND CYRUS! TO GIVE IT UP! 139 00:05:04,738 --> 00:05:07,773 GIVE IT UP FOR MY FRIEND CYRUS! TO GIVE IT UP! GIVE IT UP! 140 00:05:07,775 --> 00:05:08,540 TO GIVE IT UP! GIVE IT UP! WE GO -- 141 00:05:08,542 --> 00:05:11,209 GIVE IT UP! WE GO -- WE GO WAY BACK, MAN, HOW LONG 142 00:05:11,211 --> 00:05:12,477 WE GO -- WE GO WAY BACK, MAN, HOW LONG HAVE WE KNOWN EACH OTHER NOW? 143 00:05:12,479 --> 00:05:15,147 WE GO WAY BACK, MAN, HOW LONG HAVE WE KNOWN EACH OTHER NOW? >> EIGHT, NINE YEARS, SOMETHING 144 00:05:15,149 --> 00:05:17,482 HAVE WE KNOWN EACH OTHER NOW? >> EIGHT, NINE YEARS, SOMETHING LIKE THAT. 145 00:05:17,484 --> 00:05:18,450 >> EIGHT, NINE YEARS, SOMETHING LIKE THAT. LIKE 2012. 146 00:05:18,452 --> 00:05:19,017 LIKE THAT. LIKE 2012. >> tWitch: ABSOLUTELY. 147 00:05:19,019 --> 00:05:20,352 LIKE 2012. >> tWitch: ABSOLUTELY. IN THE YEARS HAVE BEEN 148 00:05:20,354 --> 00:05:21,386 >> tWitch: ABSOLUTELY. IN THE YEARS HAVE BEEN INCREDIBLE. 149 00:05:21,388 --> 00:05:24,222 IN THE YEARS HAVE BEEN INCREDIBLE. I'VE SAID IT BEFORE, BUT TO JUST 150 00:05:24,224 --> 00:05:25,724 INCREDIBLE. I'VE SAID IT BEFORE, BUT TO JUST LIKE YOU ARE LITERALLY ONE OF MY 151 00:05:25,726 --> 00:05:27,359 I'VE SAID IT BEFORE, BUT TO JUST LIKE YOU ARE LITERALLY ONE OF MY FAVORITE PEOPLE, NOT JUST ONE OF 152 00:05:27,361 --> 00:05:27,893 LIKE YOU ARE LITERALLY ONE OF MY FAVORITE PEOPLE, NOT JUST ONE OF MY FAVORITE DANCERS, BUT 153 00:05:27,895 --> 00:05:30,829 FAVORITE PEOPLE, NOT JUST ONE OF MY FAVORITE DANCERS, BUT FAVORITE PEOPLE. 154 00:05:30,831 --> 00:05:34,266 MY FAVORITE DANCERS, BUT FAVORITE PEOPLE. I APPRECIATE IT, MAN. 155 00:05:34,268 --> 00:05:37,736 FAVORITE PEOPLE. I APPRECIATE IT, MAN. >> I REMEMBER WHEN WE FIRST MET, 156 00:05:37,738 --> 00:05:39,237 I APPRECIATE IT, MAN. >> I REMEMBER WHEN WE FIRST MET, YOU WERE AN ALL-STAR FOR ME AND 157 00:05:39,239 --> 00:05:41,840 >> I REMEMBER WHEN WE FIRST MET, YOU WERE AN ALL-STAR FOR ME AND IT WAS CRAZY, BECAUSE I 158 00:05:41,842 --> 00:05:43,575 YOU WERE AN ALL-STAR FOR ME AND IT WAS CRAZY, BECAUSE I LITERALLY HAD TO WATCH ALL OF 159 00:05:43,577 --> 00:05:45,344 IT WAS CRAZY, BECAUSE I LITERALLY HAD TO WATCH ALL OF YOUR VIDEOS BECAUSE I WAS DOING 160 00:05:45,346 --> 00:05:47,212 LITERALLY HAD TO WATCH ALL OF YOUR VIDEOS BECAUSE I WAS DOING RESEARCH ON YOUR SHOW, AND I WAS 161 00:05:47,214 --> 00:05:51,116 YOUR VIDEOS BECAUSE I WAS DOING RESEARCH ON YOUR SHOW, AND I WAS LIKE, WOW, WHO IS THIS GUY? 162 00:05:51,118 --> 00:05:51,717 RESEARCH ON YOUR SHOW, AND I WAS LIKE, WOW, WHO IS THIS GUY? [LAUGHTER] 163 00:05:51,719 --> 00:05:52,551 LIKE, WOW, WHO IS THIS GUY? [LAUGHTER] AND THEN YOU WERE MY ALL-STAR, 164 00:05:52,553 --> 00:05:58,757 [LAUGHTER] AND THEN YOU WERE MY ALL-STAR, AND I WAS LIKE, DID I JUST WIN? 165 00:05:58,759 --> 00:05:59,691 AND THEN YOU WERE MY ALL-STAR, AND I WAS LIKE, DID I JUST WIN? I WAS LIKE I JUST WON THE 166 00:05:59,693 --> 00:06:02,494 AND I WAS LIKE, DID I JUST WIN? I WAS LIKE I JUST WON THE EXPERIENCE OF A LIFETIME. 167 00:06:02,496 --> 00:06:04,329 I WAS LIKE I JUST WON THE EXPERIENCE OF A LIFETIME. I GOT TO DANCE WITH THE AMAZING 168 00:06:04,331 --> 00:06:04,563 EXPERIENCE OF A LIFETIME. I GOT TO DANCE WITH THE AMAZING TWITCH. 169 00:06:04,565 --> 00:06:06,131 I GOT TO DANCE WITH THE AMAZING TWITCH. >> tWitch: THAT'S AMAZING, FUN 170 00:06:06,133 --> 00:06:09,534 TWITCH. >> tWitch: THAT'S AMAZING, FUN FACT, BOTH OF US GOT RUNNER UP 171 00:06:09,536 --> 00:06:11,036 >> tWitch: THAT'S AMAZING, FUN FACT, BOTH OF US GOT RUNNER UP ON "SO YOU THINK YOU CAN DANCE," 172 00:06:11,038 --> 00:06:11,303 FACT, BOTH OF US GOT RUNNER UP ON "SO YOU THINK YOU CAN DANCE," ACTUALLY. 173 00:06:11,305 --> 00:06:13,271 ON "SO YOU THINK YOU CAN DANCE," ACTUALLY. RUNNER-UP CLUB, HERE WE ARE 174 00:06:13,273 --> 00:06:14,172 ACTUALLY. RUNNER-UP CLUB, HERE WE ARE AGAIN. 175 00:06:14,174 --> 00:06:15,107 RUNNER-UP CLUB, HERE WE ARE AGAIN. NICE TO SEE YOU, AND SEE WHAT 176 00:06:15,109 --> 00:06:16,641 AGAIN. NICE TO SEE YOU, AND SEE WHAT YOU ARE DOING. 177 00:06:16,643 --> 00:06:18,243 NICE TO SEE YOU, AND SEE WHAT YOU ARE DOING. I THOUGHT SINCE YOU ARE HERE WE 178 00:06:18,245 --> 00:06:19,444 YOU ARE DOING. I THOUGHT SINCE YOU ARE HERE WE COULD PLAY A GAME TOGETHER. 179 00:06:19,446 --> 00:06:21,580 I THOUGHT SINCE YOU ARE HERE WE COULD PLAY A GAME TOGETHER. DO YOU LIKE THE GAME CANDYMAN? 180 00:06:21,582 --> 00:06:25,050 COULD PLAY A GAME TOGETHER. DO YOU LIKE THE GAME CANDYMAN? >> THE BOARD A GAME? 181 00:06:25,052 --> 00:06:26,385 DO YOU LIKE THE GAME CANDYMAN? >> THE BOARD A GAME? >> tWitch: YEAH, IT'S NOTHING 182 00:06:26,387 --> 00:06:26,651 >> THE BOARD A GAME? >> tWitch: YEAH, IT'S NOTHING LIKE THAT. 183 00:06:26,653 --> 00:06:32,290 >> tWitch: YEAH, IT'S NOTHING LIKE THAT. WHAT WE WILL PLAY IS "ABSOLUTELY 184 00:06:32,292 --> 00:06:32,724 LIKE THAT. WHAT WE WILL PLAY IS "ABSOLUTELY OR ABSOLUTELY NOT." 185 00:06:32,726 --> 00:06:39,331 WHAT WE WILL PLAY IS "ABSOLUTELY OR ABSOLUTELY NOT." >> ABSOLUTELY OR ABSOLUTELY NOT. 186 00:06:39,333 --> 00:06:39,798 OR ABSOLUTELY NOT." >> ABSOLUTELY OR ABSOLUTELY NOT. [LAUGHTER] 187 00:06:39,800 --> 00:06:40,265 >> ABSOLUTELY OR ABSOLUTELY NOT. [LAUGHTER] >> tWitch: ABSOLUTELY. 188 00:06:40,267 --> 00:06:41,400 [LAUGHTER] >> tWitch: ABSOLUTELY. HERE'S HOW IT WORKS, THEY ARE 189 00:06:41,402 --> 00:06:42,734 >> tWitch: ABSOLUTELY. HERE'S HOW IT WORKS, THEY ARE GOING TO PUT UP A NEWS HEADLINE 190 00:06:42,736 --> 00:06:44,403 HERE'S HOW IT WORKS, THEY ARE GOING TO PUT UP A NEWS HEADLINE AND WE ARE GOING TO HAVE TO 191 00:06:44,405 --> 00:06:46,571 GOING TO PUT UP A NEWS HEADLINE AND WE ARE GOING TO HAVE TO GUESS WHETHER IT IS ABSOLUTELY 192 00:06:46,573 --> 00:06:47,672 AND WE ARE GOING TO HAVE TO GUESS WHETHER IT IS ABSOLUTELY TRUE OR ABSOLUTELY NOT TRUE. 193 00:06:47,674 --> 00:06:50,642 GUESS WHETHER IT IS ABSOLUTELY TRUE OR ABSOLUTELY NOT TRUE. NOW WE HAVE THESE PADDLES HERE, 194 00:06:50,644 --> 00:06:51,309 TRUE OR ABSOLUTELY NOT TRUE. NOW WE HAVE THESE PADDLES HERE, YOU HAVE YOUR PADDLE? 195 00:06:51,311 --> 00:06:53,912 NOW WE HAVE THESE PADDLES HERE, YOU HAVE YOUR PADDLE? THESE ARE EXCLUSIVE RIGHT HERE. 196 00:06:53,914 --> 00:06:54,713 YOU HAVE YOUR PADDLE? THESE ARE EXCLUSIVE RIGHT HERE. SO THIS IS WHAT WE WILL DO. 197 00:06:54,715 --> 00:06:57,416 THESE ARE EXCLUSIVE RIGHT HERE. SO THIS IS WHAT WE WILL DO. WE WILL TALK IT OUT. 198 00:06:57,418 --> 00:06:59,351 SO THIS IS WHAT WE WILL DO. WE WILL TALK IT OUT. WHOEVER WINS GETS TO KEEP THE 199 00:06:59,353 --> 00:07:00,352 WE WILL TALK IT OUT. WHOEVER WINS GETS TO KEEP THE PADDLES AND THEN YOU CAN 200 00:07:00,354 --> 00:07:01,086 WHOEVER WINS GETS TO KEEP THE PADDLES AND THEN YOU CAN PROBABLY SELL THEM ON eBAY. 201 00:07:01,088 --> 00:07:03,155 PADDLES AND THEN YOU CAN PROBABLY SELL THEM ON eBAY. SO IT'S REALLY NICE. 202 00:07:03,157 --> 00:07:07,626 PROBABLY SELL THEM ON eBAY. SO IT'S REALLY NICE. LET'S SEE THE FIRST ONE. 203 00:07:07,628 --> 00:07:08,493 SO IT'S REALLY NICE. LET'S SEE THE FIRST ONE. OKAY, FLORIDA CLOSES PARK FOR 204 00:07:08,495 --> 00:07:12,531 LET'S SEE THE FIRST ONE. OKAY, FLORIDA CLOSES PARK FOR ANNUAL SNAKE ORGY. 205 00:07:12,533 --> 00:07:17,169 OKAY, FLORIDA CLOSES PARK FOR ANNUAL SNAKE ORGY. OKAY, FIRST OF ALL, YOU ARE 206 00:07:17,171 --> 00:07:18,136 ANNUAL SNAKE ORGY. OKAY, FIRST OF ALL, YOU ARE SAYING ABSOLUTELY? 207 00:07:18,138 --> 00:07:19,070 OKAY, FIRST OF ALL, YOU ARE SAYING ABSOLUTELY? WHY? 208 00:07:19,072 --> 00:07:19,638 SAYING ABSOLUTELY? WHY? BECAUSE IT IS FLORIDA? 209 00:07:19,640 --> 00:07:21,406 WHY? BECAUSE IT IS FLORIDA? >> IT'S FLORIDA. 210 00:07:21,408 --> 00:07:21,840 BECAUSE IT IS FLORIDA? >> IT'S FLORIDA. [LAUGHTER] 211 00:07:21,842 --> 00:07:25,644 >> IT'S FLORIDA. [LAUGHTER] THAT'S ALL I GOT FOR YOU. 212 00:07:25,646 --> 00:07:27,579 [LAUGHTER] THAT'S ALL I GOT FOR YOU. ABSOLUTELY IT'S FLORIDA. 213 00:07:27,581 --> 00:07:29,948 THAT'S ALL I GOT FOR YOU. ABSOLUTELY IT'S FLORIDA. >> tWitch: YEAH, I AM 214 00:07:29,950 --> 00:07:30,649 ABSOLUTELY IT'S FLORIDA. >> tWitch: YEAH, I AM COMMENCED. 215 00:07:30,651 --> 00:07:30,949 >> tWitch: YEAH, I AM COMMENCED. ABSOLUTELY. 216 00:07:30,951 --> 00:07:33,285 COMMENCED. ABSOLUTELY. LET'S SEE IF IT IS ABSOLUTELY 217 00:07:33,287 --> 00:07:33,485 ABSOLUTELY. LET'S SEE IF IT IS ABSOLUTELY TRUE. 218 00:07:33,487 --> 00:07:36,221 LET'S SEE IF IT IS ABSOLUTELY TRUE. YES, IT IS TRUE. 219 00:07:36,223 --> 00:07:36,455 TRUE. YES, IT IS TRUE. >> WOW. 220 00:07:36,457 --> 00:07:38,890 YES, IT IS TRUE. >> WOW. IT IS FLORIDA. 221 00:07:38,892 --> 00:07:41,760 >> WOW. IT IS FLORIDA. >> tWitch: THE ANNUAL SNAKE -- 222 00:07:41,762 --> 00:07:43,795 IT IS FLORIDA. >> tWitch: THE ANNUAL SNAKE -- YOU ARE REALLY SHOWING OUT. 223 00:07:43,797 --> 00:07:46,765 >> tWitch: THE ANNUAL SNAKE -- YOU ARE REALLY SHOWING OUT. HERE'S THE NEXT ONE, ARIZONA 224 00:07:46,767 --> 00:07:49,034 YOU ARE REALLY SHOWING OUT. HERE'S THE NEXT ONE, ARIZONA WOMAN STEALS CAR BY HOT WIRING 225 00:07:49,036 --> 00:07:51,937 HERE'S THE NEXT ONE, ARIZONA WOMAN STEALS CAR BY HOT WIRING IT WITH SEX TOY. 226 00:07:51,939 --> 00:07:54,339 WOMAN STEALS CAR BY HOT WIRING IT WITH SEX TOY. I HAVE SO MANY QUESTIONS THAT I 227 00:07:54,341 --> 00:07:55,907 IT WITH SEX TOY. I HAVE SO MANY QUESTIONS THAT I LIKE ACTUALLY DON'T WANT TO ASK, 228 00:07:55,909 --> 00:07:56,775 I HAVE SO MANY QUESTIONS THAT I LIKE ACTUALLY DON'T WANT TO ASK, YOU KNOW WHAT I'M SAYING? 229 00:07:56,777 --> 00:07:58,710 LIKE ACTUALLY DON'T WANT TO ASK, YOU KNOW WHAT I'M SAYING? LIKE WHAT TOY? 230 00:07:58,712 --> 00:08:00,011 YOU KNOW WHAT I'M SAYING? LIKE WHAT TOY? BUT WE ARE NOT GOING TO GO 231 00:08:00,013 --> 00:08:02,380 LIKE WHAT TOY? BUT WE ARE NOT GOING TO GO THERE, BUT IT'S JUST LIKE THE 232 00:08:02,382 --> 00:08:05,617 BUT WE ARE NOT GOING TO GO THERE, BUT IT'S JUST LIKE THE HOTWIRE OF THE CAR, YOU ARE 233 00:08:05,619 --> 00:08:06,084 THERE, BUT IT'S JUST LIKE THE HOTWIRE OF THE CAR, YOU ARE GOING ABSOLUTELY NOT? 234 00:08:06,086 --> 00:08:10,188 HOTWIRE OF THE CAR, YOU ARE GOING ABSOLUTELY NOT? >> IT'S HOT WIRING CAR IN 235 00:08:10,190 --> 00:08:11,556 GOING ABSOLUTELY NOT? >> IT'S HOT WIRING CAR IN ARIZONA? 236 00:08:11,558 --> 00:08:12,757 >> IT'S HOT WIRING CAR IN ARIZONA? >> tWitch: YOU HAVE ABSOLUTELY 237 00:08:12,759 --> 00:08:13,358 ARIZONA? >> tWitch: YOU HAVE ABSOLUTELY NOT. 238 00:08:13,360 --> 00:08:15,260 >> tWitch: YOU HAVE ABSOLUTELY NOT. I WILL SAY ABSOLUTELY, SO ONE OF 239 00:08:15,262 --> 00:08:15,894 NOT. I WILL SAY ABSOLUTELY, SO ONE OF US IS RIGHT. 240 00:08:15,896 --> 00:08:17,128 I WILL SAY ABSOLUTELY, SO ONE OF US IS RIGHT. LET'S SEE IF IT IS ABSOLUTELY 241 00:08:17,130 --> 00:08:20,732 US IS RIGHT. LET'S SEE IF IT IS ABSOLUTELY TRUE OR ABSOLUTELY NOT TRUE. 242 00:08:20,734 --> 00:08:20,999 LET'S SEE IF IT IS ABSOLUTELY TRUE OR ABSOLUTELY NOT TRUE. [BUZZER] 243 00:08:21,001 --> 00:08:24,703 TRUE OR ABSOLUTELY NOT TRUE. [BUZZER] YOU ARE ON A ROLL, I LIKE THAT. 244 00:08:24,705 --> 00:08:27,772 [BUZZER] YOU ARE ON A ROLL, I LIKE THAT. HERE'S ANOTHER ONE. 245 00:08:27,774 --> 00:08:29,341 YOU ARE ON A ROLL, I LIKE THAT. HERE'S ANOTHER ONE. OKAY, WOMAN HAS GENDER REVEAL 246 00:08:29,343 --> 00:08:30,442 HERE'S ANOTHER ONE. OKAY, WOMAN HAS GENDER REVEAL PARTY FOR HER BABY SHE HAVING 247 00:08:30,444 --> 00:08:35,013 OKAY, WOMAN HAS GENDER REVEAL PARTY FOR HER BABY SHE HAVING WITH A GHOST. 248 00:08:35,015 --> 00:08:37,482 PARTY FOR HER BABY SHE HAVING WITH A GHOST. OKAY, ABSOLUTELY? 249 00:08:37,484 --> 00:08:39,150 WITH A GHOST. OKAY, ABSOLUTELY? >> NO HESITATION. 250 00:08:39,152 --> 00:08:41,119 OKAY, ABSOLUTELY? >> NO HESITATION. >> tWitch: WHY? 251 00:08:41,121 --> 00:08:41,853 >> NO HESITATION. >> tWitch: WHY? WITH A GHOST? 252 00:08:41,855 --> 00:08:44,322 >> tWitch: WHY? WITH A GHOST? >> OH, YEAH, SHE IS HAVING 253 00:08:44,324 --> 00:08:45,190 WITH A GHOST? >> OH, YEAH, SHE IS HAVING CASPER. 254 00:08:45,192 --> 00:08:45,724 >> OH, YEAH, SHE IS HAVING CASPER. >> tWitch: SHE IS HAVING 255 00:08:45,726 --> 00:08:46,958 CASPER. >> tWitch: SHE IS HAVING CASPER. 256 00:08:46,960 --> 00:08:48,994 >> tWitch: SHE IS HAVING CASPER. LAYING ON THE CASPER MATTRESS, 257 00:08:48,996 --> 00:08:50,462 CASPER. LAYING ON THE CASPER MATTRESS, SHE INVITED CASPER THE FRIENDLY 258 00:08:50,464 --> 00:08:59,170 LAYING ON THE CASPER MATTRESS, SHE INVITED CASPER THE FRIENDLY GHOST, YOU'RE WELCOME. 259 00:08:59,172 --> 00:08:59,771 SHE INVITED CASPER THE FRIENDLY GHOST, YOU'RE WELCOME. LET'S SEE IF IT IS ABSOLUTELY 260 00:08:59,773 --> 00:09:00,338 GHOST, YOU'RE WELCOME. LET'S SEE IF IT IS ABSOLUTELY TRUE OR ABSOLUTELY NOT TRUE. 261 00:09:00,340 --> 00:09:00,605 LET'S SEE IF IT IS ABSOLUTELY TRUE OR ABSOLUTELY NOT TRUE. IT IS NOT. 262 00:09:00,607 --> 00:09:01,206 TRUE OR ABSOLUTELY NOT TRUE. IT IS NOT. OKAY, FINALLY HERE IS THE LAST 263 00:09:01,208 --> 00:09:01,373 IT IS NOT. OKAY, FINALLY HERE IS THE LAST ONE. 264 00:09:01,375 --> 00:09:02,407 OKAY, FINALLY HERE IS THE LAST ONE. LET'S GO ONE MORE. 265 00:09:02,409 --> 00:09:04,175 ONE. LET'S GO ONE MORE. WOMAN CAUGHT MAKING LOVE IN 266 00:09:04,177 --> 00:09:05,010 LET'S GO ONE MORE. WOMAN CAUGHT MAKING LOVE IN WAFFLE HOUSE PARKING LOT TRIED 267 00:09:05,012 --> 00:09:07,946 WOMAN CAUGHT MAKING LOVE IN WAFFLE HOUSE PARKING LOT TRIED TO WEAR A CHEESEBURGER AS A 268 00:09:07,948 --> 00:09:09,614 WAFFLE HOUSE PARKING LOT TRIED TO WEAR A CHEESEBURGER AS A SANDAL. 269 00:09:09,616 --> 00:09:10,148 TO WEAR A CHEESEBURGER AS A SANDAL. [LAUGHTER] 270 00:09:10,150 --> 00:09:11,082 SANDAL. [LAUGHTER] YOU ARE SAYING ABSOLUTELY, 271 00:09:11,084 --> 00:09:13,618 [LAUGHTER] YOU ARE SAYING ABSOLUTELY, BECAUSE IT IS WAFFLE HOUSE. 272 00:09:13,620 --> 00:09:16,988 YOU ARE SAYING ABSOLUTELY, BECAUSE IT IS WAFFLE HOUSE. >> I'VE HAD THIS EXPERIENCE. 273 00:09:16,990 --> 00:09:19,357 BECAUSE IT IS WAFFLE HOUSE. >> I'VE HAD THIS EXPERIENCE. >> tWitch: THE CHEESE GRITS 274 00:09:19,359 --> 00:09:19,624 >> I'VE HAD THIS EXPERIENCE. >> tWitch: THE CHEESE GRITS ARE BOMB. 275 00:09:19,626 --> 00:09:21,326 >> tWitch: THE CHEESE GRITS ARE BOMB. >> THEY MAKE YOU DELUSIONAL. 276 00:09:21,328 --> 00:09:23,395 ARE BOMB. >> THEY MAKE YOU DELUSIONAL. >> tWitch: SO YOU SAY 277 00:09:23,397 --> 00:09:23,995 >> THEY MAKE YOU DELUSIONAL. >> tWitch: SO YOU SAY ABSOLUTELY, LET ME GO TO THE 278 00:09:23,997 --> 00:09:25,630 >> tWitch: SO YOU SAY ABSOLUTELY, LET ME GO TO THE AUDIENCE, WHAT DO YOU ALL THINK? 279 00:09:25,632 --> 00:09:27,299 ABSOLUTELY, LET ME GO TO THE AUDIENCE, WHAT DO YOU ALL THINK? GIVE ME A THUMBS-UP OR THUMBS 280 00:09:27,301 --> 00:09:27,766 AUDIENCE, WHAT DO YOU ALL THINK? GIVE ME A THUMBS-UP OR THUMBS DOWN. 281 00:09:27,768 --> 00:09:29,568 GIVE ME A THUMBS-UP OR THUMBS DOWN. WHAT DO YOU THINK? 282 00:09:29,570 --> 00:09:31,336 DOWN. WHAT DO YOU THINK? I'M GETTING A LOT OF THUMBS UP. 283 00:09:31,338 --> 00:09:32,804 WHAT DO YOU THINK? I'M GETTING A LOT OF THUMBS UP. IT'S BECAUSE IT'S A WAFFLE HOUSE 284 00:09:32,806 --> 00:09:34,339 I'M GETTING A LOT OF THUMBS UP. IT'S BECAUSE IT'S A WAFFLE HOUSE THAT SAYING ALL OVER? 285 00:09:34,341 --> 00:09:35,540 IT'S BECAUSE IT'S A WAFFLE HOUSE THAT SAYING ALL OVER? I WILL SAY ABSOLUTELY. 286 00:09:35,542 --> 00:09:37,342 THAT SAYING ALL OVER? I WILL SAY ABSOLUTELY. LET'S SEE IF IT IS ABSOLUTELY 287 00:09:37,344 --> 00:09:39,811 I WILL SAY ABSOLUTELY. LET'S SEE IF IT IS ABSOLUTELY TRUE OR ABSOLUTELY NOT TRUE! 288 00:09:39,813 --> 00:09:41,246 LET'S SEE IF IT IS ABSOLUTELY TRUE OR ABSOLUTELY NOT TRUE! I WAS NOT KEEPING THE SCORE, SO 289 00:09:41,248 --> 00:09:43,348 TRUE OR ABSOLUTELY NOT TRUE! I WAS NOT KEEPING THE SCORE, SO LET'S CALL IT A TIE. 290 00:09:43,350 --> 00:09:44,349 I WAS NOT KEEPING THE SCORE, SO LET'S CALL IT A TIE. [LAUGHTER] 291 00:09:44,351 --> 00:09:45,650 LET'S CALL IT A TIE. [LAUGHTER] AND HERE IS SOMETHING ELSE THAT 292 00:09:45,652 --> 00:09:47,485 [LAUGHTER] AND HERE IS SOMETHING ELSE THAT IS ABSOLUTELY TRUE, I HAVE 293 00:09:47,487 --> 00:09:48,954 AND HERE IS SOMETHING ELSE THAT IS ABSOLUTELY TRUE, I HAVE LOVED, LOVED HAVING YOU HERE 294 00:09:48,956 --> 00:09:49,854 IS ABSOLUTELY TRUE, I HAVE LOVED, LOVED HAVING YOU HERE WITH ME, CYRUS. 295 00:09:49,856 --> 00:09:51,523 LOVED, LOVED HAVING YOU HERE WITH ME, CYRUS. I APPRECIATE YOU, MAN, 296 00:09:51,525 --> 00:09:52,958 WITH ME, CYRUS. I APPRECIATE YOU, MAN, SERIOUSLY, DO YOU WANT TO TAKE 297 00:09:52,960 --> 00:09:55,160 I APPRECIATE YOU, MAN, SERIOUSLY, DO YOU WANT TO TAKE US TO A COMMERCIAL BREAK? 298 00:09:55,162 --> 00:09:59,998 SERIOUSLY, DO YOU WANT TO TAKE US TO A COMMERCIAL BREAK? >> WE'LL BE RIGHT BACK! 299 00:10:00,000 --> 00:10:02,167 US TO A COMMERCIAL BREAK? >> WE'LL BE RIGHT BACK! >> tWitch: HEY. 300 00:10:02,169 --> 00:10:02,634 >> WE'LL BE RIGHT BACK! >> tWitch: HEY. [CHEERS AND APPLAUSE] 301 00:10:02,636 --> 00:10:09,307 >> tWitch: HEY. [CHEERS AND APPLAUSE] ♪ ♪ 302 00:10:09,309 --> 00:10:10,275 [CHEERS AND APPLAUSE] ♪ ♪ >> tWitch: Y'ALL ARE LIKE MY 303 00:10:10,277 --> 00:10:13,678 ♪ ♪ >> tWitch: Y'ALL ARE LIKE MY FAVORITE COUPLE ON THE SHOW. 304 00:10:13,680 --> 00:10:18,350 >> tWitch: Y'ALL ARE LIKE MY FAVORITE COUPLE ON THE SHOW. >> OH, GOD. 305 00:10:18,352 --> 00:10:19,150 FAVORITE COUPLE ON THE SHOW. >> OH, GOD. [LAUGHTER] 306 00:10:19,152 --> 00:10:20,752 >> OH, GOD. [LAUGHTER] >> MY MOM KEEPS ME HUMBLE, 307 00:10:20,754 --> 00:10:21,753 [LAUGHTER] >> MY MOM KEEPS ME HUMBLE, BECAUSE I SAW THAT VIDEO AND I 308 00:10:21,755 --> 00:10:24,456 >> MY MOM KEEPS ME HUMBLE, BECAUSE I SAW THAT VIDEO AND I DON'T SEE THE HYPE. 309 00:10:24,458 --> 00:10:25,457 BECAUSE I SAW THAT VIDEO AND I DON'T SEE THE HYPE. YOU ARE CUTE, BUT -- 310 00:10:34,700 --> 00:10:41,873 [CHEERS AND APPLAUSE] ♪ ♪ >> tWitch: OUR FIRST GUEST 311 00:10:41,875 --> 00:10:44,275 ♪ ♪ >> tWitch: OUR FIRST GUEST PLAYS BETH PEARSON ON THE HIT 312 00:10:44,277 --> 00:10:44,909 >> tWitch: OUR FIRST GUEST PLAYS BETH PEARSON ON THE HIT NBC SHOW "THIS IS US." 313 00:10:44,911 --> 00:10:45,327 PLAYS BETH PEARSON ON THE HIT NBC SHOW "THIS IS US." TAKE A LOOK. 314 00:10:45,329 --> 00:10:48,213 NBC SHOW "THIS IS US." TAKE A LOOK. >> ARE YOU FEELING OKAY ABOUT 315 00:10:48,215 --> 00:10:50,131 TAKE A LOOK. >> ARE YOU FEELING OKAY ABOUT TESS HAVING THEM OVER? 316 00:10:50,133 --> 00:10:52,167 >> ARE YOU FEELING OKAY ABOUT TESS HAVING THEM OVER? >> I AM FEELING OKAY! 317 00:10:52,169 --> 00:10:55,086 TESS HAVING THEM OVER? >> I AM FEELING OKAY! I'M SOTOS CHILLING IN THE 318 00:10:55,088 --> 00:10:56,171 >> I AM FEELING OKAY! I'M SOTOS CHILLING IN THE FRIDGE, TWO DOZEN JALAPENO 319 00:10:56,173 --> 00:10:56,954 I'M SOTOS CHILLING IN THE FRIDGE, TWO DOZEN JALAPENO PEPPERS LOCKED AND LOADED. 320 00:10:56,956 --> 00:10:58,289 FRIDGE, TWO DOZEN JALAPENO PEPPERS LOCKED AND LOADED. I JUST WANT THEM TO FEEL LIKE 321 00:10:58,291 --> 00:11:01,125 PEPPERS LOCKED AND LOADED. I JUST WANT THEM TO FEEL LIKE THEY ARE TOTALLY WELCOME HERE. 322 00:11:01,127 --> 00:11:03,461 I JUST WANT THEM TO FEEL LIKE THEY ARE TOTALLY WELCOME HERE. >> YOU ARE PRACTICING ALEX'S 323 00:11:03,463 --> 00:11:04,896 THEY ARE TOTALLY WELCOME HERE. >> YOU ARE PRACTICING ALEX'S GENDER PRONOUNS RIGHT NOW, 324 00:11:04,898 --> 00:11:05,397 >> YOU ARE PRACTICING ALEX'S GENDER PRONOUNS RIGHT NOW, AREN'T YOU? 325 00:11:05,399 --> 00:11:07,932 GENDER PRONOUNS RIGHT NOW, AREN'T YOU? >> YOU KNOW THAT TESS IS MEAN 326 00:11:07,934 --> 00:11:09,768 AREN'T YOU? >> YOU KNOW THAT TESS IS MEAN WHEN YOU GET THOSE WRONG. 327 00:11:09,770 --> 00:11:13,021 >> YOU KNOW THAT TESS IS MEAN WHEN YOU GET THOSE WRONG. >> MIND NONBINARY PRONOUN USE IS 328 00:11:13,023 --> 00:11:15,674 WHEN YOU GET THOSE WRONG. >> MIND NONBINARY PRONOUN USE IS IMPECCABLE. 329 00:11:15,676 --> 00:11:17,609 >> MIND NONBINARY PRONOUN USE IS IMPECCABLE. LOOKS LIKE THEY DRINK FOR 330 00:11:17,611 --> 00:11:20,345 IMPECCABLE. LOOKS LIKE THEY DRINK FOR AL PACINO JUST LIKE ME. 331 00:11:20,347 --> 00:11:24,182 LOOKS LIKE THEY DRINK FOR AL PACINO JUST LIKE ME. >> tWitch: PLEASE WELCOME 332 00:11:24,184 --> 00:11:28,853 AL PACINO JUST LIKE ME. >> tWitch: PLEASE WELCOME SUSAN KELECHI WATSON! 333 00:11:28,855 --> 00:11:29,621 >> tWitch: PLEASE WELCOME SUSAN KELECHI WATSON! THANK YOU SO MUCH FOR BEING 334 00:11:29,623 --> 00:11:29,821 SUSAN KELECHI WATSON! THANK YOU SO MUCH FOR BEING HERE. 335 00:11:29,823 --> 00:11:31,890 THANK YOU SO MUCH FOR BEING HERE. I'M SO EXCITED FOR TALKING TO 336 00:11:31,892 --> 00:11:32,357 HERE. I'M SO EXCITED FOR TALKING TO YOU. 337 00:11:32,359 --> 00:11:34,125 I'M SO EXCITED FOR TALKING TO YOU. THIS IS THE FIRST TIME WITH US 338 00:11:34,127 --> 00:11:35,060 YOU. THIS IS THE FIRST TIME WITH US ON THE SHOW. 339 00:11:35,062 --> 00:11:37,529 THIS IS THE FIRST TIME WITH US ON THE SHOW. >> THIS IS MY FIRST TIME BEING 340 00:11:37,531 --> 00:11:39,764 ON THE SHOW. >> THIS IS MY FIRST TIME BEING WITH YOU. 341 00:11:39,766 --> 00:11:40,665 >> THIS IS MY FIRST TIME BEING WITH YOU. >> tWitch: I'VE BEEN REALLY 342 00:11:40,667 --> 00:11:41,933 WITH YOU. >> tWitch: I'VE BEEN REALLY EXCITED TO TALK TO YOU, AND 343 00:11:41,935 --> 00:11:44,269 >> tWitch: I'VE BEEN REALLY EXCITED TO TALK TO YOU, AND THERE ARE SO MANY THINGS I WANT 344 00:11:44,271 --> 00:11:45,270 EXCITED TO TALK TO YOU, AND THERE ARE SO MANY THINGS I WANT TO GET AT. 345 00:11:45,272 --> 00:11:48,006 THERE ARE SO MANY THINGS I WANT TO GET AT. BUT I WATCH THE SHOW AND YOU ARE 346 00:11:48,008 --> 00:11:48,540 TO GET AT. BUT I WATCH THE SHOW AND YOU ARE A DANCER. 347 00:11:48,542 --> 00:11:50,208 BUT I WATCH THE SHOW AND YOU ARE A DANCER. YOU HAVE BEEN A DANCER BEFORE, 348 00:11:50,210 --> 00:11:54,713 A DANCER. YOU HAVE BEEN A DANCER BEFORE, RIGHT, BECAUSE THE EPISODE WE 349 00:11:54,715 --> 00:11:58,717 YOU HAVE BEEN A DANCER BEFORE, RIGHT, BECAUSE THE EPISODE WE HAVE IN STUDIO, YOU ARE A DANC 350 00:11:58,719 --> 00:11:58,950 RIGHT, BECAUSE THE EPISODE WE HAVE IN STUDIO, YOU ARE A DANC DANCER? 351 00:11:58,952 --> 00:12:01,453 HAVE IN STUDIO, YOU ARE A DANC DANCER? >> TRAINED FOR FOR A LOT OF MY 352 00:12:01,455 --> 00:12:02,387 DANCER? >> TRAINED FOR FOR A LOT OF MY LIFE IN DANCE. 353 00:12:02,389 --> 00:12:04,556 >> TRAINED FOR FOR A LOT OF MY LIFE IN DANCE. AND EVEN WHEN I WAS IN COLLEGE. 354 00:12:04,558 --> 00:12:06,591 LIFE IN DANCE. AND EVEN WHEN I WAS IN COLLEGE. I DECIDED I WOULD TAKE A FEW 355 00:12:06,593 --> 00:12:08,259 AND EVEN WHEN I WAS IN COLLEGE. I DECIDED I WOULD TAKE A FEW DANCE CLASSES, BUT BY THE TIME I 356 00:12:08,261 --> 00:12:10,078 I DECIDED I WOULD TAKE A FEW DANCE CLASSES, BUT BY THE TIME I GRADUATED I THOUGHT I WAS 357 00:12:10,080 --> 00:12:10,662 DANCE CLASSES, BUT BY THE TIME I GRADUATED I THOUGHT I WAS MINORING IN ENGLISH. 358 00:12:10,664 --> 00:12:12,931 GRADUATED I THOUGHT I WAS MINORING IN ENGLISH. THEY TOLD ME I TOOK SO MANY 359 00:12:12,933 --> 00:12:13,865 MINORING IN ENGLISH. THEY TOLD ME I TOOK SO MANY DANCE CLASSES THAT I MINORED IN 360 00:12:13,867 --> 00:12:15,100 THEY TOLD ME I TOOK SO MANY DANCE CLASSES THAT I MINORED IN DANCE AND I DID NOT KNOW. 361 00:12:15,102 --> 00:12:18,069 DANCE CLASSES THAT I MINORED IN DANCE AND I DID NOT KNOW. SO I WAS LIKE AN ACTING MAJOR, A 362 00:12:18,071 --> 00:12:20,939 DANCE AND I DID NOT KNOW. SO I WAS LIKE AN ACTING MAJOR, A DANCE MINOR, SO YOU HAVE TO MAKE 363 00:12:20,941 --> 00:12:21,906 SO I WAS LIKE AN ACTING MAJOR, A DANCE MINOR, SO YOU HAVE TO MAKE SOMETHING WORK, BUT I HAVE BEEN 364 00:12:21,908 --> 00:12:24,008 DANCE MINOR, SO YOU HAVE TO MAKE SOMETHING WORK, BUT I HAVE BEEN DANCING FOR A LONG TIME. 365 00:12:24,010 --> 00:12:26,511 SOMETHING WORK, BUT I HAVE BEEN DANCING FOR A LONG TIME. I HAVE NOT DANCED IN A FEW YEARS 366 00:12:26,513 --> 00:12:29,547 DANCING FOR A LONG TIME. I HAVE NOT DANCED IN A FEW YEARS NOW, BUT IT WAS A MAIN PART OF 367 00:12:29,549 --> 00:12:29,781 I HAVE NOT DANCED IN A FEW YEARS NOW, BUT IT WAS A MAIN PART OF MY LIFE. 368 00:12:29,783 --> 00:12:32,484 NOW, BUT IT WAS A MAIN PART OF MY LIFE. >> tWitch: WE ARE KIND OF 369 00:12:32,486 --> 00:12:35,019 MY LIFE. >> tWitch: WE ARE KIND OF FORCED TO SPEND QUALITY TIME AT 370 00:12:35,021 --> 00:12:35,787 >> tWitch: WE ARE KIND OF FORCED TO SPEND QUALITY TIME AT HOME AND A LOT OF PEOPLE HAVE 371 00:12:35,789 --> 00:12:36,821 FORCED TO SPEND QUALITY TIME AT HOME AND A LOT OF PEOPLE HAVE BEEN TAKING UP HOBBIES DURING 372 00:12:36,823 --> 00:12:37,122 HOME AND A LOT OF PEOPLE HAVE BEEN TAKING UP HOBBIES DURING QUARANTINE. 373 00:12:37,124 --> 00:12:40,525 BEEN TAKING UP HOBBIES DURING QUARANTINE. AND I HAVE SEEN THAT YOU HAVE 374 00:12:40,527 --> 00:12:42,694 QUARANTINE. AND I HAVE SEEN THAT YOU HAVE POSTED SOME OF YOUR RHYMES 375 00:12:42,696 --> 00:12:45,530 AND I HAVE SEEN THAT YOU HAVE POSTED SOME OF YOUR RHYMES ONLINE. 376 00:12:45,532 --> 00:12:46,531 POSTED SOME OF YOUR RHYMES ONLINE. SO WHAT MOTIVATED YOU TO DO 377 00:12:46,533 --> 00:12:47,332 ONLINE. SO WHAT MOTIVATED YOU TO DO THAT? 378 00:12:47,334 --> 00:12:50,835 SO WHAT MOTIVATED YOU TO DO THAT? HAVE YOU BEEN INTO POETRY OR DID 379 00:12:50,837 --> 00:12:51,269 THAT? HAVE YOU BEEN INTO POETRY OR DID YOU LIKE RAP BEFORE? 380 00:12:51,271 --> 00:12:53,805 HAVE YOU BEEN INTO POETRY OR DID YOU LIKE RAP BEFORE? >> I USE TO RUN GROWING UP AND 381 00:12:53,807 --> 00:12:55,306 YOU LIKE RAP BEFORE? >> I USE TO RUN GROWING UP AND PEOPLE WOULD SAY THAT I COULD DO 382 00:12:55,308 --> 00:12:57,142 >> I USE TO RUN GROWING UP AND PEOPLE WOULD SAY THAT I COULD DO IT, BUT I DON'T KNOW IF I 383 00:12:57,144 --> 00:12:58,309 PEOPLE WOULD SAY THAT I COULD DO IT, BUT I DON'T KNOW IF I THOUGHT THAT THEY WERE JUST 384 00:12:58,311 --> 00:12:59,844 IT, BUT I DON'T KNOW IF I THOUGHT THAT THEY WERE JUST BEING NICE, I DON'T KNOW. 385 00:12:59,846 --> 00:13:01,446 THOUGHT THAT THEY WERE JUST BEING NICE, I DON'T KNOW. YOU KNOW, YOU'RE HARD ON 386 00:13:01,448 --> 00:13:01,713 BEING NICE, I DON'T KNOW. YOU KNOW, YOU'RE HARD ON YOURSELF. 387 00:13:01,715 --> 00:13:03,915 YOU KNOW, YOU'RE HARD ON YOURSELF. BUT I LOVE IT AND I AM A CHILD 388 00:13:03,917 --> 00:13:04,949 YOURSELF. BUT I LOVE IT AND I AM A CHILD OF THE HIP-HOP GENERATION. 389 00:13:04,951 --> 00:13:06,584 BUT I LOVE IT AND I AM A CHILD OF THE HIP-HOP GENERATION. SO I LOVE RAP AND I'VE ALWAYS 390 00:13:06,586 --> 00:13:07,418 OF THE HIP-HOP GENERATION. SO I LOVE RAP AND I'VE ALWAYS LISTEN TO RAP MUSIC. 391 00:13:07,420 --> 00:13:09,187 SO I LOVE RAP AND I'VE ALWAYS LISTEN TO RAP MUSIC. THAT'S JUST A PART OF WHAT IT 392 00:13:09,189 --> 00:13:12,323 LISTEN TO RAP MUSIC. THAT'S JUST A PART OF WHAT IT WAS FOR ME GROWING UP, AND SO 393 00:13:12,325 --> 00:13:14,692 THAT'S JUST A PART OF WHAT IT WAS FOR ME GROWING UP, AND SO LIKE WE WOULD HAVE EVERYTHING 394 00:13:14,694 --> 00:13:15,360 WAS FOR ME GROWING UP, AND SO LIKE WE WOULD HAVE EVERYTHING ALWAYS TURNED INTO A CIPHER. 395 00:13:15,362 --> 00:13:16,561 LIKE WE WOULD HAVE EVERYTHING ALWAYS TURNED INTO A CIPHER. I DON'T KNOW IF PEOPLE KNOW WHAT 396 00:13:16,563 --> 00:13:18,897 ALWAYS TURNED INTO A CIPHER. I DON'T KNOW IF PEOPLE KNOW WHAT THAT IS, BUT YOU GATHER AROUND 397 00:13:18,899 --> 00:13:20,498 I DON'T KNOW IF PEOPLE KNOW WHAT THAT IS, BUT YOU GATHER AROUND IN A CIRCLE TO CIRCLE AND IT'S 398 00:13:20,500 --> 00:13:22,433 THAT IS, BUT YOU GATHER AROUND IN A CIRCLE TO CIRCLE AND IT'S LIKE A PASS ON MIKE'S SITUATION 399 00:13:22,435 --> 00:13:25,336 IN A CIRCLE TO CIRCLE AND IT'S LIKE A PASS ON MIKE'S SITUATION AND YOU JUMP IN AND FLOW, SO I 400 00:13:25,338 --> 00:13:27,338 LIKE A PASS ON MIKE'S SITUATION AND YOU JUMP IN AND FLOW, SO I REALIZED THAT I WAS ABLE TO 401 00:13:27,340 --> 00:13:28,706 AND YOU JUMP IN AND FLOW, SO I REALIZED THAT I WAS ABLE TO FLOW, AND FOR SOME REASON WITH 402 00:13:28,708 --> 00:13:30,842 REALIZED THAT I WAS ABLE TO FLOW, AND FOR SOME REASON WITH THE QUARANTINE I JUST GOT THE 403 00:13:30,844 --> 00:13:33,878 FLOW, AND FOR SOME REASON WITH THE QUARANTINE I JUST GOT THE FLOW BACK AND STARTED POSTING IT 404 00:13:33,880 --> 00:13:35,713 THE QUARANTINE I JUST GOT THE FLOW BACK AND STARTED POSTING IT ON INSTAGRAM AND YOU KNOW, JUST 405 00:13:35,715 --> 00:13:37,582 FLOW BACK AND STARTED POSTING IT ON INSTAGRAM AND YOU KNOW, JUST KIND OF CLOSE YOUR EYES AND 406 00:13:37,584 --> 00:13:38,650 ON INSTAGRAM AND YOU KNOW, JUST KIND OF CLOSE YOUR EYES AND SEND, AND THERE IT IS. 407 00:13:38,652 --> 00:13:40,518 KIND OF CLOSE YOUR EYES AND SEND, AND THERE IT IS. >> tWitch: WE ARE LOVING IT. 408 00:13:40,520 --> 00:13:43,955 SEND, AND THERE IT IS. >> tWitch: WE ARE LOVING IT. AND JUST TO SWITCH GEARS, YOU 409 00:13:43,957 --> 00:13:44,522 >> tWitch: WE ARE LOVING IT. AND JUST TO SWITCH GEARS, YOU RECENTLY POSTED ON INSTAGRAM 410 00:13:44,524 --> 00:13:46,758 AND JUST TO SWITCH GEARS, YOU RECENTLY POSTED ON INSTAGRAM THAT YOU ARE SINGLE. 411 00:13:46,760 --> 00:13:49,093 RECENTLY POSTED ON INSTAGRAM THAT YOU ARE SINGLE. HAVE YOU BEEN SPENDING TIME ON 412 00:13:49,095 --> 00:13:49,727 THAT YOU ARE SINGLE. HAVE YOU BEEN SPENDING TIME ON THE DATING APPS? 413 00:13:49,729 --> 00:13:52,463 HAVE YOU BEEN SPENDING TIME ON THE DATING APPS? HOW HAS HAS THAT BEEN GOING? 414 00:13:52,465 --> 00:13:55,867 THE DATING APPS? HOW HAS HAS THAT BEEN GOING? >> I'M NOT GOOD AT THE DATING 415 00:13:55,869 --> 00:13:57,936 HOW HAS HAS THAT BEEN GOING? >> I'M NOT GOOD AT THE DATING APPS, TWITCH, I FEEL LIKE -- 416 00:13:57,938 --> 00:14:01,773 >> I'M NOT GOOD AT THE DATING APPS, TWITCH, I FEEL LIKE -- I'M GOING TO PUT IT ON THE MEN. 417 00:14:01,775 --> 00:14:05,276 APPS, TWITCH, I FEEL LIKE -- I'M GOING TO PUT IT ON THE MEN. I'M NOT GOOD AT -- 418 00:14:05,278 --> 00:14:06,744 I'M GOING TO PUT IT ON THE MEN. I'M NOT GOOD AT -- AND YOU SEE THAT PERSON IN 419 00:14:06,746 --> 00:14:08,947 I'M NOT GOOD AT -- AND YOU SEE THAT PERSON IN PERSON, AND THEY ARE GORGEOUS, 420 00:14:08,949 --> 00:14:10,248 AND YOU SEE THAT PERSON IN PERSON, AND THEY ARE GORGEOUS, WHAT'S WRONG WITH YOU! 421 00:14:10,250 --> 00:14:11,282 PERSON, AND THEY ARE GORGEOUS, WHAT'S WRONG WITH YOU! SO I DISCOVERED A LONG TIME AGO 422 00:14:11,284 --> 00:14:13,585 WHAT'S WRONG WITH YOU! SO I DISCOVERED A LONG TIME AGO THAT I AM NOT GOOD AT CHOOSING 423 00:14:13,587 --> 00:14:14,452 SO I DISCOVERED A LONG TIME AGO THAT I AM NOT GOOD AT CHOOSING FROM THE PICTURES. 424 00:14:14,454 --> 00:14:17,055 THAT I AM NOT GOOD AT CHOOSING FROM THE PICTURES. AND IT NEEDS TO BE IN PERSON, SO 425 00:14:17,057 --> 00:14:18,756 FROM THE PICTURES. AND IT NEEDS TO BE IN PERSON, SO IT'S A LOT BETTER FOR ME NOW 426 00:14:18,758 --> 00:14:20,291 AND IT NEEDS TO BE IN PERSON, SO IT'S A LOT BETTER FOR ME NOW THAT THE QUARANTINE IS SORT OF 427 00:14:20,293 --> 00:14:22,660 IT'S A LOT BETTER FOR ME NOW THAT THE QUARANTINE IS SORT OF LIFTED A LITTLE BIT, AND WE KNOW 428 00:14:22,662 --> 00:14:24,095 THAT THE QUARANTINE IS SORT OF LIFTED A LITTLE BIT, AND WE KNOW HOW TO BE SAFE AND WE ARE 429 00:14:24,097 --> 00:14:24,963 LIFTED A LITTLE BIT, AND WE KNOW HOW TO BE SAFE AND WE ARE TESTING AND DOING ALL THE 430 00:14:24,965 --> 00:14:29,000 HOW TO BE SAFE AND WE ARE TESTING AND DOING ALL THE THINGS, THAT'S THE WORLD. 431 00:14:29,002 --> 00:14:29,467 TESTING AND DOING ALL THE THINGS, THAT'S THE WORLD. >> tWitch: ABSOLUTELY. 432 00:14:29,469 --> 00:14:32,937 THINGS, THAT'S THE WORLD. >> tWitch: ABSOLUTELY. LET'S TALK ABOUT "THIS IS US," 433 00:14:32,939 --> 00:14:35,139 >> tWitch: ABSOLUTELY. LET'S TALK ABOUT "THIS IS US," WE LOVE YOU ON "THIS IS US." 434 00:14:35,141 --> 00:14:36,808 LET'S TALK ABOUT "THIS IS US," WE LOVE YOU ON "THIS IS US." I LOVE YOU AND STERLING AS THE 435 00:14:36,810 --> 00:14:37,208 WE LOVE YOU ON "THIS IS US." I LOVE YOU AND STERLING AS THE COUPLE. 436 00:14:37,210 --> 00:14:38,676 I LOVE YOU AND STERLING AS THE COUPLE. Y'ALL ARE MY FAVORITE COUPLE ON 437 00:14:38,678 --> 00:14:41,212 COUPLE. Y'ALL ARE MY FAVORITE COUPLE ON THE SHOW, HOW IS IT WORKING WITH 438 00:14:41,214 --> 00:14:42,380 Y'ALL ARE MY FAVORITE COUPLE ON THE SHOW, HOW IS IT WORKING WITH HIM? 439 00:14:42,382 --> 00:14:44,949 THE SHOW, HOW IS IT WORKING WITH HIM? >> OH, GOD. 440 00:14:44,951 --> 00:14:47,485 HIM? >> OH, GOD. [LAUGHTER] 441 00:14:47,487 --> 00:14:49,520 >> OH, GOD. [LAUGHTER] >> tWitch: I ALSO WANT TO ASK 442 00:14:49,522 --> 00:14:51,990 [LAUGHTER] >> tWitch: I ALSO WANT TO ASK THIS, SORRY, LET ME REFORMULATE 443 00:14:51,992 --> 00:14:53,057 >> tWitch: I ALSO WANT TO ASK THIS, SORRY, LET ME REFORMULATE THAT QUESTION, BECAUSE OBVIOUSLY 444 00:14:53,059 --> 00:14:54,359 THIS, SORRY, LET ME REFORMULATE THAT QUESTION, BECAUSE OBVIOUSLY FOR THOSE THAT WATCH THE SHOW 445 00:14:54,361 --> 00:14:57,929 THAT QUESTION, BECAUSE OBVIOUSLY FOR THOSE THAT WATCH THE SHOW AND ARE A FAN OF STERLING, HE IS 446 00:14:57,931 --> 00:14:58,963 FOR THOSE THAT WATCH THE SHOW AND ARE A FAN OF STERLING, HE IS INCREDIBLE, BUT BETH PROVIDES 447 00:14:58,965 --> 00:15:01,466 AND ARE A FAN OF STERLING, HE IS INCREDIBLE, BUT BETH PROVIDES SUCH A BALANCE FOR HIM, AND 448 00:15:01,468 --> 00:15:02,700 INCREDIBLE, BUT BETH PROVIDES SUCH A BALANCE FOR HIM, AND GALLS CHEMISTRY ON SCREEN, SO 449 00:15:02,702 --> 00:15:04,736 SUCH A BALANCE FOR HIM, AND GALLS CHEMISTRY ON SCREEN, SO PLEASE TELL ME ABOUT THAT. 450 00:15:04,738 --> 00:15:06,621 GALLS CHEMISTRY ON SCREEN, SO PLEASE TELL ME ABOUT THAT. WHAT IS THAT LIKE? 451 00:15:06,623 --> 00:15:08,373 PLEASE TELL ME ABOUT THAT. WHAT IS THAT LIKE? >> STERLING, YOU KNOW, HIS 452 00:15:08,375 --> 00:15:11,276 WHAT IS THAT LIKE? >> STERLING, YOU KNOW, HIS ACTING SKILLS, YOU TRY TO PULL 453 00:15:11,278 --> 00:15:12,210 >> STERLING, YOU KNOW, HIS ACTING SKILLS, YOU TRY TO PULL HIM ALONG, YOU KNOW. 454 00:15:12,212 --> 00:15:14,245 ACTING SKILLS, YOU TRY TO PULL HIM ALONG, YOU KNOW. [LAUGHTER] 455 00:15:14,247 --> 00:15:17,515 HIM ALONG, YOU KNOW. [LAUGHTER] I MEAN, LISTEN, I AM BLESSED, 456 00:15:17,517 --> 00:15:20,451 [LAUGHTER] I MEAN, LISTEN, I AM BLESSED, TRULY, I REALLY HAVE WHAT I KNOW 457 00:15:20,453 --> 00:15:24,689 I MEAN, LISTEN, I AM BLESSED, TRULY, I REALLY HAVE WHAT I KNOW I WILL CONSIDER FOR THE REST OF 458 00:15:24,691 --> 00:15:25,857 TRULY, I REALLY HAVE WHAT I KNOW I WILL CONSIDER FOR THE REST OF MY LIFE ONE OF THE BEST SCENE 459 00:15:25,859 --> 00:15:28,559 I WILL CONSIDER FOR THE REST OF MY LIFE ONE OF THE BEST SCENE PARTNERS TO HAVE, AND I KNOW 460 00:15:28,561 --> 00:15:29,894 MY LIFE ONE OF THE BEST SCENE PARTNERS TO HAVE, AND I KNOW THAT AND AM FORTUNATE WITH 461 00:15:29,896 --> 00:15:31,095 PARTNERS TO HAVE, AND I KNOW THAT AND AM FORTUNATE WITH STERLING K. BROWN. 462 00:15:31,097 --> 00:15:33,331 THAT AND AM FORTUNATE WITH STERLING K. BROWN. AND NOT ONLY THAT, BUT I HAVE A 463 00:15:33,333 --> 00:15:35,500 STERLING K. BROWN. AND NOT ONLY THAT, BUT I HAVE A VERY DIFFERENT -- 464 00:15:35,502 --> 00:15:37,101 AND NOT ONLY THAT, BUT I HAVE A VERY DIFFERENT -- THAT'S MY PARTNER RIGHT THERE. 465 00:15:37,103 --> 00:15:38,336 VERY DIFFERENT -- THAT'S MY PARTNER RIGHT THERE. WE MAKE IT DO WHEN WE GET A 466 00:15:38,338 --> 00:15:40,271 THAT'S MY PARTNER RIGHT THERE. WE MAKE IT DO WHEN WE GET A CHANCE TO AND WE ENJOYED BEING 467 00:15:40,273 --> 00:15:41,239 WE MAKE IT DO WHEN WE GET A CHANCE TO AND WE ENJOYED BEING WITH EACH OTHER. 468 00:15:41,241 --> 00:15:42,774 CHANCE TO AND WE ENJOYED BEING WITH EACH OTHER. WE WORK OFF OF EACH OTHER'S 469 00:15:42,776 --> 00:15:43,007 WITH EACH OTHER. WE WORK OFF OF EACH OTHER'S ENERGY. 470 00:15:43,009 --> 00:15:44,309 WE WORK OFF OF EACH OTHER'S ENERGY. AND I COULD NOT ASK FOR SOMEBODY 471 00:15:44,311 --> 00:15:47,645 ENERGY. AND I COULD NOT ASK FOR SOMEBODY WHO IS MORE DEDICATED AND IT 472 00:15:47,647 --> 00:15:48,680 AND I COULD NOT ASK FOR SOMEBODY WHO IS MORE DEDICATED AND IT MEANS SOMETHING TO THEM TO BRING 473 00:15:48,682 --> 00:15:49,547 WHO IS MORE DEDICATED AND IT MEANS SOMETHING TO THEM TO BRING SOMETHING TO THE TABLE EVERY 474 00:15:49,549 --> 00:15:49,914 MEANS SOMETHING TO THEM TO BRING SOMETHING TO THE TABLE EVERY TIME. 475 00:15:49,916 --> 00:15:51,015 SOMETHING TO THE TABLE EVERY TIME. I COULD GO ON AND ON ABOUT HIM. 476 00:15:51,017 --> 00:15:54,385 TIME. I COULD GO ON AND ON ABOUT HIM. IT'S REAL. 477 00:15:54,387 --> 00:15:56,387 I COULD GO ON AND ON ABOUT HIM. IT'S REAL. SO YEAH, IT'S A JOY FOR ME TO 478 00:15:56,389 --> 00:15:57,088 IT'S REAL. SO YEAH, IT'S A JOY FOR ME TO WORK WITH HIM. 479 00:15:57,090 --> 00:15:58,089 SO YEAH, IT'S A JOY FOR ME TO WORK WITH HIM. EVEN ON THE DAYS WHEN IT IS 480 00:15:58,091 --> 00:15:59,824 WORK WITH HIM. EVEN ON THE DAYS WHEN IT IS LIKE, HOW ARE WE GOING TO DO 481 00:15:59,826 --> 00:16:01,459 EVEN ON THE DAYS WHEN IT IS LIKE, HOW ARE WE GOING TO DO THIS TO MAKE THIS WORK? 482 00:16:01,461 --> 00:16:03,594 LIKE, HOW ARE WE GOING TO DO THIS TO MAKE THIS WORK? IT'S A JOY TO FIGURE IT OUT WITH 483 00:16:03,596 --> 00:16:03,761 THIS TO MAKE THIS WORK? IT'S A JOY TO FIGURE IT OUT WITH HIM. 484 00:16:03,763 --> 00:16:04,896 IT'S A JOY TO FIGURE IT OUT WITH HIM. >> tWitch: ABSOLUTELY, WE HAVE 485 00:16:04,898 --> 00:16:06,130 HIM. >> tWitch: ABSOLUTELY, WE HAVE TO GO TO BREAK NOW BUT I WANT TO 486 00:16:06,132 --> 00:16:08,399 >> tWitch: ABSOLUTELY, WE HAVE TO GO TO BREAK NOW BUT I WANT TO SAY THIS BEFORE WE GO TO BREAK. 487 00:16:08,401 --> 00:16:10,935 TO GO TO BREAK NOW BUT I WANT TO SAY THIS BEFORE WE GO TO BREAK. FELICIA FOR SHOD BOTH PLAYS YOUR 488 00:16:10,937 --> 00:16:12,737 SAY THIS BEFORE WE GO TO BREAK. FELICIA FOR SHOD BOTH PLAYS YOUR MOM ON THE SHOW, TALK ABOUT A 489 00:16:12,739 --> 00:16:14,038 FELICIA FOR SHOD BOTH PLAYS YOUR MOM ON THE SHOW, TALK ABOUT A LEGEND, JUST BEING SURROUNDED BY 490 00:16:14,040 --> 00:16:16,941 MOM ON THE SHOW, TALK ABOUT A LEGEND, JUST BEING SURROUNDED BY LEGENDARY ACTORS, TALK ABOUT 491 00:16:16,943 --> 00:16:18,109 LEGEND, JUST BEING SURROUNDED BY LEGENDARY ACTORS, TALK ABOUT THAT. 492 00:16:18,111 --> 00:16:20,812 LEGENDARY ACTORS, TALK ABOUT THAT. >> WELL, YOU KNOW, SO MANY OF US 493 00:16:20,814 --> 00:16:23,881 THAT. >> WELL, YOU KNOW, SO MANY OF US KNOW HER FROM "THE COSBY SHOW." 494 00:16:23,883 --> 00:16:25,583 >> WELL, YOU KNOW, SO MANY OF US KNOW HER FROM "THE COSBY SHOW." I KNOW HER AS A PERSONAL MENTOR 495 00:16:25,585 --> 00:16:29,420 KNOW HER FROM "THE COSBY SHOW." I KNOW HER AS A PERSONAL MENTOR AND JUST SUCH A DYNAMIC ARTIST, 496 00:16:29,422 --> 00:16:31,322 I KNOW HER AS A PERSONAL MENTOR AND JUST SUCH A DYNAMIC ARTIST, YOU KNOW, JUST AS AN ARTIST. 497 00:16:31,324 --> 00:16:34,726 AND JUST SUCH A DYNAMIC ARTIST, YOU KNOW, JUST AS AN ARTIST. AND TO HAVE HER ON SET, 498 00:16:34,728 --> 00:16:36,127 YOU KNOW, JUST AS AN ARTIST. AND TO HAVE HER ON SET, SOMETIMES I'M LIKE, IT GOES 499 00:16:36,129 --> 00:16:37,095 AND TO HAVE HER ON SET, SOMETIMES I'M LIKE, IT GOES THROUGH MY MIND AND I'M JUST 500 00:16:37,097 --> 00:16:39,731 SOMETIMES I'M LIKE, IT GOES THROUGH MY MIND AND I'M JUST GOING TO BE HONEST, LIKE LET ME 501 00:16:39,733 --> 00:16:41,165 THROUGH MY MIND AND I'M JUST GOING TO BE HONEST, LIKE LET ME MAKE SURE MY SKILLS ARE GOING 502 00:16:41,167 --> 00:16:42,500 GOING TO BE HONEST, LIKE LET ME MAKE SURE MY SKILLS ARE GOING AND I'M DOING THIS RIGHT, YOU 503 00:16:42,502 --> 00:16:43,001 MAKE SURE MY SKILLS ARE GOING AND I'M DOING THIS RIGHT, YOU KNOW WHAT I MEAN? 504 00:16:43,003 --> 00:16:45,570 AND I'M DOING THIS RIGHT, YOU KNOW WHAT I MEAN? AND YOUR HEAD IS LIKE LET ME 505 00:16:45,572 --> 00:16:48,973 KNOW WHAT I MEAN? AND YOUR HEAD IS LIKE LET ME MAKE SURE THAT I AM NUANCED 506 00:16:48,975 --> 00:16:49,941 AND YOUR HEAD IS LIKE LET ME MAKE SURE THAT I AM NUANCED TODAY. 507 00:16:49,943 --> 00:16:52,710 MAKE SURE THAT I AM NUANCED TODAY. AND SHE CAN SEE IF IT IS HONEST 508 00:16:52,712 --> 00:16:56,581 TODAY. AND SHE CAN SEE IF IT IS HONEST OR NOT, SO IT'S AN AMAZING 509 00:16:56,583 --> 00:16:58,316 AND SHE CAN SEE IF IT IS HONEST OR NOT, SO IT'S AN AMAZING THING, BECAUSE AS AN ACTOR I 510 00:16:58,318 --> 00:17:00,651 OR NOT, SO IT'S AN AMAZING THING, BECAUSE AS AN ACTOR I ALWAYS FEEL LIKE YOU NEVER STOP 511 00:17:00,653 --> 00:17:01,019 THING, BECAUSE AS AN ACTOR I ALWAYS FEEL LIKE YOU NEVER STOP LEARNING. 512 00:17:01,021 --> 00:17:01,719 ALWAYS FEEL LIKE YOU NEVER STOP LEARNING. SO TO HAVE SOMEBODY LIKE HER 513 00:17:01,721 --> 00:17:05,523 LEARNING. SO TO HAVE SOMEBODY LIKE HER ONSET TO BE ACTING WITH I'M ALSO 514 00:17:05,525 --> 00:17:06,657 SO TO HAVE SOMEBODY LIKE HER ONSET TO BE ACTING WITH I'M ALSO GETTING A CHANCE TO LEARN FROM. 515 00:17:06,659 --> 00:17:10,728 ONSET TO BE ACTING WITH I'M ALSO GETTING A CHANCE TO LEARN FROM. AND ALSO VERY GOOD DEAR FRIEND 516 00:17:10,730 --> 00:17:11,062 GETTING A CHANCE TO LEARN FROM. AND ALSO VERY GOOD DEAR FRIEND OF MINE. 517 00:17:11,064 --> 00:17:13,164 AND ALSO VERY GOOD DEAR FRIEND OF MINE. SO IT'S BEEN PRETTY DOPE, THE 518 00:17:13,166 --> 00:17:16,034 OF MINE. SO IT'S BEEN PRETTY DOPE, THE FACT THAT SHE WAS BEST MOM, THEY 519 00:17:16,036 --> 00:17:16,801 SO IT'S BEEN PRETTY DOPE, THE FACT THAT SHE WAS BEST MOM, THEY CAST HER, NOBODY ASKED ME 520 00:17:16,803 --> 00:17:18,669 FACT THAT SHE WAS BEST MOM, THEY CAST HER, NOBODY ASKED ME ANYTHING AND THEY CAST HER AND 521 00:17:18,671 --> 00:17:19,504 CAST HER, NOBODY ASKED ME ANYTHING AND THEY CAST HER AND DID NOT KNOW WHAT OUR 522 00:17:19,506 --> 00:17:19,937 ANYTHING AND THEY CAST HER AND DID NOT KNOW WHAT OUR RELATIONSHIP WAS. 523 00:17:19,939 --> 00:17:21,105 DID NOT KNOW WHAT OUR RELATIONSHIP WAS. THAT JUST GOES TO SHOW THAT IT 524 00:17:21,107 --> 00:17:24,809 RELATIONSHIP WAS. THAT JUST GOES TO SHOW THAT IT WAS MEANT TO BE. 525 00:17:24,811 --> 00:17:25,610 THAT JUST GOES TO SHOW THAT IT WAS MEANT TO BE. >> tWitch: WE LOVE TO SEE IT. 526 00:17:25,612 --> 00:17:27,512 WAS MEANT TO BE. >> tWitch: WE LOVE TO SEE IT. WE WILL TAKE A SHORT BREAK AND 527 00:17:27,514 --> 00:17:29,480 >> tWitch: WE LOVE TO SEE IT. WE WILL TAKE A SHORT BREAK AND WE WILL PLAY A GAME WHEN WE COME 528 00:17:29,482 --> 00:17:29,847 WE WILL TAKE A SHORT BREAK AND WE WILL PLAY A GAME WHEN WE COME BACK. 529 00:17:29,849 --> 00:17:31,015 WE WILL PLAY A GAME WHEN WE COME BACK. MORE WITH SUSAN WHEN WE COME 530 00:17:31,017 --> 00:17:32,150 BACK. MORE WITH SUSAN WHEN WE COME BACK. 531 00:17:32,152 --> 00:17:32,617 MORE WITH SUSAN WHEN WE COME BACK. [CHEERS AND APPLAUSE] 532 00:17:32,619 --> 00:17:45,563 BACK. [CHEERS AND APPLAUSE] ♪ ♪ 533 00:17:45,565 --> 00:17:51,736 [CHEERS AND APPLAUSE] ♪ ♪ >> tWitch: UHH, TAP DANCING. 534 00:17:51,738 --> 00:17:54,472 ♪ ♪ >> tWitch: UHH, TAP DANCING. >> I GO TO SCHOOL IN SPANISH. 535 00:17:54,474 --> 00:17:56,340 >> tWitch: UHH, TAP DANCING. >> I GO TO SCHOOL IN SPANISH. >> YOU DO? 536 00:17:56,342 --> 00:18:05,249 >> I GO TO SCHOOL IN SPANISH. >> YOU DO? >> YES, THAT IS 537 00:18:06,051 --> 00:18:15,960 [CHEERS AND APPLAUSE] ♪ ♪ >> tWitch: WE ARE BACK WITH 538 00:18:15,962 --> 00:18:17,995 ♪ ♪ >> tWitch: WE ARE BACK WITH TY CASH, WE BOTH LOVE TO DANCE, 539 00:18:17,997 --> 00:18:19,630 >> tWitch: WE ARE BACK WITH TY CASH, WE BOTH LOVE TO DANCE, SO I THOUGHT IT WOULD BE FUN FOR 540 00:18:19,632 --> 00:18:22,633 TY CASH, WE BOTH LOVE TO DANCE, SO I THOUGHT IT WOULD BE FUN FOR US TO PLAY A GAME WE ARE CALLING 541 00:18:22,635 --> 00:18:23,000 SO I THOUGHT IT WOULD BE FUN FOR US TO PLAY A GAME WE ARE CALLING NAME THAT DANCE. 542 00:18:23,002 --> 00:18:25,103 US TO PLAY A GAME WE ARE CALLING NAME THAT DANCE. ♪ ♪ 543 00:18:25,105 --> 00:18:28,206 NAME THAT DANCE. ♪ ♪ ALL RIGHTS, WE ARE EACH GOING TO 544 00:18:28,208 --> 00:18:29,707 ♪ ♪ ALL RIGHTS, WE ARE EACH GOING TO TAKE TURNS DOING WHATEVER COMES 545 00:18:29,709 --> 00:18:31,409 ALL RIGHTS, WE ARE EACH GOING TO TAKE TURNS DOING WHATEVER COMES UP ON THE SCREEN AND YOU HAVE TO 546 00:18:31,411 --> 00:18:33,111 TAKE TURNS DOING WHATEVER COMES UP ON THE SCREEN AND YOU HAVE TO SAY WHAT DANCE YOU ARE DOING. 547 00:18:33,113 --> 00:18:34,445 UP ON THE SCREEN AND YOU HAVE TO SAY WHAT DANCE YOU ARE DOING. WE WILL EACH HAVE 45 SECONDS ON 548 00:18:34,447 --> 00:18:36,714 SAY WHAT DANCE YOU ARE DOING. WE WILL EACH HAVE 45 SECONDS ON THE CLOCK TO GET AS MANY AS WE 549 00:18:36,716 --> 00:18:39,817 WE WILL EACH HAVE 45 SECONDS ON THE CLOCK TO GET AS MANY AS WE CAN AND WHOEVER GETS THE MOST 550 00:18:39,819 --> 00:18:40,751 THE CLOCK TO GET AS MANY AS WE CAN AND WHOEVER GETS THE MOST GUESSES CORRECTLY WINS. 551 00:18:40,753 --> 00:18:41,018 CAN AND WHOEVER GETS THE MOST GUESSES CORRECTLY WINS. LET'S GO. 552 00:18:41,020 --> 00:18:47,758 GUESSES CORRECTLY WINS. LET'S GO. ♪ ♪ 553 00:18:47,760 --> 00:18:52,497 LET'S GO. ♪ ♪ RUNNING MAN. 554 00:18:52,499 --> 00:18:54,065 ♪ ♪ RUNNING MAN. OKAY. 555 00:18:54,067 --> 00:18:58,169 RUNNING MAN. OKAY. TAP DANCING. 556 00:18:58,171 --> 00:19:05,510 OKAY. TAP DANCING. >> YES. 557 00:19:05,512 --> 00:19:09,981 TAP DANCING. >> YES. >> tWitch: SINGLE LADIES! 558 00:19:09,983 --> 00:19:17,588 >> YES. >> tWitch: SINGLE LADIES! OH, CANCAN. 559 00:19:17,590 --> 00:19:17,855 >> tWitch: SINGLE LADIES! OH, CANCAN. OH, SPICY. 560 00:19:17,857 --> 00:19:27,465 OH, CANCAN. OH, SPICY. IT'S ALSO. 561 00:19:27,467 --> 00:19:27,965 OH, SPICY. IT'S ALSO. THAT'S THE FLAPPER. 562 00:19:27,967 --> 00:19:32,069 IT'S ALSO. THAT'S THE FLAPPER. THE FLAPPER. 563 00:19:32,071 --> 00:19:34,238 THAT'S THE FLAPPER. THE FLAPPER. >> THE CHARLES STAN, TWITCH. 564 00:19:34,240 --> 00:19:35,406 THE FLAPPER. >> THE CHARLES STAN, TWITCH. >> tWitch: IT WAS THE 565 00:19:35,408 --> 00:19:35,706 >> THE CHARLES STAN, TWITCH. >> tWitch: IT WAS THE CHARLESTON. 566 00:19:35,708 --> 00:19:36,874 >> tWitch: IT WAS THE CHARLESTON. YOU ARE RIGHT. 567 00:19:36,876 --> 00:19:38,976 CHARLESTON. YOU ARE RIGHT. YOU DID AWESOME, THAT WAS GREAT 568 00:19:38,978 --> 00:19:39,377 YOU ARE RIGHT. YOU DID AWESOME, THAT WAS GREAT AND FANTASTIC. 569 00:19:39,379 --> 00:19:40,545 YOU DID AWESOME, THAT WAS GREAT AND FANTASTIC. >> THANK YOU. 570 00:19:40,547 --> 00:19:41,445 AND FANTASTIC. >> THANK YOU. >> tWitch: HERE WE GO. 571 00:19:41,447 --> 00:19:45,082 >> THANK YOU. >> tWitch: HERE WE GO. ♪ ♪ 572 00:19:45,084 --> 00:19:47,752 >> tWitch: HERE WE GO. ♪ ♪ OKAY. 573 00:19:47,754 --> 00:19:51,756 ♪ ♪ OKAY. >> BALLET. 574 00:19:51,758 --> 00:19:54,992 OKAY. >> BALLET. >> tWitch: WHAT? 575 00:19:54,994 --> 00:19:58,196 >> BALLET. >> tWitch: WHAT? >> LIKE IRISH JIG? 576 00:19:58,198 --> 00:19:59,096 >> tWitch: WHAT? >> LIKE IRISH JIG? >> tWitch: YES. 577 00:19:59,098 --> 00:20:07,038 >> LIKE IRISH JIG? >> tWitch: YES. >> THE ROBOT. 578 00:20:07,040 --> 00:20:08,873 >> tWitch: YES. >> THE ROBOT. WEIGHT? 579 00:20:08,875 --> 00:20:19,884 >> THE ROBOT. WEIGHT? OH, THE WAVE, YES, BODY ROLL. 580 00:20:19,886 --> 00:20:20,084 WEIGHT? OH, THE WAVE, YES, BODY ROLL. PASS. 581 00:20:20,086 --> 00:20:23,588 OH, THE WAVE, YES, BODY ROLL. PASS. >> tWitch: OKAY. 582 00:20:23,590 --> 00:20:31,495 PASS. >> tWitch: OKAY. >> TWERK IT. 583 00:20:31,497 --> 00:20:31,862 >> tWitch: OKAY. >> TWERK IT. MACARENA. 584 00:20:31,864 --> 00:20:34,298 >> TWERK IT. MACARENA. >> tWitch: YES, YES, YES. 585 00:20:34,300 --> 00:20:35,132 MACARENA. >> tWitch: YES, YES, YES. IT WAS BELLY DANCING IT WAS 586 00:20:35,134 --> 00:20:37,235 >> tWitch: YES, YES, YES. IT WAS BELLY DANCING IT WAS BELLY DANCING. 587 00:20:37,237 --> 00:20:38,803 IT WAS BELLY DANCING IT WAS BELLY DANCING. >> YOU GOT A TICKET TO THE SIDE. 588 00:20:38,805 --> 00:20:43,040 BELLY DANCING. >> YOU GOT A TICKET TO THE SIDE. >> tWitch: YOU WRITE. 589 00:20:43,042 --> 00:20:43,441 >> YOU GOT A TICKET TO THE SIDE. >> tWitch: YOU WRITE. DID WE TIE? 590 00:20:43,443 --> 00:20:48,179 >> tWitch: YOU WRITE. DID WE TIE? >> THAT WAS A TIE. 591 00:20:48,181 --> 00:20:49,380 DID WE TIE? >> THAT WAS A TIE. >> tWitch: SUSAN, IT WAS SO 592 00:20:49,382 --> 00:20:51,482 >> THAT WAS A TIE. >> tWitch: SUSAN, IT WAS SO GREAT TO HAVE YOU ON, MUCH LOVE 593 00:20:51,484 --> 00:20:53,117 >> tWitch: SUSAN, IT WAS SO GREAT TO HAVE YOU ON, MUCH LOVE AND LIGHT TO YOU. 594 00:20:53,119 --> 00:20:54,685 GREAT TO HAVE YOU ON, MUCH LOVE AND LIGHT TO YOU. MANY CONTINUED BLESSINGS. 595 00:20:54,687 --> 00:20:55,786 AND LIGHT TO YOU. MANY CONTINUED BLESSINGS. SUCH A HUGE FAN. 596 00:20:55,788 --> 00:20:57,388 MANY CONTINUED BLESSINGS. SUCH A HUGE FAN. >> THANK YOU, TWITCH, IT WAS SO 597 00:20:57,390 --> 00:21:00,524 SUCH A HUGE FAN. >> THANK YOU, TWITCH, IT WAS SO GOOD TO BE ON WITH YOU MAN. 598 00:21:00,526 --> 00:21:01,325 >> THANK YOU, TWITCH, IT WAS SO GOOD TO BE ON WITH YOU MAN. KEEP ON DANCING! 599 00:21:01,327 --> 00:21:02,393 GOOD TO BE ON WITH YOU MAN. KEEP ON DANCING! >> tWitch: ABSOLUTELY. 600 00:21:02,395 --> 00:21:04,061 KEEP ON DANCING! >> tWitch: ABSOLUTELY. "THIS IS US" AIRS TUESDAYS AT 601 00:21:04,063 --> 00:21:06,964 >> tWitch: ABSOLUTELY. "THIS IS US" AIRS TUESDAYS AT 9:00 ON NBC. 602 00:21:06,966 --> 00:21:07,331 "THIS IS US" AIRS TUESDAYS AT 9:00 ON NBC. WE WILL BE BACK! 603 00:21:07,333 --> 00:21:07,798 9:00 ON NBC. WE WILL BE BACK! [CHEERS AND APPLAUSE] 604 00:21:07,800 --> 00:21:17,875 WE WILL BE BACK! [CHEERS AND APPLAUSE] ♪ ♪ 605 00:21:17,877 --> 00:21:21,512 [CHEERS AND APPLAUSE] ♪ ♪ >> I GO TO SCHOOL IN SPANISH. 606 00:21:21,514 --> 00:21:21,946 ♪ ♪ >> I GO TO SCHOOL IN SPANISH. >> YOU DO! 607 00:21:21,948 --> 00:21:26,884 >> I GO TO SCHOOL IN SPANISH. >> YOU DO! >> YES, MUCHA. 608 00:21:26,886 --> 00:21:28,286 >> YOU DO! >> YES, MUCHA. >> OH, SHABBAT SHALOM. 609 00:21:28,288 --> 00:21:30,988 >> YES, MUCHA. >> OH, SHABBAT SHALOM. >> MY MOM KEEPS ME HUMBLE, I SAW 610 00:21:30,990 --> 00:21:33,557 >> OH, SHABBAT SHALOM. >> MY MOM KEEPS ME HUMBLE, I SAW THE VIDEO, YOU CUTE, BUT I DON'T 611 00:21:33,559 --> 00:21:33,824 >> MY MOM KEEPS ME HUMBLE, I SAW THE VIDEO, YOU CUTE, BUT I DON'T KNOW. 612 00:21:33,826 --> 00:21:35,459 THE VIDEO, YOU CUTE, BUT I DON'T KNOW. >> tWitch: IT GOES REALLY GOOD 613 00:21:35,461 --> 00:21:35,760 KNOW. >> tWitch: IT GOES REALLY GOOD WITH THIS. 614 00:21:35,762 --> 00:21:36,661 >> tWitch: IT GOES REALLY GOOD WITH THIS. SO 615 00:21:51,343 --> 00:21:52,576 [CHEERS AND APPLAUSE] ♪ ♪ >> tWitch: SARAH SILVERMAN IS 616 00:21:52,578 --> 00:21:56,480 ♪ ♪ >> tWitch: SARAH SILVERMAN IS SMART, FUNNY, AND CURSES LIKE A 617 00:21:56,482 --> 00:21:56,714 >> tWitch: SARAH SILVERMAN IS SMART, FUNNY, AND CURSES LIKE A SAILOR. 618 00:21:56,716 --> 00:21:59,684 SMART, FUNNY, AND CURSES LIKE A SAILOR. WHY NOT HAVE HER TALK TO SOME 619 00:21:59,686 --> 00:22:00,351 SAILOR. WHY NOT HAVE HER TALK TO SOME YOUNG INNOCENT KIDS. 620 00:22:00,353 --> 00:22:02,219 WHY NOT HAVE HER TALK TO SOME YOUNG INNOCENT KIDS. OR AT LEAST THAT'S WHAT THE 621 00:22:02,221 --> 00:22:03,220 YOUNG INNOCENT KIDS. OR AT LEAST THAT'S WHAT THE "ELLEN" PRODUCERS THOUGHT. 622 00:22:03,222 --> 00:22:05,723 OR AT LEAST THAT'S WHAT THE "ELLEN" PRODUCERS THOUGHT. HERE'S HOW IT WENT DOWN. 623 00:22:05,725 --> 00:22:06,290 "ELLEN" PRODUCERS THOUGHT. HERE'S HOW IT WENT DOWN. ♪ ♪ 624 00:22:06,292 --> 00:22:07,358 HERE'S HOW IT WENT DOWN. ♪ ♪ >> HELLO! 625 00:22:07,360 --> 00:22:08,426 ♪ ♪ >> HELLO! MY NAME IS SARAH, BUT YOU CAN 626 00:22:08,428 --> 00:22:10,594 >> HELLO! MY NAME IS SARAH, BUT YOU CAN CALL ME MY LADY. 627 00:22:10,596 --> 00:22:11,662 MY NAME IS SARAH, BUT YOU CAN CALL ME MY LADY. WHAT ARE YOUR NAMES AND WHAT CAN 628 00:22:11,664 --> 00:22:14,365 CALL ME MY LADY. WHAT ARE YOUR NAMES AND WHAT CAN I CALL YOU INSTEAD? 629 00:22:14,367 --> 00:22:16,934 WHAT ARE YOUR NAMES AND WHAT CAN I CALL YOU INSTEAD? >> MY NAME IS OLIVIA AND YOU CAN 630 00:22:16,936 --> 00:22:18,202 I CALL YOU INSTEAD? >> MY NAME IS OLIVIA AND YOU CAN CALL ME PRINCESS OLIVIA. 631 00:22:18,204 --> 00:22:21,372 >> MY NAME IS OLIVIA AND YOU CAN CALL ME PRINCESS OLIVIA. >> I TOO AM A PRINCESS. 632 00:22:21,374 --> 00:22:21,939 CALL ME PRINCESS OLIVIA. >> I TOO AM A PRINCESS. >> YOU ARE A PRINCESS? 633 00:22:21,941 --> 00:22:24,709 >> I TOO AM A PRINCESS. >> YOU ARE A PRINCESS? >> OF COURSE, YEAH, YEAH, I LIKE 634 00:22:24,711 --> 00:22:26,377 >> YOU ARE A PRINCESS? >> OF COURSE, YEAH, YEAH, I LIKE PEOPLE TO JUST TREAT ME NORMAL 635 00:22:26,379 --> 00:22:29,313 >> OF COURSE, YEAH, YEAH, I LIKE PEOPLE TO JUST TREAT ME NORMAL SO THAT I JUST DRESS REGULAR. 636 00:22:29,315 --> 00:22:30,314 PEOPLE TO JUST TREAT ME NORMAL SO THAT I JUST DRESS REGULAR. YOU KNOW? 637 00:22:30,316 --> 00:22:32,583 SO THAT I JUST DRESS REGULAR. YOU KNOW? IS THIS YOUR FIRST TIME IN 638 00:22:32,585 --> 00:22:33,551 YOU KNOW? IS THIS YOUR FIRST TIME IN THERAPY? 639 00:22:33,553 --> 00:22:34,085 IS THIS YOUR FIRST TIME IN THERAPY? I'M KIDDING. 640 00:22:34,087 --> 00:22:34,385 THERAPY? I'M KIDDING. I'M KIDDING. 641 00:22:34,387 --> 00:22:36,721 I'M KIDDING. I'M KIDDING. I'M NOT GOING TO CHARGE YOU. 642 00:22:36,723 --> 00:22:39,990 I'M KIDDING. I'M NOT GOING TO CHARGE YOU. HOW IS YOUR 2020 SO FAR? 643 00:22:39,992 --> 00:22:40,391 I'M NOT GOING TO CHARGE YOU. HOW IS YOUR 2020 SO FAR? >> GOOD. 644 00:22:40,393 --> 00:22:41,525 HOW IS YOUR 2020 SO FAR? >> GOOD. >> GOOD. 645 00:22:41,527 --> 00:22:43,461 >> GOOD. >> GOOD. >> OH, CHILDREN. 646 00:22:43,463 --> 00:22:44,161 >> GOOD. >> OH, CHILDREN. SO NAIVE. 647 00:22:44,163 --> 00:22:46,564 >> OH, CHILDREN. SO NAIVE. YOU ALL GOT TESTED BEFORE COMING 648 00:22:46,566 --> 00:22:47,365 SO NAIVE. YOU ALL GOT TESTED BEFORE COMING HERE, RIGHT? 649 00:22:47,367 --> 00:22:51,802 YOU ALL GOT TESTED BEFORE COMING HERE, RIGHT? >> I GOT TESTED FOUR TIMES. 650 00:22:51,804 --> 00:22:52,169 HERE, RIGHT? >> I GOT TESTED FOUR TIMES. >> FOR COOTIES? 651 00:22:52,171 --> 00:22:54,538 >> I GOT TESTED FOUR TIMES. >> FOR COOTIES? >> NO, YOU GET COOTIES FROM 652 00:22:54,540 --> 00:23:01,278 >> FOR COOTIES? >> NO, YOU GET COOTIES FROM SQUIRRELS I GUESS. 653 00:23:01,280 --> 00:23:04,749 >> NO, YOU GET COOTIES FROM SQUIRRELS I GUESS. >> THEY FIND NUTS FROM TREES. 654 00:23:04,751 --> 00:23:07,318 SQUIRRELS I GUESS. >> THEY FIND NUTS FROM TREES. >> YOU GUYS ARE GENIUSES. 655 00:23:07,320 --> 00:23:08,252 >> THEY FIND NUTS FROM TREES. >> YOU GUYS ARE GENIUSES. >> WHEN I WAS SMALL I SAW THAT 656 00:23:08,254 --> 00:23:11,555 >> YOU GUYS ARE GENIUSES. >> WHEN I WAS SMALL I SAW THAT IT HAD A NUT BEHIND THE TREE. 657 00:23:11,557 --> 00:23:13,057 >> WHEN I WAS SMALL I SAW THAT IT HAD A NUT BEHIND THE TREE. >> REALLY, AND WAS HE HOLDING 658 00:23:13,059 --> 00:23:13,791 IT HAD A NUT BEHIND THE TREE. >> REALLY, AND WAS HE HOLDING THE NUT? 659 00:23:13,793 --> 00:23:14,091 >> REALLY, AND WAS HE HOLDING THE NUT? OR SHE? 660 00:23:14,093 --> 00:23:16,961 THE NUT? OR SHE? OR ARE THEY? 661 00:23:16,963 --> 00:23:18,329 OR SHE? OR ARE THEY? >> HOLDING THE NUT. 662 00:23:18,331 --> 00:23:20,998 OR ARE THEY? >> HOLDING THE NUT. >> ARE ANY OF YOU GUYS IN ZOOM 663 00:23:21,000 --> 00:23:21,232 >> HOLDING THE NUT. >> ARE ANY OF YOU GUYS IN ZOOM SCHOOL? 664 00:23:21,234 --> 00:23:21,465 >> ARE ANY OF YOU GUYS IN ZOOM SCHOOL? >> YES. 665 00:23:21,467 --> 00:23:24,802 SCHOOL? >> YES. >> ALL OF YOU, HOW'S IT GOING? 666 00:23:24,804 --> 00:23:27,071 >> YES. >> ALL OF YOU, HOW'S IT GOING? >> I GO TO SCHOOL IN SPANISH. 667 00:23:27,073 --> 00:23:28,439 >> ALL OF YOU, HOW'S IT GOING? >> I GO TO SCHOOL IN SPANISH. >> YOU DO? 668 00:23:28,441 --> 00:23:33,577 >> I GO TO SCHOOL IN SPANISH. >> YOU DO? >> YES, MUCHA. 669 00:23:33,579 --> 00:23:35,312 >> YOU DO? >> YES, MUCHA. >> OH, SHABBAT SHALOM. 670 00:23:35,314 --> 00:23:36,614 >> YES, MUCHA. >> OH, SHABBAT SHALOM. HOW ARE YOUR PARENTS HANDLING 671 00:23:36,616 --> 00:23:39,150 >> OH, SHABBAT SHALOM. HOW ARE YOUR PARENTS HANDLING LOCKDOWN, DO THEY LIKE BEING 672 00:23:39,152 --> 00:23:40,050 HOW ARE YOUR PARENTS HANDLING LOCKDOWN, DO THEY LIKE BEING HOME WITH YOU? 673 00:23:40,052 --> 00:23:41,051 LOCKDOWN, DO THEY LIKE BEING HOME WITH YOU? >> YES. 674 00:23:41,053 --> 00:23:43,120 HOME WITH YOU? >> YES. >> ARE YOU DRIVING THEM CRAZY? 675 00:23:43,122 --> 00:23:44,422 >> YES. >> ARE YOU DRIVING THEM CRAZY? >> SOMETIMES. 676 00:23:44,424 --> 00:23:46,590 >> ARE YOU DRIVING THEM CRAZY? >> SOMETIMES. >> YES, WE LIKE THAT. 677 00:23:46,592 --> 00:23:48,526 >> SOMETIMES. >> YES, WE LIKE THAT. ARE THEY DRIVING YOU CRAZY? 678 00:23:48,528 --> 00:23:48,826 >> YES, WE LIKE THAT. ARE THEY DRIVING YOU CRAZY? >> YEAH. 679 00:23:48,828 --> 00:23:50,461 ARE THEY DRIVING YOU CRAZY? >> YEAH. >> JONAH, HOW ARE THEY DRIVING 680 00:23:50,463 --> 00:23:53,964 >> YEAH. >> JONAH, HOW ARE THEY DRIVING YOU CRAZY? 681 00:23:53,966 --> 00:23:59,303 >> JONAH, HOW ARE THEY DRIVING YOU CRAZY? >> [INAUDIBLE] 682 00:23:59,305 --> 00:24:04,708 YOU CRAZY? >> [INAUDIBLE] >> JONAH, DO YOU WANT TO UNMUTE. 683 00:24:04,710 --> 00:24:06,310 >> [INAUDIBLE] >> JONAH, DO YOU WANT TO UNMUTE. >> MY BROTHER WAS PLAYING -- 684 00:24:06,312 --> 00:24:08,446 >> JONAH, DO YOU WANT TO UNMUTE. >> MY BROTHER WAS PLAYING -- I WAS PLAYING ALL DAY THE LAST 685 00:24:08,448 --> 00:24:08,646 >> MY BROTHER WAS PLAYING -- I WAS PLAYING ALL DAY THE LAST TIME. 686 00:24:08,648 --> 00:24:10,948 I WAS PLAYING ALL DAY THE LAST TIME. >> ONE OF THE GREAT STORIES, YOU 687 00:24:10,950 --> 00:24:11,715 TIME. >> ONE OF THE GREAT STORIES, YOU SHOULD OWN THAT. 688 00:24:11,717 --> 00:24:13,517 >> ONE OF THE GREAT STORIES, YOU SHOULD OWN THAT. WHAT HAVE YOU GUYS LEARNED IN 689 00:24:13,519 --> 00:24:15,586 SHOULD OWN THAT. WHAT HAVE YOU GUYS LEARNED IN ZOOM SCHOOL, AND WHEN YOU ARE 690 00:24:15,588 --> 00:24:17,221 WHAT HAVE YOU GUYS LEARNED IN ZOOM SCHOOL, AND WHEN YOU ARE THERE, DO YOU WEAR PANTS? 691 00:24:17,223 --> 00:24:18,222 ZOOM SCHOOL, AND WHEN YOU ARE THERE, DO YOU WEAR PANTS? >> I WEAR PANTS. 692 00:24:18,224 --> 00:24:20,124 THERE, DO YOU WEAR PANTS? >> I WEAR PANTS. >> THIS IS THE FIRST TIME SINCE 693 00:24:20,126 --> 00:24:23,527 >> I WEAR PANTS. >> THIS IS THE FIRST TIME SINCE MARCH I HAVE NOT WORN PAJAMAS. 694 00:24:23,529 --> 00:24:24,995 >> THIS IS THE FIRST TIME SINCE MARCH I HAVE NOT WORN PAJAMAS. IT'S CONSTRICTING. 695 00:24:24,997 --> 00:24:31,769 MARCH I HAVE NOT WORN PAJAMAS. IT'S CONSTRICTING. >> MY TEACHERS NAME IS MRS. ... 696 00:24:31,771 --> 00:24:33,337 IT'S CONSTRICTING. >> MY TEACHERS NAME IS MRS. ... SHE ALWAYS MAKES MY MOM LAUGH. 697 00:24:33,339 --> 00:24:37,608 >> MY TEACHERS NAME IS MRS. ... SHE ALWAYS MAKES MY MOM LAUGH. >> [LAUGHS] 698 00:24:37,610 --> 00:24:40,110 SHE ALWAYS MAKES MY MOM LAUGH. >> [LAUGHS] THEY ARE PROBABLY LOVERS. 699 00:24:40,112 --> 00:24:40,711 >> [LAUGHS] THEY ARE PROBABLY LOVERS. [LAUGHTER] 700 00:24:40,713 --> 00:24:44,014 THEY ARE PROBABLY LOVERS. [LAUGHTER] >> I HAVE A FRIEND NAMED KOBE, 701 00:24:44,016 --> 00:24:48,652 [LAUGHTER] >> I HAVE A FRIEND NAMED KOBE, AND HE IS STILL IN FIRST GRADE, 702 00:24:48,654 --> 00:24:49,153 >> I HAVE A FRIEND NAMED KOBE, AND HE IS STILL IN FIRST GRADE, BUT A DIFFERENT TEACHER. 703 00:24:49,155 --> 00:24:52,156 AND HE IS STILL IN FIRST GRADE, BUT A DIFFERENT TEACHER. >> WOW. 704 00:24:52,158 --> 00:24:54,792 BUT A DIFFERENT TEACHER. >> WOW. WOW. 705 00:24:54,794 --> 00:24:55,059 >> WOW. WOW. [LAUGHTER] 706 00:24:55,061 --> 00:24:57,528 WOW. [LAUGHTER] I HAVE A NEW BOYFRIEND, DO SOME 707 00:24:57,530 --> 00:24:58,395 [LAUGHTER] I HAVE A NEW BOYFRIEND, DO SOME OF YOU GUYS HAVE DATING ADVICE 708 00:24:58,397 --> 00:25:00,297 I HAVE A NEW BOYFRIEND, DO SOME OF YOU GUYS HAVE DATING ADVICE FOR ME? 709 00:25:00,299 --> 00:25:02,032 OF YOU GUYS HAVE DATING ADVICE FOR ME? >> GO OUT WITH HIM IN A REALLY 710 00:25:02,034 --> 00:25:04,869 FOR ME? >> GO OUT WITH HIM IN A REALLY FANCY HOTEL AND GO SWIMMING. 711 00:25:04,871 --> 00:25:08,405 >> GO OUT WITH HIM IN A REALLY FANCY HOTEL AND GO SWIMMING. >> GO TO A VERY FANCY HOTEL AND 712 00:25:08,407 --> 00:25:09,039 FANCY HOTEL AND GO SWIMMING. >> GO TO A VERY FANCY HOTEL AND OF COURSE YOU KNOW HOTELS ARE 713 00:25:09,041 --> 00:25:10,007 >> GO TO A VERY FANCY HOTEL AND OF COURSE YOU KNOW HOTELS ARE FOR SWIMMING. 714 00:25:10,009 --> 00:25:11,942 OF COURSE YOU KNOW HOTELS ARE FOR SWIMMING. YES. 715 00:25:11,944 --> 00:25:12,676 FOR SWIMMING. YES. >> BY THE LITTLE FLOATY'S THAT 716 00:25:12,678 --> 00:25:16,947 YES. >> BY THE LITTLE FLOATY'S THAT HOLD YOUR FOOD, ORDER PIZZA AND 717 00:25:16,949 --> 00:25:18,415 >> BY THE LITTLE FLOATY'S THAT HOLD YOUR FOOD, ORDER PIZZA AND THEN SWIM IN THE HOTEL POOL AND 718 00:25:18,417 --> 00:25:19,750 HOLD YOUR FOOD, ORDER PIZZA AND THEN SWIM IN THE HOTEL POOL AND THEN PUT THE PIZZA ON THE 719 00:25:19,752 --> 00:25:23,187 THEN SWIM IN THE HOTEL POOL AND THEN PUT THE PIZZA ON THE FLOATY'S THAT YOU ORDERED. 720 00:25:23,189 --> 00:25:24,255 THEN PUT THE PIZZA ON THE FLOATY'S THAT YOU ORDERED. >> YES, ROBERT, YOU HAVE GREAT 721 00:25:24,257 --> 00:25:28,726 FLOATY'S THAT YOU ORDERED. >> YES, ROBERT, YOU HAVE GREAT ADVICE FOR ME. 722 00:25:28,728 --> 00:25:30,828 >> YES, ROBERT, YOU HAVE GREAT ADVICE FOR ME. >> YOU HAVE SOMETIMES WHEN YOU 723 00:25:30,830 --> 00:25:33,998 ADVICE FOR ME. >> YOU HAVE SOMETIMES WHEN YOU ARE IN THIS -- 724 00:25:34,000 --> 00:25:38,469 >> YOU HAVE SOMETIMES WHEN YOU ARE IN THIS -- YOU HAVE TO WEAR YOUR MASK. 725 00:25:38,471 --> 00:25:41,672 ARE IN THIS -- YOU HAVE TO WEAR YOUR MASK. >> OKAY, LITTLE OFF TOPIC. 726 00:25:41,674 --> 00:25:45,109 YOU HAVE TO WEAR YOUR MASK. >> OKAY, LITTLE OFF TOPIC. BUT THE TRUISM NONETHELESS. 727 00:25:45,111 --> 00:25:46,544 >> OKAY, LITTLE OFF TOPIC. BUT THE TRUISM NONETHELESS. YES, ROBERT? 728 00:25:46,546 --> 00:25:50,114 BUT THE TRUISM NONETHELESS. YES, ROBERT? >> WHEN MY DAD WATCHES MY GREEN 729 00:25:50,116 --> 00:25:52,883 YES, ROBERT? >> WHEN MY DAD WATCHES MY GREEN BEANS IT'S STILL WATERY. 730 00:25:52,885 --> 00:25:59,123 >> WHEN MY DAD WATCHES MY GREEN BEANS IT'S STILL WATERY. WHEN HE DRIVES THEM. 731 00:25:59,125 --> 00:25:59,390 BEANS IT'S STILL WATERY. WHEN HE DRIVES THEM. [LAUGHTER] 732 00:25:59,392 --> 00:26:02,092 WHEN HE DRIVES THEM. [LAUGHTER] >> YOU ARE SUCH A ROCK ON TOUR. 733 00:26:02,094 --> 00:26:03,727 [LAUGHTER] >> YOU ARE SUCH A ROCK ON TOUR. THIS IS TAKING LONGER THAN I 734 00:26:03,729 --> 00:26:05,229 >> YOU ARE SUCH A ROCK ON TOUR. THIS IS TAKING LONGER THAN I EXPECTED, I'M GOING TO BE LATE 735 00:26:05,231 --> 00:26:08,198 THIS IS TAKING LONGER THAN I EXPECTED, I'M GOING TO BE LATE FOR DINNER, I'M GOING TO CALL MY 736 00:26:08,200 --> 00:26:09,199 EXPECTED, I'M GOING TO BE LATE FOR DINNER, I'M GOING TO CALL MY BOYFRIEND AND ONE OF YOU GUYS 737 00:26:09,201 --> 00:26:11,468 FOR DINNER, I'M GOING TO CALL MY BOYFRIEND AND ONE OF YOU GUYS WANT TO TELL HIM I'M GOING TO BE 738 00:26:11,470 --> 00:26:12,336 BOYFRIEND AND ONE OF YOU GUYS WANT TO TELL HIM I'M GOING TO BE LATE FOR DINNER? 739 00:26:12,338 --> 00:26:13,504 WANT TO TELL HIM I'M GOING TO BE LATE FOR DINNER? >> I DO. 740 00:26:13,506 --> 00:26:14,638 LATE FOR DINNER? >> I DO. >> I DO. 741 00:26:14,640 --> 00:26:15,639 >> I DO. >> I DO. >> HELLO. 742 00:26:15,641 --> 00:26:17,374 >> I DO. >> HELLO. >> RORY, I HAVE THIS KID WANTS 743 00:26:17,376 --> 00:26:18,509 >> HELLO. >> RORY, I HAVE THIS KID WANTS TO LET YOU KNOW SOMETHING. 744 00:26:18,511 --> 00:26:21,312 >> RORY, I HAVE THIS KID WANTS TO LET YOU KNOW SOMETHING. >> SHE'S GOING TO BE LATE FOR 745 00:26:21,314 --> 00:26:21,545 TO LET YOU KNOW SOMETHING. >> SHE'S GOING TO BE LATE FOR DINNER! 746 00:26:21,547 --> 00:26:22,646 >> SHE'S GOING TO BE LATE FOR DINNER! >> WHY? 747 00:26:22,648 --> 00:26:24,348 DINNER! >> WHY? I WANT TO HAVE DINNER ON TIME? 748 00:26:24,350 --> 00:26:27,551 >> WHY? I WANT TO HAVE DINNER ON TIME? >> I KNOW, I'M SORRY, I JUST -- 749 00:26:27,553 --> 00:26:30,287 I WANT TO HAVE DINNER ON TIME? >> I KNOW, I'M SORRY, I JUST -- THIS IS RUNNING LATE AND THIS IS 750 00:26:30,289 --> 00:26:32,456 >> I KNOW, I'M SORRY, I JUST -- THIS IS RUNNING LATE AND THIS IS MY JOB, BUT ONE THING I WAS 751 00:26:32,458 --> 00:26:34,024 THIS IS RUNNING LATE AND THIS IS MY JOB, BUT ONE THING I WAS THINKING IS MAYBE WE COULD GO TO 752 00:26:34,026 --> 00:26:39,530 MY JOB, BUT ONE THING I WAS THINKING IS MAYBE WE COULD GO TO A FANCY HOTEL AND TO SWIM IN THE 753 00:26:39,532 --> 00:26:42,066 THINKING IS MAYBE WE COULD GO TO A FANCY HOTEL AND TO SWIM IN THE POOL, AND ORDER PIZZA AND PUT IT 754 00:26:42,068 --> 00:26:44,168 A FANCY HOTEL AND TO SWIM IN THE POOL, AND ORDER PIZZA AND PUT IT ON A FLOATY, AND THEN SWIM AND 755 00:26:44,170 --> 00:26:47,905 POOL, AND ORDER PIZZA AND PUT IT ON A FLOATY, AND THEN SWIM AND EAT THE PIZZA FROM THE FLOATY. 756 00:26:47,907 --> 00:26:48,706 ON A FLOATY, AND THEN SWIM AND EAT THE PIZZA FROM THE FLOATY. >> THAT'S ONE OF THE BEST IDEAS 757 00:26:48,708 --> 00:26:50,708 EAT THE PIZZA FROM THE FLOATY. >> THAT'S ONE OF THE BEST IDEAS I'VE EVER HEARD IN MY ENTIRE 758 00:26:50,710 --> 00:26:52,776 >> THAT'S ONE OF THE BEST IDEAS I'VE EVER HEARD IN MY ENTIRE LIFE. 759 00:26:52,778 --> 00:26:53,377 I'VE EVER HEARD IN MY ENTIRE LIFE. [LAUGHTER] 760 00:26:53,379 --> 00:26:56,246 LIFE. [LAUGHTER] >> WELL, I GUESS I WILL SEE YOU 761 00:26:56,248 --> 00:26:56,480 [LAUGHTER] >> WELL, I GUESS I WILL SEE YOU AROUND. 762 00:26:56,482 --> 00:26:56,714 >> WELL, I GUESS I WILL SEE YOU AROUND. >> OKAY. 763 00:26:56,716 --> 00:27:01,552 AROUND. >> OKAY. >> OKAY, BYE. 764 00:27:01,554 --> 00:27:01,919 >> OKAY. >> OKAY, BYE. >> BYE. 765 00:27:01,921 --> 00:27:04,755 >> OKAY, BYE. >> BYE. >> I LOVE YOU. 766 00:27:04,757 --> 00:27:05,022 >> BYE. >> I LOVE YOU. [LAUGHTER] 767 00:27:05,024 --> 00:27:07,558 >> I LOVE YOU. [LAUGHTER] [CHEERS AND APPLAUSE] 768 00:27:07,560 --> 00:27:09,059 [LAUGHTER] [CHEERS AND APPLAUSE] >> tWitch: WE'LL BE BACK. 769 00:27:09,061 --> 00:27:09,526 [CHEERS AND APPLAUSE] >> tWitch: WE'LL BE BACK. [CHEERS AND APPLAUSE] 770 00:27:09,528 --> 00:27:14,932 >> tWitch: WE'LL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 771 00:27:19,871 --> 00:27:32,266 ♪ ♪ >(VO)itch: LET'S GO! LIt's Yooopllllaaaitiimmeee!!! 772 00:27:33,936 --> 00:27:35,903 Wow, Isabel and Lucas are incredible! 773 00:27:35,938 --> 00:27:37,938 Look at those strong moves! 774 00:27:40,109 --> 00:28:28,405 Yoplait Original. An excellent source of calcium. 775 00:28:36,047 --> 00:28:43,587 [CHEERS AND APPLAUSE] ♪ ♪ >> tWitch: I LOVE FOLLOWING 776 00:28:43,589 --> 00:28:45,856 ♪ ♪ >> tWitch: I LOVE FOLLOWING UP-AND-COMING YOUNG DANCERS ON 777 00:28:45,858 --> 00:28:47,391 >> tWitch: I LOVE FOLLOWING UP-AND-COMING YOUNG DANCERS ON SOCIAL MEDIA, SO WHEN I SAW A 778 00:28:47,393 --> 00:28:48,659 UP-AND-COMING YOUNG DANCERS ON SOCIAL MEDIA, SO WHEN I SAW A VIDEO OF MY NEXT GUEST 779 00:28:48,661 --> 00:28:49,293 SOCIAL MEDIA, SO WHEN I SAW A VIDEO OF MY NEXT GUEST PERFORMING ON INSTAGRAM, I KNEW 780 00:28:49,295 --> 00:28:53,063 VIDEO OF MY NEXT GUEST PERFORMING ON INSTAGRAM, I KNEW I WANTED TO MEET THEM. 781 00:28:53,065 --> 00:28:57,801 PERFORMING ON INSTAGRAM, I KNEW I WANTED TO MEET THEM. FROM THE BRONX, NEW YORK, PLEASE 782 00:28:57,803 --> 00:28:58,302 I WANTED TO MEET THEM. FROM THE BRONX, NEW YORK, PLEASE WELCOME TY CASH! 783 00:28:58,304 --> 00:28:58,769 FROM THE BRONX, NEW YORK, PLEASE WELCOME TY CASH! [CHEERS AND APPLAUSE] 784 00:28:58,771 --> 00:28:58,969 WELCOME TY CASH! [CHEERS AND APPLAUSE] ♪ ♪ 785 00:28:58,971 --> 00:29:00,370 [CHEERS AND APPLAUSE] ♪ ♪ HEY! 786 00:29:00,372 --> 00:29:02,473 ♪ ♪ HEY! HEY! 787 00:29:02,475 --> 00:29:03,440 HEY! HEY! [LAUGHS] 788 00:29:03,442 --> 00:29:04,575 HEY! [LAUGHS] WHAT'S GOING ON, BROTHER? 789 00:29:04,577 --> 00:29:09,847 [LAUGHS] WHAT'S GOING ON, BROTHER? IT'S GOOD TO SEE YOU, MAN! 790 00:29:09,849 --> 00:29:10,948 WHAT'S GOING ON, BROTHER? IT'S GOOD TO SEE YOU, MAN! [CHEERS AND APPLAUSE] 791 00:29:10,950 --> 00:29:12,015 IT'S GOOD TO SEE YOU, MAN! [CHEERS AND APPLAUSE] OH! 792 00:29:12,017 --> 00:29:13,317 [CHEERS AND APPLAUSE] OH! >> HEY, TWITCH! 793 00:29:13,319 --> 00:29:13,817 OH! >> HEY, TWITCH! >> tWitch: THANK YOU FOR 794 00:29:13,819 --> 00:29:15,285 >> HEY, TWITCH! >> tWitch: THANK YOU FOR COMING FROM NEW YORK TO BE HERE 795 00:29:15,287 --> 00:29:15,619 >> tWitch: THANK YOU FOR COMING FROM NEW YORK TO BE HERE WITH ME. 796 00:29:15,621 --> 00:29:17,688 COMING FROM NEW YORK TO BE HERE WITH ME. >> IT HAS BEEN ONE OF MY DREAMS 797 00:29:17,690 --> 00:29:19,456 WITH ME. >> IT HAS BEEN ONE OF MY DREAMS TO BE ON THE "ELLEN" SHOW. 798 00:29:19,458 --> 00:29:20,758 >> IT HAS BEEN ONE OF MY DREAMS TO BE ON THE "ELLEN" SHOW. I CAN'T BELIEVE I AM HERE! 799 00:29:20,760 --> 00:29:22,926 TO BE ON THE "ELLEN" SHOW. I CAN'T BELIEVE I AM HERE! >> tWitch: WE CAN GIVE IT UP 800 00:29:22,928 --> 00:29:23,660 I CAN'T BELIEVE I AM HERE! >> tWitch: WE CAN GIVE IT UP FOR THAT, ABSOLUTELY! 801 00:29:23,662 --> 00:29:25,496 >> tWitch: WE CAN GIVE IT UP FOR THAT, ABSOLUTELY! I CAN TELL THAT YOU ARE VERY 802 00:29:25,498 --> 00:29:26,463 FOR THAT, ABSOLUTELY! I CAN TELL THAT YOU ARE VERY PASSIONATE ABOUT DANCING AND YOU 803 00:29:26,465 --> 00:29:27,097 I CAN TELL THAT YOU ARE VERY PASSIONATE ABOUT DANCING AND YOU HAVE A LOVE FOR IT. 804 00:29:27,099 --> 00:29:29,166 PASSIONATE ABOUT DANCING AND YOU HAVE A LOVE FOR IT. HOW DID YOU GET INTO IT? 805 00:29:29,168 --> 00:29:31,902 HAVE A LOVE FOR IT. HOW DID YOU GET INTO IT? >> I WAS DANCING WHEN I WAS FOUR 806 00:29:31,904 --> 00:29:34,538 HOW DID YOU GET INTO IT? >> I WAS DANCING WHEN I WAS FOUR YEARS OLD AND MY DAD AND MY 807 00:29:34,540 --> 00:29:36,039 >> I WAS DANCING WHEN I WAS FOUR YEARS OLD AND MY DAD AND MY UNCLE "TIC AND TAC" STREET 808 00:29:36,041 --> 00:29:37,474 YEARS OLD AND MY DAD AND MY UNCLE "TIC AND TAC" STREET LEGENDS, DANCERS TEACHING ME IN 809 00:29:37,476 --> 00:29:38,776 UNCLE "TIC AND TAC" STREET LEGENDS, DANCERS TEACHING ME IN WASHINGTON SQUARE PARK WHERE WE 810 00:29:38,778 --> 00:29:41,044 LEGENDS, DANCERS TEACHING ME IN WASHINGTON SQUARE PARK WHERE WE PERFORM AT, AND WE LIKE TO SHOW 811 00:29:41,046 --> 00:29:43,680 WASHINGTON SQUARE PARK WHERE WE PERFORM AT, AND WE LIKE TO SHOW PEOPLE OUR TALENT IN WASHINGTON 812 00:29:43,682 --> 00:29:43,981 PERFORM AT, AND WE LIKE TO SHOW PEOPLE OUR TALENT IN WASHINGTON SQUARE PARK. 813 00:29:43,983 --> 00:29:45,949 PEOPLE OUR TALENT IN WASHINGTON SQUARE PARK. >> tWitch: JUST A SIDE NOTE, 814 00:29:45,951 --> 00:29:46,984 SQUARE PARK. >> tWitch: JUST A SIDE NOTE, THEY ARE LEGIT STREET LEGENDS. 815 00:29:46,986 --> 00:29:48,919 >> tWitch: JUST A SIDE NOTE, THEY ARE LEGIT STREET LEGENDS. I LOVE THOSE GUYS, AND THAT'S 816 00:29:48,921 --> 00:29:49,787 THEY ARE LEGIT STREET LEGENDS. I LOVE THOSE GUYS, AND THAT'S AMAZING. 817 00:29:49,789 --> 00:29:50,788 I LOVE THOSE GUYS, AND THAT'S AMAZING. SO HERE'S THE QUESTION, HAVE YOU 818 00:29:50,790 --> 00:29:52,923 AMAZING. SO HERE'S THE QUESTION, HAVE YOU BEEN ABLE TO PERFORM DURING THE 819 00:29:52,925 --> 00:29:53,190 SO HERE'S THE QUESTION, HAVE YOU BEEN ABLE TO PERFORM DURING THE PANDEMIC? 820 00:29:53,192 --> 00:29:55,058 BEEN ABLE TO PERFORM DURING THE PANDEMIC? >> I HAVE NOT BEEN ABLE TO 821 00:29:55,060 --> 00:29:56,460 PANDEMIC? >> I HAVE NOT BEEN ABLE TO PERFORM DURING THE PANDEMIC 822 00:29:56,462 --> 00:29:59,596 >> I HAVE NOT BEEN ABLE TO PERFORM DURING THE PANDEMIC BECAUSE PARKS ARE CLOSED AND 823 00:29:59,598 --> 00:30:01,265 PERFORM DURING THE PANDEMIC BECAUSE PARKS ARE CLOSED AND PLACES ARE CLOSED, BUT WE WERE 824 00:30:01,267 --> 00:30:02,566 BECAUSE PARKS ARE CLOSED AND PLACES ARE CLOSED, BUT WE WERE PERFORMING IN THE HOUSE AND I 825 00:30:02,568 --> 00:30:03,066 PLACES ARE CLOSED, BUT WE WERE PERFORMING IN THE HOUSE AND I LOVED IT. 826 00:30:03,068 --> 00:30:07,437 PERFORMING IN THE HOUSE AND I LOVED IT. BUT I CAN'T WAIT TO GO BACK TO 827 00:30:07,439 --> 00:30:08,038 LOVED IT. BUT I CAN'T WAIT TO GO BACK TO WASHINGTON SQUARE PARK. 828 00:30:08,040 --> 00:30:09,506 BUT I CAN'T WAIT TO GO BACK TO WASHINGTON SQUARE PARK. I LOVE HOW THEY TREAT US WITH 829 00:30:09,508 --> 00:30:09,706 WASHINGTON SQUARE PARK. I LOVE HOW THEY TREAT US WITH LOVE. 830 00:30:09,708 --> 00:30:13,811 I LOVE HOW THEY TREAT US WITH LOVE. I CAN'T WAIT TO GO BACK. 831 00:30:13,813 --> 00:30:15,779 LOVE. I CAN'T WAIT TO GO BACK. >> tWitch: I'M SURE THAT THEY 832 00:30:15,781 --> 00:30:16,713 I CAN'T WAIT TO GO BACK. >> tWitch: I'M SURE THAT THEY ENJOY BEING AROUND YOUR ENERGY 833 00:30:16,715 --> 00:30:18,182 >> tWitch: I'M SURE THAT THEY ENJOY BEING AROUND YOUR ENERGY RIGHT NOW LIKE I AM ENJOYING IT 834 00:30:18,184 --> 00:30:18,448 ENJOY BEING AROUND YOUR ENERGY RIGHT NOW LIKE I AM ENJOYING IT RIGHT NOW. 835 00:30:18,450 --> 00:30:21,819 RIGHT NOW LIKE I AM ENJOYING IT RIGHT NOW. HOW WOULD YOU DESCRIBE YOUR 836 00:30:21,821 --> 00:30:23,220 RIGHT NOW. HOW WOULD YOU DESCRIBE YOUR DANCE STYLE? 837 00:30:23,222 --> 00:30:25,255 HOW WOULD YOU DESCRIBE YOUR DANCE STYLE? >> I WOULD DESCRIBE MY DANCE 838 00:30:25,257 --> 00:30:27,157 DANCE STYLE? >> I WOULD DESCRIBE MY DANCE STYLE AS HARLEM SHAKE, HIP-HOP, 839 00:30:27,159 --> 00:30:29,626 >> I WOULD DESCRIBE MY DANCE STYLE AS HARLEM SHAKE, HIP-HOP, LIGHT FEET, BUT A MIXTURE, 840 00:30:29,628 --> 00:30:30,160 STYLE AS HARLEM SHAKE, HIP-HOP, LIGHT FEET, BUT A MIXTURE, JOYFUL. 841 00:30:30,162 --> 00:30:33,864 LIGHT FEET, BUT A MIXTURE, JOYFUL. BECAUSE I AM HAPPY I'M DANCING. 842 00:30:33,866 --> 00:30:35,332 JOYFUL. BECAUSE I AM HAPPY I'M DANCING. >> tWitch: ABSOLUTELY, AND YOU 843 00:30:35,334 --> 00:30:35,899 BECAUSE I AM HAPPY I'M DANCING. >> tWitch: ABSOLUTELY, AND YOU HAVE SUCH A BRIGHT FUTURE. 844 00:30:35,901 --> 00:30:38,068 >> tWitch: ABSOLUTELY, AND YOU HAVE SUCH A BRIGHT FUTURE. WHAT ARE YOU WORKING TOWARDS 845 00:30:38,070 --> 00:30:38,402 HAVE SUCH A BRIGHT FUTURE. WHAT ARE YOU WORKING TOWARDS RIGHT NOW? 846 00:30:38,404 --> 00:30:40,470 WHAT ARE YOU WORKING TOWARDS RIGHT NOW? >> RIGHT NOW I'M WORKING TOWARDS 847 00:30:40,472 --> 00:30:41,371 RIGHT NOW? >> RIGHT NOW I'M WORKING TOWARDS BEING A PROFESSIONAL DANCER 848 00:30:41,373 --> 00:30:43,073 >> RIGHT NOW I'M WORKING TOWARDS BEING A PROFESSIONAL DANCER BECAUSE THAT'S WHAT I WANT TO DO 849 00:30:43,075 --> 00:30:44,408 BEING A PROFESSIONAL DANCER BECAUSE THAT'S WHAT I WANT TO DO WHEN I GIVE TO LET MATT GROW UP. 850 00:30:44,410 --> 00:30:46,410 BECAUSE THAT'S WHAT I WANT TO DO WHEN I GIVE TO LET MATT GROW UP. YOU INSPIRE ME SO MUCH. 851 00:30:46,412 --> 00:30:48,946 WHEN I GIVE TO LET MATT GROW UP. YOU INSPIRE ME SO MUCH. I WATCH ALL OF THE DANCING 852 00:30:48,948 --> 00:30:49,513 YOU INSPIRE ME SO MUCH. I WATCH ALL OF THE DANCING VIDEOS. 853 00:30:49,515 --> 00:30:52,015 I WATCH ALL OF THE DANCING VIDEOS. I WOULD WANT TO EXPAND MY 854 00:30:52,017 --> 00:30:53,784 VIDEOS. I WOULD WANT TO EXPAND MY SOCIAL MEDIA, MY TIKTOK, MY 855 00:30:53,786 --> 00:30:56,019 I WOULD WANT TO EXPAND MY SOCIAL MEDIA, MY TIKTOK, MY YOUTUBE, MY INSTAGRAM AND JUST 856 00:30:56,021 --> 00:30:57,487 SOCIAL MEDIA, MY TIKTOK, MY YOUTUBE, MY INSTAGRAM AND JUST SHOW PEOPLE THAT -- 857 00:30:57,489 --> 00:30:58,789 YOUTUBE, MY INSTAGRAM AND JUST SHOW PEOPLE THAT -- YOU CAN BRING OUT YOUR TALENT. 858 00:30:58,791 --> 00:31:00,057 SHOW PEOPLE THAT -- YOU CAN BRING OUT YOUR TALENT. THERE SO MANY WAYS YOU CAN BRING 859 00:31:00,059 --> 00:31:01,191 YOU CAN BRING OUT YOUR TALENT. THERE SO MANY WAYS YOU CAN BRING OUT YOUR TALENTS AND SHOW THE 860 00:31:01,193 --> 00:31:04,061 THERE SO MANY WAYS YOU CAN BRING OUT YOUR TALENTS AND SHOW THE WHOLE WORLD THAT YOU HAVE TALE 861 00:31:04,063 --> 00:31:04,361 OUT YOUR TALENTS AND SHOW THE WHOLE WORLD THAT YOU HAVE TALE TALENT. 862 00:31:04,363 --> 00:31:05,762 WHOLE WORLD THAT YOU HAVE TALE TALENT. >> tWitch: I LOVE IT. 863 00:31:05,764 --> 00:31:06,964 TALENT. >> tWitch: I LOVE IT. YOU HAVE THE MOVES IN THE STYLE 864 00:31:06,966 --> 00:31:08,932 >> tWitch: I LOVE IT. YOU HAVE THE MOVES IN THE STYLE AND THE SWAG, BUT WHAT I LOVE 865 00:31:08,934 --> 00:31:10,901 YOU HAVE THE MOVES IN THE STYLE AND THE SWAG, BUT WHAT I LOVE TOO IS THAT YOU HAVE SUCH AN 866 00:31:10,903 --> 00:31:12,269 AND THE SWAG, BUT WHAT I LOVE TOO IS THAT YOU HAVE SUCH AN INCREDIBLE HEAD ON YOUR 867 00:31:12,271 --> 00:31:12,703 TOO IS THAT YOU HAVE SUCH AN INCREDIBLE HEAD ON YOUR SHOULDERS. 868 00:31:12,705 --> 00:31:13,871 INCREDIBLE HEAD ON YOUR SHOULDERS. EVEN JUST LISTENING TO YOU TALK 869 00:31:13,873 --> 00:31:16,039 SHOULDERS. EVEN JUST LISTENING TO YOU TALK ABOUT YOURSELF, YOU ARE A YOUNG 870 00:31:16,041 --> 00:31:17,274 EVEN JUST LISTENING TO YOU TALK ABOUT YOURSELF, YOU ARE A YOUNG KING. 871 00:31:17,276 --> 00:31:17,674 ABOUT YOURSELF, YOU ARE A YOUNG KING. I LOVE THAT. 872 00:31:17,676 --> 00:31:18,542 KING. I LOVE THAT. >> THANK YOU! 873 00:31:18,544 --> 00:31:20,377 I LOVE THAT. >> THANK YOU! I CAN'T BELIEVE I AM HERE ON 874 00:31:20,379 --> 00:31:20,611 >> THANK YOU! I CAN'T BELIEVE I AM HERE ON "ELLEN"! 875 00:31:20,613 --> 00:31:21,879 I CAN'T BELIEVE I AM HERE ON "ELLEN"! >> tWitch: I WOULD LOVE TO SEE 876 00:31:21,881 --> 00:31:22,479 "ELLEN"! >> tWitch: I WOULD LOVE TO SEE YOU DANCE. 877 00:31:22,481 --> 00:31:24,147 >> tWitch: I WOULD LOVE TO SEE YOU DANCE. WHAT ARE YOU PERFORMING TODAY? 878 00:31:24,149 --> 00:31:26,817 YOU DANCE. WHAT ARE YOU PERFORMING TODAY? >> THIS IS SOME ORIGINAL 879 00:31:26,819 --> 00:31:29,920 WHAT ARE YOU PERFORMING TODAY? >> THIS IS SOME ORIGINAL CHOREOGRAPHY TO "IT TAKES TWO." 880 00:31:29,922 --> 00:31:32,022 >> THIS IS SOME ORIGINAL CHOREOGRAPHY TO "IT TAKES TWO." >> tWitch: I READY FOR THIS? 881 00:31:32,024 --> 00:31:34,291 CHOREOGRAPHY TO "IT TAKES TWO." >> tWitch: I READY FOR THIS? I LOVE IT. 882 00:31:34,293 --> 00:31:35,993 >> tWitch: I READY FOR THIS? I LOVE IT. LET'S GO! 883 00:31:35,995 --> 00:31:37,127 I LOVE IT. LET'S GO! >> LET'S GO! 884 00:31:37,129 --> 00:31:37,527 LET'S GO! >> LET'S GO! >> tWitch: LLAMA! 885 00:31:37,529 --> 00:31:37,995 >> LET'S GO! >> tWitch: LLAMA! [CHEERS AND APPLAUSE] 886 00:31:37,997 --> 00:31:44,134 >> tWitch: LLAMA! [CHEERS AND APPLAUSE] ♪ ♪ 887 00:31:45,770 --> 00:31:56,513 ♪ ♪ 888 00:31:59,984 --> 00:32:14,097 ♪ ♪ 889 00:32:23,107 --> 00:32:41,058 ♪ ♪ >> tWitch: LET'S GO! LET'S GO! 890 00:32:43,027 --> 00:32:50,734 ♪ ♪ >> tWitch: MAKE SOME NOISE FOR MY MAN! 891 00:32:50,736 --> 00:32:51,969 >> tWitch: MAKE SOME NOISE FOR MY MAN! [CHEERS AND APPLAUSE] 892 00:32:51,971 --> 00:32:52,469 MY MAN! [CHEERS AND APPLAUSE] MAKE SOME NOISE! 893 00:32:52,471 --> 00:32:54,871 [CHEERS AND APPLAUSE] MAKE SOME NOISE! I LOVE THAT! 894 00:32:54,873 --> 00:32:59,543 MAKE SOME NOISE! I LOVE THAT! THE ENERGY IS INCREDIBLE! 895 00:32:59,545 --> 00:33:00,043 I LOVE THAT! THE ENERGY IS INCREDIBLE! THE VIBE IS IMMACULATE. 896 00:33:00,045 --> 00:33:01,011 THE ENERGY IS INCREDIBLE! THE VIBE IS IMMACULATE. I LOVE IT. 897 00:33:01,013 --> 00:33:02,145 THE VIBE IS IMMACULATE. I LOVE IT. I KNOW YOU'RE TRYING TO POST 898 00:33:02,147 --> 00:33:04,781 I LOVE IT. I KNOW YOU'RE TRYING TO POST MORE DANCE VIDEOS ON YOUTUBE, 899 00:33:04,783 --> 00:33:06,717 I KNOW YOU'RE TRYING TO POST MORE DANCE VIDEOS ON YOUTUBE, WHAT'S THE NAME OF YOUR YOUTUBE 900 00:33:06,719 --> 00:33:08,986 MORE DANCE VIDEOS ON YOUTUBE, WHAT'S THE NAME OF YOUR YOUTUBE CHANNEL? 901 00:33:08,988 --> 00:33:11,021 WHAT'S THE NAME OF YOUR YOUTUBE CHANNEL? >> TY CASH LIFE. 902 00:33:11,023 --> 00:33:12,823 CHANNEL? >> TY CASH LIFE. >> tWitch: DROP A FOLLOW, AND 903 00:33:12,825 --> 00:33:14,358 >> TY CASH LIFE. >> tWitch: DROP A FOLLOW, AND SINCE YOU ARE POSTING MORE 904 00:33:14,360 --> 00:33:15,292 >> tWitch: DROP A FOLLOW, AND SINCE YOU ARE POSTING MORE CONTENT, I WANTED TO GET YOU 905 00:33:15,294 --> 00:33:15,559 SINCE YOU ARE POSTING MORE CONTENT, I WANTED TO GET YOU SOMETHING. 906 00:33:15,561 --> 00:33:18,395 CONTENT, I WANTED TO GET YOU SOMETHING. CHECK THIS OUT. 907 00:33:18,397 --> 00:33:24,401 SOMETHING. CHECK THIS OUT. >> OH, MY GOSH! 908 00:33:24,403 --> 00:33:25,802 CHECK THIS OUT. >> OH, MY GOSH! LOOK AT ELLEN! 909 00:33:25,804 --> 00:33:26,236 >> OH, MY GOSH! LOOK AT ELLEN! THANK YOU SO MUCH. 910 00:33:26,238 --> 00:33:28,805 LOOK AT ELLEN! THANK YOU SO MUCH. OH, MY GOD. 911 00:33:28,807 --> 00:33:31,041 THANK YOU SO MUCH. OH, MY GOD. I CAN'T BELIEVE IT! 912 00:33:31,043 --> 00:33:32,442 OH, MY GOD. I CAN'T BELIEVE IT! >> tWitch: ABSOLUTELY, MAN. 913 00:33:32,444 --> 00:33:34,344 I CAN'T BELIEVE IT! >> tWitch: ABSOLUTELY, MAN. >> OFFICIAL YOUTUBE, NO WAY. 914 00:33:34,346 --> 00:33:35,879 >> tWitch: ABSOLUTELY, MAN. >> OFFICIAL YOUTUBE, NO WAY. >> tWitch: THANK YOU SO MUCH 915 00:33:35,881 --> 00:33:40,183 >> OFFICIAL YOUTUBE, NO WAY. >> tWitch: THANK YOU SO MUCH FOR BEING HERE, THIS IS TY! 916 00:33:40,185 --> 00:33:43,854 >> tWitch: THANK YOU SO MUCH FOR BEING HERE, THIS IS TY! WE WILL BE RIGHT BACK, Y'ALL! 917 00:33:43,856 --> 00:33:44,521 FOR BEING HERE, THIS IS TY! WE WILL BE RIGHT BACK, Y'ALL! [CHEERS AND APPLAUSE] 918 00:33:44,523 --> 00:33:44,855 WE WILL BE RIGHT BACK, Y'ALL! [CHEERS AND APPLAUSE] >> THANK YOU! 919 00:33:44,857 --> 00:33:46,456 [CHEERS AND APPLAUSE] >> THANK YOU! >> tWitch: ABSOLUTELY. 920 00:33:46,458 --> 00:33:48,025 >> THANK YOU! >> tWitch: ABSOLUTELY. [CHEERS AND APPLAUSE] 921 00:33:48,027 --> 00:33:52,896 >> tWitch: ABSOLUTELY. [CHEERS AND APPLAUSE] ♪ ♪ 922 00:33:52,898 --> 00:33:55,065 [CHEERS AND APPLAUSE] ♪ ♪ >> MY MOM KEEPS ME HUMBLE, 923 00:33:55,067 --> 00:33:56,400 ♪ ♪ >> MY MOM KEEPS ME HUMBLE, BECAUSE SHE IS LIKE I SAW THE 924 00:33:56,402 --> 00:33:57,267 >> MY MOM KEEPS ME HUMBLE, BECAUSE SHE IS LIKE I SAW THE VIDEO AND I DON'T SEE THE HYPE. 925 00:33:57,269 --> 00:34:00,003 BECAUSE SHE IS LIKE I SAW THE VIDEO AND I DON'T SEE THE HYPE. YOU'RE CUTE, BUT IT'S NOTHING. 926 00:34:00,005 --> 00:34:01,071 VIDEO AND I DON'T SEE THE HYPE. YOU'RE CUTE, BUT IT'S NOTHING. >> tWitch: IT WOULD LOOK 927 00:34:01,073 --> 00:34:01,905 YOU'RE CUTE, BUT IT'S NOTHING. >> tWitch: IT WOULD LOOK REALLY GOOD WITH THIS. 928 00:34:01,907 --> 00:34:03,807 >> tWitch: IT WOULD LOOK REALLY GOOD WITH THIS. SO SHUTTERFLY... 929 00:34:03,809 --> 00:34:06,977 REALLY GOOD WITH THIS. SO SHUTTERFLY... ♪ 930 00:34:13,951 --> 00:34:22,325 [CHEERS AND APPLAUSE] ♪ ♪ >> tWitch: ALL RIGHT, THERE IS 931 00:34:22,327 --> 00:34:24,494 ♪ ♪ >> tWitch: ALL RIGHT, THERE IS A MATH TEACHER IN ATLANTA, 932 00:34:24,496 --> 00:34:25,862 >> tWitch: ALL RIGHT, THERE IS A MATH TEACHER IN ATLANTA, GEORGIA NAMED MANNY ROBINSON WHO 933 00:34:25,864 --> 00:34:27,664 A MATH TEACHER IN ATLANTA, GEORGIA NAMED MANNY ROBINSON WHO IS TEACHER BAIT BY MILLIONS OF 934 00:34:27,666 --> 00:34:28,832 GEORGIA NAMED MANNY ROBINSON WHO IS TEACHER BAIT BY MILLIONS OF PEOPLE ONLINE. 935 00:34:28,834 --> 00:34:30,834 IS TEACHER BAIT BY MILLIONS OF PEOPLE ONLINE. WE FOUND OUT HE IS ALSO 936 00:34:30,836 --> 00:34:32,302 PEOPLE ONLINE. WE FOUND OUT HE IS ALSO GENUINELY CHANGING THE LIVES OF 937 00:34:32,304 --> 00:34:35,472 WE FOUND OUT HE IS ALSO GENUINELY CHANGING THE LIVES OF HIS STUDENTS, WELL, WE CANNOT 938 00:34:35,474 --> 00:34:36,673 GENUINELY CHANGING THE LIVES OF HIS STUDENTS, WELL, WE CANNOT WAIT TO SHARE HIS STORY WITH THE 939 00:34:36,675 --> 00:34:37,174 HIS STUDENTS, WELL, WE CANNOT WAIT TO SHARE HIS STORY WITH THE ALL. 940 00:34:37,176 --> 00:34:39,209 WAIT TO SHARE HIS STORY WITH THE ALL. HE THINKS HE IS GOING TO BE IN A 941 00:34:39,211 --> 00:34:40,977 ALL. HE THINKS HE IS GOING TO BE IN A VIRTUAL AUDIENCE, BUT WE ARE 942 00:34:40,979 --> 00:34:42,512 HE THINKS HE IS GOING TO BE IN A VIRTUAL AUDIENCE, BUT WE ARE GOING TO SURPRISE HIM INSTEAD. 943 00:34:42,514 --> 00:34:43,480 VIRTUAL AUDIENCE, BUT WE ARE GOING TO SURPRISE HIM INSTEAD. LET'S GO. 944 00:34:43,482 --> 00:34:48,051 GOING TO SURPRISE HIM INSTEAD. LET'S GO. HEY, MANNING, WHAT'S UP, MAN? 945 00:34:48,053 --> 00:34:50,287 LET'S GO. HEY, MANNING, WHAT'S UP, MAN? >> OH, MY GOD! 946 00:34:50,289 --> 00:34:50,720 HEY, MANNING, WHAT'S UP, MAN? >> OH, MY GOD! >> tWitch: SURPRISE! 947 00:34:50,722 --> 00:34:51,188 >> OH, MY GOD! >> tWitch: SURPRISE! [CHEERS AND APPLAUSE] 948 00:34:51,190 --> 00:34:51,688 >> tWitch: SURPRISE! [CHEERS AND APPLAUSE] >> HOW ARE YOU? 949 00:34:51,690 --> 00:34:54,224 [CHEERS AND APPLAUSE] >> HOW ARE YOU? >> tWitch: I'M GREAT, HOW ARE 950 00:34:54,226 --> 00:34:54,491 >> HOW ARE YOU? >> tWitch: I'M GREAT, HOW ARE YOU, MAN? 951 00:34:54,493 --> 00:34:56,026 >> tWitch: I'M GREAT, HOW ARE YOU, MAN? >> OH, MY GOD. 952 00:34:56,028 --> 00:34:56,560 YOU, MAN? >> OH, MY GOD. >> tWitch: I KNOW THAT YOU 953 00:34:56,562 --> 00:34:57,928 >> OH, MY GOD. >> tWitch: I KNOW THAT YOU THOUGHT YOU WERE GOING TO BE IN 954 00:34:57,930 --> 00:34:59,463 >> tWitch: I KNOW THAT YOU THOUGHT YOU WERE GOING TO BE IN THE VIRTUAL AUDIENCE, BUT YOU 955 00:34:59,465 --> 00:35:00,430 THOUGHT YOU WERE GOING TO BE IN THE VIRTUAL AUDIENCE, BUT YOU ARE ACTUALLY ON THE SHOW. 956 00:35:00,432 --> 00:35:02,666 THE VIRTUAL AUDIENCE, BUT YOU ARE ACTUALLY ON THE SHOW. YOU ARE MY NEXT GUEST, GIVE IT 957 00:35:02,668 --> 00:35:04,067 ARE ACTUALLY ON THE SHOW. YOU ARE MY NEXT GUEST, GIVE IT UP FOR MANNY! 958 00:35:04,069 --> 00:35:05,836 YOU ARE MY NEXT GUEST, GIVE IT UP FOR MANNY! LET'S GO! 959 00:35:05,838 --> 00:35:07,904 UP FOR MANNY! LET'S GO! >> THIS IS A BLESSING, THIS IS 960 00:35:07,906 --> 00:35:08,538 LET'S GO! >> THIS IS A BLESSING, THIS IS AMAZING. 961 00:35:08,540 --> 00:35:09,873 >> THIS IS A BLESSING, THIS IS AMAZING. >> tWitch: JUST THE RUNDOWN, 962 00:35:09,875 --> 00:35:11,308 AMAZING. >> tWitch: JUST THE RUNDOWN, YOU ARE A SIXTH GRADE MATH 963 00:35:11,310 --> 00:35:12,209 >> tWitch: JUST THE RUNDOWN, YOU ARE A SIXTH GRADE MATH TEACHER AND YOU ARE GOING VIRAL 964 00:35:12,211 --> 00:35:14,377 YOU ARE A SIXTH GRADE MATH TEACHER AND YOU ARE GOING VIRAL FOR A VIDEO OF YOU TEACHING, SO 965 00:35:14,379 --> 00:35:16,513 TEACHER AND YOU ARE GOING VIRAL FOR A VIDEO OF YOU TEACHING, SO WHAT MADE YOU RECORD AND POST 966 00:35:16,515 --> 00:35:17,614 FOR A VIDEO OF YOU TEACHING, SO WHAT MADE YOU RECORD AND POST THIS VIDEO? 967 00:35:17,616 --> 00:35:18,548 WHAT MADE YOU RECORD AND POST THIS VIDEO? >> THE FIRST REASON WHY I 968 00:35:18,550 --> 00:35:20,617 THIS VIDEO? >> THE FIRST REASON WHY I RECORDED IT IS BECAUSE I LOVE MY 969 00:35:20,619 --> 00:35:20,851 >> THE FIRST REASON WHY I RECORDED IT IS BECAUSE I LOVE MY BABIES. 970 00:35:20,853 --> 00:35:22,352 RECORDED IT IS BECAUSE I LOVE MY BABIES. I LOVE TEACHING THEM AND MY 971 00:35:22,354 --> 00:35:24,087 BABIES. I LOVE TEACHING THEM AND MY PARENTS NEVER REALLY GOT TO SEE 972 00:35:24,089 --> 00:35:24,955 I LOVE TEACHING THEM AND MY PARENTS NEVER REALLY GOT TO SEE ME TEACH MY KIDS. 973 00:35:24,957 --> 00:35:26,623 PARENTS NEVER REALLY GOT TO SEE ME TEACH MY KIDS. AND SO IS LIKE LET ME JUST GO 974 00:35:26,625 --> 00:35:27,724 ME TEACH MY KIDS. AND SO IS LIKE LET ME JUST GO LIVE ON INSTAGRAM REALLY QUICK 975 00:35:27,726 --> 00:35:29,726 AND SO IS LIKE LET ME JUST GO LIVE ON INSTAGRAM REALLY QUICK AND LET MY PARENTS SEE IT, BUT 976 00:35:29,728 --> 00:35:32,028 LIVE ON INSTAGRAM REALLY QUICK AND LET MY PARENTS SEE IT, BUT THEN I SAW THE PRAISE IT WAS 977 00:35:32,030 --> 00:35:32,696 AND LET MY PARENTS SEE IT, BUT THEN I SAW THE PRAISE IT WAS GETTING ON INSTAGRAM AND HOW 978 00:35:32,698 --> 00:35:34,064 THEN I SAW THE PRAISE IT WAS GETTING ON INSTAGRAM AND HOW MANY PEOPLE WERE LIKING IT, SO I 979 00:35:34,066 --> 00:35:36,500 GETTING ON INSTAGRAM AND HOW MANY PEOPLE WERE LIKING IT, SO I PUT IT ON TWITTER JUST TO SHOW 980 00:35:36,502 --> 00:35:38,502 MANY PEOPLE WERE LIKING IT, SO I PUT IT ON TWITTER JUST TO SHOW THAT REPRESENTATION, ONLY 2% OF 981 00:35:38,504 --> 00:35:39,970 PUT IT ON TWITTER JUST TO SHOW THAT REPRESENTATION, ONLY 2% OF BLACK MALES OR TEACHERS IN THIS 982 00:35:39,972 --> 00:35:43,039 THAT REPRESENTATION, ONLY 2% OF BLACK MALES OR TEACHERS IN THIS COUNTRY AND WE HAVE MILLIONS OF 983 00:35:43,041 --> 00:35:43,673 BLACK MALES OR TEACHERS IN THIS COUNTRY AND WE HAVE MILLIONS OF TEACHERS IT'S THE LARGEST UNION 984 00:35:43,675 --> 00:35:45,609 COUNTRY AND WE HAVE MILLIONS OF TEACHERS IT'S THE LARGEST UNION IN THE WORLD, BUT WE ONLY MAKE 985 00:35:45,611 --> 00:35:45,775 TEACHERS IT'S THE LARGEST UNION IN THE WORLD, BUT WE ONLY MAKE 2%. 986 00:35:45,777 --> 00:35:47,043 IN THE WORLD, BUT WE ONLY MAKE 2%. SO I WANTED TO SHOW TWITTER AND 987 00:35:47,045 --> 00:35:48,745 2%. SO I WANTED TO SHOW TWITTER AND THE REST OF THE WORLD THAT BLACK 988 00:35:48,747 --> 00:35:51,281 SO I WANTED TO SHOW TWITTER AND THE REST OF THE WORLD THAT BLACK MEN ARE TEACHING AND WE ARE ALL 989 00:35:51,283 --> 00:35:52,082 THE REST OF THE WORLD THAT BLACK MEN ARE TEACHING AND WE ARE ALL FACETS. 990 00:35:52,084 --> 00:35:53,917 MEN ARE TEACHING AND WE ARE ALL FACETS. >> tWitch: ABSOLUTELY, MAN, 991 00:35:53,919 --> 00:35:55,085 FACETS. >> tWitch: ABSOLUTELY, MAN, AND IT HIT. 992 00:35:55,087 --> 00:35:56,520 >> tWitch: ABSOLUTELY, MAN, AND IT HIT. IT HAS BEEN VIEWED OVER 993 00:35:56,522 --> 00:35:57,521 AND IT HIT. IT HAS BEEN VIEWED OVER 2 MILLION TIMES AND LIKE WHY DO 994 00:35:57,523 --> 00:36:00,056 IT HAS BEEN VIEWED OVER 2 MILLION TIMES AND LIKE WHY DO YOU THINK IT WENT SO VIRAL? 995 00:36:00,058 --> 00:36:02,459 2 MILLION TIMES AND LIKE WHY DO YOU THINK IT WENT SO VIRAL? >> I THINK THE REASON WOULD BE 996 00:36:02,461 --> 00:36:03,894 YOU THINK IT WENT SO VIRAL? >> I THINK THE REASON WOULD BE THE GENUINE CONNECTION THAT I 997 00:36:03,896 --> 00:36:04,861 >> I THINK THE REASON WOULD BE THE GENUINE CONNECTION THAT I MADE WITH MY BABIES. 998 00:36:04,863 --> 00:36:07,030 THE GENUINE CONNECTION THAT I MADE WITH MY BABIES. PEOPLE GOT TO SEE ME REALLY 999 00:36:07,032 --> 00:36:08,732 MADE WITH MY BABIES. PEOPLE GOT TO SEE ME REALLY TRULY CARE AND THAT I HAVE MY 1000 00:36:08,734 --> 00:36:11,334 PEOPLE GOT TO SEE ME REALLY TRULY CARE AND THAT I HAVE MY TEAM AND MY FAMILY, MY KIDS, MY 1001 00:36:11,336 --> 00:36:12,602 TRULY CARE AND THAT I HAVE MY TEAM AND MY FAMILY, MY KIDS, MY BABIES, MY STUDENTS. 1002 00:36:12,604 --> 00:36:14,037 TEAM AND MY FAMILY, MY KIDS, MY BABIES, MY STUDENTS. AND THE SECOND REASON I THINK 1003 00:36:14,039 --> 00:36:16,072 BABIES, MY STUDENTS. AND THE SECOND REASON I THINK SOME PEOPLE MIGHT FIND ME A 1004 00:36:16,074 --> 00:36:17,507 AND THE SECOND REASON I THINK SOME PEOPLE MIGHT FIND ME A LITTLE BIT ATTRACTIVE, SO THAT 1005 00:36:17,509 --> 00:36:18,909 SOME PEOPLE MIGHT FIND ME A LITTLE BIT ATTRACTIVE, SO THAT HELPED PUSH OF THE VIDEO AS 1006 00:36:18,911 --> 00:36:19,109 LITTLE BIT ATTRACTIVE, SO THAT HELPED PUSH OF THE VIDEO AS WELL. 1007 00:36:19,111 --> 00:36:19,576 HELPED PUSH OF THE VIDEO AS WELL. >> tWitch: [LAUGHS] 1008 00:36:19,578 --> 00:36:21,511 WELL. >> tWitch: [LAUGHS] THERE ARE SOME PEOPLE IN THE 1009 00:36:21,513 --> 00:36:22,579 >> tWitch: [LAUGHS] THERE ARE SOME PEOPLE IN THE AUDIENCE RIGHT NOW WHEN YOU JUST 1010 00:36:22,581 --> 00:36:24,514 THERE ARE SOME PEOPLE IN THE AUDIENCE RIGHT NOW WHEN YOU JUST SAID THAT, THEY WERE LIKE YES! 1011 00:36:24,516 --> 00:36:25,348 AUDIENCE RIGHT NOW WHEN YOU JUST SAID THAT, THEY WERE LIKE YES! HE IS! 1012 00:36:25,350 --> 00:36:26,550 SAID THAT, THEY WERE LIKE YES! HE IS! AND I GOT TO BE STRAIGHT UP, I 1013 00:36:26,552 --> 00:36:27,584 HE IS! AND I GOT TO BE STRAIGHT UP, I DEFINITELY DID NOT HAVE A 1014 00:36:27,586 --> 00:36:29,019 AND I GOT TO BE STRAIGHT UP, I DEFINITELY DID NOT HAVE A TEACHER THAT LOOKED LIKE YOU AT 1015 00:36:29,021 --> 00:36:32,923 DEFINITELY DID NOT HAVE A TEACHER THAT LOOKED LIKE YOU AT ANY POINT IN TIME AND MY AT ALL. 1016 00:36:32,925 --> 00:36:34,791 TEACHER THAT LOOKED LIKE YOU AT ANY POINT IN TIME AND MY AT ALL. YOU HAVE BEEN DUBBED TEACHER 1017 00:36:34,793 --> 00:36:36,493 ANY POINT IN TIME AND MY AT ALL. YOU HAVE BEEN DUBBED TEACHER BAIT ONLINE, DID YOU EXPECT THIS 1018 00:36:36,495 --> 00:36:37,060 YOU HAVE BEEN DUBBED TEACHER BAIT ONLINE, DID YOU EXPECT THIS RESPONSE ARE NO? 1019 00:36:37,062 --> 00:36:39,663 BAIT ONLINE, DID YOU EXPECT THIS RESPONSE ARE NO? >> NO, SIR, I DEFINITELY DID NOT 1020 00:36:39,665 --> 00:36:40,664 RESPONSE ARE NO? >> NO, SIR, I DEFINITELY DID NOT EXPECT IT. 1021 00:36:40,666 --> 00:36:41,798 >> NO, SIR, I DEFINITELY DID NOT EXPECT IT. MY MOM KEEPS ME HUMBLE COME 1022 00:36:41,800 --> 00:36:43,300 EXPECT IT. MY MOM KEEPS ME HUMBLE COME BECAUSE SHE WAS LIKE I SAW THE 1023 00:36:43,302 --> 00:36:45,068 MY MOM KEEPS ME HUMBLE COME BECAUSE SHE WAS LIKE I SAW THE VIDEO AND I DON'T SEE THE HYPE, 1024 00:36:45,070 --> 00:36:47,037 BECAUSE SHE WAS LIKE I SAW THE VIDEO AND I DON'T SEE THE HYPE, YOU'RE CUTE, BUT MY STUDENTS ARE 1025 00:36:47,039 --> 00:36:49,139 VIDEO AND I DON'T SEE THE HYPE, YOU'RE CUTE, BUT MY STUDENTS ARE LIKE, YOU'RE STILL LAME. 1026 00:36:49,141 --> 00:36:49,773 YOU'RE CUTE, BUT MY STUDENTS ARE LIKE, YOU'RE STILL LAME. [LAUGHTER] 1027 00:36:49,775 --> 00:36:50,540 LIKE, YOU'RE STILL LAME. [LAUGHTER] BUT I DID NOT EXPECT THE VIDEO 1028 00:36:50,542 --> 00:36:52,242 [LAUGHTER] BUT I DID NOT EXPECT THE VIDEO TO DO WHAT IT DID. 1029 00:36:52,244 --> 00:36:53,376 BUT I DID NOT EXPECT THE VIDEO TO DO WHAT IT DID. BUT I'M DEFINITELY BLESSED AND 1030 00:36:53,378 --> 00:36:54,844 TO DO WHAT IT DID. BUT I'M DEFINITELY BLESSED AND EXCITED AND ELATED AND I GET TO 1031 00:36:54,846 --> 00:36:57,480 BUT I'M DEFINITELY BLESSED AND EXCITED AND ELATED AND I GET TO SIT HERE WITH MY HERO, TWITCH. 1032 00:36:57,482 --> 00:36:59,249 EXCITED AND ELATED AND I GET TO SIT HERE WITH MY HERO, TWITCH. I REMEMBER WATCHING YOU IN 1033 00:36:59,251 --> 00:37:01,251 SIT HERE WITH MY HERO, TWITCH. I REMEMBER WATCHING YOU IN NINTH GRADE ON "SO YOU THINK YOU 1034 00:37:01,253 --> 00:37:02,419 I REMEMBER WATCHING YOU IN NINTH GRADE ON "SO YOU THINK YOU CAN DANCE" AND SEEING A BLACK 1035 00:37:02,421 --> 00:37:03,853 NINTH GRADE ON "SO YOU THINK YOU CAN DANCE" AND SEEING A BLACK MAN DO CONTEMPORARY DANCE THAT 1036 00:37:03,855 --> 00:37:04,654 CAN DANCE" AND SEEING A BLACK MAN DO CONTEMPORARY DANCE THAT CAME FROM HIP-HOP, JUST BEING 1037 00:37:04,656 --> 00:37:06,790 MAN DO CONTEMPORARY DANCE THAT CAME FROM HIP-HOP, JUST BEING ABLE TO SIT HERE WITH YOU AS A 1038 00:37:06,792 --> 00:37:07,991 CAME FROM HIP-HOP, JUST BEING ABLE TO SIT HERE WITH YOU AS A FULL CIRCLE MOMENT. 1039 00:37:07,993 --> 00:37:09,993 ABLE TO SIT HERE WITH YOU AS A FULL CIRCLE MOMENT. SO I FEEL BLESSED THAT THIS HAS 1040 00:37:09,995 --> 00:37:10,827 FULL CIRCLE MOMENT. SO I FEEL BLESSED THAT THIS HAS DONE IT. 1041 00:37:10,829 --> 00:37:11,828 SO I FEEL BLESSED THAT THIS HAS DONE IT. >> tWitch: I APPRECIATE THE 1042 00:37:11,830 --> 00:37:13,863 DONE IT. >> tWitch: I APPRECIATE THE WORDS AND THIS IS INCREDIBLE 1043 00:37:13,865 --> 00:37:15,932 >> tWitch: I APPRECIATE THE WORDS AND THIS IS INCREDIBLE JUST, IF YOU THINK ABOUT IT, 1044 00:37:15,934 --> 00:37:17,133 WORDS AND THIS IS INCREDIBLE JUST, IF YOU THINK ABOUT IT, MAN, YOU ARE GETTING NATIONAL 1045 00:37:17,135 --> 00:37:19,002 JUST, IF YOU THINK ABOUT IT, MAN, YOU ARE GETTING NATIONAL RECOGNITION RIGHT NOW FOR DOING 1046 00:37:19,004 --> 00:37:23,206 MAN, YOU ARE GETTING NATIONAL RECOGNITION RIGHT NOW FOR DOING SOMETHING THAT YOU LOVE AND ALSO 1047 00:37:23,208 --> 00:37:24,474 RECOGNITION RIGHT NOW FOR DOING SOMETHING THAT YOU LOVE AND ALSO REPRESENTING AND SHOWING PEOPLE 1048 00:37:24,476 --> 00:37:26,409 SOMETHING THAT YOU LOVE AND ALSO REPRESENTING AND SHOWING PEOPLE THAT WE ARE MULTIFACETED AND NOT 1049 00:37:26,411 --> 00:37:27,110 REPRESENTING AND SHOWING PEOPLE THAT WE ARE MULTIFACETED AND NOT A MONOLITH. 1050 00:37:27,112 --> 00:37:28,878 THAT WE ARE MULTIFACETED AND NOT A MONOLITH. SO I APPRECIATE YOU. 1051 00:37:28,880 --> 00:37:30,013 A MONOLITH. SO I APPRECIATE YOU. I RESPECT YOU AND SEND THAT 1052 00:37:30,015 --> 00:37:32,682 SO I APPRECIATE YOU. I RESPECT YOU AND SEND THAT SENTIMENT RIGHT BACK TO YOU. 1053 00:37:32,684 --> 00:37:34,150 I RESPECT YOU AND SEND THAT SENTIMENT RIGHT BACK TO YOU. >> THANK YOU SO MUCH. 1054 00:37:34,152 --> 00:37:36,019 SENTIMENT RIGHT BACK TO YOU. >> THANK YOU SO MUCH. >> tWitch: LET ME DIAL IT 1055 00:37:36,021 --> 00:37:36,519 >> THANK YOU SO MUCH. >> tWitch: LET ME DIAL IT BACK. 1056 00:37:36,521 --> 00:37:38,088 >> tWitch: LET ME DIAL IT BACK. SO YOUR STUDENTS SAID YOU ARE 1057 00:37:38,090 --> 00:37:38,588 BACK. SO YOUR STUDENTS SAID YOU ARE STILL LAME. 1058 00:37:38,590 --> 00:37:39,556 SO YOUR STUDENTS SAID YOU ARE STILL LAME. ARE ANY OF THEM HYPE TO THAT YOU 1059 00:37:39,558 --> 00:37:42,425 STILL LAME. ARE ANY OF THEM HYPE TO THAT YOU WENT VIRAL? 1060 00:37:42,427 --> 00:37:42,792 ARE ANY OF THEM HYPE TO THAT YOU WENT VIRAL? WHAT'S THE DEAL? 1061 00:37:42,794 --> 00:37:44,427 WENT VIRAL? WHAT'S THE DEAL? >> YOU KNOW IT IS FUNNY? 1062 00:37:44,429 --> 00:37:46,963 WHAT'S THE DEAL? >> YOU KNOW IT IS FUNNY? MY KIDS ARE NOT HYPE, THEY ARE 1063 00:37:46,965 --> 00:37:47,931 >> YOU KNOW IT IS FUNNY? MY KIDS ARE NOT HYPE, THEY ARE LIKE HE IS BLOWING UP BY NOW. 1064 00:37:47,933 --> 00:37:51,901 MY KIDS ARE NOT HYPE, THEY ARE LIKE HE IS BLOWING UP BY NOW. YOU ARE STILL THE DOLLAR GENERAL 1065 00:37:51,903 --> 00:37:52,102 LIKE HE IS BLOWING UP BY NOW. YOU ARE STILL THE DOLLAR GENERAL DRINK. 1066 00:37:52,104 --> 00:37:54,070 YOU ARE STILL THE DOLLAR GENERAL DRINK. MY KIDS KEEP ME VERY HUMBLE. 1067 00:37:54,072 --> 00:37:55,338 DRINK. MY KIDS KEEP ME VERY HUMBLE. IF NOBODY ELSE IS GOING TO DO 1068 00:37:55,340 --> 00:37:58,275 MY KIDS KEEP ME VERY HUMBLE. IF NOBODY ELSE IS GOING TO DO IT, THEY WILL KEEP ME HUMBLE. 1069 00:37:58,277 --> 00:38:00,043 IF NOBODY ELSE IS GOING TO DO IT, THEY WILL KEEP ME HUMBLE. THEY WILL LET ME KNOW THAT I 1070 00:38:00,045 --> 00:38:01,645 IT, THEY WILL KEEP ME HUMBLE. THEY WILL LET ME KNOW THAT I STILL CAN'T DANCE. 1071 00:38:01,647 --> 00:38:02,445 THEY WILL LET ME KNOW THAT I STILL CAN'T DANCE. I STILL CAN'T SING. 1072 00:38:02,447 --> 00:38:05,282 STILL CAN'T DANCE. I STILL CAN'T SING. AND I AM STILL LAME. 1073 00:38:05,284 --> 00:38:07,050 I STILL CAN'T SING. AND I AM STILL LAME. BUT THEY GET TO KNOW SOMEBODY 1074 00:38:07,052 --> 00:38:09,452 AND I AM STILL LAME. BUT THEY GET TO KNOW SOMEBODY WHO HAS SAT DOWN WITH AN OUT 1075 00:38:09,454 --> 00:38:11,554 BUT THEY GET TO KNOW SOMEBODY WHO HAS SAT DOWN WITH AN OUT TWITCH ON THE "ELLEN" SHOW, THIS 1076 00:38:11,556 --> 00:38:12,088 WHO HAS SAT DOWN WITH AN OUT TWITCH ON THE "ELLEN" SHOW, THIS WILL MAKE THEM ELATED. 1077 00:38:12,090 --> 00:38:16,059 TWITCH ON THE "ELLEN" SHOW, THIS WILL MAKE THEM ELATED. I CAN'T BE LAME NOW. 1078 00:38:16,061 --> 00:38:17,460 WILL MAKE THEM ELATED. I CAN'T BE LAME NOW. >> tWitch: YOU PICK UP AND 1079 00:38:17,462 --> 00:38:18,762 I CAN'T BE LAME NOW. >> tWitch: YOU PICK UP AND CALL YOUR STUDENTS BABIES, WHY 1080 00:38:18,764 --> 00:38:19,663 >> tWitch: YOU PICK UP AND CALL YOUR STUDENTS BABIES, WHY IS THAT? 1081 00:38:19,665 --> 00:38:20,730 CALL YOUR STUDENTS BABIES, WHY IS THAT? >> BECAUSE THAT'S REALLY WHAT 1082 00:38:20,732 --> 00:38:21,898 IS THAT? >> BECAUSE THAT'S REALLY WHAT THEY ARE TO ME. 1083 00:38:21,900 --> 00:38:22,799 >> BECAUSE THAT'S REALLY WHAT THEY ARE TO ME. THEY ARE MY BABIES. 1084 00:38:22,801 --> 00:38:23,633 THEY ARE TO ME. THEY ARE MY BABIES. THEY ARE MY FAMILY. 1085 00:38:23,635 --> 00:38:24,901 THEY ARE MY BABIES. THEY ARE MY FAMILY. THEY ARE MY CHILDREN IN THAT 1086 00:38:24,903 --> 00:38:25,268 THEY ARE MY FAMILY. THEY ARE MY CHILDREN IN THAT MOMENT. 1087 00:38:25,270 --> 00:38:27,470 THEY ARE MY CHILDREN IN THAT MOMENT. AND I AM THERE TO PROTECT THEM 1088 00:38:27,472 --> 00:38:29,572 MOMENT. AND I AM THERE TO PROTECT THEM AND GIVE THEM EXACTLY WHAT THEY 1089 00:38:29,574 --> 00:38:31,441 AND I AM THERE TO PROTECT THEM AND GIVE THEM EXACTLY WHAT THEY NEED, JUST LIKE A PARENT, I FEEL 1090 00:38:31,443 --> 00:38:33,109 AND GIVE THEM EXACTLY WHAT THEY NEED, JUST LIKE A PARENT, I FEEL THE SAME WAY WHEN THEY ARE IN MY 1091 00:38:33,111 --> 00:38:34,678 NEED, JUST LIKE A PARENT, I FEEL THE SAME WAY WHEN THEY ARE IN MY CUSTODY AND CARE AND WHEN I HAVE 1092 00:38:34,680 --> 00:38:36,212 THE SAME WAY WHEN THEY ARE IN MY CUSTODY AND CARE AND WHEN I HAVE THEM FOR THAT 60 MINUTES IN THAT 1093 00:38:36,214 --> 00:38:37,347 CUSTODY AND CARE AND WHEN I HAVE THEM FOR THAT 60 MINUTES IN THAT CLASSROOM. 1094 00:38:37,349 --> 00:38:38,415 THEM FOR THAT 60 MINUTES IN THAT CLASSROOM. THAT'S WHY I TAKE WHAT I DO SO 1095 00:38:38,417 --> 00:38:40,183 CLASSROOM. THAT'S WHY I TAKE WHAT I DO SO SERIOUSLY AND WHY THEY WILL 1096 00:38:40,185 --> 00:38:41,618 THAT'S WHY I TAKE WHAT I DO SO SERIOUSLY AND WHY THEY WILL FOREVER BE MY BABIES. 1097 00:38:41,620 --> 00:38:44,020 SERIOUSLY AND WHY THEY WILL FOREVER BE MY BABIES. >> tWitch: I WANT EVERYBODY TO 1098 00:38:44,022 --> 00:38:52,929 FOREVER BE MY BABIES. >> tWitch: I WANT EVERYBODY TO KNOW JUST HOW INCREDIBLE YOU A 1099 00:38:52,931 --> 00:38:53,530 >> tWitch: I WANT EVERYBODY TO KNOW JUST HOW INCREDIBLE YOU A ARE, SO HERE ARE SOME OF THE 1100 00:38:53,532 --> 00:38:54,164 KNOW JUST HOW INCREDIBLE YOU A ARE, SO HERE ARE SOME OF THE AMAZING THINGS YOU DO FOR YOUR 1101 00:38:54,166 --> 00:38:54,431 ARE, SO HERE ARE SOME OF THE AMAZING THINGS YOU DO FOR YOUR STUDENTS. 1102 00:38:54,433 --> 00:38:55,065 AMAZING THINGS YOU DO FOR YOUR STUDENTS. YOU CONSTANTLY GO OUT OF POCKET 1103 00:38:55,067 --> 00:38:55,699 STUDENTS. YOU CONSTANTLY GO OUT OF POCKET TO BUY YOUR STUDENTS EVERYTHING 1104 00:38:55,701 --> 00:38:56,299 YOU CONSTANTLY GO OUT OF POCKET TO BUY YOUR STUDENTS EVERYTHING FROM FOOD, CLOTHES, SHOES, TO 1105 00:38:56,301 --> 00:38:56,666 TO BUY YOUR STUDENTS EVERYTHING FROM FOOD, CLOTHES, SHOES, TO SCHOOL SUPPLIES. 1106 00:38:56,668 --> 00:38:58,168 FROM FOOD, CLOTHES, SHOES, TO SCHOOL SUPPLIES. YOU VISIT THEIR HOMES TO CHECK 1107 00:38:58,170 --> 00:38:59,836 SCHOOL SUPPLIES. YOU VISIT THEIR HOMES TO CHECK IN AND BRING THEM WHATEVER THEY 1108 00:38:59,838 --> 00:39:00,337 YOU VISIT THEIR HOMES TO CHECK IN AND BRING THEM WHATEVER THEY NEED. 1109 00:39:00,339 --> 00:39:02,572 IN AND BRING THEM WHATEVER THEY NEED. YOU SHOW UP TO SPORTING EVENTS, 1110 00:39:02,574 --> 00:39:04,074 NEED. YOU SHOW UP TO SPORTING EVENTS, BIRTHDAY PARTIES, AND ACT AS 1111 00:39:04,076 --> 00:39:04,874 YOU SHOW UP TO SPORTING EVENTS, BIRTHDAY PARTIES, AND ACT AS FAMILY. 1112 00:39:04,876 --> 00:39:05,642 BIRTHDAY PARTIES, AND ACT AS FAMILY. TO EVEN HIGHER BARBERS TO CUT 1113 00:39:05,644 --> 00:39:06,876 FAMILY. TO EVEN HIGHER BARBERS TO CUT YOUR STUDENTS HAIR WHEN THEY 1114 00:39:06,878 --> 00:39:08,445 TO EVEN HIGHER BARBERS TO CUT YOUR STUDENTS HAIR WHEN THEY NEED A FRESH CUT, MAN. 1115 00:39:08,447 --> 00:39:12,015 YOUR STUDENTS HAIR WHEN THEY NEED A FRESH CUT, MAN. CAN WE PLEASE GIVE IT UP FOR H 1116 00:39:12,017 --> 00:39:12,182 NEED A FRESH CUT, MAN. CAN WE PLEASE GIVE IT UP FOR H HIM! 1117 00:39:12,184 --> 00:39:12,982 CAN WE PLEASE GIVE IT UP FOR H HIM! SERIOUSLY, MAN! 1118 00:39:12,984 --> 00:39:15,185 HIM! SERIOUSLY, MAN! THAT IS SO MUCH LOVE AND WE 1119 00:39:15,187 --> 00:39:16,820 SERIOUSLY, MAN! THAT IS SO MUCH LOVE AND WE APPRECIATE IT. 1120 00:39:16,822 --> 00:39:18,254 THAT IS SO MUCH LOVE AND WE APPRECIATE IT. WE HAVE TO TAKE A SHORT BREAK, 1121 00:39:18,256 --> 00:39:21,157 APPRECIATE IT. WE HAVE TO TAKE A SHORT BREAK, BUT WE WILL HAVE MORE WITH MANNY 1122 00:39:21,159 --> 00:39:21,558 WE HAVE TO TAKE A SHORT BREAK, BUT WE WILL HAVE MORE WITH MANNY RIGHT AFTER THIS. 1123 00:39:21,560 --> 00:39:22,025 BUT WE WILL HAVE MORE WITH MANNY RIGHT AFTER THIS. [CHEERS AND APPLAUSE] 1124 00:39:22,027 --> 00:39:25,462 RIGHT AFTER THIS. [CHEERS AND APPLAUSE] ♪ ♪ 1125 00:39:32,269 --> 00:39:42,846 [CHEERS AND APPLAUSE] ♪ ♪ >> tWitch: WE ARE BACK WITH 1126 00:39:42,848 --> 00:39:44,481 ♪ ♪ >> tWitch: WE ARE BACK WITH TEACHER MANNY ROBINSON, A.K.A. 1127 00:39:44,483 --> 00:39:45,014 >> tWitch: WE ARE BACK WITH TEACHER MANNY ROBINSON, A.K.A. TEACHER BAIT. 1128 00:39:45,016 --> 00:39:47,016 TEACHER MANNY ROBINSON, A.K.A. TEACHER BAIT. TO SOME STUDENTS ARE IN THE 1129 00:39:47,018 --> 00:39:48,051 TEACHER BAIT. TO SOME STUDENTS ARE IN THE CLASSROOM AND SOME OVER ZOOM AND 1130 00:39:48,053 --> 00:39:50,286 TO SOME STUDENTS ARE IN THE CLASSROOM AND SOME OVER ZOOM AND THAT HAS TO BE CHALLENGING, 1131 00:39:50,288 --> 00:39:50,520 CLASSROOM AND SOME OVER ZOOM AND THAT HAS TO BE CHALLENGING, RIGHT? 1132 00:39:50,522 --> 00:39:52,355 THAT HAS TO BE CHALLENGING, RIGHT? >> DEFINITELY A CHALLENGE, BUT I 1133 00:39:52,357 --> 00:39:54,724 RIGHT? >> DEFINITELY A CHALLENGE, BUT I HAVE TO KEEP THEM GOING AND 1134 00:39:54,726 --> 00:39:56,459 >> DEFINITELY A CHALLENGE, BUT I HAVE TO KEEP THEM GOING AND EXCITED ABOUT GETTING ON EVERY 1135 00:39:56,461 --> 00:39:58,261 HAVE TO KEEP THEM GOING AND EXCITED ABOUT GETTING ON EVERY MORNING, BUT IT IS A CHALLENGE 1136 00:39:58,263 --> 00:39:58,862 EXCITED ABOUT GETTING ON EVERY MORNING, BUT IT IS A CHALLENGE KEEPING THEM ENGAGED. 1137 00:39:58,864 --> 00:40:00,497 MORNING, BUT IT IS A CHALLENGE KEEPING THEM ENGAGED. >> tWitch: I UNDERSTAND THAT 1138 00:40:00,499 --> 00:40:02,832 KEEPING THEM ENGAGED. >> tWitch: I UNDERSTAND THAT YOU DANCE FOR THEM, HOW'S THAT 1139 00:40:02,834 --> 00:40:04,033 >> tWitch: I UNDERSTAND THAT YOU DANCE FOR THEM, HOW'S THAT GOING? 1140 00:40:04,035 --> 00:40:05,435 YOU DANCE FOR THEM, HOW'S THAT GOING? >> LISTEN, TIKTOK KEEPS ME IN 1141 00:40:05,437 --> 00:40:08,505 GOING? >> LISTEN, TIKTOK KEEPS ME IN TUNE, AND SHAPE, AND UP TO BEAT. 1142 00:40:08,507 --> 00:40:10,073 >> LISTEN, TIKTOK KEEPS ME IN TUNE, AND SHAPE, AND UP TO BEAT. I DON'T HAVE TIKTOK, BUT THEY 1143 00:40:10,075 --> 00:40:11,808 TUNE, AND SHAPE, AND UP TO BEAT. I DON'T HAVE TIKTOK, BUT THEY UPLOAD TO YOUTUBE. 1144 00:40:11,810 --> 00:40:14,043 I DON'T HAVE TIKTOK, BUT THEY UPLOAD TO YOUTUBE. SO I'M LEARNING WHAT IT CAN AND 1145 00:40:14,045 --> 00:40:15,278 UPLOAD TO YOUTUBE. SO I'M LEARNING WHAT IT CAN AND WITH THE KIDS, THEY KNOW I CAN'T 1146 00:40:15,280 --> 00:40:16,846 SO I'M LEARNING WHAT IT CAN AND WITH THE KIDS, THEY KNOW I CAN'T DANCE AND THEY STILL SAY I CAN'T 1147 00:40:16,848 --> 00:40:18,114 WITH THE KIDS, THEY KNOW I CAN'T DANCE AND THEY STILL SAY I CAN'T DANCE, BUT IT KEEPS THEM ENGAGED 1148 00:40:18,116 --> 00:40:21,251 DANCE AND THEY STILL SAY I CAN'T DANCE, BUT IT KEEPS THEM ENGAGED FOR THE NEXT FIVE, 10 MINUTES. 1149 00:40:21,253 --> 00:40:22,118 DANCE, BUT IT KEEPS THEM ENGAGED FOR THE NEXT FIVE, 10 MINUTES. >> tWitch: I WILL TEACH YOU 1150 00:40:22,120 --> 00:40:24,421 FOR THE NEXT FIVE, 10 MINUTES. >> tWitch: I WILL TEACH YOU SOME MOVES! 1151 00:40:24,423 --> 00:40:25,255 >> tWitch: I WILL TEACH YOU SOME MOVES! CAN WE PLAY SOME MUSIC, I WILL 1152 00:40:25,257 --> 00:40:29,426 SOME MOVES! CAN WE PLAY SOME MUSIC, I WILL TEACH YOU SOME MOVES. 1153 00:40:29,428 --> 00:40:30,360 CAN WE PLAY SOME MUSIC, I WILL TEACH YOU SOME MOVES. YOU CAN JUST BOUNCE, GIVE ME 1154 00:40:30,362 --> 00:40:32,695 TEACH YOU SOME MOVES. YOU CAN JUST BOUNCE, GIVE ME THIS LITTLE BOUNCE RIGHT HERE. 1155 00:40:32,697 --> 00:40:34,664 YOU CAN JUST BOUNCE, GIVE ME THIS LITTLE BOUNCE RIGHT HERE. OH, YEAH, WE ARE GOOD. 1156 00:40:34,666 --> 00:40:41,838 THIS LITTLE BOUNCE RIGHT HERE. OH, YEAH, WE ARE GOOD. THAT'S GOOD. 1157 00:40:41,840 --> 00:40:44,174 OH, YEAH, WE ARE GOOD. THAT'S GOOD. AT THE OTHER SIDE FOR ME. 1158 00:40:44,176 --> 00:40:47,644 THAT'S GOOD. AT THE OTHER SIDE FOR ME. HIT ME WITH THE -- 1159 00:40:47,646 --> 00:40:52,649 AT THE OTHER SIDE FOR ME. HIT ME WITH THE -- GIVE ME SOME MILLIE ROCK. 1160 00:40:52,651 --> 00:40:53,283 HIT ME WITH THE -- GIVE ME SOME MILLIE ROCK. ACTUALLY YOU KNOW WHAT, THERE'S 1161 00:40:53,285 --> 00:40:55,084 GIVE ME SOME MILLIE ROCK. ACTUALLY YOU KNOW WHAT, THERE'S SOMETHING MISSING REALLY QUICK. 1162 00:40:55,086 --> 00:40:57,253 ACTUALLY YOU KNOW WHAT, THERE'S SOMETHING MISSING REALLY QUICK. I THINK WE NEED A PROP ACTUALLY. 1163 00:40:57,255 --> 00:40:59,122 SOMETHING MISSING REALLY QUICK. I THINK WE NEED A PROP ACTUALLY. GIVE ME ONE SECOND, THIS WILL BE 1164 00:40:59,124 --> 00:41:03,827 I THINK WE NEED A PROP ACTUALLY. GIVE ME ONE SECOND, THIS WILL BE A LOT BETTER WITH THE PROP. 1165 00:41:03,829 --> 00:41:05,995 GIVE ME ONE SECOND, THIS WILL BE A LOT BETTER WITH THE PROP. IT WOULD LOOK REALLY GOOD WITH 1166 00:41:05,997 --> 00:41:07,997 A LOT BETTER WITH THE PROP. IT WOULD LOOK REALLY GOOD WITH THIS. 1167 00:41:07,999 --> 00:41:13,903 IT WOULD LOOK REALLY GOOD WITH THIS. SO SHUTTERFLY SHUTTERFLY LOVES 1168 00:41:13,905 --> 00:41:15,638 THIS. SO SHUTTERFLY SHUTTERFLY LOVES HELPING AMAZING PEOPLE LIKE YOU, 1169 00:41:15,640 --> 00:41:18,708 SO SHUTTERFLY SHUTTERFLY LOVES HELPING AMAZING PEOPLE LIKE YOU, SO THEY WANT TO GIVE YOU 1170 00:41:18,710 --> 00:41:20,310 HELPING AMAZING PEOPLE LIKE YOU, SO THEY WANT TO GIVE YOU $10,000. 1171 00:41:20,312 --> 00:41:22,245 SO THEY WANT TO GIVE YOU $10,000. >> OH, MY GOD, THANK YOU SO 1172 00:41:22,247 --> 00:41:22,745 $10,000. >> OH, MY GOD, THANK YOU SO MUCH. 1173 00:41:22,747 --> 00:41:24,881 >> OH, MY GOD, THANK YOU SO MUCH. >> tWitch: THANK YOU, MAN, 1174 00:41:24,883 --> 00:41:26,783 MUCH. >> tWitch: THANK YOU, MAN, KEEP SPREADING THAT LOVE, I WANT 1175 00:41:26,785 --> 00:41:30,453 >> tWitch: THANK YOU, MAN, KEEP SPREADING THAT LOVE, I WANT TO THANK CYRUS, 1176 00:41:30,455 --> 00:41:31,387 KEEP SPREADING THAT LOVE, I WANT TO THANK CYRUS, SUSAN KELECHI WATSON, AND MY 1177 00:41:31,389 --> 00:41:31,588 TO THANK CYRUS, SUSAN KELECHI WATSON, AND MY FRIE 1178 00:41:31,590 --> 00:41:31,754 . 1179 00:41:31,822 --> 00:41:33,923 ELLEN FOR LETTING ME HOST AGAIN. 1180 00:41:33,925 --> 00:41:38,127 AGAIN. HAVE A WONDERFUL WEEKEND, SPREAD THE LOVE, GOODBYE, Y'ALL! 1181 00:41:38,129 --> 00:41:40,063 HAVE A WONDERFUL WEEKEND, SPREAD THE LOVE, GOODBYE, Y'ALL! [CHEERS AND APPLAUSE] 1182 00:41:40,065 --> 00:41:43,766 THE LOVE, GOODBYE, Y'ALL! [CHEERS AND APPLAUSE] ♪ ♪ 1183 00:41:43,768 --> 00:41:44,501 [CHEERS AND APPLAUSE] ♪ ♪ ♪ OH OH OH ♪ 1184 00:41:44,503 --> 00:41:45,101 ♪ ♪ ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN 1185 00:41:45,103 --> 00:41:45,435 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 1186 00:41:45,437 --> 00:41:46,002 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 1187 00:41:46,004 --> 00:41:46,202 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 1188 00:41:46,204 --> 00:41:46,936 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 1189 00:41:46,938 --> 00:41:49,405 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 1190 00:41:49,407 --> 00:41:49,973 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 1191 00:41:49,975 --> 00:41:50,940 ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 1192 00:41:50,942 --> 00:41:56,946 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ ♪ OH OH OH ♪ 1193 00:41:56,948 --> 00:41:59,249 CLOCK ♪ ♪ OH OH OH ♪ >> Ellen: ANYWAY...