1 00:00:05,438 --> 00:00:06,605 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 2 00:00:06,607 --> 00:00:07,172 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 3 00:00:07,174 --> 00:00:07,373 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 4 00:00:07,375 --> 00:00:07,973 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 5 00:00:07,975 --> 00:00:09,108 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 6 00:00:09,110 --> 00:00:11,143 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 7 00:00:11,145 --> 00:00:13,612 ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 8 00:00:13,614 --> 00:00:14,146 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ >> Announcer: HERE SHE IS 9 00:00:14,148 --> 00:00:14,713 CLOCK ♪ >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES! 10 00:00:14,715 --> 00:00:15,180 >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES! [CHEERS AND APPLAUSE] 11 00:00:15,182 --> 00:00:16,915 NOW, ELLEN DeGENERES! [CHEERS AND APPLAUSE] ♪ ♪ 12 00:00:16,917 --> 00:00:17,316 [CHEERS AND APPLAUSE] ♪ ♪ ♪ OH OH OH ♪ 13 00:00:17,318 --> 00:00:17,983 ♪ ♪ ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ 14 00:00:17,985 --> 00:00:18,384 ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ 15 00:00:18,386 --> 00:00:20,419 ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ 16 00:00:20,421 --> 00:00:27,493 ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ 17 00:00:27,495 --> 00:00:27,960 ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] 18 00:00:27,962 --> 00:00:39,571 ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] ♪ ♪ 19 00:00:39,573 --> 00:00:41,006 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: HI, EVERYBODY! 20 00:00:41,008 --> 00:00:41,440 ♪ ♪ >> Ellen: HI, EVERYBODY! HI! 21 00:00:41,442 --> 00:00:43,409 >> Ellen: HI, EVERYBODY! HI! THANKS SO MUCH FOR BEING HERE. 22 00:00:43,411 --> 00:00:44,043 HI! THANKS SO MUCH FOR BEING HERE. I APPRECIATE IT. 23 00:00:44,045 --> 00:00:46,378 THANKS SO MUCH FOR BEING HERE. I APPRECIATE IT. ALL OF THOSE SMILES. 24 00:00:46,380 --> 00:00:47,513 I APPRECIATE IT. ALL OF THOSE SMILES. THE ONLY ADVANTAGE TO WATCHING 25 00:00:47,515 --> 00:00:48,947 ALL OF THOSE SMILES. THE ONLY ADVANTAGE TO WATCHING THE SHOW FROM HOME IS THAT YOU 26 00:00:48,949 --> 00:00:50,349 THE ONLY ADVANTAGE TO WATCHING THE SHOW FROM HOME IS THAT YOU DON'T HAVE TO BUY GAS TO GET 27 00:00:50,351 --> 00:00:51,350 THE SHOW FROM HOME IS THAT YOU DON'T HAVE TO BUY GAS TO GET HERE. 28 00:00:51,352 --> 00:00:52,518 DON'T HAVE TO BUY GAS TO GET HERE. BECAUSE THERE IS A GAS SHORTAGE 29 00:00:52,520 --> 00:00:53,552 HERE. BECAUSE THERE IS A GAS SHORTAGE ACROSS THE COUNTRY AND RIGHT NOW 30 00:00:53,554 --> 00:00:56,155 BECAUSE THERE IS A GAS SHORTAGE ACROSS THE COUNTRY AND RIGHT NOW A FULL TANK IS SO EXPENSIVE IT'S 31 00:00:56,157 --> 00:00:57,890 ACROSS THE COUNTRY AND RIGHT NOW A FULL TANK IS SO EXPENSIVE IT'S LIKE THE COST OF LIKE 5,000 OF A 32 00:00:57,892 --> 00:01:00,959 A FULL TANK IS SO EXPENSIVE IT'S LIKE THE COST OF LIKE 5,000 OF A BIT COIN. 33 00:01:00,961 --> 00:01:01,226 LIKE THE COST OF LIKE 5,000 OF A BIT COIN. [LAUGHTER] 34 00:01:01,228 --> 00:01:03,595 BIT COIN. [LAUGHTER] WHICH IS A LOT OF MONEY. 35 00:01:03,597 --> 00:01:04,229 [LAUGHTER] WHICH IS A LOT OF MONEY. YOU KNOW THAT THERE ARE RUMORS 36 00:01:04,231 --> 00:01:06,765 WHICH IS A LOT OF MONEY. YOU KNOW THAT THERE ARE RUMORS OUT THERE THAT PEOPLE ARE 37 00:01:06,767 --> 00:01:07,733 YOU KNOW THAT THERE ARE RUMORS OUT THERE THAT PEOPLE ARE HOARDING GASOLINE IN PLASTIC 38 00:01:07,735 --> 00:01:10,769 OUT THERE THAT PEOPLE ARE HOARDING GASOLINE IN PLASTIC BAGS WHICH IS NOT, NOBODY SHOULD 39 00:01:10,771 --> 00:01:13,772 HOARDING GASOLINE IN PLASTIC BAGS WHICH IS NOT, NOBODY SHOULD BE -- 40 00:01:13,774 --> 00:01:15,174 BAGS WHICH IS NOT, NOBODY SHOULD BE -- >> HERE SHE IS NOW TIG NOTARO! 41 00:01:15,176 --> 00:01:15,474 BE -- >> HERE SHE IS NOW TIG NOTARO! ♪ ♪ 42 00:01:15,476 --> 00:01:18,544 >> HERE SHE IS NOW TIG NOTARO! ♪ ♪ ♪ HEY, EVERYBODY, STOP WATCHING 43 00:01:18,546 --> 00:01:18,777 ♪ ♪ ♪ HEY, EVERYBODY, STOP WATCHING ELLEN ♪ 44 00:01:18,779 --> 00:01:21,547 ♪ HEY, EVERYBODY, STOP WATCHING ELLEN ♪ ♪ LOOK UP HERE, WATCH ME INSTEAD 45 00:01:21,549 --> 00:01:21,747 ELLEN ♪ ♪ LOOK UP HERE, WATCH ME INSTEAD OF ♪ 46 00:01:21,749 --> 00:01:29,188 ♪ LOOK UP HERE, WATCH ME INSTEAD OF ♪ ♪ TIG SHOW, TIG SHOW, NOT 47 00:01:29,190 --> 00:01:29,455 OF ♪ ♪ TIG SHOW, TIG SHOW, NOT ELLEN ♪ 48 00:01:29,457 --> 00:01:32,458 ♪ TIG SHOW, TIG SHOW, NOT ELLEN ♪ >> THANK YOU, WELCOME TO THE TIG 49 00:01:32,460 --> 00:01:33,392 ELLEN ♪ >> THANK YOU, WELCOME TO THE TIG SHOW. 50 00:01:33,394 --> 00:01:34,026 >> THANK YOU, WELCOME TO THE TIG SHOW. >> Ellen: TIG, WHAT ARE YOU 51 00:01:34,028 --> 00:01:34,593 SHOW. >> Ellen: TIG, WHAT ARE YOU DOING? 52 00:01:34,595 --> 00:01:36,995 >> Ellen: TIG, WHAT ARE YOU DOING? >> I'M DOING ANOTHER EPISODE OF 53 00:01:36,997 --> 00:01:40,232 DOING? >> I'M DOING ANOTHER EPISODE OF MY HIT DAYTIME TALK SHOW THE TIG 54 00:01:40,234 --> 00:01:42,367 >> I'M DOING ANOTHER EPISODE OF MY HIT DAYTIME TALK SHOW THE TIG SHOW, BUT I AM DOING IT OVER 55 00:01:42,369 --> 00:01:43,936 MY HIT DAYTIME TALK SHOW THE TIG SHOW, BUT I AM DOING IT OVER ZOOM THIS TIME, ELLEN. 56 00:01:43,938 --> 00:01:45,504 SHOW, BUT I AM DOING IT OVER ZOOM THIS TIME, ELLEN. >> Ellen: WHY? 57 00:01:45,506 --> 00:01:47,239 ZOOM THIS TIME, ELLEN. >> Ellen: WHY? >> BECAUSE THIS WAY I CAN LOOK 58 00:01:47,241 --> 00:01:49,541 >> Ellen: WHY? >> BECAUSE THIS WAY I CAN LOOK AT THE SCRIPT ON MY COMPUTER 59 00:01:49,543 --> 00:01:50,476 >> BECAUSE THIS WAY I CAN LOOK AT THE SCRIPT ON MY COMPUTER SCREEN INSTEAD OF TRYING TO READ 60 00:01:50,478 --> 00:01:53,612 AT THE SCRIPT ON MY COMPUTER SCREEN INSTEAD OF TRYING TO READ THE TELEPROMPTERS. 61 00:01:53,614 --> 00:01:53,946 SCREEN INSTEAD OF TRYING TO READ THE TELEPROMPTERS. [LAUGHTER] 62 00:01:53,948 --> 00:01:55,147 THE TELEPROMPTERS. [LAUGHTER] >> Ellen: I CAN SEE HOW THAT 63 00:01:55,149 --> 00:01:56,148 [LAUGHTER] >> Ellen: I CAN SEE HOW THAT WOULD BE BETTER FOR YOU. 64 00:01:56,150 --> 00:01:58,851 >> Ellen: I CAN SEE HOW THAT WOULD BE BETTER FOR YOU. HOW DID YOU EVEN GET ON MY 65 00:01:58,853 --> 00:02:00,185 WOULD BE BETTER FOR YOU. HOW DID YOU EVEN GET ON MY MONITOR? 66 00:02:00,187 --> 00:02:02,521 HOW DID YOU EVEN GET ON MY MONITOR? >> RUSSIAN HACKERS, OF COURSE, 67 00:02:02,523 --> 00:02:04,189 MONITOR? >> RUSSIAN HACKERS, OF COURSE, NOW CAN I START MY MONOLOGUE? 68 00:02:04,191 --> 00:02:05,991 >> RUSSIAN HACKERS, OF COURSE, NOW CAN I START MY MONOLOGUE? >> NO, I AM IN THE MIDDLE OF MY 69 00:02:05,993 --> 00:02:06,191 NOW CAN I START MY MONOLOGUE? >> NO, I AM IN THE MIDDLE OF MY SHOW. 70 00:02:06,193 --> 00:02:09,128 >> NO, I AM IN THE MIDDLE OF MY SHOW. HOW MANY TIMES HAVE WE GONE 71 00:02:09,130 --> 00:02:10,129 SHOW. HOW MANY TIMES HAVE WE GONE THROUGH THIS? 72 00:02:10,131 --> 00:02:11,530 HOW MANY TIMES HAVE WE GONE THROUGH THIS? >> FOUR TIMES EXACTLY. 73 00:02:11,532 --> 00:02:13,398 THROUGH THIS? >> FOUR TIMES EXACTLY. FOUR EPISODES AND WE HAVE GONE 74 00:02:13,400 --> 00:02:16,368 >> FOUR TIMES EXACTLY. FOUR EPISODES AND WE HAVE GONE THROUGH THIS EACH AND EVERY TI 75 00:02:16,370 --> 00:02:16,568 FOUR EPISODES AND WE HAVE GONE THROUGH THIS EACH AND EVERY TI TIME. 76 00:02:16,570 --> 00:02:18,337 THROUGH THIS EACH AND EVERY TI TIME. >> Ellen: WHICH IS THE POINT. 77 00:02:18,339 --> 00:02:19,571 TIME. >> Ellen: WHICH IS THE POINT. I'VE TOLD YOU THAT YOU CAN'T DO 78 00:02:19,573 --> 00:02:21,874 >> Ellen: WHICH IS THE POINT. I'VE TOLD YOU THAT YOU CAN'T DO YOUR SHOW DURING MY SHOW. 79 00:02:21,876 --> 00:02:25,210 I'VE TOLD YOU THAT YOU CAN'T DO YOUR SHOW DURING MY SHOW. >> NO, YOU SAID I CAN'T DO MY 80 00:02:25,212 --> 00:02:26,345 YOUR SHOW DURING MY SHOW. >> NO, YOU SAID I CAN'T DO MY SHOW FROM YOUR SKYBOX. 81 00:02:26,347 --> 00:02:29,348 >> NO, YOU SAID I CAN'T DO MY SHOW FROM YOUR SKYBOX. SO INSTEAD I AM DOING IT FROM 82 00:02:29,350 --> 00:02:30,382 SHOW FROM YOUR SKYBOX. SO INSTEAD I AM DOING IT FROM THIS SCREEN. 83 00:02:30,384 --> 00:02:30,649 SO INSTEAD I AM DOING IT FROM THIS SCREEN. [LAUGHTER] 84 00:02:30,651 --> 00:02:31,717 THIS SCREEN. [LAUGHTER] >> Ellen: WHEN YOU ARE ON THE 85 00:02:31,719 --> 00:02:32,618 [LAUGHTER] >> Ellen: WHEN YOU ARE ON THE BIG SCREEN IT'S EVEN MORE 86 00:02:32,620 --> 00:02:35,420 >> Ellen: WHEN YOU ARE ON THE BIG SCREEN IT'S EVEN MORE DISRUPTIVE TO ME. 87 00:02:35,422 --> 00:02:37,322 BIG SCREEN IT'S EVEN MORE DISRUPTIVE TO ME. >> OH, WELL I NEED TO BE ON THE 88 00:02:37,324 --> 00:02:38,557 DISRUPTIVE TO ME. >> OH, WELL I NEED TO BE ON THE BIG SCREEN BECAUSE I HAVE A BIG 89 00:02:38,559 --> 00:02:42,528 >> OH, WELL I NEED TO BE ON THE BIG SCREEN BECAUSE I HAVE A BIG ANNOUNCEMENT TO MAKE! 90 00:02:42,530 --> 00:02:42,794 BIG SCREEN BECAUSE I HAVE A BIG ANNOUNCEMENT TO MAKE! [LAUGHTER] 91 00:02:42,796 --> 00:02:45,130 ANNOUNCEMENT TO MAKE! [LAUGHTER] >> Ellen: WHAT IS YOUR BIG 92 00:02:45,132 --> 00:02:45,464 [LAUGHTER] >> Ellen: WHAT IS YOUR BIG ANNOUNCEMENT? 93 00:02:45,466 --> 00:02:47,599 >> Ellen: WHAT IS YOUR BIG ANNOUNCEMENT? >> MY BIG ANNOUNCEMENT, ARE YOU 94 00:02:47,601 --> 00:02:47,799 ANNOUNCEMENT? >> MY BIG ANNOUNCEMENT, ARE YOU READY? 95 00:02:47,801 --> 00:02:52,137 >> MY BIG ANNOUNCEMENT, ARE YOU READY? HERE IT COMES. 96 00:02:52,139 --> 00:02:53,305 READY? HERE IT COMES. ALL RIGHT. 97 00:02:53,307 --> 00:02:53,906 HERE IT COMES. ALL RIGHT. [LAUGHS] 98 00:02:53,908 --> 00:02:55,674 ALL RIGHT. [LAUGHS] THE BIG ANNOUNCEMENT IS THIS 99 00:02:55,676 --> 00:02:57,709 [LAUGHS] THE BIG ANNOUNCEMENT IS THIS NEXT YEAR WILL BE MY FINAL 100 00:02:57,711 --> 00:03:00,913 THE BIG ANNOUNCEMENT IS THIS NEXT YEAR WILL BE MY FINAL SEASON OF DOING THIS SHOW. 101 00:03:00,915 --> 00:03:02,114 NEXT YEAR WILL BE MY FINAL SEASON OF DOING THIS SHOW. [APPLAUSE] 102 00:03:02,116 --> 00:03:04,049 SEASON OF DOING THIS SHOW. [APPLAUSE] >> Ellen: THAT IS BECAUSE MY 103 00:03:04,051 --> 00:03:05,984 [APPLAUSE] >> Ellen: THAT IS BECAUSE MY SHOW IS THE FINAL SEASON OF NEXT 104 00:03:05,986 --> 00:03:07,519 >> Ellen: THAT IS BECAUSE MY SHOW IS THE FINAL SEASON OF NEXT YEAR, SO OF COURSE YOU CAN'T BE 105 00:03:07,521 --> 00:03:09,955 SHOW IS THE FINAL SEASON OF NEXT YEAR, SO OF COURSE YOU CAN'T BE HERE ANYMORE BECAUSE I WON'T BE 106 00:03:09,957 --> 00:03:11,190 YEAR, SO OF COURSE YOU CAN'T BE HERE ANYMORE BECAUSE I WON'T BE HERE ANYMORE. 107 00:03:11,192 --> 00:03:13,592 HERE ANYMORE BECAUSE I WON'T BE HERE ANYMORE. >> EXACTLY, BUT DON'T WORRY, I 108 00:03:13,594 --> 00:03:15,827 HERE ANYMORE. >> EXACTLY, BUT DON'T WORRY, I HAVE SOME OTHER PROJECTS IN THE 109 00:03:15,829 --> 00:03:16,595 >> EXACTLY, BUT DON'T WORRY, I HAVE SOME OTHER PROJECTS IN THE WORKS. 110 00:03:16,597 --> 00:03:17,796 HAVE SOME OTHER PROJECTS IN THE WORKS. >> Ellen: REALLY, WHAT? 111 00:03:17,798 --> 00:03:20,966 WORKS. >> Ellen: REALLY, WHAT? >> I MIGHT TRY TO INTERRUPT 112 00:03:20,968 --> 00:03:24,369 >> Ellen: REALLY, WHAT? >> I MIGHT TRY TO INTERRUPT JIMMY KIMBALL OR MAURY POVICH OR 113 00:03:24,371 --> 00:03:25,137 >> I MIGHT TRY TO INTERRUPT JIMMY KIMBALL OR MAURY POVICH OR SOMETHING LIKE THAT. 114 00:03:25,139 --> 00:03:25,904 JIMMY KIMBALL OR MAURY POVICH OR SOMETHING LIKE THAT. >> Ellen: GOOD LUCK WITH THAT. 115 00:03:25,906 --> 00:03:27,573 SOMETHING LIKE THAT. >> Ellen: GOOD LUCK WITH THAT. I WOULD LIKE TO CONTINUE WITH MY 116 00:03:27,575 --> 00:03:28,574 >> Ellen: GOOD LUCK WITH THAT. I WOULD LIKE TO CONTINUE WITH MY SHOW, BUT YOU HAVE TAKEN UP THE 117 00:03:28,576 --> 00:03:29,975 I WOULD LIKE TO CONTINUE WITH MY SHOW, BUT YOU HAVE TAKEN UP THE TIME THAT I WOULD BE DOING THE 118 00:03:29,977 --> 00:03:31,810 SHOW, BUT YOU HAVE TAKEN UP THE TIME THAT I WOULD BE DOING THE MONOLOGUE WHICH WAS A GOOD ONE 119 00:03:31,812 --> 00:03:32,544 TIME THAT I WOULD BE DOING THE MONOLOGUE WHICH WAS A GOOD ONE TODAY, BUT UNFORTUNATELY NOW WE 120 00:03:32,546 --> 00:03:33,845 MONOLOGUE WHICH WAS A GOOD ONE TODAY, BUT UNFORTUNATELY NOW WE ARE OUT OF TIME. 121 00:03:33,847 --> 00:03:34,947 TODAY, BUT UNFORTUNATELY NOW WE ARE OUT OF TIME. IF YOU ARE HERE DO YOU WANT TO 122 00:03:34,949 --> 00:03:37,549 ARE OUT OF TIME. IF YOU ARE HERE DO YOU WANT TO BRING OUT TWITCH? 123 00:03:37,551 --> 00:03:40,152 IF YOU ARE HERE DO YOU WANT TO BRING OUT TWITCH? >> I WOULD LOVE TO YOU, LADIES 124 00:03:40,154 --> 00:03:42,521 BRING OUT TWITCH? >> I WOULD LOVE TO YOU, LADIES AND GENTLEMEN, GIVE IT UP FOR 125 00:03:42,523 --> 00:03:42,754 >> I WOULD LOVE TO YOU, LADIES AND GENTLEMEN, GIVE IT UP FOR TWITCH! 126 00:03:42,756 --> 00:03:43,222 AND GENTLEMEN, GIVE IT UP FOR TWITCH! [CHEERS AND APPLAUSE] 127 00:03:43,224 --> 00:03:52,397 TWITCH! [CHEERS AND APPLAUSE] ♪ ♪ 128 00:03:54,767 --> 00:04:12,284 [CHEERS AND APPLAUSE] ♪ ♪ 129 00:04:17,323 --> 00:04:31,436 ♪ ♪ 130 00:04:44,183 --> 00:04:54,993 [CHEERS AND APPLAUSE] >> Ellen: TIG IS STILL THERE. SHE IS TRYING TO PET YOU, IT 131 00:04:54,995 --> 00:04:56,395 >> Ellen: TIG IS STILL THERE. SHE IS TRYING TO PET YOU, IT APPEARS. 132 00:04:56,397 --> 00:04:57,829 SHE IS TRYING TO PET YOU, IT APPEARS. OKAY. 133 00:04:57,831 --> 00:05:00,866 APPEARS. OKAY. HEY, TIG. 134 00:05:00,868 --> 00:05:01,900 OKAY. HEY, TIG. ARE YOU TICKLING TWITCH? 135 00:05:01,902 --> 00:05:05,170 HEY, TIG. ARE YOU TICKLING TWITCH? IS THAT WHAT YOU'RE DOING? 136 00:05:05,172 --> 00:05:08,073 ARE YOU TICKLING TWITCH? IS THAT WHAT YOU'RE DOING? >> YEAH, CAN YOU HEAR ME STILL? 137 00:05:08,075 --> 00:05:08,740 IS THAT WHAT YOU'RE DOING? >> YEAH, CAN YOU HEAR ME STILL? >> Ellen: I CAN. 138 00:05:08,742 --> 00:05:11,243 >> YEAH, CAN YOU HEAR ME STILL? >> Ellen: I CAN. >> OH, I THOUGHT IT WAS MUTED. 139 00:05:11,245 --> 00:05:12,577 >> Ellen: I CAN. >> OH, I THOUGHT IT WAS MUTED. >> Ellen: NO, UNFORTUNATELY 140 00:05:12,579 --> 00:05:13,078 >> OH, I THOUGHT IT WAS MUTED. >> Ellen: NO, UNFORTUNATELY YOU ARE STILL HERE. 141 00:05:13,080 --> 00:05:15,747 >> Ellen: NO, UNFORTUNATELY YOU ARE STILL HERE. WE WILL SEE YOU LATER ON IN THE 142 00:05:15,749 --> 00:05:16,682 YOU ARE STILL HERE. WE WILL SEE YOU LATER ON IN THE SHOW, OKAY? 143 00:05:16,684 --> 00:05:18,583 WE WILL SEE YOU LATER ON IN THE SHOW, OKAY? >> HOW DARE YOU, OKAY. 144 00:05:18,585 --> 00:05:21,019 SHOW, OKAY? >> HOW DARE YOU, OKAY. >> Ellen: I WILL SEE YOU SOON. 145 00:05:21,021 --> 00:05:23,188 >> HOW DARE YOU, OKAY. >> Ellen: I WILL SEE YOU SOON. ALL RIGHT. 146 00:05:23,190 --> 00:05:23,989 >> Ellen: I WILL SEE YOU SOON. ALL RIGHT. [LAUGHTER] 147 00:05:23,991 --> 00:05:25,190 ALL RIGHT. [LAUGHTER] OH, I LOVE HER. 148 00:05:25,192 --> 00:05:26,358 [LAUGHTER] OH, I LOVE HER. TWITCH, WHILE YOU CATCH YOUR 149 00:05:26,360 --> 00:05:27,893 OH, I LOVE HER. TWITCH, WHILE YOU CATCH YOUR BREATH I WANT TO TAKE A WALK 150 00:05:27,895 --> 00:05:28,360 TWITCH, WHILE YOU CATCH YOUR BREATH I WANT TO TAKE A WALK DOWN MEMORY LANE. 151 00:05:28,362 --> 00:05:31,430 BREATH I WANT TO TAKE A WALK DOWN MEMORY LANE. IT'S TIME FOR ANOTHER ELLEN 152 00:05:31,432 --> 00:05:31,763 DOWN MEMORY LANE. IT'S TIME FOR ANOTHER ELLEN GAMES CLASSIC. 153 00:05:31,765 --> 00:05:35,567 IT'S TIME FOR ANOTHER ELLEN GAMES CLASSIC. ♪ ♪ 154 00:05:35,569 --> 00:05:38,403 GAMES CLASSIC. ♪ ♪ >> Narrator: FIGURE WAS 2013, 155 00:05:38,405 --> 00:05:39,504 ♪ ♪ >> Narrator: FIGURE WAS 2013, THIS WORLD WAR II DOCUMENTARY 156 00:05:39,506 --> 00:05:40,939 >> Narrator: FIGURE WAS 2013, THIS WORLD WAR II DOCUMENTARY AIRED ON THE HISTORY CHANNEL, 157 00:05:40,941 --> 00:05:42,574 THIS WORLD WAR II DOCUMENTARY AIRED ON THE HISTORY CHANNEL, AND AMERICA WAS STILL BUZZING 158 00:05:42,576 --> 00:05:43,342 AIRED ON THE HISTORY CHANNEL, AND AMERICA WAS STILL BUZZING ABOUT THE iPHONE 5. 159 00:05:43,344 --> 00:05:45,877 AND AMERICA WAS STILL BUZZING ABOUT THE iPHONE 5. A YOUNG TALENTED DANCER WHO WENT 160 00:05:45,879 --> 00:05:48,280 ABOUT THE iPHONE 5. A YOUNG TALENTED DANCER WHO WENT BY THE ENIGMATIC SINGLE NAME OF 161 00:05:48,282 --> 00:05:51,450 A YOUNG TALENTED DANCER WHO WENT BY THE ENIGMATIC SINGLE NAME OF TWITCH BEGAN APPEARING AS A 162 00:05:51,452 --> 00:05:51,883 BY THE ENIGMATIC SINGLE NAME OF TWITCH BEGAN APPEARING AS A DISC JOCKEY ON "THE 163 00:05:51,885 --> 00:05:52,484 TWITCH BEGAN APPEARING AS A DISC JOCKEY ON "THE ELLEN DeGENERES SHOW" DESPITE 164 00:05:52,486 --> 00:05:54,986 DISC JOCKEY ON "THE ELLEN DeGENERES SHOW" DESPITE THE FACT THAT HE WAS NOT A REAL 165 00:05:54,988 --> 00:05:55,387 ELLEN DeGENERES SHOW" DESPITE THE FACT THAT HE WAS NOT A REAL DISC JOCKEY. 166 00:05:55,389 --> 00:05:57,356 THE FACT THAT HE WAS NOT A REAL DISC JOCKEY. NONETHELESS ELLEN TOOK A SHINE 167 00:05:57,358 --> 00:05:59,057 DISC JOCKEY. NONETHELESS ELLEN TOOK A SHINE TO TWITCH AND INVITED HIM TO BE 168 00:05:59,059 --> 00:06:00,792 NONETHELESS ELLEN TOOK A SHINE TO TWITCH AND INVITED HIM TO BE A CONTESTANT ON HER GAME 169 00:06:00,794 --> 00:06:03,195 TO TWITCH AND INVITED HIM TO BE A CONTESTANT ON HER GAME BLINDFOLDED MUSICAL BEACH BALLS. 170 00:06:03,197 --> 00:06:04,596 A CONTESTANT ON HER GAME BLINDFOLDED MUSICAL BEACH BALLS. TWITCH, THE FAKE DISC JOCKEY DID 171 00:06:04,598 --> 00:06:05,397 BLINDFOLDED MUSICAL BEACH BALLS. TWITCH, THE FAKE DISC JOCKEY DID NOT DISAPPOINT. 172 00:06:05,399 --> 00:06:06,798 TWITCH, THE FAKE DISC JOCKEY DID NOT DISAPPOINT. HE WHIPPED OUT THE LATEST DANCE 173 00:06:06,800 --> 00:06:08,433 NOT DISAPPOINT. HE WHIPPED OUT THE LATEST DANCE MOVES LIKE THIS ONE, AND THIS 174 00:06:08,435 --> 00:06:10,135 HE WHIPPED OUT THE LATEST DANCE MOVES LIKE THIS ONE, AND THIS ONE, AND OF COURSE THIS ONE. 175 00:06:10,137 --> 00:06:11,770 MOVES LIKE THIS ONE, AND THIS ONE, AND OF COURSE THIS ONE. BUT WHEN THE MUSIC STOPPED IT 176 00:06:11,772 --> 00:06:14,172 ONE, AND OF COURSE THIS ONE. BUT WHEN THE MUSIC STOPPED IT WAS TIME TO GET SERIOUS AND TIME 177 00:06:14,174 --> 00:06:15,140 BUT WHEN THE MUSIC STOPPED IT WAS TIME TO GET SERIOUS AND TIME TO STOP GROPING THE BALLS. 178 00:06:15,142 --> 00:06:17,209 WAS TIME TO GET SERIOUS AND TIME TO STOP GROPING THE BALLS. TWITCH GRABBED THE BALL'S IN THE 179 00:06:17,211 --> 00:06:18,343 TO STOP GROPING THE BALLS. TWITCH GRABBED THE BALL'S IN THE FIRST TWO ROUNDS AND FINALLY HAD 180 00:06:18,345 --> 00:06:21,413 TWITCH GRABBED THE BALL'S IN THE FIRST TWO ROUNDS AND FINALLY HAD TO FACE OFF AGAINST THIS LADY. 181 00:06:21,415 --> 00:06:22,481 FIRST TWO ROUNDS AND FINALLY HAD TO FACE OFF AGAINST THIS LADY. HERSELF A CHAMPION BALL GRABBER. 182 00:06:22,483 --> 00:06:25,584 TO FACE OFF AGAINST THIS LADY. HERSELF A CHAMPION BALL GRABBER. IT WAS CLOSE, BUT THE OTHER 183 00:06:25,586 --> 00:06:26,551 HERSELF A CHAMPION BALL GRABBER. IT WAS CLOSE, BUT THE OTHER CONTESTANT CUP TO THE BALL 184 00:06:26,553 --> 00:06:30,522 IT WAS CLOSE, BUT THE OTHER CONTESTANT CUP TO THE BALL FIRST, AND STAYED AT A GOLF CLUB 185 00:06:30,524 --> 00:06:31,690 CONTESTANT CUP TO THE BALL FIRST, AND STAYED AT A GOLF CLUB IN PARAMOUNT VALUE. 186 00:06:31,692 --> 00:06:33,892 FIRST, AND STAYED AT A GOLF CLUB IN PARAMOUNT VALUE. SADLY TWITCH LOST, ALL HE GOT 187 00:06:33,894 --> 00:06:36,762 IN PARAMOUNT VALUE. SADLY TWITCH LOST, ALL HE GOT WAS THE PERMANENT POSITION AS B 188 00:06:36,764 --> 00:06:38,296 SADLY TWITCH LOST, ALL HE GOT WAS THE PERMANENT POSITION AS B SIMMONS PERMANENT DISC JOCKEY. 189 00:06:38,298 --> 00:06:39,498 WAS THE PERMANENT POSITION AS B SIMMONS PERMANENT DISC JOCKEY. ALSO THE OTHER CONTESTANT WAS 190 00:06:39,500 --> 00:06:41,233 SIMMONS PERMANENT DISC JOCKEY. ALSO THE OTHER CONTESTANT WAS TWITCH'S FIANCE, SO WE GOT TO GO 191 00:06:41,235 --> 00:06:43,101 ALSO THE OTHER CONTESTANT WAS TWITCH'S FIANCE, SO WE GOT TO GO TO THE GOLF COURSE TOO. 192 00:06:43,103 --> 00:06:44,636 TWITCH'S FIANCE, SO WE GOT TO GO TO THE GOLF COURSE TOO. STAY TUNED NEXT TIME FOR ANOTHER 193 00:06:44,638 --> 00:06:48,173 TO THE GOLF COURSE TOO. STAY TUNED NEXT TIME FOR ANOTHER ELLEN'S CLASSIC. 194 00:06:48,175 --> 00:06:48,607 STAY TUNED NEXT TIME FOR ANOTHER ELLEN'S CLASSIC. >> WOW. 195 00:06:48,609 --> 00:06:49,074 ELLEN'S CLASSIC. >> WOW. [APPLAUSE] 196 00:06:49,076 --> 00:06:51,009 >> WOW. [APPLAUSE] >> Ellen: WHAT SEASON WAS 197 00:06:51,011 --> 00:06:51,209 [APPLAUSE] >> Ellen: WHAT SEASON WAS THAT? 198 00:06:51,211 --> 00:06:54,980 >> Ellen: WHAT SEASON WAS THAT? >> SEASON 11, MY KNEES WERE SO 199 00:06:54,982 --> 00:06:56,381 THAT? >> SEASON 11, MY KNEES WERE SO YOUNG THEN. 200 00:06:56,383 --> 00:06:57,382 >> SEASON 11, MY KNEES WERE SO YOUNG THEN. WOW. 201 00:06:57,384 --> 00:06:57,849 YOUNG THEN. WOW. SOME YOUNG KNEES. 202 00:06:57,851 --> 00:07:00,118 WOW. SOME YOUNG KNEES. >> Ellen: ANDY, ARE YOU PAYING 203 00:07:00,120 --> 00:07:01,319 SOME YOUNG KNEES. >> Ellen: ANDY, ARE YOU PAYING ATTENTION TO THE SHOW? 204 00:07:01,321 --> 00:07:01,987 >> Ellen: ANDY, ARE YOU PAYING ATTENTION TO THE SHOW? >> YES. 205 00:07:01,989 --> 00:07:06,358 ATTENTION TO THE SHOW? >> YES. >> Ellen: WHAT WERE YOU DOING, 206 00:07:06,360 --> 00:07:06,625 >> YES. >> Ellen: WHAT WERE YOU DOING, ANDY? 207 00:07:06,627 --> 00:07:07,159 >> Ellen: WHAT WERE YOU DOING, ANDY? [LAUGHTER] 208 00:07:07,161 --> 00:07:07,559 ANDY? [LAUGHTER] WOW. 209 00:07:07,561 --> 00:07:07,726 [LAUGHTER] WOW. WOW. 210 00:07:07,728 --> 00:07:09,661 WOW. WOW. >> WHAT? 211 00:07:09,663 --> 00:07:10,529 WOW. >> WHAT? >> Ellen: WOW. 212 00:07:10,531 --> 00:07:12,564 >> WHAT? >> Ellen: WOW. >> MARY WAS TEXTING ME. 213 00:07:12,566 --> 00:07:13,765 >> Ellen: WOW. >> MARY WAS TEXTING ME. >> Ellen: NO SHE WAS NOT. 214 00:07:13,767 --> 00:07:16,868 >> MARY WAS TEXTING ME. >> Ellen: NO SHE WAS NOT. >> IS TRYING TO FIND OUT WHAT 215 00:07:16,870 --> 00:07:17,903 >> Ellen: NO SHE WAS NOT. >> IS TRYING TO FIND OUT WHAT SEASON THAT WAS. 216 00:07:17,905 --> 00:07:19,971 >> IS TRYING TO FIND OUT WHAT SEASON THAT WAS. >> Ellen: AND ANDY IS NOT BEEN 217 00:07:19,973 --> 00:07:20,372 SEASON THAT WAS. >> Ellen: AND ANDY IS NOT BEEN PAYING ATTENTION. 218 00:07:20,374 --> 00:07:21,139 >> Ellen: AND ANDY IS NOT BEEN PAYING ATTENTION. >> SEASON 10. 219 00:07:21,141 --> 00:07:23,208 PAYING ATTENTION. >> SEASON 10. >> Ellen: REALLY, DO WE NOT 220 00:07:23,210 --> 00:07:24,009 >> SEASON 10. >> Ellen: REALLY, DO WE NOT ENTERTAIN YOU? 221 00:07:24,011 --> 00:07:26,211 >> Ellen: REALLY, DO WE NOT ENTERTAIN YOU? I AM WORRIED IF YOU ARE NOT 222 00:07:26,213 --> 00:07:26,745 ENTERTAIN YOU? I AM WORRIED IF YOU ARE NOT ENTERTAINED -- 223 00:07:26,747 --> 00:07:27,979 I AM WORRIED IF YOU ARE NOT ENTERTAINED -- >> I'M ENTERTAINED, I JUST HAVE 224 00:07:27,981 --> 00:07:30,248 ENTERTAINED -- >> I'M ENTERTAINED, I JUST HAVE A LOT OF BALLS IN THE AIR. 225 00:07:30,250 --> 00:07:30,582 >> I'M ENTERTAINED, I JUST HAVE A LOT OF BALLS IN THE AIR. [LAUGHTER] 226 00:07:30,584 --> 00:07:32,484 A LOT OF BALLS IN THE AIR. [LAUGHTER] ALONG WITH THE CONTROL ROOM I'M 227 00:07:32,486 --> 00:07:33,852 [LAUGHTER] ALONG WITH THE CONTROL ROOM I'M TEXTING OUR DIRECTOR, MARY, 228 00:07:33,854 --> 00:07:36,388 ALONG WITH THE CONTROL ROOM I'M TEXTING OUR DIRECTOR, MARY, THERE'S A LOT GOING ON. 229 00:07:36,390 --> 00:07:38,423 TEXTING OUR DIRECTOR, MARY, THERE'S A LOT GOING ON. [LAUGHTER] 230 00:07:38,425 --> 00:07:39,124 THERE'S A LOT GOING ON. [LAUGHTER] >> WHY ME? 231 00:07:39,126 --> 00:07:42,627 [LAUGHTER] >> WHY ME? >> GO TO PROMPTER. 232 00:07:42,629 --> 00:07:44,162 >> WHY ME? >> GO TO PROMPTER. [LAUGHTER] 233 00:07:44,164 --> 00:07:45,964 >> GO TO PROMPTER. [LAUGHTER] >> Ellen: ASIDE FROM GAMES, 234 00:07:45,966 --> 00:07:47,265 [LAUGHTER] >> Ellen: ASIDE FROM GAMES, ANOTHER THING I'M KNOWN FOR IS 235 00:07:47,267 --> 00:07:47,566 >> Ellen: ASIDE FROM GAMES, ANOTHER THING I'M KNOWN FOR IS SCARCE. 236 00:07:47,568 --> 00:07:49,000 ANOTHER THING I'M KNOWN FOR IS SCARCE. AND I FOUND OUT THERE IS A NEW 237 00:07:49,002 --> 00:07:50,202 SCARCE. AND I FOUND OUT THERE IS A NEW STAFF MEMBER WHO IS SAID THAT WE 238 00:07:50,204 --> 00:07:51,937 AND I FOUND OUT THERE IS A NEW STAFF MEMBER WHO IS SAID THAT WE HAVE NOT SCARED HER YET AND MADE 239 00:07:51,939 --> 00:07:54,339 STAFF MEMBER WHO IS SAID THAT WE HAVE NOT SCARED HER YET AND MADE A VIDEO TO SHOW ME HOW SAD SHE 240 00:07:54,341 --> 00:07:55,106 HAVE NOT SCARED HER YET AND MADE A VIDEO TO SHOW ME HOW SAD SHE IS. 241 00:07:55,108 --> 00:07:57,709 A VIDEO TO SHOW ME HOW SAD SHE IS. >> I'M SHANNON ROGERS, A WRITER 242 00:07:57,711 --> 00:07:58,310 IS. >> I'M SHANNON ROGERS, A WRITER ON "THE ELLEN DeGENERES SHOW" 243 00:07:58,312 --> 00:07:58,910 >> I'M SHANNON ROGERS, A WRITER ON "THE ELLEN DeGENERES SHOW" AND I'VE NEVER BEEN SCARED ON 244 00:07:58,912 --> 00:08:02,147 ON "THE ELLEN DeGENERES SHOW" AND I'VE NEVER BEEN SCARED ON THE SHOW. 245 00:08:02,149 --> 00:08:05,517 AND I'VE NEVER BEEN SCARED ON THE SHOW. >> WALKING DOWN THE HALL, ALONE. 246 00:08:05,519 --> 00:08:07,185 THE SHOW. >> WALKING DOWN THE HALL, ALONE. >> I KNEW MY WISH OF BEING 247 00:08:07,187 --> 00:08:10,188 >> WALKING DOWN THE HALL, ALONE. >> I KNEW MY WISH OF BEING SCARED COULD BE FULFILLED. 248 00:08:10,190 --> 00:08:11,890 >> I KNEW MY WISH OF BEING SCARED COULD BE FULFILLED. >> [SCREENING] 249 00:08:11,892 --> 00:08:12,190 SCARED COULD BE FULFILLED. >> [SCREENING] >> [BLEEP]! 250 00:08:12,192 --> 00:08:14,526 >> [SCREENING] >> [BLEEP]! >> BUT IT DID NOT WORK, I WAS 251 00:08:14,528 --> 00:08:15,494 >> [BLEEP]! >> BUT IT DID NOT WORK, I WAS SAYING HI TO DAVE ACROSS THE 252 00:08:15,496 --> 00:08:17,596 >> BUT IT DID NOT WORK, I WAS SAYING HI TO DAVE ACROSS THE ROOM AND HAVE MY BACK TURNED. 253 00:08:17,598 --> 00:08:21,032 SAYING HI TO DAVE ACROSS THE ROOM AND HAVE MY BACK TURNED. I WATCHED WITH ENVY AS MY 254 00:08:21,034 --> 00:08:22,734 ROOM AND HAVE MY BACK TURNED. I WATCHED WITH ENVY AS MY COWORKERS RECEIVED SCARES. 255 00:08:22,736 --> 00:08:23,602 I WATCHED WITH ENVY AS MY COWORKERS RECEIVED SCARES. [SCREAMING] 256 00:08:23,604 --> 00:08:25,237 COWORKERS RECEIVED SCARES. [SCREAMING] >> [BLEEP]! 257 00:08:25,239 --> 00:08:27,539 [SCREAMING] >> [BLEEP]! STOP! 258 00:08:27,541 --> 00:08:34,779 >> [BLEEP]! STOP! [LAUGHTER] 259 00:08:34,781 --> 00:08:36,748 STOP! [LAUGHTER] >> I HOPE THOSE SNAKES FALL ON 260 00:08:36,750 --> 00:08:37,282 [LAUGHTER] >> I HOPE THOSE SNAKES FALL ON ME. 261 00:08:37,284 --> 00:08:38,250 >> I HOPE THOSE SNAKES FALL ON ME. >> AND NOW I AM WONDERING IF I 262 00:08:38,252 --> 00:08:42,320 ME. >> AND NOW I AM WONDERING IF I WILL EVER BE SCARED ON THE SHOW. 263 00:08:42,322 --> 00:08:42,921 >> AND NOW I AM WONDERING IF I WILL EVER BE SCARED ON THE SHOW. [LAUGHTER] 264 00:08:42,923 --> 00:08:44,756 WILL EVER BE SCARED ON THE SHOW. [LAUGHTER] >> Ellen: YES, YOU WILL, 265 00:08:44,758 --> 00:08:46,157 [LAUGHTER] >> Ellen: YES, YOU WILL, SHANNON, I WILL THINK OF SOME 266 00:08:46,159 --> 00:08:46,925 >> Ellen: YES, YOU WILL, SHANNON, I WILL THINK OF SOME WAYS TO SCARE YOU. 267 00:08:46,927 --> 00:08:48,059 SHANNON, I WILL THINK OF SOME WAYS TO SCARE YOU. BUT NOT RIGHT NOW BECAUSE IT IS 268 00:08:48,061 --> 00:08:50,362 WAYS TO SCARE YOU. BUT NOT RIGHT NOW BECAUSE IT IS TIME FOR MY SEGMENT "KNOCK IT 269 00:08:50,364 --> 00:08:51,429 BUT NOT RIGHT NOW BECAUSE IT IS TIME FOR MY SEGMENT "KNOCK IT OFF." 270 00:08:51,431 --> 00:09:00,138 TIME FOR MY SEGMENT "KNOCK IT OFF." ♪ ♪ 271 00:09:00,140 --> 00:09:00,972 OFF." ♪ ♪ THAT'S A GOOD TUNE. 272 00:09:00,974 --> 00:09:02,173 ♪ ♪ THAT'S A GOOD TUNE. THAT'S A GOOD TUNE. 273 00:09:02,175 --> 00:09:04,910 THAT'S A GOOD TUNE. THAT'S A GOOD TUNE. I THINK WE ARE GOING TO MAKE AN 274 00:09:04,912 --> 00:09:05,610 THAT'S A GOOD TUNE. I THINK WE ARE GOING TO MAKE AN ALBUM OF ALL OF THESE SEGMENTS 275 00:09:05,612 --> 00:09:08,547 I THINK WE ARE GOING TO MAKE AN ALBUM OF ALL OF THESE SEGMENTS OF MUSIC THAT WE HAVE COME A 276 00:09:08,549 --> 00:09:10,215 ALBUM OF ALL OF THESE SEGMENTS OF MUSIC THAT WE HAVE COME A NICE RELAXING MUSIC TO PLAY WHEN 277 00:09:10,217 --> 00:09:11,283 OF MUSIC THAT WE HAVE COME A NICE RELAXING MUSIC TO PLAY WHEN YOU'RE AT HOME. 278 00:09:11,285 --> 00:09:13,618 NICE RELAXING MUSIC TO PLAY WHEN YOU'RE AT HOME. THESE ARE ALL REAL FAKE PRODUCTS 279 00:09:13,620 --> 00:09:15,086 YOU'RE AT HOME. THESE ARE ALL REAL FAKE PRODUCTS FOR REAL, THEY ARE FAKES. 280 00:09:15,088 --> 00:09:15,587 THESE ARE ALL REAL FAKE PRODUCTS FOR REAL, THEY ARE FAKES. BUT THEY ARE REAL. 281 00:09:15,589 --> 00:09:17,923 FOR REAL, THEY ARE FAKES. BUT THEY ARE REAL. BUT THEY ARE FAKE. 282 00:09:17,925 --> 00:09:18,924 BUT THEY ARE REAL. BUT THEY ARE FAKE. YOU WILL SEE. 283 00:09:18,926 --> 00:09:20,158 BUT THEY ARE FAKE. YOU WILL SEE. HERE'S THE FIRST ONE, YOU HAVE 284 00:09:20,160 --> 00:09:23,562 YOU WILL SEE. HERE'S THE FIRST ONE, YOU HAVE HEARD OF THE BRAND OVERLAY, 285 00:09:23,564 --> 00:09:24,296 HERE'S THE FIRST ONE, YOU HAVE HEARD OF THE BRAND OVERLAY, SOMEONE KNOCKED IT OFF AND THEY 286 00:09:24,298 --> 00:09:28,133 HEARD OF THE BRAND OVERLAY, SOMEONE KNOCKED IT OFF AND THEY MADE OKAY. 287 00:09:28,135 --> 00:09:28,767 SOMEONE KNOCKED IT OFF AND THEY MADE OKAY. [LAUGHTER] 288 00:09:28,769 --> 00:09:29,367 MADE OKAY. [LAUGHTER] SO NOW WHEN YOU GET OUT OF THE 289 00:09:29,369 --> 00:09:33,972 [LAUGHTER] SO NOW WHEN YOU GET OUT OF THE SHOWER YOU SELL BUNT SMELL OKAY. 290 00:09:33,974 --> 00:09:34,706 SO NOW WHEN YOU GET OUT OF THE SHOWER YOU SELL BUNT SMELL OKAY. [LAUGHTER] 291 00:09:34,708 --> 00:09:35,941 SHOWER YOU SELL BUNT SMELL OKAY. [LAUGHTER] HERE'S THE NEXT ONE, HERE IS MY 292 00:09:35,943 --> 00:09:38,577 [LAUGHTER] HERE'S THE NEXT ONE, HERE IS MY LITTLE PONY THAT IS VERY 293 00:09:38,579 --> 00:09:39,277 HERE'S THE NEXT ONE, HERE IS MY LITTLE PONY THAT IS VERY POPULAR. 294 00:09:39,279 --> 00:09:41,012 LITTLE PONY THAT IS VERY POPULAR. TO SOMETHING NOT AT ALL LIKE IT 295 00:09:41,014 --> 00:09:43,381 POPULAR. TO SOMETHING NOT AT ALL LIKE IT IS DEMON DONKEY. 296 00:09:43,383 --> 00:09:44,282 TO SOMETHING NOT AT ALL LIKE IT IS DEMON DONKEY. [LAUGHTER] 297 00:09:44,284 --> 00:09:46,418 IS DEMON DONKEY. [LAUGHTER] TWO THINGS THAT KIDS LOVE IS 298 00:09:46,420 --> 00:09:49,654 [LAUGHTER] TWO THINGS THAT KIDS LOVE IS PLAYING WITH DEMONS AND DONKEYS. 299 00:09:49,656 --> 00:09:51,256 TWO THINGS THAT KIDS LOVE IS PLAYING WITH DEMONS AND DONKEYS. [LAUGHTER] 300 00:09:51,258 --> 00:09:52,724 PLAYING WITH DEMONS AND DONKEYS. [LAUGHTER] JULIE, HONEY, GO PLAY WITH YOUR 301 00:09:52,726 --> 00:09:53,491 [LAUGHTER] JULIE, HONEY, GO PLAY WITH YOUR DEMON DONKEY. 302 00:09:53,493 --> 00:09:55,894 JULIE, HONEY, GO PLAY WITH YOUR DEMON DONKEY. I WILL BE IN LATER TO TUCK YOU 303 00:09:55,896 --> 00:09:56,861 DEMON DONKEY. I WILL BE IN LATER TO TUCK YOU IN. 304 00:09:56,863 --> 00:09:58,863 I WILL BE IN LATER TO TUCK YOU IN. [LAUGHTER] 305 00:09:58,865 --> 00:10:01,099 IN. [LAUGHTER] FINALLY M&MS ARE POPULAR. 306 00:10:01,101 --> 00:10:03,268 [LAUGHTER] FINALLY M&MS ARE POPULAR. IF SOMEONE DECIDED TO GO WITH 307 00:10:03,270 --> 00:10:07,305 FINALLY M&MS ARE POPULAR. IF SOMEONE DECIDED TO GO WITH THIS NAME, SNMS. 308 00:10:07,307 --> 00:10:08,573 IF SOMEONE DECIDED TO GO WITH THIS NAME, SNMS. MELTS IN YOUR MOUTH UNLESS YOU 309 00:10:08,575 --> 00:10:11,009 THIS NAME, SNMS. MELTS IN YOUR MOUTH UNLESS YOU USE A SAFE WORD. 310 00:10:11,011 --> 00:10:11,610 MELTS IN YOUR MOUTH UNLESS YOU USE A SAFE WORD. [LAUGHTER] 311 00:10:11,612 --> 00:10:15,480 USE A SAFE WORD. [LAUGHTER] SO DELICIOUS IT HURTS. 312 00:10:15,482 --> 00:10:16,514 [LAUGHTER] SO DELICIOUS IT HURTS. IF YOU SEE A KNOCKOFF PRODUCT 313 00:10:16,516 --> 00:10:19,017 SO DELICIOUS IT HURTS. IF YOU SEE A KNOCKOFF PRODUCT THAT YOU SENT THEM AND THINK I 314 00:10:19,019 --> 00:10:20,085 IF YOU SEE A KNOCKOFF PRODUCT THAT YOU SENT THEM AND THINK I SHOULD SEE, SEND IT TO ME. 315 00:10:20,087 --> 00:10:23,822 THAT YOU SENT THEM AND THINK I SHOULD SEE, SEND IT TO ME. WE WILL BE BACK, RIGHT? 316 00:10:23,824 --> 00:10:24,022 SHOULD SEE, SEND IT TO ME. WE WILL BE BACK, RIGHT? ANDY? 317 00:10:24,024 --> 00:10:26,758 WE WILL BE BACK, RIGHT? ANDY? YOU'RE STILL WITH ME? 318 00:10:26,760 --> 00:10:28,526 ANDY? YOU'RE STILL WITH ME? >> YEAH, I AM. 319 00:10:28,528 --> 00:10:28,793 YOU'RE STILL WITH ME? >> YEAH, I AM. [LAUGHTER] 320 00:10:28,795 --> 00:10:31,029 >> YEAH, I AM. [LAUGHTER] WE ARE GOING TO BE BACK. 321 00:10:31,031 --> 00:10:32,364 [LAUGHTER] WE ARE GOING TO BE BACK. WE WILL GO TO BREAK. 322 00:10:32,366 --> 00:10:33,031 WE ARE GOING TO BE BACK. WE WILL GO TO BREAK. WE HAVE A BIG SHOW. 323 00:10:33,033 --> 00:10:34,766 WE WILL GO TO BREAK. WE HAVE A BIG SHOW. >> Ellen: IF I LOOKED AT YOUR 324 00:10:34,768 --> 00:10:35,000 WE HAVE A BIG SHOW. >> Ellen: IF I LOOKED AT YOUR PHONE? 325 00:10:35,002 --> 00:10:37,535 >> Ellen: IF I LOOKED AT YOUR PHONE? >> I DON'T REMEMBER WHAT I WAS 326 00:10:37,537 --> 00:10:37,936 PHONE? >> I DON'T REMEMBER WHAT I WAS DOING. 327 00:10:37,938 --> 00:10:38,670 >> I DON'T REMEMBER WHAT I WAS DOING. [LAUGHTER] 328 00:10:38,672 --> 00:10:42,874 DOING. [LAUGHTER] OH, YEAH, YOU WILL BE OKAY. 329 00:10:42,876 --> 00:10:43,141 [LAUGHTER] OH, YEAH, YOU WILL BE OKAY. [LAUGHTER] 330 00:10:43,143 --> 00:10:43,742 OH, YEAH, YOU WILL BE OKAY. [LAUGHTER] >> Ellen: WHO WERE YOU 331 00:10:43,744 --> 00:10:43,975 [LAUGHTER] >> Ellen: WHO WERE YOU TEXTING? 332 00:10:43,977 --> 00:10:46,811 >> Ellen: WHO WERE YOU TEXTING? >> I WAS TEXTING SOMEBODY TO 333 00:10:46,813 --> 00:10:48,380 TEXTING? >> I WAS TEXTING SOMEBODY TO TELL YOU HOW GREAT TIG WAS ON 334 00:10:48,382 --> 00:10:49,447 >> I WAS TEXTING SOMEBODY TO TELL YOU HOW GREAT TIG WAS ON HER TALK SHOW TODAY. 335 00:10:49,449 --> 00:10:51,182 TELL YOU HOW GREAT TIG WAS ON HER TALK SHOW TODAY. >> Ellen: DURING MY SHOW YOU 336 00:10:51,184 --> 00:10:55,687 HER TALK SHOW TODAY. >> Ellen: DURING MY SHOW YOU ARE TEXTING SOMEONE TO SAY HOW 337 00:10:55,689 --> 00:10:58,390 >> Ellen: DURING MY SHOW YOU ARE TEXTING SOMEONE TO SAY HOW GREAT TIG'S SHOW IS? 338 00:10:58,392 --> 00:10:58,957 ARE TEXTING SOMEONE TO SAY HOW GREAT TIG'S SHOW IS? [LAUGHTER] 339 00:10:58,959 --> 00:11:02,927 GREAT TIG'S SHOW IS? [LAUGHTER] YOU CAN'T WAIT FOR A BREAK TO 340 00:11:02,929 --> 00:11:03,261 [LAUGHTER] YOU CAN'T WAIT FOR A BREAK TO TEXT? 341 00:11:03,263 --> 00:11:03,528 YOU CAN'T WAIT FOR A BREAK TO TEXT? [LAUGHTER] 342 00:11:03,530 --> 00:11:06,531 TEXT? [LAUGHTER] WE DO A GIG ABOUT TIG 343 00:11:06,533 --> 00:11:07,966 [LAUGHTER] WE DO A GIG ABOUT TIG INTERRUPTING MY SHOW THAT IS A 344 00:11:07,968 --> 00:11:10,068 WE DO A GIG ABOUT TIG INTERRUPTING MY SHOW THAT IS A JOKE AND YOU INTERRUPT THE SHOW. 345 00:11:10,070 --> 00:11:11,703 INTERRUPTING MY SHOW THAT IS A JOKE AND YOU INTERRUPT THE SHOW. OH, MY GOD. 346 00:11:11,705 --> 00:11:11,970 JOKE AND YOU INTERRUPT THE SHOW. OH, MY GOD. [LAUGHTER] 347 00:11:11,972 --> 00:11:13,738 OH, MY GOD. [LAUGHTER] >> WE ARE OFF THE RAILS. 348 00:11:13,740 --> 00:11:14,973 [LAUGHTER] >> WE ARE OFF THE RAILS. >> Ellen: WHATEVER I DO NEXT, 349 00:11:14,975 --> 00:11:16,775 >> WE ARE OFF THE RAILS. >> Ellen: WHATEVER I DO NEXT, YOU ARE NOT COMING WITH ME. 350 00:11:16,777 --> 00:11:18,677 >> Ellen: WHATEVER I DO NEXT, YOU ARE NOT COMING WITH ME. I WILL TELL YOU THAT. 351 00:11:18,679 --> 00:11:18,943 YOU ARE NOT COMING WITH ME. I WILL TELL YOU THAT. [LAUGHTER] 352 00:11:18,945 --> 00:11:21,646 I WILL TELL YOU THAT. [LAUGHTER] WE WILL BE BACK. 353 00:11:21,648 --> 00:11:22,113 [LAUGHTER] WE WILL BE BACK. [CHEERS AND APPLAUSE] 354 00:11:22,115 --> 00:11:30,221 WE WILL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 355 00:11:36,128 --> 00:11:41,900 >> TO COME HOME AND TO GET SOME TIME WITH THE FAMILY AND YOU KNOW, WHAT YOU DREAM OF IS 356 00:11:41,902 --> 00:11:43,935 TIME WITH THE FAMILY AND YOU KNOW, WHAT YOU DREAM OF IS OPPORTUNITIES LIKE THIS. 357 00:11:43,937 --> 00:11:46,604 KNOW, WHAT YOU DREAM OF IS OPPORTUNITIES LIKE THIS. >> IN THE STATES WHERE THEY HAVE 358 00:11:46,606 --> 00:11:48,506 OPPORTUNITIES LIKE THIS. >> IN THE STATES WHERE THEY HAVE A VERY HIGH RATE OF VACCINATION, 359 00:11:48,508 --> 00:11:51,743 >> IN THE STATES WHERE THEY HAVE A VERY HIGH RATE OF VACCINATION, SICKNESS IS GOING DOWN, DEATH 360 00:11:59,218 --> 00:12:07,525 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: THE NEXT WINNER OF 361 00:12:07,527 --> 00:12:08,293 ♪ ♪ >> Ellen: THE NEXT WINNER OF "AMERICAN IDOL" WILL BE 362 00:12:08,295 --> 00:12:08,927 >> Ellen: THE NEXT WINNER OF "AMERICAN IDOL" WILL BE ANNOUNCED THIS SUNDAY AND EVEN 363 00:12:08,929 --> 00:12:10,395 "AMERICAN IDOL" WILL BE ANNOUNCED THIS SUNDAY AND EVEN THOUGH HER NEXT GUEST IS NO 364 00:12:10,397 --> 00:12:11,863 ANNOUNCED THIS SUNDAY AND EVEN THOUGH HER NEXT GUEST IS NO LONGER IN THE COMPETITION, YOU 365 00:12:11,865 --> 00:12:13,164 THOUGH HER NEXT GUEST IS NO LONGER IN THE COMPETITION, YOU WILL FOR SURE WANT TO REMEMBER 366 00:12:13,166 --> 00:12:15,066 LONGER IN THE COMPETITION, YOU WILL FOR SURE WANT TO REMEMBER HIS NAME, FROM FRANKLIN, 367 00:12:15,068 --> 00:12:19,104 WILL FOR SURE WANT TO REMEMBER HIS NAME, FROM FRANKLIN, TENNESSEE, PLEASE WELCOME HUNTER 368 00:12:19,106 --> 00:12:19,304 HIS NAME, FROM FRANKLIN, TENNESSEE, PLEASE WELCOME HUNTER MATS. 369 00:12:19,306 --> 00:12:30,749 TENNESSEE, PLEASE WELCOME HUNTER MATS. ♪ ♪ 370 00:12:30,751 --> 00:12:31,249 MATS. ♪ ♪ HI! 371 00:12:31,251 --> 00:12:32,917 ♪ ♪ HI! THAT WAS YOUR NEW SINGLE WHICH 372 00:12:32,919 --> 00:12:36,254 HI! THAT WAS YOUR NEW SINGLE WHICH IS DOING VERY WELL, 20,000 373 00:12:36,256 --> 00:12:36,488 THAT WAS YOUR NEW SINGLE WHICH IS DOING VERY WELL, 20,000 KISSES. 374 00:12:36,490 --> 00:12:36,855 IS DOING VERY WELL, 20,000 KISSES. CONGRATULATIONS. 375 00:12:36,857 --> 00:12:39,491 KISSES. CONGRATULATIONS. >> THANK YOU SO MUCH. 376 00:12:39,493 --> 00:12:40,925 CONGRATULATIONS. >> THANK YOU SO MUCH. >> Ellen: AS KATY PERRY SAID, 377 00:12:40,927 --> 00:12:42,060 >> THANK YOU SO MUCH. >> Ellen: AS KATY PERRY SAID, SHE TOLD YOU HOW MANY PEOPLE 378 00:12:42,062 --> 00:12:43,061 >> Ellen: AS KATY PERRY SAID, SHE TOLD YOU HOW MANY PEOPLE LOVE YOU AND COME UP TO HER ALL 379 00:12:43,063 --> 00:12:43,561 SHE TOLD YOU HOW MANY PEOPLE LOVE YOU AND COME UP TO HER ALL THE TIME. 380 00:12:43,563 --> 00:12:46,297 LOVE YOU AND COME UP TO HER ALL THE TIME. AND I AM ONE OF THOSE PEOPLE WHO 381 00:12:46,299 --> 00:12:47,732 THE TIME. AND I AM ONE OF THOSE PEOPLE WHO TOLD KATY HOW MUCH I LOVE YOU. 382 00:12:47,734 --> 00:12:49,367 AND I AM ONE OF THOSE PEOPLE WHO TOLD KATY HOW MUCH I LOVE YOU. SO I AM A FAN. 383 00:12:49,369 --> 00:12:52,904 TOLD KATY HOW MUCH I LOVE YOU. SO I AM A FAN. I THINK THAT YOU ARE JUST 384 00:12:52,906 --> 00:12:53,938 SO I AM A FAN. I THINK THAT YOU ARE JUST CHARMING. 385 00:12:53,940 --> 00:12:55,073 I THINK THAT YOU ARE JUST CHARMING. YOU HAVE A WONDERFUL PRESENCE 386 00:12:55,075 --> 00:12:55,673 CHARMING. YOU HAVE A WONDERFUL PRESENCE AND BEAUTIFUL VOICE AND I WAS 387 00:12:55,675 --> 00:12:58,877 YOU HAVE A WONDERFUL PRESENCE AND BEAUTIFUL VOICE AND I WAS SAD TO SEE YOU GO. 388 00:12:58,879 --> 00:13:01,079 AND BEAUTIFUL VOICE AND I WAS SAD TO SEE YOU GO. I THINK YOU HAVE A FUTURE FOR 389 00:13:01,081 --> 00:13:01,746 SAD TO SEE YOU GO. I THINK YOU HAVE A FUTURE FOR SURE. 390 00:13:01,748 --> 00:13:03,047 I THINK YOU HAVE A FUTURE FOR SURE. HAVE YOU BEEN SINCE YOU LEFT? 391 00:13:03,049 --> 00:13:06,351 SURE. HAVE YOU BEEN SINCE YOU LEFT? >> IT HAS BEEN AMAZING TO COME 392 00:13:06,353 --> 00:13:07,852 HAVE YOU BEEN SINCE YOU LEFT? >> IT HAS BEEN AMAZING TO COME HOME AND GET TIME WITH THE 393 00:13:07,854 --> 00:13:09,954 >> IT HAS BEEN AMAZING TO COME HOME AND GET TIME WITH THE FAMILY AND YOU KNOW WHAT YOU 394 00:13:09,956 --> 00:13:11,923 HOME AND GET TIME WITH THE FAMILY AND YOU KNOW WHAT YOU DREAM UP WITH "IDOL" IS 395 00:13:11,925 --> 00:13:12,924 FAMILY AND YOU KNOW WHAT YOU DREAM UP WITH "IDOL" IS OPPORTUNITIES LIKE THIS. 396 00:13:12,926 --> 00:13:14,359 DREAM UP WITH "IDOL" IS OPPORTUNITIES LIKE THIS. SO TO GO HOME AND GET A CALL 397 00:13:14,361 --> 00:13:17,362 OPPORTUNITIES LIKE THIS. SO TO GO HOME AND GET A CALL LIKE THIS OR TO COME HOME AND 398 00:13:17,364 --> 00:13:20,298 SO TO GO HOME AND GET A CALL LIKE THIS OR TO COME HOME AND FINALLY USE THE LAUNCHPAD OF 399 00:13:20,300 --> 00:13:21,366 LIKE THIS OR TO COME HOME AND FINALLY USE THE LAUNCHPAD OF "AMERICAN IDOL" HAS BEEN 400 00:13:21,368 --> 00:13:21,633 FINALLY USE THE LAUNCHPAD OF "AMERICAN IDOL" HAS BEEN AMAZING. 401 00:13:21,635 --> 00:13:22,801 "AMERICAN IDOL" HAS BEEN AMAZING. AND IT'S BEEN GREAT. 402 00:13:22,803 --> 00:13:23,902 AMAZING. AND IT'S BEEN GREAT. >> Ellen: MUSIC HAS BEEN IN 403 00:13:23,904 --> 00:13:25,069 AND IT'S BEEN GREAT. >> Ellen: MUSIC HAS BEEN IN YOUR LIFE SINCE YOU WERE A KID, 404 00:13:25,071 --> 00:13:28,306 >> Ellen: MUSIC HAS BEEN IN YOUR LIFE SINCE YOU WERE A KID, RIGHT? 405 00:13:28,308 --> 00:13:30,108 YOUR LIFE SINCE YOU WERE A KID, RIGHT? >> BOTH OF MY PARENTS 406 00:13:30,110 --> 00:13:31,543 RIGHT? >> BOTH OF MY PARENTS INDIVIDUALLY MOVED TO NASHVILLE 407 00:13:31,545 --> 00:13:31,943 >> BOTH OF MY PARENTS INDIVIDUALLY MOVED TO NASHVILLE TO PURSUE MUSIC. 408 00:13:31,945 --> 00:13:34,612 INDIVIDUALLY MOVED TO NASHVILLE TO PURSUE MUSIC. AND LONG STORY SHORT, FROM WHEN 409 00:13:34,614 --> 00:13:37,582 TO PURSUE MUSIC. AND LONG STORY SHORT, FROM WHEN I WAS EARLY IN HIGH SCHOOL, MY 410 00:13:37,584 --> 00:13:39,818 AND LONG STORY SHORT, FROM WHEN I WAS EARLY IN HIGH SCHOOL, MY DAD WAS IN AND OUT OF JOBS A 411 00:13:39,820 --> 00:13:40,185 I WAS EARLY IN HIGH SCHOOL, MY DAD WAS IN AND OUT OF JOBS A LOT. 412 00:13:40,187 --> 00:13:42,287 DAD WAS IN AND OUT OF JOBS A LOT. THAT WAS WHEN STREAMING TOOK OFF 413 00:13:42,289 --> 00:13:43,922 LOT. THAT WAS WHEN STREAMING TOOK OFF AND iTUNES TOOK OFF. 414 00:13:43,924 --> 00:13:47,192 THAT WAS WHEN STREAMING TOOK OFF AND iTUNES TOOK OFF. IF SO IT WAS REALLY DIFFICULT IN 415 00:13:47,194 --> 00:13:48,026 AND iTUNES TOOK OFF. IF SO IT WAS REALLY DIFFICULT IN THOSE ADOLESCENT DEVELOPMENTAL 416 00:13:48,028 --> 00:13:51,529 IF SO IT WAS REALLY DIFFICULT IN THOSE ADOLESCENT DEVELOPMENTAL YEARS FOR ME TO JUSTIFY WHY I 417 00:13:51,531 --> 00:13:52,597 THOSE ADOLESCENT DEVELOPMENTAL YEARS FOR ME TO JUSTIFY WHY I SHOULD PURSUE SUCH A CRAZY 418 00:13:52,599 --> 00:13:53,031 YEARS FOR ME TO JUSTIFY WHY I SHOULD PURSUE SUCH A CRAZY DREAM. 419 00:13:53,033 --> 00:13:55,800 SHOULD PURSUE SUCH A CRAZY DREAM. SO I DID NOT WANT THAT FOR MY 420 00:13:55,802 --> 00:13:57,268 DREAM. SO I DID NOT WANT THAT FOR MY FAMILY AND I ENDED UP GOING TO 421 00:13:57,270 --> 00:14:01,339 SO I DID NOT WANT THAT FOR MY FAMILY AND I ENDED UP GOING TO CODING SCHOOL AFTER HIGH SCHOOL. 422 00:14:01,341 --> 00:14:02,040 FAMILY AND I ENDED UP GOING TO CODING SCHOOL AFTER HIGH SCHOOL. AND DID SOFTWARE STUFF. 423 00:14:02,042 --> 00:14:03,408 CODING SCHOOL AFTER HIGH SCHOOL. AND DID SOFTWARE STUFF. AND IT GOT TO THE POINT WHERE IT 424 00:14:03,410 --> 00:14:04,943 AND DID SOFTWARE STUFF. AND IT GOT TO THE POINT WHERE IT ATE AT ME ALL THE TIME. 425 00:14:04,945 --> 00:14:06,110 AND IT GOT TO THE POINT WHERE IT ATE AT ME ALL THE TIME. IF I'M GOING TO DO THIS, THIS IS 426 00:14:06,112 --> 00:14:09,347 ATE AT ME ALL THE TIME. IF I'M GOING TO DO THIS, THIS IS GOING TO BE MY TIME TO DO IT. 427 00:14:09,349 --> 00:14:10,548 IF I'M GOING TO DO THIS, THIS IS GOING TO BE MY TIME TO DO IT. SO I DID IT. 428 00:14:10,550 --> 00:14:11,649 GOING TO BE MY TIME TO DO IT. SO I DID IT. SPILLING GOOD FOR YOU, YOU HAVE 429 00:14:11,651 --> 00:14:14,752 SO I DID IT. SPILLING GOOD FOR YOU, YOU HAVE TO WHAT MAKES YOU HAPPY. 430 00:14:14,754 --> 00:14:16,087 SPILLING GOOD FOR YOU, YOU HAVE TO WHAT MAKES YOU HAPPY. I UNDERSTAND MAKING MONEY AND 431 00:14:16,089 --> 00:14:16,955 TO WHAT MAKES YOU HAPPY. I UNDERSTAND MAKING MONEY AND IT'S A SCARY BUSINESS. 432 00:14:16,957 --> 00:14:18,723 I UNDERSTAND MAKING MONEY AND IT'S A SCARY BUSINESS. YOU JUST NEVER KNOW, BECAUSE 433 00:14:18,725 --> 00:14:19,357 IT'S A SCARY BUSINESS. YOU JUST NEVER KNOW, BECAUSE THERE ARE A LOT OF TALENTED 434 00:14:19,359 --> 00:14:20,892 YOU JUST NEVER KNOW, BECAUSE THERE ARE A LOT OF TALENTED PEOPLE OUT THERE THAN EVER MAKE 435 00:14:20,894 --> 00:14:21,626 THERE ARE A LOT OF TALENTED PEOPLE OUT THERE THAN EVER MAKE IT. 436 00:14:21,628 --> 00:14:22,760 PEOPLE OUT THERE THAN EVER MAKE IT. BUT YOU HAVE TO AT LEAST GO FOR 437 00:14:22,762 --> 00:14:25,830 IT. BUT YOU HAVE TO AT LEAST GO FOR IT AND TRY IT, BECAUSE YOU HAVE 438 00:14:25,832 --> 00:14:27,232 BUT YOU HAVE TO AT LEAST GO FOR IT AND TRY IT, BECAUSE YOU HAVE THIS ONE SHOT AT DOING SOMETHING 439 00:14:27,234 --> 00:14:28,600 IT AND TRY IT, BECAUSE YOU HAVE THIS ONE SHOT AT DOING SOMETHING YOU LOVE AND LIFE. 440 00:14:28,602 --> 00:14:30,134 THIS ONE SHOT AT DOING SOMETHING YOU LOVE AND LIFE. AND YOUR SISTER QUIT HER JOB SO 441 00:14:30,136 --> 00:14:32,337 YOU LOVE AND LIFE. AND YOUR SISTER QUIT HER JOB SO THAT YOU COULD BE ON -- 442 00:14:32,339 --> 00:14:32,670 AND YOUR SISTER QUIT HER JOB SO THAT YOU COULD BE ON -- EXPLAIN THIS. 443 00:14:32,672 --> 00:14:34,239 THAT YOU COULD BE ON -- EXPLAIN THIS. >> IT'S LIKE ANOTHER HURDLE. 444 00:14:34,241 --> 00:14:37,041 EXPLAIN THIS. >> IT'S LIKE ANOTHER HURDLE. I AM A JULIE -- ORIGINALLY TRIED 445 00:14:37,043 --> 00:14:39,844 >> IT'S LIKE ANOTHER HURDLE. I AM A JULIE -- ORIGINALLY TRIED TO GO ON THE SHOW AND MY SISTER 446 00:14:39,846 --> 00:14:43,748 I AM A JULIE -- ORIGINALLY TRIED TO GO ON THE SHOW AND MY SISTER WAS A CHARACTER AT DISNEY WORLD, 447 00:14:43,750 --> 00:14:45,717 TO GO ON THE SHOW AND MY SISTER WAS A CHARACTER AT DISNEY WORLD, SO DISNEY OWNS ABC, ABC RUNS 448 00:14:45,719 --> 00:14:49,287 WAS A CHARACTER AT DISNEY WORLD, SO DISNEY OWNS ABC, ABC RUNS "IDOL." 449 00:14:49,289 --> 00:14:51,556 SO DISNEY OWNS ABC, ABC RUNS "IDOL." SO I WAS NOT ABLE TO PARTICIPATE 450 00:14:51,558 --> 00:14:52,757 "IDOL." SO I WAS NOT ABLE TO PARTICIPATE BECAUSE IT WAS A CONFLICT OF 451 00:14:52,759 --> 00:14:54,525 SO I WAS NOT ABLE TO PARTICIPATE BECAUSE IT WAS A CONFLICT OF INTEREST WHERE THEY DON'T RUN 452 00:14:54,527 --> 00:14:56,494 BECAUSE IT WAS A CONFLICT OF INTEREST WHERE THEY DON'T RUN INTO IT OFTEN, BUT SINCE SHE WAS 453 00:14:56,496 --> 00:14:58,029 INTEREST WHERE THEY DON'T RUN INTO IT OFTEN, BUT SINCE SHE WAS ACTIVELY WORKING, SO THAT HE 454 00:14:58,031 --> 00:14:59,764 INTO IT OFTEN, BUT SINCE SHE WAS ACTIVELY WORKING, SO THAT HE COULD TAKE IT AS A COMPETITIVE 455 00:14:59,766 --> 00:15:01,966 ACTIVELY WORKING, SO THAT HE COULD TAKE IT AS A COMPETITIVE ADVANTAGE OR LIKE I SAID A 456 00:15:01,968 --> 00:15:02,533 COULD TAKE IT AS A COMPETITIVE ADVANTAGE OR LIKE I SAID A CONFLICT OF INTEREST. 457 00:15:02,535 --> 00:15:05,236 ADVANTAGE OR LIKE I SAID A CONFLICT OF INTEREST. SO THEY CALLED ME AND I HAD LIKE 458 00:15:05,238 --> 00:15:07,105 CONFLICT OF INTEREST. SO THEY CALLED ME AND I HAD LIKE THE TICKET AND MY NUMBER AND 459 00:15:07,107 --> 00:15:08,139 SO THEY CALLED ME AND I HAD LIKE THE TICKET AND MY NUMBER AND EVERYTHING READY TO GO AND THEN 460 00:15:08,141 --> 00:15:10,008 THE TICKET AND MY NUMBER AND EVERYTHING READY TO GO AND THEN THEY WERE LIKE SORRY, MAN, WE 461 00:15:10,010 --> 00:15:11,943 EVERYTHING READY TO GO AND THEN THEY WERE LIKE SORRY, MAN, WE CAN'T HAVE YOU COME ON. 462 00:15:11,945 --> 00:15:14,145 THEY WERE LIKE SORRY, MAN, WE CAN'T HAVE YOU COME ON. SO THAT WAS A BUMMER, BUT IT ALL 463 00:15:14,147 --> 00:15:16,080 CAN'T HAVE YOU COME ON. SO THAT WAS A BUMMER, BUT IT ALL HAPPEN FOR A REASON AND HERE 464 00:15:16,082 --> 00:15:16,247 SO THAT WAS A BUMMER, BUT IT ALL HAPPEN FOR A REASON AND HERE NOW. 465 00:15:16,249 --> 00:15:18,516 HAPPEN FOR A REASON AND HERE NOW. >> Ellen: AND SHE QUIT. 466 00:15:18,518 --> 00:15:21,152 NOW. >> Ellen: AND SHE QUIT. SO WHEN YOU MAKE IT TO, YOU OWE 467 00:15:21,154 --> 00:15:22,487 >> Ellen: AND SHE QUIT. SO WHEN YOU MAKE IT TO, YOU OWE HER BIG TIME. 468 00:15:22,489 --> 00:15:24,088 SO WHEN YOU MAKE IT TO, YOU OWE HER BIG TIME. >> YES, ABSOLUTELY. 469 00:15:24,090 --> 00:15:25,623 HER BIG TIME. >> YES, ABSOLUTELY. >> Ellen: IN ONE OF YOUR 470 00:15:25,625 --> 00:15:26,724 >> YES, ABSOLUTELY. >> Ellen: IN ONE OF YOUR PERFORMANCES, YOU MESSED UP ONE 471 00:15:26,726 --> 00:15:28,059 >> Ellen: IN ONE OF YOUR PERFORMANCES, YOU MESSED UP ONE OF THE LINES, WHICH WAS NOT A 472 00:15:28,061 --> 00:15:29,427 PERFORMANCES, YOU MESSED UP ONE OF THE LINES, WHICH WAS NOT A BIG DEAL AND EVERYONE KEPT 473 00:15:29,429 --> 00:15:30,595 OF THE LINES, WHICH WAS NOT A BIG DEAL AND EVERYONE KEPT TRYING TO REASSURE YOU. 474 00:15:30,597 --> 00:15:32,964 BIG DEAL AND EVERYONE KEPT TRYING TO REASSURE YOU. YOU BROKE DOWN AND YOU ARE 475 00:15:32,966 --> 00:15:33,898 TRYING TO REASSURE YOU. YOU BROKE DOWN AND YOU ARE REALLY EMOTIONAL AND CRYING. 476 00:15:33,900 --> 00:15:35,433 YOU BROKE DOWN AND YOU ARE REALLY EMOTIONAL AND CRYING. AND THEY KEPT SAYING, THAT IS 477 00:15:35,435 --> 00:15:35,667 REALLY EMOTIONAL AND CRYING. AND THEY KEPT SAYING, THAT IS OKAY. 478 00:15:35,669 --> 00:15:38,136 AND THEY KEPT SAYING, THAT IS OKAY. IT'S GREAT THAT YOU ARE 479 00:15:38,138 --> 00:15:38,503 OKAY. IT'S GREAT THAT YOU ARE EMOTIONAL. 480 00:15:38,505 --> 00:15:39,904 IT'S GREAT THAT YOU ARE EMOTIONAL. I'M SURE WHEN YOU ARE EXHAUSTED 481 00:15:39,906 --> 00:15:40,738 EMOTIONAL. I'M SURE WHEN YOU ARE EXHAUSTED AND THERE IS SO MUCH ENERGY AND 482 00:15:40,740 --> 00:15:44,542 I'M SURE WHEN YOU ARE EXHAUSTED AND THERE IS SO MUCH ENERGY AND SO MUCH HYPE IT ADDS TO THE 483 00:15:44,544 --> 00:15:45,777 AND THERE IS SO MUCH ENERGY AND SO MUCH HYPE IT ADDS TO THE EMOTION, BUT I HOPE YOU KNOW 484 00:15:45,779 --> 00:15:46,744 SO MUCH HYPE IT ADDS TO THE EMOTION, BUT I HOPE YOU KNOW THAT THAT WAS A BEAUTIFUL MOMENT 485 00:15:46,746 --> 00:15:48,680 EMOTION, BUT I HOPE YOU KNOW THAT THAT WAS A BEAUTIFUL MOMENT WHEN YOU BROKE DOWN. 486 00:15:48,682 --> 00:15:50,848 THAT THAT WAS A BEAUTIFUL MOMENT WHEN YOU BROKE DOWN. THERE IS NOTHING WRONG WITH 487 00:15:50,850 --> 00:15:52,550 WHEN YOU BROKE DOWN. THERE IS NOTHING WRONG WITH MESSING UP, NUMBER ONE. 488 00:15:52,552 --> 00:15:53,551 THERE IS NOTHING WRONG WITH MESSING UP, NUMBER ONE. AND NOTHING WRONG WITH BEING 489 00:15:53,553 --> 00:15:54,152 MESSING UP, NUMBER ONE. AND NOTHING WRONG WITH BEING EMOTIONAL. 490 00:15:54,154 --> 00:15:55,586 AND NOTHING WRONG WITH BEING EMOTIONAL. >> THANK YOU SO MUCH. 491 00:15:55,588 --> 00:15:57,088 EMOTIONAL. >> THANK YOU SO MUCH. JUST IN THAT MOMENT, MAN, IT WAS 492 00:15:57,090 --> 00:15:59,290 >> THANK YOU SO MUCH. JUST IN THAT MOMENT, MAN, IT WAS INTENSE FOR ME. 493 00:15:59,292 --> 00:16:01,025 JUST IN THAT MOMENT, MAN, IT WAS INTENSE FOR ME. BUT NO, COMING OFF OF THE SHOW 494 00:16:01,027 --> 00:16:02,694 INTENSE FOR ME. BUT NO, COMING OFF OF THE SHOW AND THE SUPPORT HAS BEEN 495 00:16:02,696 --> 00:16:02,927 BUT NO, COMING OFF OF THE SHOW AND THE SUPPORT HAS BEEN AMAZING. 496 00:16:02,929 --> 00:16:03,895 AND THE SUPPORT HAS BEEN AMAZING. >> Ellen: IT JUST GOES TO SHOW 497 00:16:03,897 --> 00:16:04,829 AMAZING. >> Ellen: IT JUST GOES TO SHOW YOU THAT WHATEVER IS HAPPENING 498 00:16:04,831 --> 00:16:06,731 >> Ellen: IT JUST GOES TO SHOW YOU THAT WHATEVER IS HAPPENING IN THE MOMENT IS NEVER REALLY AS 499 00:16:06,733 --> 00:16:06,965 YOU THAT WHATEVER IS HAPPENING IN THE MOMENT IS NEVER REALLY AS BIG. 500 00:16:06,967 --> 00:16:09,167 IN THE MOMENT IS NEVER REALLY AS BIG. IT'S JUST ON YOU AT THAT TIME. 501 00:16:09,169 --> 00:16:10,902 BIG. IT'S JUST ON YOU AT THAT TIME. YOU'RE GOING TO SING FOR US, 502 00:16:10,904 --> 00:16:11,102 IT'S JUST ON YOU AT THAT TIME. YOU'RE GOING TO SING FOR US, RIGHT? 503 00:16:11,104 --> 00:16:15,940 YOU'RE GOING TO SING FOR US, RIGHT? YOU ARE SINGING -- 504 00:16:15,942 --> 00:16:18,810 RIGHT? YOU ARE SINGING -- >> YES, SKINNY LOVE. 505 00:16:18,812 --> 00:16:26,784 YOU ARE SINGING -- >> YES, SKINNY LOVE. [APPLAUSE] 506 00:16:26,786 --> 00:16:32,357 >> YES, SKINNY LOVE. [APPLAUSE] ♪ ♪ 507 00:16:32,359 --> 00:16:37,996 [APPLAUSE] ♪ ♪ ♪ COME ON, SKINNY LOVE, JUST 508 00:16:37,998 --> 00:16:41,165 ♪ ♪ ♪ COME ON, SKINNY LOVE, JUST LAST THE YEAR ♪ 509 00:16:41,167 --> 00:16:43,735 ♪ COME ON, SKINNY LOVE, JUST LAST THE YEAR ♪ ♪ POUR A LITTLE SALT ♪ 510 00:16:43,737 --> 00:16:46,404 LAST THE YEAR ♪ ♪ POUR A LITTLE SALT ♪ ♪ WE WERE NEVER HERE ♪ 511 00:16:46,406 --> 00:16:52,844 ♪ POUR A LITTLE SALT ♪ ♪ WE WERE NEVER HERE ♪ ♪ MY, MY, MY, MY, MY, MY, MY, 512 00:16:52,846 --> 00:16:56,381 ♪ WE WERE NEVER HERE ♪ ♪ MY, MY, MY, MY, MY, MY, MY, MY, MY, MY, MY ♪ 513 00:16:56,383 --> 00:16:57,949 ♪ MY, MY, MY, MY, MY, MY, MY, MY, MY, MY, MY ♪ ♪ STARING AT THE SINK OF BLOOD 514 00:16:57,951 --> 00:17:01,652 MY, MY, MY, MY ♪ ♪ STARING AT THE SINK OF BLOOD AND CRUSHED HER VENEER ♪ 515 00:17:01,654 --> 00:17:05,223 ♪ STARING AT THE SINK OF BLOOD AND CRUSHED HER VENEER ♪ ♪ TELL MY LOVE TO RECORD ALL ♪ 516 00:17:05,225 --> 00:17:07,792 AND CRUSHED HER VENEER ♪ ♪ TELL MY LOVE TO RECORD ALL ♪ ♪ CUT OUT ALL THE ROPES AND LET 517 00:17:07,794 --> 00:17:10,428 ♪ TELL MY LOVE TO RECORD ALL ♪ ♪ CUT OUT ALL THE ROPES AND LET ME FALL ♪ 518 00:17:10,430 --> 00:17:14,399 ♪ CUT OUT ALL THE ROPES AND LET ME FALL ♪ ♪ MY, MY, MY, MY, MY, MY, MY, 519 00:17:14,401 --> 00:17:14,799 ME FALL ♪ ♪ MY, MY, MY, MY, MY, MY, MY, MY, MY, MY, MY ♪ 520 00:17:14,801 --> 00:17:19,971 ♪ MY, MY, MY, MY, MY, MY, MY, MY, MY, MY, MY ♪ ♪ RIGHT IN THE MOMENT THIS 521 00:17:19,973 --> 00:17:22,306 MY, MY, MY, MY ♪ ♪ RIGHT IN THE MOMENT THIS ORDERS TALL ♪ 522 00:17:22,308 --> 00:17:24,909 ♪ RIGHT IN THE MOMENT THIS ORDERS TALL ♪ ♪ AND I TOLD YOU TO BE PATIENT ♪ 523 00:17:24,911 --> 00:17:27,478 ORDERS TALL ♪ ♪ AND I TOLD YOU TO BE PATIENT ♪ ♪ I TOLD YOU TO BE KIND ♪ 524 00:17:27,480 --> 00:17:30,448 ♪ AND I TOLD YOU TO BE PATIENT ♪ ♪ I TOLD YOU TO BE KIND ♪ ♪ I TOLD YOU TO BE BALANCED ♪ 525 00:17:30,450 --> 00:17:33,818 ♪ I TOLD YOU TO BE KIND ♪ ♪ I TOLD YOU TO BE BALANCED ♪ ♪ AND I TOLD YOU BE FINE ♪ 526 00:17:33,820 --> 00:17:34,986 ♪ I TOLD YOU TO BE BALANCED ♪ ♪ AND I TOLD YOU BE FINE ♪ ♪ AND IN THE MORNING I'LL BE 527 00:17:34,988 --> 00:17:36,888 ♪ AND I TOLD YOU BE FINE ♪ ♪ AND IN THE MORNING I'LL BE WITH YOU ♪ 528 00:17:36,890 --> 00:17:39,924 ♪ AND IN THE MORNING I'LL BE WITH YOU ♪ ♪ BUT IT WILL BE A DIFFERENT 529 00:17:39,926 --> 00:17:40,425 WITH YOU ♪ ♪ BUT IT WILL BE A DIFFERENT KIND ♪ 530 00:17:40,427 --> 00:17:41,959 ♪ BUT IT WILL BE A DIFFERENT KIND ♪ ♪ BECAUSE YOU'LL BE HOLDING ALL 531 00:17:41,961 --> 00:17:45,296 KIND ♪ ♪ BECAUSE YOU'LL BE HOLDING ALL THE TICKETS ♪ 532 00:17:45,298 --> 00:17:50,001 ♪ BECAUSE YOU'LL BE HOLDING ALL THE TICKETS ♪ ♪ AND I'LL BE HOLDING ALL THE 533 00:17:50,003 --> 00:17:50,401 THE TICKETS ♪ ♪ AND I'LL BE HOLDING ALL THE FINES ♪ 534 00:17:50,403 --> 00:17:57,341 ♪ AND I'LL BE HOLDING ALL THE FINES ♪ ♪ WANT TO COME ON SKINNY LOVE ♪ 535 00:17:57,343 --> 00:17:59,744 FINES ♪ ♪ WANT TO COME ON SKINNY LOVE ♪ ♪ WANT YOU COME ON SKINNY 536 00:17:59,746 --> 00:18:04,549 ♪ WANT TO COME ON SKINNY LOVE ♪ ♪ WANT YOU COME ON SKINNY LOVE ♪ 537 00:18:04,551 --> 00:18:05,083 ♪ WANT YOU COME ON SKINNY LOVE ♪ [CHEERS AND APPLAUSE] 538 00:18:05,085 --> 00:18:06,517 LOVE ♪ [CHEERS AND APPLAUSE] THANK YOU! 539 00:18:06,519 --> 00:18:07,051 [CHEERS AND APPLAUSE] THANK YOU! THANK YOU SO MUCH! 540 00:18:07,053 --> 00:18:09,287 THANK YOU! THANK YOU SO MUCH! >> Ellen: THAT'S A GREAT SONG. 541 00:18:09,289 --> 00:18:10,922 THANK YOU SO MUCH! >> Ellen: THAT'S A GREAT SONG. SEASON FINALE OF "AMERICAN IDOL" 542 00:18:10,924 --> 00:18:12,890 >> Ellen: THAT'S A GREAT SONG. SEASON FINALE OF "AMERICAN IDOL" AIRS THIS SUNDAY ON ABC. 543 00:18:12,892 --> 00:18:14,959 SEASON FINALE OF "AMERICAN IDOL" AIRS THIS SUNDAY ON ABC. HUNTER'S SINGLE "20,000 KISSES 544 00:18:14,961 --> 00:18:16,427 AIRS THIS SUNDAY ON ABC. HUNTER'S SINGLE "20,000 KISSES IS AVAILABLE ANYWHERE MUSIC IS 545 00:18:16,429 --> 00:18:17,462 HUNTER'S SINGLE "20,000 KISSES IS AVAILABLE ANYWHERE MUSIC IS SOLD. 546 00:18:17,464 --> 00:18:17,862 IS AVAILABLE ANYWHERE MUSIC IS SOLD. WE WILL BE BACK! 547 00:18:17,864 --> 00:18:18,329 SOLD. WE WILL BE BACK! [CHEERS AND APPLAUSE] 548 00:18:18,331 --> 00:18:27,138 WE WILL BE BACK! [CHEERS AND APPLAUSE] ♪ ♪ 549 00:18:27,140 --> 00:18:29,474 [CHEERS AND APPLAUSE] ♪ ♪ >> IN THE STATES WHERE THEY HAVE 550 00:18:29,476 --> 00:18:31,375 ♪ ♪ >> IN THE STATES WHERE THEY HAVE A VERY HIGH RATE OF VACCINATION, 551 00:18:31,377 --> 00:18:34,745 >> IN THE STATES WHERE THEY HAVE A VERY HIGH RATE OF VACCINATION, SICKNESS IS GOING DOWN, DEATH IS 552 00:18:34,747 --> 00:18:35,746 A VERY HIGH RATE OF VACCINATION, SICKNESS IS GOING DOWN, DEATH IS GOING DOWN SIGNIFICANTLY. 553 00:18:35,748 --> 00:18:36,147 SICKNESS IS GOING DOWN, DEATH IS GOING DOWN SIGNIFICANTLY. IT IS WORKING. 554 00:18:36,149 --> 00:18:38,716 GOING DOWN SIGNIFICANTLY. IT IS WORKING. >> I HAD TO REPLACE AN ACTOR WHO 555 00:18:38,718 --> 00:18:41,552 IT IS WORKING. >> I HAD TO REPLACE AN ACTOR WHO WAS REMOVED FROM THE MOVIE, AND 556 00:18:41,554 --> 00:18:43,087 >> I HAD TO REPLACE AN ACTOR WHO WAS REMOVED FROM THE MOVIE, AND TODAY GREEN SCREENED ME AND NOW 557 00:18:43,089 --> 00:18:45,256 WAS REMOVED FROM THE MOVIE, AND TODAY GREEN SCREENED ME AND NOW I LIKE TO BE 558 00:18:51,763 --> 00:19:00,238 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: OUR FIRST GUEST IS 559 00:19:00,240 --> 00:19:01,839 ♪ ♪ >> Ellen: OUR FIRST GUEST IS ONE OF THE MOST POPULAR ANCHORS 560 00:19:01,841 --> 00:19:03,808 >> Ellen: OUR FIRST GUEST IS ONE OF THE MOST POPULAR ANCHORS ON CNN AND ALSO BEST-SELLING 561 00:19:03,810 --> 00:19:05,910 ONE OF THE MOST POPULAR ANCHORS ON CNN AND ALSO BEST-SELLING AUTHOR, HIS NEW BOOK IS CALLED 562 00:19:05,912 --> 00:19:06,511 ON CNN AND ALSO BEST-SELLING AUTHOR, HIS NEW BOOK IS CALLED "THE DEVIL MAY DANCE." 563 00:19:06,513 --> 00:19:10,581 AUTHOR, HIS NEW BOOK IS CALLED "THE DEVIL MAY DANCE." PLEASE WELCOME JAKE TAPPER! 564 00:19:10,583 --> 00:19:11,782 "THE DEVIL MAY DANCE." PLEASE WELCOME JAKE TAPPER! [CHEERS AND APPLAUSE] 565 00:19:11,784 --> 00:19:13,451 PLEASE WELCOME JAKE TAPPER! [CHEERS AND APPLAUSE] >> HEY, ELLEN. 566 00:19:13,453 --> 00:19:14,986 [CHEERS AND APPLAUSE] >> HEY, ELLEN. >> Ellen: HI, JAKE. 567 00:19:14,988 --> 00:19:16,687 >> HEY, ELLEN. >> Ellen: HI, JAKE. SINCE YOU WERE HERE LAST A LOT 568 00:19:16,689 --> 00:19:17,922 >> Ellen: HI, JAKE. SINCE YOU WERE HERE LAST A LOT HAS HAPPENED, BUT I THOUGHT I 569 00:19:17,924 --> 00:19:20,024 SINCE YOU WERE HERE LAST A LOT HAS HAPPENED, BUT I THOUGHT I WOULD START WITH SOME GOOD NEWS, 570 00:19:20,026 --> 00:19:20,725 HAS HAPPENED, BUT I THOUGHT I WOULD START WITH SOME GOOD NEWS, COVID NUMBERS ARE DOWN ACROSS 571 00:19:20,727 --> 00:19:22,960 WOULD START WITH SOME GOOD NEWS, COVID NUMBERS ARE DOWN ACROSS THE COUNTRY. 572 00:19:22,962 --> 00:19:24,395 COVID NUMBERS ARE DOWN ACROSS THE COUNTRY. SO DO YOU THINK WE ARE FINALLY 573 00:19:24,397 --> 00:19:25,730 THE COUNTRY. SO DO YOU THINK WE ARE FINALLY AT THE END OF THIS? 574 00:19:25,732 --> 00:19:27,365 SO DO YOU THINK WE ARE FINALLY AT THE END OF THIS? WHAT ARE YOUR THOUGHTS? 575 00:19:27,367 --> 00:19:29,000 AT THE END OF THIS? WHAT ARE YOUR THOUGHTS? >> I THINK WE ARE GETTING THERE. 576 00:19:29,002 --> 00:19:30,835 WHAT ARE YOUR THOUGHTS? >> I THINK WE ARE GETTING THERE. I THINK IT IS REALLY IMPORTANT 577 00:19:30,837 --> 00:19:34,105 >> I THINK WE ARE GETTING THERE. I THINK IT IS REALLY IMPORTANT THAT PEOPLE GET VACCINATED. 578 00:19:34,107 --> 00:19:35,873 I THINK IT IS REALLY IMPORTANT THAT PEOPLE GET VACCINATED. IN THE STATES WHERE THEY HAVE A 579 00:19:35,875 --> 00:19:37,675 THAT PEOPLE GET VACCINATED. IN THE STATES WHERE THEY HAVE A VERY HIGH RATE OF VACCINATION, 580 00:19:37,677 --> 00:19:39,443 IN THE STATES WHERE THEY HAVE A VERY HIGH RATE OF VACCINATION, SICKNESSES GOING DOWN, DEATH IS 581 00:19:39,445 --> 00:19:41,946 VERY HIGH RATE OF VACCINATION, SICKNESSES GOING DOWN, DEATH IS GOING DOWN SIGNIFICANTLY. 582 00:19:41,948 --> 00:19:42,313 SICKNESSES GOING DOWN, DEATH IS GOING DOWN SIGNIFICANTLY. IT IS WORKING. 583 00:19:42,315 --> 00:19:44,148 GOING DOWN SIGNIFICANTLY. IT IS WORKING. THERE ARE LOTS OF PARTS OF THE 584 00:19:44,150 --> 00:19:46,017 IT IS WORKING. THERE ARE LOTS OF PARTS OF THE COUNTRY WHERE PEOPLE ARE STILL 585 00:19:46,019 --> 00:19:46,651 THERE ARE LOTS OF PARTS OF THE COUNTRY WHERE PEOPLE ARE STILL NOT GETTING VACCINATED. 586 00:19:46,653 --> 00:19:48,753 COUNTRY WHERE PEOPLE ARE STILL NOT GETTING VACCINATED. SOME OF IT IS PEOPLE NOT HAVING 587 00:19:48,755 --> 00:19:49,954 NOT GETTING VACCINATED. SOME OF IT IS PEOPLE NOT HAVING ACCESS TO THE HEALTH CARE SYSTEM 588 00:19:49,956 --> 00:19:51,956 SOME OF IT IS PEOPLE NOT HAVING ACCESS TO THE HEALTH CARE SYSTEM OR MAYBE THEY DON'T SPEAK FLUENT 589 00:19:51,958 --> 00:19:53,791 ACCESS TO THE HEALTH CARE SYSTEM OR MAYBE THEY DON'T SPEAK FLUENT ENGLISH OR ONLINE OR THEY DON'T 590 00:19:53,793 --> 00:19:54,992 OR MAYBE THEY DON'T SPEAK FLUENT ENGLISH OR ONLINE OR THEY DON'T WATCH TV, ET CETERA. 591 00:19:54,994 --> 00:19:56,761 ENGLISH OR ONLINE OR THEY DON'T WATCH TV, ET CETERA. BUT SOME OF IT IS HESITANCY. 592 00:19:56,763 --> 00:19:57,495 WATCH TV, ET CETERA. BUT SOME OF IT IS HESITANCY. I THINK IT'S IMPORTANT FOR 593 00:19:57,497 --> 00:19:59,430 BUT SOME OF IT IS HESITANCY. I THINK IT'S IMPORTANT FOR PEOPLE TO UNDERSTAND THESE 594 00:19:59,432 --> 00:20:01,098 I THINK IT'S IMPORTANT FOR PEOPLE TO UNDERSTAND THESE VACCINES WORK. 595 00:20:01,100 --> 00:20:05,603 PEOPLE TO UNDERSTAND THESE VACCINES WORK. THE DATA SHOWS ITS WORKING. 596 00:20:05,605 --> 00:20:06,137 VACCINES WORK. THE DATA SHOWS ITS WORKING. I'M VACCINATED. 597 00:20:06,139 --> 00:20:07,205 THE DATA SHOWS ITS WORKING. I'M VACCINATED. YOU ARE VACCINATED. 598 00:20:07,207 --> 00:20:09,207 I'M VACCINATED. YOU ARE VACCINATED. IT WORKS, IT IS SAVING LIVES. 599 00:20:09,209 --> 00:20:09,807 YOU ARE VACCINATED. IT WORKS, IT IS SAVING LIVES. AND I GET WHATEVER HESITANCY 600 00:20:09,809 --> 00:20:14,345 IT WORKS, IT IS SAVING LIVES. AND I GET WHATEVER HESITANCY THEY MIGHT HAVE, BUT THERE ARE 601 00:20:14,347 --> 00:20:17,181 AND I GET WHATEVER HESITANCY THEY MIGHT HAVE, BUT THERE ARE SOME WILDLY RUMORS OUT THERE 602 00:20:17,183 --> 00:20:18,316 THEY MIGHT HAVE, BUT THERE ARE SOME WILDLY RUMORS OUT THERE ABOUT THIS IS BILL GATES TRYING 603 00:20:18,318 --> 00:20:21,586 SOME WILDLY RUMORS OUT THERE ABOUT THIS IS BILL GATES TRYING TO IMPLANT TO YOU WITH A 604 00:20:21,588 --> 00:20:22,987 ABOUT THIS IS BILL GATES TRYING TO IMPLANT TO YOU WITH A MICROCHIP. 605 00:20:22,989 --> 00:20:24,622 TO IMPLANT TO YOU WITH A MICROCHIP. I MEAN, NEWS FLASH, BILL GATES 606 00:20:24,624 --> 00:20:26,724 MICROCHIP. I MEAN, NEWS FLASH, BILL GATES KNOWS WHERE YOU ARE ALREADY IF 607 00:20:26,726 --> 00:20:27,792 I MEAN, NEWS FLASH, BILL GATES KNOWS WHERE YOU ARE ALREADY IF HE WANTS TO BECAUSE YOUR PHONE 608 00:20:27,794 --> 00:20:29,360 KNOWS WHERE YOU ARE ALREADY IF HE WANTS TO BECAUSE YOUR PHONE IS RIGHT NEXT TO YOU. 609 00:20:29,362 --> 00:20:31,329 HE WANTS TO BECAUSE YOUR PHONE IS RIGHT NEXT TO YOU. HE DOES NOT NEED A MICROCHIP IN 610 00:20:31,331 --> 00:20:31,762 IS RIGHT NEXT TO YOU. HE DOES NOT NEED A MICROCHIP IN YOU. 611 00:20:31,764 --> 00:20:32,930 HE DOES NOT NEED A MICROCHIP IN YOU. YOU ARE CARRYING AROUND A 612 00:20:32,932 --> 00:20:35,166 YOU. YOU ARE CARRYING AROUND A TRACKING DEVICE ALREADY. 613 00:20:35,168 --> 00:20:35,800 YOU ARE CARRYING AROUND A TRACKING DEVICE ALREADY. THERE'S A CERTAIN AMOUNT OF 614 00:20:35,802 --> 00:20:37,602 TRACKING DEVICE ALREADY. THERE'S A CERTAIN AMOUNT OF COMMON SENSE THAT PEOPLE ARE NOT 615 00:20:37,604 --> 00:20:39,537 THERE'S A CERTAIN AMOUNT OF COMMON SENSE THAT PEOPLE ARE NOT USING WHEN THEY TALK ABOUT THESE 616 00:20:39,539 --> 00:20:40,171 COMMON SENSE THAT PEOPLE ARE NOT USING WHEN THEY TALK ABOUT THESE CONSPIRACY THEORIES. 617 00:20:40,173 --> 00:20:41,639 USING WHEN THEY TALK ABOUT THESE CONSPIRACY THEORIES. >> Ellen: I KNOW, THERE ARE 618 00:20:41,641 --> 00:20:43,040 CONSPIRACY THEORIES. >> Ellen: I KNOW, THERE ARE SOME CRAZY ONES OUT THERE. 619 00:20:43,042 --> 00:20:45,209 >> Ellen: I KNOW, THERE ARE SOME CRAZY ONES OUT THERE. BUT NOW THAT THINGS HAVE CALMED 620 00:20:45,211 --> 00:20:47,612 SOME CRAZY ONES OUT THERE. BUT NOW THAT THINGS HAVE CALMED DOWN A LITTLE BIT, HAS ANDY STOP 621 00:20:47,614 --> 00:20:48,579 BUT NOW THAT THINGS HAVE CALMED DOWN A LITTLE BIT, HAS ANDY STOP TEXTING YOU? 622 00:20:48,581 --> 00:20:50,114 DOWN A LITTLE BIT, HAS ANDY STOP TEXTING YOU? HE WAS PROBABLY TEXTING YOU 623 00:20:50,116 --> 00:20:51,849 TEXTING YOU? HE WAS PROBABLY TEXTING YOU RIGHT NOW PRETTY IS TEXTING 624 00:20:51,851 --> 00:20:53,184 HE WAS PROBABLY TEXTING YOU RIGHT NOW PRETTY IS TEXTING DURING THE SHOW. 625 00:20:53,186 --> 00:20:54,518 RIGHT NOW PRETTY IS TEXTING DURING THE SHOW. HOW OFTEN DOES HE TEXT YOU? 626 00:20:54,520 --> 00:20:57,088 DURING THE SHOW. HOW OFTEN DOES HE TEXT YOU? >> HE WAS TEXTING ME ABOUT TIG 627 00:20:57,090 --> 00:20:57,488 HOW OFTEN DOES HE TEXT YOU? >> HE WAS TEXTING ME ABOUT TIG FOR SOME REASON. 628 00:20:57,490 --> 00:20:59,657 >> HE WAS TEXTING ME ABOUT TIG FOR SOME REASON. I DON'T KNOW. 629 00:20:59,659 --> 00:21:00,057 FOR SOME REASON. I DON'T KNOW. [LAUGHTER] 630 00:21:00,059 --> 00:21:04,595 I DON'T KNOW. [LAUGHTER] NO, HE HAS STOPPED FRANTICALLY 631 00:21:04,597 --> 00:21:07,331 [LAUGHTER] NO, HE HAS STOPPED FRANTICALLY WORRYING ABOUT THE STATE OF OUR 632 00:21:07,333 --> 00:21:08,065 NO, HE HAS STOPPED FRANTICALLY WORRYING ABOUT THE STATE OF OUR DEMOCRACY WITH THE SAME 633 00:21:08,067 --> 00:21:08,332 WORRYING ABOUT THE STATE OF OUR DEMOCRACY WITH THE SAME INTENSITY. 634 00:21:08,334 --> 00:21:11,435 DEMOCRACY WITH THE SAME INTENSITY. ALTHOUGH I WILL SAY, I WAS OUT 635 00:21:11,437 --> 00:21:14,238 INTENSITY. ALTHOUGH I WILL SAY, I WAS OUT WITH MY DAUGHTER ALICE THIS 636 00:21:14,240 --> 00:21:16,741 ALTHOUGH I WILL SAY, I WAS OUT WITH MY DAUGHTER ALICE THIS WEEKEND, AND HE CALLED. 637 00:21:16,743 --> 00:21:19,143 WITH MY DAUGHTER ALICE THIS WEEKEND, AND HE CALLED. BECAUSE HE HAD SEEN THAT I HAD 638 00:21:19,145 --> 00:21:21,245 WEEKEND, AND HE CALLED. BECAUSE HE HAD SEEN THAT I HAD SHOWN A PICTURE ON TWITTER OF 639 00:21:21,247 --> 00:21:22,113 BECAUSE HE HAD SEEN THAT I HAD SHOWN A PICTURE ON TWITTER OF ALICE GETTING VACCINATED AND HE 640 00:21:22,115 --> 00:21:24,181 SHOWN A PICTURE ON TWITTER OF ALICE GETTING VACCINATED AND HE WAS -- I GUESS HE WAS TAKING ONE 641 00:21:24,183 --> 00:21:26,417 ALICE GETTING VACCINATED AND HE WAS -- I GUESS HE WAS TAKING ONE OF HIS KIDS TO BE VACCINATED WE 642 00:21:26,419 --> 00:21:28,986 WAS -- I GUESS HE WAS TAKING ONE OF HIS KIDS TO BE VACCINATED WE WANTED TO MAKE SURE THAT HIS KID 643 00:21:28,988 --> 00:21:30,755 OF HIS KIDS TO BE VACCINATED WE WANTED TO MAKE SURE THAT HIS KID COULD HEAR MY DAUGHTER TALKING 644 00:21:30,757 --> 00:21:31,722 WANTED TO MAKE SURE THAT HIS KID COULD HEAR MY DAUGHTER TALKING ABOUT HOW EVERYTHING WAS OKAY 645 00:21:31,724 --> 00:21:32,623 COULD HEAR MY DAUGHTER TALKING ABOUT HOW EVERYTHING WAS OKAY WITH THE VACCINE. 646 00:21:32,625 --> 00:21:34,558 ABOUT HOW EVERYTHING WAS OKAY WITH THE VACCINE. IT SO I THINK THAT THIS 647 00:21:34,560 --> 00:21:37,094 WITH THE VACCINE. IT SO I THINK THAT THIS TRADITION OF LAST YEAR'S 648 00:21:37,096 --> 00:21:39,764 IT SO I THINK THAT THIS TRADITION OF LAST YEAR'S PESTERING TAPPERS IS ONE THAT HE 649 00:21:39,766 --> 00:21:41,532 TRADITION OF LAST YEAR'S PESTERING TAPPERS IS ONE THAT HE WANTS TO KEEP GOING FOR FUTURE 650 00:21:41,534 --> 00:21:42,833 PESTERING TAPPERS IS ONE THAT HE WANTS TO KEEP GOING FOR FUTURE GENERATIONS WHICH IS FINE WITH 651 00:21:42,835 --> 00:21:43,467 WANTS TO KEEP GOING FOR FUTURE GENERATIONS WHICH IS FINE WITH ME. 652 00:21:43,469 --> 00:21:43,934 GENERATIONS WHICH IS FINE WITH ME. IT'S OKAY FOR THE NEXT 653 00:21:43,936 --> 00:21:46,170 ME. IT'S OKAY FOR THE NEXT GENERATION TO PICK IT UP. 654 00:21:46,172 --> 00:21:48,205 IT'S OKAY FOR THE NEXT GENERATION TO PICK IT UP. >> Ellen: WHY WERE YOU JUST 655 00:21:48,207 --> 00:21:49,940 GENERATION TO PICK IT UP. >> Ellen: WHY WERE YOU JUST GETTING ONE OF YOUR KIDS 656 00:21:49,942 --> 00:21:50,341 >> Ellen: WHY WERE YOU JUST GETTING ONE OF YOUR KIDS VACCINATED, ANDY? 657 00:21:50,343 --> 00:21:52,043 GETTING ONE OF YOUR KIDS VACCINATED, ANDY? >> NO, IT WAS THE TWINS. 658 00:21:52,045 --> 00:21:53,644 VACCINATED, ANDY? >> NO, IT WAS THE TWINS. >> Ellen: I THOUGHT THAT YOU 659 00:21:53,646 --> 00:21:55,980 >> NO, IT WAS THE TWINS. >> Ellen: I THOUGHT THAT YOU FAVORED ONE OVER THE OTHER. 660 00:21:55,982 --> 00:21:56,981 >> Ellen: I THOUGHT THAT YOU FAVORED ONE OVER THE OTHER. [LAUGHTER] 661 00:21:56,983 --> 00:21:57,782 FAVORED ONE OVER THE OTHER. [LAUGHTER] SPEAK I TESTED IT ON ONE AND 662 00:21:57,784 --> 00:22:00,451 [LAUGHTER] SPEAK I TESTED IT ON ONE AND THEN WE WILL SEE. 663 00:22:00,453 --> 00:22:02,787 SPEAK I TESTED IT ON ONE AND THEN WE WILL SEE. [LAUGHTER] 664 00:22:02,789 --> 00:22:03,354 THEN WE WILL SEE. [LAUGHTER] >> Ellen: SO THERE ARE A LOT 665 00:22:03,356 --> 00:22:05,423 [LAUGHTER] >> Ellen: SO THERE ARE A LOT OF STORIES IN THE NEWS ABOUT 666 00:22:05,425 --> 00:22:06,190 >> Ellen: SO THERE ARE A LOT OF STORIES IN THE NEWS ABOUT UFOS. 667 00:22:06,192 --> 00:22:07,725 OF STORIES IN THE NEWS ABOUT UFOS. IT'S CRAZY WHAT IS GOING ON. 668 00:22:07,727 --> 00:22:09,794 UFOS. IT'S CRAZY WHAT IS GOING ON. I WATCHED A DOCUMENTARY RECENTLY 669 00:22:09,796 --> 00:22:12,129 IT'S CRAZY WHAT IS GOING ON. I WATCHED A DOCUMENTARY RECENTLY ON UFOS AND IT WAS ALL THIS 670 00:22:12,131 --> 00:22:12,730 I WATCHED A DOCUMENTARY RECENTLY ON UFOS AND IT WAS ALL THIS STUFF. 671 00:22:12,732 --> 00:22:14,198 ON UFOS AND IT WAS ALL THIS STUFF. IT EXPOSED ALL THE STUFF A WHILE 672 00:22:14,200 --> 00:22:15,599 STUFF. IT EXPOSED ALL THE STUFF A WHILE AGO AND NOW IT'S CRAZY. 673 00:22:15,601 --> 00:22:17,401 IT EXPOSED ALL THE STUFF A WHILE AGO AND NOW IT'S CRAZY. IS THIS SOMETHING THAT YOU ARE 674 00:22:17,403 --> 00:22:18,002 AGO AND NOW IT'S CRAZY. IS THIS SOMETHING THAT YOU ARE SURPRISED BY? 675 00:22:18,004 --> 00:22:22,173 IS THIS SOMETHING THAT YOU ARE SURPRISED BY? THAT IT IS SO OUT THERE NOW? 676 00:22:22,175 --> 00:22:24,208 SURPRISED BY? THAT IT IS SO OUT THERE NOW? >> CAN I JUST SAY HOW BIZARRE IT 677 00:22:24,210 --> 00:22:27,111 THAT IT IS SO OUT THERE NOW? >> CAN I JUST SAY HOW BIZARRE IT IS THAT THIS ALL CAME OUT IN 678 00:22:27,113 --> 00:22:31,816 >> CAN I JUST SAY HOW BIZARRE IT IS THAT THIS ALL CAME OUT IN 2020, AND LIKE HALF OF THE NEWS 679 00:22:31,818 --> 00:22:32,950 IS THAT THIS ALL CAME OUT IN 2020, AND LIKE HALF OF THE NEWS HAS NEVER TOUCHED IT. 680 00:22:32,952 --> 00:22:34,985 2020, AND LIKE HALF OF THE NEWS HAS NEVER TOUCHED IT. I AM JUST FASCINATED BY IT, BUT 681 00:22:34,987 --> 00:22:35,986 HAS NEVER TOUCHED IT. I AM JUST FASCINATED BY IT, BUT THERE WERE SO MUCH NEWS LAST 682 00:22:35,988 --> 00:22:37,488 I AM JUST FASCINATED BY IT, BUT THERE WERE SO MUCH NEWS LAST YEAR AND SO MUCH OF IT WAS 683 00:22:37,490 --> 00:22:40,825 THERE WERE SO MUCH NEWS LAST YEAR AND SO MUCH OF IT WAS HORRIBLE WE DID NOT HAVE TIME TO 684 00:22:40,827 --> 00:22:42,026 YEAR AND SO MUCH OF IT WAS HORRIBLE WE DID NOT HAVE TIME TO GET TO THE CONFIRMATION OF 685 00:22:42,028 --> 00:22:42,727 HORRIBLE WE DID NOT HAVE TIME TO GET TO THE CONFIRMATION OF UNIDENTIFIED FLYING OBJECTS. 686 00:22:42,729 --> 00:22:43,894 GET TO THE CONFIRMATION OF UNIDENTIFIED FLYING OBJECTS. BUT AS I CONSTANTLY REMIND MY 687 00:22:43,896 --> 00:22:48,332 UNIDENTIFIED FLYING OBJECTS. BUT AS I CONSTANTLY REMIND MY BROTHER AND MY WIFE, BOTH OF 688 00:22:48,334 --> 00:22:51,669 BUT AS I CONSTANTLY REMIND MY BROTHER AND MY WIFE, BOTH OF WHOM ARE HUGE UFO AFICIONADOS, 689 00:22:51,671 --> 00:22:52,470 BROTHER AND MY WIFE, BOTH OF WHOM ARE HUGE UFO AFICIONADOS, THE FACT THAT THEY ARE 690 00:22:52,472 --> 00:22:59,777 WHOM ARE HUGE UFO AFICIONADOS, THE FACT THAT THEY ARE CONFIRMING UNIDENTIFIED OBJECTS 691 00:22:59,779 --> 00:23:01,812 THE FACT THAT THEY ARE CONFIRMING UNIDENTIFIED OBJECTS DOES NOT MEAN THAT E.T. IS 692 00:23:01,814 --> 00:23:02,079 CONFIRMING UNIDENTIFIED OBJECTS DOES NOT MEAN THAT E.T. IS LANDING. 693 00:23:02,081 --> 00:23:05,282 DOES NOT MEAN THAT E.T. IS LANDING. WE DON'T KNOW THIS TIKTOK SHAPE 694 00:23:05,284 --> 00:23:06,917 LANDING. WE DON'T KNOW THIS TIKTOK SHAPE THAT GOES THROUGH SPACE AND TIME 695 00:23:06,919 --> 00:23:08,552 WE DON'T KNOW THIS TIKTOK SHAPE THAT GOES THROUGH SPACE AND TIME AT RAPID RATES THAT HUMANS ARE 696 00:23:08,554 --> 00:23:08,919 THAT GOES THROUGH SPACE AND TIME AT RAPID RATES THAT HUMANS ARE NOT CAPABLE OF. 697 00:23:08,921 --> 00:23:09,987 AT RAPID RATES THAT HUMANS ARE NOT CAPABLE OF. WE DON'T KNOW WHAT THAT IS. 698 00:23:09,989 --> 00:23:10,821 NOT CAPABLE OF. WE DON'T KNOW WHAT THAT IS. THAT'S AS FAR AS THEY ARE 699 00:23:10,823 --> 00:23:13,190 WE DON'T KNOW WHAT THAT IS. THAT'S AS FAR AS THEY ARE WILLING TO GO. 700 00:23:13,192 --> 00:23:14,325 THAT'S AS FAR AS THEY ARE WILLING TO GO. >> Ellen: SOMETHING UNLESS IT 701 00:23:14,327 --> 00:23:17,094 WILLING TO GO. >> Ellen: SOMETHING UNLESS IT IS A DRONE FROM ANOTHER PLANET, 702 00:23:17,096 --> 00:23:19,530 >> Ellen: SOMETHING UNLESS IT IS A DRONE FROM ANOTHER PLANET, THE UNIVERSE IS A WAY, CHANCES 703 00:23:19,532 --> 00:23:21,565 IS A DRONE FROM ANOTHER PLANET, THE UNIVERSE IS A WAY, CHANCES ARE SOMEBODY OR SOMETHING IS IN 704 00:23:21,567 --> 00:23:23,000 THE UNIVERSE IS A WAY, CHANCES ARE SOMEBODY OR SOMETHING IS IN THERE. 705 00:23:23,002 --> 00:23:26,170 ARE SOMEBODY OR SOMETHING IS IN THERE. >> WRIGHT, THE QUESTION IS IS IT 706 00:23:26,172 --> 00:23:28,372 THERE. >> WRIGHT, THE QUESTION IS IS IT TO USE A SUPERHERO METAPHOR, IS 707 00:23:28,374 --> 00:23:31,308 >> WRIGHT, THE QUESTION IS IS IT TO USE A SUPERHERO METAPHOR, IS IT TONY STARK WITH HIS BRILLIANT 708 00:23:31,310 --> 00:23:33,444 TO USE A SUPERHERO METAPHOR, IS IT TONY STARK WITH HIS BRILLIANT MIND AND HIS IRON MAN FACTORY 709 00:23:33,446 --> 00:23:34,612 IT TONY STARK WITH HIS BRILLIANT MIND AND HIS IRON MAN FACTORY DOING UNBELIEVABLE THINGS? 710 00:23:34,614 --> 00:23:38,048 MIND AND HIS IRON MAN FACTORY DOING UNBELIEVABLE THINGS? OR IS IT FOR COMING FROM ANOTHER 711 00:23:38,050 --> 00:23:38,582 DOING UNBELIEVABLE THINGS? OR IS IT FOR COMING FROM ANOTHER DIMENSION? 712 00:23:38,584 --> 00:23:41,185 OR IS IT FOR COMING FROM ANOTHER DIMENSION? AND THE ODDS ARE THAT IT IS 713 00:23:41,187 --> 00:23:42,820 DIMENSION? AND THE ODDS ARE THAT IT IS PROBABLY TONY STARK, NOT THOR. 714 00:23:42,822 --> 00:23:44,388 AND THE ODDS ARE THAT IT IS PROBABLY TONY STARK, NOT THOR. YOU CAN TELL BEING AT HOME FOR A 715 00:23:44,390 --> 00:23:46,757 PROBABLY TONY STARK, NOT THOR. YOU CAN TELL BEING AT HOME FOR A YEAR AND A HALF HAS DONE TO MY 716 00:23:46,759 --> 00:23:47,258 YOU CAN TELL BEING AT HOME FOR A YEAR AND A HALF HAS DONE TO MY BRAIN. 717 00:23:47,260 --> 00:23:50,027 YEAR AND A HALF HAS DONE TO MY BRAIN. >> Ellen: YEAH. 718 00:23:50,029 --> 00:23:51,996 BRAIN. >> Ellen: YEAH. SO HERE'S MY QUESTION TO YOU. 719 00:23:51,998 --> 00:23:54,632 >> Ellen: YEAH. SO HERE'S MY QUESTION TO YOU. YOU ARE DOING THE NEWS, I THINK 720 00:23:54,634 --> 00:23:56,100 SO HERE'S MY QUESTION TO YOU. YOU ARE DOING THE NEWS, I THINK ABOUT ANYONE DOING THE NEWS, 721 00:23:56,102 --> 00:23:57,101 YOU ARE DOING THE NEWS, I THINK ABOUT ANYONE DOING THE NEWS, BECAUSE A LOT OF IT IS BAD OR 722 00:23:57,103 --> 00:24:00,404 ABOUT ANYONE DOING THE NEWS, BECAUSE A LOT OF IT IS BAD OR SCARY OR WHATEVER, AND YOU ARE 723 00:24:00,406 --> 00:24:01,906 BECAUSE A LOT OF IT IS BAD OR SCARY OR WHATEVER, AND YOU ARE DOING IT TWO HOURS A DAY WHICH 724 00:24:01,908 --> 00:24:05,376 SCARY OR WHATEVER, AND YOU ARE DOING IT TWO HOURS A DAY WHICH IS A LOT OF STUFF THAT YOU ARE 725 00:24:05,378 --> 00:24:06,944 DOING IT TWO HOURS A DAY WHICH IS A LOT OF STUFF THAT YOU ARE HAVING TO THINK ABOUT, TALK 726 00:24:06,946 --> 00:24:08,279 IS A LOT OF STUFF THAT YOU ARE HAVING TO THINK ABOUT, TALK ABOUT, WHEN YOU GET HOME, WHAT 727 00:24:08,281 --> 00:24:12,149 HAVING TO THINK ABOUT, TALK ABOUT, WHEN YOU GET HOME, WHAT DO YOU DO TO JUST TAKE ALL OF 728 00:24:12,151 --> 00:24:16,020 ABOUT, WHEN YOU GET HOME, WHAT DO YOU DO TO JUST TAKE ALL OF THAT OFF OF YOUR PLATE? 729 00:24:16,022 --> 00:24:18,989 DO YOU DO TO JUST TAKE ALL OF THAT OFF OF YOUR PLATE? >> WELL, I DON'T WATCH NEWS. 730 00:24:18,991 --> 00:24:21,292 THAT OFF OF YOUR PLATE? >> WELL, I DON'T WATCH NEWS. I'VE BEEN WATCHING "MAYOR FROM 731 00:24:21,294 --> 00:24:22,726 >> WELL, I DON'T WATCH NEWS. I'VE BEEN WATCHING "MAYOR FROM EAST TOWN" ON HBO MAX. 732 00:24:22,728 --> 00:24:24,462 I'VE BEEN WATCHING "MAYOR FROM EAST TOWN" ON HBO MAX. I DON'T KNOW IF YOU KNOW. 733 00:24:24,464 --> 00:24:25,196 EAST TOWN" ON HBO MAX. I DON'T KNOW IF YOU KNOW. >> Ellen: I'M JUST ABOUT TO 734 00:24:25,198 --> 00:24:25,396 I DON'T KNOW IF YOU KNOW. >> Ellen: I'M JUST ABOUT TO START. 735 00:24:25,398 --> 00:24:28,999 >> Ellen: I'M JUST ABOUT TO START. I HEAR GREAT THINGS. 736 00:24:29,001 --> 00:24:30,334 START. I HEAR GREAT THINGS. >> KATE WINSLET STARS AND I'M 737 00:24:30,336 --> 00:24:32,703 I HEAR GREAT THINGS. >> KATE WINSLET STARS AND I'M FROM PHILLY AND TO THE SHOW 738 00:24:32,705 --> 00:24:34,271 >> KATE WINSLET STARS AND I'M FROM PHILLY AND TO THE SHOW TAKES PLACE RIGHT OUTSIDE PHILLY 739 00:24:34,273 --> 00:24:36,373 FROM PHILLY AND TO THE SHOW TAKES PLACE RIGHT OUTSIDE PHILLY AND DELAWARE COUNTY AND THEY ALL 740 00:24:36,375 --> 00:24:38,409 TAKES PLACE RIGHT OUTSIDE PHILLY AND DELAWARE COUNTY AND THEY ALL WORK REALLY HARD ON THEIR 741 00:24:38,411 --> 00:24:42,146 AND DELAWARE COUNTY AND THEY ALL WORK REALLY HARD ON THEIR WORKING CLASS WHITE PHILADELPHIA 742 00:24:42,148 --> 00:24:44,748 WORK REALLY HARD ON THEIR WORKING CLASS WHITE PHILADELPHIA ACCENTS, SO THEY TALK ABOUT 743 00:24:44,750 --> 00:24:48,919 WORKING CLASS WHITE PHILADELPHIA ACCENTS, SO THEY TALK ABOUT HOAGIES AND THEY TALK ABOUT 744 00:24:48,921 --> 00:24:49,820 ACCENTS, SO THEY TALK ABOUT HOAGIES AND THEY TALK ABOUT OVERDOSES [LAUGHTER] 745 00:24:49,822 --> 00:24:51,455 HOAGIES AND THEY TALK ABOUT OVERDOSES [LAUGHTER] AND FOR PHILADELPHIANS IT'S NICE 746 00:24:51,457 --> 00:24:52,756 OVERDOSES [LAUGHTER] AND FOR PHILADELPHIANS IT'S NICE TO MASK AND HEARING THE 747 00:24:52,758 --> 00:24:53,591 AND FOR PHILADELPHIANS IT'S NICE TO MASK AND HEARING THE BEAUTIFUL, I ASSUME THAT THAT 748 00:24:53,593 --> 00:24:56,594 TO MASK AND HEARING THE BEAUTIFUL, I ASSUME THAT THAT SOUNDS BEAUTIFUL TO YOU. 749 00:24:56,596 --> 00:24:59,096 BEAUTIFUL, I ASSUME THAT THAT SOUNDS BEAUTIFUL TO YOU. >> Ellen: YES, IT IS SO 750 00:24:59,098 --> 00:25:00,331 SOUNDS BEAUTIFUL TO YOU. >> Ellen: YES, IT IS SO BEAUTIFUL. 751 00:25:00,333 --> 00:25:01,932 >> Ellen: YES, IT IS SO BEAUTIFUL. SO VERY BEAUTIFUL AND SOOTHING. 752 00:25:01,934 --> 00:25:03,868 BEAUTIFUL. SO VERY BEAUTIFUL AND SOOTHING. WE HAVE TO TAKE A BREAK, THAT 753 00:25:03,870 --> 00:25:05,102 SO VERY BEAUTIFUL AND SOOTHING. WE HAVE TO TAKE A BREAK, THAT RHYMES, WE WILL BE BACK. 754 00:25:05,104 --> 00:25:08,305 WE HAVE TO TAKE A BREAK, THAT RHYMES, WE WILL BE BACK. AFTER THIS. 755 00:25:08,307 --> 00:25:08,772 RHYMES, WE WILL BE BACK. AFTER THIS. [CHEERS AND APPLAUSE] 756 00:25:08,774 --> 00:25:15,246 AFTER THIS. [CHEERS AND APPLAUSE] ♪ ♪ 757 00:25:15,248 --> 00:25:18,516 [CHEERS AND APPLAUSE] ♪ ♪ >> HERE WE GO AGAIN WITH THE 758 00:25:18,518 --> 00:25:18,816 ♪ ♪ >> HERE WE GO AGAIN WITH THE CONTRACTION. 759 00:25:18,818 --> 00:25:20,885 >> HERE WE GO AGAIN WITH THE CONTRACTION. >> OKAY, RIGHT. 760 00:25:20,887 --> 00:25:23,487 CONTRACTION. >> OKAY, RIGHT. >> YOU FEEL GOOD? 761 00:25:23,489 --> 00:25:26,390 >> OKAY, RIGHT. >> YOU FEEL GOOD? >> IT LOOKS LIKE IT HURTS. 762 00:25:33,265 --> 00:25:41,505 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: WE ARE BACK WITH 763 00:25:41,507 --> 00:25:42,106 ♪ ♪ >> Ellen: WE ARE BACK WITH JAKE TAPPER, LET'S TALK ABOUT 764 00:25:42,108 --> 00:25:45,276 >> Ellen: WE ARE BACK WITH JAKE TAPPER, LET'S TALK ABOUT YOUR NEW NOVEL "THE DEVIL MAY 765 00:25:45,278 --> 00:25:47,578 JAKE TAPPER, LET'S TALK ABOUT YOUR NEW NOVEL "THE DEVIL MAY DANCE" THAT DEBUTED ON 766 00:25:47,580 --> 00:25:48,212 YOUR NEW NOVEL "THE DEVIL MAY DANCE" THAT DEBUTED ON "THE NEW YORK TIMES" BEST SELLER 767 00:25:48,214 --> 00:25:50,247 DANCE" THAT DEBUTED ON "THE NEW YORK TIMES" BEST SELLER LIST. 768 00:25:50,249 --> 00:25:51,482 "THE NEW YORK TIMES" BEST SELLER LIST. CONGRATULATIONS. 769 00:25:51,484 --> 00:25:53,517 LIST. CONGRATULATIONS. >> THAT'S QUITE AN HONOR, THE 770 00:25:53,519 --> 00:25:56,420 CONGRATULATIONS. >> THAT'S QUITE AN HONOR, THE PEOPLE ON THAT LIST IS A BUNCH 771 00:25:56,422 --> 00:25:58,055 >> THAT'S QUITE AN HONOR, THE PEOPLE ON THAT LIST IS A BUNCH OF POWERHOUSES INCLUDING YOUR 772 00:25:58,057 --> 00:25:59,223 PEOPLE ON THAT LIST IS A BUNCH OF POWERHOUSES INCLUDING YOUR PREVIOUS GUESS THE OTHER DAY 773 00:25:59,225 --> 00:26:01,458 OF POWERHOUSES INCLUDING YOUR PREVIOUS GUESS THE OTHER DAY STACY ABRAMS. 774 00:26:01,460 --> 00:26:02,860 PREVIOUS GUESS THE OTHER DAY STACY ABRAMS. AND JUST A NUMBER OF HUGE 775 00:26:02,862 --> 00:26:04,895 STACY ABRAMS. AND JUST A NUMBER OF HUGE HITTERS, SO IT'S NICE TO BE ON 776 00:26:04,897 --> 00:26:05,496 AND JUST A NUMBER OF HUGE HITTERS, SO IT'S NICE TO BE ON THE LIST. 777 00:26:05,498 --> 00:26:06,263 HITTERS, SO IT'S NICE TO BE ON THE LIST. >> Ellen: IT'S VERY COOL THAT 778 00:26:06,265 --> 00:26:07,381 THE LIST. >> Ellen: IT'S VERY COOL THAT YOU ARE ON THAT LIST, TELL 779 00:26:07,383 --> 00:26:10,401 >> Ellen: IT'S VERY COOL THAT YOU ARE ON THAT LIST, TELL EVERYBODY WHAT IT IS ABOUT. 780 00:26:10,403 --> 00:26:12,836 YOU ARE ON THAT LIST, TELL EVERYBODY WHAT IT IS ABOUT. >> IT'S BASED ON NO TRUE STORY, 781 00:26:12,838 --> 00:26:14,672 EVERYBODY WHAT IT IS ABOUT. >> IT'S BASED ON NO TRUE STORY, BUT IT IS MY FICTITIOUS 782 00:26:14,674 --> 00:26:15,439 >> IT'S BASED ON NO TRUE STORY, BUT IT IS MY FICTITIOUS CHARACTERS GO TO INVESTIGATE 783 00:26:15,441 --> 00:26:18,509 BUT IT IS MY FICTITIOUS CHARACTERS GO TO INVESTIGATE SOMETHING THAT ACTUALLY HAPPEN, 784 00:26:18,511 --> 00:26:21,512 CHARACTERS GO TO INVESTIGATE SOMETHING THAT ACTUALLY HAPPEN, WHICH IS AFTER SINATRA AND THE 785 00:26:21,514 --> 00:26:22,813 SOMETHING THAT ACTUALLY HAPPEN, WHICH IS AFTER SINATRA AND THE RAT PACK DOUBT JOHN F. KENNEDY 786 00:26:22,815 --> 00:26:23,581 WHICH IS AFTER SINATRA AND THE RAT PACK DOUBT JOHN F. KENNEDY ELECTED, SINATRA THOUGHT THAT 787 00:26:23,583 --> 00:26:25,115 RAT PACK DOUBT JOHN F. KENNEDY ELECTED, SINATRA THOUGHT THAT KENNEDY WOULD STAY WITH HIM AND 788 00:26:25,117 --> 00:26:28,319 ELECTED, SINATRA THOUGHT THAT KENNEDY WOULD STAY WITH HIM AND HAD THIS RANCH BUILDS UP, 789 00:26:28,321 --> 00:26:31,288 KENNEDY WOULD STAY WITH HIM AND HAD THIS RANCH BUILDS UP, HELIPAD, EXTRA ROOMS, PHONE 790 00:26:31,290 --> 00:26:32,990 HAD THIS RANCH BUILDS UP, HELIPAD, EXTRA ROOMS, PHONE LINES, BUT ROBERT KENNEDY WHO 791 00:26:32,992 --> 00:26:34,091 HELIPAD, EXTRA ROOMS, PHONE LINES, BUT ROBERT KENNEDY WHO WAS INVESTIGATING ORGANIZED 792 00:26:34,093 --> 00:26:35,659 LINES, BUT ROBERT KENNEDY WHO WAS INVESTIGATING ORGANIZED CRIME SAID I DON'T KNOW IF I CAN 793 00:26:35,661 --> 00:26:37,695 WAS INVESTIGATING ORGANIZED CRIME SAID I DON'T KNOW IF I CAN HAVE HIM STAYING THERE BECAUSE 794 00:26:37,697 --> 00:26:39,296 CRIME SAID I DON'T KNOW IF I CAN HAVE HIM STAYING THERE BECAUSE I'M INVESTIGATING MOBSTERS AND 795 00:26:39,298 --> 00:26:41,465 HAVE HIM STAYING THERE BECAUSE I'M INVESTIGATING MOBSTERS AND SINATRA'S FRIENDS WITH MOBSTERS. 796 00:26:41,467 --> 00:26:42,366 I'M INVESTIGATING MOBSTERS AND SINATRA'S FRIENDS WITH MOBSTERS. THAT REALLY HAPPENED. 797 00:26:42,368 --> 00:26:43,701 SINATRA'S FRIENDS WITH MOBSTERS. THAT REALLY HAPPENED. AND I HAD MY CHARACTERS CHARLIE 798 00:26:43,703 --> 00:26:45,803 THAT REALLY HAPPENED. AND I HAD MY CHARACTERS CHARLIE AND MARGARET FROM THE PREVIOUS 799 00:26:45,805 --> 00:26:46,570 AND I HAD MY CHARACTERS CHARLIE AND MARGARET FROM THE PREVIOUS BOOK GO OUT AND INVESTIGATES AND 800 00:26:46,572 --> 00:26:48,772 AND MARGARET FROM THE PREVIOUS BOOK GO OUT AND INVESTIGATES AND NOT TRY TO FIND OUT IF HE WAS 801 00:26:48,774 --> 00:26:49,340 BOOK GO OUT AND INVESTIGATES AND NOT TRY TO FIND OUT IF HE WAS MOBBED UP. 802 00:26:49,342 --> 00:26:51,342 NOT TRY TO FIND OUT IF HE WAS MOBBED UP. AND THEY ENCOUNTER ALL OF THE 803 00:26:51,344 --> 00:26:52,276 MOBBED UP. AND THEY ENCOUNTER ALL OF THE STARS FROM THE TIME AND THE 804 00:26:52,278 --> 00:26:54,044 AND THEY ENCOUNTER ALL OF THE STARS FROM THE TIME AND THE CHURCH OF SCIENTOLOGY AND A 805 00:26:54,046 --> 00:26:55,379 STARS FROM THE TIME AND THE CHURCH OF SCIENTOLOGY AND A BUNCH OF MOBSTERS. 806 00:26:55,381 --> 00:26:57,581 CHURCH OF SCIENTOLOGY AND A BUNCH OF MOBSTERS. YOU KNOW, IT'S A REAL ADVENTURE 807 00:26:57,583 --> 00:26:59,350 BUNCH OF MOBSTERS. YOU KNOW, IT'S A REAL ADVENTURE IN HOLLYWOOD. 808 00:26:59,352 --> 00:26:59,917 YOU KNOW, IT'S A REAL ADVENTURE IN HOLLYWOOD. >> Ellen: YOU DID A TON OF 809 00:26:59,919 --> 00:27:01,652 IN HOLLYWOOD. >> Ellen: YOU DID A TON OF RESEARCH, WHAT IS SOMETHING THAT 810 00:27:01,654 --> 00:27:02,853 >> Ellen: YOU DID A TON OF RESEARCH, WHAT IS SOMETHING THAT YOU LEARNED THAT SURPRISED YOU? 811 00:27:02,855 --> 00:27:04,288 RESEARCH, WHAT IS SOMETHING THAT YOU LEARNED THAT SURPRISED YOU? >> I WAS SURPRISED TO FIND OUT 812 00:27:04,290 --> 00:27:05,923 YOU LEARNED THAT SURPRISED YOU? >> I WAS SURPRISED TO FIND OUT THAT SINATRA WHO I WAS FAMILIAR 813 00:27:05,925 --> 00:27:06,924 >> I WAS SURPRISED TO FIND OUT THAT SINATRA WHO I WAS FAMILIAR WITH IN HIS LATER DAYS AND OF 814 00:27:06,926 --> 00:27:10,928 THAT SINATRA WHO I WAS FAMILIAR WITH IN HIS LATER DAYS AND OF COURSE A FAN OF HIS MUSIC, I 815 00:27:10,930 --> 00:27:12,429 WITH IN HIS LATER DAYS AND OF COURSE A FAN OF HIS MUSIC, I ALWAYS THOUGHT OF AS KIND OF A 816 00:27:12,431 --> 00:27:16,467 COURSE A FAN OF HIS MUSIC, I ALWAYS THOUGHT OF AS KIND OF A PIG WITH WOMEN, BUT HE REALLY 817 00:27:16,469 --> 00:27:18,202 ALWAYS THOUGHT OF AS KIND OF A PIG WITH WOMEN, BUT HE REALLY WAS VERY EARLY CIVIL RIGHTS 818 00:27:18,204 --> 00:27:18,669 PIG WITH WOMEN, BUT HE REALLY WAS VERY EARLY CIVIL RIGHTS CRUSADER. 819 00:27:18,671 --> 00:27:20,404 WAS VERY EARLY CIVIL RIGHTS CRUSADER. REALLY FIGHTING FOR NOT JUST 820 00:27:20,406 --> 00:27:22,106 CRUSADER. REALLY FIGHTING FOR NOT JUST PUBLICLY, BUT PRIVATELY TO MAKE 821 00:27:22,108 --> 00:27:25,275 REALLY FIGHTING FOR NOT JUST PUBLICLY, BUT PRIVATELY TO MAKE SURE THAT BLACKS IN HIS BAND, 822 00:27:25,277 --> 00:27:29,780 PUBLICLY, BUT PRIVATELY TO MAKE SURE THAT BLACKS IN HIS BAND, WERE TREATED EQUALLY, THAT HE 823 00:27:29,782 --> 00:27:32,616 SURE THAT BLACKS IN HIS BAND, WERE TREATED EQUALLY, THAT HE TRIED TO INTEGRATE A NUMBER OF 824 00:27:32,618 --> 00:27:35,019 WERE TREATED EQUALLY, THAT HE TRIED TO INTEGRATE A NUMBER OF HOTELS AND ARENAS IN LAS VEGAS 825 00:27:35,021 --> 00:27:36,286 TRIED TO INTEGRATE A NUMBER OF HOTELS AND ARENAS IN LAS VEGAS AND ELSEWHERE, AND I WAS REALLY 826 00:27:36,288 --> 00:27:36,854 HOTELS AND ARENAS IN LAS VEGAS AND ELSEWHERE, AND I WAS REALLY SURPRISED BY THAT, BECAUSE I 827 00:27:36,856 --> 00:27:39,623 AND ELSEWHERE, AND I WAS REALLY SURPRISED BY THAT, BECAUSE I KNEW THE LEADER IN INCARNATION 828 00:27:39,625 --> 00:27:40,858 SURPRISED BY THAT, BECAUSE I KNEW THE LEADER IN INCARNATION WHEN HE WAS MORE CONSERVATIVE. 829 00:27:40,860 --> 00:27:42,893 KNEW THE LEADER IN INCARNATION WHEN HE WAS MORE CONSERVATIVE. BUT HE PUT A LOT ON THE LINE IN 830 00:27:42,895 --> 00:27:47,831 WHEN HE WAS MORE CONSERVATIVE. BUT HE PUT A LOT ON THE LINE IN THE '40s, '50s, AND '60s. 831 00:27:47,833 --> 00:27:48,999 BUT HE PUT A LOT ON THE LINE IN THE '40s, '50s, AND '60s. HE WAS A LOT MORE PROGRESSIVE 832 00:27:49,001 --> 00:27:50,300 THE '40s, '50s, AND '60s. HE WAS A LOT MORE PROGRESSIVE THAN THEY KENNEDY'S AT THE TIME. 833 00:27:50,302 --> 00:27:51,435 HE WAS A LOT MORE PROGRESSIVE THAN THEY KENNEDY'S AT THE TIME. >> Ellen: THAT'S AMAZING. 834 00:27:51,437 --> 00:27:52,970 THAN THEY KENNEDY'S AT THE TIME. >> Ellen: THAT'S AMAZING. THE BOOK IS GETTING RAVE 835 00:27:52,972 --> 00:27:53,303 >> Ellen: THAT'S AMAZING. THE BOOK IS GETTING RAVE REVIEWS. 836 00:27:53,305 --> 00:27:53,937 THE BOOK IS GETTING RAVE REVIEWS. IS THAT SOMETHING COMING YOU 837 00:27:53,939 --> 00:27:54,905 REVIEWS. IS THAT SOMETHING COMING YOU JUST SAID THAT YOU WERE HONORED 838 00:27:54,907 --> 00:27:56,040 IS THAT SOMETHING COMING YOU JUST SAID THAT YOU WERE HONORED TO BE ON THE LIST. 839 00:27:56,042 --> 00:27:59,076 JUST SAID THAT YOU WERE HONORED TO BE ON THE LIST. DO YOU PAY ATTENTION TO REVIEWS? 840 00:27:59,078 --> 00:28:01,478 TO BE ON THE LIST. DO YOU PAY ATTENTION TO REVIEWS? >> YEAH, I DO. 841 00:28:01,480 --> 00:28:02,880 DO YOU PAY ATTENTION TO REVIEWS? >> YEAH, I DO. EARLY ON ON AMAZON, YOU CAN'T 842 00:28:02,882 --> 00:28:04,915 >> YEAH, I DO. EARLY ON ON AMAZON, YOU CAN'T REALLY READ THE AMAZON REVIEWS 843 00:28:04,917 --> 00:28:06,550 EARLY ON ON AMAZON, YOU CAN'T REALLY READ THE AMAZON REVIEWS TOO MUCH. 844 00:28:06,552 --> 00:28:07,518 REALLY READ THE AMAZON REVIEWS TOO MUCH. ALTHOUGH THEY HAVE BEEN VERY 845 00:28:07,520 --> 00:28:08,085 TOO MUCH. ALTHOUGH THEY HAVE BEEN VERY NICE. 846 00:28:08,087 --> 00:28:10,054 ALTHOUGH THEY HAVE BEEN VERY NICE. BUT THE VERY FIRST AMAZON REVIEW 847 00:28:10,056 --> 00:28:11,255 NICE. BUT THE VERY FIRST AMAZON REVIEW GAVE ME ONE STAR OUT OF FIVE AND 848 00:28:11,257 --> 00:28:13,524 BUT THE VERY FIRST AMAZON REVIEW GAVE ME ONE STAR OUT OF FIVE AND I WAS LIKE OH, BOY, WHAT IS 849 00:28:13,526 --> 00:28:13,891 GAVE ME ONE STAR OUT OF FIVE AND I WAS LIKE OH, BOY, WHAT IS THIS? 850 00:28:13,893 --> 00:28:15,626 I WAS LIKE OH, BOY, WHAT IS THIS? AND IT WAS SOMEDAY COMPLAINING 851 00:28:15,628 --> 00:28:17,995 THIS? AND IT WAS SOMEDAY COMPLAINING ABOUT THEIR AMAZON SERVICE. 852 00:28:17,997 --> 00:28:20,030 AND IT WAS SOMEDAY COMPLAINING ABOUT THEIR AMAZON SERVICE. TO THE DELIVERY DID NOT COME. 853 00:28:20,032 --> 00:28:21,198 ABOUT THEIR AMAZON SERVICE. TO THE DELIVERY DID NOT COME. AND I HAVE THOUGHT, THAT'S NOT 854 00:28:21,200 --> 00:28:21,398 TO THE DELIVERY DID NOT COME. AND I HAVE THOUGHT, THAT'S NOT FAIR. 855 00:28:21,400 --> 00:28:24,068 AND I HAVE THOUGHT, THAT'S NOT FAIR. I REACHED OUT TO A FRIEND AND I 856 00:28:24,070 --> 00:28:26,103 FAIR. I REACHED OUT TO A FRIEND AND I WAS LIKE THIS ONE STAR, THIS IS 857 00:28:26,105 --> 00:28:27,905 I REACHED OUT TO A FRIEND AND I WAS LIKE THIS ONE STAR, THIS IS NOT A ONE STAR FOR ME. 858 00:28:27,907 --> 00:28:29,673 WAS LIKE THIS ONE STAR, THIS IS NOT A ONE STAR FOR ME. IT'S A ONE STAR FOR YOU. 859 00:28:29,675 --> 00:28:31,408 NOT A ONE STAR FOR ME. IT'S A ONE STAR FOR YOU. THIS IS AMAZON'S ONE STAR. 860 00:28:31,410 --> 00:28:33,844 IT'S A ONE STAR FOR YOU. THIS IS AMAZON'S ONE STAR. I WILL TAKE IT IF IT IS ABOUT MY 861 00:28:33,846 --> 00:28:35,012 THIS IS AMAZON'S ONE STAR. I WILL TAKE IT IF IT IS ABOUT MY BOOK, BUT FOR YOU -- 862 00:28:35,014 --> 00:28:35,245 I WILL TAKE IT IF IT IS ABOUT MY BOOK, BUT FOR YOU -- ANYWAY. 863 00:28:35,247 --> 00:28:35,512 BOOK, BUT FOR YOU -- ANYWAY. [LAUGHTER] 864 00:28:35,514 --> 00:28:36,413 ANYWAY. [LAUGHTER] BUT I WAS OKAY. 865 00:28:36,415 --> 00:28:38,582 [LAUGHTER] BUT I WAS OKAY. I SURVIVED. 866 00:28:38,584 --> 00:28:40,217 BUT I WAS OKAY. I SURVIVED. >> Ellen: LISTEN, IT'S ALWAYS 867 00:28:40,219 --> 00:28:41,418 I SURVIVED. >> Ellen: LISTEN, IT'S ALWAYS GREAT TALKING TO YOU, JAKE. 868 00:28:41,420 --> 00:28:41,985 >> Ellen: LISTEN, IT'S ALWAYS GREAT TALKING TO YOU, JAKE. YOU LOOK GOOD. 869 00:28:41,987 --> 00:28:44,254 GREAT TALKING TO YOU, JAKE. YOU LOOK GOOD. YOU LOOK HEALTHY AND RESTED AND 870 00:28:44,256 --> 00:28:45,522 YOU LOOK GOOD. YOU LOOK HEALTHY AND RESTED AND DIFFERENT THAN LAST TIME. 871 00:28:45,524 --> 00:28:46,790 YOU LOOK HEALTHY AND RESTED AND DIFFERENT THAN LAST TIME. YOU ARE NOT SLEEPING AND YOU 872 00:28:46,792 --> 00:28:48,325 DIFFERENT THAN LAST TIME. YOU ARE NOT SLEEPING AND YOU WERE -- IT WAS A LOT GOING ON. 873 00:28:48,327 --> 00:28:50,694 YOU ARE NOT SLEEPING AND YOU WERE -- IT WAS A LOT GOING ON. BUT IT'S GREAT TO TALK TO YOU. 874 00:28:50,696 --> 00:28:53,030 WERE -- IT WAS A LOT GOING ON. BUT IT'S GREAT TO TALK TO YOU. >> IT'S GREAT TO TALK TO YOU. 875 00:28:53,032 --> 00:28:55,132 BUT IT'S GREAT TO TALK TO YOU. >> IT'S GREAT TO TALK TO YOU. NEXT TIME IN PERSON AND DON'T 876 00:28:55,134 --> 00:28:56,533 >> IT'S GREAT TO TALK TO YOU. NEXT TIME IN PERSON AND DON'T THINK THAT I DON'T KNOW ABOUT 877 00:28:56,535 --> 00:28:58,202 NEXT TIME IN PERSON AND DON'T THINK THAT I DON'T KNOW ABOUT YOUR NEWS TOO, BUT I WILL 878 00:28:58,204 --> 00:28:58,902 THINK THAT I DON'T KNOW ABOUT YOUR NEWS TOO, BUT I WILL ADDRESS THAT NEXT TIME I SEE 879 00:28:58,904 --> 00:28:59,603 YOUR NEWS TOO, BUT I WILL ADDRESS THAT NEXT TIME I SEE YOU. 880 00:28:59,605 --> 00:29:01,105 ADDRESS THAT NEXT TIME I SEE YOU. BECAUSE I AM SAD ABOUT THAT. 881 00:29:01,107 --> 00:29:03,006 YOU. BECAUSE I AM SAD ABOUT THAT. WE WILL TALK ABOUT THAT ANOTHER 882 00:29:03,008 --> 00:29:03,207 BECAUSE I AM SAD ABOUT THAT. WE WILL TALK ABOUT THAT ANOTHER TIME. 883 00:29:03,209 --> 00:29:04,508 WE WILL TALK ABOUT THAT ANOTHER TIME. >> Ellen: THANK YOU FOR BEING 884 00:29:04,510 --> 00:29:05,342 TIME. >> Ellen: THANK YOU FOR BEING SAD ABOUT IT. 885 00:29:05,344 --> 00:29:07,277 >> Ellen: THANK YOU FOR BEING SAD ABOUT IT. I LOVE YOU AND YES, YOU WILL BE 886 00:29:07,279 --> 00:29:08,278 SAD ABOUT IT. I LOVE YOU AND YES, YOU WILL BE HERE FOR SURE IN PERSON. 887 00:29:08,280 --> 00:29:10,514 I LOVE YOU AND YES, YOU WILL BE HERE FOR SURE IN PERSON. I WANT TO SAY GOODBYE TO 888 00:29:10,516 --> 00:29:13,684 HERE FOR SURE IN PERSON. I WANT TO SAY GOODBYE TO EVERYBODY IN PERSON NEXT YEAR. 889 00:29:13,686 --> 00:29:14,651 I WANT TO SAY GOODBYE TO EVERYBODY IN PERSON NEXT YEAR. SO "THE DEVIL MAY DANCE" IS 890 00:29:14,653 --> 00:29:15,452 EVERYBODY IN PERSON NEXT YEAR. SO "THE DEVIL MAY DANCE" IS AVAILABLE EVERYWHERE BOOKS ARE 891 00:29:15,454 --> 00:29:16,086 SO "THE DEVIL MAY DANCE" IS AVAILABLE EVERYWHERE BOOKS ARE SOLD. 892 00:29:16,088 --> 00:29:17,287 AVAILABLE EVERYWHERE BOOKS ARE SOLD. AND TODAY, YOU ARE HOME, BUT YOU 893 00:29:17,289 --> 00:29:21,291 SOLD. AND TODAY, YOU ARE HOME, BUT YOU ARE A COPY. 894 00:29:21,293 --> 00:29:21,759 AND TODAY, YOU ARE HOME, BUT YOU ARE A COPY. [CHEERS AND APPLAUSE] 895 00:29:21,761 --> 00:29:23,360 ARE A COPY. [CHEERS AND APPLAUSE] >> THANK YOU, ELLEN. 896 00:29:23,362 --> 00:29:24,428 [CHEERS AND APPLAUSE] >> THANK YOU, ELLEN. GOOD TO SEE YOU. 897 00:29:24,430 --> 00:29:25,929 >> THANK YOU, ELLEN. GOOD TO SEE YOU. >> Ellen: WE WILL BE BACK! 898 00:29:25,931 --> 00:29:26,396 GOOD TO SEE YOU. >> Ellen: WE WILL BE BACK! [CHEERS AND APPLAUSE] 899 00:29:26,398 --> 00:29:34,037 >> Ellen: WE WILL BE BACK! [CHEERS AND APPLAUSE] ♪ ♪ 900 00:29:34,039 --> 00:29:36,907 [CHEERS AND APPLAUSE] ♪ ♪ >> I HAD TO REPLACE AN ACTOR WHO 901 00:29:36,909 --> 00:29:39,009 ♪ ♪ >> I HAD TO REPLACE AN ACTOR WHO WAS REMOVED FROM THE MOVIE AND 902 00:29:39,011 --> 00:29:40,077 >> I HAD TO REPLACE AN ACTOR WHO WAS REMOVED FROM THE MOVIE AND TODAY GREEN SCREENED ME. 903 00:29:40,079 --> 00:29:42,646 WAS REMOVED FROM THE MOVIE AND TODAY GREEN SCREENED ME. NOW I LIKE TO BE GREEN SCREENED 904 00:29:42,648 --> 00:29:45,249 TODAY GREEN SCREENED ME. NOW I LIKE TO BE GREEN SCREENED WHENEVER I GO ANYWHERE. 905 00:29:45,251 --> 00:29:45,616 NOW I LIKE TO BE GREEN SCREENED WHENEVER I GO ANYWHERE. >> Ellen: OKAY. 906 00:29:45,618 --> 00:29:45,883 WHENEVER I GO ANYWHERE. >> Ellen: OKAY. [LAUGHTER] 907 00:29:45,885 --> 00:29:48,786 >> Ellen: OKAY. [LAUGHTER] ♪ ♪ LESS SMART. 908 00:29:48,788 --> 00:29:49,052 [LAUGHTER] ♪ ♪ LESS SMART. [LAUGHTER] 909 00:29:49,054 --> 00:29:52,389 ♪ ♪ LESS SMART. [LAUGHTER] ♪ ♪ 910 00:29:52,391 --> 00:29:52,856 [LAUGHTER] ♪ ♪ [CHEERS AND APPLAUSE] 911 00:29:52,858 --> 00:30:00,597 ♪ ♪ [CHEERS AND APPLAUSE] ♪ ♪ 912 00:30:00,599 --> 00:30:01,698 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: OUR NEXT GUEST CAN 913 00:30:01,700 --> 00:30:05,002 ♪ ♪ >> Ellen: OUR NEXT GUEST CAN DO IT ALL, SHE IS A COMEDIAN, A 914 00:30:05,004 --> 00:30:06,703 >> Ellen: OUR NEXT GUEST CAN DO IT ALL, SHE IS A COMEDIAN, A PRODUCER, DIRECTOR, AND NOW CAN 915 00:30:06,705 --> 00:30:08,388 DO IT ALL, SHE IS A COMEDIAN, A PRODUCER, DIRECTOR, AND NOW CAN ADD ACTION HERO TO THAT LIST. 916 00:30:08,390 --> 00:30:09,539 PRODUCER, DIRECTOR, AND NOW CAN ADD ACTION HERO TO THAT LIST. TAKE A LOOK AT HER. 917 00:30:09,541 --> 00:30:11,875 ADD ACTION HERO TO THAT LIST. TAKE A LOOK AT HER. >> WE ARE GOOD TOGETHER FOR A 918 00:30:11,877 --> 00:30:12,042 TAKE A LOOK AT HER. >> WE ARE GOOD TOGETHER FOR A JOB. 919 00:30:12,044 --> 00:30:14,011 >> WE ARE GOOD TOGETHER FOR A JOB. >> WHAT DOES IT PAY? 920 00:30:14,013 --> 00:30:16,096 JOB. >> WHAT DOES IT PAY? >> IF IT PANS OUT YOU WILL MAKE 921 00:30:16,098 --> 00:30:19,383 >> WHAT DOES IT PAY? >> IF IT PANS OUT YOU WILL MAKE $2 MILLION FOR ONE DAY'S WORK. 922 00:30:19,385 --> 00:30:19,716 >> IF IT PANS OUT YOU WILL MAKE $2 MILLION FOR ONE DAY'S WORK. >> $2 MILLION? 923 00:30:19,718 --> 00:30:22,252 $2 MILLION FOR ONE DAY'S WORK. >> $2 MILLION? THAT'S MY SHARE JUST FOR ME? 924 00:30:22,254 --> 00:30:26,423 >> $2 MILLION? THAT'S MY SHARE JUST FOR ME? $2 MILLION IF IT PANS OUT. 925 00:30:26,425 --> 00:30:27,758 THAT'S MY SHARE JUST FOR ME? $2 MILLION IF IT PANS OUT. 100% I AM IN, YEAH. 926 00:30:27,760 --> 00:30:29,760 $2 MILLION IF IT PANS OUT. 100% I AM IN, YEAH. >> YOU DON'T WANT TO KNOW THE 927 00:30:29,762 --> 00:30:29,960 100% I AM IN, YEAH. >> YOU DON'T WANT TO KNOW THE RISKS? 928 00:30:29,962 --> 00:30:33,013 >> YOU DON'T WANT TO KNOW THE RISKS? >> WHY WOULD I WANT TO KNOW THE 929 00:30:33,015 --> 00:30:34,214 RISKS? >> WHY WOULD I WANT TO KNOW THE RISKS? 930 00:30:34,216 --> 00:30:35,999 >> WHY WOULD I WANT TO KNOW THE RISKS? $2 MILLION IS A LOT OF CASH. 931 00:30:36,001 --> 00:30:37,718 RISKS? $2 MILLION IS A LOT OF CASH. LISTEN, I HATE MY LIFE SO 932 00:30:37,720 --> 00:30:38,585 $2 MILLION IS A LOT OF CASH. LISTEN, I HATE MY LIFE SO DEEPLY. 933 00:30:38,587 --> 00:30:42,222 LISTEN, I HATE MY LIFE SO DEEPLY. IF I HAD $2 MILLION, MY LIFE 934 00:30:42,224 --> 00:30:43,507 DEEPLY. IF I HAD $2 MILLION, MY LIFE WOULD CHANGE DRASTICALLY. 935 00:30:43,509 --> 00:30:43,707 IF I HAD $2 MILLION, MY LIFE WOULD CHANGE DRASTICALLY. YEAH! 936 00:30:43,709 --> 00:30:45,626 WOULD CHANGE DRASTICALLY. YEAH! THANK YOU. 937 00:30:45,628 --> 00:30:46,093 YEAH! THANK YOU. YES. 938 00:30:46,095 --> 00:30:48,411 THANK YOU. YES. >> YOU'RE SURE YOU DON'T WANT TO 939 00:30:48,413 --> 00:30:48,595 YES. >> YOU'RE SURE YOU DON'T WANT TO KNOW? 940 00:30:48,597 --> 00:30:50,931 >> YOU'RE SURE YOU DON'T WANT TO KNOW? >> IF IT HAS SOMETHING TO DO 941 00:30:50,933 --> 00:30:51,582 KNOW? >> IF IT HAS SOMETHING TO DO WITH A HELICOPTER AND THE 942 00:30:51,584 --> 00:30:55,819 >> IF IT HAS SOMETHING TO DO WITH A HELICOPTER AND THE HELICOPTER GUY, YEAH, WHERE DO I 943 00:30:55,821 --> 00:31:01,425 WITH A HELICOPTER AND THE HELICOPTER GUY, YEAH, WHERE DO I SIGN? 944 00:31:01,427 --> 00:31:02,526 HELICOPTER GUY, YEAH, WHERE DO I SIGN? [LAUGHTER] 945 00:31:02,528 --> 00:31:03,093 SIGN? [LAUGHTER] >> Ellen: ALL RIGHT, THAT'S 946 00:31:03,095 --> 00:31:04,661 [LAUGHTER] >> Ellen: ALL RIGHT, THAT'S FROM "ARMY OF THE DEAD." 947 00:31:04,663 --> 00:31:05,295 >> Ellen: ALL RIGHT, THAT'S FROM "ARMY OF THE DEAD." PLEASE WELCOME MY FRIEND 948 00:31:05,297 --> 00:31:07,197 FROM "ARMY OF THE DEAD." PLEASE WELCOME MY FRIEND TIG NOTARO! 949 00:31:07,199 --> 00:31:07,865 PLEASE WELCOME MY FRIEND TIG NOTARO! [CHEERS AND APPLAUSE] 950 00:31:07,867 --> 00:31:09,166 TIG NOTARO! [CHEERS AND APPLAUSE] >> HI, ELLEN. 951 00:31:09,168 --> 00:31:12,035 [CHEERS AND APPLAUSE] >> HI, ELLEN. >> Ellen: WHY ARE YOU ON GREEN 952 00:31:12,037 --> 00:31:12,569 >> HI, ELLEN. >> Ellen: WHY ARE YOU ON GREEN SCREEN? 953 00:31:12,571 --> 00:31:13,470 >> Ellen: WHY ARE YOU ON GREEN SCREEN? [LAUGHTER] 954 00:31:13,472 --> 00:31:15,572 SCREEN? [LAUGHTER] >> WELL I WAS GREEN SCREENED 955 00:31:15,574 --> 00:31:15,939 [LAUGHTER] >> WELL I WAS GREEN SCREENED INTO THE MOVIE. 956 00:31:15,941 --> 00:31:17,608 >> WELL I WAS GREEN SCREENED INTO THE MOVIE. I DON'T KNOW IF YOU KNOW THAT, 957 00:31:17,610 --> 00:31:20,777 INTO THE MOVIE. I DON'T KNOW IF YOU KNOW THAT, SO NOW IT IS KIND OF MY THING. 958 00:31:20,779 --> 00:31:21,845 I DON'T KNOW IF YOU KNOW THAT, SO NOW IT IS KIND OF MY THING. >> Ellen: I DID NOT KNOW THAT, 959 00:31:21,847 --> 00:31:23,146 SO NOW IT IS KIND OF MY THING. >> Ellen: I DID NOT KNOW THAT, BUT THEY DID A GOOD JOB, BECAUSE 960 00:31:23,148 --> 00:31:25,382 >> Ellen: I DID NOT KNOW THAT, BUT THEY DID A GOOD JOB, BECAUSE YOU REALLY CAN'T TELL. 961 00:31:25,384 --> 00:31:27,584 BUT THEY DID A GOOD JOB, BECAUSE YOU REALLY CAN'T TELL. SO YOU WERE BY YOURSELF, SO HOW 962 00:31:27,586 --> 00:31:29,019 YOU REALLY CAN'T TELL. SO YOU WERE BY YOURSELF, SO HOW DID THEY PUT YOU IN WHEN THEY 963 00:31:29,021 --> 00:31:31,121 SO YOU WERE BY YOURSELF, SO HOW DID THEY PUT YOU IN WHEN THEY ARE WALKING SCENES IN VEGAS WHEN 964 00:31:31,123 --> 00:31:34,057 DID THEY PUT YOU IN WHEN THEY ARE WALKING SCENES IN VEGAS WHEN Y'ALL ARE WALKING TOGETHER? 965 00:31:34,059 --> 00:31:36,360 ARE WALKING SCENES IN VEGAS WHEN Y'ALL ARE WALKING TOGETHER? >> ELLEN, I HAVE NO IDEA HOW IT 966 00:31:36,362 --> 00:31:37,728 Y'ALL ARE WALKING TOGETHER? >> ELLEN, I HAVE NO IDEA HOW IT WORKS TECHNICALLY, BUT YES, I 967 00:31:37,730 --> 00:31:38,795 >> ELLEN, I HAVE NO IDEA HOW IT WORKS TECHNICALLY, BUT YES, I HAD TO REPLACE AN ACTOR WHO WAS 968 00:31:38,797 --> 00:31:43,600 WORKS TECHNICALLY, BUT YES, I HAD TO REPLACE AN ACTOR WHO WAS REMOVED FROM THE MOVIE AND TODAY 969 00:31:43,602 --> 00:31:44,968 HAD TO REPLACE AN ACTOR WHO WAS REMOVED FROM THE MOVIE AND TODAY GREEN SCREENED ME, THERE I AM 970 00:31:44,970 --> 00:31:48,438 REMOVED FROM THE MOVIE AND TODAY GREEN SCREENED ME, THERE I AM BEING GREEN SCREENED INTO THE 971 00:31:48,440 --> 00:31:48,639 GREEN SCREENED ME, THERE I AM BEING GREEN SCREENED INTO THE FILM. 972 00:31:48,641 --> 00:31:52,276 BEING GREEN SCREENED INTO THE FILM. AND YEAH, IT WAS REALLY, REALLY 973 00:31:52,278 --> 00:31:54,378 FILM. AND YEAH, IT WAS REALLY, REALLY TECHNICAL, BUT YET, NOW IT - --O 974 00:31:54,380 --> 00:31:55,812 AND YEAH, IT WAS REALLY, REALLY TECHNICAL, BUT YET, NOW IT - --O I LIKE TO BE GREEN SCREENED 975 00:31:55,814 --> 00:31:58,982 TECHNICAL, BUT YET, NOW IT - --O I LIKE TO BE GREEN SCREENED WHENEVER I GO ANYWHERE. 976 00:31:58,984 --> 00:31:59,950 I LIKE TO BE GREEN SCREENED WHENEVER I GO ANYWHERE. >> Ellen: OKAY, BECAUSE WHO 977 00:31:59,952 --> 00:32:01,852 WHENEVER I GO ANYWHERE. >> Ellen: OKAY, BECAUSE WHO KNOWS, MAYBE YOU WILL WANT TO 978 00:32:01,854 --> 00:32:02,586 >> Ellen: OKAY, BECAUSE WHO KNOWS, MAYBE YOU WILL WANT TO PUT YOURSELF ON ANOTHER SHOW 979 00:32:02,588 --> 00:32:04,855 KNOWS, MAYBE YOU WILL WANT TO PUT YOURSELF ON ANOTHER SHOW TALKING TO ME. 980 00:32:04,857 --> 00:32:06,823 PUT YOURSELF ON ANOTHER SHOW TALKING TO ME. >> EXACTLY, WHO KNOWS, ELLEN, 981 00:32:06,825 --> 00:32:09,826 TALKING TO ME. >> EXACTLY, WHO KNOWS, ELLEN, WHO KNOWS. 982 00:32:09,828 --> 00:32:10,093 >> EXACTLY, WHO KNOWS, ELLEN, WHO KNOWS. [LAUGHTER] 983 00:32:10,095 --> 00:32:11,828 WHO KNOWS. [LAUGHTER] >> Ellen: IT'S HARD TO BELIEVE 984 00:32:11,830 --> 00:32:12,996 [LAUGHTER] >> Ellen: IT'S HARD TO BELIEVE THAT YOU AND YOUR WIFE STEPHANIE 985 00:32:12,998 --> 00:32:16,867 >> Ellen: IT'S HARD TO BELIEVE THAT YOU AND YOUR WIFE STEPHANIE HAVE THE 5-YEAR-OLD TWINS BILLY 986 00:32:16,869 --> 00:32:18,936 THAT YOU AND YOUR WIFE STEPHANIE HAVE THE 5-YEAR-OLD TWINS BILLY AND BOBBY, WHAT ARE THEIR NAMES 987 00:32:18,938 --> 00:32:19,136 HAVE THE 5-YEAR-OLD TWINS BILLY AND BOBBY, WHAT ARE THEIR NAMES AGAIN? 988 00:32:19,138 --> 00:32:22,239 AND BOBBY, WHAT ARE THEIR NAMES AGAIN? >> IT DOESN'T MATTER. 989 00:32:22,241 --> 00:32:23,206 AGAIN? >> IT DOESN'T MATTER. IT'S MAX AND FINN. 990 00:32:23,208 --> 00:32:25,042 >> IT DOESN'T MATTER. IT'S MAX AND FINN. THEY WILL BE FIVE NEXT MONTH. 991 00:32:25,044 --> 00:32:27,611 IT'S MAX AND FINN. THEY WILL BE FIVE NEXT MONTH. THEY TURNED FIVE IN JUNE. 992 00:32:27,613 --> 00:32:30,280 THEY WILL BE FIVE NEXT MONTH. THEY TURNED FIVE IN JUNE. >> Ellen: AND TIME HAS FLOWN 993 00:32:30,282 --> 00:32:31,014 THEY TURNED FIVE IN JUNE. >> Ellen: AND TIME HAS FLOWN BY? 994 00:32:31,016 --> 00:32:33,684 >> Ellen: AND TIME HAS FLOWN BY? >> NOT REALLY, NO. 995 00:32:33,686 --> 00:32:35,719 BY? >> NOT REALLY, NO. [LAUGHTER] 996 00:32:35,721 --> 00:32:36,253 >> NOT REALLY, NO. [LAUGHTER] >> Ellen: NO? 997 00:32:36,255 --> 00:32:38,188 [LAUGHTER] >> Ellen: NO? >> NO, I KNOW I'M SUPPOSED TO 998 00:32:38,190 --> 00:32:41,358 >> Ellen: NO? >> NO, I KNOW I'M SUPPOSED TO SAY IT HAS, BUT IT FEELS LIKE -- 999 00:32:41,360 --> 00:32:41,992 >> NO, I KNOW I'M SUPPOSED TO SAY IT HAS, BUT IT FEELS LIKE -- IT FEELS LIKE THEY HAVE BEEN 1000 00:32:41,994 --> 00:32:45,629 SAY IT HAS, BUT IT FEELS LIKE -- IT FEELS LIKE THEY HAVE BEEN HERE FOR FIVE YEARS. 1001 00:32:45,631 --> 00:32:46,596 IT FEELS LIKE THEY HAVE BEEN HERE FOR FIVE YEARS. YEAH. 1002 00:32:46,598 --> 00:32:49,466 HERE FOR FIVE YEARS. YEAH. I LOVE THEM, BUT IT DEFINITEL 1003 00:32:49,468 --> 00:32:50,267 YEAH. I LOVE THEM, BUT IT DEFINITEL DEFINITELY -- IF SOMEBODY, IF 1004 00:32:50,269 --> 00:32:51,368 I LOVE THEM, BUT IT DEFINITEL DEFINITELY -- IF SOMEBODY, IF YOU SAID THAT THEY WERE TURNING 1005 00:32:51,370 --> 00:32:52,869 DEFINITELY -- IF SOMEBODY, IF YOU SAID THAT THEY WERE TURNING SEVEN, I WOULD BELIEVE IT. 1006 00:32:52,871 --> 00:32:54,838 YOU SAID THAT THEY WERE TURNING SEVEN, I WOULD BELIEVE IT. [LAUGHTER] 1007 00:32:54,840 --> 00:32:55,605 SEVEN, I WOULD BELIEVE IT. [LAUGHTER] YEAH. 1008 00:32:55,607 --> 00:32:56,273 [LAUGHTER] YEAH. >> Ellen: SO IT'S NOT REALLY 1009 00:32:56,275 --> 00:32:58,008 YEAH. >> Ellen: SO IT'S NOT REALLY FLYING BY. 1010 00:32:58,010 --> 00:32:59,843 >> Ellen: SO IT'S NOT REALLY FLYING BY. BEFORE WE GET A BREAK, I'M 1011 00:32:59,845 --> 00:33:03,046 FLYING BY. BEFORE WE GET A BREAK, I'M EXCITED ABOUT A PROJECT THAT, I 1012 00:33:03,048 --> 00:33:04,781 BEFORE WE GET A BREAK, I'M EXCITED ABOUT A PROJECT THAT, I AM WORKING ON WITH YOU. 1013 00:33:04,783 --> 00:33:06,984 EXCITED ABOUT A PROJECT THAT, I AM WORKING ON WITH YOU. IT'S YOUR PROJECT, BUT TELL 1014 00:33:06,986 --> 00:33:08,285 AM WORKING ON WITH YOU. IT'S YOUR PROJECT, BUT TELL EVERYBODY, IT'S SO COOL AND SUCH 1015 00:33:08,287 --> 00:33:09,186 IT'S YOUR PROJECT, BUT TELL EVERYBODY, IT'S SO COOL AND SUCH A GREAT IDEA. 1016 00:33:09,188 --> 00:33:10,253 EVERYBODY, IT'S SO COOL AND SUCH A GREAT IDEA. IT'S SOMETHING THAT I AM 1017 00:33:10,255 --> 00:33:12,356 A GREAT IDEA. IT'S SOMETHING THAT I AM PRODUCING WITH YOU, BUT TELL 1018 00:33:12,358 --> 00:33:13,023 IT'S SOMETHING THAT I AM PRODUCING WITH YOU, BUT TELL EVERYBODY. 1019 00:33:13,025 --> 00:33:16,059 PRODUCING WITH YOU, BUT TELL EVERYBODY. >> IT IS A FULLY ANIMATED 1020 00:33:16,061 --> 00:33:17,394 EVERYBODY. >> IT IS A FULLY ANIMATED STAND-UP SPECIAL. 1021 00:33:17,396 --> 00:33:19,062 >> IT IS A FULLY ANIMATED STAND-UP SPECIAL. OVER THE YEARS DIFFERENT JOKES 1022 00:33:19,064 --> 00:33:21,031 STAND-UP SPECIAL. OVER THE YEARS DIFFERENT JOKES AND STORIES OF MINE HAVE BEEN 1023 00:33:21,033 --> 00:33:21,965 OVER THE YEARS DIFFERENT JOKES AND STORIES OF MINE HAVE BEEN ANIMATED AND IT HAS BEEN REALLY 1024 00:33:21,967 --> 00:33:26,403 AND STORIES OF MINE HAVE BEEN ANIMATED AND IT HAS BEEN REALLY COOL TO SEE, AND SO NOW FROM THE 1025 00:33:26,405 --> 00:33:27,137 ANIMATED AND IT HAS BEEN REALLY COOL TO SEE, AND SO NOW FROM THE VERY START OF THE SPECIAL TO THE 1026 00:33:27,139 --> 00:33:32,642 COOL TO SEE, AND SO NOW FROM THE VERY START OF THE SPECIAL TO THE VERY END WILL BE FULL ANIMATION. 1027 00:33:32,644 --> 00:33:33,710 VERY START OF THE SPECIAL TO THE VERY END WILL BE FULL ANIMATION. SO IT COMES OUT THIS SUMMER. 1028 00:33:33,712 --> 00:33:35,579 VERY END WILL BE FULL ANIMATION. SO IT COMES OUT THIS SUMMER. I'M VERY EXCITED. 1029 00:33:35,581 --> 00:33:37,647 SO IT COMES OUT THIS SUMMER. I'M VERY EXCITED. >> Ellen: BUT IT IS YOUR STAND 1030 00:33:37,649 --> 00:33:38,448 I'M VERY EXCITED. >> Ellen: BUT IT IS YOUR STAND UP AND ANIMATED. 1031 00:33:38,450 --> 00:33:38,782 >> Ellen: BUT IT IS YOUR STAND UP AND ANIMATED. I LOVE IT. 1032 00:33:38,784 --> 00:33:40,183 UP AND ANIMATED. I LOVE IT. WHEN WE COME BACK WE WILL TALK 1033 00:33:40,185 --> 00:33:42,285 I LOVE IT. WHEN WE COME BACK WE WILL TALK ABOUT WHY YOU WERE TRENDING 1034 00:33:42,287 --> 00:33:44,388 WHEN WE COME BACK WE WILL TALK ABOUT WHY YOU WERE TRENDING ON TWITTER AND HOW EXCITING THAT 1035 00:33:44,390 --> 00:33:47,524 ABOUT WHY YOU WERE TRENDING ON TWITTER AND HOW EXCITING THAT IS AND WE WILL BE BACK. 1036 00:33:47,526 --> 00:33:48,458 ON TWITTER AND HOW EXCITING THAT IS AND WE WILL BE BACK. [CHEERS AND APPLAUSE] 1037 00:33:48,460 --> 00:33:54,231 IS AND WE WILL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 1038 00:33:54,233 --> 00:33:55,766 [CHEERS AND APPLAUSE] ♪ ♪ >> HERE WE GO AGAIN WITH THE 1039 00:33:55,768 --> 00:33:56,533 ♪ ♪ >> HERE WE GO AGAIN WITH THE CONTRACTION. 1040 00:33:56,535 --> 00:33:59,269 >> HERE WE GO AGAIN WITH THE CONTRACTION. >> ARE YOU ALL RIGHT? 1041 00:33:59,271 --> 00:34:01,438 CONTRACTION. >> ARE YOU ALL RIGHT? >> OKAY. 1042 00:34:01,440 --> 00:34:01,705 >> ARE YOU ALL RIGHT? >> OKAY. ALL RIGHT. 1043 00:34:01,707 --> 00:34:03,640 >> OKAY. ALL RIGHT. >> IT LOOKS LIKE IT HURTS. 1044 00:34:03,642 --> 00:34:04,608 ALL RIGHT. >> IT LOOKS LIKE IT HURTS. >> WOW. 1045 00:34:04,610 --> 00:34:08,478 >> IT LOOKS LIKE IT HURTS. >> WOW. >> I'M SEIZING UP JUST LOOKING 1046 00:34:16,754 --> 00:34:22,926 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: WE ARE BACK WITH MY 1047 00:34:22,928 --> 00:34:24,361 ♪ ♪ >> Ellen: WE ARE BACK WITH MY SEXY FRIEND TIG NOTARO, BEFORE 1048 00:34:24,363 --> 00:34:25,328 >> Ellen: WE ARE BACK WITH MY SEXY FRIEND TIG NOTARO, BEFORE WE GET TO THAT, LET'S TALK ABOUT 1049 00:34:25,330 --> 00:34:28,632 SEXY FRIEND TIG NOTARO, BEFORE WE GET TO THAT, LET'S TALK ABOUT YOUR NEW MOVIE "ARMY OF THE 1050 00:34:28,634 --> 00:34:29,199 WE GET TO THAT, LET'S TALK ABOUT YOUR NEW MOVIE "ARMY OF THE DEAD." 1051 00:34:29,201 --> 00:34:31,134 YOUR NEW MOVIE "ARMY OF THE DEAD." I FOUND IT VERY ENJOYABLE, TELL 1052 00:34:31,136 --> 00:34:32,936 DEAD." I FOUND IT VERY ENJOYABLE, TELL EVERYBODY, IT'S A ZOMBIE MOVIE, 1053 00:34:32,938 --> 00:34:34,404 I FOUND IT VERY ENJOYABLE, TELL EVERYBODY, IT'S A ZOMBIE MOVIE, BUT IT IS -- 1054 00:34:34,406 --> 00:34:35,539 EVERYBODY, IT'S A ZOMBIE MOVIE, BUT IT IS -- I THINK IT'S VERY FUNNY AS WELL 1055 00:34:35,541 --> 00:34:37,874 BUT IT IS -- I THINK IT'S VERY FUNNY AS WELL AND TELL EVERYBODY ABOUT IT. 1056 00:34:37,876 --> 00:34:42,279 I THINK IT'S VERY FUNNY AS WELL AND TELL EVERYBODY ABOUT IT. >> IT'S A ZOMBIE HEIST FILM. 1057 00:34:42,281 --> 00:34:47,984 AND TELL EVERYBODY ABOUT IT. >> IT'S A ZOMBIE HEIST FILM. AND I PLAY THE I GUESS SARCASTIC 1058 00:34:47,986 --> 00:34:49,519 >> IT'S A ZOMBIE HEIST FILM. AND I PLAY THE I GUESS SARCASTIC IT GET AWAY HELICOPTER PILOT. 1059 00:34:49,521 --> 00:34:51,555 AND I PLAY THE I GUESS SARCASTIC IT GET AWAY HELICOPTER PILOT. THERE I AM ON THE POSTER. 1060 00:34:51,557 --> 00:34:54,891 IT GET AWAY HELICOPTER PILOT. THERE I AM ON THE POSTER. THERE IS ACTUALLY CUT OUT 1061 00:34:54,893 --> 00:34:58,128 THERE I AM ON THE POSTER. THERE IS ACTUALLY CUT OUT FIGURES OF THE CAST ALL AROUND 1062 00:34:58,130 --> 00:34:58,762 THERE IS ACTUALLY CUT OUT FIGURES OF THE CAST ALL AROUND HOLLYWOOD. 1063 00:34:58,764 --> 00:35:01,731 FIGURES OF THE CAST ALL AROUND HOLLYWOOD. I HAVE NOT BEEN HOME BECAUSE I'M 1064 00:35:01,733 --> 00:35:03,934 HOLLYWOOD. I HAVE NOT BEEN HOME BECAUSE I'M IN TORONTO, YEAH, THERE IT IS. 1065 00:35:03,936 --> 00:35:04,401 I HAVE NOT BEEN HOME BECAUSE I'M IN TORONTO, YEAH, THERE IT IS. IT'S TWO STORIES HIGH. 1066 00:35:04,403 --> 00:35:09,506 IN TORONTO, YEAH, THERE IT IS. IT'S TWO STORIES HIGH. THAT'S ME. 1067 00:35:09,508 --> 00:35:10,740 IT'S TWO STORIES HIGH. THAT'S ME. >> Ellen: OR TOM CRUISE. 1068 00:35:10,742 --> 00:35:11,908 THAT'S ME. >> Ellen: OR TOM CRUISE. >> YES, FOR YEARS PEOPLE HAVE 1069 00:35:11,910 --> 00:35:15,912 >> Ellen: OR TOM CRUISE. >> YES, FOR YEARS PEOPLE HAVE TOLD ME THAT I WON DIFFERENT 1070 00:35:15,914 --> 00:35:18,482 >> YES, FOR YEARS PEOPLE HAVE TOLD ME THAT I WON DIFFERENT MOVIES CAME OUT TO THAT 1071 00:35:18,484 --> 00:35:19,216 TOLD ME THAT I WON DIFFERENT MOVIES CAME OUT TO THAT TOM CRUISE OR MARK WAHLBERG WAS 1072 00:35:19,218 --> 00:35:21,017 MOVIES CAME OUT TO THAT TOM CRUISE OR MARK WAHLBERG WAS IN, THEY WOULD BE LIKE OH, I 1073 00:35:21,019 --> 00:35:22,886 TOM CRUISE OR MARK WAHLBERG WAS IN, THEY WOULD BE LIKE OH, I THOUGHT THAT WAS YOU STARRING IN 1074 00:35:22,888 --> 00:35:24,187 IN, THEY WOULD BE LIKE OH, I THOUGHT THAT WAS YOU STARRING IN A MOVIE WHEN THEY SAW THE 1075 00:35:24,189 --> 00:35:25,155 THOUGHT THAT WAS YOU STARRING IN A MOVIE WHEN THEY SAW THE BILLBOARD. 1076 00:35:25,157 --> 00:35:26,389 A MOVIE WHEN THEY SAW THE BILLBOARD. SO THERE HAS BEEN A LOT OF JOKES 1077 00:35:26,391 --> 00:35:29,893 BILLBOARD. SO THERE HAS BEEN A LOT OF JOKES OVER THE YEARS, AND NOW I'M 1078 00:35:29,895 --> 00:35:32,429 SO THERE HAS BEEN A LOT OF JOKES OVER THE YEARS, AND NOW I'M ACTUALLY ON AN ACTION MOVIE 1079 00:35:32,431 --> 00:35:33,864 OVER THE YEARS, AND NOW I'M ACTUALLY ON AN ACTION MOVIE BILLBOARD. 1080 00:35:33,866 --> 00:35:36,466 ACTUALLY ON AN ACTION MOVIE BILLBOARD. SO IT'S THE POWER OF SUGGESTION. 1081 00:35:36,468 --> 00:35:37,334 BILLBOARD. SO IT'S THE POWER OF SUGGESTION. [LAUGHTER] 1082 00:35:37,336 --> 00:35:37,901 SO IT'S THE POWER OF SUGGESTION. [LAUGHTER] >> Ellen: TELL EVERYBODY WHY 1083 00:35:37,903 --> 00:35:40,270 [LAUGHTER] >> Ellen: TELL EVERYBODY WHY YOU WERE TRENDING ON TWITTER. 1084 00:35:40,272 --> 00:35:48,345 >> Ellen: TELL EVERYBODY WHY YOU WERE TRENDING ON TWITTER. >> WELL, YEAH, MY PHONE STARTED 1085 00:35:48,347 --> 00:35:50,147 YOU WERE TRENDING ON TWITTER. >> WELL, YEAH, MY PHONE STARTED BUZZING AND SO SOMEBODY SENT ME 1086 00:35:50,149 --> 00:35:51,148 >> WELL, YEAH, MY PHONE STARTED BUZZING AND SO SOMEBODY SENT ME A SCREEN GRAB OF MY NAME 1087 00:35:51,150 --> 00:35:58,889 BUZZING AND SO SOMEBODY SENT ME A SCREEN GRAB OF MY NAME TRENDING ON TWITTER FROM BEING 1088 00:35:58,891 --> 00:36:08,231 A SCREEN GRAB OF MY NAME TRENDING ON TWITTER FROM BEING #BadAss AND ALSO BEING 1089 00:36:08,233 --> 00:36:11,101 TRENDING ON TWITTER FROM BEING #BadAss AND ALSO BEING #SexyAF. 1090 00:36:11,103 --> 00:36:12,302 #BadAss AND ALSO BEING #SexyAF. APPARENTLY PEOPLE ARE SAYING 1091 00:36:12,304 --> 00:36:15,805 #SexyAF. APPARENTLY PEOPLE ARE SAYING THAT I AM BEING SEXY AS AF. 1092 00:36:15,807 --> 00:36:17,541 APPARENTLY PEOPLE ARE SAYING THAT I AM BEING SEXY AS AF. BUT THE SAYING IS SEXY AF. 1093 00:36:17,543 --> 00:36:18,909 THAT I AM BEING SEXY AS AF. BUT THE SAYING IS SEXY AF. I THINK THAT THERE IS A PICTURE 1094 00:36:18,911 --> 00:36:24,781 BUT THE SAYING IS SEXY AF. I THINK THAT THERE IS A PICTURE OF ME READING ABOUT BEING SEXY 1095 00:36:24,783 --> 00:36:24,948 I THINK THAT THERE IS A PICTURE OF ME READING ABOUT BEING SEXY AF. 1096 00:36:24,950 --> 00:36:27,384 OF ME READING ABOUT BEING SEXY AF. YEAH. 1097 00:36:27,386 --> 00:36:28,919 AF. YEAH. [LAUGHTER] 1098 00:36:28,921 --> 00:36:31,521 YEAH. [LAUGHTER] STEPHANIE TOOK THAT PICTURE OF 1099 00:36:31,523 --> 00:36:34,858 [LAUGHTER] STEPHANIE TOOK THAT PICTURE OF ME, AND I WAS LIKE -- 1100 00:36:34,860 --> 00:36:39,329 STEPHANIE TOOK THAT PICTURE OF ME, AND I WAS LIKE -- I GUESS I AM SEXY [LAUGHTER] 1101 00:36:39,331 --> 00:36:41,565 ME, AND I WAS LIKE -- I GUESS I AM SEXY [LAUGHTER] >> Ellen: AND YOU DID NOT KNOW 1102 00:36:41,567 --> 00:36:45,435 I GUESS I AM SEXY [LAUGHTER] >> Ellen: AND YOU DID NOT KNOW WHAT AF MEANT, SO YOU SAID SEXY 1103 00:36:45,437 --> 00:36:45,902 >> Ellen: AND YOU DID NOT KNOW WHAT AF MEANT, SO YOU SAID SEXY AS AF. 1104 00:36:45,904 --> 00:36:49,439 WHAT AF MEANT, SO YOU SAID SEXY AS AF. >> AND STEPHANIE HAS SINCE 1105 00:36:49,441 --> 00:36:55,345 AS AF. >> AND STEPHANIE HAS SINCE CALLED ME SEXY AS AF [BLEEP]. 1106 00:36:55,347 --> 00:36:57,914 >> AND STEPHANIE HAS SINCE CALLED ME SEXY AS AF [BLEEP]. ALSO, ELLEN, THIS IS UNRELATED 1107 00:36:57,916 --> 00:36:58,748 CALLED ME SEXY AS AF [BLEEP]. ALSO, ELLEN, THIS IS UNRELATED BUT I HAVE TO COMMENT ON THIS, 1108 00:36:58,750 --> 00:37:01,918 ALSO, ELLEN, THIS IS UNRELATED BUT I HAVE TO COMMENT ON THIS, YOU AND I ADDRESS ALIKE ALL THE 1109 00:37:01,920 --> 00:37:04,321 BUT I HAVE TO COMMENT ON THIS, YOU AND I ADDRESS ALIKE ALL THE TIME AND ONCE AGAIN, WE DID NOT 1110 00:37:04,323 --> 00:37:06,289 YOU AND I ADDRESS ALIKE ALL THE TIME AND ONCE AGAIN, WE DID NOT PLAN THIS WITH THE WHITE COLLAR 1111 00:37:06,291 --> 00:37:08,091 TIME AND ONCE AGAIN, WE DID NOT PLAN THIS WITH THE WHITE COLLAR AND THE DARK BLUE AND I AM EVEN 1112 00:37:08,093 --> 00:37:11,995 PLAN THIS WITH THE WHITE COLLAR AND THE DARK BLUE AND I AM EVEN WEARING GREEN PANTS. 1113 00:37:11,997 --> 00:37:12,329 AND THE DARK BLUE AND I AM EVEN WEARING GREEN PANTS. >> Ellen: NO! 1114 00:37:12,331 --> 00:37:12,596 WEARING GREEN PANTS. >> Ellen: NO! [LAUGHTER] 1115 00:37:12,598 --> 00:37:14,497 >> Ellen: NO! [LAUGHTER] OH, MY GOD! 1116 00:37:14,499 --> 00:37:16,566 [LAUGHTER] OH, MY GOD! OF COURSE WE ARE IN THE SAME 1117 00:37:16,568 --> 00:37:16,900 OH, MY GOD! OF COURSE WE ARE IN THE SAME COLOR SCHEME. 1118 00:37:16,902 --> 00:37:19,236 OF COURSE WE ARE IN THE SAME COLOR SCHEME. WE CAN'T HELP IT. 1119 00:37:19,238 --> 00:37:23,673 COLOR SCHEME. WE CAN'T HELP IT. >> IT'S RIDICULOUS. 1120 00:37:23,675 --> 00:37:24,774 WE CAN'T HELP IT. >> IT'S RIDICULOUS. >> Ellen: BECAUSE SOMEHOW WE 1121 00:37:24,776 --> 00:37:25,308 >> IT'S RIDICULOUS. >> Ellen: BECAUSE SOMEHOW WE ARE RELATED. 1122 00:37:25,310 --> 00:37:27,944 >> Ellen: BECAUSE SOMEHOW WE ARE RELATED. >> SOMEHOW, AND IT'S THROUGH 1123 00:37:27,946 --> 00:37:28,311 ARE RELATED. >> SOMEHOW, AND IT'S THROUGH CLOTHING. 1124 00:37:28,313 --> 00:37:29,179 >> SOMEHOW, AND IT'S THROUGH CLOTHING. >> Ellen: YES. 1125 00:37:29,181 --> 00:37:30,614 CLOTHING. >> Ellen: YES. I HOPE TO SEE YOU WHEN YOU GET 1126 00:37:30,616 --> 00:37:33,350 >> Ellen: YES. I HOPE TO SEE YOU WHEN YOU GET BACK IN CALIFORNIA. 1127 00:37:33,352 --> 00:37:35,752 I HOPE TO SEE YOU WHEN YOU GET BACK IN CALIFORNIA. >> YEAH, I WOULD LOVE THAT. 1128 00:37:35,754 --> 00:37:37,454 BACK IN CALIFORNIA. >> YEAH, I WOULD LOVE THAT. MAYBE WE CAN PLAN OUR OUTFITS. 1129 00:37:37,456 --> 00:37:37,787 >> YEAH, I WOULD LOVE THAT. MAYBE WE CAN PLAN OUR OUTFITS. >> Ellen: YES. 1130 00:37:37,789 --> 00:37:40,056 MAYBE WE CAN PLAN OUR OUTFITS. >> Ellen: YES. >> WE CAN BE DIFFERENT. 1131 00:37:40,058 --> 00:37:42,092 >> Ellen: YES. >> WE CAN BE DIFFERENT. >> Ellen: I WILL TELL YOU WHAT 1132 00:37:42,094 --> 00:37:43,526 >> WE CAN BE DIFFERENT. >> Ellen: I WILL TELL YOU WHAT I WILL WEAR AND WEAR SOMETHING 1133 00:37:43,528 --> 00:37:44,661 >> Ellen: I WILL TELL YOU WHAT I WILL WEAR AND WEAR SOMETHING DIFFERENT AND SEE IF IT STILL 1134 00:37:44,663 --> 00:37:44,861 I WILL WEAR AND WEAR SOMETHING DIFFERENT AND SEE IF IT STILL WORKS. 1135 00:37:44,863 --> 00:37:47,631 DIFFERENT AND SEE IF IT STILL WORKS. >> WE CAN WEAR MATCHING DRESSES, 1136 00:37:47,633 --> 00:37:48,732 WORKS. >> WE CAN WEAR MATCHING DRESSES, THAT WOULD BE CUTE. 1137 00:37:48,734 --> 00:37:50,100 >> WE CAN WEAR MATCHING DRESSES, THAT WOULD BE CUTE. >> Ellen: YOU KNOW WHAT, WE 1138 00:37:50,102 --> 00:37:51,334 THAT WOULD BE CUTE. >> Ellen: YOU KNOW WHAT, WE SHOULD FOR SURE DO THAT. 1139 00:37:51,336 --> 00:37:52,936 >> Ellen: YOU KNOW WHAT, WE SHOULD FOR SURE DO THAT. LET'S DO IT AND TAKE PICTURES. 1140 00:37:52,938 --> 00:37:54,738 SHOULD FOR SURE DO THAT. LET'S DO IT AND TAKE PICTURES. [LAUGHTER] 1141 00:37:54,740 --> 00:37:55,939 LET'S DO IT AND TAKE PICTURES. [LAUGHTER] ALL RIGHT. 1142 00:37:55,941 --> 00:38:00,744 [LAUGHTER] ALL RIGHT. YOU CAN SEE SEXY AS AF TIG IN 1143 00:38:00,746 --> 00:38:02,746 ALL RIGHT. YOU CAN SEE SEXY AS AF TIG IN "ARMY OF THE DEAD" ON NETFLIX 1144 00:38:02,748 --> 00:38:03,013 YOU CAN SEE SEXY AS AF TIG IN "ARMY OF THE DEAD" ON NETFLIX MAY 21ST. 1145 00:38:03,015 --> 00:38:05,715 "ARMY OF THE DEAD" ON NETFLIX MAY 21ST. GOODBYE, TIG! 1146 00:38:05,717 --> 00:38:08,318 MAY 21ST. GOODBYE, TIG! >> GOODBYE, THANKS, ELLEN. 1147 00:38:08,320 --> 00:38:09,452 GOODBYE, TIG! >> GOODBYE, THANKS, ELLEN. [CHEERS AND APPLAUSE] 1148 00:38:09,454 --> 00:38:21,798 >> GOODBYE, THANKS, ELLEN. [CHEERS AND APPLAUSE] ♪ ♪ 1149 00:38:29,507 --> 00:38:36,046 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: BEFORE WE GO I HAVE 1150 00:38:36,048 --> 00:38:38,481 ♪ ♪ >> Ellen: BEFORE WE GO I HAVE SOME EXCITING NEWS, THE DIGITAL 1151 00:38:38,483 --> 00:38:40,317 >> Ellen: BEFORE WE GO I HAVE SOME EXCITING NEWS, THE DIGITAL SERIES "MOMSPLAINING" WITH 1152 00:38:40,319 --> 00:38:42,185 SOME EXCITING NEWS, THE DIGITAL SERIES "MOMSPLAINING" WITH KRISTEN BELL JUST WON A PEOPLE'S 1153 00:38:42,187 --> 00:38:44,721 SERIES "MOMSPLAINING" WITH KRISTEN BELL JUST WON A PEOPLE'S VOICE AWARD! 1154 00:38:44,723 --> 00:38:46,456 KRISTEN BELL JUST WON A PEOPLE'S VOICE AWARD! I WANT TO THANK THE PEOPLE FOR 1155 00:38:46,458 --> 00:38:47,424 VOICE AWARD! I WANT TO THANK THE PEOPLE FOR USING THEIR VOICE TO CELEBRATE I 1156 00:38:47,426 --> 00:38:49,459 I WANT TO THANK THE PEOPLE FOR USING THEIR VOICE TO CELEBRATE I WANT TO SHOW YOU A CLIP OF THE 1157 00:38:49,461 --> 00:38:52,962 USING THEIR VOICE TO CELEBRATE I WANT TO SHOW YOU A CLIP OF THE TIME THAT ANDY TRIED OUT A LABOR 1158 00:38:52,964 --> 00:38:54,030 WANT TO SHOW YOU A CLIP OF THE TIME THAT ANDY TRIED OUT A LABOR PAIN MACHINE WHILE CHRISTINE 1159 00:38:54,032 --> 00:38:55,231 TIME THAT ANDY TRIED OUT A LABOR PAIN MACHINE WHILE CHRISTINE QUIZZED HIM ON CHILDBIRTH. 1160 00:38:55,233 --> 00:38:57,434 PAIN MACHINE WHILE CHRISTINE QUIZZED HIM ON CHILDBIRTH. IT WENT EXACTLY HOW YOU WOULD 1161 00:38:57,436 --> 00:38:57,701 QUIZZED HIM ON CHILDBIRTH. IT WENT EXACTLY HOW YOU WOULD EXPECT. 1162 00:38:57,703 --> 00:38:59,836 IT WENT EXACTLY HOW YOU WOULD EXPECT. >> HERE ARE THE RULES, WE WILL 1163 00:38:59,838 --> 00:39:01,137 EXPECT. >> HERE ARE THE RULES, WE WILL READ THE QUESTIONS AND IF YOU 1164 00:39:01,139 --> 00:39:03,540 >> HERE ARE THE RULES, WE WILL READ THE QUESTIONS AND IF YOU GUYS GET IT WRONG, MARTINA WILL 1165 00:39:03,542 --> 00:39:05,542 READ THE QUESTIONS AND IF YOU GUYS GET IT WRONG, MARTINA WILL GIVE OUR PARTNER A CONTRACTION. 1166 00:39:05,544 --> 00:39:06,609 GUYS GET IT WRONG, MARTINA WILL GIVE OUR PARTNER A CONTRACTION. EACH WRONG ANSWER THE 1167 00:39:06,611 --> 00:39:08,511 GIVE OUR PARTNER A CONTRACTION. EACH WRONG ANSWER THE CONTRACTIONS WILL GET MORE 1168 00:39:08,513 --> 00:39:08,745 EACH WRONG ANSWER THE CONTRACTIONS WILL GET MORE INTENSE. 1169 00:39:08,747 --> 00:39:09,846 CONTRACTIONS WILL GET MORE INTENSE. JUST LIKE LABOR. 1170 00:39:09,848 --> 00:39:13,950 INTENSE. JUST LIKE LABOR. LET'S PLAY. 1171 00:39:13,952 --> 00:39:16,286 JUST LIKE LABOR. LET'S PLAY. OKAY, HONEY, HOW LONG IS A 1172 00:39:16,288 --> 00:39:16,686 LET'S PLAY. OKAY, HONEY, HOW LONG IS A TYPICAL PREGNANCY? 1173 00:39:16,688 --> 00:39:18,855 OKAY, HONEY, HOW LONG IS A TYPICAL PREGNANCY? >> NINE MONTHS. 1174 00:39:18,857 --> 00:39:21,691 TYPICAL PREGNANCY? >> NINE MONTHS. >> NAILED IT, REALLY, REALLY 1175 00:39:21,693 --> 00:39:21,925 >> NINE MONTHS. >> NAILED IT, REALLY, REALLY NICE. 1176 00:39:21,927 --> 00:39:23,893 >> NAILED IT, REALLY, REALLY NICE. OH, THIS IS EASY. 1177 00:39:23,895 --> 00:39:24,961 NICE. OH, THIS IS EASY. AT WHAT POINT CAN NEWBORNS CRY 1178 00:39:24,963 --> 00:39:27,297 OH, THIS IS EASY. AT WHAT POINT CAN NEWBORNS CRY ACTUAL TEARS. 1179 00:39:27,299 --> 00:39:30,800 AT WHAT POINT CAN NEWBORNS CRY ACTUAL TEARS. >> FIRST WEEK. 1180 00:39:30,802 --> 00:39:36,072 ACTUAL TEARS. >> FIRST WEEK. >> IT'S THREE WEEKS. 1181 00:39:36,074 --> 00:39:38,141 >> FIRST WEEK. >> IT'S THREE WEEKS. >> OH! 1182 00:39:38,143 --> 00:39:38,908 >> IT'S THREE WEEKS. >> OH! OKAY. 1183 00:39:38,910 --> 00:39:39,442 >> OH! OKAY. >> JUST BREATHE. 1184 00:39:39,444 --> 00:39:42,812 OKAY. >> JUST BREATHE. >> HOW LONG? 1185 00:39:42,814 --> 00:39:45,482 >> JUST BREATHE. >> HOW LONG? >> OKAY. 1186 00:39:45,484 --> 00:39:47,951 >> HOW LONG? >> OKAY. OKAY, NO BIG DEAL, RIGHT? 1187 00:39:47,953 --> 00:39:50,053 >> OKAY. OKAY, NO BIG DEAL, RIGHT? LABOR IS A CINCH. 1188 00:39:50,055 --> 00:39:50,720 OKAY, NO BIG DEAL, RIGHT? LABOR IS A CINCH. [LAUGHS] 1189 00:39:50,722 --> 00:39:52,155 LABOR IS A CINCH. [LAUGHS] IF YOU GAVE BIRTH TO TRIPLETS, 1190 00:39:52,157 --> 00:39:55,125 [LAUGHS] IF YOU GAVE BIRTH TO TRIPLETS, HOW MAY BABIES YOU HAVE? 1191 00:39:55,127 --> 00:39:55,692 IF YOU GAVE BIRTH TO TRIPLETS, HOW MAY BABIES YOU HAVE? >> THREE. 1192 00:39:55,694 --> 00:39:57,794 HOW MAY BABIES YOU HAVE? >> THREE. >> ARE YOU KIDDING ME WITH THE 1193 00:39:57,796 --> 00:39:58,628 >> THREE. >> ARE YOU KIDDING ME WITH THE QUESTIONS HE GETS. 1194 00:39:58,630 --> 00:40:00,663 >> ARE YOU KIDDING ME WITH THE QUESTIONS HE GETS. >> ARE YOU A DOCTOR? 1195 00:40:00,665 --> 00:40:01,097 QUESTIONS HE GETS. >> ARE YOU A DOCTOR? THAT'S IMPRESSIVE. 1196 00:40:01,099 --> 00:40:03,466 >> ARE YOU A DOCTOR? THAT'S IMPRESSIVE. WE CAN DO THIS, YOU ARE A GREAT 1197 00:40:03,468 --> 00:40:04,334 THAT'S IMPRESSIVE. WE CAN DO THIS, YOU ARE A GREAT PARTNER. 1198 00:40:04,336 --> 00:40:07,303 WE CAN DO THIS, YOU ARE A GREAT PARTNER. HOW MANY BONES DOES YOUR NEWBORN 1199 00:40:07,305 --> 00:40:08,505 PARTNER. HOW MANY BONES DOES YOUR NEWBORN HAVE? 1200 00:40:08,507 --> 00:40:08,738 HOW MANY BONES DOES YOUR NEWBORN HAVE? >> 613. 1201 00:40:08,740 --> 00:40:12,909 HAVE? >> 613. >> NO, IT IS 300 BONES. 1202 00:40:12,911 --> 00:40:15,512 >> 613. >> NO, IT IS 300 BONES. >> HERE WE GO AGAIN WITH THE 1203 00:40:15,514 --> 00:40:15,812 >> NO, IT IS 300 BONES. >> HERE WE GO AGAIN WITH THE CONTRACTION. 1204 00:40:15,814 --> 00:40:16,446 >> HERE WE GO AGAIN WITH THE CONTRACTION. >> ARE YOU ALL RIGHT? 1205 00:40:16,448 --> 00:40:18,681 CONTRACTION. >> ARE YOU ALL RIGHT? >> OKAY. 1206 00:40:18,683 --> 00:40:19,215 >> ARE YOU ALL RIGHT? >> OKAY. >> ALL RIGHT. 1207 00:40:19,217 --> 00:40:22,519 >> OKAY. >> ALL RIGHT. YEAH, IT HURTS. 1208 00:40:22,521 --> 00:40:24,487 >> ALL RIGHT. YEAH, IT HURTS. WHILE MATT >> HONEY, I AM 1209 00:40:24,489 --> 00:40:25,488 YEAH, IT HURTS. WHILE MATT >> HONEY, I AM SEIZING UP JUST LOOKING AT YOU. 1210 00:40:25,490 --> 00:40:28,191 WHILE MATT >> HONEY, I AM SEIZING UP JUST LOOKING AT YOU. >> ARE YOU [BLEEP] KIDDING ME? 1211 00:40:28,193 --> 00:40:30,293 SEIZING UP JUST LOOKING AT YOU. >> ARE YOU [BLEEP] KIDDING ME? >> Ellen: TO SEE MORE HEAD TO 1212 00:40:30,295 --> 00:40:31,327 >> ARE YOU [BLEEP] KIDDING ME? >> Ellen: TO SEE MORE HEAD TO MY YOUTUBE PAGE AND MAKE SURE TO 1213 00:40:31,329 --> 00:40:31,594 >> Ellen: TO SEE MORE HEAD TO MY YOUTUBE PAGE AND MAKE SURE TO SUBSCRIBE. 1214 00:40:31,596 --> 00:40:35,899 MY YOUTUBE PAGE AND MAKE SURE TO SUBSCRIBE. I WANT TO THANK HUNTER METTS, 1215 00:40:35,901 --> 00:40:36,466 SUBSCRIBE. I WANT TO THANK HUNTER METTS, JAKE TAPPER, AND TIG NOTARO. 1216 00:40:36,468 --> 00:40:37,500 I WANT TO THANK HUNTER METTS, JAKE TAPPER, AND TIG NOTARO. I WANT TO THANK ALL OF YOU FOR 1217 00:40:37,502 --> 00:40:39,068 JAKE TAPPER, AND TIG NOTARO. I WANT TO THANK ALL OF YOU FOR WATCHING AND I FEEL THE LOVE IN 1218 00:40:39,070 --> 00:40:39,536 I WANT TO THANK ALL OF YOU FOR WATCHING AND I FEEL THE LOVE IN THIS ROOM. 1219 00:40:39,538 --> 00:40:41,337 WATCHING AND I FEEL THE LOVE IN THIS ROOM. I APPRECIATE IT AND SEND BACK TO 1220 00:40:41,339 --> 00:40:41,504 THIS ROOM. I APPRECIATE IT AND SEND BACK TO YOU. 1221 00:40:41,506 --> 00:40:48,578 I APPRECIATE IT AND SEND BACK TO YOU. SPREAD IT AROUND IN THE WORLD. 1222 00:40:48,580 --> 00:40:49,112 YOU. SPREAD IT AROUND IN THE WORLD. BYE [CHEERS AND APPLAUSE] 1223 00:40:49,114 --> 00:40:51,781 SPREAD IT AROUND IN THE WORLD. BYE [CHEERS AND APPLAUSE] ♪ ♪ 1224 00:40:51,783 --> 00:40:52,282 BYE [CHEERS AND APPLAUSE] ♪ ♪ ♪ OH OH OH ♪ 1225 00:40:52,284 --> 00:40:52,849 ♪ ♪ ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN 1226 00:40:52,851 --> 00:40:53,183 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 1227 00:40:53,185 --> 00:40:53,917 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 1228 00:40:53,919 --> 00:40:54,117 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 1229 00:40:54,119 --> 00:40:54,784 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 1230 00:40:54,786 --> 00:40:58,321 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 1231 00:40:58,323 --> 00:41:01,157 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ >> Ellen: ANYWAY...