1 00:00:08,408 --> 00:00:20,486 ♪ ♪ [CHEERS AND APPLAUSE] >> Announcer: HERE HE IS NOW, 2 00:00:20,488 --> 00:00:26,458 [CHEERS AND APPLAUSE] >> Announcer: HERE HE IS NOW, ELLEN'S GUEST HOST, tWITCH! 3 00:00:26,460 --> 00:00:39,972 >> Announcer: HERE HE IS NOW, ELLEN'S GUEST HOST, tWITCH! [CHEERS AND APPLAUSE] 4 00:00:39,974 --> 00:00:40,839 ELLEN'S GUEST HOST, tWITCH! [CHEERS AND APPLAUSE] >> tWitch: WHAT'S UP, 5 00:00:40,841 --> 00:00:45,444 [CHEERS AND APPLAUSE] >> tWitch: WHAT'S UP, EVERYBODY, HOW WE DOING? 6 00:00:45,446 --> 00:00:47,646 >> tWitch: WHAT'S UP, EVERYBODY, HOW WE DOING? WELCOME, I AM YOUR GUEST HOST, 7 00:00:47,648 --> 00:00:48,080 EVERYBODY, HOW WE DOING? WELCOME, I AM YOUR GUEST HOST, tWITCH. 8 00:00:48,082 --> 00:00:49,748 WELCOME, I AM YOUR GUEST HOST, tWITCH. THIS IS ACTUALLY MY 11TH TIME 9 00:00:49,750 --> 00:00:50,582 tWITCH. THIS IS ACTUALLY MY 11TH TIME HOSTING THE SHOW, CAN YOU 10 00:00:50,584 --> 00:00:53,185 THIS IS ACTUALLY MY 11TH TIME HOSTING THE SHOW, CAN YOU BELIEVE THAT? 11 00:00:53,187 --> 00:00:54,219 HOSTING THE SHOW, CAN YOU BELIEVE THAT? IT FEELS LIKE ONLY YESTERDAY 12 00:00:54,221 --> 00:00:56,688 BELIEVE THAT? IT FEELS LIKE ONLY YESTERDAY WHEN I STARTED WORKING ON THE 13 00:00:56,690 --> 00:01:01,193 IT FEELS LIKE ONLY YESTERDAY WHEN I STARTED WORKING ON THE SHOW. 14 00:01:01,195 --> 00:01:01,627 WHEN I STARTED WORKING ON THE SHOW. [LAUGHTER] 15 00:01:01,629 --> 00:01:10,569 SHOW. [LAUGHTER] ♪ ♪ 16 00:01:10,571 --> 00:01:13,739 [LAUGHTER] ♪ ♪ >> tWitch: SO YOUNG, SO NAIVE. 17 00:01:13,741 --> 00:01:15,941 ♪ ♪ >> tWitch: SO YOUNG, SO NAIVE. THAT'S KIND OF CRAZY, RIGHT? 18 00:01:15,943 --> 00:01:17,709 >> tWitch: SO YOUNG, SO NAIVE. THAT'S KIND OF CRAZY, RIGHT? WHEN YOU'RE A KID, ALL YOU WANT 19 00:01:17,711 --> 00:01:18,777 THAT'S KIND OF CRAZY, RIGHT? WHEN YOU'RE A KID, ALL YOU WANT TO DO IS GROW UP BECAUSE 20 00:01:18,779 --> 00:01:20,212 WHEN YOU'RE A KID, ALL YOU WANT TO DO IS GROW UP BECAUSE GROWN-UPS GET TO DO WHATEVER 21 00:01:20,214 --> 00:01:22,414 TO DO IS GROW UP BECAUSE GROWN-UPS GET TO DO WHATEVER THEY WANT WHENEVER THEY WANT, 22 00:01:22,416 --> 00:01:22,748 GROWN-UPS GET TO DO WHATEVER THEY WANT WHENEVER THEY WANT, RIGHT? 23 00:01:22,750 --> 00:01:24,149 THEY WANT WHENEVER THEY WANT, RIGHT? THEY CAN DRIVE CARS, WE CAN STAY 24 00:01:24,151 --> 00:01:26,585 RIGHT? THEY CAN DRIVE CARS, WE CAN STAY UP LATE AND WATCH IT RATED R 25 00:01:26,587 --> 00:01:26,819 THEY CAN DRIVE CARS, WE CAN STAY UP LATE AND WATCH IT RATED R MOVIES. 26 00:01:26,821 --> 00:01:27,986 UP LATE AND WATCH IT RATED R MOVIES. EVERY DAY. 27 00:01:27,988 --> 00:01:30,589 MOVIES. EVERY DAY. I COULDN'T WAIT TO GROW UP. 28 00:01:30,591 --> 00:01:32,991 EVERY DAY. I COULDN'T WAIT TO GROW UP. IT'S LIKE THE GREAT POET SAID, 29 00:01:32,993 --> 00:01:34,426 I COULDN'T WAIT TO GROW UP. IT'S LIKE THE GREAT POET SAID, "I WISH I WAS A LITTLE BIT 30 00:01:34,428 --> 00:01:38,130 IT'S LIKE THE GREAT POET SAID, "I WISH I WAS A LITTLE BIT TALLER, I WISH I WAS A BALLER, I 31 00:01:38,132 --> 00:01:39,665 "I WISH I WAS A LITTLE BIT TALLER, I WISH I WAS A BALLER, I WISH I HAD A GIRL WHO LOOKS 32 00:01:39,667 --> 00:01:44,169 TALLER, I WISH I WAS A BALLER, I WISH I HAD A GIRL WHO LOOKS GOOD, I WOULD CALL HER." 33 00:01:44,171 --> 00:01:46,138 WISH I HAD A GIRL WHO LOOKS GOOD, I WOULD CALL HER." I AM A GROWN UP AND I HAVE ALL 34 00:01:46,140 --> 00:01:47,639 GOOD, I WOULD CALL HER." I AM A GROWN UP AND I HAVE ALL OF THOSE THINGS PLUS THE 35 00:01:47,641 --> 00:01:51,543 I AM A GROWN UP AND I HAVE ALL OF THOSE THINGS PLUS THE MORTGAGE AND BILLS AND A BUNCH 36 00:01:51,545 --> 00:01:53,278 OF THOSE THINGS PLUS THE MORTGAGE AND BILLS AND A BUNCH OF KIDS THAT NEED THINGS. 37 00:01:53,280 --> 00:01:55,547 MORTGAGE AND BILLS AND A BUNCH OF KIDS THAT NEED THINGS. THIS IS NOT THE ADULT FANTASY I 38 00:01:55,549 --> 00:01:56,315 OF KIDS THAT NEED THINGS. THIS IS NOT THE ADULT FANTASY I WAS SOLD. 39 00:01:56,317 --> 00:01:58,450 THIS IS NOT THE ADULT FANTASY I WAS SOLD. BECAUSE, YOU KNOW, WHEN YOU'RE A 40 00:01:58,452 --> 00:01:59,451 WAS SOLD. BECAUSE, YOU KNOW, WHEN YOU'RE A KID, YOU THINK ADULTS DON'T HAVE 41 00:01:59,453 --> 00:02:00,486 BECAUSE, YOU KNOW, WHEN YOU'RE A KID, YOU THINK ADULTS DON'T HAVE RULES BUT THEN YOU DO GROW UP 42 00:02:00,488 --> 00:02:03,589 KID, YOU THINK ADULTS DON'T HAVE RULES BUT THEN YOU DO GROW UP AND YOU REALIZE THAT ADULTS HAVE 43 00:02:03,591 --> 00:02:05,157 RULES BUT THEN YOU DO GROW UP AND YOU REALIZE THAT ADULTS HAVE A LOT OF ROLES AND A LOT OF 44 00:02:05,159 --> 00:02:08,227 AND YOU REALIZE THAT ADULTS HAVE A LOT OF ROLES AND A LOT OF RESPONSIBILITIES AND IT SUCKS. 45 00:02:08,229 --> 00:02:08,927 A LOT OF ROLES AND A LOT OF RESPONSIBILITIES AND IT SUCKS. LIKE TAXES. 46 00:02:08,929 --> 00:02:11,063 RESPONSIBILITIES AND IT SUCKS. LIKE TAXES. YOU MEAN TO TELL ME THAT EVEN 47 00:02:11,065 --> 00:02:14,133 LIKE TAXES. YOU MEAN TO TELL ME THAT EVEN THOUGH I DID 100% OF THE WORK, I 48 00:02:14,135 --> 00:02:16,969 YOU MEAN TO TELL ME THAT EVEN THOUGH I DID 100% OF THE WORK, I ONLY GET TO KEEP 60% OF THE 49 00:02:16,971 --> 00:02:19,238 THOUGH I DID 100% OF THE WORK, I ONLY GET TO KEEP 60% OF THE MONEY? 50 00:02:19,240 --> 00:02:21,673 ONLY GET TO KEEP 60% OF THE MONEY? EVEN THE KID KNOWS THAT SOUNDS 51 00:02:21,675 --> 00:02:23,075 MONEY? EVEN THE KID KNOWS THAT SOUNDS CRAZY. 52 00:02:23,077 --> 00:02:23,742 EVEN THE KID KNOWS THAT SOUNDS CRAZY. NO ONE PREPARED THIS FOR THAT IN 53 00:02:23,744 --> 00:02:25,711 CRAZY. NO ONE PREPARED THIS FOR THAT IN SCHOOL, THEY WERE TEACHING US 54 00:02:25,713 --> 00:02:26,812 NO ONE PREPARED THIS FOR THAT IN SCHOOL, THEY WERE TEACHING US HOW TO FOLLOW INSTRUCTIONS WHEN 55 00:02:26,814 --> 00:02:28,614 SCHOOL, THEY WERE TEACHING US HOW TO FOLLOW INSTRUCTIONS WHEN THEY SHOULD'VE BEEN TEACHING US 56 00:02:28,616 --> 00:02:30,616 HOW TO FOLLOW INSTRUCTIONS WHEN THEY SHOULD'VE BEEN TEACHING US ABOUT ITEMIZED INDUCTIONS. 57 00:02:30,618 --> 00:02:32,718 THEY SHOULD'VE BEEN TEACHING US ABOUT ITEMIZED INDUCTIONS. I'M GOING TO BE HONEST WITH YOU 58 00:02:32,720 --> 00:02:33,385 ABOUT ITEMIZED INDUCTIONS. I'M GOING TO BE HONEST WITH YOU ALL. 59 00:02:33,387 --> 00:02:36,121 I'M GOING TO BE HONEST WITH YOU ALL. I'M STILL NOT SURE WHAT THAT 60 00:02:36,123 --> 00:02:37,956 ALL. I'M STILL NOT SURE WHAT THAT MEANS YET. 61 00:02:37,958 --> 00:02:39,958 I'M STILL NOT SURE WHAT THAT MEANS YET. AND LOOK, WHAT ABOUT ALL THE 62 00:02:39,960 --> 00:02:41,360 MEANS YET. AND LOOK, WHAT ABOUT ALL THE DIFFERENT TYPES OF BILLS? 63 00:02:41,362 --> 00:02:43,495 AND LOOK, WHAT ABOUT ALL THE DIFFERENT TYPES OF BILLS? THERE ARE SO MANY. 64 00:02:43,497 --> 00:02:45,797 DIFFERENT TYPES OF BILLS? THERE ARE SO MANY. ELECTRIC AND GAS, CABLE, 65 00:02:45,799 --> 00:02:48,600 THERE ARE SO MANY. ELECTRIC AND GAS, CABLE, INTERNET, WATER? 66 00:02:48,602 --> 00:02:52,070 ELECTRIC AND GAS, CABLE, INTERNET, WATER? I HAVE TO PAY FOR WATER? 67 00:02:52,072 --> 00:02:53,705 INTERNET, WATER? I HAVE TO PAY FOR WATER? LIKE, THAT STUFF SHOULD BE FREE, 68 00:02:53,707 --> 00:02:57,109 I HAVE TO PAY FOR WATER? LIKE, THAT STUFF SHOULD BE FREE, IT COMES FROM THE SKY. 69 00:02:57,111 --> 00:02:58,644 LIKE, THAT STUFF SHOULD BE FREE, IT COMES FROM THE SKY. KIDS HAVE IT SO GOOD. 70 00:02:58,646 --> 00:03:00,512 IT COMES FROM THE SKY. KIDS HAVE IT SO GOOD. THEY DON'T HAVE TO WORRY ABOUT 71 00:03:00,514 --> 00:03:00,779 KIDS HAVE IT SO GOOD. THEY DON'T HAVE TO WORRY ABOUT ANYTHING. 72 00:03:00,781 --> 00:03:01,380 THEY DON'T HAVE TO WORRY ABOUT ANYTHING. THEY JUST GET TO HANG OUT ALL 73 00:03:01,382 --> 00:03:05,651 ANYTHING. THEY JUST GET TO HANG OUT ALL DAY AND WATCH "FROZEN 2" FOR THE 74 00:03:05,653 --> 00:03:07,953 THEY JUST GET TO HANG OUT ALL DAY AND WATCH "FROZEN 2" FOR THE 100TH TIME. 75 00:03:07,955 --> 00:03:09,922 DAY AND WATCH "FROZEN 2" FOR THE 100TH TIME. THEY GET FREE RENT, THEY GET 76 00:03:09,924 --> 00:03:13,725 100TH TIME. THEY GET FREE RENT, THEY GET FREE FOOD, FREE CLOSE, IN FACT, 77 00:03:13,727 --> 00:03:15,928 THEY GET FREE RENT, THEY GET FREE FOOD, FREE CLOSE, IN FACT, WE ACTUALLY PAY THEM WITH 78 00:03:15,930 --> 00:03:17,930 FREE FOOD, FREE CLOSE, IN FACT, WE ACTUALLY PAY THEM WITH ALLOWANCE. 79 00:03:17,932 --> 00:03:19,565 WE ACTUALLY PAY THEM WITH ALLOWANCE. KIDS ARE THE BEST SCAMMERS THAT 80 00:03:19,567 --> 00:03:20,232 ALLOWANCE. KIDS ARE THE BEST SCAMMERS THAT THERE ARE, RIGHT? 81 00:03:20,234 --> 00:03:21,567 KIDS ARE THE BEST SCAMMERS THAT THERE ARE, RIGHT? AND I'LL TELL YOU WHAT, BEING AN 82 00:03:21,569 --> 00:03:23,435 THERE ARE, RIGHT? AND I'LL TELL YOU WHAT, BEING AN ADULT IS NOT ALL BAD. 83 00:03:23,437 --> 00:03:26,772 AND I'LL TELL YOU WHAT, BEING AN ADULT IS NOT ALL BAD. I CAN VOTE, I CAN RENT A CAR, I 84 00:03:26,774 --> 00:03:29,541 ADULT IS NOT ALL BAD. I CAN VOTE, I CAN RENT A CAR, I CAN DRINK ALCOHOL, I COULD EAT 85 00:03:29,543 --> 00:03:31,543 I CAN VOTE, I CAN RENT A CAR, I CAN DRINK ALCOHOL, I COULD EAT ICE CREAM FOR BREAKFAST IF I 86 00:03:31,545 --> 00:03:35,180 CAN DRINK ALCOHOL, I COULD EAT ICE CREAM FOR BREAKFAST IF I WANTED TO AND ALSO I GET TO HOST 87 00:03:35,182 --> 00:03:38,217 ICE CREAM FOR BREAKFAST IF I WANTED TO AND ALSO I GET TO HOST THE ELLEN DeGENERES SHOW, AND 88 00:03:38,219 --> 00:03:39,184 WANTED TO AND ALSO I GET TO HOST THE ELLEN DeGENERES SHOW, AND AS A HOST AND WHEN TO ASK 89 00:03:39,186 --> 00:03:41,520 THE ELLEN DeGENERES SHOW, AND AS A HOST AND WHEN TO ASK SOMEONE ELSE TO DANCE, SO 90 00:03:41,522 --> 00:03:43,956 AS A HOST AND WHEN TO ASK SOMEONE ELSE TO DANCE, SO PLEASE, GIVE IT UP FOR OUR 91 00:03:43,958 --> 00:03:46,525 SOMEONE ELSE TO DANCE, SO PLEASE, GIVE IT UP FOR OUR VIRTUAL AUDIENCE DANCER OF THE 92 00:03:46,527 --> 00:03:46,692 PLEASE, GIVE IT UP FOR OUR VIRTUAL AUDIENCE DANCER OF THE DAY. 93 00:03:46,694 --> 00:04:02,808 VIRTUAL AUDIENCE DANCER OF THE DAY. [CHEERS AND APPLAUSE] 94 00:04:07,313 --> 00:04:18,724 ♪ ♪ GIVE IT UP ONE MORE TIME. THANK YOU FOR BEING OUR AUDIENCE 95 00:04:18,726 --> 00:04:20,592 GIVE IT UP ONE MORE TIME. THANK YOU FOR BEING OUR AUDIENCE DANCER OF THE DAY, WHAT'S YOUR 96 00:04:20,594 --> 00:04:20,792 THANK YOU FOR BEING OUR AUDIENCE DANCER OF THE DAY, WHAT'S YOUR NAME? 97 00:04:20,794 --> 00:04:30,202 DANCER OF THE DAY, WHAT'S YOUR NAME? >> MY GOSH, HELLO, I'M CLAUDIA! 98 00:04:30,204 --> 00:04:32,638 NAME? >> MY GOSH, HELLO, I'M CLAUDIA! I'M FROM RANCHO CUCAMONGA. 99 00:04:32,640 --> 00:04:34,139 >> MY GOSH, HELLO, I'M CLAUDIA! I'M FROM RANCHO CUCAMONGA. >> tWitch: I LIKE THAT. 100 00:04:34,141 --> 00:04:34,806 I'M FROM RANCHO CUCAMONGA. >> tWitch: I LIKE THAT. YOU KNOW ITS IMPRESSIVE CUSTOMER 101 00:04:34,808 --> 00:04:35,807 >> tWitch: I LIKE THAT. YOU KNOW ITS IMPRESSIVE CUSTOMER IF YOU DID ALL THOSE MOVES FROM 102 00:04:35,809 --> 00:04:38,410 YOU KNOW ITS IMPRESSIVE CUSTOMER IF YOU DID ALL THOSE MOVES FROM A SEAT. 103 00:04:38,412 --> 00:04:40,178 IF YOU DID ALL THOSE MOVES FROM A SEAT. WE'RE GOING TO DO A CHAIR DANCE 104 00:04:40,180 --> 00:04:42,581 A SEAT. WE'RE GOING TO DO A CHAIR DANCE AS AN AUDIENCE RIGHT NOW. 105 00:04:42,583 --> 00:04:43,548 WE'RE GOING TO DO A CHAIR DANCE AS AN AUDIENCE RIGHT NOW. EVERYBODY IN THE AUDIENCE, 106 00:04:43,550 --> 00:04:44,216 AS AN AUDIENCE RIGHT NOW. EVERYBODY IN THE AUDIENCE, FOLLOW ALONG IN THE 107 00:04:44,218 --> 00:04:50,989 EVERYBODY IN THE AUDIENCE, FOLLOW ALONG IN THE CABBAGE PATCH REALLY QUICK. 108 00:04:50,991 --> 00:04:52,391 FOLLOW ALONG IN THE CABBAGE PATCH REALLY QUICK. THIS IS A SHOW WIDE 109 00:04:52,393 --> 00:04:54,593 CABBAGE PATCH REALLY QUICK. THIS IS A SHOW WIDE CABBAGE PATCH, GIVE IT UP FOR 110 00:04:54,595 --> 00:04:56,695 THIS IS A SHOW WIDE CABBAGE PATCH, GIVE IT UP FOR YOURSELVES, THAT'S GOOD. 111 00:04:56,697 --> 00:04:58,263 CABBAGE PATCH, GIVE IT UP FOR YOURSELVES, THAT'S GOOD. NOW UNFORTUNATELY, I DON'T HAVE 112 00:04:58,265 --> 00:04:59,398 YOURSELVES, THAT'S GOOD. NOW UNFORTUNATELY, I DON'T HAVE A SHORT VIDEO TO WATCH WHILE ALL 113 00:04:59,400 --> 00:05:00,432 NOW UNFORTUNATELY, I DON'T HAVE A SHORT VIDEO TO WATCH WHILE ALL OF YOU ALL CATCH YOUR BREATH 114 00:05:00,434 --> 00:05:02,601 A SHORT VIDEO TO WATCH WHILE ALL OF YOU ALL CATCH YOUR BREATH BECAUSE YOU KNOW, ONLY I GET 115 00:05:02,603 --> 00:05:04,303 OF YOU ALL CATCH YOUR BREATH BECAUSE YOU KNOW, ONLY I GET THOSE, THOSE ARE EXCLUSIVE TO ME 116 00:05:04,305 --> 00:05:05,504 BECAUSE YOU KNOW, ONLY I GET THOSE, THOSE ARE EXCLUSIVE TO ME SO YOU HAVE TO CATCH YOUR BREATH 117 00:05:05,506 --> 00:05:06,538 THOSE, THOSE ARE EXCLUSIVE TO ME SO YOU HAVE TO CATCH YOUR BREATH WILL I GET INTO ONE OF OUR 118 00:05:06,540 --> 00:05:11,109 SO YOU HAVE TO CATCH YOUR BREATH WILL I GET INTO ONE OF OUR FAVORITE SEGMENTS, THANKS GIF, 119 00:05:11,111 --> 00:05:11,410 WILL I GET INTO ONE OF OUR FAVORITE SEGMENTS, THANKS GIF, IT'S FRIDAY. 120 00:05:11,412 --> 00:05:17,916 FAVORITE SEGMENTS, THANKS GIF, IT'S FRIDAY. ♪ ♪ 121 00:05:17,918 --> 00:05:18,183 IT'S FRIDAY. ♪ ♪ ALL RIGHT. 122 00:05:18,185 --> 00:05:22,487 ♪ ♪ ALL RIGHT. HERE'S THE FIRST ONE. 123 00:05:22,489 --> 00:05:24,890 ALL RIGHT. HERE'S THE FIRST ONE. "TRYING TO REMEMBER YOUR APPLE 124 00:05:24,892 --> 00:05:27,426 HERE'S THE FIRST ONE. "TRYING TO REMEMBER YOUR APPLE PASSWORD LIKE." 125 00:05:27,428 --> 00:05:29,127 "TRYING TO REMEMBER YOUR APPLE PASSWORD LIKE." ALL RIGHT, HERE'S THE NEXT ONE. 126 00:05:29,129 --> 00:05:31,263 PASSWORD LIKE." ALL RIGHT, HERE'S THE NEXT ONE. "WHEN YOU HAVE THE GOLDEN GLOBES 127 00:05:31,265 --> 00:05:32,898 ALL RIGHT, HERE'S THE NEXT ONE. "WHEN YOU HAVE THE GOLDEN GLOBES AT 5:00 BUT HAVE TO COACH 128 00:05:32,900 --> 00:05:36,935 "WHEN YOU HAVE THE GOLDEN GLOBES AT 5:00 BUT HAVE TO COACH EIGHTH-GRADE SOCCER AT 6:00." 129 00:05:36,937 --> 00:05:40,105 AT 5:00 BUT HAVE TO COACH EIGHTH-GRADE SOCCER AT 6:00." ALL RIGHT, HERE'S ANOTHER ONE. 130 00:05:40,107 --> 00:05:41,139 EIGHTH-GRADE SOCCER AT 6:00." ALL RIGHT, HERE'S ANOTHER ONE. "WHEN YOUR BABYSITTER CANCELS SO 131 00:05:41,141 --> 00:05:44,343 ALL RIGHT, HERE'S ANOTHER ONE. "WHEN YOUR BABYSITTER CANCELS SO YOU LET YOUR CAT TO DO IT." 132 00:05:44,345 --> 00:05:45,911 "WHEN YOUR BABYSITTER CANCELS SO YOU LET YOUR CAT TO DO IT." I MEAN, THAT'S KIND OF CUTE, 133 00:05:45,913 --> 00:05:47,979 YOU LET YOUR CAT TO DO IT." I MEAN, THAT'S KIND OF CUTE, YOU'VE GOT TO ADMIT THAT. 134 00:05:47,981 --> 00:05:50,148 I MEAN, THAT'S KIND OF CUTE, YOU'VE GOT TO ADMIT THAT. ALL RIGHT, HERE'S ANOTHER ONE. 135 00:05:50,150 --> 00:05:51,416 YOU'VE GOT TO ADMIT THAT. ALL RIGHT, HERE'S ANOTHER ONE. "WHEN YOUR HYPE MAN IS MORE HYPE 136 00:05:51,418 --> 00:05:55,954 ALL RIGHT, HERE'S ANOTHER ONE. "WHEN YOUR HYPE MAN IS MORE HYPE THAN YOU." 137 00:05:55,956 --> 00:05:57,489 "WHEN YOUR HYPE MAN IS MORE HYPE THAN YOU." GET THEM! 138 00:05:57,491 --> 00:05:59,124 THAN YOU." GET THEM! ALL RIGHT, HERE'S ONE MORE. 139 00:05:59,126 --> 00:05:59,858 GET THEM! ALL RIGHT, HERE'S ONE MORE. "WHEN YOU BEEN WORKING FROM HOME 140 00:05:59,860 --> 00:06:04,162 ALL RIGHT, HERE'S ONE MORE. "WHEN YOU BEEN WORKING FROM HOME FOR A YEAR." 141 00:06:04,164 --> 00:06:04,863 "WHEN YOU BEEN WORKING FROM HOME FOR A YEAR." I KNOW YOU ALL FEEL ME ON THAT 142 00:06:04,865 --> 00:06:06,665 FOR A YEAR." I KNOW YOU ALL FEEL ME ON THAT ONE. 143 00:06:06,667 --> 00:06:09,634 I KNOW YOU ALL FEEL ME ON THAT ONE. NOW, IF YOU SEE A GIF IT THAT 144 00:06:09,636 --> 00:06:14,339 ONE. NOW, IF YOU SEE A GIF IT THAT YOU THINK ELLEN OR I SHOULD SEE, 145 00:06:14,341 --> 00:06:17,075 NOW, IF YOU SEE A GIF IT THAT YOU THINK ELLEN OR I SHOULD SEE, SEND IT AND CC ME. 146 00:06:17,077 --> 00:06:18,977 YOU THINK ELLEN OR I SHOULD SEE, SEND IT AND CC ME. NOW, SINCE ELLEN ISN'T GOING TO 147 00:06:18,979 --> 00:06:19,945 SEND IT AND CC ME. NOW, SINCE ELLEN ISN'T GOING TO TALK ABOUT TWO TOPICS USUALLY 148 00:06:19,947 --> 00:06:20,145 NOW, SINCE ELLEN ISN'T GOING TO TALK ABOUT TWO TOPICS USUALLY VOICE. 149 00:06:20,147 --> 00:06:21,646 TALK ABOUT TWO TOPICS USUALLY VOICE. I THINK YOU'LL KNOW WHAT I'M 150 00:06:21,648 --> 00:06:23,749 VOICE. I THINK YOU'LL KNOW WHAT I'M TALKING ABOUT, POLITICS AND 151 00:06:23,751 --> 00:06:24,716 I THINK YOU'LL KNOW WHAT I'M TALKING ABOUT, POLITICS AND PROFESSIONAL WRESTLING, TWO 152 00:06:24,718 --> 00:06:27,586 TALKING ABOUT, POLITICS AND PROFESSIONAL WRESTLING, TWO THINGS THAT GO HAND-IN-HAND. 153 00:06:27,588 --> 00:06:29,121 PROFESSIONAL WRESTLING, TWO THINGS THAT GO HAND-IN-HAND. AND IF YOU HEARD THIS, BUT 154 00:06:29,123 --> 00:06:29,988 THINGS THAT GO HAND-IN-HAND. AND IF YOU HEARD THIS, BUT APPARENTLY THE ROCK IS 155 00:06:29,990 --> 00:06:31,189 AND IF YOU HEARD THIS, BUT APPARENTLY THE ROCK IS CONSIDERING RUNNING FOR 156 00:06:31,191 --> 00:06:33,158 APPARENTLY THE ROCK IS CONSIDERING RUNNING FOR PRESIDENT IN 2024. 157 00:06:33,160 --> 00:06:34,092 CONSIDERING RUNNING FOR PRESIDENT IN 2024. NOW, HIS FORMER COLLEAGUE, THE 158 00:06:34,094 --> 00:06:37,095 PRESIDENT IN 2024. NOW, HIS FORMER COLLEAGUE, THE UNDERTAKER, HAS ALL READY AND 159 00:06:37,097 --> 00:06:38,830 NOW, HIS FORMER COLLEAGUE, THE UNDERTAKER, HAS ALL READY AND ENDORSED HIM THIS WEEK, AND IT 160 00:06:38,832 --> 00:06:39,698 UNDERTAKER, HAS ALL READY AND ENDORSED HIM THIS WEEK, AND IT STILL FOUR YOURS AWAY BUT 161 00:06:39,700 --> 00:06:41,900 ENDORSED HIM THIS WEEK, AND IT STILL FOUR YOURS AWAY BUT SOMEHOW I GOT AN EXCLUSIVE LOOK 162 00:06:41,902 --> 00:06:43,769 STILL FOUR YOURS AWAY BUT SOMEHOW I GOT AN EXCLUSIVE LOOK AT HIS FIRST OFFICIAL CAMPAIGN 163 00:06:43,771 --> 00:06:43,935 SOMEHOW I GOT AN EXCLUSIVE LOOK AT HIS FIRST OFFICIAL CAMPAIGN AD. 164 00:06:43,937 --> 00:06:45,470 AT HIS FIRST OFFICIAL CAMPAIGN AD. DON'T ASK ME HOW I GOT THIS, BUT 165 00:06:45,472 --> 00:06:47,906 AD. DON'T ASK ME HOW I GOT THIS, BUT TAKE A LOOK. 166 00:06:47,908 --> 00:06:50,342 DON'T ASK ME HOW I GOT THIS, BUT TAKE A LOOK. >> HI, I'M DWAYNE JOHNSON AND 167 00:06:50,344 --> 00:06:51,309 TAKE A LOOK. >> HI, I'M DWAYNE JOHNSON AND I'M RUNNING FOR PRESIDENT OF THE 168 00:06:51,311 --> 00:06:51,977 >> HI, I'M DWAYNE JOHNSON AND I'M RUNNING FOR PRESIDENT OF THE UNITED STATES. 169 00:06:51,979 --> 00:06:53,345 I'M RUNNING FOR PRESIDENT OF THE UNITED STATES. MANY OF YOU KNOW ME AS THE ROCK 170 00:06:53,347 --> 00:06:55,547 UNITED STATES. MANY OF YOU KNOW ME AS THE ROCK BUT SERIOUS TIMES CALL FOR MORE 171 00:06:55,549 --> 00:06:56,581 MANY OF YOU KNOW ME AS THE ROCK BUT SERIOUS TIMES CALL FOR MORE SERIOUS NAME. 172 00:06:56,583 --> 00:06:58,417 BUT SERIOUS TIMES CALL FOR MORE SERIOUS NAME. FROM NOW ON I WILL ONLY GO BY 173 00:06:58,419 --> 00:06:58,784 SERIOUS NAME. FROM NOW ON I WILL ONLY GO BY DWAYNE JOHNSON. 174 00:06:58,786 --> 00:07:01,620 FROM NOW ON I WILL ONLY GO BY DWAYNE JOHNSON. RIGHT NOW, AMERICA IS CAUGHT 175 00:07:01,622 --> 00:07:03,321 DWAYNE JOHNSON. RIGHT NOW, AMERICA IS CAUGHT BETWEEN A DWAYNE JOHNSON AND A 176 00:07:03,323 --> 00:07:04,556 RIGHT NOW, AMERICA IS CAUGHT BETWEEN A DWAYNE JOHNSON AND A HARD PLACE. 177 00:07:04,558 --> 00:07:05,857 BETWEEN A DWAYNE JOHNSON AND A HARD PLACE. THERE'S TOO MUCH HYPOCRISY IN 178 00:07:05,859 --> 00:07:06,191 HARD PLACE. THERE'S TOO MUCH HYPOCRISY IN WASHINGTON. 179 00:07:06,193 --> 00:07:08,693 THERE'S TOO MUCH HYPOCRISY IN WASHINGTON. I WAS BELIEVE THAT PEOPLE WHO 180 00:07:08,695 --> 00:07:09,961 WASHINGTON. I WAS BELIEVE THAT PEOPLE WHO LIVE IN GLASS HOUSES SHOULDN'T 181 00:07:09,963 --> 00:07:12,731 I WAS BELIEVE THAT PEOPLE WHO LIVE IN GLASS HOUSES SHOULDN'T THROW SMALL DWAYNE JOHNSON'S. 182 00:07:12,733 --> 00:07:15,700 LIVE IN GLASS HOUSES SHOULDN'T THROW SMALL DWAYNE JOHNSON'S. I PROMISED TO RESTORE AMERICA'S 183 00:07:15,702 --> 00:07:17,636 THROW SMALL DWAYNE JOHNSON'S. I PROMISED TO RESTORE AMERICA'S IMAGE AND FOSTER PEACEFUL 184 00:07:17,638 --> 00:07:18,069 I PROMISED TO RESTORE AMERICA'S IMAGE AND FOSTER PEACEFUL RELATIONSHIPS WITH 185 00:07:18,071 --> 00:07:20,839 IMAGE AND FOSTER PEACEFUL RELATIONSHIPS WITH MIDDLE EASTERN COUNTRIES LIKE 186 00:07:20,841 --> 00:07:23,108 RELATIONSHIPS WITH MIDDLE EASTERN COUNTRIES LIKE SAUDI ARABIA, IRAN, AND LETTER I 187 00:07:23,110 --> 00:07:27,512 MIDDLE EASTERN COUNTRIES LIKE SAUDI ARABIA, IRAN, AND LETTER I I-IT DWAYNE JOHNSON. 188 00:07:27,514 --> 00:07:29,381 SAUDI ARABIA, IRAN, AND LETTER I I-IT DWAYNE JOHNSON. WE DON'T WANT TO LOSE BEAUTIFUL 189 00:07:29,383 --> 00:07:29,948 I-IT DWAYNE JOHNSON. WE DON'T WANT TO LOSE BEAUTIFUL FORMATIONS LIKE THIS ONE AND 190 00:07:29,950 --> 00:07:32,551 WE DON'T WANT TO LOSE BEAUTIFUL FORMATIONS LIKE THIS ONE AND THIS ONE AND KNEES. 191 00:07:32,553 --> 00:07:33,552 FORMATIONS LIKE THIS ONE AND THIS ONE AND KNEES. REMEMBER TO GET OUT AND CAST 192 00:07:33,554 --> 00:07:36,154 THIS ONE AND KNEES. REMEMBER TO GET OUT AND CAST YOUR BALLOT FOR ME, AND TOGETHER 193 00:07:36,156 --> 00:07:40,959 REMEMBER TO GET OUT AND CAST YOUR BALLOT FOR ME, AND TOGETHER WE CAN DWAYNE JOHNSON THE BOAT. 194 00:07:40,961 --> 00:07:42,761 YOUR BALLOT FOR ME, AND TOGETHER WE CAN DWAYNE JOHNSON THE BOAT. >> tWitch: I MEAN, HE IS AS 195 00:07:42,763 --> 00:07:45,564 WE CAN DWAYNE JOHNSON THE BOAT. >> tWitch: I MEAN, HE IS AS SOLID AS A DWAYNE JOHNSON. 196 00:07:45,566 --> 00:07:46,565 >> tWitch: I MEAN, HE IS AS SOLID AS A DWAYNE JOHNSON. ALL RIGHT, NOW I'LL SHOW YOU 197 00:07:46,567 --> 00:07:48,934 SOLID AS A DWAYNE JOHNSON. ALL RIGHT, NOW I'LL SHOW YOU WHAT ELSE HAS BEEN GOING ON IN 198 00:07:48,936 --> 00:07:51,203 ALL RIGHT, NOW I'LL SHOW YOU WHAT ELSE HAS BEEN GOING ON IN THE NEWS IN OUR SEGMENT CALLED 199 00:07:51,205 --> 00:07:57,709 WHAT ELSE HAS BEEN GOING ON IN THE NEWS IN OUR SEGMENT CALLED "LOCAL FOCAL." 200 00:07:57,711 --> 00:07:58,577 THE NEWS IN OUR SEGMENT CALLED "LOCAL FOCAL." OKAY. 201 00:07:58,579 --> 00:07:59,878 "LOCAL FOCAL." OKAY. THESE ARE ALL REAL NEWS REPORTS 202 00:07:59,880 --> 00:08:00,979 OKAY. THESE ARE ALL REAL NEWS REPORTS FROM AROUND THE COUNTRY IN THE 203 00:08:00,981 --> 00:08:01,913 THESE ARE ALL REAL NEWS REPORTS FROM AROUND THE COUNTRY IN THE WORLD. 204 00:08:01,915 --> 00:08:02,514 FROM AROUND THE COUNTRY IN THE WORLD. NOW THIS FIRST ONE IS A NEWS 205 00:08:02,516 --> 00:08:06,551 WORLD. NOW THIS FIRST ONE IS A NEWS REPORT FROM MISSISSIPPI. 206 00:08:06,553 --> 00:08:08,186 NOW THIS FIRST ONE IS A NEWS REPORT FROM MISSISSIPPI. >> THERE HAS BEEN SPOTTING'S OF 207 00:08:08,188 --> 00:08:13,225 REPORT FROM MISSISSIPPI. >> THERE HAS BEEN SPOTTING'S OF A COUGAR, THAT'S NOT IT. 208 00:08:13,227 --> 00:08:17,496 >> THERE HAS BEEN SPOTTING'S OF A COUGAR, THAT'S NOT IT. WERE JUST FEET AWAY FROM WHERE A 209 00:08:17,498 --> 00:08:19,030 A COUGAR, THAT'S NOT IT. WERE JUST FEET AWAY FROM WHERE A LOCAL MAN TOOK A CELL PHONE 210 00:08:19,032 --> 00:08:21,199 WERE JUST FEET AWAY FROM WHERE A LOCAL MAN TOOK A CELL PHONE VIDEO OF WHAT SOME SAY IS A 211 00:08:21,201 --> 00:08:24,369 LOCAL MAN TOOK A CELL PHONE VIDEO OF WHAT SOME SAY IS A COUGAR. 212 00:08:24,371 --> 00:08:25,637 VIDEO OF WHAT SOME SAY IS A COUGAR. >> tWitch: THAT TURNED INTO A 213 00:08:25,639 --> 00:08:26,905 COUGAR. >> tWitch: THAT TURNED INTO A CUTE CAT VIDEOS WHAT THAT WAS. 214 00:08:26,907 --> 00:08:29,307 >> tWitch: THAT TURNED INTO A CUTE CAT VIDEOS WHAT THAT WAS. HERE'S A LOCAL MAN GETTING 215 00:08:29,309 --> 00:08:30,275 CUTE CAT VIDEOS WHAT THAT WAS. HERE'S A LOCAL MAN GETTING INTERVIEWED. 216 00:08:30,277 --> 00:08:32,744 HERE'S A LOCAL MAN GETTING INTERVIEWED. >SPEAK OUT THE SIGN SAYS THAT 217 00:08:32,746 --> 00:08:33,879 INTERVIEWED. >SPEAK OUT THE SIGN SAYS THAT IT'S FOUR QUARTERS FOR AN HOUR 218 00:08:33,881 --> 00:08:35,180 >SPEAK OUT THE SIGN SAYS THAT IT'S FOUR QUARTERS FOR AN HOUR BUT A QUARTER ONLY GETS YOU 219 00:08:35,182 --> 00:08:36,114 IT'S FOUR QUARTERS FOR AN HOUR BUT A QUARTER ONLY GETS YOU 15 MINUTES SO IF MY MATH IS 220 00:08:36,116 --> 00:08:40,018 BUT A QUARTER ONLY GETS YOU 15 MINUTES SO IF MY MATH IS CORRECT, THAT'S NOT AN HOUR. 221 00:08:40,020 --> 00:08:46,391 15 MINUTES SO IF MY MATH IS CORRECT, THAT'S NOT AN HOUR. >> BUT IT IS. 222 00:08:46,393 --> 00:08:48,560 CORRECT, THAT'S NOT AN HOUR. >> BUT IT IS. >> tWitch: I'VE NEVER SEEN 223 00:08:48,562 --> 00:08:50,095 >> BUT IT IS. >> tWitch: I'VE NEVER SEEN SOMEONE THAT SHOCKED BY MOUTH 224 00:08:50,097 --> 00:08:50,562 >> tWitch: I'VE NEVER SEEN SOMEONE THAT SHOCKED BY MOUTH BEFORE. 225 00:08:50,564 --> 00:08:52,964 SOMEONE THAT SHOCKED BY MOUTH BEFORE. ONE OF THE GREATEST THINGS ABOUT 226 00:08:52,966 --> 00:08:54,199 BEFORE. ONE OF THE GREATEST THINGS ABOUT THAT IS I STILL HAVE THE SAME 227 00:08:54,201 --> 00:08:54,799 ONE OF THE GREATEST THINGS ABOUT THAT IS I STILL HAVE THE SAME REACTION THAT I HAD THE FIRST 228 00:08:54,801 --> 00:08:58,203 THAT IS I STILL HAVE THE SAME REACTION THAT I HAD THE FIRST TIME I SAW THIS THAT WERE LIKE, 229 00:08:58,205 --> 00:08:58,637 REACTION THAT I HAD THE FIRST TIME I SAW THIS THAT WERE LIKE, OH, MY GOD. 230 00:08:58,639 --> 00:08:59,704 TIME I SAW THIS THAT WERE LIKE, OH, MY GOD. THAT'S EXACTLY WHAT I THOUGHT, 231 00:08:59,706 --> 00:09:06,278 OH, MY GOD. THAT'S EXACTLY WHAT I THOUGHT, TOO HERE'S ANOTHER ONE. 232 00:09:06,280 --> 00:09:09,147 THAT'S EXACTLY WHAT I THOUGHT, TOO HERE'S ANOTHER ONE. SPEAK ABOUT THE MAN, ACTUALLY, 233 00:09:09,149 --> 00:09:12,317 TOO HERE'S ANOTHER ONE. SPEAK ABOUT THE MAN, ACTUALLY, DEREK. 234 00:09:12,319 --> 00:09:14,653 SPEAK ABOUT THE MAN, ACTUALLY, DEREK. >> tWitch: COME ON, DEREK. 235 00:09:14,655 --> 00:09:29,501 DEREK. >> tWitch: COME ON, DEREK. ALL RIGHT, WILL BE BACK. 236 00:09:29,503 --> 00:09:32,404 >> tWitch: COME ON, DEREK. ALL RIGHT, WILL BE BACK. >> THE DOC PERKED UP, LOOKED AT 237 00:09:32,406 --> 00:09:34,205 ALL RIGHT, WILL BE BACK. >> THE DOC PERKED UP, LOOKED AT ME, CAME RUNNING OVER TO ME, I 238 00:09:34,207 --> 00:09:35,740 >> THE DOC PERKED UP, LOOKED AT ME, CAME RUNNING OVER TO ME, I PICKED HER UP AND SHE STARTED 239 00:09:35,742 --> 00:09:37,943 ME, CAME RUNNING OVER TO ME, I PICKED HER UP AND SHE STARTED GROWLING AT THE PEOPLE FROM THE 240 00:09:37,945 --> 00:09:40,645 PICKED HER UP AND SHE STARTED GROWLING AT THE PEOPLE FROM THE SHELTER. 241 00:09:40,647 --> 00:09:57,896 GROWLING AT THE PEOPLE FROM THE SHELTER. [CHEERS AND APPLAUSE] 242 00:09:57,898 --> 00:10:00,732 SHELTER. [CHEERS AND APPLAUSE] >> tWitch: OR FIRST GOT ON 243 00:10:00,734 --> 00:10:02,133 [CHEERS AND APPLAUSE] >> tWitch: OR FIRST GOT ON HBO'S "TRUE BLOOD" AND MORE 244 00:10:02,135 --> 00:10:04,402 >> tWitch: OR FIRST GOT ON HBO'S "TRUE BLOOD" AND MORE IMPORTANT YOU GOT TO WORK WITH 245 00:10:04,404 --> 00:10:08,940 HBO'S "TRUE BLOOD" AND MORE IMPORTANT YOU GOT TO WORK WITH HIM ON "MAGIC MIKE XXL." 246 00:10:08,942 --> 00:10:11,076 IMPORTANT YOU GOT TO WORK WITH HIM ON "MAGIC MIKE XXL." PLEASE WELCOME MY FRIEND JOE 247 00:10:11,078 --> 00:10:13,211 HIM ON "MAGIC MIKE XXL." PLEASE WELCOME MY FRIEND JOE MANGANIELLO. 248 00:10:13,213 --> 00:10:13,545 PLEASE WELCOME MY FRIEND JOE MANGANIELLO. HOW ARE YOU? 249 00:10:13,547 --> 00:10:18,483 MANGANIELLO. HOW ARE YOU? >> I'M EXCELLENT! 250 00:10:18,485 --> 00:10:21,853 HOW ARE YOU? >> I'M EXCELLENT! [CHEERS AND APPLAUSE] 251 00:10:21,855 --> 00:10:23,822 >> I'M EXCELLENT! [CHEERS AND APPLAUSE] >> tWitch: HEY, I'M TRYING TO 252 00:10:23,824 --> 00:10:25,457 [CHEERS AND APPLAUSE] >> tWitch: HEY, I'M TRYING TO BE LIKE YOU, MAN. 253 00:10:25,459 --> 00:10:26,825 >> tWitch: HEY, I'M TRYING TO BE LIKE YOU, MAN. >> IS THIS GOOD? 254 00:10:26,827 --> 00:10:33,798 BE LIKE YOU, MAN. >> IS THIS GOOD? >> WOW! 255 00:10:33,800 --> 00:10:36,501 >> IS THIS GOOD? >> WOW! >> tWitch: WILL SAVE THAT FOR 256 00:10:36,503 --> 00:10:36,701 >> WOW! >> tWitch: WILL SAVE THAT FOR THREE. 257 00:10:36,703 --> 00:10:37,335 >> tWitch: WILL SAVE THAT FOR THREE. >> WE SIT IN CHAIRS, WE DON'T 258 00:10:37,337 --> 00:10:39,170 THREE. >> WE SIT IN CHAIRS, WE DON'T DANCE ON THEM. 259 00:10:39,172 --> 00:10:40,005 >> WE SIT IN CHAIRS, WE DON'T DANCE ON THEM. >> tWitch: HOW ARE YOU, 260 00:10:40,007 --> 00:10:42,507 DANCE ON THEM. >> tWitch: HOW ARE YOU, THANK YOU SO MUCH FOR BEING HE 261 00:10:42,509 --> 00:10:42,807 >> tWitch: HOW ARE YOU, THANK YOU SO MUCH FOR BEING HE HERE. 262 00:10:42,809 --> 00:10:44,476 THANK YOU SO MUCH FOR BEING HE HERE. >> I'M SO HAPPY TO BE HERE, I'M 263 00:10:44,478 --> 00:10:47,979 HERE. >> I'M SO HAPPY TO BE HERE, I'M SO HAPPY TO SEE YOU HOSTING. 264 00:10:47,981 --> 00:10:50,081 >> I'M SO HAPPY TO BE HERE, I'M SO HAPPY TO SEE YOU HOSTING. >> tWitch: LAST TIME WE SAW 265 00:10:50,083 --> 00:10:51,650 SO HAPPY TO SEE YOU HOSTING. >> tWitch: LAST TIME WE SAW EACH OTHER WE KIND OF RANDOMLY 266 00:10:51,652 --> 00:10:52,651 >> tWitch: LAST TIME WE SAW EACH OTHER WE KIND OF RANDOMLY RAN INTO EACH OTHER IN THE 267 00:10:52,653 --> 00:10:54,119 EACH OTHER WE KIND OF RANDOMLY RAN INTO EACH OTHER IN THE STREETS OF NEW YORK. 268 00:10:54,121 --> 00:10:54,986 RAN INTO EACH OTHER IN THE STREETS OF NEW YORK. AND IT'S BEEN A WHILE. 269 00:10:54,988 --> 00:10:57,689 STREETS OF NEW YORK. AND IT'S BEEN A WHILE. IT'S REALLY GOOD TO SEE YOU. 270 00:10:57,691 --> 00:10:59,824 AND IT'S BEEN A WHILE. IT'S REALLY GOOD TO SEE YOU. >> IT'S BEEN A WHILE SINCE I'VE 271 00:10:59,826 --> 00:11:01,226 IT'S REALLY GOOD TO SEE YOU. >> IT'S BEEN A WHILE SINCE I'VE SEEN PEOPLE IN PERSON OTHER THAN 272 00:11:01,228 --> 00:11:03,728 >> IT'S BEEN A WHILE SINCE I'VE SEEN PEOPLE IN PERSON OTHER THAN THE PEOPLE I LIVE WITH AT HOME, 273 00:11:03,730 --> 00:11:04,529 SEEN PEOPLE IN PERSON OTHER THAN THE PEOPLE I LIVE WITH AT HOME, OBVIOUSLY. 274 00:11:04,531 --> 00:11:05,664 THE PEOPLE I LIVE WITH AT HOME, OBVIOUSLY. BUT IT'S SO GOOD TO SEE YOU AND 275 00:11:05,666 --> 00:11:08,800 OBVIOUSLY. BUT IT'S SO GOOD TO SEE YOU AND WE ALWAYS POP UP WHEN WE KIND OF 276 00:11:08,802 --> 00:11:12,504 BUT IT'S SO GOOD TO SEE YOU AND WE ALWAYS POP UP WHEN WE KIND OF BUMP INTO EACH OTHER IN PLACES. 277 00:11:12,506 --> 00:11:14,472 WE ALWAYS POP UP WHEN WE KIND OF BUMP INTO EACH OTHER IN PLACES. >> tWitch: SPEAKING OF HOME 278 00:11:14,474 --> 00:11:16,241 BUMP INTO EACH OTHER IN PLACES. >> tWitch: SPEAKING OF HOME LIFE, ACTUALLY, OBVIOUSLY SOFIA 279 00:11:16,243 --> 00:11:16,908 >> tWitch: SPEAKING OF HOME LIFE, ACTUALLY, OBVIOUSLY SOFIA VERGARA IS A VERY GOOD FRIEND OF 280 00:11:16,910 --> 00:11:18,810 LIFE, ACTUALLY, OBVIOUSLY SOFIA VERGARA IS A VERY GOOD FRIEND OF THE SHOW, AND YOU BEEN MARRIED 281 00:11:18,812 --> 00:11:21,479 VERGARA IS A VERY GOOD FRIEND OF THE SHOW, AND YOU BEEN MARRIED TO HER FOR FIVE YEARS. 282 00:11:21,481 --> 00:11:24,849 THE SHOW, AND YOU BEEN MARRIED TO HER FOR FIVE YEARS. HOW IS LIFE ENDURING QUARANTINE? 283 00:11:24,851 --> 00:11:25,784 TO HER FOR FIVE YEARS. HOW IS LIFE ENDURING QUARANTINE? BECAUSE IT'S DIFFERENT. 284 00:11:25,786 --> 00:11:27,786 HOW IS LIFE ENDURING QUARANTINE? BECAUSE IT'S DIFFERENT. >> I COULDN'T HAVE ASKED FOR A 285 00:11:27,788 --> 00:11:28,520 BECAUSE IT'S DIFFERENT. >> I COULDN'T HAVE ASKED FOR A BETTER QUARANTINE PARTNER. 286 00:11:28,522 --> 00:11:31,523 >> I COULDN'T HAVE ASKED FOR A BETTER QUARANTINE PARTNER. I AM LUCKY. 287 00:11:31,525 --> 00:11:32,724 BETTER QUARANTINE PARTNER. I AM LUCKY. WE LAUGH ALL DAY LONG EVERY DAY. 288 00:11:32,726 --> 00:11:35,694 I AM LUCKY. WE LAUGH ALL DAY LONG EVERY DAY. WE HAVE A GREAT TIME. 289 00:11:35,696 --> 00:11:37,028 WE LAUGH ALL DAY LONG EVERY DAY. WE HAVE A GREAT TIME. SO YOU KNOW, AS FUNNY AS YOU 290 00:11:37,030 --> 00:11:40,498 WE HAVE A GREAT TIME. SO YOU KNOW, AS FUNNY AS YOU THINK SHE IS, SHE IS THAT WAY AT 291 00:11:40,500 --> 00:11:41,266 SO YOU KNOW, AS FUNNY AS YOU THINK SHE IS, SHE IS THAT WAY AT HOME, TOO. 292 00:11:41,268 --> 00:11:44,769 THINK SHE IS, SHE IS THAT WAY AT HOME, TOO. WE JUST HAVE A GREAT TIME. 293 00:11:44,771 --> 00:11:45,303 HOME, TOO. WE JUST HAVE A GREAT TIME. IT'S BEEN TOLERABLE. 294 00:11:45,305 --> 00:11:48,573 WE JUST HAVE A GREAT TIME. IT'S BEEN TOLERABLE. I WILL SAY, THOUGH, HER 295 00:11:48,575 --> 00:11:50,775 IT'S BEEN TOLERABLE. I WILL SAY, THOUGH, HER KNOWLEDGE OF CLASSIC TV SHOWS 296 00:11:50,777 --> 00:11:53,311 I WILL SAY, THOUGH, HER KNOWLEDGE OF CLASSIC TV SHOWS WAS REALLY LACKING. 297 00:11:53,313 --> 00:11:55,680 KNOWLEDGE OF CLASSIC TV SHOWS WAS REALLY LACKING. SO QUARANTINE WAS A PERFECT 298 00:11:55,682 --> 00:11:56,748 WAS REALLY LACKING. SO QUARANTINE WAS A PERFECT EXAMPLE OF A PERFECT TIME TO 299 00:11:56,750 --> 00:11:59,084 SO QUARANTINE WAS A PERFECT EXAMPLE OF A PERFECT TIME TO START ROLLING THOSE OUT. 300 00:11:59,086 --> 00:12:02,153 EXAMPLE OF A PERFECT TIME TO START ROLLING THOSE OUT. LIKE, SHE HADN'T SEEN 301 00:12:02,155 --> 00:12:02,787 START ROLLING THOSE OUT. LIKE, SHE HADN'T SEEN "THE SOPRANOS," SHE HADN'T SEEN 302 00:12:02,789 --> 00:12:07,292 LIKE, SHE HADN'T SEEN "THE SOPRANOS," SHE HADN'T SEEN "MAD MEN." 303 00:12:07,294 --> 00:12:09,761 "THE SOPRANOS," SHE HADN'T SEEN "MAD MEN." AND SHE HAD NEVER SEEN "LOST." 304 00:12:09,763 --> 00:12:12,997 "MAD MEN." AND SHE HAD NEVER SEEN "LOST." SO WERE WATCHING THAT AS WELL. 305 00:12:12,999 --> 00:12:14,299 AND SHE HAD NEVER SEEN "LOST." SO WERE WATCHING THAT AS WELL. >> tWitch: AND YOU KNOW WHAT'S 306 00:12:14,301 --> 00:12:15,734 SO WERE WATCHING THAT AS WELL. >> tWitch: AND YOU KNOW WHAT'S GOOD ABOUT THAT IS I HEAR STUFF 307 00:12:15,736 --> 00:12:17,135 >> tWitch: AND YOU KNOW WHAT'S GOOD ABOUT THAT IS I HEAR STUFF LIKE THAT AND I GET EXCITED FOR 308 00:12:17,137 --> 00:12:18,036 GOOD ABOUT THAT IS I HEAR STUFF LIKE THAT AND I GET EXCITED FOR PEOPLE BECAUSE IF YOU'VE SEEN 309 00:12:18,038 --> 00:12:19,838 LIKE THAT AND I GET EXCITED FOR PEOPLE BECAUSE IF YOU'VE SEEN THE SHOW YOU'RE LIKE, OKAY, I 310 00:12:19,840 --> 00:12:22,073 PEOPLE BECAUSE IF YOU'VE SEEN THE SHOW YOU'RE LIKE, OKAY, I KNOW IT HAPPENS BUT SOMEBODY 311 00:12:22,075 --> 00:12:23,241 THE SHOW YOU'RE LIKE, OKAY, I KNOW IT HAPPENS BUT SOMEBODY JUST WATCHING IT KNEEL, I'M 312 00:12:23,243 --> 00:12:26,344 KNOW IT HAPPENS BUT SOMEBODY JUST WATCHING IT KNEEL, I'M LIKE, AND HANG ONTO THAT RIGHT, 313 00:12:26,346 --> 00:12:26,644 JUST WATCHING IT KNEEL, I'M LIKE, AND HANG ONTO THAT RIGHT, ENJOY THAT. 314 00:12:26,646 --> 00:12:28,446 LIKE, AND HANG ONTO THAT RIGHT, ENJOY THAT. >> tWitch: SHE'S YELLING AT 315 00:12:28,448 --> 00:12:29,080 ENJOY THAT. >> tWitch: SHE'S YELLING AT THE TV, SCREAMING AT ALL THE 316 00:12:29,082 --> 00:12:31,249 >> tWitch: SHE'S YELLING AT THE TV, SCREAMING AT ALL THE PLACES I YELLED AT THE TV. 317 00:12:31,251 --> 00:12:34,385 THE TV, SCREAMING AT ALL THE PLACES I YELLED AT THE TV. BUT SHE DIDN'T KNOW WHAT WAS 318 00:12:34,387 --> 00:12:36,755 PLACES I YELLED AT THE TV. BUT SHE DIDN'T KNOW WHAT WAS COMING UP IN THE ENDING. 319 00:12:36,757 --> 00:12:40,425 BUT SHE DIDN'T KNOW WHAT WAS COMING UP IN THE ENDING. EVEN LIKE, "THE WIRE," IT'S FUN 320 00:12:40,427 --> 00:12:41,192 COMING UP IN THE ENDING. EVEN LIKE, "THE WIRE," IT'S FUN TO WATCH HER GO THROUGH THAT AND 321 00:12:41,194 --> 00:12:44,596 EVEN LIKE, "THE WIRE," IT'S FUN TO WATCH HER GO THROUGH THAT AND FOR ME, WATCHING IT THE THIRD OR 322 00:12:44,598 --> 00:12:46,731 TO WATCH HER GO THROUGH THAT AND FOR ME, WATCHING IT THE THIRD OR FOURTH TIME THROUGH, YOU REALIZE 323 00:12:46,733 --> 00:12:53,271 FOR ME, WATCHING IT THE THIRD OR FOURTH TIME THROUGH, YOU REALIZE HOW MUCH YOU MISSED. 324 00:12:53,273 --> 00:12:54,906 FOURTH TIME THROUGH, YOU REALIZE HOW MUCH YOU MISSED. >> tWitch: AND WITH THE TIME 325 00:12:54,908 --> 00:12:56,541 HOW MUCH YOU MISSED. >> tWitch: AND WITH THE TIME YOU'VE BEEN SPENDING, OBVIOUSLY 326 00:12:56,543 --> 00:12:57,242 >> tWitch: AND WITH THE TIME YOU'VE BEEN SPENDING, OBVIOUSLY YOU JUST CELEBRATED YOUR FIVE 327 00:12:57,244 --> 00:12:57,642 YOU'VE BEEN SPENDING, OBVIOUSLY YOU JUST CELEBRATED YOUR FIVE YEAR ANNIVERSARY. 328 00:12:57,644 --> 00:12:59,811 YOU JUST CELEBRATED YOUR FIVE YEAR ANNIVERSARY. DID YOU SURPRISE HER WITH 329 00:12:59,813 --> 00:13:00,211 YEAR ANNIVERSARY. DID YOU SURPRISE HER WITH ANYTHING? 330 00:13:00,213 --> 00:13:01,646 DID YOU SURPRISE HER WITH ANYTHING? >> I DID. 331 00:13:01,648 --> 00:13:03,515 ANYTHING? >> I DID. WELL, SHE SURPRISED ME, SHE PUT 332 00:13:03,517 --> 00:13:05,483 >> I DID. WELL, SHE SURPRISED ME, SHE PUT TOGETHER A PICNIC OUTDOORS. 333 00:13:05,485 --> 00:13:07,252 WELL, SHE SURPRISED ME, SHE PUT TOGETHER A PICNIC OUTDOORS. SHE PUT TOGETHER THESE GREAT 334 00:13:07,254 --> 00:13:08,553 TOGETHER A PICNIC OUTDOORS. SHE PUT TOGETHER THESE GREAT PICNIC BASKETS, THESE GOURMET 335 00:13:08,555 --> 00:13:09,888 SHE PUT TOGETHER THESE GREAT PICNIC BASKETS, THESE GOURMET PICNIC BASKETS. 336 00:13:09,890 --> 00:13:12,423 PICNIC BASKETS, THESE GOURMET PICNIC BASKETS. THAT WAS ME, I SHOWED UP WITH A 337 00:13:12,425 --> 00:13:14,592 PICNIC BASKETS. THAT WAS ME, I SHOWED UP WITH A BLUE MOHAWK. 338 00:13:14,594 --> 00:13:16,861 THAT WAS ME, I SHOWED UP WITH A BLUE MOHAWK. SORRY FOR RUINING OUR 339 00:13:16,863 --> 00:13:20,064 BLUE MOHAWK. SORRY FOR RUINING OUR ANNIVERSARY. 340 00:13:20,066 --> 00:13:21,499 SORRY FOR RUINING OUR ANNIVERSARY. SO, OUR COURTSHIP WAS IN 341 00:13:21,501 --> 00:13:22,467 ANNIVERSARY. SO, OUR COURTSHIP WAS IN NEW ORLEANS. 342 00:13:22,469 --> 00:13:23,201 SO, OUR COURTSHIP WAS IN NEW ORLEANS. SHE WAS SHOOTING A MOVIE THERE 343 00:13:23,203 --> 00:13:24,569 NEW ORLEANS. SHE WAS SHOOTING A MOVIE THERE WITH REESE WITHERSPOON AND I WAS 344 00:13:24,571 --> 00:13:28,706 SHE WAS SHOOTING A MOVIE THERE WITH REESE WITHERSPOON AND I WAS UNIMPRESSED TO HER. 345 00:13:28,708 --> 00:13:30,141 WITH REESE WITHERSPOON AND I WAS UNIMPRESSED TO HER. I FLEW INTO NEW ORLEANS, I SAID, 346 00:13:30,143 --> 00:13:32,577 UNIMPRESSED TO HER. I FLEW INTO NEW ORLEANS, I SAID, I'M TAKING YOU ON A DATE, AND 347 00:13:32,579 --> 00:13:33,645 I FLEW INTO NEW ORLEANS, I SAID, I'M TAKING YOU ON A DATE, AND SET UP THIS ELABORATE DATE 348 00:13:33,647 --> 00:13:34,245 I'M TAKING YOU ON A DATE, AND SET UP THIS ELABORATE DATE THROUGH NEW ORLEANS AND THEN 349 00:13:34,247 --> 00:13:35,914 SET UP THIS ELABORATE DATE THROUGH NEW ORLEANS AND THEN FLEW BACK OUT. 350 00:13:35,916 --> 00:13:38,216 THROUGH NEW ORLEANS AND THEN FLEW BACK OUT. I CAME BACK TWO WEEKS LATER AND 351 00:13:38,218 --> 00:13:40,485 FLEW BACK OUT. I CAME BACK TWO WEEKS LATER AND THEN GOT TO SPEND TIME, SO WE 352 00:13:40,487 --> 00:13:41,953 I CAME BACK TWO WEEKS LATER AND THEN GOT TO SPEND TIME, SO WE SPENT ABOUT A WEEK TOGETHER AND 353 00:13:41,955 --> 00:13:44,122 THEN GOT TO SPEND TIME, SO WE SPENT ABOUT A WEEK TOGETHER AND I TOOK HER TO ALL THE ROMANTIC 354 00:13:44,124 --> 00:13:44,823 SPENT ABOUT A WEEK TOGETHER AND I TOOK HER TO ALL THE ROMANTIC PLACES IN NEW ORLEANS, THERE'S A 355 00:13:44,825 --> 00:13:46,758 I TOOK HER TO ALL THE ROMANTIC PLACES IN NEW ORLEANS, THERE'S A BENNY A TRUCK IN L.A. THAT MAKES 356 00:13:46,760 --> 00:13:49,527 PLACES IN NEW ORLEANS, THERE'S A BENNY A TRUCK IN L.A. THAT MAKES THE CAFE DU MONDE BEIGNETS AND 357 00:13:49,529 --> 00:13:51,563 BENNY A TRUCK IN L.A. THAT MAKES THE CAFE DU MONDE BEIGNETS AND CHICORY COFFEE SO I RENTED IT 358 00:13:51,565 --> 00:13:53,064 THE CAFE DU MONDE BEIGNETS AND CHICORY COFFEE SO I RENTED IT AND I KNEW SHE HAD THE PICNIC, 359 00:13:53,066 --> 00:13:55,166 CHICORY COFFEE SO I RENTED IT AND I KNEW SHE HAD THE PICNIC, SO THE TRUCK PULLED UP DURING 360 00:13:55,168 --> 00:13:58,369 AND I KNEW SHE HAD THE PICNIC, SO THE TRUCK PULLED UP DURING THE PICNIC FOR US TO GO GET 361 00:13:58,371 --> 00:14:00,438 SO THE TRUCK PULLED UP DURING THE PICNIC FOR US TO GO GET DESSERT. 362 00:14:00,440 --> 00:14:03,474 THE PICNIC FOR US TO GO GET DESSERT. >> tWitch: WE CAN CLAP FOR A 363 00:14:03,476 --> 00:14:06,678 DESSERT. >> tWitch: WE CAN CLAP FOR A ROMANTIC, WE CAN DO THAT. 364 00:14:06,680 --> 00:14:07,879 >> tWitch: WE CAN CLAP FOR A ROMANTIC, WE CAN DO THAT. NOW SWITCHING GEARS, YOU ADOPTED 365 00:14:07,881 --> 00:14:10,481 ROMANTIC, WE CAN DO THAT. NOW SWITCHING GEARS, YOU ADOPTED A REALLY CUTE DOG, TELL US ABOUT 366 00:14:10,483 --> 00:14:12,016 NOW SWITCHING GEARS, YOU ADOPTED A REALLY CUTE DOG, TELL US ABOUT THAT. 367 00:14:12,018 --> 00:14:15,420 A REALLY CUTE DOG, TELL US ABOUT THAT. >> I ADOPTED A LITTLE DOG NAMED 368 00:14:15,422 --> 00:14:17,722 THAT. >> I ADOPTED A LITTLE DOG NAMED BUBBLES. 369 00:14:17,724 --> 00:14:21,559 >> I ADOPTED A LITTLE DOG NAMED BUBBLES. BUBBLES IS A 4-POUND, 8-OUNCE 370 00:14:21,561 --> 00:14:23,528 BUBBLES. BUBBLES IS A 4-POUND, 8-OUNCE CHIHUAHUA POMERANIAN MIX AND SHE 371 00:14:23,530 --> 00:14:27,232 BUBBLES IS A 4-POUND, 8-OUNCE CHIHUAHUA POMERANIAN MIX AND SHE WAS BLACK DUMB IT TO US BY DOGS 372 00:14:27,234 --> 00:14:27,866 CHIHUAHUA POMERANIAN MIX AND SHE WAS BLACK DUMB IT TO US BY DOGS WITHOUT BORDERS, SUPPER PEOPLE 373 00:14:27,868 --> 00:14:30,835 WAS BLACK DUMB IT TO US BY DOGS WITHOUT BORDERS, SUPPER PEOPLE OUT THERE WHO ARE LOOKING FOR 374 00:14:30,837 --> 00:14:31,502 WITHOUT BORDERS, SUPPER PEOPLE OUT THERE WHO ARE LOOKING FOR COMPANIONSHIP DURING COVID ADOPT 375 00:14:31,504 --> 00:14:33,238 OUT THERE WHO ARE LOOKING FOR COMPANIONSHIP DURING COVID ADOPT A DOG, THERE ARE THESE LITTLE 376 00:14:33,240 --> 00:14:34,272 COMPANIONSHIP DURING COVID ADOPT A DOG, THERE ARE THESE LITTLE DOGS THAT NEED HOMES AND SHE WAS 377 00:14:34,274 --> 00:14:38,810 A DOG, THERE ARE THESE LITTLE DOGS THAT NEED HOMES AND SHE WAS SICK WHEN THEY BROUGHT HER OVER. 378 00:14:38,812 --> 00:14:40,345 DOGS THAT NEED HOMES AND SHE WAS SICK WHEN THEY BROUGHT HER OVER. SHOULD SOMETHING WRONG, AND THAT 379 00:14:40,347 --> 00:14:42,547 SICK WHEN THEY BROUGHT HER OVER. SHOULD SOMETHING WRONG, AND THAT TURNED OUT TO BE 11 STONES AND 380 00:14:42,549 --> 00:14:43,381 SHOULD SOMETHING WRONG, AND THAT TURNED OUT TO BE 11 STONES AND SHE ALSO HAD A CYST THAT THEY 381 00:14:43,383 --> 00:14:45,283 TURNED OUT TO BE 11 STONES AND SHE ALSO HAD A CYST THAT THEY THOUGHT MIGHT BE CANCEROUS. 382 00:14:45,285 --> 00:14:49,420 SHE ALSO HAD A CYST THAT THEY THOUGHT MIGHT BE CANCEROUS. AND WHEN I WALKED INTO THE ROOM, 383 00:14:49,422 --> 00:14:50,321 THOUGHT MIGHT BE CANCEROUS. AND WHEN I WALKED INTO THE ROOM, I'D FORGOTTEN THAT SOPHIA WAS 384 00:14:50,323 --> 00:14:51,823 AND WHEN I WALKED INTO THE ROOM, I'D FORGOTTEN THAT SOPHIA WAS GOING TO HAVE THIS DOG OVER. 385 00:14:51,825 --> 00:14:53,491 I'D FORGOTTEN THAT SOPHIA WAS GOING TO HAVE THIS DOG OVER. SO IF YOU WANTED THE DOG, I 386 00:14:53,493 --> 00:14:54,425 GOING TO HAVE THIS DOG OVER. SO IF YOU WANTED THE DOG, I DIDN'T WANT TO DOG, BUT I WALKED 387 00:14:54,427 --> 00:14:56,094 SO IF YOU WANTED THE DOG, I DIDN'T WANT TO DOG, BUT I WALKED INTO THE ROOM, THE DOCK PERKED 388 00:14:56,096 --> 00:14:58,296 DIDN'T WANT TO DOG, BUT I WALKED INTO THE ROOM, THE DOCK PERKED UP, LOOKED AT ME, CAME RUNNING 389 00:14:58,298 --> 00:15:00,698 INTO THE ROOM, THE DOCK PERKED UP, LOOKED AT ME, CAME RUNNING OVER TO MEET JUMPING UP LIKE, 390 00:15:00,700 --> 00:15:02,233 UP, LOOKED AT ME, CAME RUNNING OVER TO MEET JUMPING UP LIKE, PICK ME UP, I PICKED UP AND SHE 391 00:15:02,235 --> 00:15:03,368 OVER TO MEET JUMPING UP LIKE, PICK ME UP, I PICKED UP AND SHE STARTED GROWLING AT THE PEOPLE 392 00:15:03,370 --> 00:15:10,208 PICK ME UP, I PICKED UP AND SHE STARTED GROWLING AT THE PEOPLE FROM THE SHELTER, LIKE, GO AWAY. 393 00:15:10,210 --> 00:15:12,176 STARTED GROWLING AT THE PEOPLE FROM THE SHELTER, LIKE, GO AWAY. AND THAT'S HOW IT'S BEEN EVER 394 00:15:12,178 --> 00:15:12,377 FROM THE SHELTER, LIKE, GO AWAY. AND THAT'S HOW IT'S BEEN EVER SINCE. 395 00:15:12,379 --> 00:15:14,679 AND THAT'S HOW IT'S BEEN EVER SINCE. I SAID, JUST LEAVE HER WITH ME, 396 00:15:14,681 --> 00:15:17,215 SINCE. I SAID, JUST LEAVE HER WITH ME, THE NEXT DAY I TOOK HER TO A 397 00:15:17,217 --> 00:15:18,917 I SAID, JUST LEAVE HER WITH ME, THE NEXT DAY I TOOK HER TO A DOCTOR, A DOG SURGEON IN L.A. 398 00:15:18,919 --> 00:15:21,052 THE NEXT DAY I TOOK HER TO A DOCTOR, A DOG SURGEON IN L.A. AND I SAID, WHATEVER WE NEED TO 399 00:15:21,054 --> 00:15:24,055 DOCTOR, A DOG SURGEON IN L.A. AND I SAID, WHATEVER WE NEED TO DO HERE, I DON'T CARE HOW THE 400 00:15:24,057 --> 00:15:26,624 AND I SAID, WHATEVER WE NEED TO DO HERE, I DON'T CARE HOW THE STONES GOT THERE, GET THEM OUT. 401 00:15:26,626 --> 00:15:28,526 DO HERE, I DON'T CARE HOW THE STONES GOT THERE, GET THEM OUT. CUT AROUND THE CYST, MAKE SURE 402 00:15:28,528 --> 00:15:30,128 STONES GOT THERE, GET THEM OUT. CUT AROUND THE CYST, MAKE SURE YOU REMOVE ALL THE POTENTIALLY 403 00:15:30,130 --> 00:15:30,662 CUT AROUND THE CYST, MAKE SURE YOU REMOVE ALL THE POTENTIALLY CANCEROUS TISSUE. 404 00:15:30,664 --> 00:15:33,564 YOU REMOVE ALL THE POTENTIALLY CANCEROUS TISSUE. I'M TO TAKE CARE OF THIS DOG AND 405 00:15:33,566 --> 00:15:34,832 CANCEROUS TISSUE. I'M TO TAKE CARE OF THIS DOG AND THEN I FILLED OUT THE ADOPTION 406 00:15:34,834 --> 00:15:37,235 I'M TO TAKE CARE OF THIS DOG AND THEN I FILLED OUT THE ADOPTION PAPERS WHILE SHE WAS IN SURGERY, 407 00:15:37,237 --> 00:15:38,436 THEN I FILLED OUT THE ADOPTION PAPERS WHILE SHE WAS IN SURGERY, PICKED HER UP AFTERWARD, AND 408 00:15:38,438 --> 00:15:40,638 PAPERS WHILE SHE WAS IN SURGERY, PICKED HER UP AFTERWARD, AND SHE'S BEEN, LIKE, THE LIGHT OF 409 00:15:40,640 --> 00:15:45,443 PICKED HER UP AFTERWARD, AND SHE'S BEEN, LIKE, THE LIGHT OF OUR LIFE EVER SINCE. 410 00:15:45,445 --> 00:15:47,645 SHE'S BEEN, LIKE, THE LIGHT OF OUR LIFE EVER SINCE. >> AND YOU TAKE HER TO WORK WITH 411 00:15:47,647 --> 00:15:47,946 OUR LIFE EVER SINCE. >> AND YOU TAKE HER TO WORK WITH YOU AS WELL? 412 00:15:47,948 --> 00:15:50,882 >> AND YOU TAKE HER TO WORK WITH YOU AS WELL? >> I SHOT A MOVIE IN DECEMBER IN 413 00:15:50,884 --> 00:15:55,520 YOU AS WELL? >> I SHOT A MOVIE IN DECEMBER IN PORTLAND, OREGON, AND I HAD TO 414 00:15:55,522 --> 00:15:58,990 >> I SHOT A MOVIE IN DECEMBER IN PORTLAND, OREGON, AND I HAD TO BE QUARANTINED IN A HOTEL ONCE I 415 00:15:58,992 --> 00:16:00,792 PORTLAND, OREGON, AND I HAD TO BE QUARANTINED IN A HOTEL ONCE I GOT THERE SO I WAS LATE, I'M TO 416 00:16:00,794 --> 00:16:06,664 BE QUARANTINED IN A HOTEL ONCE I GOT THERE SO I WAS LATE, I'M TO BE QUARANTINED. 417 00:16:06,666 --> 00:16:07,865 GOT THERE SO I WAS LATE, I'M TO BE QUARANTINED. SO I JUST TOOK HER AND I PACKED 418 00:16:07,867 --> 00:16:10,935 BE QUARANTINED. SO I JUST TOOK HER AND I PACKED LIKE A BABY PLAYPEN AND HALF OF 419 00:16:10,937 --> 00:16:13,438 SO I JUST TOOK HER AND I PACKED LIKE A BABY PLAYPEN AND HALF OF MY SUITCASE. 420 00:16:13,440 --> 00:16:14,439 LIKE A BABY PLAYPEN AND HALF OF MY SUITCASE. SO I HAD THIS PLAYPEN COME UP 421 00:16:14,441 --> 00:16:17,475 MY SUITCASE. SO I HAD THIS PLAYPEN COME UP FOR A WEEK IT WAS THE TWO OF US 422 00:16:17,477 --> 00:16:20,678 SO I HAD THIS PLAYPEN COME UP FOR A WEEK IT WAS THE TWO OF US IN HIS HOTEL ROOM IN PORTLAND 423 00:16:20,680 --> 00:16:21,980 FOR A WEEK IT WAS THE TWO OF US IN HIS HOTEL ROOM IN PORTLAND TOGETHER AND I WOULD WALK HER 424 00:16:21,982 --> 00:16:24,248 IN HIS HOTEL ROOM IN PORTLAND TOGETHER AND I WOULD WALK HER AND I HAD THE BLUE MOHAWK WHILE 425 00:16:24,250 --> 00:16:29,320 TOGETHER AND I WOULD WALK HER AND I HAD THE BLUE MOHAWK WHILE I WAS QUARANTINED, SO GUY WITH 426 00:16:29,322 --> 00:16:30,488 AND I HAD THE BLUE MOHAWK WHILE I WAS QUARANTINED, SO GUY WITH BLUE MOHAWK TAKES OUT LITTLE 427 00:16:30,490 --> 00:16:34,459 I WAS QUARANTINED, SO GUY WITH BLUE MOHAWK TAKES OUT LITTLE TINY CHIHUAHUA TO WALK. 428 00:16:34,461 --> 00:16:35,693 BLUE MOHAWK TAKES OUT LITTLE TINY CHIHUAHUA TO WALK. SO, SOPHIA GOT HEARD THIS LITTLE 429 00:16:35,695 --> 00:16:39,697 TINY CHIHUAHUA TO WALK. SO, SOPHIA GOT HEARD THIS LITTLE CAMOUFLAGED PUFFY JACKET, 430 00:16:39,699 --> 00:16:40,298 SO, SOPHIA GOT HEARD THIS LITTLE CAMOUFLAGED PUFFY JACKET, LAKE STREET WHERE FOUR DOGS, 431 00:16:40,300 --> 00:16:43,701 CAMOUFLAGED PUFFY JACKET, LAKE STREET WHERE FOUR DOGS, TOUGHEN HER UP, SO THE GUY WITH 432 00:16:43,703 --> 00:16:46,170 LAKE STREET WHERE FOUR DOGS, TOUGHEN HER UP, SO THE GUY WITH THE MOHAWK WOULD WALK THIS 433 00:16:46,172 --> 00:16:49,807 TOUGHEN HER UP, SO THE GUY WITH THE MOHAWK WOULD WALK THIS LITTLE CHIHUAHUA WITH THIS PUP 434 00:16:49,809 --> 00:16:50,341 THE MOHAWK WOULD WALK THIS LITTLE CHIHUAHUA WITH THIS PUP PUPPY. 435 00:16:50,343 --> 00:16:51,342 LITTLE CHIHUAHUA WITH THIS PUP PUPPY. >> tWitch: YOU CAN'T WRITE 436 00:16:51,344 --> 00:16:56,547 PUPPY. >> tWitch: YOU CAN'T WRITE THAT STORY, THAT'S AMAZING. 437 00:16:56,549 --> 00:16:57,648 >> tWitch: YOU CAN'T WRITE THAT STORY, THAT'S AMAZING. >> IT'S THE BUDDY COMEDY I 438 00:16:57,650 --> 00:17:00,451 THAT STORY, THAT'S AMAZING. >> IT'S THE BUDDY COMEDY I DIDN'T KNOW I'D WANT HER TO SEE. 439 00:17:00,453 --> 00:17:01,719 >> IT'S THE BUDDY COMEDY I DIDN'T KNOW I'D WANT HER TO SEE. I WOULD STICKER MY ROOM AND GO 440 00:17:01,721 --> 00:17:02,854 DIDN'T KNOW I'D WANT HER TO SEE. I WOULD STICKER MY ROOM AND GO OUT AND ACT AND THEN COME BACK 441 00:17:02,856 --> 00:17:04,322 I WOULD STICKER MY ROOM AND GO OUT AND ACT AND THEN COME BACK AND TAKE HER OUT AND WALK HER 442 00:17:04,324 --> 00:17:05,790 OUT AND ACT AND THEN COME BACK AND TAKE HER OUT AND WALK HER AND EVERYBODY FROM THIS THAT 443 00:17:05,792 --> 00:17:07,792 AND TAKE HER OUT AND WALK HER AND EVERYBODY FROM THIS THAT WOULD LEAN IN AND WANT TO SEE 444 00:17:07,794 --> 00:17:09,293 AND EVERYBODY FROM THIS THAT WOULD LEAN IN AND WANT TO SEE THE LITTLE DOG. 445 00:17:09,295 --> 00:17:10,795 WOULD LEAN IN AND WANT TO SEE THE LITTLE DOG. >> tWitch: THAT'S AWESOME. 446 00:17:10,797 --> 00:17:12,163 THE LITTLE DOG. >> tWitch: THAT'S AWESOME. WE GOT SO MUCH MORE TO GET INTO, 447 00:17:12,165 --> 00:17:15,733 >> tWitch: THAT'S AWESOME. WE GOT SO MUCH MORE TO GET INTO, WORKING TO TAKE A QUICK BREAK. 448 00:17:15,735 --> 00:17:17,835 WE GOT SO MUCH MORE TO GET INTO, WORKING TO TAKE A QUICK BREAK. MORE WITH JOE MANGANIELLO AFTER 449 00:17:17,837 --> 00:17:30,882 WORKING TO TAKE A QUICK BREAK. MORE WITH JOE MANGANIELLO AFTER THIS. 450 00:17:30,884 --> 00:17:32,483 MORE WITH JOE MANGANIELLO AFTER THIS. >> GET ACTIVE, GET HEALTHY, GET 451 00:17:32,485 --> 00:17:34,919 THIS. >> GET ACTIVE, GET HEALTHY, GET SOME FRIENDS TO HELP YOU ALONG 452 00:17:34,921 --> 00:17:37,188 >> GET ACTIVE, GET HEALTHY, GET SOME FRIENDS TO HELP YOU ALONG THE WAY. 453 00:17:37,190 --> 00:17:42,460 SOME FRIENDS TO HELP YOU ALONG THE WAY. ALL RIGHT? 454 00:17:42,462 --> 00:17:45,196 THE WAY. ALL RIGHT? >> THE LOVE THAT THEY 455 00:17:49,701 --> 00:17:54,806 >> ALL RIGHT MAESTRO, WHAT'S NEXT? >> YOU PICK. 456 00:17:54,808 --> 00:17:59,477 NEXT? >> YOU PICK. >> OH, DJs CHOICE? 457 00:17:59,479 --> 00:18:05,049 >> YOU PICK. >> OH, DJs CHOICE? >> THIS ONE'S FOR YOU, KID. 458 00:18:05,051 --> 00:18:06,451 >> OH, DJs CHOICE? >> THIS ONE'S FOR YOU, KID. HE MAY NOT BE SWEET, HE MAY NOT 459 00:18:06,453 --> 00:18:10,221 >> THIS ONE'S FOR YOU, KID. HE MAY NOT BE SWEET, HE MAY NOT BE TENDER BUT HE IS CERTAINLY A 460 00:18:10,223 --> 00:18:10,655 HE MAY NOT BE SWEET, HE MAY NOT BE TENDER BUT HE IS CERTAINLY A HOOLIGAN. 461 00:18:10,657 --> 00:18:12,590 BE TENDER BUT HE IS CERTAINLY A HOOLIGAN. GODS OF METAL, FORGIVE ME, IT'S 462 00:18:12,592 --> 00:18:14,926 HOOLIGAN. GODS OF METAL, FORGIVE ME, IT'S ANOTHER ONE BY THE SMITHS. 463 00:18:14,928 --> 00:18:17,628 GODS OF METAL, FORGIVE ME, IT'S ANOTHER ONE BY THE SMITHS. [APPLAUSE] 464 00:18:17,630 --> 00:18:19,430 ANOTHER ONE BY THE SMITHS. [APPLAUSE] >> tWitch: WE ARE BACK WITH 465 00:18:19,432 --> 00:18:19,797 [APPLAUSE] >> tWitch: WE ARE BACK WITH JOE MANGANIELLO. 466 00:18:19,799 --> 00:18:22,100 >> tWitch: WE ARE BACK WITH JOE MANGANIELLO. SOAK BUT THAT WAS A SCENE FROM 467 00:18:22,102 --> 00:18:25,603 JOE MANGANIELLO. SOAK BUT THAT WAS A SCENE FROM YOUR NEWEST MOVIE, TELL US ABOUT 468 00:18:25,605 --> 00:18:25,770 SOAK BUT THAT WAS A SCENE FROM YOUR NEWEST MOVIE, TELL US ABOUT IT. 469 00:18:25,772 --> 00:18:26,504 YOUR NEWEST MOVIE, TELL US ABOUT IT. >> "SHOPLIFTERS OF THE WORLD," 470 00:18:26,506 --> 00:18:29,207 IT. >> "SHOPLIFTERS OF THE WORLD," FOR THE SMITHS FANS OUT THERE, 471 00:18:29,209 --> 00:18:30,308 >> "SHOPLIFTERS OF THE WORLD," FOR THE SMITHS FANS OUT THERE, YES, THERE ARE 20 SONGS BY THE 472 00:18:30,310 --> 00:18:31,843 FOR THE SMITHS FANS OUT THERE, YES, THERE ARE 20 SONGS BY THE SMITHS IN THIS FILM MOST OF 473 00:18:31,845 --> 00:18:33,211 YES, THERE ARE 20 SONGS BY THE SMITHS IN THIS FILM MOST OF WHICH HAVE NEVER BEEN PLAYED IN 474 00:18:33,213 --> 00:18:36,581 SMITHS IN THIS FILM MOST OF WHICH HAVE NEVER BEEN PLAYED IN FILM AND TV BEFORE WHICH IS 475 00:18:36,583 --> 00:18:38,316 WHICH HAVE NEVER BEEN PLAYED IN FILM AND TV BEFORE WHICH IS AMAZING. 476 00:18:38,318 --> 00:18:40,051 FILM AND TV BEFORE WHICH IS AMAZING. SO THINK YOU UP MORRISSEY AND 477 00:18:40,053 --> 00:18:40,384 AMAZING. SO THINK YOU UP MORRISSEY AND JOHNNY MOORE. 478 00:18:40,386 --> 00:18:43,988 SO THINK YOU UP MORRISSEY AND JOHNNY MOORE. I PLAY A RADIO DJ NAMED FULL 479 00:18:43,990 --> 00:18:46,224 JOHNNY MOORE. I PLAY A RADIO DJ NAMED FULL METAL MICKEY AT KISS 101 DENVER. 480 00:18:46,226 --> 00:18:53,197 I PLAY A RADIO DJ NAMED FULL METAL MICKEY AT KISS 101 DENVER. AND I'M HELD UP AT GUNPOINT BY 481 00:18:53,199 --> 00:18:55,366 METAL MICKEY AT KISS 101 DENVER. AND I'M HELD UP AT GUNPOINT BY ELLER COLE TRAIN, HE IS A 482 00:18:55,368 --> 00:18:56,067 AND I'M HELD UP AT GUNPOINT BY ELLER COLE TRAIN, HE IS A DISGRUNTLED SMITHS FAN WHO IS SO 483 00:18:56,069 --> 00:19:01,072 ELLER COLE TRAIN, HE IS A DISGRUNTLED SMITHS FAN WHO IS SO DISTRAUGHT OVER THE BREAKUP OF 484 00:19:01,074 --> 00:19:02,907 DISGRUNTLED SMITHS FAN WHO IS SO DISTRAUGHT OVER THE BREAKUP OF THE BAND THAT HE COMES AND HOLDS 485 00:19:02,909 --> 00:19:03,875 DISTRAUGHT OVER THE BREAKUP OF THE BAND THAT HE COMES AND HOLDS ME UP AT GUNPOINT AND FORCES ME 486 00:19:03,877 --> 00:19:07,445 THE BAND THAT HE COMES AND HOLDS ME UP AT GUNPOINT AND FORCES ME TO PLAY NOTHING BUT SMITHS ALL 487 00:19:07,447 --> 00:19:10,448 ME UP AT GUNPOINT AND FORCES ME TO PLAY NOTHING BUT SMITHS ALL NIGHT LONG AND SET OF 488 00:19:10,450 --> 00:19:11,949 TO PLAY NOTHING BUT SMITHS ALL NIGHT LONG AND SET OF DEF LEPPARD AND KISS AND OZZIE 489 00:19:11,951 --> 00:19:12,917 NIGHT LONG AND SET OF DEF LEPPARD AND KISS AND OZZIE ALL TO IMPRESS THIS GIRL THAT 490 00:19:12,919 --> 00:19:15,820 DEF LEPPARD AND KISS AND OZZIE ALL TO IMPRESS THIS GIRL THAT HE'S IN LOVE WITH. 491 00:19:15,822 --> 00:19:17,889 ALL TO IMPRESS THIS GIRL THAT HE'S IN LOVE WITH. >> tWitch: I KNOW YOU PLAY A 492 00:19:17,891 --> 00:19:20,057 HE'S IN LOVE WITH. >> tWitch: I KNOW YOU PLAY A DJ, IS THAT TRUE TO LIFE, YOU 493 00:19:20,059 --> 00:19:20,525 >> tWitch: I KNOW YOU PLAY A DJ, IS THAT TRUE TO LIFE, YOU BIG INTO MUSIC? 494 00:19:20,527 --> 00:19:23,261 DJ, IS THAT TRUE TO LIFE, YOU BIG INTO MUSIC? >> I LOVE MUSIC. 495 00:19:23,263 --> 00:19:25,463 BIG INTO MUSIC? >> I LOVE MUSIC. A LOT OF MY FRIENDS ARE DJs. 496 00:19:25,465 --> 00:19:27,732 >> I LOVE MUSIC. A LOT OF MY FRIENDS ARE DJs. I USED TO DJ BACK IN COLLEGE A 497 00:19:27,734 --> 00:19:30,501 A LOT OF MY FRIENDS ARE DJs. I USED TO DJ BACK IN COLLEGE A LITTLE BIT, I HAVE A MIXER AND 498 00:19:30,503 --> 00:19:31,669 I USED TO DJ BACK IN COLLEGE A LITTLE BIT, I HAVE A MIXER AND THE TECHNIQUES, BACK IN THE 499 00:19:31,671 --> 00:19:32,303 LITTLE BIT, I HAVE A MIXER AND THE TECHNIQUES, BACK IN THE VINYL DEIST. 500 00:19:32,305 --> 00:19:35,273 THE TECHNIQUES, BACK IN THE VINYL DEIST. I STILL HAVE MOST OF MY VINYLS. 501 00:19:35,275 --> 00:19:38,442 VINYL DEIST. I STILL HAVE MOST OF MY VINYLS. IN ALL RESPECTS. 502 00:19:38,444 --> 00:19:39,043 I STILL HAVE MOST OF MY VINYLS. IN ALL RESPECTS. >> tWitch: THAT'S A BEAUTIFUL 503 00:19:39,045 --> 00:19:40,211 IN ALL RESPECTS. >> tWitch: THAT'S A BEAUTIFUL THING AND I CAN'T WAIT TO SEE 504 00:19:40,213 --> 00:19:40,511 >> tWitch: THAT'S A BEAUTIFUL THING AND I CAN'T WAIT TO SEE THAT MOVIE. 505 00:19:40,513 --> 00:19:42,980 THING AND I CAN'T WAIT TO SEE THAT MOVIE. AND I HAVE TO SAY THIS, BECAUSE 506 00:19:42,982 --> 00:19:46,017 THAT MOVIE. AND I HAVE TO SAY THIS, BECAUSE MY SON, MADDOX, IS OBSESSED WITH 507 00:19:46,019 --> 00:19:46,317 AND I HAVE TO SAY THIS, BECAUSE MY SON, MADDOX, IS OBSESSED WITH SPIDER-MAN. 508 00:19:46,319 --> 00:19:47,318 MY SON, MADDOX, IS OBSESSED WITH SPIDER-MAN. HE'S OBSESSED AND WE'VE GONE 509 00:19:47,320 --> 00:19:48,119 SPIDER-MAN. HE'S OBSESSED AND WE'VE GONE BACK AND WATCHED ALL THE 510 00:19:48,121 --> 00:19:50,488 HE'S OBSESSED AND WE'VE GONE BACK AND WATCHED ALL THE SPIDER-MAN'S AND I DID NOT KNOW 511 00:19:50,490 --> 00:19:52,690 BACK AND WATCHED ALL THE SPIDER-MAN'S AND I DID NOT KNOW THAT YOU WERE IN SPIDER-MAN. 512 00:19:52,692 --> 00:19:54,225 SPIDER-MAN'S AND I DID NOT KNOW THAT YOU WERE IN SPIDER-MAN. LET COME OF THAT WAS A HUGE 513 00:19:54,227 --> 00:19:55,626 THAT YOU WERE IN SPIDER-MAN. LET COME OF THAT WAS A HUGE SURPRISE FOR ME SO I GOT TO TELL 514 00:19:55,628 --> 00:19:58,362 LET COME OF THAT WAS A HUGE SURPRISE FOR ME SO I GOT TO TELL THEM TODAY THAT I TALKED TO 515 00:19:58,364 --> 00:20:00,565 SURPRISE FOR ME SO I GOT TO TELL THEM TODAY THAT I TALKED TO FLASH THOMPSON. 516 00:20:00,567 --> 00:20:01,199 THEM TODAY THAT I TALKED TO FLASH THOMPSON. AMAZING. 517 00:20:01,201 --> 00:20:05,469 FLASH THOMPSON. AMAZING. >> YEAH, THAT WAS MY FIRST MOVIE 518 00:20:05,471 --> 00:20:07,538 AMAZING. >> YEAH, THAT WAS MY FIRST MOVIE OUT OF SCHOOL, I AUDITIONED THE 519 00:20:07,540 --> 00:20:08,806 >> YEAH, THAT WAS MY FIRST MOVIE OUT OF SCHOOL, I AUDITIONED THE WEEKEND I WAS VISITING L.A., I 520 00:20:08,808 --> 00:20:11,943 OUT OF SCHOOL, I AUDITIONED THE WEEKEND I WAS VISITING L.A., I HADN'T EVEN MOVED YET. 521 00:20:11,945 --> 00:20:14,779 WEEKEND I WAS VISITING L.A., I HADN'T EVEN MOVED YET. BUT ALL OF THE GUYS IN THE MOVIE 522 00:20:14,781 --> 00:20:16,047 HADN'T EVEN MOVED YET. BUT ALL OF THE GUYS IN THE MOVIE AUDITIONED FOR THE PART OF PETER 523 00:20:16,049 --> 00:20:17,949 BUT ALL OF THE GUYS IN THE MOVIE AUDITIONED FOR THE PART OF PETER PARKER. 524 00:20:17,951 --> 00:20:21,986 AUDITIONED FOR THE PART OF PETER PARKER. TOBY, JAMES FRANCO AUDITIONED 525 00:20:21,988 --> 00:20:22,987 PARKER. TOBY, JAMES FRANCO AUDITIONED AND SCREEN TESTED FOR PETER 526 00:20:22,989 --> 00:20:25,089 TOBY, JAMES FRANCO AUDITIONED AND SCREEN TESTED FOR PETER PARKER, ACTUALLY SCREEN TESTED 527 00:20:25,091 --> 00:20:26,591 AND SCREEN TESTED FOR PETER PARKER, ACTUALLY SCREEN TESTED WITH JAMES FRANCO AT THAT TIME. 528 00:20:26,593 --> 00:20:28,893 PARKER, ACTUALLY SCREEN TESTED WITH JAMES FRANCO AT THAT TIME. BY THAT TIME, I HAD ADDITIONALLY 529 00:20:28,895 --> 00:20:29,493 WITH JAMES FRANCO AT THAT TIME. BY THAT TIME, I HAD ADDITIONALLY AUDITIONED FOR PETER KNOWING I 530 00:20:29,495 --> 00:20:32,496 BY THAT TIME, I HAD ADDITIONALLY AUDITIONED FOR PETER KNOWING I WAS NEVER GOING TO GET IT, I 531 00:20:32,498 --> 00:20:33,331 AUDITIONED FOR PETER KNOWING I WAS NEVER GOING TO GET IT, I WORE GLASSES AND A BUTTON-DOWN 532 00:20:33,333 --> 00:20:36,234 WAS NEVER GOING TO GET IT, I WORE GLASSES AND A BUTTON-DOWN AND I WAS 6'5". 533 00:20:36,236 --> 00:20:37,735 WORE GLASSES AND A BUTTON-DOWN AND I WAS 6'5". IT WAS LIKE, YOU'RE NEVER GOING 534 00:20:37,737 --> 00:20:38,769 AND I WAS 6'5". IT WAS LIKE, YOU'RE NEVER GOING TO GET THIS ROLE BUT YOU'RE 535 00:20:38,771 --> 00:20:40,404 IT WAS LIKE, YOU'RE NEVER GOING TO GET THIS ROLE BUT YOU'RE REALLY GOOD, THERE'S THIS OTHER 536 00:20:40,406 --> 00:20:41,706 TO GET THIS ROLE BUT YOU'RE REALLY GOOD, THERE'S THIS OTHER PART THAT'S RIGHT FOR YOU AND I 537 00:20:41,708 --> 00:20:45,009 REALLY GOOD, THERE'S THIS OTHER PART THAT'S RIGHT FOR YOU AND I SAID YEAH, FLASH, AND SHE SAID, 538 00:20:45,011 --> 00:20:46,510 PART THAT'S RIGHT FOR YOU AND I SAID YEAH, FLASH, AND SHE SAID, RIGHT. 539 00:20:46,512 --> 00:20:48,346 SAID YEAH, FLASH, AND SHE SAID, RIGHT. SO LET ME GO GET THE SIDES, ALL 540 00:20:48,348 --> 00:20:49,013 RIGHT. SO LET ME GO GET THE SIDES, ALL OF YOU READ THEM AND I WAS LIKE 541 00:20:49,015 --> 00:20:51,115 SO LET ME GO GET THE SIDES, ALL OF YOU READ THEM AND I WAS LIKE NO, I'M DEAD, I'M OFF BOOK. 542 00:20:51,117 --> 00:20:54,585 OF YOU READ THEM AND I WAS LIKE NO, I'M DEAD, I'M OFF BOOK. I KNEW I WAS WRONG FOR PETER SO 543 00:20:54,587 --> 00:20:56,454 NO, I'M DEAD, I'M OFF BOOK. I KNEW I WAS WRONG FOR PETER SO I STUDIED, I STARTED UNBUTTONING 544 00:20:56,456 --> 00:20:57,855 I KNEW I WAS WRONG FOR PETER SO I STUDIED, I STARTED UNBUTTONING MY SHIRT, I TOOK THE GLASSES OFF 545 00:20:57,857 --> 00:21:00,625 I STUDIED, I STARTED UNBUTTONING MY SHIRT, I TOOK THE GLASSES OFF AND I SAID, LET'S GO. 546 00:21:00,627 --> 00:21:01,492 MY SHIRT, I TOOK THE GLASSES OFF AND I SAID, LET'S GO. >> tWitch: THAT'S COMMITMENT. 547 00:21:01,494 --> 00:21:04,462 AND I SAID, LET'S GO. >> tWitch: THAT'S COMMITMENT. CLAP FOR THAT, THAT'S COMMITME 548 00:21:04,464 --> 00:21:05,029 >> tWitch: THAT'S COMMITMENT. CLAP FOR THAT, THAT'S COMMITME COMMITMENT. 549 00:21:05,031 --> 00:21:05,930 CLAP FOR THAT, THAT'S COMMITME COMMITMENT. YOU COME IN AND YOU'RE, THE 550 00:21:05,932 --> 00:21:09,800 COMMITMENT. YOU COME IN AND YOU'RE, THE ROLES ACTUALLY MINE. 551 00:21:09,802 --> 00:21:11,669 YOU COME IN AND YOU'RE, THE ROLES ACTUALLY MINE. >> SO SOON AS I GOT DONE, SHE 552 00:21:11,671 --> 00:21:12,303 ROLES ACTUALLY MINE. >> SO SOON AS I GOT DONE, SHE LOOKED ME UP AND DOWN, SHE 553 00:21:12,305 --> 00:21:13,838 >> SO SOON AS I GOT DONE, SHE LOOKED ME UP AND DOWN, SHE LOOKED AT MY RESUME AND SHE SAID 554 00:21:13,840 --> 00:21:16,040 LOOKED ME UP AND DOWN, SHE LOOKED AT MY RESUME AND SHE SAID OKAY, YOU DONE THEATER. 555 00:21:16,042 --> 00:21:17,775 LOOKED AT MY RESUME AND SHE SAID OKAY, YOU DONE THEATER. I WANT YOU TO MEET SAM RAIMI. 556 00:21:17,777 --> 00:21:19,210 OKAY, YOU DONE THEATER. I WANT YOU TO MEET SAM RAIMI. AND SHE BROUGHT ME BACK THE NEXT 557 00:21:19,212 --> 00:21:22,613 I WANT YOU TO MEET SAM RAIMI. AND SHE BROUGHT ME BACK THE NEXT WEEK AND I GOT PAID $500 TO WORK 558 00:21:22,615 --> 00:21:25,016 AND SHE BROUGHT ME BACK THE NEXT WEEK AND I GOT PAID $500 TO WORK ALL DAY, I SCREEN TESTED JAMES 559 00:21:25,018 --> 00:21:25,883 WEEK AND I GOT PAID $500 TO WORK ALL DAY, I SCREEN TESTED JAMES FRANCO AND A COUPLE OTHER GUYS 560 00:21:25,885 --> 00:21:29,654 ALL DAY, I SCREEN TESTED JAMES FRANCO AND A COUPLE OTHER GUYS THAT DIDN'T GET IT AND THEY ALL 561 00:21:29,656 --> 00:21:34,859 FRANCO AND A COUPLE OTHER GUYS THAT DIDN'T GET IT AND THEY ALL KIND OF FIT US INTO THE MOVIE. 562 00:21:34,861 --> 00:21:36,794 THAT DIDN'T GET IT AND THEY ALL KIND OF FIT US INTO THE MOVIE. >> tWitch: YOU JUST GAVE ME 563 00:21:36,796 --> 00:21:39,096 KIND OF FIT US INTO THE MOVIE. >> tWitch: YOU JUST GAVE ME LIGHT, SO MANY COOL POINTS OF MY 564 00:21:39,098 --> 00:21:42,400 >> tWitch: YOU JUST GAVE ME LIGHT, SO MANY COOL POINTS OF MY SON. 565 00:21:42,402 --> 00:21:42,967 LIGHT, SO MANY COOL POINTS OF MY SON. LISTEN, "SHOPLIFTERS OF THE 566 00:21:42,969 --> 00:21:44,402 SON. LISTEN, "SHOPLIFTERS OF THE WORLD" IS IN THEATERS, DIGITAL, 567 00:21:44,404 --> 00:21:45,503 LISTEN, "SHOPLIFTERS OF THE WORLD" IS IN THEATERS, DIGITAL, AND ON DEMAND. 568 00:21:45,505 --> 00:21:46,671 WORLD" IS IN THEATERS, DIGITAL, AND ON DEMAND. THANK YOU SO MUCH, JOE 569 00:21:46,673 --> 00:21:47,438 AND ON DEMAND. THANK YOU SO MUCH, JOE MANGANIELLO, WE APPRECIATE YOU, 570 00:21:47,440 --> 00:22:00,451 THANK YOU SO MUCH, JOE MANGANIELLO, WE APPRECIATE YOU, WILL BE BACK. 571 00:22:00,453 --> 00:22:08,859 MANGANIELLO, WE APPRECIATE YOU, WILL BE BACK. [CHEERS AND APPLAUSE] 572 00:22:08,861 --> 00:22:10,261 WILL BE BACK. [CHEERS AND APPLAUSE] >> GET PHYSICAL, GET ACTIVE. 573 00:22:10,263 --> 00:22:12,797 [CHEERS AND APPLAUSE] >> GET PHYSICAL, GET ACTIVE. GET HAPPY. 574 00:22:12,799 --> 00:22:13,798 >> GET PHYSICAL, GET ACTIVE. GET HAPPY. GET SOME FRIENDS TO HELP YOU 575 00:22:13,800 --> 00:22:16,300 GET HAPPY. GET SOME FRIENDS TO HELP YOU ALONG 576 00:22:25,577 --> 00:22:29,980 >> tWitch: I ALWAYS HAVE THE BEST TIME HERE ON THE SHOW BUT I'VE ALSO HAD A LOT OF GREAT 577 00:22:29,982 --> 00:22:31,148 BEST TIME HERE ON THE SHOW BUT I'VE ALSO HAD A LOT OF GREAT ADVENTURES ON SOME OF OUR 578 00:22:31,150 --> 00:22:32,783 I'VE ALSO HAD A LOT OF GREAT ADVENTURES ON SOME OF OUR ORIGINAL SERIES ON YOUTUBE. 579 00:22:32,785 --> 00:22:33,884 ADVENTURES ON SOME OF OUR ORIGINAL SERIES ON YOUTUBE. AND IF HE SPILLS ALONG THE WAY, 580 00:22:33,886 --> 00:22:39,490 ORIGINAL SERIES ON YOUTUBE. AND IF HE SPILLS ALONG THE WAY, TAKE A LOOK. 581 00:22:39,492 --> 00:22:41,158 AND IF HE SPILLS ALONG THE WAY, TAKE A LOOK. >> tWitch: WE ARE EMBARKING ON 582 00:22:41,160 --> 00:22:46,497 TAKE A LOOK. >> tWitch: WE ARE EMBARKING ON A TRIP ACROSS THE UNITED STATES. 583 00:22:46,499 --> 00:22:50,434 >> tWitch: WE ARE EMBARKING ON A TRIP ACROSS THE UNITED STATES. >> TWO WORDS, ARE YOU READY? 584 00:22:50,436 --> 00:23:03,347 A TRIP ACROSS THE UNITED STATES. >> TWO WORDS, ARE YOU READY? >> I LOVE IT! 585 00:23:03,349 --> 00:23:05,916 >> TWO WORDS, ARE YOU READY? >> I LOVE IT! >> WE WERE REALLY BAD AT IT. 586 00:23:05,918 --> 00:23:07,318 >> I LOVE IT! >> WE WERE REALLY BAD AT IT. >> tWitch: JUST CAN NEVER 587 00:23:07,320 --> 00:23:09,487 >> WE WERE REALLY BAD AT IT. >> tWitch: JUST CAN NEVER REACH ONE ARM UP LIKE THIS. 588 00:23:09,489 --> 00:23:11,956 >> tWitch: JUST CAN NEVER REACH ONE ARM UP LIKE THIS. LOVE IT. 589 00:23:11,958 --> 00:23:15,259 REACH ONE ARM UP LIKE THIS. LOVE IT. THERE YOU GO. 590 00:23:15,261 --> 00:23:31,976 LOVE IT. THERE YOU GO. >> LET'S HAVE SOME FUN. 591 00:23:34,246 --> 00:23:44,822 >> I'M COOL. >> tWitch: WERE GOING TO PROM TOGETHER THIS WEEKEND. 592 00:23:44,824 --> 00:23:50,361 >> tWitch: WERE GOING TO PROM TOGETHER THIS WEEKEND. >> FOR REAL? 593 00:23:50,363 --> 00:24:02,840 TOGETHER THIS WEEKEND. >> FOR REAL? >> I AM ABOUT TO FLY BOARD. 594 00:24:02,842 --> 00:24:07,111 >> FOR REAL? >> I AM ABOUT TO FLY BOARD. OH, NO! 595 00:24:07,113 --> 00:24:09,313 >> I AM ABOUT TO FLY BOARD. OH, NO! >> tWitch: YOU CAN WATCH FULL 596 00:24:09,315 --> 00:24:10,648 OH, NO! >> tWitch: YOU CAN WATCH FULL EPISODES AND MUCH MORE ON 597 00:24:10,650 --> 00:24:11,182 >> tWitch: YOU CAN WATCH FULL EPISODES AND MUCH MORE ON ELLEN'S YOUTUBE CHANNEL. 598 00:24:11,184 --> 00:24:24,295 EPISODES AND MUCH MORE ON ELLEN'S YOUTUBE CHANNEL. IT WILL BE RIGHT BACK. 599 00:24:24,297 --> 00:24:26,697 ELLEN'S YOUTUBE CHANNEL. IT WILL BE RIGHT BACK. >> THE LOVE THAT THEY SHARE 600 00:24:26,699 --> 00:24:28,599 IT WILL BE RIGHT BACK. >> THE LOVE THAT THEY SHARE TOGETHER ALLOW ME TO MATURE IN A 601 00:24:28,601 --> 00:24:32,169 >> THE LOVE THAT THEY SHARE TOGETHER ALLOW ME TO MATURE IN A DIFFERENT WAY. 602 00:24:41,513 --> 00:24:47,184 >> tWitch: I'M REALLY EXCITED, OUR NEXT GUEST HAS BEEN GETTING READ STOMACH RAVE REVIEWS FOR A 603 00:24:47,186 --> 00:24:47,785 OUR NEXT GUEST HAS BEEN GETTING READ STOMACH RAVE REVIEWS FOR A BREAKOUT PERFORMANCE IN "JUDAS 604 00:24:47,787 --> 00:24:49,553 READ STOMACH RAVE REVIEWS FOR A BREAKOUT PERFORMANCE IN "JUDAS AND THE BLACK MESSIAH," TAKE A 605 00:24:49,555 --> 00:24:56,327 BREAKOUT PERFORMANCE IN "JUDAS AND THE BLACK MESSIAH," TAKE A LOOK. 606 00:24:56,329 --> 00:24:58,596 AND THE BLACK MESSIAH," TAKE A LOOK. >> THE PUBLIC. 607 00:24:58,598 --> 00:25:01,265 LOOK. >> THE PUBLIC. WHAT A PLEASANT SURPRISE. 608 00:25:01,267 --> 00:25:03,100 >> THE PUBLIC. WHAT A PLEASANT SURPRISE. >> I SAW YOUR AD IN THE PAPER 609 00:25:03,102 --> 00:25:04,268 WHAT A PLEASANT SURPRISE. >> I SAW YOUR AD IN THE PAPER LOOKING FOR A NEW SPEECH WRITER, 610 00:25:04,270 --> 00:25:07,037 >> I SAW YOUR AD IN THE PAPER LOOKING FOR A NEW SPEECH WRITER, FIGURED I'D BETTER COME LEND A 611 00:25:07,039 --> 00:25:08,906 LOOKING FOR A NEW SPEECH WRITER, FIGURED I'D BETTER COME LEND A HAND. 612 00:25:08,908 --> 00:25:11,041 FIGURED I'D BETTER COME LEND A HAND. >> I DON'T WRITE SPEECHES. 613 00:25:11,043 --> 00:25:13,277 HAND. >> I DON'T WRITE SPEECHES. I JUST GET UP ON STAGE AND SPEAK 614 00:25:13,279 --> 00:25:13,944 >> I DON'T WRITE SPEECHES. I JUST GET UP ON STAGE AND SPEAK TRUTH TO THE PEOPLE. 615 00:25:13,946 --> 00:25:21,252 I JUST GET UP ON STAGE AND SPEAK TRUTH TO THE PEOPLE. >> SURE. 616 00:25:21,254 --> 00:25:24,655 TRUTH TO THE PEOPLE. >> SURE. >> tWitch: PLEASE WELCOME THE 617 00:25:24,657 --> 00:25:25,289 >> SURE. >> tWitch: PLEASE WELCOME THE INCREDIBLE "JUDAS AND THE BLACK 618 00:25:25,291 --> 00:25:25,856 >> tWitch: PLEASE WELCOME THE INCREDIBLE "JUDAS AND THE BLACK MESSIAH." 619 00:25:25,858 --> 00:25:26,724 INCREDIBLE "JUDAS AND THE BLACK MESSIAH." HOW ARE YOU DOING? 620 00:25:26,726 --> 00:25:29,293 MESSIAH." HOW ARE YOU DOING? IT IS SO INCREDIBLE TO HAVE YOU 621 00:25:29,295 --> 00:25:29,493 HOW ARE YOU DOING? IT IS SO INCREDIBLE TO HAVE YOU HERE. 622 00:25:29,495 --> 00:25:31,295 IT IS SO INCREDIBLE TO HAVE YOU HERE. A LOT OF PEOPLE ARE TALKING 623 00:25:31,297 --> 00:25:32,296 HERE. A LOT OF PEOPLE ARE TALKING ABOUT YOUR INCREDIBLE 624 00:25:32,298 --> 00:25:32,730 A LOT OF PEOPLE ARE TALKING ABOUT YOUR INCREDIBLE PERFORMANCE. 625 00:25:32,732 --> 00:25:33,931 ABOUT YOUR INCREDIBLE PERFORMANCE. THERE'S A LOT OF BUZZ GOING ON. 626 00:25:33,933 --> 00:25:36,333 PERFORMANCE. THERE'S A LOT OF BUZZ GOING ON. HOW ARE YOU TAKING THAT IN RIGHT 627 00:25:36,335 --> 00:25:37,668 THERE'S A LOT OF BUZZ GOING ON. HOW ARE YOU TAKING THAT IN RIGHT NOW? 628 00:25:37,670 --> 00:25:40,738 HOW ARE YOU TAKING THAT IN RIGHT NOW? >> I'M GLAD I PICKED UP 629 00:25:40,740 --> 00:25:43,474 NOW? >> I'M GLAD I PICKED UP MEDITATION, I'M SUPER EXCITED. 630 00:25:43,476 --> 00:25:55,152 >> I'M GLAD I PICKED UP MEDITATION, I'M SUPER EXCITED. IT'S A DREAM COME TRUE. 631 00:25:55,154 --> 00:25:57,488 MEDITATION, I'M SUPER EXCITED. IT'S A DREAM COME TRUE. IT'S THE CHERRY ON TOP. 632 00:25:57,490 --> 00:25:59,657 IT'S A DREAM COME TRUE. IT'S THE CHERRY ON TOP. >> tWitch: ON THE LIST OF 633 00:25:59,659 --> 00:26:00,791 IT'S THE CHERRY ON TOP. >> tWitch: ON THE LIST OF COSINES THAT YOU HAVE ALREADY. 634 00:26:00,793 --> 00:26:02,860 >> tWitch: ON THE LIST OF COSINES THAT YOU HAVE ALREADY. JIMMIE FOXX EVEN SAID THAT WHEN 635 00:26:02,862 --> 00:26:04,461 COSINES THAT YOU HAVE ALREADY. JIMMIE FOXX EVEN SAID THAT WHEN THEY WERE GOING TO SEE YOU 636 00:26:04,463 --> 00:26:05,663 JIMMIE FOXX EVEN SAID THAT WHEN THEY WERE GOING TO SEE YOU THANKING THE ACADEMY AND THAT'S 637 00:26:05,665 --> 00:26:10,467 THEY WERE GOING TO SEE YOU THANKING THE ACADEMY AND THAT'S GOT TO FEEL GOOD, RIGHT? 638 00:26:10,469 --> 00:26:11,569 THANKING THE ACADEMY AND THAT'S GOT TO FEEL GOOD, RIGHT? >> ME AND MY MOM USED TO WATCH 639 00:26:11,571 --> 00:26:14,638 GOT TO FEEL GOOD, RIGHT? >> ME AND MY MOM USED TO WATCH IS SHOWN AS A KID. 640 00:26:14,640 --> 00:26:15,973 >> ME AND MY MOM USED TO WATCH IS SHOWN AS A KID. I FOUND ONE WHERE I SAID, I JUST 641 00:26:15,975 --> 00:26:17,541 IS SHOWN AS A KID. I FOUND ONE WHERE I SAID, I JUST WANT TO BE LIKE JAMIE FOXX IN 642 00:26:17,543 --> 00:26:18,676 I FOUND ONE WHERE I SAID, I JUST WANT TO BE LIKE JAMIE FOXX IN THE WAY HE GIVES BACK TO HIS 643 00:26:18,678 --> 00:26:18,909 WANT TO BE LIKE JAMIE FOXX IN THE WAY HE GIVES BACK TO HIS FAMILY. 644 00:26:18,911 --> 00:26:26,016 THE WAY HE GIVES BACK TO HIS FAMILY. I WROTE THAT IN A BOOK. 645 00:26:26,018 --> 00:26:28,752 FAMILY. I WROTE THAT IN A BOOK. >> IT ALSO SOUNDS LIKE 646 00:26:28,754 --> 00:26:29,320 I WROTE THAT IN A BOOK. >> IT ALSO SOUNDS LIKE ACCOMPLISHMENTS AND SETTING 647 00:26:29,322 --> 00:26:32,156 >> IT ALSO SOUNDS LIKE ACCOMPLISHMENTS AND SETTING GOALS AND HITTING THEM IS NOT 648 00:26:32,158 --> 00:26:35,326 ACCOMPLISHMENTS AND SETTING GOALS AND HITTING THEM IS NOT OUT OF YOUR WHEELHOUSE. 649 00:26:35,328 --> 00:26:37,728 GOALS AND HITTING THEM IS NOT OUT OF YOUR WHEELHOUSE. IN HIGH SCHOOL YOU WERE PROM 650 00:26:37,730 --> 00:26:38,829 OUT OF YOUR WHEELHOUSE. IN HIGH SCHOOL YOU WERE PROM QUEEN AND CAPTAIN OF THE CAMP 651 00:26:38,831 --> 00:26:43,500 IN HIGH SCHOOL YOU WERE PROM QUEEN AND CAPTAIN OF THE CAMP BASKETBALL TEAM AND 652 00:26:43,502 --> 00:26:44,268 QUEEN AND CAPTAIN OF THE CAMP BASKETBALL TEAM AND VALEDICTORIAN. 653 00:26:44,270 --> 00:26:47,037 BASKETBALL TEAM AND VALEDICTORIAN. HOW DID YOU GET INTO ACTING? 654 00:26:47,039 --> 00:26:49,974 VALEDICTORIAN. HOW DID YOU GET INTO ACTING? >> WELL, ACTUALLY, IF WE GO BACK 655 00:26:49,976 --> 00:26:53,177 HOW DID YOU GET INTO ACTING? >> WELL, ACTUALLY, IF WE GO BACK A LITTLE BIT, AND MIDDLE SCHOOL 656 00:26:53,179 --> 00:26:55,546 >> WELL, ACTUALLY, IF WE GO BACK A LITTLE BIT, AND MIDDLE SCHOOL I WAS ON THE COLORED FOOTBALL 657 00:26:55,548 --> 00:26:55,813 A LITTLE BIT, AND MIDDLE SCHOOL I WAS ON THE COLORED FOOTBALL TEAM. 658 00:26:55,815 --> 00:27:04,188 I WAS ON THE COLORED FOOTBALL TEAM. I WAS PLAYING SAFETY AND SO IS 659 00:27:04,190 --> 00:27:07,124 TEAM. I WAS PLAYING SAFETY AND SO IS LIKE, I DEFINITELY STARTED MORE 660 00:27:07,126 --> 00:27:09,727 I WAS PLAYING SAFETY AND SO IS LIKE, I DEFINITELY STARTED MORE AS AN ATHLETE BUT AROUND EIGHT 661 00:27:09,729 --> 00:27:11,428 LIKE, I DEFINITELY STARTED MORE AS AN ATHLETE BUT AROUND EIGHT YEARS OLD THIS THEATER COMPANY 662 00:27:11,430 --> 00:27:12,863 AS AN ATHLETE BUT AROUND EIGHT YEARS OLD THIS THEATER COMPANY CAME TO MY MIDDLE SCHOOL AND 663 00:27:12,865 --> 00:27:16,700 YEARS OLD THIS THEATER COMPANY CAME TO MY MIDDLE SCHOOL AND THEY ARE A MUSICAL FOR KIDS AND 664 00:27:16,702 --> 00:27:19,169 CAME TO MY MIDDLE SCHOOL AND THEY ARE A MUSICAL FOR KIDS AND I AUDITIONED FOR THREE YEARS AND 665 00:27:19,171 --> 00:27:23,641 THEY ARE A MUSICAL FOR KIDS AND I AUDITIONED FOR THREE YEARS AND NEVER GOT ACCEPTED. 666 00:27:23,643 --> 00:27:24,975 I AUDITIONED FOR THREE YEARS AND NEVER GOT ACCEPTED. MY MOM SAID YOU'RE SO DRAMATIC, 667 00:27:24,977 --> 00:27:28,912 NEVER GOT ACCEPTED. MY MOM SAID YOU'RE SO DRAMATIC, I THINK YOU CAN REALLY DO IT. 668 00:27:28,914 --> 00:27:31,181 MY MOM SAID YOU'RE SO DRAMATIC, I THINK YOU CAN REALLY DO IT. SO WHEN I WAS 12 GOING INTO 669 00:27:31,183 --> 00:27:32,249 I THINK YOU CAN REALLY DO IT. SO WHEN I WAS 12 GOING INTO HIGH SCHOOL I TRIED TO AUDITION 670 00:27:32,251 --> 00:27:33,217 SO WHEN I WAS 12 GOING INTO HIGH SCHOOL I TRIED TO AUDITION FOR LaGUARDIA AND I DIDN'T GET 671 00:27:33,219 --> 00:27:36,320 HIGH SCHOOL I TRIED TO AUDITION FOR LaGUARDIA AND I DIDN'T GET AN EITHER. 672 00:27:36,322 --> 00:27:38,789 FOR LaGUARDIA AND I DIDN'T GET AN EITHER. SO I GOING TO HIGH SCHOOL AND 673 00:27:38,791 --> 00:27:41,058 AN EITHER. SO I GOING TO HIGH SCHOOL AND PLAYING BASKETBALL. 674 00:27:41,060 --> 00:27:45,829 SO I GOING TO HIGH SCHOOL AND PLAYING BASKETBALL. WHEN I WAS 15 I GOOGLED FREE 675 00:27:45,831 --> 00:27:46,430 PLAYING BASKETBALL. WHEN I WAS 15 I GOOGLED FREE THEATER PROGRAMS FOR KIDS IN 676 00:27:46,432 --> 00:27:49,233 WHEN I WAS 15 I GOOGLED FREE THEATER PROGRAMS FOR KIDS IN NEW YORK CITY AND I FOUND A 677 00:27:49,235 --> 00:27:53,270 THEATER PROGRAMS FOR KIDS IN NEW YORK CITY AND I FOUND A YOUTH COMPANY AS I STARTED IN 678 00:27:53,272 --> 00:27:53,904 NEW YORK CITY AND I FOUND A YOUTH COMPANY AS I STARTED IN THEATER, WRITING MY OWN SPOKEN 679 00:27:53,906 --> 00:27:56,206 YOUTH COMPANY AS I STARTED IN THEATER, WRITING MY OWN SPOKEN WORD, WRITING MONOLOGUES AND 680 00:27:56,208 --> 00:27:56,440 THEATER, WRITING MY OWN SPOKEN WORD, WRITING MONOLOGUES AND SCENES. 681 00:27:56,442 --> 00:27:57,608 WORD, WRITING MONOLOGUES AND SCENES. >> tWitch: AND THAT'S A 682 00:27:57,610 --> 00:28:00,077 SCENES. >> tWitch: AND THAT'S A BEAUTIFUL THING. 683 00:28:00,079 --> 00:28:02,179 >> tWitch: AND THAT'S A BEAUTIFUL THING. IT SEEMS LIKE ALL THAT WORK IS 684 00:28:02,181 --> 00:28:02,579 BEAUTIFUL THING. IT SEEMS LIKE ALL THAT WORK IS PAID OFF. 685 00:28:02,581 --> 00:28:03,347 IT SEEMS LIKE ALL THAT WORK IS PAID OFF. WE JUST SAW A VIDEO THAT YOU 686 00:28:03,349 --> 00:28:06,817 PAID OFF. WE JUST SAW A VIDEO THAT YOU POSTED DURING THE PHOTO SHOOT, 687 00:28:06,819 --> 00:28:10,788 WE JUST SAW A VIDEO THAT YOU POSTED DURING THE PHOTO SHOOT, TELL US WHAT'S GOING ON HERE. 688 00:28:10,790 --> 00:28:14,725 POSTED DURING THE PHOTO SHOOT, TELL US WHAT'S GOING ON HERE. GIVE US SOME CONTEXT. 689 00:28:14,727 --> 00:28:16,427 TELL US WHAT'S GOING ON HERE. GIVE US SOME CONTEXT. >> IT WAS FOR THIS AWESOME PIECE 690 00:28:16,429 --> 00:28:19,496 GIVE US SOME CONTEXT. >> IT WAS FOR THIS AWESOME PIECE IN "THE NEW YORK TIMES." 691 00:28:19,498 --> 00:28:22,366 >> IT WAS FOR THIS AWESOME PIECE IN "THE NEW YORK TIMES." BUT I DIDN'T EXPECT FOR IT TO BE 692 00:28:22,368 --> 00:28:22,599 IN "THE NEW YORK TIMES." BUT I DIDN'T EXPECT FOR IT TO BE SNOWING. 693 00:28:22,601 --> 00:28:25,869 BUT I DIDN'T EXPECT FOR IT TO BE SNOWING. WE WERE PREPARED. 694 00:28:25,871 --> 00:28:31,008 SNOWING. WE WERE PREPARED. WE BRAVED IT OUT, I'M FROM 695 00:28:31,010 --> 00:28:31,475 WE WERE PREPARED. WE BRAVED IT OUT, I'M FROM BROOKLYN, SO WHEN THE 696 00:28:31,477 --> 00:28:33,177 WE BRAVED IT OUT, I'M FROM BROOKLYN, SO WHEN THE PHOTOGRAPHER SAID, I HAVE THIS 697 00:28:33,179 --> 00:28:34,645 BROOKLYN, SO WHEN THE PHOTOGRAPHER SAID, I HAVE THIS SHEET I THINK YOU CAN LAY ON, 698 00:28:34,647 --> 00:28:38,148 PHOTOGRAPHER SAID, I HAVE THIS SHEET I THINK YOU CAN LAY ON, WE'RE JUST LIKE, I DON'T THINK 699 00:28:38,150 --> 00:28:40,551 SHEET I THINK YOU CAN LAY ON, WE'RE JUST LIKE, I DON'T THINK WE WANT TO GO TO THE HOSPITAL 700 00:28:40,553 --> 00:28:44,455 WE'RE JUST LIKE, I DON'T THINK WE WANT TO GO TO THE HOSPITAL TODAY. 701 00:28:44,457 --> 00:28:45,823 WE WANT TO GO TO THE HOSPITAL TODAY. >> tWitch: LET'S TALK ABOUT 702 00:28:45,825 --> 00:28:46,623 TODAY. >> tWitch: LET'S TALK ABOUT "JUDAS AND THE BLACK MESSIAH." 703 00:28:46,625 --> 00:28:47,357 >> tWitch: LET'S TALK ABOUT "JUDAS AND THE BLACK MESSIAH." I LOVE THE FILM, IT'S BASED ON A 704 00:28:47,359 --> 00:28:49,393 "JUDAS AND THE BLACK MESSIAH." I LOVE THE FILM, IT'S BASED ON A TRUE STORY, PLEASE TELL US ABOUT 705 00:28:49,395 --> 00:28:52,129 I LOVE THE FILM, IT'S BASED ON A TRUE STORY, PLEASE TELL US ABOUT WE PLAY. 706 00:28:52,131 --> 00:28:55,365 TRUE STORY, PLEASE TELL US ABOUT WE PLAY. >> I PLAYED DEBORAH JOHNSON, 707 00:28:55,367 --> 00:29:00,971 WE PLAY. >> I PLAYED DEBORAH JOHNSON, FORMALLY KNOWN AS DEBORAH 708 00:29:00,973 --> 00:29:03,240 >> I PLAYED DEBORAH JOHNSON, FORMALLY KNOWN AS DEBORAH JOHNSON, SHE'S THE MOTHER OF TIM 709 00:29:03,242 --> 00:29:05,576 FORMALLY KNOWN AS DEBORAH JOHNSON, SHE'S THE MOTHER OF TIM AND FRED JR. AND THE MOTHER OF 710 00:29:05,578 --> 00:29:09,213 JOHNSON, SHE'S THE MOTHER OF TIM AND FRED JR. AND THE MOTHER OF CHAIRMAN FRED AND CHAIRMAN FRED 711 00:29:09,215 --> 00:29:13,117 AND FRED JR. AND THE MOTHER OF CHAIRMAN FRED AND CHAIRMAN FRED WAS ASSASSINATED AT 21 YEARS OLD 712 00:29:13,119 --> 00:29:16,854 CHAIRMAN FRED AND CHAIRMAN FRED WAS ASSASSINATED AT 21 YEARS OLD BY AN INFORMANT FOR THE FBI. 713 00:29:16,856 --> 00:29:18,655 WAS ASSASSINATED AT 21 YEARS OLD BY AN INFORMANT FOR THE FBI. >> tWitch: AND THE EXTENTS 714 00:29:18,657 --> 00:29:20,390 BY AN INFORMANT FOR THE FBI. >> tWitch: AND THE EXTENTS THAT YOU PREPARED FOR THIS ROLE, 715 00:29:20,392 --> 00:29:30,300 >> tWitch: AND THE EXTENTS THAT YOU PREPARED FOR THIS ROLE, EVEN GOT TO READ HER, MORE FOR 716 00:29:30,302 --> 00:29:31,001 THAT YOU PREPARED FOR THIS ROLE, EVEN GOT TO READ HER, MORE FOR PREPARATION, RIGHT? 717 00:29:31,003 --> 00:29:32,069 EVEN GOT TO READ HER, MORE FOR PREPARATION, RIGHT? >> SHE SAID SHE WANTED TO MAKE 718 00:29:32,071 --> 00:29:35,239 PREPARATION, RIGHT? >> SHE SAID SHE WANTED TO MAKE SURE THERE WAS NO PUNK IN ME. 719 00:29:35,241 --> 00:29:37,975 >> SHE SAID SHE WANTED TO MAKE SURE THERE WAS NO PUNK IN ME. WE WENT TO CHICAGO, SET HER ON 720 00:29:37,977 --> 00:29:40,477 SURE THERE WAS NO PUNK IN ME. WE WENT TO CHICAGO, SET HER ON THE TABLE FOR OVER SEVERAL HOURS 721 00:29:40,479 --> 00:29:41,879 WE WENT TO CHICAGO, SET HER ON THE TABLE FOR OVER SEVERAL HOURS A CHAIRMAN FOR JUNIORS THAT I 722 00:29:41,881 --> 00:29:42,546 THE TABLE FOR OVER SEVERAL HOURS A CHAIRMAN FOR JUNIORS THAT I WANTED TO KNOW WHY EVERYTHING 723 00:29:42,548 --> 00:29:44,381 A CHAIRMAN FOR JUNIORS THAT I WANTED TO KNOW WHY EVERYTHING THAT ONE OF YOU WANTS TO DO THIS 724 00:29:44,383 --> 00:29:47,918 WANTED TO KNOW WHY EVERYTHING THAT ONE OF YOU WANTS TO DO THIS FILM AND THEN IT SHE PULLED 725 00:29:47,920 --> 00:29:48,752 THAT ONE OF YOU WANTS TO DO THIS FILM AND THEN IT SHE PULLED DANIEL AND I TO THE SIDE AND 726 00:29:48,754 --> 00:29:49,887 FILM AND THEN IT SHE PULLED DANIEL AND I TO THE SIDE AND ASKED HOW WE WERE IN APPROACH 727 00:29:49,889 --> 00:29:51,321 DANIEL AND I TO THE SIDE AND ASKED HOW WE WERE IN APPROACH THE CHARACTER AND HE SAID 728 00:29:51,323 --> 00:29:52,089 ASKED HOW WE WERE IN APPROACH THE CHARACTER AND HE SAID SOMETHING ABOUT BEING A VESSEL 729 00:29:52,091 --> 00:29:54,391 THE CHARACTER AND HE SAID SOMETHING ABOUT BEING A VESSEL AND SHE SAID, WHAT DOES THAT 730 00:29:54,393 --> 00:29:54,591 SOMETHING ABOUT BEING A VESSEL AND SHE SAID, WHAT DOES THAT MEAN? 731 00:29:54,593 --> 00:29:56,260 AND SHE SAID, WHAT DOES THAT MEAN? AND I SAID, YOU KNOW, WE WILL 732 00:29:56,262 --> 00:29:58,095 MEAN? AND I SAID, YOU KNOW, WE WILL ALLOW HIS SPIRIT TO FLOW THROUGH 733 00:29:58,097 --> 00:29:59,296 AND I SAID, YOU KNOW, WE WILL ALLOW HIS SPIRIT TO FLOW THROUGH YOU, AND I SAID WHAT MY SPIRIT 734 00:29:59,298 --> 00:30:02,132 ALLOW HIS SPIRIT TO FLOW THROUGH YOU, AND I SAID WHAT MY SPIRIT DON'T MESH WITH YOUR SPIRIT? 735 00:30:02,134 --> 00:30:09,006 YOU, AND I SAID WHAT MY SPIRIT DON'T MESH WITH YOUR SPIRIT? BUT AT THE END I GAVE HER A HUG 736 00:30:09,008 --> 00:30:10,774 DON'T MESH WITH YOUR SPIRIT? BUT AT THE END I GAVE HER A HUG AND SHE SAID SHE GAVE ME A BIT 737 00:30:10,776 --> 00:30:11,875 BUT AT THE END I GAVE HER A HUG AND SHE SAID SHE GAVE ME A BIT OF A HARD TIME. 738 00:30:11,877 --> 00:30:15,045 AND SHE SAID SHE GAVE ME A BIT OF A HARD TIME. I DIDN'T TAKE IT PERSONALLY. 739 00:30:15,047 --> 00:30:16,046 OF A HARD TIME. I DIDN'T TAKE IT PERSONALLY. I KNEW MANY PEOPLE HAD COME TO 740 00:30:16,048 --> 00:30:20,617 I DIDN'T TAKE IT PERSONALLY. I KNEW MANY PEOPLE HAD COME TO THE FAMILY TO TELL THE STORY. 741 00:30:20,619 --> 00:30:22,219 I KNEW MANY PEOPLE HAD COME TO THE FAMILY TO TELL THE STORY. I KNOW THERE ARE MANY FALSE 742 00:30:22,221 --> 00:30:23,353 THE FAMILY TO TELL THE STORY. I KNOW THERE ARE MANY FALSE STORIES THAT WERE PUT OUT 743 00:30:23,355 --> 00:30:25,856 I KNOW THERE ARE MANY FALSE STORIES THAT WERE PUT OUT AGAINST THE BLACK PANTHER PARTY 744 00:30:25,858 --> 00:30:27,391 STORIES THAT WERE PUT OUT AGAINST THE BLACK PANTHER PARTY SO THEY HAD TO REALLY BE SURE 745 00:30:27,393 --> 00:30:28,926 AGAINST THE BLACK PANTHER PARTY SO THEY HAD TO REALLY BE SURE ABOUT WHO THEY ARE ALLOWING TO 746 00:30:28,928 --> 00:30:32,196 SO THEY HAD TO REALLY BE SURE ABOUT WHO THEY ARE ALLOWING TO ATTACH THEIR NAME AND IMAGE TWO. 747 00:30:32,198 --> 00:30:32,663 ABOUT WHO THEY ARE ALLOWING TO ATTACH THEIR NAME AND IMAGE TWO. >> tWitch: ABSOLUTELY. 748 00:30:32,665 --> 00:30:34,097 ATTACH THEIR NAME AND IMAGE TWO. >> tWitch: ABSOLUTELY. AND WITH A ROW LIKE THIS, AS 749 00:30:34,099 --> 00:30:38,302 >> tWitch: ABSOLUTELY. AND WITH A ROW LIKE THIS, AS IMPORTANT AS THIS IS, IN 750 00:30:38,304 --> 00:30:40,370 AND WITH A ROW LIKE THIS, AS IMPORTANT AS THIS IS, IN PAINTING THE LEGACY OF THE 751 00:30:40,372 --> 00:30:41,505 IMPORTANT AS THIS IS, IN PAINTING THE LEGACY OF THE BLACK PANTHER PARTY AND EVERYONE 752 00:30:41,507 --> 00:30:42,206 PAINTING THE LEGACY OF THE BLACK PANTHER PARTY AND EVERYONE INVOLVED, I'VE GOT TO ASK, WHAT 753 00:30:42,208 --> 00:30:46,210 BLACK PANTHER PARTY AND EVERYONE INVOLVED, I'VE GOT TO ASK, WHAT DO YOU TAKE WITH YOU AFTER 754 00:30:46,212 --> 00:30:47,578 INVOLVED, I'VE GOT TO ASK, WHAT DO YOU TAKE WITH YOU AFTER HAVING A ROLE LIKE THIS THAT YOU 755 00:30:47,580 --> 00:30:48,445 DO YOU TAKE WITH YOU AFTER HAVING A ROLE LIKE THIS THAT YOU DIDN'T HAVE BEFORE? 756 00:30:48,447 --> 00:30:53,650 HAVING A ROLE LIKE THIS THAT YOU DIDN'T HAVE BEFORE? HOW DOES THIS CHANGE YOU? 757 00:30:53,652 --> 00:30:55,552 DIDN'T HAVE BEFORE? HOW DOES THIS CHANGE YOU? >> AS AN ACTOR YOU THINK, HOW IS 758 00:30:55,554 --> 00:30:56,186 HOW DOES THIS CHANGE YOU? >> AS AN ACTOR YOU THINK, HOW IS YOUR CHARACTER GOING TO BE 759 00:30:56,188 --> 00:30:57,454 >> AS AN ACTOR YOU THINK, HOW IS YOUR CHARACTER GOING TO BE DIFFERENT FROM THE BEGINNING OF 760 00:30:57,456 --> 00:30:58,322 YOUR CHARACTER GOING TO BE DIFFERENT FROM THE BEGINNING OF THE FILM TO THE END OF THE FILM 761 00:30:58,324 --> 00:30:59,323 DIFFERENT FROM THE BEGINNING OF THE FILM TO THE END OF THE FILM BUT I DIDN'T REALIZE THAT THE 762 00:30:59,325 --> 00:31:00,157 THE FILM TO THE END OF THE FILM BUT I DIDN'T REALIZE THAT THE CHARACTER WAS ASKING ME HOW I 763 00:31:00,159 --> 00:31:06,430 BUT I DIDN'T REALIZE THAT THE CHARACTER WAS ASKING ME HOW I WAS IN A BE DIFFERENT. 764 00:31:06,432 --> 00:31:07,664 CHARACTER WAS ASKING ME HOW I WAS IN A BE DIFFERENT. I KNOW THERE WAS A THRESHOLD OF 765 00:31:07,666 --> 00:31:10,267 WAS IN A BE DIFFERENT. I KNOW THERE WAS A THRESHOLD OF THE IDEA OF WOMANHOOD THAT I WAS 766 00:31:10,269 --> 00:31:13,103 I KNOW THERE WAS A THRESHOLD OF THE IDEA OF WOMANHOOD THAT I WAS KIND OF TEETERING ON AND 767 00:31:13,105 --> 00:31:15,305 THE IDEA OF WOMANHOOD THAT I WAS KIND OF TEETERING ON AND WONDERING HOW I WAS GOING TO GET 768 00:31:15,307 --> 00:31:17,841 KIND OF TEETERING ON AND WONDERING HOW I WAS GOING TO GET IT. 769 00:31:17,843 --> 00:31:19,443 WONDERING HOW I WAS GOING TO GET IT. THE LEFFERTS CHAIRMAN FRED, THE 770 00:31:19,445 --> 00:31:21,311 IT. THE LEFFERTS CHAIRMAN FRED, THE LOVE THAT THEY SHARED TOGETHER 771 00:31:21,313 --> 00:31:21,845 THE LEFFERTS CHAIRMAN FRED, THE LOVE THAT THEY SHARED TOGETHER ALLOWED ME TO MATURE IN A 772 00:31:21,847 --> 00:31:24,081 LOVE THAT THEY SHARED TOGETHER ALLOWED ME TO MATURE IN A DIFFERENT WAY. 773 00:31:24,083 --> 00:31:27,251 ALLOWED ME TO MATURE IN A DIFFERENT WAY. I'M DEFINITELY A BIT SOFTER NOW. 774 00:31:27,253 --> 00:31:27,885 DIFFERENT WAY. I'M DEFINITELY A BIT SOFTER NOW. NOT IN TERMS OF ATTITUDE BUT IN 775 00:31:27,887 --> 00:31:31,622 I'M DEFINITELY A BIT SOFTER NOW. NOT IN TERMS OF ATTITUDE BUT IN TERMS OF LIGHT, I FEEL LIKE WE 776 00:31:31,624 --> 00:31:34,024 NOT IN TERMS OF ATTITUDE BUT IN TERMS OF LIGHT, I FEEL LIKE WE DEVELOP HARD SHELL SOMETIMES. 777 00:31:34,026 --> 00:31:36,860 TERMS OF LIGHT, I FEEL LIKE WE DEVELOP HARD SHELL SOMETIMES. AND I WAS ABLE TO LET THAT GO A 778 00:31:36,862 --> 00:31:40,898 DEVELOP HARD SHELL SOMETIMES. AND I WAS ABLE TO LET THAT GO A LITTLE BIT. 779 00:31:40,900 --> 00:31:42,332 AND I WAS ABLE TO LET THAT GO A LITTLE BIT. >> AND I'M SAYING THIS RIGHT 780 00:31:42,334 --> 00:31:44,134 LITTLE BIT. >> AND I'M SAYING THIS RIGHT NOW, I FEEL LIKE WE ARE GOING TO 781 00:31:44,136 --> 00:31:45,602 >> AND I'M SAYING THIS RIGHT NOW, I FEEL LIKE WE ARE GOING TO SEE INCREDIBLE THINGS FROM YOU 782 00:31:45,604 --> 00:31:46,970 NOW, I FEEL LIKE WE ARE GOING TO SEE INCREDIBLE THINGS FROM YOU IN THE FUTURE AND I'M SO EXCITED 783 00:31:46,972 --> 00:31:49,206 SEE INCREDIBLE THINGS FROM YOU IN THE FUTURE AND I'M SO EXCITED SEE IT. 784 00:31:49,208 --> 00:31:50,407 IN THE FUTURE AND I'M SO EXCITED SEE IT. EVERYBODY NEEDS TO SEE THIS 785 00:31:50,409 --> 00:31:52,976 SEE IT. EVERYBODY NEEDS TO SEE THIS FILM, THANK YOU SO MUCH. 786 00:31:52,978 --> 00:31:53,844 EVERYBODY NEEDS TO SEE THIS FILM, THANK YOU SO MUCH. YOU CAN CATCH "JUDAS AND THE 787 00:31:53,846 --> 00:31:55,245 FILM, THANK YOU SO MUCH. YOU CAN CATCH "JUDAS AND THE BLACK MESSIAH" IN THEATERS NOW, 788 00:31:55,247 --> 00:32:07,024 YOU CAN CATCH "JUDAS AND THE BLACK MESSIAH" IN THEATERS NOW, WILL BE BACK. 789 00:32:07,026 --> 00:32:09,593 BLACK MESSIAH" IN THEATERS NOW, WILL BE BACK. >> SUPER RELEVANT, LIKE, MENTAL 790 00:32:09,595 --> 00:32:10,827 WILL BE BACK. >> SUPER RELEVANT, LIKE, MENTAL HEALTH KIND OF TOPIC. 791 00:32:10,829 --> 00:32:12,829 >> SUPER RELEVANT, LIKE, MENTAL HEALTH KIND OF TOPIC. YOUR LIGHT, THAT SOMETHING I GO 792 00:32:12,831 --> 00:32:14,298 HEALTH KIND OF TOPIC. YOUR LIGHT, THAT SOMETHING I GO THROUGH, TOO 793 00:32:23,741 --> 00:32:28,845 >> tWitch: LET'S BE REAL. IN THE LAST YEAR IT HASN'T ALWAYS BEEN EASY TO STAY 794 00:32:28,847 --> 00:32:29,913 IN THE LAST YEAR IT HASN'T ALWAYS BEEN EASY TO STAY MOTIVATED. 795 00:32:29,915 --> 00:32:31,615 ALWAYS BEEN EASY TO STAY MOTIVATED. BUT MILLIONS OF PEOPLE INCLUDING 796 00:32:31,617 --> 00:32:32,916 MOTIVATED. BUT MILLIONS OF PEOPLE INCLUDING MYSELF HAVE BEEN GETTING A LOT 797 00:32:32,918 --> 00:32:34,685 BUT MILLIONS OF PEOPLE INCLUDING MYSELF HAVE BEEN GETTING A LOT OF THAT MOTIVATION FROM THESE 798 00:32:34,687 --> 00:32:35,085 MYSELF HAVE BEEN GETTING A LOT OF THAT MOTIVATION FROM THESE DANCERS ON TIKTOK. 799 00:32:35,087 --> 00:32:36,820 OF THAT MOTIVATION FROM THESE DANCERS ON TIKTOK. TAKE A LOOK. 800 00:32:36,822 --> 00:32:38,789 DANCERS ON TIKTOK. TAKE A LOOK. >> DON'T FORGET TO CALL YOUR 801 00:32:38,791 --> 00:32:39,356 TAKE A LOOK. >> DON'T FORGET TO CALL YOUR PARENTS, OKAY CUSTOMER THAT 802 00:32:39,358 --> 00:32:41,458 >> DON'T FORGET TO CALL YOUR PARENTS, OKAY CUSTOMER THAT EVERYONE HAS THEM IN YOUR LIFE. 803 00:32:41,460 --> 00:32:45,762 PARENTS, OKAY CUSTOMER THAT EVERYONE HAS THEM IN YOUR LIFE. CALL THEM. 804 00:32:45,764 --> 00:32:49,366 EVERYONE HAS THEM IN YOUR LIFE. CALL THEM. I'M DONE TALKING. 805 00:32:49,368 --> 00:32:52,202 CALL THEM. I'M DONE TALKING. FIVE, SIX, SEVEN, EIGHT! 806 00:32:52,204 --> 00:32:56,907 I'M DONE TALKING. FIVE, SIX, SEVEN, EIGHT! DON'T FORGET. 807 00:32:56,909 --> 00:33:01,845 FIVE, SIX, SEVEN, EIGHT! DON'T FORGET. LET THEM KNOW YOU LOVE THEM. 808 00:33:01,847 --> 00:33:04,247 DON'T FORGET. LET THEM KNOW YOU LOVE THEM. >> tWitch: FROM LOS ANGELES, 809 00:33:04,249 --> 00:33:06,316 LET THEM KNOW YOU LOVE THEM. >> tWitch: FROM LOS ANGELES, CALIFORNIA, PLEASE WELCOME THE 810 00:33:06,318 --> 00:33:08,618 >> tWitch: FROM LOS ANGELES, CALIFORNIA, PLEASE WELCOME THE MOTIVATIONAL WARRIORS, JASON, 811 00:33:08,620 --> 00:33:16,059 CALIFORNIA, PLEASE WELCOME THE MOTIVATIONAL WARRIORS, JASON, WILL, AND REX! 812 00:33:16,061 --> 00:33:16,994 MOTIVATIONAL WARRIORS, JASON, WILL, AND REX! >> tWitch: I CAN ROCK THAT, 813 00:33:16,996 --> 00:33:28,105 WILL, AND REX! >> tWitch: I CAN ROCK THAT, LET'S GO. 814 00:33:28,107 --> 00:33:30,007 >> tWitch: I CAN ROCK THAT, LET'S GO. I'M NOT GOING TO LIE, I'M SO 815 00:33:30,009 --> 00:33:34,745 LET'S GO. I'M NOT GOING TO LIE, I'M SO EXCITED THAT YOU ALL ARE HERE. 816 00:33:34,747 --> 00:33:36,079 I'M NOT GOING TO LIE, I'M SO EXCITED THAT YOU ALL ARE HERE. I'VE KNOWN YOU ALL FROM DANCE 817 00:33:36,081 --> 00:33:37,347 EXCITED THAT YOU ALL ARE HERE. I'VE KNOWN YOU ALL FROM DANCE WORLD AND JUST SEEING EVERYTHING 818 00:33:37,349 --> 00:33:38,715 I'VE KNOWN YOU ALL FROM DANCE WORLD AND JUST SEEING EVERYTHING THAT YOU ALL UP AND PUTTING OUT 819 00:33:38,717 --> 00:33:39,649 WORLD AND JUST SEEING EVERYTHING THAT YOU ALL UP AND PUTTING OUT AS FAR AS MOTIVATIONAL CONTENT 820 00:33:39,651 --> 00:33:43,220 THAT YOU ALL UP AND PUTTING OUT AS FAR AS MOTIVATIONAL CONTENT AND ALL OF THAT, I'M SO PROUD 821 00:33:43,222 --> 00:33:51,728 AS FAR AS MOTIVATIONAL CONTENT AND ALL OF THAT, I'M SO PROUD AND SO HAPPY THAT YOU'RE HERE. 822 00:33:51,730 --> 00:33:53,363 AND ALL OF THAT, I'M SO PROUD AND SO HAPPY THAT YOU'RE HERE. >> JUST BEING EXCITED, JUST 823 00:33:53,365 --> 00:33:55,665 AND SO HAPPY THAT YOU'RE HERE. >> JUST BEING EXCITED, JUST BEING HERE IN FRONT OF YOU, YOU 824 00:33:55,667 --> 00:33:56,299 >> JUST BEING EXCITED, JUST BEING HERE IN FRONT OF YOU, YOU HAVE BEEN AN INSANE INSPIRATION 825 00:33:56,301 --> 00:33:59,202 BEING HERE IN FRONT OF YOU, YOU HAVE BEEN AN INSANE INSPIRATION TO US IN OUR CAREERS, COMING 826 00:33:59,204 --> 00:34:03,073 HAVE BEEN AN INSANE INSPIRATION TO US IN OUR CAREERS, COMING FROM ONE DANCER TO ANOTHER, 827 00:34:03,075 --> 00:34:11,848 TO US IN OUR CAREERS, COMING FROM ONE DANCER TO ANOTHER, YOU'RE THE MAN. 828 00:34:11,850 --> 00:34:13,283 FROM ONE DANCER TO ANOTHER, YOU'RE THE MAN. >> tWitch: HOW DID YOU COME UP 829 00:34:13,285 --> 00:34:14,451 YOU'RE THE MAN. >> tWitch: HOW DID YOU COME UP WITH THE IDEA TO DO THIS? 830 00:34:14,453 --> 00:34:17,521 >> tWitch: HOW DID YOU COME UP WITH THE IDEA TO DO THIS? >> IS A LITTLE HARD TO GUESS BUT 831 00:34:17,523 --> 00:34:18,121 WITH THE IDEA TO DO THIS? >> IS A LITTLE HARD TO GUESS BUT LAST YEAR AROUND THIS TIME I 832 00:34:18,123 --> 00:34:19,056 >> IS A LITTLE HARD TO GUESS BUT LAST YEAR AROUND THIS TIME I KIND OF WENT THROUGH MY OWN 833 00:34:19,058 --> 00:34:23,894 LAST YEAR AROUND THIS TIME I KIND OF WENT THROUGH MY OWN LITTLE DEPRESSIVE SPELL. 834 00:34:23,896 --> 00:34:28,231 KIND OF WENT THROUGH MY OWN LITTLE DEPRESSIVE SPELL. IF THE QUARANTINE, YOU KNOW? 835 00:34:28,233 --> 00:34:28,832 LITTLE DEPRESSIVE SPELL. IF THE QUARANTINE, YOU KNOW? I WAS FORTUNATE ENOUGH TO GET 836 00:34:28,834 --> 00:34:30,934 IF THE QUARANTINE, YOU KNOW? I WAS FORTUNATE ENOUGH TO GET OUT OF IT. 837 00:34:30,936 --> 00:34:32,969 I WAS FORTUNATE ENOUGH TO GET OUT OF IT. I STARTED LOOKING A LOT ON THIS 838 00:34:32,971 --> 00:34:34,571 OUT OF IT. I STARTED LOOKING A LOT ON THIS APP CALLED TIKTOK AND THEN 839 00:34:34,573 --> 00:34:35,305 I STARTED LOOKING A LOT ON THIS APP CALLED TIKTOK AND THEN DECIDED TO PUT MY CREATIVE 840 00:34:35,307 --> 00:34:40,710 APP CALLED TIKTOK AND THEN DECIDED TO PUT MY CREATIVE JUICES TO THE TEST. 841 00:34:40,712 --> 00:34:41,812 DECIDED TO PUT MY CREATIVE JUICES TO THE TEST. I ENDED UP CREATING THIS 842 00:34:41,814 --> 00:34:45,749 JUICES TO THE TEST. I ENDED UP CREATING THIS MOTIVATIONAL CHARACTER. 843 00:34:45,751 --> 00:34:46,349 I ENDED UP CREATING THIS MOTIVATIONAL CHARACTER. I DIDN'T REALLY THINK ANYTHING 844 00:34:46,351 --> 00:34:52,656 MOTIVATIONAL CHARACTER. I DIDN'T REALLY THINK ANYTHING OF IT. 845 00:34:52,658 --> 00:34:53,623 I DIDN'T REALLY THINK ANYTHING OF IT. AND THEN IMMEDIATELY THE 846 00:34:53,625 --> 00:34:56,259 OF IT. AND THEN IMMEDIATELY THE RESPONSE IS CRAZY. 847 00:34:56,261 --> 00:34:59,329 AND THEN IMMEDIATELY THE RESPONSE IS CRAZY. IT WAS SUPER POSITIVE, TOO, TO 848 00:34:59,331 --> 00:35:01,698 RESPONSE IS CRAZY. IT WAS SUPER POSITIVE, TOO, TO GET THAT MANY OVERWHELMING 849 00:35:01,700 --> 00:35:03,033 IT WAS SUPER POSITIVE, TOO, TO GET THAT MANY OVERWHELMING COMMENTS LIKE CONSISTENTLY, IT'S 850 00:35:03,035 --> 00:35:05,102 GET THAT MANY OVERWHELMING COMMENTS LIKE CONSISTENTLY, IT'S BEEN CRAZY AND MIND-BLOWING. 851 00:35:05,104 --> 00:35:06,903 COMMENTS LIKE CONSISTENTLY, IT'S BEEN CRAZY AND MIND-BLOWING. >> tWitch: IT'S ALSO SUCH A 852 00:35:06,905 --> 00:35:07,904 BEEN CRAZY AND MIND-BLOWING. >> tWitch: IT'S ALSO SUCH A BEAUTIFUL THING BECAUSE 853 00:35:07,906 --> 00:35:09,406 >> tWitch: IT'S ALSO SUCH A BEAUTIFUL THING BECAUSE OBVIOUSLY, AGAIN, LIKE I SAID, I 854 00:35:09,408 --> 00:35:12,642 BEAUTIFUL THING BECAUSE OBVIOUSLY, AGAIN, LIKE I SAID, I FOLLOWED ALL OF YOU ALL FOR A 855 00:35:12,644 --> 00:35:14,311 OBVIOUSLY, AGAIN, LIKE I SAID, I FOLLOWED ALL OF YOU ALL FOR A WHILE AND YOU PUT OUT COMEDIC 856 00:35:14,313 --> 00:35:15,512 FOLLOWED ALL OF YOU ALL FOR A WHILE AND YOU PUT OUT COMEDIC CONTENT AND HAVE CHARACTERS IN 857 00:35:15,514 --> 00:35:17,914 WHILE AND YOU PUT OUT COMEDIC CONTENT AND HAVE CHARACTERS IN ALL THESE THINGS BUT I THINK 858 00:35:17,916 --> 00:35:19,382 CONTENT AND HAVE CHARACTERS IN ALL THESE THINGS BUT I THINK THIS, THIS HIT AT SUCH A TIME 859 00:35:19,384 --> 00:35:21,318 ALL THESE THINGS BUT I THINK THIS, THIS HIT AT SUCH A TIME WHERE YOU COULD APPRECIATE THE 860 00:35:21,320 --> 00:35:22,719 THIS, THIS HIT AT SUCH A TIME WHERE YOU COULD APPRECIATE THE HUMOR BUT YOU ARE ALSO SEEING 861 00:35:22,721 --> 00:35:24,688 WHERE YOU COULD APPRECIATE THE HUMOR BUT YOU ARE ALSO SEEING REAL THINGS AS WELL WITH IT. 862 00:35:24,690 --> 00:35:26,022 HUMOR BUT YOU ARE ALSO SEEING REAL THINGS AS WELL WITH IT. AND YOU JUST HAPPEN TO PAIR IT 863 00:35:26,024 --> 00:35:27,390 REAL THINGS AS WELL WITH IT. AND YOU JUST HAPPEN TO PAIR IT WITH DANCE AND ALL THAT KIND OF 864 00:35:27,392 --> 00:35:29,826 AND YOU JUST HAPPEN TO PAIR IT WITH DANCE AND ALL THAT KIND OF STUFF SO IT REALLY DID HIT AND 865 00:35:29,828 --> 00:35:31,394 WITH DANCE AND ALL THAT KIND OF STUFF SO IT REALLY DID HIT AND IT'S REALLY TAKEN OFF AND I FEEL 866 00:35:31,396 --> 00:35:33,130 STUFF SO IT REALLY DID HIT AND IT'S REALLY TAKEN OFF AND I FEEL LIKE IT'S SOMETHING THAT WE 867 00:35:33,132 --> 00:35:34,197 IT'S REALLY TAKEN OFF AND I FEEL LIKE IT'S SOMETHING THAT WE NEEDED DURING THOSE TIMES, YOU 868 00:35:34,199 --> 00:35:34,397 LIKE IT'S SOMETHING THAT WE NEEDED DURING THOSE TIMES, YOU KNOW? 869 00:35:34,399 --> 00:35:37,067 NEEDED DURING THOSE TIMES, YOU KNOW? WE NEEDED THAT LATE. 870 00:35:37,069 --> 00:35:38,668 KNOW? WE NEEDED THAT LATE. >> THAT WAS THE COOL PART ABOUT 871 00:35:38,670 --> 00:35:39,236 WE NEEDED THAT LATE. >> THAT WAS THE COOL PART ABOUT IT. 872 00:35:39,238 --> 00:35:41,771 >> THAT WAS THE COOL PART ABOUT IT. IT WAS MORE OF ROTE REFLECTION 873 00:35:41,773 --> 00:35:44,040 IT. IT WAS MORE OF ROTE REFLECTION OF ME AND THE WORLD, A SUPER 874 00:35:44,042 --> 00:35:45,375 IT WAS MORE OF ROTE REFLECTION OF ME AND THE WORLD, A SUPER RELEVANT MENTAL HEALTH KIND OF 875 00:35:45,377 --> 00:35:45,709 OF ME AND THE WORLD, A SUPER RELEVANT MENTAL HEALTH KIND OF TOPIC. 876 00:35:45,711 --> 00:35:47,144 RELEVANT MENTAL HEALTH KIND OF TOPIC. EVEN SOME OF THE VIDEOS THAT YOU 877 00:35:47,146 --> 00:35:49,312 TOPIC. EVEN SOME OF THE VIDEOS THAT YOU WOULD SEE, I'M NOT LOOKING 878 00:35:49,314 --> 00:35:51,148 EVEN SOME OF THE VIDEOS THAT YOU WOULD SEE, I'M NOT LOOKING ONLINE, WHAT TOPIC SHOULD WE 879 00:35:51,150 --> 00:35:53,250 WOULD SEE, I'M NOT LOOKING ONLINE, WHAT TOPIC SHOULD WE TALK ABOUT, I WAS JUST, THIS IS 880 00:35:53,252 --> 00:35:54,117 ONLINE, WHAT TOPIC SHOULD WE TALK ABOUT, I WAS JUST, THIS IS SOMETHING I GO THROUGH AND THE 881 00:35:54,119 --> 00:35:55,018 TALK ABOUT, I WAS JUST, THIS IS SOMETHING I GO THROUGH AND THE REST OF THE WORLD IS GOING 882 00:35:55,020 --> 00:35:58,488 SOMETHING I GO THROUGH AND THE REST OF THE WORLD IS GOING THROUGH AT THE SAME TIME. 883 00:35:58,490 --> 00:35:59,189 REST OF THE WORLD IS GOING THROUGH AT THE SAME TIME. IT WAS A PERFECT MOTIVATIONAL, 884 00:35:59,191 --> 00:36:01,658 THROUGH AT THE SAME TIME. IT WAS A PERFECT MOTIVATIONAL, POSITIVE STORM. 885 00:36:01,660 --> 00:36:03,660 IT WAS A PERFECT MOTIVATIONAL, POSITIVE STORM. >> tWitch: NOW, WELL, YOU ARE 886 00:36:03,662 --> 00:36:04,628 POSITIVE STORM. >> tWitch: NOW, WELL, YOU ARE NO STRANGER TO THE SHOW, YOU'VE 887 00:36:04,630 --> 00:36:06,763 >> tWitch: NOW, WELL, YOU ARE NO STRANGER TO THE SHOW, YOU'VE ACTUALLY BEEN HERE BEFORE. 888 00:36:06,765 --> 00:36:08,899 NO STRANGER TO THE SHOW, YOU'VE ACTUALLY BEEN HERE BEFORE. >> I HAVE, IT'S CRAZY. 889 00:36:08,901 --> 00:36:10,467 ACTUALLY BEEN HERE BEFORE. >> I HAVE, IT'S CRAZY. ABOUT TEN YEARS AGO, ACTUALLY, 890 00:36:10,469 --> 00:36:12,602 >> I HAVE, IT'S CRAZY. ABOUT TEN YEARS AGO, ACTUALLY, IN MARCH, WAS MY VERY FIRST 891 00:36:12,604 --> 00:36:15,305 ABOUT TEN YEARS AGO, ACTUALLY, IN MARCH, WAS MY VERY FIRST PROFESSIONAL JOB WITH MIRANDA 892 00:36:15,307 --> 00:36:17,207 IN MARCH, WAS MY VERY FIRST PROFESSIONAL JOB WITH MIRANDA COSGROVE, I WAS DANCING RIGHT ON 893 00:36:17,209 --> 00:36:17,607 PROFESSIONAL JOB WITH MIRANDA COSGROVE, I WAS DANCING RIGHT ON THAT STAGE. 894 00:36:17,609 --> 00:36:22,879 COSGROVE, I WAS DANCING RIGHT ON THAT STAGE. I WAS LIKE LITTLE BILL. 895 00:36:22,881 --> 00:36:24,848 THAT STAGE. I WAS LIKE LITTLE BILL. [LAUGHTER] 896 00:36:24,850 --> 00:36:25,882 I WAS LIKE LITTLE BILL. [LAUGHTER] YEAH, A LITTLE NUGGET. 897 00:36:25,884 --> 00:36:26,850 [LAUGHTER] YEAH, A LITTLE NUGGET. BUT I THINK IT'S ABSENTLY CRAZY 898 00:36:26,852 --> 00:36:29,286 YEAH, A LITTLE NUGGET. BUT I THINK IT'S ABSENTLY CRAZY TO ME, YOU KNOW, FOR ALL OF 899 00:36:29,288 --> 00:36:30,720 BUT I THINK IT'S ABSENTLY CRAZY TO ME, YOU KNOW, FOR ALL OF THESE YEARS I'VE BEEN WORKING SO 900 00:36:30,722 --> 00:36:33,123 TO ME, YOU KNOW, FOR ALL OF THESE YEARS I'VE BEEN WORKING SO HARD TO GET TO WHERE I'M AT AND 901 00:36:33,125 --> 00:36:34,925 THESE YEARS I'VE BEEN WORKING SO HARD TO GET TO WHERE I'M AT AND TO BE THIS PROFESSIONAL DANCER 902 00:36:34,927 --> 00:36:36,560 HARD TO GET TO WHERE I'M AT AND TO BE THIS PROFESSIONAL DANCER AND TO BE HERE ON "ELLEN" IS A 903 00:36:36,562 --> 00:36:37,327 TO BE THIS PROFESSIONAL DANCER AND TO BE HERE ON "ELLEN" IS A COMPLETE FULL CIRCLE TO ME. 904 00:36:37,329 --> 00:36:38,328 AND TO BE HERE ON "ELLEN" IS A COMPLETE FULL CIRCLE TO ME. I THINK MY FAVORITE THING ABOUT 905 00:36:38,330 --> 00:36:39,996 COMPLETE FULL CIRCLE TO ME. I THINK MY FAVORITE THING ABOUT IT IS BEING HERE WITH YOU JUST 906 00:36:39,998 --> 00:36:42,199 I THINK MY FAVORITE THING ABOUT IT IS BEING HERE WITH YOU JUST BECAUSE I LOOKED UP TO YOU, YOU 907 00:36:42,201 --> 00:36:42,399 IT IS BEING HERE WITH YOU JUST BECAUSE I LOOKED UP TO YOU, YOU KNOW? 908 00:36:42,401 --> 00:36:44,334 BECAUSE I LOOKED UP TO YOU, YOU KNOW? I LOOKED UP TO YOU BEING A 909 00:36:44,336 --> 00:36:46,636 KNOW? I LOOKED UP TO YOU BEING A DANCER, BEING A GREAT, HUMBLE 910 00:36:46,638 --> 00:36:47,637 I LOOKED UP TO YOU BEING A DANCER, BEING A GREAT, HUMBLE PERSON OVERALL AND I KIND OF SEE 911 00:36:47,639 --> 00:36:51,741 DANCER, BEING A GREAT, HUMBLE PERSON OVERALL AND I KIND OF SEE THIS ALL THE TIME BUT, YOU ARE 912 00:36:51,743 --> 00:36:53,543 PERSON OVERALL AND I KIND OF SEE THIS ALL THE TIME BUT, YOU ARE SECOND-PLACE BUT FIRST PLACE IN 913 00:36:53,545 --> 00:36:53,743 THIS ALL THE TIME BUT, YOU ARE SECOND-PLACE BUT FIRST PLACE IN LIFE. 914 00:36:53,745 --> 00:36:54,244 SECOND-PLACE BUT FIRST PLACE IN LIFE. >> tWitch: THANK YOU, I 915 00:36:54,246 --> 00:36:57,681 LIFE. >> tWitch: THANK YOU, I APPRECIATE THAT. 916 00:36:57,683 --> 00:36:58,848 >> tWitch: THANK YOU, I APPRECIATE THAT. THE DANCE WORLD IS REALLY BEEN 917 00:36:58,850 --> 00:37:01,518 APPRECIATE THAT. THE DANCE WORLD IS REALLY BEEN AFFECTED BY THIS PANDEMIC BUT 918 00:37:01,520 --> 00:37:02,152 THE DANCE WORLD IS REALLY BEEN AFFECTED BY THIS PANDEMIC BUT THESE VIDEOS AND CONTENT HAVE 919 00:37:02,154 --> 00:37:04,020 AFFECTED BY THIS PANDEMIC BUT THESE VIDEOS AND CONTENT HAVE REALLY HELPED YOU ALL MAKE A 920 00:37:04,022 --> 00:37:05,655 THESE VIDEOS AND CONTENT HAVE REALLY HELPED YOU ALL MAKE A LIVING DURING ALL OF THIS. 921 00:37:05,657 --> 00:37:07,090 REALLY HELPED YOU ALL MAKE A LIVING DURING ALL OF THIS. TELL US ABOUT THAT. 922 00:37:07,092 --> 00:37:09,259 LIVING DURING ALL OF THIS. TELL US ABOUT THAT. >> ESPECIALLY RIGHT NOW IN L.A. 923 00:37:09,261 --> 00:37:10,827 TELL US ABOUT THAT. >> ESPECIALLY RIGHT NOW IN L.A. SPECIFICALLY ALL DANCE STUDIOS 924 00:37:10,829 --> 00:37:12,128 >> ESPECIALLY RIGHT NOW IN L.A. SPECIFICALLY ALL DANCE STUDIOS ARE CLOSED FOR LOCKDOWN. 925 00:37:12,130 --> 00:37:15,031 SPECIFICALLY ALL DANCE STUDIOS ARE CLOSED FOR LOCKDOWN. ALL AWARD SHOWS AND OTHER THINGS 926 00:37:15,033 --> 00:37:16,366 ARE CLOSED FOR LOCKDOWN. ALL AWARD SHOWS AND OTHER THINGS WE COULD GET BOOKED ON HIS SUPER 927 00:37:16,368 --> 00:37:19,236 ALL AWARD SHOWS AND OTHER THINGS WE COULD GET BOOKED ON HIS SUPER SMALL CROWDS THINGS TO COVID SO 928 00:37:19,238 --> 00:37:20,170 WE COULD GET BOOKED ON HIS SUPER SMALL CROWDS THINGS TO COVID SO TO HAVE OUR LIVELIHOOD TAKEN 929 00:37:20,172 --> 00:37:22,239 SMALL CROWDS THINGS TO COVID SO TO HAVE OUR LIVELIHOOD TAKEN AWAY WITH US OUT OF OUR CONTROL, 930 00:37:22,241 --> 00:37:24,274 TO HAVE OUR LIVELIHOOD TAKEN AWAY WITH US OUT OF OUR CONTROL, ME, ESPECIALLY, I WAS STRUGGLING 931 00:37:24,276 --> 00:37:24,908 AWAY WITH US OUT OF OUR CONTROL, ME, ESPECIALLY, I WAS STRUGGLING A LOT. 932 00:37:24,910 --> 00:37:26,343 ME, ESPECIALLY, I WAS STRUGGLING A LOT. SO GETTING TOGETHER AND BEING 933 00:37:26,345 --> 00:37:28,378 A LOT. SO GETTING TOGETHER AND BEING ABLE TO DO THIS HAS HELPED US 934 00:37:28,380 --> 00:37:29,980 SO GETTING TOGETHER AND BEING ABLE TO DO THIS HAS HELPED US MAKE ENDS MEET AND ABOVE ALL, 935 00:37:29,982 --> 00:37:34,217 ABLE TO DO THIS HAS HELPED US MAKE ENDS MEET AND ABOVE ALL, ESPECIALLY RIGHT NOW, LIKE, 936 00:37:34,219 --> 00:37:35,585 MAKE ENDS MEET AND ABOVE ALL, ESPECIALLY RIGHT NOW, LIKE, HUMAN CONNECTION IS A LITTLE BIT 937 00:37:35,587 --> 00:37:35,752 ESPECIALLY RIGHT NOW, LIKE, HUMAN CONNECTION IS A LITTLE BIT ODD. 938 00:37:35,754 --> 00:37:38,688 HUMAN CONNECTION IS A LITTLE BIT ODD. WE BEEN INSIDE FOR A LONG TIME 939 00:37:38,690 --> 00:37:40,357 ODD. WE BEEN INSIDE FOR A LONG TIME SO GETTING TO ALSO DEVELOP A 940 00:37:40,359 --> 00:37:42,525 WE BEEN INSIDE FOR A LONG TIME SO GETTING TO ALSO DEVELOP A FRIENDSHIP WAS REALLY, REALLY 941 00:37:42,527 --> 00:37:45,462 SO GETTING TO ALSO DEVELOP A FRIENDSHIP WAS REALLY, REALLY IMPORTANT. 942 00:37:45,464 --> 00:37:47,731 FRIENDSHIP WAS REALLY, REALLY IMPORTANT. >> I JUST WANT TO KEEP GIVING 943 00:37:47,733 --> 00:37:50,834 IMPORTANT. >> I JUST WANT TO KEEP GIVING YOU ALL THE ROSES, YOU'RE HERE, 944 00:37:50,836 --> 00:37:53,470 >> I JUST WANT TO KEEP GIVING YOU ALL THE ROSES, YOU'RE HERE, I'M EXCITED TO SEE YOU ALL 945 00:37:53,472 --> 00:37:55,305 YOU ALL THE ROSES, YOU'RE HERE, I'M EXCITED TO SEE YOU ALL PERFORM. 946 00:37:55,307 --> 00:37:56,072 I'M EXCITED TO SEE YOU ALL PERFORM. I'M EXCITED TO SEE YOU ALL 947 00:37:56,074 --> 00:37:56,873 PERFORM. I'M EXCITED TO SEE YOU ALL PERFORM AND WORKING TO DO THAT 948 00:37:56,875 --> 00:38:00,010 I'M EXCITED TO SEE YOU ALL PERFORM AND WORKING TO DO THAT RIGHT AFTER THE BREAK. 949 00:38:00,012 --> 00:38:08,318 PERFORM AND WORKING TO DO THAT RIGHT AFTER THE BREAK. ♪ ♪ 950 00:38:08,320 --> 00:38:11,288 RIGHT AFTER THE BREAK. ♪ ♪ >> GET PHYSICAL THIS YEAR, OKAY? 951 00:38:11,290 --> 00:38:13,123 ♪ ♪ >> GET PHYSICAL THIS YEAR, OKAY? GET ACTIVE, GET HEALTHY, GET 952 00:38:13,125 --> 00:38:13,723 >> GET PHYSICAL THIS YEAR, OKAY? GET ACTIVE, GET HEALTHY, GET SOME FRIENDS TO HELP YOU ALONG 953 00:38:13,725 --> 00:38:23,233 GET ACTIVE, GET HEALTHY, GET SOME FRIENDS TO HELP YOU ALONG THE WAY. 954 00:38:23,235 --> 00:38:27,003 SOME FRIENDS TO HELP YOU ALONG THE WAY. [CHEERS AND APPLAUSE] 955 00:38:27,005 --> 00:38:28,672 THE WAY. [CHEERS AND APPLAUSE] >> tWitch: WE ARE BACK WITH 956 00:38:28,674 --> 00:38:29,272 [CHEERS AND APPLAUSE] >> tWitch: WE ARE BACK WITH MOTIVATIONAL WARRIORS AND NOW 957 00:38:29,274 --> 00:38:29,873 >> tWitch: WE ARE BACK WITH MOTIVATIONAL WARRIORS AND NOW WE'LL SEE THEM DO WHAT THEY DO 958 00:38:29,875 --> 00:38:30,073 MOTIVATIONAL WARRIORS AND NOW WE'LL SEE THEM DO WHAT THEY DO BEST. 959 00:38:30,075 --> 00:38:35,578 WE'LL SEE THEM DO WHAT THEY DO BEST. TAKE IT AWAY. 960 00:38:35,580 --> 00:38:38,248 BEST. TAKE IT AWAY. >> WE ARE READY, COME ON, AN 961 00:38:38,250 --> 00:38:40,717 TAKE IT AWAY. >> WE ARE READY, COME ON, AN INVITATION FOR MOTIVATION. 962 00:38:40,719 --> 00:38:43,019 >> WE ARE READY, COME ON, AN INVITATION FOR MOTIVATION. 2021 IS GOING TO BE THE GREATEST 963 00:38:43,021 --> 00:38:43,320 INVITATION FOR MOTIVATION. 2021 IS GOING TO BE THE GREATEST YEAR EVER. 964 00:38:43,322 --> 00:38:43,620 2021 IS GOING TO BE THE GREATEST YEAR EVER. I THINK. 965 00:38:43,622 --> 00:38:46,523 YEAR EVER. I THINK. DON'T QUOTE ME ON THAT. 966 00:38:46,525 --> 00:38:49,259 I THINK. DON'T QUOTE ME ON THAT. GUYS, DO NOT FORGET. 967 00:38:49,261 --> 00:38:51,661 DON'T QUOTE ME ON THAT. GUYS, DO NOT FORGET. DO NOT FORGET TO TRY NEW THINGS. 968 00:38:51,663 --> 00:38:52,329 GUYS, DO NOT FORGET. DO NOT FORGET TO TRY NEW THINGS. JUST BECAUSE YOUR INEXPERIENCE 969 00:38:52,331 --> 00:38:54,064 DO NOT FORGET TO TRY NEW THINGS. JUST BECAUSE YOUR INEXPERIENCE DOESN'T MEAN YOU'RE NOT 970 00:38:54,066 --> 00:38:55,065 JUST BECAUSE YOUR INEXPERIENCE DOESN'T MEAN YOU'RE NOT QUALIFIED. 971 00:38:55,067 --> 00:38:57,033 DOESN'T MEAN YOU'RE NOT QUALIFIED. YOU'RE QUALIFIED AND YOU ARE 972 00:38:57,035 --> 00:38:57,867 QUALIFIED. YOU'RE QUALIFIED AND YOU ARE AMAZING. 973 00:38:57,869 --> 00:39:00,170 YOU'RE QUALIFIED AND YOU ARE AMAZING. I'M DONE TALKING, DANCERS, LET'S 974 00:39:00,172 --> 00:39:02,172 AMAZING. I'M DONE TALKING, DANCERS, LET'S GO. 975 00:39:02,174 --> 00:39:05,675 I'M DONE TALKING, DANCERS, LET'S GO. TRY NEW THINGS. 976 00:39:05,677 --> 00:39:07,844 GO. TRY NEW THINGS. I JUST WANT TO TRY SOME NEW 977 00:39:07,846 --> 00:39:09,913 TRY NEW THINGS. I JUST WANT TO TRY SOME NEW THINGS. 978 00:39:09,915 --> 00:39:13,650 I JUST WANT TO TRY SOME NEW THINGS. YOU'LL HAVE AN AMAZING YEAR. 979 00:39:13,652 --> 00:39:16,186 THINGS. YOU'LL HAVE AN AMAZING YEAR. SPRING BREAK IS HERE WHICH MEANS 980 00:39:16,188 --> 00:39:19,022 YOU'LL HAVE AN AMAZING YEAR. SPRING BREAK IS HERE WHICH MEANS DON'T FORGET TO WEAR PROTECTION. 981 00:39:19,024 --> 00:39:21,091 SPRING BREAK IS HERE WHICH MEANS DON'T FORGET TO WEAR PROTECTION. I'M TALKING ABOUT THE FACE MASK. 982 00:39:21,093 --> 00:39:22,058 DON'T FORGET TO WEAR PROTECTION. I'M TALKING ABOUT THE FACE MASK. GUYS, LOOK. 983 00:39:22,060 --> 00:39:22,692 I'M TALKING ABOUT THE FACE MASK. GUYS, LOOK. IF THERE'S STILL PANDEMIC. 984 00:39:22,694 --> 00:39:24,427 GUYS, LOOK. IF THERE'S STILL PANDEMIC. BE SAFE. 985 00:39:24,429 --> 00:39:28,331 IF THERE'S STILL PANDEMIC. BE SAFE. WRAP IT AROUND YOUR FACE. 986 00:39:28,333 --> 00:39:30,300 BE SAFE. WRAP IT AROUND YOUR FACE. ALSO, GUYS, GET PHYSICAL THIS 987 00:39:30,302 --> 00:39:30,600 WRAP IT AROUND YOUR FACE. ALSO, GUYS, GET PHYSICAL THIS YEAR, OKAY? 988 00:39:30,602 --> 00:39:33,870 ALSO, GUYS, GET PHYSICAL THIS YEAR, OKAY? GET ACTIVE, GET HEALTHY. 989 00:39:33,872 --> 00:39:34,437 YEAR, OKAY? GET ACTIVE, GET HEALTHY. GET SOME FRIENDS TO HELP YOU 990 00:39:34,439 --> 00:39:37,407 GET ACTIVE, GET HEALTHY. GET SOME FRIENDS TO HELP YOU ALONG THE WAY. 991 00:39:37,409 --> 00:39:39,476 GET SOME FRIENDS TO HELP YOU ALONG THE WAY. FRIENDSHIP OVER EVERYTHING, 992 00:39:39,478 --> 00:39:40,977 ALONG THE WAY. FRIENDSHIP OVER EVERYTHING, ALL RIGHT? 993 00:39:40,979 --> 00:39:45,048 FRIENDSHIP OVER EVERYTHING, ALL RIGHT? SOCIAL DISTANCE, COME ON, GUYS. 994 00:39:45,050 --> 00:39:47,217 ALL RIGHT? SOCIAL DISTANCE, COME ON, GUYS. WE HAVE A FRIEND HELPING US 995 00:39:47,219 --> 00:39:47,851 SOCIAL DISTANCE, COME ON, GUYS. WE HAVE A FRIEND HELPING US TODAY, THE MOTIVATIONAL MASTER, 996 00:39:47,853 --> 00:39:52,922 WE HAVE A FRIEND HELPING US TODAY, THE MOTIVATIONAL MASTER, THE POSITIVELY CARING, THERE HE 997 00:39:52,924 --> 00:39:56,693 TODAY, THE MOTIVATIONAL MASTER, THE POSITIVELY CARING, THERE HE IS. 998 00:39:56,695 --> 00:39:58,928 THE POSITIVELY CARING, THERE HE IS. I JUST WANT TO PARTY WITH 999 00:39:58,930 --> 00:40:01,231 IS. I JUST WANT TO PARTY WITH TWITCH. 1000 00:40:01,233 --> 00:40:03,500 I JUST WANT TO PARTY WITH TWITCH. LET'S GO, WE ARE ALL FAMILY 1001 00:40:03,502 --> 00:40:08,338 TWITCH. LET'S GO, WE ARE ALL FAMILY TODAY. 1002 00:40:08,340 --> 00:40:13,376 LET'S GO, WE ARE ALL FAMILY TODAY. THAT'S WHAT I'M TALKING ABOUT. 1003 00:40:13,378 --> 00:40:17,180 TODAY. THAT'S WHAT I'M TALKING ABOUT. >> YES! 1004 00:40:17,182 --> 00:40:19,616 THAT'S WHAT I'M TALKING ABOUT. >> YES! NOW THAT I'M AN OFFICIAL 1005 00:40:19,618 --> 00:40:20,183 >> YES! NOW THAT I'M AN OFFICIAL MOTIVATIONAL WARRIOR I HAVE 1006 00:40:20,185 --> 00:40:21,484 NOW THAT I'M AN OFFICIAL MOTIVATIONAL WARRIOR I HAVE SOMETHING I WANT TO GIVE YOU ALL 1007 00:40:21,486 --> 00:40:22,018 MOTIVATIONAL WARRIOR I HAVE SOMETHING I WANT TO GIVE YOU ALL FOR YOUR NEXT VIDEO. 1008 00:40:22,020 --> 00:40:27,157 SOMETHING I WANT TO GIVE YOU ALL FOR YOUR NEXT VIDEO. I'VE GOT A GIFT FOR YOU ALL. 1009 00:40:27,159 --> 00:40:32,395 FOR YOUR NEXT VIDEO. I'VE GOT A GIFT FOR YOU ALL. GET INTO IT, GET INTO IT! 1010 00:40:32,397 --> 00:40:32,562 I'VE GOT A GIFT FOR YOU ALL. GET INTO IT, GET INTO IT! YES. 1011 00:40:32,564 --> 00:40:34,798 GET INTO IT, GET INTO IT! YES. OH, YES. 1012 00:40:34,800 --> 00:40:36,433 YES. OH, YES. WELL, THANK YOU ALL SO MUCH. 1013 00:40:36,435 --> 00:40:38,201 OH, YES. WELL, THANK YOU ALL SO MUCH. THANK YOU ALL FOR BEING HERE. 1014 00:40:38,203 --> 00:40:40,303 WELL, THANK YOU ALL SO MUCH. THANK YOU ALL FOR BEING HERE. I WANT TO THANK JOE MANGANIELLO, 1015 00:40:40,305 --> 00:40:41,304 THANK YOU ALL FOR BEING HERE. I WANT TO THANK JOE MANGANIELLO, I WANT TO THANK DOMINIQUE 1016 00:40:41,306 --> 00:40:42,238 I WANT TO THANK JOE MANGANIELLO, I WANT TO THANK DOMINIQUE FISHBACK, I WANT TO THANK MY 1017 00:40:42,240 --> 00:40:43,673 I WANT TO THANK DOMINIQUE FISHBACK, I WANT TO THANK MY FRIEND ELLEN FOR LETTING ME HOST 1018 00:40:43,675 --> 00:40:45,842 FISHBACK, I WANT TO THANK MY FRIEND ELLEN FOR LETTING ME HOST AGAIN AND I WANT TO THANK ALL OF 1019 00:40:45,844 --> 00:40:46,843 FRIEND ELLEN FOR LETTING ME HOST AGAIN AND I WANT TO THANK ALL OF YOU FOR WATCHING. 1020 00:40:46,845 --> 00:40:48,912 AGAIN AND I WANT TO THANK ALL OF YOU FOR WATCHING. HAVE A GREAT, WONDERFUL WEEKEND. 1021 00:40:48,914 --> 00:40:50,013 YOU FOR WATCHING. HAVE A GREAT, WONDERFUL WEEKEND. TO SPREAD LOVE. 1022 00:40:50,015 --> 00:40:52,615 HAVE A GREAT, WONDERFUL WEEKEND. TO SPREAD LOVE. GOOD-BYE! 1023 00:40:52,617 --> 00:40:57,120 TO SPREAD LOVE. GOOD-BYE! [CHEERS AND APPLAUSE] 1024 00:40:57,122 --> 00:40:59,789 GOOD-BYE! [CHEERS AND APPLAUSE] >> ANYWAY...