1 00:00:05,605 --> 00:00:07,139 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 2 00:00:07,141 --> 00:00:07,840 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 3 00:00:07,842 --> 00:00:08,173 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 4 00:00:08,175 --> 00:00:09,842 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 5 00:00:09,844 --> 00:00:10,909 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 6 00:00:10,911 --> 00:00:11,477 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 7 00:00:11,479 --> 00:00:17,850 ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 8 00:00:17,852 --> 00:00:20,986 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ >> Announcer: HERE HE IS NOW, 9 00:00:20,988 --> 00:00:23,222 CLOCK ♪ >> Announcer: HERE HE IS NOW, LIVE FROM HIS GARAGE, ELLEN'S 10 00:00:23,224 --> 00:00:24,923 >> Announcer: HERE HE IS NOW, LIVE FROM HIS GARAGE, ELLEN'S GUEST HOST, HOWIE MANDEL! 11 00:00:24,925 --> 00:00:27,493 LIVE FROM HIS GARAGE, ELLEN'S GUEST HOST, HOWIE MANDEL! ♪ ♪ 12 00:00:27,495 --> 00:00:28,360 GUEST HOST, HOWIE MANDEL! ♪ ♪ ♪ OH OH OH ♪ 13 00:00:28,362 --> 00:00:29,061 ♪ ♪ ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ 14 00:00:29,063 --> 00:00:35,167 ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ 15 00:00:35,169 --> 00:00:36,301 ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ 16 00:00:36,303 --> 00:00:36,902 ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ 17 00:00:36,904 --> 00:00:37,536 ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ ♪ I USED TO WANT TO GROW UP ♪ 18 00:00:37,538 --> 00:00:38,137 ♪ NO NO NO NO NO ♪ ♪ I USED TO WANT TO GROW UP ♪ ♪ I THOUGHT THAT I COULD BE 19 00:00:38,139 --> 00:00:41,106 ♪ I USED TO WANT TO GROW UP ♪ ♪ I THOUGHT THAT I COULD BE FREE ♪ 20 00:00:41,108 --> 00:00:41,707 ♪ I THOUGHT THAT I COULD BE FREE ♪ [CHEERS AND APPLAUSE] 21 00:00:41,709 --> 00:00:49,848 FREE ♪ [CHEERS AND APPLAUSE] ♪ ♪ 22 00:00:49,850 --> 00:00:51,884 [CHEERS AND APPLAUSE] ♪ ♪ >> Howie: THIS IS GREAT. 23 00:00:51,886 --> 00:00:57,856 ♪ ♪ >> Howie: THIS IS GREAT. I WANT TO THANK THE PEOPLE AT 24 00:00:57,858 --> 00:00:58,824 >> Howie: THIS IS GREAT. I WANT TO THANK THE PEOPLE AT "ELLEN" WHO WERE NICE ENOUGH TO 25 00:00:58,826 --> 00:00:59,425 I WANT TO THANK THE PEOPLE AT "ELLEN" WHO WERE NICE ENOUGH TO ACCOMMODATE ME IN. 26 00:00:59,427 --> 00:01:00,559 "ELLEN" WHO WERE NICE ENOUGH TO ACCOMMODATE ME IN. I'M A SENIOR CITIZEN IN THE 27 00:01:00,561 --> 00:01:01,560 ACCOMMODATE ME IN. I'M A SENIOR CITIZEN IN THE MIDDLE OF THE PANDEMIC. 28 00:01:01,562 --> 00:01:02,494 I'M A SENIOR CITIZEN IN THE MIDDLE OF THE PANDEMIC. AND THEY BROUGHT ALL OF THIS TO 29 00:01:02,496 --> 00:01:02,861 MIDDLE OF THE PANDEMIC. AND THEY BROUGHT ALL OF THIS TO ME. 30 00:01:02,863 --> 00:01:07,633 AND THEY BROUGHT ALL OF THIS TO ME. AND SO MY HOUSE, MY GARAGE, MY 31 00:01:07,635 --> 00:01:07,900 ME. AND SO MY HOUSE, MY GARAGE, MY DRIVEWAY. 32 00:01:07,902 --> 00:01:09,535 AND SO MY HOUSE, MY GARAGE, MY DRIVEWAY. USE TO BEING ON THE ROAD, NOT 33 00:01:09,537 --> 00:01:10,836 DRIVEWAY. USE TO BEING ON THE ROAD, NOT JUST THE DRIVEWAY. 34 00:01:10,838 --> 00:01:11,904 USE TO BEING ON THE ROAD, NOT JUST THE DRIVEWAY. BUT YOU ARE HOME TOO. 35 00:01:11,906 --> 00:01:13,839 JUST THE DRIVEWAY. BUT YOU ARE HOME TOO. I AM HOME. 36 00:01:13,841 --> 00:01:17,443 BUT YOU ARE HOME TOO. I AM HOME. ELLEN IS IN ONE OF HER HOMES. 37 00:01:17,445 --> 00:01:19,378 I AM HOME. ELLEN IS IN ONE OF HER HOMES. I KNOW THAT IF THERE ARE FIVE 38 00:01:19,380 --> 00:01:23,115 ELLEN IS IN ONE OF HER HOMES. I KNOW THAT IF THERE ARE FIVE HOMES, YOU GET A HOTEL, RIGHT? 39 00:01:23,117 --> 00:01:26,085 I KNOW THAT IF THERE ARE FIVE HOMES, YOU GET A HOTEL, RIGHT? AND IN THIS HOUSE -- 40 00:01:26,087 --> 00:01:32,257 HOMES, YOU GET A HOTEL, RIGHT? AND IN THIS HOUSE -- >> HOWIE! 41 00:01:32,259 --> 00:01:33,826 AND IN THIS HOUSE -- >> HOWIE! >> Howie: NOT NOW, HONEY. 42 00:01:33,828 --> 00:01:35,260 >> HOWIE! >> Howie: NOT NOW, HONEY. SHE DOES NOT KNOW THAT WE ARE 43 00:01:35,262 --> 00:01:36,061 >> Howie: NOT NOW, HONEY. SHE DOES NOT KNOW THAT WE ARE DOING THIS. 44 00:01:36,063 --> 00:01:38,230 SHE DOES NOT KNOW THAT WE ARE DOING THIS. THAT'S MY WIFE OF 40 YEARS! 45 00:01:38,232 --> 00:01:40,699 DOING THIS. THAT'S MY WIFE OF 40 YEARS! I'M HOLDING FOR APPLAUSE. 46 00:01:40,701 --> 00:01:42,434 THAT'S MY WIFE OF 40 YEARS! I'M HOLDING FOR APPLAUSE. [CHEERS AND APPLAUSE] 47 00:01:42,436 --> 00:01:45,104 I'M HOLDING FOR APPLAUSE. [CHEERS AND APPLAUSE] PEOPLE ALWAYS SAY TO ME, HOWIE, 48 00:01:45,106 --> 00:01:46,071 [CHEERS AND APPLAUSE] PEOPLE ALWAYS SAY TO ME, HOWIE, 40 YEARS TO THE SAME WOMAN? 49 00:01:46,073 --> 00:01:48,974 PEOPLE ALWAYS SAY TO ME, HOWIE, 40 YEARS TO THE SAME WOMAN? I HAVE TO BE HONEST WITH YOU, 50 00:01:48,976 --> 00:01:50,776 40 YEARS TO THE SAME WOMAN? I HAVE TO BE HONEST WITH YOU, WHEN I MET HER 40 YEARS AGO SHE 51 00:01:50,778 --> 00:01:51,810 I HAVE TO BE HONEST WITH YOU, WHEN I MET HER 40 YEARS AGO SHE LOVED TO PARTY AND DO THINGS AND 52 00:01:51,812 --> 00:01:54,146 WHEN I MET HER 40 YEARS AGO SHE LOVED TO PARTY AND DO THINGS AND WAS HAPPY AND GIDDY AND THIS IS 53 00:01:54,148 --> 00:01:57,850 LOVED TO PARTY AND DO THINGS AND WAS HAPPY AND GIDDY AND THIS IS NOT THE SAME WOMAN. 54 00:01:57,852 --> 00:01:58,117 WAS HAPPY AND GIDDY AND THIS IS NOT THE SAME WOMAN. [LAUGHTER] 55 00:01:58,119 --> 00:01:59,585 NOT THE SAME WOMAN. [LAUGHTER] BUT EVERYTHING IS GREAT. 56 00:01:59,587 --> 00:02:01,420 [LAUGHTER] BUT EVERYTHING IS GREAT. YOU KNOW WHAT WE DO, WE ARE 57 00:02:01,422 --> 00:02:02,855 BUT EVERYTHING IS GREAT. YOU KNOW WHAT WE DO, WE ARE TRYING TO FIND WAYS TO HAVE FUN. 58 00:02:02,857 --> 00:02:04,623 YOU KNOW WHAT WE DO, WE ARE TRYING TO FIND WAYS TO HAVE FUN. WE HAVE BEEN BINGE WATCHING LIKE 59 00:02:04,625 --> 00:02:05,257 TRYING TO FIND WAYS TO HAVE FUN. WE HAVE BEEN BINGE WATCHING LIKE EVERYBODY IN THE WORLD, WE HAVE 60 00:02:05,259 --> 00:02:11,396 WE HAVE BEEN BINGE WATCHING LIKE EVERYBODY IN THE WORLD, WE HAVE BEEN BENCH WATCHING. 61 00:02:11,398 --> 00:02:12,831 EVERYBODY IN THE WORLD, WE HAVE BEEN BENCH WATCHING. AND WE JUST FINISHED WATCHING -- 62 00:02:12,833 --> 00:02:15,767 BEEN BENCH WATCHING. AND WE JUST FINISHED WATCHING -- OH, NETFLIX. 63 00:02:15,769 --> 00:02:17,002 AND WE JUST FINISHED WATCHING -- OH, NETFLIX. [LAUGHTER] 64 00:02:17,004 --> 00:02:17,870 OH, NETFLIX. [LAUGHTER] WE JUST FINISHED THAT AND WE ARE 65 00:02:17,872 --> 00:02:20,272 [LAUGHTER] WE JUST FINISHED THAT AND WE ARE MOVING ONTO HULU AND -- 66 00:02:20,274 --> 00:02:22,908 WE JUST FINISHED THAT AND WE ARE MOVING ONTO HULU AND -- BUT WE HAVE GONE THROUGH 67 00:02:22,910 --> 00:02:23,509 MOVING ONTO HULU AND -- BUT WE HAVE GONE THROUGH ABSOLUTELY EVERYTHING THAT YOU 68 00:02:23,511 --> 00:02:25,477 BUT WE HAVE GONE THROUGH ABSOLUTELY EVERYTHING THAT YOU GUYS HAVE AND NOW WE ARE INTO 69 00:02:25,479 --> 00:02:28,180 ABSOLUTELY EVERYTHING THAT YOU GUYS HAVE AND NOW WE ARE INTO THE LOWER PART OF THE LIST. 70 00:02:28,182 --> 00:02:29,681 GUYS HAVE AND NOW WE ARE INTO THE LOWER PART OF THE LIST. A LOT OF -- 71 00:02:29,683 --> 00:02:30,015 THE LOWER PART OF THE LIST. A LOT OF -- I LOVE HORROR. 72 00:02:30,017 --> 00:02:31,450 A LOT OF -- I LOVE HORROR. I SHOULD SHOW SOME OF THE THINGS 73 00:02:31,452 --> 00:02:33,552 I LOVE HORROR. I SHOULD SHOW SOME OF THE THINGS THAT WE HAVE BEEN WATCHING. 74 00:02:33,554 --> 00:02:34,920 I SHOULD SHOW SOME OF THE THINGS THAT WE HAVE BEEN WATCHING. THIS IS ONE HORROR THAT IS 75 00:02:34,922 --> 00:02:35,354 THAT WE HAVE BEEN WATCHING. THIS IS ONE HORROR THAT IS BASED -- 76 00:02:35,356 --> 00:02:36,655 THIS IS ONE HORROR THAT IS BASED -- THIS IS A TRUE STORY. 77 00:02:36,657 --> 00:02:38,190 BASED -- THIS IS A TRUE STORY. IT'S BASED IN REALITY AND THAT 78 00:02:38,192 --> 00:02:39,725 THIS IS A TRUE STORY. IT'S BASED IN REALITY AND THAT MAKES IT EVEN MORE SCARY. 79 00:02:39,727 --> 00:02:42,694 IT'S BASED IN REALITY AND THAT MAKES IT EVEN MORE SCARY. THE NAME OF THIS PICTURE IS 80 00:02:42,696 --> 00:02:48,467 MAKES IT EVEN MORE SCARY. THE NAME OF THIS PICTURE IS CALLED "BIRDEMIC." 81 00:02:48,469 --> 00:02:54,506 THE NAME OF THIS PICTURE IS CALLED "BIRDEMIC." WHAT ARE YOU WATCHING? 82 00:02:54,508 --> 00:02:59,111 CALLED "BIRDEMIC." WHAT ARE YOU WATCHING? >> HERE THEY COME! 83 00:02:59,113 --> 00:03:04,016 WHAT ARE YOU WATCHING? >> HERE THEY COME! [BIRD NOISES] 84 00:03:04,018 --> 00:03:06,385 >> HERE THEY COME! [BIRD NOISES] [LAUGHTER] 85 00:03:09,589 --> 00:03:16,662 [BIRD NOISES] [LAUGHTER] 86 00:03:19,599 --> 00:03:32,211 [BIRD NOISES] [APPLAUSE] [LAUGHTER] 87 00:03:32,213 --> 00:03:33,078 [APPLAUSE] [LAUGHTER] >> Howie: TERRIFYING. 88 00:03:33,080 --> 00:03:34,179 [LAUGHTER] >> Howie: TERRIFYING. THAT WAS TERRIFYING. 89 00:03:34,181 --> 00:03:35,180 >> Howie: TERRIFYING. THAT WAS TERRIFYING. OH, MY GOSH. 90 00:03:35,182 --> 00:03:36,848 THAT WAS TERRIFYING. OH, MY GOSH. I'M GOING TO HAVE NIGHTMARES. 91 00:03:36,850 --> 00:03:37,816 OH, MY GOSH. I'M GOING TO HAVE NIGHTMARES. PEOPLE WHO WATCH THE MOVIE I 92 00:03:37,818 --> 00:03:38,850 I'M GOING TO HAVE NIGHTMARES. PEOPLE WHO WATCH THE MOVIE I RECOMMEND TO OTHER PEOPLE AND 93 00:03:38,852 --> 00:03:39,985 PEOPLE WHO WATCH THE MOVIE I RECOMMEND TO OTHER PEOPLE AND THEY COULD NOT BELIEVE. 94 00:03:39,987 --> 00:03:41,153 RECOMMEND TO OTHER PEOPLE AND THEY COULD NOT BELIEVE. THEY SAID THAT DOES NOT LOOK 95 00:03:41,155 --> 00:03:44,223 THEY COULD NOT BELIEVE. THEY SAID THAT DOES NOT LOOK REAL, AND I ASSURE YOU THAT IS A 96 00:03:44,225 --> 00:03:47,759 THEY SAID THAT DOES NOT LOOK REAL, AND I ASSURE YOU THAT IS A REAL MOTEL. 97 00:03:47,761 --> 00:03:49,795 REAL, AND I ASSURE YOU THAT IS A REAL MOTEL. AND NOW I HAVE A FEAR OF 98 00:03:49,797 --> 00:03:50,829 REAL MOTEL. AND NOW I HAVE A FEAR OF ORIGAMI. 99 00:03:50,831 --> 00:03:52,464 AND NOW I HAVE A FEAR OF ORIGAMI. ANYWAY, ANOTHER FILM WE WATCHED, 100 00:03:52,466 --> 00:03:54,266 ORIGAMI. ANYWAY, ANOTHER FILM WE WATCHED, AND LIKE THE PANDEMIC ISN'T BAD 101 00:03:54,268 --> 00:03:56,969 ANYWAY, ANOTHER FILM WE WATCHED, AND LIKE THE PANDEMIC ISN'T BAD ENOUGH, THERE IS A MOVIE CALLED 102 00:03:56,971 --> 00:04:06,445 AND LIKE THE PANDEMIC ISN'T BAD ENOUGH, THERE IS A MOVIE CALLED "LLAMAGEDDON." 103 00:04:06,447 --> 00:04:06,979 ENOUGH, THERE IS A MOVIE CALLED "LLAMAGEDDON." DON'T WATCH THIS. 104 00:04:06,981 --> 00:04:08,614 "LLAMAGEDDON." DON'T WATCH THIS. THERE WAS NO CLIP THERE. 105 00:04:08,616 --> 00:04:10,215 DON'T WATCH THIS. THERE WAS NO CLIP THERE. I JUST WANTED TO THROW TO 106 00:04:10,217 --> 00:04:11,783 THERE WAS NO CLIP THERE. I JUST WANTED TO THROW TO SOMETHING AND MAKE IT SEEM LIKE 107 00:04:11,785 --> 00:04:12,784 I JUST WANTED TO THROW TO SOMETHING AND MAKE IT SEEM LIKE IT'S A BIGGER -- 108 00:04:12,786 --> 00:04:14,286 SOMETHING AND MAKE IT SEEM LIKE IT'S A BIGGER -- IT'S BECAUSE MY WIFE IS IN THE 109 00:04:14,288 --> 00:04:16,188 IT'S A BIGGER -- IT'S BECAUSE MY WIFE IS IN THE HOUSE RUNNING THE VCR. 110 00:04:16,190 --> 00:04:18,390 IT'S BECAUSE MY WIFE IS IN THE HOUSE RUNNING THE VCR. YOU MISSED THAT CLIP. 111 00:04:18,392 --> 00:04:20,192 HOUSE RUNNING THE VCR. YOU MISSED THAT CLIP. HONEY, I AM GOING TO SHOW 112 00:04:20,194 --> 00:04:20,592 YOU MISSED THAT CLIP. HONEY, I AM GOING TO SHOW ANOTHER CLIP. 113 00:04:20,594 --> 00:04:24,162 HONEY, I AM GOING TO SHOW ANOTHER CLIP. LET'S SHOW THE PEOPLE A CLIP 114 00:04:24,164 --> 00:04:25,697 ANOTHER CLIP. LET'S SHOW THE PEOPLE A CLIP FROM "KILLER SOFA!" 115 00:04:25,699 --> 00:04:26,999 LET'S SHOW THE PEOPLE A CLIP FROM "KILLER SOFA!" HONEY, PRESS PLAY! 116 00:04:27,001 --> 00:04:31,603 FROM "KILLER SOFA!" HONEY, PRESS PLAY! ♪ ♪ 117 00:04:31,605 --> 00:04:35,941 HONEY, PRESS PLAY! ♪ ♪ [LAUGHTER] 118 00:04:35,943 --> 00:04:39,811 ♪ ♪ [LAUGHTER] [APPLAUSE] 119 00:04:39,813 --> 00:04:41,880 [LAUGHTER] [APPLAUSE] >> Howie: OH, WHOA, THAT IS 120 00:04:41,882 --> 00:04:46,852 [APPLAUSE] >> Howie: OH, WHOA, THAT IS AVAILABLE ON TUBIE AND 121 00:04:46,854 --> 00:04:47,185 >> Howie: OH, WHOA, THAT IS AVAILABLE ON TUBIE AND AMAZON PRIME. 122 00:04:47,187 --> 00:04:48,587 AVAILABLE ON TUBIE AND AMAZON PRIME. THAT WAS REALLY SCARY WHEN THE 123 00:04:48,589 --> 00:04:49,688 AMAZON PRIME. THAT WAS REALLY SCARY WHEN THE CHAIR COMES TO HER. 124 00:04:49,690 --> 00:04:50,922 THAT WAS REALLY SCARY WHEN THE CHAIR COMES TO HER. A SPOILER ALERT, IF YOU DON'T 125 00:04:50,924 --> 00:04:51,757 CHAIR COMES TO HER. A SPOILER ALERT, IF YOU DON'T WANT TO HEAR AND YOU ARE GOING 126 00:04:51,759 --> 00:04:54,159 A SPOILER ALERT, IF YOU DON'T WANT TO HEAR AND YOU ARE GOING TO WATCH IT. 127 00:04:54,161 --> 00:04:55,927 WANT TO HEAR AND YOU ARE GOING TO WATCH IT. HE CHOPS HER INTO LITTLE 128 00:04:55,929 --> 00:04:56,228 TO WATCH IT. HE CHOPS HER INTO LITTLE SECTIONALS. 129 00:04:56,230 --> 00:04:59,798 HE CHOPS HER INTO LITTLE SECTIONALS. YOU SEE WHAT I DID THERE. 130 00:04:59,800 --> 00:05:00,565 SECTIONALS. YOU SEE WHAT I DID THERE. [LAUGHTER] 131 00:05:00,567 --> 00:05:01,433 YOU SEE WHAT I DID THERE. [LAUGHTER] FURNITURE STUFF? 132 00:05:01,435 --> 00:05:04,403 [LAUGHTER] FURNITURE STUFF? ANYWAYS, MINE WON'T DO IT, 133 00:05:04,405 --> 00:05:06,371 FURNITURE STUFF? ANYWAYS, MINE WON'T DO IT, BECAUSE MINE IS SUCH A LAZY BOY. 134 00:05:06,373 --> 00:05:06,705 ANYWAYS, MINE WON'T DO IT, BECAUSE MINE IS SUCH A LAZY BOY. [LAUGHTER] 135 00:05:06,707 --> 00:05:09,808 BECAUSE MINE IS SUCH A LAZY BOY. [LAUGHTER] I DON'T HAVE TIME FOR THIS. 136 00:05:09,810 --> 00:05:11,643 [LAUGHTER] I DON'T HAVE TIME FOR THIS. WHICH, YOU DO SOMETHING MORE 137 00:05:11,645 --> 00:05:12,978 I DON'T HAVE TIME FOR THIS. WHICH, YOU DO SOMETHING MORE ENTERTAINING. 138 00:05:12,980 --> 00:05:13,879 WHICH, YOU DO SOMETHING MORE ENTERTAINING. TWITCH, DO WHAT YOU DO. 139 00:05:13,881 --> 00:05:16,248 ENTERTAINING. TWITCH, DO WHAT YOU DO. ♪ ♪ 140 00:05:16,250 --> 00:05:30,696 TWITCH, DO WHAT YOU DO. ♪ ♪ [CHEERS AND APPLAUSE] 141 00:06:00,526 --> 00:06:06,998 ♪ ♪ >> THANK YOU 142 00:06:08,568 --> 00:06:15,474 ♪ ♪ [CHEERS AND APPLAUSE] >> Howie: THAT WAS GREAT, MAN! 143 00:06:15,476 --> 00:06:16,241 [CHEERS AND APPLAUSE] >> Howie: THAT WAS GREAT, MAN! I ENVY YOU. 144 00:06:16,243 --> 00:06:17,642 >> Howie: THAT WAS GREAT, MAN! I ENVY YOU. I WISH I COULD MOVE LIKE THAT. 145 00:06:17,644 --> 00:06:20,846 I ENVY YOU. I WISH I COULD MOVE LIKE THAT. I WISH I COULD, I CAN'T. 146 00:06:20,848 --> 00:06:23,382 I WISH I COULD MOVE LIKE THAT. I WISH I COULD, I CAN'T. I DO -- 147 00:06:23,384 --> 00:06:24,316 I WISH I COULD, I CAN'T. I DO -- YOU HAVE FAITH IN ME? 148 00:06:24,318 --> 00:06:25,784 I DO -- YOU HAVE FAITH IN ME? IT HAS NOTHING TO DO WITH 149 00:06:25,786 --> 00:06:26,585 YOU HAVE FAITH IN ME? IT HAS NOTHING TO DO WITH DANCING. 150 00:06:26,587 --> 00:06:28,019 IT HAS NOTHING TO DO WITH DANCING. I HAVE FAITH IN YOU. 151 00:06:28,021 --> 00:06:29,154 DANCING. I HAVE FAITH IN YOU. THANKS FOR BEING HERE AND 152 00:06:29,156 --> 00:06:29,755 I HAVE FAITH IN YOU. THANKS FOR BEING HERE AND SUPPORTING ME. 153 00:06:29,757 --> 00:06:32,557 THANKS FOR BEING HERE AND SUPPORTING ME. WE ARE IN A WEIRD PLACE RIGHT 154 00:06:32,559 --> 00:06:33,225 SUPPORTING ME. WE ARE IN A WEIRD PLACE RIGHT NOW, AND THIS IS A SEGMENTED 155 00:06:33,227 --> 00:06:36,695 WE ARE IN A WEIRD PLACE RIGHT NOW, AND THIS IS A SEGMENTED THAT I WANT TO SHOW YOU, HOW, IS 156 00:06:36,697 --> 00:06:42,968 NOW, AND THIS IS A SEGMENTED THAT I WANT TO SHOW YOU, HOW, IS THAT THE NAME OF THE SEGMENT? 157 00:06:42,970 --> 00:06:43,435 THAT I WANT TO SHOW YOU, HOW, IS THAT THE NAME OF THE SEGMENT? "HOWIE -- 158 00:06:43,437 --> 00:06:44,803 THAT THE NAME OF THE SEGMENT? "HOWIE -- OH, THEY ARE USING MY NAME. 159 00:06:44,805 --> 00:06:46,905 "HOWIE -- OH, THEY ARE USING MY NAME. LET'S BRING THE CARD UP. 160 00:06:46,907 --> 00:06:50,208 OH, THEY ARE USING MY NAME. LET'S BRING THE CARD UP. THIS IS THE SEGMENT. 161 00:06:50,210 --> 00:06:51,143 LET'S BRING THE CARD UP. THIS IS THE SEGMENT. WE ARE DOING ARTS AND CRAFTS ALL 162 00:06:51,145 --> 00:06:56,681 THIS IS THE SEGMENT. WE ARE DOING ARTS AND CRAFTS ALL NIGHT LAST NIGHT. 163 00:06:56,683 --> 00:06:58,417 WE ARE DOING ARTS AND CRAFTS ALL NIGHT LAST NIGHT. "HOWIE GOT HERE." 164 00:06:58,419 --> 00:07:01,686 NIGHT LAST NIGHT. "HOWIE GOT HERE." YOU SEE, THAT'S GOOD. 165 00:07:01,688 --> 00:07:04,523 "HOWIE GOT HERE." YOU SEE, THAT'S GOOD. THAT WAS A DIFFERENT SEGMENT. 166 00:07:04,525 --> 00:07:05,757 YOU SEE, THAT'S GOOD. THAT WAS A DIFFERENT SEGMENT. I AM SO CONFUSED. 167 00:07:05,759 --> 00:07:13,098 THAT WAS A DIFFERENT SEGMENT. I AM SO CONFUSED. THIS IS WHAT I WANT TO SHOW YOU. 168 00:07:13,100 --> 00:07:16,034 I AM SO CONFUSED. THIS IS WHAT I WANT TO SHOW YOU. HOWIE GOT HERE. 169 00:07:16,036 --> 00:07:16,735 THIS IS WHAT I WANT TO SHOW YOU. HOWIE GOT HERE. SHOW THE FIRST CLIP. 170 00:07:16,737 --> 00:07:18,036 HOWIE GOT HERE. SHOW THE FIRST CLIP. WHAT IS THIS? 171 00:07:18,038 --> 00:07:29,848 SHOW THE FIRST CLIP. WHAT IS THIS? ♪ ♪ 172 00:07:29,850 --> 00:07:33,785 WHAT IS THIS? ♪ ♪ [SCREAMS] 173 00:07:33,787 --> 00:07:34,219 ♪ ♪ [SCREAMS] OH, OH. 174 00:07:34,221 --> 00:07:38,657 [SCREAMS] OH, OH. I'VE NEVER SEEN THAT THAT IS 175 00:07:38,659 --> 00:07:38,957 OH, OH. I'VE NEVER SEEN THAT THAT IS DISGUSTING! 176 00:07:38,959 --> 00:07:40,826 I'VE NEVER SEEN THAT THAT IS DISGUSTING! THAT IS DISGUSTING. 177 00:07:40,828 --> 00:07:41,493 DISGUSTING! THAT IS DISGUSTING. THAT IS SOUP? 178 00:07:41,495 --> 00:07:43,728 THAT IS DISGUSTING. THAT IS SOUP? WAS THAT SOUP? 179 00:07:43,730 --> 00:07:45,831 THAT IS SOUP? WAS THAT SOUP? SUPER-SPREADER. 180 00:07:45,833 --> 00:07:47,766 WAS THAT SOUP? SUPER-SPREADER. DR. MACK THAT IS DISGUSTING. 181 00:07:47,768 --> 00:07:49,468 SUPER-SPREADER. DR. MACK THAT IS DISGUSTING. WHY WOULD YOU JUST STAND THERE 182 00:07:49,470 --> 00:07:49,901 DR. MACK THAT IS DISGUSTING. WHY WOULD YOU JUST STAND THERE AND VIDEOTAPE THAT? 183 00:07:49,903 --> 00:07:53,271 WHY WOULD YOU JUST STAND THERE AND VIDEOTAPE THAT? WHY WOULD YOU NOT SAY, TAKE THAT 184 00:07:53,273 --> 00:07:55,173 AND VIDEOTAPE THAT? WHY WOULD YOU NOT SAY, TAKE THAT LADLE HOME RIGHT NOW! 185 00:07:55,175 --> 00:07:56,808 WHY WOULD YOU NOT SAY, TAKE THAT LADLE HOME RIGHT NOW! THAT KILLED ME. 186 00:07:56,810 --> 00:08:00,612 LADLE HOME RIGHT NOW! THAT KILLED ME. I VOMITED A LITTLE BIT. 187 00:08:00,614 --> 00:08:01,246 THAT KILLED ME. I VOMITED A LITTLE BIT. ANYWAY, WATCH THIS ONE. 188 00:08:01,248 --> 00:08:07,619 I VOMITED A LITTLE BIT. ANYWAY, WATCH THIS ONE. HERE IS ANOTHER ONE. 189 00:08:07,621 --> 00:08:11,890 ANYWAY, WATCH THIS ONE. HERE IS ANOTHER ONE. ♪ ♪ 190 00:08:11,892 --> 00:08:21,967 HERE IS ANOTHER ONE. ♪ ♪ [LAUGHTER] 191 00:08:21,969 --> 00:08:23,168 ♪ ♪ [LAUGHTER] NO, OH, MY GOD. 192 00:08:23,170 --> 00:08:25,604 [LAUGHTER] NO, OH, MY GOD. THAT'S LARRY AND THE. 193 00:08:25,606 --> 00:08:26,671 NO, OH, MY GOD. THAT'S LARRY AND THE. I KNOW IT'S CUTE AND PEOPLE LOVE 194 00:08:26,673 --> 00:08:30,308 THAT'S LARRY AND THE. I KNOW IT'S CUTE AND PEOPLE LOVE THEIR PETS AND THEY DON'T MIND 195 00:08:30,310 --> 00:08:31,643 I KNOW IT'S CUTE AND PEOPLE LOVE THEIR PETS AND THEY DON'T MIND WHEN THEY LICK THEIR FACE. 196 00:08:31,645 --> 00:08:34,579 THEIR PETS AND THEY DON'T MIND WHEN THEY LICK THEIR FACE. AND THAT IS THE LADLE. 197 00:08:34,581 --> 00:08:39,050 WHEN THEY LICK THEIR FACE. AND THAT IS THE LADLE. THAT DOG IS GOING TO GET POTENT. 198 00:08:39,052 --> 00:08:41,720 AND THAT IS THE LADLE. THAT DOG IS GOING TO GET POTENT. YOU HAVE TO LOVE YOUR PETS. 199 00:08:41,722 --> 00:08:43,421 THAT DOG IS GOING TO GET POTENT. YOU HAVE TO LOVE YOUR PETS. AND I HAVE ONE MORE FOR YOU, OR 200 00:08:43,423 --> 00:08:45,991 YOU HAVE TO LOVE YOUR PETS. AND I HAVE ONE MORE FOR YOU, OR MY WIFE DOES. 201 00:08:45,993 --> 00:08:49,895 AND I HAVE ONE MORE FOR YOU, OR MY WIFE DOES. PRESS PLAY. 202 00:08:49,897 --> 00:09:05,010 MY WIFE DOES. PRESS PLAY. ♪ ♪ 203 00:09:07,280 --> 00:09:10,215 WOW. YOU ALWAYS EAT IN THE CENTER LANE AND LEAVE THE CHOCOLATE 204 00:09:10,217 --> 00:09:14,886 YOU ALWAYS EAT IN THE CENTER LANE AND LEAVE THE CHOCOLATE COOKIE FOR THE PASSING LANE. 205 00:09:14,888 --> 00:09:17,422 LANE AND LEAVE THE CHOCOLATE COOKIE FOR THE PASSING LANE. NO? 206 00:09:17,424 --> 00:09:18,523 COOKIE FOR THE PASSING LANE. NO? WHAT ABOUT FOR MORNING, JUST 207 00:09:18,525 --> 00:09:22,227 NO? WHAT ABOUT FOR MORNING, JUST PAST THE TRAFFIC JAM. 208 00:09:22,229 --> 00:09:24,095 WHAT ABOUT FOR MORNING, JUST PAST THE TRAFFIC JAM. I WANT TO END ON A BIG LAUGH 209 00:09:24,097 --> 00:09:25,964 PAST THE TRAFFIC JAM. I WANT TO END ON A BIG LAUGH BEFORE WE GO TO COMMERCIAL, SO 210 00:09:25,966 --> 00:09:27,365 I WANT TO END ON A BIG LAUGH BEFORE WE GO TO COMMERCIAL, SO THIS IS A REQUEST TO THE 211 00:09:27,367 --> 00:09:27,799 BEFORE WE GO TO COMMERCIAL, SO THIS IS A REQUEST TO THE AUDIENCE. 212 00:09:27,801 --> 00:09:30,001 THIS IS A REQUEST TO THE AUDIENCE. CAN YOU JUST GIVE ME A BIG 213 00:09:30,003 --> 00:09:32,537 AUDIENCE. CAN YOU JUST GIVE ME A BIG LAUGH? 214 00:09:32,539 --> 00:09:35,840 CAN YOU JUST GIVE ME A BIG LAUGH? [LAUGHTER] 215 00:09:35,842 --> 00:09:37,976 LAUGH? [LAUGHTER] OKAY. 216 00:09:37,978 --> 00:09:38,243 [LAUGHTER] OKAY. ALL RIGHT. 217 00:09:38,245 --> 00:09:40,645 OKAY. ALL RIGHT. THANKS, WE WILL BE RIGHT BACK 218 00:09:40,647 --> 00:09:44,816 ALL RIGHT. THANKS, WE WILL BE RIGHT BACK WITH MARTHA STEWART AFTER THIS. 219 00:09:44,818 --> 00:09:45,283 THANKS, WE WILL BE RIGHT BACK WITH MARTHA STEWART AFTER THIS. [CHEERS AND APPLAUSE] 220 00:09:45,285 --> 00:09:59,464 WITH MARTHA STEWART AFTER THIS. [CHEERS AND APPLAUSE] ♪ ♪ 221 00:09:59,466 --> 00:10:03,835 [CHEERS AND APPLAUSE] ♪ ♪ >> NOTICE HOW SOMETIMES SHE WILL 222 00:10:03,837 --> 00:10:06,838 ♪ ♪ >> NOTICE HOW SOMETIMES SHE WILL LOOK VAGUE. 223 00:10:06,840 --> 00:10:09,307 >> NOTICE HOW SOMETIMES SHE WILL LOOK VAGUE. >> Howie: NO, NO, NOT NOW. 224 00:10:09,309 --> 00:10:12,277 LOOK VAGUE. >> Howie: NO, NO, NOT NOW. ANYWAY, WE WILL 225 00:10:27,727 --> 00:10:29,594 [CHEERS AND APPLAUSE] ♪ ♪ >> Howie: WELCOME BACK, 226 00:10:29,596 --> 00:10:29,995 ♪ ♪ >> Howie: WELCOME BACK, HOWIE MANDEL HERE. 227 00:10:29,997 --> 00:10:32,297 >> Howie: WELCOME BACK, HOWIE MANDEL HERE. AND NOW I AM IN MY KITCHEN. 228 00:10:32,299 --> 00:10:33,732 HOWIE MANDEL HERE. AND NOW I AM IN MY KITCHEN. I'M VERY EXCITED ABOUT MY NEXT 229 00:10:33,734 --> 00:10:34,065 AND NOW I AM IN MY KITCHEN. I'M VERY EXCITED ABOUT MY NEXT GUEST. 230 00:10:34,067 --> 00:10:36,301 I'M VERY EXCITED ABOUT MY NEXT GUEST. I HAVE NOT BEEN LUCKY, I HAVE A 231 00:10:36,303 --> 00:10:39,971 GUEST. I HAVE NOT BEEN LUCKY, I HAVE A DOG NAME LOLA, AND THIS IS A PET 232 00:10:39,973 --> 00:10:40,605 I HAVE NOT BEEN LUCKY, I HAVE A DOG NAME LOLA, AND THIS IS A PET PSYCHIC. 233 00:10:40,607 --> 00:10:43,208 DOG NAME LOLA, AND THIS IS A PET PSYCHIC. LOLA HAS A PROBLEM WITH ME. 234 00:10:43,210 --> 00:10:48,346 PSYCHIC. LOLA HAS A PROBLEM WITH ME. MY WIFE HAS HIRED TRAINER. 235 00:10:48,348 --> 00:10:49,247 LOLA HAS A PROBLEM WITH ME. MY WIFE HAS HIRED TRAINER. AND TEN RULES AND TRAINING, ONLY 236 00:10:49,249 --> 00:10:53,485 MY WIFE HAS HIRED TRAINER. AND TEN RULES AND TRAINING, ONLY NINE FINGERS. 237 00:10:53,487 --> 00:10:55,353 AND TEN RULES AND TRAINING, ONLY NINE FINGERS. AND WITH THE RULES FOR ANIMAL 238 00:10:55,355 --> 00:10:56,888 NINE FINGERS. AND WITH THE RULES FOR ANIMAL TRAINING, NOT AS MANY FINGERS AS 239 00:10:56,890 --> 00:10:59,290 AND WITH THE RULES FOR ANIMAL TRAINING, NOT AS MANY FINGERS AS HE HAS RULES, YOU HAVE TO WORRY. 240 00:10:59,292 --> 00:11:01,126 TRAINING, NOT AS MANY FINGERS AS HE HAS RULES, YOU HAVE TO WORRY. I'M GOING TO INTRODUCE YOU TO MY 241 00:11:01,128 --> 00:11:02,494 HE HAS RULES, YOU HAVE TO WORRY. I'M GOING TO INTRODUCE YOU TO MY DOG FIRST AND I WILL SHOW YOU, 242 00:11:02,496 --> 00:11:05,764 I'M GOING TO INTRODUCE YOU TO MY DOG FIRST AND I WILL SHOW YOU, THIS IS LOLA. 243 00:11:05,766 --> 00:11:07,499 DOG FIRST AND I WILL SHOW YOU, THIS IS LOLA. SIT. 244 00:11:07,501 --> 00:11:09,434 THIS IS LOLA. SIT. THAT'S LOLA, AND LET'S FIND OUT 245 00:11:09,436 --> 00:11:11,569 SIT. THAT'S LOLA, AND LET'S FIND OUT WHAT'S GOING ON INSIDE OF LOLA'S 246 00:11:11,571 --> 00:11:13,405 THAT'S LOLA, AND LET'S FIND OUT WHAT'S GOING ON INSIDE OF LOLA'S MIND. 247 00:11:13,407 --> 00:11:17,108 WHAT'S GOING ON INSIDE OF LOLA'S MIND. THIS IS PET PSYCHIC 248 00:11:17,110 --> 00:11:20,311 MIND. THIS IS PET PSYCHIC LAURA STINCHFIELD. 249 00:11:20,313 --> 00:11:21,680 THIS IS PET PSYCHIC LAURA STINCHFIELD. >> IT SO WONDERFUL TO MEET YOU. 250 00:11:21,682 --> 00:11:23,815 LAURA STINCHFIELD. >> IT SO WONDERFUL TO MEET YOU. >> Howie: IT'S GREAT TO MEET 251 00:11:23,817 --> 00:11:26,451 >> IT SO WONDERFUL TO MEET YOU. >> Howie: IT'S GREAT TO MEET YOU. 252 00:11:26,453 --> 00:11:29,287 >> Howie: IT'S GREAT TO MEET YOU. I AM SO EXCITED TO FIND OUT WHAT 253 00:11:29,289 --> 00:11:30,288 YOU. I AM SO EXCITED TO FIND OUT WHAT LOLA IS THINKING AND JUST 254 00:11:30,290 --> 00:11:32,924 I AM SO EXCITED TO FIND OUT WHAT LOLA IS THINKING AND JUST AGITATED WITH MY EXISTENT. 255 00:11:32,926 --> 00:11:36,194 LOLA IS THINKING AND JUST AGITATED WITH MY EXISTENT. >> I AM BEING SERIOUS. 256 00:11:36,196 --> 00:11:37,495 AGITATED WITH MY EXISTENT. >> I AM BEING SERIOUS. THEY HAVE CALMING SIGNALS, THAT 257 00:11:37,497 --> 00:11:40,632 >> I AM BEING SERIOUS. THEY HAVE CALMING SIGNALS, THAT HIS BODY LANGUAGE THAT ANIMALS 258 00:11:40,634 --> 00:11:42,867 THEY HAVE CALMING SIGNALS, THAT HIS BODY LANGUAGE THAT ANIMALS CALM THEMSELVES, COMMUNICATE 259 00:11:42,869 --> 00:11:44,302 HIS BODY LANGUAGE THAT ANIMALS CALM THEMSELVES, COMMUNICATE WITH OTHER ANIMALS, AND 260 00:11:44,304 --> 00:11:45,937 CALM THEMSELVES, COMMUNICATE WITH OTHER ANIMALS, AND SOMETIMES USE THESE BODY 261 00:11:45,939 --> 00:11:46,571 WITH OTHER ANIMALS, AND SOMETIMES USE THESE BODY LANGUAGE SIGNALS TO COMMUNICATE 262 00:11:46,573 --> 00:11:50,909 SOMETIMES USE THESE BODY LANGUAGE SIGNALS TO COMMUNICATE WITH PEOPLE AS WELL. 263 00:11:50,911 --> 00:11:51,543 LANGUAGE SIGNALS TO COMMUNICATE WITH PEOPLE AS WELL. WELL SOCIALIZED DOGS ARE GOING 264 00:11:51,545 --> 00:11:53,845 WITH PEOPLE AS WELL. WELL SOCIALIZED DOGS ARE GOING TO BE USING THESE HOMING SIGNALS 265 00:11:53,847 --> 00:11:55,647 WELL SOCIALIZED DOGS ARE GOING TO BE USING THESE HOMING SIGNALS ALL THE TIME. 266 00:11:55,649 --> 00:11:59,284 TO BE USING THESE HOMING SIGNALS ALL THE TIME. NOW SOME PEOPLE ARE LICKING 267 00:11:59,286 --> 00:12:01,319 ALL THE TIME. NOW SOME PEOPLE ARE LICKING THEIR OWN MOUTH. 268 00:12:01,321 --> 00:12:04,022 NOW SOME PEOPLE ARE LICKING THEIR OWN MOUTH. YAWNING, SITTING DOWN, LYING 269 00:12:04,024 --> 00:12:04,456 THEIR OWN MOUTH. YAWNING, SITTING DOWN, LYING DOWN. 270 00:12:04,458 --> 00:12:08,860 YAWNING, SITTING DOWN, LYING DOWN. BLINKING HER EYES, LICKING AND 271 00:12:08,862 --> 00:12:13,565 DOWN. BLINKING HER EYES, LICKING AND LOOKING AWAY, TURNING AWAY. 272 00:12:13,567 --> 00:12:16,201 BLINKING HER EYES, LICKING AND LOOKING AWAY, TURNING AWAY. NOTICE, AND I WANT YOU TO WATCH 273 00:12:16,203 --> 00:12:20,672 LOOKING AWAY, TURNING AWAY. NOTICE, AND I WANT YOU TO WATCH HER, LOOKING AWAY, AND LOOK AT 274 00:12:20,674 --> 00:12:21,339 NOTICE, AND I WANT YOU TO WATCH HER, LOOKING AWAY, AND LOOK AT HER THINKING. 275 00:12:21,341 --> 00:12:21,873 HER, LOOKING AWAY, AND LOOK AT HER THINKING. >> Howie: I'M SORRY, I'M 276 00:12:21,875 --> 00:12:24,075 HER THINKING. >> Howie: I'M SORRY, I'M SWEATING NOW. 277 00:12:24,077 --> 00:12:26,478 >> Howie: I'M SORRY, I'M SWEATING NOW. I SAW WHAT YOU ARE SAYING. 278 00:12:26,480 --> 00:12:28,813 SWEATING NOW. I SAW WHAT YOU ARE SAYING. A LOT MORE CALMING THAN IT HAS 279 00:12:28,815 --> 00:12:30,749 I SAW WHAT YOU ARE SAYING. A LOT MORE CALMING THAN IT HAS USUALLY BEEN. 280 00:12:30,751 --> 00:12:32,484 A LOT MORE CALMING THAN IT HAS USUALLY BEEN. >> ONE OF THE THINGS I WANT YOU 281 00:12:32,486 --> 00:12:35,286 USUALLY BEEN. >> ONE OF THE THINGS I WANT YOU TO DO WHEN YOU SEE HER, DO A 282 00:12:35,288 --> 00:12:36,287 >> ONE OF THE THINGS I WANT YOU TO DO WHEN YOU SEE HER, DO A LICKING OF THE MOUTH. 283 00:12:36,289 --> 00:12:38,890 TO DO WHEN YOU SEE HER, DO A LICKING OF THE MOUTH. SHE ACTUALLY DID DO IT BEFORE. 284 00:12:38,892 --> 00:12:40,125 LICKING OF THE MOUTH. SHE ACTUALLY DID DO IT BEFORE. >> Howie: LICKING OF MY MOUTH? 285 00:12:40,127 --> 00:12:41,059 SHE ACTUALLY DID DO IT BEFORE. >> Howie: LICKING OF MY MOUTH? I COME TO THE DOG. 286 00:12:41,061 --> 00:12:42,427 >> Howie: LICKING OF MY MOUTH? I COME TO THE DOG. I WILL GO TO THE DOG. 287 00:12:42,429 --> 00:12:46,898 I COME TO THE DOG. I WILL GO TO THE DOG. LIKE THAT? 288 00:12:46,900 --> 00:12:50,802 I WILL GO TO THE DOG. LIKE THAT? I'M COMING TO THE DOG. 289 00:12:50,804 --> 00:12:54,906 LIKE THAT? I'M COMING TO THE DOG. LOOK. 290 00:12:54,908 --> 00:12:55,607 I'M COMING TO THE DOG. LOOK. >> MAYBE LATER OFF-CAMERA YOU 291 00:12:55,609 --> 00:13:00,678 LOOK. >> MAYBE LATER OFF-CAMERA YOU CAN DO IT JUST VERY GENTLY. 292 00:13:00,680 --> 00:13:02,647 >> MAYBE LATER OFF-CAMERA YOU CAN DO IT JUST VERY GENTLY. YOU KNOW HOW YOU HAVE TO HAVE A 293 00:13:02,649 --> 00:13:03,281 CAN DO IT JUST VERY GENTLY. YOU KNOW HOW YOU HAVE TO HAVE A REALLY INTENSE ENERGY NOW AND I 294 00:13:03,283 --> 00:13:05,183 YOU KNOW HOW YOU HAVE TO HAVE A REALLY INTENSE ENERGY NOW AND I KNOW YOU ARE BEING FUNNY, BUT I 295 00:13:05,185 --> 00:13:08,920 REALLY INTENSE ENERGY NOW AND I KNOW YOU ARE BEING FUNNY, BUT I AM BEING SERIOUS. 296 00:13:08,922 --> 00:13:10,922 KNOW YOU ARE BEING FUNNY, BUT I AM BEING SERIOUS. SO WHEN YOU ARE WITH LOLA, I 297 00:13:10,924 --> 00:13:13,391 AM BEING SERIOUS. SO WHEN YOU ARE WITH LOLA, I WANT YOU TO COMMENT DOWN. 298 00:13:13,393 --> 00:13:14,659 SO WHEN YOU ARE WITH LOLA, I WANT YOU TO COMMENT DOWN. AND TRY AND BE MORE CENTERED AND 299 00:13:14,661 --> 00:13:17,362 WANT YOU TO COMMENT DOWN. AND TRY AND BE MORE CENTERED AND A LITTLE BIT MORE GROUNDED, KIND 300 00:13:17,364 --> 00:13:18,429 AND TRY AND BE MORE CENTERED AND A LITTLE BIT MORE GROUNDED, KIND OF THAT FEELING WHEN HE FIRST 301 00:13:18,431 --> 00:13:20,365 A LITTLE BIT MORE GROUNDED, KIND OF THAT FEELING WHEN HE FIRST WAKE UP AND YOU ARE GETTING 302 00:13:20,367 --> 00:13:23,835 OF THAT FEELING WHEN HE FIRST WAKE UP AND YOU ARE GETTING READY AND OUT OF BED. 303 00:13:23,837 --> 00:13:24,435 WAKE UP AND YOU ARE GETTING READY AND OUT OF BED. REALLY JUST CHILLING IT OUT A 304 00:13:24,437 --> 00:13:25,603 READY AND OUT OF BED. REALLY JUST CHILLING IT OUT A LITTLE BIT. 305 00:13:25,605 --> 00:13:30,074 REALLY JUST CHILLING IT OUT A LITTLE BIT. YEAH, GOOD. 306 00:13:30,076 --> 00:13:31,910 LITTLE BIT. YEAH, GOOD. IF YOU CAN TONE IT DOWN A LITTLE 307 00:13:31,912 --> 00:13:32,844 YEAH, GOOD. IF YOU CAN TONE IT DOWN A LITTLE BIT, AND KIND OF TAKE THE JOKE 308 00:13:32,846 --> 00:13:37,048 IF YOU CAN TONE IT DOWN A LITTLE BIT, AND KIND OF TAKE THE JOKE AWAY, OR YOU CAN JOKE, BUT DO IT 309 00:13:37,050 --> 00:13:37,282 BIT, AND KIND OF TAKE THE JOKE AWAY, OR YOU CAN JOKE, BUT DO IT MORE -- 310 00:13:37,284 --> 00:13:39,050 AWAY, OR YOU CAN JOKE, BUT DO IT MORE -- DON'T KIND OF STARE AT HER, 311 00:13:39,052 --> 00:13:41,119 MORE -- DON'T KIND OF STARE AT HER, DIVERGE TO YOUR EYES SO LOOK AT 312 00:13:41,121 --> 00:13:42,987 DON'T KIND OF STARE AT HER, DIVERGE TO YOUR EYES SO LOOK AT HER AND LOOK AWAY. 313 00:13:42,989 --> 00:13:44,522 DIVERGE TO YOUR EYES SO LOOK AT HER AND LOOK AWAY. I MEAN, IT'S WHO YOU ARE. 314 00:13:44,524 --> 00:13:46,925 HER AND LOOK AWAY. I MEAN, IT'S WHO YOU ARE. SO YOU CAN BE WHO YOU ARE, JUST 315 00:13:46,927 --> 00:13:52,197 I MEAN, IT'S WHO YOU ARE. SO YOU CAN BE WHO YOU ARE, JUST TONE IT DOWN A LOT AND LOOK AT 316 00:13:52,199 --> 00:14:00,939 SO YOU CAN BE WHO YOU ARE, JUST TONE IT DOWN A LOT AND LOOK AT HER AND THEN LOOK AWAY. 317 00:14:00,941 --> 00:14:02,473 TONE IT DOWN A LOT AND LOOK AT HER AND THEN LOOK AWAY. >> Howie: THAT'S GOOD. 318 00:14:02,475 --> 00:14:03,107 HER AND THEN LOOK AWAY. >> Howie: THAT'S GOOD. THAT'S MUCH BETTER. 319 00:14:03,109 --> 00:14:06,845 >> Howie: THAT'S GOOD. THAT'S MUCH BETTER. >> I CAN'T SEE HER. 320 00:14:06,847 --> 00:14:08,680 THAT'S MUCH BETTER. >> I CAN'T SEE HER. >> Howie: YOU CAN'T SEE HER? 321 00:14:08,682 --> 00:14:09,981 >> I CAN'T SEE HER. >> Howie: YOU CAN'T SEE HER? >> NOW I CAN SEE HER. 322 00:14:09,983 --> 00:14:12,183 >> Howie: YOU CAN'T SEE HER? >> NOW I CAN SEE HER. I WANT YOU TO BREATHE. 323 00:14:12,185 --> 00:14:14,352 >> NOW I CAN SEE HER. I WANT YOU TO BREATHE. >> Ellen: YOU WANT ME TO WHAT? 324 00:14:14,354 --> 00:14:16,254 I WANT YOU TO BREATHE. >> Ellen: YOU WANT ME TO WHAT? >> BREATHE. 325 00:14:16,256 --> 00:14:19,591 >> Ellen: YOU WANT ME TO WHAT? >> BREATHE. >> Howie: I AM BREATHING. 326 00:14:19,593 --> 00:14:23,394 >> BREATHE. >> Howie: I AM BREATHING. >> INTO THE HEART. 327 00:14:23,396 --> 00:14:28,166 >> Howie: I AM BREATHING. >> INTO THE HEART. SO NOW THAT WOULD HAVE STARTED. 328 00:14:28,168 --> 00:14:29,167 >> INTO THE HEART. SO NOW THAT WOULD HAVE STARTED. IF SHE WAS LOOKING AT YOU AND 329 00:14:29,169 --> 00:14:30,735 SO NOW THAT WOULD HAVE STARTED. IF SHE WAS LOOKING AT YOU AND SHE IS TRYING REALLY HARD, THAT 330 00:14:30,737 --> 00:14:34,806 IF SHE WAS LOOKING AT YOU AND SHE IS TRYING REALLY HARD, THAT KIND OF FAST MOVEMENT IS AND 331 00:14:34,808 --> 00:14:37,108 SHE IS TRYING REALLY HARD, THAT KIND OF FAST MOVEMENT IS AND COULD HAVE SET HER OFF. 332 00:14:37,110 --> 00:14:38,209 KIND OF FAST MOVEMENT IS AND COULD HAVE SET HER OFF. SEE HOW SHE IS TRYING REALLY 333 00:14:38,211 --> 00:14:41,145 COULD HAVE SET HER OFF. SEE HOW SHE IS TRYING REALLY HARD BY TURNING AWAY. 334 00:14:41,147 --> 00:14:43,314 SEE HOW SHE IS TRYING REALLY HARD BY TURNING AWAY. LOLA, YOU'RE BEING SUCH A GOOD 335 00:14:43,316 --> 00:14:43,514 HARD BY TURNING AWAY. LOLA, YOU'RE BEING SUCH A GOOD GIRL. 336 00:14:43,516 --> 00:14:45,083 LOLA, YOU'RE BEING SUCH A GOOD GIRL. I'M SO PROUD OF YOU. 337 00:14:45,085 --> 00:14:46,184 GIRL. I'M SO PROUD OF YOU. >> Howie: WHAT ABOUT ME? 338 00:14:46,186 --> 00:14:47,585 I'M SO PROUD OF YOU. >> Howie: WHAT ABOUT ME? >> YOUR DADDY IS TRYING. 339 00:14:47,587 --> 00:14:48,920 >> Howie: WHAT ABOUT ME? >> YOUR DADDY IS TRYING. I CAN TELL HE IS TRYING. 340 00:14:48,922 --> 00:14:49,988 >> YOUR DADDY IS TRYING. I CAN TELL HE IS TRYING. HE WILL GET IT. 341 00:14:49,990 --> 00:14:52,523 I CAN TELL HE IS TRYING. HE WILL GET IT. I PROMISE YOU, LOLA. 342 00:14:52,525 --> 00:14:53,658 HE WILL GET IT. I PROMISE YOU, LOLA. I SPOKE EARLIER AND SHE REALLY 343 00:14:53,660 --> 00:14:56,895 I PROMISE YOU, LOLA. I SPOKE EARLIER AND SHE REALLY WANTS TO BE YOUR FRIEND. 344 00:14:56,897 --> 00:14:57,629 I SPOKE EARLIER AND SHE REALLY WANTS TO BE YOUR FRIEND. SHE SAYS SOMETIMES YOU SING TO 345 00:14:57,631 --> 00:14:57,795 WANTS TO BE YOUR FRIEND. SHE SAYS SOMETIMES YOU SING TO HER. 346 00:14:57,797 --> 00:15:00,732 SHE SAYS SOMETIMES YOU SING TO HER. IS THAT TRUE? 347 00:15:00,734 --> 00:15:01,432 HER. IS THAT TRUE? >> Howie: I DON'T KNOW. 348 00:15:01,434 --> 00:15:03,501 IS THAT TRUE? >> Howie: I DON'T KNOW. I WILL DO IT NOW HERE IT IS THAT 349 00:15:03,503 --> 00:15:07,972 >> Howie: I DON'T KNOW. I WILL DO IT NOW HERE IT IS THAT SOMETHING SHE LIKES? 350 00:15:07,974 --> 00:15:09,173 I WILL DO IT NOW HERE IT IS THAT SOMETHING SHE LIKES? I DON'T SING. 351 00:15:09,175 --> 00:15:11,042 SOMETHING SHE LIKES? I DON'T SING. BUT I WILL IF THAT'S WHAT YOU 352 00:15:11,044 --> 00:15:12,777 I DON'T SING. BUT I WILL IF THAT'S WHAT YOU THINK THE ISSUE IS. 353 00:15:12,779 --> 00:15:15,647 BUT I WILL IF THAT'S WHAT YOU THINK THE ISSUE IS. >> I DON'T THINK THAT'S THE 354 00:15:15,649 --> 00:15:17,348 THINK THE ISSUE IS. >> I DON'T THINK THAT'S THE ISSUE, I THINK GOOD GIRL, LOLA. 355 00:15:17,350 --> 00:15:20,084 >> I DON'T THINK THAT'S THE ISSUE, I THINK GOOD GIRL, LOLA. I THINK THE ISSUE IS TWO THINGS. 356 00:15:20,086 --> 00:15:22,787 ISSUE, I THINK GOOD GIRL, LOLA. I THINK THE ISSUE IS TWO THINGS. ONE BODY LANGUAGE IS TOO INTENSE 357 00:15:22,789 --> 00:15:24,088 I THINK THE ISSUE IS TWO THINGS. ONE BODY LANGUAGE IS TOO INTENSE IN HER DIRECTION. 358 00:15:24,090 --> 00:15:26,591 ONE BODY LANGUAGE IS TOO INTENSE IN HER DIRECTION. WHEN YOU ARE JOKING IT'S TOO 359 00:15:26,593 --> 00:15:28,026 IN HER DIRECTION. WHEN YOU ARE JOKING IT'S TOO INTENSE IN HER DIRECTION. 360 00:15:28,028 --> 00:15:33,698 WHEN YOU ARE JOKING IT'S TOO INTENSE IN HER DIRECTION. IF YOU SLOW IT DOWN AND JUST BE 361 00:15:33,700 --> 00:15:34,766 INTENSE IN HER DIRECTION. IF YOU SLOW IT DOWN AND JUST BE YOU AND LEAD WITH YOUR HEART AND 362 00:15:34,768 --> 00:15:36,034 IF YOU SLOW IT DOWN AND JUST BE YOU AND LEAD WITH YOUR HEART AND NOT FAST MOVEMENT TOWARDS HER, 363 00:15:36,036 --> 00:15:38,970 YOU AND LEAD WITH YOUR HEART AND NOT FAST MOVEMENT TOWARDS HER, IT WILL BE A LOT BETTER. 364 00:15:38,972 --> 00:15:42,707 NOT FAST MOVEMENT TOWARDS HER, IT WILL BE A LOT BETTER. >> Howie: I THINK I AM HERE 365 00:15:42,709 --> 00:15:45,677 IT WILL BE A LOT BETTER. >> Howie: I THINK I AM HERE AND WE ARE TOGETHER AND SHE IS 366 00:15:45,679 --> 00:15:46,110 >> Howie: I THINK I AM HERE AND WE ARE TOGETHER AND SHE IS NOT ATTACKING. 367 00:15:46,112 --> 00:15:47,812 AND WE ARE TOGETHER AND SHE IS NOT ATTACKING. >> WHAT I LIKE ABOUT THIS IS 368 00:15:47,814 --> 00:15:50,715 NOT ATTACKING. >> WHAT I LIKE ABOUT THIS IS THAT YOUR BACK IS TOWARDS HER -- 369 00:15:50,717 --> 00:15:51,582 >> WHAT I LIKE ABOUT THIS IS THAT YOUR BACK IS TOWARDS HER -- >> Howie: I LIKE THAT. 370 00:15:51,584 --> 00:15:54,319 THAT YOUR BACK IS TOWARDS HER -- >> Howie: I LIKE THAT. IT'S SO GREAT. 371 00:15:54,321 --> 00:15:56,955 >> Howie: I LIKE THAT. IT'S SO GREAT. >> LOLA, YOU'RE SUCH A GOOD 372 00:15:56,957 --> 00:15:57,155 IT'S SO GREAT. >> LOLA, YOU'RE SUCH A GOOD GIRL. 373 00:15:57,157 --> 00:15:59,123 >> LOLA, YOU'RE SUCH A GOOD GIRL. >> Howie: I HAVE BEEN WITH HER 374 00:15:59,125 --> 00:16:00,692 GIRL. >> Howie: I HAVE BEEN WITH HER A LONG TIME. 375 00:16:00,694 --> 00:16:01,893 >> Howie: I HAVE BEEN WITH HER A LONG TIME. THANK YOU, LAURA, YOU HAVE BEEN 376 00:16:01,895 --> 00:16:02,093 A LONG TIME. THANK YOU, LAURA, YOU HAVE BEEN GREAT. 377 00:16:02,095 --> 00:16:04,595 THANK YOU, LAURA, YOU HAVE BEEN GREAT. WE WILL BE BACK RIGHT AFTER 378 00:16:04,597 --> 00:16:04,929 GREAT. WE WILL BE BACK RIGHT AFTER THIS. 379 00:16:04,931 --> 00:16:08,766 WE WILL BE BACK RIGHT AFTER THIS. >> GOOD GIRL, LOLA. 380 00:16:08,768 --> 00:16:09,233 THIS. >> GOOD GIRL, LOLA. [CHEERS AND APPLAUSE] 381 00:16:09,235 --> 00:16:22,880 >> GOOD GIRL, LOLA. [CHEERS AND APPLAUSE] ♪ ♪ 382 00:16:22,882 --> 00:16:26,384 [CHEERS AND APPLAUSE] ♪ ♪ >> LOOK AT MY WELL BEHAVED DOG 383 00:16:26,386 --> 00:16:28,353 ♪ ♪ >> LOOK AT MY WELL BEHAVED DOG JUST WAITING TO TALK TO 384 00:16:28,355 --> 00:16:29,320 >> LOOK AT MY WELL BEHAVED DOG JUST WAITING TO TALK TO HOWIE MANDEL. 385 00:16:29,322 --> 00:16:31,522 JUST WAITING TO TALK TO HOWIE MANDEL. >> Howie: YOU ARE IN YOUR 386 00:16:31,524 --> 00:16:32,290 HOWIE MANDEL. >> Howie: YOU ARE IN YOUR SERVERY. 387 00:16:32,292 --> 00:16:35,460 >> Howie: YOU ARE IN YOUR SERVERY. >> YOU ARE NOT REALLY GOOD, ARE 388 00:16:35,462 --> 00:16:38,096 SERVERY. >> YOU ARE NOT REALLY GOOD, ARE YOU? 389 00:16:38,098 --> 00:16:41,065 >> YOU ARE NOT REALLY GOOD, ARE YOU? WE NEED SECUR 390 00:16:48,507 --> 00:16:56,214 [CHEERS AND APPLAUSE] ♪ ♪ >> Howie: OUR FIRST GUEST HAS 391 00:16:56,216 --> 00:16:59,017 ♪ ♪ >> Howie: OUR FIRST GUEST HAS A TIP FOR JUST ABOUT EVERYTHING. 392 00:16:59,019 --> 00:17:01,652 >> Howie: OUR FIRST GUEST HAS A TIP FOR JUST ABOUT EVERYTHING. LET'S ASK HER HOW I'M DOING. 393 00:17:01,654 --> 00:17:04,288 A TIP FOR JUST ABOUT EVERYTHING. LET'S ASK HER HOW I'M DOING. PLEASE WELCOME THE ONE AND ONLY 394 00:17:04,290 --> 00:17:06,824 LET'S ASK HER HOW I'M DOING. PLEASE WELCOME THE ONE AND ONLY MARTHA STEWART! 395 00:17:06,826 --> 00:17:07,959 PLEASE WELCOME THE ONE AND ONLY MARTHA STEWART! [CHEERS AND APPLAUSE] 396 00:17:07,961 --> 00:17:08,860 MARTHA STEWART! [CHEERS AND APPLAUSE] >> HI, HOWIE. 397 00:17:08,862 --> 00:17:12,430 [CHEERS AND APPLAUSE] >> HI, HOWIE. NICE TO SEE YOU OVER RESUME. 398 00:17:12,432 --> 00:17:13,231 >> HI, HOWIE. NICE TO SEE YOU OVER RESUME. >> Howie: WE HAVE MET BEFORE. 399 00:17:13,233 --> 00:17:15,299 NICE TO SEE YOU OVER RESUME. >> Howie: WE HAVE MET BEFORE. I DID A SHOW WITH YOU, BUT YEARS 400 00:17:15,301 --> 00:17:16,234 >> Howie: WE HAVE MET BEFORE. I DID A SHOW WITH YOU, BUT YEARS AGO, I HAD HAIR AND LOOK 401 00:17:16,236 --> 00:17:17,268 I DID A SHOW WITH YOU, BUT YEARS AGO, I HAD HAIR AND LOOK DIFFERENT THEN. 402 00:17:17,270 --> 00:17:21,973 AGO, I HAD HAIR AND LOOK DIFFERENT THEN. I HAVE YOUR WELLNESS. 403 00:17:21,975 --> 00:17:23,574 DIFFERENT THEN. I HAVE YOUR WELLNESS. >> I HEAR YOU HAVE A TROUBLED 404 00:17:23,576 --> 00:17:23,741 I HAVE YOUR WELLNESS. >> I HEAR YOU HAVE A TROUBLED DOG. 405 00:17:23,743 --> 00:17:27,245 >> I HEAR YOU HAVE A TROUBLED DOG. WE ARE IN MY SERVERY RIGHT NOW. 406 00:17:27,247 --> 00:17:30,415 DOG. WE ARE IN MY SERVERY RIGHT NOW. AND LOOK WHO IS HERE, ONE OF MY 407 00:17:30,417 --> 00:17:31,049 WE ARE IN MY SERVERY RIGHT NOW. AND LOOK WHO IS HERE, ONE OF MY VERY WELL BEHAVED DOGS IS 408 00:17:31,051 --> 00:17:34,352 AND LOOK WHO IS HERE, ONE OF MY VERY WELL BEHAVED DOGS IS WAITING TO TALK TO HOWIE MANDEL. 409 00:17:34,354 --> 00:17:36,654 VERY WELL BEHAVED DOGS IS WAITING TO TALK TO HOWIE MANDEL. >> Howie: WHAT IS A SERVERY. 410 00:17:36,656 --> 00:17:39,690 WAITING TO TALK TO HOWIE MANDEL. >> Howie: WHAT IS A SERVERY. >> IT'S A ROOM IN A OLD HOUSE 411 00:17:39,692 --> 00:17:41,993 >> Howie: WHAT IS A SERVERY. >> IT'S A ROOM IN A OLD HOUSE WHERE YOU DO THE SERVING FROM. 412 00:17:41,995 --> 00:17:43,161 >> IT'S A ROOM IN A OLD HOUSE WHERE YOU DO THE SERVING FROM. AND WE HAVE A DINING ROOM OVER 413 00:17:43,163 --> 00:17:45,196 WHERE YOU DO THE SERVING FROM. AND WE HAVE A DINING ROOM OVER THERE AND THE DINING ROOM OVER 414 00:17:45,198 --> 00:17:45,396 AND WE HAVE A DINING ROOM OVER THERE AND THE DINING ROOM OVER THERE. 415 00:17:45,398 --> 00:17:47,799 THERE AND THE DINING ROOM OVER THERE. IN THE FOOD CAN BE PUT OUT AND 416 00:17:47,801 --> 00:17:48,366 THERE. IN THE FOOD CAN BE PUT OUT AND SERVED TO GUEST. 417 00:17:48,368 --> 00:17:49,734 IN THE FOOD CAN BE PUT OUT AND SERVED TO GUEST. YOU CAN MAKE DRINKS HERE AND 418 00:17:49,736 --> 00:17:52,203 SERVED TO GUEST. YOU CAN MAKE DRINKS HERE AND SERVE IN A LIVING ROOM. 419 00:17:52,205 --> 00:17:52,904 YOU CAN MAKE DRINKS HERE AND SERVE IN A LIVING ROOM. IN THE PARLOR. 420 00:17:52,906 --> 00:17:56,974 SERVE IN A LIVING ROOM. IN THE PARLOR. >> Howie: THIS IS MY DRIVERY. 421 00:17:56,976 --> 00:17:58,576 IN THE PARLOR. >> Howie: THIS IS MY DRIVERY. AND WHEN GUESTS COME THEY CAN GO 422 00:17:58,578 --> 00:18:01,079 >> Howie: THIS IS MY DRIVERY. AND WHEN GUESTS COME THEY CAN GO AND GET SNACKS OVER HERE IF THEY 423 00:18:01,081 --> 00:18:03,714 AND WHEN GUESTS COME THEY CAN GO AND GET SNACKS OVER HERE IF THEY WANT DOG TREATS. 424 00:18:03,716 --> 00:18:05,850 AND GET SNACKS OVER HERE IF THEY WANT DOG TREATS. WE ARE THE SAME. 425 00:18:05,852 --> 00:18:08,252 WANT DOG TREATS. WE ARE THE SAME. SO TELL ME, I'VE BEEN WATCHING 426 00:18:08,254 --> 00:18:08,653 WE ARE THE SAME. SO TELL ME, I'VE BEEN WATCHING YOU ON INSTAGRAM. 427 00:18:08,655 --> 00:18:10,088 SO TELL ME, I'VE BEEN WATCHING YOU ON INSTAGRAM. AND YOU HAVE BEEN DOING THINGS 428 00:18:10,090 --> 00:18:13,491 YOU ON INSTAGRAM. AND YOU HAVE BEEN DOING THINGS FROM HEAVY MACHINERY. 429 00:18:13,493 --> 00:18:15,626 AND YOU HAVE BEEN DOING THINGS FROM HEAVY MACHINERY. >> I LOVE TO DRIVE TRACTORS. 430 00:18:15,628 --> 00:18:18,429 FROM HEAVY MACHINERY. >> I LOVE TO DRIVE TRACTORS. I WAS JUST SNOWPLOWING WE HAD A 431 00:18:18,431 --> 00:18:19,864 >> I LOVE TO DRIVE TRACTORS. I WAS JUST SNOWPLOWING WE HAD A LOT OF SNOW AT THE FARM. 432 00:18:19,866 --> 00:18:22,233 I WAS JUST SNOWPLOWING WE HAD A LOT OF SNOW AT THE FARM. LOOK AT THAT PHOTO, THAT IS A 433 00:18:22,235 --> 00:18:23,367 LOT OF SNOW AT THE FARM. LOOK AT THAT PHOTO, THAT IS A 360 MOWER. 434 00:18:23,369 --> 00:18:26,537 LOOK AT THAT PHOTO, THAT IS A 360 MOWER. AND THERE'S A LITTLE -- 435 00:18:26,539 --> 00:18:26,838 360 MOWER. AND THERE'S A LITTLE -- HILARIOUS. 436 00:18:26,840 --> 00:18:29,107 AND THERE'S A LITTLE -- HILARIOUS. THAT'S A SNOWPLOW. 437 00:18:29,109 --> 00:18:30,141 HILARIOUS. THAT'S A SNOWPLOW. >> Ellen: YOU WOULD THINK WITH 438 00:18:30,143 --> 00:18:33,444 THAT'S A SNOWPLOW. >> Ellen: YOU WOULD THINK WITH THE YOUNG LADY WHO HAS HER OWN 439 00:18:33,446 --> 00:18:34,412 >> Ellen: YOU WOULD THINK WITH THE YOUNG LADY WHO HAS HER OWN SERVERY. 440 00:18:34,414 --> 00:18:36,214 THE YOUNG LADY WHO HAS HER OWN SERVERY. WOULD HAVE PEOPLE THAT DO THAT. 441 00:18:36,216 --> 00:18:37,949 SERVERY. WOULD HAVE PEOPLE THAT DO THAT. >> I DO. 442 00:18:37,951 --> 00:18:40,118 WOULD HAVE PEOPLE THAT DO THAT. >> I DO. >> Howie: YOU LEARNED WHAT 443 00:18:40,120 --> 00:18:40,485 >> I DO. >> Howie: YOU LEARNED WHAT THIRST TRAP WAS. 444 00:18:40,487 --> 00:18:41,919 >> Howie: YOU LEARNED WHAT THIRST TRAP WAS. I SAW YOU WITH THE HOTTEST 445 00:18:41,921 --> 00:18:45,423 THIRST TRAP WAS. I SAW YOU WITH THE HOTTEST PICTURE EVER. 446 00:18:45,425 --> 00:18:47,291 I SAW YOU WITH THE HOTTEST PICTURE EVER. >> I DON'T EVEN KNOW WHAT IT 447 00:18:47,293 --> 00:18:48,159 PICTURE EVER. >> I DON'T EVEN KNOW WHAT IT MEANS NOW. 448 00:18:48,161 --> 00:18:50,428 >> I DON'T EVEN KNOW WHAT IT MEANS NOW. WHAT DOES IT MEAN? 449 00:18:50,430 --> 00:18:54,031 MEANS NOW. WHAT DOES IT MEAN? >> Howie: OH, PACHA. 450 00:18:54,033 --> 00:18:56,400 WHAT DOES IT MEAN? >> Howie: OH, PACHA. YOU ARE A THIRST TRAP. 451 00:18:56,402 --> 00:18:58,736 >> Howie: OH, PACHA. YOU ARE A THIRST TRAP. I CANNOT STOP LOOKING AT THE 452 00:18:58,738 --> 00:19:01,038 YOU ARE A THIRST TRAP. I CANNOT STOP LOOKING AT THE PICTURE. 453 00:19:01,040 --> 00:19:04,242 I CANNOT STOP LOOKING AT THE PICTURE. >> DOES IT MEAN YOU ARE THIRSTY? 454 00:19:04,244 --> 00:19:05,676 PICTURE. >> DOES IT MEAN YOU ARE THIRSTY? >> Howie: PEOPLE THIRST FOR 455 00:19:05,678 --> 00:19:06,944 >> DOES IT MEAN YOU ARE THIRSTY? >> Howie: PEOPLE THIRST FOR THE PICTURE. 456 00:19:06,946 --> 00:19:07,979 >> Howie: PEOPLE THIRST FOR THE PICTURE. DID YOU GET ANY SUITORS? 457 00:19:07,981 --> 00:19:11,149 THE PICTURE. DID YOU GET ANY SUITORS? >> I GOT SO MANY PROPOSALS AND 458 00:19:11,151 --> 00:19:11,482 DID YOU GET ANY SUITORS? >> I GOT SO MANY PROPOSALS AND PROPOSITIONS. 459 00:19:11,484 --> 00:19:14,018 >> I GOT SO MANY PROPOSALS AND PROPOSITIONS. BUT I HAD TO IGNORE ALL OF THEM. 460 00:19:14,020 --> 00:19:15,586 PROPOSITIONS. BUT I HAD TO IGNORE ALL OF THEM. I AM A VERY BUSY PERSON. 461 00:19:15,588 --> 00:19:18,523 BUT I HAD TO IGNORE ALL OF THEM. I AM A VERY BUSY PERSON. >> Howie: ARE YOU ON FANS ONL 462 00:19:18,525 --> 00:19:18,723 I AM A VERY BUSY PERSON. >> Howie: ARE YOU ON FANS ONL ONLY? 463 00:19:18,725 --> 00:19:21,792 >> Howie: ARE YOU ON FANS ONL ONLY? NO. 464 00:19:21,794 --> 00:19:22,393 ONLY? NO. NO, HOW IS SNOOP DOGG DOING? 465 00:19:22,395 --> 00:19:24,862 NO. NO, HOW IS SNOOP DOGG DOING? YOUR FRIEND SNOOP DOGG? 466 00:19:24,864 --> 00:19:27,098 NO, HOW IS SNOOP DOGG DOING? YOUR FRIEND SNOOP DOGG? >> HE IS SO GREAT, HE HOSTED THE 467 00:19:27,100 --> 00:19:31,335 YOUR FRIEND SNOOP DOGG? >> HE IS SO GREAT, HE HOSTED THE PUPPY BOWL THIS YEAR, THE TWO OF 468 00:19:31,337 --> 00:19:32,436 >> HE IS SO GREAT, HE HOSTED THE PUPPY BOWL THIS YEAR, THE TWO OF US. 469 00:19:32,438 --> 00:19:34,572 PUPPY BOWL THIS YEAR, THE TWO OF US. AND WE ARE DOING STUFF TOGETHER, 470 00:19:34,574 --> 00:19:36,607 US. AND WE ARE DOING STUFF TOGETHER, WE DO PROJECTS EVERY NOW AND 471 00:19:36,609 --> 00:19:41,412 AND WE ARE DOING STUFF TOGETHER, WE DO PROJECTS EVERY NOW AND THEN AND SO FUN TO WORK WITH. 472 00:19:41,414 --> 00:19:44,148 WE DO PROJECTS EVERY NOW AND THEN AND SO FUN TO WORK WITH. I LOVE GOING OUT TO A STUDIO IN 473 00:19:44,150 --> 00:19:45,016 THEN AND SO FUN TO WORK WITH. I LOVE GOING OUT TO A STUDIO IN L.A. 474 00:19:45,018 --> 00:19:46,817 I LOVE GOING OUT TO A STUDIO IN L.A. >> Howie: I'M GOING TO 475 00:19:46,819 --> 00:19:47,985 L.A. >> Howie: I'M GOING TO EXPLAIN, I AM HOLDING THE BAG 476 00:19:47,987 --> 00:19:50,188 >> Howie: I'M GOING TO EXPLAIN, I AM HOLDING THE BAG IT, BECAUSE I AM IN MY DRIVEWAY. 477 00:19:50,190 --> 00:19:53,157 EXPLAIN, I AM HOLDING THE BAG IT, BECAUSE I AM IN MY DRIVEWAY. I DON'T HAVE A SERVERY OR TABLES 478 00:19:53,159 --> 00:19:53,691 IT, BECAUSE I AM IN MY DRIVEWAY. I DON'T HAVE A SERVERY OR TABLES OR FURNITURE YET. 479 00:19:53,693 --> 00:19:55,226 I DON'T HAVE A SERVERY OR TABLES OR FURNITURE YET. BUT TELL ME WHAT THIS IS. 480 00:19:55,228 --> 00:19:57,628 OR FURNITURE YET. BUT TELL ME WHAT THIS IS. BECAUSE I GAVE IT TO MY DOG AND 481 00:19:57,630 --> 00:19:58,029 BUT TELL ME WHAT THIS IS. BECAUSE I GAVE IT TO MY DOG AND IT'S AMAZING. 482 00:19:58,031 --> 00:19:59,363 BECAUSE I GAVE IT TO MY DOG AND IT'S AMAZING. >> WHICH ONE DID YOU GIVE TO 483 00:19:59,365 --> 00:20:02,667 IT'S AMAZING. >> WHICH ONE DID YOU GIVE TO YOUR DOG. 484 00:20:02,669 --> 00:20:03,234 >> WHICH ONE DID YOU GIVE TO YOUR DOG. >> Howie: CALMNESS, AND THE 485 00:20:03,236 --> 00:20:05,670 YOUR DOG. >> Howie: CALMNESS, AND THE DOG HAS BEEN LEAPING FOR A FEW 486 00:20:05,672 --> 00:20:08,573 >> Howie: CALMNESS, AND THE DOG HAS BEEN LEAPING FOR A FEW DAYS NOW AND IT'S JUST AMAZING. 487 00:20:08,575 --> 00:20:11,409 DOG HAS BEEN LEAPING FOR A FEW DAYS NOW AND IT'S JUST AMAZING. >> THESE ARE MY NEW CBD TREATS 488 00:20:11,411 --> 00:20:12,610 DAYS NOW AND IT'S JUST AMAZING. >> THESE ARE MY NEW CBD TREATS FOR DOGS. 489 00:20:12,612 --> 00:20:13,511 >> THESE ARE MY NEW CBD TREATS FOR DOGS. THEY ARE SOFT SHOES AND THEY 490 00:20:13,513 --> 00:20:17,415 FOR DOGS. THEY ARE SOFT SHOES AND THEY LOOK LIKE THIS. 491 00:20:17,417 --> 00:20:21,052 THEY ARE SOFT SHOES AND THEY LOOK LIKE THIS. THIS IS 32 MILLIGRAMS OF CBD. 492 00:20:21,054 --> 00:20:23,854 LOOK LIKE THIS. THIS IS 32 MILLIGRAMS OF CBD. THIS ONE HAS 7 MILLIGRAMS OF 493 00:20:23,856 --> 00:20:24,021 THIS IS 32 MILLIGRAMS OF CBD. THIS ONE HAS 7 MILLIGRAMS OF CBD. 494 00:20:24,023 --> 00:20:24,388 THIS ONE HAS 7 MILLIGRAMS OF CBD. SHE WANTS ONE. 495 00:20:24,390 --> 00:20:27,825 CBD. SHE WANTS ONE. DO YOU WANT ONE. 496 00:20:27,827 --> 00:20:28,459 SHE WANTS ONE. DO YOU WANT ONE. GOING TO EAT ONE RIGHT IN FRONT 497 00:20:28,461 --> 00:20:30,561 DO YOU WANT ONE. GOING TO EAT ONE RIGHT IN FRONT OF US. 498 00:20:30,563 --> 00:20:32,330 GOING TO EAT ONE RIGHT IN FRONT OF US. >> Howie: IT'S A GREAT PRODUCT 499 00:20:32,332 --> 00:20:34,031 OF US. >> Howie: IT'S A GREAT PRODUCT AND THERE IS A SWEET AFTERTASTE. 500 00:20:34,033 --> 00:20:35,399 >> Howie: IT'S A GREAT PRODUCT AND THERE IS A SWEET AFTERTASTE. BUT I WILL TALK ABOUT THAT 501 00:20:35,401 --> 00:20:36,367 AND THERE IS A SWEET AFTERTASTE. BUT I WILL TALK ABOUT THAT DURING THE COMMERCIAL. 502 00:20:36,369 --> 00:20:37,735 BUT I WILL TALK ABOUT THAT DURING THE COMMERCIAL. WHEN WE COME BACK, MARTHA, CAN 503 00:20:37,737 --> 00:20:40,404 DURING THE COMMERCIAL. WHEN WE COME BACK, MARTHA, CAN YOU TEACH ME HOW TO MAKE 504 00:20:40,406 --> 00:20:41,038 WHEN WE COME BACK, MARTHA, CAN YOU TEACH ME HOW TO MAKE SOMETHING? 505 00:20:41,040 --> 00:20:41,806 YOU TEACH ME HOW TO MAKE SOMETHING? >> I SURE CAN. 506 00:20:41,808 --> 00:20:43,774 SOMETHING? >> I SURE CAN. >> Howie: WE WILL BE RIGHT 507 00:20:43,776 --> 00:20:43,975 >> I SURE CAN. >> Howie: WE WILL BE RIGHT BACK. 508 00:20:43,977 --> 00:20:45,276 >> Howie: WE WILL BE RIGHT BACK. YOU DID NOT TELL ME THESE WERE 509 00:20:45,278 --> 00:20:47,211 BACK. YOU DID NOT TELL ME THESE WERE DOG TREATS. 510 00:20:47,213 --> 00:20:47,678 YOU DID NOT TELL ME THESE WERE DOG TREATS. [CHEERS AND APPLAUSE] 511 00:20:47,680 --> 00:20:50,615 DOG TREATS. [CHEERS AND APPLAUSE] ♪ ♪ 512 00:20:50,617 --> 00:20:52,917 [CHEERS AND APPLAUSE] ♪ ♪ >> Howie: NO, NO, NOT NOW. 513 00:20:52,919 --> 00:20:54,952 ♪ ♪ >> Howie: NO, NO, NOT NOW. THIS WAS NOT SUPPOSED TO HAPPEN. 514 00:20:54,954 --> 00:20:55,453 >> Howie: NO, NO, NOT NOW. THIS WAS NOT SUPPOSED TO HAPPEN. NOT NOW. 515 00:20:55,455 --> 00:20:57,288 THIS WAS NOT SUPPOSED TO HAPPEN. NOT NOW. ANYWAY, WE WILL BE RIGHT BACK. 516 00:20:57,290 --> 00:20:58,723 NOT NOW. ANYWAY, WE WILL BE RIGHT BACK. NO. 517 00:20:58,725 --> 00:20:58,923 ANYWAY, WE WILL BE RIGHT BACK. NO. SORRY. 518 00:20:58,925 --> 00:21:02,760 NO. SORRY. WHAT IS THAT? 519 00:21:02,762 --> 00:21:04,996 SORRY. WHAT IS THAT? >> A SMALL WORLD FROM ITS A 520 00:21:04,998 --> 00:21:05,329 WHAT IS THAT? >> A SMALL WORLD FROM ITS A SMALL WORLD. 521 00:21:05,331 --> 00:21:08,499 >> A SMALL WORLD FROM ITS A SMALL WORLD. >> Howie: WE ARE NOT SUPPOSED 522 00:21:14,840 --> 00:21:24,282 [CHEERS AND APPLAUSE] ♪ ♪ >> Howie: WE ARE BACK WITH THE 523 00:21:24,284 --> 00:21:26,784 ♪ ♪ >> Howie: WE ARE BACK WITH THE AMAZING MARTHA STEWART. 524 00:21:26,786 --> 00:21:27,251 >> Howie: WE ARE BACK WITH THE AMAZING MARTHA STEWART. YOU ARE TRULY AMAZING. 525 00:21:27,253 --> 00:21:28,552 AMAZING MARTHA STEWART. YOU ARE TRULY AMAZING. I DID NOT SAY IT LAST SEGMENT, 526 00:21:28,554 --> 00:21:30,721 YOU ARE TRULY AMAZING. I DID NOT SAY IT LAST SEGMENT, BUT I CAN DO NOTHING. 527 00:21:30,723 --> 00:21:33,724 I DID NOT SAY IT LAST SEGMENT, BUT I CAN DO NOTHING. YOU COOK, YOU ARE AN AMAZING 528 00:21:33,726 --> 00:21:34,558 BUT I CAN DO NOTHING. YOU COOK, YOU ARE AN AMAZING BUSINESSPERSON. 529 00:21:34,560 --> 00:21:35,192 YOU COOK, YOU ARE AN AMAZING BUSINESSPERSON. EVERYTHING YOU DO IS YOU ARE 530 00:21:35,194 --> 00:21:38,229 BUSINESSPERSON. EVERYTHING YOU DO IS YOU ARE LIKE A SUPERHERO. 531 00:21:38,231 --> 00:21:39,664 EVERYTHING YOU DO IS YOU ARE LIKE A SUPERHERO. AND I'M AMAZED AT HOW MANY 532 00:21:39,666 --> 00:21:40,264 LIKE A SUPERHERO. AND I'M AMAZED AT HOW MANY DIFFERENT THINGS YOU HAVE THE 533 00:21:40,266 --> 00:21:42,800 AND I'M AMAZED AT HOW MANY DIFFERENT THINGS YOU HAVE THE ABILITY TO DO. 534 00:21:42,802 --> 00:21:45,469 DIFFERENT THINGS YOU HAVE THE ABILITY TO DO. FIRST OF ALL, WHAT GOT YOU IN? 535 00:21:45,471 --> 00:21:49,140 ABILITY TO DO. FIRST OF ALL, WHAT GOT YOU IN? HOW DID YOU DEVELOP THE CBD? 536 00:21:49,142 --> 00:21:50,241 FIRST OF ALL, WHAT GOT YOU IN? HOW DID YOU DEVELOP THE CBD? >> I LOVE GOOD FLAVOR. 537 00:21:50,243 --> 00:21:53,944 HOW DID YOU DEVELOP THE CBD? >> I LOVE GOOD FLAVOR. AND I LEARNED ABOUT CBD. 538 00:21:53,946 --> 00:21:55,279 >> I LOVE GOOD FLAVOR. AND I LEARNED ABOUT CBD. AND I TESTED ALL THE GUMMY IS IN 539 00:21:55,281 --> 00:21:56,380 AND I LEARNED ABOUT CBD. AND I TESTED ALL THE GUMMY IS IN THE WORLD AND THEY ARE ALL LIKE 540 00:21:56,382 --> 00:21:59,317 AND I TESTED ALL THE GUMMY IS IN THE WORLD AND THEY ARE ALL LIKE GUMMY BEARS. 541 00:21:59,319 --> 00:22:00,551 THE WORLD AND THEY ARE ALL LIKE GUMMY BEARS. CHEWY AND BIG AND CLUMSY AND I 542 00:22:00,553 --> 00:22:04,155 GUMMY BEARS. CHEWY AND BIG AND CLUMSY AND I WANTED THEM TO BE DELICIOUS. 543 00:22:04,157 --> 00:22:04,855 CHEWY AND BIG AND CLUMSY AND I WANTED THEM TO BE DELICIOUS. SO I MADE THESE FANTASTIC 544 00:22:04,857 --> 00:22:05,089 WANTED THEM TO BE DELICIOUS. SO I MADE THESE FANTASTIC AMINES. 545 00:22:05,091 --> 00:22:06,991 SO I MADE THESE FANTASTIC AMINES. LOOK AT THESE. 546 00:22:06,993 --> 00:22:11,629 AMINES. LOOK AT THESE. THEY ARE 15 DIFFERENT FLAVORS OF 547 00:22:11,631 --> 00:22:14,565 LOOK AT THESE. THEY ARE 15 DIFFERENT FLAVORS OF FRUITS LIKE MEYER LEMONS AND 548 00:22:14,567 --> 00:22:15,766 THEY ARE 15 DIFFERENT FLAVORS OF FRUITS LIKE MEYER LEMONS AND PERSIAN LIMES AND BLACK 549 00:22:15,768 --> 00:22:16,867 FRUITS LIKE MEYER LEMONS AND PERSIAN LIMES AND BLACK RASPBERRIES AND RED RASPBERRIES 550 00:22:16,869 --> 00:22:17,435 PERSIAN LIMES AND BLACK RASPBERRIES AND RED RASPBERRIES AND STRAWBERRIES. 551 00:22:17,437 --> 00:22:19,503 RASPBERRIES AND RED RASPBERRIES AND STRAWBERRIES. THEY ARE VERY GOOD. 552 00:22:19,505 --> 00:22:21,138 AND STRAWBERRIES. THEY ARE VERY GOOD. >> Howie: I AM LOOKING AT YOUR 553 00:22:21,140 --> 00:22:21,706 THEY ARE VERY GOOD. >> Howie: I AM LOOKING AT YOUR BOOK. 554 00:22:21,708 --> 00:22:22,340 >> Howie: I AM LOOKING AT YOUR BOOK. VERY GOOD THINGS. 555 00:22:22,342 --> 00:22:24,909 BOOK. VERY GOOD THINGS. THIS IS YOUR 90TH BOOK? 556 00:22:24,911 --> 00:22:28,145 VERY GOOD THINGS. THIS IS YOUR 90TH BOOK? >> IT IS. 557 00:22:28,147 --> 00:22:29,580 THIS IS YOUR 90TH BOOK? >> IT IS. I HAD TO WRITE MORE BOOKS THAN 558 00:22:29,582 --> 00:22:30,715 >> IT IS. I HAD TO WRITE MORE BOOKS THAN THE NUMBER OF YEARS I HAVE 559 00:22:30,717 --> 00:22:30,915 I HAD TO WRITE MORE BOOKS THAN THE NUMBER OF YEARS I HAVE LIVED. 560 00:22:30,917 --> 00:22:33,517 THE NUMBER OF YEARS I HAVE LIVED. YOU KNOW THAT. 561 00:22:33,519 --> 00:22:35,720 LIVED. YOU KNOW THAT. >> Howie: I'M HALFWAY THROUGH 562 00:22:35,722 --> 00:22:36,120 YOU KNOW THAT. >> Howie: I'M HALFWAY THROUGH MY FIRST PAMPHLET. 563 00:22:36,122 --> 00:22:39,123 >> Howie: I'M HALFWAY THROUGH MY FIRST PAMPHLET. >> IT IS REALLY FULL OF WHAT I 564 00:22:39,125 --> 00:22:39,890 MY FIRST PAMPHLET. >> IT IS REALLY FULL OF WHAT I CALL GOOD THINGS SPREAD WHEN 565 00:22:39,892 --> 00:22:42,760 >> IT IS REALLY FULL OF WHAT I CALL GOOD THINGS SPREAD WHEN SOMETHING MAKES SENSE AND YOU 566 00:22:42,762 --> 00:22:44,028 CALL GOOD THINGS SPREAD WHEN SOMETHING MAKES SENSE AND YOU ACCOMPLISH A TASK OR A JOB OR 567 00:22:44,030 --> 00:22:46,831 SOMETHING MAKES SENSE AND YOU ACCOMPLISH A TASK OR A JOB OR JUST AN IDEA, I CALL IT A GOOD 568 00:22:46,833 --> 00:22:47,031 ACCOMPLISH A TASK OR A JOB OR JUST AN IDEA, I CALL IT A GOOD THING. 569 00:22:47,033 --> 00:22:50,968 JUST AN IDEA, I CALL IT A GOOD THING. AND YOU ARE A GOOD THING, HOWIE. 570 00:22:50,970 --> 00:22:52,403 THING. AND YOU ARE A GOOD THING, HOWIE. YOU ARE HELPING ELLEN. 571 00:22:52,405 --> 00:22:53,738 AND YOU ARE A GOOD THING, HOWIE. YOU ARE HELPING ELLEN. >> Howie: YOU ARE A BETTER 572 00:22:53,740 --> 00:22:53,938 YOU ARE HELPING ELLEN. >> Howie: YOU ARE A BETTER THING. 573 00:22:53,940 --> 00:22:56,107 >> Howie: YOU ARE A BETTER THING. >> WELL, WE CAN ARGUE ABOUT 574 00:22:56,109 --> 00:22:56,974 THING. >> WELL, WE CAN ARGUE ABOUT THAT. 575 00:22:56,976 --> 00:22:58,976 >> WELL, WE CAN ARGUE ABOUT THAT. >> Howie: IN MY GARAGE, WHICH 576 00:22:58,978 --> 00:23:05,182 THAT. >> Howie: IN MY GARAGE, WHICH IS JUST 30 FEET FROM THE SERV 577 00:23:05,184 --> 00:23:05,416 >> Howie: IN MY GARAGE, WHICH IS JUST 30 FEET FROM THE SERV SERVERY. 578 00:23:05,418 --> 00:23:07,718 IS JUST 30 FEET FROM THE SERV SERVERY. >> I LOVE TO SOLVE PROBLEMS THAT 579 00:23:07,720 --> 00:23:09,353 SERVERY. >> I LOVE TO SOLVE PROBLEMS THAT EXIST AND HOW TO MAKE A FLOWER 580 00:23:09,355 --> 00:23:09,887 >> I LOVE TO SOLVE PROBLEMS THAT EXIST AND HOW TO MAKE A FLOWER ARRANGEMENT. 581 00:23:09,889 --> 00:23:12,723 EXIST AND HOW TO MAKE A FLOWER ARRANGEMENT. I KNOW THAT YOU STRUGGLE WHEN 582 00:23:12,725 --> 00:23:13,958 ARRANGEMENT. I KNOW THAT YOU STRUGGLE WHEN YOU TO GIVE FLOWERS TO YOUR 583 00:23:13,960 --> 00:23:16,293 I KNOW THAT YOU STRUGGLE WHEN YOU TO GIVE FLOWERS TO YOUR LOVED ONE, YOU DON'T KNOW HOW TO 584 00:23:16,295 --> 00:23:18,963 YOU TO GIVE FLOWERS TO YOUR LOVED ONE, YOU DON'T KNOW HOW TO ARRANGE THEM. 585 00:23:18,965 --> 00:23:21,565 LOVED ONE, YOU DON'T KNOW HOW TO ARRANGE THEM. IF YOU HAVE A VASE AND SOME 586 00:23:21,567 --> 00:23:22,366 ARRANGE THEM. IF YOU HAVE A VASE AND SOME FLOWERS? 587 00:23:22,368 --> 00:23:24,068 IF YOU HAVE A VASE AND SOME FLOWERS? >> Howie: I DO HAVE A VASE AND 588 00:23:24,070 --> 00:23:24,735 FLOWERS? >> Howie: I DO HAVE A VASE AND SOME FLOWERS, WHAT DO I DO? 589 00:23:24,737 --> 00:23:27,371 >> Howie: I DO HAVE A VASE AND SOME FLOWERS, WHAT DO I DO? TELL ME WHAT TO DO. 590 00:23:27,373 --> 00:23:28,672 SOME FLOWERS, WHAT DO I DO? TELL ME WHAT TO DO. THIS IS MY VASE. 591 00:23:28,674 --> 00:23:30,040 TELL ME WHAT TO DO. THIS IS MY VASE. DO YOU HAVE A VASE? 592 00:23:30,042 --> 00:23:31,642 THIS IS MY VASE. DO YOU HAVE A VASE? >> I HAVE IT RIGHT HERE. 593 00:23:31,644 --> 00:23:33,944 DO YOU HAVE A VASE? >> I HAVE IT RIGHT HERE. LOOK AT THIS VASE I HAVE. 594 00:23:33,946 --> 00:23:35,279 >> I HAVE IT RIGHT HERE. LOOK AT THIS VASE I HAVE. IT'S LIKE A SAMPLER VASE. 595 00:23:35,281 --> 00:23:37,481 LOOK AT THIS VASE I HAVE. IT'S LIKE A SAMPLER VASE. YOU CAN PUT ALL DIFFERENT KINDS 596 00:23:37,483 --> 00:23:39,183 IT'S LIKE A SAMPLER VASE. YOU CAN PUT ALL DIFFERENT KINDS OF FLOWERS OR COLORS IN ONE 597 00:23:39,185 --> 00:23:40,117 YOU CAN PUT ALL DIFFERENT KINDS OF FLOWERS OR COLORS IN ONE VASE, AND IT MAKES SUCH A 598 00:23:40,119 --> 00:23:43,487 OF FLOWERS OR COLORS IN ONE VASE, AND IT MAKES SUCH A BEAUTIFUL APPEARANCE ON THE 599 00:23:43,489 --> 00:23:43,687 VASE, AND IT MAKES SUCH A BEAUTIFUL APPEARANCE ON THE TABLE. 600 00:23:43,689 --> 00:23:46,123 BEAUTIFUL APPEARANCE ON THE TABLE. DO YOU HAVE A TULIP? 601 00:23:46,125 --> 00:23:47,024 TABLE. DO YOU HAVE A TULIP? >> Howie: WHERE DO YOU WANT ME 602 00:23:47,026 --> 00:23:51,695 DO YOU HAVE A TULIP? >> Howie: WHERE DO YOU WANT ME TO PUT YOUR TWO LIPS? 603 00:23:51,697 --> 00:23:55,266 >> Howie: WHERE DO YOU WANT ME TO PUT YOUR TWO LIPS? >> TAKE ONE TULIP. 604 00:23:55,268 --> 00:23:58,436 TO PUT YOUR TWO LIPS? >> TAKE ONE TULIP. THAT'S KIND OF ODD TO SAY ONE TO 605 00:23:58,438 --> 00:23:58,602 >> TAKE ONE TULIP. THAT'S KIND OF ODD TO SAY ONE TO LET. 606 00:23:58,604 --> 00:24:02,540 THAT'S KIND OF ODD TO SAY ONE TO LET. SO TAKE ONE -- 607 00:24:02,542 --> 00:24:06,377 LET. SO TAKE ONE -- >> Howie: HOW DO YOU TAKE ONE? 608 00:24:06,379 --> 00:24:11,015 SO TAKE ONE -- >> Howie: HOW DO YOU TAKE ONE? >> YOU HAVE TO UNWRAP THEY GOT 609 00:24:11,017 --> 00:24:13,584 >> Howie: HOW DO YOU TAKE ONE? >> YOU HAVE TO UNWRAP THEY GOT YOU A BUNCH OF TULIPS. 610 00:24:13,586 --> 00:24:16,253 >> YOU HAVE TO UNWRAP THEY GOT YOU A BUNCH OF TULIPS. >> Howie: I GOT ONE. 611 00:24:16,255 --> 00:24:18,389 YOU A BUNCH OF TULIPS. >> Howie: I GOT ONE. >> JUST TAKE ALL OF THE OUTER 612 00:24:18,391 --> 00:24:19,156 >> Howie: I GOT ONE. >> JUST TAKE ALL OF THE OUTER LEAVES OFF VERY CAREFULLY. 613 00:24:19,158 --> 00:24:20,624 >> JUST TAKE ALL OF THE OUTER LEAVES OFF VERY CAREFULLY. YOU DON'T WANT TO HEAR LEAVES IN 614 00:24:20,626 --> 00:24:24,261 LEAVES OFF VERY CAREFULLY. YOU DON'T WANT TO HEAR LEAVES IN YOUR ARRANGEMENT AND CUT THEM TO 615 00:24:24,263 --> 00:24:25,029 YOU DON'T WANT TO HEAR LEAVES IN YOUR ARRANGEMENT AND CUT THEM TO THE APPROPRIATE LENGTH. 616 00:24:25,031 --> 00:24:28,732 YOUR ARRANGEMENT AND CUT THEM TO THE APPROPRIATE LENGTH. AND A FRESH CUT -- 617 00:24:28,734 --> 00:24:30,301 THE APPROPRIATE LENGTH. AND A FRESH CUT -- >> Howie: WHAT IS THE 618 00:24:30,303 --> 00:24:30,734 AND A FRESH CUT -- >> Howie: WHAT IS THE APPROPRIATE LENGTH? 619 00:24:30,736 --> 00:24:34,438 >> Howie: WHAT IS THE APPROPRIATE LENGTH? I WANT TO HEAR FROM 620 00:24:34,440 --> 00:24:35,840 APPROPRIATE LENGTH? I WANT TO HEAR FROM MARTHA STEWART, WHAT IS THE 621 00:24:35,842 --> 00:24:38,075 I WANT TO HEAR FROM MARTHA STEWART, WHAT IS THE APPROPRIATE LENGTH? 622 00:24:38,077 --> 00:24:40,544 MARTHA STEWART, WHAT IS THE APPROPRIATE LENGTH? >> AS LONG AS IT FILLS THE VASE 623 00:24:40,546 --> 00:24:42,213 APPROPRIATE LENGTH? >> AS LONG AS IT FILLS THE VASE FROM TOP TO BOTTOM, THAT'S THE 624 00:24:42,215 --> 00:24:42,646 >> AS LONG AS IT FILLS THE VASE FROM TOP TO BOTTOM, THAT'S THE APPROPRIATE LENGTH. 625 00:24:42,648 --> 00:24:46,584 FROM TOP TO BOTTOM, THAT'S THE APPROPRIATE LENGTH. YOU SEE? 626 00:24:46,586 --> 00:24:48,285 APPROPRIATE LENGTH. YOU SEE? IT'S GOING BEAUTIFUL. 627 00:24:48,287 --> 00:24:51,322 YOU SEE? IT'S GOING BEAUTIFUL. >> AND DON'T FORGET TO PUT INTO 628 00:24:51,324 --> 00:24:53,357 IT'S GOING BEAUTIFUL. >> AND DON'T FORGET TO PUT INTO THE WATER A LITTLE BIT OF FLOUR 629 00:24:53,359 --> 00:24:53,824 >> AND DON'T FORGET TO PUT INTO THE WATER A LITTLE BIT OF FLOUR FOOD. 630 00:24:53,826 --> 00:24:55,192 THE WATER A LITTLE BIT OF FLOUR FOOD. THIS COMES OFF TEN TIMES WITH 631 00:24:55,194 --> 00:24:58,329 FOOD. THIS COMES OFF TEN TIMES WITH FROM THE FOREST. 632 00:24:58,331 --> 00:24:59,797 THIS COMES OFF TEN TIMES WITH FROM THE FOREST. YOU PUT A LITTLE BIT IN THERE, 633 00:24:59,799 --> 00:25:01,932 FROM THE FOREST. YOU PUT A LITTLE BIT IN THERE, IT'S FLOUR FOOD. 634 00:25:01,934 --> 00:25:04,268 YOU PUT A LITTLE BIT IN THERE, IT'S FLOUR FOOD. YOU CAN ALSO WHEN YOU -- 635 00:25:04,270 --> 00:25:08,539 IT'S FLOUR FOOD. YOU CAN ALSO WHEN YOU -- YOU CAN USE THE BRUSH. 636 00:25:08,541 --> 00:25:10,274 YOU CAN ALSO WHEN YOU -- YOU CAN USE THE BRUSH. WHERE'S YOUR BASE? 637 00:25:10,276 --> 00:25:11,976 YOU CAN USE THE BRUSH. WHERE'S YOUR BASE? >> Howie: IS THIS NOT A VASE? 638 00:25:11,978 --> 00:25:27,958 WHERE'S YOUR BASE? >> Howie: IS THIS NOT A VASE? >> IT IS A VAH-SE OR A VAY-SE. 639 00:25:27,960 --> 00:25:29,894 >> Howie: IS THIS NOT A VASE? >> IT IS A VAH-SE OR A VAY-SE. >> Howie: I CUT THE TIP OFF, 640 00:25:29,896 --> 00:25:32,530 >> IT IS A VAH-SE OR A VAY-SE. >> Howie: I CUT THE TIP OFF, IT BROUGHT ME BACK TO MY 641 00:25:32,532 --> 00:25:32,897 >> Howie: I CUT THE TIP OFF, IT BROUGHT ME BACK TO MY CHILDHOOD? 642 00:25:32,899 --> 00:25:33,931 IT BROUGHT ME BACK TO MY CHILDHOOD? >> ARE YOU JEWISH? 643 00:25:33,933 --> 00:25:36,367 CHILDHOOD? >> ARE YOU JEWISH? YOU ARE BEHAVING 644 00:25:36,369 --> 00:25:36,734 >> ARE YOU JEWISH? YOU ARE BEHAVING INAPPROPRIATELY. 645 00:25:36,736 --> 00:25:37,334 YOU ARE BEHAVING INAPPROPRIATELY. WE ARE SUPPOSED TO BE THINKING 646 00:25:37,336 --> 00:25:39,169 INAPPROPRIATELY. WE ARE SUPPOSED TO BE THINKING ABOUT FLOWERS. 647 00:25:39,171 --> 00:25:43,140 WE ARE SUPPOSED TO BE THINKING ABOUT FLOWERS. >> Ellen: I AM, I GOT FLOWERS. 648 00:25:43,142 --> 00:25:45,943 ABOUT FLOWERS. >> Ellen: I AM, I GOT FLOWERS. >> THIS LOOKS SO MUCH LIKE THE 649 00:25:45,945 --> 00:25:47,878 >> Ellen: I AM, I GOT FLOWERS. >> THIS LOOKS SO MUCH LIKE THE COLORS IN MY CBD BOX. 650 00:25:47,880 --> 00:25:49,113 >> THIS LOOKS SO MUCH LIKE THE COLORS IN MY CBD BOX. DO YOU HAVE A GIRLFRIEND OR 651 00:25:49,115 --> 00:25:51,515 COLORS IN MY CBD BOX. DO YOU HAVE A GIRLFRIEND OR WIFE, WHAT DO YOU HAVE? 652 00:25:51,517 --> 00:25:53,150 DO YOU HAVE A GIRLFRIEND OR WIFE, WHAT DO YOU HAVE? >> Howie: I AM JEWISH AND I 653 00:25:53,152 --> 00:25:54,685 WIFE, WHAT DO YOU HAVE? >> Howie: I AM JEWISH AND I HAVE A WIFE IN THE HOUSE. 654 00:25:54,687 --> 00:25:57,321 >> Howie: I AM JEWISH AND I HAVE A WIFE IN THE HOUSE. AT THE SAME WIFE FOR 40 YEARS. 655 00:25:57,323 --> 00:25:58,522 HAVE A WIFE IN THE HOUSE. AT THE SAME WIFE FOR 40 YEARS. WAIT TILL SHE SEES WHAT I MADE 656 00:25:58,524 --> 00:25:58,856 AT THE SAME WIFE FOR 40 YEARS. WAIT TILL SHE SEES WHAT I MADE FOR HER. 657 00:25:58,858 --> 00:26:02,359 WAIT TILL SHE SEES WHAT I MADE FOR HER. SHE WILL GO CRAZY. 658 00:26:02,361 --> 00:26:03,627 FOR HER. SHE WILL GO CRAZY. ANYWAYS, MARTHA, YOU ARE 659 00:26:03,629 --> 00:26:03,994 SHE WILL GO CRAZY. ANYWAYS, MARTHA, YOU ARE AMAZING. 660 00:26:03,996 --> 00:26:07,531 ANYWAYS, MARTHA, YOU ARE AMAZING. SHE IS EATING YOUR CBD RIGHT N 661 00:26:07,533 --> 00:26:08,165 AMAZING. SHE IS EATING YOUR CBD RIGHT N NOW. 662 00:26:08,167 --> 00:26:10,868 SHE IS EATING YOUR CBD RIGHT N NOW. GO GET THE DOG TREATS, BUY THE 663 00:26:10,870 --> 00:26:12,536 NOW. GO GET THE DOG TREATS, BUY THE BOOK AND MARTHA, KEEP INSPIRING 664 00:26:12,538 --> 00:26:13,037 GO GET THE DOG TREATS, BUY THE BOOK AND MARTHA, KEEP INSPIRING US. 665 00:26:13,039 --> 00:26:15,239 BOOK AND MARTHA, KEEP INSPIRING US. YOU ARE A BEAUTIFUL LADY INSIDE 666 00:26:15,241 --> 00:26:16,106 US. YOU ARE A BEAUTIFUL LADY INSIDE AND OUT. 667 00:26:16,108 --> 00:26:18,342 YOU ARE A BEAUTIFUL LADY INSIDE AND OUT. WHEN WE COME BACK, I HAVE MY 668 00:26:18,344 --> 00:26:21,111 AND OUT. WHEN WE COME BACK, I HAVE MY FRIEND JOHN STAMOS WHO WILL BE 669 00:26:21,113 --> 00:26:21,879 WHEN WE COME BACK, I HAVE MY FRIEND JOHN STAMOS WHO WILL BE HERE. 670 00:26:21,881 --> 00:26:22,746 FRIEND JOHN STAMOS WHO WILL BE HERE. NO, NO. 671 00:26:22,748 --> 00:26:23,480 HERE. NO, NO. NOT THAT ONE. 672 00:26:23,482 --> 00:26:26,684 NO, NO. NOT THAT ONE. THIS WAS NOT SUPPOSED TO HAPPEN. 673 00:26:26,686 --> 00:26:29,320 NOT THAT ONE. THIS WAS NOT SUPPOSED TO HAPPEN. ANYWAY, WE WILL BE RIGHT BACK -- 674 00:26:29,322 --> 00:26:30,087 THIS WAS NOT SUPPOSED TO HAPPEN. ANYWAY, WE WILL BE RIGHT BACK -- NO, OH, MY GOD. 675 00:26:30,089 --> 00:26:31,655 ANYWAY, WE WILL BE RIGHT BACK -- NO, OH, MY GOD. THE STORY WE WILL BE RIGHT BACK 676 00:26:31,657 --> 00:26:33,424 NO, OH, MY GOD. THE STORY WE WILL BE RIGHT BACK WITH JOHN STAMOS. 677 00:26:33,426 --> 00:26:33,891 THE STORY WE WILL BE RIGHT BACK WITH JOHN STAMOS. [CHEERS AND APPLAUSE] 678 00:26:33,893 --> 00:26:42,833 WITH JOHN STAMOS. [CHEERS AND APPLAUSE] ♪ ♪ 679 00:26:45,103 --> 00:26:53,744 [CHEERS AND APPLAUSE] ♪ ♪ >> ARE YOU SECURITY? 680 00:26:53,746 --> 00:26:56,380 ♪ ♪ >> ARE YOU SECURITY? YOU'RE NOT REALLY GOOD, ARE YOU? 681 00:26:56,382 --> 00:26:57,348 >> ARE YOU SECURITY? YOU'RE NOT REALLY GOOD, ARE YOU? [LAUGHTER] 682 00:26:57,350 --> 00:26:58,716 YOU'RE NOT REALLY GOOD, ARE YOU? [LAUGHTER] BECAUSE I AM IN YOUR DRESSING 683 00:26:58,718 --> 00:27:00,584 [LAUGHTER] BECAUSE I AM IN YOUR DRESSING ROOM, AND YOU'RE NOT. 684 00:27:00,586 --> 00:27:01,352 BECAUSE I AM IN YOUR DRESSING ROOM, AND YOU'RE NOT. [CHEERS AND APPLAUSE] 685 00:27:01,354 --> 00:27:02,152 ROOM, AND YOU'RE NOT. [CHEERS AND APPLAUSE] ♪ ♪ 686 00:27:10,395 --> 00:27:16,567 [CHEERS AND APPLAUSE] ♪ ♪ >> Howie: WELCOME BACK. 687 00:27:16,569 --> 00:27:17,401 ♪ ♪ >> Howie: WELCOME BACK. LISTEN, EVERYONE. 688 00:27:17,403 --> 00:27:18,802 >> Howie: WELCOME BACK. LISTEN, EVERYONE. IF YOU KNOW ANYTHING ABOUT ME, 689 00:27:18,804 --> 00:27:20,938 LISTEN, EVERYONE. IF YOU KNOW ANYTHING ABOUT ME, YOU KNOW THAT I'M A HUGE FAN OF 690 00:27:20,940 --> 00:27:21,171 IF YOU KNOW ANYTHING ABOUT ME, YOU KNOW THAT I'M A HUGE FAN OF MYSELF. 691 00:27:21,173 --> 00:27:22,072 YOU KNOW THAT I'M A HUGE FAN OF MYSELF. I'M AMAZING. 692 00:27:22,074 --> 00:27:24,174 MYSELF. I'M AMAZING. I GO TO JUST ABOUT EVERY SHOW I 693 00:27:24,176 --> 00:27:26,210 I'M AMAZING. I GO TO JUST ABOUT EVERY SHOW I DO. 694 00:27:26,212 --> 00:27:26,477 I GO TO JUST ABOUT EVERY SHOW I DO. [LAUGHTER] 695 00:27:26,479 --> 00:27:28,345 DO. [LAUGHTER] I THOUGHT IF I AM GOING TO HOST, 696 00:27:28,347 --> 00:27:30,214 [LAUGHTER] I THOUGHT IF I AM GOING TO HOST, IT'S IMPORTANT FOR YOU TO SEE 697 00:27:30,216 --> 00:27:31,215 I THOUGHT IF I AM GOING TO HOST, IT'S IMPORTANT FOR YOU TO SEE HOW AMAZING I AM. 698 00:27:31,217 --> 00:27:32,883 IT'S IMPORTANT FOR YOU TO SEE HOW AMAZING I AM. AND I DECIDED TO DO SOMETHING. 699 00:27:32,885 --> 00:27:33,851 HOW AMAZING I AM. AND I DECIDED TO DO SOMETHING. I'M GOING TO SHOW YOU SOMETHING 700 00:27:33,853 --> 00:27:36,720 AND I DECIDED TO DO SOMETHING. I'M GOING TO SHOW YOU SOMETHING I DID ON THE SHOW A FEW YEARS 701 00:27:36,722 --> 00:27:39,990 I'M GOING TO SHOW YOU SOMETHING I DID ON THE SHOW A FEW YEARS BACK THAT I THOUGHT, OH, MY GOD, 702 00:27:39,992 --> 00:27:40,858 I DID ON THE SHOW A FEW YEARS BACK THAT I THOUGHT, OH, MY GOD, HOWIE. 703 00:27:40,860 --> 00:27:41,959 BACK THAT I THOUGHT, OH, MY GOD, HOWIE. YOU ARE WONDERFUL. 704 00:27:41,961 --> 00:27:44,161 HOWIE. YOU ARE WONDERFUL. THIS IS ME AT THE iHEARTRADIO 705 00:27:44,163 --> 00:27:44,361 YOU ARE WONDERFUL. THIS IS ME AT THE iHEARTRADIO SHOW. 706 00:27:44,363 --> 00:27:48,632 THIS IS ME AT THE iHEARTRADIO SHOW. WATCH THIS. 707 00:27:48,634 --> 00:27:48,899 SHOW. WATCH THIS. SECURITY. 708 00:27:48,901 --> 00:27:51,602 WATCH THIS. SECURITY. >> HOW ARE YOU DOING? 709 00:27:51,604 --> 00:27:53,771 SECURITY. >> HOW ARE YOU DOING? >> Howie: I'M WITH THE "ELLEN" 710 00:27:53,773 --> 00:27:54,605 >> HOW ARE YOU DOING? >> Howie: I'M WITH THE "ELLEN" SHOW. 711 00:27:54,607 --> 00:27:55,606 >> Howie: I'M WITH THE "ELLEN" SHOW. WHAT'S NOT ALLOWED? 712 00:27:55,608 --> 00:27:55,973 SHOW. WHAT'S NOT ALLOWED? THIS PAST? 713 00:27:55,975 --> 00:27:59,410 WHAT'S NOT ALLOWED? THIS PAST? THIS IS NOT ALLOWED IN THIS AR 714 00:27:59,412 --> 00:28:01,779 THIS PAST? THIS IS NOT ALLOWED IN THIS AR AREA? 715 00:28:01,781 --> 00:28:02,212 THIS IS NOT ALLOWED IN THIS AR AREA? [LAUGHTER] 716 00:28:02,214 --> 00:28:03,514 AREA? [LAUGHTER] DEMI LOVATO IN THERE? 717 00:28:03,516 --> 00:28:08,385 [LAUGHTER] DEMI LOVATO IN THERE? IT SAYS DEMI LOVATO. 718 00:28:08,387 --> 00:28:11,855 DEMI LOVATO IN THERE? IT SAYS DEMI LOVATO. DEMI! 719 00:28:11,857 --> 00:28:12,756 IT SAYS DEMI LOVATO. DEMI! DEMI! 720 00:28:12,758 --> 00:28:16,093 DEMI! DEMI! OH, SHE'S NOT HERE! 721 00:28:16,095 --> 00:28:16,694 DEMI! OH, SHE'S NOT HERE! >> NOT YET. 722 00:28:16,696 --> 00:28:19,430 OH, SHE'S NOT HERE! >> NOT YET. >> Howie: WHO ELSE? 723 00:28:19,432 --> 00:28:21,498 >> NOT YET. >> Howie: WHO ELSE? RYAN! 724 00:28:21,500 --> 00:28:23,934 >> Howie: WHO ELSE? RYAN! RYAN! 725 00:28:23,936 --> 00:28:33,577 RYAN! RYAN! DEMI LOVATO'S DRESSING ROOM. 726 00:28:33,579 --> 00:28:38,082 RYAN! DEMI LOVATO'S DRESSING ROOM. WHO ORDERS THIS INTO A DRESSING 727 00:28:38,084 --> 00:28:38,382 DEMI LOVATO'S DRESSING ROOM. WHO ORDERS THIS INTO A DRESSING ROOM? 728 00:28:38,384 --> 00:28:39,817 WHO ORDERS THIS INTO A DRESSING ROOM? WHAT DO YOU CALL THIS, HOW DO 729 00:28:39,819 --> 00:28:43,654 ROOM? WHAT DO YOU CALL THIS, HOW DO YOU GET THIS? 730 00:28:43,656 --> 00:28:45,055 WHAT DO YOU CALL THIS, HOW DO YOU GET THIS? IS SAM IN THERE? 731 00:28:45,057 --> 00:28:47,458 YOU GET THIS? IS SAM IN THERE? >> HE IS, YEAH. 732 00:28:47,460 --> 00:28:48,459 IS SAM IN THERE? >> HE IS, YEAH. >> Howie: SAM! 733 00:28:48,461 --> 00:28:51,528 >> HE IS, YEAH. >> Howie: SAM! >> IS HE SLEEPING? 734 00:28:51,530 --> 00:28:56,033 >> Howie: SAM! >> IS HE SLEEPING? >> Howie: SAM! 735 00:28:56,035 --> 00:28:57,034 >> IS HE SLEEPING? >> Howie: SAM! HOWIE MANDEL WITH "ELLEN," THEY 736 00:28:57,036 --> 00:29:00,404 >> Howie: SAM! HOWIE MANDEL WITH "ELLEN," THEY SAID YOU WERE SLEEPING. 737 00:29:00,406 --> 00:29:03,140 HOWIE MANDEL WITH "ELLEN," THEY SAID YOU WERE SLEEPING. >> HELLO, ELLEN, BY THE WAY. 738 00:29:03,142 --> 00:29:04,108 SAID YOU WERE SLEEPING. >> HELLO, ELLEN, BY THE WAY. I LOVE HER SO MUCH. 739 00:29:04,110 --> 00:29:05,008 >> HELLO, ELLEN, BY THE WAY. I LOVE HER SO MUCH. >> Howie: SHE LOVES YOU. 740 00:29:05,010 --> 00:29:06,643 I LOVE HER SO MUCH. >> Howie: SHE LOVES YOU. IF YOU CAN WAIT A MINUTE, WE 741 00:29:06,645 --> 00:29:09,146 >> Howie: SHE LOVES YOU. IF YOU CAN WAIT A MINUTE, WE WILL DO A TOUR OF YOUR DRESSING 742 00:29:09,148 --> 00:29:09,413 IF YOU CAN WAIT A MINUTE, WE WILL DO A TOUR OF YOUR DRESSING ROOM. 743 00:29:09,415 --> 00:29:11,014 WILL DO A TOUR OF YOUR DRESSING ROOM. I DON'T WANT YOU IN THIS. 744 00:29:11,016 --> 00:29:14,518 ROOM. I DON'T WANT YOU IN THIS. CAN WE SEE HIS DRESSING ROOM? 745 00:29:14,520 --> 00:29:16,620 I DON'T WANT YOU IN THIS. CAN WE SEE HIS DRESSING ROOM? COME IN. 746 00:29:16,622 --> 00:29:21,992 CAN WE SEE HIS DRESSING ROOM? COME IN. COME HERE. 747 00:29:21,994 --> 00:29:22,993 COME IN. COME HERE. WOW. 748 00:29:22,995 --> 00:29:26,764 COME HERE. WOW. >> I WAS LIKE WHAT THE [BLEEP]. 749 00:29:26,766 --> 00:29:27,798 WOW. >> I WAS LIKE WHAT THE [BLEEP]. >> Howie: ARE YOU SECURITY? 750 00:29:27,800 --> 00:29:32,402 >> I WAS LIKE WHAT THE [BLEEP]. >> Howie: ARE YOU SECURITY? YOU'RE NOT REALLY GOOD, ARE YOU? 751 00:29:32,404 --> 00:29:32,669 >> Howie: ARE YOU SECURITY? YOU'RE NOT REALLY GOOD, ARE YOU? [LAUGHTER] 752 00:29:32,671 --> 00:29:34,838 YOU'RE NOT REALLY GOOD, ARE YOU? [LAUGHTER] BECAUSE I'M IN YOUR DRESSING 753 00:29:34,840 --> 00:29:35,472 [LAUGHTER] BECAUSE I'M IN YOUR DRESSING ROOM, AND YOU WERE NOT. 754 00:29:35,474 --> 00:29:40,210 BECAUSE I'M IN YOUR DRESSING ROOM, AND YOU WERE NOT. >> OH, MY GOD. 755 00:29:40,212 --> 00:29:41,411 ROOM, AND YOU WERE NOT. >> OH, MY GOD. BYE, ELLEN! 756 00:29:41,413 --> 00:29:42,279 >> OH, MY GOD. BYE, ELLEN! >> Howie: I THINK CELEBRITIES 757 00:29:42,281 --> 00:29:43,981 BYE, ELLEN! >> Howie: I THINK CELEBRITIES WILL ENJOY ME, BUT I THINK -- 758 00:29:43,983 --> 00:29:46,617 >> Howie: I THINK CELEBRITIES WILL ENJOY ME, BUT I THINK -- DEMI LOVATO. 759 00:29:46,619 --> 00:29:47,985 WILL ENJOY ME, BUT I THINK -- DEMI LOVATO. I CAN'T, THEY SAID THAT I CAN'T 760 00:29:47,987 --> 00:29:48,852 DEMI LOVATO. I CAN'T, THEY SAID THAT I CAN'T PULL HER. 761 00:29:48,854 --> 00:29:49,620 I CAN'T, THEY SAID THAT I CAN'T PULL HER. I'M NOT PULLING HER. 762 00:29:49,622 --> 00:29:51,255 PULL HER. I'M NOT PULLING HER. I'M NOT ALLOWED TO TALK TO YOU! 763 00:29:51,257 --> 00:29:53,023 I'M NOT PULLING HER. I'M NOT ALLOWED TO TALK TO YOU! >> WE ARE TALKING RIGHT NOW, 764 00:29:53,025 --> 00:29:55,559 I'M NOT ALLOWED TO TALK TO YOU! >> WE ARE TALKING RIGHT NOW, WHAT'S GOING ON? 765 00:29:55,561 --> 00:29:57,261 >> WE ARE TALKING RIGHT NOW, WHAT'S GOING ON? >> Howie: I AM HOWIE MANDEL 766 00:29:57,263 --> 00:29:57,561 WHAT'S GOING ON? >> Howie: I AM HOWIE MANDEL WITH ELLEN. 767 00:29:57,563 --> 00:29:58,495 >> Howie: I AM HOWIE MANDEL WITH ELLEN. >> YOU ARE MY DRESSING ROOM, 768 00:29:58,497 --> 00:30:01,064 WITH ELLEN. >> YOU ARE MY DRESSING ROOM, THAT'S WHAT I HEARD. 769 00:30:01,066 --> 00:30:01,999 >> YOU ARE MY DRESSING ROOM, THAT'S WHAT I HEARD. >> Howie: I HAVE BEEN IN 770 00:30:02,001 --> 00:30:03,667 THAT'S WHAT I HEARD. >> Howie: I HAVE BEEN IN EVERYBODY'S DRESSING ROOM, 771 00:30:03,669 --> 00:30:07,304 >> Howie: I HAVE BEEN IN EVERYBODY'S DRESSING ROOM, SORRY. 772 00:30:07,306 --> 00:30:15,746 EVERYBODY'S DRESSING ROOM, SORRY. KANYE, TELL YEEZY, JEWWY IS 773 00:30:15,748 --> 00:30:15,946 SORRY. KANYE, TELL YEEZY, JEWWY IS HERE. 774 00:30:15,948 --> 00:30:19,283 KANYE, TELL YEEZY, JEWWY IS HERE. KENNY, KENNY CHESNEY. 775 00:30:19,285 --> 00:30:19,683 HERE. KENNY, KENNY CHESNEY. HEY, CEE LO GREEN. 776 00:30:19,685 --> 00:30:21,018 KENNY, KENNY CHESNEY. HEY, CEE LO GREEN. LOVE IT. 777 00:30:21,020 --> 00:30:23,554 HEY, CEE LO GREEN. LOVE IT. I WAS NOT CEE LO GREEN. 778 00:30:23,556 --> 00:30:25,222 LOVE IT. I WAS NOT CEE LO GREEN. >> SO MUCH LOVE, I'M 779 00:30:25,224 --> 00:30:26,089 I WAS NOT CEE LO GREEN. >> SO MUCH LOVE, I'M DISAPPOINTED YOU ARE NOT HERE, 780 00:30:26,091 --> 00:30:28,959 >> SO MUCH LOVE, I'M DISAPPOINTED YOU ARE NOT HERE, BUT I KNOW YOU ARE HERE IN 781 00:30:28,961 --> 00:30:31,061 DISAPPOINTED YOU ARE NOT HERE, BUT I KNOW YOU ARE HERE IN SPIRIT. 782 00:30:31,063 --> 00:30:32,062 BUT I KNOW YOU ARE HERE IN SPIRIT. >> Ellen: YOU'RE DISAPPOINTED 783 00:30:32,064 --> 00:30:32,796 SPIRIT. >> Ellen: YOU'RE DISAPPOINTED SHE SENT ME. 784 00:30:32,798 --> 00:30:33,430 >> Ellen: YOU'RE DISAPPOINTED SHE SENT ME. YOU DON'T SAY THAT WHEN I AM IN 785 00:30:33,432 --> 00:30:40,103 SHE SENT ME. YOU DON'T SAY THAT WHEN I AM IN THE ROOM. 786 00:30:40,105 --> 00:30:40,470 YOU DON'T SAY THAT WHEN I AM IN THE ROOM. JARED! 787 00:30:40,472 --> 00:30:41,672 THE ROOM. JARED! WHY ARE YOU WEARING EARPLUGS? 788 00:30:41,674 --> 00:30:42,673 JARED! WHY ARE YOU WEARING EARPLUGS? I JUST WANT TO TALK TO YOU FOR A 789 00:30:42,675 --> 00:30:44,842 WHY ARE YOU WEARING EARPLUGS? I JUST WANT TO TALK TO YOU FOR A COUPLE OF MINUTES. 790 00:30:44,844 --> 00:30:46,844 I JUST WANT TO TALK TO YOU FOR A COUPLE OF MINUTES. HE IS WEARING EARPLUGS BECAUSE 791 00:30:46,846 --> 00:30:48,979 COUPLE OF MINUTES. HE IS WEARING EARPLUGS BECAUSE HE JUST CAME OUT OF THE CONCERT! 792 00:30:48,981 --> 00:30:50,647 HE IS WEARING EARPLUGS BECAUSE HE JUST CAME OUT OF THE CONCERT! >> I LOVE YOU, ELLEN. 793 00:30:50,649 --> 00:30:52,482 HE JUST CAME OUT OF THE CONCERT! >> I LOVE YOU, ELLEN. I MISS YOU AND I HOPE I SEE YOU 794 00:30:52,484 --> 00:30:52,683 >> I LOVE YOU, ELLEN. I MISS YOU AND I HOPE I SEE YOU SOON. 795 00:30:52,685 --> 00:30:57,454 I MISS YOU AND I HOPE I SEE YOU SOON. >> Howie: CHRIS, HOWIE MANDEL 796 00:30:57,456 --> 00:30:58,956 SOON. >> Howie: CHRIS, HOWIE MANDEL WITH "ELLEN." 797 00:30:58,958 --> 00:31:00,390 >> Howie: CHRIS, HOWIE MANDEL WITH "ELLEN." SHE SENT ME UP STAGE. 798 00:31:00,392 --> 00:31:04,461 WITH "ELLEN." SHE SENT ME UP STAGE. >> IS "ELLEN"? 799 00:31:04,463 --> 00:31:05,329 SHE SENT ME UP STAGE. >> IS "ELLEN"? WHAT IS THIS MACHINE? 800 00:31:05,331 --> 00:31:09,032 >> IS "ELLEN"? WHAT IS THIS MACHINE? I WISH I BRUSHED MY HAIR. 801 00:31:09,034 --> 00:31:09,600 WHAT IS THIS MACHINE? I WISH I BRUSHED MY HAIR. >> Howie: ME TOO. 802 00:31:09,602 --> 00:31:10,567 I WISH I BRUSHED MY HAIR. >> Howie: ME TOO. DO YOU WANT TO SIT DOWN FOR JUST 803 00:31:10,569 --> 00:31:13,003 >> Howie: ME TOO. DO YOU WANT TO SIT DOWN FOR JUST A MINUTE? 804 00:31:13,005 --> 00:31:15,839 DO YOU WANT TO SIT DOWN FOR JUST A MINUTE? >> HOW DO YOU DO THIS? 805 00:31:15,841 --> 00:31:16,340 A MINUTE? >> HOW DO YOU DO THIS? WHAT? 806 00:31:16,342 --> 00:31:17,608 >> HOW DO YOU DO THIS? WHAT? >> Howie: I KNOW THAT YOU WILL 807 00:31:17,610 --> 00:31:19,776 WHAT? >> Howie: I KNOW THAT YOU WILL BE PERFORMING IN A MOMENT, SO WE 808 00:31:19,778 --> 00:31:20,177 >> Howie: I KNOW THAT YOU WILL BE PERFORMING IN A MOMENT, SO WE HAVE TIME. 809 00:31:20,179 --> 00:31:22,112 BE PERFORMING IN A MOMENT, SO WE HAVE TIME. >> IF IT IS FOR ELLEN, I WILL DO 810 00:31:22,114 --> 00:31:22,512 HAVE TIME. >> IF IT IS FOR ELLEN, I WILL DO IT. 811 00:31:22,514 --> 00:31:26,583 >> IF IT IS FOR ELLEN, I WILL DO IT. SHE GETS ME TO DO EVERYTHING. 812 00:31:26,585 --> 00:31:27,084 IT. SHE GETS ME TO DO EVERYTHING. >> Ellen: ANY QUESTION. 813 00:31:27,086 --> 00:31:28,852 SHE GETS ME TO DO EVERYTHING. >> Ellen: ANY QUESTION. >> HOW DO YOU GET AROUND WHEN 814 00:31:28,854 --> 00:31:31,388 >> Ellen: ANY QUESTION. >> HOW DO YOU GET AROUND WHEN YOU DON'T HAVE 815 00:31:31,390 --> 00:31:33,023 >> HOW DO YOU GET AROUND WHEN YOU DON'T HAVE "AMERICA'S GOT TALENT," I CANNOT 816 00:31:33,025 --> 00:31:33,790 YOU DON'T HAVE "AMERICA'S GOT TALENT," I CANNOT DO IT. 817 00:31:33,792 --> 00:31:35,425 "AMERICA'S GOT TALENT," I CANNOT DO IT. >> Howie: I DON'T WANT TO -- 818 00:31:35,427 --> 00:31:36,627 DO IT. >> Howie: I DON'T WANT TO -- ANYBODY'S HOPES AND DREAMS, SO 819 00:31:36,629 --> 00:31:39,263 >> Howie: I DON'T WANT TO -- ANYBODY'S HOPES AND DREAMS, SO WHAT I DO IS I LIVE. 820 00:31:39,265 --> 00:31:41,465 ANYBODY'S HOPES AND DREAMS, SO WHAT I DO IS I LIVE. >> THIS IS NOT THE INTERVIEW I 821 00:31:41,467 --> 00:31:42,165 WHAT I DO IS I LIVE. >> THIS IS NOT THE INTERVIEW I EXPECTED TO ENDORSE. 822 00:31:42,167 --> 00:31:43,934 >> THIS IS NOT THE INTERVIEW I EXPECTED TO ENDORSE. >> Howie: ANY KIND OF LYING IS 823 00:31:43,936 --> 00:31:44,134 EXPECTED TO ENDORSE. >> Howie: ANY KIND OF LYING IS GOOD. 824 00:31:44,136 --> 00:31:45,969 >> Howie: ANY KIND OF LYING IS GOOD. ARE YOU HAVING THE TIME OF YOUR 825 00:31:45,971 --> 00:31:48,272 GOOD. ARE YOU HAVING THE TIME OF YOUR LIFE IN THIS INTERVIEW? 826 00:31:48,274 --> 00:31:48,538 ARE YOU HAVING THE TIME OF YOUR LIFE IN THIS INTERVIEW? LIE. 827 00:31:48,540 --> 00:31:49,806 LIFE IN THIS INTERVIEW? LIE. >> I'M HAVING A LOT OF GOOD 828 00:31:49,808 --> 00:31:52,175 LIE. >> I'M HAVING A LOT OF GOOD TIMES AND THIS IS THE BEST OF 829 00:31:52,177 --> 00:31:53,477 >> I'M HAVING A LOT OF GOOD TIMES AND THIS IS THE BEST OF THEM. 830 00:31:53,479 --> 00:31:54,611 TIMES AND THIS IS THE BEST OF THEM. THIS IS THE BEST EXISTENCE AND I 831 00:31:54,613 --> 00:31:59,650 THEM. THIS IS THE BEST EXISTENCE AND I AM HAPPIEST RIGHT NOW. 832 00:31:59,652 --> 00:32:00,017 THIS IS THE BEST EXISTENCE AND I AM HAPPIEST RIGHT NOW. IS THIS ILLEGAL? 833 00:32:00,019 --> 00:32:02,586 AM HAPPIEST RIGHT NOW. IS THIS ILLEGAL? >> Howie: YOUR FLIRTING WITH 834 00:32:02,588 --> 00:32:04,888 IS THIS ILLEGAL? >> Howie: YOUR FLIRTING WITH ME, BE HONEST, AM I SUNNY 835 00:32:04,890 --> 00:32:05,122 >> Howie: YOUR FLIRTING WITH ME, BE HONEST, AM I SUNNY LOOKING? 836 00:32:05,124 --> 00:32:06,423 ME, BE HONEST, AM I SUNNY LOOKING? >> YES. 837 00:32:06,425 --> 00:32:11,995 LOOKING? >> YES. >> Howie: WHAT IS MY BEST 838 00:32:11,997 --> 00:32:12,229 >> YES. >> Howie: WHAT IS MY BEST FEATURE? 839 00:32:12,231 --> 00:32:14,665 >> Howie: WHAT IS MY BEST FEATURE? >> I WOULD SAY YOUR CHEEKBONES. 840 00:32:14,667 --> 00:32:16,433 FEATURE? >> I WOULD SAY YOUR CHEEKBONES. >> Howie: YOU ARE A GORGEOUS, 841 00:32:16,435 --> 00:32:22,940 >> I WOULD SAY YOUR CHEEKBONES. >> Howie: YOU ARE A GORGEOUS, STUNNING, LYING MAN. 842 00:32:22,942 --> 00:32:25,842 >> Howie: YOU ARE A GORGEOUS, STUNNING, LYING MAN. [APPLAUSE] 843 00:32:25,844 --> 00:32:26,410 STUNNING, LYING MAN. [APPLAUSE] I LOVE ME! 844 00:32:26,412 --> 00:32:29,246 [APPLAUSE] I LOVE ME! WE WILL BE RIGHT BACK WITH MORE 845 00:32:29,248 --> 00:32:29,546 I LOVE ME! WE WILL BE RIGHT BACK WITH MORE AFTER THIS. 846 00:32:29,548 --> 00:32:30,013 WE WILL BE RIGHT BACK WITH MORE AFTER THIS. [CHEERS AND APPLAUSE] 847 00:32:30,015 --> 00:32:38,155 AFTER THIS. [CHEERS AND APPLAUSE] ♪ ♪ 848 00:32:38,157 --> 00:32:39,056 [CHEERS AND APPLAUSE] ♪ ♪ WHAT IS THAT? 849 00:32:39,058 --> 00:32:41,992 ♪ ♪ WHAT IS THAT? WHAT IS THAT? 850 00:32:41,994 --> 00:32:43,794 WHAT IS THAT? WHAT IS THAT? >> IT'S FROM A SMALL WORLD. 851 00:32:43,796 --> 00:32:44,795 WHAT IS THAT? >> IT'S FROM A SMALL WORLD. IT'S A SMALL WORLD. 852 00:32:44,797 --> 00:32:47,030 >> IT'S FROM A SMALL WORLD. IT'S A SMALL WORLD. >> Howie: WE ARE NOT SUPPOSED 853 00:32:47,032 --> 00:32:47,331 IT'S A SMALL WORLD. >> Howie: WE ARE NOT SUPPOSED TO TAKE IT. 854 00:32:47,333 --> 00:32:47,798 >> Howie: WE ARE NOT SUPPOSED TO TAKE IT. [CHEERS AND APPLAUSE] 855 00:32:47,800 --> 00:32:57,441 TO TAKE IT. [CHEERS AND APPLAUSE] ♪ ♪ 856 00:32:57,443 --> 00:32:57,908 [CHEERS AND APPLAUSE] ♪ ♪ [CHEERS AND APPLAUSE] 857 00:32:57,910 --> 00:33:02,746 ♪ ♪ [CHEERS AND APPLAUSE] ♪ ♪ 858 00:33:02,748 --> 00:33:03,947 [CHEERS AND APPLAUSE] ♪ ♪ >> Howie: I'M IN THE MIDDLE OF 859 00:33:03,949 --> 00:33:07,050 ♪ ♪ >> Howie: I'M IN THE MIDDLE OF DOING A SHOW. 860 00:33:07,052 --> 00:33:07,217 >> Howie: I'M IN THE MIDDLE OF DOING A SHOW. OH! 861 00:33:07,219 --> 00:33:10,620 DOING A SHOW. OH! MY NEXT GUEST IS STIRRING ON HIT 862 00:33:10,622 --> 00:33:13,724 OH! MY NEXT GUEST IS STIRRING ON HIT TV SHOWS FOR MORE THAN 35 YEARS. 863 00:33:13,726 --> 00:33:15,292 MY NEXT GUEST IS STIRRING ON HIT TV SHOWS FOR MORE THAN 35 YEARS. AND SOMEHOW HE HAS NOT AGED A 864 00:33:15,294 --> 00:33:15,726 TV SHOWS FOR MORE THAN 35 YEARS. AND SOMEHOW HE HAS NOT AGED A DAY. 865 00:33:15,728 --> 00:33:18,095 AND SOMEHOW HE HAS NOT AGED A DAY. SO I'M PRETTY SURE HE IS PART 866 00:33:18,097 --> 00:33:18,562 DAY. SO I'M PRETTY SURE HE IS PART VAMPIRE. 867 00:33:18,564 --> 00:33:21,264 SO I'M PRETTY SURE HE IS PART VAMPIRE. NEXT MONTH YOU CAN CATCH HIM ON 868 00:33:21,266 --> 00:33:24,051 VAMPIRE. NEXT MONTH YOU CAN CATCH HIM ON DISNEY PLUS' NEW SHOW CALLED 869 00:33:24,053 --> 00:33:24,351 NEXT MONTH YOU CAN CATCH HIM ON DISNEY PLUS' NEW SHOW CALLED "BIG SHOT." 870 00:33:24,353 --> 00:33:27,854 DISNEY PLUS' NEW SHOW CALLED "BIG SHOT." HERE'S A CLIP. 871 00:33:27,856 --> 00:33:30,941 "BIG SHOT." HERE'S A CLIP. >> COME ON. 872 00:33:30,943 --> 00:33:31,892 HERE'S A CLIP. >> COME ON. HI. 873 00:33:31,894 --> 00:33:32,509 >> COME ON. HI. MY NAME IS MARVIN COREN AND I 874 00:33:32,511 --> 00:33:37,447 HI. MY NAME IS MARVIN COREN AND I WILL BE ARM NEW COACH. 875 00:33:37,449 --> 00:33:41,818 MY NAME IS MARVIN COREN AND I WILL BE ARM NEW COACH. I HAVE BEEN INSTRUCTED TO BE 876 00:33:41,820 --> 00:33:43,787 WILL BE ARM NEW COACH. I HAVE BEEN INSTRUCTED TO BE DIRECT WITH YOU. 877 00:33:43,789 --> 00:33:46,189 I HAVE BEEN INSTRUCTED TO BE DIRECT WITH YOU. SO I AM A NICE PERSON, SOMETIMES 878 00:33:46,191 --> 00:33:46,573 DIRECT WITH YOU. SO I AM A NICE PERSON, SOMETIMES I AM NOT. 879 00:33:46,575 --> 00:33:48,458 SO I AM A NICE PERSON, SOMETIMES I AM NOT. EXPECT TO BE YELLED AT, DON'T 880 00:33:48,460 --> 00:33:49,126 I AM NOT. EXPECT TO BE YELLED AT, DON'T TAKE IT PERSONALLY. 881 00:33:49,128 --> 00:33:50,527 EXPECT TO BE YELLED AT, DON'T TAKE IT PERSONALLY. IF I CALL YOU STUPID, I GIVE YOU 882 00:33:50,529 --> 00:33:53,497 TAKE IT PERSONALLY. IF I CALL YOU STUPID, I GIVE YOU PERMISSION TO IGNORE IT, BUT IF 883 00:33:53,499 --> 00:33:54,798 IF I CALL YOU STUPID, I GIVE YOU PERMISSION TO IGNORE IT, BUT IF I TELL YOU WHY, I WANT YOU TO 884 00:33:54,800 --> 00:33:56,967 PERMISSION TO IGNORE IT, BUT IF I TELL YOU WHY, I WANT YOU TO PAY CLOSE ATTENTION. 885 00:33:56,969 --> 00:34:02,906 I TELL YOU WHY, I WANT YOU TO PAY CLOSE ATTENTION. >> IS HE FOR REAL? 886 00:34:02,908 --> 00:34:04,408 PAY CLOSE ATTENTION. >> IS HE FOR REAL? >> Howie: PLEASE WELCOME MY 887 00:34:04,410 --> 00:34:07,711 >> IS HE FOR REAL? >> Howie: PLEASE WELCOME MY FRIEND AND NEIGHBOR JOHN STAMOS! 888 00:34:07,713 --> 00:34:08,178 >> Howie: PLEASE WELCOME MY FRIEND AND NEIGHBOR JOHN STAMOS! [CHEERS AND APPLAUSE] 889 00:34:08,180 --> 00:34:09,346 FRIEND AND NEIGHBOR JOHN STAMOS! [CHEERS AND APPLAUSE] >> HOWIE. 890 00:34:09,348 --> 00:34:16,186 [CHEERS AND APPLAUSE] >> HOWIE. I'LL COME THE GARAGE! 891 00:34:16,188 --> 00:34:18,355 >> HOWIE. I'LL COME THE GARAGE! >> Howie: WHAT ROOM ARE YOU 892 00:34:18,357 --> 00:34:18,522 I'LL COME THE GARAGE! >> Howie: WHAT ROOM ARE YOU IN? 893 00:34:18,524 --> 00:34:20,190 >> Howie: WHAT ROOM ARE YOU IN? >> THIS IS MY WHOLE HOUSE, I 894 00:34:20,192 --> 00:34:25,195 IN? >> THIS IS MY WHOLE HOUSE, I JUST LIVE IN THE LITTLE ROOM. 895 00:34:25,197 --> 00:34:26,496 >> THIS IS MY WHOLE HOUSE, I JUST LIVE IN THE LITTLE ROOM. >> Ellen: YOU LIVE IN A ROOM 896 00:34:26,498 --> 00:34:28,598 JUST LIVE IN THE LITTLE ROOM. >> Ellen: YOU LIVE IN A ROOM WITH A DRUM SET. 897 00:34:28,600 --> 00:34:30,801 >> Ellen: YOU LIVE IN A ROOM WITH A DRUM SET. I WOULD HAVE INVITED YOU OVER, 898 00:34:30,803 --> 00:34:32,569 WITH A DRUM SET. I WOULD HAVE INVITED YOU OVER, BUT WE ARE TRYING TO STAY COVID 899 00:34:32,571 --> 00:34:32,769 I WOULD HAVE INVITED YOU OVER, BUT WE ARE TRYING TO STAY COVID SAFE. 900 00:34:32,771 --> 00:34:36,039 BUT WE ARE TRYING TO STAY COVID SAFE. >> WE ARE NEIGHBORS AND WE GET 901 00:34:36,041 --> 00:34:36,506 SAFE. >> WE ARE NEIGHBORS AND WE GET TO -- 902 00:34:36,508 --> 00:34:38,909 >> WE ARE NEIGHBORS AND WE GET TO -- I EXPECTED A WELCOMING PARTY OR 903 00:34:38,911 --> 00:34:40,343 TO -- I EXPECTED A WELCOMING PARTY OR SOME BAGELS AT MY DOORSTEP. 904 00:34:40,345 --> 00:34:40,977 I EXPECTED A WELCOMING PARTY OR SOME BAGELS AT MY DOORSTEP. AND I GET NOTHING. 905 00:34:40,979 --> 00:34:43,213 SOME BAGELS AT MY DOORSTEP. AND I GET NOTHING. I GOT A WAY OF IN A MASK, AND I 906 00:34:43,215 --> 00:34:45,182 AND I GET NOTHING. I GOT A WAY OF IN A MASK, AND I THOUGHT IT WAS PATRICK STEWART 907 00:34:45,184 --> 00:34:45,949 I GOT A WAY OF IN A MASK, AND I THOUGHT IT WAS PATRICK STEWART OR SOMETHING. 908 00:34:45,951 --> 00:34:46,216 THOUGHT IT WAS PATRICK STEWART OR SOMETHING. [LAUGHTER] 909 00:34:46,218 --> 00:34:47,684 OR SOMETHING. [LAUGHTER] YOU CAN'T TELL BECAUSE OF THE 910 00:34:47,686 --> 00:34:49,352 [LAUGHTER] YOU CAN'T TELL BECAUSE OF THE MASK. 911 00:34:49,354 --> 00:34:50,420 YOU CAN'T TELL BECAUSE OF THE MASK. >> Howie: THIS IS A GET 912 00:34:50,422 --> 00:34:51,521 MASK. >> Howie: THIS IS A GET TOGETHER, SHOW ME AROUND THE 913 00:34:51,523 --> 00:34:54,925 >> Howie: THIS IS A GET TOGETHER, SHOW ME AROUND THE HOUSE, WHAT DO YOU HAVE THERE? 914 00:34:54,927 --> 00:34:56,093 TOGETHER, SHOW ME AROUND THE HOUSE, WHAT DO YOU HAVE THERE? >> I COLLECT DISNEY MEMORABILIA. 915 00:34:56,095 --> 00:34:59,362 HOUSE, WHAT DO YOU HAVE THERE? >> I COLLECT DISNEY MEMORABILIA. YOU WILL SEE THE BIG D IN THE 916 00:34:59,364 --> 00:35:01,298 >> I COLLECT DISNEY MEMORABILIA. YOU WILL SEE THE BIG D IN THE BACKYARD. 917 00:35:01,300 --> 00:35:02,999 YOU WILL SEE THE BIG D IN THE BACKYARD. THIS IS THE ACTUAL PHONE FROM 918 00:35:03,001 --> 00:35:08,738 BACKYARD. THIS IS THE ACTUAL PHONE FROM HIS OFFICE. 919 00:35:08,740 --> 00:35:09,372 THIS IS THE ACTUAL PHONE FROM HIS OFFICE. >> Howie: REALLY? 920 00:35:09,374 --> 00:35:13,343 HIS OFFICE. >> Howie: REALLY? >> HI, I'M TALKING TO HOWIE. 921 00:35:13,345 --> 00:35:15,545 >> Howie: REALLY? >> HI, I'M TALKING TO HOWIE. >> Howie: THAT IS HIS REAL? 922 00:35:15,547 --> 00:35:17,614 >> HI, I'M TALKING TO HOWIE. >> Howie: THAT IS HIS REAL? OH, MY GOD, THERE IT IS RIGHT 923 00:35:17,616 --> 00:35:17,814 >> Howie: THAT IS HIS REAL? OH, MY GOD, THERE IT IS RIGHT THERE. 924 00:35:17,816 --> 00:35:20,117 OH, MY GOD, THERE IT IS RIGHT THERE. THAT'S AMAZING! 925 00:35:20,119 --> 00:35:24,287 THERE. THAT'S AMAZING! >> I HAVE IT OF YOU. 926 00:35:24,289 --> 00:35:26,656 THAT'S AMAZING! >> I HAVE IT OF YOU. THE PIRATE. 927 00:35:26,658 --> 00:35:27,924 >> I HAVE IT OF YOU. THE PIRATE. >> Howie: "PIRATES OF THE 928 00:35:27,926 --> 00:35:28,558 THE PIRATE. >> Howie: "PIRATES OF THE CARIBBEAN." 929 00:35:28,560 --> 00:35:29,326 >> Howie: "PIRATES OF THE CARIBBEAN." I HAVE BEEN THERE MANY TIMES 930 00:35:29,328 --> 00:35:31,361 CARIBBEAN." I HAVE BEEN THERE MANY TIMES WITH MY KIDS. 931 00:35:31,363 --> 00:35:34,464 I HAVE BEEN THERE MANY TIMES WITH MY KIDS. WHEN YOU GO TO DISNEY WORLD -- 932 00:35:34,466 --> 00:35:36,900 WITH MY KIDS. WHEN YOU GO TO DISNEY WORLD -- I DO LOVE PIRATES AND I LIKE THE 933 00:35:36,902 --> 00:35:38,235 WHEN YOU GO TO DISNEY WORLD -- I DO LOVE PIRATES AND I LIKE THE HAUNTED MANSION AND I LIKE IT'S 934 00:35:38,237 --> 00:35:38,768 I DO LOVE PIRATES AND I LIKE THE HAUNTED MANSION AND I LIKE IT'S A SMALL WORLD. 935 00:35:38,770 --> 00:35:39,736 HAUNTED MANSION AND I LIKE IT'S A SMALL WORLD. I GO ON THEM ALL. 936 00:35:39,738 --> 00:35:42,372 A SMALL WORLD. I GO ON THEM ALL. I LIKE TO WATCH MY KIDS' FACES. 937 00:35:42,374 --> 00:35:44,040 I GO ON THEM ALL. I LIKE TO WATCH MY KIDS' FACES. WHEN WE GO, WE COME HOME WITH A 938 00:35:44,042 --> 00:35:44,808 I LIKE TO WATCH MY KIDS' FACES. WHEN WE GO, WE COME HOME WITH A GOOFY HAT. 939 00:35:44,810 --> 00:35:46,843 WHEN WE GO, WE COME HOME WITH A GOOFY HAT. WE DON'T TAKE THE STUFF FROM THE 940 00:35:46,845 --> 00:35:50,380 GOOFY HAT. WE DON'T TAKE THE STUFF FROM THE PARK. 941 00:35:50,382 --> 00:35:50,914 WE DON'T TAKE THE STUFF FROM THE PARK. [LAUGHTER] 942 00:35:50,916 --> 00:35:51,248 PARK. [LAUGHTER] WHAT IS THAT? 943 00:35:51,250 --> 00:35:54,117 [LAUGHTER] WHAT IS THAT? WHAT IS THAT? 944 00:35:54,119 --> 00:35:56,353 WHAT IS THAT? WHAT IS THAT? >> IT'S FROM A SMALL WORLD. 945 00:35:56,355 --> 00:35:56,953 WHAT IS THAT? >> IT'S FROM A SMALL WORLD. >> Howie: WE ARE NOT SUPPOSED 946 00:35:56,955 --> 00:35:59,489 >> IT'S FROM A SMALL WORLD. >> Howie: WE ARE NOT SUPPOSED TO TAKE IT. 947 00:35:59,491 --> 00:36:01,691 >> Howie: WE ARE NOT SUPPOSED TO TAKE IT. THEY SAY KEEP YOUR HANDS IN THE 948 00:36:01,693 --> 00:36:02,559 TO TAKE IT. THEY SAY KEEP YOUR HANDS IN THE BOAT! 949 00:36:02,561 --> 00:36:04,661 THEY SAY KEEP YOUR HANDS IN THE BOAT! >> OH, GOSH, I THOUGHT YOU WERE 950 00:36:04,663 --> 00:36:05,962 BOAT! >> OH, GOSH, I THOUGHT YOU WERE ALLOWED TO TAKE IT AS A 951 00:36:05,964 --> 00:36:06,229 >> OH, GOSH, I THOUGHT YOU WERE ALLOWED TO TAKE IT AS A SOUVENIR. 952 00:36:06,231 --> 00:36:09,666 ALLOWED TO TAKE IT AS A SOUVENIR. DO YOU RECOGNIZE THIS COUCH? 953 00:36:09,668 --> 00:36:11,968 SOUVENIR. DO YOU RECOGNIZE THIS COUCH? >> Howie: IS THAT FROM YOUR 954 00:36:11,970 --> 00:36:12,969 DO YOU RECOGNIZE THIS COUCH? >> Howie: IS THAT FROM YOUR SHOW? 955 00:36:12,971 --> 00:36:16,139 >> Howie: IS THAT FROM YOUR SHOW? >> YES, BOB SAGET IS BEHIND IT 956 00:36:16,141 --> 00:36:18,975 SHOW? >> YES, BOB SAGET IS BEHIND IT SOMEWHERE. 957 00:36:18,977 --> 00:36:20,110 >> YES, BOB SAGET IS BEHIND IT SOMEWHERE. >> Howie: YOU TOOK THE 958 00:36:20,112 --> 00:36:22,179 SOMEWHERE. >> Howie: YOU TOOK THE FURNITURE FROM THE SHOW? 959 00:36:22,181 --> 00:36:24,114 >> Howie: YOU TOOK THE FURNITURE FROM THE SHOW? >> WHY NOT, I PRODUCED IT. 960 00:36:24,116 --> 00:36:25,382 FURNITURE FROM THE SHOW? >> WHY NOT, I PRODUCED IT. >> Howie: NOW YOU SEE I DON'T 961 00:36:25,384 --> 00:36:26,683 >> WHY NOT, I PRODUCED IT. >> Howie: NOW YOU SEE I DON'T WANT TO YOU TO COME TO MY HOUSE. 962 00:36:26,685 --> 00:36:29,486 >> Howie: NOW YOU SEE I DON'T WANT TO YOU TO COME TO MY HOUSE. YOU TAKE STUFF. 963 00:36:29,488 --> 00:36:31,688 WANT TO YOU TO COME TO MY HOUSE. YOU TAKE STUFF. >> WILL YOU SELL ANY HIT US THIS 964 00:36:31,690 --> 00:36:31,922 YOU TAKE STUFF. >> WILL YOU SELL ANY HIT US THIS WEEKEND? 965 00:36:31,924 --> 00:36:33,256 >> WILL YOU SELL ANY HIT US THIS WEEKEND? >> Howie: I WOULD HAVE SOLD 966 00:36:33,258 --> 00:36:35,025 WEEKEND? >> Howie: I WOULD HAVE SOLD THE TABLE, BUT I BROKE IT BY 967 00:36:35,027 --> 00:36:35,292 >> Howie: I WOULD HAVE SOLD THE TABLE, BUT I BROKE IT BY ACCIDENT. 968 00:36:35,294 --> 00:36:36,293 THE TABLE, BUT I BROKE IT BY ACCIDENT. I AM SUCH A FAN OF EVERYTHING 969 00:36:36,295 --> 00:36:37,594 ACCIDENT. I AM SUCH A FAN OF EVERYTHING YOU DO. 970 00:36:37,596 --> 00:36:42,199 I AM SUCH A FAN OF EVERYTHING YOU DO. BEFORE THE BREAK, YOU HAVE YOUR 971 00:36:42,201 --> 00:36:43,366 YOU DO. BEFORE THE BREAK, YOU HAVE YOUR NEW SHOW "BIG SHOT," TELL 972 00:36:43,368 --> 00:36:45,936 BEFORE THE BREAK, YOU HAVE YOUR NEW SHOW "BIG SHOT," TELL EVERYBODY ABOUT IT. 973 00:36:45,938 --> 00:36:48,104 NEW SHOW "BIG SHOT," TELL EVERYBODY ABOUT IT. >> I PLAY A BASKETBALL COACH WHO 974 00:36:48,106 --> 00:36:48,672 EVERYBODY ABOUT IT. >> I PLAY A BASKETBALL COACH WHO GETS KICKED OUT OF THE NCAA 975 00:36:48,674 --> 00:36:52,175 >> I PLAY A BASKETBALL COACH WHO GETS KICKED OUT OF THE NCAA BECAUSE HE HAS -- HE THROWS A 976 00:36:52,177 --> 00:36:53,043 GETS KICKED OUT OF THE NCAA BECAUSE HE HAS -- HE THROWS A CHAIR LIKE BOBBY KNIGHT AND I 977 00:36:53,045 --> 00:36:56,313 BECAUSE HE HAS -- HE THROWS A CHAIR LIKE BOBBY KNIGHT AND I HAVE TO REDEEM MYSELF BY WORKING 978 00:36:56,315 --> 00:36:57,747 CHAIR LIKE BOBBY KNIGHT AND I HAVE TO REDEEM MYSELF BY WORKING AT AN ALL GIRLS PRIVATE 979 00:36:57,749 --> 00:36:58,048 HAVE TO REDEEM MYSELF BY WORKING AT AN ALL GIRLS PRIVATE HIGH SCHOOL. 980 00:36:58,050 --> 00:36:59,950 AT AN ALL GIRLS PRIVATE HIGH SCHOOL. IN I SAW THE CLIP AND I KIND OF 981 00:36:59,952 --> 00:37:01,585 HIGH SCHOOL. IN I SAW THE CLIP AND I KIND OF COME IN AND FAT SHAME THEM AND 982 00:37:01,587 --> 00:37:02,819 IN I SAW THE CLIP AND I KIND OF COME IN AND FAT SHAME THEM AND SAY ALL THE WRONG THINGS. 983 00:37:02,821 --> 00:37:04,221 COME IN AND FAT SHAME THEM AND SAY ALL THE WRONG THINGS. IT'S A BEAUTIFUL SHOW. 984 00:37:04,223 --> 00:37:07,490 SAY ALL THE WRONG THINGS. IT'S A BEAUTIFUL SHOW. DAVID KELLY IS THE CREATOR. 985 00:37:07,492 --> 00:37:09,559 IT'S A BEAUTIFUL SHOW. DAVID KELLY IS THE CREATOR. >> Ellen: DAVID KELLY. 986 00:37:09,561 --> 00:37:11,061 DAVID KELLY IS THE CREATOR. >> Ellen: DAVID KELLY. >> IT'S ABOUT REDEMPTION AND, 987 00:37:11,063 --> 00:37:12,529 >> Ellen: DAVID KELLY. >> IT'S ABOUT REDEMPTION AND, YOU KNOW, IT'S ASPIRATIONAL. 988 00:37:12,531 --> 00:37:14,164 >> IT'S ABOUT REDEMPTION AND, YOU KNOW, IT'S ASPIRATIONAL. IT'S ONE OF THOSE GREAT TO -- 989 00:37:14,166 --> 00:37:16,166 YOU KNOW, IT'S ASPIRATIONAL. IT'S ONE OF THOSE GREAT TO -- ALTHOUGH I AM TERRIBLE, DID YOU 990 00:37:16,168 --> 00:37:16,666 IT'S ONE OF THOSE GREAT TO -- ALTHOUGH I AM TERRIBLE, DID YOU PLAY ANY SPORTS? 991 00:37:16,668 --> 00:37:18,201 ALTHOUGH I AM TERRIBLE, DID YOU PLAY ANY SPORTS? >> Howie: LOOK AT ME. 992 00:37:18,203 --> 00:37:18,668 PLAY ANY SPORTS? >> Howie: LOOK AT ME. NO. 993 00:37:18,670 --> 00:37:21,705 >> Howie: LOOK AT ME. NO. THE ONLY BALL I HAVE. 994 00:37:21,707 --> 00:37:22,706 NO. THE ONLY BALL I HAVE. NO, I PLAY NO SPORTS. 995 00:37:22,708 --> 00:37:25,041 THE ONLY BALL I HAVE. NO, I PLAY NO SPORTS. I JUST SIT IN MY GARAGE AND FROM 996 00:37:25,043 --> 00:37:26,376 NO, I PLAY NO SPORTS. I JUST SIT IN MY GARAGE AND FROM TIME TO TIME PEOPLE BRING 997 00:37:26,378 --> 00:37:26,710 I JUST SIT IN MY GARAGE AND FROM TIME TO TIME PEOPLE BRING CAMERAS. 998 00:37:26,712 --> 00:37:28,712 TIME TO TIME PEOPLE BRING CAMERAS. THIS IS HOW I VISIT NEIGHBORS. 999 00:37:28,714 --> 00:37:30,046 CAMERAS. THIS IS HOW I VISIT NEIGHBORS. THE SHOW LOOKS GREAT AND DAVID 1000 00:37:30,048 --> 00:37:32,315 THIS IS HOW I VISIT NEIGHBORS. THE SHOW LOOKS GREAT AND DAVID KELLY, I'M A HUGE FAN. 1001 00:37:32,317 --> 00:37:33,316 THE SHOW LOOKS GREAT AND DAVID KELLY, I'M A HUGE FAN. HE IS AMAZING. 1002 00:37:33,318 --> 00:37:34,384 KELLY, I'M A HUGE FAN. HE IS AMAZING. AND YOU HAVE SUCH A RANGE FROM 1003 00:37:34,386 --> 00:37:37,854 HE IS AMAZING. AND YOU HAVE SUCH A RANGE FROM COMEDY TO DRAMA AND YOU ARE JUST 1004 00:37:37,856 --> 00:37:38,855 AND YOU HAVE SUCH A RANGE FROM COMEDY TO DRAMA AND YOU ARE JUST ONE OF THE MOST TALENTED PEOPLE 1005 00:37:38,857 --> 00:37:39,089 COMEDY TO DRAMA AND YOU ARE JUST ONE OF THE MOST TALENTED PEOPLE I KNOW. 1006 00:37:39,091 --> 00:37:42,425 ONE OF THE MOST TALENTED PEOPLE I KNOW. WHEN WE COME BACK I'M GOING TO 1007 00:37:42,427 --> 00:37:44,027 I KNOW. WHEN WE COME BACK I'M GOING TO TAKE A BREAK, BECAUSE THIS IS SO 1008 00:37:44,029 --> 00:37:44,294 WHEN WE COME BACK I'M GOING TO TAKE A BREAK, BECAUSE THIS IS SO TIRING. 1009 00:37:44,296 --> 00:37:46,596 TAKE A BREAK, BECAUSE THIS IS SO TIRING. WHEN WE COME BACK I HAVE A GIFT 1010 00:37:46,598 --> 00:37:48,498 TIRING. WHEN WE COME BACK I HAVE A GIFT FOR YOU, WELCOME TO THE 1011 00:37:48,500 --> 00:37:48,898 WHEN WE COME BACK I HAVE A GIFT FOR YOU, WELCOME TO THE NEIGHBORHOOD GIFT. 1012 00:37:48,900 --> 00:37:51,101 FOR YOU, WELCOME TO THE NEIGHBORHOOD GIFT. WE WILL BE RIGHT BACK. 1013 00:37:51,103 --> 00:37:51,568 NEIGHBORHOOD GIFT. WE WILL BE RIGHT BACK. [CHEERS AND APPLAUSE] 1014 00:37:51,570 --> 00:38:03,246 WE WILL BE RIGHT BACK. [CHEERS AND APPLAUSE] ♪ ♪ 1015 00:38:03,248 --> 00:38:03,713 [CHEERS AND APPLAUSE] ♪ ♪ [CHEERS AND APPLAUSE] 1016 00:38:03,715 --> 00:38:08,084 ♪ ♪ [CHEERS AND APPLAUSE] ♪ ♪ 1017 00:38:08,086 --> 00:38:08,952 [CHEERS AND APPLAUSE] ♪ ♪ >> Howie: WE ARE BACK IN MY 1018 00:38:08,954 --> 00:38:11,721 ♪ ♪ >> Howie: WE ARE BACK IN MY GARAGE WITH MY NEIGHBOR JOHN 1019 00:38:11,723 --> 00:38:13,189 >> Howie: WE ARE BACK IN MY GARAGE WITH MY NEIGHBOR JOHN STAMOS WHO HAS A BEAUTIFUL WIFE 1020 00:38:13,191 --> 00:38:14,557 GARAGE WITH MY NEIGHBOR JOHN STAMOS WHO HAS A BEAUTIFUL WIFE AND A 2-YEAR-OLD SON BILLY. 1021 00:38:14,559 --> 00:38:17,427 STAMOS WHO HAS A BEAUTIFUL WIFE AND A 2-YEAR-OLD SON BILLY. WHAT IS THE FAMILY DOING DURING 1022 00:38:17,429 --> 00:38:18,161 AND A 2-YEAR-OLD SON BILLY. WHAT IS THE FAMILY DOING DURING THE PANDEMIC? 1023 00:38:18,163 --> 00:38:20,697 WHAT IS THE FAMILY DOING DURING THE PANDEMIC? ARE YOU THIS COPING? 1024 00:38:20,699 --> 00:38:22,332 THE PANDEMIC? ARE YOU THIS COPING? >> WE ARE OKAY, YOU KNOW WHAT WE 1025 00:38:22,334 --> 00:38:23,967 ARE YOU THIS COPING? >> WE ARE OKAY, YOU KNOW WHAT WE HAVE BEEN DOING WHICH WE HAVE 1026 00:38:23,969 --> 00:38:26,369 >> WE ARE OKAY, YOU KNOW WHAT WE HAVE BEEN DOING WHICH WE HAVE NOT INVITED YOU TO, WE HAVE BEEN 1027 00:38:26,371 --> 00:38:27,370 HAVE BEEN DOING WHICH WE HAVE NOT INVITED YOU TO, WE HAVE BEEN HAVING MOVIE NIGHT OUTSIDE, 1028 00:38:27,372 --> 00:38:29,105 NOT INVITED YOU TO, WE HAVE BEEN HAVING MOVIE NIGHT OUTSIDE, THERE IS A CUL-DE-SAC RIGHT 1029 00:38:29,107 --> 00:38:30,540 HAVING MOVIE NIGHT OUTSIDE, THERE IS A CUL-DE-SAC RIGHT HERE, I KNOW, I SHOULD. 1030 00:38:30,542 --> 00:38:33,443 THERE IS A CUL-DE-SAC RIGHT HERE, I KNOW, I SHOULD. FOR MY BIRTHDAY, AS SOON AS THE 1031 00:38:33,445 --> 00:38:36,446 HERE, I KNOW, I SHOULD. FOR MY BIRTHDAY, AS SOON AS THE THREE AMIGOS, AND WE -- 1032 00:38:36,448 --> 00:38:38,581 FOR MY BIRTHDAY, AS SOON AS THE THREE AMIGOS, AND WE -- WE SHOW IT AT NIGHT AND I TEXTED 1033 00:38:38,583 --> 00:38:40,317 THREE AMIGOS, AND WE -- WE SHOW IT AT NIGHT AND I TEXTED MARTY SURE AND I SAID OH, I HOPE 1034 00:38:40,319 --> 00:38:41,985 WE SHOW IT AT NIGHT AND I TEXTED MARTY SURE AND I SAID OH, I HOPE ALL IS WELL WITH YOUR FAMILY, 1035 00:38:41,987 --> 00:38:44,387 MARTY SURE AND I SAID OH, I HOPE ALL IS WELL WITH YOUR FAMILY, AND HE CAME IN, AND HE SAID, BUT 1036 00:38:44,389 --> 00:38:48,325 ALL IS WELL WITH YOUR FAMILY, AND HE CAME IN, AND HE SAID, BUT MORE IMPORTANTLY, DOES MY NED 1037 00:38:48,327 --> 00:38:51,728 AND HE CAME IN, AND HE SAID, BUT MORE IMPORTANTLY, DOES MY NED STILL HOLED UP IN COVID TIMES? 1038 00:38:51,730 --> 00:38:53,163 MORE IMPORTANTLY, DOES MY NED STILL HOLED UP IN COVID TIMES? >> Howie: DO YOU INVITE PEOPLE 1039 00:38:53,165 --> 00:38:54,364 STILL HOLED UP IN COVID TIMES? >> Howie: DO YOU INVITE PEOPLE OVER? 1040 00:38:54,366 --> 00:38:56,900 >> Howie: DO YOU INVITE PEOPLE OVER? >> ON MY BIRTHDAY WE PLAYED 1041 00:38:56,902 --> 00:38:57,500 OVER? >> ON MY BIRTHDAY WE PLAYED SHOWGIRLS IN THE BACKYARD AND 1042 00:38:57,502 --> 00:38:59,936 >> ON MY BIRTHDAY WE PLAYED SHOWGIRLS IN THE BACKYARD AND BOB WAS THERE. 1043 00:38:59,938 --> 00:39:02,906 SHOWGIRLS IN THE BACKYARD AND BOB WAS THERE. THERE IS ME AND BOB SAGET FOR MY 1044 00:39:02,908 --> 00:39:03,707 BOB WAS THERE. THERE IS ME AND BOB SAGET FOR MY BIRTHDAY. 1045 00:39:03,709 --> 00:39:04,841 THERE IS ME AND BOB SAGET FOR MY BIRTHDAY. >> Howie: SO YOU INVITE PEOPLE 1046 00:39:04,843 --> 00:39:07,277 BIRTHDAY. >> Howie: SO YOU INVITE PEOPLE OVER SOMETIMES? 1047 00:39:07,279 --> 00:39:10,413 >> Howie: SO YOU INVITE PEOPLE OVER SOMETIMES? >> YES, WHAT ARE YOU GETTING AT? 1048 00:39:10,415 --> 00:39:12,549 OVER SOMETIMES? >> YES, WHAT ARE YOU GETTING AT? LET ME ASK YOU THIS, BECAUSE I 1049 00:39:12,551 --> 00:39:13,383 >> YES, WHAT ARE YOU GETTING AT? LET ME ASK YOU THIS, BECAUSE I HAVE THE SPEEDO ISSUES. 1050 00:39:13,385 --> 00:39:14,718 LET ME ASK YOU THIS, BECAUSE I HAVE THE SPEEDO ISSUES. AND I KNOW THAT YOU ARE A MUCKY 1051 00:39:14,720 --> 00:39:15,852 HAVE THE SPEEDO ISSUES. AND I KNOW THAT YOU ARE A MUCKY MUCK IN THE NEIGHBORHOOD. 1052 00:39:15,854 --> 00:39:17,987 AND I KNOW THAT YOU ARE A MUCKY MUCK IN THE NEIGHBORHOOD. CAN YOU HELP ME OUT? 1053 00:39:17,989 --> 00:39:20,423 MUCK IN THE NEIGHBORHOOD. CAN YOU HELP ME OUT? >> Howie: I HAVE NEVER HAD A 1054 00:39:20,425 --> 00:39:21,891 CAN YOU HELP ME OUT? >> Howie: I HAVE NEVER HAD A MOSQUITO ISSUE. 1055 00:39:21,893 --> 00:39:22,926 >> Howie: I HAVE NEVER HAD A MOSQUITO ISSUE. >> HONESTLY? 1056 00:39:22,928 --> 00:39:25,795 MOSQUITO ISSUE. >> HONESTLY? >> Howie: I HAVE LIVED HERE 1057 00:39:25,797 --> 00:39:26,696 >> HONESTLY? >> Howie: I HAVE LIVED HERE FOR 30 YEARS IN THIS 1058 00:39:26,698 --> 00:39:27,397 >> Howie: I HAVE LIVED HERE FOR 30 YEARS IN THIS NEIGHBORHOOD AND I'VE NEVER 1059 00:39:27,399 --> 00:39:29,499 FOR 30 YEARS IN THIS NEIGHBORHOOD AND I'VE NEVER GOTTEN ONE MOSQUITO BITE. 1060 00:39:29,501 --> 00:39:31,201 NEIGHBORHOOD AND I'VE NEVER GOTTEN ONE MOSQUITO BITE. AND THEY TOLD ME THAT YOU ARE 1061 00:39:31,203 --> 00:39:33,436 GOTTEN ONE MOSQUITO BITE. AND THEY TOLD ME THAT YOU ARE HAVING MOSQUITO ISSUES AND I 1062 00:39:33,438 --> 00:39:35,638 AND THEY TOLD ME THAT YOU ARE HAVING MOSQUITO ISSUES AND I GOOGLED IT, AND MOSQUITOES ARE 1063 00:39:35,640 --> 00:39:39,676 HAVING MOSQUITO ISSUES AND I GOOGLED IT, AND MOSQUITOES ARE ATTRACTED TO HAIR PRODUCT. 1064 00:39:39,678 --> 00:39:40,543 GOOGLED IT, AND MOSQUITOES ARE ATTRACTED TO HAIR PRODUCT. >> [LAUGHS] 1065 00:39:40,545 --> 00:39:41,077 ATTRACTED TO HAIR PRODUCT. >> [LAUGHS] THAT MAKE SENSE. 1066 00:39:41,079 --> 00:39:42,746 >> [LAUGHS] THAT MAKE SENSE. AND MAKE SENSE WHY THEY DON'T 1067 00:39:42,748 --> 00:39:45,014 THAT MAKE SENSE. AND MAKE SENSE WHY THEY DON'T BOTHER YOU. 1068 00:39:45,016 --> 00:39:47,517 AND MAKE SENSE WHY THEY DON'T BOTHER YOU. [LAUGHTER] 1069 00:39:47,519 --> 00:39:48,551 BOTHER YOU. [LAUGHTER] >> Howie: I'M TRYING TO STAY 1070 00:39:48,553 --> 00:39:51,254 [LAUGHTER] >> Howie: I'M TRYING TO STAY IN THE SUN HERE. 1071 00:39:51,256 --> 00:39:52,922 >> Howie: I'M TRYING TO STAY IN THE SUN HERE. THIS IS MY HOUSE AND OTHERWISE 1072 00:39:52,924 --> 00:39:54,858 IN THE SUN HERE. THIS IS MY HOUSE AND OTHERWISE IT IS GOING TO GO DARK. 1073 00:39:54,860 --> 00:39:55,959 THIS IS MY HOUSE AND OTHERWISE IT IS GOING TO GO DARK. YOU HAVE LIGHT IN YOUR ROOM AND 1074 00:39:55,961 --> 00:39:57,127 IT IS GOING TO GO DARK. YOU HAVE LIGHT IN YOUR ROOM AND I AM OUTSIDE IN MY DRIVEWAY AND 1075 00:39:57,129 --> 00:39:59,329 YOU HAVE LIGHT IN YOUR ROOM AND I AM OUTSIDE IN MY DRIVEWAY AND THE SUN IS GOING DOWN. 1076 00:39:59,331 --> 00:40:00,764 I AM OUTSIDE IN MY DRIVEWAY AND THE SUN IS GOING DOWN. BUT ANYWAY, YOU ARE GREAT. 1077 00:40:00,766 --> 00:40:02,365 THE SUN IS GOING DOWN. BUT ANYWAY, YOU ARE GREAT. I TOLD YOU I HAVE A GIFT FOR 1078 00:40:02,367 --> 00:40:04,634 BUT ANYWAY, YOU ARE GREAT. I TOLD YOU I HAVE A GIFT FOR YOU, A HOUSEWARMING GIFT. 1079 00:40:04,636 --> 00:40:07,537 I TOLD YOU I HAVE A GIFT FOR YOU, A HOUSEWARMING GIFT. AND MARTHA STEWART MADE -- 1080 00:40:07,539 --> 00:40:08,571 YOU, A HOUSEWARMING GIFT. AND MARTHA STEWART MADE -- IT'S JUST, YOU ARE GOING TO SEE 1081 00:40:08,573 --> 00:40:09,139 AND MARTHA STEWART MADE -- IT'S JUST, YOU ARE GOING TO SEE IT. 1082 00:40:09,141 --> 00:40:12,142 IT'S JUST, YOU ARE GOING TO SEE IT. IT'S BEAUTIFUL. 1083 00:40:12,144 --> 00:40:12,909 IT. IT'S BEAUTIFUL. ALMOST LIKE A TULIP, WELCOME TO 1084 00:40:12,911 --> 00:40:14,911 IT'S BEAUTIFUL. ALMOST LIKE A TULIP, WELCOME TO THE NEIGHBORHOOD. 1085 00:40:14,913 --> 00:40:17,514 ALMOST LIKE A TULIP, WELCOME TO THE NEIGHBORHOOD. WHAT IS IT? 1086 00:40:17,516 --> 00:40:18,148 THE NEIGHBORHOOD. WHAT IS IT? I MADE IT. 1087 00:40:18,150 --> 00:40:18,648 WHAT IS IT? I MADE IT. THAT'S ALL THAT MATTERS. 1088 00:40:18,650 --> 00:40:21,584 I MADE IT. THAT'S ALL THAT MATTERS. YOU CAN WATCH "BIG SHOT" ON 1089 00:40:21,586 --> 00:40:22,619 THAT'S ALL THAT MATTERS. YOU CAN WATCH "BIG SHOT" ON DISNEY PLUS. 1090 00:40:22,621 --> 00:40:26,756 YOU CAN WATCH "BIG SHOT" ON DISNEY PLUS. YOU CAN WATCH -- I WANT TO THINK 1091 00:40:26,758 --> 00:40:28,158 DISNEY PLUS. YOU CAN WATCH -- I WANT TO THINK JOHN STAMOS, MARTHA STEWART, MY 1092 00:40:28,160 --> 00:40:29,125 YOU CAN WATCH -- I WANT TO THINK JOHN STAMOS, MARTHA STEWART, MY FRIEND ELLEN FOR LETTING ME IN 1093 00:40:29,127 --> 00:40:31,928 JOHN STAMOS, MARTHA STEWART, MY FRIEND ELLEN FOR LETTING ME IN MY OWN HOME! 1094 00:40:31,930 --> 00:40:33,463 FRIEND ELLEN FOR LETTING ME IN MY OWN HOME! THANK YOU AND I WANT TO THANK 1095 00:40:33,465 --> 00:40:34,063 MY OWN HOME! THANK YOU AND I WANT TO THANK EVERYBODY RIGHT THERE FOR 1096 00:40:34,065 --> 00:40:35,331 THANK YOU AND I WANT TO THANK EVERYBODY RIGHT THERE FOR WATCHING. 1097 00:40:35,333 --> 00:40:38,067 EVERYBODY RIGHT THERE FOR WATCHING. HAVE A GREAT WEEKEND, EVERYBODY. 1098 00:40:38,069 --> 00:40:38,301 WATCHING. HAVE A GREAT WEEKEND, EVERYBODY. GOODBYE! 1099 00:40:38,303 --> 00:40:38,768 HAVE A GREAT WEEKEND, EVERYBODY. GOODBYE! [CHEERS AND APPLAUSE] 1100 00:40:38,770 --> 00:40:42,505 GOODBYE! [CHEERS AND APPLAUSE] ♪ ♪ 1101 00:40:46,076 --> 00:40:51,915 [CHEERS AND APPLAUSE] ♪ ♪ 1102 00:40:56,153 --> 00:40:58,388 >> Ellen: ANYWAY...