1 00:00:06,840 --> 00:00:08,040 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 2 00:00:08,042 --> 00:00:08,607 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 3 00:00:08,609 --> 00:00:08,807 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 4 00:00:08,809 --> 00:00:09,441 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 5 00:00:09,443 --> 00:00:10,075 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 6 00:00:10,077 --> 00:00:11,110 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 7 00:00:11,112 --> 00:00:12,277 ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 8 00:00:12,279 --> 00:00:14,046 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ >> Announcer: HERE SHE IS 9 00:00:14,048 --> 00:00:14,513 CLOCK ♪ >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES! 10 00:00:14,515 --> 00:00:15,180 >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES! [CHEERS AND APPLAUSE] 11 00:00:15,182 --> 00:00:15,614 NOW, ELLEN DeGENERES! [CHEERS AND APPLAUSE] ♪ ♪ 12 00:00:15,616 --> 00:00:17,883 [CHEERS AND APPLAUSE] ♪ ♪ ♪ I NEVER WANNA GO HOME ♪ 13 00:00:17,885 --> 00:00:18,384 ♪ ♪ ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO OH OH OH ♪ 14 00:00:18,386 --> 00:00:19,585 ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO OH OH OH ♪ ♪ NO NO NO NO NO ♪ 15 00:00:19,587 --> 00:00:20,753 ♪ NO NO NO OH OH OH ♪ ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] 16 00:00:20,755 --> 00:00:34,933 ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] ♪ ♪ 17 00:00:38,638 --> 00:00:44,676 >> Ellen: HI, EVERYBODY. HI, THANKS A LOT, BACK AT YOU. A FEW WEEKS AGO I CHALLENGED 18 00:00:44,678 --> 00:00:45,911 HI, THANKS A LOT, BACK AT YOU. A FEW WEEKS AGO I CHALLENGED ANDY AND MARY TO A FRIENDLY GAME 19 00:00:45,913 --> 00:00:47,646 A FEW WEEKS AGO I CHALLENGED ANDY AND MARY TO A FRIENDLY GAME OF THE DANGER WORD, IT WAS MORE 20 00:00:47,648 --> 00:00:49,515 ANDY AND MARY TO A FRIENDLY GAME OF THE DANGER WORD, IT WAS MORE SERIOUS THAN ANY OF US COULD'VE 21 00:00:49,517 --> 00:00:50,282 OF THE DANGER WORD, IT WAS MORE SERIOUS THAN ANY OF US COULD'VE IMAGINED. 22 00:00:50,284 --> 00:00:51,984 SERIOUS THAN ANY OF US COULD'VE IMAGINED. DANGER WORDS WERE SAID, TWITCH 23 00:00:51,986 --> 00:00:53,318 IMAGINED. DANGER WORDS WERE SAID, TWITCH AND I LOST, WHICH WAS COMPLETELY 24 00:00:53,320 --> 00:00:53,952 DANGER WORDS WERE SAID, TWITCH AND I LOST, WHICH WAS COMPLETELY UNACCEPTABLE, SO WE HAD A 25 00:00:53,954 --> 00:00:56,722 AND I LOST, WHICH WAS COMPLETELY UNACCEPTABLE, SO WE HAD A REMATCH. 26 00:00:56,724 --> 00:00:57,856 UNACCEPTABLE, SO WE HAD A REMATCH. TWITCH AND I WERE VICTORIOUS IT. 27 00:00:57,858 --> 00:00:59,258 REMATCH. TWITCH AND I WERE VICTORIOUS IT. AND I HAVE BEEN RIDING THE HIGH 28 00:00:59,260 --> 00:01:01,126 TWITCH AND I WERE VICTORIOUS IT. AND I HAVE BEEN RIDING THE HIGH EVER SINCE. 29 00:01:01,128 --> 00:01:01,727 AND I HAVE BEEN RIDING THE HIGH EVER SINCE. IN CASE YOU MISSED ANY OF THE 30 00:01:01,729 --> 00:01:02,428 EVER SINCE. IN CASE YOU MISSED ANY OF THE EPIC BATTLE, HERE'S A RECAP. 31 00:01:02,430 --> 00:01:13,906 IN CASE YOU MISSED ANY OF THE EPIC BATTLE, HERE'S A RECAP. ♪ ♪ 32 00:01:13,908 --> 00:01:17,443 EPIC BATTLE, HERE'S A RECAP. ♪ ♪ [LAUGHTER] 33 00:01:17,445 --> 00:01:25,150 ♪ ♪ [LAUGHTER] [GRUNTING] 34 00:01:25,152 --> 00:01:25,617 [LAUGHTER] [GRUNTING] >> Ellen: COW. 35 00:01:25,619 --> 00:01:26,618 [GRUNTING] >> Ellen: COW. >> THE DANGER WORD. 36 00:01:26,620 --> 00:01:27,419 >> Ellen: COW. >> THE DANGER WORD. [LAUGHTER] 37 00:01:27,421 --> 00:01:29,721 >> THE DANGER WORD. [LAUGHTER] >> WE WON, YES! 38 00:01:29,723 --> 00:01:30,189 [LAUGHTER] >> WE WON, YES! STICKS! 39 00:01:30,191 --> 00:01:34,660 >> WE WON, YES! STICKS! >> POPSICLES. 40 00:01:34,662 --> 00:01:35,294 STICKS! >> POPSICLES. >> Ellen: NIGHTGOWN. 41 00:01:35,296 --> 00:01:36,028 >> POPSICLES. >> Ellen: NIGHTGOWN. >> LINGERIE. 42 00:01:36,030 --> 00:01:37,096 >> Ellen: NIGHTGOWN. >> LINGERIE. >> Ellen: YES! 43 00:01:37,098 --> 00:01:44,436 >> LINGERIE. >> Ellen: YES! YES! 44 00:01:44,438 --> 00:01:45,037 >> Ellen: YES! YES! [LAUGHTER] 45 00:01:45,039 --> 00:01:45,471 YES! [LAUGHTER] PUNISHMENT. 46 00:01:45,473 --> 00:01:46,105 [LAUGHTER] PUNISHMENT. >> SPANKING. 47 00:01:46,107 --> 00:01:46,438 PUNISHMENT. >> SPANKING. >> Ellen: YES! 48 00:01:46,440 --> 00:01:47,873 >> SPANKING. >> Ellen: YES! YES! 49 00:01:47,875 --> 00:01:49,608 >> Ellen: YES! YES! >> STUB. 50 00:01:49,610 --> 00:01:51,276 YES! >> STUB. >> FINGER? 51 00:01:51,278 --> 00:01:52,244 >> STUB. >> FINGER? >> Ellen: LOWER. 52 00:01:52,246 --> 00:01:54,379 >> FINGER? >> Ellen: LOWER. >> TOE. 53 00:01:54,381 --> 00:01:56,248 >> Ellen: LOWER. >> TOE. >> Ellen: YES! 54 00:01:56,250 --> 00:01:57,483 >> TOE. >> Ellen: YES! FOR THE WIN! 55 00:01:57,485 --> 00:02:00,686 >> Ellen: YES! FOR THE WIN! [APPLAUSE] 56 00:02:00,688 --> 00:02:04,623 FOR THE WIN! [APPLAUSE] >> WHO STUBS THEIR FINGER? 57 00:02:04,625 --> 00:02:05,557 [APPLAUSE] >> WHO STUBS THEIR FINGER? [LAUGHTER] 58 00:02:05,559 --> 00:02:09,561 >> WHO STUBS THEIR FINGER? [LAUGHTER] >> Ellen: ALL RIGHT! 59 00:02:09,563 --> 00:02:10,295 [LAUGHTER] >> Ellen: ALL RIGHT! SO IT'S EVEN. 60 00:02:10,297 --> 00:02:11,797 >> Ellen: ALL RIGHT! SO IT'S EVEN. IT'S TIME TO SETTLE THIS ONCE 61 00:02:11,799 --> 00:02:12,598 SO IT'S EVEN. IT'S TIME TO SETTLE THIS ONCE AND FOR ALL. 62 00:02:12,600 --> 00:02:13,499 IT'S TIME TO SETTLE THIS ONCE AND FOR ALL. LET'S PLAY DANGER WORD THE 63 00:02:13,501 --> 00:02:16,335 AND FOR ALL. LET'S PLAY DANGER WORD THE REMATCH OF THE REMATCH. 64 00:02:16,337 --> 00:02:16,802 LET'S PLAY DANGER WORD THE REMATCH OF THE REMATCH. [CHEERS AND APPLAUSE] 65 00:02:16,804 --> 00:02:31,717 REMATCH OF THE REMATCH. [CHEERS AND APPLAUSE] ♪ ♪ 66 00:02:40,393 --> 00:02:53,472 [LAUGHTER] ♪ ♪ [CHEERS AND APPLAUSE] 67 00:02:53,474 --> 00:02:54,006 ♪ ♪ [CHEERS AND APPLAUSE] >> Ellen: ALL RIGHT! 68 00:02:54,008 --> 00:02:54,907 [CHEERS AND APPLAUSE] >> Ellen: ALL RIGHT! HERE ARE THE RULES. 69 00:02:54,909 --> 00:03:01,046 >> Ellen: ALL RIGHT! HERE ARE THE RULES. ONE WORD CLUES, DANGER WORD BAD, 70 00:03:01,048 --> 00:03:02,381 HERE ARE THE RULES. ONE WORD CLUES, DANGER WORD BAD, PIES GO SPLAT. 71 00:03:02,383 --> 00:03:03,015 ONE WORD CLUES, DANGER WORD BAD, PIES GO SPLAT. MAY THE BEST TALK SHOW HOST AND 72 00:03:03,017 --> 00:03:04,049 PIES GO SPLAT. MAY THE BEST TALK SHOW HOST AND FAKE D.J. WIN. 73 00:03:04,051 --> 00:03:05,484 MAY THE BEST TALK SHOW HOST AND FAKE D.J. WIN. >> ALL RIGHT, LET'S ROLL. 74 00:03:05,486 --> 00:03:07,052 FAKE D.J. WIN. >> ALL RIGHT, LET'S ROLL. >> Ellen: Y'ALL WENT FIRST 75 00:03:07,054 --> 00:03:07,653 >> ALL RIGHT, LET'S ROLL. >> Ellen: Y'ALL WENT FIRST LAST TIME, SO THIS TIME I WILL 76 00:03:07,655 --> 00:03:08,921 >> Ellen: Y'ALL WENT FIRST LAST TIME, SO THIS TIME I WILL START. 77 00:03:08,923 --> 00:03:10,556 LAST TIME, SO THIS TIME I WILL START. SOMETIMES THAT CAN BE A 78 00:03:10,558 --> 00:03:11,423 START. SOMETIMES THAT CAN BE A DISADVANTAGE AS WE KNOW. 79 00:03:11,425 --> 00:03:12,558 SOMETIMES THAT CAN BE A DISADVANTAGE AS WE KNOW. ALL RIGHT. 80 00:03:12,560 --> 00:03:25,604 DISADVANTAGE AS WE KNOW. ALL RIGHT. ♪ ♪ 81 00:03:25,606 --> 00:03:29,908 ALL RIGHT. ♪ ♪ TWITCH, HANDLES. 82 00:03:30,176 --> 00:03:40,619 ♪ ♪ >> LOVE. >> Ellen: WHAT DID YOU SAY? 83 00:03:40,621 --> 00:03:49,428 >> LOVE. >> Ellen: WHAT DID YOU SAY? >> LOVE. 84 00:03:49,430 --> 00:03:55,667 >> Ellen: WHAT DID YOU SAY? >> LOVE. >> WATER. 85 00:03:55,669 --> 00:04:01,807 >> LOVE. >> WATER. >> JUG. 86 00:04:01,809 --> 00:04:08,480 >> WATER. >> JUG. >> Ellen: KITCHEN. 87 00:04:08,482 --> 00:04:09,147 >> JUG. >> Ellen: KITCHEN. >> FAUCET. 88 00:04:09,149 --> 00:04:10,649 >> Ellen: KITCHEN. >> FAUCET. >> Ellen: YES. 89 00:04:10,651 --> 00:04:14,953 >> FAUCET. >> Ellen: YES. [CHEERS AND APPLAUSE] 90 00:04:14,955 --> 00:04:20,325 >> Ellen: YES. [CHEERS AND APPLAUSE] >> THERE'S NO WAY YOU AREN'T 91 00:04:20,327 --> 00:04:20,592 [CHEERS AND APPLAUSE] >> THERE'S NO WAY YOU AREN'T CHEATING. 92 00:04:20,594 --> 00:04:21,193 >> THERE'S NO WAY YOU AREN'T CHEATING. SOMEONE IS IN YOUR EAR 93 00:04:21,195 --> 00:04:21,760 CHEATING. SOMEONE IS IN YOUR EAR OR SOMETHING. 94 00:04:21,762 --> 00:04:22,060 SOMEONE IS IN YOUR EAR OR SOMETHING. COME ON. 95 00:04:22,062 --> 00:04:22,794 OR SOMETHING. COME ON. >> Ellen: I COULD SEE YOU 96 00:04:22,796 --> 00:04:25,364 COME ON. >> Ellen: I COULD SEE YOU THINKING SINK, THAT WAS THE 97 00:04:25,366 --> 00:04:25,664 >> Ellen: I COULD SEE YOU THINKING SINK, THAT WAS THE DANGER WORD. 98 00:04:25,666 --> 00:04:26,164 THINKING SINK, THAT WAS THE DANGER WORD. >> AS SOON AS KITCHEN. 99 00:04:26,166 --> 00:04:28,000 DANGER WORD. >> AS SOON AS KITCHEN. [APPLAUSE] 100 00:04:28,002 --> 00:04:34,373 >> AS SOON AS KITCHEN. [APPLAUSE] >> [LAUGHS] 101 00:04:34,375 --> 00:04:35,641 [APPLAUSE] >> [LAUGHS] >> Ellen: ALL RIGHT, ANDY, YOU 102 00:04:35,643 --> 00:04:35,907 >> [LAUGHS] >> Ellen: ALL RIGHT, ANDY, YOU GO FIRST. 103 00:04:35,909 --> 00:04:36,475 >> Ellen: ALL RIGHT, ANDY, YOU GO FIRST. >> ANDY, I CAN NO LONGER SEE 104 00:04:36,477 --> 00:04:38,777 GO FIRST. >> ANDY, I CAN NO LONGER SEE YOU. 105 00:04:38,779 --> 00:04:48,987 >> ANDY, I CAN NO LONGER SEE YOU. >> SWASHBUCKLING. 106 00:04:48,989 --> 00:04:49,721 YOU. >> SWASHBUCKLING. >> PIRATE. 107 00:04:49,723 --> 00:04:55,394 >> SWASHBUCKLING. >> PIRATE. >> Ellen: WEAPON. 108 00:04:55,396 --> 00:05:00,999 >> PIRATE. >> Ellen: WEAPON. >> MUSKET? 109 00:05:01,001 --> 00:05:08,607 >> Ellen: WEAPON. >> MUSKET? >> CROSS. 110 00:05:08,609 --> 00:05:16,048 >> MUSKET? >> CROSS. >> CROSS? 111 00:05:16,050 --> 00:05:16,415 >> CROSS. >> CROSS? SWORD? 112 00:05:16,417 --> 00:05:19,284 >> CROSS? SWORD? >> Ellen: YES. 113 00:05:19,286 --> 00:05:25,424 SWORD? >> Ellen: YES. >> WHAT IS CROSS? 114 00:05:25,426 --> 00:05:25,991 >> Ellen: YES. >> WHAT IS CROSS? >> CROSS SWORDS, WE CROSSED 115 00:05:25,993 --> 00:05:26,458 >> WHAT IS CROSS? >> CROSS SWORDS, WE CROSSED SWORDS. 116 00:05:26,460 --> 00:05:26,892 >> CROSS SWORDS, WE CROSSED SWORDS. IT'S AN EXPRESSION. 117 00:05:26,894 --> 00:05:27,259 SWORDS. IT'S AN EXPRESSION. >> I IGNORED IT. 118 00:05:27,261 --> 00:05:37,202 IT'S AN EXPRESSION. >> I IGNORED IT. [LAUGHTER] 119 00:05:37,204 --> 00:05:37,769 >> I IGNORED IT. [LAUGHTER] >> [LAUGHS] 120 00:05:37,771 --> 00:05:43,575 [LAUGHTER] >> [LAUGHS] >> SO GOOD, LET'S GO, TWO MORE. 121 00:05:43,577 --> 00:05:44,443 >> [LAUGHS] >> SO GOOD, LET'S GO, TWO MORE. YOU GO FIRST? 122 00:05:44,445 --> 00:05:44,910 >> SO GOOD, LET'S GO, TWO MORE. YOU GO FIRST? >> Ellen: I GO FIRST. 123 00:05:44,912 --> 00:05:46,111 YOU GO FIRST? >> Ellen: I GO FIRST. LOGS. 124 00:05:46,113 --> 00:05:49,614 >> Ellen: I GO FIRST. LOGS. >> LOGS? 125 00:05:49,616 --> 00:05:55,187 LOGS. >> LOGS? >> Ellen: YEAH! 126 00:05:55,189 --> 00:06:01,460 >> LOGS? >> Ellen: YEAH! >> TIMBER. 127 00:06:01,462 --> 00:06:09,668 >> Ellen: YEAH! >> TIMBER. >> HAIRY. 128 00:06:09,670 --> 00:06:17,843 >> TIMBER. >> HAIRY. >> BRAWNY? 129 00:06:17,845 --> 00:06:21,513 >> HAIRY. >> BRAWNY? >> Ellen: CHEW. 130 00:06:21,515 --> 00:06:21,913 >> BRAWNY? >> Ellen: CHEW. >> CHEW? 131 00:06:21,915 --> 00:06:32,924 >> Ellen: CHEW. >> CHEW? >> Ellen: YES. 132 00:06:32,926 --> 00:06:34,359 >> CHEW? >> Ellen: YES. >> BEAVER. 133 00:06:34,361 --> 00:06:34,926 >> Ellen: YES. >> BEAVER. >> Ellen: YES! 134 00:06:34,928 --> 00:06:43,502 >> BEAVER. >> Ellen: YES! [CHEERS AND APPLAUSE] 135 00:06:43,504 --> 00:06:43,935 >> Ellen: YES! [CHEERS AND APPLAUSE] >> THERE'S NO WAY. 136 00:06:43,937 --> 00:06:45,871 [CHEERS AND APPLAUSE] >> THERE'S NO WAY. >> NICELY DONE. 137 00:06:45,873 --> 00:06:50,175 >> THERE'S NO WAY. >> NICELY DONE. OKAY, THIS IS NOT NECESSARY. 138 00:06:50,177 --> 00:06:50,909 >> NICELY DONE. OKAY, THIS IS NOT NECESSARY. >> Ellen: I WAS SCARED IF I 139 00:06:50,911 --> 00:06:51,743 OKAY, THIS IS NOT NECESSARY. >> Ellen: I WAS SCARED IF I SAID ANIMAL YOU WOULD SAY DAM 140 00:06:51,745 --> 00:06:55,981 >> Ellen: I WAS SCARED IF I SAID ANIMAL YOU WOULD SAY DAM WHICH WAS THE DANGER WORD. 141 00:06:55,983 --> 00:06:57,816 SAID ANIMAL YOU WOULD SAY DAM WHICH WAS THE DANGER WORD. AS SOON AS IT WAS BEAVER, HE 142 00:06:57,818 --> 00:06:59,885 WHICH WAS THE DANGER WORD. AS SOON AS IT WAS BEAVER, HE STARTED LAUGHING RIGHT AWAY AND 143 00:06:59,887 --> 00:07:01,052 AS SOON AS IT WAS BEAVER, HE STARTED LAUGHING RIGHT AWAY AND I THOUGHT IF YOU SAW IT YOU 144 00:07:01,054 --> 00:07:01,920 STARTED LAUGHING RIGHT AWAY AND I THOUGHT IF YOU SAW IT YOU WOULD KNOW WHAT IT IS. 145 00:07:01,922 --> 00:07:04,222 I THOUGHT IF YOU SAW IT YOU WOULD KNOW WHAT IT IS. YOU GO FIRST. 146 00:07:04,224 --> 00:07:12,998 WOULD KNOW WHAT IT IS. YOU GO FIRST. >> I CAN'T SEE ANYTHING. 147 00:07:13,000 --> 00:07:13,698 YOU GO FIRST. >> I CAN'T SEE ANYTHING. >> YOKE. 148 00:07:13,700 --> 00:07:21,840 >> I CAN'T SEE ANYTHING. >> YOKE. YOKE. 149 00:07:21,842 --> 00:07:33,151 >> YOKE. YOKE. >> EGG. 150 00:07:33,153 --> 00:07:49,334 YOKE. >> EGG. >> Ellen: CONTROL. 151 00:07:49,669 --> 00:07:58,109 >> AUX. >> FLY. >> HELICOPTER. 152 00:07:58,111 --> 00:08:15,727 >> FLY. >> HELICOPTER. >> Ellen: PILOT. 153 00:08:16,229 --> 00:08:22,734 >> PROPELLER? >> FRONT. >> COCKPIT. 154 00:08:22,736 --> 00:08:27,572 >> FRONT. >> COCKPIT. >> Ellen: YES. 155 00:08:27,574 --> 00:08:28,073 >> COCKPIT. >> Ellen: YES. IT MAKES TOTAL SENSE. 156 00:08:28,075 --> 00:08:30,609 >> Ellen: YES. IT MAKES TOTAL SENSE. SURE. 157 00:08:30,611 --> 00:08:31,376 IT MAKES TOTAL SENSE. SURE. >> ONCE YOU START THINKING ABOUT 158 00:08:31,378 --> 00:08:31,743 SURE. >> ONCE YOU START THINKING ABOUT IT. 159 00:08:31,745 --> 00:08:33,345 >> ONCE YOU START THINKING ABOUT IT. >> Ellen: OF COURSE. 160 00:08:33,347 --> 00:08:37,649 IT. >> Ellen: OF COURSE. [LAUGHTER] 161 00:08:37,651 --> 00:08:38,316 >> Ellen: OF COURSE. [LAUGHTER] WHAT YOKE WAS. 162 00:08:38,318 --> 00:08:39,718 [LAUGHTER] WHAT YOKE WAS. >> IT'S CALLED THE YOKE THAT YOU 163 00:08:39,720 --> 00:08:40,185 WHAT YOKE WAS. >> IT'S CALLED THE YOKE THAT YOU FLY. 164 00:08:40,187 --> 00:08:41,052 >> IT'S CALLED THE YOKE THAT YOU FLY. YOU ARE NOT A FLYER LIKE I AM. 165 00:08:41,054 --> 00:08:42,954 FLY. YOU ARE NOT A FLYER LIKE I AM. [LAUGHTER] 166 00:08:42,956 --> 00:08:44,122 YOU ARE NOT A FLYER LIKE I AM. [LAUGHTER] THIS IS IT. 167 00:08:44,124 --> 00:08:44,789 [LAUGHTER] THIS IS IT. >> Ellen: WE ARE TIED. 168 00:08:44,791 --> 00:08:45,757 THIS IS IT. >> Ellen: WE ARE TIED. >> OH, GOD. 169 00:08:45,759 --> 00:08:49,027 >> Ellen: WE ARE TIED. >> OH, GOD. [LAUGHTER] 170 00:08:49,029 --> 00:08:50,962 >> OH, GOD. [LAUGHTER] >> Ellen: THAT'S GREAT ON YOUR 171 00:08:50,964 --> 00:08:52,864 [LAUGHTER] >> Ellen: THAT'S GREAT ON YOUR BEARD. 172 00:08:52,866 --> 00:09:05,310 >> Ellen: THAT'S GREAT ON YOUR BEARD. OKAY, TWITCH FOR THE WIN. 173 00:09:05,312 --> 00:09:12,484 BEARD. OKAY, TWITCH FOR THE WIN. SILENT. 174 00:09:12,486 --> 00:09:14,052 OKAY, TWITCH FOR THE WIN. SILENT. >> NIGHT. 175 00:09:14,054 --> 00:09:28,300 SILENT. >> NIGHT. >> ACTOR. 176 00:09:28,935 --> 00:09:51,623 >> BLUNT? >> Ellen: TWITCH, PERFORMER. >> MOVIE? 177 00:09:51,625 --> 00:09:52,857 >> Ellen: TWITCH, PERFORMER. >> MOVIE? >> MUSEUM. 178 00:09:52,859 --> 00:09:53,625 >> MOVIE? >> MUSEUM. >> MIME. 179 00:09:53,627 --> 00:10:08,073 >> MUSEUM. >> MIME. [CHEERS AND APPLAUSE] 180 00:10:17,383 --> 00:10:21,086 >> Ellen: PUT YOUR GOGGLES BACK ON. WHY DO SOME I'M AT A MUSEUM? 181 00:10:21,088 --> 00:10:23,788 BACK ON. WHY DO SOME I'M AT A MUSEUM? >> BECAUSE WE GREW UP IN THE 182 00:10:23,790 --> 00:10:25,390 WHY DO SOME I'M AT A MUSEUM? >> BECAUSE WE GREW UP IN THE EAST SIDE OF MANHATTAN AND ROBIN 183 00:10:25,392 --> 00:10:27,158 >> BECAUSE WE GREW UP IN THE EAST SIDE OF MANHATTAN AND ROBIN WILLIAMS WAS IN MY AT A MUSEUM. 184 00:10:27,160 --> 00:10:29,894 EAST SIDE OF MANHATTAN AND ROBIN WILLIAMS WAS IN MY AT A MUSEUM. HOW IS THAT CHEATING? 185 00:10:29,896 --> 00:10:31,296 WILLIAMS WAS IN MY AT A MUSEUM. HOW IS THAT CHEATING? >> WHEN YOU SAY PERFORMER I KNEW 186 00:10:31,298 --> 00:10:31,930 HOW IS THAT CHEATING? >> WHEN YOU SAY PERFORMER I KNEW IT WAS A MINE. 187 00:10:31,932 --> 00:10:33,565 >> WHEN YOU SAY PERFORMER I KNEW IT WAS A MINE. I WAS JUST HOPING HE WOULD NOT 188 00:10:33,567 --> 00:10:34,532 IT WAS A MINE. I WAS JUST HOPING HE WOULD NOT SAY THE DANGER WORD. 189 00:10:34,534 --> 00:10:36,334 I WAS JUST HOPING HE WOULD NOT SAY THE DANGER WORD. >> Ellen: WE ARE NOT DONE. 190 00:10:36,336 --> 00:10:40,672 SAY THE DANGER WORD. >> Ellen: WE ARE NOT DONE. >> WHAT ARE YOU TALKING ABOUT? 191 00:10:40,674 --> 00:10:40,939 >> Ellen: WE ARE NOT DONE. >> WHAT ARE YOU TALKING ABOUT? [LAUGHTER] 192 00:10:40,941 --> 00:10:41,740 >> WHAT ARE YOU TALKING ABOUT? [LAUGHTER] WHAT WOULD HAVE HAPPENED IF YOU 193 00:10:41,742 --> 00:10:45,110 [LAUGHTER] WHAT WOULD HAVE HAPPENED IF YOU GUYS HAD ONE? 194 00:10:45,112 --> 00:10:47,312 WHAT WOULD HAVE HAPPENED IF YOU GUYS HAD ONE? >> Ellen: THEN WE WOULD BE 195 00:10:47,314 --> 00:10:48,079 GUYS HAD ONE? >> Ellen: THEN WE WOULD BE DONE. 196 00:10:48,081 --> 00:10:49,347 >> Ellen: THEN WE WOULD BE DONE. ANDY, WE ARE STILL ON TELEVISION 197 00:10:49,349 --> 00:10:51,282 DONE. ANDY, WE ARE STILL ON TELEVISION AND YOU ARE IN FRONT OF THE 198 00:10:51,284 --> 00:10:51,683 ANDY, WE ARE STILL ON TELEVISION AND YOU ARE IN FRONT OF THE CAMERA. 199 00:10:51,685 --> 00:10:51,950 AND YOU ARE IN FRONT OF THE CAMERA. [LAUGHTER] 200 00:10:51,952 --> 00:10:52,851 CAMERA. [LAUGHTER] I KNOW IT SEEMS LIKE WE ARE NOT 201 00:10:52,853 --> 00:10:54,853 [LAUGHTER] I KNOW IT SEEMS LIKE WE ARE NOT ON TELEVISION, BUT WE HAVE BEEN 202 00:10:54,855 --> 00:10:56,087 I KNOW IT SEEMS LIKE WE ARE NOT ON TELEVISION, BUT WE HAVE BEEN DOING IT THIS WAY. 203 00:10:56,089 --> 00:10:57,656 ON TELEVISION, BUT WE HAVE BEEN DOING IT THIS WAY. >> TRYING TO CONTAIN THE JOY. 204 00:10:57,658 --> 00:11:01,059 DOING IT THIS WAY. >> TRYING TO CONTAIN THE JOY. >> WE ARE HEADED IN THE SHOW. 205 00:11:01,061 --> 00:11:03,862 >> TRYING TO CONTAIN THE JOY. >> WE ARE HEADED IN THE SHOW. >> LONG STORY SHORT, WE WON, HE 206 00:11:03,864 --> 00:11:04,629 >> WE ARE HEADED IN THE SHOW. >> LONG STORY SHORT, WE WON, HE LOST. 207 00:11:04,631 --> 00:11:05,830 >> LONG STORY SHORT, WE WON, HE LOST. LET'S GO TO BREAK. 208 00:11:05,832 --> 00:11:07,032 LOST. LET'S GO TO BREAK. >> Ellen: WE WILL BE BACK. 209 00:11:07,034 --> 00:11:07,499 LET'S GO TO BREAK. >> Ellen: WE WILL BE BACK. [CHEERS AND APPLAUSE] 210 00:11:07,501 --> 00:11:22,047 >> Ellen: WE WILL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 211 00:11:23,416 --> 00:11:28,386 >> CAN EVEN CONCEIVE OF SEVEN YEARS HOSTING A TELEVISION SHOW, ELLEN. 212 00:11:28,388 --> 00:11:29,587 YEARS HOSTING A TELEVISION SHOW, ELLEN. >> Ellen: I CANNOT IMAGINE 213 00:11:29,589 --> 00:11:32,524 ELLEN. >> Ellen: I CANNOT IMAGINE WHAT THAT IS LIKE SEVEN YEARS. 214 00:11:32,526 --> 00:11:34,225 >> Ellen: I CANNOT IMAGINE WHAT THAT IS LIKE SEVEN YEARS. I HEAR THAT YOU WANT TO BE A 215 00:11:34,227 --> 00:11:35,727 WHAT THAT IS LIKE SEVEN YEARS. I HEAR THAT YOU WANT TO BE A TALK SHOW HOST, AND I SAY YES TO 216 00:11:35,729 --> 00:11:35,927 I HEAR THAT YOU WANT TO BE A TALK SHOW HOST, AND I SAY YES TO THAT. 217 00:11:35,929 --> 00:11:38,129 TALK SHOW HOST, AND I SAY YES TO THAT. WHY WOULD YOU NOT WANT TO DO 218 00:11:38,131 --> 00:11:38,630 THAT. WHY WOULD YOU NOT WANT TO DO THAT? 219 00:11:46,505 --> 00:11:53,845 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: OUR FIRST GUEST IS A 220 00:11:53,847 --> 00:11:56,815 ♪ ♪ >> Ellen: OUR FIRST GUEST IS A VERY FUNNY HOST OF "LATE NIGHT 221 00:11:56,817 --> 00:11:58,216 >> Ellen: OUR FIRST GUEST IS A VERY FUNNY HOST OF "LATE NIGHT WITH SETH MEYERS. 222 00:11:58,218 --> 00:12:00,018 VERY FUNNY HOST OF "LATE NIGHT WITH SETH MEYERS. TAKE A LOOK. 223 00:12:00,020 --> 00:12:01,019 WITH SETH MEYERS. TAKE A LOOK. >> VACATION RENTAL COMPANY 224 00:12:01,021 --> 00:12:03,288 TAKE A LOOK. >> VACATION RENTAL COMPANY Booking.com WILL OFFER FANS OF 225 00:12:03,290 --> 00:12:06,391 >> VACATION RENTAL COMPANY Booking.com WILL OFFER FANS OF THE SITCOM "FRIENDS" A CHANCE TO 226 00:12:06,393 --> 00:12:08,159 Booking.com WILL OFFER FANS OF THE SITCOM "FRIENDS" A CHANCE TO HAVE AN OVERNIGHT STAY IN THE 227 00:12:08,161 --> 00:12:08,793 THE SITCOM "FRIENDS" A CHANCE TO HAVE AN OVERNIGHT STAY IN THE REPLICA OF THE NEW YORK CITY 228 00:12:08,795 --> 00:12:09,127 HAVE AN OVERNIGHT STAY IN THE REPLICA OF THE NEW YORK CITY APARTMENT. 229 00:12:09,129 --> 00:12:11,763 REPLICA OF THE NEW YORK CITY APARTMENT. IF YOU HAVE ALWAYS WANTED TO 230 00:12:11,765 --> 00:12:13,198 APARTMENT. IF YOU HAVE ALWAYS WANTED TO SPEND THE NIGHT AT MONICA'S 231 00:12:13,200 --> 00:12:15,633 IF YOU HAVE ALWAYS WANTED TO SPEND THE NIGHT AT MONICA'S APARTMENT, JUST TELL HER, MA'AM. 232 00:12:15,635 --> 00:12:17,335 SPEND THE NIGHT AT MONICA'S APARTMENT, JUST TELL HER, MA'AM. A STRIP CLUB IN LAS VEGAS 233 00:12:17,337 --> 00:12:21,206 APARTMENT, JUST TELL HER, MA'AM. A STRIP CLUB IN LAS VEGAS OFFERING CORONAVIRUS, THEY WILL 234 00:12:21,208 --> 00:12:23,174 A STRIP CLUB IN LAS VEGAS OFFERING CORONAVIRUS, THEY WILL HAVE MADERA AND ASTRAZENECA. 235 00:12:23,176 --> 00:12:24,743 OFFERING CORONAVIRUS, THEY WILL HAVE MADERA AND ASTRAZENECA. BUT JUST KNOW THAT THEIR REAL 236 00:12:24,745 --> 00:12:26,411 HAVE MADERA AND ASTRAZENECA. BUT JUST KNOW THAT THEIR REAL NAMES ARE CYNTHIA AND BETH. 237 00:12:26,413 --> 00:12:30,115 BUT JUST KNOW THAT THEIR REAL NAMES ARE CYNTHIA AND BETH. >> Ellen: PLEASE WELCOME SETH 238 00:12:30,117 --> 00:12:30,348 NAMES ARE CYNTHIA AND BETH. >> Ellen: PLEASE WELCOME SETH MEYERS. 239 00:12:30,350 --> 00:12:32,383 >> Ellen: PLEASE WELCOME SETH MEYERS. >> HELLO. 240 00:12:32,385 --> 00:12:33,785 MEYERS. >> HELLO. >> Ellen>> Ellen: HEY, SETH. 241 00:12:33,787 --> 00:12:36,321 >> HELLO. >> Ellen>> Ellen: HEY, SETH. >> IT'S SO LOVELY TO SEE YOU, 242 00:12:36,323 --> 00:12:36,521 >> Ellen>> Ellen: HEY, SETH. >> IT'S SO LOVELY TO SEE YOU, ELLEN. 243 00:12:36,523 --> 00:12:38,189 >> IT'S SO LOVELY TO SEE YOU, ELLEN. >> Ellen: LOVELY TO SEE YOU AS 244 00:12:38,191 --> 00:12:39,224 ELLEN. >> Ellen: LOVELY TO SEE YOU AS WELL, I WISH IT WAS IN PERSON, 245 00:12:39,226 --> 00:12:40,959 >> Ellen: LOVELY TO SEE YOU AS WELL, I WISH IT WAS IN PERSON, BUT I SEE THAT YOU ARE SHOOTING 246 00:12:40,961 --> 00:12:42,994 WELL, I WISH IT WAS IN PERSON, BUT I SEE THAT YOU ARE SHOOTING FROM YOUR STUDIO. 247 00:12:42,996 --> 00:12:44,829 BUT I SEE THAT YOU ARE SHOOTING FROM YOUR STUDIO. DO YOU DO IT ANY MINUTE NOW? 248 00:12:44,831 --> 00:12:47,932 FROM YOUR STUDIO. DO YOU DO IT ANY MINUTE NOW? >> WE WRAPPED UP OUR SHOW, 249 00:12:47,934 --> 00:12:49,801 DO YOU DO IT ANY MINUTE NOW? >> WE WRAPPED UP OUR SHOW, TAKING ADVANTAGE OF OUR TIME 250 00:12:49,803 --> 00:12:50,602 >> WE WRAPPED UP OUR SHOW, TAKING ADVANTAGE OF OUR TIME SLOT HERE IN NEW YORK CITY, SO 251 00:12:50,604 --> 00:12:52,270 TAKING ADVANTAGE OF OUR TIME SLOT HERE IN NEW YORK CITY, SO THIS IS A WONDERFUL WAY FOR ME 252 00:12:52,272 --> 00:12:52,871 SLOT HERE IN NEW YORK CITY, SO THIS IS A WONDERFUL WAY FOR ME TO END MY DAY. 253 00:12:52,873 --> 00:12:54,806 THIS IS A WONDERFUL WAY FOR ME TO END MY DAY. >> Ellen: YOU ARE THREE HOURS 254 00:12:54,808 --> 00:12:57,008 TO END MY DAY. >> Ellen: YOU ARE THREE HOURS AHEAD, I THOUGHT IT WAS ALL 255 00:12:57,010 --> 00:12:58,510 >> Ellen: YOU ARE THREE HOURS AHEAD, I THOUGHT IT WAS ALL ABOUT US HERE ON "ELLEN." 256 00:12:58,512 --> 00:13:00,845 AHEAD, I THOUGHT IT WAS ALL ABOUT US HERE ON "ELLEN." WE JUST LIVE IN OUR TIME ZONE. 257 00:13:00,847 --> 00:13:03,114 ABOUT US HERE ON "ELLEN." WE JUST LIVE IN OUR TIME ZONE. LAST TIME YOU WERE ON MY SHOW 258 00:13:03,116 --> 00:13:04,616 WE JUST LIVE IN OUR TIME ZONE. LAST TIME YOU WERE ON MY SHOW YOU HAD ANOTHER SON AND I SAW 259 00:13:04,618 --> 00:13:06,317 LAST TIME YOU WERE ON MY SHOW YOU HAD ANOTHER SON AND I SAW THIS PICTURE OF BOTH OF THEM 260 00:13:06,319 --> 00:13:07,185 YOU HAD ANOTHER SON AND I SAW THIS PICTURE OF BOTH OF THEM PLAYING THE PIANO. 261 00:13:07,187 --> 00:13:09,154 THIS PICTURE OF BOTH OF THEM PLAYING THE PIANO. I'M HOPING THEY KNOW HOW TO PLAY 262 00:13:09,156 --> 00:13:10,755 PLAYING THE PIANO. I'M HOPING THEY KNOW HOW TO PLAY PIANO, IF NOT THAT'S REALLY JUST 263 00:13:10,757 --> 00:13:12,924 I'M HOPING THEY KNOW HOW TO PLAY PIANO, IF NOT THAT'S REALLY JUST NOISE. 264 00:13:12,926 --> 00:13:13,792 PIANO, IF NOT THAT'S REALLY JUST NOISE. [LAUGHTER] 265 00:13:13,794 --> 00:13:16,528 NOISE. [LAUGHTER] >> IT WAS NOTHING BUT WHITE-HOT 266 00:13:16,530 --> 00:13:17,495 [LAUGHTER] >> IT WAS NOTHING BUT WHITE-HOT NOISE. 267 00:13:17,497 --> 00:13:17,962 >> IT WAS NOTHING BUT WHITE-HOT NOISE. THAT WAS -- 268 00:13:17,964 --> 00:13:19,697 NOISE. THAT WAS -- THAT WAS JUST A MISERABLE DAY 269 00:13:19,699 --> 00:13:22,767 THAT WAS -- THAT WAS JUST A MISERABLE DAY SAVED BY ONE CUTE PHOTO. 270 00:13:22,769 --> 00:13:23,735 THAT WAS JUST A MISERABLE DAY SAVED BY ONE CUTE PHOTO. >> Ellen: I SEE. 271 00:13:23,737 --> 00:13:25,136 SAVED BY ONE CUTE PHOTO. >> Ellen: I SEE. AND THEN HE WENT AND GOT THEM 272 00:13:25,138 --> 00:13:28,106 >> Ellen: I SEE. AND THEN HE WENT AND GOT THEM OFF THE BENCH? 273 00:13:28,108 --> 00:13:30,008 AND THEN HE WENT AND GOT THEM OFF THE BENCH? >> IS ONE OF THOSE THINGS WHERE 274 00:13:30,010 --> 00:13:31,810 OFF THE BENCH? >> IS ONE OF THOSE THINGS WHERE THEY SAY GET THEM AWAY FROM THAT 275 00:13:31,812 --> 00:13:33,645 >> IS ONE OF THOSE THINGS WHERE THEY SAY GET THEM AWAY FROM THAT AND SOMEBODY SAID, YOU MIGHT AS 276 00:13:33,647 --> 00:13:34,712 THEY SAY GET THEM AWAY FROM THAT AND SOMEBODY SAID, YOU MIGHT AS WELL GET THE ONE PICTURE. 277 00:13:34,714 --> 00:13:34,979 AND SOMEBODY SAID, YOU MIGHT AS WELL GET THE ONE PICTURE. [LAUGHTER] 278 00:13:34,981 --> 00:13:37,215 WELL GET THE ONE PICTURE. [LAUGHTER] AND THEN WE PULL THEM AWAY. 279 00:13:37,217 --> 00:13:38,449 [LAUGHTER] AND THEN WE PULL THEM AWAY. >> Ellen: WHO PLAYS PIANO THAT 280 00:13:38,451 --> 00:13:41,052 AND THEN WE PULL THEM AWAY. >> Ellen: WHO PLAYS PIANO THAT YOU HAVE A PIANO IN YOUR HOUSE? 281 00:13:41,054 --> 00:13:42,787 >> Ellen: WHO PLAYS PIANO THAT YOU HAVE A PIANO IN YOUR HOUSE? >> THAT WAS MY IN-LAWS HOUSE AND 282 00:13:42,789 --> 00:13:46,724 YOU HAVE A PIANO IN YOUR HOUSE? >> THAT WAS MY IN-LAWS HOUSE AND NEITHER OF THEM. 283 00:13:46,726 --> 00:13:50,562 >> THAT WAS MY IN-LAWS HOUSE AND NEITHER OF THEM. THEIR WORD FOR IT IS PHONIES. 284 00:13:50,564 --> 00:13:52,130 NEITHER OF THEM. THEIR WORD FOR IT IS PHONIES. >> Ellen: IT JUST LOOKS FANCY. 285 00:13:52,132 --> 00:13:53,498 THEIR WORD FOR IT IS PHONIES. >> Ellen: IT JUST LOOKS FANCY. >> THE KIND OF PEOPLE THAT MAKE 286 00:13:53,500 --> 00:13:56,267 >> Ellen: IT JUST LOOKS FANCY. >> THE KIND OF PEOPLE THAT MAKE YOU WANT TO FEEL BAD ABOUT 287 00:13:56,269 --> 00:13:57,569 >> THE KIND OF PEOPLE THAT MAKE YOU WANT TO FEEL BAD ABOUT YOURSELF WHEN YOU COME OVER 288 00:13:57,571 --> 00:13:59,971 YOU WANT TO FEEL BAD ABOUT YOURSELF WHEN YOU COME OVER BECAUSE THEY HAVE A PIANO AND 289 00:13:59,973 --> 00:14:02,607 YOURSELF WHEN YOU COME OVER BECAUSE THEY HAVE A PIANO AND THEN YOU SAY, WHICH ONE OF YOU 290 00:14:02,609 --> 00:14:02,807 BECAUSE THEY HAVE A PIANO AND THEN YOU SAY, WHICH ONE OF YOU PLAYS? 291 00:14:02,809 --> 00:14:03,975 THEN YOU SAY, WHICH ONE OF YOU PLAYS? AND THEY CHANGE THE SUBJECT. 292 00:14:03,977 --> 00:14:04,876 PLAYS? AND THEY CHANGE THE SUBJECT. >> Ellen: IT DOES LOOK FANCY 293 00:14:04,878 --> 00:14:06,811 AND THEY CHANGE THE SUBJECT. >> Ellen: IT DOES LOOK FANCY TO HAVE A PIANO AND YOUR HOUSE, 294 00:14:06,813 --> 00:14:09,981 >> Ellen: IT DOES LOOK FANCY TO HAVE A PIANO AND YOUR HOUSE, BUT THEY ARE PHONIES. 295 00:14:09,983 --> 00:14:11,916 TO HAVE A PIANO AND YOUR HOUSE, BUT THEY ARE PHONIES. YOUR FIRST SON WAS ALMOST BUN 296 00:14:11,918 --> 00:14:14,118 BUT THEY ARE PHONIES. YOUR FIRST SON WAS ALMOST BUN AND AN UBER RIDE, YOUR SECOND 297 00:14:14,120 --> 00:14:15,320 YOUR FIRST SON WAS ALMOST BUN AND AN UBER RIDE, YOUR SECOND WAS IN THE LOBBY OF YOUR 298 00:14:15,322 --> 00:14:15,753 AND AN UBER RIDE, YOUR SECOND WAS IN THE LOBBY OF YOUR APARTMENT BUILDING. 299 00:14:15,755 --> 00:14:17,322 WAS IN THE LOBBY OF YOUR APARTMENT BUILDING. ARE YOU GOING TO HAVE A THIRD 300 00:14:17,324 --> 00:14:21,025 APARTMENT BUILDING. ARE YOU GOING TO HAVE A THIRD AND WHERE WILL THAT ONE BE BORN? 301 00:14:21,027 --> 00:14:21,292 ARE YOU GOING TO HAVE A THIRD AND WHERE WILL THAT ONE BE BORN? [LAUGHTER] 302 00:14:21,294 --> 00:14:23,661 AND WHERE WILL THAT ONE BE BORN? [LAUGHTER] >> I THINK IF WE HAD A THIRD, 303 00:14:23,663 --> 00:14:24,662 [LAUGHTER] >> I THINK IF WE HAD A THIRD, THE ISSUE WOULD BE HOW DO YOU 304 00:14:24,664 --> 00:14:27,565 >> I THINK IF WE HAD A THIRD, THE ISSUE WOULD BE HOW DO YOU TOPIC, RIGHT? 305 00:14:27,567 --> 00:14:28,900 THE ISSUE WOULD BE HOW DO YOU TOPIC, RIGHT? IT'S EVERY COMEDIAN'S BIGGEST 306 00:14:28,902 --> 00:14:30,001 TOPIC, RIGHT? IT'S EVERY COMEDIAN'S BIGGEST FEAR IS THAT YOU HAVE ALREADY 307 00:14:30,003 --> 00:14:31,002 IT'S EVERY COMEDIAN'S BIGGEST FEAR IS THAT YOU HAVE ALREADY HAD YOUR BEST BET AND YOU HAVE 308 00:14:31,004 --> 00:14:34,606 FEAR IS THAT YOU HAVE ALREADY HAD YOUR BEST BET AND YOU HAVE TO COME UP WITH A BETTER ONE. 309 00:14:34,608 --> 00:14:35,139 HAD YOUR BEST BET AND YOU HAVE TO COME UP WITH A BETTER ONE. [LAUGHTER] 310 00:14:35,141 --> 00:14:37,775 TO COME UP WITH A BETTER ONE. [LAUGHTER] SO MAYBE WELL SKYDIVING, HOW IS 311 00:14:37,777 --> 00:14:40,345 [LAUGHTER] SO MAYBE WELL SKYDIVING, HOW IS THAT? 312 00:14:40,347 --> 00:14:41,112 SO MAYBE WELL SKYDIVING, HOW IS THAT? >> Ellen: ALL RIGHT, HOPEFULLY 313 00:14:41,114 --> 00:14:41,746 THAT? >> Ellen: ALL RIGHT, HOPEFULLY A LITTLE TINY ISSUE YOU YOU CAN 314 00:14:41,748 --> 00:14:43,815 >> Ellen: ALL RIGHT, HOPEFULLY A LITTLE TINY ISSUE YOU YOU CAN PUT ON THERE. 315 00:14:43,817 --> 00:14:45,550 A LITTLE TINY ISSUE YOU YOU CAN PUT ON THERE. >> THAT'S THE THING, HOW DO YOU 316 00:14:45,552 --> 00:14:49,254 PUT ON THERE. >> THAT'S THE THING, HOW DO YOU GET THE SHOOT IN SO THAT IT CAN 317 00:14:49,256 --> 00:14:49,487 >> THAT'S THE THING, HOW DO YOU GET THE SHOOT IN SO THAT IT CAN RELEASE. 318 00:14:49,489 --> 00:14:51,055 GET THE SHOOT IN SO THAT IT CAN RELEASE. YOU HAVE ALREADY THOUGHT THIS 319 00:14:51,057 --> 00:14:51,289 RELEASE. YOU HAVE ALREADY THOUGHT THIS THROUGH. 320 00:14:51,291 --> 00:14:54,993 YOU HAVE ALREADY THOUGHT THIS THROUGH. WE WILL TALK OFF-LINE. 321 00:14:54,995 --> 00:14:57,328 THROUGH. WE WILL TALK OFF-LINE. >> Ellen: I GUESS, WELL, NO, I 322 00:14:57,330 --> 00:14:57,996 WE WILL TALK OFF-LINE. >> Ellen: I GUESS, WELL, NO, I HAVE IDEAS, BUT I'M NOT GOING TO 323 00:14:57,998 --> 00:15:00,398 >> Ellen: I GUESS, WELL, NO, I HAVE IDEAS, BUT I'M NOT GOING TO SAY THEM. 324 00:15:00,400 --> 00:15:01,466 HAVE IDEAS, BUT I'M NOT GOING TO SAY THEM. I JUST LEARNED TODAY THAT YOU 325 00:15:01,468 --> 00:15:04,802 SAY THEM. I JUST LEARNED TODAY THAT YOU WERE STARTING OUT IN COMEDY AND 326 00:15:04,804 --> 00:15:05,570 I JUST LEARNED TODAY THAT YOU WERE STARTING OUT IN COMEDY AND LIVED IN AMSTERDAM. 327 00:15:05,572 --> 00:15:06,537 WERE STARTING OUT IN COMEDY AND LIVED IN AMSTERDAM. YOU DID IMPROV. 328 00:15:06,539 --> 00:15:08,039 LIVED IN AMSTERDAM. YOU DID IMPROV. I LOVE -- I WENT THERE FOR THE 329 00:15:08,041 --> 00:15:10,875 YOU DID IMPROV. I LOVE -- I WENT THERE FOR THE VERY FIRST TIME RECENTLY HOW IS 330 00:15:10,877 --> 00:15:12,310 I LOVE -- I WENT THERE FOR THE VERY FIRST TIME RECENTLY HOW IS THAT TO LIVE THERE? 331 00:15:12,312 --> 00:15:15,213 VERY FIRST TIME RECENTLY HOW IS THAT TO LIVE THERE? >> ONE OF THE MOST BEAUTIFUL 332 00:15:15,215 --> 00:15:16,180 THAT TO LIVE THERE? >> ONE OF THE MOST BEAUTIFUL CITIES IN THE WORLD AN 333 00:15:16,182 --> 00:15:17,382 >> ONE OF THE MOST BEAUTIFUL CITIES IN THE WORLD AN INCREDIBLE PLACE TO LIVE. 334 00:15:17,384 --> 00:15:18,650 CITIES IN THE WORLD AN INCREDIBLE PLACE TO LIVE. I WAS THERE RIGHT OUT OF 335 00:15:18,652 --> 00:15:21,019 INCREDIBLE PLACE TO LIVE. I WAS THERE RIGHT OUT OF COLLEGE, NOT A BAD PLACE TO DO 336 00:15:21,021 --> 00:15:23,721 I WAS THERE RIGHT OUT OF COLLEGE, NOT A BAD PLACE TO DO COMEDY, BECAUSE THEY ALL SPEAK 337 00:15:23,723 --> 00:15:26,391 COLLEGE, NOT A BAD PLACE TO DO COMEDY, BECAUSE THEY ALL SPEAK ENGLISH VERY WELL. 338 00:15:26,393 --> 00:15:27,825 COMEDY, BECAUSE THEY ALL SPEAK ENGLISH VERY WELL. BUT WEIRDLY YOU WOULD RATHER 339 00:15:27,827 --> 00:15:29,994 ENGLISH VERY WELL. BUT WEIRDLY YOU WOULD RATHER PERFORM FOR A DUTCH AUDIENCE 340 00:15:29,996 --> 00:15:30,662 BUT WEIRDLY YOU WOULD RATHER PERFORM FOR A DUTCH AUDIENCE THAN A STONED AMERICAN AUDIENCE. 341 00:15:30,664 --> 00:15:35,466 PERFORM FOR A DUTCH AUDIENCE THAN A STONED AMERICAN AUDIENCE. THAT'S WHAT I HAVE LEARNED. 342 00:15:35,468 --> 00:15:37,769 THAN A STONED AMERICAN AUDIENCE. THAT'S WHAT I HAVE LEARNED. >> Ellen: WASN'T THE HIGHNESS 343 00:15:37,771 --> 00:15:41,539 THAT'S WHAT I HAVE LEARNED. >> Ellen: WASN'T THE HIGHNESS OF THEIR STATE OF MIND HELPFUL 344 00:15:41,541 --> 00:15:41,806 >> Ellen: WASN'T THE HIGHNESS OF THEIR STATE OF MIND HELPFUL IN COMEDY? 345 00:15:41,808 --> 00:15:42,073 OF THEIR STATE OF MIND HELPFUL IN COMEDY? [LAUGHTER] 346 00:15:42,075 --> 00:15:43,341 IN COMEDY? [LAUGHTER] >> I DON'T THINK IT IS. 347 00:15:43,343 --> 00:15:45,376 [LAUGHTER] >> I DON'T THINK IT IS. I THINK IF YOU ARE THERE IN THE 348 00:15:45,378 --> 00:15:47,278 >> I DON'T THINK IT IS. I THINK IF YOU ARE THERE IN THE MOMENT AS A PERFORMER IT'S VERY 349 00:15:47,280 --> 00:15:47,812 I THINK IF YOU ARE THERE IN THE MOMENT AS A PERFORMER IT'S VERY FRUSTRATING, BECAUSE IF AN 350 00:15:47,814 --> 00:15:50,448 MOMENT AS A PERFORMER IT'S VERY FRUSTRATING, BECAUSE IF AN AUDIENCE IS TO STONED, THEY WILL 351 00:15:50,450 --> 00:15:51,816 FRUSTRATING, BECAUSE IF AN AUDIENCE IS TO STONED, THEY WILL JUST LAUGH AT THE HAT YOU ARE 352 00:15:51,818 --> 00:15:54,719 AUDIENCE IS TO STONED, THEY WILL JUST LAUGH AT THE HAT YOU ARE WEARING WHEN YOU WALK OUT ON 353 00:15:54,721 --> 00:15:57,322 JUST LAUGH AT THE HAT YOU ARE WEARING WHEN YOU WALK OUT ON STAGE, AND THAT TAKES AWAY FROM 354 00:15:57,324 --> 00:15:58,022 WEARING WHEN YOU WALK OUT ON STAGE, AND THAT TAKES AWAY FROM YOU KNOW ALL OF THE INTELLECTUAL 355 00:15:58,024 --> 00:15:59,490 STAGE, AND THAT TAKES AWAY FROM YOU KNOW ALL OF THE INTELLECTUAL THINGS YOU WANT TO SAY TO THEM. 356 00:15:59,492 --> 00:16:01,926 YOU KNOW ALL OF THE INTELLECTUAL THINGS YOU WANT TO SAY TO THEM. THEY HAVE ALREADY LOST IT ON THE 357 00:16:01,928 --> 00:16:03,561 THINGS YOU WANT TO SAY TO THEM. THEY HAVE ALREADY LOST IT ON THE HAT. 358 00:16:03,563 --> 00:16:03,928 THEY HAVE ALREADY LOST IT ON THE HAT. >> Ellen: I SEE. 359 00:16:03,930 --> 00:16:05,530 HAT. >> Ellen: I SEE. THAT'S ON YOU FOR WEARING A 360 00:16:05,532 --> 00:16:06,864 >> Ellen: I SEE. THAT'S ON YOU FOR WEARING A SILLY HAT. 361 00:16:06,866 --> 00:16:07,131 THAT'S ON YOU FOR WEARING A SILLY HAT. [LAUGHTER] 362 00:16:07,133 --> 00:16:10,201 SILLY HAT. [LAUGHTER] >> THAT IS VERY FAIR. 363 00:16:10,203 --> 00:16:11,803 [LAUGHTER] >> THAT IS VERY FAIR. SPILLED LET'S TALK ABOUT 364 00:16:11,805 --> 00:16:14,005 >> THAT IS VERY FAIR. SPILLED LET'S TALK ABOUT "LATE-NIGHT" YOU CELEBRATED 365 00:16:14,007 --> 00:16:15,940 SPILLED LET'S TALK ABOUT "LATE-NIGHT" YOU CELEBRATED SEVEN YEARS HOSTING THIS 366 00:16:15,942 --> 00:16:16,207 "LATE-NIGHT" YOU CELEBRATED SEVEN YEARS HOSTING THIS FEBRUARY. 367 00:16:16,209 --> 00:16:16,474 SEVEN YEARS HOSTING THIS FEBRUARY. [APPLAUSE] 368 00:16:16,476 --> 00:16:18,009 FEBRUARY. [APPLAUSE] >> CAN EVEN CONCEIVE OF SEVEN 369 00:16:18,011 --> 00:16:19,677 [APPLAUSE] >> CAN EVEN CONCEIVE OF SEVEN YEARS HOSTING A TELEVISION, CAN 370 00:16:19,679 --> 00:16:22,013 >> CAN EVEN CONCEIVE OF SEVEN YEARS HOSTING A TELEVISION, CAN YOU EVEN IMAGINE? 371 00:16:22,015 --> 00:16:23,147 YEARS HOSTING A TELEVISION, CAN YOU EVEN IMAGINE? >> Ellen: I CANNOT IMAGINE 372 00:16:23,149 --> 00:16:26,384 YOU EVEN IMAGINE? >> Ellen: I CANNOT IMAGINE WHAT THAT IS LIKE SEVEN YEARS. 373 00:16:26,386 --> 00:16:30,221 >> Ellen: I CANNOT IMAGINE WHAT THAT IS LIKE SEVEN YEARS. YOU HAVE SIGNED ON TILL 2025? 374 00:16:30,223 --> 00:16:32,924 WHAT THAT IS LIKE SEVEN YEARS. YOU HAVE SIGNED ON TILL 2025? THAT'S AMAZING, CONGRATULATIONS! 375 00:16:32,926 --> 00:16:33,624 YOU HAVE SIGNED ON TILL 2025? THAT'S AMAZING, CONGRATULATIONS! >> THANK YOU VERY MUCH. 376 00:16:33,626 --> 00:16:35,994 THAT'S AMAZING, CONGRATULATIONS! >> THANK YOU VERY MUCH. VERY KIND OF YOU TO SAY SO. 377 00:16:35,996 --> 00:16:37,829 >> THANK YOU VERY MUCH. VERY KIND OF YOU TO SAY SO. >> Ellen: SO IT SEEMS THAT YOU 378 00:16:37,831 --> 00:16:38,730 VERY KIND OF YOU TO SAY SO. >> Ellen: SO IT SEEMS THAT YOU ARE ENJOYING IT THEN. 379 00:16:38,732 --> 00:16:41,132 >> Ellen: SO IT SEEMS THAT YOU ARE ENJOYING IT THEN. >> I AM ENJOYING IT, THE TRUTH 380 00:16:41,134 --> 00:16:42,233 ARE ENJOYING IT THEN. >> I AM ENJOYING IT, THE TRUTH IS THAT IT STARTED WORKING IN 381 00:16:42,235 --> 00:16:45,703 >> I AM ENJOYING IT, THE TRUTH IS THAT IT STARTED WORKING IN THIS BUILDING WHEN WE FIRST MET 382 00:16:45,705 --> 00:16:49,007 IS THAT IT STARTED WORKING IN THIS BUILDING WHEN WE FIRST MET IN 2001 WAS THE YEAR -- 383 00:16:49,009 --> 00:16:50,341 THIS BUILDING WHEN WE FIRST MET IN 2001 WAS THE YEAR -- MY FIRST WAS WHEN YOU HOSTED 384 00:16:50,343 --> 00:16:51,709 IN 2001 WAS THE YEAR -- MY FIRST WAS WHEN YOU HOSTED "SNL" AND I HAVE BEEN USING THE 385 00:16:51,711 --> 00:16:55,613 MY FIRST WAS WHEN YOU HOSTED "SNL" AND I HAVE BEEN USING THE SAME I.D. FOR ALMOST 20 YEARS 386 00:16:55,615 --> 00:16:58,549 "SNL" AND I HAVE BEEN USING THE SAME I.D. FOR ALMOST 20 YEARS THINKING IT WILL MAY BE HIT 20. 387 00:16:58,551 --> 00:17:01,119 SAME I.D. FOR ALMOST 20 YEARS THINKING IT WILL MAY BE HIT 20. >> Ellen: WOW, THAT'S REALLY 388 00:17:01,121 --> 00:17:03,154 THINKING IT WILL MAY BE HIT 20. >> Ellen: WOW, THAT'S REALLY COOL, BECAUSE YOU ARE ON THE 389 00:17:03,156 --> 00:17:04,555 >> Ellen: WOW, THAT'S REALLY COOL, BECAUSE YOU ARE ON THE SAME FLOOR AS "SNL," SO YOU ARE 390 00:17:04,557 --> 00:17:05,189 COOL, BECAUSE YOU ARE ON THE SAME FLOOR AS "SNL," SO YOU ARE WITH YOUR PALS ALL THE TIME AND 391 00:17:05,191 --> 00:17:08,559 SAME FLOOR AS "SNL," SO YOU ARE WITH YOUR PALS ALL THE TIME AND THAT'S A FUN PLACE TO BE. 392 00:17:08,561 --> 00:17:09,694 WITH YOUR PALS ALL THE TIME AND THAT'S A FUN PLACE TO BE. >> THEY DON'T WANT TO SEE ME 393 00:17:09,696 --> 00:17:09,927 THAT'S A FUN PLACE TO BE. >> THEY DON'T WANT TO SEE ME ANYMORE. 394 00:17:09,929 --> 00:17:11,562 >> THEY DON'T WANT TO SEE ME ANYMORE. IT'S VERY INTERESTING, I THOUGHT 395 00:17:11,564 --> 00:17:12,163 ANYMORE. IT'S VERY INTERESTING, I THOUGHT THAT THEY WOULD MISS ME 396 00:17:12,165 --> 00:17:14,198 IT'S VERY INTERESTING, I THOUGHT THAT THEY WOULD MISS ME DESPERATELY IN WANT ME TO STOP 397 00:17:14,200 --> 00:17:15,099 THAT THEY WOULD MISS ME DESPERATELY IN WANT ME TO STOP BY, BUT YOU KNOW HOW IT'S A 398 00:17:15,101 --> 00:17:18,703 DESPERATELY IN WANT ME TO STOP BY, BUT YOU KNOW HOW IT'S A LITTLE SAD WHEN THE GUY WHO WENT 399 00:17:18,705 --> 00:17:20,004 BY, BUT YOU KNOW HOW IT'S A LITTLE SAD WHEN THE GUY WHO WENT TO HIGH SCHOOL KEEPS COMING BY 400 00:17:20,006 --> 00:17:21,039 LITTLE SAD WHEN THE GUY WHO WENT TO HIGH SCHOOL KEEPS COMING BY YEARS AFTER HE GRADUATED, THAT 401 00:17:21,041 --> 00:17:24,709 TO HIGH SCHOOL KEEPS COMING BY YEARS AFTER HE GRADUATED, THAT SORT OF HOW THEY TREAT ME. 402 00:17:24,711 --> 00:17:24,976 YEARS AFTER HE GRADUATED, THAT SORT OF HOW THEY TREAT ME. [LAUGHTER] 403 00:17:24,978 --> 00:17:26,811 SORT OF HOW THEY TREAT ME. [LAUGHTER] >> Ellen: I'M SURE YOU ARE 404 00:17:26,813 --> 00:17:28,980 [LAUGHTER] >> Ellen: I'M SURE YOU ARE JOKING, THAT'S EXTREMELY SAD IF 405 00:17:28,982 --> 00:17:29,947 >> Ellen: I'M SURE YOU ARE JOKING, THAT'S EXTREMELY SAD IF NOT. 406 00:17:29,949 --> 00:17:32,950 JOKING, THAT'S EXTREMELY SAD IF NOT. SO YOU HAVE BEEN DOING LIKE I AM 407 00:17:32,952 --> 00:17:34,118 NOT. SO YOU HAVE BEEN DOING LIKE I AM THESE ZOOM INTERVIEWS AND YOU 408 00:17:34,120 --> 00:17:37,555 SO YOU HAVE BEEN DOING LIKE I AM THESE ZOOM INTERVIEWS AND YOU HAD AN INTERESTING MOMENT LAST 409 00:17:37,557 --> 00:17:39,624 THESE ZOOM INTERVIEWS AND YOU HAD AN INTERESTING MOMENT LAST WEEK, WAS IT LAST WEEK? 410 00:17:39,626 --> 00:17:40,792 HAD AN INTERESTING MOMENT LAST WEEK, WAS IT LAST WEEK? >> IT WAS LAST WEEK. 411 00:17:40,794 --> 00:17:42,493 WEEK, WAS IT LAST WEEK? >> IT WAS LAST WEEK. >> Ellen: TELL EVERYBODY WHAT 412 00:17:42,495 --> 00:17:42,760 >> IT WAS LAST WEEK. >> Ellen: TELL EVERYBODY WHAT HAPPENED. 413 00:17:42,762 --> 00:17:46,664 >> Ellen: TELL EVERYBODY WHAT HAPPENED. >> SO WE WERE INTERVIEWING DEB 414 00:17:46,666 --> 00:17:48,633 HAPPENED. >> SO WE WERE INTERVIEWING DEB HOLLAND WHO IS A FASCINATING 415 00:17:48,635 --> 00:17:51,335 >> SO WE WERE INTERVIEWING DEB HOLLAND WHO IS A FASCINATING WOMAN AND IT WAS A THING WHICH 416 00:17:51,337 --> 00:17:53,538 HOLLAND WHO IS A FASCINATING WOMAN AND IT WAS A THING WHICH WAS IMPOSSIBLE TO IGNORE WAS HER 417 00:17:53,540 --> 00:17:54,072 WOMAN AND IT WAS A THING WHICH WAS IMPOSSIBLE TO IGNORE WAS HER PHOTOGRAPHER TAMMY DID NOT 418 00:17:54,074 --> 00:17:56,307 WAS IMPOSSIBLE TO IGNORE WAS HER PHOTOGRAPHER TAMMY DID NOT REALIZE THAT SHE WOULD BE ON 419 00:17:56,309 --> 00:17:58,709 PHOTOGRAPHER TAMMY DID NOT REALIZE THAT SHE WOULD BE ON CAMERA WHILE SHE TRIED TO CRAWL 420 00:17:58,711 --> 00:17:59,744 REALIZE THAT SHE WOULD BE ON CAMERA WHILE SHE TRIED TO CRAWL BEHIND HER, AND THE BEST THING 421 00:17:59,746 --> 00:18:03,681 CAMERA WHILE SHE TRIED TO CRAWL BEHIND HER, AND THE BEST THING WAS THAT YOU THINK -- SHE THINKS 422 00:18:03,683 --> 00:18:05,316 BEHIND HER, AND THE BEST THING WAS THAT YOU THINK -- SHE THINKS YOU CANNOT SEE HER AND YOU DO 423 00:18:05,318 --> 00:18:06,484 WAS THAT YOU THINK -- SHE THINKS YOU CANNOT SEE HER AND YOU DO NOT HAVE TO BE EAGLE-EYED TO SEE 424 00:18:06,486 --> 00:18:11,656 YOU CANNOT SEE HER AND YOU DO NOT HAVE TO BE EAGLE-EYED TO SEE THIS PERSON RIGHT THERE. 425 00:18:11,658 --> 00:18:12,957 NOT HAVE TO BE EAGLE-EYED TO SEE THIS PERSON RIGHT THERE. BUT FOR ME AGAIN, AND AS IT 426 00:18:12,959 --> 00:18:14,725 THIS PERSON RIGHT THERE. BUT FOR ME AGAIN, AND AS IT WOULD BE FOR YOU AS WELL, 427 00:18:14,727 --> 00:18:15,526 BUT FOR ME AGAIN, AND AS IT WOULD BE FOR YOU AS WELL, NOTHING IS BETTER WHEN SOMETHING 428 00:18:15,528 --> 00:18:17,862 WOULD BE FOR YOU AS WELL, NOTHING IS BETTER WHEN SOMETHING GOES WRONG LIKE THAT. 429 00:18:17,864 --> 00:18:20,731 NOTHING IS BETTER WHEN SOMETHING GOES WRONG LIKE THAT. A VICTIMLESS ERROR. 430 00:18:20,733 --> 00:18:21,566 GOES WRONG LIKE THAT. A VICTIMLESS ERROR. >> Ellen: THAT IS ACTUALLY 431 00:18:21,568 --> 00:18:23,968 A VICTIMLESS ERROR. >> Ellen: THAT IS ACTUALLY WHAT YOU ARE HOPING FOR I THINK. 432 00:18:23,970 --> 00:18:25,770 >> Ellen: THAT IS ACTUALLY WHAT YOU ARE HOPING FOR I THINK. BECAUSE OTHERWISE IT'S JUST AN 433 00:18:25,772 --> 00:18:26,971 WHAT YOU ARE HOPING FOR I THINK. BECAUSE OTHERWISE IT'S JUST AN INTERVIEW LIKE ANY OTHER 434 00:18:26,973 --> 00:18:27,238 BECAUSE OTHERWISE IT'S JUST AN INTERVIEW LIKE ANY OTHER INTERVIEW. 435 00:18:27,240 --> 00:18:27,972 INTERVIEW LIKE ANY OTHER INTERVIEW. ALL RIGHT, WE ARE GOING TO TAKE 436 00:18:27,974 --> 00:18:29,040 INTERVIEW. ALL RIGHT, WE ARE GOING TO TAKE A BREAK AND THEN I THINK WE ARE 437 00:18:29,042 --> 00:18:30,241 ALL RIGHT, WE ARE GOING TO TAKE A BREAK AND THEN I THINK WE ARE GOING TO PLAY A GAME AFTER THIS. 438 00:18:30,243 --> 00:18:32,143 A BREAK AND THEN I THINK WE ARE GOING TO PLAY A GAME AFTER THIS. WE WILL BE BACK. 439 00:18:32,145 --> 00:18:32,610 GOING TO PLAY A GAME AFTER THIS. WE WILL BE BACK. [CHEERS AND APPLAUSE] 440 00:18:32,612 --> 00:18:41,419 WE WILL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 441 00:18:41,421 --> 00:18:43,721 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: DRUNK MAN BLAMES 442 00:18:43,723 --> 00:18:46,157 ♪ ♪ >> Ellen: DRUNK MAN BLAMES COLOR-BLIND BLANK FOR RUNNING 443 00:18:46,159 --> 00:18:46,424 >> Ellen: DRUNK MAN BLAMES COLOR-BLIND BLANK FOR RUNNING RED LIGHT. 444 00:18:46,426 --> 00:18:49,160 COLOR-BLIND BLANK FOR RUNNING RED LIGHT. >> COLOR-BLIND WINDSHIELD. 445 00:18:49,162 --> 00:18:49,727 RED LIGHT. >> COLOR-BLIND WINDSHIELD. [LAUGHTER] 446 00:18:49,729 --> 00:18:52,029 >> COLOR-BLIND WINDSHIELD. [LAUGHTER] >> Ellen: IS THIS THE FIRST 447 00:18:52,031 --> 00:18:52,530 [LAUGHTER] >> Ellen: IS THIS THE FIRST THING YOU HAVE DIRECTED? 448 00:18:52,532 --> 00:18:54,165 >> Ellen: IS THIS THE FIRST THING YOU HAVE DIRECTED? >> IT IS THE FIRST THING I 449 00:18:54,167 --> 00:18:54,432 THING YOU HAVE DIRECTED? >> IT IS THE FIRST THING I DIRECTED. 450 00:18:54,434 --> 00:18:58,436 >> IT IS THE FIRST THING I DIRECTED. >> Ellen: AND 451 00:19:04,643 --> 00:19:13,484 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: WE ARE BACK WITH 452 00:19:13,486 --> 00:19:14,352 ♪ ♪ >> Ellen: WE ARE BACK WITH SETH MEYERS, AND HERE'S THE 453 00:19:14,354 --> 00:19:15,086 >> Ellen: WE ARE BACK WITH SETH MEYERS, AND HERE'S THE GAME. 454 00:19:15,088 --> 00:19:16,287 SETH MEYERS, AND HERE'S THE GAME. IT'S UP ON GAME AND TWITCHES 455 00:19:16,289 --> 00:19:17,355 GAME. IT'S UP ON GAME AND TWITCHES REALLY GOOD AT THIS GAME. 456 00:19:17,357 --> 00:19:18,823 IT'S UP ON GAME AND TWITCHES REALLY GOOD AT THIS GAME. EVERY NIGHT ON YOUR SHOW YOU 457 00:19:18,825 --> 00:19:20,158 REALLY GOOD AT THIS GAME. EVERY NIGHT ON YOUR SHOW YOU COVER THE LATEST NEWS AND 458 00:19:20,160 --> 00:19:20,424 EVERY NIGHT ON YOUR SHOW YOU COVER THE LATEST NEWS AND HEADLINES. 459 00:19:20,426 --> 00:19:22,460 COVER THE LATEST NEWS AND HEADLINES. IT'S A GAME WE CALL "BLINKING 460 00:19:22,462 --> 00:19:24,061 HEADLINES. IT'S A GAME WE CALL "BLINKING NEWS." 461 00:19:24,063 --> 00:19:27,665 IT'S A GAME WE CALL "BLINKING NEWS." ♪ ♪ 462 00:19:27,667 --> 00:19:28,933 NEWS." ♪ ♪ SO I WILL READ A NEWS HEADLINE 463 00:19:28,935 --> 00:19:30,868 ♪ ♪ SO I WILL READ A NEWS HEADLINE AND IT IS MISSING A WORD OR TWO 464 00:19:30,870 --> 00:19:32,069 SO I WILL READ A NEWS HEADLINE AND IT IS MISSING A WORD OR TWO AND WE ARE ALL THREE GOING TO 465 00:19:32,071 --> 00:19:34,305 AND IT IS MISSING A WORD OR TWO AND WE ARE ALL THREE GOING TO TRY TO GUESS THE MISSING WORDS. 466 00:19:34,307 --> 00:19:38,676 AND WE ARE ALL THREE GOING TO TRY TO GUESS THE MISSING WORDS. LET'S SEE THE FIRST ONE. 467 00:19:38,678 --> 00:19:39,977 TRY TO GUESS THE MISSING WORDS. LET'S SEE THE FIRST ONE. CREATURE TERRORIZING TOWN TURNS 468 00:19:39,979 --> 00:19:42,713 LET'S SEE THE FIRST ONE. CREATURE TERRORIZING TOWN TURNS OUT TO BE A BLANK STUCK IN A 469 00:19:42,715 --> 00:19:44,582 CREATURE TERRORIZING TOWN TURNS OUT TO BE A BLANK STUCK IN A TREE. 470 00:19:44,584 --> 00:19:47,418 OUT TO BE A BLANK STUCK IN A TREE. >> DRONE. 471 00:19:47,420 --> 00:19:51,489 TREE. >> DRONE. >> Ellen: THAT'S A GOOD GUESS. 472 00:19:51,491 --> 00:19:53,691 >> DRONE. >> Ellen: THAT'S A GOOD GUESS. THAT IS A GOOD GUESS. 473 00:19:53,693 --> 00:19:55,259 >> Ellen: THAT'S A GOOD GUESS. THAT IS A GOOD GUESS. >> THAT'S A GREAT GUESS. 474 00:19:55,261 --> 00:19:56,227 THAT IS A GOOD GUESS. >> THAT'S A GREAT GUESS. >> Ellen: IT DOES NOT SEEM 475 00:19:56,229 --> 00:19:58,462 >> THAT'S A GREAT GUESS. >> Ellen: IT DOES NOT SEEM LIKE IT WILL BE A CAT OR 476 00:19:58,464 --> 00:19:58,896 >> Ellen: IT DOES NOT SEEM LIKE IT WILL BE A CAT OR SQUIRREL. 477 00:19:58,898 --> 00:20:00,131 LIKE IT WILL BE A CAT OR SQUIRREL. >> I FEEL LIKE CREATURE IS 478 00:20:00,133 --> 00:20:02,500 SQUIRREL. >> I FEEL LIKE CREATURE IS TELLING US IT IS NOT A LIVING 479 00:20:02,502 --> 00:20:04,302 >> I FEEL LIKE CREATURE IS TELLING US IT IS NOT A LIVING THING. 480 00:20:04,304 --> 00:20:04,802 TELLING US IT IS NOT A LIVING THING. >> Ellen: RIGHT. 481 00:20:04,804 --> 00:20:09,907 THING. >> Ellen: RIGHT. I'M GOING TO SAY A BALLOON. 482 00:20:09,909 --> 00:20:13,844 >> Ellen: RIGHT. I'M GOING TO SAY A BALLOON. >> I'M GOING TO SAY A WOMAN. 483 00:20:13,846 --> 00:20:14,912 I'M GOING TO SAY A BALLOON. >> I'M GOING TO SAY A WOMAN. [LAUGHTER] 484 00:20:14,914 --> 00:20:15,913 >> I'M GOING TO SAY A WOMAN. [LAUGHTER] >> Ellen: OKAY. 485 00:20:15,915 --> 00:20:16,180 [LAUGHTER] >> Ellen: OKAY. ALL RIGHT. 486 00:20:16,182 --> 00:20:18,082 >> Ellen: OKAY. ALL RIGHT. LET'S SEE WHAT THE CREATURE IS. 487 00:20:18,084 --> 00:20:19,850 ALL RIGHT. LET'S SEE WHAT THE CREATURE IS. A CROISSANT. 488 00:20:19,852 --> 00:20:22,386 LET'S SEE WHAT THE CREATURE IS. A CROISSANT. OKAY. 489 00:20:22,388 --> 00:20:23,221 A CROISSANT. OKAY. [LAUGHTER] 490 00:20:23,223 --> 00:20:27,491 OKAY. [LAUGHTER] ANY MORE INFORMATION ON THAT. 491 00:20:27,493 --> 00:20:28,259 [LAUGHTER] ANY MORE INFORMATION ON THAT. >> THAT'S STRANGELY A STORY 492 00:20:28,261 --> 00:20:30,494 ANY MORE INFORMATION ON THAT. >> THAT'S STRANGELY A STORY ABOUT A TOWN THAT HAS SOMETHING 493 00:20:30,496 --> 00:20:31,362 >> THAT'S STRANGELY A STORY ABOUT A TOWN THAT HAS SOMETHING WRONG WITH THEM. 494 00:20:31,364 --> 00:20:31,629 ABOUT A TOWN THAT HAS SOMETHING WRONG WITH THEM. [LAUGHTER] 495 00:20:31,631 --> 00:20:33,764 WRONG WITH THEM. [LAUGHTER] >> Ellen: I THINK YOU ARE 496 00:20:33,766 --> 00:20:34,298 [LAUGHTER] >> Ellen: I THINK YOU ARE RIGHT. 497 00:20:34,300 --> 00:20:36,167 >> Ellen: I THINK YOU ARE RIGHT. LET'S FIND OUT WHAT THAT TOWN 498 00:20:36,169 --> 00:20:37,068 RIGHT. LET'S FIND OUT WHAT THAT TOWN IS. 499 00:20:37,070 --> 00:20:38,002 LET'S FIND OUT WHAT THAT TOWN IS. AND WE NEED MORE INFORMATION. 500 00:20:38,004 --> 00:20:39,937 IS. AND WE NEED MORE INFORMATION. LET'S SEE THE NEXT ONE. 501 00:20:39,939 --> 00:20:42,873 AND WE NEED MORE INFORMATION. LET'S SEE THE NEXT ONE. DRUNK MAN BLAMES COLOR-BLIND 502 00:20:42,875 --> 00:20:48,646 LET'S SEE THE NEXT ONE. DRUNK MAN BLAMES COLOR-BLIND BLANK FOR RUNNING RED LIGHT. 503 00:20:48,648 --> 00:20:51,148 DRUNK MAN BLAMES COLOR-BLIND BLANK FOR RUNNING RED LIGHT. >> COLOR-BLIND WINDSHIELD. 504 00:20:51,150 --> 00:20:54,885 BLANK FOR RUNNING RED LIGHT. >> COLOR-BLIND WINDSHIELD. [LAUGHTER] 505 00:20:54,887 --> 00:20:55,753 >> COLOR-BLIND WINDSHIELD. [LAUGHTER] CROISSANT, CAN I DO CROISSANT? 506 00:20:55,755 --> 00:20:59,523 [LAUGHTER] CROISSANT, CAN I DO CROISSANT? >> Ellen: YOU SURE CAN. 507 00:20:59,525 --> 00:20:59,757 CROISSANT, CAN I DO CROISSANT? >> Ellen: YOU SURE CAN. TWITCH? 508 00:20:59,759 --> 00:21:01,525 >> Ellen: YOU SURE CAN. TWITCH? >> I'M GOING TO SAY DRUNK MAN 509 00:21:01,527 --> 00:21:04,996 TWITCH? >> I'M GOING TO SAY DRUNK MAN BLAMES COLOR-BLIND DOG FOR 510 00:21:04,998 --> 00:21:07,698 >> I'M GOING TO SAY DRUNK MAN BLAMES COLOR-BLIND DOG FOR RUNNING A RED LIGHT. 511 00:21:07,700 --> 00:21:10,701 BLAMES COLOR-BLIND DOG FOR RUNNING A RED LIGHT. THINK --: I THOUGHT DOG, BUT I 512 00:21:10,703 --> 00:21:11,802 RUNNING A RED LIGHT. THINK --: I THOUGHT DOG, BUT I AND THAT MIGHT BE RIGHT, BUT I'M 513 00:21:11,804 --> 00:21:14,905 THINK --: I THOUGHT DOG, BUT I AND THAT MIGHT BE RIGHT, BUT I'M GOING TO SAY WIFE. 514 00:21:14,907 --> 00:21:17,341 AND THAT MIGHT BE RIGHT, BUT I'M GOING TO SAY WIFE. HORSE. 515 00:21:17,343 --> 00:21:18,175 GOING TO SAY WIFE. HORSE. [LAUGHTER] 516 00:21:18,177 --> 00:21:21,512 HORSE. [LAUGHTER] OKAY, HE WAS ON A HORSE AND 517 00:21:21,514 --> 00:21:21,746 [LAUGHTER] OKAY, HE WAS ON A HORSE AND THEN -- 518 00:21:21,748 --> 00:21:24,448 OKAY, HE WAS ON A HORSE AND THEN -- >> WE SHOULD NOT HAVE ASSUMED 519 00:21:24,450 --> 00:21:25,549 THEN -- >> WE SHOULD NOT HAVE ASSUMED CAR. 520 00:21:25,551 --> 00:21:27,618 >> WE SHOULD NOT HAVE ASSUMED CAR. >> Ellen: THAT'S WHAT'S WRONG 521 00:21:27,620 --> 00:21:28,219 CAR. >> Ellen: THAT'S WHAT'S WRONG WITH ASSUMING. 522 00:21:28,221 --> 00:21:32,423 >> Ellen: THAT'S WHAT'S WRONG WITH ASSUMING. LET'S SEE THE NEXT ONE. 523 00:21:32,425 --> 00:21:32,990 WITH ASSUMING. LET'S SEE THE NEXT ONE. FLORIDA NURSE PREPARES BLANK 524 00:21:32,992 --> 00:21:38,496 LET'S SEE THE NEXT ONE. FLORIDA NURSE PREPARES BLANK BLANK ON COURT ROOM ZOOM. 525 00:21:38,498 --> 00:21:39,664 FLORIDA NURSE PREPARES BLANK BLANK ON COURT ROOM ZOOM. >> OR TWO. 526 00:21:39,666 --> 00:21:46,604 BLANK ON COURT ROOM ZOOM. >> OR TWO. >> Ellen: YES, TWO WORDS. 527 00:21:46,606 --> 00:21:49,874 >> OR TWO. >> Ellen: YES, TWO WORDS. >> EMERGENCY APPENDECTOMY. 528 00:21:49,876 --> 00:21:50,141 >> Ellen: YES, TWO WORDS. >> EMERGENCY APPENDECTOMY. [LAUGHTER] 529 00:21:50,143 --> 00:21:56,881 >> EMERGENCY APPENDECTOMY. [LAUGHTER] >> Ellen: THAT'S GOOD. 530 00:21:56,883 --> 00:21:58,949 [LAUGHTER] >> Ellen: THAT'S GOOD. >> WHAT I AM THINKING IS NOT, I 531 00:21:58,951 --> 00:21:59,650 >> Ellen: THAT'S GOOD. >> WHAT I AM THINKING IS NOT, I DON'T THINK THAT'S WHAT IS IT IS 532 00:21:59,652 --> 00:22:02,687 >> WHAT I AM THINKING IS NOT, I DON'T THINK THAT'S WHAT IS IT IS GOING TO BE. 533 00:22:02,689 --> 00:22:03,654 DON'T THINK THAT'S WHAT IS IT IS GOING TO BE. FOR THIS TIME OF THE DAY I DON'T 534 00:22:03,656 --> 00:22:05,556 GOING TO BE. FOR THIS TIME OF THE DAY I DON'T THINK IT'S GOING TO BE THAT. 535 00:22:05,558 --> 00:22:11,462 FOR THIS TIME OF THE DAY I DON'T THINK IT'S GOING TO BE THAT. SO I'M GOING TO SAY PERFORMS 536 00:22:11,464 --> 00:22:13,798 THINK IT'S GOING TO BE THAT. SO I'M GOING TO SAY PERFORMS LOVE VALID. 537 00:22:13,800 --> 00:22:15,933 SO I'M GOING TO SAY PERFORMS LOVE VALID. [LAUGHTER] 538 00:22:15,935 --> 00:22:16,434 LOVE VALID. [LAUGHTER] >> Ellen: ALL RIGHT. 539 00:22:16,436 --> 00:22:20,538 [LAUGHTER] >> Ellen: ALL RIGHT. I'M GOING TO STAY POLE DANCE. 540 00:22:20,540 --> 00:22:21,272 >> Ellen: ALL RIGHT. I'M GOING TO STAY POLE DANCE. I STAY POLE DANCE. 541 00:22:21,274 --> 00:22:34,051 I'M GOING TO STAY POLE DANCE. I STAY POLE DANCE. LET'S SEE WHO IS RIGHT. 542 00:22:34,053 --> 00:22:36,554 I STAY POLE DANCE. LET'S SEE WHO IS RIGHT. BUTT INJECTION. 543 00:22:36,556 --> 00:22:37,288 LET'S SEE WHO IS RIGHT. BUTT INJECTION. >> IT'S FLORIDA. 544 00:22:37,290 --> 00:22:40,524 BUTT INJECTION. >> IT'S FLORIDA. >> WE A SEGMENT CALLED OH, 545 00:22:40,526 --> 00:22:40,758 >> IT'S FLORIDA. >> WE A SEGMENT CALLED OH, FLORIDA. 546 00:22:40,760 --> 00:22:42,493 >> WE A SEGMENT CALLED OH, FLORIDA. THAT CAN BE IN IT. 547 00:22:42,495 --> 00:22:43,461 FLORIDA. THAT CAN BE IN IT. SETH, IT'S GREAT TALKING TO YOU. 548 00:22:43,463 --> 00:22:44,762 THAT CAN BE IN IT. SETH, IT'S GREAT TALKING TO YOU. YOU LOOK GREAT AND I HOPE TO SEE 549 00:22:44,764 --> 00:22:47,465 SETH, IT'S GREAT TALKING TO YOU. YOU LOOK GREAT AND I HOPE TO SEE YOU IN PERSON NEXT SEASON. 550 00:22:47,467 --> 00:22:49,166 YOU LOOK GREAT AND I HOPE TO SEE YOU IN PERSON NEXT SEASON. >> I HOPE SO TOO, I WOULD LOVE 551 00:22:49,168 --> 00:22:51,435 YOU IN PERSON NEXT SEASON. >> I HOPE SO TOO, I WOULD LOVE TO MAKE IT OUT THERE. 552 00:22:51,437 --> 00:22:52,903 >> I HOPE SO TOO, I WOULD LOVE TO MAKE IT OUT THERE. >> Ellen: IF NOT WE WILL RUN 553 00:22:52,905 --> 00:22:54,038 TO MAKE IT OUT THERE. >> Ellen: IF NOT WE WILL RUN INTO EACH OTHER AT THE 554 00:22:54,040 --> 00:22:54,705 >> Ellen: IF NOT WE WILL RUN INTO EACH OTHER AT THE RESTAURANT TO THAT WE SAW EACH 555 00:22:54,707 --> 00:22:56,774 INTO EACH OTHER AT THE RESTAURANT TO THAT WE SAW EACH OTHER ON THE TOP OF THE 556 00:22:56,776 --> 00:22:57,241 RESTAURANT TO THAT WE SAW EACH OTHER ON THE TOP OF THE MOUNTAIN. 557 00:22:57,243 --> 00:22:59,310 OTHER ON THE TOP OF THE MOUNTAIN. >> I WOULD LOVE TO BE ON THE TOP 558 00:22:59,312 --> 00:23:02,780 MOUNTAIN. >> I WOULD LOVE TO BE ON THE TOP OF THE MOUNTAIN WITH YOU, ELLEN. 559 00:23:02,782 --> 00:23:05,049 >> I WOULD LOVE TO BE ON THE TOP OF THE MOUNTAIN WITH YOU, ELLEN. >> Ellen: "LATE NIGHT WITH 560 00:23:05,051 --> 00:23:06,917 OF THE MOUNTAIN WITH YOU, ELLEN. >> Ellen: "LATE NIGHT WITH SETH MEYERS AIRS WEEKNIGHTS AT 561 00:23:06,919 --> 00:23:08,519 >> Ellen: "LATE NIGHT WITH SETH MEYERS AIRS WEEKNIGHTS AT 12:45 ON NBC AND STREAMING ON 562 00:23:08,521 --> 00:23:08,753 SETH MEYERS AIRS WEEKNIGHTS AT 12:45 ON NBC AND STREAMING ON PEACOCK. 563 00:23:08,755 --> 00:23:11,389 12:45 ON NBC AND STREAMING ON PEACOCK. WE WILL BE RIGHT BACK. 564 00:23:11,391 --> 00:23:13,157 PEACOCK. WE WILL BE RIGHT BACK. SETH MEYERS! 565 00:23:13,159 --> 00:23:13,858 WE WILL BE RIGHT BACK. SETH MEYERS! [CHEERS AND APPLAUSE] 566 00:23:13,860 --> 00:23:15,893 SETH MEYERS! [CHEERS AND APPLAUSE] I HEARD THAT YOU WANT TO BE A 567 00:23:15,895 --> 00:23:17,528 [CHEERS AND APPLAUSE] I HEARD THAT YOU WANT TO BE A TALK SHOW HOST, AND I JUST SAY 568 00:23:17,530 --> 00:23:18,162 I HEARD THAT YOU WANT TO BE A TALK SHOW HOST, AND I JUST SAY YES TO THAT. 569 00:23:18,164 --> 00:23:20,698 TALK SHOW HOST, AND I JUST SAY YES TO THAT. WHY WOULD YOU NOT WANT TO DO 570 00:23:20,700 --> 00:23:20,898 YES TO THAT. WHY WOULD YOU NOT WANT TO DO THAT? 571 00:23:20,900 --> 00:23:23,534 WHY WOULD YOU NOT WANT TO DO THAT? >> I HEARD THERE MIGHT BE AN 572 00:23:23,536 --> 00:23:23,934 THAT? >> I HEARD THERE MIGHT BE AN OPENING SOMEWHERE. 573 00:23:23,936 --> 00:23:24,201 >> I HEARD THERE MIGHT BE AN OPENING SOMEWHERE. [LAUGHTER] 574 00:23:24,203 --> 00:23:27,037 OPENING SOMEWHERE. [LAUGHTER] ♪ ♪ 575 00:23:33,745 --> 00:23:40,818 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: OUR NEXT GUEST IS A 576 00:23:40,820 --> 00:23:43,053 ♪ ♪ >> Ellen: OUR NEXT GUEST IS A VERY FUNNY COMEDIAN WHO YOU KNOW 577 00:23:43,055 --> 00:23:44,321 >> Ellen: OUR NEXT GUEST IS A VERY FUNNY COMEDIAN WHO YOU KNOW FROM THE HBO SHOW "INSECURE" AND 578 00:23:44,323 --> 00:23:50,728 VERY FUNNY COMEDIAN WHO YOU KNOW FROM THE HBO SHOW "INSECURE" AND NOW HAS A NEW BOOK CALLED 579 00:23:50,730 --> 00:23:51,328 FROM THE HBO SHOW "INSECURE" AND NOW HAS A NEW BOOK CALLED "BAMBOOZLED BY JESUS," PLEASE 580 00:23:51,330 --> 00:23:51,762 NOW HAS A NEW BOOK CALLED "BAMBOOZLED BY JESUS," PLEASE WELCOME YVONNE ORJI! 581 00:23:51,764 --> 00:23:52,229 "BAMBOOZLED BY JESUS," PLEASE WELCOME YVONNE ORJI! [CHEERS AND APPLAUSE] 582 00:23:52,231 --> 00:23:58,836 WELCOME YVONNE ORJI! [CHEERS AND APPLAUSE] ♪ ♪ 583 00:24:04,576 --> 00:24:09,146 ♪ ♪ [CHEERS AND APPLAUSE] >> I DID THIS FOR YOU. 584 00:24:09,148 --> 00:24:12,716 [CHEERS AND APPLAUSE] >> I DID THIS FOR YOU. I FELT LIKE IT WAS ELLEN-ESQUE. 585 00:24:12,718 --> 00:24:13,884 >> I DID THIS FOR YOU. I FELT LIKE IT WAS ELLEN-ESQUE. >> Ellen: IT IS GOOD LOOKING. 586 00:24:13,886 --> 00:24:15,519 I FELT LIKE IT WAS ELLEN-ESQUE. >> Ellen: IT IS GOOD LOOKING. IT'S A GOOD LOOKING SUIT. 587 00:24:15,521 --> 00:24:16,120 >> Ellen: IT IS GOOD LOOKING. IT'S A GOOD LOOKING SUIT. THANK YOU FOR BEING HERE. 588 00:24:16,122 --> 00:24:19,924 IT'S A GOOD LOOKING SUIT. THANK YOU FOR BEING HERE. YOU ARE FUNNY AND I JUST SAY 589 00:24:19,926 --> 00:24:20,591 THANK YOU FOR BEING HERE. YOU ARE FUNNY AND I JUST SAY YES. 590 00:24:20,593 --> 00:24:21,759 YOU ARE FUNNY AND I JUST SAY YES. >> YOUR JUST >> YOUR JUST SAY 591 00:24:21,761 --> 00:24:21,926 YES. >> YOUR JUST >> YOUR JUST SAY YES? 592 00:24:21,928 --> 00:24:23,327 >> YOUR JUST >> YOUR JUST SAY YES? >> Ellen: I HEARD THAT YOU 593 00:24:23,329 --> 00:24:24,662 YES? >> Ellen: I HEARD THAT YOU WANT TO BE A TALK SHOW HOST, I 594 00:24:24,664 --> 00:24:26,730 >> Ellen: I HEARD THAT YOU WANT TO BE A TALK SHOW HOST, I SAY YES TO THAT. 595 00:24:26,732 --> 00:24:29,133 WANT TO BE A TALK SHOW HOST, I SAY YES TO THAT. WHY WOULD YOU NOT WANT TO DO 596 00:24:29,135 --> 00:24:29,900 SAY YES TO THAT. WHY WOULD YOU NOT WANT TO DO THAT? 597 00:24:29,902 --> 00:24:31,202 WHY WOULD YOU NOT WANT TO DO THAT? >> I HEARD THAT THERE MIGHT BE 598 00:24:31,204 --> 00:24:34,939 THAT? >> I HEARD THAT THERE MIGHT BE AN OPENING SOMEWHERE. 599 00:24:34,941 --> 00:24:35,606 >> I HEARD THAT THERE MIGHT BE AN OPENING SOMEWHERE. [LAUGHTER] 600 00:24:35,608 --> 00:24:36,273 AN OPENING SOMEWHERE. [LAUGHTER] THROUGH THE GRAPEVINE OR 601 00:24:36,275 --> 00:24:38,776 [LAUGHTER] THROUGH THE GRAPEVINE OR DATELINE, SOMETHING. 602 00:24:38,778 --> 00:24:40,344 THROUGH THE GRAPEVINE OR DATELINE, SOMETHING. >> Ellen: THE GRAPEVINE AND 603 00:24:40,346 --> 00:24:40,945 DATELINE, SOMETHING. >> Ellen: THE GRAPEVINE AND THE DEADLINE. 604 00:24:40,947 --> 00:24:42,079 >> Ellen: THE GRAPEVINE AND THE DEADLINE. YOU'RE RIGHT. 605 00:24:42,081 --> 00:24:42,613 THE DEADLINE. YOU'RE RIGHT. THERE WILL BE AN OPENING. 606 00:24:42,615 --> 00:24:45,449 YOU'RE RIGHT. THERE WILL BE AN OPENING. I HAVE ONE MORE YEAR -- 607 00:24:45,451 --> 00:24:47,251 THERE WILL BE AN OPENING. I HAVE ONE MORE YEAR -- >> NOT HER IN A RUSH YOU. 608 00:24:47,253 --> 00:24:47,651 I HAVE ONE MORE YEAR -- >> NOT HER IN A RUSH YOU. >> Ellen: THANKS. 609 00:24:47,653 --> 00:24:50,154 >> NOT HER IN A RUSH YOU. >> Ellen: THANKS. HAVE YOU ALWAYS WANTED TO DO 610 00:24:50,156 --> 00:24:50,354 >> Ellen: THANKS. HAVE YOU ALWAYS WANTED TO DO THIS? 611 00:24:50,356 --> 00:24:52,890 HAVE YOU ALWAYS WANTED TO DO THIS? >> IS THE THING THAT I ALWAYS 612 00:24:52,892 --> 00:24:53,557 THIS? >> IS THE THING THAT I ALWAYS WANTED TO DO. 613 00:24:53,559 --> 00:24:54,925 >> IS THE THING THAT I ALWAYS WANTED TO DO. HE SPECIFICALLY WANTED DAYTIME, 614 00:24:54,927 --> 00:24:56,494 WANTED TO DO. HE SPECIFICALLY WANTED DAYTIME, I WANTED TO GIVE AWAY FREE 615 00:24:56,496 --> 00:24:57,394 HE SPECIFICALLY WANTED DAYTIME, I WANTED TO GIVE AWAY FREE STUFF. 616 00:24:57,396 --> 00:24:59,730 I WANTED TO GIVE AWAY FREE STUFF. I DO, I WANT TO HELP PEOPLE GO 617 00:24:59,732 --> 00:25:00,664 STUFF. I DO, I WANT TO HELP PEOPLE GO TO COLLEGE AND MAYBE SOME CARS 618 00:25:00,666 --> 00:25:03,767 I DO, I WANT TO HELP PEOPLE GO TO COLLEGE AND MAYBE SOME CARS COMING AND OUTCOME THE BASICS. 619 00:25:03,769 --> 00:25:05,669 TO COLLEGE AND MAYBE SOME CARS COMING AND OUTCOME THE BASICS. BUT I ALSO JUST GENUINELY 620 00:25:05,671 --> 00:25:06,437 COMING AND OUTCOME THE BASICS. BUT I ALSO JUST GENUINELY ENJOYED PEOPLE AND TALKING TO 621 00:25:06,439 --> 00:25:08,105 BUT I ALSO JUST GENUINELY ENJOYED PEOPLE AND TALKING TO THEM AND YOU KNOW IT'S COOL TO 622 00:25:08,107 --> 00:25:10,541 ENJOYED PEOPLE AND TALKING TO THEM AND YOU KNOW IT'S COOL TO TALK TO CELEBRITIES, BUT IT'S 623 00:25:10,543 --> 00:25:11,308 THEM AND YOU KNOW IT'S COOL TO TALK TO CELEBRITIES, BUT IT'S ALSO COOL TO TALK TO LIKE 624 00:25:11,310 --> 00:25:15,679 TALK TO CELEBRITIES, BUT IT'S ALSO COOL TO TALK TO LIKE REGULAR FOLKS DOING DOPE STUFF. 625 00:25:15,681 --> 00:25:18,215 ALSO COOL TO TALK TO LIKE REGULAR FOLKS DOING DOPE STUFF. I HAVE SOME THINGS I WANT TO DO 626 00:25:18,217 --> 00:25:18,415 REGULAR FOLKS DOING DOPE STUFF. I HAVE SOME THINGS I WANT TO DO FIRST. 627 00:25:18,417 --> 00:25:19,617 I HAVE SOME THINGS I WANT TO DO FIRST. >> Ellen: THAT'S GOOD TO PUT 628 00:25:19,619 --> 00:25:21,485 FIRST. >> Ellen: THAT'S GOOD TO PUT IT OUT THERE, BECAUSE YOU KNOW, 629 00:25:21,487 --> 00:25:22,119 >> Ellen: THAT'S GOOD TO PUT IT OUT THERE, BECAUSE YOU KNOW, THAT'S MANIFESTATION IS HOW YOU 630 00:25:22,121 --> 00:25:24,688 IT OUT THERE, BECAUSE YOU KNOW, THAT'S MANIFESTATION IS HOW YOU DO IT. 631 00:25:24,690 --> 00:25:26,924 THAT'S MANIFESTATION IS HOW YOU DO IT. >> DID YOU JUST GIVE ME A LETTER 632 00:25:26,926 --> 00:25:27,625 DO IT. >> DID YOU JUST GIVE ME A LETTER OF RECOMMENDATION? 633 00:25:27,627 --> 00:25:28,526 >> DID YOU JUST GIVE ME A LETTER OF RECOMMENDATION? >> Ellen: I THINK IT WOULD BE 634 00:25:28,528 --> 00:25:28,726 OF RECOMMENDATION? >> Ellen: I THINK IT WOULD BE GREAT. 635 00:25:28,728 --> 00:25:30,394 >> Ellen: I THINK IT WOULD BE GREAT. I THINK THAT YOU ARE FUNNY AND I 636 00:25:30,396 --> 00:25:31,562 GREAT. I THINK THAT YOU ARE FUNNY AND I THINK YOU WILL LOVE IT. 637 00:25:31,564 --> 00:25:32,963 I THINK THAT YOU ARE FUNNY AND I THINK YOU WILL LOVE IT. IF YOU LOVE PEOPLE AND LOVE 638 00:25:32,965 --> 00:25:34,965 THINK YOU WILL LOVE IT. IF YOU LOVE PEOPLE AND LOVE HELPING PEOPLE IT'S A GREAT JOB. 639 00:25:34,967 --> 00:25:36,100 IF YOU LOVE PEOPLE AND LOVE HELPING PEOPLE IT'S A GREAT JOB. SO I SAY YES. 640 00:25:36,102 --> 00:25:39,169 HELPING PEOPLE IT'S A GREAT JOB. SO I SAY YES. >> HELLO, DO YOU HEAR THIS? 641 00:25:39,171 --> 00:25:42,473 SO I SAY YES. >> HELLO, DO YOU HEAR THIS? MY AGENTS ARE ON ALERT. 642 00:25:42,475 --> 00:25:43,774 >> HELLO, DO YOU HEAR THIS? MY AGENTS ARE ON ALERT. >> Ellen: I HEARD THAT YOU 643 00:25:43,776 --> 00:25:45,009 MY AGENTS ARE ON ALERT. >> Ellen: I HEARD THAT YOU DISCOVERED THAT YOU ARE FUNNY 644 00:25:45,011 --> 00:25:45,843 >> Ellen: I HEARD THAT YOU DISCOVERED THAT YOU ARE FUNNY AND A BEAUTY PAGEANT. 645 00:25:45,845 --> 00:25:49,146 DISCOVERED THAT YOU ARE FUNNY AND A BEAUTY PAGEANT. >> YES, CHILD. 646 00:25:49,148 --> 00:25:51,348 AND A BEAUTY PAGEANT. >> YES, CHILD. THEN MISS NIGERIA IN AMERICA 647 00:25:51,350 --> 00:25:53,284 >> YES, CHILD. THEN MISS NIGERIA IN AMERICA PAGEANT. 648 00:25:53,286 --> 00:25:54,184 THEN MISS NIGERIA IN AMERICA PAGEANT. JUST ON BRAND. 649 00:25:54,186 --> 00:25:56,554 PAGEANT. JUST ON BRAND. NIGERIA IN AMERICA, AMISS, SIGN 650 00:25:56,556 --> 00:25:57,154 JUST ON BRAND. NIGERIA IN AMERICA, AMISS, SIGN ME UP. 651 00:25:57,156 --> 00:25:59,123 NIGERIA IN AMERICA, AMISS, SIGN ME UP. >> Ellen: HOW MANY PEOPLE WERE 652 00:25:59,125 --> 00:25:59,790 ME UP. >> Ellen: HOW MANY PEOPLE WERE THERE? 653 00:25:59,792 --> 00:25:59,957 >> Ellen: HOW MANY PEOPLE WERE THERE? ME. 654 00:25:59,959 --> 00:26:02,726 THERE? ME. >> I SHOULD'VE BEEN A SHOE IN. 655 00:26:02,728 --> 00:26:04,128 ME. >> I SHOULD'VE BEEN A SHOE IN. SO TWO WEEKS BEFORE THE PAGEANT 656 00:26:04,130 --> 00:26:05,629 >> I SHOULD'VE BEEN A SHOE IN. SO TWO WEEKS BEFORE THE PAGEANT THEY WERE LIKE, HEY, WHAT IS 657 00:26:05,631 --> 00:26:08,132 SO TWO WEEKS BEFORE THE PAGEANT THEY WERE LIKE, HEY, WHAT IS YOUR TALENT, AND I WAS LIKE, I 658 00:26:08,134 --> 00:26:10,734 THEY WERE LIKE, HEY, WHAT IS YOUR TALENT, AND I WAS LIKE, I GOT ONE, BECAUSE AS A CHILD OF 659 00:26:10,736 --> 00:26:11,802 YOUR TALENT, AND I WAS LIKE, I GOT ONE, BECAUSE AS A CHILD OF IMMIGRANTS, YOUR ONLY TALENT IS 660 00:26:11,804 --> 00:26:13,170 GOT ONE, BECAUSE AS A CHILD OF IMMIGRANTS, YOUR ONLY TALENT IS GETTING STRAIGHT As ON YOUR 661 00:26:13,172 --> 00:26:14,371 IMMIGRANTS, YOUR ONLY TALENT IS GETTING STRAIGHT As ON YOUR REPORT CARD. 662 00:26:14,373 --> 00:26:15,272 GETTING STRAIGHT As ON YOUR REPORT CARD. AND I WAS LIKE DONE. 663 00:26:15,274 --> 00:26:16,707 REPORT CARD. AND I WAS LIKE DONE. AND I WAS LIKE I CAN'T REALLY DO 664 00:26:16,709 --> 00:26:18,742 AND I WAS LIKE DONE. AND I WAS LIKE I CAN'T REALLY DO THAT ON STAGE. 665 00:26:18,744 --> 00:26:19,843 AND I WAS LIKE I CAN'T REALLY DO THAT ON STAGE. AND I'M NOT POLE DANCING. 666 00:26:19,845 --> 00:26:21,912 THAT ON STAGE. AND I'M NOT POLE DANCING. I HAVE TO DRAW THE LINE 667 00:26:21,914 --> 00:26:22,313 AND I'M NOT POLE DANCING. I HAVE TO DRAW THE LINE SOMEWHERE. 668 00:26:22,315 --> 00:26:23,781 I HAVE TO DRAW THE LINE SOMEWHERE. AND THEY WERE LIKE, YOU HAVE TO 669 00:26:23,783 --> 00:26:26,750 SOMEWHERE. AND THEY WERE LIKE, YOU HAVE TO COME UP WITH SOMETHING, SO I WAS 670 00:26:26,752 --> 00:26:27,952 AND THEY WERE LIKE, YOU HAVE TO COME UP WITH SOMETHING, SO I WAS IN COLLEGE AND I JUST LIKE 671 00:26:27,954 --> 00:26:30,287 COME UP WITH SOMETHING, SO I WAS IN COLLEGE AND I JUST LIKE STARTED MY FAITH IN MY WALK WITH 672 00:26:30,289 --> 00:26:33,457 IN COLLEGE AND I JUST LIKE STARTED MY FAITH IN MY WALK WITH GOD AND I WAS LIKE I HAVE TO 673 00:26:33,459 --> 00:26:36,093 STARTED MY FAITH IN MY WALK WITH GOD AND I WAS LIKE I HAVE TO STOP AND TALK TO JESUS. 674 00:26:36,095 --> 00:26:38,495 GOD AND I WAS LIKE I HAVE TO STOP AND TALK TO JESUS. I DON'T KNOW WHY IT SOUNDS LIKE 675 00:26:38,497 --> 00:26:40,397 STOP AND TALK TO JESUS. I DON'T KNOW WHY IT SOUNDS LIKE THAT, BUT -- 676 00:26:40,399 --> 00:26:43,834 I DON'T KNOW WHY IT SOUNDS LIKE THAT, BUT -- DO SOMETHING! 677 00:26:43,836 --> 00:26:48,505 THAT, BUT -- DO SOMETHING! ALL I HEARD BACK WAS DO COMEDY. 678 00:26:48,507 --> 00:26:55,546 DO SOMETHING! ALL I HEARD BACK WAS DO COMEDY. AND I WAS LIKE, NAH. 679 00:26:55,548 --> 00:26:57,281 ALL I HEARD BACK WAS DO COMEDY. AND I WAS LIKE, NAH. BECAUSE IT DID NOT MAKE SENSE. 680 00:26:57,283 --> 00:26:58,616 AND I WAS LIKE, NAH. BECAUSE IT DID NOT MAKE SENSE. I NEVER DONE COMEDY BEFORE. 681 00:26:58,618 --> 00:27:00,884 BECAUSE IT DID NOT MAKE SENSE. I NEVER DONE COMEDY BEFORE. I USED TO WATCH IT BEFORE THERE 682 00:27:00,886 --> 00:27:03,087 I NEVER DONE COMEDY BEFORE. I USED TO WATCH IT BEFORE THERE WERE A CABLE BOXES IN ONE ROOM 683 00:27:03,089 --> 00:27:05,522 I USED TO WATCH IT BEFORE THERE WERE A CABLE BOXES IN ONE ROOM AND WE HAD TO SNEAK IN, SO THERE 684 00:27:05,524 --> 00:27:07,891 WERE A CABLE BOXES IN ONE ROOM AND WE HAD TO SNEAK IN, SO THERE WERE THINGS, GOOGLED THE THING. 685 00:27:07,893 --> 00:27:11,228 AND WE HAD TO SNEAK IN, SO THERE WERE THINGS, GOOGLED THE THING. AND THAT WAS MY ONLY REFERENCE 686 00:27:11,230 --> 00:27:13,497 WERE THINGS, GOOGLED THE THING. AND THAT WAS MY ONLY REFERENCE TO COMEDY, SO I WAS LIKE, AND 687 00:27:13,499 --> 00:27:14,064 AND THAT WAS MY ONLY REFERENCE TO COMEDY, SO I WAS LIKE, AND NIGERIANS ARE NOT FORGIVEN 688 00:27:14,066 --> 00:27:14,665 TO COMEDY, SO I WAS LIKE, AND NIGERIANS ARE NOT FORGIVEN PEOPLE. 689 00:27:14,667 --> 00:27:16,867 NIGERIANS ARE NOT FORGIVEN PEOPLE. IF YOU ARE NOT FUNNY, THEY WILL 690 00:27:16,869 --> 00:27:20,938 PEOPLE. IF YOU ARE NOT FUNNY, THEY WILL BE LIKE GET OFF THE STAGE! 691 00:27:20,940 --> 00:27:22,740 IF YOU ARE NOT FUNNY, THEY WILL BE LIKE GET OFF THE STAGE! MY MOM WAS GOING TO BE IN THE 692 00:27:22,742 --> 00:27:23,674 BE LIKE GET OFF THE STAGE! MY MOM WAS GOING TO BE IN THE AUDIENCE AND HER FRIENDS. 693 00:27:23,676 --> 00:27:26,110 MY MOM WAS GOING TO BE IN THE AUDIENCE AND HER FRIENDS. AND I WAS LIKE HAVE YOU MET ME? 694 00:27:26,112 --> 00:27:27,745 AUDIENCE AND HER FRIENDS. AND I WAS LIKE HAVE YOU MET ME? AND HE WAS LIKE COMING EITHER 695 00:27:27,747 --> 00:27:29,246 AND I WAS LIKE HAVE YOU MET ME? AND HE WAS LIKE COMING EITHER YOU ARE GOING TO LEARN TO TRUST 696 00:27:29,248 --> 00:27:30,114 AND HE WAS LIKE COMING EITHER YOU ARE GOING TO LEARN TO TRUST ME OR YOU'RE NOT. 697 00:27:30,116 --> 00:27:31,682 YOU ARE GOING TO LEARN TO TRUST ME OR YOU'RE NOT. AND THAT WAS THE LAST THING HE 698 00:27:31,684 --> 00:27:33,384 ME OR YOU'RE NOT. AND THAT WAS THE LAST THING HE SAID AND I THINK COMEDY PART 699 00:27:33,386 --> 00:27:35,653 AND THAT WAS THE LAST THING HE SAID AND I THINK COMEDY PART TWO, HERE I AM. 700 00:27:35,655 --> 00:27:36,387 SAID AND I THINK COMEDY PART TWO, HERE I AM. >> Ellen: WOW. 701 00:27:36,389 --> 00:27:40,324 TWO, HERE I AM. >> Ellen: WOW. WELL... 702 00:27:40,326 --> 00:27:42,393 >> Ellen: WOW. WELL... AND THAT ASSURES US WHAT THE 703 00:27:42,395 --> 00:27:43,627 WELL... AND THAT ASSURES US WHAT THE BOOK IS ABOUT. 704 00:27:43,629 --> 00:27:47,131 AND THAT ASSURES US WHAT THE BOOK IS ABOUT. IT IS ALL THE THINGS THAT JESUS, 705 00:27:47,133 --> 00:27:48,198 BOOK IS ABOUT. IT IS ALL THE THINGS THAT JESUS, GOD HAS PUT YOU THROUGH. 706 00:27:48,200 --> 00:27:52,503 IT IS ALL THE THINGS THAT JESUS, GOD HAS PUT YOU THROUGH. BUT YOU EXPLAIN IT. 707 00:27:52,505 --> 00:27:54,505 GOD HAS PUT YOU THROUGH. BUT YOU EXPLAIN IT. SPEAK OF THE SUBTITLE IS HOW GOD 708 00:27:54,507 --> 00:27:55,506 BUT YOU EXPLAIN IT. SPEAK OF THE SUBTITLE IS HOW GOD TRICKED ME INTO LIVING MY 709 00:27:55,508 --> 00:27:56,140 SPEAK OF THE SUBTITLE IS HOW GOD TRICKED ME INTO LIVING MY DREAMS. 710 00:27:56,142 --> 00:27:58,676 TRICKED ME INTO LIVING MY DREAMS. IF YOU'RE LIKE, THIS IS 711 00:27:58,678 --> 00:28:00,077 DREAMS. IF YOU'RE LIKE, THIS IS BLASPHEMY. 712 00:28:00,079 --> 00:28:02,613 IF YOU'RE LIKE, THIS IS BLASPHEMY. IT'S 2020, EVERYBODY. 713 00:28:02,615 --> 00:28:05,049 BLASPHEMY. IT'S 2020, EVERYBODY. [LAUGHTER] 714 00:28:05,051 --> 00:28:07,051 IT'S 2020, EVERYBODY. [LAUGHTER] WE ALL HAD BIG PLANS LAST YEAR, 715 00:28:07,053 --> 00:28:09,553 [LAUGHTER] WE ALL HAD BIG PLANS LAST YEAR, AND LOOK AT US NOW. 716 00:28:09,555 --> 00:28:10,287 WE ALL HAD BIG PLANS LAST YEAR, AND LOOK AT US NOW. [LAUGHTER] 717 00:28:10,289 --> 00:28:12,089 AND LOOK AT US NOW. [LAUGHTER] BUT WE ARE COMING OUT ON THE 718 00:28:12,091 --> 00:28:13,957 [LAUGHTER] BUT WE ARE COMING OUT ON THE OTHER SIDE OF IT, AND SIMILAR TO 719 00:28:13,959 --> 00:28:14,958 BUT WE ARE COMING OUT ON THE OTHER SIDE OF IT, AND SIMILAR TO YOU, ONE OF MY FAVORITE BITS 720 00:28:14,960 --> 00:28:15,693 OTHER SIDE OF IT, AND SIMILAR TO YOU, ONE OF MY FAVORITE BITS FROM YOU IS WHEN YOU DID THE 721 00:28:15,695 --> 00:28:18,262 YOU, ONE OF MY FAVORITE BITS FROM YOU IS WHEN YOU DID THE CONVERSATION WITH GOD, THAT'S 722 00:28:18,264 --> 00:28:20,097 FROM YOU IS WHEN YOU DID THE CONVERSATION WITH GOD, THAT'S KIND OF WHAT THIS BOOK IS ABOUT. 723 00:28:20,099 --> 00:28:21,765 CONVERSATION WITH GOD, THAT'S KIND OF WHAT THIS BOOK IS ABOUT. I HAVE SOME QUESTIONS, I 724 00:28:21,767 --> 00:28:23,634 KIND OF WHAT THIS BOOK IS ABOUT. I HAVE SOME QUESTIONS, I UNDERSTAND WHAT YOU'RE TRYING TO 725 00:28:23,636 --> 00:28:24,935 I HAVE SOME QUESTIONS, I UNDERSTAND WHAT YOU'RE TRYING TO DO, BUT IN THE MIDST OF IT, CAN 726 00:28:24,937 --> 00:28:26,804 UNDERSTAND WHAT YOU'RE TRYING TO DO, BUT IN THE MIDST OF IT, CAN I CALL YOU UP AND BE LIKE, WHAT 727 00:28:26,806 --> 00:28:30,107 DO, BUT IN THE MIDST OF IT, CAN I CALL YOU UP AND BE LIKE, WHAT ARE YOU DOING? 728 00:28:30,109 --> 00:28:31,575 I CALL YOU UP AND BE LIKE, WHAT ARE YOU DOING? I DON'T WANT TO SITUATION, BUT 729 00:28:31,577 --> 00:28:34,478 ARE YOU DOING? I DON'T WANT TO SITUATION, BUT IN MY LIFE I KEPT SEEING, 730 00:28:34,480 --> 00:28:35,245 I DON'T WANT TO SITUATION, BUT IN MY LIFE I KEPT SEEING, BECAUSE SOMETIMES YOU DON'T EVEN 731 00:28:35,247 --> 00:28:38,515 IN MY LIFE I KEPT SEEING, BECAUSE SOMETIMES YOU DON'T EVEN HAVE A GOOD SOLID I'M GOING TO 732 00:28:38,517 --> 00:28:40,284 BECAUSE SOMETIMES YOU DON'T EVEN HAVE A GOOD SOLID I'M GOING TO DO IT, LORD. 733 00:28:40,286 --> 00:28:41,085 HAVE A GOOD SOLID I'M GOING TO DO IT, LORD. IT'S LIKE, ALL RIGHT, IF THAT'S 734 00:28:41,087 --> 00:28:44,154 DO IT, LORD. IT'S LIKE, ALL RIGHT, IF THAT'S WHAT YOU WANT, COOL. 735 00:28:44,156 --> 00:28:45,956 IT'S LIKE, ALL RIGHT, IF THAT'S WHAT YOU WANT, COOL. AND SOMETIMES IT'S ALL YOU NEED 736 00:28:45,958 --> 00:28:48,092 WHAT YOU WANT, COOL. AND SOMETIMES IT'S ALL YOU NEED TO GET TO THE VERY NEXT STEP. 737 00:28:48,094 --> 00:28:49,960 AND SOMETIMES IT'S ALL YOU NEED TO GET TO THE VERY NEXT STEP. SO I KEPT SAYING YES TO THINGS 738 00:28:49,962 --> 00:28:51,862 TO GET TO THE VERY NEXT STEP. SO I KEPT SAYING YES TO THINGS THEY DID NOT MAKE A LOT OF SENSE 739 00:28:51,864 --> 00:28:52,629 SO I KEPT SAYING YES TO THINGS THEY DID NOT MAKE A LOT OF SENSE AND DOORS CLOSED OPENING AND I 740 00:28:52,631 --> 00:28:53,464 THEY DID NOT MAKE A LOT OF SENSE AND DOORS CLOSED OPENING AND I WAS LIKE I'M GOING TO WALK 741 00:28:53,466 --> 00:28:55,999 AND DOORS CLOSED OPENING AND I WAS LIKE I'M GOING TO WALK THROUGH THIS ONE. 742 00:28:56,001 --> 00:28:57,568 WAS LIKE I'M GOING TO WALK THROUGH THIS ONE. SO HERE WE ARE. 743 00:28:57,570 --> 00:28:58,836 THROUGH THIS ONE. SO HERE WE ARE. >> Ellen: IT'S A GOOD THING 744 00:28:58,838 --> 00:29:01,405 SO HERE WE ARE. >> Ellen: IT'S A GOOD THING YOU ARE LISTENING. 745 00:29:01,407 --> 00:29:01,939 >> Ellen: IT'S A GOOD THING YOU ARE LISTENING. [LAUGHTER] 746 00:29:01,941 --> 00:29:03,173 YOU ARE LISTENING. [LAUGHTER] >> I ALMOST IN IT. 747 00:29:03,175 --> 00:29:05,542 [LAUGHTER] >> I ALMOST IN IT. >> Ellen: THEY ARE DOING YOU A 748 00:29:05,544 --> 00:29:08,378 >> I ALMOST IN IT. >> Ellen: THEY ARE DOING YOU A SOLID. 749 00:29:08,380 --> 00:29:09,580 >> Ellen: THEY ARE DOING YOU A SOLID. MORE WITH YVONNE RIGHT AFTER 750 00:29:09,582 --> 00:29:09,780 SOLID. MORE WITH YVONNE RIGHT AFTER THIS. 751 00:29:09,782 --> 00:29:10,247 MORE WITH YVONNE RIGHT AFTER THIS. [CHEERS AND APPLAUSE] 752 00:29:10,249 --> 00:29:19,656 THIS. [CHEERS AND APPLAUSE] ♪ ♪ 753 00:29:19,658 --> 00:29:22,292 [CHEERS AND APPLAUSE] ♪ ♪ IS THIS THE FIRST THING YOU'VE 754 00:29:22,294 --> 00:29:22,559 ♪ ♪ IS THIS THE FIRST THING YOU'VE DIRECTED? 755 00:29:22,561 --> 00:29:24,194 IS THIS THE FIRST THING YOU'VE DIRECTED? >> YES, IT'S THE FIRST THING I 756 00:29:24,196 --> 00:29:24,461 DIRECTED? >> YES, IT'S THE FIRST THING I DIRECTED. 757 00:29:24,463 --> 00:29:27,598 >> YES, IT'S THE FIRST THING I DIRECTED. >> Ellen: YOU WROTE IT IN FIVE 758 00:29:27,600 --> 00:29:27,798 DIRECTED. >> Ellen: YOU WROTE IT IN FIVE DAYS? 759 00:29:27,800 --> 00:29:28,132 >> Ellen: YOU WROTE IT IN FIVE DAYS? IT'S AMAZING. 760 00:29:28,134 --> 00:29:28,599 DAYS? IT'S AMAZING. [CHEERS AND APPLAUSE] 761 00:29:28,601 --> 00:29:30,968 IT'S AMAZING. [CHEERS AND APPLAUSE] ♪ ♪ 762 00:29:30,970 --> 00:29:31,769 [CHEERS AND APPLAUSE] ♪ ♪ >> Announcer: NEXT NEW 763 00:29:31,771 --> 00:29:33,604 ♪ ♪ >> Announcer: NEXT NEW "ELLEN," KEVIN HART. 764 00:29:33,606 --> 00:29:37,674 >> Announcer: NEXT NEW "ELLEN," KEVIN HART. >> OR I CAN BE THE OTHER SHAPE. 765 00:29:37,676 --> 00:29:37,941 "ELLEN," KEVIN HART. >> OR I CAN BE THE OTHER SHAPE. [GRUNTING] 766 00:29:37,943 --> 00:29:39,409 >> OR I CAN BE THE OTHER SHAPE. [GRUNTING] [CHEERS AND APPLAUSE] 767 00:29:39,411 --> 00:29:42,012 [GRUNTING] [CHEERS AND APPLAUSE] ♪ ♪ 768 00:29:42,014 --> 00:29:44,314 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: WE ARE BACK WITH A 769 00:29:44,316 --> 00:29:46,450 ♪ ♪ >> Ellen: WE ARE BACK WITH A VERY FUNNY YVONNE ORJI. 770 00:29:46,452 --> 00:29:48,051 >> Ellen: WE ARE BACK WITH A VERY FUNNY YVONNE ORJI. YOU TALK ABOUT IN THE BOOK THAT 771 00:29:48,053 --> 00:29:49,219 VERY FUNNY YVONNE ORJI. YOU TALK ABOUT IN THE BOOK THAT WHILE YOU WERE DOING STAND UP 772 00:29:49,221 --> 00:29:50,220 YOU TALK ABOUT IN THE BOOK THAT WHILE YOU WERE DOING STAND UP YOU DID A LOT OF DIFFERENT 773 00:29:50,222 --> 00:29:50,954 WHILE YOU WERE DOING STAND UP YOU DID A LOT OF DIFFERENT THINGS TO EARN MONEY. 774 00:29:50,956 --> 00:29:53,557 YOU DID A LOT OF DIFFERENT THINGS TO EARN MONEY. DO YOU WANT TO TELL PEOPLE SOME 775 00:29:53,559 --> 00:29:53,857 THINGS TO EARN MONEY. DO YOU WANT TO TELL PEOPLE SOME OF THOSE? 776 00:29:53,859 --> 00:29:55,859 DO YOU WANT TO TELL PEOPLE SOME OF THOSE? >> USE TO HOST WEDDINGS. 777 00:29:55,861 --> 00:29:58,829 OF THOSE? >> USE TO HOST WEDDINGS. ANYTHING WITH A MICROPHONE. 778 00:29:58,831 --> 00:30:00,063 >> USE TO HOST WEDDINGS. ANYTHING WITH A MICROPHONE. BABY SHOWERS, BIRTHDAYS, 779 00:30:00,065 --> 00:30:01,031 ANYTHING WITH A MICROPHONE. BABY SHOWERS, BIRTHDAYS, FUNERALS. 780 00:30:01,033 --> 00:30:02,566 BABY SHOWERS, BIRTHDAYS, FUNERALS. BUT IT'S ALWAYS WEIRD, BECAUSE 781 00:30:02,568 --> 00:30:04,234 FUNERALS. BUT IT'S ALWAYS WEIRD, BECAUSE WITH A NIGERIAN WEDDING THERE'S 782 00:30:04,236 --> 00:30:07,371 BUT IT'S ALWAYS WEIRD, BECAUSE WITH A NIGERIAN WEDDING THERE'S A LOT OF TRADITION AND PROTOCOL, 783 00:30:07,373 --> 00:30:08,305 WITH A NIGERIAN WEDDING THERE'S A LOT OF TRADITION AND PROTOCOL, AND SO ON SPECIFIC WEDDING, THE 784 00:30:08,307 --> 00:30:10,207 A LOT OF TRADITION AND PROTOCOL, AND SO ON SPECIFIC WEDDING, THE BRIDE WAS LIKE I DON'T WANT TO 785 00:30:10,209 --> 00:30:11,074 AND SO ON SPECIFIC WEDDING, THE BRIDE WAS LIKE I DON'T WANT TO DO THIS SPECIFIC THING WHICH WAS 786 00:30:11,076 --> 00:30:14,311 BRIDE WAS LIKE I DON'T WANT TO DO THIS SPECIFIC THING WHICH WAS THE BREAKING OF THE COLA NUT. 787 00:30:14,313 --> 00:30:17,347 DO THIS SPECIFIC THING WHICH WAS THE BREAKING OF THE COLA NUT. AND SHE WAS LIKE TELL MY FATHER. 788 00:30:17,349 --> 00:30:17,781 THE BREAKING OF THE COLA NUT. AND SHE WAS LIKE TELL MY FATHER. I'M THE HOST. 789 00:30:17,783 --> 00:30:19,650 AND SHE WAS LIKE TELL MY FATHER. I'M THE HOST. I GO TO THE FATHER AND I WAS 790 00:30:19,652 --> 00:30:20,584 I'M THE HOST. I GO TO THE FATHER AND I WAS LIKE YOUR DAUGHTER DOESN'T WANT 791 00:30:20,586 --> 00:30:21,318 I GO TO THE FATHER AND I WAS LIKE YOUR DAUGHTER DOESN'T WANT TO DO THIS THING AND HE LOOKED 792 00:30:21,320 --> 00:30:23,921 LIKE YOUR DAUGHTER DOESN'T WANT TO DO THIS THING AND HE LOOKED AT ME AND SAID, WHO ARE YOU? 793 00:30:23,923 --> 00:30:26,089 TO DO THIS THING AND HE LOOKED AT ME AND SAID, WHO ARE YOU? AM I NOT PAYING FOR YOU. 794 00:30:26,091 --> 00:30:27,558 AT ME AND SAID, WHO ARE YOU? AM I NOT PAYING FOR YOU. AND I WAS LIKE YOU'RE RIGHT, 795 00:30:27,560 --> 00:30:29,626 AM I NOT PAYING FOR YOU. AND I WAS LIKE YOU'RE RIGHT, SHE'S NOT GOING TO MESS UP MY 796 00:30:29,628 --> 00:30:29,860 AND I WAS LIKE YOU'RE RIGHT, SHE'S NOT GOING TO MESS UP MY CHANGE. 797 00:30:29,862 --> 00:30:32,563 SHE'S NOT GOING TO MESS UP MY CHANGE. I WAS NOT, I WAS A FAIR WEATHER 798 00:30:32,565 --> 00:30:33,363 CHANGE. I WAS NOT, I WAS A FAIR WEATHER HOST, THAT'S WHAT I'M TRYING TO 799 00:30:33,365 --> 00:30:35,032 I WAS NOT, I WAS A FAIR WEATHER HOST, THAT'S WHAT I'M TRYING TO TELL YOU. 800 00:30:35,034 --> 00:30:35,399 HOST, THAT'S WHAT I'M TRYING TO TELL YOU. [LAUGHTER] 801 00:30:35,401 --> 00:30:36,733 TELL YOU. [LAUGHTER] >> Ellen: THAT'S NOT YOUR JOB 802 00:30:36,735 --> 00:30:37,401 [LAUGHTER] >> Ellen: THAT'S NOT YOUR JOB TO DO THAT. 803 00:30:37,403 --> 00:30:39,036 >> Ellen: THAT'S NOT YOUR JOB TO DO THAT. THAT'S NOT FAIR. 804 00:30:39,038 --> 00:30:40,637 TO DO THAT. THAT'S NOT FAIR. >> THIS SOUNDS LIKE A FAMILY 805 00:30:40,639 --> 00:30:40,904 THAT'S NOT FAIR. >> THIS SOUNDS LIKE A FAMILY SQUABBLE. 806 00:30:40,906 --> 00:30:42,005 >> THIS SOUNDS LIKE A FAMILY SQUABBLE. >> Ellen: YOU MENTIONED THAT 807 00:30:42,007 --> 00:30:43,440 SQUABBLE. >> Ellen: YOU MENTIONED THAT YOU WERE GOING TO BE A DOCTOR 808 00:30:43,442 --> 00:30:44,074 >> Ellen: YOU MENTIONED THAT YOU WERE GOING TO BE A DOCTOR BECAUSE HER PARENTS WANTED YOU 809 00:30:44,076 --> 00:30:45,409 YOU WERE GOING TO BE A DOCTOR BECAUSE HER PARENTS WANTED YOU TO BE A DOCTOR. 810 00:30:45,411 --> 00:30:48,078 BECAUSE HER PARENTS WANTED YOU TO BE A DOCTOR. THEY DID NOT WANT YOU TO GOING 811 00:30:48,080 --> 00:30:48,345 TO BE A DOCTOR. THEY DID NOT WANT YOU TO GOING TO COMEDY. 812 00:30:48,347 --> 00:30:50,514 THEY DID NOT WANT YOU TO GOING TO COMEDY. NO PARENTS GO, YOU SHOULD TRY TO 813 00:30:50,516 --> 00:30:52,216 TO COMEDY. NO PARENTS GO, YOU SHOULD TRY TO STAND UP, THAT ALWAYS WORKS OUT. 814 00:30:52,218 --> 00:30:55,385 NO PARENTS GO, YOU SHOULD TRY TO STAND UP, THAT ALWAYS WORKS OUT. BUT THEY MUST BE PROUD NOW. 815 00:30:55,387 --> 00:30:56,820 STAND UP, THAT ALWAYS WORKS OUT. BUT THEY MUST BE PROUD NOW. >> IT WOULD'VE BEEN BETTER IF 816 00:30:56,822 --> 00:30:58,155 BUT THEY MUST BE PROUD NOW. >> IT WOULD'VE BEEN BETTER IF THEY SAID DON'T DO STAND UP. 817 00:30:58,157 --> 00:31:00,057 >> IT WOULD'VE BEEN BETTER IF THEY SAID DON'T DO STAND UP. THEY SAID, YOU WANT TO BE A 818 00:31:00,059 --> 00:31:00,357 THEY SAID DON'T DO STAND UP. THEY SAID, YOU WANT TO BE A JESTER. 819 00:31:00,359 --> 00:31:02,359 THEY SAID, YOU WANT TO BE A JESTER. I WAS LIKE I DON'T JUGGLE BALLS. 820 00:31:02,361 --> 00:31:05,462 JESTER. I WAS LIKE I DON'T JUGGLE BALLS. IT'S SO AWKWARD. 821 00:31:05,464 --> 00:31:06,663 I WAS LIKE I DON'T JUGGLE BALLS. IT'S SO AWKWARD. >> Ellen: THE MASK WITH THE 822 00:31:06,665 --> 00:31:08,198 IT'S SO AWKWARD. >> Ellen: THE MASK WITH THE BALL ON IT. 823 00:31:08,200 --> 00:31:09,199 >> Ellen: THE MASK WITH THE BALL ON IT. >> DISMANTLE MY SOUL. 824 00:31:09,201 --> 00:31:10,901 BALL ON IT. >> DISMANTLE MY SOUL. BUT THEY ARE SUPER PROUD OF ME 825 00:31:10,903 --> 00:31:11,602 >> DISMANTLE MY SOUL. BUT THEY ARE SUPER PROUD OF ME NOW. 826 00:31:11,604 --> 00:31:13,704 BUT THEY ARE SUPER PROUD OF ME NOW. I BOUGHT A HOUSE IN 2019 AND I 827 00:31:13,706 --> 00:31:16,874 NOW. I BOUGHT A HOUSE IN 2019 AND I FLEW THEM OUT TO L.A. AND THAT'S 828 00:31:16,876 --> 00:31:19,776 I BOUGHT A HOUSE IN 2019 AND I FLEW THEM OUT TO L.A. AND THAT'S WHEN THEY WERE LIKE, SHE DOES 829 00:31:19,778 --> 00:31:20,777 FLEW THEM OUT TO L.A. AND THAT'S WHEN THEY WERE LIKE, SHE DOES SOMETHING. 830 00:31:20,779 --> 00:31:22,646 WHEN THEY WERE LIKE, SHE DOES SOMETHING. THIS COMEDY THING IS WORKING 831 00:31:22,648 --> 00:31:23,513 SOMETHING. THIS COMEDY THING IS WORKING OUT, AND ONE DAY I WAS SLEEPING 832 00:31:23,515 --> 00:31:28,452 THIS COMEDY THING IS WORKING OUT, AND ONE DAY I WAS SLEEPING AND I JUST HEAR MY DAD JUST -- 833 00:31:28,454 --> 00:31:30,654 OUT, AND ONE DAY I WAS SLEEPING AND I JUST HEAR MY DAD JUST -- AND THIS IS THE BACKYARD, AND 834 00:31:30,656 --> 00:31:32,155 AND I JUST HEAR MY DAD JUST -- AND THIS IS THE BACKYARD, AND THE USE HER TREES. 835 00:31:32,157 --> 00:31:36,560 AND THIS IS THE BACKYARD, AND THE USE HER TREES. I WAS LIKE WHO IS HE MTV 836 00:31:36,562 --> 00:31:37,961 THE USE HER TREES. I WAS LIKE WHO IS HE MTV CRIBBING. 837 00:31:37,963 --> 00:31:38,528 I WAS LIKE WHO IS HE MTV CRIBBING. AND HE IS LIKE RECORDING MY 838 00:31:38,530 --> 00:31:39,830 CRIBBING. AND HE IS LIKE RECORDING MY HOUSE, THE BACKYARD AND I AM 839 00:31:39,832 --> 00:31:40,464 AND HE IS LIKE RECORDING MY HOUSE, THE BACKYARD AND I AM LIKE EVERYONE IN THE VILLAGE IS 840 00:31:40,466 --> 00:31:43,000 HOUSE, THE BACKYARD AND I AM LIKE EVERYONE IN THE VILLAGE IS GOING TO KNOW WHERE I LIVE, WHAT 841 00:31:43,002 --> 00:31:45,535 LIKE EVERYONE IN THE VILLAGE IS GOING TO KNOW WHERE I LIVE, WHAT I GOT, I DON'T WANT THIS. 842 00:31:45,537 --> 00:31:46,436 GOING TO KNOW WHERE I LIVE, WHAT I GOT, I DON'T WANT THIS. >> Ellen: OH, MY GOD. 843 00:31:46,438 --> 00:31:47,204 I GOT, I DON'T WANT THIS. >> Ellen: OH, MY GOD. OH, MY GOD. 844 00:31:47,206 --> 00:31:49,806 >> Ellen: OH, MY GOD. OH, MY GOD. THEY SHOULD BE PROUD OF YOU, 845 00:31:49,808 --> 00:31:50,807 OH, MY GOD. THEY SHOULD BE PROUD OF YOU, BECAUSE YOU'RE DOING GREAT. 846 00:31:50,809 --> 00:31:53,210 THEY SHOULD BE PROUD OF YOU, BECAUSE YOU'RE DOING GREAT. YOU JUST GOT YOUR FIRST EMMY 847 00:31:53,212 --> 00:31:54,745 BECAUSE YOU'RE DOING GREAT. YOU JUST GOT YOUR FIRST EMMY NOMINATION. 848 00:31:54,747 --> 00:31:57,814 YOU JUST GOT YOUR FIRST EMMY NOMINATION. ON "INSECURE" YOU ARE GREAT ON 849 00:31:57,816 --> 00:31:58,916 NOMINATION. ON "INSECURE" YOU ARE GREAT ON "INSECURE" AND NEXT YEAR I WOULD 850 00:31:58,918 --> 00:32:01,652 ON "INSECURE" YOU ARE GREAT ON "INSECURE" AND NEXT YEAR I WOULD LIKE YOU TO GUEST HOST FOR ME 851 00:32:01,654 --> 00:32:04,821 "INSECURE" AND NEXT YEAR I WOULD LIKE YOU TO GUEST HOST FOR ME AND TRIED OUT SEE HOW IT FEELS. 852 00:32:04,823 --> 00:32:07,024 LIKE YOU TO GUEST HOST FOR ME AND TRIED OUT SEE HOW IT FEELS. >> I WOULD BE SO HONORED. 853 00:32:07,026 --> 00:32:07,190 AND TRIED OUT SEE HOW IT FEELS. >> I WOULD BE SO HONORED. YES. 854 00:32:07,192 --> 00:32:07,391 >> I WOULD BE SO HONORED. YES. DONE. 855 00:32:07,393 --> 00:32:11,161 YES. DONE. >> Ellen: NEXT YEAR YOU ARE 856 00:32:11,163 --> 00:32:11,929 DONE. >> Ellen: NEXT YEAR YOU ARE GOING TO GUEST HOST. 857 00:32:11,931 --> 00:32:15,499 >> Ellen: NEXT YEAR YOU ARE GOING TO GUEST HOST. >> YOU HEARD IT FIRST! 858 00:32:15,501 --> 00:32:15,766 GOING TO GUEST HOST. >> YOU HEARD IT FIRST! [LAUGHTER] 859 00:32:15,768 --> 00:32:16,533 >> YOU HEARD IT FIRST! [LAUGHTER] >> Ellen: 860 00:32:16,535 --> 00:32:17,234 [LAUGHTER] >> Ellen: "BAMBOOZLED BY JESUS" IS 861 00:32:17,236 --> 00:32:17,834 >> Ellen: "BAMBOOZLED BY JESUS" IS AVAILABLE EVERYWHERE BOOKS ARE 862 00:32:17,836 --> 00:32:19,703 "BAMBOOZLED BY JESUS" IS AVAILABLE EVERYWHERE BOOKS ARE SOLD AND TODAY WERE ALL GETTING 863 00:32:19,705 --> 00:32:21,939 AVAILABLE EVERYWHERE BOOKS ARE SOLD AND TODAY WERE ALL GETTING A COPY! 864 00:32:21,941 --> 00:32:24,775 SOLD AND TODAY WERE ALL GETTING A COPY! [CHEERS AND APPLAUSE] 865 00:32:24,777 --> 00:32:25,108 A COPY! [CHEERS AND APPLAUSE] WE'LL BE BACK! 866 00:32:25,110 --> 00:32:26,443 [CHEERS AND APPLAUSE] WE'LL BE BACK! [CHEERS AND APPLAUSE] 867 00:32:26,445 --> 00:32:40,090 WE'LL BE BACK! [CHEERS AND APPLAUSE] ♪ ♪ 868 00:32:40,092 --> 00:32:40,557 [CHEERS AND APPLAUSE] ♪ ♪ [CHEERS AND APPLAUSE] 869 00:32:40,559 --> 00:32:44,428 ♪ ♪ [CHEERS AND APPLAUSE] ♪ ♪ 870 00:32:44,430 --> 00:32:47,097 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: OUR NEXT GUEST IS A 871 00:32:47,099 --> 00:32:48,765 ♪ ♪ >> Ellen: OUR NEXT GUEST IS A COMEDIAN AND EMMY AWARD-WINNING 872 00:32:48,767 --> 00:32:49,783 >> Ellen: OUR NEXT GUEST IS A COMEDIAN AND EMMY AWARD-WINNING WRITER AND JUST WON THE 873 00:32:49,785 --> 00:32:52,753 COMEDIAN AND EMMY AWARD-WINNING WRITER AND JUST WON THE ACADEMY AWARD FOR A SHORT FILM 874 00:32:52,755 --> 00:32:55,238 WRITER AND JUST WON THE ACADEMY AWARD FOR A SHORT FILM "TWO DISTANCED STRANGERS, TAKE A 875 00:32:55,240 --> 00:33:02,379 ACADEMY AWARD FOR A SHORT FILM "TWO DISTANCED STRANGERS, TAKE A LOOK." 876 00:33:02,381 --> 00:33:06,016 "TWO DISTANCED STRANGERS, TAKE A LOOK." >> YOU GOT A PROBLEM HERE? 877 00:33:06,018 --> 00:33:07,751 LOOK." >> YOU GOT A PROBLEM HERE? >> YES, IT IS. 878 00:33:07,753 --> 00:33:10,253 >> YOU GOT A PROBLEM HERE? >> YES, IT IS. >> IT DOES NOT LOOK LIKE ANY 879 00:33:10,255 --> 00:33:10,520 >> YES, IT IS. >> IT DOES NOT LOOK LIKE ANY CIGARETTE. 880 00:33:10,522 --> 00:33:11,638 >> IT DOES NOT LOOK LIKE ANY CIGARETTE. >> WITH THE SENSE OF SMELL IS 881 00:33:11,640 --> 00:33:12,723 CIGARETTE. >> WITH THE SENSE OF SMELL IS NOT MY PROBLEM. 882 00:33:12,725 --> 00:33:14,775 >> WITH THE SENSE OF SMELL IS NOT MY PROBLEM. >> IT'S A LOT OF MONEY FOR A GUY 883 00:33:14,777 --> 00:33:17,944 NOT MY PROBLEM. >> IT'S A LOT OF MONEY FOR A GUY WITH A NOT SO CIGARETTE SMELLING 884 00:33:17,946 --> 00:33:19,396 >> IT'S A LOT OF MONEY FOR A GUY WITH A NOT SO CIGARETTE SMELLING CIGARETTE. 885 00:33:19,398 --> 00:33:20,731 WITH A NOT SO CIGARETTE SMELLING CIGARETTE. WHAT KIND OF BUSINESS DO YOU 886 00:33:20,733 --> 00:33:20,930 CIGARETTE. WHAT KIND OF BUSINESS DO YOU HAVE? 887 00:33:20,932 --> 00:33:22,949 WHAT KIND OF BUSINESS DO YOU HAVE? >> GRAPHIC DESIGN. 888 00:33:22,951 --> 00:33:26,003 HAVE? >> GRAPHIC DESIGN. I MAKE COMIC BOOKS. 889 00:33:26,005 --> 00:33:26,470 >> GRAPHIC DESIGN. I MAKE COMIC BOOKS. WHAT CAN I SAY? 890 00:33:26,472 --> 00:33:28,238 I MAKE COMIC BOOKS. WHAT CAN I SAY? >> SURE. 891 00:33:28,240 --> 00:33:31,975 WHAT CAN I SAY? >> SURE. >> Ellen: PLEASE WELCOME 892 00:33:31,977 --> 00:33:32,275 >> SURE. >> Ellen: PLEASE WELCOME TRAVON FREE! 893 00:33:32,277 --> 00:33:32,743 >> Ellen: PLEASE WELCOME TRAVON FREE! [CHEERS AND APPLAUSE] 894 00:33:32,745 --> 00:33:44,554 TRAVON FREE! [CHEERS AND APPLAUSE] ♪ ♪ 895 00:33:44,556 --> 00:33:46,623 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: I LOVE YOU SO MUCH. 896 00:33:46,625 --> 00:33:47,591 ♪ ♪ >> Ellen: I LOVE YOU SO MUCH. I LOVE YOU SO MUCH. 897 00:33:47,593 --> 00:33:50,160 >> Ellen: I LOVE YOU SO MUCH. I LOVE YOU SO MUCH. THIS IS YOUR FIRST TIME ON THE 898 00:33:50,162 --> 00:33:52,996 I LOVE YOU SO MUCH. THIS IS YOUR FIRST TIME ON THE SHOW, BUT YOUR TWEET HAS BEEN ON 899 00:33:52,998 --> 00:33:54,097 THIS IS YOUR FIRST TIME ON THE SHOW, BUT YOUR TWEET HAS BEEN ON A SHOW. 900 00:33:54,099 --> 00:33:56,633 SHOW, BUT YOUR TWEET HAS BEEN ON A SHOW. >> AS SHOWED A TWEET I DON'T HOW 901 00:33:56,635 --> 00:33:58,368 A SHOW. >> AS SHOWED A TWEET I DON'T HOW MANY YEARS AGO. 902 00:33:58,370 --> 00:33:59,803 >> AS SHOWED A TWEET I DON'T HOW MANY YEARS AGO. >> Ellen: 2013? 903 00:33:59,805 --> 00:34:03,740 MANY YEARS AGO. >> Ellen: 2013? SO WE SHOWED YOUR TWEET ON THE 904 00:34:03,742 --> 00:34:04,808 >> Ellen: 2013? SO WE SHOWED YOUR TWEET ON THE SHOW, 25TH AND WORLD MATH, AT 905 00:34:04,810 --> 00:34:06,143 SO WE SHOWED YOUR TWEET ON THE SHOW, 25TH AND WORLD MATH, AT LEAST WE ARE STILL IN THE TOP 906 00:34:06,145 --> 00:34:08,912 SHOW, 25TH AND WORLD MATH, AT LEAST WE ARE STILL IN THE TOP TEN. 907 00:34:08,914 --> 00:34:09,179 LEAST WE ARE STILL IN THE TOP TEN. [LAUGHTER] 908 00:34:09,181 --> 00:34:10,414 TEN. [LAUGHTER] VERY FUNNY. 909 00:34:10,416 --> 00:34:14,184 [LAUGHTER] VERY FUNNY. SO THE SHORT FOAM AND 910 00:34:14,186 --> 00:34:14,918 VERY FUNNY. SO THE SHORT FOAM AND CONGRATULATIONS WINNING THE 911 00:34:14,920 --> 00:34:15,118 SO THE SHORT FOAM AND CONGRATULATIONS WINNING THE OSCAR. 912 00:34:15,120 --> 00:34:16,653 CONGRATULATIONS WINNING THE OSCAR. IT'S SO WELL-DESERVED. 913 00:34:16,655 --> 00:34:20,957 OSCAR. IT'S SO WELL-DESERVED. [APPLAUSE] 914 00:34:20,959 --> 00:34:21,725 IT'S SO WELL-DESERVED. [APPLAUSE] FIRST AFRICAN-AMERICAN TO WIN IN 915 00:34:21,727 --> 00:34:23,393 [APPLAUSE] FIRST AFRICAN-AMERICAN TO WIN IN THAT CATEGORY TOO. 916 00:34:23,395 --> 00:34:26,997 FIRST AFRICAN-AMERICAN TO WIN IN THAT CATEGORY TOO. SO TELL EVERYBODY, EVERYONE 917 00:34:26,999 --> 00:34:27,464 THAT CATEGORY TOO. SO TELL EVERYBODY, EVERYONE SHOULD SEE THE FILM. 918 00:34:27,466 --> 00:34:29,299 SO TELL EVERYBODY, EVERYONE SHOULD SEE THE FILM. EVERYONE SHOULD SEE THE FILM, 919 00:34:29,301 --> 00:34:29,866 SHOULD SEE THE FILM. EVERYONE SHOULD SEE THE FILM, BUT TELL EVERYONE ABOUT IT. 920 00:34:29,868 --> 00:34:34,037 EVERYONE SHOULD SEE THE FILM, BUT TELL EVERYONE ABOUT IT. >> SO "TWO DISTANT STRANGERS" IS 921 00:34:34,039 --> 00:34:34,871 BUT TELL EVERYONE ABOUT IT. >> SO "TWO DISTANT STRANGERS" IS THE STORY OF A BLACK MAN TRYING 922 00:34:34,873 --> 00:34:37,841 >> SO "TWO DISTANT STRANGERS" IS THE STORY OF A BLACK MAN TRYING TO GET HOME TO HIS DOG. 923 00:34:37,843 --> 00:34:39,142 THE STORY OF A BLACK MAN TRYING TO GET HOME TO HIS DOG. AND IT SOUNDS SIMPLE, BUT YOU 924 00:34:39,144 --> 00:34:40,710 TO GET HOME TO HIS DOG. AND IT SOUNDS SIMPLE, BUT YOU CAN COMPLICATE THAT IN MANY 925 00:34:40,712 --> 00:34:40,911 AND IT SOUNDS SIMPLE, BUT YOU CAN COMPLICATE THAT IN MANY WAYS. 926 00:34:40,913 --> 00:34:43,947 CAN COMPLICATE THAT IN MANY WAYS. IN AMERICA, ESSENTIALLY HE RUNS 927 00:34:43,949 --> 00:34:46,450 WAYS. IN AMERICA, ESSENTIALLY HE RUNS INTO A CUP AND THE COP ENDS UP 928 00:34:46,452 --> 00:34:48,051 IN AMERICA, ESSENTIALLY HE RUNS INTO A CUP AND THE COP ENDS UP KILLING HIM AND HE WAKES UP AND 929 00:34:48,053 --> 00:34:50,220 INTO A CUP AND THE COP ENDS UP KILLING HIM AND HE WAKES UP AND THE DAY STARTS ALL OVER AGAIN. 930 00:34:50,222 --> 00:34:51,521 KILLING HIM AND HE WAKES UP AND THE DAY STARTS ALL OVER AGAIN. AND HE FINDS HIMSELF GOING 931 00:34:51,523 --> 00:34:52,389 THE DAY STARTS ALL OVER AGAIN. AND HE FINDS HIMSELF GOING THROUGH THIS LOOP TRYING TO 932 00:34:52,391 --> 00:34:55,025 AND HE FINDS HIMSELF GOING THROUGH THIS LOOP TRYING TO FIGURE OUT HOW TO BREAK THE 933 00:34:55,027 --> 00:34:56,326 THROUGH THIS LOOP TRYING TO FIGURE OUT HOW TO BREAK THE CYCLE OF RUNNING INTO THE SCOP 934 00:34:56,328 --> 00:34:58,161 FIGURE OUT HOW TO BREAK THE CYCLE OF RUNNING INTO THE SCOP AND TRYING TO CHANGE HIS 935 00:34:58,163 --> 00:34:59,296 CYCLE OF RUNNING INTO THE SCOP AND TRYING TO CHANGE HIS BEHAVIOR AND DO THINGS 936 00:34:59,298 --> 00:34:59,596 AND TRYING TO CHANGE HIS BEHAVIOR AND DO THINGS DIFFERENTLY. 937 00:34:59,598 --> 00:35:03,266 BEHAVIOR AND DO THINGS DIFFERENTLY. IT'S KIND OF THE STORY THAT WE 938 00:35:03,268 --> 00:35:05,302 DIFFERENTLY. IT'S KIND OF THE STORY THAT WE TRY TO TELL TO DEMONSTRATE HOW 939 00:35:05,304 --> 00:35:06,470 IT'S KIND OF THE STORY THAT WE TRY TO TELL TO DEMONSTRATE HOW THERE IS NOTHING WE CAN REALLY 940 00:35:06,472 --> 00:35:10,207 TRY TO TELL TO DEMONSTRATE HOW THERE IS NOTHING WE CAN REALLY DO TO STOP IT FROM HAPPENING. 941 00:35:10,209 --> 00:35:12,409 THERE IS NOTHING WE CAN REALLY DO TO STOP IT FROM HAPPENING. THE ACTUAL SOLUTION IS BEHIND 942 00:35:12,411 --> 00:35:13,143 DO TO STOP IT FROM HAPPENING. THE ACTUAL SOLUTION IS BEHIND PEOPLE. 943 00:35:13,145 --> 00:35:14,644 THE ACTUAL SOLUTION IS BEHIND PEOPLE. >> Ellen: YOU WROTE THIS IN 944 00:35:14,646 --> 00:35:16,346 PEOPLE. >> Ellen: YOU WROTE THIS IN FIVE DAYS, BUT FIRST OF ALL WE 945 00:35:16,348 --> 00:35:17,881 >> Ellen: YOU WROTE THIS IN FIVE DAYS, BUT FIRST OF ALL WE SHOULD SAY THAT TODAY IS THE 946 00:35:17,883 --> 00:35:19,416 FIVE DAYS, BUT FIRST OF ALL WE SHOULD SAY THAT TODAY IS THE ONE-YEAR ANNIVERSARY OF THE 947 00:35:19,418 --> 00:35:20,717 SHOULD SAY THAT TODAY IS THE ONE-YEAR ANNIVERSARY OF THE MURDER OF GEORGE FLOYD. 948 00:35:20,719 --> 00:35:23,920 ONE-YEAR ANNIVERSARY OF THE MURDER OF GEORGE FLOYD. AND YOU GOT THE IDEA WHILE YOU 949 00:35:23,922 --> 00:35:26,623 MURDER OF GEORGE FLOYD. AND YOU GOT THE IDEA WHILE YOU WERE PROTESTING ABOUT THAT. 950 00:35:26,625 --> 00:35:30,460 AND YOU GOT THE IDEA WHILE YOU WERE PROTESTING ABOUT THAT. >> YEAH, WE WERE OUT LAST SUMMER 951 00:35:30,462 --> 00:35:32,729 WERE PROTESTING ABOUT THAT. >> YEAH, WE WERE OUT LAST SUMMER PROTESTING AND MARCHING AND 952 00:35:32,731 --> 00:35:35,132 >> YEAH, WE WERE OUT LAST SUMMER PROTESTING AND MARCHING AND ABSORBING THE ENERGY THAT THE 953 00:35:35,134 --> 00:35:37,000 PROTESTING AND MARCHING AND ABSORBING THE ENERGY THAT THE WORLD HAD TAKEN ON ONCE HE HAD 954 00:35:37,002 --> 00:35:39,069 ABSORBING THE ENERGY THAT THE WORLD HAD TAKEN ON ONCE HE HAD BEEN KILLED, AND IN DOING THAT 955 00:35:39,071 --> 00:35:40,737 WORLD HAD TAKEN ON ONCE HE HAD BEEN KILLED, AND IN DOING THAT AND REPEATING THE CYCLE EVERY 956 00:35:40,739 --> 00:35:41,271 BEEN KILLED, AND IN DOING THAT AND REPEATING THE CYCLE EVERY DAY AND INTERNALIZING THE 957 00:35:41,273 --> 00:35:42,506 AND REPEATING THE CYCLE EVERY DAY AND INTERNALIZING THE FEELINGS THAT YOU FEEL WHEN YOU 958 00:35:42,508 --> 00:35:46,977 DAY AND INTERNALIZING THE FEELINGS THAT YOU FEEL WHEN YOU HEAR A NEW NAME, AHMAUD ARBERY, 959 00:35:46,979 --> 00:35:48,378 FEELINGS THAT YOU FEEL WHEN YOU HEAR A NEW NAME, AHMAUD ARBERY, BREONNA TAYLOR, GEORGE FLOYD, AS 960 00:35:48,380 --> 00:35:51,014 HEAR A NEW NAME, AHMAUD ARBERY, BREONNA TAYLOR, GEORGE FLOYD, AS A BLACK PERSON YOU GO THROUGH A 961 00:35:51,016 --> 00:35:51,748 BREONNA TAYLOR, GEORGE FLOYD, AS A BLACK PERSON YOU GO THROUGH A CYCLE OF EMOTIONS AND PROCESS 962 00:35:51,750 --> 00:35:53,717 A BLACK PERSON YOU GO THROUGH A CYCLE OF EMOTIONS AND PROCESS THESE THINGS AND I SAW MYSELF 963 00:35:53,719 --> 00:35:55,185 CYCLE OF EMOTIONS AND PROCESS THESE THINGS AND I SAW MYSELF GOING THROUGH THE CYCLE FOR 964 00:35:55,187 --> 00:35:55,819 THESE THINGS AND I SAW MYSELF GOING THROUGH THE CYCLE FOR THESE THREE PEOPLE AND THEY WERE 965 00:35:55,821 --> 00:35:58,121 GOING THROUGH THE CYCLE FOR THESE THREE PEOPLE AND THEY WERE OVERLAPPING AND IT FELT LIKE 966 00:35:58,123 --> 00:35:59,222 THESE THREE PEOPLE AND THEY WERE OVERLAPPING AND IT FELT LIKE LIVING THE WORST VERSION OF 967 00:35:59,224 --> 00:36:00,056 OVERLAPPING AND IT FELT LIKE LIVING THE WORST VERSION OF GROUNDHOG DAY WHEN I HAD THAT 968 00:36:00,058 --> 00:36:01,224 LIVING THE WORST VERSION OF GROUNDHOG DAY WHEN I HAD THAT THOUGHT IT WAS SOMETHING THAT 969 00:36:01,226 --> 00:36:02,959 GROUNDHOG DAY WHEN I HAD THAT THOUGHT IT WAS SOMETHING THAT JUST STUCK WITH ME AND I FELT 970 00:36:02,961 --> 00:36:04,327 THOUGHT IT WAS SOMETHING THAT JUST STUCK WITH ME AND I FELT LIKE I HAD TO DO SOMETHING. 971 00:36:04,329 --> 00:36:06,429 JUST STUCK WITH ME AND I FELT LIKE I HAD TO DO SOMETHING. >> Ellen: YOU CAN HAVE THAT 972 00:36:06,431 --> 00:36:06,663 LIKE I HAD TO DO SOMETHING. >> Ellen: YOU CAN HAVE THAT THOUGHT. 973 00:36:06,665 --> 00:36:07,998 >> Ellen: YOU CAN HAVE THAT THOUGHT. TO THE WAY THAT YOU EXECUTE IT. 974 00:36:08,000 --> 00:36:09,199 THOUGHT. TO THE WAY THAT YOU EXECUTE IT. IT SO WELL DONE. 975 00:36:09,201 --> 00:36:11,501 TO THE WAY THAT YOU EXECUTE IT. IT SO WELL DONE. THIS IS THE FIRST THING YOU HAVE 976 00:36:11,503 --> 00:36:12,035 IT SO WELL DONE. THIS IS THE FIRST THING YOU HAVE DIRECTED? 977 00:36:12,037 --> 00:36:14,037 THIS IS THE FIRST THING YOU HAVE DIRECTED? >> YES, IT'S THE FIRST THING 978 00:36:14,039 --> 00:36:14,938 DIRECTED? >> YES, IT'S THE FIRST THING I'VE DIRECTED. 979 00:36:14,940 --> 00:36:16,106 >> YES, IT'S THE FIRST THING I'VE DIRECTED. >> Ellen: AND ERODED IN FIVE 980 00:36:16,108 --> 00:36:16,306 I'VE DIRECTED. >> Ellen: AND ERODED IN FIVE DAYS. 981 00:36:16,308 --> 00:36:18,975 >> Ellen: AND ERODED IN FIVE DAYS. IT'S AMAZING. 982 00:36:18,977 --> 00:36:23,413 DAYS. IT'S AMAZING. IT IS A MUST-SEE. 983 00:36:23,415 --> 00:36:25,182 IT'S AMAZING. IT IS A MUST-SEE. AND IT'S ONLY, IT'S A SHORT, SO 984 00:36:25,184 --> 00:36:28,151 IT IS A MUST-SEE. AND IT'S ONLY, IT'S A SHORT, SO IT'S ONLY 29, 30 MINUTES? 985 00:36:28,153 --> 00:36:29,986 AND IT'S ONLY, IT'S A SHORT, SO IT'S ONLY 29, 30 MINUTES? THERE'S NO EXCUSE TO NOT WATCH 986 00:36:29,988 --> 00:36:30,153 IT'S ONLY 29, 30 MINUTES? THERE'S NO EXCUSE TO NOT WATCH IT. 987 00:36:30,155 --> 00:36:31,121 THERE'S NO EXCUSE TO NOT WATCH IT. IT'S ON NETFLIX AND IT IS A 988 00:36:31,123 --> 00:36:34,090 IT. IT'S ON NETFLIX AND IT IS A REALLY BEAUTIFULLY DONE 989 00:36:34,092 --> 00:36:38,328 IT'S ON NETFLIX AND IT IS A REALLY BEAUTIFULLY DONE EDUCATIONAL TOOL FOR EVERYONE. 990 00:36:38,330 --> 00:36:40,430 REALLY BEAUTIFULLY DONE EDUCATIONAL TOOL FOR EVERYONE. AND SO YOU ARE NOMINATED FOR AN 991 00:36:40,432 --> 00:36:41,398 EDUCATIONAL TOOL FOR EVERYONE. AND SO YOU ARE NOMINATED FOR AN OSCAR, WHICH THAT'S ENOUGH, 992 00:36:41,400 --> 00:36:43,800 AND SO YOU ARE NOMINATED FOR AN OSCAR, WHICH THAT'S ENOUGH, RELIEVED TO BE NOMINATED. 993 00:36:43,802 --> 00:36:46,203 OSCAR, WHICH THAT'S ENOUGH, RELIEVED TO BE NOMINATED. >> EVERYONE SAYS THAT THAT IS 994 00:36:46,205 --> 00:36:46,636 RELIEVED TO BE NOMINATED. >> EVERYONE SAYS THAT THAT IS THE WIN. 995 00:36:46,638 --> 00:36:48,205 >> EVERYONE SAYS THAT THAT IS THE WIN. >> Ellen: TO WRITE SOMETHING 996 00:36:48,207 --> 00:36:49,239 THE WIN. >> Ellen: TO WRITE SOMETHING YOUR VERY FIRST TIME AND YOU ARE 997 00:36:49,241 --> 00:36:50,941 >> Ellen: TO WRITE SOMETHING YOUR VERY FIRST TIME AND YOU ARE NOMINATED, THEN THEY CALL YOUR 998 00:36:50,943 --> 00:36:52,442 YOUR VERY FIRST TIME AND YOU ARE NOMINATED, THEN THEY CALL YOUR NAME, WHAT WAS THAT MOMENT LIKE? 999 00:36:52,444 --> 00:36:53,310 NOMINATED, THEN THEY CALL YOUR NAME, WHAT WAS THAT MOMENT LIKE? WAS THERE SOMEBODY ELSE YOU 1000 00:36:53,312 --> 00:36:55,845 NAME, WHAT WAS THAT MOMENT LIKE? WAS THERE SOMEBODY ELSE YOU THOUGHT WAS GOING TO GET IT? 1001 00:36:55,847 --> 00:36:58,381 WAS THERE SOMEBODY ELSE YOU THOUGHT WAS GOING TO GET IT? >> I THOUGHT WE HAD A GOOD SHOT. 1002 00:36:58,383 --> 00:37:00,550 THOUGHT WAS GOING TO GET IT? >> I THOUGHT WE HAD A GOOD SHOT. I DID NOT KNOW, MY FEAR WAS 1003 00:37:00,552 --> 00:37:02,886 >> I THOUGHT WE HAD A GOOD SHOT. I DID NOT KNOW, MY FEAR WAS ALWAYS THAT THIS FILM WAS ABOUT 1004 00:37:02,888 --> 00:37:05,188 I DID NOT KNOW, MY FEAR WAS ALWAYS THAT THIS FILM WAS ABOUT A SUBJECT MATTER THAT IS SO 1005 00:37:05,190 --> 00:37:07,457 ALWAYS THAT THIS FILM WAS ABOUT A SUBJECT MATTER THAT IS SO POLARIZING TO PEOPLE, WILL IT BE 1006 00:37:07,459 --> 00:37:09,659 A SUBJECT MATTER THAT IS SO POLARIZING TO PEOPLE, WILL IT BE EMBRACED FOR ALL OF ITS PARTS, 1007 00:37:09,661 --> 00:37:11,962 POLARIZING TO PEOPLE, WILL IT BE EMBRACED FOR ALL OF ITS PARTS, THE TECHNICALITY, THE STORY, THE 1008 00:37:11,964 --> 00:37:13,830 EMBRACED FOR ALL OF ITS PARTS, THE TECHNICALITY, THE STORY, THE EMOTION, THE WORK THAT WE PUT 1009 00:37:13,832 --> 00:37:15,532 THE TECHNICALITY, THE STORY, THE EMOTION, THE WORK THAT WE PUT INTO IT, AND COULD PEOPLE SEE 1010 00:37:15,534 --> 00:37:17,667 EMOTION, THE WORK THAT WE PUT INTO IT, AND COULD PEOPLE SEE BEYOND THEIR OPINION ON WHETHER 1011 00:37:17,669 --> 00:37:18,868 INTO IT, AND COULD PEOPLE SEE BEYOND THEIR OPINION ON WHETHER WHAT THEY FEEL ABOUT THE SUBJECT 1012 00:37:18,870 --> 00:37:21,571 BEYOND THEIR OPINION ON WHETHER WHAT THEY FEEL ABOUT THE SUBJECT MATTER TO LOOK AT THE ART FORM, 1013 00:37:21,573 --> 00:37:23,573 WHAT THEY FEEL ABOUT THE SUBJECT MATTER TO LOOK AT THE ART FORM, YOU KNOW OF WHAT WE CREATED, SO 1014 00:37:23,575 --> 00:37:25,375 MATTER TO LOOK AT THE ART FORM, YOU KNOW OF WHAT WE CREATED, SO WHEN WE GOT NOMINATED, I HAD A 1015 00:37:25,377 --> 00:37:26,543 YOU KNOW OF WHAT WE CREATED, SO WHEN WE GOT NOMINATED, I HAD A MOMENT WHERE I WAS LIKE IS THIS 1016 00:37:26,545 --> 00:37:28,311 WHEN WE GOT NOMINATED, I HAD A MOMENT WHERE I WAS LIKE IS THIS THE BEST WE CAN DO WITH THE 1017 00:37:28,313 --> 00:37:28,511 MOMENT WHERE I WAS LIKE IS THIS THE BEST WE CAN DO WITH THE STORY? 1018 00:37:28,513 --> 00:37:30,146 THE BEST WE CAN DO WITH THE STORY? BECAUSE THERE WERE OTHER STORIES 1019 00:37:30,148 --> 00:37:31,948 STORY? BECAUSE THERE WERE OTHER STORIES THAT WEREN'T AS HEAVY AND THE 1020 00:37:31,950 --> 00:37:35,418 BECAUSE THERE WERE OTHER STORIES THAT WEREN'T AS HEAVY AND THE PEOPLE WERE WRITING ABOUT SAY 1021 00:37:35,420 --> 00:37:36,052 THAT WEREN'T AS HEAVY AND THE PEOPLE WERE WRITING ABOUT SAY SAYING, "TWO DISTANT STRANGERS" 1022 00:37:36,054 --> 00:37:37,287 PEOPLE WERE WRITING ABOUT SAY SAYING, "TWO DISTANT STRANGERS" IS SO HEAVY, BUT THIS OTHER 1023 00:37:37,289 --> 00:37:40,023 SAYING, "TWO DISTANT STRANGERS" IS SO HEAVY, BUT THIS OTHER MOVIE YOU MIGHT THE ONE THAT 1024 00:37:40,025 --> 00:37:40,991 IS SO HEAVY, BUT THIS OTHER MOVIE YOU MIGHT THE ONE THAT PEOPLE VOTE FOR BECAUSE IT IS 1025 00:37:40,993 --> 00:37:42,993 MOVIE YOU MIGHT THE ONE THAT PEOPLE VOTE FOR BECAUSE IT IS MORE PALATABLE AND NOT AS 1026 00:37:42,995 --> 00:37:44,427 PEOPLE VOTE FOR BECAUSE IT IS MORE PALATABLE AND NOT AS CONFRONTING AS OUR MOVIE WAS. 1027 00:37:44,429 --> 00:37:46,162 MORE PALATABLE AND NOT AS CONFRONTING AS OUR MOVIE WAS. SO I WAS VERY NERVOUS ABOUT IT. 1028 00:37:46,164 --> 00:37:48,298 CONFRONTING AS OUR MOVIE WAS. SO I WAS VERY NERVOUS ABOUT IT. >> Ellen: IT'S DEFINITELY -- 1029 00:37:48,300 --> 00:37:50,834 SO I WAS VERY NERVOUS ABOUT IT. >> Ellen: IT'S DEFINITELY -- THE SUBJECT MATTER IS 1030 00:37:50,836 --> 00:37:51,468 >> Ellen: IT'S DEFINITELY -- THE SUBJECT MATTER IS PULVERIZING GOOD BUT I FOUND IT 1031 00:37:51,470 --> 00:37:54,371 THE SUBJECT MATTER IS PULVERIZING GOOD BUT I FOUND IT DIFFICULT TO WATCH PUTTING 1032 00:37:54,373 --> 00:37:56,673 PULVERIZING GOOD BUT I FOUND IT DIFFICULT TO WATCH PUTTING MYSELF IN THE SHOES OF A YOUNG 1033 00:37:56,675 --> 00:37:58,508 DIFFICULT TO WATCH PUTTING MYSELF IN THE SHOES OF A YOUNG BLACK MAN IN AMERICA RIGHT NOW, 1034 00:37:58,510 --> 00:38:00,810 MYSELF IN THE SHOES OF A YOUNG BLACK MAN IN AMERICA RIGHT NOW, AND YOU REALLY SEE WHAT THAT 1035 00:38:00,812 --> 00:38:01,177 BLACK MAN IN AMERICA RIGHT NOW, AND YOU REALLY SEE WHAT THAT FEELS LIKE. 1036 00:38:01,179 --> 00:38:03,013 AND YOU REALLY SEE WHAT THAT FEELS LIKE. OTHER THAN THAT I THOUGHT YOU 1037 00:38:03,015 --> 00:38:04,414 FEELS LIKE. OTHER THAN THAT I THOUGHT YOU DID A GREAT JOB, BECAUSE THERE 1038 00:38:04,416 --> 00:38:05,749 OTHER THAN THAT I THOUGHT YOU DID A GREAT JOB, BECAUSE THERE IS ANOTHER STORY. 1039 00:38:05,751 --> 00:38:07,484 DID A GREAT JOB, BECAUSE THERE IS ANOTHER STORY. AND YOU ARE ALSO -- YOU JUST 1040 00:38:07,486 --> 00:38:09,719 IS ANOTHER STORY. AND YOU ARE ALSO -- YOU JUST WANT THE DOG, YOU JUST WANT HIM 1041 00:38:09,721 --> 00:38:10,587 AND YOU ARE ALSO -- YOU JUST WANT THE DOG, YOU JUST WANT HIM TO GET TO THE DOG. 1042 00:38:10,589 --> 00:38:13,723 WANT THE DOG, YOU JUST WANT HIM TO GET TO THE DOG. I LOVE THAT YOU DID THAT. 1043 00:38:13,725 --> 00:38:14,724 TO GET TO THE DOG. I LOVE THAT YOU DID THAT. BECAUSE EVERYONE LOVES DOGS AND 1044 00:38:14,726 --> 00:38:17,193 I LOVE THAT YOU DID THAT. BECAUSE EVERYONE LOVES DOGS AND IS LIKE, PLEASE GET TO THE DOG. 1045 00:38:17,195 --> 00:38:19,062 BECAUSE EVERYONE LOVES DOGS AND IS LIKE, PLEASE GET TO THE DOG. >> AT SUCH A COMMON THING TO 1046 00:38:19,064 --> 00:38:20,730 IS LIKE, PLEASE GET TO THE DOG. >> AT SUCH A COMMON THING TO WANT TO JUST GO HOME TO 1047 00:38:20,732 --> 00:38:23,166 >> AT SUCH A COMMON THING TO WANT TO JUST GO HOME TO SOMETHING OR SOMEONE WHO LOVES 1048 00:38:23,168 --> 00:38:23,833 WANT TO JUST GO HOME TO SOMETHING OR SOMEONE WHO LOVES YOU. 1049 00:38:23,835 --> 00:38:27,037 SOMETHING OR SOMEONE WHO LOVES YOU. AND FOR US TO HEAR TIME AND TIME 1050 00:38:27,039 --> 00:38:27,570 YOU. AND FOR US TO HEAR TIME AND TIME AGAIN ALTHOUGH STORIES ARE 1051 00:38:27,572 --> 00:38:29,639 AND FOR US TO HEAR TIME AND TIME AGAIN ALTHOUGH STORIES ARE IMPEDED BY THINGS THAT SHOULD 1052 00:38:29,641 --> 00:38:33,109 AGAIN ALTHOUGH STORIES ARE IMPEDED BY THINGS THAT SHOULD NOT BE IMPEDED FOR, WHETHER IT 1053 00:38:33,111 --> 00:38:34,144 IMPEDED BY THINGS THAT SHOULD NOT BE IMPEDED FOR, WHETHER IT STOPPED IN YOUR CAR FOR THINKING 1054 00:38:34,146 --> 00:38:35,779 NOT BE IMPEDED FOR, WHETHER IT STOPPED IN YOUR CAR FOR THINKING YOU ARE THE WRONG PERSON OR 1055 00:38:35,781 --> 00:38:37,080 STOPPED IN YOUR CAR FOR THINKING YOU ARE THE WRONG PERSON OR BEING STOPPED WALKING DOWN THE 1056 00:38:37,082 --> 00:38:39,149 YOU ARE THE WRONG PERSON OR BEING STOPPED WALKING DOWN THE STREET FOR THINKING YOU'RE THE 1057 00:38:39,151 --> 00:38:39,482 BEING STOPPED WALKING DOWN THE STREET FOR THINKING YOU'RE THE WRONG PERSON. 1058 00:38:39,484 --> 00:38:41,017 STREET FOR THINKING YOU'RE THE WRONG PERSON. AND IT JUST FELT LIKE THE 1059 00:38:41,019 --> 00:38:43,219 WRONG PERSON. AND IT JUST FELT LIKE THE EASIEST WAY FOR THE STORY TO 1060 00:38:43,221 --> 00:38:45,121 AND IT JUST FELT LIKE THE EASIEST WAY FOR THE STORY TO CONNECT BEYOND THE COLOR OF YOUR 1061 00:38:45,123 --> 00:38:45,955 EASIEST WAY FOR THE STORY TO CONNECT BEYOND THE COLOR OF YOUR SKIN WAS CONNECTING IT TO 1062 00:38:45,957 --> 00:38:48,258 CONNECT BEYOND THE COLOR OF YOUR SKIN WAS CONNECTING IT TO SOMETHING THAT WE ALL WANT TO DO 1063 00:38:48,260 --> 00:38:50,026 SKIN WAS CONNECTING IT TO SOMETHING THAT WE ALL WANT TO DO IS JUST GET HOME SAFELY. 1064 00:38:50,028 --> 00:38:51,528 SOMETHING THAT WE ALL WANT TO DO IS JUST GET HOME SAFELY. >> Ellen: IT IS SO BEAUTIFULLY 1065 00:38:51,530 --> 00:38:52,762 IS JUST GET HOME SAFELY. >> Ellen: IT IS SO BEAUTIFULLY DONE. 1066 00:38:52,764 --> 00:38:54,531 >> Ellen: IT IS SO BEAUTIFULLY DONE. AND AGAIN, IT IS CALLED 1067 00:38:54,533 --> 00:38:55,165 DONE. AND AGAIN, IT IS CALLED "TWO DISTANT STRANGERS" AND IS 1068 00:38:55,167 --> 00:38:56,700 AND AGAIN, IT IS CALLED "TWO DISTANT STRANGERS" AND IS AVAILABLE ON NETFLIX. 1069 00:38:56,702 --> 00:39:00,303 "TWO DISTANT STRANGERS" AND IS AVAILABLE ON NETFLIX. AND CONGRATULATIONS. 1070 00:39:00,305 --> 00:39:00,704 AVAILABLE ON NETFLIX. AND CONGRATULATIONS. WE WILL BE BACK! 1071 00:39:00,706 --> 00:39:01,171 AND CONGRATULATIONS. WE WILL BE BACK! [CHEERS AND APPLAUSE] 1072 00:39:01,173 --> 00:39:08,745 WE WILL BE BACK! [CHEERS AND APPLAUSE] ♪ ♪ 1073 00:39:08,747 --> 00:39:10,046 . 1074 00:39:18,789 --> 00:39:24,494 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: BEFORE WE GO I WANT 1075 00:39:24,496 --> 00:39:26,229 ♪ ♪ >> Ellen: BEFORE WE GO I WANT TO TALK ABOUT SOMETHING VERY 1076 00:39:26,231 --> 00:39:26,896 >> Ellen: BEFORE WE GO I WANT TO TALK ABOUT SOMETHING VERY IMPORTANT. 1077 00:39:26,898 --> 00:39:28,431 TO TALK ABOUT SOMETHING VERY IMPORTANT. TODAY IS THE ONE-YEAR 1078 00:39:28,433 --> 00:39:29,632 IMPORTANT. TODAY IS THE ONE-YEAR ANNIVERSARY OF THE MURDER OF 1079 00:39:29,634 --> 00:39:30,533 TODAY IS THE ONE-YEAR ANNIVERSARY OF THE MURDER OF GEORGE FLOYD. 1080 00:39:30,535 --> 00:39:31,968 ANNIVERSARY OF THE MURDER OF GEORGE FLOYD. AND THE YEAR SINCE THAT TERRIBLE 1081 00:39:31,970 --> 00:39:34,137 GEORGE FLOYD. AND THE YEAR SINCE THAT TERRIBLE DAY THERE IS BEEN A LOT OF 1082 00:39:34,139 --> 00:39:35,271 AND THE YEAR SINCE THAT TERRIBLE DAY THERE IS BEEN A LOT OF REFLECTION AND A LOT OF 1083 00:39:35,273 --> 00:39:36,206 DAY THERE IS BEEN A LOT OF REFLECTION AND A LOT OF ACTIVISM, A LOT OF TOUGH 1084 00:39:36,208 --> 00:39:38,208 REFLECTION AND A LOT OF ACTIVISM, A LOT OF TOUGH CONVERSATIONS WITH EACH OTHER 1085 00:39:38,210 --> 00:39:39,342 ACTIVISM, A LOT OF TOUGH CONVERSATIONS WITH EACH OTHER AND OURSELVES. 1086 00:39:39,344 --> 00:39:40,043 CONVERSATIONS WITH EACH OTHER AND OURSELVES. IT'S ALL LONG OVERDUE AND 1087 00:39:40,045 --> 00:39:41,478 AND OURSELVES. IT'S ALL LONG OVERDUE AND IMPORTANT THAT WE NEVER STOP 1088 00:39:41,480 --> 00:39:42,112 IT'S ALL LONG OVERDUE AND IMPORTANT THAT WE NEVER STOP LEARNING AND NEVER STOP FIGHTING 1089 00:39:42,114 --> 00:39:44,881 IMPORTANT THAT WE NEVER STOP LEARNING AND NEVER STOP FIGHTING FOR WHAT IS RIGHT. 1090 00:39:44,883 --> 00:39:45,615 LEARNING AND NEVER STOP FIGHTING FOR WHAT IS RIGHT. WE CAN'T BRING BACK GEORGE FLOYD 1091 00:39:45,617 --> 00:39:47,851 FOR WHAT IS RIGHT. WE CAN'T BRING BACK GEORGE FLOYD AND THE PAIN OF THAT TRAGEDY 1092 00:39:47,853 --> 00:39:50,086 WE CAN'T BRING BACK GEORGE FLOYD AND THE PAIN OF THAT TRAGEDY WON'T EVER GO AWAY, BUT WE MUST 1093 00:39:50,088 --> 00:39:51,454 AND THE PAIN OF THAT TRAGEDY WON'T EVER GO AWAY, BUT WE MUST CONTINUE TO PUSH FOR JUSTICE AND 1094 00:39:51,456 --> 00:39:52,322 WON'T EVER GO AWAY, BUT WE MUST CONTINUE TO PUSH FOR JUSTICE AND EQUALITY HOWEVER WE CAN. 1095 00:39:52,324 --> 00:39:53,857 CONTINUE TO PUSH FOR JUSTICE AND EQUALITY HOWEVER WE CAN. I WANT TO THANK OUR FRIENDS AT 1096 00:39:53,859 --> 00:39:56,092 EQUALITY HOWEVER WE CAN. I WANT TO THANK OUR FRIENDS AT SHUTTERFLY BECAUSE I CARE ABOUT 1097 00:39:56,094 --> 00:39:57,093 I WANT TO THANK OUR FRIENDS AT SHUTTERFLY BECAUSE I CARE ABOUT SOCIAL JUSTICE. 1098 00:39:57,095 --> 00:39:58,528 SHUTTERFLY BECAUSE I CARE ABOUT SOCIAL JUSTICE. TODAY THEY ARE DONATING $25,000 1099 00:39:58,530 --> 00:40:00,964 SOCIAL JUSTICE. TODAY THEY ARE DONATING $25,000 TO THE GEORGE FLOYD MEMORIAL 1100 00:40:00,966 --> 00:40:03,566 TODAY THEY ARE DONATING $25,000 TO THE GEORGE FLOYD MEMORIAL FOUNDATION. 1101 00:40:03,568 --> 00:40:04,033 TO THE GEORGE FLOYD MEMORIAL FOUNDATION. [CHEERS AND APPLAUSE] 1102 00:40:04,035 --> 00:40:08,571 FOUNDATION. [CHEERS AND APPLAUSE] IT WAS FOUNDED BY GEORGE'S OWN 1103 00:40:08,573 --> 00:40:09,372 [CHEERS AND APPLAUSE] IT WAS FOUNDED BY GEORGE'S OWN FAMILY HELPING FIGHT OPPRESSION 1104 00:40:09,374 --> 00:40:10,640 IT WAS FOUNDED BY GEORGE'S OWN FAMILY HELPING FIGHT OPPRESSION AND RACISM IN OUR COMMUNITY. 1105 00:40:10,642 --> 00:40:13,643 FAMILY HELPING FIGHT OPPRESSION AND RACISM IN OUR COMMUNITY. IF YOU WANT TO DONATE, PLEASE 1106 00:40:13,645 --> 00:40:14,611 AND RACISM IN OUR COMMUNITY. IF YOU WANT TO DONATE, PLEASE VISIT THE LINK BELOW. 1107 00:40:14,613 --> 00:40:18,047 IF YOU WANT TO DONATE, PLEASE VISIT THE LINK BELOW. I WANT TO THANK SETH MEYERS, 1108 00:40:18,049 --> 00:40:19,516 VISIT THE LINK BELOW. I WANT TO THANK SETH MEYERS, TRAVON FREE, AND YVONNE ORJI. 1109 00:40:19,518 --> 00:40:20,683 I WANT TO THANK SETH MEYERS, TRAVON FREE, AND YVONNE ORJI. I WANT TO THANK ALL OF YOU FOR 1110 00:40:20,685 --> 00:40:20,950 TRAVON FREE, AND YVONNE ORJI. I WANT TO THANK ALL OF YOU FOR WATCHING. 1111 00:40:20,952 --> 00:40:22,852 I WANT TO THANK ALL OF YOU FOR WATCHING. I FEEL THE LOVE IN THE ROOM. 1112 00:40:22,854 --> 00:40:24,821 WATCHING. I FEEL THE LOVE IN THE ROOM. TAKE IT AND SPREAD IT AROUND THE 1113 00:40:24,823 --> 00:40:25,155 I FEEL THE LOVE IN THE ROOM. TAKE IT AND SPREAD IT AROUND THE WORLD. 1114 00:40:25,157 --> 00:40:25,922 TAKE IT AND SPREAD IT AROUND THE WORLD. WE NEED IT. 1115 00:40:25,924 --> 00:40:28,491 WORLD. WE NEED IT. THANKS, EVERYBODY. 1116 00:40:28,493 --> 00:40:28,658 WE NEED IT. THANKS, EVERYBODY. BYE. 1117 00:40:28,660 --> 00:40:34,564 THANKS, EVERYBODY. BYE. ♪ ♪ 1118 00:40:34,566 --> 00:40:35,398 BYE. ♪ ♪ ♪ OH OH OH ♪ 1119 00:40:35,400 --> 00:40:35,965 ♪ ♪ ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN 1120 00:40:35,967 --> 00:40:36,332 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 1121 00:40:36,334 --> 00:40:36,933 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 1122 00:40:36,935 --> 00:40:37,133 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 1123 00:40:37,135 --> 00:40:37,767 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 1124 00:40:37,769 --> 00:40:38,401 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 1125 00:40:38,403 --> 00:40:38,968 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 1126 00:40:38,970 --> 00:40:41,371 ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 1127 00:40:41,373 --> 00:40:41,838 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ [CHEERS AND APPLAUSE] 1128 00:40:41,840 --> 00:40:42,038 CLOCK ♪ [CHEERS AND APPLAUSE] ♪ ♪ 1129 00:40:42,040 --> 00:40:43,873 [CHEERS AND APPLAUSE] ♪ ♪ ♪ OH OH OH ♪ 1130 00:40:43,875 --> 00:40:44,841 ♪ ♪ ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ 1131 00:40:44,843 --> 00:40:45,675 ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ 1132 00:40:45,677 --> 00:40:46,976 ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ 1133 00:40:46,978 --> 00:40:58,087 ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ 1134 00:40:58,089 --> 00:41:00,790 ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ >> Ellen: ANYWAY...