1 00:00:08,141 --> 00:00:09,575 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 2 00:00:09,577 --> 00:00:10,175 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 3 00:00:10,177 --> 00:00:10,376 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 4 00:00:10,378 --> 00:00:11,410 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 5 00:00:11,412 --> 00:00:12,044 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 6 00:00:12,046 --> 00:00:12,678 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 7 00:00:12,680 --> 00:00:17,683 ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 8 00:00:17,685 --> 00:00:20,386 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ >> Announcer: HERE THEY ARE 9 00:00:20,388 --> 00:00:24,790 CLOCK ♪ >> Announcer: HERE THEY ARE NOW, ELLEN'S GUEST HOSTS GARTH 10 00:00:24,792 --> 00:00:25,357 >> Announcer: HERE THEY ARE NOW, ELLEN'S GUEST HOSTS GARTH BROOKS AND TRICIA YEARWOOD! 11 00:00:25,359 --> 00:00:27,726 NOW, ELLEN'S GUEST HOSTS GARTH BROOKS AND TRICIA YEARWOOD! [CHEERS AND APPLAUSE] 12 00:00:27,728 --> 00:00:28,093 BROOKS AND TRICIA YEARWOOD! [CHEERS AND APPLAUSE] ♪ ♪ 13 00:00:28,095 --> 00:00:29,061 [CHEERS AND APPLAUSE] ♪ ♪ ♪ OH OH OH ♪ 14 00:00:29,063 --> 00:00:29,828 ♪ ♪ ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ 15 00:00:29,830 --> 00:00:30,162 ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ 16 00:00:30,164 --> 00:00:31,730 ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ 17 00:00:31,732 --> 00:00:35,100 ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ 18 00:00:35,102 --> 00:00:35,768 ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] 19 00:00:35,770 --> 00:00:39,271 ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] ♪ ♪ 20 00:00:39,273 --> 00:00:41,373 [CHEERS AND APPLAUSE] ♪ ♪ >> Trisha: I JUST SAW YOU 21 00:00:41,375 --> 00:00:41,740 ♪ ♪ >> Trisha: I JUST SAW YOU DANCING. 22 00:00:41,742 --> 00:00:42,608 >> Trisha: I JUST SAW YOU DANCING. >> Garth: [LAUGHS] 23 00:00:42,610 --> 00:00:44,443 DANCING. >> Garth: [LAUGHS] ARE YOU READY TO HAVE THE TIME 24 00:00:44,445 --> 00:00:45,811 >> Garth: [LAUGHS] ARE YOU READY TO HAVE THE TIME OF YOUR LIFE? 25 00:00:45,813 --> 00:00:46,945 ARE YOU READY TO HAVE THE TIME OF YOUR LIFE? >> Trisha: I'M SO EXCITED TO 26 00:00:46,947 --> 00:00:47,179 OF YOUR LIFE? >> Trisha: I'M SO EXCITED TO BE HERE. 27 00:00:47,181 --> 00:00:48,380 >> Trisha: I'M SO EXCITED TO BE HERE. >> Garth: WELCOME TO THE 28 00:00:48,382 --> 00:00:49,848 BE HERE. >> Garth: WELCOME TO THE "ELLEN" SHOW. 29 00:00:49,850 --> 00:00:52,418 >> Garth: WELCOME TO THE "ELLEN" SHOW. I'M SO EXCITED TO BE GUEST 30 00:00:52,420 --> 00:00:55,020 "ELLEN" SHOW. I'M SO EXCITED TO BE GUEST HOSTING WITH THE ONE AND ONLY 31 00:00:55,022 --> 00:00:56,522 I'M SO EXCITED TO BE GUEST HOSTING WITH THE ONE AND ONLY MS. TRICIA YEARWOOD. 32 00:00:56,524 --> 00:00:57,189 HOSTING WITH THE ONE AND ONLY MS. TRICIA YEARWOOD. >> Trisha: THANK YOU VERY 33 00:00:57,191 --> 00:00:57,489 MS. TRICIA YEARWOOD. >> Trisha: THANK YOU VERY MUCH. 34 00:00:57,491 --> 00:00:57,956 >> Trisha: THANK YOU VERY MUCH. [CHEERS AND APPLAUSE] 35 00:00:57,958 --> 00:01:01,660 MUCH. [CHEERS AND APPLAUSE] I'M VERY EXCITED TO BE HOSTING 36 00:01:01,662 --> 00:01:02,461 [CHEERS AND APPLAUSE] I'M VERY EXCITED TO BE HOSTING OF WITH YOU. 37 00:01:02,463 --> 00:01:04,430 I'M VERY EXCITED TO BE HOSTING OF WITH YOU. I SAW YOU DO IT BY YOURSELF AND 38 00:01:04,432 --> 00:01:06,398 OF WITH YOU. I SAW YOU DO IT BY YOURSELF AND THANK YOU FOR LETTING ME BE WITH 39 00:01:06,400 --> 00:01:06,565 I SAW YOU DO IT BY YOURSELF AND THANK YOU FOR LETTING ME BE WITH YOU. 40 00:01:06,567 --> 00:01:07,900 THANK YOU FOR LETTING ME BE WITH YOU. >> Garth: IT WAS FUN IN 41 00:01:07,902 --> 00:01:09,201 YOU. >> Garth: IT WAS FUN IN NOVEMBER, BUT I KNEW THAT IT 42 00:01:09,203 --> 00:01:11,236 >> Garth: IT WAS FUN IN NOVEMBER, BUT I KNEW THAT IT WOULD BE EVEN BETTER IF I 43 00:01:11,238 --> 00:01:12,438 NOVEMBER, BUT I KNEW THAT IT WOULD BE EVEN BETTER IF I BROUGHT THE LOVE OF MY LIFE. 44 00:01:12,440 --> 00:01:14,773 WOULD BE EVEN BETTER IF I BROUGHT THE LOVE OF MY LIFE. >> Trisha: YOU MEAN YOUR 45 00:01:14,775 --> 00:01:15,674 BROUGHT THE LOVE OF MY LIFE. >> Trisha: YOU MEAN YOUR BETTER HALF? 46 00:01:15,676 --> 00:01:16,942 >> Trisha: YOU MEAN YOUR BETTER HALF? >> Garth: HONEY, I AM TALKING 47 00:01:16,944 --> 00:01:21,647 BETTER HALF? >> Garth: HONEY, I AM TALKING ABOUT YOU. 48 00:01:21,649 --> 00:01:22,214 >> Garth: HONEY, I AM TALKING ABOUT YOU. >> Trisha: YOU'RE SO SWEET. 49 00:01:22,216 --> 00:01:25,084 ABOUT YOU. >> Trisha: YOU'RE SO SWEET. >> Garth: I AM SWEET. 50 00:01:25,086 --> 00:01:25,350 >> Trisha: YOU'RE SO SWEET. >> Garth: I AM SWEET. [LAUGHTER] 51 00:01:25,352 --> 00:01:26,919 >> Garth: I AM SWEET. [LAUGHTER] >> Garth: I DON'T KNOW IF 52 00:01:26,921 --> 00:01:29,488 [LAUGHTER] >> Garth: I DON'T KNOW IF THESE PEOPLE KNOW THIS, BUT WE 53 00:01:29,490 --> 00:01:31,824 >> Garth: I DON'T KNOW IF THESE PEOPLE KNOW THIS, BUT WE JUST CELEBRATED OUR 15TH WEDDING 54 00:01:31,826 --> 00:01:32,624 THESE PEOPLE KNOW THIS, BUT WE JUST CELEBRATED OUR 15TH WEDDING ANNIVERSARY. 55 00:01:32,626 --> 00:01:34,293 JUST CELEBRATED OUR 15TH WEDDING ANNIVERSARY. >> Trisha: THAT'S 200 YEARS IN 56 00:01:34,295 --> 00:01:36,829 ANNIVERSARY. >> Trisha: THAT'S 200 YEARS IN HOLLYWOOD, YOU KNOW THAT, RIGHT? 57 00:01:36,831 --> 00:01:37,996 >> Trisha: THAT'S 200 YEARS IN HOLLYWOOD, YOU KNOW THAT, RIGHT? >> Garth: WE WOULD HAVE TO 58 00:01:37,998 --> 00:01:38,831 HOLLYWOOD, YOU KNOW THAT, RIGHT? >> Garth: WE WOULD HAVE TO MATCH UP OUR NAMES, THAT'S WHAT 59 00:01:38,833 --> 00:01:50,476 >> Garth: WE WOULD HAVE TO MATCH UP OUR NAMES, THAT'S WHAT THEY DO. 60 00:01:50,478 --> 00:01:54,379 MATCH UP OUR NAMES, THAT'S WHAT THEY DO. GRISHA, TARTH. 61 00:01:54,381 --> 00:01:56,115 THEY DO. GRISHA, TARTH. SINCE WE HAVE BEEN MARRIED SO 62 00:01:56,117 --> 00:01:56,348 GRISHA, TARTH. SINCE WE HAVE BEEN MARRIED SO LONG -- 63 00:01:56,350 --> 00:01:57,249 SINCE WE HAVE BEEN MARRIED SO LONG -- >> Trisha: SO LONG. 64 00:01:57,251 --> 00:01:58,050 LONG -- >> Trisha: SO LONG. >> Garth: THANK YOU. 65 00:01:58,052 --> 00:01:59,551 >> Trisha: SO LONG. >> Garth: THANK YOU. WE THOUGHT WE COULD GIVE SOME 66 00:01:59,553 --> 00:02:00,486 >> Garth: THANK YOU. WE THOUGHT WE COULD GIVE SOME ADVICE ON LOVE AND MARRIAGE, AND 67 00:02:00,488 --> 00:02:02,588 WE THOUGHT WE COULD GIVE SOME ADVICE ON LOVE AND MARRIAGE, AND I'M TOLD THAT THERE ARE SOME 68 00:02:02,590 --> 00:02:04,123 ADVICE ON LOVE AND MARRIAGE, AND I'M TOLD THAT THERE ARE SOME PEOPLE THAT ACTUALLY HAVE 69 00:02:04,125 --> 00:02:04,389 I'M TOLD THAT THERE ARE SOME PEOPLE THAT ACTUALLY HAVE QUESTIONS. 70 00:02:04,391 --> 00:02:06,992 PEOPLE THAT ACTUALLY HAVE QUESTIONS. WHERE IS JENNA? 71 00:02:06,994 --> 00:02:09,695 QUESTIONS. WHERE IS JENNA? THERE SHE IS, HELLO, JENNA. 72 00:02:09,697 --> 00:02:13,065 WHERE IS JENNA? THERE SHE IS, HELLO, JENNA. >> Trisha: WHAT IS YOUR 73 00:02:13,067 --> 00:02:13,332 THERE SHE IS, HELLO, JENNA. >> Trisha: WHAT IS YOUR QUESTION? 74 00:02:13,334 --> 00:02:15,801 >> Trisha: WHAT IS YOUR QUESTION? >> MY QUESTION IS WHAT IS YOUR 75 00:02:15,803 --> 00:02:16,702 QUESTION? >> MY QUESTION IS WHAT IS YOUR ADVICE FOR SETTING THE MOOD IN 76 00:02:16,704 --> 00:02:17,002 >> MY QUESTION IS WHAT IS YOUR ADVICE FOR SETTING THE MOOD IN THE BEDROOM? 77 00:02:17,004 --> 00:02:19,371 ADVICE FOR SETTING THE MOOD IN THE BEDROOM? >> Trisha: YOU WANT TO TAKE 78 00:02:19,373 --> 00:02:20,639 THE BEDROOM? >> Trisha: YOU WANT TO TAKE THAT ONE? 79 00:02:20,641 --> 00:02:23,041 >> Trisha: YOU WANT TO TAKE THAT ONE? >> Garth: WE HARDLY KNOW EACH 80 00:02:23,043 --> 00:02:24,109 THAT ONE? >> Garth: WE HARDLY KNOW EACH OTHER, BUT OKAY. 81 00:02:24,111 --> 00:02:25,043 >> Garth: WE HARDLY KNOW EACH OTHER, BUT OKAY. I THINK FOR ME MUSIC IS THE BIG 82 00:02:25,045 --> 00:02:27,880 OTHER, BUT OKAY. I THINK FOR ME MUSIC IS THE BIG THING FOR ME TO SET THE MOOD, 83 00:02:27,882 --> 00:02:29,047 I THINK FOR ME MUSIC IS THE BIG THING FOR ME TO SET THE MOOD, AND I DON'T KNOW IF YOU LISTEN 84 00:02:29,049 --> 00:02:31,583 THING FOR ME TO SET THE MOOD, AND I DON'T KNOW IF YOU LISTEN TO COUNTRY MUSIC, BUT ONE OF THE 85 00:02:31,585 --> 00:02:33,752 AND I DON'T KNOW IF YOU LISTEN TO COUNTRY MUSIC, BUT ONE OF THE GREATEST FEMALE VOICES EVER ON 86 00:02:33,754 --> 00:02:37,156 TO COUNTRY MUSIC, BUT ONE OF THE GREATEST FEMALE VOICES EVER ON THE PLANET IS THIS GORGEOUS 87 00:02:37,158 --> 00:02:38,624 GREATEST FEMALE VOICES EVER ON THE PLANET IS THIS GORGEOUS BLONDE NAMED TRISHA YEARWOOD. 88 00:02:38,626 --> 00:02:39,958 THE PLANET IS THIS GORGEOUS BLONDE NAMED TRISHA YEARWOOD. THAT WILL GET YOU IN THE MOOD 89 00:02:39,960 --> 00:02:42,194 BLONDE NAMED TRISHA YEARWOOD. THAT WILL GET YOU IN THE MOOD RIGHT THERE. 90 00:02:42,196 --> 00:02:43,662 THAT WILL GET YOU IN THE MOOD RIGHT THERE. >> Trisha: YOU DO NEED TO 91 00:02:43,664 --> 00:02:46,098 RIGHT THERE. >> Trisha: YOU DO NEED TO WRITE MUSIC AND THERE IS THIS 92 00:02:46,100 --> 00:02:46,765 >> Trisha: YOU DO NEED TO WRITE MUSIC AND THERE IS THIS VERY SEXY SINGER-SONGWRITER GUY 93 00:02:46,767 --> 00:02:48,534 WRITE MUSIC AND THERE IS THIS VERY SEXY SINGER-SONGWRITER GUY WHO ALWAYS GETS ME IN THE MOOD, 94 00:02:48,536 --> 00:02:51,303 VERY SEXY SINGER-SONGWRITER GUY WHO ALWAYS GETS ME IN THE MOOD, MAYBE YOU HAVE HEARD OF HIM, HIS 95 00:02:51,305 --> 00:02:54,206 WHO ALWAYS GETS ME IN THE MOOD, MAYBE YOU HAVE HEARD OF HIM, HIS NAME IS JOHN LEGEND. 96 00:02:54,208 --> 00:02:54,473 MAYBE YOU HAVE HEARD OF HIM, HIS NAME IS JOHN LEGEND. [LAUGHTER] 97 00:02:54,475 --> 00:02:56,408 NAME IS JOHN LEGEND. [LAUGHTER] JUST KIDDING, I LOVE LISTENING 98 00:02:56,410 --> 00:03:01,079 [LAUGHTER] JUST KIDDING, I LOVE LISTENING TO YOU TOO. 99 00:03:01,081 --> 00:03:05,384 JUST KIDDING, I LOVE LISTENING TO YOU TOO. >> Garth: YOU MEAN THE BAND 100 00:03:05,386 --> 00:03:06,084 TO YOU TOO. >> Garth: YOU MEAN THE BAND U2? 101 00:03:06,086 --> 00:03:08,120 >> Garth: YOU MEAN THE BAND U2? YOU WANT TO CLEAR THAT ONE UP. 102 00:03:08,122 --> 00:03:08,620 U2? YOU WANT TO CLEAR THAT ONE UP. WHERE IS SAVANNAH? 103 00:03:08,622 --> 00:03:09,454 YOU WANT TO CLEAR THAT ONE UP. WHERE IS SAVANNAH? >>> HI. 104 00:03:09,456 --> 00:03:12,558 WHERE IS SAVANNAH? >>> HI. >> Garth: I AM FANTASTIC, WHAT 105 00:03:12,560 --> 00:03:12,958 >>> HI. >> Garth: I AM FANTASTIC, WHAT IS YOUR QUESTION? 106 00:03:12,960 --> 00:03:14,393 >> Garth: I AM FANTASTIC, WHAT IS YOUR QUESTION? >> I'VE BEEN WITH MY BOYFRIEND 107 00:03:14,395 --> 00:03:15,561 IS YOUR QUESTION? >> I'VE BEEN WITH MY BOYFRIEND FOR A LONG TIME, WE LIVE 108 00:03:15,563 --> 00:03:16,929 >> I'VE BEEN WITH MY BOYFRIEND FOR A LONG TIME, WE LIVE TOGETHER AND HE LOVES TO PLAY 109 00:03:16,931 --> 00:03:19,164 FOR A LONG TIME, WE LIVE TOGETHER AND HE LOVES TO PLAY VIDEO GAMES, WHICH IS FINE, 110 00:03:19,166 --> 00:03:20,933 TOGETHER AND HE LOVES TO PLAY VIDEO GAMES, WHICH IS FINE, AFTER A LONG DAY OF WORK HE WILL 111 00:03:20,935 --> 00:03:23,869 VIDEO GAMES, WHICH IS FINE, AFTER A LONG DAY OF WORK HE WILL PLAY AND SOMETIMES HE WILL PLAY 112 00:03:23,871 --> 00:03:25,237 AFTER A LONG DAY OF WORK HE WILL PLAY AND SOMETIMES HE WILL PLAY PAST MIDNIGHT AND IT GETS PRETTY 113 00:03:25,239 --> 00:03:26,505 PLAY AND SOMETIMES HE WILL PLAY PAST MIDNIGHT AND IT GETS PRETTY LOUD, HE GETS REALLY INTO IT, 114 00:03:26,507 --> 00:03:29,608 PAST MIDNIGHT AND IT GETS PRETTY LOUD, HE GETS REALLY INTO IT, YELLING AND HAVING FUN AND 115 00:03:29,610 --> 00:03:30,275 LOUD, HE GETS REALLY INTO IT, YELLING AND HAVING FUN AND SOMETIMES IT WAKES ME UP AND I 116 00:03:30,277 --> 00:03:32,878 YELLING AND HAVING FUN AND SOMETIMES IT WAKES ME UP AND I HAVE A HARD TIME SLEEPING, 117 00:03:32,880 --> 00:03:37,783 SOMETIMES IT WAKES ME UP AND I HAVE A HARD TIME SLEEPING, TRISHA, WHAT WOULD YOU DO? 118 00:03:37,785 --> 00:03:40,052 HAVE A HARD TIME SLEEPING, TRISHA, WHAT WOULD YOU DO? >> Trisha: I LOVE THAT YOU 119 00:03:40,054 --> 00:03:42,254 TRISHA, WHAT WOULD YOU DO? >> Trisha: I LOVE THAT YOU SAID HE DOES THIS AND IT IS 120 00:03:42,256 --> 00:03:42,888 >> Trisha: I LOVE THAT YOU SAID HE DOES THIS AND IT IS FINE, EVERY SIGNIFICANT OTHER 121 00:03:42,890 --> 00:03:45,924 SAID HE DOES THIS AND IT IS FINE, EVERY SIGNIFICANT OTHER HAS AT LEAST ONE ANNOYING HABIT 122 00:03:45,926 --> 00:03:48,327 FINE, EVERY SIGNIFICANT OTHER HAS AT LEAST ONE ANNOYING HABIT EVEN IF YOU ARE IN THE PERFECT 123 00:03:48,329 --> 00:03:50,062 HAS AT LEAST ONE ANNOYING HABIT EVEN IF YOU ARE IN THE PERFECT RELATIONSHIP AND YOU HAVE TO 124 00:03:50,064 --> 00:03:51,530 EVEN IF YOU ARE IN THE PERFECT RELATIONSHIP AND YOU HAVE TO FIND A CREATIVE WAY TO DEAL WITH 125 00:03:51,532 --> 00:03:52,097 RELATIONSHIP AND YOU HAVE TO FIND A CREATIVE WAY TO DEAL WITH IT. 126 00:03:52,099 --> 00:03:53,232 FIND A CREATIVE WAY TO DEAL WITH IT. GARTH IS PERFECT, YOU CAN LISTEN 127 00:03:53,234 --> 00:03:55,133 IT. GARTH IS PERFECT, YOU CAN LISTEN TO THIS PART, BUT THERE IS ONE 128 00:03:55,135 --> 00:03:56,602 GARTH IS PERFECT, YOU CAN LISTEN TO THIS PART, BUT THERE IS ONE THING THAT DRIVES ME CRAZY, HE 129 00:03:56,604 --> 00:03:58,837 TO THIS PART, BUT THERE IS ONE THING THAT DRIVES ME CRAZY, HE KNOWS THAT IT IS WHISTLING. 130 00:03:58,839 --> 00:03:59,938 THING THAT DRIVES ME CRAZY, HE KNOWS THAT IT IS WHISTLING. IN FACT HE ACTUALLY TOLD ME TO 131 00:03:59,940 --> 00:04:01,640 KNOWS THAT IT IS WHISTLING. IN FACT HE ACTUALLY TOLD ME TO STOP TELLING THEM NOT TO WHISTLE 132 00:04:01,642 --> 00:04:05,344 IN FACT HE ACTUALLY TOLD ME TO STOP TELLING THEM NOT TO WHISTLE BECAUSE IT TAKES AWAY HIS JOY. 133 00:04:05,346 --> 00:04:06,511 STOP TELLING THEM NOT TO WHISTLE BECAUSE IT TAKES AWAY HIS JOY. >> Garth: FUN SUCKER. 134 00:04:06,513 --> 00:04:07,613 BECAUSE IT TAKES AWAY HIS JOY. >> Garth: FUN SUCKER. >> Trisha: HE WILL WHISTLE 135 00:04:07,615 --> 00:04:08,547 >> Garth: FUN SUCKER. >> Trisha: HE WILL WHISTLE SOMETHING AND IT COULD BE RANDOM 136 00:04:08,549 --> 00:04:11,416 >> Trisha: HE WILL WHISTLE SOMETHING AND IT COULD BE RANDOM LIKE THE THEME FROM 137 00:04:11,418 --> 00:04:12,851 SOMETHING AND IT COULD BE RANDOM LIKE THE THEME FROM "GILLIGAN'S ISLAND." 138 00:04:12,853 --> 00:04:14,152 LIKE THE THEME FROM "GILLIGAN'S ISLAND." >> Garth: THAT IS A GOOD 139 00:04:14,154 --> 00:04:14,720 "GILLIGAN'S ISLAND." >> Garth: THAT IS A GOOD THEME. 140 00:04:14,722 --> 00:04:16,421 >> Garth: THAT IS A GOOD THEME. >> Trisha: IT IS A GOOD SONG, 141 00:04:16,423 --> 00:04:17,422 THEME. >> Trisha: IT IS A GOOD SONG, BUT WHISTLING THE SAME SONG OVER 142 00:04:17,424 --> 00:04:20,559 >> Trisha: IT IS A GOOD SONG, BUT WHISTLING THE SAME SONG OVER AND OVER AGAIN I DO THIS THING 143 00:04:20,561 --> 00:04:22,194 BUT WHISTLING THE SAME SONG OVER AND OVER AGAIN I DO THIS THING WHERE I CHANGE THE TUNE, SO I 144 00:04:22,196 --> 00:04:22,828 AND OVER AGAIN I DO THIS THING WHERE I CHANGE THE TUNE, SO I WILL SING SOMETHING ELSE TO GET 145 00:04:22,830 --> 00:04:26,098 WHERE I CHANGE THE TUNE, SO I WILL SING SOMETHING ELSE TO GET THEM OFF TRACK AND HE DOESN'T 146 00:04:26,100 --> 00:04:28,433 WILL SING SOMETHING ELSE TO GET THEM OFF TRACK AND HE DOESN'T KNOW IT UNTIL NOW. 147 00:04:28,435 --> 00:04:29,534 THEM OFF TRACK AND HE DOESN'T KNOW IT UNTIL NOW. [LAUGHTER] 148 00:04:29,536 --> 00:04:29,935 KNOW IT UNTIL NOW. [LAUGHTER] >> Garth: REALLY? 149 00:04:29,937 --> 00:04:31,937 [LAUGHTER] >> Garth: REALLY? >> Trisha: I WILL DO SOMETHING 150 00:04:31,939 --> 00:04:32,437 >> Garth: REALLY? >> Trisha: I WILL DO SOMETHING NEW NOW. 151 00:04:32,439 --> 00:04:36,408 >> Trisha: I WILL DO SOMETHING NEW NOW. WHERE IS SHAMIKA, HELP. 152 00:04:36,410 --> 00:04:36,942 NEW NOW. WHERE IS SHAMIKA, HELP. >> HI, GUYS. 153 00:04:36,944 --> 00:04:38,277 WHERE IS SHAMIKA, HELP. >> HI, GUYS. >> Trisha: WHAT IS YOUR 154 00:04:38,279 --> 00:04:40,479 >> HI, GUYS. >> Trisha: WHAT IS YOUR QUESTION, QUICKLY. 155 00:04:40,481 --> 00:04:42,314 >> Trisha: WHAT IS YOUR QUESTION, QUICKLY. >> I WOULD LIKE TO KNOW WHAT IS 156 00:04:42,316 --> 00:04:45,350 QUESTION, QUICKLY. >> I WOULD LIKE TO KNOW WHAT IS THE KEY TO A LONG LASTING 157 00:04:45,352 --> 00:04:45,984 >> I WOULD LIKE TO KNOW WHAT IS THE KEY TO A LONG LASTING MARRIAGE? 158 00:04:45,986 --> 00:04:48,420 THE KEY TO A LONG LASTING MARRIAGE? >> Garth: I WILL TAKE THIS 159 00:04:48,422 --> 00:04:48,587 MARRIAGE? >> Garth: I WILL TAKE THIS ONE. 160 00:04:48,589 --> 00:04:48,787 >> Garth: I WILL TAKE THIS ONE. RIGHT? 161 00:04:48,789 --> 00:04:51,023 ONE. RIGHT? >> Trisha: [LAUGHS] 162 00:04:51,025 --> 00:04:52,758 RIGHT? >> Trisha: [LAUGHS] >> Garth: IT'S KIND OF WEIRD, 163 00:04:52,760 --> 00:04:54,426 >> Trisha: [LAUGHS] >> Garth: IT'S KIND OF WEIRD, YOU HAVE TO TREAT IT LIKE A 164 00:04:54,428 --> 00:04:54,893 >> Garth: IT'S KIND OF WEIRD, YOU HAVE TO TREAT IT LIKE A DUET. 165 00:04:54,895 --> 00:04:56,395 YOU HAVE TO TREAT IT LIKE A DUET. YOU HAVE TO HARMONIZE, IS THAT 166 00:04:56,397 --> 00:04:56,595 DUET. YOU HAVE TO HARMONIZE, IS THAT FAIR? 167 00:04:56,597 --> 00:04:58,563 YOU HAVE TO HARMONIZE, IS THAT FAIR? YOU HAVE TO MAKE YOUR PARTNER 168 00:04:58,565 --> 00:04:59,731 FAIR? YOU HAVE TO MAKE YOUR PARTNER FEEL LIKE THEY ARE A STAR. 169 00:04:59,733 --> 00:05:01,166 YOU HAVE TO MAKE YOUR PARTNER FEEL LIKE THEY ARE A STAR. AND IF NOT, YOU ARE GOING TO 170 00:05:01,168 --> 00:05:06,838 FEEL LIKE THEY ARE A STAR. AND IF NOT, YOU ARE GOING TO TURN INTO A SOLO ACT PRETTY DAMN 171 00:05:06,840 --> 00:05:08,140 AND IF NOT, YOU ARE GOING TO TURN INTO A SOLO ACT PRETTY DAMN QUICK. 172 00:05:08,142 --> 00:05:09,374 TURN INTO A SOLO ACT PRETTY DAMN QUICK. WE ARE TALKING LONE 173 00:05:09,376 --> 00:05:10,475 QUICK. WE ARE TALKING LONE FIDDLER-BASED SOLO. 174 00:05:10,477 --> 00:05:11,610 WE ARE TALKING LONE FIDDLER-BASED SOLO. YOU KNOW WHAT I MEAN? 175 00:05:11,612 --> 00:05:12,744 FIDDLER-BASED SOLO. YOU KNOW WHAT I MEAN? >> Trisha: I THINK EVERYBODY 176 00:05:12,746 --> 00:05:12,944 YOU KNOW WHAT I MEAN? >> Trisha: I THINK EVERYBODY DOES. 177 00:05:12,946 --> 00:05:14,613 >> Trisha: I THINK EVERYBODY DOES. >> Garth: WE SHOULD SHARE OUR 178 00:05:14,615 --> 00:05:16,148 DOES. >> Garth: WE SHOULD SHARE OUR SECRET WITH A LITTLE DUET, WHAT 179 00:05:16,150 --> 00:05:16,715 >> Garth: WE SHOULD SHARE OUR SECRET WITH A LITTLE DUET, WHAT DO YOU THINK? 180 00:05:16,717 --> 00:05:18,317 SECRET WITH A LITTLE DUET, WHAT DO YOU THINK? A LITTLE SOMETHING I WROTE FOR 181 00:05:18,319 --> 00:05:19,718 DO YOU THINK? A LITTLE SOMETHING I WROTE FOR YOU, A LITTLE SURPRISED. 182 00:05:19,720 --> 00:05:22,087 A LITTLE SOMETHING I WROTE FOR YOU, A LITTLE SURPRISED. ♪ ♪ 183 00:05:22,089 --> 00:05:24,489 YOU, A LITTLE SURPRISED. ♪ ♪ ♪ NEVER GO TO BED ANGRY ♪ 184 00:05:24,491 --> 00:05:28,327 ♪ ♪ ♪ NEVER GO TO BED ANGRY ♪ ♪ IT AIN'T WORTH THE FIGHT ♪ 185 00:05:28,329 --> 00:05:30,529 ♪ NEVER GO TO BED ANGRY ♪ ♪ IT AIN'T WORTH THE FIGHT ♪ ♪ IF YOU'RE WISE HE WILL 186 00:05:30,531 --> 00:05:30,862 ♪ IT AIN'T WORTH THE FIGHT ♪ ♪ IF YOU'RE WISE HE WILL COMPROMISE ♪ 187 00:05:30,864 --> 00:05:33,598 ♪ IF YOU'RE WISE HE WILL COMPROMISE ♪ ♪ AND HOLD EACH OTHER TIGHT ♪ 188 00:05:33,600 --> 00:05:36,201 COMPROMISE ♪ ♪ AND HOLD EACH OTHER TIGHT ♪ ♪ BETTER LEARN TO SAY YES, 189 00:05:36,203 --> 00:05:36,435 ♪ AND HOLD EACH OTHER TIGHT ♪ ♪ BETTER LEARN TO SAY YES, DEAR ♪ 190 00:05:36,437 --> 00:05:40,405 ♪ BETTER LEARN TO SAY YES, DEAR ♪ ♪ EVERY DAY AND NIGHT ♪ 191 00:05:40,407 --> 00:05:44,343 DEAR ♪ ♪ EVERY DAY AND NIGHT ♪ ♪ ONLY ONE THING YOU REMEMBER IS 192 00:05:44,345 --> 00:05:47,512 ♪ EVERY DAY AND NIGHT ♪ ♪ ONLY ONE THING YOU REMEMBER IS THE WIFE IS ALWAYS RIGHT ♪ 193 00:05:47,514 --> 00:05:50,115 ♪ ONLY ONE THING YOU REMEMBER IS THE WIFE IS ALWAYS RIGHT ♪ THANK YOU VERY, VERY MUCH. 194 00:05:50,117 --> 00:05:52,417 THE WIFE IS ALWAYS RIGHT ♪ THANK YOU VERY, VERY MUCH. [CHEERS AND APPLAUSE] 195 00:05:52,419 --> 00:05:53,251 THANK YOU VERY, VERY MUCH. [CHEERS AND APPLAUSE] KILLER. 196 00:05:53,253 --> 00:05:57,155 [CHEERS AND APPLAUSE] KILLER. >> Trisha: ♪ HE MAY DRIVE YOU 197 00:05:57,157 --> 00:05:57,389 KILLER. >> Trisha: ♪ HE MAY DRIVE YOU CRAZY ♪ 198 00:05:57,391 --> 00:05:59,958 >> Trisha: ♪ HE MAY DRIVE YOU CRAZY ♪ ♪ WITH THE WHISTLING HE DOES ♪ 199 00:05:59,960 --> 00:06:02,794 CRAZY ♪ ♪ WITH THE WHISTLING HE DOES ♪ ♪ AND AFTER YEARS OF TRAINING ♪ 200 00:06:02,796 --> 00:06:06,231 ♪ WITH THE WHISTLING HE DOES ♪ ♪ AND AFTER YEARS OF TRAINING ♪ ♪ HE AIN'T MUCH BETTER THAN HE 201 00:06:06,233 --> 00:06:06,498 ♪ AND AFTER YEARS OF TRAINING ♪ ♪ HE AIN'T MUCH BETTER THAN HE WAS ♪ 202 00:06:06,500 --> 00:06:08,867 ♪ HE AIN'T MUCH BETTER THAN HE WAS ♪ ♪ IF YOU WANT TO HAVE A 203 00:06:08,869 --> 00:06:10,102 WAS ♪ ♪ IF YOU WANT TO HAVE A MARRIAGE ♪ 204 00:06:10,104 --> 00:06:13,438 ♪ IF YOU WANT TO HAVE A MARRIAGE ♪ ♪ LET ME SHED SOME LIGHT ♪ 205 00:06:13,440 --> 00:06:15,674 MARRIAGE ♪ ♪ LET ME SHED SOME LIGHT ♪ ♪ THERE'S ONLY ONE THING TO 206 00:06:15,676 --> 00:06:15,974 ♪ LET ME SHED SOME LIGHT ♪ ♪ THERE'S ONLY ONE THING TO REMEMBER ♪ 207 00:06:15,976 --> 00:06:23,415 ♪ THERE'S ONLY ONE THING TO REMEMBER ♪ ♪ THE WIFE IS ALWAYS RIGHT ♪ 208 00:06:23,417 --> 00:06:26,585 REMEMBER ♪ ♪ THE WIFE IS ALWAYS RIGHT ♪ [CHEERS AND APPLAUSE] 209 00:06:26,587 --> 00:06:28,153 ♪ THE WIFE IS ALWAYS RIGHT ♪ [CHEERS AND APPLAUSE] >> Garth: WHAT ONE THING IT IS 210 00:06:28,155 --> 00:06:29,287 [CHEERS AND APPLAUSE] >> Garth: WHAT ONE THING IT IS MISSING OF SOLO. 211 00:06:29,289 --> 00:06:33,091 >> Garth: WHAT ONE THING IT IS MISSING OF SOLO. [WHISTLING] 212 00:06:33,093 --> 00:06:33,959 MISSING OF SOLO. [WHISTLING] >> Trisha: ARE YOU SERIOUSLY 213 00:06:33,961 --> 00:06:36,128 [WHISTLING] >> Trisha: ARE YOU SERIOUSLY DOING THIS RIGHT NOW? 214 00:06:36,130 --> 00:06:36,395 >> Trisha: ARE YOU SERIOUSLY DOING THIS RIGHT NOW? [LAUGHTER] 215 00:06:36,397 --> 00:06:38,630 DOING THIS RIGHT NOW? [LAUGHTER] THERE IS A WAY TO SEGUE INTO 216 00:06:38,632 --> 00:06:40,098 [LAUGHTER] THERE IS A WAY TO SEGUE INTO SOMETHING ELSE AND WE CAN CHANGE 217 00:06:40,100 --> 00:06:42,467 THERE IS A WAY TO SEGUE INTO SOMETHING ELSE AND WE CAN CHANGE THE TUNE, TWITCH, HELP ME OUT! 218 00:06:42,469 --> 00:06:42,934 SOMETHING ELSE AND WE CAN CHANGE THE TUNE, TWITCH, HELP ME OUT! [CHEERS AND APPLAUSE] 219 00:06:42,936 --> 00:06:57,082 THE TUNE, TWITCH, HELP ME OUT! [CHEERS AND APPLAUSE] ♪ ♪ 220 00:07:06,926 --> 00:07:24,576 ♪ ♪ 221 00:07:40,259 --> 00:07:44,362 [CHEERS AND APPLAUSE] >> Trisha: WOW. >> Garth: I COULD DO THAT, I 222 00:07:44,364 --> 00:07:44,830 >> Trisha: WOW. >> Garth: I COULD DO THAT, I KNOW I COULD DO THAT. 223 00:07:44,832 --> 00:07:48,433 >> Garth: I COULD DO THAT, I KNOW I COULD DO THAT. >> Trisha: YOU CANNOT DO THAT. 224 00:07:48,435 --> 00:07:51,803 KNOW I COULD DO THAT. >> Trisha: YOU CANNOT DO THAT. >> Garth: WHERE HE DISAPPEARS 225 00:07:51,805 --> 00:07:52,304 >> Trisha: YOU CANNOT DO THAT. >> Garth: WHERE HE DISAPPEARS BEHIND THE TABLE, I -- 226 00:07:52,306 --> 00:07:54,239 >> Garth: WHERE HE DISAPPEARS BEHIND THE TABLE, I -- >> I BELIEVE IT, I DO. 227 00:07:54,241 --> 00:07:56,308 BEHIND THE TABLE, I -- >> I BELIEVE IT, I DO. >> Trisha: I LOVE YOU, BABY, 228 00:07:56,310 --> 00:07:56,741 >> I BELIEVE IT, I DO. >> Trisha: I LOVE YOU, BABY, YOU CANNOT DO THAT. 229 00:07:56,743 --> 00:08:00,178 >> Trisha: I LOVE YOU, BABY, YOU CANNOT DO THAT. YOU'RE SO FAR AWAY. 230 00:08:00,180 --> 00:08:01,847 YOU CANNOT DO THAT. YOU'RE SO FAR AWAY. >> Garth: THEY KNOW THAT WE 231 00:08:01,849 --> 00:08:04,516 YOU'RE SO FAR AWAY. >> Garth: THEY KNOW THAT WE SLEEP TOGETHER, RIGHT? 232 00:08:04,518 --> 00:08:07,152 >> Garth: THEY KNOW THAT WE SLEEP TOGETHER, RIGHT? >> Trisha: I DON'T KNOW. 233 00:08:07,154 --> 00:08:08,053 SLEEP TOGETHER, RIGHT? >> Trisha: I DON'T KNOW. [LAUGHTER] 234 00:08:08,055 --> 00:08:08,820 >> Trisha: I DON'T KNOW. [LAUGHTER] >> Trisha: WE REALLY WERE 235 00:08:08,822 --> 00:08:10,989 [LAUGHTER] >> Trisha: WE REALLY WERE LUCKY TO FIND EACH OTHER. 236 00:08:10,991 --> 00:08:12,991 >> Trisha: WE REALLY WERE LUCKY TO FIND EACH OTHER. I WILL SAY SERIOUSLY, EVERYBODY 237 00:08:12,993 --> 00:08:14,159 LUCKY TO FIND EACH OTHER. I WILL SAY SERIOUSLY, EVERYBODY KNOWS WHO HAS EVER HEARD AN 238 00:08:14,161 --> 00:08:14,793 I WILL SAY SERIOUSLY, EVERYBODY KNOWS WHO HAS EVER HEARD AN INTERVIEW WITH EITHER ONE OF US 239 00:08:14,795 --> 00:08:17,095 KNOWS WHO HAS EVER HEARD AN INTERVIEW WITH EITHER ONE OF US THAT WE ARE JUST, WE ARE HAPPY 240 00:08:17,097 --> 00:08:19,564 INTERVIEW WITH EITHER ONE OF US THAT WE ARE JUST, WE ARE HAPPY TO BE TOGETHER AND I LOVE YOU SO 241 00:08:19,566 --> 00:08:22,300 THAT WE ARE JUST, WE ARE HAPPY TO BE TOGETHER AND I LOVE YOU SO MUCH, JUST TO BE SERIOUS FOR A 242 00:08:22,302 --> 00:08:23,201 TO BE TOGETHER AND I LOVE YOU SO MUCH, JUST TO BE SERIOUS FOR A SECOND. 243 00:08:23,203 --> 00:08:24,736 MUCH, JUST TO BE SERIOUS FOR A SECOND. AND WE WANT TO TALK ABOUT LOVE 244 00:08:24,738 --> 00:08:26,538 SECOND. AND WE WANT TO TALK ABOUT LOVE AND RELATIONSHIPS, SO IT'S HARD 245 00:08:26,540 --> 00:08:28,240 AND WE WANT TO TALK ABOUT LOVE AND RELATIONSHIPS, SO IT'S HARD TO FIND THE ONE, BUT WE WANT TO 246 00:08:28,242 --> 00:08:29,841 AND RELATIONSHIPS, SO IT'S HARD TO FIND THE ONE, BUT WE WANT TO SHOW YOU SOME PERSONAL ADS. 247 00:08:29,843 --> 00:08:32,310 TO FIND THE ONE, BUT WE WANT TO SHOW YOU SOME PERSONAL ADS. THESE ARE REAL PERSONAL ADS THAT 248 00:08:32,312 --> 00:08:34,613 SHOW YOU SOME PERSONAL ADS. THESE ARE REAL PERSONAL ADS THAT PEOPLE PROBABLY SHOULD'VE KEPT 249 00:08:34,615 --> 00:08:35,747 THESE ARE REAL PERSONAL ADS THAT PEOPLE PROBABLY SHOULD'VE KEPT PERSONAL. 250 00:08:35,749 --> 00:08:37,249 PEOPLE PROBABLY SHOULD'VE KEPT PERSONAL. >> Garth: BUT SINCE THEY 251 00:08:37,251 --> 00:08:38,783 PERSONAL. >> Garth: BUT SINCE THEY DIDN'T, BLESS THEIR HEARTS WE 252 00:08:38,785 --> 00:08:40,986 >> Garth: BUT SINCE THEY DIDN'T, BLESS THEIR HEARTS WE WILL SHOW THEM IN A SEGMENT 253 00:08:40,988 --> 00:08:44,422 DIDN'T, BLESS THEIR HEARTS WE WILL SHOW THEM IN A SEGMENT CALLED PERSONAL PADS. 254 00:08:44,424 --> 00:08:48,393 WILL SHOW THEM IN A SEGMENT CALLED PERSONAL PADS. ♪ ♪ 255 00:08:48,395 --> 00:08:51,963 CALLED PERSONAL PADS. ♪ ♪ >> Trisha: THESE ARE ALL REAL 256 00:08:51,965 --> 00:08:53,331 ♪ ♪ >> Trisha: THESE ARE ALL REAL PERSONAL ADS, I PROMISE, DO YOU 257 00:08:53,333 --> 00:08:55,333 >> Trisha: THESE ARE ALL REAL PERSONAL ADS, I PROMISE, DO YOU WANT TO GO FIRST? 258 00:08:55,335 --> 00:08:57,969 PERSONAL ADS, I PROMISE, DO YOU WANT TO GO FIRST? >> Garth: YOU KNOW I DO, BUT 259 00:08:57,971 --> 00:09:00,438 WANT TO GO FIRST? >> Garth: YOU KNOW I DO, BUT I'M CATCHING ON TO YOUR SNEAKY 260 00:09:00,440 --> 00:09:02,340 >> Garth: YOU KNOW I DO, BUT I'M CATCHING ON TO YOUR SNEAKY WAYS, LADIES FIRST. 261 00:09:02,342 --> 00:09:04,976 I'M CATCHING ON TO YOUR SNEAKY WAYS, LADIES FIRST. >> Trisha: LOOKING FOR A 262 00:09:04,978 --> 00:09:07,012 WAYS, LADIES FIRST. >> Trisha: LOOKING FOR A FEMALE COMPANION TO HELP MY 263 00:09:07,014 --> 00:09:10,415 >> Trisha: LOOKING FOR A FEMALE COMPANION TO HELP MY FRIEND TAKE CARE OF HIS DRAFT 264 00:09:10,417 --> 00:09:12,584 FEMALE COMPANION TO HELP MY FRIEND TAKE CARE OF HIS DRAFT HORSE AND SMALL FARM ON SUGAR 265 00:09:12,586 --> 00:09:13,652 FRIEND TAKE CARE OF HIS DRAFT HORSE AND SMALL FARM ON SUGAR ISLAND. 266 00:09:13,654 --> 00:09:15,654 HORSE AND SMALL FARM ON SUGAR ISLAND. MUST DISAPPEAR WHEN OTHER FEMALE 267 00:09:15,656 --> 00:09:20,392 ISLAND. MUST DISAPPEAR WHEN OTHER FEMALE COMPANION SHOW UP. 268 00:09:20,394 --> 00:09:22,527 MUST DISAPPEAR WHEN OTHER FEMALE COMPANION SHOW UP. DID YOU PLACE THE SAD? 269 00:09:22,529 --> 00:09:23,261 COMPANION SHOW UP. DID YOU PLACE THE SAD? [LAUGHTER] 270 00:09:23,263 --> 00:09:25,597 DID YOU PLACE THE SAD? [LAUGHTER] >> Garth: I PLACED IT FOR A 271 00:09:25,599 --> 00:09:26,965 [LAUGHTER] >> Garth: I PLACED IT FOR A FRIEND. 272 00:09:26,967 --> 00:09:29,067 >> Garth: I PLACED IT FOR A FRIEND. OKAY, I HAVE TO GO, TRY THIS 273 00:09:29,069 --> 00:09:35,006 FRIEND. OKAY, I HAVE TO GO, TRY THIS ONE, LOVELY LIVELY LANE NEW YORK 274 00:09:35,008 --> 00:09:38,843 OKAY, I HAVE TO GO, TRY THIS ONE, LOVELY LIVELY LANE NEW YORK LADY WHO LONGS FOR LOVE, LINGER, 275 00:09:38,845 --> 00:09:42,981 ONE, LOVELY LIVELY LANE NEW YORK LADY WHO LONGS FOR LOVE, LINGER, LIBATIONS WITH LEGALLY FREE LONG 276 00:09:42,983 --> 00:09:45,083 LADY WHO LONGS FOR LOVE, LINGER, LIBATIONS WITH LEGALLY FREE LONG LANE LITERATE LOQUACIOUS 277 00:09:45,085 --> 00:09:46,484 LIBATIONS WITH LEGALLY FREE LONG LANE LITERATE LOQUACIOUS NONLUNATIC. 278 00:09:46,486 --> 00:09:48,987 LANE LITERATE LOQUACIOUS NONLUNATIC. LATER. 279 00:09:48,989 --> 00:09:50,789 NONLUNATIC. LATER. [LAUGHTER] 280 00:09:50,791 --> 00:09:52,223 LATER. [LAUGHTER] >> Trisha: IT'S LIKE YOU ARE A 281 00:09:52,225 --> 00:09:52,624 [LAUGHTER] >> Trisha: IT'S LIKE YOU ARE A LINGUIST. 282 00:09:52,626 --> 00:09:54,893 >> Trisha: IT'S LIKE YOU ARE A LINGUIST. HERE'S ONE MORE, ROMANCE IS 283 00:09:54,895 --> 00:09:58,063 LINGUIST. HERE'S ONE MORE, ROMANCE IS DEAD, SO IS MY MOTHER. 284 00:09:58,065 --> 00:10:02,167 HERE'S ONE MORE, ROMANCE IS DEAD, SO IS MY MOTHER. MANNA, 42 INHERITED WEALTH. 285 00:10:02,169 --> 00:10:02,934 DEAD, SO IS MY MOTHER. MANNA, 42 INHERITED WEALTH. [LAUGHTER] 286 00:10:02,936 --> 00:10:04,436 MANNA, 42 INHERITED WEALTH. [LAUGHTER] >> Garth: IF THAT'S NOT TRUE 287 00:10:04,438 --> 00:10:07,839 [LAUGHTER] >> Garth: IF THAT'S NOT TRUE LOVE, I DON'T KNOW WHAT IS 288 00:10:07,841 --> 00:10:08,039 >> Garth: IF THAT'S NOT TRUE LOVE, I DON'T KNOW WHAT IS THERE. 289 00:10:08,041 --> 00:10:10,809 LOVE, I DON'T KNOW WHAT IS THERE. >> Trisha: ROSES ARE RED, MY 290 00:10:10,811 --> 00:10:12,777 THERE. >> Trisha: ROSES ARE RED, MY MOM HAD BAD HEALTH, LET'S FALL 291 00:10:12,779 --> 00:10:13,511 >> Trisha: ROSES ARE RED, MY MOM HAD BAD HEALTH, LET'S FALL IN LOVE AND SPEND HER WEALTH. 292 00:10:13,513 --> 00:10:14,779 MOM HAD BAD HEALTH, LET'S FALL IN LOVE AND SPEND HER WEALTH. IF YOU SEE A BAD PERSONAL AD 293 00:10:14,781 --> 00:10:16,281 IN LOVE AND SPEND HER WEALTH. IF YOU SEE A BAD PERSONAL AD THAT YOU THINK WE SHOULD SEE, 294 00:10:16,283 --> 00:10:20,652 IF YOU SEE A BAD PERSONAL AD THAT YOU THINK WE SHOULD SEE, SEND IT TO ELLEN, SHE HAS OUR 295 00:10:20,654 --> 00:10:22,220 THAT YOU THINK WE SHOULD SEE, SEND IT TO ELLEN, SHE HAS OUR INFO. 296 00:10:22,222 --> 00:10:23,588 SEND IT TO ELLEN, SHE HAS OUR INFO. >> Garth: THEY WILL SEND THEM 297 00:10:23,590 --> 00:10:25,824 INFO. >> Garth: THEY WILL SEND THEM STRAIGHT TO ME, I WOULD LIKE TO 298 00:10:25,826 --> 00:10:26,424 >> Garth: THEY WILL SEND THEM STRAIGHT TO ME, I WOULD LIKE TO TAKE A SECOND TO BRAG ABOUT MY 299 00:10:26,426 --> 00:10:29,894 STRAIGHT TO ME, I WOULD LIKE TO TAKE A SECOND TO BRAG ABOUT MY LOVELY WIFE. 300 00:10:29,896 --> 00:10:30,161 TAKE A SECOND TO BRAG ABOUT MY LOVELY WIFE. [APPLAUSE] 301 00:10:30,163 --> 00:10:33,598 LOVELY WIFE. [APPLAUSE] >> Trisha: OH, NO, PLEASE. 302 00:10:33,600 --> 00:10:35,066 [APPLAUSE] >> Trisha: OH, NO, PLEASE. >> Garth: THE COUNTRY SINGER 303 00:10:35,068 --> 00:10:37,869 >> Trisha: OH, NO, PLEASE. >> Garth: THE COUNTRY SINGER OF THE LIFETIME IS NOT ENOUGH, 304 00:10:37,871 --> 00:10:38,470 >> Garth: THE COUNTRY SINGER OF THE LIFETIME IS NOT ENOUGH, NOW A "NEW YORK TIMES" 305 00:10:38,472 --> 00:10:40,572 OF THE LIFETIME IS NOT ENOUGH, NOW A "NEW YORK TIMES" BEST SELLER COOKBOOK AUTHOR AND 306 00:10:40,574 --> 00:10:42,741 NOW A "NEW YORK TIMES" BEST SELLER COOKBOOK AUTHOR AND NOW THAT TRISHA YEARWOOD PET 307 00:10:42,743 --> 00:10:44,776 BEST SELLER COOKBOOK AUTHOR AND NOW THAT TRISHA YEARWOOD PET LINE. 308 00:10:44,778 --> 00:10:45,477 NOW THAT TRISHA YEARWOOD PET LINE. >> Trisha: THANK YOU. 309 00:10:45,479 --> 00:10:46,778 LINE. >> Trisha: THANK YOU. >> Garth: AND YOU KNOW WHAT I 310 00:10:46,780 --> 00:10:50,148 >> Trisha: THANK YOU. >> Garth: AND YOU KNOW WHAT I AM REALLY HAPPY ABOUT MOST, I 311 00:10:50,150 --> 00:10:51,516 >> Garth: AND YOU KNOW WHAT I AM REALLY HAPPY ABOUT MOST, I KNOW YOU AND YOU WORSHIP THOSE 312 00:10:51,518 --> 00:10:51,716 AM REALLY HAPPY ABOUT MOST, I KNOW YOU AND YOU WORSHIP THOSE DOGS. 313 00:10:51,718 --> 00:10:54,519 KNOW YOU AND YOU WORSHIP THOSE DOGS. THERE ARE FOUR, THEY ARE TWO 314 00:10:54,521 --> 00:10:56,621 DOGS. THERE ARE FOUR, THEY ARE TWO DOGS ME AND YOU, I GET THAT I AM 315 00:10:56,623 --> 00:10:57,355 THERE ARE FOUR, THEY ARE TWO DOGS ME AND YOU, I GET THAT I AM THE FOURTH IN THE HOUSE. 316 00:10:57,357 --> 00:11:00,425 DOGS ME AND YOU, I GET THAT I AM THE FOURTH IN THE HOUSE. AND YOU LOVE THE DOGS. 317 00:11:00,427 --> 00:11:03,328 THE FOURTH IN THE HOUSE. AND YOU LOVE THE DOGS. >> Trisha: IT IS A PASSION 318 00:11:03,330 --> 00:11:04,829 AND YOU LOVE THE DOGS. >> Trisha: IT IS A PASSION PROJECT, WE LOVE IT AND CALLED 319 00:11:04,831 --> 00:11:07,032 >> Trisha: IT IS A PASSION PROJECT, WE LOVE IT AND CALLED IT THE TRISHA YEARWOOD PET 320 00:11:07,034 --> 00:11:07,365 PROJECT, WE LOVE IT AND CALLED IT THE TRISHA YEARWOOD PET COLLECTION. 321 00:11:07,367 --> 00:11:07,866 IT THE TRISHA YEARWOOD PET COLLECTION. ONLINE AT JULIE.COM AND 322 00:11:07,868 --> 00:11:11,569 COLLECTION. ONLINE AT JULIE.COM AND WAYFARER AND EXCITED. 323 00:11:11,571 --> 00:11:12,971 ONLINE AT JULIE.COM AND WAYFARER AND EXCITED. I HAVE BEEN -- I RESCUE A LOT OF 324 00:11:12,973 --> 00:11:16,207 WAYFARER AND EXCITED. I HAVE BEEN -- I RESCUE A LOT OF DOGS, SO IT JUST MADE SENSE. 325 00:11:16,209 --> 00:11:16,975 I HAVE BEEN -- I RESCUE A LOT OF DOGS, SO IT JUST MADE SENSE. WE WILL SELL SOME COLLARS AND 326 00:11:16,977 --> 00:11:18,610 DOGS, SO IT JUST MADE SENSE. WE WILL SELL SOME COLLARS AND LEASHES OUT OF THE BACK OF THE 327 00:11:18,612 --> 00:11:18,910 WE WILL SELL SOME COLLARS AND LEASHES OUT OF THE BACK OF THE TRUCK LATER. 328 00:11:18,912 --> 00:11:20,011 LEASHES OUT OF THE BACK OF THE TRUCK LATER. [LAUGHTER] 329 00:11:20,013 --> 00:11:23,581 TRUCK LATER. [LAUGHTER] NOT A JOKE. 330 00:11:23,583 --> 00:11:23,948 [LAUGHTER] NOT A JOKE. WE WILL BE BACK. 331 00:11:23,950 --> 00:11:24,416 NOT A JOKE. WE WILL BE BACK. [CHEERS AND APPLAUSE] 332 00:11:24,418 --> 00:11:32,157 WE WILL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 333 00:11:32,159 --> 00:11:35,794 [CHEERS AND APPLAUSE] ♪ ♪ >> AS LONG AS SHE HAS A BOOK TO 334 00:11:35,796 --> 00:11:36,995 ♪ ♪ >> AS LONG AS SHE HAS A BOOK TO READ IN A GLASS OF CHARDONNAY AT 335 00:11:36,997 --> 00:11:40,131 >> AS LONG AS SHE HAS A BOOK TO READ IN A GLASS OF CHARDONNAY AT 5:30, IT'S EASY. 336 00:11:40,133 --> 00:11:42,534 READ IN A GLASS OF CHARDONNAY AT 5:30, IT'S EASY. >> Trisha: I LOVE YOUR MOM. 337 00:11:42,536 --> 00:11:44,769 5:30, IT'S EASY. >> Trisha: I LOVE YOUR MOM. >> TEAR THE VELCRO OFF THE BACK 338 00:11:44,771 --> 00:11:54,245 >> Trisha: I LOVE YOUR MOM. >> TEAR THE VELCRO OFF THE BACK OF IT FOR ME, PL 339 00:11:54,247 --> 00:11:54,713 >> TEAR THE VELCRO OFF THE BACK OF IT FOR ME, PL [CHEERS AND APPLAUSE] 340 00:11:54,715 --> 00:12:01,553 OF IT FOR ME, PL [CHEERS AND APPLAUSE] ♪ ♪ 341 00:12:01,555 --> 00:12:03,054 [CHEERS AND APPLAUSE] ♪ ♪ >> Trisha: OUR VERY FIRST 342 00:12:03,056 --> 00:12:04,155 ♪ ♪ >> Trisha: OUR VERY FIRST GUEST IS A VERY TALENTED ACTOR 343 00:12:04,157 --> 00:12:06,891 >> Trisha: OUR VERY FIRST GUEST IS A VERY TALENTED ACTOR AND I'M A HUGE FAN WHO BECAME A 344 00:12:06,893 --> 00:12:09,561 GUEST IS A VERY TALENTED ACTOR AND I'M A HUGE FAN WHO BECAME A BEST-SELLING AUTHOR WITH HIS NEW 345 00:12:09,563 --> 00:12:10,395 AND I'M A HUGE FAN WHO BECAME A BEST-SELLING AUTHOR WITH HIS NEW MEMOIR "GREENLIGHTS," WHICH I 346 00:12:10,397 --> 00:12:12,630 BEST-SELLING AUTHOR WITH HIS NEW MEMOIR "GREENLIGHTS," WHICH I HAVE READ ABOUT FOR FOR EVERYONE 347 00:12:12,632 --> 00:12:13,465 MEMOIR "GREENLIGHTS," WHICH I HAVE READ ABOUT FOR FOR EVERYONE I KNOW. 348 00:12:13,467 --> 00:12:15,433 HAVE READ ABOUT FOR FOR EVERYONE I KNOW. >> Garth: PLEASE WELCOME 349 00:12:15,435 --> 00:12:17,469 I KNOW. >> Garth: PLEASE WELCOME ACADEMY AWARD WINNER 350 00:12:17,471 --> 00:12:19,804 >> Garth: PLEASE WELCOME ACADEMY AWARD WINNER MATTHEW McCONAUGHEY! 351 00:12:19,806 --> 00:12:20,405 ACADEMY AWARD WINNER MATTHEW McCONAUGHEY! YOU LOOK GREAT! 352 00:12:20,407 --> 00:12:21,339 MATTHEW McCONAUGHEY! YOU LOOK GREAT! >> Trisha: WE ARE SO PUMPED 353 00:12:21,341 --> 00:12:22,507 YOU LOOK GREAT! >> Trisha: WE ARE SO PUMPED THAT YOU ARE HERE, WE WILL GET 354 00:12:22,509 --> 00:12:24,175 >> Trisha: WE ARE SO PUMPED THAT YOU ARE HERE, WE WILL GET TO YOUR BOOK IN JUST A MINUTE, 355 00:12:24,177 --> 00:12:24,976 THAT YOU ARE HERE, WE WILL GET TO YOUR BOOK IN JUST A MINUTE, BUT I WANT TO THANK YOU BECAUSE 356 00:12:24,978 --> 00:12:27,679 TO YOUR BOOK IN JUST A MINUTE, BUT I WANT TO THANK YOU BECAUSE I HAVE NEVER HAD A CHANCE TO 357 00:12:27,681 --> 00:12:28,346 BUT I WANT TO THANK YOU BECAUSE I HAVE NEVER HAD A CHANCE TO PUBLICLY THANK YOU, THANK YOU 358 00:12:28,348 --> 00:12:30,749 I HAVE NEVER HAD A CHANCE TO PUBLICLY THANK YOU, THANK YOU FOR MENTIONING ME IN THE BOOK, 359 00:12:30,751 --> 00:12:32,317 PUBLICLY THANK YOU, THANK YOU FOR MENTIONING ME IN THE BOOK, BUT FOR BEING IN THE VIDEO OF 360 00:12:32,319 --> 00:12:35,904 FOR MENTIONING ME IN THE BOOK, BUT FOR BEING IN THE VIDEO OF WALKAWAY JOY ALMOST 25, 30 YEARS 361 00:12:35,906 --> 00:12:36,671 BUT FOR BEING IN THE VIDEO OF WALKAWAY JOY ALMOST 25, 30 YEARS NOW. 362 00:12:36,673 --> 00:12:38,339 WALKAWAY JOY ALMOST 25, 30 YEARS NOW. >> OVER 30 YEARS. 363 00:12:38,341 --> 00:12:39,624 NOW. >> OVER 30 YEARS. AND FINALLY HAVING THE 364 00:12:39,626 --> 00:12:42,026 >> OVER 30 YEARS. AND FINALLY HAVING THE CONVERSATION, I REMEMBER IT VERY 365 00:12:42,028 --> 00:12:42,427 AND FINALLY HAVING THE CONVERSATION, I REMEMBER IT VERY WELL. 366 00:12:42,429 --> 00:12:44,312 CONVERSATION, I REMEMBER IT VERY WELL. >> Trisha: I TELL PEOPLE THAT 367 00:12:44,314 --> 00:12:45,797 WELL. >> Trisha: I TELL PEOPLE THAT IT WAS ONE OF YOUR FIRST THINGS 368 00:12:45,799 --> 00:12:47,148 >> Trisha: I TELL PEOPLE THAT IT WAS ONE OF YOUR FIRST THINGS THAT THEY DID AND I GAVE YOU A 369 00:12:47,150 --> 00:12:47,899 IT WAS ONE OF YOUR FIRST THINGS THAT THEY DID AND I GAVE YOU A CAREER AND NOW YOU'RE WAY MORE 370 00:12:47,901 --> 00:12:50,151 THAT THEY DID AND I GAVE YOU A CAREER AND NOW YOU'RE WAY MORE FAMOUS THAN ME. 371 00:12:50,153 --> 00:12:50,769 CAREER AND NOW YOU'RE WAY MORE FAMOUS THAN ME. DO YOU HAVE ANY MEMORY? 372 00:12:50,771 --> 00:12:53,338 FAMOUS THAN ME. DO YOU HAVE ANY MEMORY? WE WERE NOT IN THE SAME PLACE, 373 00:12:53,340 --> 00:12:56,141 DO YOU HAVE ANY MEMORY? WE WERE NOT IN THE SAME PLACE, YOU ARE IN AUSTIN AND I WAS IN 374 00:12:56,143 --> 00:12:56,941 WE WERE NOT IN THE SAME PLACE, YOU ARE IN AUSTIN AND I WAS IN NASHVILLE. 375 00:12:56,943 --> 00:12:58,109 YOU ARE IN AUSTIN AND I WAS IN NASHVILLE. >> YEAH, I WAS WEARING A PAGER 376 00:12:58,111 --> 00:13:01,880 NASHVILLE. >> YEAH, I WAS WEARING A PAGER AT THE TIME, I WAS IN SCHOOL AT 377 00:13:01,882 --> 00:13:04,149 >> YEAH, I WAS WEARING A PAGER AT THE TIME, I WAS IN SCHOOL AT THE UNIVERSITY OF TENNESSEE AND 378 00:13:04,151 --> 00:13:05,817 AT THE TIME, I WAS IN SCHOOL AT THE UNIVERSITY OF TENNESSEE AND THE PAGER WOULD GO OFF AND THEY 379 00:13:05,819 --> 00:13:07,452 THE UNIVERSITY OF TENNESSEE AND THE PAGER WOULD GO OFF AND THEY WOULD SAY CAN YOU GO TO 380 00:13:07,454 --> 00:13:10,488 THE PAGER WOULD GO OFF AND THEY WOULD SAY CAN YOU GO TO SAN ANTONIO AND AUDITION, YOUR 381 00:13:10,490 --> 00:13:12,090 WOULD SAY CAN YOU GO TO SAN ANTONIO AND AUDITION, YOUR COMMERCIAL OR MUSIC VIDEO AND I 382 00:13:12,092 --> 00:13:14,926 SAN ANTONIO AND AUDITION, YOUR COMMERCIAL OR MUSIC VIDEO AND I WAS A 0 FOR 18 AND THEN I GOT 383 00:13:14,928 --> 00:13:16,094 COMMERCIAL OR MUSIC VIDEO AND I WAS A 0 FOR 18 AND THEN I GOT THE PAGER TO TRY OUT FOR THIS 384 00:13:16,096 --> 00:13:19,531 WAS A 0 FOR 18 AND THEN I GOT THE PAGER TO TRY OUT FOR THIS VIDEO AND I GOT THAT. 385 00:13:19,533 --> 00:13:21,432 THE PAGER TO TRY OUT FOR THIS VIDEO AND I GOT THAT. AND THEN I REMEMBER IT HAS BEEN 386 00:13:21,434 --> 00:13:24,002 VIDEO AND I GOT THAT. AND THEN I REMEMBER IT HAS BEEN A DAY, I USED TO TELL STORIES IN 387 00:13:24,004 --> 00:13:25,537 AND THEN I REMEMBER IT HAS BEEN A DAY, I USED TO TELL STORIES IN THE VIDEOS WHICH IS DIFFERENT 388 00:13:25,539 --> 00:13:26,971 A DAY, I USED TO TELL STORIES IN THE VIDEOS WHICH IS DIFFERENT THAN THEY DO NOW, THE STORY AND 389 00:13:26,973 --> 00:13:28,173 THE VIDEOS WHICH IS DIFFERENT THAN THEY DO NOW, THE STORY AND THEY MEET AND IT'S A GREAT DAY 390 00:13:28,175 --> 00:13:30,275 THAN THEY DO NOW, THE STORY AND THEY MEET AND IT'S A GREAT DAY AND THEY GO SWIMMING AND HANG 391 00:13:30,277 --> 00:13:32,043 THEY MEET AND IT'S A GREAT DAY AND THEY GO SWIMMING AND HANG OUT AND THEY RUN HAND-IN-HAND 392 00:13:32,045 --> 00:13:34,779 AND THEY GO SWIMMING AND HANG OUT AND THEY RUN HAND-IN-HAND BACK AT A MOTEL, NOT A HOTEL, 393 00:13:34,781 --> 00:13:38,716 OUT AND THEY RUN HAND-IN-HAND BACK AT A MOTEL, NOT A HOTEL, EVERYTHING WENT WELL AND THEN 394 00:13:38,718 --> 00:13:39,918 BACK AT A MOTEL, NOT A HOTEL, EVERYTHING WENT WELL AND THEN WALKAWAY JOE JUST OUT THE DOOR, 395 00:13:39,920 --> 00:13:43,121 EVERYTHING WENT WELL AND THEN WALKAWAY JOE JUST OUT THE DOOR, HE IS THE WRONG KIND OF GUY. 396 00:13:43,123 --> 00:13:44,422 WALKAWAY JOE JUST OUT THE DOOR, HE IS THE WRONG KIND OF GUY. >> Trisha: I FEEL LIKE WE 397 00:13:44,424 --> 00:13:45,456 HE IS THE WRONG KIND OF GUY. >> Trisha: I FEEL LIKE WE SHOULD DO THE VIDEO AGAIN AT 398 00:13:45,458 --> 00:13:47,692 >> Trisha: I FEEL LIKE WE SHOULD DO THE VIDEO AGAIN AT SOME POINT. 399 00:13:47,694 --> 00:13:48,359 SHOULD DO THE VIDEO AGAIN AT SOME POINT. [LAUGHTER] 400 00:13:48,361 --> 00:13:48,993 SOME POINT. [LAUGHTER] >> Garth: I HAVE TO ASK YOU 401 00:13:48,995 --> 00:13:50,461 [LAUGHTER] >> Garth: I HAVE TO ASK YOU BECAUSE YOU HAVE A FULL HOUSE 402 00:13:50,463 --> 00:13:52,030 >> Garth: I HAVE TO ASK YOU BECAUSE YOU HAVE A FULL HOUSE THAT IS RIGHT DOWN MY ALLEY, 403 00:13:52,032 --> 00:13:54,933 BECAUSE YOU HAVE A FULL HOUSE THAT IS RIGHT DOWN MY ALLEY, YOUR MOM IS 89 AND LIVING WITH 404 00:13:54,935 --> 00:13:56,401 THAT IS RIGHT DOWN MY ALLEY, YOUR MOM IS 89 AND LIVING WITH YOU? 405 00:13:56,403 --> 00:13:57,836 YOUR MOM IS 89 AND LIVING WITH YOU? >> YES, WE GRABBED HER ABOUT 14 406 00:13:57,838 --> 00:14:00,004 YOU? >> YES, WE GRABBED HER ABOUT 14 MONTHS AGO AS SOON AS THE 407 00:14:00,006 --> 00:14:02,473 >> YES, WE GRABBED HER ABOUT 14 MONTHS AGO AS SOON AS THE PANDEMIC HIT PULLED HER OUT OF 408 00:14:02,475 --> 00:14:04,409 MONTHS AGO AS SOON AS THE PANDEMIC HIT PULLED HER OUT OF HER COMMUNITY AND SHE HAS BEEN 409 00:14:04,411 --> 00:14:05,143 PANDEMIC HIT PULLED HER OUT OF HER COMMUNITY AND SHE HAS BEEN WITH US NOW. 410 00:14:05,145 --> 00:14:06,244 HER COMMUNITY AND SHE HAS BEEN WITH US NOW. YOU KNOW HOW IT WAS FOR THE LAST 411 00:14:06,246 --> 00:14:08,279 WITH US NOW. YOU KNOW HOW IT WAS FOR THE LAST 14 MONTHS, THE HARDEST PART HAS 412 00:14:08,281 --> 00:14:11,115 YOU KNOW HOW IT WAS FOR THE LAST 14 MONTHS, THE HARDEST PART HAS BEEN HOW DO YOU MAKE A LONG-TERM 413 00:14:11,117 --> 00:14:11,516 14 MONTHS, THE HARDEST PART HAS BEEN HOW DO YOU MAKE A LONG-TERM PLAN FOR ANYTHING? 414 00:14:11,518 --> 00:14:14,819 BEEN HOW DO YOU MAKE A LONG-TERM PLAN FOR ANYTHING? MORE THAN ONE OF A ROW OF 415 00:14:14,821 --> 00:14:15,086 PLAN FOR ANYTHING? MORE THAN ONE OF A ROW OF ANYTHING. 416 00:14:15,088 --> 00:14:16,988 MORE THAN ONE OF A ROW OF ANYTHING. IT WAS ONE MONTH, THREE MONTHS, 417 00:14:16,990 --> 00:14:19,524 ANYTHING. IT WAS ONE MONTH, THREE MONTHS, NOW A YEAR, SHE IS STILL THERE, 418 00:14:19,526 --> 00:14:21,993 IT WAS ONE MONTH, THREE MONTHS, NOW A YEAR, SHE IS STILL THERE, AND FIGURED OUT THE SECRET, 419 00:14:21,995 --> 00:14:22,827 NOW A YEAR, SHE IS STILL THERE, AND FIGURED OUT THE SECRET, SOMETIMES I HAVE THREE CHILDREN, 420 00:14:22,829 --> 00:14:24,629 AND FIGURED OUT THE SECRET, SOMETIMES I HAVE THREE CHILDREN, AND NOW I HAVE A MOM WHO IS 89 421 00:14:24,631 --> 00:14:26,464 SOMETIMES I HAVE THREE CHILDREN, AND NOW I HAVE A MOM WHO IS 89 SO IT'S FOR CHILDREN, BUT AS 422 00:14:26,466 --> 00:14:30,501 AND NOW I HAVE A MOM WHO IS 89 SO IT'S FOR CHILDREN, BUT AS LONG AS SHE HAS A BOOK TO READ 423 00:14:30,503 --> 00:14:32,470 SO IT'S FOR CHILDREN, BUT AS LONG AS SHE HAS A BOOK TO READ AND A COLD GLASS OF KENDALL 424 00:14:32,472 --> 00:14:34,272 LONG AS SHE HAS A BOOK TO READ AND A COLD GLASS OF KENDALL JACKSON CHARDONNAY AT 5:30 IT'S 425 00:14:34,274 --> 00:14:35,340 AND A COLD GLASS OF KENDALL JACKSON CHARDONNAY AT 5:30 IT'S EASY. 426 00:14:35,342 --> 00:14:38,509 JACKSON CHARDONNAY AT 5:30 IT'S EASY. >> Trisha: I LOVE YOUR MOM, WE 427 00:14:38,511 --> 00:14:38,810 EASY. >> Trisha: I LOVE YOUR MOM, WE ARE FRIENDS. 428 00:14:38,812 --> 00:14:39,277 >> Trisha: I LOVE YOUR MOM, WE ARE FRIENDS. [LAUGHTER] 429 00:14:39,279 --> 00:14:41,179 ARE FRIENDS. [LAUGHTER] >> THERE SHE IS. 430 00:14:41,181 --> 00:14:42,480 [LAUGHTER] >> THERE SHE IS. YOU RUN OUT OF A BOOK FOR HER TO 431 00:14:42,482 --> 00:14:45,116 >> THERE SHE IS. YOU RUN OUT OF A BOOK FOR HER TO READ, YOU ARE IN TROUBLE. 432 00:14:45,118 --> 00:14:50,488 YOU RUN OUT OF A BOOK FOR HER TO READ, YOU ARE IN TROUBLE. YOU RUN OUT OF THAT WINE, IT IS 433 00:14:50,490 --> 00:14:55,693 READ, YOU ARE IN TROUBLE. YOU RUN OUT OF THAT WINE, IT IS BUY HELL. 434 00:14:55,695 --> 00:14:56,594 YOU RUN OUT OF THAT WINE, IT IS BUY HELL. >> Trisha: CAN YOU RELATE? 435 00:14:56,596 --> 00:14:59,197 BUY HELL. >> Trisha: CAN YOU RELATE? >> Garth: YOU ARE NOT EVEN 89 436 00:14:59,199 --> 00:14:59,364 >> Trisha: CAN YOU RELATE? >> Garth: YOU ARE NOT EVEN 89 YET. 437 00:14:59,366 --> 00:15:00,632 >> Garth: YOU ARE NOT EVEN 89 YET. OF ALL THE THINGS YOU ATTEMPTED 438 00:15:00,634 --> 00:15:02,033 YET. OF ALL THE THINGS YOU ATTEMPTED I HEAR THAT YOU ARE GOING TO 439 00:15:02,035 --> 00:15:03,134 OF ALL THE THINGS YOU ATTEMPTED I HEAR THAT YOU ARE GOING TO HAVE A TEENAGER IN THE HOUSE, 440 00:15:03,136 --> 00:15:05,236 I HEAR THAT YOU ARE GOING TO HAVE A TEENAGER IN THE HOUSE, GOOD LUCK WITH THAT ONE. 441 00:15:05,238 --> 00:15:08,973 HAVE A TEENAGER IN THE HOUSE, GOOD LUCK WITH THAT ONE. >> THAT'S WHAT I HEAR TOO, I AM 442 00:15:08,975 --> 00:15:12,343 GOOD LUCK WITH THAT ONE. >> THAT'S WHAT I HEAR TOO, I AM BUCKLING UP AND READY FOR THE 443 00:15:12,345 --> 00:15:15,346 >> THAT'S WHAT I HEAR TOO, I AM BUCKLING UP AND READY FOR THE RODEO RIDE, SO FAR 12, 11, AND 444 00:15:15,348 --> 00:15:16,047 BUCKLING UP AND READY FOR THE RODEO RIDE, SO FAR 12, 11, AND EIGHT. 445 00:15:16,049 --> 00:15:17,682 RODEO RIDE, SO FAR 12, 11, AND EIGHT. AND PRESENTING NORMAL CHALLENGES 446 00:15:17,684 --> 00:15:19,384 EIGHT. AND PRESENTING NORMAL CHALLENGES AS ANY PARENT WOULD HAVE, BUT 447 00:15:19,386 --> 00:15:20,418 AND PRESENTING NORMAL CHALLENGES AS ANY PARENT WOULD HAVE, BUT ACROSS THE BOARD ANY PARENTS WHO 448 00:15:20,420 --> 00:15:24,355 AS ANY PARENT WOULD HAVE, BUT ACROSS THE BOARD ANY PARENTS WHO HAVE HAD TEENAGERS OR LIKE, OH, 449 00:15:24,357 --> 00:15:25,924 ACROSS THE BOARD ANY PARENTS WHO HAVE HAD TEENAGERS OR LIKE, OH, GET READY. 450 00:15:25,926 --> 00:15:26,557 HAVE HAD TEENAGERS OR LIKE, OH, GET READY. SO HERE WE GO, WERE ABOUT TO 451 00:15:26,559 --> 00:15:28,960 GET READY. SO HERE WE GO, WERE ABOUT TO FIND OUT. 452 00:15:28,962 --> 00:15:30,695 SO HERE WE GO, WERE ABOUT TO FIND OUT. >> Garth: THAT GOD HAS A 453 00:15:30,697 --> 00:15:31,896 FIND OUT. >> Garth: THAT GOD HAS A WICKED SENSE OF HUMOR, HE WILL 454 00:15:31,898 --> 00:15:34,565 >> Garth: THAT GOD HAS A WICKED SENSE OF HUMOR, HE WILL SEND YOU YOU AT THAT AGE. 455 00:15:34,567 --> 00:15:35,934 WICKED SENSE OF HUMOR, HE WILL SEND YOU YOU AT THAT AGE. >> Trisha: I HAVE TO ASK YOU 456 00:15:35,936 --> 00:15:37,936 SEND YOU YOU AT THAT AGE. >> Trisha: I HAVE TO ASK YOU ABOUT COOKING, THAT IS THE OTHER 457 00:15:37,938 --> 00:15:39,570 >> Trisha: I HAVE TO ASK YOU ABOUT COOKING, THAT IS THE OTHER THING I HAVE DONE, AND I'M SO 458 00:15:39,572 --> 00:15:41,472 ABOUT COOKING, THAT IS THE OTHER THING I HAVE DONE, AND I'M SO INTRIGUED BY SOMETHING THEY DO 459 00:15:41,474 --> 00:15:43,141 THING I HAVE DONE, AND I'M SO INTRIGUED BY SOMETHING THEY DO ON SUNDAYS, BUT YOU HAVE TO TELL 460 00:15:43,143 --> 00:15:47,545 INTRIGUED BY SOMETHING THEY DO ON SUNDAYS, BUT YOU HAVE TO TELL ME ABOUT IT, MASH UP? 461 00:15:47,547 --> 00:15:48,079 ON SUNDAYS, BUT YOU HAVE TO TELL ME ABOUT IT, MASH UP? >> IT IS PORTUGUESE AND WE 462 00:15:48,081 --> 00:15:50,381 ME ABOUT IT, MASH UP? >> IT IS PORTUGUESE AND WE PICKED IT UP FROM CAMILLA'S MOM 463 00:15:50,383 --> 00:15:51,849 >> IT IS PORTUGUESE AND WE PICKED IT UP FROM CAMILLA'S MOM WHO LIVED WITH US A FEW YEARS 464 00:15:51,851 --> 00:15:53,184 PICKED IT UP FROM CAMILLA'S MOM WHO LIVED WITH US A FEW YEARS AGO. 465 00:15:53,186 --> 00:15:57,689 WHO LIVED WITH US A FEW YEARS AGO. EVERY SUNDAY, EVERYBODY MOSHITO. 466 00:15:57,691 --> 00:15:59,557 AGO. EVERY SUNDAY, EVERYBODY MOSHITO. YOU GO TO THE FRIDGE AND EVERY 467 00:15:59,559 --> 00:16:00,625 EVERY SUNDAY, EVERYBODY MOSHITO. YOU GO TO THE FRIDGE AND EVERY LEFT OVER IN THERE YOU GET THEM 468 00:16:00,627 --> 00:16:02,460 YOU GO TO THE FRIDGE AND EVERY LEFT OVER IN THERE YOU GET THEM OUT AND THEN HE LAY THEM OUT ON 469 00:16:02,462 --> 00:16:05,096 LEFT OVER IN THERE YOU GET THEM OUT AND THEN HE LAY THEM OUT ON THE BIG KITCHEN TABLE AND YOU 470 00:16:05,098 --> 00:16:07,098 OUT AND THEN HE LAY THEM OUT ON THE BIG KITCHEN TABLE AND YOU SAY, OKAY, WHAT COMBINED WITH 471 00:16:07,100 --> 00:16:10,134 THE BIG KITCHEN TABLE AND YOU SAY, OKAY, WHAT COMBINED WITH WHAT, WHAT CAN WE PUT TOGETHER? 472 00:16:10,136 --> 00:16:11,936 SAY, OKAY, WHAT COMBINED WITH WHAT, WHAT CAN WE PUT TOGETHER? IT HAS TO BE BASED ON ONLY LEFT 473 00:16:11,938 --> 00:16:12,403 WHAT, WHAT CAN WE PUT TOGETHER? IT HAS TO BE BASED ON ONLY LEFT OVERS. 474 00:16:12,405 --> 00:16:14,539 IT HAS TO BE BASED ON ONLY LEFT OVERS. SO HAVE TO GET CREATIVE TO 475 00:16:14,541 --> 00:16:17,675 OVERS. SO HAVE TO GET CREATIVE TO FIGURE OUT WHICH GOES SAVORY, 476 00:16:17,677 --> 00:16:19,310 SO HAVE TO GET CREATIVE TO FIGURE OUT WHICH GOES SAVORY, SWEET, THIS, THAT, THE OTHER. 477 00:16:19,312 --> 00:16:22,847 FIGURE OUT WHICH GOES SAVORY, SWEET, THIS, THAT, THE OTHER. IT'S TUNA FISH SALAD ON A HEAVY 478 00:16:22,849 --> 00:16:24,515 SWEET, THIS, THAT, THE OTHER. IT'S TUNA FISH SALAD ON A HEAVY WEIGHT VERSION WHERE YOU HAVE TO 479 00:16:24,517 --> 00:16:26,150 IT'S TUNA FISH SALAD ON A HEAVY WEIGHT VERSION WHERE YOU HAVE TO DEAL WITH EVERYTHING IN THEIR 480 00:16:26,152 --> 00:16:26,751 WEIGHT VERSION WHERE YOU HAVE TO DEAL WITH EVERYTHING IN THEIR BUT IT WILL BE DIFFERENT EVERY 481 00:16:26,753 --> 00:16:29,520 DEAL WITH EVERYTHING IN THEIR BUT IT WILL BE DIFFERENT EVERY SINGLE TIME. 482 00:16:29,522 --> 00:16:30,621 BUT IT WILL BE DIFFERENT EVERY SINGLE TIME. >> Trisha: YOU'RE LIKE WHAT'S 483 00:16:30,623 --> 00:16:34,325 SINGLE TIME. >> Trisha: YOU'RE LIKE WHAT'S LEFT LEFT OVER, RIGHT? 484 00:16:34,327 --> 00:16:35,126 >> Trisha: YOU'RE LIKE WHAT'S LEFT LEFT OVER, RIGHT? >> Garth: CONGRATS ON YOUR 485 00:16:35,128 --> 00:16:36,761 LEFT LEFT OVER, RIGHT? >> Garth: CONGRATS ON YOUR BOOK, IT HAS BEEN A NEW YORK 486 00:16:36,763 --> 00:16:37,628 >> Garth: CONGRATS ON YOUR BOOK, IT HAS BEEN A NEW YORK BEST SELLER SINCE OCTOBER. 487 00:16:37,630 --> 00:16:38,863 BOOK, IT HAS BEEN A NEW YORK BEST SELLER SINCE OCTOBER. I CAN'T BELIEVE THAT IS 488 00:16:38,865 --> 00:16:41,899 BEST SELLER SINCE OCTOBER. I CAN'T BELIEVE THAT IS POSSIBLE, CONGRATULATIONS! 489 00:16:41,901 --> 00:16:44,369 I CAN'T BELIEVE THAT IS POSSIBLE, CONGRATULATIONS! >> Trisha: I DO WANT TO SAY, I 490 00:16:44,371 --> 00:16:45,370 POSSIBLE, CONGRATULATIONS! >> Trisha: I DO WANT TO SAY, I KNOW THAT YOU DO INTERVIEWS AND 491 00:16:45,372 --> 00:16:46,304 >> Trisha: I DO WANT TO SAY, I KNOW THAT YOU DO INTERVIEWS AND PEOPLE ARE LIKE HERE'S HER BOOK, 492 00:16:46,306 --> 00:16:46,971 KNOW THAT YOU DO INTERVIEWS AND PEOPLE ARE LIKE HERE'S HER BOOK, IT'S GREAT. 493 00:16:46,973 --> 00:16:48,439 PEOPLE ARE LIKE HERE'S HER BOOK, IT'S GREAT. IF SOMEONE GAVE ME THE BOOK AND 494 00:16:48,441 --> 00:16:51,242 IT'S GREAT. IF SOMEONE GAVE ME THE BOOK AND THEN I BOUGHT ANOTHER COPY FOR A 495 00:16:51,244 --> 00:16:52,176 IF SOMEONE GAVE ME THE BOOK AND THEN I BOUGHT ANOTHER COPY FOR A FRIEND OF MINE, BECAUSE IT IS 496 00:16:52,178 --> 00:16:54,312 THEN I BOUGHT ANOTHER COPY FOR A FRIEND OF MINE, BECAUSE IT IS NOT JUST YOUR LIFE STORY, ITS 497 00:16:54,314 --> 00:16:56,214 FRIEND OF MINE, BECAUSE IT IS NOT JUST YOUR LIFE STORY, ITS LIFE LESSONS AND REALLY SPOKE TO 498 00:16:56,216 --> 00:16:57,448 NOT JUST YOUR LIFE STORY, ITS LIFE LESSONS AND REALLY SPOKE TO ME AND I RECOMMEND IT. 499 00:16:57,450 --> 00:17:00,284 LIFE LESSONS AND REALLY SPOKE TO ME AND I RECOMMEND IT. IT'S SO READABLE AND RELATABLE, 500 00:17:00,286 --> 00:17:01,152 ME AND I RECOMMEND IT. IT'S SO READABLE AND RELATABLE, CONGRATS. 501 00:17:01,154 --> 00:17:05,390 IT'S SO READABLE AND RELATABLE, CONGRATS. >> THANK YOU. 502 00:17:05,392 --> 00:17:06,157 CONGRATS. >> THANK YOU. I HOPE IT WOULD BE SOMETHING 503 00:17:06,159 --> 00:17:10,228 >> THANK YOU. I HOPE IT WOULD BE SOMETHING THAT SOMEBODY WANTED TO READ, 504 00:17:10,230 --> 00:17:11,396 I HOPE IT WOULD BE SOMETHING THAT SOMEBODY WANTED TO READ, SOMETHING THAT WAS A PIECE OF 505 00:17:11,398 --> 00:17:12,730 THAT SOMEBODY WANTED TO READ, SOMETHING THAT WAS A PIECE OF ART THAT SOMEDAY COULD GET 506 00:17:12,732 --> 00:17:13,131 SOMETHING THAT WAS A PIECE OF ART THAT SOMEDAY COULD GET SOMETHING OUT OF. 507 00:17:13,133 --> 00:17:15,466 ART THAT SOMEDAY COULD GET SOMETHING OUT OF. AND THE COOLEST COMPLEMENT I 508 00:17:15,468 --> 00:17:16,567 SOMETHING OUT OF. AND THE COOLEST COMPLEMENT I HAVE HEARD FROM PEOPLE WHO LIKE 509 00:17:16,569 --> 00:17:20,405 AND THE COOLEST COMPLEMENT I HAVE HEARD FROM PEOPLE WHO LIKE IT IS THEY SAW MY LIFE IN YOUR 510 00:17:20,407 --> 00:17:22,440 HAVE HEARD FROM PEOPLE WHO LIKE IT IS THEY SAW MY LIFE IN YOUR LIFE, OR MY STORIES IN YOUR 511 00:17:22,442 --> 00:17:23,508 IT IS THEY SAW MY LIFE IN YOUR LIFE, OR MY STORIES IN YOUR STORIES COMING AND YOU KNOW THAT 512 00:17:23,510 --> 00:17:26,077 LIFE, OR MY STORIES IN YOUR STORIES COMING AND YOU KNOW THAT A SONG WRITERS, YOU PUT OUT A 513 00:17:26,079 --> 00:17:27,545 STORIES COMING AND YOU KNOW THAT A SONG WRITERS, YOU PUT OUT A SONG, THEY ARE SEEING THEMSELVES 514 00:17:27,547 --> 00:17:28,179 A SONG WRITERS, YOU PUT OUT A SONG, THEY ARE SEEING THEMSELVES IN THAT SUBJECT. 515 00:17:28,181 --> 00:17:29,781 SONG, THEY ARE SEEING THEMSELVES IN THAT SUBJECT. THAT'S WHEN ART IS REALLY COOL 516 00:17:29,783 --> 00:17:32,417 IN THAT SUBJECT. THAT'S WHEN ART IS REALLY COOL BECAUSE IT TRANSLATES AND PICKS 517 00:17:32,419 --> 00:17:33,117 THAT'S WHEN ART IS REALLY COOL BECAUSE IT TRANSLATES AND PICKS UP -- 518 00:17:33,119 --> 00:17:34,519 BECAUSE IT TRANSLATES AND PICKS UP -- YOU KNOW, I CAN TALK ABOUT THE 519 00:17:34,521 --> 00:17:35,553 UP -- YOU KNOW, I CAN TALK ABOUT THE SAME SUBJECT I'VE TALKED ABOUT 520 00:17:35,555 --> 00:17:39,323 YOU KNOW, I CAN TALK ABOUT THE SAME SUBJECT I'VE TALKED ABOUT WITH 100 OTHER PEOPLE BUT IT 521 00:17:39,325 --> 00:17:39,757 SAME SUBJECT I'VE TALKED ABOUT WITH 100 OTHER PEOPLE BUT IT WILL BE OUR ORIGINAL 522 00:17:39,759 --> 00:17:42,460 WITH 100 OTHER PEOPLE BUT IT WILL BE OUR ORIGINAL CONVERSATION EVERYTHING THE TI 523 00:17:42,462 --> 00:17:42,660 WILL BE OUR ORIGINAL CONVERSATION EVERYTHING THE TI TIME. 524 00:17:42,662 --> 00:17:44,362 CONVERSATION EVERYTHING THE TI TIME. >> Trisha: I WANT TO TALK TO 525 00:17:44,364 --> 00:17:46,497 TIME. >> Trisha: I WANT TO TALK TO YOU ALL DAY, CAN WE KEEP TALKING 526 00:17:46,499 --> 00:17:46,798 >> Trisha: I WANT TO TALK TO YOU ALL DAY, CAN WE KEEP TALKING TO MATTHEW? 527 00:17:46,800 --> 00:17:49,534 YOU ALL DAY, CAN WE KEEP TALKING TO MATTHEW? ARE WE ALLOWED? 528 00:17:49,536 --> 00:17:52,203 TO MATTHEW? ARE WE ALLOWED? MORE WITH MATTHEW AFTER THIS. 529 00:17:52,205 --> 00:17:52,670 ARE WE ALLOWED? MORE WITH MATTHEW AFTER THIS. [CHEERS AND APPLAUSE] 530 00:17:52,672 --> 00:17:55,406 MORE WITH MATTHEW AFTER THIS. [CHEERS AND APPLAUSE] ♪ ♪ 531 00:17:55,408 --> 00:17:57,875 [CHEERS AND APPLAUSE] ♪ ♪ >> I HAVE A UP IN MY LIFE, WHAT 532 00:17:57,877 --> 00:18:01,712 ♪ ♪ >> I HAVE A UP IN MY LIFE, WHAT IS MY CATEGORY? 533 00:18:01,714 --> 00:18:02,647 >> I HAVE A UP IN MY LIFE, WHAT IS MY CATEGORY? I HAVE SOME GIFTS AS A LEADER 534 00:18:02,649 --> 00:18:05,750 IS MY CATEGORY? I HAVE SOME GIFTS AS A LEADER AND A LEARNER AND A LISTENER. 535 00:18:05,752 --> 00:18:07,652 I HAVE SOME GIFTS AS A LEADER AND A LEARNER AND A LISTENER. >> WE MADE A QUARTER DISAPPEAR, 536 00:18:07,654 --> 00:18:08,753 AND A LEARNER AND A LISTENER. >> WE MADE A QUARTER DISAPPEAR, EVERY OPEN IN YOUR HAND, WHY 537 00:18:08,755 --> 00:18:12,457 >> WE MADE A QUARTER DISAPPEAR, EVERY OPEN IN YOUR HAND, WHY DON'T YOU JUST T 538 00:18:20,499 --> 00:18:26,404 [CHEERS AND APPLAUSE] ♪ ♪ >> Garth: WE ARE BACK WITH THE 539 00:18:26,406 --> 00:18:28,473 ♪ ♪ >> Garth: WE ARE BACK WITH THE BEST-SELLING AUTHOR 540 00:18:28,475 --> 00:18:28,940 >> Garth: WE ARE BACK WITH THE BEST-SELLING AUTHOR MATTHEW McCONAUGHEY. 541 00:18:28,942 --> 00:18:32,510 BEST-SELLING AUTHOR MATTHEW McCONAUGHEY. THAT SOUNDS SO COOL. 542 00:18:32,512 --> 00:18:34,145 MATTHEW McCONAUGHEY. THAT SOUNDS SO COOL. >> Trisha: WE ARE BEST FRIENDS 543 00:18:34,147 --> 00:18:36,747 THAT SOUNDS SO COOL. >> Trisha: WE ARE BEST FRIENDS NOW, RIGHT, MATTHEW? 544 00:18:36,749 --> 00:18:39,050 >> Trisha: WE ARE BEST FRIENDS NOW, RIGHT, MATTHEW? YOU TALK ABOUT THE FIRST TIME IN 545 00:18:39,052 --> 00:18:40,585 NOW, RIGHT, MATTHEW? YOU TALK ABOUT THE FIRST TIME IN THE BOOK THEY SAW YOUR WIFE, 546 00:18:40,587 --> 00:18:42,553 YOU TALK ABOUT THE FIRST TIME IN THE BOOK THEY SAW YOUR WIFE, WHICH IS SO WONDERFUL, WE HAVE 547 00:18:42,555 --> 00:18:44,088 THE BOOK THEY SAW YOUR WIFE, WHICH IS SO WONDERFUL, WE HAVE BEEN MARRIED FOR 15 YEARS, AND 548 00:18:44,090 --> 00:18:45,957 WHICH IS SO WONDERFUL, WE HAVE BEEN MARRIED FOR 15 YEARS, AND YOU SAID SHE WAS FLOATING ON 549 00:18:45,959 --> 00:18:47,158 BEEN MARRIED FOR 15 YEARS, AND YOU SAID SHE WAS FLOATING ON AIR, AND I WAS JUST WONDERING IF 550 00:18:47,160 --> 00:18:48,359 YOU SAID SHE WAS FLOATING ON AIR, AND I WAS JUST WONDERING IF SHE HAS EVER TOLD YOU WHAT HER 551 00:18:48,361 --> 00:18:52,096 AIR, AND I WAS JUST WONDERING IF SHE HAS EVER TOLD YOU WHAT HER FIRST IMPRESSION OF YOU WAS? 552 00:18:52,098 --> 00:18:54,632 SHE HAS EVER TOLD YOU WHAT HER FIRST IMPRESSION OF YOU WAS? >> YES, SHE HAS. 553 00:18:54,634 --> 00:18:58,536 FIRST IMPRESSION OF YOU WAS? >> YES, SHE HAS. BEFORE I SAW HER, SHE IN THE 554 00:18:58,538 --> 00:18:59,537 >> YES, SHE HAS. BEFORE I SAW HER, SHE IN THE SAME NIGHT SAME CLUB SAW ME AND 555 00:18:59,539 --> 00:19:00,438 BEFORE I SAW HER, SHE IN THE SAME NIGHT SAME CLUB SAW ME AND SAID I WAS STANDING BEHIND, 556 00:19:00,440 --> 00:19:02,640 SAME NIGHT SAME CLUB SAW ME AND SAID I WAS STANDING BEHIND, TRYING TO GET A SIMPLE DRINK AT 557 00:19:02,642 --> 00:19:05,810 SAID I WAS STANDING BEHIND, TRYING TO GET A SIMPLE DRINK AT THE BAR AND ONE GUY IN FRONT HAD 558 00:19:05,812 --> 00:19:08,446 TRYING TO GET A SIMPLE DRINK AT THE BAR AND ONE GUY IN FRONT HAD ON THIS ROSTER HAT AND LONG 559 00:19:08,448 --> 00:19:10,114 THE BAR AND ONE GUY IN FRONT HAD ON THIS ROSTER HAT AND LONG CURLY BLONDE HAIR, SHORTS AND 560 00:19:10,116 --> 00:19:12,150 ON THIS ROSTER HAT AND LONG CURLY BLONDE HAIR, SHORTS AND T-SHIRT WEARING FLIP-FLOPS IN 561 00:19:12,152 --> 00:19:14,051 CURLY BLONDE HAIR, SHORTS AND T-SHIRT WEARING FLIP-FLOPS IN THE CLUB, BUT AT THIS MOMENT HE 562 00:19:14,053 --> 00:19:17,355 T-SHIRT WEARING FLIP-FLOPS IN THE CLUB, BUT AT THIS MOMENT HE WAS IN THE MIDDLE OF A 13 MINUTE 563 00:19:17,357 --> 00:19:20,758 THE CLUB, BUT AT THIS MOMENT HE WAS IN THE MIDDLE OF A 13 MINUTE VERY SPECIFIC DETAIL-ORIENTED 564 00:19:20,760 --> 00:19:23,094 WAS IN THE MIDDLE OF A 13 MINUTE VERY SPECIFIC DETAIL-ORIENTED RECIPE TO THE BARTENDER OF THE 565 00:19:23,096 --> 00:19:23,828 VERY SPECIFIC DETAIL-ORIENTED RECIPE TO THE BARTENDER OF THE EXACT MARGARITA THAT HE WANTED. 566 00:19:23,830 --> 00:19:28,132 RECIPE TO THE BARTENDER OF THE EXACT MARGARITA THAT HE WANTED. AND KEPT GOING, NOT ONLY DID I 567 00:19:28,134 --> 00:19:29,400 EXACT MARGARITA THAT HE WANTED. AND KEPT GOING, NOT ONLY DID I GET BEHIND THE WRONG PERSON, BUT 568 00:19:29,402 --> 00:19:30,568 AND KEPT GOING, NOT ONLY DID I GET BEHIND THE WRONG PERSON, BUT WHAT IS HE DOING? 569 00:19:30,570 --> 00:19:32,637 GET BEHIND THE WRONG PERSON, BUT WHAT IS HE DOING? THIS IS TAKING FOREVER FOR 570 00:19:32,639 --> 00:19:35,406 WHAT IS HE DOING? THIS IS TAKING FOREVER FOR MARGARITA, THAT TURNED OUT TO BE 571 00:19:35,408 --> 00:19:36,574 THIS IS TAKING FOREVER FOR MARGARITA, THAT TURNED OUT TO BE ME. 572 00:19:36,576 --> 00:19:36,841 MARGARITA, THAT TURNED OUT TO BE ME. [LAUGHTER] 573 00:19:36,843 --> 00:19:38,342 ME. [LAUGHTER] SO I THINK SOMETHING ABOUT BEING 574 00:19:38,344 --> 00:19:40,945 [LAUGHTER] SO I THINK SOMETHING ABOUT BEING IN THE CLUB AND HAVING THAT HAT 575 00:19:40,947 --> 00:19:42,013 SO I THINK SOMETHING ABOUT BEING IN THE CLUB AND HAVING THAT HAT AND THE FLIP-FLOPS BEING THAT 576 00:19:42,015 --> 00:19:43,281 IN THE CLUB AND HAVING THAT HAT AND THE FLIP-FLOPS BEING THAT SPECIFIC ABOUT A MARGARITA AT 577 00:19:43,283 --> 00:19:44,782 AND THE FLIP-FLOPS BEING THAT SPECIFIC ABOUT A MARGARITA AT LEAST MADE HER SAY, HE MIGHT BE 578 00:19:44,784 --> 00:19:47,418 SPECIFIC ABOUT A MARGARITA AT LEAST MADE HER SAY, HE MIGHT BE INTERESTING. 579 00:19:47,420 --> 00:19:48,252 LEAST MADE HER SAY, HE MIGHT BE INTERESTING. [LAUGHTER] 580 00:19:48,254 --> 00:19:49,654 INTERESTING. [LAUGHTER] >> Garth: I WOULD DESCRIBE YOU 581 00:19:49,656 --> 00:19:52,256 [LAUGHTER] >> Garth: I WOULD DESCRIBE YOU AS OPTIMISTIC AND UPBEAT. 582 00:19:52,258 --> 00:19:54,392 >> Garth: I WOULD DESCRIBE YOU AS OPTIMISTIC AND UPBEAT. I HAVE TO TELL YOU, I KNOW THAT 583 00:19:54,394 --> 00:19:56,360 AS OPTIMISTIC AND UPBEAT. I HAVE TO TELL YOU, I KNOW THAT I AM PROBABLY THE LONE GUY THAT 584 00:19:56,362 --> 00:19:58,763 I HAVE TO TELL YOU, I KNOW THAT I AM PROBABLY THE LONE GUY THAT CAN'T GET YOU AWAY WITHOUT 585 00:19:58,765 --> 00:20:00,998 I AM PROBABLY THE LONE GUY THAT CAN'T GET YOU AWAY WITHOUT TALKING ABOUT, WHAT IS THIS 586 00:20:01,000 --> 00:20:04,001 CAN'T GET YOU AWAY WITHOUT TALKING ABOUT, WHAT IS THIS THING ABOUT WOULD YOU EVER 587 00:20:04,003 --> 00:20:05,236 TALKING ABOUT, WHAT IS THIS THING ABOUT WOULD YOU EVER CONSIDER GETTING INTO POLITICS? 588 00:20:05,238 --> 00:20:06,470 THING ABOUT WOULD YOU EVER CONSIDER GETTING INTO POLITICS? BECAUSE WE NEED SOMEBODY WITH 589 00:20:06,472 --> 00:20:10,975 CONSIDER GETTING INTO POLITICS? BECAUSE WE NEED SOMEBODY WITH THE COURAGE AS YOU DO SPEAK OUT. 590 00:20:10,977 --> 00:20:13,511 BECAUSE WE NEED SOMEBODY WITH THE COURAGE AS YOU DO SPEAK OUT. >> I WILL TELL YOU THIS, I'VE 591 00:20:13,513 --> 00:20:14,946 THE COURAGE AS YOU DO SPEAK OUT. >> I WILL TELL YOU THIS, I'VE BEEN ASKED THAT QUESTION A LOT 592 00:20:14,948 --> 00:20:16,647 >> I WILL TELL YOU THIS, I'VE BEEN ASKED THAT QUESTION A LOT LATELY, AND MY ANSWER IS THE 593 00:20:16,649 --> 00:20:18,349 BEEN ASKED THAT QUESTION A LOT LATELY, AND MY ANSWER IS THE SAME, I'M TRYING TO LOOK IN THE 594 00:20:18,351 --> 00:20:19,650 LATELY, AND MY ANSWER IS THE SAME, I'M TRYING TO LOOK IN THE EYE AND GIVE HONEST 595 00:20:19,652 --> 00:20:20,618 SAME, I'M TRYING TO LOOK IN THE EYE AND GIVE HONEST CONSIDERATION, WHAT AN AWESOME 596 00:20:20,620 --> 00:20:23,054 EYE AND GIVE HONEST CONSIDERATION, WHAT AN AWESOME PRIVILEGE OR RESPONSE TO A 597 00:20:23,056 --> 00:20:25,556 CONSIDERATION, WHAT AN AWESOME PRIVILEGE OR RESPONSE TO A POSITION OF SACRIFICE AND 598 00:20:25,558 --> 00:20:26,424 PRIVILEGE OR RESPONSE TO A POSITION OF SACRIFICE AND SERVICE IS SOMETHING TO 599 00:20:26,426 --> 00:20:26,991 POSITION OF SACRIFICE AND SERVICE IS SOMETHING TO CONSIDER. 600 00:20:26,993 --> 00:20:28,259 SERVICE IS SOMETHING TO CONSIDER. I HAVE A NEW CHAPTER COMING UP 601 00:20:28,261 --> 00:20:31,996 CONSIDER. I HAVE A NEW CHAPTER COMING UP IN MY LIFE, WHAT IS MY CATEGORY? 602 00:20:31,998 --> 00:20:33,497 I HAVE A NEW CHAPTER COMING UP IN MY LIFE, WHAT IS MY CATEGORY? I THINK I HAVE SOME GIFTS AS A 603 00:20:33,499 --> 00:20:36,667 IN MY LIFE, WHAT IS MY CATEGORY? I THINK I HAVE SOME GIFTS AS A LEADER IN GIFTS AS A LEARNER AND 604 00:20:36,669 --> 00:20:38,469 I THINK I HAVE SOME GIFTS AS A LEADER IN GIFTS AS A LEARNER AND A LISTENER AND A TEACHER, WHAT 605 00:20:38,471 --> 00:20:39,804 LEADER IN GIFTS AS A LEARNER AND A LISTENER AND A TEACHER, WHAT IS MY CATEGORY THOUGH? 606 00:20:39,806 --> 00:20:41,138 A LISTENER AND A TEACHER, WHAT IS MY CATEGORY THOUGH? WHERE ARE MY MOST USEFUL TO THE 607 00:20:41,140 --> 00:20:42,573 IS MY CATEGORY THOUGH? WHERE ARE MY MOST USEFUL TO THE MOST AMOUNT OF PEOPLE AND MYSELF 608 00:20:42,575 --> 00:20:45,142 WHERE ARE MY MOST USEFUL TO THE MOST AMOUNT OF PEOPLE AND MYSELF AND MY FAMILY, I HAVE THOSE 609 00:20:45,144 --> 00:20:45,776 MOST AMOUNT OF PEOPLE AND MYSELF AND MY FAMILY, I HAVE THOSE THREE KIDS AND YOU SAID THAT'S 610 00:20:45,778 --> 00:20:48,579 AND MY FAMILY, I HAVE THOSE THREE KIDS AND YOU SAID THAT'S GOING TO TAKE A LOT OF WORK FOR 611 00:20:48,581 --> 00:20:50,481 THREE KIDS AND YOU SAID THAT'S GOING TO TAKE A LOT OF WORK FOR ME, SO I'M ASKING MYSELF THESE 612 00:20:50,483 --> 00:20:51,782 GOING TO TAKE A LOT OF WORK FOR ME, SO I'M ASKING MYSELF THESE QUESTIONS AND MAY BE MORE USEFUL 613 00:20:51,784 --> 00:20:54,352 ME, SO I'M ASKING MYSELF THESE QUESTIONS AND MAY BE MORE USEFUL AS A FREE AGENT AND ANOTHER 614 00:20:54,354 --> 00:20:55,419 QUESTIONS AND MAY BE MORE USEFUL AS A FREE AGENT AND ANOTHER POSITION OR A VERY USEFUL IN THE 615 00:20:55,421 --> 00:20:56,354 AS A FREE AGENT AND ANOTHER POSITION OR A VERY USEFUL IN THE POSITION THAT YOU ARE TALKING 616 00:20:56,356 --> 00:21:01,225 POSITION OR A VERY USEFUL IN THE POSITION THAT YOU ARE TALKING ABOUT, I'M REALLY WORKING ON IT 617 00:21:01,227 --> 00:21:04,128 POSITION THAT YOU ARE TALKING ABOUT, I'M REALLY WORKING ON IT AND 360 WORK INSIDE OF ME 618 00:21:04,130 --> 00:21:05,730 ABOUT, I'M REALLY WORKING ON IT AND 360 WORK INSIDE OF ME MEASURING WHAT MY NEXT STEP 619 00:21:05,732 --> 00:21:06,097 AND 360 WORK INSIDE OF ME MEASURING WHAT MY NEXT STEP SHOULD BE. 620 00:21:06,099 --> 00:21:06,864 MEASURING WHAT MY NEXT STEP SHOULD BE. >> Trisha: FROM READING YOUR 621 00:21:06,866 --> 00:21:10,001 SHOULD BE. >> Trisha: FROM READING YOUR BOOK, YOU ARE HONEST WITH 622 00:21:10,003 --> 00:21:10,768 >> Trisha: FROM READING YOUR BOOK, YOU ARE HONEST WITH YOURSELF AND YOU ARE VERY MUCH 623 00:21:10,770 --> 00:21:12,703 BOOK, YOU ARE HONEST WITH YOURSELF AND YOU ARE VERY MUCH COMING TO TELL IT LIKE IT IS AND 624 00:21:12,705 --> 00:21:14,338 YOURSELF AND YOU ARE VERY MUCH COMING TO TELL IT LIKE IT IS AND YOU ARE RATIONAL AND I AM A FAN, 625 00:21:14,340 --> 00:21:15,806 COMING TO TELL IT LIKE IT IS AND YOU ARE RATIONAL AND I AM A FAN, SO HOWEVER YOU DECIDE TO USE 626 00:21:15,808 --> 00:21:19,143 YOU ARE RATIONAL AND I AM A FAN, SO HOWEVER YOU DECIDE TO USE THAT VOICE, WE ARE FOR IT. 627 00:21:19,145 --> 00:21:21,045 SO HOWEVER YOU DECIDE TO USE THAT VOICE, WE ARE FOR IT. THE BOOK "GREENLIGHTS" AVAILABLE 628 00:21:21,047 --> 00:21:22,947 THAT VOICE, WE ARE FOR IT. THE BOOK "GREENLIGHTS" AVAILABLE EVERYWHERE UNLESS I BOUGHT THEM 629 00:21:22,949 --> 00:21:23,114 THE BOOK "GREENLIGHTS" AVAILABLE EVERYWHERE UNLESS I BOUGHT THEM ALL. 630 00:21:23,116 --> 00:21:24,982 EVERYWHERE UNLESS I BOUGHT THEM ALL. I CAN'T THANK YOU ENOUGH, 631 00:21:24,984 --> 00:21:26,017 ALL. I CAN'T THANK YOU ENOUGH, MATTHEW, A DREAM COME TRUE FOR 632 00:21:26,019 --> 00:21:27,018 I CAN'T THANK YOU ENOUGH, MATTHEW, A DREAM COME TRUE FOR ME AND WE HAVE TO GET TOGETHER 633 00:21:27,020 --> 00:21:30,288 MATTHEW, A DREAM COME TRUE FOR ME AND WE HAVE TO GET TOGETHER AND WE WILL COOK A MEAL TOGETHER 634 00:21:30,290 --> 00:21:31,555 ME AND WE HAVE TO GET TOGETHER AND WE WILL COOK A MEAL TOGETHER AND JUST THANK YOU FOR BEING WHO 635 00:21:31,557 --> 00:21:32,156 AND WE WILL COOK A MEAL TOGETHER AND JUST THANK YOU FOR BEING WHO YOU ARE. 636 00:21:32,158 --> 00:21:32,456 AND JUST THANK YOU FOR BEING WHO YOU ARE. WE LOVE YOU. 637 00:21:32,458 --> 00:21:34,992 YOU ARE. WE LOVE YOU. AMERICA LOVES YOU. 638 00:21:34,994 --> 00:21:38,529 WE LOVE YOU. AMERICA LOVES YOU. >> LET'S MAKE IT LESS THAN 31 639 00:21:38,531 --> 00:21:39,997 AMERICA LOVES YOU. >> LET'S MAKE IT LESS THAN 31 YEARS NEXT TIME. 640 00:21:39,999 --> 00:21:42,566 >> LET'S MAKE IT LESS THAN 31 YEARS NEXT TIME. >> Trisha: YES, SIR. 641 00:21:42,568 --> 00:21:45,002 YEARS NEXT TIME. >> Trisha: YES, SIR. WE WILL BE BACK. 642 00:21:45,004 --> 00:21:45,503 >> Trisha: YES, SIR. WE WILL BE BACK. >> APPRECIATE YOU ALL. 643 00:21:45,505 --> 00:21:46,537 WE WILL BE BACK. >> APPRECIATE YOU ALL. [CHEERS AND APPLAUSE] 644 00:21:46,539 --> 00:21:55,913 >> APPRECIATE YOU ALL. [CHEERS AND APPLAUSE] ♪ ♪ 645 00:21:55,915 --> 00:21:59,016 [CHEERS AND APPLAUSE] ♪ ♪ >> Trisha: THE MIXTURE, FLIP 646 00:21:59,018 --> 00:22:01,118 ♪ ♪ >> Trisha: THE MIXTURE, FLIP IT OVER, IT'S A LITTLE BIT WARM. 647 00:22:01,120 --> 00:22:02,653 >> Trisha: THE MIXTURE, FLIP IT OVER, IT'S A LITTLE BIT WARM. YOU'RE FINE. 648 00:22:02,655 --> 00:22:04,855 IT OVER, IT'S A LITTLE BIT WARM. YOU'RE FINE. [LAUGHTER] 649 00:22:04,857 --> 00:22:07,091 YOU'RE FINE. [LAUGHTER] >> TERROR THE VELCRO OFF THE 650 00:22:07,093 --> 00:22:09,927 [LAUGHTER] >> TERROR THE VELCRO OFF THE BACK OF IT FOR ME, PLEASE. 651 00:22:09,929 --> 00:22:12,863 >> TERROR THE VELCRO OFF THE BACK OF IT FOR ME, PLEASE. SHUTTERFLY LOVES 652 00:22:18,203 --> 00:22:27,478 [CHEERS AND APPLAUSE] ♪ ♪ >> Trisha: PLEASE STOP, PLEASE 653 00:22:27,480 --> 00:22:27,678 ♪ ♪ >> Trisha: PLEASE STOP, PLEASE STOP. 654 00:22:27,680 --> 00:22:30,181 >> Trisha: PLEASE STOP, PLEASE STOP. >> Garth: IF YOU KNOW MY WIFE, 655 00:22:30,183 --> 00:22:31,582 STOP. >> Garth: IF YOU KNOW MY WIFE, YOU KNOW SHE IS AN AMAZING COOK. 656 00:22:31,584 --> 00:22:33,117 >> Garth: IF YOU KNOW MY WIFE, YOU KNOW SHE IS AN AMAZING COOK. SHE HAS A NEW COOKBOOK COMING 657 00:22:33,119 --> 00:22:35,453 YOU KNOW SHE IS AN AMAZING COOK. SHE HAS A NEW COOKBOOK COMING OUT CALLED TRISHA'S KITCHEN, 658 00:22:35,455 --> 00:22:36,520 SHE HAS A NEW COOKBOOK COMING OUT CALLED TRISHA'S KITCHEN, GOING TO SHARE SOME RECIPES FROM 659 00:22:36,522 --> 00:22:39,657 OUT CALLED TRISHA'S KITCHEN, GOING TO SHARE SOME RECIPES FROM THE NEW BOOK, ONE OF THEM THAT I 660 00:22:39,659 --> 00:22:42,293 GOING TO SHARE SOME RECIPES FROM THE NEW BOOK, ONE OF THEM THAT I LOVE, BECAUSE OF YOUR MOMMA. 661 00:22:42,295 --> 00:22:43,594 THE NEW BOOK, ONE OF THEM THAT I LOVE, BECAUSE OF YOUR MOMMA. >> Trisha: THIS IS BLUEBERRY 662 00:22:43,596 --> 00:22:45,429 LOVE, BECAUSE OF YOUR MOMMA. >> Trisha: THIS IS BLUEBERRY PANCAKE CAKE, IT IS A PANCAKE ON 663 00:22:45,431 --> 00:22:46,263 >> Trisha: THIS IS BLUEBERRY PANCAKE CAKE, IT IS A PANCAKE ON STEROIDS, AND YOU ARE GOING TO 664 00:22:46,265 --> 00:22:47,598 PANCAKE CAKE, IT IS A PANCAKE ON STEROIDS, AND YOU ARE GOING TO TASTE THAT IN A MINUTE, YOU ARE 665 00:22:47,600 --> 00:22:49,033 STEROIDS, AND YOU ARE GOING TO TASTE THAT IN A MINUTE, YOU ARE GOING TO MAKE IT ALONG WITH ME 666 00:22:49,035 --> 00:22:51,402 TASTE THAT IN A MINUTE, YOU ARE GOING TO MAKE IT ALONG WITH ME AND DO WHAT I DO. 667 00:22:51,404 --> 00:22:52,403 GOING TO MAKE IT ALONG WITH ME AND DO WHAT I DO. >> Garth: THIS IS NOT GOING TO 668 00:22:52,405 --> 00:22:55,473 AND DO WHAT I DO. >> Garth: THIS IS NOT GOING TO BE GOOD. 669 00:22:55,475 --> 00:22:57,041 >> Garth: THIS IS NOT GOING TO BE GOOD. >> Trisha: WE HAVE SOME OIL 670 00:22:57,043 --> 00:22:57,742 BE GOOD. >> Trisha: WE HAVE SOME OIL AND BUTTER THAT IS MELTING IN 671 00:22:57,744 --> 00:23:01,645 >> Trisha: WE HAVE SOME OIL AND BUTTER THAT IS MELTING IN OUR SKILLET, FLOUR AND ONE BOWL, 672 00:23:01,647 --> 00:23:02,246 AND BUTTER THAT IS MELTING IN OUR SKILLET, FLOUR AND ONE BOWL, ALL OF IT. 673 00:23:02,248 --> 00:23:04,815 OUR SKILLET, FLOUR AND ONE BOWL, ALL OF IT. THIS IS BROWN SUGAR, THROW THAT 674 00:23:04,817 --> 00:23:06,851 ALL OF IT. THIS IS BROWN SUGAR, THROW THAT IN. 675 00:23:06,853 --> 00:23:09,620 THIS IS BROWN SUGAR, THROW THAT IN. >> Garth: YEP. 676 00:23:09,622 --> 00:23:13,724 IN. >> Garth: YEP. >> Trisha: BAKING POWDER. 677 00:23:13,726 --> 00:23:15,426 >> Garth: YEP. >> Trisha: BAKING POWDER. AND SOME SALT. 678 00:23:15,428 --> 00:23:16,093 >> Trisha: BAKING POWDER. AND SOME SALT. >> Garth: I THOUGHT THIS WAS 679 00:23:16,095 --> 00:23:19,663 AND SOME SALT. >> Garth: I THOUGHT THIS WAS HARD, THIS IS EASY. 680 00:23:19,665 --> 00:23:21,198 >> Garth: I THOUGHT THIS WAS HARD, THIS IS EASY. >> Trisha: IF I HAD YOU 681 00:23:21,200 --> 00:23:21,966 HARD, THIS IS EASY. >> Trisha: IF I HAD YOU MEASURING OUT MY INGREDIENTS AT 682 00:23:21,968 --> 00:23:24,068 >> Trisha: IF I HAD YOU MEASURING OUT MY INGREDIENTS AT HOME IT WOULD GO A LOT FASTER. 683 00:23:24,070 --> 00:23:26,504 MEASURING OUT MY INGREDIENTS AT HOME IT WOULD GO A LOT FASTER. IF SO STIR WITH THE SPATULA AND 684 00:23:26,506 --> 00:23:27,538 HOME IT WOULD GO A LOT FASTER. IF SO STIR WITH THE SPATULA AND THEN PUT THE BLUEBERRIES IN THE 685 00:23:27,540 --> 00:23:30,174 IF SO STIR WITH THE SPATULA AND THEN PUT THE BLUEBERRIES IN THE DRY MIXTURE, YOU KNOW WHERE? 686 00:23:30,176 --> 00:23:31,175 THEN PUT THE BLUEBERRIES IN THE DRY MIXTURE, YOU KNOW WHERE? HAVE YOU EVER MADE A CAKE AND 687 00:23:31,177 --> 00:23:33,811 DRY MIXTURE, YOU KNOW WHERE? HAVE YOU EVER MADE A CAKE AND ALL THE FRUIT IS AT THE BOTTOM? 688 00:23:33,813 --> 00:23:37,214 HAVE YOU EVER MADE A CAKE AND ALL THE FRUIT IS AT THE BOTTOM? >> Garth: ALL THE TIME. 689 00:23:37,216 --> 00:23:39,617 ALL THE FRUIT IS AT THE BOTTOM? >> Garth: ALL THE TIME. >> Trisha: NOT YOU, AMERICA. 690 00:23:39,619 --> 00:23:41,118 >> Garth: ALL THE TIME. >> Trisha: NOT YOU, AMERICA. IF YOU PUT THE BLUEBERRIES IN 691 00:23:41,120 --> 00:23:42,119 >> Trisha: NOT YOU, AMERICA. IF YOU PUT THE BLUEBERRIES IN THE FLOWER IT WILL HOLD ON AND 692 00:23:42,121 --> 00:23:44,288 IF YOU PUT THE BLUEBERRIES IN THE FLOWER IT WILL HOLD ON AND THEY WON'T ALL SING TO THE 693 00:23:44,290 --> 00:23:46,323 THE FLOWER IT WILL HOLD ON AND THEY WON'T ALL SING TO THE BOTTOM AND IT HELPS THEM STAY 694 00:23:46,325 --> 00:23:47,625 THEY WON'T ALL SING TO THE BOTTOM AND IT HELPS THEM STAY EVENLY DISTRIBUTED. 695 00:23:47,627 --> 00:23:48,659 BOTTOM AND IT HELPS THEM STAY EVENLY DISTRIBUTED. SO THAT'S THE FIRST PART AND 696 00:23:48,661 --> 00:23:51,128 EVENLY DISTRIBUTED. SO THAT'S THE FIRST PART AND THEN ONCE THAT IS DONE WE WILL 697 00:23:51,130 --> 00:23:51,896 SO THAT'S THE FIRST PART AND THEN ONCE THAT IS DONE WE WILL PUT THE WET INGREDIENTS 698 00:23:51,898 --> 00:23:52,163 THEN ONCE THAT IS DONE WE WILL PUT THE WET INGREDIENTS TOGETHER. 699 00:23:52,165 --> 00:23:53,964 PUT THE WET INGREDIENTS TOGETHER. I PUT THE EGGS IN FIRST AND WE 700 00:23:53,966 --> 00:23:58,602 TOGETHER. I PUT THE EGGS IN FIRST AND WE WILL THROW IN A LITTLE BIT OF 701 00:23:58,604 --> 00:23:59,603 I PUT THE EGGS IN FIRST AND WE WILL THROW IN A LITTLE BIT OF VANILLA EXTRACT. 702 00:23:59,605 --> 00:24:03,974 WILL THROW IN A LITTLE BIT OF VANILLA EXTRACT. AND TWO CUPS OF BUTTERMILK. 703 00:24:03,976 --> 00:24:06,410 VANILLA EXTRACT. AND TWO CUPS OF BUTTERMILK. >> Garth: I'M COOKING. 704 00:24:06,412 --> 00:24:08,512 AND TWO CUPS OF BUTTERMILK. >> Garth: I'M COOKING. >> Trisha: NOW TAKE YOUR 705 00:24:08,514 --> 00:24:13,050 >> Garth: I'M COOKING. >> Trisha: NOW TAKE YOUR SKILLET, POUR THIS INTO THE WET 706 00:24:13,052 --> 00:24:13,684 >> Trisha: NOW TAKE YOUR SKILLET, POUR THIS INTO THE WET MIXTURE, FLIP IT OVER SO IT'S A 707 00:24:13,686 --> 00:24:15,786 SKILLET, POUR THIS INTO THE WET MIXTURE, FLIP IT OVER SO IT'S A LITTLE BIT WARM. 708 00:24:15,788 --> 00:24:17,388 MIXTURE, FLIP IT OVER SO IT'S A LITTLE BIT WARM. >> Garth: IT IS A LITTLE BIT 709 00:24:17,390 --> 00:24:17,588 LITTLE BIT WARM. >> Garth: IT IS A LITTLE BIT WARM. 710 00:24:17,590 --> 00:24:20,257 >> Garth: IT IS A LITTLE BIT WARM. >> Trisha: YOU'RE FINE. 711 00:24:20,259 --> 00:24:21,725 WARM. >> Trisha: YOU'RE FINE. STIR THAT IN AND THEN WE ARE 712 00:24:21,727 --> 00:24:23,661 >> Trisha: YOU'RE FINE. STIR THAT IN AND THEN WE ARE GOING TO STIR THE WET 713 00:24:23,663 --> 00:24:24,161 STIR THAT IN AND THEN WE ARE GOING TO STIR THE WET INGREDIENTS INTO THE DRY 714 00:24:24,163 --> 00:24:25,830 GOING TO STIR THE WET INGREDIENTS INTO THE DRY INGREDIENTS. 715 00:24:25,832 --> 00:24:31,836 INGREDIENTS INTO THE DRY INGREDIENTS. YOU'VE GOT THIS. 716 00:24:31,838 --> 00:24:33,270 INGREDIENTS. YOU'VE GOT THIS. >> Garth: IS THAT GOOD? 717 00:24:33,272 --> 00:24:34,371 YOU'VE GOT THIS. >> Garth: IS THAT GOOD? >> Trisha: THAT'S GOOD, THEN 718 00:24:34,373 --> 00:24:36,340 >> Garth: IS THAT GOOD? >> Trisha: THAT'S GOOD, THEN IT GOES IN THE SKILLET. 719 00:24:36,342 --> 00:24:38,676 >> Trisha: THAT'S GOOD, THEN IT GOES IN THE SKILLET. >> Garth: WHEN DO WE PUT THE 720 00:24:38,678 --> 00:24:39,844 IT GOES IN THE SKILLET. >> Garth: WHEN DO WE PUT THE M&MS IN? 721 00:24:39,846 --> 00:24:40,511 >> Garth: WHEN DO WE PUT THE M&MS IN? I WENT M&MS. 722 00:24:40,513 --> 00:24:42,646 M&MS IN? I WENT M&MS. >> Trisha: I'M DOING THIS 723 00:24:42,648 --> 00:24:43,047 I WENT M&MS. >> Trisha: I'M DOING THIS QUICKLY. 724 00:24:43,049 --> 00:24:45,349 >> Trisha: I'M DOING THIS QUICKLY. IT BEGS FOR A 35-40 MINUTES AND 725 00:24:45,351 --> 00:24:47,585 QUICKLY. IT BEGS FOR A 35-40 MINUTES AND THEN TURNS OUT AND YOU CAN LIVE 726 00:24:47,587 --> 00:24:49,386 IT BEGS FOR A 35-40 MINUTES AND THEN TURNS OUT AND YOU CAN LIVE IT IN THE SKILLET OR PUT IT ON A 727 00:24:49,388 --> 00:24:51,155 THEN TURNS OUT AND YOU CAN LIVE IT IN THE SKILLET OR PUT IT ON A PLATTER AND DRIZZLE A LITTLE BIT 728 00:24:51,157 --> 00:24:53,924 IT IN THE SKILLET OR PUT IT ON A PLATTER AND DRIZZLE A LITTLE BIT OF MAPLE SYRUP OVER IT. 729 00:24:53,926 --> 00:24:56,126 PLATTER AND DRIZZLE A LITTLE BIT OF MAPLE SYRUP OVER IT. >> Garth: IS A TIME TO EAT 730 00:24:56,128 --> 00:24:56,727 OF MAPLE SYRUP OVER IT. >> Garth: IS A TIME TO EAT YET? 731 00:24:56,729 --> 00:24:57,595 >> Garth: IS A TIME TO EAT YET? >> Trisha: YOU CAN TASTE IT. 732 00:24:57,597 --> 00:24:58,229 YET? >> Trisha: YOU CAN TASTE IT. IT HAS A LITTLE BIT OF CINNAMON 733 00:24:58,231 --> 00:25:01,899 >> Trisha: YOU CAN TASTE IT. IT HAS A LITTLE BIT OF CINNAMON IN IT. 734 00:25:01,901 --> 00:25:02,833 IT HAS A LITTLE BIT OF CINNAMON IN IT. >> Garth: MAN. 735 00:25:02,835 --> 00:25:04,235 IN IT. >> Garth: MAN. >> Trisha: THIS IS BREAKFAST 736 00:25:04,237 --> 00:25:05,135 >> Garth: MAN. >> Trisha: THIS IS BREAKFAST AT OUR HOUSE, THIS IS HOW YOU 737 00:25:05,137 --> 00:25:08,506 >> Trisha: THIS IS BREAKFAST AT OUR HOUSE, THIS IS HOW YOU WOULD HAVE A PANCAKE. 738 00:25:08,508 --> 00:25:10,608 AT OUR HOUSE, THIS IS HOW YOU WOULD HAVE A PANCAKE. >> Garth: MIND TURNED OUT 739 00:25:10,610 --> 00:25:11,075 WOULD HAVE A PANCAKE. >> Garth: MIND TURNED OUT FANTASTIC. 740 00:25:11,077 --> 00:25:13,978 >> Garth: MIND TURNED OUT FANTASTIC. >> Trisha: WE HAVE TO KEEP 741 00:25:13,980 --> 00:25:18,949 FANTASTIC. >> Trisha: WE HAVE TO KEEP MOVING, DOWN HERE, THE FASTEST 742 00:25:18,951 --> 00:25:19,350 >> Trisha: WE HAVE TO KEEP MOVING, DOWN HERE, THE FASTEST COOKBOOK. 743 00:25:19,352 --> 00:25:19,750 MOVING, DOWN HERE, THE FASTEST COOKBOOK. IT'S REALLY GOOD. 744 00:25:19,752 --> 00:25:22,019 COOKBOOK. IT'S REALLY GOOD. SO THESE ARE TARTLETS AND THESE 745 00:25:22,021 --> 00:25:23,754 IT'S REALLY GOOD. SO THESE ARE TARTLETS AND THESE ARE GOOD FOR A PARTY AND THEN 746 00:25:23,756 --> 00:25:26,924 SO THESE ARE TARTLETS AND THESE ARE GOOD FOR A PARTY AND THEN THEY ARE REALLY GOOD THE NEXT 747 00:25:26,926 --> 00:25:29,627 ARE GOOD FOR A PARTY AND THEN THEY ARE REALLY GOOD THE NEXT DAY, OR THEY ARE REALLY GOOD FOR 748 00:25:29,629 --> 00:25:33,130 THEY ARE REALLY GOOD THE NEXT DAY, OR THEY ARE REALLY GOOD FOR ROOM TEMPERATURE OR WARM 749 00:25:33,132 --> 00:25:34,532 DAY, OR THEY ARE REALLY GOOD FOR ROOM TEMPERATURE OR WARM REFRIGERATED PIE DOUGH AND IT'S 750 00:25:34,534 --> 00:25:36,500 ROOM TEMPERATURE OR WARM REFRIGERATED PIE DOUGH AND IT'S EASY, SO WE CUT THEM OUT IN 751 00:25:36,502 --> 00:25:37,401 REFRIGERATED PIE DOUGH AND IT'S EASY, SO WE CUT THEM OUT IN CIRCLES AND THEN WHAT YOU ARE 752 00:25:37,403 --> 00:25:39,069 EASY, SO WE CUT THEM OUT IN CIRCLES AND THEN WHAT YOU ARE GOING TO DO IS YOU ARE GOING TO 753 00:25:39,071 --> 00:25:41,972 CIRCLES AND THEN WHAT YOU ARE GOING TO DO IS YOU ARE GOING TO TAKE SOME COTTAGE CHEESE. 754 00:25:41,974 --> 00:25:44,308 GOING TO DO IS YOU ARE GOING TO TAKE SOME COTTAGE CHEESE. THAT IS RICOTTA CHEESE. 755 00:25:44,310 --> 00:25:46,310 TAKE SOME COTTAGE CHEESE. THAT IS RICOTTA CHEESE. YOU'RE GOING TO MIX IT TOGETHER 756 00:25:46,312 --> 00:25:52,049 THAT IS RICOTTA CHEESE. YOU'RE GOING TO MIX IT TOGETHER WITH SOME PARMESAN CHEESE. 757 00:25:52,051 --> 00:25:52,216 YOU'RE GOING TO MIX IT TOGETHER WITH SOME PARMESAN CHEESE. -- 758 00:25:52,218 --> 00:25:55,553 WITH SOME PARMESAN CHEESE. -- YOU'RE FINE. 759 00:25:55,555 --> 00:25:58,088 -- YOU'RE FINE. SOME PEPPER AND AN EGG YOLK MIX 760 00:25:58,090 --> 00:26:01,859 YOU'RE FINE. SOME PEPPER AND AN EGG YOLK MIX THAT TOGETHER. 761 00:26:01,861 --> 00:26:04,028 SOME PEPPER AND AN EGG YOLK MIX THAT TOGETHER. >> Garth: DO YOU WANT THAT TO 762 00:26:04,030 --> 00:26:04,995 THAT TOGETHER. >> Garth: DO YOU WANT THAT TO BREAK AGAIN? 763 00:26:04,997 --> 00:26:06,530 >> Garth: DO YOU WANT THAT TO BREAK AGAIN? >> Trisha: YES COMING WANTED 764 00:26:06,532 --> 00:26:07,197 BREAK AGAIN? >> Trisha: YES COMING WANTED TO BREAK. 765 00:26:07,199 --> 00:26:07,798 >> Trisha: YES COMING WANTED TO BREAK. AND THEN THAT'S OUR MAKE SURE 766 00:26:07,800 --> 00:26:10,768 TO BREAK. AND THEN THAT'S OUR MAKE SURE THAT GOES ON THE BOTTOM. 767 00:26:10,770 --> 00:26:13,237 AND THEN THAT'S OUR MAKE SURE THAT GOES ON THE BOTTOM. WHAT ARE YOU DOING? 768 00:26:13,239 --> 00:26:13,837 THAT GOES ON THE BOTTOM. WHAT ARE YOU DOING? >> Garth: I'M GOOD, MAN, 769 00:26:13,839 --> 00:26:16,340 WHAT ARE YOU DOING? >> Garth: I'M GOOD, MAN, THAT'S GOOD. 770 00:26:16,342 --> 00:26:19,276 >> Garth: I'M GOOD, MAN, THAT'S GOOD. WHAT ARE WE MAKING? 771 00:26:19,278 --> 00:26:20,978 THAT'S GOOD. WHAT ARE WE MAKING? >> Trisha: WE WILL DO THIS 772 00:26:20,980 --> 00:26:21,712 WHAT ARE WE MAKING? >> Trisha: WE WILL DO THIS TOGETHER, I FEEL LIKE YOU ARE 773 00:26:21,714 --> 00:26:23,847 >> Trisha: WE WILL DO THIS TOGETHER, I FEEL LIKE YOU ARE NOT PAYING ATTENTION. 774 00:26:23,849 --> 00:26:25,749 TOGETHER, I FEEL LIKE YOU ARE NOT PAYING ATTENTION. >> Garth: I AM WITH YOU 100%. 775 00:26:25,751 --> 00:26:26,650 NOT PAYING ATTENTION. >> Garth: I AM WITH YOU 100%. >> Trisha: TAKE THIS 776 00:26:26,652 --> 00:26:32,189 >> Garth: I AM WITH YOU 100%. >> Trisha: TAKE THIS >> Elle -- IN THECENTER, LEAVE R 777 00:26:32,191 --> 00:26:33,991 >> Trisha: TAKE THIS >> Elle -- IN THECENTER, LEAVE R EDGE YOU'RE GOING TO BE JUDGED 778 00:26:33,993 --> 00:26:34,792 >> Elle -- IN THECENTER, LEAVE R EDGE YOU'RE GOING TO BE JUDGED ON THIS LATER. 779 00:26:34,794 --> 00:26:35,092 EDGE YOU'RE GOING TO BE JUDGED ON THIS LATER. NOT REALLY. 780 00:26:35,094 --> 00:26:41,332 ON THIS LATER. NOT REALLY. WE WILL JUST DO A COUPLE. 781 00:26:41,334 --> 00:26:42,700 NOT REALLY. WE WILL JUST DO A COUPLE. >> Garth: MINUS PRETTY. 782 00:26:42,702 --> 00:26:43,300 WE WILL JUST DO A COUPLE. >> Garth: MINUS PRETTY. >> Trisha: YOURS IS VERY 783 00:26:43,302 --> 00:26:43,534 >> Garth: MINUS PRETTY. >> Trisha: YOURS IS VERY PRETTY. 784 00:26:43,536 --> 00:26:46,236 >> Trisha: YOURS IS VERY PRETTY. WE WILL TAKE SOME TOMATOES, SEE 785 00:26:46,238 --> 00:26:49,273 PRETTY. WE WILL TAKE SOME TOMATOES, SEE WHAT IT IS SUPPOSED TO LOOK 786 00:26:49,275 --> 00:26:49,473 WE WILL TAKE SOME TOMATOES, SEE WHAT IT IS SUPPOSED TO LOOK LIKE. 787 00:26:49,475 --> 00:26:57,715 WHAT IT IS SUPPOSED TO LOOK LIKE. THIS IS A LITTLE BIT OF THYME 788 00:26:57,717 --> 00:26:58,449 LIKE. THIS IS A LITTLE BIT OF THYME AND A LITTLE DRIZZLE OF 789 00:26:58,451 --> 00:27:00,985 THIS IS A LITTLE BIT OF THYME AND A LITTLE DRIZZLE OF OLIVE OIL. 790 00:27:00,987 --> 00:27:01,919 AND A LITTLE DRIZZLE OF OLIVE OIL. LIKE THAT. 791 00:27:01,921 --> 00:27:03,621 OLIVE OIL. LIKE THAT. LAST STEP BEFORE WE MAKE TWITCH 792 00:27:03,623 --> 00:27:05,522 LIKE THAT. LAST STEP BEFORE WE MAKE TWITCH TASTE ONE IS YOU FOLD THESE OVER 793 00:27:05,524 --> 00:27:07,358 LAST STEP BEFORE WE MAKE TWITCH TASTE ONE IS YOU FOLD THESE OVER TO THE CENTER A LITTLE BIT, 794 00:27:07,360 --> 00:27:08,258 TASTE ONE IS YOU FOLD THESE OVER TO THE CENTER A LITTLE BIT, LEAVE IT ON THE EDGE SO YOU CAN 795 00:27:08,260 --> 00:27:11,161 TO THE CENTER A LITTLE BIT, LEAVE IT ON THE EDGE SO YOU CAN SEE IT AND YOU DO IT WITH YOUR 796 00:27:11,163 --> 00:27:12,096 LEAVE IT ON THE EDGE SO YOU CAN SEE IT AND YOU DO IT WITH YOUR HANDS OR YOU CAN TAKE A FORK AND 797 00:27:12,098 --> 00:27:16,000 SEE IT AND YOU DO IT WITH YOUR HANDS OR YOU CAN TAKE A FORK AND CRIMP IT TO MAKE IT CUTE LIKE 798 00:27:16,002 --> 00:27:16,834 HANDS OR YOU CAN TAKE A FORK AND CRIMP IT TO MAKE IT CUTE LIKE THE ELLEN SHOW HAS DONE AND THEN 799 00:27:16,836 --> 00:27:17,267 CRIMP IT TO MAKE IT CUTE LIKE THE ELLEN SHOW HAS DONE AND THEN YOU BAKE THEM. 800 00:27:17,269 --> 00:27:19,670 THE ELLEN SHOW HAS DONE AND THEN YOU BAKE THEM. IT'S SIMPLE. 801 00:27:19,672 --> 00:27:22,206 YOU BAKE THEM. IT'S SIMPLE. >> Garth: THEY TURN OUT LIKE 802 00:27:22,208 --> 00:27:24,208 IT'S SIMPLE. >> Garth: THEY TURN OUT LIKE THIS? 803 00:27:24,210 --> 00:27:26,944 >> Garth: THEY TURN OUT LIKE THIS? >> Trisha: WOULD YOU LIKE TO 804 00:27:26,946 --> 00:27:28,412 THIS? >> Trisha: WOULD YOU LIKE TO TRY ONE? 805 00:27:28,414 --> 00:27:29,680 >> Trisha: WOULD YOU LIKE TO TRY ONE? >> I'M GOING TO GRAB ONE. 806 00:27:29,682 --> 00:27:32,750 TRY ONE? >> I'M GOING TO GRAB ONE. >> Garth: NOT A LOT, ARE YOU? 807 00:27:32,752 --> 00:27:34,585 >> I'M GOING TO GRAB ONE. >> Garth: NOT A LOT, ARE YOU? >> NO, JUST ONE. 808 00:27:34,587 --> 00:27:37,688 >> Garth: NOT A LOT, ARE YOU? >> NO, JUST ONE. THIS IS GOOD. 809 00:27:37,690 --> 00:27:39,223 >> NO, JUST ONE. THIS IS GOOD. >> Garth: IT'S NOT OUT UNTIL 810 00:27:39,225 --> 00:27:40,324 THIS IS GOOD. >> Garth: IT'S NOT OUT UNTIL SEPTEMBER 28TH, BUT WE WANT 811 00:27:40,326 --> 00:27:41,291 >> Garth: IT'S NOT OUT UNTIL SEPTEMBER 28TH, BUT WE WANT EVERYONE IN THE AUDIENCE TO BE 812 00:27:41,293 --> 00:27:43,961 SEPTEMBER 28TH, BUT WE WANT EVERYONE IN THE AUDIENCE TO BE THE FIRST ONES THAT GET IT. 813 00:27:43,963 --> 00:27:47,097 EVERYONE IN THE AUDIENCE TO BE THE FIRST ONES THAT GET IT. >> Trisha: Y'ALL ARE GETTING A 814 00:27:47,099 --> 00:27:47,665 THE FIRST ONES THAT GET IT. >> Trisha: Y'ALL ARE GETTING A COPY, WE WILL BE RIGHT BACK! 815 00:27:47,667 --> 00:27:48,132 >> Trisha: Y'ALL ARE GETTING A COPY, WE WILL BE RIGHT BACK! [CHEERS AND APPLAUSE] 816 00:27:48,134 --> 00:27:58,876 COPY, WE WILL BE RIGHT BACK! [CHEERS AND APPLAUSE] ♪ ♪ 817 00:27:58,878 --> 00:28:00,844 [CHEERS AND APPLAUSE] ♪ ♪ >> WE MADE A QUARTER DISAPPEAR 818 00:28:00,846 --> 00:28:01,645 ♪ ♪ >> WE MADE A QUARTER DISAPPEAR AND IT REAPPEARED IN YOUR HAND, 819 00:28:01,647 --> 00:28:04,548 >> WE MADE A QUARTER DISAPPEAR AND IT REAPPEARED IN YOUR HAND, WHY DON'T YOU JUST SHAKE THAT 820 00:28:04,550 --> 00:28:04,715 AND IT REAPPEARED IN YOUR HAND, WHY DON'T YOU JUST SHAKE THAT BOX. 821 00:28:04,717 --> 00:28:07,518 WHY DON'T YOU JUST SHAKE THAT BOX. >> Garth: NO, WAY. 822 00:28:07,520 --> 00:28:07,985 BOX. >> Garth: NO, WAY. [CHEERS AND APPLAUSE] 823 00:28:07,987 --> 00:28:16,560 >> Garth: NO, WAY. [CHEERS AND APPLAUSE] ♪ 824 00:28:16,562 --> 00:28:17,027 [CHEERS AND APPLAUSE] ♪ [CHEERS AND APPLAUSE] 825 00:28:17,029 --> 00:28:22,599 ♪ [CHEERS AND APPLAUSE] ♪ ♪ 826 00:28:22,601 --> 00:28:24,368 [CHEERS AND APPLAUSE] ♪ ♪ >> Trisha: OUR NEXT GUEST HAS 827 00:28:24,370 --> 00:28:27,404 ♪ ♪ >> Trisha: OUR NEXT GUEST HAS THE RUGGED GOOD LOOKS OF A 828 00:28:27,406 --> 00:28:27,805 >> Trisha: OUR NEXT GUEST HAS THE RUGGED GOOD LOOKS OF A FORMER NFL PLAYER. 829 00:28:27,807 --> 00:28:30,107 THE RUGGED GOOD LOOKS OF A FORMER NFL PLAYER. >> Garth: AND THE NIMBLE 830 00:28:30,109 --> 00:28:30,774 FORMER NFL PLAYER. >> Garth: AND THE NIMBLE FINGERS OF A WORLD-CLASS 831 00:28:30,776 --> 00:28:31,041 >> Garth: AND THE NIMBLE FINGERS OF A WORLD-CLASS MAGICIAN. 832 00:28:31,043 --> 00:28:33,811 FINGERS OF A WORLD-CLASS MAGICIAN. >> Trisha: I LOVE THIS GUY, 833 00:28:33,813 --> 00:28:35,379 MAGICIAN. >> Trisha: I LOVE THIS GUY, PLEASE WELCOME THE INCREDIBLE 834 00:28:35,381 --> 00:28:36,280 >> Trisha: I LOVE THIS GUY, PLEASE WELCOME THE INCREDIBLE JON DORENBOS! 835 00:28:36,282 --> 00:28:36,647 PLEASE WELCOME THE INCREDIBLE JON DORENBOS! HEY! 836 00:28:36,649 --> 00:28:39,783 JON DORENBOS! HEY! HOW ARE YOU? 837 00:28:39,785 --> 00:28:41,985 HEY! HOW ARE YOU? >> THANK YOU FOR HAVING ME. 838 00:28:41,987 --> 00:28:42,753 HOW ARE YOU? >> THANK YOU FOR HAVING ME. THIS IS ROCK SOLID. 839 00:28:42,755 --> 00:28:46,356 >> THANK YOU FOR HAVING ME. THIS IS ROCK SOLID. I'M MORE EXCITED, WE MET LIKE 20 840 00:28:46,358 --> 00:28:46,623 THIS IS ROCK SOLID. I'M MORE EXCITED, WE MET LIKE 20 YEARS AGO. 841 00:28:46,625 --> 00:28:48,025 I'M MORE EXCITED, WE MET LIKE 20 YEARS AGO. THAT'S THE FIRST TIME WE MET. 842 00:28:48,027 --> 00:28:53,297 YEARS AGO. THAT'S THE FIRST TIME WE MET. IT'S FULL CIRCLE. 843 00:28:53,299 --> 00:28:56,734 THAT'S THE FIRST TIME WE MET. IT'S FULL CIRCLE. >> Garth: THIS GUY SAVES KIDS' 844 00:28:56,736 --> 00:28:58,135 IT'S FULL CIRCLE. >> Garth: THIS GUY SAVES KIDS' LIVES, ONE OF MANY ATHLETES WHO 845 00:28:58,137 --> 00:28:59,269 >> Garth: THIS GUY SAVES KIDS' LIVES, ONE OF MANY ATHLETES WHO DONATED THEIR TIME AND 846 00:28:59,271 --> 00:29:00,204 LIVES, ONE OF MANY ATHLETES WHO DONATED THEIR TIME AND EVERYTHING FOR THE FOUNDATION, 847 00:29:00,206 --> 00:29:03,006 DONATED THEIR TIME AND EVERYTHING FOR THE FOUNDATION, GREAT MAN, GREAT ATHLETE. 848 00:29:03,008 --> 00:29:05,542 EVERYTHING FOR THE FOUNDATION, GREAT MAN, GREAT ATHLETE. >> I WILL SAY THIS, YOU GUYS ARE 849 00:29:05,544 --> 00:29:06,944 GREAT MAN, GREAT ATHLETE. >> I WILL SAY THIS, YOU GUYS ARE HEROES OF MINE, AND FOR YOU TO 850 00:29:06,946 --> 00:29:07,911 >> I WILL SAY THIS, YOU GUYS ARE HEROES OF MINE, AND FOR YOU TO PAVE THE WAY AND LEAD THE 851 00:29:07,913 --> 00:29:08,812 HEROES OF MINE, AND FOR YOU TO PAVE THE WAY AND LEAD THE EXAMPLE THAT YOU CAN HAVE 852 00:29:08,814 --> 00:29:09,580 PAVE THE WAY AND LEAD THE EXAMPLE THAT YOU CAN HAVE SUCCESS IN EVERYTHING IN THE 853 00:29:09,582 --> 00:29:11,749 EXAMPLE THAT YOU CAN HAVE SUCCESS IN EVERYTHING IN THE WORLD AND STILL BE KIND AND HELP 854 00:29:11,751 --> 00:29:12,583 SUCCESS IN EVERYTHING IN THE WORLD AND STILL BE KIND AND HELP THE WORLD, THERE IS NOBODY ELSE 855 00:29:12,585 --> 00:29:13,851 WORLD AND STILL BE KIND AND HELP THE WORLD, THERE IS NOBODY ELSE I WOULD RATHER LOOK UP TO YOU, 856 00:29:13,853 --> 00:29:16,687 THE WORLD, THERE IS NOBODY ELSE I WOULD RATHER LOOK UP TO YOU, WE ARE GOING TO DO A LITTLE 857 00:29:16,689 --> 00:29:16,887 I WOULD RATHER LOOK UP TO YOU, WE ARE GOING TO DO A LITTLE TRICK. 858 00:29:16,889 --> 00:29:18,989 WE ARE GOING TO DO A LITTLE TRICK. >> Trisha: WE LOVE THIS SO 859 00:29:18,991 --> 00:29:20,257 TRICK. >> Trisha: WE LOVE THIS SO MUCH, -- 860 00:29:20,259 --> 00:29:22,760 >> Trisha: WE LOVE THIS SO MUCH, -- >> PUT YOUR HAND OUT FLAT. 861 00:29:22,762 --> 00:29:25,863 MUCH, -- >> PUT YOUR HAND OUT FLAT. AND THEN YOUR HAND ON TOP. 862 00:29:25,865 --> 00:29:27,798 >> PUT YOUR HAND OUT FLAT. AND THEN YOUR HAND ON TOP. AND I WILL RUFFLE THROUGH HERE, 863 00:29:27,800 --> 00:29:29,099 AND THEN YOUR HAND ON TOP. AND I WILL RUFFLE THROUGH HERE, JUST A STOP. 864 00:29:29,101 --> 00:29:29,633 AND I WILL RUFFLE THROUGH HERE, JUST A STOP. >> Trisha: STOP. 865 00:29:29,635 --> 00:29:31,335 JUST A STOP. >> Trisha: STOP. >> I WILL SHOW THE CAMERA, I 866 00:29:31,337 --> 00:29:33,337 >> Trisha: STOP. >> I WILL SHOW THE CAMERA, I WILL SHOW YOU, EVERYBODY GOT IT. 867 00:29:33,339 --> 00:29:36,406 >> I WILL SHOW THE CAMERA, I WILL SHOW YOU, EVERYBODY GOT IT. PERFECT, MAKES IT EASY. 868 00:29:36,408 --> 00:29:37,341 WILL SHOW YOU, EVERYBODY GOT IT. PERFECT, MAKES IT EASY. [LAUGHTER] 869 00:29:37,343 --> 00:29:39,710 PERFECT, MAKES IT EASY. [LAUGHTER] AND I'M GOING TO RIP A CORNER 870 00:29:39,712 --> 00:29:45,249 [LAUGHTER] AND I'M GOING TO RIP A CORNER OFF OF YOUR TEN OF SPADES. 871 00:29:45,251 --> 00:29:47,317 AND I'M GOING TO RIP A CORNER OFF OF YOUR TEN OF SPADES. THAT'S ON THE CORNER IT GOES. 872 00:29:47,319 --> 00:29:48,719 OFF OF YOUR TEN OF SPADES. THAT'S ON THE CORNER IT GOES. YOU PICK A CARD THE CORNER IS 873 00:29:48,721 --> 00:29:49,186 THAT'S ON THE CORNER IT GOES. YOU PICK A CARD THE CORNER IS GONE. 874 00:29:49,188 --> 00:29:49,820 YOU PICK A CARD THE CORNER IS GONE. I'M GOING TO HAND YOU THIS CARD 875 00:29:49,822 --> 00:29:53,991 GONE. I'M GOING TO HAND YOU THIS CARD RIGHT HERE. 876 00:29:53,993 --> 00:29:55,526 I'M GOING TO HAND YOU THIS CARD RIGHT HERE. TRISH, WE MADE A CORNER 877 00:29:55,528 --> 00:29:56,193 RIGHT HERE. TRISH, WE MADE A CORNER DISAPPEAR, IT REAPPEARED IN YOUR 878 00:29:56,195 --> 00:29:58,395 TRISH, WE MADE A CORNER DISAPPEAR, IT REAPPEARED IN YOUR HAND, WHY DON'T YOU SHAKE THAT 879 00:29:58,397 --> 00:29:58,662 DISAPPEAR, IT REAPPEARED IN YOUR HAND, WHY DON'T YOU SHAKE THAT BOX. 880 00:29:58,664 --> 00:30:02,099 HAND, WHY DON'T YOU SHAKE THAT BOX. >> Garth: NO WAY. 881 00:30:02,101 --> 00:30:03,300 BOX. >> Garth: NO WAY. >> Garth: DUMP THAT THING OUT, 882 00:30:03,302 --> 00:30:04,501 >> Garth: NO WAY. >> Garth: DUMP THAT THING OUT, WHAT DO YOU HAVE? 883 00:30:04,503 --> 00:30:09,306 >> Garth: DUMP THAT THING OUT, WHAT DO YOU HAVE? MAKE SURE THAT THAT CORNER FITS 884 00:30:09,308 --> 00:30:11,809 WHAT DO YOU HAVE? MAKE SURE THAT THAT CORNER FITS PERFECT RIGHT THERE. 885 00:30:11,811 --> 00:30:12,676 MAKE SURE THAT THAT CORNER FITS PERFECT RIGHT THERE. THERE IT IS RIGHT THERE, THE TEN 886 00:30:12,678 --> 00:30:15,279 PERFECT RIGHT THERE. THERE IT IS RIGHT THERE, THE TEN OF SPADES. 887 00:30:15,281 --> 00:30:17,281 THERE IT IS RIGHT THERE, THE TEN OF SPADES. >> Trisha: YOU WANT REAL. 888 00:30:17,283 --> 00:30:20,951 OF SPADES. >> Trisha: YOU WANT REAL. >> WE MET THROUGH YOUR 889 00:30:20,953 --> 00:30:22,519 >> Trisha: YOU WANT REAL. >> WE MET THROUGH YOUR FOUNDATION, SO GARTH YOU ARE 890 00:30:22,521 --> 00:30:24,121 >> WE MET THROUGH YOUR FOUNDATION, SO GARTH YOU ARE COMPETITIVE, YOU ARE 891 00:30:24,123 --> 00:30:24,688 FOUNDATION, SO GARTH YOU ARE COMPETITIVE, YOU ARE COMPETITIVE, TWITCH, YOU ARE 892 00:30:24,690 --> 00:30:24,988 COMPETITIVE, YOU ARE COMPETITIVE, TWITCH, YOU ARE COMPETITIVE. 893 00:30:24,990 --> 00:30:28,192 COMPETITIVE, TWITCH, YOU ARE COMPETITIVE. I WANT TO BRING A GAME INTO THE 894 00:30:28,194 --> 00:30:28,826 COMPETITIVE. I WANT TO BRING A GAME INTO THE STUDIO, OPEN THE DOORS WE WILL 895 00:30:28,828 --> 00:30:32,663 I WANT TO BRING A GAME INTO THE STUDIO, OPEN THE DOORS WE WILL PLAY THE MOST INTENSE GAME OF 896 00:30:32,665 --> 00:30:33,564 STUDIO, OPEN THE DOORS WE WILL PLAY THE MOST INTENSE GAME OF TIC-TAC-TOE. 897 00:30:33,566 --> 00:30:35,966 PLAY THE MOST INTENSE GAME OF TIC-TAC-TOE. YOU CAN PUT THAT DOWN. 898 00:30:35,968 --> 00:30:37,568 TIC-TAC-TOE. YOU CAN PUT THAT DOWN. I'M GOING TO STEP MY GAME UP, SO 899 00:30:37,570 --> 00:30:40,771 YOU CAN PUT THAT DOWN. I'M GOING TO STEP MY GAME UP, SO I BROUGHT SOME OF THESE RIGHT 900 00:30:40,773 --> 00:30:42,506 I'M GOING TO STEP MY GAME UP, SO I BROUGHT SOME OF THESE RIGHT HERE, THEY ARE ALL DIFFERENT, 901 00:30:42,508 --> 00:30:43,740 I BROUGHT SOME OF THESE RIGHT HERE, THEY ARE ALL DIFFERENT, JUST TAKE YOUR FINGER AND -- 902 00:30:43,742 --> 00:30:44,508 HERE, THEY ARE ALL DIFFERENT, JUST TAKE YOUR FINGER AND -- THEY ARE HEAVY, I'M SORRY. 903 00:30:44,510 --> 00:30:48,312 JUST TAKE YOUR FINGER AND -- THEY ARE HEAVY, I'M SORRY. I WILL GO LIKE THIS AND THEN 904 00:30:48,314 --> 00:30:49,713 THEY ARE HEAVY, I'M SORRY. I WILL GO LIKE THIS AND THEN TAKE IT, LOOK AT IT, SHOW THE 905 00:30:49,715 --> 00:30:50,480 I WILL GO LIKE THIS AND THEN TAKE IT, LOOK AT IT, SHOW THE CAMERA AND EVERYBODY AT HOME. 906 00:30:50,482 --> 00:30:53,550 TAKE IT, LOOK AT IT, SHOW THE CAMERA AND EVERYBODY AT HOME. I WILL LOOK AT IT AGAIN AND IF 907 00:30:53,552 --> 00:30:54,551 CAMERA AND EVERYBODY AT HOME. I WILL LOOK AT IT AGAIN AND IF YOU WANT TO YOU CAN PUT IT 908 00:30:54,553 --> 00:30:56,253 I WILL LOOK AT IT AGAIN AND IF YOU WANT TO YOU CAN PUT IT FACEDOWN ON THE LITTLE TABLE OR 909 00:30:56,255 --> 00:30:58,722 YOU WANT TO YOU CAN PUT IT FACEDOWN ON THE LITTLE TABLE OR YOU DON'T HAVE TO, OKAY. 910 00:30:58,724 --> 00:31:02,226 FACEDOWN ON THE LITTLE TABLE OR YOU DON'T HAVE TO, OKAY. OKAY, HERE WE GO, TIC-TAC-TOE, 911 00:31:02,228 --> 00:31:02,626 YOU DON'T HAVE TO, OKAY. OKAY, HERE WE GO, TIC-TAC-TOE, MY GAME, MY RULES. 912 00:31:02,628 --> 00:31:07,164 OKAY, HERE WE GO, TIC-TAC-TOE, MY GAME, MY RULES. I'M GOING TO GO WITH Os AND I 913 00:31:07,166 --> 00:31:07,598 MY GAME, MY RULES. I'M GOING TO GO WITH Os AND I WILL GO RIGHT HERE. 914 00:31:07,600 --> 00:31:09,399 I'M GOING TO GO WITH Os AND I WILL GO RIGHT HERE. IT WILL BE THIS WHOLE STUDIO 915 00:31:09,401 --> 00:31:13,070 WILL GO RIGHT HERE. IT WILL BE THIS WHOLE STUDIO VERSUS MEETING, SO TWITCH YOUR 916 00:31:13,072 --> 00:31:16,173 IT WILL BE THIS WHOLE STUDIO VERSUS MEETING, SO TWITCH YOUR TEAM, YOU CAN GO ANYWHERE YOU 917 00:31:16,175 --> 00:31:19,109 VERSUS MEETING, SO TWITCH YOUR TEAM, YOU CAN GO ANYWHERE YOU WANT, WHERE DO YOU TO GO? 918 00:31:19,111 --> 00:31:20,711 TEAM, YOU CAN GO ANYWHERE YOU WANT, WHERE DO YOU TO GO? >> LET ME GET, LET ME GO TOP 919 00:31:20,713 --> 00:31:25,916 WANT, WHERE DO YOU TO GO? >> LET ME GET, LET ME GO TOP RIGHT CORNER. 920 00:31:25,918 --> 00:31:30,587 >> LET ME GET, LET ME GO TOP RIGHT CORNER. SET US UP FOR SUCCESS. 921 00:31:30,589 --> 00:31:41,565 RIGHT CORNER. SET US UP FOR SUCCESS. >> SOME THOUGHT RIGHT NOW. 922 00:31:41,567 --> 00:31:42,299 SET US UP FOR SUCCESS. >> SOME THOUGHT RIGHT NOW. [VOCALIZING] 923 00:31:42,301 --> 00:31:43,767 >> SOME THOUGHT RIGHT NOW. [VOCALIZING] >> Trisha: WE KNOW WHAT TO DO, 924 00:31:43,769 --> 00:31:44,134 [VOCALIZING] >> Trisha: WE KNOW WHAT TO DO, RIGHT? 925 00:31:44,136 --> 00:31:49,473 >> Trisha: WE KNOW WHAT TO DO, RIGHT? WE WILL GO FOR THE BLOCK. 926 00:31:49,475 --> 00:31:54,945 RIGHT? WE WILL GO FOR THE BLOCK. >> Garth: THAT WAS AGGRESSIVE. 927 00:31:54,947 --> 00:31:56,914 WE WILL GO FOR THE BLOCK. >> Garth: THAT WAS AGGRESSIVE. >> I SEE WHAT YOU ARE DOING, YOU 928 00:31:56,916 --> 00:31:58,382 >> Garth: THAT WAS AGGRESSIVE. >> I SEE WHAT YOU ARE DOING, YOU ARE GOING FOR THE BLOCK, BUT 929 00:31:58,384 --> 00:32:02,552 >> I SEE WHAT YOU ARE DOING, YOU ARE GOING FOR THE BLOCK, BUT TRYING FOR THE WIN. 930 00:32:02,554 --> 00:32:05,155 ARE GOING FOR THE BLOCK, BUT TRYING FOR THE WIN. SO TRISH, YOU GUYS ARE UP. 931 00:32:05,157 --> 00:32:05,656 TRYING FOR THE WIN. SO TRISH, YOU GUYS ARE UP. GO. 932 00:32:05,658 --> 00:32:07,190 SO TRISH, YOU GUYS ARE UP. GO. >> Garth: I NEVER WAS ANY GOOD 933 00:32:07,192 --> 00:32:08,025 GO. >> Garth: I NEVER WAS ANY GOOD AT THIS GAME. 934 00:32:08,027 --> 00:32:10,994 >> Garth: I NEVER WAS ANY GOOD AT THIS GAME. LET'S TRY THE LOWER RIGHT-HAND 935 00:32:10,996 --> 00:32:13,297 AT THIS GAME. LET'S TRY THE LOWER RIGHT-HAND CORNER. 936 00:32:13,299 --> 00:32:15,732 LET'S TRY THE LOWER RIGHT-HAND CORNER. >> THE DIAGONAL THROWS PEOPLE 937 00:32:15,734 --> 00:32:17,000 CORNER. >> THE DIAGONAL THROWS PEOPLE OFF, SOMETIMES YOU GET THEM LIKE 938 00:32:17,002 --> 00:32:17,200 >> THE DIAGONAL THROWS PEOPLE OFF, SOMETIMES YOU GET THEM LIKE THAT. 939 00:32:17,202 --> 00:32:22,005 OFF, SOMETIMES YOU GET THEM LIKE THAT. WHICH MEANS I WILL THEN GO HERE 940 00:32:22,007 --> 00:32:24,341 THAT. WHICH MEANS I WILL THEN GO HERE AND NOW YOU GUYS HAVE A CHOICE, 941 00:32:24,343 --> 00:32:32,316 WHICH MEANS I WILL THEN GO HERE AND NOW YOU GUYS HAVE A CHOICE, HIT IT. 942 00:32:32,318 --> 00:32:34,584 AND NOW YOU GUYS HAVE A CHOICE, HIT IT. >> Trisha: YEAH, TWITCH. 943 00:32:34,586 --> 00:32:36,720 HIT IT. >> Trisha: YEAH, TWITCH. >> I'M DEATHLY GOING TO BLOCK 944 00:32:36,722 --> 00:32:37,521 >> Trisha: YEAH, TWITCH. >> I'M DEATHLY GOING TO BLOCK FOR SURE. 945 00:32:37,523 --> 00:32:39,289 >> I'M DEATHLY GOING TO BLOCK FOR SURE. >> Ellen: THERE'S ACTUALLY NO 946 00:32:39,291 --> 00:32:41,959 FOR SURE. >> Ellen: THERE'S ACTUALLY NO WINTER, WE HAVE TIED WHICH IS A 947 00:32:41,961 --> 00:32:43,593 >> Ellen: THERE'S ACTUALLY NO WINTER, WE HAVE TIED WHICH IS A CATS GAME WHICH IS OKAY. 948 00:32:43,595 --> 00:32:48,732 WINTER, WE HAVE TIED WHICH IS A CATS GAME WHICH IS OKAY. BEFORE WE START, WIN, LOSE, A 949 00:32:48,734 --> 00:32:49,499 CATS GAME WHICH IS OKAY. BEFORE WE START, WIN, LOSE, A SILVER LINING TO EVERY 950 00:32:49,501 --> 00:32:49,766 BEFORE WE START, WIN, LOSE, A SILVER LINING TO EVERY SITUATION. 951 00:32:49,768 --> 00:32:52,669 SILVER LINING TO EVERY SITUATION. I SAID THAT WE MET 20 YEARS AGO 952 00:32:52,671 --> 00:32:53,837 SITUATION. I SAID THAT WE MET 20 YEARS AGO AND I GOT TO DO MAGIC FOR BOTH 953 00:32:53,839 --> 00:32:56,740 I SAID THAT WE MET 20 YEARS AGO AND I GOT TO DO MAGIC FOR BOTH OF YOU AND YOU SIGNED A CARD FOR 954 00:32:56,742 --> 00:32:58,275 AND I GOT TO DO MAGIC FOR BOTH OF YOU AND YOU SIGNED A CARD FOR ME 20 YEARS AGO, DO YOU REMEMBER 955 00:32:58,277 --> 00:33:00,510 OF YOU AND YOU SIGNED A CARD FOR ME 20 YEARS AGO, DO YOU REMEMBER WHAT CARD YOU SIGNED 20 YEARS 956 00:33:00,512 --> 00:33:00,677 ME 20 YEARS AGO, DO YOU REMEMBER WHAT CARD YOU SIGNED 20 YEARS AGO? 957 00:33:00,679 --> 00:33:03,547 WHAT CARD YOU SIGNED 20 YEARS AGO? YOU PICK TO THE CARD TODAY, YOU 958 00:33:03,549 --> 00:33:09,453 AGO? YOU PICK TO THE CARD TODAY, YOU TOUCH ANY CARD YOU WANT. 959 00:33:09,455 --> 00:33:10,721 YOU PICK TO THE CARD TODAY, YOU TOUCH ANY CARD YOU WANT. >> Trisha: I PICK THE TWO OF 960 00:33:10,723 --> 00:33:11,121 TOUCH ANY CARD YOU WANT. >> Trisha: I PICK THE TWO OF HEARTS. 961 00:33:11,123 --> 00:33:14,091 >> Trisha: I PICK THE TWO OF HEARTS. >> Garth: OVER 255,000 OPTIONS 962 00:33:14,093 --> 00:33:15,892 HEARTS. >> Garth: OVER 255,000 OPTIONS OF MOVES YOU CAN GO, DOES NOT 963 00:33:15,894 --> 00:33:16,426 >> Garth: OVER 255,000 OPTIONS OF MOVES YOU CAN GO, DOES NOT MATTER ALL THESE THINGS GO 964 00:33:16,428 --> 00:33:20,330 OF MOVES YOU CAN GO, DOES NOT MATTER ALL THESE THINGS GO SWIMMING ALL AROUND AND WE MADE 965 00:33:20,332 --> 00:33:21,598 MATTER ALL THESE THINGS GO SWIMMING ALL AROUND AND WE MADE A PIECE RIGHT HERE, I HAVE A 966 00:33:21,600 --> 00:33:23,500 SWIMMING ALL AROUND AND WE MADE A PIECE RIGHT HERE, I HAVE A PICTURE FROM 20 YEARS AGO BASED 967 00:33:23,502 --> 00:33:24,935 A PIECE RIGHT HERE, I HAVE A PICTURE FROM 20 YEARS AGO BASED ON THE PIECES WE PLAYED TODAY OF 968 00:33:24,937 --> 00:33:29,339 PICTURE FROM 20 YEARS AGO BASED ON THE PIECES WE PLAYED TODAY OF ME, TRISH, AND GARTH. 969 00:33:29,341 --> 00:33:31,308 ON THE PIECES WE PLAYED TODAY OF ME, TRISH, AND GARTH. HOLDING YOUR TWO OF HEARTS RIGHT 970 00:33:31,310 --> 00:33:36,546 ME, TRISH, AND GARTH. HOLDING YOUR TWO OF HEARTS RIGHT THERE, I AM JON DORENBOS, THESE 971 00:33:36,548 --> 00:33:38,281 HOLDING YOUR TWO OF HEARTS RIGHT THERE, I AM JON DORENBOS, THESE TWO ARE A TOTAL ROCK STARS, IT'S 972 00:33:38,283 --> 00:33:40,717 THERE, I AM JON DORENBOS, THESE TWO ARE A TOTAL ROCK STARS, IT'S SO COOL TO BE HERE 20 YEARS 973 00:33:40,719 --> 00:33:41,284 TWO ARE A TOTAL ROCK STARS, IT'S SO COOL TO BE HERE 20 YEARS LATER. 974 00:33:41,286 --> 00:33:42,586 SO COOL TO BE HERE 20 YEARS LATER. >> Garth: THAT IS AWESOME, 975 00:33:42,588 --> 00:33:43,387 LATER. >> Garth: THAT IS AWESOME, MAN. 976 00:33:43,389 --> 00:33:46,723 >> Garth: THAT IS AWESOME, MAN. YOU CAN GET HIS BOOK "LIFE IS 977 00:33:46,725 --> 00:33:47,891 MAN. YOU CAN GET HIS BOOK "LIFE IS MAGIC" IN STORES NOW. 978 00:33:47,893 --> 00:33:50,527 YOU CAN GET HIS BOOK "LIFE IS MAGIC" IN STORES NOW. OR FIND OUT MORE ABOUT HIS 979 00:33:50,529 --> 00:33:51,561 MAGIC" IN STORES NOW. OR FIND OUT MORE ABOUT HIS VIRTUAL BEAKING EVENTS. 980 00:33:51,563 --> 00:33:52,429 OR FIND OUT MORE ABOUT HIS VIRTUAL BEAKING EVENTS. WE WILL BE RIGHT BACK. 981 00:33:52,431 --> 00:33:53,063 VIRTUAL BEAKING EVENTS. WE WILL BE RIGHT BACK. [CHEERS AND APPLAUSE] 982 00:33:53,065 --> 00:34:00,003 WE WILL BE RIGHT BACK. [CHEERS AND APPLAUSE] ♪ ♪ 983 00:34:06,811 --> 00:34:12,816 [CHEERS AND APPLAUSE] ♪ ♪ >> Trisha: ONE THING WE WANTED 984 00:34:12,818 --> 00:34:14,718 ♪ ♪ >> Trisha: ONE THING WE WANTED TO DO ON THE SHOW TODAY WAS TALK 985 00:34:14,720 --> 00:34:17,054 >> Trisha: ONE THING WE WANTED TO DO ON THE SHOW TODAY WAS TALK TO A FIREFIGHTER. 986 00:34:17,056 --> 00:34:18,722 TO DO ON THE SHOW TODAY WAS TALK TO A FIREFIGHTER. >> Garth: ESPECIALLY A 987 00:34:18,724 --> 00:34:19,623 TO A FIREFIGHTER. >> Garth: ESPECIALLY A FIREFIGHTER THAT IS MARRIED TO 988 00:34:19,625 --> 00:34:21,658 >> Garth: ESPECIALLY A FIREFIGHTER THAT IS MARRIED TO AN ELEMENTARY SCHOOL TEACHER. 989 00:34:21,660 --> 00:34:22,859 FIREFIGHTER THAT IS MARRIED TO AN ELEMENTARY SCHOOL TEACHER. >> Trisha: AND WE WANTED THEM 990 00:34:22,861 --> 00:34:24,861 AN ELEMENTARY SCHOOL TEACHER. >> Trisha: AND WE WANTED THEM TO HAVE A 2-YEAR-OLD DAUGHTER 991 00:34:24,863 --> 00:34:26,263 >> Trisha: AND WE WANTED THEM TO HAVE A 2-YEAR-OLD DAUGHTER NAMED PAZO LAND. 992 00:34:26,265 --> 00:34:28,632 TO HAVE A 2-YEAR-OLD DAUGHTER NAMED PAZO LAND. >> Garth: AND WE HAVE THE 993 00:34:28,634 --> 00:34:31,902 NAMED PAZO LAND. >> Garth: AND WE HAVE THE PERFECT COUPLE, HEY, McKENZIE, 994 00:34:31,904 --> 00:34:32,335 >> Garth: AND WE HAVE THE PERFECT COUPLE, HEY, McKENZIE, HAE TAYLOR. 995 00:34:32,337 --> 00:34:34,571 PERFECT COUPLE, HEY, McKENZIE, HAE TAYLOR. THANK YOU FOR BEING HERE TODAY. 996 00:34:34,573 --> 00:34:37,908 HAE TAYLOR. THANK YOU FOR BEING HERE TODAY. >> THANK YOU FOR HAVING US. 997 00:34:37,910 --> 00:34:39,910 THANK YOU FOR BEING HERE TODAY. >> THANK YOU FOR HAVING US. >> Garth: WE LIKE SURPRISING 998 00:34:39,912 --> 00:34:42,079 >> THANK YOU FOR HAVING US. >> Garth: WE LIKE SURPRISING PEOPLE LIKE YOU. 999 00:34:42,081 --> 00:34:44,448 >> Garth: WE LIKE SURPRISING PEOPLE LIKE YOU. >> Trisha: HOW LONG HAVE YOU 1000 00:34:44,450 --> 00:34:45,415 PEOPLE LIKE YOU. >> Trisha: HOW LONG HAVE YOU BEEN A FIREFIGHTER? 1001 00:34:45,417 --> 00:34:48,051 >> Trisha: HOW LONG HAVE YOU BEEN A FIREFIGHTER? >> A LITTLE OVER A YEAR HERE IN 1002 00:34:48,053 --> 00:34:48,985 BEEN A FIREFIGHTER? >> A LITTLE OVER A YEAR HERE IN TEXAS, MY COMMUNITY AND I HAVE 1003 00:34:48,987 --> 00:34:51,688 >> A LITTLE OVER A YEAR HERE IN TEXAS, MY COMMUNITY AND I HAVE LOVED EVERY SECOND OF IT SO FAR. 1004 00:34:51,690 --> 00:34:52,856 TEXAS, MY COMMUNITY AND I HAVE LOVED EVERY SECOND OF IT SO FAR. I THOUGHT IT WOULD BE KICKING 1005 00:34:52,858 --> 00:34:55,125 LOVED EVERY SECOND OF IT SO FAR. I THOUGHT IT WOULD BE KICKING DOWN DOORS AND RUNNING INTO 1006 00:34:55,127 --> 00:34:57,761 I THOUGHT IT WOULD BE KICKING DOWN DOORS AND RUNNING INTO BURNING BUILDINGS, BUT AS IT 1007 00:34:57,763 --> 00:35:00,430 DOWN DOORS AND RUNNING INTO BURNING BUILDINGS, BUT AS IT TURNS OUT IT IS A LOT MORE OF 1008 00:35:00,432 --> 00:35:02,032 BURNING BUILDINGS, BUT AS IT TURNS OUT IT IS A LOT MORE OF JUST HELPING OUT PEOPLE MORE IN 1009 00:35:02,034 --> 00:35:04,901 TURNS OUT IT IS A LOT MORE OF JUST HELPING OUT PEOPLE MORE IN NEED AND I LIKE THAT EVEN MORE. 1010 00:35:04,903 --> 00:35:06,903 JUST HELPING OUT PEOPLE MORE IN NEED AND I LIKE THAT EVEN MORE. >> Trisha: THANK YOU FOR IT. 1011 00:35:06,905 --> 00:35:08,071 NEED AND I LIKE THAT EVEN MORE. >> Trisha: THANK YOU FOR IT. McKENZIE, YOU ARE A 1012 00:35:08,073 --> 00:35:09,439 >> Trisha: THANK YOU FOR IT. McKENZIE, YOU ARE A FOURTH GRADE SCHOOL TEACHER, 1013 00:35:09,441 --> 00:35:11,842 McKENZIE, YOU ARE A FOURTH GRADE SCHOOL TEACHER, WHAT DO YOU LOVE ABOUT TEACHING? 1014 00:35:11,844 --> 00:35:13,643 FOURTH GRADE SCHOOL TEACHER, WHAT DO YOU LOVE ABOUT TEACHING? >> I LOVE TEACHING BECAUSE I 1015 00:35:13,645 --> 00:35:15,812 WHAT DO YOU LOVE ABOUT TEACHING? >> I LOVE TEACHING BECAUSE I TEACH IN MY HOMETOWN WHERE I WAS 1016 00:35:15,814 --> 00:35:18,281 >> I LOVE TEACHING BECAUSE I TEACH IN MY HOMETOWN WHERE I WAS A STUDENT AT A TITLE I SCHOOL 1017 00:35:18,283 --> 00:35:19,649 TEACH IN MY HOMETOWN WHERE I WAS A STUDENT AT A TITLE I SCHOOL CALLED EAST CHAMBERS UNIVERSITY. 1018 00:35:19,651 --> 00:35:21,118 A STUDENT AT A TITLE I SCHOOL CALLED EAST CHAMBERS UNIVERSITY. MY STUDENTS ARE MY WHOLE WORLD,, 1019 00:35:21,120 --> 00:35:23,787 CALLED EAST CHAMBERS UNIVERSITY. MY STUDENTS ARE MY WHOLE WORLD,, AND SPEND MORE WAKING HOURS WITH 1020 00:35:23,789 --> 00:35:25,088 MY STUDENTS ARE MY WHOLE WORLD,, AND SPEND MORE WAKING HOURS WITH THEM IN A DAY THAN I DO MY OWN 1021 00:35:25,090 --> 00:35:25,489 AND SPEND MORE WAKING HOURS WITH THEM IN A DAY THAN I DO MY OWN DAUGHTER. 1022 00:35:25,491 --> 00:35:26,490 THEM IN A DAY THAN I DO MY OWN DAUGHTER. SO IT'S A REAL GIFT TO TEACH 1023 00:35:26,492 --> 00:35:30,293 DAUGHTER. SO IT'S A REAL GIFT TO TEACH THEM WELL. 1024 00:35:30,295 --> 00:35:32,395 SO IT'S A REAL GIFT TO TEACH THEM WELL. OUR SCHOOL IS AWARDED A BOOK 1025 00:35:32,397 --> 00:35:35,232 THEM WELL. OUR SCHOOL IS AWARDED A BOOK VENDING MACHINE FOR A GRANT I 1026 00:35:35,234 --> 00:35:36,399 OUR SCHOOL IS AWARDED A BOOK VENDING MACHINE FOR A GRANT I WROTE, LOOKING TO REINFORCE 1027 00:35:36,401 --> 00:35:38,068 VENDING MACHINE FOR A GRANT I WROTE, LOOKING TO REINFORCE EXCELLENCE WITH EXCELLENCE IN 1028 00:35:38,070 --> 00:35:38,401 WROTE, LOOKING TO REINFORCE EXCELLENCE WITH EXCELLENCE IN OUR STUDENTS. 1029 00:35:38,403 --> 00:35:40,770 EXCELLENCE WITH EXCELLENCE IN OUR STUDENTS. SO I AM PRIVILEGED AND HAPPY TO 1030 00:35:40,772 --> 00:35:42,405 OUR STUDENTS. SO I AM PRIVILEGED AND HAPPY TO DO IT. 1031 00:35:42,407 --> 00:35:44,508 SO I AM PRIVILEGED AND HAPPY TO DO IT. >> Trisha: THANK YOU BOTH FOR 1032 00:35:44,510 --> 00:35:45,041 DO IT. >> Trisha: THANK YOU BOTH FOR WHAT YOU DO. 1033 00:35:45,043 --> 00:35:46,943 >> Trisha: THANK YOU BOTH FOR WHAT YOU DO. >> Garth: ALL THE FAMILY ON 1034 00:35:46,945 --> 00:35:48,478 WHAT YOU DO. >> Garth: ALL THE FAMILY ON THE FRONT LINE AND CAN'T 1035 00:35:48,480 --> 00:35:48,879 >> Garth: ALL THE FAMILY ON THE FRONT LINE AND CAN'T THANK YOU ENOUGH. 1036 00:35:48,881 --> 00:35:50,680 THE FRONT LINE AND CAN'T THANK YOU ENOUGH. SO TAYLOR I READ A LETTER THAT 1037 00:35:50,682 --> 00:35:51,548 THANK YOU ENOUGH. SO TAYLOR I READ A LETTER THAT YOU SENT TO THE SHOW, TELL 1038 00:35:51,550 --> 00:35:53,950 SO TAYLOR I READ A LETTER THAT YOU SENT TO THE SHOW, TELL EVERYONE WHY YOU WROTE IT. 1039 00:35:53,952 --> 00:35:56,253 YOU SENT TO THE SHOW, TELL EVERYONE WHY YOU WROTE IT. >> YOU ARE THE INSPIRATION, MY 1040 00:35:56,255 --> 00:35:57,487 EVERYONE WHY YOU WROTE IT. >> YOU ARE THE INSPIRATION, MY WIFE IS THE INSPIRATION BUT I 1041 00:35:57,489 --> 00:36:00,090 >> YOU ARE THE INSPIRATION, MY WIFE IS THE INSPIRATION BUT I SEE HOW MUCH YOU LOVE YOUR WIFE 1042 00:36:00,092 --> 00:36:02,492 WIFE IS THE INSPIRATION BUT I SEE HOW MUCH YOU LOVE YOUR WIFE AND I THINK I MAY HAVE A LITTLE 1043 00:36:02,494 --> 00:36:04,461 SEE HOW MUCH YOU LOVE YOUR WIFE AND I THINK I MAY HAVE A LITTLE JOHNNY YOU, BECAUSE -- 1044 00:36:04,463 --> 00:36:08,498 AND I THINK I MAY HAVE A LITTLE JOHNNY YOU, BECAUSE -- I'M SORRY, BUT SHE IS MY LIGHT, 1045 00:36:08,500 --> 00:36:10,267 JOHNNY YOU, BECAUSE -- I'M SORRY, BUT SHE IS MY LIGHT, EVERY TIME SHE WOULD POST 1046 00:36:10,269 --> 00:36:10,901 I'M SORRY, BUT SHE IS MY LIGHT, EVERY TIME SHE WOULD POST SOMETHING LIKE TAG YOUR HERO OR 1047 00:36:10,903 --> 00:36:13,803 EVERY TIME SHE WOULD POST SOMETHING LIKE TAG YOUR HERO OR TAG YOUR GREAT EDUCATOR, SHE IS 1048 00:36:13,805 --> 00:36:15,972 SOMETHING LIKE TAG YOUR HERO OR TAG YOUR GREAT EDUCATOR, SHE IS THE FIRST PERSON THAT COMES TO 1049 00:36:15,974 --> 00:36:16,473 TAG YOUR GREAT EDUCATOR, SHE IS THE FIRST PERSON THAT COMES TO MIND. 1050 00:36:16,475 --> 00:36:19,042 THE FIRST PERSON THAT COMES TO MIND. I WOULD NOT BE A FIRE EMT 1051 00:36:19,044 --> 00:36:21,678 MIND. I WOULD NOT BE A FIRE EMT FIRST RESPONDER, RESCUE HER 1052 00:36:21,680 --> 00:36:22,412 I WOULD NOT BE A FIRE EMT FIRST RESPONDER, RESCUE HER WITHOUT HER. 1053 00:36:22,414 --> 00:36:23,113 FIRST RESPONDER, RESCUE HER WITHOUT HER. IT IS BECAUSE SHE IS GREAT AND 1054 00:36:23,115 --> 00:36:25,649 WITHOUT HER. IT IS BECAUSE SHE IS GREAT AND WILL I HAVE TO BE GREAT TO EVEN 1055 00:36:25,651 --> 00:36:31,188 IT IS BECAUSE SHE IS GREAT AND WILL I HAVE TO BE GREAT TO EVEN LIVE IN HER SHADOW. 1056 00:36:31,190 --> 00:36:33,390 WILL I HAVE TO BE GREAT TO EVEN LIVE IN HER SHADOW. >> Garth: AMEN, VERY SWEET. 1057 00:36:33,392 --> 00:36:34,658 LIVE IN HER SHADOW. >> Garth: AMEN, VERY SWEET. >> Trisha: YOU HAD A HARROWING 1058 00:36:34,660 --> 00:36:36,092 >> Garth: AMEN, VERY SWEET. >> Trisha: YOU HAD A HARROWING EXPERIENCE, YOU HAD A STORM HIT 1059 00:36:36,094 --> 00:36:38,495 >> Trisha: YOU HAD A HARROWING EXPERIENCE, YOU HAD A STORM HIT AND HE LOST A LOT OF STUFF, CAN 1060 00:36:38,497 --> 00:36:40,630 EXPERIENCE, YOU HAD A STORM HIT AND HE LOST A LOT OF STUFF, CAN YOU TELL US ABOUT THE STORM? 1061 00:36:40,632 --> 00:36:42,299 AND HE LOST A LOT OF STUFF, CAN YOU TELL US ABOUT THE STORM? >> TAYLOR HAD JUST BEEN INVOLVED 1062 00:36:42,301 --> 00:36:44,834 YOU TELL US ABOUT THE STORM? >> TAYLOR HAD JUST BEEN INVOLVED FOR TWO OR THREE WEEKS IN THE 1063 00:36:44,836 --> 00:36:46,870 >> TAYLOR HAD JUST BEEN INVOLVED FOR TWO OR THREE WEEKS IN THE FIRE ACADEMY WHEN THE 1064 00:36:46,872 --> 00:36:47,837 FOR TWO OR THREE WEEKS IN THE FIRE ACADEMY WHEN THE TROPICAL STORM HIT SOUTHEAST 1065 00:36:47,839 --> 00:36:49,339 FIRE ACADEMY WHEN THE TROPICAL STORM HIT SOUTHEAST TEXAS AND DURING THAT TIME IT 1066 00:36:49,341 --> 00:36:51,441 TROPICAL STORM HIT SOUTHEAST TEXAS AND DURING THAT TIME IT WAS A TRANSITIONAL PERIOD IN HER 1067 00:36:51,443 --> 00:36:52,809 TEXAS AND DURING THAT TIME IT WAS A TRANSITIONAL PERIOD IN HER LIFE BECAUSE TAYLOR STEPPED OUT 1068 00:36:52,811 --> 00:36:55,078 WAS A TRANSITIONAL PERIOD IN HER LIFE BECAUSE TAYLOR STEPPED OUT WAS GOING THROUGH A CAREER 1069 00:36:55,080 --> 00:36:56,713 LIFE BECAUSE TAYLOR STEPPED OUT WAS GOING THROUGH A CAREER CHANGE, MY HEART IS TO SERVE AND 1070 00:36:56,715 --> 00:36:59,082 WAS GOING THROUGH A CAREER CHANGE, MY HEART IS TO SERVE AND THIS IS THE CAPACITY, SO WE WERE 1071 00:36:59,084 --> 00:37:00,684 CHANGE, MY HEART IS TO SERVE AND THIS IS THE CAPACITY, SO WE WERE IN THIS POSITION WHERE WE WERE 1072 00:37:00,686 --> 00:37:01,384 THIS IS THE CAPACITY, SO WE WERE IN THIS POSITION WHERE WE WERE LOSING HER HOUSE AND WE LOST OUR 1073 00:37:01,386 --> 00:37:04,821 IN THIS POSITION WHERE WE WERE LOSING HER HOUSE AND WE LOST OUR CARS AND ALL OF HER THINGS BUT 1074 00:37:04,823 --> 00:37:06,723 LOSING HER HOUSE AND WE LOST OUR CARS AND ALL OF HER THINGS BUT WE HAD A JOB TO DO. 1075 00:37:06,725 --> 00:37:11,127 CARS AND ALL OF HER THINGS BUT WE HAD A JOB TO DO. SO TAYLOR TOOK HAZEL IN AND 1076 00:37:11,129 --> 00:37:12,295 WE HAD A JOB TO DO. SO TAYLOR TOOK HAZEL IN AND GRABBED HIS BACKPACK SO HE COULD 1077 00:37:12,297 --> 00:37:14,731 SO TAYLOR TOOK HAZEL IN AND GRABBED HIS BACKPACK SO HE COULD GET BACK TO THE FIRE ACADEMY THE 1078 00:37:14,733 --> 00:37:18,168 GRABBED HIS BACKPACK SO HE COULD GET BACK TO THE FIRE ACADEMY THE NEXT DAY AND HE WAS OUR OWN 1079 00:37:18,170 --> 00:37:19,336 GET BACK TO THE FIRE ACADEMY THE NEXT DAY AND HE WAS OUR OWN LITTLE RESCUER. 1080 00:37:19,338 --> 00:37:21,805 NEXT DAY AND HE WAS OUR OWN LITTLE RESCUER. HE RESCUED OUR FAMILY WITH THE 1081 00:37:21,807 --> 00:37:23,673 LITTLE RESCUER. HE RESCUED OUR FAMILY WITH THE HELP OF OTHERS DURING THAT TIME 1082 00:37:23,675 --> 00:37:25,742 HE RESCUED OUR FAMILY WITH THE HELP OF OTHERS DURING THAT TIME HE ACTUALLY GOT SERIOUS FIRST 1083 00:37:25,744 --> 00:37:27,077 HELP OF OTHERS DURING THAT TIME HE ACTUALLY GOT SERIOUS FIRST RESPONSE TRAINING THAT COULD NOT 1084 00:37:27,079 --> 00:37:29,012 HE ACTUALLY GOT SERIOUS FIRST RESPONSE TRAINING THAT COULD NOT HAVE BEEN BETTER FOR HIS 1085 00:37:29,014 --> 00:37:30,914 RESPONSE TRAINING THAT COULD NOT HAVE BEEN BETTER FOR HIS PERSONAL TRAINING AS A 1086 00:37:30,916 --> 00:37:32,115 HAVE BEEN BETTER FOR HIS PERSONAL TRAINING AS A FIRST RESPONDER IN THE FIRE 1087 00:37:32,117 --> 00:37:33,650 PERSONAL TRAINING AS A FIRST RESPONDER IN THE FIRE ACADEMY TO GET NATURAL DISASTER 1088 00:37:33,652 --> 00:37:35,585 FIRST RESPONDER IN THE FIRE ACADEMY TO GET NATURAL DISASTER TRAINING HANDS-ON DURING THAT 1089 00:37:35,587 --> 00:37:36,453 ACADEMY TO GET NATURAL DISASTER TRAINING HANDS-ON DURING THAT TIME. 1090 00:37:36,455 --> 00:37:37,854 TRAINING HANDS-ON DURING THAT TIME. IT'S BEEN ON THE FACT THAT YOU 1091 00:37:37,856 --> 00:37:38,488 TIME. IT'S BEEN ON THE FACT THAT YOU BOTH ARE STILL SMILING SHOWS ME 1092 00:37:38,490 --> 00:37:41,658 IT'S BEEN ON THE FACT THAT YOU BOTH ARE STILL SMILING SHOWS ME THAT YOU KNOW WHERE YOUR 1093 00:37:41,660 --> 00:37:43,660 BOTH ARE STILL SMILING SHOWS ME THAT YOU KNOW WHERE YOUR PRIORITIES ARE AT, THAT'S 1094 00:37:43,662 --> 00:37:45,095 THAT YOU KNOW WHERE YOUR PRIORITIES ARE AT, THAT'S INCREDIBLE. 1095 00:37:45,097 --> 00:37:47,364 PRIORITIES ARE AT, THAT'S INCREDIBLE. >> YES, WE DO. 1096 00:37:47,366 --> 00:37:48,698 INCREDIBLE. >> YES, WE DO. >> Garth: WE WILL TALK SOME 1097 00:37:48,700 --> 00:37:50,734 >> YES, WE DO. >> Garth: WE WILL TALK SOME MORE RIGHT AFTER THE BREAK, WE 1098 00:37:50,736 --> 00:37:52,369 >> Garth: WE WILL TALK SOME MORE RIGHT AFTER THE BREAK, WE WILL BE RIGHT BACK! 1099 00:37:52,371 --> 00:37:52,836 MORE RIGHT AFTER THE BREAK, WE WILL BE RIGHT BACK! [CHEERS AND APPLAUSE] 1100 00:37:52,838 --> 00:38:07,784 WILL BE RIGHT BACK! [CHEERS AND APPLAUSE] ♪ ♪ 1101 00:38:07,786 --> 00:38:08,251 [CHEERS AND APPLAUSE] ♪ ♪ [CHEERS AND APPLAUSE] 1102 00:38:08,253 --> 00:38:09,753 ♪ ♪ [CHEERS AND APPLAUSE] ♪ ♪ 1103 00:38:09,755 --> 00:38:11,621 [CHEERS AND APPLAUSE] ♪ ♪ >> Garth: WE ARE BACK WITH 1104 00:38:11,623 --> 00:38:13,890 ♪ ♪ >> Garth: WE ARE BACK WITH TAYLOR McKENZIE, WHEN THE 1105 00:38:13,892 --> 00:38:16,526 >> Garth: WE ARE BACK WITH TAYLOR McKENZIE, WHEN THE TROPICAL STORM HIT, YOU GUYS 1106 00:38:16,528 --> 00:38:17,827 TAYLOR McKENZIE, WHEN THE TROPICAL STORM HIT, YOU GUYS LOSE EVERYTHING, BUT SOMETHING 1107 00:38:17,829 --> 00:38:18,461 TROPICAL STORM HIT, YOU GUYS LOSE EVERYTHING, BUT SOMETHING WAS MIRACULOUSLY RECOVERED, CAN 1108 00:38:18,463 --> 00:38:21,965 LOSE EVERYTHING, BUT SOMETHING WAS MIRACULOUSLY RECOVERED, CAN YOU TELL ME ABOUT THAT? 1109 00:38:21,967 --> 00:38:22,499 WAS MIRACULOUSLY RECOVERED, CAN YOU TELL ME ABOUT THAT? >> YES, IN THE PROCESS OF 1110 00:38:22,501 --> 00:38:25,435 YOU TELL ME ABOUT THAT? >> YES, IN THE PROCESS OF CLEANING UP OUR HOUSE WE WERE 1111 00:38:25,437 --> 00:38:28,071 >> YES, IN THE PROCESS OF CLEANING UP OUR HOUSE WE WERE ALREADY AT A STATE OF IT'S A 1112 00:38:28,073 --> 00:38:29,606 CLEANING UP OUR HOUSE WE WERE ALREADY AT A STATE OF IT'S A WASH, A TOTAL LOSS, WE JUST GET 1113 00:38:29,608 --> 00:38:31,808 ALREADY AT A STATE OF IT'S A WASH, A TOTAL LOSS, WE JUST GET TO START FRESH, STOP TO LOOKING 1114 00:38:31,810 --> 00:38:32,976 WASH, A TOTAL LOSS, WE JUST GET TO START FRESH, STOP TO LOOKING FOR THINGS TO SALVAGE TRYING TO 1115 00:38:32,978 --> 00:38:34,778 TO START FRESH, STOP TO LOOKING FOR THINGS TO SALVAGE TRYING TO MOVE FORWARD IN ABOUT QUOTE A 1116 00:38:34,780 --> 00:38:37,981 FOR THINGS TO SALVAGE TRYING TO MOVE FORWARD IN ABOUT QUOTE A WEEK LATER I WAS TEACHING TRYING 1117 00:38:37,983 --> 00:38:39,416 MOVE FORWARD IN ABOUT QUOTE A WEEK LATER I WAS TEACHING TRYING TO PRETEND THAT LIFE IS NORMAL 1118 00:38:39,418 --> 00:38:41,017 WEEK LATER I WAS TEACHING TRYING TO PRETEND THAT LIFE IS NORMAL FOR MYSELF AND ALL MY STUDENTS 1119 00:38:41,019 --> 00:38:43,253 TO PRETEND THAT LIFE IS NORMAL FOR MYSELF AND ALL MY STUDENTS AND I GET A CALL IN THE MIDDLE 1120 00:38:43,255 --> 00:38:44,954 FOR MYSELF AND ALL MY STUDENTS AND I GET A CALL IN THE MIDDLE OF THE DAY FOR MY PASTOR WHICH 1121 00:38:44,956 --> 00:38:47,023 AND I GET A CALL IN THE MIDDLE OF THE DAY FOR MY PASTOR WHICH IS NOT NORMAL SO I TAKE THE CALL 1122 00:38:47,025 --> 00:38:50,293 OF THE DAY FOR MY PASTOR WHICH IS NOT NORMAL SO I TAKE THE CALL AND HE SAYS KIM, THERE IS THIS 1123 00:38:50,295 --> 00:38:52,529 IS NOT NORMAL SO I TAKE THE CALL AND HE SAYS KIM, THERE IS THIS PICTURE ON FACEBOOK SOMEBODY IS 1124 00:38:52,531 --> 00:38:54,698 AND HE SAYS KIM, THERE IS THIS PICTURE ON FACEBOOK SOMEBODY IS CLEANING UP THEIR PASTOR 1125 00:38:54,700 --> 00:38:55,498 PICTURE ON FACEBOOK SOMEBODY IS CLEANING UP THEIR PASTOR CLEANING UP DEBRIS FROM THE 1126 00:38:55,500 --> 00:38:58,601 CLEANING UP THEIR PASTOR CLEANING UP DEBRIS FROM THE FLOOD AND THEY FOUND YOUR FACE, 1127 00:38:58,603 --> 00:39:00,503 CLEANING UP DEBRIS FROM THE FLOOD AND THEY FOUND YOUR FACE, THEY FOUND A CANVAS PORTRAIT OF 1128 00:39:00,505 --> 00:39:01,538 FLOOD AND THEY FOUND YOUR FACE, THEY FOUND A CANVAS PORTRAIT OF MY FAMILY BUT DID NOT KNOW WHO 1129 00:39:01,540 --> 00:39:03,006 THEY FOUND A CANVAS PORTRAIT OF MY FAMILY BUT DID NOT KNOW WHO WE WERE. 1130 00:39:03,008 --> 00:39:06,009 MY FAMILY BUT DID NOT KNOW WHO WE WERE. SO IT STARTED GOING AROUND THE 1131 00:39:06,011 --> 00:39:07,010 WE WERE. SO IT STARTED GOING AROUND THE LOCAL FACEBOOK CHAIN AND PEOPLE 1132 00:39:07,012 --> 00:39:07,877 SO IT STARTED GOING AROUND THE LOCAL FACEBOOK CHAIN AND PEOPLE ASKING WHO ARE THESE PEOPLE, WHO 1133 00:39:07,879 --> 00:39:12,415 LOCAL FACEBOOK CHAIN AND PEOPLE ASKING WHO ARE THESE PEOPLE, WHO IS THIS COUPLE, AND OUR PASTOR 1134 00:39:12,417 --> 00:39:13,783 ASKING WHO ARE THESE PEOPLE, WHO IS THIS COUPLE, AND OUR PASTOR NOTIFIED US AND IT WAS OUR 1135 00:39:13,785 --> 00:39:14,851 IS THIS COUPLE, AND OUR PASTOR NOTIFIED US AND IT WAS OUR CAMPUS AND SOMETHING THAT WE HAD 1136 00:39:14,853 --> 00:39:17,587 NOTIFIED US AND IT WAS OUR CAMPUS AND SOMETHING THAT WE HAD NOT REALIZED THAT WE HAD LOST, 1137 00:39:17,589 --> 00:39:19,122 CAMPUS AND SOMETHING THAT WE HAD NOT REALIZED THAT WE HAD LOST, BUT WHEN IT WAS FOUND, YOU KNOW, 1138 00:39:19,124 --> 00:39:21,791 NOT REALIZED THAT WE HAD LOST, BUT WHEN IT WAS FOUND, YOU KNOW, WE JUST FELT SUCH A PIECE IN A 1139 00:39:21,793 --> 00:39:23,860 BUT WHEN IT WAS FOUND, YOU KNOW, WE JUST FELT SUCH A PIECE IN A CLOSURE TO THAT SEASON SO 1140 00:39:23,862 --> 00:39:24,961 WE JUST FELT SUCH A PIECE IN A CLOSURE TO THAT SEASON SO QUICKLY THAT SO MUCH WAS LOST, 1141 00:39:24,963 --> 00:39:29,733 CLOSURE TO THAT SEASON SO QUICKLY THAT SO MUCH WAS LOST, BUT WHAT REMAINED -- 1142 00:39:29,735 --> 00:39:32,402 QUICKLY THAT SO MUCH WAS LOST, BUT WHAT REMAINED -- >> AND HAZEL WAS IN HER TUMMY, 1143 00:39:32,404 --> 00:39:33,036 BUT WHAT REMAINED -- >> AND HAZEL WAS IN HER TUMMY, SHE IS PICTURED AS WELL JUST ON 1144 00:39:33,038 --> 00:39:34,637 >> AND HAZEL WAS IN HER TUMMY, SHE IS PICTURED AS WELL JUST ON THE INSIDE. 1145 00:39:34,639 --> 00:39:36,306 SHE IS PICTURED AS WELL JUST ON THE INSIDE. >> Trisha: WE KNOW THAT IT WAS 1146 00:39:36,308 --> 00:39:37,974 THE INSIDE. >> Trisha: WE KNOW THAT IT WAS DAMAGED IN THE STORM, SO WE SENT 1147 00:39:37,976 --> 00:39:38,708 >> Trisha: WE KNOW THAT IT WAS DAMAGED IN THE STORM, SO WE SENT YOU SOMETHING SPECIAL AND I 1148 00:39:38,710 --> 00:39:39,776 DAMAGED IN THE STORM, SO WE SENT YOU SOMETHING SPECIAL AND I THINK YOU HAVE IT THERE. 1149 00:39:39,778 --> 00:39:42,078 YOU SOMETHING SPECIAL AND I THINK YOU HAVE IT THERE. IF YOU OPEN UP THE BOX NEXT TO 1150 00:39:42,080 --> 00:39:45,682 THINK YOU HAVE IT THERE. IF YOU OPEN UP THE BOX NEXT TO YOU AND PULL OUT WHAT IS ON 1151 00:39:45,684 --> 00:39:46,850 IF YOU OPEN UP THE BOX NEXT TO YOU AND PULL OUT WHAT IS ON INSIDE. 1152 00:39:46,852 --> 00:39:47,717 YOU AND PULL OUT WHAT IS ON INSIDE. >> I'M GOOD AT TEARING THINGS 1153 00:39:47,719 --> 00:39:47,917 INSIDE. >> I'M GOOD AT TEARING THINGS OPEN. 1154 00:39:47,919 --> 00:39:55,825 >> I'M GOOD AT TEARING THINGS OPEN. SO WE ARE GOOD. 1155 00:39:55,827 --> 00:39:56,393 OPEN. SO WE ARE GOOD. >> Trisha: WE WANTED TO 1156 00:39:56,395 --> 00:40:00,964 SO WE ARE GOOD. >> Trisha: WE WANTED TO RESTORE THE PHOTO THAT YOU LOVE. 1157 00:40:00,966 --> 00:40:04,834 >> Trisha: WE WANTED TO RESTORE THE PHOTO THAT YOU LOVE. OH, NICE, NICE. 1158 00:40:04,836 --> 00:40:06,002 RESTORE THE PHOTO THAT YOU LOVE. OH, NICE, NICE. >> Garth: CAN YOU PLEASE TURN 1159 00:40:06,004 --> 00:40:06,936 OH, NICE, NICE. >> Garth: CAN YOU PLEASE TURN IT AROUND AND TEAR THE VELCRO 1160 00:40:06,938 --> 00:40:10,940 >> Garth: CAN YOU PLEASE TURN IT AROUND AND TEAR THE VELCRO OFF THE BACK OF IT FOR ME PLEA 1161 00:40:10,942 --> 00:40:12,242 IT AROUND AND TEAR THE VELCRO OFF THE BACK OF IT FOR ME PLEA PLEASE. 1162 00:40:12,244 --> 00:40:13,009 OFF THE BACK OF IT FOR ME PLEA PLEASE. SHUTTERFLY LOVES HELPING AMAZING 1163 00:40:13,011 --> 00:40:15,779 PLEASE. SHUTTERFLY LOVES HELPING AMAZING FAMILIES LIKE YOURS, SO THEY 1164 00:40:15,781 --> 00:40:19,616 SHUTTERFLY LOVES HELPING AMAZING FAMILIES LIKE YOURS, SO THEY WANT TO GIVE YOU $10,000! 1165 00:40:19,618 --> 00:40:21,484 FAMILIES LIKE YOURS, SO THEY WANT TO GIVE YOU $10,000! [CHEERS AND APPLAUSE] 1166 00:40:21,486 --> 00:40:22,852 WANT TO GIVE YOU $10,000! [CHEERS AND APPLAUSE] YES! 1167 00:40:22,854 --> 00:40:26,389 [CHEERS AND APPLAUSE] YES! >> THANK YOU, THANK YOU, 1168 00:40:26,391 --> 00:40:27,056 YES! >> THANK YOU, THANK YOU, THANK YOU. 1169 00:40:27,058 --> 00:40:30,293 >> THANK YOU, THANK YOU, THANK YOU. THIS CAN GO TO THE COMMUNITY. 1170 00:40:30,295 --> 00:40:32,061 THANK YOU. THIS CAN GO TO THE COMMUNITY. >> Garth: WE LOVE YOU GUYS, 1171 00:40:32,063 --> 00:40:33,696 THIS CAN GO TO THE COMMUNITY. >> Garth: WE LOVE YOU GUYS, KEEP LOVING ONE ANOTHER AND HUG 1172 00:40:33,698 --> 00:40:34,130 >> Garth: WE LOVE YOU GUYS, KEEP LOVING ONE ANOTHER AND HUG YOUR BABIES FOR US. 1173 00:40:34,132 --> 00:40:38,501 KEEP LOVING ONE ANOTHER AND HUG YOUR BABIES FOR US. ON BEHALF OF TRISHA YEARWOOD, WE 1174 00:40:38,503 --> 00:40:39,068 YOUR BABIES FOR US. ON BEHALF OF TRISHA YEARWOOD, WE WANT TO THANK 1175 00:40:39,070 --> 00:40:41,171 ON BEHALF OF TRISHA YEARWOOD, WE WANT TO THANK MATTHEW McCONAUGHEY AND 1176 00:40:41,173 --> 00:40:41,504 WANT TO THANK MATTHEW McCONAUGHEY AND JON DORENBOS. 1177 00:40:41,506 --> 00:40:43,006 MATTHEW McCONAUGHEY AND JON DORENBOS. >> Trisha: WE WANT TO THANK 1178 00:40:43,008 --> 00:40:44,874 JON DORENBOS. >> Trisha: WE WANT TO THANK ELLEN FOR ASKING US TO HOST AND 1179 00:40:44,876 --> 00:40:45,508 >> Trisha: WE WANT TO THANK ELLEN FOR ASKING US TO HOST AND ALL OF YOU FOR WATCHING, THANKS 1180 00:40:45,510 --> 00:40:46,943 ELLEN FOR ASKING US TO HOST AND ALL OF YOU FOR WATCHING, THANKS FOR BEING HERE. 1181 00:40:46,945 --> 00:40:49,279 ALL OF YOU FOR WATCHING, THANKS FOR BEING HERE. HAVE A WONDERFUL WEEKEND. 1182 00:40:49,281 --> 00:40:50,747 FOR BEING HERE. HAVE A WONDERFUL WEEKEND. >> Ellen: I LOVE YOU, I LOVE 1183 00:40:50,749 --> 00:40:52,849 HAVE A WONDERFUL WEEKEND. >> Ellen: I LOVE YOU, I LOVE YOU, I LOVE YOU. 1184 00:40:52,851 --> 00:40:53,116 >> Ellen: I LOVE YOU, I LOVE YOU, I LOVE YOU. NICE JOB! 1185 00:40:53,118 --> 00:40:54,350 YOU, I LOVE YOU. NICE JOB! [CHEERS AND 1186 00:40:54,952 --> 00:41:00,356 APPLAUSE] ♪ ♪