1 00:00:07,907 --> 00:00:09,475 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 2 00:00:09,477 --> 00:00:10,209 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 3 00:00:10,211 --> 00:00:10,676 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 4 00:00:10,678 --> 00:00:11,643 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY'S SO FAR AWAY ♪ 5 00:00:11,645 --> 00:00:12,311 ALL ♪ ♪ YESTERDAY'S SO FAR AWAY ♪ ♪ THIS TODAY IS THE ONLY DAY ♪ 6 00:00:12,313 --> 00:00:12,878 ♪ YESTERDAY'S SO FAR AWAY ♪ ♪ THIS TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 7 00:00:12,880 --> 00:00:13,145 ♪ THIS TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 8 00:00:13,147 --> 00:00:13,779 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ >> Announcer: HERE SHE IS NOW, 9 00:00:13,781 --> 00:00:14,146 CLOCK ♪ >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES. 10 00:00:14,148 --> 00:00:14,880 >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES. ♪ OH OH OH ♪ 11 00:00:14,882 --> 00:00:16,315 ELLEN DeGENERES. ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ 12 00:00:16,317 --> 00:00:17,916 ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ 13 00:00:17,918 --> 00:00:20,352 ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ 14 00:00:20,354 --> 00:00:21,887 ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ ♪ NO ♪ 15 00:00:21,889 --> 00:00:22,654 ♪ I NEVER WANNA GO HOME ♪ ♪ NO ♪ ♪ NO NO NO ♪ 16 00:00:22,656 --> 00:00:25,257 ♪ NO ♪ ♪ NO NO NO ♪ [CHEERS AND APPLAUSE] 17 00:00:25,259 --> 00:00:39,438 ♪ NO NO NO ♪ [CHEERS AND APPLAUSE] ♪ ♪ 18 00:00:40,774 --> 00:00:46,078 >> Ellen: HI. HELLO, EVERYBODY. HELLO. 19 00:00:46,080 --> 00:00:48,614 HELLO, EVERYBODY. HELLO. THANK YOU FOR YOUR SMILING FACES 20 00:00:48,616 --> 00:00:50,015 HELLO. THANK YOU FOR YOUR SMILING FACES AND YOUR WAVES AND YOUR DANCING 21 00:00:50,017 --> 00:00:51,150 THANK YOU FOR YOUR SMILING FACES AND YOUR WAVES AND YOUR DANCING AND ALL THAT. 22 00:00:51,152 --> 00:00:52,351 AND YOUR WAVES AND YOUR DANCING AND ALL THAT. THANK YOU SO MUCH. 23 00:00:52,353 --> 00:00:54,453 AND ALL THAT. THANK YOU SO MUCH. HEY, YOU KNOW, I WAS THINKING, 24 00:00:54,455 --> 00:00:57,389 THANK YOU SO MUCH. HEY, YOU KNOW, I WAS THINKING, AS I DO A LOT, I'LL THINK BEFORE 25 00:00:57,391 --> 00:00:58,323 HEY, YOU KNOW, I WAS THINKING, AS I DO A LOT, I'LL THINK BEFORE I COME OUT HERE, I WAS THINKING 26 00:00:58,325 --> 00:01:03,295 AS I DO A LOT, I'LL THINK BEFORE I COME OUT HERE, I WAS THINKING THAT THIS PAST YEAR, WE PUT A 27 00:01:03,297 --> 00:01:04,930 I COME OUT HERE, I WAS THINKING THAT THIS PAST YEAR, WE PUT A LOT OF ALCOHOL IN OUR BODIES AND 28 00:01:04,932 --> 00:01:06,365 THAT THIS PAST YEAR, WE PUT A LOT OF ALCOHOL IN OUR BODIES AND ON OUR BODIES COME INSIDE AND 29 00:01:06,367 --> 00:01:07,266 LOT OF ALCOHOL IN OUR BODIES AND ON OUR BODIES COME INSIDE AND OUTSIDE. 30 00:01:07,268 --> 00:01:08,534 ON OUR BODIES COME INSIDE AND OUTSIDE. I'M TALKING ABOUT COME OF 31 00:01:08,536 --> 00:01:10,202 OUTSIDE. I'M TALKING ABOUT COME OF COURSE, TEQUILA AND HAND 32 00:01:10,204 --> 00:01:10,636 I'M TALKING ABOUT COME OF COURSE, TEQUILA AND HAND SANITIZER. 33 00:01:10,638 --> 00:01:13,505 COURSE, TEQUILA AND HAND SANITIZER. HAND SANITIZER, WE ARE GOING 34 00:01:13,507 --> 00:01:14,773 SANITIZER. HAND SANITIZER, WE ARE GOING CRAZY WITH IT, AND I DON'T KNOW 35 00:01:14,775 --> 00:01:16,642 HAND SANITIZER, WE ARE GOING CRAZY WITH IT, AND I DON'T KNOW ABOUT YOU, BUT I PUT IT 36 00:01:16,644 --> 00:01:17,709 CRAZY WITH IT, AND I DON'T KNOW ABOUT YOU, BUT I PUT IT EVERYWHERE BECAUSE YOU CAN NEVER 37 00:01:17,711 --> 00:01:18,177 ABOUT YOU, BUT I PUT IT EVERYWHERE BECAUSE YOU CAN NEVER BE TOO SAFE. 38 00:01:18,179 --> 00:01:23,549 EVERYWHERE BECAUSE YOU CAN NEVER BE TOO SAFE. AND I MEAN, EVERYWHERE. 39 00:01:23,551 --> 00:01:23,816 BE TOO SAFE. AND I MEAN, EVERYWHERE. [LAUGHTER] 40 00:01:23,818 --> 00:01:25,417 AND I MEAN, EVERYWHERE. [LAUGHTER] WE USE HAND SANITIZER BEFORE, 41 00:01:25,419 --> 00:01:28,387 [LAUGHTER] WE USE HAND SANITIZER BEFORE, BUT I MEAN, NOW, IT'S CRAZY. 42 00:01:28,389 --> 00:01:29,521 WE USE HAND SANITIZER BEFORE, BUT I MEAN, NOW, IT'S CRAZY. IN THE OFFICE, WE HAVE A HAND 43 00:01:29,523 --> 00:01:32,224 BUT I MEAN, NOW, IT'S CRAZY. IN THE OFFICE, WE HAVE A HAND SANITIZER STATION EVERY 4 FEET 44 00:01:32,226 --> 00:01:34,193 IN THE OFFICE, WE HAVE A HAND SANITIZER STATION EVERY 4 FEET AWAY, IT'S LIKE A STARBUCKS IN 45 00:01:34,195 --> 00:01:34,393 SANITIZER STATION EVERY 4 FEET AWAY, IT'S LIKE A STARBUCKS IN HERE. 46 00:01:34,395 --> 00:01:34,960 AWAY, IT'S LIKE A STARBUCKS IN HERE. [LAUGHTER] 47 00:01:34,962 --> 00:01:37,162 HERE. [LAUGHTER] IT'S LIKE THE NEW OFFICE WATER 48 00:01:37,164 --> 00:01:38,430 [LAUGHTER] IT'S LIKE THE NEW OFFICE WATER COOLER, EXCEPT YOU HAVE TO YELL 49 00:01:38,432 --> 00:01:42,301 IT'S LIKE THE NEW OFFICE WATER COOLER, EXCEPT YOU HAVE TO YELL YOUR GOSSIP FROM 6 FEET AWAY. 50 00:01:42,303 --> 00:01:44,436 COOLER, EXCEPT YOU HAVE TO YELL YOUR GOSSIP FROM 6 FEET AWAY. "DID YOU HEAR ABOUT MARY'S 51 00:01:44,438 --> 00:01:45,170 YOUR GOSSIP FROM 6 FEET AWAY. "DID YOU HEAR ABOUT MARY'S RASH!" 52 00:01:45,172 --> 00:01:47,106 "DID YOU HEAR ABOUT MARY'S RASH!" OPEN "IT'S SPREADING! 53 00:01:47,108 --> 00:01:47,539 RASH!" OPEN "IT'S SPREADING! IT'S GETTING WORSE! 54 00:01:47,541 --> 00:01:51,910 OPEN "IT'S SPREADING! IT'S GETTING WORSE! ♪ 55 00:01:51,912 --> 00:01:55,147 IT'S GETTING WORSE! ♪ CLOSED" IT'S NEVER GOING TO END. 56 00:01:55,149 --> 00:01:56,949 ♪ CLOSED" IT'S NEVER GOING TO END. I NOTICED ALL THE HAND 57 00:01:56,951 --> 00:01:58,016 CLOSED" IT'S NEVER GOING TO END. I NOTICED ALL THE HAND SANITIZERS ARE DIFFERENT, THEY 58 00:01:58,018 --> 00:02:00,018 I NOTICED ALL THE HAND SANITIZERS ARE DIFFERENT, THEY ARE NOT ALL MADE THE SAME. 59 00:02:00,020 --> 00:02:01,587 SANITIZERS ARE DIFFERENT, THEY ARE NOT ALL MADE THE SAME. SOME SMELL REALLY GOOD, SOME 60 00:02:01,589 --> 00:02:02,221 ARE NOT ALL MADE THE SAME. SOME SMELL REALLY GOOD, SOME DON'T. 61 00:02:02,223 --> 00:02:02,788 SOME SMELL REALLY GOOD, SOME DON'T. SOME SMELL BAD. 62 00:02:02,790 --> 00:02:05,190 DON'T. SOME SMELL BAD. SOME STING YOUR HANDS AND YOUR 63 00:02:05,192 --> 00:02:05,657 SOME SMELL BAD. SOME STING YOUR HANDS AND YOUR NOSTRILS. 64 00:02:05,659 --> 00:02:06,959 SOME STING YOUR HANDS AND YOUR NOSTRILS. SOME ARE HAIR SPRAY. 65 00:02:06,961 --> 00:02:08,827 NOSTRILS. SOME ARE HAIR SPRAY. I'VE MADE THAT MISTAKE BEFORE. 66 00:02:08,829 --> 00:02:11,897 SOME ARE HAIR SPRAY. I'VE MADE THAT MISTAKE BEFORE. AND THEN MY HANDS SMELL LIKE 67 00:02:11,899 --> 00:02:12,164 I'VE MADE THAT MISTAKE BEFORE. AND THEN MY HANDS SMELL LIKE SUPERCUTS. 68 00:02:12,166 --> 00:02:15,400 AND THEN MY HANDS SMELL LIKE SUPERCUTS. JUST A MEMORY. 69 00:02:15,402 --> 00:02:16,568 SUPERCUTS. JUST A MEMORY. SOMETIMES, YOU PUT TOO MUCH HAND 70 00:02:16,570 --> 00:02:18,103 JUST A MEMORY. SOMETIMES, YOU PUT TOO MUCH HAND SANITIZER ON AND YOU HAVE TO DO 71 00:02:18,105 --> 00:02:20,405 SOMETIMES, YOU PUT TOO MUCH HAND SANITIZER ON AND YOU HAVE TO DO THE JAZZ HANDS TO DRY IT OFF, 72 00:02:20,407 --> 00:02:20,939 SANITIZER ON AND YOU HAVE TO DO THE JAZZ HANDS TO DRY IT OFF, YOU KNOW. 73 00:02:20,941 --> 00:02:22,708 THE JAZZ HANDS TO DRY IT OFF, YOU KNOW. PEOPLE SEE ME IN PUBLIC LIKE 74 00:02:22,710 --> 00:02:24,910 YOU KNOW. PEOPLE SEE ME IN PUBLIC LIKE "ELLEN LOVES TO DANCE." 75 00:02:24,912 --> 00:02:27,312 PEOPLE SEE ME IN PUBLIC LIKE "ELLEN LOVES TO DANCE." "SHE'S ALWAYS DANCING." 76 00:02:27,314 --> 00:02:28,747 "ELLEN LOVES TO DANCE." "SHE'S ALWAYS DANCING." THEN SOMETIMES, YOUR HANDS ARE 77 00:02:28,749 --> 00:02:29,815 "SHE'S ALWAYS DANCING." THEN SOMETIMES, YOUR HANDS ARE TOO SLIPPERY BECAUSE YOU HAVE SO 78 00:02:29,817 --> 00:02:32,151 THEN SOMETIMES, YOUR HANDS ARE TOO SLIPPERY BECAUSE YOU HAVE SO MUCH ON, YOU CAN'T OPEN THE DOOR 79 00:02:32,153 --> 00:02:32,751 TOO SLIPPERY BECAUSE YOU HAVE SO MUCH ON, YOU CAN'T OPEN THE DOOR KNOB SO YOU HAVE TO USE YOUR 80 00:02:32,753 --> 00:02:34,453 MUCH ON, YOU CAN'T OPEN THE DOOR KNOB SO YOU HAVE TO USE YOUR MOUTH. 81 00:02:34,455 --> 00:02:35,020 KNOB SO YOU HAVE TO USE YOUR MOUTH. [LAUGHTER] 82 00:02:35,022 --> 00:02:36,155 MOUTH. [LAUGHTER] THAT'S HOW I GOT COVID, WAS 83 00:02:36,157 --> 00:02:38,490 [LAUGHTER] THAT'S HOW I GOT COVID, WAS THE -- 84 00:02:38,492 --> 00:02:38,957 THAT'S HOW I GOT COVID, WAS THE -- [LAUGHTER] 85 00:02:38,959 --> 00:02:39,191 THE -- [LAUGHTER] I THINK. 86 00:02:39,193 --> 00:02:41,960 [LAUGHTER] I THINK. I'M PRETTY SURE THAT WAS IT. 87 00:02:41,962 --> 00:02:43,162 I THINK. I'M PRETTY SURE THAT WAS IT. SOME SANITIZERS ARE STICKY. 88 00:02:43,164 --> 00:02:46,231 I'M PRETTY SURE THAT WAS IT. SOME SANITIZERS ARE STICKY. THEY MAKE YOUR HANDS FEEL 89 00:02:46,233 --> 00:02:47,633 SOME SANITIZERS ARE STICKY. THEY MAKE YOUR HANDS FEEL DIRTIER THAN WHEN YOU DID NOT 90 00:02:47,635 --> 00:02:48,400 THEY MAKE YOUR HANDS FEEL DIRTIER THAN WHEN YOU DID NOT HAVE IT ON. 91 00:02:48,402 --> 00:02:50,269 DIRTIER THAN WHEN YOU DID NOT HAVE IT ON. THAN YOU HAD TO FIND ANOTHER 92 00:02:50,271 --> 00:02:51,670 HAVE IT ON. THAN YOU HAD TO FIND ANOTHER SANITIZER TO GET THE STICKY 93 00:02:51,672 --> 00:02:52,938 THAN YOU HAD TO FIND ANOTHER SANITIZER TO GET THE STICKY SANITIZER OFF, THEN YOU CAN FIND 94 00:02:52,940 --> 00:02:53,705 SANITIZER TO GET THE STICKY SANITIZER OFF, THEN YOU CAN FIND THAT SO YOU HAVE TO WASH YOUR 95 00:02:53,707 --> 00:02:54,740 SANITIZER OFF, THEN YOU CAN FIND THAT SO YOU HAVE TO WASH YOUR HANDS, WHICH IS WHAT YOU SHOULD 96 00:02:54,742 --> 00:02:56,108 THAT SO YOU HAVE TO WASH YOUR HANDS, WHICH IS WHAT YOU SHOULD HAVE DONE IN THE FIRST PLACE, 97 00:02:56,110 --> 00:02:58,043 HANDS, WHICH IS WHAT YOU SHOULD HAVE DONE IN THE FIRST PLACE, JUST WASH YOUR HANDS. 98 00:02:58,045 --> 00:03:00,179 HAVE DONE IN THE FIRST PLACE, JUST WASH YOUR HANDS. BY THE WAY, HOW MANY PEOPLE ARE 99 00:03:00,181 --> 00:03:02,347 JUST WASH YOUR HANDS. BY THE WAY, HOW MANY PEOPLE ARE STILL SINGING "HAPPY BIRTHDAY" 100 00:03:02,349 --> 00:03:04,449 BY THE WAY, HOW MANY PEOPLE ARE STILL SINGING "HAPPY BIRTHDAY" WHEN YOU WASH YOUR HANDS? 101 00:03:04,451 --> 00:03:06,218 STILL SINGING "HAPPY BIRTHDAY" WHEN YOU WASH YOUR HANDS? RAISE YOUR CHAPPED HANDS. 102 00:03:06,220 --> 00:03:10,155 WHEN YOU WASH YOUR HANDS? RAISE YOUR CHAPPED HANDS. I GOT SICK OF "HAPPY BIRTHDAY." 103 00:03:10,157 --> 00:03:12,758 RAISE YOUR CHAPPED HANDS. I GOT SICK OF "HAPPY BIRTHDAY." I MOVED ON BECAUSE I CANNOT SING 104 00:03:12,760 --> 00:03:13,325 I GOT SICK OF "HAPPY BIRTHDAY." I MOVED ON BECAUSE I CANNOT SING "HAPPY BIRTHDAY" ANYMORE. 105 00:03:13,327 --> 00:03:17,095 I MOVED ON BECAUSE I CANNOT SING "HAPPY BIRTHDAY" ANYMORE. NOW I AM SINGING "STAIRWAY TO 106 00:03:17,097 --> 00:03:17,496 "HAPPY BIRTHDAY" ANYMORE. NOW I AM SINGING "STAIRWAY TO HEAVEN." 107 00:03:17,498 --> 00:03:17,896 NOW I AM SINGING "STAIRWAY TO HEAVEN." IT IS A LONG SONG. 108 00:03:17,898 --> 00:03:21,967 HEAVEN." IT IS A LONG SONG. I HAVE A HUGE WATER BILL. 109 00:03:21,969 --> 00:03:25,137 IT IS A LONG SONG. I HAVE A HUGE WATER BILL. ♪ THERE'S A LADY WHO'S SURE ALL 110 00:03:25,139 --> 00:03:25,871 I HAVE A HUGE WATER BILL. ♪ THERE'S A LADY WHO'S SURE ALL THAT GLITTERS IS GOLD ♪ 111 00:03:25,873 --> 00:03:30,909 ♪ THERE'S A LADY WHO'S SURE ALL THAT GLITTERS IS GOLD ♪ ♪ AND SHE'S BUYING THE STAIRWAY 112 00:03:30,911 --> 00:03:31,243 THAT GLITTERS IS GOLD ♪ ♪ AND SHE'S BUYING THE STAIRWAY TO HEAVEN ♪ 113 00:03:31,245 --> 00:03:35,113 ♪ AND SHE'S BUYING THE STAIRWAY TO HEAVEN ♪ ♪ WHEN SHE GETS THERE SHE KNOWS, 114 00:03:35,115 --> 00:03:37,716 TO HEAVEN ♪ ♪ WHEN SHE GETS THERE SHE KNOWS, IF THE STORES ARE ALL ♪ 115 00:03:37,718 --> 00:03:41,353 ♪ WHEN SHE GETS THERE SHE KNOWS, IF THE STORES ARE ALL ♪ WITH A WORD ♪ 116 00:03:41,355 --> 00:03:41,853 IF THE STORES ARE ALL ♪ WITH A WORD ♪ [LAUGHTER] 117 00:03:41,855 --> 00:03:45,224 WITH A WORD ♪ [LAUGHTER] I WANTED TO SING THE WHOLE SONG, 118 00:03:45,226 --> 00:03:47,159 [LAUGHTER] I WANTED TO SING THE WHOLE SONG, BUT THERE IS A GUITAR SOLO IN 119 00:03:47,161 --> 00:03:48,694 I WANTED TO SING THE WHOLE SONG, BUT THERE IS A GUITAR SOLO IN THERE, SO I HAVE TO DO -- 120 00:03:48,696 --> 00:03:50,762 BUT THERE IS A GUITAR SOLO IN THERE, SO I HAVE TO DO -- SINGING MAKES EVERYTHING FUN. 121 00:03:50,764 --> 00:03:52,497 THERE, SO I HAVE TO DO -- SINGING MAKES EVERYTHING FUN. I DON'T KNOW WHY WE DON'T SING 122 00:03:52,499 --> 00:03:53,498 SINGING MAKES EVERYTHING FUN. I DON'T KNOW WHY WE DON'T SING THE SONG WHEN WE USE HAND 123 00:03:53,500 --> 00:03:55,367 I DON'T KNOW WHY WE DON'T SING THE SONG WHEN WE USE HAND SANITIZER OR SHAVE OUR LEGS OR 124 00:03:55,369 --> 00:03:58,437 THE SONG WHEN WE USE HAND SANITIZER OR SHAVE OUR LEGS OR WHEN WE DO THE NASTY. 125 00:03:58,439 --> 00:03:58,704 SANITIZER OR SHAVE OUR LEGS OR WHEN WE DO THE NASTY. [LAUGHTER] 126 00:03:58,706 --> 00:04:01,540 WHEN WE DO THE NASTY. [LAUGHTER] BY "THE NASTY," I MEAN LEANING 127 00:04:01,542 --> 00:04:02,741 [LAUGHTER] BY "THE NASTY," I MEAN LEANING YOUR GUTTERS. 128 00:04:02,743 --> 00:04:05,244 BY "THE NASTY," I MEAN LEANING YOUR GUTTERS. BY "CLEANING YOUR GUTTERS," I 129 00:04:05,246 --> 00:04:06,778 YOUR GUTTERS. BY "CLEANING YOUR GUTTERS," I MEAN DOING THE NASTY. 130 00:04:06,780 --> 00:04:07,779 BY "CLEANING YOUR GUTTERS," I MEAN DOING THE NASTY. [LAUGHTER] 131 00:04:07,781 --> 00:04:10,382 MEAN DOING THE NASTY. [LAUGHTER] WHAT WAS I TALKING ABOUT? 132 00:04:10,384 --> 00:04:11,550 [LAUGHTER] WHAT WAS I TALKING ABOUT? OH, YEAH, HAND SANITIZER. 133 00:04:11,552 --> 00:04:12,384 WHAT WAS I TALKING ABOUT? OH, YEAH, HAND SANITIZER. I GUESS WHAT IS IMPORTANT WE 134 00:04:12,386 --> 00:04:13,619 OH, YEAH, HAND SANITIZER. I GUESS WHAT IS IMPORTANT WE HAVE CLEAN HANDS AND CLEAN 135 00:04:13,621 --> 00:04:14,353 I GUESS WHAT IS IMPORTANT WE HAVE CLEAN HANDS AND CLEAN MINDS. 136 00:04:14,355 --> 00:04:15,554 HAVE CLEAN HANDS AND CLEAN MINDS. I HOPE YOU ENJOYED MY CLEAN 137 00:04:15,556 --> 00:04:15,787 MINDS. I HOPE YOU ENJOYED MY CLEAN COMEDY. 138 00:04:15,789 --> 00:04:17,256 I HOPE YOU ENJOYED MY CLEAN COMEDY. GIVE IT UP FOR A MAN WHO LIKES 139 00:04:17,258 --> 00:04:18,156 COMEDY. GIVE IT UP FOR A MAN WHO LIKES TO GET DOWN AND DIRTY. 140 00:04:18,158 --> 00:04:19,758 GIVE IT UP FOR A MAN WHO LIKES TO GET DOWN AND DIRTY. THIS IS tWITCH! 141 00:04:19,760 --> 00:04:20,025 TO GET DOWN AND DIRTY. THIS IS tWITCH! [APPLAUSE] 142 00:04:20,027 --> 00:04:31,270 THIS IS tWITCH! [APPLAUSE] ♪ ♪ 143 00:04:35,241 --> 00:04:42,881 ♪ ♪ 144 00:04:43,316 --> 00:04:56,261 ♪ ♪ 145 00:04:56,629 --> 00:05:10,742 ♪ ♪ 146 00:05:13,146 --> 00:05:24,423 ♪ ♪ [APPLAUSE] >> Ellen: ALL RIGHTY! 147 00:05:24,425 --> 00:05:26,925 [APPLAUSE] >> Ellen: ALL RIGHTY! tWITCH, DO YOU SING A SONG 148 00:05:26,927 --> 00:05:27,793 >> Ellen: ALL RIGHTY! tWITCH, DO YOU SING A SONG WHEN YOU WASH YOUR HANDS? 149 00:05:27,795 --> 00:05:30,762 tWITCH, DO YOU SING A SONG WHEN YOU WASH YOUR HANDS? >> tWitch: NO, I DO NOT. 150 00:05:30,764 --> 00:05:32,164 WHEN YOU WASH YOUR HANDS? >> tWitch: NO, I DO NOT. NOR WHEN I AM CLEANING MY 151 00:05:32,166 --> 00:05:32,397 >> tWitch: NO, I DO NOT. NOR WHEN I AM CLEANING MY GUTTERS. 152 00:05:32,399 --> 00:05:32,664 NOR WHEN I AM CLEANING MY GUTTERS. [LAUGHTER] 153 00:05:32,666 --> 00:05:34,433 GUTTERS. [LAUGHTER] >> Ellen: NO? 154 00:05:34,435 --> 00:05:36,001 [LAUGHTER] >> Ellen: NO? YOU SHOULD TRY IT. 155 00:05:36,003 --> 00:05:36,268 >> Ellen: NO? YOU SHOULD TRY IT. [LAUGHTER] 156 00:05:36,270 --> 00:05:38,303 YOU SHOULD TRY IT. [LAUGHTER] IT HELPS YOU. 157 00:05:38,305 --> 00:05:41,373 [LAUGHTER] IT HELPS YOU. CLEAN YOUR GUTTERS. 158 00:05:41,375 --> 00:05:42,007 IT HELPS YOU. CLEAN YOUR GUTTERS. [LAUGHTER] 159 00:05:42,009 --> 00:05:43,542 CLEAN YOUR GUTTERS. [LAUGHTER] HEY, I THOUGHT I WOULD SHOW 160 00:05:43,544 --> 00:05:45,377 [LAUGHTER] HEY, I THOUGHT I WOULD SHOW SOMEBODY WHO IS WINNING IN 2021, 161 00:05:45,379 --> 00:05:47,713 HEY, I THOUGHT I WOULD SHOW SOMEBODY WHO IS WINNING IN 2021, LOOK AT THIS. 162 00:05:47,715 --> 00:06:01,893 SOMEBODY WHO IS WINNING IN 2021, LOOK AT THIS. ♪ ♪ 163 00:06:07,266 --> 00:06:11,870 ♪ ♪ [APPLAUSE] >> tWitch: THAT'S AMAZING. 164 00:06:11,872 --> 00:06:15,607 [APPLAUSE] >> tWitch: THAT'S AMAZING. >> Ellen: WHAT IS HAPPENING? 165 00:06:15,609 --> 00:06:18,443 >> tWitch: THAT'S AMAZING. >> Ellen: WHAT IS HAPPENING? WHY IS THAT CAT SO PATIENT? 166 00:06:18,445 --> 00:06:18,710 >> Ellen: WHAT IS HAPPENING? WHY IS THAT CAT SO PATIENT? [LAUGHTER] 167 00:06:18,712 --> 00:06:20,011 WHY IS THAT CAT SO PATIENT? [LAUGHTER] IT'S CRAZY. 168 00:06:20,013 --> 00:06:23,582 [LAUGHTER] IT'S CRAZY. HERE IS SOMETHING ELSE THAT IS A 169 00:06:23,584 --> 00:06:25,417 IT'S CRAZY. HERE IS SOMETHING ELSE THAT IS A WONDERFUL THING TO TALK ABOUT. 170 00:06:25,419 --> 00:06:28,353 HERE IS SOMETHING ELSE THAT IS A WONDERFUL THING TO TALK ABOUT. MY SEGMENT, "COINCIDENCE, I 171 00:06:28,355 --> 00:06:28,687 WONDERFUL THING TO TALK ABOUT. MY SEGMENT, "COINCIDENCE, I THINK NOT." 172 00:06:28,689 --> 00:06:30,088 MY SEGMENT, "COINCIDENCE, I THINK NOT." ♪ ANYTHING CAN HAPPEN ♪ 173 00:06:30,090 --> 00:06:34,860 THINK NOT." ♪ ANYTHING CAN HAPPEN ♪ ♪ ANYTHING CAN HAPPEN ♪ 174 00:06:34,862 --> 00:06:36,428 ♪ ANYTHING CAN HAPPEN ♪ ♪ ANYTHING CAN HAPPEN ♪ ♪ ANYTHING CAN HAPPEN ♪ 175 00:06:36,430 --> 00:06:39,965 ♪ ANYTHING CAN HAPPEN ♪ ♪ ANYTHING CAN HAPPEN ♪ ♪ ANYTHING ♪ 176 00:06:39,967 --> 00:06:40,232 ♪ ANYTHING CAN HAPPEN ♪ ♪ ANYTHING ♪ [LAUGHTER] 177 00:06:40,234 --> 00:06:50,409 ♪ ANYTHING ♪ [LAUGHTER] [APPLAUSE] 178 00:06:50,411 --> 00:06:52,344 [LAUGHTER] [APPLAUSE] THAT IS A FUN SONG. 179 00:06:52,346 --> 00:06:53,111 [APPLAUSE] THAT IS A FUN SONG. YOU KNOW HOW MUSICIANS WRITE 180 00:06:53,113 --> 00:06:54,279 THAT IS A FUN SONG. YOU KNOW HOW MUSICIANS WRITE SONGS AND THEY DON'T THINK ABOUT 181 00:06:54,281 --> 00:06:55,947 YOU KNOW HOW MUSICIANS WRITE SONGS AND THEY DON'T THINK ABOUT HAVING TO SING THEM OVER AND 182 00:06:55,949 --> 00:06:57,149 SONGS AND THEY DON'T THINK ABOUT HAVING TO SING THEM OVER AND OVER AGAIN, THAT WOULD BE FUN TO 183 00:06:57,151 --> 00:06:59,918 HAVING TO SING THEM OVER AND OVER AGAIN, THAT WOULD BE FUN TO SING OVER AND OVER AGAIN. 184 00:06:59,920 --> 00:07:00,152 OVER AGAIN, THAT WOULD BE FUN TO SING OVER AND OVER AGAIN. ON TOUR. 185 00:07:00,154 --> 00:07:04,623 SING OVER AND OVER AGAIN. ON TOUR. >> tWitch: FOR SURE. 186 00:07:04,625 --> 00:07:05,624 ON TOUR. >> tWitch: FOR SURE. >> Ellen: JUST A THOUGHT. 187 00:07:05,626 --> 00:07:07,492 >> tWitch: FOR SURE. >> Ellen: JUST A THOUGHT. I LIKE TO THINK ABOUT THINGS. 188 00:07:07,494 --> 00:07:09,928 >> Ellen: JUST A THOUGHT. I LIKE TO THINK ABOUT THINGS. SOMETIMES THEY SHOULD STAY IN MY 189 00:07:09,930 --> 00:07:10,495 I LIKE TO THINK ABOUT THINGS. SOMETIMES THEY SHOULD STAY IN MY HEAD. 190 00:07:10,497 --> 00:07:12,330 SOMETIMES THEY SHOULD STAY IN MY HEAD. THESE ARE ALL REAL PHOTOS THAT 191 00:07:12,332 --> 00:07:14,132 HEAD. THESE ARE ALL REAL PHOTOS THAT PROVE THE UNIVERSE HAS A PLAN. 192 00:07:14,134 --> 00:07:14,933 THESE ARE ALL REAL PHOTOS THAT PROVE THE UNIVERSE HAS A PLAN. HERE WE GO. 193 00:07:14,935 --> 00:07:16,968 PROVE THE UNIVERSE HAS A PLAN. HERE WE GO. THE FIRST ONE, LOOK AT THIS, 194 00:07:16,970 --> 00:07:17,669 HERE WE GO. THE FIRST ONE, LOOK AT THIS, THAT IS THREE DIFFERENT GUYS 195 00:07:17,671 --> 00:07:19,938 THE FIRST ONE, LOOK AT THIS, THAT IS THREE DIFFERENT GUYS SLEEPING ON A TRAIN. 196 00:07:19,940 --> 00:07:21,940 THAT IS THREE DIFFERENT GUYS SLEEPING ON A TRAIN. LOOKS LIKE ONE GUY TIME TRAVELED 197 00:07:21,942 --> 00:07:24,309 SLEEPING ON A TRAIN. LOOKS LIKE ONE GUY TIME TRAVELED AND THEN CAUGHT UP TO HIMSELF. 198 00:07:24,311 --> 00:07:24,743 LOOKS LIKE ONE GUY TIME TRAVELED AND THEN CAUGHT UP TO HIMSELF. [LAUGHTER] 199 00:07:24,745 --> 00:07:26,178 AND THEN CAUGHT UP TO HIMSELF. [LAUGHTER] I WONDER IF THEY ARE DREAMING 200 00:07:26,180 --> 00:07:27,512 [LAUGHTER] I WONDER IF THEY ARE DREAMING THE SAME THING. 201 00:07:27,514 --> 00:07:28,447 I WONDER IF THEY ARE DREAMING THE SAME THING. WOULDN'T THAT BE WEIRD? 202 00:07:28,449 --> 00:07:30,649 THE SAME THING. WOULDN'T THAT BE WEIRD? HERE'S ANOTHER ONE. 203 00:07:30,651 --> 00:07:35,420 WOULDN'T THAT BE WEIRD? HERE'S ANOTHER ONE. LOOK, THERE IS A DOG ON A DOG'S 204 00:07:35,422 --> 00:07:36,221 HERE'S ANOTHER ONE. LOOK, THERE IS A DOG ON A DOG'S EAR. 205 00:07:36,223 --> 00:07:38,356 LOOK, THERE IS A DOG ON A DOG'S EAR. THAT'S LIKE HAVING TWO DOGS IN 206 00:07:38,358 --> 00:07:38,523 EAR. THAT'S LIKE HAVING TWO DOGS IN ONE. 207 00:07:38,525 --> 00:07:39,224 THAT'S LIKE HAVING TWO DOGS IN ONE. YOU DON'T KNOW WHICH -- 208 00:07:39,226 --> 00:07:39,491 ONE. YOU DON'T KNOW WHICH -- [LAUGHTER] 209 00:07:39,493 --> 00:07:41,193 YOU DON'T KNOW WHICH -- [LAUGHTER] COME HERE. 210 00:07:41,195 --> 00:07:42,527 [LAUGHTER] COME HERE. WHERE ARE YOU GOING? 211 00:07:42,529 --> 00:07:44,796 COME HERE. WHERE ARE YOU GOING? OH, YOU ARE HERE. 212 00:07:44,798 --> 00:07:45,363 WHERE ARE YOU GOING? OH, YOU ARE HERE. [LAUGHTER] 213 00:07:45,365 --> 00:07:47,999 OH, YOU ARE HERE. [LAUGHTER] HERE IS A BEER DELIVERY TRUCK 214 00:07:48,001 --> 00:07:57,175 [LAUGHTER] HERE IS A BEER DELIVERY TRUCK THAT SAYS "REGRET NOTHING," BUT. 215 00:07:57,177 --> 00:07:58,743 HERE IS A BEER DELIVERY TRUCK THAT SAYS "REGRET NOTHING," BUT. [LAUGHTER] 216 00:07:58,745 --> 00:08:01,146 THAT SAYS "REGRET NOTHING," BUT. [LAUGHTER] >> Ellen: I BET HE REGRETS 217 00:08:01,148 --> 00:08:01,880 [LAUGHTER] >> Ellen: I BET HE REGRETS THAT. 218 00:08:01,882 --> 00:08:03,548 >> Ellen: I BET HE REGRETS THAT. OH, BOY. 219 00:08:03,550 --> 00:08:06,918 THAT. OH, BOY. HERE'S ONE MORE. 220 00:08:06,920 --> 00:08:08,753 OH, BOY. HERE'S ONE MORE. THIS IS A STACK OF NEWSPAPER. 221 00:08:08,755 --> 00:08:10,322 HERE'S ONE MORE. THIS IS A STACK OF NEWSPAPER. ALL YOU CAN READ ON THE BOTTOM 222 00:08:10,324 --> 00:08:13,325 THIS IS A STACK OF NEWSPAPER. ALL YOU CAN READ ON THE BOTTOM LINE IS "THIS IS NOT A 223 00:08:13,327 --> 00:08:13,658 ALL YOU CAN READ ON THE BOTTOM LINE IS "THIS IS NOT A COINCIDENCE." 224 00:08:13,660 --> 00:08:15,327 LINE IS "THIS IS NOT A COINCIDENCE." [LAUGHTER] 225 00:08:15,329 --> 00:08:19,164 COINCIDENCE." [LAUGHTER] WELL, THE SEGMENT IS 226 00:08:19,166 --> 00:08:20,232 [LAUGHTER] WELL, THE SEGMENT IS "COINCIDENCE, I THINK NOT," SO 227 00:08:20,234 --> 00:08:20,832 WELL, THE SEGMENT IS "COINCIDENCE, I THINK NOT," SO IT IS. 228 00:08:20,834 --> 00:08:21,666 "COINCIDENCE, I THINK NOT," SO IT IS. HERE IS SOMETHING ELSE THAT WAS 229 00:08:21,668 --> 00:08:22,567 IT IS. HERE IS SOMETHING ELSE THAT WAS IN THE NEWS. 230 00:08:22,569 --> 00:08:25,403 HERE IS SOMETHING ELSE THAT WAS IN THE NEWS. TAKE A LOOK AT THIS HEADLINE. 231 00:08:25,405 --> 00:08:27,939 IN THE NEWS. TAKE A LOOK AT THIS HEADLINE. "AMBULANCE TAKES ELDERLY PATIENT 232 00:08:27,941 --> 00:08:30,942 TAKE A LOOK AT THIS HEADLINE. "AMBULANCE TAKES ELDERLY PATIENT TO WRONG HOUSE, PUTS HER IN A 233 00:08:30,944 --> 00:08:31,309 "AMBULANCE TAKES ELDERLY PATIENT TO WRONG HOUSE, PUTS HER IN A STRANGER'S BED." 234 00:08:31,311 --> 00:08:32,110 TO WRONG HOUSE, PUTS HER IN A STRANGER'S BED." THIS IS REAL. 235 00:08:32,112 --> 00:08:33,545 STRANGER'S BED." THIS IS REAL. I WANT TO KNOW MORE INFORMATION. 236 00:08:33,547 --> 00:08:35,380 THIS IS REAL. I WANT TO KNOW MORE INFORMATION. LET'S GO TO MY WRITER, SHANNON, 237 00:08:35,382 --> 00:08:36,581 I WANT TO KNOW MORE INFORMATION. LET'S GO TO MY WRITER, SHANNON, TO BREAK IT DOWN. 238 00:08:36,583 --> 00:08:37,883 LET'S GO TO MY WRITER, SHANNON, TO BREAK IT DOWN. HERE IS SHANNON ON THE BEAT. 239 00:08:37,885 --> 00:08:42,954 TO BREAK IT DOWN. HERE IS SHANNON ON THE BEAT. ♪ ♪ 240 00:08:42,956 --> 00:08:44,589 HERE IS SHANNON ON THE BEAT. ♪ ♪ >> IN WALES, U.K., SOMETHING 241 00:08:44,591 --> 00:08:47,826 ♪ ♪ >> IN WALES, U.K., SOMETHING WENT DOWN, AN ELDERLY WOMAN WAS 242 00:08:47,828 --> 00:08:48,860 >> IN WALES, U.K., SOMETHING WENT DOWN, AN ELDERLY WOMAN WAS TAKEN DOWN TIME BY AN AMBULANCE 243 00:08:48,862 --> 00:08:50,395 WENT DOWN, AN ELDERLY WOMAN WAS TAKEN DOWN TIME BY AN AMBULANCE LEAVING HER HOSPITAL BED AND 244 00:08:50,397 --> 00:08:51,296 TAKEN DOWN TIME BY AN AMBULANCE LEAVING HER HOSPITAL BED AND THEN SHE WAS TUCKED INTO A 245 00:08:51,298 --> 00:08:55,100 LEAVING HER HOSPITAL BED AND THEN SHE WAS TUCKED INTO A STRANGER'S BED. 246 00:08:55,102 --> 00:08:56,635 THEN SHE WAS TUCKED INTO A STRANGER'S BED. HER SON GOT WORRIED AND ENTER 247 00:08:56,637 --> 00:08:57,402 STRANGER'S BED. HER SON GOT WORRIED AND ENTER THE PHONE. 248 00:08:57,404 --> 00:08:58,503 HER SON GOT WORRIED AND ENTER THE PHONE. WITH THE HOSPITAL SAID SHE 249 00:08:58,505 --> 00:08:59,804 THE PHONE. WITH THE HOSPITAL SAID SHE STAYED AT THE HOUSE, SHE SPENT 250 00:08:59,806 --> 00:09:02,107 WITH THE HOSPITAL SAID SHE STAYED AT THE HOUSE, SHE SPENT TUCKED INTO BED AND SLEEPING LIA 251 00:09:02,109 --> 00:09:06,711 STAYED AT THE HOUSE, SHE SPENT TUCKED INTO BED AND SLEEPING LIA MOUSE. 252 00:09:06,713 --> 00:09:08,380 TUCKED INTO BED AND SLEEPING LIA MOUSE. THEY TOOK HER TO A HOUSE 8 MILES 253 00:09:08,382 --> 00:09:10,448 MOUSE. THEY TOOK HER TO A HOUSE 8 MILES AWAY, SHE'S NOT HERE, OH, DEAR, 254 00:09:10,450 --> 00:09:12,884 THEY TOOK HER TO A HOUSE 8 MILES AWAY, SHE'S NOT HERE, OH, DEAR, I HOPE THE AMBULANCE IS NEAR. 255 00:09:12,886 --> 00:09:13,985 AWAY, SHE'S NOT HERE, OH, DEAR, I HOPE THE AMBULANCE IS NEAR. SEND SOMEONE TO PICK HER UP. 256 00:09:13,987 --> 00:09:15,520 I HOPE THE AMBULANCE IS NEAR. SEND SOMEONE TO PICK HER UP. YOU MEAN YOU LEFT HER THERE? 257 00:09:15,522 --> 00:09:18,123 SEND SOMEONE TO PICK HER UP. YOU MEAN YOU LEFT HER THERE? SHE DIDN'T PUT UP A FUSS. 258 00:09:18,125 --> 00:09:20,025 YOU MEAN YOU LEFT HER THERE? SHE DIDN'T PUT UP A FUSS. I'M A VERY QUIET WOMAN WHO WAS 259 00:09:20,027 --> 00:09:20,525 SHE DIDN'T PUT UP A FUSS. I'M A VERY QUIET WOMAN WHO WAS FRIGHTENED AND CONFUSED. 260 00:09:20,527 --> 00:09:23,161 I'M A VERY QUIET WOMAN WHO WAS FRIGHTENED AND CONFUSED. THEY THOUGHT I WAS A PATIENT, 261 00:09:23,163 --> 00:09:23,895 FRIGHTENED AND CONFUSED. THEY THOUGHT I WAS A PATIENT, THE HOUSE WASN'T MINE BUT THEY 262 00:09:23,897 --> 00:09:27,799 THEY THOUGHT I WAS A PATIENT, THE HOUSE WASN'T MINE BUT THEY WERE STILL VERY KIND. 263 00:09:27,801 --> 00:09:29,301 THE HOUSE WASN'T MINE BUT THEY WERE STILL VERY KIND. DOUBLE CHECK YOUR ADDRESS BEFORE 264 00:09:29,303 --> 00:09:31,603 WERE STILL VERY KIND. DOUBLE CHECK YOUR ADDRESS BEFORE YOU ARE IN AN AMBULANCE. 265 00:09:31,605 --> 00:09:34,105 DOUBLE CHECK YOUR ADDRESS BEFORE YOU ARE IN AN AMBULANCE. [LAUGHTER] 266 00:09:34,107 --> 00:09:35,507 YOU ARE IN AN AMBULANCE. [LAUGHTER] YOUR MOTHER FROM THE HOSPITAL. 267 00:09:35,509 --> 00:09:35,774 [LAUGHTER] YOUR MOTHER FROM THE HOSPITAL. [APPLAUSE] 268 00:09:35,776 --> 00:09:39,177 YOUR MOTHER FROM THE HOSPITAL. [APPLAUSE] >> Ellen: THANK YOU, SHANNON. 269 00:09:39,179 --> 00:09:41,379 [APPLAUSE] >> Ellen: THANK YOU, SHANNON. YOU KNOW, I LIKE MY NEWS TO 270 00:09:41,381 --> 00:09:42,480 >> Ellen: THANK YOU, SHANNON. YOU KNOW, I LIKE MY NEWS TO RHYME, WHICH RHYMES WITH TIME, 271 00:09:42,482 --> 00:09:44,115 YOU KNOW, I LIKE MY NEWS TO RHYME, WHICH RHYMES WITH TIME, AND I DON'T WANT TO RUN OUT OF 272 00:09:44,117 --> 00:09:45,550 RHYME, WHICH RHYMES WITH TIME, AND I DON'T WANT TO RUN OUT OF TIME, BECAUSE I WANT EVERYONE TO 273 00:09:45,552 --> 00:09:47,285 AND I DON'T WANT TO RUN OUT OF TIME, BECAUSE I WANT EVERYONE TO ENJOY SOMETHING THAT WAS CUT FOR 274 00:09:47,287 --> 00:09:47,752 TIME, BECAUSE I WANT EVERYONE TO ENJOY SOMETHING THAT WAS CUT FOR TIME. 275 00:09:47,754 --> 00:09:48,587 ENJOY SOMETHING THAT WAS CUT FOR TIME. I'M GOING TO SHOW IT TO YOU 276 00:09:48,589 --> 00:09:49,554 TIME. I'M GOING TO SHOW IT TO YOU BECAUSE WE DO HAVE TIME RIGHT 277 00:09:49,556 --> 00:09:49,955 I'M GOING TO SHOW IT TO YOU BECAUSE WE DO HAVE TIME RIGHT NOW. 278 00:09:49,957 --> 00:09:52,123 BECAUSE WE DO HAVE TIME RIGHT NOW. ARE LOOKING AT THE CLOCK TICKING 279 00:09:52,125 --> 00:09:53,892 NOW. ARE LOOKING AT THE CLOCK TICKING DOWN, AND WE HAVE 280 00:09:53,894 --> 00:09:54,759 ARE LOOKING AT THE CLOCK TICKING DOWN, AND WE HAVE 3 MINUTES AND 14 SECONDS, WE 281 00:09:54,761 --> 00:09:56,795 DOWN, AND WE HAVE 3 MINUTES AND 14 SECONDS, WE HAVE TIME, RIGHT? 282 00:09:56,797 --> 00:09:58,163 3 MINUTES AND 14 SECONDS, WE HAVE TIME, RIGHT? >> YOU'RE GOOD TO GO. 283 00:09:58,165 --> 00:09:59,965 HAVE TIME, RIGHT? >> YOU'RE GOOD TO GO. >> Ellen: HERE WE GO. 284 00:09:59,967 --> 00:10:02,067 >> YOU'RE GOOD TO GO. >> Ellen: HERE WE GO. RECENTLY, WE HAD A GERMAN 285 00:10:02,069 --> 00:10:03,768 >> Ellen: HERE WE GO. RECENTLY, WE HAD A GERMAN LINGUIST ON THE SHOW, SHE TOLD 286 00:10:03,770 --> 00:10:05,804 RECENTLY, WE HAD A GERMAN LINGUIST ON THE SHOW, SHE TOLD ME ABOUT SOME NEW WORDS THAT 287 00:10:05,806 --> 00:10:08,106 LINGUIST ON THE SHOW, SHE TOLD ME ABOUT SOME NEW WORDS THAT WERE CREATED BECAUSE OF THE 288 00:10:08,108 --> 00:10:10,709 ME ABOUT SOME NEW WORDS THAT WERE CREATED BECAUSE OF THE PANDEMIC, SO THIS IS SOMETHING 289 00:10:10,711 --> 00:10:11,576 WERE CREATED BECAUSE OF THE PANDEMIC, SO THIS IS SOMETHING WE CALL "CUT FOR TIME." 290 00:10:11,578 --> 00:10:13,612 PANDEMIC, SO THIS IS SOMETHING WE CALL "CUT FOR TIME." ♪ ♪ 291 00:10:13,614 --> 00:10:18,783 WE CALL "CUT FOR TIME." ♪ ♪ [APPLAUSE] 292 00:10:18,785 --> 00:10:29,527 ♪ ♪ [APPLAUSE] PLEASE WELCOME -- 293 00:10:29,529 --> 00:10:32,564 [APPLAUSE] PLEASE WELCOME -- >> IT IS SO WONDERFUL TO SEE 294 00:10:32,566 --> 00:10:32,864 PLEASE WELCOME -- >> IT IS SO WONDERFUL TO SEE YOU, ELLEN. 295 00:10:32,866 --> 00:10:34,499 >> IT IS SO WONDERFUL TO SEE YOU, ELLEN. >> Ellen: YOU TOO. 296 00:10:34,501 --> 00:10:36,401 YOU, ELLEN. >> Ellen: YOU TOO. I HEAR GERMANY HAS BEEN VERY 297 00:10:36,403 --> 00:10:38,770 >> Ellen: YOU TOO. I HEAR GERMANY HAS BEEN VERY BUSY COMING UP, AND A LOT OF NEW 298 00:10:38,772 --> 00:10:39,404 I HEAR GERMANY HAS BEEN VERY BUSY COMING UP, AND A LOT OF NEW WORDS WITH THE PANDEMIC. 299 00:10:39,406 --> 00:10:40,939 BUSY COMING UP, AND A LOT OF NEW WORDS WITH THE PANDEMIC. >> OH, YEAH, IT HAS BEEN A REAL 300 00:10:40,941 --> 00:10:44,776 WORDS WITH THE PANDEMIC. >> OH, YEAH, IT HAS BEEN A REAL WORD ORGY. 301 00:10:44,778 --> 00:10:46,511 >> OH, YEAH, IT HAS BEEN A REAL WORD ORGY. >> Ellen: I THINK YOU MIGHT BE 302 00:10:46,513 --> 00:10:47,512 WORD ORGY. >> Ellen: I THINK YOU MIGHT BE USING THE WRONG WORD. 303 00:10:47,514 --> 00:10:50,382 >> Ellen: I THINK YOU MIGHT BE USING THE WRONG WORD. >> I DON'T THINK SO, ELLEN. 304 00:10:50,384 --> 00:10:51,249 USING THE WRONG WORD. >> I DON'T THINK SO, ELLEN. >> Ellen: WHY DON'T YOU TELL 305 00:10:51,251 --> 00:10:52,984 >> I DON'T THINK SO, ELLEN. >> Ellen: WHY DON'T YOU TELL ME ABOUT SOME OF THE NEW WORDS 306 00:10:52,986 --> 00:10:53,385 >> Ellen: WHY DON'T YOU TELL ME ABOUT SOME OF THE NEW WORDS YOU CREATED. 307 00:10:53,387 --> 00:10:56,187 ME ABOUT SOME OF THE NEW WORDS YOU CREATED. >> WITH PLEASURE. 308 00:10:56,189 --> 00:10:57,389 YOU CREATED. >> WITH PLEASURE. FIRST WE HAVE -- 309 00:10:57,391 --> 00:10:59,124 >> WITH PLEASURE. FIRST WE HAVE -- THIS IS AN AREA WHERE 310 00:10:59,126 --> 00:10:59,958 FIRST WE HAVE -- THIS IS AN AREA WHERE CORONAVIRUS MUTATIONS ARE 311 00:10:59,960 --> 00:11:00,258 THIS IS AN AREA WHERE CORONAVIRUS MUTATIONS ARE WIDESPREAD. 312 00:11:00,260 --> 00:11:05,163 CORONAVIRUS MUTATIONS ARE WIDESPREAD. I'LL USE IT IN A SENTENCE. 313 00:11:05,165 --> 00:11:06,498 WIDESPREAD. I'LL USE IT IN A SENTENCE. HOW THE ORGY WAS A REAL -- 314 00:11:06,500 --> 00:11:08,900 I'LL USE IT IN A SENTENCE. HOW THE ORGY WAS A REAL -- >> Ellen: AGAIN, I DON'T THINK 315 00:11:08,902 --> 00:11:10,435 HOW THE ORGY WAS A REAL -- >> Ellen: AGAIN, I DON'T THINK YOU ARE USING THAT WORD 316 00:11:10,437 --> 00:11:10,702 >> Ellen: AGAIN, I DON'T THINK YOU ARE USING THAT WORD CORRECTLY. 317 00:11:10,704 --> 00:11:13,138 YOU ARE USING THAT WORD CORRECTLY. >> YES, A ORGY IS WHEN A MAN AT 318 00:11:13,140 --> 00:11:15,106 CORRECTLY. >> YES, A ORGY IS WHEN A MAN AT A WOMAN AND ANOTHER MAN AND TWO 319 00:11:15,108 --> 00:11:16,975 >> YES, A ORGY IS WHEN A MAN AT A WOMAN AND ANOTHER MAN AND TWO MORE WOMEN AND THE NEIGHBORS ALL 320 00:11:16,977 --> 00:11:18,143 A WOMAN AND ANOTHER MAN AND TWO MORE WOMEN AND THE NEIGHBORS ALL THE GET TOGETHER FOR A ORGY. 321 00:11:18,145 --> 00:11:19,911 MORE WOMEN AND THE NEIGHBORS ALL THE GET TOGETHER FOR A ORGY. >> Ellen: I KNOW WHAT IT 322 00:11:19,913 --> 00:11:22,514 THE GET TOGETHER FOR A ORGY. >> Ellen: I KNOW WHAT IT MEANS, BUT I JUST STOP SAYING 323 00:11:22,516 --> 00:11:23,114 >> Ellen: I KNOW WHAT IT MEANS, BUT I JUST STOP SAYING IT. 324 00:11:23,116 --> 00:11:27,318 MEANS, BUT I JUST STOP SAYING IT. >> AMERICANS ARE SO UPTIGHT. 325 00:11:27,320 --> 00:11:28,420 IT. >> AMERICANS ARE SO UPTIGHT. >> Ellen: WE PROBABLY ARE. 326 00:11:28,422 --> 00:11:34,125 >> AMERICANS ARE SO UPTIGHT. >> Ellen: WE PROBABLY ARE. CAN YOU TELL ME ANOTHER WORD. 327 00:11:34,127 --> 00:11:37,028 >> Ellen: WE PROBABLY ARE. CAN YOU TELL ME ANOTHER WORD. >> MEANS "GHOST EVENT," OR KNOW 328 00:11:37,030 --> 00:11:39,397 CAN YOU TELL ME ANOTHER WORD. >> MEANS "GHOST EVENT," OR KNOW PEOPLE IN ATTENDANCE. 329 00:11:39,399 --> 00:11:45,136 >> MEANS "GHOST EVENT," OR KNOW PEOPLE IN ATTENDANCE. AS AN LAST WEEK, I HAD -- 330 00:11:45,138 --> 00:11:47,505 PEOPLE IN ATTENDANCE. AS AN LAST WEEK, I HAD -- >> Ellen: WHAT IS THE WORD 331 00:11:47,507 --> 00:11:49,808 AS AN LAST WEEK, I HAD -- >> Ellen: WHAT IS THE WORD AGAIN? 332 00:11:49,810 --> 00:11:51,543 >> Ellen: WHAT IS THE WORD AGAIN? >> [SPEAKING GERMAN] 333 00:11:51,545 --> 00:11:52,477 AGAIN? >> [SPEAKING GERMAN] >> Ellen: SOUNDS DIFFERENT 334 00:11:52,479 --> 00:11:53,745 >> [SPEAKING GERMAN] >> Ellen: SOUNDS DIFFERENT EVERY TIME YOU SAY IT. 335 00:11:53,747 --> 00:11:55,947 >> Ellen: SOUNDS DIFFERENT EVERY TIME YOU SAY IT. I THINK WE HAVE TIME FOR ONE 336 00:11:55,949 --> 00:11:56,214 EVERY TIME YOU SAY IT. I THINK WE HAVE TIME FOR ONE MORE WORD. 337 00:11:56,216 --> 00:11:58,817 I THINK WE HAVE TIME FOR ONE MORE WORD. >> OKAY, THIS IS MY FAVORITE NEW 338 00:11:58,819 --> 00:11:59,350 MORE WORD. >> OKAY, THIS IS MY FAVORITE NEW WORD. 339 00:11:59,352 --> 00:12:00,952 >> OKAY, THIS IS MY FAVORITE NEW WORD. IT MEANS "PUTTING A SWAB IN YOUR 340 00:12:00,954 --> 00:12:02,387 WORD. IT MEANS "PUTTING A SWAB IN YOUR NOSE FOR A COVERT TEST." 341 00:12:02,389 --> 00:12:06,591 IT MEANS "PUTTING A SWAB IN YOUR NOSE FOR A COVERT TEST." >> Ellen: OKAY, WHAT IS THAT 342 00:12:06,593 --> 00:12:06,791 NOSE FOR A COVERT TEST." >> Ellen: OKAY, WHAT IS THAT WORD? 343 00:12:06,793 --> 00:12:13,398 >> Ellen: OKAY, WHAT IS THAT WORD? >> SWABBINGTHESNOGGIN. 344 00:12:13,400 --> 00:12:15,100 WORD? >> SWABBINGTHESNOGGIN. >> Ellen: THAT MAKE SENSE. 345 00:12:15,102 --> 00:12:17,368 >> SWABBINGTHESNOGGIN. >> Ellen: THAT MAKE SENSE. THANK YOU, I LEARNED A LOT. 346 00:12:17,370 --> 00:12:17,769 >> Ellen: THAT MAKE SENSE. THANK YOU, I LEARNED A LOT. POSSIBLY TOO MUCH. 347 00:12:17,771 --> 00:12:18,036 THANK YOU, I LEARNED A LOT. POSSIBLY TOO MUCH. [LAUGHTER] 348 00:12:18,038 --> 00:12:19,337 POSSIBLY TOO MUCH. [LAUGHTER] [APPLAUSE] 349 00:12:19,339 --> 00:12:22,207 [LAUGHTER] [APPLAUSE] IT WAS CUT FOR TIME, SO WE HAD 350 00:12:22,209 --> 00:12:24,943 [APPLAUSE] IT WAS CUT FOR TIME, SO WE HAD TIME TO SHOW IT IN OUR SEGMENT, 351 00:12:24,945 --> 00:12:26,945 IT WAS CUT FOR TIME, SO WE HAD TIME TO SHOW IT IN OUR SEGMENT, "CUT FOR TIME," NOW WE ARE RIGHT 352 00:12:26,947 --> 00:12:27,946 TIME TO SHOW IT IN OUR SEGMENT, "CUT FOR TIME," NOW WE ARE RIGHT ON TIME BECAUSE I'M LOOKING WE 353 00:12:27,948 --> 00:12:30,448 "CUT FOR TIME," NOW WE ARE RIGHT ON TIME BECAUSE I'M LOOKING WE HAVE 40 SECONDS LEFT, SO I CAN 354 00:12:30,450 --> 00:12:35,186 ON TIME BECAUSE I'M LOOKING WE HAVE 40 SECONDS LEFT, SO I CAN ACTUALLY TALK FOR ANOTHER 36, 35 355 00:12:35,188 --> 00:12:35,487 HAVE 40 SECONDS LEFT, SO I CAN ACTUALLY TALK FOR ANOTHER 36, 35 SECONDS, 34. 356 00:12:35,489 --> 00:12:37,555 ACTUALLY TALK FOR ANOTHER 36, 35 SECONDS, 34. [LAUGHTER] 357 00:12:37,557 --> 00:12:37,889 SECONDS, 34. [LAUGHTER] ALL RIGHT. 358 00:12:37,891 --> 00:12:38,223 [LAUGHTER] ALL RIGHT. WE'LL BE BACK. 359 00:12:38,225 --> 00:12:38,490 ALL RIGHT. WE'LL BE BACK. [APPLAUSE] 360 00:12:38,492 --> 00:12:48,099 WE'LL BE BACK. [APPLAUSE] ♪ ♪ 361 00:12:48,101 --> 00:12:50,502 [APPLAUSE] ♪ ♪ >> SO ESSENTIALLY, YOU ARE A 362 00:12:50,504 --> 00:12:51,503 ♪ ♪ >> SO ESSENTIALLY, YOU ARE A TERRIBLE ROOMMATE. 363 00:12:51,505 --> 00:12:53,505 >> SO ESSENTIALLY, YOU ARE A TERRIBLE ROOMMATE. YOU TOOK OVER MY SIDE AND YOUR 364 00:12:53,507 --> 00:12:53,705 TERRIBLE ROOMMATE. YOU TOOK OVER MY SIDE AND YOUR SIDE. 365 00:12:53,707 --> 00:12:54,906 YOU TOOK OVER MY SIDE AND YOUR SIDE. >> Ellen: NO, THAT WAS PORTIA 366 00:12:54,908 --> 00:12:58,143 SIDE. >> Ellen: NO, THAT WAS PORTIA WHO TOOK OVER YOUR SIDE. 367 00:12:58,145 --> 00:13:00,812 >> Ellen: NO, THAT WAS PORTIA WHO TOOK OVER YOUR SIDE. >> THEY SOMETIMES BUILD WHERE 368 00:13:00,814 --> 00:13:02,280 WHO TOOK OVER YOUR SIDE. >> THEY SOMETIMES BUILD WHERE FOLKS DON'T NECESSARILY WANT 369 00:13:02,282 --> 00:13:04,916 >> THEY SOMETIMES BUILD WHERE FOLKS DON'T NECESSARILY WANT THEM TO BUILD, AND I WILL 370 00:13:04,918 --> 00:13:10,789 FOLKS DON'T NECESSARILY WANT THEM TO BUILD, AND I WILL RELOCATE THEM TO PLACE 371 00:13:10,791 --> 00:13:11,055 THEM TO BUILD, AND I WILL RELOCATE THEM TO PLACE [APPLAUSE] 372 00:13:11,057 --> 00:13:20,064 RELOCATE THEM TO PLACE [APPLAUSE] ♪ ♪ 373 00:13:20,066 --> 00:13:21,966 [APPLAUSE] ♪ ♪ >> Ellen: THE WORLD KNOWS OUR 374 00:13:21,968 --> 00:13:24,202 ♪ ♪ >> Ellen: THE WORLD KNOWS OUR FIRST GUEST FROM A LITTLE SHOW 375 00:13:24,204 --> 00:13:25,537 >> Ellen: THE WORLD KNOWS OUR FIRST GUEST FROM A LITTLE SHOW CALLED "FRIENDS," BUT I 376 00:13:25,539 --> 00:13:28,039 FIRST GUEST FROM A LITTLE SHOW CALLED "FRIENDS," BUT I CURRENTLY KNOW HER AS MY 377 00:13:28,041 --> 00:13:28,306 CALLED "FRIENDS," BUT I CURRENTLY KNOW HER AS MY LANDLORD. 378 00:13:28,308 --> 00:13:28,907 CURRENTLY KNOW HER AS MY LANDLORD. PLEASE WELCOME COURTENEY COX. 379 00:13:28,909 --> 00:13:33,478 LANDLORD. PLEASE WELCOME COURTENEY COX. [APPLAUSE] 380 00:13:33,480 --> 00:13:33,878 PLEASE WELCOME COURTENEY COX. [APPLAUSE] >> Courteney: HI. 381 00:13:33,880 --> 00:13:36,147 [APPLAUSE] >> Courteney: HI. >> Ellen: HI, COURTENEY, HOW 382 00:13:36,149 --> 00:13:36,781 >> Courteney: HI. >> Ellen: HI, COURTENEY, HOW ARE YOU? 383 00:13:36,783 --> 00:13:37,415 >> Ellen: HI, COURTENEY, HOW ARE YOU? >> Courteney: I DON'T CONSIDER 384 00:13:37,417 --> 00:13:39,350 ARE YOU? >> Courteney: I DON'T CONSIDER ME A LANDLORD, I CONSIDER MYSELF 385 00:13:39,352 --> 00:13:41,452 >> Courteney: I DON'T CONSIDER ME A LANDLORD, I CONSIDER MYSELF YOUR ROOMMATE. 386 00:13:41,454 --> 00:13:41,719 ME A LANDLORD, I CONSIDER MYSELF YOUR ROOMMATE. [LAUGHTER] 387 00:13:41,721 --> 00:13:42,453 YOUR ROOMMATE. [LAUGHTER] >> Ellen: YES, WE ARE 388 00:13:42,455 --> 00:13:42,887 [LAUGHTER] >> Ellen: YES, WE ARE ROOMMATES. 389 00:13:42,889 --> 00:13:44,556 >> Ellen: YES, WE ARE ROOMMATES. WE DO NOT SEE EACH OTHER A LOT 390 00:13:44,558 --> 00:13:45,456 ROOMMATES. WE DO NOT SEE EACH OTHER A LOT BUT WE ARE ROOMMATES. 391 00:13:45,458 --> 00:13:48,993 WE DO NOT SEE EACH OTHER A LOT BUT WE ARE ROOMMATES. HOW AM I DOING IS YOUR ROOMMATE? 392 00:13:48,995 --> 00:13:49,861 BUT WE ARE ROOMMATES. HOW AM I DOING IS YOUR ROOMMATE? >> Courteney: WELL, ELLEN, 393 00:13:49,863 --> 00:13:51,196 HOW AM I DOING IS YOUR ROOMMATE? >> Courteney: WELL, ELLEN, LET'S PUT IT THIS WAY. 394 00:13:51,198 --> 00:13:53,665 >> Courteney: WELL, ELLEN, LET'S PUT IT THIS WAY. FIRST OF ALL, YOU ARE MY STYLE 395 00:13:53,667 --> 00:13:57,268 LET'S PUT IT THIS WAY. FIRST OF ALL, YOU ARE MY STYLE GURU, SO I WAS NERVOUS ABOUT YOU 396 00:13:57,270 --> 00:13:59,704 FIRST OF ALL, YOU ARE MY STYLE GURU, SO I WAS NERVOUS ABOUT YOU STAYING THERE, JUST HAVEN'T BEEN 397 00:13:59,706 --> 00:14:01,306 GURU, SO I WAS NERVOUS ABOUT YOU STAYING THERE, JUST HAVEN'T BEEN THERE IN A YEAR, SO I HADN'T 398 00:14:01,308 --> 00:14:02,340 STAYING THERE, JUST HAVEN'T BEEN THERE IN A YEAR, SO I HADN'T CLEANED AND I MOVED EVERYTHING 399 00:14:02,342 --> 00:14:03,408 THERE IN A YEAR, SO I HADN'T CLEANED AND I MOVED EVERYTHING OFF THE RIGHT SIDE OF THE 400 00:14:03,410 --> 00:14:04,843 CLEANED AND I MOVED EVERYTHING OFF THE RIGHT SIDE OF THE BATHROOM SO YOU WOULD HAVE YOUR 401 00:14:04,845 --> 00:14:05,844 OFF THE RIGHT SIDE OF THE BATHROOM SO YOU WOULD HAVE YOUR SPACE IN THE DRAWERS, AND I WAS 402 00:14:05,846 --> 00:14:08,746 BATHROOM SO YOU WOULD HAVE YOUR SPACE IN THE DRAWERS, AND I WAS JUST REALLY READY FOR YOU, AND 403 00:14:08,748 --> 00:14:09,914 SPACE IN THE DRAWERS, AND I WAS JUST REALLY READY FOR YOU, AND MY ASSISTANT WENT THERE THE NEXT 404 00:14:09,916 --> 00:14:13,084 JUST REALLY READY FOR YOU, AND MY ASSISTANT WENT THERE THE NEXT DAY AFTER YOU HAD LEFT, AND IT 405 00:14:13,086 --> 00:14:14,919 MY ASSISTANT WENT THERE THE NEXT DAY AFTER YOU HAD LEFT, AND IT LOOKS OKAY, SHE'S LIKE, YEAH, IT 406 00:14:14,921 --> 00:14:17,188 DAY AFTER YOU HAD LEFT, AND IT LOOKS OKAY, SHE'S LIKE, YEAH, IT LOOKS GREAT, SHOWING ME AROUND, 407 00:14:17,190 --> 00:14:18,690 LOOKS OKAY, SHE'S LIKE, YEAH, IT LOOKS GREAT, SHOWING ME AROUND, AND ALL OF A SUDDEN IT WAS LIKE, 408 00:14:18,692 --> 00:14:19,858 LOOKS GREAT, SHOWING ME AROUND, AND ALL OF A SUDDEN IT WAS LIKE, WAIT A MINUTE, ELLEN'S 409 00:14:19,860 --> 00:14:22,493 AND ALL OF A SUDDEN IT WAS LIKE, WAIT A MINUTE, ELLEN'S TOOTHBRUSH IS ON MY SIDE. 410 00:14:22,495 --> 00:14:22,827 WAIT A MINUTE, ELLEN'S TOOTHBRUSH IS ON MY SIDE. [LAUGHTER] 411 00:14:22,829 --> 00:14:25,330 TOOTHBRUSH IS ON MY SIDE. [LAUGHTER] AND I WAS LIKE, WHERE'S MY 412 00:14:25,332 --> 00:14:26,030 [LAUGHTER] AND I WAS LIKE, WHERE'S MY MAKEUP? 413 00:14:26,032 --> 00:14:27,498 AND I WAS LIKE, WHERE'S MY MAKEUP? ESSENTIALLY, YOU ARE A TERRIBLE 414 00:14:27,500 --> 00:14:28,733 MAKEUP? ESSENTIALLY, YOU ARE A TERRIBLE ROOMMATE. 415 00:14:28,735 --> 00:14:30,168 ESSENTIALLY, YOU ARE A TERRIBLE ROOMMATE. YOU TOOK OVER MY SITE AND YOUR 416 00:14:30,170 --> 00:14:30,368 ROOMMATE. YOU TOOK OVER MY SITE AND YOUR SIDE. 417 00:14:30,370 --> 00:14:31,803 YOU TOOK OVER MY SITE AND YOUR SIDE. >> Ellen: NO, THAT WAS PORTIA 418 00:14:31,805 --> 00:14:34,172 SIDE. >> Ellen: NO, THAT WAS PORTIA WHO TOOK OVER YOUR SIDE. 419 00:14:34,174 --> 00:14:35,240 >> Ellen: NO, THAT WAS PORTIA WHO TOOK OVER YOUR SIDE. I ONLY HAVE ONE SIDE AND SHE 420 00:14:35,242 --> 00:14:36,708 WHO TOOK OVER YOUR SIDE. I ONLY HAVE ONE SIDE AND SHE HAPPENED TO BE THERE ONE NIGHT. 421 00:14:36,710 --> 00:14:38,209 I ONLY HAVE ONE SIDE AND SHE HAPPENED TO BE THERE ONE NIGHT. I SHOULD EXPLAIN, I AM NOT 422 00:14:38,211 --> 00:14:39,677 HAPPENED TO BE THERE ONE NIGHT. I SHOULD EXPLAIN, I AM NOT HAVING MARITAL TROUBLES, I AM 423 00:14:39,679 --> 00:14:40,411 I SHOULD EXPLAIN, I AM NOT HAVING MARITAL TROUBLES, I AM NOT OUT OF MY HOUSE, BECAUSE I 424 00:14:40,413 --> 00:14:43,047 HAVING MARITAL TROUBLES, I AM NOT OUT OF MY HOUSE, BECAUSE I AM NOT LIVING WITH COURTENEY COX 425 00:14:43,049 --> 00:14:44,482 NOT OUT OF MY HOUSE, BECAUSE I AM NOT LIVING WITH COURTENEY COX BECAUSE I AM KICKED OUT OF MY 426 00:14:44,484 --> 00:14:45,183 AM NOT LIVING WITH COURTENEY COX BECAUSE I AM KICKED OUT OF MY HOUSE. 427 00:14:45,185 --> 00:14:46,084 BECAUSE I AM KICKED OUT OF MY HOUSE. WE SOLD OUR HOUSE IN 428 00:14:46,086 --> 00:14:46,651 HOUSE. WE SOLD OUR HOUSE IN BEVERLY HILLS AND I NEEDED A 429 00:14:46,653 --> 00:14:50,255 WE SOLD OUR HOUSE IN BEVERLY HILLS AND I NEEDED A PLACE TO STAY, AND YOU WERE KIND 430 00:14:50,257 --> 00:14:50,989 BEVERLY HILLS AND I NEEDED A PLACE TO STAY, AND YOU WERE KIND ENOUGH TO SAY YES. 431 00:14:50,991 --> 00:14:52,257 PLACE TO STAY, AND YOU WERE KIND ENOUGH TO SAY YES. YOUR MAKEUP IS STILL THERE. 432 00:14:52,259 --> 00:14:55,059 ENOUGH TO SAY YES. YOUR MAKEUP IS STILL THERE. IT WAS JUST ONE TOOTHBRUSH ON 433 00:14:55,061 --> 00:14:56,094 YOUR MAKEUP IS STILL THERE. IT WAS JUST ONE TOOTHBRUSH ON THAT SIDE. 434 00:14:56,096 --> 00:14:57,495 IT WAS JUST ONE TOOTHBRUSH ON THAT SIDE. BUT LISTEN, I HOPE YOU DON'T 435 00:14:57,497 --> 00:14:59,030 THAT SIDE. BUT LISTEN, I HOPE YOU DON'T MIND, BECAUSE I WAS JUST MAKING 436 00:14:59,032 --> 00:14:59,731 BUT LISTEN, I HOPE YOU DON'T MIND, BECAUSE I WAS JUST MAKING SURE, I WAS GOING THROUGH SOME 437 00:14:59,733 --> 00:15:02,667 MIND, BECAUSE I WAS JUST MAKING SURE, I WAS GOING THROUGH SOME OF YOUR DRAWERS AND CABINETS 438 00:15:02,669 --> 00:15:03,735 SURE, I WAS GOING THROUGH SOME OF YOUR DRAWERS AND CABINETS LAST NIGHT. 439 00:15:03,737 --> 00:15:06,404 OF YOUR DRAWERS AND CABINETS LAST NIGHT. I WAS JUST LOOKING FOR SOME 440 00:15:06,406 --> 00:15:07,138 LAST NIGHT. I WAS JUST LOOKING FOR SOME OFFICE SUPPLIES. 441 00:15:07,140 --> 00:15:08,506 I WAS JUST LOOKING FOR SOME OFFICE SUPPLIES. I'M SO SORRY, BUT I HAVE TO 442 00:15:08,508 --> 00:15:09,340 OFFICE SUPPLIES. I'M SO SORRY, BUT I HAVE TO SHARE WHAT YOU HAVE, BECAUSE 443 00:15:09,342 --> 00:15:12,243 I'M SO SORRY, BUT I HAVE TO SHARE WHAT YOU HAVE, BECAUSE PEOPLE SHOULD KNOW WHO YOU ARE, 444 00:15:12,245 --> 00:15:13,278 SHARE WHAT YOU HAVE, BECAUSE PEOPLE SHOULD KNOW WHO YOU ARE, COURTENEY. 445 00:15:13,280 --> 00:15:13,945 PEOPLE SHOULD KNOW WHO YOU ARE, COURTENEY. I FILMED THIS LAST NIGHT. 446 00:15:13,947 --> 00:15:16,848 COURTENEY. I FILMED THIS LAST NIGHT. >> Courteney: OKAY. 447 00:15:16,850 --> 00:15:18,650 I FILMED THIS LAST NIGHT. >> Courteney: OKAY. >> Ellen: SO, I AM STAYING AT 448 00:15:18,652 --> 00:15:20,084 >> Courteney: OKAY. >> Ellen: SO, I AM STAYING AT COURTENEY'S HOUSE, SHE IS 449 00:15:20,086 --> 00:15:21,619 >> Ellen: SO, I AM STAYING AT COURTENEY'S HOUSE, SHE IS LOVELY, OF COURSE, EVERYONE 450 00:15:21,621 --> 00:15:23,922 COURTENEY'S HOUSE, SHE IS LOVELY, OF COURSE, EVERYONE KNOWS, SHE IS COURTENEY, LOVELY. 451 00:15:23,924 --> 00:15:24,489 LOVELY, OF COURSE, EVERYONE KNOWS, SHE IS COURTENEY, LOVELY. GREAT PLACE. 452 00:15:24,491 --> 00:15:27,892 KNOWS, SHE IS COURTENEY, LOVELY. GREAT PLACE. I'M LOOKING FOR OFFICE SUPPLIES, 453 00:15:27,894 --> 00:15:28,660 GREAT PLACE. I'M LOOKING FOR OFFICE SUPPLIES, YOU KNOW? 454 00:15:28,662 --> 00:15:30,795 I'M LOOKING FOR OFFICE SUPPLIES, YOU KNOW? AS YOU DO WHEN YOU ARE AT 455 00:15:30,797 --> 00:15:31,663 YOU KNOW? AS YOU DO WHEN YOU ARE AT SOMEBODY'S HOUSE. 456 00:15:31,665 --> 00:15:35,500 AS YOU DO WHEN YOU ARE AT SOMEBODY'S HOUSE. SO I GO TO THIS, HERE, AND 457 00:15:35,502 --> 00:15:37,468 SOMEBODY'S HOUSE. SO I GO TO THIS, HERE, AND THERE'S OFFICE SUPPLIES, LOTS OF 458 00:15:37,470 --> 00:15:38,403 SO I GO TO THIS, HERE, AND THERE'S OFFICE SUPPLIES, LOTS OF OFFICE SUPPLIES, BUT LOOK WHAT 459 00:15:38,405 --> 00:15:40,638 THERE'S OFFICE SUPPLIES, LOTS OF OFFICE SUPPLIES, BUT LOOK WHAT IS HIDDEN HERE. 460 00:15:40,640 --> 00:15:42,840 OFFICE SUPPLIES, BUT LOOK WHAT IS HIDDEN HERE. [LAUGHTER] 461 00:15:42,842 --> 00:15:46,311 IS HIDDEN HERE. [LAUGHTER] YEAH, UNDIES FOR TWO. 462 00:15:46,313 --> 00:15:50,448 [LAUGHTER] YEAH, UNDIES FOR TWO. THEN, AT THE COMPUTER, THIS, 463 00:15:50,450 --> 00:15:53,318 YEAH, UNDIES FOR TWO. THEN, AT THE COMPUTER, THIS, THIS THING. 464 00:15:53,320 --> 00:15:57,755 THEN, AT THE COMPUTER, THIS, THIS THING. AM I -- DOES THIS LOOK LIKE A 465 00:15:57,757 --> 00:16:01,859 THIS THING. AM I -- DOES THIS LOOK LIKE A PUPPET THAT LOOKS LIKE ME? 466 00:16:01,861 --> 00:16:03,728 AM I -- DOES THIS LOOK LIKE A PUPPET THAT LOOKS LIKE ME? "I THINK IT DOES, ELLEN, I THINK 467 00:16:03,730 --> 00:16:05,463 PUPPET THAT LOOKS LIKE ME? "I THINK IT DOES, ELLEN, I THINK IT IS A PUPPET THAT LOOKS LIKE 468 00:16:05,465 --> 00:16:05,897 "I THINK IT DOES, ELLEN, I THINK IT IS A PUPPET THAT LOOKS LIKE YOU." 469 00:16:05,899 --> 00:16:08,933 IT IS A PUPPET THAT LOOKS LIKE YOU." YES, THAT IS WHAT I AM SAYING, 470 00:16:08,935 --> 00:16:10,134 YOU." YES, THAT IS WHAT I AM SAYING, TOO. 471 00:16:10,136 --> 00:16:11,469 YES, THAT IS WHAT I AM SAYING, TOO. COURTENEY, WHAT ARE YOU DOING? 472 00:16:11,471 --> 00:16:16,240 TOO. COURTENEY, WHAT ARE YOU DOING? [APPLAUSE] 473 00:16:16,242 --> 00:16:17,909 COURTENEY, WHAT ARE YOU DOING? [APPLAUSE] >> Courteney: OH, I AM SO 474 00:16:17,911 --> 00:16:18,209 [APPLAUSE] >> Courteney: OH, I AM SO EMBARRASSED. 475 00:16:18,211 --> 00:16:20,645 >> Courteney: OH, I AM SO EMBARRASSED. I DID NOT GO THROUGH THE 476 00:16:20,647 --> 00:16:21,646 EMBARRASSED. I DID NOT GO THROUGH THE CABINETS AND I DEFINITELY DIDN'T 477 00:16:21,648 --> 00:16:23,581 I DID NOT GO THROUGH THE CABINETS AND I DEFINITELY DIDN'T THINK YOU WOULD SEE THAT ALL I 478 00:16:23,583 --> 00:16:23,881 CABINETS AND I DEFINITELY DIDN'T THINK YOU WOULD SEE THAT ALL I HAVE A FEW. 479 00:16:23,883 --> 00:16:24,148 THINK YOU WOULD SEE THAT ALL I HAVE A FEW. [LAUGHTER] 480 00:16:24,150 --> 00:16:25,683 HAVE A FEW. [LAUGHTER] >> Ellen: YEAH, WELL, LOOK, I 481 00:16:25,685 --> 00:16:28,019 [LAUGHTER] >> Ellen: YEAH, WELL, LOOK, I KNOW YOU ARE A BIG FAN AND I 482 00:16:28,021 --> 00:16:28,987 >> Ellen: YEAH, WELL, LOOK, I KNOW YOU ARE A BIG FAN AND I KNOW YOU HAVE BOUGHT A LOT OF 483 00:16:28,989 --> 00:16:30,755 KNOW YOU ARE A BIG FAN AND I KNOW YOU HAVE BOUGHT A LOT OF STUFF THAT LOOKED LIKE ME AND I 484 00:16:30,757 --> 00:16:32,924 KNOW YOU HAVE BOUGHT A LOT OF STUFF THAT LOOKED LIKE ME AND I FOUND A LOT OF STUFF, BUT THAT 485 00:16:32,926 --> 00:16:33,558 STUFF THAT LOOKED LIKE ME AND I FOUND A LOT OF STUFF, BUT THAT WAS THE WEIRDEST. 486 00:16:33,560 --> 00:16:34,258 FOUND A LOT OF STUFF, BUT THAT WAS THE WEIRDEST. >> Courteney: THAT WAS WEIRD. 487 00:16:34,260 --> 00:16:36,060 WAS THE WEIRDEST. >> Courteney: THAT WAS WEIRD. >> Ellen: YOU KNOW WHAT I LOVE 488 00:16:36,062 --> 00:16:37,161 >> Courteney: THAT WAS WEIRD. >> Ellen: YOU KNOW WHAT I LOVE IS THAT YOU HAVE A PIANO IN 489 00:16:37,163 --> 00:16:38,429 >> Ellen: YOU KNOW WHAT I LOVE IS THAT YOU HAVE A PIANO IN THERE, AND YOU ARE REALLY GOOD 490 00:16:38,431 --> 00:16:39,297 IS THAT YOU HAVE A PIANO IN THERE, AND YOU ARE REALLY GOOD AT PIANO. 491 00:16:39,299 --> 00:16:41,699 THERE, AND YOU ARE REALLY GOOD AT PIANO. I AM NOT, BUT I'VE BEEN TRYING 492 00:16:41,701 --> 00:16:42,333 AT PIANO. I AM NOT, BUT I'VE BEEN TRYING TO LEARN BECAUSE YOU HAVE A 493 00:16:42,335 --> 00:16:43,835 I AM NOT, BUT I'VE BEEN TRYING TO LEARN BECAUSE YOU HAVE A CHEAT SHEET OF ALL OF THE 494 00:16:43,837 --> 00:16:44,669 TO LEARN BECAUSE YOU HAVE A CHEAT SHEET OF ALL OF THE COURTS, WHICH IS A GREAT WAY TO 495 00:16:44,671 --> 00:16:48,039 CHEAT SHEET OF ALL OF THE COURTS, WHICH IS A GREAT WAY TO LEARN ALL THE CORDS. 496 00:16:48,041 --> 00:16:48,873 COURTS, WHICH IS A GREAT WAY TO LEARN ALL THE CORDS. ANYWAY, IT'S WAY OUT OF TUNE. 497 00:16:48,875 --> 00:16:51,743 LEARN ALL THE CORDS. ANYWAY, IT'S WAY OUT OF TUNE. CAN YOU GET THAT TO INTO? 498 00:16:51,745 --> 00:16:52,777 ANYWAY, IT'S WAY OUT OF TUNE. CAN YOU GET THAT TO INTO? >> Courteney: YOU ARE RIGHT, 499 00:16:52,779 --> 00:16:53,678 CAN YOU GET THAT TO INTO? >> Courteney: YOU ARE RIGHT, IT IS WAY OUT OF TUNE. 500 00:16:53,680 --> 00:16:55,146 >> Courteney: YOU ARE RIGHT, IT IS WAY OUT OF TUNE. I WILL HAVE IT TUNE FOR YOU THIS 501 00:16:55,148 --> 00:16:55,346 IT IS WAY OUT OF TUNE. I WILL HAVE IT TUNE FOR YOU THIS WEEK. 502 00:16:55,348 --> 00:16:57,782 I WILL HAVE IT TUNE FOR YOU THIS WEEK. I PROMISE. 503 00:16:57,784 --> 00:16:58,783 WEEK. I PROMISE. >> Ellen: AND MOVE YOUR STUFF 504 00:16:58,785 --> 00:17:01,619 I PROMISE. >> Ellen: AND MOVE YOUR STUFF IN THE CLOSET OVER A LITTLE BIT, 505 00:17:01,621 --> 00:17:02,653 >> Ellen: AND MOVE YOUR STUFF IN THE CLOSET OVER A LITTLE BIT, TOO. 506 00:17:02,655 --> 00:17:03,755 IN THE CLOSET OVER A LITTLE BIT, TOO. HEY, YOU POSTED A VIDEO 507 00:17:03,757 --> 00:17:06,057 TOO. HEY, YOU POSTED A VIDEO PLAYING -- HE IS MY FRIEND, AS 508 00:17:06,059 --> 00:17:07,925 HEY, YOU POSTED A VIDEO PLAYING -- HE IS MY FRIEND, AS WELL, BRANDI CARLISLE, WHO I 509 00:17:07,927 --> 00:17:10,695 PLAYING -- HE IS MY FRIEND, AS WELL, BRANDI CARLISLE, WHO I LOVE, ISN'T SHE BRILLIANT? 510 00:17:10,697 --> 00:17:12,864 WELL, BRANDI CARLISLE, WHO I LOVE, ISN'T SHE BRILLIANT? >> Courteney: SHE IS THE MOST 511 00:17:12,866 --> 00:17:15,033 LOVE, ISN'T SHE BRILLIANT? >> Courteney: SHE IS THE MOST INCREDIBLE PERSON, NOT ON THE 512 00:17:15,035 --> 00:17:16,234 >> Courteney: SHE IS THE MOST INCREDIBLE PERSON, NOT ON THE ARTIST. 513 00:17:16,236 --> 00:17:16,768 INCREDIBLE PERSON, NOT ON THE ARTIST. >> Courteney: HERE IS 514 00:17:16,770 --> 00:17:18,669 ARTIST. >> Courteney: HERE IS COURTENEY PLAYING WITH BRANDI 515 00:17:18,671 --> 00:17:18,936 >> Courteney: HERE IS COURTENEY PLAYING WITH BRANDI CARLISLE. 516 00:17:18,938 --> 00:17:25,576 COURTENEY PLAYING WITH BRANDI CARLISLE. ♪ ♪ 517 00:17:25,578 --> 00:17:33,351 CARLISLE. ♪ ♪ '>> [BLEEP]. 518 00:17:33,353 --> 00:17:33,584 ♪ ♪ '>> [BLEEP]. ON AIR. 519 00:17:33,586 --> 00:17:35,720 '>> [BLEEP]. ON AIR. THAT'S [BLEEP]. 520 00:17:35,722 --> 00:17:37,922 ON AIR. THAT'S [BLEEP]. >> Ellen: IT'S FANTASTIC. 521 00:17:37,924 --> 00:17:39,791 THAT'S [BLEEP]. >> Ellen: IT'S FANTASTIC. >> Courteney: I WAS TOO 522 00:17:39,793 --> 00:17:41,492 >> Ellen: IT'S FANTASTIC. >> Courteney: I WAS TOO EXCITED, I COULDN'T EVEN FINISH 523 00:17:41,494 --> 00:17:41,759 >> Courteney: I WAS TOO EXCITED, I COULDN'T EVEN FINISH THE SONG. 524 00:17:41,761 --> 00:17:42,160 EXCITED, I COULDN'T EVEN FINISH THE SONG. I WAS SO EXCITED. 525 00:17:42,162 --> 00:17:45,696 THE SONG. I WAS SO EXCITED. AND JUST, WE ACTUALLY HAD MET ON 526 00:17:45,698 --> 00:17:47,598 I WAS SO EXCITED. AND JUST, WE ACTUALLY HAD MET ON INSTAGRAM -- BY THE WAY, 527 00:17:47,600 --> 00:17:48,833 AND JUST, WE ACTUALLY HAD MET ON INSTAGRAM -- BY THE WAY, THANK YOU, BECAUSE YOU STARTED 528 00:17:48,835 --> 00:17:51,069 INSTAGRAM -- BY THE WAY, THANK YOU, BECAUSE YOU STARTED MY INSTAGRAM ACCOUNT A YEAR AND 529 00:17:51,071 --> 00:17:51,369 THANK YOU, BECAUSE YOU STARTED MY INSTAGRAM ACCOUNT A YEAR AND A HALF AGO. 530 00:17:51,371 --> 00:17:52,470 MY INSTAGRAM ACCOUNT A YEAR AND A HALF AGO. >> Ellen: YOU ARE WELCOME. 531 00:17:52,472 --> 00:17:53,271 A HALF AGO. >> Ellen: YOU ARE WELCOME. >> Courteney: AND YOU HAVE NOT 532 00:17:53,273 --> 00:17:55,473 >> Ellen: YOU ARE WELCOME. >> Courteney: AND YOU HAVE NOT BEEN LIKING MY POSTS, JUST 533 00:17:55,475 --> 00:17:56,407 >> Courteney: AND YOU HAVE NOT BEEN LIKING MY POSTS, JUST LETTING YOU KNOW. 534 00:17:56,409 --> 00:17:57,675 BEEN LIKING MY POSTS, JUST LETTING YOU KNOW. >> Ellen: JUST LOOK BACK, IT 535 00:17:57,677 --> 00:17:58,643 LETTING YOU KNOW. >> Ellen: JUST LOOK BACK, IT IS ALL LIKE TO. 536 00:17:58,645 --> 00:18:00,645 >> Ellen: JUST LOOK BACK, IT IS ALL LIKE TO. WE HAVE LIKED EVERY SINGLE 537 00:18:00,647 --> 00:18:01,279 IS ALL LIKE TO. WE HAVE LIKED EVERY SINGLE THING. 538 00:18:01,281 --> 00:18:02,280 WE HAVE LIKED EVERY SINGLE THING. >> Courteney: OKAY, THANK YOU. 539 00:18:02,282 --> 00:18:04,048 THING. >> Courteney: OKAY, THANK YOU. ANYWAY, I MET HER ON INSTAGRAM. 540 00:18:04,050 --> 00:18:05,917 >> Courteney: OKAY, THANK YOU. ANYWAY, I MET HER ON INSTAGRAM. SHE WAS GOING TO COME OVER RIGHT 541 00:18:05,919 --> 00:18:08,252 ANYWAY, I MET HER ON INSTAGRAM. SHE WAS GOING TO COME OVER RIGHT BEFORE THE PANDEMIC STARTED, BUT 542 00:18:08,254 --> 00:18:11,055 SHE WAS GOING TO COME OVER RIGHT BEFORE THE PANDEMIC STARTED, BUT THE NEXT DAY THE WORLD CLOSE 543 00:18:11,057 --> 00:18:12,824 BEFORE THE PANDEMIC STARTED, BUT THE NEXT DAY THE WORLD CLOSE DOWN, SO THE NEXT YEAR -- 544 00:18:12,826 --> 00:18:14,592 THE NEXT DAY THE WORLD CLOSE DOWN, SO THE NEXT YEAR -- ACTUALLY, A YEAR LATER SHE DID, 545 00:18:14,594 --> 00:18:16,861 DOWN, SO THE NEXT YEAR -- ACTUALLY, A YEAR LATER SHE DID, SHE CAME OVER, SO SWEET, HER AND 546 00:18:16,863 --> 00:18:19,363 ACTUALLY, A YEAR LATER SHE DID, SHE CAME OVER, SO SWEET, HER AND HER WIFE, JUST THE GREATEST 547 00:18:19,365 --> 00:18:21,232 SHE CAME OVER, SO SWEET, HER AND HER WIFE, JUST THE GREATEST PEOPLE, AND ALL OF A SUDDEN, MY 548 00:18:21,234 --> 00:18:22,767 HER WIFE, JUST THE GREATEST PEOPLE, AND ALL OF A SUDDEN, MY DOG ESCAPES UNDERNEATH THE 549 00:18:22,769 --> 00:18:23,568 PEOPLE, AND ALL OF A SUDDEN, MY DOG ESCAPES UNDERNEATH THE FENCE, GOT OUT TO THE PROPERTY 550 00:18:23,570 --> 00:18:27,705 DOG ESCAPES UNDERNEATH THE FENCE, GOT OUT TO THE PROPERTY NEXT DOOR, AND I AM NOT SPORTY. 551 00:18:27,707 --> 00:18:30,041 FENCE, GOT OUT TO THE PROPERTY NEXT DOOR, AND I AM NOT SPORTY. I AM NOT, LIKE, I JUST FREEZE 552 00:18:30,043 --> 00:18:31,909 NEXT DOOR, AND I AM NOT SPORTY. I AM NOT, LIKE, I JUST FREEZE UNDER PRESSURE, AND SHE JUST RAN 553 00:18:31,911 --> 00:18:34,112 I AM NOT, LIKE, I JUST FREEZE UNDER PRESSURE, AND SHE JUST RAN OVER, JUMPED OVER THE FENCE, 554 00:18:34,114 --> 00:18:36,614 UNDER PRESSURE, AND SHE JUST RAN OVER, JUMPED OVER THE FENCE, SAVED MY DOG, THEN WE WENT 555 00:18:36,616 --> 00:18:38,049 OVER, JUMPED OVER THE FENCE, SAVED MY DOG, THEN WE WENT UPSTAIRS, HAD THE BEST TIME, 556 00:18:38,051 --> 00:18:39,383 SAVED MY DOG, THEN WE WENT UPSTAIRS, HAD THE BEST TIME, PLAYED MUSIC, AND SHE SANG A 557 00:18:39,385 --> 00:18:42,653 UPSTAIRS, HAD THE BEST TIME, PLAYED MUSIC, AND SHE SANG A LOT, THEN WE DANCED, BUT I WILL 558 00:18:42,655 --> 00:18:44,822 PLAYED MUSIC, AND SHE SANG A LOT, THEN WE DANCED, BUT I WILL SAY, THAT WAS ONE OF MY FAVORITE 559 00:18:44,824 --> 00:18:45,957 LOT, THEN WE DANCED, BUT I WILL SAY, THAT WAS ONE OF MY FAVORITE MOMENTS EVER, SHE IS JUST AN 560 00:18:45,959 --> 00:18:47,792 SAY, THAT WAS ONE OF MY FAVORITE MOMENTS EVER, SHE IS JUST AN ABSOLUTE DOLL. 561 00:18:47,794 --> 00:18:49,060 MOMENTS EVER, SHE IS JUST AN ABSOLUTE DOLL. >> Ellen: THAT IS THE BEAUTY 562 00:18:49,062 --> 00:18:51,829 ABSOLUTE DOLL. >> Ellen: THAT IS THE BEAUTY OF YOU BEING ABLE TO PLAY PIANO, 563 00:18:51,831 --> 00:18:53,030 >> Ellen: THAT IS THE BEAUTY OF YOU BEING ABLE TO PLAY PIANO, YOU CAN PLAY WITH ANYBODY. 564 00:18:53,032 --> 00:18:53,431 OF YOU BEING ABLE TO PLAY PIANO, YOU CAN PLAY WITH ANYBODY. THAT'S INCREDIBLE. 565 00:18:53,433 --> 00:18:57,168 YOU CAN PLAY WITH ANYBODY. THAT'S INCREDIBLE. AND YOU KNOW A LOT OF MUSICIANS. 566 00:18:57,170 --> 00:18:59,237 THAT'S INCREDIBLE. AND YOU KNOW A LOT OF MUSICIANS. YOUR BOYFRIEND -- DO YOU PLAY 567 00:18:59,239 --> 00:19:00,338 AND YOU KNOW A LOT OF MUSICIANS. YOUR BOYFRIEND -- DO YOU PLAY WITH JOHNNY? 568 00:19:00,340 --> 00:19:01,072 YOUR BOYFRIEND -- DO YOU PLAY WITH JOHNNY? >> Courteney: SOMETIMES, 569 00:19:01,074 --> 00:19:02,273 WITH JOHNNY? >> Courteney: SOMETIMES, YEAH -- THERE HE IS. 570 00:19:02,275 --> 00:19:03,708 >> Courteney: SOMETIMES, YEAH -- THERE HE IS. I WILL PLAY NEXT TO HIM AND 571 00:19:03,710 --> 00:19:05,343 YEAH -- THERE HE IS. I WILL PLAY NEXT TO HIM AND STUFF, BUT HE TEACHES ME SONGS. 572 00:19:05,345 --> 00:19:08,112 I WILL PLAY NEXT TO HIM AND STUFF, BUT HE TEACHES ME SONGS. I TRY TO LEARN A LOT OF -- SNOW 573 00:19:08,114 --> 00:19:09,680 STUFF, BUT HE TEACHES ME SONGS. I TRY TO LEARN A LOT OF -- SNOW PATROL SONGS OR SONGS HE HAS 574 00:19:09,682 --> 00:19:10,615 I TRY TO LEARN A LOT OF -- SNOW PATROL SONGS OR SONGS HE HAS WRITTEN. 575 00:19:10,617 --> 00:19:12,116 PATROL SONGS OR SONGS HE HAS WRITTEN. WHEN HE WROTE "UNDERDOG" AND 576 00:19:12,118 --> 00:19:15,319 WRITTEN. WHEN HE WROTE "UNDERDOG" AND "WHAT ABOUT US," SO I LIKE TO 577 00:19:15,321 --> 00:19:16,521 WHEN HE WROTE "UNDERDOG" AND "WHAT ABOUT US," SO I LIKE TO PLAY SONGS HE HAS WRITTEN. 578 00:19:16,523 --> 00:19:18,823 "WHAT ABOUT US," SO I LIKE TO PLAY SONGS HE HAS WRITTEN. >> Ellen: HE WROTE "WHAT ABOUT 579 00:19:18,825 --> 00:19:19,657 PLAY SONGS HE HAS WRITTEN. >> Ellen: HE WROTE "WHAT ABOUT US" WITH PINK? 580 00:19:19,659 --> 00:19:22,860 >> Ellen: HE WROTE "WHAT ABOUT US" WITH PINK? THAT'S ONE OF MY FAVORITE SONGS. 581 00:19:22,862 --> 00:19:24,495 US" WITH PINK? THAT'S ONE OF MY FAVORITE SONGS. >> Courteney: HE IS LIKE THE 582 00:19:24,497 --> 00:19:26,230 THAT'S ONE OF MY FAVORITE SONGS. >> Courteney: HE IS LIKE THE MOST INSPIRATIONAL, FEEL-GOOD 583 00:19:26,232 --> 00:19:26,531 >> Courteney: HE IS LIKE THE MOST INSPIRATIONAL, FEEL-GOOD WRITER EVER. 584 00:19:26,533 --> 00:19:28,599 MOST INSPIRATIONAL, FEEL-GOOD WRITER EVER. >> Ellen: AND YOU ARE THERE 585 00:19:28,601 --> 00:19:29,433 WRITER EVER. >> Ellen: AND YOU ARE THERE WITH HIM NOW, RIGHT? 586 00:19:29,435 --> 00:19:32,136 >> Ellen: AND YOU ARE THERE WITH HIM NOW, RIGHT? >> Courteney: YEAH, I'M IN 587 00:19:32,138 --> 00:19:33,204 WITH HIM NOW, RIGHT? >> Courteney: YEAH, I'M IN LONDON, JUST GOT THIS NEW 588 00:19:33,206 --> 00:19:34,238 >> Courteney: YEAH, I'M IN LONDON, JUST GOT THIS NEW APARTMENT. 589 00:19:34,240 --> 00:19:35,840 LONDON, JUST GOT THIS NEW APARTMENT. WE JUST MOVED IN YESTERDAY, SO 590 00:19:35,842 --> 00:19:37,141 APARTMENT. WE JUST MOVED IN YESTERDAY, SO THERE IS A LOT TO DO. 591 00:19:37,143 --> 00:19:37,742 WE JUST MOVED IN YESTERDAY, SO THERE IS A LOT TO DO. >> Ellen: I'M GLAD -- I KNOW 592 00:19:37,744 --> 00:19:41,045 THERE IS A LOT TO DO. >> Ellen: I'M GLAD -- I KNOW YOU WERE STUCK, Y'ALL WERE 593 00:19:41,047 --> 00:19:43,748 >> Ellen: I'M GLAD -- I KNOW YOU WERE STUCK, Y'ALL WERE SEPARATED FOR A LONG TIME, MARCH 594 00:19:43,750 --> 00:19:44,015 YOU WERE STUCK, Y'ALL WERE SEPARATED FOR A LONG TIME, MARCH UNTIL ONE? 595 00:19:44,017 --> 00:19:46,484 SEPARATED FOR A LONG TIME, MARCH UNTIL ONE? >> Courteney: DECEMBER. 596 00:19:46,486 --> 00:19:47,752 UNTIL ONE? >> Courteney: DECEMBER. >> Ellen: WOW. 597 00:19:47,754 --> 00:19:48,319 >> Courteney: DECEMBER. >> Ellen: WOW. >> Courteney: LIKE NINE 598 00:19:48,321 --> 00:19:48,553 >> Ellen: WOW. >> Courteney: LIKE NINE MONTHS. 599 00:19:48,555 --> 00:19:50,888 >> Courteney: LIKE NINE MONTHS. >> Ellen: THAT'S A LONG TIME. 600 00:19:50,890 --> 00:19:52,290 MONTHS. >> Ellen: THAT'S A LONG TIME. YOU ARE STILL, EVERYTHING IS 601 00:19:52,292 --> 00:19:52,490 >> Ellen: THAT'S A LONG TIME. YOU ARE STILL, EVERYTHING IS GOOD? 602 00:19:52,492 --> 00:19:53,324 YOU ARE STILL, EVERYTHING IS GOOD? >> Courteney: EVERYTHING IS 603 00:19:53,326 --> 00:19:53,524 GOOD? >> Courteney: EVERYTHING IS GOOD. 604 00:19:53,526 --> 00:19:55,626 >> Courteney: EVERYTHING IS GOOD. I AM OVER HERE AND IT IS GREAT. 605 00:19:55,628 --> 00:19:59,063 GOOD. I AM OVER HERE AND IT IS GREAT. DEFINITELY COULD USE SOME HELP, 606 00:19:59,065 --> 00:20:01,232 I AM OVER HERE AND IT IS GREAT. DEFINITELY COULD USE SOME HELP, BUT I DO WANT SOME HELP -- WE 607 00:20:01,234 --> 00:20:03,301 DEFINITELY COULD USE SOME HELP, BUT I DO WANT SOME HELP -- WE WILL TALK THAT LATER. 608 00:20:03,303 --> 00:20:04,635 BUT I DO WANT SOME HELP -- WE WILL TALK THAT LATER. >> Ellen: I ASK YOU ABOUT ONE 609 00:20:04,637 --> 00:20:05,836 WILL TALK THAT LATER. >> Ellen: I ASK YOU ABOUT ONE THING I WANT TO BUY THAT YOU DID 610 00:20:05,838 --> 00:20:08,239 >> Ellen: I ASK YOU ABOUT ONE THING I WANT TO BUY THAT YOU DID NOT GET BACK TO ME ON, ANYWAY, 611 00:20:08,241 --> 00:20:09,040 THING I WANT TO BUY THAT YOU DID NOT GET BACK TO ME ON, ANYWAY, WE WILL TALK ABOUT IT. 612 00:20:09,042 --> 00:20:10,141 NOT GET BACK TO ME ON, ANYWAY, WE WILL TALK ABOUT IT. >> Courteney: NOW THAT YOU 613 00:20:10,143 --> 00:20:12,276 WE WILL TALK ABOUT IT. >> Courteney: NOW THAT YOU LIKE IT THERE IS NO WAY I'M 614 00:20:12,278 --> 00:20:12,677 >> Courteney: NOW THAT YOU LIKE IT THERE IS NO WAY I'M GETTING RID OF IT. 615 00:20:12,679 --> 00:20:14,045 LIKE IT THERE IS NO WAY I'M GETTING RID OF IT. >> Ellen: I SHOULD HAVE SAID I 616 00:20:14,047 --> 00:20:15,046 GETTING RID OF IT. >> Ellen: I SHOULD HAVE SAID I DON'T LIKE IT. 617 00:20:15,048 --> 00:20:15,279 >> Ellen: I SHOULD HAVE SAID I DON'T LIKE IT. REVERSE. 618 00:20:15,281 --> 00:20:17,048 DON'T LIKE IT. REVERSE. >> Courteney: ARE YOU KIDDING, 619 00:20:17,050 --> 00:20:18,082 REVERSE. >> Courteney: ARE YOU KIDDING, ELLEN LIKES IT? 620 00:20:18,084 --> 00:20:20,151 >> Courteney: ARE YOU KIDDING, ELLEN LIKES IT? I'M KEEPING IT AROUND. 621 00:20:20,153 --> 00:20:21,586 ELLEN LIKES IT? I'M KEEPING IT AROUND. AFTER MAX >> Ellen: OH, DARN 622 00:20:21,588 --> 00:20:21,986 I'M KEEPING IT AROUND. AFTER MAX >> Ellen: OH, DARN IT. 623 00:20:21,988 --> 00:20:23,754 AFTER MAX >> Ellen: OH, DARN IT. WHAT WAS I THINKING? 624 00:20:23,756 --> 00:20:24,021 IT. WHAT WAS I THINKING? HEY -- 625 00:20:24,023 --> 00:20:32,296 WHAT WAS I THINKING? HEY -- >, COURTENEY, WE HAVE TO TAKEA T 626 00:20:32,298 --> 00:20:32,863 HEY -- >, COURTENEY, WE HAVE TO TAKEA T THE "FRIENDS" REUNION AFTER 627 00:20:32,865 --> 00:20:33,064 >, COURTENEY, WE HAVE TO TAKEA T THE "FRIENDS" REUNION AFTER THIS. 628 00:20:33,066 --> 00:20:35,900 THE "FRIENDS" REUNION AFTER THIS. ♪ ♪ 629 00:20:35,902 --> 00:20:37,802 THIS. ♪ ♪ >> IT IS AN UNSCRIPTED REUNION, 630 00:20:37,804 --> 00:20:40,638 ♪ ♪ >> IT IS AN UNSCRIPTED REUNION, BUT WE GOT TO BE ON STAGE 24 FOR 631 00:20:40,640 --> 00:20:43,241 >> IT IS AN UNSCRIPTED REUNION, BUT WE GOT TO BE ON STAGE 24 FOR THE FIRST TIME, ALL OF US, IN, 632 00:20:43,243 --> 00:20:45,042 BUT WE GOT TO BE ON STAGE 24 FOR THE FIRST TIME, ALL OF US, IN, LIKE, I FORGOT HOW MANY YEARS. 633 00:20:45,044 --> 00:20:47,812 THE FIRST TIME, ALL OF US, IN, LIKE, I FORGOT HOW MANY YEARS. >> YOU CAN DO IT, ELLEN. 634 00:20:47,814 --> 00:20:48,346 LIKE, I FORGOT HOW MANY YEARS. >> YOU CAN DO IT, ELLEN. YOU'VE DONE IT BEFORE. 635 00:20:48,348 --> 00:20:50,481 >> YOU CAN DO IT, ELLEN. YOU'VE DONE IT BEFORE. >> HERE. 636 00:20:50,483 --> 00:20:59,790 YOU'VE DONE IT BEFORE. >> HERE. >> COME ON, ELLEN. 637 00:20:59,792 --> 00:21:00,057 >> HERE. >> COME ON, ELLEN. [APPLAUSE] 638 00:21:00,059 --> 00:21:06,230 >> COME ON, ELLEN. [APPLAUSE] ♪ ♪ 639 00:21:06,232 --> 00:21:08,099 [APPLAUSE] ♪ ♪ >> Ellen: WE ARE BACK WITH 640 00:21:08,101 --> 00:21:09,400 ♪ ♪ >> Ellen: WE ARE BACK WITH COURTENEY COX. 641 00:21:09,402 --> 00:21:10,501 >> Ellen: WE ARE BACK WITH COURTENEY COX. SO, YOU FINISHED THE TAPING WITH 642 00:21:10,503 --> 00:21:11,902 COURTENEY COX. SO, YOU FINISHED THE TAPING WITH THE "FRIENDS" REUNION A COUPLE 643 00:21:11,904 --> 00:21:12,169 SO, YOU FINISHED THE TAPING WITH THE "FRIENDS" REUNION A COUPLE WEEKS AGO. 644 00:21:12,171 --> 00:21:14,872 THE "FRIENDS" REUNION A COUPLE WEEKS AGO. IT WAS SUPPOSED TO HAPPEN, 645 00:21:14,874 --> 00:21:16,607 WEEKS AGO. IT WAS SUPPOSED TO HAPPEN, REALLY, RIGHT WHEN COVID HIT, SO 646 00:21:16,609 --> 00:21:18,376 IT WAS SUPPOSED TO HAPPEN, REALLY, RIGHT WHEN COVID HIT, SO IT WAS DELAYED, BUT I'M GLAD IT 647 00:21:18,378 --> 00:21:18,876 REALLY, RIGHT WHEN COVID HIT, SO IT WAS DELAYED, BUT I'M GLAD IT FINALLY HAPPENED. 648 00:21:18,878 --> 00:21:21,979 IT WAS DELAYED, BUT I'M GLAD IT FINALLY HAPPENED. IT MUST HAVE BEEN SO FUN FOR ALL 649 00:21:21,981 --> 00:21:23,881 FINALLY HAPPENED. IT MUST HAVE BEEN SO FUN FOR ALL OF YOU TO GET BACK TOGETHER. 650 00:21:23,883 --> 00:21:24,615 IT MUST HAVE BEEN SO FUN FOR ALL OF YOU TO GET BACK TOGETHER. >> Courteney: IT WAS 651 00:21:24,617 --> 00:21:24,949 OF YOU TO GET BACK TOGETHER. >> Courteney: IT WAS UNBELIEVABLE. 652 00:21:24,951 --> 00:21:27,585 >> Courteney: IT WAS UNBELIEVABLE. IT WAS SO EMOTIONAL. 653 00:21:27,587 --> 00:21:29,920 UNBELIEVABLE. IT WAS SO EMOTIONAL. IT'S AN UNSCRIPTED REUNION, BUT 654 00:21:29,922 --> 00:21:32,356 IT WAS SO EMOTIONAL. IT'S AN UNSCRIPTED REUNION, BUT WE GOT TO BE ON STAGE 24 FOR THE 655 00:21:32,358 --> 00:21:36,160 IT'S AN UNSCRIPTED REUNION, BUT WE GOT TO BE ON STAGE 24 FOR THE FIRST TIME, ALL OF US, IN, LIKE, 656 00:21:36,162 --> 00:21:39,363 WE GOT TO BE ON STAGE 24 FOR THE FIRST TIME, ALL OF US, IN, LIKE, I FORGOT HOW MANY YEARS, 15 657 00:21:39,365 --> 00:21:39,563 FIRST TIME, ALL OF US, IN, LIKE, I FORGOT HOW MANY YEARS, 15 YEARS? 658 00:21:39,565 --> 00:21:39,830 I FORGOT HOW MANY YEARS, 15 YEARS? 17 YEARS? 659 00:21:39,832 --> 00:21:41,499 YEARS? 17 YEARS? >> Ellen: YEAH. 660 00:21:41,501 --> 00:21:42,900 17 YEARS? >> Ellen: YEAH. WAS THERE STUFF THAT CAME UP 661 00:21:42,902 --> 00:21:45,169 >> Ellen: YEAH. WAS THERE STUFF THAT CAME UP THAT Y'ALL FORGOT ABOUT? 662 00:21:45,171 --> 00:21:46,237 WAS THERE STUFF THAT CAME UP THAT Y'ALL FORGOT ABOUT? >> Courteney: I HAVE THE WORST 663 00:21:46,239 --> 00:21:48,239 THAT Y'ALL FORGOT ABOUT? >> Courteney: I HAVE THE WORST MEMORY, EVERYTHING CAME UP THAT 664 00:21:48,241 --> 00:21:48,739 >> Courteney: I HAVE THE WORST MEMORY, EVERYTHING CAME UP THAT I FORGOT ABOUT. 665 00:21:48,741 --> 00:21:49,006 MEMORY, EVERYTHING CAME UP THAT I FORGOT ABOUT. [LAUGHTER] 666 00:21:49,008 --> 00:21:49,674 I FORGOT ABOUT. [LAUGHTER] IT WAS GREAT. 667 00:21:49,676 --> 00:21:52,143 [LAUGHTER] IT WAS GREAT. IT WAS REALLY FUN. 668 00:21:52,145 --> 00:21:54,679 IT WAS GREAT. IT WAS REALLY FUN. HAD A LOT OF SPECIAL SURPRISES. 669 00:21:54,681 --> 00:21:56,414 IT WAS REALLY FUN. HAD A LOT OF SPECIAL SURPRISES. IT WAS FANTASTIC. 670 00:21:56,416 --> 00:21:57,081 HAD A LOT OF SPECIAL SURPRISES. IT WAS FANTASTIC. IT REALLY WAS. 671 00:21:57,083 --> 00:21:58,215 IT WAS FANTASTIC. IT REALLY WAS. >> Ellen: IT REALLY IS SO RARE 672 00:21:58,217 --> 00:22:00,851 IT REALLY WAS. >> Ellen: IT REALLY IS SO RARE AND SO SPECIAL TO HAVE A SHOW 673 00:22:00,853 --> 00:22:03,220 >> Ellen: IT REALLY IS SO RARE AND SO SPECIAL TO HAVE A SHOW THAT YOU HAVE THAT KIND OF 674 00:22:03,222 --> 00:22:03,854 AND SO SPECIAL TO HAVE A SHOW THAT YOU HAVE THAT KIND OF CHEMISTRY WITH EVERYBODY, AND 675 00:22:03,856 --> 00:22:07,458 THAT YOU HAVE THAT KIND OF CHEMISTRY WITH EVERYBODY, AND THAT Y'ALL HAD THAT RUN, YOU 676 00:22:07,460 --> 00:22:09,293 CHEMISTRY WITH EVERYBODY, AND THAT Y'ALL HAD THAT RUN, YOU KNOW, FOR THAT AMOUNT OF YEARS, 677 00:22:09,295 --> 00:22:10,895 THAT Y'ALL HAD THAT RUN, YOU KNOW, FOR THAT AMOUNT OF YEARS, THEN TO COME BACK AND DO IT 678 00:22:10,897 --> 00:22:13,064 KNOW, FOR THAT AMOUNT OF YEARS, THEN TO COME BACK AND DO IT AGAIN, THAT'S REALLY SPECIAL. 679 00:22:13,066 --> 00:22:15,466 THEN TO COME BACK AND DO IT AGAIN, THAT'S REALLY SPECIAL. DO YOU REMEMBER THIS PICTURE YOU 680 00:22:15,468 --> 00:22:17,001 AGAIN, THAT'S REALLY SPECIAL. DO YOU REMEMBER THIS PICTURE YOU TOOK, WHICH WAS OBVIOUSLY, I 681 00:22:17,003 --> 00:22:17,234 DO YOU REMEMBER THIS PICTURE YOU TOOK, WHICH WAS OBVIOUSLY, I MEAN -- 682 00:22:17,236 --> 00:22:17,501 TOOK, WHICH WAS OBVIOUSLY, I MEAN -- [LAUGHTER] 683 00:22:17,503 --> 00:22:20,338 MEAN -- [LAUGHTER] HOW DID THAT HAPPEN, AND WHOSE 684 00:22:20,340 --> 00:22:22,139 [LAUGHTER] HOW DID THAT HAPPEN, AND WHOSE IDEA WAS THAT TO GET IN? 685 00:22:22,141 --> 00:22:23,341 HOW DID THAT HAPPEN, AND WHOSE IDEA WAS THAT TO GET IN? >> Courteney: WELL, IT 686 00:22:23,343 --> 00:22:24,842 IDEA WAS THAT TO GET IN? >> Courteney: WELL, IT DEFINITELY WASN'T MINE. 687 00:22:24,844 --> 00:22:25,476 >> Courteney: WELL, IT DEFINITELY WASN'T MINE. [LAUGHTER] 688 00:22:25,478 --> 00:22:26,310 DEFINITELY WASN'T MINE. [LAUGHTER] WE WERE IN THAT FOUNTAIN FOR A 689 00:22:26,312 --> 00:22:29,447 [LAUGHTER] WE WERE IN THAT FOUNTAIN FOR A LONG TIME, AND I DON'T KNOW 690 00:22:29,449 --> 00:22:30,681 WE WERE IN THAT FOUNTAIN FOR A LONG TIME, AND I DON'T KNOW WHO -- SOMEBODY THOUGHT THAT 691 00:22:30,683 --> 00:22:31,515 LONG TIME, AND I DON'T KNOW WHO -- SOMEBODY THOUGHT THAT WOULD BE REALLY FUN. 692 00:22:31,517 --> 00:22:32,817 WHO -- SOMEBODY THOUGHT THAT WOULD BE REALLY FUN. AND LET ME TELL YOU WHAT 693 00:22:32,819 --> 00:22:34,318 WOULD BE REALLY FUN. AND LET ME TELL YOU WHAT HAPPENS, IT IS NOT FUN TO BE 694 00:22:34,320 --> 00:22:35,920 AND LET ME TELL YOU WHAT HAPPENS, IT IS NOT FUN TO BE DANCING IN A FOUNTAIN FOR HOURS 695 00:22:35,922 --> 00:22:37,288 HAPPENS, IT IS NOT FUN TO BE DANCING IN A FOUNTAIN FOR HOURS AND HOURS. 696 00:22:37,290 --> 00:22:38,155 DANCING IN A FOUNTAIN FOR HOURS AND HOURS. I REMEMBER MATTHEW PERRY SAYING 697 00:22:38,157 --> 00:22:39,724 AND HOURS. I REMEMBER MATTHEW PERRY SAYING AT ONE POINT, WE DIDN'T KNOW 698 00:22:39,726 --> 00:22:40,458 I REMEMBER MATTHEW PERRY SAYING AT ONE POINT, WE DIDN'T KNOW EACH OTHER THAT WELL AT THAT 699 00:22:40,460 --> 00:22:44,061 AT ONE POINT, WE DIDN'T KNOW EACH OTHER THAT WELL AT THAT POINT, BUT I REMEMBER IT WAS SO 700 00:22:44,063 --> 00:22:45,129 EACH OTHER THAT WELL AT THAT POINT, BUT I REMEMBER IT WAS SO MATTHEW, IT WAS LIKE, I CAN'T 701 00:22:45,131 --> 00:22:45,863 POINT, BUT I REMEMBER IT WAS SO MATTHEW, IT WAS LIKE, I CAN'T REMEMBER A TIME THAT I WASN'T IN 702 00:22:45,865 --> 00:22:49,166 MATTHEW, IT WAS LIKE, I CAN'T REMEMBER A TIME THAT I WASN'T IN THIS FOUNTAIN. 703 00:22:49,168 --> 00:22:50,067 REMEMBER A TIME THAT I WASN'T IN THIS FOUNTAIN. [LAUGHTER] 704 00:22:50,069 --> 00:22:51,001 THIS FOUNTAIN. [LAUGHTER] LITERALLY, OH, MY GOD. 705 00:22:51,003 --> 00:22:53,003 [LAUGHTER] LITERALLY, OH, MY GOD. HOW MUCH LONGER ARE WE GOING TO 706 00:22:53,005 --> 00:22:54,905 LITERALLY, OH, MY GOD. HOW MUCH LONGER ARE WE GOING TO PRETEND TO LOVE DANCING IN THE 707 00:22:54,907 --> 00:22:56,006 HOW MUCH LONGER ARE WE GOING TO PRETEND TO LOVE DANCING IN THE WATER? 708 00:22:56,008 --> 00:22:57,508 PRETEND TO LOVE DANCING IN THE WATER? IT WAS FUN, BUT NOT REALLY. 709 00:22:57,510 --> 00:22:58,843 WATER? IT WAS FUN, BUT NOT REALLY. >> Ellen: WELL, WHY WOULD IT 710 00:22:58,845 --> 00:23:00,745 IT WAS FUN, BUT NOT REALLY. >> Ellen: WELL, WHY WOULD IT TAKE THAT LONG TO FILM Y'ALL 711 00:23:00,747 --> 00:23:01,645 >> Ellen: WELL, WHY WOULD IT TAKE THAT LONG TO FILM Y'ALL BEING IN THE FOUNTAIN? 712 00:23:01,647 --> 00:23:02,713 TAKE THAT LONG TO FILM Y'ALL BEING IN THE FOUNTAIN? I THINK SOMEONE WAS JUST KEEP 713 00:23:02,715 --> 00:23:03,948 BEING IN THE FOUNTAIN? I THINK SOMEONE WAS JUST KEEP YOU IN THE FOUNDED TO TEACH YOU 714 00:23:03,950 --> 00:23:05,816 I THINK SOMEONE WAS JUST KEEP YOU IN THE FOUNDED TO TEACH YOU A LESSON. 715 00:23:05,818 --> 00:23:06,083 YOU IN THE FOUNDED TO TEACH YOU A LESSON. [LAUGHTER] 716 00:23:06,085 --> 00:23:08,419 A LESSON. [LAUGHTER] >> Courteney: IN THE FOUNTAIN, 717 00:23:08,421 --> 00:23:09,086 [LAUGHTER] >> Courteney: IN THE FOUNTAIN, SHOW THEM. 718 00:23:09,088 --> 00:23:09,854 >> Courteney: IN THE FOUNTAIN, SHOW THEM. >> Ellen: YEAH, THAT'S A LONG 719 00:23:09,856 --> 00:23:11,389 SHOW THEM. >> Ellen: YEAH, THAT'S A LONG TIME TO STAY IN THE FOUNTAIN AND 720 00:23:11,391 --> 00:23:11,856 >> Ellen: YEAH, THAT'S A LONG TIME TO STAY IN THE FOUNTAIN AND SHOOT SOMETHING. 721 00:23:11,858 --> 00:23:13,157 TIME TO STAY IN THE FOUNTAIN AND SHOOT SOMETHING. I SHOULD HAVE DIRECTED THAT. 722 00:23:13,159 --> 00:23:15,726 SHOOT SOMETHING. I SHOULD HAVE DIRECTED THAT. YOU WOULD HAVE BEEN OUT REAL 723 00:23:15,728 --> 00:23:15,926 I SHOULD HAVE DIRECTED THAT. YOU WOULD HAVE BEEN OUT REAL FAST. 724 00:23:15,928 --> 00:23:19,163 YOU WOULD HAVE BEEN OUT REAL FAST. YOU POSTED A VIDEO OF YOU AND 725 00:23:19,165 --> 00:23:21,198 FAST. YOU POSTED A VIDEO OF YOU AND JEN, THIS WAS A WHILE AGO, 726 00:23:21,200 --> 00:23:22,967 YOU POSTED A VIDEO OF YOU AND JEN, THIS WAS A WHILE AGO, PLAYING POOL, AND BY THE WAY, 727 00:23:22,969 --> 00:23:24,668 JEN, THIS WAS A WHILE AGO, PLAYING POOL, AND BY THE WAY, WHEN YOU SAID YOU ARE NOT 728 00:23:24,670 --> 00:23:25,870 PLAYING POOL, AND BY THE WAY, WHEN YOU SAID YOU ARE NOT ATHLETIC, YOU ARE VERY ATHLETIC, 729 00:23:25,872 --> 00:23:27,705 WHEN YOU SAID YOU ARE NOT ATHLETIC, YOU ARE VERY ATHLETIC, YOU ARE A GREAT TENNIS PLAYER, 730 00:23:27,707 --> 00:23:29,340 ATHLETIC, YOU ARE VERY ATHLETIC, YOU ARE A GREAT TENNIS PLAYER, VERY ATHLETIC, BUT YOU DID NOT 731 00:23:29,342 --> 00:23:30,307 YOU ARE A GREAT TENNIS PLAYER, VERY ATHLETIC, BUT YOU DID NOT WANT TO JUMP OVER A FENCE TO 732 00:23:30,309 --> 00:23:32,643 VERY ATHLETIC, BUT YOU DID NOT WANT TO JUMP OVER A FENCE TO SAVE YOUR DOG. 733 00:23:32,645 --> 00:23:34,478 WANT TO JUMP OVER A FENCE TO SAVE YOUR DOG. AFTER MAX BUT JEN IS GOOD AT 734 00:23:34,480 --> 00:23:35,679 SAVE YOUR DOG. AFTER MAX BUT JEN IS GOOD AT MANY THINGS, AND SHE IS A 735 00:23:35,681 --> 00:23:38,649 AFTER MAX BUT JEN IS GOOD AT MANY THINGS, AND SHE IS A HORRIBLE POOL PLAYER. 736 00:23:38,651 --> 00:23:40,851 MANY THINGS, AND SHE IS A HORRIBLE POOL PLAYER. >> Courteney: THAT IS SO TRUE. 737 00:23:40,853 --> 00:23:43,287 HORRIBLE POOL PLAYER. >> Courteney: THAT IS SO TRUE. SHE IS A TALENTED GIRL. 738 00:23:43,289 --> 00:23:45,055 >> Courteney: THAT IS SO TRUE. SHE IS A TALENTED GIRL. AND YOU ARE RIGHT, I AM KIND OF 739 00:23:45,057 --> 00:23:48,192 SHE IS A TALENTED GIRL. AND YOU ARE RIGHT, I AM KIND OF SPORTY, I CAN PLAY TENNIS AND 740 00:23:48,194 --> 00:23:48,459 AND YOU ARE RIGHT, I AM KIND OF SPORTY, I CAN PLAY TENNIS AND PLAY POOL. 741 00:23:48,461 --> 00:23:51,462 SPORTY, I CAN PLAY TENNIS AND PLAY POOL. I JUST PANIC, I GUESS. 742 00:23:51,464 --> 00:23:53,431 PLAY POOL. I JUST PANIC, I GUESS. >> Ellen: GOOD THING BRANDI 743 00:23:53,433 --> 00:23:53,764 I JUST PANIC, I GUESS. >> Ellen: GOOD THING BRANDI WAS THERE. 744 00:23:53,766 --> 00:23:55,199 >> Ellen: GOOD THING BRANDI WAS THERE. YOUR DOG WOULD HAVE STILL BEEN 745 00:23:55,201 --> 00:23:57,034 WAS THERE. YOUR DOG WOULD HAVE STILL BEEN ON THE OTHER SIDE OF THAT FENCE. 746 00:23:57,036 --> 00:23:57,802 YOUR DOG WOULD HAVE STILL BEEN ON THE OTHER SIDE OF THAT FENCE. [LAUGHTER] 747 00:23:57,804 --> 00:23:59,236 ON THE OTHER SIDE OF THAT FENCE. [LAUGHTER] I WATCH HER PLAY TENNIS EVERY 748 00:23:59,238 --> 00:24:00,504 [LAUGHTER] I WATCH HER PLAY TENNIS EVERY DAY, SHE IS NOT GOING TO JUMP 749 00:24:00,506 --> 00:24:04,208 I WATCH HER PLAY TENNIS EVERY DAY, SHE IS NOT GOING TO JUMP OVER A FENCE TO SAVE ME? 750 00:24:04,210 --> 00:24:04,975 DAY, SHE IS NOT GOING TO JUMP OVER A FENCE TO SAVE ME? ALL RIGHT, WE HAVE TO TAKE 751 00:24:04,977 --> 00:24:05,309 OVER A FENCE TO SAVE ME? ALL RIGHT, WE HAVE TO TAKE ANOTHER BREAK. 752 00:24:05,311 --> 00:24:06,377 ALL RIGHT, WE HAVE TO TAKE ANOTHER BREAK. WE WILL BE BACK. 753 00:24:06,379 --> 00:24:08,312 ANOTHER BREAK. WE WILL BE BACK. MORE WITH COURTENEY. 754 00:24:08,314 --> 00:24:08,579 WE WILL BE BACK. MORE WITH COURTENEY. [APPLAUSE] 755 00:24:08,581 --> 00:24:13,184 MORE WITH COURTENEY. [APPLAUSE] ♪ ♪ 756 00:24:13,186 --> 00:24:23,093 [APPLAUSE] ♪ ♪ >> HE SOMETIMES FILL BUILD WHERE 757 00:24:23,095 --> 00:24:24,195 ♪ ♪ >> HE SOMETIMES FILL BUILD WHERE PEOPLE DON'T WANT THEM TO BUILD, 758 00:24:24,197 --> 00:24:25,996 >> HE SOMETIMES FILL BUILD WHERE PEOPLE DON'T WANT THEM TO BUILD, AND I RELOCATE THEM WHERE TO SAE 759 00:24:25,998 --> 00:24:26,397 PEOPLE DON'T WANT THEM TO BUILD, AND I RELOCATE THEM WHERE TO SAE HER FOR THE BEES. 760 00:24:26,399 --> 00:24:31,836 AND I RELOCATE THEM WHERE TO SAE HER FOR THE BEES. >> HERE WE GO. 761 00:24:31,838 --> 00:24:38,742 HER FOR THE BEES. >> HERE WE GO. >> 762 00:24:38,744 --> 00:24:39,009 >> HERE WE GO. >> [APPLAUSE] 763 00:24:39,011 --> 00:24:46,016 >> [APPLAUSE] ♪ ♪ 764 00:24:46,018 --> 00:24:47,651 [APPLAUSE] ♪ ♪ >> Ellen: WE ARE BACK WITH 765 00:24:47,653 --> 00:24:47,985 ♪ ♪ >> Ellen: WE ARE BACK WITH COURTENEY COX. 766 00:24:47,987 --> 00:24:50,087 >> Ellen: WE ARE BACK WITH COURTENEY COX. YOUR SHOW "9 MONTHS WITH 767 00:24:50,089 --> 00:24:52,756 COURTENEY COX. YOUR SHOW "9 MONTHS WITH COURTENEY COX" IS BACK FOR A 768 00:24:52,758 --> 00:24:53,824 YOUR SHOW "9 MONTHS WITH COURTENEY COX" IS BACK FOR A THIRD SEASON, CONGRATULATIONS. 769 00:24:53,826 --> 00:24:54,992 COURTENEY COX" IS BACK FOR A THIRD SEASON, CONGRATULATIONS. FOR PEOPLE WHO DON'T KNOW, TELL 770 00:24:54,994 --> 00:24:56,861 THIRD SEASON, CONGRATULATIONS. FOR PEOPLE WHO DON'T KNOW, TELL EVERYBODY WHAT IT IS ABOUT, 771 00:24:56,863 --> 00:24:57,428 FOR PEOPLE WHO DON'T KNOW, TELL EVERYBODY WHAT IT IS ABOUT, ESPECIALLY THIS SEASON, YOU 772 00:24:57,430 --> 00:25:01,465 EVERYBODY WHAT IT IS ABOUT, ESPECIALLY THIS SEASON, YOU TACKLE A LOT OF REALLY DIFFICULT 773 00:25:01,467 --> 00:25:04,635 ESPECIALLY THIS SEASON, YOU TACKLE A LOT OF REALLY DIFFICULT SUBJECTS. 774 00:25:04,637 --> 00:25:05,636 TACKLE A LOT OF REALLY DIFFICULT SUBJECTS. >> Courteney: "9 MONTHS" IS A 775 00:25:05,638 --> 00:25:07,571 SUBJECTS. >> Courteney: "9 MONTHS" IS A SHOW WHERE WE FIND PEOPLE THAT 776 00:25:07,573 --> 00:25:09,240 >> Courteney: "9 MONTHS" IS A SHOW WHERE WE FIND PEOPLE THAT ARE HAVING CHILDREN, TRYING TO 777 00:25:09,242 --> 00:25:09,974 SHOW WHERE WE FIND PEOPLE THAT ARE HAVING CHILDREN, TRYING TO GET PREGNANT OR RECENTLY FOUND 778 00:25:09,976 --> 00:25:11,642 ARE HAVING CHILDREN, TRYING TO GET PREGNANT OR RECENTLY FOUND OUT THEY ARE PREGNANT, AND WE 779 00:25:11,644 --> 00:25:13,277 GET PREGNANT OR RECENTLY FOUND OUT THEY ARE PREGNANT, AND WE FOLLOW THEM, THEY FILM 780 00:25:13,279 --> 00:25:16,347 OUT THEY ARE PREGNANT, AND WE FOLLOW THEM, THEY FILM THEMSELVES, SO YOU GET A REALLY 781 00:25:16,349 --> 00:25:16,914 FOLLOW THEM, THEY FILM THEMSELVES, SO YOU GET A REALLY HONEST, INTIMATE LOOK AT THE 782 00:25:16,916 --> 00:25:18,249 THEMSELVES, SO YOU GET A REALLY HONEST, INTIMATE LOOK AT THE JOURNEY OF PREGNANCY. 783 00:25:18,251 --> 00:25:20,751 HONEST, INTIMATE LOOK AT THE JOURNEY OF PREGNANCY. THIS SEASON, I THINK WE ARE 784 00:25:20,753 --> 00:25:24,421 JOURNEY OF PREGNANCY. THIS SEASON, I THINK WE ARE GOING TO SHOW THIS CLIP, THIS 785 00:25:24,423 --> 00:25:26,457 THIS SEASON, I THINK WE ARE GOING TO SHOW THIS CLIP, THIS COUPLE, THEY ARE STRUGGLING WITH 786 00:25:26,459 --> 00:25:28,526 GOING TO SHOW THIS CLIP, THIS COUPLE, THEY ARE STRUGGLING WITH THE FACT THEY MIGHT HAVE A DOWN 787 00:25:28,528 --> 00:25:31,161 COUPLE, THEY ARE STRUGGLING WITH THE FACT THEY MIGHT HAVE A DOWN SYNDROME CHILD, AND IT IS JUST, 788 00:25:31,163 --> 00:25:33,664 THE FACT THEY MIGHT HAVE A DOWN SYNDROME CHILD, AND IT IS JUST, IT IS A REALLY HEARTFELT SHOW, 789 00:25:33,666 --> 00:25:35,065 SYNDROME CHILD, AND IT IS JUST, IT IS A REALLY HEARTFELT SHOW, AND I'M REALLY PROUD OF IT. 790 00:25:35,067 --> 00:25:36,100 IT IS A REALLY HEARTFELT SHOW, AND I'M REALLY PROUD OF IT. >> Ellen: I THINK THIS IS THE 791 00:25:36,102 --> 00:25:38,035 AND I'M REALLY PROUD OF IT. >> Ellen: I THINK THIS IS THE CLIP YOU JUST DESCRIBED. 792 00:25:38,037 --> 00:25:38,369 >> Ellen: I THINK THIS IS THE CLIP YOU JUST DESCRIBED. LET'S SHOW IT. 793 00:25:38,371 --> 00:25:41,038 CLIP YOU JUST DESCRIBED. LET'S SHOW IT. >> IT'S CONFIRMED. 794 00:25:41,040 --> 00:25:45,025 LET'S SHOW IT. >> IT'S CONFIRMED. ♪ ♪ 795 00:25:45,027 --> 00:25:52,416 >> IT'S CONFIRMED. ♪ ♪ >> HEARING THAT YOUR CHILD IS -- 796 00:25:52,418 --> 00:25:55,369 ♪ ♪ >> HEARING THAT YOUR CHILD IS -- IS -- IS GOING TO HAVE 797 00:25:55,371 --> 00:26:00,624 >> HEARING THAT YOUR CHILD IS -- IS -- IS GOING TO HAVE DOWN SYNDROME, IT TOTALLY 798 00:26:00,626 --> 00:26:01,625 IS -- IS GOING TO HAVE DOWN SYNDROME, IT TOTALLY CHANGES YOUR LIFE. 799 00:26:01,627 --> 00:26:02,676 DOWN SYNDROME, IT TOTALLY CHANGES YOUR LIFE. ARE PEOPLE GOING TO LOOK AT OUR 800 00:26:02,678 --> 00:26:05,763 CHANGES YOUR LIFE. ARE PEOPLE GOING TO LOOK AT OUR SON WEIRD? 801 00:26:05,765 --> 00:26:09,033 ARE PEOPLE GOING TO LOOK AT OUR SON WEIRD? BECAUSE HE'S DIFFERENT? 802 00:26:09,035 --> 00:26:09,400 SON WEIRD? BECAUSE HE'S DIFFERENT? >> Ellen: WOW. 803 00:26:09,402 --> 00:26:12,236 BECAUSE HE'S DIFFERENT? >> Ellen: WOW. THAT'S AMAZING. 804 00:26:12,238 --> 00:26:12,670 >> Ellen: WOW. THAT'S AMAZING. REALLY TOUGH. 805 00:26:12,672 --> 00:26:14,538 THAT'S AMAZING. REALLY TOUGH. AND LIKE YOU SAID, ALL OF THESE 806 00:26:14,540 --> 00:26:16,473 REALLY TOUGH. AND LIKE YOU SAID, ALL OF THESE COUPLES THAT YOU PICK HAVE 807 00:26:16,475 --> 00:26:18,242 AND LIKE YOU SAID, ALL OF THESE COUPLES THAT YOU PICK HAVE INTERESTING CIRCUMSTANCES. 808 00:26:18,244 --> 00:26:20,644 COUPLES THAT YOU PICK HAVE INTERESTING CIRCUMSTANCES. AND THEY ARE GOING THROUGH 809 00:26:20,646 --> 00:26:21,445 INTERESTING CIRCUMSTANCES. AND THEY ARE GOING THROUGH PREGNANCY DURING COVID, WHICH 810 00:26:21,447 --> 00:26:24,281 AND THEY ARE GOING THROUGH PREGNANCY DURING COVID, WHICH MAKES EVERYTHING EVEN HARDER. 811 00:26:24,283 --> 00:26:24,982 PREGNANCY DURING COVID, WHICH MAKES EVERYTHING EVEN HARDER. >> Courteney: ONE OF THE 812 00:26:24,984 --> 00:26:26,116 MAKES EVERYTHING EVEN HARDER. >> Courteney: ONE OF THE THINGS WERE I DON'T WANT TO KNOW 813 00:26:26,118 --> 00:26:27,851 >> Courteney: ONE OF THE THINGS WERE I DON'T WANT TO KNOW WHAT IT'S MEANT TO HAPPEN AT THE 814 00:26:27,853 --> 00:26:29,053 THINGS WERE I DON'T WANT TO KNOW WHAT IT'S MEANT TO HAPPEN AT THE END, AND I DON'T WANT TO KNOW. 815 00:26:29,055 --> 00:26:31,822 WHAT IT'S MEANT TO HAPPEN AT THE END, AND I DON'T WANT TO KNOW. I LIKE TO FOLLOW, BECAUSE I'M 816 00:26:31,824 --> 00:26:33,791 END, AND I DON'T WANT TO KNOW. I LIKE TO FOLLOW, BECAUSE I'M STILL INVESTED IN THEM, AND YOU 817 00:26:33,793 --> 00:26:34,792 I LIKE TO FOLLOW, BECAUSE I'M STILL INVESTED IN THEM, AND YOU REALLY POOL FOR THESE PEOPLE. 818 00:26:34,794 --> 00:26:37,561 STILL INVESTED IN THEM, AND YOU REALLY POOL FOR THESE PEOPLE. IT'S NOT ALWAYS POSITIVE. 819 00:26:37,563 --> 00:26:38,362 REALLY POOL FOR THESE PEOPLE. IT'S NOT ALWAYS POSITIVE. IT CAN BE REALLY DEPRESSING, AND 820 00:26:38,364 --> 00:26:40,564 IT'S NOT ALWAYS POSITIVE. IT CAN BE REALLY DEPRESSING, AND IT CAN ALSO BE THE MOST 821 00:26:40,566 --> 00:26:40,931 IT CAN BE REALLY DEPRESSING, AND IT CAN ALSO BE THE MOST WONDERFUL THING. 822 00:26:40,933 --> 00:26:42,766 IT CAN ALSO BE THE MOST WONDERFUL THING. I WILL SAY, IT IS A REAL 823 00:26:42,768 --> 00:26:43,367 WONDERFUL THING. I WILL SAY, IT IS A REAL TELEVISION, NOT PRODUCED IN A 824 00:26:43,369 --> 00:26:48,172 I WILL SAY, IT IS A REAL TELEVISION, NOT PRODUCED IN A WAY -- IT IS JUST SO HONEST. 825 00:26:48,174 --> 00:26:49,440 TELEVISION, NOT PRODUCED IN A WAY -- IT IS JUST SO HONEST. I THINK EVERYONE SHOULD TUNE IN. 826 00:26:49,442 --> 00:26:50,908 WAY -- IT IS JUST SO HONEST. I THINK EVERYONE SHOULD TUNE IN. IT DOESN'T MATTER IF YOU WANT TO 827 00:26:50,910 --> 00:26:53,444 I THINK EVERYONE SHOULD TUNE IN. IT DOESN'T MATTER IF YOU WANT TO HAVE A BABY OR NOT. 828 00:26:53,446 --> 00:26:54,311 IT DOESN'T MATTER IF YOU WANT TO HAVE A BABY OR NOT. >> Ellen: BUT ESPECIALLY IF 829 00:26:54,313 --> 00:26:55,846 HAVE A BABY OR NOT. >> Ellen: BUT ESPECIALLY IF YOU ARE HAVING A CHILD, TO KNOW 830 00:26:55,848 --> 00:26:57,581 >> Ellen: BUT ESPECIALLY IF YOU ARE HAVING A CHILD, TO KNOW YOU ARE NOT ALONE, BECAUSE A LOT 831 00:26:57,583 --> 00:26:58,616 YOU ARE HAVING A CHILD, TO KNOW YOU ARE NOT ALONE, BECAUSE A LOT OF THESE ISSUES ARE THINGS 832 00:26:58,618 --> 00:26:59,883 YOU ARE NOT ALONE, BECAUSE A LOT OF THESE ISSUES ARE THINGS PEOPLE DO NOT TALK ABOUT AND 833 00:26:59,885 --> 00:27:01,085 OF THESE ISSUES ARE THINGS PEOPLE DO NOT TALK ABOUT AND THAT IS WHY IT IS IMPORTANT. 834 00:27:01,087 --> 00:27:02,853 PEOPLE DO NOT TALK ABOUT AND THAT IS WHY IT IS IMPORTANT. LIKE YOU SAID, IT IS HONEST, AND 835 00:27:02,855 --> 00:27:05,589 THAT IS WHY IT IS IMPORTANT. LIKE YOU SAID, IT IS HONEST, AND A LOT OF THINGS YOU SEE, THEY 836 00:27:05,591 --> 00:27:06,590 LIKE YOU SAID, IT IS HONEST, AND A LOT OF THINGS YOU SEE, THEY DON'T REALLY SHOW THAT. 837 00:27:06,592 --> 00:27:07,758 A LOT OF THINGS YOU SEE, THEY DON'T REALLY SHOW THAT. THEY HIDE IT. 838 00:27:07,760 --> 00:27:09,426 DON'T REALLY SHOW THAT. THEY HIDE IT. GOOD ON YOU FOR DOING THAT. 839 00:27:09,428 --> 00:27:11,695 THEY HIDE IT. GOOD ON YOU FOR DOING THAT. BEFORE WE GO, YOU SAID COCO IS 840 00:27:11,697 --> 00:27:13,497 GOOD ON YOU FOR DOING THAT. BEFORE WE GO, YOU SAID COCO IS 17, I CANNOT BELIEVE COCO IS 17. 841 00:27:13,499 --> 00:27:14,865 BEFORE WE GO, YOU SAID COCO IS 17, I CANNOT BELIEVE COCO IS 17. THAT'S CRAZY. 842 00:27:14,867 --> 00:27:17,735 17, I CANNOT BELIEVE COCO IS 17. THAT'S CRAZY. I MEAN, SHE IS IN SCHOOL? 843 00:27:17,737 --> 00:27:19,470 THAT'S CRAZY. I MEAN, SHE IS IN SCHOOL? >> Courteney: OH, THERE SHE 844 00:27:19,472 --> 00:27:19,803 I MEAN, SHE IS IN SCHOOL? >> Courteney: OH, THERE SHE IS. 845 00:27:19,805 --> 00:27:20,471 >> Courteney: OH, THERE SHE IS. I MISS HER ALREADY. 846 00:27:20,473 --> 00:27:22,506 IS. I MISS HER ALREADY. SHE IS IN SCHOOL. 847 00:27:22,508 --> 00:27:24,308 I MISS HER ALREADY. SHE IS IN SCHOOL. SHE JUST GOT BACK TO SCHOOL LAST 848 00:27:24,310 --> 00:27:25,943 SHE IS IN SCHOOL. SHE JUST GOT BACK TO SCHOOL LAST MONDAY, SHE WAS KIND OF PANICKED 849 00:27:25,945 --> 00:27:28,812 SHE JUST GOT BACK TO SCHOOL LAST MONDAY, SHE WAS KIND OF PANICKED ABOUT IT, BUT I AM SO GLAD, I 850 00:27:28,814 --> 00:27:31,582 MONDAY, SHE WAS KIND OF PANICKED ABOUT IT, BUT I AM SO GLAD, I MEAN, I STARTED COVID SAYING 851 00:27:31,584 --> 00:27:32,583 ABOUT IT, BUT I AM SO GLAD, I MEAN, I STARTED COVID SAYING "OKAY, YOU ARE GOING TO GO ON A 852 00:27:32,585 --> 00:27:34,018 MEAN, I STARTED COVID SAYING "OKAY, YOU ARE GOING TO GO ON A DIFFERENT ROOM TO DO YOUR 853 00:27:34,020 --> 00:27:35,686 "OKAY, YOU ARE GOING TO GO ON A DIFFERENT ROOM TO DO YOUR SCHOOLWORK, YOU ARE NOT GOING TO 854 00:27:35,688 --> 00:27:37,421 DIFFERENT ROOM TO DO YOUR SCHOOLWORK, YOU ARE NOT GOING TO BE IN YOUR BEDROOM, JUST WAKE 855 00:27:37,423 --> 00:27:39,823 SCHOOLWORK, YOU ARE NOT GOING TO BE IN YOUR BEDROOM, JUST WAKE UP, YOUR COMPUTER, GO TO 856 00:27:39,825 --> 00:27:40,791 BE IN YOUR BEDROOM, JUST WAKE UP, YOUR COMPUTER, GO TO ANOTHER" -- NO, SHE SPENT THE 857 00:27:40,793 --> 00:27:41,859 UP, YOUR COMPUTER, GO TO ANOTHER" -- NO, SHE SPENT THE ENTIRE NINE MONTHS OR YEAR IN 858 00:27:41,861 --> 00:27:43,994 ANOTHER" -- NO, SHE SPENT THE ENTIRE NINE MONTHS OR YEAR IN HER BEDROOM. 859 00:27:43,996 --> 00:27:44,561 ENTIRE NINE MONTHS OR YEAR IN HER BEDROOM. AND HER BAD. 860 00:27:44,563 --> 00:27:46,664 HER BEDROOM. AND HER BAD. THAT WAS HER SCHOOLWORK. 861 00:27:46,666 --> 00:27:49,099 AND HER BAD. THAT WAS HER SCHOOLWORK. I'M JUST SO GLAD THAT'S OVER. 862 00:27:49,101 --> 00:27:50,234 THAT WAS HER SCHOOLWORK. I'M JUST SO GLAD THAT'S OVER. >> Ellen: YEAH. 863 00:27:50,236 --> 00:27:52,102 I'M JUST SO GLAD THAT'S OVER. >> Ellen: YEAH. I THINK A LOT OF PEOPLE, FOR 864 00:27:52,104 --> 00:27:53,404 >> Ellen: YEAH. I THINK A LOT OF PEOPLE, FOR MANY REASONS, ARE GLAD THEIR 865 00:27:53,406 --> 00:27:55,272 I THINK A LOT OF PEOPLE, FOR MANY REASONS, ARE GLAD THEIR KIDS ARE BACK IN SCHOOL. 866 00:27:55,274 --> 00:27:56,240 MANY REASONS, ARE GLAD THEIR KIDS ARE BACK IN SCHOOL. [LAUGHTER] 867 00:27:56,242 --> 00:27:58,042 KIDS ARE BACK IN SCHOOL. [LAUGHTER] SO, IT WAS GREAT TALKING TO YOU. 868 00:27:58,044 --> 00:28:00,944 [LAUGHTER] SO, IT WAS GREAT TALKING TO YOU. I WILL GO HOME AND CLEAN UP 869 00:28:00,946 --> 00:28:03,047 SO, IT WAS GREAT TALKING TO YOU. I WILL GO HOME AND CLEAN UP TONIGHT, AND -- 870 00:28:03,049 --> 00:28:03,514 I WILL GO HOME AND CLEAN UP TONIGHT, AND -- [LAUGHTER] 871 00:28:03,516 --> 00:28:05,215 TONIGHT, AND -- [LAUGHTER] >> Courteney: ARE YOU HAPPY? 872 00:28:05,217 --> 00:28:06,016 [LAUGHTER] >> Courteney: ARE YOU HAPPY? >> Ellen: VERY HAPPY, I LOVE 873 00:28:06,018 --> 00:28:06,583 >> Courteney: ARE YOU HAPPY? >> Ellen: VERY HAPPY, I LOVE IT. 874 00:28:06,585 --> 00:28:07,251 >> Ellen: VERY HAPPY, I LOVE IT. I'M STAYING FOREVER. 875 00:28:07,253 --> 00:28:09,953 IT. I'M STAYING FOREVER. YOU CAN'T GET RID OF ME NOW. 876 00:28:09,955 --> 00:28:11,255 I'M STAYING FOREVER. YOU CAN'T GET RID OF ME NOW. ALL RIGHT, COURTENEY. 877 00:28:11,257 --> 00:28:11,789 YOU CAN'T GET RID OF ME NOW. ALL RIGHT, COURTENEY. SEASON 3 OF "9 MONTHS WITH 878 00:28:11,791 --> 00:28:13,090 ALL RIGHT, COURTENEY. SEASON 3 OF "9 MONTHS WITH COURTENEY COX" PREMIERES 879 00:28:13,092 --> 00:28:14,058 SEASON 3 OF "9 MONTHS WITH COURTENEY COX" PREMIERES MOTHER'S DAY AT 5:00 P.M. 880 00:28:14,060 --> 00:28:14,892 COURTENEY COX" PREMIERES MOTHER'S DAY AT 5:00 P.M. EASTERN, 2:00 PACIFIC ON 881 00:28:14,894 --> 00:28:16,627 MOTHER'S DAY AT 5:00 P.M. EASTERN, 2:00 PACIFIC ON FACEBOOK WATCH. 882 00:28:16,629 --> 00:28:17,995 EASTERN, 2:00 PACIFIC ON FACEBOOK WATCH. WE'LL BE BACK. 883 00:28:17,997 --> 00:28:19,430 FACEBOOK WATCH. WE'LL BE BACK. LOVE YOU, THANK YOU! 884 00:28:19,432 --> 00:28:21,632 WE'LL BE BACK. LOVE YOU, THANK YOU! >> Courteney: BYE! 885 00:28:21,634 --> 00:28:21,865 LOVE YOU, THANK YOU! >> Courteney: BYE! THANKS. 886 00:28:21,867 --> 00:28:22,132 >> Courteney: BYE! THANKS. [APPLAUSE] 887 00:28:22,134 --> 00:28:27,538 THANKS. [APPLAUSE] ♪ ♪ 888 00:28:27,540 --> 00:28:31,775 [APPLAUSE] ♪ ♪ ♪ LITTLE DID I KNOW ♪ 889 00:28:31,777 --> 00:28:33,677 ♪ ♪ ♪ LITTLE DID I KNOW ♪ ♪ YOU WILL BE THE ONE THAT WOULD 890 00:28:33,679 --> 00:28:35,379 ♪ LITTLE DID I KNOW ♪ ♪ YOU WILL BE THE ONE THAT WOULD SAVE ME, LEARN HOW TO CHANGE 891 00:28:35,381 --> 00:28:35,579 ♪ YOU WILL BE THE ONE THAT WOULD SAVE ME, LEARN HOW TO CHANGE ME ♪ 892 00:28:35,581 --> 00:28:37,948 SAVE ME, LEARN HOW TO CHANGE ME ♪ ♪ LITTLE DID I KNOW ♪ 893 00:28:37,950 --> 00:28:38,215 ME ♪ ♪ LITTLE DID I KNOW ♪ [APPLAUSE] 894 00:28:38,217 --> 00:28:38,382 ♪ LITTLE DID I KNOW ♪ [APPLAUSE] ♪ ♪ 895 00:28:40,285 --> 00:28:45,122 ARE IN THE FIRST TRIMESTER OF THE SHOW. ♪ ♪ 896 00:28:45,124 --> 00:28:46,657 TRIMESTER OF THE SHOW. ♪ ♪ >> Ellen: OUR NEXT GUEST IS A 897 00:28:46,659 --> 00:28:48,425 ♪ ♪ >> Ellen: OUR NEXT GUEST IS A GRAMMY NOMINATED ARTIST WHO JUST 898 00:28:48,427 --> 00:28:49,626 >> Ellen: OUR NEXT GUEST IS A GRAMMY NOMINATED ARTIST WHO JUST RELEASED HER DEBUT ALBUM. 899 00:28:49,628 --> 00:28:52,930 GRAMMY NOMINATED ARTIST WHO JUST RELEASED HER DEBUT ALBUM. PERFORMING "LITTLE DID I KNOW," 900 00:28:52,932 --> 00:28:53,530 RELEASED HER DEBUT ALBUM. PERFORMING "LITTLE DID I KNOW," PLEASE WELCOME JULIA MICHAELS! 901 00:28:53,532 --> 00:28:53,931 PERFORMING "LITTLE DID I KNOW," PLEASE WELCOME JULIA MICHAELS! [APPLAUSE] 902 00:28:53,933 --> 00:28:56,133 PLEASE WELCOME JULIA MICHAELS! [APPLAUSE] ♪ ♪ 903 00:28:56,135 --> 00:28:57,968 [APPLAUSE] ♪ ♪ ♪ THE SUMMER BEFORE YOU ♪ 904 00:28:57,970 --> 00:28:58,435 ♪ ♪ ♪ THE SUMMER BEFORE YOU ♪ ♪ I THOUGHT LOVE WAS 905 00:28:58,437 --> 00:29:01,472 ♪ THE SUMMER BEFORE YOU ♪ ♪ I THOUGHT LOVE WAS SHAKESPEAREAN ♪ 906 00:29:01,474 --> 00:29:02,005 ♪ I THOUGHT LOVE WAS SHAKESPEAREAN ♪ ♪ MORE OR LESS A PAINFUL 907 00:29:02,007 --> 00:29:05,442 SHAKESPEAREAN ♪ ♪ MORE OR LESS A PAINFUL EXPERIENCE ♪ 908 00:29:05,444 --> 00:29:06,009 ♪ MORE OR LESS A PAINFUL EXPERIENCE ♪ ♪ ONLY EVER REAL IF YOU'RE 909 00:29:06,011 --> 00:29:08,579 EXPERIENCE ♪ ♪ ONLY EVER REAL IF YOU'RE DELIRIOUS ♪ 910 00:29:08,581 --> 00:29:11,582 ♪ ONLY EVER REAL IF YOU'RE DELIRIOUS ♪ ♪ THE SUMMER BEFORE YOU ♪ 911 00:29:11,584 --> 00:29:12,316 DELIRIOUS ♪ ♪ THE SUMMER BEFORE YOU ♪ ♪ I LET IT TAKE UP VERY LITTLE 912 00:29:12,318 --> 00:29:14,985 ♪ THE SUMMER BEFORE YOU ♪ ♪ I LET IT TAKE UP VERY LITTLE OXYGEN ♪ 913 00:29:14,987 --> 00:29:18,689 ♪ I LET IT TAKE UP VERY LITTLE OXYGEN ♪ ♪ NOT WHERE I'D REST MY HEAD, 914 00:29:18,691 --> 00:29:20,357 OXYGEN ♪ ♪ NOT WHERE I'D REST MY HEAD, MORE LIKE AN OTTOMON ♪ 915 00:29:20,359 --> 00:29:21,024 ♪ NOT WHERE I'D REST MY HEAD, MORE LIKE AN OTTOMON ♪ ♪ NEVER HAD SOMEONE LIKE YOU TO 916 00:29:21,026 --> 00:29:22,159 MORE LIKE AN OTTOMON ♪ ♪ NEVER HAD SOMEONE LIKE YOU TO TREAT ME LIKE SOLOMON ♪ 917 00:29:22,161 --> 00:29:25,229 ♪ NEVER HAD SOMEONE LIKE YOU TO TREAT ME LIKE SOLOMON ♪ ♪ BUT LITTLE DID I KNOW ♪ 918 00:29:25,231 --> 00:29:25,763 TREAT ME LIKE SOLOMON ♪ ♪ BUT LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE I 919 00:29:25,765 --> 00:29:27,965 ♪ BUT LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE I CONFIDE IN ♪ 920 00:29:27,967 --> 00:29:29,433 ♪ YOU WOULD BE THE ONE I CONFIDE IN ♪ ♪ LEARN HOW TO TRY WITH ♪ 921 00:29:29,435 --> 00:29:31,869 CONFIDE IN ♪ ♪ LEARN HOW TO TRY WITH ♪ ♪ LITTLE DID I KNOW ♪ 922 00:29:31,871 --> 00:29:32,503 ♪ LEARN HOW TO TRY WITH ♪ ♪ LITTLE DID I KNOW ♪ ♪ IT WAS YOU BEFORE I EVER 923 00:29:32,505 --> 00:29:36,173 ♪ LITTLE DID I KNOW ♪ ♪ IT WAS YOU BEFORE I EVER DECIDED ♪ 924 00:29:36,175 --> 00:29:42,513 ♪ IT WAS YOU BEFORE I EVER DECIDED ♪ ♪ OH-OH-OH, LITTLE DID I KNOW ♪ 925 00:29:42,515 --> 00:29:49,219 DECIDED ♪ ♪ OH-OH-OH, LITTLE DID I KNOW ♪ ♪ OH-OH-OH, LITTLE DID I KNOW ♪ 926 00:29:49,221 --> 00:29:53,157 ♪ OH-OH-OH, LITTLE DID I KNOW ♪ ♪ OH-OH-OH, LITTLE DID I KNOW ♪ ♪ THE SUMMER BEFORE YOU ♪ 927 00:29:53,159 --> 00:29:53,690 ♪ OH-OH-OH, LITTLE DID I KNOW ♪ ♪ THE SUMMER BEFORE YOU ♪ ♪ YOU CAN'T SPELL "DRAMA" 928 00:29:53,692 --> 00:29:55,859 ♪ THE SUMMER BEFORE YOU ♪ ♪ YOU CAN'T SPELL "DRAMA" WITHOUT CONSONANCE ♪ 929 00:29:55,861 --> 00:29:56,660 ♪ YOU CAN'T SPELL "DRAMA" WITHOUT CONSONANCE ♪ ♪ AND I ADMIT, I USUALLY WAS THE 930 00:29:56,662 --> 00:29:58,529 WITHOUT CONSONANCE ♪ ♪ AND I ADMIT, I USUALLY WAS THE CAUSE OF IT ♪ 931 00:29:58,531 --> 00:29:59,229 ♪ AND I ADMIT, I USUALLY WAS THE CAUSE OF IT ♪ ♪ NOW HERE WE ARE, YOU GOT ME 932 00:29:59,231 --> 00:30:02,399 CAUSE OF IT ♪ ♪ NOW HERE WE ARE, YOU GOT ME CHANGING ALL OF IT ♪ 933 00:30:02,401 --> 00:30:04,601 ♪ NOW HERE WE ARE, YOU GOT ME CHANGING ALL OF IT ♪ ♪ SLOW ME DOWN, I WANT YOU TOO ♪ 934 00:30:04,603 --> 00:30:05,235 CHANGING ALL OF IT ♪ ♪ SLOW ME DOWN, I WANT YOU TOO ♪ ♪ IT'S DIFFERENT WHEN IT COMES 935 00:30:05,237 --> 00:30:07,671 ♪ SLOW ME DOWN, I WANT YOU TOO ♪ ♪ IT'S DIFFERENT WHEN IT COMES TO YOU ♪ 936 00:30:07,673 --> 00:30:09,373 ♪ IT'S DIFFERENT WHEN IT COMES TO YOU ♪ ♪ HEY, YEAH ♪ 937 00:30:09,375 --> 00:30:11,975 TO YOU ♪ ♪ HEY, YEAH ♪ ♪ BUT LITTLE DID I KNOW ♪ 938 00:30:11,977 --> 00:30:12,509 ♪ HEY, YEAH ♪ ♪ BUT LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE I 939 00:30:12,511 --> 00:30:14,344 ♪ BUT LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE I CONFIDE IN ♪ 940 00:30:14,346 --> 00:30:15,679 ♪ YOU WOULD BE THE ONE I CONFIDE IN ♪ ♪ LEARN HOW TO TRY WITH ♪ 941 00:30:15,681 --> 00:30:18,782 CONFIDE IN ♪ ♪ LEARN HOW TO TRY WITH ♪ ♪ LITTLE DID I KNOW ♪ 942 00:30:18,784 --> 00:30:19,349 ♪ LEARN HOW TO TRY WITH ♪ ♪ LITTLE DID I KNOW ♪ ♪ IT WAS YOU BEFORE I EVER 943 00:30:19,351 --> 00:30:22,753 ♪ LITTLE DID I KNOW ♪ ♪ IT WAS YOU BEFORE I EVER DECIDED ♪ 944 00:30:22,755 --> 00:30:25,055 ♪ IT WAS YOU BEFORE I EVER DECIDED ♪ ♪ YEAH, LITTLE DID I KNOW ♪ 945 00:30:25,057 --> 00:30:27,991 DECIDED ♪ ♪ YEAH, LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE THAT 946 00:30:27,993 --> 00:30:28,358 ♪ YEAH, LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE THAT WOULD SAVE ME ♪ 947 00:30:28,360 --> 00:30:29,560 ♪ YOU WOULD BE THE ONE THAT WOULD SAVE ME ♪ ♪ LEARN HOW TO CHANGE ME ♪ 948 00:30:29,562 --> 00:30:32,196 WOULD SAVE ME ♪ ♪ LEARN HOW TO CHANGE ME ♪ ♪ LITTLE DID I KNOW ♪ 949 00:30:32,198 --> 00:30:33,063 ♪ LEARN HOW TO CHANGE ME ♪ ♪ LITTLE DID I KNOW ♪ ♪ OH-OH-OH, JUST LOOK AT YOU, 950 00:30:33,065 --> 00:30:35,899 ♪ LITTLE DID I KNOW ♪ ♪ OH-OH-OH, JUST LOOK AT YOU, CAN YOU BLAME ME? ♪ 951 00:30:35,901 --> 00:30:42,306 ♪ OH-OH-OH, JUST LOOK AT YOU, CAN YOU BLAME ME? ♪ ♪ OH-OH-OH, LITTLE DID I KNOW ♪ 952 00:30:42,308 --> 00:30:49,379 CAN YOU BLAME ME? ♪ ♪ OH-OH-OH, LITTLE DID I KNOW ♪ ♪ OH-OH-OH, LITTLE DID I KNOW ♪ 953 00:30:49,381 --> 00:30:52,716 ♪ OH-OH-OH, LITTLE DID I KNOW ♪ ♪ OH-OH-OH, LITTLE DID I KNOW ♪ ♪ THE SUMMER BEFORE YOU ♪ 954 00:30:52,718 --> 00:30:53,183 ♪ OH-OH-OH, LITTLE DID I KNOW ♪ ♪ THE SUMMER BEFORE YOU ♪ ♪ I THOUGHT LOVE WAS 955 00:30:53,185 --> 00:30:55,586 ♪ THE SUMMER BEFORE YOU ♪ ♪ I THOUGHT LOVE WAS SHAKESPEAREAN ♪ 956 00:30:55,588 --> 00:30:57,287 ♪ I THOUGHT LOVE WAS SHAKESPEAREAN ♪ ♪ MORE OR LESS A PAINFUL 957 00:30:57,289 --> 00:30:59,790 SHAKESPEAREAN ♪ ♪ MORE OR LESS A PAINFUL EXPERIENCE ♪ 958 00:30:59,792 --> 00:31:00,357 ♪ MORE OR LESS A PAINFUL EXPERIENCE ♪ ♪ ONLY EVER REAL IF YOU'RE 959 00:31:00,359 --> 00:31:02,993 EXPERIENCE ♪ ♪ ONLY EVER REAL IF YOU'RE DELIRIOUS ♪ 960 00:31:02,995 --> 00:31:05,929 ♪ ONLY EVER REAL IF YOU'RE DELIRIOUS ♪ ♪ BUT LITTLE DID I KNOW ♪ 961 00:31:05,931 --> 00:31:06,964 DELIRIOUS ♪ ♪ BUT LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE I 962 00:31:06,966 --> 00:31:08,232 ♪ BUT LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE I CONFIDE IN ♪ 963 00:31:08,234 --> 00:31:09,666 ♪ YOU WOULD BE THE ONE I CONFIDE IN ♪ ♪ LEARN HOW TO TRY WITH ♪ 964 00:31:09,668 --> 00:31:12,002 CONFIDE IN ♪ ♪ LEARN HOW TO TRY WITH ♪ ♪ LITTLE DID I KNOW ♪ 965 00:31:12,004 --> 00:31:12,569 ♪ LEARN HOW TO TRY WITH ♪ ♪ LITTLE DID I KNOW ♪ ♪ IT WAS YOU BEFORE I EVER 966 00:31:12,571 --> 00:31:16,540 ♪ LITTLE DID I KNOW ♪ ♪ IT WAS YOU BEFORE I EVER DECIDED ♪ 967 00:31:16,542 --> 00:31:18,942 ♪ IT WAS YOU BEFORE I EVER DECIDED ♪ ♪ YEAH, LITTLE DID I KNOW ♪ 968 00:31:18,944 --> 00:31:19,543 DECIDED ♪ ♪ YEAH, LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE THAT 969 00:31:19,545 --> 00:31:21,612 ♪ YEAH, LITTLE DID I KNOW ♪ ♪ YOU WOULD BE THE ONE THAT WOULD SAVE ME ♪ 970 00:31:21,614 --> 00:31:23,580 ♪ YOU WOULD BE THE ONE THAT WOULD SAVE ME ♪ ♪ LEARN HOW TO CHANGE ME ♪ 971 00:31:23,582 --> 00:31:26,350 WOULD SAVE ME ♪ ♪ LEARN HOW TO CHANGE ME ♪ ♪ LITTLE DID I KNOW ♪ 972 00:31:26,352 --> 00:31:26,984 ♪ LEARN HOW TO CHANGE ME ♪ ♪ LITTLE DID I KNOW ♪ ♪ OH-OH-OH, JUST LOOK AT YOU, 973 00:31:26,986 --> 00:31:30,487 ♪ LITTLE DID I KNOW ♪ ♪ OH-OH-OH, JUST LOOK AT YOU, CAN YOU BLAME ME? ♪ 974 00:31:30,489 --> 00:31:34,091 ♪ OH-OH-OH, JUST LOOK AT YOU, CAN YOU BLAME ME? ♪ ♪ OH-OH-OH, LITTLE YEAH DID I 975 00:31:34,093 --> 00:31:37,461 CAN YOU BLAME ME? ♪ ♪ OH-OH-OH, LITTLE YEAH DID I KNOW DID I KNOW ♪ 976 00:31:37,463 --> 00:31:41,999 ♪ OH-OH-OH, LITTLE YEAH DID I KNOW DID I KNOW ♪ ♪ OH-OH-OH OH, LITTLE DID I KNOW 977 00:31:42,001 --> 00:31:48,405 KNOW DID I KNOW ♪ ♪ OH-OH-OH OH, LITTLE DID I KNOW DID I KNOW ♪ 978 00:31:48,407 --> 00:31:49,039 ♪ OH-OH-OH OH, LITTLE DID I KNOW DID I KNOW ♪ ♪ OH-OH-OH, LITTLE DID I KNOW 979 00:31:49,041 --> 00:31:49,606 DID I KNOW ♪ ♪ OH-OH-OH, LITTLE DID I KNOW THAT IT COULD FEEL LIKE THIS 980 00:31:49,608 --> 00:31:54,945 ♪ OH-OH-OH, LITTLE DID I KNOW THAT IT COULD FEEL LIKE THIS YEAH ♪ 981 00:31:54,947 --> 00:31:58,548 THAT IT COULD FEEL LIKE THIS YEAH ♪ ♪ OH-OH-OH, LITTLE ♪ 982 00:31:58,550 --> 00:31:59,516 YEAH ♪ ♪ OH-OH-OH, LITTLE ♪ ♪ EVERY TIME I GOT YOU ON MY 983 00:31:59,518 --> 00:32:00,784 ♪ OH-OH-OH, LITTLE ♪ ♪ EVERY TIME I GOT YOU ON MY LIPS ♪ 984 00:32:00,786 --> 00:32:04,554 ♪ EVERY TIME I GOT YOU ON MY LIPS ♪ ♪ THE SUMMER BEFORE YOU ♪ 985 00:32:04,556 --> 00:32:07,157 LIPS ♪ ♪ THE SUMMER BEFORE YOU ♪ [CHEERS AND APPLAUSE] 986 00:32:07,159 --> 00:32:10,294 ♪ THE SUMMER BEFORE YOU ♪ [CHEERS AND APPLAUSE] >> BEES SOMETIMES FILLED WHERE 987 00:32:10,296 --> 00:32:10,894 [CHEERS AND APPLAUSE] >> BEES SOMETIMES FILLED WHERE FOLKS DON'T NECESSARILY WANT 988 00:32:10,896 --> 00:32:12,629 >> BEES SOMETIMES FILLED WHERE FOLKS DON'T NECESSARILY WANT THEM TO BUILD, AND I WILL 989 00:32:12,631 --> 00:32:16,466 FOLKS DON'T NECESSARILY WANT THEM TO BUILD, AND I WILL RELOCATE HIVES TO A PLACE THAT 990 00:32:16,468 --> 00:32:18,835 THEM TO BUILD, AND I WILL RELOCATE HIVES TO A PLACE THAT IS SAFER FOR PEOPLE AND FOR THE 991 00:32:18,837 --> 00:32:19,036 RELOCATE HIVES TO A PLACE THAT IS SAFER FOR PEOPLE AND FOR THE BEES. 992 00:32:19,038 --> 00:32:19,303 IS SAFER FOR PEOPLE AND FOR THE BEES. [APPLAUSE] 993 00:32:19,305 --> 00:32:27,311 BEES. [APPLAUSE] ♪ ♪ 994 00:32:27,313 --> 00:32:27,577 [APPLAUSE] ♪ ♪ [APPLAUSE] 995 00:32:27,579 --> 00:32:33,784 ♪ ♪ [APPLAUSE] ♪ ♪ 996 00:32:33,786 --> 00:32:35,452 [APPLAUSE] ♪ ♪ >> Ellen: WHAT IF I TOLD YOU 997 00:32:35,454 --> 00:32:36,853 ♪ ♪ >> Ellen: WHAT IF I TOLD YOU THERE IS A PROFESSIONAL 998 00:32:36,855 --> 00:32:38,055 >> Ellen: WHAT IF I TOLD YOU THERE IS A PROFESSIONAL BEEKEEPER WHOSE VIDEOS HAVE 999 00:32:38,057 --> 00:32:41,591 THERE IS A PROFESSIONAL BEEKEEPER WHOSE VIDEOS HAVE RECEIVED OVER 330 MILLION VIEWS? 1000 00:32:41,593 --> 00:32:43,627 BEEKEEPER WHOSE VIDEOS HAVE RECEIVED OVER 330 MILLION VIEWS? YOU WOULD SAY "ELLEN, SHOW ME 1001 00:32:43,629 --> 00:32:45,729 RECEIVED OVER 330 MILLION VIEWS? YOU WOULD SAY "ELLEN, SHOW ME WHY," AND I WOULD SAY, "TAKE A 1002 00:32:45,731 --> 00:32:45,929 YOU WOULD SAY "ELLEN, SHOW ME WHY," AND I WOULD SAY, "TAKE A LOOK." 1003 00:32:45,931 --> 00:32:49,466 WHY," AND I WOULD SAY, "TAKE A LOOK." >> I GOT A CALL T TO A COLONY OF 1004 00:32:49,468 --> 00:32:50,400 LOOK." >> I GOT A CALL T TO A COLONY OF BEES FROM THIS BACKYARD COMPOST 1005 00:32:50,402 --> 00:32:50,600 >> I GOT A CALL T TO A COLONY OF BEES FROM THIS BACKYARD COMPOST BIN. 1006 00:32:50,602 --> 00:32:51,101 BEES FROM THIS BACKYARD COMPOST BIN. HERE SO I DID IT. 1007 00:32:51,103 --> 00:32:55,238 BIN. HERE SO I DID IT. I REMOVED THE HIVE, FIT THE 1008 00:32:55,240 --> 00:32:55,906 HERE SO I DID IT. I REMOVED THE HIVE, FIT THE PIECES OF CHROME INTO WOODEN 1009 00:32:55,908 --> 00:32:56,139 I REMOVED THE HIVE, FIT THE PIECES OF CHROME INTO WOODEN FRAMES. 1010 00:32:56,141 --> 00:32:58,976 PIECES OF CHROME INTO WOODEN FRAMES. NEXT, IT WAS TIME TO START 1011 00:32:58,978 --> 00:33:00,844 FRAMES. NEXT, IT WAS TIME TO START SCOOPING BEES INTO THE NEW HIGH. 1012 00:33:00,846 --> 00:33:02,045 NEXT, IT WAS TIME TO START SCOOPING BEES INTO THE NEW HIGH. SINCE I WORK WITH THE BEES COME 1013 00:33:02,047 --> 00:33:02,946 SCOOPING BEES INTO THE NEW HIGH. SINCE I WORK WITH THE BEES COME I COULD READ THEIR BEHAVIOR AND 1014 00:33:02,948 --> 00:33:05,749 SINCE I WORK WITH THE BEES COME I COULD READ THEIR BEHAVIOR AND TELL THESE BEEVES WERE GENTLE 1015 00:33:05,751 --> 00:33:06,516 I COULD READ THEIR BEHAVIOR AND TELL THESE BEEVES WERE GENTLE AND WOULD NOT TRY TO STING ME. 1016 00:33:06,518 --> 00:33:11,455 TELL THESE BEEVES WERE GENTLE AND WOULD NOT TRY TO STING ME. AFTER I REMOVED BOTH O MOST OF E 1017 00:33:11,457 --> 00:33:12,222 AND WOULD NOT TRY TO STING ME. AFTER I REMOVED BOTH O MOST OF E BEES, I SAW THE QUEEN, SO I PUT 1018 00:33:12,224 --> 00:33:14,324 AFTER I REMOVED BOTH O MOST OF E BEES, I SAW THE QUEEN, SO I PUT HER IN A CLIP TO KEEP HER SAFE. 1019 00:33:14,326 --> 00:33:16,927 BEES, I SAW THE QUEEN, SO I PUT HER IN A CLIP TO KEEP HER SAFE. I PUT THE QUEEN IN THE HIVE AND 1020 00:33:16,929 --> 00:33:18,228 HER IN A CLIP TO KEEP HER SAFE. I PUT THE QUEEN IN THE HIVE AND THE OTHER BEES FOLLOWED HER IN. 1021 00:33:18,230 --> 00:33:19,363 I PUT THE QUEEN IN THE HIVE AND THE OTHER BEES FOLLOWED HER IN. I CLOSED IT UP AND CARRIED IT 1022 00:33:19,365 --> 00:33:20,964 THE OTHER BEES FOLLOWED HER IN. I CLOSED IT UP AND CARRIED IT BACK TO MY TRUCK, AND IT WAS 1023 00:33:20,966 --> 00:33:22,165 I CLOSED IT UP AND CARRIED IT BACK TO MY TRUCK, AND IT WAS ANOTHER GREAT DAY OF SAVING THE 1024 00:33:22,167 --> 00:33:22,366 BACK TO MY TRUCK, AND IT WAS ANOTHER GREAT DAY OF SAVING THE BEES. 1025 00:33:22,368 --> 00:33:23,667 ANOTHER GREAT DAY OF SAVING THE BEES. [APPLAUSE] 1026 00:33:23,669 --> 00:33:25,202 BEES. [APPLAUSE] >> Ellen: SEE WHAT I MEAN? 1027 00:33:25,204 --> 00:33:28,071 [APPLAUSE] >> Ellen: SEE WHAT I MEAN? FROM TEXAS, PLEASE WELCOME ERICA 1028 00:33:28,073 --> 00:33:29,906 >> Ellen: SEE WHAT I MEAN? FROM TEXAS, PLEASE WELCOME ERICA THOMPSON. 1029 00:33:29,908 --> 00:33:32,009 FROM TEXAS, PLEASE WELCOME ERICA THOMPSON. ERICA! 1030 00:33:32,011 --> 00:33:33,410 THOMPSON. ERICA! >> Erica: HI, ELLEN. 1031 00:33:33,412 --> 00:33:35,645 ERICA! >> Erica: HI, ELLEN. >> Ellen: HI, ERIKA. 1032 00:33:35,647 --> 00:33:38,215 >> Erica: HI, ELLEN. >> Ellen: HI, ERIKA. YOU ARE A PROFESSION BEEKEEPER. 1033 00:33:38,217 --> 00:33:40,350 >> Ellen: HI, ERIKA. YOU ARE A PROFESSION BEEKEEPER. I LOVE WHAT YOU ARE DOING. 1034 00:33:40,352 --> 00:33:41,718 YOU ARE A PROFESSION BEEKEEPER. I LOVE WHAT YOU ARE DOING. EXPLAIN WHAT YOU DO. 1035 00:33:41,720 --> 00:33:43,787 I LOVE WHAT YOU ARE DOING. EXPLAIN WHAT YOU DO. >> Erica: THANK YOU SO MUCH, 1036 00:33:43,789 --> 00:33:44,654 EXPLAIN WHAT YOU DO. >> Erica: THANK YOU SO MUCH, ELLEN. 1037 00:33:44,656 --> 00:33:46,289 >> Erica: THANK YOU SO MUCH, ELLEN. YEAH, I AM A FULL-TIME 1038 00:33:46,291 --> 00:33:48,025 ELLEN. YEAH, I AM A FULL-TIME PROFESSIONAL BEEKEEPER, I HAVE 1039 00:33:48,027 --> 00:33:48,859 YEAH, I AM A FULL-TIME PROFESSIONAL BEEKEEPER, I HAVE THE BEST JOB IN THE WORLD, SO A 1040 00:33:48,861 --> 00:33:52,329 PROFESSIONAL BEEKEEPER, I HAVE THE BEST JOB IN THE WORLD, SO A LOT OF WHAT I DO, I GO AND KEEP 1041 00:33:52,331 --> 00:33:54,531 THE BEST JOB IN THE WORLD, SO A LOT OF WHAT I DO, I GO AND KEEP BEES FOR OTHER PEOPLE ON THEIR 1042 00:33:54,533 --> 00:33:56,433 LOT OF WHAT I DO, I GO AND KEEP BEES FOR OTHER PEOPLE ON THEIR PROPERTY WANT TO SHARE THEIR 1043 00:33:56,435 --> 00:33:58,268 BEES FOR OTHER PEOPLE ON THEIR PROPERTY WANT TO SHARE THEIR SPACE WITH BEES BUT MAYBE DON'T 1044 00:33:58,270 --> 00:33:59,636 PROPERTY WANT TO SHARE THEIR SPACE WITH BEES BUT MAYBE DON'T WANT TO BE BEEKEEPER'S 1045 00:33:59,638 --> 00:34:00,670 SPACE WITH BEES BUT MAYBE DON'T WANT TO BE BEEKEEPER'S THEMSELVES. 1046 00:34:00,672 --> 00:34:02,005 WANT TO BE BEEKEEPER'S THEMSELVES. I ALSO OFFER A LOT OF 1047 00:34:02,007 --> 00:34:02,606 THEMSELVES. I ALSO OFFER A LOT OF EDUCATIONAL OPPORTUNITIES FOR 1048 00:34:02,608 --> 00:34:05,876 I ALSO OFFER A LOT OF EDUCATIONAL OPPORTUNITIES FOR FOLKS TO LEARN ABOUT BEES, 1049 00:34:05,878 --> 00:34:07,411 EDUCATIONAL OPPORTUNITIES FOR FOLKS TO LEARN ABOUT BEES, SPEAKING ENGAGEMENTS, CORPORATE 1050 00:34:07,413 --> 00:34:10,580 FOLKS TO LEARN ABOUT BEES, SPEAKING ENGAGEMENTS, CORPORATE EVENTS, BUT MY FAVORITE THING TO 1051 00:34:10,582 --> 00:34:11,681 SPEAKING ENGAGEMENTS, CORPORATE EVENTS, BUT MY FAVORITE THING TO DO, ANYTHING THE INTERNET SEEMS 1052 00:34:11,683 --> 00:34:14,317 EVENTS, BUT MY FAVORITE THING TO DO, ANYTHING THE INTERNET SEEMS TO LOVE ARE THE LIVE BE 1053 00:34:14,319 --> 00:34:15,452 DO, ANYTHING THE INTERNET SEEMS TO LOVE ARE THE LIVE BE REMOVALS. 1054 00:34:15,454 --> 00:34:16,853 TO LOVE ARE THE LIVE BE REMOVALS. BEES SOMETIMES BUILD WHERE FOLKS 1055 00:34:16,855 --> 00:34:19,589 REMOVALS. BEES SOMETIMES BUILD WHERE FOLKS DON'T WANT THEM TO BUILD, AND I 1056 00:34:19,591 --> 00:34:21,091 BEES SOMETIMES BUILD WHERE FOLKS DON'T WANT THEM TO BUILD, AND I WILL GO IN AND RELOCATE THOSE 1057 00:34:21,093 --> 00:34:22,392 DON'T WANT THEM TO BUILD, AND I WILL GO IN AND RELOCATE THOSE HIVES TO A PLACE THAT IS SAFER 1058 00:34:22,394 --> 00:34:23,527 WILL GO IN AND RELOCATE THOSE HIVES TO A PLACE THAT IS SAFER FOR PEOPLE AND FOR THE BEES. 1059 00:34:23,529 --> 00:34:25,462 HIVES TO A PLACE THAT IS SAFER FOR PEOPLE AND FOR THE BEES. >> Ellen: I SEE THERE IS A 1060 00:34:25,464 --> 00:34:27,564 FOR PEOPLE AND FOR THE BEES. >> Ellen: I SEE THERE IS A WHOLE BUNCH OF HIVES BEHIND YOU. 1061 00:34:27,566 --> 00:34:28,899 >> Ellen: I SEE THERE IS A WHOLE BUNCH OF HIVES BEHIND YOU. DO THEY ALL GET ALONG? 1062 00:34:28,901 --> 00:34:30,901 WHOLE BUNCH OF HIVES BEHIND YOU. DO THEY ALL GET ALONG? AND IT IS CRAZY, SO THE BEES 1063 00:34:30,903 --> 00:34:31,535 DO THEY ALL GET ALONG? AND IT IS CRAZY, SO THE BEES KNOW EXACTLY WHERE TO GO TO GET 1064 00:34:31,537 --> 00:34:34,304 AND IT IS CRAZY, SO THE BEES KNOW EXACTLY WHERE TO GO TO GET TO THEIR HIVE BECAUSE OF THE 1065 00:34:34,306 --> 00:34:34,738 KNOW EXACTLY WHERE TO GO TO GET TO THEIR HIVE BECAUSE OF THE QUEEN, RIGHT? 1066 00:34:34,740 --> 00:34:36,106 TO THEIR HIVE BECAUSE OF THE QUEEN, RIGHT? EVEN THOUGH THEY ARE ALL CLOSE 1067 00:34:36,108 --> 00:34:36,840 QUEEN, RIGHT? EVEN THOUGH THEY ARE ALL CLOSE TOGETHER, THEY KNOW WHERE THEY 1068 00:34:36,842 --> 00:34:39,409 EVEN THOUGH THEY ARE ALL CLOSE TOGETHER, THEY KNOW WHERE THEY ARE GOING. 1069 00:34:39,411 --> 00:34:40,744 TOGETHER, THEY KNOW WHERE THEY ARE GOING. >> Erika: THAT'S ABSOLUTELY 1070 00:34:40,746 --> 00:34:41,344 ARE GOING. >> Erika: THAT'S ABSOLUTELY RIGHT. 1071 00:34:41,346 --> 00:34:42,779 >> Erika: THAT'S ABSOLUTELY RIGHT. THEY KNOW WHICH HIVE IS THEIRS. 1072 00:34:42,781 --> 00:34:44,381 RIGHT. THEY KNOW WHICH HIVE IS THEIRS. THEY GO INTO THEIR HIVE, AND 1073 00:34:44,383 --> 00:34:45,515 THEY KNOW WHICH HIVE IS THEIRS. THEY GO INTO THEIR HIVE, AND THAT IS WHERE THEY DO ALL THE 1074 00:34:45,517 --> 00:34:47,717 THEY GO INTO THEIR HIVE, AND THAT IS WHERE THEY DO ALL THE IMPORTANT WORK FOR BEES. 1075 00:34:47,719 --> 00:34:49,086 THAT IS WHERE THEY DO ALL THE IMPORTANT WORK FOR BEES. >> Ellen: AND YOU SAY YOU CAN 1076 00:34:49,088 --> 00:34:49,786 IMPORTANT WORK FOR BEES. >> Ellen: AND YOU SAY YOU CAN READ BEES BEHAVIOR TO KNOW THEY 1077 00:34:49,788 --> 00:34:52,789 >> Ellen: AND YOU SAY YOU CAN READ BEES BEHAVIOR TO KNOW THEY ARE NOT -- IT SEEMS LIKE, I 1078 00:34:52,791 --> 00:34:53,790 READ BEES BEHAVIOR TO KNOW THEY ARE NOT -- IT SEEMS LIKE, I CAN'T BELIEVE YOU ARE SCOOPING 1079 00:34:53,792 --> 00:34:54,558 ARE NOT -- IT SEEMS LIKE, I CAN'T BELIEVE YOU ARE SCOOPING THEM UP AND THEY ARE NOT GOING 1080 00:34:54,560 --> 00:34:57,260 CAN'T BELIEVE YOU ARE SCOOPING THEM UP AND THEY ARE NOT GOING TO STING YOU. 1081 00:34:57,262 --> 00:34:58,361 THEM UP AND THEY ARE NOT GOING TO STING YOU. >> Erika: YOU KNOW, I HAVE 1082 00:34:58,363 --> 00:35:00,063 TO STING YOU. >> Erika: YOU KNOW, I HAVE BEEN DOING THIS A LONG TIME, AND 1083 00:35:00,065 --> 00:35:01,431 >> Erika: YOU KNOW, I HAVE BEEN DOING THIS A LONG TIME, AND BEES ARE JUST LIKE OTHER 1084 00:35:01,433 --> 00:35:02,999 BEEN DOING THIS A LONG TIME, AND BEES ARE JUST LIKE OTHER CREATURES, YOU SPEND ENOUGH TIME 1085 00:35:03,001 --> 00:35:04,367 BEES ARE JUST LIKE OTHER CREATURES, YOU SPEND ENOUGH TIME AROUND THEM AND YOU LEARN TO 1086 00:35:04,369 --> 00:35:06,603 CREATURES, YOU SPEND ENOUGH TIME AROUND THEM AND YOU LEARN TO READ THEIR BEHAVIORS. 1087 00:35:06,605 --> 00:35:08,839 AROUND THEM AND YOU LEARN TO READ THEIR BEHAVIORS. A DOG MIGHT PUT ITS PEERS BACK 1088 00:35:08,841 --> 00:35:10,307 READ THEIR BEHAVIORS. A DOG MIGHT PUT ITS PEERS BACK OR TUCK ITS TAIL FROM CROWELL 1089 00:35:10,309 --> 00:35:12,609 A DOG MIGHT PUT ITS PEERS BACK OR TUCK ITS TAIL FROM CROWELL WHEN FEELING THREATENED OR 1090 00:35:12,611 --> 00:35:13,443 OR TUCK ITS TAIL FROM CROWELL WHEN FEELING THREATENED OR NERVOUS. 1091 00:35:13,445 --> 00:35:15,779 WHEN FEELING THREATENED OR NERVOUS. BEES ARE THE SAME WAY AND WILL 1092 00:35:15,781 --> 00:35:17,714 NERVOUS. BEES ARE THE SAME WAY AND WILL COMMUNICATE WITH YOU, SIGNS AND 1093 00:35:17,716 --> 00:35:20,050 BEES ARE THE SAME WAY AND WILL COMMUNICATE WITH YOU, SIGNS AND SIGNALS TO LET YOU KNOW HOW THEY 1094 00:35:20,052 --> 00:35:21,785 COMMUNICATE WITH YOU, SIGNS AND SIGNALS TO LET YOU KNOW HOW THEY ARE FEELING TO KEEP THEM SAFE, 1095 00:35:21,787 --> 00:35:23,386 SIGNALS TO LET YOU KNOW HOW THEY ARE FEELING TO KEEP THEM SAFE, BUT KEEP ME SAFE, AS WELL. 1096 00:35:23,388 --> 00:35:24,387 ARE FEELING TO KEEP THEM SAFE, BUT KEEP ME SAFE, AS WELL. >> Ellen: SO PEOPLE WHO ARE 1097 00:35:24,389 --> 00:35:26,189 BUT KEEP ME SAFE, AS WELL. >> Ellen: SO PEOPLE WHO ARE AFRAID OF BEES, WHICH I THINK 1098 00:35:26,191 --> 00:35:27,357 >> Ellen: SO PEOPLE WHO ARE AFRAID OF BEES, WHICH I THINK ARE MOST PEOPLE, WHAT DO YOU SAY 1099 00:35:27,359 --> 00:35:30,026 AFRAID OF BEES, WHICH I THINK ARE MOST PEOPLE, WHAT DO YOU SAY TO THEM? 1100 00:35:30,028 --> 00:35:31,161 ARE MOST PEOPLE, WHAT DO YOU SAY TO THEM? >> Erika: YOU KNOW, MOST BEES 1101 00:35:31,163 --> 00:35:32,762 TO THEM? >> Erika: YOU KNOW, MOST BEES DO NOT WANT TO STING YOU. 1102 00:35:32,764 --> 00:35:34,498 >> Erika: YOU KNOW, MOST BEES DO NOT WANT TO STING YOU. WHILE I DO THINK WE SHOULD HAVE, 1103 00:35:34,500 --> 00:35:38,034 DO NOT WANT TO STING YOU. WHILE I DO THINK WE SHOULD HAVE, YOU KNOW, HEALTHY FEAR OF BEES, 1104 00:35:38,036 --> 00:35:39,236 WHILE I DO THINK WE SHOULD HAVE, YOU KNOW, HEALTHY FEAR OF BEES, THEY CAN CERTAINLY BE 1105 00:35:39,238 --> 00:35:40,770 YOU KNOW, HEALTHY FEAR OF BEES, THEY CAN CERTAINLY BE POTENTIALLY VERY DANGEROUS FOR 1106 00:35:40,772 --> 00:35:42,439 THEY CAN CERTAINLY BE POTENTIALLY VERY DANGEROUS FOR PEOPLE, WE SHOULD ALSO HAVE A 1107 00:35:42,441 --> 00:35:43,707 POTENTIALLY VERY DANGEROUS FOR PEOPLE, WE SHOULD ALSO HAVE A HEALTHY UNDERSTANDING AND 1108 00:35:43,709 --> 00:35:45,408 PEOPLE, WE SHOULD ALSO HAVE A HEALTHY UNDERSTANDING AND RESPECT FOR BEES AND FOR ALL 1109 00:35:45,410 --> 00:35:46,443 HEALTHY UNDERSTANDING AND RESPECT FOR BEES AND FOR ALL THAT BEES DO FOR US. 1110 00:35:46,445 --> 00:35:47,744 RESPECT FOR BEES AND FOR ALL THAT BEES DO FOR US. >> Ellen: AND EXPLAIN, BECAUSE 1111 00:35:47,746 --> 00:35:51,214 THAT BEES DO FOR US. >> Ellen: AND EXPLAIN, BECAUSE THEY ARE VERY IMPORTANT TO OUR 1112 00:35:51,216 --> 00:35:52,048 >> Ellen: AND EXPLAIN, BECAUSE THEY ARE VERY IMPORTANT TO OUR ECOSYSTEM. 1113 00:35:52,050 --> 00:35:53,016 THEY ARE VERY IMPORTANT TO OUR ECOSYSTEM. EXPLAIN WHY THEY ARE IMPORTANT, 1114 00:35:53,018 --> 00:35:57,687 ECOSYSTEM. EXPLAIN WHY THEY ARE IMPORTANT, AND HOW PEOPLE CAN CARE AND 1115 00:35:57,689 --> 00:35:58,188 EXPLAIN WHY THEY ARE IMPORTANT, AND HOW PEOPLE CAN CARE AND PROTECT THEM. 1116 00:35:58,190 --> 00:36:00,157 AND HOW PEOPLE CAN CARE AND PROTECT THEM. >> Erika: SURE. 1117 00:36:00,159 --> 00:36:01,057 PROTECT THEM. >> Erika: SURE. BEES ARE INCREDIBLY IMPORTANT TO 1118 00:36:01,059 --> 00:36:02,792 >> Erika: SURE. BEES ARE INCREDIBLY IMPORTANT TO OUR ECOSYSTEM, THEY PROVIDE A 1119 00:36:02,794 --> 00:36:03,793 BEES ARE INCREDIBLY IMPORTANT TO OUR ECOSYSTEM, THEY PROVIDE A LOT OF DIVERSITY FOR OUR 1120 00:36:03,795 --> 00:36:06,630 OUR ECOSYSTEM, THEY PROVIDE A LOT OF DIVERSITY FOR OUR ECOSYSTEM, A LOT OF PLANTS, 1121 00:36:06,632 --> 00:36:07,697 LOT OF DIVERSITY FOR OUR ECOSYSTEM, A LOT OF PLANTS, ANIMALS, OTHER THAN HUMANS RELY 1122 00:36:07,699 --> 00:36:07,931 ECOSYSTEM, A LOT OF PLANTS, ANIMALS, OTHER THAN HUMANS RELY ON BEES. 1123 00:36:07,933 --> 00:36:10,767 ANIMALS, OTHER THAN HUMANS RELY ON BEES. WE THINK OF OURSELVES AND OUR 1124 00:36:10,769 --> 00:36:12,469 ON BEES. WE THINK OF OURSELVES AND OUR FOOD SYSTEM AS BEING SO 1125 00:36:12,471 --> 00:36:13,837 WE THINK OF OURSELVES AND OUR FOOD SYSTEM AS BEING SO DEPENDENT ON BEES, ONE OUT OF 1126 00:36:13,839 --> 00:36:16,773 FOOD SYSTEM AS BEING SO DEPENDENT ON BEES, ONE OUT OF EVERY THREE BITES OF FOOD WE EAT 1127 00:36:16,775 --> 00:36:19,142 DEPENDENT ON BEES, ONE OUT OF EVERY THREE BITES OF FOOD WE EAT IS DEPENDENT ON BEES FOR 1128 00:36:19,144 --> 00:36:19,643 EVERY THREE BITES OF FOOD WE EAT IS DEPENDENT ON BEES FOR POLLINATION. 1129 00:36:19,645 --> 00:36:21,211 IS DEPENDENT ON BEES FOR POLLINATION. YOU HAVE AN APPLE OR AN OMEN 1130 00:36:21,213 --> 00:36:22,579 POLLINATION. YOU HAVE AN APPLE OR AN OMEN TODAY, YOU HAVE BEES TO THANK 1131 00:36:22,581 --> 00:36:24,481 YOU HAVE AN APPLE OR AN OMEN TODAY, YOU HAVE BEES TO THANK FOR THAT. 1132 00:36:24,483 --> 00:36:26,616 TODAY, YOU HAVE BEES TO THANK FOR THAT. IT IS IMPORTANT TO DO WHATEVER 1133 00:36:26,618 --> 00:36:27,083 FOR THAT. IT IS IMPORTANT TO DO WHATEVER WE CAN TO HELP. 1134 00:36:27,085 --> 00:36:28,218 IT IS IMPORTANT TO DO WHATEVER WE CAN TO HELP. >> Ellen: I SEE THEM AND I 1135 00:36:28,220 --> 00:36:29,853 WE CAN TO HELP. >> Ellen: I SEE THEM AND I THINK A LOT OF PEOPLE SEE THEM 1136 00:36:29,855 --> 00:36:30,820 >> Ellen: I SEE THEM AND I THINK A LOT OF PEOPLE SEE THEM DYING, THEY ARE ON THE GROUND 1137 00:36:30,822 --> 00:36:32,389 THINK A LOT OF PEOPLE SEE THEM DYING, THEY ARE ON THE GROUND DYING ALL THE TIME. 1138 00:36:32,391 --> 00:36:34,791 DYING, THEY ARE ON THE GROUND DYING ALL THE TIME. WHAT IS KILLING THE BEES? 1139 00:36:34,793 --> 00:36:36,493 DYING ALL THE TIME. WHAT IS KILLING THE BEES? >> Erika: YOU KNOW, BEES ARE 1140 00:36:36,495 --> 00:36:37,627 WHAT IS KILLING THE BEES? >> Erika: YOU KNOW, BEES ARE SUFFERING FROM A LOT OF THINGS 1141 00:36:37,629 --> 00:36:39,095 >> Erika: YOU KNOW, BEES ARE SUFFERING FROM A LOT OF THINGS THAT OTHER CREATURES ON THE 1142 00:36:39,097 --> 00:36:40,697 SUFFERING FROM A LOT OF THINGS THAT OTHER CREATURES ON THE PLANET ARE SUFFERING FROM, AND 1143 00:36:40,699 --> 00:36:42,766 THAT OTHER CREATURES ON THE PLANET ARE SUFFERING FROM, AND THOSE FACTORS INCLUDE HABITAT 1144 00:36:42,768 --> 00:36:46,269 PLANET ARE SUFFERING FROM, AND THOSE FACTORS INCLUDE HABITAT LOSS, CLIMATE CHANGE, DISEASES 1145 00:36:46,271 --> 00:36:48,071 THOSE FACTORS INCLUDE HABITAT LOSS, CLIMATE CHANGE, DISEASES AND FIRES THAT CAN DECIMATE BEE 1146 00:36:48,073 --> 00:36:48,538 LOSS, CLIMATE CHANGE, DISEASES AND FIRES THAT CAN DECIMATE BEE POPULATIONS. 1147 00:36:48,540 --> 00:36:50,207 AND FIRES THAT CAN DECIMATE BEE POPULATIONS. >> Ellen: SO WHAT CAN PEOPLE 1148 00:36:50,209 --> 00:36:50,974 POPULATIONS. >> Ellen: SO WHAT CAN PEOPLE DO TO SAVE THEM? 1149 00:36:50,976 --> 00:36:52,275 >> Ellen: SO WHAT CAN PEOPLE DO TO SAVE THEM? I THINK A LOT OF PEOPLE -- I 1150 00:36:52,277 --> 00:36:53,944 DO TO SAVE THEM? I THINK A LOT OF PEOPLE -- I KNOW A LOT OF PEOPLE WHO HAVE 1151 00:36:53,946 --> 00:36:54,844 I THINK A LOT OF PEOPLE -- I KNOW A LOT OF PEOPLE WHO HAVE BEEHIVES. 1152 00:36:54,846 --> 00:36:56,479 KNOW A LOT OF PEOPLE WHO HAVE BEEHIVES. I MEAN, PINK HAS A BEEHIVE. 1153 00:36:56,481 --> 00:36:58,481 BEEHIVES. I MEAN, PINK HAS A BEEHIVE. A LOT OF PEOPLE I KNOW HAVE 1154 00:36:58,483 --> 00:36:59,449 I MEAN, PINK HAS A BEEHIVE. A LOT OF PEOPLE I KNOW HAVE THEM. 1155 00:36:59,451 --> 00:37:01,851 A LOT OF PEOPLE I KNOW HAVE THEM. WHAT CAN PEOPLE DO TO SAVE THEM? 1156 00:37:01,853 --> 00:37:03,253 THEM. WHAT CAN PEOPLE DO TO SAVE THEM? >> Erika: PLANT POLLINATOR 1157 00:37:03,255 --> 00:37:03,920 WHAT CAN PEOPLE DO TO SAVE THEM? >> Erika: PLANT POLLINATOR FRIENDLY PLANTS SO WHATEVER YOU 1158 00:37:03,922 --> 00:37:06,890 >> Erika: PLANT POLLINATOR FRIENDLY PLANTS SO WHATEVER YOU ARE PLANTING IN YOUR YARD OR 1159 00:37:06,892 --> 00:37:07,924 FRIENDLY PLANTS SO WHATEVER YOU ARE PLANTING IN YOUR YARD OR GARDEN, MAKE SURE IT IS 1160 00:37:07,926 --> 00:37:09,392 ARE PLANTING IN YOUR YARD OR GARDEN, MAKE SURE IT IS SOMETHING THAT COULD BE A GOOD 1161 00:37:09,394 --> 00:37:10,260 GARDEN, MAKE SURE IT IS SOMETHING THAT COULD BE A GOOD FOOD SOURCE FOR BEES. 1162 00:37:10,262 --> 00:37:11,795 SOMETHING THAT COULD BE A GOOD FOOD SOURCE FOR BEES. IF YOU NEED SOMETHING A LITTLE 1163 00:37:11,797 --> 00:37:12,629 FOOD SOURCE FOR BEES. IF YOU NEED SOMETHING A LITTLE BIT EASIER THAN THAT, YOU CAN 1164 00:37:12,631 --> 00:37:15,198 IF YOU NEED SOMETHING A LITTLE BIT EASIER THAN THAT, YOU CAN JUST LEAVE THE WEEDS IN YOUR 1165 00:37:15,200 --> 00:37:17,634 BIT EASIER THAN THAT, YOU CAN JUST LEAVE THE WEEDS IN YOUR YARD AND IN YOUR GARDEN, BEES 1166 00:37:17,636 --> 00:37:18,268 JUST LEAVE THE WEEDS IN YOUR YARD AND IN YOUR GARDEN, BEES PROVIDE A VERY IMPORTANT SOURCE 1167 00:37:18,270 --> 00:37:20,503 YARD AND IN YOUR GARDEN, BEES PROVIDE A VERY IMPORTANT SOURCE OF POLLEN AND NECTAR, A LOT OF 1168 00:37:20,505 --> 00:37:23,139 PROVIDE A VERY IMPORTANT SOURCE OF POLLEN AND NECTAR, A LOT OF TIMES WHEN OTHER THINGS AREN'T 1169 00:37:23,141 --> 00:37:23,607 OF POLLEN AND NECTAR, A LOT OF TIMES WHEN OTHER THINGS AREN'T IN BLOOM. 1170 00:37:23,609 --> 00:37:26,409 TIMES WHEN OTHER THINGS AREN'T IN BLOOM. >> Ellen: AND DON'T USE ANY 1171 00:37:26,411 --> 00:37:26,943 IN BLOOM. >> Ellen: AND DON'T USE ANY KIND OF POISONOUS SPRAY? 1172 00:37:26,945 --> 00:37:28,812 >> Ellen: AND DON'T USE ANY KIND OF POISONOUS SPRAY? >> Erika: ABSOLUTELY. 1173 00:37:28,814 --> 00:37:31,548 KIND OF POISONOUS SPRAY? >> Erika: ABSOLUTELY. PESTICIDES ARE VERY HARMFUL TO 1174 00:37:31,550 --> 00:37:32,983 >> Erika: ABSOLUTELY. PESTICIDES ARE VERY HARMFUL TO BEES, SO ABSOLUTELY AVOID USING 1175 00:37:32,985 --> 00:37:33,984 PESTICIDES ARE VERY HARMFUL TO BEES, SO ABSOLUTELY AVOID USING PESTICIDES. 1176 00:37:33,986 --> 00:37:34,517 BEES, SO ABSOLUTELY AVOID USING PESTICIDES. >> Ellen: WELL, THEY ARE 1177 00:37:34,519 --> 00:37:34,851 PESTICIDES. >> Ellen: WELL, THEY ARE FASCINATING. 1178 00:37:34,853 --> 00:37:36,119 >> Ellen: WELL, THEY ARE FASCINATING. I ALWAYS THINK IT IS AMAZING TOO 1179 00:37:36,121 --> 00:37:39,022 FASCINATING. I ALWAYS THINK IT IS AMAZING TOO WITH THE QUEEN BEE AND HOW THEY 1180 00:37:39,024 --> 00:37:39,789 I ALWAYS THINK IT IS AMAZING TOO WITH THE QUEEN BEE AND HOW THEY ALL WORK FOR HER. 1181 00:37:39,791 --> 00:37:41,424 WITH THE QUEEN BEE AND HOW THEY ALL WORK FOR HER. THE WHOLE SYSTEM IS, WHEN YOU 1182 00:37:41,426 --> 00:37:43,026 ALL WORK FOR HER. THE WHOLE SYSTEM IS, WHEN YOU REALLY GET INTO IT, IT IS 1183 00:37:43,028 --> 00:37:43,593 THE WHOLE SYSTEM IS, WHEN YOU REALLY GET INTO IT, IT IS FASCINATING. 1184 00:37:43,595 --> 00:37:44,427 REALLY GET INTO IT, IT IS FASCINATING. THANK YOU SO MUCH FOR SPENDING 1185 00:37:44,429 --> 00:37:45,795 FASCINATING. THANK YOU SO MUCH FOR SPENDING TIME WITH US. 1186 00:37:45,797 --> 00:37:47,797 THANK YOU SO MUCH FOR SPENDING TIME WITH US. GO TO OUR WEBSITE TO LEARN MORE 1187 00:37:47,799 --> 00:37:49,499 TIME WITH US. GO TO OUR WEBSITE TO LEARN MORE ABOUT ERIKA AND LEARN ABOUT WAYS 1188 00:37:49,501 --> 00:37:50,834 GO TO OUR WEBSITE TO LEARN MORE ABOUT ERIKA AND LEARN ABOUT WAYS TO SAVE THE BEES BECAUSE WE HAVE 1189 00:37:50,836 --> 00:37:53,270 ABOUT ERIKA AND LEARN ABOUT WAYS TO SAVE THE BEES BECAUSE WE HAVE TO SAVE THE BEES. 1190 00:37:53,272 --> 00:37:53,603 TO SAVE THE BEES BECAUSE WE HAVE TO SAVE THE BEES. WE'LL BE BACK. 1191 00:37:53,605 --> 00:37:53,870 TO SAVE THE BEES. WE'LL BE BACK. [APPLAUSE] 1192 00:37:53,872 --> 00:37:58,475 WE'LL BE BACK. [APPLAUSE] ♪ ♪ 1193 00:38:07,685 --> 00:38:12,555 >> YOU CAN DO IT, ELLEN. YOU'VE DONE IT BEFORE. >> HERE WE GO. 1194 00:38:12,557 --> 00:38:15,825 YOU'VE DONE IT BEFORE. >> HERE WE GO. >> COME ON, ELLEN. 1195 00:38:15,827 --> 00:38:22,899 >> HERE WE GO. >> COME ON, ELLEN. >> 1196 00:38:22,901 --> 00:38:23,166 >> COME ON, ELLEN. >> [APPLAUSE] 1197 00:38:23,168 --> 00:38:28,138 >> [APPLAUSE] ♪ ♪ 1198 00:38:28,140 --> 00:38:31,274 [APPLAUSE] ♪ ♪ >> Ellen: DON'T QUOTE ME ON 1199 00:38:31,276 --> 00:38:31,941 ♪ ♪ >> Ellen: DON'T QUOTE ME ON THAT. 1200 00:38:31,943 --> 00:38:33,209 >> Ellen: DON'T QUOTE ME ON THAT. tWITCH, I'VE GOT WONDERFUL 1201 00:38:33,211 --> 00:38:33,410 THAT. tWITCH, I'VE GOT WONDERFUL NEWS. 1202 00:38:33,412 --> 00:38:35,378 tWITCH, I'VE GOT WONDERFUL NEWS. WE HAVE TIME FOR A QUICK ROUND 1203 00:38:35,380 --> 00:38:37,280 NEWS. WE HAVE TIME FOR A QUICK ROUND OF THE HARDEST GAME IN DAYTIME 1204 00:38:37,282 --> 00:38:38,381 WE HAVE TIME FOR A QUICK ROUND OF THE HARDEST GAME IN DAYTIME TELEVISION. 1205 00:38:38,383 --> 00:38:40,016 OF THE HARDEST GAME IN DAYTIME TELEVISION. LET'S PLAY "HOLEY ROLLER." 1206 00:38:40,018 --> 00:38:47,457 TELEVISION. LET'S PLAY "HOLEY ROLLER." ♪ ♪ 1207 00:38:47,459 --> 00:38:47,791 LET'S PLAY "HOLEY ROLLER." ♪ ♪ [LAUGHTER] 1208 00:38:47,793 --> 00:38:48,058 ♪ ♪ [LAUGHTER] ALL RIGHT. 1209 00:38:48,060 --> 00:38:49,659 [LAUGHTER] ALL RIGHT. LET'S MEET OUR VIRTUAL 1210 00:38:49,661 --> 00:38:49,959 ALL RIGHT. LET'S MEET OUR VIRTUAL CONTESTANTS. 1211 00:38:49,961 --> 00:38:52,495 LET'S MEET OUR VIRTUAL CONTESTANTS. HI, THERE! 1212 00:38:52,497 --> 00:38:52,896 CONTESTANTS. HI, THERE! >> HI! 1213 00:38:52,898 --> 00:38:53,463 HI, THERE! >> HI! >> Ellen: HI. 1214 00:38:53,465 --> 00:38:55,899 >> HI! >> Ellen: HI. WHAT IS YOUR NAME? 1215 00:38:55,901 --> 00:38:57,834 >> Ellen: HI. WHAT IS YOUR NAME? >> HI, ELLEN AND tWITCH. 1216 00:38:57,836 --> 00:38:59,302 WHAT IS YOUR NAME? >> HI, ELLEN AND tWITCH. MY NAME IS EMILY BOOTH. 1217 00:38:59,304 --> 00:39:02,305 >> HI, ELLEN AND tWITCH. MY NAME IS EMILY BOOTH. I AM FROM ALEXANDRIA, VIRGINIA, 1218 00:39:02,307 --> 00:39:04,808 MY NAME IS EMILY BOOTH. I AM FROM ALEXANDRIA, VIRGINIA, AND I AM A FORENSIC SCIENTIST BY 1219 00:39:04,810 --> 00:39:08,244 I AM FROM ALEXANDRIA, VIRGINIA, AND I AM A FORENSIC SCIENTIST BY DAY, AND AVERY STOOD BY NIGHT. 1220 00:39:08,246 --> 00:39:08,878 AND I AM A FORENSIC SCIENTIST BY DAY, AND AVERY STOOD BY NIGHT. >> Ellen: WOW. 1221 00:39:08,880 --> 00:39:12,482 DAY, AND AVERY STOOD BY NIGHT. >> Ellen: WOW. THAT IS VERY INTERESTING. 1222 00:39:12,484 --> 00:39:14,017 >> Ellen: WOW. THAT IS VERY INTERESTING. ALL I HAVE TO DO IS ROLL A BALL 1223 00:39:14,019 --> 00:39:17,854 THAT IS VERY INTERESTING. ALL I HAVE TO DO IS ROLL A BALL IN A TINY HOLE, AND IF I DO, YOU 1224 00:39:17,856 --> 00:39:18,521 ALL I HAVE TO DO IS ROLL A BALL IN A TINY HOLE, AND IF I DO, YOU GET $1,000. 1225 00:39:18,523 --> 00:39:20,056 IN A TINY HOLE, AND IF I DO, YOU GET $1,000. AND TO DOUBLE YOUR CHANCES, 1226 00:39:20,058 --> 00:39:21,825 GET $1,000. AND TO DOUBLE YOUR CHANCES, TWITCH IS ALSO GOING TO ROLL. 1227 00:39:21,827 --> 00:39:23,660 AND TO DOUBLE YOUR CHANCES, TWITCH IS ALSO GOING TO ROLL. I LIKE WHEN YOU GO FIRST. 1228 00:39:23,662 --> 00:39:24,661 TWITCH IS ALSO GOING TO ROLL. I LIKE WHEN YOU GO FIRST. >> tWitch: YOU DO? 1229 00:39:24,663 --> 00:39:27,297 I LIKE WHEN YOU GO FIRST. >> tWitch: YOU DO? >> Ellen: I LIKE WHEN YOU GO 1230 00:39:27,299 --> 00:39:27,497 >> tWitch: YOU DO? >> Ellen: I LIKE WHEN YOU GO FIRST. 1231 00:39:27,499 --> 00:39:31,000 >> Ellen: I LIKE WHEN YOU GO FIRST. >> tWitch: OKAY. 1232 00:39:31,002 --> 00:39:33,670 FIRST. >> tWitch: OKAY. >> ALL RIGHT, tWITCH! 1233 00:39:33,672 --> 00:39:35,305 >> tWitch: OKAY. >> ALL RIGHT, tWITCH! [DRUMROLL] 1234 00:39:35,307 --> 00:39:37,707 >> ALL RIGHT, tWITCH! [DRUMROLL] >> Ellen: YEP. 1235 00:39:37,709 --> 00:39:42,545 [DRUMROLL] >> Ellen: YEP. >> tWitch: YEP, YEP, YEP, YEP. 1236 00:39:42,547 --> 00:39:44,881 >> Ellen: YEP. >> tWitch: YEP, YEP, YEP, YEP. AH! 1237 00:39:44,883 --> 00:39:45,415 >> tWitch: YEP, YEP, YEP, YEP. AH! >> Ellen: ALL RIGHT. 1238 00:39:45,417 --> 00:39:47,584 AH! >> Ellen: ALL RIGHT. I'LL GO, AND THEN YOU WILL GO 1239 00:39:47,586 --> 00:39:47,784 >> Ellen: ALL RIGHT. I'LL GO, AND THEN YOU WILL GO AGAIN. 1240 00:39:47,786 --> 00:39:49,018 I'LL GO, AND THEN YOU WILL GO AGAIN. ARE YOU WARMING UP YOUR HAND? 1241 00:39:49,020 --> 00:39:51,388 AGAIN. ARE YOU WARMING UP YOUR HAND? YOU'VE GOT TO WARM IT UP. 1242 00:39:51,390 --> 00:39:52,422 ARE YOU WARMING UP YOUR HAND? YOU'VE GOT TO WARM IT UP. >> ALL RIGHT, ELLEN. 1243 00:39:52,424 --> 00:39:55,492 YOU'VE GOT TO WARM IT UP. >> ALL RIGHT, ELLEN. YOU CAN DO IT, ELLEN, YOU'VE 1244 00:39:55,494 --> 00:39:56,025 >> ALL RIGHT, ELLEN. YOU CAN DO IT, ELLEN, YOU'VE DONE IT BEFORE. 1245 00:39:56,027 --> 00:39:57,227 YOU CAN DO IT, ELLEN, YOU'VE DONE IT BEFORE. >> tWitch: HERE WE GO. 1246 00:39:57,229 --> 00:39:57,527 DONE IT BEFORE. >> tWitch: HERE WE GO. [LAUGHTER] 1247 00:39:57,529 --> 00:40:01,698 >> tWitch: HERE WE GO. [LAUGHTER] [DRUMROLL] 1248 00:40:01,700 --> 00:40:03,633 [LAUGHTER] [DRUMROLL] >> COME ON, ELLEN. 1249 00:40:03,635 --> 00:40:08,938 [DRUMROLL] >> COME ON, ELLEN. >> Ellen: AH! 1250 00:40:08,940 --> 00:40:20,116 >> COME ON, ELLEN. >> Ellen: AH! [CHEERS AND APPLAUSE] 1251 00:40:20,118 --> 00:40:20,817 >> Ellen: AH! [CHEERS AND APPLAUSE] IT'S THE WARM UP. 1252 00:40:20,819 --> 00:40:23,620 [CHEERS AND APPLAUSE] IT'S THE WARM UP. YOU'VE GOT TO DO THE WARM UP. 1253 00:40:23,622 --> 00:40:24,220 IT'S THE WARM UP. YOU'VE GOT TO DO THE WARM UP. CONGRATULATIONS, EMILY. 1254 00:40:24,222 --> 00:40:25,889 YOU'VE GOT TO DO THE WARM UP. CONGRATULATIONS, EMILY. YOU'RE GETTING $1,000. 1255 00:40:25,891 --> 00:40:27,090 CONGRATULATIONS, EMILY. YOU'RE GETTING $1,000. I WANT TO THANK COURTENEY COX, 1256 00:40:27,092 --> 00:40:27,724 YOU'RE GETTING $1,000. I WANT TO THANK COURTENEY COX, JULIA MICHAELS, ALL OF YOU FOR 1257 00:40:27,726 --> 00:40:28,057 I WANT TO THANK COURTENEY COX, JULIA MICHAELS, ALL OF YOU FOR WATCHING. 1258 00:40:28,059 --> 00:40:29,125 JULIA MICHAELS, ALL OF YOU FOR WATCHING. I FEEL THE LOVE IN THIS ROOM AND 1259 00:40:29,127 --> 00:40:30,260 WATCHING. I FEEL THE LOVE IN THIS ROOM AND GIVE IT ALL BACK TO YOU, GO AND 1260 00:40:30,262 --> 00:40:32,796 I FEEL THE LOVE IN THIS ROOM AND GIVE IT ALL BACK TO YOU, GO AND SPREAD IT AROUND IN THE WORK OF 1261 00:40:32,798 --> 00:40:33,062 GIVE IT ALL BACK TO YOU, GO AND SPREAD IT AROUND IN THE WORK OF EVERYBODY. 1262 00:40:33,064 --> 00:40:33,229 SPREAD IT AROUND IN THE WORK OF EVERYBODY. BYE! 1263 00:40:33,231 --> 00:40:35,031 EVERYBODY. BYE! [APPLAUSE] 1264 00:40:38,502 --> 00:40:40,069 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 1265 00:40:40,071 --> 00:40:40,670 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 1266 00:40:40,672 --> 00:40:41,104 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 1267 00:40:41,106 --> 00:40:42,972 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY'S SO FAR AWAY ♪ 1268 00:40:42,974 --> 00:40:45,975 ALL ♪ ♪ YESTERDAY'S SO FAR AWAY ♪ ♪ THIS TODAY IS THE ONLY DAY ♪ 1269 00:40:45,977 --> 00:40:47,210 ♪ YESTERDAY'S SO FAR AWAY ♪ ♪ THIS TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 1270 00:40:47,212 --> 00:40:50,547 ♪ THIS TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 1271 00:40:50,549 --> 00:40:51,181 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ ♪ OH OH OH ♪ 1272 00:40:51,183 --> 00:40:53,149 CLOCK ♪ ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ 1273 00:40:53,151 --> 00:40:54,651 ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ 1274 00:40:54,653 --> 00:40:57,687 ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ 1275 00:40:57,689 --> 00:41:00,089 ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ >> NUA...