(brassy upbeat music)
(dramatic orchestral music)
(camera snaps)
- You can't nick the Crown Jewels.
- Why not?
I'll tell you why not.
Because it's unpatriotic for a start.
Besides which, I don't fancy being banged up
in the Tower of London for the next 300 years.
- For once, I think Danny may have a point.
- Yeah, thank you, Stacie.
What do you mean "for once?"
- Yeah, I mean, if we get caught,
they'll throw away the key, won't they?
- Exactly.
I'm too pretty to go to prison.
I'll never get any sleep.
(all chuckle)
- Call me old-fashioned,
but I was hoping to avoid getting caught.
- We're talking about the crime of the century.
- There's a band of private collectors
who are willing to pay a small fortune
to add the First Star of Africa to their collection.
- Can we find them?
- All in hand.
The First Star of Africa.
530.2 carats.
Also known as the Cullinan I
because it's the largest of the nine stones
cut from the Cullinan Diamond
discovered in South Africa in 1905.
It's now set in the head of the Royal Scepter.
Home is the Tower of London.
The Guildhall Art Gallery is holding
a major African exhibition to coincide
with the Commonwealth summit.
It starts the day after tomorrow
and the Star of Africa is to be the centerpiece.
All right.
Think of it.
The biggest score of this century or the last.
Something that will be remembered
a hundred, even 200 years from now.
Everything I know,
everything I've learned has been waiting for this moment.
Nothing this big will ever come our way again.
- The downside is
if we get caught
we all go to prison for a very long time.
(jazzy music)
- You all right, Mick?
You on your own?
- Yeah, looks that way.
Cheers.
- If I didn't know better, I'd say you were sulking.
- Really?
- What did you expect?
You asked them to put the rest of their lives on the line.
- Yep.
- Just tell me one thing.
Why?
- Because no one has ever dared attempt
anything this big for 300 years.
- And that's it?
- For me, yes.
Look, this is the biggest game in town.
If we're not here, we're not anywhere.
I can see that.
You see, Mickey,
I had my doubts earlier, but
you can count me in.
- Thanks, Danny.
That's worth a lot.
But this can't happen without Stacie and Ash.
- [Stacie] Glad to hear it.
- Was he sulking, Albert?
- I'm afraid so, yeah.
- Aw, diddums.
- I was not sulking.
- Well, it worked.
Looks like you're getting your own way.
- No, now, wait a minute, come on.
This thing is far too big for anyone to be here
for any other reason than they want to be.
- You can't bottle it now.
- Cor blimey, first he sulks, now he's trying to back out.
(all laugh)
- I'm not backing out.
I'm not backing out, but
if we do this, we do it with our eyes open.
- Hey, if we can't do it, who can?
- Eddie.
On the tab. (laughs)
- So, is this a change of direction for you boys?
You're thieves now?
- Just trying to earn a living, Benny.
Tell me about it.
There are no honest crooks anymore.
Everyone tries to screw you.
Me, I've been screwed more times
than a coachload of hookers.
- (laughs) I see you still have
a wonderful way with words, Benjamin.
- Don't talk to me about words, Mr. Stroller.
Time was a handshake was enough.
Now everyone's 14 with spots and rings in their noses,
all using fancy words to screw you.
Five percent of this.
Two pints of that.
10 pence in the pound and pay you next Wednesday.
- [Albert] Yeah, it's a different world.
- That it is.
Me? I've had enough.
Next year, I sell up.
Let someone else get screwed.
(upbeat music)
So.
The great Mickey Bricks and Albert Stroller.
Call me a Chinaman, but my guess is
you don't have a bag full of car radios.
- Not quite.
- So what is it?
The Crown Jewels? (laughs)
(all laughing)
Please tell me you're not serious.
- What we're looking for are a few select private collectors
to put in sealed bids.
- An auction?
- Winner takes all.
(tense music)
- How long have I got?
- We've found the cleaning company who has the contract
for the gallery.
They employ mostly Eastern European workers.
- You mean cheap.
- Precisely.
And you start tonight. (mobile ringing)
Those are the details.
- [Ash] All right.
- Hello?
- [Benny] It's me.
- Benny, what have you got for me?
- I've got five bidders lined up.
All top notch.
- I knew you were the man for the job.
- Sealed bids will be delivered to your hotel.
- Okay, Benny.
I'll be in touch.
- Well?
- We are on.
(upbeat jazzy music)
- I've just made a pot of tea.
- Oh, yes.
Thank you.
Uh, I will just finish my work.
- You'll wear the varnish off you polish it anymore.
- But I want to do a good job.
- Yes, and you'll do a better job
with a cup of tea inside you.
- Lily.
What is happening in there, huh?
- Some kind of special exhibition.
All very hush-hush.
- Oh.
(polisher whirring)
("Mission Impossible" by Lalo Schifrin)
(music clicks off)
(Danny groans)
- Practicing a few moves.
- And the music?
- Get me in the mood.
Worked for Tom Cruise, didn't it?
- Okay.
I haven't got in the chamber yet,
but from what I've seen they've got motion detectors,
lasers, CCTV pressure pads,
and a steel door with a time lock.
- [Stacie] Belt and braces security then.
- So what's the bottom line?
- Well, it would have been easier
if they'd kept it in the Tower of London.
- Oh, well, it'll be okay.
We've got Spider-Man on board.
(all laugh)
- Yeah, ha-ha-ha, let's all have a good laugh.
Listen, I'll be the only one who's match fit, okay?
- Yeah, there's nothing we can do about the pressure pads.
We'll have to work 'round them.
The biggest problem, though, will be the doors.
Once they're shut,
there's no other way of opening them until the morning.
- Can we get in any other way?
- No. It's a sealed room.
No windows.
That's why they chose it.
- Can we tunnel in?
- No, that would set off the motion detectors.
- And there's no way of bypassing them?
- Yeah, well, if there is, you know, I haven't found it.
- So what are you saying, Ash?
We should just call the whole thing off?
- No.
No, no, no, no.
Just give me a bit more time.
I'll see what I can do.
In the meantime, um,
I'm late for work.
(tense music)
- Yeah.
Yeah.
(wailing siren approaching)
I'm gonna have to call you back.
(thrilling jazzy music)
- Hello, Benny.
(door thuds shut)
(papers rustle)
This is an inventory of what was found in your warehouse.
And this is a list of items reported stolen
in the Greater London area over the past seven days.
As you can see they're virtually identical.
- I bought every item there in good faith.
- In which case you'll have receipts, invoices.
Names and addresses of suppliers.
- We had a fire.
- Oh, yes.
Of course you did.
Crime report.
A container-load of computer equipment was stolen
from the docks three weeks ago.
They found the container yesterday morning.
Someone had tried to burn it.
- Kids these days.
No discipline. (chuckles)
- The fire went out.
We dusted for prints
and you'll never guess what we found.
Perfect match.
Bang to rights, Benny.
- How long, Mr. Wells?
- With your form, 15 years.
You take a guilty, you might get 12.
Well?
- Wait.
What about a deal?
- What kind of deal?
- [Benny] The imminent robbery of the Crown Jewels.
- You said it seven times.
- No, no--
- Mr. Morgan.
I'm sorry to bother you,
only the manager wondered whether you could
bring your account up-to-date?
It is rather a lot.
- Yeah, it is. - I didn't have that.
- [Ash] You did.
- Did you have that?
- No, I didn't, I don't like--
- Who had that? - Whoa, whoa, whoa, enough.
It's not a problem.
- Hey, hey.
Put your hand in there, mate, keep it in there.
I'll get this.
(tense music)
- You shouldn't be in here.
- Oh, but I have to do floors.
- Not in here, sweetheart.
They're bringing other people in.
- Oh.
I am sorry.
- I can see I'll have to keep an eye on you.
Come on.
Come and have a cuppa.
You can try my Bourbons.
(tense music)
- Mick.
- Hey.
How's it going?
- I've got blisters on me blisters.
- No gain without pain.
- Yeah, right, thank you.
Look, I think I've got it.
There's a safety feature on the door.
The time lock's got a panel on the inside,
in case anyone gets locked in.
- So can we use that?
- If we can get someone inside before they close it.
- Hey, haven't you lot got any homes to go to?
- Just a few more minutes, Eddie.
- Yeah, well, come on.
I need my beauty sleep.
- Yeah, I'll second that.
- Do you want a drink?
- [Ash] Oh, you'll be lucky.
- Eddie, I just want to say
that I really appreciate you hanging on
while Ash and I work something through.
- Yeah, I know, Mick,
but it's really late--
- Look, I'll tell you what, I'll tell you what, okay?
We'll just have one more drink and I promise
we'll be out of your hair really soon.
What do you say?
(Eddie sighs)
Come on, we'll be gone by 1:00.
- No, but it's gone one.
I could have sworn it was later than that.
Oh, go on, then, one more.
- You're a star.
Right.
Come on, tell me about this safety feature.
(knocks on door)
- Sir?
- DS Hodges?
- Yes, sir.
- Your DI tells me you were working on a case last year.
Michael Stone?
- Look, we had Stone under surveillance.
But he found out somehow and drafted in another grifter
to impersonate a police officer.
- And the case collapsed?
- Stone's man ran the investigation, sir.
- Must have been very embarrassing for you.
- It was embarrassing for the whole department, sir.
DCI Mullens lost his job because of it.
- Did he, now?
So...
Tell me about Stone.
- Long con artist--
- No, no, no, no, no.
I know what he does.
Tell me about the man.
- [Hodges] Mickey Stone is unique.
He doesn't think like we do.
You can't second-guess him.
He gives the impression
that he's making it all up as he goes along.
- [Danny] Oh, no.
- But everything is planned, precise.
- [Danny] Why me?
- [Mickey] You drew the short straw.
- I demand a recount.
(Mickey chuckles)
So when you gonna push me--
(water splashes)
- [Hodges] He puts together complicated
and seemingly unrelated events, impossible to unravel.
- [Albert] Waiter, I'll have one of those.
- [Hodges] But all leading to the big con.
The higher the stakes, the more he likes it.
- Yes, it has been long.
- [Hodges] Just when you think you've got him...
- I've got a job for you.
Well, are you sitting down?
- You haven't.
- You sound like a bit of a fan.
- (sighs) Hardly, sir.
He made me look like an incompetent idiot.
- Then how would you like to get your own back?
(Danny sneezes)
- Oh, God!
Oh, I tell you now,
I've definitely caught something. (sniffles)
- Okay, this thing isn't going to work
unless we can get someone inside the gallery
and in the exhibition room when the doors are locked.
- Once they're locked for the night,
the doors can only be opened from the inside.
- Which is where you come in.
- How?
- Ash?
- We can get 'round the pressure pads by going over the top.
The main problem, though,
aside from the time lock on the door,
will be the lasers and the motion detectors.
Like I said, there's no way we can bypass them
and they'll set the alarms off
as soon as we set foot in the room.
- Solution?
- Well, the only way round it as far as I can see
is to cut the power.
- Well, won't that set the alarms off?
- Yeah.
But if we do it outside somewhere in the road
we'll knock out the whole street.
There'll be alarms going off everywhere.
- Smart.
- [Ash] During that time, we'll have 30 seconds
to cover up the motion detectors
and get to the door panel to stop
the lasers from coming back on.
- Will that be enough time?
- Well, it'll have to be.
Once the genny kicks in,
the lasers and everything else will be back on.
- [Danny] CCTV?
- [Ash] I can reroute those at source during the blackout.
- [Mickey] Good, good.
- So, what do I have to do then?
- The motion detectors and the lasers
have to be disabled from the inside
before we open the door.
- The exhibition has five main exhibitors.
The biggest of which is Joyce Martin.
- So what is your area of expertise?
- I absolutely adore the Urhobo pieces from the Niger Delta.
Particularly the Iphri carved figures.
But, you know, aside from the traditional,
I've always had a deep affection
for some of the more contemporary pieces,
such as Bruce Onobrakpeya's epoxy resin etchings.
Completely stunning.
- The diamond.
It'll be delivered to the gallery
under armed guard tomorrow morning.
We know that Mickey Bricks and his team
are going to steal it.
- This is the first time that we've got a head start.
There is no way they can know we're onto them.
We must use that.
- Okay, we know they're smart.
So no surveillance.
I won't risk them getting wind of this operation.
Which means that we simply watch the gallery
and wait for them to make their move.
Does everyone understand that?
- Yes, guv. - Yes, guv.
- This team has made us look like fools too many times.
This time it's our turn.
- I've found a place to cut off the power,
but there's a problem.
- What?
- I can't be in two places at once.
At the same time the power is being cut off
someone has to be rerouting the feed to the CCTV cameras.
- Well, can't you show someone how to do that?
- No, it's best if I do it.
Someone else can do the electricity.
- Okay, show Danny.
- Me? No.
No, I have trouble wiring a plug.
- Well, it's all right.
I'll talk you through it.
We can use walkie-talkies.
- Okay, I'll do it.
(all chuckle)
- Stacie, how you getting on at the gallery?
- I've found a piece that's perfect.
- [Mickey] Albert?
- Everything will be ready.
- Okay, the exhibition opens tomorrow,
so let's get some sleep.
(upbeat music)
We'll come in here.
There'll be four guards in the control room.
One will be doing his rounds.
- Yeah, there's no set time,
so the chances are we'll have to get past him.
That done, Ash will give the signal to Danny
to cut the power which will give us 30 seconds
to reroute the CCTV
and for Stacie to do her thing.
- You must get to the door
before the emergency power kicks in.
- Okay.
- [Ash] Or you'll be trapped by the lasers.
- When you've done that, we should be on the other side.
- I'd better go.
- Albert?
- Second floor.
And you must be on time.
- We will, we will.
Any questions?
- No.
- Then let's go.
(upbeat jazzy music)
(van parts clattering)
(tense music)
- Thanks for listening, sweetheart.
(tense music)
- Radio silence until further notice.
Cleaning team.
On time.
(upbeat music)
- You okay, Mick?
- Yeah.
- Put that back in me bag.
All right.
(suspenseful music)
- [Hodges] Maybe they're not going to do it tonight.
- (quietly) Now what do I do?
- [Ash] Okay.
All right.
Come on, baby.
There we go.
All right.
(tense music)
We're on, Mick.
Now we'll tape it for a while
and then feed the tape through on a loop.
- [Mickey] Okay.
Danny, come in.
- Ready, over.
- Okay, that should be enough.
Danny.
Have you got the box in place?
- (quietly) Er, hang on.
Yeah, I got the box in place.
- When you put the clips on, nothing will happen.
Then after 10 seconds, the power will cut out.
Take the crocodile clips and clip them both on the--
(static buzzing)
- [Woman] (on radio) Vinny, where are you, mate?
(tense music)
- I don't want a bleeding cab.
Just get off the line.
- [Man] (on radio) Who's that, Mary?
- [Mary] (on radio) Some bloke messing about.
(static buzzing)
- Danny?
- Ash?
(tense music)
(man laughs)
It's always the red.
It's always red, isn't it?
Come on.
Or is it blue?
Is it blue?
Blue or red?
Red.
(Danny exclaims)
(electricity blasts)
(wires fizzling)
(alarms blaring)
- [Wells] What the...
- Good boy.
Come on, Stace.
You got 30 seconds.
(drill whirring)
(suspenseful music)
- Hold on.
16.
20.
- 21.
- [Stacie] 21.
26.
(flashlight clatters)
30.
Shit!
(alarms blaring)
- Good.
Okay.
(suspenseful music)
- CCTV restored.
It's all back up again.
(telephone rings)
All secure.
- [Guard] Okay.
- Hello?
- [Ash] Let's hope Stacie's done her stuff.
- [Mickey] Right, let's go.
- [Ash] Yeah.
(suspenseful music)
- Thank you.
External power cut.
It wasn't just the gallery, the whole sector was out.
- Security?
- The emergency power is on and alarms have rearmed.
What do you want to do?
- Hold your positions.
I want to know if they're in there.
(suspenseful music)
(knocking at door)
(suspenseful music)
- [Mickey] What's she doing?
She should have opened the door by now.
(suspenseful music)
Something must have gone wrong.
(suspenseful music)
(device beeping rapidly)
Come on, Stacie.
(device beeping rapidly)
What kept you?
- Watch the pressure pads.
Everything beyond this point is a pressure pad.
If we touch them, the alarms go off, all right?
(suspenseful music)
You ready, Mick?
- Let's go.
- Stace.
(tense music)
- Carry on.
(tense music)
Down, down, down.
Stop.
(tense music)
- Hello, news desk, please.
(tense music)
- Lift.
(tense music)
Okay, down.
(tense music)
Stop.
(Mickey laughs)
- Okay, any time now would be good.
- Yeah, yeah.
(Mickey exhales)
- One for the scrapbook.
(jazzy music)
- [Hodges] That's the cleaner's van again.
- [Wells] Shit, they must have been in the first van.
- Go, go, go!
(siren blaring) - Hit the alarms!
Hit the alarms!
(alarms blaring)
(sirens wailing)
(suspenseful music)
- I knew it!
(suspenseful music)
- [Wells] Who the hell are you?
- I'm with The Times.
We just received a call about a break-in.
- Get her out!
- Yeah, okay, just one minute.
How many do you think were involved?
- Please. - Any ideas?
- Get out.
There's no way they got out through any of the exits.
(alarm blaring)
(tense music)
- The roof!
(suspenseful music)
- Hey!
- Oh, shit.
(alarms blaring)
(sirens wailing)
(water running)
(jazzy music)
- Okay, quiet, quiet.
(zipper unzips)
- Er, do you mind?
(jazzy music)
Er, dress.
(jazzy music)
- They disappeared.
- Roadblocks?
- They could be anywhere now.
- Okay.
It doesn't matter.
- What?
- Think about it.
We know it was them.
But they have no way of knowing that.
- Which means?
- They don't know we're looking for them.
I will bet you one year's salary
they turn up back at the hotel.
- They wouldn't be that stupid.
- Why not?
As far as they're concerned, they've got clean away.
- [Hodges] I still think they'll be long gone.
- We'll see.
- [Officer] (on radio) Guv?
- Yes.
- [Officer] (on radio) Black cab just about to pass you,
five people inside.
I think it's them.
- Hold your positions.
(taxicab rumbling)
Wait for my signal.
(all laughing)
- That is what I call a great night.
- And I don't know about the rest of you,
the old man's gonna hit the sack.
- Yeah, I think I'll join you.
- Oh, really?
- No, no, I don't mean I'm gonna,
I'm gonna have me own bed.
- [Albert] I didn't know you cared.
- [Ash] I do care, I love you, Albert.
- You said you loved me.
Oh, my God!
- Shut up.
Shut up.
Listen, you lot do what you want, all right,
'cause I'm gonna get a drink.
'Cause I've had a very traumatic couple of days.
- Aww.
Come on, then, I'll keep you company.
(siren wailing)
- [Danny] Oi, oi.
(officers shouting)
- Stand still.
Don't move.
(officers shouting)
- [Officer] Stay still, don't move!
- What's going on?
- You're all under arrest.
- For what?
- Suspicion of theft.
Take them away.
- [Officer] This way, please, sir.
(dramatic music)
- Wait in line.
- I want to speak to my brief.
- In good time.
Just stand there.
- All right, who's first?
- [Wells] He's been arrested on suspicion of theft
at the Guildhall Gallery at 10:30 this evening.
- [Officer] Name?
- [Ash] Ashley Morgan.
- [Officer] Date of birth?
- [Ash] 21/7/60.
- [Officer] Address?
- [Ash] The Lexington Hotel.
- [Officer] Empty your pockets out, will you, please?
- You've forgotten something.
Get this developed.
- [Hodges] Sir.
- [Wells] Take your tie off.
- [Officer] All right, who's next?
(dramatic music)
- Resuming interview with Michael Stone, 9:13 a.m.
So, Mickey.
- Mm.
- You've had a bit of time to think.
- Yeah.
- Is there anything you'd like to tell us?
- Nothing springs to mind.
- Then I will ask you again.
Can you tell me again where you were at 10:30 last night?
- It's slipped my mind.
- It's less than 12 hours ago.
- Yeah, I know, I've got a terrible memory.
(Wells sighs)
Look, I really have no idea
what you're talking about, Officer.
- Interview suspended, 9:18 a.m.
Where's the diamond, Mickey?
- Is that allowed?
- Where's the bloody diamond?
(knocking at door)
What?
- Can I have a word, guv?
- You might think you're clever,
but I know you did this.
And I'm going to put you away.
With or without the diamond.
- Sir?
I think you better see this.
It's the film we took from Morgan's camera.
- Testing, testing, one, two, three, four.
Can you hear me at the back?
Ladies and gentlemen, welcome to the Police Courage Awards.
Would you please make your way towards your seats
and the ceremonies will begin very shortly.
Thank you.
And now the last of tonight's civilian awards
goes to a late entry,
someone who was brought to the Commissioner's attention
only a few days ago.
- Thank you.
- [Albert] Waiter, I'll have one of those.
(upbeat jazzy music)
- A man who, without any thought for his own safety
saved the life of a fellow rambler.
Michael Stone and the man whose life he saved,
Daniel Blue.
(crowd applauding)
- I was leaning down.
There was an injured duck, you see.
So there I was just trying to help,
when suddenly, I lost me footing
and the next thing I knew, I was in the water.
Why me?
- [Mickey] You drew the short straw.
- I demand a recount.
(Mickey chuckles)
So when you gonna push me--
(water splashes)
I was drowning.
Definitely drowning.
(shouting) I can't swim!
Help! - Hey, hey!
- My whole life started flashing before me.
I'd just left school and I felt a strong hand pulling me up.
There he is.
It was Mr. Stone.
He um...
He saved my life.
Thank you.
(crowd applauding)
(telephone ringing nearby)
- Doesn't mean anything.
- We've got nothing to place them at the scene
and no diamond.
- They've hidden it.
- It gets worse.
We know the diamond was stolen
half a mile from the ceremony at 10:30.
- Mm-hmm.
- The Commissioner's watch.
(playful music)
It says 10:20.
(crowd applauding)
(camera snapping)
(bright orchestral music)
- You've forgotten something.
That's...
That's not possible.
You're free to go.
- I'm sorry?
- I said you're free to go.
- Okay.
Oh, it's just come back to me, where I was--
- Get him out of here.
- Nice to see you again.
It's been fun.
- It's not over yet.
You still have to move the diamond.
And when you do,
I'll be there.
(upbeat music)
(telephone ringing)
- CID.
(upbeat music)
Are you sure?
Okay, thank you.
Sir.
We've found the diamond.
(upbeat music)
- Yes!
Where is it?
- It's still at the gallery.
- Doris, how did we do?
- [Doris] Five copies as ordered.
- That's great, Lily.
Just one more, please.
(Lily laughs)
- I don't understand.
Why go to all this trouble
and not even take the diamond?
(upbeat music)
- The British government are naturally
very embarrassed by this theft.
- So MI6 has come up with a plan
to invent a story to save face.
- They'll say the diamond has been found
and the perpetrators caught.
- They'll then put a replica into the Royal Scepter
and replace it in the Tower.
- Yeah, we're expecting the cover-up story to hit the press
some time later today, just so you know.
(bright music)
(upbeat music)
- Police?
I'd like to report the whereabouts of some stolen goods.
(upbeat music)
(both laughing)
- Got your amnesty?
- In writing.
- Then Benny,
enjoy your retirement.
- I certainly will.
(Mickey laughs)
(upbeat music)
- Oh, ye of little faith.
You see, it's the perfect con.
There's no crime, so there's nothing to be arrested for.
And the only losers are five mugs
greedy enough to buy five fake diamonds.
And when they find out they've been conned, (laughs)
who are they gonna tell?
(upbeat music)
- There it is, back of the net.
Right, this is a toast.
A toast to Mickey Bricks, who is without doubt,
a bleeding genius.
- Worthy of any of the greats.
- I still think he should have told us at the start.
- Well, the risk was the same.
If you got caught
who would have believed you weren't stealing the diamond,
but simply moving it?
- Hey, will you take a look at that, eh?
Nice one, Lily.
(all laughing)
- Right on!
- Hey!
- Mickey!
- Who paid the bill?
- Uh, Danny.
- With what?
- A credit card.
- Please tell me you didn't.
- Er, what?
- The police are downstairs
and the receptionist is showing them a credit card receipt.
So, please, Danny, pretty please with knobs on,
tell me you did not use one of yours.
- We better pack.
- Ah, Danny.
(upbeat music)
- We've just pulled off the biggest con of the century
and we're sneaking out of a hotel
for paying the bill with a bent credit card.
- Yeah, blame me, why don't you?
- [All] We do.
- Yeah, well, I've had a very rough couple of days,
you know?
All for the good of the team.
I've been pushed in that bloody canal, nearly drowned.
I been electrocuted, nearly fried.
I've had a very harrowing time, I'll have you know.
Are you lot listening to me?
- [All] No.
- [Man] Oi!
(bird wings fluttering)
- [Stacie] Come on, Albie.
- [Albert] I'm coming, I'm coming!
(brassy upbeat music)