1 00:00:13,980 --> 00:00:21,453 ♪ ♪ >> Announcer: HERE SHE IS NOW. ELLEN DeGENERES. 2 00:00:21,455 --> 00:00:32,464 >> Announcer: HERE SHE IS NOW. ELLEN DeGENERES. ♪ ♪ 3 00:00:32,466 --> 00:00:35,234 ELLEN DeGENERES. ♪ ♪ ♪ ♪ 4 00:00:35,236 --> 00:00:38,137 ♪ ♪ ♪ ♪ >> Ellen: THANK YOU SO MUCH. 5 00:00:38,139 --> 00:00:39,805 ♪ ♪ >> Ellen: THANK YOU SO MUCH. THANK YOU SO VERY MUCH. 6 00:00:39,807 --> 00:00:41,774 >> Ellen: THANK YOU SO MUCH. THANK YOU SO VERY MUCH. I APPRECIATE IT. 7 00:00:41,776 --> 00:00:44,176 THANK YOU SO VERY MUCH. I APPRECIATE IT. BACK AT ALL OF YOU, ALL THE 8 00:00:44,178 --> 00:00:44,810 I APPRECIATE IT. BACK AT ALL OF YOU, ALL THE ENERGY, EVEN THOUGH YOU ARE NOT 9 00:00:44,812 --> 00:00:47,246 BACK AT ALL OF YOU, ALL THE ENERGY, EVEN THOUGH YOU ARE NOT REALLY HERE, THANK YOU FOR BEING 10 00:00:47,248 --> 00:00:47,446 ENERGY, EVEN THOUGH YOU ARE NOT REALLY HERE, THANK YOU FOR BEING HERE. 11 00:00:47,448 --> 00:00:48,113 REALLY HERE, THANK YOU FOR BEING HERE. EVEN THOUGH YOU ARE NOT HERE YOU 12 00:00:48,115 --> 00:00:50,849 HERE. EVEN THOUGH YOU ARE NOT HERE YOU ARE ON MY ZOOM AND I AM ON YOUR 13 00:00:50,851 --> 00:00:52,551 EVEN THOUGH YOU ARE NOT HERE YOU ARE ON MY ZOOM AND I AM ON YOUR ZUNE, AND I AM ALSO ON YOUR TV, 14 00:00:52,553 --> 00:00:54,920 ARE ON MY ZOOM AND I AM ON YOUR ZUNE, AND I AM ALSO ON YOUR TV, WHICH IS LIKE ZOOM FOR PEOPLE 15 00:00:54,922 --> 00:00:55,554 ZUNE, AND I AM ALSO ON YOUR TV, WHICH IS LIKE ZOOM FOR PEOPLE WATCHING AT HOME. 16 00:00:55,556 --> 00:00:57,689 WHICH IS LIKE ZOOM FOR PEOPLE WATCHING AT HOME. AND YOU CAN SEE ME, BUT I CAN 17 00:00:57,691 --> 00:00:59,291 WATCHING AT HOME. AND YOU CAN SEE ME, BUT I CAN SEE YOU UNLESS WE FACE TIME, BUT 18 00:00:59,293 --> 00:01:03,295 AND YOU CAN SEE ME, BUT I CAN SEE YOU UNLESS WE FACE TIME, BUT THEN YOU HAVE TO -- YOU SEE ME 19 00:01:03,297 --> 00:01:05,431 SEE YOU UNLESS WE FACE TIME, BUT THEN YOU HAVE TO -- YOU SEE ME ON TV, AND THEN YOUR PHONE, 20 00:01:05,433 --> 00:01:06,198 THEN YOU HAVE TO -- YOU SEE ME ON TV, AND THEN YOUR PHONE, RIGHT? 21 00:01:06,200 --> 00:01:07,066 ON TV, AND THEN YOUR PHONE, RIGHT? UNLESS YOU ARE WATCHING THIS 22 00:01:07,068 --> 00:01:07,900 RIGHT? UNLESS YOU ARE WATCHING THIS SHOW ON YOUR PHONE, AND THEN YOU 23 00:01:07,902 --> 00:01:09,868 UNLESS YOU ARE WATCHING THIS SHOW ON YOUR PHONE, AND THEN YOU WOULD HAVE TO CHOOSE BETWEEN THE 24 00:01:09,870 --> 00:01:13,138 SHOW ON YOUR PHONE, AND THEN YOU WOULD HAVE TO CHOOSE BETWEEN THE SHOW AND FACE TIME. 25 00:01:13,140 --> 00:01:14,473 WOULD HAVE TO CHOOSE BETWEEN THE SHOW AND FACE TIME. I DON'T KNOW, A LOT OF PEOPLE 26 00:01:14,475 --> 00:01:15,741 SHOW AND FACE TIME. I DON'T KNOW, A LOT OF PEOPLE DON'T UNDERSTAND TECHNOLOGY. 27 00:01:15,743 --> 00:01:16,475 I DON'T KNOW, A LOT OF PEOPLE DON'T UNDERSTAND TECHNOLOGY. IT CAN ALWAYS GO WRONG. 28 00:01:16,477 --> 00:01:17,576 DON'T UNDERSTAND TECHNOLOGY. IT CAN ALWAYS GO WRONG. I WANT TO SHOW YOU A DOMAIN. 29 00:01:17,578 --> 00:01:19,111 IT CAN ALWAYS GO WRONG. I WANT TO SHOW YOU A DOMAIN. THIS IS A CLIP FROM A LIVE SHOW 30 00:01:19,113 --> 00:01:20,946 I WANT TO SHOW YOU A DOMAIN. THIS IS A CLIP FROM A LIVE SHOW THAT GOT INTERRUPTED WITH A 31 00:01:20,948 --> 00:01:23,782 THIS IS A CLIP FROM A LIVE SHOW THAT GOT INTERRUPTED WITH A TECHNICAL GLITCH, AND IT WAS A 32 00:01:23,784 --> 00:01:24,983 THAT GOT INTERRUPTED WITH A TECHNICAL GLITCH, AND IT WAS A VERY STRANGE -- 33 00:01:24,985 --> 00:01:28,053 TECHNICAL GLITCH, AND IT WAS A VERY STRANGE -- [APPLAUSE] 34 00:01:28,055 --> 00:01:30,189 VERY STRANGE -- [APPLAUSE] >> DAD, MOVE THE BALLOONS TO THE 35 00:01:30,191 --> 00:01:30,489 [APPLAUSE] >> DAD, MOVE THE BALLOONS TO THE OTHER SIDE. 36 00:01:30,491 --> 00:01:33,926 >> DAD, MOVE THE BALLOONS TO THE OTHER SIDE. I SAID I WANTED PURPLE BLENDS -- 37 00:01:33,928 --> 00:01:36,595 OTHER SIDE. I SAID I WANTED PURPLE BLENDS -- >> Ellen: ALLISON. 38 00:01:36,597 --> 00:01:37,463 I SAID I WANTED PURPLE BLENDS -- >> Ellen: ALLISON. >> ALLEN, HI. 39 00:01:37,465 --> 00:01:39,331 >> Ellen: ALLISON. >> ALLEN, HI. >> Ellen: WHAT ARE YOU DOING 40 00:01:39,333 --> 00:01:41,166 >> ALLEN, HI. >> Ellen: WHAT ARE YOU DOING ON THE SCREEN? 41 00:01:41,168 --> 00:01:43,836 >> Ellen: WHAT ARE YOU DOING ON THE SCREEN? >> I AM ON YOUR SHOW TODAY. 42 00:01:43,838 --> 00:01:45,637 ON THE SCREEN? >> I AM ON YOUR SHOW TODAY. >> Ellen: YES, BUT LATER ON. 43 00:01:45,639 --> 00:01:47,072 >> I AM ON YOUR SHOW TODAY. >> Ellen: YES, BUT LATER ON. I'M IN THE MIDDLE OF A 44 00:01:47,074 --> 00:01:47,339 >> Ellen: YES, BUT LATER ON. I'M IN THE MIDDLE OF A MONOLOGUE. 45 00:01:47,341 --> 00:01:51,343 I'M IN THE MIDDLE OF A MONOLOGUE. SPEAK OUT THEN I'D -- SHOULD I 46 00:01:51,345 --> 00:01:54,079 MONOLOGUE. SPEAK OUT THEN I'D -- SHOULD I JUST -- I AM -- I CAN'T DO THE 47 00:01:54,081 --> 00:01:54,379 SPEAK OUT THEN I'D -- SHOULD I JUST -- I AM -- I CAN'T DO THE TECHNICAL -- 48 00:01:54,381 --> 00:01:55,380 JUST -- I AM -- I CAN'T DO THE TECHNICAL -- >> Ellen: I'M HAPPY TO SEE. 49 00:01:55,382 --> 00:01:55,914 TECHNICAL -- >> Ellen: I'M HAPPY TO SEE. I WAS DOWN. 50 00:01:55,916 --> 00:01:58,117 >> Ellen: I'M HAPPY TO SEE. I WAS DOWN. I WILL JUST TALK TO YOU, OKAY? 51 00:01:58,119 --> 00:02:00,052 I WAS DOWN. I WILL JUST TALK TO YOU, OKAY? I WILL SLOW DOWN HERE. 52 00:02:00,054 --> 00:02:00,652 I WILL JUST TALK TO YOU, OKAY? I WILL SLOW DOWN HERE. WHAT ARE THE BALLOONS? 53 00:02:00,654 --> 00:02:03,355 I WILL SLOW DOWN HERE. WHAT ARE THE BALLOONS? WHAT IS HAPPENING? 54 00:02:03,357 --> 00:02:03,956 WHAT ARE THE BALLOONS? WHAT IS HAPPENING? WAIT, HOLD ON. 55 00:02:03,958 --> 00:02:04,923 WHAT IS HAPPENING? WAIT, HOLD ON. TWITCH HAS TO DANCE FIRST AND 56 00:02:04,925 --> 00:02:07,860 WAIT, HOLD ON. TWITCH HAS TO DANCE FIRST AND THEN I WILL TALK TO YOU, BUT -- 57 00:02:07,862 --> 00:02:08,160 TWITCH HAS TO DANCE FIRST AND THEN I WILL TALK TO YOU, BUT -- YEAH. 58 00:02:08,162 --> 00:02:08,961 THEN I WILL TALK TO YOU, BUT -- YEAH. TWITCH WILL DANCE FIRST. 59 00:02:08,963 --> 00:02:11,230 YEAH. TWITCH WILL DANCE FIRST. GIVE IT UP FOR TWITCH, 60 00:02:11,232 --> 00:02:11,497 TWITCH WILL DANCE FIRST. GIVE IT UP FOR TWITCH, EVERYBODY. 61 00:02:11,499 --> 00:02:19,071 GIVE IT UP FOR TWITCH, EVERYBODY. ♪ ♪ 62 00:02:19,073 --> 00:02:26,545 EVERYBODY. ♪ ♪ ♪ ♪ 63 00:02:26,547 --> 00:02:33,118 ♪ ♪ ♪ ♪ ♪ ♪ 64 00:02:33,120 --> 00:02:39,258 ♪ ♪ ♪ ♪ ♪ ♪ 65 00:02:39,260 --> 00:02:47,466 ♪ ♪ ♪ ♪ ♪ ♪ 66 00:02:47,468 --> 00:02:53,505 ♪ ♪ ♪ ♪ ♪ ♪ 67 00:02:53,507 --> 00:02:55,674 ♪ ♪ ♪ ♪ ♪ ♪ 68 00:02:55,676 --> 00:02:57,543 ♪ ♪ ♪ ♪ [APPLAUSE] 69 00:02:57,545 --> 00:02:59,411 ♪ ♪ [APPLAUSE] >> Ellen: YES! 70 00:02:59,413 --> 00:03:03,015 [APPLAUSE] >> Ellen: YES! THANK YOU, TWITCH. 71 00:03:03,017 --> 00:03:04,650 >> Ellen: YES! THANK YOU, TWITCH. EVERYBODY, SAY HELLO TO ACADEMY 72 00:03:04,652 --> 00:03:06,685 THANK YOU, TWITCH. EVERYBODY, SAY HELLO TO ACADEMY AN EMMY AWARD ACTRESS, ALLISON 73 00:03:06,687 --> 00:03:07,352 EVERYBODY, SAY HELLO TO ACADEMY AN EMMY AWARD ACTRESS, ALLISON JANNEY. 74 00:03:07,354 --> 00:03:09,488 AN EMMY AWARD ACTRESS, ALLISON JANNEY. [APPLAUSE] 75 00:03:09,490 --> 00:03:11,990 JANNEY. [APPLAUSE] WHAT'S HAPPENING? 76 00:03:11,992 --> 00:03:15,894 [APPLAUSE] WHAT'S HAPPENING? >> THIS IS MY FATHER, WHO IS MY 77 00:03:15,896 --> 00:03:16,361 WHAT'S HAPPENING? >> THIS IS MY FATHER, WHO IS MY ART DIRECTOR TODAY. 78 00:03:16,363 --> 00:03:17,763 >> THIS IS MY FATHER, WHO IS MY ART DIRECTOR TODAY. AND HE JUST WANTED TO SAY HI TO 79 00:03:17,765 --> 00:03:20,432 ART DIRECTOR TODAY. AND HE JUST WANTED TO SAY HI TO YOU, ALAN. 80 00:03:20,434 --> 00:03:24,803 AND HE JUST WANTED TO SAY HI TO YOU, ALAN. >> Ellen: HEY, HOW ARE YOU? 81 00:03:24,805 --> 00:03:25,671 YOU, ALAN. >> Ellen: HEY, HOW ARE YOU? NICE TO MEET YOU. 82 00:03:25,673 --> 00:03:26,605 >> Ellen: HEY, HOW ARE YOU? NICE TO MEET YOU. YOU COULD GIVE THEM A CHAIR, BUT 83 00:03:26,607 --> 00:03:29,074 NICE TO MEET YOU. YOU COULD GIVE THEM A CHAIR, BUT THAT'S OKAY. 84 00:03:29,076 --> 00:03:32,211 YOU COULD GIVE THEM A CHAIR, BUT THAT'S OKAY. THEY CAN DO SOME SQUATS. 85 00:03:32,213 --> 00:03:33,045 THAT'S OKAY. THEY CAN DO SOME SQUATS. SPEAK OUT YOU CAN GO. 86 00:03:33,047 --> 00:03:34,980 THEY CAN DO SOME SQUATS. SPEAK OUT YOU CAN GO. THANK YOU FOR THE BALLOON 87 00:03:34,982 --> 00:03:37,583 SPEAK OUT YOU CAN GO. THANK YOU FOR THE BALLOON DIRECTION. 88 00:03:37,585 --> 00:03:38,550 THANK YOU FOR THE BALLOON DIRECTION. JUST GO BACK TO YOUR -- 89 00:03:38,552 --> 00:03:39,084 DIRECTION. JUST GO BACK TO YOUR -- >> Ellen: THERE HE GOES. 90 00:03:39,086 --> 00:03:41,353 JUST GO BACK TO YOUR -- >> Ellen: THERE HE GOES. IS THAT SOMETHING THAT IS FOR 91 00:03:41,355 --> 00:03:43,188 >> Ellen: THERE HE GOES. IS THAT SOMETHING THAT IS FOR TODAY FOR THE BALLOONS? 92 00:03:43,190 --> 00:03:45,657 IS THAT SOMETHING THAT IS FOR TODAY FOR THE BALLOONS? OR THAT IS NORMALLY IN M YOUR 93 00:03:45,659 --> 00:03:47,759 TODAY FOR THE BALLOONS? OR THAT IS NORMALLY IN M YOUR HOUSE? 94 00:03:47,761 --> 00:03:49,394 OR THAT IS NORMALLY IN M YOUR HOUSE? >> THEY MAKE ME HAPPY. 95 00:03:49,396 --> 00:03:50,329 HOUSE? >> THEY MAKE ME HAPPY. ACTUALLY, THAT MY FAMILY 96 00:03:50,331 --> 00:03:50,963 >> THEY MAKE ME HAPPY. ACTUALLY, THAT MY FAMILY SURPRISED ME ON MY LAST NIGHT OF 97 00:03:50,965 --> 00:03:51,230 ACTUALLY, THAT MY FAMILY SURPRISED ME ON MY LAST NIGHT OF SHOOTING. 98 00:03:51,232 --> 00:03:55,067 SURPRISED ME ON MY LAST NIGHT OF SHOOTING. I CAME HOME FROM THE LAST SCENE 99 00:03:55,069 --> 00:03:56,034 SHOOTING. I CAME HOME FROM THE LAST SCENE OF "MOM" AND THEY HAD A SURPRISE 100 00:03:56,036 --> 00:04:00,239 I CAME HOME FROM THE LAST SCENE OF "MOM" AND THEY HAD A SURPRISE PARTY FOR ME HERE. 101 00:04:00,241 --> 00:04:00,672 OF "MOM" AND THEY HAD A SURPRISE PARTY FOR ME HERE. SO I REPURPOSE THEM. 102 00:04:00,674 --> 00:04:02,207 PARTY FOR ME HERE. SO I REPURPOSE THEM. >> Ellen: THAT IS VERY SWEET. 103 00:04:02,209 --> 00:04:03,709 SO I REPURPOSE THEM. >> Ellen: THAT IS VERY SWEET. I WISH I WOULD'VE SENT YOU 104 00:04:03,711 --> 00:04:04,843 >> Ellen: THAT IS VERY SWEET. I WISH I WOULD'VE SENT YOU SOMETHING PAIRED I WILL SEND YOU 105 00:04:04,845 --> 00:04:05,143 I WISH I WOULD'VE SENT YOU SOMETHING PAIRED I WILL SEND YOU SOMETHING. 106 00:04:05,145 --> 00:04:06,111 SOMETHING PAIRED I WILL SEND YOU SOMETHING. IT'S GOING TO BE LATE, BUT IT'S 107 00:04:06,113 --> 00:04:08,547 SOMETHING. IT'S GOING TO BE LATE, BUT IT'S GOING TO BE SOMETHING TO 108 00:04:08,549 --> 00:04:09,214 IT'S GOING TO BE LATE, BUT IT'S GOING TO BE SOMETHING TO CELEBRATE YOU. 109 00:04:09,216 --> 00:04:11,617 GOING TO BE SOMETHING TO CELEBRATE YOU. >> I WON'T HOLD MY BREATH, BUT I 110 00:04:11,619 --> 00:04:12,150 CELEBRATE YOU. >> I WON'T HOLD MY BREATH, BUT I APPRECIATE IT. 111 00:04:12,152 --> 00:04:13,352 >> I WON'T HOLD MY BREATH, BUT I APPRECIATE IT. >> Ellen: WHAT QUESTION MARKS 112 00:04:13,354 --> 00:04:13,986 APPRECIATE IT. >> Ellen: WHAT QUESTION MARKS THE LAST TIME I SAW YOU COME I 113 00:04:13,988 --> 00:04:17,189 >> Ellen: WHAT QUESTION MARKS THE LAST TIME I SAW YOU COME I TOLD YOU HOW MUCH I LOVE YOUR 114 00:04:17,191 --> 00:04:19,258 THE LAST TIME I SAW YOU COME I TOLD YOU HOW MUCH I LOVE YOUR HAIR, AND NOW I THINK BECAUSE OF 115 00:04:19,260 --> 00:04:21,226 TOLD YOU HOW MUCH I LOVE YOUR HAIR, AND NOW I THINK BECAUSE OF ME YOU ARE IN PEOPLE'S MOST 116 00:04:21,228 --> 00:04:23,395 HAIR, AND NOW I THINK BECAUSE OF ME YOU ARE IN PEOPLE'S MOST BEAUTIFUL ISSUE AS A BEAUTY OF 117 00:04:23,397 --> 00:04:25,163 ME YOU ARE IN PEOPLE'S MOST BEAUTIFUL ISSUE AS A BEAUTY OF THE YEAR. 118 00:04:25,165 --> 00:04:27,599 BEAUTIFUL ISSUE AS A BEAUTY OF THE YEAR. >> YOU KNOW, NOT WHO I TALKED TO 119 00:04:27,601 --> 00:04:28,734 THE YEAR. >> YOU KNOW, NOT WHO I TALKED TO TO TALK ABOUT THE SHOW TOLD ME 120 00:04:28,736 --> 00:04:31,470 >> YOU KNOW, NOT WHO I TALKED TO TO TALK ABOUT THE SHOW TOLD ME THAT, AND I'VE NEVER BEEN -- I 121 00:04:31,472 --> 00:04:32,054 TO TALK ABOUT THE SHOW TOLD ME THAT, AND I'VE NEVER BEEN -- I MEAN, IT IS THE FIRST TIME I 122 00:04:32,056 --> 00:04:33,772 THAT, AND I'VE NEVER BEEN -- I MEAN, IT IS THE FIRST TIME I GUESS I GOT IT BECAUSE I'VE 123 00:04:33,774 --> 00:04:36,475 MEAN, IT IS THE FIRST TIME I GUESS I GOT IT BECAUSE I'VE NEVER BEEN IN A BEAUTY -- IT'S A 124 00:04:36,477 --> 00:04:38,810 GUESS I GOT IT BECAUSE I'VE NEVER BEEN IN A BEAUTY -- IT'S A FIRST FOR ME. 125 00:04:38,812 --> 00:04:39,378 NEVER BEEN IN A BEAUTY -- IT'S A FIRST FOR ME. >> Ellen: YEAH. 126 00:04:39,380 --> 00:04:41,580 FIRST FOR ME. >> Ellen: YEAH. IT'S BECAUSE YOU JUST ARE A 127 00:04:41,582 --> 00:04:43,248 >> Ellen: YEAH. IT'S BECAUSE YOU JUST ARE A NATURAL BEAUTY AND YOU DECIDED 128 00:04:43,250 --> 00:04:44,683 IT'S BECAUSE YOU JUST ARE A NATURAL BEAUTY AND YOU DECIDED TO JUST BE YOU AND YOUR HAIR 129 00:04:44,685 --> 00:04:45,050 NATURAL BEAUTY AND YOU DECIDED TO JUST BE YOU AND YOUR HAIR LOOKS FANTASTIC. 130 00:04:45,052 --> 00:04:48,186 TO JUST BE YOU AND YOUR HAIR LOOKS FANTASTIC. I AM VERY HAPPY WITH HOW YOU 131 00:04:48,188 --> 00:04:50,022 LOOKS FANTASTIC. I AM VERY HAPPY WITH HOW YOU LOOK, AND YOU SHOULD BE TOO. 132 00:04:50,024 --> 00:04:51,657 I AM VERY HAPPY WITH HOW YOU LOOK, AND YOU SHOULD BE TOO. [APPLAUSE] 133 00:04:51,659 --> 00:04:53,659 LOOK, AND YOU SHOULD BE TOO. [APPLAUSE] SO WE PLAY A GAME WITH YOU AND 134 00:04:53,661 --> 00:04:55,360 [APPLAUSE] SO WE PLAY A GAME WITH YOU AND WE ASKED YOU TO NAME THREE 135 00:04:55,362 --> 00:04:56,995 SO WE PLAY A GAME WITH YOU AND WE ASKED YOU TO NAME THREE THINGS THAT YOU WANTED TO TOUCH. 136 00:04:56,997 --> 00:04:57,596 WE ASKED YOU TO NAME THREE THINGS THAT YOU WANTED TO TOUCH. LET'S JUST REMIND EVERYBODY OF 137 00:04:57,598 --> 00:05:01,366 THINGS THAT YOU WANTED TO TOUCH. LET'S JUST REMIND EVERYBODY OF WHAT YOU SAID. 138 00:05:01,368 --> 00:05:03,135 LET'S JUST REMIND EVERYBODY OF WHAT YOU SAID. >> ALLISON, NAME THREE THINGS HE 139 00:05:03,137 --> 00:05:03,568 WHAT YOU SAID. >> ALLISON, NAME THREE THINGS HE WOULD LIKE TO TOUCH. 140 00:05:03,570 --> 00:05:13,111 >> ALLISON, NAME THREE THINGS HE WOULD LIKE TO TOUCH. >> ON MAN, A DOG, AND A PIPE. 141 00:05:13,113 --> 00:05:16,181 WOULD LIKE TO TOUCH. >> ON MAN, A DOG, AND A PIPE. HIGH. 142 00:05:16,183 --> 00:05:18,583 >> ON MAN, A DOG, AND A PIPE. HIGH. >> Ellen: A DOG, A MAN, AND A 143 00:05:18,585 --> 00:05:18,784 HIGH. >> Ellen: A DOG, A MAN, AND A PIPE. 144 00:05:18,786 --> 00:05:21,219 >> Ellen: A DOG, A MAN, AND A PIPE. ANY LUCK WITH ANY OF THOSE? 145 00:05:21,221 --> 00:05:22,354 PIPE. ANY LUCK WITH ANY OF THOSE? >> THREE GUESSES IN THE FIRST 146 00:05:22,356 --> 00:05:25,590 ANY LUCK WITH ANY OF THOSE? >> THREE GUESSES IN THE FIRST TWO DON'T COUNT. 147 00:05:25,592 --> 00:05:30,395 >> THREE GUESSES IN THE FIRST TWO DON'T COUNT. >> Ellen: HOW WAS THE PIE? 148 00:05:30,397 --> 00:05:31,430 TWO DON'T COUNT. >> Ellen: HOW WAS THE PIE? >> Ellen: FOUL >> DOG. 149 00:05:31,432 --> 00:05:32,597 >> Ellen: HOW WAS THE PIE? >> Ellen: FOUL >> DOG. >> Ellen: IT WAS A DOG. 150 00:05:32,599 --> 00:05:33,965 >> Ellen: FOUL >> DOG. >> Ellen: IT WAS A DOG. SO YOU HOSTED A SMALL WEDDING AT 151 00:05:33,967 --> 00:05:34,266 >> Ellen: IT WAS A DOG. SO YOU HOSTED A SMALL WEDDING AT YOUR HOUSE. 152 00:05:34,268 --> 00:05:36,101 SO YOU HOSTED A SMALL WEDDING AT YOUR HOUSE. THAT'S WHY THOUGHT MAYBE YOU HAD 153 00:05:36,103 --> 00:05:36,702 YOUR HOUSE. THAT'S WHY THOUGHT MAYBE YOU HAD BALLOONS THERE BECAUSE I KNOW 154 00:05:36,704 --> 00:05:39,087 THAT'S WHY THOUGHT MAYBE YOU HAD BALLOONS THERE BECAUSE I KNOW THAT YOU HOSTED A WEDDING. 155 00:05:39,089 --> 00:05:39,371 BALLOONS THERE BECAUSE I KNOW THAT YOU HOSTED A WEDDING. >> I DID. 156 00:05:39,373 --> 00:05:42,240 THAT YOU HOSTED A WEDDING. >> I DID. BUT I WAS FOR THE BACK AND THE 157 00:05:42,242 --> 00:05:42,507 >> I DID. BUT I WAS FOR THE BACK AND THE PANDEMIC. 158 00:05:42,509 --> 00:05:45,711 BUT I WAS FOR THE BACK AND THE PANDEMIC. WHEN IT WAS -- IT WAS A LOT. 159 00:05:45,713 --> 00:05:48,280 PANDEMIC. WHEN IT WAS -- IT WAS A LOT. THEY'RE ONLY LIKE 15 PEOPLE, BUT 160 00:05:48,282 --> 00:05:49,014 WHEN IT WAS -- IT WAS A LOT. THEY'RE ONLY LIKE 15 PEOPLE, BUT I THOUGHT I CAN HANDLE THAT. 161 00:05:49,016 --> 00:05:50,015 THEY'RE ONLY LIKE 15 PEOPLE, BUT I THOUGHT I CAN HANDLE THAT. BUT THEN OF COURSE HE COULDN'T 162 00:05:50,017 --> 00:05:52,918 I THOUGHT I CAN HANDLE THAT. BUT THEN OF COURSE HE COULDN'T HAVE A CATERER, COULDN'T HAVE -- 163 00:05:52,920 --> 00:05:54,453 BUT THEN OF COURSE HE COULDN'T HAVE A CATERER, COULDN'T HAVE -- AND WHEN IT CAME DOWN TO IT, 164 00:05:54,455 --> 00:05:57,989 HAVE A CATERER, COULDN'T HAVE -- AND WHEN IT CAME DOWN TO IT, EVERYTHING FELL APART VERY 165 00:05:57,991 --> 00:05:58,390 AND WHEN IT CAME DOWN TO IT, EVERYTHING FELL APART VERY QUICKLY. 166 00:05:58,392 --> 00:06:00,125 EVERYTHING FELL APART VERY QUICKLY. I HAD TO PUT THE HORS D'OEUVRES 167 00:06:00,127 --> 00:06:01,393 QUICKLY. I HAD TO PUT THE HORS D'OEUVRES AND RIGHT AS THE CEREMONY 168 00:06:01,395 --> 00:06:03,962 I HAD TO PUT THE HORS D'OEUVRES AND RIGHT AS THE CEREMONY STARTED, AND THEY HAD TO COME 169 00:06:03,964 --> 00:06:04,563 AND RIGHT AS THE CEREMONY STARTED, AND THEY HAD TO COME OUT EXACTLY WHEN THE CEREMONY 170 00:06:04,565 --> 00:06:05,364 STARTED, AND THEY HAD TO COME OUT EXACTLY WHEN THE CEREMONY WAS SUPPOSED TO END THE BACK, 171 00:06:05,366 --> 00:06:08,033 OUT EXACTLY WHEN THE CEREMONY WAS SUPPOSED TO END THE BACK, AND OF COURSE I PUT THEM IN, THE 172 00:06:08,035 --> 00:06:08,633 WAS SUPPOSED TO END THE BACK, AND OF COURSE I PUT THEM IN, THE CEREMONY STARTS, THE BRIDE IS 173 00:06:08,635 --> 00:06:10,669 AND OF COURSE I PUT THEM IN, THE CEREMONY STARTS, THE BRIDE IS WALKING ON THE PATH, AND I SEE 174 00:06:10,671 --> 00:06:14,406 CEREMONY STARTS, THE BRIDE IS WALKING ON THE PATH, AND I SEE DOG IN HER PATH. 175 00:06:14,408 --> 00:06:16,174 WALKING ON THE PATH, AND I SEE DOG IN HER PATH. AND I HAD TO GET THE 176 00:06:16,176 --> 00:06:17,959 DOG IN HER PATH. AND I HAD TO GET THE POOPER SCOOPER AND PICK UP THE 177 00:06:17,961 --> 00:06:19,745 AND I HAD TO GET THE POOPER SCOOPER AND PICK UP THE AND THEN THE VIDEOGRAPHER WAS 178 00:06:19,747 --> 00:06:21,279 POOPER SCOOPER AND PICK UP THE AND THEN THE VIDEOGRAPHER WAS OVERSERVED AND SO SOMEBODY ELSE 179 00:06:21,281 --> 00:06:23,014 AND THEN THE VIDEOGRAPHER WAS OVERSERVED AND SO SOMEBODY ELSE HAD TO SAVE GOLD OUT SO THE 180 00:06:23,016 --> 00:06:24,015 OVERSERVED AND SO SOMEBODY ELSE HAD TO SAVE GOLD OUT SO THE WEDDING TO WAS DELAYED SO I 181 00:06:24,017 --> 00:06:25,817 HAD TO SAVE GOLD OUT SO THE WEDDING TO WAS DELAYED SO I MISSED THE IDEA BECAUSE I HAD TO 182 00:06:25,819 --> 00:06:27,352 WEDDING TO WAS DELAYED SO I MISSED THE IDEA BECAUSE I HAD TO TAKE THE PIGS IN A BLANKET OUT 183 00:06:27,354 --> 00:06:29,554 MISSED THE IDEA BECAUSE I HAD TO TAKE THE PIGS IN A BLANKET OUT OF THE OVEN. 184 00:06:29,556 --> 00:06:30,589 TAKE THE PIGS IN A BLANKET OUT OF THE OVEN. MISS DDI DUES. 185 00:06:30,591 --> 00:06:31,189 OF THE OVEN. MISS DDI DUES. AND BIRD MYSELF ON GETTING THE 186 00:06:31,191 --> 00:06:33,859 MISS DDI DUES. AND BIRD MYSELF ON GETTING THE HORS D'OEUVRES OUT. 187 00:06:33,861 --> 00:06:36,995 AND BIRD MYSELF ON GETTING THE HORS D'OEUVRES OUT. IT WAS AN EPIC FAIL. 188 00:06:36,997 --> 00:06:37,579 HORS D'OEUVRES OUT. IT WAS AN EPIC FAIL. SOMETHING I WAS SO CASUAL AND 189 00:06:37,581 --> 00:06:38,096 IT WAS AN EPIC FAIL. SOMETHING I WAS SO CASUAL AND CALM LEADING UP TO IT. 190 00:06:38,098 --> 00:06:40,198 SOMETHING I WAS SO CASUAL AND CALM LEADING UP TO IT. I CAN THROW WEDDING FOR 15 191 00:06:40,200 --> 00:06:41,032 CALM LEADING UP TO IT. I CAN THROW WEDDING FOR 15 PEOPLE IT'S GOING TO BE EASY. 192 00:06:41,034 --> 00:06:43,201 I CAN THROW WEDDING FOR 15 PEOPLE IT'S GOING TO BE EASY. DON'T WORRY ABOUT IT. 193 00:06:43,203 --> 00:06:44,770 PEOPLE IT'S GOING TO BE EASY. DON'T WORRY ABOUT IT. AND EVERYTHING COULD GO WRONG 194 00:06:44,772 --> 00:06:47,305 DON'T WORRY ABOUT IT. AND EVERYTHING COULD GO WRONG WHEN STRONG AND I WAS A SWEATY 195 00:06:47,307 --> 00:06:49,608 AND EVERYTHING COULD GO WRONG WHEN STRONG AND I WAS A SWEATY MESS BY THE END OF THE CEREMONY. 196 00:06:49,610 --> 00:06:51,176 WHEN STRONG AND I WAS A SWEATY MESS BY THE END OF THE CEREMONY. BUT I WANT TO THAT AGAIN. 197 00:06:51,178 --> 00:06:52,677 MESS BY THE END OF THE CEREMONY. BUT I WANT TO THAT AGAIN. >> Ellen: BUT IT SOUNDS LIKE 198 00:06:52,679 --> 00:06:54,079 BUT I WANT TO THAT AGAIN. >> Ellen: BUT IT SOUNDS LIKE SOMETHING THAT EVERYBODY WILL 199 00:06:54,081 --> 00:06:57,149 >> Ellen: BUT IT SOUNDS LIKE SOMETHING THAT EVERYBODY WILL REMEMBER. 200 00:06:57,151 --> 00:06:57,416 SOMETHING THAT EVERYBODY WILL REMEMBER. [LAUGHTER] 201 00:06:57,418 --> 00:06:58,216 REMEMBER. [LAUGHTER] >> YES, THEY WILL. 202 00:06:58,218 --> 00:06:59,251 [LAUGHTER] >> YES, THEY WILL. BUT THEY DID GET MARRIED, AND 203 00:06:59,253 --> 00:07:01,453 >> YES, THEY WILL. BUT THEY DID GET MARRIED, AND THEY ARE HAPPY, SO THAT IS THE 204 00:07:01,455 --> 00:07:01,753 BUT THEY DID GET MARRIED, AND THEY ARE HAPPY, SO THAT IS THE BEST THING. 205 00:07:01,755 --> 00:07:03,321 THEY ARE HAPPY, SO THAT IS THE BEST THING. >> Ellen: THAT IS THE ONLY 206 00:07:03,323 --> 00:07:05,557 BEST THING. >> Ellen: THAT IS THE ONLY THING THAT MATTERS. 207 00:07:05,559 --> 00:07:06,124 >> Ellen: THAT IS THE ONLY THING THAT MATTERS. YOU HAVE HAD SOME TECHNICAL 208 00:07:06,126 --> 00:07:09,261 THING THAT MATTERS. YOU HAVE HAD SOME TECHNICAL DIFFICULTIES ON YOUR ZOOMS, AND 209 00:07:09,263 --> 00:07:10,128 YOU HAVE HAD SOME TECHNICAL DIFFICULTIES ON YOUR ZOOMS, AND THIS ACTUALLY IS HILARIOUS. 210 00:07:10,130 --> 00:07:12,130 DIFFICULTIES ON YOUR ZOOMS, AND THIS ACTUALLY IS HILARIOUS. SO THIS WAS LIKE A WEST WING 211 00:07:12,132 --> 00:07:12,330 THIS ACTUALLY IS HILARIOUS. SO THIS WAS LIKE A WEST WING THING. 212 00:07:12,332 --> 00:07:14,466 SO THIS WAS LIKE A WEST WING THING. LET'S JUST WATCH ALLISON DURING 213 00:07:14,468 --> 00:07:16,635 THING. LET'S JUST WATCH ALLISON DURING THE ENTIRE TIME WHILE PEOPLE ARE 214 00:07:16,637 --> 00:07:21,206 LET'S JUST WATCH ALLISON DURING THE ENTIRE TIME WHILE PEOPLE ARE TRYING TO -- 215 00:07:21,208 --> 00:07:21,840 THE ENTIRE TIME WHILE PEOPLE ARE TRYING TO -- ACTUALLY, YOU CANNOT FIGURE OUT 216 00:07:21,842 --> 00:07:22,474 TRYING TO -- ACTUALLY, YOU CANNOT FIGURE OUT WHERE THE LIGHT IS COMING FROM, 217 00:07:22,476 --> 00:07:26,478 ACTUALLY, YOU CANNOT FIGURE OUT WHERE THE LIGHT IS COMING FROM, SO YOU KEEP MOVING. 218 00:07:26,480 --> 00:07:28,747 WHERE THE LIGHT IS COMING FROM, SO YOU KEEP MOVING. [LAUGHTER] 219 00:07:28,749 --> 00:07:29,214 SO YOU KEEP MOVING. [LAUGHTER] OUR RIGHTS. 220 00:07:29,216 --> 00:07:30,482 [LAUGHTER] OUR RIGHTS. HOW DO YOU NOT SEE THAT THE 221 00:07:30,484 --> 00:07:35,887 OUR RIGHTS. HOW DO YOU NOT SEE THAT THE LIGHT IS JUST EXACTLY WHERE -- 222 00:07:35,889 --> 00:07:46,498 HOW DO YOU NOT SEE THAT THE LIGHT IS JUST EXACTLY WHERE -- [LAUGHTER] 223 00:07:46,500 --> 00:07:56,808 LIGHT IS JUST EXACTLY WHERE -- [LAUGHTER] [LAUGHTER] 224 00:07:56,810 --> 00:07:57,776 [LAUGHTER] [LAUGHTER] >> Ellen: YOU COULD NOT FIGURE 225 00:07:57,778 --> 00:07:59,377 [LAUGHTER] >> Ellen: YOU COULD NOT FIGURE OUT HOW TO GET OUT OF THAT 226 00:07:59,379 --> 00:07:59,845 >> Ellen: YOU COULD NOT FIGURE OUT HOW TO GET OUT OF THAT SUNLIGHT. 227 00:07:59,847 --> 00:08:02,747 OUT HOW TO GET OUT OF THAT SUNLIGHT. THAT IS REALLY SAD. 228 00:08:02,749 --> 00:08:03,548 SUNLIGHT. THAT IS REALLY SAD. >> ALL MY GOD. 229 00:08:03,550 --> 00:08:04,049 THAT IS REALLY SAD. >> ALL MY GOD. THAT IS PRETTY FUNNY. 230 00:08:04,051 --> 00:08:06,284 >> ALL MY GOD. THAT IS PRETTY FUNNY. I HAD NO IDEA. 231 00:08:06,286 --> 00:08:07,919 THAT IS PRETTY FUNNY. I HAD NO IDEA. THANK YOU FOR SHOWING ME THAT. 232 00:08:07,921 --> 00:08:08,954 I HAD NO IDEA. THANK YOU FOR SHOWING ME THAT. >> Ellen: THAT'S WHAT IT 233 00:08:08,956 --> 00:08:11,223 THANK YOU FOR SHOWING ME THAT. >> Ellen: THAT'S WHAT IT LOOKED LIKE FROM THE OTHER SIDE. 234 00:08:11,225 --> 00:08:12,491 >> Ellen: THAT'S WHAT IT LOOKED LIKE FROM THE OTHER SIDE. HEY, YOU KNOW, I KNOW YOU PRETTY 235 00:08:12,493 --> 00:08:13,925 LOOKED LIKE FROM THE OTHER SIDE. HEY, YOU KNOW, I KNOW YOU PRETTY WELL AND YOU HAVE BEEN ON THE 236 00:08:13,927 --> 00:08:15,360 HEY, YOU KNOW, I KNOW YOU PRETTY WELL AND YOU HAVE BEEN ON THE SHOW MANY, MANY TIMES. 237 00:08:15,362 --> 00:08:16,761 WELL AND YOU HAVE BEEN ON THE SHOW MANY, MANY TIMES. I DID NOT KNOW THAT YOU ARE A 238 00:08:16,763 --> 00:08:17,262 SHOW MANY, MANY TIMES. I DID NOT KNOW THAT YOU ARE A TROUBLEMAKER AS A KID. 239 00:08:17,264 --> 00:08:20,732 I DID NOT KNOW THAT YOU ARE A TROUBLEMAKER AS A KID. I LEARNED THAT TODAY. 240 00:08:20,734 --> 00:08:22,901 TROUBLEMAKER AS A KID. I LEARNED THAT TODAY. >> YOU KNOW, I USED TO BE A 241 00:08:22,903 --> 00:08:23,235 I LEARNED THAT TODAY. >> YOU KNOW, I USED TO BE A FIGURE SKATER. 242 00:08:23,237 --> 00:08:25,403 >> YOU KNOW, I USED TO BE A FIGURE SKATER. YOU KNOW THAT ABOUT ME. 243 00:08:25,405 --> 00:08:27,172 FIGURE SKATER. YOU KNOW THAT ABOUT ME. AND SOME OF THE FIGURE SKATERS 244 00:08:27,174 --> 00:08:29,774 YOU KNOW THAT ABOUT ME. AND SOME OF THE FIGURE SKATERS WERE PRETTY ROUGH CROWD FOR SOME 245 00:08:29,776 --> 00:08:30,575 AND SOME OF THE FIGURE SKATERS WERE PRETTY ROUGH CROWD FOR SOME REASON. 246 00:08:30,577 --> 00:08:31,977 WERE PRETTY ROUGH CROWD FOR SOME REASON. THERE ISN'T AN INITIATION THAT I 247 00:08:31,979 --> 00:08:33,845 REASON. THERE ISN'T AN INITIATION THAT I HAD TO GO THROUGH TO BE PART OF 248 00:08:33,847 --> 00:08:36,915 THERE ISN'T AN INITIATION THAT I HAD TO GO THROUGH TO BE PART OF THE COOL FIGURE SKATER CLICK, 249 00:08:36,917 --> 00:08:39,217 HAD TO GO THROUGH TO BE PART OF THE COOL FIGURE SKATER CLICK, AND IT INVOLVED SHOPLIFTING. 250 00:08:39,219 --> 00:08:39,851 THE COOL FIGURE SKATER CLICK, AND IT INVOLVED SHOPLIFTING. AND I'VE NEVER BEEN MORE 251 00:08:39,853 --> 00:08:41,720 AND IT INVOLVED SHOPLIFTING. AND I'VE NEVER BEEN MORE TERRIFIED. 252 00:08:41,722 --> 00:08:43,522 AND I'VE NEVER BEEN MORE TERRIFIED. I STILL -- I DON'T EVEN REMEMBER 253 00:08:43,524 --> 00:08:46,224 TERRIFIED. I STILL -- I DON'T EVEN REMEMBER WHAT I STOLE OTHER THAN CANDY OR 254 00:08:46,226 --> 00:08:46,992 I STILL -- I DON'T EVEN REMEMBER WHAT I STOLE OTHER THAN CANDY OR MAKE UP SOMETHING LIKE THAT. 255 00:08:46,994 --> 00:08:53,298 WHAT I STOLE OTHER THAN CANDY OR MAKE UP SOMETHING LIKE THAT. ONE OF THE GIRLS GOT CAUGHT, AND 256 00:08:53,300 --> 00:08:55,100 MAKE UP SOMETHING LIKE THAT. ONE OF THE GIRLS GOT CAUGHT, AND FROM THEN ON, I WAS SO MORTIFIED 257 00:08:55,102 --> 00:08:59,504 ONE OF THE GIRLS GOT CAUGHT, AND FROM THEN ON, I WAS SO MORTIFIED OF THE EXPERIENCE -- THE 258 00:08:59,506 --> 00:09:01,540 FROM THEN ON, I WAS SO MORTIFIED OF THE EXPERIENCE -- THE EXPERIENCE WAS MORTIFYING, AND 259 00:09:01,542 --> 00:09:03,341 OF THE EXPERIENCE -- THE EXPERIENCE WAS MORTIFYING, AND GOING FORWARD, EVERY STORE I GO 260 00:09:03,343 --> 00:09:04,209 EXPERIENCE WAS MORTIFYING, AND GOING FORWARD, EVERY STORE I GO INTO, I FEEL LIKE PEOPLE ARE 261 00:09:04,211 --> 00:09:06,545 GOING FORWARD, EVERY STORE I GO INTO, I FEEL LIKE PEOPLE ARE LOOKING AT ME LIKE I'M GOING TO 262 00:09:06,547 --> 00:09:06,912 INTO, I FEEL LIKE PEOPLE ARE LOOKING AT ME LIKE I'M GOING TO TAKE SOMETHING. 263 00:09:06,914 --> 00:09:08,547 LOOKING AT ME LIKE I'M GOING TO TAKE SOMETHING. >> Ellen: I DID NOT REALIZE 264 00:09:08,549 --> 00:09:09,381 TAKE SOMETHING. >> Ellen: I DID NOT REALIZE THAT FIGURE SKATERS WITH SUCH A 265 00:09:09,383 --> 00:09:11,383 >> Ellen: I DID NOT REALIZE THAT FIGURE SKATERS WITH SUCH A TOUGH CROWD. 266 00:09:11,385 --> 00:09:11,650 THAT FIGURE SKATERS WITH SUCH A TOUGH CROWD. [LAUGHTER] 267 00:09:11,652 --> 00:09:14,786 TOUGH CROWD. [LAUGHTER] I HAD NO IDEA. 268 00:09:14,788 --> 00:09:16,288 [LAUGHTER] I HAD NO IDEA. HEY, DOES YOUR DAD KNOW ALL 269 00:09:16,290 --> 00:09:16,621 I HAD NO IDEA. HEY, DOES YOUR DAD KNOW ALL THOSE STORIES? 270 00:09:16,623 --> 00:09:17,622 HEY, DOES YOUR DAD KNOW ALL THOSE STORIES? HE LEFT THE ROOM, BUT DOES HE 271 00:09:17,624 --> 00:09:20,792 THOSE STORIES? HE LEFT THE ROOM, BUT DOES HE KNOW YOU WERE -- 272 00:09:20,794 --> 00:09:20,959 HE LEFT THE ROOM, BUT DOES HE KNOW YOU WERE -- NO? 273 00:09:20,961 --> 00:09:22,327 KNOW YOU WERE -- NO? WELL, HE DOES NOW. 274 00:09:22,329 --> 00:09:26,264 NO? WELL, HE DOES NOW. SO "MOM" IS ENTERING ITS FINAL 275 00:09:26,266 --> 00:09:27,566 WELL, HE DOES NOW. SO "MOM" IS ENTERING ITS FINAL EPISODE TOMORROW NIGHT AFTER 276 00:09:27,568 --> 00:09:28,533 SO "MOM" IS ENTERING ITS FINAL EPISODE TOMORROW NIGHT AFTER EIGHT YEARS. 277 00:09:28,535 --> 00:09:29,434 EPISODE TOMORROW NIGHT AFTER EIGHT YEARS. EIGHT YEARS. 278 00:09:29,436 --> 00:09:33,572 EIGHT YEARS. EIGHT YEARS. VERY FEW SITCOMS GO THAT LONG. 279 00:09:33,574 --> 00:09:36,408 EIGHT YEARS. VERY FEW SITCOMS GO THAT LONG. >> IT IS AN EXTRAORDINARY 280 00:09:36,410 --> 00:09:38,009 VERY FEW SITCOMS GO THAT LONG. >> IT IS AN EXTRAORDINARY ACCOMPLISHMENT AND GETTING TO 281 00:09:38,011 --> 00:09:38,810 >> IT IS AN EXTRAORDINARY ACCOMPLISHMENT AND GETTING TO PLAY CHARACTER LIKE BONNIE WHO 282 00:09:38,812 --> 00:09:41,012 ACCOMPLISHMENT AND GETTING TO PLAY CHARACTER LIKE BONNIE WHO IS IN RECOVERY, YOU SEE HER IN 283 00:09:41,014 --> 00:09:42,314 PLAY CHARACTER LIKE BONNIE WHO IS IN RECOVERY, YOU SEE HER IN THE BEGINNING STAGES OF HER 284 00:09:42,316 --> 00:09:47,185 IS IN RECOVERY, YOU SEE HER IN THE BEGINNING STAGES OF HER RECOVERY, AND TO GET TO SHOW HER 285 00:09:47,187 --> 00:09:50,088 THE BEGINNING STAGES OF HER RECOVERY, AND TO GET TO SHOW HER -- THE RECOVERY THAT SHE MAKES 286 00:09:50,090 --> 00:09:53,825 RECOVERY, AND TO GET TO SHOW HER -- THE RECOVERY THAT SHE MAKES OVER EIGHT YEARS IS A GIFT. 287 00:09:53,827 --> 00:09:55,327 -- THE RECOVERY THAT SHE MAKES OVER EIGHT YEARS IS A GIFT. TO SHOW HER HAVE A BETTER 288 00:09:55,329 --> 00:09:59,598 OVER EIGHT YEARS IS A GIFT. TO SHOW HER HAVE A BETTER RELATIONSHIP WITH HERSELF AND 289 00:09:59,600 --> 00:10:00,031 TO SHOW HER HAVE A BETTER RELATIONSHIP WITH HERSELF AND THEREFORE BETTER HER 290 00:10:00,033 --> 00:10:00,699 RELATIONSHIP WITH HERSELF AND THEREFORE BETTER HER RELATIONSHIPS WITH HER DAUGHTER, 291 00:10:00,701 --> 00:10:03,335 THEREFORE BETTER HER RELATIONSHIPS WITH HER DAUGHTER, WITH HER FRIENDS. 292 00:10:03,337 --> 00:10:06,171 RELATIONSHIPS WITH HER DAUGHTER, WITH HER FRIENDS. IT WAS A WONDERFUL SHOW TO GET 293 00:10:06,173 --> 00:10:08,340 WITH HER FRIENDS. IT WAS A WONDERFUL SHOW TO GET TO HAVE EIGHT YEARS TO TELL 294 00:10:08,342 --> 00:10:12,410 IT WAS A WONDERFUL SHOW TO GET TO HAVE EIGHT YEARS TO TELL THESE PEOPLE'S STORIES. 295 00:10:12,412 --> 00:10:13,612 TO HAVE EIGHT YEARS TO TELL THESE PEOPLE'S STORIES. >> Ellen: AND MANY, MANY 296 00:10:13,614 --> 00:10:14,245 THESE PEOPLE'S STORIES. >> Ellen: AND MANY, MANY PEOPLE BENEFITED FROM THAT SHOW 297 00:10:14,247 --> 00:10:14,913 >> Ellen: AND MANY, MANY PEOPLE BENEFITED FROM THAT SHOW AS WELL. 298 00:10:14,915 --> 00:10:15,947 PEOPLE BENEFITED FROM THAT SHOW AS WELL. WHEN WE COME BACK, WE ARE GOING 299 00:10:15,949 --> 00:10:17,549 AS WELL. WHEN WE COME BACK, WE ARE GOING TO BRING OUT THE REST OF THE 300 00:10:17,551 --> 00:10:18,984 WHEN WE COME BACK, WE ARE GOING TO BRING OUT THE REST OF THE CAST, SO WE WILL TAKE A BREAK, 301 00:10:18,986 --> 00:10:21,086 TO BRING OUT THE REST OF THE CAST, SO WE WILL TAKE A BREAK, WE WILL BACK WITH ALLISON AND 302 00:10:21,088 --> 00:10:22,387 CAST, SO WE WILL TAKE A BREAK, WE WILL BACK WITH ALLISON AND THE REST OF THE CAST. 303 00:10:22,389 --> 00:10:26,091 WE WILL BACK WITH ALLISON AND THE REST OF THE CAST. [APPLAUSE] 304 00:10:26,093 --> 00:10:31,129 THE REST OF THE CAST. [APPLAUSE] ♪ ♪ 305 00:10:31,131 --> 00:10:32,731 [APPLAUSE] ♪ ♪ >> MY CHARACTER WENT TO A 306 00:10:32,733 --> 00:10:34,933 ♪ ♪ >> MY CHARACTER WENT TO A WELLNESS RETREAT, I BELIEVE IT 307 00:10:34,935 --> 00:10:37,569 >> MY CHARACTER WENT TO A WELLNESS RETREAT, I BELIEVE IT WAS. 308 00:10:37,571 --> 00:10:38,703 WELLNESS RETREAT, I BELIEVE IT WAS. >> Ellen: OF COURSE, THAT IS 309 00:10:38,705 --> 00:10:38,937 WAS. >> Ellen: OF COURSE, THAT IS ALLISON. 310 00:10:38,939 --> 00:10:45,343 >> Ellen: OF COURSE, THAT IS ALLISON. OF COURSE. 311 00:10:45,345 --> 00:10:49,648 ALLISON. OF COURSE. >> 312 00:10:55,154 --> 00:10:56,588 >> SO SHANNON, WAS TONIGHT TO OUR FIRST MEETING? >> ISN'T THAT OBVIOUS? 313 00:10:56,590 --> 00:10:58,356 OUR FIRST MEETING? >> ISN'T THAT OBVIOUS? >> YES. 314 00:10:58,358 --> 00:11:00,458 >> ISN'T THAT OBVIOUS? >> YES. >> ACTUALLY, I DON'T THINK I 315 00:11:00,460 --> 00:11:01,226 >> YES. >> ACTUALLY, I DON'T THINK I HAVE ANYTHING IN COMMON WITH YOU 316 00:11:01,228 --> 00:11:02,961 >> ACTUALLY, I DON'T THINK I HAVE ANYTHING IN COMMON WITH YOU GUYS BUT YOU DON'T KNOW WHAT 317 00:11:02,963 --> 00:11:05,563 HAVE ANYTHING IN COMMON WITH YOU GUYS BUT YOU DON'T KNOW WHAT REAL PROBLEMS ARE. 318 00:11:05,565 --> 00:11:05,897 GUYS BUT YOU DON'T KNOW WHAT REAL PROBLEMS ARE. [LAUGHTER] 319 00:11:05,899 --> 00:11:07,532 REAL PROBLEMS ARE. [LAUGHTER] >> WHAT IS SO FUNNY? 320 00:11:07,534 --> 00:11:09,067 [LAUGHTER] >> WHAT IS SO FUNNY? >> I GUARANTEE IT WHATEVER 321 00:11:09,069 --> 00:11:09,834 >> WHAT IS SO FUNNY? >> I GUARANTEE IT WHATEVER PROBLEMS YOU HAVE, SOMEONE AT 322 00:11:09,836 --> 00:11:13,104 >> I GUARANTEE IT WHATEVER PROBLEMS YOU HAVE, SOMEONE AT THIS TABLE HAS EITHER HAD THEM 323 00:11:13,106 --> 00:11:14,272 PROBLEMS YOU HAVE, SOMEONE AT THIS TABLE HAS EITHER HAD THEM OR MADE THEM MUCH WORSE. 324 00:11:14,274 --> 00:11:16,007 THIS TABLE HAS EITHER HAD THEM OR MADE THEM MUCH WORSE. >> SO YOU LOT A KID AN IN A CUSY 325 00:11:16,009 --> 00:11:17,676 OR MADE THEM MUCH WORSE. >> SO YOU LOT A KID AN IN A CUSY BATTLE? 326 00:11:17,678 --> 00:11:20,245 >> SO YOU LOT A KID AN IN A CUSY BATTLE? >> WHO NEEDS A CUSTODY BATTLE? 327 00:11:20,247 --> 00:11:21,112 BATTLE? >> WHO NEEDS A CUSTODY BATTLE? ACTUALLY LOST MY KID. 328 00:11:21,114 --> 00:11:22,781 >> WHO NEEDS A CUSTODY BATTLE? ACTUALLY LOST MY KID. COULDN'T FIND THEM FOR LIKE TWO 329 00:11:22,783 --> 00:11:23,014 ACTUALLY LOST MY KID. COULDN'T FIND THEM FOR LIKE TWO COYEARS. 330 00:11:23,016 --> 00:11:26,551 COULDN'T FIND THEM FOR LIKE TWO COYEARS. THERE WAS A CLIP FROM THE VERY 331 00:11:26,553 --> 00:11:28,486 COYEARS. THERE WAS A CLIP FROM THE VERY LAST EPISODE OF "MOM," AND NOW 332 00:11:28,488 --> 00:11:29,120 THERE WAS A CLIP FROM THE VERY LAST EPISODE OF "MOM," AND NOW WE HAVE ALLISON JANNEY AND THE 333 00:11:29,122 --> 00:11:31,556 LAST EPISODE OF "MOM," AND NOW WE HAVE ALLISON JANNEY AND THE REST OF THE CAST. 334 00:11:31,558 --> 00:11:32,157 WE HAVE ALLISON JANNEY AND THE REST OF THE CAST. PLEASE WELCOME JAMIE PRESSLY, 335 00:11:32,159 --> 00:11:34,125 REST OF THE CAST. PLEASE WELCOME JAMIE PRESSLY, KRISTEN JOHNSTON, MIMI KENNEDY, 336 00:11:34,127 --> 00:11:34,759 PLEASE WELCOME JAMIE PRESSLY, KRISTEN JOHNSTON, MIMI KENNEDY, AND BETH HALL. 337 00:11:34,761 --> 00:11:39,064 KRISTEN JOHNSTON, MIMI KENNEDY, AND BETH HALL. [APPLAUSE] 338 00:11:39,066 --> 00:11:42,634 AND BETH HALL. [APPLAUSE] HI, EVERYBODY. 339 00:11:42,636 --> 00:11:43,101 [APPLAUSE] HI, EVERYBODY. >> HELLO. 340 00:11:43,103 --> 00:11:44,135 HI, EVERYBODY. >> HELLO. >> Ellen: SO THE FINALE OF 341 00:11:44,137 --> 00:11:47,472 >> HELLO. >> Ellen: SO THE FINALE OF "MOM" IS TOMORROW NIGHT, AND I 342 00:11:47,474 --> 00:11:48,106 >> Ellen: SO THE FINALE OF "MOM" IS TOMORROW NIGHT, AND I GUESS HAS IT SUNK IN THAT YOU 343 00:11:48,108 --> 00:11:50,975 "MOM" IS TOMORROW NIGHT, AND I GUESS HAS IT SUNK IN THAT YOU ARE DONE? 344 00:11:50,977 --> 00:11:54,012 GUESS HAS IT SUNK IN THAT YOU ARE DONE? >> I GUESS. 345 00:11:54,014 --> 00:11:55,880 ARE DONE? >> I GUESS. >> STARTED TO HIT US ALL. 346 00:11:55,882 --> 00:11:56,648 >> I GUESS. >> STARTED TO HIT US ALL. GOING TO TAKE A MINUTE TO 347 00:11:56,650 --> 00:11:57,515 >> STARTED TO HIT US ALL. GOING TO TAKE A MINUTE TO PROCESS I THINK. 348 00:11:57,517 --> 00:11:58,850 GOING TO TAKE A MINUTE TO PROCESS I THINK. I AM MISSING MY GIRLS ALREADY. 349 00:11:58,852 --> 00:12:00,051 PROCESS I THINK. I AM MISSING MY GIRLS ALREADY. >> Ellen: YEAH. 350 00:12:00,053 --> 00:12:00,685 I AM MISSING MY GIRLS ALREADY. >> Ellen: YEAH. ARE YOU HAPPY WITH THE WAY THE 351 00:12:00,687 --> 00:12:02,954 >> Ellen: YEAH. ARE YOU HAPPY WITH THE WAY THE SHOW WRAPS UP? 352 00:12:02,956 --> 00:12:06,991 ARE YOU HAPPY WITH THE WAY THE SHOW WRAPS UP? >> I FEEL THAT CHUCK TOOK THE 353 00:12:06,993 --> 00:12:09,661 SHOW WRAPS UP? >> I FEEL THAT CHUCK TOOK THE LEAD ON THIS ONE, AND I THINK 354 00:12:09,663 --> 00:12:13,498 >> I FEEL THAT CHUCK TOOK THE LEAD ON THIS ONE, AND I THINK IT'S THE PERFECT WAY TO END THE 355 00:12:13,500 --> 00:12:14,699 LEAD ON THIS ONE, AND I THINK IT'S THE PERFECT WAY TO END THE SERIES BECAUSE OF WHAT THE 356 00:12:14,701 --> 00:12:16,434 IT'S THE PERFECT WAY TO END THE SERIES BECAUSE OF WHAT THE SERIES TACKLED, THE MAIN 357 00:12:16,436 --> 00:12:17,535 SERIES BECAUSE OF WHAT THE SERIES TACKLED, THE MAIN SUBJECT, WHICH WAS PEOPLE IN 358 00:12:17,537 --> 00:12:17,802 SERIES TACKLED, THE MAIN SUBJECT, WHICH WAS PEOPLE IN RECOVERY. 359 00:12:17,804 --> 00:12:19,738 SUBJECT, WHICH WAS PEOPLE IN RECOVERY. AND I THINK IT'S A LOVELY GIFT, 360 00:12:19,740 --> 00:12:21,706 RECOVERY. AND I THINK IT'S A LOVELY GIFT, AND I THINK IT WAS HANDLED 361 00:12:21,708 --> 00:12:23,007 AND I THINK IT'S A LOVELY GIFT, AND I THINK IT WAS HANDLED BEAUTIFULLY, I THINK. 362 00:12:23,009 --> 00:12:23,374 AND I THINK IT WAS HANDLED BEAUTIFULLY, I THINK. >> Ellen: GOOD. 363 00:12:23,376 --> 00:12:24,876 BEAUTIFULLY, I THINK. >> Ellen: GOOD. I CAN'T WAIT. 364 00:12:24,878 --> 00:12:26,311 >> Ellen: GOOD. I CAN'T WAIT. AND WHO CRIED THE MOST LEADING 365 00:12:26,313 --> 00:12:27,312 I CAN'T WAIT. AND WHO CRIED THE MOST LEADING UP TO THE LAST EPISODE? 366 00:12:27,314 --> 00:12:29,147 AND WHO CRIED THE MOST LEADING UP TO THE LAST EPISODE? >> I THINK WE ALL DID. 367 00:12:29,149 --> 00:12:37,322 UP TO THE LAST EPISODE? >> I THINK WE ALL DID. I THINK WE HAD OUR MOMENTS. 368 00:12:37,324 --> 00:12:39,124 >> I THINK WE ALL DID. I THINK WE HAD OUR MOMENTS. >> YOU GUYS JUST AUTOMATICALLY 369 00:12:39,126 --> 00:12:41,493 I THINK WE HAD OUR MOMENTS. >> YOU GUYS JUST AUTOMATICALLY SAVE ME BECAUSE I AM NATURALLY A 370 00:12:41,495 --> 00:12:42,227 >> YOU GUYS JUST AUTOMATICALLY SAVE ME BECAUSE I AM NATURALLY A CRIER, BUT I THINK I HELD UP 371 00:12:42,229 --> 00:12:43,695 SAVE ME BECAUSE I AM NATURALLY A CRIER, BUT I THINK I HELD UP PRETTY WELL. 372 00:12:43,697 --> 00:12:47,432 CRIER, BUT I THINK I HELD UP PRETTY WELL. >> I WILL SAY THE FINAL -- IS 373 00:12:47,434 --> 00:12:49,934 PRETTY WELL. >> I WILL SAY THE FINAL -- IS ACTUALLY THE VERY LAST SCENE OF 374 00:12:49,936 --> 00:12:55,073 >> I WILL SAY THE FINAL -- IS ACTUALLY THE VERY LAST SCENE OF THE SHOW, ALLISON GIVES AN 375 00:12:55,075 --> 00:12:58,910 ACTUALLY THE VERY LAST SCENE OF THE SHOW, ALLISON GIVES AN INCREDIBLY BEAUTIFUL MONOLOGUE 376 00:12:58,912 --> 00:12:59,711 THE SHOW, ALLISON GIVES AN INCREDIBLY BEAUTIFUL MONOLOGUE AND SHARE, AND THERE IS NOT A 377 00:12:59,713 --> 00:13:03,481 INCREDIBLY BEAUTIFUL MONOLOGUE AND SHARE, AND THERE IS NOT A DRY EYE IN THE HOUSE. 378 00:13:03,483 --> 00:13:03,848 AND SHARE, AND THERE IS NOT A DRY EYE IN THE HOUSE. >> Ellen: WOW. 379 00:13:03,850 --> 00:13:06,217 DRY EYE IN THE HOUSE. >> Ellen: WOW. >> EVERY TAKE. 380 00:13:06,219 --> 00:13:07,152 >> Ellen: WOW. >> EVERY TAKE. >> AN AND I DID. 381 00:13:07,154 --> 00:13:09,654 >> EVERY TAKE. >> AN AND I DID. BELIEVE ME, I DIDN'T FEEL THE 382 00:13:09,656 --> 00:13:14,192 >> AN AND I DID. BELIEVE ME, I DIDN'T FEEL THE RESPONSIBILITY AT ALL ALL WEEK. 383 00:13:14,194 --> 00:13:17,028 BELIEVE ME, I DIDN'T FEEL THE RESPONSIBILITY AT ALL ALL WEEK. I FELT -- I'VE NEVER BEEN MORE 384 00:13:17,030 --> 00:13:18,963 RESPONSIBILITY AT ALL ALL WEEK. I FELT -- I'VE NEVER BEEN MORE TERRIFIED OF HAVING TO DELIVER 385 00:13:18,965 --> 00:13:19,731 I FELT -- I'VE NEVER BEEN MORE TERRIFIED OF HAVING TO DELIVER SOMETHING AND POTENTIALLY -- IT 386 00:13:19,733 --> 00:13:21,866 TERRIFIED OF HAVING TO DELIVER SOMETHING AND POTENTIALLY -- IT WAS MIND TO MESS UP, YOU KNOW TO 387 00:13:21,868 --> 00:13:22,066 SOMETHING AND POTENTIALLY -- IT WAS MIND TO MESS UP, YOU KNOW TO ME? 388 00:13:22,068 --> 00:13:23,835 WAS MIND TO MESS UP, YOU KNOW TO ME? AND I WAS VERY NERVOUS ABOUT IT, 389 00:13:23,837 --> 00:13:26,437 ME? AND I WAS VERY NERVOUS ABOUT IT, BUT I WANTED TO GIVE IT THE 390 00:13:26,439 --> 00:13:27,071 AND I WAS VERY NERVOUS ABOUT IT, BUT I WANTED TO GIVE IT THE WEIGHT IT DESERVED. 391 00:13:27,073 --> 00:13:30,809 BUT I WANTED TO GIVE IT THE WEIGHT IT DESERVED. AND EVERYTHING IT DESERVED. 392 00:13:30,811 --> 00:13:32,043 WEIGHT IT DESERVED. AND EVERYTHING IT DESERVED. >> AND YOU DID EXACTLY THAT. 393 00:13:32,045 --> 00:13:33,611 AND EVERYTHING IT DESERVED. >> AND YOU DID EXACTLY THAT. >> Ellen: WELL, ALLISON IS 394 00:13:33,613 --> 00:13:35,280 >> AND YOU DID EXACTLY THAT. >> Ellen: WELL, ALLISON IS BRILLIANT. 395 00:13:35,282 --> 00:13:36,314 >> Ellen: WELL, ALLISON IS BRILLIANT. SHE CAN DO NO WRONG. 396 00:13:36,316 --> 00:13:39,184 BRILLIANT. SHE CAN DO NO WRONG. I MEAN, SHE IS HILARIOUS, SHE IS 397 00:13:39,186 --> 00:13:42,153 SHE CAN DO NO WRONG. I MEAN, SHE IS HILARIOUS, SHE IS AN AMAZING DRAMATIC ACTOR, SHE 398 00:13:42,155 --> 00:13:42,854 I MEAN, SHE IS HILARIOUS, SHE IS AN AMAZING DRAMATIC ACTOR, SHE IS EVERYTHING. 399 00:13:42,856 --> 00:13:43,621 AN AMAZING DRAMATIC ACTOR, SHE IS EVERYTHING. KRISTEN, FIRST OF ALL, IT IS 400 00:13:43,623 --> 00:13:44,222 IS EVERYTHING. KRISTEN, FIRST OF ALL, IT IS GOOD TO SEE YOU. 401 00:13:44,224 --> 00:13:47,225 KRISTEN, FIRST OF ALL, IT IS GOOD TO SEE YOU. I HAVE NOT SEEN YOU FOR YEARS. 402 00:13:47,227 --> 00:13:49,360 GOOD TO SEE YOU. I HAVE NOT SEEN YOU FOR YEARS. YOU JOINED TO THE SHOW A LITTLE 403 00:13:49,362 --> 00:13:50,361 I HAVE NOT SEEN YOU FOR YEARS. YOU JOINED TO THE SHOW A LITTLE LATER THAN EVERYBODY ELSE AND 404 00:13:50,363 --> 00:13:51,896 YOU JOINED TO THE SHOW A LITTLE LATER THAN EVERYBODY ELSE AND YOU ARE REALLY SUPPOSED TO JUST 405 00:13:51,898 --> 00:13:53,898 LATER THAN EVERYBODY ELSE AND YOU ARE REALLY SUPPOSED TO JUST DO ONE EPISODE, RIGHT? 406 00:13:53,900 --> 00:13:55,233 YOU ARE REALLY SUPPOSED TO JUST DO ONE EPISODE, RIGHT? >> YEAH I WAS. 407 00:13:55,235 --> 00:13:58,069 DO ONE EPISODE, RIGHT? >> YEAH I WAS. AND ACTUALLY DID THIS FOR ONE 408 00:13:58,071 --> 00:13:59,904 >> YEAH I WAS. AND ACTUALLY DID THIS FOR ONE TERM AND KIND OF ONE NOTES 409 00:13:59,906 --> 00:14:00,672 AND ACTUALLY DID THIS FOR ONE TERM AND KIND OF ONE NOTES PERFORMANCE, HIGH THOUGHTS. 410 00:14:00,674 --> 00:14:01,472 TERM AND KIND OF ONE NOTES PERFORMANCE, HIGH THOUGHTS. AND THE PRODUCERS CAME ON TO ME 411 00:14:01,474 --> 00:14:03,074 PERFORMANCE, HIGH THOUGHTS. AND THE PRODUCERS CAME ON TO ME AFTERWARDS AND THERE WERE LIKE 412 00:14:03,076 --> 00:14:04,576 AND THE PRODUCERS CAME ON TO ME AFTERWARDS AND THERE WERE LIKE WE HAVE TO HAVE YOU BACK ON THE 413 00:14:04,578 --> 00:14:04,776 AFTERWARDS AND THERE WERE LIKE WE HAVE TO HAVE YOU BACK ON THE SHOW. 414 00:14:04,778 --> 00:14:07,011 WE HAVE TO HAVE YOU BACK ON THE SHOW. BUT EVERYBODY SAYS THAT SO I WAS 415 00:14:07,013 --> 00:14:07,679 SHOW. BUT EVERYBODY SAYS THAT SO I WAS LIKE OH, WHATEVER. 416 00:14:07,681 --> 00:14:08,580 BUT EVERYBODY SAYS THAT SO I WAS LIKE OH, WHATEVER. AND THEN THEY CALLED A COUPLE 417 00:14:08,582 --> 00:14:11,516 LIKE OH, WHATEVER. AND THEN THEY CALLED A COUPLE WEEKS LATER AND I WAS SO 418 00:14:11,518 --> 00:14:12,283 AND THEN THEY CALLED A COUPLE WEEKS LATER AND I WAS SO EXCITED. 419 00:14:12,285 --> 00:14:13,151 WEEKS LATER AND I WAS SO EXCITED. AND HERE -- I'M STILL THERE. 420 00:14:13,153 --> 00:14:16,654 EXCITED. AND HERE -- I'M STILL THERE. OR I WAS STILL THERE. 421 00:14:16,656 --> 00:14:18,189 AND HERE -- I'M STILL THERE. OR I WAS STILL THERE. >> Ellen: AND BETH, YOU ARE 422 00:14:18,191 --> 00:14:19,557 OR I WAS STILL THERE. >> Ellen: AND BETH, YOU ARE SUPPOSED TO PLAY DIFFERENT 423 00:14:19,559 --> 00:14:19,824 >> Ellen: AND BETH, YOU ARE SUPPOSED TO PLAY DIFFERENT CHARACTER. 424 00:14:19,826 --> 00:14:20,525 SUPPOSED TO PLAY DIFFERENT CHARACTER. >> YES. 425 00:14:20,527 --> 00:14:22,594 CHARACTER. >> YES. FIRST I WAS CAST AS A CHARACTER 426 00:14:22,596 --> 00:14:25,196 >> YES. FIRST I WAS CAST AS A CHARACTER NAMED JAN THIS AND I WAS 427 00:14:25,198 --> 00:14:27,198 FIRST I WAS CAST AS A CHARACTER NAMED JAN THIS AND I WAS SUPPOSED TO BE AN AA GROUP AND 428 00:14:27,200 --> 00:14:29,567 NAMED JAN THIS AND I WAS SUPPOSED TO BE AN AA GROUP AND GET CUT OFF AND WE WERE AT 429 00:14:29,569 --> 00:14:31,069 SUPPOSED TO BE AN AA GROUP AND GET CUT OFF AND WE WERE AT THE SCENE AND THEN LITERALLY 430 00:14:31,071 --> 00:14:33,238 GET CUT OFF AND WE WERE AT THE SCENE AND THEN LITERALLY AFTER SITTING IN MAKEUP ON SHOW 431 00:14:33,240 --> 00:14:36,140 THE SCENE AND THEN LITERALLY AFTER SITTING IN MAKEUP ON SHOW NIGHT THEY SAID IT'S NOT 432 00:14:36,142 --> 00:14:38,409 AFTER SITTING IN MAKEUP ON SHOW NIGHT THEY SAID IT'S NOT WORKING, WE ARE GOING TO CUT THE 433 00:14:38,411 --> 00:14:39,110 NIGHT THEY SAID IT'S NOT WORKING, WE ARE GOING TO CUT THE SCENE. 434 00:14:39,112 --> 00:14:40,845 WORKING, WE ARE GOING TO CUT THE SCENE. SO WAS LIKE OH GOSH. 435 00:14:40,847 --> 00:14:42,647 SCENE. SO WAS LIKE OH GOSH. BUT CHUCK AND ALL OF THEM SAID 436 00:14:42,649 --> 00:14:44,449 SO WAS LIKE OH GOSH. BUT CHUCK AND ALL OF THEM SAID IT'S NOT YOU, IT'S NOT YOU. 437 00:14:44,451 --> 00:14:44,883 BUT CHUCK AND ALL OF THEM SAID IT'S NOT YOU, IT'S NOT YOU. WE'LL HAVE YOU BACK. 438 00:14:44,885 --> 00:14:47,051 IT'S NOT YOU, IT'S NOT YOU. WE'LL HAVE YOU BACK. AND LIKE CHRIS AND I WAS LIKE 439 00:14:47,053 --> 00:14:47,619 WE'LL HAVE YOU BACK. AND LIKE CHRIS AND I WAS LIKE ALL RIGHT, SURE. 440 00:14:47,621 --> 00:14:48,853 AND LIKE CHRIS AND I WAS LIKE ALL RIGHT, SURE. AND SURE ENOUGH THEY HAD ME COME 441 00:14:48,855 --> 00:14:50,922 ALL RIGHT, SURE. AND SURE ENOUGH THEY HAD ME COME BACK AS WENDY, WHICH WAS 442 00:14:50,924 --> 00:14:51,155 AND SURE ENOUGH THEY HAD ME COME BACK AS WENDY, WHICH WAS AWESOME. 443 00:14:51,157 --> 00:14:53,191 BACK AS WENDY, WHICH WAS AWESOME. I THINK IT WAS SUPPOSED TO BE A 444 00:14:53,193 --> 00:14:55,059 AWESOME. I THINK IT WAS SUPPOSED TO BE A ONE-OFF BUT I KEPT COMING BACK. 445 00:14:55,061 --> 00:14:56,461 I THINK IT WAS SUPPOSED TO BE A ONE-OFF BUT I KEPT COMING BACK. SUE AND THAT IS FANTASTIC. 446 00:14:56,463 --> 00:14:57,328 ONE-OFF BUT I KEPT COMING BACK. SUE AND THAT IS FANTASTIC. AND MIMI, BESIDES ALLISON YOU 447 00:14:57,330 --> 00:15:00,231 SUE AND THAT IS FANTASTIC. AND MIMI, BESIDES ALLISON YOU BEEN THE LONGEST AND CHARACTER 448 00:15:00,233 --> 00:15:02,700 AND MIMI, BESIDES ALLISON YOU BEEN THE LONGEST AND CHARACTER HAS HAD A THING FOR RESCUING 449 00:15:02,702 --> 00:15:03,334 BEEN THE LONGEST AND CHARACTER HAS HAD A THING FOR RESCUING CATS, WHICH I HEAR IS NOT IDEAL 450 00:15:03,336 --> 00:15:07,238 HAS HAD A THING FOR RESCUING CATS, WHICH I HEAR IS NOT IDEAL FOR YOU. 451 00:15:07,240 --> 00:15:10,208 CATS, WHICH I HEAR IS NOT IDEAL FOR YOU. >> I'M ALLERGIC TO CATS, SO I 452 00:15:10,210 --> 00:15:13,111 FOR YOU. >> I'M ALLERGIC TO CATS, SO I WAS TAKEN THE ALLERGY PILLS. 453 00:15:13,113 --> 00:15:14,279 >> I'M ALLERGIC TO CATS, SO I WAS TAKEN THE ALLERGY PILLS. AM I WORKING WITH CATS TOMORROW? 454 00:15:14,281 --> 00:15:14,479 WAS TAKEN THE ALLERGY PILLS. AM I WORKING WITH CATS TOMORROW? OKAY. 455 00:15:14,481 --> 00:15:16,514 AM I WORKING WITH CATS TOMORROW? OKAY. AND SOMETIMES I WOULD PROTECT 456 00:15:16,516 --> 00:15:17,782 OKAY. AND SOMETIMES I WOULD PROTECT HIM I FORGET TO TAKE THE ALLERGY 457 00:15:17,784 --> 00:15:17,982 AND SOMETIMES I WOULD PROTECT HIM I FORGET TO TAKE THE ALLERGY PILLS. 458 00:15:17,984 --> 00:15:21,319 HIM I FORGET TO TAKE THE ALLERGY PILLS. AND I WOULD HAVE TO GO TO MY 459 00:15:21,321 --> 00:15:23,254 PILLS. AND I WOULD HAVE TO GO TO MY DRESSING ROOM TO GET THEM. 460 00:15:23,256 --> 00:15:24,889 AND I WOULD HAVE TO GO TO MY DRESSING ROOM TO GET THEM. >> Ellen: THAT'S A SHAME. 461 00:15:24,891 --> 00:15:25,723 DRESSING ROOM TO GET THEM. >> Ellen: THAT'S A SHAME. IT'S HARD TO LOVE SOMETHING AND 462 00:15:25,725 --> 00:15:26,457 >> Ellen: THAT'S A SHAME. IT'S HARD TO LOVE SOMETHING AND YET YOU ARE ALLERGIC TO IT. 463 00:15:26,459 --> 00:15:30,028 IT'S HARD TO LOVE SOMETHING AND YET YOU ARE ALLERGIC TO IT. THAT'S A TERRIBLE THING. 464 00:15:30,030 --> 00:15:31,562 YET YOU ARE ALLERGIC TO IT. THAT'S A TERRIBLE THING. >> PROBABLY NOT THE ONLY THING 465 00:15:31,564 --> 00:15:32,764 THAT'S A TERRIBLE THING. >> PROBABLY NOT THE ONLY THING THAT'S TRUE OF IN MY LIFE. 466 00:15:32,766 --> 00:15:34,866 >> PROBABLY NOT THE ONLY THING THAT'S TRUE OF IN MY LIFE. >> Ellen: WE WILL GET TO THAT 467 00:15:34,868 --> 00:15:36,601 THAT'S TRUE OF IN MY LIFE. >> Ellen: WE WILL GET TO THAT LATER. 468 00:15:36,603 --> 00:15:37,201 >> Ellen: WE WILL GET TO THAT LATER. JAMIE, YOU HAD YOUR TWIN BOYS 469 00:15:37,203 --> 00:15:37,936 LATER. JAMIE, YOU HAD YOUR TWIN BOYS WHILE YOU ARE AT THE SHOW 470 00:15:37,938 --> 00:15:40,104 JAMIE, YOU HAD YOUR TWIN BOYS WHILE YOU ARE AT THE SHOW APPEARED TELL EVERYONE HOW THEY 471 00:15:40,106 --> 00:15:42,073 WHILE YOU ARE AT THE SHOW APPEARED TELL EVERYONE HOW THEY CHOSE -- THIS IS AN INTERESTING 472 00:15:42,075 --> 00:15:43,274 APPEARED TELL EVERYONE HOW THEY CHOSE -- THIS IS AN INTERESTING PRINT USUALLY WHEN SOMEONE IS 473 00:15:43,276 --> 00:15:43,942 CHOSE -- THIS IS AN INTERESTING PRINT USUALLY WHEN SOMEONE IS PREGNANT YOU'RE BEHIND A DESK OR 474 00:15:43,944 --> 00:15:45,877 PRINT USUALLY WHEN SOMEONE IS PREGNANT YOU'RE BEHIND A DESK OR YOU ARE CARRYING SOMETHING. 475 00:15:45,879 --> 00:15:46,511 PREGNANT YOU'RE BEHIND A DESK OR YOU ARE CARRYING SOMETHING. BUT TELL EVERYONE WHAT THEY DO 476 00:15:46,513 --> 00:15:49,080 YOU ARE CARRYING SOMETHING. BUT TELL EVERYONE WHAT THEY DO WITH YOU. 477 00:15:49,082 --> 00:15:49,447 BUT TELL EVERYONE WHAT THEY DO WITH YOU. >> Ellen: YEAH. 478 00:15:49,449 --> 00:15:50,214 WITH YOU. >> Ellen: YEAH. IT'S HARD ENOUGH TO BE PREGNANT 479 00:15:50,216 --> 00:15:51,749 >> Ellen: YEAH. IT'S HARD ENOUGH TO BE PREGNANT WITH TWINS, BUT THEY THOUGHT WE 480 00:15:51,751 --> 00:15:53,151 IT'S HARD ENOUGH TO BE PREGNANT WITH TWINS, BUT THEY THOUGHT WE ARE GOING TO HIDE IT AND I ENDED 481 00:15:53,153 --> 00:15:58,056 WITH TWINS, BUT THEY THOUGHT WE ARE GOING TO HIDE IT AND I ENDED UP WEARING A FAT SUIT AND A 482 00:15:58,058 --> 00:16:00,458 ARE GOING TO HIDE IT AND I ENDED UP WEARING A FAT SUIT AND A PROSTHETIC FACE TO MAKE ME LOOK 483 00:16:00,460 --> 00:16:02,961 UP WEARING A FAT SUIT AND A PROSTHETIC FACE TO MAKE ME LOOK BIGGER AND THE CHARACTER 484 00:16:02,963 --> 00:16:05,930 PROSTHETIC FACE TO MAKE ME LOOK BIGGER AND THE CHARACTER BASICALLY SWITCHED ADDICTIONS 485 00:16:05,932 --> 00:16:10,835 BIGGER AND THE CHARACTER BASICALLY SWITCHED ADDICTIONS FROM ALCOHOL AND DRUGS TO 486 00:16:10,837 --> 00:16:11,169 BASICALLY SWITCHED ADDICTIONS FROM ALCOHOL AND DRUGS TO EATING. 487 00:16:11,171 --> 00:16:13,738 FROM ALCOHOL AND DRUGS TO EATING. AND WHEN THROUGH OVEREATING. 488 00:16:13,740 --> 00:16:16,874 EATING. AND WHEN THROUGH OVEREATING. UNTIL THE BABIES WERE BORN. 489 00:16:16,876 --> 00:16:19,277 AND WHEN THROUGH OVEREATING. UNTIL THE BABIES WERE BORN. AND THEN THERE WERE BORN IN 490 00:16:19,279 --> 00:16:22,380 UNTIL THE BABIES WERE BORN. AND THEN THERE WERE BORN IN OCTOBER IN 2017, SO I HAD TO GO 491 00:16:22,382 --> 00:16:22,981 AND THEN THERE WERE BORN IN OCTOBER IN 2017, SO I HAD TO GO MONTHS OFF AND THEN CAME RIGHT 492 00:16:22,983 --> 00:16:25,817 OCTOBER IN 2017, SO I HAD TO GO MONTHS OFF AND THEN CAME RIGHT BACK TO WORK. 493 00:16:25,819 --> 00:16:27,018 MONTHS OFF AND THEN CAME RIGHT BACK TO WORK. AND LOST THE WEIGHT, SO 494 00:16:27,020 --> 00:16:29,454 BACK TO WORK. AND LOST THE WEIGHT, SO SUPPOSEDLY MY CHARACTER WENT TO 495 00:16:29,456 --> 00:16:32,623 AND LOST THE WEIGHT, SO SUPPOSEDLY MY CHARACTER WENT TO A WELLNESS RETREAT, I BELIEVE IT 496 00:16:32,625 --> 00:16:36,461 SUPPOSEDLY MY CHARACTER WENT TO A WELLNESS RETREAT, I BELIEVE IT WAS. 497 00:16:36,463 --> 00:16:37,562 A WELLNESS RETREAT, I BELIEVE IT WAS. SPEWING OF COURSE, THAT IS 498 00:16:37,564 --> 00:16:37,795 WAS. SPEWING OF COURSE, THAT IS ALLISON. 499 00:16:37,797 --> 00:16:40,999 SPEWING OF COURSE, THAT IS ALLISON. OF COURSE. 500 00:16:41,001 --> 00:16:45,303 ALLISON. OF COURSE. >> MIGHT GOD IS LOOKING IN THE 501 00:16:45,305 --> 00:16:47,271 OF COURSE. >> MIGHT GOD IS LOOKING IN THE BACKGROUND SO MY DOG WAS GETTING 502 00:16:47,273 --> 00:16:48,773 >> MIGHT GOD IS LOOKING IN THE BACKGROUND SO MY DOG WAS GETTING PROTECTIVE OF ME. 503 00:16:48,775 --> 00:16:53,244 BACKGROUND SO MY DOG WAS GETTING PROTECTIVE OF ME. >> TELL DAD DAD TO BE CAREFUL. 504 00:16:53,246 --> 00:16:55,646 PROTECTIVE OF ME. >> TELL DAD DAD TO BE CAREFUL. >> Ellen: DON'T LURK. 505 00:16:55,648 --> 00:16:56,114 >> TELL DAD DAD TO BE CAREFUL. >> Ellen: DON'T LURK. OUR RIGHTS. 506 00:16:56,116 --> 00:16:57,415 >> Ellen: DON'T LURK. OUR RIGHTS. WE GOING TO TAKE A BREAK. 507 00:16:57,417 --> 00:16:59,083 OUR RIGHTS. WE GOING TO TAKE A BREAK. WE ARE GOING TO PLAY GAME AFTER 508 00:16:59,085 --> 00:16:59,283 WE GOING TO TAKE A BREAK. WE ARE GOING TO PLAY GAME AFTER THIS. 509 00:16:59,285 --> 00:17:02,653 WE ARE GOING TO PLAY GAME AFTER THIS. WE WILL BE RIGHT BACK. 510 00:17:02,655 --> 00:17:03,287 THIS. WE WILL BE RIGHT BACK. [APPLAUSE] 511 00:17:03,289 --> 00:17:06,924 WE WILL BE RIGHT BACK. [APPLAUSE] ♪ ♪ 512 00:17:06,926 --> 00:17:09,127 [APPLAUSE] ♪ ♪ >> Ellen: NEVER HAVE I EVER 513 00:17:09,129 --> 00:17:13,698 ♪ ♪ >> Ellen: NEVER HAVE I EVER MADE MADE OUT WITH ALAN'S 514 00:17:13,700 --> 00:17:14,565 >> Ellen: NEVER HAVE I EVER MADE MADE OUT WITH ALAN'S EXECUTIVE PRODUCER, ANDY LASS 515 00:17:14,567 --> 00:17:16,200 MADE MADE OUT WITH ALAN'S EXECUTIVE PRODUCER, ANDY LASS LASSNER. 516 00:17:16,202 --> 00:17:18,069 EXECUTIVE PRODUCER, ANDY LASS LASSNER. >> YOUR WHOLE LETTING BOARD 517 00:17:18,071 --> 00:17:18,403 LASSNER. >> YOUR WHOLE LETTING BOARD CRASH. 518 00:17:18,405 --> 00:17:19,904 >> YOUR WHOLE LETTING BOARD CRASH. AS SHE WAS FEWER TARP AND THEN 519 00:17:19,906 --> 00:17:21,239 CRASH. AS SHE WAS FEWER TARP AND THEN YOU WALKED AWAY AND THERE WERE 520 00:17:21,241 --> 00:17:25,843 AS SHE WAS FEWER TARP AND THEN YOU WALKED AWAY AND THERE WERE LIKE THREE, TWO, ONE, 521 00:17:29,515 --> 00:17:39,424 [APPLAUSE] >> Ellen: ALL RIGHT. WE ARE GOING TO PLAY A GAME IN A 522 00:17:39,426 --> 00:17:40,625 >> Ellen: ALL RIGHT. WE ARE GOING TO PLAY A GAME IN A MINUTE, BY KRISTEN, YOU HAVE 523 00:17:40,627 --> 00:17:42,627 WE ARE GOING TO PLAY A GAME IN A MINUTE, BY KRISTEN, YOU HAVE BEEN VERY OPEN AND HONEST ABOUT 524 00:17:42,629 --> 00:17:44,462 MINUTE, BY KRISTEN, YOU HAVE BEEN VERY OPEN AND HONEST ABOUT BEING IN RECOVERY IN REAL LIFE. 525 00:17:44,464 --> 00:17:45,396 BEEN VERY OPEN AND HONEST ABOUT BEING IN RECOVERY IN REAL LIFE. WHAT HAS DOING THE SHOW MEANT TO 526 00:17:45,398 --> 00:17:46,864 BEING IN RECOVERY IN REAL LIFE. WHAT HAS DOING THE SHOW MEANT TO YOU? 527 00:17:46,866 --> 00:17:49,133 WHAT HAS DOING THE SHOW MEANT TO YOU? >> WELL, IT IS INCREDIBLE. 528 00:17:49,135 --> 00:17:53,504 YOU? >> WELL, IT IS INCREDIBLE. IN FACT, AS TAMMY SORT OF 529 00:17:53,506 --> 00:17:55,206 >> WELL, IT IS INCREDIBLE. IN FACT, AS TAMMY SORT OF LEARNED ABOUT RECOVERY AFTER 530 00:17:55,208 --> 00:17:56,841 IN FACT, AS TAMMY SORT OF LEARNED ABOUT RECOVERY AFTER GETTING OUT OF JAIL, I STARTED 531 00:17:56,843 --> 00:17:58,109 LEARNED ABOUT RECOVERY AFTER GETTING OUT OF JAIL, I STARTED LEARNING MORE AND MORE ABOUT MY 532 00:17:58,111 --> 00:17:59,110 GETTING OUT OF JAIL, I STARTED LEARNING MORE AND MORE ABOUT MY OWN RECOVERY. 533 00:17:59,112 --> 00:18:00,878 LEARNING MORE AND MORE ABOUT MY OWN RECOVERY. SO THIS SHOW HAS ACTUALLY REALLY 534 00:18:00,880 --> 00:18:02,413 OWN RECOVERY. SO THIS SHOW HAS ACTUALLY REALLY HELPED ME AND MY COVER RECOVERY 535 00:18:02,415 --> 00:18:03,081 SO THIS SHOW HAS ACTUALLY REALLY HELPED ME AND MY COVER RECOVERY A LOT TOO. 536 00:18:03,083 --> 00:18:04,082 HELPED ME AND MY COVER RECOVERY A LOT TOO. SO IT HAS BEEN AN AMAZING 537 00:18:04,084 --> 00:18:06,284 A LOT TOO. SO IT HAS BEEN AN AMAZING EXPERIENCE FOR ME. 538 00:18:06,286 --> 00:18:07,018 SO IT HAS BEEN AN AMAZING EXPERIENCE FOR ME. >> Ellen: FANTASTIC. 539 00:18:07,020 --> 00:18:08,820 EXPERIENCE FOR ME. >> Ellen: FANTASTIC. AND FOR MANY, MANY OTHER PEOPLE 540 00:18:08,822 --> 00:18:09,487 >> Ellen: FANTASTIC. AND FOR MANY, MANY OTHER PEOPLE AS HIS HEAD. 541 00:18:09,489 --> 00:18:10,421 AND FOR MANY, MANY OTHER PEOPLE AS HIS HEAD. A LOT OF PEOPLE WATCH THE SHOW 542 00:18:10,423 --> 00:18:13,024 AS HIS HEAD. A LOT OF PEOPLE WATCH THE SHOW AND HAVE EXPERIENCED THAT. 543 00:18:13,026 --> 00:18:14,325 A LOT OF PEOPLE WATCH THE SHOW AND HAVE EXPERIENCED THAT. SO WE'RE GOING TO PLAY NEVER 544 00:18:14,327 --> 00:18:16,260 AND HAVE EXPERIENCED THAT. SO WE'RE GOING TO PLAY NEVER HAVE I EVER, AND THIS IS -- WE 545 00:18:16,262 --> 00:18:17,061 SO WE'RE GOING TO PLAY NEVER HAVE I EVER, AND THIS IS -- WE ARE ON THE HONOR SYSTEM. 546 00:18:17,063 --> 00:18:19,263 HAVE I EVER, AND THIS IS -- WE ARE ON THE HONOR SYSTEM. YOU WILL HAVE TO BE HONEST. 547 00:18:19,265 --> 00:18:19,897 ARE ON THE HONOR SYSTEM. YOU WILL HAVE TO BE HONEST. LET'S GO. 548 00:18:19,899 --> 00:18:20,431 YOU WILL HAVE TO BE HONEST. LET'S GO. NEVER HAVE I EVER STOLEN 549 00:18:20,433 --> 00:18:24,469 LET'S GO. NEVER HAVE I EVER STOLEN SOMETHING FROM ONE OF MY COST 550 00:18:24,471 --> 00:18:24,702 NEVER HAVE I EVER STOLEN SOMETHING FROM ONE OF MY COST COSTARS. 551 00:18:24,704 --> 00:18:25,670 SOMETHING FROM ONE OF MY COST COSTARS. >> IS THIS ALL OF US? 552 00:18:25,672 --> 00:18:30,007 COSTARS. >> IS THIS ALL OF US? >> Ellen: YES. 553 00:18:30,009 --> 00:18:30,274 >> IS THIS ALL OF US? >> Ellen: YES. ALL RIGHT. 554 00:18:30,276 --> 00:18:32,710 >> Ellen: YES. ALL RIGHT. JAMIE HAS, ALLISON HAS. 555 00:18:32,712 --> 00:18:35,012 ALL RIGHT. JAMIE HAS, ALLISON HAS. YOU'LL NEVER KNOW WHAT THEY HAVE 556 00:18:35,014 --> 00:18:36,214 JAMIE HAS, ALLISON HAS. YOU'LL NEVER KNOW WHAT THEY HAVE TAKEN. 557 00:18:36,216 --> 00:18:38,616 YOU'LL NEVER KNOW WHAT THEY HAVE TAKEN. NEVER HAVE I EVER GONE TO A 558 00:18:38,618 --> 00:18:44,956 TAKEN. NEVER HAVE I EVER GONE TO A NUDE BEACH. 559 00:18:44,958 --> 00:18:51,429 NEVER HAVE I EVER GONE TO A NUDE BEACH. ALLISON DOESN'T KNOW WHAT IS. 560 00:18:51,431 --> 00:18:53,397 NUDE BEACH. ALLISON DOESN'T KNOW WHAT IS. >> I DON'T THINK I HAVE. 561 00:18:53,399 --> 00:18:54,599 ALLISON DOESN'T KNOW WHAT IS. >> I DON'T THINK I HAVE. >> Ellen: YOU DON'T THINK YOU 562 00:18:54,601 --> 00:18:54,799 >> I DON'T THINK I HAVE. >> Ellen: YOU DON'T THINK YOU HAVE. 563 00:18:54,801 --> 00:18:58,436 >> Ellen: YOU DON'T THINK YOU HAVE. SPEAK OUT YOU WOULD REMEMBER. 564 00:18:58,438 --> 00:18:59,036 HAVE. SPEAK OUT YOU WOULD REMEMBER. >> Ellen: NEVER HAVE I EVER 565 00:18:59,038 --> 00:19:06,210 SPEAK OUT YOU WOULD REMEMBER. >> Ellen: NEVER HAVE I EVER FALLEN ASLEEP WHILE MAKING LOVE. 566 00:19:06,212 --> 00:19:09,814 >> Ellen: NEVER HAVE I EVER FALLEN ASLEEP WHILE MAKING LOVE. WOW, BETH. 567 00:19:09,816 --> 00:19:13,651 FALLEN ASLEEP WHILE MAKING LOVE. WOW, BETH. HOW BORING A PARTNER IS -- 568 00:19:13,653 --> 00:19:14,418 WOW, BETH. HOW BORING A PARTNER IS -- NO, IT'S NOT YOU. 569 00:19:14,420 --> 00:19:16,921 HOW BORING A PARTNER IS -- NO, IT'S NOT YOU. IT WOULD BE THE OTHER PERSON, I 570 00:19:16,923 --> 00:19:18,456 NO, IT'S NOT YOU. IT WOULD BE THE OTHER PERSON, I THINK. 571 00:19:18,458 --> 00:19:19,790 IT WOULD BE THE OTHER PERSON, I THINK. OUR RIGHTS. 572 00:19:19,792 --> 00:19:20,057 THINK. OUR RIGHTS. LAST ONE. 573 00:19:20,059 --> 00:19:21,592 OUR RIGHTS. LAST ONE. NEVER HAVE I EVER MADE OUT WITH 574 00:19:21,594 --> 00:19:25,029 LAST ONE. NEVER HAVE I EVER MADE OUT WITH ALLEN'S EXECUTIVE PRODUCER, ANDY 575 00:19:25,031 --> 00:19:28,633 NEVER HAVE I EVER MADE OUT WITH ALLEN'S EXECUTIVE PRODUCER, ANDY LASSNER. 576 00:19:28,635 --> 00:19:34,672 ALLEN'S EXECUTIVE PRODUCER, ANDY LASSNER. [LAUGHTER] 577 00:19:34,674 --> 00:19:37,508 LASSNER. [LAUGHTER] HOW LONG AGO DID THAT HAPPEN? 578 00:19:37,510 --> 00:19:38,809 [LAUGHTER] HOW LONG AGO DID THAT HAPPEN? >> I HAVE TO QUALIFY. 579 00:19:38,811 --> 00:19:39,911 HOW LONG AGO DID THAT HAPPEN? >> I HAVE TO QUALIFY. WE WENT TO NYU TOGETHER. 580 00:19:39,913 --> 00:19:43,614 >> I HAVE TO QUALIFY. WE WENT TO NYU TOGETHER. >> Ellen: OKAY. 581 00:19:43,616 --> 00:19:46,584 WE WENT TO NYU TOGETHER. >> Ellen: OKAY. >> HI, ANDY. 582 00:19:46,586 --> 00:19:48,686 >> Ellen: OKAY. >> HI, ANDY. SPEAK A HIKE NEXT, HONEY. 583 00:19:48,688 --> 00:19:49,320 >> HI, ANDY. SPEAK A HIKE NEXT, HONEY. SPEWING WASN'T A ONE-TIME THING 584 00:19:49,322 --> 00:19:51,389 SPEAK A HIKE NEXT, HONEY. SPEWING WASN'T A ONE-TIME THING OR DID YOU DO IT MANY TIMES? 585 00:19:51,391 --> 00:19:53,791 SPEWING WASN'T A ONE-TIME THING OR DID YOU DO IT MANY TIMES? >> WE USE TO DRINK AND WE MADE 586 00:19:53,793 --> 00:19:54,525 OR DID YOU DO IT MANY TIMES? >> WE USE TO DRINK AND WE MADE OUT. 587 00:19:54,527 --> 00:19:55,092 >> WE USE TO DRINK AND WE MADE OUT. WE WOULD DRINK AND MAKE OUT. 588 00:19:55,094 --> 00:19:56,994 OUT. WE WOULD DRINK AND MAKE OUT. WE ARE USUALLY CLOSING THE BAR 589 00:19:56,996 --> 00:19:57,261 WE WOULD DRINK AND MAKE OUT. WE ARE USUALLY CLOSING THE BAR TOGETHER. 590 00:19:57,263 --> 00:19:59,163 WE ARE USUALLY CLOSING THE BAR TOGETHER. SAFE TO SAY. 591 00:19:59,165 --> 00:20:01,766 TOGETHER. SAFE TO SAY. >> Ellen: SO IT HAPPENED A LO 592 00:20:01,768 --> 00:20:06,804 SAFE TO SAY. >> Ellen: SO IT HAPPENED A LO LOT? 593 00:20:06,806 --> 00:20:09,774 >> Ellen: SO IT HAPPENED A LO LOT? >> IT HAPPENS MORE THAN ONCE. 594 00:20:09,776 --> 00:20:11,209 LOT? >> IT HAPPENS MORE THAN ONCE. I DON'T KNOW ABOUT A LOT. 595 00:20:11,211 --> 00:20:11,976 >> IT HAPPENS MORE THAN ONCE. I DON'T KNOW ABOUT A LOT. >> Ellen: SHE ONLY REMEMBERS 596 00:20:11,978 --> 00:20:12,176 I DON'T KNOW ABOUT A LOT. >> Ellen: SHE ONLY REMEMBERS ONCE. 597 00:20:12,178 --> 00:20:14,745 >> Ellen: SHE ONLY REMEMBERS ONCE. THAT'S HOW BAD -- 598 00:20:14,747 --> 00:20:18,849 ONCE. THAT'S HOW BAD -- >> STORY OF MY LIFE. 599 00:20:18,851 --> 00:20:20,017 THAT'S HOW BAD -- >> STORY OF MY LIFE. >> Ellen: IT'S A GOOD THING 600 00:20:20,019 --> 00:20:23,988 >> STORY OF MY LIFE. >> Ellen: IT'S A GOOD THING BOTH OF Y'ALL ARE SOBER NOW. 601 00:20:23,990 --> 00:20:24,922 >> Ellen: IT'S A GOOD THING BOTH OF Y'ALL ARE SOBER NOW. LISTEN, CONGRATULATIONS TO ALL 602 00:20:24,924 --> 00:20:27,391 BOTH OF Y'ALL ARE SOBER NOW. LISTEN, CONGRATULATIONS TO ALL OF YOU ON SUCH AN AMAZING SHOW 603 00:20:27,393 --> 00:20:29,026 LISTEN, CONGRATULATIONS TO ALL OF YOU ON SUCH AN AMAZING SHOW AND FOR REACHING SO MANY PEOPLE. 604 00:20:29,028 --> 00:20:32,263 OF YOU ON SUCH AN AMAZING SHOW AND FOR REACHING SO MANY PEOPLE. IT'S HARD FOR A SITCOM TO -- 605 00:20:32,265 --> 00:20:34,065 AND FOR REACHING SO MANY PEOPLE. IT'S HARD FOR A SITCOM TO -- USUALLY THEY ARE JUST FUNNY, SO 606 00:20:34,067 --> 00:20:35,499 IT'S HARD FOR A SITCOM TO -- USUALLY THEY ARE JUST FUNNY, SO TO BE POIGNANT AND TO BE ABLE TO 607 00:20:35,501 --> 00:20:37,335 USUALLY THEY ARE JUST FUNNY, SO TO BE POIGNANT AND TO BE ABLE TO REACH PEOPLE AND DO SOMETHING 608 00:20:37,337 --> 00:20:38,569 TO BE POIGNANT AND TO BE ABLE TO REACH PEOPLE AND DO SOMETHING LIKE THAT, WELL DONE, EVERYBODY. 609 00:20:38,571 --> 00:20:40,905 REACH PEOPLE AND DO SOMETHING LIKE THAT, WELL DONE, EVERYBODY. WELL DONE. 610 00:20:40,907 --> 00:20:41,606 LIKE THAT, WELL DONE, EVERYBODY. WELL DONE. [APPLAUSE] 611 00:20:41,608 --> 00:20:42,506 WELL DONE. [APPLAUSE] >> THANK YOU. 612 00:20:42,508 --> 00:20:44,442 [APPLAUSE] >> THANK YOU. >> Ellen: SERIES FINALE OF 613 00:20:44,444 --> 00:20:45,876 >> THANK YOU. >> Ellen: SERIES FINALE OF "MOM" AIRS TOMORROW NIGHT AT 614 00:20:45,878 --> 00:20:46,177 >> Ellen: SERIES FINALE OF "MOM" AIRS TOMORROW NIGHT AT NINE ON CBS. 615 00:20:46,179 --> 00:20:49,513 "MOM" AIRS TOMORROW NIGHT AT NINE ON CBS. WE WILL BE BACK. 616 00:20:49,515 --> 00:20:52,984 NINE ON CBS. WE WILL BE BACK. [APPLAUSE] 617 00:20:52,986 --> 00:21:05,463 WE WILL BE BACK. [APPLAUSE] ♪ ♪ 618 00:21:05,465 --> 00:21:06,430 [APPLAUSE] ♪ ♪ [LAUGHTER] 619 00:21:06,432 --> 00:21:11,369 ♪ ♪ [LAUGHTER] >> A BIRD, A BIRD, A HUMMINGB 620 00:21:11,371 --> 00:21:11,669 [LAUGHTER] >> A BIRD, A BIRD, A HUMMINGB HUMMINGBIRD. 621 00:21:11,671 --> 00:21:18,242 >> A BIRD, A BIRD, A HUMMINGB HUMMINGBIRD. ♪ ♪ 622 00:21:20,712 --> 00:21:29,954 [APPLAUSE] ♪ ♪ >> Ellen: YOU KNOW, WHEN YOU 623 00:21:29,956 --> 00:21:31,656 ♪ ♪ >> Ellen: YOU KNOW, WHEN YOU STAY IN A HOTEL AND YOU HEAR IT 624 00:21:31,658 --> 00:21:32,857 >> Ellen: YOU KNOW, WHEN YOU STAY IN A HOTEL AND YOU HEAR IT WHERE NOISES COMING FROM THE 625 00:21:32,859 --> 00:21:33,891 STAY IN A HOTEL AND YOU HEAR IT WHERE NOISES COMING FROM THE REMIX OR ANY WONDER WHAT IS 626 00:21:33,893 --> 00:21:34,625 WHERE NOISES COMING FROM THE REMIX OR ANY WONDER WHAT IS GOING ON OVER THERE? 627 00:21:34,627 --> 00:21:36,861 REMIX OR ANY WONDER WHAT IS GOING ON OVER THERE? THAT IS WHERE THIS CAME TO MY 628 00:21:36,863 --> 00:21:37,128 GOING ON OVER THERE? THAT IS WHERE THIS CAME TO MY GAME FROM. 629 00:21:37,130 --> 00:21:41,499 THAT IS WHERE THIS CAME TO MY GAME FROM. IT IS CALLED? 630 00:21:41,501 --> 00:21:44,235 GAME FROM. IT IS CALLED? WHAT? 631 00:21:44,237 --> 00:21:51,442 IT IS CALLED? WHAT? N♪ ♪ 632 00:21:51,444 --> 00:21:51,676 WHAT? N♪ ♪ RIGHTS. 633 00:21:51,678 --> 00:21:53,344 N♪ ♪ RIGHTS. I HAD TO GO TEAMS STANDING BY 634 00:21:53,346 --> 00:21:53,778 RIGHTS. I HAD TO GO TEAMS STANDING BY BACKSTAGE. 635 00:21:53,780 --> 00:21:55,680 I HAD TO GO TEAMS STANDING BY BACKSTAGE. LET'S MEET OUR FIRST TEAM. 636 00:21:55,682 --> 00:21:59,550 BACKSTAGE. LET'S MEET OUR FIRST TEAM. ♪ ♪ 637 00:21:59,552 --> 00:22:02,553 LET'S MEET OUR FIRST TEAM. ♪ ♪ >> Ellen: HELLO. 638 00:22:02,555 --> 00:22:03,187 ♪ ♪ >> Ellen: HELLO. HI. 639 00:22:03,189 --> 00:22:03,888 >> Ellen: HELLO. HI. WHO IS WHO? 640 00:22:03,890 --> 00:22:05,222 HI. WHO IS WHO? WHAT IS YOUR NAME QUESTION MIKE 641 00:22:05,224 --> 00:22:06,824 WHO IS WHO? WHAT IS YOUR NAME QUESTION MIKE >> I AM CHANDA. 642 00:22:06,826 --> 00:22:07,358 WHAT IS YOUR NAME QUESTION MIKE >> I AM CHANDA. >> Ellen: WHY DO YOU LIKE? 643 00:22:07,360 --> 00:22:09,060 >> I AM CHANDA. >> Ellen: WHY DO YOU LIKE? WHAT DO YOU DO? 644 00:22:09,062 --> 00:22:09,760 >> Ellen: WHY DO YOU LIKE? WHAT DO YOU DO? >> I'M 26. 645 00:22:09,762 --> 00:22:11,829 WHAT DO YOU DO? >> I'M 26. I LIVE IN SAN DIEGO. 646 00:22:11,831 --> 00:22:12,830 >> I'M 26. I LIVE IN SAN DIEGO. I DO OUTSIDE SALES. 647 00:22:12,832 --> 00:22:13,597 I LIVE IN SAN DIEGO. I DO OUTSIDE SALES. I AM SO EXCITED. 648 00:22:13,599 --> 00:22:14,398 I DO OUTSIDE SALES. I AM SO EXCITED. >> Ellen: I LOVE YOU SO MUCH 649 00:22:14,400 --> 00:22:17,034 I AM SO EXCITED. >> Ellen: I LOVE YOU SO MUCH AND I'M VERY EXCITED AS WELL. 650 00:22:17,036 --> 00:22:18,469 >> Ellen: I LOVE YOU SO MUCH AND I'M VERY EXCITED AS WELL. AND YOU ARE QUESTION MIKE >> I 651 00:22:18,471 --> 00:22:20,171 AND I'M VERY EXCITED AS WELL. AND YOU ARE QUESTION MIKE >> I AM BRITT AND I AM AN 652 00:22:20,173 --> 00:22:20,905 AND YOU ARE QUESTION MIKE >> I AM BRITT AND I AM AN ENVIRONMENTAL CONSULTANT AND I 653 00:22:20,907 --> 00:22:22,073 AM BRITT AND I AM AN ENVIRONMENTAL CONSULTANT AND I LIVE IN SAN DIEGO. 654 00:22:22,075 --> 00:22:22,773 ENVIRONMENTAL CONSULTANT AND I LIVE IN SAN DIEGO. >> Ellen: WHO WONDERFUL. 655 00:22:22,775 --> 00:22:23,674 LIVE IN SAN DIEGO. >> Ellen: WHO WONDERFUL. UNDER EACH OF THOSE BOXES IS A 656 00:22:23,676 --> 00:22:24,942 >> Ellen: WHO WONDERFUL. UNDER EACH OF THOSE BOXES IS A PROP AND A CLUE. 657 00:22:24,944 --> 00:22:29,213 UNDER EACH OF THOSE BOXES IS A PROP AND A CLUE. WHEN I SAY GO, SHE WILL REVEAL 658 00:22:29,215 --> 00:22:30,314 PROP AND A CLUE. WHEN I SAY GO, SHE WILL REVEAL THE CLUE AND THE PROP IN THE 659 00:22:30,316 --> 00:22:30,614 WHEN I SAY GO, SHE WILL REVEAL THE CLUE AND THE PROP IN THE BOX. 660 00:22:30,616 --> 00:22:31,882 THE CLUE AND THE PROP IN THE BOX. HE WILL PUT THE PROP ON AND YOU 661 00:22:31,884 --> 00:22:33,851 BOX. HE WILL PUT THE PROP ON AND YOU WILL ACT OUT THE CLUE WITHOUT 662 00:22:33,853 --> 00:22:34,885 HE WILL PUT THE PROP ON AND YOU WILL ACT OUT THE CLUE WITHOUT SAYING ANY WORDS. 663 00:22:34,887 --> 00:22:37,388 WILL ACT OUT THE CLUE WITHOUT SAYING ANY WORDS. YOU WILL JUST NEWS THE LINK USED 664 00:22:37,390 --> 00:22:38,289 SAYING ANY WORDS. YOU WILL JUST NEWS THE LINK USED AND YOUR BODY. 665 00:22:38,291 --> 00:22:39,056 YOU WILL JUST NEWS THE LINK USED AND YOUR BODY. AND SHANNON GUESSES CORRECTLY 666 00:22:39,058 --> 00:22:40,057 AND YOUR BODY. AND SHANNON GUESSES CORRECTLY YOU WILL HEAR A DING AND THEN 667 00:22:40,059 --> 00:22:42,493 AND SHANNON GUESSES CORRECTLY YOU WILL HEAR A DING AND THEN YOU CAN REVEAL WHAT IS IN YOUR 668 00:22:42,495 --> 00:22:43,761 YOU WILL HEAR A DING AND THEN YOU CAN REVEAL WHAT IS IN YOUR BOX AND THEN WE WILL KEEP 669 00:22:43,763 --> 00:22:44,862 YOU CAN REVEAL WHAT IS IN YOUR BOX AND THEN WE WILL KEEP ALTERNATING UNTIL YOU GET ALL 670 00:22:44,864 --> 00:22:45,296 BOX AND THEN WE WILL KEEP ALTERNATING UNTIL YOU GET ALL THE CLUES. 671 00:22:45,298 --> 00:22:48,032 ALTERNATING UNTIL YOU GET ALL THE CLUES. YOU HAVE 90 SECONDS. 672 00:22:48,034 --> 00:22:50,501 THE CLUES. YOU HAVE 90 SECONDS. SO TRY TO GET AS MANY AS YOU CAN 673 00:22:50,503 --> 00:22:52,636 YOU HAVE 90 SECONDS. SO TRY TO GET AS MANY AS YOU CAN TO BEAT THIS NEXT TEAM. 674 00:22:52,638 --> 00:22:53,938 SO TRY TO GET AS MANY AS YOU CAN TO BEAT THIS NEXT TEAM. WE WILL START WITH BRIM. 675 00:22:53,940 --> 00:22:55,906 TO BEAT THIS NEXT TEAM. WE WILL START WITH BRIM. READY? 676 00:22:55,908 --> 00:22:57,208 WE WILL START WITH BRIM. READY? GO. 677 00:22:57,210 --> 00:22:59,410 READY? GO. >> GO, GO, GO. 678 00:22:59,412 --> 00:23:01,612 GO. >> GO, GO, GO. >> GOSH. 679 00:23:01,614 --> 00:23:02,480 >> GO, GO, GO. >> GOSH. OKAY. 680 00:23:02,482 --> 00:23:04,749 >> GOSH. OKAY. SPEAK >> Ellen: PUT IT ON AND 681 00:23:04,751 --> 00:23:06,517 OKAY. SPEAK >> Ellen: PUT IT ON AND START. 682 00:23:06,519 --> 00:23:10,654 SPEAK >> Ellen: PUT IT ON AND START. >> DONKEY. 683 00:23:10,656 --> 00:23:10,888 START. >> DONKEY. HOWELL. 684 00:23:10,890 --> 00:23:12,857 >> DONKEY. HOWELL. SCREAMING. 685 00:23:12,859 --> 00:23:17,695 HOWELL. SCREAMING. DOLPHIN. 686 00:23:22,033 --> 00:23:34,078 >> LAW, LAW, >> BABY. >> Ellen: YES. >> CHOO-CHOO. 687 00:23:34,080 --> 00:23:34,345 >> Ellen: YES. >> CHOO-CHOO. >> TRAIN. 688 00:23:34,347 --> 00:23:38,983 >> CHOO-CHOO. >> TRAIN. >> Ellen: YES. 689 00:23:38,985 --> 00:23:40,217 >> TRAIN. >> Ellen: YES. >> DROWNED. 690 00:23:40,219 --> 00:23:40,718 >> Ellen: YES. >> DROWNED. >> Ellen: YES. 691 00:23:40,720 --> 00:23:40,885 >> DROWNED. >> Ellen: YES. GO. 692 00:23:40,887 --> 00:23:48,192 >> Ellen: YES. GO. >> WOW. 693 00:23:48,194 --> 00:23:48,893 GO. >> WOW. >> CHEERLEADER. 694 00:23:48,895 --> 00:23:49,226 >> WOW. >> CHEERLEADER. CHEERLEADING. 695 00:23:49,228 --> 00:23:50,928 >> CHEERLEADER. CHEERLEADING. >> Ellen: YES. 696 00:23:50,930 --> 00:23:51,095 CHEERLEADING. >> Ellen: YES. GO. 697 00:23:51,097 --> 00:23:57,201 >> Ellen: YES. GO. >> COME ON. 698 00:23:57,203 --> 00:24:00,337 GO. >> COME ON. CHUGGING, WATER, SIPPING. 699 00:24:00,339 --> 00:24:00,671 >> COME ON. CHUGGING, WATER, SIPPING. >> Ellen: NO. 700 00:24:00,673 --> 00:24:03,507 CHUGGING, WATER, SIPPING. >> Ellen: NO. >> WATER BOTTLE. 701 00:24:03,509 --> 00:24:03,808 >> Ellen: NO. >> WATER BOTTLE. >> CHUGGING. 702 00:24:03,810 --> 00:24:07,011 >> WATER BOTTLE. >> CHUGGING. DRINKING DOWN. 703 00:24:07,013 --> 00:24:07,878 >> CHUGGING. DRINKING DOWN. COFFEE. 704 00:24:07,880 --> 00:24:11,816 DRINKING DOWN. COFFEE. SLURPING NOODLES. 705 00:24:11,818 --> 00:24:14,452 COFFEE. SLURPING NOODLES. >> Ellen: SLURPING, BUT NOT 706 00:24:14,454 --> 00:24:14,718 SLURPING NOODLES. >> Ellen: SLURPING, BUT NOT NOODLES. 707 00:24:14,720 --> 00:24:17,021 >> Ellen: SLURPING, BUT NOT NOODLES. >> SLURPING WATER? 708 00:24:17,023 --> 00:24:19,056 NOODLES. >> SLURPING WATER? >> Ellen: SLURPING DRINK. 709 00:24:19,058 --> 00:24:24,161 >> SLURPING WATER? >> Ellen: SLURPING DRINK. IT'S REALLY HARD. 710 00:24:24,163 --> 00:24:24,428 >> Ellen: SLURPING DRINK. IT'S REALLY HARD. ALL RIGHT. 711 00:24:24,430 --> 00:24:24,962 IT'S REALLY HARD. ALL RIGHT. ALL RIGHT. 712 00:24:24,964 --> 00:24:26,931 ALL RIGHT. ALL RIGHT. SO YOU GET FIVE, SO WE HAD ON UP 713 00:24:26,933 --> 00:24:27,765 ALL RIGHT. SO YOU GET FIVE, SO WE HAD ON UP TO THE SKY BOX. 714 00:24:27,767 --> 00:24:29,467 SO YOU GET FIVE, SO WE HAD ON UP TO THE SKY BOX. LET'S SEE TEAM TO GO IF THEY CAN 715 00:24:29,469 --> 00:24:37,741 TO THE SKY BOX. LET'S SEE TEAM TO GO IF THEY CAN BEAT THAT OR NOT. 716 00:24:37,743 --> 00:24:37,942 LET'S SEE TEAM TO GO IF THEY CAN BEAT THAT OR NOT. HELLO. 717 00:24:37,944 --> 00:24:39,143 BEAT THAT OR NOT. HELLO. HI. 718 00:24:39,145 --> 00:24:39,443 HELLO. HI. YOU ARE WHO? 719 00:24:39,445 --> 00:24:41,512 HI. YOU ARE WHO? >SPEAK OUT MY NAME IS OURS. 720 00:24:41,514 --> 00:24:42,980 YOU ARE WHO? >SPEAK OUT MY NAME IS OURS. I'M 25 YEARS OLD. 721 00:24:42,982 --> 00:24:46,717 >SPEAK OUT MY NAME IS OURS. I'M 25 YEARS OLD. I LIVE IN ORANGE COUNTY. 722 00:24:46,719 --> 00:24:47,051 I'M 25 YEARS OLD. I LIVE IN ORANGE COUNTY. >> Ellen: HI. 723 00:24:47,053 --> 00:24:51,956 I LIVE IN ORANGE COUNTY. >> Ellen: HI. AND YOU ARE? 724 00:24:51,958 --> 00:24:53,157 >> Ellen: HI. AND YOU ARE? SEE YOU OUR FRIENDS? 725 00:24:53,159 --> 00:24:53,824 AND YOU ARE? SEE YOU OUR FRIENDS? BEST FRIENDS? 726 00:24:53,826 --> 00:24:54,091 SEE YOU OUR FRIENDS? BEST FRIENDS? FANTASTIC. 727 00:24:54,093 --> 00:24:56,327 BEST FRIENDS? FANTASTIC. THE SCORE IS YOU HAVE TO BE FIVE 728 00:24:56,329 --> 00:24:56,527 FANTASTIC. THE SCORE IS YOU HAVE TO BE FIVE OKAY? 729 00:24:56,529 --> 00:24:59,497 THE SCORE IS YOU HAVE TO BE FIVE OKAY? SO THAT WOULD BE SIX. 730 00:24:59,499 --> 00:25:01,599 OKAY? SO THAT WOULD BE SIX. WE WILL START WITH YOU. 731 00:25:01,601 --> 00:25:02,132 SO THAT WOULD BE SIX. WE WILL START WITH YOU. READY? 732 00:25:02,134 --> 00:25:11,308 WE WILL START WITH YOU. READY? GO TO BOX NUMBER ONE AND GO. 733 00:25:11,310 --> 00:25:20,384 READY? GO TO BOX NUMBER ONE AND GO. OKAY, YOU HAVE VERY LITTLE TIME. 734 00:25:20,386 --> 00:25:22,052 GO TO BOX NUMBER ONE AND GO. OKAY, YOU HAVE VERY LITTLE TIME. >> A BIRD, BIRD, A BIRD. 735 00:25:22,054 --> 00:25:26,190 OKAY, YOU HAVE VERY LITTLE TIME. >> A BIRD, BIRD, A BIRD. A HUMMINGBIRD. 736 00:25:26,192 --> 00:25:27,324 >> A BIRD, BIRD, A BIRD. A HUMMINGBIRD. SPEAK OUT SAY SOMETHING TYPE I 737 00:25:27,326 --> 00:25:27,558 A HUMMINGBIRD. SPEAK OUT SAY SOMETHING TYPE I BURIED. 738 00:25:27,560 --> 00:25:31,562 SPEAK OUT SAY SOMETHING TYPE I BURIED. >> IT'S A BABY. 739 00:25:31,564 --> 00:25:39,537 BURIED. >> IT'S A BABY. IT'S A CAR. 740 00:25:39,539 --> 00:25:39,803 >> IT'S A BABY. IT'S A CAR. [LAUGHTER] 741 00:25:39,805 --> 00:25:44,141 IT'S A CAR. [LAUGHTER] IS IT LIKE A ROLLER COASTER? 742 00:25:44,143 --> 00:25:45,809 [LAUGHTER] IS IT LIKE A ROLLER COASTER? SPEWING I THINK YOU SHOULD PASS. 743 00:25:45,811 --> 00:25:48,345 IS IT LIKE A ROLLER COASTER? SPEWING I THINK YOU SHOULD PASS. LET'S MOVE TO YOU. 744 00:25:48,347 --> 00:25:51,048 SPEWING I THINK YOU SHOULD PASS. LET'S MOVE TO YOU. Y'ALL ARE GOING TO RUN OUT OF 745 00:25:51,050 --> 00:25:57,721 LET'S MOVE TO YOU. Y'ALL ARE GOING TO RUN OUT OF TIME BEFORE. 746 00:25:57,723 --> 00:25:58,489 Y'ALL ARE GOING TO RUN OUT OF TIME BEFORE. >> A CAR. 747 00:25:58,491 --> 00:26:00,658 TIME BEFORE. >> A CAR. >> Ellen: A CAR. 748 00:26:00,660 --> 00:26:02,760 >> A CAR. >> Ellen: A CAR. YES. 749 00:26:02,762 --> 00:26:13,137 >> Ellen: A CAR. YES. GO. 750 00:26:13,139 --> 00:26:16,407 YES. GO. >> Ellen: WOW. 751 00:26:16,409 --> 00:26:21,979 GO. >> Ellen: WOW. THAT WAS OPERA. 752 00:26:21,981 --> 00:26:26,584 >> Ellen: WOW. THAT WAS OPERA. >> A ROOSTER. 753 00:26:26,586 --> 00:26:27,151 THAT WAS OPERA. >> A ROOSTER. CHICKEN. 754 00:26:27,153 --> 00:26:29,420 >> A ROOSTER. CHICKEN. >> Ellen: CHICKEN. 755 00:26:29,422 --> 00:26:29,587 CHICKEN. >> Ellen: CHICKEN. YES. 756 00:26:29,589 --> 00:26:35,526 >> Ellen: CHICKEN. YES. GO. 757 00:26:35,528 --> 00:26:44,435 YES. GO. >> -- 758 00:26:44,437 --> 00:26:44,802 GO. >> -- >> Ellen: WON. 759 00:26:44,804 --> 00:26:46,637 >> -- >> Ellen: WON. THAT'S ALL I CAN SAY TO YOU. 760 00:26:46,639 --> 00:26:50,107 >> Ellen: WON. THAT'S ALL I CAN SAY TO YOU. THAT IS THREE AND -- HAVE YOU 761 00:26:50,109 --> 00:26:51,508 THAT'S ALL I CAN SAY TO YOU. THAT IS THREE AND -- HAVE YOU EVER BEEN TO A CIRCUS IN YOUR 762 00:26:51,510 --> 00:26:51,709 THAT IS THREE AND -- HAVE YOU EVER BEEN TO A CIRCUS IN YOUR LIFE? 763 00:26:51,711 --> 00:26:53,611 EVER BEEN TO A CIRCUS IN YOUR LIFE? >> I HAVEN'T. 764 00:26:53,613 --> 00:26:54,578 LIFE? >> I HAVEN'T. SPEWING OUT RIDES. 765 00:26:54,580 --> 00:26:56,714 >> I HAVEN'T. SPEWING OUT RIDES. ANYWAY, YOU GOT THREE, WHICH 766 00:26:56,716 --> 00:26:58,549 SPEWING OUT RIDES. ANYWAY, YOU GOT THREE, WHICH MEANS TEAM ONE WINS. 767 00:26:58,551 --> 00:27:00,618 ANYWAY, YOU GOT THREE, WHICH MEANS TEAM ONE WINS. BUT YOU ARE BOTH GETTING -- YOU 768 00:27:00,620 --> 00:27:02,786 MEANS TEAM ONE WINS. BUT YOU ARE BOTH GETTING -- YOU ARE BOTH GETTING A 65-INCH 4K 769 00:27:02,788 --> 00:27:04,421 BUT YOU ARE BOTH GETTING -- YOU ARE BOTH GETTING A 65-INCH 4K TCL TV. 770 00:27:04,423 --> 00:27:08,692 ARE BOTH GETTING A 65-INCH 4K TCL TV. [APPLAUSE] 771 00:27:08,694 --> 00:27:08,959 TCL TV. [APPLAUSE] ALL RIGHT. 772 00:27:08,961 --> 00:27:09,226 [APPLAUSE] ALL RIGHT. ALL RIGHT. 773 00:27:09,228 --> 00:27:13,731 ALL RIGHT. ALL RIGHT. WE WILL BE BACK. 774 00:27:13,733 --> 00:27:13,998 ALL RIGHT. WE WILL BE BACK. [APPLAUSE] 775 00:27:14,000 --> 00:27:14,832 WE WILL BE BACK. [APPLAUSE] ♪ ♪ 776 00:27:20,171 --> 00:27:23,307 SPEAK OUT YOUR WHOLE LIGHTING BOARD CRASH. IT'S JUST YOU AND THE GREAT TAR 777 00:27:23,309 --> 00:27:25,409 BOARD CRASH. IT'S JUST YOU AND THE GREAT TAR AND THEY JUST WALKED AWAY AND 778 00:27:25,411 --> 00:27:32,416 IT'S JUST YOU AND THE GREAT TAR AND THEY JUST WALKED AWAY AND THEY WERE LIKE 321, GO. 779 00:27:35,487 --> 00:27:39,623 HOOKED ♪ ♪ [APPLAUSE] 780 00:27:43,695 --> 00:27:48,666 SPEWING OUR NEXT GUEST IS A MULTIPLATINUM RECORDING ARTIST WHOSE FIT STUDIO ALBUM TICKETS 781 00:27:48,668 --> 00:27:51,068 MULTIPLATINUM RECORDING ARTIST WHOSE FIT STUDIO ALBUM TICKETS TO MY DOWNFALL, DEBUTED A NUMBER 782 00:27:51,070 --> 00:27:51,235 WHOSE FIT STUDIO ALBUM TICKETS TO MY DOWNFALL, DEBUTED A NUMBER ONE. 783 00:27:51,237 --> 00:27:54,972 TO MY DOWNFALL, DEBUTED A NUMBER ONE. PLEASE WELCOME MACHINE GUN KEL 784 00:27:54,974 --> 00:27:55,172 ONE. PLEASE WELCOME MACHINE GUN KEL KELLY. 785 00:27:55,174 --> 00:28:07,551 PLEASE WELCOME MACHINE GUN KEL KELLY. ♪ ♪ 786 00:28:07,553 --> 00:28:07,818 KELLY. ♪ ♪ ALL RIGHT. 787 00:28:07,820 --> 00:28:08,452 ♪ ♪ ALL RIGHT. FIRST OF ALL, THANK YOU SO MUCH 788 00:28:08,454 --> 00:28:10,821 ALL RIGHT. FIRST OF ALL, THANK YOU SO MUCH FOR BEING HERE. 789 00:28:10,823 --> 00:28:12,589 FIRST OF ALL, THANK YOU SO MUCH FOR BEING HERE. I'VE BEEN ASKING FOR YOU, YOU'VE 790 00:28:12,591 --> 00:28:13,323 FOR BEING HERE. I'VE BEEN ASKING FOR YOU, YOU'VE BEEN HERE BEFORE, BUT I'M SAYING 791 00:28:13,325 --> 00:28:15,359 I'VE BEEN ASKING FOR YOU, YOU'VE BEEN HERE BEFORE, BUT I'M SAYING WHEN IS HE COMING BACK? 792 00:28:15,361 --> 00:28:17,194 BEEN HERE BEFORE, BUT I'M SAYING WHEN IS HE COMING BACK? SO WHAT DO I CALL YOU? 793 00:28:17,196 --> 00:28:19,697 WHEN IS HE COMING BACK? SO WHAT DO I CALL YOU? YOU HAVE MANY, MANY NAMES. 794 00:28:19,699 --> 00:28:20,564 SO WHAT DO I CALL YOU? YOU HAVE MANY, MANY NAMES. >> YEAH. 795 00:28:20,566 --> 00:28:23,400 YOU HAVE MANY, MANY NAMES. >> YEAH. MY GOVERNMENT'S NAME IS COLTON 796 00:28:23,402 --> 00:28:23,600 >> YEAH. MY GOVERNMENT'S NAME IS COLTON BAKER. 797 00:28:23,602 --> 00:28:26,170 MY GOVERNMENT'S NAME IS COLTON BAKER. YOU CAN CALL ME THAT. 798 00:28:26,172 --> 00:28:27,938 BAKER. YOU CAN CALL ME THAT. >> Ellen: CARSON? 799 00:28:27,940 --> 00:28:32,309 YOU CAN CALL ME THAT. >> Ellen: CARSON? >> COLTON CARSON IS ALL RIGHT 800 00:28:32,311 --> 00:28:34,678 >> Ellen: CARSON? >> COLTON CARSON IS ALL RIGHT TOO. 801 00:28:34,680 --> 00:28:35,145 >> COLTON CARSON IS ALL RIGHT TOO. >> Ellen: I LOVED YOUR 802 00:28:35,147 --> 00:28:38,615 TOO. >> Ellen: I LOVED YOUR PERFORMANCE ON THAT "SNL," BUT 803 00:28:38,617 --> 00:28:39,383 >> Ellen: I LOVED YOUR PERFORMANCE ON THAT "SNL," BUT THE SECOND ONE ESPECIALLY. 804 00:28:39,385 --> 00:28:40,517 PERFORMANCE ON THAT "SNL," BUT THE SECOND ONE ESPECIALLY. I HEARD THAT IS NOT HOW YOU'RE 805 00:28:40,519 --> 00:28:41,218 THE SECOND ONE ESPECIALLY. I HEARD THAT IS NOT HOW YOU'RE SUPPOSED TO PERFORM IT. 806 00:28:41,220 --> 00:28:42,219 I HEARD THAT IS NOT HOW YOU'RE SUPPOSED TO PERFORM IT. >> NO. 807 00:28:42,221 --> 00:28:45,622 SUPPOSED TO PERFORM IT. >> NO. IT HAD A WHOLE -- I HAD ALL 808 00:28:45,624 --> 00:28:46,423 >> NO. IT HAD A WHOLE -- I HAD ALL THESE LIGHTS AND PRODUCTION AND 809 00:28:46,425 --> 00:28:49,359 IT HAD A WHOLE -- I HAD ALL THESE LIGHTS AND PRODUCTION AND I WAS GOING TO IT AND I KIND OF 810 00:28:49,361 --> 00:28:50,661 THESE LIGHTS AND PRODUCTION AND I WAS GOING TO IT AND I KIND OF GOD'S WHAT I ASKED FOR I GUESS. 811 00:28:50,663 --> 00:28:53,063 I WAS GOING TO IT AND I KIND OF GOD'S WHAT I ASKED FOR I GUESS. I WAS BACKSTAGE AND I CLEARED 812 00:28:53,065 --> 00:28:57,868 GOD'S WHAT I ASKED FOR I GUESS. I WAS BACKSTAGE AND I CLEARED THE ROOM HOUSE AND I WAS JUST 813 00:28:57,870 --> 00:29:00,237 I WAS BACKSTAGE AND I CLEARED THE ROOM HOUSE AND I WAS JUST LIKE TO THE UNIVERSE PLEASE LET 814 00:29:00,239 --> 00:29:02,406 THE ROOM HOUSE AND I WAS JUST LIKE TO THE UNIVERSE PLEASE LET ME LIKE TOUCH PEOPLE IN THEIR 815 00:29:02,408 --> 00:29:05,242 LIKE TO THE UNIVERSE PLEASE LET ME LIKE TOUCH PEOPLE IN THEIR HOMES WITH RAW EMOTION AND I 816 00:29:05,244 --> 00:29:07,644 ME LIKE TOUCH PEOPLE IN THEIR HOMES WITH RAW EMOTION AND I WENT OUT THERE AND HE CAME OUT 817 00:29:07,646 --> 00:29:12,750 HOMES WITH RAW EMOTION AND I WENT OUT THERE AND HE CAME OUT AND HE WAS LIKE LATCHED ON. 818 00:29:12,752 --> 00:29:14,384 WENT OUT THERE AND HE CAME OUT AND HE WAS LIKE LATCHED ON. AND I WAS LIKE FOR SURE. 819 00:29:14,386 --> 00:29:16,420 AND HE WAS LIKE LATCHED ON. AND I WAS LIKE FOR SURE. AND I WAS LIKE GETTING READY TO 820 00:29:16,422 --> 00:29:17,121 AND I WAS LIKE FOR SURE. AND I WAS LIKE GETTING READY TO GO AND THE PRODUCTION MANAGER 821 00:29:17,123 --> 00:29:20,190 AND I WAS LIKE GETTING READY TO GO AND THE PRODUCTION MANAGER CAME UP AND WAS LIKE YEAH, YOUR 822 00:29:20,192 --> 00:29:21,625 GO AND THE PRODUCTION MANAGER CAME UP AND WAS LIKE YEAH, YOUR WHOLE LIGHTING BOARD CRASH. 823 00:29:21,627 --> 00:29:22,593 CAME UP AND WAS LIKE YEAH, YOUR WHOLE LIGHTING BOARD CRASH. ALL THE PRODUCTION IS GONE. 824 00:29:22,595 --> 00:29:24,995 WHOLE LIGHTING BOARD CRASH. ALL THE PRODUCTION IS GONE. IT IS JUST Y YOU AND YOUR GUITA. 825 00:29:24,997 --> 00:29:25,763 ALL THE PRODUCTION IS GONE. IT IS JUST Y YOU AND YOUR GUITA. AND THAT HE JUST WALKED AWAY. 826 00:29:25,765 --> 00:29:28,398 IT IS JUST Y YOU AND YOUR GUITA. AND THAT HE JUST WALKED AWAY. AND THEN THEY WOULD LIKE THREE, 827 00:29:28,400 --> 00:29:29,266 AND THAT HE JUST WALKED AWAY. AND THEN THEY WOULD LIKE THREE, TWO, ONE, GO. 828 00:29:29,268 --> 00:29:30,768 AND THEN THEY WOULD LIKE THREE, TWO, ONE, GO. AND I WAS LIKE DACHSHUNDS OVER 829 00:29:30,770 --> 00:29:34,404 TWO, ONE, GO. AND I WAS LIKE DACHSHUNDS OVER FOR THE FIRST 20 SECONDS, I 830 00:29:34,406 --> 00:29:35,272 AND I WAS LIKE DACHSHUNDS OVER FOR THE FIRST 20 SECONDS, I COULD KIND OF FUELED UP MY 831 00:29:35,274 --> 00:29:38,642 FOR THE FIRST 20 SECONDS, I COULD KIND OF FUELED UP MY NERVES -- I WAS LIKE HOW IS THIS 832 00:29:38,644 --> 00:29:38,909 COULD KIND OF FUELED UP MY NERVES -- I WAS LIKE HOW IS THIS HAPPENING. 833 00:29:38,911 --> 00:29:41,245 NERVES -- I WAS LIKE HOW IS THIS HAPPENING. DRESS REHEARSAL AND EVERYTHING. 834 00:29:41,247 --> 00:29:43,280 HAPPENING. DRESS REHEARSAL AND EVERYTHING. AND THEN AS SOON AS THE CHORUS 835 00:29:43,282 --> 00:29:44,114 DRESS REHEARSAL AND EVERYTHING. AND THEN AS SOON AS THE CHORUS CAME, ALL OF THE MOTION TOOK 836 00:29:44,116 --> 00:29:46,049 AND THEN AS SOON AS THE CHORUS CAME, ALL OF THE MOTION TOOK OVER AND I THINK IT WORKED OUT 837 00:29:46,051 --> 00:29:46,517 CAME, ALL OF THE MOTION TOOK OVER AND I THINK IT WORKED OUT WAY BETTER. 838 00:29:46,519 --> 00:29:49,353 OVER AND I THINK IT WORKED OUT WAY BETTER. IT FELT LIKE EVERYONE CONNECTED 839 00:29:49,355 --> 00:29:52,456 WAY BETTER. IT FELT LIKE EVERYONE CONNECTED WITH JUST THE MUSIC INSTEAD OF 840 00:29:52,458 --> 00:29:53,056 IT FELT LIKE EVERYONE CONNECTED WITH JUST THE MUSIC INSTEAD OF LIKE -- 841 00:29:53,058 --> 00:29:53,524 WITH JUST THE MUSIC INSTEAD OF LIKE -- >> Ellen: ABSOLUTELY. 842 00:29:53,526 --> 00:29:54,625 LIKE -- >> Ellen: ABSOLUTELY. THE LYRICS ARE BEAUTIFUL, AND I 843 00:29:54,627 --> 00:29:55,425 >> Ellen: ABSOLUTELY. THE LYRICS ARE BEAUTIFUL, AND I LOVE HOW ROG WAS. 844 00:29:55,427 --> 00:29:56,660 THE LYRICS ARE BEAUTIFUL, AND I LOVE HOW ROG WAS. AND MAYBE THAT GIVES YOU AN IDEA 845 00:29:56,662 --> 00:29:59,229 LOVE HOW ROG WAS. AND MAYBE THAT GIVES YOU AN IDEA FOR OTHER SONGS TO BE STRIPPED 846 00:29:59,231 --> 00:29:59,863 AND MAYBE THAT GIVES YOU AN IDEA FOR OTHER SONGS TO BE STRIPPED DOWN LIKE THAT TOO. 847 00:29:59,865 --> 00:30:00,697 FOR OTHER SONGS TO BE STRIPPED DOWN LIKE THAT TOO. BECAUSE I LIKE HOW MUCH ENERGY 848 00:30:00,699 --> 00:30:03,367 DOWN LIKE THAT TOO. BECAUSE I LIKE HOW MUCH ENERGY YOU HAVE AND THEN I LOVE THE 849 00:30:03,369 --> 00:30:05,135 BECAUSE I LIKE HOW MUCH ENERGY YOU HAVE AND THEN I LOVE THE SECOND SONG BECAUSE IT WAS SO 850 00:30:05,137 --> 00:30:05,402 YOU HAVE AND THEN I LOVE THE SECOND SONG BECAUSE IT WAS SO DIFFERENT. 851 00:30:05,404 --> 00:30:07,471 SECOND SONG BECAUSE IT WAS SO DIFFERENT. >> ME TOO. 852 00:30:07,473 --> 00:30:08,806 DIFFERENT. >> ME TOO. AND ALSO MY DAD PASSED LAST YEAR 853 00:30:08,808 --> 00:30:11,208 >> ME TOO. AND ALSO MY DAD PASSED LAST YEAR AND SO BEEN WAITING FOR A 854 00:30:11,210 --> 00:30:12,075 AND ALSO MY DAD PASSED LAST YEAR AND SO BEEN WAITING FOR A CATHARTIC MOMENT FOR A LONG 855 00:30:12,077 --> 00:30:12,276 AND SO BEEN WAITING FOR A CATHARTIC MOMENT FOR A LONG TIME. 856 00:30:12,278 --> 00:30:15,646 CATHARTIC MOMENT FOR A LONG TIME. IT FELT LIKE RANDOMLY -- 857 00:30:15,648 --> 00:30:16,613 TIME. IT FELT LIKE RANDOMLY -- >> Ellen: A REACH A LOT OF 858 00:30:16,615 --> 00:30:16,847 IT FELT LIKE RANDOMLY -- >> Ellen: A REACH A LOT OF PEOPLE. 859 00:30:16,849 --> 00:30:18,582 >> Ellen: A REACH A LOT OF PEOPLE. I DEFTLY TOUCHED ME. 860 00:30:18,584 --> 00:30:21,385 PEOPLE. I DEFTLY TOUCHED ME. AND THEN AT THE END OF THE SHOW 861 00:30:21,387 --> 00:30:22,352 I DEFTLY TOUCHED ME. AND THEN AT THE END OF THE SHOW YOU AND PETE FELL OFF STAGE. 862 00:30:22,354 --> 00:30:23,887 AND THEN AT THE END OF THE SHOW YOU AND PETE FELL OFF STAGE. DO YOU BLAME FOR THAT? 863 00:30:23,889 --> 00:30:25,622 YOU AND PETE FELL OFF STAGE. DO YOU BLAME FOR THAT? >> ABSOLUTELY. 864 00:30:25,624 --> 00:30:28,125 DO YOU BLAME FOR THAT? >> ABSOLUTELY. THIS IS MY THING. 865 00:30:28,127 --> 00:30:29,393 >> ABSOLUTELY. THIS IS MY THING. YOU KNOW HOW THERE IS METHOD 866 00:30:29,395 --> 00:30:29,760 THIS IS MY THING. YOU KNOW HOW THERE IS METHOD ACTORS? 867 00:30:29,762 --> 00:30:30,060 YOU KNOW HOW THERE IS METHOD ACTORS? >> Ellen: ? 868 00:30:30,062 --> 00:30:30,527 ACTORS? >> Ellen: ? >> Ellen: YES. 869 00:30:30,529 --> 00:30:32,062 >> Ellen: ? >> Ellen: YES. >> PETE IS LIKE A METHOD PERSON 870 00:30:32,064 --> 00:30:34,998 >> Ellen: YES. >> PETE IS LIKE A METHOD PERSON SO EVERY TIME I SHOW UP, HE IS 871 00:30:35,000 --> 00:30:37,434 >> PETE IS LIKE A METHOD PERSON SO EVERY TIME I SHOW UP, HE IS LIKE A DIFFERENT HAIR COLOR. 872 00:30:37,436 --> 00:30:38,068 SO EVERY TIME I SHOW UP, HE IS LIKE A DIFFERENT HAIR COLOR. DIFFERENT BODY IN SHAPE AND 873 00:30:38,070 --> 00:30:38,368 LIKE A DIFFERENT HAIR COLOR. DIFFERENT BODY IN SHAPE AND TYPE. 874 00:30:38,370 --> 00:30:39,903 DIFFERENT BODY IN SHAPE AND TYPE. THE LESS I MESS ON, HE WAS 875 00:30:39,905 --> 00:30:41,371 TYPE. THE LESS I MESS ON, HE WAS SKINNY AND HAD SAID LIKE ME. 876 00:30:41,373 --> 00:30:42,940 THE LESS I MESS ON, HE WAS SKINNY AND HAD SAID LIKE ME. THIS TIME HE IS LIKE REMOVING A 877 00:30:42,942 --> 00:30:45,175 SKINNY AND HAD SAID LIKE ME. THIS TIME HE IS LIKE REMOVING A LOT OF TATTOOS AND HE IS HUGE. 878 00:30:45,177 --> 00:30:49,479 THIS TIME HE IS LIKE REMOVING A LOT OF TATTOOS AND HE IS HUGE. SO I WENT TO LIKE GIVE HIM -- 879 00:30:49,481 --> 00:30:52,616 LOT OF TATTOOS AND HE IS HUGE. SO I WENT TO LIKE GIVE HIM -- THIS IS A GREAT SHOW HUG AND HE 880 00:30:52,618 --> 00:30:53,217 SO I WENT TO LIKE GIVE HIM -- THIS IS A GREAT SHOW HUG AND HE IS HUGE. 881 00:30:53,219 --> 00:30:56,687 THIS IS A GREAT SHOW HUG AND HE IS HUGE. AND I JUST LIKE TOPPLED OVER. 882 00:30:56,689 --> 00:30:57,221 IS HUGE. AND I JUST LIKE TOPPLED OVER. AND I FELL OVER. 883 00:30:57,223 --> 00:30:57,821 AND I JUST LIKE TOPPLED OVER. AND I FELL OVER. BUT I'VE BEEN FOLLOWING FOR 884 00:30:57,823 --> 00:30:58,822 AND I FELL OVER. BUT I'VE BEEN FOLLOWING FOR YEARS. 885 00:30:58,824 --> 00:31:02,826 BUT I'VE BEEN FOLLOWING FOR YEARS. I AM -- I PROFESSIONALLY HURT 886 00:31:02,828 --> 00:31:03,827 YEARS. I AM -- I PROFESSIONALLY HURT MYSELF. 887 00:31:03,829 --> 00:31:04,962 I AM -- I PROFESSIONALLY HURT MYSELF. >> Ellen: BUT BECAUSE YOU LOVE 888 00:31:04,964 --> 00:31:05,762 MYSELF. >> Ellen: BUT BECAUSE YOU LOVE TO -- HERE'S A PHOTO. 889 00:31:05,764 --> 00:31:06,396 >> Ellen: BUT BECAUSE YOU LOVE TO -- HERE'S A PHOTO. LET ME TO SHOW YOU. 890 00:31:06,398 --> 00:31:08,332 TO -- HERE'S A PHOTO. LET ME TO SHOW YOU. THIS IS YOU AND I THINK MEGAN IS 891 00:31:08,334 --> 00:31:10,434 LET ME TO SHOW YOU. THIS IS YOU AND I THINK MEGAN IS IN THIS PHOTO ALSO. 892 00:31:10,436 --> 00:31:13,537 THIS IS YOU AND I THINK MEGAN IS IN THIS PHOTO ALSO. AND WHAT IS HAPPENING QUESTION 893 00:31:13,539 --> 00:31:14,838 IN THIS PHOTO ALSO. AND WHAT IS HAPPENING QUESTION MIKE WHERE YOU GOING? 894 00:31:14,840 --> 00:31:15,005 AND WHAT IS HAPPENING QUESTION MIKE WHERE YOU GOING? WHY? 895 00:31:15,007 --> 00:31:19,042 MIKE WHERE YOU GOING? WHY? >> THIS IS A PRIME EXAMPLE -- I 896 00:31:19,044 --> 00:31:19,776 WHY? >> THIS IS A PRIME EXAMPLE -- I SURVIVED THIS ONE, BUT THIS WAS 897 00:31:19,778 --> 00:31:23,614 >> THIS IS A PRIME EXAMPLE -- I SURVIVED THIS ONE, BUT THIS WAS OUR FIRST DATES. 898 00:31:23,616 --> 00:31:25,482 SURVIVED THIS ONE, BUT THIS WAS OUR FIRST DATES. THAT IS HER CLIMBING DOWN OFF OF 899 00:31:25,484 --> 00:31:28,151 OUR FIRST DATES. THAT IS HER CLIMBING DOWN OFF OF A DANGEROUS THREE-STORY BALCONY 900 00:31:28,153 --> 00:31:28,619 THAT IS HER CLIMBING DOWN OFF OF A DANGEROUS THREE-STORY BALCONY AND HEALS. 901 00:31:28,621 --> 00:31:30,487 A DANGEROUS THREE-STORY BALCONY AND HEALS. >> Ellen: WHY WERE YOU DOING 902 00:31:30,489 --> 00:31:30,687 AND HEALS. >> Ellen: WHY WERE YOU DOING THAT? 903 00:31:30,689 --> 00:31:32,022 >> Ellen: WHY WERE YOU DOING THAT? >> I SAW THIS ROOF AND I WAS 904 00:31:32,024 --> 00:31:33,123 THAT? >> I SAW THIS ROOF AND I WAS LIKE I USED TO HANG OUT THERE. 905 00:31:33,125 --> 00:31:34,558 >> I SAW THIS ROOF AND I WAS LIKE I USED TO HANG OUT THERE. I JUST WANT YOU TO COME AND SEE 906 00:31:34,560 --> 00:31:37,394 LIKE I USED TO HANG OUT THERE. I JUST WANT YOU TO COME AND SEE MY WORLD FOR A MINUTE. 907 00:31:37,396 --> 00:31:39,029 I JUST WANT YOU TO COME AND SEE MY WORLD FOR A MINUTE. AND IT WAS ON -- THE DOORS 908 00:31:39,031 --> 00:31:42,199 MY WORLD FOR A MINUTE. AND IT WAS ON -- THE DOORS LOCKED, SO WE HAD TO SCAFFOLD 909 00:31:42,201 --> 00:31:43,200 AND IT WAS ON -- THE DOORS LOCKED, SO WE HAD TO SCAFFOLD AROUND THE BALCONY. 910 00:31:43,202 --> 00:31:45,202 LOCKED, SO WE HAD TO SCAFFOLD AROUND THE BALCONY. IT WAS VERY DANGEROUS. 911 00:31:45,204 --> 00:31:47,237 AROUND THE BALCONY. IT WAS VERY DANGEROUS. >> Ellen: AND YOUR FIRST A 912 00:31:47,239 --> 00:31:48,305 IT WAS VERY DANGEROUS. >> Ellen: AND YOUR FIRST A QUESTION MIKE >> FIRST DAY. 913 00:31:48,307 --> 00:31:48,872 >> Ellen: AND YOUR FIRST A QUESTION MIKE >> FIRST DAY. >> Ellen: SECOND A QUESTION 914 00:31:48,874 --> 00:31:52,142 QUESTION MIKE >> FIRST DAY. >> Ellen: SECOND A QUESTION MIKE WHERE DID YOU DO THEN? 915 00:31:52,144 --> 00:31:53,677 >> Ellen: SECOND A QUESTION MIKE WHERE DID YOU DO THEN? >> SHE LOVES NATURE AND IS VERY 916 00:31:53,679 --> 00:31:54,511 MIKE WHERE DID YOU DO THEN? >> SHE LOVES NATURE AND IS VERY TUNED WITH THE EARTH AND WE WENT 917 00:31:54,513 --> 00:32:00,584 >> SHE LOVES NATURE AND IS VERY TUNED WITH THE EARTH AND WE WENT SWIMMING WITH SHARKS. 918 00:32:00,586 --> 00:32:01,718 TUNED WITH THE EARTH AND WE WENT SWIMMING WITH SHARKS. WE HAD TWO SHARK EXPERIENCES. 919 00:32:01,720 --> 00:32:03,086 SWIMMING WITH SHARKS. WE HAD TWO SHARK EXPERIENCES. THE FIRST ONE WAS THE DAY BEFORE 920 00:32:03,088 --> 00:32:04,955 WE HAD TWO SHARK EXPERIENCES. THE FIRST ONE WAS THE DAY BEFORE WE GOT THE WATER WAS LIKE OH, 921 00:32:04,957 --> 00:32:05,589 THE FIRST ONE WAS THE DAY BEFORE WE GOT THE WATER WAS LIKE OH, I'M ACTUALLY COMFORTABLE IN THE 922 00:32:05,591 --> 00:32:05,923 WE GOT THE WATER WAS LIKE OH, I'M ACTUALLY COMFORTABLE IN THE WATER. 923 00:32:05,925 --> 00:32:07,124 I'M ACTUALLY COMFORTABLE IN THE WATER. THIS IS REALLY COOL. 924 00:32:07,126 --> 00:32:08,125 WATER. THIS IS REALLY COOL. LIKE THE SCUM OF THE WATER ENTRY 925 00:32:08,127 --> 00:32:09,226 THIS IS REALLY COOL. LIKE THE SCUM OF THE WATER ENTRY ON THE WATER AND PUT THE GOGGLES 926 00:32:09,228 --> 00:32:10,527 LIKE THE SCUM OF THE WATER ENTRY ON THE WATER AND PUT THE GOGGLES ON SHE WAS LIKE WAY THERE IS A 927 00:32:10,529 --> 00:32:12,829 ON THE WATER AND PUT THE GOGGLES ON SHE WAS LIKE WAY THERE IS A SHARK RIGHT THERE. 928 00:32:12,831 --> 00:32:13,697 ON SHE WAS LIKE WAY THERE IS A SHARK RIGHT THERE. AND BEFORE SHE FINISHED HER 929 00:32:13,699 --> 00:32:15,565 SHARK RIGHT THERE. AND BEFORE SHE FINISHED HER SENTENCE, WAS ONLY LIKE HALFWAY 930 00:32:15,567 --> 00:32:17,334 AND BEFORE SHE FINISHED HER SENTENCE, WAS ONLY LIKE HALFWAY DOWN THE STREET. 931 00:32:17,336 --> 00:32:18,835 SENTENCE, WAS ONLY LIKE HALFWAY DOWN THE STREET. I LEFT HER IN THE WATER. 932 00:32:18,837 --> 00:32:19,603 DOWN THE STREET. I LEFT HER IN THE WATER. >> Ellen: JUST LEAVING HER 933 00:32:19,605 --> 00:32:19,803 I LEFT HER IN THE WATER. >> Ellen: JUST LEAVING HER THERE. 934 00:32:19,805 --> 00:32:21,838 >> Ellen: JUST LEAVING HER THERE. >> YEAH. 935 00:32:21,840 --> 00:32:24,441 THERE. >> YEAH. I'M NOT A NATURE BOY. 936 00:32:24,443 --> 00:32:26,843 >> YEAH. I'M NOT A NATURE BOY. AND THEN THE SECOND DAY, WE WENT 937 00:32:26,845 --> 00:32:28,612 I'M NOT A NATURE BOY. AND THEN THE SECOND DAY, WE WENT AND I COMMITTED AND I SWIM A 938 00:32:28,614 --> 00:32:29,179 AND THEN THE SECOND DAY, WE WENT AND I COMMITTED AND I SWIM A SHARKS. 939 00:32:29,181 --> 00:32:30,547 AND I COMMITTED AND I SWIM A SHARKS. >> Ellen: WHEN YOU SAY SWIM A 940 00:32:30,549 --> 00:32:33,250 SHARKS. >> Ellen: WHEN YOU SAY SWIM A SHARKS, YOU ARE AND ONE OF THOSE 941 00:32:33,252 --> 00:32:33,450 >> Ellen: WHEN YOU SAY SWIM A SHARKS, YOU ARE AND ONE OF THOSE CAGES? 942 00:32:33,452 --> 00:32:33,951 SHARKS, YOU ARE AND ONE OF THOSE CAGES? >> NO. 943 00:32:33,953 --> 00:32:35,185 CAGES? >> NO. >> Ellen: YOU ARE FREE LIKE 944 00:32:35,187 --> 00:32:36,420 >> NO. >> Ellen: YOU ARE FREE LIKE JUST OUT AND THE WATER WAS 945 00:32:36,422 --> 00:32:38,221 >> Ellen: YOU ARE FREE LIKE JUST OUT AND THE WATER WAS SHARKS QUESTION MIKE >> REMEMBER 946 00:32:38,223 --> 00:32:42,025 JUST OUT AND THE WATER WAS SHARKS QUESTION MIKE >> REMEMBER WHEN YOU WERE DORI? 947 00:32:42,027 --> 00:32:42,993 SHARKS QUESTION MIKE >> REMEMBER WHEN YOU WERE DORI? >> Ellen: I DO. 948 00:32:42,995 --> 00:32:43,427 WHEN YOU WERE DORI? >> Ellen: I DO. >> I WAS DORI. 949 00:32:43,429 --> 00:32:46,897 >> Ellen: I DO. >> I WAS DORI. THERE WAS NO -- THERE WAS NO 950 00:32:46,899 --> 00:32:50,334 >> I WAS DORI. THERE WAS NO -- THERE WAS NO BODY ELSE BUT ME AND HER. 951 00:32:50,336 --> 00:32:50,701 THERE WAS NO -- THERE WAS NO BODY ELSE BUT ME AND HER. >> Ellen: WOW. 952 00:32:50,703 --> 00:32:53,470 BODY ELSE BUT ME AND HER. >> Ellen: WOW. WHERE WAS THIS? 953 00:32:53,472 --> 00:32:54,204 >> Ellen: WOW. WHERE WAS THIS? >> AND BORA BORA. 954 00:32:54,206 --> 00:32:57,007 WHERE WAS THIS? >> AND BORA BORA. SEE YOU AND IF YOU'RE GOING TO 955 00:32:57,009 --> 00:32:57,674 >> AND BORA BORA. SEE YOU AND IF YOU'RE GOING TO GET IN BY SHARK, THAT'S A PLACE 956 00:32:57,676 --> 00:33:00,143 SEE YOU AND IF YOU'RE GOING TO GET IN BY SHARK, THAT'S A PLACE TO DO IT. 957 00:33:00,145 --> 00:33:02,446 GET IN BY SHARK, THAT'S A PLACE TO DO IT. I WANT TO TALK TO YOU MORE 958 00:33:02,448 --> 00:33:04,147 TO DO IT. I WANT TO TALK TO YOU MORE BECAUSE I HAVE HEARD YOU HAVE 959 00:33:04,149 --> 00:33:05,182 I WANT TO TALK TO YOU MORE BECAUSE I HAVE HEARD YOU HAVE TWO HAUNTED HOUSES. 960 00:33:05,184 --> 00:33:05,782 BECAUSE I HAVE HEARD YOU HAVE TWO HAUNTED HOUSES. AND I'M FASCINATED BY THAT. 961 00:33:05,784 --> 00:33:09,987 TWO HAUNTED HOUSES. AND I'M FASCINATED BY THAT. SO WE GOING T TAKE A BREAK. 962 00:33:09,989 --> 00:33:12,723 AND I'M FASCINATED BY THAT. SO WE GOING T TAKE A BREAK. WHAT WITH COLTON, MACHINE GUN 963 00:33:12,725 --> 00:33:13,123 SO WE GOING T TAKE A BREAK. WHAT WITH COLTON, MACHINE GUN KELLY, AFTER THIS. 964 00:33:13,125 --> 00:33:13,390 WHAT WITH COLTON, MACHINE GUN KELLY, AFTER THIS. [APPLAUSE] 965 00:33:13,392 --> 00:33:20,397 KELLY, AFTER THIS. [APPLAUSE] ♪ ♪ 966 00:33:22,600 --> 00:33:33,443 ♪ ♪ >> Ellen: WE ARE BACK WITH COLTON OR MACHINE GUN KELLY AS 967 00:33:33,445 --> 00:33:33,810 >> Ellen: WE ARE BACK WITH COLTON OR MACHINE GUN KELLY AS YOU KNOW I AM. 968 00:33:33,812 --> 00:33:35,746 COLTON OR MACHINE GUN KELLY AS YOU KNOW I AM. BUT COLTON IS MY PAL. 969 00:33:35,748 --> 00:33:37,381 YOU KNOW I AM. BUT COLTON IS MY PAL. SO BEFORE WE TALK ABOUT THE 970 00:33:37,383 --> 00:33:38,515 BUT COLTON IS MY PAL. SO BEFORE WE TALK ABOUT THE HAUNTED HOUSES AND THE GHOSTS 971 00:33:38,517 --> 00:33:40,751 SO BEFORE WE TALK ABOUT THE HAUNTED HOUSES AND THE GHOSTS AND EVERYTHING, YOU POSTED A 972 00:33:40,753 --> 00:33:41,985 HAUNTED HOUSES AND THE GHOSTS AND EVERYTHING, YOU POSTED A PICTURE OF LIKE YOU HAD A LITTLE 973 00:33:41,987 --> 00:33:44,521 AND EVERYTHING, YOU POSTED A PICTURE OF LIKE YOU HAD A LITTLE NECKLACE ON WITH SOME OF MEGAN'S 974 00:33:44,523 --> 00:33:46,023 PICTURE OF LIKE YOU HAD A LITTLE NECKLACE ON WITH SOME OF MEGAN'S BLOOD IN IT? 975 00:33:46,025 --> 00:33:46,356 NECKLACE ON WITH SOME OF MEGAN'S BLOOD IN IT? RIGHT? 976 00:33:46,358 --> 00:33:48,191 BLOOD IN IT? RIGHT? AND IT WAS THAT YOUR IDEA OR DID 977 00:33:48,193 --> 00:33:49,159 RIGHT? AND IT WAS THAT YOUR IDEA OR DID SHE FALL DOWN AND HURT YOURSELF 978 00:33:49,161 --> 00:33:50,527 AND IT WAS THAT YOUR IDEA OR DID SHE FALL DOWN AND HURT YOURSELF AND YOU HAD A LITTLE THING AND 979 00:33:50,529 --> 00:33:54,564 SHE FALL DOWN AND HURT YOURSELF AND YOU HAD A LITTLE THING AND YOU SAID LET ME -- WHAT 980 00:33:54,566 --> 00:33:54,831 AND YOU HAD A LITTLE THING AND YOU SAID LET ME -- WHAT HAPPENED? 981 00:33:54,833 --> 00:33:56,233 YOU SAID LET ME -- WHAT HAPPENED? >> SHE WAS ACTUALLY GOING OUT OF 982 00:33:56,235 --> 00:34:00,303 HAPPENED? >> SHE WAS ACTUALLY GOING OUT OF TOWN TO FILM A MOVIE, AND THIS 983 00:34:00,305 --> 00:34:01,004 >> SHE WAS ACTUALLY GOING OUT OF TOWN TO FILM A MOVIE, AND THIS WAS NEW IN OUR RELATIONSHIP. 984 00:34:01,006 --> 00:34:03,940 TOWN TO FILM A MOVIE, AND THIS WAS NEW IN OUR RELATIONSHIP. I WAS -- YOU KNOW, I DIDN'T HAVE 985 00:34:03,942 --> 00:34:05,609 WAS NEW IN OUR RELATIONSHIP. I WAS -- YOU KNOW, I DIDN'T HAVE A PASS FOR EITHER SHE WAS GOING 986 00:34:05,611 --> 00:34:08,412 I WAS -- YOU KNOW, I DIDN'T HAVE A PASS FOR EITHER SHE WAS GOING OUT TO BULGARIA AND SO I WAS 987 00:34:08,414 --> 00:34:09,212 A PASS FOR EITHER SHE WAS GOING OUT TO BULGARIA AND SO I WAS KIND OF FREAKING OUT LIKE YOU'RE 988 00:34:09,214 --> 00:34:11,181 OUT TO BULGARIA AND SO I WAS KIND OF FREAKING OUT LIKE YOU'RE GOING TO LEAVE AND I CAN'T EVEN 989 00:34:11,183 --> 00:34:14,551 KIND OF FREAKING OUT LIKE YOU'RE GOING TO LEAVE AND I CAN'T EVEN COME SEE YOU OR WHATEVER. 990 00:34:14,553 --> 00:34:15,786 GOING TO LEAVE AND I CAN'T EVEN COME SEE YOU OR WHATEVER. SOME PEOPLE GIVE LIKE A 991 00:34:15,788 --> 00:34:16,420 COME SEE YOU OR WHATEVER. SOME PEOPLE GIVE LIKE A HANDKERCHIEF TO THE PARTNER OR 992 00:34:16,422 --> 00:34:16,920 SOME PEOPLE GIVE LIKE A HANDKERCHIEF TO THE PARTNER OR WHATEVER. 993 00:34:16,922 --> 00:34:20,891 HANDKERCHIEF TO THE PARTNER OR WHATEVER. SHE GAVE ME HER DNA. 994 00:34:20,893 --> 00:34:21,425 WHATEVER. SHE GAVE ME HER DNA. I BROUGHT IT WITH ME. 995 00:34:21,427 --> 00:34:23,960 SHE GAVE ME HER DNA. I BROUGHT IT WITH ME. >> Ellen: YOU STILL HAVE IT. 996 00:34:23,962 --> 00:34:24,528 I BROUGHT IT WITH ME. >> Ellen: YOU STILL HAVE IT. ALL RIGHT. 997 00:34:24,530 --> 00:34:26,163 >> Ellen: YOU STILL HAVE IT. ALL RIGHT. DID YOU EVER GET A PASSPORT? 998 00:34:26,165 --> 00:34:26,897 ALL RIGHT. DID YOU EVER GET A PASSPORT? I DO. 999 00:34:26,899 --> 00:34:27,164 DID YOU EVER GET A PASSPORT? I DO. AS HE HAS. 1000 00:34:27,166 --> 00:34:29,232 I DO. AS HE HAS. IT'S BEAUTIFUL. 1001 00:34:29,234 --> 00:34:29,766 AS HE HAS. IT'S BEAUTIFUL. >> I DID. 1002 00:34:29,768 --> 00:34:32,969 IT'S BEAUTIFUL. >> I DID. DO YOU KNOW WHO HELPED ME GET A 1003 00:34:32,971 --> 00:34:33,236 >> I DID. DO YOU KNOW WHO HELPED ME GET A PASSPORT? 1004 00:34:33,238 --> 00:34:33,737 DO YOU KNOW WHO HELPED ME GET A PASSPORT? BERNIE SANDERS. 1005 00:34:33,739 --> 00:34:34,538 PASSPORT? BERNIE SANDERS. THANK YOU SO MUCH. 1006 00:34:34,540 --> 00:34:35,138 BERNIE SANDERS. THANK YOU SO MUCH. I HAVEN'T EVEN TALKED TO HIM 1007 00:34:35,140 --> 00:34:37,207 THANK YOU SO MUCH. I HAVEN'T EVEN TALKED TO HIM SINCE THIS HAPPENED. 1008 00:34:37,209 --> 00:34:37,841 I HAVEN'T EVEN TALKED TO HIM SINCE THIS HAPPENED. THANK YOU TO THE BERNIE SANDERS 1009 00:34:37,843 --> 00:34:39,309 SINCE THIS HAPPENED. THANK YOU TO THE BERNIE SANDERS TEAM FOR THAT. 1010 00:34:39,311 --> 00:34:42,579 THANK YOU TO THE BERNIE SANDERS TEAM FOR THAT. I MADE IT TO BULGARIA AND THE 1011 00:34:42,581 --> 00:34:44,881 TEAM FOR THAT. I MADE IT TO BULGARIA AND THE RELATIONSHIP IS GOING STRONG, SO 1012 00:34:44,883 --> 00:34:45,215 I MADE IT TO BULGARIA AND THE RELATIONSHIP IS GOING STRONG, SO THANK YOU. 1013 00:34:45,217 --> 00:34:46,750 RELATIONSHIP IS GOING STRONG, SO THANK YOU. >> Ellen: THAT IS FANTASTIC. 1014 00:34:46,752 --> 00:34:49,152 THANK YOU. >> Ellen: THAT IS FANTASTIC. BERNIE SANDERS GOT YOU TO 1015 00:34:49,154 --> 00:34:50,787 >> Ellen: THAT IS FANTASTIC. BERNIE SANDERS GOT YOU TO BULGARIA AND ALSO TO SAVE YOUR 1016 00:34:50,789 --> 00:34:51,254 BERNIE SANDERS GOT YOU TO BULGARIA AND ALSO TO SAVE YOUR RELATIONSHIP POSSIBLY. 1017 00:34:51,256 --> 00:34:52,656 BULGARIA AND ALSO TO SAVE YOUR RELATIONSHIP POSSIBLY. >> YEAH. 1018 00:34:52,658 --> 00:34:54,925 RELATIONSHIP POSSIBLY. >> YEAH. >> Ellen: OKAY. 1019 00:34:54,927 --> 00:34:57,327 >> YEAH. >> Ellen: OKAY. YOU HAVE TO GO HOUSES THAT ARE 1020 00:34:57,329 --> 00:34:57,561 >> Ellen: OKAY. YOU HAVE TO GO HOUSES THAT ARE HAUNTED. 1021 00:34:57,563 --> 00:34:59,763 YOU HAVE TO GO HOUSES THAT ARE HAUNTED. >> UNFORTUNATELY, YES. 1022 00:34:59,765 --> 00:35:02,332 HAUNTED. >> UNFORTUNATELY, YES. I WILL BE IN BED WITH HER, AND 1023 00:35:02,334 --> 00:35:04,201 >> UNFORTUNATELY, YES. I WILL BE IN BED WITH HER, AND THE BEDROOM DOOR IT WILL JUST BE 1024 00:35:04,203 --> 00:35:08,538 I WILL BE IN BED WITH HER, AND THE BEDROOM DOOR IT WILL JUST BE LIKE -- BUT NO ONE IS THERE. 1025 00:35:08,540 --> 00:35:12,042 THE BEDROOM DOOR IT WILL JUST BE LIKE -- BUT NO ONE IS THERE. AND ALSO IT'S LIKE WIND DOESN'T 1026 00:35:12,044 --> 00:35:12,642 LIKE -- BUT NO ONE IS THERE. AND ALSO IT'S LIKE WIND DOESN'T GO THROUGH EIGHT HALLWAYS TO 1027 00:35:12,644 --> 00:35:15,078 AND ALSO IT'S LIKE WIND DOESN'T GO THROUGH EIGHT HALLWAYS TO THEN MAKE IT TO THE MASTER 1028 00:35:15,080 --> 00:35:15,312 GO THROUGH EIGHT HALLWAYS TO THEN MAKE IT TO THE MASTER BEDROOM. 1029 00:35:15,314 --> 00:35:19,783 THEN MAKE IT TO THE MASTER BEDROOM. SO THAT WAS WHEN I STARTED BEING 1030 00:35:19,785 --> 00:35:20,984 BEDROOM. SO THAT WAS WHEN I STARTED BEING LIKE THIS IS DISTURBING. 1031 00:35:20,986 --> 00:35:23,920 SO THAT WAS WHEN I STARTED BEING LIKE THIS IS DISTURBING. MINUS THE PART THAT ALSO EARLY 1032 00:35:23,922 --> 00:35:24,754 LIKE THIS IS DISTURBING. MINUS THE PART THAT ALSO EARLY ON AND OUR RELATIONSHIP, SHE HAD 1033 00:35:24,756 --> 00:35:28,225 MINUS THE PART THAT ALSO EARLY ON AND OUR RELATIONSHIP, SHE HAD MOVED INTO THAT HOUSE AND THE 1034 00:35:28,227 --> 00:35:29,159 ON AND OUR RELATIONSHIP, SHE HAD MOVED INTO THAT HOUSE AND THE OUTSIDE DOORS WERE DOING THAT. 1035 00:35:29,161 --> 00:35:32,796 MOVED INTO THAT HOUSE AND THE OUTSIDE DOORS WERE DOING THAT. AND SHE CALLED ME LIKE SHE 1036 00:35:32,798 --> 00:35:33,530 OUTSIDE DOORS WERE DOING THAT. AND SHE CALLED ME LIKE SHE LOCKED HERSELF IN THE BEDROOM 1037 00:35:33,532 --> 00:35:33,797 AND SHE CALLED ME LIKE SHE LOCKED HERSELF IN THE BEDROOM ONE TIME. 1038 00:35:33,799 --> 00:35:39,169 LOCKED HERSELF IN THE BEDROOM ONE TIME. BUT I CAME TO IT AND I HAD -- I 1039 00:35:39,171 --> 00:35:41,505 ONE TIME. BUT I CAME TO IT AND I HAD -- I HAD A WEAPON TO MAKE SURE THAT 1040 00:35:41,507 --> 00:35:42,572 BUT I CAME TO IT AND I HAD -- I HAD A WEAPON TO MAKE SURE THAT EVERYONE WAS SAFE AND SO I WENT 1041 00:35:42,574 --> 00:35:48,011 HAD A WEAPON TO MAKE SURE THAT EVERYONE WAS SAFE AND SO I WENT THROUGH THE HOUSE WITH A WEAPON. 1042 00:35:48,013 --> 00:35:49,146 EVERYONE WAS SAFE AND SO I WENT THROUGH THE HOUSE WITH A WEAPON. >> Ellen: DID YOU SEE A GHOST? 1043 00:35:49,148 --> 00:35:53,250 THROUGH THE HOUSE WITH A WEAPON. >> Ellen: DID YOU SEE A GHOST? >> AND THEN I REALIZED WE NEEDED 1044 00:35:53,252 --> 00:35:54,551 >> Ellen: DID YOU SEE A GHOST? >> AND THEN I REALIZED WE NEEDED GHOSTBUSTERS. 1045 00:35:54,553 --> 00:35:56,052 >> AND THEN I REALIZED WE NEEDED GHOSTBUSTERS. WHAT I HAD WAS NOT GOING TO 1046 00:35:56,054 --> 00:35:56,686 GHOSTBUSTERS. WHAT I HAD WAS NOT GOING TO DEFEAT WHATEVER ANIMATE WAS IN 1047 00:35:56,688 --> 00:35:59,556 WHAT I HAD WAS NOT GOING TO DEFEAT WHATEVER ANIMATE WAS IN THIS HOUSE, SO THAT REALIZATION 1048 00:35:59,558 --> 00:36:00,457 DEFEAT WHATEVER ANIMATE WAS IN THIS HOUSE, SO THAT REALIZATION CAME LATER BECAUSE AT FIRST I 1049 00:36:00,459 --> 00:36:02,125 THIS HOUSE, SO THAT REALIZATION CAME LATER BECAUSE AT FIRST I WAS LOOKING FOR A CORPORATE THAT 1050 00:36:02,127 --> 00:36:05,729 CAME LATER BECAUSE AT FIRST I WAS LOOKING FOR A CORPORATE THAT WE LATER FOUND OUT DIDN'T EXIST. 1051 00:36:05,731 --> 00:36:06,563 WAS LOOKING FOR A CORPORATE THAT WE LATER FOUND OUT DIDN'T EXIST. BUT THEN MY HOUSE, EVERYONE THAT 1052 00:36:06,565 --> 00:36:10,767 WE LATER FOUND OUT DIDN'T EXIST. BUT THEN MY HOUSE, EVERYONE THAT COMES TO MY HOUSE AND STAYS PAST 1053 00:36:10,769 --> 00:36:12,169 BUT THEN MY HOUSE, EVERYONE THAT COMES TO MY HOUSE AND STAYS PAST 7:00 P.M., THERE WAS LIKE YEAH 1054 00:36:12,171 --> 00:36:12,769 COMES TO MY HOUSE AND STAYS PAST 7:00 P.M., THERE WAS LIKE YEAH THERE IS DEFTLY SOMETHING IN 1055 00:36:12,771 --> 00:36:14,137 7:00 P.M., THERE WAS LIKE YEAH THERE IS DEFTLY SOMETHING IN YOUR KITCHEN. 1056 00:36:14,139 --> 00:36:14,838 THERE IS DEFTLY SOMETHING IN YOUR KITCHEN. AND THEN I REALIZE THOSE GHOSTS 1057 00:36:14,840 --> 00:36:17,541 YOUR KITCHEN. AND THEN I REALIZE THOSE GHOSTS ARE JUST LIKE -- I THINK THEY'RE 1058 00:36:17,543 --> 00:36:18,542 AND THEN I REALIZE THOSE GHOSTS ARE JUST LIKE -- I THINK THEY'RE JUST LIKE HIGH GHOST. 1059 00:36:18,544 --> 00:36:21,044 ARE JUST LIKE -- I THINK THEY'RE JUST LIKE HIGH GHOST. ALWAYS MAKING GHOST SNACKS OR 1060 00:36:21,046 --> 00:36:21,511 JUST LIKE HIGH GHOST. ALWAYS MAKING GHOST SNACKS OR WATCHING GHOST DISHES. 1061 00:36:21,513 --> 00:36:25,415 ALWAYS MAKING GHOST SNACKS OR WATCHING GHOST DISHES. THEY ARE ONLY DOING PANTRY OR 1062 00:36:25,417 --> 00:36:27,584 WATCHING GHOST DISHES. THEY ARE ONLY DOING PANTRY OR REFRIGERATOR THINGS. 1063 00:36:27,586 --> 00:36:29,986 THEY ARE ONLY DOING PANTRY OR REFRIGERATOR THINGS. SO SOMETIMES I WILL LET OFF LIKE 1064 00:36:29,988 --> 00:36:32,189 REFRIGERATOR THINGS. SO SOMETIMES I WILL LET OFF LIKE A THANK YOU. 1065 00:36:32,191 --> 00:36:33,490 SO SOMETIMES I WILL LET OFF LIKE A THANK YOU. BECAUSE WE'RE A BUNCH OF GUYS IN 1066 00:36:33,492 --> 00:36:36,126 A THANK YOU. BECAUSE WE'RE A BUNCH OF GUYS IN THE HOUSE, -- 1067 00:36:36,128 --> 00:36:37,427 BECAUSE WE'RE A BUNCH OF GUYS IN THE HOUSE, -- >> Ellen: THANK YOU FOR DOING 1068 00:36:37,429 --> 00:36:38,562 THE HOUSE, -- >> Ellen: THANK YOU FOR DOING THE DISHES. 1069 00:36:38,564 --> 00:36:39,196 >> Ellen: THANK YOU FOR DOING THE DISHES. VERY SWEET. 1070 00:36:39,198 --> 00:36:39,529 THE DISHES. VERY SWEET. OUR RIGHTS. 1071 00:36:39,531 --> 00:36:41,498 VERY SWEET. OUR RIGHTS. WE GOING TO TAKE A BREAK. 1072 00:36:41,500 --> 00:36:43,099 OUR RIGHTS. WE GOING TO TAKE A BREAK. WHEN WE COME BACK, MACHINE GUN 1073 00:36:43,101 --> 00:36:45,702 WE GOING TO TAKE A BREAK. WHEN WE COME BACK, MACHINE GUN KELLY IS GOING TO PERFORM FOR 1074 00:36:45,704 --> 00:36:46,570 WHEN WE COME BACK, MACHINE GUN KELLY IS GOING TO PERFORM FOR US. 1075 00:36:46,572 --> 00:36:52,609 KELLY IS GOING TO PERFORM FOR US. ♪ ♪ 1076 00:36:55,680 --> 00:36:58,014 >> Ellen: I WANT TO THANK ALLISON JANNEY AND THE CAST OF "MOM." 1077 00:36:58,016 --> 00:37:01,585 ALLISON JANNEY AND THE CAST OF "MOM." I WANT TO WATCH ALL OF YOU 1078 00:37:01,587 --> 00:37:02,485 "MOM." I WANT TO WATCH ALL OF YOU WATCHING. 1079 00:37:02,487 --> 00:37:03,153 I WANT TO WATCH ALL OF YOU WATCHING. NOW PERFORMING WITH KELLIN QUINN 1080 00:37:03,155 --> 00:37:05,155 WATCHING. NOW PERFORMING WITH KELLIN QUINN AND TRAVIS BARKER, THIS IS 1081 00:37:05,157 --> 00:37:05,922 NOW PERFORMING WITH KELLIN QUINN AND TRAVIS BARKER, THIS IS MACHINE GUN KELLY. 1082 00:37:05,924 --> 00:37:08,825 AND TRAVIS BARKER, THIS IS MACHINE GUN KELLY. [APPLAUSE] 1083 00:37:08,827 --> 00:37:12,796 MACHINE GUN KELLY. [APPLAUSE] ♪ ♪ 1084 00:37:12,798 --> 00:37:14,464 [APPLAUSE] ♪ ♪ ♪ I found a silver ring ♪ 1085 00:37:14,466 --> 00:37:16,533 ♪ ♪ ♪ I found a silver ring ♪ ♪ And put it on my finger ♪ 1086 00:37:16,535 --> 00:37:18,568 ♪ I found a silver ring ♪ ♪ And put it on my finger ♪ ♪ I picked up my guitar ♪ 1087 00:37:18,570 --> 00:37:20,503 ♪ And put it on my finger ♪ ♪ I picked up my guitar ♪ ♪ And played it for the reaper ♪ 1088 00:37:20,505 --> 00:37:23,340 ♪ I picked up my guitar ♪ ♪ And played it for the reaper ♪ ♪ God was a girl ♪ 1089 00:37:23,342 --> 00:37:25,542 ♪ And played it for the reaper ♪ ♪ God was a girl ♪ ♪ The devil wore a T-shirt ♪ 1090 00:37:25,544 --> 00:37:27,344 ♪ God was a girl ♪ ♪ The devil wore a T-shirt ♪ ♪ Love is a game ♪ 1091 00:37:27,346 --> 00:37:28,878 ♪ The devil wore a T-shirt ♪ ♪ Love is a game ♪ ♪ And they were kissing in the 1092 00:37:28,880 --> 00:37:32,882 ♪ Love is a game ♪ ♪ And they were kissing in the bleachers ♪ 1093 00:37:32,884 --> 00:37:34,351 ♪ And they were kissing in the bleachers ♪ ♪ I don't want to be without 1094 00:37:34,353 --> 00:37:36,720 bleachers ♪ ♪ I don't want to be without you ♪ 1095 00:37:36,722 --> 00:37:38,221 ♪ I don't want to be without you ♪ ♪ But I'm here, screaming by 1096 00:37:38,223 --> 00:37:40,824 you ♪ ♪ But I'm here, screaming by myself ♪ 1097 00:37:40,826 --> 00:37:45,028 ♪ But I'm here, screaming by myself ♪ ♪ I'm on the run ♪ 1098 00:37:45,030 --> 00:37:50,100 myself ♪ ♪ I'm on the run ♪ ♪ I'm on the run ♪ 1099 00:37:50,102 --> 00:37:55,538 ♪ I'm on the run ♪ ♪ I'm on the run ♪ ♪ I'm on the run ♪ 1100 00:37:55,540 --> 00:37:58,908 ♪ I'm on the run ♪ ♪ I'm on the run ♪ ♪ To get back to you ♪ 1101 00:37:58,910 --> 00:38:02,245 ♪ I'm on the run ♪ ♪ To get back to you ♪ ♪ To get back to you ♪ 1102 00:38:02,247 --> 00:38:04,347 ♪ To get back to you ♪ ♪ To get back to you ♪ ♪ I got a special ring ♪ 1103 00:38:04,349 --> 00:38:06,049 ♪ To get back to you ♪ ♪ I got a special ring ♪ ♪ And put it on her finger ♪ 1104 00:38:06,051 --> 00:38:07,717 ♪ I got a special ring ♪ ♪ And put it on her finger ♪ ♪ A voice said suddenly ♪ 1105 00:38:07,719 --> 00:38:08,852 ♪ And put it on her finger ♪ ♪ A voice said suddenly ♪ ♪ You're never going to keep 1106 00:38:08,854 --> 00:38:11,154 ♪ A voice said suddenly ♪ ♪ You're never going to keep her ♪ 1107 00:38:11,156 --> 00:38:13,456 ♪ You're never going to keep her ♪ ♪ Please don't look behind us ♪ 1108 00:38:13,458 --> 00:38:14,324 her ♪ ♪ Please don't look behind us ♪ ♪ The past is trying to catch 1109 00:38:14,326 --> 00:38:15,925 ♪ Please don't look behind us ♪ ♪ The past is trying to catch up ♪ 1110 00:38:15,927 --> 00:38:18,361 ♪ The past is trying to catch up ♪ ♪ Pressures from outside us ♪ 1111 00:38:18,363 --> 00:38:21,331 up ♪ ♪ Pressures from outside us ♪ ♪ I've got claustrophobia ♪ 1112 00:38:21,333 --> 00:38:23,533 ♪ Pressures from outside us ♪ ♪ I've got claustrophobia ♪ ♪ I don't want to be without 1113 00:38:23,535 --> 00:38:25,902 ♪ I've got claustrophobia ♪ ♪ I don't want to be without you ♪ 1114 00:38:25,904 --> 00:38:28,605 ♪ I don't want to be without you ♪ ♪ But I'm here, screaming by 1115 00:38:28,607 --> 00:38:32,542 you ♪ ♪ But I'm here, screaming by myself ♪ 1116 00:38:32,544 --> 00:38:34,944 ♪ But I'm here, screaming by myself ♪ ♪ I'm on the run ♪ 1117 00:38:34,946 --> 00:38:39,149 myself ♪ ♪ I'm on the run ♪ ♪ I'm on the run ♪ 1118 00:38:39,151 --> 00:38:41,184 ♪ I'm on the run ♪ ♪ I'm on the run ♪ ♪ I'm on the run ♪ 1119 00:38:41,186 --> 00:38:45,722 ♪ I'm on the run ♪ ♪ I'm on the run ♪ ♪ I'm on the run ♪ 1120 00:38:45,724 --> 00:38:49,025 ♪ I'm on the run ♪ ♪ I'm on the run ♪ ♪ To get back to you ♪ 1121 00:38:49,027 --> 00:38:52,562 ♪ I'm on the run ♪ ♪ To get back to you ♪ ♪ To get back to you ♪ 1122 00:38:52,564 --> 00:38:55,398 ♪ To get back to you ♪ ♪ To get back to you ♪ ♪ God was a girl ♪ 1123 00:38:55,400 --> 00:38:56,599 ♪ To get back to you ♪ ♪ God was a girl ♪ ♪ The devil wore a T-shirt, love 1124 00:38:56,601 --> 00:38:57,734 ♪ God was a girl ♪ ♪ The devil wore a T-shirt, love is a game ♪ 1125 00:38:57,736 --> 00:38:59,336 ♪ The devil wore a T-shirt, love is a game ♪ ♪ And they were kissing in the 1126 00:38:59,338 --> 00:39:00,904 is a game ♪ ♪ And they were kissing in the bleachers ♪ 1127 00:39:00,906 --> 00:39:02,906 ♪ And they were kissing in the bleachers ♪ ♪ God was a girl ♪ 1128 00:39:02,908 --> 00:39:04,874 bleachers ♪ ♪ God was a girl ♪ ♪ The devil wore a T-shirt ♪ 1129 00:39:04,876 --> 00:39:07,310 ♪ God was a girl ♪ ♪ The devil wore a T-shirt ♪ ♪ Love is a game ♪ 1130 00:39:07,312 --> 00:39:09,312 ♪ The devil wore a T-shirt ♪ ♪ Love is a game ♪ ♪ And they were kissing in the 1131 00:39:09,314 --> 00:39:10,613 ♪ Love is a game ♪ ♪ And they were kissing in the bleachers ♪ 1132 00:39:10,615 --> 00:39:15,051 ♪ And they were kissing in the bleachers ♪ ♪ I'm on the run ♪ 1133 00:39:15,053 --> 00:39:16,953 bleachers ♪ ♪ I'm on the run ♪ ♪ I'm on the run, let's go ♪ 1134 00:39:16,955 --> 00:39:18,555 ♪ I'm on the run ♪ ♪ I'm on the run, let's go ♪ ♪ I'm on the run ♪ 1135 00:39:18,557 --> 00:39:23,393 ♪ I'm on the run, let's go ♪ ♪ I'm on the run ♪ ♪ To get back to you ♪ 1136 00:39:23,395 --> 00:39:30,166 ♪ I'm on the run ♪ ♪ To get back to you ♪ ♪ I'm on the run ♪ 1137 00:39:30,168 --> 00:39:31,067 ♪ To get back to you ♪ ♪ I'm on the run ♪ TO GET BACK TO YOU. 1138 00:39:31,069 --> 00:39:35,638 ♪ I'm on the run ♪ TO GET BACK TO YOU. TO GET BACK TO YOU. 1139 00:39:35,640 --> 00:39:36,573 TO GET BACK TO YOU. TO GET BACK TO YOU. I DON'T WANT TO BE WITHOUT YOU ♪ 1140 00:39:36,575 --> 00:39:43,279 TO GET BACK TO YOU. I DON'T WANT TO BE WITHOUT YOU ♪ ♪ BUT I AM, SCREAMING BY MYSEL 1141 00:39:43,281 --> 00:39:43,546 I DON'T WANT TO BE WITHOUT YOU ♪ ♪ BUT I AM, SCREAMING BY MYSEL MYSELF ♪ 1142 00:39:43,548 --> 00:39:43,680 ♪ BUT I AM, SCREAMING BY MYSEL MYSELF ♪ ♪ 1143 00:39:43,682 --> 00:39:46,316 MYSELF ♪ ♪ ♪ I'm on the run ♪ 1144 00:39:46,318 --> 00:39:48,251 ♪ ♪ I'm on the run ♪ ♪ To get back to you ♪ 1145 00:39:48,253 --> 00:39:52,722 ♪ I'm on the run ♪ ♪ To get back to you ♪ ♪ To get back to you ♪ 1146 00:39:52,724 --> 00:39:56,393 ♪ To get back to you ♪ ♪ To get back to you ♪ ♪ Let's go ♪ 1147 00:39:56,395 --> 00:39:59,596 ♪ To get back to you ♪ ♪ Let's go ♪ ♪ To get back to you ♪ 1148 00:39:59,598 --> 00:40:12,976 ♪ Let's go ♪ ♪ To get back to you ♪ ♪ To get back to you ♪ 1149 00:40:12,978 --> 00:40:15,845 ♪ To get back to you ♪ ♪ To get back to you ♪ ♪ I'M ON THE RUN. 1150 00:40:15,847 --> 00:40:19,182 ♪ To get back to you ♪ ♪ I'M ON THE RUN. I'M ON THE RUN ♪ 1151 00:40:19,184 --> 00:40:22,919 ♪ I'M ON THE RUN. I'M ON THE RUN ♪ ♪ I'M ON THE RUN TO GET BACK TO 1152 00:40:22,921 --> 00:40:23,153 I'M ON THE RUN ♪ ♪ I'M ON THE RUN TO GET BACK TO YOU ♪ 1153 00:40:23,155 --> 00:40:25,288 ♪ I'M ON THE RUN TO GET BACK TO YOU ♪ ♪ I'M ON THE RUN ♪ 1154 00:40:25,290 --> 00:40:27,957 YOU ♪ ♪ I'M ON THE RUN ♪ ♪ I'M ON THE RUN ♪ 1155 00:40:27,959 --> 00:40:30,226 ♪ I'M ON THE RUN ♪ ♪ I'M ON THE RUN ♪ ♪ I'M ON THE RUN ♪ 1156 00:40:30,228 --> 00:40:32,862 ♪ I'M ON THE RUN ♪ ♪ I'M ON THE RUN ♪ ♪ TO GET BACK TO YOU ♪ 1157 00:40:32,864 --> 00:40:33,863 ♪ I'M ON THE RUN ♪ ♪ TO GET BACK TO YOU ♪ ♪ ♪ 1158 00:40:33,865 --> 00:40:35,999 ♪ TO GET BACK TO YOU ♪ ♪ ♪ ♪ I'M ON THE RUN ♪ 1159 00:40:36,001 --> 00:40:38,435 ♪ ♪ ♪ I'M ON THE RUN ♪ ♪ I'M ON THE RUN ♪ 1160 00:40:38,437 --> 00:40:40,036 ♪ I'M ON THE RUN ♪ ♪ I'M ON THE RUN ♪ ♪ I'M ON THE RUN ♪ 1161 00:40:40,038 --> 00:40:42,138 ♪ I'M ON THE RUN ♪ ♪ I'M ON THE RUN ♪ ♪ TO GET BACK TO YOU ♪ 1162 00:40:42,140 --> 00:40:42,972 ♪ I'M ON THE RUN ♪ ♪ TO GET BACK TO YOU ♪ ♪ 1163 00:40:42,974 --> 00:40:53,783 ♪ TO GET BACK TO YOU ♪ ♪ [APPLAUSE] 1164 00:40:53,785 --> 00:40:57,253 ♪ [APPLAUSE] ♪ ♪ 1165 00:40:59,423 --> 00:41:01,924 >> ANYWAY.