1 00:00:02,869 --> 00:00:04,870 ♪ OH OH OH ♪ ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ 2 00:00:04,872 --> 00:00:05,637 ♪ TODAY'S THE DAY I'VE BEEN WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER 3 00:00:05,639 --> 00:00:06,271 WAITING FOR ♪ ♪ TOMORROW WON'T COME AFTER ALL ♪ 4 00:00:06,273 --> 00:00:08,607 ♪ TOMORROW WON'T COME AFTER ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ 5 00:00:08,609 --> 00:00:11,176 ALL ♪ ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ 6 00:00:11,178 --> 00:00:12,211 ♪ YESTERDAY IS SO FAR AWAY ♪ ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE 7 00:00:12,213 --> 00:00:13,412 ♪ AND TODAY IS THE ONLY DAY ♪ ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ 8 00:00:13,414 --> 00:00:13,946 ♪ SOMEBODY PLEASE STOP THE CLOCK ♪ >> Announcer: HERE SHE IS 9 00:00:13,948 --> 00:00:14,980 CLOCK ♪ >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES! 10 00:00:14,982 --> 00:00:15,447 >> Announcer: HERE SHE IS NOW, ELLEN DeGENERES! [CHEERS AND APPLAUSE] 11 00:00:15,449 --> 00:00:16,415 NOW, ELLEN DeGENERES! [CHEERS AND APPLAUSE] ♪ ♪ 12 00:00:16,417 --> 00:00:16,782 [CHEERS AND APPLAUSE] ♪ ♪ ♪ OH OH OH ♪ 13 00:00:16,784 --> 00:00:18,017 ♪ ♪ ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ 14 00:00:18,019 --> 00:00:18,517 ♪ OH OH OH ♪ ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ 15 00:00:18,519 --> 00:00:20,386 ♪ DON'T EVER LET THIS DAY STOP ♪ ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ 16 00:00:20,388 --> 00:00:22,054 ♪ OH OH OH ♪ ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ 17 00:00:22,056 --> 00:00:22,521 ♪ I NEVER WANNA GO HOME ♪ ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] 18 00:00:22,523 --> 00:00:29,061 ♪ NO NO NO NO NO ♪ [CHEERS AND APPLAUSE] ♪ ♪ 19 00:00:30,764 --> 00:00:39,772 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: HI, EVERYBODY! 20 00:00:39,774 --> 00:00:41,006 ♪ ♪ >> Ellen: HI, EVERYBODY! THANK YOU SO MUCH! 21 00:00:41,008 --> 00:00:41,974 >> Ellen: HI, EVERYBODY! THANK YOU SO MUCH! BACK AT YOU. 22 00:00:41,976 --> 00:00:42,941 THANK YOU SO MUCH! BACK AT YOU. THAT'S SO NICE. 23 00:00:42,943 --> 00:00:43,976 BACK AT YOU. THAT'S SO NICE. THIS IS THE MOST ENERGETIC 24 00:00:43,978 --> 00:00:47,012 THAT'S SO NICE. THIS IS THE MOST ENERGETIC AUDIENCE WE HAVE HAD SO FAR. 25 00:00:47,014 --> 00:00:49,515 THIS IS THE MOST ENERGETIC AUDIENCE WE HAVE HAD SO FAR. YOU WIN THE PRIZE. 26 00:00:49,517 --> 00:00:49,982 AUDIENCE WE HAVE HAD SO FAR. YOU WIN THE PRIZE. FANTASTIC. 27 00:00:49,984 --> 00:00:51,483 YOU WIN THE PRIZE. FANTASTIC. THANK YOU FOR JOINING US, I LIKE 28 00:00:51,485 --> 00:00:53,485 FANTASTIC. THANK YOU FOR JOINING US, I LIKE TO KEEP MY FINGER ON THE PULSE, 29 00:00:53,487 --> 00:00:54,486 THANK YOU FOR JOINING US, I LIKE TO KEEP MY FINGER ON THE PULSE, MY NOSE TO THE STREET AND MY EYE 30 00:00:54,488 --> 00:00:55,154 TO KEEP MY FINGER ON THE PULSE, MY NOSE TO THE STREET AND MY EYE ON THE PRIZE. 31 00:00:55,156 --> 00:00:56,522 MY NOSE TO THE STREET AND MY EYE ON THE PRIZE. I DON'T KNOW IF YOU KNOW WHAT IS 32 00:00:56,524 --> 00:00:59,825 ON THE PRIZE. I DON'T KNOW IF YOU KNOW WHAT IS GOING ON HERE, BUT THERE SEEMS 33 00:00:59,827 --> 00:01:01,593 I DON'T KNOW IF YOU KNOW WHAT IS GOING ON HERE, BUT THERE SEEMS TO BE SOME FEUDING BETWEEN GEN Z 34 00:01:01,595 --> 00:01:02,261 GOING ON HERE, BUT THERE SEEMS TO BE SOME FEUDING BETWEEN GEN Z AND MILLENNIALS. 35 00:01:02,263 --> 00:01:07,699 TO BE SOME FEUDING BETWEEN GEN Z AND MILLENNIALS. HERE'S THE STORY, GEN Z IS 36 00:01:07,701 --> 00:01:09,802 AND MILLENNIALS. HERE'S THE STORY, GEN Z IS ANYONE 26-24, AND MILLENNIALS 37 00:01:09,804 --> 00:01:12,271 HERE'S THE STORY, GEN Z IS ANYONE 26-24, AND MILLENNIALS ARE AT 26-40, BUT THEY COMPLAIN 38 00:01:12,273 --> 00:01:14,106 ANYONE 26-24, AND MILLENNIALS ARE AT 26-40, BUT THEY COMPLAIN LIKE 80-YEAR-OLDS. 39 00:01:14,108 --> 00:01:16,608 ARE AT 26-40, BUT THEY COMPLAIN LIKE 80-YEAR-OLDS. I AM HIP TO ALL THE JAZZ THAT IS 40 00:01:16,610 --> 00:01:17,810 LIKE 80-YEAR-OLDS. I AM HIP TO ALL THE JAZZ THAT IS GOING DOWN. 41 00:01:17,812 --> 00:01:18,944 I AM HIP TO ALL THE JAZZ THAT IS GOING DOWN. I KNOW WHAT IS POPPING, WHAT IS 42 00:01:18,946 --> 00:01:21,213 GOING DOWN. I KNOW WHAT IS POPPING, WHAT IS CRACKLE LACKING. 43 00:01:21,215 --> 00:01:24,383 I KNOW WHAT IS POPPING, WHAT IS CRACKLE LACKING. SO HERE IS THE UPDATE. 44 00:01:24,385 --> 00:01:25,317 CRACKLE LACKING. SO HERE IS THE UPDATE. THESE TWO GROUPS ARE FIGHTING 45 00:01:25,319 --> 00:01:26,151 SO HERE IS THE UPDATE. THESE TWO GROUPS ARE FIGHTING AND I WANT IT TO STOP. 46 00:01:26,153 --> 00:01:28,987 THESE TWO GROUPS ARE FIGHTING AND I WANT IT TO STOP. THIS IS WHAT I HAVE HEARD. 47 00:01:28,989 --> 00:01:30,222 AND I WANT IT TO STOP. THIS IS WHAT I HAVE HEARD. JENS HE HAS DECLARED SKINNY 48 00:01:30,224 --> 00:01:32,591 THIS IS WHAT I HAVE HEARD. JENS HE HAS DECLARED SKINNY JEANS ARE OVER AND MILLENNIALS 49 00:01:32,593 --> 00:01:34,893 JENS HE HAS DECLARED SKINNY JEANS ARE OVER AND MILLENNIALS ARE VERY UPSET BECAUSE GEN Z 50 00:01:34,895 --> 00:01:37,296 JEANS ARE OVER AND MILLENNIALS ARE VERY UPSET BECAUSE GEN Z SAYS PARTING YOUR HAIR ON THE 51 00:01:37,298 --> 00:01:41,300 ARE VERY UPSET BECAUSE GEN Z SAYS PARTING YOUR HAIR ON THE SIDE IS USING THE LAUGHING AND G 52 00:01:41,302 --> 00:01:42,434 SAYS PARTING YOUR HAIR ON THE SIDE IS USING THE LAUGHING AND G EMOJI USE MAKE YOU LOOK 53 00:01:42,436 --> 00:01:42,801 SIDE IS USING THE LAUGHING AND G EMOJI USE MAKE YOU LOOK OLD. 54 00:01:42,803 --> 00:01:44,203 EMOJI USE MAKE YOU LOOK OLD. [LAUGHTER] 55 00:01:44,205 --> 00:01:44,970 OLD. [LAUGHTER] MILLENNIALS ARE LIKE, HOW CAN I 56 00:01:44,972 --> 00:01:48,340 [LAUGHTER] MILLENNIALS ARE LIKE, HOW CAN I BE OLD AND STILL LIVE WITH MY 57 00:01:48,342 --> 00:01:49,341 MILLENNIALS ARE LIKE, HOW CAN I BE OLD AND STILL LIVE WITH MY PARENTS? 58 00:01:49,343 --> 00:01:49,608 BE OLD AND STILL LIVE WITH MY PARENTS? [LAUGHTER] 59 00:01:49,610 --> 00:01:51,443 PARENTS? [LAUGHTER] GEN Z SAYS YOU SHOULD PARK YOUR 60 00:01:51,445 --> 00:01:53,278 [LAUGHTER] GEN Z SAYS YOU SHOULD PARK YOUR HAIR IN THE MIDDLE AND USE THIS 61 00:01:53,280 --> 00:01:54,413 GEN Z SAYS YOU SHOULD PARK YOUR HAIR IN THE MIDDLE AND USE THIS GOAL EMOJI. 62 00:01:54,415 --> 00:01:55,747 HAIR IN THE MIDDLE AND USE THIS GOAL EMOJI. I GUESS THIS GOAL EMOJI MEANS 63 00:01:55,749 --> 00:01:56,348 GOAL EMOJI. I GUESS THIS GOAL EMOJI MEANS THAT YOU ARE LAUGHING SO HARD 64 00:01:56,350 --> 00:01:59,017 I GUESS THIS GOAL EMOJI MEANS THAT YOU ARE LAUGHING SO HARD YOU ARE DEAD. 65 00:01:59,019 --> 00:02:00,586 THAT YOU ARE LAUGHING SO HARD YOU ARE DEAD. APPARENTLY PARTING YOUR HAIR IN 66 00:02:00,588 --> 00:02:01,987 YOU ARE DEAD. APPARENTLY PARTING YOUR HAIR IN THE MIDDLE OF MEANS, I DON'T 67 00:02:01,989 --> 00:02:02,421 APPARENTLY PARTING YOUR HAIR IN THE MIDDLE OF MEANS, I DON'T KNOW WHAT IT MEANS. 68 00:02:02,423 --> 00:02:05,190 THE MIDDLE OF MEANS, I DON'T KNOW WHAT IT MEANS. I DON'T KNOW. 69 00:02:05,192 --> 00:02:06,358 KNOW WHAT IT MEANS. I DON'T KNOW. I WANT GEN Z AND MILLENNIALS TO 70 00:02:06,360 --> 00:02:08,794 I DON'T KNOW. I WANT GEN Z AND MILLENNIALS TO WORK THIS OUT, AS A BOOMER, I 71 00:02:08,796 --> 00:02:09,328 I WANT GEN Z AND MILLENNIALS TO WORK THIS OUT, AS A BOOMER, I KNOW BEST. 72 00:02:09,330 --> 00:02:11,196 WORK THIS OUT, AS A BOOMER, I KNOW BEST. I DRINK OUT OF THE HOSE, I 73 00:02:11,198 --> 00:02:12,397 KNOW BEST. I DRINK OUT OF THE HOSE, I PLAYED IN THE STREET. 74 00:02:12,399 --> 00:02:14,399 I DRINK OUT OF THE HOSE, I PLAYED IN THE STREET. I NEVER WENT HOME, MAINLY 75 00:02:14,401 --> 00:02:15,400 PLAYED IN THE STREET. I NEVER WENT HOME, MAINLY BECAUSE MY HEAD IS TOO SMALL TO 76 00:02:15,402 --> 00:02:16,335 I NEVER WENT HOME, MAINLY BECAUSE MY HEAD IS TOO SMALL TO FIT IN ONE. 77 00:02:16,337 --> 00:02:18,837 BECAUSE MY HEAD IS TOO SMALL TO FIT IN ONE. I WILL MAKE PEACE BETWEEN THESE 78 00:02:18,839 --> 00:02:19,805 FIT IN ONE. I WILL MAKE PEACE BETWEEN THESE GENERATIONS, BECAUSE APPARENTLY 79 00:02:19,807 --> 00:02:22,007 I WILL MAKE PEACE BETWEEN THESE GENERATIONS, BECAUSE APPARENTLY I HAVE TO DO EVERYTHING. 80 00:02:22,009 --> 00:02:23,809 GENERATIONS, BECAUSE APPARENTLY I HAVE TO DO EVERYTHING. OKAY, GEN Z SAYS THAT STRAIGHT 81 00:02:23,811 --> 00:02:26,612 I HAVE TO DO EVERYTHING. OKAY, GEN Z SAYS THAT STRAIGHT LEG OR MOM JEANS ARE COOLER THAN 82 00:02:26,614 --> 00:02:26,945 OKAY, GEN Z SAYS THAT STRAIGHT LEG OR MOM JEANS ARE COOLER THAN SKINNY JEANS. 83 00:02:26,947 --> 00:02:27,813 LEG OR MOM JEANS ARE COOLER THAN SKINNY JEANS. MILLENNIAL SAY THEY DON'T WANT 84 00:02:27,815 --> 00:02:29,615 SKINNY JEANS. MILLENNIAL SAY THEY DON'T WANT TO GIVE UP THEIR SKINNY JEANS, 85 00:02:29,617 --> 00:02:31,783 MILLENNIAL SAY THEY DON'T WANT TO GIVE UP THEIR SKINNY JEANS, BUT HERE'S THE TRUTH, AT SOME 86 00:02:31,785 --> 00:02:33,652 TO GIVE UP THEIR SKINNY JEANS, BUT HERE'S THE TRUTH, AT SOME POINT ANY JEANS YOU OWN IN YOUR 87 00:02:33,654 --> 00:02:36,054 BUT HERE'S THE TRUTH, AT SOME POINT ANY JEANS YOU OWN IN YOUR 20s ARE GOING TO BECOME YOUR 88 00:02:36,056 --> 00:02:36,388 POINT ANY JEANS YOU OWN IN YOUR 20s ARE GOING TO BECOME YOUR SKINNY JEANS. 89 00:02:36,390 --> 00:02:37,256 20s ARE GOING TO BECOME YOUR SKINNY JEANS. [LAUGHTER] 90 00:02:37,258 --> 00:02:38,790 SKINNY JEANS. [LAUGHTER] IT DOES NOT MATTER WHAT STYLE 91 00:02:38,792 --> 00:02:40,792 [LAUGHTER] IT DOES NOT MATTER WHAT STYLE THEY ARE, THOSE ARE SKINNY 92 00:02:40,794 --> 00:02:41,994 IT DOES NOT MATTER WHAT STYLE THEY ARE, THOSE ARE SKINNY JEANS, TRUST ME. 93 00:02:41,996 --> 00:02:44,463 THEY ARE, THOSE ARE SKINNY JEANS, TRUST ME. NEXT ISSUE, SIDE PARTS, I HAVE 94 00:02:44,465 --> 00:02:46,365 JEANS, TRUST ME. NEXT ISSUE, SIDE PARTS, I HAVE HAD ALL KINDS OF HAIRSTYLES, 95 00:02:46,367 --> 00:02:48,433 NEXT ISSUE, SIDE PARTS, I HAVE HAD ALL KINDS OF HAIRSTYLES, SIDE PARTS, MIDDLE PARTS, A 96 00:02:48,435 --> 00:02:48,800 HAD ALL KINDS OF HAIRSTYLES, SIDE PARTS, MIDDLE PARTS, A MULLET. 97 00:02:48,802 --> 00:02:50,702 SIDE PARTS, MIDDLE PARTS, A MULLET. MY BEST ADVICE IS IT IS JUST 98 00:02:50,704 --> 00:02:51,603 MULLET. MY BEST ADVICE IS IT IS JUST HAIR. 99 00:02:51,605 --> 00:02:53,038 MY BEST ADVICE IS IT IS JUST HAIR. HAIRSTYLES CHANGE ALL THE TIME. 100 00:02:53,040 --> 00:02:55,174 HAIR. HAIRSTYLES CHANGE ALL THE TIME. PART YOUR HAIR HOWEVER YOU LIKE 101 00:02:55,176 --> 00:02:56,642 HAIRSTYLES CHANGE ALL THE TIME. PART YOUR HAIR HOWEVER YOU LIKE IT, JUST DON'T GET A MULLET. 102 00:02:56,644 --> 00:02:57,209 PART YOUR HAIR HOWEVER YOU LIKE IT, JUST DON'T GET A MULLET. [LAUGHTER] 103 00:02:57,211 --> 00:02:59,278 IT, JUST DON'T GET A MULLET. [LAUGHTER] I'M BEING TOLD THAT MULLETS ARE 104 00:02:59,280 --> 00:03:00,712 [LAUGHTER] I'M BEING TOLD THAT MULLETS ARE BACK IN STYLE. 105 00:03:00,714 --> 00:03:02,014 I'M BEING TOLD THAT MULLETS ARE BACK IN STYLE. MILEY CYRUS HAS ONE? 106 00:03:02,016 --> 00:03:03,148 BACK IN STYLE. MILEY CYRUS HAS ONE? ALL RIGHT, YOU ARE ON YOUR OWN. 107 00:03:03,150 --> 00:03:03,415 MILEY CYRUS HAS ONE? ALL RIGHT, YOU ARE ON YOUR OWN. [LAUGHTER] 108 00:03:03,417 --> 00:03:05,751 ALL RIGHT, YOU ARE ON YOUR OWN. [LAUGHTER] I DON'T KNOW WHAT TO SAY. 109 00:03:05,753 --> 00:03:07,486 [LAUGHTER] I DON'T KNOW WHAT TO SAY. FINALLY WE HAVE EMOJIS, HERE'S 110 00:03:07,488 --> 00:03:08,654 I DON'T KNOW WHAT TO SAY. FINALLY WE HAVE EMOJIS, HERE'S WHAT I THINK HONESTY IS THE BEST 111 00:03:08,656 --> 00:03:09,888 FINALLY WE HAVE EMOJIS, HERE'S WHAT I THINK HONESTY IS THE BEST POLICY. 112 00:03:09,890 --> 00:03:11,857 WHAT I THINK HONESTY IS THE BEST POLICY. IF YOU ARE REALLY LAUGHING OUT 113 00:03:11,859 --> 00:03:14,293 POLICY. IF YOU ARE REALLY LAUGHING OUT LOUD USE LOL, IF YOU ARE CRYING 114 00:03:14,295 --> 00:03:16,195 IF YOU ARE REALLY LAUGHING OUT LOUD USE LOL, IF YOU ARE CRYING LAUGHING, USE THE CRYING 115 00:03:16,197 --> 00:03:16,562 LOUD USE LOL, IF YOU ARE CRYING LAUGHING, USE THE CRYING LAUGHING EMOJI. 116 00:03:16,564 --> 00:03:18,764 LAUGHING, USE THE CRYING LAUGHING EMOJI. IF YOU ARE HAPPY AND YOU KNOW 117 00:03:18,766 --> 00:03:19,765 LAUGHING EMOJI. IF YOU ARE HAPPY AND YOU KNOW IT, CLAP YOUR HANDS. 118 00:03:19,767 --> 00:03:20,933 IF YOU ARE HAPPY AND YOU KNOW IT, CLAP YOUR HANDS. IT'S FINE. 119 00:03:20,935 --> 00:03:23,168 IT, CLAP YOUR HANDS. IT'S FINE. NOW CLAP YOUR HANDS FOR MY PAL 120 00:03:23,170 --> 00:03:23,402 IT'S FINE. NOW CLAP YOUR HANDS FOR MY PAL TWITCH! 121 00:03:23,404 --> 00:03:24,336 NOW CLAP YOUR HANDS FOR MY PAL TWITCH! [CHEERS AND APPLAUSE] 122 00:03:24,338 --> 00:03:35,981 TWITCH! [CHEERS AND APPLAUSE] ♪ ♪ 123 00:03:37,784 --> 00:03:51,863 ♪ ♪ 124 00:04:02,909 --> 00:04:21,093 ♪ ♪ [CHEERS AND APPLAUSE] YEAH. 125 00:04:21,095 --> 00:04:23,595 [CHEERS AND APPLAUSE] YEAH. >> Ellen: YOU LIKE THAT. 126 00:04:23,597 --> 00:04:24,329 YEAH. >> Ellen: YOU LIKE THAT. YOU LIKE THAT ONE. 127 00:04:24,331 --> 00:04:26,498 >> Ellen: YOU LIKE THAT. YOU LIKE THAT ONE. I CAN TELL, THANK YOU SO MUCH, 128 00:04:26,500 --> 00:04:26,732 YOU LIKE THAT ONE. I CAN TELL, THANK YOU SO MUCH, TWITCH. 129 00:04:26,734 --> 00:04:28,533 I CAN TELL, THANK YOU SO MUCH, TWITCH. I'M GOING TO LET YOU CATCH YOUR 130 00:04:28,535 --> 00:04:29,401 TWITCH. I'M GOING TO LET YOU CATCH YOUR BREATH, BECAUSE THERE IS 131 00:04:29,403 --> 00:04:30,535 I'M GOING TO LET YOU CATCH YOUR BREATH, BECAUSE THERE IS SOMETHING I'M EXCITED TO SHARE 132 00:04:30,537 --> 00:04:31,403 BREATH, BECAUSE THERE IS SOMETHING I'M EXCITED TO SHARE WITH EVERYBODY. 133 00:04:31,405 --> 00:04:33,205 SOMETHING I'M EXCITED TO SHARE WITH EVERYBODY. SO I HAVE BEEN WORKING ON THE 134 00:04:33,207 --> 00:04:35,440 WITH EVERYBODY. SO I HAVE BEEN WORKING ON THE SHOW FOR A LONG TIME AND IT IS 135 00:04:35,442 --> 00:04:37,876 SO I HAVE BEEN WORKING ON THE SHOW FOR A LONG TIME AND IT IS FINALLY READY, IT IS COMING OUT 136 00:04:37,878 --> 00:04:40,312 SHOW FOR A LONG TIME AND IT IS FINALLY READY, IT IS COMING OUT ON HBO MAX CALLED ELLEN'S NEXT 137 00:04:40,314 --> 00:04:42,080 FINALLY READY, IT IS COMING OUT ON HBO MAX CALLED ELLEN'S NEXT GREAT DESIGNER AND I'M JUST SO 138 00:04:42,082 --> 00:04:43,115 ON HBO MAX CALLED ELLEN'S NEXT GREAT DESIGNER AND I'M JUST SO EXCITED ABOUT THIS, BECAUSE YOU 139 00:04:43,117 --> 00:04:44,916 GREAT DESIGNER AND I'M JUST SO EXCITED ABOUT THIS, BECAUSE YOU KNOW HOW MUCH I LOVE DESIGN. 140 00:04:44,918 --> 00:04:45,917 EXCITED ABOUT THIS, BECAUSE YOU KNOW HOW MUCH I LOVE DESIGN. HERE'S THE TRAILER FOR IT. 141 00:04:45,919 --> 00:04:50,789 KNOW HOW MUCH I LOVE DESIGN. HERE'S THE TRAILER FOR IT. ♪ ♪ 142 00:04:50,791 --> 00:04:51,256 HERE'S THE TRAILER FOR IT. ♪ ♪ >> Ellen: |HEY! 143 00:04:51,258 --> 00:04:53,659 ♪ ♪ >> Ellen: |HEY! >> OH, MY GOD, ELLEN, YOU ARE 144 00:04:53,661 --> 00:04:54,393 >> Ellen: |HEY! >> OH, MY GOD, ELLEN, YOU ARE JUST AS CUTE IN PERSON. 145 00:04:54,395 --> 00:04:55,994 >> OH, MY GOD, ELLEN, YOU ARE JUST AS CUTE IN PERSON. >> Ellen: ANYBODY WHO KNOWS ME 146 00:04:55,996 --> 00:04:57,162 JUST AS CUTE IN PERSON. >> Ellen: ANYBODY WHO KNOWS ME KNOWS HOW MUCH I LOVE FURNITURE, 147 00:04:57,164 --> 00:04:59,398 >> Ellen: ANYBODY WHO KNOWS ME KNOWS HOW MUCH I LOVE FURNITURE, THAT'S WHAT I HAVE MY VERY OWN 148 00:04:59,400 --> 00:05:01,767 KNOWS HOW MUCH I LOVE FURNITURE, THAT'S WHAT I HAVE MY VERY OWN FURNITURE DESIGN COMPETITION. 149 00:05:01,769 --> 00:05:02,768 THAT'S WHAT I HAVE MY VERY OWN FURNITURE DESIGN COMPETITION. THIS SHOW IS GOING TO BLOW 150 00:05:02,770 --> 00:05:05,170 FURNITURE DESIGN COMPETITION. THIS SHOW IS GOING TO BLOW PEOPLE'S MINDS. 151 00:05:05,172 --> 00:05:07,706 THIS SHOW IS GOING TO BLOW PEOPLE'S MINDS. I HAVE FOUND SEVEN OF THE BEST 152 00:05:07,708 --> 00:05:08,273 PEOPLE'S MINDS. I HAVE FOUND SEVEN OF THE BEST MOST TALENTED UP-AND-COMING 153 00:05:08,275 --> 00:05:10,008 I HAVE FOUND SEVEN OF THE BEST MOST TALENTED UP-AND-COMING DESIGNERS IN THE COUNTRY. 154 00:05:10,010 --> 00:05:11,777 MOST TALENTED UP-AND-COMING DESIGNERS IN THE COUNTRY. WHO IS GOING TO HELP ME FIND THE 155 00:05:11,779 --> 00:05:12,544 DESIGNERS IN THE COUNTRY. WHO IS GOING TO HELP ME FIND THE WINNER? 156 00:05:12,546 --> 00:05:14,946 WHO IS GOING TO HELP ME FIND THE WINNER? MY DREAM TEAM OF JUDGES, THAT'S 157 00:05:14,948 --> 00:05:15,580 WINNER? MY DREAM TEAM OF JUDGES, THAT'S WHO. 158 00:05:15,582 --> 00:05:16,648 MY DREAM TEAM OF JUDGES, THAT'S WHO. >> THIS IS AWESOME. 159 00:05:16,650 --> 00:05:19,584 WHO. >> THIS IS AWESOME. >> Ellen: AND SCOTT FOLEY. 160 00:05:19,586 --> 00:05:23,522 >> THIS IS AWESOME. >> Ellen: AND SCOTT FOLEY. >> OH, MY GOD, IT IS FROM 161 00:05:23,524 --> 00:05:23,822 >> Ellen: AND SCOTT FOLEY. >> OH, MY GOD, IT IS FROM "FELICITY." 162 00:05:23,824 --> 00:05:25,257 >> OH, MY GOD, IT IS FROM "FELICITY." >> Ellen: DID I MENTION THAT 163 00:05:25,259 --> 00:05:27,693 "FELICITY." >> Ellen: DID I MENTION THAT THE WINNER GETS $100,000? 164 00:05:27,695 --> 00:05:29,895 >> Ellen: DID I MENTION THAT THE WINNER GETS $100,000? >> THIS IS MYSELF AND MY ART, I 165 00:05:29,897 --> 00:05:31,263 THE WINNER GETS $100,000? >> THIS IS MYSELF AND MY ART, I HAVE TO WIN HAVE TO WIN. 166 00:05:31,265 --> 00:05:32,397 >> THIS IS MYSELF AND MY ART, I HAVE TO WIN HAVE TO WIN. >> WINNING COULD BE 167 00:05:32,399 --> 00:05:32,731 HAVE TO WIN HAVE TO WIN. >> WINNING COULD BE LIFE-CHANGING. 168 00:05:32,733 --> 00:05:34,700 >> WINNING COULD BE LIFE-CHANGING. >> I'M PRETTY BROKE ON MY 169 00:05:34,702 --> 00:05:35,400 LIFE-CHANGING. >> I'M PRETTY BROKE ON MY BUSINESS RIGHT NOW. 170 00:05:35,402 --> 00:05:36,134 >> I'M PRETTY BROKE ON MY BUSINESS RIGHT NOW. >> Ellen: YOU WILL HAVE AS 171 00:05:36,136 --> 00:05:37,602 BUSINESS RIGHT NOW. >> Ellen: YOU WILL HAVE AS MUCH TIME AS YOU WANT TO 172 00:05:37,604 --> 00:05:40,472 >> Ellen: YOU WILL HAVE AS MUCH TIME AS YOU WANT TO COMPLETE THE CHALLENGE. 173 00:05:40,474 --> 00:05:40,839 MUCH TIME AS YOU WANT TO COMPLETE THE CHALLENGE. I'M KIDDING. 174 00:05:40,841 --> 00:05:41,773 COMPLETE THE CHALLENGE. I'M KIDDING. [LAUGHTER] 175 00:05:41,775 --> 00:05:42,908 I'M KIDDING. [LAUGHTER] >> LET'S LIGHT IT UP! 176 00:05:42,910 --> 00:05:46,945 [LAUGHTER] >> LET'S LIGHT IT UP! ♪ ♪ 177 00:05:46,947 --> 00:05:49,247 >> LET'S LIGHT IT UP! ♪ ♪ >> I COME FROM A FAMILY OF 178 00:05:49,249 --> 00:05:51,049 ♪ ♪ >> I COME FROM A FAMILY OF MAKERS, I DEFINITELY WANT TO 179 00:05:51,051 --> 00:05:51,983 >> I COME FROM A FAMILY OF MAKERS, I DEFINITELY WANT TO MAKE THEM PROUD. 180 00:05:51,985 --> 00:05:54,486 MAKERS, I DEFINITELY WANT TO MAKE THEM PROUD. >> I NEVER THOUGHT OF THIS AS 181 00:05:54,488 --> 00:05:56,555 MAKE THEM PROUD. >> I NEVER THOUGHT OF THIS AS FURNITURE. 182 00:05:56,557 --> 00:05:58,423 >> I NEVER THOUGHT OF THIS AS FURNITURE. >> EVERYTHING I MAKE OR DESIGN 183 00:05:58,425 --> 00:05:59,825 FURNITURE. >> EVERYTHING I MAKE OR DESIGN HAS SOMETHING TO DO WITH INDIA. 184 00:05:59,827 --> 00:06:01,693 >> EVERYTHING I MAKE OR DESIGN HAS SOMETHING TO DO WITH INDIA. >> I FEEL LIKE I HAVE SEEN THIS 185 00:06:01,695 --> 00:06:03,428 HAS SOMETHING TO DO WITH INDIA. >> I FEEL LIKE I HAVE SEEN THIS PIECE SO MANY TIMES MANY TIMES. 186 00:06:03,430 --> 00:06:03,929 >> I FEEL LIKE I HAVE SEEN THIS PIECE SO MANY TIMES MANY TIMES. >> PRESSURE. 187 00:06:03,931 --> 00:06:06,565 PIECE SO MANY TIMES MANY TIMES. >> PRESSURE. >> MY MIND IS RACING WITH BACKUP 188 00:06:06,567 --> 00:06:07,065 >> PRESSURE. >> MY MIND IS RACING WITH BACKUP PLANS. 189 00:06:07,067 --> 00:06:09,301 >> MY MIND IS RACING WITH BACKUP PLANS. THE JUDGES ARE GOING TO EAT ME 190 00:06:09,303 --> 00:06:09,501 PLANS. THE JUDGES ARE GOING TO EAT ME ALIVE. 191 00:06:09,503 --> 00:06:11,770 THE JUDGES ARE GOING TO EAT ME ALIVE. >> ARE YOU GOING TO FINISH THIS 192 00:06:11,772 --> 00:06:12,170 ALIVE. >> ARE YOU GOING TO FINISH THIS [BLEEP] YOURSELF? 193 00:06:12,172 --> 00:06:13,205 >> ARE YOU GOING TO FINISH THIS [BLEEP] YOURSELF? >> IF YOU ARE PASSIONATE ABOUT 194 00:06:13,207 --> 00:06:14,840 [BLEEP] YOURSELF? >> IF YOU ARE PASSIONATE ABOUT WHAT YOU'RE DOING, IT WILL ONLY 195 00:06:14,842 --> 00:06:15,574 >> IF YOU ARE PASSIONATE ABOUT WHAT YOU'RE DOING, IT WILL ONLY MAKE YOU BETTER. 196 00:06:15,576 --> 00:06:17,809 WHAT YOU'RE DOING, IT WILL ONLY MAKE YOU BETTER. >> THIS IS OUTSIDE MY COMFORT 197 00:06:17,811 --> 00:06:18,009 MAKE YOU BETTER. >> THIS IS OUTSIDE MY COMFORT ZONE. 198 00:06:18,011 --> 00:06:20,412 >> THIS IS OUTSIDE MY COMFORT ZONE. >> I HAVE NO CHOICE, I HAVE TO 199 00:06:20,414 --> 00:06:21,046 ZONE. >> I HAVE NO CHOICE, I HAVE TO BRING IT. 200 00:06:21,048 --> 00:06:23,281 >> I HAVE NO CHOICE, I HAVE TO BRING IT. >> EVERY MOMENT THAT I AM NOT 201 00:06:23,283 --> 00:06:24,716 BRING IT. >> EVERY MOMENT THAT I AM NOT WORKING ON THAT PIECE'S 202 00:06:24,718 --> 00:06:25,384 >> EVERY MOMENT THAT I AM NOT WORKING ON THAT PIECE'S POTENTIAL FAILURE. 203 00:06:25,386 --> 00:06:28,186 WORKING ON THAT PIECE'S POTENTIAL FAILURE. >> I AM NOT FIGHTING TO BE HERE. 204 00:06:28,188 --> 00:06:30,622 POTENTIAL FAILURE. >> I AM NOT FIGHTING TO BE HERE. ♪ ♪ 205 00:06:30,624 --> 00:06:31,056 >> I AM NOT FIGHTING TO BE HERE. ♪ ♪ >> Ellen: IT WILL GO 206 00:06:31,058 --> 00:06:32,023 ♪ ♪ >> Ellen: IT WILL GO DOWNSTAIRS? 207 00:06:32,025 --> 00:06:32,290 >> Ellen: IT WILL GO DOWNSTAIRS? >> NO. 208 00:06:32,292 --> 00:06:37,295 DOWNSTAIRS? >> NO. ♪ ♪ 209 00:06:37,297 --> 00:06:38,897 >> NO. ♪ ♪ [CHEERS AND APPLAUSE] 210 00:06:38,899 --> 00:06:43,602 ♪ ♪ [CHEERS AND APPLAUSE] >> Ellen: LOOKS GOOD, RIGHT? 211 00:06:43,604 --> 00:06:45,370 [CHEERS AND APPLAUSE] >> Ellen: LOOKS GOOD, RIGHT? I'M SO EXCITED, BECAUSE FIRST OF 212 00:06:45,372 --> 00:06:48,306 >> Ellen: LOOKS GOOD, RIGHT? I'M SO EXCITED, BECAUSE FIRST OF ALL IT IS CALLED "ELLEN'S NEXT 213 00:06:48,308 --> 00:06:50,609 I'M SO EXCITED, BECAUSE FIRST OF ALL IT IS CALLED "ELLEN'S NEXT GREAT DESIGNER STORING ON HBO 214 00:06:50,611 --> 00:06:52,744 ALL IT IS CALLED "ELLEN'S NEXT GREAT DESIGNER STORING ON HBO MAX, BUT I ALWAYS WONDERED, 215 00:06:52,746 --> 00:06:54,780 GREAT DESIGNER STORING ON HBO MAX, BUT I ALWAYS WONDERED, WHERE IS THE NEXT COFFEE TABLE 216 00:06:54,782 --> 00:06:56,748 MAX, BUT I ALWAYS WONDERED, WHERE IS THE NEXT COFFEE TABLE OR HEADBOARD, WHATEVER, AND IT 217 00:06:56,750 --> 00:06:58,150 WHERE IS THE NEXT COFFEE TABLE OR HEADBOARD, WHATEVER, AND IT CAME UP WITH THIS IDEA FOR THESE 218 00:06:58,152 --> 00:07:00,018 OR HEADBOARD, WHATEVER, AND IT CAME UP WITH THIS IDEA FOR THESE DESIGNERS THAT ARE OUT THERE, 219 00:07:00,020 --> 00:07:02,087 CAME UP WITH THIS IDEA FOR THESE DESIGNERS THAT ARE OUT THERE, AMAZING DESIGNERS, SO REALLY 220 00:07:02,089 --> 00:07:05,424 DESIGNERS THAT ARE OUT THERE, AMAZING DESIGNERS, SO REALLY EXCITED ABOUT IT. 221 00:07:05,426 --> 00:07:06,425 AMAZING DESIGNERS, SO REALLY EXCITED ABOUT IT. AND I HAVE A LOT OF PROJECTS 222 00:07:06,427 --> 00:07:08,026 EXCITED ABOUT IT. AND I HAVE A LOT OF PROJECTS THAT I AM PASSIONATE ABOUT, I 223 00:07:08,028 --> 00:07:09,561 AND I HAVE A LOT OF PROJECTS THAT I AM PASSIONATE ABOUT, I HAVE THIS SHOW, THE DESIGN SHOW 224 00:07:09,563 --> 00:07:12,531 THAT I AM PASSIONATE ABOUT, I HAVE THIS SHOW, THE DESIGN SHOW I JUST SHOWED YOU, AND NARRATING 225 00:07:12,533 --> 00:07:13,432 HAVE THIS SHOW, THE DESIGN SHOW I JUST SHOWED YOU, AND NARRATING DOCUMENTARIES ON DISCOVERY AND 226 00:07:13,434 --> 00:07:15,267 I JUST SHOWED YOU, AND NARRATING DOCUMENTARIES ON DISCOVERY AND WHEN I PUT MY ENERGY INTO 227 00:07:15,269 --> 00:07:17,803 DOCUMENTARIES ON DISCOVERY AND WHEN I PUT MY ENERGY INTO SOMETHING I REALLY WANT IT TO DO 228 00:07:17,805 --> 00:07:18,470 WHEN I PUT MY ENERGY INTO SOMETHING I REALLY WANT IT TO DO WELL, AND UNFORTUNATELY SOME 229 00:07:18,472 --> 00:07:19,538 SOMETHING I REALLY WANT IT TO DO WELL, AND UNFORTUNATELY SOME THINGS DON'T WORK OUT. 230 00:07:19,540 --> 00:07:20,672 WELL, AND UNFORTUNATELY SOME THINGS DON'T WORK OUT. RECENTLY TWITCH AND I WERE ASKED 231 00:07:20,674 --> 00:07:24,843 THINGS DON'T WORK OUT. RECENTLY TWITCH AND I WERE ASKED TO BE A PART OF A MUSIC VIDEO 232 00:07:24,845 --> 00:07:27,012 RECENTLY TWITCH AND I WERE ASKED TO BE A PART OF A MUSIC VIDEO AND IT IS DISAPPOINTING, RIGHT? 233 00:07:27,014 --> 00:07:29,614 TO BE A PART OF A MUSIC VIDEO AND IT IS DISAPPOINTING, RIGHT? WE ARE GETTING OVER IT, BUT -- 234 00:07:29,616 --> 00:07:31,383 AND IT IS DISAPPOINTING, RIGHT? WE ARE GETTING OVER IT, BUT -- >> YEAH, BUT -- 235 00:07:31,385 --> 00:07:32,684 WE ARE GETTING OVER IT, BUT -- >> YEAH, BUT -- >> Ellen: BRUNO MARS AND 236 00:07:32,686 --> 00:07:33,752 >> YEAH, BUT -- >> Ellen: BRUNO MARS AND ANDERSON PACK HAVE A NEW BAND 237 00:07:33,754 --> 00:07:35,520 >> Ellen: BRUNO MARS AND ANDERSON PACK HAVE A NEW BAND SOAK SONIC AT, AND THEIR SONG 238 00:07:35,522 --> 00:07:36,621 ANDERSON PACK HAVE A NEW BAND SOAK SONIC AT, AND THEIR SONG LEAVE THE DOOR OPEN IS AMAZING 239 00:07:36,623 --> 00:07:37,956 SOAK SONIC AT, AND THEIR SONG LEAVE THE DOOR OPEN IS AMAZING AND THEY ASKED US TO BE A PART 240 00:07:37,958 --> 00:07:40,025 LEAVE THE DOOR OPEN IS AMAZING AND THEY ASKED US TO BE A PART OF THE VIDEO AND FOR SOME REASON 241 00:07:40,027 --> 00:07:42,093 AND THEY ASKED US TO BE A PART OF THE VIDEO AND FOR SOME REASON THEY CUT US OUT AND I DON'T KNOW 242 00:07:42,095 --> 00:07:42,894 OF THE VIDEO AND FOR SOME REASON THEY CUT US OUT AND I DON'T KNOW WHY. 243 00:07:42,896 --> 00:07:44,212 THEY CUT US OUT AND I DON'T KNOW WHY. BUT ANYWAY, HERE IS THIS -- 244 00:07:44,214 --> 00:07:46,381 WHY. BUT ANYWAY, HERE IS THIS -- I THOUGHT OUR VERSION LOOKED 245 00:07:46,383 --> 00:07:46,698 BUT ANYWAY, HERE IS THIS -- I THOUGHT OUR VERSION LOOKED REALLY GOOD. 246 00:07:46,700 --> 00:07:47,131 I THOUGHT OUR VERSION LOOKED REALLY GOOD. SEE WHAT YOU THINK. 247 00:07:47,133 --> 00:07:55,240 REALLY GOOD. SEE WHAT YOU THINK. ♪ ♪ 248 00:07:55,242 --> 00:07:55,507 SEE WHAT YOU THINK. ♪ ♪ [LAUGHTER] 249 00:07:55,509 --> 00:07:59,411 ♪ ♪ [LAUGHTER] ♪ ♪ 250 00:07:59,413 --> 00:08:02,514 [LAUGHTER] ♪ ♪ ♪ WHAT YOU DO ♪ 251 00:08:02,516 --> 00:08:03,582 ♪ ♪ ♪ WHAT YOU DO ♪ ♪ WHERE YOU AT ♪ 252 00:08:03,584 --> 00:08:06,184 ♪ WHAT YOU DO ♪ ♪ WHERE YOU AT ♪ ♪ DON'T SAY THAT ♪ 253 00:08:06,186 --> 00:08:06,685 ♪ WHERE YOU AT ♪ ♪ DON'T SAY THAT ♪ ♪ I'M THICK-SKINNED ♪ 254 00:08:06,687 --> 00:08:09,120 ♪ DON'T SAY THAT ♪ ♪ I'M THICK-SKINNED ♪ ♪ ON THE ROAD ♪ 255 00:08:09,122 --> 00:08:09,488 ♪ I'M THICK-SKINNED ♪ ♪ ON THE ROAD ♪ ♪ DRIP DRIP ♪ 256 00:08:09,490 --> 00:08:12,624 ♪ ON THE ROAD ♪ ♪ DRIP DRIP ♪ ♪ TO BE ALONE ♪ 257 00:08:12,626 --> 00:08:13,925 ♪ DRIP DRIP ♪ ♪ TO BE ALONE ♪ ♪ HAVE SWEET ♪ 258 00:08:13,927 --> 00:08:16,261 ♪ TO BE ALONE ♪ ♪ HAVE SWEET ♪ ♪ COOL WALK ♪ 259 00:08:16,263 --> 00:08:18,830 ♪ HAVE SWEET ♪ ♪ COOL WALK ♪ ♪ SHAPED LIKE A NEW CAR ♪ 260 00:08:18,832 --> 00:08:23,535 ♪ COOL WALK ♪ ♪ SHAPED LIKE A NEW CAR ♪ ♪ LAZY AND FANCY IN THE EAST 261 00:08:23,537 --> 00:08:23,902 ♪ SHAPED LIKE A NEW CAR ♪ ♪ LAZY AND FANCY IN THE EAST WING MANSION ♪ 262 00:08:23,904 --> 00:08:28,773 ♪ LAZY AND FANCY IN THE EAST WING MANSION ♪ ♪ WHAT'S HAPPENING ♪ 263 00:08:28,775 --> 00:08:32,310 WING MANSION ♪ ♪ WHAT'S HAPPENING ♪ ♪ OH, BABY. 264 00:08:32,312 --> 00:08:33,411 ♪ WHAT'S HAPPENING ♪ ♪ OH, BABY. ♪ 265 00:08:33,413 --> 00:08:36,231 ♪ OH, BABY. ♪ I WILL OPEN THE DOOR. 266 00:08:36,233 --> 00:08:40,352 ♪ I WILL OPEN THE DOOR. ♪ HOPING THAT YOU FEEL THE WAY 267 00:08:40,354 --> 00:08:42,220 I WILL OPEN THE DOOR. ♪ HOPING THAT YOU FEEL THE WAY I FEEL ♪ 268 00:08:42,222 --> 00:08:44,923 ♪ HOPING THAT YOU FEEL THE WAY I FEEL ♪ ♪ I WANT YOU TO KNOW, BABY ♪ 269 00:08:44,925 --> 00:08:49,928 I FEEL ♪ ♪ I WANT YOU TO KNOW, BABY ♪ ♪ TELL ME THAT YOU FOUND ME ♪ 270 00:08:49,930 --> 00:08:53,732 ♪ I WANT YOU TO KNOW, BABY ♪ ♪ TELL ME THAT YOU FOUND ME ♪ ♪ ♪ 271 00:08:53,734 --> 00:09:01,673 ♪ TELL ME THAT YOU FOUND ME ♪ ♪ ♪ ♪ LA, LA LA LA. 272 00:09:01,675 --> 00:09:01,840 ♪ ♪ ♪ LA, LA LA LA. ♪ 273 00:09:01,842 --> 00:09:08,380 ♪ LA, LA LA LA. ♪ ♪ LA LA LA LA LA ♪ 274 00:09:08,382 --> 00:09:12,851 ♪ ♪ LA LA LA LA LA ♪ ♪ CALLING YOU ♪ 275 00:09:12,853 --> 00:09:19,424 ♪ LA LA LA LA LA ♪ ♪ CALLING YOU ♪ ♪ OH ♪ 276 00:09:19,426 --> 00:09:27,165 ♪ CALLING YOU ♪ ♪ OH ♪ [LAUGHTER] 277 00:09:27,167 --> 00:09:28,833 ♪ OH ♪ [LAUGHTER] >> Ellen: [LAUGHS] 278 00:09:28,835 --> 00:09:29,868 [LAUGHTER] >> Ellen: [LAUGHS] OH! 279 00:09:29,870 --> 00:09:31,503 >> Ellen: [LAUGHS] OH! HEY, BRUNO AND ANDERSON, Y'ALL 280 00:09:31,505 --> 00:09:34,205 OH! HEY, BRUNO AND ANDERSON, Y'ALL HAVE SOME EXPLAINING TO DO. 281 00:09:34,207 --> 00:09:34,539 HEY, BRUNO AND ANDERSON, Y'ALL HAVE SOME EXPLAINING TO DO. [LAUGHTER] 282 00:09:34,541 --> 00:09:35,840 HAVE SOME EXPLAINING TO DO. [LAUGHTER] COME HERE AND TALK TO US ABOUT 283 00:09:35,842 --> 00:09:37,175 [LAUGHTER] COME HERE AND TALK TO US ABOUT IT. 284 00:09:37,177 --> 00:09:39,344 COME HERE AND TALK TO US ABOUT IT. WE WILL LEAVE THE DOOR OPEN. 285 00:09:39,346 --> 00:09:39,744 IT. WE WILL LEAVE THE DOOR OPEN. WE WILL BE BACK. 286 00:09:39,746 --> 00:09:40,211 WE WILL LEAVE THE DOOR OPEN. WE WILL BE BACK. [CHEERS AND APPLAUSE] 287 00:09:40,213 --> 00:09:54,159 WE WILL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 288 00:09:54,161 --> 00:09:55,594 [CHEERS AND APPLAUSE] ♪ ♪ >> SHE SENDS ME THE SONG AND WE 289 00:09:55,596 --> 00:09:57,362 ♪ ♪ >> SHE SENDS ME THE SONG AND WE ARE SITTING IN THE FOOD COURT AT 290 00:09:57,364 --> 00:09:59,598 >> SHE SENDS ME THE SONG AND WE ARE SITTING IN THE FOOD COURT AT THE SHOPPING CENTER LISTENING TO 291 00:09:59,600 --> 00:10:01,600 ARE SITTING IN THE FOOD COURT AT THE SHOPPING CENTER LISTENING TO THESE UNRELEASED TAYLOR SWIFT 292 00:10:01,602 --> 00:10:03,802 THE SHOPPING CENTER LISTENING TO THESE UNRELEASED TAYLOR SWIFT SONGS. 293 00:10:03,804 --> 00:10:05,103 THESE UNRELEASED TAYLOR SWIFT SONGS. >> Ellen: LETS EAT? 294 00:10:05,105 --> 00:10:05,437 SONGS. >> Ellen: LETS EAT? ILLINOIS? 295 00:10:05,439 --> 00:10:08,740 >> Ellen: LETS EAT? ILLINOIS? >> LET'S SEE WHAT IT SAYS ON 296 00:10:08,742 --> 00:10:15,981 ILLINOIS? >> LET'S SEE WHAT IT SAYS ON HERE, ALEX, 297 00:10:15,983 --> 00:10:16,448 >> LET'S SEE WHAT IT SAYS ON HERE, ALEX, [CHEERS AND APPLAUSE] 298 00:10:16,450 --> 00:10:23,688 HERE, ALEX, [CHEERS AND APPLAUSE] ♪ ♪ 299 00:10:23,690 --> 00:10:26,124 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: OUR FIRST GUEST IS A 300 00:10:26,126 --> 00:10:27,993 ♪ ♪ >> Ellen: OUR FIRST GUEST IS A COUNTRY MUSIC SUPERSTAR NOT ONLY 301 00:10:27,995 --> 00:10:30,028 >> Ellen: OUR FIRST GUEST IS A COUNTRY MUSIC SUPERSTAR NOT ONLY HOSTING THE ACM AWARDS THIS 302 00:10:30,030 --> 00:10:32,497 COUNTRY MUSIC SUPERSTAR NOT ONLY HOSTING THE ACM AWARDS THIS WEEKEND BUT ALSO NOMINATED FOR A 303 00:10:32,499 --> 00:10:33,498 HOSTING THE ACM AWARDS THIS WEEKEND BUT ALSO NOMINATED FOR A FEW. 304 00:10:33,500 --> 00:10:34,933 WEEKEND BUT ALSO NOMINATED FOR A FEW. PLEASE WELCOME KEITH URBAN! 305 00:10:34,935 --> 00:10:35,400 FEW. PLEASE WELCOME KEITH URBAN! [CHEERS AND APPLAUSE] 306 00:10:35,402 --> 00:10:37,102 PLEASE WELCOME KEITH URBAN! [CHEERS AND APPLAUSE] >> HI, ELLEN. 307 00:10:37,104 --> 00:10:38,003 [CHEERS AND APPLAUSE] >> HI, ELLEN. >> Ellen: HI, KEITH. 308 00:10:38,005 --> 00:10:40,839 >> HI, ELLEN. >> Ellen: HI, KEITH. >> IT HAS BEEN A MINUTE. 309 00:10:40,841 --> 00:10:42,140 >> Ellen: HI, KEITH. >> IT HAS BEEN A MINUTE. >> Ellen: IT HAS BEEN A WHILE. 310 00:10:42,142 --> 00:10:44,042 >> IT HAS BEEN A MINUTE. >> Ellen: IT HAS BEEN A WHILE. I DON'T KNOW IF YOU SAW THE 311 00:10:44,044 --> 00:10:45,477 >> Ellen: IT HAS BEEN A WHILE. I DON'T KNOW IF YOU SAW THE VIDEO THAT TWITCH AND I WERE IN 312 00:10:45,479 --> 00:10:47,078 I DON'T KNOW IF YOU SAW THE VIDEO THAT TWITCH AND I WERE IN THAT WE WERE CUT OUT, IS THERE A 313 00:10:47,080 --> 00:10:48,079 VIDEO THAT TWITCH AND I WERE IN THAT WE WERE CUT OUT, IS THERE A WAY THAT YOU WOULD WANT TWITCH 314 00:10:48,081 --> 00:10:50,582 THAT WE WERE CUT OUT, IS THERE A WAY THAT YOU WOULD WANT TWITCH AND I AM ONE OF YOUR VIDEOS? 315 00:10:50,584 --> 00:10:52,684 WAY THAT YOU WOULD WANT TWITCH AND I AM ONE OF YOUR VIDEOS? >> I SAW THE VIDEO, I THINK IT 316 00:10:52,686 --> 00:10:54,285 AND I AM ONE OF YOUR VIDEOS? >> I SAW THE VIDEO, I THINK IT WAS JUST THE GLASSES ON YOUR 317 00:10:54,287 --> 00:10:56,054 >> I SAW THE VIDEO, I THINK IT WAS JUST THE GLASSES ON YOUR HEAD, THAT'S ALL IT WAS, I THINK 318 00:10:56,056 --> 00:10:56,988 WAS JUST THE GLASSES ON YOUR HEAD, THAT'S ALL IT WAS, I THINK THAT'S WHY HE THOUGHT IT DID NOT 319 00:10:56,990 --> 00:10:59,457 HEAD, THAT'S ALL IT WAS, I THINK THAT'S WHY HE THOUGHT IT DID NOT SUIT THE VIDEO. 320 00:10:59,459 --> 00:11:01,092 THAT'S WHY HE THOUGHT IT DID NOT SUIT THE VIDEO. I THOUGHT THE SINGING WAS GREAT, 321 00:11:01,094 --> 00:11:02,661 SUIT THE VIDEO. I THOUGHT THE SINGING WAS GREAT, YOU KNOW, EVERYTHING WAS GREAT, 322 00:11:02,663 --> 00:11:05,497 I THOUGHT THE SINGING WAS GREAT, YOU KNOW, EVERYTHING WAS GREAT, THE MOVES, THE CHOREOGRAPHY. 323 00:11:05,499 --> 00:11:07,132 YOU KNOW, EVERYTHING WAS GREAT, THE MOVES, THE CHOREOGRAPHY. >> Ellen: THANK YOU. 324 00:11:07,134 --> 00:11:08,466 THE MOVES, THE CHOREOGRAPHY. >> Ellen: THANK YOU. IT'S THE GLASSES, I SAW THAT IN 325 00:11:08,468 --> 00:11:10,101 >> Ellen: THANK YOU. IT'S THE GLASSES, I SAW THAT IN A MAGAZINE PEOPLE WEARING IT 326 00:11:10,103 --> 00:11:11,803 IT'S THE GLASSES, I SAW THAT IN A MAGAZINE PEOPLE WEARING IT LIKE THAT, SO THAT'S WHY YOU DID 327 00:11:11,805 --> 00:11:11,970 A MAGAZINE PEOPLE WEARING IT LIKE THAT, SO THAT'S WHY YOU DID IT. 328 00:11:11,972 --> 00:11:12,971 LIKE THAT, SO THAT'S WHY YOU DID IT. >> IT'S NOT IN TREND, SORRY 329 00:11:12,973 --> 00:11:15,306 IT. >> IT'S NOT IN TREND, SORRY ABOUT THAT. 330 00:11:15,308 --> 00:11:16,741 >> IT'S NOT IN TREND, SORRY ABOUT THAT. >> Ellen: ALL RIGHT, WELL, LET 331 00:11:16,743 --> 00:11:19,077 ABOUT THAT. >> Ellen: ALL RIGHT, WELL, LET ME KNOW WHEN YOU ARE READY FOR 332 00:11:19,079 --> 00:11:19,411 >> Ellen: ALL RIGHT, WELL, LET ME KNOW WHEN YOU ARE READY FOR US. 333 00:11:19,413 --> 00:11:21,613 ME KNOW WHEN YOU ARE READY FOR US. >> MY DOOR IS OPEN, DON'T WORRY. 334 00:11:21,615 --> 00:11:24,683 US. >> MY DOOR IS OPEN, DON'T WORRY. >> Ellen: ALL RIGHT. 335 00:11:24,685 --> 00:11:25,383 >> MY DOOR IS OPEN, DON'T WORRY. >> Ellen: ALL RIGHT. HOW ARE YOU? 336 00:11:25,385 --> 00:11:26,618 >> Ellen: ALL RIGHT. HOW ARE YOU? YOUR FAMILY WAS IN AUSTRALIA FOR 337 00:11:26,620 --> 00:11:28,553 HOW ARE YOU? YOUR FAMILY WAS IN AUSTRALIA FOR MOST OF THE YEAR, HOW IS 338 00:11:28,555 --> 00:11:28,920 YOUR FAMILY WAS IN AUSTRALIA FOR MOST OF THE YEAR, HOW IS EVERYBODY DOING? 339 00:11:28,922 --> 00:11:31,056 MOST OF THE YEAR, HOW IS EVERYBODY DOING? >> EVERYBODY IS DOING GOOD, YES, 340 00:11:31,058 --> 00:11:32,457 EVERYBODY DOING? >> EVERYBODY IS DOING GOOD, YES, IT'S NICE TO BE BACK. 341 00:11:32,459 --> 00:11:34,092 >> EVERYBODY IS DOING GOOD, YES, IT'S NICE TO BE BACK. WE ARE IN L.A. AND EVERYBODY IS 342 00:11:34,094 --> 00:11:34,926 IT'S NICE TO BE BACK. WE ARE IN L.A. AND EVERYBODY IS GOOD. 343 00:11:34,928 --> 00:11:37,629 WE ARE IN L.A. AND EVERYBODY IS GOOD. >> Ellen: YOU ARE NAMED, IS 344 00:11:37,631 --> 00:11:37,929 GOOD. >> Ellen: YOU ARE NAMED, IS THIS RECENT? 345 00:11:37,931 --> 00:11:38,730 >> Ellen: YOU ARE NAMED, IS THIS RECENT? OFFICER OF AUSTRALIA? 346 00:11:38,732 --> 00:11:40,131 THIS RECENT? OFFICER OF AUSTRALIA? I DON'T KNOW WHAT THAT MEANS, 347 00:11:40,133 --> 00:11:42,133 OFFICER OF AUSTRALIA? I DON'T KNOW WHAT THAT MEANS, TELL ME. 348 00:11:42,135 --> 00:11:45,303 I DON'T KNOW WHAT THAT MEANS, TELL ME. >> I HAVE NOT JOINED THE POLICE 349 00:11:45,305 --> 00:11:46,304 TELL ME. >> I HAVE NOT JOINED THE POLICE FORCE. 350 00:11:46,306 --> 00:11:46,905 >> I HAVE NOT JOINED THE POLICE FORCE. [LAUGHTER] 351 00:11:46,907 --> 00:11:49,040 FORCE. [LAUGHTER] I GOT THAT LAST YEAR, BUT WE 352 00:11:49,042 --> 00:11:51,342 [LAUGHTER] I GOT THAT LAST YEAR, BUT WE COULD NOT DO THE CEREMONY. 353 00:11:51,344 --> 00:11:51,876 I GOT THAT LAST YEAR, BUT WE COULD NOT DO THE CEREMONY. IT'S JUST -- 354 00:11:51,878 --> 00:11:52,844 COULD NOT DO THE CEREMONY. IT'S JUST -- IT'S AN HONOR THAT YOU GET IF 355 00:11:52,846 --> 00:11:54,312 IT'S JUST -- IT'S AN HONOR THAT YOU GET IF YOU HAVE DONE ALL THE RIGHT 356 00:11:54,314 --> 00:11:55,914 IT'S AN HONOR THAT YOU GET IF YOU HAVE DONE ALL THE RIGHT THINGS AND REPRESENTED THEIR 357 00:11:55,916 --> 00:11:57,282 YOU HAVE DONE ALL THE RIGHT THINGS AND REPRESENTED THEIR COUNTRY WELL, AND I FEEL VERY 358 00:11:57,284 --> 00:11:58,316 THINGS AND REPRESENTED THEIR COUNTRY WELL, AND I FEEL VERY GRATEFUL WHEN THEY OFFERED IT TO 359 00:11:58,318 --> 00:11:58,683 COUNTRY WELL, AND I FEEL VERY GRATEFUL WHEN THEY OFFERED IT TO ME. 360 00:11:58,685 --> 00:12:00,351 GRATEFUL WHEN THEY OFFERED IT TO ME. >> Ellen: DO YOU HAVE A TITLE? 361 00:12:00,353 --> 00:12:02,520 ME. >> Ellen: DO YOU HAVE A TITLE? IS THERE SOMETHING I'M SUPPOSED 362 00:12:02,522 --> 00:12:04,923 >> Ellen: DO YOU HAVE A TITLE? IS THERE SOMETHING I'M SUPPOSED TO CALL YOU LIKE A SERVER? 363 00:12:04,925 --> 00:12:07,892 IS THERE SOMETHING I'M SUPPOSED TO CALL YOU LIKE A SERVER? >> NO, NOT SIR, DEFINITELY NOT. 364 00:12:07,894 --> 00:12:09,961 TO CALL YOU LIKE A SERVER? >> NO, NOT SIR, DEFINITELY NOT. >> Ellen: NO TITLE, JUST 365 00:12:09,963 --> 00:12:10,962 >> NO, NOT SIR, DEFINITELY NOT. >> Ellen: NO TITLE, JUST OFFICER OF AUSTRALIA. 366 00:12:10,964 --> 00:12:14,799 >> Ellen: NO TITLE, JUST OFFICER OF AUSTRALIA. >> THAT'S RIGHT. 367 00:12:14,801 --> 00:12:14,966 OFFICER OF AUSTRALIA. >> THAT'S RIGHT. AO. 368 00:12:14,968 --> 00:12:20,472 >> THAT'S RIGHT. AO. >> Ellen: AYE OH! 369 00:12:20,474 --> 00:12:21,673 AO. >> Ellen: AYE OH! YOU WERE PLAYING LAS VEGAS AT 370 00:12:21,675 --> 00:12:23,508 >> Ellen: AYE OH! YOU WERE PLAYING LAS VEGAS AT THE START OF 2020 AND YOU 371 00:12:23,510 --> 00:12:24,576 YOU WERE PLAYING LAS VEGAS AT THE START OF 2020 AND YOU TWEETED OUT 2020 IS GOING TO BE 372 00:12:24,578 --> 00:12:26,311 THE START OF 2020 AND YOU TWEETED OUT 2020 IS GOING TO BE THE BEST TIME EVER. 373 00:12:26,313 --> 00:12:29,714 TWEETED OUT 2020 IS GOING TO BE THE BEST TIME EVER. >> [LAUGHS] 374 00:12:29,716 --> 00:12:30,749 THE BEST TIME EVER. >> [LAUGHS] I COMPLETELY JINXED IT. 375 00:12:30,751 --> 00:12:34,085 >> [LAUGHS] I COMPLETELY JINXED IT. >> Ellen: YES, YOU DID. 376 00:12:34,087 --> 00:12:36,287 I COMPLETELY JINXED IT. >> Ellen: YES, YOU DID. >> Ellen: SORRY ABOUT THAT. 377 00:12:36,289 --> 00:12:37,055 >> Ellen: YES, YOU DID. >> Ellen: SORRY ABOUT THAT. >> Ellen: WE BLAME YOU. 378 00:12:37,057 --> 00:12:38,823 >> Ellen: SORRY ABOUT THAT. >> Ellen: WE BLAME YOU. >> I TWEETED OUT THAT 2022 IS 379 00:12:38,825 --> 00:12:43,094 >> Ellen: WE BLAME YOU. >> I TWEETED OUT THAT 2022 IS GOING TO BE THE WORST YEAR IN 380 00:12:43,096 --> 00:12:43,862 >> I TWEETED OUT THAT 2022 IS GOING TO BE THE WORST YEAR IN HISTORY, THAT WILL PROBABLY 381 00:12:43,864 --> 00:12:44,696 GOING TO BE THE WORST YEAR IN HISTORY, THAT WILL PROBABLY CALIBRATE EVERYTHING. 382 00:12:44,698 --> 00:12:46,097 HISTORY, THAT WILL PROBABLY CALIBRATE EVERYTHING. >> Ellen: YES, DO THAT FOR 383 00:12:46,099 --> 00:12:46,698 CALIBRATE EVERYTHING. >> Ellen: YES, DO THAT FOR SURE. 384 00:12:46,700 --> 00:12:48,233 >> Ellen: YES, DO THAT FOR SURE. WHAT KIND OF BOAT DO YOU HAVE? 385 00:12:48,235 --> 00:12:51,202 SURE. WHAT KIND OF BOAT DO YOU HAVE? I HEARD THAT YOU GOT A BOATING 386 00:12:51,204 --> 00:12:53,071 WHAT KIND OF BOAT DO YOU HAVE? I HEARD THAT YOU GOT A BOATING LICENSE? 387 00:12:53,073 --> 00:12:55,039 I HEARD THAT YOU GOT A BOATING LICENSE? >> I DID, I WAS LIKE WHAT DO I 388 00:12:55,041 --> 00:12:56,141 LICENSE? >> I DID, I WAS LIKE WHAT DO I DO IN THIS FREE TIME AND I 389 00:12:56,143 --> 00:12:57,809 >> I DID, I WAS LIKE WHAT DO I DO IN THIS FREE TIME AND I ALWAYS WANTED TO GET MY BOATING 390 00:12:57,811 --> 00:12:59,244 DO IN THIS FREE TIME AND I ALWAYS WANTED TO GET MY BOATING LICENSE, AND I GOT IT LIKE TEN 391 00:12:59,246 --> 00:13:01,913 ALWAYS WANTED TO GET MY BOATING LICENSE, AND I GOT IT LIKE TEN YEARS AGO, BUT I LET IT LAPSE, 392 00:13:01,915 --> 00:13:02,814 LICENSE, AND I GOT IT LIKE TEN YEARS AGO, BUT I LET IT LAPSE, BECAUSE THEY ARE NOT A LOT OF 393 00:13:02,816 --> 00:13:05,083 YEARS AGO, BUT I LET IT LAPSE, BECAUSE THEY ARE NOT A LOT OF BOATS WHERE I AM, BUT I WENT OUT 394 00:13:05,085 --> 00:13:06,518 BECAUSE THEY ARE NOT A LOT OF BOATS WHERE I AM, BUT I WENT OUT AND GOT IT AND I NOW CAN 395 00:13:06,520 --> 00:13:09,053 BOATS WHERE I AM, BUT I WENT OUT AND GOT IT AND I NOW CAN OFFICIALLY DRIVE A BOAT IF YOU 396 00:13:09,055 --> 00:13:10,455 AND GOT IT AND I NOW CAN OFFICIALLY DRIVE A BOAT IF YOU WANT TO GO SOMEWHERE, ELLEN. 397 00:13:10,457 --> 00:13:12,490 OFFICIALLY DRIVE A BOAT IF YOU WANT TO GO SOMEWHERE, ELLEN. >> Ellen: I DO, I WANT TO GO 398 00:13:12,492 --> 00:13:13,458 WANT TO GO SOMEWHERE, ELLEN. >> Ellen: I DO, I WANT TO GO ANYWHERE, AND ESPECIALLY ON A 399 00:13:13,460 --> 00:13:13,725 >> Ellen: I DO, I WANT TO GO ANYWHERE, AND ESPECIALLY ON A BOAT. 400 00:13:13,727 --> 00:13:15,193 ANYWHERE, AND ESPECIALLY ON A BOAT. I WOULD LIKE TO LIVE ON THE 401 00:13:15,195 --> 00:13:17,061 BOAT. I WOULD LIKE TO LIVE ON THE WATER LIKE ON A LAKE, BECAUSE I 402 00:13:17,063 --> 00:13:19,297 I WOULD LIKE TO LIVE ON THE WATER LIKE ON A LAKE, BECAUSE I THINK THAT BOATING SEEMS LIKE A 403 00:13:19,299 --> 00:13:21,666 WATER LIKE ON A LAKE, BECAUSE I THINK THAT BOATING SEEMS LIKE A REALLY FUN RELAXING THING TO DO. 404 00:13:21,668 --> 00:13:23,735 THINK THAT BOATING SEEMS LIKE A REALLY FUN RELAXING THING TO DO. >> YES, I AGREE, BUT I WILL HELP 405 00:13:23,737 --> 00:13:25,703 REALLY FUN RELAXING THING TO DO. >> YES, I AGREE, BUT I WILL HELP YOU GO GET YOUR BOAT LICENSE 406 00:13:25,705 --> 00:13:26,137 >> YES, I AGREE, BUT I WILL HELP YOU GO GET YOUR BOAT LICENSE WHEN YOU ARE READY. 407 00:13:26,139 --> 00:13:28,106 YOU GO GET YOUR BOAT LICENSE WHEN YOU ARE READY. >> Ellen: NO, YOU ARE TAKING 408 00:13:28,108 --> 00:13:28,740 WHEN YOU ARE READY. >> Ellen: NO, YOU ARE TAKING ME. 409 00:13:28,742 --> 00:13:29,741 >> Ellen: NO, YOU ARE TAKING ME. >> SURE, OKAY. 410 00:13:29,743 --> 00:13:32,343 ME. >> SURE, OKAY. >> Ellen: YOU ASKED ME, OR DID 411 00:13:32,345 --> 00:13:34,279 >> SURE, OKAY. >> Ellen: YOU ASKED ME, OR DID YOU FORGET THAT ALREADY? 412 00:13:34,281 --> 00:13:35,480 >> Ellen: YOU ASKED ME, OR DID YOU FORGET THAT ALREADY? YOU JUST SAID -- 413 00:13:35,482 --> 00:13:36,681 YOU FORGET THAT ALREADY? YOU JUST SAID -- >> [LAUGHS] 414 00:13:36,683 --> 00:13:38,516 YOU JUST SAID -- >> [LAUGHS] I HAVE MY GOLDFISH MEMORY ON. 415 00:13:38,518 --> 00:13:40,418 >> [LAUGHS] I HAVE MY GOLDFISH MEMORY ON. >> Ellen: I DEFINITELY DO WHAT 416 00:13:40,420 --> 00:13:43,021 I HAVE MY GOLDFISH MEMORY ON. >> Ellen: I DEFINITELY DO WHAT TO GO BOATING AT SOME POINT WITH 417 00:13:43,023 --> 00:13:45,924 >> Ellen: I DEFINITELY DO WHAT TO GO BOATING AT SOME POINT WITH YOU, OR ANYONE, ANYONE OUT THE 418 00:13:45,926 --> 00:13:46,124 TO GO BOATING AT SOME POINT WITH YOU, OR ANYONE, ANYONE OUT THE THERE. 419 00:13:46,126 --> 00:13:49,260 YOU, OR ANYONE, ANYONE OUT THE THERE. YOU PUT OUT A NUMBER ONE ALBUM, 420 00:13:49,262 --> 00:13:50,328 THERE. YOU PUT OUT A NUMBER ONE ALBUM, CONGRATULATIONS. 421 00:13:50,330 --> 00:13:52,530 YOU PUT OUT A NUMBER ONE ALBUM, CONGRATULATIONS. IT'S CALLED "THE SPEED OF NOW" 422 00:13:52,532 --> 00:13:52,797 CONGRATULATIONS. IT'S CALLED "THE SPEED OF NOW" PART ONE. 423 00:13:52,799 --> 00:13:55,700 IT'S CALLED "THE SPEED OF NOW" PART ONE. SO IS THERE A PART TWO JUST 424 00:13:55,702 --> 00:13:56,467 PART ONE. SO IS THERE A PART TWO JUST WAITING TO DROP? 425 00:13:56,469 --> 00:13:58,870 SO IS THERE A PART TWO JUST WAITING TO DROP? BECAUSE I KNOW HOW TO SAY 426 00:13:58,872 --> 00:14:00,071 WAITING TO DROP? BECAUSE I KNOW HOW TO SAY THINGS, DROP. 427 00:14:00,073 --> 00:14:03,041 BECAUSE I KNOW HOW TO SAY THINGS, DROP. OR ARE YOU LIKE WAITING TO WRITE 428 00:14:03,043 --> 00:14:03,308 THINGS, DROP. OR ARE YOU LIKE WAITING TO WRITE PART TWO? 429 00:14:03,310 --> 00:14:07,078 OR ARE YOU LIKE WAITING TO WRITE PART TWO? >> NO, I HAVE A LOT OF PART TWO 430 00:14:07,080 --> 00:14:08,012 PART TWO? >> NO, I HAVE A LOT OF PART TWO DONE, STILL RIDING SOME SONGS 431 00:14:08,014 --> 00:14:09,380 >> NO, I HAVE A LOT OF PART TWO DONE, STILL RIDING SOME SONGS AND RECORDING, BUT AT SOME POINT 432 00:14:09,382 --> 00:14:12,116 DONE, STILL RIDING SOME SONGS AND RECORDING, BUT AT SOME POINT THAT WILL COME OUT, NOT JUST 433 00:14:12,118 --> 00:14:12,283 AND RECORDING, BUT AT SOME POINT THAT WILL COME OUT, NOT JUST YET. 434 00:14:12,285 --> 00:14:14,652 THAT WILL COME OUT, NOT JUST YET. >> Ellen: AND THEN YOU WILL DO 435 00:14:14,654 --> 00:14:16,421 YET. >> Ellen: AND THEN YOU WILL DO PART THREE AND FOUR, KEEP GOING? 436 00:14:16,423 --> 00:14:19,257 >> Ellen: AND THEN YOU WILL DO PART THREE AND FOUR, KEEP GOING? >> NO, I THINK JUST TWO. 437 00:14:19,259 --> 00:14:19,524 PART THREE AND FOUR, KEEP GOING? >> NO, I THINK JUST TWO. THAT'S IT. 438 00:14:19,526 --> 00:14:20,425 >> NO, I THINK JUST TWO. THAT'S IT. >> Ellen: YOU HAVE A GREAT 439 00:14:20,427 --> 00:14:23,428 THAT'S IT. >> Ellen: YOU HAVE A GREAT SONG WITH TAYLOR SWIFT ON HER 440 00:14:23,430 --> 00:14:26,231 >> Ellen: YOU HAVE A GREAT SONG WITH TAYLOR SWIFT ON HER RE-RECORDED ALBUM, HOW DID THAT 441 00:14:26,233 --> 00:14:27,332 SONG WITH TAYLOR SWIFT ON HER RE-RECORDED ALBUM, HOW DID THAT HAPPEN? 442 00:14:27,334 --> 00:14:29,868 RE-RECORDED ALBUM, HOW DID THAT HAPPEN? >> IT'S A CRAZY STORY, I WAS -- 443 00:14:29,870 --> 00:14:31,569 HAPPEN? >> IT'S A CRAZY STORY, I WAS -- WE WERE IN AUSTRALIA AND I WAS 444 00:14:31,571 --> 00:14:32,871 >> IT'S A CRAZY STORY, I WAS -- WE WERE IN AUSTRALIA AND I WAS DOING SOME CHRISTMAS SHOPPING AT 445 00:14:32,873 --> 00:14:35,440 WE WERE IN AUSTRALIA AND I WAS DOING SOME CHRISTMAS SHOPPING AT THE SHOPPING MALL IN DECEMBER, 446 00:14:35,442 --> 00:14:36,507 DOING SOME CHRISTMAS SHOPPING AT THE SHOPPING MALL IN DECEMBER, BECAUSE EVERYBODY DOES HER 447 00:14:36,509 --> 00:14:38,643 THE SHOPPING MALL IN DECEMBER, BECAUSE EVERYBODY DOES HER SHOPPING RIGHT BEFORE CHRISTMAS, 448 00:14:38,645 --> 00:14:39,644 BECAUSE EVERYBODY DOES HER SHOPPING RIGHT BEFORE CHRISTMAS, EVERY GUY DOES. 449 00:14:39,646 --> 00:14:41,713 SHOPPING RIGHT BEFORE CHRISTMAS, EVERY GUY DOES. I'M AT THE SHOPPING MALL DOING 450 00:14:41,715 --> 00:14:43,748 EVERY GUY DOES. I'M AT THE SHOPPING MALL DOING MY CHRISTMAS SHOPPING AND I GET 451 00:14:43,750 --> 00:14:44,883 I'M AT THE SHOPPING MALL DOING MY CHRISTMAS SHOPPING AND I GET A TEXT FROM TAYLOR SAYING I'VE 452 00:14:44,885 --> 00:14:45,884 MY CHRISTMAS SHOPPING AND I GET A TEXT FROM TAYLOR SAYING I'VE GOT THESE COUPLE OF SONGS I 453 00:14:45,886 --> 00:14:47,352 A TEXT FROM TAYLOR SAYING I'VE GOT THESE COUPLE OF SONGS I WOULD LIKE YOU TO SING, DO YOU 454 00:14:47,354 --> 00:14:48,920 GOT THESE COUPLE OF SONGS I WOULD LIKE YOU TO SING, DO YOU WANT TO HEAR THEM AND I SAID 455 00:14:48,922 --> 00:14:50,355 WOULD LIKE YOU TO SING, DO YOU WANT TO HEAR THEM AND I SAID SURE, AND SHE SENDS ME THE SONGS 456 00:14:50,357 --> 00:14:52,657 WANT TO HEAR THEM AND I SAID SURE, AND SHE SENDS ME THE SONGS AND I'M SITTING AT THE FOOD 457 00:14:52,659 --> 00:14:54,325 SURE, AND SHE SENDS ME THE SONGS AND I'M SITTING AT THE FOOD COURT AT THE SHOPPING CENTER 458 00:14:54,327 --> 00:14:56,060 AND I'M SITTING AT THE FOOD COURT AT THE SHOPPING CENTER LISTENING TO THESE TWO 459 00:14:56,062 --> 00:14:57,028 COURT AT THE SHOPPING CENTER LISTENING TO THESE TWO UNRELEASED TAYLOR SWIFT SONGS 460 00:14:57,030 --> 00:14:58,463 LISTENING TO THESE TWO UNRELEASED TAYLOR SWIFT SONGS AND IT WAS AN UNUSUAL PLACE TO 461 00:14:58,465 --> 00:14:59,664 UNRELEASED TAYLOR SWIFT SONGS AND IT WAS AN UNUSUAL PLACE TO BE HEARING THEM. 462 00:14:59,666 --> 00:15:03,835 AND IT WAS AN UNUSUAL PLACE TO BE HEARING THEM. BUT I LOVE THE SONGS AND LUCKILY 463 00:15:03,837 --> 00:15:05,803 BE HEARING THEM. BUT I LOVE THE SONGS AND LUCKILY GOT TO PUT A VOCAL ON THOSE. 464 00:15:05,805 --> 00:15:06,871 BUT I LOVE THE SONGS AND LUCKILY GOT TO PUT A VOCAL ON THOSE. >> Ellen: THAT'S GREAT. 465 00:15:06,873 --> 00:15:08,339 GOT TO PUT A VOCAL ON THOSE. >> Ellen: THAT'S GREAT. AND IT SOUNDS GREAT, BUT I MEAN, 466 00:15:08,341 --> 00:15:10,808 >> Ellen: THAT'S GREAT. AND IT SOUNDS GREAT, BUT I MEAN, HOW HILARIOUS THAT KEITH URBAN 467 00:15:10,810 --> 00:15:13,878 AND IT SOUNDS GREAT, BUT I MEAN, HOW HILARIOUS THAT KEITH URBAN IS SITTING IN THE FOOD COURT 468 00:15:13,880 --> 00:15:16,080 HOW HILARIOUS THAT KEITH URBAN IS SITTING IN THE FOOD COURT JUST PERIOD IT, SOMEBODY WALKING 469 00:15:16,082 --> 00:15:17,048 IS SITTING IN THE FOOD COURT JUST PERIOD IT, SOMEBODY WALKING BY AND TO -- 470 00:15:17,050 --> 00:15:19,117 JUST PERIOD IT, SOMEBODY WALKING BY AND TO -- >> I'M HUNGRY, WHERE TO GO WHEN 471 00:15:19,119 --> 00:15:19,651 BY AND TO -- >> I'M HUNGRY, WHERE TO GO WHEN YOU ARE HUNGRY? 472 00:15:19,653 --> 00:15:21,419 >> I'M HUNGRY, WHERE TO GO WHEN YOU ARE HUNGRY? >> Ellen: THE FOOD COURT, 473 00:15:21,421 --> 00:15:21,886 YOU ARE HUNGRY? >> Ellen: THE FOOD COURT, OBVIOUSLY. 474 00:15:21,888 --> 00:15:23,321 >> Ellen: THE FOOD COURT, OBVIOUSLY. THAT MUST HAVE IMPRESSED YOUR 475 00:15:23,323 --> 00:15:24,088 OBVIOUSLY. THAT MUST HAVE IMPRESSED YOUR DAUGHTERS. 476 00:15:24,090 --> 00:15:26,057 THAT MUST HAVE IMPRESSED YOUR DAUGHTERS. I'M SURE THAT THEY ARE 477 00:15:26,059 --> 00:15:26,524 DAUGHTERS. I'M SURE THAT THEY ARE TAYLOR SWIFT FANS. 478 00:15:26,526 --> 00:15:28,893 I'M SURE THAT THEY ARE TAYLOR SWIFT FANS. >> BIG TAYLOR SWIFT FANS, YES, 479 00:15:28,895 --> 00:15:30,395 TAYLOR SWIFT FANS. >> BIG TAYLOR SWIFT FANS, YES, THEY WERE EXCITED THAT DAD GOT A 480 00:15:30,397 --> 00:15:33,264 >> BIG TAYLOR SWIFT FANS, YES, THEY WERE EXCITED THAT DAD GOT A TEXT FROM TAYLOR SWIFT. 481 00:15:33,266 --> 00:15:35,266 THEY WERE EXCITED THAT DAD GOT A TEXT FROM TAYLOR SWIFT. >> Ellen: SHE OPENED FOR YOU, 482 00:15:35,268 --> 00:15:36,501 TEXT FROM TAYLOR SWIFT. >> Ellen: SHE OPENED FOR YOU, RIGHT? 483 00:15:36,503 --> 00:15:38,736 >> Ellen: SHE OPENED FOR YOU, RIGHT? LIKE WHEN SHE STARTED OUT? 484 00:15:38,738 --> 00:15:40,371 RIGHT? LIKE WHEN SHE STARTED OUT? >> YES, BACK IN BASICALLY WHEN 485 00:15:40,373 --> 00:15:44,676 LIKE WHEN SHE STARTED OUT? >> YES, BACK IN BASICALLY WHEN SHE WAS DOING THE "FEARLESS" 486 00:15:44,678 --> 00:15:45,343 >> YES, BACK IN BASICALLY WHEN SHE WAS DOING THE "FEARLESS" ALBUM, SHE DID A BUNCH OF SHOWS 487 00:15:45,345 --> 00:15:49,280 SHE WAS DOING THE "FEARLESS" ALBUM, SHE DID A BUNCH OF SHOWS FOR US. 488 00:15:49,282 --> 00:15:50,248 ALBUM, SHE DID A BUNCH OF SHOWS FOR US. WE PLAYED A FEW SONGS TOGETHER 489 00:15:50,250 --> 00:15:51,582 FOR US. WE PLAYED A FEW SONGS TOGETHER EVERY NIGHT AND THEN SHE CRANKED 490 00:15:51,584 --> 00:15:54,752 WE PLAYED A FEW SONGS TOGETHER EVERY NIGHT AND THEN SHE CRANKED US ON THE LAST NIGHT OF THE TOUR 491 00:15:54,754 --> 00:15:58,022 EVERY NIGHT AND THEN SHE CRANKED US ON THE LAST NIGHT OF THE TOUR BY HER AND HER BAND DRESSING UP 492 00:15:58,024 --> 00:16:00,458 US ON THE LAST NIGHT OF THE TOUR BY HER AND HER BAND DRESSING UP AS CASE AND COMING OUT AND 493 00:16:00,460 --> 00:16:04,062 BY HER AND HER BAND DRESSING UP AS CASE AND COMING OUT AND SITTING IN ON ONE OF MY SONGS 494 00:16:04,064 --> 00:16:07,231 AS CASE AND COMING OUT AND SITTING IN ON ONE OF MY SONGS FOR "KISS A GIRL" AND I SWEAR 495 00:16:07,233 --> 00:16:10,301 SITTING IN ON ONE OF MY SONGS FOR "KISS A GIRL" AND I SWEAR SHE LOOKED AT SO MUCH LIKE ACE, 496 00:16:10,303 --> 00:16:11,436 FOR "KISS A GIRL" AND I SWEAR SHE LOOKED AT SO MUCH LIKE ACE, WITH ALL DUE RESPECT, I WAS NOT 497 00:16:11,438 --> 00:16:16,407 SHE LOOKED AT SO MUCH LIKE ACE, WITH ALL DUE RESPECT, I WAS NOT SURE IF IT WAS HIM OR TAYLOR. 498 00:16:16,409 --> 00:16:17,108 WITH ALL DUE RESPECT, I WAS NOT SURE IF IT WAS HIM OR TAYLOR. [LAUGHTER] 499 00:16:17,110 --> 00:16:17,709 SURE IF IT WAS HIM OR TAYLOR. [LAUGHTER] >> Ellen: WOW. 500 00:16:17,711 --> 00:16:20,078 [LAUGHTER] >> Ellen: WOW. THAT'S COMMITMENT TO PUT THAT 501 00:16:20,080 --> 00:16:21,879 >> Ellen: WOW. THAT'S COMMITMENT TO PUT THAT KIND OF MAKEUP ON. 502 00:16:21,881 --> 00:16:23,414 THAT'S COMMITMENT TO PUT THAT KIND OF MAKEUP ON. YOU HAVE COLLABORATED WITH A LOT 503 00:16:23,416 --> 00:16:24,949 KIND OF MAKEUP ON. YOU HAVE COLLABORATED WITH A LOT OF PEOPLE THAT I LOVE. 504 00:16:24,951 --> 00:16:26,117 YOU HAVE COLLABORATED WITH A LOT OF PEOPLE THAT I LOVE. YOU AND PINK ARE UP FOR AN ACM 505 00:16:26,119 --> 00:16:30,254 OF PEOPLE THAT I LOVE. YOU AND PINK ARE UP FOR AN ACM AND I LOVE THE SONG WITH YOU IN 506 00:16:30,256 --> 00:16:30,455 YOU AND PINK ARE UP FOR AN ACM AND I LOVE THE SONG WITH YOU IN PINK. 507 00:16:30,457 --> 00:16:33,091 AND I LOVE THE SONG WITH YOU IN PINK. >> WE SHOULD DO IT. 508 00:16:33,093 --> 00:16:34,509 PINK. >> WE SHOULD DO IT. YOU AND I SHOULD DO IT. 509 00:16:34,511 --> 00:16:34,792 >> WE SHOULD DO IT. YOU AND I SHOULD DO IT. [LAUGHTER] 510 00:16:34,794 --> 00:16:37,261 YOU AND I SHOULD DO IT. [LAUGHTER] >> Ellen: WE SHOULD DO THAT 511 00:16:37,263 --> 00:16:38,663 [LAUGHTER] >> Ellen: WE SHOULD DO THAT SONG? 512 00:16:38,665 --> 00:16:40,098 >> Ellen: WE SHOULD DO THAT SONG? >> IF YOU PROMISE NOT TO PUT 513 00:16:40,100 --> 00:16:43,000 SONG? >> IF YOU PROMISE NOT TO PUT YOUR GLASSES ON YOUR HEAD, IT'S 514 00:16:43,002 --> 00:16:44,352 >> IF YOU PROMISE NOT TO PUT YOUR GLASSES ON YOUR HEAD, IT'S YOUR TIME TO SING THE SONG 515 00:16:44,354 --> 00:16:46,637 YOUR GLASSES ON YOUR HEAD, IT'S YOUR TIME TO SING THE SONG TOGETHER. 516 00:16:46,639 --> 00:16:47,305 YOUR TIME TO SING THE SONG TOGETHER. RIGHT? 517 00:16:47,307 --> 00:16:48,189 TOGETHER. RIGHT? WOULD YOU BE UP FOR IT? 518 00:16:48,191 --> 00:16:49,807 RIGHT? WOULD YOU BE UP FOR IT? >> Ellen: I DON'T KNOW THE 519 00:16:49,809 --> 00:16:51,676 WOULD YOU BE UP FOR IT? >> Ellen: I DON'T KNOW THE LYRICS, I JUST HAVE LISTENED A 520 00:16:51,678 --> 00:16:52,877 >> Ellen: I DON'T KNOW THE LYRICS, I JUST HAVE LISTENED A COUPLE OF TIMES. 521 00:16:52,879 --> 00:16:55,113 LYRICS, I JUST HAVE LISTENED A COUPLE OF TIMES. I WILL HOME ALONG WITH YOU, BUT 522 00:16:55,115 --> 00:16:55,546 COUPLE OF TIMES. I WILL HOME ALONG WITH YOU, BUT I WANT YOU TO -- 523 00:16:55,548 --> 00:16:58,883 I WILL HOME ALONG WITH YOU, BUT I WANT YOU TO -- WOULD YOU DO IT? 524 00:16:58,885 --> 00:17:00,651 I WANT YOU TO -- WOULD YOU DO IT? >> I'M NOT PREPARED. 525 00:17:00,653 --> 00:17:02,620 WOULD YOU DO IT? >> I'M NOT PREPARED. >> Ellen: NOT RIGHT NOW! 526 00:17:02,622 --> 00:17:02,887 >> I'M NOT PREPARED. >> Ellen: NOT RIGHT NOW! [LAUGHTER] 527 00:17:02,889 --> 00:17:03,221 >> Ellen: NOT RIGHT NOW! [LAUGHTER] NOT RIGHT NOW! 528 00:17:03,223 --> 00:17:04,856 [LAUGHTER] NOT RIGHT NOW! WE ARE GOING TO TAKE A BREAK. 529 00:17:04,858 --> 00:17:07,558 NOT RIGHT NOW! WE ARE GOING TO TAKE A BREAK. YOU HAVE A GUITAR AND EVERYTH 530 00:17:07,560 --> 00:17:07,959 WE ARE GOING TO TAKE A BREAK. YOU HAVE A GUITAR AND EVERYTH EVERYTHING. 531 00:17:07,961 --> 00:17:09,360 YOU HAVE A GUITAR AND EVERYTH EVERYTHING. WE WILL COME BACK AND DO IT! 532 00:17:09,362 --> 00:17:09,794 EVERYTHING. WE WILL COME BACK AND DO IT! ALL RIGHT! 533 00:17:09,796 --> 00:17:12,530 WE WILL COME BACK AND DO IT! ALL RIGHT! WE WE WILL BE BACK! 534 00:17:12,532 --> 00:17:12,997 ALL RIGHT! WE WE WILL BE BACK! [CHEERS AND APPLAUSE] 535 00:17:12,999 --> 00:17:20,304 WE WE WILL BE BACK! [CHEERS AND APPLAUSE] ♪ ♪ 536 00:17:20,306 --> 00:17:23,074 [CHEERS AND APPLAUSE] ♪ ♪ ♪ IT JUST MAKES ME MISS YOU 537 00:17:23,076 --> 00:17:23,307 ♪ ♪ ♪ IT JUST MAKES ME MISS YOU MORE ♪ 538 00:17:23,309 --> 00:17:27,412 ♪ IT JUST MAKES ME MISS YOU MORE ♪ ♪ THAT'S YOU, ELLEN. 539 00:17:27,414 --> 00:17:28,546 MORE ♪ ♪ THAT'S YOU, ELLEN. ♪ I SPENT ALL MY MONEY DRINKING 540 00:17:28,548 --> 00:17:31,015 ♪ THAT'S YOU, ELLEN. ♪ I SPENT ALL MY MONEY DRINKING ON MY OWN ♪ 541 00:17:31,017 --> 00:17:33,951 ♪ I SPENT ALL MY MONEY DRINKING ON MY OWN ♪ >> YOU KNOW WHAT I HAVE IN MY 542 00:17:33,953 --> 00:17:36,421 ON MY OWN ♪ >> YOU KNOW WHAT I HAVE IN MY BACKPACK AT ANY GIVEN TIME? 543 00:17:36,423 --> 00:17:42,827 >> YOU KNOW WHAT I HAVE IN MY BACKPACK AT ANY GIVEN TIME? THREE PASSPORTS 544 00:17:42,829 --> 00:17:45,963 BACKPACK AT ANY GIVEN TIME? THREE PASSPORTS >> HOW WOULD YOU DESCRIBE IT? 545 00:17:45,965 --> 00:17:48,032 THREE PASSPORTS >> HOW WOULD YOU DESCRIBE IT? >> REALLY, REALLY 546 00:17:48,034 --> 00:17:51,235 >> HOW WOULD YOU DESCRIBE IT? >> REALLY, REALLY EXTRAORDINARILY RARE, PURE 547 00:17:51,237 --> 00:17:53,204 >> REALLY, REALLY EXTRAORDINARILY RARE, PURE SPIRIT. 548 00:17:53,206 --> 00:17:54,205 EXTRAORDINARILY RARE, PURE SPIRIT. WE DO THE MORSE NORMAL THINGS. 549 00:17:54,207 --> 00:17:56,307 SPIRIT. WE DO THE MORSE NORMAL THINGS. >> I WILL SPEND THE REST OF MY 550 00:17:56,309 --> 00:17:59,677 WE DO THE MORSE NORMAL THINGS. >> I WILL SPEND THE REST OF MY LIFE TRYING TO WRITE THE WORDS. 551 00:17:59,679 --> 00:18:00,011 >> I WILL SPEND THE REST OF MY LIFE TRYING TO WRITE THE WORDS. [LAUGHTER] 552 00:18:00,013 --> 00:18:02,213 LIFE TRYING TO WRITE THE WORDS. [LAUGHTER] >> BABY GIRL, I LOVE YOU SO 553 00:18:02,215 --> 00:18:02,747 [LAUGHTER] >> BABY GIRL, I LOVE YOU SO MUCH! 554 00:18:02,749 --> 00:18:06,451 >> BABY GIRL, I LOVE YOU SO MUCH! THANK YOU SO MUCH! 555 00:18:06,453 --> 00:18:06,918 MUCH! THANK YOU SO MUCH! [CHEERS AND APPLAUSE] 556 00:18:06,920 --> 00:18:07,118 THANK YOU SO MUCH! [CHEERS AND APPLAUSE] ♪ ♪ 557 00:18:07,120 --> 00:18:09,454 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: I LOVE YOU TOO, I 558 00:18:09,456 --> 00:18:13,024 ♪ ♪ >> Ellen: I LOVE YOU TOO, I CAN'T, BUT THANK YOU. 559 00:18:13,026 --> 00:18:16,627 >> Ellen: I LOVE YOU TOO, I CAN'T, BUT THANK YOU. >> WERE YOU SITTING THERE IN THE 560 00:18:16,629 --> 00:18:17,862 CAN'T, BUT THANK YOU. >> WERE YOU SITTING THERE IN THE AUDIENCE DURING MY ACCEPTANCE 561 00:18:17,864 --> 00:18:18,196 >> WERE YOU SITTING THERE IN THE AUDIENCE DURING MY ACCEPTANCE SPEECH? 562 00:18:18,198 --> 00:18:19,864 AUDIENCE DURING MY ACCEPTANCE SPEECH? IS THAT WOULD JUST HAPPEN? 563 00:18:19,866 --> 00:18:20,465 SPEECH? IS THAT WOULD JUST HAPPEN? >> Ellen: MAY BE. 564 00:18:20,467 --> 00:18:24,469 IS THAT WOULD JUST HAPPEN? >> Ellen: MAY BE. SO YOU ARE HOSTING ACM AWARDS 565 00:18:24,471 --> 00:18:26,237 >> Ellen: MAY BE. SO YOU ARE HOSTING ACM AWARDS SUNDAY, AND HE CALLED TO ASK 566 00:18:26,239 --> 00:18:28,372 SO YOU ARE HOSTING ACM AWARDS SUNDAY, AND HE CALLED TO ASK NIKKI IF SHE WOULD COHOST AND 567 00:18:28,374 --> 00:18:29,474 SUNDAY, AND HE CALLED TO ASK NIKKI IF SHE WOULD COHOST AND SHE FREAKED OUT. 568 00:18:29,476 --> 00:18:31,542 NIKKI IF SHE WOULD COHOST AND SHE FREAKED OUT. SHE IS ON THIS SHOW SHOULD SOON, 569 00:18:31,544 --> 00:18:31,809 SHE FREAKED OUT. SHE IS ON THIS SHOW SHOULD SOON, NEXT WEEK. 570 00:18:31,811 --> 00:18:34,779 SHE IS ON THIS SHOW SHOULD SOON, NEXT WEEK. SHE'S GREAT. 571 00:18:34,781 --> 00:18:36,414 NEXT WEEK. SHE'S GREAT. >> I'M GLAD THAT WE GET TO DO 572 00:18:36,416 --> 00:18:38,282 SHE'S GREAT. >> I'M GLAD THAT WE GET TO DO THIS TOGETHER, WE PLAYED A SONG 573 00:18:38,284 --> 00:18:42,954 >> I'M GLAD THAT WE GET TO DO THIS TOGETHER, WE PLAYED A SONG TOGETHER LAST SEPTEMBER WE 574 00:18:42,956 --> 00:18:44,455 THIS TOGETHER, WE PLAYED A SONG TOGETHER LAST SEPTEMBER WE HOSTED THE ACMS WHEN I HOSTED IN 575 00:18:44,457 --> 00:18:45,823 TOGETHER LAST SEPTEMBER WE HOSTED THE ACMS WHEN I HOSTED IN NASHVILLE IN SEPTEMBER, SHE HAD 576 00:18:45,825 --> 00:18:48,860 HOSTED THE ACMS WHEN I HOSTED IN NASHVILLE IN SEPTEMBER, SHE HAD A SONG OUT AND I PLAYED PIANO, 577 00:18:48,862 --> 00:18:49,861 NASHVILLE IN SEPTEMBER, SHE HAD A SONG OUT AND I PLAYED PIANO, SO THIS TIME AROUND I WAS LIKE, 578 00:18:49,863 --> 00:18:51,863 A SONG OUT AND I PLAYED PIANO, SO THIS TIME AROUND I WAS LIKE, IT WOULD BE GREAT IF WE COULD DO 579 00:18:51,865 --> 00:18:52,430 SO THIS TIME AROUND I WAS LIKE, IT WOULD BE GREAT IF WE COULD DO IT TOGETHER. 580 00:18:52,432 --> 00:18:55,032 IT WOULD BE GREAT IF WE COULD DO IT TOGETHER. AND SO THERE I WAS ASKING HER. 581 00:18:55,034 --> 00:18:57,768 IT TOGETHER. AND SO THERE I WAS ASKING HER. >> Ellen: THERE ARE MORE 582 00:18:57,770 --> 00:18:58,436 AND SO THERE I WAS ASKING HER. >> Ellen: THERE ARE MORE FEMALE NOMINEES THIS YEAR AND 583 00:18:58,438 --> 00:19:00,204 >> Ellen: THERE ARE MORE FEMALE NOMINEES THIS YEAR AND SOME NOMINEES HAVE COLOR, DO YOU 584 00:19:00,206 --> 00:19:02,640 FEMALE NOMINEES THIS YEAR AND SOME NOMINEES HAVE COLOR, DO YOU THINK THAT COUNTRY IS BECOMING 585 00:19:02,642 --> 00:19:03,007 SOME NOMINEES HAVE COLOR, DO YOU THINK THAT COUNTRY IS BECOMING MORE INCLUSIVE? 586 00:19:03,009 --> 00:19:04,976 THINK THAT COUNTRY IS BECOMING MORE INCLUSIVE? >> IT IS ON THE RIGHT TRACK. 587 00:19:04,978 --> 00:19:06,844 MORE INCLUSIVE? >> IT IS ON THE RIGHT TRACK. THERE IS ALWAYS WORK TO DO AND 588 00:19:06,846 --> 00:19:08,846 >> IT IS ON THE RIGHT TRACK. THERE IS ALWAYS WORK TO DO AND IT IS ALWAYS IMPROVING, BUT WE 589 00:19:08,848 --> 00:19:09,814 THERE IS ALWAYS WORK TO DO AND IT IS ALWAYS IMPROVING, BUT WE ARE MOVING IN THE RIGHT 590 00:19:09,816 --> 00:19:10,448 IT IS ALWAYS IMPROVING, BUT WE ARE MOVING IN THE RIGHT DIRECTION. 591 00:19:10,450 --> 00:19:11,983 ARE MOVING IN THE RIGHT DIRECTION. >> Ellen: I HOPE SO, IT IS 592 00:19:11,985 --> 00:19:12,183 DIRECTION. >> Ellen: I HOPE SO, IT IS TIME. 593 00:19:12,185 --> 00:19:13,751 >> Ellen: I HOPE SO, IT IS TIME. AND THERE ARE SOME REALLY 594 00:19:13,753 --> 00:19:15,086 TIME. AND THERE ARE SOME REALLY TALENTED PEOPLE OUT THERE, AND 595 00:19:15,088 --> 00:19:16,020 AND THERE ARE SOME REALLY TALENTED PEOPLE OUT THERE, AND THEY NEED TO BE ENCOURAGED TO BE 596 00:19:16,022 --> 00:19:18,723 TALENTED PEOPLE OUT THERE, AND THEY NEED TO BE ENCOURAGED TO BE A PART OF THAT. 597 00:19:18,725 --> 00:19:21,826 THEY NEED TO BE ENCOURAGED TO BE A PART OF THAT. SO YOU'RE PERFORMING ON SUNDAY, 598 00:19:21,828 --> 00:19:24,495 A PART OF THAT. SO YOU'RE PERFORMING ON SUNDAY, LIKE I SAID, I LOVE THAT SONG 599 00:19:24,497 --> 00:19:26,464 SO YOU'RE PERFORMING ON SUNDAY, LIKE I SAID, I LOVE THAT SONG WITH YOU AND PINK, WILL YOU GIVE 600 00:19:26,466 --> 00:19:27,465 LIKE I SAID, I LOVE THAT SONG WITH YOU AND PINK, WILL YOU GIVE US A LITTLE SAMPLE? 601 00:19:27,467 --> 00:19:29,867 WITH YOU AND PINK, WILL YOU GIVE US A LITTLE SAMPLE? >> ONLY IF YOU WILL SING IT WITH 602 00:19:29,869 --> 00:19:30,034 US A LITTLE SAMPLE? >> ONLY IF YOU WILL SING IT WITH ME. 603 00:19:30,036 --> 00:19:32,069 >> ONLY IF YOU WILL SING IT WITH ME. >> Ellen: I DON'T KNOW THE 604 00:19:32,071 --> 00:19:32,303 ME. >> Ellen: I DON'T KNOW THE WORDS. 605 00:19:32,305 --> 00:19:34,338 >> Ellen: I DON'T KNOW THE WORDS. >> SOMEBODY CAN GET YOU THE 606 00:19:34,340 --> 00:19:36,874 WORDS. >> SOMEBODY CAN GET YOU THE WORDS, ELLEN, NO? 607 00:19:36,876 --> 00:19:38,709 >> SOMEBODY CAN GET YOU THE WORDS, ELLEN, NO? >> Ellen: I DON'T HAVE WORDS. 608 00:19:38,711 --> 00:19:41,345 WORDS, ELLEN, NO? >> Ellen: I DON'T HAVE WORDS. IT'S ALL YOU. 609 00:19:41,347 --> 00:19:46,150 >> Ellen: I DON'T HAVE WORDS. IT'S ALL YOU. >> THAT'S A FIRST. 610 00:19:46,152 --> 00:19:49,287 IT'S ALL YOU. >> THAT'S A FIRST. ♪ I DON'T REMEMBER MUCH ABOUT 611 00:19:49,289 --> 00:19:50,555 >> THAT'S A FIRST. ♪ I DON'T REMEMBER MUCH ABOUT LAST NIGHT ♪ 612 00:19:50,557 --> 00:19:54,192 ♪ I DON'T REMEMBER MUCH ABOUT LAST NIGHT ♪ ♪ WOKE HIM ON A COUCH AT 613 00:19:54,194 --> 00:19:54,458 LAST NIGHT ♪ ♪ WOKE HIM ON A COUCH AT SUNRISE ♪ 614 00:19:54,460 --> 00:19:55,826 ♪ WOKE HIM ON A COUCH AT SUNRISE ♪ ♪ SAW THE LIVING ROOM THROUGH 615 00:19:55,828 --> 00:19:58,062 SUNRISE ♪ ♪ SAW THE LIVING ROOM THROUGH THESE BLOODSHOT EYES OF MINE ♪ 616 00:19:58,064 --> 00:20:00,431 ♪ SAW THE LIVING ROOM THROUGH THESE BLOODSHOT EYES OF MINE ♪ ♪ YOU DID NOT LIKE THAT I CAME 617 00:20:00,433 --> 00:20:00,765 THESE BLOODSHOT EYES OF MINE ♪ ♪ YOU DID NOT LIKE THAT I CAME HOME LATE ♪ 618 00:20:00,767 --> 00:20:02,967 ♪ YOU DID NOT LIKE THAT I CAME HOME LATE ♪ ♪ 4:00 A.M., BUT IT'S A FRIDAY, 619 00:20:02,969 --> 00:20:03,201 HOME LATE ♪ ♪ 4:00 A.M., BUT IT'S A FRIDAY, BABE ♪ 620 00:20:03,203 --> 00:20:05,303 ♪ 4:00 A.M., BUT IT'S A FRIDAY, BABE ♪ ♪ AND I'VE BEEN WORKING HARD ♪ 621 00:20:05,305 --> 00:20:08,773 BABE ♪ ♪ AND I'VE BEEN WORKING HARD ♪ ♪ CAN'T YOU GIVE ME SOME SPACE 622 00:20:08,775 --> 00:20:11,742 ♪ AND I'VE BEEN WORKING HARD ♪ ♪ CAN'T YOU GIVE ME SOME SPACE INSTEAD OF SHOUTING OH, MY GOD ♪ 623 00:20:11,744 --> 00:20:13,978 ♪ CAN'T YOU GIVE ME SOME SPACE INSTEAD OF SHOUTING OH, MY GOD ♪ ♪ WILL, YEAH ♪ 624 00:20:13,980 --> 00:20:15,880 INSTEAD OF SHOUTING OH, MY GOD ♪ ♪ WILL, YEAH ♪ ♪ I GO OUT WITH SOME NEW 625 00:20:15,882 --> 00:20:16,147 ♪ WILL, YEAH ♪ ♪ I GO OUT WITH SOME NEW FRIENDS ♪ 626 00:20:16,149 --> 00:20:19,450 ♪ I GO OUT WITH SOME NEW FRIENDS ♪ ♪ BUT IT JUST MAKES ME MISS YOU 627 00:20:19,452 --> 00:20:19,684 FRIENDS ♪ ♪ BUT IT JUST MAKES ME MISS YOU MORE ♪ 628 00:20:19,686 --> 00:20:19,951 ♪ BUT IT JUST MAKES ME MISS YOU MORE ♪ ♪ MORE ♪ 629 00:20:19,953 --> 00:20:22,653 MORE ♪ ♪ MORE ♪ ♪ SING IT, THAT'S YOU, ELLEN. 630 00:20:22,655 --> 00:20:24,589 ♪ MORE ♪ ♪ SING IT, THAT'S YOU, ELLEN. I SPENT ALL MY MONEY DRINKING ON 631 00:20:24,591 --> 00:20:25,990 ♪ SING IT, THAT'S YOU, ELLEN. I SPENT ALL MY MONEY DRINKING ON MY OWN ♪ 632 00:20:25,992 --> 00:20:28,092 I SPENT ALL MY MONEY DRINKING ON MY OWN ♪ ♪ IN THIS BAR JUST SAT HERE 633 00:20:28,094 --> 00:20:30,461 MY OWN ♪ ♪ IN THIS BAR JUST SAT HERE STARING AT MY PHONE ♪ 634 00:20:30,463 --> 00:20:33,064 ♪ IN THIS BAR JUST SAT HERE STARING AT MY PHONE ♪ ♪ AND I KEEP SECOND-GUESSING 635 00:20:33,066 --> 00:20:36,167 STARING AT MY PHONE ♪ ♪ AND I KEEP SECOND-GUESSING WHERE DID I GO WRONG ♪ 636 00:20:36,169 --> 00:20:38,035 ♪ AND I KEEP SECOND-GUESSING WHERE DID I GO WRONG ♪ ♪ I'M NO I'M PROUD ♪ 637 00:20:38,037 --> 00:20:39,837 WHERE DID I GO WRONG ♪ ♪ I'M NO I'M PROUD ♪ ♪ BUT I'VE HAD ONE TOO MANY ♪ 638 00:20:39,839 --> 00:20:45,076 ♪ I'M NO I'M PROUD ♪ ♪ BUT I'VE HAD ONE TOO MANY ♪ ♪ COME TAKE ME HOME ♪ 639 00:20:45,078 --> 00:20:45,643 ♪ BUT I'VE HAD ONE TOO MANY ♪ ♪ COME TAKE ME HOME ♪ SHORT VERSION. 640 00:20:45,645 --> 00:20:49,447 ♪ COME TAKE ME HOME ♪ SHORT VERSION. >> Ellen: I LOVE IT! 641 00:20:49,449 --> 00:20:52,316 SHORT VERSION. >> Ellen: I LOVE IT! THE ACM AWARDS ARE THIS SUNDAY 642 00:20:52,318 --> 00:20:53,384 >> Ellen: I LOVE IT! THE ACM AWARDS ARE THIS SUNDAY AT 8:00 ON CBS! 643 00:20:53,386 --> 00:20:55,586 THE ACM AWARDS ARE THIS SUNDAY AT 8:00 ON CBS! I HOPE TO SEE YOU SOON IN 644 00:20:55,588 --> 00:20:56,587 AT 8:00 ON CBS! I HOPE TO SEE YOU SOON IN PERSON, I MISS YOU! 645 00:20:56,589 --> 00:20:59,323 I HOPE TO SEE YOU SOON IN PERSON, I MISS YOU! >> ME TOO, I WANT TO BE ON THAT 646 00:20:59,325 --> 00:21:01,392 PERSON, I MISS YOU! >> ME TOO, I WANT TO BE ON THAT CHAIR NEXT TO YOU, MAKE SURE 647 00:21:01,394 --> 00:21:02,693 >> ME TOO, I WANT TO BE ON THAT CHAIR NEXT TO YOU, MAKE SURE NOBODY JUMPS OUT AND SCARES THE 648 00:21:02,695 --> 00:21:03,728 CHAIR NEXT TO YOU, MAKE SURE NOBODY JUMPS OUT AND SCARES THE HELL OUT OF ME. 649 00:21:03,730 --> 00:21:05,796 NOBODY JUMPS OUT AND SCARES THE HELL OUT OF ME. >> Ellen: I CAN'T GUARANTEE 650 00:21:05,798 --> 00:21:06,464 HELL OUT OF ME. >> Ellen: I CAN'T GUARANTEE THAT. 651 00:21:06,466 --> 00:21:12,370 >> Ellen: I CAN'T GUARANTEE THAT. SEE YOU SOON, WE WILL BE BACK ♪ 652 00:21:12,372 --> 00:21:20,645 THAT. SEE YOU SOON, WE WILL BE BACK ♪ [CHEERS AND APPLAUSE] 653 00:21:20,647 --> 00:21:21,312 SEE YOU SOON, WE WILL BE BACK ♪ [CHEERS AND APPLAUSE] ♪ 'CAUSE I GET SO LONELY AND YOU 654 00:21:21,314 --> 00:21:21,846 [CHEERS AND APPLAUSE] ♪ 'CAUSE I GET SO LONELY AND YOU GET SO LOW ♪ 655 00:21:21,848 --> 00:21:22,480 ♪ 'CAUSE I GET SO LONELY AND YOU GET SO LOW ♪ ♪ AND I LOOK SO STUPID WHEN I 656 00:21:22,482 --> 00:21:26,617 GET SO LOW ♪ ♪ AND I LOOK SO STUPID WHEN I LOSE CONTROL ♪ 657 00:21:26,619 --> 00:21:28,452 ♪ AND I LOOK SO STUPID WHEN I LOSE CONTROL ♪ >> Ellen: LETS EAT? 658 00:21:28,454 --> 00:21:29,920 LOSE CONTROL ♪ >> Ellen: LETS EAT? >> DRUMROLL PLEASE. 659 00:21:29,922 --> 00:21:41,332 >> Ellen: LETS EAT? >> DRUMROLL PLEASE. >> Ellen: ILLINOIS! 660 00:21:41,334 --> 00:21:43,134 >> DRUMROLL PLEASE. >> Ellen: ILLINOIS! >> Ellen: OUR NEXT GUEST IS A 661 00:21:43,136 --> 00:21:43,768 >> Ellen: ILLINOIS! >> Ellen: OUR NEXT GUEST IS A SINGER-SONGWRITER FROM SYDNEY, 662 00:21:43,770 --> 00:21:47,238 >> Ellen: OUR NEXT GUEST IS A SINGER-SONGWRITER FROM SYDNEY, AUSTRALIA, WHO SONGS HAVE BEEN 663 00:21:47,240 --> 00:21:48,472 SINGER-SONGWRITER FROM SYDNEY, AUSTRALIA, WHO SONGS HAVE BEEN STREAMED 5 BILLION TIMES. 664 00:21:48,474 --> 00:21:51,676 AUSTRALIA, WHO SONGS HAVE BEEN STREAMED 5 BILLION TIMES. NOW PERFORMING HIS NEW SONG 665 00:21:51,678 --> 00:21:52,243 STREAMED 5 BILLION TIMES. NOW PERFORMING HIS NEW SONG "FALLING UP," PLEASE WELCOME 666 00:21:52,245 --> 00:21:54,045 NOW PERFORMING HIS NEW SONG "FALLING UP," PLEASE WELCOME DEAN LEWIS. 667 00:21:54,047 --> 00:21:54,512 "FALLING UP," PLEASE WELCOME DEAN LEWIS. [CHEERS AND APPLAUSE] 668 00:21:54,514 --> 00:21:57,148 DEAN LEWIS. [CHEERS AND APPLAUSE] ♪ ♪ 669 00:21:57,150 --> 00:21:57,815 [CHEERS AND APPLAUSE] ♪ ♪ ♪ THINGS WERE HAPPENING ♪ 670 00:21:57,817 --> 00:21:58,716 ♪ ♪ ♪ THINGS WERE HAPPENING ♪ ♪ I FELT THE WEIGHT OF THE 671 00:21:58,718 --> 00:22:00,785 ♪ THINGS WERE HAPPENING ♪ ♪ I FELT THE WEIGHT OF THE EXPECTATION ON MY CHEST ♪ 672 00:22:00,787 --> 00:22:03,254 ♪ I FELT THE WEIGHT OF THE EXPECTATION ON MY CHEST ♪ ♪ MY MIND WAS TRAVELING ♪ 673 00:22:03,256 --> 00:22:07,725 EXPECTATION ON MY CHEST ♪ ♪ MY MIND WAS TRAVELING ♪ ♪ BUT I SWEAR THAT I DON'T 674 00:22:07,727 --> 00:22:10,428 ♪ MY MIND WAS TRAVELING ♪ ♪ BUT I SWEAR THAT I DON'T REMEMBER WHERE IT WENT ♪ 675 00:22:10,430 --> 00:22:13,964 ♪ BUT I SWEAR THAT I DON'T REMEMBER WHERE IT WENT ♪ ♪ THEY SAID THINGS WERE 676 00:22:13,966 --> 00:22:14,498 REMEMBER WHERE IT WENT ♪ ♪ THEY SAID THINGS WERE GROWING ♪ 677 00:22:14,500 --> 00:22:16,200 ♪ THEY SAID THINGS WERE GROWING ♪ ♪ SO WHY DO I FEEL LIKE NOTHING 678 00:22:16,202 --> 00:22:20,404 GROWING ♪ ♪ SO WHY DO I FEEL LIKE NOTHING AT ALL IS LEFT? ♪ 679 00:22:20,406 --> 00:22:23,741 ♪ SO WHY DO I FEEL LIKE NOTHING AT ALL IS LEFT? ♪ ♪ SO I'LL KEEP ON MOVING ♪ 680 00:22:23,743 --> 00:22:24,842 AT ALL IS LEFT? ♪ ♪ SO I'LL KEEP ON MOVING ♪ ♪ IF I'M STANDING STILL THEN 681 00:22:24,844 --> 00:22:28,679 ♪ SO I'LL KEEP ON MOVING ♪ ♪ IF I'M STANDING STILL THEN I'LL FEEL THE EMPTINESS ♪ 682 00:22:28,681 --> 00:22:31,248 ♪ IF I'M STANDING STILL THEN I'LL FEEL THE EMPTINESS ♪ ♪ 'CAUSE I GET SO LONELY AND YOU 683 00:22:31,250 --> 00:22:32,850 I'LL FEEL THE EMPTINESS ♪ ♪ 'CAUSE I GET SO LONELY AND YOU GET SO LOW ♪ 684 00:22:32,852 --> 00:22:36,287 ♪ 'CAUSE I GET SO LONELY AND YOU GET SO LOW ♪ ♪ AND I LOOK SO STUPID WHEN I 685 00:22:36,289 --> 00:22:38,022 GET SO LOW ♪ ♪ AND I LOOK SO STUPID WHEN I LOSE CONTROL ♪ 686 00:22:38,024 --> 00:22:39,223 ♪ AND I LOOK SO STUPID WHEN I LOSE CONTROL ♪ ♪ I'M ALONE IN MY BEDROOM AND 687 00:22:39,225 --> 00:22:42,026 LOSE CONTROL ♪ ♪ I'M ALONE IN MY BEDROOM AND THE WALLS ARE CAVING IN ♪ 688 00:22:42,028 --> 00:22:43,427 ♪ I'M ALONE IN MY BEDROOM AND THE WALLS ARE CAVING IN ♪ ♪ AND I THOUGHT I'D BE HAPPY, 689 00:22:43,429 --> 00:22:47,932 THE WALLS ARE CAVING IN ♪ ♪ AND I THOUGHT I'D BE HAPPY, BUT I'M BARELY BREATHING ♪ 690 00:22:47,934 --> 00:22:52,069 ♪ AND I THOUGHT I'D BE HAPPY, BUT I'M BARELY BREATHING ♪ ♪ OOH, I'M BARELY BREATHING ♪ 691 00:22:52,071 --> 00:22:54,638 BUT I'M BARELY BREATHING ♪ ♪ OOH, I'M BARELY BREATHING ♪ ♪ 'CAUSE I'M FEELING DOWN, BUT 692 00:22:54,640 --> 00:22:55,039 ♪ OOH, I'M BARELY BREATHING ♪ ♪ 'CAUSE I'M FEELING DOWN, BUT I'M FALLING UP ♪ 693 00:22:55,041 --> 00:22:56,707 ♪ 'CAUSE I'M FEELING DOWN, BUT I'M FALLING UP ♪ ♪ AND I'M BREAKING OUT, BUT NOT 694 00:22:56,709 --> 00:22:58,075 I'M FALLING UP ♪ ♪ AND I'M BREAKING OUT, BUT NOT OUT OF LUCK ♪ 695 00:22:58,077 --> 00:23:00,344 ♪ AND I'M BREAKING OUT, BUT NOT OUT OF LUCK ♪ ♪ AS I BREATHE THE AIR INTO MY 696 00:23:00,346 --> 00:23:03,547 OUT OF LUCK ♪ ♪ AS I BREATHE THE AIR INTO MY LUNGS ♪ 697 00:23:03,549 --> 00:23:11,188 ♪ AS I BREATHE THE AIR INTO MY LUNGS ♪ ♪ I WANTED EVERYTHING BUT 698 00:23:11,190 --> 00:23:13,657 LUNGS ♪ ♪ I WANTED EVERYTHING BUT ♪ I WANTED EVERYTHING BUT 699 00:23:13,659 --> 00:23:14,258 ♪ I WANTED EVERYTHING BUT ♪ I WANTED EVERYTHING BUT NOTHING'S EVER GOOD ENOUGH ♪ 700 00:23:14,260 --> 00:23:15,493 ♪ I WANTED EVERYTHING BUT NOTHING'S EVER GOOD ENOUGH ♪ ♪ I GOTTA CHANGE ME ♪ 701 00:23:15,495 --> 00:23:23,801 NOTHING'S EVER GOOD ENOUGH ♪ ♪ I GOTTA CHANGE ME ♪ ♪ AND IF I WAKE UP NOW THERE'S A 702 00:23:23,803 --> 00:23:24,268 ♪ I GOTTA CHANGE ME ♪ ♪ AND IF I WAKE UP NOW THERE'S A CHANCE TO START AGAIN 703 00:23:24,270 --> 00:23:24,702 ♪ AND IF I WAKE UP NOW THERE'S A CHANCE TO START AGAIN ♪ BUT IF I WAIT ♪ 704 00:23:24,704 --> 00:23:25,603 CHANCE TO START AGAIN ♪ BUT IF I WAIT ♪ ♪ COULD I GET BACK TO THE PLACE 705 00:23:25,605 --> 00:23:27,605 ♪ BUT IF I WAIT ♪ ♪ COULD I GET BACK TO THE PLACE WHERE IT ALL BEGAN BEFORE? ♪ 706 00:23:27,607 --> 00:23:28,406 ♪ COULD I GET BACK TO THE PLACE WHERE IT ALL BEGAN BEFORE? ♪ ♪ I GOT SO LONELY AND YOU GOT SO 707 00:23:28,408 --> 00:23:33,077 WHERE IT ALL BEGAN BEFORE? ♪ ♪ I GOT SO LONELY AND YOU GOT SO LOW ♪ 708 00:23:33,079 --> 00:23:34,979 ♪ I GOT SO LONELY AND YOU GOT SO LOW ♪ ♪ AND I LOOKED SO STUPID WHEN 709 00:23:34,981 --> 00:23:36,814 LOW ♪ ♪ AND I LOOKED SO STUPID WHEN YOU CAME TO MY SHOW ♪ 710 00:23:36,816 --> 00:23:39,083 ♪ AND I LOOKED SO STUPID WHEN YOU CAME TO MY SHOW ♪ ♪ I'M ALONE IN THE SPOTLIGHT AND 711 00:23:39,085 --> 00:23:40,317 YOU CAME TO MY SHOW ♪ ♪ I'M ALONE IN THE SPOTLIGHT AND THE WALLS ARE CAVING IN ♪ 712 00:23:40,319 --> 00:23:43,421 ♪ I'M ALONE IN THE SPOTLIGHT AND THE WALLS ARE CAVING IN ♪ ♪ AND I THOUGHT I'D BE HAPPY BUT 713 00:23:43,423 --> 00:23:46,457 THE WALLS ARE CAVING IN ♪ ♪ AND I THOUGHT I'D BE HAPPY BUT I'M BARELY BREATHING ♪ 714 00:23:46,459 --> 00:23:50,161 ♪ AND I THOUGHT I'D BE HAPPY BUT I'M BARELY BREATHING ♪ ♪ OOH, I'M BARELY BREATHING ♪ 715 00:23:50,163 --> 00:23:50,861 I'M BARELY BREATHING ♪ ♪ OOH, I'M BARELY BREATHING ♪ ♪ 'CAUSE I'M FEELING DOWN BUT 716 00:23:50,863 --> 00:23:51,962 ♪ OOH, I'M BARELY BREATHING ♪ ♪ 'CAUSE I'M FEELING DOWN BUT I'M FALLING UP ♪ 717 00:23:51,964 --> 00:23:55,466 ♪ 'CAUSE I'M FEELING DOWN BUT I'M FALLING UP ♪ ♪ AND I'M BREAKING OUT BUT NOT 718 00:23:55,468 --> 00:23:59,303 I'M FALLING UP ♪ ♪ AND I'M BREAKING OUT BUT NOT OUT OF LUCK ♪ 719 00:23:59,305 --> 00:23:59,937 ♪ AND I'M BREAKING OUT BUT NOT OUT OF LUCK ♪ ♪ AS I BREATHE THE AIR INTO MY 720 00:23:59,939 --> 00:24:02,072 OUT OF LUCK ♪ ♪ AS I BREATHE THE AIR INTO MY LUNGS ♪ 721 00:24:02,074 --> 00:24:03,407 ♪ AS I BREATHE THE AIR INTO MY LUNGS ♪ ♪ I WANTED EVERYTHING BUT 722 00:24:03,409 --> 00:24:08,145 LUNGS ♪ ♪ I WANTED EVERYTHING BUT NOTHING'S EVER GOOD ENOUGH ♪ 723 00:24:08,147 --> 00:24:09,246 ♪ I WANTED EVERYTHING BUT NOTHING'S EVER GOOD ENOUGH ♪ ♪ AND I HATE THE MAN THAT I'VE 724 00:24:09,248 --> 00:24:17,955 NOTHING'S EVER GOOD ENOUGH ♪ ♪ AND I HATE THE MAN THAT I'VE TURNED INTO ♪ 725 00:24:17,957 --> 00:24:18,622 ♪ AND I HATE THE MAN THAT I'VE TURNED INTO ♪ ♪ AND I'VE COME SO FAR, WHAT DID 726 00:24:18,624 --> 00:24:19,223 TURNED INTO ♪ ♪ AND I'VE COME SO FAR, WHAT DID I LOSE? ♪ 727 00:24:19,225 --> 00:24:19,857 ♪ AND I'VE COME SO FAR, WHAT DID I LOSE? ♪ ♪ AND I SWEAR TO GOD I'LL MAKE 728 00:24:19,859 --> 00:24:20,724 I LOSE? ♪ ♪ AND I SWEAR TO GOD I'LL MAKE IT THROUGH ♪ 729 00:24:20,726 --> 00:24:24,128 ♪ AND I SWEAR TO GOD I'LL MAKE IT THROUGH ♪ ♪ I'LL MAKE IT THROUGH ♪ 730 00:24:24,130 --> 00:24:25,796 IT THROUGH ♪ ♪ I'LL MAKE IT THROUGH ♪ ♪ 'CAUSE I GET SO LONELY AND YOU 731 00:24:25,798 --> 00:24:28,599 ♪ I'LL MAKE IT THROUGH ♪ ♪ 'CAUSE I GET SO LONELY AND YOU GET SO LOW ♪ 732 00:24:28,601 --> 00:24:30,334 ♪ 'CAUSE I GET SO LONELY AND YOU GET SO LOW ♪ ♪ AND I LOOKED SO STUPID WHEN 733 00:24:30,336 --> 00:24:32,603 GET SO LOW ♪ ♪ AND I LOOKED SO STUPID WHEN YOU CAME TO MY SHOW ♪ 734 00:24:32,605 --> 00:24:35,506 ♪ AND I LOOKED SO STUPID WHEN YOU CAME TO MY SHOW ♪ ♪ I'M ALONE IN THE SPOTLIGHT AND 735 00:24:35,508 --> 00:24:38,209 YOU CAME TO MY SHOW ♪ ♪ I'M ALONE IN THE SPOTLIGHT AND THE WALLS ARE CAVING IN ♪ 736 00:24:38,211 --> 00:24:39,376 ♪ I'M ALONE IN THE SPOTLIGHT AND THE WALLS ARE CAVING IN ♪ ♪ AND I THOUGHT I'D BE HAPPY BUT 737 00:24:39,378 --> 00:24:42,646 THE WALLS ARE CAVING IN ♪ ♪ AND I THOUGHT I'D BE HAPPY BUT I'M BARELY BREATHING ♪ 738 00:24:42,648 --> 00:24:44,081 ♪ AND I THOUGHT I'D BE HAPPY BUT I'M BARELY BREATHING ♪ ♪ OOH, I'M BARELY BREATHING ♪ 739 00:24:44,083 --> 00:24:46,217 I'M BARELY BREATHING ♪ ♪ OOH, I'M BARELY BREATHING ♪ ♪ 'CAUSE I'M FEELING DOWN BUT 740 00:24:46,219 --> 00:24:49,019 ♪ OOH, I'M BARELY BREATHING ♪ ♪ 'CAUSE I'M FEELING DOWN BUT I'M FALLING UP ♪ 741 00:24:49,021 --> 00:24:51,155 ♪ 'CAUSE I'M FEELING DOWN BUT I'M FALLING UP ♪ ♪ AND I'M BREAKING OUT BUT NOT 742 00:24:51,157 --> 00:24:53,090 I'M FALLING UP ♪ ♪ AND I'M BREAKING OUT BUT NOT OUT OF LUCK ♪ 743 00:24:53,092 --> 00:24:55,726 ♪ AND I'M BREAKING OUT BUT NOT OUT OF LUCK ♪ ♪ AS I BREATHE THE AIR INTO MY 744 00:24:55,728 --> 00:24:59,964 OUT OF LUCK ♪ ♪ AS I BREATHE THE AIR INTO MY LUNGS ♪ 745 00:24:59,966 --> 00:25:00,798 ♪ AS I BREATHE THE AIR INTO MY LUNGS ♪ ♪ I WANTED EVERYTHING BUT 746 00:25:00,800 --> 00:25:09,406 LUNGS ♪ ♪ I WANTED EVERYTHING BUT NOTHING'S EVER GOOD ENOUGH ♪ 747 00:25:09,408 --> 00:25:09,874 ♪ I WANTED EVERYTHING BUT NOTHING'S EVER GOOD ENOUGH ♪ [CHEERS AND APPLAUSE] 748 00:25:09,876 --> 00:25:14,545 NOTHING'S EVER GOOD ENOUGH ♪ [CHEERS AND APPLAUSE] ♪ ♪ 749 00:25:14,547 --> 00:25:16,013 [CHEERS AND APPLAUSE] ♪ ♪ >> I APPRECIATE YOUR TRUST, YOU 750 00:25:16,015 --> 00:25:16,413 ♪ ♪ >> I APPRECIATE YOUR TRUST, YOU KNOW WHAT I MEAN? 751 00:25:16,415 --> 00:25:18,716 >> I APPRECIATE YOUR TRUST, YOU KNOW WHAT I MEAN? YOU KNOW WHAT I HAVE IN MY 752 00:25:18,718 --> 00:25:20,451 KNOW WHAT I MEAN? YOU KNOW WHAT I HAVE IN MY BACKPACK AT ANY GIVEN TIME? 753 00:25:20,453 --> 00:25:23,521 YOU KNOW WHAT I HAVE IN MY BACKPACK AT ANY GIVEN TIME? THREE PASSPORTS, $40,000 IN CA 754 00:25:23,523 --> 00:25:23,721 BACKPACK AT ANY GIVEN TIME? THREE PASSPORTS, $40,000 IN CA CASH. 755 00:25:23,723 --> 00:25:23,988 THREE PASSPORTS, $40,000 IN CA CASH. [LAUGHTER] 756 00:25:23,990 --> 00:25:24,455 CASH. [LAUGHTER] [CHEERS AND APPLAUSE] 757 00:25:24,457 --> 00:25:29,960 [LAUGHTER] [CHEERS AND APPLAUSE] ♪ SURE. 758 00:25:29,962 --> 00:25:30,227 [CHEERS AND APPLAUSE] ♪ SURE. [LAUGHTER] 759 00:25:30,229 --> 00:25:32,129 ♪ SURE. [LAUGHTER] ♪ ♪ 760 00:25:32,131 --> 00:25:32,596 [LAUGHTER] ♪ ♪ [CHEERS AND APPLAUSE] 761 00:25:32,598 --> 00:25:41,338 ♪ ♪ [CHEERS AND APPLAUSE] ♪ ♪ 762 00:25:41,340 --> 00:25:45,943 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: NOT ONLY IS JASON 763 00:25:45,945 --> 00:25:47,811 ♪ ♪ >> Ellen: NOT ONLY IS JASON SUDEIKIS A FUNNY ACTOR, BUT HE 764 00:25:47,813 --> 00:25:48,279 >> Ellen: NOT ONLY IS JASON SUDEIKIS A FUNNY ACTOR, BUT HE HAS A GREAT DAD. 765 00:25:48,281 --> 00:25:49,580 SUDEIKIS A FUNNY ACTOR, BUT HE HAS A GREAT DAD. WE THOUGHT IT WOULD BE GREAT FOR 766 00:25:49,582 --> 00:25:50,981 HAS A GREAT DAD. WE THOUGHT IT WOULD BE GREAT FOR HIM TO SIT DOWN WITH SOME KIDS 767 00:25:50,983 --> 00:25:53,951 WE THOUGHT IT WOULD BE GREAT FOR HIM TO SIT DOWN WITH SOME KIDS AND GIVE THEM LIFE ADVICE, I WAS 768 00:25:53,953 --> 00:25:54,151 HIM TO SIT DOWN WITH SOME KIDS AND GIVE THEM LIFE ADVICE, I WAS RIGHT. 769 00:25:54,153 --> 00:25:54,451 AND GIVE THEM LIFE ADVICE, I WAS RIGHT. TAKE A LOOK. 770 00:25:54,453 --> 00:26:05,529 RIGHT. TAKE A LOOK. ♪ ♪ 771 00:26:05,531 --> 00:26:06,096 TAKE A LOOK. ♪ ♪ >> IS THIS, HI, IS THIS THE 772 00:26:06,098 --> 00:26:06,397 ♪ ♪ >> IS THIS, HI, IS THIS THE RIGHT ROOM? 773 00:26:06,399 --> 00:26:06,630 >> IS THIS, HI, IS THIS THE RIGHT ROOM? >> YES. 774 00:26:06,632 --> 00:26:07,965 RIGHT ROOM? >> YES. >> OKAY, GOOD. 775 00:26:07,967 --> 00:26:09,633 >> YES. >> OKAY, GOOD. HOW ARE YOU DOING? 776 00:26:09,635 --> 00:26:10,834 >> OKAY, GOOD. HOW ARE YOU DOING? >> GOOD. 777 00:26:10,836 --> 00:26:13,604 HOW ARE YOU DOING? >> GOOD. >> GOOD, MY NAME IS JASON, AND 778 00:26:13,606 --> 00:26:14,104 >> GOOD. >> GOOD, MY NAME IS JASON, AND YOU ARE MADDIE? 779 00:26:14,106 --> 00:26:17,207 >> GOOD, MY NAME IS JASON, AND YOU ARE MADDIE? >> YES, I CAN DO THIS. 780 00:26:17,209 --> 00:26:18,943 YOU ARE MADDIE? >> YES, I CAN DO THIS. >> CAN YOU SPELL YOUR NAME 781 00:26:18,945 --> 00:26:21,145 >> YES, I CAN DO THIS. >> CAN YOU SPELL YOUR NAME BACKWARDS? 782 00:26:21,147 --> 00:26:25,849 >> CAN YOU SPELL YOUR NAME BACKWARDS? >> Y-D-D-M. 783 00:26:25,851 --> 00:26:28,018 BACKWARDS? >> Y-D-D-M. >> WE BOTH KNOW THAT WAS ONLY 784 00:26:28,020 --> 00:26:29,453 >> Y-D-D-M. >> WE BOTH KNOW THAT WAS ONLY RIGHT THE SECOND ROUND, THAT'S 785 00:26:29,455 --> 00:26:31,121 >> WE BOTH KNOW THAT WAS ONLY RIGHT THE SECOND ROUND, THAT'S WHY WE SHUT DOWN, STAY HUNGRY, 786 00:26:31,123 --> 00:26:33,624 RIGHT THE SECOND ROUND, THAT'S WHY WE SHUT DOWN, STAY HUNGRY, STAY HUMBLE. 787 00:26:33,626 --> 00:26:34,925 WHY WE SHUT DOWN, STAY HUNGRY, STAY HUMBLE. DID YOU EVER WATCH 788 00:26:34,927 --> 00:26:37,328 STAY HUMBLE. DID YOU EVER WATCH "SATURDAY NIGHT LIVE" BETWEEN 789 00:26:37,330 --> 00:26:37,595 DID YOU EVER WATCH "SATURDAY NIGHT LIVE" BETWEEN 2005-2013? 790 00:26:37,597 --> 00:26:39,229 "SATURDAY NIGHT LIVE" BETWEEN 2005-2013? YOU DID? 791 00:26:39,231 --> 00:26:43,867 2005-2013? YOU DID? SO YOUR PARENTS ARE COOL, AND 792 00:26:43,869 --> 00:26:45,970 YOU DID? SO YOUR PARENTS ARE COOL, AND ALSO QUESTIONABLE, RIGHT? 793 00:26:45,972 --> 00:26:47,571 SO YOUR PARENTS ARE COOL, AND ALSO QUESTIONABLE, RIGHT? >> I NEVER SAW IT. 794 00:26:47,573 --> 00:26:49,607 ALSO QUESTIONABLE, RIGHT? >> I NEVER SAW IT. >> WHAT YOU MEAN YOU HAVEN'T? 795 00:26:49,609 --> 00:26:53,877 >> I NEVER SAW IT. >> WHAT YOU MEAN YOU HAVEN'T? LET ME SEE IT, WHAT DO YOU GOT? 796 00:26:53,879 --> 00:26:54,878 >> WHAT YOU MEAN YOU HAVEN'T? LET ME SEE IT, WHAT DO YOU GOT? OKAY, OH! 797 00:26:54,880 --> 00:26:55,412 LET ME SEE IT, WHAT DO YOU GOT? OKAY, OH! [LAUGHTER] 798 00:26:55,414 --> 00:26:56,080 OKAY, OH! [LAUGHTER] ARE YOU ALL RIGHT? 799 00:26:56,082 --> 00:26:58,182 [LAUGHTER] ARE YOU ALL RIGHT? DID YOU SIGN A WAIVER, BY THE 800 00:26:58,184 --> 00:26:59,550 ARE YOU ALL RIGHT? DID YOU SIGN A WAIVER, BY THE WAY? 801 00:26:59,552 --> 00:27:00,451 DID YOU SIGN A WAIVER, BY THE WAY? [LAUGHTER] 802 00:27:00,453 --> 00:27:01,919 WAY? [LAUGHTER] SO I WILL ASK YOU GUYS IF YOU 803 00:27:01,921 --> 00:27:02,686 [LAUGHTER] SO I WILL ASK YOU GUYS IF YOU QUESTIONS TO SEE IF YOU KNOW 804 00:27:02,688 --> 00:27:04,688 SO I WILL ASK YOU GUYS IF YOU QUESTIONS TO SEE IF YOU KNOW IT'S GOING ON. 805 00:27:04,690 --> 00:27:06,790 QUESTIONS TO SEE IF YOU KNOW IT'S GOING ON. >> I LIKE CHERRIES. 806 00:27:06,792 --> 00:27:10,160 IT'S GOING ON. >> I LIKE CHERRIES. >> YOU LIVE CHERRIES, OKAY. 807 00:27:10,162 --> 00:27:10,828 >> I LIKE CHERRIES. >> YOU LIVE CHERRIES, OKAY. DO YOUR PARENTS DO ANYTHING THAT 808 00:27:10,830 --> 00:27:13,631 >> YOU LIVE CHERRIES, OKAY. DO YOUR PARENTS DO ANYTHING THAT ANNOYS YOU? 809 00:27:13,633 --> 00:27:15,265 DO YOUR PARENTS DO ANYTHING THAT ANNOYS YOU? >> THEY JUST RELAX AND HAVE FUN 810 00:27:15,267 --> 00:27:15,666 ANNOYS YOU? >> THEY JUST RELAX AND HAVE FUN AND WATCH TV. 811 00:27:15,668 --> 00:27:17,234 >> THEY JUST RELAX AND HAVE FUN AND WATCH TV. >> AND THAT'S ANNOYING. 812 00:27:17,236 --> 00:27:18,168 AND WATCH TV. >> AND THAT'S ANNOYING. BECAUSE YOU WANT THEM TO BRING 813 00:27:18,170 --> 00:27:20,437 >> AND THAT'S ANNOYING. BECAUSE YOU WANT THEM TO BRING HOME THE BACON. 814 00:27:20,439 --> 00:27:21,472 BECAUSE YOU WANT THEM TO BRING HOME THE BACON. I HEAR YOU. 815 00:27:21,474 --> 00:27:22,840 HOME THE BACON. I HEAR YOU. >> THEY JUST SUDDENLY COME AND 816 00:27:22,842 --> 00:27:23,874 I HEAR YOU. >> THEY JUST SUDDENLY COME AND INTERRUPT ME WHEN I'M IN THE 817 00:27:23,876 --> 00:27:27,044 >> THEY JUST SUDDENLY COME AND INTERRUPT ME WHEN I'M IN THE MIDDLE OF HARRY POTTER. 818 00:27:27,046 --> 00:27:28,245 INTERRUPT ME WHEN I'M IN THE MIDDLE OF HARRY POTTER. ANYWAYS, IT'S A MY BACKPACK. 819 00:27:28,247 --> 00:27:30,214 MIDDLE OF HARRY POTTER. ANYWAYS, IT'S A MY BACKPACK. >> SPEAKING OF YOUR BACKPACKS, 820 00:27:30,216 --> 00:27:32,383 ANYWAYS, IT'S A MY BACKPACK. >> SPEAKING OF YOUR BACKPACKS, LET'S SEE WHAT WE'VE GOT HERE. 821 00:27:32,385 --> 00:27:35,452 >> SPEAKING OF YOUR BACKPACKS, LET'S SEE WHAT WE'VE GOT HERE. YOU CAN TELL THE PERSONALITY BY 822 00:27:35,454 --> 00:27:35,819 LET'S SEE WHAT WE'VE GOT HERE. YOU CAN TELL THE PERSONALITY BY THEIR BACKPACK. 823 00:27:35,821 --> 00:27:36,787 YOU CAN TELL THE PERSONALITY BY THEIR BACKPACK. >> SORRY. 824 00:27:36,789 --> 00:27:38,188 THEIR BACKPACK. >> SORRY. >> THAT'S JUST GRAVITY, YOU 825 00:27:38,190 --> 00:27:40,324 >> SORRY. >> THAT'S JUST GRAVITY, YOU DON'T HAVE TO APOLOGIZE FOR 826 00:27:40,326 --> 00:27:42,192 >> THAT'S JUST GRAVITY, YOU DON'T HAVE TO APOLOGIZE FOR GRAVITY. 827 00:27:42,194 --> 00:27:46,196 DON'T HAVE TO APOLOGIZE FOR GRAVITY. SO DARTH VADER HERE, SOME DECENT 828 00:27:46,198 --> 00:27:46,497 GRAVITY. SO DARTH VADER HERE, SOME DECENT RHINOPLASTY. 829 00:27:46,499 --> 00:27:47,898 SO DARTH VADER HERE, SOME DECENT RHINOPLASTY. YODA, DO YOU KNOW WHO HE IS? 830 00:27:47,900 --> 00:27:50,234 RHINOPLASTY. YODA, DO YOU KNOW WHO HE IS? >> HE IS THE SMALL GREEN GUY. 831 00:27:50,236 --> 00:27:51,669 YODA, DO YOU KNOW WHO HE IS? >> HE IS THE SMALL GREEN GUY. >> YOU KNOW THE SIZE AND THE 832 00:27:51,671 --> 00:27:54,838 >> HE IS THE SMALL GREEN GUY. >> YOU KNOW THE SIZE AND THE COLOR OF HIS SKIN, WAY TO GO, 833 00:27:54,840 --> 00:27:55,105 >> YOU KNOW THE SIZE AND THE COLOR OF HIS SKIN, WAY TO GO, JACKSON. 834 00:27:55,107 --> 00:27:57,307 COLOR OF HIS SKIN, WAY TO GO, JACKSON. NOT BAD, RIGHT? 835 00:27:57,309 --> 00:28:00,210 JACKSON. NOT BAD, RIGHT? WHAT IS GOING ON OVER THERE? 836 00:28:00,212 --> 00:28:03,614 NOT BAD, RIGHT? WHAT IS GOING ON OVER THERE? OH, YOUR HOMEWORK. 837 00:28:03,616 --> 00:28:04,348 WHAT IS GOING ON OVER THERE? OH, YOUR HOMEWORK. >> IT'S MY NAME. 838 00:28:04,350 --> 00:28:07,017 OH, YOUR HOMEWORK. >> IT'S MY NAME. >> AND YOUR HANDWRITING, IF I 839 00:28:07,019 --> 00:28:08,852 >> IT'S MY NAME. >> AND YOUR HANDWRITING, IF I STUDIED THIS LONG ENOUGH THAT I 840 00:28:08,854 --> 00:28:10,254 >> AND YOUR HANDWRITING, IF I STUDIED THIS LONG ENOUGH THAT I COULD STEAL YOUR IDENTITY. 841 00:28:10,256 --> 00:28:13,390 STUDIED THIS LONG ENOUGH THAT I COULD STEAL YOUR IDENTITY. YOUR CREDIT CARD, JUST LIKE TH 842 00:28:13,392 --> 00:28:13,590 COULD STEAL YOUR IDENTITY. YOUR CREDIT CARD, JUST LIKE TH THAT. 843 00:28:13,592 --> 00:28:14,591 YOUR CREDIT CARD, JUST LIKE TH THAT. >> PUT THAT BACK IN. 844 00:28:14,593 --> 00:28:17,661 THAT. >> PUT THAT BACK IN. >> ARE YOU FORGETTING ABOUT 845 00:28:17,663 --> 00:28:18,295 >> PUT THAT BACK IN. >> ARE YOU FORGETTING ABOUT SOMEBODY'S BACKPACK RIGHT HERE? 846 00:28:18,297 --> 00:28:21,832 >> ARE YOU FORGETTING ABOUT SOMEBODY'S BACKPACK RIGHT HERE? >> LET'S SEE WHAT YOU GOT. 847 00:28:21,834 --> 00:28:22,933 SOMEBODY'S BACKPACK RIGHT HERE? >> LET'S SEE WHAT YOU GOT. DO YOU KNOW HARRY POTTER'S REAL 848 00:28:22,935 --> 00:28:23,167 >> LET'S SEE WHAT YOU GOT. DO YOU KNOW HARRY POTTER'S REAL NAME? 849 00:28:23,169 --> 00:28:23,701 DO YOU KNOW HARRY POTTER'S REAL NAME? >> NO. 850 00:28:23,703 --> 00:28:26,770 NAME? >> NO. >> HAROLD POTTER. 851 00:28:26,772 --> 00:28:28,072 >> NO. >> HAROLD POTTER. >> THAT'S NOT RIGHT. 852 00:28:28,074 --> 00:28:30,808 >> HAROLD POTTER. >> THAT'S NOT RIGHT. HIS NAME IS HARRY POTTER. 853 00:28:30,810 --> 00:28:33,010 >> THAT'S NOT RIGHT. HIS NAME IS HARRY POTTER. >> BUT ON HIS BIRTH CERTIFICATE. 854 00:28:33,012 --> 00:28:36,080 HIS NAME IS HARRY POTTER. >> BUT ON HIS BIRTH CERTIFICATE. >> HIS NAME IS HARRY. 855 00:28:36,082 --> 00:28:37,581 >> BUT ON HIS BIRTH CERTIFICATE. >> HIS NAME IS HARRY. >> CAN I SEE YOUR BACKPACK? 856 00:28:37,583 --> 00:28:39,283 >> HIS NAME IS HARRY. >> CAN I SEE YOUR BACKPACK? I APPRECIATE YOUR TRUST, YOU 857 00:28:39,285 --> 00:28:41,251 >> CAN I SEE YOUR BACKPACK? I APPRECIATE YOUR TRUST, YOU KNOW WHAT I HAVE IN MY BACK PAT 858 00:28:41,253 --> 00:28:43,387 I APPRECIATE YOUR TRUST, YOU KNOW WHAT I HAVE IN MY BACK PAT AT ANY GIVEN TIME? 859 00:28:43,389 --> 00:28:46,356 KNOW WHAT I HAVE IN MY BACK PAT AT ANY GIVEN TIME? THREE PASSPORTS AND $40,000 IN 860 00:28:46,358 --> 00:28:47,424 AT ANY GIVEN TIME? THREE PASSPORTS AND $40,000 IN CASH. 861 00:28:47,426 --> 00:28:50,828 THREE PASSPORTS AND $40,000 IN CASH. >> DOES ANYBODY KNOW CHARLIE 862 00:28:50,830 --> 00:28:51,061 CASH. >> DOES ANYBODY KNOW CHARLIE CHARLIE? 863 00:28:51,063 --> 00:28:51,795 >> DOES ANYBODY KNOW CHARLIE CHARLIE? >> CHARLIE CHARLIE? 864 00:28:51,797 --> 00:28:53,797 CHARLIE? >> CHARLIE CHARLIE? >> IT'S A GHOST GAME. 865 00:28:53,799 --> 00:28:56,767 >> CHARLIE CHARLIE? >> IT'S A GHOST GAME. >> IT IS, DO YOU DABBLE IN THE 866 00:28:56,769 --> 00:28:57,634 >> IT'S A GHOST GAME. >> IT IS, DO YOU DABBLE IN THE DARK ARTS? 867 00:28:57,636 --> 00:28:58,235 >> IT IS, DO YOU DABBLE IN THE DARK ARTS? >> MY FRIEND DOES. 868 00:28:58,237 --> 00:28:59,970 DARK ARTS? >> MY FRIEND DOES. >> YES, HAVE A FRIEND THAT 869 00:28:59,972 --> 00:29:03,073 >> MY FRIEND DOES. >> YES, HAVE A FRIEND THAT DABBLES IN THE DARK ARTS AND 870 00:29:03,075 --> 00:29:05,642 >> YES, HAVE A FRIEND THAT DABBLES IN THE DARK ARTS AND HAVE A FRIEND THAT HAS A BOAT. 871 00:29:05,644 --> 00:29:06,276 DABBLES IN THE DARK ARTS AND HAVE A FRIEND THAT HAS A BOAT. >> WHY? 872 00:29:06,278 --> 00:29:08,212 HAVE A FRIEND THAT HAS A BOAT. >> WHY? >> SO YOU DON'T HAVE TO PAY THE 873 00:29:08,214 --> 00:29:10,514 >> WHY? >> SO YOU DON'T HAVE TO PAY THE DOCKING FEES, BLOOD. 874 00:29:10,516 --> 00:29:12,950 >> SO YOU DON'T HAVE TO PAY THE DOCKING FEES, BLOOD. >> WHAT ABOUT THE ERASER? 875 00:29:12,952 --> 00:29:14,485 DOCKING FEES, BLOOD. >> WHAT ABOUT THE ERASER? >> THE ERASER, YEAH, YOU CAN EAT 876 00:29:14,487 --> 00:29:16,186 >> WHAT ABOUT THE ERASER? >> THE ERASER, YEAH, YOU CAN EAT IT. 877 00:29:16,188 --> 00:29:16,487 >> THE ERASER, YEAH, YOU CAN EAT IT. GO AHEAD. 878 00:29:16,489 --> 00:29:21,792 IT. GO AHEAD. NO, NO, NO. 879 00:29:21,794 --> 00:29:23,060 GO AHEAD. NO, NO, NO. >> I HAVE TWO -- 880 00:29:23,062 --> 00:29:25,829 NO, NO, NO. >> I HAVE TWO -- >> HOLD ON, ETHAN. 881 00:29:25,831 --> 00:29:27,464 >> I HAVE TWO -- >> HOLD ON, ETHAN. >> YOU DON'T UNDERSTAND GO 882 00:29:27,466 --> 00:29:29,666 >> HOLD ON, ETHAN. >> YOU DON'T UNDERSTAND GO FISHING, AND THEN YOU DON'T 883 00:29:29,668 --> 00:29:30,300 >> YOU DON'T UNDERSTAND GO FISHING, AND THEN YOU DON'T UNDERSTAND. 884 00:29:30,302 --> 00:29:33,637 FISHING, AND THEN YOU DON'T UNDERSTAND. WHILE A LA. 885 00:29:33,639 --> 00:29:35,272 UNDERSTAND. WHILE A LA. >> YOU PROBABLY COULD'VE TOLD ME 886 00:29:35,274 --> 00:29:36,373 WHILE A LA. >> YOU PROBABLY COULD'VE TOLD ME YOURS. 887 00:29:36,375 --> 00:29:38,008 >> YOU PROBABLY COULD'VE TOLD ME YOURS. DO YOU LIKE MARIO? 888 00:29:38,010 --> 00:29:39,209 YOURS. DO YOU LIKE MARIO? WHAT'S YOUR FAVORITE MARIO GAME? 889 00:29:39,211 --> 00:29:42,212 DO YOU LIKE MARIO? WHAT'S YOUR FAVORITE MARIO GAME? >> SUPER MARIO BROTHERS 2. 890 00:29:42,214 --> 00:29:43,614 WHAT'S YOUR FAVORITE MARIO GAME? >> SUPER MARIO BROTHERS 2. >> A LOT OF TIMES EQUALS, THAT 891 00:29:43,616 --> 00:29:46,016 >> SUPER MARIO BROTHERS 2. >> A LOT OF TIMES EQUALS, THAT THEY CAN BE A BIG LET DOWN. 892 00:29:46,018 --> 00:29:48,185 >> A LOT OF TIMES EQUALS, THAT THEY CAN BE A BIG LET DOWN. NOT SUPER MARIO BROTHERS TWO, 893 00:29:48,187 --> 00:29:53,657 THEY CAN BE A BIG LET DOWN. NOT SUPER MARIO BROTHERS TWO, NOT GODFATHER TWO EITHER, RIGHT? 894 00:29:53,659 --> 00:29:55,192 NOT SUPER MARIO BROTHERS TWO, NOT GODFATHER TWO EITHER, RIGHT? >> GODFATHERS -- 895 00:29:55,194 --> 00:29:58,562 NOT GODFATHER TWO EITHER, RIGHT? >> GODFATHERS -- >> YOU ARE THINKING OF THE FAIRY 896 00:29:58,564 --> 00:29:59,930 >> GODFATHERS -- >> YOU ARE THINKING OF THE FAIRY GODMOTHER. 897 00:29:59,932 --> 00:30:03,867 >> YOU ARE THINKING OF THE FAIRY GODMOTHER. A MOVIE ABOUT THE MAFIA. 898 00:30:03,869 --> 00:30:07,738 GODMOTHER. A MOVIE ABOUT THE MAFIA. >> THAT MOVIE IS NOT EVEN REAL. 899 00:30:07,740 --> 00:30:08,005 A MOVIE ABOUT THE MAFIA. >> THAT MOVIE IS NOT EVEN REAL. [LAUGHTER] 900 00:30:08,007 --> 00:30:13,043 >> THAT MOVIE IS NOT EVEN REAL. [LAUGHTER] >> THIS GENERATION. 901 00:30:13,045 --> 00:30:14,244 [LAUGHTER] >> THIS GENERATION. YES, LEAH, WHAT'S UP? 902 00:30:14,246 --> 00:30:16,814 >> THIS GENERATION. YES, LEAH, WHAT'S UP? >> MY BROTHER KNOWS MAGIC. 903 00:30:16,816 --> 00:30:19,082 YES, LEAH, WHAT'S UP? >> MY BROTHER KNOWS MAGIC. >> I HAVE A WEIRD THUMB, CHECK 904 00:30:19,084 --> 00:30:19,349 >> MY BROTHER KNOWS MAGIC. >> I HAVE A WEIRD THUMB, CHECK THIS OUT. 905 00:30:19,351 --> 00:30:24,421 >> I HAVE A WEIRD THUMB, CHECK THIS OUT. ARE YOU READY? 906 00:30:24,423 --> 00:30:24,888 THIS OUT. ARE YOU READY? OH! 907 00:30:24,890 --> 00:30:28,692 ARE YOU READY? OH! >> [LAUGHTER] 908 00:30:28,694 --> 00:30:30,928 OH! >> [LAUGHTER] >> FINAL THING, LIFE ADVICE, 909 00:30:30,930 --> 00:30:33,831 >> [LAUGHTER] >> FINAL THING, LIFE ADVICE, WHAT DO YOU WANT TO SHARE WITH 910 00:30:33,833 --> 00:30:35,232 >> FINAL THING, LIFE ADVICE, WHAT DO YOU WANT TO SHARE WITH ME? 911 00:30:35,234 --> 00:30:37,434 WHAT DO YOU WANT TO SHARE WITH ME? >> IF THEY ARE GOING TO TRY TO 912 00:30:37,436 --> 00:30:39,169 ME? >> IF THEY ARE GOING TO TRY TO KIDNAP YOU, JUST PUSH THEM IN 913 00:30:39,171 --> 00:30:39,570 >> IF THEY ARE GOING TO TRY TO KIDNAP YOU, JUST PUSH THEM IN THE STOMACH. 914 00:30:39,572 --> 00:30:42,039 KIDNAP YOU, JUST PUSH THEM IN THE STOMACH. AND THAT'S ACTUALLY PART OF THE 915 00:30:42,041 --> 00:30:43,574 THE STOMACH. AND THAT'S ACTUALLY PART OF THE STORY THAT I HAVE TO TELL, ONCE 916 00:30:43,576 --> 00:30:45,976 AND THAT'S ACTUALLY PART OF THE STORY THAT I HAVE TO TELL, ONCE MY FRIEND -- 917 00:30:45,978 --> 00:30:49,146 STORY THAT I HAVE TO TELL, ONCE MY FRIEND -- >> AND WANT TO HEAR THAT STORY 918 00:30:49,148 --> 00:30:49,546 MY FRIEND -- >> AND WANT TO HEAR THAT STORY OFF-CAMERA, OKAY? 919 00:30:49,548 --> 00:30:50,414 >> AND WANT TO HEAR THAT STORY OFF-CAMERA, OKAY? I WILL HAVE YOU TALKED TO A 920 00:30:50,416 --> 00:30:52,416 OFF-CAMERA, OKAY? I WILL HAVE YOU TALKED TO A POLICE OFFICER. 921 00:30:52,418 --> 00:30:53,617 I WILL HAVE YOU TALKED TO A POLICE OFFICER. THANK YOU SO MUCH FOR TAKING THE 922 00:30:53,619 --> 00:30:55,118 POLICE OFFICER. THANK YOU SO MUCH FOR TAKING THE TIME OUT OF YOUR JOBS TO COME 923 00:30:55,120 --> 00:30:56,587 THANK YOU SO MUCH FOR TAKING THE TIME OUT OF YOUR JOBS TO COME TALK TO ME. 924 00:30:56,589 --> 00:30:57,087 TIME OUT OF YOUR JOBS TO COME TALK TO ME. I REALLY APPRECIATE IT. 925 00:30:57,089 --> 00:30:59,756 TALK TO ME. I REALLY APPRECIATE IT. MY NAME IS JASON IF YOU HAVE ANY 926 00:30:59,758 --> 00:31:03,160 I REALLY APPRECIATE IT. MY NAME IS JASON IF YOU HAVE ANY INTEREST IN BUYING KNIVES, SPEAK 927 00:31:03,162 --> 00:31:06,096 MY NAME IS JASON IF YOU HAVE ANY INTEREST IN BUYING KNIVES, SPEAK TO ME AFTER THE CAMERAS WRAP. 928 00:31:06,098 --> 00:31:06,563 INTEREST IN BUYING KNIVES, SPEAK TO ME AFTER THE CAMERAS WRAP. [CHEERS AND APPLAUSE] 929 00:31:06,565 --> 00:31:10,167 TO ME AFTER THE CAMERAS WRAP. [CHEERS AND APPLAUSE] ♪ ♪ 930 00:31:10,169 --> 00:31:12,236 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: WE'LL BE BACK. 931 00:31:12,238 --> 00:31:12,703 ♪ ♪ >> Ellen: WE'LL BE BACK. [CHEERS AND APPLAUSE] 932 00:31:12,705 --> 00:31:18,976 >> Ellen: WE'LL BE BACK. [CHEERS AND APPLAUSE] ♪ ♪ 933 00:31:18,978 --> 00:31:21,678 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: ALL RIGHT, LET'S SE 934 00:31:21,680 --> 00:31:22,479 ♪ ♪ >> Ellen: ALL RIGHT, LET'S SE SEE. 935 00:31:22,481 --> 00:31:24,248 >> Ellen: ALL RIGHT, LET'S SE SEE. IT'S GOING -- 936 00:31:24,250 --> 00:31:24,548 SEE. IT'S GOING -- ILLINOIS? 937 00:31:24,550 --> 00:31:28,819 IT'S GOING -- ILLINOIS? >> LET'S SEE WHAT IT SAYS ON 938 00:31:28,821 --> 00:31:30,187 ILLINOIS? >> LET'S SEE WHAT IT SAYS ON HERE. 939 00:31:30,189 --> 00:31:31,154 >> LET'S SEE WHAT IT SAYS ON HERE. ALEX, YOU FORGOT TO WRITE THE 940 00:31:31,156 --> 00:31:31,355 HERE. ALEX, YOU FORGOT TO WRITE THE THING. 941 00:31:31,357 --> 00:31:31,822 ALEX, YOU FORGOT TO WRITE THE THING. [CHEERS AND APPLAUSE] 942 00:31:31,824 --> 00:31:34,391 THING. [CHEERS AND APPLAUSE] ♪ ♪ 943 00:31:41,532 --> 00:31:49,122 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: OUR NEXT GUESTS ARE 944 00:31:49,124 --> 00:31:52,376 ♪ ♪ >> Ellen: OUR NEXT GUESTS ARE STARRING IN THE NEW TV SERIES 945 00:31:52,378 --> 00:31:54,110 >> Ellen: OUR NEXT GUESTS ARE STARRING IN THE NEW TV SERIES BIG TRICK ENERGY, TAKE A LOOK. 946 00:31:54,112 --> 00:31:56,163 STARRING IN THE NEW TV SERIES BIG TRICK ENERGY, TAKE A LOOK. >> MY NAME IS CHRIS RAMSEY, AND 947 00:31:56,165 --> 00:31:59,182 BIG TRICK ENERGY, TAKE A LOOK. >> MY NAME IS CHRIS RAMSEY, AND THESE ARE MY BEST FRIENDS. 948 00:31:59,184 --> 00:32:01,268 >> MY NAME IS CHRIS RAMSEY, AND THESE ARE MY BEST FRIENDS. WE ARE FOUR MAGICIANS THAT LOVE 949 00:32:01,270 --> 00:32:03,437 THESE ARE MY BEST FRIENDS. WE ARE FOUR MAGICIANS THAT LOVE USING OUR SKILLS TO MESS WITH 950 00:32:03,439 --> 00:32:03,720 WE ARE FOUR MAGICIANS THAT LOVE USING OUR SKILLS TO MESS WITH PEOPLE. 951 00:32:03,722 --> 00:32:07,274 USING OUR SKILLS TO MESS WITH PEOPLE. >> WHAT? 952 00:32:07,276 --> 00:32:07,891 PEOPLE. >> WHAT? HOW DID YOU GET UP THERE? 953 00:32:07,893 --> 00:32:11,495 >> WHAT? HOW DID YOU GET UP THERE? ♪ ♪ 954 00:32:11,497 --> 00:32:17,968 HOW DID YOU GET UP THERE? ♪ ♪ >> THIS IS A STRAITJACKET. 955 00:32:17,970 --> 00:32:19,753 ♪ ♪ >> THIS IS A STRAITJACKET. >> HOW DID THAT HAPPEN? 956 00:32:19,755 --> 00:32:33,517 >> THIS IS A STRAITJACKET. >> HOW DID THAT HAPPEN? >> MY POWERS ARE GROWING! 957 00:32:33,519 --> 00:32:33,784 >> HOW DID THAT HAPPEN? >> MY POWERS ARE GROWING! [LAUGHTER] 958 00:32:33,786 --> 00:32:36,236 >> MY POWERS ARE GROWING! [LAUGHTER] >> Ellen: PLEASE WELCOME 959 00:32:36,238 --> 00:32:42,192 [LAUGHTER] >> Ellen: PLEASE WELCOME CHRIS, ERIC, WEST, AND ALEX. 960 00:32:42,194 --> 00:32:43,727 >> Ellen: PLEASE WELCOME CHRIS, ERIC, WEST, AND ALEX. HI, GUYS. 961 00:32:43,729 --> 00:32:45,562 CHRIS, ERIC, WEST, AND ALEX. HI, GUYS. >> WHAT'S GOING ON? 962 00:32:45,564 --> 00:32:46,496 HI, GUYS. >> WHAT'S GOING ON? >> Ellen: HI, FIRST I HAVE TO 963 00:32:46,498 --> 00:32:47,864 >> WHAT'S GOING ON? >> Ellen: HI, FIRST I HAVE TO SAY THAT YOUR TRICKS ARE INSANE. 964 00:32:47,866 --> 00:32:50,133 >> Ellen: HI, FIRST I HAVE TO SAY THAT YOUR TRICKS ARE INSANE. I DON'T KNOW HOW YOU DO SOME OF 965 00:32:50,135 --> 00:32:50,634 SAY THAT YOUR TRICKS ARE INSANE. I DON'T KNOW HOW YOU DO SOME OF THESE THINGS. 966 00:32:50,636 --> 00:32:51,601 I DON'T KNOW HOW YOU DO SOME OF THESE THINGS. IT'S A GREAT SHOW. 967 00:32:51,603 --> 00:32:54,338 THESE THINGS. IT'S A GREAT SHOW. WHO IS WHO AND HOW DID YOU ALL 968 00:32:54,340 --> 00:32:55,205 IT'S A GREAT SHOW. WHO IS WHO AND HOW DID YOU ALL COME TOGETHER? 969 00:32:55,207 --> 00:32:56,406 WHO IS WHO AND HOW DID YOU ALL COME TOGETHER? >> I'M CHRIS. 970 00:32:56,408 --> 00:32:57,341 COME TOGETHER? >> I'M CHRIS. >> I AM WES. 971 00:32:57,343 --> 00:32:59,576 >> I'M CHRIS. >> I AM WES. >> I AM ERIC. 972 00:32:59,578 --> 00:33:01,345 >> I AM WES. >> I AM ERIC. >> I AM ALEX. 973 00:33:01,347 --> 00:33:03,413 >> I AM ERIC. >> I AM ALEX. >> AND AS DIRTY AS IT SOUNDS WE 974 00:33:03,415 --> 00:33:04,982 >> I AM ALEX. >> AND AS DIRTY AS IT SOUNDS WE MET AT THE BAR. 975 00:33:04,984 --> 00:33:06,583 >> AND AS DIRTY AS IT SOUNDS WE MET AT THE BAR. >> Ellen: AND YOU ALL HAVE 976 00:33:06,585 --> 00:33:07,050 MET AT THE BAR. >> Ellen: AND YOU ALL HAVE DIFFERENT SKILLS? 977 00:33:07,052 --> 00:33:10,120 >> Ellen: AND YOU ALL HAVE DIFFERENT SKILLS? SOMETIMES YOU ARE BLOWN AWAY BY 978 00:33:10,122 --> 00:33:12,189 DIFFERENT SKILLS? SOMETIMES YOU ARE BLOWN AWAY BY SOMEBODY WHO DOES SOMETHING, 979 00:33:12,191 --> 00:33:15,425 SOMETIMES YOU ARE BLOWN AWAY BY SOMEBODY WHO DOES SOMETHING, LIKE THE RAIN ON YOUR NECK WAS 980 00:33:15,427 --> 00:33:16,026 SOMEBODY WHO DOES SOMETHING, LIKE THE RAIN ON YOUR NECK WAS CRAZY. 981 00:33:16,028 --> 00:33:18,662 LIKE THE RAIN ON YOUR NECK WAS CRAZY. >> THAT WAS REAL, THAT HURT A 982 00:33:18,664 --> 00:33:18,829 CRAZY. >> THAT WAS REAL, THAT HURT A LOT. 983 00:33:18,831 --> 00:33:21,164 >> THAT WAS REAL, THAT HURT A LOT. NO MESSING AROUND THERE. 984 00:33:21,166 --> 00:33:23,734 LOT. NO MESSING AROUND THERE. WHAT WILL YOU SHOW US TODAY? 985 00:33:23,736 --> 00:33:24,935 NO MESSING AROUND THERE. WHAT WILL YOU SHOW US TODAY? >> WHEN WE HEARD THAT WE WERE 986 00:33:24,937 --> 00:33:27,371 WHAT WILL YOU SHOW US TODAY? >> WHEN WE HEARD THAT WE WERE GOING TO BE ON THE SHOW WE WERE 987 00:33:27,373 --> 00:33:29,106 >> WHEN WE HEARD THAT WE WERE GOING TO BE ON THE SHOW WE WERE FREAKING OUT, WE ARE STILL 988 00:33:29,108 --> 00:33:30,374 GOING TO BE ON THE SHOW WE WERE FREAKING OUT, WE ARE STILL FREAKING OUT RIGHT NOW, 989 00:33:30,376 --> 00:33:32,709 FREAKING OUT, WE ARE STILL FREAKING OUT RIGHT NOW, ACTUALLY. 990 00:33:32,711 --> 00:33:33,844 FREAKING OUT RIGHT NOW, ACTUALLY. BECAUSE FOR ANY ENTERTAINER 991 00:33:33,846 --> 00:33:35,045 ACTUALLY. BECAUSE FOR ANY ENTERTAINER APPEARING ON THE "ELLEN" SHOW IS 992 00:33:35,047 --> 00:33:39,416 BECAUSE FOR ANY ENTERTAINER APPEARING ON THE "ELLEN" SHOW IS AT THE TOP OF EVERYBODY'S BUCKET 993 00:33:39,418 --> 00:33:41,151 APPEARING ON THE "ELLEN" SHOW IS AT THE TOP OF EVERYBODY'S BUCKET ROOM, HUGE BUCKET ROOM MATERIAL, 994 00:33:41,153 --> 00:33:42,452 AT THE TOP OF EVERYBODY'S BUCKET ROOM, HUGE BUCKET ROOM MATERIAL, I KNOW THAT PEOPLE USUALLY SAY 995 00:33:42,454 --> 00:33:43,086 ROOM, HUGE BUCKET ROOM MATERIAL, I KNOW THAT PEOPLE USUALLY SAY BUCKET LIST. 996 00:33:43,088 --> 00:33:48,592 I KNOW THAT PEOPLE USUALLY SAY BUCKET LIST. >> BUT BY THE WAY, HERE WE GO. 997 00:33:48,594 --> 00:33:51,294 BUCKET LIST. >> BUT BY THE WAY, HERE WE GO. >> THAT IS ALEX'S BUCKET LIST. 998 00:33:51,296 --> 00:33:53,296 >> BUT BY THE WAY, HERE WE GO. >> THAT IS ALEX'S BUCKET LIST. >> BUT THIS IS OUR BUCKET ROOM, 999 00:33:53,298 --> 00:33:57,768 >> THAT IS ALEX'S BUCKET LIST. >> BUT THIS IS OUR BUCKET ROOM, OUR HEADQUARTERS. 1000 00:33:57,770 --> 00:33:58,702 >> BUT THIS IS OUR BUCKET ROOM, OUR HEADQUARTERS. THIS IS THE HEADQUARTERS WHERE 1001 00:33:58,704 --> 00:34:00,470 OUR HEADQUARTERS. THIS IS THE HEADQUARTERS WHERE WE SPENT ALL OF OUR TIME 1002 00:34:00,472 --> 00:34:02,139 THIS IS THE HEADQUARTERS WHERE WE SPENT ALL OF OUR TIME CREATING TRICKS THAT WE MIGHT 1003 00:34:02,141 --> 00:34:04,574 WE SPENT ALL OF OUR TIME CREATING TRICKS THAT WE MIGHT PERFORM ON THE SHOW, JUST LIKE 1004 00:34:04,576 --> 00:34:06,309 CREATING TRICKS THAT WE MIGHT PERFORM ON THE SHOW, JUST LIKE YOURS. 1005 00:34:06,311 --> 00:34:07,544 PERFORM ON THE SHOW, JUST LIKE YOURS. SO ELLEN, THAT WAS NOT ONE OF 1006 00:34:07,546 --> 00:34:09,012 YOURS. SO ELLEN, THAT WAS NOT ONE OF THEM, ACTUALLY. 1007 00:34:09,014 --> 00:34:10,514 SO ELLEN, THAT WAS NOT ONE OF THEM, ACTUALLY. BUT YOU ARE THE ONE THAT IT'S 1008 00:34:10,516 --> 00:34:13,383 THEM, ACTUALLY. BUT YOU ARE THE ONE THAT IT'S GOING TO PICK A BUCKET, BECAUSE 1009 00:34:13,385 --> 00:34:14,384 BUT YOU ARE THE ONE THAT IT'S GOING TO PICK A BUCKET, BECAUSE INSIDER DIFFERENT MAGIC TRICKS. 1010 00:34:14,386 --> 00:34:16,353 GOING TO PICK A BUCKET, BECAUSE INSIDER DIFFERENT MAGIC TRICKS. WE DON'T KNOW WHAT WE WILL 1011 00:34:16,355 --> 00:34:17,554 INSIDER DIFFERENT MAGIC TRICKS. WE DON'T KNOW WHAT WE WILL PERFORM TODAY, WE WILL LET YOU 1012 00:34:17,556 --> 00:34:19,322 WE DON'T KNOW WHAT WE WILL PERFORM TODAY, WE WILL LET YOU PICK A BUCKET, ANY BUCKET, WHAT 1013 00:34:19,324 --> 00:34:22,159 PERFORM TODAY, WE WILL LET YOU PICK A BUCKET, ANY BUCKET, WHAT DO YOU THINK? 1014 00:34:22,161 --> 00:34:24,561 PICK A BUCKET, ANY BUCKET, WHAT DO YOU THINK? >> Ellen: I NOTICED THE LEAST 1015 00:34:24,563 --> 00:34:25,228 DO YOU THINK? >> Ellen: I NOTICED THE LEAST CONSPICUOUS ONE IS THE STAINLESS 1016 00:34:25,230 --> 00:34:27,431 >> Ellen: I NOTICED THE LEAST CONSPICUOUS ONE IS THE STAINLESS STEEL ON THE FAR LEFT NEXT TO 1017 00:34:27,433 --> 00:34:30,600 CONSPICUOUS ONE IS THE STAINLESS STEEL ON THE FAR LEFT NEXT TO THE WHITE ONE, KEEP GOING. 1018 00:34:30,602 --> 00:34:32,769 STEEL ON THE FAR LEFT NEXT TO THE WHITE ONE, KEEP GOING. I JUST NOTICED IT, SO I WILL SAY 1019 00:34:32,771 --> 00:34:33,036 THE WHITE ONE, KEEP GOING. I JUST NOTICED IT, SO I WILL SAY THAT ONE. 1020 00:34:33,038 --> 00:34:34,638 I JUST NOTICED IT, SO I WILL SAY THAT ONE. >> THAT'S A GOOD CHOICE, LET'S 1021 00:34:34,640 --> 00:34:38,075 THAT ONE. >> THAT'S A GOOD CHOICE, LET'S SEE WHAT YOU COULD HAVE CHOSEN. 1022 00:34:38,077 --> 00:34:42,846 >> THAT'S A GOOD CHOICE, LET'S SEE WHAT YOU COULD HAVE CHOSEN. >> WE HAVE THIS ONE SAYS MAKE 1023 00:34:42,848 --> 00:34:45,348 SEE WHAT YOU COULD HAVE CHOSEN. >> WE HAVE THIS ONE SAYS MAKE FELLOW CANADIAN JUSTIN BIEBER 1024 00:34:45,350 --> 00:34:47,651 >> WE HAVE THIS ONE SAYS MAKE FELLOW CANADIAN JUSTIN BIEBER APPEAR. 1025 00:34:47,653 --> 00:34:49,853 FELLOW CANADIAN JUSTIN BIEBER APPEAR. THIS ONE IS ACTUALLY JUST FOR 1026 00:34:49,855 --> 00:34:51,121 APPEAR. THIS ONE IS ACTUALLY JUST FOR THE LADIES. 1027 00:34:51,123 --> 00:34:54,558 THIS ONE IS ACTUALLY JUST FOR THE LADIES. >> YOU HAVE TO PUT THAT BACK. 1028 00:34:54,560 --> 00:34:56,426 THE LADIES. >> YOU HAVE TO PUT THAT BACK. >> BUT YOU PICKED THIS ONE. 1029 00:34:56,428 --> 00:35:00,397 >> YOU HAVE TO PUT THAT BACK. >> BUT YOU PICKED THIS ONE. LET'S SEE WHAT WE HAVE HERE. 1030 00:35:00,399 --> 00:35:03,700 >> BUT YOU PICKED THIS ONE. LET'S SEE WHAT WE HAVE HERE. OH, HOW CONVENIENT. 1031 00:35:03,702 --> 00:35:04,334 LET'S SEE WHAT WE HAVE HERE. OH, HOW CONVENIENT. [LAUGHTER] 1032 00:35:04,336 --> 00:35:07,037 OH, HOW CONVENIENT. [LAUGHTER] >> THE FIRST THING IS TO PERFORM 1033 00:35:07,039 --> 00:35:08,572 [LAUGHTER] >> THE FIRST THING IS TO PERFORM THE TRICK FOR ELLEN. 1034 00:35:08,574 --> 00:35:10,307 >> THE FIRST THING IS TO PERFORM THE TRICK FOR ELLEN. YOU'RE IN LUCK IT, I'M GOING TO 1035 00:35:10,309 --> 00:35:12,576 THE TRICK FOR ELLEN. YOU'RE IN LUCK IT, I'M GOING TO DO A BIG TRICK ENERGY STYLE 1036 00:35:12,578 --> 00:35:13,210 YOU'RE IN LUCK IT, I'M GOING TO DO A BIG TRICK ENERGY STYLE WHICH MEANS THAT YOU CAN'T 1037 00:35:13,212 --> 00:35:15,312 DO A BIG TRICK ENERGY STYLE WHICH MEANS THAT YOU CAN'T REALLY PICK A CARD, BECAUSE YOU 1038 00:35:15,314 --> 00:35:16,980 WHICH MEANS THAT YOU CAN'T REALLY PICK A CARD, BECAUSE YOU ARE WHERE YOU ARE AND WE ARE 1039 00:35:16,982 --> 00:35:17,581 REALLY PICK A CARD, BECAUSE YOU ARE WHERE YOU ARE AND WE ARE WHERE WE ARE, BUT IF YOU CAN 1040 00:35:17,583 --> 00:35:23,787 ARE WHERE YOU ARE AND WE ARE WHERE WE ARE, BUT IF YOU CAN NAME A CARD, WHATEVER YOU WANT. 1041 00:35:23,789 --> 00:35:25,422 WHERE WE ARE, BUT IF YOU CAN NAME A CARD, WHATEVER YOU WANT. >> Ellen: TEN OF SPADES. 1042 00:35:25,424 --> 00:35:27,591 NAME A CARD, WHATEVER YOU WANT. >> Ellen: TEN OF SPADES. >> GETTING IT READY TO GO, I'M 1043 00:35:27,593 --> 00:35:28,158 >> Ellen: TEN OF SPADES. >> GETTING IT READY TO GO, I'M GLAD. 1044 00:35:28,160 --> 00:35:31,328 >> GETTING IT READY TO GO, I'M GLAD. PICKING THEM RANDOMLY, BUT WE 1045 00:35:31,330 --> 00:35:34,598 GLAD. PICKING THEM RANDOMLY, BUT WE WILL FIND IT WITH MY BLINDFOLD. 1046 00:35:34,600 --> 00:35:37,901 PICKING THEM RANDOMLY, BUT WE WILL FIND IT WITH MY BLINDFOLD. AND MY THROWING KNIFE. 1047 00:35:37,903 --> 00:35:39,102 WILL FIND IT WITH MY BLINDFOLD. AND MY THROWING KNIFE. A PART OF MY SKILL SET. 1048 00:35:39,104 --> 00:35:41,338 AND MY THROWING KNIFE. A PART OF MY SKILL SET. WE WILL GO TO THE TARGET AND WE 1049 00:35:41,340 --> 00:35:41,705 A PART OF MY SKILL SET. WE WILL GO TO THE TARGET AND WE WILL FIND IT -- 1050 00:35:41,707 --> 00:35:43,573 WE WILL GO TO THE TARGET AND WE WILL FIND IT -- >> IT'S A LITTLE BIT HIGH, DO 1051 00:35:43,575 --> 00:35:44,407 WILL FIND IT -- >> IT'S A LITTLE BIT HIGH, DO YOU WANT SOME PHONE BOOKS TO 1052 00:35:44,409 --> 00:35:48,411 >> IT'S A LITTLE BIT HIGH, DO YOU WANT SOME PHONE BOOKS TO STAND UP ON? 1053 00:35:48,413 --> 00:35:51,781 YOU WANT SOME PHONE BOOKS TO STAND UP ON? GOOD LUCK, BUDDY. 1054 00:35:51,783 --> 00:35:53,683 STAND UP ON? GOOD LUCK, BUDDY. >> OKAY, ELLEN I AM ON THIS 1055 00:35:53,685 --> 00:35:56,720 GOOD LUCK, BUDDY. >> OKAY, ELLEN I AM ON THIS CAMERA NOW, AND I KNOW THAT TO 1056 00:35:56,722 --> 00:35:58,155 >> OKAY, ELLEN I AM ON THIS CAMERA NOW, AND I KNOW THAT TO YOU AT HOME MAY BE WONDERING IF 1057 00:35:58,157 --> 00:35:59,356 CAMERA NOW, AND I KNOW THAT TO YOU AT HOME MAY BE WONDERING IF IT IS STILL ALIVE? 1058 00:35:59,358 --> 00:36:00,590 YOU AT HOME MAY BE WONDERING IF IT IS STILL ALIVE? IT STILL ALIVE, CAN YOU GIVE ME 1059 00:36:00,592 --> 00:36:02,993 IT IS STILL ALIVE? IT STILL ALIVE, CAN YOU GIVE ME A RANDOM WORD TO REPEAT SO WE 1060 00:36:02,995 --> 00:36:06,163 IT STILL ALIVE, CAN YOU GIVE ME A RANDOM WORD TO REPEAT SO WE KNOW IT IS LIVE? 1061 00:36:06,165 --> 00:36:07,164 A RANDOM WORD TO REPEAT SO WE KNOW IT IS LIVE? >> Ellen: ORANGE. 1062 00:36:07,166 --> 00:36:09,499 KNOW IT IS LIVE? >> Ellen: ORANGE. >> ORANGE, THERE WE GO, WE KNOW 1063 00:36:09,501 --> 00:36:11,101 >> Ellen: ORANGE. >> ORANGE, THERE WE GO, WE KNOW IT IS LIVE AND THAT PRERECORDED. 1064 00:36:11,103 --> 00:36:14,237 >> ORANGE, THERE WE GO, WE KNOW IT IS LIVE AND THAT PRERECORDED. I HAVE THE CARDS ON THE TARGET 1065 00:36:14,239 --> 00:36:15,372 IT IS LIVE AND THAT PRERECORDED. I HAVE THE CARDS ON THE TARGET BEHIND ME IN MY TRUSTED 1066 00:36:15,374 --> 00:36:15,972 I HAVE THE CARDS ON THE TARGET BEHIND ME IN MY TRUSTED BLINDFOLD AND WE WILL TRY TO 1067 00:36:15,974 --> 00:36:20,677 BEHIND ME IN MY TRUSTED BLINDFOLD AND WE WILL TRY TO FIND YOUR CARD BIG TRICK ENERGY 1068 00:36:20,679 --> 00:36:20,877 BLINDFOLD AND WE WILL TRY TO FIND YOUR CARD BIG TRICK ENERGY STYLE. 1069 00:36:20,879 --> 00:36:23,713 FIND YOUR CARD BIG TRICK ENERGY STYLE. LET ME FIND OUT WHERE I AM. 1070 00:36:23,715 --> 00:36:26,583 STYLE. LET ME FIND OUT WHERE I AM. THERE IS THE BOARD, THROWING 1071 00:36:26,585 --> 00:36:26,816 LET ME FIND OUT WHERE I AM. THERE IS THE BOARD, THROWING KNIFE -- 1072 00:36:26,818 --> 00:36:31,821 THERE IS THE BOARD, THROWING KNIFE -- >> YOU GOT THIS, BUDDY. 1073 00:36:31,823 --> 00:36:35,125 KNIFE -- >> YOU GOT THIS, BUDDY. >> OH, MY GOD. 1074 00:36:35,127 --> 00:36:36,526 >> YOU GOT THIS, BUDDY. >> OH, MY GOD. >> RIGHT IN THE MIDDLE HERE, 1075 00:36:36,528 --> 00:36:38,161 >> OH, MY GOD. >> RIGHT IN THE MIDDLE HERE, LET'S SEE. 1076 00:36:38,163 --> 00:36:41,364 >> RIGHT IN THE MIDDLE HERE, LET'S SEE. I'M TOO SCARED TO LOOK. 1077 00:36:41,366 --> 00:36:50,540 LET'S SEE. I'M TOO SCARED TO LOOK. >> Ellen: OH, MY GOD! 1078 00:36:50,542 --> 00:36:50,807 I'M TOO SCARED TO LOOK. >> Ellen: OH, MY GOD! GREAT EYE. 1079 00:36:50,809 --> 00:36:51,808 >> Ellen: OH, MY GOD! GREAT EYE. >> THAT WAS PRETTY FINE AND 1080 00:36:51,810 --> 00:36:54,377 GREAT EYE. >> THAT WAS PRETTY FINE AND DANDY IF YOU ASK ME. 1081 00:36:54,379 --> 00:36:58,748 >> THAT WAS PRETTY FINE AND DANDY IF YOU ASK ME. >> DID HE SAY FINE AND DANDY ON 1082 00:36:58,750 --> 00:36:59,516 DANDY IF YOU ASK ME. >> DID HE SAY FINE AND DANDY ON "ELLEN"? 1083 00:36:59,518 --> 00:37:01,484 >> DID HE SAY FINE AND DANDY ON "ELLEN"? >> YES, IT'S ON MY BUCKET LIST, 1084 00:37:01,486 --> 00:37:04,854 "ELLEN"? >> YES, IT'S ON MY BUCKET LIST, SAY FINE AND DANDY. 1085 00:37:04,856 --> 00:37:09,125 >> YES, IT'S ON MY BUCKET LIST, SAY FINE AND DANDY. >> CAN YOU SAY THAT IN ENGLISH? 1086 00:37:09,127 --> 00:37:10,760 SAY FINE AND DANDY. >> CAN YOU SAY THAT IN ENGLISH? >> ONE THING THAT IS WAY UP ON 1087 00:37:10,762 --> 00:37:12,329 >> CAN YOU SAY THAT IN ENGLISH? >> ONE THING THAT IS WAY UP ON OUR BUCKET LIST, ELLEN, 1088 00:37:12,331 --> 00:37:12,963 >> ONE THING THAT IS WAY UP ON OUR BUCKET LIST, ELLEN, SOMETHING WE HAVE THOUGHT ABOUT 1089 00:37:12,965 --> 00:37:15,699 OUR BUCKET LIST, ELLEN, SOMETHING WE HAVE THOUGHT ABOUT FOR A LONG TIME IS WE WOULD LOVE 1090 00:37:15,701 --> 00:37:17,867 SOMETHING WE HAVE THOUGHT ABOUT FOR A LONG TIME IS WE WOULD LOVE TO TAKE A ROAD TRIP WITH YOU 1091 00:37:17,869 --> 00:37:18,335 FOR A LONG TIME IS WE WOULD LOVE TO TAKE A ROAD TRIP WITH YOU EVENTUALLY. 1092 00:37:18,337 --> 00:37:20,971 TO TAKE A ROAD TRIP WITH YOU EVENTUALLY. WE ARE GOING TO TAKE A ROAD TRIP 1093 00:37:20,973 --> 00:37:23,173 EVENTUALLY. WE ARE GOING TO TAKE A ROAD TRIP WITH ELLEN AFTER THE PANDEMIC, 1094 00:37:23,175 --> 00:37:25,008 WE ARE GOING TO TAKE A ROAD TRIP WITH ELLEN AFTER THE PANDEMIC, RIGHT NOW ALL WE CAN DO IS 1095 00:37:25,010 --> 00:37:27,210 WITH ELLEN AFTER THE PANDEMIC, RIGHT NOW ALL WE CAN DO IS PRACTICE, SO IN YOUR STUDIO YOU 1096 00:37:27,212 --> 00:37:29,646 RIGHT NOW ALL WE CAN DO IS PRACTICE, SO IN YOUR STUDIO YOU SHOULD HAVE A GIANT MAP OF THE 1097 00:37:29,648 --> 00:37:31,314 PRACTICE, SO IN YOUR STUDIO YOU SHOULD HAVE A GIANT MAP OF THE UNITED STATES AND YOU SHOULD 1098 00:37:31,316 --> 00:37:32,716 SHOULD HAVE A GIANT MAP OF THE UNITED STATES AND YOU SHOULD HAVE A SINGLE DART, SO WE WILL 1099 00:37:32,718 --> 00:37:39,189 UNITED STATES AND YOU SHOULD HAVE A SINGLE DART, SO WE WILL WAIT UNTIL THAT IS WHEELED OUT. 1100 00:37:39,191 --> 00:37:40,090 HAVE A SINGLE DART, SO WE WILL WAIT UNTIL THAT IS WHEELED OUT. SO ELLEN, BEFORE YOU THROW THE 1101 00:37:40,092 --> 00:37:43,326 WAIT UNTIL THAT IS WHEELED OUT. SO ELLEN, BEFORE YOU THROW THE DART ONTO THE MAP, WE ARE GOING 1102 00:37:43,328 --> 00:37:44,094 SO ELLEN, BEFORE YOU THROW THE DART ONTO THE MAP, WE ARE GOING TO READ THIS. 1103 00:37:44,096 --> 00:37:47,197 DART ONTO THE MAP, WE ARE GOING TO READ THIS. WE ARE GOING ON A ROAD TRIP WITH 1104 00:37:47,199 --> 00:37:49,532 TO READ THIS. WE ARE GOING ON A ROAD TRIP WITH ELLEN TO AN UNDISCLOSED LOCATION 1105 00:37:49,534 --> 00:37:51,234 WE ARE GOING ON A ROAD TRIP WITH ELLEN TO AN UNDISCLOSED LOCATION AND UNDERNEATH WE HAVE A QUARTER 1106 00:37:51,236 --> 00:37:53,303 ELLEN TO AN UNDISCLOSED LOCATION AND UNDERNEATH WE HAVE A QUARTER OF THAT IN CASE ANYTHING GOES 1107 00:37:53,305 --> 00:37:56,139 AND UNDERNEATH WE HAVE A QUARTER OF THAT IN CASE ANYTHING GOES WRONG IT IS OUR EMERGENCY FUND 1108 00:37:56,141 --> 00:37:58,508 OF THAT IN CASE ANYTHING GOES WRONG IT IS OUR EMERGENCY FUND AND ALEX'S ENTIRE LIFE SAVINGS. 1109 00:37:58,510 --> 00:38:01,878 WRONG IT IS OUR EMERGENCY FUND AND ALEX'S ENTIRE LIFE SAVINGS. SO HERE WE GO, WHEREVER YOU 1110 00:38:01,880 --> 00:38:02,812 AND ALEX'S ENTIRE LIFE SAVINGS. SO HERE WE GO, WHEREVER YOU LIKE, TAKE THE DART AND THROW IT 1111 00:38:02,814 --> 00:38:06,383 SO HERE WE GO, WHEREVER YOU LIKE, TAKE THE DART AND THROW IT ON THE DART BOARD. 1112 00:38:06,385 --> 00:38:08,018 LIKE, TAKE THE DART AND THROW IT ON THE DART BOARD. >> Ellen: ALL RIGHT, LET'S 1113 00:38:08,020 --> 00:38:10,220 ON THE DART BOARD. >> Ellen: ALL RIGHT, LET'S SEE! 1114 00:38:10,222 --> 00:38:11,187 >> Ellen: ALL RIGHT, LET'S SEE! ILLINOIS. 1115 00:38:11,189 --> 00:38:14,224 SEE! ILLINOIS. >> ILLINOIS, NICE, OKAY. 1116 00:38:14,226 --> 00:38:15,792 ILLINOIS. >> ILLINOIS, NICE, OKAY. >> THAT'S LOVELY THIS TIME OF 1117 00:38:15,794 --> 00:38:16,893 >> ILLINOIS, NICE, OKAY. >> THAT'S LOVELY THIS TIME OF THE YEAR. 1118 00:38:16,895 --> 00:38:18,094 >> THAT'S LOVELY THIS TIME OF THE YEAR. >> I HAVE NEVER BEEN TO 1119 00:38:18,096 --> 00:38:18,928 THE YEAR. >> I HAVE NEVER BEEN TO ILLINOIS, BULLETS SEE WHAT IT 1120 00:38:18,930 --> 00:38:22,132 >> I HAVE NEVER BEEN TO ILLINOIS, BULLETS SEE WHAT IT SAYS ON HERE. 1121 00:38:22,134 --> 00:38:24,668 ILLINOIS, BULLETS SEE WHAT IT SAYS ON HERE. ALEX, YOU FORGOT TO WRITE THE 1122 00:38:24,670 --> 00:38:26,503 SAYS ON HERE. ALEX, YOU FORGOT TO WRITE THE THING. 1123 00:38:26,505 --> 00:38:27,937 ALEX, YOU FORGOT TO WRITE THE THING. >> WHOSE JOB WAS IT? 1124 00:38:27,939 --> 00:38:30,106 THING. >> WHOSE JOB WAS IT? >> HOLD ON, HOLD ON, WE SAID 1125 00:38:30,108 --> 00:38:33,076 >> WHOSE JOB WAS IT? >> HOLD ON, HOLD ON, WE SAID THAT THIS WAS THE EMERGENCY FUND 1126 00:38:33,078 --> 00:38:34,544 >> HOLD ON, HOLD ON, WE SAID THAT THIS WAS THE EMERGENCY FUND SHOULD SOMETHING GO WRONG, 1127 00:38:34,546 --> 00:38:38,581 THAT THIS WAS THE EMERGENCY FUND SHOULD SOMETHING GO WRONG, ELLEN, THIS IS NO NORMAL 1128 00:38:38,583 --> 00:38:39,549 SHOULD SOMETHING GO WRONG, ELLEN, THIS IS NO NORMAL QUARTER, THIS IS ACTUALLY A 1129 00:38:39,551 --> 00:38:41,017 ELLEN, THIS IS NO NORMAL QUARTER, THIS IS ACTUALLY A STATE QUARTER AND IF YOU HAVE A 1130 00:38:41,019 --> 00:38:42,819 QUARTER, THIS IS ACTUALLY A STATE QUARTER AND IF YOU HAVE A LOOK AT THAT, LET ME KNOW IF YOU 1131 00:38:42,821 --> 00:38:44,754 STATE QUARTER AND IF YOU HAVE A LOOK AT THAT, LET ME KNOW IF YOU CAN SEE THAT AND READ IT ON THE 1132 00:38:44,756 --> 00:38:47,457 LOOK AT THAT, LET ME KNOW IF YOU CAN SEE THAT AND READ IT ON THE TOP OF THE QUARTER IT SHOULD SAY 1133 00:38:47,459 --> 00:38:48,858 CAN SEE THAT AND READ IT ON THE TOP OF THE QUARTER IT SHOULD SAY SOMETHING. 1134 00:38:48,860 --> 00:38:53,129 TOP OF THE QUARTER IT SHOULD SAY SOMETHING. >> Ellen: ILLINOIS! 1135 00:38:53,131 --> 00:38:54,331 SOMETHING. >> Ellen: ILLINOIS! >> AND I CAN GO RIGHT BACK TO 1136 00:38:54,333 --> 00:38:58,168 >> Ellen: ILLINOIS! >> AND I CAN GO RIGHT BACK TO YOUR PIGGY BANK. 1137 00:38:58,170 --> 00:39:00,136 >> AND I CAN GO RIGHT BACK TO YOUR PIGGY BANK. >> Ellen: YOU GUYS, THAT IS 1138 00:39:00,138 --> 00:39:00,570 YOUR PIGGY BANK. >> Ellen: YOU GUYS, THAT IS INCREDIBLE. 1139 00:39:00,572 --> 00:39:01,237 >> Ellen: YOU GUYS, THAT IS INCREDIBLE. THAT IS AMAZING. 1140 00:39:01,239 --> 00:39:03,540 INCREDIBLE. THAT IS AMAZING. IS THERE ONE MORE TRICK AFTER 1141 00:39:03,542 --> 00:39:03,740 THAT IS AMAZING. IS THERE ONE MORE TRICK AFTER THIS? 1142 00:39:03,742 --> 00:39:05,008 IS THERE ONE MORE TRICK AFTER THIS? WE WILL TAKE A BREAK. 1143 00:39:05,010 --> 00:39:06,743 THIS? WE WILL TAKE A BREAK. OH, MY GOD, I LOVE THIS. 1144 00:39:06,745 --> 00:39:09,512 WE WILL TAKE A BREAK. OH, MY GOD, I LOVE THIS. WE WILL BE BACK WITH ONE MORE 1145 00:39:09,514 --> 00:39:10,013 OH, MY GOD, I LOVE THIS. WE WILL BE BACK WITH ONE MORE TRICK. 1146 00:39:10,015 --> 00:39:10,480 WE WILL BE BACK WITH ONE MORE TRICK. [CHEERS AND APPLAUSE] 1147 00:39:10,482 --> 00:39:13,083 TRICK. [CHEERS AND APPLAUSE] ♪ ♪ 1148 00:39:13,085 --> 00:39:14,951 . 1149 00:39:35,806 --> 00:39:37,774 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: WE ARE BACK WITH THE 1150 00:39:37,776 --> 00:39:39,542 ♪ ♪ >> Ellen: WE ARE BACK WITH THE CAST FROM "BIG TRICK ENERGY" YOU 1151 00:39:39,544 --> 00:39:40,844 >> Ellen: WE ARE BACK WITH THE CAST FROM "BIG TRICK ENERGY" YOU HAVE ONE MORE THING THE SHOW US 1152 00:39:40,846 --> 00:39:41,544 CAST FROM "BIG TRICK ENERGY" YOU HAVE ONE MORE THING THE SHOW US I CAN'T WAIT. 1153 00:39:41,546 --> 00:39:43,813 HAVE ONE MORE THING THE SHOW US I CAN'T WAIT. >> THANK YOU FOR HAVING US. 1154 00:39:43,815 --> 00:39:46,349 I CAN'T WAIT. >> THANK YOU FOR HAVING US. >> THIS IS LEGITIMATELY, HAS 1155 00:39:46,351 --> 00:39:48,251 >> THANK YOU FOR HAVING US. >> THIS IS LEGITIMATELY, HAS BEEN A PART OF THE BUCKET ROOM 1156 00:39:48,253 --> 00:39:50,220 >> THIS IS LEGITIMATELY, HAS BEEN A PART OF THE BUCKET ROOM AND WE ARE SO GLAD THAT YOU CAME 1157 00:39:50,222 --> 00:39:52,088 BEEN A PART OF THE BUCKET ROOM AND WE ARE SO GLAD THAT YOU CAME INTO THE BUCKET ROOM TO WITNESS 1158 00:39:52,090 --> 00:39:52,255 AND WE ARE SO GLAD THAT YOU CAME INTO THE BUCKET ROOM TO WITNESS IT. 1159 00:39:52,257 --> 00:39:53,356 INTO THE BUCKET ROOM TO WITNESS IT. IT'S NOT JUST ABOUT OUR 1160 00:39:53,358 --> 00:39:54,791 IT. IT'S NOT JUST ABOUT OUR FRIENDSHIP OR THE MAGIC, BUT 1161 00:39:54,793 --> 00:39:56,426 IT'S NOT JUST ABOUT OUR FRIENDSHIP OR THE MAGIC, BUT THERE IS SOMETHING WE LIKE DOING 1162 00:39:56,428 --> 00:39:58,161 FRIENDSHIP OR THE MAGIC, BUT THERE IS SOMETHING WE LIKE DOING AND THAT IS LIFTING THE VEIL ON 1163 00:39:58,163 --> 00:39:59,229 THERE IS SOMETHING WE LIKE DOING AND THAT IS LIFTING THE VEIL ON MAGIC A LITTLE BIT TO GIVE 1164 00:39:59,231 --> 00:40:00,797 AND THAT IS LIFTING THE VEIL ON MAGIC A LITTLE BIT TO GIVE PEOPLE A GLIMPSE OF WHAT GOES ON 1165 00:40:00,799 --> 00:40:03,233 MAGIC A LITTLE BIT TO GIVE PEOPLE A GLIMPSE OF WHAT GOES ON BEHIND, BECAUSE THERE IS A LOT 1166 00:40:03,235 --> 00:40:04,601 PEOPLE A GLIMPSE OF WHAT GOES ON BEHIND, BECAUSE THERE IS A LOT OF WORK BEHIND THESE TRICKS AND 1167 00:40:04,603 --> 00:40:06,936 BEHIND, BECAUSE THERE IS A LOT OF WORK BEHIND THESE TRICKS AND I'M SURE THE AUDIENCE AT HOME IS 1168 00:40:06,938 --> 00:40:08,471 OF WORK BEHIND THESE TRICKS AND I'M SURE THE AUDIENCE AT HOME IS PROBABLY GUESSING HOW WE DO SOME 1169 00:40:08,473 --> 00:40:11,107 I'M SURE THE AUDIENCE AT HOME IS PROBABLY GUESSING HOW WE DO SOME OF THESE THINGS, AND IF YOU 1170 00:40:11,109 --> 00:40:12,542 PROBABLY GUESSING HOW WE DO SOME OF THESE THINGS, AND IF YOU THINK THAT THIS IS ALL JUST 1171 00:40:12,544 --> 00:40:14,544 OF THESE THINGS, AND IF YOU THINK THAT THIS IS ALL JUST SMOKE AND MIRRORS, WELL, GUESS 1172 00:40:14,546 --> 00:40:19,582 THINK THAT THIS IS ALL JUST SMOKE AND MIRRORS, WELL, GUESS WHAT, YOU ARE ABSOLUTELY RIGHT. 1173 00:40:19,584 --> 00:40:20,316 SMOKE AND MIRRORS, WELL, GUESS WHAT, YOU ARE ABSOLUTELY RIGHT. MORE SMOKE! 1174 00:40:20,318 --> 00:40:23,386 WHAT, YOU ARE ABSOLUTELY RIGHT. MORE SMOKE! WE NEED MORE SMOKE AND MIRRORS, 1175 00:40:23,388 --> 00:40:24,587 MORE SMOKE! WE NEED MORE SMOKE AND MIRRORS, GUYS! 1176 00:40:24,589 --> 00:40:26,122 WE NEED MORE SMOKE AND MIRRORS, GUYS! >> THANK YOU FOR JOINING US IN 1177 00:40:26,124 --> 00:40:28,124 GUYS! >> THANK YOU FOR JOINING US IN THE BUCKET ROOM! 1178 00:40:28,126 --> 00:40:30,627 >> THANK YOU FOR JOINING US IN THE BUCKET ROOM! >> Ellen: OH, MY GOD, THAT'S 1179 00:40:30,629 --> 00:40:30,894 THE BUCKET ROOM! >> Ellen: OH, MY GOD, THAT'S HILARIOUS. 1180 00:40:30,896 --> 00:40:32,195 >> Ellen: OH, MY GOD, THAT'S HILARIOUS. THANK YOU FOR LETTING US IN 1181 00:40:32,197 --> 00:40:33,563 HILARIOUS. THANK YOU FOR LETTING US IN BEHIND ALL THE TRICKS. 1182 00:40:33,565 --> 00:40:34,998 THANK YOU FOR LETTING US IN BEHIND ALL THE TRICKS. THAT'S REALLY GOOD. 1183 00:40:35,000 --> 00:40:38,101 BEHIND ALL THE TRICKS. THAT'S REALLY GOOD. IT'S CALLED "BIG TRICK ENERGY" 1184 00:40:38,103 --> 00:40:40,136 THAT'S REALLY GOOD. IT'S CALLED "BIG TRICK ENERGY" AND PREMIERES ON truTV. 1185 00:40:40,138 --> 00:40:42,071 IT'S CALLED "BIG TRICK ENERGY" AND PREMIERES ON truTV. I WANT TO THANK KEITH URBAN AND 1186 00:40:42,073 --> 00:40:42,372 AND PREMIERES ON truTV. I WANT TO THANK KEITH URBAN AND DEAN LEWIS. 1187 00:40:42,374 --> 00:40:43,973 I WANT TO THANK KEITH URBAN AND DEAN LEWIS. AND THANK ALL OF YOU FOR 1188 00:40:43,975 --> 00:40:44,240 DEAN LEWIS. AND THANK ALL OF YOU FOR WATCHING. 1189 00:40:44,242 --> 00:40:45,708 AND THANK ALL OF YOU FOR WATCHING. I FEEL THE LOVE AND ENERGY IN 1190 00:40:45,710 --> 00:40:48,011 WATCHING. I FEEL THE LOVE AND ENERGY IN THIS ROOM, GO OUT AND SPREAD IT 1191 00:40:48,013 --> 00:40:51,781 I FEEL THE LOVE AND ENERGY IN THIS ROOM, GO OUT AND SPREAD IT IN THE WORLD, EVERYBODY! 1192 00:40:51,783 --> 00:40:52,782 THIS ROOM, GO OUT AND SPREAD IT IN THE WORLD, EVERYBODY! BYE-BYE! 1193 00:40:52,784 --> 00:40:53,583 IN THE WORLD, EVERYBODY! BYE-BYE! [CHEERS AND APPLAUSE] 1194 00:40:53,585 --> 00:40:54,050 BYE-BYE! [CHEERS AND APPLAUSE] >> THANKS, ELLEN! 1195 00:40:54,052 --> 00:40:54,517 [CHEERS AND APPLAUSE] >> THANKS, ELLEN! [CHEERS AND APPLAUSE] 1196 00:40:54,519 --> 00:40:56,319 >> THANKS, ELLEN! [CHEERS AND APPLAUSE] ♪ ♪ 1197 00:40:56,321 --> 00:40:59,689 [CHEERS AND APPLAUSE] ♪ ♪ >> Ellen: ANYWAY...